1 00:00:00,720 --> 00:00:18,160 Speaker 1: I am all in again. Oh that's just you. Gilmore 2 00:00:18,239 --> 00:00:23,720 Speaker 1: Girls Gazette with Amy Sugarman and Danielle Romo, an iHeartRadio podcast, 3 00:00:24,120 --> 00:00:29,280 Speaker 1: It's time for some Parents. It's season two, episode seven 4 00:00:29,880 --> 00:00:30,640 Speaker 1: seven Names. 5 00:00:30,760 --> 00:00:33,919 Speaker 2: Ironically, I don't know why was it called seven oh 6 00:00:34,040 --> 00:00:36,199 Speaker 2: seven names because he had the fireside that. 7 00:00:38,200 --> 00:00:38,519 Speaker 3: I was. 8 00:00:38,920 --> 00:00:40,879 Speaker 2: I was so worried that it was going to be 9 00:00:41,080 --> 00:00:44,400 Speaker 2: Sarah Braverman's other boyfriend, but then we never saw him. 10 00:00:44,600 --> 00:00:46,040 Speaker 3: Is he gone? 11 00:00:46,280 --> 00:00:47,080 Speaker 2: I don't. 12 00:00:47,320 --> 00:00:50,440 Speaker 1: We didn't get the payoff of who was actually fired 13 00:00:50,680 --> 00:00:52,440 Speaker 1: outside obviously. 14 00:00:51,960 --> 00:00:55,400 Speaker 2: The assistant that was so awful whatever, the girl that 15 00:00:55,440 --> 00:00:59,080 Speaker 2: sits right outside Adam Braverman's office, And I did appreciate that. 16 00:00:59,160 --> 00:01:01,120 Speaker 3: Lauren Graham was like, just fire me. 17 00:01:01,360 --> 00:01:04,160 Speaker 2: Inspire me, yeah, because that would have been so brutal. 18 00:01:04,200 --> 00:01:08,480 Speaker 2: But also he was like, you don't make any money. 19 00:01:07,200 --> 00:01:10,160 Speaker 1: But the ultimate dig and your salary wouldn't make a 20 00:01:10,240 --> 00:01:12,360 Speaker 1: disc This episode. 21 00:01:11,640 --> 00:01:13,399 Speaker 3: Was Here's what I'm gonna say. First of all, it 22 00:01:13,480 --> 00:01:16,280 Speaker 3: was great, but it was not like the ten. 23 00:01:16,880 --> 00:01:19,319 Speaker 2: It was still really great, don't get me wrong, They're 24 00:01:19,360 --> 00:01:20,880 Speaker 2: all great, but it wasn't quite as. 25 00:01:20,760 --> 00:01:21,960 Speaker 3: Good as like the week before. 26 00:01:22,080 --> 00:01:24,400 Speaker 1: Whatever, Right, I agree, I agree, very entertaining. 27 00:01:25,160 --> 00:01:28,160 Speaker 2: There's a little bit of a problem with two storylines 28 00:01:28,280 --> 00:01:32,720 Speaker 2: right now, Jasmine and Crosby. They just become sort of 29 00:01:32,760 --> 00:01:37,640 Speaker 2: like one note right and then a little bit, although 30 00:01:37,680 --> 00:01:40,800 Speaker 2: I enjoyed it immensely, we're really going through sort of 31 00:01:40,840 --> 00:01:45,559 Speaker 2: a redundant storyline with Julia and Joel. 32 00:01:46,000 --> 00:01:46,480 Speaker 1: Julia. 33 00:01:46,880 --> 00:01:48,800 Speaker 3: That one I liked because it was like. 34 00:01:50,720 --> 00:01:54,640 Speaker 2: It was moving it forward and it was pretty like complicated, 35 00:01:55,080 --> 00:01:59,840 Speaker 2: but definitely we're really exploring that sort of situation, right. 36 00:02:00,040 --> 00:02:04,120 Speaker 1: I do think though that there was a big zinger 37 00:02:04,120 --> 00:02:07,920 Speaker 1: in that storyline, and do you should we just talk about. 38 00:02:08,200 --> 00:02:10,320 Speaker 2: You mean, when she like ripped on him because she 39 00:02:10,480 --> 00:02:12,000 Speaker 2: makes more, Yeah. 40 00:02:11,760 --> 00:02:15,240 Speaker 1: And he was like, oh, so sorry that my job 41 00:02:15,320 --> 00:02:18,720 Speaker 1: isn't as important, and I was just like, oh, also. 42 00:02:18,600 --> 00:02:21,600 Speaker 2: Like contractors make a lot of money too, So I 43 00:02:21,720 --> 00:02:22,079 Speaker 2: was like. 44 00:02:24,160 --> 00:02:28,000 Speaker 1: Yeah, no, no, I get it. But I also I 45 00:02:28,080 --> 00:02:31,600 Speaker 1: also I also get it, like Iain, I. 46 00:02:31,600 --> 00:02:34,839 Speaker 3: Just don't understand those why they're not But here's my thing. 47 00:02:34,960 --> 00:02:37,240 Speaker 2: They both make a lot of money. Do they not 48 00:02:37,320 --> 00:02:38,360 Speaker 2: want to have a nanny? 49 00:02:38,480 --> 00:02:39,119 Speaker 3: Is that the thing? 50 00:02:39,160 --> 00:02:41,680 Speaker 2: Or they do not want to have child care because 51 00:02:41,680 --> 00:02:43,640 Speaker 2: they want one parent to be at home. 52 00:02:44,040 --> 00:02:46,320 Speaker 3: Is that the issue? Do you think like because I 53 00:02:46,360 --> 00:02:48,519 Speaker 3: was sort of like, why not have. 54 00:02:49,000 --> 00:02:51,840 Speaker 2: Zeke and Camille take her a couple of days a week, 55 00:02:51,960 --> 00:02:53,160 Speaker 2: Like what's the big. 56 00:02:53,080 --> 00:02:57,720 Speaker 1: Look, this is actually a very interesting conversation. But as 57 00:02:57,800 --> 00:03:01,839 Speaker 1: somebody who has a nanny, I'm going to tell you 58 00:03:02,200 --> 00:03:06,280 Speaker 1: every penny I make goes to my nanny, Like it is. 59 00:03:06,639 --> 00:03:08,760 Speaker 3: That's not true. Please say that's not true. 60 00:03:09,000 --> 00:03:12,040 Speaker 1: No, no, no, it's actually absurd. It is so absurd, 61 00:03:12,240 --> 00:03:15,360 Speaker 1: it is actually crazy. And I was talking with my 62 00:03:15,480 --> 00:03:19,519 Speaker 1: friend whose husband is a lawyer. She's not a husband 63 00:03:19,639 --> 00:03:23,800 Speaker 1: is a lawyer and she and she has a great job, 64 00:03:23,919 --> 00:03:26,720 Speaker 1: you know, normal great job. But she was telling me, 65 00:03:26,760 --> 00:03:28,600 Speaker 1: she's like, yeah, we can't afford a nanny. And I 66 00:03:28,639 --> 00:03:30,600 Speaker 1: was like, what do you mean you can't afford a nanny. 67 00:03:30,639 --> 00:03:34,120 Speaker 1: Your husband's a lawyer. And she's like, we have a 68 00:03:34,160 --> 00:03:37,800 Speaker 1: big house and our big mortgage, and our kids go 69 00:03:37,840 --> 00:03:39,760 Speaker 1: to private school or you know, the older kids go 70 00:03:39,800 --> 00:03:42,280 Speaker 1: to private school. Whatever. It's like, just because you are 71 00:03:42,320 --> 00:03:45,120 Speaker 1: a lawyer, lawyer, and granted, I guess Sydney is the 72 00:03:45,120 --> 00:03:50,600 Speaker 1: only kid, and you know, it's weird, Sydney actually does 73 00:03:50,640 --> 00:03:52,880 Speaker 1: go to school. So so like Joel, I guess has 74 00:03:52,920 --> 00:03:55,680 Speaker 1: the day it's really the afternoon, That's. 75 00:03:55,480 --> 00:03:56,000 Speaker 3: What I'm saying. 76 00:03:56,040 --> 00:03:58,440 Speaker 2: It's only that getting her to school and the after 77 00:03:58,680 --> 00:04:01,120 Speaker 2: like she just kind of needs go to Zeke's for 78 00:04:01,200 --> 00:04:04,120 Speaker 2: like three hours. Like I do think there's salt. Now, 79 00:04:04,160 --> 00:04:06,280 Speaker 2: I'm not being disrespectful to the situation. 80 00:04:07,080 --> 00:04:07,240 Speaker 1: Now. 81 00:04:07,280 --> 00:04:10,880 Speaker 2: I always heard if the nanny costs more than your salary, 82 00:04:11,240 --> 00:04:13,680 Speaker 2: not worth it to have the nanny, better to quit 83 00:04:13,760 --> 00:04:14,600 Speaker 2: your job. 84 00:04:14,840 --> 00:04:16,640 Speaker 1: Right, And that's why a lot of people do do 85 00:04:16,800 --> 00:04:18,840 Speaker 1: have that, right, Like they're like, I might as well 86 00:04:18,880 --> 00:04:21,480 Speaker 1: just stay home. But some people love to work and 87 00:04:21,520 --> 00:04:23,360 Speaker 1: that's like more important than that, you. 88 00:04:23,320 --> 00:04:26,320 Speaker 2: Know, yeah, Or sometimes people do it for the benefits. 89 00:04:26,360 --> 00:04:29,280 Speaker 2: They need the benefits, right, Like. 90 00:04:29,680 --> 00:04:31,600 Speaker 1: I'm not going to call out somebody that we work with, 91 00:04:31,600 --> 00:04:34,360 Speaker 1: but somebody that we work with her salary is less 92 00:04:34,400 --> 00:04:37,080 Speaker 1: than her nanny's and she's like, I work because I 93 00:04:38,360 --> 00:04:39,640 Speaker 1: love my job and I. 94 00:04:39,600 --> 00:04:42,040 Speaker 3: Love Wait, you have to tell me who that is. 95 00:04:45,200 --> 00:04:49,160 Speaker 1: Okay, I love her, and if you confront her about 96 00:04:49,200 --> 00:04:50,719 Speaker 1: you'd be like, yep, that is accurate. 97 00:04:50,960 --> 00:04:54,040 Speaker 3: Oh no, I feel like I that person needs a raise. 98 00:04:55,279 --> 00:04:57,840 Speaker 1: It's on our direct team. It's somebody. 99 00:04:57,240 --> 00:05:00,560 Speaker 3: Yeah, Okay, I don't have to worry. Got it so much? 100 00:05:01,000 --> 00:05:06,280 Speaker 1: Ironically her husband's a lawyer. Oh my god. She's like, 101 00:05:06,360 --> 00:05:09,159 Speaker 1: I make as much as my nanny, but and work 102 00:05:09,279 --> 00:05:12,040 Speaker 1: is doing work and having a hobby. For me, it's 103 00:05:12,080 --> 00:05:14,160 Speaker 1: like basically work as our hobby, you know what I mean. 104 00:05:14,240 --> 00:05:16,960 Speaker 2: Like, and she's like, yeah, but still like that's why 105 00:05:16,960 --> 00:05:18,440 Speaker 2: it's so tough out there. 106 00:05:18,520 --> 00:05:23,240 Speaker 3: It's like tough. That's just tough, I know. So yeah, 107 00:05:23,279 --> 00:05:27,120 Speaker 3: I mean, the Joel Julia situation is so real. 108 00:05:27,200 --> 00:05:29,159 Speaker 2: And then also them fighting in front of the like 109 00:05:29,360 --> 00:05:32,440 Speaker 2: little girl who I can't remember her name right now menopause, 110 00:05:32,520 --> 00:05:33,960 Speaker 2: but she was. 111 00:05:33,920 --> 00:05:38,520 Speaker 3: So upset about the fighting. What is her name, Sydney, Sydney, 112 00:05:38,560 --> 00:05:38,919 Speaker 3: thank you? 113 00:05:39,760 --> 00:05:42,000 Speaker 2: She was upset, and she's so cute and like, I 114 00:05:42,080 --> 00:05:44,359 Speaker 2: kind of love them, and I love Joel. I love 115 00:05:44,520 --> 00:05:47,279 Speaker 2: Joel like I would make it work because Joel's so 116 00:05:47,400 --> 00:05:49,560 Speaker 2: hot as that contractor. 117 00:05:49,720 --> 00:05:52,560 Speaker 1: He's so hot. He does great work. He's he does 118 00:05:52,680 --> 00:05:54,920 Speaker 1: you know, he's obviously very smart. 119 00:05:55,320 --> 00:05:58,880 Speaker 2: Correct, Joel is my number one hunk on that show, 120 00:05:59,040 --> 00:06:02,320 Speaker 2: like you know, oh my, but by the way, were 121 00:06:02,400 --> 00:06:04,680 Speaker 2: you stunned when you saw Michael B. 122 00:06:04,839 --> 00:06:08,279 Speaker 1: Jordans, Oh yes, oh yes, he's on my notes to 123 00:06:08,320 --> 00:06:08,919 Speaker 1: talk about. 124 00:06:09,120 --> 00:06:09,800 Speaker 3: Oh my god. 125 00:06:10,600 --> 00:06:12,960 Speaker 2: And first of all I knew and I knew him 126 00:06:13,000 --> 00:06:16,440 Speaker 2: from Friday Night Lights. So but when he showed up, 127 00:06:16,480 --> 00:06:19,440 Speaker 2: I was like, oh, yeah, there he is Michael B. 128 00:06:19,640 --> 00:06:22,640 Speaker 3: Jordan, Like that's Michael B. Jordan Before he was Michael 129 00:06:22,680 --> 00:06:23,800 Speaker 3: B Jordan's. 130 00:06:24,080 --> 00:06:28,400 Speaker 1: And that was those that are listening, that was Hattie's. 131 00:06:28,839 --> 00:06:30,480 Speaker 1: I guess, boss, right. 132 00:06:30,440 --> 00:06:32,440 Speaker 2: Now, what do you think of that storyline? Tell me 133 00:06:32,480 --> 00:06:33,599 Speaker 2: what you think is gonna happen. 134 00:06:34,400 --> 00:06:36,679 Speaker 1: I mean, they're definitely gonna make out, and they're definitely 135 00:06:38,720 --> 00:06:41,560 Speaker 1: because there's there's flond flirty flirt right. 136 00:06:41,560 --> 00:06:43,760 Speaker 2: Totally, and he's kind of like hard shot her and 137 00:06:43,800 --> 00:06:45,839 Speaker 2: she's sort of like what's going on. 138 00:06:46,200 --> 00:06:48,839 Speaker 3: It's cute though. I like that. It's a very clever. 139 00:06:48,640 --> 00:06:51,520 Speaker 2: Way to bring in a love interest for her, right, 140 00:06:51,680 --> 00:06:54,640 Speaker 2: very very clever because it wasn't like shoved down our face. 141 00:06:54,839 --> 00:06:59,360 Speaker 2: It wasn't like someone at school. It's like really clever. 142 00:06:59,760 --> 00:07:02,400 Speaker 1: Right, And you can tell towards the you know, like 143 00:07:02,960 --> 00:07:05,080 Speaker 1: at the at first, I was like, is he into it? 144 00:07:05,120 --> 00:07:07,000 Speaker 1: Is he not? And then at the end you seem 145 00:07:07,080 --> 00:07:10,600 Speaker 1: like kind of smiling after he gives her some you know, 146 00:07:10,680 --> 00:07:13,640 Speaker 1: some grief or whatever, and I'm like, Oh, they're definitely 147 00:07:13,680 --> 00:07:14,840 Speaker 1: going to get him on like this. 148 00:07:16,520 --> 00:07:19,280 Speaker 2: Yeah, so that was a cute that was very well 149 00:07:19,320 --> 00:07:21,640 Speaker 2: done and smooth and the whole thing there. 150 00:07:21,960 --> 00:07:24,240 Speaker 3: I did you notice the scene and they do do this? 151 00:07:24,440 --> 00:07:25,040 Speaker 3: I said, do do? 152 00:07:25,360 --> 00:07:28,080 Speaker 2: They do do this a bit on this show they 153 00:07:28,120 --> 00:07:31,840 Speaker 2: have these scenes where it's almost like, okay, now, everybody 154 00:07:31,880 --> 00:07:34,760 Speaker 2: talk at once, give your lines all at once. You 155 00:07:34,840 --> 00:07:39,440 Speaker 2: know the scene at the dinner table where I think 156 00:07:39,480 --> 00:07:44,160 Speaker 2: it was when Adam is talking to Monica Potter about 157 00:07:44,200 --> 00:07:47,960 Speaker 2: who he's gonna let go, and Hattie weighs in, like Dad, 158 00:07:48,040 --> 00:07:50,840 Speaker 2: you can't cry, and then Max kind of comes in 159 00:07:50,920 --> 00:07:53,720 Speaker 2: and there's this sort of swirl and they all talk 160 00:07:53,760 --> 00:07:56,520 Speaker 2: at the same time, and yet it's not annoying. You're like, oh, 161 00:07:56,520 --> 00:07:57,960 Speaker 2: I get it, and then it quickly kind of goes 162 00:07:57,960 --> 00:07:59,120 Speaker 2: to commercial from. 163 00:07:58,880 --> 00:08:01,160 Speaker 1: That, right, Yeah, I got what you're saying. 164 00:08:01,320 --> 00:08:04,160 Speaker 2: It's kind of interesting how they do that, right, Like, 165 00:08:04,240 --> 00:08:06,440 Speaker 2: you never see that on Gilmore Girls. They're not doing 166 00:08:06,440 --> 00:08:09,440 Speaker 2: that on Gilmot Girls because you can't Gilmourt Girls if 167 00:08:09,440 --> 00:08:14,320 Speaker 2: you miss what they're saying. That would be a problem, 168 00:08:14,360 --> 00:08:16,560 Speaker 2: Whereas on this show, it's sort of like a big 169 00:08:16,600 --> 00:08:18,640 Speaker 2: swirl and you just get it. You're like, Okay, it's 170 00:08:18,760 --> 00:08:22,800 Speaker 2: chaotic dinner at the right. Okay, so much to talk 171 00:08:22,840 --> 00:08:26,040 Speaker 2: about because Adam has to ladies people off and Billy 172 00:08:26,080 --> 00:08:28,200 Speaker 2: Baldwin is sort of like figure it out, and Billy 173 00:08:28,200 --> 00:08:30,120 Speaker 2: Balden was kind of being mean and Adam was trying 174 00:08:30,120 --> 00:08:32,720 Speaker 2: to solve it without laying people off. And then Billy 175 00:08:32,760 --> 00:08:34,560 Speaker 2: Baldwin comes in and he's like, I'll stay with you, 176 00:08:34,640 --> 00:08:37,080 Speaker 2: and then Adam's kind of like hit the road, Jack, 177 00:08:37,520 --> 00:08:38,600 Speaker 2: what did you think of all that? 178 00:08:39,520 --> 00:08:42,600 Speaker 1: I feel like that's like kind of like a typical thing, right, 179 00:08:42,760 --> 00:08:45,160 Speaker 1: like the person in CEO in charge of like, yeah, 180 00:08:45,280 --> 00:08:47,240 Speaker 1: lay off a bunch of these people, and it's like 181 00:08:47,280 --> 00:08:47,880 Speaker 1: the you. 182 00:08:47,840 --> 00:08:51,439 Speaker 3: Know, my only flag is that Adam? 183 00:08:52,320 --> 00:08:54,760 Speaker 2: What if he's like the way I'm understanding it, it's 184 00:08:54,840 --> 00:08:58,600 Speaker 2: sort of like Billy Baldwin's the CEO and Adam's like 185 00:08:58,679 --> 00:09:01,320 Speaker 2: the COO, right, like he's kind of second in command. 186 00:09:01,600 --> 00:09:04,360 Speaker 2: I just feel like Adam would have better knowledge of 187 00:09:04,679 --> 00:09:09,559 Speaker 2: the financial situations of the shoe factory or whatever, do 188 00:09:09,559 --> 00:09:10,160 Speaker 2: you know what I mean? 189 00:09:10,679 --> 00:09:14,199 Speaker 1: Yeah, but I think I think Adam is a little 190 00:09:14,240 --> 00:09:18,040 Speaker 1: bit of like an internal optimist because he's he's kind 191 00:09:18,040 --> 00:09:19,480 Speaker 1: of like, oh, but we're you know, we're about to 192 00:09:19,520 --> 00:09:23,120 Speaker 1: launch this clicker shoe and it's gonna be great, you know, 193 00:09:23,320 --> 00:09:29,240 Speaker 1: Like I think he's like, he's like, I have you. 194 00:09:29,200 --> 00:09:32,760 Speaker 2: Get that Adam knows everyone in the whole company, like 195 00:09:32,880 --> 00:09:35,440 Speaker 2: how's your kid, how's your this, how's your dog? 196 00:09:35,559 --> 00:09:38,760 Speaker 3: How's your And you're just like, oh, it's so brutal. 197 00:09:39,120 --> 00:09:42,400 Speaker 1: Right right right right right For a second there, I'm 198 00:09:42,480 --> 00:09:44,760 Speaker 1: kind of like, is he's getting to let go of himself? 199 00:09:45,040 --> 00:09:47,360 Speaker 3: Like I don't know. I felt that, yeah, but I 200 00:09:47,360 --> 00:09:49,000 Speaker 3: feel like that wouldn't really work. 201 00:09:49,480 --> 00:09:52,000 Speaker 2: I also thought Sarah Braverman should have gone to La. 202 00:09:52,240 --> 00:09:54,560 Speaker 2: That was like, I know she can't, but like that 203 00:09:54,760 --> 00:09:56,000 Speaker 2: was real cute. 204 00:09:56,640 --> 00:09:59,840 Speaker 1: And then I like her not, I like, I actually 205 00:09:59,880 --> 00:10:00,720 Speaker 1: like but she didn't go. 206 00:10:10,000 --> 00:10:13,200 Speaker 2: I also like that Billy Baldwin told her what was 207 00:10:13,240 --> 00:10:17,640 Speaker 2: going on. I was like, I do not need him. 208 00:10:16,600 --> 00:10:17,679 Speaker 3: Not telling her. 209 00:10:17,760 --> 00:10:20,839 Speaker 2: And then it's like a three's company with a misunderstanding. 210 00:10:20,880 --> 00:10:22,920 Speaker 3: I'm like, I do not need that. I do not 211 00:10:23,040 --> 00:10:23,440 Speaker 3: want that. 212 00:10:23,880 --> 00:10:25,960 Speaker 2: I'm glad he flat out said yeah, I have to 213 00:10:26,040 --> 00:10:27,920 Speaker 2: lay people off, and your brother asked to do it. 214 00:10:27,960 --> 00:10:31,480 Speaker 2: I was like, thank you, thank you for just being honest. 215 00:10:31,880 --> 00:10:32,120 Speaker 3: You know. 216 00:10:32,280 --> 00:10:34,760 Speaker 1: The more that we get to know him at first, 217 00:10:34,760 --> 00:10:37,920 Speaker 1: I was like this sleazeball, but like the more that 218 00:10:37,960 --> 00:10:40,280 Speaker 1: we get to know him, I'm kind of I'm like, 219 00:10:41,360 --> 00:10:44,000 Speaker 1: his character is very interesting. You want to not like him, 220 00:10:44,040 --> 00:10:44,800 Speaker 1: but you do. 221 00:10:45,800 --> 00:10:47,720 Speaker 3: Yeah, shout out to Billy Baldwin. 222 00:10:47,760 --> 00:10:51,800 Speaker 2: He's really cute, Like I like Billy Baldwin in most things. 223 00:10:52,200 --> 00:10:53,280 Speaker 1: Yeah. No, he's great. 224 00:10:53,880 --> 00:10:56,600 Speaker 2: Yeah, he's like he's perfect for this part. I wish 225 00:10:56,600 --> 00:10:58,079 Speaker 2: they would have kept him around longer. I mean, I 226 00:10:58,120 --> 00:11:00,840 Speaker 2: think we only have a few more episodes with him, right. 227 00:11:00,679 --> 00:11:03,760 Speaker 1: He the seasons is last, Like he doesn't go to 228 00:11:04,040 --> 00:11:04,400 Speaker 1: I think. 229 00:11:04,240 --> 00:11:06,640 Speaker 2: We literally only have like three episodes with him, which 230 00:11:06,640 --> 00:11:09,320 Speaker 2: is I know, it's kind of cute. 231 00:11:09,480 --> 00:11:10,440 Speaker 1: Does he get fired? 232 00:11:10,880 --> 00:11:12,680 Speaker 3: I don't know. I think it's his company. I don't 233 00:11:12,840 --> 00:11:13,679 Speaker 3: I don't remember that. 234 00:11:13,600 --> 00:11:16,280 Speaker 1: Weed, Like does he like let himself go so that 235 00:11:16,880 --> 00:11:18,600 Speaker 1: I don't know because I'm like, why does he leave? 236 00:11:18,720 --> 00:11:18,760 Speaker 4: No? 237 00:11:19,160 --> 00:11:22,160 Speaker 3: I think I don't know. I don't know. We'll find out. 238 00:11:22,160 --> 00:11:27,319 Speaker 3: I was to find out. So Crosby and Jasmine. Wow, 239 00:11:27,400 --> 00:11:28,000 Speaker 3: I'm sort. 240 00:11:27,800 --> 00:11:31,480 Speaker 2: Of like ready for Minka Kelly to kind of cause him. 241 00:11:32,920 --> 00:11:36,240 Speaker 1: I mean, like you need, you need a storyline that's 242 00:11:36,280 --> 00:11:40,240 Speaker 1: going down, help to be to to have some cause 243 00:11:40,280 --> 00:11:42,600 Speaker 1: for a shake up like that, right, And obviously, like 244 00:11:43,000 --> 00:11:45,800 Speaker 1: you know, not having seen the season, I didn't know 245 00:11:45,800 --> 00:11:48,080 Speaker 1: that that was happening. But I get I get the 246 00:11:48,920 --> 00:11:51,280 Speaker 1: I get the feeling from you that, yeah. 247 00:11:51,040 --> 00:11:53,880 Speaker 3: We've had some foreshadowing. I don't remember when. 248 00:11:53,720 --> 00:11:57,600 Speaker 1: It happens, but but I mean in this episode of Crosby, 249 00:11:57,679 --> 00:11:59,400 Speaker 1: Jazzon tell the whole family they're getting married. 250 00:11:59,480 --> 00:12:01,720 Speaker 3: So yeah, that was cute. It was just his whole 251 00:12:01,760 --> 00:12:04,320 Speaker 3: obsession with Jabbar. Obviously Jabbar doesn't care. 252 00:12:04,600 --> 00:12:07,559 Speaker 2: I love that little kid, and he's like, wouldn't you 253 00:12:07,600 --> 00:12:09,160 Speaker 2: be excited if your parents aren't getting married? 254 00:12:09,160 --> 00:12:10,600 Speaker 3: And he's like, my parents aren't married. 255 00:12:10,679 --> 00:12:13,400 Speaker 2: Like he's just like that little kids, like can you 256 00:12:13,400 --> 00:12:16,120 Speaker 2: get out of my legos? So that was cute, and 257 00:12:16,120 --> 00:12:20,840 Speaker 2: then you realize when Crosby tells Adam, like, yeah, I 258 00:12:20,840 --> 00:12:22,720 Speaker 2: think I did it a lot for Jabbar. 259 00:12:22,960 --> 00:12:23,320 Speaker 3: I don't know. 260 00:12:23,360 --> 00:12:26,719 Speaker 2: It's very Look, their relationship is complicated, but it's just. 261 00:12:26,679 --> 00:12:29,600 Speaker 3: A little dull for me. I'm like, we need to 262 00:12:29,679 --> 00:12:32,560 Speaker 3: spice this stuff right right right. 263 00:12:32,440 --> 00:12:34,160 Speaker 1: Which sounds like it's going to happen. 264 00:12:34,760 --> 00:12:37,520 Speaker 3: Seek just agreeing with Camille was like my favorite thing. 265 00:12:37,640 --> 00:12:38,840 Speaker 3: He's all, whatever you. 266 00:12:38,800 --> 00:12:41,760 Speaker 1: Said, Oh my goodness, we have yet to talk about 267 00:12:41,760 --> 00:12:46,480 Speaker 1: ambering Kelsey well and Sarah like, what would you have 268 00:12:46,520 --> 00:12:47,480 Speaker 1: done in that situation? 269 00:12:48,160 --> 00:12:50,679 Speaker 2: First of all, I am not of the mindset that 270 00:12:50,760 --> 00:12:55,840 Speaker 2: you tell other people's other kids parents, like, that's not 271 00:12:55,920 --> 00:12:59,040 Speaker 2: my problem, right, Like you can say to the kid, 272 00:12:59,400 --> 00:13:00,640 Speaker 2: you need to tell your mom. 273 00:13:02,320 --> 00:13:04,920 Speaker 3: I don't know. I'm not I'm not I'm. 274 00:13:04,720 --> 00:13:07,559 Speaker 2: Not the mom, I'm not a mom, so I don't know, 275 00:13:07,679 --> 00:13:11,360 Speaker 2: but I'm not. That that was a little eeks to me. 276 00:13:11,600 --> 00:13:15,520 Speaker 2: And also Sarah Braverman's not doing that, especially since Amber 277 00:13:15,600 --> 00:13:18,360 Speaker 2: was like, please do not tell her mom. Now she 278 00:13:18,440 --> 00:13:23,200 Speaker 2: could say to Sosha Mammot, whatever her person, whatever her 279 00:13:23,280 --> 00:13:25,760 Speaker 2: name is, you need to tell your mama. Must sit 280 00:13:25,840 --> 00:13:27,920 Speaker 2: right here while you do it or something. But like, 281 00:13:28,320 --> 00:13:31,120 Speaker 2: I don't know, ye don't parent other people's kids. That's 282 00:13:31,120 --> 00:13:31,720 Speaker 2: not your job. 283 00:13:32,040 --> 00:13:35,559 Speaker 1: I think hel I think Sarah was leaning down that path, 284 00:13:35,600 --> 00:13:36,600 Speaker 1: and I mean. 285 00:13:36,520 --> 00:13:38,200 Speaker 3: Well, and then Camille messed her. 286 00:13:38,120 --> 00:13:40,520 Speaker 1: Up, right, I was I was gonna say, pregnancy brain. 287 00:13:40,559 --> 00:13:42,959 Speaker 1: I forget who told her, but yeah, with the with 288 00:13:43,200 --> 00:13:46,160 Speaker 1: the what would you want to know? And that's where 289 00:13:46,160 --> 00:13:49,360 Speaker 1: I was so like, ah, don't don't step into this, Sarah, 290 00:13:49,360 --> 00:13:51,480 Speaker 1: don't do it. And then when Camille said that. I 291 00:13:51,520 --> 00:13:53,959 Speaker 1: was like, that would have messed me up too. I 292 00:13:54,440 --> 00:13:56,320 Speaker 1: would want to know. I would want to know that 293 00:13:56,360 --> 00:13:56,920 Speaker 1: my kid. 294 00:13:56,840 --> 00:13:59,960 Speaker 3: Was Yeah, but the kid needs to be responsible for 295 00:14:00,120 --> 00:14:01,080 Speaker 3: telling you. I don't know. 296 00:14:01,640 --> 00:14:04,560 Speaker 2: And also I kind of felt for Amber. Now it 297 00:14:04,640 --> 00:14:07,400 Speaker 2: did get resolved, like all of a sudden. First of all, 298 00:14:07,480 --> 00:14:09,880 Speaker 2: we all knew that that other mom's gonna blame Amber, 299 00:14:09,920 --> 00:14:11,120 Speaker 2: because that's what moms do. 300 00:14:11,160 --> 00:14:12,920 Speaker 3: They don't want to think their own precious kid was 301 00:14:12,920 --> 00:14:13,520 Speaker 3: the problem. 302 00:14:14,320 --> 00:14:18,080 Speaker 2: And then Amber was upset, rightfully so. But then she 303 00:14:18,120 --> 00:14:20,240 Speaker 2: sort of got over it and she's kind of weird. 304 00:14:20,280 --> 00:14:22,600 Speaker 2: I was like, all right, now we're over this, okay, 305 00:14:22,640 --> 00:14:25,240 Speaker 2: And all was right in the world with Sarah and Amber. 306 00:14:25,320 --> 00:14:27,840 Speaker 3: But fine, fine, not bad at it? 307 00:14:27,920 --> 00:14:30,840 Speaker 1: Fine. You know. I didn't like Kelsey ever to begin with, 308 00:14:31,320 --> 00:14:32,120 Speaker 1: was kind of annoying. 309 00:14:33,520 --> 00:14:36,040 Speaker 3: I liked her fine. I was happy for Amber to 310 00:14:36,080 --> 00:14:37,160 Speaker 3: have like a good friend. 311 00:14:37,560 --> 00:14:41,400 Speaker 1: So, I mean the least Amber up to like that boy. 312 00:14:41,320 --> 00:14:42,520 Speaker 3: Where's that boy? That? 313 00:14:42,760 --> 00:14:44,000 Speaker 1: Where's gooding Steve? That? 314 00:14:44,200 --> 00:14:46,800 Speaker 3: Just like where's that? Where did he go? We really 315 00:14:46,840 --> 00:14:48,600 Speaker 3: like he just vanished. 316 00:14:49,200 --> 00:14:52,320 Speaker 1: Jackie, do you mind looking it up? Does he ever 317 00:14:52,400 --> 00:14:55,120 Speaker 1: come back? And he's the one that's married to the 318 00:14:55,200 --> 00:15:02,320 Speaker 1: real Housewife, right, yeah, Diana Jenkins, Yeah, where'd he go? NASA? 319 00:15:02,440 --> 00:15:05,760 Speaker 2: Anyway, I like that whole storyline because that was good, 320 00:15:05,840 --> 00:15:07,680 Speaker 2: not boring, not boring at all, not boring. 321 00:15:08,320 --> 00:15:10,440 Speaker 3: I'm gonna get look, first of all, the show is amazing. 322 00:15:10,480 --> 00:15:11,680 Speaker 3: I love everything about the show. 323 00:15:11,720 --> 00:15:15,000 Speaker 2: It's really really good, especially because right now it gets 324 00:15:15,040 --> 00:15:20,120 Speaker 2: a little bit more sad and later like I'm not crying. 325 00:15:19,760 --> 00:15:21,640 Speaker 3: So much, which is nice. Like when I get to 326 00:15:21,720 --> 00:15:23,520 Speaker 3: the that's why I can't do this is us. 327 00:15:23,600 --> 00:15:26,600 Speaker 2: I just was bawling every episode, and I was like, 328 00:15:26,640 --> 00:15:27,520 Speaker 2: this is not healthy. 329 00:15:28,080 --> 00:15:30,320 Speaker 3: Let me tell you a couple things. Oh, no, you 330 00:15:30,360 --> 00:15:30,720 Speaker 3: go first. 331 00:15:30,760 --> 00:15:32,480 Speaker 1: Sorry, sorry, no, I was gonna say, this is us. 332 00:15:32,520 --> 00:15:33,920 Speaker 1: You're crying season one. 333 00:15:33,840 --> 00:15:37,400 Speaker 3: For sure, Yeah, you're crying episode one. Like it was 334 00:15:37,440 --> 00:15:38,960 Speaker 3: just I kept having to take adviil. 335 00:15:39,000 --> 00:15:40,920 Speaker 2: I'm like, I can't have a show, or I have 336 00:15:40,960 --> 00:15:43,360 Speaker 2: to take advil now because we don't have listen if 337 00:15:43,400 --> 00:15:46,080 Speaker 2: you want to yet. I've really been doing a lot 338 00:15:46,120 --> 00:15:50,440 Speaker 2: of television watching. Okay, here's a couple other shows I've 339 00:15:50,480 --> 00:15:53,160 Speaker 2: sort of been watching and want to see if UF 340 00:15:53,480 --> 00:15:56,800 Speaker 2: peaked at any of them. I watched the I Know 341 00:15:56,840 --> 00:16:01,520 Speaker 2: What You Did last summer, the Redo version no, all right, 342 00:16:01,560 --> 00:16:04,520 Speaker 2: if you like horror, you know, I'm gonna give it 343 00:16:04,560 --> 00:16:09,760 Speaker 2: a It was entertaining. It was predictable, but it was entertaining, entertaining. 344 00:16:10,120 --> 00:16:14,480 Speaker 2: Shout out to Jennifer love hewittt good stuff. And then 345 00:16:15,480 --> 00:16:18,960 Speaker 2: I've been watching in my preview content. 346 00:16:19,080 --> 00:16:20,760 Speaker 3: I don't know if I'm allowed to say it. I've 347 00:16:20,800 --> 00:16:21,880 Speaker 3: been watching this show. 348 00:16:21,680 --> 00:16:26,960 Speaker 2: Called Wayward, very very hooked in on it, very hooked in, 349 00:16:27,280 --> 00:16:29,360 Speaker 2: very good. Won't reveal anything else because I don't know 350 00:16:29,360 --> 00:16:34,920 Speaker 2: if I'm allowed to. I watched a insane horror movie 351 00:16:34,960 --> 00:16:39,080 Speaker 2: called Dangerous Animals. So this is how this came to be. 352 00:16:39,680 --> 00:16:42,720 Speaker 2: I listened to this podcast called The Rewatchables. Shout out 353 00:16:42,760 --> 00:16:47,120 Speaker 2: to Bill Simmons Icon and they were reviewing Jaws two 354 00:16:47,160 --> 00:16:50,840 Speaker 2: and they mentioned this shark horror movie called Dangerous Animals. 355 00:16:51,120 --> 00:16:51,720 Speaker 3: Watched that. 356 00:16:51,920 --> 00:16:54,640 Speaker 2: I need to ask Amy and TJ if they've seen it, 357 00:16:54,680 --> 00:16:57,880 Speaker 2: because it was it was nuts. 358 00:16:58,400 --> 00:17:01,440 Speaker 3: And yeah, those were this is what I viewed this weekend. 359 00:17:01,560 --> 00:17:02,360 Speaker 3: That was what I viewed. 360 00:17:02,920 --> 00:17:05,199 Speaker 1: You know, I'm really disappointed. I thought you were going 361 00:17:05,280 --> 00:17:09,080 Speaker 1: to say the summer I turned pretty and now I 362 00:17:09,440 --> 00:17:13,399 Speaker 1: really you know, I hate I hate to say this. 363 00:17:15,080 --> 00:17:15,800 Speaker 2: I get it good. 364 00:17:16,720 --> 00:17:20,359 Speaker 1: It is incredible, but I can see you being team Jeremiah. 365 00:17:20,440 --> 00:17:22,120 Speaker 1: I just can't. 366 00:17:22,880 --> 00:17:24,919 Speaker 3: How many seasons do I have to catch up on, 367 00:17:25,200 --> 00:17:27,840 Speaker 3: like all of them? How many to three seasons? 368 00:17:27,880 --> 00:17:30,600 Speaker 1: But like the first two seasons are like eight episodes, like. 369 00:17:30,560 --> 00:17:32,320 Speaker 3: You're all right, I'll give it a go. I'll try 370 00:17:32,359 --> 00:17:33,600 Speaker 3: and I'll try and get on it. 371 00:17:33,720 --> 00:17:35,480 Speaker 2: I'll try and get on it because I sure I'm 372 00:17:35,520 --> 00:17:37,200 Speaker 2: missing what everyone's talking about. 373 00:17:37,240 --> 00:17:38,760 Speaker 1: Oh Jackie, what okay? 374 00:17:38,920 --> 00:17:42,240 Speaker 4: Me and Emma are obsessed about the summer I turned pretty. 375 00:17:42,320 --> 00:17:46,360 Speaker 4: I am currently on rewatching just the whole series. 376 00:17:46,000 --> 00:17:50,040 Speaker 1: Because I'm obsessed and it's easy. Eight episodes each. 377 00:17:51,560 --> 00:17:52,800 Speaker 3: Cancer or murder. 378 00:17:52,880 --> 00:17:57,480 Speaker 1: There is a cancer death, but not with. 379 00:17:56,320 --> 00:17:58,800 Speaker 3: With a mom. I don't know if I am. I 380 00:17:58,840 --> 00:17:59,480 Speaker 3: gonna cry? 381 00:18:00,119 --> 00:18:03,240 Speaker 1: You cry for one episode for five minutes, like. 382 00:18:03,359 --> 00:18:05,440 Speaker 3: It's the mom dies? Does the mom die? 383 00:18:05,720 --> 00:18:09,879 Speaker 2: Okay, don't tell me, don't tell me, don't tell me, 384 00:18:10,000 --> 00:18:11,119 Speaker 2: don't tell me, don't tell me. 385 00:18:11,320 --> 00:18:13,760 Speaker 1: No, No, I think it's fine. It's all over there. 386 00:18:14,320 --> 00:18:17,640 Speaker 1: But the mom does die. But it is it is 387 00:18:17,720 --> 00:18:21,359 Speaker 1: not like a heart. It is no. It is sad. 388 00:18:21,960 --> 00:18:24,400 Speaker 1: I don't want to it is sad, but it is 389 00:18:24,880 --> 00:18:28,720 Speaker 1: so good. Jackie, do you agree with me? That Amy's 390 00:18:28,720 --> 00:18:29,080 Speaker 1: I do. 391 00:18:29,440 --> 00:18:31,800 Speaker 4: I do, and I'm I know Emma does too, but 392 00:18:32,359 --> 00:18:37,160 Speaker 4: I WATCHLIX on Prime Network. Want to bring it back 393 00:18:37,200 --> 00:18:39,320 Speaker 4: to Gilmore Girls because a lot of people have done 394 00:18:39,359 --> 00:18:42,040 Speaker 4: this on social media. They are I know, we talked 395 00:18:42,080 --> 00:18:45,479 Speaker 4: about Conrad and Jess. It's so great, like when you 396 00:18:45,520 --> 00:18:47,280 Speaker 4: watch it and you think about it and like, oh, 397 00:18:47,359 --> 00:18:49,399 Speaker 4: this is what Jess would do, Just what Jess would do, 398 00:18:49,520 --> 00:18:52,440 Speaker 4: Like it's so true, and so to swing it back 399 00:18:52,440 --> 00:18:54,679 Speaker 4: to Gilmore Girls, you can make that, all right? 400 00:18:55,080 --> 00:18:57,359 Speaker 3: All right? So before we move on, what do we 401 00:18:57,359 --> 00:18:59,720 Speaker 3: give this episode of I'm. 402 00:18:59,600 --> 00:19:02,199 Speaker 1: Going to give it a nine flat. It is my 403 00:19:02,280 --> 00:19:02,880 Speaker 1: lowest rating. 404 00:19:02,880 --> 00:19:04,480 Speaker 3: I'm gonna give it a nine. I'm gonna give it 405 00:19:04,480 --> 00:19:09,160 Speaker 3: a nine to Michael b. Jordan. Welcome, Welcome, Really you're welcome. 406 00:19:09,200 --> 00:19:14,480 Speaker 2: Billy Baldwin, great, but yeah, I'm a little bored by 407 00:19:14,560 --> 00:19:17,919 Speaker 2: Crosby and Joel and Julia, even though. 408 00:19:17,760 --> 00:19:19,120 Speaker 3: I found it fascinating. 409 00:19:19,680 --> 00:19:25,200 Speaker 5: You know, we've we've been doing it fair enough, all right, Well, 410 00:19:25,440 --> 00:19:46,320 Speaker 5: Brave Wyman's out. 411 00:19:55,000 --> 00:19:58,040 Speaker 1: Hey everybody, and don't forget follow us on Instagram at 412 00:19:58,320 --> 00:20:00,000 Speaker 1: I Am All In Podcast. 413 00:20:00,080 --> 00:20:18,200 Speaker 2: Asked an email us at Gilmour at iHeartRadio dot com.