1 00:00:01,400 --> 00:00:04,680 Speaker 1: Handsomniacs. This is Heather Iine Horn, co creator of See 2 00:00:04,720 --> 00:00:07,800 Speaker 1: You in Your Nightmares. To fully immerse yourself in the 3 00:00:07,920 --> 00:00:12,639 Speaker 1: nightmare experience, headphones are recommended. Stay tuned for the next episode, 4 00:00:12,840 --> 00:00:19,520 Speaker 1: but first a quick word from our sponsor, Iron Horn's 5 00:00:19,520 --> 00:00:22,720 Speaker 1: Epic Productions, and I Heart Radio present See You in 6 00:00:22,760 --> 00:00:41,240 Speaker 1: Your Nightmares in three D headphones recommended. I can't move? 7 00:00:41,920 --> 00:01:01,080 Speaker 1: Is this? Why can't I get word? Awesome? Than eat? 8 00:01:03,160 --> 00:01:06,720 Speaker 1: It's coming free, safe away, expressive over till to waves 9 00:01:07,280 --> 00:01:19,720 Speaker 1: mostral a. Tony A persists, it's sleep chaolysis. She's kind 10 00:01:19,760 --> 00:01:28,240 Speaker 1: of thing. Harper it sin harper rokay thin save in 11 00:01:28,319 --> 00:01:31,319 Speaker 1: the blocking room? Can you hold your next in here? 12 00:01:37,000 --> 00:01:42,760 Speaker 1: Mishte you're great, discons and me don't tell to speak 13 00:01:45,160 --> 00:01:51,880 Speaker 1: using play Lisa tames after next inhalation, Exhale slowly. We'll 14 00:01:51,880 --> 00:01:56,120 Speaker 1: give your lungs like a balloon. Let the air out slowly, 15 00:01:57,080 --> 00:02:06,080 Speaker 1: roaring control into life. You need to we go on 16 00:02:06,280 --> 00:02:15,120 Speaker 1: four trees. You can one, two four, got hold it? 17 00:02:16,360 --> 00:02:21,080 Speaker 1: Think about your feet, your hands? Can you squeeze and release? 18 00:02:22,880 --> 00:02:29,400 Speaker 1: Be honesome? D E. G. Davis opening on one new 19 00:02:29,480 --> 00:02:39,920 Speaker 1: exhale harper one, two three four, I need to move. 20 00:02:41,919 --> 00:03:14,359 Speaker 1: Come on like see you in your nightmares. Neurotransmitter stabilizing. Good, 21 00:03:14,720 --> 00:03:19,800 Speaker 1: good harbor. But take it easy. M hm, you're shivering, 22 00:03:22,840 --> 00:03:26,919 Speaker 1: so sorry, Blossom. Set my office for session one. Follow 23 00:03:27,000 --> 00:03:34,880 Speaker 1: up a Roman therapy too, Indigo Indigo settings on, Finn, 24 00:03:35,120 --> 00:03:45,440 Speaker 1: bring it to my office once you're ready. Don't push yourself. 25 00:03:45,520 --> 00:03:51,360 Speaker 1: Take it slow. I got you, easy, easy, don't be 26 00:03:51,520 --> 00:03:57,800 Speaker 1: you're exhausted here here man, No, I'm too heavy. Who 27 00:03:57,920 --> 00:04:01,040 Speaker 1: told you that I can carry two? You? No? Sorry? 28 00:04:02,280 --> 00:04:05,880 Speaker 1: I don't want you to apologize to me. Okay, you 29 00:04:05,960 --> 00:04:18,680 Speaker 1: don't have anything to be sorry for. M What are 30 00:04:18,760 --> 00:04:22,560 Speaker 1: you doing? Just lending her my jacke until she stabilizes. 31 00:04:23,360 --> 00:04:30,320 Speaker 1: I'll leave you to it, Blossom, Title session and record 32 00:04:30,640 --> 00:04:34,880 Speaker 1: file name seven V two Underscore console zero zero one 33 00:04:35,120 --> 00:04:39,560 Speaker 1: for Harper Heart Harper, you've just had your first rotation 34 00:04:39,960 --> 00:04:44,640 Speaker 1: and first experience with sleep paralysis. I'm sure that was 35 00:04:44,880 --> 00:04:54,120 Speaker 1: very overwhelming. How are you feeling now? I don't know, Blossom, Yes, 36 00:04:54,320 --> 00:05:00,480 Speaker 1: dr pulse seven V two at a rate of vp M. 37 00:05:02,520 --> 00:05:07,279 Speaker 1: How does that feel? Um? I don't did you notice 38 00:05:07,320 --> 00:05:12,440 Speaker 1: any tactile sensations? It feels like it's patting me, like 39 00:05:12,800 --> 00:05:17,320 Speaker 1: she's tapping on the back of my wrist. Is that normal? Yes, 40 00:05:17,839 --> 00:05:21,320 Speaker 1: that means it's working. It's a somatic technique designed to 41 00:05:21,440 --> 00:05:24,840 Speaker 1: soothe your nerves. You can enable this function yourself when 42 00:05:24,880 --> 00:05:35,080 Speaker 1: you feel anxious. Was there anything unusual about your dream? What? Uh? Yeah, 43 00:05:36,760 --> 00:05:43,120 Speaker 1: I saw it? I saw what? Harpor um? I I 44 00:05:43,279 --> 00:05:48,039 Speaker 1: really can't. I don't all right? Okay? Can you close 45 00:05:48,080 --> 00:05:52,720 Speaker 1: your eyes, tap into your breath. Can you picture the 46 00:05:52,800 --> 00:06:06,080 Speaker 1: events of your dream moving? What is it? I just 47 00:06:07,520 --> 00:06:11,600 Speaker 1: it replayed in my head. It was my nightmare, but 48 00:06:11,800 --> 00:06:16,360 Speaker 1: it was different to it was stronger, more I'm not 49 00:06:17,000 --> 00:06:30,760 Speaker 1: And then it was horrifying, angry. I don't sorry, take 50 00:06:30,839 --> 00:06:38,280 Speaker 1: your time. Normally Callie in my dream, she just but 51 00:06:38,839 --> 00:06:43,120 Speaker 1: that wasn't Callie. At the end, it wasn't. It was 52 00:06:43,200 --> 00:06:47,360 Speaker 1: a monster. And then I saw its reflection. It wanted 53 00:06:47,440 --> 00:06:52,520 Speaker 1: to eat me, my skin, your skin. It felt like 54 00:06:53,760 --> 00:06:55,840 Speaker 1: I don't know, if I don't know, if I sound crazy, 55 00:06:56,760 --> 00:07:04,279 Speaker 1: you don't please continue, Harper. It's hatred made my skin burn. 56 00:07:05,520 --> 00:07:12,480 Speaker 1: This monster burned you. May I hold your wrists? Yeah, 57 00:07:13,800 --> 00:07:18,600 Speaker 1: you're not warm, and I see no burns. Do you 58 00:07:20,000 --> 00:07:25,080 Speaker 1: can you feel my hands? They feel cool? It's nice. 59 00:07:26,960 --> 00:07:31,120 Speaker 1: It's important to confirm what's real and what isn't. If 60 00:07:31,240 --> 00:07:35,080 Speaker 1: you think you're hallucinating, find a way to ground your reality. 61 00:07:35,880 --> 00:07:38,320 Speaker 1: You need to find that true mirror on your own. 62 00:07:39,520 --> 00:07:47,440 Speaker 1: What else did you experience? Um My sister usually she 63 00:07:47,760 --> 00:07:54,760 Speaker 1: blames me, she needed me, but I I'm I killed her. 64 00:07:57,760 --> 00:08:03,080 Speaker 1: Grief like yours is monster dress. That's natural. Take your 65 00:08:03,120 --> 00:08:06,520 Speaker 1: time trying to process it. You don't want to ask 66 00:08:06,600 --> 00:08:09,480 Speaker 1: me more about Callie? Do you want me to ask 67 00:08:09,560 --> 00:08:13,120 Speaker 1: you more about Callie? No? I don't, not right now, 68 00:08:13,920 --> 00:08:19,440 Speaker 1: then I won't. Your gamma waves are astounding. I've seen 69 00:08:19,600 --> 00:08:23,920 Speaker 1: few like them, none currently under my observation. What does 70 00:08:23,960 --> 00:08:27,360 Speaker 1: that mean? Are my symptoms getting worse? You tell me 71 00:08:28,280 --> 00:08:30,960 Speaker 1: after a year and during the same nightmare over and over, 72 00:08:31,960 --> 00:08:38,320 Speaker 1: something has finally changed for you. I'd consider that progress. Okay? Yeah, 73 00:08:39,679 --> 00:08:44,520 Speaker 1: Dr Carter. Honestly, that dream always terrified me. But I 74 00:08:44,679 --> 00:08:48,679 Speaker 1: knew it, I understood it. I knew it was Callie, 75 00:08:48,880 --> 00:08:56,839 Speaker 1: but this was something else, someone else. It feels wrong. 76 00:08:58,080 --> 00:09:02,600 Speaker 1: It felt like it was after my soul. Then we've 77 00:09:02,720 --> 00:09:08,600 Speaker 1: definitely triggered something. I have an assignment for you going forward. 78 00:09:09,120 --> 00:09:11,679 Speaker 1: As soon as you wake up, I want you to 79 00:09:11,800 --> 00:09:16,360 Speaker 1: tell Blossom the immediate experience of your dreams. She'll record 80 00:09:16,400 --> 00:09:18,800 Speaker 1: it and transpose that onto your E e G. Data. 81 00:09:19,760 --> 00:09:22,720 Speaker 1: How does that sound I think I can do that. Yeah, 82 00:09:23,600 --> 00:09:25,880 Speaker 1: that sounds like it can help me find my true 83 00:09:25,920 --> 00:09:30,960 Speaker 1: mirror perfect and this could be a key to perfecting 84 00:09:31,040 --> 00:09:36,199 Speaker 1: my study. So please keep the assignment a secret. Your 85 00:09:36,280 --> 00:09:39,280 Speaker 1: participation here could help more people than you know, Miss heart. 86 00:09:45,960 --> 00:09:49,760 Speaker 1: Hey Insomniacs want to dive deeper into the nightmare. Follow 87 00:09:49,880 --> 00:09:54,160 Speaker 1: us at Harbor Nightmare for more terrified details. More See 88 00:09:54,200 --> 00:09:56,679 Speaker 1: You in Your Nightmares is up next, but first a 89 00:09:56,760 --> 00:10:07,840 Speaker 1: quick word from our sponsor, m Hey Insomniacs. Welcome back. 90 00:10:08,080 --> 00:10:10,080 Speaker 1: I want to find out what's really behind the nightmare. 91 00:10:10,679 --> 00:10:12,719 Speaker 1: Had to see you in your Nightmares dot com to 92 00:10:12,880 --> 00:10:29,600 Speaker 1: uncover more mind bending details. Mm hmm. Stop beeping, Harper, 93 00:10:30,080 --> 00:10:37,160 Speaker 1: you are running late to dinner, absolutely sleeping and no dreams. 94 00:10:37,600 --> 00:10:40,520 Speaker 1: Police head to the common area. Harper, you are running 95 00:10:40,559 --> 00:10:45,120 Speaker 1: late to dinner. Don't want to go. You are currently 96 00:10:45,200 --> 00:10:51,240 Speaker 1: in caloric deficit. Please head to the calm up Kelly, 97 00:10:54,320 --> 00:11:01,200 Speaker 1: Kelly Blosom, thank you for rising, Harper. Please head to dinner. 98 00:11:01,559 --> 00:11:05,000 Speaker 1: Our menu options include poached salmon with spinach and cous 99 00:11:05,040 --> 00:11:09,680 Speaker 1: goose or the vegan Blossom. What's today? Epoch time stamp 100 00:11:09,760 --> 00:11:13,160 Speaker 1: for Harper Heart to four eight point five six. This 101 00:11:13,320 --> 00:11:16,720 Speaker 1: is day two of treatment Blossom. Please log my journal. 102 00:11:17,160 --> 00:11:23,640 Speaker 1: I've begun to record day two evening after my experience 103 00:11:23,960 --> 00:11:28,760 Speaker 1: in rotation, had insomnia as usual all night, I just 104 00:11:28,880 --> 00:11:34,880 Speaker 1: kept picturing that monster from my dream. It was so exhausted. 105 00:11:35,160 --> 00:11:39,160 Speaker 1: They excused me for the day. I just woke up 106 00:11:39,240 --> 00:11:43,240 Speaker 1: to Blossom telling me to get dinner, and something went wrong. 107 00:11:43,880 --> 00:11:47,439 Speaker 1: Her voice distorted, and then I heard my sister Callie. 108 00:11:48,280 --> 00:11:52,640 Speaker 1: She used her nickname for me, Dr Carter. Please confirm 109 00:11:52,679 --> 00:11:56,960 Speaker 1: if that was real or just a hallucination. Blossom closed 110 00:11:57,000 --> 00:12:01,079 Speaker 1: journal entry zero zero one Harper Heart, Day two and 111 00:12:01,280 --> 00:12:24,640 Speaker 1: recording Earl Gray with milk. Would you like steamed? Or 112 00:12:24,800 --> 00:12:33,959 Speaker 1: I steamed? Julia? Make me unto? Oh can't milk counts? 113 00:12:34,440 --> 00:12:41,000 Speaker 1: You gotta scan your macros hip almost missed supper? Hi, hyper, 114 00:12:41,640 --> 00:12:43,120 Speaker 1: I have all this says on if you want to 115 00:12:43,160 --> 00:12:46,679 Speaker 1: give your plate actual flavor it's made. You ain't none 116 00:12:46,720 --> 00:12:51,160 Speaker 1: of that. You only asked for real hot thoughts, betrayal. 117 00:12:52,040 --> 00:12:55,960 Speaker 1: It looks like paper is my only hope true friendships. 118 00:12:56,080 --> 00:12:58,640 Speaker 1: You made fun of me when I offered. You asked 119 00:12:58,640 --> 00:13:00,839 Speaker 1: if I was the new food to Spencer. I bet 120 00:13:00,880 --> 00:13:03,520 Speaker 1: you offer you if I was some henche American footballer 121 00:13:03,760 --> 00:13:09,640 Speaker 1: like coffee. But if he heard you, I really want coffee. Luck, 122 00:13:09,800 --> 00:13:15,439 Speaker 1: that's contraband coffee the t options. So you make a 123 00:13:15,480 --> 00:13:18,840 Speaker 1: little Ashmaganda extracting your milk tea. You'll perk right up. 124 00:13:19,280 --> 00:13:22,400 Speaker 1: There are enough herbs and powders here to start an apothecary, 125 00:13:22,600 --> 00:13:25,319 Speaker 1: but no coffee. I don't want the boss here. You're 126 00:13:25,320 --> 00:13:31,120 Speaker 1: asking for coffee. Blossom might make you, yes, Chris, nothing blossom. Thanks, Hiper, 127 00:13:31,400 --> 00:13:34,160 Speaker 1: This is Chris. I heard a lot about you. Hi, 128 00:13:34,559 --> 00:13:38,160 Speaker 1: I'm Harper. Nice to meet you, Harper. Trade your extracides 129 00:13:38,240 --> 00:13:41,040 Speaker 1: for an orange. Sure, maybe the sugar will give me 130 00:13:41,160 --> 00:13:43,880 Speaker 1: enough of a boost. The first rotation is always hot. 131 00:13:44,160 --> 00:13:47,280 Speaker 1: It gets easier. They said I had a panic attack. 132 00:13:47,720 --> 00:13:53,160 Speaker 1: Oh I get those. They suck too. I'm sorry, Hey, 133 00:13:53,800 --> 00:13:56,040 Speaker 1: but you have to solve all that. You're doing great. 134 00:13:56,280 --> 00:13:59,719 Speaker 1: If you can't handle it, quit It's what you're good at. 135 00:14:00,520 --> 00:14:06,360 Speaker 1: What what? It's obvious you're a coward, just being honest. 136 00:14:07,240 --> 00:14:11,800 Speaker 1: How would you know how newbies got an ego under 137 00:14:11,880 --> 00:14:16,520 Speaker 1: that victim complex? Julia you're the one who attacked me yesterday. 138 00:14:16,679 --> 00:14:22,800 Speaker 1: I barely said by attacked you. Jesus Julia, you really 139 00:14:23,280 --> 00:14:25,960 Speaker 1: need to sleep. Just stay out of my way, Newby 140 00:14:26,440 --> 00:14:31,680 Speaker 1: or else. She gave me that whole let's take this 141 00:14:31,800 --> 00:14:35,920 Speaker 1: outside thing on my first day too, really warm, welcome. 142 00:14:36,280 --> 00:14:40,480 Speaker 1: Sorry about her, that was pretty cool, Chris. So you 143 00:14:40,640 --> 00:14:44,280 Speaker 1: really threw hands yesterday? She just shoved me out of nowhere. 144 00:14:45,040 --> 00:14:47,920 Speaker 1: If that we would shooting a drama. I was so confused. 145 00:14:48,720 --> 00:14:52,440 Speaker 1: I can't believe I only got here yesterday. It feels 146 00:14:52,840 --> 00:14:56,120 Speaker 1: longa right, Yeah, I guess things are different in the 147 00:14:56,160 --> 00:15:00,440 Speaker 1: woods or is this beach country both? We all been 148 00:15:00,480 --> 00:15:04,800 Speaker 1: feeling that heavy like days feel like weeks. I feel 149 00:15:04,840 --> 00:15:07,280 Speaker 1: like it's been a month since I got here. It's wild. 150 00:15:07,680 --> 00:15:10,560 Speaker 1: I've been telling you this dream stuff is doing something 151 00:15:10,640 --> 00:15:13,400 Speaker 1: to our brains. What do you mean? Please don't get 152 00:15:13,520 --> 00:15:18,240 Speaker 1: him started, Hey, Harper, maybe I can sneak you some 153 00:15:18,400 --> 00:15:21,640 Speaker 1: of that good stuff. Really? How good are we talking? 154 00:15:22,000 --> 00:15:25,040 Speaker 1: I got some espresso in my room. Trade you for 155 00:15:25,080 --> 00:15:30,720 Speaker 1: a dessert deal? Tray as all are you as may be? 156 00:15:30,880 --> 00:15:33,920 Speaker 1: My look at always? I mean, yeah, sure or whatever? 157 00:15:37,000 --> 00:15:39,280 Speaker 1: You even wash your face. Don't look at me if 158 00:15:39,360 --> 00:15:45,800 Speaker 1: my eye crust offends you a joke. Listen, excuse you. 159 00:15:46,360 --> 00:15:54,000 Speaker 1: We do not consent to that nickname. Cal You're right, 160 00:15:55,520 --> 00:16:00,320 Speaker 1: did you hear something just now? Are you feeling okay? Yeah? 161 00:16:01,880 --> 00:16:05,280 Speaker 1: I really want grapes. You d d s. I am 162 00:16:05,760 --> 00:16:08,280 Speaker 1: pretty sure all gen z have a d D. So 163 00:16:08,320 --> 00:16:11,200 Speaker 1: you want to explain what, Scott you so agitated? You've 164 00:16:11,200 --> 00:16:16,520 Speaker 1: been flinching it like everything. Does your wristband ever sort 165 00:16:16,600 --> 00:16:22,240 Speaker 1: of glitch out? Or does her voice change? Nah? Now 166 00:16:22,320 --> 00:16:24,440 Speaker 1: that's never happened, but it won't be unusual for a 167 00:16:24,520 --> 00:16:28,320 Speaker 1: glitch or two. Oh right, yeah, so is yours glitching 168 00:16:29,000 --> 00:16:32,680 Speaker 1: just a bit? Like? How like the sematic functions? Or 169 00:16:32,720 --> 00:16:35,600 Speaker 1: like she turned devices on and off randomly? That's like 170 00:16:36,000 --> 00:16:40,360 Speaker 1: I mean Alexa level irritating. No, no, sometimes she sounds 171 00:16:40,440 --> 00:16:46,200 Speaker 1: like someone else, and then sometimes she sounds like demonic. 172 00:16:46,920 --> 00:16:50,280 Speaker 1: Are you hallucinating? You have that before or just since 173 00:16:50,360 --> 00:16:53,320 Speaker 1: last night? It's different now you can tell me. We 174 00:16:53,440 --> 00:16:56,040 Speaker 1: vocal our things. Man, We ain't sleep. Some of us 175 00:16:56,080 --> 00:16:58,080 Speaker 1: ain't even had a proper night's rest, the whole lads 176 00:16:58,120 --> 00:17:00,280 Speaker 1: till we got here. I know what I or when 177 00:17:00,320 --> 00:17:04,399 Speaker 1: I'm sleep deprived, like the intrusive thoughts and voices. But 178 00:17:04,600 --> 00:17:09,960 Speaker 1: this is it's different. Even if it's a hallucination, it's 179 00:17:10,040 --> 00:17:13,040 Speaker 1: not in my head. It's definitely from the Blossom band. 180 00:17:13,760 --> 00:17:17,280 Speaker 1: That's scary, man. If it helps, right, just think of 181 00:17:17,400 --> 00:17:21,840 Speaker 1: this place as heightening our experience when we're awake. I 182 00:17:21,920 --> 00:17:23,720 Speaker 1: thought it was just me. I thought I thought you 183 00:17:23,800 --> 00:17:27,680 Speaker 1: were cursed. Right, we all are well personally. I think 184 00:17:27,720 --> 00:17:30,760 Speaker 1: I'm marked. I'll be well with you. Yet. Do you 185 00:17:30,880 --> 00:17:37,159 Speaker 1: believe in aliens? I believe anything is possible, so I 186 00:17:37,440 --> 00:17:43,320 Speaker 1: definitely experienced it. Yeah, the um happening? Sorry, what are 187 00:17:43,359 --> 00:17:46,720 Speaker 1: we talking about? I was abducted, well sort of. I 188 00:17:46,760 --> 00:17:48,960 Speaker 1: mean I never showed no signs of being experimented on 189 00:17:49,080 --> 00:17:52,320 Speaker 1: as far as I could tell until I got hit Harper. 190 00:17:53,160 --> 00:17:57,480 Speaker 1: This is very carefully Yeah, I'm all yours. Dr Carr 191 00:17:59,359 --> 00:18:07,879 Speaker 1: is an alien in a human skin suit. Oh no, 192 00:18:08,160 --> 00:18:12,040 Speaker 1: no wait, I'm sorry. Fine, don't believe me. I thought 193 00:18:12,080 --> 00:18:15,120 Speaker 1: you were different, man, I am so sorry. You were 194 00:18:15,200 --> 00:18:18,480 Speaker 1: just so intense. Just now, please tell me forget it. 195 00:18:18,920 --> 00:18:21,000 Speaker 1: I'm sure there's clues in my dream, but I'll save 196 00:18:21,080 --> 00:18:23,479 Speaker 1: that for someone who might actually believe me. I'm here 197 00:18:23,520 --> 00:18:30,960 Speaker 1: for answers friends anyway. So Alfie, wait, residents. Evening rotation 198 00:18:31,040 --> 00:18:38,159 Speaker 1: commencing for Alfie. I said that dishwasher, so pressed stop 199 00:18:38,480 --> 00:18:45,240 Speaker 1: when you load your tray, not harp a night, Alfie. 200 00:18:45,840 --> 00:19:03,400 Speaker 1: I hope you'll have a good retation. Let's with the countdown. 201 00:19:03,800 --> 00:19:06,240 Speaker 1: Please enjoy your sleep. I will unlock the door in 202 00:19:06,320 --> 00:19:22,040 Speaker 1: the morning, wishing you a RESTful eight hours. Okay, you're 203 00:19:22,119 --> 00:19:25,880 Speaker 1: just hallucinating, Harper, that was just the sound of the bed, 204 00:19:26,160 --> 00:19:52,719 Speaker 1: you dork. Go to sleeps all right, Alfie. Your objective 205 00:19:52,920 --> 00:19:55,879 Speaker 1: is to recognize that you're in a dream, and the 206 00:19:56,720 --> 00:20:01,280 Speaker 1: alien not harm you, and the whispers are not real. 207 00:20:01,720 --> 00:20:05,879 Speaker 1: I got you. Don If your fear brings you out 208 00:20:05,920 --> 00:20:09,720 Speaker 1: of sleep, well we will resume lucid practice before trying again. 209 00:20:10,840 --> 00:20:34,400 Speaker 1: All right, deep breaths, initiating rotation sequence for five V two. Wait, 210 00:20:34,840 --> 00:20:51,640 Speaker 1: I'm still eat here, so doc man, come on blood? 211 00:20:51,640 --> 00:21:01,920 Speaker 1: Are you easier? God? Hello? Who's say? I know you? 212 00:21:02,040 --> 00:21:17,200 Speaker 1: Just sun it up? Elsie, Elsie, Elsie? If you stop? 213 00:21:17,600 --> 00:21:38,119 Speaker 1: Who are you? Run? Looks block freezing screen, stops my head. Sorry, 214 00:21:38,920 --> 00:21:54,840 Speaker 1: stop talking. Spoon is bun it's pro stun it. Hello? 215 00:21:56,040 --> 00:22:00,600 Speaker 1: Is anybody there? I can't get him? So please coming, 216 00:22:00,720 --> 00:22:10,080 Speaker 1: Please sem me in. It's us. Let me please, m head, 217 00:22:10,560 --> 00:22:17,960 Speaker 1: please don't kill me, She'll kill me. B monstus please 218 00:22:18,400 --> 00:22:21,760 Speaker 1: please is aliens? Ali's got into school. Please let me 219 00:22:21,880 --> 00:22:33,160 Speaker 1: in here? It up? Hello, Hello, Hello, When the hell 220 00:22:33,280 --> 00:22:49,560 Speaker 1: is happening? Oh my god, Jesus com pleading joke he 221 00:22:49,760 --> 00:22:56,920 Speaker 1: sent me. Please ND. I don't want to die. I 222 00:22:56,960 --> 00:23:03,600 Speaker 1: don't want to go how Hello'll take my hand? We 223 00:23:03,680 --> 00:23:37,840 Speaker 1: need to hide so strong, stop and dropping blossom Read 224 00:23:37,920 --> 00:23:43,200 Speaker 1: vitals subject hypotensive symptoms of hypothermia, and increase room temperature 225 00:23:43,240 --> 00:23:46,920 Speaker 1: to a you going to shock. We we need to 226 00:23:46,960 --> 00:23:53,320 Speaker 1: wake up meeting employed subject experiencing respiratory construction update e G. 227 00:23:53,800 --> 00:23:57,280 Speaker 1: We need to stop the e G analysis updated Look 228 00:23:57,760 --> 00:24:00,480 Speaker 1: cutting the alarm isn't going to update an state a 229 00:24:00,720 --> 00:24:06,720 Speaker 1: n S analysis updated Read it. Mr Warren pulmonary rate 230 00:24:07,359 --> 00:24:11,239 Speaker 1: increased if you focused on your job instead of your 231 00:24:11,320 --> 00:24:17,600 Speaker 1: popularity with the subjects residents the brain waves. We haven't 232 00:24:17,640 --> 00:24:22,160 Speaker 1: had lucid stimulus like this since our last accident. Unusual 233 00:24:22,320 --> 00:24:35,200 Speaker 1: for subject five. He's staying under Let get home. All 234 00:24:35,440 --> 00:24:52,840 Speaker 1: the acquire things hang on better ideas. Let's go. That's 235 00:24:52,880 --> 00:24:57,840 Speaker 1: that noise, don't you know? But there's a lot. Maybe 236 00:24:57,920 --> 00:25:01,400 Speaker 1: it's an exit, Helfie, Wait, what if it's this store? 237 00:25:01,440 --> 00:25:07,120 Speaker 1: Ain't frozen over? What is that thing? It's glory, it's 238 00:25:07,240 --> 00:25:13,040 Speaker 1: up laborious. See. Oh, this explains so much for what 239 00:25:14,119 --> 00:25:17,119 Speaker 1: it looks like a floating crystal but all shattered. I 240 00:25:17,240 --> 00:25:20,879 Speaker 1: have one in my room, a whole one. It's crystals 241 00:25:21,119 --> 00:25:24,320 Speaker 1: left behind by an ancient alien civilization. They're trying to 242 00:25:24,440 --> 00:25:27,439 Speaker 1: contact me in my dreams. Sure you think we can 243 00:25:27,480 --> 00:25:33,040 Speaker 1: get out of here if we what's up? It goes? 244 00:25:34,240 --> 00:25:40,360 Speaker 1: That's mine? How did you get in? You know? That thing? 245 00:25:40,560 --> 00:25:44,680 Speaker 1: Out of the way? Hard, that's mine. It belongs to me. 246 00:25:45,160 --> 00:25:52,560 Speaker 1: Leave us a long A. Are we getting here? They're coming. 247 00:26:03,480 --> 00:26:07,200 Speaker 1: Einhorn's Epic Productions and I Heart Radio present See You 248 00:26:07,359 --> 00:26:11,000 Speaker 1: in Your Nightmares in three D, created an executive produced 249 00:26:11,040 --> 00:26:14,720 Speaker 1: by Heather Einhorn and Adam Stafferni. Executive produced by I 250 00:26:14,880 --> 00:26:20,880 Speaker 1: Heart Radio head writer Wren Dara Santiago, writers Lynn Bixon's 251 00:26:20,920 --> 00:26:26,000 Speaker 1: Fan Caleb Brooks, Morgan Pelli, and Adam Stafferoni. Directed by 252 00:26:26,040 --> 00:26:30,960 Speaker 1: Geordana Williams, with performances by Rachel orm Landis, Harper, Obi 253 00:26:31,040 --> 00:26:35,400 Speaker 1: Obeley as Alfie, Phil Buckman as Finn, Amber Lee Connors 254 00:26:35,440 --> 00:26:40,119 Speaker 1: as Callie Gesel Fernandez as Esmay, Judy, Alice Lee as Julia, 255 00:26:41,160 --> 00:26:44,800 Speaker 1: Robert Lange as the Smiling Man, and Kai Marjan Salama 256 00:26:44,840 --> 00:26:48,760 Speaker 1: as Chris, with Stephanie Willing as Blossom and Carried Tom 257 00:26:48,800 --> 00:26:53,320 Speaker 1: Basian as Dr Faith Carter and the Woman. Additional voices 258 00:26:53,640 --> 00:26:58,520 Speaker 1: Gail Artino, Maxwell Seagull, and Shannon Purdue. Post sound and 259 00:26:58,640 --> 00:27:02,359 Speaker 1: music by Chapter Four. Sound supervision and sound design by 260 00:27:02,400 --> 00:27:07,080 Speaker 1: Sarah Gibil Laska. Music by Kareem Duet. Produced by a 261 00:27:07,240 --> 00:27:14,119 Speaker 1: Roupe Santa Kayla. Development Executive Greg Lockard, Development writer Genevieve Valentine, 262 00:27:14,720 --> 00:27:20,960 Speaker 1: Production manager Gail Artino, Production coordinator and script supervisor Laura Martin, 263 00:27:21,440 --> 00:27:28,040 Speaker 1: Operations Laura Kaufman. Marketing and Publicity Jesse Post Digital marketing 264 00:27:28,320 --> 00:27:32,720 Speaker 1: by Jennifer Gennaro. Creative direction and design by Ryan McCann. 265 00:27:33,280 --> 00:27:37,600 Speaker 1: Key art and promotional art illustrated by Yagin Park. Special 266 00:27:37,680 --> 00:27:44,320 Speaker 1: thank you to The Shadow Unicorn, Iine Horn's Epic Productions 267 00:27:44,359 --> 00:27:47,440 Speaker 1: and I Heart Radio present See You in Your Nightmares 268 00:27:47,520 --> 00:27:48,000 Speaker 1: in three D