WEBVTT - The Restaurant Whisperer

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<v Speaker 1>I'm Alec Baldwin and you're listening to Here's the thing.

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<v Speaker 1>Deborah Clatter is the biggest name in a very small

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<v Speaker 1>profession restaurant recommender, not reviewer recommender. Here's how she puts it.

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<v Speaker 1>It's not about look what's hot and happening. It's about

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<v Speaker 1>what's happening for you just grabbing a bite on a

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<v Speaker 1>Thursday night birthday. I'm here to supply you with an

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<v Speaker 1>adventure or comfort. Clutter can tell you the best mofongo

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<v Speaker 1>in the Bronx and which Michelin two stars accommodate siliacs.

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<v Speaker 1>I've known her for years, going back to her days

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<v Speaker 1>as a lighting designer on some of the best and

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<v Speaker 1>most challenging stages in New York. She's risen just as

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<v Speaker 1>high in her newfield. Restaurants are eager for her clientele,

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<v Speaker 1>so she keeps a low profile. We did not post

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<v Speaker 1>a headshot for this next episode, and her name isn't

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<v Speaker 1>even on her website eat Quest and y C. That

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<v Speaker 1>anonymity will be familiar to anyone who knows about restaurant critics.

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<v Speaker 1>But unlike with critics, not just Cletter's face, but her voice,

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<v Speaker 1>even her taste are absent. From her work too. You know,

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<v Speaker 1>I check out a swath of restaurants for other people's taste,

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<v Speaker 1>not my own, because my taste, honestly would be you know,

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<v Speaker 1>I like places where waitresses have been working there for

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<v Speaker 1>thirty five years. I'm not going to make everybody else

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<v Speaker 1>do there. When you say you do this and you're

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<v Speaker 1>tilting towards your clientele, what do they typically want? The

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<v Speaker 1>most popular request and I know you'll identify with this

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<v Speaker 1>is quiet. It's like Pankotonia. Why do I love pankota

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<v Speaker 1>You want to know why? There might be a little

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<v Speaker 1>little Coltrane on the background. I'm having my eggs in

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<v Speaker 1>my croissant with Coltrane very low, you know. And there's

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<v Speaker 1>another place sound like I like the food, but you

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<v Speaker 1>know they're playing that particular music and they're playing it

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<v Speaker 1>that loud because they want to get you out of

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<v Speaker 1>there as fast as possible. Well, music sets the pace

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<v Speaker 1>for a meal, and it just you know, you look

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<v Speaker 1>at somebody like Alex Stupac, who has Empon in um Midtown,

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<v Speaker 1>and he also has Empon al Pastore, which is tacos

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<v Speaker 1>in the East Village at pastor. He plays the music

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<v Speaker 1>he said as loud as humanly possible. Why because there

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<v Speaker 1>it's dealing with people who are younger, and it's people

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<v Speaker 1>who are also um, you know, want to have a

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<v Speaker 1>good time, want to get off the sort of the

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<v Speaker 1>buzz and the high of like being there with this

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<v Speaker 1>great music and eating tacos and all that. So that's

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<v Speaker 1>like a rock concert. But he said that the Empyon

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<v Speaker 1>in Midtown is like the studio album. He put in

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<v Speaker 1>these sound panels so that people can it's convivial and

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<v Speaker 1>fun and all of that, but you can also hear yourself.

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<v Speaker 1>Think you have to know your audience. It doesn't bother

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<v Speaker 1>you in some restaurants you go to with the music

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<v Speaker 1>is playing, of course it does. A friend of well,

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<v Speaker 1>a friend of mine was was eating in Brooklyn to

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<v Speaker 1>a place that I sent her and she said the

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<v Speaker 1>music was really loud. So I said, is it possible

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<v Speaker 1>that you could just turn it down a little bit?

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<v Speaker 1>And the person said the waitress said, that's how it's

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<v Speaker 1>done in Brooklyn. Oh, really right, And and that's how

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<v Speaker 1>it's done in Brooklyn. Really, we don't have a lot

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<v Speaker 1>on our mind, so really, what's the getting in the

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<v Speaker 1>way of we want to have a good time. We

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<v Speaker 1>want to have a good time. That's what I really meant.

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<v Speaker 1>So anyway, but I think that people want to go

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<v Speaker 1>somewhere where they can actually have a conversation. And that

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<v Speaker 1>comes up so often. And it's only really true in

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<v Speaker 1>America because equals it's global, even though it's called Equest

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<v Speaker 1>and y see um and I've got people, I got

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<v Speaker 1>people all over the plans. You're you're, you're the equest

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<v Speaker 1>NYC is booking people around the world. Yeah, I do

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<v Speaker 1>Italy a lot. I do. I have my Bible you

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<v Speaker 1>gave me, you do, It's true, I can update it nowts.

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<v Speaker 1>I know I go a little overboard because I get

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<v Speaker 1>really excited and I think, oh no, wait, you have

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<v Speaker 1>to eat here, and you have to try this. But basically,

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<v Speaker 1>I get so many people who say, we wanted to

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<v Speaker 1>go to dinner. We spent an hour looking at the internet.

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<v Speaker 1>We got overwhelmed by the amount of choices. So we

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<v Speaker 1>went to the same place we always go to, and

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<v Speaker 1>we want to go somewhere else, So where can we go?

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<v Speaker 1>So sometimes people come to me for a list of

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<v Speaker 1>ten new places new to them. They want your recommendation,

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<v Speaker 1>meaning they don't come to you and say I want

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<v Speaker 1>to go to pair say or whatever, and you or

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<v Speaker 1>there was something right that who were very self determining.

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<v Speaker 1>There's some of your self determining. But I'm really not

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<v Speaker 1>that person. I mean, I'm happy to do that that

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<v Speaker 1>can but what I pay you, if they pay me,

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<v Speaker 1>I'm you know, I'll do whatever you want me to do.

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<v Speaker 1>Um No, but it's but what's fun for me about

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<v Speaker 1>it is that it's kind of like a dating service

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<v Speaker 1>for people in their food. I asked certain questions such as, uh,

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<v Speaker 1>tell me three places you hate in three places you lot.

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<v Speaker 1>So this is a questionnaire. They feel like everything is online. Um,

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<v Speaker 1>everything is by email. It's not. I don't have a

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<v Speaker 1>formal questionnaire, although I probably you know, should you're not

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<v Speaker 1>on the phone with anybody? Not? Really, they don't get

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<v Speaker 1>the food. They declared a sex phone sex voice. A

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<v Speaker 1>lot of deals with that voice. But I'll tell you

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<v Speaker 1>I should tell them to call. It's really self robbery

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<v Speaker 1>that you're not doing. But you do it by email.

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<v Speaker 1>I usually do it by email, and people are welcome

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<v Speaker 1>to call me. It's just that people seem to you know,

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<v Speaker 1>they're busy, they don't pick up, so that wouldn't work,

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<v Speaker 1>really think about it, and you have a standard set

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<v Speaker 1>of questions. I have just a couple of basic ones,

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<v Speaker 1>and then the questions are determined by who they are,

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<v Speaker 1>if they're you know, I did. Somebody came from London

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<v Speaker 1>last winter over the holidays and they had children ranging

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<v Speaker 1>an age from eighteen to six and they wanted to

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<v Speaker 1>go places with them. That was not easy and macaroni

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<v Speaker 1>cheese exactly. So I had to sort of come up

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<v Speaker 1>with a whole range of things. Plus, you know, I

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<v Speaker 1>branched out a little. They wanted some activities and all

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<v Speaker 1>of that. So I got very involved with the Knicks

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<v Speaker 1>organization because they wanted to go to a basketball game

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<v Speaker 1>and you know, I found them the right seats and

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<v Speaker 1>all that kind of stuff. So they do some other

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<v Speaker 1>things as well. They did and it was kind of

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<v Speaker 1>it was fun actually, but but basically I stick to food.

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<v Speaker 1>But it was interesting to define things that I thought

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<v Speaker 1>would appeal to everyone. And I love the challenge. I

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<v Speaker 1>love the challenge of somebody sort of saying like, here's

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<v Speaker 1>all the things I won't eat, here's what I don't like. Um,

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<v Speaker 1>now find me something that I want, right, And I

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<v Speaker 1>feel like, okay, they want you to read their mind.

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<v Speaker 1>They do. I want you to tell me what I

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<v Speaker 1>don't even know about myself. Can I tell a lighting story?

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<v Speaker 1>Is that? Out of that you can do whatever you want.

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<v Speaker 1>Years ago I had a client when I was doing

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<v Speaker 1>interior lighting, and he said, and he had a couch

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<v Speaker 1>in the middle of a big room and aloft and

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<v Speaker 1>no tables near nothing else. And he said, I want

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<v Speaker 1>to read on the couch, but I don't want any walstconsins,

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<v Speaker 1>I don't want any ceiling light, and I don't want

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<v Speaker 1>any lamps, you know. And I thought, like, okay, a

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<v Speaker 1>miner's hat could work out well for you. But with

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<v Speaker 1>a torch he summoned you snap and I could record

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<v Speaker 1>it for you could move your eyes over the page

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<v Speaker 1>in the dark. And I'm reading here. I want to

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<v Speaker 1>go back, and mentioned to people, said they don't lose

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<v Speaker 1>track here. You and I met in nine when I

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<v Speaker 1>was when we were doing Prelude to a Kiss. We

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<v Speaker 1>did that at eighty nine and then we went nine.

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<v Speaker 1>You want into the film, and you were doing lighting

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<v Speaker 1>design in the Theater of Broadway, and you were very

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<v Speaker 1>close with Norman, the late Norman Renett, who directed the play,

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<v Speaker 1>and you were doing that kind of work, and then

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<v Speaker 1>you went into residential lighting, the garden lighting, mostly because

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<v Speaker 1>garden lighting is like getting to light a set without

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<v Speaker 1>having to worry about the actor's faces. So you have

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<v Speaker 1>nobody saying like make it brighter, they're not laughing, um,

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<v Speaker 1>you know, and you get to do all the sort

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<v Speaker 1>of evocative, mysterious How did you design in the theater

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<v Speaker 1>over work? Um? Gosh? Uh years? I mean, you know,

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<v Speaker 1>like for sixteen years or something when you stopped. Why

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<v Speaker 1>did you stop? I stopped partly because all the directors

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<v Speaker 1>I knew were either going to TV, film or dying.

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<v Speaker 1>Norman passed away from you, remember, so for you, just

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<v Speaker 1>the lands, the landscape you changed, and I missed it.

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<v Speaker 1>I missed the collaborative experience of it. But my other

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<v Speaker 1>passion was always food, and I was always the person

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<v Speaker 1>that people asked, you know, like where can we go?

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<v Speaker 1>What can we do? And you know, in the early

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<v Speaker 1>days before the internet, Norman and I would want we

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<v Speaker 1>had no money, and we would walk all over the

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<v Speaker 1>city all the time just for fun, and you'd walk

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<v Speaker 1>into neighborhoods that were not gentrified and you'd find this

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<v Speaker 1>like fantastic little place that no one knew about because

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<v Speaker 1>there wasn't an internet, And you know, then we drag

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<v Speaker 1>people down there, and you know, I would drag people

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<v Speaker 1>down there and find places, and it just it's something

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<v Speaker 1>that always made me really happy to do. You know,

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<v Speaker 1>finding a restaurant, reading a menu is is sort of

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<v Speaker 1>a calm experience for me. It's it's it's pleasure back then,

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<v Speaker 1>wandering the streets with Norman and you had no money.

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<v Speaker 1>Dining is expensive, and so how do you manage to

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<v Speaker 1>go and sample? How do you know all these places?

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<v Speaker 1>Do you just have a word? Are you always the

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<v Speaker 1>honored guest at the table because you're such an expert?

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<v Speaker 1>You of a lot of friend Seriously, because I know

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<v Speaker 1>people like this. That is partly true. If I picked

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<v Speaker 1>the place and I tell them what we're going to

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<v Speaker 1>do and what we're going to have and stuff, I'm

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<v Speaker 1>at the table. Totally true. And Norman and I used

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<v Speaker 1>to we used to go to a coffee shop around

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<v Speaker 1>the corner from the theater company that we ran, and

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<v Speaker 1>um and the guy the waiter there knew us and

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<v Speaker 1>he treated us like it was twenty one and and

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<v Speaker 1>I was a little late one day and Norman was

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<v Speaker 1>waiting for me, and the waiter came over to him

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<v Speaker 1>and said, um, are you waiting for her? You can

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<v Speaker 1>always sort of make an occasion I think out of

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<v Speaker 1>anywhere you go and for me, I can supply you

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<v Speaker 1>with luxury. I can also supply you with an affordable alternative,

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<v Speaker 1>because there's so many great places to eat in New

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<v Speaker 1>York that are not expensive and so eat. Question I

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<v Speaker 1>see is not about, you know, you have to have

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<v Speaker 1>a lot of money and you have to go here.

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<v Speaker 1>It's really about you know, finding like a great dumpling

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<v Speaker 1>in uh, you know in Queens, or finding you know

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<v Speaker 1>something low, you know, great eggplant, Parmersian hero. Exactly what's

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<v Speaker 1>changed in New York in terms of dining, Oh, that's interesting. Trends,

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<v Speaker 1>things you see, attitudes, cost I mean there's always trends,

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<v Speaker 1>like right now, I think that vegan has become so popular,

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<v Speaker 1>so now there are vegan restaurants popping up everywhere, and

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<v Speaker 1>and then there's also sort of the whole let's have

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<v Speaker 1>a lot of meat and cheese. So they're you know

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<v Speaker 1>burgers that the Emmy burger, which is from the pizza place,

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<v Speaker 1>but they're burgers legendary. It's you know, like two patties, cheese, sauce, pickles,

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<v Speaker 1>the works on a pretzel bun, and and and so

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<v Speaker 1>partly because time is being what they are in the world,

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<v Speaker 1>everybody really wants comfort they do. You find that's true

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<v Speaker 1>in your work, in my work, it may not make

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<v Speaker 1>them feel good right after, but it makes them feel

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<v Speaker 1>good while they're doing it. And you can sort of

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<v Speaker 1>like get a little bit of solace from today's news.

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<v Speaker 1>And high end Korean has taken off, and um, you

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<v Speaker 1>can't swing a dead cat without hitting a really good

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<v Speaker 1>pizza place. There are so many people coming from Naples

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<v Speaker 1>to have an opening here as well as in Naples.

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<v Speaker 1>High end pizza high end pizza. But there's also slices,

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<v Speaker 1>not ninety nine cent slices, but three dollar and fifty

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<v Speaker 1>cent slices are making a comeback. So there are some

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<v Speaker 1>really fantastic places where you know, you can go get

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<v Speaker 1>a slice, and there's a cocktail bar there too, like

0:10:53.320 --> 0:10:57.120
<v Speaker 1>Scars Pizza on Orchard Streets. It's like where you would

0:10:57.120 --> 0:10:59.719
<v Speaker 1>go after school to have a slice with your friends.

0:10:59.760 --> 0:11:01.560
<v Speaker 1>So there's a lot of that going on too, and

0:11:01.559 --> 0:11:03.360
<v Speaker 1>there are a lot of people doing you know, poly

0:11:03.520 --> 0:11:07.040
<v Speaker 1>g who's who has a really great pizza restaurant in Greenpoint.

0:11:08.679 --> 0:11:12.640
<v Speaker 1>But um he um, he just opened a slice place

0:11:12.679 --> 0:11:16.200
<v Speaker 1>that's been long awaited and much heralded in the Slice world.

0:11:16.480 --> 0:11:19.800
<v Speaker 1>Slice World, It's true. Man, there's a magazine called Slice World.

0:11:20.200 --> 0:11:24.680
<v Speaker 1>Don't don't laugh. There is, there's the website Slice Adam

0:11:24.679 --> 0:11:26.679
<v Speaker 1>who ran it, and then there's Scott who does these

0:11:26.679 --> 0:11:29.720
<v Speaker 1>pizza tours there. You know, there's it's a singular focus.

0:11:29.800 --> 0:11:32.320
<v Speaker 1>But man, they know what they're doing. There's nothing like

0:11:32.360 --> 0:11:36.120
<v Speaker 1>a good slice, a friend, it's a hot meal. Why

0:11:36.200 --> 0:11:38.560
<v Speaker 1>you eat pizza. It's a hot meal, and it's filling,

0:11:38.559 --> 0:11:43.839
<v Speaker 1>and it's good vegetables, dairy, protein, protein, brand all the

0:11:43.880 --> 0:11:46.520
<v Speaker 1>food groups, that's right, all the old fashioned food groups.

0:11:46.559 --> 0:11:50.120
<v Speaker 1>But yes, I know what was You know we were

0:11:50.160 --> 0:11:52.440
<v Speaker 1>gonna say, go ahead, go ahead, you go. Well, it's

0:11:52.440 --> 0:11:54.520
<v Speaker 1>gonna just say that. I think trends, you know, they

0:11:54.520 --> 0:11:56.480
<v Speaker 1>go also with the way the planet goes. I mean,

0:11:56.520 --> 0:12:00.520
<v Speaker 1>now everything is becoming about sustainability. And so there's a um,

0:12:00.559 --> 0:12:03.000
<v Speaker 1>a sushi restaurant. It's the only sushi restaurant in New

0:12:03.080 --> 0:12:07.160
<v Speaker 1>York that does sustainable sushi. Um And I'm forgetting what

0:12:07.240 --> 0:12:10.000
<v Speaker 1>street it's on, but they do in Omaka, sees you

0:12:10.040 --> 0:12:11.760
<v Speaker 1>sit at the counter and you you know they'll still

0:12:11.800 --> 0:12:13.760
<v Speaker 1>present to you what you know, the chef feels is

0:12:13.800 --> 0:12:16.080
<v Speaker 1>good that day and what what you know what he's

0:12:16.120 --> 0:12:21.920
<v Speaker 1>going to serve? No, just a sushi master. And there

0:12:21.920 --> 0:12:24.480
<v Speaker 1>are things now like you know there's crowd cow you

0:12:24.559 --> 0:12:28.400
<v Speaker 1>can there's literally crowd cow funding. What does that mean.

0:12:28.480 --> 0:12:30.320
<v Speaker 1>One of the people started was a guy who started

0:12:30.440 --> 0:12:32.920
<v Speaker 1>Urban Daddy, which is a restaurant site people off and

0:12:32.920 --> 0:12:35.679
<v Speaker 1>go to and um. It's so that he realized that

0:12:35.720 --> 0:12:38.480
<v Speaker 1>people were getting meat from farms, but not everybody can

0:12:38.520 --> 0:12:40.440
<v Speaker 1>like buy a whole cow and store it and all

0:12:40.480 --> 0:12:43.800
<v Speaker 1>of that. So you can participate with like fifty people

0:12:44.280 --> 0:12:47.319
<v Speaker 1>and by the section of cow you want from a farmer,

0:12:47.760 --> 0:12:49.559
<v Speaker 1>then you know where the meats from, you know what

0:12:49.600 --> 0:12:55.439
<v Speaker 1>you're getting. You're supporting small farms. It's right, which is

0:12:55.480 --> 0:12:57.280
<v Speaker 1>so much nicer because you don't feel forced to go

0:12:57.320 --> 0:13:01.679
<v Speaker 1>back there again and food waste. Someone like Dan Barber,

0:13:01.720 --> 0:13:05.400
<v Speaker 1>who has Blue Hill and Stone Barns in in Terrytown.

0:13:05.880 --> 0:13:07.640
<v Speaker 1>A couple of years ago, he did what he was

0:13:07.679 --> 0:13:11.200
<v Speaker 1>calling garbage dinners and taking the parts of vegetables and

0:13:11.280 --> 0:13:13.200
<v Speaker 1>meat that everyone chucks because it's like, that's not the

0:13:13.240 --> 0:13:15.360
<v Speaker 1>pretty part. And um, you know, so we don't need

0:13:15.400 --> 0:13:17.480
<v Speaker 1>the stems, so the broccoli, or we don't need the

0:13:17.720 --> 0:13:20.600
<v Speaker 1>you know. And here, oh well, I mean if you're

0:13:20.640 --> 0:13:22.640
<v Speaker 1>a chef and a chef and you're chopping up the

0:13:22.640 --> 0:13:24.920
<v Speaker 1>broccoli and you just take the florets and that's part

0:13:24.960 --> 0:13:28.600
<v Speaker 1>that you're going to beg yes, exactly, and so now

0:13:28.679 --> 0:13:31.120
<v Speaker 1>these dinners. So all these chefs came and they created

0:13:31.160 --> 0:13:34.320
<v Speaker 1>dinners only out of the parts that weren't pretty rescued fruit,

0:13:34.920 --> 0:13:38.040
<v Speaker 1>and it was fantastic. You know. The idea now I

0:13:38.080 --> 0:13:42.280
<v Speaker 1>think for now and forever is zero waste and we

0:13:42.320 --> 0:13:45.280
<v Speaker 1>can't afford it as as a planet. In beef production

0:13:45.400 --> 0:13:48.480
<v Speaker 1>is one of the two three culprits that's clappering exactly

0:13:48.520 --> 0:13:51.800
<v Speaker 1>forest and they're cutting everything down to grays beef cattle.

0:13:52.120 --> 0:13:56.240
<v Speaker 1>But describe your childhood and food in your childhood, your family,

0:13:56.320 --> 0:13:58.760
<v Speaker 1>your home, what was it like. Um, we always had

0:13:58.760 --> 0:14:01.000
<v Speaker 1>cousins and other people. Every one would come to our house,

0:14:01.200 --> 0:14:04.640
<v Speaker 1>so we had the house where people would crash. He

0:14:04.760 --> 0:14:09.280
<v Speaker 1>was a businessman and um, coming from a culturally Jewish household,

0:14:09.360 --> 0:14:12.720
<v Speaker 1>not a religious Jewish household, it was really about food.

0:14:12.760 --> 0:14:15.880
<v Speaker 1>It's Italians, and I think Jews are very food focused,

0:14:16.000 --> 0:14:21.680
<v Speaker 1>and so everyone cooked. And my sister and left when

0:14:21.720 --> 0:14:24.480
<v Speaker 1>I was still young. She got out of there, she ran,

0:14:24.560 --> 0:14:25.960
<v Speaker 1>but the only thing she could make when she left

0:14:26.000 --> 0:14:29.200
<v Speaker 1>were Swedish meat balls. Um. I remember my brother went

0:14:29.200 --> 0:14:31.200
<v Speaker 1>away to college and he came back and he was like,

0:14:31.360 --> 0:14:33.440
<v Speaker 1>I have to make my begea mill sauce for you,

0:14:33.920 --> 0:14:36.320
<v Speaker 1>and um, you know, and he was so excited about it.

0:14:36.320 --> 0:14:38.960
<v Speaker 1>And my mother always if you told my mother you

0:14:39.080 --> 0:14:41.520
<v Speaker 1>like something, she wouldn't make it again. But if you

0:14:41.600 --> 0:14:44.000
<v Speaker 1>told her, you know, you didn't, she sort of experiment further.

0:14:44.120 --> 0:14:46.640
<v Speaker 1>I don't I don't don't really know why, but and

0:14:46.840 --> 0:14:48.720
<v Speaker 1>you know, I was really indulged. My mother would make

0:14:48.720 --> 0:14:50.680
<v Speaker 1>me something else if I didn't like what she was making.

0:14:50.840 --> 0:14:52.720
<v Speaker 1>And that's probably why I was picking too, because I

0:14:52.720 --> 0:14:54.960
<v Speaker 1>got what I wanted. But she would make things like

0:14:55.000 --> 0:14:59.840
<v Speaker 1>banana meat loaf. Um. It was like no, please, please,

0:14:59.840 --> 0:15:01.960
<v Speaker 1>don't to do that again. But she also made something

0:15:01.960 --> 0:15:05.240
<v Speaker 1>that we all called slop. It remains. It was remains essentially,

0:15:05.280 --> 0:15:07.240
<v Speaker 1>and she put all together and we all loved it.

0:15:07.280 --> 0:15:09.080
<v Speaker 1>And we didn't fte friends over and say we're having

0:15:09.080 --> 0:15:13.480
<v Speaker 1>sloped tonight if you want to come for dinner, that

0:15:13.680 --> 0:15:18.040
<v Speaker 1>doesn't um when you get out of the house, when

0:15:18.080 --> 0:15:19.960
<v Speaker 1>you leave home, and where do you go to school?

0:15:20.280 --> 0:15:23.360
<v Speaker 1>In Madison, Wisconsin? Because you wanted to be a radical?

0:15:23.680 --> 0:15:26.400
<v Speaker 1>I want to be radical and um. And also because

0:15:26.720 --> 0:15:28.960
<v Speaker 1>there was a lighting professor who taught there who has

0:15:29.320 --> 0:15:32.080
<v Speaker 1>since departed the planet, but he was really well known.

0:15:32.200 --> 0:15:33.960
<v Speaker 1>He lit all over the world, but he did things

0:15:34.040 --> 0:15:36.040
<v Speaker 1>like the ballet and the opera and at the mad

0:15:36.080 --> 0:15:37.560
<v Speaker 1>And you knew then that's what you wanted to do.

0:15:37.640 --> 0:15:39.800
<v Speaker 1>Oh yeah, because I always sort of related to light,

0:15:40.280 --> 0:15:43.080
<v Speaker 1>even as a child. I understood light and shadow. So

0:15:43.160 --> 0:15:46.280
<v Speaker 1>he was teaching there and I wanted to study with him.

0:15:46.320 --> 0:15:48.720
<v Speaker 1>And so you're at Wisconsin for four years. You go

0:15:48.800 --> 0:15:54.600
<v Speaker 1>four years and graduate? Yeah, you graduates, says in that papacy.

0:15:54.640 --> 0:15:57.120
<v Speaker 1>It's my resumecy. My parents are did I can tell

0:15:57.120 --> 0:16:01.320
<v Speaker 1>the truth? Wait wait, Elizabeth Warren ain't runing for president.

0:16:02.840 --> 0:16:04.720
<v Speaker 1>You're on your own. And I know that things changed

0:16:04.760 --> 0:16:07.600
<v Speaker 1>for me significantly in terms of food, But I think

0:16:07.600 --> 0:16:10.960
<v Speaker 1>of these milestones. I think of these benchmarks in terms

0:16:11.000 --> 0:16:14.200
<v Speaker 1>of my relationship to food and how that changes over

0:16:14.240 --> 0:16:17.080
<v Speaker 1>the years. And some very significant things. And the first

0:16:17.360 --> 0:16:20.160
<v Speaker 1>turn of the dial is leaving my home and going

0:16:20.160 --> 0:16:23.680
<v Speaker 1>to school, where all of a sudden, you know, what

0:16:23.800 --> 0:16:26.000
<v Speaker 1>I eat is up to me. What I'm going to

0:16:26.080 --> 0:16:28.880
<v Speaker 1>eat I decide because when I was back home as

0:16:28.920 --> 0:16:30.960
<v Speaker 1>a child, my mother would cooked dinner. If she had

0:16:30.960 --> 0:16:33.440
<v Speaker 1>six kids. My family had no money. My mother would

0:16:33.520 --> 0:16:36.680
<v Speaker 1>make roasted chickens and vegetables in a salad. Everybody ate. Well,

0:16:36.720 --> 0:16:38.160
<v Speaker 1>there's a lot of other things we didn't have, but

0:16:38.200 --> 0:16:42.240
<v Speaker 1>everybody had clothes and food my my father's insistence. And

0:16:42.280 --> 0:16:43.920
<v Speaker 1>I go to college, what I'm gonna eat is up

0:16:43.920 --> 0:16:46.680
<v Speaker 1>to me? And uh. There was a place of years

0:16:46.680 --> 0:16:49.960
<v Speaker 1>ago in Washington and Georgetown on the Canal called the Foundry.

0:16:50.760 --> 0:16:53.240
<v Speaker 1>It's interesting how the first thing I did was get

0:16:53.240 --> 0:16:54.680
<v Speaker 1>a job as a way to where I could eat,

0:16:55.720 --> 0:16:58.720
<v Speaker 1>because you get a shift meal. But I think unconsciously

0:16:58.760 --> 0:17:01.360
<v Speaker 1>I put myself at these things. In these jobs, I

0:17:01.400 --> 0:17:04.480
<v Speaker 1>did student activities and things where there was food being served,

0:17:04.920 --> 0:17:06.720
<v Speaker 1>and I could eat things that I couldn't afford to

0:17:06.760 --> 0:17:09.640
<v Speaker 1>pay for because I was on a meal plan. Fantastic, yea.

0:17:10.040 --> 0:17:12.240
<v Speaker 1>But for you, how did you eat when you were

0:17:12.280 --> 0:17:15.239
<v Speaker 1>in college. I do remember the first night that I

0:17:15.320 --> 0:17:18.399
<v Speaker 1>was there walking through the town at night, thinking I

0:17:18.440 --> 0:17:20.760
<v Speaker 1>can go anywhere, I can do anything. We can I

0:17:20.800 --> 0:17:22.880
<v Speaker 1>can go get something to eat, I mean something cheap

0:17:22.920 --> 0:17:25.240
<v Speaker 1>and obviously and all that. But everyone was in the

0:17:25.240 --> 0:17:28.560
<v Speaker 1>same boat, so you were together, um and it was

0:17:28.600 --> 0:17:31.840
<v Speaker 1>really exciting. But being in Wisconsin, it was a lot

0:17:31.880 --> 0:17:35.320
<v Speaker 1>of cheese and that wasn't good. You know. In the end,

0:17:38.160 --> 0:17:41.320
<v Speaker 1>of course, all that dairy was time well spent. If

0:17:41.400 --> 0:17:45.640
<v Speaker 1>Deborah Cletter gets a client seeking the best cheese in Wisconsin,

0:17:46.840 --> 0:17:49.000
<v Speaker 1>a good way for you to spend time is in

0:17:49.080 --> 0:17:52.200
<v Speaker 1>the Here's the Thing archive. If all the food talk

0:17:52.320 --> 0:17:55.840
<v Speaker 1>is driving you to the fridge, Dr Robert Lustig will

0:17:55.840 --> 0:17:59.399
<v Speaker 1>put a damper on that. That's called addiction. We know

0:17:59.560 --> 0:18:02.080
<v Speaker 1>how that works for all of these other drugs of abuse.

0:18:02.200 --> 0:18:05.040
<v Speaker 1>Turns out sugar does the same same thing. It's the

0:18:05.080 --> 0:18:08.119
<v Speaker 1>same as cocaine. The difference is that for cocaine you

0:18:08.200 --> 0:18:10.919
<v Speaker 1>gotta go find it, whereas for sugar we have what

0:18:10.960 --> 0:18:14.960
<v Speaker 1>we call system saturation. It's everywhere, you can't escape it.

0:18:15.560 --> 0:18:19.639
<v Speaker 1>The charming, if alarming Doctor Robert Lustig can be found

0:18:19.680 --> 0:18:22.840
<v Speaker 1>anytime with the rest of our past interviews and Here's

0:18:22.880 --> 0:18:28.920
<v Speaker 1>the Thing dot org coming up New York's foremost restaurant recommender,

0:18:29.359 --> 0:18:33.880
<v Speaker 1>Deborah Cletter of e quest NYC, makes her case against

0:18:34.000 --> 0:18:51.280
<v Speaker 1>Yelp and trip Advisor. This is Alec Baldwin and you're

0:18:51.320 --> 0:18:55.000
<v Speaker 1>listening to here's the thing now more With Deborah Clutter

0:18:55.320 --> 0:18:59.920
<v Speaker 1>of eat quest NYC. She caters to her clients when

0:19:00.320 --> 0:19:02.879
<v Speaker 1>and crazy things, but has a clear sense of what

0:19:03.080 --> 0:19:07.240
<v Speaker 1>any restaurant needs to be great. What differentiates good and

0:19:07.280 --> 0:19:10.600
<v Speaker 1>bad is conviviality. If a restaurant wants you to be there,

0:19:10.720 --> 0:19:12.600
<v Speaker 1>if they're happy to make you the food and they

0:19:12.600 --> 0:19:15.240
<v Speaker 1>want you to have a good time, it's sublime. It's

0:19:15.280 --> 0:19:18.040
<v Speaker 1>just this wonderful experience. And you know that they're really

0:19:18.080 --> 0:19:20.600
<v Speaker 1>happy for you to be eating their food, so you're

0:19:20.680 --> 0:19:24.439
<v Speaker 1>really happy to be dining there. I've developed a pretty

0:19:24.560 --> 0:19:29.119
<v Speaker 1>keen sense of when I'm around the person who I

0:19:29.200 --> 0:19:33.320
<v Speaker 1>know they derive great pleasure from preparing food and serving food.

0:19:33.400 --> 0:19:35.560
<v Speaker 1>They love to see people eat their food, and there's

0:19:35.560 --> 0:19:37.320
<v Speaker 1>a kind of a glow they have. There's a kind

0:19:37.320 --> 0:19:40.119
<v Speaker 1>of an incandescence thing. And so the thing for me

0:19:40.200 --> 0:19:43.720
<v Speaker 1>now is that because I'm trying so much now to

0:19:43.880 --> 0:19:47.320
<v Speaker 1>manage food in my life, and I'm wondering do you

0:19:47.359 --> 0:19:49.800
<v Speaker 1>factor that into your recommendations with people? Do they ever

0:19:49.840 --> 0:19:51.800
<v Speaker 1>say to you, I need healthy food, are going to

0:19:51.800 --> 0:19:54.639
<v Speaker 1>be very careful. You know, it's interesting that hasn't come

0:19:54.720 --> 0:19:57.359
<v Speaker 1>up as much as one would think. But I think

0:19:57.440 --> 0:20:00.359
<v Speaker 1>the movement now is like the whole paleo thing, and

0:20:00.440 --> 0:20:03.000
<v Speaker 1>so there are people eating like dachis and broths and

0:20:03.040 --> 0:20:06.080
<v Speaker 1>consummes that the your fish is poached in and all that.

0:20:06.440 --> 0:20:09.560
<v Speaker 1>But I think that there's comfort and there's health, and

0:20:09.680 --> 0:20:12.560
<v Speaker 1>those two. You know, it's diametrically opposed, and there are

0:20:12.560 --> 0:20:14.720
<v Speaker 1>people who leaned one way and lean the up. So

0:20:14.800 --> 0:20:16.919
<v Speaker 1>most of the people that are engaging your service, they

0:20:16.920 --> 0:20:18.560
<v Speaker 1>don't they don't bother with that. They're there to go

0:20:18.560 --> 0:20:20.560
<v Speaker 1>blow it out or just enjoy it. I mean, because

0:20:20.600 --> 0:20:23.000
<v Speaker 1>it really doesn't have to be about something special. It

0:20:23.320 --> 0:20:26.359
<v Speaker 1>just has to be about something good or comfortable for

0:20:26.400 --> 0:20:29.960
<v Speaker 1>their economic bracket or you know, the kind of atmosphere

0:20:30.000 --> 0:20:31.800
<v Speaker 1>they want. I mean, it starts. You know, I started

0:20:31.840 --> 0:20:34.280
<v Speaker 1>doing this years ago because I would plan people's evenings

0:20:34.280 --> 0:20:36.719
<v Speaker 1>for them. I just got into like I knew somebody,

0:20:36.760 --> 0:20:39.639
<v Speaker 1>this intern working at some in an office that a

0:20:39.640 --> 0:20:42.080
<v Speaker 1>friend of mine was running, and he wanted to propose

0:20:42.119 --> 0:20:45.560
<v Speaker 1>to his girlfriend. So another friend and I just we court.

0:20:45.680 --> 0:20:48.280
<v Speaker 1>We we coordinated the whole evening. We said where you're

0:20:48.280 --> 0:20:50.119
<v Speaker 1>going to go meet for drinks, where you're going to

0:20:50.200 --> 0:20:52.080
<v Speaker 1>actually have dinner, where you're going to propose to her,

0:20:52.160 --> 0:20:53.919
<v Speaker 1>what table you're going to sit at, how that's all

0:20:53.920 --> 0:20:55.840
<v Speaker 1>going to go down. And we did the whole evening

0:20:55.840 --> 0:20:57.800
<v Speaker 1>for him, and then we started doing that for other people.

0:20:58.080 --> 0:21:01.560
<v Speaker 1>She ultimately moved to Italy with her family. UM, so I,

0:21:01.760 --> 0:21:03.480
<v Speaker 1>you know, kind of stopped that and just kept doing

0:21:03.520 --> 0:21:05.639
<v Speaker 1>what I was doing. But it was always in the

0:21:05.640 --> 0:21:07.960
<v Speaker 1>back of my mind. And when you know, the recession

0:21:08.000 --> 0:21:11.120
<v Speaker 1>happened and people weren't doing so much garden lighting, and um,

0:21:11.160 --> 0:21:15.000
<v Speaker 1>I wasn't really doing theater. I thought, okay, food, Um

0:21:15.040 --> 0:21:17.280
<v Speaker 1>this is you know, everyone always asked me where to go,

0:21:17.359 --> 0:21:19.520
<v Speaker 1>and I always like knowing where to go, and I'm

0:21:19.520 --> 0:21:22.200
<v Speaker 1>always intrigued by something, and you know, I just sort

0:21:22.240 --> 0:21:26.520
<v Speaker 1>of I'm like a steward of um you know, of information.

0:21:26.720 --> 0:21:29.040
<v Speaker 1>I just you know, it's out there and other people

0:21:29.080 --> 0:21:33.600
<v Speaker 1>can find it too. It's just that I'm obsessed with it. Cook. Yeah,

0:21:33.600 --> 0:21:36.959
<v Speaker 1>I do, do I do. I used to go really

0:21:37.000 --> 0:21:40.840
<v Speaker 1>sort of high end fancy. You know, you're well, my

0:21:40.880 --> 0:21:44.560
<v Speaker 1>signature dishes my shrimp risotto, but that's not really dazzling

0:21:45.200 --> 0:21:48.240
<v Speaker 1>wild Argentinian shrimp, but it's it's more about how you

0:21:48.280 --> 0:21:51.360
<v Speaker 1>cook it. And I will not reveal the secret, but um,

0:21:51.400 --> 0:21:54.240
<v Speaker 1>I don't even tell other people that there's a few

0:21:54.280 --> 0:21:56.199
<v Speaker 1>little key things in it that make it what it is.

0:21:56.240 --> 0:21:58.280
<v Speaker 1>And I honestly think it's the best trimp risotto I've

0:21:58.320 --> 0:22:00.800
<v Speaker 1>ever had. I like rock shrimps. I went to a

0:22:00.800 --> 0:22:03.679
<v Speaker 1>place once on vacation down there in North Carolina and

0:22:03.680 --> 0:22:05.399
<v Speaker 1>I thought, oh my god, I mean this was shrimp

0:22:05.440 --> 0:22:07.520
<v Speaker 1>they caught right there fresh and it was just mean

0:22:07.600 --> 0:22:09.920
<v Speaker 1>a tasted like something. Yes, when when you can really

0:22:09.960 --> 0:22:12.199
<v Speaker 1>taste the food, that makes such a difference. It's like

0:22:12.440 --> 0:22:15.320
<v Speaker 1>carrots from the farmer's market actually taste like carrots, not

0:22:15.400 --> 0:22:17.919
<v Speaker 1>a bag of what's called baby carrots but are just

0:22:17.960 --> 0:22:21.040
<v Speaker 1>you know, cut up bigger carrots in a supermarket don't

0:22:21.040 --> 0:22:23.840
<v Speaker 1>taste like carrots. They might be filling, and you know,

0:22:23.920 --> 0:22:25.480
<v Speaker 1>you can chew them and you can slice them and

0:22:25.480 --> 0:22:27.639
<v Speaker 1>put them in things, but when you taste the carrot

0:22:27.720 --> 0:22:31.600
<v Speaker 1>and you really get the carrot taste, it's remarkable and

0:22:31.680 --> 0:22:33.320
<v Speaker 1>you know, and I think that's part of people want

0:22:33.359 --> 0:22:35.320
<v Speaker 1>to know where their food is coming from now. They

0:22:35.359 --> 0:22:37.720
<v Speaker 1>want to know what they're eating, so, you know, and

0:22:37.760 --> 0:22:40.880
<v Speaker 1>that's why I think like the crowd. But you can

0:22:40.920 --> 0:22:43.520
<v Speaker 1>find that at less expensive places as well as more

0:22:43.520 --> 0:22:46.159
<v Speaker 1>expensive places. It's all out there. When you go to

0:22:46.200 --> 0:22:48.600
<v Speaker 1>a restaurant, what's the first thing you look for, it's

0:22:48.640 --> 0:22:51.480
<v Speaker 1>the whole nison send. Are people enjoying it? I mean,

0:22:51.480 --> 0:22:53.399
<v Speaker 1>do you do? You feel that sort of buzz and

0:22:53.520 --> 0:22:56.240
<v Speaker 1>you smell it and it smells really good, and it's

0:22:56.280 --> 0:22:58.240
<v Speaker 1>it's almost like a sixth sense that you walk in

0:22:58.280 --> 0:23:00.399
<v Speaker 1>somewhere and you feel like this is where I'm supposed

0:23:00.440 --> 0:23:02.399
<v Speaker 1>to be. I get it. I think this is going

0:23:02.480 --> 0:23:04.800
<v Speaker 1>to be good. When you when people are enjoying their food,

0:23:05.000 --> 0:23:08.119
<v Speaker 1>there's just that buzz, there's there's your You know that

0:23:08.160 --> 0:23:10.720
<v Speaker 1>you've come into a place where it's not about pretension,

0:23:10.840 --> 0:23:13.840
<v Speaker 1>it's not about um. You know, the masquerade of this

0:23:13.880 --> 0:23:15.840
<v Speaker 1>place is supposed to be good, so I'm supposed to

0:23:15.880 --> 0:23:18.800
<v Speaker 1>like it. It's really like people are enjoying their food here.

0:23:19.080 --> 0:23:21.760
<v Speaker 1>The waiters seem to be enjoying giving it to you.

0:23:21.800 --> 0:23:24.320
<v Speaker 1>The cooks are happy making it for you. You're happy

0:23:24.359 --> 0:23:26.879
<v Speaker 1>to be there eating it, and that really is what

0:23:26.920 --> 0:23:29.119
<v Speaker 1>it is. It really doesn't, you know, there's not it's not.

0:23:29.280 --> 0:23:33.320
<v Speaker 1>I I personally love a neighborhood feel. I love you know,

0:23:33.359 --> 0:23:36.840
<v Speaker 1>old world. I love a dive. But when I'm looking

0:23:36.880 --> 0:23:39.560
<v Speaker 1>for clients and um, you know, and I'm when I'm

0:23:39.560 --> 0:23:41.720
<v Speaker 1>going out to eat it and checking all these places out,

0:23:41.840 --> 0:23:44.160
<v Speaker 1>I'm looking for things that might appeal to all kinds

0:23:44.160 --> 0:23:48.280
<v Speaker 1>of people. I'm not just looking that. That's my test.

0:23:48.359 --> 0:23:51.000
<v Speaker 1>So it's not just about me, it's about what that is.

0:23:51.000 --> 0:23:53.679
<v Speaker 1>So people ask me favorites and I don't. I generally

0:23:53.720 --> 0:23:57.080
<v Speaker 1>don't reveal them because it's not about me. But you're

0:23:57.080 --> 0:24:00.760
<v Speaker 1>going to reveal them to me, and temail um described

0:24:00.800 --> 0:24:02.320
<v Speaker 1>for me. Give me a high end and a low

0:24:02.400 --> 0:24:05.399
<v Speaker 1>end of just a meal. You remember a place, you

0:24:05.520 --> 0:24:09.920
<v Speaker 1>remember you went there, and those all right? All perfect?

0:24:10.880 --> 0:24:12.520
<v Speaker 1>Can it be out of the country, It can be

0:24:12.560 --> 0:24:16.160
<v Speaker 1>anywhere you desire. Okay. One of my most favorite places

0:24:16.160 --> 0:24:19.320
<v Speaker 1>in the whole world is Palazaccio's, which is an Umbria

0:24:19.400 --> 0:24:22.840
<v Speaker 1>and it's outside of Spoletto, and it's a family run restaurant,

0:24:23.000 --> 0:24:25.960
<v Speaker 1>and you know, my heart just sings whenever I think

0:24:26.000 --> 0:24:28.040
<v Speaker 1>about it and the you know, the idea of getting

0:24:28.080 --> 0:24:30.600
<v Speaker 1>back there. And one of the most amazing things that

0:24:30.640 --> 0:24:34.560
<v Speaker 1>they make is this artichoke ravioli and it's and all

0:24:34.880 --> 0:24:36.760
<v Speaker 1>you know, it takes them half a day to make it.

0:24:37.040 --> 0:24:38.600
<v Speaker 1>And you know, one of the things I think people

0:24:38.640 --> 0:24:40.520
<v Speaker 1>want to go out to eat for is for something

0:24:40.560 --> 0:24:42.399
<v Speaker 1>that they can't make at home or they won't make

0:24:42.440 --> 0:24:45.160
<v Speaker 1>it home, because it's just two times et someone's made

0:24:45.160 --> 0:24:47.720
<v Speaker 1>an effort. And so when they make the artichoke ravili,

0:24:47.840 --> 0:24:49.639
<v Speaker 1>not only do they have to make the fresh pasta

0:24:49.680 --> 0:24:51.600
<v Speaker 1>and make the actual ravioli and all of that, but

0:24:51.640 --> 0:24:54.960
<v Speaker 1>they cook the artichoke. They take each leaf off, they

0:24:55.040 --> 0:24:57.639
<v Speaker 1>scrape all the little bits of what you know, the

0:24:57.720 --> 0:25:01.000
<v Speaker 1>artichook meat off of each leaf, make a like make

0:25:01.040 --> 0:25:04.080
<v Speaker 1>a paste out of it exactly. And the heart of

0:25:04.119 --> 0:25:06.800
<v Speaker 1>the artichoke is what goes into each violi, but the

0:25:06.840 --> 0:25:11.720
<v Speaker 1>pace goes into the sauce and um. And so when

0:25:11.760 --> 0:25:14.840
<v Speaker 1>you eat, it's just heaven. It's heaven. There's just there's

0:25:15.000 --> 0:25:17.600
<v Speaker 1>nothing else like it that just it melts in your mouth.

0:25:17.760 --> 0:25:22.679
<v Speaker 1>It's just extraordinary. And it's called palazaccios and it's on

0:25:22.720 --> 0:25:30.240
<v Speaker 1>the via Flaminia outside of Swoletto and family run helicopter

0:25:32.320 --> 0:25:36.000
<v Speaker 1>than that UM and then they're definitely meals in New

0:25:36.080 --> 0:25:39.520
<v Speaker 1>York and a place like UM for Chinese food, the

0:25:39.920 --> 0:25:43.719
<v Speaker 1>Little Pepper Um, which is well known now. I happened

0:25:43.720 --> 0:25:45.840
<v Speaker 1>to find it the first night they opened in a

0:25:45.840 --> 0:25:48.840
<v Speaker 1>little basement in Flushing, because I was looking for a

0:25:48.840 --> 0:25:51.400
<v Speaker 1>different restaurant that had moved, and so I was with

0:25:51.440 --> 0:25:53.919
<v Speaker 1>some friends. We thought, this kind of smells good and

0:25:53.920 --> 0:25:57.040
<v Speaker 1>it's just funky. Let's check it out. And it was sublime.

0:25:57.119 --> 0:25:59.119
<v Speaker 1>And then I started, like, you know, getting friends to

0:25:59.160 --> 0:26:01.080
<v Speaker 1>go there all the time, and I would go there always.

0:26:01.080 --> 0:26:03.159
<v Speaker 1>And now they've moved and they have a place on

0:26:03.680 --> 0:26:06.600
<v Speaker 1>in College Point and they bought the building, so it's

0:26:06.600 --> 0:26:11.080
<v Speaker 1>a slightly more upscale UM. But nothing in there is

0:26:11.160 --> 0:26:13.400
<v Speaker 1>bad and I feel at home when I go there.

0:26:13.400 --> 0:26:15.360
<v Speaker 1>I feel at home with the food. I know the dishes,

0:26:15.640 --> 0:26:18.840
<v Speaker 1>I have my favorites. I order way too much and UM.

0:26:19.160 --> 0:26:21.920
<v Speaker 1>And I think of you for this because because one

0:26:21.920 --> 0:26:24.239
<v Speaker 1>of my favorite things about dining with you is that

0:26:24.480 --> 0:26:26.400
<v Speaker 1>you know, we can go to a restaurant and you'll say,

0:26:26.440 --> 0:26:28.000
<v Speaker 1>you know, I'll have the chicken, you have the steak

0:26:28.080 --> 0:26:30.160
<v Speaker 1>or you know, and also I'll steak or something like that.

0:26:30.480 --> 0:26:34.080
<v Speaker 1>But then if you're if my eye wanders over anywhere

0:26:34.119 --> 0:26:35.439
<v Speaker 1>in the menu, you say, what are you looking at?

0:26:35.520 --> 0:26:38.040
<v Speaker 1>Let's get it. I learned that from Michael Blue, my

0:26:38.080 --> 0:26:40.680
<v Speaker 1>former agent. I remember that Blue would say, I say,

0:26:40.720 --> 0:26:42.520
<v Speaker 1>I can't make up my mind the salmon or the chicken.

0:26:42.560 --> 0:26:45.200
<v Speaker 1>He goes, get both. I can't make up my mind

0:26:45.280 --> 0:26:48.000
<v Speaker 1>the soul or the pasta. Get both. What do we care?

0:26:48.600 --> 0:26:50.520
<v Speaker 1>What do you care? It's great because you and I

0:26:50.520 --> 0:26:55.000
<v Speaker 1>would end up with a table filled with like several entrees, appetizers, sides. Um,

0:26:55.040 --> 0:26:57.440
<v Speaker 1>you know, let's get the pizza, Let's also have the pasta,

0:26:57.560 --> 0:27:00.560
<v Speaker 1>Let's also have this, and you know, and that's what

0:27:00.640 --> 0:27:02.760
<v Speaker 1>I So that's kind of how I think sometimes, Like

0:27:02.800 --> 0:27:05.560
<v Speaker 1>I don't understand when people limit me and they say

0:27:05.600 --> 0:27:09.360
<v Speaker 1>things like I think we've ordered enough, Like I don't

0:27:09.359 --> 0:27:14.359
<v Speaker 1>think we have no, No, you don't get it. I'm

0:27:14.400 --> 0:27:18.240
<v Speaker 1>the one that determines when we've had enough. Do you

0:27:18.280 --> 0:27:21.280
<v Speaker 1>remember when we had dinner at an unnamed restaurant that's

0:27:21.320 --> 0:27:23.720
<v Speaker 1>very popular. Um, you had a group of like ten

0:27:23.800 --> 0:27:25.399
<v Speaker 1>people and we were all at the restaurant and the

0:27:25.920 --> 0:27:28.280
<v Speaker 1>waiter came over and he was telling us about the salmon.

0:27:28.359 --> 0:27:31.359
<v Speaker 1>And he said, the salmon was wrapped in Kashmir, you know,

0:27:31.440 --> 0:27:33.960
<v Speaker 1>every night of its life, and it was they read

0:27:33.960 --> 0:27:35.960
<v Speaker 1>a good night moon before it went to sleep. And

0:27:36.960 --> 0:27:39.520
<v Speaker 1>I went to Princeton. It was caressed. They carried it

0:27:39.560 --> 0:27:42.440
<v Speaker 1>here across the country from the Pacific Northwest. And you said,

0:27:42.840 --> 0:27:44.920
<v Speaker 1>I'd rather get a piece of trout from a guy

0:27:45.000 --> 0:27:47.240
<v Speaker 1>named Joe driving the truck and flings it in through

0:27:47.240 --> 0:27:52.480
<v Speaker 1>the door. That that that whole boutique thing with food.

0:27:52.760 --> 0:27:55.560
<v Speaker 1>I mean, listen, I want Kobe beef when I first

0:27:55.600 --> 0:27:59.320
<v Speaker 1>first heard about that, I mean everything about handling food. Uh.

0:27:59.320 --> 0:28:01.520
<v Speaker 1>And what about the low end? What's the place you know?

0:28:01.600 --> 0:28:03.639
<v Speaker 1>Well a little? I mean, you know, I hesitate to

0:28:03.640 --> 0:28:05.879
<v Speaker 1>call them low, but I mean a place like Eisenberg's.

0:28:06.240 --> 0:28:09.040
<v Speaker 1>Do you know on Fifth Avenue? You know I love

0:28:09.080 --> 0:28:13.920
<v Speaker 1>their tuna sandwich. I mean they do. I never thought

0:28:13.920 --> 0:28:16.359
<v Speaker 1>you'd say that. I've been there. It's around the corner

0:28:16.359 --> 0:28:18.679
<v Speaker 1>for my physical therapist. Oh do you get the Reuben.

0:28:18.880 --> 0:28:20.960
<v Speaker 1>I go there and have an egg salad sandwich. You

0:28:21.000 --> 0:28:23.879
<v Speaker 1>can get a half egg salad, half tuna, and I'm

0:28:23.880 --> 0:28:27.119
<v Speaker 1>going to tuna really good. Tuna. I won't share with

0:28:27.160 --> 0:28:28.919
<v Speaker 1>you the he doesn't my number one, which I call

0:28:29.000 --> 0:28:32.960
<v Speaker 1>bachelor's surprise, which is my tuna salad sandwich. I make

0:28:32.960 --> 0:28:35.320
<v Speaker 1>a tuna sala said. People have wept when they have

0:28:35.359 --> 0:28:37.439
<v Speaker 1>my tuna. I'm gonna need to try it. If you're

0:28:37.480 --> 0:28:40.240
<v Speaker 1>not going to do I'll take off Mike and involves

0:28:40.440 --> 0:28:50.320
<v Speaker 1>some very simple I love tuna fish. It's tuna fish

0:28:50.840 --> 0:28:54.520
<v Speaker 1>European style. Well, I'll tell you my favorite tuna is

0:28:54.720 --> 0:28:57.960
<v Speaker 1>Rio Mara, and they don't export their Rio Marian extra

0:28:58.040 --> 0:29:01.240
<v Speaker 1>virgin olive oil to America. You can only get in Italy,

0:29:01.280 --> 0:29:03.520
<v Speaker 1>and you can ask any friend. I have cases of it.

0:29:03.520 --> 0:29:04.920
<v Speaker 1>We get we get by the one from my wife.

0:29:04.920 --> 0:29:07.760
<v Speaker 1>I get it from a Spanish grocery store. I used

0:29:07.800 --> 0:29:09.160
<v Speaker 1>to eat fish every now and then I get sick

0:29:09.200 --> 0:29:12.400
<v Speaker 1>of fish. But for all those concerns about age and

0:29:12.480 --> 0:29:14.920
<v Speaker 1>health and everything, you always remember my brother and I

0:29:15.200 --> 0:29:18.080
<v Speaker 1>getting a quart of fried rice from the local Chinese

0:29:18.080 --> 0:29:22.000
<v Speaker 1>place take out and sitting on the curb in the

0:29:22.040 --> 0:29:23.840
<v Speaker 1>parking lot. They didn't have any seating. It was take out.

0:29:23.840 --> 0:29:26.480
<v Speaker 1>Only was a counter and we would sit down and

0:29:26.520 --> 0:29:28.240
<v Speaker 1>we'd eat. It was like the perfect mix of the

0:29:28.280 --> 0:29:30.640
<v Speaker 1>shrimp and the egg and the scallions in this and

0:29:30.680 --> 0:29:32.320
<v Speaker 1>we'd sit there and eat. It was like we we

0:29:32.480 --> 0:29:35.000
<v Speaker 1>might as well have had a table at Lutess. It

0:29:35.080 --> 0:29:36.960
<v Speaker 1>was like the it with the greatest meal I've ever

0:29:37.000 --> 0:29:40.480
<v Speaker 1>had in my life, because you're so craving that, and

0:29:40.520 --> 0:29:43.160
<v Speaker 1>you're so jonesing for that, and you don't feel that anymore.

0:29:43.160 --> 0:29:45.560
<v Speaker 1>You don't have a craving for something that crave now

0:29:45.680 --> 0:29:48.920
<v Speaker 1>is the room. Food is not my enemy. Food is

0:29:48.920 --> 0:29:52.480
<v Speaker 1>something I have to wrestle with. But the common thread

0:29:53.200 --> 0:29:55.640
<v Speaker 1>of food is just I don't want to get too

0:29:55.680 --> 0:29:59.160
<v Speaker 1>sappy here, but like who you're with, what's the vibe?

0:29:59.480 --> 0:30:01.720
<v Speaker 1>You know? I I mean sharing food makes you part

0:30:01.720 --> 0:30:03.960
<v Speaker 1>of a larger hole. And all the work that now

0:30:04.000 --> 0:30:06.520
<v Speaker 1>people are doing with you know, like Jos Andreas and

0:30:06.520 --> 0:30:11.320
<v Speaker 1>and doing all the world Central Kitchen and goings. Who

0:30:11.360 --> 0:30:15.880
<v Speaker 1>don't know UM Chef Restaurant Tour, UM Washington, New York,

0:30:16.520 --> 0:30:20.080
<v Speaker 1>l A. And he's going to every disaster and feeding people.

0:30:20.160 --> 0:30:22.480
<v Speaker 1>So he was in Puerto Rico and he has fed

0:30:22.560 --> 0:30:24.880
<v Speaker 1>so many people and got people cooking there and got

0:30:24.920 --> 0:30:28.480
<v Speaker 1>people hot meals and really good meals. And the photographs

0:30:28.480 --> 0:30:30.560
<v Speaker 1>are remember of like Paia pants that were as big

0:30:30.560 --> 0:30:32.680
<v Speaker 1>as this desk, which people can't see, but it's big

0:30:33.040 --> 0:30:37.680
<v Speaker 1>and exactly and it was just extraordinary. And so he's

0:30:37.720 --> 0:30:40.240
<v Speaker 1>gone and organized for every disaster, and all kinds of

0:30:40.280 --> 0:30:43.120
<v Speaker 1>people are doing that. There's such a humanitarian aspect now

0:30:43.480 --> 0:30:46.480
<v Speaker 1>to food. There are a lot of refugee dinners. They're

0:30:46.600 --> 0:30:49.840
<v Speaker 1>there are different groups that are either catering um, so

0:30:49.880 --> 0:30:52.280
<v Speaker 1>they take people who have been displaced, and people are

0:30:52.280 --> 0:30:54.720
<v Speaker 1>now like cooking and you can actually hire a caterer

0:30:55.040 --> 0:30:57.960
<v Speaker 1>where people who were you know, exiled for whatever reason

0:30:58.240 --> 0:31:01.480
<v Speaker 1>and are here are cooking for you, which is fantastic

0:31:01.560 --> 0:31:04.040
<v Speaker 1>because it brings them a sense of home and it

0:31:04.080 --> 0:31:07.080
<v Speaker 1>brings you, um, you know, some really great meal that

0:31:07.120 --> 0:31:09.720
<v Speaker 1>you didn't get to have before. But it's the idea

0:31:09.720 --> 0:31:12.640
<v Speaker 1>of just sharing food and sharing somebody's heritage and culture

0:31:12.720 --> 0:31:15.040
<v Speaker 1>and and I think, you know, those of us who

0:31:15.040 --> 0:31:18.520
<v Speaker 1>are on you know, on the good side of humanity

0:31:18.640 --> 0:31:22.360
<v Speaker 1>are trying to to connect with that and to share that.

0:31:22.760 --> 0:31:24.480
<v Speaker 1>You know. I asked the driver, you guys were so

0:31:24.560 --> 0:31:25.920
<v Speaker 1>nice to send me a car. And I asked the

0:31:26.000 --> 0:31:28.280
<v Speaker 1>driver on the way what he looks for in a restaurant,

0:31:28.680 --> 0:31:31.760
<v Speaker 1>and he said, oh, he said, I go to Queens

0:31:31.760 --> 0:31:35.040
<v Speaker 1>in Brooklyn and I eat Jamaican food. And I said,

0:31:35.040 --> 0:31:37.959
<v Speaker 1>because it's home, and he said yes. The connection for

0:31:38.040 --> 0:31:40.880
<v Speaker 1>people is, you know what makes them feel at home,

0:31:41.560 --> 0:31:44.560
<v Speaker 1>regardless of whether that home was last year or childhood.

0:31:45.640 --> 0:31:48.960
<v Speaker 1>Restaurant reviewers, how is that change has a change? Who

0:31:48.960 --> 0:31:51.640
<v Speaker 1>do you trust? Now? Who do you? I do like?

0:31:51.760 --> 0:31:56.120
<v Speaker 1>I like the New Yorker, I like Hannah Goldfield and

0:31:55.160 --> 0:31:59.920
<v Speaker 1>UM and I like UM. I don't want to dispat

0:32:00.280 --> 0:32:03.040
<v Speaker 1>or just do what I do. Would you just name

0:32:03.080 --> 0:32:05.360
<v Speaker 1>the ones you like? Well? But the thing is, I

0:32:05.400 --> 0:32:07.840
<v Speaker 1>like some of what some people say. Do you do

0:32:07.960 --> 0:32:10.360
<v Speaker 1>dislike Wells? What he wants? I don't dislike Wells, but

0:32:10.400 --> 0:32:12.600
<v Speaker 1>I don't agree with everything that he says. But I

0:32:12.640 --> 0:32:14.960
<v Speaker 1>think I do think he's a very good reviewer. And I,

0:32:15.160 --> 0:32:17.400
<v Speaker 1>you know, I clearly go to the Times every Wednesday

0:32:17.480 --> 0:32:20.320
<v Speaker 1>to see what um, you know, what what he has said.

0:32:20.720 --> 0:32:22.920
<v Speaker 1>But I trust people that I know more than I

0:32:22.960 --> 0:32:25.760
<v Speaker 1>trust reviewers that are out there. UM And I think

0:32:25.960 --> 0:32:28.800
<v Speaker 1>you know, you look at something like trip Advisor or Yelp,

0:32:28.840 --> 0:32:31.880
<v Speaker 1>where so many people go to and as as a

0:32:31.880 --> 0:32:33.720
<v Speaker 1>friend of mine pointed out to me, she was going

0:32:33.800 --> 0:32:36.320
<v Speaker 1>to chang My in Thailand for going to live there

0:32:36.320 --> 0:32:38.200
<v Speaker 1>for a few months. And she said, well, I thought

0:32:38.200 --> 0:32:40.240
<v Speaker 1>i'd look a trip Advisor and I would see, like

0:32:40.280 --> 0:32:42.600
<v Speaker 1>what restaurants they were recommending, and she said the top

0:32:42.680 --> 0:32:45.840
<v Speaker 1>rated number one restaurant in chang My was a text

0:32:45.880 --> 0:32:49.000
<v Speaker 1>Mex place, and I thought, no, thanks, I don't need

0:32:49.040 --> 0:32:51.800
<v Speaker 1>to do that so people find you know, I guess

0:32:51.800 --> 0:32:54.360
<v Speaker 1>all the people who go to Yelp or trip Advisor,

0:32:54.680 --> 0:32:57.120
<v Speaker 1>if you find someone you like, I suppose you know

0:32:57.200 --> 0:32:59.720
<v Speaker 1>that would mean something I I don't. I don't ever

0:32:59.760 --> 0:33:02.440
<v Speaker 1>look at anything like that. I look at Yelps sometimes

0:33:02.520 --> 0:33:05.160
<v Speaker 1>for addresses or do they take credit cards or you know,

0:33:05.200 --> 0:33:08.400
<v Speaker 1>sort of hardcore information. But I noticed a review said

0:33:08.400 --> 0:33:10.320
<v Speaker 1>the best sushi in New York, so I thought, okay,

0:33:10.840 --> 0:33:13.480
<v Speaker 1>you know, I have to see I'll buy. And the

0:33:13.520 --> 0:33:15.640
<v Speaker 1>person just said, this is the best sushi I've ever had.

0:33:15.680 --> 0:33:18.320
<v Speaker 1>Of course I've never had sushi before, and I thought,

0:33:18.360 --> 0:33:20.360
<v Speaker 1>like a ha, And to me, that sums up like

0:33:20.440 --> 0:33:23.040
<v Speaker 1>that kind of local reviews. And you know, if it

0:33:23.080 --> 0:33:25.080
<v Speaker 1>works for you, great. But what I do is I

0:33:25.120 --> 0:33:27.360
<v Speaker 1>try and glean what somebody wants, and I keep a

0:33:27.360 --> 0:33:29.400
<v Speaker 1>personal file on them or even if it's just a

0:33:29.400 --> 0:33:32.440
<v Speaker 1>one time thing. I get, you know, by a listening

0:33:32.440 --> 0:33:35.720
<v Speaker 1>answers from them on on my questions, I get what

0:33:35.760 --> 0:33:38.680
<v Speaker 1>it is that they're looking for. We're interesting towards my

0:33:38.760 --> 0:33:41.680
<v Speaker 1>last question, which is my dear friend Ronnie Dobson. I

0:33:41.720 --> 0:33:45.560
<v Speaker 1>think you met who spent a good part of his youth. Uh,

0:33:45.600 --> 0:33:48.760
<v Speaker 1>you know, studied literature at Brooklyn College and uh as

0:33:48.800 --> 0:33:53.160
<v Speaker 1>a very beautiful writer and one of the great uh

0:33:53.320 --> 0:33:55.280
<v Speaker 1>minds I've ever known in my life. And this is

0:33:55.360 --> 0:33:57.480
<v Speaker 1>amazing guy. And took a couple of years in different

0:33:57.480 --> 0:34:00.200
<v Speaker 1>times of his life to travel extensively. One an a Frica,

0:34:00.240 --> 0:34:02.400
<v Speaker 1>when in Mexico, and when he's in Africa, he's and

0:34:02.480 --> 0:34:06.800
<v Speaker 1>he really does talk his version I mean, I'm really

0:34:06.840 --> 0:34:09.279
<v Speaker 1>not exaggerating his version of like Woody Allen. He's he's

0:34:09.320 --> 0:34:12.319
<v Speaker 1>the Jewish kid from Brooklyn and he's totally what he

0:34:12.320 --> 0:34:15.160
<v Speaker 1>Alan's when you talked to him, he's like he'd be

0:34:15.239 --> 0:34:18.480
<v Speaker 1>like on a hiking across Africa with a friend and

0:34:18.520 --> 0:34:20.799
<v Speaker 1>they would come upon a boma and people would be

0:34:20.840 --> 0:34:24.200
<v Speaker 1>cooking something and uh, and he really really ate everything.

0:34:24.480 --> 0:34:27.560
<v Speaker 1>I mean, he ate anything. If if human beings are

0:34:27.600 --> 0:34:32.319
<v Speaker 1>standing over a simmering pot and it could do or impala,

0:34:32.520 --> 0:34:35.239
<v Speaker 1>it didn't matter. Whatever they're cooking. And there's some potatoes

0:34:35.280 --> 0:34:37.319
<v Speaker 1>and carrots looked in there. He was down. He would

0:34:37.360 --> 0:34:39.000
<v Speaker 1>have a big steam and bowl of whatever and he

0:34:39.440 --> 0:34:42.239
<v Speaker 1>ate everything to me. That's like, you know, I like

0:34:42.280 --> 0:34:44.640
<v Speaker 1>if if you guys got any you know, rice cakes

0:34:44.680 --> 0:34:50.359
<v Speaker 1>and peanut butter like. But there's those things I can't eat.

0:34:50.440 --> 0:34:52.200
<v Speaker 1>There's just things I can't know the things that you

0:34:52.239 --> 0:34:54.560
<v Speaker 1>can't eat. There are definitely things like I I you know,

0:34:54.600 --> 0:34:56.440
<v Speaker 1>I don't want things like brains and stuff. There's this

0:34:56.719 --> 0:35:00.399
<v Speaker 1>really fantastic place um um called on al is Kebob

0:35:00.520 --> 0:35:02.560
<v Speaker 1>Cafe that's been there for a long time on Steinway

0:35:02.600 --> 0:35:05.120
<v Speaker 1>Street in Astoria, and Ali is this great man. There's

0:35:05.120 --> 0:35:07.680
<v Speaker 1>no kitchen really, there's like a hot plate and um

0:35:07.719 --> 0:35:10.680
<v Speaker 1>and he creates these incredible meals. He just comes over

0:35:10.719 --> 0:35:12.359
<v Speaker 1>to you and he's like, what do you feel like today?

0:35:12.400 --> 0:35:14.239
<v Speaker 1>And you kind of tell them. But there are things

0:35:14.280 --> 0:35:15.920
<v Speaker 1>like the brain and stuff like if it comes to

0:35:15.960 --> 0:35:17.920
<v Speaker 1>the table, I need to put up a little wall

0:35:18.080 --> 0:35:19.560
<v Speaker 1>so that I can't even look at it because the

0:35:19.560 --> 0:35:22.759
<v Speaker 1>brain looks like rain. Before Frank Booney, before Pete Wells

0:35:22.800 --> 0:35:25.200
<v Speaker 1>and everything. The New York Times would write a restaurant review,

0:35:25.360 --> 0:35:27.439
<v Speaker 1>and maybe a handful of times a year they would

0:35:27.440 --> 0:35:31.320
<v Speaker 1>go to an outer borough. Yeah, if at all Brooklyn

0:35:31.360 --> 0:35:33.959
<v Speaker 1>was where you went to buy a gun. No, it's true.

0:35:34.200 --> 0:35:36.040
<v Speaker 1>They will have personal bodyguards out there. They don't need

0:35:36.040 --> 0:35:38.800
<v Speaker 1>a gun. Right in that way that I'm describing, Ronnie,

0:35:38.840 --> 0:35:42.359
<v Speaker 1>were you a fan of Bourdain? Oh god, yes you were. Yes, him,

0:35:42.440 --> 0:35:44.600
<v Speaker 1>and and you know and Jonathan Golden from l A

0:35:45.080 --> 0:35:48.880
<v Speaker 1>and um and people who who it's about people and

0:35:48.960 --> 0:35:52.600
<v Speaker 1>culture and you know, and that that sort of energy

0:35:52.600 --> 0:35:54.960
<v Speaker 1>and I just appreciate that so much, about what he

0:35:55.000 --> 0:35:57.560
<v Speaker 1>did for the world and going off to these places

0:35:57.560 --> 0:35:59.920
<v Speaker 1>and just saying like here there's this nobody a win,

0:36:00.280 --> 0:36:03.120
<v Speaker 1>there's this culture that you can devour. The cultural thing

0:36:03.200 --> 0:36:05.879
<v Speaker 1>was was riveting. It was riveting. And he also makes

0:36:05.920 --> 0:36:07.880
<v Speaker 1>it exciting because when you travel and you you know,

0:36:08.400 --> 0:36:10.520
<v Speaker 1>my favorite thing is if you tell me something's hard

0:36:10.560 --> 0:36:14.000
<v Speaker 1>to find or hard to get, um rare, I want it.

0:36:14.600 --> 0:36:17.320
<v Speaker 1>And you know, I will drag somebody through a jungle

0:36:17.360 --> 0:36:20.320
<v Speaker 1>in Indonesia because there's a fish place on the beach

0:36:20.360 --> 0:36:24.120
<v Speaker 1>called Neoman's and everyone loves the fish there. It was effortful.

0:36:24.480 --> 0:36:27.400
<v Speaker 1>But then you get to this little stand with you know,

0:36:27.480 --> 0:36:31.200
<v Speaker 1>like two tables and and it's a Neoman's fish because

0:36:31.280 --> 0:36:34.440
<v Speaker 1>Neoman is one of the popular names there, and um,

0:36:34.440 --> 0:36:38.480
<v Speaker 1>and the fish was incredible. It's it was just extraordinary,

0:36:38.719 --> 0:36:40.320
<v Speaker 1>you know. And he's just grilling it on an open

0:36:40.360 --> 0:36:42.600
<v Speaker 1>fire and it's as simple as it can be. But

0:36:42.719 --> 0:36:46.120
<v Speaker 1>it's fresh and it's perfectly cooked. And you know, that's

0:36:46.160 --> 0:36:48.279
<v Speaker 1>what I like about about Bourdain too, is that you

0:36:48.320 --> 0:36:51.440
<v Speaker 1>just sort of feel like you hunted for something that

0:36:51.520 --> 0:36:54.520
<v Speaker 1>now I want to find. You've led me somewhere. You've

0:36:54.560 --> 0:36:57.280
<v Speaker 1>led me somewhere. Exactly if you had a single serving

0:36:57.360 --> 0:37:01.359
<v Speaker 1>of one thing, what would the last meal b among many,

0:37:01.440 --> 0:37:05.680
<v Speaker 1>what would it be read bread that really crusty on

0:37:05.719 --> 0:37:08.960
<v Speaker 1>the outside, soft on the inside, where you can you

0:37:09.000 --> 0:37:11.560
<v Speaker 1>buy it in the store and it's almost gone by

0:37:11.600 --> 0:37:13.719
<v Speaker 1>the time you get home. You kind of have to

0:37:13.760 --> 0:37:15.319
<v Speaker 1>get to so you have the one that you need

0:37:15.360 --> 0:37:19.200
<v Speaker 1>to travel later. Exactly, you need to travel pack because

0:37:19.200 --> 0:37:21.880
<v Speaker 1>you just keep breaking off another piece and if you

0:37:21.880 --> 0:37:24.920
<v Speaker 1>can have butter on it, you know, fantastic or whatever

0:37:24.920 --> 0:37:31.360
<v Speaker 1>your fantasy. But um, yeah, well then't end up dying anyways.

0:37:31.600 --> 0:37:33.640
<v Speaker 1>Pile on that. But I would be corn in the coup,

0:37:34.280 --> 0:37:37.840
<v Speaker 1>would it? I crave when we get to that August,

0:37:37.960 --> 0:37:42.080
<v Speaker 1>that September Labor Day, the New Jersey Silver Queen, all

0:37:42.080 --> 0:37:45.640
<v Speaker 1>those legendary late summer corn with lots of sugar corn

0:37:45.680 --> 0:37:47.760
<v Speaker 1>on the cob. But I don't put butter on corn.

0:37:48.080 --> 0:37:50.440
<v Speaker 1>And I don't know because the corn is so when

0:37:50.480 --> 0:37:52.880
<v Speaker 1>you get a great piece of corn, think you're just

0:37:52.920 --> 0:37:55.279
<v Speaker 1>tasting my butter. When I have corn in the cup,

0:37:55.320 --> 0:37:57.520
<v Speaker 1>I have about six pieces of it, and so I

0:37:57.560 --> 0:38:00.480
<v Speaker 1>have every other one test butter on. I'll do old butter.

0:38:00.520 --> 0:38:02.640
<v Speaker 1>It's a palate cleanser, and then I do the butter,

0:38:04.840 --> 0:38:07.399
<v Speaker 1>and then I have the little sell Bay, the one

0:38:07.440 --> 0:38:14.719
<v Speaker 1>with Yeah, that's perfect, That's exactly right. Thank you so

0:38:14.760 --> 0:38:17.040
<v Speaker 1>much for doing this with me. Well thanks, it's fun

0:38:17.080 --> 0:38:20.520
<v Speaker 1>to talk food with a friend. Um, I I tend

0:38:20.560 --> 0:38:23.320
<v Speaker 1>to I never tested well, so I'm not good on

0:38:23.320 --> 0:38:26.480
<v Speaker 1>on on questions on the spot. I always have to think, like,

0:38:26.640 --> 0:38:29.520
<v Speaker 1>what what are you asking me? Why are you asking me? Well?

0:38:29.520 --> 0:38:31.960
<v Speaker 1>What I love about what you do? I'm never going

0:38:32.000 --> 0:38:33.759
<v Speaker 1>to say that wells and people who write for the

0:38:33.760 --> 0:38:36.000
<v Speaker 1>Times are compromised in anyway. But there's a lot writing

0:38:36.000 --> 0:38:39.400
<v Speaker 1>on what they do. I went with Frank Bruney. Uh,

0:38:40.200 --> 0:38:41.960
<v Speaker 1>Maureen Down said you want to come with me and

0:38:41.960 --> 0:38:45.239
<v Speaker 1>Frank and another person to go to de Batali's Del

0:38:45.320 --> 0:38:47.640
<v Speaker 1>Posto when I had just opened up, and we went

0:38:47.680 --> 0:38:50.520
<v Speaker 1>with Bruney and it was so eye opening to me,

0:38:50.640 --> 0:38:53.680
<v Speaker 1>and Frank kind of took me through like the protocols

0:38:53.680 --> 0:38:56.040
<v Speaker 1>and when he goes in and we were sitting there

0:38:56.160 --> 0:38:58.759
<v Speaker 1>was really really really fascinating. But that's you know, he

0:38:58.840 --> 0:39:00.680
<v Speaker 1>was the restaurant critic for The Times. Is a whole

0:39:00.680 --> 0:39:03.759
<v Speaker 1>other thing going on. You was as much more. I'm

0:39:03.760 --> 0:39:07.240
<v Speaker 1>a conduit, you know. I'm sort of like the conduit

0:39:07.320 --> 0:39:09.120
<v Speaker 1>to you and a meal that I think you might

0:39:09.120 --> 0:39:12.239
<v Speaker 1>really enjoy. I'm not saying that you know that this

0:39:12.280 --> 0:39:14.640
<v Speaker 1>is right for everybody. I'm not sort of declaring that

0:39:14.719 --> 0:39:17.200
<v Speaker 1>this restaurant's gonna last. For this restaurant's not gonna last.

0:39:17.480 --> 0:39:20.320
<v Speaker 1>I just really like to think about I love reading menus,

0:39:20.400 --> 0:39:23.439
<v Speaker 1>I love thinking about food, and there are so many

0:39:23.480 --> 0:39:25.759
<v Speaker 1>good things to have. I mean, it's just something that

0:39:25.920 --> 0:39:29.160
<v Speaker 1>I want to share more than it's about a criticism

0:39:29.280 --> 0:39:33.000
<v Speaker 1>or an evaluation of a whole place, And I just

0:39:33.040 --> 0:39:34.840
<v Speaker 1>want to share it I feel like I have this

0:39:34.960 --> 0:39:36.960
<v Speaker 1>great dumpling, you have to have it too. I have

0:39:37.080 --> 0:39:40.040
<v Speaker 1>this pancake, you have to have it too. And it's sublime.

0:39:42.600 --> 0:39:46.560
<v Speaker 1>That was my old friend Deborah Clatter of Eat Quest NYC.

0:39:47.400 --> 0:39:50.279
<v Speaker 1>She can source you a sturgeon and find you a

0:39:50.320 --> 0:39:53.680
<v Speaker 1>food tour, but it's really all about that ineffable match

0:39:53.800 --> 0:39:58.520
<v Speaker 1>between human and table. This is Alec Baldwin and you're

0:39:58.560 --> 0:40:13.200
<v Speaker 1>listening to here's the thing to be f