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Speaker 1: The volume.

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Speaker 2: This Weekend of music, which was one of the better

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Speaker 2: fridays of the entire years.

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Speaker 3: Want to start with that great weekend for music.

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Speaker 2: The Clips being I would say a legacy act. Both

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Speaker 2: of those gentlemen will push his what forty eight forty nine,

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Speaker 2: Malis is in his fifties.

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Speaker 3: These are two older.

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Speaker 2: Gentlemen where I feel like this album is not going

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Speaker 2: to go away in three days. I think they had

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Speaker 2: one of the better rollouts. It was a rollout that

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Speaker 2: took a month and a half, which we haven't seen

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Speaker 2: in quite some time. And I know we're only at

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Speaker 2: Monday the fourteenth, and it came out Friday. But I

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Speaker 2: don't think this album is going away next week. I

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Speaker 2: think this will be a staple of the remainder of

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Speaker 2: the year. As far as constantly talked.

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Speaker 4: About it'll sound even better in the fall.

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Speaker 2: Yeah, I don't think it's just going anywhere.

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Speaker 5: I think that well. First of all, congrats on the

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Speaker 5: Clips to the Clips were putting.

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Speaker 2: Out a incredible Oh I miscraped so fucking much.

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Speaker 3: Congrats to the Clips on that.

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Speaker 2: Finally we can use the word refreshing and actually mean it.

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Speaker 5: It's good to see them apply old school moves to

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Speaker 5: the new generations. Like their rollout is such a you know,

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Speaker 5: you could tell that they came up in a different time.

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Speaker 3: Yeah, so it's good to see that.

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Speaker 5: It's good to see people react to the album the

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Speaker 5: way they did into the music.

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Speaker 2: The promotion has to do with actually touching the people. Yeah,

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Speaker 2: and going on a promo run for real, remember that

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Speaker 2: word promo run, Like you actually have to used to

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Speaker 2: go to different cities and do different publications and actually

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Speaker 2: be there.

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Speaker 3: Yeah. Work, you had to work. Yeah, they did that,

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Speaker 3: and it's good to see.

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Speaker 5: You know, people always give me shit when I say,

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Speaker 5: you know, and alltist needs to lock in with one producer, Like,

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Speaker 5: but this is the this is what happens when you

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Speaker 5: lock in with one producer for your fucking entire career.

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Speaker 5: You're able to always go back to that fade away

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Speaker 5: move that nobody can't stop. Yeah, and this is what

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Speaker 5: the clips in phar Real have done. You know, somebody

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Speaker 5: like me a little older than everybody else in the room.

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Speaker 5: But I came up in a time where you know,

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Speaker 5: the clips was you know, I was I spent some

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Speaker 5: time going down ninety five South, the King's Dominion for

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Speaker 5: Black College week and so you know, the clips to

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Speaker 5: me is a different it's a it's a certain space

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Speaker 5: that they hold in my in my you know, my

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Speaker 5: taste for rapping hip hop.

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Speaker 3: But this album I liked it. I like that. I don't.

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Speaker 6: I don't.

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Speaker 5: The only thing I didn't like was I didn't like

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Speaker 5: them opening the album was such an emotional record. Why

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Speaker 5: I had didn't go right into changing whips like nig

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Speaker 5: I'm still crying.

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Speaker 3: I can't hear changing whips like you can't.

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Speaker 5: Don't don't give me changing whips after saying you found

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Speaker 5: your mom, dad and your father dead, like, don't give

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Speaker 5: me that. I'm still in there trying to pull my

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Speaker 5: shit together, like you know what I'm saying.

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Speaker 2: Like I text Ameris at maybe like one thirty am

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Speaker 2: on Thursday, going into Friday, and I said, did birds

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Speaker 2: don't Sing.

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Speaker 3: Make you cry?

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Speaker 6: Yet?

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Speaker 2: Like? Because I couldn't get past the record even though

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Speaker 2: we had talked about it prior, like that.

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Speaker 3: Song they did when they walked on one of the

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Speaker 3: LV shows.

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Speaker 2: So I've been listening to it, but when you hear

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Speaker 2: it like in full cd Q version, like yeah, like

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Speaker 2: you can't.

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Speaker 3: It was tough.

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Speaker 2: It was tough to get past that in a great way.

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Speaker 6: Yeah, like I.

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Speaker 5: Can't you can't take me from that to change and

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Speaker 5: whips like I just I just think the Secret Sin

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Speaker 5: was just a little like you know that that that

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Speaker 5: much of an emotional record should be for later on

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Speaker 5: And now I see.

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Speaker 2: That's why I kind of liked the move because yes,

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Speaker 2: it feels like an outro or it feels like maybe

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Speaker 2: a break in the middle for a.

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Speaker 3: Switch up end.

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Speaker 2: I don't know, like not to get like two corning.

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Speaker 2: But it was nice to remember that they were brothers,

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Speaker 2: Like starting this.

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Speaker 3: Guy forgot I Push Your Malice with brothers.

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Speaker 2: Of course, yes we know they are brothers, but we

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Speaker 2: know them to be brothers and they like so coked together.

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Speaker 2: I'm not saying they haven't like did deep dives into

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Speaker 2: their personal lives in clips albums or push it T

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Speaker 2: solo shit, But this was like a reminder going into

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Speaker 2: this project that how many times have we ever seen

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Speaker 2: two actual blood brothers from the same parents be a

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Speaker 2: legendary duo in hip hop? Like that was a crazy

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Speaker 2: thing that I don't think we've seen. And starting the

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Speaker 2: record out with Push talking about Moms Malice talking about

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Speaker 2: pop like how We've never even seen that. I've never

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Speaker 2: seen that music. No, you name any any genre in music.

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Speaker 2: We're just saying, it's absolutely correct. It was beautiful to

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Speaker 2: start like these guys.

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Speaker 6: Don't start me like that.

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Speaker 3: Don't start me like that.

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Speaker 6: That's all I'm saying. Don't do that.

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Speaker 7: I appreciated it too, because I was really listening to

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Speaker 7: it again today. I appreciate the make me cry, make

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Speaker 7: me emotional, and then we right onto the bullshit and

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Speaker 7: we on bullshit for the rest of the album.

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Speaker 4: Like you know what I'm saying, Like I like that, Like.

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Speaker 3: You're crazy, y'all, psychopath. Yeah, I want to fry and

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Speaker 3: then get into bullshit.

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Speaker 5: Yeah, it's noah, I want to get into bullshit and

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Speaker 5: cry after the bullshit is over.

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Speaker 2: It's ways my tears right when that bullshit come in.

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Speaker 7: It's way too good of a record to be at

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Speaker 7: the end of theum. Yeah, it's an amazing record. It

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Speaker 7: needed it is, I just don't.

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Speaker 5: I just feel like opening the album with that, I

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Speaker 5: was just like, damn, man like because it goes right

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Speaker 5: into a whole different type of energy with changing whips.

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Speaker 5: So I'm just like, damn Like. Emotionally, I'm just everywhere

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Speaker 5: right now. But you know that's just me nitpicking that,

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Speaker 5: you know, just just preference.

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Speaker 2: But I think it was a very interesting and cool

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Speaker 2: way to start an album where no other duo or

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Speaker 2: rapper whatever I.

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Speaker 5: Got, I gotta, I gotta express my my disdain. Stove

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Speaker 5: God deserves a fucking verse. Man, I'm sorry, bro, Like

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Speaker 5: you can't. You can't give Stove God a hook on

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Speaker 5: a record like that, Like you gotta let him talk

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Speaker 5: his shit, Like I.

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Speaker 6: Don't know if.

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Speaker 5: I just I mean that that song, the music, the hook,

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Speaker 5: the lyric, everything is perfect, and it just feels like

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Speaker 5: it was room for Stove to get off, like it.

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Speaker 3: So like the song is like not even probably not

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Speaker 3: even three minutes, is it?

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Speaker 2: It's three twenty two. But I didn't feel like the

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Speaker 2: song was already too crowded. I feel like, yes, there

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Speaker 2: could have been a Stove verse and it would have

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Speaker 2: felt fine.

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Speaker 3: It would have felt fine. And that's so that's my

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Speaker 3: That was it.

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Speaker 5: It was just like, we need a Stove God verse

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Speaker 5: on that red y'all can't be talking greasy like that.

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Speaker 3: Stove coming in with the.

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Speaker 5: The only other person that could have done that hook

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Speaker 5: that way is for real yeah, like he's the only

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Speaker 5: other one. I feel like vocally, you know, that would

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Speaker 5: have sounded like good on that record, But to have

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Speaker 5: Stove on it, I love that. Just giving Stove that look.

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Speaker 5: But still I didn't let him get his balls off.

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Speaker 2: The way we obviously you know, have said Stove is

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Speaker 2: by far one of our favorite new rappers, especially in

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Speaker 2: this subgenre of hip hop. He has become like the

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Speaker 2: hook guy in a weird way, like because west Side

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Speaker 2: has done that with Stove for the past two albums.

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Speaker 2: Like there's times I felt Stove should have got a

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Speaker 2: verse and he'll just do the hook on west Side.

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Speaker 3: He is great.

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Speaker 2: He is like a coke nate dog in a weird

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Speaker 2: way through this genre. Like I know it sounds nuts,

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Speaker 2: but if you go through Western's catalog, Stove has the

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Speaker 2: best harmonies on every fucking west Side you know.

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Speaker 3: What else he has on west Side Versus versus.

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Speaker 2: I'm not disagreeing with you.

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Speaker 5: Yeah, that's all I'm saying. Just let Stove cook, let

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Speaker 5: him get his shit off. That's just the perfect record.

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Speaker 5: I know Stove has something for that. I know he

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Speaker 5: wrote to that, like I know he got bought somewhere.

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Speaker 6: So yeah, that was. That was it.

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Speaker 5: But other other than that, it's the rollout was impeccable.

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Speaker 5: The tiny desk, you know, all the interviews, you know,

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Speaker 5: just seeing the clips, you know, stay true to a

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Speaker 5: formula that they've Obviously, when they came up in the industry,

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Speaker 5: it was a different time, you know, as far as

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Speaker 5: you did people doing their rollouts, it was it was

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Speaker 5: a little different. But to see them still doing that

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Speaker 5: be very intentional, you know, to still kind of attach

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Speaker 5: high level art to hip hop, which is.

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Speaker 3: High level art.

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Speaker 5: As far as I'm concerned, to see them kind of

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Speaker 5: you know, keep that essence and and and you know,

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Speaker 5: keep those things around the album.

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Speaker 3: It was dope to see that. Man.

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Speaker 5: So you know, I'm I like the album. That's I

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Speaker 5: haven't listened to any other album this weekend. I didn't

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Speaker 5: get into Justin Bieber's album yet.

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Speaker 2: I'll get to that in in one second. I do

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Speaker 2: want to run through some of the records that are here.

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Speaker 2: Chains and Whips. Obviously we had heard the Kendrick leak

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Speaker 2: before that. I still think it's an incredible verse sounding

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Speaker 2: way different coming on the album again, I think that's

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Speaker 2: a perfect way to go after crying like let's just

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Speaker 2: get right to the shits POV. I think Malice may

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Speaker 2: have verse of the year on POV as of right now.

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Speaker 2: And if there's a better rat verse, I know you

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Speaker 2: think it's eminem on Animal, but I think Malice is

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Speaker 2: the best verse of the year so far on POV,

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Speaker 2: explaining why he left and why he's better than everyone.

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Speaker 6: Else, so be it.

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Speaker 2: I was a little sad to see that it was

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Speaker 2: a different version, but I know they couldn't clear the sample,

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Speaker 2: so they had to go that route, the run from

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Speaker 2: seven to ten MTBT.

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Speaker 3: That's the only thing I can't like too many.

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Speaker 4: Mike Tyson blow to the face.

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Speaker 2: I know what it, but like just call it that please,

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Speaker 2: because I have to see you know, you know stupid.

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Speaker 3: I am to Marison now like I have to type,

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Speaker 3: all right, Mike tast blows. All right, you could have

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Speaker 3: just they could have just goed to Mike Tyson.

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Speaker 2: But that run from Mike Tyson blow to the face

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Speaker 2: down to inglorious bastards like that four. I don't know

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Speaker 2: if anyone's competing with this year. That's an insane run.

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Speaker 2: And I was telling rock Nation on Friday, what's the

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Speaker 2: eb I t DA, which one is that Saan Ford

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Speaker 2: Demaricson's you Want Our Spelling Bee?

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Speaker 4: I don't I actually don't know for that one, I

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Speaker 4: can't remember.

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Speaker 2: I hope they make that the next single. Can you

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Speaker 2: guys just let the drug dealers have some fun sometimes,

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Speaker 2: Like I know so Far Ahead was a big favorite

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Speaker 2: for a next single, But let the drug dealers have fun. Man,

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Speaker 2: that's a summer record. I feel like Malice smiled when

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Speaker 2: he was recording that. I feel like they had a

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Speaker 2: growl on their face recording every verse.

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Speaker 6: But that shit.

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Speaker 5: You know, I'm terrible with titles, Like you're naming these

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Speaker 5: titles and I don't know what the what song that is?

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Speaker 5: Sit back?

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Speaker 4: And then for the Bidope Pies toroids?

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Speaker 2: Okay, Yeah, like a fun record. I feel like coke dealers,

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Speaker 2: especially if they're free, should be able to smile sometimes

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Speaker 2: and have fun like that can be a single. Yeah,

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Speaker 2: it doesn't always have to be you know, so be it,

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Speaker 2: so be it. Let's all you know, you guys are

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Speaker 2: buying Virginia Beach. It's gorgeous.

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Speaker 5: It's a good album. It's a good album. I like

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Speaker 5: it a lot, man, I was I'm very pleased with

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Speaker 5: what they did. Pharrell is still sharp, and it's just

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Speaker 5: good to you know, see these guys still working, still

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Speaker 5: in shape, I know, and hip hop we'd like to say,

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Speaker 5: you know, it's a young guys sport or young young

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Speaker 5: young lady sport. These older gentlemen are out rapping, making

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Speaker 5: better songs, making better albums than ninety percent of you

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Speaker 5: in this fucking industry. So I'm happy for that.

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Speaker 3: Man.

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Speaker 5: I'm just happy to see guys from a different era

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Speaker 5: still putting out dope shit, still looking good, still sounding good,

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Speaker 5: still being intentional, because it's you know, when when when

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Speaker 5: the landscape changes and the business around you know, the

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Speaker 5: music and the genre that you love changes, it's easy

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Speaker 5: to fall into like a different you know space mentally

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Speaker 5: and just emotionally when it comes to create music.

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Speaker 3: But especially clips.

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Speaker 5: Yeah, they've been through a lot exact def jam, so

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Speaker 5: to still still see them be so intentional and you know,

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Speaker 5: and have this this body of work that they put together.

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Speaker 6: And the one thing I really liked that they did

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Speaker 6: that I.

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Speaker 5: Don't think nobody's talking about, is this such a short project. Yeah,

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Speaker 5: to the point, that's what I love the most. Thirteen tracks,

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Speaker 5: forty minutes. That's a don't give me twenty seven twenty

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Speaker 5: eight like cause then it's like it's just you asking

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Speaker 5: too much of me, Like I gotta really be attached

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Speaker 5: to twenty eight tracks. Thirty tracks, that's a lot when

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Speaker 5: you go thirteen, get right to it. Here's the music,

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Speaker 5: here's the bars, here's the It's like, Okay, I me, personally,

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Speaker 5: I received that differently than if you look at our

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Speaker 5: first when my anxiety starts going crazy when I see

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Speaker 5: thirty tracks, I'm like, all right, man, Like you can't.

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Speaker 3: Like thirty I'm gonna need the weekend. Yeah, Like, it's

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Speaker 3: just like keep it.

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Speaker 6: I like this.

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Speaker 5: Everything about this feels like a different time, like when

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Speaker 5: albums worth thirteen tracks, twelve tracks, right to it, you

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Speaker 5: know what I'm saying. Like, I just I like everything

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Speaker 5: the Clips did with this, with this project.

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Speaker 2: Since you brought up, you know, the industry shit they've

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Speaker 2: they've been through. Do we think it's a blessing that

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Speaker 2: they got off deaf Jam? And I'm speculation here, of course,

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Speaker 2: the Clips were obviously heavily involved in how this was

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Speaker 2: rolled out, and I'm sure a lot of the ideas

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Speaker 2: came from them. Do we think it would have been

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Speaker 2: executed the same way with dev Jam.

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Speaker 5: No, I think so. I think I think they control

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Speaker 5: what they do as far as rollout and things like that.

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Speaker 5: I don't think that def JAM would have gotten the

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Speaker 5: way and said, hey, we're not doing that or we're

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Speaker 5: not we don't want you guys to do I don't

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Speaker 5: think they would do well.

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Speaker 2: I mean even putting some money behind what that rollout

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Speaker 2: looks like? Do we think def JAM would even believe

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Speaker 2: in that style of rollouts to this that?

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Speaker 5: I don't know, I would assume so it is def JAM.

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Speaker 5: I don't know who's there anymore, who's like running the

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Speaker 5: label now? Yeah, so much has changed that def JAM

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Speaker 5: over the years.

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Speaker 2: Or would have the staff that would be able to

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Speaker 2: facilitate a lot of that.

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Speaker 5: Now that's the whole you know Again, I don't know,

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Speaker 5: or maybe maybe they just you know, let people do

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Speaker 5: to them. Yeah, but I understand why you asked that,

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Speaker 5: because that's a real question, you know. Do sometimes the

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Speaker 5: label doesn't understand it or they say, oh, we don't

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Speaker 5: need y'all don't need to do all of that worthy.

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Speaker 5: I just think the CLIPS is a different act. It's

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Speaker 5: a different thing. I think that the CLIPS is obviously

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Speaker 5: a legacy act at this point. They've been around so long,

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Speaker 5: so I don't I don't see def Jam getting in

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Speaker 5: the way of that. But listen, man, the fact that

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Speaker 5: they left def Jam on their terms and wanted to

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Speaker 5: get away from that, and I mean, they definitely didn't

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Speaker 5: miss any steps. They didn't drop the ball at all.

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Speaker 5: So I mean, I'm guessing the Clips are very pleased

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Speaker 5: with how things landed, how people received it. I've seen

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Speaker 5: nothing but people saying nothing but good things online about it.

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Speaker 5: People personally, I know, have been saying great things about

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Speaker 5: the album, and I like it. I listened to it,

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Speaker 5: you know a few times, and you know, the music

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Speaker 5: against Pharrell's. Once you say Pharrell is in charge of

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Speaker 5: the music and he's executive producing something, the music is

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Speaker 5: always going to be a certain level. And the Clips

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Speaker 5: in Pharrell, to me, they didn't miss on this project

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Speaker 5: at all.

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Speaker 4: Would you rate it out of five?

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Speaker 2: Out of five?

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Speaker 4: Out of ten?

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Speaker 3: Five is always so.

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Speaker 5: So far, I met Listen, Stove, don't have a verse.

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Speaker 5: I take one off a point off for that.

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Speaker 2: Can I give you my one critique since you're saying

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Speaker 2: your critique. I feel like the NAS verse felt a

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Speaker 2: little forced. I was great to say the nod and

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Speaker 2: who the fuck am I to say that if nas

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Speaker 2: wants to be on your album, let's force it.

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Speaker 3: Let's do it.

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Speaker 2: But that's literally my only of course I would like

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Speaker 2: a Stove verse, but I love this hook, so it

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Speaker 2: is what it is. That was the only time track

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Speaker 2: twelve I was like, okay.

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Speaker 6: Yeah I did. I wasn't.

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Speaker 2: I didn't because I was really anticipating nads with the

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Speaker 2: clip clips and you would see that just like but see,

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Speaker 2: it was the same thing for me.

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Speaker 3: You know, it's not bad, it's it's a nods ver.

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Speaker 6: See. It was the same thing for me.

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Speaker 5: When you tell me Stove God, yeah has a joint

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Speaker 5: with the clips, I'm like, oh, these niggas, you're looking

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Speaker 5: somebody's exodus, somebody's getting indicted.

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Speaker 8: You know.

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Speaker 5: That's the feeling I had when his track was first dropping.

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Speaker 3: Like oh my god.

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Speaker 5: But for him only have the hook, It's like, okay,

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Speaker 5: great hook, he sounds good.

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Speaker 3: He talked crazy.

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Speaker 5: You know, you had to bag in one eye closed

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Speaker 5: and all that shouts the fetti wip you know, I mean,

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Speaker 5: I get it, but you gotta let him get off.

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Speaker 5: So at the point off for that. I don't like

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Speaker 5: opening the album. I love the song, but I don't

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Speaker 5: like opening album just that emotion. It's just like dog

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Speaker 5: like you gotta let me.

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Speaker 3: I'd be tight if it was the outro. Not it

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Speaker 3: didn't necessarily have to be the outro.

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Speaker 5: I'm not saying they had to be the last song

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Speaker 5: on the album, but it shouldn't have been the first

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Speaker 5: one on the album, like don't give me, Like come on, man,

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Speaker 5: that's just too much to unpack.

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Speaker 2: You guys had your super Bowl this weekend as well.

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Speaker 2: Take it away man.

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Speaker 5: Wireless Why shout out? Shout out weekend, shout out Wireless Fest.

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Speaker 5: Wireless Fest I was this weekend in London. Shout out

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Speaker 5: to Drake. Three nights, three different set lists, three different vibes.

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Speaker 5: I think the only other person the headline wireless three

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Speaker 5: different nights was Prince That's crazy. So I think there

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Speaker 5: was some that was a little wink, a little wink wink, Okay,

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Speaker 5: the whole little you know, I mean, but it was

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Speaker 5: it was dope to see all the videos people was there.

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Speaker 5: I was mad I missed at him, you know, Lauryn Hill,

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Speaker 5: Uh give on, Bryce un Tailor, Bobby V. Mario Dave

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Speaker 5: Central Cy, Jay huss skept the Vibes cartel a lot

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Speaker 5: of sex he read.

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Speaker 6: I mean, I don't know.

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Speaker 3: Many Vanessa Carlton. I was waiting for you to get

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Speaker 3: to like the number.

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Speaker 5: One Vanessa Carlton, Like, I don't listen, there's not many

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Speaker 5: artists that could bring you know, have say, uh, first

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Speaker 5: of all, it's not many of us that can get

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Speaker 5: Laurence Hill anywhere. But they didn't get Lauren Hill somewhere

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Speaker 5: on time.

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Speaker 3: Six hours ahead of her usual time, six hours ahead

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Speaker 3: of her usual time.

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Speaker 2: She already in London.

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Speaker 3: I'm assume, so I assume she was over There were

401
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Speaker 3: a lot of these artists already there. Well, yeah, they

402
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Speaker 3: knew they was going to touch the stage for Wireless.

403
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Speaker 2: I just wasn't sure like how much Drake planned ahead

404
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Speaker 2: with you know, popcin Vibes, all these people. If he

405
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Speaker 2: was behind bringing everyone this specific list outside of obviously

406
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Speaker 2: like Dave in Central C and C people that live

407
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Speaker 2: out there are Yeah, did he fly all these people there?

408
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Speaker 3: Like he probably did. I mean I love that.

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Speaker 2: I think that's amazing for three days that you want

410
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Speaker 2: to put these specific artists up there. But that takes

411
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Speaker 2: a lot of planning again. Whoever was the stage manager

412
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Speaker 2: for the last three days, Like, can we get his name?

413
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Speaker 3: And I hope Drake buys him a Rolex instead of

414
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Speaker 3: some streamer he's never met.

415
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Speaker 2: To get all these acts on stage on time three

416
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Speaker 2: days straight is one of the craziest stage handlers of

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Speaker 2: all time.

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Speaker 3: Yeah, that's got to be insane.

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Speaker 5: Yeah, the lineup was crazy. It was good to see

420
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Speaker 5: you know, Mario and Bobby v and guys of Vanessa Carlton.

421
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Speaker 5: I'm still that's like, that's almost like this can't be

422
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Speaker 5: happening for real, Like who sees Vanessa Carlton those stage?

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Speaker 3: Like when do you see that? So it was dope

424
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Speaker 3: to see all those people go out.

425
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Speaker 5: Shout out to Drake for doing something I think, you know,

426
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Speaker 5: not many other artists can do, Like as far as

427
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Speaker 5: three different nights, three different vibes, three different set lists.

428
00:17:57,600 --> 00:17:59,920
Speaker 5: That's incredible to have that much music in your cattle

429
00:18:00,200 --> 00:18:02,760
Speaker 5: and be able to remember that much that many bars

430
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Speaker 5: and that's yeah, that's a lot, Like you know, you know,

431
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Speaker 5: because you've obviously been a part of shows and things

432
00:18:08,320 --> 00:18:10,200
Speaker 5: like that, but for an artist to do that, that

433
00:18:10,280 --> 00:18:12,480
Speaker 5: takes a lot. It's a lot of moving pieces behind

434
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Speaker 5: the scenes, a lot of things that have to go right.

435
00:18:15,840 --> 00:18:19,440
Speaker 5: From what I know, everything went perfect, was no mishaps

436
00:18:19,520 --> 00:18:21,800
Speaker 5: anything like that. So shout out to the UK, shout

437
00:18:21,800 --> 00:18:23,720
Speaker 5: out to London, and shout out to Drake for an

438
00:18:23,760 --> 00:18:25,000
Speaker 5: incredible wireless weekend.

439
00:18:25,200 --> 00:18:28,720
Speaker 2: I really like the central scene Drake snippet that they played.

440
00:18:28,920 --> 00:18:31,439
Speaker 2: I think it was like day two he played it,

441
00:18:31,520 --> 00:18:33,960
Speaker 2: or maybe it was day three. Put your hands on

442
00:18:34,000 --> 00:18:36,680
Speaker 2: the DJ move. That shit was hard, like. Of course,

443
00:18:36,680 --> 00:18:38,320
Speaker 2: I saw some people killing it online, but that's just

444
00:18:38,400 --> 00:18:41,800
Speaker 2: what happens these days. If you just don't look at

445
00:18:41,800 --> 00:18:43,640
Speaker 2: the comments and listen to a snippet and just judge

446
00:18:43,640 --> 00:18:45,240
Speaker 2: for your fucking self, I think you'll enjoy music a

447
00:18:45,240 --> 00:18:45,719
Speaker 2: little bit more.

448
00:18:45,840 --> 00:18:47,680
Speaker 3: I think you enjoy life a little bit. You told

449
00:18:47,720 --> 00:18:49,720
Speaker 3: my music just like that record is hard.

450
00:18:50,000 --> 00:18:51,920
Speaker 2: I like the first part and then when the beat

451
00:18:51,960 --> 00:18:54,800
Speaker 2: actually switches and drops for real, it's a joint Like.

452
00:18:55,320 --> 00:18:57,679
Speaker 2: I hope we get that song sooner than later.

453
00:18:58,160 --> 00:18:59,959
Speaker 3: If he played it, it's definitely dropping soon.

454
00:19:00,119 --> 00:19:02,280
Speaker 2: That record was as hard as fuck.

455
00:19:02,359 --> 00:19:02,560
Speaker 6: Yeah.

456
00:19:03,160 --> 00:19:06,160
Speaker 2: The only thing I did hate on the internet during

457
00:19:06,160 --> 00:19:10,359
Speaker 2: this entire thing was not Drake's opinion, because he's entitled

458
00:19:10,400 --> 00:19:13,960
Speaker 2: to that as far as London rappers versus US rappers,

459
00:19:14,280 --> 00:19:17,800
Speaker 2: it was more at UK Rap Daily with their headline

460
00:19:18,160 --> 00:19:20,280
Speaker 2: Drake ends the UK versus US debate.

461
00:19:20,400 --> 00:19:23,160
Speaker 3: Nah, he didn't end it. It ended.

462
00:19:24,560 --> 00:19:27,760
Speaker 2: It ended before it started. And Drake saying London rappers

463
00:19:28,000 --> 00:19:30,240
Speaker 2: are the best lyricists in the world. Cool, and I'm

464
00:19:30,280 --> 00:19:33,399
Speaker 2: never taken away from the ability of London rappers and

465
00:19:33,480 --> 00:19:35,920
Speaker 2: lyricism and that Drake is in London those as guys,

466
00:19:35,960 --> 00:19:37,760
Speaker 2: this and that. But like we got to stop with

467
00:19:37,800 --> 00:19:39,639
Speaker 2: some of these fantasy debates just for the fuck of it.

468
00:19:40,480 --> 00:19:43,880
Speaker 2: We're still cleaning up London just because Drake, just because

469
00:19:43,920 --> 00:19:46,560
Speaker 2: a Canadian rapper was like, nah, nah, it's it's them.

470
00:19:46,880 --> 00:19:52,200
Speaker 3: Nah. I mean, listen, man, you.

471
00:19:51,280 --> 00:19:53,720
Speaker 5: Don't say listen no man, what I'm saying skeptic shot

472
00:19:54,240 --> 00:19:56,359
Speaker 5: he shot, we wait for joining to joining post. This

473
00:19:56,440 --> 00:19:58,800
Speaker 5: video was like I bet he gave us to Cam Newton.

474
00:19:58,880 --> 00:20:00,560
Speaker 5: I bet And we know what Cam and did after

475
00:20:00,600 --> 00:20:01,959
Speaker 5: he said I bet so.

476
00:20:02,040 --> 00:20:03,560
Speaker 6: I mean, I mean, it.

477
00:20:03,640 --> 00:20:05,359
Speaker 2: Was just one of the craziest sports clips of all time.

478
00:20:05,400 --> 00:20:07,800
Speaker 6: Oh my god, that's like legendary.

479
00:20:07,840 --> 00:20:09,680
Speaker 5: When Cam Newton was like he looked at the scoreboard

480
00:20:09,720 --> 00:20:12,320
Speaker 5: and was like all right, like that like, I got

481
00:20:12,359 --> 00:20:14,560
Speaker 5: this and then went out and won the game. Like, so,

482
00:20:14,640 --> 00:20:17,600
Speaker 5: I mean, we're still waiting on Joiner, but I like,

483
00:20:17,680 --> 00:20:18,600
Speaker 5: I like this type of shit.

484
00:20:18,680 --> 00:20:18,760
Speaker 8: Man.

485
00:20:18,800 --> 00:20:21,199
Speaker 5: I like the fact that Skeptic jumped out there. You know,

486
00:20:21,240 --> 00:20:22,800
Speaker 5: he threw some balls at Joiner.

487
00:20:22,920 --> 00:20:25,879
Speaker 2: Keep it wrapped. You see who I'm standing with Harvard.

488
00:20:26,359 --> 00:20:29,080
Speaker 2: Skeptic said, you rapped like you went to Harvard. I'm

489
00:20:29,080 --> 00:20:31,280
Speaker 2: wearing my Harvard alumni shirt. You didn't go to Harvard though,

490
00:20:31,440 --> 00:20:36,680
Speaker 2: I know, neither the Joiner, but we standing with him. Listen, man,

491
00:20:36,880 --> 00:20:38,960
Speaker 2: I bleed red, white and blue. Yeah, joining, I'm your

492
00:20:38,960 --> 00:20:42,240
Speaker 2: sol I wore this today for you while you rap

493
00:20:42,280 --> 00:20:43,719
Speaker 2: like he studied at Harvard. That's not going to get

494
00:20:43,720 --> 00:20:46,439
Speaker 2: it done, Skepta, and I love a skeptic. That's not

495
00:20:46,480 --> 00:20:48,919
Speaker 2: getting it done. Listen, we joining Lucas. No, he was

496
00:20:48,960 --> 00:20:52,120
Speaker 2: going to He is going to adopt an entire British

497
00:20:52,119 --> 00:20:54,800
Speaker 2: accent and wrap from your perspective, and you are going

498
00:20:54,840 --> 00:20:57,160
Speaker 2: to be cooked. Somebody you thought family Matters was bad.

499
00:20:57,200 --> 00:20:59,880
Speaker 5: Somebody said Joiner's gonna wrap from the perspective of a crumpet.

500
00:21:00,720 --> 00:21:04,840
Speaker 5: I was like, all right, man, like guy, she you.

501
00:21:04,840 --> 00:21:07,119
Speaker 7: Know he got to rap like how Drake did, like

502
00:21:07,160 --> 00:21:08,800
Speaker 7: with the Kendrick beef, like you gotta rap as the

503
00:21:08,880 --> 00:21:10,720
Speaker 7: Queen Ai.

504
00:21:11,160 --> 00:21:13,359
Speaker 3: The Queen rap is the Queen of London.

505
00:21:13,520 --> 00:21:16,000
Speaker 5: That's crazy. If Joy to do that, I might be

506
00:21:16,000 --> 00:21:17,560
Speaker 5: done with rap. I'm gonna be honest with you.

507
00:21:18,480 --> 00:21:20,240
Speaker 3: If he wraps the Queen of London, that might be

508
00:21:20,280 --> 00:21:21,280
Speaker 3: like what if he wraps?

509
00:21:21,320 --> 00:21:24,000
Speaker 2: From Prince Harry's perspective and Megan mark I'm done.

510
00:21:24,400 --> 00:21:26,560
Speaker 5: I'm done. It's just it's just too much. It's like

511
00:21:27,000 --> 00:21:28,680
Speaker 5: we're just doing anything and wrapping.

512
00:21:29,480 --> 00:21:30,480
Speaker 2: Then gets flow Mill to do.

513
00:21:30,720 --> 00:21:35,400
Speaker 3: Like Megan Markle's part, we know one thing. Joining could

514
00:21:35,440 --> 00:21:35,960
Speaker 3: rappers as.

515
00:21:36,400 --> 00:21:39,200
Speaker 2: Fat and he's gonna take this very seriously.

516
00:21:39,240 --> 00:21:42,080
Speaker 3: Oh no, he's does because this thing for this type

517
00:21:42,080 --> 00:21:43,359
Speaker 3: of shit. Listen, this has the potent.

518
00:21:43,520 --> 00:21:45,199
Speaker 5: The reason why I love this, the reason why I

519
00:21:45,200 --> 00:21:48,119
Speaker 5: love this whole thing is because this has the potential to,

520
00:21:48,280 --> 00:21:50,919
Speaker 5: you know, be one of the biggest crossovers that we

521
00:21:51,080 --> 00:21:54,480
Speaker 5: probably been trying to figure out with you know, the

522
00:21:54,600 --> 00:21:58,880
Speaker 5: UK rap scene. Gods from that, you know, across the pond,

523
00:21:58,920 --> 00:22:02,600
Speaker 5: as they say, over to American Central see obviously had

524
00:22:02,640 --> 00:22:03,240
Speaker 5: some success.

525
00:22:03,280 --> 00:22:05,840
Speaker 3: Hell yeah, yeah over here, Dave, Dave, Dave.

526
00:22:05,680 --> 00:22:07,199
Speaker 5: You know what I'm saying, there's been some guys that

527
00:22:07,359 --> 00:22:09,760
Speaker 5: have crossed over, but there's a lot of games and

528
00:22:09,760 --> 00:22:11,520
Speaker 5: the Skeptic we're probably the first. Yeah, but there's a

529
00:22:11,600 --> 00:22:15,240
Speaker 5: lot of guys this, you know, Chip Jay Huss Yeah,

530
00:22:15,280 --> 00:22:17,040
Speaker 5: it's guys over there gets you know what I'm saying.

531
00:22:17,040 --> 00:22:19,919
Speaker 5: It's guys over there that could really get into that

532
00:22:20,040 --> 00:22:22,040
Speaker 5: bag and really rap. But I think that, you know,

533
00:22:22,960 --> 00:22:26,040
Speaker 5: US Americans sometimes the accent kind of divises us and

534
00:22:26,080 --> 00:22:27,600
Speaker 5: we don't really want to, you know, listen to it.

535
00:22:27,640 --> 00:22:30,000
Speaker 5: But there's guys over here that can really really rap

536
00:22:30,040 --> 00:22:32,280
Speaker 5: and push they pins. So I'm excited just for this

537
00:22:32,400 --> 00:22:34,480
Speaker 5: moment and this energy to kind of, you know what

538
00:22:34,480 --> 00:22:36,800
Speaker 5: I mean, serve as a as a bridge, if you will,

539
00:22:37,240 --> 00:22:40,439
Speaker 5: of guys crossing over to the US, and you know,

540
00:22:40,600 --> 00:22:43,200
Speaker 5: just just being aware of other guys around the world

541
00:22:43,440 --> 00:22:45,520
Speaker 5: that are actually a part of hip hop that actually rapping.

542
00:22:45,640 --> 00:22:45,840
Speaker 6: Yeah.

543
00:22:45,840 --> 00:22:48,000
Speaker 2: I mean, even when we saw with the Joey Badass

544
00:22:48,080 --> 00:22:51,240
Speaker 2: versus everybody that whole week everyone's focused on bars for

545
00:22:51,280 --> 00:22:53,320
Speaker 2: a change, I think that'd be great for a bunch

546
00:22:53,359 --> 00:22:55,360
Speaker 2: of Americans to actually have to sit and focus on

547
00:22:55,640 --> 00:22:59,359
Speaker 2: UK bars. Yeah, because again, the accent can deter certain people.

548
00:22:59,400 --> 00:23:02,280
Speaker 2: It's just kind of is what it is. So I

549
00:23:01,920 --> 00:23:05,800
Speaker 2: hope this does turn into like an actual great back

550
00:23:05,840 --> 00:23:06,200
Speaker 2: and forth.

551
00:23:06,240 --> 00:23:06,879
Speaker 3: I want to see it.

552
00:23:07,200 --> 00:23:09,840
Speaker 5: Yeah, we're don't clean them up, but it's still listen.

553
00:23:09,880 --> 00:23:12,680
Speaker 5: I mean, you know, I just want to hear good music.

554
00:23:12,720 --> 00:23:12,840
Speaker 1: Man.

555
00:23:12,840 --> 00:23:14,040
Speaker 3: I want to hear rappers rap.

556
00:23:14,160 --> 00:23:15,720
Speaker 5: Like I said, we said earlier this year, I'd rather

557
00:23:15,760 --> 00:23:18,399
Speaker 5: rap is rapp than to be on ig Live dissing

558
00:23:18,400 --> 00:23:18,800
Speaker 5: each other.

559
00:23:18,840 --> 00:23:19,000
Speaker 6: Man.

560
00:23:19,119 --> 00:23:20,680
Speaker 5: So if you told my rappers getting back in the

561
00:23:20,720 --> 00:23:24,080
Speaker 5: booth and you know, sending shots at each other all

562
00:23:24,119 --> 00:23:27,720
Speaker 5: of the sport like nothing nothing, you know, spilling over

563
00:23:27,760 --> 00:23:30,920
Speaker 5: into no real beefing in the streets, because that's corny shit.

564
00:23:31,440 --> 00:23:34,200
Speaker 3: If gods want to keep it rapped, this fucking rap.

565
00:23:34,480 --> 00:23:37,520
Speaker 2: Yeah, did you ever see Central Sea's Leakers freestyle a

566
00:23:37,560 --> 00:23:39,320
Speaker 2: couple of years ago when he did like his version

567
00:23:39,400 --> 00:23:43,600
Speaker 2: of UK Big l Bonyx that I thought was a

568
00:23:43,600 --> 00:23:46,720
Speaker 2: great idea because it made Americans looking at an American

569
00:23:46,760 --> 00:23:50,439
Speaker 2: platform like try to understand and get past the accent

570
00:23:50,920 --> 00:23:53,960
Speaker 2: are saying, So how it does that times ten with

571
00:23:54,080 --> 00:23:56,000
Speaker 2: this and skeptic is no slouch.

572
00:23:56,160 --> 00:23:57,920
Speaker 3: I am joking around, but I just don't think joiners

573
00:23:57,960 --> 00:23:58,640
Speaker 3: don't want to play with.

574
00:23:59,080 --> 00:24:01,920
Speaker 5: No no, no joint. That's very clear joint. And Lucas can

575
00:24:02,000 --> 00:24:06,000
Speaker 5: rap his asshole. You know, so we we never we

576
00:24:06,080 --> 00:24:09,080
Speaker 5: never questioned and joined this ability to rap. But it's

577
00:24:09,119 --> 00:24:10,679
Speaker 5: you know, it's gonna be interesting just to see this

578
00:24:10,760 --> 00:24:13,560
Speaker 5: whole exchanges back and forth, and just to see here,

579
00:24:13,640 --> 00:24:15,359
Speaker 5: to hear the bars and the music that you know

580
00:24:15,440 --> 00:24:17,199
Speaker 5: these guys create. That's all I'm looking forward to.

581
00:24:21,560 --> 00:24:23,480
Speaker 7: All right, So worry before I before you go to

582
00:24:23,560 --> 00:24:25,240
Speaker 7: Vegas with me trying to play. Oh no, I need

583
00:24:25,240 --> 00:24:29,480
Speaker 7: to know. Can you put a draw four on top

584
00:24:29,520 --> 00:24:31,359
Speaker 7: of a draw to and make it draw six?

585
00:24:32,840 --> 00:24:38,880
Speaker 3: Yeah? Draw everything? You can't?

586
00:24:39,320 --> 00:24:41,520
Speaker 2: This is why Vegas, because I'm gonna get to that

587
00:24:41,600 --> 00:24:43,520
Speaker 2: table and you guys won't play by the right rules

588
00:24:43,520 --> 00:24:45,360
Speaker 2: and I'm gonna throw a fit in their security.

589
00:24:45,560 --> 00:24:47,520
Speaker 5: Why do you think that? Because it's a whole different card.

590
00:24:47,560 --> 00:24:49,240
Speaker 5: It's a draw card. But you can put a draw

591
00:24:49,280 --> 00:24:50,400
Speaker 5: to on top of a draw too.

592
00:24:50,720 --> 00:24:51,400
Speaker 4: We all know that.

593
00:24:51,920 --> 00:24:53,520
Speaker 3: So how could you put a drawer for on top

594
00:24:53,520 --> 00:24:54,280
Speaker 3: of a draw.

595
00:24:54,119 --> 00:24:55,120
Speaker 4: Because it's a wild?

596
00:24:55,240 --> 00:24:55,400
Speaker 6: Yeah?

597
00:24:55,440 --> 00:24:57,480
Speaker 2: That that card is the trump card of everything.

598
00:24:57,560 --> 00:24:59,080
Speaker 4: It's a wild like everything.

599
00:24:59,160 --> 00:25:01,280
Speaker 7: And once I put the that down, you can't go

600
00:25:01,320 --> 00:25:02,840
Speaker 7: and try to put a draw to on top of

601
00:25:02,920 --> 00:25:03,320
Speaker 7: that draw.

602
00:25:03,840 --> 00:25:04,560
Speaker 4: No, you can't do that.

603
00:25:04,560 --> 00:25:06,000
Speaker 5: And one that would do that, you can put the

604
00:25:06,040 --> 00:25:09,400
Speaker 5: draw on top of the draw to.

605
00:25:07,760 --> 00:25:12,480
Speaker 4: You, that makes wild. It's a wild and it's a

606
00:25:12,560 --> 00:25:13,240
Speaker 4: higher number.

607
00:25:13,400 --> 00:25:15,960
Speaker 3: Yes, and this is.

608
00:25:15,920 --> 00:25:17,919
Speaker 7: Why they may do it, all right, So so you

609
00:25:17,920 --> 00:25:20,080
Speaker 7: you follow the rules that laid down for you.

610
00:25:20,600 --> 00:25:22,680
Speaker 5: I mean not all of them, but that rule definitely

611
00:25:22,720 --> 00:25:26,840
Speaker 5: you can't put no draw on top. No, So you

612
00:25:26,920 --> 00:25:29,200
Speaker 5: just follow the constitution. Can whatever they say goes?

613
00:25:29,359 --> 00:25:30,879
Speaker 4: Can I take all the twos out my hand and

614
00:25:30,880 --> 00:25:31,920
Speaker 4: put them down at one time?

615
00:25:34,359 --> 00:25:34,879
Speaker 6: Can you do what?

616
00:25:35,000 --> 00:25:35,520
Speaker 3: Absolutely?

617
00:25:35,680 --> 00:25:37,040
Speaker 2: If I have you just have to do it one time.

618
00:25:37,080 --> 00:25:39,720
Speaker 7: If I have five tools in my hand, draw to

619
00:25:40,359 --> 00:25:41,720
Speaker 7: no regular tools.

620
00:25:41,800 --> 00:25:45,160
Speaker 2: And yeah, that's that's that's the what's that's what's sitting

621
00:25:45,200 --> 00:25:48,479
Speaker 2: right there? You said, what what is sitting on the

622
00:25:48,480 --> 00:25:49,240
Speaker 2: pile at that point?

623
00:25:49,280 --> 00:25:52,520
Speaker 4: Okay, it's okay, there's a green four down right, you.

624
00:25:52,480 --> 00:25:52,840
Speaker 6: Can put it.

625
00:25:54,480 --> 00:25:55,640
Speaker 4: I want the rest of my toos on.

626
00:25:55,840 --> 00:25:59,280
Speaker 3: Yeah, absolutely, yeah, absolutely, yeah, hell I'm with that that.

627
00:25:59,440 --> 00:25:59,919
Speaker 6: I agree with.

628
00:26:00,440 --> 00:26:03,080
Speaker 3: A drawer full top of a drawer too is absolutely.

629
00:26:02,640 --> 00:26:04,480
Speaker 4: Criaty y'all believe in when they say swapians.

630
00:26:05,000 --> 00:26:07,920
Speaker 2: No, yeah, that new ship that I don't play that.

631
00:26:08,000 --> 00:26:08,920
Speaker 6: Yeah, we take that off the day.

632
00:26:08,920 --> 00:26:11,760
Speaker 2: All right, let's let's really separate it. If I put

633
00:26:11,800 --> 00:26:14,120
Speaker 2: down two reverses, is it's still my turn?

634
00:26:14,440 --> 00:26:14,720
Speaker 3: Yep?

635
00:26:15,359 --> 00:26:15,639
Speaker 6: All right?

636
00:26:15,640 --> 00:26:18,080
Speaker 2: Cool, trying to make sure we're all saying here. No,

637
00:26:18,480 --> 00:26:20,800
Speaker 2: if the double reverse down, it's my turn again.

638
00:26:20,920 --> 00:26:23,920
Speaker 7: If there's only if there's two of us playing, yes,

639
00:26:24,240 --> 00:26:25,359
Speaker 7: if there's more than two of.

640
00:26:25,400 --> 00:26:28,000
Speaker 2: Us playing playing Uno with two people as nuts.

641
00:26:27,880 --> 00:26:31,399
Speaker 4: People do that all the time. If you put two reverse.

642
00:26:32,800 --> 00:26:40,399
Speaker 5: So long, I have no No, I'm busy getting pussy.

643
00:26:40,880 --> 00:26:41,760
Speaker 5: I'm busy fucking.

644
00:26:42,800 --> 00:26:43,359
Speaker 6: We ain't playing.

645
00:26:43,359 --> 00:26:46,520
Speaker 2: Okay, we're playing in this circle now you peach Josh

646
00:26:46,600 --> 00:26:49,439
Speaker 2: me mare. If I put down a double reverse in

647
00:26:49,480 --> 00:26:50,920
Speaker 2: this circle, it's my turn again.

648
00:26:51,320 --> 00:26:54,520
Speaker 7: No, stupid, no, because if you put down if you

649
00:26:54,600 --> 00:26:57,200
Speaker 7: put down one reverse, if it's going clockwise, it goes

650
00:26:57,240 --> 00:26:59,320
Speaker 7: to the mall. If you put down one reverse, that means

651
00:26:59,359 --> 00:27:00,760
Speaker 7: it switches to Josh's turn.

652
00:27:00,840 --> 00:27:02,960
Speaker 2: No, what do you mean reversed?

653
00:27:03,640 --> 00:27:03,919
Speaker 6: All right?

654
00:27:03,920 --> 00:27:06,639
Speaker 2: If we're going this way, I put down reverse, it

655
00:27:06,640 --> 00:27:08,320
Speaker 2: should go to Josh. Right. If we're going this way,

656
00:27:08,480 --> 00:27:11,120
Speaker 2: but I put down two reverses, comes back from Josh, it.

657
00:27:11,040 --> 00:27:13,119
Speaker 3: Goes right back to me. That's that's that's how a

658
00:27:13,160 --> 00:27:13,800
Speaker 3: circle works.

659
00:27:14,640 --> 00:27:16,520
Speaker 4: Now. Agree, it don't work like that. It just means

660
00:27:16,520 --> 00:27:17,040
Speaker 4: that it's now more.

661
00:27:17,160 --> 00:27:18,959
Speaker 2: You know, trying to reinvent the wheel is crazy. If

662
00:27:18,960 --> 00:27:19,960
Speaker 2: you're in a circle.

663
00:27:19,680 --> 00:27:22,840
Speaker 5: And I do I agree to certain rules that draw

664
00:27:22,920 --> 00:27:25,240
Speaker 5: for on top of a draw to no double reverse

665
00:27:25,359 --> 00:27:26,200
Speaker 5: is my turn again?

666
00:27:26,359 --> 00:27:26,439
Speaker 8: No?

667
00:27:26,680 --> 00:27:29,119
Speaker 2: If I put down three reverses, then it's back to

668
00:27:29,160 --> 00:27:29,520
Speaker 2: them all.

669
00:27:29,520 --> 00:27:32,239
Speaker 7: Because technically it was never Josh's turn, because if it

670
00:27:32,320 --> 00:27:35,119
Speaker 7: was really Josh's turn, then it would Josh would be going.

671
00:27:35,400 --> 00:27:37,640
Speaker 7: But since you took Josh's turn away from him by

672
00:27:37,640 --> 00:27:41,080
Speaker 7: putting two cards down, it's not Josh's turn. Change the direction.

673
00:27:41,520 --> 00:27:43,760
Speaker 7: It's Mall's turn. You just changed the direction that it

674
00:27:43,840 --> 00:27:46,480
Speaker 7: got turned to go again. Okay, that's how That's how

675
00:27:46,960 --> 00:27:47,359
Speaker 7: I'll play.

676
00:27:47,480 --> 00:27:49,240
Speaker 4: Well, that's why I don't play with certain niggas.

677
00:27:49,840 --> 00:27:51,919
Speaker 2: Okay, if you guys don't have anything, sit.

678
00:27:51,840 --> 00:27:53,760
Speaker 5: There and playing one hand for seven hours, then baby,

679
00:27:54,119 --> 00:27:54,639
Speaker 5: that's fine.

680
00:27:54,680 --> 00:27:57,119
Speaker 3: That's what you're gonna be doing seven hours one hand.

681
00:27:57,320 --> 00:28:00,240
Speaker 2: And Josh is pulling up the rules. Josh and form

682
00:28:00,280 --> 00:28:02,479
Speaker 2: you who know doesn't know their own rules. So despite

683
00:28:02,520 --> 00:28:05,320
Speaker 2: what they say, I don't. That's why I'm scared about Vegas.

684
00:28:05,640 --> 00:28:08,760
Speaker 2: Are you guys a pluck to you have to play

685
00:28:08,840 --> 00:28:10,080
Speaker 2: type of person or just the one?

686
00:28:10,440 --> 00:28:12,200
Speaker 4: I'm not plucking to like to what we can play?

687
00:28:12,359 --> 00:28:14,800
Speaker 2: If you if your urnment, join the projects you got,

688
00:28:14,960 --> 00:28:16,200
Speaker 2: you gotta pluck until you guys.

689
00:28:16,080 --> 00:28:18,920
Speaker 4: Says your turn missed? What are you talking about?

690
00:28:18,119 --> 00:28:21,280
Speaker 7: You say that against So basically what he's saying is

691
00:28:22,280 --> 00:28:24,600
Speaker 7: if I don't have any if there's if it's a

692
00:28:24,640 --> 00:28:27,160
Speaker 7: green four down and I don't have any wiles, any

693
00:28:27,200 --> 00:28:30,200
Speaker 7: greens or any fours, he's saying, I need to pick

694
00:28:30,240 --> 00:28:32,360
Speaker 7: from the pile until I have a green of.

695
00:28:32,359 --> 00:28:34,320
Speaker 6: Four or a while. I've seen people play like that,

696
00:28:34,359 --> 00:28:36,560
Speaker 6: but don't. I don't like that. You pick one, pick

697
00:28:36,600 --> 00:28:38,320
Speaker 6: one if you ain't got it, the next one.

698
00:28:38,440 --> 00:28:40,360
Speaker 7: If we're playing with five people, that means I'm about

699
00:28:40,360 --> 00:28:41,880
Speaker 7: to be shuffling this fucking little ass.

700
00:28:41,960 --> 00:28:44,440
Speaker 4: Yeah fifteen, I'm not doing that. Bro. You can't go.

701
00:28:44,520 --> 00:28:45,040
Speaker 4: You can't go.

702
00:28:45,200 --> 00:28:49,240
Speaker 3: Yeah, you pick one if you ain't got nothing, just

703
00:28:49,240 --> 00:28:51,160
Speaker 3: the next person. Go pluck till you play.

704
00:28:51,800 --> 00:28:54,760
Speaker 4: And I'm never playing with you. Yeah, you don't gonta worry.

705
00:28:54,600 --> 00:28:58,000
Speaker 3: About it, all right? What happens when Vegas makes that

706
00:28:58,040 --> 00:28:58,360
Speaker 3: the rule.

707
00:28:59,360 --> 00:29:01,760
Speaker 4: Vegas is going to adhere to the rules that Uno.

708
00:29:03,040 --> 00:29:04,760
Speaker 3: But Uno doesn't even know their own rules.

709
00:29:05,640 --> 00:29:08,280
Speaker 2: I think Uno thinks you can't even put like any

710
00:29:08,320 --> 00:29:12,080
Speaker 2: green card on a red like if the number matches.

711
00:29:12,120 --> 00:29:12,880
Speaker 3: You can't even do that?

712
00:29:13,640 --> 00:29:15,440
Speaker 4: Nah, you can't. You can.

713
00:29:17,040 --> 00:29:20,400
Speaker 2: Do you can a popular house rules to draw into

714
00:29:20,400 --> 00:29:21,880
Speaker 2: a player as a card, Tora, This.

715
00:29:21,840 --> 00:29:24,280
Speaker 4: Is not the official rule. Read the full sentence.

716
00:29:24,440 --> 00:29:26,880
Speaker 2: Nothing about Uno is the official rules. They don't know

717
00:29:26,880 --> 00:29:27,360
Speaker 2: their own rules.

718
00:29:27,400 --> 00:29:28,440
Speaker 3: How many times you have to say that?

719
00:29:29,160 --> 00:29:29,560
Speaker 4: All right?

720
00:29:29,600 --> 00:29:34,520
Speaker 5: Anyway, but this is not the official rule. Yeah, gotta

721
00:29:34,520 --> 00:29:35,480
Speaker 5: play by the rules, man.

722
00:29:35,720 --> 00:29:36,920
Speaker 4: I hate the way Rory play.

723
00:29:37,720 --> 00:29:42,160
Speaker 2: Okay, are you guys on the side of teaming up

724
00:29:42,640 --> 00:29:47,880
Speaker 2: with other people in the circle when someone has Uno?

725
00:29:48,520 --> 00:29:50,840
Speaker 2: Yes to ask all right, which was like, let's make

726
00:29:50,880 --> 00:29:53,320
Speaker 2: sure we get them and then in the same time,

727
00:29:53,400 --> 00:29:58,360
Speaker 2: then wait, what scheme against them? Like you betray them

728
00:29:58,440 --> 00:29:59,280
Speaker 2: once they get Uno?

729
00:30:00,000 --> 00:30:01,520
Speaker 5: What type of shit is that? First of all, is

730
00:30:01,560 --> 00:30:04,560
Speaker 5: one Uno meaning you're supposed to be nigga? How you

731
00:30:04,600 --> 00:30:09,240
Speaker 5: teaming up with somebody? I know it's like one yeah,

732
00:30:09,280 --> 00:30:09,680
Speaker 5: but so.

733
00:30:09,640 --> 00:30:10,000
Speaker 6: How you like?

734
00:30:10,080 --> 00:30:10,520
Speaker 1: Yo? Nah?

735
00:30:10,520 --> 00:30:11,400
Speaker 3: He got one call left?

736
00:30:11,480 --> 00:30:11,600
Speaker 7: Yo?

737
00:30:11,640 --> 00:30:13,200
Speaker 3: Let's let's kill this nigga right now?

738
00:30:13,240 --> 00:30:15,440
Speaker 2: What type of Let's say. Let's say I just played.

739
00:30:15,600 --> 00:30:18,240
Speaker 2: Then you you said Uno before we could say anything,

740
00:30:18,360 --> 00:30:19,720
Speaker 2: and I look at the Maris and be like, Yo,

741
00:30:19,760 --> 00:30:21,560
Speaker 2: you're good, you got him?

742
00:30:21,920 --> 00:30:22,680
Speaker 6: What is that?

743
00:30:22,680 --> 00:30:23,920
Speaker 3: That's nasty? You can't do that?

744
00:30:24,000 --> 00:30:24,520
Speaker 4: Yes you can.

745
00:30:24,840 --> 00:30:25,800
Speaker 6: Where have y'all done that?

746
00:30:26,000 --> 00:30:28,520
Speaker 4: So I don't go all the way like Rory asking Yo,

747
00:30:28,560 --> 00:30:29,160
Speaker 4: what do you got?

748
00:30:29,240 --> 00:30:30,840
Speaker 2: I'm just saying to look, just a look.

749
00:30:32,000 --> 00:30:34,240
Speaker 7: But it's like, if I know I got this wild,

750
00:30:34,320 --> 00:30:36,320
Speaker 7: I might not want to use this wild on him.

751
00:30:36,360 --> 00:30:37,479
Speaker 3: But but we got to keep the game.

752
00:30:37,640 --> 00:30:39,000
Speaker 6: But we got to keep the game going. But that

753
00:30:39,040 --> 00:30:39,920
Speaker 6: goes without saying.

754
00:30:40,640 --> 00:30:42,320
Speaker 2: But that's why I like you could pluck to you play,

755
00:30:42,320 --> 00:30:44,680
Speaker 2: because if somebody next to me has Uno and I

756
00:30:44,720 --> 00:30:47,800
Speaker 2: could potentially get them out the paint, I'm I may

757
00:30:47,920 --> 00:30:50,160
Speaker 2: just pluck until I get something to make sure they

758
00:30:50,160 --> 00:30:50,520
Speaker 2: don't win.

759
00:30:51,000 --> 00:30:52,680
Speaker 4: And that's but you can't.

760
00:30:52,520 --> 00:30:55,200
Speaker 7: She is cheating, and it's not you're supposed to pluck

761
00:30:55,320 --> 00:30:57,560
Speaker 7: until First of all, that fucking rule is stupid.

762
00:30:57,640 --> 00:30:58,920
Speaker 2: But just you don't even know what I have, So

763
00:30:58,960 --> 00:30:59,680
Speaker 2: how do you know I'm cheating?

764
00:31:00,360 --> 00:31:03,840
Speaker 4: It doesn't just be hmmm, that explains a lot.

765
00:31:06,240 --> 00:31:09,360
Speaker 2: Just get personal, like I'm the first person until I

766
00:31:09,480 --> 00:31:10,480
Speaker 2: make sure somebody didn't know.

767
00:31:10,840 --> 00:31:12,480
Speaker 3: But you know you can't do that. Oh Mike, you

768
00:31:12,480 --> 00:31:13,080
Speaker 3: can't do that.

769
00:31:13,080 --> 00:31:16,200
Speaker 2: That's cheating. That's they don't know. People that hide cars

770
00:31:16,200 --> 00:31:17,680
Speaker 2: in their pocket, Like, what are we talking about?

771
00:31:17,800 --> 00:31:19,440
Speaker 4: Okay, cheating, that's cheating.

772
00:31:19,520 --> 00:31:21,239
Speaker 2: It's you know what I'm saying. The honorable way of

773
00:31:21,240 --> 00:31:23,280
Speaker 2: that is you don't know my hand. So if I

774
00:31:23,280 --> 00:31:27,800
Speaker 2: say I don't got it, no one's the wiser people.

775
00:31:28,040 --> 00:31:30,479
Speaker 7: If you count cars, and if we're waiting for you

776
00:31:30,560 --> 00:31:33,320
Speaker 7: to get a green card or for anything like that,

777
00:31:33,600 --> 00:31:36,120
Speaker 7: and then after you put down that wild card, draw

778
00:31:36,200 --> 00:31:37,320
Speaker 7: forward your next hand.

779
00:31:37,400 --> 00:31:39,960
Speaker 4: Suddenly you got four fucking fours in your hand. We're

780
00:31:39,960 --> 00:31:41,840
Speaker 4: gonna know. Oh you were fucking How do you know that?

781
00:31:41,960 --> 00:31:43,400
Speaker 2: If I have now twenty cars in my hand, you

782
00:31:43,400 --> 00:31:46,200
Speaker 2: don't know what I plucked you. Welcome to strategy. If

783
00:31:46,200 --> 00:31:48,760
Speaker 2: you didn't just because you didn't win and I had strategy.

784
00:31:48,320 --> 00:31:53,640
Speaker 6: That's my partner, strategy. Welcome to strategy. Yo. That was

785
00:31:53,680 --> 00:31:56,160
Speaker 6: the white that's the white shit I ever heard you say?

786
00:31:56,360 --> 00:31:59,920
Speaker 7: You hear the colonization even in the oo like strategy.

787
00:32:00,040 --> 00:32:02,520
Speaker 5: A lot of people told me that welcome to you

788
00:32:02,520 --> 00:32:04,240
Speaker 5: wanted to say, Niggas taught you that rule is so bad.

789
00:32:04,280 --> 00:32:07,200
Speaker 6: I know you would say, Niggas told me that.

790
00:32:10,360 --> 00:32:13,760
Speaker 2: Now the movie twenty one with Patrick Slazy, it was

791
00:32:13,760 --> 00:32:14,480
Speaker 2: the one that didn't.

792
00:32:14,880 --> 00:32:21,640
Speaker 5: Oh man, I've never played with with y'all. The easiest

793
00:32:21,640 --> 00:32:25,000
Speaker 5: thing I've ever done is be myself and I don't

794
00:32:25,040 --> 00:32:25,920
Speaker 5: care what's happening.

795
00:32:26,280 --> 00:32:26,720
Speaker 6: Bro, I don't.

796
00:32:26,800 --> 00:32:29,680
Speaker 5: That's which why I never joined the game. I never

797
00:32:29,680 --> 00:32:31,320
Speaker 5: got into drugs. I grew up in one of the

798
00:32:31,360 --> 00:32:32,719
Speaker 5: most treacherous parts of the Bronx.

799
00:32:32,720 --> 00:32:36,000
Speaker 9: Bro grew up in Harlem, treachers back and you, my friends,

800
00:32:36,000 --> 00:32:37,160
Speaker 9: had to have been a decepticon.

801
00:32:38,440 --> 00:32:39,000
Speaker 6: I ain't got to.

802
00:32:48,320 --> 00:32:50,240
Speaker 5: Like you know when you, when you and when you

803
00:32:50,320 --> 00:32:52,719
Speaker 5: and those neighborhoods where we all come from. It's easier

804
00:32:52,760 --> 00:32:54,560
Speaker 5: fall in the bullshit if you don't know who you

805
00:32:54,600 --> 00:32:57,160
Speaker 5: are for sure, for I think that we all have to.

806
00:32:58,080 --> 00:33:00,320
Speaker 5: If you're mentally healthy enough, you know when you're doing

807
00:33:00,400 --> 00:33:02,960
Speaker 5: something that is wrong, your nervous system would be like, yo,

808
00:33:03,000 --> 00:33:03,680
Speaker 5: that ain't for you.

809
00:33:03,880 --> 00:33:05,720
Speaker 9: I'm gonna ask you this question though, because I asked

810
00:33:05,720 --> 00:33:07,880
Speaker 9: a lot of people coming up from that environment. I

811
00:33:07,920 --> 00:33:10,120
Speaker 9: always had those type of dialogues as I come up

812
00:33:10,160 --> 00:33:11,840
Speaker 9: and as you know, growing up in DC, in the

813
00:33:11,880 --> 00:33:12,680
Speaker 9: streets and all.

814
00:33:12,560 --> 00:33:13,520
Speaker 6: That, and was active.

815
00:33:13,880 --> 00:33:16,040
Speaker 9: But I also understand that a lot of what I

816
00:33:16,080 --> 00:33:18,480
Speaker 9: didn't have to go through was because of nepotism, because

817
00:33:18,480 --> 00:33:19,320
Speaker 9: of who my people were.

818
00:33:19,600 --> 00:33:22,320
Speaker 6: You with you the beneficiary of that as well of nepotism.

819
00:33:22,360 --> 00:33:23,560
Speaker 3: No, I stayed away from.

820
00:33:23,520 --> 00:33:25,720
Speaker 9: In the streets, not not you know what I mean

821
00:33:25,800 --> 00:33:28,880
Speaker 9: as far as like the actual definition of it. But

822
00:33:28,920 --> 00:33:31,400
Speaker 9: you know, your brother being he is and your people

823
00:33:31,720 --> 00:33:34,040
Speaker 9: being who they are, that benefits you at all, and

824
00:33:34,080 --> 00:33:35,680
Speaker 9: being able to stay away from a lot of the

825
00:33:35,720 --> 00:33:37,040
Speaker 9: things you were able to stay away from.

826
00:33:37,240 --> 00:33:40,560
Speaker 5: It benefited me in the sense that my brothers, you know,

827
00:33:40,600 --> 00:33:42,800
Speaker 5: when they was in the streets, I was still very young,

828
00:33:43,680 --> 00:33:47,360
Speaker 5: but they never glorified that to understand, Like they didn't

829
00:33:48,240 --> 00:33:49,920
Speaker 5: like my brother might have punched me in my face

830
00:33:49,920 --> 00:33:51,120
Speaker 5: if he knew some of the shit I was doing

831
00:33:51,120 --> 00:33:53,880
Speaker 5: away from him that type. Like, they never wanted me

832
00:33:53,920 --> 00:33:57,520
Speaker 5: to even think about going that right exactly. It was

833
00:33:57,560 --> 00:33:59,080
Speaker 5: the dangers of it, you know what I'm saying. And

834
00:33:59,120 --> 00:34:03,520
Speaker 5: then when they started Rockefeller, Rory knows it's to this day.

835
00:34:03,520 --> 00:34:04,800
Speaker 3: He was like, yo, your crack I.

836
00:34:04,760 --> 00:34:07,800
Speaker 5: Never worked at Rockefeller, I never was in a video

837
00:34:07,920 --> 00:34:10,279
Speaker 5: like I stayed excuse me. I stayed as far away

838
00:34:10,320 --> 00:34:12,080
Speaker 5: from that shit as I possibly could because I felt

839
00:34:12,120 --> 00:34:12,359
Speaker 5: like I.

840
00:34:12,320 --> 00:34:13,520
Speaker 3: Wanted to carve my own lane.

841
00:34:13,600 --> 00:34:16,000
Speaker 6: Yeah, but still people saw you and knew Yeah, but

842
00:34:16,440 --> 00:34:17,239
Speaker 6: they respected it.

843
00:34:17,200 --> 00:34:19,839
Speaker 5: More because they knew that I wasn't trying to get

844
00:34:19,880 --> 00:34:22,480
Speaker 5: in like you said on somebody else's name, my brother's name.

845
00:34:22,800 --> 00:34:24,719
Speaker 5: I wanted to go somewhere as mall, like I'm going

846
00:34:24,760 --> 00:34:26,439
Speaker 5: in as me. If you fuck with me, you fuck

847
00:34:26,480 --> 00:34:28,879
Speaker 5: with me, not because you know my brothers are who

848
00:34:28,880 --> 00:34:32,000
Speaker 5: they are, not because you know, if jay Z see

849
00:34:32,040 --> 00:34:33,360
Speaker 5: me right now, he's gonna hop out the call like,

850
00:34:33,360 --> 00:34:34,239
Speaker 5: come on, a nigga, we out.

851
00:34:34,239 --> 00:34:34,319
Speaker 6: Like.

852
00:34:35,239 --> 00:34:36,200
Speaker 3: I stayed away from that.

853
00:34:36,480 --> 00:34:39,600
Speaker 5: I tried to keep that as far left as possible

854
00:34:39,640 --> 00:34:43,240
Speaker 5: because I just felt like niggas might just start asking

855
00:34:43,280 --> 00:34:44,440
Speaker 5: me for shit, yo, my men.

856
00:34:44,600 --> 00:34:46,439
Speaker 3: Rather, I didn't want to deal with none of that shit.

857
00:34:46,480 --> 00:34:46,640
Speaker 1: Bro.

858
00:34:46,760 --> 00:34:47,760
Speaker 3: I got my homies.

859
00:34:48,040 --> 00:34:48,879
Speaker 6: We do what we do.

860
00:34:49,680 --> 00:34:51,600
Speaker 5: Some shit I did I wasn't supposed to do. But again,

861
00:34:51,920 --> 00:34:54,360
Speaker 5: I'm young. I'm trying to find my way. My brothers

862
00:34:54,400 --> 00:34:57,160
Speaker 5: found they way, and I'm like, cool, that's dope. But

863
00:34:57,200 --> 00:34:58,960
Speaker 5: I felt it was hard for me to be in

864
00:34:58,960 --> 00:35:01,160
Speaker 5: a studio with jay Z all day and then get

865
00:35:01,200 --> 00:35:03,439
Speaker 5: on the train and go back uptown of the hood

866
00:35:03,440 --> 00:35:05,680
Speaker 5: and be like, all right, well I was in Bentley's

867
00:35:05,719 --> 00:35:07,440
Speaker 5: last night with jay Z. I'm on the fucking d

868
00:35:07,600 --> 00:35:11,200
Speaker 5: train to night. That wasn't my reality. Now I can

869
00:35:11,200 --> 00:35:13,200
Speaker 5: go be a part of that if I want to be. Oh,

870
00:35:13,239 --> 00:35:15,880
Speaker 5: I can create my own reality. So I chose to

871
00:35:15,880 --> 00:35:16,960
Speaker 5: create my own reality.

872
00:35:17,160 --> 00:35:20,399
Speaker 6: I got you. I mean, that makes sense, but manmendible.

873
00:35:20,480 --> 00:35:22,439
Speaker 9: But still you got to give gredence to the fact

874
00:35:22,480 --> 00:35:24,680
Speaker 9: that when you were able to look at those people

875
00:35:24,680 --> 00:35:27,399
Speaker 9: in the environment that you come from and be like, man,

876
00:35:27,440 --> 00:35:29,279
Speaker 9: I ain't with none of that y'all got going on.

877
00:35:29,400 --> 00:35:31,960
Speaker 9: They knew that, you know, if we do something to him,

878
00:35:32,160 --> 00:35:33,200
Speaker 9: we it's some other dudes.

879
00:35:33,239 --> 00:35:34,480
Speaker 6: We got sure that.

880
00:35:34,719 --> 00:35:35,480
Speaker 3: That's part of it.

881
00:35:35,560 --> 00:35:38,800
Speaker 5: Yeah, you know, you definitely protected me and kept you know,

882
00:35:38,840 --> 00:35:40,759
Speaker 5: they knew I had brothers behind me and people that

883
00:35:40,840 --> 00:35:41,320
Speaker 5: was gonna.

884
00:35:41,120 --> 00:35:43,040
Speaker 6: Pull up if anything happened.

885
00:35:43,040 --> 00:35:45,560
Speaker 5: Anything right, But I also wasn't a knucklehead just outside

886
00:35:45,640 --> 00:35:48,000
Speaker 5: stock That's like I wasn't.

887
00:35:48,160 --> 00:35:51,200
Speaker 6: I wasn't. Sometimes you don't know what's going on.

888
00:35:51,239 --> 00:35:53,640
Speaker 9: It wasn't one of the that was like, you know,

889
00:35:53,800 --> 00:35:56,719
Speaker 9: utilizing that. To my that's like yeah, because I know it, but.

890
00:35:56,719 --> 00:35:59,239
Speaker 5: That's like but that's like, but that's like if the

891
00:35:59,280 --> 00:36:01,040
Speaker 5: one thing I don't like is when niggas get on

892
00:36:01,160 --> 00:36:05,399
Speaker 5: and make their homeboy head of security. Now, if something

893
00:36:05,440 --> 00:36:06,960
Speaker 5: happened to some pop off, if you want your man

894
00:36:06,960 --> 00:36:08,840
Speaker 5: to be the nigga that might get shot or get killed,

895
00:36:09,400 --> 00:36:11,279
Speaker 5: I never understand. I'm talking about now, if your man

896
00:36:11,440 --> 00:36:15,080
Speaker 5: is trying and he has, you know, a background, and

897
00:36:15,160 --> 00:36:18,160
Speaker 5: you know security does, but no, just take your man

898
00:36:18,200 --> 00:36:20,760
Speaker 5: off the block and like, yo, you security now, yeah wow,

899
00:36:21,600 --> 00:36:23,279
Speaker 5: because if it pop off, you want your man to

900
00:36:23,360 --> 00:36:25,279
Speaker 5: jump in front of this bullet. It ain't that, it's

901
00:36:25,320 --> 00:36:28,680
Speaker 5: just shit. I'd rather have you with me versus another that.

902
00:36:30,280 --> 00:36:32,000
Speaker 5: It ain't even nothing. It's just like I'm not gonna

903
00:36:32,000 --> 00:36:33,440
Speaker 5: be in nothing. I'd rather you.

904
00:36:33,960 --> 00:36:36,600
Speaker 1: I don't security you my security on my you know

905
00:36:36,600 --> 00:36:38,839
Speaker 1: what I'm saying, my security eyes, my eyes and ears.

906
00:36:38,840 --> 00:36:40,399
Speaker 6: I don't want to go hire nobody and then you're

907
00:36:40,400 --> 00:36:41,000
Speaker 6: still on the block.

908
00:36:41,080 --> 00:36:44,200
Speaker 5: Yeah, but I never I was never like because I've

909
00:36:44,200 --> 00:36:46,640
Speaker 5: watched people walk their man into.

910
00:36:46,400 --> 00:36:49,120
Speaker 1: Some bullshit because they mean they ain't bullshit exactly, and

911
00:36:49,160 --> 00:36:49,799
Speaker 1: I was never that.

912
00:36:50,440 --> 00:36:52,680
Speaker 5: I was never a knucklehead, like whenever niggasy we gonna

913
00:36:52,640 --> 00:36:54,480
Speaker 5: do something like nah, I'm killing me.

914
00:36:54,520 --> 00:36:56,200
Speaker 3: I'm a bro for sure.

915
00:36:56,480 --> 00:36:56,840
Speaker 6: Always.

916
00:36:56,880 --> 00:36:59,280
Speaker 5: I've always had discernment the type of people I was around,

917
00:36:59,719 --> 00:37:01,120
Speaker 5: only because I knew the dangers.

918
00:37:01,120 --> 00:37:01,600
Speaker 3: I've seen it.

919
00:37:01,600 --> 00:37:04,080
Speaker 5: Like I said, one of my closest friends, he's down

920
00:37:04,120 --> 00:37:07,040
Speaker 5: for murder right now. But we had lost you know,

921
00:37:07,120 --> 00:37:09,040
Speaker 5: in the early two thousands, mid two thousands, we kind

922
00:37:09,080 --> 00:37:09,720
Speaker 5: of split ways.

923
00:37:10,200 --> 00:37:12,920
Speaker 3: He fell into some whole other lifestyle and I'm over here.

924
00:37:12,920 --> 00:37:14,719
Speaker 5: Then when I heard about him, I'm like, wait, he

925
00:37:14,840 --> 00:37:17,240
Speaker 5: doing what we used to play Souper Nintendo.

926
00:37:17,280 --> 00:37:19,120
Speaker 3: The game was cool coolet snigg on the block. Now

927
00:37:19,120 --> 00:37:22,800
Speaker 3: he down for a body drugs. I'm like, you can't.

928
00:37:23,120 --> 00:37:26,000
Speaker 5: It's easy to make that left right right when life

929
00:37:26,040 --> 00:37:28,840
Speaker 5: hits you like damn, I got these bills, baby moms

930
00:37:28,840 --> 00:37:31,839
Speaker 5: tripping fucking I'm gonna get the shisty and go run

931
00:37:31,840 --> 00:37:34,919
Speaker 5: down on these niggas. It's easy to do that, seeing

932
00:37:34,960 --> 00:37:36,719
Speaker 5: to get up every morning at seven thirty.

933
00:37:36,520 --> 00:37:40,040
Speaker 1: And get you for show for sure, and for the record.

934
00:37:40,080 --> 00:37:41,360
Speaker 1: You know, you know how folks like you know we

935
00:37:41,600 --> 00:37:47,480
Speaker 1: control them there, man, we rock with everybody, Kindred, everybody, everybody.

936
00:37:47,000 --> 00:37:48,440
Speaker 6: Whatever, anybody, everybody.

937
00:37:48,440 --> 00:37:49,880
Speaker 3: I forgot talking about.

938
00:37:49,640 --> 00:37:54,560
Speaker 1: That, but you know, like hell nah man, hey man,

939
00:37:54,560 --> 00:37:56,359
Speaker 1: we rocked with everybody.

940
00:37:56,320 --> 00:37:56,640
Speaker 3: With out it.

941
00:37:56,680 --> 00:37:58,440
Speaker 5: That's one thing I problem myself. I don't got beef

942
00:37:58,480 --> 00:38:00,680
Speaker 5: for nobody for show for show. A nigga at issue

943
00:38:00,719 --> 00:38:00,840
Speaker 5: with me.

944
00:38:00,840 --> 00:38:02,359
Speaker 3: I don't even know that's good.

945
00:38:02,480 --> 00:38:03,319
Speaker 6: That's like, if.

946
00:38:03,200 --> 00:38:05,400
Speaker 1: A nigga don't like me, I'm like, but you know,

947
00:38:05,560 --> 00:38:07,400
Speaker 1: when I was coming up, I always thought that was

948
00:38:07,440 --> 00:38:10,440
Speaker 1: weird to me. When I was like nah, because I

949
00:38:10,520 --> 00:38:12,680
Speaker 1: used to be like naive to the fact, like you

950
00:38:12,680 --> 00:38:13,200
Speaker 1: don't like me?

951
00:38:13,320 --> 00:38:15,879
Speaker 6: What you mean like because I had to do something

952
00:38:15,920 --> 00:38:16,839
Speaker 6: wrong for you to like me.

953
00:38:17,120 --> 00:38:21,040
Speaker 1: You know, I don't like that nigga, I don't like this,

954
00:38:21,080 --> 00:38:23,080
Speaker 1: But I won't raised to not like nobody.

955
00:38:23,280 --> 00:38:23,919
Speaker 6: You know what I'm saying.

956
00:38:23,960 --> 00:38:25,040
Speaker 3: I'm like, why right?

957
00:38:25,719 --> 00:38:27,680
Speaker 6: What do I do to make you?

958
00:38:27,760 --> 00:38:28,040
Speaker 3: Somebody?

959
00:38:28,239 --> 00:38:32,000
Speaker 5: You don't like what I said? You heard I said something,

960
00:38:32,239 --> 00:38:34,520
Speaker 5: I said something on my show. You didn't like it?

961
00:38:34,600 --> 00:38:36,200
Speaker 5: But do you not like what I said? Or do

962
00:38:36,239 --> 00:38:37,040
Speaker 5: you not like me?

963
00:38:38,360 --> 00:38:40,759
Speaker 10: Some people don't like you because other people love you.

964
00:38:41,160 --> 00:38:43,960
Speaker 6: It's weird. Yeah, I had to hear that, though I

965
00:38:44,000 --> 00:38:46,920
Speaker 6: an't understand that for years. It's like I've grown up

966
00:38:47,040 --> 00:38:48,240
Speaker 6: like older in high school.

967
00:38:48,560 --> 00:38:50,960
Speaker 9: It's always been it's never something I did to him,

968
00:38:51,000 --> 00:38:52,279
Speaker 9: it's something I didn't do for him.

969
00:38:52,760 --> 00:38:53,440
Speaker 6: That'll make a mother.

970
00:38:53,920 --> 00:38:54,680
Speaker 3: How do y'all deal with that?

971
00:38:54,760 --> 00:38:54,920
Speaker 4: Now?

972
00:38:54,920 --> 00:38:56,520
Speaker 3: With your successful I don't give a fuck.

973
00:38:57,000 --> 00:38:58,759
Speaker 9: You got it at this point, you know what I mean.

974
00:38:58,800 --> 00:39:01,680
Speaker 9: You didn't been through it. So like for all of us,

975
00:39:01,760 --> 00:39:04,640
Speaker 9: like we from different places, but all of our backgrounds

976
00:39:04,640 --> 00:39:07,320
Speaker 9: are very similar being and we were all somebody prior

977
00:39:07,400 --> 00:39:10,080
Speaker 9: to becoming somebody in the public eye, so we were

978
00:39:10,120 --> 00:39:11,759
Speaker 9: dealing with a lot of the things that come with

979
00:39:11,800 --> 00:39:15,160
Speaker 9: celebrity before there was any real celebrity. So you kind

980
00:39:15,160 --> 00:39:17,920
Speaker 9: of get a build up a tolerance to the bullshit

981
00:39:18,400 --> 00:39:20,600
Speaker 9: getting talked about because it's always been. I can say

982
00:39:20,640 --> 00:39:23,640
Speaker 9: for all three of us, before any of us were famous,

983
00:39:23,680 --> 00:39:25,960
Speaker 9: more people knew who we were than we knew. So

984
00:39:26,040 --> 00:39:28,360
Speaker 9: that comes with a certain level of, you know, you

985
00:39:28,440 --> 00:39:31,080
Speaker 9: having to deal with people talking about you, people having

986
00:39:31,080 --> 00:39:33,279
Speaker 9: an opinion about you, people wanted to do something to

987
00:39:33,360 --> 00:39:35,640
Speaker 9: you because people love you, all of that type of stuff.

988
00:39:35,680 --> 00:39:38,040
Speaker 6: So once you actually get into the fame of it and.

989
00:39:38,000 --> 00:39:40,640
Speaker 9: You realize it doesn't do anything but elevate if you

990
00:39:40,719 --> 00:39:43,359
Speaker 9: already got those you know, that skill set, build up

991
00:39:43,360 --> 00:39:45,160
Speaker 9: and make it a little bit easy. It doesn't stop

992
00:39:45,200 --> 00:39:47,560
Speaker 9: the bullshit that comes with it, because it's certain people

993
00:39:47,600 --> 00:39:49,080
Speaker 9: that's going to hurt you if they fuck you over,

994
00:39:49,120 --> 00:39:51,719
Speaker 9: no matter what you got going on. It's just certain

995
00:39:51,719 --> 00:39:53,439
Speaker 9: people that had that type of credence.

996
00:39:53,080 --> 00:39:53,600
Speaker 6: In your life.

997
00:39:53,920 --> 00:39:56,799
Speaker 9: But as far as I know, for us, as I've

998
00:39:56,840 --> 00:39:59,600
Speaker 9: watched all three of us deal with adversity and just

999
00:39:59,719 --> 00:40:01,680
Speaker 9: you know, been proud of the fact that, like man,

1000
00:40:01,760 --> 00:40:05,080
Speaker 9: these niggas as warriors, these dudes are beyond strong to

1001
00:40:05,080 --> 00:40:06,560
Speaker 9: be able to deal with all of the ship that

1002
00:40:06,600 --> 00:40:08,600
Speaker 9: the world has. And then the things that the people

1003
00:40:08,920 --> 00:40:11,520
Speaker 9: that we are assigned to do as well.

1004
00:40:11,600 --> 00:40:12,080
Speaker 6: You know what I'm saying.

1005
00:40:12,920 --> 00:40:15,280
Speaker 10: The people who don't fuck with us just talk ship,

1006
00:40:15,520 --> 00:40:18,640
Speaker 10: but they can't talk most ship than us, right, you

1007
00:40:18,680 --> 00:40:21,960
Speaker 10: give it ain't even it's not even real. We were

1008
00:40:22,000 --> 00:40:23,120
Speaker 10: talking about that ship earlier.

1009
00:40:23,200 --> 00:40:23,319
Speaker 6: Bro.

1010
00:40:23,600 --> 00:40:26,200
Speaker 2: I mean, I get white people dislike us, but dislike y'all.

1011
00:40:26,239 --> 00:40:27,680
Speaker 2: I could never understand who.

1012
00:40:27,520 --> 00:40:28,040
Speaker 6: The fuck do y'all?

1013
00:40:28,080 --> 00:40:38,560
Speaker 2: Bother people hate left people, people up and and fan

1014
00:40:38,640 --> 00:40:41,359
Speaker 2: bases split and weird internet ship. I understand why people

1015
00:40:41,360 --> 00:40:43,480
Speaker 2: could dislike Mau and I for no reason, but I

1016
00:40:43,520 --> 00:40:45,759
Speaker 2: get why they dislike it because they have allegiance other

1017
00:40:45,760 --> 00:40:46,239
Speaker 2: ship people.

1018
00:40:46,320 --> 00:40:48,920
Speaker 1: Y'all don't bother nobody. No people get married because you

1019
00:40:48,960 --> 00:40:49,880
Speaker 1: are who they're trying.

1020
00:40:49,719 --> 00:40:56,200
Speaker 6: To achieve to be. Mm hmmm, damn, I want to be.

1021
00:40:57,360 --> 00:41:02,160
Speaker 6: How is he getting what out? Yeah? I don't even

1022
00:41:02,160 --> 00:41:04,880
Speaker 6: know what teaching. Yeah, yeah, I don't even know. I

1023
00:41:04,880 --> 00:41:06,000
Speaker 6: didn't know what was in competiation.

1024
00:41:06,160 --> 00:41:07,840
Speaker 9: Yeah that that happens all the time. But you got

1025
00:41:07,920 --> 00:41:09,360
Speaker 9: to kind you got to block that out. You know

1026
00:41:09,400 --> 00:41:11,240
Speaker 9: what I'm saying. You can't pay attention to that because

1027
00:41:11,280 --> 00:41:13,600
Speaker 9: the reality of what people come up to us and

1028
00:41:13,640 --> 00:41:16,239
Speaker 9: tell us, like, it's just I look at it. I

1029
00:41:16,320 --> 00:41:17,840
Speaker 9: call it the rule of one hundred. Like if you

1030
00:41:17,920 --> 00:41:20,919
Speaker 9: got one hundred people in the line and ninety nine

1031
00:41:20,920 --> 00:41:23,319
Speaker 9: of them got one hundred dollars handed out for you

1032
00:41:23,360 --> 00:41:25,760
Speaker 9: to grab, most people will go to the last person

1033
00:41:25,800 --> 00:41:27,799
Speaker 9: that got their hands down and argue with them about

1034
00:41:27,840 --> 00:41:30,040
Speaker 9: why they ain't got nothing for him, and you passed

1035
00:41:30,040 --> 00:41:33,320
Speaker 9: by one hundred motherfuckers who got love and gifts and

1036
00:41:33,800 --> 00:41:36,560
Speaker 9: admiration for you to go to the one person that

1037
00:41:36,840 --> 00:41:39,759
Speaker 9: has something negative to say. And that's really the mentality

1038
00:41:39,760 --> 00:41:41,680
Speaker 9: that we when we out and people.

1039
00:41:41,400 --> 00:41:44,799
Speaker 6: See us, it's love. So we see all that time.

1040
00:41:44,840 --> 00:41:48,240
Speaker 10: Bro, motherfuckers who don't like me, those are the same

1041
00:41:48,400 --> 00:41:53,640
Speaker 10: kind of people that dig in their ass and smell it.

1042
00:41:55,080 --> 00:42:00,880
Speaker 6: Motherfuckers. Yeah, even people don't want to be as.

1043
00:42:01,000 --> 00:42:02,520
Speaker 3: Skin with anyway.

1044
00:42:02,560 --> 00:42:04,240
Speaker 2: They take a shower and then take a ship.

1045
00:42:04,280 --> 00:42:06,959
Speaker 6: I'm talking about people who watch their ass fress then

1046
00:42:06,960 --> 00:42:07,520
Speaker 6: their face.

1047
00:42:08,280 --> 00:42:09,799
Speaker 3: I don't want to be friends with them.

1048
00:42:11,960 --> 00:42:14,880
Speaker 6: Brother. These are people out there and put dicks in

1049
00:42:14,960 --> 00:42:15,520
Speaker 6: the mouth.

1050
00:42:16,239 --> 00:42:18,279
Speaker 11: Do you think I give a fuck what they say

1051
00:42:18,320 --> 00:42:20,200
Speaker 11: out of that mouth added dick in it?

1052
00:42:21,400 --> 00:42:24,839
Speaker 6: I don't care, Bro, You enjoy ship that I can

1053
00:42:25,040 --> 00:42:26,920
Speaker 6: never over.

1054
00:42:29,080 --> 00:42:30,040
Speaker 3: We are not the same.

1055
00:42:30,160 --> 00:42:33,560
Speaker 6: Yeah, we're You're not supposed to like him. Get why

1056
00:42:33,640 --> 00:42:36,200
Speaker 6: you don't like me. You can find somebody else you

1057
00:42:36,239 --> 00:42:39,000
Speaker 6: can fuck with. That's gonna be all right.

1058
00:42:39,000 --> 00:42:46,080
Speaker 1: With the ship that you be Doing's dig in his mouth.

1059
00:42:47,160 --> 00:42:49,520
Speaker 10: He don't even have a right mouth to say something

1060
00:42:49,600 --> 00:42:51,279
Speaker 10: good about this nigga like me.

1061
00:42:51,600 --> 00:42:59,120
Speaker 6: That's a mouth. This nigga is crazy.

1062
00:43:00,360 --> 00:43:01,680
Speaker 3: This is crazy.

1063
00:43:03,680 --> 00:43:10,280
Speaker 6: Ship like the man.

1064
00:43:12,120 --> 00:43:14,480
Speaker 11: People, yo, man talking about these me this You have

1065
00:43:14,520 --> 00:43:15,800
Speaker 11: a pull up at the light and it be a

1066
00:43:15,840 --> 00:43:19,080
Speaker 11: motherfuck and you know that flicking the book out the

1067
00:43:19,160 --> 00:43:20,160
Speaker 11: people who don't like.

1068
00:43:20,239 --> 00:43:22,680
Speaker 3: Yeah, yeah, yeah, now that's a fact though.

1069
00:43:22,719 --> 00:43:30,440
Speaker 6: He right, he's right, Yeah, that's crazy.

1070
00:43:30,560 --> 00:43:32,960
Speaker 3: This gotta be you from.

1071
00:43:35,360 --> 00:43:40,560
Speaker 1: Oh my god, man, I'm waiting to get that off people.

1072
00:43:40,840 --> 00:43:44,160
Speaker 3: You holding that in like people like me? I mean

1073
00:43:45,520 --> 00:43:52,080
Speaker 3: this smelling you know, do that in real life? Oh yeah,

1074
00:43:52,120 --> 00:43:54,160
Speaker 3: we mother fuck man?

1075
00:44:02,120 --> 00:44:06,040
Speaker 2: Let me see what you know what it smells like? Ship?

1076
00:44:10,880 --> 00:44:13,719
Speaker 2: Oh my, I have done that with some pushy that

1077
00:44:13,840 --> 00:44:14,160
Speaker 2: was finger.

1078
00:44:15,600 --> 00:44:23,880
Speaker 5: That's different, man, that's what That's what I mean about

1079
00:44:24,040 --> 00:44:24,799
Speaker 5: what we do.

1080
00:44:25,000 --> 00:44:29,240
Speaker 8: Like this happens all the time. People think this ship

1081
00:44:29,360 --> 00:44:33,279
Speaker 8: like like this happens. We make each other laugh like

1082
00:44:33,360 --> 00:44:35,000
Speaker 8: this all the time.

1083
00:44:35,239 --> 00:44:39,040
Speaker 9: Man, like when nobody's watching, when nobody's around.

1084
00:44:39,160 --> 00:44:42,360
Speaker 6: When it happened when the cameras was off. It's just imagine.

1085
00:44:42,480 --> 00:44:45,000
Speaker 1: Imagine the producers saying you can't say yeah exactly, and

1086
00:44:45,040 --> 00:44:51,799
Speaker 1: the nigga like, man, fuck that just so I can

1087
00:44:51,840 --> 00:44:52,239
Speaker 1: see it.

1088
00:44:52,400 --> 00:44:54,600
Speaker 3: Have you had a chance to know we talked to

1089
00:44:54,680 --> 00:44:56,560
Speaker 3: d C last you can about it. Have you had

1090
00:44:56,560 --> 00:44:59,399
Speaker 3: a chance to talk to Ross since since he walked off.

1091
00:44:59,320 --> 00:45:01,680
Speaker 9: And we was just talking to Angie my teenagers about

1092
00:45:01,680 --> 00:45:02,400
Speaker 9: that yesterday.

1093
00:45:04,520 --> 00:45:06,960
Speaker 6: It's not to talk about that. This some new cookies

1094
00:45:06,960 --> 00:45:08,760
Speaker 6: out right, some protein cookies.

1095
00:45:08,800 --> 00:45:11,680
Speaker 11: He just mailed me a drunk cookies. Oh yeah, to

1096
00:45:11,800 --> 00:45:15,359
Speaker 11: the studio. Okay, we've me in DZ didn't rented were

1097
00:45:15,400 --> 00:45:17,359
Speaker 11: in Atlanta, so we running to him all the time.

1098
00:45:18,480 --> 00:45:19,800
Speaker 11: The ain't never been.

1099
00:45:19,680 --> 00:45:20,400
Speaker 6: No hard feeling.

1100
00:45:20,600 --> 00:45:24,239
Speaker 1: I don't want to say no hard feeling now, d

1101
00:45:24,800 --> 00:45:31,080
Speaker 1: was hurt feeling because Okay, I'm gonna say, first of all,

1102
00:45:31,120 --> 00:45:33,680
Speaker 1: I don't give a fuck. Yeah, but I give a

1103
00:45:33,800 --> 00:45:36,360
Speaker 1: fuck because you.

1104
00:45:36,239 --> 00:45:36,920
Speaker 6: As a purse.

1105
00:45:37,160 --> 00:45:38,440
Speaker 3: Yeah, yeah, you see what I'm.

1106
00:45:38,280 --> 00:45:40,839
Speaker 1: Saying before Okay, let's just say before all that happened, right,

1107
00:45:41,160 --> 00:45:44,520
Speaker 1: let's just say before all that happened, Brom. Listening to you, Ross,

1108
00:45:44,719 --> 00:45:49,200
Speaker 1: I feel like you want to Hey, shut the fuck up.

1109
00:45:50,600 --> 00:45:51,760
Speaker 6: I'm listening to you, Ross.

1110
00:45:51,840 --> 00:45:53,439
Speaker 1: I feel like you you probably one of the best

1111
00:45:53,560 --> 00:45:55,160
Speaker 1: lyricists from the South that we got you.

1112
00:45:55,200 --> 00:45:56,719
Speaker 6: Do you know what I'm saying? Like you're poetic, Bro.

1113
00:45:56,760 --> 00:45:58,919
Speaker 1: When I listen to your music, I think he put

1114
00:45:58,960 --> 00:46:01,560
Speaker 1: a lot of time effort into this ship. If I'm

1115
00:46:01,680 --> 00:46:03,399
Speaker 1: listening to your ship and all of that, niggas fuck

1116
00:46:03,440 --> 00:46:05,439
Speaker 1: with everything you do. Nigga, if you fuck with wings.

1117
00:46:05,440 --> 00:46:08,279
Speaker 6: Stop. I'm a fucking wing.

1118
00:46:09,600 --> 00:46:13,840
Speaker 1: We're gonna gonna buy this promo marketing like your PR

1119
00:46:13,920 --> 00:46:16,319
Speaker 1: team came, brought all this ship. This was we was

1120
00:46:16,440 --> 00:46:19,960
Speaker 1: this ship was set up so you can see was

1121
00:46:20,160 --> 00:46:20,920
Speaker 1: rocking with you.

1122
00:46:21,400 --> 00:46:23,560
Speaker 6: You see what I'm saying now, do you? AWE's an explanation.

1123
00:46:23,920 --> 00:46:28,279
Speaker 1: No, But as niggas who fuck with you, I think

1124
00:46:28,280 --> 00:46:30,320
Speaker 1: it's just something to say, hey man, just a little

1125
00:46:30,360 --> 00:46:32,400
Speaker 1: respect to be like, hey man, this is what I

1126
00:46:32,400 --> 00:46:33,480
Speaker 1: gotta go, this is what I got.

1127
00:46:34,080 --> 00:46:37,480
Speaker 6: Let me I can respect that. That's cool. This is

1128
00:46:37,480 --> 00:46:38,799
Speaker 6: when it gets insulting.

1129
00:46:39,960 --> 00:46:42,000
Speaker 1: This is when it gets insulting because we the type

1130
00:46:42,000 --> 00:46:44,920
Speaker 1: of people that will never bring up nothing that we

1131
00:46:45,000 --> 00:46:47,239
Speaker 1: feel like that can be diminished to your career.

1132
00:46:47,160 --> 00:46:49,160
Speaker 6: Anything, nigga, We some real niggas.

1133
00:46:50,120 --> 00:46:54,160
Speaker 1: The moment you lead our show, you went and did

1134
00:46:54,160 --> 00:46:57,799
Speaker 1: a podcast, a white podcast.

1135
00:46:58,320 --> 00:46:59,759
Speaker 6: You shut your ass.

1136
00:46:59,480 --> 00:47:03,120
Speaker 1: Right there, m Almo two hours, didn't leave and you

1137
00:47:03,280 --> 00:47:07,239
Speaker 1: talk and the white folk asked, yo, ask was you

1138
00:47:07,280 --> 00:47:08,840
Speaker 1: a fucking correctional officer?

1139
00:47:09,320 --> 00:47:12,320
Speaker 6: Yeah, we would have never asked you. No ship like that, nigga.

1140
00:47:12,640 --> 00:47:15,239
Speaker 1: Respect for you, and you sat right there and you

1141
00:47:15,280 --> 00:47:20,880
Speaker 1: answered that question so eloquentlyloquently you dig what I'm saying

1142
00:47:21,920 --> 00:47:25,080
Speaker 1: like it wasn't even disrespectful. And then I get to

1143
00:47:25,080 --> 00:47:27,280
Speaker 1: sit back and watch that ship and be like, damn,

1144
00:47:27,320 --> 00:47:29,000
Speaker 1: what's the difference between them and us?

1145
00:47:30,680 --> 00:47:30,879
Speaker 3: Now?

1146
00:47:31,000 --> 00:47:35,200
Speaker 1: I feel disrespected? You feel what I'm saying because you're like, damn, man,

1147
00:47:35,280 --> 00:47:38,439
Speaker 1: Nigga is a man, My nigga, Come on, don't say

1148
00:47:38,480 --> 00:47:43,680
Speaker 1: money we got it, you got it, but nigga, we

1149
00:47:43,840 --> 00:47:44,640
Speaker 1: fucked with you.

1150
00:47:44,680 --> 00:47:44,839
Speaker 6: Bro.

1151
00:47:45,400 --> 00:47:49,920
Speaker 1: Don't do us like that and it's still love, but nigga,

1152
00:47:50,360 --> 00:47:52,320
Speaker 1: don't do us like respect.

1153
00:47:52,320 --> 00:47:52,920
Speaker 6: That respect.

1154
00:47:52,920 --> 00:47:55,799
Speaker 9: That was when when he did say something about it

1155
00:47:55,880 --> 00:47:58,239
Speaker 9: that that kind of struck me the wrong way. Was

1156
00:47:58,239 --> 00:48:00,400
Speaker 9: when it was like the little homies and you know

1157
00:48:00,560 --> 00:48:02,719
Speaker 9: we're gonna die, you know the salute to to me,

1158
00:48:02,800 --> 00:48:04,840
Speaker 9: I'm gonna do this for the well. If you really

1159
00:48:04,840 --> 00:48:07,160
Speaker 9: feel like we the little homies and we your little

1160
00:48:07,160 --> 00:48:08,319
Speaker 9: homies like that, is that.

1161
00:48:08,320 --> 00:48:10,520
Speaker 6: How you do your little homies, my nigga.

1162
00:48:10,520 --> 00:48:12,920
Speaker 9: Because when you left, we ain't take none of that

1163
00:48:12,920 --> 00:48:15,799
Speaker 9: shit off the table still there. We kept it right

1164
00:48:15,840 --> 00:48:17,920
Speaker 9: there and kept doing what we was doing. So it

1165
00:48:17,960 --> 00:48:21,319
Speaker 9: was never no respect on our part. And we've had

1166
00:48:21,400 --> 00:48:25,279
Speaker 9: many guests come through that you know, we protect, we

1167
00:48:25,320 --> 00:48:29,879
Speaker 9: protect our people. We protect our people. So it wasn't

1168
00:48:29,880 --> 00:48:33,319
Speaker 9: a situation where we felt like it was something that

1169
00:48:33,360 --> 00:48:35,719
Speaker 9: we thought was gonna go to where it went. We

1170
00:48:35,840 --> 00:48:38,440
Speaker 9: just got a product that we love, and we love

1171
00:48:38,480 --> 00:48:41,839
Speaker 9: each other first, so we're not gonna let us look

1172
00:48:41,920 --> 00:48:44,000
Speaker 9: bad for nobody if we can help it.

1173
00:48:44,320 --> 00:48:46,080
Speaker 6: So that was the reason why it even went the

1174
00:48:46,080 --> 00:48:46,600
Speaker 6: way it went.

1175
00:48:46,719 --> 00:48:49,959
Speaker 9: But as far as like now getting the explanation or feeling,

1176
00:48:50,000 --> 00:48:52,440
Speaker 9: it ain't even about that. But it's just about the

1177
00:48:52,719 --> 00:48:54,960
Speaker 9: you know, like you said, the respect and the love

1178
00:48:55,000 --> 00:48:57,160
Speaker 9: of just saying, hey man, you know what I mean,

1179
00:48:57,320 --> 00:48:59,880
Speaker 9: if nothing else, come tell us why you left.

1180
00:49:00,160 --> 00:49:01,920
Speaker 6: You know what I'm saying, Come sit down and let

1181
00:49:02,000 --> 00:49:02,239
Speaker 6: us know.

1182
00:49:02,320 --> 00:49:03,719
Speaker 9: And even if you don't want to tell you, if

1183
00:49:03,760 --> 00:49:05,680
Speaker 9: that's another thing that we can't ask you about, at

1184
00:49:05,760 --> 00:49:07,000
Speaker 9: least come back and.

1185
00:49:07,040 --> 00:49:09,360
Speaker 6: Let us clown on the fact. Let us as you

1186
00:49:09,480 --> 00:49:10,080
Speaker 6: come back.

1187
00:49:09,920 --> 00:49:11,520
Speaker 9: And get up and leave on you and leave you

1188
00:49:11,560 --> 00:49:13,640
Speaker 9: sit on the couch just for fun, you know what

1189
00:49:13,640 --> 00:49:14,000
Speaker 9: I'm saying.

1190
00:49:14,080 --> 00:49:16,400
Speaker 5: We have we got something similar like that to somebody

1191
00:49:16,440 --> 00:49:19,800
Speaker 5: that I really funck with as a as an artist.

1192
00:49:20,040 --> 00:49:22,719
Speaker 5: We were supposed to have two chains on right that's home.

1193
00:49:22,840 --> 00:49:26,040
Speaker 5: He was coming to the studio and maybe like two

1194
00:49:26,160 --> 00:49:28,840
Speaker 5: hours or hours before he supposed to pull up his

1195
00:49:28,880 --> 00:49:30,799
Speaker 5: people here, was like, Yo, you got a family emergency.

1196
00:49:31,280 --> 00:49:34,279
Speaker 5: He got to get back to Atlanta. We're gonna double back,

1197
00:49:34,320 --> 00:49:35,000
Speaker 5: you know next time.

1198
00:49:35,160 --> 00:49:37,600
Speaker 2: Wasn't the studio who set up in Jersey with the

1199
00:49:37,640 --> 00:49:41,040
Speaker 2: whole set up and we're gonna shoot with him?

1200
00:49:41,280 --> 00:49:44,880
Speaker 5: And what you say, go take here of the family, bro,

1201
00:49:45,239 --> 00:49:48,680
Speaker 5: This ain't This ain't more important than facts. But we

1202
00:49:48,719 --> 00:49:51,000
Speaker 5: can't tune into the game at seven point thirty and

1203
00:49:51,040 --> 00:49:52,520
Speaker 5: see you caught side of the Hawks game.

1204
00:49:53,120 --> 00:49:56,520
Speaker 6: That's a family emergency. But see y'all don't know what.

1205
00:49:56,600 --> 00:50:03,399
Speaker 6: Y'all don't know what before Hawks, Yeah emergency, you think

1206
00:50:03,440 --> 00:50:03,759
Speaker 6: about it.

1207
00:50:03,920 --> 00:50:05,839
Speaker 5: I'm just saying my first reaction was I feel away.

1208
00:50:05,880 --> 00:50:09,000
Speaker 6: I'm like, but I get back. I handle the family emergency.

1209
00:50:09,760 --> 00:50:12,399
Speaker 9: Say that job, motherfuckers that made me fly the way

1210
00:50:12,440 --> 00:50:14,120
Speaker 9: back here and now I got to go to the

1211
00:50:14,160 --> 00:50:16,680
Speaker 9: game to be able to make myself be at ease

1212
00:50:16,760 --> 00:50:18,000
Speaker 9: for what I just had to come.

1213
00:50:17,880 --> 00:50:21,160
Speaker 6: Home with, you know what I'm saying. So that's the way, because.

1214
00:50:20,960 --> 00:50:24,600
Speaker 10: I think they don't understand like the dynamic of the

1215
00:50:24,800 --> 00:50:27,799
Speaker 10: side of having a platform. People reach out to us

1216
00:50:27,840 --> 00:50:29,680
Speaker 10: all the time, you know what I'm saying, But it's

1217
00:50:29,719 --> 00:50:31,560
Speaker 10: not to the point where we're going to move sh

1218
00:50:31,600 --> 00:50:35,239
Speaker 10: it around and cancel ship just to accommodate you. So

1219
00:50:35,280 --> 00:50:40,160
Speaker 10: when we do make accommodations for you, a lot of times,

1220
00:50:40,400 --> 00:50:42,320
Speaker 10: when it's not respected, then it feel.

1221
00:50:42,120 --> 00:50:43,399
Speaker 6: Crazy, you know what I'm saying.

1222
00:50:43,760 --> 00:50:45,880
Speaker 1: And the crazy part about it it don't don't. He

1223
00:50:45,960 --> 00:50:48,640
Speaker 1: did not stop me from listening to his music. Do

1224
00:50:48,760 --> 00:50:51,399
Speaker 1: I be a little angry as I'm listening here? Yeah,

1225
00:50:52,200 --> 00:51:05,360
Speaker 1: when you come on, yeah, I mean, look, man, but.

1226
00:51:04,000 --> 00:51:06,359
Speaker 10: It's not to play schematics. But you know something, when

1227
00:51:06,360 --> 00:51:08,480
Speaker 10: you get people who maybe you got somebody who's the

1228
00:51:08,520 --> 00:51:11,920
Speaker 10: biggest start and then they stay two hours and they

1229
00:51:12,000 --> 00:51:16,160
Speaker 10: show love and make you wonder like what the fuck

1230
00:51:16,280 --> 00:51:17,120
Speaker 10: really going on?

1231
00:51:17,440 --> 00:51:20,720
Speaker 6: You know what I'm saying, mother, You're not the biggest

1232
00:51:20,800 --> 00:51:22,719
Speaker 6: at all at all.

1233
00:51:22,880 --> 00:51:25,719
Speaker 1: How you look at us when it comes to our platform, right,

1234
00:51:27,960 --> 00:51:29,640
Speaker 1: That's why that's why I was saying, like.

1235
00:51:29,640 --> 00:51:32,360
Speaker 6: I don't know these niggas and they ain't even us, nigga.

1236
00:51:32,640 --> 00:51:35,160
Speaker 3: We're gonna protect you, like he said, We're gonna protect you.

1237
00:51:35,640 --> 00:51:36,600
Speaker 6: We're gonna protect.

1238
00:51:36,360 --> 00:51:39,160
Speaker 1: Everything you stand for, everything you live for. Even if

1239
00:51:39,200 --> 00:51:41,279
Speaker 1: we heard some ship. We ain't even type of nigga

1240
00:51:41,320 --> 00:51:44,160
Speaker 1: to bring. We want to talk about good ship. You

1241
00:51:44,360 --> 00:51:47,479
Speaker 1: left us when it sat down and let them folk

1242
00:51:48,480 --> 00:51:50,600
Speaker 1: spill whatever being they want to spill. They be like, Bro,

1243
00:51:50,640 --> 00:51:52,279
Speaker 1: we would have never did no ship like that.

1244
00:51:52,360 --> 00:51:53,560
Speaker 6: And you said that and were cool.

1245
00:51:53,840 --> 00:51:55,360
Speaker 3: Yeah, what different with us?

1246
00:51:55,480 --> 00:51:58,759
Speaker 6: Right? I heard nigga and we in this game with integrity.

1247
00:51:58,840 --> 00:52:01,319
Speaker 10: Bro's people out here trying their best to get on

1248
00:52:01,480 --> 00:52:06,600
Speaker 10: podcasts and big platforms like you know, and they wanted, Man,

1249
00:52:06,600 --> 00:52:08,560
Speaker 10: how much is it? No, it ain't the money thing,

1250
00:52:09,160 --> 00:52:11,799
Speaker 10: you know what I'm saying. That's the part that they

1251
00:52:11,920 --> 00:52:12,400
Speaker 10: be missing.

1252
00:52:12,480 --> 00:52:14,160
Speaker 6: That's the part of like, if we're not angry, it's

1253
00:52:14,200 --> 00:52:16,520
Speaker 6: the intew much to get on that. Bro, it don't work.

1254
00:52:17,120 --> 00:52:18,759
Speaker 9: People say that to me all the time. What I

1255
00:52:18,800 --> 00:52:20,480
Speaker 9: got to do to get on the show. Whatever it

1256
00:52:20,560 --> 00:52:23,200
Speaker 9: is you do, keep doing that and we'll notice that.

1257
00:52:23,239 --> 00:52:24,080
Speaker 3: Would be a dollar.

1258
00:52:25,920 --> 00:52:37,719
Speaker 6: Never too. We don't home. He pulled up? Can we

1259
00:52:37,760 --> 00:52:40,120
Speaker 6: fun with him? Rightder? Even if your.

1260
00:52:40,000 --> 00:52:42,640
Speaker 1: PR team and all the rellect, hey, man, pull up

1261
00:52:42,680 --> 00:52:46,080
Speaker 1: a figure out of date, don't send us nothing. We

1262
00:52:46,200 --> 00:52:48,040
Speaker 1: pull them up on our own time, and we're gonna

1263
00:52:48,040 --> 00:52:50,640
Speaker 1: do it cause we rock with the folks, We ain't

1264
00:52:51,040 --> 00:52:51,239
Speaker 1: for that.

1265
00:52:51,400 --> 00:52:53,319
Speaker 2: And even with the change thing, like you know, I'm

1266
00:52:53,320 --> 00:52:55,160
Speaker 2: not putting this on serious. They were our partner at

1267
00:52:55,160 --> 00:52:57,799
Speaker 2: the time, but that it was facilitated through that. So

1268
00:52:57,960 --> 00:52:59,840
Speaker 2: I don't even know if chains had a family and

1269
00:53:00,040 --> 00:53:04,240
Speaker 2: urgency it goes through three to six reps in between

1270
00:53:04,760 --> 00:53:07,640
Speaker 2: what he's doing. Change could have been like, Yo, I'm exhausted,

1271
00:53:07,680 --> 00:53:08,279
Speaker 2: I want to go home.

1272
00:53:08,320 --> 00:53:09,680
Speaker 6: Respect to cool, and.

1273
00:53:09,640 --> 00:53:12,160
Speaker 2: I would have been like the amount of times I've

1274
00:53:12,160 --> 00:53:15,799
Speaker 2: had to do interviews and like, yo, I can't. He

1275
00:53:15,840 --> 00:53:18,040
Speaker 2: could have said that, and they trying to keep relationships

1276
00:53:18,080 --> 00:53:21,560
Speaker 2: on whatever universal and serious is and just made up

1277
00:53:21,600 --> 00:53:25,040
Speaker 2: some ship like family emergency change. We have not even

1278
00:53:25,080 --> 00:53:26,040
Speaker 2: known that was said.

1279
00:53:25,840 --> 00:53:31,120
Speaker 1: To us in between the ages and all that. Sometimes

1280
00:53:31,160 --> 00:53:34,600
Speaker 1: people don't respect the relationship you and the artist guy. Yeah,

1281
00:53:34,800 --> 00:53:37,520
Speaker 1: so some might have been said they may think it

1282
00:53:37,520 --> 00:53:39,279
Speaker 1: ain't serious, and you're like, oh, wait a minute, time

1283
00:53:39,320 --> 00:53:41,200
Speaker 1: I like my folk and they're like, oh, I ain't.

1284
00:53:41,200 --> 00:53:45,120
Speaker 6: No, Like no, don't push them to the people, don't

1285
00:53:45,120 --> 00:53:48,239
Speaker 6: give them the Hollywood bullshit them my folk.

1286
00:53:48,360 --> 00:53:51,640
Speaker 1: Yeah, I called them personally. I wanted to sit there

1287
00:53:51,640 --> 00:53:52,879
Speaker 1: there that want no pr thing.

1288
00:53:53,640 --> 00:53:56,320
Speaker 5: So let's talk about the people. Y'all have science social

1289
00:53:56,360 --> 00:53:59,160
Speaker 5: poor minds. Yeah, shout out to Dre and Lex. That's

1290
00:53:59,200 --> 00:54:01,359
Speaker 5: that's our family. What was the what was the monster?

1291
00:54:01,440 --> 00:54:01,680
Speaker 3: Bindy?

1292
00:54:01,760 --> 00:54:02,759
Speaker 6: I just wanted to bring some.

1293
00:54:02,760 --> 00:54:04,640
Speaker 5: Ladies on and say, listen, we need to have some

1294
00:54:04,760 --> 00:54:05,919
Speaker 5: ladies representing this thing.

1295
00:54:06,280 --> 00:54:10,200
Speaker 10: Yeah, that basically, and they had a joint that they

1296
00:54:10,200 --> 00:54:13,160
Speaker 10: were doing out the crib. They invited me on, and

1297
00:54:13,200 --> 00:54:15,680
Speaker 10: I was like, y'all got some good chemistry. Y'all know

1298
00:54:15,680 --> 00:54:18,800
Speaker 10: how to keep a float going, and y'all, y'all appealing.

1299
00:54:18,880 --> 00:54:21,719
Speaker 10: People will look at y'all and y'all talking about something

1300
00:54:21,760 --> 00:54:25,399
Speaker 10: for sure. It's like, we got the platform. Let's see

1301
00:54:25,400 --> 00:54:28,719
Speaker 10: how we can build a relationship. Because whether it's us

1302
00:54:28,760 --> 00:54:31,200
Speaker 10: that fuck with y'all or not, y'all, if y'all stay

1303
00:54:31,200 --> 00:54:34,680
Speaker 10: consistent and keep doing this, somebody gonna notice all these

1304
00:54:34,680 --> 00:54:35,840
Speaker 10: things that I'm noticing.

1305
00:54:38,280 --> 00:54:40,040
Speaker 3: Niggas don't triple on time, y'all, don't tweet on.

1306
00:54:42,400 --> 00:54:47,040
Speaker 2: Y' you know, doesn't tweet on Nicki Minaj. That is

1307
00:54:47,760 --> 00:54:52,080
Speaker 2: straight straight. I've ever seen metaphor insight.

1308
00:54:53,120 --> 00:54:55,040
Speaker 5: If I've ever seen a straight tweeter. You don't have

1309
00:54:55,080 --> 00:55:01,239
Speaker 5: to get Nikki Minaj. I just want to call Nikki, like, Yo,

1310
00:55:01,360 --> 00:55:02,080
Speaker 5: what happened?

1311
00:55:02,920 --> 00:55:03,640
Speaker 6: What is going?

1312
00:55:03,719 --> 00:55:06,080
Speaker 2: You don't need to call her, It's all laid out there.

1313
00:55:06,000 --> 00:55:08,040
Speaker 6: Yo, Nikki, you know I love you.

1314
00:55:08,120 --> 00:55:09,320
Speaker 3: What is happening?

1315
00:55:09,800 --> 00:55:09,960
Speaker 6: Yo?

1316
00:55:10,040 --> 00:55:13,040
Speaker 2: She somebody tried to screenshot like a long ass tweet

1317
00:55:13,120 --> 00:55:15,439
Speaker 2: and because of the regular screenshot on Twitter, it looked

1318
00:55:15,480 --> 00:55:19,120
Speaker 2: like a CVS receipt how long it was, and somebody

1319
00:55:19,200 --> 00:55:22,319
Speaker 2: was like not reading it, God bless or whatever, and

1320
00:55:22,360 --> 00:55:26,759
Speaker 2: everyone under that was Nicki Minaj fans saying, Okay, so

1321
00:55:26,840 --> 00:55:29,399
Speaker 2: you never wrote an essay in high school, Like you've

1322
00:55:29,440 --> 00:55:31,440
Speaker 2: never written a five paragraph I say before Yeah, but.

1323
00:55:32,160 --> 00:55:34,560
Speaker 3: Not on Twitter though you X you don't write essay?

1324
00:55:34,719 --> 00:55:38,239
Speaker 5: But no, seriously, all jokes aside, what what is this

1325
00:55:38,320 --> 00:55:38,959
Speaker 5: stemming from?

1326
00:55:38,960 --> 00:55:39,279
Speaker 3: With her?

1327
00:55:39,360 --> 00:55:42,120
Speaker 5: And says with Nikki and says, what is this? What's

1328
00:55:42,120 --> 00:55:43,080
Speaker 5: the beginning of this thing?

1329
00:55:43,239 --> 00:55:48,400
Speaker 4: What I know? H TDEs what's the result?

1330
00:55:48,440 --> 00:55:48,680
Speaker 6: Punch?

1331
00:55:49,000 --> 00:55:52,200
Speaker 7: Yes, he tweeted a song that had Barbie in it,

1332
00:55:52,400 --> 00:55:55,759
Speaker 7: and she took it as a broken Broken Barbie, which

1333
00:55:55,800 --> 00:55:56,879
Speaker 7: is a song that's coming out.

1334
00:55:57,080 --> 00:55:59,400
Speaker 2: Well, no, it's it's out from one of their new artists.

1335
00:55:59,400 --> 00:56:01,960
Speaker 2: The video it came out, it's called Broken Barbies.

1336
00:56:02,719 --> 00:56:06,080
Speaker 7: And then she went and she started going off thinking

1337
00:56:06,080 --> 00:56:08,680
Speaker 7: it was about her. Then Sissa tweeted Mercury retrograde, don't

1338
00:56:08,680 --> 00:56:11,279
Speaker 7: take the bait, lol, silly goose, and Nikki just went

1339
00:56:11,360 --> 00:56:14,800
Speaker 7: off said go draw your freckles back on Bookie. She's

1340
00:56:14,960 --> 00:56:18,480
Speaker 7: still like fighting with Desiree and it's literally.

1341
00:56:18,239 --> 00:56:21,279
Speaker 2: Still going on in desert right now. It is July seventeenth,

1342
00:56:21,320 --> 00:56:23,720
Speaker 2: three or four pm. You could hit refresh on Nicki's

1343
00:56:23,719 --> 00:56:26,319
Speaker 2: page and it's still going Yeah, and this is from

1344
00:56:26,440 --> 00:56:29,560
Speaker 2: three or four days ago, yeah, maybe five days ago.

1345
00:56:29,680 --> 00:56:30,840
Speaker 4: She keeps telling Sissa.

1346
00:56:30,960 --> 00:56:33,759
Speaker 7: She then Sissa has said something like you need to

1347
00:56:33,760 --> 00:56:35,399
Speaker 7: get it together, and she was like, Sissy, you think

1348
00:56:35,400 --> 00:56:37,319
Speaker 7: you're more famous than me or you think you're more

1349
00:56:37,360 --> 00:56:40,560
Speaker 7: successful than me, and says it's like, I don't get fuckedout,

1350
00:56:40,600 --> 00:56:41,800
Speaker 7: noe that where shit you popping?

1351
00:56:42,000 --> 00:56:43,480
Speaker 4: Like it's just going back.

1352
00:56:43,640 --> 00:56:45,760
Speaker 7: Sissa and Nicki Minaj going back and forth for Twitter

1353
00:56:45,800 --> 00:56:47,520
Speaker 7: is something I never thought I would see, but I'm

1354
00:56:47,520 --> 00:56:49,160
Speaker 7: not surprised.

1355
00:56:48,840 --> 00:56:50,439
Speaker 2: And all right, So I thought it was based off

1356
00:56:50,480 --> 00:56:53,319
Speaker 2: what Punch was tweeting that had to do with the

1357
00:56:53,960 --> 00:56:57,960
Speaker 2: new song he's promoting, But then Nicki had retweeted someone

1358
00:56:58,000 --> 00:57:01,319
Speaker 2: bringing that up, and she was like, imagine if I

1359
00:57:01,400 --> 00:57:04,080
Speaker 2: ever went off like this because of what Punch tweeted,

1360
00:57:04,120 --> 00:57:06,359
Speaker 2: it has nothing to do with that. So now I

1361
00:57:06,400 --> 00:57:09,279
Speaker 2: am completely fucking lost. I thought maybe she just misunderstood

1362
00:57:09,280 --> 00:57:12,680
Speaker 2: what Punch was saying, and she's claiming it has absolutely

1363
00:57:12,680 --> 00:57:14,319
Speaker 2: nothing to do with that. She didn't even see that,

1364
00:57:15,640 --> 00:57:17,240
Speaker 2: So I am completely lost. I'm sorry.

1365
00:57:17,280 --> 00:57:20,160
Speaker 3: I don't have any journalistic things to bring you here.

1366
00:57:20,800 --> 00:57:23,880
Speaker 2: I know the desiree jay Z rock Nation thing goes

1367
00:57:23,960 --> 00:57:27,840
Speaker 2: back to the title shit goes back to them managing

1368
00:57:27,880 --> 00:57:30,920
Speaker 2: Meghan and Meghan and Nikki having a back and forth

1369
00:57:30,960 --> 00:57:36,400
Speaker 2: and funding Meghan saying nasty things about Nicki. According to her,

1370
00:57:36,400 --> 00:57:38,160
Speaker 2: which we covered two episodes ago.

1371
00:57:38,280 --> 00:57:40,960
Speaker 5: I was trying to like follow it and read everything,

1372
00:57:41,000 --> 00:57:43,800
Speaker 5: but I just, you know, sometimes I just be like this.

1373
00:57:43,840 --> 00:57:46,240
Speaker 3: Same for me when the girls are fighting, I'm just like,

1374
00:57:46,600 --> 00:57:47,120
Speaker 3: let me go at it.

1375
00:57:47,200 --> 00:57:49,800
Speaker 2: It's like when you see Chris Brown put out sixty

1376
00:57:49,880 --> 00:57:51,720
Speaker 2: songs on one album and You're like, I can't keep

1377
00:57:51,800 --> 00:57:54,080
Speaker 2: up with all this. Yeah, I'll listen to the first

1378
00:57:54,120 --> 00:57:56,280
Speaker 2: five and that's as far as I've gotten in the

1379
00:57:56,360 --> 00:57:57,919
Speaker 2: Nicky says the thing, all.

1380
00:57:57,880 --> 00:58:01,080
Speaker 5: Right, so do we think that, you know? Because you know,

1381
00:58:01,080 --> 00:58:03,880
Speaker 5: I'm always music bars coming.

1382
00:58:04,880 --> 00:58:07,040
Speaker 7: No, Sis, it's not taking since it's not going to

1383
00:58:07,080 --> 00:58:09,160
Speaker 7: the studio to diss Nicki Minaj on rap.

1384
00:58:09,240 --> 00:58:11,280
Speaker 5: No, it ain't gotta be dissing it. But it could

1385
00:58:11,320 --> 00:58:13,880
Speaker 5: be a It could be a bar in between some

1386
00:58:13,920 --> 00:58:15,600
Speaker 5: good melodies. That's the record at Nikki.

1387
00:58:15,960 --> 00:58:18,400
Speaker 2: I don't know, but all right, sos the intro on

1388
00:58:18,440 --> 00:58:22,640
Speaker 2: the Champagne Poetry beat, SIS was getting bars off. Let's

1389
00:58:22,680 --> 00:58:26,760
Speaker 2: not act like Sizza hasn't halfway rapped before and is

1390
00:58:26,760 --> 00:58:27,200
Speaker 2: a great run.

1391
00:58:27,280 --> 00:58:29,160
Speaker 3: Well, I definitely believe Nikki is gonna have some balls

1392
00:58:29,200 --> 00:58:30,240
Speaker 3: with scissors. Here's my thing.

1393
00:58:30,680 --> 00:58:34,720
Speaker 2: When Bigfoot came out, I said that if Megan doesn't reply,

1394
00:58:34,760 --> 00:58:36,680
Speaker 2: it's an L to Meghan, and I still stand by that.

1395
00:58:36,720 --> 00:58:38,280
Speaker 2: I think she should have replied to that, even though

1396
00:58:38,280 --> 00:58:40,520
Speaker 2: I didn't think it was the greatest dis record. You're

1397
00:58:40,520 --> 00:58:44,320
Speaker 2: not about to diss me like that so directly after

1398
00:58:44,360 --> 00:58:46,840
Speaker 2: I sent you subs and then just be quiet. So

1399
00:58:47,040 --> 00:58:49,640
Speaker 2: I think personally Meg did take an L with Nikki

1400
00:58:49,760 --> 00:58:52,040
Speaker 2: in that back and forth, because Nikki showed up to

1401
00:58:52,120 --> 00:58:53,680
Speaker 2: rap and did it. Even though I didn't think it

1402
00:58:53,680 --> 00:58:57,000
Speaker 2: was a good diss record, you still gotta reply. I

1403
00:58:57,000 --> 00:59:00,280
Speaker 2: don't think Sissa is gonna do the same route if

1404
00:59:00,400 --> 00:59:03,400
Speaker 2: Nicki comes out with a record tomorrow towards Sissa, I

1405
00:59:03,400 --> 00:59:06,120
Speaker 2: think Sissa during tour is going to reply.

1406
00:59:06,320 --> 00:59:07,480
Speaker 6: I don't.

1407
00:59:08,040 --> 00:59:08,440
Speaker 4: I do not.

1408
00:59:10,560 --> 00:59:14,320
Speaker 7: I think Sissa's enjoying her stadium tour, like don't. I

1409
00:59:14,360 --> 00:59:17,000
Speaker 7: don't think she's going to I think maybe a couple

1410
00:59:17,040 --> 00:59:20,200
Speaker 7: of years ago, but I don't think. I think that

1411
00:59:20,320 --> 00:59:22,880
Speaker 7: Nicki's rants the barber are gonna kill me whatever.

1412
00:59:22,880 --> 00:59:23,520
Speaker 4: I don't give fuck.

1413
00:59:24,000 --> 00:59:29,400
Speaker 7: I think that Nicki's rants have taken her from that

1414
00:59:29,520 --> 00:59:32,600
Speaker 7: beloved everything she has and everything that she's earned. When

1415
00:59:32,640 --> 00:59:35,160
Speaker 7: it comes to her career, she's earned it, like she's

1416
00:59:35,200 --> 00:59:37,479
Speaker 7: stamped as the greatest fear my rapper of all time,

1417
00:59:38,680 --> 00:59:42,640
Speaker 7: but her beyond say ish level of like the way

1418
00:59:42,680 --> 00:59:45,520
Speaker 7: people looked up to her, she's taken out away with

1419
00:59:45,600 --> 00:59:48,040
Speaker 7: the constant rants. People don't pay attention to her rants

1420
00:59:48,040 --> 00:59:50,160
Speaker 7: anymore because there's been so many of them, you know

1421
00:59:50,200 --> 00:59:52,480
Speaker 7: what I'm saying, Like if when jay Z went on

1422
00:59:52,520 --> 00:59:55,040
Speaker 7: his one long rant on Twitter, it was the biggest

1423
00:59:55,040 --> 00:59:57,200
Speaker 7: thing on Twitter, you know what I'm saying, because he

1424
00:59:57,280 --> 00:59:58,280
Speaker 7: never does that.

1425
00:59:58,320 --> 01:00:01,640
Speaker 3: This as everybody up, well, yeah, but.

1426
01:00:01,520 --> 01:00:05,040
Speaker 7: This is so regular now it's become so regular that

1427
01:00:05,080 --> 01:00:06,320
Speaker 7: people just kind of brush it off.

1428
01:00:06,360 --> 01:00:08,560
Speaker 4: Now it's not an important thing. This just like Nicki

1429
01:00:08,640 --> 01:00:08,960
Speaker 4: rinting it.

1430
01:00:09,120 --> 01:00:11,320
Speaker 2: This feels like an extra crashout, even for Nicki. We're

1431
01:00:11,320 --> 01:00:13,960
Speaker 2: going on four days right now of the same shit

1432
01:00:14,080 --> 01:00:16,920
Speaker 2: over and over too. It's like it's new information.

1433
01:00:17,000 --> 01:00:19,200
Speaker 5: The energy behind these tweets that I'm reading from Niki.

1434
01:00:19,320 --> 01:00:21,800
Speaker 5: It definitely feels like she's been a lot of This

1435
01:00:21,920 --> 01:00:24,560
Speaker 5: is shit that's been building up, and shit that she's

1436
01:00:24,600 --> 01:00:26,840
Speaker 5: been holding in for some time, and she just finally

1437
01:00:26,880 --> 01:00:30,040
Speaker 5: found the moment to just like really go off. But

1438
01:00:30,080 --> 01:00:36,560
Speaker 5: it's definitely a different energy behind this. Seems more like

1439
01:00:36,640 --> 01:00:39,640
Speaker 5: I've been waiting for this, for this moment because like

1440
01:00:39,720 --> 01:00:42,520
Speaker 5: you know, yeah, like you know, I don't rock with you.

1441
01:00:42,600 --> 01:00:45,280
Speaker 5: I think you phony. You've been mad phony for years.

1442
01:00:45,400 --> 01:00:48,280
Speaker 5: Like it feels like that, like like I tried to

1443
01:00:48,280 --> 01:00:50,600
Speaker 5: have respect for you because you know whatever, But like

1444
01:00:51,520 --> 01:00:53,560
Speaker 5: I don't like the funny moves you've been making throughout

1445
01:00:53,560 --> 01:00:55,240
Speaker 5: the years, Like you always move funny and I don't

1446
01:00:55,280 --> 01:00:55,520
Speaker 5: like it.

1447
01:00:55,560 --> 01:00:58,800
Speaker 2: I think, according to Scissor, the funny moves where Nikki

1448
01:00:58,920 --> 01:01:03,520
Speaker 2: requested two feet and she didn't do them, m is

1449
01:01:03,560 --> 01:01:04,360
Speaker 2: that funny moves?

1450
01:01:04,880 --> 01:01:05,280
Speaker 10: Some people.

1451
01:01:05,400 --> 01:01:07,240
Speaker 5: Yeah, if you don't do I mean, listen, if Nicki

1452
01:01:07,280 --> 01:01:09,160
Speaker 5: Minaj hits you for and I don't know if this

1453
01:01:09,360 --> 01:01:09,960
Speaker 5: is factual.

1454
01:01:10,040 --> 01:01:11,360
Speaker 3: Now we're just going off for what we're seeing.

1455
01:01:11,560 --> 01:01:15,720
Speaker 2: No, no, it's factual because sisup posted it and Nicki

1456
01:01:15,760 --> 01:01:18,840
Speaker 2: did co sign that that happened down to her saying

1457
01:01:18,920 --> 01:01:20,880
Speaker 2: NICKI your question mark who nick or But of course

1458
01:01:20,880 --> 01:01:21,160
Speaker 2: it was.

1459
01:01:21,200 --> 01:01:22,920
Speaker 3: It was that. So yeah, so that's valid.

1460
01:01:23,600 --> 01:01:23,840
Speaker 6: Yeah.

1461
01:01:24,040 --> 01:01:26,960
Speaker 2: I think artists crashing out like this to me is

1462
01:01:27,000 --> 01:01:30,200
Speaker 2: not realent because somebody was to give you.

1463
01:01:30,200 --> 01:01:32,400
Speaker 5: No, no, no, no, I'm not saying that's all. I'm not

1464
01:01:32,440 --> 01:01:34,680
Speaker 5: saying that's the sole reason I'm saying.

1465
01:01:34,720 --> 01:01:35,520
Speaker 6: I think that.

1466
01:01:37,080 --> 01:01:39,160
Speaker 5: Do your features not coming back and not responding to

1467
01:01:39,160 --> 01:01:40,440
Speaker 5: the features or doing it whatever.

1468
01:01:41,440 --> 01:01:43,320
Speaker 3: I think that that may add to.

1469
01:01:43,200 --> 01:01:46,959
Speaker 5: It, like like you're gonna keep like you ain't gonna

1470
01:01:47,080 --> 01:01:49,760
Speaker 5: do a feature with me, like like I'm some struggling

1471
01:01:49,840 --> 01:01:52,280
Speaker 5: up and coming artist or something like that. Like like

1472
01:01:52,360 --> 01:01:56,720
Speaker 5: who who doesn't do a Nicki Minaj feature? Now that's

1473
01:01:56,760 --> 01:01:58,880
Speaker 5: not something you see like often you don't you know,

1474
01:01:58,960 --> 01:02:01,000
Speaker 5: you don't hear that If Nicki Minaj reach out to

1475
01:02:01,040 --> 01:02:03,360
Speaker 5: somebody for a feature, nine times out of ten that

1476
01:02:03,400 --> 01:02:08,480
Speaker 5: features coming back, especially when you're not. At the time,

1477
01:02:08,760 --> 01:02:10,840
Speaker 5: I don't think Scissor was as big as she is now,

1478
01:02:11,240 --> 01:02:13,000
Speaker 5: So at that time, I'm sure Nicki probably was like

1479
01:02:13,600 --> 01:02:16,280
Speaker 5: I just think you dope, like you not to the

1480
01:02:16,360 --> 01:02:18,360
Speaker 5: level where you could just like not respond or just

1481
01:02:18,360 --> 01:02:19,840
Speaker 5: not send a record back, like or if you don't

1482
01:02:19,840 --> 01:02:22,520
Speaker 5: want to do it, just say that, but to not

1483
01:02:23,200 --> 01:02:26,040
Speaker 5: have no like back and forth, you know, on why

1484
01:02:26,080 --> 01:02:27,040
Speaker 5: the record, why you don't.

1485
01:02:26,840 --> 01:02:27,320
Speaker 3: Want to do it.

1486
01:02:27,520 --> 01:02:30,280
Speaker 5: I could see Nikki feeling away, like like, yo, who

1487
01:02:30,360 --> 01:02:33,880
Speaker 5: is it? Like word shorty just curved my my feature

1488
01:02:34,000 --> 01:02:35,160
Speaker 5: on request.

1489
01:02:34,800 --> 01:02:37,200
Speaker 2: Like that's crazy, which I didn't even see the bars

1490
01:02:37,240 --> 01:02:39,160
Speaker 2: put this one together because I want to be fair

1491
01:02:39,200 --> 01:02:42,640
Speaker 2: and objective. Here I see your point. And she did

1492
01:02:42,640 --> 01:02:45,280
Speaker 2: a Cardi feature. She's on Cardi's first album.

1493
01:02:45,480 --> 01:02:46,280
Speaker 3: So here we go.

1494
01:02:46,360 --> 01:02:49,080
Speaker 2: So now we're getting in the train of Nikki. Even

1495
01:02:49,120 --> 01:02:51,240
Speaker 2: if I don't agree, I'm like, Okay, maybe she's looking

1496
01:02:51,240 --> 01:02:52,800
Speaker 2: at it like I've tried.

1497
01:02:52,560 --> 01:02:53,880
Speaker 3: To do features with you.

1498
01:02:53,880 --> 01:02:56,960
Speaker 2: You didn't, but then you did a whole fucking duet

1499
01:02:57,000 --> 01:02:59,440
Speaker 2: with Cardi B who is my enemy, and felt like

1500
01:02:59,440 --> 01:03:02,800
Speaker 2: the entire industry was well too against. But I still

1501
01:03:02,800 --> 01:03:05,000
Speaker 2: think this is corny and weird too. You can also

1502
01:03:05,080 --> 01:03:06,000
Speaker 2: think two things are true.

1503
01:03:06,160 --> 01:03:09,560
Speaker 7: I think this is a Cardi feature came before Nicki

1504
01:03:09,640 --> 01:03:11,880
Speaker 7: requested this is a I think the Nicky saiss A

1505
01:03:11,920 --> 01:03:15,120
Speaker 7: feature was for Nicki's latest album, Pink Friends two, which

1506
01:03:15,200 --> 01:03:17,600
Speaker 7: was like what last year, a year and a half ago,

1507
01:03:17,640 --> 01:03:19,280
Speaker 7: where the Carti won was like six years.

1508
01:03:19,160 --> 01:03:23,440
Speaker 2: Ago, yeah, for sure. But also when Nicki was saying

1509
01:03:24,680 --> 01:03:26,800
Speaker 2: that she doesn't even know Siss's music and this was like,

1510
01:03:26,840 --> 01:03:29,760
Speaker 2: all right, well you use my bars on fieling myself

1511
01:03:29,800 --> 01:03:32,680
Speaker 2: with Beyonce, and so to me, I feel like there

1512
01:03:32,720 --> 01:03:37,760
Speaker 2: has been talks six seven years ago of Nicki and

1513
01:03:37,800 --> 01:03:38,720
Speaker 2: Scissor working together.

1514
01:03:39,400 --> 01:03:39,520
Speaker 1: Hm.

1515
01:03:39,960 --> 01:03:41,680
Speaker 2: I don't think it was just for the last album,

1516
01:03:41,720 --> 01:03:43,680
Speaker 2: because they did say it was two different times. M

1517
01:03:44,480 --> 01:03:47,600
Speaker 2: So yes, I think there was a time early that

1518
01:03:47,720 --> 01:03:50,160
Speaker 2: Nicky was maybe not even just a feature, just to

1519
01:03:50,200 --> 01:03:53,760
Speaker 2: work together, which is fine, Like shit, Rihanna was seeking

1520
01:03:53,760 --> 01:03:54,920
Speaker 2: out siss A.

1521
01:03:54,680 --> 01:03:56,640
Speaker 3: As a writer to work together. Sis is a great writer.

1522
01:03:57,600 --> 01:04:01,120
Speaker 2: I can see around that time, when Invasion of Privacy

1523
01:04:01,240 --> 01:04:04,360
Speaker 2: was happening that Nikki would have been.

1524
01:04:04,240 --> 01:04:07,000
Speaker 3: Like, oh that girl's dope, she's a great writers, let's

1525
01:04:07,000 --> 01:04:10,800
Speaker 3: work together. I can see that that happening not just

1526
01:04:10,840 --> 01:04:13,560
Speaker 3: with the last album. But I don't know, I just

1527
01:04:15,040 --> 01:04:17,800
Speaker 3: mayge it was some music. Fuck it, don't tweet