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Speaker 1: Sunday hang is brought to you by Chalk Natural Supplements

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Speaker 1: for guys, gals, and nothing in between. Fuel your day

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Speaker 1: at Chalk dot com, bold reverence, and occasionally random. The

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Speaker 1: Sunday Hang with Playin' Fuck podcast starts now. Bunk has

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Speaker 1: gotten fired up about this because he can't believe that

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Speaker 1: it's real. Some of you may have seen this. I

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Speaker 1: believe it was Monday night. The Atlanta Braves are playing

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Speaker 1: the Toronto Blue Jays, and the Braves broadcast has a

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Speaker 1: basically sideline reporter who is a young, you know, good

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Speaker 1: looking guy who is working the sideline and he is

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Speaker 1: interviewing two different girls, cute blonde girls in the crowd

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Speaker 1: who appear to be Braves fans. I believe here is

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Speaker 1: what it sounded like. This is cut twenty four. The

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Speaker 1: video is out. We'll post it at clayanbuck dot com.

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Speaker 1: If you have not seen this, this has gone megaviral.

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Speaker 1: But here's what it sounded like if you were watching

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Speaker 1: this baseball game Monday night.

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Speaker 2: We having a lot of fun up here. Off the

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Speaker 2: coroner rooftop, Who do we got you?

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Speaker 3: What's your name?

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Speaker 2: My name is Lauren Laurence, all right, and I'm Kayla, Kayla,

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Speaker 2: and you guys hang out the rooftop lounge.

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Speaker 3: Often once a year I come out to visit. Okay,

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Speaker 3: well we timed it pretty well.

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Speaker 1: All right.

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Speaker 3: Good. How are you guys feeling my roof for the

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Speaker 3: Braves today? I don't know. I'm hoping for the bus.

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Speaker 3: What about you? Are you Braves fan?

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Speaker 2: Now?

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Speaker 3: Not?

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Speaker 1: Quiet?

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Speaker 3: Quiet? All right, I'm gonna I'm gonna go to work

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Speaker 3: up here, guys, good luck the rest of the way.

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Speaker 2: Okay, Wiley, we got five innings, four innings to get

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Speaker 2: the numbers. Come on, come on, get us some more

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Speaker 2: Braves fans.

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Speaker 3: All right, So they want me to get your number.

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Speaker 3: They want you to go.

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Speaker 2: I'm dead serious, they're saying to my right now. Shouldn't

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Speaker 2: believe me because she thinks you guys are are not

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Speaker 2: making this up. Even if you guys weren't, I might

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Speaker 2: use that in the future. That's a pretty good move.

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Speaker 1: Okay. So it continues. You can hear the girl in

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Speaker 1: the background saying they want you to get my number,

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Speaker 1: and he ends up getting one of these girls numbers.

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Speaker 1: It goes viral and Buck, you have seen the reaction

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Speaker 1: and you've been texting me. I sent it to you

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Speaker 1: because I was like, I think you'll enjoy this. Many

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Speaker 1: members of the sports media have lost their mind. They

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Speaker 1: are saying this is misogynistic. They are saying this is

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Speaker 1: completely unprofessional. You've seen the reactions. Can you believe the

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Speaker 1: reactions to that lighthearted clip that we just played for you.

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Speaker 1: Claig knows he can do this because he tells me,

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Speaker 1: but I don't. As you all know, I don't pay

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Speaker 1: any attention to the sports media commentary world really, so

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Speaker 1: I just this is like it says, no Clays telling

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Speaker 1: me about the latest Broadway theater critics or something. I

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Speaker 1: just don't follow them, so I don't know. And he goes, oh, no,

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Speaker 1: you don't understand how woke they are. And he sends

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Speaker 1: me this stuff and it's like throwing steak in the

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Speaker 1: lion den. I completely freak out because all I can

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Speaker 1: think about is the sports media does this, Of all

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Speaker 1: the media to do this, the people that are talking

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Speaker 1: about guys you know, swinging bats and throwing balls and

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Speaker 1: doing all this stuff and making all this money, and

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Speaker 1: you know, some of them have cheerleaders on the sidelines

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Speaker 1: or you know, dancers at halftime. They're free. It's in

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Speaker 1: my mind, even though he tells me my mind continues

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Speaker 1: to be blown because it's I don't even know as possible, Clay,

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Speaker 1: what a kill joy? I mean, who could? If you

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Speaker 1: can't let you, I will read you a couple people

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Speaker 1: because some of you don't know. This is a woman

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Speaker 1: named Danny Sirek. She is on the sideline, someway or

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Speaker 1: doing something. So are we still going to ask women

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Speaker 1: in sports if they're only doing their job to date athletes?

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Speaker 1: We can all agree how inappropriate and nasty. This is

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Speaker 1: not to mention the double standard. Right, these are not athletes,

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Speaker 1: These are girls in the stands. Right, But this is

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Speaker 1: a sportsman. Here's a man. This is a man who

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Speaker 1: writes ostensibly mean to put a man? Do we have

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Speaker 1: to put man in quotes? Well, this is a guy.

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Speaker 1: Can we send him some chalk? Because the tea levels,

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Speaker 1: I'm telling you, sub medical grade. You're gonna hear this

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Speaker 1: near ostensibly this is a man. Ralph Vacciano tweets you

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Speaker 1: just heard this clip an unprofessional disgrace from the reporter,

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Speaker 1: to the guys in the booth, to the producer in

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Speaker 1: the truck who could have stopped it at any point.

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Speaker 1: It's not fun it's not cool, it's not harmless, and

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Speaker 1: it's only a standard for harassment. This is a guy

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Speaker 1: who covers sports like I feel my estrogen level rising

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Speaker 1: just from listening to this. There were a bunch of

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Speaker 1: these guys in these girls who lose their mind. I

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Speaker 1: have been arguing that. Frankly, I found that a company

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Speaker 1: based on it. The disconnect between the average sports fan

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Speaker 1: and the average sports media member is more substantial than

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Speaker 1: the disconnect between media and any other group that consumes

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Speaker 1: their content anywhere. And let me hit you at this buck,

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Speaker 1: and this is my overall thesis. If you cover a

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Speaker 1: game for a living, that is your job is to

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Speaker 1: watch people play something, with very very few exceptions. Because

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Speaker 1: there are some people who are like, hey, I'm a

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Speaker 1: sports reporter, but I also cover trials so there could

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Speaker 1: be criminal cases, or I'm a sports business reporter and

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Speaker 1: I'm focused on the valuation of franchise things like that.

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Speaker 1: But if you cover the game itself, your job is

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Speaker 1: to make someone like something that they already like like

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Speaker 1: it more. And if you don't do that, you're doing

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Speaker 1: something wrong because your job is to talk about a sport.

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Speaker 1: Here's what I think is really happening. I think these

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Speaker 1: people everyone who criticized this Braves reporter, I think voted

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Speaker 1: for Kamala Harris overwhelmingly they hate fun. I also think

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Speaker 1: so many people in sports media are insecure because they're

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Speaker 1: grown ups who cover a game, and instead of embracing

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Speaker 1: the fun, they feel like they have to convince people

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Speaker 1: that they're capable sitting at the big, big kids table,

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Speaker 1: and so they wildly over analyze the significance of relatively fun,

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Speaker 1: not very significant moments. Clay, if a single guy can't

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Speaker 1: take his shot and ask a pretty lady for her

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Speaker 1: phone number, I don't even know what country we live

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Speaker 1: in anymore. It's definitely not America. This is the entire

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Speaker 1: basis for how every human gets together, right, Every baby

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Speaker 1: on some level required most of the time. Sometimes girls

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Speaker 1: get numbers. Most of the time it's guys requires a

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Speaker 1: guy to ask a girl for her phone number. Right,

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Speaker 1: This is the foundation of all of our existences. The

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Speaker 1: funniest thing is you can always tell when people ask

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Speaker 1: rhetorical questions and the rhetorical question is obviously wrong and stupid,

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Speaker 1: meaning they think that it's like, oh, what would have

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Speaker 1: happened if a woman had asked a guy. If the

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Speaker 1: roles were the guy would be doing backflips. What are

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Speaker 1: you talking about? In attractive female say if he's single,

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Speaker 1: and if you're not, you just say I'm married, or

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Speaker 1: you say I have a girlfriend. But if a single

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Speaker 1: if an attractive sideline reporter came up to Clay pre

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Speaker 1: Laura or Buck pre Carrie and was like, hey, like,

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Speaker 1: can I have your phone number? I promise you we

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Speaker 1: wouldn't have been like I feel so harassed. It would

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Speaker 1: be the greatest moment of every guy's life. Now, women

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Speaker 1: don't think about this in the same way as men,

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Speaker 1: because if you're an attractive woman, you are being pursued

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Speaker 1: by men every moment of your life, right, I mean,

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Speaker 1: this is the reality. You go to the grocery store

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Speaker 1: a good looking guy, I mean, you're a good looking girl,

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Speaker 1: A guy might hit on you, right like you're at

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Speaker 1: the gym. Wherever you are, there are men who are

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Speaker 1: pursuing you. This is how biology works. By and large,

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Speaker 1: you might not like the guys that are pursuing you,

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Speaker 1: but the idea Buck to your point. If a pretty

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Speaker 1: girl in the stands has a microphone and she's interviewing

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Speaker 1: a guy and somebody remarks, hey, chemistry looks pretty good here.

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Speaker 1: You should ask him for his phone number, and he

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Speaker 1: got the phone number. Every guy in America would be like,

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Speaker 1: this is the coolest thing this ever happened. They're not

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Speaker 1: gonna rip the girl. This is a hero moment. Are

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Speaker 1: you kidding me? Everybody would say it was really cool

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Speaker 1: of the girl to take the to make the move,

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Speaker 1: and you know, the guy is the luckiest guy we've seen.

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Speaker 1: How you sort of get into this? How are people

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Speaker 1: supposed to meet people?

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Speaker 3: Right? What is now?

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Speaker 1: That? Is it all just? It's only algorithms online where

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Speaker 1: you're you're you know, you're at arms distance and you

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Speaker 1: don't actually have to deal with the possibility of like

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Speaker 1: rejecting somebody or actually talking to them. I mean what

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Speaker 1: I Clay, when you sent me that, I swear I

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Speaker 1: kept reading through it and it was just like, my my,

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Speaker 1: Fortunately I have a lot of hair, but I was

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Speaker 1: pulling the hair out of my head. I could not

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Speaker 1: Understick is the only sports media site in the entire

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Speaker 1: country that will say, there's nothing wrong with this. This

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Speaker 1: is good, lighthearted fat I mean to me, this is

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Speaker 1: almost like you know, at the end of a local

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Speaker 1: news cast. They'll do like, oh, like a local mallard

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Speaker 1: in the park, you know, lost one of her something

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Speaker 1: happy to try to send people off to their day. Yes,

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Speaker 1: this is like a happy end of newscast kind of story.

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Speaker 1: It's like, oh, and she found her baby duckling, yay,

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Speaker 1: you know see tomorrow everybody. Uh, this is like a nice,

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Speaker 1: happy story. It's cute. Look, maybe she gave him a

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Speaker 1: fake number. Look, maybe it doesn't go to It doesn't matter.

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Speaker 1: It's a nice little exchange. Obviously, people think this this

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Speaker 1: woman that he's asking, you know, is an attractive young woman,

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Speaker 1: and it's all I just this is like it's like

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Speaker 1: Shakespearean comedy. It's like, this is the sort of thing

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Speaker 1: that in Western civilization we'd all sit around and smile

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Speaker 1: about it and be like, oh, isn't that fun and killjoy.

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Speaker 1: Sports reporters think that it undermines the seriousness of women

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Speaker 1: in the industry or something like are they just because

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Speaker 1: nobody watched the WNBA draft Clay, Like, what, what is

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Speaker 1: the problem here. They're also making a ridiculous argument that

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Speaker 1: this somehow equates to them dating a player or an athlete.

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Speaker 1: This is not the same thing at all. Thing to

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Speaker 1: do with that, not even those remotely close. And also

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Speaker 1: it's just a desperate desire to make yourself a victim

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Speaker 1: something nice happens on television. You know what, I already

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Speaker 1: tweeted this, but this is not going to surprise you.

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Speaker 1: I would if I own the Braves, I would totally

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Speaker 1: steer into this controversy. I would have them go on

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Speaker 1: a date at a game. I would have a reporter

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Speaker 1: assigned to cover the date during the course of the

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Speaker 1: during the course of the broadcast. You know this because

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Speaker 1: you've done this show long enough for me. My response

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Speaker 1: anytime somebody criticizes anything that I do is to do

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Speaker 1: it even more aggressively. Like some people are like, oh,

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Speaker 1: you know what, I'll take a step back. I'm like,

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Speaker 1: We're going to go faster, even faster into the controversy.

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Speaker 1: And I would totally lean into this because I think

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Speaker 1: what it does, and this was the basic foundation of

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Speaker 1: OutKick is I think that much of social media as BS.

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Speaker 1: I think that a lot of what people say there

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Speaker 1: is not representative of the real world. And if you

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Speaker 1: allow yourself to be governed by what people say on

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Speaker 1: social media, you end up making Marana decisions for your company,

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Speaker 1: for your brand, for your personal life. Because in the

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Speaker 1: analogy I've made for a long time, and I think

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Speaker 1: I'm being proven more right every single day, is it

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Speaker 1: would be like buck back in the day, Remember those

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Speaker 1: funny mirrors when you would go to a carnival and

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Speaker 1: some of them make you look super fat and some

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Speaker 1: of them make you look super skinny. If you tried

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Speaker 1: to adjust your diet based on a funhouse mirror, imagine

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Speaker 1: how broken your overall life would be. I think that's

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Speaker 1: the story of media. I think media used social media

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Speaker 1: as a representative, honest reflection of the real world and

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Speaker 1: tried to adjust their coverage as of a result, and

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Speaker 1: I think they lit themselves on fire. I think Trump

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Speaker 1: saw it. Certainly, we saw it in Sports without Kick

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Speaker 1: and Sanity's returning. But every time we have one of

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Speaker 1: these blow ups, I look at the comments like you did,

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Speaker 1: and I just I feel like I'm living in a

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Speaker 1: different world than the reality of the day to day

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Speaker 1: existence that I see it. Still, it's one of those

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Speaker 1: things where I didn't think we would really talk about

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Speaker 1: that because it would only be you know, there's some

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Speaker 1: people who you know they'll get mad at you if

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Speaker 1: you're like, hey, you know what can relax? You take

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Speaker 1: a deep breath. They're like, oh, I'm sorry, mister big

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Speaker 1: deep breath.

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Speaker 2: Oh.

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Speaker 1: People got mad at you and you were like, hey,

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Speaker 1: you know what, you should do more of walk And

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Speaker 1: people are like, oh, you're so such an elitist. Look

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Speaker 1: at you able toancy radio host with your walking daily

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Speaker 1: mm you know, I swear I'm not kidding. There are

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Speaker 1: a bunch of people that were attacking me, like, sorry,

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Speaker 1: some of us have jobs that don't I'm like, don't

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Speaker 1: allow you to find any time in the day to

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Speaker 1: go for a walk anywhere? Okay, I mean I'm sorry

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Speaker 1: you work in like the Fox con iPhone factory. This

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Speaker 1: is like me and I've said this to my boys

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Speaker 1: a lot, like, hey, you can do push ups anywhere.

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Speaker 1: I understand everybody doesn't have a fat, fancy gym membership,

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Speaker 1: but you can do push ups and sit ups pretty

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Speaker 1: much anywhere. I mean, people in jail sales get ripped

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Speaker 1: because they just sit around and do push ups and

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Speaker 1: sit ups all day. You can walk anywhere pretty much,

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Speaker 1: unless you either people that want to be bitter about

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Speaker 1: everything was my point, and you'll find that on the internet.

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Speaker 1: They just want to be bitter, but people that make

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Speaker 1: a living commenting on sports, instead of seeing this as

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Speaker 1: a viral clip and something that can bring everyone together

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Speaker 1: a lot of a lot. Clay's point is, it's not

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Speaker 1: that a cup A lot of them were attacking this

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Speaker 1: twenty thirty people with substantial audiences like this is unacceptable?

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Speaker 1: How dare this be allowed to occur? Real people are

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Speaker 1: so nuts? Are totally nuts? It is? It is crazy. Anyway,

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Speaker 1: if you're a single guy, go ask a pretty girl

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Speaker 1: for her phone number, and hopefully you'll have kids one

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Speaker 1: day and that will be the foundation of your health.

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Speaker 1: Or if we're if you're a nice young woman and

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Speaker 1: you find a guy who's single and you think he's cute,

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Speaker 1: ask him. I promise you if he's not going to

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Speaker 1: be offended, he's not going to be offended. You're not

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Speaker 1: going to be offended. I promise you could be like,

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Speaker 1: oh dare you?

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Speaker 3: How dare you? Madam?

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Speaker 1: One of the most intimidating things that any man ever

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Speaker 1: has to do is ask a pretty girl for her

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Speaker 1: phone number, her contact information, because it sets you up

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Speaker 1: for rejection. As everybody who's ever been to prom everybody

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Speaker 1: who's ever been to a dance men have to ask overwhelmingly. Yeah,

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Speaker 1: if you're a pretty girl and you like a guy,

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Speaker 1: go for it. But I got my battleship. I got

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Speaker 1: my battle ship sunk plenty of times before I got married.

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Speaker 1: And you know what, Built's character Sunday Sizzle with Clay

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Speaker 1: and Buck whole line from the movie Roadhouse be nice

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Speaker 1: until it's time not to be nice. I think that

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Speaker 1: first of all, great great reference. Roadhouse one of the

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Speaker 1: most watchable absurd movies ever made. Uh being remade it,

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Speaker 1: and now they're making the Roadhouse too. Write you watched

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Speaker 1: I never saw the remake. No, I bet I don't

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Speaker 1: even have to. It had like the little Irish m

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Speaker 1: m A guy in it. What's his name? Not the

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Speaker 1: new one Patty? Yeah, Connor McGregor, No, no, no, I

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Speaker 1: don't know. If I want to be on record with

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Speaker 1: Buck is saying that Connor McGregor is a little Irish guy.

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Speaker 1: I'm that's fair. I'm not saying he can't again, he's

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Speaker 1: an actor. I'm gonna be having to get us somewhere

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Speaker 1: and there's gonna be a tap on my shoulder and

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Speaker 1: that little Irish guy is gonna be there kicking my

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Speaker 1: ass and I'm gonna be like, no, it was back

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Speaker 1: who said it. I didn't have anything to do with it.

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Speaker 1: Jay gillinall Is is playing the lead role. Right, Yeah,

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Speaker 1: it's said in the it is a It is a

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Speaker 1: Patrick Swayze classic. For those of you who have not

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Speaker 1: seen it, it is absolutely absurd. Like the whole movie.

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Speaker 1: He lives across the lake from the main bad guy.

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Speaker 1: He's like, somehow knows karate. He went to NYU, Like

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Speaker 1: none of it adds. The movie makes absolutely he he goes,

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Speaker 1: he gets stabbed in a knife fight, and the nurse

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Speaker 1: who's tending to him is like a sports illustrated swimsuit

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Speaker 1: model who lives in this gorgeous who lives in this

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Speaker 1: small town and then wants to go roll around with

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Speaker 1: this guy and like the actual barn that he lives in.

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Speaker 1: I'm just look, not all heroes wear capes. Was pretty

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Speaker 1: amazing that he was able to pull this off in

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Speaker 1: the movie. But yes, it is very very a Sam

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Speaker 1: Elliott by the way, some great Sam Elliott stuff. What

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Speaker 1: does he keep does he call him kimosabe or what's

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Speaker 1: his uh me me miho? He calls a miho in

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Speaker 1: the movie Is there a bet? This is a fun debate.

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Speaker 1: Is there a better nineteen eighties era range of actor

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Speaker 1: range than Patrick Swayze for wildly successful movies that had

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Speaker 1: nothing in common? Because if you think about just off

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Speaker 1: the top of my head, Ghost, Dirty Dancing, and Roadhouse,

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Speaker 1: like the difference between Roadhouse and Ghost is or Roadhouse,

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Speaker 1: and I guess point Break is nineties. But point Break

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Speaker 1: would be another great one to add. And then some

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Speaker 1: of you are going to remember this, and this is

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Speaker 1: the history nerd in me. He also played a Civil

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Speaker 1: War soldier or this is I don't know how many

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Speaker 1: of you ever gonna remember this Civil War? Civil War

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Speaker 1: Camp Clay. Yeah, this we just sat around to watch

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Speaker 1: this movie. And he played a Confederate general or E.

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Speaker 1: Maine from South Carolina. The range of Patrick swayzey excellence

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Speaker 1: to your if you was Point Break nineteen ninety, it

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Speaker 1: might have been just the very right around. But I mean,

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Speaker 1: if you think about Ghost, if you think of Dirty Dancing, Roadhouse,

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Speaker 1: North and South, and Love and War, which was like

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Speaker 1: this television mini series epic based on the John Jakes

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Speaker 1: novels of the Civil War, and man, I may well

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Speaker 1: have super nerded myself out there. I don't know how

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Speaker 1: many of you read these in the eighties, but I did,

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Speaker 1: and the because of the mini series was so popular,

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Speaker 1: Patrick swayzey might have had the best acting career of

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Speaker 1: anyone range super successful movies in the nineteen eighties. I mean,

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Speaker 1: like Arnold Schwarzenegger basically played Arnold Schwarzenegger, right, Sylvester Stallone

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Speaker 1: basically played Sylvester Stallone. I know there's some exceptions, like

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Speaker 1: Arnold Schwarzenegger was in Twins with Danny DeVito, where he

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Speaker 1: was funny kindergarten cop. It's not a Tuma, it's one

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Speaker 1: of his. There are a few ex but oh, Michael Barry,

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Speaker 1: our buddy down in Houston, just texted me read I mean,

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Speaker 1: remember how good he was and Red Dawnery in the

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Speaker 1: nineteen eighties. And as part of I mean, I just

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Speaker 1: want to say, well played, mister Barry, well played. He's

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Speaker 1: got a great show in Houston for those of you

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Speaker 1: that are listening to us right now. But I mean,

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Speaker 1: think about it. Is he This is this maybe the

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Speaker 1: most aggressive, crazy argument I've made. Is Patrick Swayze the

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Speaker 1: most underrated nineteen eighties movie actor of all time. I

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Speaker 1: don't know if he could. I don't think he's underrated enough.

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Speaker 1: I don't think he's underrated. I think that well, he

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Speaker 1: passed away with cancer sadly some years ago, but I

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Speaker 1: just think that he didn't he didn't stay as big

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Speaker 1: for like long. But I think that he was. I

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Speaker 1: think in the eighties he was a true leading man

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Speaker 1: and was getting his dude, look at the movie. Was

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Speaker 1: he the best nineteen eighties actor? If you consid now

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Speaker 1: you're getting now, you're getting created, now you're calling range

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Speaker 1: on range, I think there's a sway there's an under disrespected,

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Speaker 1: under the radar argument for Patrick Swayze's excellent is a

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Speaker 1: generation you you gen X people like Paccino and DeNiro

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Speaker 1: way too much. So that's always, uh, that always comes

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Speaker 1: up in this. I've never been Robert de Niro plays

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Speaker 1: the same character in everything the same thing, and everything

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Speaker 1: the same you know, Italian Mafia, like, yes, the whole

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Speaker 1: the whole thing. I've never I think that I would

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Speaker 1: put them in the really overrated category actually of actors. Yeah,

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Speaker 1: that's that's a hot take for you. Some of the

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Speaker 1: people in the Northeast, we got a lot of New Jersey,

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Speaker 1: New York listeners, they're not gonna like that one. But

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Speaker 1: I'm just telling you, Okay, yeah, Goodfellas is very watchable,

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Speaker 1: but like, let's calm down, it's not as great as

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Speaker 1: everybody protects. Michael Berry still firing, by the way, the

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Speaker 1: Outsiders all nineteen eighties. I'm I'm gonna maybe have to

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Speaker 1: die on this hill. But I think Harris Harrison Ford

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Speaker 1: was big, was huge in the eighties. Indiana Jones, right,

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Speaker 1: so you'd you're you're saying best acting range range, like

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Speaker 1: he's Indiana. Basically Harrison Ford is Indiana Jones or Han

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Speaker 1: Solo in those movies across the board, right the range

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Speaker 1: of Dirty Dancing to Roadhouse to Red Dawn. Is there

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Speaker 1: better nineteen eighties performance than Patrick Swayzee. I'm not sure.

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Speaker 1: I'm not sure we can beat him, and I actually don't.

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Speaker 1: I don't. I would, I would love to disagree with you,

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Speaker 1: but I actually can't come up with anything on the

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Speaker 1: fly here to refute your argument, which makes me think

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Speaker 1: that it's not as crazy as my initial I mean, like,

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Speaker 1: Michael Jay Fox was great, and I'm going to talk

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Speaker 1: about testosterone here in a minute, but Michael J. Fox

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00:20:29,640 --> 00:20:34,520
Speaker 1: also wasn't taking over, you know, like a country right

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Speaker 1: in a in a in a or a bar or

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Speaker 1: what it wasn't like an action hero. And you know

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Speaker 1: Patrick Swayze in the eighties, you know what, I bet

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00:20:41,520 --> 00:20:45,520
Speaker 1: he had, Buck, unbelievable levels of testosterone. I bet his

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00:20:45,600 --> 00:20:48,720
Speaker 1: testosterone levels were through the roof. You can't make pottery

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Speaker 1: like that in Ghost and then also simultaneously simultaneously beat

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Speaker 1: everybody's ass in Roadhouse without incredible levels of testosterone. He's

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Speaker 1: a lover and he was a fighter.

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Speaker 3: Buck.

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Speaker 1: This is not gonna surprise you, but we are deluged.

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Speaker 1: Michael Barry says, I didn't know this. He's evidently a

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Speaker 1: fount of Patrick Swayzee knowledge, our Houston lead in phenomenal

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00:21:12,760 --> 00:21:17,440
Speaker 1: talent down there. Patrick Swayzee legend in Houston. Mom ran

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Speaker 1: a famous dance studio for decades. He came up through

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00:21:20,440 --> 00:21:25,600
Speaker 1: the dance studio family known by everybody. Michael Barry unexpected

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Speaker 1: savant when it comes to Patrick Swayzee knowledge and a

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Speaker 1: lot of you firing away. But Buck, you have you

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Speaker 1: have someone that you think is a more successful range

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Speaker 1: actor from the nineteen eighties that you thought about during

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Speaker 1: break And I don't even know the answer here, Yet,

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Speaker 1: I think we have to bring Tom Hanks into the

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Speaker 1: conversation here. I think we have to bring Tom Hanks in.

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Speaker 1: You're talking Splash, Big, Turner and Hooch, Dragnet. You know,

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Speaker 1: you get a hole and then he gets into like

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Speaker 1: Philadelphia Forrest Guman. That's early, that's the nineties. I knew.

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Speaker 1: I would argue you probably made a good case for

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Speaker 1: Tom Hanks in the nineties to be the actor with

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Speaker 1: no But all those movies I named were eighties, So

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00:22:11,240 --> 00:22:15,879
Speaker 1: that's Turner and Hooch, Dragnet, Splash. He was a little

430
00:22:15,880 --> 00:22:18,600
Speaker 1: more of a kind of romantic lead comedy guy in

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00:22:18,640 --> 00:22:22,080
Speaker 1: the eighties and then very much transitioned into like leading

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00:22:22,119 --> 00:22:25,919
Speaker 1: man serious roles. To be fair, the transition really occurs

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00:22:26,000 --> 00:22:29,320
Speaker 1: right around nineteen nineties, so your premise still holds, which

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00:22:29,359 --> 00:22:31,840
Speaker 1: I'm bitter having to say that, But yes, was big

435
00:22:31,960 --> 00:22:35,640
Speaker 1: nineteen eighties. Yes, Tom Hanks Big. That was By the way,

436
00:22:36,040 --> 00:22:39,640
Speaker 1: you want to talk about a movie that is super creepy,

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00:22:40,320 --> 00:22:44,400
Speaker 1: super creepy in retrospect, ten year old boy sleeping with

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00:22:44,600 --> 00:22:48,199
Speaker 1: you know, like, I'm not sure that movie holds up

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00:22:48,240 --> 00:22:50,600
Speaker 1: really well as you get to be an adult. It's

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00:22:50,640 --> 00:22:53,760
Speaker 1: great when you're tid, when you watch it and you're like, oh,

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00:22:54,080 --> 00:22:56,879
Speaker 1: we got we got some VIPs real quick here Tom

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00:22:56,960 --> 00:22:59,960
Speaker 1: Cruise and my friend Garrett just texted, he's listening. He's

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00:23:00,280 --> 00:23:03,480
Speaker 1: Tom Cruise. I don't know if Tom Cruise has range.

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00:23:03,560 --> 00:23:05,720
Speaker 1: I think he's probably the biggest leading man of all time.

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00:23:05,760 --> 00:23:09,800
Speaker 1: Him and Harrison Ford probably neck and neck. Also, vip

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00:23:10,480 --> 00:23:14,800
Speaker 1: Rick writes Harrison Ford much greater range, Witness, Working Girl,

447
00:23:14,920 --> 00:23:17,480
Speaker 1: so many more. Maybe true, although I feel like Harrison

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00:23:17,520 --> 00:23:19,879
Speaker 1: Ford always just plays Harrison Ford. I don't know. I agree.

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00:23:19,960 --> 00:23:23,879
Speaker 1: I think Harrison Ford's always Harrison Ford, and again Tom Cruise,

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00:23:23,880 --> 00:23:26,520
Speaker 1: always Tom Cruise. I think my argument's right here. I

451
00:23:26,520 --> 00:23:29,680
Speaker 1: think Patrick Swayze is the actor with the greatest range

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00:23:29,680 --> 00:23:32,720
Speaker 1: of the nineteen eighties. You can argue otherwise and be

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00:23:32,760 --> 00:23:33,040
Speaker 1: wrong