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Speaker 1: Everyone deserves a chance in the driver's seat. For GM

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Speaker 1: and Revolt, that means leading the way on the road

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Speaker 1: to an all electric feature and envisioning a world to

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Speaker 1: zero crashes, zero tailpipe emissions, and zero congestion. GM's committed

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Speaker 1: to making evs accessible for everybody. That means you too.

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Speaker 1: So what are you waiting for. GM's got the keys,

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Speaker 1: You grab the wheel. Learn more about an all electric

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Speaker 1: feature and the zero zero Zero initiative at GM dot com.

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Speaker 1: GM Everybody, m yo yo yo yo yo, alcome back

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Speaker 1: this up there podcast. I am your active and attractive

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Speaker 1: hosts Big Loon for another episode of the fastest growing

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Speaker 1: podcasts on the market. Right now, man, I want to

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Speaker 1: say thank you to all my supporters, all the people

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Speaker 1: that's active, all the people that's sharing that like subscribe.

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Speaker 1: It's always saying yo Loon, tagging me. I've seen something

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Speaker 1: and see how this podcast where even jump right into something.

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Speaker 1: That's why I love this stay um, I've seen something

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Speaker 1: just the other day. Why I think I may have

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Speaker 1: got four hundred comments because I asked my people to

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Speaker 1: go look. Because you know, I'm a student of the

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Speaker 1: game and I'm a scientist, so I want to see

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Speaker 1: where we stand. But one of the blog pages posted, yo,

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Speaker 1: what's your favorite podcast? And of course for me, right,

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Speaker 1: I'm like, all right, let's see what we got here.

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Speaker 1: We got the homie Big Bank, shout out the Bank.

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Speaker 1: Everything else was up north. It was like Joe Budd

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Speaker 1: Norry shout out to all the podcast math for all them, dude,

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Speaker 1: shout out there everybody, great, great game. We um. I

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Speaker 1: just find it difficult to understand, and I'll get into

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Speaker 1: this later in the podcast, but I find it very difficult.

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Speaker 1: I want you guys to know it's not by coincidence,

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Speaker 1: but I find it very difficult to believe that the

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Speaker 1: South runs hip hop and we got one podcast on

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Speaker 1: a slide show of about twenty podcasts, and we didn't

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Speaker 1: have this up there podcast there number two. It's up

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Speaker 1: there podcast for the people in the back that's always

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Speaker 1: late to the party that say they it's about this culture,

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Speaker 1: the people in the back, that's about the culture. You

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Speaker 1: dudes that that pull up and don't speak to nobody

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Speaker 1: that's back there. It's up there podcast is running a

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Speaker 1: big part of this space that we call podcasting, and

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Speaker 1: it will be respected as such. Like I think that

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Speaker 1: somewhere along the lines. UM, not only do we misrepresent

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Speaker 1: what's happening, but we just kind of lose connection to

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Speaker 1: what the post is. We go to look at that

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Speaker 1: numbers and this and that and who's signing the who,

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Speaker 1: and we don't deal with impact, and we definitely don't

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Speaker 1: deal with it's the product itself. If we want to

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Speaker 1: just talk about all right, let's drill everything down without

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Speaker 1: all the fancy shit around it. Who's kicking some real shit?

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Speaker 1: It's only a few but we'll get to that later

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Speaker 1: and now get into how that to me is unfortunate,

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Speaker 1: unforeseen and unacceptable moving forward again, I just feel like

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Speaker 1: the South has to you know, how hard the South

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Speaker 1: of fault man for for for a little bit that

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Speaker 1: we got in regards to UM music. And this is

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Speaker 1: not about the people from up north, for the people

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Speaker 1: from the West Coast or the people from This is

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Speaker 1: only about companies and bids business. I'll get to that

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Speaker 1: later in the show. I need to entro this thing,

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Speaker 1: but I guess this is on my mind the way

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Speaker 1: I want to get a little bit of it out.

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Speaker 1: But this is about business and companies and how they

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Speaker 1: have ostracized certain people in certain regions. In business, they

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Speaker 1: can't in in actual product just by sheer numbers. But

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Speaker 1: in business they kind of ostracize and box you out. Um,

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Speaker 1: unless they take you in. But we'll get to that later. Man,

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Speaker 1: if you're looking at the audio version of the podcast,

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Speaker 1: I need you to subscribe. I need you to like,

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Speaker 1: I need you to share. I need you to It

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Speaker 1: does not matter the amount of people you have on

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Speaker 1: your social media. I need you to share. But also

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Speaker 1: I need to I guess make this more clear. Um,

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Speaker 1: y'all gonna grab some merch, buy some merch. For those

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Speaker 1: of you may not even know what merch is. I

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Speaker 1: have clothes for sale, T shirts, Brandon, you know it's

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Speaker 1: up there. Podcast branding for those that represent real game,

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Speaker 1: for those that represent real hustle. You know it's up

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Speaker 1: that podcast the brand. You got to be wearing that, right,

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Speaker 1: So find the link go to that if you need

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Speaker 1: the book, podcast or something like that. I got that available. Now.

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Speaker 1: With structuring the business, we're turning this into a business.

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Speaker 1: It's been a business, but with structuring the business now

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Speaker 1: as we kind of are seeing how the money is

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Speaker 1: being made again, as we get closer to the people

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Speaker 1: who are closer to the people that are cutting the checks. Right,

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Speaker 1: this is how this game works. People bless you in

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Speaker 1: and give you that blessing and then you're able to

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Speaker 1: access you have access to certain things. Now you got

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Speaker 1: to have a mindset, right, I want you to look

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Speaker 1: at this game right when you look at the industry,

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Speaker 1: and you look at all the people that flood the industry.

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Speaker 1: We're just talking about the rappers and the people you like.

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Speaker 1: I mean the photographers, the video guys, the dance people,

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Speaker 1: the color guys, the wardrobe people, the hairstylists, you know,

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Speaker 1: all of the people that flood into the industry. It's

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Speaker 1: almost like a club, right. Some people come here because

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Speaker 1: that coming here after work to kick back. Others come

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Speaker 1: here to make money. Some people come here to take pictures.

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Speaker 1: Some people come here to sell fly with rose. And

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Speaker 1: some people come here they stand in the bathroom and

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Speaker 1: and and and as you getting done, offer you a

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Speaker 1: black mouth for three dollars or whatever the case may be.

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Speaker 1: And you know, got weed and shit. Like. Some people

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Speaker 1: come here to hustle. But this industry is a place

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Speaker 1: where you can come and a lot of different things

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Speaker 1: can take place. That's why you see fitted while say

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Speaker 1: went on this interview with Fat Joe and we'll get

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Speaker 1: into that. You come into this industry, boy, you better

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Speaker 1: be clear minded on where you want to go. Yeah, boy,

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Speaker 1: you bet not be somebody this halfway understand and then

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Speaker 1: you didn't coat fire. It's like in real life. If

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Speaker 1: you catch on fire, you better know what to do

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Speaker 1: because the longer you're on file and confuse, the more

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Speaker 1: damage is being done. And it's the same thing with fame.

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Speaker 1: You catch on fire, everybody know you. All lies on you,

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Speaker 1: like when something on fire, everybody watching, so all lies

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Speaker 1: on you. You on fire. But if you get confused

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Speaker 1: when you catch on fire, you got a problem. You understand.

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Speaker 1: You better know how to stop dropping roll when you

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Speaker 1: catch on fire, and that's to put the fire out.

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Speaker 1: In this industry, you better know how to stop dropping roll,

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Speaker 1: which would be structure your business, make sure your percentages

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Speaker 1: is right, makes your lawyers is watching lawyers. Make sure

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Speaker 1: that the label no A, We're done with this playing two,

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Speaker 1: because the label will put you in a situation where

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Speaker 1: they'll keep fucking with playing one. It's working, it's working,

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Speaker 1: Why will we switch up? Right? But again, coming into

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Speaker 1: this industry, you gotta know some things you gotta be

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Speaker 1: you gotta be a dude, this real deal. And no

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Speaker 1: matter what kind of value is, it's gonna get you

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Speaker 1: from some aspect. You just hope it don't cost life.

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Speaker 1: You just hope it don't cost life, because like it

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Speaker 1: get um like you gotta make sure too. Like when

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Speaker 1: I watched Kanye and Kim and he doing everything in

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Speaker 1: his power to try to will his family back together.

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Speaker 1: First thing I say is what boy in this game too?

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Speaker 1: You got to you gotta make sure you don't fall

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Speaker 1: vigil to redeem me yourself or trying to redeem yourself.

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Speaker 1: You know what I'm saying. But with family, what is

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Speaker 1: redeeming yourself? What is too long for family? What it's

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Speaker 1: doing too much to save your family? That be relative.

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Speaker 1: That's why you don't hit me really comment on whatever, dude,

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Speaker 1: due by this family. I remember when back in the day,

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Speaker 1: right when they see you what I'm feel in love

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Speaker 1: and you might got a baby by somebody and you

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Speaker 1: running wild behind them, you doing whatever. They would laugh

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Speaker 1: at you. Sometimes I would be unfamiliar with the circumstances.

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Speaker 1: Right when somebody teared me, yo, my girl ain't giving

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Speaker 1: me no head, and she arguing about six, and she

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Speaker 1: says she last night she told me she wasn't in

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Speaker 1: the mood like I'm unfamiliar with those things because you know,

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Speaker 1: whenever I'm around a woman, we tend to be our

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Speaker 1: vibe is always good. So I don't never like, you know,

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Speaker 1: and so I would from that aspect be like, yo, damn,

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Speaker 1: I know that's rough. You didn't come home from hustling

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Speaker 1: all day and then girl is in there. But a

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Speaker 1: lot of those dudes would be in financial hardships. And

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Speaker 1: I don't know if it's a correlation with that, man,

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Speaker 1: because women tend to treat you funding when you're finances,

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Speaker 1: uh decrease. You know what I'm saying. But you gotta

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Speaker 1: you gotta, you gotta, you gotta not try to keep

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Speaker 1: redeeming yourself. Man. But but but again with family or

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Speaker 1: with with something with love period. I told y'all last week,

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Speaker 1: with love attest to it. Man, you gotta certain I

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Speaker 1: look at it. I view it different. Up, they got

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Speaker 1: some love, mon it look at that a little different.

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Speaker 1: Dudes ain't in the right man. People hurt, you understand,

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Speaker 1: People got blindfolds. Don't they come and sense people just

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Speaker 1: they just out chilled you. Understand, um, But we'll get

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Speaker 1: into the show again. I want to say this again.

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Speaker 1: Share it's up that podcast, Share what we got going on,

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Speaker 1: Let people know. Tell people. I want to also give

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Speaker 1: y'all around them applause. I think it's smuch this button.

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Speaker 1: I want to give y'all around of applause on my

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Speaker 1: last post and I'll probably flash it on the screen

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Speaker 1: about deliberation being in the ghetto and the woman rappersation

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Speaker 1: just from law enforcement got thirty five thousand shares on

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Speaker 1: one platform. Shout out to y'all. Shout out to y'all.

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Speaker 1: Thirty five thousand shares on one platform. Man, we're dealing

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Speaker 1: with impact. Man, we're dealing with impact. Thirty five thousand

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Speaker 1: people shared it. Bro, I keep telling y'all this ship

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Speaker 1: in Silicone Valley, and people who know me, I've been

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Speaker 1: telling them about Silicone Valley for a long time. But

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Speaker 1: we'll get in all of that later. First, I want

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Speaker 1: to I want to just speak about, you know, just

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Speaker 1: coming off the Young Dolf thing, and my mindset just

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Speaker 1: was like, man, we be unfortunately for us, BRO, While

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Speaker 1: I say, in the ghetto, it's a different thing. Um,

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Speaker 1: it's a lot of people that need us in the

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Speaker 1: ghetto right from a holistic standpoint, because it's a bunch

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Speaker 1: of confusion and a diffusion of responsibility in the ghetto, right,

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Speaker 1: Meaning it's almost like um in the in the animal world,

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Speaker 1: if you're in the ant farm or you're in the

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Speaker 1: ant pie, if that if the queen and or the

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Speaker 1: queen or if the if the queen aunt or the

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Speaker 1: king aunt isn't um knowledgeable on what to do or

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Speaker 1: what a goal because the other ones are just blindly following. Yeah,

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Speaker 1: that's why they get in the line, one behind the other.

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Speaker 1: So if one very office way, the whole line gonna

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Speaker 1: go that way, you understand. So so the problem be

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Speaker 1: um that we gotta get down through that, and and

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Speaker 1: and and not only get money down through that, but

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Speaker 1: get liberation down through there. See. But in the ghetto, man,

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Speaker 1: it's it's a very weird standard. But I want to

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Speaker 1: spend some time on problems between two gentlemen in the ghetto, right,

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Speaker 1: because I come from that, and I'm not too far removed,

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Speaker 1: if removed any from understanding what it takes to survive

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Speaker 1: in a place where it's good to you but it

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Speaker 1: ain't good for you. You know what I'm saying like,

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Speaker 1: you get love in the ghetto, but at some point

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Speaker 1: you gotta separate yourself, you know what I'm saying, And

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Speaker 1: you gotta be resourceful to the ghetto. You know, the

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Speaker 1: President don't do us no good in the White House

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Speaker 1: every day he may because the structure of that is

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Speaker 1: just bs. But the king of my home, right, I

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Speaker 1: run my household. I'm the king of my home. If

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Speaker 1: I'm not in my home to be able to leave

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Speaker 1: my kingdom and be able to again. You see Kanye

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Speaker 1: fighting for that now. You know, you see him fighting

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Speaker 1: for that now. But Bro, when you got beef in

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Speaker 1: the hood, you gotta push your hard line. You gotta

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Speaker 1: push your Ain't no chilling when it's beef. Ain't no chilling.

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Speaker 1: When there's a problem in the hood, Bro, you either

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Speaker 1: gotta handle that or we gotta get an understanding. And

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Speaker 1: it can't be a fake understanding because the backdoor understanding

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Speaker 1: there's a whole other beast. I can spend two hours on. Yeah,

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Speaker 1: yeah it's over, bro, but it ain't really oval. You

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Speaker 1: see what I'm saying. But I can't be comfortable with

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Speaker 1: open beef. Then you gotta be careful with letting people

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Speaker 1: do something to you right if to get then show

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Speaker 1: me get my ass handed to me. A couple of

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Speaker 1: more niggas might be a little more, you know, eager

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Speaker 1: to try to try that it was a reason why

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Speaker 1: they had cut somebody's head off in front of everybody.

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Speaker 1: I want y'all to know, like coming through here with that,

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Speaker 1: this was the consequence is and we ain't saying what

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Speaker 1: nobody ain't gonna do, but this is how we're handling it.

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Speaker 1: Whatever comes on my desk, he get handled the same,

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Speaker 1: because what happens is bro. And then I mean, I

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Speaker 1: don't know, Bro, I just feel like security is a

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Speaker 1: you gotta have security. Bro. They don't trick y'all in

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Speaker 1: the thanking you don't need security, they don't trick the

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Speaker 1: rap game and thinking you don't need security. Let's see

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Speaker 1: the problem is it's it's all easy to say right

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Speaker 1: after something that happened. You know, it's all easy to

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Speaker 1: say after something that happened because again, it's that Monday

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Speaker 1: morning quarterbacking. You know, it's that Monday morning morning quarterback

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Speaker 1: and where you you kind of get to say, now

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Speaker 1: if you do win left, see what he could have

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Speaker 1: done with you know what I mean? So it's just

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Speaker 1: fucked up to being in that situation, you know what

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Speaker 1: I'm saying. But in the hood, man, it's just crazy.

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Speaker 1: I've seen on the internet they had um They put

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Speaker 1: up a a video of what Gota Endulf were on

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Speaker 1: the same stage, and it was a powerful moment. It

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Speaker 1: was early in his career and it was a situation

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Speaker 1: where it was like it was no beef. It wasn't

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Speaker 1: as much money involved then. But the game changed for

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Speaker 1: many people were saying rappers about to be dead. If

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Speaker 1: y'all don't remember, before they figured out what to do

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Speaker 1: with streaming, they was like, oh shit. They looked at

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Speaker 1: the internet as illegal, like bootleg in the music. Somebody

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Speaker 1: had to teach them like, yo, it's inevitable. You got

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Speaker 1: to get with this. This ain't going nowhere. And then

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Speaker 1: they they switched it up real quick. You see the

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Speaker 1: new trick. The new trick now is to those old

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Speaker 1: artists that were saying before streaming was a thing, it's

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Speaker 1: to go back and record your ship and then you

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Speaker 1: own it from streaming and publishing it. So now the

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Speaker 1: language moving forward, they're gonna add that in't there if

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Speaker 1: anything comes up. I remember Kanye saying that they said

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Speaker 1: if something was created on Mars, they had debson it.

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Speaker 1: On my shit, they had already in the contract spoke

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Speaker 1: to if on another planet something happened, we got Debs

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Speaker 1: on it, right. So you gotta understand what we you know,

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Speaker 1: what we're up against when we're dealing with the game.

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Speaker 1: You know. But um but r P doff. You know

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Speaker 1: what I'm saying, said situation and boards spending down there,

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Speaker 1: They still spending about that. So you know, that's what

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Speaker 1: you would hope if you if you were a nigga

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Speaker 1: with any status. You know, y'all niggas spinning kill everybody.

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Speaker 1: I mean, you know that's what you feel you know

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Speaker 1: what I'm saying. Don't know if that's right or not,

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Speaker 1: but that's what you feel like, Yo, get them all,

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Speaker 1: Get all them niggas. Bro. I wasn't even bothering nobody,

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Speaker 1: you know what I'm saying, And so it's just unfortunate

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Speaker 1: to see. Let's see what else we are talking about today.

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Speaker 1: I just wanted to start, you know, with that, because

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Speaker 1: I thought about that. I'll tell you what before I

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Speaker 1: move on where it took me and took me back to. Okay,

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Speaker 1: So you gotta be careful in the hood. See a

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Speaker 1: lot of these dudes is moving on false pretests. They

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Speaker 1: acting like they under hood law, But hood law is yo.

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Speaker 1: You don't let nothing happen to you without something happening,

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Speaker 1: you know, like when soldier boy, you'll see, So see

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Speaker 1: what a happened there. The routing niggas are getting into

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Speaker 1: a situation where they've been popping shit so long and

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Speaker 1: it ain't nothing happened. They don't forget what can happen. Yeah,

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Speaker 1: you ever got to had a girlfriend and she ain't

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Speaker 1: did the little move on you? In six months she

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Speaker 1: popped that back out you said, ohoh, same thing with

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Speaker 1: the streets. These dudes don't forget what happened. See in

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Speaker 1: the streets, when you let something happened to you and

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Speaker 1: there's no response, you set a standard. The problem with

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Speaker 1: the rapping niggas is they're saying a bunch of shit

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Speaker 1: that ain't nothing happening, So they think that's the standard

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Speaker 1: in a lot of main street they confused, right, So

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Speaker 1: what happens to them is they stopped talking gangster and

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Speaker 1: they started playing gangster. Yeah you can talk gangster, you're

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Speaker 1: a rapper. Listen, Look we're gonna package your gangster talking

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Speaker 1: and get it out there on the market. When you

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Speaker 1: start playing gangster, that's a mistake, especially when you ain't

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Speaker 1: a gangster. Then the gangsters around you, right, the gangsters

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Speaker 1: around you. That's getting old. It's probably gonna start saying, Yo,

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Speaker 1: we're not find the risk everything about that. We protect you, bro,

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00:19:49,320 --> 00:19:53,160
Speaker 1: like we ain't letting nobody hurt your rob or nothing

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Speaker 1: like that. But when you're doing shit like that, and

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Speaker 1: then we gotta be on the front line and you're

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Speaker 1: the little homet at how is it it different than

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Speaker 1: Takashi driving the car, Like, we don't let you drive

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Speaker 1: the car. Bro, you can't do all that. And then

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Speaker 1: I'm gonna send five six of my real souldiers. My

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Speaker 1: home is on the front line. Nah, that ain't how

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Speaker 1: that work. That ain't how that work. But see, they

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Speaker 1: don't understand the difference between talking gangster and playing gangster.

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Speaker 1: They got to stop playing gangster. You understand. You gotta

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Speaker 1: stop playing gangster when you're dealing with the streets. And

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Speaker 1: just because you put it on the internet, don't mean

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Speaker 1: you ain't playing gangster. This for the internet. Nah, you're

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Speaker 1: playing gangster. Yeah, you playing gangster. You. You know you

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Speaker 1: you wishing death and this and that, so at some

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Speaker 1: point we gotta figure out how you can move around that.

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Speaker 1: There's consequences brush universal law in effect, This universal law

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Speaker 1: in effect. That's why you hit me when they try

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00:20:52,720 --> 00:20:54,439
Speaker 1: to get me to talk about this or that. I

337
00:20:54,440 --> 00:20:56,200
Speaker 1: don't want to talk about that. I want to talk

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Speaker 1: about how I'm gonna get fifty million. I want to

339
00:20:59,840 --> 00:21:02,520
Speaker 1: talk about how I may sell me and sitting down,

340
00:21:04,840 --> 00:21:06,639
Speaker 1: I want to talk about how they gotta pay me

341
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Speaker 1: double to stand up because I make all my money

342
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Speaker 1: sitting down. I want to talk about those things I

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Speaker 1: don't want to talk about, you know, the manifestation of destruction.

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Speaker 1: You know what I'm saying. Man, if I'm in the

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Speaker 1: mood with somebody in the piss mouth, i might pop something,

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Speaker 1: but I'll be about building and figging shit out. That's

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Speaker 1: what I'm about on this side, you know what I mean.

348
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Speaker 1: But being a rapper, man, I keep telling y'all, being

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Speaker 1: a rapper is a hell of a thing because it's

350
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Speaker 1: almost like you don't separate from from the pack. You know,

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Speaker 1: that's an old saying, Right, the fattest pig get butchered first.

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Speaker 1: You know what I'm saying, so here is amongst all

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Speaker 1: the other pigs, but you're the biggest one. You probably

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Speaker 1: the one that they're gonna pull out because you don't

355
00:21:54,240 --> 00:21:56,760
Speaker 1: got the most meat. You're worth the most if we

356
00:21:56,840 --> 00:21:59,840
Speaker 1: can get your own our plate, you know what I'm saying.

357
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Speaker 1: So we always gotta be away and be careful of that. Man.

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Speaker 1: I wanted to tell y'all this, man, I'm telling my

359
00:22:07,800 --> 00:22:10,879
Speaker 1: man my life. My life is a movie. And I

360
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Speaker 1: don't really let y'all in on what happens behind the

361
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Speaker 1: scenes with me. You know, it ain't no value that

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Speaker 1: just yet. I need y'all to respect my intellect and

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Speaker 1: respect my outlook, and respect my input and respect my ingredients. Yeah,

364
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Speaker 1: I'm on a mission. Yeah yeah, So my personal life, right,

365
00:22:28,840 --> 00:22:31,440
Speaker 1: I really don't never really get into. Nonetheless, I bought

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Speaker 1: my mother a computer. Right. My mother is she's been

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Speaker 1: in this thing where she's getting into the computers and

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Speaker 1: she wanted to get on the internet and watch this

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Speaker 1: in that and that's my heart. You know, we've been

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Speaker 1: through a lot, you know, her baby boy took her

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Speaker 1: through a lot, and so again for her down the spot,

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Speaker 1: for her down the spot, and she know that and

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Speaker 1: people around me know that I'm a mom, I'm a

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Speaker 1: mama's boy. I'm a proud mama's boy. You know what

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Speaker 1: I'm saying. My mother means the world to me and

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Speaker 1: will forever mean the world to me. You know what

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00:23:06,000 --> 00:23:09,480
Speaker 1: I'm saying. I have trouble communicating my love because I'm

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Speaker 1: dealing with coming up in the place right in the

379
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Speaker 1: hood and the ghetto, and somewhere along the lines, I

380
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Speaker 1: was over exposed and I figured out, oh shit, if

381
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Speaker 1: I don't do something about this, this may continue to happen,

382
00:23:27,119 --> 00:23:31,840
Speaker 1: meaning the poverty, the lack of information. Don't nobody got businesses,

383
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Speaker 1: ain't know. Boy, I got to figure it out. It's

384
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Speaker 1: on my back, right. So with that pressure comes anxiety,

385
00:23:38,560 --> 00:23:41,920
Speaker 1: which for me, I take it out in my work, right.

386
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Speaker 1: But at the end of the day, I always try

387
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Speaker 1: to keep her breast on what's going on. And again

388
00:23:47,800 --> 00:23:49,920
Speaker 1: she getting in the computer. So she said, something, buy

389
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Speaker 1: me a computer. So I when they got to want

390
00:23:52,720 --> 00:23:57,959
Speaker 1: them good computers that you know, that does everything, you know,

391
00:23:58,000 --> 00:24:01,760
Speaker 1: that has everything that she would need, won't and never use.

392
00:24:02,080 --> 00:24:04,560
Speaker 1: But making sure she had what it is that she

393
00:24:04,720 --> 00:24:07,119
Speaker 1: needed and won't it right, got it over there hooked

394
00:24:07,119 --> 00:24:10,240
Speaker 1: it up and she's been having it three months or so,

395
00:24:10,280 --> 00:24:12,480
Speaker 1: and she been just getting down. You know, I might

396
00:24:12,520 --> 00:24:17,840
Speaker 1: pull up or caller, she got Anita Baker Janet Jackson

397
00:24:17,920 --> 00:24:21,879
Speaker 1: performance going on in the background, or yeah, just aren't

398
00:24:21,880 --> 00:24:24,760
Speaker 1: here looking at these rugs or these houses a house

399
00:24:24,880 --> 00:24:28,360
Speaker 1: hunters or whatever. Like. She got her own pattern, her

400
00:24:28,359 --> 00:24:31,600
Speaker 1: own vibe over there. And I respect her, you know,

401
00:24:31,680 --> 00:24:36,119
Speaker 1: for being able to find herself in the things that

402
00:24:36,200 --> 00:24:38,080
Speaker 1: she liked. A lot of people go their whole life

403
00:24:38,080 --> 00:24:42,960
Speaker 1: and never content with theyself, never content with knowing this

404
00:24:43,040 --> 00:24:45,359
Speaker 1: is my one too, this is what makes me happen,

405
00:24:45,480 --> 00:24:48,880
Speaker 1: This is what makes me go. But so I get

406
00:24:48,880 --> 00:24:51,760
Speaker 1: it a computer, you know, like I say, she don't

407
00:24:51,760 --> 00:24:54,160
Speaker 1: really know. So the other day my phone ring. I'm

408
00:24:54,240 --> 00:24:56,800
Speaker 1: laying up right, my phone ring. I don't care well,

409
00:24:56,800 --> 00:24:59,640
Speaker 1: I mean, I could be underwater, mama, caller manson, So

410
00:25:00,320 --> 00:25:03,879
Speaker 1: respect it. Whoever right? So boom she called our answer.

411
00:25:03,920 --> 00:25:08,960
Speaker 1: What's up? I hear something in the background, but she said,

412
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Speaker 1: she said, this computer is something is going on this computer.

413
00:25:13,080 --> 00:25:17,800
Speaker 1: I keep clicking O, Kate, I said, oh, don't click. Okay.

414
00:25:18,960 --> 00:25:23,320
Speaker 1: So they're telling her your firewall has been disabled. Your

415
00:25:23,359 --> 00:25:26,000
Speaker 1: computer is now risk, and he keep popping up. Any

416
00:25:26,040 --> 00:25:28,159
Speaker 1: times she click out and keep popping up. Call this

417
00:25:28,359 --> 00:25:31,280
Speaker 1: number being this making a lie nore call this number,

418
00:25:31,320 --> 00:25:34,320
Speaker 1: Call this number to stop this. Nois virus virus what

419
00:25:34,440 --> 00:25:36,359
Speaker 1: they're hoping to do. And she was from the call number.

420
00:25:36,359 --> 00:25:38,920
Speaker 1: Don't need to call her? Call this numb and pay

421
00:25:38,960 --> 00:25:42,160
Speaker 1: this people do they say I need to pay I said, oh,

422
00:25:43,240 --> 00:25:47,920
Speaker 1: I forgot to tell about it all that. See, it's

423
00:25:47,920 --> 00:25:50,040
Speaker 1: a lot of stuff that and that's why when I

424
00:25:50,040 --> 00:25:51,760
Speaker 1: sit down, I will earn your leads here. You know,

425
00:25:52,280 --> 00:25:54,399
Speaker 1: it's a lot of stuff we forget to say because

426
00:25:54,440 --> 00:25:57,840
Speaker 1: we bypass it because we think it's calm and knowledge.

427
00:25:59,280 --> 00:26:01,280
Speaker 1: You know, I'm skip y'all way over here. Hey this

428
00:26:01,440 --> 00:26:03,439
Speaker 1: that new kind of mouse that you gotta touch it

429
00:26:03,480 --> 00:26:06,280
Speaker 1: for it. I ain't even tell you about the viruses

430
00:26:06,320 --> 00:26:09,240
Speaker 1: that be going on or hey, they're fishing with emails

431
00:26:09,240 --> 00:26:11,639
Speaker 1: and they may say click this or your computer be

432
00:26:11,720 --> 00:26:14,800
Speaker 1: shut down, and this is not I forgot to mention that.

433
00:26:16,720 --> 00:26:20,240
Speaker 1: So when we teach, right, when we call ourselves giving information,

434
00:26:21,359 --> 00:26:24,119
Speaker 1: all of us can't give it from the bottom to

435
00:26:24,160 --> 00:26:27,040
Speaker 1: the top. But they gotta be somebody that's good that

436
00:26:27,200 --> 00:26:30,080
Speaker 1: giving it from the bottom somebody is good at the middle,

437
00:26:30,280 --> 00:26:32,720
Speaker 1: somebody at the top that's speaking to the first person

438
00:26:32,760 --> 00:26:35,000
Speaker 1: at the middle that's speaking to the person at the bottom,

439
00:26:35,000 --> 00:26:39,679
Speaker 1: and speaking to the people at the bottom. See, you

440
00:26:39,720 --> 00:26:42,159
Speaker 1: don't got to speak to the people in the middle

441
00:26:42,160 --> 00:26:45,959
Speaker 1: and at the top, because they're gonna tune in and listen.

442
00:26:46,640 --> 00:26:50,200
Speaker 1: They is on a certain frequency to know that game

443
00:26:50,400 --> 00:26:54,119
Speaker 1: is related to me staying at this position. But you

444
00:26:54,200 --> 00:26:56,679
Speaker 1: got to talk to the people at the bottom and

445
00:26:56,880 --> 00:27:02,480
Speaker 1: kind of instruct them because it's so many of them

446
00:27:02,560 --> 00:27:04,920
Speaker 1: just with numbers and so many of us that don't

447
00:27:04,960 --> 00:27:07,680
Speaker 1: know what to do that we gotta make sure to

448
00:27:07,800 --> 00:27:11,480
Speaker 1: cast a wide net when we speak or have people

449
00:27:11,480 --> 00:27:13,720
Speaker 1: in position. Like the point guard can't do what the

450
00:27:13,760 --> 00:27:20,439
Speaker 1: senter do unless he's a magic Johnson. But oftentimes the

451
00:27:20,520 --> 00:27:23,679
Speaker 1: point guard can't do what the center do. The sinner

452
00:27:23,760 --> 00:27:27,240
Speaker 1: can't do what the shooting guard do. The power forward

453
00:27:27,280 --> 00:27:30,840
Speaker 1: can't do what you know, uh, you know, can't can't

454
00:27:30,920 --> 00:27:33,520
Speaker 1: do what the shooting for would do. Now, some people

455
00:27:33,560 --> 00:27:39,159
Speaker 1: can play both positions right and play three positions, but

456
00:27:40,000 --> 00:27:45,080
Speaker 1: in those positions, certain slidders go up and certain come down.

457
00:27:45,200 --> 00:27:50,760
Speaker 1: For instance, you put Rashid Wallace at point that ball

458
00:27:50,920 --> 00:27:54,560
Speaker 1: handling slider go down, but the height advantage goes up,

459
00:27:55,240 --> 00:27:57,560
Speaker 1: you see. So then you gotta start to figure out,

460
00:27:57,560 --> 00:27:59,719
Speaker 1: all right, how do we what do we want to do?

461
00:28:00,080 --> 00:28:01,920
Speaker 1: Do we want to give? What do we want to take?

462
00:28:02,920 --> 00:28:05,320
Speaker 1: You know? But everybody has a position in this, and

463
00:28:05,359 --> 00:28:09,360
Speaker 1: we gotta be instrumental in making sure that as a unit. Hey, yo,

464
00:28:09,440 --> 00:28:12,360
Speaker 1: Kanye meant this when he said that, Hey Yo, Kanye, Yo,

465
00:28:12,600 --> 00:28:16,000
Speaker 1: for y'all, he meant this on that interview, Just so

466
00:28:16,160 --> 00:28:19,080
Speaker 1: y'all know. I know he weigh up here with it,

467
00:28:19,119 --> 00:28:21,119
Speaker 1: but I broke it down. Hey Yo, this is what

468
00:28:21,160 --> 00:28:24,720
Speaker 1: they meant when they said that, I definitely want to

469
00:28:24,760 --> 00:28:28,080
Speaker 1: get to Fitty whopping Fat Joe had an interesting conversation,

470
00:28:28,800 --> 00:28:30,959
Speaker 1: and also I want to get to Fat Joe's placing

471
00:28:31,040 --> 00:28:36,119
Speaker 1: this whole media landscape and also some of the particulars

472
00:28:36,160 --> 00:28:38,760
Speaker 1: of the Fitty Whopp conversation. It was a great conversation.

473
00:28:38,800 --> 00:28:41,560
Speaker 1: A lot of information came out of it for those

474
00:28:41,600 --> 00:28:43,480
Speaker 1: of you that have the kind of eyes that can

475
00:28:43,920 --> 00:28:47,800
Speaker 1: connect the dots that's not being connected and kind of

476
00:28:47,880 --> 00:28:52,960
Speaker 1: understand what's being said without it being said. Right, But

477
00:28:53,160 --> 00:28:55,520
Speaker 1: I want to spend some time on spotifying the deal

478
00:28:57,000 --> 00:29:01,640
Speaker 1: number one. For those of you that may not know,

479
00:29:01,760 --> 00:29:03,960
Speaker 1: let me go ahead and just lay the framework down

480
00:29:03,960 --> 00:29:08,520
Speaker 1: and what just happened. Adell effectively just changed Spotify's business model.

481
00:29:10,720 --> 00:29:15,040
Speaker 1: The creators do have the power. Now that creator is

482
00:29:15,080 --> 00:29:18,360
Speaker 1: projected to do nine hundred thousand first week. That's a

483
00:29:18,400 --> 00:29:22,280
Speaker 1: different kind of power. A lot of people were unaware

484
00:29:22,360 --> 00:29:25,400
Speaker 1: that this was even a thing. A lot of people

485
00:29:25,440 --> 00:29:28,280
Speaker 1: were aware that this was a thing. I was aware

486
00:29:28,360 --> 00:29:30,800
Speaker 1: because again, being a student of the game, I go

487
00:29:30,920 --> 00:29:35,160
Speaker 1: to every crevice and every cut and I'm just even

488
00:29:35,240 --> 00:29:37,800
Speaker 1: if there's nothing there, and I'm just aware of, Wow,

489
00:29:37,840 --> 00:29:40,560
Speaker 1: that's weird. That's a shuffle button. I wonder what that's about.

490
00:29:40,800 --> 00:29:44,920
Speaker 1: And I'm gone right because it doesn't affect me in podcasting,

491
00:29:45,120 --> 00:29:49,120
Speaker 1: So you know, I look at that kind of thing now.

492
00:29:49,160 --> 00:29:51,000
Speaker 1: I don't know if they're doing it for podcasting. I

493
00:29:51,040 --> 00:29:53,400
Speaker 1: doubt it because I would know that with me being

494
00:29:56,040 --> 00:29:58,440
Speaker 1: knee deep just in knowing where the game's going and

495
00:29:58,520 --> 00:30:01,000
Speaker 1: where it currently sits now here, whether the thing comes

496
00:30:01,040 --> 00:30:04,160
Speaker 1: in that see a lot of people. A lot of

497
00:30:04,200 --> 00:30:07,040
Speaker 1: people said, oh, she's changing how we listen to music,

498
00:30:07,680 --> 00:30:10,720
Speaker 1: and uh, wow, what a great thing. And that's true,

499
00:30:10,760 --> 00:30:13,440
Speaker 1: but she just changed their business model. A lot of

500
00:30:13,440 --> 00:30:15,880
Speaker 1: people don't know why Spotify even had that in place.

501
00:30:15,960 --> 00:30:20,000
Speaker 1: The reason Spotify had that in place was not to

502
00:30:20,040 --> 00:30:23,720
Speaker 1: pick your favorite song to you know, hey, we're gonna

503
00:30:23,760 --> 00:30:26,680
Speaker 1: get you your best song. The thing was is see

504
00:30:26,680 --> 00:30:29,680
Speaker 1: because here's the problem. Let's say you go search for

505
00:30:30,280 --> 00:30:34,800
Speaker 1: Loony Luciano on Spotify. Let's say you search for Loony

506
00:30:34,920 --> 00:30:38,920
Speaker 1: Luciano and you want to listen to the song tricker

507
00:30:39,000 --> 00:30:43,040
Speaker 1: treat you put in Loudie Luciano tricker treat. What's gonna

508
00:30:43,080 --> 00:30:46,880
Speaker 1: happen is they're gonna put ten artists there, not ten artists,

509
00:30:46,920 --> 00:30:50,240
Speaker 1: ten songs there from that artist. Then when you try

510
00:30:50,280 --> 00:30:53,120
Speaker 1: to click on the specific songs you want to listen to,

511
00:30:53,160 --> 00:30:56,080
Speaker 1: it won't allow you. This I believe, and I'm not

512
00:30:56,320 --> 00:30:59,640
Speaker 1: one hundred percent sure, but I think this only affects

513
00:30:59,680 --> 00:31:05,520
Speaker 1: the free customer. It doesn't affect the premium customer. I

514
00:31:05,560 --> 00:31:09,160
Speaker 1: think the free customer has no autonomy on that app,

515
00:31:09,280 --> 00:31:11,840
Speaker 1: Like he really can't pick what he listens to, what

516
00:31:12,000 --> 00:31:15,240
Speaker 1: comes next, He can't skip an ad, he can't really

517
00:31:15,280 --> 00:31:18,360
Speaker 1: do nothing. The free customer can. And I think again,

518
00:31:18,400 --> 00:31:20,720
Speaker 1: that's the business model to try to get you to

519
00:31:20,840 --> 00:31:24,160
Speaker 1: pay first step is to get you on the platform.

520
00:31:24,240 --> 00:31:27,040
Speaker 1: That's why we yell free. Second step is to get

521
00:31:27,080 --> 00:31:29,120
Speaker 1: you to want to get rid of all these tedious

522
00:31:29,160 --> 00:31:33,040
Speaker 1: things and pay so you can choose your artists and

523
00:31:33,120 --> 00:31:36,120
Speaker 1: choose your next song and things of that nature. Also,

524
00:31:38,120 --> 00:31:41,200
Speaker 1: people were saying, well, they're trying to curate the best

525
00:31:41,240 --> 00:31:44,360
Speaker 1: playlist or curate the best music. That's not what that's about.

526
00:31:45,200 --> 00:31:48,560
Speaker 1: They're hanging the carrot in front of you if you're

527
00:31:48,560 --> 00:31:52,480
Speaker 1: the rabbit, right, and or they're they're putting the hamster

528
00:31:52,640 --> 00:31:55,680
Speaker 1: on the wheel. Right. So let's say again, you want

529
00:31:55,680 --> 00:31:58,960
Speaker 1: to listen to Poushist back in Blood, They're gonna give

530
00:31:58,960 --> 00:32:01,120
Speaker 1: you six songs before before they give you that song,

531
00:32:02,400 --> 00:32:05,400
Speaker 1: so you can steal on that platform. Because the longer

532
00:32:05,440 --> 00:32:09,080
Speaker 1: you stay on that platform, it goes into the numbers

533
00:32:09,120 --> 00:32:11,840
Speaker 1: that it takes to get ads and influence the amount

534
00:32:11,920 --> 00:32:13,960
Speaker 1: of ads or the number on the ads or the

535
00:32:14,080 --> 00:32:17,960
Speaker 1: number on the IPO. Is something happening with that information

536
00:32:18,040 --> 00:32:21,640
Speaker 1: that they're doing with that information of how long you're

537
00:32:21,640 --> 00:32:24,040
Speaker 1: sitting on that platform. Or Delle came out and made

538
00:32:24,040 --> 00:32:27,880
Speaker 1: a stand, yoh, we make our albums a certain way, right,

539
00:32:27,920 --> 00:32:30,760
Speaker 1: So if I go like Lemonade was a visual album.

540
00:32:31,520 --> 00:32:34,600
Speaker 1: Like you, I don't want you shuffling that. But if

541
00:32:34,640 --> 00:32:37,560
Speaker 1: you come here for Beyonce, I'm gonna give you. I'm

542
00:32:37,600 --> 00:32:41,000
Speaker 1: gonna give you her and A Dell and Kelly Rowland

543
00:32:41,040 --> 00:32:43,400
Speaker 1: and all this before I give you Beyonce number one

544
00:32:43,440 --> 00:32:45,600
Speaker 1: to keep you on the platform because I know you don't.

545
00:32:45,720 --> 00:32:48,120
Speaker 1: You're not going nowhere because it's free and you want

546
00:32:48,120 --> 00:32:50,960
Speaker 1: to hear that Beyonce song that's coming fifth that you

547
00:32:51,040 --> 00:32:55,200
Speaker 1: came here for it. So however, trick being played, right.

548
00:32:55,280 --> 00:32:58,000
Speaker 1: But it's a platform base. I always tell people. They

549
00:32:58,040 --> 00:33:01,200
Speaker 1: always think it's all about it's zoomer base. A lot

550
00:33:01,240 --> 00:33:06,400
Speaker 1: of things platform base, a lot of things platform based

551
00:33:06,560 --> 00:33:10,640
Speaker 1: is running this industry. And that's the and that's the problem.

552
00:33:11,440 --> 00:33:14,080
Speaker 1: When you get to talking about the podcast that stay

553
00:33:14,160 --> 00:33:17,760
Speaker 1: like one through ten or one through twenty, that's a

554
00:33:17,920 --> 00:33:21,480
Speaker 1: platform based thing. They getting marketing that they're not paying for.

555
00:33:22,240 --> 00:33:27,400
Speaker 1: They're getting that maybe your like section, lom don't get

556
00:33:27,400 --> 00:33:31,760
Speaker 1: to maybe your like section after you listen to Drink Chimps, right.

557
00:33:31,760 --> 00:33:33,520
Speaker 1: And I know they don't want me to know that,

558
00:33:33,640 --> 00:33:35,400
Speaker 1: or some of them may not even know that, but

559
00:33:35,480 --> 00:33:38,560
Speaker 1: I understand what that does and what that is, right,

560
00:33:39,200 --> 00:33:42,360
Speaker 1: they're fighting for these little spots the landscape. They're fighting

561
00:33:42,360 --> 00:33:47,160
Speaker 1: for real estate on these apps. When you open Spotify,

562
00:33:47,280 --> 00:33:50,000
Speaker 1: that's a fight for everything you see when you open

563
00:33:50,080 --> 00:33:53,479
Speaker 1: that up. It's a fight on Apple for everything you

564
00:33:53,520 --> 00:33:56,080
Speaker 1: see when you open that up. That ain't going by

565
00:33:56,160 --> 00:34:00,480
Speaker 1: what's hot. They may sprinkle a folk what's saying of

566
00:34:00,600 --> 00:34:03,040
Speaker 1: what's hot or what the people are saying through there.

567
00:34:03,360 --> 00:34:06,360
Speaker 1: The rest of that, it's real estate for sale is

568
00:34:06,400 --> 00:34:11,240
Speaker 1: just like America. It's for sale front page twenty grand

569
00:34:12,600 --> 00:34:17,040
Speaker 1: this playlist folk grand Dad playlist three grand this over here, right,

570
00:34:17,120 --> 00:34:21,799
Speaker 1: it's for sale. But the optics of it from the

571
00:34:21,840 --> 00:34:25,040
Speaker 1: people that's viewing it is this person hotting and loan

572
00:34:25,160 --> 00:34:27,920
Speaker 1: or this person hotted than push, or this person hottter

573
00:34:27,960 --> 00:34:31,200
Speaker 1: than dirt. Because they hear they there, They hear they there,

574
00:34:31,200 --> 00:34:34,080
Speaker 1: they hear they there. They don't know, and then sometimes

575
00:34:34,080 --> 00:34:37,080
Speaker 1: your money ain't no good. You can't even pay for

576
00:34:37,120 --> 00:34:41,040
Speaker 1: some of them spots. You try to, you know what

577
00:34:41,120 --> 00:34:44,560
Speaker 1: it costs to get right there? No answer. Nobody's saying that.

578
00:34:44,760 --> 00:34:47,359
Speaker 1: They act like it ain't for sale because they want

579
00:34:47,440 --> 00:34:49,879
Speaker 1: you to steal buy into man and the boy working

580
00:34:49,960 --> 00:34:53,840
Speaker 1: hard to get right there. No, no, and I understand

581
00:34:53,880 --> 00:34:56,200
Speaker 1: again that's why you heard me. What the Joe Rogan

582
00:34:56,280 --> 00:34:58,480
Speaker 1: deal When he first took his Spotify there, I spoke

583
00:34:58,520 --> 00:35:02,080
Speaker 1: about how he's losing a couple million dollars in marketing

584
00:35:02,200 --> 00:35:06,399
Speaker 1: every week because on every single podcast platform they had

585
00:35:06,480 --> 00:35:08,600
Speaker 1: him on the front page that he's not paying for.

586
00:35:09,280 --> 00:35:14,000
Speaker 1: They had him on a Also people listen to you

587
00:35:14,080 --> 00:35:17,840
Speaker 1: may also like, it's the same thing with YouTube that

588
00:35:17,840 --> 00:35:21,759
Speaker 1: that fuck who's coming to click on this video? The

589
00:35:21,760 --> 00:35:26,160
Speaker 1: most important spot on that YouTube page is that up

590
00:35:26,280 --> 00:35:30,879
Speaker 1: next suggestion box. Once you get into that, that algorithm

591
00:35:30,880 --> 00:35:33,640
Speaker 1: pick you up. It's a monster. So Adelle spoke to

592
00:35:34,120 --> 00:35:38,240
Speaker 1: listen basically, don't use me to keep people on the platform.

593
00:35:38,280 --> 00:35:40,080
Speaker 1: I don't even know if she was knowing she was

594
00:35:40,120 --> 00:35:42,600
Speaker 1: saying that, because she may not be aware of the

595
00:35:42,640 --> 00:35:45,080
Speaker 1: business model. She may just think that all that's weird.

596
00:35:45,160 --> 00:35:47,920
Speaker 1: Why y'all doing that? When I made my album This Way,

597
00:35:48,560 --> 00:35:50,640
Speaker 1: Balloon just told you why they're doing it. Let's get

598
00:35:50,680 --> 00:35:53,040
Speaker 1: into Fetty Wap and Fat Joe. For those of you

599
00:35:53,239 --> 00:35:59,920
Speaker 1: that may be unaware, Fat Joe sat with Fetty Wap

600
00:36:01,560 --> 00:36:06,279
Speaker 1: very informative situation. I'm gonna take this call from my

601
00:36:06,360 --> 00:36:09,239
Speaker 1: mom and we'll get right back into it. All right,

602
00:36:09,280 --> 00:36:12,280
Speaker 1: we're back, but um, we'll get into this Fitty Whopping

603
00:36:12,320 --> 00:36:15,440
Speaker 1: Fat Joe interviewed very powerful conversation. For those of you

604
00:36:15,520 --> 00:36:18,279
Speaker 1: that don't know, Faitty Whapp was just arrested maybe two

605
00:36:18,280 --> 00:36:22,120
Speaker 1: to three weeks ago for a distribution of fitting all

606
00:36:22,200 --> 00:36:24,880
Speaker 1: in a bunch of charges. I think he faces almost

607
00:36:25,000 --> 00:36:30,319
Speaker 1: life in prison in a New Jersey area. And so

608
00:36:30,760 --> 00:36:33,400
Speaker 1: he speaks to Fat Joe. Him and Fat Joe do

609
00:36:33,400 --> 00:36:37,719
Speaker 1: do they want two? And it was a beautiful thing.

610
00:36:37,960 --> 00:36:39,840
Speaker 1: As I said, Fat Joe is a person in this

611
00:36:40,000 --> 00:36:45,200
Speaker 1: space that I think is needed. It's warranted. He needs

612
00:36:45,239 --> 00:36:48,480
Speaker 1: to be here. You know. Um, he gives a certain

613
00:36:48,560 --> 00:36:53,239
Speaker 1: level of O G type status. You know what I'm saying. Now.

614
00:36:53,440 --> 00:36:56,560
Speaker 1: They couldn't talk about the case, of course, but they

615
00:36:56,560 --> 00:36:58,680
Speaker 1: got into a lot of things, and let's let's look

616
00:36:58,680 --> 00:37:01,319
Speaker 1: at a little bit of it and we'll break we'll

617
00:37:01,400 --> 00:37:05,120
Speaker 1: break some of it down before we get into this video. Though,

618
00:37:05,160 --> 00:37:08,640
Speaker 1: I do want to say this he's speaking to right now,

619
00:37:09,960 --> 00:37:15,279
Speaker 1: his ability to make money after going diamond and him

620
00:37:15,320 --> 00:37:19,200
Speaker 1: being jerked out a lot of money and being basically

621
00:37:20,320 --> 00:37:23,240
Speaker 1: food in this industry. Again, I tell you, guys, having

622
00:37:23,239 --> 00:37:26,600
Speaker 1: information in this industry is way more important than having

623
00:37:26,600 --> 00:37:31,480
Speaker 1: the funding, than having the fame, than having anything. The

624
00:37:31,560 --> 00:37:34,239
Speaker 1: information is the most important thing. That's why I've been

625
00:37:34,239 --> 00:37:36,680
Speaker 1: some people that's been in the industry for the year.

626
00:37:37,680 --> 00:37:39,919
Speaker 1: They saw rappers come and go, but they've been able

627
00:37:39,960 --> 00:37:43,640
Speaker 1: to feed their family from this industry all that time. Um,

628
00:37:44,120 --> 00:37:46,839
Speaker 1: but let's take a look at what FEddi wop. In fact,

629
00:37:46,920 --> 00:37:55,480
Speaker 1: Joe was speaking about what I'm saying. You're on fire,

630
00:37:55,480 --> 00:38:03,120
Speaker 1: you're breaking records cold like just joined the game, running

631
00:38:03,160 --> 00:38:08,040
Speaker 1: the game. Did you take a break or what's that

632
00:38:08,160 --> 00:38:14,080
Speaker 1: a highten? Let's let's be clip. Trap Queen sold when

633
00:38:14,160 --> 00:38:18,160
Speaker 1: you sold more records than me? Trap Queens hold ten

634
00:38:18,239 --> 00:38:22,560
Speaker 1: million fucking records? Dyning, Do you know what ten million?

635
00:38:22,600 --> 00:38:27,960
Speaker 1: Al right, guys, ten million is uh the food Jeans,

636
00:38:28,000 --> 00:38:33,000
Speaker 1: the legendary album. UM ten million is um Nellie when

637
00:38:33,000 --> 00:38:36,960
Speaker 1: he was on fire. Ten million is fifty sets first album,

638
00:38:37,800 --> 00:38:43,520
Speaker 1: just legendary, legendary like shit, that's like the Jerseys is

639
00:38:43,520 --> 00:38:49,719
Speaker 1: in the Raptors. You sold ten million records right then?

640
00:38:49,800 --> 00:38:54,560
Speaker 1: You like to me, it feels like you disappeared, like

641
00:38:54,680 --> 00:38:57,839
Speaker 1: you just fell back. Was there a reason or an

642
00:38:57,880 --> 00:39:02,399
Speaker 1: issue for you, like for going back. Um, I mean

643
00:39:03,040 --> 00:39:05,720
Speaker 1: if I could say, like, if I could say something myself,

644
00:39:05,760 --> 00:39:08,520
Speaker 1: I'll say it was like more so the people I

645
00:39:08,640 --> 00:39:13,160
Speaker 1: had around me wasn't experienced, you know what I mean, Like, um,

646
00:39:14,719 --> 00:39:19,960
Speaker 1: nobody was experienced honestly, management, homeboy management. We know we

647
00:39:20,160 --> 00:39:24,399
Speaker 1: I did it too, you know what I mean. And

648
00:39:24,440 --> 00:39:28,720
Speaker 1: what happened, it was just like, uh, in the process,

649
00:39:28,760 --> 00:39:30,120
Speaker 1: I mean, you know, you know how to go. You

650
00:39:30,120 --> 00:39:31,920
Speaker 1: feel me In the process, I'm trying to figure out, like,

651
00:39:31,960 --> 00:39:34,080
Speaker 1: all right, why that's going on, why that's going on?

652
00:39:34,480 --> 00:39:36,239
Speaker 1: You know what I mean? Like and then you know

653
00:39:36,440 --> 00:39:39,279
Speaker 1: the finance part, like yo, like what something with this

654
00:39:39,440 --> 00:39:41,319
Speaker 1: or something with that? Like you know what I mean.

655
00:39:41,360 --> 00:39:43,000
Speaker 1: They're telling me one thing, you know what I mean,

656
00:39:43,040 --> 00:39:44,440
Speaker 1: I put it. I'll put it through you like this.

657
00:39:45,400 --> 00:39:48,000
Speaker 1: Before I got on, you know, they were telling me, like,

658
00:39:48,040 --> 00:39:51,839
Speaker 1: you know, every every platinum record, every time you go platinum,

659
00:39:51,880 --> 00:39:54,960
Speaker 1: they supposedly they said, you get a million dollars. You

660
00:39:55,000 --> 00:39:57,600
Speaker 1: know what I'm saying. So we went platinum in four weeks.

661
00:39:58,920 --> 00:40:01,239
Speaker 1: You feel me, so you know, I'm like, uh, what

662
00:40:01,400 --> 00:40:06,239
Speaker 1: I check out? Remember that? Three weeks later after that,

663
00:40:06,360 --> 00:40:09,080
Speaker 1: we went double playing vote like, all right, that's two

664
00:40:09,120 --> 00:40:12,160
Speaker 1: in account right there. Like you feel me? So now

665
00:40:12,200 --> 00:40:14,640
Speaker 1: now all the lives is coming, now, all the logs

666
00:40:14,760 --> 00:40:18,239
Speaker 1: is flowing, you feel me like, all right, no this

667
00:40:18,800 --> 00:40:21,720
Speaker 1: you signed to somebody and then signed to a label

668
00:40:21,719 --> 00:40:25,879
Speaker 1: with you Like, yeah, I'm still I'm still double sign

669
00:40:25,960 --> 00:40:28,400
Speaker 1: I'm still signed the two different labels I'm signing. Um,

670
00:40:28,719 --> 00:40:35,560
Speaker 1: I'm signed to RJF Buckets, hold the whole whole. Luck

671
00:40:37,880 --> 00:40:42,360
Speaker 1: you see that, and it's important that I speak about that.

672
00:40:42,520 --> 00:40:45,279
Speaker 1: Fairy Whop just said that. Yo, they said that every

673
00:40:45,320 --> 00:40:49,759
Speaker 1: time you go platinum you get a million dollars and

674
00:40:50,000 --> 00:40:54,360
Speaker 1: and still zoomed right past that. That says to me,

675
00:40:54,520 --> 00:40:59,239
Speaker 1: he still don't got the information. Let's put it in perspective.

676
00:40:59,360 --> 00:41:02,680
Speaker 1: Number one one and fedewapp was selling ten million or

677
00:41:02,800 --> 00:41:06,200
Speaker 1: had five records on Billboard at one time. It was

678
00:41:06,280 --> 00:41:11,600
Speaker 1: before streaming, So you're dealing with ten million. So you're

679
00:41:11,640 --> 00:41:17,480
Speaker 1: dealing with ten million record sales, not streams, ten million

680
00:41:17,560 --> 00:41:20,359
Speaker 1: records sales. In fact, Joe, no, you know how much

681
00:41:20,440 --> 00:41:26,480
Speaker 1: money diamond generates if we just deal with record sales

682
00:41:26,560 --> 00:41:31,440
Speaker 1: by self. You're telling me I get a million dollars

683
00:41:31,719 --> 00:41:37,799
Speaker 1: off a million sales off going platinum. There's money all

684
00:41:37,880 --> 00:41:40,759
Speaker 1: around and that's what that's where the three sixty came from.

685
00:41:41,840 --> 00:41:45,840
Speaker 1: See that three sixty, because it's money all around that platinum.

686
00:41:46,560 --> 00:41:48,480
Speaker 1: That's why I once you go platinum, or you get

687
00:41:48,560 --> 00:41:51,680
Speaker 1: your grandmar or email or Oscar or whatever, it's money

688
00:41:51,800 --> 00:41:57,400
Speaker 1: all around that. It's money all around that. We're talking

689
00:41:57,600 --> 00:42:01,959
Speaker 1: before streaming, and they still ain't gave him the game.

690
00:42:03,080 --> 00:42:05,680
Speaker 1: He's still sitting there there not clear on what a

691
00:42:05,800 --> 00:42:09,000
Speaker 1: million records sales is worth. That's your first question when

692
00:42:09,040 --> 00:42:11,480
Speaker 1: you figure out YO something up with the money. First,

693
00:42:11,560 --> 00:42:16,080
Speaker 1: before we move forward, let's establish what diamond is. Let's

694
00:42:16,120 --> 00:42:20,160
Speaker 1: look at the landscape. Everybody else they win diamond, what

695
00:42:20,280 --> 00:42:24,840
Speaker 1: are they able to do? What's the standard, the industry standard?

696
00:42:24,920 --> 00:42:33,040
Speaker 1: What we're looking at? Sums off, sums off, You know

697
00:42:33,080 --> 00:42:35,279
Speaker 1: what I'm saying. But he's zoomed right past that, and

698
00:42:35,440 --> 00:42:38,560
Speaker 1: unfortunate for us, we don't even give a fuck about

699
00:42:38,600 --> 00:42:42,239
Speaker 1: the information he looking for. Up they said platium million

700
00:42:42,280 --> 00:42:45,840
Speaker 1: dollars one million, platinum to me to million, and then

701
00:42:45,960 --> 00:42:50,399
Speaker 1: went two times platinum. Not once were looking out and saying,

702
00:42:50,719 --> 00:42:55,719
Speaker 1: what it's two times platinum worth? Around? Rap is the

703
00:42:55,840 --> 00:42:58,120
Speaker 1: only thing that you were saying, without giving the fuck

704
00:42:58,160 --> 00:43:01,239
Speaker 1: what is worth? If you gonna sell your car side,

705
00:43:01,239 --> 00:43:03,560
Speaker 1: they're gonna say, what year is it? How's it running?

706
00:43:04,360 --> 00:43:07,439
Speaker 1: What's the making model of it? You could be taking

707
00:43:07,480 --> 00:43:09,600
Speaker 1: it to a junkyard, they still want to know what

708
00:43:09,880 --> 00:43:13,920
Speaker 1: is it? Wrap? The only thing, dudes, is just blind,

709
00:43:15,280 --> 00:43:20,240
Speaker 1: just in it, and it's generating several hundreds of millions

710
00:43:20,280 --> 00:43:23,799
Speaker 1: of dollars, if not billions, You understand. But I had

711
00:43:23,840 --> 00:43:26,400
Speaker 1: to speak on that, bro. You can't just go past that. Bro.

712
00:43:26,480 --> 00:43:32,000
Speaker 1: We're talking a million record sales. Brother, Nah nah, they

713
00:43:32,120 --> 00:43:37,320
Speaker 1: don't work like that, Like just joined the game, running

714
00:43:37,360 --> 00:43:42,239
Speaker 1: the game? Did you take a break or what's that

715
00:43:42,360 --> 00:43:48,279
Speaker 1: a hype? Let's let's be clear. Trap queen, so where

716
00:43:48,360 --> 00:43:52,319
Speaker 1: you sold more records than me? Rack queens hold ten

717
00:43:52,440 --> 00:43:56,680
Speaker 1: million fucking records dying? Do you know what ten million?

718
00:43:56,880 --> 00:44:02,279
Speaker 1: L right, guys? Ten million is the food Jeans, the

719
00:44:02,400 --> 00:44:07,239
Speaker 1: legendary album. Um ten million is um Nellie when he

720
00:44:07,360 --> 00:44:11,120
Speaker 1: was on fire. Ten million is fifty sets, first album,

721
00:44:12,000 --> 00:44:17,719
Speaker 1: just legendary, legendary, like shit, it's like the Jerseys is

722
00:44:17,760 --> 00:44:23,880
Speaker 1: in the Raptors. You sold ten million records right then?

723
00:44:24,000 --> 00:44:28,719
Speaker 1: You like to me, it feels like you disappeared like

724
00:44:28,920 --> 00:44:32,000
Speaker 1: you just fell back. Was there a reason or an

725
00:44:32,080 --> 00:44:37,640
Speaker 1: issue for you like falling back? Um? I mean if

726
00:44:37,680 --> 00:44:39,880
Speaker 1: I could say, like, if I could say some myself,

727
00:44:39,960 --> 00:44:42,680
Speaker 1: I'll say it was like more so the people I

728
00:44:42,840 --> 00:44:49,320
Speaker 1: had around me wasn't experienced. I mean like, um, nobody

729
00:44:49,440 --> 00:44:53,800
Speaker 1: was experienced. Honestly, Ome Boy Management, Homeboy Management. We know

730
00:44:54,080 --> 00:44:56,160
Speaker 1: we I did it too, did you know what I mean?

731
00:44:56,719 --> 00:44:59,480
Speaker 1: We all did it. And what happened it was just

732
00:44:59,600 --> 00:45:03,600
Speaker 1: like uh, in the process, I mean, you know, you

733
00:45:03,719 --> 00:45:05,120
Speaker 1: know how to go. You feel me. In the process,

734
00:45:05,160 --> 00:45:06,839
Speaker 1: I'm trying to figure out, like all right, why that's

735
00:45:06,840 --> 00:45:09,239
Speaker 1: going on? Why that's going on? You know what I mean?

736
00:45:09,400 --> 00:45:12,480
Speaker 1: Like and then you know the finance part, like yo,

737
00:45:12,719 --> 00:45:14,400
Speaker 1: like what's up with this or something with that? Like

738
00:45:15,000 --> 00:45:16,560
Speaker 1: you know what I mean. They're telling me one thing,

739
00:45:16,760 --> 00:45:17,920
Speaker 1: you know what I mean, I put it. I'll put

740
00:45:18,000 --> 00:45:21,360
Speaker 1: it through you like this. Before I got on, you know,

741
00:45:21,440 --> 00:45:24,320
Speaker 1: they were telling me, like, you know, every every platinum record,

742
00:45:24,400 --> 00:45:27,279
Speaker 1: every time you go platinum, they supposedly they said, you

743
00:45:27,360 --> 00:45:29,920
Speaker 1: get a million dollars. You know what I'm saying. So

744
00:45:30,280 --> 00:45:33,800
Speaker 1: we went platinum in four weeks. You feel me? So

745
00:45:34,120 --> 00:45:36,360
Speaker 1: you know I'm like, uh, what I check out? Like

746
00:45:39,320 --> 00:45:41,960
Speaker 1: three weeks later after that, we went double play. I'm

747
00:45:42,120 --> 00:45:44,200
Speaker 1: vote like, all right, that's two in account right there,

748
00:45:44,600 --> 00:45:47,440
Speaker 1: Like you feel me so now now all the lives

749
00:45:47,560 --> 00:45:49,799
Speaker 1: is coming, Now, all the lives is flowing. You feel

750
00:45:49,840 --> 00:45:54,560
Speaker 1: me like, h nah, this was signed to somebody and

751
00:45:54,680 --> 00:45:58,759
Speaker 1: then't signed to a lady with you Like, yeah, I'm

752
00:45:58,800 --> 00:46:01,360
Speaker 1: still I'm still double I'm still signing the two different

753
00:46:01,400 --> 00:46:05,440
Speaker 1: labels I'm signing. Um, I'm signed to RJF Buckets while

754
00:46:05,440 --> 00:46:08,080
Speaker 1: I started off that and I'm still signing a three hundred.

755
00:46:09,880 --> 00:46:14,200
Speaker 1: My thing is And so because you thought the money

756
00:46:14,320 --> 00:46:16,400
Speaker 1: wasn't coming, because I'm not gonna lie, don't give you

757
00:46:16,440 --> 00:46:20,680
Speaker 1: a million dollars. You're supposed to get some money, big money.

758
00:46:22,239 --> 00:46:26,319
Speaker 1: I don't know what he's saying, but number one, ten

759
00:46:26,440 --> 00:46:29,239
Speaker 1: million record sales generates a lot of money. I made

760
00:46:29,320 --> 00:46:32,399
Speaker 1: that point. The second point I would like to make

761
00:46:32,520 --> 00:46:34,799
Speaker 1: young creators out there hit me and hit me well,

762
00:46:35,280 --> 00:46:37,600
Speaker 1: and don't let them trick you into thinking that loom

763
00:46:37,719 --> 00:46:40,440
Speaker 1: don't know what he's talking about. I'm clearing my understanding,

764
00:46:40,480 --> 00:46:44,120
Speaker 1: I'm clearing my objectives, and I'm definitely clearing my position.

765
00:46:44,320 --> 00:46:47,439
Speaker 1: Right I've studied the game. I'm a student of the game.

766
00:46:47,520 --> 00:46:50,360
Speaker 1: I can now two the dudes in the game. But

767
00:46:50,480 --> 00:46:52,640
Speaker 1: I find it to be ineffective. I don't want to

768
00:46:53,680 --> 00:46:55,279
Speaker 1: do what I see a lot of the people doing

769
00:46:55,440 --> 00:47:02,040
Speaker 1: right now. But always remember right, hit me and hit me. Well,

770
00:47:02,200 --> 00:47:05,479
Speaker 1: when you are negotiating with a company, your benchmark should

771
00:47:05,520 --> 00:47:10,279
Speaker 1: never be a number, meaning what you get paid should

772
00:47:10,320 --> 00:47:13,279
Speaker 1: never be a number. It should always be a percentage,

773
00:47:16,400 --> 00:47:19,560
Speaker 1: because how can we box in some number. We can

774
00:47:19,640 --> 00:47:22,560
Speaker 1: box in a guaranteed number, but we still need to

775
00:47:22,600 --> 00:47:28,080
Speaker 1: speak to percentages in here somewhere, and it's unfortunate that

776
00:47:28,719 --> 00:47:33,200
Speaker 1: he's still maneuvering without that information. Listen, I supposed that

777
00:47:33,280 --> 00:47:38,200
Speaker 1: had got a percentage off of something, and we did

778
00:47:38,320 --> 00:47:42,400
Speaker 1: ten times platinum. Where's that percentage of mind? Fuck that

779
00:47:42,560 --> 00:47:45,279
Speaker 1: million dollars. Y'all can take that and give that to

780
00:47:45,400 --> 00:47:48,800
Speaker 1: Uncle Sam if you want. But again, it's about language.

781
00:47:49,640 --> 00:47:52,439
Speaker 1: They don't even know what they're looking for. You can't

782
00:47:52,520 --> 00:47:54,640
Speaker 1: know what a wind looked like because you don't know

783
00:47:54,760 --> 00:47:58,879
Speaker 1: what you're looking for. Again, I speak to somebody taking

784
00:47:58,880 --> 00:48:02,640
Speaker 1: an exclusive deal and then they numbers drop. People think, Nigga,

785
00:48:02,760 --> 00:48:05,600
Speaker 1: that's that's a win. Depending on how much money I

786
00:48:05,719 --> 00:48:10,480
Speaker 1: got for that, Like when I speak about Joe Rogan, like, yo, damn, bro,

787
00:48:10,600 --> 00:48:13,200
Speaker 1: you're losing three four million dollars in marketing in a

788
00:48:13,280 --> 00:48:16,640
Speaker 1: week because you used to get the suggestion box on

789
00:48:16,840 --> 00:48:22,200
Speaker 1: every single podcast platform. Periods you would get there. You

790
00:48:22,440 --> 00:48:25,359
Speaker 1: probably also like because you should listen to or people

791
00:48:25,440 --> 00:48:28,360
Speaker 1: also are listening to. That's an important place to be.

792
00:48:28,560 --> 00:48:31,960
Speaker 1: I just explained the real estate. I just explained that.

793
00:48:32,400 --> 00:48:35,640
Speaker 1: But by me losing that marketing, they've locked me in

794
00:48:35,880 --> 00:48:39,960
Speaker 1: for hundreds of millions of dollars on this side. So

795
00:48:40,800 --> 00:48:42,680
Speaker 1: I'll take that hit for a little while as soon

796
00:48:42,719 --> 00:48:45,359
Speaker 1: as I jump back out. My brand is my brand,

797
00:48:45,440 --> 00:48:50,040
Speaker 1: My people is my people. They're coming back. Not only

798
00:48:50,080 --> 00:48:53,640
Speaker 1: are they coming back, I've effectively helped y'all build a

799
00:48:53,760 --> 00:48:58,040
Speaker 1: sub section of the biggest music platform that's already out there.

800
00:48:59,520 --> 00:49:02,120
Speaker 1: But again you gotta think, like Spotify, why that's why,

801
00:49:02,520 --> 00:49:05,040
Speaker 1: that's why people don't know why that shuffle button, why

802
00:49:05,080 --> 00:49:07,239
Speaker 1: that shuffle thing is that they think it's just as

803
00:49:07,280 --> 00:49:12,080
Speaker 1: simple as oh man, that's weird, No, bro, it's this.

804
00:49:12,680 --> 00:49:15,440
Speaker 1: They're scientists with where they place these things and how

805
00:49:15,520 --> 00:49:19,719
Speaker 1: they do these things right, So they they're building a

806
00:49:19,840 --> 00:49:27,000
Speaker 1: subsection of already multi billion dollar platform with podcasting. That's

807
00:49:27,080 --> 00:49:31,040
Speaker 1: why you see the exclusivity deals because we want to

808
00:49:31,120 --> 00:49:35,759
Speaker 1: take people excuse me, we want to take people off

809
00:49:35,880 --> 00:49:38,920
Speaker 1: platform onto this platform, and then when we get them here,

810
00:49:39,440 --> 00:49:42,799
Speaker 1: we want them to stay here. See that's a two

811
00:49:42,880 --> 00:49:47,480
Speaker 1: step process. I doubt that they're helping Rogan secure any interviews,

812
00:49:48,520 --> 00:49:51,799
Speaker 1: right because his network is his network. Without Spotify, they

813
00:49:51,880 --> 00:49:53,960
Speaker 1: don't have to reach out. People want to come talk

814
00:49:54,000 --> 00:49:56,759
Speaker 1: to him. So he's a unique place. He's in a

815
00:49:56,880 --> 00:50:00,600
Speaker 1: unique place. He's a unique person in this field. But again,

816
00:50:01,080 --> 00:50:06,080
Speaker 1: it's crazy to hear ten million records being sold. Somebody's

817
00:50:06,120 --> 00:50:10,480
Speaker 1: looking for a couple of million dollars and it's like, Dad,

818
00:50:10,520 --> 00:50:15,680
Speaker 1: ain't even now, that's crazy. Let's get back to it.

819
00:50:19,320 --> 00:50:22,080
Speaker 1: Because of that, did you did? Did you fall back

820
00:50:22,320 --> 00:50:24,400
Speaker 1: because you you didn't see how the eye with the

821
00:50:24,520 --> 00:50:29,480
Speaker 1: label or who you would signed with? Did you? Like? Yeah,

822
00:50:29,520 --> 00:50:31,280
Speaker 1: I felt like I had to do that thing myself,

823
00:50:31,960 --> 00:50:33,680
Speaker 1: you feel me? Like for the toys, I put up

824
00:50:33,719 --> 00:50:37,200
Speaker 1: all the brand, for the tours, um I paid for

825
00:50:37,280 --> 00:50:41,400
Speaker 1: all the tour buses. Everything came out of my expenses,

826
00:50:41,440 --> 00:50:42,520
Speaker 1: Like you know what I'm saying. It was like I

827
00:50:42,600 --> 00:50:44,640
Speaker 1: gotta pay y'all, but I'm paying for everything else she

828
00:50:44,760 --> 00:50:48,520
Speaker 1: feeled me. So it was like, um, I kind of assist.

829
00:50:48,600 --> 00:50:50,520
Speaker 1: I kind of got like the press in assise, you

830
00:50:50,560 --> 00:50:54,080
Speaker 1: feel me like if I'm front man, why nobody backing me?

831
00:50:54,200 --> 00:50:55,920
Speaker 1: You know what I mean? Like, and it was just

832
00:50:56,040 --> 00:50:58,919
Speaker 1: like I ain't about to go broke, trying to trying

833
00:50:58,920 --> 00:51:01,239
Speaker 1: to figure out why what's going on? You know. I mean,

834
00:51:01,280 --> 00:51:03,080
Speaker 1: I'm gonna save my money, like I ain't gonna like,

835
00:51:03,440 --> 00:51:06,040
Speaker 1: you know, like where we come from, I ain't. I

836
00:51:06,080 --> 00:51:08,120
Speaker 1: ain't really gonna like no, I mean, I ain't gonna

837
00:51:08,160 --> 00:51:09,759
Speaker 1: let nobody play with my paper, you know what I mean.

838
00:51:09,880 --> 00:51:11,880
Speaker 1: So it was like I gotta hold on to what

839
00:51:12,000 --> 00:51:14,640
Speaker 1: I got before it all be gone for me. I

840
00:51:14,680 --> 00:51:16,880
Speaker 1: don't want to look rich and be broke like you know.

841
00:51:17,480 --> 00:51:21,360
Speaker 1: Let me give you some information, right, Um, if you

842
00:51:21,520 --> 00:51:26,680
Speaker 1: have a song that went diamond, you should be able

843
00:51:26,800 --> 00:51:30,319
Speaker 1: to make money to you eighty years old, not off

844
00:51:30,600 --> 00:51:35,120
Speaker 1: the particular song, although you will with licensinges and stuff

845
00:51:35,200 --> 00:51:39,000
Speaker 1: like that, but you should be able to do a

846
00:51:39,120 --> 00:51:42,320
Speaker 1: show to you eighty years old. You ever heard of

847
00:51:42,400 --> 00:51:44,600
Speaker 1: raw base? You might be too old for you. Yeah,

848
00:51:46,440 --> 00:51:49,279
Speaker 1: they still to make a thing. Go right, and see

849
00:51:50,040 --> 00:51:53,399
Speaker 1: that's another that's another thing. Right, so you're here, Fat Joe,

850
00:51:53,520 --> 00:51:55,719
Speaker 1: try to give them a little game like, yo, man,

851
00:51:55,800 --> 00:51:58,279
Speaker 1: that sounds crazy, because again I just explained to you

852
00:51:58,400 --> 00:52:01,680
Speaker 1: it sounds crazy. It ain't no cut on that. That

853
00:52:01,800 --> 00:52:06,160
Speaker 1: sounds crazy. Right, And shout out, you know, shout out

854
00:52:06,239 --> 00:52:09,920
Speaker 1: Fat Joe. You know, like I say, shout out Fat Joe.

855
00:52:10,000 --> 00:52:12,759
Speaker 1: He's in this space, you know, navigating around and and

856
00:52:13,160 --> 00:52:17,560
Speaker 1: doing this thing. You know what I'm saying, um with

857
00:52:17,719 --> 00:52:20,120
Speaker 1: his podcast or his show or whatever. You know, this

858
00:52:20,480 --> 00:52:23,200
Speaker 1: is that he's doing UM and again and again. He's

859
00:52:23,239 --> 00:52:26,200
Speaker 1: somebody that people like to talk to UM, So shout

860
00:52:26,239 --> 00:52:28,800
Speaker 1: out to him. What I find unfortunate, though, is that

861
00:52:28,920 --> 00:52:32,319
Speaker 1: in the South, we gotta scratch in cloth for for particulars,

862
00:52:32,360 --> 00:52:37,680
Speaker 1: for any space in this industry. Picture that, right. You

863
00:52:37,800 --> 00:52:40,120
Speaker 1: got dudes like Fat Joe and them, a couple of

864
00:52:40,120 --> 00:52:43,200
Speaker 1: other dudes up there. They're doing podcasts on sale phones

865
00:52:44,680 --> 00:52:47,840
Speaker 1: and they still securing deals and aid sponsorships. I know

866
00:52:47,920 --> 00:52:50,279
Speaker 1: it's about who he is, but in the South you

867
00:52:50,400 --> 00:52:53,080
Speaker 1: got people with notoriety. They're just doing things that ain't

868
00:52:53,120 --> 00:52:55,879
Speaker 1: getting that same look. I don't think that's about Fat

869
00:52:56,000 --> 00:52:58,280
Speaker 1: Joe again, let me be clear with what I'm saying.

870
00:52:58,560 --> 00:53:02,360
Speaker 1: I'm not talking directly the podcasters or rappers or people

871
00:53:02,880 --> 00:53:05,920
Speaker 1: from up north for anything like that. I'm talking to

872
00:53:06,120 --> 00:53:09,799
Speaker 1: companies and less podcasters or whoever want to they take

873
00:53:09,840 --> 00:53:12,399
Speaker 1: it that way, then we gotta see what they look

874
00:53:12,480 --> 00:53:15,040
Speaker 1: like when we bump into each other. But I'm talking

875
00:53:15,120 --> 00:53:18,000
Speaker 1: to the companies and to the people that's putting these

876
00:53:18,080 --> 00:53:21,279
Speaker 1: things in position in place. Right when you're in the South,

877
00:53:21,400 --> 00:53:23,239
Speaker 1: you gotta spend a honey k on your set. You

878
00:53:23,320 --> 00:53:26,440
Speaker 1: gotta shoot in eight k, spend five hundred thousand for

879
00:53:26,600 --> 00:53:30,160
Speaker 1: interviews with these suckers, and still they do to know. Look,

880
00:53:30,239 --> 00:53:33,160
Speaker 1: we gotta scratching coffee any kind of position with the

881
00:53:33,280 --> 00:53:36,640
Speaker 1: South running rap. Picture that the South runs hip hop.

882
00:53:37,800 --> 00:53:41,040
Speaker 1: Yet the South is running everywhere but the South. To talk,

883
00:53:42,200 --> 00:53:45,319
Speaker 1: shout out the big facts. They gotta come high, let them.

884
00:53:45,960 --> 00:53:48,399
Speaker 1: But outside of that, what they're doing in the South

885
00:53:48,480 --> 00:53:50,520
Speaker 1: when we running hip hop, When I look at Joe

886
00:53:50,560 --> 00:53:53,000
Speaker 1: Button and Little Baby sitting next to each other's cringe

887
00:53:53,120 --> 00:53:57,720
Speaker 1: worth and Joe Button is a goal and little Baby

888
00:53:57,920 --> 00:54:01,520
Speaker 1: is the goal. Right, So we're dealing with two people

889
00:54:01,560 --> 00:54:04,480
Speaker 1: that's goats in their space. But we're dealing with a

890
00:54:04,760 --> 00:54:10,040
Speaker 1: communication barrier. We're dealing with we don't even understand. I

891
00:54:10,200 --> 00:54:12,759
Speaker 1: remember Baby says something, I can't remember what it was,

892
00:54:13,080 --> 00:54:17,960
Speaker 1: but Joe Budden answered a totally different question because he

893
00:54:18,040 --> 00:54:20,960
Speaker 1: couldn't even understand. Again, we got to talk to us.

894
00:54:21,040 --> 00:54:23,520
Speaker 1: And when I say us, I do mean go high

895
00:54:23,560 --> 00:54:27,400
Speaker 1: let Joe, go high let whoever you want to high let,

896
00:54:27,680 --> 00:54:30,440
Speaker 1: but make sure you high let your people that con

897
00:54:30,520 --> 00:54:33,560
Speaker 1: further your story. That understand what you're saying when you're saying,

898
00:54:33,600 --> 00:54:36,200
Speaker 1: man infol opt out. We was dripped up in And

899
00:54:36,360 --> 00:54:38,560
Speaker 1: I get where you're going with that. I'm right with

900
00:54:38,760 --> 00:54:43,880
Speaker 1: you some kind of way. They don't trick the South Again,

901
00:54:44,000 --> 00:54:50,240
Speaker 1: I'm not talking people in particular companies and the historians

902
00:54:50,440 --> 00:54:55,240
Speaker 1: of the industry has tricked the South rappers that media

903
00:54:56,000 --> 00:55:03,560
Speaker 1: has to take place everywhere but the South, and I come,

904
00:55:03,880 --> 00:55:07,000
Speaker 1: I come to change that. I think we gotta, we

905
00:55:07,120 --> 00:55:09,160
Speaker 1: gotta take a look at that. But you think I

906
00:55:09,280 --> 00:55:14,120
Speaker 1: don't expect Kendrick Lamartino sit with Big Boy, to go

907
00:55:14,280 --> 00:55:19,799
Speaker 1: sit with Bootleg keV and them dudes where they can

908
00:55:19,920 --> 00:55:23,240
Speaker 1: really understand them because they was ingratiated with the culture

909
00:55:23,880 --> 00:55:26,440
Speaker 1: out that way. Right, and when they sit with me,

910
00:55:26,600 --> 00:55:31,239
Speaker 1: we'll have a moment. We'll do good. But with the South, right,

911
00:55:32,040 --> 00:55:37,279
Speaker 1: you see a lot of us get ritten off. You

912
00:55:37,400 --> 00:55:40,080
Speaker 1: write it off in the history books. I just spoke

913
00:55:40,120 --> 00:55:43,440
Speaker 1: to you last week. Look who just squashed draking Kanye Shit,

914
00:55:43,560 --> 00:55:48,480
Speaker 1: that was a dude from the South. We just spoke

915
00:55:48,520 --> 00:55:50,879
Speaker 1: about Baby going on big facts. Look what he's done

916
00:55:50,920 --> 00:55:52,839
Speaker 1: to the game. Look what Pe done to the game.

917
00:55:55,880 --> 00:55:58,800
Speaker 1: But when we talk about hip hop, we talk about

918
00:55:58,800 --> 00:56:07,080
Speaker 1: the other big dogs. Jay did it, Dre. They've Lettingnas

919
00:56:07,120 --> 00:56:12,480
Speaker 1: creep into that now too, which they belong. There's just

920
00:56:12,600 --> 00:56:15,400
Speaker 1: some other people belong there too. And that's just my

921
00:56:15,600 --> 00:56:18,000
Speaker 1: outlook on the situation, you know, in regards to where

922
00:56:18,000 --> 00:56:22,200
Speaker 1: the game currently sits. You see what I'm saying. But again,

923
00:56:22,560 --> 00:56:24,920
Speaker 1: it just it's crazy to see us have to do

924
00:56:25,120 --> 00:56:27,799
Speaker 1: so much in the South with us running the game,

925
00:56:28,400 --> 00:56:30,960
Speaker 1: and maybe that's about us, Maybe that's say more about

926
00:56:31,080 --> 00:56:33,520
Speaker 1: us than it do. Or is it the trickery? What

927
00:56:33,800 --> 00:56:37,920
Speaker 1: is it? What is it? Why why the South dudes

928
00:56:38,000 --> 00:56:40,120
Speaker 1: got to chase each other down for the other South

929
00:56:40,239 --> 00:56:43,000
Speaker 1: dudes to get on the show. What is that about?

930
00:56:44,640 --> 00:56:46,680
Speaker 1: And they're going up to New York and they call

931
00:56:46,800 --> 00:56:49,160
Speaker 1: it in and I'll take fifteen minutes on your show.

932
00:56:49,840 --> 00:56:53,719
Speaker 1: I take an eight minute slot, man, I'll pay. I

933
00:56:53,880 --> 00:56:57,360
Speaker 1: know the look is important, but the moment, the moment

934
00:56:57,560 --> 00:57:00,879
Speaker 1: sometimes carry a look. When you get with some young

935
00:57:01,080 --> 00:57:03,840
Speaker 1: with with somebody that you can really create a moment with,

936
00:57:04,280 --> 00:57:07,400
Speaker 1: sometimes that's gonna get the look. Boy. Right there, you

937
00:57:07,520 --> 00:57:11,360
Speaker 1: already got enough eyes to trampoline yourself. You see what

938
00:57:11,360 --> 00:57:14,000
Speaker 1: I'm saying. By ever then that people don't understand that.

939
00:57:14,120 --> 00:57:20,640
Speaker 1: But but again, my job is to reinterate and repeat. Right,

940
00:57:21,360 --> 00:57:25,960
Speaker 1: Loon represents the South. Um, it's up the podcast. I'm

941
00:57:26,040 --> 00:57:30,320
Speaker 1: pushing the hard line you know with my podcasts, and um,

942
00:57:32,000 --> 00:57:33,880
Speaker 1: we're gonna take over. Man. But let's look at a

943
00:57:33,920 --> 00:57:40,640
Speaker 1: little bit more. What Warfitter was saying, norty body nature,

944
00:57:40,760 --> 00:57:49,200
Speaker 1: hip hop parade. When a certain caliber of soon you

945
00:57:49,360 --> 00:57:53,000
Speaker 1: can perform and you can get money until you eighty

946
00:57:53,200 --> 00:58:01,840
Speaker 1: years old. Bro right. So Um by saying that, I'm saying,

947
00:58:03,480 --> 00:58:05,439
Speaker 1: you know you can get that money on that road

948
00:58:05,600 --> 00:58:08,560
Speaker 1: no matter what. People fuck with you. They love Fattyboy,

949
00:58:09,160 --> 00:58:14,880
Speaker 1: they support you. Um and uh, fat Joe is not

950
00:58:15,080 --> 00:58:18,720
Speaker 1: understanding though he don't have the information. Who do I hire?

951
00:58:18,880 --> 00:58:21,400
Speaker 1: What manager? How do I go around my current deal

952
00:58:21,520 --> 00:58:23,440
Speaker 1: when they get in the way and raised or nothing like?

953
00:58:23,800 --> 00:58:28,880
Speaker 1: It's ship under that, it's specific information under that. But

954
00:58:29,480 --> 00:58:31,960
Speaker 1: because it's so many people watching, and we got this

955
00:58:32,160 --> 00:58:34,640
Speaker 1: problem too, and I even have it, I gotta fight

956
00:58:34,800 --> 00:58:37,280
Speaker 1: it a lot of times when it comes, I gotta

957
00:58:37,520 --> 00:58:41,200
Speaker 1: I gotta have a conscious effort, right, I gotta make

958
00:58:41,240 --> 00:58:44,760
Speaker 1: a conscious effort to fight it. That thing where you

959
00:58:44,800 --> 00:58:47,240
Speaker 1: don't want to look dumb or feel dumb, right, there's

960
00:58:47,280 --> 00:58:49,760
Speaker 1: so many people watching. You don't want to be like

961
00:58:50,080 --> 00:58:52,680
Speaker 1: but I mean or do it's fat Joe the person

962
00:58:52,800 --> 00:58:56,400
Speaker 1: to get that information from, But you don't want to

963
00:58:56,440 --> 00:58:59,160
Speaker 1: be like, Yo, yo, bro, I know, I know what

964
00:58:59,240 --> 00:59:02,560
Speaker 1: you're saying, but I don't know how, bro, Like, how

965
00:59:02,640 --> 00:59:04,560
Speaker 1: do I get the money on the road? Where at

966
00:59:04,680 --> 00:59:07,480
Speaker 1: I'm looking for the money on the road? That's my vibe, right,

967
00:59:07,680 --> 00:59:10,040
Speaker 1: because I'm always one foot in front the others. So

968
00:59:10,160 --> 00:59:13,280
Speaker 1: ain't no pride associated with me telling something? Yo, I'm

969
00:59:13,320 --> 00:59:16,120
Speaker 1: looking for the paper? Where at? How telling about some

970
00:59:16,200 --> 00:59:18,720
Speaker 1: money on the what road? When I'm on the way? Now?

971
00:59:19,760 --> 00:59:21,760
Speaker 1: She when are you telling about boy road? You got

972
00:59:21,880 --> 00:59:24,720
Speaker 1: something down there? Man? We can still be doing the

973
00:59:24,800 --> 00:59:29,280
Speaker 1: interview I'm headed to the airport on the interview, you

974
00:59:29,360 --> 00:59:32,600
Speaker 1: see what I'm saying. So again, but if I ain't

975
00:59:32,680 --> 00:59:35,000
Speaker 1: getting the money out there, then it means I don't

976
00:59:35,040 --> 00:59:37,040
Speaker 1: know how to get it out there. You know what

977
00:59:37,080 --> 00:59:42,000
Speaker 1: I'm saying. What do you say? Because I'm trying to

978
00:59:42,120 --> 00:59:45,040
Speaker 1: keep you know, you know, because I'm gonna just keep

979
00:59:45,080 --> 00:59:50,360
Speaker 1: it real with you, right, it's fetty wack thus far

980
00:59:50,640 --> 00:59:54,200
Speaker 1: to me, it's a lot of pain with fetdi wa.

981
00:59:54,480 --> 00:59:57,480
Speaker 1: It's a lot of pain because you're a beautiful person

982
00:59:57,560 --> 01:00:00,280
Speaker 1: and I know it, and you're a great guy man,

983
01:00:00,840 --> 01:00:05,400
Speaker 1: and you did it phenomenal shit one, two, three, four,

984
01:00:05,600 --> 01:00:08,000
Speaker 1: number ones in one year. Nobody ever did that ship

985
01:00:08,800 --> 01:00:14,120
Speaker 1: and they fucking like no rapper, nobody, nobody ever did that.

986
01:00:14,880 --> 01:00:17,240
Speaker 1: There should be no way on earth that you should

987
01:00:17,240 --> 01:00:21,000
Speaker 1: have some type of money issue money, struggle money that

988
01:00:21,200 --> 01:00:27,200
Speaker 1: there's no way on earth that you should have that. Now,

989
01:00:28,560 --> 01:00:32,640
Speaker 1: oh recently, and we and we aren't talking like that,

990
01:00:32,760 --> 01:00:36,920
Speaker 1: but recently we heard the news you got locked up.

991
01:00:37,600 --> 01:00:42,080
Speaker 1: Broke my heart. So I went and there's the wildest

992
01:00:42,080 --> 01:00:44,920
Speaker 1: shit I ever throught out whatever here right, And I'm

993
01:00:45,000 --> 01:00:47,640
Speaker 1: just like, damn, man, this guy can't catch your break

994
01:00:48,640 --> 01:00:56,920
Speaker 1: and Are you taking the court situation serious? Do you

995
01:00:57,080 --> 01:01:01,280
Speaker 1: have people like the right lawyers everything, taking this very

996
01:01:01,520 --> 01:01:05,320
Speaker 1: very very serious? Fetti Yeah, of course you know I

997
01:01:05,400 --> 01:01:07,240
Speaker 1: can't really speak too much, but of course no, no,

998
01:01:07,360 --> 01:01:11,520
Speaker 1: you shouldn't speak at all. But I'm saying, do you

999
01:01:11,800 --> 01:01:15,280
Speaker 1: have the right team taking care because you know this

1000
01:01:15,480 --> 01:01:26,120
Speaker 1: is real shit? Yeah? Work, yeah, And so that's that's it.

1001
01:01:26,360 --> 01:01:28,480
Speaker 1: That's the main thing. The main thing is that you

1002
01:01:28,560 --> 01:01:31,160
Speaker 1: got the right people around you taking care of your

1003
01:01:31,240 --> 01:01:35,240
Speaker 1: ship the right way because it's a serious thing, you

1004
01:01:35,320 --> 01:01:37,280
Speaker 1: know what I'm saying. And I'm here to tell you,

1005
01:01:37,360 --> 01:01:42,040
Speaker 1: no matter how alway goes, Fettie Wall still gonna come back,

1006
01:01:42,400 --> 01:01:46,680
Speaker 1: still be big, still live forever, still make money. You

1007
01:01:46,720 --> 01:01:49,640
Speaker 1: know what I'm saying. So you keep your spirits up, bro,

1008
01:01:50,480 --> 01:01:55,160
Speaker 1: keep your spirits up. It's hard, but keep your spirits up. Man. Yeah.

1009
01:01:55,200 --> 01:01:58,320
Speaker 1: I mean, like I lost my daughter. I lost my

1010
01:01:58,440 --> 01:02:02,280
Speaker 1: daughter June twenty fourth. I got that phone call. I

1011
01:02:02,400 --> 01:02:05,200
Speaker 1: got that phone called twelve thirty six pm. Like I'll

1012
01:02:05,240 --> 01:02:07,240
Speaker 1: never forget this day of my life, bro. Like I

1013
01:02:07,400 --> 01:02:09,600
Speaker 1: was sitting down to Miami. I was sitting down to

1014
01:02:09,640 --> 01:02:11,480
Speaker 1: Miami at the streeting spot I go to out there

1015
01:02:12,240 --> 01:02:14,240
Speaker 1: and I had ordered me. I had ordered me a

1016
01:02:14,360 --> 01:02:20,600
Speaker 1: steak skirt, a skirt, steak, wright, some beans and eliminate. Bro,

1017
01:02:21,080 --> 01:02:24,800
Speaker 1: it's my favorite meal for me and my twel thirty

1018
01:02:24,840 --> 01:02:28,120
Speaker 1: six pm. I seen my arm my baby mother number

1019
01:02:28,160 --> 01:02:30,240
Speaker 1: pop up on my phone and at the time he

1020
01:02:30,320 --> 01:02:32,200
Speaker 1: wasn't really getting along like that, you know what I'm saying.

1021
01:02:33,040 --> 01:02:36,520
Speaker 1: So I'm like, I'm thinking to myself like, oh, like

1022
01:02:36,920 --> 01:02:38,640
Speaker 1: I'm about to see my baby feel me like I

1023
01:02:38,760 --> 01:02:41,040
Speaker 1: want to see my daughter. And when I answered the

1024
01:02:41,080 --> 01:02:43,240
Speaker 1: phone twelve thirty six pm, Bro, I never forget it,

1025
01:02:43,320 --> 01:02:46,480
Speaker 1: like like she looked at me, and when she looked

1026
01:02:46,480 --> 01:02:49,520
Speaker 1: at me, I'm like, what's up? Like like, what's up?

1027
01:02:49,920 --> 01:02:51,680
Speaker 1: Did she dropped her head? I hung the phone up

1028
01:02:51,760 --> 01:02:54,560
Speaker 1: like nah, like nah, what's up? Like did she called

1029
01:02:54,600 --> 01:02:57,320
Speaker 1: me back again? For me? Then I seen the test

1030
01:02:57,400 --> 01:02:59,720
Speaker 1: coming down. She's like get over here, like right now,

1031
01:03:00,000 --> 01:03:02,400
Speaker 1: come here, right now, like come here right now. Then

1032
01:03:02,440 --> 01:03:04,600
Speaker 1: she showed the police officer. The police officer was like

1033
01:03:04,680 --> 01:03:07,040
Speaker 1: I'm sorry. When he said I'm sorry, that's when I

1034
01:03:07,080 --> 01:03:10,760
Speaker 1: already like you feel me like, so I say that

1035
01:03:10,880 --> 01:03:13,600
Speaker 1: to say this, like none of my life will ever

1036
01:03:14,960 --> 01:03:17,440
Speaker 1: be that bad that I that's the worst thing that

1037
01:03:17,520 --> 01:03:20,480
Speaker 1: could ever possibly happened to me in my life. I

1038
01:03:20,640 --> 01:03:23,280
Speaker 1: understand so, and I say that to save my head

1039
01:03:23,320 --> 01:03:26,400
Speaker 1: always hard, bro, Like I was in a real dark

1040
01:03:26,480 --> 01:03:28,000
Speaker 1: place after that. Bro, it was right. It was two

1041
01:03:28,080 --> 01:03:31,439
Speaker 1: weeks after my thirtieth birthday. I turned thirty. I turned

1042
01:03:31,520 --> 01:03:33,919
Speaker 1: thirty June suthing with my daughter past John twenty fourth.

1043
01:03:34,960 --> 01:03:39,439
Speaker 1: You feel me, and I'm like, what am I like? Why?

1044
01:03:39,600 --> 01:03:41,280
Speaker 1: You know what I mean? Like it was no Like

1045
01:03:41,440 --> 01:03:43,400
Speaker 1: you know, when you come from a certain when you

1046
01:03:43,480 --> 01:03:45,360
Speaker 1: come from a certain place, you're looking for somebody to

1047
01:03:45,480 --> 01:03:47,080
Speaker 1: you know what I mean, somebody did something. You know

1048
01:03:47,080 --> 01:03:48,360
Speaker 1: what I mean, I'm about to you know what I mean,

1049
01:03:48,440 --> 01:03:51,080
Speaker 1: Like you're trying to You're trying to justify, like it

1050
01:03:51,240 --> 01:03:53,000
Speaker 1: was somebody else that did this, you know what I'm saying.

1051
01:03:53,440 --> 01:03:57,320
Speaker 1: And it's no reason. Bro. And still to this day, bo,

1052
01:03:57,640 --> 01:03:59,800
Speaker 1: I still splip. I still slip it to a dark

1053
01:04:00,240 --> 01:04:02,720
Speaker 1: But I catched myself because I know she's smiling with me,

1054
01:04:02,800 --> 01:04:04,280
Speaker 1: like you know, I mean, I know she's watching down

1055
01:04:04,320 --> 01:04:06,200
Speaker 1: on me. I know she's looking at me like daddy

1056
01:04:06,280 --> 01:04:11,440
Speaker 1: is all gonna be good, Daddy, Like even sometimes I'll

1057
01:04:11,480 --> 01:04:13,520
Speaker 1: be I'll be daydreaming sometimes and I'll be seeing her

1058
01:04:13,520 --> 01:04:14,840
Speaker 1: and she had just woke up to me, like it's

1059
01:04:14,840 --> 01:04:19,240
Speaker 1: all good. You feel me like and and and I

1060
01:04:19,400 --> 01:04:21,240
Speaker 1: like I say I say that to say this, nothing

1061
01:04:21,280 --> 01:04:23,200
Speaker 1: could ever break my spirit. Bro, I walk hard. I

1062
01:04:23,240 --> 01:04:24,960
Speaker 1: work with a smile. Since I was six months I

1063
01:04:25,080 --> 01:04:28,200
Speaker 1: was destined to lose Bro for me. At six months, Bro,

1064
01:04:28,320 --> 01:04:30,160
Speaker 1: when I when I came by my mother room. Five

1065
01:04:30,240 --> 01:04:33,240
Speaker 1: months later, I was born June seven, nineteen ninety one,

1066
01:04:33,280 --> 01:04:35,520
Speaker 1: at nine thirty six am in the morning. Bro, you

1067
01:04:35,560 --> 01:04:38,760
Speaker 1: know what I'm saying. Six months later, I was, I was.

1068
01:04:39,040 --> 01:04:43,120
Speaker 1: I was. I was diagnosed with congenital glaucoma. You feel

1069
01:04:43,200 --> 01:04:45,960
Speaker 1: me now that I was supposed to lose both my eyes.

1070
01:04:46,000 --> 01:04:48,080
Speaker 1: The doctor that helped me shout out to him that

1071
01:04:48,160 --> 01:04:49,919
Speaker 1: I don't even know his name. He like eighty something

1072
01:04:50,040 --> 01:04:51,840
Speaker 1: years old. Right now, you feel me in Philly. My

1073
01:04:51,960 --> 01:04:53,760
Speaker 1: mother had drove to Philly because that's the only place

1074
01:04:53,760 --> 01:04:56,160
Speaker 1: I could do it for me. You know what I mean. Um,

1075
01:04:56,440 --> 01:04:58,880
Speaker 1: he saved one of my He saved my vision in

1076
01:04:59,040 --> 01:05:01,680
Speaker 1: my right eye. And not only did he say my vision,

1077
01:05:01,720 --> 01:05:03,400
Speaker 1: he improved it so people don't even know. I got

1078
01:05:03,440 --> 01:05:05,120
Speaker 1: twenty twenty two visions off this arm, you know what

1079
01:05:05,120 --> 01:05:09,440
Speaker 1: I mean. So, um, my grandfather was an apostle, and

1080
01:05:09,720 --> 01:05:11,680
Speaker 1: he always said like he always said to like my

1081
01:05:11,800 --> 01:05:15,680
Speaker 1: mom's like yo, like yo, um, he gonna be able

1082
01:05:15,720 --> 01:05:17,400
Speaker 1: to see out that are, but just not the way

1083
01:05:17,480 --> 01:05:19,720
Speaker 1: y'all can see out that arm. You feel me? So

1084
01:05:20,040 --> 01:05:22,800
Speaker 1: it was like then I was DestinE to be great.

1085
01:05:23,440 --> 01:05:26,480
Speaker 1: I was always DestinE to be great, but I never

1086
01:05:26,560 --> 01:05:28,520
Speaker 1: knew why, you know what I mean? Then I would

1087
01:05:29,200 --> 01:05:32,120
Speaker 1: It sounded like man, just dealing with a whole bunch

1088
01:05:32,200 --> 01:05:39,160
Speaker 1: of whole bunch of whole bunch of um uncertain uncertainty.

1089
01:05:40,480 --> 01:05:47,840
Speaker 1: Um doubt you understand, and that yo, that she get

1090
01:05:47,960 --> 01:05:52,040
Speaker 1: heavy man. Like That's why I try to tell people

1091
01:05:52,120 --> 01:05:55,440
Speaker 1: like you gotta check on dudes. She get heavy for dudes,

1092
01:05:55,640 --> 01:05:57,280
Speaker 1: you know what I mean. You know, I heard him

1093
01:05:57,320 --> 01:06:02,160
Speaker 1: speak to about as I was saying when he was

1094
01:06:02,280 --> 01:06:05,480
Speaker 1: on tour. He was confused. You know, I'm still funding everything,

1095
01:06:05,680 --> 01:06:09,960
Speaker 1: and you know we're making money, but shit, I'm funding everything.

1096
01:06:10,040 --> 01:06:12,280
Speaker 1: It's you know, I don't really understand what's going on.

1097
01:06:12,480 --> 01:06:15,920
Speaker 1: And for me, when I hear that, what I hear is, oh,

1098
01:06:17,600 --> 01:06:20,240
Speaker 1: you didn't understand when you were supposed to transition and

1099
01:06:20,360 --> 01:06:24,520
Speaker 1: pivot right, yeah, yeah, yeah, yeah, you better know the

1100
01:06:24,640 --> 01:06:28,360
Speaker 1: labels will walk right alongside of you sweating. See, y'all

1101
01:06:28,400 --> 01:06:31,080
Speaker 1: come from a school of my granddaddy, right, and I'm

1102
01:06:31,080 --> 01:06:33,080
Speaker 1: gonna show. I'm gonna show y'all how much game I

1103
01:06:33,240 --> 01:06:37,520
Speaker 1: come from. The type lineage I come from pe uncle Bow,

1104
01:06:37,640 --> 01:06:42,880
Speaker 1: my granddaddy, my granddaddy, My uncle be telling me shout

1105
01:06:42,920 --> 01:06:45,360
Speaker 1: out a cream. My uncle, he'd be telling me right,

1106
01:06:45,400 --> 01:06:47,480
Speaker 1: all these stories. Right, that's why I sat. I get

1107
01:06:47,560 --> 01:06:51,840
Speaker 1: so much game. And see y'all can't deal with me. Um.

1108
01:06:53,120 --> 01:06:58,680
Speaker 1: My granddaddy got so much game right back in the day.

1109
01:06:58,760 --> 01:07:00,920
Speaker 1: He was like a janitor for the school or the

1110
01:07:01,000 --> 01:07:07,960
Speaker 1: hospital or something. He's so supreme game. He know. He

1111
01:07:08,160 --> 01:07:10,440
Speaker 1: walk around this is this is what my uncle you

1112
01:07:10,520 --> 01:07:12,840
Speaker 1: said to him. He walked around with a string with

1113
01:07:13,000 --> 01:07:15,120
Speaker 1: a box on it, right, because you throw the trash

1114
01:07:15,200 --> 01:07:17,920
Speaker 1: in the box. And he would drag the string, dragged

1115
01:07:17,960 --> 01:07:20,320
Speaker 1: the string because again putting the trash in the box.

1116
01:07:20,440 --> 01:07:23,120
Speaker 1: As he go picking up trash and things like that,

1117
01:07:24,400 --> 01:07:27,320
Speaker 1: he doesn't he'd been working there so long. He know

1118
01:07:27,480 --> 01:07:29,800
Speaker 1: the times where he running to the boss, what times

1119
01:07:29,880 --> 01:07:33,640
Speaker 1: they take break, get off, things like that. So as

1120
01:07:33,720 --> 01:07:36,919
Speaker 1: they getting off, they run into him. He doesn't wipe

1121
01:07:37,000 --> 01:07:38,560
Speaker 1: his hand in some dirt and put it on his

1122
01:07:38,680 --> 01:07:42,480
Speaker 1: shirt and you know, made itself sweating. When they see him,

1123
01:07:42,520 --> 01:07:45,720
Speaker 1: they think he getting down. It's the same thing the

1124
01:07:45,840 --> 01:07:49,680
Speaker 1: labels would do. They're running right alongside you, and you

1125
01:07:49,800 --> 01:07:52,520
Speaker 1: don't understand that, Yo, our relationship ain't over. He just

1126
01:07:52,640 --> 01:07:55,600
Speaker 1: got a change. Oh yeah, let me tell you. We

1127
01:07:55,680 --> 01:07:57,800
Speaker 1: gotta ed it right quick. Why I got the music.

1128
01:07:57,880 --> 01:08:00,760
Speaker 1: Listen me and these eight dudes right here uh out,

1129
01:08:00,800 --> 01:08:04,160
Speaker 1: and bought my own studio, my producers in house, all

1130
01:08:04,480 --> 01:08:06,880
Speaker 1: all the dudes features are getting this My home is.

1131
01:08:07,040 --> 01:08:10,640
Speaker 1: I'm using y'all for nothing but y'all being paid no disrespect.

1132
01:08:10,840 --> 01:08:14,640
Speaker 1: But we need to change the relationship, the dynamic of it.

1133
01:08:14,840 --> 01:08:17,120
Speaker 1: I tell you what, Head on over the golf and

1134
01:08:17,200 --> 01:08:23,080
Speaker 1: build my brand, dum head somewhere that they don't know

1135
01:08:23,240 --> 01:08:26,000
Speaker 1: nothing about me, and build this brand up somebody like

1136
01:08:26,120 --> 01:08:30,080
Speaker 1: little Baby. He don't need QC his family, but they

1137
01:08:30,120 --> 01:08:34,160
Speaker 1: don't need to outside label to influence them on music

1138
01:08:34,280 --> 01:08:37,160
Speaker 1: at all. We got music, y'all, worry about all that

1139
01:08:37,280 --> 01:08:39,760
Speaker 1: other shit that we can't really get in. Get me

1140
01:08:39,840 --> 01:08:45,680
Speaker 1: on MSNBC to talk crypto. You know, let's let's do

1141
01:08:45,800 --> 01:08:48,360
Speaker 1: some brand building in some spots that y'all can get in.

1142
01:08:48,680 --> 01:08:52,000
Speaker 1: But one thing I won't let y'all do is sitting

1143
01:08:52,080 --> 01:08:54,439
Speaker 1: next to me and keep collecting as we're moving up

1144
01:08:54,479 --> 01:08:56,160
Speaker 1: and up and up, and we don't really see what

1145
01:08:56,280 --> 01:08:59,439
Speaker 1: y'all doing no more. Because if all we're doing is music,

1146
01:08:59,520 --> 01:09:02,880
Speaker 1: we got music gonna lock. We can do that without

1147
01:09:02,960 --> 01:09:06,400
Speaker 1: input from nobody. But see again, we're dealing with rap.

1148
01:09:06,680 --> 01:09:09,280
Speaker 1: We're dealing with dudes that come out the hood. Just

1149
01:09:09,439 --> 01:09:11,479
Speaker 1: think about it. You could be working at the warehouse

1150
01:09:11,600 --> 01:09:16,240
Speaker 1: making fifteen dollars our right. Let's say the supervisor you

1151
01:09:16,479 --> 01:09:19,440
Speaker 1: you're making fifteen dollars an hour. Let's say the supervisor

1152
01:09:19,520 --> 01:09:22,719
Speaker 1: come through and you're done done everything in your area

1153
01:09:22,800 --> 01:09:25,160
Speaker 1: they need to be done. One or two things gonna happen.

1154
01:09:25,479 --> 01:09:27,840
Speaker 1: Either you find to get off the clock and you

1155
01:09:27,960 --> 01:09:30,560
Speaker 1: can't make no more money, or we're finna send you

1156
01:09:30,640 --> 01:09:33,080
Speaker 1: over to help them out on that line or help

1157
01:09:33,160 --> 01:09:36,760
Speaker 1: them folks out over there. It's the same concept yo,

1158
01:09:36,880 --> 01:09:38,800
Speaker 1: the label. Y'all don't got to get off the clock.

1159
01:09:39,120 --> 01:09:41,360
Speaker 1: But we don't need you in here. Our little rap

1160
01:09:41,400 --> 01:09:43,479
Speaker 1: shit that we do. We don't need y'all over here.

1161
01:09:43,720 --> 01:09:46,559
Speaker 1: So I tell you what go over there in soccer.

1162
01:09:46,960 --> 01:09:49,120
Speaker 1: I want to perform at the halftime show. I want

1163
01:09:49,120 --> 01:09:51,400
Speaker 1: to get involved with some soccer shit. I want to

1164
01:09:51,439 --> 01:09:53,640
Speaker 1: get involved with some movies. Y'all go over there and

1165
01:09:53,720 --> 01:09:57,760
Speaker 1: represent the bread. But over here, we got it on lock.

1166
01:09:57,880 --> 01:10:00,200
Speaker 1: You know. But when he spoke about his I ought

1167
01:10:00,240 --> 01:10:02,800
Speaker 1: to being killed, he feel like he kind of gave

1168
01:10:03,080 --> 01:10:05,360
Speaker 1: up then. And I feel it, you know, I feel

1169
01:10:05,400 --> 01:10:07,519
Speaker 1: it because you lose a part of you. I can

1170
01:10:07,640 --> 01:10:09,880
Speaker 1: only imagine, and I and I and I don't even

1171
01:10:09,960 --> 01:10:13,920
Speaker 1: want to spend any time on that because um, that's that's,

1172
01:10:14,040 --> 01:10:17,920
Speaker 1: that's that energy. I don't and you know, I don't

1173
01:10:17,920 --> 01:10:19,960
Speaker 1: need it in my universe. So we're gonna hear a

1174
01:10:20,040 --> 01:10:22,240
Speaker 1: little bit more of it and then we'll get out

1175
01:10:22,280 --> 01:10:27,760
Speaker 1: of here. Through the loss of my brother, then I

1176
01:10:27,840 --> 01:10:29,960
Speaker 1: went through the loss of my little brother, and then

1177
01:10:30,560 --> 01:10:33,519
Speaker 1: I went through the loss of my daughter. My grandmother passed,

1178
01:10:33,800 --> 01:10:37,040
Speaker 1: my grandfather passed. Like it was like back to back

1179
01:10:37,080 --> 01:10:39,080
Speaker 1: to back to back to back. Bro, you know what

1180
01:10:39,120 --> 01:10:41,639
Speaker 1: I mean. And every time people see me, I always

1181
01:10:41,680 --> 01:10:45,439
Speaker 1: smile because I never gotta I never never, I never

1182
01:10:45,560 --> 01:10:47,720
Speaker 1: let nobody see me down. Bro. When you when you

1183
01:10:47,800 --> 01:10:49,800
Speaker 1: get when you when you let somebody see you down

1184
01:10:49,920 --> 01:10:52,400
Speaker 1: that that's a weak point. That's a weak point. They

1185
01:10:52,439 --> 01:10:54,360
Speaker 1: feel like they could, they feel like they could penetrate,

1186
01:10:54,400 --> 01:10:55,800
Speaker 1: feel like they could get up in there and try

1187
01:10:55,800 --> 01:10:57,880
Speaker 1: and get something out of you, feel me. So it's

1188
01:10:57,920 --> 01:11:01,599
Speaker 1: like for me, I just never never, I never ever,

1189
01:11:01,920 --> 01:11:04,280
Speaker 1: ever ever would think in a million years I was

1190
01:11:04,320 --> 01:11:06,360
Speaker 1: gonna lose a child. Bro, you know what I'm saying,

1191
01:11:06,479 --> 01:11:09,240
Speaker 1: Like as any man, though, you want to be good,

1192
01:11:09,280 --> 01:11:10,479
Speaker 1: you know what I mean, You want to go before

1193
01:11:10,479 --> 01:11:11,960
Speaker 1: you for your child, you know what I mean? Like

1194
01:11:12,040 --> 01:11:14,600
Speaker 1: they she like know I mean, so to burry my

1195
01:11:14,720 --> 01:11:16,720
Speaker 1: daughter that four years old? Broth, you know what I mean,

1196
01:11:16,800 --> 01:11:20,640
Speaker 1: Like it did hard to me, Bro, Like you know

1197
01:11:20,680 --> 01:11:22,160
Speaker 1: what I mean, it does something different to me. So

1198
01:11:22,720 --> 01:11:24,400
Speaker 1: it's like when people see me and they'd be like yo,

1199
01:11:24,479 --> 01:11:27,120
Speaker 1: what like you you just got good spirits And people

1200
01:11:27,120 --> 01:11:30,680
Speaker 1: don't understand, bro. Like I've talked to them all the time,

1201
01:11:30,720 --> 01:11:32,840
Speaker 1: but I pray to them. I tell him to God me,

1202
01:11:32,920 --> 01:11:34,519
Speaker 1: you know what I mean, watch over me, you know

1203
01:11:34,560 --> 01:11:36,680
Speaker 1: what i mean, Like I say this prayer every day. Bro.

1204
01:11:36,840 --> 01:11:39,800
Speaker 1: Just just got my family, got my footsteps, you know

1205
01:11:39,840 --> 01:11:42,479
Speaker 1: what I'm saying, Watch everything around me, watch my rear

1206
01:11:42,560 --> 01:11:44,519
Speaker 1: view mirrors, watch for the things I can't see. For

1207
01:11:44,560 --> 01:11:45,840
Speaker 1: the people that I'm trying to send they you know

1208
01:11:45,880 --> 01:11:47,519
Speaker 1: what i mean, send they ways, send me bow And

1209
01:11:47,560 --> 01:11:49,200
Speaker 1: I say, hey man, because that's all I could do

1210
01:11:49,360 --> 01:11:51,160
Speaker 1: is pray, bro, because it ain't nothing I could do

1211
01:11:51,240 --> 01:11:53,360
Speaker 1: to get them back. You know what I mean, nothing

1212
01:11:53,400 --> 01:11:55,559
Speaker 1: I could do to get them back. So when people

1213
01:11:55,600 --> 01:11:57,160
Speaker 1: see me and they'd be like, yo, he's suching a

1214
01:11:57,200 --> 01:11:58,880
Speaker 1: good spirit. He's a good dude. Because I don't got

1215
01:11:58,960 --> 01:12:00,679
Speaker 1: no other reason to be where I got to be madful?

1216
01:12:02,640 --> 01:12:05,240
Speaker 1: What's what? Why why I bring negative energy out on

1217
01:12:05,280 --> 01:12:08,200
Speaker 1: people that don't deserve it? And I got every reason

1218
01:12:08,280 --> 01:12:11,160
Speaker 1: to be a negative person. Like there's no there's nobody

1219
01:12:11,200 --> 01:12:14,400
Speaker 1: that can tell me. I'm like, know what I'm saying,

1220
01:12:14,439 --> 01:12:18,439
Speaker 1: Like nobody can say, oh, oh, he's this way because

1221
01:12:18,600 --> 01:12:20,479
Speaker 1: all of this happened and this year he was this way.

1222
01:12:20,560 --> 01:12:23,280
Speaker 1: And then fifth grade, Bro, I went through my first surgery.

1223
01:12:23,320 --> 01:12:25,880
Speaker 1: I couldn't go to school for almost six months. Then

1224
01:12:25,960 --> 01:12:27,800
Speaker 1: I went through my second surgery. I was taking out

1225
01:12:27,800 --> 01:12:29,280
Speaker 1: of school again. I had to get left back, bro,

1226
01:12:29,400 --> 01:12:30,680
Speaker 1: Like you know, I mean, I've been through things in

1227
01:12:30,720 --> 01:12:33,799
Speaker 1: my life, bro, Like where where, every where, the average

1228
01:12:33,840 --> 01:12:35,840
Speaker 1: person would have fallen to what would have failed. Bro,

1229
01:12:35,960 --> 01:12:38,080
Speaker 1: that would have failed. So for me to make it

1230
01:12:38,160 --> 01:12:39,920
Speaker 1: this far in my life, bro, all I do is smile.

1231
01:12:39,960 --> 01:12:41,960
Speaker 1: I'd be happy, bro, and I just kind of just

1232
01:12:42,080 --> 01:12:45,240
Speaker 1: like I try not. If you haven't seen that interview,

1233
01:12:45,400 --> 01:12:49,200
Speaker 1: go go check that interview out again. That's a that situation.

1234
01:12:49,960 --> 01:12:52,080
Speaker 1: You know, when he got to talking like that, you know,

1235
01:12:52,200 --> 01:12:55,080
Speaker 1: it seemed like it's a lot of pain under that, right,

1236
01:12:56,000 --> 01:13:01,839
Speaker 1: UM and so and so will definitely send our prayers

1237
01:13:01,880 --> 01:13:04,080
Speaker 1: out to him. And if y'all love fitter, watch if

1238
01:13:04,160 --> 01:13:06,400
Speaker 1: anybody watching this didn't know him, to love him, y'all

1239
01:13:06,520 --> 01:13:11,799
Speaker 1: check on him for ship show. Um, people were asking

1240
01:13:11,880 --> 01:13:15,519
Speaker 1: me about my outlook on Pete Davidson and Kim k Right.

1241
01:13:16,479 --> 01:13:19,880
Speaker 1: For those of you that don't know Kanye West's wife,

1242
01:13:20,040 --> 01:13:24,200
Speaker 1: Kim Kah in him, I guess are going through a separation.

1243
01:13:24,400 --> 01:13:28,640
Speaker 1: He wants his family back, um as a unit, and

1244
01:13:31,640 --> 01:13:34,920
Speaker 1: the media is seeing that she's dating Pete Davidson. You know,

1245
01:13:35,040 --> 01:13:37,000
Speaker 1: he's been seen with a henke on his neck and

1246
01:13:37,520 --> 01:13:40,040
Speaker 1: things like that. Some of those media games are funny

1247
01:13:40,080 --> 01:13:42,160
Speaker 1: because if you you know, you get seen with a

1248
01:13:42,200 --> 01:13:44,200
Speaker 1: henk on your neck, you could wear something in the

1249
01:13:44,280 --> 01:13:47,840
Speaker 1: way that's not the case. Like you're rich guy, you

1250
01:13:47,880 --> 01:13:51,560
Speaker 1: can wear scarf like, you can wear like and you

1251
01:13:51,720 --> 01:13:53,760
Speaker 1: white like. I don't know, it seemed like some of

1252
01:13:53,800 --> 01:13:56,439
Speaker 1: that wants to be um put out in the in

1253
01:13:56,560 --> 01:14:00,639
Speaker 1: the in the in the world. And sometimes women want

1254
01:14:00,680 --> 01:14:03,080
Speaker 1: to hurt you, right, And I'm not saying Kim, I'm

1255
01:14:03,120 --> 01:14:05,400
Speaker 1: just speaking in general. Sometimes women want to hurt you

1256
01:14:05,560 --> 01:14:08,680
Speaker 1: like they think like they think that you know you

1257
01:14:08,840 --> 01:14:11,599
Speaker 1: hurt them, right. So sometimes when you hurt somebody, they

1258
01:14:11,720 --> 01:14:14,559
Speaker 1: think you know you hurt them. Sometimes they think they

1259
01:14:14,680 --> 01:14:16,719
Speaker 1: know you did that on purpose, and so I'm gonna

1260
01:14:16,720 --> 01:14:20,400
Speaker 1: get my get backs type of scenario, right, you deal

1261
01:14:20,439 --> 01:14:24,400
Speaker 1: with that. And so for that to be so front facing,

1262
01:14:24,479 --> 01:14:27,320
Speaker 1: it just seems it just seems a little weird. And

1263
01:14:27,439 --> 01:14:31,400
Speaker 1: she's not divorced yet, which is another interesting thing. What

1264
01:14:31,520 --> 01:14:36,200
Speaker 1: I will say though, is that Kim Kay is a

1265
01:14:36,320 --> 01:14:41,720
Speaker 1: beautiful woman, right, And we all know how this go. Right,

1266
01:14:42,560 --> 01:14:44,720
Speaker 1: A lot of y'all girls or a lot of women, right,

1267
01:14:45,600 --> 01:14:50,559
Speaker 1: they don't look good, you know, fucking with delights on. Yeah,

1268
01:14:50,560 --> 01:14:52,920
Speaker 1: a lot of y'all fucking with delights off. And the

1269
01:14:53,080 --> 01:14:57,640
Speaker 1: thing with that is that see. Another thing I know

1270
01:14:57,840 --> 01:14:59,640
Speaker 1: is some of y'all skilled to death to cut the

1271
01:14:59,760 --> 01:15:03,439
Speaker 1: light song. You understand me. A lot of y'all is

1272
01:15:03,479 --> 01:15:08,519
Speaker 1: eating pussy you ain't never saw. Yeah, yeah, yeah. A

1273
01:15:08,560 --> 01:15:11,320
Speaker 1: lot of y'all are nestling dying. That's it's shit going

1274
01:15:11,400 --> 01:15:14,040
Speaker 1: on dying there right. So you I'll tell you what

1275
01:15:14,200 --> 01:15:16,400
Speaker 1: you do right now. If you if you would a

1276
01:15:16,640 --> 01:15:19,160
Speaker 1: gale or you would a dude. Now, don't get it confused.

1277
01:15:19,160 --> 01:15:21,920
Speaker 1: A lot of these dudes they skied the depth to

1278
01:15:22,000 --> 01:15:25,200
Speaker 1: cut them light song or you cut them lights on.

1279
01:15:25,520 --> 01:15:29,280
Speaker 1: Boy he had jumped back under that cover. You understand.

1280
01:15:29,360 --> 01:15:31,479
Speaker 1: But Kim K and certain girls they look good with

1281
01:15:31,600 --> 01:15:33,920
Speaker 1: the lights on. You can't. Yeah, you're hitting them with

1282
01:15:34,040 --> 01:15:36,240
Speaker 1: the lights. I don't see. I'm a light song dude.

1283
01:15:36,240 --> 01:15:39,880
Speaker 1: A lot of these dude want to go stealth. Yeah,

1284
01:15:39,920 --> 01:15:41,600
Speaker 1: they want to go still. They don't want you to

1285
01:15:41,720 --> 01:15:44,040
Speaker 1: see it. They don't want to see like for me,

1286
01:15:44,280 --> 01:15:46,240
Speaker 1: like I need to see that thing. I can't just

1287
01:15:46,400 --> 01:15:49,360
Speaker 1: play like that, like I got to see it. Yeah,

1288
01:15:49,560 --> 01:15:52,960
Speaker 1: I like it. Yeah thing, yes, lord, you know what

1289
01:15:53,040 --> 01:15:57,400
Speaker 1: I'm saying. And um, you know I don't want to

1290
01:15:57,439 --> 01:16:00,439
Speaker 1: hear nothing about no shaving bumps and this and that,

1291
01:16:00,560 --> 01:16:02,760
Speaker 1: and I just saying I don't know, you know, I

1292
01:16:02,880 --> 01:16:06,840
Speaker 1: haven't experienced that. A lot of people say, yo, they

1293
01:16:06,920 --> 01:16:10,439
Speaker 1: have shave and bumps sometimes and and things like that.

1294
01:16:10,600 --> 01:16:13,320
Speaker 1: And a lot of y'all dudes, especially y'all y'all definitely

1295
01:16:13,320 --> 01:16:15,280
Speaker 1: don't go to the doctors. So they don't want Jay

1296
01:16:15,320 --> 01:16:18,080
Speaker 1: baby grill. You cut them lights on, but he gonna

1297
01:16:18,280 --> 01:16:22,719
Speaker 1: running high. Yeah, man, you got to stop going stealth

1298
01:16:22,920 --> 01:16:26,040
Speaker 1: when y'all you know, doing your one too. But um,

1299
01:16:26,840 --> 01:16:29,479
Speaker 1: they were asking me what was your what's your feeling? Man?

1300
01:16:29,600 --> 01:16:35,000
Speaker 1: About her not being divorced and they seeming to move

1301
01:16:35,120 --> 01:16:40,320
Speaker 1: on while her current husband is front facing saying I

1302
01:16:40,439 --> 01:16:42,760
Speaker 1: want my family back. I think the only thing I'll

1303
01:16:42,800 --> 01:16:45,000
Speaker 1: be I find interesting now with Kim k but with

1304
01:16:45,760 --> 01:16:50,840
Speaker 1: women in general or me and in general relationships in general.

1305
01:16:50,920 --> 01:16:56,439
Speaker 1: I'll say that what I tend to find interesting is

1306
01:16:56,560 --> 01:16:59,560
Speaker 1: how I look at the range of some of you

1307
01:16:59,680 --> 01:17:05,639
Speaker 1: people like man, how can you like him? And me? Right?

1308
01:17:06,280 --> 01:17:12,040
Speaker 1: I'm this color, this thing is chocolate black. I got dregs.

1309
01:17:12,600 --> 01:17:17,200
Speaker 1: He ballhead. You see what I'm saying. He four hundred pounds,

1310
01:17:17,439 --> 01:17:20,439
Speaker 1: I'm two hundred pounds. You know what I'm saying? Or

1311
01:17:20,640 --> 01:17:23,160
Speaker 1: you know, it's like how to hear because you look

1312
01:17:23,240 --> 01:17:25,600
Speaker 1: at Kim and she Kanye is this, and then this

1313
01:17:25,800 --> 01:17:30,280
Speaker 1: dude is almost like you. Behind door number two. You know,

1314
01:17:30,400 --> 01:17:33,640
Speaker 1: it's like they got totally different people up there, you

1315
01:17:33,760 --> 01:17:36,960
Speaker 1: knowing them little shows where it's like dating, and behind

1316
01:17:37,040 --> 01:17:39,320
Speaker 1: door number one it's a black dude. Behind two is

1317
01:17:39,320 --> 01:17:41,280
Speaker 1: an age and three it's a white guy. Like these

1318
01:17:41,320 --> 01:17:44,719
Speaker 1: are totally different, and it's like, how can you fall

1319
01:17:44,920 --> 01:17:47,880
Speaker 1: for all of these? Like different range of people? But

1320
01:17:48,000 --> 01:17:50,400
Speaker 1: I see it because when you look at me, I like,

1321
01:17:51,360 --> 01:17:52,840
Speaker 1: first of all, I hear a lot of people say

1322
01:17:52,920 --> 01:17:57,280
Speaker 1: they like who like them? I like beautiful. I like beauty,

1323
01:17:58,040 --> 01:18:00,840
Speaker 1: and I like booting, understand. So it was in a

1324
01:18:00,920 --> 01:18:03,280
Speaker 1: few things I like as well. So I get it,

1325
01:18:03,920 --> 01:18:08,400
Speaker 1: you know. But it's like, damn man, you know, I

1326
01:18:08,560 --> 01:18:11,479
Speaker 1: look at my exes length how you like both of us?

1327
01:18:11,600 --> 01:18:15,479
Speaker 1: Something don't sound right with that? Like he broke, I'm

1328
01:18:15,560 --> 01:18:17,880
Speaker 1: getting money. I'm a hustler. I'm out every day trying

1329
01:18:17,920 --> 01:18:20,599
Speaker 1: to make some shake it. So what is this about?

1330
01:18:22,960 --> 01:18:24,960
Speaker 1: You know what I'm saying? And this is another thing

1331
01:18:25,000 --> 01:18:28,880
Speaker 1: I wanted to talk about too. I find it interesting

1332
01:18:29,120 --> 01:18:31,960
Speaker 1: when a girl gets in the relationship with a dude, right,

1333
01:18:33,479 --> 01:18:37,680
Speaker 1: and she or a dude gets in a relationship with

1334
01:18:37,760 --> 01:18:40,439
Speaker 1: a girl. But in this scenario, I'm going to speak

1335
01:18:40,439 --> 01:18:42,559
Speaker 1: about a girl getting a relationship with a dude. When

1336
01:18:42,560 --> 01:18:44,680
Speaker 1: a girl getting a relationship with a dude, right and

1337
01:18:44,800 --> 01:18:47,760
Speaker 1: not to so long in the relationship, she started to

1338
01:18:47,840 --> 01:18:54,080
Speaker 1: think that she can disrespect that dude. And it'd be like, Yo,

1339
01:18:54,240 --> 01:18:57,960
Speaker 1: you don't talk to nobody like this, how can you?

1340
01:18:58,520 --> 01:19:00,600
Speaker 1: Like when I was I was chilling and you know

1341
01:19:00,680 --> 01:19:03,080
Speaker 1: with one of my partners, you know, on the edge box,

1342
01:19:04,600 --> 01:19:07,960
Speaker 1: and the kind of languages Old Lady was used, and

1343
01:19:08,080 --> 01:19:11,200
Speaker 1: I'm like, yo, bro, I had to say something that do.

1344
01:19:11,360 --> 01:19:14,880
Speaker 1: I'm like, Yo, my bro, this, how y'all you this

1345
01:19:15,120 --> 01:19:18,559
Speaker 1: your vibe? You with that? You know what I'm saying.

1346
01:19:18,600 --> 01:19:20,760
Speaker 1: It's like, Yo, you can't let her get away with

1347
01:19:20,920 --> 01:19:24,439
Speaker 1: that type. Talk to you, bro. You know, unless you

1348
01:19:25,000 --> 01:19:28,000
Speaker 1: leon the peon type dude, then you gotta deal with it.

1349
01:19:28,120 --> 01:19:33,000
Speaker 1: But yo, yo, name one person in life you That's

1350
01:19:33,040 --> 01:19:35,160
Speaker 1: what I would have been saying, Yo, name somebody you

1351
01:19:35,280 --> 01:19:40,000
Speaker 1: talk to like that. Name one person in life you

1352
01:19:40,240 --> 01:19:44,519
Speaker 1: talked to like that. But you're gonna handle somebody like

1353
01:19:44,680 --> 01:19:46,560
Speaker 1: that because you think they love you. That's why I

1354
01:19:46,640 --> 01:19:50,200
Speaker 1: say love is a it's a for me. It's a

1355
01:19:50,320 --> 01:19:55,080
Speaker 1: scary tool. And I used tool as a powerful because

1356
01:19:55,120 --> 01:19:57,160
Speaker 1: it could It could give you the push to do

1357
01:19:57,320 --> 01:20:01,120
Speaker 1: some things you would have never done, ye understand. But

1358
01:20:01,240 --> 01:20:04,040
Speaker 1: it also can hold you back from doing some things

1359
01:20:04,120 --> 01:20:08,320
Speaker 1: that you could have done. You understand. So just choose

1360
01:20:08,400 --> 01:20:10,320
Speaker 1: wise and didn't know what it is you're doing. All right,

1361
01:20:10,400 --> 01:20:14,360
Speaker 1: Let's talk about DJA Academics as Sugar Night and Whack

1362
01:20:14,479 --> 01:20:17,280
Speaker 1: one hundred A Whack one hundred went over the DJA

1363
01:20:17,320 --> 01:20:20,800
Speaker 1: Academics podcast. It's the podcast, and a lot of these

1364
01:20:20,880 --> 01:20:23,640
Speaker 1: guys gotta make sure, man, when they're doing these podcasts.

1365
01:20:23,720 --> 01:20:26,760
Speaker 1: I see Rory them. They got a podcast deal. They

1366
01:20:26,880 --> 01:20:29,679
Speaker 1: dropping like three times a week, Joe dropping five times

1367
01:20:29,720 --> 01:20:33,200
Speaker 1: a week, Act dropping three times a week. I'm still

1368
01:20:33,320 --> 01:20:35,760
Speaker 1: once a week, Big facts still once a week. Me

1369
01:20:35,840 --> 01:20:37,600
Speaker 1: and I work a game still once a week. But

1370
01:20:37,680 --> 01:20:41,760
Speaker 1: I drop a hit healthy amount once a week. You

1371
01:20:41,840 --> 01:20:45,160
Speaker 1: know I might drop you two in a half three?

1372
01:20:46,160 --> 01:20:50,320
Speaker 1: Do low? Now understand the power? Waiting that right? But

1373
01:20:50,880 --> 01:20:57,080
Speaker 1: um um, they gotta make sure not to oversaturate the space.

1374
01:20:57,880 --> 01:21:00,680
Speaker 1: A lot of these interviews, man, although moments may be

1375
01:21:00,840 --> 01:21:04,639
Speaker 1: there they're being overlooked. Joe has built something the where

1376
01:21:04,680 --> 01:21:08,080
Speaker 1: he has a paying customer that the five days a

1377
01:21:08,160 --> 01:21:10,880
Speaker 1: week thing isn't just throwing it out in the atmosphere

1378
01:21:11,439 --> 01:21:17,120
Speaker 1: like Rory Mall acting them. They just they're serving the unknown, right,

1379
01:21:17,280 --> 01:21:24,040
Speaker 1: they serve it just the regular consumer three times a week,

1380
01:21:24,120 --> 01:21:27,000
Speaker 1: two times a week. The difference with Joe Budden business

1381
01:21:27,120 --> 01:21:30,880
Speaker 1: model is he's serving a paying customer five times a week,

1382
01:21:30,960 --> 01:21:33,760
Speaker 1: full times a week, right, So it's different. They're gonna

1383
01:21:33,800 --> 01:21:35,960
Speaker 1: stay in Gaze and stay alone with the rad because

1384
01:21:36,000 --> 01:21:40,599
Speaker 1: they've invested money in it, and that's where we're gonna see.

1385
01:21:40,680 --> 01:21:42,880
Speaker 1: Joe's the first to do it, I'll give him that,

1386
01:21:43,280 --> 01:21:46,160
Speaker 1: but that's not the first to do it because in

1387
01:21:46,320 --> 01:21:49,680
Speaker 1: the whole landscape, Birt and all of them has been

1388
01:21:49,800 --> 01:21:53,559
Speaker 1: done it to pay to play thing. Joey Diaz has

1389
01:21:53,600 --> 01:22:00,680
Speaker 1: been on Patreon doing that, even Ryan La He's been

1390
01:22:00,760 --> 01:22:03,200
Speaker 1: on there. A lot of those guys have been doing

1391
01:22:03,400 --> 01:22:05,400
Speaker 1: that type of thing. But in our coach, he's the

1392
01:22:05,479 --> 01:22:09,920
Speaker 1: first to break off and say yo, pay And it's

1393
01:22:09,960 --> 01:22:12,680
Speaker 1: still worked and he's still not being on certain so

1394
01:22:12,840 --> 01:22:20,120
Speaker 1: he's still a monster in the space. But people gotta

1395
01:22:20,160 --> 01:22:24,960
Speaker 1: be careful not to oversaturate the market, you know what

1396
01:22:25,040 --> 01:22:29,479
Speaker 1: I mean, And that's what every podcaster. This problem is

1397
01:22:29,520 --> 01:22:32,519
Speaker 1: gonna be an obstacle. Opportunity is gonna be It's gonna

1398
01:22:32,600 --> 01:22:39,240
Speaker 1: be how to not only get the audience, but pivot

1399
01:22:39,320 --> 01:22:43,560
Speaker 1: that audience to paying customers. Joe's lucky he'd done that

1400
01:22:44,040 --> 01:22:47,000
Speaker 1: to prior to that breakup. It had been harder had

1401
01:22:47,040 --> 01:22:50,400
Speaker 1: that breakup already happy that didn't done that. It had

1402
01:22:50,400 --> 01:22:53,479
Speaker 1: been so much more harder. But he was lucky enough

1403
01:22:53,520 --> 01:22:55,559
Speaker 1: to do it right before. That was a blessing from

1404
01:22:55,600 --> 01:23:01,960
Speaker 1: the podcast guards, right, But a lot of y'all putting

1405
01:23:01,960 --> 01:23:04,800
Speaker 1: the whole lot of content out and I'm not sure

1406
01:23:04,880 --> 01:23:07,439
Speaker 1: what he's doing to the space. And I'm gonna I'll

1407
01:23:07,520 --> 01:23:11,000
Speaker 1: revisit this and probably about six months to see what happened.

1408
01:23:11,439 --> 01:23:15,600
Speaker 1: Did that effectively change how people are consuming it? Is

1409
01:23:15,640 --> 01:23:18,000
Speaker 1: it enough game to do it that way? How do

1410
01:23:18,080 --> 01:23:20,479
Speaker 1: you do it? Dropping it three, four or five times

1411
01:23:20,520 --> 01:23:23,640
Speaker 1: a week? It's a different thing. Breakfast club has a

1412
01:23:23,760 --> 01:23:28,320
Speaker 1: whole list of shit they do. It's hard doing this

1413
01:23:28,520 --> 01:23:30,519
Speaker 1: four or five times a week. That's why I always

1414
01:23:30,560 --> 01:23:34,320
Speaker 1: give Charlemagne the top spot to do this four or

1415
01:23:34,360 --> 01:23:36,839
Speaker 1: five times a week spend off, Go work at MTV.

1416
01:23:37,040 --> 01:23:40,360
Speaker 1: Spend off, Go work with Shots and Chris Monroe, spin

1417
01:23:40,439 --> 01:23:43,639
Speaker 1: off and go, spend off and go. Man, this nigga

1418
01:23:43,760 --> 01:23:48,000
Speaker 1: is a what's happening? Then co signing people as they

1419
01:23:48,040 --> 01:23:50,760
Speaker 1: were getting podcasts. Come over here, talk to them, talk

1420
01:23:50,840 --> 01:23:53,840
Speaker 1: to them, talk to it. I remember back when Hillary

1421
01:23:53,840 --> 01:23:56,400
Speaker 1: and then was running. You would go from talking to

1422
01:23:56,520 --> 01:23:59,479
Speaker 1: Hillary this Charlemagne. He would go from talking to Hillary

1423
01:23:59,520 --> 01:24:02,880
Speaker 1: Clinton that day and probably three four other celebrities just

1424
01:24:03,080 --> 01:24:06,080
Speaker 1: at breakfast club, on top of being on the radio,

1425
01:24:06,640 --> 01:24:10,880
Speaker 1: on top of leaving now doing brilliant idiots doing the

1426
01:24:10,960 --> 01:24:14,040
Speaker 1: black effects. Shit, you know what I'm saying. Now, he's

1427
01:24:14,120 --> 01:24:16,360
Speaker 1: doing the right. It takes a lot to do that

1428
01:24:16,560 --> 01:24:21,840
Speaker 1: much talking and be entertaining, be entertaining. It's a powerful thing.

1429
01:24:22,000 --> 01:24:26,920
Speaker 1: Charlemagne done it without without it being on the backs

1430
01:24:26,960 --> 01:24:29,439
Speaker 1: of the consumer. He got the company to pay him

1431
01:24:29,520 --> 01:24:34,000
Speaker 1: to give content that much. Along with Envy and Angela, ye,

1432
01:24:34,120 --> 01:24:35,880
Speaker 1: I think they need to be mentioned a lot too,

1433
01:24:36,000 --> 01:24:38,000
Speaker 1: even though they don't they haven't broke out into the

1434
01:24:38,080 --> 01:24:44,479
Speaker 1: podcast space as impactful as Charlemagne, but they in their

1435
01:24:44,520 --> 01:24:48,120
Speaker 1: own right and monsters in this space as well. But

1436
01:24:48,320 --> 01:24:50,719
Speaker 1: they were able to get their money from the company.

1437
01:24:51,280 --> 01:24:53,480
Speaker 1: Joe was able to get his money from the consumer,

1438
01:24:53,560 --> 01:24:55,720
Speaker 1: which is what the company is gonna do some kind

1439
01:24:55,760 --> 01:24:59,479
Speaker 1: of way. But it seems like that the iHeart doesn't

1440
01:24:59,520 --> 01:25:02,559
Speaker 1: really get that money from the consumer. It gets from

1441
01:25:02,800 --> 01:25:07,360
Speaker 1: other companies. See, it's a company thing. This ain't bout

1442
01:25:07,760 --> 01:25:09,599
Speaker 1: We'll figure out how to get it from the people.

1443
01:25:11,080 --> 01:25:13,479
Speaker 1: And that's but that's what the power is, and that's

1444
01:25:13,520 --> 01:25:15,439
Speaker 1: what Joe's trying to figure out, how to get it

1445
01:25:15,560 --> 01:25:18,559
Speaker 1: directly from the people. Because everybody talked this straight to consumer,

1446
01:25:18,600 --> 01:25:20,920
Speaker 1: straight to consumer, we're doing it straight to the people.

1447
01:25:21,200 --> 01:25:24,519
Speaker 1: It's a tool. It's an obstacle. It ain't just easy

1448
01:25:24,600 --> 01:25:27,640
Speaker 1: as it look. Um, we're gonna look at WAK one

1449
01:25:27,680 --> 01:25:29,920
Speaker 1: hunter speak about Sugar Knight. If you don't know, I

1450
01:25:30,120 --> 01:25:33,080
Speaker 1: was the one that broke the story about um Rigid

1451
01:25:33,120 --> 01:25:37,439
Speaker 1: White dropping that unreleased phone call about WAK one hundred.

1452
01:25:39,000 --> 01:25:41,080
Speaker 1: He came across my dead somebody tagged me in and

1453
01:25:41,200 --> 01:25:43,040
Speaker 1: so I put it in the podcast world. And then

1454
01:25:43,120 --> 01:25:46,519
Speaker 1: two weeks later he responds to it on Academics podcast.

1455
01:25:46,600 --> 01:25:49,120
Speaker 1: So let's see what he said, um, and we'll break

1456
01:25:49,120 --> 01:25:56,599
Speaker 1: it down. Superseded have all fallen on a fucking face first,

1457
01:25:56,720 --> 01:26:02,640
Speaker 1: dude to tried to do it with shire Knight. This

1458
01:26:02,840 --> 01:26:10,840
Speaker 1: episode is brought to you by the Home Depot. O

1459
01:26:10,880 --> 01:26:16,800
Speaker 1: don't right because the stream well, I wouldn't say bully

1460
01:26:16,880 --> 01:26:18,880
Speaker 1: tiges because a lot of shit that they said he

1461
01:26:19,000 --> 01:26:21,200
Speaker 1: was bullying only really wasn't bullying only. He was just

1462
01:26:21,640 --> 01:26:24,640
Speaker 1: trying to correct, you know what I mean, certain contracts

1463
01:26:24,680 --> 01:26:27,040
Speaker 1: and ship for people trying to correct and defense of that.

1464
01:26:27,200 --> 01:26:31,760
Speaker 1: But if you look at the gangster ship that was

1465
01:26:31,840 --> 01:26:36,080
Speaker 1: brought that came with that, right, let's do the math.

1466
01:26:37,680 --> 01:26:42,439
Speaker 1: Hunting niggas went to Dre House, went in there, took everything.

1467
01:26:43,479 --> 01:26:49,639
Speaker 1: Gangster ship right, Yeah, motherfuckers did this. Motherfuckers did that right,

1468
01:26:50,120 --> 01:26:55,160
Speaker 1: gangster ship right now, Let's be real and I'm gonna

1469
01:26:55,200 --> 01:26:58,559
Speaker 1: speak on it because he's been speaking and I don't

1470
01:26:58,600 --> 01:27:04,599
Speaker 1: respect him no more. Who should at all? No zero?

1471
01:27:04,920 --> 01:27:06,519
Speaker 1: You know what I mean, You can't respect him, man,

1472
01:27:07,000 --> 01:27:10,639
Speaker 1: I pay for this man Mama's funeral. Bro I sent

1473
01:27:10,760 --> 01:27:14,000
Speaker 1: his motherfucking wire. Understand what I'm saying at the time,

1474
01:27:14,000 --> 01:27:16,280
Speaker 1: and we weren't even talking and getting along, but out

1475
01:27:16,320 --> 01:27:18,880
Speaker 1: of pure respect that he was who he was, and

1476
01:27:19,320 --> 01:27:21,880
Speaker 1: he opened a few doors for me, not doors that

1477
01:27:23,040 --> 01:27:25,599
Speaker 1: created it. But the fact that he would open them

1478
01:27:25,800 --> 01:27:27,760
Speaker 1: if I went in what nothing? Then so bid he

1479
01:27:27,880 --> 01:27:31,280
Speaker 1: opened it? And for me to hear recordings this man

1480
01:27:31,439 --> 01:27:33,760
Speaker 1: saying I'm the reason why he got twenty eight years,

1481
01:27:34,080 --> 01:27:38,200
Speaker 1: Like I'm the motherfucker that was driving the truck. It's crazy. No,

1482
01:27:38,400 --> 01:27:40,360
Speaker 1: he said no, he said that you didn't hear. It's

1483
01:27:40,360 --> 01:27:44,360
Speaker 1: on the internet is everywhere. Why is he taking blame

1484
01:27:44,960 --> 01:27:48,840
Speaker 1: to you? So he says that I was doing a

1485
01:27:48,920 --> 01:27:54,479
Speaker 1: movie life Rice deal with Whack and Whack was supposed

1486
01:27:54,520 --> 01:27:59,120
Speaker 1: to had him my attorney fees, and because the attorney

1487
01:27:59,160 --> 01:28:00,960
Speaker 1: fees and get had he had to take a deal

1488
01:28:01,000 --> 01:28:05,080
Speaker 1: with twenty eight years. This is what he's saying right now.

1489
01:28:05,200 --> 01:28:08,360
Speaker 1: Let's talk about the fucking truth. By the time you

1490
01:28:08,479 --> 01:28:15,000
Speaker 1: start talking to Whack and my man, Matt Barnes could

1491
01:28:15,040 --> 01:28:18,080
Speaker 1: tell you this is real because he turned on Matt

1492
01:28:18,160 --> 01:28:20,879
Speaker 1: Barnes to do something with me, which was his decision,

1493
01:28:20,960 --> 01:28:23,760
Speaker 1: not mine. Matt was already moving forward with some ship

1494
01:28:24,160 --> 01:28:27,880
Speaker 1: with stars and all that beautiful situation. But whatever was

1495
01:28:27,960 --> 01:28:29,479
Speaker 1: going on, I don't know what was going on. He

1496
01:28:29,520 --> 01:28:31,400
Speaker 1: didn't want to do that no more. By the time

1497
01:28:31,439 --> 01:28:35,280
Speaker 1: he called me, it's the eleventh hour. Yeah, it's eleventh hour.

1498
01:28:35,680 --> 01:28:37,759
Speaker 1: So I called a few of my heads from partners

1499
01:28:37,800 --> 01:28:40,240
Speaker 1: put together play and they're like, all right, whack we'd

1500
01:28:40,280 --> 01:28:41,800
Speaker 1: like to deal with do the deal you. In the

1501
01:28:41,840 --> 01:28:43,760
Speaker 1: middle of the deal, I said, look, we need thirty

1502
01:28:43,800 --> 01:28:45,719
Speaker 1: million for the budget. I need a quarter million dollars

1503
01:28:46,080 --> 01:28:48,960
Speaker 1: to pay the attorney for his legal fees. Turning your

1504
01:28:49,040 --> 01:28:51,080
Speaker 1: record would be a man named Alex Kessel. He can

1505
01:28:51,600 --> 01:28:54,960
Speaker 1: vouch for this at his Kessel without payment on my word,

1506
01:28:55,040 --> 01:28:56,960
Speaker 1: went down to the sea shield at the county jail.

1507
01:28:57,560 --> 01:29:01,320
Speaker 1: Start getting the defense together right. So I say, sure,

1508
01:29:01,479 --> 01:29:06,799
Speaker 1: listen please, because I had business with these people, Please

1509
01:29:07,640 --> 01:29:09,439
Speaker 1: make sure your ship is right. So he went on

1510
01:29:09,600 --> 01:29:15,160
Speaker 1: to say that, um, I guess sure Knight has sold

1511
01:29:15,280 --> 01:29:20,640
Speaker 1: his life right several times and that's where the situation

1512
01:29:20,720 --> 01:29:24,040
Speaker 1: comes from. Kind of the problem comes from. Um. He

1513
01:29:24,200 --> 01:29:26,760
Speaker 1: also spoke about Blue di Vincion BNMN. If I want

1514
01:29:26,760 --> 01:29:28,920
Speaker 1: to find that part of the interview, give me just

1515
01:29:29,120 --> 01:29:31,360
Speaker 1: a second, right, and not saying that he's going against

1516
01:29:31,400 --> 01:29:35,880
Speaker 1: Blue Divinci particularly, but but what Blue is saying is

1517
01:29:36,000 --> 01:29:41,320
Speaker 1: kind of contradicted. You don't have but in no personal

1518
01:29:41,479 --> 01:29:44,760
Speaker 1: issues they contradicted. What the what the real story of

1519
01:29:44,880 --> 01:29:48,040
Speaker 1: BMF should probably be what the real story coming. Now

1520
01:29:48,080 --> 01:29:50,840
Speaker 1: that's where whack come in at, because me and Blue

1521
01:29:50,880 --> 01:29:57,639
Speaker 1: got business, real business, thirty million dollar business. So that's

1522
01:29:57,680 --> 01:30:01,680
Speaker 1: coming anyway along with the book. Does that make you

1523
01:30:02,120 --> 01:30:05,120
Speaker 1: almost align yourself with somebody who fifty might not be

1524
01:30:05,240 --> 01:30:08,680
Speaker 1: favorable with that? Because who is fifty? Not favorable with

1525
01:30:08,800 --> 01:30:11,360
Speaker 1: the fifty not favorable with anybody who's going against what

1526
01:30:11,479 --> 01:30:17,120
Speaker 1: the narrative of the current BMF series is. Problem you're

1527
01:30:17,240 --> 01:30:21,800
Speaker 1: under asketimating fifty cent Fifty is a man that plays chess,

1528
01:30:22,479 --> 01:30:25,560
Speaker 1: I think, always gonna protect himself. Do you watch the

1529
01:30:25,640 --> 01:30:29,599
Speaker 1: BMF series? I watched what's the one after the little

1530
01:30:29,800 --> 01:30:34,240
Speaker 1: the big meach quote comes up? Yeah? What does fifty

1531
01:30:34,320 --> 01:30:39,719
Speaker 1: have on that screen? You tell me why? It says?

1532
01:30:43,800 --> 01:30:47,080
Speaker 1: Let me speak about this. Uh, it's really really on

1533
01:30:47,240 --> 01:30:50,920
Speaker 1: my spirit real quick. UM. I see a narrative going

1534
01:30:51,000 --> 01:30:56,160
Speaker 1: around shout out ghazi man empire about his artists, um,

1535
01:30:57,280 --> 01:31:02,120
Speaker 1: and all of them being and all of them I'm

1536
01:31:02,240 --> 01:31:06,360
Speaker 1: being murdered in a certain time frame or whatever whatever

1537
01:31:06,439 --> 01:31:11,520
Speaker 1: the situation is. And I think that that's not necessarily

1538
01:31:12,520 --> 01:31:15,759
Speaker 1: something that people are even putting in context when they're speaking,

1539
01:31:17,040 --> 01:31:19,479
Speaker 1: because when they're speaking, they're saying that, Yo, all these

1540
01:31:19,560 --> 01:31:22,280
Speaker 1: people were signing to him, and they were all on

1541
01:31:22,400 --> 01:31:24,600
Speaker 1: Empire and on their masters. And you know why it

1542
01:31:24,760 --> 01:31:26,439
Speaker 1: has happened this that in the third and they got

1543
01:31:26,560 --> 01:31:29,240
Speaker 1: insurance policies not just want people to know. Number one,

1544
01:31:29,280 --> 01:31:32,519
Speaker 1: that's very hurtful to put something like that on someone

1545
01:31:32,680 --> 01:31:37,519
Speaker 1: that's never given you any reason to do that. And

1546
01:31:37,720 --> 01:31:40,479
Speaker 1: none of these artists, families or anybody has ever came

1547
01:31:40,520 --> 01:31:43,400
Speaker 1: out and said anything bad about these people. That's number one.

1548
01:31:44,920 --> 01:31:53,200
Speaker 1: Number two is here we go again. Not understanding the business,

1549
01:31:53,360 --> 01:31:55,800
Speaker 1: not understanding how things work and how they're set up.

1550
01:31:56,880 --> 01:31:59,519
Speaker 1: The difference between the artists that's signed the guys in

1551
01:31:59,680 --> 01:32:03,560
Speaker 1: the arts, that's not right. These dudes are not independent,

1552
01:32:04,600 --> 01:32:07,840
Speaker 1: but they're independent, so they have a certain level of

1553
01:32:07,960 --> 01:32:14,280
Speaker 1: what independence. Right. These rappers that signed would let's say, Interscope,

1554
01:32:14,320 --> 01:32:16,200
Speaker 1: deaf jam or something. They got something for them to

1555
01:32:16,280 --> 01:32:18,080
Speaker 1: do every day today. We need you in New York,

1556
01:32:18,200 --> 01:32:20,360
Speaker 1: New York. We got you doing a free promo tool

1557
01:32:20,360 --> 01:32:21,720
Speaker 1: over here. We got you doing this, and then we

1558
01:32:21,760 --> 01:32:23,200
Speaker 1: got you here, we got you there, we got you here.

1559
01:32:23,240 --> 01:32:27,920
Speaker 1: They're working them, working the hell out of them, brand building,

1560
01:32:28,000 --> 01:32:37,240
Speaker 1: promo tours, radio, stepping, repeats, award shows, podcasts, meetings, studios.

1561
01:32:37,320 --> 01:32:39,880
Speaker 1: Says this everywhere. They got them all around the world

1562
01:32:40,360 --> 01:32:43,120
Speaker 1: doing things. Right, when you're independent on this, you kind

1563
01:32:43,120 --> 01:32:44,960
Speaker 1: of be like, yo, I ain't rapping for three months.

1564
01:32:45,240 --> 01:32:47,160
Speaker 1: Especially when you got a fan base and you know

1565
01:32:47,160 --> 01:32:50,120
Speaker 1: I made you in the green. You can just shut

1566
01:32:50,200 --> 01:32:52,240
Speaker 1: down for a second or drop a lot or not

1567
01:32:52,439 --> 01:32:54,920
Speaker 1: do so. You got that freedom to go and chill

1568
01:32:55,040 --> 01:32:58,000
Speaker 1: in the hood, or go ahead and spend sixty ninety

1569
01:32:58,080 --> 01:33:01,600
Speaker 1: days at the house whenever you won't where everybody won't. Independence,

1570
01:33:01,880 --> 01:33:03,920
Speaker 1: but you gotta move different when you when you got

1571
01:33:03,960 --> 01:33:07,720
Speaker 1: a certain level of independence and some money. See, that's

1572
01:33:07,760 --> 01:33:10,880
Speaker 1: another thing we do. We don't put the combination on something.

1573
01:33:11,600 --> 01:33:14,720
Speaker 1: We always talk about singular things when they when when

1574
01:33:14,840 --> 01:33:18,640
Speaker 1: one thing ain't never made none work. You see what

1575
01:33:18,680 --> 01:33:20,960
Speaker 1: I'm saying. Being black is one thing, but being a

1576
01:33:21,040 --> 01:33:25,240
Speaker 1: black woman is a totally different thing. Being a black

1577
01:33:25,360 --> 01:33:27,920
Speaker 1: child it's another thing. Being a black man. It's a

1578
01:33:28,080 --> 01:33:32,720
Speaker 1: different thing. Right, All these things can coexist, right, but

1579
01:33:32,840 --> 01:33:36,680
Speaker 1: they all are dealing with different scenarios. But I just

1580
01:33:36,840 --> 01:33:39,160
Speaker 1: wanted to speak on that right and just kind of

1581
01:33:39,240 --> 01:33:42,400
Speaker 1: give y'all some game on all right, Really look at

1582
01:33:43,720 --> 01:33:46,080
Speaker 1: an independent artist that sign we've got they able to

1583
01:33:46,160 --> 01:33:49,560
Speaker 1: do their thing. They do have that freedom and independence

1584
01:33:49,600 --> 01:33:51,680
Speaker 1: to Hey man, I'm I'm chilling for six months. I

1585
01:33:51,720 --> 01:33:54,200
Speaker 1: don't man my mental health ame right, I'm just had

1586
01:33:54,240 --> 01:33:56,360
Speaker 1: a babe. I'm gonna lock it in with the child

1587
01:33:56,479 --> 01:33:59,360
Speaker 1: and you know, let them get my sent down and

1588
01:33:59,439 --> 01:34:01,439
Speaker 1: see that first steps. Then I'm back on the road.

1589
01:34:01,760 --> 01:34:03,880
Speaker 1: Guys is supporting them in whatever they want to do

1590
01:34:04,680 --> 01:34:07,599
Speaker 1: because they're partners. They ain't working for someone that's giving

1591
01:34:07,640 --> 01:34:11,120
Speaker 1: them itinerary, you know what I'm saying. And I just

1592
01:34:11,200 --> 01:34:13,120
Speaker 1: wanted to put that game down. We're gonna get back

1593
01:34:13,120 --> 01:34:15,840
Speaker 1: into the whack one hundred after this break, and then

1594
01:34:15,920 --> 01:34:21,920
Speaker 1: we'll be back. The details of this series are more

1595
01:34:22,040 --> 01:34:26,600
Speaker 1: than less accurate. So what it ain't gonna matter with

1596
01:34:26,800 --> 01:34:32,200
Speaker 1: Blue say, because if Blue is telling some real facts,

1597
01:34:33,160 --> 01:34:35,960
Speaker 1: fifty didn't already let you know. His series is based

1598
01:34:36,080 --> 01:34:39,800
Speaker 1: upon what his script is a depiction of events that

1599
01:34:39,920 --> 01:34:44,240
Speaker 1: might but he's letting you know that it's less than accurate.

1600
01:34:45,560 --> 01:34:50,759
Speaker 1: And his shit is very entertaining, Like I watch it always,

1601
01:34:50,800 --> 01:34:52,400
Speaker 1: watching the day before you know, as soon as men

1602
01:34:52,439 --> 01:34:54,800
Speaker 1: and I hit, I'm watching the shit on demand. You know,

1603
01:34:55,040 --> 01:34:57,920
Speaker 1: like I watch it. It's a great show. You know

1604
01:34:57,960 --> 01:35:01,400
Speaker 1: what I'm saying. Are you worried that by having an

1605
01:35:01,479 --> 01:35:04,880
Speaker 1: open on that matter it puts you into some type

1606
01:35:04,920 --> 01:35:07,960
Speaker 1: of you know, civil war between some of the people

1607
01:35:08,000 --> 01:35:10,840
Speaker 1: who played a part in that story. Because now, nah,

1608
01:35:11,040 --> 01:35:13,200
Speaker 1: bro Nigga Harber, no listening. I don't give a fuck

1609
01:35:13,280 --> 01:35:16,320
Speaker 1: what you claiming, what you representing. He had come against,

1610
01:35:16,400 --> 01:35:20,400
Speaker 1: he had come to selected politicking. If you talk, you telling,

1611
01:35:20,520 --> 01:35:23,439
Speaker 1: you telling, it's a man named Cuff that's been calling

1612
01:35:23,479 --> 01:35:26,120
Speaker 1: our phone. Understand what I'm saying. And there were twenty

1613
01:35:26,160 --> 01:35:30,040
Speaker 1: six years there's things I was set on that stand. Well,

1614
01:35:30,160 --> 01:35:32,280
Speaker 1: Foreman said that she lined to him up and set

1615
01:35:32,400 --> 01:35:36,759
Speaker 1: him up to get meats time off of his prison sittings.

1616
01:35:37,320 --> 01:35:39,880
Speaker 1: So Cuff sending us that paperwork. I don't know this man,

1617
01:35:40,000 --> 01:35:44,200
Speaker 1: but him and blew nowhere. So um, they had a

1618
01:35:44,240 --> 01:35:46,720
Speaker 1: conversation there. You know what I'm saying about a bunch

1619
01:35:46,760 --> 01:35:51,120
Speaker 1: of different things. You know, Like I always say, wait,

1620
01:35:51,200 --> 01:35:53,240
Speaker 1: when Hunter spent a lot of time on these topics,

1621
01:35:53,280 --> 01:35:55,639
Speaker 1: so he's pretty good with navigating around him. You gotta

1622
01:35:55,680 --> 01:35:58,439
Speaker 1: be careful when you have a conversation with him. DJ

1623
01:35:58,560 --> 01:36:02,439
Speaker 1: academics is just presenting questions. What I what I do

1624
01:36:02,600 --> 01:36:07,560
Speaker 1: want to say though, is that I'm not sure a

1625
01:36:07,600 --> 01:36:11,120
Speaker 1: lot of these podcast guys, I'm not sure that they're

1626
01:36:11,200 --> 01:36:16,800
Speaker 1: considering their brand when they take some of these podcast deals.

1627
01:36:16,840 --> 01:36:20,880
Speaker 1: Are spoke about it earlier like it seemed like they'll

1628
01:36:20,960 --> 01:36:24,400
Speaker 1: they'll let they'll let these companies come and take an

1629
01:36:24,520 --> 01:36:27,479
Speaker 1: established brand and work the hell out of the brand

1630
01:36:28,680 --> 01:36:31,400
Speaker 1: and then screamed at the multi million on the other side.

1631
01:36:31,479 --> 01:36:34,759
Speaker 1: So something doesn't add up. In my opinion, you shouldn't

1632
01:36:34,800 --> 01:36:38,800
Speaker 1: be if you're gonna drop listen any companies out there.

1633
01:36:38,880 --> 01:36:40,960
Speaker 1: Let me be clear with this, because I'm a creative

1634
01:36:41,040 --> 01:36:44,479
Speaker 1: for real, I can show you guys the blueprint on

1635
01:36:44,560 --> 01:36:47,000
Speaker 1: how to drop two three times a week. Joe Buddet

1636
01:36:47,080 --> 01:36:49,840
Speaker 1: is doing a good job, but his fan base is

1637
01:36:49,960 --> 01:36:52,920
Speaker 1: core and they're gonna they rocking with him. And also

1638
01:36:53,120 --> 01:36:58,360
Speaker 1: he's good at podcasting. Charlemagne does radio five times. Them

1639
01:36:58,439 --> 01:37:01,320
Speaker 1: two are good. But a lot of you other guys

1640
01:37:01,400 --> 01:37:04,360
Speaker 1: in this space, what you're gonna do is you're gonna

1641
01:37:04,400 --> 01:37:09,200
Speaker 1: oversaturate the market with your podcast and you're gonna you're

1642
01:37:09,240 --> 01:37:12,439
Speaker 1: gonna lose people in the shuffle because it's just like

1643
01:37:14,439 --> 01:37:18,280
Speaker 1: a series on Netflix. Right. The difference is that you

1644
01:37:18,400 --> 01:37:21,760
Speaker 1: can binge watch that and that's like ten episodes. Podcasts

1645
01:37:21,800 --> 01:37:23,880
Speaker 1: are gonna continue to come. So when you're saying I'm

1646
01:37:23,960 --> 01:37:29,080
Speaker 1: dropping three podcasts a week, right, so that's three, six, nine, twelve,

1647
01:37:29,160 --> 01:37:34,439
Speaker 1: that's twelve podcasts a month, while a lot of your

1648
01:37:34,520 --> 01:37:38,200
Speaker 1: counterparts are doing four. Now I know they're playing a

1649
01:37:38,320 --> 01:37:41,080
Speaker 1: numbers game, so they're just trying to if we average

1650
01:37:41,120 --> 01:37:46,439
Speaker 1: out one hundred and fifty eight thousand on each episode,

1651
01:37:46,560 --> 01:37:48,599
Speaker 1: let's see three times a week, that will still give

1652
01:37:48,680 --> 01:37:52,559
Speaker 1: us about during a million a week somewhere along those lines,

1653
01:37:52,600 --> 01:37:54,800
Speaker 1: half a million a week, a little over, you know

1654
01:37:54,880 --> 01:37:56,920
Speaker 1: what I'm saying, that's two million a month, which is

1655
01:37:57,080 --> 01:38:00,280
Speaker 1: this many million a year? The retention is, you know,

1656
01:38:00,400 --> 01:38:04,800
Speaker 1: so it's it's data there. But I think that with

1657
01:38:05,120 --> 01:38:10,400
Speaker 1: podcasting like a nory, you see those moments happen, and

1658
01:38:10,520 --> 01:38:15,000
Speaker 1: those moments happen because number one day allowed a space

1659
01:38:15,080 --> 01:38:17,320
Speaker 1: for those moments to happen, and the time for those

1660
01:38:17,439 --> 01:38:19,920
Speaker 1: moments to happen. A lot of times we're dealing with

1661
01:38:22,000 --> 01:38:25,160
Speaker 1: a time constraint. So let's say you had a good

1662
01:38:25,200 --> 01:38:31,640
Speaker 1: episode Monday, right, and then you right back on them

1663
01:38:31,680 --> 01:38:35,080
Speaker 1: Winsday with another episode. Do you right back on the

1664
01:38:35,240 --> 01:38:38,479
Speaker 1: Friday with another episode. Let's say out of this week,

1665
01:38:39,040 --> 01:38:41,240
Speaker 1: let's say you're a pretty good podcast to one of

1666
01:38:41,280 --> 01:38:44,160
Speaker 1: those podcasts are good, so one out of the three

1667
01:38:44,360 --> 01:38:49,040
Speaker 1: is good. Unfortunately for you, if it's that first one

1668
01:38:49,120 --> 01:38:52,639
Speaker 1: that you dropped, this good, and these last two or subpar,

1669
01:38:53,680 --> 01:38:57,240
Speaker 1: the person that comes to the platform is gonna get

1670
01:38:57,320 --> 01:38:59,880
Speaker 1: the last thing that's uploaded, so they're gonna get one

1671
01:38:59,920 --> 01:39:03,880
Speaker 1: of those subpart episodes might likely to be turned off

1672
01:39:03,920 --> 01:39:06,320
Speaker 1: and never listen again, especially if you're in a brand

1673
01:39:06,400 --> 01:39:10,719
Speaker 1: building stage. Let's not get this confused. Rory and Mall

1674
01:39:10,800 --> 01:39:17,519
Speaker 1: and DJ Academics and Loom are in a brand building

1675
01:39:17,600 --> 01:39:21,200
Speaker 1: stage with the podcast I don't give a fuck about you,

1676
01:39:21,360 --> 01:39:26,840
Speaker 1: not the rieting on Instagram, TikTok Twitter, I don't give

1677
01:39:26,840 --> 01:39:29,920
Speaker 1: a fuck if you soul, you know, a party fly,

1678
01:39:30,240 --> 01:39:34,280
Speaker 1: whatever you're done, you know, like me, you nothing, it

1679
01:39:34,439 --> 01:39:37,880
Speaker 1: don't matter. You're in a brand building stage with your podcast,

1680
01:39:38,080 --> 01:39:41,920
Speaker 1: right So in your brand building stage, you you're spending

1681
01:39:42,000 --> 01:39:45,160
Speaker 1: money on marketing and you're trying to get a what's

1682
01:39:45,200 --> 01:39:49,720
Speaker 1: called a digital footprint, like a brand footprint. What people

1683
01:39:49,760 --> 01:39:52,439
Speaker 1: will see you and know this when they see you

1684
01:39:52,680 --> 01:39:55,960
Speaker 1: a certain whatever that brand may be. Right, So you're

1685
01:39:56,040 --> 01:39:59,840
Speaker 1: in that and you're you're swimming around. You're swimming a

1686
01:40:00,000 --> 01:40:01,880
Speaker 1: around trying to figure out what we're gonna land at,

1687
01:40:01,920 --> 01:40:04,600
Speaker 1: what we're gonna land at. You don't have the luxury

1688
01:40:06,400 --> 01:40:12,280
Speaker 1: um to drop two subpart episodes. I don't care who

1689
01:40:12,400 --> 01:40:15,480
Speaker 1: you is. You see, Michelle Obama came in the podcasting

1690
01:40:15,560 --> 01:40:19,040
Speaker 1: and that didn't go too well. I'm saying it went

1691
01:40:19,200 --> 01:40:21,840
Speaker 1: well because she's a queen in our culture right as

1692
01:40:21,880 --> 01:40:25,320
Speaker 1: far as us, it's a win. That's that's beloved, so

1693
01:40:25,520 --> 01:40:27,799
Speaker 1: it's a win. But what I'm saying is in regards

1694
01:40:27,880 --> 01:40:32,960
Speaker 1: to numbers and podcasting impact translation, right, you know the

1695
01:40:33,120 --> 01:40:36,200
Speaker 1: not the riding Michelle Obama got and that couldn't translate

1696
01:40:36,280 --> 01:40:39,439
Speaker 1: into podcasting. You can't tell me just because you're popping

1697
01:40:39,520 --> 01:40:43,200
Speaker 1: on Instagram and this and that, like when I sit down,

1698
01:40:43,240 --> 01:40:45,599
Speaker 1: will earn your lesion Ian Dunleft. I'm gonna tell them,

1699
01:40:45,680 --> 01:40:50,400
Speaker 1: like you know something, I'm it's fucked up that I

1700
01:40:50,520 --> 01:40:53,479
Speaker 1: gotta walk around, damn Neil with my numbers in my

1701
01:40:53,600 --> 01:40:56,880
Speaker 1: back pocket. No I damn the gotta pull an app

1702
01:40:56,960 --> 01:41:00,240
Speaker 1: up and show niggas. Look, I get five hundred thousand myself. Justlo,

1703
01:41:00,360 --> 01:41:02,519
Speaker 1: just me, you know what I'm saying for them to

1704
01:41:02,680 --> 01:41:05,960
Speaker 1: listen and for me, I don't pay attention to the charge,

1705
01:41:06,040 --> 01:41:08,720
Speaker 1: the numbers and things like that. I know how that works, right,

1706
01:41:08,840 --> 01:41:11,519
Speaker 1: So I don't you know, I know how this thing gold.

1707
01:41:11,640 --> 01:41:15,040
Speaker 1: So but I know the game they play. You know

1708
01:41:15,080 --> 01:41:17,120
Speaker 1: what I'm saying. The rest of this industry, they play

1709
01:41:17,240 --> 01:41:20,800
Speaker 1: that game. They don't understand impact, like like what Yay

1710
01:41:21,000 --> 01:41:25,280
Speaker 1: was saying, and and and breaking news, we want to

1711
01:41:25,479 --> 01:41:30,240
Speaker 1: give a moment of silence for Virgil. Kanye West Homeboy

1712
01:41:31,320 --> 01:41:35,880
Speaker 1: head designer Lloyd Vaton has just passed away due to

1713
01:41:35,960 --> 01:41:38,880
Speaker 1: his bout with counsel. Let's give a moment of silence

1714
01:41:38,960 --> 01:42:02,200
Speaker 1: for that. That's just breaking news. So just coming off,

1715
01:42:03,360 --> 01:42:08,160
Speaker 1: I was just transitioning in the yam and then I

1716
01:42:08,280 --> 01:42:16,360
Speaker 1: see this come across my laptop. Virgil and I always

1717
01:42:16,400 --> 01:42:18,760
Speaker 1: have a hard time with his last name, y'all forgive me.

1718
01:42:19,720 --> 01:42:22,599
Speaker 1: From his page, it says we are devastated to announce

1719
01:42:22,680 --> 01:42:26,280
Speaker 1: the passing of our beloved Virgil, a fiercely devoted father,

1720
01:42:26,479 --> 01:42:30,120
Speaker 1: husband's son, brother and friend. He is survived by his

1721
01:42:30,800 --> 01:42:36,320
Speaker 1: loving wife Shannon, his children Low and Gray, and his sister,

1722
01:42:36,840 --> 01:42:40,760
Speaker 1: his parents, Knee, and numerous dear friends and colleagues. For

1723
01:42:40,800 --> 01:42:45,200
Speaker 1: over two years, Virgil battled a rare, aggressive form of cancer.

1724
01:42:45,479 --> 01:42:48,440
Speaker 1: He chose to endure this battle privately since his diagnosis

1725
01:42:48,520 --> 01:42:54,120
Speaker 1: in twenty nineteen, undergoing numerous challenging treatments, all while helming

1726
01:42:54,280 --> 01:42:59,320
Speaker 1: several significant intuitions that span fashion, on and culture. Through

1727
01:42:59,360 --> 01:43:03,360
Speaker 1: it all, his work, ethic, curiosity, and optimism never waver.

1728
01:43:04,080 --> 01:43:07,760
Speaker 1: Virgil was driven by his dedication to his craft and

1729
01:43:07,880 --> 01:43:10,400
Speaker 1: to his mission to open doors and for others and

1730
01:43:10,520 --> 01:43:14,760
Speaker 1: create pathways for greater equality in art and design. He

1731
01:43:14,920 --> 01:43:17,320
Speaker 1: often said, everything I do is for the seventeen year

1732
01:43:17,320 --> 01:43:20,560
Speaker 1: old version of myself, believing deeper in the power of

1733
01:43:20,840 --> 01:43:24,680
Speaker 1: art to inspire future generations. We thank y'all for your

1734
01:43:24,720 --> 01:43:26,880
Speaker 1: love and supporting. We asked for privacy as we grieve

1735
01:43:26,960 --> 01:43:36,639
Speaker 1: and celebrate his life. Wow. Yeah, that's that's deep. That's deep. Yeah,

1736
01:43:36,680 --> 01:43:43,920
Speaker 1: that's deep, you know. And when I first saw the

1737
01:43:44,040 --> 01:43:48,280
Speaker 1: shoe and I got several power of them, and he

1738
01:43:48,400 --> 01:43:51,960
Speaker 1: would put the bread strap thing on that right, A

1739
01:43:52,080 --> 01:43:54,120
Speaker 1: lot of old people would cut that off. They didn't

1740
01:43:54,120 --> 01:43:56,240
Speaker 1: know what that was. When they first started happening. But

1741
01:43:57,280 --> 01:44:01,320
Speaker 1: I always was like Yo and would always hear his name.

1742
01:44:01,479 --> 01:44:03,920
Speaker 1: How to you know, Kanye would always talk about him.

1743
01:44:03,960 --> 01:44:07,920
Speaker 1: Kanye would pull from him. That's a person Kanye which

1744
01:44:07,960 --> 01:44:12,280
Speaker 1: would pull energy from Poor, inspiration from Poor. You know,

1745
01:44:12,560 --> 01:44:18,599
Speaker 1: some of his identity is in Virgil and vice versa. See,

1746
01:44:18,680 --> 01:44:22,480
Speaker 1: oftentimes we only talk about what you've done for somebody.

1747
01:44:22,600 --> 01:44:26,439
Speaker 1: But but but we gotta still remember what people done

1748
01:44:26,520 --> 01:44:30,360
Speaker 1: for you. When I look at the Kanye in Virgil,

1749
01:44:30,400 --> 01:44:32,840
Speaker 1: in that relationship and what they've done for each other,

1750
01:44:34,680 --> 01:44:38,360
Speaker 1: and how it was a perfect relationship in regards to

1751
01:44:38,640 --> 01:44:44,120
Speaker 1: music and fashion and style and charisma mixed in it

1752
01:44:44,360 --> 01:44:50,200
Speaker 1: was like the unadulterated truth. It was what music and

1753
01:44:50,520 --> 01:44:54,120
Speaker 1: art and fashion was in his rarest form with a

1754
01:44:54,320 --> 01:44:58,439
Speaker 1: hint and a sprinkle of hip hop in it. But

1755
01:44:58,600 --> 01:45:03,720
Speaker 1: still can coexist and I oftentimes dominate in those same

1756
01:45:03,880 --> 01:45:07,320
Speaker 1: areas with these age old brands to the point where

1757
01:45:07,320 --> 01:45:12,599
Speaker 1: they started to need those guys to penetrate the audience.

1758
01:45:15,040 --> 01:45:18,000
Speaker 1: I just, you know, think like Yo man first of all,

1759
01:45:18,120 --> 01:45:20,640
Speaker 1: his family, of course, his wife and children. I know

1760
01:45:20,720 --> 01:45:25,280
Speaker 1: they're going through a tough time and cancer is something

1761
01:45:25,360 --> 01:45:30,080
Speaker 1: that I hate to even talk about because it's so unfair.

1762
01:45:32,840 --> 01:45:36,080
Speaker 1: You know. I tend to not talk about cancer again.

1763
01:45:36,479 --> 01:45:41,439
Speaker 1: It's just it's it's just so unfast, almost like a

1764
01:45:41,600 --> 01:45:46,800
Speaker 1: handicap match. It ain't nobody that I know truly beat

1765
01:45:46,880 --> 01:45:52,240
Speaker 1: it like truly, you know. And he had a battle

1766
01:45:52,280 --> 01:45:55,960
Speaker 1: with that, and I wonder that him and Ya ever

1767
01:45:56,120 --> 01:45:59,000
Speaker 1: clear up there a little beef because he needed him

1768
01:46:00,840 --> 01:46:04,040
Speaker 1: not only for inspiration, but for love and for those

1769
01:46:04,120 --> 01:46:08,040
Speaker 1: things I can tell can see, I'm a creator, and

1770
01:46:08,200 --> 01:46:10,559
Speaker 1: I know when you when you when when when when

1771
01:46:10,640 --> 01:46:14,880
Speaker 1: you meet somebody and they just as great as you,

1772
01:46:15,800 --> 01:46:18,519
Speaker 1: and they just as unique as you, and they just

1773
01:46:18,760 --> 01:46:21,760
Speaker 1: as you know, everything the same a lot of the

1774
01:46:21,840 --> 01:46:24,000
Speaker 1: same things that you have, they have, right, And you

1775
01:46:24,080 --> 01:46:26,120
Speaker 1: see your silver headed up a lodder and they coming

1776
01:46:26,200 --> 01:46:28,320
Speaker 1: up the lodder, and y'all do with each other, y'all

1777
01:46:28,680 --> 01:46:32,040
Speaker 1: hipping each other and things like that. And then you

1778
01:46:32,200 --> 01:46:34,479
Speaker 1: talk about working with the biggest brands in the world,

1779
01:46:35,080 --> 01:46:39,120
Speaker 1: both of these brothers. At some point the relationship went

1780
01:46:39,200 --> 01:46:44,040
Speaker 1: awrid because of that, because of it's like, Yo, but lyndsay,

1781
01:46:44,120 --> 01:46:47,320
Speaker 1: y'all can see you, you're working for ya. We want

1782
01:46:47,360 --> 01:46:50,240
Speaker 1: them over here, and that's the nature of the business.

1783
01:46:51,560 --> 01:46:55,439
Speaker 1: You know, unfortunate for us were allowed it to break

1784
01:46:55,560 --> 01:46:58,400
Speaker 1: us up in some form or fashion. I think those

1785
01:46:58,520 --> 01:47:05,360
Speaker 1: guys had got pass it. But I know Kanye really

1786
01:47:05,520 --> 01:47:07,960
Speaker 1: used him. He really plugged into him as far as

1787
01:47:08,040 --> 01:47:11,360
Speaker 1: inspiration and and all of those things. And it's important

1788
01:47:11,360 --> 01:47:14,439
Speaker 1: to have that young creators like, find somebody to pull from,

1789
01:47:16,760 --> 01:47:21,240
Speaker 1: find somebody to pull from, and don't be don't be

1790
01:47:21,920 --> 01:47:26,599
Speaker 1: um just a puller, puller, puller, push a little bit too,

1791
01:47:27,760 --> 01:47:30,000
Speaker 1: you know, give a little something to get a little something.

1792
01:47:30,800 --> 01:47:33,400
Speaker 1: And because anybody that you able to get something from

1793
01:47:33,479 --> 01:47:35,960
Speaker 1: and pull from, they gonna cut the relationship off when

1794
01:47:35,960 --> 01:47:39,200
Speaker 1: they keep seeing you keep pulling and you ain't never pushing,

1795
01:47:39,280 --> 01:47:41,760
Speaker 1: You ain't never offering nothing. I ain't getting nothing from you.

1796
01:47:42,560 --> 01:47:44,880
Speaker 1: When I talk to you, it's all about you helping you.

1797
01:47:45,080 --> 01:47:46,920
Speaker 1: What can I do? How can I do? You? Just

1798
01:47:47,160 --> 01:47:52,160
Speaker 1: you just using my brain? You want my eyeballs too,

1799
01:47:54,439 --> 01:47:57,479
Speaker 1: you know? Um? But damn bro, that hit hard. That

1800
01:47:57,720 --> 01:48:03,479
Speaker 1: was Yo's deep man, so Rpeter Virgil Man. I don't

1801
01:48:03,520 --> 01:48:06,160
Speaker 1: know what that does to his shoes, the sales of them,

1802
01:48:06,280 --> 01:48:12,920
Speaker 1: the numbers probably go up, the inflation probably goes crazy.

1803
01:48:15,840 --> 01:48:18,960
Speaker 1: And he's the only black guy not the only. You know,

1804
01:48:19,040 --> 01:48:21,880
Speaker 1: we got a few more, but there's a limited number

1805
01:48:21,920 --> 01:48:25,599
Speaker 1: of black guys in that space. We needed him now,

1806
01:48:26,640 --> 01:48:29,040
Speaker 1: you know, God called him home. But when you look

1807
01:48:29,080 --> 01:48:31,160
Speaker 1: at that space, we ain't got no whole bunch of

1808
01:48:31,280 --> 01:48:34,840
Speaker 1: us running around through Louis Vaton and Off White and

1809
01:48:34,920 --> 01:48:39,439
Speaker 1: balenci Yaga and Guchend not happening. He was one of

1810
01:48:39,520 --> 01:48:41,679
Speaker 1: the ones that was able to sit in that very

1811
01:48:41,920 --> 01:48:47,320
Speaker 1: unique throne. Ain't but a few people. That's a reserved

1812
01:48:47,520 --> 01:48:50,720
Speaker 1: number of people that can even try to sit in

1813
01:48:50,800 --> 01:48:56,760
Speaker 1: that seat. You don't even understand fashion enough. You don't

1814
01:48:56,840 --> 01:49:01,160
Speaker 1: understand culture, you don't understand Jens enough. You don't know

1815
01:49:01,240 --> 01:49:04,799
Speaker 1: about cuts on the shirts and the material and the cloths.

1816
01:49:04,840 --> 01:49:08,240
Speaker 1: And it's a very limited number of people that can.

1817
01:49:08,400 --> 01:49:10,880
Speaker 1: Some of our greats can't sit in that spot. In

1818
01:49:11,040 --> 01:49:16,720
Speaker 1: regards to fashion. You can be smart as you want to.

1819
01:49:16,880 --> 01:49:20,760
Speaker 1: You can't dress, yeah, yeah, yeah, yeah, yeah. You got

1820
01:49:20,880 --> 01:49:24,719
Speaker 1: plenty of money, but you tack it. Yeah, you can't dress.

1821
01:49:24,800 --> 01:49:28,960
Speaker 1: You're looking bad, but you're rich. But your flavor, yeah yeah,

1822
01:49:29,000 --> 01:49:31,320
Speaker 1: it ain't one that we can save her. You know

1823
01:49:31,360 --> 01:49:33,479
Speaker 1: what I mean. You're looking weird and buy me, you

1824
01:49:33,560 --> 01:49:36,040
Speaker 1: know what I mean? But you have in money, you know.

1825
01:49:36,240 --> 01:49:38,320
Speaker 1: So again a lot of people can't sit in that

1826
01:49:38,479 --> 01:49:42,360
Speaker 1: seat that Virgil was sitting in. Think about that, you know.

1827
01:49:42,600 --> 01:49:45,840
Speaker 1: And so I also want to talk about dub Baby.

1828
01:49:45,920 --> 01:49:47,760
Speaker 1: The baby just dropped the album for those of you

1829
01:49:47,880 --> 01:49:52,479
Speaker 1: that don't know, it was an EPUM you heard me

1830
01:49:52,560 --> 01:49:55,920
Speaker 1: speak about last week. You're dealing with an audience that's

1831
01:49:56,000 --> 01:49:59,160
Speaker 1: ready to turn on the baby. That's what we're dealing

1832
01:49:59,200 --> 01:50:04,160
Speaker 1: with right now. Right so when you look up right,

1833
01:50:04,280 --> 01:50:07,679
Speaker 1: they damned there. See the baby is damn near counsel.

1834
01:50:08,880 --> 01:50:11,839
Speaker 1: See you ain't counsel. Yeah, but he damned near counsel.

1835
01:50:12,320 --> 01:50:15,519
Speaker 1: You see what I'm saying, Like the ep SO fourteen thousand.

1836
01:50:15,600 --> 01:50:19,960
Speaker 1: But I keep telling y'all, they effectively, they don't slow

1837
01:50:20,040 --> 01:50:22,760
Speaker 1: you that they don't see. This is what they do.

1838
01:50:24,320 --> 01:50:28,240
Speaker 1: See them hitting you with the cancel culture thing. Depending

1839
01:50:28,280 --> 01:50:30,759
Speaker 1: on who you is. It's almost like the current disease

1840
01:50:30,840 --> 01:50:33,000
Speaker 1: that's out there, like once you get it, the effects

1841
01:50:33,080 --> 01:50:35,680
Speaker 1: of it, even if you even if you get through it,

1842
01:50:35,840 --> 01:50:40,880
Speaker 1: the effects of it may linger. Yeah, the effects of

1843
01:50:40,960 --> 01:50:43,320
Speaker 1: it may linger. So you what you're looking at when

1844
01:50:43,320 --> 01:50:45,360
Speaker 1: you're dealing with the baby, is you're looking at all

1845
01:50:45,400 --> 01:50:47,800
Speaker 1: they tried to counsel me. I got right right quick.

1846
01:50:47,840 --> 01:50:52,120
Speaker 1: So I did a correction, like an overcorrection, right, So

1847
01:50:52,280 --> 01:50:56,320
Speaker 1: I did an overcorrection. And they still right there waiting,

1848
01:50:57,520 --> 01:51:00,960
Speaker 1: They right there waiting. They can't wait. You slip because

1849
01:51:01,080 --> 01:51:05,600
Speaker 1: number one, you didn't show them that it worked. You

1850
01:51:05,680 --> 01:51:07,639
Speaker 1: didn't show them that it worked. You didn't show them

1851
01:51:07,680 --> 01:51:10,120
Speaker 1: that you might be in if they come with the

1852
01:51:10,240 --> 01:51:13,840
Speaker 1: right amount of pressure, he might be in. You know.

1853
01:51:14,320 --> 01:51:17,640
Speaker 1: So that's that's like I think I can't but I

1854
01:51:17,680 --> 01:51:20,360
Speaker 1: can't remember who said it. Like I said, I'll never apologize,

1855
01:51:20,479 --> 01:51:23,320
Speaker 1: not because I'm never not sorry or I can't be wrong.

1856
01:51:23,960 --> 01:51:28,439
Speaker 1: Is that it's almost like being bleeding in an ocean

1857
01:51:28,720 --> 01:51:33,160
Speaker 1: around you know, shocks. You put yourself in a situation

1858
01:51:33,280 --> 01:51:35,680
Speaker 1: to now where oh they know that work on me.

1859
01:51:35,800 --> 01:51:37,760
Speaker 1: So every little thing I do, we're gonna counsel you.

1860
01:51:37,800 --> 01:51:39,880
Speaker 1: We're gonna counsel you. We're gonna counsel you, we're gonna count.

1861
01:51:40,040 --> 01:51:43,519
Speaker 1: So I'm apologizing every six weeks. Even Kevin Hart went

1862
01:51:43,600 --> 01:51:47,479
Speaker 1: through it situation where they were trying to get him

1863
01:51:47,520 --> 01:51:51,599
Speaker 1: to keep apologize. He got to the point, look, look, look, look, look, hey,

1864
01:51:52,040 --> 01:51:55,960
Speaker 1: it's over for the apologizing thing. That's old. You know

1865
01:51:56,040 --> 01:51:58,599
Speaker 1: what I'm saying. I said, I was sorry y'all pulling

1866
01:51:58,680 --> 01:52:04,200
Speaker 1: up stuff from Timue years ago. I tweeted, and then

1867
01:52:04,320 --> 01:52:06,360
Speaker 1: while go, you need to apologize by what you said

1868
01:52:06,400 --> 01:52:09,760
Speaker 1: about peanut butter, and you need apologize what you said

1869
01:52:09,760 --> 01:52:12,040
Speaker 1: about Coca Cola drinks. Man, they've helped a lot of

1870
01:52:12,080 --> 01:52:15,200
Speaker 1: people in North Korea. You know, it's it starts to

1871
01:52:15,280 --> 01:52:19,439
Speaker 1: get a little he's just uncomfortable to see, you know

1872
01:52:19,439 --> 01:52:23,519
Speaker 1: what I mean. But with the baby, he's dealing with

1873
01:52:23,640 --> 01:52:29,439
Speaker 1: the lingering affix of the cancelation, and the crossover was quick.

1874
01:52:30,400 --> 01:52:32,920
Speaker 1: That's what T. Paine is talking about when T. Paine

1875
01:52:33,000 --> 01:52:37,639
Speaker 1: is saying, Yo, they kind of not building, they resume,

1876
01:52:37,800 --> 01:52:42,160
Speaker 1: they kind of going for the overnight thing. But all

1877
01:52:42,280 --> 01:52:44,600
Speaker 1: of the overnight fans, it's almost like you got a

1878
01:52:44,680 --> 01:52:49,400
Speaker 1: pool of people could regular consume us, die hard fans,

1879
01:52:50,080 --> 01:52:54,639
Speaker 1: fickle Middle America fans. Once you cross over and start

1880
01:52:54,720 --> 01:52:59,320
Speaker 1: sucking with that Middle America people, oh yeah, they can flip.

1881
01:52:59,760 --> 01:53:01,840
Speaker 1: They can be supporting you today and not supporting you

1882
01:53:01,920 --> 01:53:04,599
Speaker 1: the mall. But that's why they can't get with Boosy

1883
01:53:05,880 --> 01:53:09,240
Speaker 1: on the other side, because his fan base is deep

1884
01:53:09,400 --> 01:53:13,800
Speaker 1: rooted fan base, deep rooted. Ain't nothing they can really

1885
01:53:13,880 --> 01:53:18,680
Speaker 1: say outside of him, you know, doing something really agregious

1886
01:53:19,240 --> 01:53:23,760
Speaker 1: that affect his motion. The baby, on the other hand,

1887
01:53:24,040 --> 01:53:27,639
Speaker 1: it happened quickly, crossed right over the middle of America,

1888
01:53:27,720 --> 01:53:31,200
Speaker 1: went right over into Broadway. Shit, this is that, Bob,

1889
01:53:31,320 --> 01:53:34,920
Speaker 1: this we actually should music was doing terrific. So he

1890
01:53:35,600 --> 01:53:38,160
Speaker 1: did the right thing. It's just when you do that,

1891
01:53:38,600 --> 01:53:41,479
Speaker 1: you're playing a different game. You into the different territory.

1892
01:53:41,560 --> 01:53:45,519
Speaker 1: You got to know that as a creator, as an artist,

1893
01:53:45,560 --> 01:53:48,599
Speaker 1: as a businessman, you got to know the old. Then

1894
01:53:48,680 --> 01:53:51,920
Speaker 1: we're dealing with government contracts. A couple of things changed.

1895
01:53:52,000 --> 01:53:55,719
Speaker 1: Now oh, now we're dealing with transitional homes. This ain't

1896
01:53:55,760 --> 01:53:58,720
Speaker 1: just a one person rent tenant type thing. This is

1897
01:53:58,760 --> 01:54:01,960
Speaker 1: a business side of here, you know. And then you

1898
01:54:02,080 --> 01:54:04,880
Speaker 1: start to find out the rules, find out the workarounds,

1899
01:54:05,000 --> 01:54:06,800
Speaker 1: find out how you can you know what I'm saying,

1900
01:54:06,800 --> 01:54:09,679
Speaker 1: It's just ways to do things. But when you're dealing

1901
01:54:09,760 --> 01:54:16,800
Speaker 1: with when you're dealing with somebody that's um, somebody that

1902
01:54:16,880 --> 01:54:20,080
Speaker 1: crossed over that quick, it just ain't gonna it probably

1903
01:54:20,080 --> 01:54:22,160
Speaker 1: ain't gonna be. You know, you got a lot of

1904
01:54:22,240 --> 01:54:25,120
Speaker 1: fake fans, you got a lot of support, but some

1905
01:54:25,240 --> 01:54:32,560
Speaker 1: of your fans are not that's not really die hard fans.

1906
01:54:32,840 --> 01:54:34,840
Speaker 1: They got on you because I like that song. They

1907
01:54:34,960 --> 01:54:40,120
Speaker 1: bought that boy baby that shook song. But see, mainstream

1908
01:54:40,240 --> 01:54:45,240
Speaker 1: media still controls a very small subsection of the population,

1909
01:54:46,720 --> 01:54:50,120
Speaker 1: a certain age group too, that communicate those things to

1910
01:54:50,200 --> 01:54:53,120
Speaker 1: their granddaughters and their nieces and the nephews. Right, So

1911
01:54:53,840 --> 01:54:56,640
Speaker 1: all they watch this people like Wendy Williams and Ellen

1912
01:54:56,720 --> 01:54:59,520
Speaker 1: Degenerous and things like that. So when they no longer

1913
01:54:59,560 --> 01:55:03,800
Speaker 1: seeing you in that cycle, and the only things they're

1914
01:55:03,840 --> 01:55:06,720
Speaker 1: seeing in that new cycle is the baby in Tool

1915
01:55:06,800 --> 01:55:09,840
Speaker 1: with Baby Mama, the baby said this about LGBT, they

1916
01:55:09,920 --> 01:55:13,520
Speaker 1: canceled the baby, took him off this show. Right, So

1917
01:55:14,280 --> 01:55:19,760
Speaker 1: for fourteen thousand copies sold is a loss. We're talking

1918
01:55:20,080 --> 01:55:24,800
Speaker 1: what do what do? He went three time platinum? What

1919
01:55:24,960 --> 01:55:27,880
Speaker 1: he went three time platinum? Him and Rider rich ship

1920
01:55:27,960 --> 01:55:31,360
Speaker 1: what they did they did super good. Like fourteen thousand

1921
01:55:31,920 --> 01:55:36,080
Speaker 1: sales first week for the Baby is not that And

1922
01:55:36,200 --> 01:55:40,400
Speaker 1: it's a reflection of the cancer culture. Ship. That's why

1923
01:55:40,440 --> 01:55:43,160
Speaker 1: I tell all rappers man, I spoke about it earlier. Bro,

1924
01:55:43,240 --> 01:55:45,880
Speaker 1: you better get these labels to a look, I got wrapped.

1925
01:55:46,520 --> 01:55:50,000
Speaker 1: Get the fuck out the wrap building. Head over to

1926
01:55:51,520 --> 01:55:56,720
Speaker 1: Nigga out for brain. We're selling brain supplements. Head over

1927
01:55:56,840 --> 01:55:59,320
Speaker 1: and build my brain. Brain. I got the wrap. Shit,

1928
01:55:59,440 --> 01:56:01,760
Speaker 1: y'all don't need to be still right here telling about

1929
01:56:01,760 --> 01:56:04,880
Speaker 1: whatever you need. I don't need nothing. That's another thing

1930
01:56:05,000 --> 01:56:07,040
Speaker 1: with the rob guys. See, they get addicted to the

1931
01:56:07,160 --> 01:56:10,360
Speaker 1: private flights. They get addicted to getting a new chain

1932
01:56:10,480 --> 01:56:13,400
Speaker 1: every time their birthday come. They get addicted to getting

1933
01:56:13,400 --> 01:56:16,040
Speaker 1: the new vet every year, come out to new syt

1934
01:56:16,240 --> 01:56:19,440
Speaker 1: the new Being's truck, the new the new Lamborghini, the

1935
01:56:19,600 --> 01:56:22,280
Speaker 1: new you know what I mean, the new ben Taker.

1936
01:56:22,360 --> 01:56:25,920
Speaker 1: They get addicted to doing that. And the only reason

1937
01:56:25,960 --> 01:56:28,080
Speaker 1: they get addicted to doing it is because it's not

1938
01:56:28,240 --> 01:56:34,200
Speaker 1: an instant there's no instant ramifications for that. Right when

1939
01:56:34,240 --> 01:56:36,520
Speaker 1: I spend sixty thousand, I look in my account and

1940
01:56:36,560 --> 01:56:41,040
Speaker 1: I see minus sixty thousand, and that hurt. That makes

1941
01:56:41,080 --> 01:56:45,600
Speaker 1: me feel away. But just imagine if I had somebody

1942
01:56:45,760 --> 01:56:48,640
Speaker 1: that ain't really doing them but collecting money, that at

1943
01:56:48,760 --> 01:56:51,000
Speaker 1: some point, when your brand is at a certain place,

1944
01:56:51,480 --> 01:56:54,520
Speaker 1: that label is really only they're collecting money. I need

1945
01:56:54,640 --> 01:56:57,480
Speaker 1: to continue to make you useful. Head over there, use

1946
01:56:57,560 --> 01:57:00,360
Speaker 1: your relationships to build me up over there, out hip

1947
01:57:00,400 --> 01:57:05,600
Speaker 1: hop right. So um, just imagine if I can cause

1948
01:57:05,680 --> 01:57:08,040
Speaker 1: him and I say, y'all need a private flight to Cali. Hey, yo,

1949
01:57:08,520 --> 01:57:12,160
Speaker 1: it's is thick ass girl or Instagram. I've been spinish,

1950
01:57:12,240 --> 01:57:14,520
Speaker 1: she says. She you know she's trying to I'm gonna

1951
01:57:14,520 --> 01:57:17,000
Speaker 1: fly her out, man, y'all have her five k at

1952
01:57:17,040 --> 01:57:20,080
Speaker 1: the hotel, get her private flight over there. Get her

1953
01:57:20,160 --> 01:57:23,120
Speaker 1: there now, man, and then have a shelf over cook

1954
01:57:23,200 --> 01:57:25,560
Speaker 1: or something. I'm gonna get over and get down. You know.

1955
01:57:26,200 --> 01:57:28,840
Speaker 1: But did say you looking at your state account and

1956
01:57:28,840 --> 01:57:32,320
Speaker 1: it ain't nothing coming out, but they're keeping you in

1957
01:57:32,440 --> 01:57:35,920
Speaker 1: debt on the business end. Then a lot of that

1958
01:57:36,000 --> 01:57:37,920
Speaker 1: ship they take a lot of that shit they keeping

1959
01:57:37,960 --> 01:57:40,000
Speaker 1: you in debt for and write it off. It's a

1960
01:57:40,080 --> 01:57:43,680
Speaker 1: whole game going on, you understand. But they keeping you

1961
01:57:43,800 --> 01:57:46,200
Speaker 1: in debt because you keep saying, y'all need a private flight. Sir,

1962
01:57:47,000 --> 01:57:48,960
Speaker 1: y'all need I need to go around. I want to

1963
01:57:48,960 --> 01:57:51,200
Speaker 1: go to Barbados, you know, me and the whole family.

1964
01:57:52,040 --> 01:57:53,560
Speaker 1: Or you want us to take it out your budget.

1965
01:57:53,720 --> 01:57:56,200
Speaker 1: We'll take care of that. They don't even it ain't

1966
01:57:56,240 --> 01:57:58,440
Speaker 1: even a conversation. If I just say I want something,

1967
01:57:58,440 --> 01:58:01,720
Speaker 1: that make it happen, but you think they're making it happen. Like, Yo,

1968
01:58:01,800 --> 01:58:04,080
Speaker 1: who the word de laybel? He really fuck with me? Man,

1969
01:58:04,160 --> 01:58:06,200
Speaker 1: slide fuck with me. It's a lot of people that

1970
01:58:06,320 --> 01:58:08,200
Speaker 1: do fuck with you or may fuck with you like that.

1971
01:58:08,360 --> 01:58:12,400
Speaker 1: But often times he got that that I all let

1972
01:58:12,800 --> 01:58:16,200
Speaker 1: in place. But he got a little invoice in his

1973
01:58:16,320 --> 01:58:20,120
Speaker 1: top pocket with his tax on it, and they just

1974
01:58:20,280 --> 01:58:22,080
Speaker 1: keep throwing them in the book. And then one day

1975
01:58:22,120 --> 01:58:24,040
Speaker 1: when you look up and get tired of the private

1976
01:58:24,120 --> 01:58:26,120
Speaker 1: flights that I no longer want to do that, I

1977
01:58:26,280 --> 01:58:28,680
Speaker 1: go commercial. Why am I spending twenty grand to get

1978
01:58:29,640 --> 01:58:32,400
Speaker 1: an hour and forty five minutes in a plane? Like

1979
01:58:32,560 --> 01:58:34,840
Speaker 1: what am I doing? Like? Oh, yo, you said I

1980
01:58:34,920 --> 01:58:37,960
Speaker 1: spend sixty thousand this month on cloth. I'm cutting all

1981
01:58:38,000 --> 01:58:39,760
Speaker 1: that down. I need to artist some shit. Look at

1982
01:58:39,800 --> 01:58:42,000
Speaker 1: my numbers? What's going on? You? Look at the numbers?

1983
01:58:42,320 --> 01:58:44,320
Speaker 1: You try to get back at, dude, the one that

1984
01:58:44,480 --> 01:58:47,520
Speaker 1: fuck with you, the one that they've been getting y'all

1985
01:58:47,720 --> 01:58:53,560
Speaker 1: the shit you've been requested but not asking for. Then

1986
01:58:53,640 --> 01:58:56,640
Speaker 1: he doubled down on you or you doubled down on him. Yo,

1987
01:58:56,720 --> 01:58:59,280
Speaker 1: what's up? Man? Like my lawyers need to see the books.

1988
01:58:59,800 --> 01:59:01,880
Speaker 1: I have no problem. We'll get the bush right over.

1989
01:59:01,920 --> 01:59:06,880
Speaker 1: When you looking at two hundred dollars, and they charged

1990
01:59:06,880 --> 01:59:09,280
Speaker 1: the nigga for waters they bring into the studio or

1991
01:59:09,320 --> 01:59:12,680
Speaker 1: the anything on here. Then folk didn't give me a

1992
01:59:12,800 --> 01:59:15,640
Speaker 1: free pin, but they charged me for the paper and pin.

1993
01:59:15,760 --> 01:59:21,640
Speaker 1: Are you because it's business. It's business, you know what

1994
01:59:21,680 --> 01:59:24,240
Speaker 1: I'm saying. So when you're dealing with when you're dealing

1995
01:59:24,320 --> 01:59:27,360
Speaker 1: with um, when you get bit by that cancer, culture

1996
01:59:27,480 --> 01:59:30,640
Speaker 1: bug or whatever, a bug that stops or slows down

1997
01:59:30,760 --> 01:59:35,480
Speaker 1: your sales, the rapper be dumb enough to think that

1998
01:59:36,280 --> 01:59:38,720
Speaker 1: they ain't fucking with me because he's still right now

1999
01:59:38,880 --> 01:59:41,600
Speaker 1: getting to fit that show, and he's still right now

2000
01:59:41,720 --> 01:59:45,080
Speaker 1: being booked. It ain't about this current cycle home. It's

2001
01:59:45,120 --> 01:59:49,880
Speaker 1: the next cycle where you won't even be drafted. Right

2002
01:59:50,000 --> 01:59:52,400
Speaker 1: this cycle was already in place, So yeah, you're still

2003
01:59:52,480 --> 01:59:54,680
Speaker 1: getting your showed for the next year or so. But

2004
01:59:54,840 --> 01:59:57,240
Speaker 1: let's see what twenty twenty four look like. This will

2005
01:59:57,320 --> 01:59:59,880
Speaker 1: really show you if the label really stuck by you,

2006
02:00:00,360 --> 02:00:03,800
Speaker 1: what really happened if in twenty late twenty twenty two,

2007
02:00:04,720 --> 02:00:09,680
Speaker 1: twenty early twenty twenty three, when you don't see you know,

2008
02:00:09,840 --> 02:00:14,280
Speaker 1: certain things happening no more, and that number go all

2009
02:00:14,440 --> 02:00:17,000
Speaker 1: the way back down. He won't twenty five hundred to

2010
02:00:17,120 --> 02:00:23,240
Speaker 1: show you know, lost the building. See you you see

2011
02:00:23,280 --> 02:00:25,480
Speaker 1: me in the buildings. Even when I will go to revote,

2012
02:00:27,160 --> 02:00:29,800
Speaker 1: even shout out to did this, shout out to love Hbrock,

2013
02:00:30,000 --> 02:00:32,720
Speaker 1: shout out to Sharrock. We're working on getting that to

2014
02:00:32,960 --> 02:00:37,400
Speaker 1: cal now. But even when I go to revote, I

2015
02:00:37,480 --> 02:00:40,000
Speaker 1: got to talk to it. But I need this camera. Man,

2016
02:00:40,080 --> 02:00:42,680
Speaker 1: What are you doing? Man? How you doing? Man? Your

2017
02:00:42,760 --> 02:00:47,200
Speaker 1: third party? You work right through the I'm intuitive, nigga.

2018
02:00:47,240 --> 02:00:50,720
Speaker 1: I don't play because I know the information is what

2019
02:00:50,880 --> 02:00:54,120
Speaker 1: I need. This access to this building, they can take it,

2020
02:00:54,240 --> 02:01:00,480
Speaker 1: like can access to the building. It's done. I remember

2021
02:01:00,560 --> 02:01:02,760
Speaker 1: one time. I'm from Tennessee, so I remember one time

2022
02:01:02,840 --> 02:01:08,360
Speaker 1: Steve McNall RP McNall ten fifteen years he gave the

2023
02:01:08,480 --> 02:01:11,600
Speaker 1: Titans blood, sweat and tears, played with broken ankles, broke

2024
02:01:11,680 --> 02:01:15,600
Speaker 1: the hard or hard aching pain, Sit people down. I'm

2025
02:01:15,640 --> 02:01:18,640
Speaker 1: still playing this. That and the third. When the Titans

2026
02:01:18,720 --> 02:01:22,360
Speaker 1: got done, they locked him out of the stadium. So

2027
02:01:23,040 --> 02:01:27,760
Speaker 1: imagine this coming to a stadium way your pictures, statues,

2028
02:01:27,840 --> 02:01:31,360
Speaker 1: your pick and they won't even let you in. It's

2029
02:01:31,400 --> 02:01:33,520
Speaker 1: like coming to the label. You going these labels, They

2030
02:01:33,600 --> 02:01:38,760
Speaker 1: got pictures of people that's broke in these record labels,

2031
02:01:38,840 --> 02:01:41,000
Speaker 1: right none to day you walk in its pictures or

2032
02:01:41,280 --> 02:01:46,360
Speaker 1: wrapped niggas. This broken now they don't even got access

2033
02:01:46,560 --> 02:01:49,560
Speaker 1: to that building without the right clearance and the right

2034
02:01:49,640 --> 02:01:55,680
Speaker 1: people walking alongside them. Some of that is what the

2035
02:01:55,800 --> 02:01:58,640
Speaker 1: rapper does with their business and with their money, right,

2036
02:01:58,760 --> 02:02:01,080
Speaker 1: the mismanaging of then I'm gonna talk to earn your

2037
02:02:01,160 --> 02:02:04,240
Speaker 1: lesion them about you know, we gotta put some kind

2038
02:02:04,280 --> 02:02:08,040
Speaker 1: of course in place for rappers. Get this handbook. You know,

2039
02:02:08,120 --> 02:02:09,720
Speaker 1: if we got to put a price on it to

2040
02:02:09,880 --> 02:02:12,360
Speaker 1: cover printing or whatever, but I need to be involved.

2041
02:02:12,440 --> 02:02:16,600
Speaker 1: Get this handbook soon, you get a deal. Soon, you

2042
02:02:16,720 --> 02:02:19,680
Speaker 1: get break this Earn your lesion side to the music

2043
02:02:19,800 --> 02:02:23,400
Speaker 1: business call loony in some kind of way. And you're

2044
02:02:23,440 --> 02:02:29,080
Speaker 1: feeling because we gotta tease these dudes. Dog, somebody got

2045
02:02:29,160 --> 02:02:32,120
Speaker 1: to teach them. But the label or the label will

2046
02:02:32,200 --> 02:02:37,920
Speaker 1: make listen somebody like Faddy Walk And I didn't mention

2047
02:02:38,040 --> 02:02:40,920
Speaker 1: that earlier. This is what happens when you're popping rapper

2048
02:02:41,000 --> 02:02:45,960
Speaker 1: or popping podcast or a popping act or a popping product. Right,

2049
02:02:46,720 --> 02:02:50,920
Speaker 1: these people are slick, but it's business, so's it's a

2050
02:02:51,080 --> 02:02:55,600
Speaker 1: for you to really realize the vibration. What they'll do

2051
02:02:55,920 --> 02:03:00,120
Speaker 1: is though YO shouldn't be popping right, they're fun the

2052
02:03:00,240 --> 02:03:04,800
Speaker 1: rest of their whole business off YO shit like Feddiewap

2053
02:03:04,960 --> 02:03:07,160
Speaker 1: ten times platinum. You can't tell me some of that

2054
02:03:07,320 --> 02:03:13,080
Speaker 1: money didn't fund some other rap careers. But I don't

2055
02:03:13,120 --> 02:03:16,560
Speaker 1: even got access to no information. I'm just yeah, babe,

2056
02:03:17,360 --> 02:03:20,040
Speaker 1: I'm singing like a muff. I ain't got no information

2057
02:03:20,160 --> 02:03:22,520
Speaker 1: and badans of money they told me Amedia for a

2058
02:03:22,640 --> 02:03:26,160
Speaker 1: media that don't even sound right. Tell me anything, Yes,

2059
02:03:26,320 --> 02:03:28,680
Speaker 1: you said you sell a million of them and get

2060
02:03:28,720 --> 02:03:33,480
Speaker 1: a million dollars. You gotta be said selling something that

2061
02:03:33,560 --> 02:03:36,480
Speaker 1: ain't worth much, right, a piece of bubble gum or

2062
02:03:37,160 --> 02:03:39,560
Speaker 1: something like that. You know it don't cost you nothing,

2063
02:03:39,680 --> 02:03:42,240
Speaker 1: you know, Come on, slim, we're talking to me. That's

2064
02:03:42,360 --> 02:03:46,600
Speaker 1: potato chip money and shout out the wraps next because

2065
02:03:46,640 --> 02:03:50,000
Speaker 1: we get potato chip money now. But we're talking a

2066
02:03:50,160 --> 02:03:55,040
Speaker 1: dollar profit on each unit soul, and I'm the talent,

2067
02:03:55,240 --> 02:03:59,320
Speaker 1: I'm the brand. Yo. Y'all still letting dude say that?

2068
02:03:59,400 --> 02:04:02,880
Speaker 1: Ain't nobody checking fatly and say, yo, bro, come let

2069
02:04:02,920 --> 02:04:05,360
Speaker 1: me how letter they still got you twisted in the ship. Bro,

2070
02:04:05,480 --> 02:04:10,040
Speaker 1: that wrong ahead, boy boy, mean, a platinum artist can

2071
02:04:10,240 --> 02:04:15,520
Speaker 1: fund a fucking record label. All them other niggas just

2072
02:04:15,680 --> 02:04:20,360
Speaker 1: flopping nigga. It's eating coach such as such as going platinum,

2073
02:04:20,400 --> 02:04:25,200
Speaker 1: you tripping. But Fat Joe is in a place where

2074
02:04:25,240 --> 02:04:29,320
Speaker 1: he may not even know what I'm saying. Damn Bro,

2075
02:04:29,480 --> 02:04:31,440
Speaker 1: he gave him as much game as he could. But

2076
02:04:31,560 --> 02:04:37,760
Speaker 1: for me, it's important to clarify, simplify, and repeat. Because

2077
02:04:37,800 --> 02:04:39,920
Speaker 1: I got the babies watching, I got the you, I

2078
02:04:40,040 --> 02:04:42,880
Speaker 1: got the youth, I got the youngsters. I really got

2079
02:04:42,960 --> 02:04:46,640
Speaker 1: the podcast game. If we're being honest, if we look

2080
02:04:46,720 --> 02:04:50,240
Speaker 1: at impact, and then let's I want to make a

2081
02:04:50,320 --> 02:04:54,280
Speaker 1: public service announcement about this. Loon is doing a podcast

2082
02:04:54,400 --> 02:04:58,360
Speaker 1: by itself. Take that in consideration. Because I get tagging

2083
02:04:58,440 --> 02:05:01,160
Speaker 1: and I hear a lot of people they compare me

2084
02:05:01,240 --> 02:05:04,520
Speaker 1: to people three four people Nigga Hoole team or four

2085
02:05:04,680 --> 02:05:08,840
Speaker 1: star power. LOONA is one person doing all this by

2086
02:05:09,000 --> 02:05:13,280
Speaker 1: SLF and competing with the best without any post preproduction.

2087
02:05:13,760 --> 02:05:17,560
Speaker 1: I do no pre production, no nothing right or first

2088
02:05:17,600 --> 02:05:20,160
Speaker 1: of all, what that says in business terms, And I

2089
02:05:20,400 --> 02:05:23,520
Speaker 1: simplify for people that may not be as savvy. But

2090
02:05:23,600 --> 02:05:26,040
Speaker 1: I know I got the savvy with me because they mind,

2091
02:05:26,840 --> 02:05:29,480
Speaker 1: you know, and they rock with me, and they know

2092
02:05:29,680 --> 02:05:33,760
Speaker 1: that we're on the same wave land. But number one,

2093
02:05:33,840 --> 02:05:36,640
Speaker 1: what that says, it's from a business perspective, right, means

2094
02:05:36,720 --> 02:05:40,400
Speaker 1: my overhead is low, right because I take care of

2095
02:05:40,440 --> 02:05:44,880
Speaker 1: all production. They take care of editing, take care of

2096
02:05:44,920 --> 02:05:47,960
Speaker 1: the clips, We take care everything in house. That is

2097
02:05:48,040 --> 02:05:52,240
Speaker 1: a zero production cost in the grand scheme, right, That's

2098
02:05:52,400 --> 02:05:55,320
Speaker 1: it costs money to do that, to run that. But

2099
02:05:55,480 --> 02:05:59,680
Speaker 1: I'm saying from a business perspective, imagine them having to

2100
02:06:00,520 --> 02:06:06,760
Speaker 1: find me a little local podcast guy, no audience. Luckily

2101
02:06:06,880 --> 02:06:10,040
Speaker 1: for me, I'm guarding audience faster than any other podcasts

2102
02:06:10,120 --> 02:06:13,080
Speaker 1: in the game. But they have to find a little

2103
02:06:13,160 --> 02:06:15,840
Speaker 1: podcast or no audience. They got to provide them with

2104
02:06:15,960 --> 02:06:18,440
Speaker 1: some sort of set up, Provide them with some studio time,

2105
02:06:18,520 --> 02:06:23,280
Speaker 1: Provide them some interviews. I'm probably the only podcast without

2106
02:06:23,320 --> 02:06:27,640
Speaker 1: a co host and without constant interviews. Put some respect

2107
02:06:27,760 --> 02:06:30,960
Speaker 1: on that, put some respect on that. This is a

2108
02:06:31,080 --> 02:06:36,440
Speaker 1: different is this, here's a different skill. What I do

2109
02:06:36,640 --> 02:06:39,200
Speaker 1: is a different skill, respectfully to everybody. You know, I

2110
02:06:39,320 --> 02:06:42,960
Speaker 1: got love out there. They embraced me in this game.

2111
02:06:43,160 --> 02:06:47,520
Speaker 1: So I got love out there right now, they embrace me,

2112
02:06:47,720 --> 02:06:50,840
Speaker 1: but I'm looking for information. I've yet to get that,

2113
02:06:51,040 --> 02:06:54,440
Speaker 1: but I'm being embraced. I think that step one. Right,

2114
02:06:54,560 --> 02:06:57,840
Speaker 1: Once you build a relationship and you know that I'm someone,

2115
02:06:57,920 --> 02:07:00,640
Speaker 1: you should get information too. Because I know what I'm doing.

2116
02:07:01,520 --> 02:07:05,080
Speaker 1: I expect for somebody to move in and do the

2117
02:07:05,240 --> 02:07:10,760
Speaker 1: right thing. Right. Nonetheless, when you talk about podcasting, right,

2118
02:07:11,360 --> 02:07:14,800
Speaker 1: and we look at the landscape and you say, let's

2119
02:07:14,800 --> 02:07:17,760
Speaker 1: say you get a popping podcast, like say my podcast,

2120
02:07:19,480 --> 02:07:23,560
Speaker 1: my podcasts get popping, it can fund full five rap

2121
02:07:23,720 --> 02:07:28,080
Speaker 1: careers ten others. I could probably fund ten other podcasts

2122
02:07:28,160 --> 02:07:31,360
Speaker 1: just by my star power. That don't even consider I

2123
02:07:31,360 --> 02:07:34,440
Speaker 1: ain't even talking the money with the rap shit. We're

2124
02:07:34,480 --> 02:07:37,160
Speaker 1: gonna need to spend some money to market. But I

2125
02:07:37,320 --> 02:07:40,240
Speaker 1: control the cool, I control the narrative, right, so I

2126
02:07:40,320 --> 02:07:44,400
Speaker 1: can introduce other podcasts. I know exactly what to do.

2127
02:07:45,320 --> 02:07:47,960
Speaker 1: You see what I'm saying. But I know one thing.

2128
02:07:48,240 --> 02:07:51,080
Speaker 1: They can't trick me into believing because my podcast is

2129
02:07:51,120 --> 02:07:55,320
Speaker 1: doing so well that I'm not funding these other things.

2130
02:07:56,080 --> 02:08:00,480
Speaker 1: You hear people oftentimes say Drake keeps the industry moving,

2131
02:08:01,240 --> 02:08:05,560
Speaker 1: and for some people that's a very far feit statement

2132
02:08:05,600 --> 02:08:08,200
Speaker 1: because they don't understand what that means for me. I

2133
02:08:08,440 --> 02:08:13,400
Speaker 1: definitely hear what you're saying, right, because because of how

2134
02:08:13,520 --> 02:08:17,640
Speaker 1: well Drake is doing, they're able to fund all of

2135
02:08:17,720 --> 02:08:22,920
Speaker 1: these other acts. Just think if we're in the red, dude,

2136
02:08:22,960 --> 02:08:26,120
Speaker 1: these budgets gotta get cut. It's just business. Or let's

2137
02:08:26,160 --> 02:08:29,120
Speaker 1: just think we're barely breaking even Drake is way in

2138
02:08:29,200 --> 02:08:32,160
Speaker 1: the green, Kanye is way, and it's some artists that

2139
02:08:32,280 --> 02:08:35,200
Speaker 1: no matter how much they're spending, they come out in

2140
02:08:35,320 --> 02:08:40,240
Speaker 1: the green, which means profitable, which means you know, successful,

2141
02:08:40,280 --> 02:08:46,960
Speaker 1: they're making money. But you know, I always remember that,

2142
02:08:47,240 --> 02:08:50,720
Speaker 1: you know, because it's crazy to see Fatty Wop and

2143
02:08:50,880 --> 02:08:53,600
Speaker 1: the baby and the contrast and that of what's happening

2144
02:08:53,720 --> 02:08:57,600
Speaker 1: this week, Right, you see Fatty Wap, somebody that I

2145
02:08:57,680 --> 02:09:01,200
Speaker 1: would probably say, what's bigger than the baby? Us at

2146
02:09:01,320 --> 02:09:04,280
Speaker 1: his prime, at that prime time, I would say Faite

2147
02:09:04,320 --> 02:09:07,480
Speaker 1: Wapp was probably bigger than the baby. But you see

2148
02:09:07,600 --> 02:09:10,840
Speaker 1: that that's a long fall, and you can fall, and

2149
02:09:11,040 --> 02:09:15,480
Speaker 1: they have made this audience that see, that's why you

2150
02:09:15,600 --> 02:09:17,840
Speaker 1: gotta kind of be at the forefront of your brand

2151
02:09:17,920 --> 02:09:22,240
Speaker 1: as well. Again, no wrong decision was made to cross

2152
02:09:22,280 --> 02:09:24,879
Speaker 1: the baby over so fast. That was the right decision

2153
02:09:24,960 --> 02:09:31,040
Speaker 1: to make. But I think because of that, he's now

2154
02:09:31,200 --> 02:09:35,440
Speaker 1: dealing with that audience that reacts in this way, right,

2155
02:09:35,920 --> 02:09:38,640
Speaker 1: he's dealing with that audience that reacts in the way

2156
02:09:38,720 --> 02:09:43,040
Speaker 1: of the edge of the seat, just waiting, just wait,

2157
02:09:43,120 --> 02:09:45,200
Speaker 1: any little thing. I hate him. I don't like him. No,

2158
02:09:46,320 --> 02:09:48,440
Speaker 1: I don't like him. I don't like him. I don't

2159
02:09:48,480 --> 02:09:51,240
Speaker 1: like him. Why you don't like him? Well, him and

2160
02:09:51,320 --> 02:09:53,920
Speaker 1: his baby mama got the fighting on the Instagram. Did

2161
02:09:54,000 --> 02:09:56,120
Speaker 1: you see the video? Now? They said it on such

2162
02:09:56,160 --> 02:09:59,280
Speaker 1: a such show. I know how you get your information.

2163
02:10:00,120 --> 02:10:06,280
Speaker 1: It's important for me to make you understand what propaganda is. Again,

2164
02:10:06,360 --> 02:10:11,120
Speaker 1: I spoke to what did the baby do? If let's

2165
02:10:11,320 --> 02:10:15,480
Speaker 1: let's zoom out. Let's not think about the little dude

2166
02:10:15,920 --> 02:10:19,960
Speaker 1: that had the LGBT comments, right, Let's not think about

2167
02:10:20,120 --> 02:10:23,240
Speaker 1: him and the guy that allegedly kills someone in wall.

2168
02:10:23,440 --> 02:10:26,880
Speaker 1: Let's zoom all the way out and say, what did

2169
02:10:26,960 --> 02:10:31,240
Speaker 1: the baby do that night he poured out his camera.

2170
02:10:31,360 --> 02:10:38,200
Speaker 1: There was no violence, there was nothing. Now, contrast that

2171
02:10:39,360 --> 02:10:42,120
Speaker 1: to the other football guy. You got a woman, timoy,

2172
02:10:42,160 --> 02:10:45,720
Speaker 1: that she can be and this is sucker behavior. You

2173
02:10:45,800 --> 02:10:47,840
Speaker 1: got a woman timoy that she can be on the couch.

2174
02:10:47,880 --> 02:10:53,080
Speaker 1: It's like, please don't he comes ground boom, throwing to

2175
02:10:53,200 --> 02:11:01,280
Speaker 1: the TV. Pickleback up, bam, yo, Yo, seeing you big

2176
02:11:01,720 --> 02:11:06,160
Speaker 1: football playing niggas, Yo, you big strong niggas thing people

2177
02:11:06,160 --> 02:11:10,480
Speaker 1: gonna let y'all do that. You know what I'm saying? Like, Yo, bro,

2178
02:11:11,120 --> 02:11:13,200
Speaker 1: I know you think you know what I'm saying you.

2179
02:11:14,160 --> 02:11:16,480
Speaker 1: I'll be seeing it with all the big boy muscles

2180
02:11:16,520 --> 02:11:19,360
Speaker 1: and now I'll let all you rappers and these dudes

2181
02:11:19,440 --> 02:11:21,560
Speaker 1: they be thinking they're gonna bullet niggas that ain't got

2182
02:11:21,600 --> 02:11:27,800
Speaker 1: the big boy muscles. Boy, I'm good with a knife. Boy, boy,

2183
02:11:27,840 --> 02:11:32,480
Speaker 1: I'm batting a thousand. What a motherfucking billet club? Anybody

2184
02:11:32,640 --> 02:11:35,280
Speaker 1: no loan? No from a young age. Boy, I'm even

2185
02:11:35,360 --> 02:11:38,280
Speaker 1: in the odds. You go get your knife, I go

2186
02:11:38,440 --> 02:11:40,800
Speaker 1: get my gun. You bigger than me, I'm hitting you

2187
02:11:40,880 --> 02:11:43,200
Speaker 1: with a brick. This been me. I'm living like that.

2188
02:11:43,840 --> 02:11:46,560
Speaker 1: You know what I'm saying. So I don't like even

2189
02:11:46,600 --> 02:11:50,320
Speaker 1: to see that. It's like, yo, because you know, I

2190
02:11:50,480 --> 02:11:54,200
Speaker 1: know their relationships get hard. Me. I have a tendency

2191
02:11:54,320 --> 02:11:57,960
Speaker 1: not to be able to express myself in the best

2192
02:11:58,040 --> 02:12:03,680
Speaker 1: way right, But to see someone not wanting to fight,

2193
02:12:03,960 --> 02:12:08,600
Speaker 1: not wanting to argue, basically trying to just get out

2194
02:12:08,640 --> 02:12:11,600
Speaker 1: of the situation, and you aggressively. But they said it

2195
02:12:11,680 --> 02:12:14,800
Speaker 1: was about some money. And when it's about some money,

2196
02:12:14,880 --> 02:12:17,800
Speaker 1: I don't know what the hell the thing. Because one

2197
02:12:17,880 --> 02:12:21,320
Speaker 1: time I took a big loss, about fifteen thousand dollars

2198
02:12:21,360 --> 02:12:26,560
Speaker 1: somebody stole from me, and my reaction wasn't the sweetest.

2199
02:12:27,280 --> 02:12:30,920
Speaker 1: You know what I'm saying. So they saying this was

2200
02:12:30,960 --> 02:12:34,600
Speaker 1: like ninety racks, you know what I mean. So I

2201
02:12:34,680 --> 02:12:36,960
Speaker 1: mean again, I don't know, but again, you don't do

2202
02:12:37,080 --> 02:12:40,680
Speaker 1: that what he posted done. I'm gonna put you down.

2203
02:12:40,840 --> 02:12:43,400
Speaker 1: See I'm supreme game. I keep telling you niggas, I'm

2204
02:12:43,440 --> 02:12:46,320
Speaker 1: supreme game. What he posted done? What would see? Use

2205
02:12:46,400 --> 02:12:49,080
Speaker 1: them cameras to your advantage if you pull the broke

2206
02:12:49,160 --> 02:12:52,680
Speaker 1: down in there with a tear coming out, baby, listen,

2207
02:12:52,760 --> 02:12:54,800
Speaker 1: if you stole it, just let me know. You know,

2208
02:12:54,920 --> 02:12:57,320
Speaker 1: we'll make it up. We'll do better. You know what

2209
02:12:57,360 --> 02:12:59,480
Speaker 1: I'm saying. Just ask me, man, you don't gotta do that.

2210
02:12:59,640 --> 02:13:02,720
Speaker 1: Just may you as soon she say, baby, they didn't

2211
02:13:02,760 --> 02:13:06,600
Speaker 1: know what to do. Cool, I get with your mount,

2212
02:13:07,720 --> 02:13:10,480
Speaker 1: grab off the table and get that money back. Some

2213
02:13:10,640 --> 02:13:12,400
Speaker 1: kind of way. But make sure I got the recorded.

2214
02:13:12,440 --> 02:13:15,400
Speaker 1: I'm out. You know what I'm saying. But you gotta

2215
02:13:15,440 --> 02:13:18,960
Speaker 1: know how to maneuver around ship, bro. They're like the

2216
02:13:19,040 --> 02:13:21,120
Speaker 1: other do I keep telling y'all the street niggas don't

2217
02:13:21,120 --> 02:13:24,960
Speaker 1: want they were getting out. We getting out. Listen, it's

2218
02:13:25,040 --> 02:13:28,240
Speaker 1: like a it's damn near like a hunted house. We

2219
02:13:28,360 --> 02:13:29,920
Speaker 1: don't have made it all the way through the hunting

2220
02:13:30,000 --> 02:13:32,360
Speaker 1: house and we walk out. See niggas eager to go

2221
02:13:32,600 --> 02:13:36,920
Speaker 1: in outfit clean. Niggas ain't got no scars on their face.

2222
02:13:37,360 --> 02:13:40,720
Speaker 1: Nigga ain't never fair down heathing to going to the street. House,

2223
02:13:41,920 --> 02:13:44,480
Speaker 1: Nigga is rough in. There were coming out. Some niggas

2224
02:13:44,480 --> 02:13:48,400
Speaker 1: coming out, shot up, limping niggas. It's like zombies. Niggas

2225
02:13:48,480 --> 02:13:53,120
Speaker 1: coming out on drugs. Sixteen children, thirty two baby mall

2226
02:13:53,400 --> 02:13:55,920
Speaker 1: niggas coming out fucked up out this house and they

2227
02:13:56,000 --> 02:13:58,240
Speaker 1: steading lyning up to come in the house. All the

2228
02:13:58,280 --> 02:14:00,280
Speaker 1: street niggas trying to get out the street. I see

2229
02:14:00,320 --> 02:14:03,960
Speaker 1: the football due yo. Why you on the thin bro

2230
02:14:04,080 --> 02:14:06,320
Speaker 1: with the guys. Oh y'all, tell my child gonna pull up,

2231
02:14:06,360 --> 02:14:09,760
Speaker 1: gonna push up. Gonta push up, you know, what going on.

2232
02:14:11,800 --> 02:14:13,920
Speaker 1: I keep telling you I ain't gonna one yet all.

2233
02:14:13,960 --> 02:14:16,240
Speaker 1: I ain't gonna never tell you to pull up, don't

2234
02:14:16,280 --> 02:14:19,480
Speaker 1: pull up. I ain't gonna say nothing. I'm just gonna

2235
02:14:19,560 --> 02:14:21,360
Speaker 1: do what need to be done when they needed to

2236
02:14:21,400 --> 02:14:25,320
Speaker 1: be done. I was telling Big Bang when we had

2237
02:14:25,400 --> 02:14:27,600
Speaker 1: the situation a little butter with battling its fists up

2238
02:14:27,680 --> 02:14:30,360
Speaker 1: in the corner, you're gonna get killed because if I

2239
02:14:30,480 --> 02:14:34,800
Speaker 1: come over there, if I come over there thinking you

2240
02:14:34,920 --> 02:14:37,880
Speaker 1: own something, and that's what bank instantly like, yo, he

2241
02:14:37,960 --> 02:14:39,640
Speaker 1: don't pick this nigga, and he pushed up on the

2242
02:14:39,720 --> 02:14:43,080
Speaker 1: nigga grafter and then we we it's going down. It's

2243
02:14:43,200 --> 02:14:46,880
Speaker 1: just some shit happening, you know. But it's like, what's

2244
02:14:46,960 --> 02:14:49,200
Speaker 1: the wolf thing? Ain't you doing? We why I come

2245
02:14:49,320 --> 02:14:52,720
Speaker 1: from wolfing? Get you smoke. I know plenty of niggas

2246
02:14:52,760 --> 02:14:56,640
Speaker 1: doing this right here. Ain't got nothing in name. They

2247
02:14:56,800 --> 02:14:59,640
Speaker 1: mom and them got the bear with them. I know.

2248
02:15:00,000 --> 02:15:01,640
Speaker 1: The niggas leave and tell me about way that I

2249
02:15:01,800 --> 02:15:04,520
Speaker 1: coming back and get don't make it to the car.

2250
02:15:06,600 --> 02:15:09,120
Speaker 1: So where I'm from, you don't play them kind of game,

2251
02:15:09,920 --> 02:15:14,760
Speaker 1: you know what I'm saying. And um, hey man, hey man,

2252
02:15:15,160 --> 02:15:18,920
Speaker 1: you know I just think that all of the all

2253
02:15:19,000 --> 02:15:22,000
Speaker 1: of the dudes that that probably didn't necessarily grow up

2254
02:15:22,040 --> 02:15:28,000
Speaker 1: in the street. I really feel as though that they

2255
02:15:28,160 --> 02:15:32,920
Speaker 1: falling victim to all the rules. And see, what you

2256
02:15:33,000 --> 02:15:38,800
Speaker 1: gotta understand is the street rules. All the rules don't

2257
02:15:38,800 --> 02:15:43,000
Speaker 1: apply to everybody. Some of the rules apply to everybody

2258
02:15:43,040 --> 02:15:46,320
Speaker 1: if you in the streets, like the snitching and certain

2259
02:15:46,400 --> 02:15:51,560
Speaker 1: things like that. But the fatherhood and the hood gotta

2260
02:15:51,600 --> 02:15:55,040
Speaker 1: come before your people. And Yo, many old lady man

2261
02:15:55,160 --> 02:15:57,280
Speaker 1: quit tell her, quit blowing you up and all that.

2262
02:15:57,440 --> 02:16:00,360
Speaker 1: Like I remember being in the hood and as a

2263
02:16:00,440 --> 02:16:04,040
Speaker 1: young nigga righting hearing older niggas phones ringing from their

2264
02:16:04,160 --> 02:16:08,120
Speaker 1: families old girls. See yah, that's that's why they done.

2265
02:16:08,160 --> 02:16:11,000
Speaker 1: This is why the hood out of lost the hood.

2266
02:16:11,200 --> 02:16:12,960
Speaker 1: And when I say lost him, I don't mean lose

2267
02:16:13,080 --> 02:16:15,880
Speaker 1: them like they don't listen to me. I mean they

2268
02:16:15,960 --> 02:16:19,760
Speaker 1: don't know me no more. Number one, they never knew men.

2269
02:16:19,800 --> 02:16:22,920
Speaker 1: I were playing possum, you see. So I'm in the

2270
02:16:23,000 --> 02:16:27,440
Speaker 1: hood paying attention. I'm I see where older niggas and

2271
02:16:27,480 --> 02:16:29,640
Speaker 1: they know they can't affect me. You can't throw me off.

2272
02:16:29,800 --> 02:16:33,360
Speaker 1: I'm not listening to you niggas period about nothing. I'm not.

2273
02:16:34,400 --> 02:16:36,280
Speaker 1: I don't care who you shot. I don't care you

2274
02:16:36,400 --> 02:16:39,280
Speaker 1: got the ap O. I don't give a fuck. I'm

2275
02:16:39,320 --> 02:16:41,720
Speaker 1: not listening to one you dumb street niggas. I'm not

2276
02:16:41,879 --> 02:16:46,080
Speaker 1: doing it now. If you showed me some business, I'm there,

2277
02:16:46,480 --> 02:16:49,760
Speaker 1: but coming to me by some ghettold streets. Shit, Yo,

2278
02:16:50,360 --> 02:16:51,960
Speaker 1: it's not the doll. I don't want to hear it.

2279
02:16:52,000 --> 02:16:54,920
Speaker 1: And I'm not affected by the man. It ain't cool

2280
02:16:55,160 --> 02:16:57,400
Speaker 1: you loving your family and all. I hate that they've

2281
02:16:57,440 --> 02:16:59,480
Speaker 1: done that in the hood, but in the way I

2282
02:16:59,520 --> 02:17:02,960
Speaker 1: would see niggas right old ladies calling them right we

2283
02:17:03,080 --> 02:17:05,560
Speaker 1: outside and I'm young nigga shooting dice. Got my little

2284
02:17:05,600 --> 02:17:08,000
Speaker 1: pack gunn on man, it's all kind of guns up here.

2285
02:17:08,080 --> 02:17:10,640
Speaker 1: We on West Season, a bunch of nigga shooting dice.

2286
02:17:10,720 --> 02:17:12,680
Speaker 1: You know what I'm saying. They come from all parts

2287
02:17:12,720 --> 02:17:16,480
Speaker 1: of town. We are dice shooting motherfucking city. If you're

2288
02:17:16,520 --> 02:17:18,520
Speaker 1: in my time, if you're in cash vin, you on

2289
02:17:18,640 --> 02:17:21,520
Speaker 1: a gamble, nigga, I don't care. If you come for whatever,

2290
02:17:21,720 --> 02:17:24,880
Speaker 1: we can get you somewhere nigga safe and with putting

2291
02:17:24,920 --> 02:17:28,039
Speaker 1: the money in the building. Cash Veale can do that now.

2292
02:17:28,240 --> 02:17:31,400
Speaker 1: And I stamped that right, so only check in hit

2293
02:17:31,560 --> 02:17:35,199
Speaker 1: my line and one of you Atlanta niggas, New York niggas,

2294
02:17:35,640 --> 02:17:38,600
Speaker 1: La niggas. When you hit cash vial for any reason

2295
02:17:38,680 --> 02:17:40,600
Speaker 1: and you want to gamble, we can make it happen

2296
02:17:40,879 --> 02:17:44,920
Speaker 1: for shit show. But I remember niggas right calling and

2297
02:17:45,160 --> 02:17:49,120
Speaker 1: um and niggas be overle there. Man, you old lady

2298
02:17:49,200 --> 02:17:52,280
Speaker 1: keep calling and tell her quick calling. Man, she keep

2299
02:17:52,360 --> 02:17:55,720
Speaker 1: call and I'm thinking about myself and that's his family.

2300
02:17:55,840 --> 02:17:59,920
Speaker 1: We just niggas in the street man helf thet Niggas

2301
02:18:00,000 --> 02:18:02,280
Speaker 1: ain't come from the same hood. We only here because

2302
02:18:02,280 --> 02:18:05,320
Speaker 1: it's dice shooting going on, and niggas is telling him

2303
02:18:05,400 --> 02:18:08,760
Speaker 1: that neglect the only people that's on his side for real.

2304
02:18:09,920 --> 02:18:12,320
Speaker 1: And some niggas a phone victory that you him answer

2305
02:18:12,360 --> 02:18:16,160
Speaker 1: the phone? Man, Why you keep calling? Damn so naa

2306
02:18:16,200 --> 02:18:18,320
Speaker 1: you don't. You don't let them influence how you treating

2307
02:18:18,400 --> 02:18:21,400
Speaker 1: home girl now like I would peep shit like it

2308
02:18:21,560 --> 02:18:24,480
Speaker 1: don't work on loan. It did at first though, see

2309
02:18:24,520 --> 02:18:27,080
Speaker 1: and that's why nan don't. But as a young young nigga,

2310
02:18:27,120 --> 02:18:30,840
Speaker 1: they treatment like that. Man, don't nobody be loving them?

2311
02:18:30,959 --> 02:18:33,640
Speaker 1: Girls like it? And you know I ain't no love it,

2312
02:18:33,720 --> 02:18:37,240
Speaker 1: dove it nigga, right period. But if it's a situation

2313
02:18:37,320 --> 02:18:42,440
Speaker 1: where it's yeah, nigga, you gotta better recognize reality, nigga.

2314
02:18:43,120 --> 02:18:46,080
Speaker 1: One of you look stupid nigga gonna you know what

2315
02:18:46,160 --> 02:18:48,800
Speaker 1: I mean, This big world, you little niggas is out here, man,

2316
02:18:48,879 --> 02:18:51,119
Speaker 1: But see a lot of people they't on no journey.

2317
02:18:51,200 --> 02:18:54,360
Speaker 1: Loan on a journey. So Loan need a tag team

2318
02:18:54,440 --> 02:18:57,760
Speaker 1: parting on the journey. Right Because everything I'm doing I'm

2319
02:18:57,800 --> 02:19:00,600
Speaker 1: doing by myself. So sometimes I want to unload with

2320
02:19:00,760 --> 02:19:04,160
Speaker 1: somethingbody and somebody to be proud of all this shit

2321
02:19:04,280 --> 02:19:06,480
Speaker 1: I'm doing. Like, Yo, you see how much work go

2322
02:19:06,640 --> 02:19:10,640
Speaker 1: into this what I'm doing by myself, no help, no direction,

2323
02:19:10,720 --> 02:19:14,480
Speaker 1: no none. You see that that's me, that's your boy,

2324
02:19:14,600 --> 02:19:17,160
Speaker 1: that's who you fucking you fucking that kind of nigga.

2325
02:19:17,560 --> 02:19:21,520
Speaker 1: Go get him some money kind of nigga. Yeah, you

2326
02:19:21,640 --> 02:19:24,959
Speaker 1: know what I mean, non dependent on niggas kind of nigga.

2327
02:19:25,280 --> 02:19:27,600
Speaker 1: You know, so women tend to have a certain level

2328
02:19:27,640 --> 02:19:30,520
Speaker 1: of respect for that. So you know, I don't really know,

2329
02:19:31,040 --> 02:19:33,600
Speaker 1: you know what what what anything else would be about?

2330
02:19:33,879 --> 02:19:37,360
Speaker 1: I had seen and again I'm gonna talk about this

2331
02:19:37,480 --> 02:19:39,120
Speaker 1: and now I'll get out of here. I've seen what.

2332
02:19:39,200 --> 02:19:42,240
Speaker 1: A dude was headed over to his baby mama's house

2333
02:19:42,400 --> 02:19:44,040
Speaker 1: or the mother of his kid's house to get his

2334
02:19:44,200 --> 02:19:48,720
Speaker 1: child right, ran into the new boyfriend and the altercation

2335
02:19:48,800 --> 02:19:50,720
Speaker 1: took place. Let's see what the news said about it,

2336
02:19:51,520 --> 02:20:04,360
Speaker 1: since Ko became the news up town. For those of

2337
02:20:04,400 --> 02:20:08,520
Speaker 1: you listening on varnished cell phone video by Chad Reid's

2338
02:20:08,600 --> 02:20:12,640
Speaker 1: wife showing the world what happened moments before his death,

2339
02:20:12,800 --> 02:20:16,600
Speaker 1: Good evening, everybody. I'm Matt still. I'm Terry Furman, attorneys

2340
02:20:16,640 --> 02:20:18,840
Speaker 1: for the widow of Chad reading a man killed him

2341
02:20:18,840 --> 02:20:22,359
Speaker 1: self Lovebock on November fifth, releasing this video this afternoon,

2342
02:20:22,720 --> 02:20:25,760
Speaker 1: saying that she wants to show the public exactly what happened.

2343
02:20:26,000 --> 02:20:29,200
Speaker 1: That video is showing Kyle Carruth, the estranged husband of

2344
02:20:29,280 --> 02:20:32,680
Speaker 1: State District Judge Anne Marie Carruth, had a brief tussle

2345
02:20:32,760 --> 02:20:35,800
Speaker 1: with Reid before shooting him. Yeah, Kylbk's Grace Morris has

2346
02:20:35,840 --> 02:20:37,960
Speaker 1: been on the story for US today. Of course, we

2347
02:20:38,160 --> 02:20:40,680
Speaker 1: know Reid's widow put out this video, but she's also

2348
02:20:40,840 --> 02:20:44,640
Speaker 1: filed something new in court, right, Yeah, Terry, Matt. That

2349
02:20:44,720 --> 02:20:48,680
Speaker 1: petition was released by Jennifer Reid's lawyer, Matthew Harris, she's

2350
02:20:48,720 --> 02:20:52,640
Speaker 1: petitioning to take custody of Chad Reid's children, her stepchildren

2351
02:20:52,760 --> 02:20:55,920
Speaker 1: away from their mother, Christina Reid. On top of all that,

2352
02:20:56,120 --> 02:20:59,440
Speaker 1: Kyle caruth attorney saying today he believes Kyle was justified

2353
02:20:59,480 --> 02:21:02,080
Speaker 1: in this shoe and a quick warning, many of this

2354
02:21:02,240 --> 02:21:06,160
Speaker 1: video is disturbing. There's my son. The shooting death of

2355
02:21:06,280 --> 02:21:09,879
Speaker 1: Chad Reid has sparks questions and speculation from all over

2356
02:21:10,000 --> 02:21:13,640
Speaker 1: West Texas. But Wednesday, Chad Read's widow, Jennifer Reid, and

2357
02:21:13,800 --> 02:21:17,080
Speaker 1: Kyle Carruth's attorney releasing videos of what led up to

2358
02:21:17,160 --> 02:21:20,480
Speaker 1: Chad Reid's death on November fifth. You keep trying to

2359
02:21:20,600 --> 02:21:22,960
Speaker 1: keep my son from me. I'm going to drag you

2360
02:21:23,360 --> 02:21:38,840
Speaker 1: and Anne Marie and everybody else. Yeah, I believe Call

2361
02:21:38,959 --> 02:21:44,520
Speaker 1: nine one one, Call nine one one, Call one one one.

2362
02:21:49,800 --> 02:21:56,960
Speaker 1: He's just shouting one. Where's my son? He's shout in

2363
02:21:57,040 --> 02:22:00,800
Speaker 1: the ground first to try to tell him, recording it.

2364
02:22:01,000 --> 02:22:06,879
Speaker 1: Oh my god, Oh my god. After their initial investigation,

2365
02:22:07,080 --> 02:22:10,920
Speaker 1: LPD did not charge or arrest Caruth. Jennifer also releasing

2366
02:22:10,959 --> 02:22:13,800
Speaker 1: on Wednesday a petition to get full custody of Chad's

2367
02:22:13,879 --> 02:22:17,480
Speaker 1: children from their mother, Chad's ex wife, Christina Reid, saying

2368
02:22:17,520 --> 02:22:20,640
Speaker 1: in the Affidavid Christina has quote endangered the physical and

2369
02:22:20,800 --> 02:22:23,560
Speaker 1: mental well being of the children by permitting them to

2370
02:22:23,600 --> 02:22:25,879
Speaker 1: be in the presence of the man who killed their father.

2371
02:22:26,120 --> 02:22:29,080
Speaker 1: But Kyle Caruth's attorney, David Gwinn says what Kyle did

2372
02:22:29,560 --> 02:22:32,680
Speaker 1: was done in self defense, saying, quote, all Texans may

2373
02:22:32,760 --> 02:22:36,200
Speaker 1: lawfully brandish a firearm to protect themselves, their property, and

2374
02:22:36,320 --> 02:22:38,959
Speaker 1: their business. Her full study of the video showed Kyle's

2375
02:22:39,000 --> 02:22:41,640
Speaker 1: gun was brandish, but never pointed at read. It was

2376
02:22:41,720 --> 02:22:44,200
Speaker 1: only after mister Reid said I'll take your gun and

2377
02:22:44,280 --> 02:22:47,080
Speaker 1: slinging him across the patio like a scarecrow, then stepped

2378
02:22:47,080 --> 02:22:50,240
Speaker 1: toward him that mister Caruth pointed the gun mister Reid.

2379
02:22:50,400 --> 02:22:52,440
Speaker 1: It is my opinion, because of their knowledge of all

2380
02:22:52,480 --> 02:22:55,360
Speaker 1: the facts and the Texas Castle doctrine and having done

2381
02:22:55,360 --> 02:22:59,040
Speaker 1: a thorough job, that LPD knew this was a justifiable homicide.

2382
02:22:59,240 --> 02:23:01,120
Speaker 1: Our hopes are that love at grand Jury will do

2383
02:23:01,160 --> 02:23:03,920
Speaker 1: a thorough investigation of all the facts and will clear

2384
02:23:04,120 --> 02:23:08,600
Speaker 1: mister Caruth. Bulova County District Attorney's office has refused itself

2385
02:23:08,680 --> 02:23:11,080
Speaker 1: from this case because there was a potential a local

2386
02:23:11,160 --> 02:23:13,560
Speaker 1: elected official could be called as a witness. So it's

2387
02:23:13,600 --> 02:23:17,120
Speaker 1: now under investigation, but the Texas Attorney General's office. We

2388
02:23:17,200 --> 02:23:19,680
Speaker 1: also reached down to Kyle Caruth today, but he did

2389
02:23:19,760 --> 02:23:22,320
Speaker 1: not respond to our request for comment. And if you'd

2390
02:23:22,360 --> 02:23:24,480
Speaker 1: like to watch the full videos of what happened, they're

2391
02:23:24,520 --> 02:23:27,440
Speaker 1: on our website everything lubbeck dot com. But a warning,

2392
02:23:27,520 --> 02:23:33,119
Speaker 1: both those videos are graphic. So you see that man,

2393
02:23:33,240 --> 02:23:35,840
Speaker 1: And I think that's a hell of a situation I've

2394
02:23:35,840 --> 02:23:40,400
Speaker 1: seen just me watching Insecure lately, I'm seeing a bunch

2395
02:23:40,440 --> 02:23:43,600
Speaker 1: of these scenarios come with These children are involved and

2396
02:23:45,280 --> 02:23:49,240
Speaker 1: people are wanting to, you know, get the kid or

2397
02:23:49,400 --> 02:23:51,840
Speaker 1: whatever the case may be. In this situation, you're dealing

2398
02:23:51,920 --> 02:23:55,120
Speaker 1: with the state laws. You know, in Tennessee. That's why

2399
02:23:55,160 --> 02:23:57,080
Speaker 1: I always told y'all some of the tricks did these

2400
02:23:57,200 --> 02:24:00,959
Speaker 1: New York dudes are doing. Like again, I'm talking specifically

2401
02:24:01,040 --> 02:24:05,200
Speaker 1: about things like what you see with our power Takashi

2402
02:24:05,400 --> 02:24:08,119
Speaker 1: or some of these other people in the South, our

2403
02:24:08,240 --> 02:24:12,240
Speaker 1: laws are different. You or die way faster like then,

2404
02:24:12,320 --> 02:24:15,039
Speaker 1: Folks would kill you around here about any little thing,

2405
02:24:15,200 --> 02:24:17,840
Speaker 1: because it can be justifiable if you don't even say

2406
02:24:18,000 --> 02:24:22,160
Speaker 1: the right thing. Let alone, you're tweeting death threats. That

2407
02:24:22,320 --> 02:24:25,360
Speaker 1: why I say, even sometimes with the wrap niggas, even

2408
02:24:25,480 --> 02:24:30,280
Speaker 1: like like I said, like I soldier boy, you're looking

2409
02:24:30,320 --> 02:24:32,520
Speaker 1: at California, your law or something. I don't know what

2410
02:24:32,720 --> 02:24:35,000
Speaker 1: be making y'all brain. But down here, bro, we can

2411
02:24:35,120 --> 02:24:38,600
Speaker 1: have an A K And show up to your show

2412
02:24:38,680 --> 02:24:42,600
Speaker 1: and even breaking the law. We might can't get in

2413
02:24:42,760 --> 02:24:45,400
Speaker 1: your show, but I can be outside your show me

2414
02:24:45,560 --> 02:24:51,280
Speaker 1: and twining my home boards with a K's you know

2415
02:24:51,400 --> 02:24:53,640
Speaker 1: what I'm saying. So he said it'd be a little different.

2416
02:24:53,680 --> 02:24:55,840
Speaker 1: So you're dealing with the law in a situation like that,

2417
02:24:55,959 --> 02:24:58,800
Speaker 1: I do feel, you know, for the children, because you

2418
02:24:58,879 --> 02:25:01,280
Speaker 1: gotta you know, you gotta see the dude that killed him,

2419
02:25:01,959 --> 02:25:03,680
Speaker 1: you know what I'm saying. But you you gotta know,

2420
02:25:03,959 --> 02:25:06,440
Speaker 1: like sometimes it's like, yo, I killed him because he

2421
02:25:06,640 --> 02:25:11,760
Speaker 1: was playing, And your mama don't have to stay right,

2422
02:25:11,920 --> 02:25:15,000
Speaker 1: she can leave him. He just killed her baby, dadd

2423
02:25:15,000 --> 02:25:17,240
Speaker 1: If she can leave if she wanted, you know what

2424
02:25:17,280 --> 02:25:21,120
Speaker 1: I'm saying. But evidently she don't want to leave, man.

2425
02:25:21,240 --> 02:25:25,480
Speaker 1: But that's an unfortunate situation. I'm gonna see if there's

2426
02:25:25,480 --> 02:25:27,280
Speaker 1: any more topic I want to speak about. Then I'm

2427
02:25:27,320 --> 02:25:31,720
Speaker 1: Gon Samer Walker's boyfriend. Her new boyfriend says he's been

2428
02:25:31,760 --> 02:25:35,560
Speaker 1: around since twenty fourteen. So I'm a firm believer that

2429
02:25:35,680 --> 02:25:43,320
Speaker 1: everybody has replacements somewhere around. Like I remember getting into

2430
02:25:43,480 --> 02:25:46,039
Speaker 1: it with a girl right and telling her, Yo, man,

2431
02:25:46,120 --> 02:25:47,920
Speaker 1: go find if I ain't. If I ain't what you

2432
02:25:48,080 --> 02:25:50,920
Speaker 1: like or how I'm moving, ain't what you fucking with

2433
02:25:51,080 --> 02:25:54,600
Speaker 1: because I'm doing what I'm doing. Hey, Yo, go find

2434
02:25:54,720 --> 02:26:01,439
Speaker 1: somethbody else. It's cool. And then she would say mmmmmm mmmmmmm.

2435
02:26:01,840 --> 02:26:04,440
Speaker 1: You know that's whole way of saying to me, it's

2436
02:26:04,520 --> 02:26:07,760
Speaker 1: people looking, it's I can if I wanted to. You know,

2437
02:26:07,879 --> 02:26:13,080
Speaker 1: I'm basically saying, Yo, you know, go do that. It's cool.

2438
02:26:14,120 --> 02:26:16,120
Speaker 1: You know what I'm saying. But I think because I

2439
02:26:16,400 --> 02:26:20,680
Speaker 1: do believe, everybody has some kind of replacement somewhere or

2440
02:26:20,800 --> 02:26:24,320
Speaker 1: even somebody in consideration. And then women can fast track

2441
02:26:24,680 --> 02:26:29,560
Speaker 1: a fake relationship by giving six See, women can fast

2442
02:26:29,640 --> 02:26:32,680
Speaker 1: track a fake relationship by giving six right, so they

2443
02:26:32,720 --> 02:26:35,240
Speaker 1: can kind of make a dude submit into being they

2444
02:26:35,840 --> 02:26:39,640
Speaker 1: their verbal boyfriend by having six right, so they can

2445
02:26:39,720 --> 02:26:41,520
Speaker 1: hold the six into what I could either be with

2446
02:26:41,560 --> 02:26:45,039
Speaker 1: somebody I'm your boyfriend. Six boom. Now, well you ain't

2447
02:26:45,040 --> 02:26:48,160
Speaker 1: acting like my boyfriend. Well I never acted like your boyfriend.

2448
02:26:48,240 --> 02:26:50,840
Speaker 1: You never said act like your boyfriend. You said, say

2449
02:26:50,920 --> 02:26:54,800
Speaker 1: you my boyfriend. I said, you understand, But I was

2450
02:26:55,080 --> 02:26:57,720
Speaker 1: looking to get some of that. And that's how some

2451
02:26:57,879 --> 02:27:01,840
Speaker 1: people move around. I even seen. Well it's going viral

2452
02:27:01,959 --> 02:27:05,840
Speaker 1: right now. Well, girl got kicked out of hotel room

2453
02:27:05,879 --> 02:27:07,640
Speaker 1: for catfishing the guy. I'm gonna see if I can

2454
02:27:07,680 --> 02:27:10,800
Speaker 1: find that Instagram girl, you know, getting fluid out. You

2455
02:27:10,879 --> 02:27:13,880
Speaker 1: know what I'm saying. Dudes again, see we can't see.

2456
02:27:14,040 --> 02:27:16,720
Speaker 1: This is the problem when we get on that grind,

2457
02:27:16,800 --> 02:27:18,840
Speaker 1: we see some yo bam. All right, so this is

2458
02:27:18,840 --> 02:27:21,760
Speaker 1: what you This is what you say. These are the

2459
02:27:21,879 --> 02:27:25,800
Speaker 1: standards right that you're saying, let's make that happen. Then

2460
02:27:25,879 --> 02:27:29,080
Speaker 1: you get heard you something else? Right, So this is

2461
02:27:29,160 --> 02:27:34,520
Speaker 1: her I g pick versus her real life. You know

2462
02:27:34,520 --> 02:27:36,480
Speaker 1: what I'm saying. See how but see it's all about

2463
02:27:36,520 --> 02:27:39,680
Speaker 1: the stands, the angles everything. Hello, ass might be fat,

2464
02:27:39,959 --> 02:27:42,080
Speaker 1: it just ain't fat ass. That's gonna make you think

2465
02:27:42,120 --> 02:27:45,000
Speaker 1: it is, you know what I'm saying. And then different

2466
02:27:45,040 --> 02:27:49,840
Speaker 1: clothes also makes for a different experience with the butt talks.

2467
02:27:50,520 --> 02:27:54,959
Speaker 1: You understand me the other. But talks don't. Just you know, everybody,

2468
02:27:55,080 --> 02:27:57,680
Speaker 1: every pair of jeans or pans don't get the same

2469
02:27:57,760 --> 02:28:01,360
Speaker 1: experience with the butt. Talks on certain genes and pants

2470
02:28:01,440 --> 02:28:05,240
Speaker 1: and dresses make it motherfucker hit like lotto. You understand.

2471
02:28:05,280 --> 02:28:07,320
Speaker 1: And that's the can that we like to see. But

2472
02:28:07,600 --> 02:28:11,200
Speaker 1: Brush seemed to be unimpressed. Let's look at his video

2473
02:28:11,280 --> 02:28:13,760
Speaker 1: and see what he says. And I'm not all right,

2474
02:28:13,800 --> 02:28:21,680
Speaker 1: you're not ugly. I'm not saying you're ugly, but you

2475
02:28:21,720 --> 02:28:24,400
Speaker 1: don't look like your Graham. You don't. You don't. I'm

2476
02:28:24,400 --> 02:28:26,440
Speaker 1: just saying it for me, and I'm seeing it in

2477
02:28:26,520 --> 02:28:29,600
Speaker 1: the most respectful way. Like the way your Instagram looks

2478
02:28:29,640 --> 02:28:30,800
Speaker 1: in the way you look in real life is not

2479
02:28:30,879 --> 02:28:32,640
Speaker 1: the same thing. You know, waste is like going on

2480
02:28:32,760 --> 02:28:35,640
Speaker 1: Instagram and assets bigger on Instagram. It's a it's a

2481
02:28:35,760 --> 02:28:38,840
Speaker 1: whole day. It's like listening and not even a debate

2482
02:28:39,800 --> 02:28:42,960
Speaker 1: is not the same thing at all. And I knew

2483
02:28:43,000 --> 02:28:44,600
Speaker 1: before I spent for many of dollars for me, I

2484
02:28:44,640 --> 02:28:52,480
Speaker 1: could distinct the spot to my little sisters. I g

2485
02:28:52,680 --> 02:29:08,360
Speaker 1: pick got a looking thick that's her real life. She

2486
02:29:08,520 --> 02:29:12,280
Speaker 1: had a bag and she read the state, you know

2487
02:29:12,320 --> 02:29:15,760
Speaker 1: what I mean. But see, the problem comes in with

2488
02:29:15,920 --> 02:29:20,480
Speaker 1: women like they know what they know what we're looking for,

2489
02:29:21,120 --> 02:29:23,560
Speaker 1: and they know how to give us what we're looking for. Right,

2490
02:29:23,600 --> 02:29:25,720
Speaker 1: so they know you're looking for the big titties. They

2491
02:29:25,920 --> 02:29:28,520
Speaker 1: know how to what a right kind of shirt or

2492
02:29:28,600 --> 02:29:32,160
Speaker 1: maybe the shirt would know broad something. You know. Sometimes

2493
02:29:32,200 --> 02:29:33,600
Speaker 1: when they know what you're looking for, they give you

2494
02:29:33,680 --> 02:29:36,440
Speaker 1: what you're looking for. The problem comes in is when

2495
02:29:37,160 --> 02:29:38,879
Speaker 1: the man and the woman. Let's take a look at

2496
02:29:38,920 --> 02:29:42,480
Speaker 1: the social media or just the internet interactions between the two.

2497
02:29:44,040 --> 02:29:47,400
Speaker 1: The men business model is falling behind the women business

2498
02:29:47,520 --> 02:29:52,359
Speaker 1: model in regards to internet dating. Right with the internet

2499
02:29:52,440 --> 02:29:57,000
Speaker 1: business model for women, they is not playing soon you

2500
02:29:57,160 --> 02:29:59,840
Speaker 1: hit them, send me five hundred, send me five recks, right,

2501
02:30:00,680 --> 02:30:02,720
Speaker 1: send me. So they ask him for something and we

2502
02:30:02,840 --> 02:30:07,080
Speaker 1: can't fake the money. See the nigga can't fake the money. Now.

2503
02:30:07,200 --> 02:30:09,280
Speaker 1: Some of them came the scamming niggas. They're seeing you

2504
02:30:09,400 --> 02:30:12,720
Speaker 1: something like my home girl from my city, Brittany, she

2505
02:30:12,920 --> 02:30:15,600
Speaker 1: fucking with some niggas, tell about buying hug cont sending

2506
02:30:15,640 --> 02:30:17,240
Speaker 1: her shit in this thing. You know. They say, Yo,

2507
02:30:17,320 --> 02:30:21,440
Speaker 1: this ship is fraud, this account is flagged. Right, So

2508
02:30:21,640 --> 02:30:23,360
Speaker 1: they can do shit like that, but that's about the

2509
02:30:23,400 --> 02:30:25,560
Speaker 1: only way you can trick them. A lot of times

2510
02:30:25,640 --> 02:30:28,400
Speaker 1: you running into a little rich nigga with twenty thousand

2511
02:30:28,480 --> 02:30:32,240
Speaker 1: followers and he rich, you know, and he busting down

2512
02:30:32,440 --> 02:30:34,440
Speaker 1: so he can't fake the money. You get that here

2513
02:30:34,480 --> 02:30:37,119
Speaker 1: everything you thought he was. You know what I'm saying,

2514
02:30:37,160 --> 02:30:40,120
Speaker 1: he really rich, not the ones that's faking on the

2515
02:30:40,240 --> 02:30:44,400
Speaker 1: ground in sections and shit like that. Again, look at

2516
02:30:44,440 --> 02:30:47,840
Speaker 1: where I'm traveling to, Look at the things I'm doing

2517
02:30:47,920 --> 02:30:50,040
Speaker 1: in my life. You know, I'm up here going to

2518
02:30:50,120 --> 02:30:53,560
Speaker 1: see Jerusalem and shit like. Yeah, you know, y'all can

2519
02:30:53,640 --> 02:30:56,320
Speaker 1: have Miami now, let you know what I'm saying, but

2520
02:30:56,760 --> 02:30:59,400
Speaker 1: you can know, oh that's a fifteen thousand dollar ticket,

2521
02:31:00,080 --> 02:31:03,280
Speaker 1: you know, so certain people really bawling, bawling, so I

2522
02:31:03,400 --> 02:31:05,480
Speaker 1: can't fake that. But when I get that old ship,

2523
02:31:05,600 --> 02:31:08,560
Speaker 1: the filterhead a face like the stands had an ass

2524
02:31:08,680 --> 02:31:11,360
Speaker 1: like it, the makeup had a face like it. They

2525
02:31:11,440 --> 02:31:14,640
Speaker 1: had a hat like that fashion overhead of ass sitting

2526
02:31:14,720 --> 02:31:17,480
Speaker 1: up like that. You know what I'm saying. Dior had

2527
02:31:17,520 --> 02:31:20,520
Speaker 1: a looking fly. When I got a here and I

2528
02:31:20,640 --> 02:31:24,440
Speaker 1: said what's going on, It's like, oh, well, can you

2529
02:31:24,560 --> 02:31:26,600
Speaker 1: just stand like it all day, like you be on

2530
02:31:26,680 --> 02:31:29,160
Speaker 1: the ground just standing all day. Why you with me?

2531
02:31:29,280 --> 02:31:32,400
Speaker 1: Just stand like it right there, or we're gonna have

2532
02:31:32,480 --> 02:31:35,800
Speaker 1: a problem. You know. It's almost like that what you

2533
02:31:36,000 --> 02:31:39,040
Speaker 1: order verse what you got from Wish, You know what

2534
02:31:39,080 --> 02:31:42,920
Speaker 1: I'm saying, Like you order something from Wish, you order PlayStation.

2535
02:31:43,000 --> 02:31:46,200
Speaker 1: They sent your PlayStation that big it can fit in

2536
02:31:46,280 --> 02:31:48,480
Speaker 1: your pocket. It's something kind of I don't know what

2537
02:31:48,680 --> 02:31:50,240
Speaker 1: this is, you know what I mean, But it ain't

2538
02:31:50,280 --> 02:31:52,280
Speaker 1: what I asked for, and it definitely ain't what I've

2539
02:31:52,280 --> 02:31:55,400
Speaker 1: seen come across that internet, you know what I mean.

2540
02:31:55,600 --> 02:31:58,160
Speaker 1: But um, I just think that man, we gotta be

2541
02:31:58,280 --> 02:32:02,680
Speaker 1: careful with that cat fishing. Um. But then on the

2542
02:32:02,720 --> 02:32:05,240
Speaker 1: other side, I say, well, who wouldn't want to look

2543
02:32:05,280 --> 02:32:07,360
Speaker 1: the best they can look when they're taking the picture.

2544
02:32:07,400 --> 02:32:10,600
Speaker 1: That's what a picture is for, right I guess? Um.

2545
02:32:11,720 --> 02:32:14,240
Speaker 1: The problem is though they're asking for money and dudes

2546
02:32:14,320 --> 02:32:17,080
Speaker 1: is sending it. He goes your ticket. That four hundred

2547
02:32:17,120 --> 02:32:18,840
Speaker 1: on your ticket to get you here will take care

2548
02:32:18,840 --> 02:32:20,800
Speaker 1: of youry thing. Else I'm just gonna book your ticket,

2549
02:32:20,879 --> 02:32:23,840
Speaker 1: so you know I ain't kept book your ticket. Boom

2550
02:32:23,959 --> 02:32:29,000
Speaker 1: you get down here and I'm like, okay, I'm gonna

2551
02:32:29,080 --> 02:32:31,000
Speaker 1: keep it against the most Nigue would have hit that,

2552
02:32:31,160 --> 02:32:33,440
Speaker 1: though most Nigue would have hit that, and then the

2553
02:32:33,520 --> 02:32:35,920
Speaker 1: next day or the next couple of days something like man,

2554
02:32:36,040 --> 02:32:38,280
Speaker 1: that would trimmer Man. I met Gale out the Graham,

2555
02:32:38,400 --> 02:32:40,720
Speaker 1: she wouldn't even you know what I'm saying. But most

2556
02:32:40,760 --> 02:32:42,960
Speaker 1: of y'all would have hit that. You know, y'all would

2557
02:32:43,000 --> 02:32:44,520
Speaker 1: have hit that out there. I don't even want to

2558
02:32:44,560 --> 02:32:46,840
Speaker 1: hear you know what I'm saying, But that's a that's

2559
02:32:46,879 --> 02:32:48,800
Speaker 1: a hell of a thing, man. But I think, I

2560
02:32:48,959 --> 02:32:52,280
Speaker 1: think really everybody has a replacement somewhere in the back

2561
02:32:52,360 --> 02:32:56,160
Speaker 1: of the brain. And that's unfortunate for relationships because you

2562
02:32:56,240 --> 02:32:59,359
Speaker 1: can never really fully commit when you're in that space,

2563
02:33:00,000 --> 02:33:02,800
Speaker 1: you know what I'm saying. Um, And then guess what.

2564
02:33:02,959 --> 02:33:06,440
Speaker 1: The woman business model with the internet dating it is

2565
02:33:06,480 --> 02:33:09,800
Speaker 1: so locked in. They getting niggas to send money to

2566
02:33:09,920 --> 02:33:13,760
Speaker 1: people that ain't even women. They tricking dudes. They taking

2567
02:33:13,840 --> 02:33:16,760
Speaker 1: other girls pictures and videos off Twitter and things like,

2568
02:33:16,920 --> 02:33:20,080
Speaker 1: they post them and then telling people our FaceTime, you

2569
02:33:20,160 --> 02:33:21,880
Speaker 1: but you gotta send me a hundred. They send a

2570
02:33:21,959 --> 02:33:24,880
Speaker 1: hundred block them on everything. They might get fifteen to

2571
02:33:25,000 --> 02:33:28,120
Speaker 1: them a day. That's fifteen hundred dollars a day like so.

2572
02:33:28,640 --> 02:33:30,840
Speaker 1: And that ain't because they're so small. It's because the

2573
02:33:30,920 --> 02:33:33,480
Speaker 1: women really is moving like that. It's to me and

2574
02:33:33,600 --> 02:33:35,920
Speaker 1: on the other side, it's just like, yo, what's up?

2575
02:33:36,000 --> 02:33:38,600
Speaker 1: Can I get with you? Yo? Yo? Yo yo yo,

2576
02:33:38,720 --> 02:33:40,920
Speaker 1: I'm rich yo. What we're doing, I'm flying you out.

2577
02:33:41,080 --> 02:33:43,240
Speaker 1: Let's go somewhere like you know what I'm saying. It's

2578
02:33:43,720 --> 02:33:45,600
Speaker 1: the dudes, it's doing that. The women just on that

2579
02:33:45,720 --> 02:33:48,200
Speaker 1: poppeting and showing what they got and it's like it's

2580
02:33:48,240 --> 02:33:51,760
Speaker 1: almost like a free fall out there. But their business.

2581
02:33:51,800 --> 02:33:54,760
Speaker 1: They don't put down a cold business model on that

2582
02:33:54,920 --> 02:33:58,600
Speaker 1: Internet than women have. So shout out to them. But again,

2583
02:33:58,720 --> 02:34:03,840
Speaker 1: thank everybody tuning in, Thank everybody for listening. Again. Top

2584
02:34:03,879 --> 02:34:06,040
Speaker 1: of the year. I'm gonna start letting y'all know what's

2585
02:34:06,040 --> 02:34:08,920
Speaker 1: going on. Top of the year with dropping a lot

2586
02:34:09,000 --> 02:34:11,400
Speaker 1: of the interviews we got with the celebrities. You know

2587
02:34:11,440 --> 02:34:13,520
Speaker 1: what I'm saying. I think we'll start with doctor Umar,

2588
02:34:14,280 --> 02:34:18,200
Speaker 1: then we'll go with Earn your Leisure in Dunlap. Then

2589
02:34:18,280 --> 02:34:21,040
Speaker 1: we'll go with Floyd you know, go, Rico Lovele we'll

2590
02:34:21,080 --> 02:34:24,000
Speaker 1: star rolling them out, Charleston White will star rolling them out,

2591
02:34:26,000 --> 02:34:28,320
Speaker 1: and I want you to know that these interviews were

2592
02:34:28,480 --> 02:34:30,360
Speaker 1: I'm gonna show you how cold I am and how

2593
02:34:30,480 --> 02:34:33,680
Speaker 1: much game I already had. These interviews was like some

2594
02:34:33,920 --> 02:34:35,760
Speaker 1: of them was like a year or two ago, right,

2595
02:34:35,840 --> 02:34:41,040
Speaker 1: so prior to everything happening now, I called it like

2596
02:34:41,280 --> 02:34:45,280
Speaker 1: we spoke to it already, right, and the timeless pieces

2597
02:34:45,280 --> 02:34:47,680
Speaker 1: of work. So we're definitely gonna put those out and

2598
02:34:47,800 --> 02:34:50,840
Speaker 1: let the people enjoy those. Man and um. I also

2599
02:34:51,000 --> 02:34:55,960
Speaker 1: got another announcement. We are partnering with Twitch to do

2600
02:34:56,200 --> 02:34:59,640
Speaker 1: fo GFO gaming. So m I got all of the

2601
02:34:59,720 --> 02:35:02,640
Speaker 1: syst stems. So if you are one of my supporters,

2602
02:35:02,760 --> 02:35:06,039
Speaker 1: my fans and you want to tap in, FOJFO gamings

2603
02:35:06,160 --> 02:35:08,560
Speaker 1: will be top of the year January first, kicking off

2604
02:35:08,600 --> 02:35:12,560
Speaker 1: shout out the Twitch. We will be on Xbox, PlayStation,

2605
02:35:13,080 --> 02:35:19,240
Speaker 1: Nintendo Switch, CPU, and I believe that's it, but we'll

2606
02:35:19,280 --> 02:35:21,640
Speaker 1: be on all games. We'll be fucking with our people,

2607
02:35:21,720 --> 02:35:25,080
Speaker 1: giving game, not kicking it. So make sure y'all tune

2608
02:35:25,120 --> 02:35:27,400
Speaker 1: in and tap in. Man the leaders of the New School,

2609
02:35:27,440 --> 02:35:30,920
Speaker 1: the coaches in good hands. It's up there podcast. We

2610
02:35:31,000 --> 02:35:34,120
Speaker 1: appreciate y'all subscribe, liking, shall get it