WEBVTT - Listener Mail: Planta Haereticus

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of My

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<v Speaker 1>Heart Radio. Hey, welcome to Stuff to Blow your Mind

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<v Speaker 1>listener Mail. This is Robert Lamb and this is Joe McCormick.

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<v Speaker 1>And it's Monday, which is the day of every week

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<v Speaker 1>that we read back some of the messages that you

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<v Speaker 1>have sent in in response to recent episodes of the show.

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<v Speaker 1>Rob If you don't mind, I'm going to get started

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<v Speaker 1>with this message from Carlos, which I think is in

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<v Speaker 1>response to our series on called The Beast War and

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<v Speaker 1>Apron about like animal cuisine and about a listener mail

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<v Speaker 1>segment that was responding to that. Carlos says, Hi, Robin, Joe,

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<v Speaker 1>I was listening to your most recent listener mail episode

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<v Speaker 1>today on my way to school, and the first letter,

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<v Speaker 1>which was about sneaking away raw slices of potato to eat,

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<v Speaker 1>caused an old memory to come bubbling to the surface.

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<v Speaker 1>I was raised in an evangelical church, and summer camp

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<v Speaker 1>was a large part of my life. When I think

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<v Speaker 1>about it now, one of the strangest things about these

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<v Speaker 1>camps was how many of the games revolved around embarrassing

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<v Speaker 1>slash unpleasant experiences. The one that I suddenly remembered today,

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<v Speaker 1>which I had apparently tried to forget, was a game

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<v Speaker 1>in which several kids, myself included, had a race to

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<v Speaker 1>eat a raw white potato as fast as possible. I

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<v Speaker 1>remember it being very unpleasant, perhaps one of the more

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<v Speaker 1>terrible food experiences of my life. When I have kids,

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<v Speaker 1>I don't think they will be attending these camps. Ha ha.

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<v Speaker 1>Thanks for everything, I hope all as well. Carlos. What

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<v Speaker 1>kind of game is this? I must know more? What

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<v Speaker 1>was it just a race to eat a raw potato?

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<v Speaker 1>Or was there like context? Was it illustrating a Bible

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<v Speaker 1>story or something? Yeah, I don't know, and it sounds

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<v Speaker 1>sounds from the email. I'm I'm assuming this means it

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<v Speaker 1>was like a an official part of the camp. It

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<v Speaker 1>wasn't just like us. Some kids got bored and they

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<v Speaker 1>got ahold of some potatoes. But you know, like a

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<v Speaker 1>count counselor was like today, children, we shall see who

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<v Speaker 1>can eat these potatoes. This is sanctioned by adults. Um.

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<v Speaker 1>They bring, in fact, they bring the authority of the Lord,

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<v Speaker 1>you God Almighty to say you must eat this raw potato. Yeah,

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<v Speaker 1>and I don't know. I'm trying to imagine what kind

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<v Speaker 1>of like Bible camp connection that could have would it be.

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<v Speaker 1>I don't well, there are no mentions of potatoes in

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<v Speaker 1>the Bible, obviously, you know that's a new World food.

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<v Speaker 1>So like maybe something about the verse about if salt

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<v Speaker 1>loses its safer I'm coming up blank, I don't know.

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<v Speaker 1>I mean, obviously it was it was refer in the

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<v Speaker 1>old days. I mean today you send a kid to

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<v Speaker 1>like vacation Bible school or something, and they have so

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<v Speaker 1>many I mean they've really thought it out. They have

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<v Speaker 1>all these different art projects and you know, science projects

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<v Speaker 1>even um, so it's really impressive. But I guess back

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<v Speaker 1>in the day you didn't have that. What you had

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<v Speaker 1>were raw potatoes, and you you just killed time as

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<v Speaker 1>you get as best you could. Well, anyway, thanks for

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<v Speaker 1>getting in touch, Carlo Us. All right, Well, since we're

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<v Speaker 1>talking about vegetables, our next one concerns are episodes on

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<v Speaker 1>The Vegetable Lamb of Tartari, though this will only concern

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<v Speaker 1>part one because this email came in before part two

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<v Speaker 1>was published. Taylor writes in and says, hello, Rob and Joe,

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<v Speaker 1>I just finished part one of The Vegetable Lamb of Tartary. Robert,

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<v Speaker 1>your son may have missed this one, but there is

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<v Speaker 1>in fact a vegetable lamb Pokemon. Its name is skid Do,

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<v Speaker 1>and while it is not attached to the earth by

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<v Speaker 1>a strange umbilicus, it can photosynthesize using the leaves growing

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<v Speaker 1>like fur on its back. It grows or evolves into

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<v Speaker 1>the Pokemon go Goat, whose horns are said to change

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<v Speaker 1>in texture to reflect its emotions. This is the second

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<v Speaker 1>time I've written in to weigh in on Pokemon, and

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<v Speaker 1>I'm happy to be the show's Pokemon correspondent. However, Rob,

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<v Speaker 1>if your son is anywhere near is enthusiastic about Pocket

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<v Speaker 1>Monster is as I was and am, you may share

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<v Speaker 1>my father's fatigue for the subject. Thanks for all your

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<v Speaker 1>wonderful explorations of the strange beasts of fact and fiction.

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<v Speaker 1>I've attached to illustrations of skidd Oh and go got

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<v Speaker 1>for your viewing pleasure. All the best, Taylor. Okay, so

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<v Speaker 1>we got the two pictures. I guess this is the

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<v Speaker 1>what they would call the evolution. I don't know much

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<v Speaker 1>about Pokemon, but the first one is like cute, and

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<v Speaker 1>then the second one, well, the first one's cute and

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<v Speaker 1>it appears to be hopping about and kicking its back

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<v Speaker 1>legs and has a bushy vegetation on its coat, and

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<v Speaker 1>its horns are in kind of a y shape or

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<v Speaker 1>like that that old school uh, the flipping out middle

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<v Speaker 1>part hair comb what I don't know what you call

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<v Speaker 1>that hair do Anyway, the older one has like red

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<v Speaker 1>angry eyes instead of the cute eyes, and then it's

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<v Speaker 1>horns are just going straight back. Yeah. Yeah, this one,

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<v Speaker 1>I guess just has two forms. A lot of them

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<v Speaker 1>have three, but not all, and some of them don't

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<v Speaker 1>have but the one form. But typically what you'll see

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<v Speaker 1>is the the basic form. The first form will be

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<v Speaker 1>super cute, and the final form will be fierce, and

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<v Speaker 1>then the middle form. Uh well, sometimes it's cute, I

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<v Speaker 1>mean because Pikachu, whoever everyone knows, is technically like like

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<v Speaker 1>the second form. It's like the mid form between Pichu

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<v Speaker 1>and right you. Uh. But but in some cases that

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<v Speaker 1>middle form it is also just a little like it's

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<v Speaker 1>not completely cute, but it's also not fearsome yet it's

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<v Speaker 1>just kind of awkward. Wait, so there's a baby Pikachu.

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<v Speaker 1>Oh god, yes, it's it's named Pichu, and it's an

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<v Speaker 1>imagine Pikachu even cuter. Um, that is my son's favorite Pokemon.

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<v Speaker 1>Uh and I get to hear about him all the time.

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<v Speaker 1>Oh boy, but yeah, this is a solid point about

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<v Speaker 1>go Goat and uh skid. Oh here. Um, I was

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<v Speaker 1>not familiar with him, but I woke my son up

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<v Speaker 1>this morning saying, hey, we got I got an email

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<v Speaker 1>from a listener about Pokemon. He came in and looked

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<v Speaker 1>at it. He's like, oh, yeah, yeah, I know these two.

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<v Speaker 1>So you woke him as if like there was an

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<v Speaker 1>emerge agency son, son out of bed. Nothing wakes him

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<v Speaker 1>up like Pokemon stuff. He can be a little a

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<v Speaker 1>little slow to wake otherwise. Uh so yeah, this looks

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<v Speaker 1>this looks great. Um. It also reminded me so the

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<v Speaker 1>final form here is Go go There's a ghost track

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<v Speaker 1>titled Kiss the Go Goat, which is supposed to be

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<v Speaker 1>tongue in cheek satan stuff like most of the ghost tracks.

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<v Speaker 1>But now I shall only associated with this particular Pokemon.

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<v Speaker 1>Now I would have to imagine this is directly inspired

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<v Speaker 1>by the by the vegetable lamb of Tartari. Right, it

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<v Speaker 1>would be a strange coincidence if it were not. Yeah,

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<v Speaker 1>it seems very likely. Um, and it was wrong of

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<v Speaker 1>me to question the Pokemon masters by saying, why isn't

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<v Speaker 1>there one, because clearly they're on it. Though to return

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<v Speaker 1>to biblical themes, of course, there there are famously distinctions

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<v Speaker 1>between sheep and goats. So yeah, alright, I'm gonna read

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<v Speaker 1>this next message. This is in response to our episodes

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<v Speaker 1>on the three pupil die. This is from Chris, and

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<v Speaker 1>Chris begins by saying, in your podcast you discussed polychoria

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<v Speaker 1>and pseudo polychoria, and to briefly refresh, these are rare

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<v Speaker 1>conditions which cause the appearance of multiple pupils or openings

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<v Speaker 1>in the iris, and the far more common of these

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<v Speaker 1>two is the false version pseudo polychoria, where there is

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<v Speaker 1>at least one additional hole in the iris, but it's

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<v Speaker 1>not considered a true second pupil because it doesn't have

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<v Speaker 1>its own sphincter muscle surrounding it, so it can't adjust

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<v Speaker 1>its aperture like the primary pupil can, whereas true polychoria

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<v Speaker 1>is when the second pupil has its own sphincter muscle

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<v Speaker 1>and it can, so you shine a light in that

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<v Speaker 1>both of the pupils will contract anyway. Chris goes on

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<v Speaker 1>to say, I was born with oculo cutaneous Albanism, and

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<v Speaker 1>a sub diagnosis of my condition is the pseudo or

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<v Speaker 1>false polychoria. My iris has insufficient pigment to cause some

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<v Speaker 1>parts of the red to shine through the iris. I

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<v Speaker 1>think means resulting in pink eyes. Also, under nondirect light,

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<v Speaker 1>dots or holes in the eye where the pigment is

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<v Speaker 1>missing cause the polychoria, like a stained glass window with

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<v Speaker 1>small holes in the paint. The effects are hypersensitivity to light.

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<v Speaker 1>I have to wear sunglasses more than most and get

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<v Speaker 1>headaches from being outside. Also another side effect is since

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<v Speaker 1>the light is not filtered in parts of the iris,

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<v Speaker 1>I can detect shades of colors that are not normal.

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<v Speaker 1>Super chromatic is uh is I think what they call it.

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<v Speaker 1>Think of the color blindness tests, but with three colors

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<v Speaker 1>instead of two, where people with normal vision only see

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<v Speaker 1>the two. Anyway, love your podcast format, hyper referenced and

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<v Speaker 1>detailed analysis, Chris, Well, thank you, Chris. Yeah, this is interesting.

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<v Speaker 1>I'm especially interested by the idea of you talking about

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<v Speaker 1>your increased sensitivity to the color spectrum. I've heard before

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<v Speaker 1>of the idea that there are more color is to

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<v Speaker 1>see than than we see. They're they're various types of

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<v Speaker 1>I think it's called tetra tetra chromacy and other animals,

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<v Speaker 1>but I was not familiar with the idea in humans.

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<v Speaker 1>I'm gonna have to look into that, the the idea

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<v Speaker 1>of expanded color range sensitivity. So thank you, Chris. All Right, Well,

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<v Speaker 1>we also heard from another Chris on more on the

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<v Speaker 1>same episode in response to the same episodes. This Chris

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<v Speaker 1>writes in and says, greetings, Rob, Joe and Seth just

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<v Speaker 1>finished the second episode of The Three Pupiled Eye. A

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<v Speaker 1>great pair of episodes that certainly brought up some fun

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<v Speaker 1>topics and had me thinking about eyes and pupils in

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<v Speaker 1>a new way. Near the end of the episode, you

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<v Speaker 1>discussed some interesting pupils and eye configurations in the natural world,

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<v Speaker 1>and this brought to mind interesting examples of eyes and

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<v Speaker 1>the fantasy world. One pair of eyes that I can

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<v Speaker 1>never forget are those of the Pale Man, one of

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<v Speaker 1>the Monsters, and Giermo del Toro's film Pans Labyrinth. While

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<v Speaker 1>the actual eyes and pupils may not be that extraordinary,

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<v Speaker 1>it's their placement that is unique. His body resembles a

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<v Speaker 1>pale old man, visible nostrils and mouth similar to those

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<v Speaker 1>of a manta ray. He ultimately eats children, but also fairies.

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<v Speaker 1>His eyes can be placed in the sockets in his

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<v Speaker 1>hands rather than the face. UH this site and he's

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<v Speaker 1>talking about a fandom WICKI about this creature also makes

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<v Speaker 1>note that the Pale Man was also influenced by the

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<v Speaker 1>real life Japanese legendary monster to No May the ghost

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<v Speaker 1>of a blind man whose eyes are located in the

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<v Speaker 1>palms of his hands, which I thought was interesting as well.

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<v Speaker 1>Maybe an episode on mythical or monster eyes is in order.

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<v Speaker 1>Thanks again for the great episode, Chris. The idea of

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<v Speaker 1>eyes in the hands brings to mind another recent episode

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<v Speaker 1>we will actually be referenced it earlier, the animal cuisine

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<v Speaker 1>thing where we talked about the washing behaviors and raccoons.

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<v Speaker 1>Someone's raccoons will wash their food before eating it, and

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<v Speaker 1>there have been multiple explanations for this hypothesized. One of

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<v Speaker 1>them is that the raccoon UH has one of its

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<v Speaker 1>primary sensory interfaces with the world is actually as sense

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<v Speaker 1>of touch. It has extremely sensitive hands, it's four paws

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<v Speaker 1>of tons and tons of nerve endings leading up to

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<v Speaker 1>the brain and um and that it's so so in

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<v Speaker 1>a way, for raccoon, touching things is almost as important

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<v Speaker 1>as our ability to look at things is, like that's

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<v Speaker 1>a primary sense for them. And so perhaps the reason

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<v Speaker 1>for this washing behavior is that feeling around on a

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<v Speaker 1>food item in the water helps increase the sensitivity of

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<v Speaker 1>the four paws in in getting you know, textural information

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<v Speaker 1>about the food. That strikes me as a as a

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<v Speaker 1>possibility and and very interesting one. It's like having eyes

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<v Speaker 1>in your hands. Now. Certainly this this monster in Hans Labyrinth, yeah,

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<v Speaker 1>is very memorable. But they the yokai that that that

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<v Speaker 1>Chris mentions here that Tenome is also very interesting as well.

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<v Speaker 1>I was reading about him with my son just this

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<v Speaker 1>past October. So what's the scoop on the Tenome? It's

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<v Speaker 1>just just hands and like what does he do with

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<v Speaker 1>the the eye hands? Oh, trying to remember offhand. Um,

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<v Speaker 1>like a lot of their number of the yokai you

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<v Speaker 1>know that don't actually kill you or hurt you. They're

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<v Speaker 1>just there to kind of scare you. Um. So I

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<v Speaker 1>don't recall off the top of my head what the

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<v Speaker 1>Tenom is up to other than particularly you know, possibly

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<v Speaker 1>scaring you. But I don't know. Maybe we'll have to

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<v Speaker 1>have to look into this. Um it was, it's it's

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<v Speaker 1>a pretty pretty fun one. Is I recall there's some

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<v Speaker 1>other yokai with interesting ocular positioning as well? Oh yeah,

0:12:31.200 --> 0:12:33.080
<v Speaker 1>like what there's one with an eye in the butt?

0:12:33.559 --> 0:12:37.000
<v Speaker 1>Uh yeah, yeah, there's a there's a section one. I

0:12:37.000 --> 0:12:38.640
<v Speaker 1>think that the book that I was reading with my son,

0:12:38.720 --> 0:12:41.840
<v Speaker 1>Yokai Attack, the Japanese Monster Survival Guide, which which is

0:12:41.880 --> 0:12:44.559
<v Speaker 1>excellent for all ages because it has wonderful sort of

0:12:44.600 --> 0:12:48.720
<v Speaker 1>anime style illustrations but also well cited, well written information

0:12:48.720 --> 0:12:52.160
<v Speaker 1>about all the yokai. Uh it included um information on

0:12:52.280 --> 0:12:54.440
<v Speaker 1>both of these yokai, plus a ton of other ones.

0:12:54.760 --> 0:12:56.280
<v Speaker 1>Oh nice, Well, I'm gonna have to look that one

0:12:56.320 --> 0:12:58.680
<v Speaker 1>up in my own reference. The one I always turned

0:12:58.679 --> 0:13:00.560
<v Speaker 1>to that I've got on my show Fear is the

0:13:00.559 --> 0:13:05.720
<v Speaker 1>Book of Yokai by Michael Foster Michael Dylan Foster. Yeah, well,

0:13:05.760 --> 0:13:07.280
<v Speaker 1>you know we should come back and do some okai

0:13:07.360 --> 0:13:09.679
<v Speaker 1>content the future. Then maybe maybe that will be some good,

0:13:10.120 --> 0:13:13.800
<v Speaker 1>good Halloween material this year. Oh yeah, we've done it before.

0:13:13.920 --> 0:13:24.320
<v Speaker 1>I'm sure we will do it again. Were plenty of them,

0:13:24.360 --> 0:13:26.040
<v Speaker 1>all right, I think we're gonna turn to some weird

0:13:26.080 --> 0:13:30.360
<v Speaker 1>house Cinema responses. This first one is from James. James says,

0:13:30.440 --> 0:13:33.440
<v Speaker 1>good afternoon, gentlemen. I was excited to see you featured

0:13:33.480 --> 0:13:37.040
<v Speaker 1>The Abominable Doctor fives on a recent Weird House Cinema episode.

0:13:37.200 --> 0:13:38.960
<v Speaker 1>While I've never seen it, it's one of the many

0:13:39.120 --> 0:13:41.439
<v Speaker 1>b horror movies I've known about for a long time

0:13:41.559 --> 0:13:45.679
<v Speaker 1>due to a Misfit song of the same name. Oh yeah, James,

0:13:45.679 --> 0:13:48.720
<v Speaker 1>I know what you're talking about, James says, listening to

0:13:48.760 --> 0:13:51.280
<v Speaker 1>your podcast was the perfect motivation to finally buy a

0:13:51.400 --> 0:13:55.080
<v Speaker 1>used copy on eBay to experience the movie myself, and boy,

0:13:55.080 --> 0:13:57.840
<v Speaker 1>oh boy, what a treat. I haven't seen such a

0:13:57.920 --> 0:14:00.920
<v Speaker 1>hilariously tongue in cheek horror movie since Cabin in the Woods,

0:14:01.320 --> 0:14:04.360
<v Speaker 1>and I now understand why the related Misfits song is

0:14:04.400 --> 0:14:07.880
<v Speaker 1>one of their rare instrumental tracks as the namesake Doctor

0:14:08.040 --> 0:14:12.080
<v Speaker 1>cannot speak. The episodes preamble also sent me down and

0:14:12.160 --> 0:14:17.200
<v Speaker 1>amusing Vincent Price advertisement rabbit Hole. The sun Country Wine

0:14:17.240 --> 0:14:20.080
<v Speaker 1>Cooler polar Bear ad is weirdly cute. That's what it was.

0:14:20.160 --> 0:14:22.520
<v Speaker 1>Sun Country Wine Coolers that they got the good one

0:14:22.560 --> 0:14:25.080
<v Speaker 1>with vincive price and uh and with Grace Jones and

0:14:25.120 --> 0:14:27.160
<v Speaker 1>I'm sure some other stars. They probably did some other

0:14:27.200 --> 0:14:29.960
<v Speaker 1>celebs of the day. They could get James goes on.

0:14:30.120 --> 0:14:34.440
<v Speaker 1>But the Monster Vitamin's commercial should come with a disclaimer

0:14:34.440 --> 0:14:37.280
<v Speaker 1>that you may never see Mr Price the same way again.

0:14:37.680 --> 0:14:42.360
<v Speaker 1>Apparently he keeps children locked up in his basement um

0:14:42.520 --> 0:14:44.760
<v Speaker 1>and then he says, at least they're getting proper vitamin

0:14:44.880 --> 0:14:48.800
<v Speaker 1>nutrition plus iron down there. And what James is referring

0:14:48.840 --> 0:14:52.120
<v Speaker 1>to I looked this up in the Monster Vitamin's ad.

0:14:52.480 --> 0:14:54.440
<v Speaker 1>So Price is giving you the pitch. He's like, you know,

0:14:54.520 --> 0:14:57.360
<v Speaker 1>here they are. They're delicious, they're chewable, they're good for you.

0:14:57.760 --> 0:15:00.520
<v Speaker 1>But then he opens a trapdoor in the floor and

0:15:00.640 --> 0:15:03.640
<v Speaker 1>like shake some vitamins down to the children who are

0:15:03.640 --> 0:15:06.640
<v Speaker 1>apparently kept there. Well, those are just the children under

0:15:06.680 --> 0:15:10.080
<v Speaker 1>the stairs, nothing going on there. It is amazing what

0:15:10.320 --> 0:15:14.480
<v Speaker 1>used to make it into commercials now Man commercials now

0:15:14.480 --> 0:15:18.720
<v Speaker 1>are too safe. They're not gonna risk making you associate

0:15:18.760 --> 0:15:22.200
<v Speaker 1>the product with like the capture of children in dungeon.

0:15:23.400 --> 0:15:25.920
<v Speaker 1>You know, it does all the thinking about all these

0:15:26.000 --> 0:15:29.800
<v Speaker 1>Vincent Price commercials, it does make me think that technically

0:15:30.120 --> 0:15:33.440
<v Speaker 1>we could bring all these back. Like I don't know

0:15:33.480 --> 0:15:36.360
<v Speaker 1>if the Vincent Vincent Price of State and his family

0:15:36.400 --> 0:15:40.840
<v Speaker 1>members will be down for it. But the technology to

0:15:40.960 --> 0:15:46.640
<v Speaker 1>recreate deceased actors using computer technology is better now than

0:15:46.680 --> 0:15:50.160
<v Speaker 1>it's it's ever been. Like. Oh no, no, I hate it.

0:15:50.520 --> 0:15:52.320
<v Speaker 1>Have you seen some of the recent examples, because I

0:15:52.360 --> 0:15:55.480
<v Speaker 1>know you're still thinking of Tarkan, but the latest like

0:15:55.600 --> 0:16:00.240
<v Speaker 1>reproductions of say Luke Skywalker, Young Luke Skywalker are really good.

0:16:00.360 --> 0:16:01.920
<v Speaker 1>So I think we're at the point now where we

0:16:01.960 --> 0:16:04.360
<v Speaker 1>could bring Vincent Price back and have him be a

0:16:04.400 --> 0:16:10.520
<v Speaker 1>spokesperson for all new um short lived alcoholic beverages. Oh man,

0:16:10.600 --> 0:16:12.560
<v Speaker 1>I so want to yes and you, but I just

0:16:12.600 --> 0:16:16.000
<v Speaker 1>hate it too much. I hate yes, I hate it

0:16:16.160 --> 0:16:19.040
<v Speaker 1>all right, fair enough anyway anyway. James goes on to say,

0:16:19.040 --> 0:16:22.120
<v Speaker 1>thanks for the recommendation. Please feel free to peruse the

0:16:22.160 --> 0:16:25.640
<v Speaker 1>Misfits catalog of songs for future episodes of Weird House Cinema.

0:16:25.680 --> 0:16:29.720
<v Speaker 1>I thank you, James, I will feel free. Uh. He

0:16:29.800 --> 0:16:32.360
<v Speaker 1>also goes on to say to talk about a different episode.

0:16:32.360 --> 0:16:34.960
<v Speaker 1>He says, during a recent Listener Mail episode, you discussed

0:16:35.000 --> 0:16:38.360
<v Speaker 1>the safety of eating raw potatoes. I think specifically we

0:16:38.400 --> 0:16:41.680
<v Speaker 1>said we did not know whether there were safety concerns

0:16:41.760 --> 0:16:44.160
<v Speaker 1>or not, and Unfortunately, I still have not really looked

0:16:44.200 --> 0:16:48.280
<v Speaker 1>deeply into that, so so I don't take medical advice

0:16:48.320 --> 0:16:52.000
<v Speaker 1>from the following. But James says, I believe the fear

0:16:52.040 --> 0:16:55.560
<v Speaker 1>stems from the possible presence of a toxin called soul nine,

0:16:55.640 --> 0:16:59.000
<v Speaker 1>which can cause symptoms akin to food poisoning and an

0:16:59.040 --> 0:17:03.760
<v Speaker 1>extreme case as death. However, soulenine concentration is only significant

0:17:03.840 --> 0:17:07.399
<v Speaker 1>in a potato's eyes, sprout stems, and leaves, so be

0:17:07.520 --> 0:17:10.280
<v Speaker 1>sure to avoid those. This is of course not true

0:17:10.320 --> 0:17:14.240
<v Speaker 1>for carrots, radishes, beats, etcetera, whose greens are extremely nutritious

0:17:14.240 --> 0:17:17.159
<v Speaker 1>and can be tasty both raw and cooked. I myself,

0:17:17.160 --> 0:17:20.720
<v Speaker 1>I'm a fan of eating many vegetables raw, especially asparagus,

0:17:21.119 --> 0:17:23.720
<v Speaker 1>and am now curious to sneak a chunk of non

0:17:23.840 --> 0:17:27.600
<v Speaker 1>green potato the next time I'm preparing them. While I

0:17:27.640 --> 0:17:30.480
<v Speaker 1>do prefer them roasted. I'll typically sneak a few raw

0:17:30.600 --> 0:17:34.040
<v Speaker 1>brussels sprout chunks myself while cooking them. I'll just be

0:17:34.160 --> 0:17:36.639
<v Speaker 1>sure to avoid them served in the style of fibes

0:17:36.800 --> 0:17:40.800
<v Speaker 1>I e. Goo and ensure no locusts are nearby. My

0:17:40.880 --> 0:17:44.560
<v Speaker 1>gecks crickets probably couldn't devour my face, but I'll air

0:17:44.640 --> 0:17:47.359
<v Speaker 1>on the side of caution. As always, many thanks for

0:17:47.400 --> 0:17:50.600
<v Speaker 1>bringing background entertainment to my work day several days a week.

0:17:50.800 --> 0:17:54.919
<v Speaker 1>Love your podcast. Cheers James. Well, thank you, James. But

0:17:55.040 --> 0:17:57.280
<v Speaker 1>to come back to your idea about the Misfits songs

0:17:57.280 --> 0:18:01.000
<v Speaker 1>about old B movies. I one time, when I was

0:18:01.040 --> 0:18:03.480
<v Speaker 1>in college, I was seeing a friend of mine UH

0:18:03.520 --> 0:18:06.800
<v Speaker 1>and his band perform, and I'm not sure what genre

0:18:06.840 --> 0:18:08.959
<v Speaker 1>you call him, and it's not bluegrass. They were like

0:18:09.119 --> 0:18:13.240
<v Speaker 1>a sort of traditional style UH instrumental band mostly that

0:18:13.280 --> 0:18:16.359
<v Speaker 1>would play with like a banjo and a fiddle and

0:18:16.359 --> 0:18:18.800
<v Speaker 1>and and would play sort of an old, old mountain

0:18:18.840 --> 0:18:21.679
<v Speaker 1>tunes I think. But I went up to talk to

0:18:21.720 --> 0:18:23.920
<v Speaker 1>them in the middle of the show and I asked

0:18:23.960 --> 0:18:25.800
<v Speaker 1>my friend. I was like, well, it's a great show,

0:18:25.800 --> 0:18:28.720
<v Speaker 1>but where the Danzig covers? And he launched into a

0:18:28.760 --> 0:18:33.479
<v Speaker 1>profoundly beautiful, uh sort of mountain blue grass cover of

0:18:33.520 --> 0:18:37.960
<v Speaker 1>Astro Zombies by the Misfits, and it was pretty good. Yeah.

0:18:38.080 --> 0:18:41.320
<v Speaker 1>I know. When I was like in junior high I

0:18:41.440 --> 0:18:43.679
<v Speaker 1>was into into the Danzing, but I didn't know much

0:18:43.680 --> 0:18:47.359
<v Speaker 1>about the Misfits. It was only much later that I

0:18:47.400 --> 0:18:51.440
<v Speaker 1>got to explore such wonderful lyrics as return of the Fly,

0:18:51.960 --> 0:18:55.600
<v Speaker 1>Return of the Fly with Vincent Price. Yeah, the Return

0:18:55.640 --> 0:18:58.720
<v Speaker 1>of the Fly don't get any better than that. It's beautiful.

0:18:58.720 --> 0:19:02.720
<v Speaker 1>It's like poetry. By the way, James here when he

0:19:02.760 --> 0:19:05.840
<v Speaker 1>shared the playlist or the list of films that inspired

0:19:05.880 --> 0:19:10.280
<v Speaker 1>Misfits songs, he shared that to us on letterbox that's

0:19:10.560 --> 0:19:13.080
<v Speaker 1>L E T T E R B O x D

0:19:13.400 --> 0:19:16.240
<v Speaker 1>dot com. I don't know. I don't know how widespread,

0:19:16.720 --> 0:19:18.639
<v Speaker 1>uh this this website is. I don't know if it's

0:19:18.680 --> 0:19:21.000
<v Speaker 1>new or it's been around for a few years. But

0:19:21.560 --> 0:19:24.800
<v Speaker 1>a listener wrote in I think on our discord and

0:19:24.920 --> 0:19:26.760
<v Speaker 1>was like, hey, you should you should set one of

0:19:26.800 --> 0:19:29.160
<v Speaker 1>these up for weird House Cinema. So I have set

0:19:29.200 --> 0:19:32.440
<v Speaker 1>one up for weird House Cinema. If you go to letterboxed,

0:19:32.880 --> 0:19:35.360
<v Speaker 1>you can just search for weird House. Our user name

0:19:35.400 --> 0:19:37.400
<v Speaker 1>is weird House and right now it's just a bare

0:19:37.440 --> 0:19:39.919
<v Speaker 1>bones account, but it has a full list of all

0:19:39.960 --> 0:19:42.760
<v Speaker 1>the movies we've covered on weird House. And uh, yeah,

0:19:42.760 --> 0:19:45.159
<v Speaker 1>if there's enough interest in the site, if this is

0:19:45.200 --> 0:19:47.840
<v Speaker 1>something that is of interest to folks, we could always

0:19:47.840 --> 0:19:50.000
<v Speaker 1>spring for an h Q account and do more with it.

0:19:50.080 --> 0:19:52.680
<v Speaker 1>But in the meantime, uh, there sure is a list

0:19:52.680 --> 0:19:53.920
<v Speaker 1>of movies there, and it's a great way to sort

0:19:53.920 --> 0:20:02.240
<v Speaker 1>of instantly visualize what we've covered thus far. All right,

0:20:02.359 --> 0:20:06.480
<v Speaker 1>speaking of the discord, one more bit of listener mail here.

0:20:06.520 --> 0:20:09.719
<v Speaker 1>This one comes to us from from Matt sharing the

0:20:09.760 --> 0:20:13.879
<v Speaker 1>following about the Devil Rides Out quote with regards to

0:20:13.920 --> 0:20:17.440
<v Speaker 1>your discussion of the Duke's religious affiliation at the end

0:20:17.520 --> 0:20:20.080
<v Speaker 1>of the episode. The story makes me think a bit

0:20:20.119 --> 0:20:25.560
<v Speaker 1>of the Eisenhorn trilogy by Dan Abnett. Hardline puritanical inquisitor

0:20:25.680 --> 0:20:29.320
<v Speaker 1>gradually starts using the tools of the arch enemy because Hey,

0:20:29.680 --> 0:20:32.760
<v Speaker 1>if I'm the one summoning demons, it's fine because I'm

0:20:32.840 --> 0:20:36.119
<v Speaker 1>responsible and I'm using them to fight other demons. It

0:20:36.160 --> 0:20:38.320
<v Speaker 1>would have been great if there was a sequel to

0:20:38.359 --> 0:20:40.680
<v Speaker 1>The Devil Rides Out where the Duke had gone full

0:20:40.760 --> 0:20:45.000
<v Speaker 1>radical and was being hunted by other puritanical sorts. I

0:20:45.040 --> 0:20:48.040
<v Speaker 1>love this. I love this idea. Yeah, yeah, I think

0:20:48.080 --> 0:20:50.760
<v Speaker 1>Matt makes a great point here. Uh So, first of all,

0:20:50.920 --> 0:20:54.840
<v Speaker 1>the Eisenhorn books by Dan Abnet are a lot of fun.

0:20:54.960 --> 0:20:57.520
<v Speaker 1>I've I've read, uh I think I've read four of them,

0:20:57.520 --> 0:21:02.520
<v Speaker 1>the four key Eisenhorn books. He knows Mallius Hereticus and

0:21:02.880 --> 0:21:05.760
<v Speaker 1>the meges Uh, though the character pops up in some

0:21:05.800 --> 0:21:08.240
<v Speaker 1>other books that he wrote as well. I particularly like

0:21:08.480 --> 0:21:12.040
<v Speaker 1>Zenos from two thousand one, but the Magoes from is

0:21:12.080 --> 0:21:14.520
<v Speaker 1>also a lot of fun. These are books about an

0:21:14.560 --> 0:21:18.760
<v Speaker 1>imperial inquisitor in the Warhammer forty thousand universe, tests with

0:21:18.840 --> 0:21:22.240
<v Speaker 1>hunting down heretics and stopping their evil deeds. Now, these

0:21:22.240 --> 0:21:25.400
<v Speaker 1>stories don't take place on the epic grim dark battlegrounds

0:21:25.400 --> 0:21:28.639
<v Speaker 1>of the forty K universe, but they instead tend to

0:21:28.680 --> 0:21:31.800
<v Speaker 1>revolve around backwater planets and and sometimes the just the

0:21:31.880 --> 0:21:34.520
<v Speaker 1>everyday lives of people that are living in the shadows

0:21:34.600 --> 0:21:38.720
<v Speaker 1>of these these you know, these big altercations. So I

0:21:38.760 --> 0:21:40.760
<v Speaker 1>could be wrong, but I don't think you need to

0:21:40.800 --> 0:21:43.520
<v Speaker 1>have a lot of forty K lore stashed in your

0:21:43.520 --> 0:21:46.639
<v Speaker 1>head to enjoy these books. And Abnet is also just

0:21:46.720 --> 0:21:49.639
<v Speaker 1>a solid writer as well. But indeed, one of the

0:21:49.720 --> 0:21:53.200
<v Speaker 1>recurring themes in the Eisenhorn books is that every inquisitor

0:21:53.520 --> 0:21:56.119
<v Speaker 1>will either die in service to the cause or they'll

0:21:56.119 --> 0:22:00.000
<v Speaker 1>live long enough to become a heretic themselves. Um because

0:22:00.080 --> 0:22:02.760
<v Speaker 1>of course, the inquisitors inherently have great knowledge of the

0:22:02.800 --> 0:22:06.320
<v Speaker 1>occult threats they face but then they increasingly use occult

0:22:06.359 --> 0:22:09.720
<v Speaker 1>powers to combat those forces, and eventually they just lose

0:22:09.720 --> 0:22:12.280
<v Speaker 1>their way. So at first you're combating dark forces with

0:22:12.600 --> 0:22:15.480
<v Speaker 1>your own dark forces that you're harnessing, but eventually you're

0:22:15.520 --> 0:22:19.080
<v Speaker 1>just lost and you're another slave to darkness. And so

0:22:19.119 --> 0:22:21.360
<v Speaker 1>I think this is this is pretty insightful and absence

0:22:21.440 --> 0:22:24.000
<v Speaker 1>part because it matches up with, first of all, what

0:22:24.040 --> 0:22:27.320
<v Speaker 1>you see with with witch hunters of old, as well

0:22:27.359 --> 0:22:31.680
<v Speaker 1>as with many modern crusaders against various perceived cultural threats.

0:22:32.160 --> 0:22:35.960
<v Speaker 1>Because in times of old, witchcraft persecutions became an excuse

0:22:36.040 --> 0:22:39.639
<v Speaker 1>for cruelty and horror, as well as the satisfaction of

0:22:39.680 --> 0:22:42.919
<v Speaker 1>one's own interests in the sorts of ideas and practices

0:22:42.960 --> 0:22:47.000
<v Speaker 1>that one outwardly opposed. And how many moral crusaders from

0:22:47.000 --> 0:22:50.960
<v Speaker 1>our own times come to possess just exhaustive information about

0:22:50.960 --> 0:22:54.119
<v Speaker 1>the things they crusade against. They know all the terms,

0:22:54.160 --> 0:22:58.199
<v Speaker 1>all the slang, all the alleged perversions and paraphernalia. But

0:22:58.280 --> 0:23:03.080
<v Speaker 1>they're safe. They're the ones in the video of warning

0:23:03.080 --> 0:23:05.399
<v Speaker 1>you against the powers of Satan. They're the they're the

0:23:05.480 --> 0:23:08.120
<v Speaker 1>duke fighting the devil in the night. So they're okay.

0:23:08.240 --> 0:23:11.080
<v Speaker 1>They can have this knowledge, right, I can listen to

0:23:11.119 --> 0:23:13.560
<v Speaker 1>the heavy metal albums because I'm doing it from a

0:23:13.600 --> 0:23:16.240
<v Speaker 1>place of judgment and moral authority. I just need to

0:23:16.320 --> 0:23:19.920
<v Speaker 1>understand what they're what they're doing. You know what satanic

0:23:19.960 --> 0:23:23.000
<v Speaker 1>messages they're preaching, and so forth and so forth. I

0:23:23.040 --> 0:23:25.760
<v Speaker 1>can you know, the Duke, I can read these occult tomes.

0:23:25.800 --> 0:23:28.760
<v Speaker 1>You shouldn't you. I'd rather see you dead than reading

0:23:28.760 --> 0:23:32.040
<v Speaker 1>these occult tomes that I've been staying up all night with. Yes,

0:23:32.080 --> 0:23:35.400
<v Speaker 1>the Church has authorized me to listen to Sabbath day

0:23:35.400 --> 0:23:38.440
<v Speaker 1>and night front words and backwards so that I can

0:23:38.520 --> 0:23:41.840
<v Speaker 1>keep a watch and look out for the children. So anyway,

0:23:41.920 --> 0:23:43.800
<v Speaker 1>thanks for writing in, Matt and I For anyone out

0:23:43.800 --> 0:23:45.080
<v Speaker 1>there who wants to be a part of the Stuff

0:23:45.119 --> 0:23:48.160
<v Speaker 1>to Blow your Mind discord, just email us and I'll

0:23:48.200 --> 0:23:50.280
<v Speaker 1>send you the link. That seems to be the best

0:23:50.280 --> 0:23:52.920
<v Speaker 1>way to go about this, because the links expire and

0:23:53.080 --> 0:23:55.240
<v Speaker 1>I don't think there's a way for you to otherwise

0:23:55.320 --> 0:23:57.520
<v Speaker 1>join the group. But I just shoot us an email.

0:23:57.600 --> 0:23:59.919
<v Speaker 1>We'll have the email here shared for you, and just

0:24:00.000 --> 0:24:02.080
<v Speaker 1>a moment in the meantime, if you would like to

0:24:02.160 --> 0:24:05.119
<v Speaker 1>check out other episodes of well, Stuff to Blow Your

0:24:05.119 --> 0:24:08.480
<v Speaker 1>Mind Core episodes on two season Thursdays, or episodes of

0:24:08.520 --> 0:24:11.280
<v Speaker 1>Weird House Cinema which air on Fridays. It's all in

0:24:11.320 --> 0:24:13.639
<v Speaker 1>the Stuff to Blow Your Mind podcast feed, which you

0:24:13.680 --> 0:24:16.879
<v Speaker 1>can find wherever you get your podcasts. Just look it up,

0:24:17.280 --> 0:24:19.920
<v Speaker 1>subscribe to it, and if you're allowed to leave a

0:24:20.000 --> 0:24:21.800
<v Speaker 1>nice review, you know, throw a bunch of stars our

0:24:21.800 --> 0:24:25.240
<v Speaker 1>away and say say something nice. Um that that that

0:24:25.240 --> 0:24:30.040
<v Speaker 1>that helps the almighty algorithm. We assume all right, one

0:24:30.080 --> 0:24:33.320
<v Speaker 1>assumes I mean the ways that the algorithm are mysterious. Yeah,

0:24:34.080 --> 0:24:36.400
<v Speaker 1>and we just have to trust in in what we've

0:24:36.400 --> 0:24:41.080
<v Speaker 1>been told. Yeah. Okay, so huge, Thanks as always to

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<v Speaker 1>our excellent audio producer Seth Nicholas Johnson. If you would

0:24:44.760 --> 0:24:46.919
<v Speaker 1>like to get in touch with us with feedback on

0:24:46.960 --> 0:24:49.679
<v Speaker 1>this episode or any other, to suggest topic for the future,

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<v Speaker 1>or just to say hello, you can email us at

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<v Speaker 1>contact at stuff to Blow your Mind dot com. Stuff

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<v Speaker 1>to Blow Your Mind is a production of I Heart Radio.

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<v Speaker 1>For more podcasts for My Heart Radio, visit the iHeart

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