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Speaker 1: And low and behold. I am on the prowl at Nortis.

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Speaker 1: Seasons are changing, I need my fall fits. Time to creep,

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Speaker 1: time to creep on some new vegan belts at Norty's.

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Speaker 1: And so I'm fingering these belts gently, sort of fingering

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Speaker 1: every little the brass, the woven section, the holes. Now,

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Speaker 1: usually the holes aren't big enough for that. So I

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Speaker 1: guess I should explain I'm not finger blasting them. Sorry,

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Speaker 1: I should, Yes, I should have said for me, I'm

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Speaker 1: just I guess it's like I'm tonguing them with my fingers.

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Speaker 1: Does that make sense? Tonguing them with my fingers?

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Speaker 2: Mm hmm, And well, I guess, okay, so you know,

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Speaker 2: so that is fingering. Yeah, but just obviously it's a

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Speaker 2: different stage. It's it's more like and I you know,

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Speaker 2: we don't look, we don't spend the whole show on this. Obviously,

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Speaker 2: we've got a great guest and we have some cool

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Speaker 2: ideas we want to talk about. But you're you're talking

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Speaker 2: more about the sort of like flicking the bean stage.

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Speaker 1: I guess, let me be like very specific about what

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Speaker 1: the motion is. What I do about clicking the mouse.

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Speaker 1: I put my thumb and index finger on either side

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Speaker 1: of the belt. And then I think about money and

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Speaker 1: I start doing I think about how much money these

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Speaker 1: vegan belts are gonna make me just from when I

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Speaker 1: walk in the room, how much money people are gonna

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Speaker 1: throw at me with the weave on these things. Mm hmm.

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Speaker 1: But I don't know about you. When I see a belt,

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Speaker 1: think about a belt. First thing that comes to mind

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Speaker 1: my old man, And.

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Speaker 2: Isn't that the way? And it's these the impact that

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Speaker 2: your old.

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Speaker 1: Man has on my old man.

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Speaker 2: And the ways they come back to you. You're we'll

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Speaker 2: talk about it, talk about it, because I said, helped

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Speaker 2: one step out of line and my old man belt

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Speaker 2: comes off and he gets behind me, starts garrotting me

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Speaker 2: with his belt, and not like he's whisper, He's like,

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Speaker 2: I'm not going to kill you. I'm not going to

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Speaker 2: kill you.

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Speaker 1: And so I feel I'm like, okay, I know he's

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Speaker 1: not going to and he's just yes, but he is

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Speaker 1: garrotting me, and he's like, go to sleep, go to sleep,

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Speaker 1: and then I just like fade out, wake up at night.

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Speaker 1: That's the tough thing, is like, now my schedule's completely off.

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Speaker 2: No, yeah, because you you've got you've got this great

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Speaker 2: RESTful sleep.

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Speaker 1: Yes, and now you're awake in the middle of them, like,

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Speaker 1: oh great.

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Speaker 2: But you know, my old man, and I've told this

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Speaker 2: story before and we will get to the we have

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Speaker 2: a really exciting guess.

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Speaker 1: But my old man, you know when I when I.

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Speaker 2: Cut out a line, first thing that happened, Man, he

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Speaker 2: walk over to my drawer and throw out one of

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Speaker 2: my belts.

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Speaker 1: Oh no, he'd say, just.

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Speaker 2: Is this your new belt? This is the one you

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Speaker 2: were excited about, the one you bought with all your stickers.

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Speaker 2: I used to get a sticker if I did something good.

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Speaker 2: If I did something bad, lose a sticker. So like

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Speaker 2: being nice to my sister, that's a sticker, you know

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Speaker 2: what I mean. Use the potty sticker, right, But yelling

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Speaker 2: at bedtime lose a sticker. So anyway, you know, it

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Speaker 2: would cost me two hundred, three hundred stickers to get

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Speaker 2: a nice vegan belt and then just one false move

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Speaker 2: and into the trash it would go.

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Speaker 1: And then once it's in the trash, it's ruined because

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Speaker 1: the quality I know you can fel thinks. Yes, that's right,

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Speaker 1: big melt, it's a vegan melt.

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Speaker 2: The the the the show is Hollywood Handbook. It's in

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Speaker 2: Assaria King Ben Drebenas and recover line by Colls a

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Speaker 2: showbiz We always we always share part of our childhood

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Speaker 2: at the top of the show. Today was no different.

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Speaker 2: But now it's time to look more towards the future.

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Speaker 2: We're not gazing into the past. We have this guest, a.

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Speaker 1: Big, healthy, a big loud, full throated what up? What

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Speaker 1: up to? To durs Hoders home?

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Speaker 2: You've seen him inventing ann Uh, this is important pod.

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Speaker 1: Uh you I could go on and on.

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Speaker 2: He's working with muppets now, he's doing all kinds of

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Speaker 2: he's a polymath, and people are saying, well, we see

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Speaker 2: him on camera, but we remember that he was obviously

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Speaker 2: one of the minds behind Game over Man, behind Workaholics,

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Speaker 2: these things that we've loved. Where is the next big

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Speaker 2: creative venture that he will be behind the scenes on

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Speaker 2: that he will be, you know, crafting the content. And

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Speaker 2: I think we're here to announce it today. It is

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Speaker 2: a new podcast, but.

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Speaker 1: It is more than that.

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Speaker 2: It is like a new multimedia experience. And there's just

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Speaker 2: talk a little bit about how excited you are to

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Speaker 2: be involved with this, this platform, this channel at Hayes,

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Speaker 2: and I am producing again.

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Speaker 3: Well, let me just begin by telling you guys how

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Speaker 3: thrilled I am to be here.

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Speaker 1: I watch, I listen.

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Speaker 3: This is you know, you guys are two other guys

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Speaker 3: in the game that I respect. I don't know if

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Speaker 3: I respect anybody as much as you two.

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Speaker 1: Awesome, Thank you so much, dud that being said, dude, nice,

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Speaker 1: I'm here to help you know, I'm here to bring

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Speaker 1: what I bring to the table.

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Speaker 3: I think you guys know what that that value add is.

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Speaker 3: I think the people listening are gonna find out.

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Speaker 1: Collabo, I can't me. This is so meaningful to me,

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Speaker 1: uh that you know, I had been saying to Shaan

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Speaker 1: for a long time that it would probably be good.

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Speaker 1: Sean's been like working on some stuff that, like to me,

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Speaker 1: was not necessarily like in the pocket for him creatively,

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Speaker 1: like yeah, why do you make an omelet? How do

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Speaker 1: you make some eggs? Right?

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Speaker 2: And so yeah, No, I I hear what you're saying, Hayes, like, no,

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Speaker 2: not every you know swing is a home run.

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Speaker 1: But I think this that's interesting. I heard that.

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Speaker 2: Yes, the influence of dirt, Like, as you said, I

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Speaker 2: respect the shit out of you man, and like what

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Speaker 2: you're doing is sick, and then like what we're doing

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Speaker 2: and I think about it, like, look, I was a

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Speaker 2: huge fan already of John Varvados and I loved Converse,

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Speaker 2: so neither of them needed help. But when John Varvado

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Speaker 2: started to make Converse, I went, I couldn't even have

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Speaker 2: guessed that I needed this, But these two powerhouse brands

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Speaker 2: together made me.

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Speaker 3: Go, like, these are shoes right which bring which I

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Speaker 3: mean amazing segue.

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Speaker 1: I'm just gonna piggyback on that which brings me fine,

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Speaker 1: I'm going I'm not going to. I appreciate that.

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Speaker 2: The two hottest words in pop culture and fashion right

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Speaker 2: now are say it with me, Harry style styles.

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Speaker 1: Wow. And so the pop is Harry's style styles Harry styles.

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Speaker 1: We're basically because this is a podcast. Yes, has even

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Speaker 1: told me the like the platform, okay, no, nory, it's great.

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Speaker 1: We got all the stuff or any all the equipment

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Speaker 1: that we make sense.

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Speaker 2: Cost wise, we start with the podcast. It's just uh,

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Speaker 2: it's it's the it's got to get picked. Yeah, of course,

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Speaker 2: like you know, it turns into the book, which turns

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Speaker 2: into movie, which turns into the miniseries which turns into

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Speaker 2: the lifestyle brand at Target, et cetera. But Harry's Styles

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Speaker 2: it's a it's the deep dive that we need right

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Speaker 2: now about what this icon is wearing and why.

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Speaker 1: It's experiment for you, Hayes Open open Internet. Okay, yeah,

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Speaker 1: open Internet. I love watching people do this is like

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Speaker 1: my favorite part of it. Warning, warning your computer might melt.

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Speaker 1: I'm just gonna say that. I mean it even like

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Speaker 1: for me, it's always open. I've always got the Internet.

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Speaker 2: No, I'm are you Firefox, Chrome? What do we I?

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Speaker 1: I'm I'm a navigatory Like I'm still navigating like that

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Speaker 1: to me, I'm exploring.

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Speaker 2: Yes, it's like kind of like vinyl. It's just uh

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Speaker 2: like the cross.

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Speaker 1: And crackles exactly, yes, and it does. They're like visual

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Speaker 1: and auditory popping and cracking. It breaks. So when you

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Speaker 1: open Internet, what do you see? Okay? Uh just going

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Speaker 1: to like let me go to probably Harry Style everything

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Speaker 1: like almost every single page, like not all of them,

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Speaker 1: but like almost some definitely are about Harry Styles, and

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Speaker 1: Harry Styles is on the page.

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Speaker 2: So yeah, what if there what if there was something

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Speaker 2: everywhere on Internet and then you find out, oh, there's

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Speaker 2: a podcast and it's what's on internet.

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Speaker 1: I That to me is awesome. It's a little bit

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Speaker 1: of money. It's much more in tune with what's going

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Speaker 1: on culturally than some of the other stuff that you've

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Speaker 1: been bringing. Yeah, but uh, no issues with like needing

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Speaker 1: his cooperation or anything like that. Like that's the first

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Speaker 1: question that comes to mind, Like do you need Harry

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Speaker 1: to be involved? No, are you familiar with parody law?

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Speaker 1: We're covered. We're covered by parody law.

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Speaker 2: We're spelled, we're spelling his name. Uh, we're spelling is named. Well,

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Speaker 2: it's Harry's styles. That could be anybody. But here's and

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Speaker 2: and I know we're talking about the internet anyone, by

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Speaker 2: the way, Okay, so everybody seems like spelled the same,

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Speaker 2: we'll spell it the same just so people can find it.

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Speaker 2: But here's the deal here, here's the best part. When

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Speaker 2: you're searching Harry styles. Let's say you accidentally type an

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Speaker 2: S after Harry and you type in Harry's styles zero

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Speaker 2: right by the ass going to be at the top.

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Speaker 1: Guess who's at the top of that search every time. Okay,

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Speaker 1: we've been we've been just ringing this idea out, you know,

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Speaker 1: from every angle we've been freaking out.

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Speaker 2: DERs and I were freaking each other out because the

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Speaker 2: idea was so strong that it was almost like we

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Speaker 2: weren't even a part of it. Like we were like

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Speaker 2: channeling this idea of like hair, because Harry has all

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Speaker 2: these styles and it's not and we said clothing, but

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Speaker 2: there's hair styles, yes, oh yeah, there's shoes, jewels were

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Speaker 2: also like we can talk about through the styles, we

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Speaker 2: can talk about different eras of his career, his music influence,

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Speaker 2: how he started.

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Speaker 1: Influences, his his his film.

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Speaker 2: Career, and all of this is like capturing all these

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Speaker 2: different slivers of of of the global audience. And so

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Speaker 2: to me, we're really having like an orgasmic podcast experience.

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Speaker 2: It's that is is going to climax right here on

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Speaker 2: the Patreon and and effectively squirt money into all of

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Speaker 2: our pockets, which is the whole dang idea of life

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Speaker 2: of life, Like isn't that Like that's how life starts

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Speaker 2: and and for us, it's how it's going to keep pinking.

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Speaker 1: And you know, everyone is a squirt like you are.

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Speaker 2: You are made of squirt, you know, like whether you

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Speaker 2: like to think about that or not, we're all compromised

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Speaker 2: to some level of squirting. And I love I love

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Speaker 2: the idea of people who don't even know about Harry Styles, right,

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Speaker 2: oh my god, and they learn out from here, they

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Speaker 2: know about me from inventing Anna.

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Speaker 1: You know, Emmy nominated, although.

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Speaker 2: This is the week I I will have to deal

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Speaker 2: with being snubbed, but they'll know me globally. They'll know

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Speaker 2: you guys locally and with with our powers combined, get

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Speaker 2: out of town.

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Speaker 1: I mean, do you say you're saying you are Emmy nominated?

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Speaker 2: The show, the show, the show, the show, showminated, got

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Speaker 2: it for whatever reason politically, Like I don't know, like

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Speaker 2: they really crowded category for years, you know, and really

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Speaker 2: crowded category.

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Speaker 1: What did you what did you go up for? Which?

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Speaker 1: Which category?

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Speaker 2: Best supporting in in a in a limited series?

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Speaker 1: And you know, like I know I didn't have any scenes.

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Speaker 2: With with Jewels Julia Carter, but like I just feel

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Speaker 2: like the things I were doing, I was doing my

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Speaker 2: end kind of like.

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Speaker 4: You know dominated you know everyone, yeah, exactly, And like

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Speaker 4: what you need except for you is a guy that

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Speaker 4: like doesn't have to play with the starters, you know,

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Speaker 4: bench scorer, just some microwave.

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Speaker 3: Right, okay, and by the way, I'm sorry when we're

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Speaker 3: watching House of Highlights on our on our phones that

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Speaker 3: were just clued to twenty four to seven. Are we

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Speaker 3: watching Steph Curry, you know, hitting that bank shot from

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Speaker 3: half court? Or are we watching the celebratory guys with

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Speaker 3: the towels on the side holding.

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Speaker 1: Each other back, Like that's the kind of that's the vibe.

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Speaker 1: I that's the energy vibe. Check I right before they.

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Speaker 3: Call action, I throw a towel at somebody because between takes,

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Speaker 3: I'm just rallying the crew and they love it.

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Speaker 1: You know, I'm like shouting spend.

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Speaker 2: It's not a problem on set, but yeah, it's anyway

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Speaker 2: we're bringing that energy to that energy. The podcast is

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Speaker 2: going to be high energy. It's it's Harry stat you know,

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Speaker 2: we've been we've been describing it forever. We actually we

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Speaker 2: recorded like a pilot, Like DERs and I were so amped.

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Speaker 2: We were so sure that you were going to want

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Speaker 2: to be a part of this, Hayes and produce it

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Speaker 2: with us.

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Speaker 1: We actually recorded like a pilot.

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Speaker 2: Should we just give him a taste to like what

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Speaker 2: it sounds like like when we put it on its feet.

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Speaker 1: I mean, I.

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Speaker 3: Personally, I am not a big fan of just giving

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Speaker 3: stuff away, but hey, cat's out of the bag.

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Speaker 1: Let's do it. Yeah, I mean that's that's great. I

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Speaker 1: don't even really need to hear Like the idea alone,

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Speaker 1: I think is really are you okay?

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Speaker 2: Uh no, I'm so proud of it that that, you know,

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Speaker 2: I I just want to share it. You know, you

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Speaker 2: finished something. You're just like you can I show this

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Speaker 2: to that will really get it? And for me, we

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Speaker 2: were like, yeah, wow we did.

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Speaker 1: Yeah, that's great, and I'm I'm glad that we can

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Speaker 1: sort of put some of the earlier Like, you know,

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Speaker 1: we haven't always agreed on some of this. Guys.

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Speaker 2: This you don't have to You don't have to like

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Speaker 2: one thing, you don't have to shoot on something else,

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Speaker 2: like for me to for me to nominate Inventingana and

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Speaker 2: like that. I don't have to be like, oh uh,

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Speaker 2: you know whatever succession is bad, Like I think great, right, yes,

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Speaker 2: and I think.

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Speaker 1: You're coming back. It's because I think this could be

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Speaker 1: very very exciting for like for the Patreon and for

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Speaker 1: like other other stuff that we have going right now.

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Speaker 3: See, No, Sean, I told you he was going to say,

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Speaker 3: this is going to help all the other stuff we

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Speaker 3: have said.

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Speaker 2: And he said, going to mention the other system. This

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Speaker 2: is why I love. This is why I owe you coke,

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Speaker 2: because I said, I don't think he'll bring that up.

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Speaker 2: I know Hayes pretty well. I don't think he'll bring

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Speaker 2: that up. And well, but this is why I love.

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Speaker 3: Sharing ideas with people. And you really should get that

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Speaker 3: checked out.

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Speaker 2: But sharing ideas with people, and Hayes, you and I

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Speaker 2: were so similar, but we're so different. You're macro, I'm micro.

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Speaker 2: You see things from thirty thousand.

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Speaker 1: Feet thirty feet yeah right, you're on the moon path.

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Speaker 2: Yeah, I'm down sand to me boulders you know I'm

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Speaker 2: in there and is boulders. Yeah, I'm in the idiosyncrasies.

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Speaker 2: The devil's in the details. Ant mode, he says, let

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Speaker 2: me get ant mode on this real quick and.

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Speaker 1: Trick trick trick, trick, trick trick, and.

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Speaker 2: The ant man's down you know, theoretically, you know, mentally. Yeah,

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Speaker 2: And and he starts really dealing on a granular level.

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Speaker 2: It's some of this content, and it's it's cool for

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Speaker 2: me and I, of course a medium medium, I sort

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Speaker 2: of see things the way a person would right.

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Speaker 1: Like a like a person on the street. You're like every.

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Speaker 2: Boots on the ground. Yea, his head and the clouds.

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Speaker 2: There's ant man mode.

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Speaker 1: Yeah, well a man can also be huge, and I

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Speaker 1: wouldn't do that to you. I wouldn't do it ant

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Speaker 1: man too. Yeah, and wasp by the way, three ant

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Speaker 1: men right.

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Speaker 2: Imagine now, yeah, now we're really going to get hulks cokee. Well,

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Speaker 2: by the way we say.

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Speaker 1: This, you know Marvel's gonna do it now, you know it,

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Speaker 1: of course. And they're like a colony always ant man colony. Okay, yeah,

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Speaker 1: ant Man colony. That's the next podcast.

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Speaker 2: Let's but let's just play a little bit of this

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Speaker 2: and we'll just let Hayes hear what we've got.

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Speaker 5: Okay, Well, I guess I'm gonna see what's on the

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Speaker 5: old tube to that.

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Speaker 2: Yeah, make sure you got batteries and that they're removed

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Speaker 2: by which I mean the poker.

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Speaker 5: Yeah, and uh, let me just click on and that's

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Speaker 5: sparking the flint and.

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Speaker 6: Lighting up the twigs.

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Speaker 2: Well, as I recall, there was a bit of a

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Speaker 2: cliffhanger last week on this favorite proverb of mine.

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Speaker 5: Well, I don't know, I didn't watch coming at tractions,

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Speaker 5: so it's all gonna be a surprise to me. And

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Speaker 5: of course we're watching Cowboy TV, which is a fire.

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Speaker 1: The TV is the.

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Speaker 2: Fire, and the fire is our entertainment. And if I'm

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Speaker 2: sitting down for some Cowboy TV, I don't mad eating

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Speaker 2: a little bit of popcorn, by which I mean, of course, merchhmallows.

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Speaker 5: Yep, we didn't just mean real popcorn, we mean marshmallows.

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Speaker 1: Yeah.

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Speaker 2: Cowboy TV is always is, of course, brought to you

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Speaker 2: by mershmallows, the most delicious Cowboy TV snack that you

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Speaker 2: can heat up right on the poker, which is also

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Speaker 2: a remote.

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Speaker 5: Funny how on a warm night it's still comforting watching

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Speaker 5: some Cowboy TV.

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Speaker 2: Well, it's been hot and it's awful hot right here

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Speaker 2: by the Cowboy TV.

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Speaker 1: And if you don't mind, I might scoot you back

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Speaker 1: just to smidge.

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Speaker 5: Sometimes you gotta do that because the action on Cowboy TV,

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Speaker 5: which again is a fire that we're watching, gets mad.

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Speaker 1: Yeah hot.

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Speaker 2: Well, there's no commercials on Cowboy a TV. It's streaming,

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Speaker 2: and I myself like to binge watch this particular program,

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Speaker 2: which is the fire crackling and licking at the sky

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Speaker 2: like the Devil's Old fingers reaching up to grab the

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Speaker 2: stars and bring them down to hand them to me.

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Speaker 5: A simple cowboy, yeah, something like that.

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Speaker 1: Well maybe I got a little too crazy how that one.

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Speaker 2: Let's let's simplify and just say, as a cowboy, I

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Speaker 2: love to watch TV the fire.

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Speaker 1: Okay, So for and Brett and Bang, you can come back,

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Speaker 1: Like I can see I'm playing, I'm playing still there. No,

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Speaker 1: I was playing you. No, that wasn't a clip. I know.

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Speaker 1: It wasn't a clip. I saw recording, I saw them.

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Speaker 1: It was not a clip that nobody can play that

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Speaker 1: number one. It wasn't a number one. It wasn't a clip.

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Speaker 1: Number two. It had nothing to do with and dirt.

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Speaker 1: I mean, like, I don't know what your relationship is

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Speaker 1: to this. I thought you were going to be in

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Speaker 1: it in some way. I didn't hear what he was

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Speaker 1: part of it created Cowboy TV. This is Cowboy TV.

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Speaker 1: It's the same show you both. You know, he was

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Speaker 1: he was acting alaholics, but he was a huge force.

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Speaker 1: The thing I was referring to that is not not

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Speaker 1: a show at all, and it completely like the subject

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Speaker 1: is completely culturally irrelevant to what's happening in America or

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Speaker 1: anywhere else? Right now? Can I just me one because

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Speaker 1: this is like this very jarring for me to be

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Speaker 1: expecting a show about Harry Styles. Want to hear Cowboy

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Speaker 1: TV again. Well, let me just are you familiar with

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Speaker 1: the term backdoor pilot? Okay? Yeah, Shawn, and I.

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Speaker 2: Clearly said, clearly said okay, can I talk Shawn?

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Speaker 3: And I clearly said Harry's Styles will be the seed

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Speaker 3: to grow a larger framework, an entire brand.

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Speaker 2: Obviously we're going to get to this because this is

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Speaker 2: solid gold.

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Speaker 1: You remember when I talked about John Barvados. Yes, if

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Speaker 1: you don't know what a backdoor pilot is, it's fine,

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Speaker 1: I do. I don't know if he does. Okay, so

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Speaker 1: backdoor he does.

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Speaker 5: Sorry, I'm just very surprised to be here according other stuff,

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Speaker 5: like I like I got sent this link and like

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Speaker 5: this is just a coincidence.

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Speaker 1: Like I was just enjoying the show myself. Thank you. Yeah,

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Speaker 1: I think I just amting. I appreciate that. Yeah, thank

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Speaker 1: you as well.

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Speaker 7: Yeah, I'm just rehearsing over here.

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Speaker 1: Yeah, you're recording other stuff. You're rehearsing, but you just

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Speaker 1: did Cowboy TV. You all just did it together. Well,

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Speaker 1: what do you want them to do Hayes. I'm sorry,

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Speaker 1: what should they do? Hayes? What they're not going to

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Speaker 1: do Cowboy TV? What are they supposed to do Cowgirl TV? Yeah,

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Speaker 1: oh my god, I just know that was another It

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Speaker 1: could do that.

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Speaker 2: When you stop saying no and you start just opening

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Speaker 2: yourself up to possibilities.

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Speaker 1: It's like ant Man colony like growth. It just has

397
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Speaker 1: nothing to do with the pitch that you We talked

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00:23:39,160 --> 00:23:42,119
Speaker 1: for like fifteen minutes about a show that was about

399
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Speaker 1: hairy styles and you were enjoying the entire actor, musician

400
00:23:46,640 --> 00:23:52,199
Speaker 1: all the Yeah, I was. I felt super connected to it.

401
00:23:52,280 --> 00:23:54,480
Speaker 1: I saw a huge amount of potential in it for

402
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Speaker 1: like it again, as you mentioned explicitly, it's something that

403
00:23:58,920 --> 00:24:03,400
Speaker 1: everyone is in it in right now. And so this

404
00:24:03,520 --> 00:24:04,600
Speaker 1: yelling I'm sorry.

405
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Speaker 5: I think he's like hung up on the whole like Marvel,

406
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Speaker 5: like stealing the like ant Man.

407
00:24:09,440 --> 00:24:13,480
Speaker 1: I don't think you got it? Yeah I didn't. I didn't.

408
00:24:13,560 --> 00:24:15,600
Speaker 1: I promise you I did. What are you picture?

409
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Speaker 2: Like?

410
00:24:16,040 --> 00:24:19,480
Speaker 1: Maybe I can help because we want your input. Well,

411
00:24:19,560 --> 00:24:25,560
Speaker 1: so there is confused about saying that this would eventually

412
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Speaker 1: What I'm hearing is what the show will eventually become

413
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Speaker 1: that did you just get out? Like, did you know

414
00:24:32,240 --> 00:24:34,920
Speaker 1: what happened at the end? Or I love get out?

415
00:24:35,000 --> 00:24:38,040
Speaker 1: I thought it was explain I did consider it a

416
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Speaker 1: horror movie. I considered it like a documentary basically, Well,

417
00:24:41,320 --> 00:24:45,160
Speaker 1: of course, Well, no, that's wrong. The thing that I'm

418
00:24:45,400 --> 00:24:51,399
Speaker 1: hung up on, as Bang says, is that this show

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00:24:51,760 --> 00:24:55,240
Speaker 1: is not about Harry Styles. What you s You're calling

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Speaker 1: it a show. I don't know why a show. You're right,

421
00:24:58,840 --> 00:25:01,000
Speaker 1: You're right, it's not it's I totally agree with you

422
00:25:01,119 --> 00:25:05,200
Speaker 1: so much. It's just two guys pretending to be cowboys,

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Speaker 1: the fire, him.

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Speaker 2: Against I know, I'm a guest and I'm overstepping bound

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Speaker 2: the fire. They're not pretending the fire is a TV.

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Speaker 2: They're not. So they aren't.

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Speaker 6: Oh my god, hey man, do I need to explain

428
00:25:23,280 --> 00:25:23,800
Speaker 6: fight Club?

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Speaker 1: Now? Oh my god? Yeah? How many movies should we

430
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Speaker 1: walk through with you? Wait? So, in their sense, he's

431
00:25:34,000 --> 00:25:42,080
Speaker 1: vague nightmare Alley, that's Bradley Cooper. What, But they're saying

432
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Speaker 1: that the poker is a remote doctor. Sleep right, he's

433
00:25:49,560 --> 00:25:51,879
Speaker 1: not a real doctor. Well, this, like, this is not

434
00:25:52,000 --> 00:25:54,520
Speaker 1: something I'm it's I mean, like, I guess I do

435
00:25:54,600 --> 00:25:56,399
Speaker 1: want to figure that out of it because I really

436
00:25:56,440 --> 00:25:59,080
Speaker 1: thought that they were pretending. So what the TV is

437
00:25:59,200 --> 00:26:02,639
Speaker 1: up in the air, you know what I mean? The

438
00:26:02,720 --> 00:26:06,639
Speaker 1: TV doesn't have a backpack. He's saying, like you have

439
00:26:06,680 --> 00:26:12,840
Speaker 1: a backpack. Like that's like right, It's like right.

440
00:26:13,320 --> 00:26:16,120
Speaker 2: He's not saying like you literally hold a backpack. He's

441
00:26:16,160 --> 00:26:19,480
Speaker 2: going like picture of the backpack.

442
00:26:20,000 --> 00:26:23,359
Speaker 8: This week on the Patreon Carlinissan discussed wedding DJs The

443
00:26:23,400 --> 00:26:26,280
Speaker 8: Boys and Engineer Jordan watch her new music video, and

444
00:26:26,359 --> 00:26:30,200
Speaker 8: the flager Ones are mostly talking all things basketball. Check

445
00:26:30,200 --> 00:26:32,720
Speaker 8: out all these shows and the video for today's episode

446
00:26:32,760 --> 00:26:36,360
Speaker 8: with Anders at patreon dot com. Slash the Flaker Ones.

447
00:26:42,040 --> 00:26:44,600
Speaker 1: Is there like an earlier iteration because like the idea

448
00:26:44,640 --> 00:26:47,720
Speaker 1: that this is eventually going to become Cowboy TV, that

449
00:26:48,960 --> 00:26:51,560
Speaker 1: to me is a stretch. I don't understand like the

450
00:26:51,680 --> 00:26:53,879
Speaker 1: journey that a show about Harry Styles would take to

451
00:26:53,920 --> 00:26:59,240
Speaker 1: become Cowboy TV. I would rather just hear the show

452
00:26:59,240 --> 00:27:04,040
Speaker 1: about Harry Styles. Keep it about Harry Styles. This is cringe.

453
00:27:04,320 --> 00:27:10,360
Speaker 2: This is so Harry Styles, Harry Harry's Styles, Harry's Now.

454
00:27:12,760 --> 00:27:15,440
Speaker 1: That's what it That's what it's called. But it's about

455
00:27:15,440 --> 00:27:20,280
Speaker 1: Harry Styles. You said it was about It's about Harry Styles. Styles.

456
00:27:20,440 --> 00:27:24,680
Speaker 1: It's Harry and it's the style. It is Harry. You

457
00:27:25,320 --> 00:27:26,640
Speaker 1: like a righting, which I.

458
00:27:26,560 --> 00:27:30,000
Speaker 2: Think we've completely avoided any issues with this is like

459
00:27:30,000 --> 00:27:33,040
Speaker 2: like you're trying to put it in a box and

460
00:27:33,040 --> 00:27:37,560
Speaker 2: guess what, Like that's so over, Like there's no more boxes.

461
00:27:37,880 --> 00:27:41,560
Speaker 1: Okay, everything's fluid. Hello, it's just what you It's just

462
00:27:41,600 --> 00:27:42,920
Speaker 1: what you told me.

463
00:27:42,960 --> 00:27:46,199
Speaker 2: I mean, that's what Harry Styles is about, like fluid.

464
00:27:46,560 --> 00:27:49,000
Speaker 1: I'm that I that I've put it in as just

465
00:27:49,080 --> 00:27:52,960
Speaker 1: the description that was given to me by you before

466
00:27:53,000 --> 00:27:55,480
Speaker 1: I heard it. You said that this show was about

467
00:27:55,520 --> 00:28:00,200
Speaker 1: Harry Styles. No, no, but you're saying you didn't say

468
00:28:00,200 --> 00:28:02,880
Speaker 1: that mean okay, wait it gets there.

469
00:28:03,359 --> 00:28:06,000
Speaker 2: We can run the tape. But obviously, like it's open

470
00:28:06,040 --> 00:28:08,040
Speaker 2: to interpretation. Everything is interpretive.

471
00:28:09,600 --> 00:28:12,840
Speaker 1: So this show I didn't think we were gonna like.

472
00:28:12,920 --> 00:28:15,480
Speaker 2: Yeah, I mean and bang, you know, what's your take?

473
00:28:15,640 --> 00:28:16,400
Speaker 2: What's your take? Then?

474
00:28:16,440 --> 00:28:19,200
Speaker 1: Though you're here, you're here, what are you feeling when

475
00:28:19,240 --> 00:28:21,320
Speaker 1: you hear this? I was just exciting to you, Yeah,

476
00:28:21,400 --> 00:28:21,679
Speaker 1: I was.

477
00:28:21,920 --> 00:28:26,480
Speaker 5: I was vibing and feeling it and just kind of

478
00:28:26,680 --> 00:28:32,919
Speaker 5: into the whole energy. Uh you what anders said before

479
00:28:32,960 --> 00:28:34,320
Speaker 5: about like a lot of guys with.

480
00:28:34,359 --> 00:28:36,680
Speaker 1: Towels and stuff. For a second there, I felt like.

481
00:28:36,640 --> 00:28:41,800
Speaker 3: I had a towel and like yeah, I felt thank you, Okay,

482
00:28:41,800 --> 00:28:42,160
Speaker 3: we're back.

483
00:28:42,960 --> 00:28:44,640
Speaker 2: And then I felt like and then I feel like

484
00:28:44,840 --> 00:28:47,240
Speaker 2: Hayes and I hate and he's not gonna like this.

485
00:28:47,320 --> 00:28:49,320
Speaker 2: I feel like Hayes took all our towels and kind

486
00:28:49,360 --> 00:28:51,560
Speaker 2: of threw them in the Cowboy TV right right.

487
00:28:51,680 --> 00:28:52,560
Speaker 1: You blew the whistle.

488
00:28:52,960 --> 00:28:55,640
Speaker 3: You were like the mean raft saying, hey, like backup,

489
00:28:55,720 --> 00:28:59,400
Speaker 3: stay off the court, and we're like, what court you

490
00:28:59,760 --> 00:29:02,280
Speaker 3: put the lines? We're back to the box, the lines

491
00:29:02,280 --> 00:29:02,760
Speaker 3: of the court.

492
00:29:02,880 --> 00:29:10,000
Speaker 1: We're on the court. To me, no questions, This would

493
00:29:10,000 --> 00:29:13,640
Speaker 1: help a lot. We talked about.

494
00:29:13,640 --> 00:29:17,920
Speaker 6: You're showing up and just like throwing it on tarps.

495
00:29:18,000 --> 00:29:20,520
Speaker 1: I would like to just ask a couple of questions.

496
00:29:20,920 --> 00:29:26,160
Speaker 1: Great is the show ever at the beginning, at the end,

497
00:29:26,280 --> 00:29:29,000
Speaker 1: whatever is it ever about Harry Styles?

498
00:29:29,520 --> 00:29:32,760
Speaker 2: You can you can absolutely if you are a Harry

499
00:29:32,760 --> 00:29:36,000
Speaker 2: Styles fan, I think, and if you actually let us

500
00:29:36,040 --> 00:29:39,160
Speaker 2: continue with the clip that we were playing, you would

501
00:29:39,200 --> 00:29:43,320
Speaker 2: find that there are there are Easter eggs, there's content.

502
00:29:43,640 --> 00:29:45,560
Speaker 1: You can find your way to it.

503
00:29:48,040 --> 00:29:51,520
Speaker 2: We don't really say Easter eggs anymore, but Okay, yeah, yeah, yeah,

504
00:29:51,560 --> 00:29:56,400
Speaker 2: because obvious, yeah yeah.

505
00:29:57,240 --> 00:30:00,120
Speaker 1: The Okay, so it sounds I mean to me, it

506
00:30:00,200 --> 00:30:04,400
Speaker 1: sounds that doesn't really answer my question. No comfortable for me.

507
00:30:04,480 --> 00:30:07,680
Speaker 1: But I do have another one, which is is drors

508
00:30:08,680 --> 00:30:09,520
Speaker 1: in the show.

509
00:30:10,080 --> 00:30:16,160
Speaker 9: Absolutely you feel his you feel his fingers everywhere. He's

510
00:30:16,520 --> 00:30:23,360
Speaker 9: Oh yes, he's the Marionet's a tear, and he's and

511
00:30:23,440 --> 00:30:24,400
Speaker 9: he's and he's.

512
00:30:24,280 --> 00:30:26,680
Speaker 1: He's the marionette and he's plunking the string.

513
00:30:27,520 --> 00:30:32,120
Speaker 2: So I think that not these ones like I'm plucking

514
00:30:32,200 --> 00:30:32,640
Speaker 2: these ones.

515
00:30:33,200 --> 00:30:37,080
Speaker 1: Okay, I wish we were recording that. Did you get

516
00:30:37,120 --> 00:30:38,200
Speaker 1: that key rolling on that?

517
00:30:38,760 --> 00:30:41,680
Speaker 2: No? Sorry that that could be part of that could

518
00:30:41,680 --> 00:30:43,440
Speaker 2: be part of Harry's styles.

519
00:30:43,640 --> 00:30:46,200
Speaker 1: Oh well, let's get it next time.

520
00:30:46,480 --> 00:30:50,720
Speaker 2: Okay roll Keep Brett live because he's been actually doing

521
00:30:50,760 --> 00:30:53,640
Speaker 2: some good stuff. Why don't we just play the clip

522
00:30:53,720 --> 00:30:56,160
Speaker 2: through so you can hear what I'm talking about, because

523
00:30:56,160 --> 00:30:59,600
Speaker 2: I think, actually, hey, is if you had let us

524
00:30:59,640 --> 00:31:01,320
Speaker 2: do it it, I think you.

525
00:31:01,240 --> 00:31:04,640
Speaker 1: Would have heard I let it play out to completion,

526
00:31:04,760 --> 00:31:08,800
Speaker 1: Brett stopped playing music, you stopped talking. It's called a rest.

527
00:31:08,920 --> 00:31:09,680
Speaker 1: It's called a rest.

528
00:31:10,160 --> 00:31:13,120
Speaker 2: My answer that would have which, by the way Harry

529
00:31:13,160 --> 00:31:14,960
Speaker 2: takes those, you would have.

530
00:31:15,720 --> 00:31:16,800
Speaker 1: He's well known for those.

531
00:31:17,080 --> 00:31:19,560
Speaker 2: He's a hard worker, but he also needs to relax,

532
00:31:19,880 --> 00:31:21,920
Speaker 2: so you would have heard a lot of the answers

533
00:31:21,960 --> 00:31:22,640
Speaker 2: to your questions.

534
00:31:22,680 --> 00:31:25,520
Speaker 1: Why don't we just so you're gonna go continuously from

535
00:31:25,560 --> 00:31:32,760
Speaker 1: where you stopped? Two ears? What? What? What do you mean?

536
00:31:33,240 --> 00:31:36,880
Speaker 1: What that? Yeah? I think? Can I help out a

537
00:31:36,880 --> 00:31:37,280
Speaker 1: little bit?

538
00:31:37,760 --> 00:31:41,720
Speaker 5: Take you there's you got two ears and one mouth,

539
00:31:42,840 --> 00:31:46,320
Speaker 5: so it's a lot like do the math?

540
00:31:47,440 --> 00:31:51,000
Speaker 1: Okay? Can I like just a couple of questions before

541
00:31:51,040 --> 00:31:52,920
Speaker 1: we go back into this. You were saying it's a clip.

542
00:31:52,920 --> 00:31:55,280
Speaker 1: I assume you're all just gonna Hey.

543
00:31:55,080 --> 00:31:58,080
Speaker 6: You got your browser open still and calculator.

544
00:31:58,880 --> 00:32:01,680
Speaker 1: I always have it open. Like I said, I always like.

545
00:32:02,280 --> 00:32:05,080
Speaker 6: Two ears, one mouth, Which ones would like?

546
00:32:05,280 --> 00:32:10,440
Speaker 1: Type those numbers in the see which ones more while

547
00:32:10,520 --> 00:32:12,520
Speaker 1: you do this thing that is not a clip, that's

548
00:32:12,560 --> 00:32:16,000
Speaker 1: just going to be all of you doing Cowboy TV.

549
00:32:16,280 --> 00:32:18,080
Speaker 1: But you say that this is about Harry Styles and

550
00:32:18,120 --> 00:32:26,880
Speaker 1: the durs is actually going to be in it. Yeah, hey, okay,

551
00:32:27,400 --> 00:32:29,800
Speaker 1: you I trust more For some reason, I trust Baying

552
00:32:29,880 --> 00:32:31,560
Speaker 1: more because at least you lie to me at the

553
00:32:31,600 --> 00:32:36,720
Speaker 1: beginning like that actually does mean something to me. So great,

554
00:32:36,840 --> 00:32:46,840
Speaker 1: let's hear it. We didn't. This is I'm hungry for

555
00:32:46,920 --> 00:32:47,760
Speaker 1: a little snack.

556
00:32:48,520 --> 00:32:51,560
Speaker 2: Well, if you're hungry for a snack, don't worry, darling.

557
00:32:52,080 --> 00:32:54,320
Speaker 2: I brought us an extra candy.

558
00:32:56,280 --> 00:32:56,640
Speaker 1: Yeah.

559
00:32:56,800 --> 00:33:02,960
Speaker 5: Sometimes when I'm watching Cowboy TV, I pretend they're milk nuds,

560
00:33:03,040 --> 00:33:04,160
Speaker 5: but they're really beans.

561
00:33:04,400 --> 00:33:05,160
Speaker 1: They're beans.

562
00:33:05,200 --> 00:33:07,840
Speaker 2: But I reach in and I pop my mouth just

563
00:33:07,960 --> 00:33:11,720
Speaker 2: like an over uh melty milk dude.

564
00:33:12,120 --> 00:33:13,840
Speaker 1: And and and I'll tell.

565
00:33:13,640 --> 00:33:17,040
Speaker 2: You, these particular milk duds only go in one direction

566
00:33:17,760 --> 00:33:20,960
Speaker 2: from my mouth straight out by atus.

567
00:33:21,480 --> 00:33:25,120
Speaker 1: Yeah, they tend to do that, don't they know. Well,

568
00:33:25,200 --> 00:33:28,120
Speaker 1: it's a part of life, isn't it. And and that's.

569
00:33:27,920 --> 00:33:32,160
Speaker 2: Why I love the realism of the documentary we're watching

570
00:33:32,280 --> 00:33:34,160
Speaker 2: right now, Cowboy TV.

571
00:33:34,560 --> 00:33:35,440
Speaker 6: Yeah you can.

572
00:33:36,440 --> 00:33:40,320
Speaker 5: You can affect the documentary too by putting your cheeks

573
00:33:40,440 --> 00:33:42,640
Speaker 5: right up close to it after having a couple of

574
00:33:42,640 --> 00:33:45,520
Speaker 5: beans and adding a little gas, if you know what

575
00:33:45,600 --> 00:33:45,880
Speaker 5: I mean.

576
00:33:46,160 --> 00:33:50,000
Speaker 2: It's like the goddamn what didn't the bender snatched up

577
00:33:50,040 --> 00:33:57,120
Speaker 2: at this piece? Uh the Cowboy TV I'm doing the.

578
00:33:56,160 --> 00:33:58,680
Speaker 1: She was funny.

579
00:33:58,920 --> 00:34:02,960
Speaker 5: Funny how your mind it just starts flandering a little

580
00:34:03,000 --> 00:34:08,040
Speaker 5: bit when you see damn embers twinkling in the sky.

581
00:34:10,000 --> 00:34:11,880
Speaker 6: Flying off the Cowboy TV.

582
00:34:12,840 --> 00:34:15,400
Speaker 1: Don't I know it? Hey? Can I offer you a

583
00:34:15,800 --> 00:34:19,680
Speaker 1: sip of this year a Cowboy TV juice.

584
00:34:20,719 --> 00:34:26,600
Speaker 2: Let's just water with a splash of watermelon sugar.

585
00:34:28,400 --> 00:34:30,759
Speaker 5: Yeh, Well you need a little sugar water in this

586
00:34:30,840 --> 00:34:35,040
Speaker 5: here hot climate. Get that water in your system.

587
00:34:35,600 --> 00:34:39,680
Speaker 2: It is hot, isn't It's so hot? I might scooch

588
00:34:39,840 --> 00:34:43,320
Speaker 2: back another little tiny bit from the Cowboy TV.

589
00:34:43,200 --> 00:34:52,920
Speaker 1: Which is of course the fire. Yes, okay, so it

590
00:34:53,000 --> 00:35:00,920
Speaker 1: definitely didn't feel I didn't want to interrupt. I I mean,

591
00:35:00,920 --> 00:35:02,880
Speaker 1: I guess we'll get to theres was not in it

592
00:35:02,960 --> 00:35:08,160
Speaker 1: at all. Well, I'm sorry, are you fucking insane? What

593
00:35:08,160 --> 00:35:10,480
Speaker 1: do you think? Who do you think? Are you fucking

594
00:35:10,680 --> 00:35:13,000
Speaker 1: what you doing? I guess like I would love.

595
00:35:12,880 --> 00:35:19,799
Speaker 2: To was everywhere on that Yeah, you he blasted that

596
00:35:19,880 --> 00:35:23,560
Speaker 2: thing out, man. That was that segment in particular of

597
00:35:23,560 --> 00:35:26,200
Speaker 2: the clip I was dresson was a clip.

598
00:35:26,719 --> 00:35:30,719
Speaker 1: It wasn't a clip. And you did I will say

599
00:35:30,960 --> 00:35:35,400
Speaker 1: you came through with more or less what you promised.

600
00:35:35,560 --> 00:35:40,040
Speaker 1: That there were holiday eggs that I I mean like

601
00:35:40,280 --> 00:35:46,200
Speaker 1: not really hidden in any way, very obvious. You may

602
00:35:46,280 --> 00:35:49,359
Speaker 1: have been made. There may have been some you didn't notice, Like.

603
00:35:49,520 --> 00:35:54,960
Speaker 2: Okay, when you go on a holiday egg hunt some

604
00:35:55,080 --> 00:35:57,799
Speaker 2: you see right away, yes, and you said you may

605
00:35:57,880 --> 00:35:58,520
Speaker 2: never find.

606
00:35:58,760 --> 00:36:01,680
Speaker 1: You said, don't worry Dark, which is the movie that

607
00:36:01,800 --> 00:36:04,239
Speaker 1: he is coming out soon that he's in. That one

608
00:36:04,440 --> 00:36:07,239
Speaker 1: was like at least like fit in sort of comfortably

609
00:36:07,280 --> 00:36:11,600
Speaker 1: with like the way a cowboy talks. You said one

610
00:36:11,760 --> 00:36:15,520
Speaker 1: direction in the context of the milk duds that you're eating.

611
00:36:15,520 --> 00:36:19,080
Speaker 1: There are actually beans only go in one direction through

612
00:36:19,120 --> 00:36:22,080
Speaker 1: your body from your mouth to your anus. That to

613
00:36:22,160 --> 00:36:25,319
Speaker 1: me was a little bit of a long walk to

614
00:36:25,520 --> 00:36:29,319
Speaker 1: get to the idea of things moving in phrase. You

615
00:36:29,320 --> 00:36:32,080
Speaker 1: need them to spill that three and a half feet,

616
00:36:32,120 --> 00:36:35,520
Speaker 1: I guess. And you said watermelon sugar is something that

617
00:36:35,560 --> 00:36:38,840
Speaker 1: you just like mix with water to drink, which is

618
00:36:39,080 --> 00:36:41,520
Speaker 1: why is that Harry Styles? Those were the three. You

619
00:36:41,560 --> 00:36:45,720
Speaker 1: also mentioned Bandersnatch, which is not connected to Harry Stytles

620
00:36:45,760 --> 00:36:49,200
Speaker 1: has nothing to I mean, I guess it's British. If

621
00:36:49,200 --> 00:36:53,719
Speaker 1: that's like cowboy lingo, I'm one hundred percent sure that

622
00:36:53,760 --> 00:36:54,040
Speaker 1: it's not.

623
00:36:54,960 --> 00:37:01,760
Speaker 2: Yeah, Bandersnatch up in this piece, is.

624
00:36:59,640 --> 00:37:00,920
Speaker 1: You sort that's from Deadwood?

625
00:37:01,000 --> 00:37:03,960
Speaker 3: That's what Ian mcshane's character would say that I think

626
00:37:04,000 --> 00:37:05,719
Speaker 3: every morning and.

627
00:37:09,840 --> 00:37:13,680
Speaker 1: Does not say bandersnatch up in this van is old

628
00:37:14,280 --> 00:37:17,880
Speaker 1: outlaw language for kind of the era the or pardon me,

629
00:37:18,320 --> 00:37:23,000
Speaker 1: the smell in a whorehouse. It's because bandits.

630
00:37:23,040 --> 00:37:25,799
Speaker 2: There were like bandits and bandits, and they'd call them

631
00:37:25,840 --> 00:37:28,360
Speaker 2: banders because they had these sort of like accent. You know,

632
00:37:28,520 --> 00:37:31,400
Speaker 2: language was so much it wasn't as codify, so it

633
00:37:31,440 --> 00:37:32,280
Speaker 2: was like they.

634
00:37:32,160 --> 00:37:33,000
Speaker 1: Call them banders.

635
00:37:33,040 --> 00:37:36,960
Speaker 2: And then those banders snatched that train booty and then

636
00:37:37,239 --> 00:37:39,839
Speaker 2: you know when, and they were expended of course at

637
00:37:39,880 --> 00:37:43,080
Speaker 2: the at the House of ill Repute, and so people

638
00:37:43,080 --> 00:37:46,799
Speaker 2: walk in go smells like that bandersnatch, which is where

639
00:37:46,840 --> 00:37:49,839
Speaker 2: Snatch came from the goods of the Yes, yes, that's

640
00:37:49,880 --> 00:37:52,720
Speaker 2: where the movie Snatch was inspired from.

641
00:37:52,960 --> 00:37:57,560
Speaker 1: Jersey. You're defending all of these choices, and you're saying

642
00:37:57,600 --> 00:38:00,719
Speaker 1: that like you were involved in some way in and

643
00:38:00,760 --> 00:38:02,719
Speaker 1: he's in and if you listen, he's in. He's not

644
00:38:02,760 --> 00:38:06,319
Speaker 1: in am I And I was watching him as well,

645
00:38:06,640 --> 00:38:07,680
Speaker 1: But there you're in it.

646
00:38:07,840 --> 00:38:10,480
Speaker 2: You yeah, I mean, I just it's I just you're

647
00:38:10,480 --> 00:38:13,040
Speaker 2: saying I'm defending it and I'm not even defending it.

648
00:38:13,080 --> 00:38:17,440
Speaker 1: I'm well, I'm living and I'm breathing it. Hey, if

649
00:38:17,480 --> 00:38:18,759
Speaker 1: that's defending.

650
00:38:19,440 --> 00:38:23,080
Speaker 5: Are we worried about the software when we should be

651
00:38:23,080 --> 00:38:25,279
Speaker 5: worried about the hardware. I mean, hey, is what are

652
00:38:25,320 --> 00:38:32,520
Speaker 5: your levels at for for my like what i'm recording?

653
00:38:33,200 --> 00:38:33,759
Speaker 1: Head Yeah?

654
00:38:34,360 --> 00:38:34,560
Speaker 2: Yeah?

655
00:38:35,080 --> 00:38:35,319
Speaker 1: Yeah?

656
00:38:35,360 --> 00:38:38,360
Speaker 6: What is technical? Is this maybe a technical problem?

657
00:38:38,360 --> 00:38:42,920
Speaker 1: Are you thinking you're too low to hear or too high?

658
00:38:43,000 --> 00:38:45,960
Speaker 2: Maybe it's getting buffle distorted because it's something is not

659
00:38:46,840 --> 00:38:47,480
Speaker 2: coming through.

660
00:38:48,280 --> 00:38:50,399
Speaker 5: I'm just saying if I'm outside the bun a little

661
00:38:50,440 --> 00:38:51,680
Speaker 5: bit and get like.

662
00:38:52,200 --> 00:38:54,759
Speaker 1: I don't think they're too high. I tried to keep,

663
00:38:55,120 --> 00:38:57,600
Speaker 1: you know, keeping basically like a conversation level. But you're

664
00:38:57,600 --> 00:39:00,279
Speaker 1: saying if I turn my headphones completely all all the

665
00:39:00,280 --> 00:39:05,320
Speaker 1: way up, all the way down, yeah, all the way down?

666
00:39:05,480 --> 00:39:08,759
Speaker 5: Well, because I'm my my going theory right now is

667
00:39:08,800 --> 00:39:10,560
Speaker 5: you have them up too high?

668
00:39:10,600 --> 00:39:12,719
Speaker 1: Maybe like okay, I get it. I mean there's like

669
00:39:12,760 --> 00:39:15,760
Speaker 1: they're at like three bars right now.

670
00:39:15,760 --> 00:39:18,080
Speaker 2: Can I ask a crazy question, Hayes, have you ever

671
00:39:18,120 --> 00:39:20,320
Speaker 2: even tried twenty four bars?

672
00:39:20,400 --> 00:39:24,520
Speaker 1: Hey? Heyns a crazy question? Have you ever even tried

673
00:39:24,560 --> 00:39:26,200
Speaker 1: to listen to something with it all the way down?

674
00:39:26,680 --> 00:39:30,480
Speaker 1: So then how would you know? And I and I

675
00:39:30,480 --> 00:39:32,799
Speaker 1: don't want to be condescended that it's always just that

676
00:39:32,880 --> 00:39:35,320
Speaker 1: I like, can't hear, but I could. I could also see.

677
00:39:36,040 --> 00:39:39,439
Speaker 1: I was like so much excited. I was watching him

678
00:39:39,600 --> 00:39:41,440
Speaker 1: and he was kind of like bobbing his head Aloto

679
00:39:41,440 --> 00:39:45,879
Speaker 1: the music, but he I didn't see him talking. Well,

680
00:39:45,880 --> 00:39:48,640
Speaker 1: it was it was a clip. We've been over this.

681
00:39:48,719 --> 00:39:50,640
Speaker 1: It was a clip. It wasn't it.

682
00:39:51,880 --> 00:39:54,040
Speaker 3: They and these guys love it so much. They were

683
00:39:54,040 --> 00:39:56,640
Speaker 3: mouthing along as you know, I got a.

684
00:39:56,640 --> 00:40:01,160
Speaker 1: Pre recorded thing. So why is Brett here? Uh, Brett's

685
00:40:01,200 --> 00:40:04,799
Speaker 1: he's a fan of Brett's actually a fan of yours.

686
00:40:05,080 --> 00:40:12,920
Speaker 1: Is that's why he's here. Sorry, that's awkward. So Brett's

687
00:40:12,960 --> 00:40:14,319
Speaker 1: not being compensated for this.

688
00:40:14,640 --> 00:40:18,960
Speaker 5: No, we're we're here early, Like Kevin just sent us

689
00:40:19,400 --> 00:40:22,680
Speaker 5: the link to we're doing like a rehearsal for like

690
00:40:23,480 --> 00:40:24,280
Speaker 5: other stuff.

691
00:40:24,560 --> 00:40:27,239
Speaker 1: What is the other stuff? You keep saying that you're

692
00:40:27,280 --> 00:40:27,920
Speaker 1: saying something.

693
00:40:28,280 --> 00:40:30,440
Speaker 2: Well, we want to explain everything out here. I mean,

694
00:40:30,440 --> 00:40:32,440
Speaker 2: we don't want to give everything away. I already told

695
00:40:32,480 --> 00:40:34,200
Speaker 2: you I didn't want to give away these several clips

696
00:40:34,200 --> 00:40:34,799
Speaker 2: that we're going to do.

697
00:40:36,920 --> 00:40:42,200
Speaker 1: So this is just awkward. If I turn this word right,

698
00:40:42,719 --> 00:40:47,640
Speaker 1: if I turn my headphones all the way down, then

699
00:40:47,680 --> 00:40:51,719
Speaker 1: I'll be able to pick up DERs being in the

700
00:40:52,160 --> 00:40:54,640
Speaker 1: because at this point, like that is one of the

701
00:40:54,640 --> 00:40:57,480
Speaker 1: only things that could Like Salvas is like a big

702
00:40:57,600 --> 00:41:01,520
Speaker 1: you know, he's like a big dog in this like

703
00:41:01,800 --> 00:41:03,560
Speaker 1: in this world, like he's got If.

704
00:41:03,480 --> 00:41:07,319
Speaker 2: You're talking about Clifford, sure I'm Clifford, but otherwise I

705
00:41:07,320 --> 00:41:10,120
Speaker 2: don't know where you're going with the like big dog.

706
00:41:11,600 --> 00:41:14,279
Speaker 1: It's like you're like a like a big dog like

707
00:41:14,400 --> 00:41:16,879
Speaker 1: you Oh sure, okay if you're a shirt like I'm

708
00:41:16,880 --> 00:41:23,880
Speaker 1: not on the porch like yes, okay, I so okay,

709
00:41:23,960 --> 00:41:27,240
Speaker 1: I'm gonna turn this all the way down an excuse

710
00:41:27,239 --> 00:41:30,160
Speaker 1: me right now, I can hear going right now, I

711
00:41:30,200 --> 00:41:33,200
Speaker 1: can't hear anything you guys are saying. Let's test if

712
00:41:33,239 --> 00:41:36,080
Speaker 1: you want to start the clip and maybe give like

713
00:41:36,120 --> 00:41:40,280
Speaker 1: this little signal when the clip is starting. Then I'll

714
00:41:40,320 --> 00:41:42,279
Speaker 1: listen and like I'll see if I can pick up

715
00:41:43,400 --> 00:41:47,600
Speaker 1: dres like the way my headphones are set up right now,

716
00:41:47,840 --> 00:41:49,680
Speaker 1: so again, like and I love it, by the way,

717
00:41:49,800 --> 00:41:51,600
Speaker 1: thank you so when it's over, because I can't hear

718
00:41:52,239 --> 00:41:55,759
Speaker 1: thank you so much. So if you agree with me,

719
00:41:56,760 --> 00:41:58,880
Speaker 1: if you agree with me that you.

720
00:41:59,040 --> 00:42:06,360
Speaker 2: Starting, don't the clip is over, say uh uh anything

721
00:42:06,480 --> 00:42:08,480
Speaker 2: now hey Greyhound sucked.

722
00:42:10,120 --> 00:42:15,040
Speaker 1: Okay, he must not. Did you hear what I see

723
00:42:15,040 --> 00:42:17,680
Speaker 1: that people are talking? I haven't seen any signal yet.

724
00:42:18,360 --> 00:42:20,120
Speaker 7: Did you hear what he said about the clip?

725
00:42:20,160 --> 00:42:24,520
Speaker 1: His stud was disappointed that it's obviously not a clip,

726
00:42:24,920 --> 00:42:27,759
Speaker 1: but that you guys have started doing this like version

727
00:42:27,800 --> 00:42:29,920
Speaker 1: of Cowboy TV. Definitely can't hear DRS. Doesn't look like

728
00:42:30,040 --> 00:42:34,400
Speaker 1: DRS is talking. I see Brett getting something out of

729
00:42:34,400 --> 00:42:36,840
Speaker 1: his eye, so it doesn't look like he's playing guitar. Okay,

730
00:42:37,280 --> 00:42:44,640
Speaker 1: signal Okay. Sometimes it's hard to find the rad stick.

731
00:42:45,680 --> 00:42:50,320
Speaker 2: Well, you know, I myself when I'm watching.

732
00:42:49,960 --> 00:42:51,040
Speaker 1: The Cowboy TV.

733
00:42:51,239 --> 00:42:56,120
Speaker 2: I gotta have the circumstances just rad and that means

734
00:42:56,600 --> 00:43:01,520
Speaker 2: scooch into the red area of course, making sure I

735
00:43:01,520 --> 00:43:04,359
Speaker 2: got my remote batteries in which is a nice firm

736
00:43:04,440 --> 00:43:07,560
Speaker 2: handling my stick, and making sure the stick is the

737
00:43:07,680 --> 00:43:09,360
Speaker 2: right length as well.

738
00:43:10,400 --> 00:43:13,840
Speaker 5: Yeah, because sometimes you want to throw a little leaner

739
00:43:14,040 --> 00:43:16,480
Speaker 5: on there and throw it in the Cowboy TV and

740
00:43:17,160 --> 00:43:23,440
Speaker 5: heat it up. Funny how Cowboy TV a fire can

741
00:43:23,480 --> 00:43:24,600
Speaker 5: also cook your food.

742
00:43:25,600 --> 00:43:28,600
Speaker 2: Isn't it wild to think about how something hot like

743
00:43:28,640 --> 00:43:32,680
Speaker 2: a Cowboy TV can provide me with a hot meal

744
00:43:33,960 --> 00:43:39,720
Speaker 2: and for both hours of binge watching streamy television black Bear.

745
00:43:39,680 --> 00:43:44,960
Speaker 1: Paterstat style stuff. Yeah, I do like that quite a bit.

746
00:43:46,000 --> 00:43:50,520
Speaker 2: Boy, Tell you what I done, kirked me up a

747
00:43:50,880 --> 00:43:56,440
Speaker 2: tasty hot rog all this old stick here my remote for.

748
00:43:56,480 --> 00:43:57,520
Speaker 1: The Cowboy TV.

749
00:43:57,719 --> 00:44:02,880
Speaker 2: And it's it's all just about done being Kirk right here.

750
00:44:03,440 --> 00:44:06,759
Speaker 5: Yeah, speaking of which, I think I'm gonna change my name.

751
00:44:06,840 --> 00:44:08,719
Speaker 5: I'm done being Kirk myself.

752
00:44:09,640 --> 00:44:14,640
Speaker 2: Well, yeah, you're one done Kirk. Cage to that Kirk,

753
00:44:14,760 --> 00:44:17,920
Speaker 2: or should I say mister former Kirk?

754
00:44:17,960 --> 00:44:21,759
Speaker 1: Who's done Kirk? Hey, I see another cowboy over there.

755
00:44:21,800 --> 00:44:23,839
Speaker 2: Why don't we give him a wave and an old

756
00:44:23,920 --> 00:44:25,000
Speaker 2: Cowboy TV?

757
00:44:25,320 --> 00:44:31,800
Speaker 1: Howdy? How they other cowboy?

758
00:44:33,640 --> 00:44:37,680
Speaker 2: Yeah, this has been a really good episode of Cowboy TV.

759
00:44:37,800 --> 00:44:41,879
Speaker 1: But I have follered asleep, so me too.

760
00:44:43,040 --> 00:44:45,600
Speaker 5: It gets you sleepy, don't it it?

761
00:44:46,080 --> 00:44:50,919
Speaker 1: Short you and the the scent of the open air

762
00:44:51,120 --> 00:44:53,320
Speaker 1: and the and the Cowboy TV.

763
00:44:53,280 --> 00:44:59,479
Speaker 2: Crackling smells just like the snatched from a bander hall

764
00:45:00,080 --> 00:45:00,680
Speaker 2: in this piece.

765
00:45:01,719 --> 00:45:06,760
Speaker 1: Yeah this, Oh yeah, thank you, thank you? Brother? Howdy? Brother?

766
00:45:07,680 --> 00:45:10,360
Speaker 1: Tell you what well? If I if I.

767
00:45:10,400 --> 00:45:13,239
Speaker 2: Fall asleeper and roll into the fire, make sure you

768
00:45:13,280 --> 00:45:16,600
Speaker 2: call nine one one and maybe they'll send my policeman

769
00:45:17,719 --> 00:45:21,399
Speaker 2: to help me out at an ambulance as well.

770
00:45:22,760 --> 00:45:27,920
Speaker 1: I suppose you don't need the police really, yeah, he

771
00:45:28,000 --> 00:45:29,600
Speaker 1: probably don't want them around.

772
00:45:30,920 --> 00:45:34,200
Speaker 2: Look the receptions coming in better.

773
00:45:36,719 --> 00:45:38,840
Speaker 1: On a count of new log just caught.

774
00:45:40,760 --> 00:45:43,440
Speaker 5: Yeah, I just threw another log in there. Funny how

775
00:45:43,520 --> 00:45:47,920
Speaker 5: it gets the fire.

776
00:45:47,760 --> 00:45:50,400
Speaker 6: Roaring once again, feeding the lion.

777
00:45:51,480 --> 00:45:52,479
Speaker 1: It'll never go out.

778
00:45:53,000 --> 00:45:53,960
Speaker 9: Uh.

779
00:45:54,440 --> 00:45:58,200
Speaker 1: If you know this is really is, this is still eternal,

780
00:45:58,400 --> 00:46:04,600
Speaker 1: longer than a few wash Okay, I didn't hear any

781
00:46:04,640 --> 00:46:09,319
Speaker 1: of it. I heard nothing. Looking at drs and see

782
00:46:09,360 --> 00:46:13,440
Speaker 1: he he was doing like a uh Mary Mary an

783
00:46:13,520 --> 00:46:17,680
Speaker 1: editing thing for the very beginning that he stopped. Then

784
00:46:17,680 --> 00:46:24,840
Speaker 1: he ate something protein bar. Okay, it was really chewy. Okay,

785
00:46:25,440 --> 00:46:29,400
Speaker 1: never had a protein bar? Brand? Are we working with here? Durs?

786
00:46:29,400 --> 00:46:30,560
Speaker 1: What's the sugar content?

787
00:46:31,200 --> 00:46:31,520
Speaker 5: Wow?

788
00:46:31,800 --> 00:46:34,920
Speaker 1: And now we're really giving stuff away the builders on

789
00:46:35,200 --> 00:46:37,640
Speaker 1: one we're talking one.

790
00:46:39,520 --> 00:46:43,240
Speaker 3: And need I tell you that it's a s'mores flavor,

791
00:46:43,800 --> 00:46:46,839
Speaker 3: it's a brand, it's a t with the marshmallows.

792
00:46:50,520 --> 00:46:51,960
Speaker 1: You're just talking about.

793
00:46:53,560 --> 00:46:56,440
Speaker 2: And you're drowning yourself in judgment and not even realize

794
00:46:56,480 --> 00:46:57,719
Speaker 2: that I didn't product tie in.

795
00:46:57,800 --> 00:46:59,879
Speaker 1: I didn't hear anything, and so I don't. I mean,

796
00:47:00,120 --> 00:47:02,920
Speaker 1: like shit ching, I know, judgment on at all. I

797
00:47:02,920 --> 00:47:07,400
Speaker 1: didn't hear anything. The headphone issues, like it seems like

798
00:47:07,440 --> 00:47:10,720
Speaker 1: it was totally unrelated to before.

799
00:47:11,640 --> 00:47:14,880
Speaker 2: And I never never live. I never leave meetings. And

800
00:47:14,920 --> 00:47:15,920
Speaker 2: I'm about to walk.

801
00:47:16,080 --> 00:47:19,040
Speaker 1: You're losing a You're losing the big dog. The big

802
00:47:19,080 --> 00:47:21,759
Speaker 1: dog is getting lost by you drop the leader. I

803
00:47:21,760 --> 00:47:24,480
Speaker 1: feel I mean that, I feel horrible when you say that,

804
00:47:24,600 --> 00:47:28,719
Speaker 1: because my whole goal has been to get you to

805
00:47:28,800 --> 00:47:31,520
Speaker 1: have a in the doggie bag, have a have a

806
00:47:31,560 --> 00:47:36,360
Speaker 1: presence in this show, in this product. If there's anything

807
00:47:36,400 --> 00:47:38,840
Speaker 1: I can bring to this, it is encouraging. We added

808
00:47:38,880 --> 00:47:42,960
Speaker 1: a third cowboy. Oh, in this clip, we added a

809
00:47:43,000 --> 00:47:47,520
Speaker 1: third cowboy. I did, I mean, I couldn't hear it.

810
00:47:47,600 --> 00:47:47,960
Speaker 1: I didn't.

811
00:47:47,960 --> 00:47:50,239
Speaker 2: That's why he said, how to do another cowboy? He

812
00:47:50,320 --> 00:47:53,440
Speaker 2: sat down, he set up in this piece, like he said,

813
00:47:54,760 --> 00:47:55,400
Speaker 2: went to sleep.

814
00:47:56,520 --> 00:48:01,000
Speaker 1: That was so crazy, the cowboy and went to sleep.

815
00:48:01,080 --> 00:48:02,080
Speaker 1: They went to sleep.

816
00:48:03,760 --> 00:48:08,000
Speaker 5: Yeah, second, and then they got real sleepy and then

817
00:48:08,280 --> 00:48:11,759
Speaker 5: like they they uh watched the fires.

818
00:48:12,080 --> 00:48:14,440
Speaker 1: Hot dogs and they started to fall asleep. This is

819
00:48:14,440 --> 00:48:15,359
Speaker 1: what cowboys love.

820
00:48:15,440 --> 00:48:21,440
Speaker 2: That the cow they've yeah, I mean no kind of

821
00:48:21,440 --> 00:48:23,000
Speaker 2: weird like a nighttime thing.

822
00:48:23,520 --> 00:48:23,919
Speaker 1: Mm hmm.

823
00:48:24,920 --> 00:48:29,240
Speaker 5: Durs is eating a bar and then the cowboys start

824
00:48:29,280 --> 00:48:30,720
Speaker 5: to eat something pretty weird?

825
00:48:30,760 --> 00:48:31,600
Speaker 1: How that works out?

826
00:48:31,719 --> 00:48:35,400
Speaker 2: Wait a minute, and we're trying it is basically is

827
00:48:35,440 --> 00:48:36,200
Speaker 2: the third cowboy?

828
00:48:36,239 --> 00:48:38,120
Speaker 3: Sean, what did I say? I go, I don't know.

829
00:48:38,160 --> 00:48:40,240
Speaker 3: I think it's gonna be a little too in your face.

830
00:48:40,400 --> 00:48:42,720
Speaker 3: I guess it wasn't in your face enough.

831
00:48:44,719 --> 00:48:46,960
Speaker 1: I was wrong again. I've been wrong before. I'll be

832
00:48:47,040 --> 00:48:47,600
Speaker 1: wrong again.

833
00:48:47,840 --> 00:48:50,680
Speaker 2: Are you are? You will now me a coke? So

834
00:48:50,719 --> 00:48:53,600
Speaker 2: now nobody is anyone to coke or even it's just

835
00:48:53,640 --> 00:48:54,080
Speaker 2: a wash.

836
00:48:55,200 --> 00:48:58,319
Speaker 1: You give it back. But I feel like I don't

837
00:48:58,400 --> 00:49:00,400
Speaker 1: like that. I haven't seen you for a while. Okay,

838
00:49:00,680 --> 00:49:04,040
Speaker 1: well i'll bring it by. Are you willing to do

839
00:49:04,280 --> 00:49:09,120
Speaker 1: like a from the guy who like brought you workahol?

840
00:49:09,400 --> 00:49:12,399
Speaker 1: You know, like that kind of branding on something like this,

841
00:49:12,600 --> 00:49:17,480
Speaker 1: and I mean different. I feel like that isn't that

842
00:49:17,520 --> 00:49:18,839
Speaker 1: I might hurt us? Yeah?

843
00:49:18,840 --> 00:49:20,600
Speaker 2: I feel like that goes without saying. And Sean and

844
00:49:20,600 --> 00:49:22,600
Speaker 2: I we went back and forth. You think it goes

845
00:49:22,640 --> 00:49:24,319
Speaker 2: back and forth, back and forth about it.

846
00:49:24,400 --> 00:49:29,160
Speaker 3: But I think it's stronger if it's just all mindy projects.

847
00:49:30,440 --> 00:49:30,799
Speaker 2: Mm hmm.

848
00:49:30,960 --> 00:49:33,560
Speaker 1: Okay, but you I mean, are you willing to say

849
00:49:33,560 --> 00:49:39,839
Speaker 1: that you're the guy that brought us Mindy Project? Part

850
00:49:39,840 --> 00:49:40,080
Speaker 1: of it?

851
00:49:40,320 --> 00:49:43,120
Speaker 6: Yeah, guy, definitely one of the minds.

852
00:49:43,360 --> 00:49:43,560
Speaker 1: Yeah.

853
00:49:43,600 --> 00:49:45,839
Speaker 3: And Ben can tell you a lot about it too,

854
00:49:45,920 --> 00:49:49,200
Speaker 3: as he is the guy from the most famous teaser

855
00:49:49,320 --> 00:49:50,399
Speaker 3: in the series run.

856
00:49:50,520 --> 00:49:53,960
Speaker 1: So Ben was part of it, to say, the guys

857
00:49:54,080 --> 00:49:55,160
Speaker 1: who brought you.

858
00:49:55,080 --> 00:50:00,160
Speaker 2: And a horse as well? Right, Yeah, which is is

859
00:50:00,160 --> 00:50:03,960
Speaker 2: into Cowboy TV. I mean this is all kind of perfect.

860
00:50:03,880 --> 00:50:06,920
Speaker 1: Right, Okay. I think those people associate with like Mindy

861
00:50:07,000 --> 00:50:12,719
Speaker 1: as being the person who the mind behind that show,

862
00:50:12,719 --> 00:50:16,320
Speaker 1: and I think it's such a revelation land that brought

863
00:50:16,360 --> 00:50:18,520
Speaker 1: you the Mindy Project. Well, who do you think taught me?

864
00:50:19,320 --> 00:50:21,920
Speaker 1: Who do you think taught me this? That's and he's

865
00:50:21,960 --> 00:50:28,040
Speaker 1: doing the puppeteer knows in the show. She's on screen,

866
00:50:28,239 --> 00:50:31,600
Speaker 1: she's in almost every scene. Like, is that is that

867
00:50:31,680 --> 00:50:32,759
Speaker 1: the way things have to be?

868
00:50:32,960 --> 00:50:33,120
Speaker 2: Hey?

869
00:50:33,239 --> 00:50:34,800
Speaker 1: Is that the way things have to be?

870
00:50:35,760 --> 00:50:39,480
Speaker 5: Vulture magazine made a list of all of Mindy's dates,

871
00:50:39,680 --> 00:50:41,520
Speaker 5: and when it got to mind it said, who the

872
00:50:41,600 --> 00:50:42,439
Speaker 5: fuck is this guy?

873
00:50:43,000 --> 00:50:48,040
Speaker 2: So people are wondering, like they're going, where has he been? Like,

874
00:50:48,239 --> 00:50:51,200
Speaker 2: by the way, what is he up to now? Like

875
00:50:51,520 --> 00:50:54,200
Speaker 2: and we're talking about a great answer because obviously, when

876
00:50:54,239 --> 00:50:57,000
Speaker 2: you're a cowboy, you're out, you know, in a hot day,

877
00:50:57,480 --> 00:51:02,200
Speaker 2: and guess what's circling. Buzzer is also known as vultures.

878
00:51:02,480 --> 00:51:06,160
Speaker 2: So trust me, the talians are going to be the

879
00:51:06,239 --> 00:51:07,319
Speaker 2: tentacles are out there.

880
00:51:08,840 --> 00:51:09,600
Speaker 1: Okay, how much.

881
00:51:09,520 --> 00:51:11,560
Speaker 6: Longer are you guys gonna be here? Because I do

882
00:51:12,320 --> 00:51:14,400
Speaker 6: I do have rehearsal.

883
00:51:15,280 --> 00:51:18,680
Speaker 2: Right, I guess we're probably well, it's up to Hayes, like,

884
00:51:18,760 --> 00:51:22,480
Speaker 2: we're probably close to kind of paper here.

885
00:51:23,719 --> 00:51:26,360
Speaker 1: I can push something, I can I can push something.

886
00:51:26,760 --> 00:51:29,560
Speaker 2: Let me just I'll push something to Let's have everybody,

887
00:51:29,640 --> 00:51:31,640
Speaker 2: let's push something because this is too important.

888
00:51:31,800 --> 00:51:34,200
Speaker 1: We have to get this right. And by the way,

889
00:51:34,400 --> 00:51:37,040
Speaker 1: he cant you just start talking about pluses. I just

890
00:51:37,120 --> 00:51:39,560
Speaker 1: want to go back to the Mindy Kaling Vulture list.

891
00:51:39,760 --> 00:51:43,560
Speaker 1: I am. They did rank all of her love interests

892
00:51:43,560 --> 00:51:47,399
Speaker 1: from worst to best. Scrolling through here, I see Ben

893
00:51:47,560 --> 00:51:54,880
Speaker 1: Feldman love Ben Feldman supers and I see at number

894
00:51:55,040 --> 00:52:01,520
Speaker 1: two and it says unders Holmes. Mm. But that's actually

895
00:52:01,520 --> 00:52:04,920
Speaker 1: an inside joke I have with culture, okay, and it

896
00:52:05,040 --> 00:52:08,640
Speaker 1: kind of works into the Harry styles. Mm hmmm. I

897
00:52:08,719 --> 00:52:15,640
Speaker 1: don't bank it's weird, and I do see a lot

898
00:52:15,840 --> 00:52:23,759
Speaker 1: like comments not mentioning bang rge Man at all his

899
00:52:23,920 --> 00:52:28,839
Speaker 1: shadow man old version of the list. Yeah, like are

900
00:52:28,920 --> 00:52:30,600
Speaker 1: you on dark Web or or.

901
00:52:31,320 --> 00:52:34,680
Speaker 7: Yeah, way back machine, way back machine.

902
00:52:34,760 --> 00:52:37,200
Speaker 1: No, I'm just on Vulture. You're not on the Dark Web.

903
00:52:38,200 --> 00:52:40,160
Speaker 6: And I don't think I don't know what kind of

904
00:52:40,239 --> 00:52:42,560
Speaker 6: like is on like your Internet.

905
00:52:43,000 --> 00:52:46,120
Speaker 1: I mean it like, I don't think my internet gets

906
00:52:46,160 --> 00:52:50,839
Speaker 1: the dark Web. Everyone gets the dark Web.

907
00:52:51,400 --> 00:52:51,440
Speaker 2: You.

908
00:52:51,680 --> 00:52:55,880
Speaker 1: Yeah, people are pissed about this list in the comments. Boy, well, hey,

909
00:52:55,960 --> 00:52:56,279
Speaker 1: guess what.

910
00:52:56,520 --> 00:52:58,480
Speaker 2: That's part of what we do here, and we're getting

911
00:52:58,480 --> 00:53:00,440
Speaker 2: you revved up about the whole concept. So think of

912
00:53:00,520 --> 00:53:03,520
Speaker 2: that's engagement, like getting people pissed about those.

913
00:53:03,640 --> 00:53:05,719
Speaker 1: You love it, you hate it, you're talking about it.

914
00:53:06,080 --> 00:53:10,160
Speaker 2: The cowboys are the cowboys are talking about Mindy's loved truth.

915
00:53:10,280 --> 00:53:13,800
Speaker 1: He's puppeteering it. I understand that he's Maria and editing it.

916
00:53:14,560 --> 00:53:19,000
Speaker 1: I don't like, I would just love his name attached

917
00:53:19,040 --> 00:53:22,440
Speaker 1: to this in any way at all. On you say

918
00:53:22,440 --> 00:53:25,360
Speaker 1: it goes without saying, I do disagree with that. I

919
00:53:25,400 --> 00:53:27,440
Speaker 1: think it would be great to say on the poster

920
00:53:28,120 --> 00:53:28,680
Speaker 1: or any.

921
00:53:28,640 --> 00:53:32,120
Speaker 2: Honestly, if people can't tell that it's Drors marionettit tearing

922
00:53:32,239 --> 00:53:35,120
Speaker 2: this Like if they can't hear it in the quality

923
00:53:35,440 --> 00:53:39,160
Speaker 2: and like the the level of like the content, then

924
00:53:39,400 --> 00:53:42,680
Speaker 2: I would say that's really not the audience that we're

925
00:53:42,760 --> 00:53:46,520
Speaker 2: seeking out right, if they can't see how like it's

926
00:53:46,760 --> 00:53:50,719
Speaker 2: savage because of because of my involvement.

927
00:53:52,280 --> 00:53:55,600
Speaker 1: If they you're thinking they hear that, the right audience

928
00:53:55,680 --> 00:53:58,200
Speaker 1: that you want will hear this and hear that it

929
00:53:58,360 --> 00:54:04,080
Speaker 1: is savage, and they'll know that dirt. Of course, they'll

930
00:54:04,120 --> 00:54:10,040
Speaker 1: have to have listened to it already, which I want them,

931
00:54:10,480 --> 00:54:13,239
Speaker 1: But they will have listened to it already because they've

932
00:54:13,360 --> 00:54:16,879
Speaker 1: typed in Harry's styles by accident clicked on the link,

933
00:54:17,000 --> 00:54:19,960
Speaker 1: so it's automatically I get it. So it's just a

934
00:54:20,040 --> 00:54:23,000
Speaker 1: trick for people who are interested in Harry styles to

935
00:54:23,719 --> 00:54:27,800
Speaker 1: type one character wrong and this comes out. Okay, look.

936
00:54:29,440 --> 00:54:33,880
Speaker 5: And it's it's Cowboy TV Dating List. Could there be like,

937
00:54:34,239 --> 00:54:37,040
Speaker 5: could I be like above one on the dating list?

938
00:54:37,239 --> 00:54:41,120
Speaker 1: Like is there maybe it's like like they're doing a

939
00:54:41,160 --> 00:54:45,720
Speaker 1: different number. One is Danny Castlano. Okay, So that seems

940
00:54:45,719 --> 00:54:47,920
Speaker 1: to me he was like the main He's who Mindy

941
00:54:48,040 --> 00:54:50,560
Speaker 1: ended up with. Should we talk about his involvement or

942
00:54:50,719 --> 00:54:52,520
Speaker 1: don't fucking spoil that Dan.

943
00:54:54,120 --> 00:55:00,680
Speaker 2: Like one episode left. Yeah, well, the the actor Christmasina Messina.

944
00:55:01,719 --> 00:55:05,400
Speaker 2: We go, we go to the same us and we

945
00:55:05,520 --> 00:55:07,360
Speaker 2: do that thing where I lay on my back and

946
00:55:07,840 --> 00:55:09,480
Speaker 2: our hands are like this and we do push ups

947
00:55:09,520 --> 00:55:14,640
Speaker 2: off of each other and I so it is fitness related,

948
00:55:14,840 --> 00:55:15,759
Speaker 2: but I can't get into it.

949
00:55:17,200 --> 00:55:24,520
Speaker 1: Mhmm. That helps us. You got to that's a value

950
00:55:24,560 --> 00:55:27,279
Speaker 1: at It's called the mess Hall. That's and then that's it.

951
00:55:27,400 --> 00:55:29,279
Speaker 1: And then I stopped there and it has to get

952
00:55:29,360 --> 00:55:36,719
Speaker 1: contrician fitness. Okay, if we can get Chris, then then yes,

953
00:55:36,920 --> 00:55:39,040
Speaker 1: he's coming around. I knew it. I knew it. This

954
00:55:39,200 --> 00:55:41,279
Speaker 1: is this is the haze. I know, this is the Haese.

955
00:55:41,320 --> 00:55:44,000
Speaker 2: I know, and I can feel it. And he's playing

956
00:55:44,040 --> 00:55:46,600
Speaker 2: hardball a little bit. Which can we can we actually

957
00:55:46,680 --> 00:55:48,319
Speaker 2: get him. It's about making it good.

958
00:55:48,480 --> 00:55:52,279
Speaker 1: Get him, baby, We got him. Do you want to

959
00:55:52,280 --> 00:55:58,400
Speaker 1: play the mess Hall clip? Yeah? Just a short snippet. No, no,

960
00:55:58,640 --> 00:56:04,239
Speaker 1: this because okay, do you want you're asking me?

961
00:56:04,960 --> 00:56:07,680
Speaker 2: Yeah, I mean it seems like you're finally coming around

962
00:56:07,760 --> 00:56:09,960
Speaker 2: and it's like, hey, do you want pizza? Yes?

963
00:56:10,040 --> 00:56:10,920
Speaker 1: Here take a slice?

964
00:56:11,000 --> 00:56:11,040
Speaker 2: No?

965
00:56:11,320 --> 00:56:14,399
Speaker 5: What just we've done a lot of for play. We've

966
00:56:14,480 --> 00:56:17,440
Speaker 5: done a lot of dickering. Now let's like consummate this thing,

967
00:56:17,520 --> 00:56:18,360
Speaker 5: you know, let's sucking.

968
00:56:18,840 --> 00:56:24,160
Speaker 1: Yeah, okay, and Christmas Ina is okay.

969
00:56:31,080 --> 00:56:33,400
Speaker 5: Sometimes I like to just whiddle wood by the fire

970
00:56:34,000 --> 00:56:36,359
Speaker 5: col Cowboard TV.

971
00:56:37,120 --> 00:56:41,000
Speaker 1: I get out my old whitland tool also known as

972
00:56:41,000 --> 00:56:44,880
Speaker 1: a knife man. I get a big hunger wood.

973
00:56:46,800 --> 00:56:50,279
Speaker 2: And whitlow a way I do right by the Cowboy TV.

974
00:56:50,640 --> 00:56:54,160
Speaker 2: Hope the Cowboy TV doesn't eat my widow wood. And

975
00:56:54,280 --> 00:56:56,800
Speaker 2: that's a possibility, and it can't because it is a

976
00:56:56,960 --> 00:56:58,760
Speaker 2: fire and it does.

977
00:56:58,800 --> 00:57:03,600
Speaker 1: Eat wood, and fire eats wood. Not crazy to think

978
00:57:03,640 --> 00:57:05,479
Speaker 1: about the fire that is hot.

979
00:57:05,600 --> 00:57:08,480
Speaker 2: It gives us warmth, even on a hot night like tonight,

980
00:57:09,120 --> 00:57:12,279
Speaker 2: can also give too much warmth to wood and eat it,

981
00:57:12,640 --> 00:57:17,360
Speaker 2: consume it. Yeah, fires made of wood in some ways.

982
00:57:17,760 --> 00:57:20,640
Speaker 5: Yeah. And we don't want to talk about crazy wildfires

983
00:57:20,680 --> 00:57:22,600
Speaker 5: at all because it's too much of a bummer. We're

984
00:57:22,720 --> 00:57:28,640
Speaker 5: just two guys sitting by the fire whitland wood watching

985
00:57:28,800 --> 00:57:29,760
Speaker 5: Cowboy TV.

986
00:57:29,960 --> 00:57:31,960
Speaker 1: I don't even know attention to what I'm whittling.

987
00:57:32,800 --> 00:57:35,360
Speaker 2: Let me change the channel on the Cowboy TV and

988
00:57:35,480 --> 00:57:38,520
Speaker 2: throw some of these whitland shavens in there. But I

989
00:57:38,640 --> 00:57:42,600
Speaker 2: think what we got is a new episode started up

990
00:57:42,680 --> 00:57:44,520
Speaker 2: down looks like a good one.

991
00:57:45,320 --> 00:57:51,360
Speaker 1: In fact, it stars and none other than the guy.

992
00:57:52,360 --> 00:57:56,880
Speaker 1: Oh it's from Live by Night. Yeah. Live had a

993
00:57:57,000 --> 00:57:59,840
Speaker 1: small part in argo he's answering the phone or he's

994
00:57:59,840 --> 00:58:05,080
Speaker 1: not answering the phone. Pretty decent set of picks on

995
00:58:05,160 --> 00:58:07,440
Speaker 1: that guy. I wonder what his routine is. I'll tell

996
00:58:07,440 --> 00:58:09,920
Speaker 1: you what, you gotta do something to take care of that.

997
00:58:10,560 --> 00:58:17,040
Speaker 2: And and when he's at when he's leaving, I say,

998
00:58:18,680 --> 00:58:22,280
Speaker 2: Chris messie, you see you later.

999
00:58:22,600 --> 00:58:26,600
Speaker 1: Chris, this is and this is it, this is.

1000
00:58:28,400 --> 00:58:33,360
Speaker 2: You're wres a big part of you are. I will say, Hayes,

1001
00:58:33,400 --> 00:58:35,600
Speaker 2: that was not the clip. I thought that we were

1002
00:58:35,640 --> 00:58:37,520
Speaker 2: going to play. There's the second one. When we talk

1003
00:58:37,560 --> 00:58:40,320
Speaker 2: about do you guys have the clip, we're not the

1004
00:58:40,440 --> 00:58:41,920
Speaker 2: second one. We'll discuss him.

1005
00:58:42,040 --> 00:58:45,080
Speaker 1: We're not doing it. Okay, we're not doing it. I

1006
00:58:45,120 --> 00:58:46,480
Speaker 1: would love to hear it. Goodbye,