1 00:00:03,360 --> 00:00:10,000 Speaker 1: What would you talk about on your on your podcast Elvis. 2 00:00:13,640 --> 00:00:15,160 Speaker 2: Sixteen Morning Show. 3 00:00:15,520 --> 00:00:17,640 Speaker 1: It is a fifteen minute morning show podcast. We got 4 00:00:17,640 --> 00:00:20,439 Speaker 1: a room full today. We've got guests. We have Vienna 5 00:00:20,640 --> 00:00:21,960 Speaker 1: who is in from Tanzania. 6 00:00:22,480 --> 00:00:28,040 Speaker 3: Right off safari? How have you been doing safaris sixteen 7 00:00:28,080 --> 00:00:32,200 Speaker 3: years now? They ever been hit by a Paul? Okay? Well? 8 00:00:33,240 --> 00:00:37,120 Speaker 1: Also back from college? Spencer is here up from university. 9 00:00:37,159 --> 00:00:37,800 Speaker 3: What's going on? 10 00:00:38,040 --> 00:00:39,879 Speaker 1: Well, we're gonna try to talk to your mom and 11 00:00:39,880 --> 00:00:41,000 Speaker 1: you're taking you on safari. 12 00:00:41,479 --> 00:00:43,199 Speaker 3: I would love to go on safari. There you go. 13 00:00:43,880 --> 00:00:47,639 Speaker 1: Who wouldn't And of course Phil Siciliano, Oh you got 14 00:00:47,640 --> 00:00:48,000 Speaker 1: it right? 15 00:00:48,200 --> 00:00:49,320 Speaker 3: Is heree? 16 00:00:49,440 --> 00:00:53,279 Speaker 1: The of course? Wedding photographers to the stars, that's me Hi. 17 00:00:53,720 --> 00:00:56,680 Speaker 1: We have so we have a bond between these three guests. 18 00:00:56,760 --> 00:00:58,960 Speaker 1: Can you guess what it is? What is the connection? 19 00:00:59,440 --> 00:00:59,880 Speaker 2: I don't know? 20 00:01:00,760 --> 00:01:07,720 Speaker 1: Photography? Well your son isn't really but he could be 21 00:01:07,760 --> 00:01:11,319 Speaker 1: there to watch the photography. So you know, Vienna has 22 00:01:11,880 --> 00:01:16,640 Speaker 1: really done a great job in self teaching photography, wildlife 23 00:01:16,640 --> 00:01:20,520 Speaker 1: photography because he's out there he sees everything, and so 24 00:01:21,560 --> 00:01:23,880 Speaker 1: shooting a bride and groom that's wildlife as well in 25 00:01:23,920 --> 00:01:28,920 Speaker 1: a way, because doing that exactly so I mean we 26 00:01:28,959 --> 00:01:32,360 Speaker 1: need to take you on safari to get some shots 27 00:01:32,360 --> 00:01:33,240 Speaker 1: of crazy animals. 28 00:01:33,360 --> 00:01:36,840 Speaker 3: Oh that'd be amazing. You'd be good at that. Oh yeah, 29 00:01:37,360 --> 00:01:39,320 Speaker 3: I'd love it. I just don't want to get mold 30 00:01:39,360 --> 00:01:40,920 Speaker 3: because you're not gonna get mald. 31 00:01:41,080 --> 00:01:44,080 Speaker 1: The thing about wedding photography, the best wedding photography is 32 00:01:44,200 --> 00:01:48,240 Speaker 1: not the pictures that are posed. It's catching the candid 33 00:01:48,240 --> 00:01:52,040 Speaker 1: photos when they're not paying attention. But with animals, it's 34 00:01:52,080 --> 00:01:54,240 Speaker 1: nothing about candid. They're not looking at you. They're looking 35 00:01:54,400 --> 00:01:57,000 Speaker 1: at what they're doing, right, like eating another animal or whatever. 36 00:01:57,240 --> 00:02:00,880 Speaker 4: Yeah, So with the anymal is you just have that 37 00:02:01,040 --> 00:02:04,680 Speaker 4: one moment and you need to capture it. So you know, 38 00:02:04,960 --> 00:02:09,840 Speaker 4: you have to first understand their behavior and then you 39 00:02:09,880 --> 00:02:12,400 Speaker 4: know you're like staring at them all the time through 40 00:02:12,440 --> 00:02:15,840 Speaker 4: that lens to wait for that particular moment that you 41 00:02:15,919 --> 00:02:19,920 Speaker 4: want and you have it for like two to three seconds. 42 00:02:20,560 --> 00:02:22,640 Speaker 4: And the good thing is, or the bad thing is, 43 00:02:22,680 --> 00:02:25,600 Speaker 4: you don't have any lights or anything like you know, 44 00:02:25,840 --> 00:02:28,800 Speaker 4: or any way of telling that animal you can pose 45 00:02:29,000 --> 00:02:32,200 Speaker 4: like here or there or do that. So you have 46 00:02:32,600 --> 00:02:36,600 Speaker 4: really to be aware of what you want to do 47 00:02:37,080 --> 00:02:39,520 Speaker 4: and the surrounding and your camera as well, you have 48 00:02:39,560 --> 00:02:42,960 Speaker 4: to know your camera very well and then wait for 49 00:02:43,040 --> 00:02:44,760 Speaker 4: the moment and then take the moment. 50 00:02:44,919 --> 00:02:48,160 Speaker 2: It's not like at home with my catre No not 51 00:02:48,240 --> 00:02:50,239 Speaker 2: to say the same. 52 00:02:50,400 --> 00:02:53,240 Speaker 1: Look at the parallels, because when you're shooting a wedding, 53 00:02:54,000 --> 00:02:56,600 Speaker 1: you you've done so many you know, you kind of 54 00:02:56,639 --> 00:02:58,399 Speaker 1: anticipate what they're going to do next and how they're 55 00:02:58,400 --> 00:03:01,120 Speaker 1: going to act, so you know when they get the shot. 56 00:03:01,280 --> 00:03:04,440 Speaker 5: So the way he just describe photographing animals, it's the 57 00:03:04,440 --> 00:03:05,600 Speaker 5: same concept for people. 58 00:03:05,800 --> 00:03:06,120 Speaker 3: It is. 59 00:03:06,560 --> 00:03:08,600 Speaker 5: He could be an amazing wedding photographer just based on 60 00:03:08,639 --> 00:03:09,280 Speaker 5: what he just said. 61 00:03:09,440 --> 00:03:10,040 Speaker 3: Right, how's that? 62 00:03:10,800 --> 00:03:13,000 Speaker 5: Because he said, it's like you have to focus on 63 00:03:13,960 --> 00:03:16,480 Speaker 5: a wild animal and you only have a split second 64 00:03:16,520 --> 00:03:21,000 Speaker 5: to capture their moment. And it's exactly like that on 65 00:03:21,040 --> 00:03:26,360 Speaker 5: a wedding day because these brides, these grooms, they you 66 00:03:26,400 --> 00:03:29,639 Speaker 5: can't explain what their next move's gonna be because alcohol 67 00:03:29,760 --> 00:03:33,200 Speaker 5: is involved, and there's all these different nerves, nerves, I mean, 68 00:03:33,240 --> 00:03:35,200 Speaker 5: you name it. There's so many different things that are 69 00:03:35,280 --> 00:03:39,720 Speaker 5: going on that I've actually started doing what's called zone focusing. 70 00:03:40,040 --> 00:03:42,960 Speaker 5: It's a technique that's used in street photography. So it's 71 00:03:42,960 --> 00:03:44,920 Speaker 5: almost like you don't even know I'm to take the picture. 72 00:03:44,920 --> 00:03:47,440 Speaker 5: You just click and you move. Because there's just so 73 00:03:47,600 --> 00:03:50,200 Speaker 5: much spontaneity that happens on a wedding day that I 74 00:03:50,240 --> 00:03:53,480 Speaker 5: want to catch it instantly. Rather than saying, okay, go 75 00:03:53,560 --> 00:03:56,680 Speaker 5: stand over there and let me get you looking at 76 00:03:56,680 --> 00:03:58,880 Speaker 5: me this way. I just want that real moment so 77 00:03:58,920 --> 00:04:01,640 Speaker 5: when you look at it, you see what happened at 78 00:04:01,640 --> 00:04:02,520 Speaker 5: that instance. 79 00:04:02,160 --> 00:04:05,880 Speaker 1: We see at a wedding. I mean, the best photographers, 80 00:04:05,920 --> 00:04:08,320 Speaker 1: in my opinion, are the ones that are invisible. 81 00:04:08,320 --> 00:04:09,040 Speaker 3: You don't know they're there. 82 00:04:09,240 --> 00:04:11,800 Speaker 1: You're but you're in the background just capturing things. It's 83 00:04:11,840 --> 00:04:15,520 Speaker 1: the same exact thing on the serengetti. They're not gonna pose, 84 00:04:16,000 --> 00:04:17,960 Speaker 1: they're not gonna take direction at all. 85 00:04:18,560 --> 00:04:18,760 Speaker 3: Yeah. 86 00:04:18,839 --> 00:04:22,320 Speaker 4: For example, like Alex, you know, he's got a small 87 00:04:22,360 --> 00:04:25,680 Speaker 4: camera that it comes on safari with and you know 88 00:04:25,760 --> 00:04:28,440 Speaker 4: sometimes it takes it takes pictures and you know, he 89 00:04:28,520 --> 00:04:30,560 Speaker 4: does not really know what he took. When it gets 90 00:04:30,560 --> 00:04:32,840 Speaker 4: back home, he's going through them and it's like, wow, 91 00:04:32,880 --> 00:04:35,200 Speaker 4: I didn't know I got that moment. You know, It's 92 00:04:35,279 --> 00:04:37,920 Speaker 4: like it's it's a split of seconds and you have 93 00:04:38,000 --> 00:04:42,520 Speaker 4: to click and get it, you know, and you know 94 00:04:42,640 --> 00:04:46,640 Speaker 4: you have as he said, when you want to capture 95 00:04:46,720 --> 00:04:50,440 Speaker 4: that moment, to freeze that moment, you have to be 96 00:04:50,560 --> 00:04:54,120 Speaker 4: quick and you have to shoot. You know, when I'm 97 00:04:54,160 --> 00:05:00,560 Speaker 4: shooting with the new cameras. Nowaday, you have thirty frames second, 98 00:05:01,080 --> 00:05:04,520 Speaker 4: fifty frames per second, so that is fifty pictures that 99 00:05:04,600 --> 00:05:09,040 Speaker 4: you clicked for second, you know, and after that when 100 00:05:09,080 --> 00:05:10,760 Speaker 4: you go through them, it's when now you pick the 101 00:05:10,839 --> 00:05:12,920 Speaker 4: base that you you like to post outside. 102 00:05:13,080 --> 00:05:14,040 Speaker 3: Gandhi is joining us. 103 00:05:14,080 --> 00:05:17,839 Speaker 1: Hell, we're talking about the parallels between wedding photography and 104 00:05:17,920 --> 00:05:19,000 Speaker 1: wildlife photography. 105 00:05:19,000 --> 00:05:22,760 Speaker 6: Oh what are they start all over? 106 00:05:23,839 --> 00:05:26,560 Speaker 3: And also of course Spanni's back from university. 107 00:05:26,760 --> 00:05:29,640 Speaker 1: Yeah, so we're trying to make these three guests make 108 00:05:29,760 --> 00:05:30,320 Speaker 1: sense together. 109 00:05:30,440 --> 00:05:31,040 Speaker 2: What about I. 110 00:05:31,000 --> 00:05:33,720 Speaker 3: Started talking about college snapchat photography. 111 00:05:33,800 --> 00:05:35,840 Speaker 1: Yeah, I mean, I mean that's a bit of that, 112 00:05:35,920 --> 00:05:36,360 Speaker 1: I mean. 113 00:05:37,960 --> 00:05:39,599 Speaker 3: Professional. But I guess. 114 00:05:41,640 --> 00:05:44,200 Speaker 1: I've been doing a couple of you know, recordings or 115 00:05:44,480 --> 00:05:47,040 Speaker 1: media for my school right through on some of this 116 00:05:47,160 --> 00:05:49,560 Speaker 1: on my Instagram, but uh, for the school and for 117 00:05:49,640 --> 00:05:50,719 Speaker 1: the team like that I played for. 118 00:05:50,920 --> 00:05:52,760 Speaker 5: Been doing a bunch of like interviews and stuff like that. 119 00:05:52,800 --> 00:05:53,680 Speaker 3: So I don't know, I. 120 00:05:53,680 --> 00:05:54,120 Speaker 2: Guess he did. 121 00:05:54,120 --> 00:05:56,080 Speaker 7: He did it in a brand new day in the 122 00:05:56,120 --> 00:05:58,720 Speaker 7: life where they interview him for his entire day and 123 00:05:58,760 --> 00:05:59,440 Speaker 7: what's going on. 124 00:05:59,640 --> 00:06:04,320 Speaker 2: He didn't shoot it, but somebody's help came. So you're 125 00:06:04,360 --> 00:06:05,240 Speaker 2: the model that they shoot. 126 00:06:05,320 --> 00:06:07,240 Speaker 1: Yeah, so what if we did a camp. We need 127 00:06:07,240 --> 00:06:09,000 Speaker 1: to do a camp for like fifty people. 128 00:06:09,360 --> 00:06:09,920 Speaker 3: That's too big. 129 00:06:09,960 --> 00:06:12,200 Speaker 2: How much would that cost us? 130 00:06:13,960 --> 00:06:17,800 Speaker 1: So all of us are families, and our photographer and 131 00:06:17,880 --> 00:06:20,440 Speaker 1: his family and we all go to the Serengeti and 132 00:06:20,480 --> 00:06:21,360 Speaker 1: do our show on the. 133 00:06:23,360 --> 00:06:25,200 Speaker 3: We got to get a sponsor for this, we do. 134 00:06:25,720 --> 00:06:28,400 Speaker 6: I think we all have to start our only fans pages. 135 00:06:28,240 --> 00:06:30,320 Speaker 2: This is how we afford to go over there. If 136 00:06:30,360 --> 00:06:32,080 Speaker 2: we start squishing things with our feet, we're going to 137 00:06:32,160 --> 00:06:33,240 Speaker 2: make lots of money. Done. 138 00:06:33,440 --> 00:06:35,680 Speaker 3: There you go. Maybe we got a camera company to 139 00:06:35,720 --> 00:06:38,839 Speaker 3: sponsor it. There you go. We get working on that. 140 00:06:39,720 --> 00:06:43,359 Speaker 1: But you know, I think of what you said earlier, Gandhi, 141 00:06:43,360 --> 00:06:45,320 Speaker 1: you how great it would be to take your entire family, 142 00:06:45,320 --> 00:06:47,239 Speaker 1: your mom and your dad, and your your your sister 143 00:06:47,320 --> 00:06:51,040 Speaker 1: and everyone. Yeah, on safari and of course Danielle, you 144 00:06:51,279 --> 00:06:56,280 Speaker 1: and Sheldon, Yeah, Spencer, impression spending impresston. It is a 145 00:06:56,279 --> 00:06:59,480 Speaker 1: family thing. You you with friends. I could see a 146 00:06:59,480 --> 00:07:01,560 Speaker 1: bunch of girl friends going together on safari. 147 00:07:02,120 --> 00:07:06,800 Speaker 4: Yes, I At the moment, I'm working on a friends 148 00:07:06,880 --> 00:07:10,320 Speaker 4: trip that there will be five of them, four girls 149 00:07:10,400 --> 00:07:14,000 Speaker 4: and one one boy. And it's fun planning it, you know, 150 00:07:14,040 --> 00:07:16,960 Speaker 4: it's it's lots of fun planning it because they're all 151 00:07:17,000 --> 00:07:19,400 Speaker 4: fun and you know exactly that. You know it's going 152 00:07:19,480 --> 00:07:21,920 Speaker 4: to be a fun trip. So they're doing KILLI, and 153 00:07:21,960 --> 00:07:25,080 Speaker 4: then after KILLI, after they climb, we go do the Safari. 154 00:07:25,200 --> 00:07:28,080 Speaker 7: Hey, have you ever had someone on Safari that was 155 00:07:28,240 --> 00:07:30,120 Speaker 7: such an ass that you wanted to throw them to 156 00:07:30,160 --> 00:07:30,679 Speaker 7: the lions? 157 00:07:31,200 --> 00:07:33,920 Speaker 4: Not really, most of the people behave. 158 00:07:35,560 --> 00:07:39,800 Speaker 3: You're going to die? Well, I don't know. Have you 159 00:07:39,800 --> 00:07:40,680 Speaker 3: been a Safari film? 160 00:07:40,880 --> 00:07:41,760 Speaker 5: I haven't. 161 00:07:42,040 --> 00:07:45,520 Speaker 3: I would love to go on. Everyone should do, especially. 162 00:07:45,120 --> 00:07:48,360 Speaker 5: I mean, put aside the animals. I've seen some of 163 00:07:48,400 --> 00:07:53,440 Speaker 5: the sunsets and the landscape photography that's done there and 164 00:07:54,440 --> 00:07:55,360 Speaker 5: blows my mind. 165 00:07:55,600 --> 00:07:56,200 Speaker 3: I'll tell you this. 166 00:07:56,400 --> 00:07:59,520 Speaker 1: To see a sunset on the certain Getti, I've never 167 00:07:59,520 --> 00:08:01,800 Speaker 1: seen anything. You feel like you're on another planet because 168 00:08:01,840 --> 00:08:06,360 Speaker 1: the sun is as big as the entire scope of 169 00:08:06,400 --> 00:08:07,239 Speaker 1: what you can see. 170 00:08:07,680 --> 00:08:11,000 Speaker 3: I mean that would be inside the Lion King. It 171 00:08:11,080 --> 00:08:14,480 Speaker 3: is very inside the Lion King, very much. So well, 172 00:08:14,520 --> 00:08:16,600 Speaker 3: so there you go. So we figured out a plan. 173 00:08:16,680 --> 00:08:18,720 Speaker 3: We're taking the show on the road. Yeah, let's go, Scary. 174 00:08:18,720 --> 00:08:22,200 Speaker 3: Can you produce on the road with you? 175 00:08:22,320 --> 00:08:22,560 Speaker 2: Right? 176 00:08:22,680 --> 00:08:27,600 Speaker 3: Yes? Oh yeah, yeah, yeah. You could stay back here, 177 00:08:27,640 --> 00:08:30,360 Speaker 3: you could run the ball here in New York. No, no, 178 00:08:30,440 --> 00:08:31,280 Speaker 3: I want to be hanging out. 179 00:08:31,320 --> 00:08:32,200 Speaker 2: I want to be part of it. 180 00:08:32,559 --> 00:08:35,480 Speaker 6: I cannot even imagine Scary in the Serengetti. 181 00:08:36,000 --> 00:08:39,040 Speaker 2: Oh yeah, immediate sunburn. What would he fall on? Which animal? 182 00:08:39,400 --> 00:08:39,960 Speaker 2: Baby lion? 183 00:08:40,280 --> 00:08:44,400 Speaker 3: I'd be very careful, very respectible. That is Serengetty Scary. 184 00:08:44,800 --> 00:08:48,400 Speaker 4: Last year I had, you know, I had the family 185 00:08:48,480 --> 00:08:51,920 Speaker 4: of sixteen and we are driving in the Seringetti and 186 00:08:52,040 --> 00:08:55,800 Speaker 4: we go to these copies, copies of rock outcrops that 187 00:08:55,880 --> 00:08:58,960 Speaker 4: comes from the ground. And we sat there and one 188 00:08:59,000 --> 00:09:01,480 Speaker 4: of them said, should be a good place for the 189 00:09:01,520 --> 00:09:03,880 Speaker 4: morning show to come and broadcast from. 190 00:09:06,400 --> 00:09:09,240 Speaker 3: A studio ready to go, and the wife stood over 191 00:09:09,280 --> 00:09:10,040 Speaker 3: there because you. 192 00:09:10,080 --> 00:09:13,560 Speaker 4: Can you can sit there and see the certing. Get 193 00:09:14,360 --> 00:09:15,120 Speaker 4: I can see. 194 00:09:15,280 --> 00:09:20,439 Speaker 5: We meant the satellite on the top of a giraffe, like. 195 00:09:20,440 --> 00:09:21,880 Speaker 3: Because this gift will be walking. 196 00:09:22,440 --> 00:09:26,240 Speaker 4: But you know, we have companies that can supply. 197 00:09:26,160 --> 00:09:31,199 Speaker 3: Connection and no, we're going to find a way a satellite. 198 00:09:31,880 --> 00:09:33,679 Speaker 3: This is a visual of an antenna on top of 199 00:09:33,679 --> 00:09:36,160 Speaker 3: a Giraff's podcasting. 200 00:09:36,559 --> 00:09:40,240 Speaker 1: At So here's what saddens me, though, Gandhi, is you 201 00:09:40,360 --> 00:09:44,520 Speaker 1: really there's not one animal you should touch there? 202 00:09:44,520 --> 00:09:47,240 Speaker 3: Really, no, you shouldn't. You should not touch anything. 203 00:09:47,320 --> 00:09:48,160 Speaker 6: I know I shouldn't. 204 00:09:48,559 --> 00:09:50,520 Speaker 3: You know you you can't. You'll just a. 205 00:09:50,520 --> 00:09:53,240 Speaker 6: Nice little pet. I'm telling you if they can feel 206 00:09:53,800 --> 00:09:56,679 Speaker 6: if she was to do that, do you say your 207 00:09:56,720 --> 00:09:58,240 Speaker 6: safari is done and you bring her. 208 00:09:58,160 --> 00:09:59,360 Speaker 2: Back to the U. 209 00:10:00,320 --> 00:10:03,240 Speaker 4: You know that is a life threatening thing. We have 210 00:10:03,280 --> 00:10:08,199 Speaker 4: had people doing it actually, but it's a life threatening 211 00:10:08,280 --> 00:10:10,600 Speaker 4: thing because for you to be able to touch that 212 00:10:10,720 --> 00:10:13,400 Speaker 4: line that means of that animal. That means you have 213 00:10:13,480 --> 00:10:16,760 Speaker 4: to have part of your body outside the vehicle. So 214 00:10:16,920 --> 00:10:20,240 Speaker 4: if that animal reacts, These animals are very quick, more 215 00:10:20,280 --> 00:10:24,760 Speaker 4: than what we think. If that animal reacts within a second, 216 00:10:25,600 --> 00:10:27,880 Speaker 4: you might be, you know, in a in a very 217 00:10:27,920 --> 00:10:28,680 Speaker 4: big mess. 218 00:10:29,040 --> 00:10:32,200 Speaker 3: You're being so we we you. 219 00:10:32,080 --> 00:10:34,640 Speaker 4: Know, we always tell people they are friendly, but they 220 00:10:34,679 --> 00:10:39,959 Speaker 4: also they are very deadly when you know they're not respected. 221 00:10:39,559 --> 00:10:40,679 Speaker 3: They're very unpredictable. 222 00:10:40,840 --> 00:10:41,920 Speaker 6: I would be respectful. 223 00:10:42,320 --> 00:10:46,880 Speaker 1: No, I'm not even taking I'm calling her. You're not 224 00:10:47,360 --> 00:10:50,880 Speaker 1: will not allow you now, Okay, So Phil let's talk 225 00:10:50,920 --> 00:10:53,719 Speaker 1: about the documentary. It's available right now to view. It's 226 00:10:53,720 --> 00:10:56,160 Speaker 1: a short and it's on your Instagram page. 227 00:10:56,160 --> 00:10:58,800 Speaker 5: It's on my Instagram page. It's called Stay Still Right 228 00:10:59,080 --> 00:11:02,679 Speaker 5: by a very talented cinematographer and friend. His name is 229 00:11:02,720 --> 00:11:08,640 Speaker 5: Chris Antice. Was his idea, and it was born last 230 00:11:09,240 --> 00:11:11,920 Speaker 5: last week. It just came out. It's so fresh that 231 00:11:12,559 --> 00:11:15,400 Speaker 5: this is the first place I'm really announcing it. So 232 00:11:15,720 --> 00:11:18,120 Speaker 5: it's out there. It's in the wild, no pun intended. 233 00:11:18,600 --> 00:11:23,839 Speaker 5: And yeah, it shows you what it is for us 234 00:11:23,960 --> 00:11:28,440 Speaker 5: and what we go through as photographers, and the humble 235 00:11:28,480 --> 00:11:29,400 Speaker 5: side to it, I guess. 236 00:11:29,200 --> 00:11:30,120 Speaker 3: You could say good. 237 00:11:30,160 --> 00:11:32,280 Speaker 1: But there's got to be an exciting side too, because 238 00:11:32,480 --> 00:11:34,240 Speaker 1: you're dealing with a day at a wedding, a day 239 00:11:34,240 --> 00:11:40,160 Speaker 1: of emotion and of passion and people being just nuts 240 00:11:40,200 --> 00:11:43,120 Speaker 1: and out of their minds and freaking out, and you've 241 00:11:43,160 --> 00:11:45,600 Speaker 1: got to calm them down or what die. 242 00:11:45,720 --> 00:11:50,199 Speaker 5: It's kind of like being a doctor in an emergency 243 00:11:50,320 --> 00:11:53,000 Speaker 5: room where you're there and you're in panic mode, but 244 00:11:53,160 --> 00:11:56,320 Speaker 5: they know what to do because you're the professional and 245 00:11:56,400 --> 00:11:57,840 Speaker 5: you're there to calm them down and. 246 00:11:57,720 --> 00:12:02,760 Speaker 3: Do it the right way. But yeah, chaos erupts left. 247 00:12:02,600 --> 00:12:05,480 Speaker 5: And right, every single weekend. 248 00:12:05,160 --> 00:12:07,559 Speaker 3: The emergency room. So it's called stay still. 249 00:12:07,840 --> 00:12:12,840 Speaker 1: Yes, if you go to Philip Underscore Siciliano, Siciliano underscore, 250 00:12:14,240 --> 00:12:17,079 Speaker 1: just Philip underscore sicilian Oh there's nothing after this, there's nothing. 251 00:12:18,520 --> 00:12:19,240 Speaker 2: I also put it. 252 00:12:19,240 --> 00:12:22,560 Speaker 7: At radio radio Daniel Minaro on my instant story, so 253 00:12:22,600 --> 00:12:24,800 Speaker 7: you can click the link there too, if it's easier 254 00:12:24,800 --> 00:12:26,040 Speaker 7: than spelling Siciliano. 255 00:12:28,640 --> 00:12:33,079 Speaker 3: It's a very heartwarming. It's twelve minutes long. It's it's 256 00:12:33,080 --> 00:12:34,200 Speaker 3: worth a walk. Keeps your attention. 257 00:12:34,240 --> 00:12:35,640 Speaker 6: Do you know what tie all of this together? What 258 00:12:35,679 --> 00:12:38,320 Speaker 6: does tie all this together? So my sister got married 259 00:12:38,880 --> 00:12:42,199 Speaker 6: at the Columbus Zoo in the heart of Africa, So 260 00:12:42,360 --> 00:12:44,480 Speaker 6: wedding photographer in the heart of Africa. And guess what 261 00:12:44,520 --> 00:12:45,520 Speaker 6: we could touch the animals. 262 00:12:45,679 --> 00:12:47,200 Speaker 2: It was great, it was great. 263 00:12:47,240 --> 00:12:51,199 Speaker 3: I got a giraffe wall. If you just visit petting 264 00:12:51,240 --> 00:12:54,040 Speaker 3: zoos and not the form. 265 00:12:54,280 --> 00:12:57,040 Speaker 1: And if you in touch with Vna. I'm telling you 266 00:12:57,120 --> 00:12:58,600 Speaker 1: right now you get in touch to the VNA. If 267 00:12:58,600 --> 00:13:00,760 Speaker 1: you d m him on Instagram, there is a way 268 00:13:00,800 --> 00:13:03,040 Speaker 1: you will find. You will find a way to get 269 00:13:03,040 --> 00:13:05,719 Speaker 1: to the Serengeti and go on Safari. If you want 270 00:13:05,720 --> 00:13:07,360 Speaker 1: to link over, simply go to Elvis dra and show 271 00:13:07,360 --> 00:13:09,200 Speaker 1: on Instagram and we have it all up there for you. 272 00:13:09,920 --> 00:13:14,400 Speaker 4: And also for those who comes with the cameras and 273 00:13:14,640 --> 00:13:17,920 Speaker 4: it's the first time using them, I always offer them 274 00:13:18,320 --> 00:13:23,120 Speaker 4: free lessons on how to use their cameras, the settings 275 00:13:23,640 --> 00:13:25,359 Speaker 4: and how to capture the moments. 276 00:13:25,840 --> 00:13:27,680 Speaker 2: So you don't come down so far just with my 277 00:13:27,760 --> 00:13:29,040 Speaker 2: cell phone, you can. 278 00:13:29,120 --> 00:13:30,160 Speaker 4: You can't come with yourself. 279 00:13:30,160 --> 00:13:32,440 Speaker 3: They were just fine, Yeah, absolutely. 280 00:13:31,960 --> 00:13:34,199 Speaker 4: You can come. You know, the people wants to capture 281 00:13:34,240 --> 00:13:38,160 Speaker 4: the moments in a bigger scope, so they bring their tailors, 282 00:13:38,679 --> 00:13:43,120 Speaker 4: you know, zooming lenses and everything. So and most of them, 283 00:13:43,360 --> 00:13:46,280 Speaker 4: some of them it's the first time they bought it 284 00:13:46,440 --> 00:13:49,680 Speaker 4: or they rented it, so you know, when they come 285 00:13:49,720 --> 00:13:53,680 Speaker 4: out there, everything is new. So I always give them 286 00:13:53,880 --> 00:13:55,400 Speaker 4: hints on how to use them. 287 00:13:55,679 --> 00:13:57,679 Speaker 5: Remember it's not about the camera you use, it's how 288 00:13:57,679 --> 00:13:58,199 Speaker 5: you use it. 289 00:13:58,600 --> 00:13:59,600 Speaker 2: That's what I was told. 290 00:14:00,040 --> 00:14:07,760 Speaker 3: Amen, Mix lessions applied. All right, Well, thank you guys 291 00:14:07,760 --> 00:14:08,559 Speaker 3: for joy. 292 00:14:08,280 --> 00:14:16,440 Speaker 1: Are very awkward, very very awkward podcast. But Vna and 293 00:14:16,800 --> 00:14:19,920 Speaker 1: Spencer and Phil, thank you guys for being here today. 294 00:14:19,920 --> 00:14:22,200 Speaker 3: Thank you, thank you, thank you. Enjoy your day. The 295 00:14:22,280 --> 00:14:23,840 Speaker 3: fifteen Minute Morning Show