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Speaker 1: Mm hmmmm, what's up? This is Michael Rapp Report a

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Speaker 1: k a. The Jake La Matta of podcasting on today's

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Speaker 1: I Am Rapp Reports Stereo podcast. We have an iconic rapper,

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Speaker 1: I actually think an iconic person historically when we look

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Speaker 1: back at two eighteen, this girl will be looked upon

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Speaker 1: as an iconic person and everything that's going on socially,

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Speaker 1: uh in the world. But she's known as an MC.

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Speaker 1: She's known as Young m A The Brooklyn m C.

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Speaker 1: I cannot tell you how fucking excited and proud I

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Speaker 1: am to have Young m A on the I M

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Speaker 1: Rapp Reports Stereo podcast. This is like some Rolling Stone

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Speaker 1: magazine source magazine, sixty minutes type ship. All right, I

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Speaker 1: got to sit down with Young m A The Brooklyn

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Speaker 1: m C or an hour. If you don't know where

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Speaker 1: to check her out, look her up. Fucking dopest ship

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Speaker 1: keeps it real, great stories, just great reality. Just a

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Speaker 1: great person, so impressive. I was a fan of hers

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Speaker 1: when I first saw her, I think on Instagram rhyman

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Speaker 1: or freestylin, got familiar with her music, her whole vibe.

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Speaker 1: Knew she was special, but didn't realize she was as

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Speaker 1: special as uh I found out when I met her

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Speaker 1: and sat down with her on today's I Am Rapp

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Speaker 1: Reports Stereo podcast with Young Am May Miles Jordan's let

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Speaker 1: me get something funky, all right, it's Michael rapport a K.

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Speaker 1: The Jake LaMotta of podcasting a K. The Gringo Man Dingo,

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Speaker 1: And listen. I'm gonna sort of keep this as a

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Speaker 1: standalone episode because, as I told you, I cannot wait

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Speaker 1: for you guys to hear uh this sit down interview

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Speaker 1: with Young m A. Um fucking dopest shit. Um. If

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Speaker 1: you're not familiar with her, check out her music. Um,

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Speaker 1: she's a fucking icon man. She's a game changing personality.

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Speaker 1: She's a game changing m c She's a cultural game changer.

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Speaker 1: She's cool as ship, she's funny as shit. Got to

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Speaker 1: talk to her about, you know, her rise as an

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Speaker 1: m c. Uh, Which state has the baddest chicks in

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Speaker 1: the United States? Which country has the baddest chicks all

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Speaker 1: around the world? Meeting fifty cent her idol, meeting jay

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Speaker 1: Z her Idol and having her idols recognized and be

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Speaker 1: fans of her, And she just directed a porno. Young

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Speaker 1: m A just directed a fucking no note talking about

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Speaker 1: that and so much more on today's stand alone because

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Speaker 1: it's so goddamn good stand alone episode of the I

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Speaker 1: M Rapp Reports Stereo podcast. Yes, I'm chomping at the

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Speaker 1: bit to talk shit about Jared Kushner. Jew face Jared Kushner,

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Speaker 1: and I'm a Jew and I'm calling him that jew face.

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Speaker 1: Jared Kushner got his security clearance taken away. That motherfucker

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Speaker 1: has to get vetted if he travels to Vermont. Jared

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Speaker 1: Kushner got his security clearances taken away. That means he's

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Speaker 1: no longer authorized for t S A pre check. Motherfucker,

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Speaker 1: I'm t s a pre check. Okay, Jared Kushner has nothing.

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Speaker 1: He's like a civilian. The only fucking thing that jew

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Speaker 1: faced Jared Kushner is good for now is cooking Shabbat dinner. Okay,

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Speaker 1: when Ivanka comes home, have the brisket, have the meat loaf,

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Speaker 1: and have the strudal ready for her. Okay, you're a

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Speaker 1: fucking stay at home dad, Jared Kushner. That's it. That's it.

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Speaker 1: You got your fucking security clearances taken away. You know

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Speaker 1: what that means. That means when they have high powered

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Speaker 1: secret means you can't be there, motherfucker. You cannot be there, okay,

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Speaker 1: and I love it. You can't be there for high powered,

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Speaker 1: top secret meetings conversations because they took your fucking security clears.

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Speaker 1: I don't even know if you're qualified for an Uber membership.

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Speaker 1: I've talked a lot of ship about Jared Kushner because

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Speaker 1: he's a fucking mute and he doesn't say anything about anything. Okay.

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Speaker 1: I don't think anyone has heard him speak. He's got

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Speaker 1: a Twitter account, but he doesn't tweet. Okay. I listened

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Speaker 1: to an NPR podcast called Embedded. It goes into a

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Speaker 1: long history of Jared Kushner. Jared Kushner's grandparents are Holocaust survivors, okay,

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Speaker 1: and they articulated it at the Jewish Museum. His grandmother

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Speaker 1: shared her story. It's a very compelling, very heartbreaking story

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Speaker 1: of what they were exposed to. Um and then it

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Speaker 1: goes into talk about Jared Kushner's father and all this,

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Speaker 1: but the fact that he has such a such a

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Speaker 1: long history in his family blood, in in his genetic makeup,

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Speaker 1: you know, being a Jew and what what with the

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Speaker 1: struggles true struggles of being a jewel and and being

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Speaker 1: a Holocaust survivor and having grandparents that would live to

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Speaker 1: tell the story of what it's like to be a

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Speaker 1: Holocaust survivor, and then for him to be so fucking

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Speaker 1: mute about everything, the tiki torch people, everything, all the

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Speaker 1: racial ship that his father in law says. That's why

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Speaker 1: I don't like this motherfucker. Okay, if you want to

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Speaker 1: learn more about Jared Kushner, you should check out this

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Speaker 1: embedded MPR podcast. It's all about the Kushner family, and

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Speaker 1: you understand a little bit more why I can't stand

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Speaker 1: this fucking soulless, fucking jew. I want to give a

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Speaker 1: shout out to Dick's Sporting Goods on a serious note. Um,

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Speaker 1: they are the first company that I'm aware of that

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Speaker 1: is independently taking a step into trying to stop the

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Speaker 1: selling of assault rifles. They're not selling assault style weapons anymore,

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Speaker 1: as they should. If you're a hunter, you don't need

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Speaker 1: these kinds of weapons. Hunters don't use assault style weapons. Okay,

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Speaker 1: they're no longer selling guns to anyone under the age

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Speaker 1: of twenty one yo. Dick Sporting Goods, you have a

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Speaker 1: customer in me. Some of these sick fox are saying

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Speaker 1: they want to band dick sporting goods, you're sick animals

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Speaker 1: and what else? Lebron James. Okay, he broke another record.

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Speaker 1: He's the only basketball player in history to have thirty

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Speaker 1: thousand points, eight thousand rebounds, eight thousand assists. Incredible, he's

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Speaker 1: the only player to ever do it. Um, everybody's talking

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Speaker 1: about it, obviously, all the sports outlets are talking about it.

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Speaker 1: I'm talking about it, the rest of the NBA is

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Speaker 1: talking about and all kinds of other athletes shouted him out,

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Speaker 1: tweeting them out. Um, and you know who else is

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Speaker 1: talking about it, Lebron fucking James. See, this is why

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Speaker 1: it's always one step backwards with you. You accomplish something

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Speaker 1: that no other basketball player has ever accomplished, and yet

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Speaker 1: you tweet about it yourself. Why don't you just let

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Speaker 1: everybody else and our mothers talk about it? Why are

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Speaker 1: you tweeting about it yourself? I understand you gotta have confidence.

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Speaker 1: I get all that. I have a lot of confidence

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Speaker 1: in myself. You're listening to the world's greatest podcast right now. Okay,

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Speaker 1: but I'm not Lebron fucking James. Okay, I'm not the

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Speaker 1: only player who scored thirty thousand points, eight thousand rebounds,

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Speaker 1: eight thousand assists, And if I was, I wouldn't say

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Speaker 1: shit about it. I would just be business like like

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Speaker 1: Dr J. Michael Jordan's stop patting your fucking self on

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Speaker 1: the back. The whole world is talking about it. The

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Speaker 1: entire sports world is talking about it. Yeah, you have

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Speaker 1: to add your little cherry on top tweak listen. I

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Speaker 1: said this is gonna be a standalone episode. G Moody,

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Speaker 1: last name rhymes with duty, is dealing with a little

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Speaker 1: bit of water trouble in the Bronx gloom to him.

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Speaker 1: The next episode, we're gonna be back doing our thing.

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Speaker 1: So much ship to talk. But I told you smith

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Speaker 1: Sonian level podcasting. Okay, this podcast right here, in my opinion,

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Speaker 1: out of all the podcasts we've done, and I don't

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Speaker 1: like to compare them because they're all like my children,

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Speaker 1: this may or may not be the best sit down

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Speaker 1: interview we've ever done. Brooklyn MC icon game changing personality,

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Speaker 1: game changing m C when it comes to hip hop,

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Speaker 1: fucking dopest ship, Let's get to it. Michael Rappaport meets

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Speaker 1: the great Young m A. That's fucking go and I'm

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Speaker 1: gonna in the morning right now. I just put this up.

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Speaker 1: They yeah, they were trying to give you. They was

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Speaker 1: trying to give me out. Y'a don't know what I'm about.

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Speaker 1: Y'all doing for the cloud the streets like where you are,

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Speaker 1: tone niggas, I'm a route. I was working at the

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Speaker 1: house in the schools, leaping on the couch, trying to

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Speaker 1: figure out when my next movie is come move with

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Speaker 1: the movement, see through. You wont transparent niggas? Who you

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Speaker 1: guys think you're fooling? We're building, building, picking ring, dripping, tripping,

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Speaker 1: my necklace is drooling, tray pound, gotta buck talking nigger

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Speaker 1: like amusement. No clouds over here, no how no amusement. No, no,

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Speaker 1: we're losing. Y'all got us confused with the other niggas

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Speaker 1: over there? Who them? Who them? And I'm have another

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Speaker 1: bensch by the lens. I ain't coming here for friends.

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Speaker 1: Came head to make money, save money. Then I spend him. Hey,

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Speaker 1: where you've been? Don't you do that ship again? Do

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Speaker 1: you think I'll give a funk with a hater? I

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Speaker 1: gotta say about me, That's exactly what they hate about me.

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Speaker 1: They're around me when the sun rise, when it's sun shine.

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Speaker 1: Where the funk y'all was that when it was cloudy?

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Speaker 1: Fake niggas, Please get the hell from around me. Niggas

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Speaker 1: just around me. That was the same niggas. Down check

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Speaker 1: get a check, flex check, Mike check, test test test,

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Speaker 1: Mike check, Mike check. All right, got it, set it,

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Speaker 1: set it young a ma mm hmm on the motherfucking

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Speaker 1: Iron Wrappaport Stereo podcast. Now, I'm gonna tell you this

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Speaker 1: right now, just to get this off my chest. I

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Speaker 1: told you when I met you briefly at the Snoop

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Speaker 1: Dogg of Head, I'm a big, big, big fan. I

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Speaker 1: funk with you ever since I saw you. It might

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Speaker 1: have been on Instagram or I think it was Instagram.

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Speaker 1: I was like, what the fuck is going on here?

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Speaker 1: Like who is this? Like your whole ship, your style,

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Speaker 1: the way you were rhyming, the fact that you were

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Speaker 1: chick rhyming like that, like it I knew from the

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Speaker 1: way you were speaking like Brooklyn and I just was like,

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Speaker 1: oh ship, So to have you on the podcast and

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Speaker 1: Drew will tell you, I'm a fancy at the moment

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Speaker 1: I saw I might not have saw you at the

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Speaker 1: first out whatever, So I appreciate you rock us. I

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Speaker 1: know a lot about you. Um, definitely Drew put me

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Speaker 1: onto um you being a fan whatever the case. Um,

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Speaker 1: but I always see you. I'll see you on Internet

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Speaker 1: v officially with it, so I always you know, had

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Speaker 1: much respect for you. All right, Well, I appreciate it absolutely. Man.

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Speaker 1: I know you're wanted the relish man, so it's only

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Speaker 1: right for me to be on here. So what's up?

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Speaker 1: You are you? You're in We're doing this in Los Angeles.

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Speaker 1: You're Brooklyn everything absolutely how you? How are you feeling

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Speaker 1: about Los Angeles? I love a. L A is like

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Speaker 1: is like one of the places you home where you

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Speaker 1: kind of trying to escape the East Coast, you know

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Speaker 1: what I mean. Like, I'm so used to the East Coast.

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Speaker 1: I'm so used to just the um the environment out

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Speaker 1: there and how everything moves so much faster and so

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Speaker 1: much colder, so much darker. You know, when you come

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Speaker 1: to l A is more brighter, you know what I mean.

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Speaker 1: It's small, small, open, so um. When I come out here,

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Speaker 1: it's like now I want to say a peace of mind,

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Speaker 1: but it's like a different state of mind. You think

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Speaker 1: different when you come out here than in New York City.

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Speaker 1: It's just slow. In New York you're in the streets. Yeah,

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Speaker 1: you're more and so in the streets, and you you

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Speaker 1: feel the streets more in New York City. Out here

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Speaker 1: you more feel like the vibe is the weather, like

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Speaker 1: you feel that out here in New York City you

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Speaker 1: feel to you feel authentic, real vibes, like it's like

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Speaker 1: this New York City and then you come out here,

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Speaker 1: it's like this l a right. So it's it's it's

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Speaker 1: a different It's not a bad, it's like nothing bad.

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Speaker 1: It's just a difference or whatever the case. So when

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Speaker 1: I come out here, it's like different type of vibe,

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Speaker 1: different type of business. And when I'm back in the city,

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Speaker 1: different vibe, different business. So yeah, So, so I don't

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Speaker 1: know much about your your background and how you came up,

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Speaker 1: and you know, we're not gonna get into all that now,

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Speaker 1: but I could tell you, you you know, like your hood,

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Speaker 1: like you came up, like you're like you came up,

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Speaker 1: just in terms of like the being recognized now and

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Speaker 1: the fame that you have and and what you mean

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Speaker 1: the people and and everything good bad and in between,

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Speaker 1: especially in Brooklyn, especially because you've got people that will

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Speaker 1: love you, people are excited you. You got haters, you know,

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Speaker 1: and it's not You can't walk around anonymously, which is

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Speaker 1: one of the things that probably helped you become who

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Speaker 1: you are as an artist. How do you deal with that,

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Speaker 1: you know, sort of being able to appreciate what you

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Speaker 1: get from being a New Yorker, being from Brooklyn and

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Speaker 1: now you know you're not anonymous, Like people probably are

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Speaker 1: fucking hype to see it. I imagine of the people

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Speaker 1: are hyped to see um that I can say though,

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Speaker 1: when you come from New York City, man, it's like

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Speaker 1: I wouldn't say an advantage, but it is because like,

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Speaker 1: if you can win there, you know what I mean,

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Speaker 1: you can win everywhere. Like you get that love from

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Speaker 1: New York City, man, everything else to be comes a

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Speaker 1: little more easy. I wouldn't say it's easy, but it

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Speaker 1: comes a little more easy, a little morely, you know

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Speaker 1: what I mean. So New York City is rough, man,

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Speaker 1: Like you you You're not gonna get no bullshit from

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Speaker 1: New York. They're gonna keep it real with you. If

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Speaker 1: you trash, you trash, and that's what it is. If

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Speaker 1: they feel like you ain't no authentic. You ain't no authentic.

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Speaker 1: If the streets ain't talking about you, you don't matter,

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Speaker 1: you know what I'm saying. So when you get that

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Speaker 1: street level first, everything else becomes I bet, all right,

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Speaker 1: we're gonna go from here, but you gotta build the

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Speaker 1: streets first. And that's what I did. That's something I did.

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Speaker 1: Um you know, in the beginning, I built from the streets. Man,

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Speaker 1: I was like in the streets, gotta hear me. I

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Speaker 1: was on all these freestyle records, spitting bars, you know,

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Speaker 1: letting them know the rail, letting them know my position,

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Speaker 1: where I came from, what it was, and and and

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Speaker 1: that's what it was. And then eventually, you know, when

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Speaker 1: you branch out, you learn everything else that's on the outside.

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Speaker 1: When you built from the route of the streets, like

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Speaker 1: that's like you know, you you building, like you you learning,

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Speaker 1: Like that's the struggle. You gotta build from the struggle.

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Speaker 1: When how long ago was that time when you started

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Speaker 1: you know, doing all the freestyle ship or like the

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Speaker 1: you know, like just like any go anywhere to run.

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Speaker 1: This was like twenty eleven. Oh shit, okay, So when

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Speaker 1: did you like say I want to do this, like

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Speaker 1: I want to do this to make money, Like I

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Speaker 1: like fun funk, just doing it because it's cute. Like

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Speaker 1: I don't want to play street ball, just street ball.

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Speaker 1: I always want to rock with Streep, but I want

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Speaker 1: to fucking like be a professional rapper, Like I want

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Speaker 1: to be a musician. I'm an artist, whatever you want

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Speaker 1: to call it. Since I was nine, I love music,

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Speaker 1: you know what I mean? Since I was nine years old.

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Speaker 1: That was something i've I've I've paid attention to something

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Speaker 1: I was into. Um, I didn't notice the real serious

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Speaker 1: aspects of it. I didn't really know what came with it.

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Speaker 1: It was just something I just was like, I want

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Speaker 1: to do and I want to be rapping right rhymes,

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Speaker 1: you know. I didn't know the that you know radio

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Speaker 1: and you need producers and you need to record label like.

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Speaker 1: I wasn't knowing that at that age. I was just saying,

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Speaker 1: you know what rappers do until you know. Eventually, a

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Speaker 1: couple of years past, PIN come around eleven, twelve years old,

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Speaker 1: I'm starting to learn more and paying attention to behind

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Speaker 1: the scenes documentaries and stuff like that, and that's when

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Speaker 1: I realized, I this is this comes, this comes more.

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Speaker 1: I didn't learn this from somebody teaching me, Like it

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Speaker 1: wasn't like you know, I had a family member or

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Speaker 1: a friend coming to me, Like I paid attention because

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Speaker 1: I was interested, you know what I'm saying. So when

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Speaker 1: it came about, you know, I understood, like, Okay, this

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Speaker 1: is deeper than just wanting to be a rapper, Like

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Speaker 1: this comes with a lot, and um, it was difficult

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Speaker 1: at first, you know, I did in terms of what

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Speaker 1: in terms of just what position I wanted to play,

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Speaker 1: you know, and then you know, I'm dealing with not

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Speaker 1: just being an artist, but I'm dealing with who I represent,

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Speaker 1: you know, as a person, as my sexuality, you know

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Speaker 1: what I'm saying. So I've been dealing which is something

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Speaker 1: I never I ain't gonna lize. It's something I never

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Speaker 1: really took, like on something like if I become in

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Speaker 1: a rap game like this, they're not going to accept me.

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Speaker 1: Like I never thought that My issue was dealing with

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Speaker 1: that personal Like I had to deal with that personally

295
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Speaker 1: first before I even think about how they would feel

296
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Speaker 1: about it in music. You know what I'm saying. Music

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Speaker 1: was something I always did, no matter what I talked about.

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Speaker 1: What I'm saying, that was just something I always was

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Speaker 1: like I'm gonna do and I'm gonna be great at it.

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Speaker 1: But when it came to my personal life and just

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Speaker 1: dealing with you know what I you know, what I

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Speaker 1: represented as a person and my sexual preference, I felt

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Speaker 1: like I had to get past that situation personally in

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Speaker 1: order for me to just live the rest of my

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Speaker 1: life comfortable and anything I decided to do. It didn't

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00:17:21,119 --> 00:17:23,360
Speaker 1: even had to be just music. It's just living as

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Speaker 1: an you know, growing up as an adult under saying So,

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Speaker 1: once I got past that stage and you know, let

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Speaker 1: my family know what it was and all that, then

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Speaker 1: music became comfortable and it was like, oh, yeah, it's

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Speaker 1: only that. How long were you with with like around

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Speaker 1: that time? I know, it's not like a day in

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Speaker 1: a moment. It took a long time, man. And I

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Speaker 1: don't have no problem saying that because I didn't understand

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Speaker 1: it at first. You know, I noticed was something I

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Speaker 1: was going through, but I didn't understand it. So I

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Speaker 1: just I just lived life as just I don't know,

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Speaker 1: just whatever, you know what I mean. I wasn't too personal.

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Speaker 1: What I just was like, you know, it is what

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Speaker 1: it is. Until eventually I came into acceptance. When my

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Speaker 1: brother passed away, I was seven teen, Um, that's when

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Speaker 1: I really understood life. Then you understand, like we got

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Speaker 1: to the past, it was like, oh, this is real.

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00:18:07,240 --> 00:18:09,960
Speaker 1: I got you, you know, like we really die. You know,

325
00:18:09,960 --> 00:18:12,359
Speaker 1: I'm saying, like you I was still innocent for a minute,

326
00:18:12,800 --> 00:18:14,680
Speaker 1: you know, before I even you know, I witnessed death

327
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Speaker 1: before you know, I had a grandfather that passed, uncles

328
00:18:16,760 --> 00:18:19,399
Speaker 1: or whatever whatever. But when you know, we got somebody

329
00:18:19,440 --> 00:18:22,040
Speaker 1: that close to you past, it's like, oh, this is real, right,

330
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Speaker 1: Like you can't take nothing for granted, right, you know,

331
00:18:25,800 --> 00:18:28,600
Speaker 1: you gotta go, you know, because it can be tooking

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Speaker 1: from me. And I learned that, you know what I mean.

333
00:18:30,800 --> 00:18:32,439
Speaker 1: I had to learn that. Man. I had to deal

334
00:18:32,480 --> 00:18:33,840
Speaker 1: with my mom suffering, you know what I mean. It

335
00:18:33,880 --> 00:18:35,679
Speaker 1: was just a lot at that At that time, I

336
00:18:35,720 --> 00:18:38,320
Speaker 1: was seventeen, I understand nothing. I knew. I was going

337
00:18:38,359 --> 00:18:41,159
Speaker 1: through my little personal situation. Just want to let my

338
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Speaker 1: family know what I really was dealing with. So you know,

339
00:18:44,000 --> 00:18:47,160
Speaker 1: once my brother what's gone, it was like I can't

340
00:18:47,320 --> 00:18:50,399
Speaker 1: pretend the more, Like I gotta let them know, like

341
00:18:50,480 --> 00:18:52,400
Speaker 1: this is what it is. I'm going through it, and

342
00:18:53,000 --> 00:18:56,200
Speaker 1: you know, I came out at seventeen. Yo, I'm gonna

343
00:18:56,240 --> 00:18:59,480
Speaker 1: be honest, you're fucking my head up through I'm such

344
00:18:59,520 --> 00:19:01,720
Speaker 1: a big fan of yours, like and like I'm just

345
00:19:01,760 --> 00:19:04,200
Speaker 1: bugging off this already because I'm just like, I only

346
00:19:04,240 --> 00:19:06,600
Speaker 1: do this because I'm a fan, you know, right, absolutely,

347
00:19:06,880 --> 00:19:08,879
Speaker 1: And just to have you talk and ship like that,

348
00:19:09,040 --> 00:19:11,640
Speaker 1: I really appreciate. It's a it's a story, man, It's

349
00:19:11,720 --> 00:19:14,360
Speaker 1: it's a funking. It's a story. I mean, you're I mean,

350
00:19:14,600 --> 00:19:19,719
Speaker 1: I know there's been women, gay, women whatever you know

351
00:19:19,880 --> 00:19:24,000
Speaker 1: in hip hop, but now and to be so who

352
00:19:24,040 --> 00:19:27,040
Speaker 1: you are and embrace it, and from the beginning there

353
00:19:27,080 --> 00:19:29,960
Speaker 1: was no like you know, and to watch hip hop

354
00:19:29,960 --> 00:19:33,360
Speaker 1: and especially you know with women, it's so yeah where

355
00:19:33,400 --> 00:19:36,960
Speaker 1: women alone, it's already you know, like a label thing,

356
00:19:37,040 --> 00:19:38,879
Speaker 1: you know what I mean, fun if you you know,

357
00:19:38,880 --> 00:19:40,240
Speaker 1: I mean, I don't never like to be labeled, Like

358
00:19:40,240 --> 00:19:42,120
Speaker 1: I don't say I'm a gay rapper, none of that, right,

359
00:19:42,480 --> 00:19:44,240
Speaker 1: But that's meaning that's so dope about you, like your

360
00:19:44,359 --> 00:19:45,800
Speaker 1: When it came out, it was just like it was like,

361
00:19:45,800 --> 00:19:48,400
Speaker 1: who is it? That's what I think. It was. No,

362
00:19:49,160 --> 00:19:51,040
Speaker 1: it was no I'm a gay rapper. It was just

363
00:19:51,240 --> 00:19:54,240
Speaker 1: it was who the fund is it? And that's what

364
00:19:54,359 --> 00:19:56,879
Speaker 1: I always looked at, Like that's why I said, I

365
00:19:56,960 --> 00:20:00,359
Speaker 1: never bring my personal into into the music. Far as

366
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Speaker 1: like um not, you know, not knowing what the funk

367
00:20:04,400 --> 00:20:05,959
Speaker 1: you know I was gonna do next, Like far as

368
00:20:06,040 --> 00:20:07,800
Speaker 1: like letting it be known that this is what it is,

369
00:20:07,880 --> 00:20:10,879
Speaker 1: let my family know, Like I never bring that that

370
00:20:11,000 --> 00:20:14,000
Speaker 1: situation into the music. When I finally let people know,

371
00:20:14,160 --> 00:20:16,199
Speaker 1: like no, I ain't gonna say let people let my

372
00:20:16,280 --> 00:20:19,280
Speaker 1: family know what it was. Then when I did music,

373
00:20:19,680 --> 00:20:22,480
Speaker 1: it was just me letting them know my experiences. Now listen,

374
00:20:22,520 --> 00:20:30,040
Speaker 1: I'm taking niggas bitches, I'm taking their girls. I'm working

375
00:20:30,119 --> 00:20:33,439
Speaker 1: with a strap like I'm letting them know. This is

376
00:20:33,480 --> 00:20:36,639
Speaker 1: thinking my fucking wife, young man. I'm telling you, fuck,

377
00:20:37,000 --> 00:20:39,800
Speaker 1: you're not taking my fucking wife. You're not gonna take

378
00:20:39,920 --> 00:20:43,320
Speaker 1: my fucking wife. But that's where it was at. I'm

379
00:20:43,359 --> 00:20:46,800
Speaker 1: trying to take girls out like you gotta understand, like

380
00:20:47,160 --> 00:20:53,640
Speaker 1: it wasn't me coming in. You're not taking my fucking wife, yo,

381
00:20:55,359 --> 00:21:00,160
Speaker 1: yo yo, but not for real. I got your it's

382
00:21:00,200 --> 00:21:03,840
Speaker 1: yourself like you're I came in like I wouldn't say cocky,

383
00:21:03,880 --> 00:21:06,160
Speaker 1: but I came in confident. Man. I came in like, Yo,

384
00:21:06,320 --> 00:21:09,360
Speaker 1: I'm head, like I'm I'm I let it out right

385
00:21:09,880 --> 00:21:13,760
Speaker 1: music and self expression. I'm expressing how I feel. Women

386
00:21:13,800 --> 00:21:16,000
Speaker 1: think I'm attractive. I'm getting at him, you know what

387
00:21:16,040 --> 00:21:17,800
Speaker 1: I mean. Like, That's how I came into the game.

388
00:21:17,840 --> 00:21:20,120
Speaker 1: I was confident. Man, I've been dealing with this ship

389
00:21:20,240 --> 00:21:22,520
Speaker 1: for too long. I got you, you understand like something.

390
00:21:22,560 --> 00:21:24,440
Speaker 1: I held it for a long time. Man, it was like, Yo,

391
00:21:24,560 --> 00:21:27,160
Speaker 1: funk that I got you. I don't care what nobody think.

392
00:21:27,320 --> 00:21:29,320
Speaker 1: You know what I'm saying. I don't care how you feel,

393
00:21:29,359 --> 00:21:32,080
Speaker 1: what you feel about it. No, I'm in May, I'm

394
00:21:32,119 --> 00:21:33,800
Speaker 1: young in May. I'm an artist, and I'm gonna tell

395
00:21:33,800 --> 00:21:35,639
Speaker 1: you how I feel. And I'm gonna let you know

396
00:21:35,760 --> 00:21:38,520
Speaker 1: my struggles. I'm gonna let you know what I prefer women.

397
00:21:38,560 --> 00:21:40,520
Speaker 1: I'm gonna let you know what I deal with on

398
00:21:40,560 --> 00:21:43,360
Speaker 1: a day to day basis. And and I'm spitting at

399
00:21:43,359 --> 00:21:45,400
Speaker 1: the same time. What I'm saying it ain't It ain't

400
00:21:45,440 --> 00:21:48,080
Speaker 1: like I'm just saying saying some ship. I'm not spitying pious.

401
00:21:48,640 --> 00:21:52,120
Speaker 1: You can call me crazy if you want to shore.

402
00:21:52,200 --> 00:21:56,040
Speaker 1: He got me on shore. He tell me what you

403
00:21:56,040 --> 00:21:58,159
Speaker 1: want I could beat it like it's bad, or I

404
00:21:58,160 --> 00:22:03,840
Speaker 1: could eat it like it's lunch. I did try to front,

405
00:22:04,040 --> 00:22:07,600
Speaker 1: go ahead and try your luck, So what's a move

406
00:22:07,760 --> 00:22:11,560
Speaker 1: that's a dumb but showed about it and she dumped too,

407
00:22:12,520 --> 00:22:15,040
Speaker 1: surely trying to tell me that she can't have me sprung.

408
00:22:15,119 --> 00:22:17,000
Speaker 1: I'm like, you know who I am, young girl, you're

409
00:22:17,080 --> 00:22:19,280
Speaker 1: working with them one. She didn't type the go and

410
00:22:19,280 --> 00:22:21,119
Speaker 1: get it. I'm the type to get it done. So

411
00:22:21,240 --> 00:22:23,359
Speaker 1: if you want to chase this bag, shorty, let's go

412
00:22:23,440 --> 00:22:28,040
Speaker 1: on and shot. I'm like oh. She like oh, I'm

413
00:22:28,080 --> 00:22:32,000
Speaker 1: like show. She smoked a loud. I just sit there, hendie.

414
00:22:32,040 --> 00:22:34,080
Speaker 1: She like hit it with me. I'm like nah, She's

415
00:22:34,119 --> 00:22:37,320
Speaker 1: like wow. I'm like, funk before I ask you about

416
00:22:37,359 --> 00:22:42,000
Speaker 1: musical ship, since you've been so open and and we're

417
00:22:42,000 --> 00:22:45,680
Speaker 1: in such a crazy time with sexuality. I mean, there's

418
00:22:45,680 --> 00:22:48,879
Speaker 1: so much going on, and you know, there's like the

419
00:22:48,960 --> 00:22:52,760
Speaker 1: question I have is like how much response have you

420
00:22:52,920 --> 00:22:57,560
Speaker 1: gotten from younger kids, girls, and what does that mean

421
00:22:57,600 --> 00:22:59,240
Speaker 1: to you? Because I'm sure like for a lot of

422
00:22:59,240 --> 00:23:02,399
Speaker 1: people that strug with their sexual especially youth, you know,

423
00:23:02,440 --> 00:23:07,359
Speaker 1: and in Black youth, Spanish youth, hood, youth, you're like

424
00:23:07,400 --> 00:23:11,199
Speaker 1: a benchmark person outside of hip hop, Like in my opinion,

425
00:23:11,200 --> 00:23:14,119
Speaker 1: you're like a like a benchmark person. Like when they

426
00:23:14,119 --> 00:23:17,240
Speaker 1: talk about like sexuality of two thousand, seventeen eighteen whenever

427
00:23:17,240 --> 00:23:19,880
Speaker 1: you've been around, like you're gonna be part when we're

428
00:23:19,920 --> 00:23:21,760
Speaker 1: forty years from now, Like you're gonna be part of

429
00:23:22,240 --> 00:23:24,200
Speaker 1: What does that mean to you? And like who's reached

430
00:23:24,240 --> 00:23:26,920
Speaker 1: out to you? And like what's the response in terms

431
00:23:26,960 --> 00:23:29,840
Speaker 1: of the responsibility? Um, one thing I couldn't say, though,

432
00:23:30,600 --> 00:23:33,760
Speaker 1: That's something I never put forward, Like I never thought

433
00:23:34,400 --> 00:23:38,000
Speaker 1: doing music would be bigger than the music, right you

434
00:23:38,119 --> 00:23:42,080
Speaker 1: under saying I never thought my position and music would

435
00:23:42,119 --> 00:23:44,520
Speaker 1: be bigger than the music because I just looked at

436
00:23:44,600 --> 00:23:46,720
Speaker 1: music because I love music, And I'm saying I didn't

437
00:23:46,720 --> 00:23:49,920
Speaker 1: know my position would play a bigger role, And um,

438
00:23:51,200 --> 00:23:52,880
Speaker 1: I think that kind of would makes it, I guess,

439
00:23:52,920 --> 00:23:54,960
Speaker 1: bigger than what it is because of the fact that

440
00:23:55,080 --> 00:23:57,359
Speaker 1: I don't think about it. And then people come to

441
00:23:57,400 --> 00:24:01,800
Speaker 1: me like, yo, you inspire me because of how confident

442
00:24:01,920 --> 00:24:04,800
Speaker 1: and how so accepted you are of yourself. So it's

443
00:24:04,800 --> 00:24:08,480
Speaker 1: not even about honestly, yoh fuck being gay, you know

444
00:24:08,520 --> 00:24:11,000
Speaker 1: what I mean? Being any type of sexuality you are.

445
00:24:11,560 --> 00:24:14,360
Speaker 1: It's about just loving yourself, you know what I mean.

446
00:24:14,400 --> 00:24:16,880
Speaker 1: You could be anything in the world. As long as

447
00:24:16,880 --> 00:24:21,600
Speaker 1: you love you, You're going far like that helps you

448
00:24:22,240 --> 00:24:24,679
Speaker 1: elevate to the position you're trying to beat where you

449
00:24:24,720 --> 00:24:27,560
Speaker 1: ain't even worried about your surroundings or what anybody even

450
00:24:27,560 --> 00:24:30,440
Speaker 1: thinking you. So it ain't honestly, bro, it's not really

451
00:24:30,480 --> 00:24:34,920
Speaker 1: about a label. It's actually bigger than that. To keep going,

452
00:24:35,040 --> 00:24:36,560
Speaker 1: you know what I'm saying. It's bigger than the music,

453
00:24:36,680 --> 00:24:39,800
Speaker 1: is bigger than a label. The gay whatever they want

454
00:24:39,840 --> 00:24:42,320
Speaker 1: to call it, is bigger than that too. It's another layer.

455
00:24:42,480 --> 00:24:47,040
Speaker 1: It's just about acceptance all types of aspects of human beings,

456
00:24:47,119 --> 00:24:48,880
Speaker 1: because at then there were all human beings. I don't

457
00:24:48,880 --> 00:24:51,240
Speaker 1: get how you look, what you represent, what you prefer

458
00:24:51,400 --> 00:24:53,360
Speaker 1: whatever you look at me, You got eyes, you got knows,

459
00:24:53,359 --> 00:24:56,119
Speaker 1: you got lips like me, you understand, And that's unless

460
00:24:56,119 --> 00:24:58,120
Speaker 1: you lost the eye. But you still have an eye,

461
00:24:58,440 --> 00:25:01,240
Speaker 1: you know what I mean. So it don't matter, bro.

462
00:25:02,119 --> 00:25:04,160
Speaker 1: And for people, you know, it's people out there of course,

463
00:25:04,200 --> 00:25:07,639
Speaker 1: you know you have racism, you know you have you know,

464
00:25:07,640 --> 00:25:10,880
Speaker 1: people that's against gays or whatever the case. I'm way

465
00:25:10,920 --> 00:25:14,280
Speaker 1: past that, bro, like racism or that I'm way past that. Man.

466
00:25:14,359 --> 00:25:16,280
Speaker 1: I don't, I don't. I don't have no hate towards

467
00:25:16,640 --> 00:25:18,679
Speaker 1: white people, right, you know what I mean? Like you

468
00:25:18,760 --> 00:25:21,840
Speaker 1: can't blame every white person for something, right, you can't

469
00:25:21,840 --> 00:25:25,119
Speaker 1: blame every gay person for something. You understand. It's bigger

470
00:25:25,119 --> 00:25:28,439
Speaker 1: than that man being eighteen, bro, Like the world is

471
00:25:28,480 --> 00:25:31,359
Speaker 1: so much bigger, as so much opportunities out here. People,

472
00:25:31,440 --> 00:25:35,000
Speaker 1: It's gonna be people. You can't take that away from them, period.

473
00:25:35,000 --> 00:25:37,359
Speaker 1: Because now people have self confidence. Now they learn the

474
00:25:37,440 --> 00:25:39,320
Speaker 1: self confidence. It's not like back in the day where

475
00:25:39,359 --> 00:25:41,920
Speaker 1: a lot of ship was restricted. Certain things you couldn't do,

476
00:25:41,960 --> 00:25:43,880
Speaker 1: certain places you couldn't go, certain things you couldn't say,

477
00:25:44,200 --> 00:25:47,520
Speaker 1: certain things can't be seen. But nowadays it's so free.

478
00:25:47,840 --> 00:25:50,520
Speaker 1: It's like, how can you stop that? It's parades? It's like, yo,

479
00:25:50,640 --> 00:25:52,520
Speaker 1: what could you do? And I was always one of

480
00:25:52,520 --> 00:25:54,360
Speaker 1: the type of people I didn't throw it out there.

481
00:25:54,600 --> 00:25:56,719
Speaker 1: It was like, Yo, I'm just being me. I'm not

482
00:25:56,800 --> 00:26:00,160
Speaker 1: trying to make you accept me. I'm just saying who

483
00:26:00,160 --> 00:26:04,120
Speaker 1: I am. Have you been contacted by like whoever? Young?

484
00:26:04,240 --> 00:26:06,719
Speaker 1: I mean, just the kids, because because you look like

485
00:26:06,760 --> 00:26:08,919
Speaker 1: you're fucking seventeen, Like when I'm in front of like

486
00:26:08,960 --> 00:26:11,760
Speaker 1: if you probably get carded if people don't know to

487
00:26:12,200 --> 00:26:15,800
Speaker 1: like get on the bus and ship right right, you

488
00:26:15,840 --> 00:26:17,280
Speaker 1: know what I mean. So I mean that's a good thing,

489
00:26:17,359 --> 00:26:18,800
Speaker 1: you know what I mean, because when you're forty seven,

490
00:26:18,800 --> 00:26:22,359
Speaker 1: hopefully you'll look you still look right now. But I

491
00:26:22,440 --> 00:26:24,680
Speaker 1: mean I mean in terms of like just the kids

492
00:26:24,680 --> 00:26:26,840
Speaker 1: that have reached out to you, like, you know, have

493
00:26:26,920 --> 00:26:29,399
Speaker 1: you noticed that response, especially from you know, kids that

494
00:26:29,400 --> 00:26:33,560
Speaker 1: are struggling with that definitely, Um, even on social media alone,

495
00:26:33,600 --> 00:26:35,840
Speaker 1: I'm sure, right, you know what I mean? Social media

496
00:26:35,880 --> 00:26:38,680
Speaker 1: all the time. It's like it's kind of like consistent.

497
00:26:38,720 --> 00:26:40,760
Speaker 1: I have people in my comments almost every other day.

498
00:26:40,840 --> 00:26:43,439
Speaker 1: Let me know how much I inspire them to just

499
00:26:43,520 --> 00:26:45,639
Speaker 1: want to do what they need to do for theirselves,

500
00:26:45,720 --> 00:26:47,760
Speaker 1: even with me doing the whole weight loss thing, you

501
00:26:47,800 --> 00:26:49,359
Speaker 1: know what I mean, Like that's one of the things

502
00:26:49,560 --> 00:26:52,040
Speaker 1: I don't try to try to inspire people as much

503
00:26:52,040 --> 00:26:54,280
Speaker 1: as possible. I even put quotes on my Graham sometime

504
00:26:54,400 --> 00:26:56,440
Speaker 1: like you know, you know, you may have a down,

505
00:26:56,480 --> 00:26:58,159
Speaker 1: you don't have a bad day this day, but just

506
00:26:58,240 --> 00:27:00,800
Speaker 1: you know, don't lose faith, pray, you know what I mean?

507
00:27:01,440 --> 00:27:03,600
Speaker 1: You know, we all have bad days, so I always

508
00:27:03,600 --> 00:27:05,600
Speaker 1: try to throw that inspiration out there. It's not even

509
00:27:05,640 --> 00:27:08,280
Speaker 1: just about me how I represent myself in music, but

510
00:27:08,320 --> 00:27:10,639
Speaker 1: I still try to even put things out there for

511
00:27:10,680 --> 00:27:12,639
Speaker 1: them to even look up to and be like, Okay,

512
00:27:12,680 --> 00:27:15,760
Speaker 1: I can respect that. I needed that today and thank

513
00:27:15,800 --> 00:27:17,520
Speaker 1: God young and may put that up. You know, I

514
00:27:17,560 --> 00:27:19,879
Speaker 1: don't want to be the cliche rapper where you just

515
00:27:20,480 --> 00:27:22,159
Speaker 1: you think you're just too cool for that, because I

516
00:27:22,200 --> 00:27:24,440
Speaker 1: don't feel like that's not being too cool. I feel

517
00:27:24,480 --> 00:27:27,560
Speaker 1: like you here, you having a platform for a reason.

518
00:27:28,359 --> 00:27:31,400
Speaker 1: God put you in that position for a reason. It's

519
00:27:31,440 --> 00:27:34,159
Speaker 1: for you to notice it and acknowledge it. It's not

520
00:27:34,240 --> 00:27:36,760
Speaker 1: his job. His job is to put you on that platform.

521
00:27:37,200 --> 00:27:39,760
Speaker 1: That's up to you how you gonna handle it. If

522
00:27:39,760 --> 00:27:41,480
Speaker 1: you don't handle it right, he can take it away

523
00:27:41,520 --> 00:27:44,600
Speaker 1: from you with no problem. That's dope, all right. Music.

524
00:27:45,000 --> 00:27:47,680
Speaker 1: So you're talking about loving music, you know, going back

525
00:27:47,680 --> 00:27:49,679
Speaker 1: to when you were a kid. I guess it's the

526
00:27:49,720 --> 00:27:54,359
Speaker 1: obligatory question who your influences, who's your and it's interchangeable.

527
00:27:54,400 --> 00:27:56,160
Speaker 1: Like for me, like when I go to like my

528
00:27:56,160 --> 00:27:58,200
Speaker 1: my favorite rappers, I'm not an MC, but like I'm

529
00:27:58,240 --> 00:28:00,440
Speaker 1: like there's this one, this one, this when, this one,

530
00:28:00,440 --> 00:28:02,800
Speaker 1: there's the three that I always make my list are Kane,

531
00:28:03,440 --> 00:28:05,919
Speaker 1: k RS, Rock, kimm And then it will be interchangeable,

532
00:28:06,000 --> 00:28:08,040
Speaker 1: could be not as it could be jay Z, it

533
00:28:08,080 --> 00:28:10,360
Speaker 1: could be you know whatever, but like and not because

534
00:28:10,359 --> 00:28:11,679
Speaker 1: I know it's hard because you don't want to leave

535
00:28:11,680 --> 00:28:13,600
Speaker 1: anybody off, but just rattle off like from when you

536
00:28:13,640 --> 00:28:15,560
Speaker 1: were young, the people that spoke in your soul, like

537
00:28:15,640 --> 00:28:19,200
Speaker 1: hip hop dudes that you were like fun with these people, right. Absolutely,

538
00:28:19,240 --> 00:28:20,800
Speaker 1: I grew up, So I grew up in um I

539
00:28:20,840 --> 00:28:24,439
Speaker 1: was born in the nineties. But um Jesus fucking Christ,

540
00:28:25,359 --> 00:28:28,200
Speaker 1: I was born in the nineties, and me and Drew

541
00:28:28,280 --> 00:28:33,240
Speaker 1: Hot were like fucking we made money, lost it, fucking married,

542
00:28:33,320 --> 00:28:39,000
Speaker 1: fucking divorced. Yeah, man nah, But the ninety I grew up,

543
00:28:39,080 --> 00:28:40,840
Speaker 1: I bought. I was born in the nineties, early nineties,

544
00:28:40,840 --> 00:28:45,320
Speaker 1: real early nineties, beginning of the nineties actually, and um

545
00:28:45,360 --> 00:28:48,080
Speaker 1: I was more like hip hop error for me when

546
00:28:48,160 --> 00:28:50,560
Speaker 1: I say well, I really understood it and paid attention.

547
00:28:50,720 --> 00:28:54,360
Speaker 1: Was the early two thousand, like two thousand, literally they

548
00:28:54,560 --> 00:28:57,840
Speaker 1: fucking new millennium two thousand up until you know a

549
00:28:57,920 --> 00:28:59,800
Speaker 1: few years past that. So I was more of a

550
00:29:00,720 --> 00:29:03,760
Speaker 1: late nineties two thousand's hip hop fans. Okay, of course,

551
00:29:03,760 --> 00:29:05,720
Speaker 1: Biggie Smalls, my mom played Big Yea all the time,

552
00:29:05,720 --> 00:29:08,560
Speaker 1: and House Mary J. Blige, you know, whatever the case,

553
00:29:08,720 --> 00:29:10,840
Speaker 1: um jay Z of course it was. It was a

554
00:29:10,840 --> 00:29:13,520
Speaker 1: lot of you know legends that that she played in

555
00:29:13,680 --> 00:29:16,880
Speaker 1: um But me two thousand's was like where I was like,

556
00:29:17,200 --> 00:29:20,240
Speaker 1: I'm bumping this, like I'm buying this album. Were the joints,

557
00:29:20,680 --> 00:29:23,080
Speaker 1: a few of them, So I'm gonna say, of course

558
00:29:23,120 --> 00:29:26,560
Speaker 1: this one first, fifty fifty was like to me just

559
00:29:26,760 --> 00:29:31,280
Speaker 1: like oh three was like who is that? Understand? I

560
00:29:31,320 --> 00:29:33,760
Speaker 1: was a big fan of fifty. I was listening to

561
00:29:33,800 --> 00:29:36,120
Speaker 1: the stuff before that, of course, but fifty was the

562
00:29:36,160 --> 00:29:39,760
Speaker 1: one for me where it was like this is fresh,

563
00:29:39,800 --> 00:29:42,920
Speaker 1: this is new, I want to do music. Okay. So

564
00:29:43,000 --> 00:29:45,280
Speaker 1: that's like the first one where it was like I'm

565
00:29:45,320 --> 00:29:47,560
Speaker 1: taking this serious, like this is for me. Do you

566
00:29:47,600 --> 00:29:51,960
Speaker 1: remember outside of all the presentation about the music, the flow,

567
00:29:52,600 --> 00:29:54,920
Speaker 1: like the way he was off beat. Because one of

568
00:29:54,920 --> 00:29:58,480
Speaker 1: the things I love about your music is that you

569
00:29:58,600 --> 00:30:01,560
Speaker 1: take chances in terms of your inflections. You'll go in

570
00:30:01,640 --> 00:30:04,000
Speaker 1: between the beats. I love that and so many I

571
00:30:04,040 --> 00:30:07,240
Speaker 1: feel like young younger rappers, they won't take chances with that,

572
00:30:07,320 --> 00:30:09,520
Speaker 1: like you know, and it's like, I'm not a musician,

573
00:30:09,560 --> 00:30:11,239
Speaker 1: so I don't understand that. You could just hear it,

574
00:30:11,560 --> 00:30:13,320
Speaker 1: you know, even on that joint like the bag like

575
00:30:13,400 --> 00:30:16,200
Speaker 1: you like. And then you're like and fifty was doing

576
00:30:16,240 --> 00:30:19,000
Speaker 1: some funny ship like that. I do sit that you

577
00:30:19,160 --> 00:30:22,080
Speaker 1: can't do, because Nigga, I'm the damn true. My money

578
00:30:22,200 --> 00:30:25,840
Speaker 1: loaned like bamboo, no top on the damn cool. The

579
00:30:25,920 --> 00:30:29,200
Speaker 1: head is like, damn you man soup. If I can't lose,

580
00:30:29,320 --> 00:30:32,240
Speaker 1: just imagine what I can't do. I met their heads

581
00:30:32,320 --> 00:30:35,400
Speaker 1: like ship hooop bits. I made it like I planned too,

582
00:30:35,960 --> 00:30:38,240
Speaker 1: and the hop funk around and catch its hands. So

583
00:30:38,480 --> 00:30:41,120
Speaker 1: I read sue my dreams in my old Saints read.

584
00:30:41,240 --> 00:30:44,560
Speaker 1: So Squaw posted up with the damn cloth ra little

585
00:30:44,640 --> 00:30:48,240
Speaker 1: lat real days. He's black, Chris Jade, that's my man suit,

586
00:30:48,760 --> 00:30:51,880
Speaker 1: big meat, sweety tweets, batty elah, Oh my niggas out

587
00:30:51,960 --> 00:30:54,880
Speaker 1: and see your butter. That's the fan tu them hat

588
00:30:55,040 --> 00:30:57,800
Speaker 1: is not because I came out the damn blue murdered

589
00:30:57,840 --> 00:31:01,280
Speaker 1: everything and everybody in the damn rope. You know what

590
00:31:01,320 --> 00:31:03,080
Speaker 1: I'm saying. Yeah, And that's and that's what I liked

591
00:31:03,120 --> 00:31:05,240
Speaker 1: the one because it made him different. It was like

592
00:31:05,640 --> 00:31:08,160
Speaker 1: just how he said certain things like yeah, you know

593
00:31:08,200 --> 00:31:09,840
Speaker 1: what I mean, he was he was more. He could

594
00:31:09,840 --> 00:31:11,800
Speaker 1: tell he was. He was cocky with it, but he

595
00:31:11,880 --> 00:31:13,480
Speaker 1: was confident, you know what I mean. It was hood.

596
00:31:13,520 --> 00:31:16,040
Speaker 1: It was original with him. It was that was fifty

597
00:31:16,120 --> 00:31:18,800
Speaker 1: Like it was like who's fifty cent? Because I don't

598
00:31:18,800 --> 00:31:20,680
Speaker 1: know nobody that sounds like him. This is some new,

599
00:31:21,360 --> 00:31:24,320
Speaker 1: fresh fresh air, you know what I mean. So um,

600
00:31:24,760 --> 00:31:26,520
Speaker 1: you know, I'm young, So I was always into hip

601
00:31:26,560 --> 00:31:30,360
Speaker 1: hop anyway, so that was like one of my biggest things.

602
00:31:30,400 --> 00:31:32,400
Speaker 1: Like that was out of everybody, that was like my

603
00:31:32,600 --> 00:31:36,440
Speaker 1: biggest influence on just music in itself. I was the

604
00:31:36,440 --> 00:31:39,000
Speaker 1: biggest fan of fifty or whatever the case. But then

605
00:31:39,040 --> 00:31:41,640
Speaker 1: you had also you had jay Z where he started

606
00:31:41,680 --> 00:31:44,000
Speaker 1: to get in his prom around the two thousand's. You know,

607
00:31:44,160 --> 00:31:46,560
Speaker 1: Cozy been out since the nineties, but in his his

608
00:31:46,720 --> 00:31:48,840
Speaker 1: prom he became like that's when he started to cross

609
00:31:48,920 --> 00:31:50,959
Speaker 1: over was in the two thousand when he had those records.

610
00:31:51,240 --> 00:31:53,080
Speaker 1: So I was a big fan of jay Z Dip

611
00:31:53,160 --> 00:31:55,120
Speaker 1: set as well. When he told my hall and Dip

612
00:31:55,160 --> 00:31:56,720
Speaker 1: said had a big wave I was a big fan

613
00:31:56,760 --> 00:32:00,440
Speaker 1: of dip set, big fan of dip Set. I couldn't

614
00:32:00,440 --> 00:32:01,880
Speaker 1: tell me them about this, said, I was a big

615
00:32:01,920 --> 00:32:03,640
Speaker 1: fan of dip said. I was like, like Dip said,

616
00:32:03,680 --> 00:32:06,160
Speaker 1: fifty was like within the same range. Fifty of course higher,

617
00:32:06,200 --> 00:32:08,560
Speaker 1: but Dip said was like right there. Anything Dip said

618
00:32:08,600 --> 00:32:11,400
Speaker 1: came out. I thought it was hard samples. Everything you have,

619
00:32:11,480 --> 00:32:14,800
Speaker 1: you have you gotten to be And I met fifty,

620
00:32:15,120 --> 00:32:17,360
Speaker 1: So what did that like? What were you like? Oh shit,

621
00:32:17,960 --> 00:32:20,760
Speaker 1: because he obviously had no who knows who you are? Yeah? Yeah,

622
00:32:20,760 --> 00:32:23,320
Speaker 1: you know that exact when you when I first met him,

623
00:32:24,280 --> 00:32:26,720
Speaker 1: you know, it's crazy because he was exactly how I

624
00:32:26,800 --> 00:32:29,240
Speaker 1: expected to be. And you know, sometimes you could be

625
00:32:29,280 --> 00:32:31,080
Speaker 1: a fan of somebody for years never met him, and

626
00:32:31,120 --> 00:32:34,360
Speaker 1: then you finally meet them, like, damn, I'm disappointed. He

627
00:32:34,560 --> 00:32:39,720
Speaker 1: was exactly what I expected, not stuck up, you know,

628
00:32:39,880 --> 00:32:42,320
Speaker 1: he was very humble. He was like y'all, you know

629
00:32:42,400 --> 00:32:45,120
Speaker 1: how folks with you official. He was the height I

630
00:32:45,200 --> 00:32:46,760
Speaker 1: expected him to be, you know what I mean, Like

631
00:32:46,840 --> 00:32:49,240
Speaker 1: sometimes you think rappers is tall and they'd be short.

632
00:32:50,000 --> 00:32:51,680
Speaker 1: You think they big, they'd be small, you know what

633
00:32:51,760 --> 00:32:54,360
Speaker 1: I mean. So he was exactly how I imagined on

634
00:32:54,400 --> 00:32:55,959
Speaker 1: the beach. So it was like that was dope. At

635
00:32:55,960 --> 00:32:57,880
Speaker 1: the same time, it was like wow, and then it's

636
00:32:57,920 --> 00:33:00,360
Speaker 1: kind of deeper for me because not only is it

637
00:33:00,480 --> 00:33:03,400
Speaker 1: just the fact that it's fifty, but um, you know,

638
00:33:03,520 --> 00:33:06,960
Speaker 1: before my brother passed, he always knew I was a

639
00:33:07,040 --> 00:33:08,520
Speaker 1: fan of fifty, you know what I mean. He was

640
00:33:08,560 --> 00:33:11,520
Speaker 1: always right there by my side. So just meeting him,

641
00:33:12,680 --> 00:33:15,400
Speaker 1: you know, just broke back memories of just being with

642
00:33:15,520 --> 00:33:17,680
Speaker 1: my brother and always talking to my brother like y'all

643
00:33:17,760 --> 00:33:20,120
Speaker 1: love fifty da da, and you know he always used

644
00:33:20,120 --> 00:33:21,680
Speaker 1: to be like you you know what I mean, and

645
00:33:21,840 --> 00:33:24,800
Speaker 1: too experienced that moment and meet him like that was

646
00:33:24,840 --> 00:33:27,120
Speaker 1: probably like the first person I thought of was my brother,

647
00:33:27,320 --> 00:33:29,560
Speaker 1: just being in the experience, like, damn, bro, look, I

648
00:33:29,720 --> 00:33:31,840
Speaker 1: really met him, Like could you believe it? So it

649
00:33:31,960 --> 00:33:34,600
Speaker 1: was it was more deep than just meeting fifty. Don't

650
00:33:34,720 --> 00:33:36,920
Speaker 1: you understand that this ship go far man? You know

651
00:33:36,960 --> 00:33:39,560
Speaker 1: what I mean? So that experience was like just perfect, man,

652
00:33:39,640 --> 00:33:42,000
Speaker 1: It wasn't It wasn't bad, you know what I mean.

653
00:33:42,080 --> 00:33:46,080
Speaker 1: It wasn't over the top. It was just right in between. Um,

654
00:33:46,280 --> 00:33:49,600
Speaker 1: out of all the other people that have known who

655
00:33:49,680 --> 00:33:52,360
Speaker 1: you are that might have bugged you, out and now

656
00:33:52,480 --> 00:33:56,200
Speaker 1: because of social media, it's like everybody fucking knows everybody.

657
00:33:56,280 --> 00:33:59,360
Speaker 1: We're all exposed to, you know, and it's good batting

658
00:33:59,360 --> 00:34:01,880
Speaker 1: in between. But with that, but like, you know, like

659
00:34:02,000 --> 00:34:03,720
Speaker 1: even when I saw you at the Snoop thing, I

660
00:34:03,800 --> 00:34:05,440
Speaker 1: came into your I was like, young man, I gotta

661
00:34:05,480 --> 00:34:09,120
Speaker 1: I wouldn't write, but who of the people over the

662
00:34:09,239 --> 00:34:11,840
Speaker 1: last few years that you've met that recognized you that

663
00:34:11,920 --> 00:34:13,879
Speaker 1: you were like so and so knows who the funk

664
00:34:13,880 --> 00:34:19,120
Speaker 1: I am? Right? Um? Meeting Alicia Keys that was crazy

665
00:34:19,200 --> 00:34:20,560
Speaker 1: for me because I rememb when I was a kid.

666
00:34:20,640 --> 00:34:23,040
Speaker 1: He say, like, like Alicia Keys, you know what I mean.

667
00:34:23,040 --> 00:34:24,600
Speaker 1: I used to have the braids all the time. You know,

668
00:34:24,680 --> 00:34:28,960
Speaker 1: she had the braids, And meeting her was so humbling

669
00:34:29,560 --> 00:34:32,680
Speaker 1: because she was like it was like, am I meeting

670
00:34:32,680 --> 00:34:35,479
Speaker 1: Alicia Keys? Like this is Alicia Keys? Like she's so cool?

671
00:34:35,560 --> 00:34:37,440
Speaker 1: And I had to the show with Jimmy Fallon with

672
00:34:37,719 --> 00:34:41,720
Speaker 1: Jimmy Foling and I had we did a song together,

673
00:34:41,800 --> 00:34:44,480
Speaker 1: and I had to write the verse live. It was

674
00:34:44,520 --> 00:34:46,440
Speaker 1: a live verse. I didn't record it nothing. I had

675
00:34:46,440 --> 00:34:49,239
Speaker 1: to memorize it and and spit it right on live.

676
00:34:50,360 --> 00:34:53,319
Speaker 1: So it was like a challenge in itself because now

677
00:34:53,400 --> 00:34:55,200
Speaker 1: you're not not only is you trying to memorize the

678
00:34:55,280 --> 00:34:58,000
Speaker 1: verse for Alicia Keys that you never met before that

679
00:34:58,160 --> 00:34:59,800
Speaker 1: you got it and you on Jimmy Foling, so you

680
00:35:00,040 --> 00:35:02,279
Speaker 1: you know, this is pressure that you finally meet that

681
00:35:02,360 --> 00:35:04,000
Speaker 1: you like, oh, I really got to do right and

682
00:35:06,280 --> 00:35:07,880
Speaker 1: right you know what I mean first time versa. So

683
00:35:08,719 --> 00:35:11,960
Speaker 1: that was dope. Uh who else? Um oh jay Z

684
00:35:13,880 --> 00:35:17,840
Speaker 1: jay z Um. I met jay Z at um Beyonce's

685
00:35:19,080 --> 00:35:22,239
Speaker 1: formation toward which she did met like Stadium. That's the

686
00:35:22,280 --> 00:35:24,919
Speaker 1: first time I met her. That's when oh first really

687
00:35:25,000 --> 00:35:27,080
Speaker 1: was popping off. So it was like crazy And that

688
00:35:27,160 --> 00:35:30,000
Speaker 1: was the first time I performed at um Stadium. So

689
00:35:30,160 --> 00:35:32,759
Speaker 1: I was like like wow, like I was amazed. So

690
00:35:32,840 --> 00:35:36,680
Speaker 1: when I met him, he like he just was not.

691
00:35:37,440 --> 00:35:39,160
Speaker 1: I don't like, he was not what I expected him

692
00:35:39,160 --> 00:35:41,120
Speaker 1: to be because I'm like, this is jay Z jay

693
00:35:41,160 --> 00:35:44,919
Speaker 1: Z should be like you know, like you know up there,

694
00:35:45,120 --> 00:35:50,680
Speaker 1: like he was like like embracing me. He's like, yo,

695
00:35:50,760 --> 00:35:53,439
Speaker 1: I like your smile, man, he said, I like your smile.

696
00:35:53,600 --> 00:35:55,960
Speaker 1: Your smile makes me smile. Took a picture, Come on,

697
00:35:56,080 --> 00:35:58,720
Speaker 1: take a picture. Took a picture and smiled in the picture.

698
00:35:59,560 --> 00:36:02,320
Speaker 1: So it was like, wow, like this is somebody. I

699
00:36:02,520 --> 00:36:05,879
Speaker 1: was like this jay Z like this ja like, yo,

700
00:36:06,320 --> 00:36:09,319
Speaker 1: fucking jay Z, it's fucking jay Z bro. And he's

701
00:36:09,400 --> 00:36:13,280
Speaker 1: like come in, like let's take a pace like disarmed

702
00:36:13,320 --> 00:36:15,200
Speaker 1: you and ship. Yeah. It was like he was like

703
00:36:16,040 --> 00:36:19,399
Speaker 1: I was, I salute you, you understand. So to get

704
00:36:19,480 --> 00:36:22,560
Speaker 1: respect like that from jay Z, like come on, manking

705
00:36:22,560 --> 00:36:24,600
Speaker 1: about this man like this man un done a lot

706
00:36:25,800 --> 00:36:28,160
Speaker 1: just in the business Brooklyn period, you know what I mean.

707
00:36:28,239 --> 00:36:30,759
Speaker 1: It's something I'm carrying on as well. And to just

708
00:36:30,840 --> 00:36:34,000
Speaker 1: get that respect from him was like on. I was like, wow,

709
00:36:34,160 --> 00:36:37,279
Speaker 1: Like I just met jay Z. That's fucking dope. That's

710
00:36:37,320 --> 00:36:39,759
Speaker 1: fucking dope. So for to have jay Z a fan

711
00:36:39,840 --> 00:36:42,319
Speaker 1: of mine, like that's crazy, man, that's fine. I mean

712
00:36:42,400 --> 00:36:44,600
Speaker 1: it makes perfect fucking sense. But I mean that just

713
00:36:44,719 --> 00:36:49,680
Speaker 1: like hearing it is bugged out you. So when you right,

714
00:36:51,120 --> 00:36:53,800
Speaker 1: do you right? Here's a couple of questions. Do you

715
00:36:54,000 --> 00:36:56,800
Speaker 1: write to a beat? Like at this point, because because

716
00:36:56,800 --> 00:36:59,600
Speaker 1: you're making a record and now you're like you're obviously

717
00:36:59,680 --> 00:37:03,640
Speaker 1: more contress of it. Do you is it rhyme? First beat? First?

718
00:37:04,239 --> 00:37:05,680
Speaker 1: How does it work with you with like and do

719
00:37:05,800 --> 00:37:09,719
Speaker 1: you write or this question do you write a pen

720
00:37:09,800 --> 00:37:12,040
Speaker 1: and paper, like what's your what's your process with Like

721
00:37:12,680 --> 00:37:16,560
Speaker 1: I love this question because it's it's so different and

722
00:37:16,719 --> 00:37:21,600
Speaker 1: so straight to the point of me um when they're

723
00:37:21,640 --> 00:37:24,399
Speaker 1: kind of write in music is it's never always the same,

724
00:37:24,960 --> 00:37:27,759
Speaker 1: and I think that's what makes it the best, you

725
00:37:27,840 --> 00:37:29,560
Speaker 1: know what I mean. It's unique. I feel like it

726
00:37:29,600 --> 00:37:32,120
Speaker 1: should never be like a consistent pattern of how you

727
00:37:32,239 --> 00:37:35,280
Speaker 1: do things. Music supposed to speak to you in different ways.

728
00:37:35,640 --> 00:37:38,920
Speaker 1: So certain beats out here it may bring a different

729
00:37:38,960 --> 00:37:41,160
Speaker 1: side out of me, where to the point where I

730
00:37:41,239 --> 00:37:43,920
Speaker 1: can hear the beat, comprehend to beat, filter beat, and

731
00:37:44,120 --> 00:37:45,960
Speaker 1: I won't need to beat no more, you know what

732
00:37:46,040 --> 00:37:49,520
Speaker 1: I mean, not just sometimes go the singco patient of it,

733
00:37:49,640 --> 00:37:51,759
Speaker 1: like yeah, like you memorize it, you lock it in,

734
00:37:51,880 --> 00:37:54,080
Speaker 1: you lock the style, you like the lock the sound,

735
00:37:54,160 --> 00:37:56,560
Speaker 1: and you lock the rhythm and it talks to you already.

736
00:37:56,600 --> 00:37:58,440
Speaker 1: It's it's like it stays in mind, like when you

737
00:37:58,520 --> 00:38:00,320
Speaker 1: when you hear a song and the words stuck in

738
00:38:00,360 --> 00:38:02,440
Speaker 1: your head got you. It's the same thing with it beat,

739
00:38:02,440 --> 00:38:05,080
Speaker 1: you know what I mean? And you know it's times

740
00:38:05,120 --> 00:38:07,200
Speaker 1: where I can't it's hard for me to keep the

741
00:38:07,239 --> 00:38:09,320
Speaker 1: beat on and right so I'm like in between, Like

742
00:38:09,400 --> 00:38:11,400
Speaker 1: it's like I gotta play the beat, listen to it,

743
00:38:11,840 --> 00:38:13,440
Speaker 1: think about what I'm gonna say. I like, cool, well

744
00:38:13,520 --> 00:38:16,959
Speaker 1: I'm going off this rhythm. Turn the beat off because

745
00:38:16,960 --> 00:38:19,080
Speaker 1: I'm gonna say this because some people will like, right,

746
00:38:19,320 --> 00:38:21,120
Speaker 1: they have to have the beat beat on right, Me,

747
00:38:21,520 --> 00:38:23,560
Speaker 1: I can't. It's hard to keep the beat on because

748
00:38:24,719 --> 00:38:29,320
Speaker 1: to me, the beat isn't always it's not consistent and

749
00:38:29,360 --> 00:38:31,440
Speaker 1: definitely nowadays, like the beats change up, you know what

750
00:38:31,440 --> 00:38:34,000
Speaker 1: I mean. You have you have tick tick tick, and

751
00:38:34,120 --> 00:38:39,080
Speaker 1: you have like you have certain melodies throughout the beat

752
00:38:39,160 --> 00:38:41,560
Speaker 1: that switches up where you want to ride to beat

753
00:38:41,560 --> 00:38:42,879
Speaker 1: a certain way, you know what I mean. You don't

754
00:38:42,880 --> 00:38:44,120
Speaker 1: want to say consists. You don't want to have the

755
00:38:44,200 --> 00:38:45,520
Speaker 1: same sound. So that's why I have to cut the

756
00:38:45,560 --> 00:38:49,319
Speaker 1: beatle Um, I got you right, And that makes sense

757
00:38:49,360 --> 00:38:50,680
Speaker 1: because of that thing I was saying, like when you

758
00:38:50,760 --> 00:38:53,080
Speaker 1: go I'm not a musician, so I don't know the

759
00:38:53,120 --> 00:38:55,959
Speaker 1: fucking term. But you sort of go in between because

760
00:38:56,000 --> 00:38:57,879
Speaker 1: you think about the you think about the balls too.

761
00:38:58,000 --> 00:38:59,600
Speaker 1: You know a lot of people do understand the balls too.

762
00:38:59,600 --> 00:39:02,480
Speaker 1: It's like certain balls, like a certain amount of balls

763
00:39:02,520 --> 00:39:04,839
Speaker 1: within the beat when the beat start to switch up,

764
00:39:04,880 --> 00:39:06,520
Speaker 1: you know, so you have to like count it. So

765
00:39:06,640 --> 00:39:09,520
Speaker 1: it's like, let's not see what we're righting. His math

766
00:39:09,640 --> 00:39:12,000
Speaker 1: involved to a lot of people understand that, So it's

767
00:39:12,000 --> 00:39:14,399
Speaker 1: not as easy as it may seem. I've been trying

768
00:39:14,400 --> 00:39:18,480
Speaker 1: to fucking rap for forty years, not nothing. Four lines

769
00:39:18,600 --> 00:39:21,680
Speaker 1: the best I have fucking I got shipped and that's

770
00:39:21,719 --> 00:39:23,719
Speaker 1: why I'm not fucking I can't even wrap like a

771
00:39:23,800 --> 00:39:27,000
Speaker 1: normal person. I've been trying, so I mean, you know,

772
00:39:27,640 --> 00:39:30,680
Speaker 1: but um, and me, I'm real, I have a lot

773
00:39:30,719 --> 00:39:33,480
Speaker 1: of integrity, so it has to be right with me,

774
00:39:34,360 --> 00:39:36,680
Speaker 1: you know what. I guess that's a gift and OC curse. Honestly,

775
00:39:37,040 --> 00:39:41,239
Speaker 1: I'm having a lot of integrity. Um and uh what else?

776
00:39:41,440 --> 00:39:44,160
Speaker 1: What what else you said? Um? And like physically right

777
00:39:45,040 --> 00:39:48,160
Speaker 1: right on the phone, and see, I'm have you asked

778
00:39:48,200 --> 00:39:50,600
Speaker 1: that too? Because nobody actually asked me that question? Um? Fuck?

779
00:39:50,680 --> 00:39:53,600
Speaker 1: He do we get to this stuff about her directing

780
00:39:53,600 --> 00:40:01,000
Speaker 1: the porn on but writing on it. I used to

781
00:40:01,000 --> 00:40:03,759
Speaker 1: always write on paper before phones, you know. Of course,

782
00:40:04,440 --> 00:40:05,840
Speaker 1: I've been writing for so long. I've been reading so

783
00:40:05,880 --> 00:40:07,960
Speaker 1: I was nine years old, so before phones, it was

784
00:40:08,040 --> 00:40:10,440
Speaker 1: the paper. It was no books. That's what we had.

785
00:40:10,520 --> 00:40:12,880
Speaker 1: We had the what was it called the composition books

786
00:40:13,560 --> 00:40:16,680
Speaker 1: black and white joints. That's what we had. I didn't

787
00:40:16,719 --> 00:40:18,840
Speaker 1: it wasn't back when I was nineteen years old. I

788
00:40:18,880 --> 00:40:20,959
Speaker 1: ain't had a cell phone write something too, It wasn't

789
00:40:21,160 --> 00:40:23,399
Speaker 1: at all. So we had the composition books. I won't

790
00:40:23,440 --> 00:40:24,560
Speaker 1: used to buy me a whole bunch of them, or

791
00:40:24,560 --> 00:40:26,040
Speaker 1: it be times when I got to ninety nine cent

792
00:40:26,080 --> 00:40:28,120
Speaker 1: store and stack up only should be like a dollar book,

793
00:40:28,360 --> 00:40:32,080
Speaker 1: and I sent a book a book. Some times I

794
00:40:32,200 --> 00:40:36,719
Speaker 1: was filling them up at that age, ten eleven, twelve, fourteen. Yes,

795
00:40:36,840 --> 00:40:39,359
Speaker 1: I had stacks of books filled page back and forth.

796
00:40:40,560 --> 00:40:42,120
Speaker 1: Do you have any more any of them? You know,

797
00:40:42,160 --> 00:40:45,400
Speaker 1: it's so sad about the situation, and I hate the

798
00:40:45,520 --> 00:40:49,200
Speaker 1: fact that I even have to deal with it. Is

799
00:40:49,200 --> 00:40:53,319
Speaker 1: the fact that we had everything in storage and my mom, uh,

800
00:40:53,840 --> 00:40:56,719
Speaker 1: unfortunately we lost the storage and you know, once you

801
00:40:56,840 --> 00:40:58,960
Speaker 1: don't pay the storage off for a certain amount of time,

802
00:40:59,000 --> 00:41:01,920
Speaker 1: the ouction and stuff for And that was our situation.

803
00:41:02,040 --> 00:41:05,800
Speaker 1: So there might be some fucking guy out there with

804
00:41:05,920 --> 00:41:09,400
Speaker 1: my man and I think about you think about this

805
00:41:09,520 --> 00:41:12,360
Speaker 1: so often, like when it ever gets brought to my attention,

806
00:41:12,880 --> 00:41:14,959
Speaker 1: I had not even just wrap books. I had video

807
00:41:15,040 --> 00:41:17,880
Speaker 1: tapes on the cam quorters. Remember the camp quoders that

808
00:41:18,000 --> 00:41:20,120
Speaker 1: you put the tape in and you holdays like a

809
00:41:20,160 --> 00:41:22,480
Speaker 1: big ass cam quding. My grandmother gave me one of those,

810
00:41:22,520 --> 00:41:24,799
Speaker 1: gave me herbs and I used to man, we used

811
00:41:24,800 --> 00:41:25,880
Speaker 1: to have We used to set it up on the

812
00:41:26,080 --> 00:41:29,479
Speaker 1: on the VCRs and stuff like that, the war unit

813
00:41:30,000 --> 00:41:32,840
Speaker 1: and push record and record and make fake videos. Like

814
00:41:33,600 --> 00:41:35,480
Speaker 1: I had so much stuff, man, Like when it came

815
00:41:35,560 --> 00:41:37,360
Speaker 1: to music, like I could have made a whole documentary

816
00:41:37,400 --> 00:41:39,320
Speaker 1: and to this day like it. It kind of disappointed

817
00:41:39,320 --> 00:41:41,120
Speaker 1: me because I would have had so much to give

818
00:41:41,880 --> 00:41:44,760
Speaker 1: to show, like is this same bullshit? This is really

819
00:41:44,920 --> 00:41:47,040
Speaker 1: like I really did this, you know what I mean?

820
00:41:47,120 --> 00:41:48,759
Speaker 1: Like I really did this. I really loved this, and

821
00:41:48,800 --> 00:41:52,480
Speaker 1: I really dedicated to it. So um right on paper,

822
00:41:52,560 --> 00:41:56,080
Speaker 1: Like to this day, I still make myself right on paper,

823
00:41:56,160 --> 00:41:59,960
Speaker 1: because sometimes the best ship come out on paper because

824
00:42:00,080 --> 00:42:03,600
Speaker 1: is you're literally physically writing it, so it's more so

825
00:42:03,760 --> 00:42:06,040
Speaker 1: your mind is comprehending as you write it, more so

826
00:42:06,200 --> 00:42:07,880
Speaker 1: than when you're typing in the phone. A lot of

827
00:42:07,880 --> 00:42:11,160
Speaker 1: people don't understand that you'll memorize a verse that you

828
00:42:11,280 --> 00:42:14,680
Speaker 1: write down, then you would type in the phone. You understand,

829
00:42:14,800 --> 00:42:17,200
Speaker 1: sometimes the hardest ship could come out when you're writing.

830
00:42:17,719 --> 00:42:19,840
Speaker 1: Then I get it. I get it because it's like

831
00:42:19,920 --> 00:42:23,400
Speaker 1: that physical as a physical sort of physical. Yeah, I know.

832
00:42:23,600 --> 00:42:25,680
Speaker 1: When I'm trying to remember lines, that's what I do.

833
00:42:25,760 --> 00:42:28,000
Speaker 1: I don't even like they're nuts. Um, I can't even

834
00:42:28,040 --> 00:42:30,640
Speaker 1: really read them, but I'll write the ship down like

835
00:42:30,760 --> 00:42:34,879
Speaker 1: I have to write the ship down exactly. No, that's

836
00:42:34,960 --> 00:42:37,000
Speaker 1: that's basically what it is. That's the difference to me, honestly,

837
00:42:37,080 --> 00:42:39,920
Speaker 1: sometimes you can I feel like the best shape come

838
00:42:39,960 --> 00:42:44,120
Speaker 1: from right and then typing all right, so specifically the

839
00:42:44,239 --> 00:42:47,120
Speaker 1: O song, which how many times a day do you get?

840
00:42:47,160 --> 00:42:50,000
Speaker 1: Heckl do? Because even when we were upstairs, like I like,

841
00:42:50,080 --> 00:42:51,520
Speaker 1: I mean, when you're out on the streets, I mean,

842
00:42:51,640 --> 00:42:53,239
Speaker 1: may man have dipped off a little bit, but I

843
00:42:53,280 --> 00:42:57,120
Speaker 1: don't think so, like even like everywey oh yeah, because

844
00:42:57,160 --> 00:43:01,000
Speaker 1: it's like it's gotta be enough already. I mean you

845
00:43:01,120 --> 00:43:05,960
Speaker 1: do yeah exactly at the same time, Um, because you

846
00:43:06,040 --> 00:43:10,040
Speaker 1: know it's a lingo you created as a big you

847
00:43:10,120 --> 00:43:13,880
Speaker 1: know record, you understand, like it was always said, and

848
00:43:14,040 --> 00:43:17,919
Speaker 1: I never took credit for the word oh because you say,

849
00:43:18,000 --> 00:43:20,759
Speaker 1: like you had singers singing oh, like it's it's just

850
00:43:21,080 --> 00:43:25,960
Speaker 1: a melody to say, but now it was becoming it's

851
00:43:26,040 --> 00:43:30,440
Speaker 1: like a step like that's three oh three years. So

852
00:43:30,520 --> 00:43:32,600
Speaker 1: the first person you kind of think of is younger

853
00:43:32,719 --> 00:43:35,280
Speaker 1: may because we made it fun We made it funny.

854
00:43:35,320 --> 00:43:37,200
Speaker 1: We made it a song, and I didn't mean to

855
00:43:37,280 --> 00:43:39,040
Speaker 1: make it a song. That's the funny thing. Tell me.

856
00:43:39,400 --> 00:43:42,400
Speaker 1: It was something we always said, Oh you know what

857
00:43:42,480 --> 00:43:45,440
Speaker 1: I mean? It wasn't nothing where we we are. It

858
00:43:45,600 --> 00:43:47,680
Speaker 1: was like a gesture. It's like a gesture. It's like

859
00:43:48,280 --> 00:43:50,080
Speaker 1: when you see a girl you'd be like, damn it,

860
00:43:50,280 --> 00:43:55,520
Speaker 1: no good or so it was like, oh, oh you

861
00:43:55,600 --> 00:43:57,440
Speaker 1: know what I mean, Like that's what it was. And

862
00:43:57,560 --> 00:43:59,040
Speaker 1: we was always saying it, like we used to be

863
00:43:59,160 --> 00:44:02,560
Speaker 1: on all Facebook Live that's on Facebook Live was popping

864
00:44:03,000 --> 00:44:05,279
Speaker 1: and we'll be on Facebook Live and we probably read

865
00:44:05,320 --> 00:44:07,200
Speaker 1: one of the comments like what do you mean by that?

866
00:44:07,520 --> 00:44:09,320
Speaker 1: You know, it was something on my team that like

867
00:44:09,360 --> 00:44:11,040
Speaker 1: red life. That's what we used to say, and that's

868
00:44:11,080 --> 00:44:12,680
Speaker 1: what we used to say. So and it would be

869
00:44:12,760 --> 00:44:14,400
Speaker 1: times like it was times where before I even came

870
00:44:14,400 --> 00:44:17,560
Speaker 1: out the record, Oh where you're hearing like my previous songs.

871
00:44:17,600 --> 00:44:19,399
Speaker 1: I'll do it like in the ad lit you said

872
00:44:19,440 --> 00:44:21,680
Speaker 1: oh in the atlet or I might come in and

873
00:44:21,760 --> 00:44:24,040
Speaker 1: the intro and say, oh real quick. There was something

874
00:44:24,080 --> 00:44:26,759
Speaker 1: I always did, but then with this record, it was

875
00:44:26,880 --> 00:44:30,120
Speaker 1: like a little more extra, Like I said it a

876
00:44:30,239 --> 00:44:32,359
Speaker 1: lot and I didn't know but I was gonna name

877
00:44:32,400 --> 00:44:34,560
Speaker 1: me yet. But then when I was listening to the record,

878
00:44:34,600 --> 00:44:36,040
Speaker 1: I noticed how much I said it. I was like,

879
00:44:36,080 --> 00:44:37,799
Speaker 1: you know what, I'm just calling ship because I say

880
00:44:37,800 --> 00:44:40,840
Speaker 1: it all the time. You know. It was like spared

881
00:44:40,880 --> 00:44:45,439
Speaker 1: a moment ship and it blew up. Yeah they hey,

882
00:44:45,560 --> 00:44:50,719
Speaker 1: but they broke And when it's time to pop, Yeah,

883
00:44:50,800 --> 00:44:54,799
Speaker 1: I'm pretty, but I'm the live got me moving slow

884
00:44:54,920 --> 00:45:03,479
Speaker 1: most He tweeted with, Hey, okay, what that other nigga here? Brother,

885
00:45:05,080 --> 00:45:08,000
Speaker 1: it's a man you don't know, I don't know. We

886
00:45:08,120 --> 00:45:11,879
Speaker 1: gotta lick up by the boat, disrespect the life. That's

887
00:45:11,920 --> 00:45:15,080
Speaker 1: a non Oh my nigga is dressed in that row

888
00:45:15,239 --> 00:45:19,440
Speaker 1: man arrived for my guys. That's the broke. Maybe he

889
00:45:19,520 --> 00:45:22,600
Speaker 1: gave me a head that's a little. Then she made

890
00:45:22,640 --> 00:45:25,920
Speaker 1: me weak when she deep thrown. I need a rich bits,

891
00:45:26,040 --> 00:45:29,120
Speaker 1: not a chief to chieve. Maybe on that hey should

892
00:45:29,160 --> 00:45:32,040
Speaker 1: I be uppy. My brother told me, fum get that

893
00:45:32,160 --> 00:45:35,600
Speaker 1: money says, you just keep on running on your hungry ship.

894
00:45:35,960 --> 00:45:39,040
Speaker 1: Ignored that he ignore the ignore the funny ship because

895
00:45:39,080 --> 00:45:43,200
Speaker 1: it's for nigga. Von we got a honey cliff. When

896
00:45:43,280 --> 00:45:45,360
Speaker 1: did you realize like the ship sort of took all

897
00:45:45,400 --> 00:45:48,839
Speaker 1: the life of its own h When I started hitting

898
00:45:48,880 --> 00:45:50,680
Speaker 1: on the radio a lot, and that was that the

899
00:45:50,719 --> 00:45:52,719
Speaker 1: first time you were on the radio. No no, no, no,

900
00:45:52,840 --> 00:45:54,200
Speaker 1: that wasn't the first time was on the radio. One

901
00:45:54,239 --> 00:45:56,880
Speaker 1: are your Swans? No, that was the first time. Okay,

902
00:45:56,920 --> 00:45:59,759
Speaker 1: I had other stuff on the radio before UM, but

903
00:46:00,040 --> 00:46:02,000
Speaker 1: this is when it got, like when it was played

904
00:46:02,040 --> 00:46:05,200
Speaker 1: back like fucking fifty times and it was like New

905
00:46:05,280 --> 00:46:11,160
Speaker 1: York City, this is New York City, Like this is it?

906
00:46:11,360 --> 00:46:13,840
Speaker 1: You know what I mean? And and hearing that and

907
00:46:13,880 --> 00:46:15,880
Speaker 1: people calling me like, yo, you know what Flex is

908
00:46:15,920 --> 00:46:20,040
Speaker 1: doing your record right now, like it's going crazy. And

909
00:46:20,120 --> 00:46:23,399
Speaker 1: I already had fans. So when I before Flex even

910
00:46:23,440 --> 00:46:25,719
Speaker 1: put it on the radio, I had a show that

911
00:46:25,840 --> 00:46:28,920
Speaker 1: I did previously before that UM that sold out in

912
00:46:29,040 --> 00:46:32,160
Speaker 1: Brooklyn that babies all right, and all my fans came

913
00:46:32,200 --> 00:46:34,840
Speaker 1: out and they already knew the song. So when I

914
00:46:35,000 --> 00:46:36,880
Speaker 1: already put the record out because I had put out

915
00:46:36,920 --> 00:46:39,080
Speaker 1: a freestyle called oh my God. And at the end

916
00:46:39,120 --> 00:46:40,759
Speaker 1: of oh My Guard, which was to the jay z

917
00:46:40,920 --> 00:46:45,919
Speaker 1: beat them him you heard them freestyle, but I called

918
00:46:45,920 --> 00:46:47,920
Speaker 1: it oh my God. At the end of it, I

919
00:46:48,040 --> 00:46:50,440
Speaker 1: put the record at the end and I did like

920
00:46:50,480 --> 00:46:53,319
Speaker 1: a quick little you know, snippet of what was coming next,

921
00:46:53,400 --> 00:46:55,000
Speaker 1: like you know Rabbit used to do back in the day.

922
00:46:55,120 --> 00:46:58,600
Speaker 1: Nobody was doing that, just a little piece, and and

923
00:46:58,680 --> 00:47:01,240
Speaker 1: then I brough that b back out that whole putting

924
00:47:01,239 --> 00:47:03,920
Speaker 1: out a little snippet. People like, what the fund is

925
00:47:04,000 --> 00:47:06,480
Speaker 1: this ship? Yeah, exactly, So they knew that. They knew

926
00:47:06,480 --> 00:47:08,400
Speaker 1: the freestyle was hard. They heard the freestyle first. But

927
00:47:08,440 --> 00:47:10,160
Speaker 1: then people was like, but what's that record you got

928
00:47:10,239 --> 00:47:12,400
Speaker 1: at the end? Now, what's that that's coming? So that

929
00:47:12,520 --> 00:47:14,520
Speaker 1: was the plan. So I'm like, I bet, now, people

930
00:47:14,560 --> 00:47:18,440
Speaker 1: and you did that, that was the purpose, purpose, all

931
00:47:18,520 --> 00:47:22,080
Speaker 1: my idea. Nobody else, That's everything my I did. So boom.

932
00:47:22,680 --> 00:47:25,320
Speaker 1: I'm reading the comments. I'm paying attention to people reactions,

933
00:47:25,960 --> 00:47:27,600
Speaker 1: and you know, a lot of people like, what's that

934
00:47:27,640 --> 00:47:29,200
Speaker 1: record you got at the end, what is that quote?

935
00:47:29,200 --> 00:47:31,040
Speaker 1: What's that regular that? I'm like, bet, I boom. It's

936
00:47:31,040 --> 00:47:32,799
Speaker 1: a little leeway got a little head of start cool.

937
00:47:33,280 --> 00:47:35,840
Speaker 1: So then I started putting out little videos on Instagram

938
00:47:36,239 --> 00:47:38,359
Speaker 1: or the record playing I'm singing the record in the song,

939
00:47:38,520 --> 00:47:42,080
Speaker 1: like you know what I mean, And they're like, okay,

940
00:47:42,360 --> 00:47:44,080
Speaker 1: what's that when you're dropping that? When you dropping out,

941
00:47:44,080 --> 00:47:46,600
Speaker 1: I'm getting mad comments matview was mad love. This already

942
00:47:46,600 --> 00:47:48,920
Speaker 1: had my little fan base. I wasn't at a million followers.

943
00:47:48,920 --> 00:47:51,000
Speaker 1: I probably had over like a hundred thousand followers, and

944
00:47:51,120 --> 00:47:53,200
Speaker 1: I had a fan base like I had my supporters,

945
00:47:53,280 --> 00:47:56,239
Speaker 1: my system. That was it. Long story short, I finally

946
00:47:56,320 --> 00:47:58,399
Speaker 1: dropped the record. You know, it was getting mad love,

947
00:47:58,520 --> 00:48:00,319
Speaker 1: you know it was it was. It was very cool

948
00:48:00,400 --> 00:48:03,719
Speaker 1: at first, um and then uh, I threw the video

949
00:48:03,760 --> 00:48:05,880
Speaker 1: out for it. Through the video out for this was

950
00:48:05,960 --> 00:48:08,160
Speaker 1: like the end of May, right and then May I

951
00:48:08,200 --> 00:48:11,800
Speaker 1: threw the video. I was sixteen around me, it was

952
00:48:11,840 --> 00:48:13,520
Speaker 1: like beginning of May. It was the end of day's

953
00:48:13,560 --> 00:48:15,879
Speaker 1: beginning of May. Through the video for it, that's when

954
00:48:15,920 --> 00:48:18,520
Speaker 1: it really started to blow up on the internet. So

955
00:48:18,640 --> 00:48:21,080
Speaker 1: now people getting familiar this. When I'm I'm I'm collecting

956
00:48:21,120 --> 00:48:23,560
Speaker 1: people videos that singing the song, posting on my page,

957
00:48:23,600 --> 00:48:27,040
Speaker 1: you know, working you know, promoting as bugging when you're

958
00:48:27,040 --> 00:48:29,080
Speaker 1: seeing that thought I am. I am because it's like

959
00:48:29,120 --> 00:48:30,759
Speaker 1: one of the first record I've seen so many people

960
00:48:30,800 --> 00:48:33,080
Speaker 1: in tune with, and I'm like, wow, this is the

961
00:48:33,160 --> 00:48:35,680
Speaker 1: one I was kind of skeptical and even putting out

962
00:48:35,760 --> 00:48:36,960
Speaker 1: and look at this ship, you know what I mean.

963
00:48:37,560 --> 00:48:40,640
Speaker 1: So you were skeptical, like like, yes, because I was.

964
00:48:40,800 --> 00:48:43,680
Speaker 1: I wasn't lyrical on this record. I got you understand.

965
00:48:43,719 --> 00:48:46,040
Speaker 1: This was a fun record. This was a you know, say,

966
00:48:46,120 --> 00:48:48,280
Speaker 1: whatever is on my mind record, like the cool record,

967
00:48:48,320 --> 00:48:50,560
Speaker 1: you know what I mean. And to get so much fever,

968
00:48:50,680 --> 00:48:53,280
Speaker 1: it's like, Okay, I get it now cool. I'm putting

969
00:48:53,280 --> 00:48:56,000
Speaker 1: ot all these videos out. When I did the Souldout

970
00:48:56,080 --> 00:48:59,560
Speaker 1: show in Brooklyn, babies all right, and you know, of

971
00:48:59,600 --> 00:49:02,759
Speaker 1: course I'm I'm performing all my songs they know a

972
00:49:02,800 --> 00:49:04,760
Speaker 1: word for world or whatever, these people that have been fans,

973
00:49:05,360 --> 00:49:07,600
Speaker 1: and then this is the last song I do because

974
00:49:07,640 --> 00:49:09,759
Speaker 1: I'm like this the new record. I don't know, you

975
00:49:09,840 --> 00:49:11,879
Speaker 1: know what I mean, this is the first time you perform, Yes,

976
00:49:12,040 --> 00:49:48,040
Speaker 1: first time put it on for the reaction, bro crazy,

977
00:49:48,160 --> 00:49:52,040
Speaker 1: I'm telling my word for fucking word. I couldn't believe it.

978
00:49:52,239 --> 00:49:54,320
Speaker 1: I was so excited that I didn't even want to

979
00:49:54,320 --> 00:49:56,000
Speaker 1: wrap the more. I just put the mic out to

980
00:49:56,040 --> 00:49:58,200
Speaker 1: the crowd and they were just going in in that

981
00:49:58,480 --> 00:50:02,320
Speaker 1: footage alone. I went crazy. Once I put it on

982
00:50:02,400 --> 00:50:05,920
Speaker 1: my page, all of a sudden were getting phone calls

983
00:50:06,040 --> 00:50:10,319
Speaker 1: from like all radio, dada, what is this dada? They

984
00:50:10,440 --> 00:50:14,560
Speaker 1: just seen the crowd singing word for word. That's fucking dope.

985
00:50:15,320 --> 00:50:18,200
Speaker 1: That's fucking dope. Now you said you have a lot

986
00:50:18,280 --> 00:50:24,160
Speaker 1: of integrity and you have this monster sort of uh,

987
00:50:24,719 --> 00:50:28,040
Speaker 1: you know, opening song to the world, to the fans

988
00:50:28,080 --> 00:50:32,719
Speaker 1: that didn't just know you. Do you feel, um the

989
00:50:32,880 --> 00:50:36,920
Speaker 1: pressure of like living up to that? That's an anthem?

990
00:50:37,080 --> 00:50:38,680
Speaker 1: Like do you feel the pressure of an anthem? Like?

991
00:50:38,920 --> 00:50:41,520
Speaker 1: Do I need to make another anthem? Like? Because you know,

992
00:50:41,600 --> 00:50:42,880
Speaker 1: like when I when I met you that there was

993
00:50:42,920 --> 00:50:44,359
Speaker 1: like and I'm sure I was like, I shouldn't even

994
00:50:44,400 --> 00:50:46,200
Speaker 1: ask for that, because I'm sure you get asked this everything.

995
00:50:46,280 --> 00:50:48,200
Speaker 1: When's the record coming out? When's the record coming out?

996
00:50:48,520 --> 00:50:52,000
Speaker 1: Do you feel the pressure of coming out? And and

997
00:50:52,120 --> 00:50:54,560
Speaker 1: what are you gonna do to avoid being handcuffed by

998
00:50:54,600 --> 00:50:58,759
Speaker 1: the pressure? Because I'll use Tribe as an example, My god,

999
00:50:58,880 --> 00:51:02,239
Speaker 1: Q tip fucking sometimes it's like Yo, just give up

1000
00:51:02,280 --> 00:51:03,880
Speaker 1: the record. That was one of the things that they

1001
00:51:03,960 --> 00:51:06,279
Speaker 1: talked about some of the Great Tropical course, So like, yo,

1002
00:51:06,960 --> 00:51:08,759
Speaker 1: do you give up the recommended ship is dope, it's

1003
00:51:08,760 --> 00:51:10,680
Speaker 1: not gonna get any better. Like do you have that

1004
00:51:10,840 --> 00:51:13,560
Speaker 1: internal fights? And what are you gonna do to like

1005
00:51:13,960 --> 00:51:16,680
Speaker 1: you know, just sort of like jump in the pool. Absolutely,

1006
00:51:16,680 --> 00:51:19,440
Speaker 1: because I have so much integrity, So you know, that

1007
00:51:19,560 --> 00:51:22,400
Speaker 1: definitely becomes the curse part of it. You know, when

1008
00:51:22,400 --> 00:51:26,040
Speaker 1: you have integrity, you are and you when you build

1009
00:51:26,080 --> 00:51:29,040
Speaker 1: that success so suddenly, you know what I mean, Like

1010
00:51:29,080 --> 00:51:30,920
Speaker 1: you always you always had your fan base, you always

1011
00:51:30,920 --> 00:51:33,319
Speaker 1: built from the from the bottom to the top. When

1012
00:51:33,360 --> 00:51:35,439
Speaker 1: now you get this record that you didn't even mean

1013
00:51:36,640 --> 00:51:39,520
Speaker 1: to blow up, it's like damn, Like you know what

1014
00:51:39,560 --> 00:51:44,279
Speaker 1: I mean. Of course it's pressure, absolutely, but um, I'm

1015
00:51:44,320 --> 00:51:51,480
Speaker 1: trying to learn how to, you know, separate people's payings

1016
00:51:52,200 --> 00:51:55,560
Speaker 1: from how I used to be where I just focused

1017
00:51:55,600 --> 00:51:57,920
Speaker 1: on the music, you know what I mean, Because now

1018
00:51:57,960 --> 00:52:02,359
Speaker 1: I'm famous expectations to expectations. It's a lot of expectations

1019
00:52:02,520 --> 00:52:07,440
Speaker 1: because now people paying attention to you. Before it was

1020
00:52:07,520 --> 00:52:11,600
Speaker 1: like who is that something? It's like proving yourself, you

1021
00:52:11,600 --> 00:52:14,800
Speaker 1: know what I mean? Now is moving on from the

1022
00:52:14,880 --> 00:52:18,000
Speaker 1: next step. I got you, so, yeah, that's why I'm

1023
00:52:18,000 --> 00:52:21,040
Speaker 1: at right now. Um, at first it was worse. Now

1024
00:52:21,120 --> 00:52:22,960
Speaker 1: it's a little more leal. Now, it's a little more

1025
00:52:22,960 --> 00:52:25,760
Speaker 1: easier now. It was worse just in terms of the pressure,

1026
00:52:26,200 --> 00:52:27,680
Speaker 1: like everybody, what are you gonna do? What you're gonna do?

1027
00:52:27,680 --> 00:52:29,439
Speaker 1: What are you gonna do? And you're like, I didn't

1028
00:52:29,480 --> 00:52:32,280
Speaker 1: even know I was gonna do this. Man, Like, damn,

1029
00:52:32,880 --> 00:52:35,120
Speaker 1: leave me a little nah. You know, it is what

1030
00:52:35,239 --> 00:52:36,799
Speaker 1: it is. And I know I'm a dope artist at

1031
00:52:36,800 --> 00:52:37,919
Speaker 1: the end of the day, and I know it's people

1032
00:52:37,920 --> 00:52:40,120
Speaker 1: who really just they just want me to win, you

1033
00:52:40,160 --> 00:52:41,600
Speaker 1: know what I mean? Do you have motherfucker's that wants

1034
00:52:41,600 --> 00:52:43,040
Speaker 1: you to lose? But it is what it is. And

1035
00:52:43,719 --> 00:52:45,560
Speaker 1: I'm at this point where, you know, you gotta learn

1036
00:52:45,600 --> 00:52:48,840
Speaker 1: how to just getting in the in the business and

1037
00:52:48,880 --> 00:52:51,560
Speaker 1: the game is difficult, record, you know what I mean,

1038
00:52:51,800 --> 00:52:55,040
Speaker 1: Just learning the business and separating yourself from personal to

1039
00:52:55,200 --> 00:52:57,759
Speaker 1: to this type of market. It's difficult, you know what

1040
00:52:57,800 --> 00:53:00,160
Speaker 1: I mean. It's not it's not easy, and you know

1041
00:53:00,160 --> 00:53:02,520
Speaker 1: a lot of people don't understand that. And and then

1042
00:53:02,560 --> 00:53:05,000
Speaker 1: people understand too. I'm still independent. I don't have no

1043
00:53:05,120 --> 00:53:07,120
Speaker 1: label behind me? So what does that mean? Because I

1044
00:53:07,360 --> 00:53:09,920
Speaker 1: as long as this fucking guy drew As explained it

1045
00:53:09,960 --> 00:53:11,080
Speaker 1: to me, I don't get it. What does that mean

1046
00:53:11,120 --> 00:53:14,000
Speaker 1: you don't have a label behind you? And why not?

1047
00:53:14,320 --> 00:53:18,640
Speaker 1: I'm sure you've been approached. Yeah? Absolutely, Um, I just

1048
00:53:19,960 --> 00:53:23,520
Speaker 1: you can say you don't trust Whitey. Just say I

1049
00:53:23,520 --> 00:53:28,279
Speaker 1: don't trust Whitey that he's fucking fat cat music industry cocksuckers,

1050
00:53:28,719 --> 00:53:31,719
Speaker 1: you know, like I don't trust these fucking mind I

1051
00:53:31,800 --> 00:53:34,200
Speaker 1: have a lot of trust issues. Absolutely, I have a

1052
00:53:34,200 --> 00:53:37,600
Speaker 1: lot of trust issues. So that does definitely play a part. Um.

1053
00:53:39,160 --> 00:53:40,960
Speaker 1: I wouldn't say I never I always say this. I

1054
00:53:41,120 --> 00:53:43,160
Speaker 1: never would say I would never sign to a label.

1055
00:53:44,040 --> 00:53:46,799
Speaker 1: I just feel like when it's my time, God would

1056
00:53:46,880 --> 00:53:49,319
Speaker 1: let me know I got you. You're so you think

1057
00:53:49,400 --> 00:53:51,960
Speaker 1: you're conscious of it, You're You're not. Just you want

1058
00:53:52,000 --> 00:53:55,400
Speaker 1: to make sure everything feels comfortable and get to a

1059
00:53:55,440 --> 00:53:57,120
Speaker 1: point where like yo, no, we gotta get a label,

1060
00:53:57,120 --> 00:53:59,120
Speaker 1: move off like this, we gotta get a label out

1061
00:53:59,160 --> 00:54:01,640
Speaker 1: then cool, we'll do that. Other than that, man, I'm

1062
00:54:01,640 --> 00:54:04,640
Speaker 1: about taking risk, but it ain't like I'm not diving

1063
00:54:04,680 --> 00:54:06,200
Speaker 1: into other things, you know what I mean. I'm trying

1064
00:54:06,200 --> 00:54:08,800
Speaker 1: to get involved as much as possible, but music, of

1065
00:54:08,920 --> 00:54:11,960
Speaker 1: course itself comes first, you know what I mean? So, Um,

1066
00:54:12,880 --> 00:54:15,080
Speaker 1: I got I got faith. Man. I feel like everything

1067
00:54:15,160 --> 00:54:17,640
Speaker 1: happens for a reason. Man, I feel like I wasn't

1068
00:54:17,640 --> 00:54:19,960
Speaker 1: putting this position for no reason. Man, I got you.

1069
00:54:21,120 --> 00:54:23,400
Speaker 1: Um before I asked you a couple of things. The

1070
00:54:23,480 --> 00:54:26,040
Speaker 1: one why did you? I loved it? You fucked my

1071
00:54:26,120 --> 00:54:30,359
Speaker 1: head up? The Quiet Storm video where you rocked over

1072
00:54:30,440 --> 00:54:33,600
Speaker 1: the mob deep beat? What did you want to do

1073
00:54:33,760 --> 00:54:38,200
Speaker 1: that for? Like? Because I was just like, Yo, Jesus

1074
00:54:38,400 --> 00:54:42,360
Speaker 1: fucking bashed this fucking ship and it's such an iconic

1075
00:54:42,440 --> 00:54:45,920
Speaker 1: beat and the video was dope obviously you know it

1076
00:54:46,000 --> 00:54:48,640
Speaker 1: mean that song means so much to so many fucking people,

1077
00:54:48,719 --> 00:54:50,799
Speaker 1: Like what did you want like to shoot a video

1078
00:54:50,880 --> 00:54:52,880
Speaker 1: like you shot essentially a video. It's not it's not

1079
00:54:52,960 --> 00:54:54,719
Speaker 1: a fucking like that's like a work that's like a

1080
00:54:54,840 --> 00:54:59,359
Speaker 1: thing and it's essentially like a mixtape video? Right? Why

1081
00:54:59,560 --> 00:55:01,960
Speaker 1: that eat and why that, like you know, put that

1082
00:55:02,080 --> 00:55:04,000
Speaker 1: much work in it? Is it just for like the heat?

1083
00:55:04,360 --> 00:55:06,080
Speaker 1: Is it for like to show you you could spit?

1084
00:55:06,200 --> 00:55:08,759
Speaker 1: Like what was the reason for? Because that was another

1085
00:55:08,800 --> 00:55:10,520
Speaker 1: one was like what the fund is going on and

1086
00:55:10,600 --> 00:55:13,440
Speaker 1: this is fucking crazy. So I've been told I'm the

1087
00:55:13,520 --> 00:55:16,400
Speaker 1: hottest in New York. Believe that my yeah, nigga, what

1088
00:55:16,480 --> 00:55:19,680
Speaker 1: you thought? And I ain't even sign yet in Flick said,

1089
00:55:19,760 --> 00:55:22,600
Speaker 1: where are you behind? Never hitting all this shit that

1090
00:55:22,680 --> 00:55:26,239
Speaker 1: I'm spitting? Benefended songs been written, has been did it?

1091
00:55:26,360 --> 00:55:29,120
Speaker 1: The booth been in it? Then might feel offended and

1092
00:55:29,160 --> 00:55:31,320
Speaker 1: then what I'm known from a landing to the Pacific,

1093
00:55:31,600 --> 00:55:33,800
Speaker 1: this is just me. I ain't trying to be different.

1094
00:55:33,840 --> 00:55:36,279
Speaker 1: That's the polling with the game. Ain'tbody something that isn't

1095
00:55:36,480 --> 00:55:39,360
Speaker 1: My goal? Is the business funks up and I'm just

1096
00:55:39,400 --> 00:55:42,240
Speaker 1: trying to do what my brother did. I let you nigga,

1097
00:55:42,440 --> 00:55:44,400
Speaker 1: that was more so. It was something I always did,

1098
00:55:44,520 --> 00:55:48,760
Speaker 1: like rap over. I wanted the throwback beat or whatever,

1099
00:55:48,920 --> 00:55:50,960
Speaker 1: just you know, let people know, you know, I'm gon spiting,

1100
00:55:51,000 --> 00:55:52,879
Speaker 1: you know what I mean? And I believe in the city.

1101
00:55:52,920 --> 00:55:54,880
Speaker 1: Anything I did was always from the city. It was

1102
00:55:54,920 --> 00:55:57,239
Speaker 1: always from New York City. So it was just me

1103
00:55:57,400 --> 00:56:00,719
Speaker 1: kind of carrying that you know that that talk, you

1104
00:56:00,760 --> 00:56:02,560
Speaker 1: know what I mean, and letting people know like this

1105
00:56:02,719 --> 00:56:05,640
Speaker 1: is Brooklyn, this is the city's New York. I'm staying

1106
00:56:05,800 --> 00:56:08,719
Speaker 1: and It was actually an old freestyle too. It wasn't

1107
00:56:08,719 --> 00:56:10,960
Speaker 1: even something new. It wasn't even after or nothing. I

1108
00:56:11,080 --> 00:56:13,560
Speaker 1: did it probably like a year before I did. It

1109
00:56:13,719 --> 00:56:16,080
Speaker 1: was just something to put out, you know, at the time,

1110
00:56:16,800 --> 00:56:18,400
Speaker 1: and it was for the you know, for my supporters

1111
00:56:18,440 --> 00:56:19,719
Speaker 1: in general or something that that, you know, I was

1112
00:56:19,800 --> 00:56:21,520
Speaker 1: waiting on the seat and then it blew up bigger

1113
00:56:21,520 --> 00:56:22,719
Speaker 1: than what we're supposed to do. But it was it

1114
00:56:22,840 --> 00:56:24,359
Speaker 1: was for them. But then it was like, Okay, now

1115
00:56:24,360 --> 00:56:26,160
Speaker 1: I'm gonna give it to you for you new motherfucker's

1116
00:56:26,280 --> 00:56:28,480
Speaker 1: I don't know what I've been doing already. So it's

1117
00:56:28,520 --> 00:56:31,960
Speaker 1: like one of those situations. So when you say freestyle,

1118
00:56:32,080 --> 00:56:34,560
Speaker 1: like if a beat comes on, like I know, if

1119
00:56:34,680 --> 00:56:36,400
Speaker 1: if you're in tune with what you do as much

1120
00:56:36,480 --> 00:56:39,520
Speaker 1: as you do, like you right, you know, obviously you

1121
00:56:39,600 --> 00:56:41,600
Speaker 1: know there's gonna be things from this, you know, rhyme

1122
00:56:41,640 --> 00:56:44,000
Speaker 1: I without even thinking, I imagine like they're just coming together.

1123
00:56:44,040 --> 00:56:45,560
Speaker 1: But if I if I, like put a beat on

1124
00:56:45,680 --> 00:56:48,640
Speaker 1: that you love, now you could just start rocking like

1125
00:56:48,760 --> 00:56:50,719
Speaker 1: that from the head you mean, yeah, like you could

1126
00:56:50,719 --> 00:56:53,160
Speaker 1: just start rocking like that's real ship. Yeah, you could.

1127
00:56:53,200 --> 00:56:54,800
Speaker 1: I can always spit from the head if I'm just

1128
00:56:54,880 --> 00:56:57,239
Speaker 1: having fun with it, but I'm not. It's not where

1129
00:56:57,640 --> 00:57:00,279
Speaker 1: I can just go consistently like I have the right.

1130
00:57:00,280 --> 00:57:02,439
Speaker 1: I'm a writer. Okay, So when I say freestyle, people

1131
00:57:02,560 --> 00:57:04,160
Speaker 1: understand pop always be like, oh, that's not a freestyle

1132
00:57:04,200 --> 00:57:07,600
Speaker 1: because you spend from the head, like your interpretation of

1133
00:57:07,640 --> 00:57:10,160
Speaker 1: a freestyle. Mont freestyle is two different things to me.

1134
00:57:10,239 --> 00:57:14,440
Speaker 1: A freestyle is where you're freely expressing yourself and your

1135
00:57:14,480 --> 00:57:18,120
Speaker 1: own style. Got you, you know what I mean. You're

1136
00:57:18,200 --> 00:57:21,520
Speaker 1: going whatever comes to mind. You're saying what comes to mind.

1137
00:57:21,560 --> 00:57:24,920
Speaker 1: It's no hook's no thought. It's like more so whatever's

1138
00:57:24,960 --> 00:57:27,480
Speaker 1: on your mind. You're freely just going off. I got me,

1139
00:57:27,840 --> 00:57:30,280
Speaker 1: that's a freestyle. And so I'll be confused when people

1140
00:57:30,360 --> 00:57:33,600
Speaker 1: like she needs spaying from the hands and sucking these

1141
00:57:33,600 --> 00:57:37,919
Speaker 1: are these fucking Instagram comments. I can't you can't sucking

1142
00:57:38,000 --> 00:57:42,880
Speaker 1: spit fucking spit out fucking these fucking Instagram comments. You know,

1143
00:57:42,960 --> 00:57:47,280
Speaker 1: I'm thinking about cutting my fucking comments offut post uff

1144
00:57:47,280 --> 00:57:50,200
Speaker 1: there and you're comment to yourself like it. You don't

1145
00:57:50,280 --> 00:57:54,640
Speaker 1: like it, go funk yourself, cricking comments. Crazy. Everybody's got

1146
00:57:54,720 --> 00:57:59,600
Speaker 1: a fucking a peep. Everybody's got an opinion. Right, you've

1147
00:57:59,640 --> 00:58:01,360
Speaker 1: been all over the world. Now have you been to

1148
00:58:01,440 --> 00:58:03,720
Speaker 1: every every continent? At this point, I feel like I

1149
00:58:03,840 --> 00:58:10,280
Speaker 1: have Australia, Okay, South America obviously, Europe, Italy, the whole.

1150
00:58:11,080 --> 00:58:12,760
Speaker 1: All right, let's start with the United States. This is

1151
00:58:12,840 --> 00:58:16,200
Speaker 1: the fucking question. Okay, to start of the United States,

1152
00:58:16,760 --> 00:58:23,560
Speaker 1: what city has got the baddest chicks? You don't have

1153
00:58:23,640 --> 00:58:26,120
Speaker 1: to say one. You could say top three, like and

1154
00:58:26,440 --> 00:58:30,560
Speaker 1: your travels in the United States baddest chicks collectively. I'm

1155
00:58:30,720 --> 00:58:33,920
Speaker 1: say Miami. Okay, what do we got out there? Now?

1156
00:58:33,960 --> 00:58:37,440
Speaker 1: I'm a married man. I don't funk around, and I

1157
00:58:37,520 --> 00:58:39,480
Speaker 1: never even spent that much time in Miami even when

1158
00:58:39,480 --> 00:58:42,040
Speaker 1: I was and it might be hard to leave. At

1159
00:58:42,080 --> 00:58:44,720
Speaker 1: one time, I was a fucking coxman. I was knocking

1160
00:58:44,800 --> 00:58:48,960
Speaker 1: things down left, right, in the center, okay, sucking all

1161
00:58:49,000 --> 00:58:53,480
Speaker 1: over the place. Okay, fucking Brownsville, all over the fucking city.

1162
00:58:55,360 --> 00:58:58,160
Speaker 1: That's why the rock cam online. When I had sex,

1163
00:58:58,280 --> 00:59:01,440
Speaker 1: I left my name on Nix. It always rang fucking

1164
00:59:01,480 --> 00:59:03,439
Speaker 1: true to me because I left my name on next.

1165
00:59:03,720 --> 00:59:07,800
Speaker 1: My trademark was left throughout the projects. Okay. So that

1166
00:59:07,920 --> 00:59:09,680
Speaker 1: was That was in the eighties and the nineties. Okay,

1167
00:59:09,720 --> 00:59:12,560
Speaker 1: but now it's your turn. You're knocking them down left

1168
00:59:12,640 --> 00:59:14,920
Speaker 1: fucking right. Say you stay away from my fucking wife

1169
00:59:17,000 --> 00:59:19,280
Speaker 1: because my wife, she said to me, she's never been

1170
00:59:19,320 --> 00:59:22,200
Speaker 1: with him, and she goes, I would consider being with her.

1171
00:59:22,240 --> 00:59:26,480
Speaker 1: I was like what she said, but I'm sure you

1172
00:59:26,560 --> 00:59:28,440
Speaker 1: must get that light. You stayed the funk away from

1173
00:59:28,480 --> 00:59:31,880
Speaker 1: my wife. I love it. I love it. But now

1174
00:59:32,680 --> 00:59:34,280
Speaker 1: that's when I can said, by my Ami, Miami, you

1175
00:59:34,400 --> 00:59:36,120
Speaker 1: never know even if the girls from Miami because that

1176
00:59:36,200 --> 00:59:37,920
Speaker 1: so many people be in Miami, so you don't even

1177
00:59:37,960 --> 00:59:40,160
Speaker 1: know if they're sucking from Miami. But I'm gonna say

1178
00:59:40,160 --> 00:59:42,920
Speaker 1: that's where I see a lot of beautiful women that Okay, uh,

1179
00:59:44,360 --> 00:59:46,680
Speaker 1: for some reason, if we I'm gonna stay up top,

1180
00:59:47,760 --> 00:59:49,240
Speaker 1: you know, being I'm from the city or what I'm

1181
00:59:49,280 --> 00:59:52,280
Speaker 1: from Brooklyn, whatever. But I'm gonna say, when it comes

1182
00:59:52,320 --> 00:59:54,640
Speaker 1: to like North, the best looking checks I've seen them

1183
00:59:54,720 --> 00:59:58,000
Speaker 1: north will be from Philly. I'm gonna say, for some reason,

1184
00:59:58,120 --> 01:00:00,960
Speaker 1: I ran into a lot of pretty phil girls. Okay,

1185
01:00:01,320 --> 01:00:02,640
Speaker 1: you know what I mean. I always say that I'm like,

1186
01:00:02,920 --> 01:00:05,360
Speaker 1: i'd be always meeting a pretty Filly girl, So I

1187
01:00:05,440 --> 01:00:08,000
Speaker 1: don't know, you know, whatever, anybody else feel cool? That's

1188
01:00:08,000 --> 01:00:10,840
Speaker 1: September what I experienced from I always met a pretty

1189
01:00:10,840 --> 01:00:13,040
Speaker 1: filly girl. I mean, the reality is there's beautiful people

1190
01:00:13,080 --> 01:00:15,760
Speaker 1: all over the place. Right, we're gonna go worldwide. Now,

1191
01:00:16,600 --> 01:00:18,640
Speaker 1: first of all, let me get a specific question. Here,

1192
01:00:18,760 --> 01:00:21,680
Speaker 1: have you been to Brazil? No? God, damn it. I

1193
01:00:21,760 --> 01:00:27,720
Speaker 1: wanted to hear younger means analyzation of the asses in Brazil. Fuck,

1194
01:00:27,840 --> 01:00:31,440
Speaker 1: you haven't been to Brazil yet. Okay, So we're all

1195
01:00:31,440 --> 01:00:33,680
Speaker 1: across the world where you've been. What are the places

1196
01:00:33,720 --> 01:00:39,080
Speaker 1: where you've took those like? Okay, this this spot, Dubai Yo,

1197
01:00:40,520 --> 01:00:44,560
Speaker 1: he's been. He was there with me, Dubai. Man, Now

1198
01:00:44,600 --> 01:00:45,800
Speaker 1: what do we got out there? What are we What

1199
01:00:45,840 --> 01:00:47,680
Speaker 1: are we talking about? What we what are we seeing?

1200
01:00:48,440 --> 01:00:54,280
Speaker 1: First of all, we're seeing. It's like I knew Dubai

1201
01:00:54,440 --> 01:00:56,960
Speaker 1: was lit, don't get me wrong. And I never go

1202
01:00:57,200 --> 01:01:00,360
Speaker 1: nowhere when intentions or something, I always go like back,

1203
01:01:00,960 --> 01:01:05,000
Speaker 1: I gotta work, I'm booked, he or whatever. But when

1204
01:01:05,080 --> 01:01:10,760
Speaker 1: I got there, it was like, Wow, this is what

1205
01:01:10,920 --> 01:01:13,640
Speaker 1: it is. Wow, it's about the club I had. I

1206
01:01:13,680 --> 01:01:17,800
Speaker 1: had a show at a base spot called Base in

1207
01:01:17,880 --> 01:01:20,880
Speaker 1: Dubai Big Club. It was outdoor. It had like almost

1208
01:01:20,880 --> 01:01:25,520
Speaker 1: like a stadium like Big Club too, Fisher. And before

1209
01:01:25,520 --> 01:01:27,200
Speaker 1: we even went to the club, he was in the restaurant.

1210
01:01:27,800 --> 01:01:33,360
Speaker 1: And I tell you, this is not somewhere where you

1211
01:01:33,480 --> 01:01:36,200
Speaker 1: just see the baddest bitches just walking into the restaurant

1212
01:01:36,320 --> 01:01:38,160
Speaker 1: with no problem, Like you know what I mean, Like,

1213
01:01:38,240 --> 01:01:40,120
Speaker 1: you don't see that in New York, Man, You don't

1214
01:01:40,200 --> 01:01:42,439
Speaker 1: just see you in the restaurant and just I'm talking

1215
01:01:42,440 --> 01:01:44,440
Speaker 1: about the baddest of the baddest just walk in the

1216
01:01:44,520 --> 01:01:46,800
Speaker 1: fucking spot. You would think like, who is that? You

1217
01:01:46,840 --> 01:01:49,600
Speaker 1: know what I mean? You don't see that often. Um,

1218
01:01:50,240 --> 01:01:52,000
Speaker 1: And it was like back to back. It wasn't That's

1219
01:01:52,000 --> 01:01:53,840
Speaker 1: what I'm saying, Like, we don't see back to back

1220
01:01:54,040 --> 01:01:58,040
Speaker 1: bad chicks walking into the restaurant. That's what That's what's

1221
01:01:58,080 --> 01:02:00,200
Speaker 1: going on out there. That's part of the culture by

1222
01:02:00,480 --> 01:02:04,920
Speaker 1: bad bitches. Okay, give me another place in your travels.

1223
01:02:05,240 --> 01:02:07,640
Speaker 1: We can fucking France, We got London. I don't know

1224
01:02:07,680 --> 01:02:12,400
Speaker 1: where you've been in Italy, Fucking Sweden, Norway. Where's another place. Yeah,

1225
01:02:12,440 --> 01:02:19,560
Speaker 1: I've been a lot of places. You just said Norway, London, Um, Amsterdam, Japan?

1226
01:02:20,920 --> 01:02:27,160
Speaker 1: What's going on over there? Beautiful women okay, uh my top,

1227
01:02:28,840 --> 01:02:37,440
Speaker 1: I'm dr ah wow down there, it's real right, yeah, yeah.

1228
01:02:37,480 --> 01:02:39,360
Speaker 1: He came with me to DR one time too. I've

1229
01:02:39,400 --> 01:02:44,640
Speaker 1: been a dr like two two times. DR is real,

1230
01:02:44,800 --> 01:02:50,040
Speaker 1: right yeah? Right? Is it? Because Dominican women are beautiful

1231
01:02:50,080 --> 01:02:52,120
Speaker 1: in general? So when you're down there, just like a

1232
01:02:52,200 --> 01:02:54,920
Speaker 1: plethory of beautiful women across the board. All right, My

1233
01:02:55,000 --> 01:02:58,120
Speaker 1: final question before I leave, this is breaking news and

1234
01:02:58,160 --> 01:03:01,520
Speaker 1: I'm proud to break it. You speaking of women, you

1235
01:03:01,680 --> 01:03:05,000
Speaker 1: had the experience of directing a no no, directing a

1236
01:03:05,120 --> 01:03:09,760
Speaker 1: porno all women, that's a good term. You're you're that

1237
01:03:09,880 --> 01:03:12,160
Speaker 1: term no no no. She was the first one. You

1238
01:03:12,880 --> 01:03:15,200
Speaker 1: take it and run with it, take it and take

1239
01:03:15,280 --> 01:03:16,880
Speaker 1: you made it up. You take it because that could

1240
01:03:16,880 --> 01:03:18,919
Speaker 1: be some ship that you say, like in a rhyme

1241
01:03:19,640 --> 01:03:23,960
Speaker 1: with the no nos. It's in the bag. So how

1242
01:03:24,000 --> 01:03:25,640
Speaker 1: the fund did you wind up directing a no no?

1243
01:03:26,000 --> 01:03:28,040
Speaker 1: And what was that like to actually be there in

1244
01:03:28,200 --> 01:03:31,400
Speaker 1: terms of just like what was that like from you? Like,

1245
01:03:31,720 --> 01:03:33,680
Speaker 1: what did you see? You know? It was funny. It

1246
01:03:33,800 --> 01:03:37,960
Speaker 1: was because I don't watch no nose having you say

1247
01:03:38,000 --> 01:03:40,320
Speaker 1: it to make it and a lot of people do.

1248
01:03:40,560 --> 01:03:42,520
Speaker 1: And I was never really like one of the people

1249
01:03:42,600 --> 01:03:46,840
Speaker 1: that just watched no nos, and oh this is definitely

1250
01:03:46,960 --> 01:03:50,040
Speaker 1: something new, like this is totally new as far as

1251
01:03:50,160 --> 01:03:54,600
Speaker 1: like just that in itself an experience, you know. Once

1252
01:03:54,640 --> 01:03:58,400
Speaker 1: I got there and everything, it was real. Man, it

1253
01:03:58,520 --> 01:04:01,720
Speaker 1: was like, oh they for did the women come out?

1254
01:04:02,000 --> 01:04:04,040
Speaker 1: Like how does it start to become sexual? Like when

1255
01:04:04,080 --> 01:04:06,560
Speaker 1: you first get there, Like you've been on video sets,

1256
01:04:06,960 --> 01:04:08,640
Speaker 1: you've been you know, you know what's going on, Like

1257
01:04:08,880 --> 01:04:15,200
Speaker 1: we're chilling. First, are the women nude? Uh? First? Comfortable?

1258
01:04:15,440 --> 01:04:17,000
Speaker 1: They don't. They don't give a funk. They come out

1259
01:04:17,080 --> 01:04:19,480
Speaker 1: naked and walk around talk to you naked. It's like

1260
01:04:21,880 --> 01:04:23,800
Speaker 1: I had a whole conversation with a woman and she

1261
01:04:23,920 --> 01:04:27,440
Speaker 1: was butt naked. She was explaining how she got laser

1262
01:04:27,640 --> 01:04:30,919
Speaker 1: to shave her hands off so how sho won't grow back,

1263
01:04:31,440 --> 01:04:33,840
Speaker 1: and she's butt naked and we're talking about her damn vagina.

1264
01:04:34,160 --> 01:04:36,600
Speaker 1: But it was It didn't to me, honestly, like no disrespect.

1265
01:04:36,640 --> 01:04:40,600
Speaker 1: It didn't feel like anything perverted or anything sexual. It

1266
01:04:40,680 --> 01:04:42,880
Speaker 1: was to me, honestly, a regular conversation. I didn't take

1267
01:04:42,880 --> 01:04:45,240
Speaker 1: it like, oh I'm looking at her vagina. Nothing. I'm

1268
01:04:45,280 --> 01:04:47,520
Speaker 1: really there to work, I'm really direct, and I'm really

1269
01:04:47,560 --> 01:04:49,840
Speaker 1: there focusing on these girls and who we got involved

1270
01:04:49,920 --> 01:04:52,000
Speaker 1: or whatever. I didn't come there to play around and

1271
01:04:52,200 --> 01:04:55,560
Speaker 1: be something fucking perverted. Motherfucker. I don't. I don't play that,

1272
01:04:55,640 --> 01:04:57,880
Speaker 1: you know. I mean, um, you know a few beautiful

1273
01:04:57,920 --> 01:04:59,720
Speaker 1: women in there or whatever the case. So but me,

1274
01:04:59,800 --> 01:05:02,240
Speaker 1: I'm taking my job serious. So me having a conversation

1275
01:05:02,320 --> 01:05:05,480
Speaker 1: with her, I really want to know certain things. This

1276
01:05:05,680 --> 01:05:08,840
Speaker 1: is new for me. So she's normal, she's out, but naked,

1277
01:05:08,960 --> 01:05:11,920
Speaker 1: titties out, pussy out talking to me like, yeah, you know,

1278
01:05:11,960 --> 01:05:14,440
Speaker 1: I got my done last year, and you know I

1279
01:05:14,480 --> 01:05:17,480
Speaker 1: haven't grown that. She's describing the better it is, and

1280
01:05:18,120 --> 01:05:19,800
Speaker 1: you know you don't get in grown. Here's like, we're

1281
01:05:19,920 --> 01:05:24,000
Speaker 1: really really talking about this. What is your take on uh?

1282
01:05:24,080 --> 01:05:25,439
Speaker 1: And I don't mean to be I don't mean because

1283
01:05:25,440 --> 01:05:27,480
Speaker 1: I don't. I'm not a pervert and I'm not I

1284
01:05:27,520 --> 01:05:29,480
Speaker 1: don't even like that, but like, I just love your

1285
01:05:29,520 --> 01:05:33,720
Speaker 1: take on this. I like women with vaginal hair. Okay,

1286
01:05:33,720 --> 01:05:35,520
Speaker 1: I'm happy you said that, And I'll tell you why

1287
01:05:35,880 --> 01:05:39,040
Speaker 1: you're a grown woman. I want a grown woman. I

1288
01:05:39,080 --> 01:05:41,080
Speaker 1: don't want to fucking like you know, I'm not saying

1289
01:05:41,080 --> 01:05:43,360
Speaker 1: I want to like you know, as funny you say

1290
01:05:43,400 --> 01:05:47,120
Speaker 1: that because the same girl I'm having this conversation with

1291
01:05:47,480 --> 01:05:50,520
Speaker 1: she told me in the point industry that they rather

1292
01:05:50,880 --> 01:05:53,960
Speaker 1: most of the girls that have some type of something

1293
01:05:54,160 --> 01:05:57,800
Speaker 1: on their vagina for that particular reason that you're saying

1294
01:05:58,040 --> 01:06:01,840
Speaker 1: for like you know, mature or a woman whatever, because

1295
01:06:02,120 --> 01:06:04,320
Speaker 1: you know, whatever the situation is. And I'm like, really, well,

1296
01:06:04,360 --> 01:06:06,120
Speaker 1: I never knew that, never, you know, because I never

1297
01:06:06,160 --> 01:06:08,240
Speaker 1: paid attention, So I never knew that. She's like, yeah,

1298
01:06:08,280 --> 01:06:10,560
Speaker 1: they prefer so a lot of women had a little

1299
01:06:11,320 --> 01:06:13,600
Speaker 1: hey on it, but but not her the other girls

1300
01:06:13,640 --> 01:06:17,760
Speaker 1: I got you. Yeah, So in terms of the sexuality, uh,

1301
01:06:18,120 --> 01:06:21,160
Speaker 1: is there sexuality or is it all staged? Like what

1302
01:06:21,560 --> 01:06:23,320
Speaker 1: you know? And how much directing did you do? And

1303
01:06:23,400 --> 01:06:26,040
Speaker 1: did you feel like when you say directing and you're like, oh,

1304
01:06:26,240 --> 01:06:29,360
Speaker 1: move your head this way like direct and so and

1305
01:06:29,440 --> 01:06:31,720
Speaker 1: you're saying what, like, what was the most uncomfortable thing

1306
01:06:31,800 --> 01:06:33,720
Speaker 1: about it? Or were you totally cool? But because you know,

1307
01:06:33,840 --> 01:06:36,440
Speaker 1: you were respectful. No, I definitely was comfortable the hotel.

1308
01:06:36,480 --> 01:06:39,520
Speaker 1: Nothing was uncomfortable for me. Um, I just wanted I

1309
01:06:39,560 --> 01:06:41,840
Speaker 1: didn't want it to like to me, I'm so, like

1310
01:06:41,920 --> 01:06:43,600
Speaker 1: I said, I have a lot of integrity, so when

1311
01:06:43,640 --> 01:06:45,520
Speaker 1: I do something. I want everything to be done right.

1312
01:06:45,800 --> 01:06:48,320
Speaker 1: I don't want to feel like it's just this. So

1313
01:06:48,560 --> 01:06:49,920
Speaker 1: you know a lot of times when I was on

1314
01:06:50,000 --> 01:06:52,400
Speaker 1: the set, I was, you know, coming to the girl,

1315
01:06:52,480 --> 01:06:54,600
Speaker 1: the main character girl, come to it, like, yeah, when

1316
01:06:54,640 --> 01:06:57,440
Speaker 1: you do this scene, make it a little more realistic,

1317
01:06:57,560 --> 01:06:59,280
Speaker 1: you know what I mean. Don't be the normal porn

1318
01:07:00,080 --> 01:07:02,040
Speaker 1: video where the girls like they can't act, you know

1319
01:07:02,080 --> 01:07:03,720
Speaker 1: what I'm saying, Like I hate that, Like I've seen

1320
01:07:03,760 --> 01:07:07,120
Speaker 1: a few. I don't watchogue. Yeah, it's like, yeah, the

1321
01:07:07,200 --> 01:07:10,439
Speaker 1: dialogue exactly. It's like, don't don't look fake, like, don't

1322
01:07:10,480 --> 01:07:12,800
Speaker 1: look like you're fake acting like really get into it,

1323
01:07:12,880 --> 01:07:14,360
Speaker 1: you know what I mean. And that's how I looked

1324
01:07:14,400 --> 01:07:16,520
Speaker 1: at it, like being that this is something I'm direct

1325
01:07:16,600 --> 01:07:18,520
Speaker 1: and they told me I had full control, So this

1326
01:07:18,680 --> 01:07:20,320
Speaker 1: is what I was doing, and you know, I let

1327
01:07:20,360 --> 01:07:21,880
Speaker 1: her know. I'm like, yo, when you when you come

1328
01:07:21,920 --> 01:07:24,320
Speaker 1: into this scene, like like if you was never in

1329
01:07:24,360 --> 01:07:26,480
Speaker 1: this position before, would you act like this? No, you

1330
01:07:26,520 --> 01:07:29,040
Speaker 1: would really be like surprised, like like what the hell

1331
01:07:29,080 --> 01:07:31,320
Speaker 1: am I getting myself into? So you know, I just

1332
01:07:31,440 --> 01:07:33,040
Speaker 1: you know, come to the to the girls a few

1333
01:07:33,120 --> 01:07:34,600
Speaker 1: times and let them know what they need to do.

1334
01:07:35,000 --> 01:07:36,880
Speaker 1: It was. It was a few girls that was actually

1335
01:07:36,960 --> 01:07:39,280
Speaker 1: really into like what they was doing, like really like

1336
01:07:39,480 --> 01:07:41,720
Speaker 1: having fucking sex, and I was just coming to them like, yo,

1337
01:07:41,800 --> 01:07:43,920
Speaker 1: you guys are doing awesome, like you know what I mean,

1338
01:07:44,080 --> 01:07:47,240
Speaker 1: Like it's weird, but I was really into it. Like

1339
01:07:47,320 --> 01:07:49,400
Speaker 1: it was like I was really into the point of directing,

1340
01:07:49,480 --> 01:07:52,280
Speaker 1: Like it wasn't honestly to me like probably anybody else,

1341
01:07:52,360 --> 01:07:54,479
Speaker 1: I probably would probably had turned them on or whatever

1342
01:07:54,560 --> 01:07:57,480
Speaker 1: the case. Um, and I'm speaking truthfully, like it's a

1343
01:07:57,560 --> 01:07:59,440
Speaker 1: turn on of course to see women, you know, get

1344
01:07:59,520 --> 01:08:01,800
Speaker 1: involved with other of course you know it's sex. But

1345
01:08:02,440 --> 01:08:05,240
Speaker 1: in my mind, I'm really indirect the mode I'm looking

1346
01:08:05,280 --> 01:08:07,160
Speaker 1: at you, like, okay, you two guys having sex, keep

1347
01:08:07,240 --> 01:08:11,560
Speaker 1: doing that? The size girls? Yeah, like girls, but yeah,

1348
01:08:11,600 --> 01:08:15,400
Speaker 1: this is girls. I want to make sure we gotta

1349
01:08:15,400 --> 01:08:20,880
Speaker 1: be Let's let's be clear on this right, No men, no, nothing, No.

1350
01:08:21,000 --> 01:08:23,080
Speaker 1: I just wanted because you know, you two guys over here,

1351
01:08:23,120 --> 01:08:24,680
Speaker 1: but you said girls before. I don't want to be

1352
01:08:25,120 --> 01:08:27,920
Speaker 1: but like you guys like you know, yeah, but when

1353
01:08:27,960 --> 01:08:30,679
Speaker 1: we're talking to Porter, we want to be. We're talking

1354
01:08:31,040 --> 01:08:37,120
Speaker 1: and we're talking. You got you girls, you girls, like listen,

1355
01:08:37,240 --> 01:08:39,920
Speaker 1: let's go over there and yeah, yeah, okay. So I

1356
01:08:40,040 --> 01:08:41,960
Speaker 1: was basically telling the girls like you guys are doing like,

1357
01:08:42,400 --> 01:08:44,559
Speaker 1: keep doing it the same way you're doing Like it's perfect,

1358
01:08:44,600 --> 01:08:47,680
Speaker 1: you know what I mean? And um, I ain't a lot.

1359
01:08:47,680 --> 01:08:50,519
Speaker 1: It's definitely different than what I expected. It's a lot

1360
01:08:50,640 --> 01:08:55,360
Speaker 1: of like you know, there's a lot of acting, you

1361
01:08:55,439 --> 01:08:58,720
Speaker 1: know what I mean, And but I'm interested in there's

1362
01:08:58,720 --> 01:09:01,439
Speaker 1: probably something I can see myself doing again. Okay, you

1363
01:09:01,479 --> 01:09:02,720
Speaker 1: know what I mean. It was cool, It's fun. It

1364
01:09:02,800 --> 01:09:05,240
Speaker 1: wasn't you know, out of you know, out of the

1365
01:09:05,320 --> 01:09:08,400
Speaker 1: fucking out of this world I got expected, but no,

1366
01:09:08,520 --> 01:09:10,280
Speaker 1: it was actually something I was like, Okay, this is

1367
01:09:10,360 --> 01:09:12,720
Speaker 1: this isn't too bad. I got you. It's cool, it's dope.

1368
01:09:12,760 --> 01:09:15,240
Speaker 1: The girls was respectful. You know. I made sure they

1369
01:09:15,320 --> 01:09:17,479
Speaker 1: got everything they needed on set. You know. I spoke

1370
01:09:17,520 --> 01:09:19,679
Speaker 1: to them like, you go you cold, whatever the case,

1371
01:09:20,000 --> 01:09:21,360
Speaker 1: how you you know what I mean? You need something

1372
01:09:21,400 --> 01:09:23,320
Speaker 1: to drink? You know, you direct, then you gotta make

1373
01:09:23,320 --> 01:09:24,800
Speaker 1: sure these girls are comfortable and all that. So I

1374
01:09:24,880 --> 01:09:27,600
Speaker 1: really took it as business. Bro. All right, that's it.

1375
01:09:28,000 --> 01:09:30,200
Speaker 1: I just want to tell you how much I appreciate you.

1376
01:09:30,320 --> 01:09:32,920
Speaker 1: Rock with me on the Iron Rap Stereo like I said,

1377
01:09:32,920 --> 01:09:37,280
Speaker 1: I'm a fucking fan and uh this just means a lot.

1378
01:09:37,360 --> 01:09:40,320
Speaker 1: I respect the ship out of you. Um I, I

1379
01:09:40,479 --> 01:09:43,040
Speaker 1: can't wait to hear. Uh what else you're coming out with?

1380
01:09:43,920 --> 01:09:47,200
Speaker 1: And what can I say? You know what it is,

1381
01:09:47,680 --> 01:09:53,960
Speaker 1: no doubt? All right, I appreciate it already. What's up?

1382
01:09:55,080 --> 01:10:01,639
Speaker 1: I'm gonna just get sick tips, like on the Coronatu

1383
01:10:03,600 --> 01:10:07,000
Speaker 1: from standing on the black spott speakers, not kick cocks,

1384
01:10:07,040 --> 01:10:10,920
Speaker 1: watching cock blocking weed bags on my jeans at the

1385
01:10:11,080 --> 01:10:14,360
Speaker 1: hot pocket nickel it Domino here grinding, trying to make

1386
01:10:14,439 --> 01:10:17,479
Speaker 1: a process to drop at. Somebody had this versus booklets.

1387
01:10:17,520 --> 01:10:20,240
Speaker 1: Ever heard he say it? Niggas, No, they listened, but

1388
01:10:20,360 --> 01:10:22,960
Speaker 1: won't say it. Wor that's why I'm getting on these

1389
01:10:23,080 --> 01:10:25,800
Speaker 1: beats to get on their nerves. I'm trying school eting

1390
01:10:25,880 --> 01:10:28,880
Speaker 1: little niggas then with what they learned from where you

1391
01:10:29,000 --> 01:10:32,200
Speaker 1: got the work? Or you getting served that pigeon birds

1392
01:10:32,320 --> 01:10:35,400
Speaker 1: don't fly. They're walking on the curves. The pretty bitches

1393
01:10:35,479 --> 01:10:38,519
Speaker 1: act booge niggas getting curR and curt and stick cases

1394
01:10:38,600 --> 01:10:41,800
Speaker 1: drinking Hendy rolling up to her. I'm old school, so

1395
01:10:42,000 --> 01:10:45,280
Speaker 1: I still be bumping that old ship. Old heads like Hey,

1396
01:10:45,439 --> 01:10:48,920
Speaker 1: that's be grown fun ship. We're from Chupping turn Style,

1397
01:10:49,080 --> 01:10:53,200
Speaker 1: some old whisker. We're from wearing no change, the old bullship.

1398
01:10:53,479 --> 01:11:04,920
Speaker 1: Money never falls. We don't talk about any we don't

1399
01:11:06,240 --> 01:11:08,000
Speaker 1: we don't spin up anymore.