WEBVTT - EYL 317: Common

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<v Speaker 1>An illegal alien from Guatemala charged with raping a child

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<v Speaker 1>in Massachusetts. An MS thirteen gang member from Al Salvador

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<v Speaker 1>accused of murdering a Texas man of Venezuelan charged with

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<v Speaker 1>filming and selling child pornography in Michigan. These are just

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<v Speaker 1>some of the heinous migrant criminals caught because of President

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<v Speaker 1>Donald J.

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<v Speaker 2>Trump's leadership.

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<v Speaker 1>I'm Christy nom the United States Secretary of Homeland Security.

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<v Speaker 1>Under President Trump, attempted illegal border crossings are at the

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<v Speaker 1>lowest levels ever recorded, and over one hundred thousand illegal

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<v Speaker 1>aliens have been arrested. If you are here illegally, your

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<v Speaker 1>next you will be fined nearly one thousand dollars a day, imprisoned,

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<v Speaker 1>and deported.

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<v Speaker 2>You will never return.

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<v Speaker 1>But if you register using our CBP home app and

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<v Speaker 1>leave now, you could be allowed to return legally.

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<v Speaker 2>Do what's right. Leave now.

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<v Speaker 1>Under President Trump, America's laws, border and families will be protected.

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<v Speaker 3>Sponsored by the United States Department of Homeland Security Earners.

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<v Speaker 4>What's going on?

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<v Speaker 5>Listen, eylu is relaunching, revamping, retooling. That's why we're creating

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<v Speaker 9>See you there all right, guys, Welcome back ey L.

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<v Speaker 9>We got a special edition Legends only. This is a Legends,

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<v Speaker 9>yes for sure. Whenever we get a chance to talk

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<v Speaker 9>to you know, the hip hop Legends is always fun

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<v Speaker 9>for us because before anything, we was fans of music.

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<v Speaker 6>We still are fans of music and just culture.

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<v Speaker 9>So you know, people that have help shape it, it's

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<v Speaker 9>always great for us to have conversations with them. So

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<v Speaker 9>we have Rashi better known as Common formerly known as Common.

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<v Speaker 5>Also known as It's dope that we grew up in

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<v Speaker 5>the era and we got to watch our artists mature

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<v Speaker 5>and still have relevancy.

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<v Speaker 4>Yeah.

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<v Speaker 5>So you know, in the early days of hip hop,

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<v Speaker 5>there wasn't an act right like, it felt like this

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<v Speaker 5>couldn't grow. There was a young man's sporty somebody saying

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<v Speaker 5>that the other day's a young man sport. I'm like,

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<v Speaker 5>that's true. But these guys that were young have now

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<v Speaker 5>grown and we've grown with them. So I think this

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<v Speaker 5>is just this is a dope conversation that we're gonna have. Yeah, no,

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<v Speaker 5>for sure, man, thank y'all too for having me up here. Man,

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<v Speaker 5>respect in love with y'all doing. Thank you for sure,

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<v Speaker 5>And I want to say, yeah, I definitely creating. When

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<v Speaker 5>I first started like making music, didn't think I could

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<v Speaker 5>grow into my thirties forties. I'm fifty two now and

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<v Speaker 5>be creating music like where it still feel fresh, where

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<v Speaker 5>I'm still like weird, not being with Pete Rock and

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<v Speaker 5>I on this album, but just gaining new audience. We

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<v Speaker 5>didn't have those examples at the beginning because hip I

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<v Speaker 5>was so young. But when we think about it being

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<v Speaker 5>a it is a young man's sport, young woman's sport,

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<v Speaker 5>but it also is like because it's music. It has

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<v Speaker 5>the time listeners to it.

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<v Speaker 10>Like music doesn't really when you think about music, it

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<v Speaker 10>don't really deno the age or.

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<v Speaker 4>Or even the color.

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<v Speaker 10>Man like cause some of the some of the songs

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<v Speaker 10>I've enjoyed most, man, it's all walks of life, just

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<v Speaker 10>loving it. It could be Michael Jackson's Off the Wall,

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<v Speaker 10>or it could be Kendricks Lamar not like us, you know,

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<v Speaker 10>And I see different like age, different people from different

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<v Speaker 10>age groups still enjoying all that music. So I feel

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<v Speaker 10>like music when it's made in its purest way and

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<v Speaker 10>it really has a soul to it and it's special,

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<v Speaker 10>it doesn't have that limit on it. It can grow

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<v Speaker 10>and be timeless. And for me as an artist, I've

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<v Speaker 10>been just trying to strive and to grow.

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<v Speaker 9>Well, how have you been a So you're one of

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<v Speaker 9>the few artists that have been able to maintain relevancy

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<v Speaker 9>for a long period of time and hip hop right.

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<v Speaker 9>Unfortunately a lot of artists don't have that longevity. And

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<v Speaker 9>you've done it with different verticals, acting and stuff like that.

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<v Speaker 9>So what's your key to be able to maintain relevance

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<v Speaker 9>and to reinvent yourself decade after decade.

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<v Speaker 10>I mean, I would like to think I had a formula,

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<v Speaker 10>but I really didn't have a formula.

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<v Speaker 4>I think it was just a faith.

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<v Speaker 10>It's about the love for the art forms. It was

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<v Speaker 10>about staying humble and being like, man, I can learn,

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<v Speaker 10>I gotta learn.

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<v Speaker 4>I gotta seek to get better.

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<v Speaker 10>So even when I had those victories, like an album

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<v Speaker 10>like B I didn't just sit back and be like, Okay,

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<v Speaker 10>I made it.

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<v Speaker 4>You know, It's like, how can I get better?

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<v Speaker 10>And as you mentioned, like the vertical of acting was

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<v Speaker 10>very important to me, and you know, the relevancy that

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<v Speaker 10>people see some of that is just because of acting

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<v Speaker 10>or because of the activism, because it's not like every

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<v Speaker 10>album I put out since ninety two, when I first

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<v Speaker 10>put out my first album. It's not like everyone is

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<v Speaker 10>connected with people. And I fortunately understand the ups and

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<v Speaker 10>downs of that too and can still stay with my

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<v Speaker 10>eyes on the prize as far as striving to grow

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<v Speaker 10>as an artist, but getting into acting, getting doing different

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<v Speaker 10>things like songs, being in the films, like the song

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<v Speaker 10>with John Legend and now that you know we got

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<v Speaker 10>on an Oscar stage. That is something I was dreamed

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<v Speaker 10>of doing as an actor but didn't know I would

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<v Speaker 10>do it as a musician sea for some of the

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<v Speaker 10>song glory. So that that being said, I think the

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<v Speaker 10>the key that I can say most is just man

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<v Speaker 10>just being in tune with the most high and following

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<v Speaker 10>you know, your consciousness, your gut feeling of who you are.

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<v Speaker 10>Times you move like like musically, at times I do

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<v Speaker 10>different shit, man, Like I'll be like going out there

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<v Speaker 10>venturing off, and I don't be like, Okay, just because

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<v Speaker 10>people want to hear me do this boom back hip hop,

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<v Speaker 10>I'm just gonna do it. No if I'm if I'm

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<v Speaker 10>in this space I wanted to do some eclectic, eccentric stuff,

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<v Speaker 10>I'm gonna do it and it might you know, it

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<v Speaker 10>might not win then, but it could win later. And

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<v Speaker 10>I think that's just about really. I mean, it sounds

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<v Speaker 10>so trite, but staying true to who you are and

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<v Speaker 10>having a face and being humble, it's the only things

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<v Speaker 10>I can look at that has kept me in this

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<v Speaker 10>music business.

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<v Speaker 5>This business you came in in ninety two. I mean,

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<v Speaker 5>this is what do you like to call it? The

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<v Speaker 5>Golden Age, the golden era of hip hop? The breakthrough

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<v Speaker 5>song is I used.

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<v Speaker 4>To love her?

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<v Speaker 5>Yeah, I mean they made movies around this Mary Brown

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<v Speaker 5>Sugar at the movie it's based off the premise of

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<v Speaker 5>I used to love her.

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<v Speaker 4>Yes, I wonder now as you're creating.

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<v Speaker 5>Because I want to talk about the selection of from

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<v Speaker 5>no Id to Yay, the Pete Rock will get into that.

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<v Speaker 5>What's your thoughts now about him? Like do you still

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<v Speaker 5>love her in the same way that you said in

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<v Speaker 5>ninety two?

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<v Speaker 10>Man, I really like kind of refell in love with

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<v Speaker 10>hip hop within the past like a few years, Like

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<v Speaker 10>I always loved it, but now I feel like it's

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<v Speaker 10>an energy out there in the zeitgeist where man people

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<v Speaker 10>are appreciating and open to and wanting like hip hop

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<v Speaker 10>that has lyrical content like bars, bars, like soulful music

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<v Speaker 10>that could be it could be a young fresh artist

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<v Speaker 10>giving you something soul for with new sounds, but it's

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<v Speaker 10>soulful and authentic, and I just feel like I love

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<v Speaker 10>it because I'm realizing seeing that celebration for the fiftieth

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<v Speaker 10>year did something for me. It made me see how

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<v Speaker 10>much people will always love this music and you think

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<v Speaker 10>that the audience Like for me, I thought that the

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<v Speaker 10>audience was gone for a certain sound of the music,

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<v Speaker 10>but they still there and now we know, like, man,

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<v Speaker 10>you can have music, you can have you know, everybody

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<v Speaker 10>from Future two nots still putting our music and you

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<v Speaker 10>can enjoy it and different.

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<v Speaker 4>Man, I've been we've been touring right now.

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<v Speaker 10>It's sometimes us look in the crowd and it's like

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<v Speaker 10>people twenty three years old.

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<v Speaker 4>I'm like, damn, I'm really their father.

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<v Speaker 10>But they enjoying the music and they like know the

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<v Speaker 10>words to the new album, and I'm like, man, it

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<v Speaker 10>just it just shows me that it can be no

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<v Speaker 10>boundaries when you when you just put out that that umph,

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<v Speaker 10>that stuff that got it too, you know, like man,

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<v Speaker 10>and that don't happen all the time. It's just it's

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<v Speaker 10>just things aligned at the right time, and you you know.

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<v Speaker 10>And I'm saying that to say my passion and love

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<v Speaker 10>for hip hop is strong. And I was able to

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<v Speaker 10>connect with Pete Rock, who is the right person for

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<v Speaker 10>me to create that music with, and it still feel

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<v Speaker 10>fresh and new, but has the spirit of what we

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<v Speaker 10>always loved. But you could have asked me five years ago,

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<v Speaker 10>I might not have been wanting that boom bap sound.

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<v Speaker 4>So I do have that love, and I don't think

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<v Speaker 4>that love.

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<v Speaker 10>Will ever go anywhere, you know, like any relationships, sometimes

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<v Speaker 10>you need something else a little bit. You want to try,

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<v Speaker 10>you know, you know, like you try you know.

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<v Speaker 5>I allegedly allegedly, or you just figure out how to

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<v Speaker 5>work things out, communicate with each other better.

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<v Speaker 10>Let me be clear, you got to you gotta grow

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<v Speaker 10>and expand it like y'all y'all interests, you and your

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<v Speaker 10>partner's interest y'all say, growing and evolving and you know,

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<v Speaker 10>trying new things and remain a line.

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<v Speaker 4>Trying to guy me right, so he still loves it.

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<v Speaker 9>I love it so like talking about Pete Rock right,

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<v Speaker 9>legendary producer that comes out around the same time as

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<v Speaker 9>you come out. And you guys have a unique perspective

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<v Speaker 9>because both of you.

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<v Speaker 6>Have been on major labels. Now you're doing it the

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<v Speaker 6>independent way.

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<v Speaker 9>You've seen it transition from physical CDs to streaming. So

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<v Speaker 9>from a business aspect, how what's it like now in

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<v Speaker 9>twenty twenty four as opposed to nineteen ninety four?

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<v Speaker 6>What have you learned?

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<v Speaker 9>What are some challenges now as far as on the

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<v Speaker 9>independent side as opposed to just major.

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<v Speaker 10>Label Well, business wise, man, I feel like the music

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<v Speaker 10>industry was just making a lot more money when we

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<v Speaker 10>initially were coming out, maybe not right at the beginning

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<v Speaker 10>when Pete Rock Pete Rock came out ninety ninety one,

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<v Speaker 10>I came out ninety two, samey.

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<v Speaker 4>At the same time.

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<v Speaker 10>Around that ninety four ninety five, budgets started going up.

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<v Speaker 10>Like my first videos was like twenty thousand and thirty

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<v Speaker 10>thousand dollars. You know, one of my was only able

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<v Speaker 10>to spend five thousand dollars on the video. But then

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<v Speaker 10>I can remember spending two hundred thousand dollars on the video,

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<v Speaker 10>four hundred thousand. But it was denoting that because the

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<v Speaker 10>record sales were coming in and record labels were just

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<v Speaker 10>making money, and once obviously streaming came and that that

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<v Speaker 10>partnership partnership didn't work out like you know, because obviously

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<v Speaker 10>I heard Apple approached a lot of the labels like

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<v Speaker 10>let's do this together. But the labels were like, nah,

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<v Speaker 10>we're good, this is our thing. And Apple came and

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<v Speaker 10>manifested that business. And then it made the labels have

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<v Speaker 10>to pivot and move and shift and find so I

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<v Speaker 10>find it now we the.

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<v Speaker 4>Pot is not as big.

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<v Speaker 10>That's why you know, you do to me have to

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<v Speaker 10>go out and establish other things revolving around that. I

0:12:36.800 --> 0:12:39.560
<v Speaker 10>look at it like, and I started figuring this out

0:12:39.640 --> 0:12:44.000
<v Speaker 10>early on, was like, Man, I'm investing in my career

0:12:44.080 --> 0:12:47.679
<v Speaker 10>because that's investing in my business, you know. So I

0:12:47.800 --> 0:12:51.080
<v Speaker 10>was I was like, Okay, if I'm I'm gonna spend

0:12:51.400 --> 0:12:56.000
<v Speaker 10>these money on rehearsals because rehearsals actually will get me

0:12:56.240 --> 0:12:59.480
<v Speaker 10>with a great performance, I will be able to perform

0:12:59.840 --> 0:13:02.920
<v Speaker 10>for the rest of my life if I like impact

0:13:02.960 --> 0:13:07.760
<v Speaker 10>with these shows, doing great performances or out investing in

0:13:07.800 --> 0:13:10.800
<v Speaker 10>my own self like this, I'm a higher the chef,

0:13:10.920 --> 0:13:13.600
<v Speaker 10>the chef so that I can take care of myself

0:13:13.640 --> 0:13:17.120
<v Speaker 10>so when I am in an older age, I can

0:13:17.400 --> 0:13:19.520
<v Speaker 10>be doing all the things I need to do, whether

0:13:19.559 --> 0:13:23.040
<v Speaker 10>it's stunt's in a movie or jumping around on stage.

0:13:23.360 --> 0:13:27.360
<v Speaker 10>Those those investments, I think for me the business change

0:13:27.400 --> 0:13:30.600
<v Speaker 10>where we used to depend on the labels to make

0:13:30.640 --> 0:13:35.720
<v Speaker 10>those investments, and now as our own entrepreneurs and visionaries,

0:13:36.040 --> 0:13:37.600
<v Speaker 10>we're like, oh, we gotta But.

0:13:37.600 --> 0:13:41.160
<v Speaker 9>That's interesting because Lebron is notorious that he puts a

0:13:41.160 --> 0:13:44.920
<v Speaker 9>million dollars a year into his body, from his trainer

0:13:45.080 --> 0:13:52.079
<v Speaker 9>to his chef. I saw somebody running back, Yeah, crazy

0:13:52.679 --> 0:13:55.960
<v Speaker 9>vegan alkaline type diet, But I never really looked at

0:13:56.000 --> 0:13:58.920
<v Speaker 9>it from your that perspective as far as like a

0:13:59.040 --> 0:14:02.320
<v Speaker 9>performer artist, but I guess it's the same thing, like

0:14:02.360 --> 0:14:02.920
<v Speaker 9>you gotta.

0:14:02.679 --> 0:14:03.760
<v Speaker 6>Be able to breathe correctly.

0:14:03.800 --> 0:14:06.640
<v Speaker 9>You gotta be able to So that's interesting that you

0:14:06.760 --> 0:14:08.520
<v Speaker 9>that you look because like athletes. I heard it from

0:14:08.520 --> 0:14:10.439
<v Speaker 9>the athletic standpoint, but I never heard about it like

0:14:10.480 --> 0:14:12.560
<v Speaker 9>an artist looking at it like I'm gonna pay for

0:14:12.600 --> 0:14:14.560
<v Speaker 9>a chef, I'm gonna pay for this coach. I'm gonna

0:14:14.559 --> 0:14:17.520
<v Speaker 9>do this so I can have more longevity.

0:14:17.800 --> 0:14:23.080
<v Speaker 10>Oh man, it's like, yo, that like I understand, you know,

0:14:23.200 --> 0:14:25.480
<v Speaker 10>it seemed like it's no brainer for an athlete to

0:14:25.560 --> 0:14:28.760
<v Speaker 10>be like, let me invest in my physical well being

0:14:28.880 --> 0:14:32.360
<v Speaker 10>because they use their bodies all the all the way.

0:14:32.680 --> 0:14:35.800
<v Speaker 10>But so do artists really like And that's the thing

0:14:35.840 --> 0:14:40.480
<v Speaker 10>that we we don't think about sometimes because we came

0:14:40.560 --> 0:14:43.440
<v Speaker 10>up now, I'm gonna drink this up, drinking this and

0:14:43.520 --> 0:14:45.440
<v Speaker 10>kick it. And I still could go on stage and rock.

0:14:45.920 --> 0:14:49.880
<v Speaker 10>But at a certain point it started looking sloppy and

0:14:49.880 --> 0:14:53.520
<v Speaker 10>and you don't have as much like just like focus,

0:14:53.640 --> 0:14:56.800
<v Speaker 10>and you don't have like the energy and and I

0:14:56.840 --> 0:14:59.640
<v Speaker 10>think what I've learned, and I learned it early on.

0:14:59.720 --> 0:15:04.560
<v Speaker 10>It was thank God for some of the eclectic, you know,

0:15:05.040 --> 0:15:08.880
<v Speaker 10>eccentric people or just you know people I met when

0:15:08.880 --> 0:15:11.000
<v Speaker 10>I moved to New York, because I was already on

0:15:11.080 --> 0:15:14.520
<v Speaker 10>my path, but they were showing me like yo, eating

0:15:14.560 --> 0:15:17.560
<v Speaker 10>this stuff, taking some of this alkaline, getting some of

0:15:17.600 --> 0:15:18.600
<v Speaker 10>these green drinks.

0:15:19.000 --> 0:15:22.760
<v Speaker 4>Well that we were just doing it just to be healthier.

0:15:23.160 --> 0:15:26.360
<v Speaker 10>But little did I know it would affect my well

0:15:26.400 --> 0:15:30.400
<v Speaker 10>being in my business too, Meaning like I think clear,

0:15:31.320 --> 0:15:33.800
<v Speaker 10>I got as much energy you could put me up.

0:15:34.040 --> 0:15:37.080
<v Speaker 10>I was just racing against some twenty two years. I

0:15:37.120 --> 0:15:40.320
<v Speaker 10>mean I lost three of them. But I was like,

0:15:40.480 --> 0:15:43.960
<v Speaker 10>you know, like my point is is like to be

0:15:44.000 --> 0:15:46.800
<v Speaker 10>able to do function and move around and do all

0:15:46.800 --> 0:15:49.640
<v Speaker 10>those things at a high level, you got to invest

0:15:49.680 --> 0:15:53.760
<v Speaker 10>in your body, yourself and well being. It also affects

0:15:54.200 --> 0:15:58.480
<v Speaker 10>your emotional well being. So I kind of got that

0:15:58.560 --> 0:16:02.280
<v Speaker 10>through just the process of me picking up information, being

0:16:02.320 --> 0:16:05.640
<v Speaker 10>around people who were in tune with that, and just

0:16:06.080 --> 0:16:09.360
<v Speaker 10>seeing it from myself. And yeah, man, I think it's

0:16:09.880 --> 0:16:12.600
<v Speaker 10>I feel like when I think about the music industry,

0:16:13.200 --> 0:16:17.080
<v Speaker 10>I really wish we would have had more health and

0:16:17.200 --> 0:16:22.480
<v Speaker 10>wellness like attention given because a lot of people have

0:16:22.680 --> 0:16:26.440
<v Speaker 10>went and passed on just because of those things and

0:16:26.520 --> 0:16:27.280
<v Speaker 10>not having helped.

0:16:27.320 --> 0:16:31.000
<v Speaker 6>It's the opposite. It's promoting drugs, alcohol, staying out later.

0:16:31.480 --> 0:16:34.040
<v Speaker 5>Yeah, but you don't even come to that because this

0:16:34.080 --> 0:16:36.280
<v Speaker 5>is an important part of your life. My mom was

0:16:36.320 --> 0:16:38.840
<v Speaker 5>a teacher, yes, right, so the education pieces there. And

0:16:39.320 --> 0:16:41.280
<v Speaker 5>like I said, I read in the book the summer

0:16:41.320 --> 0:16:44.800
<v Speaker 5>vacations that were instrumental and developing. But moving to New

0:16:44.880 --> 0:16:47.280
<v Speaker 5>York the role that that played because at the time,

0:16:47.400 --> 0:16:50.440
<v Speaker 5>and people they kind of can't understand it now because

0:16:50.440 --> 0:16:53.080
<v Speaker 5>they look at Chicago and they think, oh, wait, that's

0:16:53.120 --> 0:16:55.560
<v Speaker 5>where where Little Dirk's from. But that's what Chief Keys

0:16:55.560 --> 0:16:57.880
<v Speaker 5>from and oh you're not. Ya's from there, But like

0:16:57.960 --> 0:17:01.640
<v Speaker 5>when you're coming up, it's really like it's you and

0:17:01.840 --> 0:17:05.560
<v Speaker 5>maybe twist twist, and then crucial conflict is like a

0:17:05.600 --> 0:17:07.159
<v Speaker 5>couple of years after that, but it's not.

0:17:07.520 --> 0:17:10.000
<v Speaker 4>This isn't like a well respected place for hip hop music.

0:17:10.320 --> 0:17:12.840
<v Speaker 5>So coming to New York the role that that had,

0:17:12.960 --> 0:17:16.760
<v Speaker 5>because I remember the line and nobody argues you about it,

0:17:17.160 --> 0:17:23.439
<v Speaker 5>like I'm the shot Town's nas and I'm like, maybe right,

0:17:23.520 --> 0:17:25.960
<v Speaker 5>talking about the role that coming to New York and

0:17:25.960 --> 0:17:29.160
<v Speaker 5>the influence obviously getting around Native tongue a little bit

0:17:29.560 --> 0:17:30.680
<v Speaker 5>with that had on you.

0:17:30.800 --> 0:17:34.720
<v Speaker 10>Yeah, well it was first of all, man, I'm like

0:17:35.119 --> 0:17:37.399
<v Speaker 10>super grateful that I was just born and raised in

0:17:37.440 --> 0:17:41.440
<v Speaker 10>Chicago because it's just it gave me something that I

0:17:41.480 --> 0:17:44.240
<v Speaker 10>carry with me that I think that's the authenticity and

0:17:44.440 --> 0:17:48.040
<v Speaker 10>and a love and just you know, a down to

0:17:48.119 --> 0:17:52.920
<v Speaker 10>earthness that I love. But New York is is a

0:17:52.960 --> 0:17:56.719
<v Speaker 10>mecca for bringing all these different people together, like bringing

0:17:56.840 --> 0:18:00.280
<v Speaker 10>all different cultures. I think when you're from New York,

0:18:00.400 --> 0:18:03.280
<v Speaker 10>you live, you don't even see it from how great

0:18:03.320 --> 0:18:06.200
<v Speaker 10>of a city it is, because it's not many cities

0:18:06.760 --> 0:18:08.919
<v Speaker 10>that can go that you can go to in the

0:18:08.960 --> 0:18:12.480
<v Speaker 10>world and have this mixture of cultures and it really

0:18:12.520 --> 0:18:14.639
<v Speaker 10>blends naturally overall, you know.

0:18:14.640 --> 0:18:15.240
<v Speaker 6>What I'm saying.

0:18:16.800 --> 0:18:21.879
<v Speaker 10>So my foundation, it was hard being in Chicago and

0:18:21.920 --> 0:18:24.560
<v Speaker 10>trying to get even signed or get heard.

0:18:25.160 --> 0:18:25.800
<v Speaker 4>And once that.

0:18:25.760 --> 0:18:27.679
<v Speaker 10>Happened, it was me and Twist and shout out to

0:18:27.680 --> 0:18:31.439
<v Speaker 10>Twist and then, like you said, crucial conflict, those guys

0:18:31.440 --> 0:18:35.800
<v Speaker 10>got out there. But I still wasn't like playing it

0:18:35.800 --> 0:18:39.600
<v Speaker 10>in the industry. I can remember going into my third

0:18:39.640 --> 0:18:42.600
<v Speaker 10>album like, man, how am I going to make a

0:18:42.680 --> 0:18:46.159
<v Speaker 10>career this Because I wasn't making a lot of money.

0:18:46.600 --> 0:18:50.280
<v Speaker 10>I was as Andre's three thousands said live in check

0:18:50.320 --> 0:18:52.600
<v Speaker 10>to check, you know, if you don't move your feet in.

0:18:54.320 --> 0:18:54.399
<v Speaker 4>That.

0:18:54.840 --> 0:18:59.240
<v Speaker 10>So I was in that space and I just people

0:18:59.240 --> 0:19:01.359
<v Speaker 10>that I was like when I would come to New York,

0:19:01.480 --> 0:19:05.120
<v Speaker 10>I was like connecting with people and with certain things

0:19:05.119 --> 0:19:08.520
<v Speaker 10>would happen, Like when Daylight and Daylight reached out to me.

0:19:08.680 --> 0:19:10.560
<v Speaker 10>Dayla Soul reached out to me and said be on

0:19:10.600 --> 0:19:13.040
<v Speaker 10>this album. That was a game changer for me. Be

0:19:13.119 --> 0:19:15.840
<v Speaker 10>on this song that the first time I went to London.

0:19:15.920 --> 0:19:18.840
<v Speaker 10>The business the business on the States is high album

0:19:19.840 --> 0:19:22.760
<v Speaker 10>and funny story, they wanted Bizz on that song, but

0:19:23.840 --> 0:19:27.280
<v Speaker 10>he didn't show up or whatever. So they eventually called

0:19:27.320 --> 0:19:29.920
<v Speaker 10>me and I was super geek and all my friends.

0:19:30.000 --> 0:19:32.520
<v Speaker 10>It just was a big moment for me anyway, like

0:19:32.640 --> 0:19:35.000
<v Speaker 10>being accepted and being out here on the New York scene.

0:19:35.040 --> 0:19:37.600
<v Speaker 10>I started running into different people and I was like,

0:19:38.000 --> 0:19:41.520
<v Speaker 10>it's almost like being in the industry and going to

0:19:41.560 --> 0:19:44.480
<v Speaker 10>the to the center of that industry. I'm in the

0:19:44.560 --> 0:19:47.480
<v Speaker 10>music industry. But me decided to move to New York,

0:19:47.600 --> 0:19:51.959
<v Speaker 10>was like, Okay, now I might run into Premo, so

0:19:52.000 --> 0:19:55.120
<v Speaker 10>that's how I can work with Primo or when somebody

0:19:55.200 --> 0:19:57.520
<v Speaker 10>need me on this track, I'm around like I'm here,

0:19:57.920 --> 0:20:01.240
<v Speaker 10>you know, and you just never know the connections. But

0:20:01.280 --> 0:20:04.720
<v Speaker 10>it's being in that in that hub of where the

0:20:04.840 --> 0:20:07.280
<v Speaker 10>music was coming from most of the music in the

0:20:07.359 --> 0:20:10.880
<v Speaker 10>music industry. So moving to New York gave me that,

0:20:11.280 --> 0:20:15.160
<v Speaker 10>and it also did open me up to different open

0:20:15.240 --> 0:20:18.919
<v Speaker 10>my mind up, two different aspects of life. But I

0:20:18.960 --> 0:20:21.359
<v Speaker 10>was building that in Chicago, and Chicago gave me a

0:20:21.400 --> 0:20:22.200
<v Speaker 10>great foundation.

0:20:22.520 --> 0:20:24.600
<v Speaker 4>I wouldn't change the course of it at all.

0:20:24.920 --> 0:20:27.720
<v Speaker 5>Which is the record that you start to say, all right,

0:20:27.800 --> 0:20:28.879
<v Speaker 5>this has turned around for me.

0:20:29.040 --> 0:20:31.640
<v Speaker 4>Is it the light or is there one before that?

0:20:31.640 --> 0:20:34.080
<v Speaker 5>That's all right, here's a commercial success that everybody in

0:20:34.119 --> 0:20:36.200
<v Speaker 5>the quote unquote industry is looking for me to have.

0:20:37.600 --> 0:20:43.280
<v Speaker 10>Well, okay, the first step I would say was Resurrection album,

0:20:43.280 --> 0:20:45.960
<v Speaker 10>which because had I used to lover on it. And

0:20:46.280 --> 0:20:47.840
<v Speaker 10>the reason why I say that is because when I

0:20:47.880 --> 0:20:51.440
<v Speaker 10>released my first album, it wasn't any response.

0:20:51.040 --> 0:20:54.600
<v Speaker 4>Really, it was like okay, yeah whatever, And then when

0:20:54.680 --> 0:20:56.480
<v Speaker 4>I released I used to lover.

0:20:57.440 --> 0:21:01.359
<v Speaker 10>I remember Biggie doing one of those promos for me,

0:21:01.440 --> 0:21:04.480
<v Speaker 10>being like, yo, this I wash. This kid was from Brooklyn.

0:21:05.000 --> 0:21:07.240
<v Speaker 10>I remember seeing Nas and he was like keep doing

0:21:07.280 --> 0:21:11.840
<v Speaker 10>your thing, and so I started like realizing that some

0:21:11.880 --> 0:21:14.840
<v Speaker 10>of the people who didn't probably pay attention to my

0:21:14.920 --> 0:21:17.200
<v Speaker 10>music before it was starting to and it was those

0:21:17.240 --> 0:21:21.119
<v Speaker 10>greats and I was like, oh, the game change. The

0:21:21.400 --> 0:21:24.760
<v Speaker 10>album was like water for Chocolate because of the song

0:21:24.840 --> 0:21:28.080
<v Speaker 10>The Light and the reason I seen the difference. And

0:21:28.119 --> 0:21:31.640
<v Speaker 10>that was before I was like a well known hip

0:21:31.680 --> 0:21:35.359
<v Speaker 10>hop artist right like on a hip hop scene but

0:21:36.480 --> 0:21:37.480
<v Speaker 10>mostly underground.

0:21:37.600 --> 0:21:39.640
<v Speaker 4>Wasn't like I was getting radio play.

0:21:41.680 --> 0:21:44.920
<v Speaker 10>The Light was the first song I was like starting

0:21:44.920 --> 0:21:47.440
<v Speaker 10>to I got radio play and I was doing the

0:21:47.800 --> 0:21:50.359
<v Speaker 10>summer jams, and it was the first time I saw

0:21:50.520 --> 0:21:53.320
<v Speaker 10>people outside of hip hop culture singing one of my

0:21:53.400 --> 0:21:56.760
<v Speaker 10>songs or like even knowing who I am or caring

0:21:56.800 --> 0:21:59.840
<v Speaker 10>about who I am. Like I remember doing a performance

0:21:59.840 --> 0:22:03.480
<v Speaker 10>in seeing like young black girls singing the Light, and

0:22:03.520 --> 0:22:07.560
<v Speaker 10>I was like, wow, they never was singing any other

0:22:07.640 --> 0:22:10.719
<v Speaker 10>other music. So I saw the difference. I saw like

0:22:10.760 --> 0:22:13.439
<v Speaker 10>me doing top forty shows at that time and like,

0:22:14.040 --> 0:22:16.719
<v Speaker 10>and to this day, that's one of the songs that

0:22:16.880 --> 0:22:20.639
<v Speaker 10>when I performed, people know it the most, you know.

0:22:20.800 --> 0:22:24.000
<v Speaker 10>So that was the game change. And then I think

0:22:24.080 --> 0:22:27.000
<v Speaker 10>b was the one that elevated it even higher.

0:22:27.119 --> 0:22:29.240
<v Speaker 6>Well, b that's when that's when you connect with Yay,

0:22:29.240 --> 0:22:30.480
<v Speaker 6>you on a musical level, right.

0:22:30.440 --> 0:22:34.800
<v Speaker 9>Yeah, when you meet him, you knew him before.

0:22:34.600 --> 0:22:38.600
<v Speaker 10>That, Yeah, I knew Yay and I would say like

0:22:38.800 --> 0:22:42.919
<v Speaker 10>ninety six, ninety five somewhere around now back then, Yeah, yeah.

0:22:42.960 --> 0:22:46.640
<v Speaker 4>He was. He was just out of college. He might

0:22:46.680 --> 0:22:47.760
<v Speaker 4>have been in college.

0:22:48.560 --> 0:22:53.040
<v Speaker 10>But no Id, who's my producer for those first three albums,

0:22:53.119 --> 0:22:55.399
<v Speaker 10>him in Twilight Tone, but no Id was one of

0:22:55.440 --> 0:22:59.840
<v Speaker 10>the main producers and one of my best friends. His mother,

0:23:00.160 --> 0:23:03.760
<v Speaker 10>Kanye's mother, doctor Dondr West God bless Us Soul.

0:23:03.800 --> 0:23:05.560
<v Speaker 4>They were they talked together.

0:23:06.000 --> 0:23:09.640
<v Speaker 10>They were are both educators and and she brought Kanye

0:23:09.720 --> 0:23:13.520
<v Speaker 10>over to meet no Ida and yeah, he was making

0:23:13.560 --> 0:23:16.919
<v Speaker 10>beats and he was always making beats, and his beats

0:23:17.040 --> 0:23:19.280
<v Speaker 10>was dope. But it was like no Idea was a

0:23:19.320 --> 0:23:22.200
<v Speaker 10>master at that point. So I was always like, yeah, yeah,

0:23:22.280 --> 0:23:25.120
<v Speaker 10>this is good, but no Idea got this and then

0:23:25.200 --> 0:23:27.399
<v Speaker 10>Yay were like he would he would come to my

0:23:27.440 --> 0:23:31.440
<v Speaker 10>basement sometimes and like battle he wanted, you know, because

0:23:31.440 --> 0:23:33.560
<v Speaker 10>I was one of the Chicago dudes out at that

0:23:33.680 --> 0:23:36.199
<v Speaker 10>sounds like nice and so he like, yo, he was

0:23:36.240 --> 0:23:38.480
<v Speaker 10>battling me and he could rhyme good. So it was

0:23:38.560 --> 0:23:42.320
<v Speaker 10>like it was just that we was cultivating ourselves and

0:23:42.359 --> 0:23:44.840
<v Speaker 10>I never took any I never got any beats from

0:23:44.920 --> 0:23:48.439
<v Speaker 10>him at that time. For me, I was like I

0:23:48.480 --> 0:23:51.680
<v Speaker 10>needed them drums to snap, and he was getting there.

0:23:52.119 --> 0:23:55.600
<v Speaker 10>But then, you know, eventually we reconnected because he had

0:23:55.600 --> 0:23:59.520
<v Speaker 10>moved out to New York and was living out here

0:23:59.600 --> 0:24:03.040
<v Speaker 10>and I started seeing him and he was like, yo,

0:24:03.119 --> 0:24:05.639
<v Speaker 10>let's He's like, I got to get you on my album.

0:24:06.000 --> 0:24:08.240
<v Speaker 10>I got everybody. He was like yeah, I said, of course,

0:24:08.320 --> 0:24:11.240
<v Speaker 10>I'm with it, and we just I got on his

0:24:11.359 --> 0:24:14.000
<v Speaker 10>song get Them High, and we were at the time

0:24:14.040 --> 0:24:18.200
<v Speaker 10>we had already started. We kind of like started connecting

0:24:18.240 --> 0:24:21.000
<v Speaker 10>on beats. Because it's funny, one of the first beats

0:24:21.040 --> 0:24:24.920
<v Speaker 10>I got from ya, he was already excited to make

0:24:24.960 --> 0:24:26.920
<v Speaker 10>some beats for me, but he was in the studio

0:24:26.960 --> 0:24:30.800
<v Speaker 10>session for somebody else making a beat and he told

0:24:30.800 --> 0:24:34.399
<v Speaker 10>me to come by and I came in and I

0:24:34.480 --> 0:24:36.760
<v Speaker 10>was like, what's that? What's that? He was like, oh, man,

0:24:36.960 --> 0:24:39.200
<v Speaker 10>that's this beat I just made. He was like, man,

0:24:39.240 --> 0:24:43.879
<v Speaker 10>take this beat and leave, Like like, basically, what to

0:24:43.920 --> 0:24:44.240
<v Speaker 10>do with this?

0:24:45.960 --> 0:24:47.240
<v Speaker 4>If you wanted take this?

0:24:47.400 --> 0:24:49.720
<v Speaker 10>And then I guess for that artist, he did something

0:24:49.720 --> 0:24:51.919
<v Speaker 10>else for them, but I came in and got that

0:24:51.960 --> 0:24:57.359
<v Speaker 10>beat and that turned out to Beat the Food.

0:24:56.480 --> 0:24:58.480
<v Speaker 6>So you better ask questions.

0:24:59.320 --> 0:25:01.679
<v Speaker 5>I'm just re even the sound of the Food on

0:25:01.720 --> 0:25:05.639
<v Speaker 5>some of my favorite tracks on there, the sound was incredible,

0:25:06.000 --> 0:25:09.000
<v Speaker 5>Like this a double question, right, So at this time

0:25:09.560 --> 0:25:12.800
<v Speaker 5>you're almost your twelve years into the career, but this

0:25:13.040 --> 0:25:17.439
<v Speaker 5>album critically came from you know, all other outlets, but

0:25:17.480 --> 0:25:20.000
<v Speaker 5>it's five mics. It's like at the end of when

0:25:20.040 --> 0:25:21.879
<v Speaker 5>five mikes was meaning something, but you got the five

0:25:21.920 --> 0:25:24.960
<v Speaker 5>mics and I'm sure at that time that that had

0:25:25.000 --> 0:25:25.760
<v Speaker 5>to mean something.

0:25:26.080 --> 0:25:26.800
<v Speaker 4>But I also want to.

0:25:26.800 --> 0:25:29.840
<v Speaker 5>Talk about the visuals for the project too, because not

0:25:29.880 --> 0:25:32.399
<v Speaker 5>only did the sound match it, but like the videos

0:25:32.400 --> 0:25:34.399
<v Speaker 5>that were coming from it were incredible, right, So the

0:25:34.440 --> 0:25:38.720
<v Speaker 5>corner right, you had Taraji stand right like it was

0:25:38.840 --> 0:25:41.720
<v Speaker 5>like everything was coming together at that time. What was

0:25:41.720 --> 0:25:44.320
<v Speaker 5>that moment, Like obviously getting that acclaim for the five mics,

0:25:44.359 --> 0:25:46.040
<v Speaker 5>but then like, yo, we have to match the sound

0:25:46.040 --> 0:25:46.560
<v Speaker 5>with the visual.

0:25:46.960 --> 0:25:50.000
<v Speaker 4>Man, five mike's meant a whole lot.

0:25:50.480 --> 0:25:53.480
<v Speaker 10>Like what I was telling I was telling somebody who

0:25:53.560 --> 0:25:56.600
<v Speaker 10>used to work at the Source, Man, we literally would

0:25:56.640 --> 0:25:58.480
<v Speaker 10>be making our albums like man, I want to get

0:25:58.480 --> 0:26:02.159
<v Speaker 10>five mics. That's something when you like creating an album

0:26:02.240 --> 0:26:05.719
<v Speaker 10>to get a rating. It was nothing else that like

0:26:06.080 --> 0:26:08.960
<v Speaker 10>no other like publications or things where we're thinking like

0:26:09.560 --> 0:26:12.040
<v Speaker 10>I got to get four stars five Stars and Rolling

0:26:12.080 --> 0:26:14.680
<v Speaker 10>Stone or this and that. It was like I want

0:26:14.680 --> 0:26:18.080
<v Speaker 10>five mics and a source or once double excel, I

0:26:18.080 --> 0:26:23.640
<v Speaker 10>want the double. So getting that recognition was like, man,

0:26:23.680 --> 0:26:25.520
<v Speaker 10>it meant a whole lot to me because it's just

0:26:25.560 --> 0:26:28.520
<v Speaker 10>as a coming from the culture of hip hop, that

0:26:28.680 --> 0:26:30.960
<v Speaker 10>was like that was like a gold medal.

0:26:31.000 --> 0:26:33.920
<v Speaker 4>That was like an NBA championship for us. They can't

0:26:33.960 --> 0:26:35.400
<v Speaker 4>all classic the.

0:26:35.359 --> 0:26:38.600
<v Speaker 10>Classic, and your goal is to make a classic man,

0:26:38.720 --> 0:26:41.879
<v Speaker 10>no matter what. Like even for me at that time,

0:26:42.000 --> 0:26:46.160
<v Speaker 10>obviously beyond record sales, I wanted a classic album. So

0:26:46.600 --> 0:26:49.720
<v Speaker 10>getting that recognition and it was something, man, I'll be

0:26:49.760 --> 0:26:52.240
<v Speaker 10>telling the story when I speak at colleges and stuff.

0:26:52.920 --> 0:26:56.159
<v Speaker 10>It was it was something for me growing wise as

0:26:56.200 --> 0:27:00.560
<v Speaker 10>a human being with that album because I was watching

0:27:00.680 --> 0:27:04.080
<v Speaker 10>Ya at that time while we were making b we

0:27:04.080 --> 0:27:06.560
<v Speaker 10>were both creating. You know, he was pretty much done

0:27:06.560 --> 0:27:10.200
<v Speaker 10>with college dropout. But I watched his faith in himself

0:27:10.280 --> 0:27:13.560
<v Speaker 10>and his confidence and was like he would be like yo,

0:27:13.760 --> 0:27:16.679
<v Speaker 10>listen to it was college dropout. We'd be doing listening

0:27:16.720 --> 0:27:19.960
<v Speaker 10>session and he'd be like, listen, this is amazing, this

0:27:20.000 --> 0:27:24.720
<v Speaker 10>is incredible, like presenting his music with confidence and you know.

0:27:24.760 --> 0:27:26.879
<v Speaker 4>Just the way I was raised, I wasn't taught to

0:27:26.960 --> 0:27:27.320
<v Speaker 4>do that.

0:27:27.800 --> 0:27:30.720
<v Speaker 10>And I felt like doing the album B was the

0:27:30.760 --> 0:27:33.879
<v Speaker 10>first time I kind of declared my music to be

0:27:33.960 --> 0:27:37.240
<v Speaker 10>great and classic and really believed it, and it got

0:27:37.240 --> 0:27:39.680
<v Speaker 10>classic ratings. I mean it was the music itself, but

0:27:40.520 --> 0:27:43.159
<v Speaker 10>the fact that I was able to say it and

0:27:43.200 --> 0:27:46.280
<v Speaker 10>believe in it and do it, you know, with like

0:27:46.359 --> 0:27:49.600
<v Speaker 10>the confidence of Muhammad Ali not trying to make some

0:27:49.920 --> 0:27:52.480
<v Speaker 10>arrogant and being like I'm better than you, was just like, Yo,

0:27:52.600 --> 0:27:55.560
<v Speaker 10>check this out. This is dope. This is incredible. So

0:27:55.600 --> 0:27:59.040
<v Speaker 10>that was a stepping stone for me. So that meant

0:27:59.119 --> 0:28:01.920
<v Speaker 10>something five mic and all that just kind of it

0:28:02.080 --> 0:28:04.800
<v Speaker 10>kind of solidified. Yo, man, you gotta believe in yourself.

0:28:04.840 --> 0:28:09.840
<v Speaker 10>You gotta speak And then you know what was the

0:28:09.880 --> 0:28:11.879
<v Speaker 10>second part of the course, because I forget the videos.

0:28:11.920 --> 0:28:14.520
<v Speaker 4>The video the videos was.

0:28:16.200 --> 0:28:19.080
<v Speaker 10>I gotta say I always used to want to be

0:28:19.400 --> 0:28:23.480
<v Speaker 10>dope visually, but wanting to and being able to execute

0:28:23.480 --> 0:28:24.600
<v Speaker 10>his two different things.

0:28:25.200 --> 0:28:27.920
<v Speaker 4>I think having Kanye.

0:28:29.200 --> 0:28:31.560
<v Speaker 10>Really helped from the standpoint of he was gonna make

0:28:31.600 --> 0:28:34.119
<v Speaker 10>sure I had the budget I needed, make sure we

0:28:34.200 --> 0:28:37.399
<v Speaker 10>got to the right director because we was I was

0:28:37.440 --> 0:28:41.040
<v Speaker 10>on good music. It was no like he wasn't accepting

0:28:41.080 --> 0:28:46.320
<v Speaker 10>nothing less than high level visuals and which pushed me.

0:28:46.840 --> 0:28:49.520
<v Speaker 10>And as soon as we made the corner, soon as

0:28:49.520 --> 0:28:52.640
<v Speaker 10>he made that like he heard that rap, he said, Man,

0:28:52.680 --> 0:28:56.160
<v Speaker 10>we gotta do this video on Chicago. Man, it's black

0:28:56.200 --> 0:28:59.880
<v Speaker 10>and white. It's gonna be cold outside when we just

0:29:00.040 --> 0:29:04.840
<v Speaker 10>in Chicago in the hood about and man, he directed

0:29:04.840 --> 0:29:07.000
<v Speaker 10>that video and we was in Chicago was one of

0:29:07.040 --> 0:29:09.280
<v Speaker 10>the coldest days I ever felt in Chicago. Looked like

0:29:10.480 --> 0:29:15.080
<v Speaker 10>I was sick already, but I was so half the

0:29:15.240 --> 0:29:16.480
<v Speaker 10>energy of what we was doing.

0:29:16.520 --> 0:29:17.800
<v Speaker 4>I just was able to get through it.

0:29:17.840 --> 0:29:21.440
<v Speaker 10>But it was those visions that that I got to say,

0:29:21.520 --> 0:29:24.880
<v Speaker 10>yay as a as a and if it wasn't him director,

0:29:24.920 --> 0:29:26.960
<v Speaker 10>he would try to make sure we had the right director.

0:29:27.200 --> 0:29:29.080
<v Speaker 10>And then by the time we got to that video

0:29:29.160 --> 0:29:32.959
<v Speaker 10>testify with Taraji and Wood Harris and Steve Harris, all

0:29:33.000 --> 0:29:36.280
<v Speaker 10>these great actors, it was like I knew that I

0:29:36.320 --> 0:29:40.200
<v Speaker 10>was studying acting, that I could do a story and

0:29:40.280 --> 0:29:42.640
<v Speaker 10>make it a film like we wanted that to be

0:29:42.680 --> 0:29:45.440
<v Speaker 10>a short film and Anthony Manler directed that.

0:29:46.640 --> 0:29:49.960
<v Speaker 9>So how did you actually transition from being a rapper

0:29:50.000 --> 0:29:50.680
<v Speaker 9>into an actor?

0:29:50.920 --> 0:29:54.040
<v Speaker 6>Like who actually gave you a first start? And how

0:29:54.040 --> 0:29:55.000
<v Speaker 6>does that well?

0:29:55.080 --> 0:29:55.160
<v Speaker 1>That?

0:29:57.160 --> 0:30:01.240
<v Speaker 10>I felt that at one point, as we talked about earlier,

0:30:01.360 --> 0:30:04.080
<v Speaker 10>sometimes you know, when you create music, sometimes you got

0:30:04.120 --> 0:30:07.520
<v Speaker 10>that I can't wait to do the next song, and

0:30:07.560 --> 0:30:10.320
<v Speaker 10>then sometimes you're like, Okay, I ain't in the spirit

0:30:10.400 --> 0:30:16.000
<v Speaker 10>to create this music right now. When I found myself

0:30:16.040 --> 0:30:18.000
<v Speaker 10>in those places, I said, it got to be something

0:30:18.040 --> 0:30:21.840
<v Speaker 10>else artistically out there for me, Like I just I

0:30:21.920 --> 0:30:24.840
<v Speaker 10>just knew I had to find another expression. This was

0:30:24.920 --> 0:30:29.760
<v Speaker 10>like late nineties. I was always in the films, going

0:30:29.800 --> 0:30:32.080
<v Speaker 10>to plays. I loved it, but I never knew I

0:30:32.080 --> 0:30:33.840
<v Speaker 10>could do it because when I first did it, when

0:30:33.840 --> 0:30:37.560
<v Speaker 10>I was a kid, my mother saw my play and

0:30:37.600 --> 0:30:41.800
<v Speaker 10>she kept talking how good my homie was.

0:30:42.200 --> 0:30:42.880
<v Speaker 4>You know your mother.

0:30:42.920 --> 0:30:45.160
<v Speaker 10>You think your mother will say good jobs, but she

0:30:45.240 --> 0:30:49.360
<v Speaker 10>was like, yo, Derek was incredible and that I was like, okay, well.

0:30:49.200 --> 0:30:52.360
<v Speaker 4>I said, yea, I saw you up there too. I

0:30:52.880 --> 0:30:54.480
<v Speaker 4>was like, okay, well, So.

0:30:56.160 --> 0:30:59.280
<v Speaker 10>I ended up not even thinking about and plus like

0:30:59.400 --> 0:31:01.719
<v Speaker 10>at the time, it wasn't like I ain't gonna put

0:31:01.760 --> 0:31:03.600
<v Speaker 10>it all on that, but a lot of it was

0:31:03.640 --> 0:31:06.200
<v Speaker 10>like I'm into this hip hop thing, and so I

0:31:06.240 --> 0:31:09.920
<v Speaker 10>wasn't thinking about pursuing it for myself. But somewhere in

0:31:10.440 --> 0:31:13.800
<v Speaker 10>that late nineties period, I was like, man, I want

0:31:13.800 --> 0:31:16.840
<v Speaker 10>to try acting. I really want to because I always

0:31:16.880 --> 0:31:20.960
<v Speaker 10>loved it and love watching movies and love theater. And

0:31:21.000 --> 0:31:24.560
<v Speaker 10>I went to acting class and the first acting class

0:31:24.600 --> 0:31:27.760
<v Speaker 10>I went to, I was like, man, this is incredible,

0:31:27.800 --> 0:31:29.320
<v Speaker 10>Like I feel that.

0:31:29.400 --> 0:31:30.840
<v Speaker 4>Love like that. I felt.

0:31:30.880 --> 0:31:33.920
<v Speaker 10>It's not the same exact as music, but it's got

0:31:33.960 --> 0:31:37.360
<v Speaker 10>just as much love for the art form. And when

0:31:37.400 --> 0:31:41.360
<v Speaker 10>I started it, so I was like, man, I got

0:31:41.360 --> 0:31:42.960
<v Speaker 10>to just keep going to class. So I was going

0:31:42.960 --> 0:31:45.560
<v Speaker 10>to class. I would be on tour every time I

0:31:45.560 --> 0:31:47.600
<v Speaker 10>would come back. I was just going to classes and

0:31:47.640 --> 0:31:50.400
<v Speaker 10>going to classes. Then the classes started going to Okay,

0:31:50.440 --> 0:31:53.600
<v Speaker 10>go do auditions. I was going to auditions getting turned down,

0:31:53.640 --> 0:31:57.800
<v Speaker 10>turned down, and ironically enough, when I was we were

0:31:57.920 --> 0:32:02.040
<v Speaker 10>editing the video for Testify and I had did an

0:32:02.040 --> 0:32:05.840
<v Speaker 10>audition for this movie called Smoking Aces, and that was

0:32:06.720 --> 0:32:10.400
<v Speaker 10>my first movie, and like it was the first time

0:32:10.440 --> 0:32:13.040
<v Speaker 10>I got a call back, and I remember going into

0:32:13.120 --> 0:32:14.160
<v Speaker 10>the editing room.

0:32:14.240 --> 0:32:17.840
<v Speaker 4>I just come from. I just come from, like the audition.

0:32:18.240 --> 0:32:20.120
<v Speaker 10>I still had on my suit because I was playing

0:32:20.160 --> 0:32:22.320
<v Speaker 10>this character that you know, it was like a bodyguard,

0:32:22.360 --> 0:32:26.520
<v Speaker 10>but he was sharp. So I went into that editing

0:32:26.600 --> 0:32:29.600
<v Speaker 10>room still geeked, like yo, and I got a call back,

0:32:29.720 --> 0:32:32.880
<v Speaker 10>and then it happened where I got a second call back,

0:32:32.920 --> 0:32:36.840
<v Speaker 10>and that's when I had to Actually I got the

0:32:36.880 --> 0:32:39.400
<v Speaker 10>second call back which was like, you got the job,

0:32:40.000 --> 0:32:41.720
<v Speaker 10>and I had to literally.

0:32:42.960 --> 0:32:45.920
<v Speaker 4>I was literally I was crying when I got that job.

0:32:46.200 --> 0:32:48.680
<v Speaker 10>I called my mother, like, yo, I got the I

0:32:48.720 --> 0:32:52.080
<v Speaker 10>got a movie, and it was but I had to

0:32:52.120 --> 0:32:54.520
<v Speaker 10>hang up that phone with all that joy and then

0:32:54.600 --> 0:32:57.720
<v Speaker 10>going to the hotel room next door and tell Kanye

0:32:58.160 --> 0:33:02.000
<v Speaker 10>I couldn't go on this tour I booked. I was

0:33:02.280 --> 0:33:06.120
<v Speaker 10>they had, they had promoted me in everything it was

0:33:06.160 --> 0:33:10.800
<v Speaker 10>with him Keisha Cole. It's probably around two thousand and

0:33:10.880 --> 0:33:13.040
<v Speaker 10>five or six. I don't remember the name of it.

0:33:13.040 --> 0:33:14.560
<v Speaker 10>It had to be two thousand and five because that's

0:33:14.600 --> 0:33:18.360
<v Speaker 10>when we started graduations. Maybe it's Glowing the Dark.

0:33:18.200 --> 0:33:19.240
<v Speaker 4>Yeah, it might.

0:33:19.680 --> 0:33:21.760
<v Speaker 10>I think it was before Glowing the Dark, but it

0:33:21.800 --> 0:33:25.360
<v Speaker 10>was anyway, it was. It was a real crazy dynamic

0:33:25.400 --> 0:33:28.720
<v Speaker 10>because Yay definitely was like, man, it's all good, bro.

0:33:28.840 --> 0:33:31.680
<v Speaker 10>Like he kind of was supporting me going into my dream.

0:33:32.280 --> 0:33:35.280
<v Speaker 10>And though it was some business aspects that had to

0:33:35.320 --> 0:33:39.200
<v Speaker 10>be maneuvered that my manager at the time, Derek made happen,

0:33:39.440 --> 0:33:43.400
<v Speaker 10>it was a that was my step into acting, and

0:33:43.440 --> 0:33:47.160
<v Speaker 10>it was good to get that love and support from

0:33:47.200 --> 0:33:49.680
<v Speaker 10>like somebody who I was like, man, we in this

0:33:49.760 --> 0:33:52.760
<v Speaker 10>partnership doing music and things, but he was like, man,

0:33:52.840 --> 0:33:53.640
<v Speaker 10>go pursue that.

0:33:53.640 --> 0:33:55.000
<v Speaker 4>That's your dream, go do it.

0:33:55.360 --> 0:33:58.160
<v Speaker 5>Yeah, So that I mean that I remember that with

0:33:58.280 --> 0:34:00.840
<v Speaker 5>the announcement when you got smoking aces, because that leads

0:34:00.880 --> 0:34:04.440
<v Speaker 5>to just right, yeah, which is now you're not just

0:34:04.640 --> 0:34:07.400
<v Speaker 5>like a role, like you're the lead.

0:34:07.520 --> 0:34:08.080
<v Speaker 4>That's the lead.

0:34:08.160 --> 0:34:12.040
<v Speaker 5>You and the queen, right and obviously Cuba had done

0:34:12.080 --> 0:34:15.120
<v Speaker 5>it at the time Will had done it. I was

0:34:15.160 --> 0:34:18.480
<v Speaker 5>to queen Latifa had done it pac obviously and now

0:34:18.840 --> 0:34:20.960
<v Speaker 5>the other guy that is having a lead role in

0:34:21.000 --> 0:34:23.920
<v Speaker 5>a movie you cried the first time. What was that

0:34:24.000 --> 0:34:27.160
<v Speaker 5>reception like when you got the call to say like, nah,

0:34:27.239 --> 0:34:28.920
<v Speaker 5>you're not You're going to be the lead actor in

0:34:28.920 --> 0:34:29.680
<v Speaker 5>this movie now.

0:34:29.840 --> 0:34:30.480
<v Speaker 4>Man, I was.

0:34:31.960 --> 0:34:33.880
<v Speaker 10>That's one of them calls where you as soon as

0:34:33.880 --> 0:34:37.399
<v Speaker 10>you get the call, you start going into like training mode,

0:34:37.840 --> 0:34:40.440
<v Speaker 10>meaning I was.

0:34:40.080 --> 0:34:40.320
<v Speaker 4>I was.

0:34:40.880 --> 0:34:44.560
<v Speaker 10>I was super excited because Queen Latifa is a very

0:34:44.680 --> 0:34:49.280
<v Speaker 10>talented actress and she just people love her and people

0:34:49.320 --> 0:34:53.840
<v Speaker 10>show up for her movies. And for me, it was Wow,

0:34:53.880 --> 0:34:56.200
<v Speaker 10>I'm about to be a leading man in a film,

0:34:56.680 --> 0:35:00.000
<v Speaker 10>and I hadn't had that opportunity. I played all these supports,

0:35:00.120 --> 0:35:03.400
<v Speaker 10>the roles, so I felt the pressure.

0:35:03.680 --> 0:35:04.720
<v Speaker 4>To be honest.

0:35:04.800 --> 0:35:11.279
<v Speaker 10>My first days of filming, I wasn't doing good, and

0:35:12.200 --> 0:35:15.040
<v Speaker 10>they had talks behind the cameras about like, are we

0:35:15.080 --> 0:35:19.320
<v Speaker 10>gonna keep this dude on for this? And I remember

0:35:19.280 --> 0:35:21.960
<v Speaker 10>it was the scene that Queen or Tief and our

0:35:22.040 --> 0:35:24.719
<v Speaker 10>characters had sitting in this jazz club, and it just

0:35:24.800 --> 0:35:27.600
<v Speaker 10>was something about the scene that felt good to me.

0:35:27.640 --> 0:35:28.240
<v Speaker 4>It was natural.

0:35:28.520 --> 0:35:32.800
<v Speaker 10>Ween, you have a lot of dialogue, and from that moment,

0:35:33.120 --> 0:35:36.319
<v Speaker 10>the director was like and the producers like, that's all

0:35:36.360 --> 0:35:38.799
<v Speaker 10>we need, just do that. What I didn't know at

0:35:38.800 --> 0:35:44.879
<v Speaker 10>that time was like in a romantic comedy, people are

0:35:44.960 --> 0:35:48.440
<v Speaker 10>mostly themselves in a romantic comedy, right, like they bringing

0:35:48.640 --> 0:35:52.239
<v Speaker 10>more the essence of just them. It's not like you

0:35:52.360 --> 0:35:55.120
<v Speaker 10>disappear in a character in a romantic comedy.

0:35:55.160 --> 0:35:59.520
<v Speaker 4>Most of the time. Like you know, when you see Heath.

0:35:59.360 --> 0:36:03.920
<v Speaker 10>Legend as the Joker, God bless his soul, he it's

0:36:04.040 --> 0:36:08.960
<v Speaker 10>the Joker. But when you see like Matthew mcconnie in

0:36:08.960 --> 0:36:12.560
<v Speaker 10>in a in a you know, a romantic comedy, or

0:36:13.239 --> 0:36:16.319
<v Speaker 10>you know, even like what Queen Latifa did before, it's

0:36:16.360 --> 0:36:18.719
<v Speaker 10>like it's some of the elements of herself when she's

0:36:18.760 --> 0:36:21.640
<v Speaker 10>doing set it Off. That's a different thing. You understand

0:36:21.640 --> 0:36:23.799
<v Speaker 10>what I'm saying, y'all understand, like it's a it's you

0:36:23.880 --> 0:36:28.440
<v Speaker 10>gotta go deeper in those dramatic roles or those characters

0:36:28.480 --> 0:36:31.960
<v Speaker 10>where you're creating a whole character romantic comedy. They they

0:36:31.960 --> 0:36:34.279
<v Speaker 10>want you to bring more to essen to blight. I

0:36:34.320 --> 0:36:36.520
<v Speaker 10>didn't know that, and I was trying to do something

0:36:36.520 --> 0:36:39.600
<v Speaker 10>else in the first days, and then eventually I just

0:36:39.640 --> 0:36:42.520
<v Speaker 10>had to let go and be like, okay, cool, because

0:36:42.840 --> 0:36:46.640
<v Speaker 10>one of my favorite things about acting is be becoming

0:36:46.680 --> 0:36:49.839
<v Speaker 10>somebody else in different ways, you know, like like and

0:36:50.680 --> 0:36:53.400
<v Speaker 10>I love when I'm watching a movie when somebody's watching

0:36:53.400 --> 0:36:56.200
<v Speaker 10>the movie that I'm in, it knows me and they say, man,

0:36:56.840 --> 0:36:58.799
<v Speaker 10>I ain't even see Rashid in that, I ain't even

0:36:58.840 --> 0:36:59.400
<v Speaker 10>see you in that.

0:36:59.520 --> 0:37:01.840
<v Speaker 4>I saw this I saw the sir.

0:37:01.760 --> 0:37:04.359
<v Speaker 10>Ivy or or Cassie and from you know, from John

0:37:04.360 --> 0:37:08.160
<v Speaker 10>Wick two, I see Robert Simms. That's a compliment, Well

0:37:08.200 --> 0:37:11.360
<v Speaker 10>how do you because from you know, yeah you can

0:37:11.400 --> 0:37:14.040
<v Speaker 10>play yeah who because that's part of the role.

0:37:14.080 --> 0:37:15.719
<v Speaker 4>That was that was part of the role. That was

0:37:15.760 --> 0:37:16.359
<v Speaker 4>part of the role.

0:37:16.400 --> 0:37:20.879
<v Speaker 10>And I made sure that my stunt double didn't getting

0:37:20.880 --> 0:37:24.040
<v Speaker 10>you know, I was like, you know, there was no

0:37:24.160 --> 0:37:27.520
<v Speaker 10>way I was gonna go back home to Chicago and

0:37:27.800 --> 0:37:30.480
<v Speaker 10>they see a stunt double in the movie where I'm

0:37:30.520 --> 0:37:33.000
<v Speaker 10>playing a basketball because it.

0:37:32.920 --> 0:37:33.920
<v Speaker 6>Wasn't double for basketball.

0:37:34.800 --> 0:37:38.920
<v Speaker 9>So but from an actor standpoint, like I've heard actors

0:37:38.920 --> 0:37:42.759
<v Speaker 9>say they struggled with getting out of character, like when

0:37:42.800 --> 0:37:45.200
<v Speaker 9>you go that far into character, have you ever been

0:37:45.200 --> 0:37:47.160
<v Speaker 9>in that vibe with I thought, who was it?

0:37:47.239 --> 0:37:48.160
<v Speaker 6>Somebody said it took like.

0:37:48.120 --> 0:37:51.520
<v Speaker 9>Six months for them to actually get out of the

0:37:51.640 --> 0:37:54.000
<v Speaker 9>character and it actually caused a lot of problems in

0:37:54.040 --> 0:37:54.600
<v Speaker 9>their life.

0:37:55.719 --> 0:37:58.279
<v Speaker 6>Might have yeah, I think said that.

0:38:00.920 --> 0:38:05.120
<v Speaker 10>I definitely have had times where you know, it took

0:38:05.160 --> 0:38:08.440
<v Speaker 10>me time to get out of the character, mostly while

0:38:08.440 --> 0:38:13.120
<v Speaker 10>I'm filming, meaning like I come home with some of

0:38:13.120 --> 0:38:17.560
<v Speaker 10>that energy and I've time. It's times where I've been

0:38:17.640 --> 0:38:20.920
<v Speaker 10>like I've had heavy days of filming where like the

0:38:21.000 --> 0:38:24.200
<v Speaker 10>scenes is heavy, and on the ride home, I just

0:38:24.239 --> 0:38:27.600
<v Speaker 10>broke down because like I've had a I played on

0:38:27.640 --> 0:38:30.959
<v Speaker 10>a show called Helen Wheels where my character was getting hung.

0:38:31.000 --> 0:38:34.640
<v Speaker 10>It was like taking place in the reconstruction era where

0:38:34.640 --> 0:38:40.640
<v Speaker 10>it's like the building of the Continental Railroad and man,

0:38:40.680 --> 0:38:44.160
<v Speaker 10>my character was getting hung and man, I couldnot like

0:38:45.280 --> 0:38:50.719
<v Speaker 10>man that feeling and just thinking about all of our

0:38:50.800 --> 0:38:54.319
<v Speaker 10>ancestors that it went through that And when I got

0:38:54.320 --> 0:38:56.359
<v Speaker 10>in that van on the way home, I was just like,

0:38:58.200 --> 0:39:01.040
<v Speaker 10>couldn't hold it, man. And you know it comes out

0:39:01.080 --> 0:39:05.239
<v Speaker 10>in different ways too, like where you like you and

0:39:05.600 --> 0:39:09.399
<v Speaker 10>you playing that killer and you shooting somebody all day.

0:39:10.200 --> 0:39:13.239
<v Speaker 10>Like I remember just coming home one day of being

0:39:13.280 --> 0:39:16.319
<v Speaker 10>like I gotta go watch a dumb movie, just a

0:39:16.360 --> 0:39:19.080
<v Speaker 10>movie that don't got no Well, I ain't got to

0:39:19.080 --> 0:39:22.160
<v Speaker 10>think about nothing because I just was feeling heavy, you

0:39:22.280 --> 0:39:25.960
<v Speaker 10>holding that gun, shooting somebody. Them guns is real powerful,

0:39:26.040 --> 0:39:29.440
<v Speaker 10>like they it's just they just don't have gunpowder in

0:39:29.520 --> 0:39:31.760
<v Speaker 10>the bullet, but you still getting the same charge.

0:39:31.760 --> 0:39:35.759
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<v Speaker 1>An illegal alien from Guatemala charged with raping a child

0:41:27.480 --> 0:41:31.280
<v Speaker 1>in Massachusetts. An MS thirteen gang member from El Salvador

0:41:31.520 --> 0:41:35.640
<v Speaker 1>accused of murdering a Texas. Man of Venezuelan charged with

0:41:35.719 --> 0:41:39.640
<v Speaker 1>filming and selling child pornography in Michigan. These are just

0:41:39.719 --> 0:41:43.480
<v Speaker 1>some of the heinous migrant criminals caught because of President

0:41:43.520 --> 0:41:43.960
<v Speaker 1>Donald J.

0:41:44.040 --> 0:41:46.480
<v Speaker 2>Trump's leadership. I'm Christy Nohm, the.

0:41:46.520 --> 0:41:51.080
<v Speaker 1>United States Secretary of Homeland Security. Under President Trump, attempted

0:41:51.160 --> 0:41:54.840
<v Speaker 1>illegal border crossings are at the lowest levels ever recorded,

0:41:55.160 --> 0:41:58.200
<v Speaker 1>and over one hundred thousand illegal aliens have been arrested.

0:41:58.480 --> 0:42:02.040
<v Speaker 1>If you were here illegally, your next you will be

0:42:02.080 --> 0:42:04.200
<v Speaker 1>fine nearly one thousand dollars a day.

0:42:04.320 --> 0:42:07.600
<v Speaker 2>Imprisoned and deported, you will never return.

0:42:07.920 --> 0:42:10.960
<v Speaker 1>But if you register using our CBP home app and

0:42:11.040 --> 0:42:13.920
<v Speaker 1>leave now, you could be allowed to return legally.

0:42:14.280 --> 0:42:16.480
<v Speaker 2>Do what's right. Leave now.

0:42:16.840 --> 0:42:21.200
<v Speaker 1>Under President Trump America's laws, border and families will.

0:42:21.040 --> 0:42:23.840
<v Speaker 3>Be protected sponsored by the United States Department at Homeland Security.

0:42:24.480 --> 0:42:27.120
<v Speaker 10>You know, it makes you have compassion towards people who

0:42:27.239 --> 0:42:29.920
<v Speaker 10>dealing with that type of stuff all the time.

0:42:30.200 --> 0:42:33.040
<v Speaker 4>Who like this is because it speaks to a couple

0:42:33.040 --> 0:42:33.520
<v Speaker 4>of pieces.

0:42:33.560 --> 0:42:36.120
<v Speaker 5>Obviously the mental health side of it, right, because yeah,

0:42:36.360 --> 0:42:38.719
<v Speaker 5>you're crying and that's just you.

0:42:39.400 --> 0:42:41.920
<v Speaker 4>But number one, who do you call? Who did you

0:42:41.920 --> 0:42:42.960
<v Speaker 4>call it during those times?

0:42:43.080 --> 0:42:48.279
<v Speaker 5>And was there somebody in the dustry that was a confidant?

0:42:48.400 --> 0:42:48.560
<v Speaker 4>Right?

0:42:48.600 --> 0:42:50.439
<v Speaker 5>Like like I said, those the cubes of the world

0:42:50.440 --> 0:42:54.000
<v Speaker 5>that they're from hip hop, but they're in the in Hollywood. Like,

0:42:54.200 --> 0:42:56.120
<v Speaker 5>are those people that you were able to call and

0:42:56.120 --> 0:42:58.080
<v Speaker 5>reach out to during these times for advice?

0:42:58.360 --> 0:43:00.759
<v Speaker 6>Well, I mean I still had an issue with you the.

0:43:02.440 --> 0:43:05.920
<v Speaker 4>Specifically were gonna get to that. We're gonna get to that.

0:43:07.080 --> 0:43:09.560
<v Speaker 10>By then we have resulted. By the time I was acting,

0:43:10.080 --> 0:43:14.840
<v Speaker 10>we had resolved that. But a lot of times it

0:43:15.000 --> 0:43:18.719
<v Speaker 10>would be cast members. Like even on the film American

0:43:18.760 --> 0:43:22.400
<v Speaker 10>gangst I didn't have no real like like I wasn't

0:43:22.920 --> 0:43:26.879
<v Speaker 10>like going through it or whatever. But jen Zel was

0:43:26.960 --> 0:43:30.799
<v Speaker 10>like guiding and helping and giving me gems, like and

0:43:30.880 --> 0:43:31.920
<v Speaker 10>giving us gems.

0:43:32.760 --> 0:43:34.000
<v Speaker 4>And I really respected that.

0:43:34.160 --> 0:43:44.200
<v Speaker 10>The fact you know, this is Denzels is crazy. It's

0:43:44.320 --> 0:43:46.879
<v Speaker 10>like I worked so hard to get that role because

0:43:46.400 --> 0:43:49.560
<v Speaker 10>I tried out for the role that Isses had and

0:43:49.640 --> 0:43:51.080
<v Speaker 10>they liked me, but they was like no.

0:43:51.640 --> 0:43:53.279
<v Speaker 4>Then I tried out for another role and they like,

0:43:53.280 --> 0:43:54.000
<v Speaker 4>you're too young.

0:43:54.560 --> 0:43:58.560
<v Speaker 10>And I went and made another just tape, another audition tape,

0:43:58.719 --> 0:44:02.200
<v Speaker 10>and in the casting director was like, man, you dope

0:44:02.760 --> 0:44:05.279
<v Speaker 10>and and you passionate, We're just gonna cast you as

0:44:05.360 --> 0:44:07.799
<v Speaker 10>this to y'all's father. And I was like, okay, I'll

0:44:07.800 --> 0:44:10.759
<v Speaker 10>take it. I'm eight years older than them, but I

0:44:10.800 --> 0:44:14.000
<v Speaker 10>could do it as an actor. It's funny because you know,

0:44:14.160 --> 0:44:15.799
<v Speaker 10>for a long time, see I would see me and

0:44:15.840 --> 0:44:19.480
<v Speaker 10>be like Pops, like, oh man, this is gone too far.

0:44:19.880 --> 0:44:24.880
<v Speaker 10>But you know, I was grateful that Denzel was sharing

0:44:24.960 --> 0:44:28.680
<v Speaker 10>information with us. That's what you want, like from somebody

0:44:28.680 --> 0:44:34.600
<v Speaker 10>who's that gifted and you know, just a legend a

0:44:34.640 --> 0:44:37.400
<v Speaker 10>guru in it to give you you know, that wisdom.

0:44:37.440 --> 0:44:39.920
<v Speaker 10>And Ruby D was on that set too. I was

0:44:40.000 --> 0:44:44.000
<v Speaker 10>just watching her and just being like, God bless us.

0:44:44.000 --> 0:44:47.560
<v Speaker 10>So she was a master. I was like, I'm this

0:44:47.680 --> 0:44:50.359
<v Speaker 10>is you know. I took that bro I got that role,

0:44:51.000 --> 0:44:54.200
<v Speaker 10>and I literally only had about four lines in the movie.

0:44:54.600 --> 0:44:56.719
<v Speaker 10>But I knew I would be throughout the movie like

0:44:56.840 --> 0:44:59.480
<v Speaker 10>learning and I was gonna be on set with Denzel

0:44:59.600 --> 0:45:02.200
<v Speaker 10>Washington and Ruby D. And it was like some of

0:45:02.200 --> 0:45:05.440
<v Speaker 10>the great lessons I have as far as those times

0:45:05.480 --> 0:45:08.880
<v Speaker 10>when I was going through stuff, only mostly the actors

0:45:08.920 --> 0:45:11.800
<v Speaker 10>around me that I would you know, talk through with

0:45:11.880 --> 0:45:16.680
<v Speaker 10>stuff or therapist, you know. But ultimately acting was great

0:45:16.719 --> 0:45:19.040
<v Speaker 10>for therapy, you know, like it's a therapy in itself

0:45:19.120 --> 0:45:22.839
<v Speaker 10>because you you are releasing some of that energy if

0:45:22.840 --> 0:45:26.200
<v Speaker 10>you're going through those scenes, whether you're crying at home

0:45:26.360 --> 0:45:28.640
<v Speaker 10>or crying on the set, you're getting it out or

0:45:28.880 --> 0:45:30.640
<v Speaker 10>that anger you getting it out. That was one of

0:45:30.719 --> 0:45:33.759
<v Speaker 10>the things that I always would tell people, like, man,

0:45:34.320 --> 0:45:36.719
<v Speaker 10>this has been a good thing for me because when

0:45:36.719 --> 0:45:39.520
<v Speaker 10>I'm dealing with all this stress, I get to release

0:45:39.560 --> 0:45:42.959
<v Speaker 10>it through these characters through this artistic expression. So yeah,

0:45:43.200 --> 0:45:46.080
<v Speaker 10>and most death I'll say most Death is somebody who

0:45:46.640 --> 0:45:48.840
<v Speaker 10>acting wise that I was able to talk to a

0:45:48.840 --> 0:45:53.040
<v Speaker 10>little bit about acting because he's a he a brilliant actor.

0:45:53.080 --> 0:45:56.120
<v Speaker 4>He is like he is super dope.

0:45:56.280 --> 0:45:59.240
<v Speaker 6>Well speak speaking of most Death from the music side.

0:45:59.800 --> 0:46:03.440
<v Speaker 9>You know, you guys, most people will look at as

0:46:03.480 --> 0:46:09.359
<v Speaker 9>conscious rap, right il quality most of yourself? How has

0:46:09.440 --> 0:46:14.160
<v Speaker 9>that been? Because sometimes people don't want labels or titles

0:46:14.160 --> 0:46:17.200
<v Speaker 9>because they feel like it boxes them in and it's

0:46:17.280 --> 0:46:20.279
<v Speaker 9>limits them from doing like just being a person, like

0:46:20.280 --> 0:46:22.920
<v Speaker 9>they might want to do something that's not necessarily conscious. Right, So,

0:46:23.920 --> 0:46:26.799
<v Speaker 9>how has that title as far as being a conscious

0:46:27.160 --> 0:46:30.600
<v Speaker 9>rap or how have How has that blended with you?

0:46:30.880 --> 0:46:31.480
<v Speaker 4>Well, it's been.

0:46:32.760 --> 0:46:36.080
<v Speaker 10>You know, I went through a journey with being called

0:46:36.080 --> 0:46:39.640
<v Speaker 10>a conscious artist because at first, when they first said it,

0:46:39.680 --> 0:46:42.719
<v Speaker 10>I was like, man, why they calling me that life?

0:46:42.840 --> 0:46:45.359
<v Speaker 10>You know, like, you know, like because it did put

0:46:45.400 --> 0:46:48.520
<v Speaker 10>me in a box. And I'm like, man, I like women,

0:46:49.200 --> 0:46:52.880
<v Speaker 10>and I like drinking and automatically if you you know,

0:46:53.000 --> 0:46:55.120
<v Speaker 10>if you put in a conscious box, they expect you

0:46:55.840 --> 0:46:59.520
<v Speaker 10>to just be like only talking about a side of

0:46:59.560 --> 0:47:02.880
<v Speaker 10>the court or you know, or the Panthers and and

0:47:02.920 --> 0:47:06.279
<v Speaker 10>Malcolm Xell, You're always gonna be serious. In fact, like

0:47:06.400 --> 0:47:09.359
<v Speaker 10>being on tour, I would meet girls and that's all

0:47:09.400 --> 0:47:10.719
<v Speaker 10>they wanted to be.

0:47:10.760 --> 0:47:14.600
<v Speaker 4>Like, look, I like having fun. Man, let's kick it.

0:47:14.640 --> 0:47:16.200
<v Speaker 4>Let's st.

0:47:18.280 --> 0:47:24.080
<v Speaker 10>Ain't gotta stay heavy though, so I and and I

0:47:24.120 --> 0:47:28.799
<v Speaker 10>think too, to our own fault, we fell into that

0:47:28.880 --> 0:47:33.200
<v Speaker 10>box and it and it separated us from other artists

0:47:33.239 --> 0:47:36.200
<v Speaker 10>like the jay Z's or the dmxes, and you know,

0:47:36.280 --> 0:47:43.520
<v Speaker 10>we weren't like working with those artists. And I felt

0:47:43.520 --> 0:47:47.680
<v Speaker 10>like at a certain point, Yay Kanye was one of

0:47:47.719 --> 0:47:51.279
<v Speaker 10>the bridges for that because he did put freeway in

0:47:51.760 --> 0:47:54.400
<v Speaker 10>most step on the song, you know, or he was

0:47:55.400 --> 0:47:59.000
<v Speaker 10>like rapping some things that was like artistic and his

0:47:59.120 --> 0:48:01.160
<v Speaker 10>music is very artill. And he was throwing up the

0:48:01.239 --> 0:48:03.680
<v Speaker 10>rock sign, throwing up the you know and having this

0:48:03.920 --> 0:48:04.839
<v Speaker 10>rock and Feller chain.

0:48:05.400 --> 0:48:07.040
<v Speaker 6>You know, he blended those two.

0:48:06.800 --> 0:48:10.200
<v Speaker 10>Blended those two worlds, and it was like a reminder

0:48:11.080 --> 0:48:12.960
<v Speaker 10>that man were not separate.

0:48:12.960 --> 0:48:15.280
<v Speaker 4>It's still all our culture. It's all us.

0:48:15.440 --> 0:48:18.799
<v Speaker 10>And like I have been around jay Z and kicked

0:48:18.800 --> 0:48:20.000
<v Speaker 10>it with him and blah blah blah.

0:48:20.080 --> 0:48:23.000
<v Speaker 4>So why just because they lave me as conscious do

0:48:23.040 --> 0:48:23.440
<v Speaker 4>I need to.

0:48:23.360 --> 0:48:26.400
<v Speaker 5>Feel like when he said I was gonna how validating

0:48:26.480 --> 0:48:28.640
<v Speaker 5>or is it a gifting the person He says.

0:48:28.920 --> 0:48:30.959
<v Speaker 6>I want to rap like common said, are you are.

0:48:30.840 --> 0:48:33.680
<v Speaker 5>You saying to yourself? Damn, this dude just said he

0:48:33.680 --> 0:48:37.719
<v Speaker 5>wants to rap like me. Or you're like, he's still

0:48:37.760 --> 0:48:39.600
<v Speaker 5>putting me in the box a little bit like, how

0:48:39.640 --> 0:48:40.000
<v Speaker 5>did you.

0:48:39.960 --> 0:48:41.600
<v Speaker 4>Respond to that? That's thinking the same thing.

0:48:41.800 --> 0:48:46.839
<v Speaker 10>I love that he said that because I mean at

0:48:46.840 --> 0:48:50.560
<v Speaker 10>that point for me to even be in his thoughts

0:48:50.560 --> 0:48:54.000
<v Speaker 10>of while he's writing a song, I mean that he

0:48:54.080 --> 0:48:57.200
<v Speaker 10>recognizes me as an artist, that is valuable. And for

0:48:57.280 --> 0:49:00.920
<v Speaker 10>him to say Jay is brilliant as Jay Z is

0:49:00.960 --> 0:49:04.560
<v Speaker 10>as a business man, he's also an artist. So for

0:49:04.640 --> 0:49:06.880
<v Speaker 10>him to say, man, truthfully, I want to rhyme like

0:49:06.920 --> 0:49:11.560
<v Speaker 10>common sense, he expressing one thing about him and dope

0:49:11.640 --> 0:49:15.480
<v Speaker 10>enough He's like, he expressed what I be the feeling like, man,

0:49:15.480 --> 0:49:17.640
<v Speaker 10>why don't we do it more of this? Like we

0:49:17.680 --> 0:49:22.080
<v Speaker 10>could feel more than one thing about certain situations. He saying, Look,

0:49:22.080 --> 0:49:24.600
<v Speaker 10>I want to rhyme like this dude and have some conscience,

0:49:24.600 --> 0:49:27.680
<v Speaker 10>but I want to get paid to money.

0:49:27.800 --> 0:49:30.240
<v Speaker 4>I'm doing fire I did fire man, I'm selling records.

0:49:30.480 --> 0:49:32.240
<v Speaker 4>I'm not listen.

0:49:33.320 --> 0:49:35.920
<v Speaker 10>That's cool, But these dudes and the truth is we

0:49:35.920 --> 0:49:38.920
<v Speaker 10>weren't selling like that, so that was you know, his

0:49:39.080 --> 0:49:42.520
<v Speaker 10>path and his choice. I felt good that he that

0:49:42.680 --> 0:49:45.160
<v Speaker 10>he mentioned me because like at that time, I remember

0:49:45.239 --> 0:49:49.040
<v Speaker 10>my cousin calling me like, damn, Jay Hope mentioned you, bro,

0:49:49.160 --> 0:49:50.319
<v Speaker 10>you made it?

0:49:50.920 --> 0:49:53.000
<v Speaker 6>You Did you get that from people like that?

0:49:53.080 --> 0:49:55.200
<v Speaker 9>You might not, like you said, like when you saw big, Like,

0:49:55.400 --> 0:49:56.759
<v Speaker 9>did you get that from people that you?

0:49:57.360 --> 0:49:59.040
<v Speaker 6>Was like, yo, I really appreciate it.

0:49:59.239 --> 0:50:01.600
<v Speaker 9>They might not have things publicly, but it's like they

0:50:01.640 --> 0:50:04.560
<v Speaker 9>talk to you and they like you kind of know

0:50:04.719 --> 0:50:07.880
<v Speaker 9>like that they do want to tap into that, but

0:50:08.000 --> 0:50:09.920
<v Speaker 9>for whatever reason they're not.

0:50:10.400 --> 0:50:14.080
<v Speaker 10>Yeah, I mean yeah, I mean when you get that

0:50:14.200 --> 0:50:17.560
<v Speaker 10>from from the artists that you really appreciate, even something

0:50:17.560 --> 0:50:19.960
<v Speaker 10>that you like, Damn, you appreciate my music?

0:50:19.960 --> 0:50:20.760
<v Speaker 4>You like my music?

0:50:20.840 --> 0:50:24.439
<v Speaker 10>Damn, that's crazy, Like you you know, you feel good

0:50:24.440 --> 0:50:28.520
<v Speaker 10>about it because man, like you want to be respected

0:50:28.560 --> 0:50:31.880
<v Speaker 10>by people you love and your peers and people you

0:50:32.040 --> 0:50:37.200
<v Speaker 10>fans of so and and you also understand like, man,

0:50:37.280 --> 0:50:42.279
<v Speaker 10>they have this other path and desire and vision and

0:50:42.400 --> 0:50:45.560
<v Speaker 10>qualities that may get them to a higher level commercial wise.

0:50:46.080 --> 0:50:50.160
<v Speaker 10>But you know, once you for me, once you start

0:50:50.480 --> 0:50:53.160
<v Speaker 10>embracing like this is who I am that's when things

0:50:53.160 --> 0:50:54.880
<v Speaker 10>started to thrive for me.

0:50:55.000 --> 0:50:57.000
<v Speaker 4>Was like I wasn't trying to.

0:50:56.960 --> 0:51:01.120
<v Speaker 10>Be like Biggie or Nahs or Daylight even you know,

0:51:01.239 --> 0:51:05.280
<v Speaker 10>all them inspired me like Daylight Tribe Day, but I

0:51:05.320 --> 0:51:09.040
<v Speaker 10>once I found my voice. At first it was like like, Okay,

0:51:09.160 --> 0:51:11.680
<v Speaker 10>I got all pieces of these, but then I started

0:51:11.719 --> 0:51:14.440
<v Speaker 10>to be like, Okay, I got influences by these inspiration,

0:51:14.800 --> 0:51:19.160
<v Speaker 10>but I got my voice now. So yeah, these artists

0:51:19.239 --> 0:51:22.239
<v Speaker 10>are these artists that can make dope hip hop but

0:51:22.320 --> 0:51:26.840
<v Speaker 10>still reach high levels of radio play, and I just

0:51:26.920 --> 0:51:29.759
<v Speaker 10>accepted that for that and being like, Yo, I'm an

0:51:29.840 --> 0:51:33.080
<v Speaker 10>artist that's gonna do these creative things. I'm gonna go

0:51:33.120 --> 0:51:35.760
<v Speaker 10>out there and do live performances and rock. The people

0:51:36.920 --> 0:51:38.960
<v Speaker 10>may have a song that get on the radio, may not,

0:51:39.360 --> 0:51:42.360
<v Speaker 10>but I guarantee you that I'm gonna make some music

0:51:42.400 --> 0:51:45.799
<v Speaker 10>that you're gonna listen to twenty thirty years and now

0:51:46.560 --> 0:51:48.160
<v Speaker 10>and hopefully hundreds of years now.

0:51:48.440 --> 0:51:50.520
<v Speaker 5>That's the fact I think the transparency, even when he

0:51:50.520 --> 0:51:53.359
<v Speaker 5>says it, it's like I dubbed down my audience a double.

0:51:53.400 --> 0:51:56.080
<v Speaker 5>My daughter'll all criticized for it, but y'all, y'all holla.

0:51:56.600 --> 0:51:58.880
<v Speaker 5>So it's like, what do I do the fact that

0:51:58.920 --> 0:52:01.799
<v Speaker 5>you're making music that it's sending in a test of time.

0:52:01.840 --> 0:52:04.719
<v Speaker 5>Like I said, B is incredible. That was five mics.

0:52:05.160 --> 0:52:08.160
<v Speaker 5>Love is my favorite track sometimes I just put that

0:52:08.200 --> 0:52:10.880
<v Speaker 5>on just because the way you're talking about love and

0:52:10.920 --> 0:52:14.200
<v Speaker 5>how it manifests in different ways. But fine forever, I

0:52:14.200 --> 0:52:17.759
<v Speaker 5>think it is equally almost it's right there. It's on

0:52:17.800 --> 0:52:22.160
<v Speaker 5>the Cuss south Side on there, the people's on there.

0:52:23.640 --> 0:52:29.399
<v Speaker 5>Yay's is the producer for pretty much the most both albums, right,

0:52:29.760 --> 0:52:31.959
<v Speaker 5>And so that's like the traditional model of hip hop

0:52:32.040 --> 0:52:34.920
<v Speaker 5>where you have one producer produced the whole project. And

0:52:35.600 --> 0:52:37.960
<v Speaker 5>obviously throughout your career you've changed that. You no I

0:52:38.040 --> 0:52:40.520
<v Speaker 5>d started at first, then you had Ya, and now

0:52:40.520 --> 0:52:44.240
<v Speaker 5>you're back to Pete Rock doing predominantly the entire album.

0:52:44.640 --> 0:52:47.160
<v Speaker 5>Talk about that process of going back to the traditional

0:52:47.160 --> 0:52:48.960
<v Speaker 5>ways where you had your one producer and we're going

0:52:49.000 --> 0:52:52.520
<v Speaker 5>to make the click this together as opposed to the

0:52:52.640 --> 0:52:55.680
<v Speaker 5>allmatic way, which is a classic classic. But I'm getting

0:52:55.719 --> 0:52:58.000
<v Speaker 5>the best five producers that I can find to make

0:52:58.040 --> 0:52:58.840
<v Speaker 5>this manifesto.

0:52:59.080 --> 0:53:00.160
<v Speaker 4>Yeah. Uh.

0:53:01.200 --> 0:53:03.360
<v Speaker 10>I'm one of the first to acknowledge that Jay Diller

0:53:03.719 --> 0:53:07.840
<v Speaker 10>on be and Finding fact did like he did that

0:53:07.960 --> 0:53:11.719
<v Speaker 10>love his song and he's one of the greatest producers

0:53:11.719 --> 0:53:16.440
<v Speaker 10>and ever live and also inspired Yay and many others

0:53:16.960 --> 0:53:24.000
<v Speaker 10>like Pete Roy. Making an album with one producer or

0:53:24.719 --> 0:53:27.400
<v Speaker 10>two at the most, for me has been my my

0:53:27.560 --> 0:53:31.560
<v Speaker 10>way of operating because like, I like creating sounds with

0:53:31.640 --> 0:53:35.800
<v Speaker 10>the album, the albums that I've loved throughout my years.

0:53:35.840 --> 0:53:37.680
<v Speaker 10>When I you know, when they say what album would

0:53:37.680 --> 0:53:41.480
<v Speaker 10>you take on an island? Like Off the Wall by

0:53:41.560 --> 0:53:43.799
<v Speaker 10>Michael Jackson is one of my favorite albums, you know,

0:53:44.960 --> 0:53:49.160
<v Speaker 10>Lawrence Hill's mis Education, myb Deep, the Infamous, you know,

0:53:49.360 --> 0:53:53.240
<v Speaker 10>like these are some albums that will be with me forever.

0:53:55.200 --> 0:54:00.560
<v Speaker 10>That being said to try Midnight Marauders, like these albums,

0:54:00.640 --> 0:54:04.480
<v Speaker 10>like were they created a sound like Purple Tape?

0:54:04.040 --> 0:54:10.040
<v Speaker 4>Yeah, yeah, Purple That's something that's definitely five mics.

0:54:10.200 --> 0:54:12.560
<v Speaker 5>Yes, Tribe is the first group to have three five

0:54:12.600 --> 0:54:16.839
<v Speaker 5>mic albums and like Marida's low End Theory in their

0:54:16.840 --> 0:54:20.399
<v Speaker 5>first time yep, wow, yeah, I never knew that they

0:54:20.560 --> 0:54:21.160
<v Speaker 5>got three.

0:54:21.280 --> 0:54:24.719
<v Speaker 10>They well they for me, they well deserved. It's like

0:54:25.360 --> 0:54:28.840
<v Speaker 10>earth Winding Fire is one of my favorite groups. E

0:54:29.000 --> 0:54:31.239
<v Speaker 10>and Tribe is the earth winning fire hip hop to me.

0:54:31.320 --> 0:54:37.120
<v Speaker 10>Fact Yes, Sir Resting Piece to Fight and Maurice's wife

0:54:37.160 --> 0:54:42.279
<v Speaker 10>for Earth Winning Fire. So I'll say, man like I

0:54:42.400 --> 0:54:46.160
<v Speaker 10>like locking in with a producer because it gives me that.

0:54:46.880 --> 0:54:47.120
<v Speaker 4>Man.

0:54:47.719 --> 0:54:50.960
<v Speaker 10>We start bonding and creating and talking and going through stuff,

0:54:51.200 --> 0:54:57.560
<v Speaker 10>and we started developing a rapport, a collaboration, a sound communication.

0:54:57.840 --> 0:55:00.640
<v Speaker 10>Like it's just like me, ain't got it, ain't gonna

0:55:00.640 --> 0:55:04.680
<v Speaker 10>always be perfect, but it's about getting Like real creativity

0:55:04.719 --> 0:55:07.720
<v Speaker 10>is about getting to know each other and then getting

0:55:07.719 --> 0:55:10.400
<v Speaker 10>into a certain vision and being able to create that

0:55:10.560 --> 0:55:14.799
<v Speaker 10>vision and like iron sharpens iron, y'all get better. And

0:55:14.840 --> 0:55:17.879
<v Speaker 10>that's what Yay did. That's no idea did it from

0:55:17.960 --> 0:55:22.800
<v Speaker 10>the beginning. That's what Questlove as an executive producer, and

0:55:22.920 --> 0:55:25.280
<v Speaker 10>Jay Dillar did for my arm like water for chocolate.

0:55:26.040 --> 0:55:30.440
<v Speaker 10>And that's what Pete Brocket's done where we just get it.

0:55:31.280 --> 0:55:33.720
<v Speaker 10>With this new album, Auditory in Value one, we wouldn't

0:55:34.640 --> 0:55:38.240
<v Speaker 10>we wouldn't have created something to me with the level

0:55:38.760 --> 0:55:42.720
<v Speaker 10>of quality if I wasn't going out to his crib

0:55:42.800 --> 0:55:45.120
<v Speaker 10>and like him playing records and being, oh, you like that,

0:55:45.200 --> 0:55:48.879
<v Speaker 10>and then along with that just watching his dog and

0:55:49.600 --> 0:55:52.320
<v Speaker 10>go around the house. And then we're talking about life

0:55:52.320 --> 0:55:56.680
<v Speaker 10>and talking about therapy and talking about like man when

0:55:56.680 --> 0:55:59.360
<v Speaker 10>he first started doing this stuff and like took me

0:55:59.560 --> 0:56:04.040
<v Speaker 10>all that shape up into creating the best work. You know,

0:56:04.080 --> 0:56:06.680
<v Speaker 10>and you ain't doing it for that. You ain't You

0:56:06.680 --> 0:56:09.440
<v Speaker 10>ain't like faking the conversations. But I'm just saying that

0:56:09.480 --> 0:56:12.040
<v Speaker 10>type of bond. It's like any teams when we watched sports,

0:56:13.040 --> 0:56:15.600
<v Speaker 10>some of them teams were just able to reach that

0:56:15.719 --> 0:56:18.360
<v Speaker 10>level because they was able to connect to as people.

0:56:18.440 --> 0:56:22.279
<v Speaker 10>That's why Phil Jackson had them handing out books to

0:56:22.320 --> 0:56:25.400
<v Speaker 10>them and doing like having them sit down and put

0:56:25.640 --> 0:56:27.920
<v Speaker 10>the thing in the fire and all like those are

0:56:28.000 --> 0:56:30.319
<v Speaker 10>the things that you can't let Those are priceless things

0:56:30.320 --> 0:56:34.799
<v Speaker 10>about connection that come out in any project that you

0:56:34.880 --> 0:56:35.640
<v Speaker 10>were doing together.

0:56:36.120 --> 0:56:40.439
<v Speaker 9>So, like, let's talk about Chicago because music, I think

0:56:40.520 --> 0:56:44.520
<v Speaker 9>music hip hop has served as like a tour guide

0:56:44.560 --> 0:56:48.040
<v Speaker 9>of a city when you like, before I got to LA,

0:56:48.520 --> 0:56:50.520
<v Speaker 9>I had an idea of what LA was like from

0:56:50.560 --> 0:56:55.560
<v Speaker 9>listening to Snooping Dog Found, and then when I got there,

0:56:56.239 --> 0:56:58.160
<v Speaker 9>a lot of the stuff that I thought was going

0:56:58.239 --> 0:56:59.880
<v Speaker 9>to be La wasn't La, and it was kind of

0:56:59.880 --> 0:57:03.440
<v Speaker 9>a different perspective. But it's the same thing with Louisiana.

0:57:03.880 --> 0:57:06.680
<v Speaker 9>Cash money, like you saw. I saw the visuals of

0:57:06.719 --> 0:57:10.960
<v Speaker 9>New Orleans and the hot video, and that's what I

0:57:11.000 --> 0:57:15.080
<v Speaker 9>thought New Orleans was, right, So it's like Chicago. I

0:57:15.120 --> 0:57:17.440
<v Speaker 9>always loved going to Chicago because I feel like that

0:57:17.560 --> 0:57:19.760
<v Speaker 9>downtown is like one of the most beautiful downtowns, right

0:57:19.760 --> 0:57:24.320
<v Speaker 9>on the water. It's the vibe, the food, everybody's like,

0:57:24.400 --> 0:57:27.680
<v Speaker 9>it's just good energy. But of course there's issues, but

0:57:27.840 --> 0:57:31.760
<v Speaker 9>I feel like a lot of it. When once drill

0:57:32.480 --> 0:57:39.840
<v Speaker 9>became very popular, the image of Chicago changed, right, And

0:57:41.120 --> 0:57:44.720
<v Speaker 9>so what's your thought process as far as how Chicago's viewed,

0:57:44.720 --> 0:57:46.720
<v Speaker 9>Because most of the time when you say Chicago, people

0:57:46.720 --> 0:57:50.160
<v Speaker 9>were like, it's dangerous, stay away while you going there.

0:57:50.240 --> 0:57:52.840
<v Speaker 9>It's just a very negative connotation from at least black

0:57:52.840 --> 0:57:56.160
<v Speaker 9>people when they think about Chicago. And then drill music

0:57:56.320 --> 0:57:59.600
<v Speaker 9>has definitely played a part in that for sure, and

0:58:00.560 --> 0:58:03.880
<v Speaker 9>so like and drill has went over the world, London,

0:58:03.920 --> 0:58:07.040
<v Speaker 9>New York, everybody's doing drill now. So what's your thoughts

0:58:07.040 --> 0:58:13.280
<v Speaker 9>on Chicago's reputation as far as violence linked with drill music.

0:58:13.960 --> 0:58:17.160
<v Speaker 10>Well, I think drill music wouldn't have been able to

0:58:17.160 --> 0:58:21.200
<v Speaker 10>come about if Chicago didn't have that type of angst

0:58:21.200 --> 0:58:25.840
<v Speaker 10>and type of like if parts of Chicago didn't have

0:58:25.920 --> 0:58:29.480
<v Speaker 10>the violence that we have. That was the expression of

0:58:30.080 --> 0:58:36.520
<v Speaker 10>with Dirk with Reese or Chief keef Man. They was

0:58:37.240 --> 0:58:41.880
<v Speaker 10>them dudes is from a really tough neighborhood in one

0:58:41.880 --> 0:58:44.520
<v Speaker 10>of the toughest neighborhoods in the world, and they were

0:58:44.680 --> 0:58:47.320
<v Speaker 10>talking what they've been exposed to and what they know.

0:58:49.520 --> 0:58:52.320
<v Speaker 4>And it's really powerful.

0:58:52.440 --> 0:58:57.640
<v Speaker 10>How like we as black people, and I say black

0:58:57.680 --> 0:59:02.000
<v Speaker 10>and brown people really, but how we all right take

0:59:02.080 --> 0:59:07.280
<v Speaker 10>some of the heaviest things, the most difficult situations and

0:59:07.400 --> 0:59:09.720
<v Speaker 10>make something golden out of it. Because Drill is a

0:59:10.480 --> 0:59:14.160
<v Speaker 10>they created a sound and it's like influenced the world

0:59:14.800 --> 0:59:21.240
<v Speaker 10>and it's dope. But as you said that, it's other

0:59:21.360 --> 0:59:23.480
<v Speaker 10>sides to Chicago that I feel like.

0:59:25.120 --> 0:59:25.960
<v Speaker 4>People don't know.

0:59:26.320 --> 0:59:29.520
<v Speaker 10>And I mean, if you think about it, sometimes people

0:59:29.640 --> 0:59:34.720
<v Speaker 10>got a tendency to come from the glass half empty

0:59:34.800 --> 0:59:38.320
<v Speaker 10>mentality anyway, like, oh you hear that story. So it's

0:59:38.360 --> 0:59:41.000
<v Speaker 10>just like you generalize that's what it is, that's all

0:59:41.040 --> 0:59:44.360
<v Speaker 10>it is. And I can understand why you would think, like, man,

0:59:44.760 --> 0:59:46.680
<v Speaker 10>if that's what it is, I ain't going to visit

0:59:46.720 --> 0:59:49.640
<v Speaker 10>that place. But once you touch down or just even

0:59:49.680 --> 0:59:50.480
<v Speaker 10>open your mind.

0:59:50.280 --> 0:59:53.480
<v Speaker 4>Because there's other artists that expressed what Chicago.

0:59:53.280 --> 1:00:00.600
<v Speaker 10>Is too from early on Loop Chance Chance No Name,

1:00:01.240 --> 1:00:05.760
<v Speaker 10>like they talk about it, but like just did different

1:00:05.840 --> 1:00:08.800
<v Speaker 10>artists they talk about a chance to show the whole

1:00:08.840 --> 1:00:09.960
<v Speaker 10>nother side of Chicago.

1:00:10.720 --> 1:00:17.439
<v Speaker 4>That what you say, yeah, yeah, but why do you why.

1:00:17.600 --> 1:00:20.600
<v Speaker 9>Is Chicago Because there's a lot of cities that poverty

1:00:20.640 --> 1:00:23.800
<v Speaker 9>is is pretty much in every city unfortunately, Right, what

1:00:23.920 --> 1:00:27.280
<v Speaker 9>makes Chicago so different as far as the the violence,

1:00:27.320 --> 1:00:30.640
<v Speaker 9>Like why is the violence so heavy in Chicago as

1:00:30.640 --> 1:00:33.320
<v Speaker 9>opposed to New York or like you know what I mean,

1:00:33.400 --> 1:00:36.840
<v Speaker 9>Like it just seems like Chicago is just really intense

1:00:37.680 --> 1:00:40.120
<v Speaker 9>in that in that violent aspect.

1:00:40.320 --> 1:00:41.120
<v Speaker 4>Well, I think.

1:00:42.880 --> 1:00:47.160
<v Speaker 10>Like gang culture and I know gangs is just everywhere,

1:00:47.480 --> 1:00:52.320
<v Speaker 10>but for us, like gang culture was part of our

1:00:52.400 --> 1:00:56.080
<v Speaker 10>parents growing up, Like the gangs was existing in the

1:00:56.160 --> 1:01:02.040
<v Speaker 10>in the sixties, right, so that warrior spirit has been

1:01:02.240 --> 1:01:05.040
<v Speaker 10>like in our DNA. And I'm not saying that it's

1:01:05.080 --> 1:01:09.680
<v Speaker 10>gangsters everywhere, but that being said, it was organized for

1:01:09.720 --> 1:01:14.960
<v Speaker 10>a while and then it's you know, certain people got

1:01:14.960 --> 1:01:19.240
<v Speaker 10>incarcerated and and and it was not a lot of

1:01:19.320 --> 1:01:23.320
<v Speaker 10>leaders there to like guide those who were dealing with

1:01:23.360 --> 1:01:24.080
<v Speaker 10>the gang.

1:01:24.280 --> 1:01:26.280
<v Speaker 6>Culture, and they displaced people when they.

1:01:27.080 --> 1:01:30.720
<v Speaker 10>To throw the buildings down, displaced people. But it essentially

1:01:31.160 --> 1:01:35.280
<v Speaker 10>you know that warrior gang thing is is ingrained in us,

1:01:35.280 --> 1:01:37.560
<v Speaker 10>and that's part of like one of the elements that

1:01:37.600 --> 1:01:41.000
<v Speaker 10>I would say it's different from most because where you

1:01:41.080 --> 1:01:44.000
<v Speaker 10>got where it's poverty, where it's lack of jobs, where's

1:01:44.080 --> 1:01:48.160
<v Speaker 10>lack of like education and kind of overall lack of hope,

1:01:48.720 --> 1:01:50.800
<v Speaker 10>you gonna get that. Like you can go to Brooklyn,

1:01:50.840 --> 1:01:55.040
<v Speaker 10>you can go in certain places in Harlem or Atlanta

1:01:55.160 --> 1:01:58.720
<v Speaker 10>or like where you can go to these neighborhoods in Oakland.

1:01:58.640 --> 1:02:00.880
<v Speaker 4>And you feel that what you feel in Chicago.

1:02:01.160 --> 1:02:04.800
<v Speaker 10>But I think it's intensified just by the gang culture

1:02:04.840 --> 1:02:09.240
<v Speaker 10>that's been there for a long time. And man, I

1:02:09.360 --> 1:02:12.760
<v Speaker 10>always be thinking, like one of my whole life missions

1:02:12.760 --> 1:02:16.280
<v Speaker 10>has been to be a part of the peace in Chicago,

1:02:16.480 --> 1:02:20.840
<v Speaker 10>like to really figure out, like man, because I don't

1:02:20.840 --> 1:02:27.160
<v Speaker 10>have all the answers, but I do know creating jobs, education,

1:02:27.440 --> 1:02:30.840
<v Speaker 10>like education from a level not just only in school,

1:02:30.880 --> 1:02:34.280
<v Speaker 10>but providing people with ways to get to their dreams

1:02:34.320 --> 1:02:39.520
<v Speaker 10>and stuff is important. And just like hope, man, Like

1:02:40.040 --> 1:02:43.800
<v Speaker 10>hope is a broad thing. But it's like I grew

1:02:43.880 --> 1:02:49.840
<v Speaker 10>up like my neighborhood. Ain't ain't far from where dirkdam

1:02:49.840 --> 1:02:53.800
<v Speaker 10>grew up my neighborhood, or where ge Herbo and Bibbie

1:02:53.800 --> 1:02:58.200
<v Speaker 10>grew up. I grew up around some of the same stuff.

1:02:58.440 --> 1:03:03.480
<v Speaker 10>But it was the hope that my mother instilled that

1:03:04.440 --> 1:03:07.800
<v Speaker 10>I saw for myself that made me say, Okay, I

1:03:07.840 --> 1:03:09.000
<v Speaker 10>don't want to go too.

1:03:08.800 --> 1:03:09.360
<v Speaker 4>Far over there.

1:03:09.400 --> 1:03:12.160
<v Speaker 10>I might be around this, I might be, you know,

1:03:12.240 --> 1:03:16.160
<v Speaker 10>banging with these guys over here for a second, but man,

1:03:16.200 --> 1:03:19.120
<v Speaker 10>I ain't really trying to shoot nobody. That ain't that's

1:03:19.200 --> 1:03:21.880
<v Speaker 10>too much for me, like, and that ain't what I'm on.

1:03:22.640 --> 1:03:25.560
<v Speaker 10>So my point is, and that was because I felt

1:03:25.560 --> 1:03:27.800
<v Speaker 10>like I was I had some value and I think,

1:03:27.840 --> 1:03:31.240
<v Speaker 10>you know, I like to think about the solutions to

1:03:31.320 --> 1:03:34.760
<v Speaker 10>help our city and in cities across the country.

1:03:34.760 --> 1:03:35.920
<v Speaker 4>To be honest, that's crazy.

1:03:35.960 --> 1:03:37.600
<v Speaker 5>As you're saying that, I'm listening to the line that

1:03:37.720 --> 1:03:40.439
<v Speaker 5>you said used the game right in the shop.

1:03:40.480 --> 1:03:42.120
<v Speaker 4>We're even rooting for a garbage tine.

1:03:43.440 --> 1:03:45.880
<v Speaker 5>But so like the picture that you've painted, I mean,

1:03:45.920 --> 1:03:49.200
<v Speaker 5>it's been pretty consistent, Like you've you've painted a narrative

1:03:49.240 --> 1:03:52.280
<v Speaker 5>that's different from the one that's being portrayed. Whether it

1:03:52.320 --> 1:03:54.600
<v Speaker 5>was on your world or whether it was on the.

1:03:54.600 --> 1:03:55.720
<v Speaker 4>South side of the Shah.

1:03:56.240 --> 1:04:01.040
<v Speaker 5>It's a different perspective, but it's a mature perspective as

1:04:01.360 --> 1:04:05.400
<v Speaker 5>you're growing. You talked about the music, we talked about

1:04:05.400 --> 1:04:09.640
<v Speaker 5>the acting. Obviously you're an author as well. Who starts

1:04:10.000 --> 1:04:12.160
<v Speaker 5>or are you doing this on your own to say

1:04:12.400 --> 1:04:16.080
<v Speaker 5>I need to diversify artistically through music and through the acting,

1:04:16.160 --> 1:04:19.280
<v Speaker 5>But now the author is something different. Are the other

1:04:19.360 --> 1:04:24.720
<v Speaker 5>things that you're getting more adept to or being made

1:04:24.760 --> 1:04:28.960
<v Speaker 5>aware of inside of the world As you're your finances

1:04:28.960 --> 1:04:31.760
<v Speaker 5>are starting to increase, you're making more money, Like is

1:04:31.800 --> 1:04:34.240
<v Speaker 5>there somebody gotten you through this or are you just

1:04:34.680 --> 1:04:37.320
<v Speaker 5>walking in the rooms and you seeing new opportunities.

1:04:37.360 --> 1:04:41.400
<v Speaker 10>Now it's like one thing I learned if I was

1:04:41.440 --> 1:04:44.320
<v Speaker 10>gonna make it in this business and and and pardon me,

1:04:44.400 --> 1:04:47.480
<v Speaker 10>I should have said this earlier. Another thing that definitely

1:04:47.480 --> 1:04:50.360
<v Speaker 10>helped me to continue in this business is constructing a

1:04:50.520 --> 1:04:51.560
<v Speaker 10>great team.

1:04:51.880 --> 1:04:57.440
<v Speaker 4>And that for me, I was like, oh man, okay.

1:04:57.760 --> 1:04:59.920
<v Speaker 10>My manager at the time was one of my best friends,

1:05:00.120 --> 1:05:05.680
<v Speaker 10>still great, Like Derek Dudley, he was He's a smart

1:05:05.760 --> 1:05:07.960
<v Speaker 10>dude and he just knows business and knows how to

1:05:08.000 --> 1:05:11.160
<v Speaker 10>handle cares about this, But when it came for us

1:05:11.600 --> 1:05:14.680
<v Speaker 10>to really get into the acting world, I had to

1:05:14.720 --> 1:05:19.200
<v Speaker 10>get an agent that is in that world, living in

1:05:19.200 --> 1:05:19.680
<v Speaker 10>that world.

1:05:19.840 --> 1:05:20.080
<v Speaker 4>Right.

1:05:20.480 --> 1:05:23.600
<v Speaker 10>So then when it came to doing voiceovers, I had

1:05:23.600 --> 1:05:26.680
<v Speaker 10>to get a voiceover agent who was in that world.

1:05:26.800 --> 1:05:29.800
<v Speaker 10>When it came to doing investments, you got to go

1:05:29.840 --> 1:05:32.120
<v Speaker 10>get the person that is going to do that. Oh

1:05:32.120 --> 1:05:36.360
<v Speaker 10>when it comes to marketing and development, well, if you

1:05:36.440 --> 1:05:40.320
<v Speaker 10>don't go hire a firm, do you have somebody that

1:05:40.360 --> 1:05:42.480
<v Speaker 10>will focused on those things, even if it's from a

1:05:42.520 --> 1:05:48.160
<v Speaker 10>consulting perspective. And it was me understanding that first of all,

1:05:49.400 --> 1:05:53.800
<v Speaker 10>I don't know everything. I might have some ideas, but

1:05:53.840 --> 1:05:57.720
<v Speaker 10>it's other people with great ideas around me, and along

1:05:57.720 --> 1:06:01.320
<v Speaker 10>with ideas, who are the people that can execut those ideas?

1:06:02.240 --> 1:06:04.880
<v Speaker 10>And it was about building that team structure. And it

1:06:04.920 --> 1:06:08.320
<v Speaker 10>continues to grow too, like because new things come up,

1:06:09.120 --> 1:06:13.240
<v Speaker 10>Like I got into producing films and producing plays, and

1:06:13.320 --> 1:06:15.960
<v Speaker 10>I had to get a structure for that because if

1:06:15.960 --> 1:06:20.080
<v Speaker 10>you don't have somebody working over there, and that branch

1:06:20.160 --> 1:06:24.960
<v Speaker 10>of work is not going to get maximized.

1:06:25.520 --> 1:06:27.400
<v Speaker 4>You know, it's not going to reach the levels that

1:06:27.480 --> 1:06:27.840
<v Speaker 4>you want.

1:06:28.120 --> 1:06:33.520
<v Speaker 10>Even from philanthropic like my social activist. I have a

1:06:33.640 --> 1:06:37.520
<v Speaker 10>team that works like so it's not just like Okay,

1:06:37.560 --> 1:06:40.760
<v Speaker 10>I'm just gonna do everything that comes through or Okay,

1:06:40.760 --> 1:06:44.240
<v Speaker 10>we got these things going and that's it. That focus

1:06:44.280 --> 1:06:46.640
<v Speaker 10>has to be there every day like any other business.

1:06:46.880 --> 1:06:49.800
<v Speaker 10>But this is a business is not for monetaries, for

1:06:49.880 --> 1:06:52.360
<v Speaker 10>the people, so it got to be there and that

1:06:52.480 --> 1:06:55.240
<v Speaker 10>got to be somebody heading that. So that is what

1:06:55.960 --> 1:06:58.520
<v Speaker 10>to me has allowed me to continue in the business

1:06:58.560 --> 1:07:02.120
<v Speaker 10>too and figure other ways. But also it's not coming

1:07:02.280 --> 1:07:04.000
<v Speaker 10>off from me, you know.

1:07:04.120 --> 1:07:07.480
<v Speaker 9>From a hip hop hip hop question, we talked about

1:07:08.400 --> 1:07:12.160
<v Speaker 9>like you being categorized as a conscious rapper, but you

1:07:12.240 --> 1:07:14.320
<v Speaker 9>also obviously have Looking at your battle with Ice you,

1:07:14.840 --> 1:07:19.880
<v Speaker 9>I'm wondering what's your perspective on seeing what now would

1:07:19.920 --> 1:07:24.160
<v Speaker 9>be considered a conscious rapper and Kendrick Lamar have a

1:07:24.160 --> 1:07:29.080
<v Speaker 9>battle with the most popular rapper and win and now

1:07:30.160 --> 1:07:34.640
<v Speaker 9>he's actually ascended to like the number one position. It's

1:07:34.680 --> 1:07:39.480
<v Speaker 9>an interesting dynamic right where his music is in the

1:07:39.560 --> 1:07:45.200
<v Speaker 9>vein of positivity, revolutionary, but he's still dangerous, dangerous, right,

1:07:45.360 --> 1:07:47.200
<v Speaker 9>So like do you got do you have like some

1:07:48.040 --> 1:07:49.919
<v Speaker 9>like pride in seeing.

1:07:49.600 --> 1:07:53.320
<v Speaker 6>That put the flag down? Shout out to Drake No

1:07:53.320 --> 1:07:54.840
<v Speaker 6>disrespect to Drake, but I'm just saying.

1:07:55.720 --> 1:08:01.000
<v Speaker 10>Yeah, well listen, let me okay, let me answer those things. So,

1:08:01.080 --> 1:08:05.480
<v Speaker 10>first of all, Kendrick is a masterful artist, like one

1:08:05.480 --> 1:08:08.640
<v Speaker 10>of the greats. Before the Battle, he like he won

1:08:08.680 --> 1:08:13.000
<v Speaker 10>a polar surprise for raps. You know what I'm saying.

1:08:13.480 --> 1:08:15.800
<v Speaker 10>That's how great of a writer he is. And each

1:08:15.880 --> 1:08:20.880
<v Speaker 10>one of his albums have been different, unique, dope like

1:08:21.000 --> 1:08:23.519
<v Speaker 10>you know, and that's what it is to do. One

1:08:23.560 --> 1:08:27.440
<v Speaker 10>of the greatest in any generation. Drake is one of

1:08:27.080 --> 1:08:35.920
<v Speaker 10>the most talented songwriter artists to do them to do music,

1:08:36.000 --> 1:08:38.120
<v Speaker 10>man like, one of the most successful to be able

1:08:38.160 --> 1:08:41.160
<v Speaker 10>to make songs like at that level and be making

1:08:41.240 --> 1:08:44.400
<v Speaker 10>hits over and over. That says something because even pop

1:08:44.479 --> 1:08:49.920
<v Speaker 10>artists that they had some big hits, they don't last decades.

1:08:50.400 --> 1:08:54.640
<v Speaker 10>So Drake is a super talented dude. The Battle, I

1:08:54.680 --> 1:08:58.519
<v Speaker 10>gotta say, I was like, man, Initially, I was like, Wow,

1:08:58.560 --> 1:09:00.920
<v Speaker 10>this is real. These dudes was going at it because

1:09:00.960 --> 1:09:05.479
<v Speaker 10>Drake was delivering. And then Kendrick came and then Kendrick

1:09:05.560 --> 1:09:09.360
<v Speaker 10>kept giving them flows and he just like did what

1:09:09.400 --> 1:09:12.280
<v Speaker 10>he had to do, and just man, he came out

1:09:12.320 --> 1:09:14.920
<v Speaker 10>the victor. He was a victor, like this point blame

1:09:15.000 --> 1:09:20.960
<v Speaker 10>he won and it's is it like if you're asking

1:09:21.000 --> 1:09:23.680
<v Speaker 10>it's a victory for me, I think it's just a

1:09:23.760 --> 1:09:25.960
<v Speaker 10>victory for hip hop that that battle went down the

1:09:26.000 --> 1:09:31.479
<v Speaker 10>way it did and had people paying attention to lyrics

1:09:31.479 --> 1:09:34.960
<v Speaker 10>and hip hop, like different generations was paying attention to that.

1:09:35.080 --> 1:09:37.760
<v Speaker 10>Like I had some of my youngins hitting me up like, yo,

1:09:37.840 --> 1:09:40.679
<v Speaker 10>you hit a new one. And then people my age

1:09:41.240 --> 1:09:43.439
<v Speaker 10>hit me up like, yo, you hit what you know?

1:09:43.520 --> 1:09:45.879
<v Speaker 10>You hear what Drake just dropped? You know what Kendrick said.

1:09:47.240 --> 1:09:52.200
<v Speaker 10>I think it does. I love that Kendrick is within

1:09:52.240 --> 1:09:56.400
<v Speaker 10>a battle, is able to give you like lessons and spiritual.

1:09:56.800 --> 1:10:01.280
<v Speaker 4>Damn, not just but the truth. That truth is.

1:10:01.520 --> 1:10:05.799
<v Speaker 10>It's like this dude dropping like knowledge and still battling.

1:10:05.880 --> 1:10:11.320
<v Speaker 10>It's like ridiculous. But that being said, it's funny you said,

1:10:11.400 --> 1:10:15.280
<v Speaker 10>like some he's a revolutionary and still dangerous, because when

1:10:15.320 --> 1:10:18.720
<v Speaker 10>we think about it, our revolutionaries were dangerous, like like

1:10:19.200 --> 1:10:24.600
<v Speaker 10>Fred Hampton Chicago, he was dangerous, like but dangerous for

1:10:24.640 --> 1:10:28.120
<v Speaker 10>the right thing. Shoot, Malcolm Max dangerous aside, I should

1:10:28.120 --> 1:10:31.840
<v Speaker 10>call dangerous in a wait that they are dangerous for

1:10:31.920 --> 1:10:34.599
<v Speaker 10>their people. And at the end of the day. Kendrick

1:10:34.720 --> 1:10:38.479
<v Speaker 10>is dangerous for his people, so I got nothing, but you.

1:10:38.400 --> 1:10:40.719
<v Speaker 4>Gotta protect them. Love for protect our people.

1:10:40.760 --> 1:10:43.120
<v Speaker 5>How much did it make people go back and revisit

1:10:43.960 --> 1:10:46.240
<v Speaker 5>old battles, because right once they say that battle, it's like, oh,

1:10:46.280 --> 1:10:48.200
<v Speaker 5>that's the greatest battle of all time, and we're living

1:10:48.240 --> 1:10:49.920
<v Speaker 5>in that moment and people are like, well, nah, there

1:10:50.040 --> 1:10:52.599
<v Speaker 5>was this either thing that happened. It was like, nah,

1:10:52.680 --> 1:10:54.960
<v Speaker 5>there was like I see the bitch of you. So

1:10:55.040 --> 1:10:57.080
<v Speaker 5>now it goes back, people get to revisit it. How

1:10:57.160 --> 1:10:58.840
<v Speaker 5>much of it was brought back like a little bit

1:10:58.840 --> 1:11:01.000
<v Speaker 5>of nostalgia for you. Yeah, we were in that moment.

1:11:01.040 --> 1:11:03.599
<v Speaker 5>We've grown past it, but like I remember that fire

1:11:03.640 --> 1:11:05.640
<v Speaker 5>that I.

1:11:04.720 --> 1:11:08.760
<v Speaker 10>I mean, it was more like people was bringing up

1:11:09.520 --> 1:11:11.640
<v Speaker 10>the battle I have with Cube and the battle I

1:11:11.640 --> 1:11:12.320
<v Speaker 10>had with Drake.

1:11:13.360 --> 1:11:15.639
<v Speaker 4>Yeah, that's the fact they brought that up. They would

1:11:15.640 --> 1:11:16.320
<v Speaker 4>bring that up.

1:11:17.080 --> 1:11:20.200
<v Speaker 10>But I was like, listen, first of all, we both

1:11:20.280 --> 1:11:24.760
<v Speaker 10>those battles got squashed this now, so I appreciate that

1:11:24.840 --> 1:11:27.559
<v Speaker 10>y'all loved it. We had the battle. I was worn

1:11:27.680 --> 1:11:30.040
<v Speaker 10>at that time, but you know, I'm just watching the

1:11:30.080 --> 1:11:34.000
<v Speaker 10>battle now, so don't drag me in. And somebody was like, yo,

1:11:34.680 --> 1:11:36.960
<v Speaker 10>I was like, no, don't drag me in. I'm good man,

1:11:37.040 --> 1:11:40.000
<v Speaker 10>let me let me watch this and just enjoy because

1:11:40.240 --> 1:11:44.040
<v Speaker 10>they both going in and I think it was I

1:11:44.040 --> 1:11:46.040
<v Speaker 10>would have to say, man, it probably was the greatest

1:11:46.080 --> 1:11:49.160
<v Speaker 10>battle we've seen. But and even if you feel something

1:11:49.200 --> 1:11:52.400
<v Speaker 10>else was back in the time, it's still one of

1:11:52.520 --> 1:11:56.719
<v Speaker 10>the greatest, Like you know, it's it's like it because

1:11:57.040 --> 1:11:59.679
<v Speaker 10>that back and forth we you didn't have that much

1:11:59.760 --> 1:12:02.120
<v Speaker 10>back and fourth flight right direct and have all the

1:12:02.240 --> 1:12:05.120
<v Speaker 10>artwork to go with it, and it was levels today

1:12:05.160 --> 1:12:06.200
<v Speaker 10>back we thought out.

1:12:06.160 --> 1:12:10.040
<v Speaker 9>Videos shots they were doing ten minutes later he dropped.

1:12:09.800 --> 1:12:11.479
<v Speaker 4>The joints stepping on each other's tracks.

1:12:11.960 --> 1:12:13.040
<v Speaker 6>That was definitely crazy.

1:12:13.040 --> 1:12:14.479
<v Speaker 4>And now we got the Super Bowl.

1:12:16.960 --> 1:12:21.840
<v Speaker 9>I mean, will anticipate on some hip hop like not

1:12:22.240 --> 1:12:25.840
<v Speaker 9>who's the best artist, but like who do you think

1:12:25.880 --> 1:12:29.080
<v Speaker 9>of the most Like who's some of the most dangerous rappers?

1:12:29.120 --> 1:12:31.200
<v Speaker 9>That because I heard Nas when he was saying like

1:12:31.560 --> 1:12:35.280
<v Speaker 9>he used to fear Big L, so like Big L

1:12:35.360 --> 1:12:37.800
<v Speaker 9>never really reached the level of success that people. You know,

1:12:37.960 --> 1:12:40.920
<v Speaker 9>he's not on nobody's like top five, but like as

1:12:40.960 --> 1:12:42.360
<v Speaker 9>far as the rappers, rapper.

1:12:42.160 --> 1:12:43.160
<v Speaker 6>He's highly respected.

1:12:43.520 --> 1:12:46.040
<v Speaker 9>So like, who's some of the people on your list

1:12:46.120 --> 1:12:49.920
<v Speaker 9>that like you just like you know that these dudes

1:12:50.000 --> 1:12:50.800
<v Speaker 9>is just different with the.

1:12:50.760 --> 1:13:01.720
<v Speaker 10>Pin Andre three thousand, Nas Kendrick of my old the

1:13:01.760 --> 1:13:04.800
<v Speaker 10>older guys I grew up with, like Big Daddy Cane

1:13:04.880 --> 1:13:10.639
<v Speaker 10>and carrous One rock him. Let me see who else

1:13:11.240 --> 1:13:14.639
<v Speaker 10>those I mean, those are some of the ones. Sahai,

1:13:15.520 --> 1:13:19.040
<v Speaker 10>the Prince, the Press, he he gets he one of

1:13:19.080 --> 1:13:22.280
<v Speaker 10>them guys. When you hear him dropping bars, You're like, Wow,

1:13:22.400 --> 1:13:25.920
<v Speaker 10>this dude can say some stuff. But as far as

1:13:26.640 --> 1:13:30.400
<v Speaker 10>the ones I just said, Kendrick and Andre three thousand

1:13:30.400 --> 1:13:32.800
<v Speaker 10>and two are like ones. When I hear I'll be like,

1:13:32.840 --> 1:13:37.400
<v Speaker 10>oh nas Nas for me is like that shot.

1:13:38.640 --> 1:13:40.719
<v Speaker 5>Who's we always do a Mount Rushmore of a city

1:13:41.120 --> 1:13:42.439
<v Speaker 5>shot towns Mount Rushmore.

1:13:43.000 --> 1:13:46.439
<v Speaker 10>Okay, if I'm gonna take myself now, you gotta be myself.

1:13:46.439 --> 1:13:48.360
<v Speaker 10>I'm putting you on it now. This is the other

1:13:48.400 --> 1:13:51.719
<v Speaker 10>slock put it in. Okay, so it's four people, it's

1:13:51.760 --> 1:13:59.479
<v Speaker 10>me Kanye. I'm gonna put Twister and probably Dirt Dirt.

1:13:59.520 --> 1:14:02.920
<v Speaker 9>I was gonna say, Dirk, Damn, they're gonna be like

1:14:02.920 --> 1:14:04.760
<v Speaker 9>what Sosa shout out.

1:14:04.680 --> 1:14:07.200
<v Speaker 6>To Sosa, Dirk's I think it has been more consistent,

1:14:07.560 --> 1:14:07.960
<v Speaker 6>has been.

1:14:07.920 --> 1:14:11.439
<v Speaker 5>Like revolutionized that at sixteen, like Sosa that sound comes

1:14:11.439 --> 1:14:12.160
<v Speaker 5>in after him.

1:14:12.320 --> 1:14:14.800
<v Speaker 6>He did, but then Dirk took that. He ran it.

1:14:14.840 --> 1:14:17.000
<v Speaker 6>He ran it. Yeah, he's carried it for almost ten

1:14:17.080 --> 1:14:17.519
<v Speaker 6>years now.

1:14:18.080 --> 1:14:21.519
<v Speaker 4>He been consistently. Now he's the guy we're not going to.

1:14:21.760 --> 1:14:24.639
<v Speaker 4>We're not going to. That's good, that's a good yeah.

1:14:24.840 --> 1:14:30.360
<v Speaker 4>I mean I know chances like we're about we about

1:14:30.360 --> 1:14:33.000
<v Speaker 4>to get a text message after this too.

1:14:33.080 --> 1:14:36.839
<v Speaker 5>But anyway, I gave my food and Liquor is another classic.

1:14:36.960 --> 1:14:39.200
<v Speaker 6>So what can people expect from this project with you

1:14:39.240 --> 1:14:43.719
<v Speaker 6>and Pete Rock? Is it? Is it nostalgic to the nineties?

1:14:43.960 --> 1:14:44.519
<v Speaker 6>Is it new?

1:14:44.880 --> 1:14:47.599
<v Speaker 9>Like what's the what can they expect to hear when

1:14:47.600 --> 1:14:48.879
<v Speaker 9>they when they when.

1:14:48.680 --> 1:14:49.160
<v Speaker 4>They get this.

1:14:49.280 --> 1:14:52.640
<v Speaker 10>I think I think it has both those things you

1:14:52.720 --> 1:14:56.479
<v Speaker 10>just mentioned, because it has the spirit of what we

1:14:56.640 --> 1:14:59.960
<v Speaker 10>love in the nineties, like just the spirit of the music.

1:15:00.320 --> 1:15:03.280
<v Speaker 10>But the sound is new, Like don't sound like okay,

1:15:03.640 --> 1:15:06.720
<v Speaker 10>all these drums is oh, like Pete could have made

1:15:06.760 --> 1:15:09.840
<v Speaker 10>the beats back in ninety In the nineties, it's got

1:15:10.320 --> 1:15:13.479
<v Speaker 10>the textures in the in the sound and equality and

1:15:13.640 --> 1:15:18.040
<v Speaker 10>approach that is present day. It don't sound like something

1:15:18.080 --> 1:15:20.960
<v Speaker 10>he's done or anything like I've done, and I'm rapping

1:15:23.000 --> 1:15:26.599
<v Speaker 10>about what a grown man would rap about right.

1:15:26.479 --> 1:15:28.680
<v Speaker 6>Now, Well that's thank you to thank you.

1:15:29.240 --> 1:15:31.200
<v Speaker 9>That's a good thing because that's one thing I liked

1:15:31.240 --> 1:15:35.639
<v Speaker 9>about NAS's journey is that he's like, life is Good

1:15:35.720 --> 1:15:37.479
<v Speaker 9>is one of my favorite albums. Like he's talking about

1:15:37.479 --> 1:15:40.360
<v Speaker 9>his divorce. It's things that you It's like saying jay

1:15:40.439 --> 1:15:43.040
<v Speaker 9>Z for for four. What I don't like is when

1:15:43.080 --> 1:15:49.120
<v Speaker 9>some of our hip hop artists they're still rapping about you.

1:15:49.120 --> 1:15:49.639
<v Speaker 6>Know what I'm saying.

1:15:49.720 --> 1:15:55.400
<v Speaker 9>It's like it's like it's like, yo, your grandfather's being

1:15:55.439 --> 1:15:59.479
<v Speaker 9>wealthy and longer than you've been. Just like that's what

1:15:59.520 --> 1:16:01.360
<v Speaker 9>I don't That's what I don't like to see is

1:16:01.439 --> 1:16:04.160
<v Speaker 9>like age appropriate rap.

1:16:04.200 --> 1:16:06.720
<v Speaker 5>I think is man, if we listen to you when

1:16:06.720 --> 1:16:09.759
<v Speaker 5>we were teenagers and now we're grown, you're grown too.

1:16:09.600 --> 1:16:12.080
<v Speaker 9>Because you got to you gotta you're grown too because

1:16:12.080 --> 1:16:15.639
<v Speaker 9>you have an audience that is listening for that reason.

1:16:15.840 --> 1:16:18.280
<v Speaker 9>Like if you forty or you fifty, you don't want

1:16:18.280 --> 1:16:20.439
<v Speaker 9>to listen to what a twenty year old is.

1:16:20.439 --> 1:16:22.719
<v Speaker 6>Like there's the twenty year olds make me for twenty.

1:16:22.560 --> 1:16:25.880
<v Speaker 10>Year old exactly exactly, and if some of those songs

1:16:26.320 --> 1:16:29.719
<v Speaker 10>end up like hitting it for twenty year old's song

1:16:29.920 --> 1:16:32.960
<v Speaker 10>end up hitting other age groups. That's great or you know,

1:16:33.240 --> 1:16:37.120
<v Speaker 10>but I don't. I don't believe. I don't believe. And

1:16:37.200 --> 1:16:39.479
<v Speaker 10>even when I made I used to love her. I

1:16:39.600 --> 1:16:42.679
<v Speaker 10>was talking about like just man, being authentic to who

1:16:42.720 --> 1:16:46.480
<v Speaker 10>you are and where you are, not chasing what everybody

1:16:46.520 --> 1:16:49.440
<v Speaker 10>else is doing. I think when you see older artists

1:16:49.760 --> 1:16:52.160
<v Speaker 10>trying to sound young or just getting all the young

1:16:52.280 --> 1:16:55.000
<v Speaker 10>artists so they could be cool, it just don't feel

1:16:55.800 --> 1:16:59.880
<v Speaker 10>it's good. You feel out so and I love that

1:17:00.040 --> 1:17:03.519
<v Speaker 10>it that man, we can't talk about like you said

1:17:03.600 --> 1:17:06.120
<v Speaker 10>nas on life is good, we talk about divorce or

1:17:06.640 --> 1:17:09.360
<v Speaker 10>you know, shoot, I mean you've heard artists talk about

1:17:09.439 --> 1:17:14.040
<v Speaker 10>therapy or like these are things that man, as we grow,

1:17:14.360 --> 1:17:17.439
<v Speaker 10>we talk about these things, and I think one thing

1:17:17.520 --> 1:17:18.160
<v Speaker 10>we forget.

1:17:18.560 --> 1:17:19.640
<v Speaker 4>You said it a little bit Jo.

1:17:19.760 --> 1:17:23.840
<v Speaker 10>It's like, man, we growing up, like the audience growing up,

1:17:23.880 --> 1:17:26.120
<v Speaker 10>so we don't want to hear you talk about something

1:17:26.120 --> 1:17:29.000
<v Speaker 10>we used to do when we was twenty year years old.

1:17:29.200 --> 1:17:32.240
<v Speaker 4>Either. We rather hear you talk about something grown and

1:17:32.360 --> 1:17:33.519
<v Speaker 4>just say it in the fresh way.

1:17:34.439 --> 1:17:36.240
<v Speaker 5>My kids are graduating from high school, like, y know,

1:17:36.280 --> 1:17:37.840
<v Speaker 5>these things are happening Bro, he's happening.

1:17:37.880 --> 1:17:39.800
<v Speaker 4>Bro, I'm buying a house right now. Man.

1:17:40.880 --> 1:17:45.240
<v Speaker 10>Man and people that's dope, Like Andre three thousand, like

1:17:45.760 --> 1:17:47.320
<v Speaker 10>he be making stuff sound good.

1:17:47.360 --> 1:17:49.360
<v Speaker 4>It could be. I remember he did a rap about

1:17:49.360 --> 1:17:52.800
<v Speaker 4>being in the line and whole Food that was fire am.

1:17:53.360 --> 1:17:54.720
<v Speaker 4>It's like brunch on Sundays.

1:17:55.120 --> 1:17:58.639
<v Speaker 5>We actually go to brunch on Sundays, Thanks NASA exactly.

1:17:58.720 --> 1:17:59.040
<v Speaker 4>That's it.

1:17:59.400 --> 1:18:01.599
<v Speaker 10>So I love that approach and that's what this album.

1:18:01.840 --> 1:18:04.679
<v Speaker 10>This album is. When I when I I had quest

1:18:04.760 --> 1:18:07.400
<v Speaker 10>love from the from the Root sequence, the album the

1:18:07.439 --> 1:18:09.680
<v Speaker 10>Pete Rock and Our album, and when he heard it,

1:18:09.760 --> 1:18:12.360
<v Speaker 10>he was like At first, he was like, man, it's

1:18:12.360 --> 1:18:13.439
<v Speaker 10>one of your best albums.

1:18:13.479 --> 1:18:14.320
<v Speaker 4>Man, it's in your time.

1:18:14.400 --> 1:18:16.759
<v Speaker 10>I was like really, and he's like yeah, and he said,

1:18:17.160 --> 1:18:20.559
<v Speaker 10>this is what the album should be from somebody that's

1:18:20.680 --> 1:18:22.679
<v Speaker 10>adult in hip hop.

1:18:22.720 --> 1:18:24.600
<v Speaker 4>This is what it's just say, adult contemporary.

1:18:24.760 --> 1:18:28.800
<v Speaker 10>Yeah, yeah, tradition. Somebody's asking me how I should it be?

1:18:28.880 --> 1:18:31.759
<v Speaker 10>Category rise, Like, what do you think is a good category?

1:18:31.840 --> 1:18:35.560
<v Speaker 10>I'm like, hip hop? This adult contemporary hip hop, traditional

1:18:35.640 --> 1:18:36.080
<v Speaker 10>hip hop.

1:18:36.120 --> 1:18:40.160
<v Speaker 5>But yeah, when you was twenty, you rapped like you

1:18:40.200 --> 1:18:40.599
<v Speaker 5>was twenty.

1:18:40.840 --> 1:18:44.720
<v Speaker 4>Yeah your fifth rap like that? Bro? Yeah, shout out

1:18:44.720 --> 1:18:45.679
<v Speaker 4>to you. Thank you.

1:18:45.800 --> 1:18:47.400
<v Speaker 6>Yeah, well I appreciate it.

1:18:47.400 --> 1:18:49.080
<v Speaker 4>I appreciate you, my guy, thank you.

1:18:49.240 --> 1:18:51.160
<v Speaker 5>I'm glad I got to tell you in person how

1:18:51.200 --> 1:18:52.920
<v Speaker 5>much I love being That meant a lot.

1:18:53.520 --> 1:18:56.120
<v Speaker 4>Twenty years next year, Yeah, can we get one show

1:18:56.439 --> 1:18:57.000
<v Speaker 4>just the album?

1:18:57.200 --> 1:18:58.479
<v Speaker 6>Yeah, I was going to ask you are you going?

1:18:58.560 --> 1:18:59.200
<v Speaker 6>Are you going on tour?

1:18:59.560 --> 1:19:03.320
<v Speaker 4>Yeah, definitely, gonna have to do a be like twenty year.

1:19:04.840 --> 1:19:06.400
<v Speaker 5>I'm just telling you that I might be at multiple

1:19:06.400 --> 1:19:09.240
<v Speaker 5>shows and if you need me to do a few verses,

1:19:09.640 --> 1:19:12.680
<v Speaker 5>you ready, you know, like verbatim?

1:19:12.800 --> 1:19:13.840
<v Speaker 4>You ready? Okay straight?

1:19:13.960 --> 1:19:15.360
<v Speaker 6>Are you gonna hit the road for the new album?

1:19:15.520 --> 1:19:15.640
<v Speaker 4>Oh?

1:19:15.680 --> 1:19:18.560
<v Speaker 10>Yeah, We we're on tour right now. Actually be the

1:19:18.600 --> 1:19:22.000
<v Speaker 10>auditory in Volume one tour we're doing we now we

1:19:22.200 --> 1:19:24.800
<v Speaker 10>ending it off in New York. Got some shows at

1:19:24.800 --> 1:19:27.000
<v Speaker 10>the Blue Note that sold out, but now we're doing

1:19:27.000 --> 1:19:31.479
<v Speaker 10>Webster Hall. It's just dope. So man, I'm excited that

1:19:31.479 --> 1:19:34.040
<v Speaker 10>the tour has been amazing. I can't wait. I can't wait.

1:19:34.240 --> 1:19:34.639
<v Speaker 6>Thank you.

1:19:34.760 --> 1:19:37.000
<v Speaker 9>Like Troy said, man, somebody that we listened to for

1:19:37.000 --> 1:19:40.920
<v Speaker 9>a long time and never compromised the art.

1:19:41.200 --> 1:19:42.439
<v Speaker 6>That's that's important.

1:19:42.520 --> 1:19:45.479
<v Speaker 9>So I think that that's that's something that you know

1:19:45.560 --> 1:19:51.200
<v Speaker 9>the legacy is gonna live forever and definitely classic timeless music.

1:19:51.280 --> 1:19:53.520
<v Speaker 9>So thanks for all of the inspiration.

1:19:54.120 --> 1:19:56.760
<v Speaker 4>Thanks y'all. Thanks, it's been great to be here. It's

1:19:56.800 --> 1:19:57.400
<v Speaker 4>beautiful man.

1:19:57.400 --> 1:20:00.559
<v Speaker 9>Thank you all right, guys, thank you for Rocke next week,

1:20:01.000 --> 1:20:01.840
<v Speaker 9>who is an.

1:20:01.760 --> 1:20:06.280
<v Speaker 1>Illegal alien from Guatemala charged with raping a child in Massachusetts.

1:20:06.600 --> 1:20:09.960
<v Speaker 1>An MS thirteen gang member from Al Salvador accused of

1:20:10.080 --> 1:20:14.080
<v Speaker 1>murdering a Texas man of Venezuelan charged with filming and

1:20:14.200 --> 1:20:18.000
<v Speaker 1>selling child pornography in Michigan. These are just some of

1:20:18.080 --> 1:20:21.760
<v Speaker 1>the heinous migrant criminals caught because of President Donald J.

1:20:21.840 --> 1:20:22.800
<v Speaker 2>Trump's leadership.

1:20:23.080 --> 1:20:26.680
<v Speaker 1>I'm Christy nom the United States Secretary of Homeland Security.

1:20:27.040 --> 1:20:30.800
<v Speaker 1>Under President Trump, attempted illegal border crossings are at the

1:20:30.840 --> 1:20:35.600
<v Speaker 1>lowest levels ever recorded, and over one hundred thousand illegal aliens.

1:20:35.160 --> 1:20:36.000
<v Speaker 2>Have been arrested.

1:20:36.280 --> 1:20:39.840
<v Speaker 1>If you are here illegally, your next you will be

1:20:39.880 --> 1:20:43.760
<v Speaker 1>fined nearly one thousand dollars a day, imprisoned, and deported.

1:20:44.200 --> 1:20:45.400
<v Speaker 2>You will never return.

1:20:45.720 --> 1:20:48.720
<v Speaker 1>But if you register using our CBP home app and

1:20:48.840 --> 1:20:51.719
<v Speaker 1>leave now, you could be allowed to return legally.

1:20:52.080 --> 1:20:54.280
<v Speaker 2>Do what's right. Leave now.

1:20:54.640 --> 1:20:58.800
<v Speaker 1>Under President Trump America's laws, border and families will

1:20:58.800 --> 1:21:01.639
<v Speaker 3>Be Protected, sponsored the United States Department of Homeland Security,