WEBVTT - Light as a Feather, Stiff as a Board

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert lamp and I'm Julie Douglas. In

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<v Speaker 1>today's episode, we would like you to take you to

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<v Speaker 1>a slumber party. All right, So go back to your roots,

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<v Speaker 1>go back to your your childhood memories if you have them,

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<v Speaker 1>of a slumber party, you know, dressing your long pajamas,

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<v Speaker 1>huddle around the floor and and start thinking long and

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<v Speaker 1>hard about the occult in the supernatural world and who

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<v Speaker 1>you are going to pick to put their hand in

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<v Speaker 1>a bowl of water when they fall asleep. Oh yeah, yeah,

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<v Speaker 1>that old trick. I have heard that one. Or there's

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<v Speaker 1>the putting the food cream in the hand or the

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<v Speaker 1>shaving cream in the hand, and then tickle the nose

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<v Speaker 1>and then and then want wont even cream on the head?

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<v Speaker 1>The the amusing thing. When we were talking about this

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<v Speaker 1>episode and getting things together for you have some legitimate

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<v Speaker 1>slumber party memories and some anecdotes about horsing grounds with

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<v Speaker 1>a lot of this stuff. But I don't think I

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<v Speaker 1>ever did any of this stuff. I can only think

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<v Speaker 1>of a like a few like a handful of slumber

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<v Speaker 1>party type things that I went to. And I don't

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<v Speaker 1>even think we call it. You call them slumber parties

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<v Speaker 1>necessarily if it's little boys, I feel like they were

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<v Speaker 1>just like sleepovers or something. And and I think we

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<v Speaker 1>just basically played a lot of video games. And I

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<v Speaker 1>remember once, uh, the kid whose house it was, he

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<v Speaker 1>was grounded because he ran through the house naked, and

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<v Speaker 1>like that was the extent of the excitement. All right, Well,

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<v Speaker 1>I don't want to get off on a tangent already

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<v Speaker 1>before we've started the podcast, because obviously we're gonna cover

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<v Speaker 1>some of these slumber party hijinks of our youth and

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<v Speaker 1>talk about the science behind them of what seemed like

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<v Speaker 1>it could be possible or not possible. But I wanted

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<v Speaker 1>to point that out, the gender difference. I wonder if

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<v Speaker 1>the obsession with the occult has something to do with UM. Well,

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<v Speaker 1>not I'm not saying all kids girls are witches the

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<v Speaker 1>inherent evil of of the male set exactly, That's what

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<v Speaker 1>I meant to say. But I wonder if that has

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<v Speaker 1>some sort of root in um interest in this, because

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<v Speaker 1>there was a sort of, if you look at it,

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<v Speaker 1>at least historically, a power in invocating things and looking

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<v Speaker 1>towards the dark arts well for power as opposed to

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<v Speaker 1>actually having a lot of power in your life, and

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<v Speaker 1>I'm thinking's sixteen hundred years. Yeah. Well, one thing that

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<v Speaker 1>definitely comes to mind is that a lot of these

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<v Speaker 1>games kind of remind us of ice breakers, and they

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<v Speaker 1>are they're they're forcing people to interact with each other.

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<v Speaker 1>It's more of a communal, open experience, and by and large,

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<v Speaker 1>it seems like females are often more inclined to that

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<v Speaker 1>than the males when they're in their individual groups. For instance,

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<v Speaker 1>when I think of j Ju Saana, which is here

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<v Speaker 1>in Atlanta, this koree in Sanna that a lot of

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<v Speaker 1>people go to, and it's really cool, but they divide

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<v Speaker 1>you into into sexes for part of it. There's the

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<v Speaker 1>men sauna and the women sauna, and so I only

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<v Speaker 1>know what goes on in the men sana obviously, so

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<v Speaker 1>I'll my wife it's like, well, what's it like in

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<v Speaker 1>the in the women's son and it's like, well, there's

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<v Speaker 1>a lot of talking. There's a lot of women within

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<v Speaker 1>their own group talking without each other, and then you

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<v Speaker 1>may meet other women that are in the that side

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<v Speaker 1>of the sauna, whereas on the men's side, it's completely different.

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<v Speaker 1>It's just like a bunch of naked dudes staring at

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<v Speaker 1>the at the tiles. You know, there's not really any

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<v Speaker 1>talking going on. And granted that's a little different than

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<v Speaker 1>a childhood slumber party. But but but I can see where.

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<v Speaker 1>I mean, guys are just gonna they're not gonna be

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<v Speaker 1>as as open to say, doing light as a finger.

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<v Speaker 1>Stiff as a board. Well, I don't know. I think

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<v Speaker 1>that next time you go that you should bring Auji

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<v Speaker 1>board in with you to the sauna and see if

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<v Speaker 1>you can strike up some conversations. Yeah, yeah, maybe so,

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<v Speaker 1>maybe so. Yeah. Alright, so you have mentioned, uh, let

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<v Speaker 1>his feather stiff as board, which is something known as

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<v Speaker 1>party levitation. Yes, this was apparently made famous by the

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<v Speaker 1>film The Craft, which I think I saw, but I

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<v Speaker 1>only remember that actress Faruza Bach was in it and

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<v Speaker 1>she's all Gothian. You know that. That's my full experience

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<v Speaker 1>with that film. Well, here's a setup. Okay, you've got

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<v Speaker 1>your sleepover, and this is a a sleepover staple, by

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<v Speaker 1>the way, party levitation. So imagine four nine pound girls

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<v Speaker 1>who are all arranged around their friend and she's laying

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<v Speaker 1>on her back on the floor, okay, And they all

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<v Speaker 1>get just one finger, each finger from each chant under her.

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<v Speaker 1>And then they are going to lift up this nine

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<v Speaker 1>pound girl just using their index fingers. So inevit believe

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<v Speaker 1>they try. They're like, all right, let's lift her using

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<v Speaker 1>our fingers. And nothing happens. Right, It's just a bunch

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<v Speaker 1>of people lifting up on their fingers, tickling the person

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<v Speaker 1>a little bit, and it's it's hilarious, but nothing happens. Yeah,

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<v Speaker 1>and then someone says, hey, let's let's hearken back to

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<v Speaker 1>our Wiccan ancestors and and uh repeat a chant that

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<v Speaker 1>may give us the power, supernatural power, supernatural strength to

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<v Speaker 1>lift her. And so they chant four times, as though

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<v Speaker 1>they are now a coven of witches casting their spell.

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<v Speaker 1>And they chant light as a feather stiff as a board.

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<v Speaker 1>Light is a feather stiff as a board, Light as

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<v Speaker 1>a feather stiff as a board. And on the fourth one,

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<v Speaker 1>miraculously they levitate their friend. Well, they don't quite levitate her,

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<v Speaker 1>but they lily in the proper environment, with the proper expectations,

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<v Speaker 1>can certainly seem like an amazing levitation experience. And that's

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<v Speaker 1>the one of the key things to realize here. First

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<v Speaker 1>of all, visualized experience. Never we've touched on this before,

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<v Speaker 1>but never discount the power of a little ritual and

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<v Speaker 1>a thing because it can It changes your perception about

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<v Speaker 1>what is happening, in your expectations about what will happen. Likewise,

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<v Speaker 1>concerted effort light is a finger stiff in the board

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<v Speaker 1>is kind of a on account of three type of deal.

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<v Speaker 1>On account of three, we're all going to do this

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<v Speaker 1>at once, as opposed to girls randomly moving their fingers

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<v Speaker 1>up and down and not picking someone up off the

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<v Speaker 1>off the floor. Yeah, you're right, you're synchronizing with that,

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<v Speaker 1>which is really important. We've talked about that too in

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<v Speaker 1>terms of a sort of ritual that you do as

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<v Speaker 1>a group, because you're also synchronizing the neurons that are

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<v Speaker 1>firing in your brain. Yeah, whether you're getting geared up

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<v Speaker 1>to run through a run, to walk across some hot coals,

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<v Speaker 1>or you're in church singing hymn. Yeah. And Dr Carl

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<v Speaker 1>krislin Nikki of Australia's ABC Science has said that that's

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<v Speaker 1>really important, this this chanting, this ritualized portion of it

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<v Speaker 1>and sinking up. But not only that, as you say,

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<v Speaker 1>the memory of it, because he's saying that if you

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<v Speaker 1>look at any clip on YouTube, you will see that

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<v Speaker 1>what is happening is that um, once they sink up

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<v Speaker 1>and once they do the chanting, that yes and d

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<v Speaker 1>they do lift their friend, but it's really only a

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<v Speaker 1>couple of inches. And the friends about the fall and

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<v Speaker 1>it's not quite the success that they think it is

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<v Speaker 1>in their minds when when they're talking about it in

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<v Speaker 1>the clips, they're like, whoa, we actually really lifted for

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<v Speaker 1>a very high. Yeah, but you're ten years old, you're

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<v Speaker 1>full of sugar, it's late at night. The perception is

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<v Speaker 1>gonna be a little different, right, And I have to

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<v Speaker 1>say to you that when I did it and sleepover

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<v Speaker 1>before that, when I take out that memory and I

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<v Speaker 1>examine it, I did think that, you know, I was

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<v Speaker 1>really lifting my friend very high. Were you yourself levitated

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<v Speaker 1>or were you one of the levitator? I was one

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<v Speaker 1>of the levitators because I really, like, you know, I

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<v Speaker 1>was obsessed with the occult at that age, by the way,

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<v Speaker 1>and not just the occult, like I would spend my

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<v Speaker 1>weekends trying to hypnotize myself and I had books on it,

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<v Speaker 1>and so these we were huge mysteries to me, and

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<v Speaker 1>I put a lot of effort into it. So if

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<v Speaker 1>someone was gonna be you know, levitated, I was going

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<v Speaker 1>to be in that group to help them with the power.

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<v Speaker 1>We'll see, and this is we'll discuss this a little

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<v Speaker 1>more in a minute, but I feel like I was.

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<v Speaker 1>I was always fascinated with the occult as well, um,

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<v Speaker 1>you know, and I would buy like I had a

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<v Speaker 1>copy of that the fake Necronomicon. I had a copy

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<v Speaker 1>of the the Satanic Bible. I mean, you know, in

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<v Speaker 1>anything like that. That was just kind of you know, who,

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<v Speaker 1>this is spooky and kind of you know, like I

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<v Speaker 1>would get into it. But then I was always reluctant

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<v Speaker 1>to cross a certain line. I was maybe not terrified,

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<v Speaker 1>but I was reluctant to cross that line where something

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<v Speaker 1>might actually happen. See, I would have gone like Willow

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<v Speaker 1>Evil Willow instantly. I was a big participant in that. Um.

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<v Speaker 1>I want to also mentioned that doctor chrisal Nikki talks

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<v Speaker 1>about the third and last factor being the strength in

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<v Speaker 1>our fingers and that we just underestimate them. Yeah, I

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<v Speaker 1>mean it looks like nothing. And certainly if you haven't

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<v Speaker 1>had the broken finger, you've seen someone who has and

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<v Speaker 1>you get that in your mind instantly. I mean, you're

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<v Speaker 1>there are so many opportunities to to damage your digits

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<v Speaker 1>in the course of the day, so you're you're very

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<v Speaker 1>conscious of that. But in reality, they're they're pretty rugged

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<v Speaker 1>and there they can hold a lot of strength. I mean,

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<v Speaker 1>there are examples of famous strong men who were able

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<v Speaker 1>to do some amazing feats with just a finger or two. Uh.

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<v Speaker 1>There was a Louis Sear, the old time French Canadian strongman,

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<v Speaker 1>who could allegedly lift five hundred and fifty three pounds

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<v Speaker 1>with a single finger. He'd uses his right middle, by

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<v Speaker 1>the way, and um. Then there was an American strongman

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<v Speaker 1>by the name of Warren Lincoln Travis and uh he

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<v Speaker 1>allegedly lifted five hundred sixty pounds on its fiftieth birthday

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<v Speaker 1>with a single finger. I'm not sure which one it was.

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<v Speaker 1>I love to imagine that both of them had magnificently

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<v Speaker 1>curled mustaches. Yes, when I was recently I started looking

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<v Speaker 1>through some of these pictures of these guys, and you know,

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<v Speaker 1>there's a lot of cool facial hair, a lot of

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<v Speaker 1>those old timey what do you call it, like a

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<v Speaker 1>wrestler wears single. It sounds right, sounds Occasionally old timey

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<v Speaker 1>nude photo would pop up every I think it was

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<v Speaker 1>maybe Louis here, the French Canadian guy. I was like, oh,

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<v Speaker 1>that's a little much Louie. Thanks Loe, But yeah, go

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<v Speaker 1>look some of those little guys up if you get

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<v Speaker 1>a chance. It's it's pretty amusing. But I think the

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<v Speaker 1>really cool things that are going on here is again memory,

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<v Speaker 1>which we've talked about it. We've talked about this. There's

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<v Speaker 1>reserve of strength in our bodies. Yes, that we can

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<v Speaker 1>you know, hit the potential sometimes and not even realize

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<v Speaker 1>and not realizing thinking we're more fragile than we are,

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<v Speaker 1>which is something we saw with with walking on hot coals.

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<v Speaker 1>We talked about you see the coals, you see fire,

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<v Speaker 1>You think, no way am I gonna walk on that.

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<v Speaker 1>If I walk on that, I'm going to burn. But

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<v Speaker 1>as we discussed in that episode, if things are under

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<v Speaker 1>the right conditions, it's very doable. And this is something

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<v Speaker 1>that's very doable, and you've got the group psychology element

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<v Speaker 1>to it as well. Um. Another good staple of a

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<v Speaker 1>slumber party is of course the wegi board. Yes, with

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<v Speaker 1>one of the most mysterious spellings of of of all time.

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<v Speaker 1>Of course, that is O, U, I J A. I

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<v Speaker 1>think there's only a handful of people on earth who

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<v Speaker 1>remember that in any given moment um. Anytime I search

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<v Speaker 1>for it, I'm like typing in all sorts of weird

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<v Speaker 1>combinations of letters. But this is, of course, a board

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<v Speaker 1>looks more or less like a like a board game board. Right. Uh,

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<v Speaker 1>you unfolded and you have has a number of letters

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<v Speaker 1>spread out across it, and some numbers and a yes

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<v Speaker 1>and a no, and maybe and U. It actually was

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<v Speaker 1>a board game that came into vogue around ninety at

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<v Speaker 1>least in the United's dates. And it was a parlor

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<v Speaker 1>game and it was sold in novelty shops. Yeah, and

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<v Speaker 1>there are other models of it that existed before it

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<v Speaker 1>actually became the Luigi board. That goes back to mid

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<v Speaker 1>nineteenth century talking boards. The kind of use the same

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<v Speaker 1>principle those were using. Now to make this work, you

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<v Speaker 1>need a little device. It kind of looks like a

0:11:20.960 --> 0:11:25.000
<v Speaker 1>computer mouse. Uh. This is called a plane jet. It

0:11:25.120 --> 0:11:28.000
<v Speaker 1>is a three legged little object with a hole in

0:11:28.040 --> 0:11:30.800
<v Speaker 1>the middle or a pointer. Now on some of these older,

0:11:31.600 --> 0:11:33.800
<v Speaker 1>the older traditions who would also put a pencil there

0:11:34.320 --> 0:11:37.319
<v Speaker 1>and everyone would put their fingers or one person who

0:11:37.360 --> 0:11:39.160
<v Speaker 1>is in charge of the seance would put their fingers

0:11:39.200 --> 0:11:41.520
<v Speaker 1>on it, and then the spirit would guide the pencil

0:11:41.600 --> 0:11:45.200
<v Speaker 1>to draw out each individual letter. But the thing is

0:11:45.240 --> 0:11:48.920
<v Speaker 1>that takes forever, so the talking board comes apart because

0:11:48.920 --> 0:11:51.120
<v Speaker 1>someone eventually loses their cool in the seance. The like,

0:11:51.160 --> 0:11:52.880
<v Speaker 1>just write some letters on a board. What are you

0:11:52.920 --> 0:11:56.319
<v Speaker 1>trying to say? Already? I know the time is limitless

0:11:56.360 --> 0:11:58.280
<v Speaker 1>in the spirit world, but we have places to be,

0:11:58.440 --> 0:12:00.320
<v Speaker 1>So just get some letters on a board and let's

0:12:00.400 --> 0:12:02.079
<v Speaker 1>roll with this thing. I'm getting charged by the minute.

0:12:02.200 --> 0:12:04.800
<v Speaker 1>Most of everyone out there. Imagine a Sinawegi board and

0:12:04.840 --> 0:12:06.720
<v Speaker 1>this is what happens. You have a number of people

0:12:06.720 --> 0:12:09.280
<v Speaker 1>gather around this board. Everyone puts their fingers on the

0:12:09.280 --> 0:12:13.120
<v Speaker 1>plane schet and then you speak to the spirit world.

0:12:13.120 --> 0:12:18.760
<v Speaker 1>You're like, oh, spirits of old, tell me what's the

0:12:18.840 --> 0:12:21.880
<v Speaker 1>name of my future boyfriend? That kind of thing. You know,

0:12:22.040 --> 0:12:24.160
<v Speaker 1>whatever your your questions are, you can ask the spirit

0:12:24.240 --> 0:12:26.800
<v Speaker 1>of anything. Every anything is fair game. And where is

0:12:26.840 --> 0:12:30.120
<v Speaker 1>my pony? Where is my pony? And then it will

0:12:30.160 --> 0:12:33.280
<v Speaker 1>begin to move. Nobody's touching it. Everyone's like, are you

0:12:33.280 --> 0:12:35.120
<v Speaker 1>touching it. No, I'm not. I mean everyone's touching it,

0:12:35.160 --> 0:12:37.440
<v Speaker 1>but no one's supposed to be moving it. And everyone

0:12:37.440 --> 0:12:39.440
<v Speaker 1>starts accusing everyone else. Are you moving at? No, I'm

0:12:39.480 --> 0:12:41.360
<v Speaker 1>not moving at Oh, my goodness is moving on its own.

0:12:41.800 --> 0:12:44.640
<v Speaker 1>Spirit is moving it. And then the the pointer will

0:12:44.679 --> 0:12:47.200
<v Speaker 1>move from one letter to another, or from a yes

0:12:47.240 --> 0:12:49.120
<v Speaker 1>two or to a yes or no, depending on what

0:12:49.200 --> 0:12:51.160
<v Speaker 1>kind of question you asked. And it really does when

0:12:51.200 --> 0:12:53.760
<v Speaker 1>you're at that age I think too, or even when

0:12:53.760 --> 0:12:58.440
<v Speaker 1>you're older, and perhaps there's other substances involved. Um, you

0:12:58.600 --> 0:13:02.160
<v Speaker 1>do really sort of feel like it is moving, and

0:13:02.480 --> 0:13:05.720
<v Speaker 1>so of course that's the parlor game trick to it all. Um,

0:13:05.760 --> 0:13:09.480
<v Speaker 1>what is actually going on is something called the idiometer effect.

0:13:10.160 --> 0:13:14.440
<v Speaker 1>And these are small muscle movements that we generate unconsciously. Yeah.

0:13:14.440 --> 0:13:17.199
<v Speaker 1>The term was coined by William B. Carpenter in eighteen

0:13:17.280 --> 0:13:22.920
<v Speaker 1>fifty two, and he was explaining another pseudo of scientific

0:13:23.000 --> 0:13:26.360
<v Speaker 1>slash occultist thing, which is the movement of rods and

0:13:26.360 --> 0:13:29.720
<v Speaker 1>pendulums by dowsers, dowsing rods of which you used to

0:13:29.720 --> 0:13:32.320
<v Speaker 1>find water and the like. And so he looked at

0:13:32.360 --> 0:13:33.880
<v Speaker 1>this and he realized, all right, well, these people are

0:13:33.880 --> 0:13:36.840
<v Speaker 1>observing some sort of phenomenon. Uh, something's going on, but

0:13:36.880 --> 0:13:41.080
<v Speaker 1>it's not discovering where water is by using a stick. Well,

0:13:41.120 --> 0:13:44.160
<v Speaker 1>there is a new scientists article called wig Board Help

0:13:44.200 --> 0:13:48.360
<v Speaker 1>Scientists Probe this subconscious And in it they are talking

0:13:48.400 --> 0:13:52.559
<v Speaker 1>to psychologists Helene Gushu and she says that this idiomotor

0:13:52.640 --> 0:13:56.040
<v Speaker 1>action is present in our day all the time, we

0:13:56.120 --> 0:13:57.760
<v Speaker 1>just don't realize it. Yes, it's just a part of

0:13:57.800 --> 0:14:01.040
<v Speaker 1>everyday life. But this is an experiment focuses in on

0:14:01.360 --> 0:14:04.000
<v Speaker 1>something that we don't usually look at and then applies

0:14:04.320 --> 0:14:07.600
<v Speaker 1>a level of ritual and expectation to it. Yeah, and

0:14:07.600 --> 0:14:10.120
<v Speaker 1>she says, like, take driving your car along a familiar

0:14:10.200 --> 0:14:13.800
<v Speaker 1>route that you do every morning, and then you arrive,

0:14:13.920 --> 0:14:16.200
<v Speaker 1>you park your car, and you have this feeling like

0:14:16.320 --> 0:14:18.040
<v Speaker 1>how did I get here? Have you ever done that?

0:14:18.760 --> 0:14:20.960
<v Speaker 1>And she says that this inner zombie is part of

0:14:21.000 --> 0:14:25.600
<v Speaker 1>this whole idiometer effect, that we're doing all of this subconsciously,

0:14:25.640 --> 0:14:27.960
<v Speaker 1>you're not even really realizing it. And so what she

0:14:28.040 --> 0:14:31.160
<v Speaker 1>did is she wanted to test this idea and she

0:14:31.280 --> 0:14:35.280
<v Speaker 1>had her team and work with one person with her

0:14:35.320 --> 0:14:38.160
<v Speaker 1>finger on a plan chet at a time. Okay, So

0:14:39.240 --> 0:14:43.480
<v Speaker 1>she realized though that the idiometer effect is really maximized

0:14:43.480 --> 0:14:46.040
<v Speaker 1>with Weiji board if you believe you are not responsible

0:14:46.080 --> 0:14:49.200
<v Speaker 1>for any movements. And this is brilliant what she does here. Yeah,

0:14:49.200 --> 0:14:51.040
<v Speaker 1>so she so what she does, she says, okay, well,

0:14:51.040 --> 0:14:52.680
<v Speaker 1>now this person needs to feel like they're in a

0:14:52.720 --> 0:14:56.000
<v Speaker 1>group situation or with another person. And so what she

0:14:56.080 --> 0:14:57.960
<v Speaker 1>did is she she told them they would be using

0:14:57.960 --> 0:15:00.680
<v Speaker 1>the board with a partner, and then the subject was

0:15:00.760 --> 0:15:03.480
<v Speaker 1>then blindfolded and then what they didn't know is that

0:15:03.520 --> 0:15:06.520
<v Speaker 1>they're so called partner removed their hands from the planchet

0:15:06.520 --> 0:15:09.280
<v Speaker 1>when the experiment began, so they think other people are

0:15:09.320 --> 0:15:11.480
<v Speaker 1>touching it, but they're not really, they're really going solo

0:15:11.600 --> 0:15:14.120
<v Speaker 1>with these answers yes. And she said the technique worked

0:15:14.120 --> 0:15:16.640
<v Speaker 1>at least was something like twenty one out of twenty

0:15:16.640 --> 0:15:20.920
<v Speaker 1>seven times with the volunteers tested. And she said the plant,

0:15:21.000 --> 0:15:23.440
<v Speaker 1>the planchett does not move randomly around the board and

0:15:23.560 --> 0:15:26.000
<v Speaker 1>moves to yes or no for these twenty one out

0:15:26.000 --> 0:15:30.000
<v Speaker 1>of seven, and it moves seems to move almost magically

0:15:30.040 --> 0:15:32.440
<v Speaker 1>to them, and none of them felt responsible for the movement,

0:15:32.480 --> 0:15:35.000
<v Speaker 1>even though of course they were doing it. And in fact,

0:15:35.040 --> 0:15:37.840
<v Speaker 1>some subjects suspected that their partner was really an actor

0:15:37.880 --> 0:15:40.480
<v Speaker 1>that they thought the actor was deliberately moving the planchet,

0:15:40.880 --> 0:15:43.040
<v Speaker 1>and they never suspected that they themselves were the ones

0:15:43.080 --> 0:15:45.760
<v Speaker 1>that were doing it. It's also important to know that

0:15:45.840 --> 0:15:49.320
<v Speaker 1>in experiments, if you turn the board upside down after

0:15:49.360 --> 0:15:52.520
<v Speaker 1>the individual was blindfolded or the individuals are blindfolded, the

0:15:52.680 --> 0:15:57.040
<v Speaker 1>spirit will not adjust to the new positioning of the board,

0:15:58.040 --> 0:16:01.160
<v Speaker 1>which seems really inflexible in case anyone who was out

0:16:01.200 --> 0:16:03.720
<v Speaker 1>there was like, was still on the fence about whether

0:16:03.800 --> 0:16:06.160
<v Speaker 1>or not this was a ghost talking. But the amazing

0:16:06.200 --> 0:16:09.280
<v Speaker 1>thing about all of this is that, and I think

0:16:09.280 --> 0:16:11.120
<v Speaker 1>it's the case with all the things that we're talking

0:16:11.120 --> 0:16:13.440
<v Speaker 1>about in this particular episode, is that on one level,

0:16:13.480 --> 0:16:17.560
<v Speaker 1>there's that childhood fantasy, occultist level of intrigue about it,

0:16:17.600 --> 0:16:20.120
<v Speaker 1>like something amazing is happening here. Well, then when you

0:16:20.120 --> 0:16:22.240
<v Speaker 1>look behind the scenes and you look at the actual science,

0:16:22.600 --> 0:16:26.680
<v Speaker 1>there's still something amazing happening here. At risk of overstating

0:16:26.680 --> 0:16:29.320
<v Speaker 1>it a little bit, you're not getting in touch with

0:16:29.520 --> 0:16:33.840
<v Speaker 1>an unknowable spirit from from beyond our perception. You're getting

0:16:33.840 --> 0:16:36.600
<v Speaker 1>in touch with the subconscious, which is kind of an

0:16:36.680 --> 0:16:41.000
<v Speaker 1>unknowable spirit from beyond our perception. To quote Sigmund Freud,

0:16:41.680 --> 0:16:44.680
<v Speaker 1>the conscious mind may be compared to a fountain playing

0:16:44.720 --> 0:16:48.040
<v Speaker 1>in the sun and falling back into the great subterranean

0:16:48.080 --> 0:16:53.080
<v Speaker 1>pool of subconsciousness from which it rises. So in that deep, black,

0:16:53.160 --> 0:16:57.600
<v Speaker 1>murky ocean of the the underbraining sea, with the luigiboard,

0:16:57.640 --> 0:16:59.920
<v Speaker 1>we're kind of getting in touch with the monsters that

0:17:00.080 --> 0:17:03.360
<v Speaker 1>lived there. So what I want to know is is, uh,

0:17:03.800 --> 0:17:06.360
<v Speaker 1>do you think psychologists will begin using the Wegi board

0:17:06.359 --> 0:17:09.600
<v Speaker 1>in their sessions? Oh, I don't know. It might have

0:17:09.640 --> 0:17:12.159
<v Speaker 1>a certain stigma to it. It might, but I do

0:17:12.200 --> 0:17:14.240
<v Speaker 1>think it's interesting because it is unearthing some things. And

0:17:14.240 --> 0:17:16.359
<v Speaker 1>I was thinking about my own experience as a child

0:17:16.520 --> 0:17:19.480
<v Speaker 1>with weg board, and I remember that we were talking

0:17:19.480 --> 0:17:24.159
<v Speaker 1>to a spirit named Seth through doesn't that sound like

0:17:25.840 --> 0:17:29.399
<v Speaker 1>you know Seth? And someone said what does Julie dream about?

0:17:29.440 --> 0:17:32.240
<v Speaker 1>And then it went to or it spelled out A

0:17:32.440 --> 0:17:36.520
<v Speaker 1>bombs which was something and that I used to dream

0:17:36.520 --> 0:17:39.040
<v Speaker 1>about this a nightmare that had a reoccurring nightmare about

0:17:39.080 --> 0:17:42.480
<v Speaker 1>Adam bombs. So you know, obviously I was moving it,

0:17:42.560 --> 0:17:46.120
<v Speaker 1>but I didn't know consciously that I was spelling out

0:17:46.119 --> 0:17:50.000
<v Speaker 1>A bombs that it really bothered me that much. That's

0:17:50.000 --> 0:17:53.000
<v Speaker 1>pretty cool. I I myself have I don't think I've

0:17:53.040 --> 0:17:55.760
<v Speaker 1>ever used to wegi board. Maybe in the week ahead

0:17:55.760 --> 0:17:58.640
<v Speaker 1>we will correct this and we'll videotape it and put

0:17:58.680 --> 0:18:01.760
<v Speaker 1>it on the web side. We'll see. But yeah, I

0:18:02.000 --> 0:18:04.960
<v Speaker 1>never used one. My mom had one and was apparently

0:18:04.960 --> 0:18:07.879
<v Speaker 1>a fan of the device, but then she went off

0:18:07.920 --> 0:18:09.800
<v Speaker 1>to college and when she came back, he was gone.

0:18:10.440 --> 0:18:13.680
<v Speaker 1>And and she attributed this. Uh, I mean maybe not seriously,

0:18:13.680 --> 0:18:15.480
<v Speaker 1>but she used just she would mention like, oh, I

0:18:15.520 --> 0:18:19.360
<v Speaker 1>think it advantished, And then later on she realized, oh wait,

0:18:19.400 --> 0:18:22.439
<v Speaker 1>my she's she's realized that my grandmother had gotten rid

0:18:22.480 --> 0:18:24.000
<v Speaker 1>of it. Because I don't think she relay liked it.

0:18:24.040 --> 0:18:26.000
<v Speaker 1>You know, because because some people get up in arms

0:18:26.000 --> 0:18:28.399
<v Speaker 1>about the Luigi board, some people were a little leary.

0:18:28.800 --> 0:18:31.240
<v Speaker 1>Some people see it is, if not harmless in and

0:18:31.280 --> 0:18:33.760
<v Speaker 1>of itself, they see it as a gateway to other

0:18:34.000 --> 0:18:38.000
<v Speaker 1>occultist things. And uh, and if you read a lot

0:18:38.040 --> 0:18:39.760
<v Speaker 1>of chick tracks, you may think that it is just

0:18:39.840 --> 0:18:42.320
<v Speaker 1>straight up talking to the devil. Yeah, but if you

0:18:42.320 --> 0:18:43.920
<v Speaker 1>want to take a little bit power out of that,

0:18:44.359 --> 0:18:47.200
<v Speaker 1>play the game, you know, and get an unbiased person

0:18:47.280 --> 0:18:49.879
<v Speaker 1>to stand there and actually see the letters that are

0:18:49.880 --> 0:18:52.200
<v Speaker 1>spelled up, because this is another thing that they say, Yeah,

0:18:52.240 --> 0:18:53.600
<v Speaker 1>go in, go into it if you want, I mean,

0:18:53.640 --> 0:18:55.359
<v Speaker 1>by all means, going to it and have some fun

0:18:55.520 --> 0:18:58.199
<v Speaker 1>with Auigi board and talk about spirits and all, but

0:18:58.320 --> 0:19:01.280
<v Speaker 1>also go into it and think about the mysteries you're

0:19:01.280 --> 0:19:06.280
<v Speaker 1>about to examine with the human mind. Yeah. Yeah, blindfold yourselves,

0:19:06.280 --> 0:19:08.560
<v Speaker 1>get an unbiased person to stand there and to actually

0:19:08.600 --> 0:19:11.280
<v Speaker 1>see what the letters are. And I will tell you

0:19:11.320 --> 0:19:14.639
<v Speaker 1>that most times gobbledygook is going to come out of that.

0:19:15.200 --> 0:19:18.520
<v Speaker 1>And it's a good example of how really it is

0:19:18.520 --> 0:19:21.080
<v Speaker 1>the unconscious mind that's guiding this process. All Right, we're

0:19:21.080 --> 0:19:22.720
<v Speaker 1>gonna take a quick break and when we come back,

0:19:22.760 --> 0:19:25.160
<v Speaker 1>we're gonna talk to somebody by the name of Bloody

0:19:25.160 --> 0:19:33.920
<v Speaker 1>and Mary. Alright, we're back, and you mentioned Bloody Mary. Yes,

0:19:33.960 --> 0:19:37.280
<v Speaker 1>now this one I definitely remember. The rules of this

0:19:37.359 --> 0:19:39.480
<v Speaker 1>are pretty simple. You can do this on your own

0:19:39.600 --> 0:19:41.639
<v Speaker 1>or certainly at a slumber party. The ideas you go

0:19:41.680 --> 0:19:45.840
<v Speaker 1>into the bathroom lights out, all right, or the very

0:19:45.960 --> 0:19:48.560
<v Speaker 1>least dim lights. Generally they say lights out, but there's

0:19:48.560 --> 0:19:50.560
<v Speaker 1>probably gonna be some light in there be a candle

0:19:50.720 --> 0:19:53.440
<v Speaker 1>or candle in hand, or just light under the doors.

0:19:53.440 --> 0:19:57.040
<v Speaker 1>Just be dramatic about it. Candle in hand, alright, light out,

0:19:57.080 --> 0:19:59.680
<v Speaker 1>candle in hand, going too the bathroom, stare into the

0:20:00.000 --> 0:20:04.480
<v Speaker 1>a room, and then you say the name Bloody Mary

0:20:04.760 --> 0:20:08.199
<v Speaker 1>three times, five times, six times, seven times. It it depends,

0:20:08.240 --> 0:20:11.040
<v Speaker 1>it varies. The recipe is not really set in stone,

0:20:11.119 --> 0:20:13.520
<v Speaker 1>but any rate, by saying in a number of times,

0:20:13.560 --> 0:20:18.639
<v Speaker 1>you invoke this incantation and a mysterious, blood faced woman

0:20:18.680 --> 0:20:21.480
<v Speaker 1>will appear in the mirror before you. She will reach

0:20:21.520 --> 0:20:24.600
<v Speaker 1>out and she will scratch your face off. So yeah,

0:20:24.640 --> 0:20:27.240
<v Speaker 1>this is definitely an example of a situation where I

0:20:27.280 --> 0:20:30.320
<v Speaker 1>was reluctant to cross the line of the occult. You know,

0:20:30.359 --> 0:20:31.919
<v Speaker 1>I think about it all the time when I'm seeing

0:20:32.440 --> 0:20:35.360
<v Speaker 1>a dark bathroom and noticing the mirror in there. But

0:20:35.600 --> 0:20:37.800
<v Speaker 1>I guess at hard. I'm thinking, all right, if it

0:20:38.119 --> 0:20:41.840
<v Speaker 1>if it doesn't work, if a woman does not appear

0:20:41.880 --> 0:20:44.719
<v Speaker 1>in the mirror and attack me, then it's just all

0:20:44.760 --> 0:20:46.520
<v Speaker 1>for nothing. But but what if she does? You know,

0:20:46.520 --> 0:20:49.320
<v Speaker 1>where's the wind there? All right, it worked and now

0:20:49.359 --> 0:20:51.359
<v Speaker 1>I have no face? Right? Or what if she grabbed

0:20:51.400 --> 0:20:53.280
<v Speaker 1>you and take you into her death portal with her?

0:20:53.480 --> 0:20:56.199
<v Speaker 1>That could happen too, And of course one of the

0:20:56.200 --> 0:20:59.520
<v Speaker 1>things involved here is that we're talking about a mirror,

0:20:59.680 --> 0:21:04.680
<v Speaker 1>and mirrors have long had this association with magic and

0:21:04.720 --> 0:21:07.880
<v Speaker 1>the unknown, because at a very basic level, you look

0:21:07.960 --> 0:21:12.600
<v Speaker 1>into a mirror and there you see yourself with a

0:21:12.640 --> 0:21:15.159
<v Speaker 1>little inversion going on to sort of mess with you.

0:21:15.200 --> 0:21:17.919
<v Speaker 1>And if it's not a perfect mirror, and certainly for

0:21:17.960 --> 0:21:22.720
<v Speaker 1>the longest mirrors were largely imperfect in certain ways, you

0:21:22.760 --> 0:21:25.240
<v Speaker 1>get a distorted view of what the world is like.

0:21:25.359 --> 0:21:28.360
<v Speaker 1>And so there's a long, long history of mirrors being

0:21:28.480 --> 0:21:33.640
<v Speaker 1>used in occultist or a religious ceremonies, even their numerous

0:21:34.560 --> 0:21:39.040
<v Speaker 1>examples of magic mirrors. There was Combustion's mirror, which warned

0:21:39.080 --> 0:21:41.880
<v Speaker 1>of approaching ill fortune. There was Lows mirror, which reflected

0:21:41.920 --> 0:21:45.000
<v Speaker 1>the mind and its thoughts. There was Merlin's magic mirror

0:21:45.000 --> 0:21:48.160
<v Speaker 1>that informed the King of plots, treasons and invasions. There

0:21:48.200 --> 0:21:51.320
<v Speaker 1>was Reynard's Wonderful Mirror, which showed conditions one mile away,

0:21:51.640 --> 0:21:54.120
<v Speaker 1>which I think it's kind of a limited design there,

0:21:54.400 --> 0:21:57.359
<v Speaker 1>and then Vulcan's mirror showed the past, president future, and

0:21:57.359 --> 0:21:59.920
<v Speaker 1>of course Harry Potter there was a magic mirror, and

0:22:00.000 --> 0:22:04.520
<v Speaker 1>there it shows you Harry Potter's parents, I believe well,

0:22:04.520 --> 0:22:08.240
<v Speaker 1>and then wicked rituals too. Apparently, UM, young women who

0:22:08.280 --> 0:22:10.439
<v Speaker 1>are trying to figure out who their husband would be.

0:22:10.480 --> 0:22:13.440
<v Speaker 1>Again we're talking back in the old day, would take

0:22:13.440 --> 0:22:16.640
<v Speaker 1>a mirror and a candle, walk backwards, ask the mirror,

0:22:17.000 --> 0:22:19.480
<v Speaker 1>and sometimes it was thought that the mirror would reveal

0:22:19.520 --> 0:22:23.760
<v Speaker 1>who the husband, who their husband would be, or sometimes

0:22:23.760 --> 0:22:26.080
<v Speaker 1>it was bloody Mary, who would appear. Now have you

0:22:26.200 --> 0:22:29.480
<v Speaker 1>done this? Have you? I've not done blady for whatever reason,

0:22:29.520 --> 0:22:32.560
<v Speaker 1>I just never never have done it. But I do

0:22:32.640 --> 0:22:35.919
<v Speaker 1>think it's interesting. Today's Um, you know, right after this,

0:22:36.040 --> 0:22:38.240
<v Speaker 1>I'm going to go into your office bathroom and I'm

0:22:38.240 --> 0:22:40.119
<v Speaker 1>going to do bloodyrror. I don't care who's in this stall.

0:22:42.480 --> 0:22:44.200
<v Speaker 1>But I do think it's interesting because again you've got

0:22:44.200 --> 0:22:47.200
<v Speaker 1>the incantation part of it, the ritual part of it.

0:22:48.080 --> 0:22:50.320
<v Speaker 1>But let's talk about what's actually going on, because I

0:22:50.359 --> 0:22:52.680
<v Speaker 1>think that is really cool, right, because there's another example

0:22:52.720 --> 0:22:55.719
<v Speaker 1>of the fantasy. The fiction. The supernatural aspect of it

0:22:55.800 --> 0:22:57.639
<v Speaker 1>is interesting, but when you you strip that away and

0:22:57.680 --> 0:23:00.600
<v Speaker 1>you get down to the science, it's equally creepy and

0:23:00.640 --> 0:23:03.600
<v Speaker 1>weird and amazing because here's the thing. People do see

0:23:03.600 --> 0:23:07.320
<v Speaker 1>things in the mirror. But again, it points to this

0:23:07.400 --> 0:23:09.640
<v Speaker 1>idea that we can't always trust what we see and

0:23:09.720 --> 0:23:12.679
<v Speaker 1>what our eyes can put together. For us UM at

0:23:12.680 --> 0:23:18.000
<v Speaker 1>the University of Urbino, researcher Giovanni Baputo had fifty participants

0:23:18.119 --> 0:23:20.400
<v Speaker 1>look in the mirror for ten minutes in a dimly

0:23:20.640 --> 0:23:22.879
<v Speaker 1>lit room and describe what they saw. Now, none of

0:23:22.880 --> 0:23:26.040
<v Speaker 1>these people were knew what they were there for, so

0:23:26.160 --> 0:23:30.240
<v Speaker 1>they had no preconceived notions of bloody marry Um. Alright,

0:23:30.280 --> 0:23:32.800
<v Speaker 1>what they saw is fascinating. It is fascinating, And this

0:23:32.880 --> 0:23:37.040
<v Speaker 1>was published in the Journal of Perception. Two thirds of

0:23:37.080 --> 0:23:41.320
<v Speaker 1>participants saw said that they saw huge deformations of their

0:23:41.320 --> 0:23:45.240
<v Speaker 1>own face. Okay, nearly half of the participants even reported

0:23:45.240 --> 0:23:49.359
<v Speaker 1>seeing fantastical or monstrous beings. A few participants reported seeing

0:23:49.359 --> 0:23:53.199
<v Speaker 1>faces of parents, ancestors, and strangers, including women and children.

0:23:53.240 --> 0:23:56.320
<v Speaker 1>And all the participants saw someone or something in the

0:23:56.359 --> 0:24:01.680
<v Speaker 1>mirror other than themselves. Saw an archetype in the mirror.

0:24:01.680 --> 0:24:03.480
<v Speaker 1>They saw an old woman, or they saw a child,

0:24:03.800 --> 0:24:05.760
<v Speaker 1>or a portrait of an ancestor kind of a thing,

0:24:05.800 --> 0:24:07.960
<v Speaker 1>you know. So, yeah, everyone's staring into this mirror, and

0:24:07.960 --> 0:24:11.879
<v Speaker 1>if you stare long enough, you see something else. You

0:24:11.920 --> 0:24:15.639
<v Speaker 1>see the face becomes something else. To you. And that's because,

0:24:15.760 --> 0:24:19.600
<v Speaker 1>according to computer you've got basic visual distortions affecting the

0:24:19.720 --> 0:24:24.320
<v Speaker 1>space specific interpretation system part of your brain. So when

0:24:24.359 --> 0:24:27.600
<v Speaker 1>your brain is faced with a lot of stimulation, only

0:24:27.680 --> 0:24:31.480
<v Speaker 1>some of it is considered relevant. So as it continues

0:24:31.520 --> 0:24:34.320
<v Speaker 1>to look and look and look at the reflection of

0:24:34.320 --> 0:24:36.320
<v Speaker 1>your face, then is trying to make sense of what

0:24:36.480 --> 0:24:39.160
<v Speaker 1>what's really important here? There are a lot of different details,

0:24:39.200 --> 0:24:41.800
<v Speaker 1>Like I find myself doing this when I look people,

0:24:41.800 --> 0:24:43.960
<v Speaker 1>when I actually look people in the eyes while they're talking,

0:24:44.359 --> 0:24:46.000
<v Speaker 1>like I'll start, you know, because there's sort of a

0:24:46.040 --> 0:24:47.960
<v Speaker 1>quick visual reference, like I'm looking around the room and

0:24:47.960 --> 0:24:49.880
<v Speaker 1>I'm like, all right, there's Julie. There's not that kind

0:24:49.880 --> 0:24:52.320
<v Speaker 1>of thing. But then if you really look at somebody,

0:24:52.440 --> 0:24:54.879
<v Speaker 1>then you start getting all this additional information, you know,

0:24:55.200 --> 0:24:57.160
<v Speaker 1>and you start thinking about like, oh, well, let's see

0:24:57.160 --> 0:24:59.119
<v Speaker 1>there's the shape of their nose, there's the shape of

0:24:59.160 --> 0:25:02.920
<v Speaker 1>their eyebrows. And then indeed, if you stare them long enough, um,

0:25:02.920 --> 0:25:06.000
<v Speaker 1>with a nice uncomfortable stare, then they start to look

0:25:06.040 --> 0:25:08.080
<v Speaker 1>a little weird, you know. Well, and this is called

0:25:08.080 --> 0:25:10.800
<v Speaker 1>the truck slur effect because your brain watch like zoom

0:25:10.800 --> 0:25:13.720
<v Speaker 1>in on an area and then the race the rest

0:25:13.720 --> 0:25:17.159
<v Speaker 1>of the space will actually fade away. And you've probably

0:25:17.160 --> 0:25:21.560
<v Speaker 1>seen examples of this before online. Usually it's like a

0:25:21.560 --> 0:25:25.080
<v Speaker 1>a ring of purple dots, and then you're supposed to

0:25:25.080 --> 0:25:27.000
<v Speaker 1>stare at the one dot that goes around around in

0:25:27.000 --> 0:25:29.560
<v Speaker 1>a circle. And then what happens is the purple fades

0:25:29.640 --> 0:25:32.640
<v Speaker 1>and then there's the yellow dot becomes more pronounced again.

0:25:32.680 --> 0:25:35.560
<v Speaker 1>It's your brain trying to figure out what's important, fading

0:25:35.600 --> 0:25:38.000
<v Speaker 1>in and fading out. Yeah, And also, I mean there's

0:25:38.040 --> 0:25:39.640
<v Speaker 1>a certain amount of your brain just sort of chewing

0:25:39.680 --> 0:25:42.000
<v Speaker 1>on itself there too. If you stare at anything long enough,

0:25:42.640 --> 0:25:45.280
<v Speaker 1>you're just gonna eventually kind of unsee it and see

0:25:45.320 --> 0:25:48.160
<v Speaker 1>different things. I think if anytime you stared up into

0:25:48.840 --> 0:25:51.240
<v Speaker 1>the clouds, or if you've been in say a boring

0:25:51.320 --> 0:25:53.680
<v Speaker 1>meeting or something, and you just stare at a particular

0:25:53.720 --> 0:25:56.159
<v Speaker 1>detail in the room, you start noticing more and more

0:25:56.240 --> 0:25:59.040
<v Speaker 1>new things about it. You start in making new interpretations

0:25:59.040 --> 0:26:01.280
<v Speaker 1>about it, seeing a face where there's not a face,

0:26:01.680 --> 0:26:04.280
<v Speaker 1>seeing if you're looking at the sky, you know, singing

0:26:04.520 --> 0:26:07.120
<v Speaker 1>a dinosaur writing a tricycle where there's not a dinosaur

0:26:07.200 --> 0:26:09.919
<v Speaker 1>writing a tricycle. You know, I was thinking too, about

0:26:10.000 --> 0:26:11.680
<v Speaker 1>you know, when you're when you're actually doing this in

0:26:11.720 --> 0:26:14.960
<v Speaker 1>the mirror and the trucul effect is occurring that how

0:26:15.040 --> 0:26:17.639
<v Speaker 1>weird is it that a slice of your forehead and

0:26:17.720 --> 0:26:19.760
<v Speaker 1>cheek are then subed int for your eye, because that's

0:26:19.760 --> 0:26:22.119
<v Speaker 1>really what your brain is doing with that um So

0:26:22.240 --> 0:26:24.119
<v Speaker 1>of course you would come away with this idea that

0:26:24.160 --> 0:26:26.560
<v Speaker 1>there was something monstrous that you saw something in the

0:26:26.600 --> 0:26:29.199
<v Speaker 1>mirror and it had to do with something that was

0:26:29.240 --> 0:26:32.240
<v Speaker 1>paranormal or the dark arts. Yeah, and throw into that

0:26:32.280 --> 0:26:36.320
<v Speaker 1>if you're if you're using the candle in this particular environment,

0:26:36.640 --> 0:26:40.200
<v Speaker 1>then you also have a light source that is flickering.

0:26:40.320 --> 0:26:43.080
<v Speaker 1>That's so that's altering a little bit, and it's distorting

0:26:43.160 --> 0:26:45.920
<v Speaker 1>the edges the lines in the face that you're perceiving.

0:26:46.359 --> 0:26:49.439
<v Speaker 1>So changes in lighting are also going to contribute to

0:26:49.520 --> 0:26:54.320
<v Speaker 1>this strange image of yourself that quickly becomes something other

0:26:54.359 --> 0:26:56.280
<v Speaker 1>than yourself. Now, you're right, it is complicating the matter,

0:26:56.280 --> 0:26:58.280
<v Speaker 1>and especially when we talked about reduction in the last

0:26:58.400 --> 0:27:01.119
<v Speaker 1>podcast about the science of han at houses and how

0:27:01.440 --> 0:27:04.560
<v Speaker 1>your bring really has to sort of recalibrate according to

0:27:04.600 --> 0:27:07.800
<v Speaker 1>the lighting available. So of course that's going to distort

0:27:07.880 --> 0:27:10.359
<v Speaker 1>things further. And again mirrors are just kind of weird

0:27:10.400 --> 0:27:12.359
<v Speaker 1>and creepy. I can't help but think of this without

0:27:12.400 --> 0:27:15.360
<v Speaker 1>the reminded of some of the writings of your hey

0:27:15.440 --> 0:27:18.000
<v Speaker 1>los Borges, who of course, is a poet who was

0:27:18.040 --> 0:27:21.480
<v Speaker 1>fascinated by mazes and mirrors, and there's a great little

0:27:21.480 --> 0:27:23.960
<v Speaker 1>line from his poem Mirrors that says, I see them

0:27:24.000 --> 0:27:28.840
<v Speaker 1>as infinite elemental executors of an ancient pact to multiply

0:27:28.920 --> 0:27:32.560
<v Speaker 1>the world, like the act of the getting sleepless, bringing

0:27:32.640 --> 0:27:35.800
<v Speaker 1>doom the crystal spies on us. If within the four

0:27:35.840 --> 0:27:38.560
<v Speaker 1>walls of a bedroom a mirror stairs, I am no

0:27:38.680 --> 0:27:42.480
<v Speaker 1>longer alone. There is someone there in the dawn reflections

0:27:42.560 --> 0:27:45.399
<v Speaker 1>mutely stages show I like that. I like this idea

0:27:45.440 --> 0:27:48.320
<v Speaker 1>to you that you know, ultimately we we feel this

0:27:48.400 --> 0:27:51.640
<v Speaker 1>sense that we're unknowable to ourselves. And so if you're

0:27:51.680 --> 0:27:55.920
<v Speaker 1>staring in the mirror, that's representing this unknown quantity. Yeah,

0:27:55.960 --> 0:27:57.920
<v Speaker 1>it ties in nicely with the Uiji board, I think,

0:27:58.040 --> 0:28:00.880
<v Speaker 1>you know, reaching out and touching bass with the subconscious

0:28:00.920 --> 0:28:04.360
<v Speaker 1>and coming to terms with the hidden self. All right, psychologists,

0:28:04.359 --> 0:28:06.280
<v Speaker 1>we have another one for you, Bloody Mary. Try it

0:28:06.320 --> 0:28:10.119
<v Speaker 1>out in your practice, Yes, tell her, we think so

0:28:10.200 --> 0:28:13.800
<v Speaker 1>there you have its slumber party goers, some science behind

0:28:14.040 --> 0:28:17.560
<v Speaker 1>the slumber party anticks you used to try out, also

0:28:17.640 --> 0:28:21.440
<v Speaker 1>some new emma for your next slumber party. So it's

0:28:21.440 --> 0:28:23.679
<v Speaker 1>it's really gonna be great to hear from listeners on

0:28:23.680 --> 0:28:26.280
<v Speaker 1>this because I know you guys and gals have tried

0:28:26.320 --> 0:28:29.040
<v Speaker 1>these before, so be sure to let us know about

0:28:29.240 --> 0:28:33.679
<v Speaker 1>your own experiences levitating your friends, uh, your own experiences

0:28:33.960 --> 0:28:37.400
<v Speaker 1>trying to summon dark, bloody specters from the mirror, and

0:28:37.600 --> 0:28:40.479
<v Speaker 1>of course your communications with the with the spirit world

0:28:41.200 --> 0:28:44.520
<v Speaker 1>a k a. You're subconscious. We'd love to hear about that.

0:28:44.640 --> 0:28:46.760
<v Speaker 1>So let's call over the robot and we'll see if

0:28:46.760 --> 0:28:50.840
<v Speaker 1>we have any listener mail. Alright, our listener, Monique Rite

0:28:50.840 --> 0:28:54.160
<v Speaker 1>sentences Hi, Julie and Robert. In two separate podcasts, you

0:28:54.240 --> 0:28:57.120
<v Speaker 1>talked about that in neighborhoods that are bad, people were

0:28:57.160 --> 0:28:59.360
<v Speaker 1>more likely to walk past a person in need than

0:28:59.400 --> 0:29:02.120
<v Speaker 1>in a cleaner naighborhood. There is a criminal justice theory

0:29:02.160 --> 0:29:05.160
<v Speaker 1>similar to this phenomena. It's called the broken windows theory,

0:29:05.520 --> 0:29:08.720
<v Speaker 1>thought up by Wilson and Kelling. In essence, the theory

0:29:08.720 --> 0:29:11.080
<v Speaker 1>states that in neighborhoods that are unkempt, there is a

0:29:11.160 --> 0:29:14.280
<v Speaker 1>silent signal to wrongdoers that since people do not care

0:29:14.320 --> 0:29:17.960
<v Speaker 1>about the neighborhoods, they also won't care about committing petty crimes,

0:29:18.120 --> 0:29:21.240
<v Speaker 1>which is a silent signal for wrongdoers to commit more

0:29:21.280 --> 0:29:25.000
<v Speaker 1>serious crimes. There's an interesting experiment that was done surrounding

0:29:25.040 --> 0:29:28.520
<v Speaker 1>this by Dr Zimbardo of the Stanford Prison Experiment fame.

0:29:28.680 --> 0:29:30.480
<v Speaker 1>He left a car in a bad neighborhood with the

0:29:30.480 --> 0:29:32.880
<v Speaker 1>hood up, signaling that no one cared about it. It

0:29:32.920 --> 0:29:35.520
<v Speaker 1>took a few short days for the car to be dismantled.

0:29:35.680 --> 0:29:39.360
<v Speaker 1>Thanks again for your great podcast, Manique, very interesting, and

0:29:39.400 --> 0:29:42.040
<v Speaker 1>we also heard from Scott Scott right since says Julian,

0:29:42.120 --> 0:29:44.120
<v Speaker 1>Robert just wanted you to to know how much your

0:29:44.160 --> 0:29:46.200
<v Speaker 1>podcast helped me out during a really rough point in

0:29:46.240 --> 0:29:49.800
<v Speaker 1>my life. I have a panic disorder. Diagnosing it beyond

0:29:49.800 --> 0:29:52.320
<v Speaker 1>that is pretty difficult that I have been working on

0:29:52.520 --> 0:29:55.800
<v Speaker 1>for the past six years. Unfortunately, driving, especially on the highway,

0:29:55.960 --> 0:29:58.280
<v Speaker 1>was a pretty major trigger, and having a panic attack

0:29:58.320 --> 0:30:01.960
<v Speaker 1>while driving is pretty no buno. But there's the Spanish

0:30:02.000 --> 0:30:07.280
<v Speaker 1>no buono that's no business, no good, huh. At one point,

0:30:07.400 --> 0:30:10.160
<v Speaker 1>listening to music would get me through reasonably well, but

0:30:10.200 --> 0:30:11.880
<v Speaker 1>I got to the point where music was no longer

0:30:11.920 --> 0:30:14.920
<v Speaker 1>engaging my intention enough to keep my mind off of panicking.

0:30:15.360 --> 0:30:17.840
<v Speaker 1>That's where your podcast came in. I wasn't even sure

0:30:17.880 --> 0:30:19.959
<v Speaker 1>what a podcast actually was, being a bit of an

0:30:19.960 --> 0:30:23.320
<v Speaker 1>anti Apple guy myself, until there was a free podcast

0:30:23.360 --> 0:30:26.160
<v Speaker 1>app on Amazon's Android market. One day last year, I

0:30:26.200 --> 0:30:29.480
<v Speaker 1>found your podcast while browsing listenings in that app and

0:30:29.560 --> 0:30:31.960
<v Speaker 1>opened it up. Uh and opened up the new world

0:30:31.960 --> 0:30:34.440
<v Speaker 1>of being able to drive more or less without panicking.

0:30:35.080 --> 0:30:38.400
<v Speaker 1>I have since learned, after six years of having problems

0:30:38.440 --> 0:30:40.800
<v Speaker 1>functioning like a normal human, that my vitamin D level

0:30:40.840 --> 0:30:43.920
<v Speaker 1>was extremely low. I started taking supplements in January and

0:30:43.960 --> 0:30:46.760
<v Speaker 1>haven't had an attack since, which is pretty remarkable. I

0:30:46.800 --> 0:30:50.600
<v Speaker 1>think since then I have envisioned a podcast about anxiety,

0:30:50.640 --> 0:30:53.000
<v Speaker 1>panic attacks, and what happens in the body and mind.

0:30:53.440 --> 0:30:55.320
<v Speaker 1>From what I can tell, there is very little research

0:30:55.360 --> 0:30:57.640
<v Speaker 1>on the link between vitamin D levels and panic and

0:30:57.680 --> 0:31:00.280
<v Speaker 1>some individuals, but I'm cynical enough to believe that it

0:31:00.440 --> 0:31:03.280
<v Speaker 1>is because vitamin D can't be patented. I'd love to

0:31:03.280 --> 0:31:06.200
<v Speaker 1>hear what you guys find out about it. Once again,

0:31:06.240 --> 0:31:07.880
<v Speaker 1>I can't thank you both enough. You really made my

0:31:07.920 --> 0:31:10.320
<v Speaker 1>life a lot more bearable your fan, avid listener and

0:31:10.440 --> 0:31:15.120
<v Speaker 1>research intern hopeful Scott, So there you go. That's awesome. Yeah,

0:31:15.160 --> 0:31:17.440
<v Speaker 1>I was just thinking those are two very good podcasts.

0:31:17.680 --> 0:31:19.960
<v Speaker 1>Panic Attacks would be very interesting to look into. And

0:31:20.000 --> 0:31:22.800
<v Speaker 1>also vitamins. Um, we talked about vitamin A and the

0:31:22.880 --> 0:31:27.720
<v Speaker 1>lack of vitamin A being attributed to night blindness, so um,

0:31:27.720 --> 0:31:30.280
<v Speaker 1>certainly when those levels are off it can affect things.

0:31:30.320 --> 0:31:32.360
<v Speaker 1>So so yeah, Scott, glad that we were able to

0:31:32.400 --> 0:31:34.920
<v Speaker 1>help him some small way, and glad that you've been

0:31:34.960 --> 0:31:39.200
<v Speaker 1>able to really tackle that that problem. Indeed. Yeah, So, hey,

0:31:39.240 --> 0:31:40.920
<v Speaker 1>the rest of you get in touch with us. Let

0:31:41.000 --> 0:31:43.520
<v Speaker 1>us know. Any past episodes are up for grabs. Don't

0:31:43.520 --> 0:31:45.880
<v Speaker 1>worry about contacting us about an older episode. You have

0:31:45.920 --> 0:31:47.920
<v Speaker 1>some cool feedback on and certainly if you want to

0:31:47.920 --> 0:31:50.880
<v Speaker 1>talk to us about Bloody Mary or whatnot, we're always

0:31:50.880 --> 0:31:52.960
<v Speaker 1>game for that. You can find us on Facebook and

0:31:53.000 --> 0:31:55.560
<v Speaker 1>Tumbler where we are stuff to blow your mind, and

0:31:55.600 --> 0:31:57.480
<v Speaker 1>you can also find us on Twitter where we tweet

0:31:57.560 --> 0:32:00.480
<v Speaker 1>under the handle blow the Mind, And you can always

0:32:00.560 --> 0:32:03.200
<v Speaker 1>drop us a line at Blow the Mind at Discovery

0:32:03.240 --> 0:32:13.480
<v Speaker 1>dot com and Happy Halloween for more on this and

0:32:13.560 --> 0:32:16.120
<v Speaker 1>thousands of other topics. Is It how stuff works dot

0:32:16.160 --> 0:32:18.760
<v Speaker 1>Com m HM,