WEBVTT - Ben Stiller, Our Dink Friend

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<v Speaker 1>Movies right then, Yeah, movies that we do. Can you

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<v Speaker 1>believe that?

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<v Speaker 2>Not again? Can you believe it?

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<v Speaker 1>Another movie? Can you believe this is our fucking job?

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<v Speaker 1>Man at work right now? That's insane.

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<v Speaker 2>I'm at work, you know, right right doing the podcast.

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<v Speaker 1>Well, but we're filming it, aren't we? Oh yeah, in

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<v Speaker 1>a way, it's another movie. Like you know, people say, oh,

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<v Speaker 1>who's been in more movies? You or Ben Stiller. A

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<v Speaker 1>lot of people would say, oh, ben Stiller, But I go,

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<v Speaker 1>I actually put out like three movies a week.

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<v Speaker 3>Check check IMDb. Yeah, right, were so some all IMDb.

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<v Speaker 1>Yeah, we're starting to get each individual episode credit to

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<v Speaker 1>IMDb as a film.

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<v Speaker 4>I also think the definition of what is a movie

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<v Speaker 4>has kind of changed anyway too.

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<v Speaker 1>Right, thank you? Yes, you're making my point. Oh yeah,

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<v Speaker 1>it's totally changed.

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<v Speaker 2>What do you think it is now?

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<v Speaker 4>I think it's it's images and words being spoken, captured

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<v Speaker 4>by some sort of technology and then presented in the

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<v Speaker 4>linear fashion.

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<v Speaker 1>Okay, hey call Webster's Hey Webster, you're out of a job.

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<v Speaker 1>I got a new guy, me and share that viewpoint

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<v Speaker 1>you and Nolan. Yeah, speaking of Witch, Speaking of Witch,

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<v Speaker 1>we gotta do a Barbenheimer with what with Chris with

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<v Speaker 1>Chris so the so the Dank is coming out, you know,

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<v Speaker 1>we got the world premiere tomorrow right here in La

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<v Speaker 1>right and then the honesty same time, we haven't done

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<v Speaker 1>a Barbenheimer in like three years. Thinking Dizzy think to

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<v Speaker 1>seeing see aud to see acte. I like, I think

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<v Speaker 1>it's Dink and Dizzy, Dink and Dissy.

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<v Speaker 2>I think it's Dnk and Dissy the Dinkus. I think

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<v Speaker 2>we had it Dink.

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<v Speaker 1>And to seek to see dink and to see that's

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<v Speaker 1>nice is good.

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<v Speaker 2>I think, So we gotta do that.

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<v Speaker 4>Yeah, I love that, and also like it hasn't really

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<v Speaker 4>been done with like a theatrical and a streamer at

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<v Speaker 4>the same time.

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<v Speaker 2>It's such a mistake because you can do both at once.

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<v Speaker 1>Well, yeah, you can bring your device into the theater

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<v Speaker 1>and then while some half the audience could be watching

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<v Speaker 1>the Street, the Imax or the seventy millimeter like sort

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<v Speaker 1>of giant immersive, sort of a little bit grotesque, you know,

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<v Speaker 1>kind of like loo, give me up so big, you know, oh,

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<v Speaker 1>I'm so big up so long, like you know, kind

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<v Speaker 1>of like show off ee movie. Then other people can

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<v Speaker 1>do sort of an intimate, cozy very human film on

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<v Speaker 1>their phone or on their neighbor's phone.

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<v Speaker 3>That you can bring around with you. It's like, oh,

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<v Speaker 3>those like big computers from before, like the huge ones,

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<v Speaker 3>were those better? We don't like those anymore.

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<v Speaker 2>We like little ones.

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<v Speaker 1>We want the smaller ones. And I think you think

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<v Speaker 1>the Odyssey's what four and a half hours, five hours whatever,

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<v Speaker 1>So in our movies one hundred minutes. So I think

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<v Speaker 1>what you do is not all five hours. Can be

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<v Speaker 1>scenes you want to watch.

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<v Speaker 2>Oh yeah, so you watch some.

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<v Speaker 1>Scenes, maybe a scene you don't want. Okay, check in

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<v Speaker 1>over here, see what's going on with Ben being a

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<v Speaker 1>funny doctor right now.

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<v Speaker 4>And also because our run time is a little bit shorter, yes,

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<v Speaker 4>you could actually watch it like three times, probably within

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<v Speaker 4>one showing of started over.

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<v Speaker 1>By the way, there's scenes in our movie you want

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<v Speaker 1>to skip then now you know, okay, I can just

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<v Speaker 1>skip to the parts I like, you.

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<v Speaker 4>Know exactly, or you can like when you get to

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<v Speaker 4>like the Trojan horse part of Odesty. I haven't seen

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<v Speaker 4>it yet, but I know that's a big part of it.

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<v Speaker 2>They have to do that, right.

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<v Speaker 4>Yeah, you got to do that. But then maybe that's

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<v Speaker 4>you stop streaming the dink for a second, just to watch,

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<v Speaker 4>you know, like one of the set pieces. You watch

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<v Speaker 4>both at the same time.

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<v Speaker 2>The other thing, the process, what happened in the dink.

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<v Speaker 4>We'll process it right, just think about it.

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<v Speaker 2>Have a little like discussion moment.

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<v Speaker 1>Could be good to have, Yeah, some sections of the

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<v Speaker 1>audience's drink during Otyssey, Yes, sort of discussing. Yeah, with

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<v Speaker 1>a men's group. Because there's father and son themes in

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<v Speaker 1>both films, I think and I think that what we

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<v Speaker 1>can do ours is period accurate. Of course, what we

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<v Speaker 1>can do is sort of find common ground between the

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<v Speaker 1>two movies, the way that Barbenheimer did too our movie.

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<v Speaker 3>I want to make sure this thing gets its due promotionally.

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<v Speaker 2>You made the damn thing you.

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<v Speaker 1>By the way, I got the gear on. You see this?

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<v Speaker 4>What do you got?

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<v Speaker 1>So this is a Mountain Crest tennis club. Is from

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<v Speaker 1>the movie.

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<v Speaker 4>Yeah, I love it. I love it.

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<v Speaker 1>This is from the movie. I wore this today. Speaking

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<v Speaker 1>of it getting its due and speaking of Trojan Horse,

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<v Speaker 1>I'm gonna tie all this together. Trojan Horse sort of trickery, right,

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<v Speaker 1>People expect to get one thing and then you know, boom, surprise,

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<v Speaker 1>here you go. So I know, obviously Ben, You're not

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<v Speaker 1>coming to the premiere tomorrow, But.

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<v Speaker 3>Why do you put bend people amazing when you show up?

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<v Speaker 1>Oh, Ben's in London. Ben's not coming. But why are

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<v Speaker 1>we thinking like suit onto the red carpet, like just

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<v Speaker 1>jump off a sky century city, you know what I mean?

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<v Speaker 1>So I think like you can actually go off the

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<v Speaker 1>top of like the Westfield Mall and it comes zooming

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<v Speaker 1>down in right. Yeah, land You've got a remote control

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<v Speaker 1>in your mouth and you start operating a drone show,

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<v Speaker 1>you know.

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<v Speaker 4>Yes, yeah, I think that's a great idea. I wish

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<v Speaker 4>we had thought of that earlier. I could I because

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<v Speaker 4>I'm i mean shooting.

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<v Speaker 2>Yeah, yeah, yeah, still doing that.

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<v Speaker 1>He's so committed. It's like this won't release just to

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<v Speaker 1>assuage your fears, this won't release until afterwards. So this

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<v Speaker 1>will come out Tuesday, so you'll already have sort of

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<v Speaker 1>done the magnificent stunt squirrel suit onto like Harley Davidson.

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<v Speaker 4>Yeah, surf on the top of it, like like what

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<v Speaker 4>Tom Cruise did for the member the Olympics handoff.

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<v Speaker 1>Oh yes, that's almost exactly what I'm pixing.

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<v Speaker 4>Yeah, that's what I'm thinking about too, And I'm thinking

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<v Speaker 4>that would be great. And also, you know, even if

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<v Speaker 4>it wasn't me, actually me, do you know what I mean,

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<v Speaker 4>like just somebody like wearing a mask or something like

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<v Speaker 4>like representing me. I have a stuntman. I work with

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<v Speaker 4>Greg Mitzpatrick. Maybe Greg could do it with like some

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<v Speaker 4>sort of like a mask, you know what I mean.

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<v Speaker 4>But like you know what I'm saying, just to like

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<v Speaker 4>the idea of me, you know what I mean, like, oh,

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<v Speaker 4>this is this is Ben.

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<v Speaker 3>He couldn't be here, but yes, he's kid that he

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<v Speaker 3>does it so that he'd be there.

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<v Speaker 1>I love the coverage of like we could do it

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<v Speaker 1>even if it wasn't you. And then plus you're going

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<v Speaker 1>to be there. So the stuntman does all of it.

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<v Speaker 1>He rides in and we go, oh, well Ben couldn't

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<v Speaker 1>make it, but here's his representative. Then you pop out

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<v Speaker 1>of the engine of the Harley or something.

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<v Speaker 4>By the way, which is probably the way we would

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<v Speaker 4>do it if I was there, Yes, probably actually because

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<v Speaker 4>I'm never going to actually I'm not. I am not.

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<v Speaker 1>My insurance and stuff would be a nightmare, you know

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<v Speaker 1>what I mean, unless you just said, hey, fuck it.

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<v Speaker 4>No, no, no, I got it. I don't would not

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<v Speaker 4>for this project, you know, probably any other project. It's

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<v Speaker 4>just about your life, you know what I mean. I'm

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<v Speaker 4>just not tease you know what I mean. I I

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<v Speaker 4>I've never worn a squirrel suit, you know publicly?

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<v Speaker 1>Yeah, well what is a life? You know, like if

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<v Speaker 1>you're not seizing every moment?

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<v Speaker 4>Right. But I've also gotten to the point in my

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<v Speaker 4>life at this point, you know where I want to appreciate,

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<v Speaker 4>like I appreciate the days on Earth.

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<v Speaker 1>Make the most outpack as much in as you can.

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<v Speaker 1>London film shoot and the squirrel suit.

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<v Speaker 4>Right or the but the Squirrels goes bad? You know

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<v Speaker 4>which is? You know, because those aren't you know. Look,

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<v Speaker 4>that's a very dangerous thing to do, Like it could

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<v Speaker 4>have the opposite effect. I imagine if it, like if

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<v Speaker 4>some horrible thing happened and I fell.

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<v Speaker 1>To the whole news is can I just the red

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<v Speaker 1>carpet was even extremely red because someone exploded on it,

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<v Speaker 1>you know, either your stunt man or you.

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<v Speaker 3>I want someone just to offer this perspective for the movie.

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<v Speaker 3>I don't think that's bad. Okay, we got to see this.

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<v Speaker 3>I think he was willing to get vaporized on the

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<v Speaker 3>carpet for this movie. And it's streaming right now in

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<v Speaker 3>my home. Well, and Ben, I don't want to make

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<v Speaker 3>you blush.

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<v Speaker 1>You have a lot of fans who would want to

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<v Speaker 1>pay their respect and do some sort of tribute, and

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<v Speaker 1>so to ignore the film wholesale after you know, it

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<v Speaker 1>was the final.

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<v Speaker 3>Act, and they'd be able to see the messages you

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<v Speaker 3>were sending in the movie that this was your intention

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<v Speaker 3>all along.

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<v Speaker 4>Right, I mean, you know that's a valid thing. And

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<v Speaker 4>you know I might actually yeah, yeah, if I died

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<v Speaker 4>this was the last movie I made, I would be

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<v Speaker 4>happy that this is the last night.

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<v Speaker 1>Oh that's really nice.

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<v Speaker 2>That's it.

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<v Speaker 1>That's the poll quote.

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<v Speaker 2>It's Paul, I don't like.

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<v Speaker 3>It's Walker.

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<v Speaker 4>Oh jeesus, it's one.

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<v Speaker 2>He was happy.

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<v Speaker 1>Well, and now, because of course I have to scold Hayes. Hey,

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<v Speaker 1>don't no, no, don't say that I have let's actually

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<v Speaker 1>think about it.

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<v Speaker 2>I have a sticker where he talks about it, where

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<v Speaker 2>he said, do not feel sorry for me because I

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<v Speaker 2>was happy.

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<v Speaker 1>If I was going fast. Yeah, Ben says.

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<v Speaker 2>It's just one.

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<v Speaker 3>It's one idea. This is one idea. My picture for

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<v Speaker 3>this conversation is that we come up with multiple ideas.

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<v Speaker 3>I think that's one.

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<v Speaker 1>This is a brainstorming session, Blue Sky. No bad ideas.

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<v Speaker 1>We've got the squirrel suit out of the Harley thing,

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<v Speaker 1>whether it's you and your stunt double, whether it's just you.

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<v Speaker 1>But at any rate, we've got the version where you live,

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<v Speaker 1>we got the prision where you don't. But we're covered there.

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<v Speaker 1>But I would say, let's also come up with some

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<v Speaker 1>other things to try to like you know, and by

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<v Speaker 1>the way, we've got we've got dedicnacy as well. Right,

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<v Speaker 1>so there's a couple of ways that were covered. What

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<v Speaker 1>else can we do.

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<v Speaker 4>In terms of publicizing the movie or just.

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<v Speaker 1>Just make it sure? I wouldn't be too upset if

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<v Speaker 1>the thing went viral.

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<v Speaker 2>Right, we go insanely viral?

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<v Speaker 1>Hmm would that be bad?

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<v Speaker 4>No?

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<v Speaker 1>Actually think that's exactly what you want.

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<v Speaker 4>Yeah, you're trying to if I mean dying, that's one idea.

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<v Speaker 3>Just then ready to move on from the you dying idea,

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<v Speaker 3>and like we come up with other ideas.

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<v Speaker 1>I mean, I don't want you to get married to that.

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<v Speaker 2>We can close the book something else.

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<v Speaker 4>Honestly, that's probably like the safest bet for something if

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<v Speaker 4>you want that's.

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<v Speaker 1>The most viral thing.

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<v Speaker 2>Oh, absolutely, that's big news. That's why we started there.

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<v Speaker 4>That's big news, right, But it limits your after that,

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<v Speaker 4>it limits options for me to like promote it when

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<v Speaker 4>it goes to well, there's no.

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<v Speaker 1>Even making another one afterwards might be in protaste. And

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<v Speaker 1>if it goes viral enough, I think we're gonna want

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<v Speaker 1>to seize on that opportunity. You know, this is a

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<v Speaker 1>doorway that we're stepping through.

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<v Speaker 4>But you know, the but then like the next one

0:12:05.720 --> 0:12:08.960
<v Speaker 4>would be like, oh, Ben's not in it, because remember

0:12:09.000 --> 0:12:10.920
<v Speaker 4>what happened, and then you could recycle it again.

0:12:11.160 --> 0:12:11.480
<v Speaker 2>We do.

0:12:11.679 --> 0:12:14.280
<v Speaker 1>Yeah, and we've got other footage that we took that

0:12:14.320 --> 0:12:16.079
<v Speaker 1>we could kind of like, or we could put your

0:12:16.120 --> 0:12:22.600
<v Speaker 1>face on h Greg Fitzpatrick's body. That's a different guy.

0:12:23.840 --> 0:12:25.120
<v Speaker 2>He'd be amazing, by the way.

0:12:25.160 --> 0:12:25.960
<v Speaker 1>I had the same thought.

0:12:26.320 --> 0:12:28.920
<v Speaker 3>By the way guys are not like getting their ship

0:12:29.000 --> 0:12:30.960
<v Speaker 3>off for the most part, Ben talking, he'd be having

0:12:30.960 --> 0:12:31.120
<v Speaker 3>to what.

0:12:31.760 --> 0:12:37.280
<v Speaker 4>I'd be happy to have my base on Greg Fitzpatrick's body.

0:12:38.080 --> 0:12:43.000
<v Speaker 1>Okay, that's guys fucking smoking hot. Huh.

0:12:43.520 --> 0:12:46.240
<v Speaker 4>He's got he's ripped, he's ripped, he's got good pecks,

0:12:46.240 --> 0:12:47.360
<v Speaker 4>got good shoulders. You know.

0:12:47.920 --> 0:12:51.080
<v Speaker 1>Okay, this guy's bicep went viral. Can I need to

0:12:51.120 --> 0:12:53.040
<v Speaker 1>think to go as viral as your bicep? And you're

0:12:53.040 --> 0:12:56.160
<v Speaker 1>talking about Greg's No, here we go again, just like

0:12:56.240 --> 0:12:58.800
<v Speaker 1>last episode. No, Ben, you're ripped.

0:13:02.000 --> 0:13:05.600
<v Speaker 2>We should put his face on your body. Fucking pussy.

0:13:06.200 --> 0:13:07.439
<v Speaker 1>You're strong.

0:13:09.960 --> 0:13:10.679
<v Speaker 2>Every time.

0:13:11.080 --> 0:13:13.520
<v Speaker 4>I'm Jewish? All right? I want to go there?

0:13:16.400 --> 0:13:16.760
<v Speaker 2>All right?

0:13:16.880 --> 0:13:17.320
<v Speaker 1>All right?

0:13:17.679 --> 0:13:19.680
<v Speaker 4>If we could use that.

0:13:19.880 --> 0:13:23.840
<v Speaker 3>You know, Fitzpatrick isn't Jewish.

0:13:24.120 --> 0:13:26.760
<v Speaker 2>That's so crazy. I feel like I could see other

0:13:26.960 --> 0:13:29.560
<v Speaker 2>other guys. I feel like a spot him like that.

0:13:29.640 --> 0:13:31.640
<v Speaker 2>Greg Fitzpatrick is not Jewish?

0:13:31.640 --> 0:13:34.440
<v Speaker 1>Okays the Italian guy?

0:13:35.880 --> 0:13:39.199
<v Speaker 2>Can I toss something out there? Please? Ben?

0:13:39.280 --> 0:13:45.040
<v Speaker 3>I noticed during the NBA Finals you were able to

0:13:45.360 --> 0:13:48.760
<v Speaker 3>sneak a camera into the arena and and and essentially

0:13:48.800 --> 0:13:57.480
<v Speaker 3>bootleg the entire series What if as part of the

0:13:57.480 --> 0:14:03.920
<v Speaker 3>promotion for the Dink we had that you managed behind

0:14:03.960 --> 0:14:07.600
<v Speaker 3>the scenes at the arena to get into the Knick's

0:14:08.400 --> 0:14:14.520
<v Speaker 3>cheating room. We know they cheated, Everyone knows they cheated.

0:14:15.000 --> 0:14:19.080
<v Speaker 3>The question is just when. The question is how it

0:14:19.280 --> 0:14:23.880
<v Speaker 3>happened in the cheating room. You were there as they're

0:14:23.920 --> 0:14:29.480
<v Speaker 3>planning everything in the book, obviously dosing each other.

0:14:29.840 --> 0:14:36.160
<v Speaker 1>Some kind of dastard of cocktails scandals.

0:14:35.760 --> 0:14:39.720
<v Speaker 2>Seduction, all these seduction games.

0:14:39.400 --> 0:14:43.760
<v Speaker 1>That they're planning, blood doping, Yes, was whose job was

0:14:43.800 --> 0:14:48.520
<v Speaker 1>it to seduce? Commissioner Silver or perhaps the refs? You know,

0:14:49.000 --> 0:14:52.320
<v Speaker 1>I think that I wasn't with you at first, and

0:14:52.360 --> 0:14:54.360
<v Speaker 1>now that I picture it, I go, oh, that's actually

0:14:54.400 --> 0:14:55.160
<v Speaker 1>a really good idea.

0:14:55.320 --> 0:14:57.640
<v Speaker 3>And we put out there that the footage that you

0:14:57.800 --> 0:15:00.520
<v Speaker 3>got from the cheating room is in the.

0:15:00.600 --> 0:15:03.440
<v Speaker 1>In the dink, It's in the movie.

0:15:04.120 --> 0:15:08.120
<v Speaker 4>Okay, all right, So where where I started with this premise.

0:15:09.200 --> 0:15:11.520
<v Speaker 4>First of all, I'm getting the feeling you guys aren't

0:15:11.560 --> 0:15:13.480
<v Speaker 4>big basketball fans because.

0:15:13.520 --> 0:15:16.160
<v Speaker 2>You I cannot tolerate the cheating.

0:15:17.200 --> 0:15:20.320
<v Speaker 1>I used to like it until sort of the finals

0:15:20.320 --> 0:15:24.360
<v Speaker 1>this year. I said, enough enough, it's a freaking uh

0:15:24.960 --> 0:15:28.120
<v Speaker 1>wwe in there just acted.

0:15:28.720 --> 0:15:32.000
<v Speaker 4>No, there was a lot of cheatings got the script.

0:15:32.280 --> 0:15:34.040
<v Speaker 4>There was some dirty play. I wouldn't say it was

0:15:34.080 --> 0:15:36.840
<v Speaker 4>on the mixed part. You want to go there. I mean,

0:15:37.560 --> 0:15:39.240
<v Speaker 4>you take a look at some of those plays. There

0:15:39.240 --> 0:15:41.360
<v Speaker 4>were a couple of plays there, you know that did

0:15:41.360 --> 0:15:43.640
<v Speaker 4>not get called. A couple of fouls on Wemby. Let's

0:15:43.640 --> 0:15:44.680
<v Speaker 4>just say it out loud.

0:15:45.120 --> 0:15:47.400
<v Speaker 2>I that I believe.

0:15:47.600 --> 0:15:50.080
<v Speaker 1>I believe they actually asked him about that, and he

0:15:50.200 --> 0:15:53.760
<v Speaker 1>said it was an accident. Okay, I believe they actually

0:15:53.920 --> 0:15:54.480
<v Speaker 1>asked him.

0:15:55.720 --> 0:15:57.720
<v Speaker 4>So there's no such thing as a cheating room. I

0:15:58.480 --> 0:16:01.120
<v Speaker 4>and and the Dink crossover part of it doesn't even

0:16:01.200 --> 0:16:02.360
<v Speaker 4>I don't even understand that.

0:16:02.240 --> 0:16:04.240
<v Speaker 1>The footage would be in the film, Ben.

0:16:04.720 --> 0:16:07.200
<v Speaker 4>But that doesn't make sense what film and the arena is.

0:16:07.240 --> 0:16:10.920
<v Speaker 2>By the time they've been watching in every room at MSG, you're.

0:16:10.760 --> 0:16:12.480
<v Speaker 1>Gonna make them watch it multiple times.

0:16:12.320 --> 0:16:13.720
<v Speaker 2>Its no cheating room like.

0:16:13.920 --> 0:16:14.600
<v Speaker 4>The number.

0:16:17.200 --> 0:16:19.000
<v Speaker 1>Because they go, I didn't see a cheating room in this,

0:16:19.120 --> 0:16:21.520
<v Speaker 1>but Ben said so. Then they go back through and

0:16:21.640 --> 0:16:22.920
<v Speaker 1>back through. Oh, it must be this.

0:16:23.120 --> 0:16:24.960
<v Speaker 2>It's not in every copy maybe either.

0:16:25.560 --> 0:16:27.520
<v Speaker 1>Okay, Oh, you're smart.

0:16:27.760 --> 0:16:31.200
<v Speaker 4>Here's a question I have regarding the NBA Finals, though

0:16:31.800 --> 0:16:33.960
<v Speaker 4>this is totally off topic and has nothing to do

0:16:34.000 --> 0:16:37.760
<v Speaker 4>with the Dink, But what was Jeremy Piven doing sitting

0:16:37.800 --> 0:16:40.440
<v Speaker 4>in the in the front row rooting for the San

0:16:40.440 --> 0:16:43.640
<v Speaker 4>Antonio Spurs in one of the finals games? You guys

0:16:43.680 --> 0:16:44.320
<v Speaker 4>know him, right?

0:16:44.880 --> 0:16:46.240
<v Speaker 1>That was Ari Gold?

0:16:47.200 --> 0:16:50.080
<v Speaker 4>Oh? Oh he was character Yes, Okay.

0:16:50.240 --> 0:16:53.480
<v Speaker 1>Yes, And that's and it's not unrelated to the Dink

0:16:53.520 --> 0:17:00.720
<v Speaker 1>of course, because Doug Ellen is Hollywood's pre eminent pickleball enthusiast.

0:17:01.520 --> 0:17:02.920
<v Speaker 4>Okay, and so I.

0:17:02.800 --> 0:17:05.840
<v Speaker 2>Think it's good beef beef, this is good.

0:17:06.359 --> 0:17:12.520
<v Speaker 1>So it's like you're mad at Jeremy, right, Ari, Doug's

0:17:12.560 --> 0:17:14.159
<v Speaker 1>mad at us.

0:17:15.200 --> 0:17:18.560
<v Speaker 4>But I'm not. I'm not even mad as me. I'm

0:17:18.600 --> 0:17:21.560
<v Speaker 4>mad In character is my character the doctor from the Dink.

0:17:22.080 --> 0:17:29.800
<v Speaker 3>Oh yes, yeah, he has a problem with Ari gold

0:17:30.640 --> 0:17:35.320
<v Speaker 3>Aye for now more famous character for right this minute.

0:17:35.480 --> 0:17:38.600
<v Speaker 1>Today as we speak today, prior to the release.

0:17:38.600 --> 0:17:41.399
<v Speaker 4>Right which I think this character, my character, the doctor

0:17:41.560 --> 0:17:46.119
<v Speaker 4>is going to be is gonna has a potential what

0:17:46.160 --> 0:17:48.000
<v Speaker 4>do they call it? Breakout, a breakout character.

0:17:48.440 --> 0:17:51.239
<v Speaker 1>I think this could I think this could be a

0:17:51.280 --> 0:17:54.640
<v Speaker 1>breakout role that launches you into the stratosphere.

0:17:54.880 --> 0:17:57.560
<v Speaker 4>That's what I'm hoping. That's I'm hope that it sort

0:17:57.600 --> 0:18:05.359
<v Speaker 4>of re imagines, you know, people's perception of me as like, oh,

0:18:05.640 --> 0:18:05.920
<v Speaker 4>you know.

0:18:06.119 --> 0:18:08.760
<v Speaker 1>Well he's walking. They go, I know what Ben Stiller does,

0:18:08.800 --> 0:18:10.600
<v Speaker 1>and they go, I didn't know he had it.

0:18:10.680 --> 0:18:15.920
<v Speaker 4>Like that exactly exactly? WHOA like, what just happened?

0:18:16.359 --> 0:18:16.760
<v Speaker 2>Okay?

0:18:17.000 --> 0:18:20.560
<v Speaker 1>Yeah, this is me. It's watching her wife. Honey, I

0:18:20.600 --> 0:18:24.560
<v Speaker 1>need a second, I actually need a second, honey.

0:18:24.240 --> 0:18:30.800
<v Speaker 3>Honey, please honey stuney, I asked for one second, not now.

0:18:32.119 --> 0:18:36.160
<v Speaker 4>Later on a lot of men.

0:18:36.200 --> 0:18:38.120
<v Speaker 3>A lot of and I guess a lot of merit

0:18:38.200 --> 0:18:41.840
<v Speaker 3>and wife too. Yeah, because she will.

0:18:41.800 --> 0:18:44.520
<v Speaker 1>Something happened for her where she is ready to go.

0:18:45.560 --> 0:18:47.760
<v Speaker 1>Having seen those doctor scenes, yeah.

0:18:47.600 --> 0:18:49.800
<v Speaker 4>I think, well, you know they're racy. The scenes are

0:18:49.840 --> 0:18:55.639
<v Speaker 4>a little racy. There's some they go places. Yeah, my

0:18:55.760 --> 0:18:59.320
<v Speaker 4>character has like an interesting inner life that we don't

0:18:59.320 --> 0:19:01.320
<v Speaker 4>know about. Its interesting because he's like when I liked

0:19:01.359 --> 0:19:04.200
<v Speaker 4>about the characters, like a lot of doctors off the bat,

0:19:04.280 --> 0:19:07.240
<v Speaker 4>you go, oh, they're a doctor, a serious person. You know,

0:19:07.400 --> 0:19:10.560
<v Speaker 4>I trust an inherent trust that you put in a

0:19:10.600 --> 0:19:14.040
<v Speaker 4>doctor because because there's two letters in front of their name,

0:19:14.119 --> 0:19:14.720
<v Speaker 4>d R.

0:19:15.200 --> 0:19:18.639
<v Speaker 1>Right, yes, okay, so then we've just decided, okay, that

0:19:18.840 --> 0:19:22.080
<v Speaker 1>means you can't question them at all. Right, the smartest

0:19:22.080 --> 0:19:23.080
<v Speaker 1>guy in the room.

0:19:23.280 --> 0:19:25.120
<v Speaker 4>Because I have d R in front, Like what if

0:19:25.119 --> 0:19:29.880
<v Speaker 4>I my name was you know, Drick. You know that's

0:19:29.880 --> 0:19:34.200
<v Speaker 4>got it. But like really instillers here.

0:19:34.760 --> 0:19:42.720
<v Speaker 1>DR stands for like don't reconsider whether or not you

0:19:42.720 --> 0:19:47.000
<v Speaker 1>should trust them or like because it's you know, I can.

0:19:46.960 --> 0:19:48.679
<v Speaker 2>Even could be useful to have in front of my

0:19:48.800 --> 0:19:54.120
<v Speaker 2>name for do resuscitate. Ah, people really seem to be

0:19:54.880 --> 0:19:55.960
<v Speaker 2>getting this confused.

0:19:56.440 --> 0:19:57.960
<v Speaker 4>I love that instead of the NR.

0:19:58.160 --> 0:20:01.000
<v Speaker 3>I like, I can kind of hear you right when

0:20:01.000 --> 0:20:03.159
<v Speaker 3>you're deciding whether or not to resuscitate me.

0:20:03.840 --> 0:20:06.960
<v Speaker 2>Yeah, let me just say it right now, resuscitate me.

0:20:08.200 --> 0:20:11.080
<v Speaker 1>God, go ahead and hit me with the old resuscitate please.

0:20:12.520 --> 0:20:15.679
<v Speaker 2>I can hear you. I can hear you weighing the

0:20:15.720 --> 0:20:16.680
<v Speaker 2>pros and cons.

0:20:17.160 --> 0:20:18.879
<v Speaker 1>Yeah, can we see this it? Did they write it

0:20:18.920 --> 0:20:20.760
<v Speaker 1>on his license? Let me go look, and it's like,

0:20:20.960 --> 0:20:22.280
<v Speaker 1>just go ahead and resuscitate me.

0:20:22.359 --> 0:20:25.200
<v Speaker 3>It's like, I'm tired right now, so I can't really

0:20:25.240 --> 0:20:29.600
<v Speaker 3>say it for myself, but yeah, when it happens again, Yes,

0:20:29.760 --> 0:20:30.320
<v Speaker 3>let's get.

0:20:30.200 --> 0:20:32.280
<v Speaker 1>It out on the show right now. It's a d

0:20:32.480 --> 0:20:34.720
<v Speaker 1>R over here to you, resuscitate me.

0:20:34.880 --> 0:20:38.159
<v Speaker 4>You're saying that now with your sunglasses and your trucker

0:20:38.240 --> 0:20:42.720
<v Speaker 4>cap and your headphones, and you're I just them saying.

0:20:42.480 --> 0:20:45.160
<v Speaker 1>That choked in irony.

0:20:45.800 --> 0:20:47.879
<v Speaker 2>Yeah, Oh he didn't really mean it. He was playing

0:20:47.920 --> 0:20:49.840
<v Speaker 2>a character. Guys.

0:20:50.880 --> 0:20:53.000
<v Speaker 4>See if my name is Ick and I just called

0:20:53.040 --> 0:20:57.200
<v Speaker 4>myself d Rick or doctor Rick, Yeah, well my name

0:20:57.240 --> 0:20:59.560
<v Speaker 4>is Drick and I changed my name to doctor Ick.

0:21:00.040 --> 0:21:02.480
<v Speaker 4>Doctor all of a sudden people would trust me more

0:21:02.720 --> 0:21:04.280
<v Speaker 4>and so that getting back to what I was talking

0:21:04.280 --> 0:21:07.359
<v Speaker 4>about my character, like I trust you trust this character

0:21:07.359 --> 0:21:09.720
<v Speaker 4>because he's a doctor. But then it turns out, oh,

0:21:09.760 --> 0:21:12.160
<v Speaker 4>he's like really kind of like he's got some weird perverse.

0:21:12.280 --> 0:21:14.880
<v Speaker 1>He has a whole internal life. He has a life

0:21:14.880 --> 0:21:17.639
<v Speaker 1>outside the doctor's office. He or he's doing his job,

0:21:18.160 --> 0:21:20.280
<v Speaker 1>but at home he has to cope with the things

0:21:20.280 --> 0:21:22.920
<v Speaker 1>that every human being does, and he's a true three

0:21:23.160 --> 0:21:28.080
<v Speaker 1>dimensional person. For me, he steps right out of the screen, yes, moved.

0:21:28.160 --> 0:21:30.040
<v Speaker 1>The scene's over and he just walks and he walks

0:21:30.040 --> 0:21:30.760
<v Speaker 1>into your room.

0:21:30.920 --> 0:21:33.399
<v Speaker 4>He's in his own movie, and I think it's like,

0:21:33.440 --> 0:21:35.840
<v Speaker 4>that's a movie I want to see personally as an

0:21:35.880 --> 0:21:39.359
<v Speaker 4>actor playing that guy, I feel a different movie, a

0:21:39.400 --> 0:21:44.119
<v Speaker 4>different movie, but like yeah, or maybe another additional movie.

0:21:44.240 --> 0:21:46.679
<v Speaker 4>But basically for me, that was what drew me to

0:21:46.760 --> 0:21:49.280
<v Speaker 4>the character was like, oh, you know, I think I

0:21:49.480 --> 0:21:51.240
<v Speaker 4>thought I knew what a doctor was, but really a

0:21:51.240 --> 0:21:54.360
<v Speaker 4>doctor is a human being, a three dimensional human being

0:21:54.359 --> 0:21:56.119
<v Speaker 4>that I don't really know about it just because they

0:21:56.119 --> 0:21:58.240
<v Speaker 4>have the dr in front of their name.

0:21:58.119 --> 0:22:00.000
<v Speaker 1>Do reevaluate right?

0:22:00.400 --> 0:22:02.439
<v Speaker 2>Challenges your assumptions? Can I tell you what time that

0:22:02.480 --> 0:22:06.320
<v Speaker 2>happened to me? Ben? Last time? You were on the show.

0:22:07.440 --> 0:22:11.240
<v Speaker 3>We talked about you helping us book Adam Scott.

0:22:12.000 --> 0:22:17.080
<v Speaker 2>We did book him long road. I don't yeh, yes, I.

0:22:16.760 --> 0:22:19.720
<v Speaker 1>Couldn't draw a straight line to you causing it, but.

0:22:20.400 --> 0:22:22.560
<v Speaker 2>Could have happened a little faster. That's fine.

0:22:23.280 --> 0:22:27.840
<v Speaker 3>I understand now what was going on here. I thought

0:22:27.880 --> 0:22:30.119
<v Speaker 3>you just like couldn't be bothered, like maybe want to

0:22:30.160 --> 0:22:30.760
<v Speaker 3>see us fail.

0:22:31.280 --> 0:22:35.639
<v Speaker 2>I get it now. You were trying to warn us.

0:22:35.720 --> 0:22:38.920
<v Speaker 1>You were protecting us, and I don't think we understood

0:22:38.920 --> 0:22:42.880
<v Speaker 1>at the time. I think we saw his on camera

0:22:43.040 --> 0:22:49.600
<v Speaker 1>persona which is very manicured. Oh yeah, and we were

0:22:49.640 --> 0:22:53.639
<v Speaker 1>not violent when we were physically in the room. I said,

0:22:54.040 --> 0:22:58.439
<v Speaker 1>I oben an apology fucking nightmare because I've been dragging

0:22:58.440 --> 0:22:59.920
<v Speaker 1>your name up and down Main Street.

0:23:00.040 --> 0:23:02.320
<v Speaker 3>Yeah, we said a last episode, we said some stuff

0:23:02.400 --> 0:23:04.399
<v Speaker 3>about malignant narcissists.

0:23:06.440 --> 0:23:13.359
<v Speaker 4>Yeah, you know Adam is you know i'ms a complicated

0:23:13.359 --> 0:23:13.600
<v Speaker 4>you know.

0:23:14.200 --> 0:23:15.680
<v Speaker 1>A guy, complicated guy.

0:23:17.440 --> 0:23:19.800
<v Speaker 4>I worked with him for I say, like a good

0:23:19.880 --> 0:23:21.280
<v Speaker 4>four years straight.

0:23:21.480 --> 0:23:23.800
<v Speaker 2>On the first is what it felt like.

0:23:24.119 --> 0:23:29.240
<v Speaker 3>Honest honestly, I cannot imagine for you, Ben, because you

0:23:29.320 --> 0:23:31.720
<v Speaker 3>were you to be standing here yeah.

0:23:31.560 --> 0:23:33.440
<v Speaker 2>Today Jesus Christ.

0:23:34.560 --> 0:23:37.920
<v Speaker 4>Yeah, it was you know, like I because I also

0:23:38.040 --> 0:23:40.720
<v Speaker 4>like people. I have heard somebody people say like I

0:23:40.840 --> 0:23:44.119
<v Speaker 4>can be a lot too, you know, but I think that,

0:23:44.280 --> 0:23:50.400
<v Speaker 4>like Ben, you I've heard it, you know, I've heard

0:23:50.400 --> 0:23:52.520
<v Speaker 4>it from people in my you know, people who are

0:23:52.560 --> 0:23:55.399
<v Speaker 4>willing to be honest with me in my By the way,

0:23:55.440 --> 0:23:58.000
<v Speaker 4>it's hard when you have a circle and the circle

0:23:58.760 --> 0:24:00.360
<v Speaker 4>doesn't want to you know what I mean, and people

0:24:00.400 --> 0:24:03.959
<v Speaker 4>are because the circle depends on the center of the circle.

0:24:04.119 --> 0:24:12.040
<v Speaker 3>That is so hard, Ben, Ben, relationship incredibly difficult for

0:24:12.160 --> 0:24:13.160
<v Speaker 3>you to go through that.

0:24:13.520 --> 0:24:14.600
<v Speaker 4>Right, and I want to.

0:24:14.600 --> 0:24:16.840
<v Speaker 2>I just want to affirm what you're saying.

0:24:17.960 --> 0:24:18.840
<v Speaker 4>You are one.

0:24:18.840 --> 0:24:22.880
<v Speaker 3>Hundred percent correct. It is really hard and you shouldn't

0:24:22.920 --> 0:24:23.959
<v Speaker 3>have to go through that alone.

0:24:24.040 --> 0:24:26.399
<v Speaker 1>Let me sing up, Ben to everything you just said.

0:24:26.800 --> 0:24:30.600
<v Speaker 5>Yes, thank you, okay, yes man, talk about that's because

0:24:30.640 --> 0:24:33.080
<v Speaker 5>a lot of times, out of context, people don't get

0:24:33.119 --> 0:24:34.960
<v Speaker 5>it or even though what a circle is, you know

0:24:35.000 --> 0:24:37.440
<v Speaker 5>what I mean, Like like, what's is so stated?

0:24:38.119 --> 0:24:40.679
<v Speaker 1>Everyone's so fucking dumb ex for you fake.

0:24:41.280 --> 0:24:45.360
<v Speaker 4>Right, fake and and also not interested or just like oh,

0:24:45.400 --> 0:24:47.600
<v Speaker 4>I've got my life, I don't care about your life.

0:24:47.720 --> 0:24:51.200
<v Speaker 1>You know, it is interesting. Interested people are boring people.

0:24:52.000 --> 0:24:52.640
<v Speaker 1>It is interesting.

0:24:52.720 --> 0:24:56.480
<v Speaker 4>Yes, So for me to then know, you know, anyway,

0:24:56.600 --> 0:24:59.359
<v Speaker 4>be grateful that I have within my circle people who

0:24:59.400 --> 0:25:01.800
<v Speaker 4>are willing to be honest with me, you know, a few.

0:25:01.640 --> 0:25:04.760
<v Speaker 1>Stray couple, yes, valuable.

0:25:05.080 --> 0:25:08.800
<v Speaker 4>Yes, I've been told you know by those few streat shooters,

0:25:09.080 --> 0:25:12.280
<v Speaker 4>you know what that experience is. But working with Adam,

0:25:12.640 --> 0:25:14.600
<v Speaker 4>you know, And I'm glad we can talk about it

0:25:14.640 --> 0:25:16.920
<v Speaker 4>here after you've now experienced it, because I don't ever

0:25:16.920 --> 0:25:17.639
<v Speaker 4>want to say anything.

0:25:18.880 --> 0:25:22.600
<v Speaker 3>Yeah, and we couldn't really understand it just from you sing.

0:25:22.840 --> 0:25:24.760
<v Speaker 1>I think if you had told me, I would have said, Wow,

0:25:24.800 --> 0:25:27.560
<v Speaker 1>that's been But with me, he'll be different, right, He's

0:25:27.560 --> 0:25:29.840
<v Speaker 1>not gonna pull that shit on me, Jack, I would

0:25:29.880 --> 0:25:32.120
<v Speaker 1>have said, and sure enough he did.

0:25:33.000 --> 0:25:35.320
<v Speaker 4>Yeah, it's it's it's something that took me a little

0:25:35.320 --> 0:25:38.080
<v Speaker 4>while to understand, just like the depth of you know,

0:25:38.440 --> 0:25:43.119
<v Speaker 4>the depth depravity. Yeah, and also just his lack of

0:25:45.200 --> 0:25:49.920
<v Speaker 4>interest in anything at all.

0:25:50.600 --> 0:25:54.400
<v Speaker 1>No, it's like he's got that terminator scanner vision where

0:25:54.440 --> 0:25:57.159
<v Speaker 1>he just sees your IMDb star Meater number, you know,

0:25:57.280 --> 0:25:59.840
<v Speaker 1>ticket paper down in front of him, and he looked

0:25:59.880 --> 0:26:01.160
<v Speaker 1>like he's always.

0:26:00.840 --> 0:26:05.280
<v Speaker 4>Yeah, people you know, in terms of like like stacks

0:26:05.280 --> 0:26:09.360
<v Speaker 4>of coins and transactional relationship. You're like, what is your

0:26:09.520 --> 0:26:11.080
<v Speaker 4>You know, I don't play video games, but you know

0:26:11.160 --> 0:26:12.600
<v Speaker 4>how you have like little they have the little like

0:26:12.640 --> 0:26:14.040
<v Speaker 4>stacks of coins.

0:26:14.560 --> 0:26:16.880
<v Speaker 1>And by the way, you don't need to play video games.

0:26:16.920 --> 0:26:20.240
<v Speaker 1>You described it perfectly. Thank you, thank you stacks of coins.

0:26:20.480 --> 0:26:23.360
<v Speaker 4>So like for in Adam's world, I'm a stack of coins,

0:26:23.400 --> 0:26:25.440
<v Speaker 4>you know, in your in your world to him your

0:26:25.480 --> 0:26:26.520
<v Speaker 4>whatever stack of coin.

0:26:26.440 --> 0:26:28.760
<v Speaker 1>Right, smaller stack of coins. I can be honest about

0:26:28.800 --> 0:26:32.720
<v Speaker 1>that right now today. But what he doesn't understand is

0:26:33.440 --> 0:26:36.720
<v Speaker 1>it's like they always say, uh, be nice to the

0:26:36.840 --> 0:26:40.640
<v Speaker 1>people with the smaller stack of coins when you're building

0:26:40.680 --> 0:26:43.600
<v Speaker 1>your coin stack on the way up, because you might

0:26:43.680 --> 0:26:47.080
<v Speaker 1>see them again when their stack goes up and you're

0:26:47.200 --> 0:26:49.919
<v Speaker 1>stacked if you lose part of your stack. It's like,

0:26:51.280 --> 0:26:54.400
<v Speaker 1>you know, like that's a saying that you'll hear sometimes,

0:26:54.400 --> 0:26:57.360
<v Speaker 1>and I think Adam would do well to remember it.

0:26:58.119 --> 0:27:00.199
<v Speaker 4>Yeah, I'm sorry it didn't go well with him, but

0:27:00.400 --> 0:27:04.280
<v Speaker 4>you know, both episode well, yeah, I did an episode

0:27:04.280 --> 0:27:08.240
<v Speaker 4>for four and a half years, you know, so more

0:27:08.320 --> 0:27:10.399
<v Speaker 4>a half year episode of that.

0:27:11.119 --> 0:27:13.400
<v Speaker 1>We're pros. We make something out of it. But yeah,

0:27:13.440 --> 0:27:15.119
<v Speaker 1>the episode that you by the way, and you made

0:27:15.119 --> 0:27:15.920
<v Speaker 1>a few episodes.

0:27:16.440 --> 0:27:19.280
<v Speaker 4>Yeah, oh yeah, no, we made Yeah, we made nineteen

0:27:19.400 --> 0:27:22.960
<v Speaker 4>episodes of that. That lasted for a long time.

0:27:23.119 --> 0:27:32.920
<v Speaker 3>Yeah, and that's over now we're moving on forward's yeah yeah, yeah.

0:27:31.920 --> 0:27:36.720
<v Speaker 1>And you you're either winning or learning, either winning or learning.

0:27:36.880 --> 0:27:39.880
<v Speaker 4>Yeah. In life he made mm hmm. Yeah.

0:27:40.080 --> 0:27:43.240
<v Speaker 1>So dealing with Adam, if that didn't feel like winning,

0:27:43.560 --> 0:27:44.440
<v Speaker 1>we all learned something.

0:27:45.160 --> 0:27:47.439
<v Speaker 4>Well. The great thing with Adam and that experience was

0:27:47.480 --> 0:27:49.800
<v Speaker 4>that I felt like we were able to I did

0:27:49.960 --> 0:27:53.800
<v Speaker 4>win because it was it finally ended and that was okay,

0:27:55.200 --> 0:27:57.320
<v Speaker 4>and the win was like, oh I survived this. Oh

0:27:57.400 --> 0:28:00.040
<v Speaker 4>I never have to deal with this again. Oh you

0:28:00.119 --> 0:28:05.160
<v Speaker 4>know when he you know, makes that funny voice, it's like, oh,

0:28:05.160 --> 0:28:07.400
<v Speaker 4>that's actually really his voice, you know what I mean?

0:28:07.600 --> 0:28:11.679
<v Speaker 3>Yes, so long to get used to that realization. I

0:28:11.720 --> 0:28:14.320
<v Speaker 3>was like, yeah, when is this going good? But then

0:28:14.359 --> 0:28:18.680
<v Speaker 3>should we actually talk? And it's like, not going to happen, No, no,

0:28:19.000 --> 0:28:23.920
<v Speaker 3>not going to happen. That's interesting, it's it's it's interesting.

0:28:24.160 --> 0:28:25.840
<v Speaker 4>He has that he has ears.

0:28:27.680 --> 0:28:30.520
<v Speaker 2>Yeah, I think he could lose those at this point.

0:28:30.960 --> 0:28:35.960
<v Speaker 1>Yes, yeah, yeah, I got two of those and one mouth.

0:28:37.480 --> 0:28:39.000
<v Speaker 4>Mouth lot. I don't believe the.

0:28:38.920 --> 0:28:42.360
<v Speaker 1>Math ain't mathing. The mouth is mouthing, but the math

0:28:42.400 --> 0:28:45.680
<v Speaker 1>ain't mathing. So I think we could. Yeah, we could

0:28:45.680 --> 0:28:49.600
<v Speaker 1>probably eighty sixty years on old as over there.

0:28:50.600 --> 0:28:52.160
<v Speaker 4>It's got the hair to cut ano the rest.

0:28:53.080 --> 0:28:55.400
<v Speaker 2>Great hair. Hot. He's hot.

0:28:55.720 --> 0:28:57.400
<v Speaker 4>Oh, by the way, he's incredible.

0:28:57.680 --> 0:28:59.120
<v Speaker 1>He's like a Greg fitz.

0:28:59.160 --> 0:29:02.200
<v Speaker 2>Fitz Patrick Kitzpatrick level body and face.

0:29:02.400 --> 0:29:04.160
<v Speaker 1>Yes, one might have my face on his body.

0:29:04.240 --> 0:29:07.760
<v Speaker 4>Yes. Also like to say to speak all over every

0:29:08.320 --> 0:29:11.960
<v Speaker 4>he's you know, a good example of like, oh, this

0:29:12.040 --> 0:29:16.480
<v Speaker 4>is how you build a career in Hollywood based on hair.

0:29:16.840 --> 0:29:20.440
<v Speaker 1>Based on completely superficial elements, specifically hair.

0:29:20.960 --> 0:29:23.040
<v Speaker 4>Yes, I'm going to come in with hair, and then

0:29:23.320 --> 0:29:24.880
<v Speaker 4>you know, and then when you take the hair where

0:29:24.920 --> 0:29:28.680
<v Speaker 4>like imagine him, just try to imagine him in a

0:29:28.880 --> 0:29:34.719
<v Speaker 4>movie or television show where he's as bald, like what

0:29:34.880 --> 0:29:37.560
<v Speaker 4>is right, all of a sudden, the power goes away

0:29:38.040 --> 0:29:40.280
<v Speaker 4>and you're dealing with, you know, a guy with you know,

0:29:40.560 --> 0:29:41.800
<v Speaker 4>two extra years.

0:29:41.880 --> 0:29:43.440
<v Speaker 2>And I think that is insecurity.

0:29:44.320 --> 0:29:46.000
<v Speaker 3>And I think that's why he has to come in

0:29:46.040 --> 0:29:48.480
<v Speaker 3>with that energy where like he has to win, he

0:29:48.600 --> 0:29:52.600
<v Speaker 3>has to always be dominating, because I think he understands

0:29:52.680 --> 0:29:55.600
<v Speaker 3>that dynamic that you're talking about but cannot admit it

0:29:55.640 --> 0:29:56.200
<v Speaker 3>to himself.

0:29:56.960 --> 0:30:01.480
<v Speaker 1>Speaking of winning, speaking of movie and television shows.

0:30:01.440 --> 0:30:03.960
<v Speaker 4>But by the way, great actor, get to work that.

0:30:04.000 --> 0:30:06.480
<v Speaker 2>I love kay Seek a Dream.

0:30:06.880 --> 0:30:10.880
<v Speaker 1>It's the best, an absolute treat and would total path

0:30:11.080 --> 0:30:14.320
<v Speaker 1>kill to work with him again, and would love that

0:30:14.560 --> 0:30:18.880
<v Speaker 1>and honestly would yes, would do anything for and literally

0:30:18.920 --> 0:30:28.640
<v Speaker 1>any for anything at all. But speaking of winning, speaking

0:30:28.640 --> 0:30:32.880
<v Speaker 1>of movies and TV shows, have you seen Ben that

0:30:32.960 --> 0:30:35.880
<v Speaker 1>The Dink recently won an award? And I'm not in

0:30:35.920 --> 0:30:39.880
<v Speaker 1>it for awards. That's not why I do it. I

0:30:39.920 --> 0:30:42.680
<v Speaker 1>don't think art should be a competition. I think it

0:30:42.720 --> 0:30:45.080
<v Speaker 1>actually is an opportunity to express yourself, to connect with

0:30:45.120 --> 0:30:49.320
<v Speaker 1>other human beings. Hold up a mirror perhaps so you know,

0:30:49.960 --> 0:30:52.200
<v Speaker 1>best mirror holder. I guess you could get that award,

0:30:52.200 --> 0:30:55.080
<v Speaker 1>but honestly it depends you know who's in the reflection.

0:30:55.760 --> 0:31:02.440
<v Speaker 1>So but we did actually get pretty prestigious award. The

0:31:02.520 --> 0:31:12.400
<v Speaker 1>Guardian has named us the number one movie in the world.

0:31:12.920 --> 0:31:13.320
<v Speaker 4>Wow.

0:31:13.360 --> 0:31:19.680
<v Speaker 1>To stream on TV this week? Wow seriously to stream

0:31:19.680 --> 0:31:21.640
<v Speaker 1>on TV this week? Think about how many movies are

0:31:21.680 --> 0:31:22.120
<v Speaker 1>on TV.

0:31:23.440 --> 0:31:26.400
<v Speaker 6>A lot, almost all of them.

0:31:26.640 --> 0:31:28.280
<v Speaker 1>You know who's under us on the list? Can I

0:31:28.280 --> 0:31:29.880
<v Speaker 1>tell you? Sincerely, who's under us on the list?

0:31:30.000 --> 0:31:36.560
<v Speaker 4>Jurassic Park, Jurassic What, Yes, thank you?

0:31:37.920 --> 0:31:38.000
<v Speaker 1>What?

0:31:39.720 --> 0:31:43.760
<v Speaker 4>Look? Look. That doesn't really surprise me, honestly, because it's

0:31:43.800 --> 0:31:47.360
<v Speaker 4>like a very funny movie. You know, it's it's sweet. Uh,

0:31:47.760 --> 0:31:50.600
<v Speaker 4>it's got humor in it. It's kind of got. It's

0:31:50.680 --> 0:31:53.320
<v Speaker 4>not afraid to like make jokes that are a little

0:31:53.360 --> 0:31:54.800
<v Speaker 4>bit racy, you.

0:31:54.760 --> 0:31:56.560
<v Speaker 1>Know, I like and that before.

0:31:56.720 --> 0:32:01.320
<v Speaker 4>Yeah, I think the Doctor specifically specifically, but also like

0:32:01.360 --> 0:32:03.680
<v Speaker 4>the whole idea of this. You know, Mary Steam Virgin

0:32:03.760 --> 0:32:06.160
<v Speaker 4>and you know, Jake Johnson have this sort of like

0:32:06.280 --> 0:32:09.120
<v Speaker 4>you know, like I don't know, like interesting.

0:32:08.720 --> 0:32:10.040
<v Speaker 2>I don't know what is it?

0:32:10.080 --> 0:32:10.480
<v Speaker 4>What is it?

0:32:10.480 --> 0:32:10.720
<v Speaker 1>Still?

0:32:11.040 --> 0:32:12.480
<v Speaker 4>No, I don't know what it is.

0:32:12.600 --> 0:32:13.840
<v Speaker 2>I was set every day.

0:32:14.160 --> 0:32:16.360
<v Speaker 1>I don't know what is But but Jesus Christ, I'm

0:32:16.360 --> 0:32:17.920
<v Speaker 1>watching it and I think it actually may end up

0:32:17.920 --> 0:32:19.760
<v Speaker 1>being the number one movie in the world to stream TV.

0:32:19.880 --> 0:32:22.640
<v Speaker 4>Well, so that does doesn't surprise me. The Guardian knows

0:32:22.680 --> 0:32:23.600
<v Speaker 4>what they're talking about.

0:32:23.640 --> 0:32:24.240
<v Speaker 1>Oh yeah, we.

0:32:26.000 --> 0:32:28.400
<v Speaker 3>Have to give it because they're all like truth to

0:32:28.520 --> 0:32:31.160
<v Speaker 3>power and like the snowed and crap or whatever. But

0:32:31.280 --> 0:32:35.320
<v Speaker 3>this time to say like all right, this time, like

0:32:35.360 --> 0:32:38.680
<v Speaker 3>the powerful actually the machine got it right here I

0:32:38.720 --> 0:32:41.280
<v Speaker 3>think maybe they might have been addo something the whole time.

0:32:41.920 --> 0:32:44.120
<v Speaker 4>Every once in a while they get it right, you know,

0:32:44.160 --> 0:32:47.400
<v Speaker 4>and uh, you know, if you want to find a

0:32:47.440 --> 0:32:52.080
<v Speaker 4>movie to stream. Also, by the way, the two this week. Yeah,

0:32:52.120 --> 0:32:54.440
<v Speaker 4>but the terms like I don't think you stream the day,

0:32:54.680 --> 0:32:56.600
<v Speaker 4>you know what I mean? Like it's more than right.

0:32:56.760 --> 0:33:02.200
<v Speaker 4>It's not like you're streaming stream fucking experiencing it, Like

0:33:02.360 --> 0:33:04.400
<v Speaker 4>it's like an immersive experience.

0:33:04.600 --> 0:33:08.200
<v Speaker 2>You climb right in there, don't you whitewater kayak?

0:33:08.280 --> 0:33:13.520
<v Speaker 1>It wanted to at one point, we wanted Apple to

0:33:13.600 --> 0:33:20.360
<v Speaker 1>send everyone like an eight or nine foot pickleball to

0:33:20.400 --> 0:33:23.360
<v Speaker 1>stand inside of and watch through one of the little holes,

0:33:23.920 --> 0:33:26.000
<v Speaker 1>you know, so that they could really feel like like

0:33:26.080 --> 0:33:30.560
<v Speaker 1>something totally immersive standing inside a giant pickleball with a door,

0:33:31.000 --> 0:33:33.920
<v Speaker 1>you know. Yeah, why didn't put your face up to

0:33:34.000 --> 0:33:34.360
<v Speaker 1>the hole.

0:33:34.800 --> 0:33:35.720
<v Speaker 4>Why didn't they do that?

0:33:37.960 --> 0:33:42.840
<v Speaker 1>So I think they understood what I was saying. And

0:33:42.880 --> 0:33:45.920
<v Speaker 1>they're very nice, by the way, and they've been very supportive.

0:33:46.080 --> 0:33:48.479
<v Speaker 3>I just to stand up a little bit into like

0:33:48.560 --> 0:33:50.800
<v Speaker 3>just speaking from a little bit of the outside of

0:33:50.800 --> 0:33:53.600
<v Speaker 3>this process, I think you could have gotten more involved there, Ben,

0:33:54.760 --> 0:33:57.440
<v Speaker 3>just in terms of drawing a pickleball, or when we

0:33:57.480 --> 0:34:02.000
<v Speaker 3>think about like the eat an EP's role on a

0:34:02.040 --> 0:34:06.360
<v Speaker 3>movie like this, there are moments when you need to

0:34:06.360 --> 0:34:06.800
<v Speaker 3>step in.

0:34:06.960 --> 0:34:09.799
<v Speaker 1>I just can't really draw, and so as I was

0:34:09.840 --> 0:34:13.239
<v Speaker 1>trying to, like, I'll just say it like, am I

0:34:13.239 --> 0:34:19.839
<v Speaker 1>an artist, Yes, but my messier is not uh penn

0:34:19.880 --> 0:34:23.520
<v Speaker 1>and sketch pad, you know, or just.

0:34:22.960 --> 0:34:24.680
<v Speaker 3>To stand up for my friend a little bit, he

0:34:24.760 --> 0:34:30.200
<v Speaker 3>can draw. He drew a beautiful big pickleball with a

0:34:30.400 --> 0:34:35.080
<v Speaker 3>beautiful woman standing inside with incredible attributes.

0:34:35.600 --> 0:34:39.320
<v Speaker 1>Mm hmmm, it was you know, there's holes in the pickleball,

0:34:39.440 --> 0:34:42.040
<v Speaker 1>so you can see, you can see, you can see

0:34:42.040 --> 0:34:43.040
<v Speaker 1>a glimpses.

0:34:43.160 --> 0:34:44.959
<v Speaker 2>Yes, getting able to see the movie.

0:34:45.000 --> 0:34:47.440
<v Speaker 1>You're getting a sense of and so that means that,

0:34:47.640 --> 0:34:48.520
<v Speaker 1>like what's going on.

0:34:49.360 --> 0:34:51.560
<v Speaker 4>I just want to understand the situation though, because I

0:34:51.600 --> 0:34:54.640
<v Speaker 4>was unaware of this completely. I just want to understand

0:34:54.680 --> 0:34:56.440
<v Speaker 4>what happened. You drew a picture going on.

0:34:56.440 --> 0:35:02.120
<v Speaker 6>To you physically, almost, Burt, Okay, you drew a sure

0:35:03.040 --> 0:35:07.240
<v Speaker 6>that's our concept art of what this would be almost

0:35:07.239 --> 0:35:08.600
<v Speaker 6>like you know we did with severance.

0:35:08.640 --> 0:35:11.280
<v Speaker 4>We did like a cube with severance and grandsact.

0:35:11.520 --> 0:35:15.680
<v Speaker 3>Yes, so you understand how this is very important.

0:35:16.040 --> 0:35:19.640
<v Speaker 4>So the drawing. You drew this woman, this beautifully well

0:35:19.680 --> 0:35:24.080
<v Speaker 4>attributed woman in a pickleball, and you sent gave it

0:35:24.120 --> 0:35:26.600
<v Speaker 4>to who because I never heard about this, And that's

0:35:26.600 --> 0:35:27.040
<v Speaker 4>what I'm saying.

0:35:27.080 --> 0:35:30.160
<v Speaker 1>It's just all the every female member of the marketing team.

0:35:30.880 --> 0:35:32.640
<v Speaker 4>And they rejected it. They weren't it.

0:35:34.080 --> 0:35:34.600
<v Speaker 2>Uh.

0:35:35.360 --> 0:35:38.480
<v Speaker 1>They have not emailed me essentially ever again.

0:35:38.920 --> 0:35:40.319
<v Speaker 4>So this is why I tell you.

0:35:41.360 --> 0:35:44.680
<v Speaker 3>Sometimes it's not waiting for them to say, oh, we

0:35:44.719 --> 0:35:47.880
<v Speaker 3>approve this or we don't. Sometimes it's you sending an

0:35:47.880 --> 0:35:50.040
<v Speaker 3>email waiting forgiveness, not permission.

0:35:50.520 --> 0:35:50.759
<v Speaker 2>John.

0:35:50.920 --> 0:35:53.399
<v Speaker 4>This is I've go ahead so many times. And we've

0:35:53.400 --> 0:35:57.120
<v Speaker 4>been working together and stuff for a few years now, right, Yeah,

0:35:57.520 --> 0:36:01.279
<v Speaker 4>you have to see me. You have to see.

0:36:01.560 --> 0:36:05.880
<v Speaker 3>It is hard to we have been working on this.

0:36:06.040 --> 0:36:08.480
<v Speaker 3>It is really hard to see see someone on a drawing.

0:36:09.640 --> 0:36:12.440
<v Speaker 4>Nope, But you have to turn it into an email.

0:36:12.840 --> 0:36:13.160
<v Speaker 4>You have to.

0:36:13.560 --> 0:36:14.959
<v Speaker 2>It's also really hard.

0:36:15.040 --> 0:36:18.080
<v Speaker 4>So what I what I did was have apps you

0:36:18.120 --> 0:36:20.160
<v Speaker 4>can scan things like well.

0:36:21.080 --> 0:36:23.120
<v Speaker 1>And this would have been great. And you're tech. You're

0:36:23.160 --> 0:36:25.120
<v Speaker 1>such a technical you know what I mean. You're a

0:36:25.160 --> 0:36:28.160
<v Speaker 1>director as well, and you work with all this technology,

0:36:28.200 --> 0:36:32.080
<v Speaker 1>the machines. You understand this stuff I hand delivered just

0:36:32.280 --> 0:36:35.920
<v Speaker 1>slid under the door of the offices of every female

0:36:36.040 --> 0:36:40.480
<v Speaker 1>marketing staff member. Yeah, Apple, I'm sure that incredible piece

0:36:40.480 --> 0:36:41.080
<v Speaker 1>of artwork.

0:36:41.640 --> 0:36:45.080
<v Speaker 4>Yeah, listen, you know you got to embrace technology. I

0:36:45.280 --> 0:36:49.520
<v Speaker 4>made my assistant about I don't know whenever it started up,

0:36:50.000 --> 0:36:52.200
<v Speaker 4>you know, twenty years ago, whatever it was when emails,

0:36:52.320 --> 0:36:54.279
<v Speaker 4>was it twenty years email, thirty years.

0:36:54.560 --> 0:36:56.239
<v Speaker 1>It was like I hate to put a number on.

0:36:56.600 --> 0:37:00.200
<v Speaker 4>Okay, but I remember when when email started. I made

0:37:00.239 --> 0:37:04.279
<v Speaker 4>my assistant explain to me how We're like, how do

0:37:04.320 --> 0:37:07.120
<v Speaker 4>you do an email? Okay? And I you know, at

0:37:07.120 --> 0:37:09.600
<v Speaker 4>the time, it was not easy. It was not simple.

0:37:09.960 --> 0:37:11.279
<v Speaker 4>It wasn't something everybody knew.

0:37:11.320 --> 0:37:12.640
<v Speaker 7>But I was like, I need to get ahead of

0:37:12.640 --> 0:37:14.600
<v Speaker 7>it because I don't want to be left in the dust.

0:37:14.680 --> 0:37:17.200
<v Speaker 7>And I continue to do it, like with TikTok and

0:37:17.200 --> 0:37:20.400
<v Speaker 7>and other you know, social media things. I make my

0:37:20.440 --> 0:37:23.239
<v Speaker 7>assistant show me stuff and say, explain to me how

0:37:23.280 --> 0:37:25.279
<v Speaker 7>does this work, you know, so I can understand, and

0:37:25.520 --> 0:37:27.279
<v Speaker 7>then I don't need the assistant or I don't need

0:37:27.320 --> 0:37:29.720
<v Speaker 7>to slip things under doors and you have to stay.

0:37:29.760 --> 0:37:31.439
<v Speaker 7>And I'm just giving you this advice because I got.

0:37:31.400 --> 0:37:34.560
<v Speaker 1>Two assistants right here, and they can't make heads or

0:37:34.560 --> 0:37:37.440
<v Speaker 1>tails of this email computer stuff. I don't know, but.

0:37:37.400 --> 0:37:39.560
<v Speaker 3>What I'm hearing is that, you know that's the whole

0:37:39.560 --> 0:37:43.520
<v Speaker 3>staff how to write and send an email that says, hey,

0:37:44.120 --> 0:37:45.520
<v Speaker 3>this is a beautiful drawing.

0:37:47.640 --> 0:37:51.879
<v Speaker 2>Exact needs someone will you need to.

0:37:52.520 --> 0:37:56.120
<v Speaker 4>Create a reality? Right, Yes, I can't do it if

0:37:56.160 --> 0:37:57.319
<v Speaker 4>I don't get c.

0:37:57.440 --> 0:38:02.520
<v Speaker 3>C okay, So thinking about this, maybe you can describe it.

0:38:02.600 --> 0:38:04.680
<v Speaker 3>Maybe you can describe the drawing and attack.

0:38:04.840 --> 0:38:07.760
<v Speaker 1>This is a joke area. It's maybe a New Yorker cartoon,

0:38:08.680 --> 0:38:14.520
<v Speaker 1>but it's a modern day professor or teacher and they

0:38:14.960 --> 0:38:17.560
<v Speaker 1>I don't know exactly how it works, but the punchline

0:38:17.600 --> 0:38:19.719
<v Speaker 1>is c se me after class.

0:38:20.120 --> 0:38:21.400
<v Speaker 2>M hm. I like that.

0:38:21.480 --> 0:38:22.239
<v Speaker 1>You see what I'm saying?

0:38:22.320 --> 0:38:25.120
<v Speaker 3>And they all have no but it's the whole class

0:38:25.280 --> 0:38:26.120
<v Speaker 3>as computer.

0:38:27.280 --> 0:38:30.200
<v Speaker 2>Everyone in class they are is.

0:38:31.600 --> 0:38:32.440
<v Speaker 1>They are a computer.

0:38:32.760 --> 0:38:34.200
<v Speaker 2>Everyone is a computer.

0:38:34.680 --> 0:38:35.840
<v Speaker 1>Go ahead, what were you going to say?

0:38:35.960 --> 0:38:38.080
<v Speaker 3>I was going to say, everyone is so distracted by

0:38:38.120 --> 0:38:41.880
<v Speaker 3>the computer that like he like, he can't even get

0:38:41.920 --> 0:38:43.920
<v Speaker 3>their attention because they're on their computer. So he's saying,

0:38:44.000 --> 0:38:48.320
<v Speaker 3>see me after class that it's so much better that

0:38:48.360 --> 0:38:49.439
<v Speaker 3>they're all computers.

0:38:49.840 --> 0:38:50.640
<v Speaker 4>I like that. I like that.

0:38:50.680 --> 0:38:53.120
<v Speaker 2>Easier to draw. Yeah, I mean.

0:38:53.160 --> 0:38:55.480
<v Speaker 4>And it's also interesting because you know c C. The

0:38:55.560 --> 0:39:01.040
<v Speaker 4>term CC actually goes pre computers, right because is carbon copy?

0:39:02.000 --> 0:39:04.160
<v Speaker 4>Yeah yeah, so that used to be when you had

0:39:04.160 --> 0:39:06.680
<v Speaker 4>a black piece of paper purple piece of paper you

0:39:06.719 --> 0:39:10.839
<v Speaker 4>put between. Physically, it would could have done you're drawing too.

0:39:11.040 --> 0:39:14.200
<v Speaker 4>Physically you could have actually carbon copied you're drawing if

0:39:14.200 --> 0:39:16.919
<v Speaker 4>you did not want to use a computer and given

0:39:17.120 --> 0:39:20.040
<v Speaker 4>a carbon copy of the physical, the physical carbon copy

0:39:20.080 --> 0:39:22.640
<v Speaker 4>of it. Anyway, all that to say, it's a great idea.

0:39:22.880 --> 0:39:25.360
<v Speaker 4>I think that would have been a great stunt. But

0:39:25.560 --> 0:39:27.680
<v Speaker 4>like us talking about the movie on this podcast, I

0:39:27.680 --> 0:39:29.399
<v Speaker 4>think is as impactful, if not.

0:39:29.440 --> 0:39:32.680
<v Speaker 1>More than the pickleball. Yeah, this is going to go.

0:39:32.680 --> 0:39:33.759
<v Speaker 4>Viral in some way.

0:39:34.160 --> 0:39:34.279
<v Speaker 1>You know.

0:39:34.320 --> 0:39:37.040
<v Speaker 4>It's always funny to me. Also, like when studio execs say, oh,

0:39:37.040 --> 0:39:39.399
<v Speaker 4>you should do a viral video, It's like, okay, well,

0:39:39.880 --> 0:39:42.399
<v Speaker 4>you know, I'd love every video to be viral.

0:39:42.120 --> 0:39:45.600
<v Speaker 1>That I've been trying, right exactly, you never know what's trying.

0:39:46.520 --> 0:39:49.200
<v Speaker 4>But I do think certain things we've said here and

0:39:49.239 --> 0:39:49.799
<v Speaker 4>done and.

0:39:49.880 --> 0:39:54.520
<v Speaker 1>This, you can feel actually something is happening over at

0:39:54.560 --> 0:40:01.319
<v Speaker 1>Hollywood Handbook and something is going on there. There's buildings virality.

0:40:01.280 --> 0:40:03.239
<v Speaker 4>You guys have ever had. But I'm sure this. I

0:40:03.320 --> 0:40:06.279
<v Speaker 4>just feel like just even like us talking about this

0:40:06.520 --> 0:40:08.120
<v Speaker 4>is going to get clipped out because they call it

0:40:08.160 --> 0:40:08.800
<v Speaker 4>being clipped.

0:40:08.960 --> 0:40:12.080
<v Speaker 1>Yes, this would be huge the aggregators. Aggregators are going

0:40:12.160 --> 0:40:13.680
<v Speaker 1>to have a field day with some of these lines.

0:40:14.320 --> 0:40:16.959
<v Speaker 3>And we can also wait until like some other current

0:40:17.000 --> 0:40:20.040
<v Speaker 3>event happens it's unrelated to this, and like clip something

0:40:20.080 --> 0:40:22.719
<v Speaker 3>that you say and like post it.

0:40:22.920 --> 0:40:25.279
<v Speaker 1>Yeah if we just got you cold saying like I

0:40:25.320 --> 0:40:28.600
<v Speaker 1>think that's a good thing, right right, and then we

0:40:28.600 --> 0:40:32.360
<v Speaker 1>wait for like some horrible tragedy and then we just

0:40:32.440 --> 0:40:35.839
<v Speaker 1>go and then it's like Stiller responds.

0:40:35.480 --> 0:40:39.319
<v Speaker 4>Right, I like that that works, you guys. For me,

0:40:39.440 --> 0:40:42.000
<v Speaker 4>it might not be optimal because then I'm put in

0:40:42.000 --> 0:40:42.680
<v Speaker 4>a weird position.

0:40:42.719 --> 0:40:43.239
<v Speaker 1>Bulletproof.

0:40:43.239 --> 0:40:45.000
<v Speaker 2>Brother, you're out there though.

0:40:45.280 --> 0:40:47.919
<v Speaker 4>I think already what we said, like the Adam Scott stuff,

0:40:48.000 --> 0:40:49.680
<v Speaker 4>like some of that stuff out of context could be

0:40:49.760 --> 0:40:52.319
<v Speaker 4>really you know, I would click on that. You know,

0:40:52.600 --> 0:40:56.960
<v Speaker 4>wait a minute, half shouldn't have years like whoa right, yeah,

0:40:57.080 --> 0:40:59.279
<v Speaker 4>yeah yeah, And.

0:40:59.239 --> 0:41:02.120
<v Speaker 3>Maybe we get real lucky and his ears like get

0:41:02.400 --> 0:41:04.320
<v Speaker 3>removed in some.

0:41:03.640 --> 0:41:07.840
<v Speaker 1>Something happened, some kind of accident. You know, honestly, we

0:41:07.880 --> 0:41:10.960
<v Speaker 1>got him to do the Harley thing. And then when

0:41:10.960 --> 0:41:13.680
<v Speaker 1>he took off his motorcycle helmet, it just sheared the

0:41:13.800 --> 0:41:16.440
<v Speaker 1>years off with it. The ears came out inside the helmet,

0:41:16.960 --> 0:41:19.720
<v Speaker 1>you know, right.

0:41:20.120 --> 0:41:21.480
<v Speaker 4>And still I saw it. I had.

0:41:23.840 --> 0:41:26.200
<v Speaker 1>Heaviers. And then it's like, did he rig the helmet?

0:41:26.239 --> 0:41:28.160
<v Speaker 1>You know what I did? He did he steal the

0:41:28.200 --> 0:41:34.080
<v Speaker 1>helmet from the next cheating room.

0:41:34.120 --> 0:41:36.920
<v Speaker 4>We don't know cheating. There's no cheating.

0:41:39.239 --> 0:41:41.040
<v Speaker 2>He feels like he has to say that.

0:41:43.760 --> 0:41:44.920
<v Speaker 1>It's pathological.

0:41:46.080 --> 0:41:49.600
<v Speaker 2>I mean it's like, yeah, I've never been more certain

0:41:50.920 --> 0:41:51.839
<v Speaker 2>was But.

0:41:51.719 --> 0:41:57.200
<v Speaker 4>Yeah, guys, who are your teams that didn't win the championship?

0:41:58.200 --> 0:41:58.720
<v Speaker 4>My team?

0:41:59.120 --> 0:42:02.200
<v Speaker 3>I have a a team that I have supported for

0:42:02.239 --> 0:42:02.680
<v Speaker 3>a while.

0:42:03.520 --> 0:42:06.040
<v Speaker 2>Uh and it's called Seal Team.

0:42:05.960 --> 0:42:09.879
<v Speaker 1>Six mm hmmm. They're the Troops. I guess they didn't

0:42:10.000 --> 0:42:17.560
<v Speaker 1>win the championship this year in your estimation, say, there's

0:42:17.560 --> 0:42:21.120
<v Speaker 1>a long string of victories they've had, but there is

0:42:21.160 --> 0:42:22.239
<v Speaker 1>actually no championship.

0:42:22.400 --> 0:42:25.560
<v Speaker 3>But let's get a basketball team. No, let's get the

0:42:25.640 --> 0:42:29.480
<v Speaker 3>NBA championship to a basketball team.

0:42:29.560 --> 0:42:31.960
<v Speaker 1>Yeah, that's that'll keep us safe.

0:42:33.640 --> 0:42:36.680
<v Speaker 4>Well, now you've flipped it around, because I was thinking of,

0:42:36.800 --> 0:42:40.520
<v Speaker 4>you know, sports teams, not not maybe Seal teams.

0:42:40.600 --> 0:42:43.000
<v Speaker 1>Said, maybe support You said, what team do we support?

0:42:43.120 --> 0:42:44.400
<v Speaker 2>Is that the problem with our culture?

0:42:44.640 --> 0:42:46.680
<v Speaker 1>M hmm is that team has just come to me

0:42:46.719 --> 0:42:49.400
<v Speaker 1>in these these children's games.

0:42:50.239 --> 0:42:51.680
<v Speaker 2>And just I may.

0:42:53.080 --> 0:42:56.400
<v Speaker 1>Hope that some of pirates don't ever overtake your vessel. Uh,

0:42:56.480 --> 0:42:59.319
<v Speaker 1>And you're expecting Jalen Brunson to uh get in a

0:42:59.480 --> 0:43:05.840
<v Speaker 1>frog suit somehow, you know, bring you to safety and

0:43:06.000 --> 0:43:12.240
<v Speaker 1>kick their ass. Look, I mean in good physical shape,

0:43:12.360 --> 0:43:15.319
<v Speaker 1>but there's a whole bunch of technical stuff that goes

0:43:15.360 --> 0:43:19.400
<v Speaker 1>into the the frog suit element that I'm just not

0:43:19.440 --> 0:43:20.480
<v Speaker 1>sure he has the training for.

0:43:20.960 --> 0:43:23.239
<v Speaker 4>Well. No, but if he did, if he chose to

0:43:24.840 --> 0:43:29.640
<v Speaker 4>kick their ass, whoever who felt with mm hmm?

0:43:31.880 --> 0:43:34.720
<v Speaker 3>Do you think his dad would then say that Patrick

0:43:34.760 --> 0:43:36.120
<v Speaker 3>Ewing would have kicked their ass better?

0:43:40.920 --> 0:43:44.719
<v Speaker 4>Let me tell you Patrick Ewing e he had a

0:43:44.760 --> 0:43:48.360
<v Speaker 4>team around him at the time he would have okay,

0:43:48.760 --> 0:43:50.520
<v Speaker 4>and that was the only and if you really because.

0:43:50.320 --> 0:43:54.760
<v Speaker 1>We hope John Starks doesn't hear this, No, I really

0:43:54.800 --> 0:43:56.319
<v Speaker 1>hope John Starks doesn't hear this.

0:43:56.480 --> 0:44:00.759
<v Speaker 4>Man he had people who came in but and then,

0:44:00.840 --> 0:44:03.719
<v Speaker 4>as you know, ninety nine, he was injured. But you know,

0:44:03.760 --> 0:44:05.960
<v Speaker 4>and he had this very bad injury that happened. But

0:44:05.960 --> 0:44:09.319
<v Speaker 4>but but Patrick ewing Is probably will go down. As

0:44:09.520 --> 0:44:12.680
<v Speaker 4>you know, I mean, it's hard to rank the greatest Knicks.

0:44:12.680 --> 0:44:17.160
<v Speaker 4>But come on, okay mm hmm, yeah, I took it there.

0:44:17.280 --> 0:44:18.040
<v Speaker 4>That's where we're going.

0:44:19.160 --> 0:44:23.120
<v Speaker 1>That's that's great. We can do we can do something

0:44:23.160 --> 0:44:32.800
<v Speaker 1>with that. Guys have no interest, no interest in ranking

0:44:32.840 --> 0:44:35.239
<v Speaker 1>the greatest Knicks. Ever, it's hard to do.

0:44:36.239 --> 0:44:37.640
<v Speaker 4>Oh my guess.

0:44:39.680 --> 0:44:42.239
<v Speaker 3>I want to make sure we have what we have

0:44:42.320 --> 0:44:46.560
<v Speaker 3>you we have you getting.

0:44:46.719 --> 0:44:49.080
<v Speaker 2>We have the red carpet.

0:44:49.160 --> 0:44:51.960
<v Speaker 1>We have we have to have Ben shaped stain on

0:44:52.000 --> 0:44:52.520
<v Speaker 1>the carpet.

0:44:53.000 --> 0:44:57.480
<v Speaker 3>We have the Knicks cheating room footage making it its

0:44:57.520 --> 0:45:00.440
<v Speaker 3>way into only five pies.

0:45:01.640 --> 0:45:03.680
<v Speaker 1>We got this sort of you know, relate. We've got

0:45:03.680 --> 0:45:06.719
<v Speaker 1>the sort of didingt tocy two screen experience with the

0:45:06.840 --> 0:45:07.800
<v Speaker 1>with the men's group.

0:45:08.160 --> 0:45:11.239
<v Speaker 4>Yes, yes, I had another idea for that too, Like

0:45:11.280 --> 0:45:13.360
<v Speaker 4>we were talking about the everything.

0:45:13.280 --> 0:45:15.680
<v Speaker 1>Yeah yeah, yeah, yeah, yeah yeah yeah.

0:45:15.719 --> 0:45:19.400
<v Speaker 4>And we said it was we said it was a

0:45:19.480 --> 0:45:22.799
<v Speaker 4>dissy dingus. Is that the name of the Yeah?

0:45:22.840 --> 0:45:26.160
<v Speaker 1>But oh well now I'm like dt to right.

0:45:26.480 --> 0:45:27.919
<v Speaker 2>Yes, thank you, that's great.

0:45:27.920 --> 0:45:31.279
<v Speaker 4>Here's my my thing though, since you could watch the

0:45:31.400 --> 0:45:36.480
<v Speaker 4>DNK three times within the odyssey a ding ding DNC

0:45:36.560 --> 0:45:38.160
<v Speaker 4>to sy a ding dingy.

0:45:38.440 --> 0:45:44.080
<v Speaker 1>Oh we triple it, D think to see yes, and

0:45:44.120 --> 0:45:47.520
<v Speaker 1>then underneath we'd have like a parenthetic parenthetical sort of

0:45:47.520 --> 0:45:50.200
<v Speaker 1>explaining why we wrote it three times.

0:45:49.880 --> 0:45:52.560
<v Speaker 4>Or not, or people just figure it out because you know,

0:45:52.600 --> 0:45:54.880
<v Speaker 4>they've watched it three times, because everybody's watching it so

0:45:55.120 --> 0:45:56.360
<v Speaker 4>like they get it, they understand.

0:45:56.840 --> 0:45:58.680
<v Speaker 1>You just feel it. It's just in your bones.

0:45:58.719 --> 0:46:02.000
<v Speaker 4>At that point, I'm just saying, just a pitch a

0:46:02.120 --> 0:46:02.920
<v Speaker 4>dingting dingctacy.

0:46:04.120 --> 0:46:07.799
<v Speaker 2>We have the big pickleball, which I think could still.

0:46:07.960 --> 0:46:11.920
<v Speaker 1>I think even in a limited way, even if we

0:46:12.040 --> 0:46:17.760
<v Speaker 1>just got twelve of these things and sent them to people.

0:46:18.000 --> 0:46:21.839
<v Speaker 4>Yes, yeah, a good ideaste fully.

0:46:21.880 --> 0:46:25.160
<v Speaker 1>You know, arrange the pickleball holes.

0:46:27.760 --> 0:46:31.200
<v Speaker 4>Enough like an Austin Powers reverse sort of way.

0:46:31.080 --> 0:46:36.400
<v Speaker 1>I believe. So, yes, there will be implications.

0:46:35.680 --> 0:46:38.520
<v Speaker 2>Yes, because some of these women in the world, my.

0:46:38.400 --> 0:46:43.960
<v Speaker 3>God, good gravy man, some of these women are unbelievable.

0:46:44.120 --> 0:46:48.439
<v Speaker 1>What they've been doing with the women lately. I did

0:46:48.440 --> 0:46:50.440
<v Speaker 1>not think I would see this in my lifetime. Have

0:46:50.520 --> 0:46:52.319
<v Speaker 1>you seen some of these catt A load of some

0:46:52.360 --> 0:46:55.640
<v Speaker 1>of this stuff. I don't know if it's AI or what,

0:46:56.480 --> 0:46:59.200
<v Speaker 1>but if it is, sign me up.

0:46:59.440 --> 0:47:02.799
<v Speaker 4>Yeah, speaking of AI, you guys should really jump on

0:47:02.880 --> 0:47:07.800
<v Speaker 4>that too. Just thank you, yes, I mean just seeing

0:47:07.840 --> 0:47:09.560
<v Speaker 4>and the emails. It's the next step.

0:47:09.840 --> 0:47:12.920
<v Speaker 1>It's Hollywood handbook. It's Hollywood handbook. And what's Hollywood now?

0:47:13.040 --> 0:47:17.040
<v Speaker 1>He'll tell you I we're talking about it, you know exactly.

0:47:17.680 --> 0:47:20.000
<v Speaker 1>They're not opening up their checkbook the way they used

0:47:20.040 --> 0:47:23.319
<v Speaker 1>to give artists like us opportunities. We're going to have

0:47:23.400 --> 0:47:26.040
<v Speaker 1>to start making everything with AI.

0:47:26.840 --> 0:47:29.080
<v Speaker 4>So get your assistance to teach you AI.

0:47:29.600 --> 0:47:31.600
<v Speaker 3>And talk about I mean, like you know, this doesn't

0:47:31.640 --> 0:47:33.600
<v Speaker 3>release for a couple of days. You talk about like

0:47:34.320 --> 0:47:38.400
<v Speaker 3>putting your head on Greg Fitzpatrick's body, for example. That's

0:47:38.520 --> 0:47:42.440
<v Speaker 3>like that is something that the AID be able to do,

0:47:42.600 --> 0:47:44.000
<v Speaker 3>is very eager to do.

0:47:44.120 --> 0:47:47.680
<v Speaker 1>I put Adam's hair on my head, Jeers on his

0:47:47.800 --> 0:47:49.640
<v Speaker 1>so you can finally fucking listen to something.

0:47:51.040 --> 0:47:52.560
<v Speaker 4>Well, yeah, but you know what, all the air in

0:47:52.560 --> 0:47:54.400
<v Speaker 4>the world's not going to make Adams Scott listen to

0:47:54.440 --> 0:47:58.240
<v Speaker 4>anybody other than voice.

0:48:00.600 --> 0:48:09.480
<v Speaker 1>Bye, Hollywood, Hamburg