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Speaker 1: So you said, you say, picture this and that, like

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Speaker 1: I listened to it.

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Speaker 2: I don't. I don't.

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Speaker 1: I don't like understand, like I get that it's something

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Speaker 1: like I get that you're like doing something. I get it.

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Speaker 3: I just want to say, like I listen, I get it.

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Speaker 3: I was unable to explain it to.

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Speaker 1: His and I understand. I understand that it's I.

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Speaker 3: Get it, Like, no, I know it's something. I know.

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Speaker 3: It's like.

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Speaker 1: This thing you guys do.

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Speaker 4: And I love you guys are sports guys, right, It's

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Speaker 4: kind of like.

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Speaker 3: Am I a sports guy?

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Speaker 1: Mondo?

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Speaker 3: Come on brother? Yes, uh yeah, boku sports fan.

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Speaker 2: Gotchak picture this.

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Speaker 5: So we've been bogged down as a society with always

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Speaker 5: looking at stuff, but we forget that the original Nickelodeon

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Speaker 5: is in our brains, right, So what I need you

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Speaker 5: to do is picture this close your eyes.

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Speaker 3: I mean like when Pete and Pete was on it.

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Speaker 2: Yeah yeah see see.

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Speaker 5: And that's the problem. And that's the problem.

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Speaker 1: You mean, like killers a Nickel you would watch a

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Speaker 1: little real yes, yeah, but in your brain nicols, how

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Speaker 1: much the freaking podcast is making we'll talk about that.

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Speaker 2: No, that is I haven't seen much. That's larger.

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Speaker 1: Well, we'll get into all that. Picture.

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Speaker 2: This is actually a sort of a tribute to the

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Speaker 2: did's one hundred and twenty year tradition of the visual

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Speaker 2: medium in America, and that's what we wanted to do.

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Speaker 2: You know, Yeah, Kubrick, it's a.

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Speaker 3: Hitch well now, and now you're speaking my language because

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Speaker 3: as as Mondo of a book whose sports fan, as

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Speaker 3: I am film.

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Speaker 5: I know, yeah, cubric's hitchcock. Every time I said the

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Speaker 5: picture of this, I'm saying I am doing a cube cock.

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Speaker 3: Yeah, cube cock, cuecock on this one.

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Speaker 1: And the studios, honestly, that gave them the opportunity to

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Speaker 1: to be like filmmakers. Like without the studios, they would

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Speaker 1: just be like, yeah.

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Speaker 3: No picture but picture that. So picture this, and hey,

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Speaker 3: is this will help you picture this. It's going handheld,

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Speaker 3: it's verite, it's dirty in the frame we're here.

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Speaker 1: This doesn't feel like. This doesn't feel like the picture

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Speaker 1: of this that you all do.

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Speaker 2: That's because you're picturing it.

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Speaker 5: You're picturing because if you if you really was picturing

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Speaker 5: it right, then you would know. You don't know what

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Speaker 5: I am constantly getting angles every time I'm saying it.

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Speaker 2: It's it's not if you're picturing it like Brett Rattner

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Speaker 2: when you should be picturing.

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Speaker 5: Yeah, yeah, I'm picturing the cameras.

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Speaker 2: What are you picturing?

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Speaker 1: Picturing it on stick.

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Speaker 2: And the cameras.

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Speaker 3: Okay, so it's like locked off single frame okay, yeah.

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Speaker 2: Just letting the actors riff for a long time and

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Speaker 2: a lot.

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Speaker 3: Of Well then we have to cross shoot. You should say,

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Speaker 3: picture this and cross shooting because we want to get

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Speaker 3: all the riffs.

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Speaker 1: So that's what it is.

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Speaker 3: Yeah, you have to for comedy.

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Speaker 2: You have to.

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Speaker 3: Comedy plays in the two I mean the action and

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Speaker 3: the reaction. Please no, I really believe. Okay, So I'm

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Speaker 3: able to picture it and actually helpful for me because

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Speaker 3: as much as I said at the beginning that I

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Speaker 3: did get it, I had no idea.

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Speaker 2: What it was.

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Speaker 1: I do. I get that it's something, and I get

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Speaker 1: the impression that you don't actually even get that it's something.

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Speaker 3: I'm getting there.

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Speaker 2: Okay, look how energetic shine is right? Clearly?

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Speaker 3: Well, I had the Killer lemonade, I had the Psycho

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Speaker 3: lemonade from from Panera. Kevin brought me the other tips

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Speaker 3: and uh, yeah, it's completely changed my person aspective and

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Speaker 3: my heart.

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Speaker 4: Rhythm, like you came in here really morose. Yeah.

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Speaker 3: Yeah, I was ready to fucking cash in. You know

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Speaker 3: I was. I was not charged.

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Speaker 2: I had the very first charge.

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Speaker 1: That's what.

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Speaker 2: I was.

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Speaker 3: Cashed out.

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Speaker 2: You were ready to check out? Yeah?

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Speaker 3: Both both.

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Speaker 2: Yeah.

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Speaker 5: I had to kill her big kid grilled cheese, which

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Speaker 5: is two big pieces of Texas toast cheese, bacon, shards

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Speaker 5: of glass.

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Speaker 1: And three hundred millie.

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Speaker 5: On top of it, Like the glass is crystallized in

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Speaker 5: the caffe.

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Speaker 6: Is this a secret menu item or is this is

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Speaker 6: the menu?

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Speaker 3: It's on the menu in order. You like, do you

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Speaker 3: want to riddle and boost and you go, Yeah, I

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Speaker 3: was crush up a full bottle of prescription riddle in

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Speaker 3: in there.

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Speaker 2: I had suicide chowder in a caffeinated bread ball and.

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Speaker 1: And that's the suicide chat. It sounds bad, but it's

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Speaker 1: just all the chowder.

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Speaker 2: It's all the different from the chowder fountain.

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Speaker 6: Like corn you can get corn chowder, you get clams,

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Speaker 6: red and white Manhattan.

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Speaker 7: The bread has diet pills baked into the bread. Chowder,

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Speaker 7: Staten Island chowder, Yeah, yeah, Queen's Chowder, Bronx chowder, mon

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Speaker 7: Talk chowder.

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Speaker 3: Vibrant stack or two's, but just all the you know,

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Speaker 3: everything that you like to have when you're at Panera,

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Speaker 3: all put together in this one item. It's it's really great,

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Speaker 3: and you wash it down with some uh some psychopath

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Speaker 3: lemonade that just fucking explodes your entire insides. It's pretty cool.

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Speaker 2: I wonder if another sandwich shop is going to go

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Speaker 2: in the downer direction.

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Speaker 3: Yeah, I've been interested because I haven't heard from Blimpi's

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Speaker 3: in a minute. And I do think that there is

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Speaker 3: a hole in the Mark marketplace where when I leave

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Speaker 3: Banara and I am fucking shooting off the walls, and

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Speaker 3: it is pretty late at night, and I do need

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Speaker 3: to go to bed almost immediately. If I could walk

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Speaker 3: into bloom Bee's and.

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Speaker 1: And all just hit there whenever one of the most

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Speaker 1: camps was a downer whenever, I.

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Speaker 3: Yeah, yeah, massive down.

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Speaker 2: It's got their campaign rights itself.

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Speaker 1: It's just tough because like when we brought you guys

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Speaker 1: in where you're you're from Kansas City. Ryan's from Kansas

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Speaker 1: City City, so like, yes, right.

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Speaker 3: We're activating the economy.

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Speaker 2: Yeah, Ohio.

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Speaker 1: Greg's from Ohio. Carl's like different places that he says

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Speaker 1: is from.

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Speaker 3: Yeah, the story does not hold up.

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Speaker 2: I'm from where to Rico, and it's.

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Speaker 3: Just so always with Mayor Pete and the c I

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Speaker 3: a back back in the nineties. It's just a big

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Speaker 3: chunk of missing time for him.

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Speaker 2: Did he go by may Repete back then? Yeah? Was

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Speaker 2: he rep Repete?

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Speaker 3: Booty j Yeah, that's what they call me in.

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Speaker 1: The Caffeinated bread Ball Prices.

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Speaker 5: Fixing Bad Mayor Pete, the Booty Judge.

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Speaker 3: Yeah, I'm at the club. They call me Ma Pete.

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Speaker 2: It was it was from was judging Booty on the

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Speaker 2: Booty Judge.

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Speaker 3: That's my dog's joke.

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Speaker 1: It was from.

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Speaker 3: That's joke.

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Speaker 1: Yeah, a conversation where Kevin brought us together and we

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Speaker 1: knew what it was about, like, uh, we've been doing

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Speaker 1: this for a long time.

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Speaker 2: Yeah.

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Speaker 3: Uh, and it still feels fresh to me.

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Speaker 1: It does, but everyone else's like it doesn't. We're out

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Speaker 1: of touch. We're out of touch. Yeah, I know, I

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Speaker 1: understand that. I have no pretest, like, I have no idea.

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Speaker 3: What we've been so removed from the day to day

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Speaker 3: goings on of society for so long.

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Speaker 2: Yeah, Well, when you're studio, when you're titans of the

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Speaker 2: podcast industry, it's Titansando. I just love the stuff, but

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Speaker 2: I imagine it's hard to stay grounded like.

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Speaker 1: They like what's going on out there. I just have

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Speaker 1: no connection to especially like these men men in other places,

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Speaker 1: like women, I feel they just inherently understand refinement.

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Speaker 3: There's some connection there where. Uh yeah, I don't know

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Speaker 3: what it is. I'm not a.

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Speaker 2: Guy's guy.

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Speaker 3: I'm shamed of that. But women, the men from over

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Speaker 3: there's from some sort of community from over there.

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Speaker 1: From over there, over there's there's oceans between us, that's

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Speaker 1: for sure. I don't I don't get it. And that's

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Speaker 1: what the hat pack was kind of about, right to

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Speaker 1: get in touch with that energy, right.

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Speaker 6: Hats, guys like hats, very wearing.

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Speaker 3: It's true, it's true.

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Speaker 1: But crazy. It was about bringing in some of these guys,

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Speaker 1: you know, and some of.

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Speaker 3: The dudes, you know, because it's you know, primarily the

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Speaker 3: show has been for women that we've made, and that

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Speaker 3: is great and it's served us well, and there's just

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Speaker 3: this sort of cool cosmic connection you know that we

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Speaker 3: have with females that we haven't been able to generate

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Speaker 3: with guys don't get the show. So we said, you know,

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Speaker 3: we said Emir said, you have to do something for.

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Speaker 2: The boys, something for the cult.

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Speaker 5: You did call Hollywood Handbook the Lifetime of podcasts.

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Speaker 1: Yeah yeah, and so it's it was about understanding these guys,

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Speaker 1: understanding the food the Kansas City, like the wet food food.

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Speaker 3: Yeah yeah, the d food chili, right, isn't there like

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Speaker 3: crazy chili?

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Speaker 2: Yeah yeah?

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Speaker 5: In Cincinnati, I mean, and in Puerto Rico we have

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Speaker 5: something called talking about talk about is like a banana.

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Speaker 5: You would think it was a really starchy banana and

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Speaker 5: it kind of caramelizes itself. All you gotta do is

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Speaker 5: fried up things, get real juicy, sticky, big, but don't

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Speaker 5: try to eat it. Don't try to eat it, like

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Speaker 5: don't just don't. Don't don't eat.

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Speaker 2: It, don't eat don't.

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Speaker 3: So we're talking about food, talking about wet food, the chili,

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Speaker 3: and then the difference there is that you don't.

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Speaker 2: Eat don't eat that ship don't.

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Speaker 1: But it is food.

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Speaker 2: Can I back up?

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Speaker 3: We're here with the foosballs today. Welcome to Hollywood Handbook.

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Speaker 3: We're here with the foosballs today. And this is it,

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Speaker 3: you know, and this is again I think because our

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Speaker 3: because of who our listeners are, we can't drop them

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Speaker 3: in the middle, you know what I mean. But I

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Speaker 3: think a lot of your fans and hopefully we'll get

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Speaker 3: more of them.

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Speaker 1: Yes, we can do that. That's what I'm saying.

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Speaker 3: We can do a lot of them probably need us,

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Speaker 3: and we're happy that you're here. Need us to kind

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Speaker 3: of back it up and really hold their hands. So

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Speaker 3: we're here with the foosballs. They have this show, you know,

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Speaker 3: it's this fantasy football show and their sports maniacs really

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Speaker 3: and they go like funny mode and they do picture

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Speaker 3: this we talked about a little bit and we geek out.

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Speaker 3: They must have other.

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Speaker 2: Yeah, those are all the segments.

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Speaker 3: That's it. Okay, well that's what we That's what we

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Speaker 3: did want to talk about too. I think part of

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Speaker 3: the thing of having you here was like, just because

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Speaker 3: of financially, we made some promises about the show to

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Speaker 3: a mirror that have not yet been fulfilled. And he

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Speaker 3: has taken Kevin's hedgehog hostage and he is going to

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Speaker 3: remove a single quill every day until we make your

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Speaker 3: show financially solve it. And so he had some uh,

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Speaker 3: segment ideas and we have some segment ideas and just

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Speaker 3: stuff to kind of juge it up.

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Speaker 5: That's Kevin's hedgehob. That that was Kevin's wife's hedgehogs. That's

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Speaker 5: what I was always like, whipped Take kevin hedgehog, he's allergic.

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Speaker 3: Taking care of a hedgehog that's not even his You

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Speaker 3: got it.

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Speaker 2: You don't have a hypoallergenic hedgehog. No ask an answer.

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Speaker 3: And his wife flies in the dander, she gets she

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Speaker 3: gets danders.

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Speaker 2: Yeah.

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Speaker 3: Wow, Yeah, there's more powerful stuff.

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Speaker 2: I guess to quick my quick question. When you're saying

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Speaker 2: we're not financially solvent, what's the overhead for the show? Yeah?

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Speaker 3: Well, look, you guys have enjoyed the the perks right

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Speaker 3: occasionally recording in this studio, stuff.

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Speaker 2: Like that.

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Speaker 1: New cables added over there, Like every time you come in,

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Speaker 1: and the ceiling is and the and the ceiling is

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Speaker 1: a little bit lower, Like every single time, ceiling is

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Speaker 1: a little bit lower to make us cheap.

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Speaker 5: To make us feel taller.

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Speaker 2: I feel tall.

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Speaker 3: Yeah. I don't have like a a really great sense

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Speaker 3: of all the sort of vest meant that they've made here,

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Speaker 3: But what I'm being told is that it's significant for them.

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Speaker 1: Sometimes there's people you might have noticed, not today obviously,

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Speaker 1: but sometimes there's people working here.

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Speaker 3: People, Yeah, sitting down, they're like like at a computer.

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Speaker 3: It's like not clear at all what they do. They

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Speaker 3: like kind of are annoyed that you're here, but it's like,

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Speaker 3: but aren't you only here because we're here.

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Speaker 1: Mere's boots of course.

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Speaker 2: Yeah, they're all hot.

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Speaker 1: His boots are.

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Speaker 2: Hot, They're they're fur lined, they're keeping his feet once. Yeah.

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Speaker 4: Now this is the first I've heard that we're not

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Speaker 4: doing well.

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Speaker 3: Okay, uh, because.

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Speaker 5: I'll spend my advanced money.

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Speaker 3: If you want time with that.

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Speaker 5: Yeah, like, I'll spend my advanced money.

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Speaker 3: The first I heard was that Kevin called me up

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Speaker 3: crying in the middle of the night and said he's gone.

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Speaker 3: I think they're going to do something bad.

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Speaker 2: Said, who't it the Hedgehop.

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Speaker 8: Oh, I normally call up Sean crying in the middle

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Speaker 8: of the night, so I had to specify.

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Speaker 6: This one was about Clippy.

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Speaker 8: Take he take one Clippy, a hedgehog, a Mere take

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Speaker 8: one quill off a day getting clipped.

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Speaker 3: Usually he just has Usually Kevin just calls me because

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Speaker 3: he had a bad dream.

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Speaker 8: I have the charge lemonaded nights. It caused crazy nightmare.

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Speaker 2: Well, this sounds like a nightmare.

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Speaker 3: But we just need we just needed to juice up

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Speaker 3: the segments. I don't think it's that difficult.

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Speaker 2: A mirror.

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Speaker 3: I guess recently got married and would like to see

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Speaker 3: that reflected more in the show. Uh segment where you

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Speaker 3: talk about I guess we call football wives.

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Speaker 1: Yes, some of that, and it's who you would like

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Speaker 1: to be married to?

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Speaker 2: Nicole Brown Simpson.

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Speaker 6: Okay, okay, okay, we do talk about Nicole Brown Simpson

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Speaker 6: a lot.

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Speaker 3: Yeah, I've noticed that.

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Speaker 2: I mean that.

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Speaker 3: I was gonna ask for us, but I guess this,

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Speaker 3: this is, this is in keeping with what we're asking. More,

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Speaker 3: maybe we go the other.

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Speaker 1: Way and go more who was the other? Who was

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Speaker 1: the guy? Yeah, so if I want this to be

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Speaker 1: a little more foot like we have where the Nicole

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Speaker 1: Brown Simpson show, Like you know, we're talking about these

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Speaker 1: the players wives, but like really what good like husbands

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Speaker 1: they are? You know what I mean, like being a

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Speaker 1: good husband and like, so.

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Speaker 6: You wanted to talk less about Ron Goldman? Would you

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Speaker 6: like to share that with Fred Goldman?

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Speaker 1: I mean this whole area, I mean some living.

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Speaker 2: Nicole Brown, we talk a lot about her.

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Speaker 3: Okay, yeah, but that feels like it's farther away from sports?

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Speaker 3: Am I crazy?

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Speaker 4: Like?

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Speaker 5: Even Nicole Brown was on so called community There was

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Speaker 5: another character named Troy when the first season, played on

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Speaker 5: the football team on community. You know who else played

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Speaker 5: on the community football team?

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Speaker 1: You played the communy football.

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Speaker 3: On the community football.

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Speaker 5: I'm just I wasn't going to say it, but you did.

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Speaker 5: But maybe I did, But I wasn't going.

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Speaker 3: Seas in a football game.

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Speaker 2: Wow, that's what college players get now with all this season,

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Speaker 2: they're all thirty four and making more money than they

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Speaker 2: come the pro some of them.

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Speaker 1: Are there any players that have like been it, like

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Speaker 1: just to create a kind of connection to our show.

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Speaker 1: I think it could be really useful. Are there any

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Speaker 1: players that have like been in movies like commercials?

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Speaker 4: Some long long?

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Speaker 1: Okay not?

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Speaker 4: He was good, he was he was real funny.

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Speaker 2: Who else was Michael Vick in Atlanta? Or was he

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Speaker 2: just a joke and I was off screen? He wasn't

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Speaker 2: actually in it. He wasn't actually in it. Tony Gonzalez,

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Speaker 2: what was he in? I don't know.

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Speaker 1: He's beautiful though, beautiful man movie follows him? Yeah, wherever

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Speaker 1: he goes, that's the movie.

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Speaker 2: Well eighty for Brady Tom Brady was in Ted two,

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Speaker 2: of course.

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Speaker 1: Yeah, talk about his his.

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Speaker 2: He's been on Family Guy Rob.

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Speaker 3: Yeah, that would be a sentiment, right Tom Brady and

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Speaker 3: Ted TED two. Yeah, that would be every week you

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Speaker 3: would talk about how Tom Brady was in Ted too.

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Speaker 1: Ideally, Yes, movies with numbers in them with this guy,

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Speaker 1: what eighty for Brady? What's what's the deal?

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Speaker 2: The number twenty three gonna be number? Yeah?

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Speaker 1: Well let him let him go.

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Speaker 2: Yea, what is it? We've got two? Four covered? Three

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Speaker 2: would make sense, six would make seven? What's in the box?

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Speaker 2: A safety and two linebackers? What what?

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Speaker 3: What? What's the but yes, well, yes, but let you

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Speaker 3: go on in the blocks of deflated football?

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Speaker 2: Okay, okay, but what's he doing? His cell phone?

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Speaker 3: It's a cell phone. Remember he broke his cell phone

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Speaker 3: so that no one could check. And then it's so

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Speaker 3: the nefarious killer in this case, uh roder Cadell's and he's,

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Speaker 3: you know, open you know, uh open the box a

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Speaker 3: detective Brady and he's you know, and he.

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Speaker 1: Almost had the haircut, haircut.

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Speaker 3: He opens it, and the cell phone it's got the message,

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Speaker 3: you know, a text message is please deflate the football.

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Speaker 1: But it can't just be doing this.

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Speaker 2: You know what I mean, they're playing the Ravens, right,

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Speaker 2: They're playing the Ravens. Yeah, Belichick says John Harbaugh has

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Speaker 2: the upper hand.

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Speaker 4: Now anything that's good.

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Speaker 1: That's pretty good. I want to stay in the Ted.

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Speaker 1: What does he do in Ted? To like, what's his role?

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Speaker 4: I remember he's Yeah, he's in bed.

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Speaker 2: They're trying to steal a semen? Is that it?

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Speaker 1: Yeah?

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Speaker 6: They break into his house.

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Speaker 1: Ted A lot of what we talk about, Kevin, Can

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Speaker 1: we just like pull up get confirmation that this is

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Speaker 1: because this is gonna need to be right. I'm just

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Speaker 1: need to double check that we're working with the right

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Speaker 1: people here.

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Speaker 2: Yeah, I mean I don't want to Gronkowski, I know,

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Speaker 2: has all those commercials where he tries to do stolen

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Speaker 2: valor and pretend that it.

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Speaker 1: Really needs people to think that he was in the military.

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Speaker 6: Yes, but I can't remember Ted too fairly certainly yet,

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Speaker 6: I think you're right that they got they break into

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Speaker 6: his his house and and Brady's asleep in bed and

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Speaker 6: they are trying to steal his semen.

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Speaker 2: What's their plan to drink it?

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Speaker 6: To drink it?

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Speaker 2: Well, I assumed it was because he couldn't get me

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Speaker 2: lacun is pregnant because.

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Speaker 6: Now it's to drink it. I'm pretty positive. I'm pretty

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Speaker 6: positive it's to drink it.

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Speaker 3: It's ted too, so it's not Mela.

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Speaker 2: Is she not?

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Speaker 6: In the second second, that's a man's sipher you.

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00:21:02,960 --> 00:21:08,040
Speaker 3: Decipher it's yeah, it's said too, so stop me.

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Speaker 1: Okay, And what's the name of this segment?

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Speaker 2: Drinking? Tom Brady's gone.

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Speaker 1: Okay, yeah, I mean that's it's about movies, like football

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Speaker 1: players and movies and stuff.

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Speaker 3: You've got a picture.

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Speaker 2: Calling this, okay, like this, you know how people will

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Speaker 2: just quote tweets.

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Speaker 1: Up that point at it and say.

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Speaker 3: This Gronkowski versus the troops. Yeah, that's interesting, right, Like

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00:21:38,200 --> 00:21:41,800
Speaker 3: that even could be its own show, right, just he

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Speaker 3: proves that he's stronger than the truth.

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Speaker 2: A different thing, nothing but the troops.

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Speaker 3: Yeah, troops, Okay, you can't handle the troops.

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Speaker 1: Could be like a broken skull ranch type of thing.

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Speaker 2: I know what that is.

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Speaker 1: He's facings like facing down the troops every episode and

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Speaker 1: you are doing kind of a picture this with Rob

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Speaker 1: Gronkowski fighting all the troops, okay, and it's like gets

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Speaker 1: hurt like a football field, broken skull football field. Well,

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Speaker 1: for Gronkowski, right because it's football.

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00:22:20,359 --> 00:22:24,159
Speaker 3: Yeah, well that's how I think of it. And the

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Speaker 3: one time that he was on Top Chef and he

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Speaker 3: does this, he they're gonna make him some food and

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Speaker 3: he goes and he's like, oh, and and you're making

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Speaker 3: me some sausage and I like a big sausage and

427
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Speaker 3: goes so do I. I swear to god, I couldn't

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Speaker 3: make that up. I was fucking screaming.

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Speaker 2: I was losing it.

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Speaker 3: I mean, this is tough.

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Speaker 2: This is a cooking show.

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Speaker 1: It's on like normal TV.

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Speaker 3: Kevin, did you call me during that?

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Speaker 9: I called you, but I think you put your phone

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Speaker 9: on do not disturb.

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Speaker 1: Because he was screaming.

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00:23:07,240 --> 00:23:07,520
Speaker 2: Yeah.

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00:23:07,600 --> 00:23:12,520
Speaker 10: I was screaming you don't Yeah, Iiko, dude.

439
00:23:13,000 --> 00:23:15,479
Speaker 1: It might be helpful. I think a lot about. Like

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00:23:15,720 --> 00:23:19,320
Speaker 1: something that was helpful for me in art was the

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00:23:19,359 --> 00:23:25,800
Speaker 1: Geico commercial with the cavemen uh that began. Brian Irakpo

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00:23:26,000 --> 00:23:27,920
Speaker 1: was in it, and then at the beginning of the commercial,

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Speaker 1: the caveman says, you're Brian Rackpo. He explains everything about

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00:23:33,880 --> 00:23:36,399
Speaker 1: who Brian Rakpo is. And it's similar to the Travis

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00:23:36,480 --> 00:23:39,680
Speaker 1: Kelce one now about insurance or whatever, where the guy

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00:23:39,800 --> 00:23:42,159
Speaker 1: like Travis Kelce, like, you play for the tight end

447
00:23:42,200 --> 00:23:45,080
Speaker 1: for the Chiefs, you're a champion this, that's this. You

448
00:23:45,119 --> 00:23:48,399
Speaker 1: don't do you just say the names, you know, it

449
00:23:48,400 --> 00:23:53,480
Speaker 1: would be helpful to test out a version where we're

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00:23:53,520 --> 00:23:57,159
Speaker 1: saying the name, we're providing context for all the different names,

451
00:23:57,560 --> 00:23:59,600
Speaker 1: like we're helping people like.

452
00:24:00,440 --> 00:24:03,800
Speaker 3: So yeah, yes, that's nice. And let's have some accountability

453
00:24:03,800 --> 00:24:05,720
Speaker 3: of what's going on with the show, because I think

454
00:24:05,760 --> 00:24:08,200
Speaker 3: sometimes even you guys don't know what each other are

455
00:24:08,320 --> 00:24:11,120
Speaker 3: talking about. Yes, And in the most recent one there

456
00:24:11,240 --> 00:24:16,359
Speaker 3: was like Greg presented a pretty clear premise. So Ryan

457
00:24:16,520 --> 00:24:20,879
Speaker 3: was going on for I don't know, forty five minutes

458
00:24:20,920 --> 00:24:25,560
Speaker 3: about like loving George Pickens, George Pickens, I love George Pickens, yea,

459
00:24:26,640 --> 00:24:29,280
Speaker 3: and he and you wish that the Chiefs had had him?

460
00:24:29,359 --> 00:24:31,080
Speaker 3: And Greg went, well, if I put him on the

461
00:24:31,160 --> 00:24:34,120
Speaker 3: Chiefs right now and we did a redraft, when would

462
00:24:34,119 --> 00:24:37,560
Speaker 3: you pick him? And he went, what what are you

463
00:24:37,600 --> 00:24:41,600
Speaker 3: talking about? And then he if if he got traded

464
00:24:41,640 --> 00:24:44,800
Speaker 3: to the Chiefs and then you got to redraft for

465
00:24:44,840 --> 00:24:46,600
Speaker 3: the rest of season, how high would you pick him?

466
00:24:46,800 --> 00:24:48,720
Speaker 3: Would he be like a top five receiver for you?

467
00:24:48,760 --> 00:24:54,040
Speaker 3: And oh, maybe the end of the second round.

468
00:24:54,280 --> 00:24:57,600
Speaker 2: I still don't understand what he said. It's so queer.

469
00:24:58,560 --> 00:25:00,639
Speaker 3: So this is the kind of thing where it's like

470
00:25:00,720 --> 00:25:02,760
Speaker 3: if we had a segment, you know what I mean,

471
00:25:03,640 --> 00:25:06,800
Speaker 3: even if the segment was called stump and you presented

472
00:25:06,840 --> 00:25:09,600
Speaker 3: a pretty clear idea of something.

473
00:25:09,320 --> 00:25:11,719
Speaker 1: That and you can stop the show like we do

474
00:25:11,760 --> 00:25:13,879
Speaker 1: it all the time. You can stop the show.

475
00:25:14,920 --> 00:25:19,280
Speaker 3: You've stopped today, yes, and just take.

476
00:25:19,080 --> 00:25:22,240
Speaker 1: A second to like really figure out, like what's going on,

477
00:25:22,320 --> 00:25:23,520
Speaker 1: what's being asked of you?

478
00:25:24,000 --> 00:25:26,919
Speaker 3: Yeah, Like, because it felt like Pickens and the Chiefs

479
00:25:26,920 --> 00:25:29,239
Speaker 3: were things you had brought into the conversation, but then

480
00:25:29,240 --> 00:25:31,040
Speaker 3: when they got presented to you, it was like, I

481
00:25:31,080 --> 00:25:32,400
Speaker 3: guess this away from me.

482
00:25:32,440 --> 00:25:34,119
Speaker 6: I guess I didn't understand. Were you talking from a

483
00:25:34,160 --> 00:25:38,439
Speaker 6: fantasy perspective or like the yeah, draft perspectives from a

484
00:25:38,480 --> 00:25:39,440
Speaker 6: fantasy perspective.

485
00:25:39,520 --> 00:25:42,400
Speaker 3: Okay, show the Foosballs is about fantasy football.

486
00:25:42,680 --> 00:25:43,639
Speaker 4: I think it's kind of football.

487
00:25:45,280 --> 00:25:47,119
Speaker 2: Rely as much as I was told when I was

488
00:25:47,119 --> 00:25:48,960
Speaker 2: brought on, no.

489
00:25:50,320 --> 00:25:52,720
Speaker 5: And that I said, we're not going to talk about

490
00:25:53,119 --> 00:25:56,560
Speaker 5: any real football. Is going to be all just just

491
00:25:56,720 --> 00:25:57,640
Speaker 5: the league.

492
00:25:57,280 --> 00:25:59,840
Speaker 2: That we playing. Like, I did a lot of fantasy

493
00:26:00,040 --> 00:26:02,200
Speaker 2: research this year and if you'll notice in the first

494
00:26:02,240 --> 00:26:03,640
Speaker 2: episode we don't talk about it.

495
00:26:03,520 --> 00:26:08,359
Speaker 5: Almost well, we gotta, you know, I gotta put the

496
00:26:08,359 --> 00:26:08,840
Speaker 5: bridge them.

497
00:26:09,320 --> 00:26:12,840
Speaker 1: Yeah, so it might so for if we were to

498
00:26:12,880 --> 00:26:16,040
Speaker 1: do that again, which we will, we are starting over

499
00:26:16,640 --> 00:26:22,240
Speaker 1: the George Pickens conversation. Whoever like introduces the concept of

500
00:26:22,280 --> 00:26:24,680
Speaker 1: George Pickens, would they want to expand on that a

501
00:26:24,680 --> 00:26:27,840
Speaker 1: little bit? So, like, what's another detail that you would

502
00:26:27,960 --> 00:26:29,840
Speaker 1: offer about.

503
00:26:29,560 --> 00:26:31,760
Speaker 4: George Pickens going to the this again?

504
00:26:31,920 --> 00:26:34,160
Speaker 3: What they all right, it's his thing?

505
00:26:36,000 --> 00:26:36,360
Speaker 6: What other?

506
00:26:37,520 --> 00:26:38,439
Speaker 2: What else could it?

507
00:26:38,560 --> 00:26:40,960
Speaker 6: What more can I offer about George Pickens other than

508
00:26:41,280 --> 00:26:44,280
Speaker 6: I mean, I'll offer that he played terribly the other

509
00:26:44,400 --> 00:26:46,400
Speaker 6: night and that now I'm having seconds.

510
00:26:49,760 --> 00:26:50,439
Speaker 2: I don't think I am.

511
00:26:50,480 --> 00:26:53,800
Speaker 6: That is his birthday, Okay, George Pickens had to be

512
00:26:53,840 --> 00:26:56,119
Speaker 6: born in nineteen ninety.

513
00:26:56,359 --> 00:27:00,880
Speaker 2: Seven five, anyone, Greg.

514
00:27:02,160 --> 00:27:04,480
Speaker 1: Guy, I would imagine.

515
00:27:05,880 --> 00:27:06,080
Speaker 2: Yeah.

516
00:27:06,160 --> 00:27:10,679
Speaker 6: Yeah, he did demand momentarily to be released by the

517
00:27:10,680 --> 00:27:13,879
Speaker 6: Steelers just the other day, and then he quickly recanted.

518
00:27:14,000 --> 00:27:15,560
Speaker 6: So that's some good information.

519
00:27:15,680 --> 00:27:17,320
Speaker 2: And then and what.

520
00:27:17,400 --> 00:27:19,800
Speaker 1: Happens when they were released? They just get to go crazy.

521
00:27:19,920 --> 00:27:21,399
Speaker 4: You get fucking nuts.

522
00:27:21,920 --> 00:27:24,440
Speaker 3: Running around like the Tasmanian devil, right, I mean.

523
00:27:24,480 --> 00:27:28,240
Speaker 2: Yeah there, yeah, Well, Odell Beckham last year requested rum Spring.

524
00:27:29,240 --> 00:27:30,160
Speaker 1: Sorry. Sorry.

525
00:27:30,480 --> 00:27:33,960
Speaker 2: Odell Beckham is a wide receiver from LSU who was

526
00:27:34,000 --> 00:27:38,800
Speaker 2: sexually harassed by Lena Dunham at that Galla. Yes, and

527
00:27:38,840 --> 00:27:40,840
Speaker 2: he had one of the greatest catches of all time.

528
00:27:41,520 --> 00:27:42,600
Speaker 2: Then he had some bad.

529
00:27:42,480 --> 00:27:43,640
Speaker 1: Years motivated by that.

530
00:27:43,760 --> 00:27:46,400
Speaker 2: Then he had a good year, but then he got

531
00:27:46,440 --> 00:27:47,560
Speaker 2: hurt in the Super Bowl.

532
00:27:52,200 --> 00:27:53,919
Speaker 1: He's one of the greatest catches of all time. How

533
00:27:54,480 --> 00:27:55,560
Speaker 1: can you stop?

534
00:27:57,960 --> 00:28:00,119
Speaker 2: Sometimes there's two funny things going on at once in

535
00:28:00,160 --> 00:28:02,159
Speaker 2: your show, and I don't know where to be, you know,

536
00:28:02,720 --> 00:28:04,479
Speaker 2: and I wish we had try to live in it.

537
00:28:07,240 --> 00:28:13,200
Speaker 3: Lena Dunnaugh, There's either two or none. There's never it's

538
00:28:13,240 --> 00:28:15,600
Speaker 3: so hard to get clips and stuff. There's never just

539
00:28:15,720 --> 00:28:18,400
Speaker 3: one funny thing that happens. It's clearly this is what's

540
00:28:18,440 --> 00:28:21,439
Speaker 3: going on. It's like most of the show is nothing,

541
00:28:21,560 --> 00:28:23,320
Speaker 3: and it's suddenly two funny things happen.

542
00:28:23,359 --> 00:28:25,840
Speaker 2: It's dual dialogue. Yeah, are you googling, Lena Donna.

543
00:28:26,280 --> 00:28:28,560
Speaker 1: I'm looking up Odell Beckham Junior's birthday.

544
00:28:28,880 --> 00:28:33,639
Speaker 3: He's looking He's looking up the value of Odell Beckham's crypto.

545
00:28:33,720 --> 00:28:35,200
Speaker 1: His birthday is tomorrow.

546
00:28:36,240 --> 00:28:41,120
Speaker 4: Remember remember, yes, he is he is.

547
00:28:43,440 --> 00:28:44,520
Speaker 1: That could be a good segment.

548
00:28:45,720 --> 00:28:47,560
Speaker 9: Remember one of you quits the show at the end

549
00:28:47,560 --> 00:28:49,400
Speaker 9: of every episode, big.

550
00:28:49,240 --> 00:28:56,840
Speaker 1: Drop, Kevin is trying to trim the fat Kevin's story

551
00:28:56,920 --> 00:28:57,920
Speaker 1: walking call.

552
00:28:57,800 --> 00:29:01,840
Speaker 3: Her daddy style controversy. Like you're splitting off to start

553
00:29:01,880 --> 00:29:05,080
Speaker 3: other podcasts. There's a winner and a loser. We get

554
00:29:05,120 --> 00:29:06,480
Speaker 3: like some press around it.

555
00:29:06,600 --> 00:29:09,720
Speaker 9: Yeah, so one of you could leave at the end

556
00:29:09,760 --> 00:29:11,000
Speaker 9: of an episode.

557
00:29:10,520 --> 00:29:12,360
Speaker 3: When you could get the fuck out of here and

558
00:29:12,520 --> 00:29:14,280
Speaker 3: start when you could.

559
00:29:14,200 --> 00:29:17,920
Speaker 2: Leave, Now start another football podcast. Don't even have to

560
00:29:17,960 --> 00:29:21,040
Speaker 2: wait to the end of the episode. Just go and

561
00:29:21,080 --> 00:29:26,240
Speaker 2: start a competing podcast. Oh that's drama. That's good. So

562
00:29:26,280 --> 00:29:28,640
Speaker 2: we want to split the audience that we have.

563
00:29:29,120 --> 00:29:32,560
Speaker 3: Yes, it's already past.

564
00:29:32,880 --> 00:29:36,600
Speaker 5: So Kevin has just Kevin has just soaked the charge eliminade,

565
00:29:36,960 --> 00:29:38,960
Speaker 5: soak the tampon and the charge Lie he's putting in

566
00:29:39,000 --> 00:29:39,440
Speaker 5: his buttle.

567
00:29:41,720 --> 00:29:44,640
Speaker 2: That's probably why this show resonates with women. Yeah, I

568
00:29:44,680 --> 00:29:54,360
Speaker 2: think what it's like to have a tampon in his butt.

569
00:29:54,400 --> 00:29:58,000
Speaker 1: This could be interesting to talk about. Beckham also played

570
00:29:58,040 --> 00:30:01,280
Speaker 1: soccer growing up and considers English player David Beckham his

571
00:30:01,400 --> 00:30:04,760
Speaker 1: childhood idol, and so that explains why he would be Beckham.

572
00:30:04,440 --> 00:30:07,480
Speaker 2: Junior wha.

573
00:30:09,560 --> 00:30:13,400
Speaker 4: Mm hmm, Like you take the junior justice if you

574
00:30:13,400 --> 00:30:15,240
Speaker 4: have the same last name too, write.

575
00:30:15,040 --> 00:30:18,720
Speaker 1: Like his soccer club coaches offered Beckham a chance to

576
00:30:18,720 --> 00:30:20,720
Speaker 1: try out for a junior national team program, but he

577
00:30:20,760 --> 00:30:23,880
Speaker 1: did not want to spend the required time overseas, so

578
00:30:24,280 --> 00:30:25,720
Speaker 1: not interested in.

579
00:30:25,800 --> 00:30:26,719
Speaker 3: They didn't do it.

580
00:30:26,800 --> 00:30:34,160
Speaker 2: Yes, he didn't do that, So there's one. Yeah, other juniors,

581
00:30:34,200 --> 00:30:36,920
Speaker 2: Like do you think Wendel Carter junior was a big

582
00:30:37,040 --> 00:30:41,680
Speaker 2: jay Z fan? Was a Vince Carter fan? Basketball? The

583
00:30:41,720 --> 00:30:46,440
Speaker 2: Magnet Carter, The Magnet Magna Carter, Magna.

584
00:30:46,200 --> 00:30:48,360
Speaker 3: Carter is just me goofing around?

585
00:30:49,520 --> 00:30:54,080
Speaker 2: What about the Magma Carter? Is that anything? I don't know?

586
00:30:56,440 --> 00:30:58,960
Speaker 2: Th h A. So it's a Lil Wayne album where

587
00:30:58,960 --> 00:31:01,320
Speaker 2: he's made of lava and it's called the Magma Carter.

588
00:31:01,520 --> 00:31:07,720
Speaker 3: Uh huh.

589
00:31:07,760 --> 00:31:09,640
Speaker 1: Did you ever find out what happened in Ted two?

590
00:31:10,040 --> 00:31:10,280
Speaker 2: Yeah?

591
00:31:10,320 --> 00:31:12,280
Speaker 3: What's going on with his cum and everything?

592
00:31:12,720 --> 00:31:16,040
Speaker 9: The original scene depicted Brady sleeping in bed as John

593
00:31:16,160 --> 00:31:19,480
Speaker 9: and Ted, who is looking for a perfect sperm donner

594
00:31:19,640 --> 00:31:21,480
Speaker 9: so he can have a baby with his new wife,

595
00:31:21,640 --> 00:31:25,080
Speaker 9: sneak in and try to steal his seed. Quote two

596
00:31:25,240 --> 00:31:28,200
Speaker 9: m vps guaranteed Hall of Famer now let's give him

597
00:31:28,200 --> 00:31:32,040
Speaker 9: a hand job into this cup the Bears. The Bear says,

598
00:31:32,080 --> 00:31:34,640
Speaker 9: Brady quickly wakes up and flinks Bear the guy from

599
00:31:34,680 --> 00:31:39,600
Speaker 9: the Bears Brady quickly. Brady quickly wakes up and flinks

600
00:31:39,640 --> 00:31:42,440
Speaker 9: ted off his balcony. That was a perfect spiral, John

601
00:31:42,480 --> 00:31:45,120
Speaker 9: says in awe.

602
00:31:45,120 --> 00:31:47,040
Speaker 1: The originals reflexive.

603
00:31:48,520 --> 00:31:49,400
Speaker 3: The original scene.

604
00:31:49,440 --> 00:31:53,120
Speaker 8: So what's the There's like an added deflate gate joke,

605
00:31:53,480 --> 00:31:55,440
Speaker 8: which was this was filmed.

606
00:31:55,080 --> 00:31:57,120
Speaker 1: Before when he was exonerated.

607
00:31:57,800 --> 00:32:00,520
Speaker 2: He'd only won two m vps at that point, I

608
00:32:00,640 --> 00:32:01,440
Speaker 2: didn't deserve.

609
00:32:02,000 --> 00:32:04,920
Speaker 1: They they put ted two out there pretty fast. The

610
00:32:05,000 --> 00:32:06,640
Speaker 1: turnaround on that was pretty fast.

611
00:32:07,360 --> 00:32:11,240
Speaker 2: That's what I'm hung up on. So they're gonna so

612
00:32:11,360 --> 00:32:13,720
Speaker 2: their plan was to jack him off without wagging him

613
00:32:13,800 --> 00:32:18,480
Speaker 2: up to completion. Yes, nocturnal emission is what it's called.

614
00:32:20,080 --> 00:32:26,600
Speaker 2: That's what it's Yeah, what's the's called nocturnal emission?

615
00:32:26,680 --> 00:32:29,520
Speaker 3: Yeah, let's work backwards from nocturnal emission.

616
00:32:29,600 --> 00:32:33,520
Speaker 2: Okay, the title for the late night game, I guess, yeah.

617
00:32:33,320 --> 00:32:40,640
Speaker 3: Yeah, yeah, so night games only Thursday, Sunday, Monday night games.

618
00:32:40,640 --> 00:32:42,600
Speaker 3: So this is just like where we only talk about

619
00:32:42,640 --> 00:32:47,840
Speaker 3: the night games and ideally we find some kind of

620
00:32:48,000 --> 00:32:53,160
Speaker 3: sensual angle on right, something that can allow some release

621
00:32:53,320 --> 00:32:55,040
Speaker 3: for the viewer, for the listener.

622
00:32:55,280 --> 00:32:57,040
Speaker 2: What if we only talked about the night games. We

623
00:32:57,200 --> 00:32:59,720
Speaker 2: left out a crucial detail like the final score and

624
00:32:59,760 --> 00:33:01,440
Speaker 2: it was called nocturnal omissions.

625
00:33:01,840 --> 00:33:05,840
Speaker 3: Okay, so you're not giving the full picture. We edge

626
00:33:06,960 --> 00:33:09,320
Speaker 3: frustrating them, right, they can't finish.

627
00:33:09,680 --> 00:33:12,000
Speaker 2: And then the clock winds down and it's going down,

628
00:33:12,120 --> 00:33:17,560
Speaker 2: and then they froze the kicker. Good night, they call

629
00:33:17,600 --> 00:33:19,400
Speaker 2: the time out. That's good.

630
00:33:20,160 --> 00:33:21,880
Speaker 3: Well, that's that's great.

631
00:33:23,440 --> 00:33:26,880
Speaker 2: But Amir like that does Amre like edging?

632
00:33:28,720 --> 00:33:30,960
Speaker 3: He doesn't want to talk to me about that stuff,

633
00:33:31,000 --> 00:33:36,320
Speaker 3: Like I ask him all the time, because like, yes,

634
00:33:36,360 --> 00:33:39,880
Speaker 3: we have a female fan base, but like we're still guys.

635
00:33:39,920 --> 00:33:41,680
Speaker 3: Like we're guys at the end of the day. Like

636
00:33:41,880 --> 00:33:44,560
Speaker 3: I want to talk to guys about like what they

637
00:33:44,720 --> 00:33:46,160
Speaker 3: like in the bedroom.

638
00:33:46,600 --> 00:33:49,360
Speaker 2: In the headgunb locker room, Like can we at least

639
00:33:49,400 --> 00:33:50,880
Speaker 2: brow down a little bit, at.

640
00:33:50,880 --> 00:33:54,040
Speaker 3: Least figure out like what you know what, Really it's.

641
00:33:53,840 --> 00:33:55,400
Speaker 6: A really uptight locker room.

642
00:33:55,720 --> 00:34:01,440
Speaker 3: Yeah it is, isn't it? Here is so repressed.

643
00:34:01,520 --> 00:34:03,440
Speaker 4: Yes, everyone's got their towels on real tight.

644
00:34:03,520 --> 00:34:04,640
Speaker 2: No one wants to know.

645
00:34:04,920 --> 00:34:08,200
Speaker 3: Who's got their stuff hanging out who's someone we could

646
00:34:08,239 --> 00:34:11,319
Speaker 3: target at ear Wolf, who's not talented but a good

647
00:34:11,400 --> 00:34:15,440
Speaker 3: locker room guy. Yes, that's interesting, just to kind of

648
00:34:15,600 --> 00:34:23,360
Speaker 3: improve the culture we just starting there.

649
00:34:24,120 --> 00:34:26,000
Speaker 4: Yeah, it's just our name and the names of people.

650
00:34:26,040 --> 00:34:28,840
Speaker 6: Yeah. Yeah, they don't bring anything to the table.

651
00:34:29,080 --> 00:34:30,760
Speaker 2: So we could buy low in a trade.

652
00:34:31,520 --> 00:34:34,400
Speaker 3: I mean, I think we already got the main culprit.

653
00:34:34,680 --> 00:34:35,719
Speaker 2: I could go back.

654
00:34:39,640 --> 00:34:41,879
Speaker 3: Because Kevin is comfortable in the locker room.

655
00:34:42,360 --> 00:34:43,680
Speaker 2: Yeah, I'm too comfortable.

656
00:34:43,800 --> 00:34:46,520
Speaker 5: Yeah, yeah, well he's just Kevin's like the old guy

657
00:34:46,560 --> 00:34:50,520
Speaker 5: at the gym with the hair dryer like an orange slide, Kevin,

658
00:34:50,560 --> 00:34:51,279
Speaker 5: do you know that?

659
00:34:51,320 --> 00:34:59,719
Speaker 2: But that there are towels yels? And then I get it. Thanks.

660
00:35:02,239 --> 00:35:05,240
Speaker 1: It's been worse, like like Emir, like we'll play.

661
00:35:06,920 --> 00:35:07,920
Speaker 2: Slice of Cutie.

662
00:35:12,160 --> 00:35:13,040
Speaker 1: For so long.

663
00:35:13,760 --> 00:35:15,120
Speaker 3: They're so sweet.

664
00:35:15,280 --> 00:35:17,080
Speaker 1: It was like when I married, Like when I married,

665
00:35:17,120 --> 00:35:19,319
Speaker 1: like I'll play grab Ass when I'm married, Like, yeah,

666
00:35:19,400 --> 00:35:22,799
Speaker 1: I know, but it's worse. It's honestly worse now. Like

667
00:35:22,880 --> 00:35:26,399
Speaker 1: every time it's like I started playing grab as, he's

668
00:35:26,400 --> 00:35:28,160
Speaker 1: like out the I'm like, where did he go?

669
00:35:28,440 --> 00:35:30,520
Speaker 3: He goes to call, No, I was out there. Once

670
00:35:30,560 --> 00:35:32,200
Speaker 3: he calls, he's like, is it okay? If I play

671
00:35:32,239 --> 00:35:34,640
Speaker 3: grab ass with the guys like.

672
00:35:34,600 --> 00:35:37,360
Speaker 2: Oh, does he have a phone voice? Does he have

673
00:35:37,400 --> 00:35:40,200
Speaker 2: a different phone voice? There's a different Oh.

674
00:35:40,239 --> 00:35:46,000
Speaker 1: Wow it's on the podcast. Oh it's mirror my way.

675
00:35:46,160 --> 00:35:49,560
Speaker 3: This is my entire business and just like you know,

676
00:35:49,840 --> 00:35:52,400
Speaker 3: kicking and punching around and then it's like the second

677
00:35:52,400 --> 00:35:54,960
Speaker 3: you here month, may I play grab ass?

678
00:35:55,440 --> 00:35:55,760
Speaker 2: Sorry?

679
00:35:55,800 --> 00:35:58,040
Speaker 3: I know, I said, can I? You can just feel

680
00:35:58,040 --> 00:36:01,279
Speaker 3: any other? And I don't know, can you? May I

681
00:36:01,320 --> 00:36:02,320
Speaker 3: play grab ass?

682
00:36:03,360 --> 00:36:06,480
Speaker 1: Your choice could be like this could actually be a

683
00:36:06,520 --> 00:36:08,400
Speaker 1: bomb ass segment now that I think about.

684
00:36:08,120 --> 00:36:10,280
Speaker 2: It, of like not this, but you think it could?

685
00:36:10,680 --> 00:36:10,960
Speaker 2: What's it?

686
00:36:11,200 --> 00:36:11,319
Speaker 6: Like?

687
00:36:11,360 --> 00:36:14,239
Speaker 1: The thing like the best part of the Big Game

688
00:36:14,360 --> 00:36:16,360
Speaker 1: is the commercials, right.

689
00:36:17,120 --> 00:36:18,759
Speaker 4: We can't say we have to call it the Big

690
00:36:18,760 --> 00:36:19,680
Speaker 4: Game on here, right.

691
00:36:19,640 --> 00:36:22,759
Speaker 1: Yeah, and that's every every game like to just be

692
00:36:22,880 --> 00:36:25,879
Speaker 1: yeah at the Big Game, yes, the Big Game. Yeah,

693
00:36:26,000 --> 00:36:28,560
Speaker 1: and so like what like some of the most like

694
00:36:28,640 --> 00:36:30,759
Speaker 1: funny fucked up commerci because some of these commercials are

695
00:36:30,760 --> 00:36:35,200
Speaker 1: actually like so fucked up, like what like some of

696
00:36:35,239 --> 00:36:37,759
Speaker 1: those be like this is like the commercial of the

697
00:36:37,800 --> 00:36:43,280
Speaker 1: week that like it's like so like bombs like funny

698
00:36:43,320 --> 00:36:45,520
Speaker 1: as fuck, you know what I mean? So, like, what's

699
00:36:45,680 --> 00:36:47,560
Speaker 1: some of the commercials right now that you guys are

700
00:36:47,560 --> 00:36:47,960
Speaker 1: digging on.

701
00:36:48,560 --> 00:36:53,799
Speaker 6: Hum hm, I don't think it's like funniest fuck. It's

702
00:36:53,800 --> 00:36:55,439
Speaker 6: definitely not like super twisted.

703
00:36:58,880 --> 00:37:02,239
Speaker 1: And actually and if it could actually what like not

704
00:37:02,320 --> 00:37:06,680
Speaker 1: the preface being it's not what I don't think it's

705
00:37:06,680 --> 00:37:09,560
Speaker 1: funny and I did actually like what I asked for,

706
00:37:09,760 --> 00:37:11,760
Speaker 1: And then people don't know the difference.

707
00:37:11,840 --> 00:37:12,719
Speaker 3: We just tell him it's good.

708
00:37:12,760 --> 00:37:15,359
Speaker 2: I got one. Okay, it's definitely funny as fuck. It's

709
00:37:15,360 --> 00:37:17,560
Speaker 2: not exactly a commercial. But have you guys seen killing

710
00:37:17,600 --> 00:37:18,360
Speaker 2: it on Peacock?

711
00:37:19,560 --> 00:37:23,759
Speaker 1: Okay? Is this going to be the example or is

712
00:37:23,800 --> 00:37:25,680
Speaker 1: it gonna be Is it going to be a commercial?

713
00:37:25,760 --> 00:37:28,520
Speaker 1: They don't have commercials, So you're talking about the show

714
00:37:28,719 --> 00:37:29,840
Speaker 1: killing it on Peacock?

715
00:37:29,920 --> 00:37:30,879
Speaker 2: You said funny as fuck?

716
00:37:31,000 --> 00:37:33,239
Speaker 1: I did say that, but I did also say the

717
00:37:33,280 --> 00:37:35,680
Speaker 1: best part of the Big game is the commercials killing

718
00:37:35,760 --> 00:37:38,239
Speaker 1: it on Peacock. I don't even think they have commercials

719
00:37:38,280 --> 00:37:38,960
Speaker 1: for that.

720
00:37:39,160 --> 00:37:41,359
Speaker 5: Kyle, bring it home, all right, have you guys ever

721
00:37:41,400 --> 00:37:48,480
Speaker 5: seen killing it on Peacock? This man Craig Robinson, first

722
00:37:48,480 --> 00:37:52,400
Speaker 5: of all, the most relatable guy, This man Craig Robinson,

723
00:37:53,440 --> 00:37:54,719
Speaker 5: big ass snake around his.

724
00:37:54,719 --> 00:38:02,040
Speaker 3: Nick for killing it there are commercials.

725
00:38:02,080 --> 00:38:06,400
Speaker 1: Okay, okay, even that would be better than just like

726
00:38:06,680 --> 00:38:09,120
Speaker 1: even even an episode of the show, but that wouldn't

727
00:38:09,120 --> 00:38:13,319
Speaker 1: be acceptable either. You're just talking about the show broadly, the.

728
00:38:13,320 --> 00:38:15,600
Speaker 3: Show in such a general way that it's hard for

729
00:38:15,680 --> 00:38:17,160
Speaker 3: me to in the segment that.

730
00:38:17,160 --> 00:38:20,360
Speaker 1: The commercials that are like playing during.

731
00:38:20,160 --> 00:38:25,600
Speaker 5: The beginnings ain't been the same since really okay.

732
00:38:25,840 --> 00:38:29,879
Speaker 3: Okay, that's not really bringing me up in the way

733
00:38:29,880 --> 00:38:30,520
Speaker 3: that I want.

734
00:38:30,800 --> 00:38:31,520
Speaker 1: And that was the.

735
00:38:33,120 --> 00:38:36,480
Speaker 3: Commercial smoking stop smoking, stop smoking pills.

736
00:38:36,920 --> 00:38:37,719
Speaker 1: Yeah, yeah, it.

737
00:38:37,880 --> 00:38:40,239
Speaker 5: Just ain't been the same things. Really die, I can't

738
00:38:40,280 --> 00:38:41,560
Speaker 5: I can't even take the pills no more.

739
00:38:42,680 --> 00:38:45,480
Speaker 2: Now you don't smoke. I don't.

740
00:38:46,840 --> 00:38:47,920
Speaker 4: You love the nightmares? They give it?

741
00:38:49,040 --> 00:38:50,520
Speaker 2: And then you have to call sewn up in the

742
00:38:50,520 --> 00:38:54,680
Speaker 2: middle of about the nightmare? What about Marylyn Manson? He's twisted.

743
00:38:57,360 --> 00:39:04,560
Speaker 1: It's not Marilyn Manson is not a Yeah, I think

744
00:39:04,600 --> 00:39:08,520
Speaker 1: that's open for debate, but it is definitely not a.

745
00:39:08,600 --> 00:39:09,960
Speaker 3: Good Buddies with Andy Dick.

746
00:39:10,120 --> 00:39:16,680
Speaker 2: So just probably in no way.

747
00:39:18,360 --> 00:39:20,879
Speaker 3: Marilyn Manson like Marilyn Manson.

748
00:39:20,600 --> 00:39:26,520
Speaker 1: And I could see him. I could see him appearing

749
00:39:26,560 --> 00:39:28,360
Speaker 1: in a commercial at some point. I don't know that

750
00:39:28,440 --> 00:39:30,719
Speaker 1: he has I could see him being in a like

751
00:39:30,880 --> 00:39:31,759
Speaker 1: funny ass Guy Coo.

752
00:39:32,160 --> 00:39:34,240
Speaker 3: Yeah, I was gonna say Geico's Heyday with the Brian

753
00:39:34,400 --> 00:39:37,720
Speaker 3: rackpo you know, yes, scrabble in that and he tackles

754
00:39:37,760 --> 00:39:40,400
Speaker 3: the board. He spells a rackpo on that.

755
00:39:40,600 --> 00:39:43,439
Speaker 2: Yeah, I do remember what about this Marilyn Manson he's

756
00:39:43,560 --> 00:39:46,439
Speaker 2: ordering it at Chili's and he says, can I get

757
00:39:46,480 --> 00:39:47,520
Speaker 2: one less rib?

758
00:39:49,080 --> 00:39:50,040
Speaker 1: So that would be.

759
00:39:50,160 --> 00:39:51,439
Speaker 3: So I can suck my own dick.

760
00:39:51,960 --> 00:39:58,960
Speaker 1: Yeah, it's easier than Marilyn Manson ordering it a Chili's.

761
00:39:59,040 --> 00:40:02,880
Speaker 1: That would be the Guy Cooke commercial and then it would

762
00:40:02,880 --> 00:40:03,440
Speaker 1: cut to him.

763
00:40:04,680 --> 00:40:06,400
Speaker 2: It's not a Chili's commercial.

764
00:40:05,960 --> 00:40:08,600
Speaker 1: You're right, okay? Or Capital One. I guess Capital One

765
00:40:08,600 --> 00:40:10,359
Speaker 1: could do that as well. They have a similar thing,

766
00:40:10,400 --> 00:40:11,520
Speaker 1: what's in your stomach?

767
00:40:11,680 --> 00:40:17,160
Speaker 3: Going yeah, yeah, what's in your style? I really might

768
00:40:17,280 --> 00:40:20,719
Speaker 3: come because I have one less rib.

769
00:40:21,480 --> 00:40:23,840
Speaker 1: I'm not I'm not feeling good, not being able to

770
00:40:23,840 --> 00:40:30,120
Speaker 1: think of one commercial. Uh, that's discouraging the whole George Pickens.

771
00:40:29,520 --> 00:40:32,480
Speaker 5: Things driving the way with the TV.

772
00:40:33,800 --> 00:40:40,040
Speaker 1: That's a commercial, yeah, or a cable TV. It's it's

773
00:40:40,080 --> 00:40:41,240
Speaker 1: for a cable.

774
00:40:40,880 --> 00:40:43,520
Speaker 2: TV because he steals a TV and drives away with

775
00:40:43,840 --> 00:40:45,800
Speaker 2: oh he's got a funny one where the best of

776
00:40:45,840 --> 00:40:49,480
Speaker 2: both worlds, where he's got the pier commercial where he's.

777
00:40:49,320 --> 00:40:52,080
Speaker 1: Like, okay, we can't be talking about how it's funny,

778
00:40:52,400 --> 00:40:56,120
Speaker 1: like the idea that the shot working is funny.

779
00:40:54,840 --> 00:41:03,040
Speaker 5: Like, so this dude, this fucking cog shill Corporate Shields

780
00:41:03,320 --> 00:41:07,359
Speaker 5: Fizer boy is getting a fucking shot and his mom

781
00:41:07,400 --> 00:41:11,239
Speaker 5: comes in. It's like, that's not two things. Did you

782
00:41:11,280 --> 00:41:15,799
Speaker 5: get your your booster flu shot one?

783
00:41:16,160 --> 00:41:16,920
Speaker 2: I haven't seen this one?

784
00:41:18,719 --> 00:41:20,880
Speaker 3: Oh yeah, okay, well don't say that.

785
00:41:21,080 --> 00:41:22,400
Speaker 2: I'm sorry.

786
00:41:22,800 --> 00:41:25,280
Speaker 8: I just got a picture from a mirror of a

787
00:41:25,360 --> 00:41:27,920
Speaker 8: quill and a text that says, do you know what

788
00:41:27,960 --> 00:41:28,440
Speaker 8: this is?

789
00:41:29,640 --> 00:41:31,680
Speaker 1: You?

790
00:41:31,719 --> 00:41:34,040
Speaker 3: Well, he said, it's a picture of a quill. What

791
00:41:34,080 --> 00:41:34,799
Speaker 3: are you gonna say?

792
00:41:34,800 --> 00:41:35,080
Speaker 2: Though?

793
00:41:35,520 --> 00:41:36,680
Speaker 3: What's the right way to play it?

794
00:41:36,760 --> 00:41:37,600
Speaker 9: How should I respond?

795
00:41:37,600 --> 00:41:40,879
Speaker 2: What do you think? Tell him that we aren't here

796
00:41:40,880 --> 00:41:41,439
Speaker 2: working it out?

797
00:41:41,640 --> 00:41:41,799
Speaker 1: Well?

798
00:41:41,840 --> 00:41:44,719
Speaker 3: Why don't so much money to throw it back on him?

799
00:41:44,760 --> 00:41:45,120
Speaker 2: Okay?

800
00:41:45,239 --> 00:41:47,359
Speaker 3: How should I respond? What do you think? Send that?

801
00:41:48,239 --> 00:41:50,399
Speaker 2: Send to? Let could be a segment because I feel

802
00:41:50,440 --> 00:41:52,920
Speaker 2: like shows where dudes tell each other what the text?

803
00:41:56,360 --> 00:41:58,600
Speaker 3: That's cool? I got to take a leak man.

804
00:41:59,880 --> 00:42:03,040
Speaker 9: I have a name pitch for that, and I've been

805
00:42:03,040 --> 00:42:04,480
Speaker 9: pitching this on Shaw.

806
00:42:04,520 --> 00:42:06,680
Speaker 1: You pitch for the segment about like what what to

807
00:42:06,800 --> 00:42:07,319
Speaker 1: text back?

808
00:42:07,560 --> 00:42:09,560
Speaker 2: Uh? Huh? What about Sean taking a leak?

809
00:42:10,640 --> 00:42:14,840
Speaker 9: It could be for both leading from behind?

810
00:42:16,600 --> 00:42:19,600
Speaker 1: And didn't you didn't you use this for something else? Recently?

811
00:42:20,160 --> 00:42:22,600
Speaker 9: I said it could be a question for presidential debate.

812
00:42:24,040 --> 00:42:26,760
Speaker 2: I guess I was expecting a title that worked for both,

813
00:42:28,160 --> 00:42:29,960
Speaker 2: and that feels like it worked for neither.

814
00:42:30,320 --> 00:42:32,640
Speaker 9: Leading from Behind You you and I think it works

815
00:42:32,680 --> 00:42:33,400
Speaker 9: for three.

816
00:42:34,000 --> 00:42:37,040
Speaker 2: But we only were talking about too well. Football segment

817
00:42:37,120 --> 00:42:39,520
Speaker 2: leading from Behind? Who do you think is leading from four?

818
00:42:40,960 --> 00:42:43,719
Speaker 2: Who do you think is leading from behind? On the

819
00:42:43,760 --> 00:42:46,279
Speaker 2: football field? Who do you think is leading from behind?

820
00:42:46,560 --> 00:42:48,640
Speaker 2: Nocturnal emission style? Sexually?

821
00:42:48,920 --> 00:42:50,520
Speaker 9: Who do you think is leading from behind?

822
00:42:51,239 --> 00:42:52,600
Speaker 2: Text? Text?

823
00:42:53,160 --> 00:42:56,040
Speaker 8: Your boys? Help you send a perfect text to score

824
00:42:56,080 --> 00:42:59,440
Speaker 8: the big night? Who do you think is leading from behind?

825
00:43:00,080 --> 00:43:01,640
Speaker 8: I have to go potty? I need help?

826
00:43:02,840 --> 00:43:06,439
Speaker 5: Okay for man that that fucking hedgehog is dead?

827
00:43:08,480 --> 00:43:10,920
Speaker 1: Is that the first quill quill pick he sent you?

828
00:43:11,760 --> 00:43:15,000
Speaker 2: Ah? Yes, okay, if you get it back to be

829
00:43:15,000 --> 00:43:17,920
Speaker 2: real smooth, they've got a couple of hundred. Also, it

830
00:43:17,920 --> 00:43:20,320
Speaker 2: seems rude that he issued this threat and then pulled

831
00:43:20,320 --> 00:43:23,000
Speaker 2: a quill before we even recorded another episode of our

832
00:43:23,040 --> 00:43:27,399
Speaker 2: show that's a war crime. That's not like that. Yet

833
00:43:27,440 --> 00:43:28,080
Speaker 2: you can't do that.

834
00:43:28,719 --> 00:43:30,399
Speaker 5: You got to put still to put that quill back

835
00:43:30,440 --> 00:43:30,799
Speaker 5: in there.

836
00:43:30,920 --> 00:43:33,280
Speaker 1: What if you just said, yeah, what if you said

837
00:43:33,360 --> 00:43:34,000
Speaker 1: put that back in?

838
00:43:34,160 --> 00:43:36,920
Speaker 5: Put that back in there? That's a segment for you

839
00:43:37,080 --> 00:43:39,880
Speaker 5: put that back in? So many times, and this is

840
00:43:39,960 --> 00:43:42,279
Speaker 5: the women were like this so many times. On the

841
00:43:42,280 --> 00:43:48,839
Speaker 5: football field. The men's penis has come out, so we

842
00:43:48,880 --> 00:43:50,839
Speaker 5: can talk about we usually don't talk about it.

843
00:43:50,680 --> 00:43:52,840
Speaker 1: It does. We can feel like an accident at this

844
00:43:52,880 --> 00:43:53,959
Speaker 1: point that happens so.

845
00:43:53,960 --> 00:43:56,800
Speaker 5: Much, happened so much. The peniss come right out of

846
00:43:56,840 --> 00:44:00,080
Speaker 5: their pants because they're not wearing their cups, and we

847
00:44:00,120 --> 00:44:01,680
Speaker 5: can have a segment called put that back in?

848
00:44:01,840 --> 00:44:02,839
Speaker 1: What did he say to that?

849
00:44:03,640 --> 00:44:05,960
Speaker 9: He sent a smiley face emoji.

850
00:44:06,800 --> 00:44:09,479
Speaker 2: You said how should I respond? And he sent a fine,

851
00:44:10,600 --> 00:44:12,840
Speaker 2: I just have a stroke. He sent a smiley face emoji.

852
00:44:13,000 --> 00:44:16,600
Speaker 1: Yeah he said no, Kevin said put that back. He

853
00:44:16,640 --> 00:44:20,280
Speaker 1: didn't type in how should I respond.

854
00:44:19,360 --> 00:44:22,239
Speaker 11: Like a bunch of different responses like, yeah, he said

855
00:44:22,239 --> 00:44:25,200
Speaker 11: put that back in. Yeah, I said put that back in,

856
00:44:27,040 --> 00:44:29,880
Speaker 11: and just a smiley face emoji, So he probably didn't.

857
00:44:29,680 --> 00:44:31,759
Speaker 1: I think that's a mere shorthand for like, that's what

858
00:44:31,800 --> 00:44:34,240
Speaker 1: she said. I think that's what like when when Amir

859
00:44:34,320 --> 00:44:36,880
Speaker 1: uses a smiley face emoji, it's it's like, you know

860
00:44:36,960 --> 00:44:37,719
Speaker 1: what he's going to say.

861
00:44:37,760 --> 00:44:39,680
Speaker 2: Now he wants to talk blue, but he won't do

862
00:44:39,719 --> 00:44:40,640
Speaker 2: it in the locker room.

863
00:44:40,800 --> 00:44:43,479
Speaker 1: Well that's him, like now as it gets I think, yeah,

864
00:44:43,560 --> 00:44:46,279
Speaker 1: that's his blows as a gets. And that's what she

865
00:44:46,360 --> 00:44:50,880
Speaker 1: said as well. Uh, okay, so you have to respond

866
00:44:50,920 --> 00:44:54,960
Speaker 1: to to this now, maybe try and like reset and

867
00:44:54,960 --> 00:44:57,680
Speaker 1: be like no, I no, I don't know what that is.

868
00:44:58,160 --> 00:44:59,360
Speaker 9: Can I say, knock it off?

869
00:45:00,040 --> 00:45:02,359
Speaker 1: Okay? That well he did knock it off.

870
00:45:02,480 --> 00:45:07,319
Speaker 2: He he just said another smiling I think you gotta

871
00:45:07,400 --> 00:45:10,359
Speaker 2: leave him on red for a while. Yeaheah, I'll read from.

872
00:45:11,760 --> 00:45:13,160
Speaker 6: Yeah, it's like me a panero.

873
00:45:13,360 --> 00:45:16,680
Speaker 1: Yeah, so you won't go blue, then you're getting left

874
00:45:16,680 --> 00:45:17,200
Speaker 1: on the red.

875
00:45:18,680 --> 00:45:21,040
Speaker 2: Yeah, say that, probably leave it as a voice note,

876
00:45:21,080 --> 00:45:23,200
Speaker 2: so it's clear that you mean left on red and

877
00:45:23,280 --> 00:45:24,080
Speaker 2: not left on red.

878
00:45:24,280 --> 00:45:27,960
Speaker 5: Yes, Yeah, Kevin has a needle of the supercharge liminading.

879
00:45:28,000 --> 00:45:29,040
Speaker 2: He's looking for a vein.

880
00:45:29,440 --> 00:45:33,239
Speaker 9: You're gonna leave me blue, Siri, You're gonna leave me blue?

881
00:45:32,960 --> 00:45:33,800
Speaker 2: Nope?

882
00:45:33,920 --> 00:45:38,640
Speaker 1: No, So you won't go blue, sirih said, no, if.

883
00:45:38,520 --> 00:45:40,799
Speaker 2: You won't go blue, you're getting left on red. Was

884
00:45:40,840 --> 00:45:41,120
Speaker 2: that it?

885
00:45:41,440 --> 00:45:41,960
Speaker 1: Yeah?

886
00:45:42,400 --> 00:45:44,960
Speaker 2: If, hey, Siri, don't say it to serious, say it

887
00:45:44,960 --> 00:45:49,960
Speaker 2: to a mirror. Hey, a mir a mirror.

888
00:45:51,040 --> 00:45:54,840
Speaker 9: If if you won't go blue, I'm leaving you on reed. No,

889
00:45:56,600 --> 00:45:59,440
Speaker 9: he said, he did the question worried.

890
00:45:59,640 --> 00:46:02,840
Speaker 1: I worry about this segment too, like this is giving

891
00:46:02,920 --> 00:46:03,640
Speaker 1: me concerns.

892
00:46:04,000 --> 00:46:06,239
Speaker 3: A lot of the segments so far that we had

893
00:46:06,360 --> 00:46:08,920
Speaker 3: plan that felt like slam dunks going into this.

894
00:46:09,120 --> 00:46:10,320
Speaker 2: Yes, what's.

895
00:46:11,840 --> 00:46:15,040
Speaker 3: I'm very discouraged the old.

896
00:46:14,880 --> 00:46:18,600
Speaker 1: George safety they felt like safety.

897
00:46:18,960 --> 00:46:20,279
Speaker 2: But a safety is a bad thing.

898
00:46:21,320 --> 00:46:23,799
Speaker 1: Depends on what I mean. The slam dunk's a bad

899
00:46:23,800 --> 00:46:26,319
Speaker 1: thing too, for what you know, It depends on who

900
00:46:26,360 --> 00:46:26,920
Speaker 1: it's happening.

901
00:46:27,400 --> 00:46:30,000
Speaker 3: Everything is a bad thing for one of the teams. Yeah,

902
00:46:30,920 --> 00:46:32,400
Speaker 3: that's what makes it a competition.

903
00:46:33,840 --> 00:46:36,279
Speaker 2: It's truly a zero some game.

904
00:46:37,120 --> 00:46:38,360
Speaker 5: Think about that for a segment.

905
00:46:38,760 --> 00:46:42,200
Speaker 3: I'm going to I'm going to so when I came

906
00:46:42,239 --> 00:46:44,800
Speaker 3: back from the bathroom, we were talking about penises flopping

907
00:46:44,840 --> 00:46:45,759
Speaker 3: out of the pants and.

908
00:46:49,239 --> 00:46:50,560
Speaker 2: Segment. Put that back in there.

909
00:46:50,600 --> 00:46:52,000
Speaker 3: Yeah, put that back in there.

910
00:46:53,320 --> 00:46:56,520
Speaker 9: I have an all pitch for that cut for.

911
00:46:56,600 --> 00:47:00,360
Speaker 5: Time because their circumstances.

912
00:47:00,360 --> 00:47:02,160
Speaker 4: Every NFL player has to be circumstances to.

913
00:47:02,120 --> 00:47:04,759
Speaker 3: Be that's crazy that when you get drafted you have

914
00:47:04,840 --> 00:47:06,040
Speaker 3: to do it.

915
00:47:06,640 --> 00:47:10,640
Speaker 1: Something about like, yeah, there's why I'll never play.

916
00:47:11,160 --> 00:47:12,840
Speaker 2: That's the only reason too. Yeah.

917
00:47:12,960 --> 00:47:14,840
Speaker 3: Oh yeah, they've been after Kevin Kevin.

918
00:47:15,080 --> 00:47:22,720
Speaker 10: Come on, please play on in the NFL, Kevin Kevin,

919
00:47:23,080 --> 00:47:26,319
Speaker 10: please please please riot.

920
00:47:26,360 --> 00:47:30,200
Speaker 2: Once when Kirk Cousins went down, the Vikings reps were

921
00:47:30,600 --> 00:47:31,240
Speaker 2: in the studio.

922
00:47:31,560 --> 00:47:36,319
Speaker 3: Yeah they want it, Yeah, they had and they want

923
00:47:36,400 --> 00:47:37,480
Speaker 3: him play quarterback.

924
00:47:37,600 --> 00:47:39,520
Speaker 1: Yeah. The Houston Moilers

925
00:47:41,360 --> 00:47:46,640
Speaker 2: Buko, Mom, all right, but you