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Speaker 1: Brother.

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Speaker 2: Sheets to the wind.

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Speaker 3: As they say, you're trying to get hr you ain't.

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Speaker 1: I'm trying to get hi Hi, Hi Hi.

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Speaker 2: What does three sheets of the Wind come from?

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Speaker 1: Is it a cake reference?

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Speaker 2: I'm sure as racist?

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Speaker 1: Oh god, everything is, everything's racist.

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Speaker 4: Let's look at I'm looking at.

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Speaker 5: The sheets, uh, originating from a sailing terminology where sheet

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Speaker 5: racers ropes controlling.

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Speaker 4: This transatlantic slave trade?

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Speaker 1: Or god, already know, you already know.

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Speaker 5: February first, it's racist.

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Speaker 1: Shoot nigga, I just love Nautica, but you know.

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Speaker 6: Welcome to Jenkins and Jones, independently owned operator since twenty

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Speaker 6: twenty five. It is Sunday, February first, Happy Black History

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Speaker 6: Month from Jenkins and Jones. As always, we are hosted

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Speaker 6: by Dragonfly Jones aka Tyler.

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Speaker 1: We'll get here.

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Speaker 2: What's that throw?

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Speaker 6: Jenkins aka John was m Bubba back from.

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Speaker 2: John straight back from the park.

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Speaker 1: I'm guarding baka Mike, mother fucking Mike, and.

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Speaker 6: We're produced as always by the lovely and talented Jackson Stephon.

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Speaker 2: Well.

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Speaker 6: As I mentioned, it is February first, and as always

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Speaker 6: the start of Black History Month. Here at Jenkins and Jones.

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Speaker 6: I would like to apologize for.

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Speaker 4: Being white.

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Speaker 1: Banks every episode.

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Speaker 2: The worst white people are the worst.

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Speaker 6: We've ruined so many great aspects of life on this planet.

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Speaker 6: I was just at disneylandb white people ruin some shit

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Speaker 6: at Disneyland.

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Speaker 2: Bro. I mean it's just like you know, so my.

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Speaker 3: Apologies Walt Disney the reasoning behind Yeah, but he did

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Speaker 3: his ship with Disneyland.

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Speaker 6: Though Disneyland's good. But like, let my kids be the

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Speaker 6: pilots on smugglers run.

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Speaker 2: You know what I'm saying, Like I hear you, man,

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Speaker 2: I hear you.

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Speaker 1: Oh not caring not her again.

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Speaker 2: Yeah. Anyway, my apologize.

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Speaker 5: John Tyler, and I already said half apology from me, you.

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Speaker 2: Know, apologize to Jackie. Half. That's a half apology, no question.

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Speaker 1: Right, I mean.

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Speaker 4: Exactly sucking half pock.

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Speaker 3: You know, Mike can't let him get away with it.

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Speaker 2: It's like bypok like it's like half of put in white.

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Speaker 1: Jeez, okay, go ahead.

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Speaker 6: Yeah, Jackson said he's sorry, said that's.

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Speaker 2: Funny at all.

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Speaker 1: Right, Uh, well, I have a message I want to

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Speaker 1: say this, Yes, a message. No, I just wanted to

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Speaker 1: like the niggas that come to LA.

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Speaker 3: I know we're used to being around niggas anywhere, But

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Speaker 3: don't be stupid. Just take your ass to where the

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Speaker 3: niggas at and fill your fucking soul up.

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Speaker 1: Man, Yo, don't get mad at what you wanted to be,

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Speaker 1: except what it is, and just go to where the

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Speaker 1: niggas is at. Man, Like I've been going to the

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Speaker 1: meurt Nigga, I feel so much better about my surroundings,

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Speaker 1: you know what I mean.

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Speaker 6: Great life advice for people of all races, ages and

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Speaker 6: genders except.

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Speaker 1: What it is, and do the go where you want

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Speaker 1: to go where you want to seriously, bro, Like you

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Speaker 1: know what I'm saying. We was joking about.

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Speaker 3: You know, somebody seen the first geeker, But like I'm

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Speaker 3: talking to strangers niggas, you know what I mean. Like

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Speaker 3: I'm sitting down at the cafes talking to families and

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Speaker 3: and and and it's like, Nigga, it's bro, go with

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Speaker 3: your people there, man, you know what I mean. Don't

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Speaker 3: fight it and niggas ain't out here.

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Speaker 1: Yeah, okay, it is.

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Speaker 3: What maybe like that, but go with the niggas that

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Speaker 3: the niggas out here as solid as fun lean in

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Speaker 3: you feel me so.

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Speaker 6: Here thought that was a preamble to you saying that

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Speaker 6: they had to check in when they come to l Ah.

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Speaker 1: Please don't check in with me. I gotten nothing for you.

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Speaker 6: Brother, You know what I mean, Sir oh Man, really

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Speaker 6: nice starts to Black History Month.

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Speaker 2: Did y'all see Peyton Watson just rub his testicles? Oliver

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Speaker 2: chet homegrin.

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Speaker 4: I know you as I know you as a.

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Speaker 1: That's almost we almost ran it back though, now that

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Speaker 1: first time it happened. Yeah, that's what I'm saying.

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Speaker 6: That's what That's what The poly Twitter account tweeted with

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Speaker 6: that video and said history has a way of repeating itself.

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Speaker 2: All right, John, I'm gonna be honest with you. I

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Speaker 2: don't know ship about the acting topic, but I know

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Speaker 2: everyone wants you to talk.

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Speaker 1: About christ Cha cour Stevenson.

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Speaker 2: Is what happened? First of all, I'm okay, but you

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Speaker 2: can't hear me.

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Speaker 1: Then I can't just okay for production. There we go,

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Speaker 1: Jackie producer.

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Speaker 3: Last night, Shakur Stevens had fought one of the better

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Speaker 3: fighters in boxing. He's had one loss. The dudes like

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Speaker 3: barely had like he had like fluid in his lungs

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Speaker 3: or something. It shouldn't even have fought. He could have

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Speaker 3: died in the ring.

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Speaker 1: You know what, I mean so that and that's the

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Speaker 1: only time he lost.

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Speaker 3: He's beat He beat Josh Taylor after Josh Taylor had

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Speaker 3: a crazy run. He beat Loma Chicken when Loma Chingka

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Speaker 3: was probably the top three pound for pound best boxes

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Speaker 3: in the sport.

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Speaker 1: What's up my mind?

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Speaker 3: But like TiO is a good fighter, and people will

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Speaker 3: try to shoot him and say all weird ship, that

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Speaker 3: weird ass niggas, don't listen to him. Is a great fighter.

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Speaker 3: He just got beat by the best fighter in boxing.

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Speaker 3: And I mean, you can say whatever you want to say.

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Speaker 3: But all these other guys that people said he would

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Speaker 3: lose to Tank Hainey, fucking people thought said Garcia all

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Speaker 3: that shit, Bro, they have not fight fought a better

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Speaker 3: fighter than t O. And that nigga barely broke a

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Speaker 3: sweat beat that nigga's ass, Bro, he can beat you

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Speaker 3: in like ten different ways as the best feet in boxing.

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Speaker 1: That fucking jab was light niggas up. He beat t

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Speaker 1: O's ass.

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Speaker 3: Heel won one round, one round. He just took it

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Speaker 3: off and he was just basically talking to him in

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Speaker 3: the round. You should see the nigga after the first round.

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Speaker 3: I was talking to Eric. Eric said the homie Eric

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Speaker 3: Sick Kayden in his walk up. That nigga said, it's black,

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Speaker 3: here's you. The white nigga said.

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Speaker 1: That neighbor.

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Speaker 3: That neighbor said, our neighbor. Sick Kaden said, it's over with.

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Speaker 3: He looked so per confident. I said, I need this

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Speaker 3: one round, one round. I was like, felt good after

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Speaker 3: the second round, nigga, I am a nervous like nigga.

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Speaker 3: I'd be I have like I should be like at

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Speaker 3: one hundred and twenty beasts from men and watching.

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Speaker 1: I was even cookies. Talking to Rob the nigga, I

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Speaker 1: knew it was over with.

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Speaker 2: He beat his ass.

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Speaker 3: I I have never it looked easy, and he said

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Speaker 3: it was easy. He watched that nigga. Nobody's ever made

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Speaker 3: too look like that. I've never seen anybody since like

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Speaker 3: in that in that boxing era make anybody look like.

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Speaker 1: Easy work like that of that level. It was a masterclass.

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Speaker 3: Nobody's beating cour with nobody said, and I've been there

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Speaker 3: the whole time saying what the fuck I was saying

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Speaker 3: about Shakur.

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Speaker 1: I was right, you were wrong. That's a cold motherfucker.

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Speaker 3: And if he had like hands that like that, that

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Speaker 3: wouldn't break up, he might have said that, like I think,

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Speaker 3: I think he tries not to punch as much or

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Speaker 3: as really, like you know, he doesn't put it like

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Speaker 3: I think.

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Speaker 1: I think he's doesn't want his hands to get hurt

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Speaker 1: because he's had history with his it's getting hurt.

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Speaker 3: And if he, like I think he could have really,

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Speaker 3: if he had two more rounds, he would have set

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Speaker 3: that nigga down, bro, But the last two rounds he had.

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Speaker 1: That nigga wobbly. And this is a more athletic, more powerful,

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Speaker 1: more explosive fighter.

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Speaker 3: If just athleticism was Shaqueur's fucking IQ and his skills

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Speaker 3: second to none, insane.

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Speaker 4: Yeah, I saw.

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Speaker 7: I saw a lot of commentary around the fight from

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Speaker 7: boxing folks was was, you know, it's time to be

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Speaker 7: honest and talk about where this dude is pound for

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Speaker 7: pound in the world right now.

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Speaker 4: They were like, he is top three right now in

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Speaker 4: that regard.

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Speaker 3: Like I'm wondering who's better, who's better, Who's a better

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Speaker 3: boxer than Shaquie Stevenson in the world, Like would you

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Speaker 3: think Tarla?

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Speaker 7: I mean, I mean, I know you're you're familiar, you

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Speaker 7: know what I mean? Yeah, yeah, I mean Shakura and Keishan.

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Speaker 7: That's one camp I'm tapped in with. You know what

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Speaker 7: I'm saying. So but yeah, I mean, bro, he's he's

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Speaker 7: Did you see the interview that's been circulating after that

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Speaker 7: whole kind of been moment where where uh is Shaquur

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Speaker 7: and Connor in the same interview?

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Speaker 1: Yeah?

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Speaker 7: Yeah, And as your cor asked Connor, when did you

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Speaker 7: start boxing? And Connor said seventeen? He said, oh, your

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Speaker 7: cook did you see that?

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Speaker 1: Nigga? Yeah, I ain't see it.

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Speaker 7: No, And he was like, I've been box since I

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Speaker 7: was five, Bro, I've been box five and he was

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Speaker 7: he was like and and then Connor countered with what Yeah,

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Speaker 7: but I'm a fighter.

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Speaker 4: He said, you come in there and fighting, I'm gonna

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Speaker 4: box your head off.

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Speaker 2: Bro.

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Speaker 8: Look, niggas be talking about boxing like it's fighting, nigga,

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Speaker 8: it's boxing. Fighting and boxing are two different sports, Nigga,

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Speaker 8: you feel me that, nig This this like nigga talk

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Speaker 8: about the sweet science.

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Speaker 1: Boxing is science. This nigga is a professional scientist in

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Speaker 1: that ring.

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Speaker 3: Motherfuckers talking about running getting that ring, and see where

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Speaker 3: a nigga run getting that motherfucker ring. Look around and

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Speaker 3: see how tight that bitch on your ass, nigga, getting

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Speaker 3: the ring, get your ass beat.

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Speaker 1: I got my ask a couple. I ain't gonna lie.

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Speaker 2: And know where to run it.

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Speaker 1: That motherfucker.

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Speaker 3: You don't feel me like he makes it look enormous

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Speaker 3: because how he that's home to him, baby, Nigga, Like dude, Connor,

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Speaker 3: ben watch is that kind of been has no fucking

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Speaker 3: chance and kind of been fights like a fighter. And

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Speaker 3: I've seen him sparring too.

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Speaker 6: Bro.

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Speaker 3: Uh, there's nobody fucking with him, bro. And what he

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Speaker 3: said it kind of been was one thousands of facts.

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Speaker 1: Nigga.

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Speaker 3: If you start fighting, it's like soccer and overseas, if

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Speaker 3: you start playing soccer at seventeen, nigga, play it, nigga, right, nigga, you.

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Speaker 1: Are recreational with it, you know what I'm saying.

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Speaker 6: Boxing has fifty thousand reps of everything you're doing by

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Speaker 6: the time you're seventeen.

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Speaker 3: For so five five boxing at five that's pretty much

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Speaker 3: where you need to start if you want to be

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Speaker 3: professional boxing. So kudos for Connor for making this far,

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Speaker 3: but you ain't fucking with that, niggas your core At

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Speaker 3: most top level fighters.

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Speaker 7: For sure, like the best of the best I saw

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Speaker 7: I saw a comment on it that said it's really

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Speaker 7: this simple. The earlier you start, the more advantage you are,

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Speaker 7: and the phrase that's that hopped out to me. He

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Speaker 7: was like, the compound interest is too great to overcome.

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Speaker 1: Yep, yeah, that's great.

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Speaker 6: Yeah, and he's promoting financial literacy as well, which is wonderful.

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Speaker 1: Love that, but yeah, hell of a fight.

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Speaker 3: I mean it's for shakur Uh. Thank you Eric for

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Speaker 3: keeping me calm. Leading up, he was texting me, I'm like, Nigga,

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Speaker 3: I can't even think about it.

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Speaker 2: You're you're that bigger.

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Speaker 6: Is that the last athlete that you're that big of

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Speaker 6: a fan about that? It would like, fuck your mood up.

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Speaker 1: Boxing.

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Speaker 3: I'm a bigger fan of boxing than any sport at

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Speaker 3: the moment. There's there's no sport that I enjoy watching

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Speaker 3: more and more into than boxing.

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Speaker 1: I watch golf, but not actual professional golfers.

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Speaker 2: It's like you but you haven't, but is there a

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Speaker 2: golfer that gets your heart rate up?

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Speaker 1: Please?

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Speaker 3: This is My heart rate is higher watching Checord than

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Speaker 3: Brown in twout sixteen. That's because, I mean, because if

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Speaker 3: a Nigga get I mean, bron would have lost the game,

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Speaker 3: which I would have hated right, but schakurte have gotten knocked.

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Speaker 1: I mean, nigga boxing, the stakes are so much higher, bro.

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Speaker 3: I mean imagine watching bron thinking he can get his

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Speaker 3: head to knock the fuck off.

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Speaker 1: You know what I'm saying. That's a different type of stress.

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Speaker 3: I mean, you know, I'm get his two paid knock

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Speaker 3: the funk off, you know, And he had that when

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Speaker 3: he had that peace song, you know what i mean.

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Speaker 1: So, yeah, it's just different.

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Speaker 6: Quick Grammys interlude here, But Kendrick has set a record

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Speaker 6: for most Grammys won by a rapper and uh he

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Speaker 6: and sis is a just one.

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Speaker 2: Record of the year for Luther.

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Speaker 9: So he in his in his in his remarks, he

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Speaker 9: thanked Luther van Draws And so they got Luther Van

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Speaker 9: Drows's blessing and the only stipulation was no cursing in

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Speaker 9: the song.

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Speaker 4: And they said, well they got his estates blessing.

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Speaker 10: I'm gonna say, I'm telling you Kendrick is on a

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Speaker 10: different level.

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Speaker 6: Board.

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Speaker 11: You feel what.

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Speaker 12: I'm clear, I wouldn't be surprised if you did. Started

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Speaker 12: I just roll up in his head.

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Speaker 1: They can start floating.

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Speaker 2: He starts talking exclusively an alien voice. Yeah, what else.

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Speaker 2: I didn't watch any of the I didn't watch any

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Speaker 2: of the Grammys. Was it any uh anything cool happened?

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Speaker 2: Watch it?

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Speaker 1: I mean it was there was They was talking that ship.

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Speaker 1: They was really talking about ice in the country, you

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Speaker 1: know what I mean.

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Speaker 6: So.

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Speaker 1: Making jokes about it.

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Speaker 4: From the opening monologue, Bad Bunny.

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Speaker 1: Was making statements.

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Speaker 5: Philly Eilish was saying, stuff did something, that money wants something, the.

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Speaker 2: Right people are pissed off on February first, that's I

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Speaker 2: mean they did. They did.

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Speaker 5: Like half the bits between the from Tremor No Tonight

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Speaker 5: where him and Bad Bunny talking about how he can't

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Speaker 5: perform tonight because contractually, if you have the super Bowl,

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Speaker 5: you can't perform yeah, you know outside of the super Bowl.

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Speaker 5: So half the jokes are basically about that and how

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Speaker 5: like how great the super Bowl halftime.

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Speaker 1: Show is going to be just shoving in their face

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Speaker 1: basically shots Duran Bernard you want he had?

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Speaker 2: Bro?

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Speaker 4: Are you a fan? I'm a fan of him as

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Speaker 4: a person.

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Speaker 7: I haven't really I know who he was since he

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Speaker 7: he pulled that motherfucker Proud Family at that.

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Speaker 4: He is a character, bro, Yeah.

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Speaker 3: His his ig is funny. Your hell too, he's just

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Speaker 3: a funny dude. I actually met him in person one time. Man,

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Speaker 3: one of Kev's things really really really kind, solid motherfucker.

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Speaker 1: But yeah, shouts and the seller.

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Speaker 4: You know, the speech he.

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Speaker 1: Had was was special. Had his parents on stage with

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Speaker 1: him as well, but his.

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Speaker 2: Hands been up there.

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Speaker 7: For me, that was like the most sentimental park of me.

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Speaker 7: I was like, you know, shout out to them for

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Speaker 7: allowing him to be who he was. Sure, thank god

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Speaker 7: they did a loud and proud game, flamboying guy and

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Speaker 7: they nurtured that ship and now he's a fucking Grammy winner.

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Speaker 3: One on one type nigga. Man, you know I'm saying

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Speaker 3: for so, but I think he didn't. He started off

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Speaker 3: backup singing for er Kabaddu, you know what I mean.

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Speaker 3: So yeah, I mean that was a while ago, so

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Speaker 3: you know, come a long way, bro, you know, I

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Speaker 3: mean it was music solid though. He had some good

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Speaker 3: some good songs, So obviously nigga want a Grammy love

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Speaker 3: it for him.

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Speaker 2: So yeah, they said my girl Olivia Dean performed, Yeah,

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Speaker 2: can you win anything? Or she wants the best new artists,

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Speaker 2: and then they did. They had pretty good tributes for

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Speaker 2: very good tributes, I would say, for she was up there,

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Speaker 2: boy relaxed, she.

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Speaker 5: You know, not not an American, but still made a

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Speaker 5: statement about how her parents, her grandparents Immigrandma was an immigrant,

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Speaker 5: and so how she's you know, a child of immigrants,

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Speaker 5: immigrant should be celebrated.

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Speaker 1: So even even a brit like gonna celebrate the Brits too.

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Speaker 6: British people like talking ship on ice, I feel like

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Speaker 6: would be a welcome thing because they sound so smart too,

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Speaker 6: know what I mean? Like that would be she would

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Speaker 6: be doing that more eloquently than I would be doing it.

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Speaker 1: The sounds smart because I speak to Queen's English.

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Speaker 6: No, it's just like you know, every time I I'm

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Speaker 6: like Instagram knows I'll watch any Olivia Dean content it

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Speaker 6: puts in front of me. At this point, it's clear

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Speaker 6: that I'm not the only one because these interviewers would

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Speaker 6: just be.

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Speaker 2: Like, what song did you think about? Why you tied

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Speaker 2: your shoes today?

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Speaker 6: Like they just literally asked her, like just talk for

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Speaker 6: thirty seconds, like about literally anything.

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Speaker 2: And she just sounds like, you know, she just saw

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Speaker 2: everything she says sounds thoughtful as fuck.

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Speaker 1: Yeah, yeah, isn't that education?

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Speaker 2: Some pretty?

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Speaker 1: Is it better? Than ours now probably, but.

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Speaker 4: Who knows. Back back then you're living in.

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Speaker 6: I mean.

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Speaker 1: Most stakes is probably not that good.

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Speaker 6: Brother.

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Speaker 5: There was also great tributes for Ozzy Osbourne and as

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Speaker 5: mister Lama Bass said, the DM Slow tribute, it was insane.

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Speaker 5: It was Missy Elliott and they brought out they just

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Speaker 5: can't bring people out.

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Speaker 1: It was crazy.

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Speaker 4: I was like, how are they bringing up more people?

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Speaker 4: I'll tap in with that. Yeah, I definitely I think

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Speaker 4: that that was the king right there, bro.

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Speaker 6: So is it? Grammy's one of those things where we

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Speaker 6: all said we don't give a fuck about the Grammys

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Speaker 6: no more, but everyone else was lying about that. I'm like,

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Speaker 6: every it seems like everyone's watching the Grammys.

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Speaker 2: I'm not. I didn't think we watched the Grammys no more.

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Speaker 7: I mean I think people are so you said the

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Speaker 7: Grammy is getting it wrong that when they get it right,

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Speaker 7: it's like okay.

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Speaker 2: You know, like yeah, and it's just like for the

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Speaker 2: perform I mean all these performances. Yeah, it's a good

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Speaker 2: award show.

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Speaker 5: I feel like because of the better than some of

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Speaker 5: the other ones, because at least you get the performances.

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Speaker 6: They shouldn't make the actors at the Oscars do like

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Speaker 6: one scenes, just like just make them get up there

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Speaker 6: and do like a five minute monologuer.

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Speaker 1: You know, like yeah, yeah, go hit some class live.

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Speaker 6: Yes, And it's nothing in the world worse than bad IMPROVM,

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Speaker 6: like that would be truly the word like nothing makes

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Speaker 6: me more uncomfortable.

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Speaker 7: I feel like the Grammys are an award where it's

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Speaker 7: like the sentiment isn't like necessarily like yes much deserve.

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Speaker 7: It's like, bro, even the idiots couldn't deny it, you know,

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Speaker 7: and a Grammy award right.

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Speaker 2: Like gn X was so good even the Grammy voters.

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Speaker 6: All right, Speaking of music, Tyler, You've been engaged in

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Speaker 6: quite a bit of discourse on the internet regarding the

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Speaker 6: blog era, and we were talking about some other ship

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Speaker 6: last week, so it didn't didn't feel like a good segue.

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Speaker 6: But but I'm curious for for for this, you walked

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Speaker 6: a couple of people down on the timeline. But but

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Speaker 6: you are like a historian to me on this subject,

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Speaker 6: and I was curious for if you if you wanted

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Speaker 6: to talk about Oh.

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Speaker 7: Listen, bro block Air is my favorite era in the

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Speaker 7: history of rap music period. But yeah, so basically background

401
00:18:57,600 --> 00:18:59,600
Speaker 7: on this story is and It's an interesting discussion to

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Speaker 7: have because it's a framework for the evolution of the

403
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Speaker 7: business model of music, and also how New York people

404
00:19:08,920 --> 00:19:12,199
Speaker 7: are just unbelievably New York centric and shit like. All

405
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Speaker 7: of that comes into play here. So background here is

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Speaker 7: Jim Jones said he broke Kid Cutting. He said he's

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Speaker 7: the reason Kit Cutty became a big deal. He said

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Speaker 7: his remix of Day and Night in summer two thousand

409
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Speaker 7: and eight was the reason that Kid Cutting blew up a.

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Speaker 4: Lie, a big fucking lie whopper nigga.

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Speaker 2: But the thing is a whole bunch of New York.

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Speaker 7: Is chimed in, like, yeah, he's right, that Jim Jones

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Speaker 7: Kid Cutty Day and Night remix Hot ninety seven played

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Speaker 7: back to death.

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Speaker 4: Jimmy ain't lying on this one.

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Speaker 7: And then the rest of the world, the rest of

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Speaker 7: the fucking world outside of New York City said, bro,

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Speaker 7: we have never heard.

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Speaker 4: This shit a period period, nigga.

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Speaker 7: Like everyone was telling New York, Yo, we've never heard

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Speaker 7: this Jim Jones remix until now in the eighteen year

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Speaker 7: LIFs span of Day and Night. I didn't hear the

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Speaker 7: Jim Jones remix until this discussion.

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Speaker 1: I didn't even I didn't listen to it.

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Speaker 7: Yeah, and I think I'm pretty fucking tapped in with

426
00:20:08,920 --> 00:20:13,520
Speaker 7: this rap shit, right, But and it was an interesting

427
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Speaker 7: It was an interesting discussion that it veered away from

428
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Speaker 7: did Jimmy make Kid Cutty hot too? What was the

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Speaker 7: the prevalent, you know, breeding ground for new artists in

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Speaker 7: summer two thousand and eight when this happened.

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Speaker 4: And folks are like, radio is still a big deal?

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Speaker 7: Y'all are Front High ninety seven is the number one

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Speaker 7: radio in black music in America, which which it absolutely is.

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Speaker 7: And they were like, and you think that's not a

435
00:20:35,200 --> 00:20:37,320
Speaker 7: big deal that they broke that record? And I was like, bro,

436
00:20:37,440 --> 00:20:39,840
Speaker 7: in two thousand and eight, it was radio didn't Brekke

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00:20:39,880 --> 00:20:42,639
Speaker 7: Cutty was listening to radio, thank you. In two thousand

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Speaker 7: and eight. Radio didn't break Kit Cutty. The blogs broke

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Speaker 7: Kid Cutty.

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Speaker 6: Bro.

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00:20:46,400 --> 00:20:49,359
Speaker 7: That was And then the only reason I got involved

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Speaker 7: in this conversation. I really let it play out the

443
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Speaker 7: whole because I was like, Bro, motherfucker's are tripping on this.

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00:20:53,760 --> 00:20:56,240
Speaker 7: A clip from the Joe Bunnen Pot popped up where

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Speaker 7: Joe Budden said, y'all overstate the blog era, this was

446
00:21:00,200 --> 00:21:01,760
Speaker 7: like the peak of the block era or whatever, and

447
00:21:01,920 --> 00:21:04,560
Speaker 7: I quote tweeted that and I was like, summer two

448
00:21:04,600 --> 00:21:07,320
Speaker 7: thousand and eight was absolutely the peak of the block era.

449
00:21:08,680 --> 00:21:11,760
Speaker 7: That summer we got a kid named Cudding Kid Cuddy's

450
00:21:12,000 --> 00:21:14,360
Speaker 7: mixtape that day and Night was on. We got mixtape

451
00:21:14,359 --> 00:21:17,680
Speaker 7: About Nothing by Wild, a fucking incredible piece. Might be

452
00:21:17,800 --> 00:21:20,200
Speaker 7: my favorite project of two thousand and eight. It's between

453
00:21:20,240 --> 00:21:21,200
Speaker 7: that and Recession by Gus.

454
00:21:21,200 --> 00:21:22,200
Speaker 1: It's his best project to me.

455
00:21:22,560 --> 00:21:26,680
Speaker 4: Yeah, for sure. We got the fucking the Cool Kids

456
00:21:27,080 --> 00:21:29,760
Speaker 4: debut album. That summer, we had.

457
00:21:31,800 --> 00:21:34,879
Speaker 7: Charles Hamilton, he was on his ship where he was,

458
00:21:34,960 --> 00:21:36,680
Speaker 7: you know, just flooding the market if you remember that

459
00:21:36,840 --> 00:21:41,680
Speaker 7: the guy motherfucking current. Yeah, currency, Bro, he was in

460
00:21:41,720 --> 00:21:44,760
Speaker 7: the middle of that fucking iconic mixtape a month drop,

461
00:21:45,200 --> 00:21:47,240
Speaker 7: you know, run that he was on. And in the

462
00:21:47,480 --> 00:21:49,960
Speaker 7: in fall of that year, we had that iconic Double

463
00:21:50,000 --> 00:21:53,280
Speaker 7: Excel Freshman Tank cover with all the blog era rappers. Right, Like,

464
00:21:53,720 --> 00:21:55,920
Speaker 7: Like to say that Summer eight wasn't wasn't when the

465
00:21:55,960 --> 00:21:58,920
Speaker 7: block era was popping off is ridiculous, because there's a

466
00:21:58,960 --> 00:22:00,920
Speaker 7: case that Summer eight is the single best summer of

467
00:22:01,119 --> 00:22:03,520
Speaker 7: the blog era. Like you can make that case, bro,

468
00:22:04,000 --> 00:22:07,479
Speaker 7: and so you know, I quot tweeted that, and Joe

469
00:22:07,520 --> 00:22:08,960
Speaker 7: Bunnan got back to me and I told him, I,

470
00:22:09,119 --> 00:22:10,919
Speaker 7: you know, respectfully disagree with him, and I laid out

471
00:22:10,920 --> 00:22:12,720
Speaker 7: my case for why two thousand and eight and I just.

472
00:22:12,840 --> 00:22:17,159
Speaker 6: Entered that there's the sound of Freddy Krueger's clause on

473
00:22:17,280 --> 00:22:20,960
Speaker 6: a pipe in your dream, there's Michael Myers walking down

474
00:22:21,000 --> 00:22:24,680
Speaker 6: the street slowly, and there's Tyler tweeting, couldna disagree with

475
00:22:24,760 --> 00:22:25,080
Speaker 6: you on this?

476
00:22:27,119 --> 00:22:33,760
Speaker 2: Just the three biggest fucking nightmares. I carried politely, very politely, but.

477
00:22:33,840 --> 00:22:37,560
Speaker 6: I've never seen you tweet that without being like, that's

478
00:22:37,680 --> 00:22:39,960
Speaker 6: like your fucking ISO call.

479
00:22:40,200 --> 00:22:42,560
Speaker 2: I was gonna disagree with you on this, and.

480
00:22:43,000 --> 00:22:45,000
Speaker 7: I was very respectful to but in that instance because

481
00:22:45,240 --> 00:22:47,440
Speaker 7: in my opinion, but it might be the very first

482
00:22:47,480 --> 00:22:49,920
Speaker 7: star of the blog era, like and for him to

483
00:22:50,000 --> 00:22:52,480
Speaker 7: argue about radio's importance in two thousand and eight, one, bro,

484
00:22:52,800 --> 00:22:55,640
Speaker 7: it was like Joe Bunnen had a fucking cult following.

485
00:22:56,280 --> 00:22:56,720
Speaker 4: I'll read.

486
00:22:58,080 --> 00:22:59,880
Speaker 7: Yes, it was something that we'd like, had never quite

487
00:23:00,000 --> 00:23:02,320
Speaker 7: seen before in the capacity of the army, that this

488
00:23:02,560 --> 00:23:06,040
Speaker 7: guy with zero radio presence and record label hell and

489
00:23:06,280 --> 00:23:08,720
Speaker 7: was just pumping out mixtapes on the Internet had, right, Like,

490
00:23:09,600 --> 00:23:12,719
Speaker 7: folks and Denver and Seattle who were downloading Joe But's mixtapes,

491
00:23:12,840 --> 00:23:15,000
Speaker 7: they weren't downloading it because of Hot ninety seven. They

492
00:23:15,040 --> 00:23:17,639
Speaker 7: were downloading it because of the fucking Internet, you know.

493
00:23:17,840 --> 00:23:20,439
Speaker 7: And and the thing is this, bro Like, even if

494
00:23:20,480 --> 00:23:24,200
Speaker 7: you want to argue about when the blog era came

495
00:23:24,240 --> 00:23:26,439
Speaker 7: to promise, when when the blog era's peak was at

496
00:23:26,640 --> 00:23:30,320
Speaker 7: whatever whatever, to say that radio still mattered in two

497
00:23:30,359 --> 00:23:32,800
Speaker 7: thousand and eight in regards of breaking new rappers, like,

498
00:23:34,359 --> 00:23:38,640
Speaker 7: that's just not true because, for one, the blog era

499
00:23:39,400 --> 00:23:43,520
Speaker 7: is an extension of the mixtape era. And the mixtape

500
00:23:43,560 --> 00:23:45,760
Speaker 7: era was a time where rappers said, fuck the radio,

501
00:23:45,880 --> 00:23:46,720
Speaker 7: fuck record labels.

502
00:23:46,920 --> 00:23:48,600
Speaker 4: I'm gonna put my shit out and I'm gonna put

503
00:23:48,600 --> 00:23:49,280
Speaker 4: it out on the Internet.

504
00:23:49,320 --> 00:23:51,840
Speaker 7: And the blog era is a direct result of community

505
00:23:51,960 --> 00:23:53,400
Speaker 7: forming around the mixtape scene.

506
00:23:53,480 --> 00:23:53,600
Speaker 1: Right.

507
00:23:54,119 --> 00:23:57,159
Speaker 4: So, And this is a fun exercise for any of

508
00:23:57,240 --> 00:23:59,600
Speaker 4: our listeners to do. Tell me a rapper.

509
00:24:00,880 --> 00:24:03,639
Speaker 7: After two thousand and three, and I say two thousand

510
00:24:03,640 --> 00:24:08,160
Speaker 7: and three because of this fifty cents emergence after being

511
00:24:08,200 --> 00:24:10,560
Speaker 7: in label hell with Columbia, and he said fuck all this,

512
00:24:10,720 --> 00:24:12,280
Speaker 7: and he went out here and he flooded the streets

513
00:24:12,320 --> 00:24:15,400
Speaker 7: with mixtapes and got fucking signed by after Math Shade

514
00:24:15,400 --> 00:24:17,440
Speaker 7: and became the biggest rapper in the world. That was

515
00:24:17,480 --> 00:24:21,119
Speaker 7: a moment that shifted the business model of rap because

516
00:24:21,200 --> 00:24:23,200
Speaker 7: that inspired so many rappers say, Yo, we don't fucking

517
00:24:23,280 --> 00:24:24,439
Speaker 7: need the radio to blow up.

518
00:24:24,640 --> 00:24:25,400
Speaker 4: We just need to pump.

519
00:24:25,560 --> 00:24:27,800
Speaker 7: We just need to get out here, put some mixtapes together,

520
00:24:28,000 --> 00:24:30,119
Speaker 7: pump this shit out, and the labels are going to

521
00:24:30,160 --> 00:24:31,920
Speaker 7: come to us, right, Like it was a model of

522
00:24:32,160 --> 00:24:36,560
Speaker 7: fifty cent shifted the entire business model of rap. So,

523
00:24:36,680 --> 00:24:38,240
Speaker 7: like I said, going back to this, this is a

524
00:24:38,280 --> 00:24:40,240
Speaker 7: fun exercise that I want you to do, because to

525
00:24:40,400 --> 00:24:44,159
Speaker 7: say that the Internet wasn't huge and breaking stars in

526
00:24:44,200 --> 00:24:45,479
Speaker 7: two thousand and eight when it had been that way

527
00:24:45,520 --> 00:24:48,159
Speaker 7: for years, it's just like, like you just weren't paying attention.

528
00:24:48,440 --> 00:24:51,119
Speaker 7: Tell me a rapper after fifty cent who became a

529
00:24:51,320 --> 00:24:57,119
Speaker 7: rap megastar who wasn't known first on the mixtape slash

530
00:24:57,200 --> 00:24:59,440
Speaker 7: and or block scene, and you really, the list is

531
00:24:59,440 --> 00:25:01,560
Speaker 7: going to be extremely short. Like you can go to

532
00:25:01,640 --> 00:25:05,359
Speaker 7: Kanye right, you can say, oh, okay, Kanye bro. Kanye

533
00:25:05,440 --> 00:25:05,679
Speaker 7: had like.

534
00:25:05,680 --> 00:25:08,120
Speaker 4: Two three mixtapes before his album dropped. When when slow

535
00:25:08,200 --> 00:25:09,680
Speaker 4: jams hit the radio. It was like, who was this?

536
00:25:09,800 --> 00:25:11,800
Speaker 4: It was like, Yo, Kanye finally made it to the radio.

537
00:25:12,160 --> 00:25:15,440
Speaker 4: Like that's how rap fans felt about that. The Wire first,

538
00:25:16,000 --> 00:25:19,040
Speaker 4: Yeah anything, Yeah yeah Google Wire for sure.

539
00:25:19,920 --> 00:25:22,480
Speaker 7: Loop A bro Loupe was known on the mixtape scene

540
00:25:22,800 --> 00:25:25,320
Speaker 7: long before he blew up, long before before his debut

541
00:25:25,359 --> 00:25:27,639
Speaker 7: album Food and Liquor, right like you can talk about

542
00:25:27,960 --> 00:25:31,959
Speaker 7: Drake Kendrick Cole blog era rappers right they were. They

543
00:25:32,000 --> 00:25:34,600
Speaker 7: had fucking two three four projects under their belt before

544
00:25:34,600 --> 00:25:38,840
Speaker 7: their first radio breakthrough. You could talk about how Gez

545
00:25:39,119 --> 00:25:43,080
Speaker 7: Future Jez was was was was with DJ Drama pumping

546
00:25:43,119 --> 00:25:46,159
Speaker 7: out trapadt tapes before he blew up. Future was was

547
00:25:46,480 --> 00:25:48,439
Speaker 7: was on his mixtape ship before he ever broke through

548
00:25:48,480 --> 00:25:50,760
Speaker 7: on the radio. Bro Like radio stopped being the breeding

549
00:25:50,840 --> 00:25:53,560
Speaker 7: ground for where new rap artists were broke long before

550
00:25:53,600 --> 00:25:55,439
Speaker 7: the blog era motherfuckers just weren't paying attention.

551
00:25:56,359 --> 00:25:59,000
Speaker 1: I was like, no, no, go ahead, no no no.

552
00:25:59,880 --> 00:26:02,919
Speaker 6: I think like places where radio, you know, like New

553
00:26:03,040 --> 00:26:05,920
Speaker 6: York and LA radio had a deeper foothold than in

554
00:26:06,040 --> 00:26:08,840
Speaker 6: other places. So I do understand, especially New York really

555
00:26:08,920 --> 00:26:11,000
Speaker 6: is its own world. I understand why they felt that way.

556
00:26:11,080 --> 00:26:13,920
Speaker 6: You just when the entire rest of the country disagrees

557
00:26:13,960 --> 00:26:16,360
Speaker 6: with you, but they don't care. It's like if that's

558
00:26:16,359 --> 00:26:18,800
Speaker 6: where New York heard, you know, feels like they heard

559
00:26:18,800 --> 00:26:20,440
Speaker 6: about it. That's all they care about. But I think

560
00:26:20,520 --> 00:26:23,360
Speaker 6: like K Rock and LA held on longer than any

561
00:26:23,400 --> 00:26:26,960
Speaker 6: other alternative radio station because of the history and because

562
00:26:26,960 --> 00:26:29,399
Speaker 6: there are a couple of DJs where you're like Rodney

563
00:26:29,440 --> 00:26:32,120
Speaker 6: on the Rock still playing you at seven eight meant

564
00:26:32,200 --> 00:26:36,440
Speaker 6: more than probably any other radio appearance you could make.

565
00:26:37,000 --> 00:26:38,840
Speaker 2: But it is just funny New York. It's like, well,

566
00:26:39,800 --> 00:26:42,040
Speaker 2: it's like how I still think John is like the

567
00:26:42,160 --> 00:26:42,639
Speaker 2: reason that.

568
00:26:44,320 --> 00:26:46,359
Speaker 6: Old Town Road got famous because he put it on

569
00:26:46,680 --> 00:26:49,560
Speaker 6: Schengins and Jones like four days before I heard it

570
00:26:49,600 --> 00:26:52,919
Speaker 6: anywhere else, and I'm like every time, every time, I'm.

571
00:26:52,800 --> 00:26:55,440
Speaker 2: Like, that's John's you know, John should get ten percent

572
00:26:55,520 --> 00:26:56,960
Speaker 2: of his arm. I didn't know that.

573
00:26:57,200 --> 00:26:57,520
Speaker 1: I don't know.

574
00:26:57,600 --> 00:26:58,520
Speaker 4: I didn't know that story.

575
00:26:58,680 --> 00:27:00,960
Speaker 2: He put it on Jenkison Joe. I think Make the

576
00:27:01,040 --> 00:27:01,600
Speaker 2: Stallion too.

577
00:27:01,720 --> 00:27:04,760
Speaker 6: He had like a make the Stallion freestyle before she

578
00:27:05,000 --> 00:27:07,160
Speaker 6: had like formally dropped anything.

579
00:27:07,240 --> 00:27:09,680
Speaker 1: And I was like, that's when I was outside though,

580
00:27:09,760 --> 00:27:11,200
Speaker 1: bro like the baby.

581
00:27:11,359 --> 00:27:13,680
Speaker 2: Like he was pulling people off SoundCloud.

582
00:27:14,000 --> 00:27:17,160
Speaker 6: He was like, there's this there's this Chicken Houston whose

583
00:27:17,280 --> 00:27:19,960
Speaker 6: free styles are crazy, and it was make the Stallion.

584
00:27:24,520 --> 00:27:26,640
Speaker 3: I tried to find our old videos. I can't evenymore,

585
00:27:26,720 --> 00:27:29,000
Speaker 3: but she had some fire ass videos. She was throwing

586
00:27:29,040 --> 00:27:30,520
Speaker 3: that ass at gas stations and shit.

587
00:27:31,640 --> 00:27:33,600
Speaker 7: Nigga that one video when she was freestyling to the

588
00:27:33,640 --> 00:27:38,480
Speaker 7: goddamn X Extasion beat and her fucking subdivision Nigga, Yeah.

589
00:27:38,920 --> 00:27:41,160
Speaker 1: Nigga niggas. Yeah, she was five. You know what I'm saying.

590
00:27:41,200 --> 00:27:44,520
Speaker 3: But I feel like for me, I mean even even

591
00:27:44,560 --> 00:27:47,000
Speaker 3: Lil Wayne, like Lil Wayne had the Carter, but I

592
00:27:47,080 --> 00:27:48,520
Speaker 3: feel like the mixed station ship stamped.

593
00:27:48,680 --> 00:27:50,240
Speaker 1: I feel like two thousand and six when he dropped

594
00:27:50,240 --> 00:27:52,120
Speaker 1: Dedication Too, it was over for the radio.

595
00:27:52,480 --> 00:27:54,760
Speaker 3: Yeah, in two thousand and six when he dropped that,

596
00:27:55,040 --> 00:27:57,040
Speaker 3: I didn't listen to radio like I might listen to

597
00:27:57,119 --> 00:28:00,439
Speaker 3: radio five times since that tapes drop. Also, the squad

598
00:28:00,480 --> 00:28:02,639
Speaker 3: up shit, bro, you know what I'm saying, Like that

599
00:28:02,960 --> 00:28:05,760
Speaker 3: was people. That's what kept Wayne in my ears. His

600
00:28:05,880 --> 00:28:08,280
Speaker 3: albums weren't really like cracking. And you know what I'm saying,

601
00:28:08,359 --> 00:28:10,520
Speaker 3: was it four degree five degrees he dropped? You know

602
00:28:10,560 --> 00:28:13,600
Speaker 3: what I'm saying it was like agrees, yeah, yeah, that

603
00:28:13,720 --> 00:28:14,440
Speaker 3: was wheezy story.

604
00:28:14,520 --> 00:28:14,600
Speaker 1: Bro.

605
00:28:14,760 --> 00:28:17,520
Speaker 7: It was like five hundred degrees dropped and we were like, man,

606
00:28:17,720 --> 00:28:20,040
Speaker 7: this I don't know if Wesy got it, bro, And

607
00:28:20,119 --> 00:28:22,679
Speaker 7: then four hundred I'm then the Carter came out.

608
00:28:22,560 --> 00:28:26,360
Speaker 1: And Hey DJ, and it was like oh okay, yeah,

609
00:28:26,400 --> 00:28:27,560
Speaker 1: but I mean, like that was cool.

610
00:28:27,560 --> 00:28:28,240
Speaker 2: I mean that was final.

611
00:28:28,320 --> 00:28:29,560
Speaker 1: Okay, Wayne's figured.

612
00:28:29,359 --> 00:28:36,479
Speaker 3: It out, but dedication too, like Liluisy and all them nigga. Bro,

613
00:28:37,280 --> 00:28:40,640
Speaker 3: you was hearing that you couldn't in the summer, you

614
00:28:40,720 --> 00:28:43,480
Speaker 3: couldn't drive by a car and not hear Wayne nigga.

615
00:28:43,680 --> 00:28:46,040
Speaker 1: And it was the mixtape. Shit, it wasn't the albums.

616
00:28:46,200 --> 00:28:48,960
Speaker 1: Nobody was playing the radio, so that's crazy. I feel like.

617
00:28:49,040 --> 00:28:50,760
Speaker 1: I mean, I'm like, yeah, I mean.

618
00:28:51,440 --> 00:28:54,680
Speaker 3: New York probably got music early, but for me, I mean,

619
00:28:54,720 --> 00:28:56,840
Speaker 3: I think maybe that's why they lost their foothole because

620
00:28:56,840 --> 00:28:59,400
Speaker 3: they was listening to people like listen to the radio,

621
00:28:59,480 --> 00:29:01,600
Speaker 3: and the radio got shipped late. You know what I'm saying.

622
00:29:01,640 --> 00:29:04,840
Speaker 3: We was listening to ship. I mean, when when did

623
00:29:04,920 --> 00:29:08,400
Speaker 3: you hear Drake? And then when the Drake crap nigga,

624
00:29:08,840 --> 00:29:13,080
Speaker 3: like a year like they dropped, they wasn't too far gone.

625
00:29:13,200 --> 00:29:15,840
Speaker 3: They dropped that and that ship went platinum. I had

626
00:29:15,880 --> 00:29:18,000
Speaker 3: too Far Gone for free a year prior to that,

627
00:29:18,680 --> 00:29:23,200
Speaker 3: you know what I'm saying, Like, so I was there, Yeah,

628
00:29:23,320 --> 00:29:25,920
Speaker 3: I was there that night in February two thousand and nine.

629
00:29:25,920 --> 00:29:27,800
Speaker 3: Was so far gone and it broke the Internet, like

630
00:29:27,920 --> 00:29:30,680
Speaker 3: the servers crash because so many people weren't going to

631
00:29:30,720 --> 00:29:34,400
Speaker 3: download this and he had zero radio play, zero And

632
00:29:35,040 --> 00:29:35,960
Speaker 3: somebody brought this up.

633
00:29:35,920 --> 00:29:38,280
Speaker 1: To Kanye West had a blog.

634
00:29:39,400 --> 00:29:43,400
Speaker 3: Kanye West had a blog, Nigga, you know what I'm saying, Like,

635
00:29:43,840 --> 00:29:44,400
Speaker 3: that's how.

636
00:29:44,480 --> 00:29:48,480
Speaker 1: Big like to say that Kanye knowing Kanye West had.

637
00:29:48,400 --> 00:29:51,880
Speaker 3: A blog and to say the the bloggerer was overblown,

638
00:29:52,560 --> 00:29:55,880
Speaker 3: is that's that's that's low key in sanity, you know

639
00:29:55,920 --> 00:29:58,920
Speaker 3: what I'm saying, Like somebody of that, a star on

640
00:29:59,040 --> 00:30:01,680
Speaker 3: that level had their own blow because that was the

641
00:30:01,800 --> 00:30:03,800
Speaker 3: best way to get your music out.

642
00:30:03,880 --> 00:30:04,640
Speaker 1: That's kind of crazy.

643
00:30:04,760 --> 00:30:07,800
Speaker 6: Well, that's why I like Tyler, like I think it's

644
00:30:07,840 --> 00:30:11,320
Speaker 6: important to talk about this stuff though, because we talk

645
00:30:11,320 --> 00:30:13,520
Speaker 6: about how like there's so many great basketball players that

646
00:30:13,600 --> 00:30:15,280
Speaker 6: like our kids, our grandkids will never.

647
00:30:15,280 --> 00:30:18,360
Speaker 2: Know about this technology like blogs.

648
00:30:18,000 --> 00:30:20,000
Speaker 6: Won't be a tech like that won't be a part

649
00:30:20,040 --> 00:30:22,920
Speaker 6: of the story of technology to kids today as they

650
00:30:22,960 --> 00:30:25,320
Speaker 6: grow up, Like you know what I mean, It's it's

651
00:30:25,440 --> 00:30:30,000
Speaker 6: like folded in there between like streaming services and Napster,

652
00:30:30,760 --> 00:30:34,600
Speaker 6: that there was this democratized period.

653
00:30:34,320 --> 00:30:37,040
Speaker 2: Where things were intentionally being distributed in that way.

654
00:30:37,360 --> 00:30:39,840
Speaker 3: And it's unfortunate too now, Like I'll be wondering where

655
00:30:39,880 --> 00:30:42,080
Speaker 3: kids find shit like I found Marko Plus, you know

656
00:30:42,120 --> 00:30:42,480
Speaker 3: what I mean.

657
00:30:42,600 --> 00:30:46,200
Speaker 1: But I'll get I'll get to go to my YouTube album.

658
00:30:46,440 --> 00:30:49,160
Speaker 6: Kay, yeah, you find stuff from two I mean really,

659
00:30:49,200 --> 00:30:51,280
Speaker 6: it's like two K and Madden is like probably the

660
00:30:51,320 --> 00:30:53,160
Speaker 6: biggest hit maker to kids right now.

661
00:30:53,400 --> 00:30:58,040
Speaker 1: And I definitely understand that just hurt your heart, but

662
00:30:58,120 --> 00:31:00,920
Speaker 1: it does hurt my heart. See, I'm a I'm a

663
00:31:01,080 --> 00:31:03,040
Speaker 1: I'm a I'm a country ass nigga listened to The Pact,

664
00:31:03,080 --> 00:31:05,040
Speaker 1: Did you know what I'm saying. I'm the first nigga

665
00:31:05,080 --> 00:31:07,240
Speaker 1: Knew listened to Dom Kennedy. You know what I'm saying.

666
00:31:07,520 --> 00:31:09,160
Speaker 3: It was a future street drug sounds like you know

667
00:31:09,160 --> 00:31:11,120
Speaker 3: what I'm saying, Like, but I found that because I

668
00:31:11,200 --> 00:31:13,280
Speaker 3: go to the blogs, you know what I'm saying, And

669
00:31:13,440 --> 00:31:16,440
Speaker 3: and and and and look find and play everything.

670
00:31:16,680 --> 00:31:19,120
Speaker 1: You know what I'm saying, I remember, oh it was

671
00:31:19,280 --> 00:31:22,520
Speaker 1: uh uh what was The ship was a d D

672
00:31:22,680 --> 00:31:24,720
Speaker 1: one seventy two that Dame Dash had and he had a.

673
00:31:26,320 --> 00:31:28,960
Speaker 3: Credit credit control and that's how we found krit You

674
00:31:29,040 --> 00:31:31,360
Speaker 3: know what I'm saying was a booby Gibson was it

675
00:31:31,720 --> 00:31:34,120
Speaker 3: was a yeah yeah, I mean, like so we we

676
00:31:34,160 --> 00:31:35,680
Speaker 3: could we would get out there and find ship for

677
00:31:35,720 --> 00:31:36,880
Speaker 3: all and then we would share ship.

678
00:31:37,040 --> 00:31:38,920
Speaker 1: Now you got to rely on the algorithm.

679
00:31:39,360 --> 00:31:44,520
Speaker 2: TikTok, nasty, TikTok, that's nasty. And video games, so so

680
00:31:44,720 --> 00:31:45,440
Speaker 2: a white man.

681
00:31:45,400 --> 00:31:48,000
Speaker 1: Writes a program man and decides if you find.

682
00:31:47,880 --> 00:31:51,000
Speaker 3: Marco Plus or not. You know what I'm saying, that's

683
00:31:51,160 --> 00:31:54,280
Speaker 3: nasty baby, it's called I mean yeah, but I mean.

684
00:31:54,440 --> 00:31:57,640
Speaker 6: I think to be serious about that point though, I mean,

685
00:31:58,640 --> 00:32:01,480
Speaker 6: there have always been, in will always be gatekeepers to

686
00:32:01,600 --> 00:32:03,400
Speaker 6: some extent. It used to be that it was like

687
00:32:03,480 --> 00:32:05,440
Speaker 6: the white guy running the radio station had to close

688
00:32:05,440 --> 00:32:07,960
Speaker 6: sign you right and so, and you know or not

689
00:32:08,080 --> 00:32:09,360
Speaker 6: a white guy like.

690
00:32:11,560 --> 00:32:12,120
Speaker 1: Instances.

691
00:32:12,480 --> 00:32:14,880
Speaker 6: But I do That's why I do think the blog

692
00:32:15,000 --> 00:32:18,760
Speaker 6: Hara was that this middle ground that kids probably won't

693
00:32:18,840 --> 00:32:23,880
Speaker 6: believe that it was truly democratized and it wasn't oh

694
00:32:24,000 --> 00:32:26,480
Speaker 6: well you know. Honestly, one of the ways kids find

695
00:32:26,560 --> 00:32:30,160
Speaker 6: music now is Spotify tell us suggesting shit, you know

696
00:32:30,200 --> 00:32:33,960
Speaker 6: what I mean? Like it is algorithmically driven, and I

697
00:32:34,160 --> 00:32:36,479
Speaker 6: preferred it as a human DJ. But I do think

698
00:32:36,520 --> 00:32:40,160
Speaker 6: there's sort of a similar gatekeeper aspect to it, sort

699
00:32:40,160 --> 00:32:44,880
Speaker 6: of no matter what, all right, you want to talk

700
00:32:44,880 --> 00:32:48,360
Speaker 6: about this dude getting his hair knocked off. I've never

701
00:32:48,440 --> 00:32:52,000
Speaker 6: seen anything like that in my life. How could you

702
00:32:52,400 --> 00:32:55,400
Speaker 6: glue your hair onto your head before a bossing match?

703
00:32:56,880 --> 00:33:00,160
Speaker 2: You have to stress test that glue. You have to like,

704
00:33:00,600 --> 00:33:01,360
Speaker 2: did he win a fight?

705
00:33:01,640 --> 00:33:02,960
Speaker 1: I'm not hip to dude. I don't know.

706
00:33:03,320 --> 00:33:05,320
Speaker 2: No, I don't care what happened in the fight. He

707
00:33:05,360 --> 00:33:06,120
Speaker 2: did not win the fight.

708
00:33:06,240 --> 00:33:09,080
Speaker 1: I mean, he didn't win in the game of life.

709
00:33:10,400 --> 00:33:13,440
Speaker 2: For in the crowds.

710
00:33:13,520 --> 00:33:16,360
Speaker 1: The hair, yeah, for sure, Hey, no, that nigga's hair.

711
00:33:16,880 --> 00:33:19,280
Speaker 3: There's a video, but nigga, you know what I'm saying,

712
00:33:19,480 --> 00:33:22,800
Speaker 3: guarding the hair that the piece is sitting on a

713
00:33:22,960 --> 00:33:24,760
Speaker 3: chair next to him on the front row.

714
00:33:25,120 --> 00:33:27,040
Speaker 1: You know what I mean. He shows the heir, well,

715
00:33:27,080 --> 00:33:29,280
Speaker 1: the person I know to hear sheet, I'll say, they

716
00:33:29,400 --> 00:33:31,600
Speaker 1: showed the hair, and then they showed the nigga.

717
00:33:31,760 --> 00:33:34,040
Speaker 3: Then they showed the hair and they showed the nigga

718
00:33:34,040 --> 00:33:35,840
Speaker 3: and he was in the ring still fight, you know

719
00:33:35,880 --> 00:33:38,880
Speaker 3: what I'm saying. And I think it was God said

720
00:33:38,960 --> 00:33:39,880
Speaker 3: safe keeping.

721
00:33:39,840 --> 00:33:40,960
Speaker 11: Was the all.

722
00:33:41,400 --> 00:33:42,080
Speaker 1: You know what I'm saying.

723
00:33:43,640 --> 00:33:45,440
Speaker 2: He won the fight, but he lost the war. They

724
00:33:45,480 --> 00:33:48,160
Speaker 2: said he won the fight. They said he won the fight.

725
00:33:48,200 --> 00:33:50,120
Speaker 6: He won the fight where his hair got knocked off

726
00:33:50,240 --> 00:33:52,800
Speaker 6: his head like fucking pop Byes curtain.

727
00:33:53,120 --> 00:33:57,440
Speaker 1: Spotify gave him an AI artist. Oh that's nasty, Apocalypse.

728
00:33:57,000 --> 00:33:59,480
Speaker 2: Round said, the Spotish fight Ship gave him ai artist.

729
00:33:59,560 --> 00:34:00,320
Speaker 2: That's the theres.

730
00:34:00,320 --> 00:34:02,600
Speaker 6: Shit has to be a one button to eliminate that.

731
00:34:02,760 --> 00:34:05,880
Speaker 6: That's truly insane. That's truly insane.

732
00:34:06,040 --> 00:34:11,560
Speaker 3: Algorithms Spotify has been in the past, I'd say cool,

733
00:34:12,440 --> 00:34:15,000
Speaker 3: you know what I'm saying, But I just feel like, yeah,

734
00:34:15,239 --> 00:34:16,120
Speaker 3: I don't, I don't.

735
00:34:16,160 --> 00:34:20,000
Speaker 1: I don't really trust no algorithm at this current moment

736
00:34:20,120 --> 00:34:21,640
Speaker 1: a right way.

737
00:34:21,760 --> 00:34:24,560
Speaker 5: Five plus years ago, I was using Spotify to find

738
00:34:24,640 --> 00:34:27,480
Speaker 5: new music. I feel like it was doing an okay

739
00:34:27,640 --> 00:34:30,239
Speaker 5: job at least, And now it doesn't feel that way.

740
00:34:30,280 --> 00:34:33,680
Speaker 3: In the man, there's some money got involved there somewhere out. Yeah,

741
00:34:34,520 --> 00:34:37,400
Speaker 3: you're paying for your spot on Spotify for so now

742
00:34:37,480 --> 00:34:39,040
Speaker 3: it has to be radio.

743
00:34:39,239 --> 00:34:42,600
Speaker 6: It's like corporatize anything like Barnes and Noble negotiates, Target

744
00:34:42,719 --> 00:34:45,320
Speaker 6: negotiates like with right with publishers.

745
00:34:45,440 --> 00:34:46,800
Speaker 2: This is the book we're going to feature.

746
00:34:46,840 --> 00:34:50,240
Speaker 6: It's not driven by people like and and the stories

747
00:34:50,280 --> 00:34:54,480
Speaker 6: are always special stories when people circumvent that ship in

748
00:34:54,640 --> 00:34:57,719
Speaker 6: any you know, form of entertainment to actually reach people,

749
00:34:57,719 --> 00:34:58,480
Speaker 6: but it's very hard to do.

750
00:34:59,200 --> 00:35:02,120
Speaker 7: I use spotif fine in years, bro, And I'll tell

751
00:35:02,160 --> 00:35:04,480
Speaker 7: you that the main reason I'm like just an Apple

752
00:35:04,600 --> 00:35:07,920
Speaker 7: Music dude is because Apple Music is the most user

753
00:35:08,000 --> 00:35:11,080
Speaker 7: friendly interface for I'm driving and I got like one

754
00:35:11,120 --> 00:35:12,520
Speaker 7: point five seconds to look at my phone.

755
00:35:12,640 --> 00:35:14,360
Speaker 2: Same Spotify with.

756
00:35:14,400 --> 00:35:17,960
Speaker 4: That point zero eight font. No, Bro, that shit, ain't it. Though.

757
00:35:18,760 --> 00:35:21,440
Speaker 2: I've never been on Spotify, but the Apple Music is.

758
00:35:21,680 --> 00:35:24,239
Speaker 6: And I also really like the Apple Essentials, which at

759
00:35:24,280 --> 00:35:26,120
Speaker 6: one time where like I think they would even have

760
00:35:26,239 --> 00:35:29,880
Speaker 6: the name of the person who put the mix together,

761
00:35:30,640 --> 00:35:34,359
Speaker 6: and now it's like, you know, probably algorithm, probably done

762
00:35:34,400 --> 00:35:36,080
Speaker 6: by the computer or whatever.

763
00:35:36,280 --> 00:35:39,480
Speaker 1: The Spotify uxra trash, bro, you know what I'm saying.

764
00:35:39,600 --> 00:35:43,640
Speaker 3: Like the experience, like like navigating through Spotify's trash, but

765
00:35:43,800 --> 00:35:47,440
Speaker 3: like I usually listen to albums on Apple and it's

766
00:35:47,960 --> 00:35:51,160
Speaker 3: the best experience for listening to albums by far Bro.

767
00:35:51,280 --> 00:35:53,920
Speaker 1: It's just so easy. So but yeah, man, I mean

768
00:35:53,960 --> 00:35:55,720
Speaker 1: I listen, I listen. I've got a couple of playlists

769
00:35:55,760 --> 00:35:57,520
Speaker 1: on Spotify fu with you know what I'm saying. When

770
00:35:57,520 --> 00:35:59,880
Speaker 1: I want my jazz or my nineties R and B

771
00:36:00,080 --> 00:36:01,360
Speaker 1: and ship, you know what I'm saying. But for the

772
00:36:01,400 --> 00:36:05,840
Speaker 1: most part, it's definitely damn that nigga still Tyler looking.

773
00:36:05,640 --> 00:36:06,120
Speaker 4: For his too.

774
00:36:06,239 --> 00:36:12,040
Speaker 2: He got that big bitchig. I got my sixty gig

775
00:36:12,239 --> 00:36:14,920
Speaker 2: right here. This is history I got. I got a

776
00:36:15,239 --> 00:36:15,560
Speaker 2: fuck it.

777
00:36:15,640 --> 00:36:17,440
Speaker 6: I'll never get rid of it for so many reasons.

778
00:36:17,440 --> 00:36:21,160
Speaker 6: But I have so many like bootleg live performances. Every

779
00:36:21,200 --> 00:36:22,680
Speaker 6: time Shan and I would go see a show, I

780
00:36:22,680 --> 00:36:24,560
Speaker 6: would find a bootleg of it, you know what I mean.

781
00:36:24,640 --> 00:36:26,160
Speaker 6: So I have all this ship we went to see

782
00:36:26,160 --> 00:36:28,680
Speaker 6: when we're in college, Like everything's still on the fucking iPod.

783
00:36:29,239 --> 00:36:31,479
Speaker 1: I got some I got some ship, yeah, y'all.

784
00:36:31,800 --> 00:36:35,160
Speaker 3: I mean before like there was like the Apple Music

785
00:36:35,200 --> 00:36:38,080
Speaker 3: where you could pay ninety nine and have access everything.

786
00:36:38,480 --> 00:36:38,719
Speaker 1: There's some.

787
00:36:38,880 --> 00:36:41,279
Speaker 3: There's some like albums I have on my phone still

788
00:36:41,360 --> 00:36:43,719
Speaker 3: that I'll keep that I downloaded that I don't. I

789
00:36:43,760 --> 00:36:45,759
Speaker 3: couldn't get access to you know what I mean, Like

790
00:36:46,680 --> 00:36:49,640
Speaker 3: y'all think Yellow Album's now available, but like the original,

791
00:36:50,280 --> 00:36:54,879
Speaker 3: it's a third whole lot of red CARDI is way

792
00:36:54,960 --> 00:36:57,600
Speaker 3: better than the actual one to drop, but you can't

793
00:36:57,600 --> 00:36:59,200
Speaker 3: find it anywhere, you know what I mean, It's just

794
00:36:59,280 --> 00:37:01,319
Speaker 3: download on my fuck a phone. That motherfucker was right.

795
00:37:01,600 --> 00:37:03,200
Speaker 3: There were some songs in there. I tell my little brother,

796
00:37:03,200 --> 00:37:05,719
Speaker 3: I said, I'm glad it didn't hit the radio waves.

797
00:37:05,800 --> 00:37:09,719
Speaker 3: Niggas would have died in the crowd, you know what

798
00:37:09,800 --> 00:37:11,799
Speaker 3: I'm saying with some of this ship, bro, There's one

799
00:37:11,840 --> 00:37:15,240
Speaker 3: called Pyle. Nigga, I'm like I was like thirty seven.

800
00:37:15,440 --> 00:37:18,919
Speaker 3: Listen to that motherfucker in the gym burning like thrown

801
00:37:18,960 --> 00:37:20,239
Speaker 3: the galleries in thirty minutes.

802
00:37:20,320 --> 00:37:23,680
Speaker 1: Nigga, you feel me, Nigga. If I if I was

803
00:37:23,760 --> 00:37:25,720
Speaker 1: on the set, if I drove down.

804
00:37:25,680 --> 00:37:29,400
Speaker 12: Chris Shall May that motherfucker, they would have sat here,

805
00:37:29,640 --> 00:37:32,879
Speaker 12: they would have Nigga, they would have burned me down

806
00:37:33,000 --> 00:37:33,400
Speaker 12: by But.

807
00:37:33,520 --> 00:37:36,680
Speaker 1: Yeah gee so yeah, but yeah, I should have stayed

808
00:37:36,719 --> 00:37:37,520
Speaker 1: with my phone a little bit.

809
00:37:38,800 --> 00:37:40,680
Speaker 2: All right, Uh, shall we get the dookie butt of the.

810
00:37:40,640 --> 00:37:41,919
Speaker 1: Week Lego Mane.

811
00:37:42,280 --> 00:37:46,520
Speaker 6: All Right, my dookie butt of the week to get

812
00:37:46,560 --> 00:37:49,120
Speaker 6: it out of the way, because it's funny but also

813
00:37:49,280 --> 00:37:53,879
Speaker 6: kind of a bummer. Is the Minnesota Vikings. Did y'all

814
00:37:53,960 --> 00:38:00,400
Speaker 6: hear about them firing their GM quesci Adolpho Mensa? And

815
00:38:00,520 --> 00:38:03,279
Speaker 6: apparently a contributing factor was and this is from a

816
00:38:03,400 --> 00:38:08,080
Speaker 6: Vikings fan website. He took roughly two weeks of paternity

817
00:38:08,160 --> 00:38:10,440
Speaker 6: leave in twenty twenty three following the birth of his

818
00:38:10,560 --> 00:38:14,400
Speaker 6: first son. Many around the league were in quote disbelief,

819
00:38:14,640 --> 00:38:19,760
Speaker 6: according to Diana Rossini. During that time, he worked remotely

820
00:38:19,840 --> 00:38:22,000
Speaker 6: and was absent from several training camp things, et cetera,

821
00:38:22,000 --> 00:38:26,600
Speaker 6: et cetera. According to Diana Rossini's article, word of his

822
00:38:26,760 --> 00:38:29,720
Speaker 6: time away from the team traveled quickly around the league

823
00:38:30,280 --> 00:38:32,640
Speaker 6: among some rival executives and coaches.

824
00:38:32,760 --> 00:38:34,200
Speaker 2: It was met with disbelief.

825
00:38:35,040 --> 00:38:38,200
Speaker 6: In an NFL culture where many players, coaches, and executives

826
00:38:38,400 --> 00:38:43,000
Speaker 6: proudly acknowledge missing the births of their children, taking time

827
00:38:43,040 --> 00:38:48,600
Speaker 6: away to care for new words and support partner remains uncommon.

828
00:38:48,960 --> 00:38:52,360
Speaker 6: Don't go working as sports kids, I just like do

829
00:38:52,560 --> 00:38:53,200
Speaker 6: anything else.

830
00:38:54,680 --> 00:38:55,919
Speaker 1: I did not hear that part of the story.

831
00:38:56,000 --> 00:39:04,399
Speaker 3: Yeah, don't be a streamer dog, Yeah crazy, see start

832
00:39:04,440 --> 00:39:07,839
Speaker 3: a podcast. The other thing that's insane.

833
00:39:07,480 --> 00:39:10,680
Speaker 6: About this coming out, because it's clearly being put out

834
00:39:10,840 --> 00:39:14,640
Speaker 6: to Diana Rassini to like send a message, is this

835
00:39:14,880 --> 00:39:20,239
Speaker 6: is the most justifiable GM firing ever. This dude picked

836
00:39:20,320 --> 00:39:24,759
Speaker 6: JJ McCarthy over Sam Donald, Like he's the reason Sam

837
00:39:24,880 --> 00:39:28,040
Speaker 6: Donald's with the Seahawks. You didn't need to circle back

838
00:39:28,080 --> 00:39:30,040
Speaker 6: and say, by the way, he loves his kids too.

839
00:39:30,120 --> 00:39:30,880
Speaker 4: The fucking bitch.

840
00:39:32,200 --> 00:39:34,160
Speaker 2: You didn't have to do that. No one was mad

841
00:39:34,280 --> 00:39:35,439
Speaker 2: you fired this dude.

842
00:39:35,800 --> 00:39:39,479
Speaker 6: But now I'm looking at it like they the ship

843
00:39:39,600 --> 00:39:42,160
Speaker 6: sailed for them because he wanted to spend two weeks

844
00:39:42,239 --> 00:39:43,759
Speaker 6: of the off season.

845
00:39:43,520 --> 00:39:46,919
Speaker 2: With his baby. Yeah, where he was working from home,

846
00:39:47,520 --> 00:39:48,320
Speaker 2: so he was working.

847
00:39:48,480 --> 00:39:49,320
Speaker 1: So that's.

848
00:39:51,680 --> 00:39:54,560
Speaker 3: Two weeks though, Like that's anyway, And they said he

849
00:39:54,719 --> 00:39:56,040
Speaker 3: was still he was still working.

850
00:39:56,160 --> 00:39:58,280
Speaker 2: He just was like remote for the Zoom meeting.

851
00:40:00,760 --> 00:40:03,759
Speaker 3: Nigga, I took two weeks of maternity league for something

852
00:40:03,760 --> 00:40:07,200
Speaker 3: because I just had started a new job. Yeah, Nigga,

853
00:40:07,800 --> 00:40:10,839
Speaker 3: I think for the first three months, rather would send

854
00:40:10,880 --> 00:40:12,120
Speaker 3: me a picture and I just leave work.

855
00:40:12,719 --> 00:40:15,440
Speaker 1: Yeah. I would literally like why the fuck am I here?

856
00:40:15,560 --> 00:40:19,120
Speaker 1: And I would leave. You know what I'm saying, Like it's.

857
00:40:19,760 --> 00:40:21,839
Speaker 3: Two weeks was like, why the fuck I steal? Don't

858
00:40:21,880 --> 00:40:24,120
Speaker 3: like that's the dumbest he ever done, you know what

859
00:40:24,160 --> 00:40:28,040
Speaker 3: I'm saying. But yeah, man, that's a I might I

860
00:40:28,400 --> 00:40:30,359
Speaker 3: might be the friend that's too welcome this. But here's

861
00:40:30,400 --> 00:40:31,400
Speaker 3: how I'm kind of viewing it.

862
00:40:34,200 --> 00:40:37,440
Speaker 7: I'm not buying the whole you need to be more

863
00:40:37,560 --> 00:40:41,640
Speaker 7: dedicated to to this sport, to this job than your

864
00:40:41,680 --> 00:40:45,440
Speaker 7: family angle that that that comes from those colts. I'm

865
00:40:45,480 --> 00:40:48,360
Speaker 7: thinking they're saying, like because the whole underscoring thing is

866
00:40:48,440 --> 00:40:50,520
Speaker 7: he's not a football guy. If this this is a

867
00:40:50,560 --> 00:40:53,200
Speaker 7: reason he took time off, right, Like that's under underflowing,

868
00:40:53,520 --> 00:40:56,480
Speaker 7: you know, kind of sentiment there. I'm I feel like

869
00:40:56,560 --> 00:41:02,279
Speaker 7: it's like, Yo, this dude actually appreciates the humanity in people,

870
00:41:02,280 --> 00:41:04,279
Speaker 7: and that's something that that there's no space for in

871
00:41:04,360 --> 00:41:07,800
Speaker 7: this in the fucking industry where if you have an injury,

872
00:41:07,920 --> 00:41:10,440
Speaker 7: like you're dead to them. Where like you know what

873
00:41:10,480 --> 00:41:12,400
Speaker 7: I mean, like like like I'm I mean, That's how

874
00:41:12,480 --> 00:41:14,600
Speaker 7: I'm dealing with is that they are calling him a

875
00:41:14,640 --> 00:41:17,840
Speaker 7: football guy, not a football guy, not because he values

876
00:41:17,880 --> 00:41:20,560
Speaker 7: family more than his job. It's because he just he

877
00:41:20,760 --> 00:41:24,080
Speaker 7: seems to kind of appreciate and and and you know,

878
00:41:24,200 --> 00:41:25,800
Speaker 7: take time to appreciate the humanity.

879
00:41:25,840 --> 00:41:29,720
Speaker 5: And she sees the picture of humans participating in the sport.

880
00:41:32,880 --> 00:41:33,600
Speaker 4: That's interesting.

881
00:41:34,239 --> 00:41:36,239
Speaker 2: No, I think you're I think you're exactly right about that.

882
00:41:36,360 --> 00:41:38,680
Speaker 6: They're proud of missing the birds of their kid because

883
00:41:38,680 --> 00:41:40,560
Speaker 6: it's the badge they hold up to each other to

884
00:41:40,640 --> 00:41:43,239
Speaker 6: say football is more important to me than my humanity, right,

885
00:41:43,680 --> 00:41:47,360
Speaker 6: than than human beings and anything. Because and in fairness,

886
00:41:48,040 --> 00:41:50,160
Speaker 6: that is sort of a requirement of that job with

887
00:41:50,280 --> 00:41:52,759
Speaker 6: the way that their salary cap structured. Not that I

888
00:41:52,800 --> 00:41:55,200
Speaker 6: think it's good that it's structured that way, but to

889
00:41:55,280 --> 00:41:58,280
Speaker 6: Tyler's point, there's a reason their contracts aren't guaranteed.

890
00:41:58,320 --> 00:41:59,520
Speaker 2: That is how they cre.

891
00:42:00,960 --> 00:42:08,480
Speaker 4: My accident screaming let me.

892
00:42:18,080 --> 00:42:21,680
Speaker 2: Look, and that's it was right under it, bro before

893
00:42:22,520 --> 00:42:29,240
Speaker 2: definitely doing that, that is me before you just wrapped

894
00:42:29,239 --> 00:42:31,160
Speaker 2: the gavel and said demonetized.

895
00:42:35,760 --> 00:42:37,600
Speaker 6: I would not read that ship aloud for the people

896
00:42:37,640 --> 00:42:40,880
Speaker 6: who are who are listening to the pot only Tyler.

897
00:42:41,080 --> 00:42:41,600
Speaker 2: Just accident.

898
00:42:41,920 --> 00:42:47,800
Speaker 6: It happens, a new comment comes and scrolls so that

899
00:42:47,920 --> 00:42:50,440
Speaker 6: you as you're clicking, you click on the wrong thing,

900
00:42:50,560 --> 00:42:51,640
Speaker 6: and that that's what just.

901
00:42:54,520 --> 00:42:57,640
Speaker 2: No more ads this, this is a relevant comment.

902
00:42:57,719 --> 00:42:59,239
Speaker 7: This is the count I want to bet up with

903
00:42:59,360 --> 00:43:02,120
Speaker 7: mouth saying, oh, yeah, for sure, football is based on

904
00:43:02,320 --> 00:43:03,800
Speaker 7: viewing everybody as a cog.

905
00:43:03,680 --> 00:43:09,680
Speaker 4: In the machine. Absolutely, yes, for sure.

906
00:43:09,800 --> 00:43:13,759
Speaker 2: All right, Holy hell, that was awesome, Tyler. What's your

907
00:43:14,840 --> 00:43:15,720
Speaker 2: was so awesome?

908
00:43:17,800 --> 00:43:20,040
Speaker 3: I was trying to act like he didn't put on

909
00:43:20,120 --> 00:43:20,520
Speaker 3: the string.

910
00:43:21,000 --> 00:43:22,520
Speaker 1: I didn't know so fast.

911
00:43:22,880 --> 00:43:24,680
Speaker 4: I'm going to take that motherfucking down as soon as

912
00:43:24,719 --> 00:43:24,960
Speaker 4: I could.

913
00:43:25,000 --> 00:43:29,440
Speaker 2: When I saw that, like which one of y'all is

914
00:43:29,480 --> 00:43:31,080
Speaker 2: trying to ruin the bond.

915
00:43:35,480 --> 00:43:35,719
Speaker 8: Book?

916
00:43:37,640 --> 00:43:41,480
Speaker 1: Oh, I saw went up and.

917
00:43:47,000 --> 00:43:49,040
Speaker 2: John is never beating around the bush in his life.

918
00:43:52,880 --> 00:43:56,479
Speaker 1: That Hey, so I needed I needed to answer, brother,

919
00:43:56,920 --> 00:43:57,399
Speaker 1: but uh.

920
00:44:00,080 --> 00:44:02,440
Speaker 4: I needed to know like y'all anyway. But that's funny

921
00:44:02,480 --> 00:44:02,839
Speaker 4: as hell.

922
00:44:03,000 --> 00:44:06,040
Speaker 2: Man, Oh my god, Jesus Christ.

923
00:44:06,160 --> 00:44:10,120
Speaker 7: All right, words of that comment where the wildest part, Like,

924
00:44:11,440 --> 00:44:12,759
Speaker 7: I know, that's all I'm saying.

925
00:44:12,920 --> 00:44:21,480
Speaker 1: Like the capital the the capital j I'm like and honestly, Bro,

926
00:44:21,600 --> 00:44:24,759
Speaker 1: we can't talk about them. I literally can't say out

927
00:44:24,840 --> 00:44:27,520
Speaker 1: of my mouth the things that I've seen seen online

928
00:44:27,520 --> 00:44:30,480
Speaker 1: about those that the files.

929
00:44:31,360 --> 00:44:33,920
Speaker 2: I just yeah, yeah, I don't want.

930
00:44:33,760 --> 00:44:34,840
Speaker 1: To speak that type of evil.

931
00:44:34,880 --> 00:44:34,960
Speaker 8: Bro.

932
00:44:35,120 --> 00:44:37,880
Speaker 3: I'm still country and I'm old enough to think in

933
00:44:38,000 --> 00:44:40,399
Speaker 3: that way. Yeah, I just hey, we should come out

934
00:44:40,400 --> 00:44:41,080
Speaker 3: of my mouth for really.

935
00:44:41,239 --> 00:44:43,000
Speaker 6: We've said it several times in the podcast where you

936
00:44:43,000 --> 00:44:44,640
Speaker 6: can kill everyone who's in the Epstein Files. I don't

937
00:44:44,680 --> 00:44:49,120
Speaker 6: give a fuck, And the fact that anyone is still like, oh, well,

938
00:44:49,200 --> 00:44:51,600
Speaker 6: you know Bill Clinton, cool, bro line them up, like,

939
00:44:52,040 --> 00:44:54,239
Speaker 6: line them up, cool. I don't give a fuck. I

940
00:44:54,280 --> 00:44:56,080
Speaker 6: don't give a fuck what they invented. I don't give

941
00:44:56,080 --> 00:44:57,799
Speaker 6: a fuck with album they put out. I don't give

942
00:44:57,800 --> 00:44:58,840
Speaker 6: a fuck whose party they're in.

943
00:44:58,920 --> 00:44:59,880
Speaker 1: Line them up, fuck them all.

944
00:45:00,360 --> 00:45:06,080
Speaker 11: Yeah, excuse me, Like we were talk saying you're demory,

945
00:45:06,480 --> 00:45:09,560
Speaker 11: but anyway, for real, I can't believe the crazy, right,

946
00:45:09,840 --> 00:45:11,960
Speaker 11: I cannot believe the craziest nigga nigga.

947
00:45:12,040 --> 00:45:16,759
Speaker 3: I told y'all, I said, my barbershop, the nigga that

948
00:45:16,880 --> 00:45:18,920
Speaker 3: think my barber the nigga that think Jesus come back

949
00:45:18,920 --> 00:45:22,080
Speaker 3: into spaceship was spoke, you know.

950
00:45:22,360 --> 00:45:24,759
Speaker 1: I mean, I'm talking about to the team nigga. I'm like,

951
00:45:25,920 --> 00:45:29,640
Speaker 1: I was like, damn, you know, I would.

952
00:45:29,880 --> 00:45:32,759
Speaker 3: I would actually I actually egg him on because I

953
00:45:32,800 --> 00:45:34,200
Speaker 3: want to hear how far and shit goes.

954
00:45:34,800 --> 00:45:38,040
Speaker 1: I'm like, really, tell me more about that. You know

955
00:45:38,080 --> 00:45:40,279
Speaker 1: what I'm saying yeah. So I'm like, I want to

956
00:45:40,280 --> 00:45:41,759
Speaker 1: hear how part of ship go, you know, I mean.

957
00:45:42,080 --> 00:45:47,560
Speaker 2: Tell me more about that? Uh all right, like Tyler said,

958
00:45:47,600 --> 00:45:50,680
Speaker 2: the crazy Tyler, what's your dookie by of the week?

959
00:45:51,360 --> 00:45:52,759
Speaker 4: Hey can I can?

960
00:45:52,840 --> 00:45:53,640
Speaker 2: I can?

961
00:45:53,680 --> 00:45:55,960
Speaker 4: I use my my douky but portion of the of

962
00:45:56,440 --> 00:45:59,600
Speaker 4: the of the podium, Can I just talk to some

963
00:45:59,760 --> 00:46:01,680
Speaker 4: something Houston rap talk? Michael Watts.

964
00:46:04,200 --> 00:46:04,640
Speaker 2: Is your.

965
00:46:06,800 --> 00:46:06,960
Speaker 1: Yeah?

966
00:46:07,120 --> 00:46:12,120
Speaker 7: Yeah, but yeah, man, you know, going off the whole

967
00:46:12,160 --> 00:46:15,840
Speaker 7: fucking rap history episode that we're having right now, we

968
00:46:16,000 --> 00:46:19,640
Speaker 7: we really lost an icon, and not only Houston Rat

969
00:46:19,680 --> 00:46:23,960
Speaker 7: but in Rat period with Michael Watts passing recently. To

970
00:46:24,120 --> 00:46:26,680
Speaker 7: give kind of a background story on who Michael Watts is,

971
00:46:27,280 --> 00:46:30,120
Speaker 7: he is the one of the co founders of Swisher

972
00:46:30,160 --> 00:46:31,400
Speaker 7: House along with O g ron C.

973
00:46:31,560 --> 00:46:34,160
Speaker 4: Shout out to him too, who.

974
00:46:35,640 --> 00:46:36,319
Speaker 2: Who who?

975
00:46:36,680 --> 00:46:36,839
Speaker 3: Who?

976
00:46:37,120 --> 00:46:41,960
Speaker 7: I think was at the forefront of the most prominence

977
00:46:42,040 --> 00:46:46,000
Speaker 7: that Houston rap has ever had. He is He is

978
00:46:46,160 --> 00:46:48,200
Speaker 7: kind of the the architect of Swisher House, a collective

979
00:46:48,239 --> 00:46:51,520
Speaker 7: of of rappers from north side Houston, Texas who consisted

980
00:46:51,600 --> 00:46:55,680
Speaker 7: of like Paul wall Comellionaire low Flip I mean not

981
00:46:55,840 --> 00:46:57,520
Speaker 7: not not low Flip, little Flip with South South screw

982
00:46:57,640 --> 00:47:01,319
Speaker 7: up Click, Slim Dug and such, and he is someone

983
00:47:01,360 --> 00:47:06,520
Speaker 7: who who brought Houston rap to kind of the forefront

984
00:47:06,680 --> 00:47:12,279
Speaker 7: of rap with it with the Still Tipping single, which

985
00:47:12,280 --> 00:47:14,520
Speaker 7: which which kind of took off late two thousand and

986
00:47:14,520 --> 00:47:16,719
Speaker 7: four early two thousand and five. Right Like, if you

987
00:47:16,880 --> 00:47:20,440
Speaker 7: wanted to point to the to the most prominent, to

988
00:47:20,640 --> 00:47:23,000
Speaker 7: the single moment where where Houston rap became like a

989
00:47:23,080 --> 00:47:26,000
Speaker 7: prominent influential sound in rap music, it goes back to

990
00:47:26,040 --> 00:47:29,400
Speaker 7: Still Tipping, Bro, Like that shit was a fun That

991
00:47:29,440 --> 00:47:30,480
Speaker 7: shit hit like a meteor.

992
00:47:30,600 --> 00:47:30,719
Speaker 2: Bro.

993
00:47:31,600 --> 00:47:33,960
Speaker 4: Like, I remember first time hearing that, I was like, man,

994
00:47:34,040 --> 00:47:35,440
Speaker 4: this is fucking incredible.

995
00:47:35,520 --> 00:47:40,359
Speaker 7: And it became like such an influential song that gave

996
00:47:40,480 --> 00:47:45,840
Speaker 7: Houston a very much, you know, influential run during this

997
00:47:45,880 --> 00:47:49,120
Speaker 7: aftermath that kind of influenced the way that that that

998
00:47:49,320 --> 00:47:51,680
Speaker 7: rap kind of played out over the years. Right Like,

999
00:47:52,400 --> 00:47:54,800
Speaker 7: after Still Tipping hit, there was just just kind of

1000
00:47:54,840 --> 00:47:57,080
Speaker 7: this big moment for Houston rap where we saw Paul

1001
00:47:57,120 --> 00:47:59,719
Speaker 7: Wall take off, Millionaire take off, Slim Doug take off,

1002
00:48:00,320 --> 00:48:02,239
Speaker 7: and we saw that influence like a lot of the

1003
00:48:02,320 --> 00:48:05,080
Speaker 7: newer rappers, right like we saw ship Kanye West, who

1004
00:48:05,120 --> 00:48:07,480
Speaker 7: was probably the biggest rapper in two thousand and five

1005
00:48:07,600 --> 00:48:10,440
Speaker 7: in the World. He threw Paul Wall on his album

1006
00:48:10,719 --> 00:48:13,080
Speaker 7: after after steal Tipping took off on the on the

1007
00:48:13,200 --> 00:48:16,480
Speaker 7: drop slow ship where he screwed up the Tupac Shorty

1008
00:48:16,520 --> 00:48:18,480
Speaker 7: wanted to be a Doug beat, right, and and that

1009
00:48:18,600 --> 00:48:22,440
Speaker 7: ship was out of here, you see, like like like

1010
00:48:22,600 --> 00:48:23,080
Speaker 7: Drake Drake.

1011
00:48:23,120 --> 00:48:25,560
Speaker 4: When Drake first emerged, his whole ship sounded like Houston bro.

1012
00:48:25,880 --> 00:48:29,879
Speaker 1: He tried so hard man, Yeah, yeah, yep, yep.

1013
00:48:30,080 --> 00:48:31,800
Speaker 7: That was that was a knock against Ace. That was like,

1014
00:48:31,840 --> 00:48:34,200
Speaker 7: he sounds too much like he's from Houston, you know

1015
00:48:34,200 --> 00:48:36,479
Speaker 7: what I mean. And Kendrick, like his first radio single

1016
00:48:36,520 --> 00:48:38,960
Speaker 7: Swimming Pools, that whole chorus was some Houston ship with

1017
00:48:39,000 --> 00:48:42,239
Speaker 7: the screwed up poll up drink ship, right, and and

1018
00:48:43,680 --> 00:48:45,680
Speaker 7: and and Michael wats was just he was he was.

1019
00:48:46,800 --> 00:48:49,600
Speaker 7: He was a super duper influencial figure in this ship,

1020
00:48:49,680 --> 00:48:51,279
Speaker 7: right because you and and and For one, you can't

1021
00:48:51,280 --> 00:48:53,279
Speaker 7: talk switch House without talk the screwed up click and

1022
00:48:53,360 --> 00:48:56,360
Speaker 7: DJ screw right, So DJ screw he is the pioneer

1023
00:48:56,440 --> 00:48:59,880
Speaker 7: of the chopping screwed shit in Texas. And and he

1024
00:49:00,080 --> 00:49:02,279
Speaker 7: from south side Houston, so you know, like the screwed

1025
00:49:02,320 --> 00:49:05,719
Speaker 7: up clip was like zero little Flip, little Kiky young Star,

1026
00:49:06,760 --> 00:49:10,680
Speaker 7: big pokey fat Pat Halt trade, you.

1027
00:49:10,719 --> 00:49:11,279
Speaker 4: Know what I'm saying.

1028
00:49:11,360 --> 00:49:16,839
Speaker 7: So so that yes, zero super dubamad rated and then

1029
00:49:17,440 --> 00:49:19,480
Speaker 7: and so like you know DJ Screw he pioneered the

1030
00:49:19,480 --> 00:49:23,080
Speaker 7: screw and the chopping screwed ship south Side easton Texas.

1031
00:49:23,200 --> 00:49:26,319
Speaker 7: Michael Watts, you know, he built off what DJ screw

1032
00:49:26,360 --> 00:49:29,000
Speaker 7: pioneered with with with the chopping screw ship. But Michael

1033
00:49:29,000 --> 00:49:32,160
Speaker 7: Watts who ship was, he was more like he was

1034
00:49:32,200 --> 00:49:34,480
Speaker 7: heavier on the scratches and like bringing records back like

1035
00:49:34,560 --> 00:49:36,840
Speaker 7: that was that was Swisher House's trademark.

1036
00:49:36,920 --> 00:49:38,360
Speaker 4: That was Michael Wats trademark.

1037
00:49:38,520 --> 00:49:40,439
Speaker 7: Like if if you if you look at Mike Jones shit,

1038
00:49:41,000 --> 00:49:43,799
Speaker 7: like Mike Jones always repeated ship that he said, right

1039
00:49:43,880 --> 00:49:45,919
Speaker 7: like it takes grind and the Via King takes grind

1040
00:49:45,960 --> 00:49:48,480
Speaker 7: and the Via King. And I remember reading an interview

1041
00:49:48,520 --> 00:49:50,480
Speaker 7: and someone asked him like, yo, you repeat a lot

1042
00:49:50,560 --> 00:49:51,080
Speaker 7: of your raps.

1043
00:49:51,120 --> 00:49:52,560
Speaker 4: Why is that? And he was like, because I want

1044
00:49:52,600 --> 00:49:54,040
Speaker 4: my sh to sound like a Swisher House tape.

1045
00:49:54,520 --> 00:49:56,880
Speaker 7: He was like, because that's that was Michael watch trademark

1046
00:49:57,000 --> 00:50:01,520
Speaker 7: was bringing ship back, right And yeah, man, it's it's

1047
00:50:01,600 --> 00:50:04,719
Speaker 7: it's just you know, shout out to Michael Watts, shout

1048
00:50:04,760 --> 00:50:07,480
Speaker 7: out to to DJ Screw, shout out to Houston, Texas,

1049
00:50:07,520 --> 00:50:09,800
Speaker 7: shout out to to that whole scene out there, because

1050
00:50:10,480 --> 00:50:14,080
Speaker 7: it's it's one of my favorite scenes ever in the

1051
00:50:14,160 --> 00:50:17,120
Speaker 7: history of rap. And it was just so influential, you know.

1052
00:50:17,920 --> 00:50:20,160
Speaker 7: You like I'm saying, like after still Tip and Drop,

1053
00:50:20,440 --> 00:50:23,960
Speaker 7: you saw the influence of that and enough folks tappening

1054
00:50:24,080 --> 00:50:26,400
Speaker 7: with the Houston scene and Michael Watts, who was, you know,

1055
00:50:26,560 --> 00:50:28,560
Speaker 7: a co founder of such a house of og ron c.

1056
00:50:28,920 --> 00:50:30,359
Speaker 4: He was a big part of that, man. So shout

1057
00:50:30,360 --> 00:50:30,960
Speaker 4: out to the legend.

1058
00:50:30,960 --> 00:50:31,080
Speaker 2: Bro.

1059
00:50:31,760 --> 00:50:33,360
Speaker 3: I still feel like Screwed is the best way to

1060
00:50:33,440 --> 00:50:35,920
Speaker 3: listen to all music look out here, like s w

1061
00:50:36,160 --> 00:50:40,400
Speaker 3: V chop to screw R and B Tane still go crazy, nigga.

1062
00:50:40,640 --> 00:50:41,200
Speaker 4: Yeah, that was.

1063
00:50:43,480 --> 00:50:47,040
Speaker 7: Yeah, like like like Michael Wathington was the fun action

1064
00:50:48,719 --> 00:50:52,040
Speaker 7: title of a mixtape series. So yeah, Michael Watts, he

1065
00:50:52,239 --> 00:50:54,080
Speaker 7: chopped and screwed rap tapes and og ron C.

1066
00:50:54,239 --> 00:50:55,160
Speaker 4: He was the R and B dude.

1067
00:50:56,000 --> 00:50:58,080
Speaker 1: My nigga called me fuck Action Jackson back in the day.

1068
00:50:58,160 --> 00:51:06,960
Speaker 2: Nigga, anyway, move on, Jackson, You're duking.

1069
00:51:06,840 --> 00:51:09,120
Speaker 5: Better the way my digie better of the week for

1070
00:51:09,360 --> 00:51:11,120
Speaker 5: just a hard left turn. Me will keep this quick

1071
00:51:11,480 --> 00:51:16,680
Speaker 5: is movie director Josh Saffie of the Saftie Brothers fame.

1072
00:51:16,840 --> 00:51:19,080
Speaker 5: He their report came out recently that on the set

1073
00:51:19,160 --> 00:51:23,160
Speaker 5: of movie he directed years ago, Good Time, the Saftis

1074
00:51:23,160 --> 00:51:26,160
Speaker 5: are like famous for Josh specific or one of their trademarks.

1075
00:51:26,200 --> 00:51:29,440
Speaker 5: Not trademarks are they use like street casting and kind

1076
00:51:29,440 --> 00:51:33,080
Speaker 5: of unknown actors which worked in Marty Supreme certainly so whatever,

1077
00:51:33,480 --> 00:51:35,600
Speaker 5: but I guess in on the set of Good Time,

1078
00:51:35,960 --> 00:51:38,200
Speaker 5: they had a seventeen year old girl and a non

1079
00:51:38,320 --> 00:51:42,560
Speaker 5: actor working opposite of her, and the non actor man

1080
00:51:43,000 --> 00:51:46,360
Speaker 5: exposed himself with the seventeen year old girl, and he

1081
00:51:46,760 --> 00:51:48,600
Speaker 5: and Josh found out like that day or the next

1082
00:51:48,680 --> 00:51:50,480
Speaker 5: day and kind of just like basically shrugged it off

1083
00:51:50,680 --> 00:51:52,760
Speaker 5: and his brother didn't find ou until years later Benny,

1084
00:51:52,760 --> 00:51:56,000
Speaker 5: who's there like a director of duo, and Benny got

1085
00:51:56,120 --> 00:52:01,480
Speaker 5: really pissed and that's why they're no longer director buddies.

1086
00:52:01,640 --> 00:52:03,960
Speaker 5: And it's basically like Benny is still like kind of

1087
00:52:04,000 --> 00:52:06,560
Speaker 5: implicated but not really. But Josh is a mega too.

1088
00:52:06,600 --> 00:52:09,720
Speaker 5: Thumbs down for Josh Safti, the director of Marty Supreme,

1089
00:52:09,840 --> 00:52:11,520
Speaker 5: which and so all of this has come up in

1090
00:52:11,640 --> 00:52:14,120
Speaker 5: connection with around Marty Supreme and the Oscar buzz and

1091
00:52:14,160 --> 00:52:17,080
Speaker 5: all that. But basically, long story short, major two thumbs

1092
00:52:17,120 --> 00:52:19,560
Speaker 5: down for Josh Sap Yeah, fuck him, man.

1093
00:52:20,520 --> 00:52:20,759
Speaker 2: And a.

1094
00:52:22,880 --> 00:52:27,080
Speaker 6: Shout out to his brother for being willing to part

1095
00:52:27,160 --> 00:52:30,640
Speaker 6: ways with his family and someone he was making a

1096
00:52:30,680 --> 00:52:33,840
Speaker 6: lot of money with over the basic morals of I

1097
00:52:33,960 --> 00:52:35,919
Speaker 6: can't work with you if you didn't give a shit

1098
00:52:35,920 --> 00:52:37,040
Speaker 6: about something like that happening.

1099
00:52:38,719 --> 00:52:40,560
Speaker 2: As Miles in the Chad said that we can move

1100
00:52:40,600 --> 00:52:40,960
Speaker 2: on from this.

1101
00:52:41,040 --> 00:52:43,280
Speaker 1: I don't need to stay too long on Josh Shaftee's podcast.

1102
00:52:43,440 --> 00:52:45,200
Speaker 5: Is putting a non actor in a sex scene is

1103
00:52:45,239 --> 00:52:47,160
Speaker 5: dumb as is dumb as hell in general, and then

1104
00:52:47,160 --> 00:52:49,800
Speaker 5: it's layered onto it the fact that there's an underage

1105
00:52:49,840 --> 00:52:50,360
Speaker 5: grow involved.

1106
00:52:50,360 --> 00:52:53,600
Speaker 2: It's just just a mess, just a mess, crazy, truly,

1107
00:52:53,800 --> 00:52:56,359
Speaker 2: truly fucking nuts. John here doogie Butt of the week.

1108
00:52:57,360 --> 00:53:01,880
Speaker 3: Everybody to question what I thought about Secure Stevens. You

1109
00:53:01,960 --> 00:53:04,279
Speaker 3: know what I'm saying, nigga, you're talking about bro.

1110
00:53:04,800 --> 00:53:08,000
Speaker 1: You know people say you you've been saying that, You've

1111
00:53:08,000 --> 00:53:09,200
Speaker 1: been saying it the whole teg.

1112
00:53:09,120 --> 00:53:12,359
Speaker 2: Jaan damn right, I have you know what I mean.

1113
00:53:13,080 --> 00:53:14,080
Speaker 4: But anyway, yeah, that's my.

1114
00:53:15,920 --> 00:53:19,280
Speaker 2: We're only three minutes overdue for your your trying.

1115
00:53:19,120 --> 00:53:22,480
Speaker 3: To get high, baby, you get real high, so high

1116
00:53:22,480 --> 00:53:24,280
Speaker 3: I could even pod baby I'm talking about.

1117
00:53:26,080 --> 00:53:27,600
Speaker 2: I can touch this guy. Nigga.

1118
00:53:27,800 --> 00:53:29,000
Speaker 1: That's me baby, You see me.

1119
00:53:29,520 --> 00:53:31,800
Speaker 6: If you don't want to wait until next Sunday for

1120
00:53:31,880 --> 00:53:34,759
Speaker 6: your next Jenkinson Jones episode, sign up Patreon dot com

1121
00:53:34,840 --> 00:53:37,680
Speaker 6: slash Jenkins and Jones. Two more episodes every week that

1122
00:53:37,800 --> 00:53:39,320
Speaker 6: are behind the paywall Patreon.

1123
00:53:39,480 --> 00:53:41,320
Speaker 2: Oh wait, Discord one.

1124
00:53:41,239 --> 00:53:44,600
Speaker 3: Second sort BLM Stevenson, Thank you, Ardie Constant.

1125
00:53:45,160 --> 00:53:46,759
Speaker 2: He beat that nigga ass so bad.

1126
00:53:46,960 --> 00:53:48,960
Speaker 1: The nigga apologized for slavery.

1127
00:53:49,760 --> 00:53:51,600
Speaker 2: I swear to fucking god.

1128
00:53:51,960 --> 00:53:56,640
Speaker 3: He said, my brothers and sisters I want to apologize

1129
00:53:56,680 --> 00:54:00,520
Speaker 3: for and he said slavery and things. Shit his ass

1130
00:54:00,560 --> 00:54:03,960
Speaker 3: beat so he probably wasn't too eloquent about it. But anyway, nigga,

1131
00:54:03,960 --> 00:54:06,480
Speaker 3: you know what I'm saying. He apologized for slavery.

1132
00:54:06,880 --> 00:54:08,479
Speaker 1: But you know, Steve Ben, he had.

1133
00:54:08,400 --> 00:54:11,000
Speaker 3: Done some some some racist ship, you know what I mean,

1134
00:54:11,200 --> 00:54:15,000
Speaker 3: like trying to like like uh, you know, rile motherfuckers

1135
00:54:15,080 --> 00:54:16,880
Speaker 3: up and the niggas straight apologize.

1136
00:54:16,960 --> 00:54:20,000
Speaker 1: Nigga and and your boy Bud was in that motherfucker

1137
00:54:20,239 --> 00:54:24,080
Speaker 1: mocking his ass too. He saw he was trolling his ass.

1138
00:54:24,160 --> 00:54:24,600
Speaker 4: You feel me.

1139
00:54:24,920 --> 00:54:27,480
Speaker 7: And that's one thing I love about Bud, Like he

1140
00:54:27,640 --> 00:54:30,000
Speaker 7: is the fucking he's the father figure of that camp.

1141
00:54:30,040 --> 00:54:31,640
Speaker 4: But he's like he's never too good to get in

1142
00:54:31,680 --> 00:54:32,880
Speaker 4: the trenches and no.

1143
00:54:33,160 --> 00:54:36,319
Speaker 3: No, no, because Bud also like like there was there

1144
00:54:36,400 --> 00:54:37,719
Speaker 3: was kind of going back and forth and like you know,

1145
00:54:38,120 --> 00:54:40,560
Speaker 3: he O somebody he wanted to fight Bud, and Bud

1146
00:54:40,680 --> 00:54:44,400
Speaker 3: was like like after he got his ass well by Shakur,

1147
00:54:44,520 --> 00:54:45,759
Speaker 3: which is not Bud.

1148
00:54:45,800 --> 00:54:48,600
Speaker 1: I think he's the best boxer in boxing. Because Bud

1149
00:54:48,680 --> 00:54:49,120
Speaker 1: has left.

1150
00:54:49,360 --> 00:54:53,960
Speaker 3: Bud was like, I'm different, like and something can say

1151
00:54:54,000 --> 00:54:56,520
Speaker 3: they're different, and it feel a way when he says

1152
00:54:56,560 --> 00:54:59,719
Speaker 3: it's different, he spends like a uh, you know, I

1153
00:54:59,800 --> 00:55:02,759
Speaker 3: get goose bumps, like it's scary what he says.

1154
00:55:02,760 --> 00:55:06,080
Speaker 7: And ship a determinator shout home with Key Shawn too.

1155
00:55:06,160 --> 00:55:08,399
Speaker 7: Man oh yeah, Key Sean got the w as well,

1156
00:55:08,680 --> 00:55:11,399
Speaker 7: incredible reforms. He said he wanted Hany next, and Haney

1157
00:55:11,400 --> 00:55:13,279
Speaker 7: tweeted back, let's do it, HAINI and the Ducker and

1158
00:55:13,280 --> 00:55:14,800
Speaker 7: Dodger we probably getting that fight this summer.

1159
00:55:14,800 --> 00:55:15,480
Speaker 4: Bro helping that.

1160
00:55:15,760 --> 00:55:19,040
Speaker 7: I ain't gonna say, honey down Bro. We were talking

1161
00:55:19,080 --> 00:55:22,400
Speaker 7: in discord, like I legit I'm super dup behind h.

1162
00:55:22,520 --> 00:55:24,799
Speaker 7: I think Keshan legitimately has a shot of knocking him out,

1163
00:55:24,880 --> 00:55:25,960
Speaker 7: not even not just winning.

1164
00:55:26,040 --> 00:55:33,040
Speaker 1: Brouh. Like I had to tell you, I got yeah,

1165
00:55:33,040 --> 00:55:34,280
Speaker 1: you put the pa.

1166
00:55:40,239 --> 00:55:40,799
Speaker 2: You the math.

1167
00:55:41,320 --> 00:55:45,840
Speaker 1: Okay, beautiful mind, you know what I'm saying. I was

1168
00:55:45,920 --> 00:55:48,160
Speaker 1: most talking to Mike because Mike was making the same pace.

1169
00:55:48,239 --> 00:55:53,840
Speaker 2: I was like, no, no, yeah, I don't.

1170
00:55:55,719 --> 00:55:58,120
Speaker 1: Something. I just be one of them. I just like

1171
00:55:58,200 --> 00:56:00,040
Speaker 1: clowning'll But anyway, any.

1172
00:56:01,760 --> 00:56:03,799
Speaker 6: Take youre on dot com, slash Jenckis and Jones will

1173
00:56:03,800 --> 00:56:05,880
Speaker 6: get you two more episodes plus the discord.

1174
00:56:06,000 --> 00:56:06,440
Speaker 2: You can do that.

1175
00:56:06,600 --> 00:56:08,200
Speaker 6: Jackson and I are going to have a race right

1176
00:56:08,280 --> 00:56:11,360
Speaker 6: now to see how quick Jackson can end the live stream.

1177
00:56:11,760 --> 00:56:14,400
Speaker 2: The comment of the day was winner Yard