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Speaker 1: Blending Vice's signature dynamic storytelling with the high octane world

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Speaker 1: of sports, Vice Sports brings an exciting and diverse range

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Speaker 1: of programming that goes beyond the game. From action pack

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Speaker 1: live events to gripping behind the scenes documentaries to hard

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Speaker 1: hitting investigative pieces and in depth profiles of athletes, coaches, teams.

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Speaker 1: Vice Sports captures the raw energy, drama, and passion that

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Speaker 1: makes sports truly unforgettable. Catch live events and other exclusive

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Speaker 1: sports programs only on Vice TV. Go to vicetv dot

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Speaker 1: com to find your cable channel.

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Speaker 2: The volume, Lollian, we are back. Top of the top

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Speaker 2: of the top of the week, top of the month,

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Speaker 2: top of the month, top of June, May flew by.

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Speaker 2: I think it was just because everyone was celebrating my

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Speaker 2: birthday that it just you know, oh for sure, times flying.

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Speaker 2: When you're celebrating my birthday.

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Speaker 3: Six months until Christmas? You ready, babydo iyem me something? Maybe? Okay,

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Speaker 3: depends on how you act.

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Speaker 2: He still owes you sneakers, Yes, he does. He owes

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Speaker 2: when parents try to count like a present as your

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Speaker 2: birthday and your Christmas present. That's what he's gonna do

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Speaker 2: with the sneakers.

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Speaker 4: Like it's like three months apart though.

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Speaker 2: Rollover, my parents did that and I made it December.

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Speaker 2: That's your birthday and your Christmas present.

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Speaker 4: Yes, wow, y'all needed something like some money.

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Speaker 2: No, it wasn't money. No, we weren't like poor. They're

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Speaker 2: just assholes, which I was poor white you know, you

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Speaker 2: know the old fucking Irish parents of how bad they

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Speaker 2: had to struggle, Like, come on, man, been a grandpa's house.

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Speaker 2: It's not that bad.

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Speaker 3: A lot of rooms, A lot of rooms are yeah.

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Speaker 2: But of course there was ten cousins and three Yeah,

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Speaker 2: everyone lived there, all right, that was fine. It was

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Speaker 2: running water. But how is everyone's weekend? Clearly you guys

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Speaker 2: can see that. I'm tan akain.

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Speaker 3: We you sorry, that's not clue.

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Speaker 2: Maybe another okay, maybe another hue of red. No, you look,

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Speaker 2: what if I do this, does it look like?

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Speaker 3: No? Okay, you look the same, bro. I thought you

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Speaker 3: were just dirty, like I mean, your bed grew a

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Speaker 3: little bit. You got a little more like full of

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Speaker 3: beard today between three days yet full of beard.

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Speaker 2: I think it's the lightning. But yeah, you know, I

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Speaker 2: thought it was a nice like bronze olivey. No, not yet, okay,

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Speaker 2: I was in the sun.

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Speaker 3: How long did you sit out in the sun? Not

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Speaker 3: very long exactly, see exactly, but long for me.

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Speaker 2: But I could like steel the melon. No, I can

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Speaker 2: do like ten to fifteen if there's like certain shade nearby,

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Speaker 2: Like if I know I can run to shade. Yeah,

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Speaker 2: I'll bake a little bit. I start to feel it

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Speaker 2: my shoulders first.

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Speaker 3: That's when it gets a little warm.

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Speaker 2: That's when I know, like, Okay, I'm burning alive right now,

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Speaker 2: I should before my nose and forehead get hit. I'm

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Speaker 2: gonna go right to the capana. Yeah, but you know

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Speaker 2: I was, I was out in another country. Florida. Yeah,

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Speaker 2: I had to bring my passport. Yeah, Florida's still floriding

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Speaker 2: same shit. Yeah, and not like Miami, like the outskirts

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Speaker 2: like Florida, like where Florida man Florida's sides. Yes, but

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Speaker 2: it was interesting. I love running into our our listeners

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Speaker 2: in the oddest places ever. I like the thrift stores

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Speaker 2: in Florida because everyone goes down there to die. So

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Speaker 2: there's like a lot of options for thrift stores because

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Speaker 2: family is just like that's not really a joke, but

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Speaker 2: it it is dead serious. Everyone goes to Florida to die.

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Speaker 2: And then when they die, their family has to fly

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Speaker 2: to Florida pack up all their ship and they're like,

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Speaker 2: I'm not what am I doing with this? So they

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Speaker 2: just give it to a thrift store. So they have

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Speaker 2: amazing thrifting middle of fucking nowhere, Florida. I'm just sitting

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Speaker 2: there on the rack and someone's like, Rory, what the

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Speaker 2: fuck are you doing here? Like of any fucking place,

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Speaker 2: there's no way to show you Florida, like an hour

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Speaker 2: outside of Fort Myers, like the middle of fucking nowhere.

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Speaker 2: So you know, did that? Baked had some family time

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Speaker 2: and it was school weekend.

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Speaker 3: You need that sometimes you ain't go fishing. No, we

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Speaker 3: didn't have tome gotta go fishing. Man time, go to

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Speaker 3: Florida to go try to go fishing.

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Speaker 2: Yeah, and you know with the toddlers, like you can't

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Speaker 2: do shit, She's I guess still todd little, Yeah, and

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Speaker 2: we're on her schedule. We wanted to go to the

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Speaker 2: beach in the morning, and it was like she just

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Speaker 2: kept saying playground. Play It was all right, well, I

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Speaker 2: guess we're gonna leave the beach and go to the playground.

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Speaker 3: The beach can be the place I was gonna say.

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Speaker 5: They usually have playgrounds on the beach, Like you didn't

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Speaker 5: have like little toys for.

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Speaker 2: No, Well, yeah, yeah, I know. We had all like

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Speaker 2: the pails and like we were digging for seashells. She

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Speaker 2: even went in like the ocean and liked it for

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Speaker 2: the first time. That was cool. Oh, but she wanted

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Speaker 2: to slides and swings.

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Speaker 3: Is she as bad in the sun as you are?

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Speaker 1: No?

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Speaker 2: Okay, she we had the same complexion. But because she

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Speaker 2: has like some melanin in her genetics, she can handle this.

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Speaker 3: That black goal. She got that black goal.

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Speaker 2: Like when she gets older, like she'll be able to

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Speaker 2: actually tan. I feel, yeah, but in the winter she'll

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Speaker 2: look like me. But uh now it's cool. Regular weekend

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Speaker 2: airports are still a mess, you know.

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Speaker 3: No notes the New Jersey transit situation. Did they fix that?

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Speaker 4: I think yeah, I think I think the strike is over.

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Speaker 5: Beyonce happened, and before Beyonce happened, they had to fix

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Speaker 5: that because that's one of the ways to get to

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Speaker 5: the Beyonce concert New Jersey tr They fixed it before

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Speaker 5: beyond Beyonce.

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Speaker 3: Thank you Beyonce for fixing a New Jersey transit situation.

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Speaker 2: Did she have to fly out of Newark because maybe

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Speaker 2: that's fixed now, maybe they actually hired air traffic controllers.

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Speaker 3: Get out of safety. You think flies out of Newark?

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Speaker 2: You think you think, yeah, delivered near me out as

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Speaker 2: there's Teeborough. I know it's getting local, but Teelborough doesn't

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Speaker 2: have like you can't do like jumbo jets and like

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Speaker 2: seven whatever sevens. Yeah, so I think she probably flies

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Speaker 2: on like one of those by herself, and you need

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Speaker 2: like even like the President flies into Newark or JFK

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Speaker 2: because they can't handle the private airports. So I assume

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Speaker 2: like of course they shut everything down, no one would

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Speaker 2: fly that day. But yeah, I could see Beyonce like

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Speaker 2: walking right on the tarat.

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Speaker 3: Straight to her save fifty seven. Yeah, it makes sense.

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Speaker 2: Like when Drake flies in, he wouldn't fly into titel Borough.

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Speaker 2: That plane is too.

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Speaker 3: Fucking big, right, I'm not sure actually, Okay.

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Speaker 2: Well, I mean either way, hopefully Newark's better because we

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Speaker 2: have to travel. So yeah, I fucking forgot how much

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Speaker 2: it sucks going to Laguardian from my house.

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Speaker 3: I love Laguardian now, such a beautiful so much money

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Speaker 3: into it.

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Speaker 2: But they did the same in Yaron York was a shithole,

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Speaker 2: just like LaGuardia. But now they're both better than JFK. Yeah,

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Speaker 2: so you know, we'll see. But what'd you guys do?

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Speaker 4: We cried? We all cried together.

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Speaker 3: No oh oh the Knicks. Yes, yes, the burial. The

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Speaker 3: next funeral was this weekend.

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Speaker 2: I don't even like the Tony your voice. You actually

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Speaker 2: sound kind of like upbeat about it.

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Speaker 3: No, no, no, no, no. I mean I knew they were

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Speaker 3: gonna lose, but I mean.

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Speaker 2: I was I didn't know that.

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Speaker 3: I was hoping they got it to seven, but I

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Speaker 3: knew the series was over after game one. Like I

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Speaker 3: just I think I think we all collectively knew that

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Speaker 3: the Pacers were the better team after Game one. But

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Speaker 3: I am happy that. You know, the Knicks made it

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Speaker 3: exciting this year. They made it fun. It was it was.

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Speaker 3: It was dope for the city to come together watch

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Speaker 3: everybody kind of route for the Knicks. It's funny because

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Speaker 3: I was in my living room watching the game, and

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Speaker 3: you can see like the others like in the area,

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Speaker 3: so every TV was like next game, and it was

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Speaker 3: just dope to see that. Like, I just felt like

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Speaker 3: the entire New York was on the same page for

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Speaker 3: the last two weeks of just trying to root the

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Speaker 3: Knicks on. So they did a great job. I think

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Speaker 3: they overachieved this season. I wasn't expecting them to get

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Speaker 3: to the Conference finals. They obviously have some some changes

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Speaker 3: they need to make, some adjustments they need to address,

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Speaker 3: and things like that. But I think overall, it was

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Speaker 3: a great year for the Knicks. I think, ye, they

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Speaker 3: definitely achieved more than most. I mean, I know every

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Speaker 3: Nick fan thinks they're gonna win it every year, but

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Speaker 3: I think realistically they achieved more than a lot of

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Speaker 3: people thought they would.

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Speaker 2: I mean, we were in here off like when the

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Speaker 2: Celtics series started and I was like, if they beat

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Speaker 2: the Celtics, Like, y, I'm.

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Speaker 3: Cool, That's what I'm saying, Like things like that. It

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Speaker 3: was like, got past the Celtics, got to the conference finals,

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Speaker 3: made it. I mean Game one kind of took the

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Speaker 3: air out of the whole thing, but you know, they

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Speaker 3: made it interesting. They got it to six games, and

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Speaker 3: that's all you could ask for a man, is that

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Speaker 3: they played hard. But paces is too much, man, it's

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Speaker 3: too much going on over there.

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Speaker 2: Yeah, I mean, I'm with you. I'm very proud of

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Speaker 2: the team.

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Speaker 3: What's the Oh, he's about to get paid? Oh shut

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Speaker 3: Jalen brunting down. I mean, Jay, if Jaylen Brunson went

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Speaker 3: to the bathroom, nim Hart held it for him.

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Speaker 4: Yeah.

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Speaker 2: It was rough, That's just.

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Speaker 3: What it was. I mean, he absolutely got paid off

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Speaker 3: of that one game alone. He's gonna get it. He's

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Speaker 3: going to get a contract.

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Speaker 2: I mean, I hate the what it should have could

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Speaker 2: is because obviously didn't happen. But I think there's a

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Speaker 2: world where we could have beat the Pacers. That's why

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Speaker 2: it kind of sucks, Like, I know, we weren't even

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Speaker 2: supposed to really be there and we should be proud,

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Speaker 2: and I am happy, but they teased us because again,

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Speaker 2: I'm with you on game one, I think that was

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Speaker 2: really the dagger from the beat that took the energy

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Speaker 2: would have been. But Brunson, I mean, I feel weird

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Speaker 2: even saying a bad word about him for what he's

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Speaker 2: done for our organization. I think he's the greatest Nick

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Speaker 2: I've personally watched, and my favorite Nick. But he was quiet.

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Speaker 2: Even if the numbers don't reflect it, you could feel

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Speaker 2: the different energy with Brunson throughout the series. Kat stepped

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Speaker 2: up on offense, didn't play any fucking decent defense. Is

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Speaker 2: TIBs the problem?

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Speaker 3: I don't think tim Well tips coach and style can

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Speaker 3: you know, people can point to it a little bit

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Speaker 3: here and there, but I think the biggest problem is

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Speaker 3: the Knicks need a six man. They need somebody to

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Speaker 3: come off the bench that they can rely on every

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Speaker 3: game to to kind of pick up the offensive low

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Speaker 3: when Brunton or Catus it comes out the game and

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Speaker 3: they need they need they need another They just need

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Speaker 3: better perimeter scoring like Jalen Brunton is the only one

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Speaker 3: out there that can create his own shot. Josh Hart

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Speaker 3: plays hard, but you're not expecting much offensive offensively from him.

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Speaker 2: And it's a problem when our small forward is who

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Speaker 2: we're relying on for all offensively. Yeah, it's just like

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Speaker 2: that's not a good It's been great for the last

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Speaker 2: three years. Josh Hart has stepped up like you would

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Speaker 2: not fucking believe. But that doesn't make sense.

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Speaker 3: Yeah, that's gonna that You don't you don't. You don't

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Speaker 3: depend on a guy like Josh Hart to carry offensively,

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Speaker 3: Like you know what I mean, You just take whatever

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Speaker 3: you can. Og played great, but again they got they

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Speaker 3: just got it. They need a little more, They need

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Speaker 3: a little more fire power to kind of keep up

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Speaker 3: with teams like Indiana, who I think they'll they'll probably

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Speaker 3: run into again next season, for sure. But I think

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Speaker 3: the Knicks, I think they they I think they are

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Speaker 3: at the level now where they can flirt with the

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Speaker 3: conference finals for the next couple of years.

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Speaker 2: And I hope they don't do too many adjustments. Like

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Speaker 2: the core four. I'd like us to keep Brunson, Hart, Kat,

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Speaker 2: O g I. Those four I'd rather not trade. I

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Speaker 2: know Kat was questionable a certain times, but let's give

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Speaker 2: me a year. Like this squad was together for one year. Yeah,

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Speaker 2: I'd like to see them at least see this through

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Speaker 2: Eastern Conference finals first time, and god knows how long,

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Speaker 2: and they played together for the first time this year,

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Speaker 2: Like let's let's let's not nick this whole thing where

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Speaker 2: we trade the entire franchise away just for the Greek

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Speaker 2: freak And like now we're just sitting here with Brunton

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Speaker 2: and him, and it's like, all right, we have two players, Yeah,

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Speaker 2: there's another three that need to.

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Speaker 3: Nah, they need they need to address that. They need

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Speaker 3: to get a little more firepower. But okay, seeing Indiana

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Speaker 3: in the finals.

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Speaker 2: I didn't even I thought it was over. There's more basketball.

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Speaker 3: Oh yeah, yeah, just because the Knicks are doesn't mean

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Speaker 3: it's not.

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Speaker 2: I thought they din't even do a champion like this.

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Speaker 3: Yeah, it's just over and it's more basketball.

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Speaker 5: I'm becoming an okay Se fan overnight. Oh yeah, I

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Speaker 5: have never I have never wanted a team to lose

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Speaker 5: so bad in my entire like, like, I like, within

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Speaker 5: my every fiber of my being, I can't.

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Speaker 3: I just think it's so fun that the Pacers and

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Speaker 3: like the Knicks are like still like you know what

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Speaker 3: I mean, Like I don't want years later this is

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Speaker 3: not a well, the Knicks and Paces are rivalry. I

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Speaker 3: don't know if these Knicks and Paces are rivals yet,

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Speaker 3: but the Knicks and Paces organizations are rivals. Though.

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Speaker 5: Josh wrote that beautiful bean footage. Do you see what

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Speaker 5: the fuck Ty Halliburton posted? Yeah, it's war, it's smoked.

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Speaker 5: It's up for another fifty years.

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Speaker 3: Yeah. But the thing is the Knicks have to continue

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Speaker 3: to get to get there though. Every year in order

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Speaker 3: to be like, they have to meet. If they meet

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Speaker 3: again next year, it's like, Okay, now it's lit now

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Speaker 3: it's so that's when it's meeting one year in the

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Speaker 3: playoffs with these roster, it's not a rivalry yet.

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Speaker 2: I hear you. I hear you on that. I mean,

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Speaker 2: they did Clippers last year, but that wasn't really if

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Speaker 2: they it's not. I'm talking about their full clip. Everybody healthy.

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Speaker 2: Let them go out there like they did.

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Speaker 3: This this this series and and get after it. If

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Speaker 3: we can get this again next season, then I think

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Speaker 3: the rivalry is back on with the Knicks and Paces.

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Speaker 3: But uh, I think Oka see Indiana series should be interesting. Uh.

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Speaker 3: I don't know who I have winning yet, and I

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Speaker 3: know everybody's favorite is obviously SG A League MVP and

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Speaker 3: and okay see, but I don't know. Man, this Indiana team,

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Speaker 3: the way they play together, Man, nobody you know it's

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Speaker 3: even something any night somebody else can kill you. Yeah,

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Speaker 3: and I think nim Hart's defense obviously in Game six

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Speaker 3: on Brunson is what killed the Knicks. But I think

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Speaker 3: it'll be interesting series. I know a lot of people

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Speaker 3: don't think it'll be as as watched as if the

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Speaker 3: obviously if the Knicks were in the finals, but I

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Speaker 3: think it'll be a fun series to watch. These two

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Speaker 3: young teams go at it.

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Speaker 2: Yeah, for sure, And I mean obviously third place doesn't

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Speaker 2: matter in the NBA, but I kind of wish they

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Speaker 2: did that like they did in like wreck Ball. I'd

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Speaker 2: love to see the Timberwolves and Knicks just face off

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Speaker 2: for a series like battle for third and fourth place

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Speaker 2: because I just want to see those two teams together.

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Speaker 2: It's just one next team that separating.

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Speaker 3: Your participation trophy kind of guy.

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Speaker 2: I'm a I want to see the team that was

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Speaker 2: dissembled each some type of banner, like it was an

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Speaker 2: inner It would be like an inner squad scrimmage.

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Speaker 3: You like, you would love to see the Knicks rays

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Speaker 3: a third place banner to the top of MSG.

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Speaker 2: You would love that as opposed to no banner.

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Speaker 3: Absolutely fucked that third place band and get that ship

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Speaker 3: out of here. Nobody want to see that shit.

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Speaker 2: I'm with you.

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Speaker 3: Did we tell the beautiful people who were RESPONSIBLEY? I

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Speaker 3: don't think so, Come on or slipping already? Come on,

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Speaker 3: Jesus's responsible.

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Speaker 2: I had a bunch of bug bitesos and.

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Speaker 3: Blood, thank you, twenty five dollars a month forever, a baby,

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Speaker 3: d ever forever. I don't know to make the switch.

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Speaker 4: Right, now I need twenty five.

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Speaker 3: I switch. They keep calling me trying to get me

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Speaker 3: back to that, to the old, to the opocked over.

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Speaker 2: I blocked those in them. Yeah, so I don't even

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Speaker 2: go through my boost.

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Speaker 3: Yeah, switch definitely made the switch.

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Speaker 2: Well, did you do anything over the weekend besides uh,

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Speaker 2: quietly cheer that the Knicks were being dismantled.

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Speaker 5: Yeah, Lakers haters, Lakers fans behaviors on the low. Let's

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Speaker 5: talk about it.

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Speaker 2: And Celtics fans too, like I hate, I hate like

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Speaker 2: sore winners even though they didn't win this year, Like

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Speaker 2: y'all have dominated for a couple of years now and

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Speaker 2: you have more rings than pretty much every franchise. Besides

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Speaker 2: what the Lakers? Why are y'll on Twitter when we

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Speaker 2: lose in the Eastern Conference? Like I thought y'all were

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Speaker 2: above us. That's the losers.

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Speaker 3: That's because the Knicks beat the Celtics. So yeah, Celtics

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Speaker 3: are rooting for the next.

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Speaker 5: To lose, and Knicks fans are a little insufferable.

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Speaker 4: We are a little where we're bad.

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00:14:48,120 --> 00:14:50,160
Speaker 3: We tow the city up because they made it to

337
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Speaker 3: the conference finals.

338
00:14:51,480 --> 00:14:52,200
Speaker 2: That's beautiful.

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00:14:52,320 --> 00:14:56,360
Speaker 3: They tore the city apart. It was trash, every what else.

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Speaker 3: Any day they were looting. They were looting. I think

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Speaker 3: that's what they I told you all.

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Speaker 5: My dumb ass went down trying to go to Penn

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Speaker 5: Station which is next to Madison Square Garden or connected

344
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Speaker 5: or whatever to get on the train after game five,

345
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Speaker 5: and I was just sitting up there like, what the like.

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Speaker 4: I literally felt like, it's such.

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Speaker 3: A that's such a girl. I was. I wasn't thinking,

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Speaker 3: you have no clue, Like, why would you go an

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Speaker 3: I wasn't.

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Speaker 5: I wasn't thinking because the Ubers they were double charged

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Speaker 5: on the Ubers. I'm like, I'm not paying one hundred

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Speaker 5: and fifty hours to get home. So I was like, oh,

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Speaker 5: I'll just get on the train and got off the

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Speaker 5: train and was like oh fuck yeah, like and got swarm.

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Speaker 4: The cops were pushing me. They're like, you gotta go

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Speaker 4: this way. I'm like, I'm literally a girl. I don't

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Speaker 4: know what the fuck is going on.

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Speaker 3: So after we recorded, I watched game five here because

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Speaker 3: I was like the game. I had ordered something to eat.

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00:15:37,800 --> 00:15:39,600
Speaker 3: It was like seven fifty the games watch, so I'm like,

361
00:15:39,600 --> 00:15:41,440
Speaker 3: I'm not missing the start of the game. So I

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Speaker 3: watched the game here they won game five like we

363
00:15:43,600 --> 00:15:47,560
Speaker 3: thought they would, so leave it here. You know that,

364
00:15:47,640 --> 00:15:50,360
Speaker 3: you know the pedal the pedal bike cavies, like the

365
00:15:50,400 --> 00:15:54,280
Speaker 3: little every last one of them was playing. Jay z

366
00:15:54,320 --> 00:15:58,520
Speaker 3: Alicia yep, I was like, Jesus Christ, it's game five,

367
00:15:58,760 --> 00:16:02,960
Speaker 3: Like cut this ship off, like turn it off. Put

368
00:16:03,000 --> 00:16:05,080
Speaker 3: these fucking bikes on the side of the fucking roll

369
00:16:05,200 --> 00:16:07,200
Speaker 3: like get out of the They were in the middle

370
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Speaker 3: of the street like sixth Avenue, just doing whatever they

371
00:16:10,000 --> 00:16:17,720
Speaker 3: wanted concrete joked. I was like, yo, it's game five,

372
00:16:18,080 --> 00:16:21,320
Speaker 3: Like they are still down. But is it where dreams

373
00:16:21,320 --> 00:16:24,880
Speaker 3: are made of? That part was true, okay, but dreams

374
00:16:24,880 --> 00:16:26,200
Speaker 3: also die in New York and the.

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Speaker 2: Dreams dreams die here, then absolutely, Jay.

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Speaker 3: And Alicia Keys need to put that that song out.

377
00:16:32,280 --> 00:16:33,880
Speaker 3: But it was a good season for the Knicks. The

378
00:16:33,960 --> 00:16:36,080
Speaker 3: shout out to the Knicks, and hopefully they could pick

379
00:16:36,160 --> 00:16:37,880
Speaker 3: up on the momentum next year and get right back.

380
00:16:38,120 --> 00:16:40,080
Speaker 2: I don't think Knicks fans are that insufferable.

381
00:16:40,360 --> 00:16:43,600
Speaker 3: If we're going off, fans are the most insufferable fans.

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Speaker 2: We lose all the time.

383
00:16:44,800 --> 00:16:46,960
Speaker 3: Yeah, but y'all don't even stand. But even when y'all lose,

384
00:16:47,080 --> 00:16:49,640
Speaker 3: it's always like next year, like we're gonna win.

385
00:16:49,680 --> 00:16:52,240
Speaker 2: We keep we keep to ourselves, like not like Eagles.

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00:16:52,480 --> 00:16:55,280
Speaker 2: Eagles fans are the worst. I would say New York

387
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Speaker 2: Jet fans are ten times worse than Knicks fans, even

388
00:16:57,720 --> 00:16:59,040
Speaker 2: if they're they blended.

389
00:16:58,720 --> 00:17:00,960
Speaker 3: Jets and Jets and Knicks fans on the same fan base.

390
00:17:01,520 --> 00:17:03,760
Speaker 2: Have you been to a Jets game? Have you been

391
00:17:03,800 --> 00:17:06,560
Speaker 2: on the train? Yeah, it is ten times worse than

392
00:17:06,600 --> 00:17:09,159
Speaker 2: outside of the Garden. It's not even close. It's obnoxious

393
00:17:09,200 --> 00:17:12,479
Speaker 2: people from Long Island. It's drunk people from New Jersey,

394
00:17:12,840 --> 00:17:14,720
Speaker 2: like the worst of the worst from New Jersey. The

395
00:17:14,800 --> 00:17:17,440
Speaker 2: Knicks fans is a blend of the whole city to me. Yeah,

396
00:17:17,520 --> 00:17:19,639
Speaker 2: like you get Giants fans that are calm and cool

397
00:17:19,800 --> 00:17:22,920
Speaker 2: that are also Knicks fans. The degenerates are the Jets fans.

398
00:17:23,040 --> 00:17:26,760
Speaker 3: I don't know, because the Giants actually won in like.

399
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Speaker 2: Even when the Giants weren't winning, they were Giants fans

400
00:17:29,680 --> 00:17:31,760
Speaker 2: are cool. Jets fans no matter. They could be fucking

401
00:17:32,240 --> 00:17:34,520
Speaker 2: zero to eight and they're still as obnoxious as if

402
00:17:34,560 --> 00:17:34,800
Speaker 2: they were.

403
00:17:34,960 --> 00:17:35,000
Speaker 3: No.

404
00:17:35,160 --> 00:17:37,040
Speaker 5: Giants fans are not cool. Have you ever been to

405
00:17:37,119 --> 00:17:41,000
Speaker 5: a Giants game? Like when they lose every life.

406
00:17:41,080 --> 00:17:42,600
Speaker 3: That's that's the best time to be there.

407
00:17:43,640 --> 00:17:46,800
Speaker 5: They are not cool, you know, be starting fights in

408
00:17:46,800 --> 00:17:50,639
Speaker 5: the yard like they're no. New York sports fans in

409
00:17:50,640 --> 00:17:53,440
Speaker 5: general are not cool. It's New York sports fans. Eagles

410
00:17:53,440 --> 00:17:56,960
Speaker 5: fans and Cowboy fans are absolutely terrible people.

411
00:17:57,480 --> 00:17:59,760
Speaker 2: I'm with you on Cowboy fans for sure. Cowboy fans

412
00:17:59,760 --> 00:18:02,879
Speaker 2: are all they're just like weird people, especially Cowboy fans

413
00:18:02,920 --> 00:18:03,720
Speaker 2: not from Dallas.

414
00:18:04,119 --> 00:18:07,520
Speaker 3: Cowboys fans of Comact going to Knicks fans too, both

415
00:18:07,520 --> 00:18:10,240
Speaker 3: delusional fan bases. They think that every year they're gonna

416
00:18:10,240 --> 00:18:10,640
Speaker 3: win it all.

417
00:18:10,680 --> 00:18:12,439
Speaker 2: Well, the Cowboys have a little bit more to stand on,

418
00:18:12,520 --> 00:18:14,639
Speaker 2: But I am with you, no matter whether they're good

419
00:18:14,760 --> 00:18:16,600
Speaker 2: or not, they're gonna sell out and everyone's gonna care.

420
00:18:16,720 --> 00:18:18,080
Speaker 3: That's the same exactly.

421
00:18:18,119 --> 00:18:21,200
Speaker 2: There is a comparison in the fan base well over

422
00:18:21,240 --> 00:18:24,639
Speaker 2: the weekend. On the music side, I did see the

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00:18:24,800 --> 00:18:25,760
Speaker 2: time lists.

424
00:18:26,440 --> 00:18:29,120
Speaker 3: Oh not yet. I'm sorry, I'm crazy, hey.

425
00:18:29,119 --> 00:18:30,520
Speaker 2: I mean, if you want to start with the hate, no, no,

426
00:18:30,560 --> 00:18:32,760
Speaker 2: I thought that's what we was going into. I was

427
00:18:32,800 --> 00:18:35,240
Speaker 2: gonna go into what I had the timeline in Distebrate,

428
00:18:35,280 --> 00:18:37,280
Speaker 2: we go right into into the trumpets.

429
00:18:37,320 --> 00:18:38,840
Speaker 3: If you like, Oh, let's go into the list. Let's

430
00:18:38,840 --> 00:18:39,639
Speaker 3: go into the list first.

431
00:18:39,960 --> 00:18:42,359
Speaker 2: I didn't have much service and the Wi Fi was

432
00:18:42,359 --> 00:18:43,720
Speaker 2: down where I was at, so there was only a

433
00:18:43,760 --> 00:18:46,080
Speaker 2: few times I could see what was pissing everyone off

434
00:18:46,400 --> 00:18:50,560
Speaker 2: per hour, but I did, but I did see Complex.

435
00:18:50,600 --> 00:18:53,680
Speaker 2: Anytime Complex puts any list out, you know, the timeline

436
00:18:53,760 --> 00:18:55,639
Speaker 2: is gonna melt. Everyone's gonna stop what they're doing on

437
00:18:55,640 --> 00:18:58,760
Speaker 2: a Saturday, say, fuck their kids, fuck the plans they had.

438
00:18:58,800 --> 00:19:01,399
Speaker 2: We need to argue about what Complex has to say, right,

439
00:19:02,400 --> 00:19:04,719
Speaker 2: even if it is a third party writer ten ninety nine,

440
00:19:04,760 --> 00:19:06,480
Speaker 2: that doesn't even work any Does anyone even work at

441
00:19:06,480 --> 00:19:07,280
Speaker 2: Complex anymore?

442
00:19:07,600 --> 00:19:10,160
Speaker 3: I think it's bots that just make They just.

443
00:19:10,359 --> 00:19:12,480
Speaker 2: Do a AI generated lit like what would piss the

444
00:19:12,480 --> 00:19:15,800
Speaker 2: time chatubc, what would piss the timeline off? Like, just

445
00:19:15,880 --> 00:19:18,479
Speaker 2: leave tupac off exactly. That's what chatchubt spuit up.

446
00:19:18,520 --> 00:19:18,760
Speaker 4: Well.

447
00:19:19,400 --> 00:19:22,360
Speaker 3: To be fair, Pack is not from LA, which.

448
00:19:22,200 --> 00:19:25,960
Speaker 2: We'll get there. Yeah, Complex Best La Rappers of All

449
00:19:26,000 --> 00:19:28,879
Speaker 2: Time list. I don't know if this is going to

450
00:19:28,920 --> 00:19:33,280
Speaker 2: start the city by city thing that we're going to

451
00:19:33,359 --> 00:19:35,119
Speaker 2: get for the rest of the year, but I'm not

452
00:19:35,160 --> 00:19:38,320
Speaker 2: mad at them. Starting with LA. We'll just go through

453
00:19:38,440 --> 00:19:39,320
Speaker 2: the top five real quick.

454
00:19:39,359 --> 00:19:42,719
Speaker 3: Well the funny thing go ahead, because this is the

455
00:19:42,760 --> 00:19:46,000
Speaker 3: top fifty LA rappers, right, Yes, a lot of these

456
00:19:46,040 --> 00:19:49,160
Speaker 3: rappers are not from LA. They're from California, but they're

457
00:19:49,160 --> 00:19:52,639
Speaker 3: not from Los Angeles. Okay, how we you know? I mean,

458
00:19:52,680 --> 00:19:54,119
Speaker 3: I guess that's when I sort of listen out. Like

459
00:19:54,119 --> 00:19:55,639
Speaker 3: I looked at it. I was like, okay, but this

460
00:19:55,760 --> 00:19:57,960
Speaker 3: is in from LA. A lot of these guys are

461
00:19:57,960 --> 00:20:01,040
Speaker 3: not from LA. I just Snoop from Long Beach, Kendrick

462
00:20:01,119 --> 00:20:03,080
Speaker 3: is from Compton, you know what I mean. It's kind

463
00:20:03,080 --> 00:20:03,480
Speaker 3: of like.

464
00:20:03,640 --> 00:20:06,119
Speaker 2: Where we Okay, I see what you're saying. But if

465
00:20:06,160 --> 00:20:10,840
Speaker 2: they did the greatest New York City Rappers of all

466
00:20:10,920 --> 00:20:14,840
Speaker 2: time and Jadakiss was on the list, I wouldn't be like, no,

467
00:20:15,280 --> 00:20:19,080
Speaker 2: he's from Yonkers. I wouldn't say that he's still New

468
00:20:19,160 --> 00:20:21,800
Speaker 2: York City rapper. Yeah, Long Beach is still comp I

469
00:20:21,840 --> 00:20:26,119
Speaker 2: understand that those are not in the LA County, or

470
00:20:26,200 --> 00:20:27,840
Speaker 2: maybe it is LA County, but it's not a Los

471
00:20:27,880 --> 00:20:30,920
Speaker 2: Angeles address. Compton is its own city, Long Beach is

472
00:20:30,960 --> 00:20:35,639
Speaker 2: its own city. It's still the LA Greater area. I

473
00:20:35,640 --> 00:20:38,280
Speaker 2: feel like, I.

474
00:20:38,240 --> 00:20:40,720
Speaker 3: Mean, I just know people from from these places that

475
00:20:42,119 --> 00:20:44,720
Speaker 3: they've had these same they like, Yo, that's we're not LA.

476
00:20:44,840 --> 00:20:48,200
Speaker 3: This is that's not La. He's not from La. Okay

477
00:20:48,200 --> 00:20:50,359
Speaker 3: they're saying this like he's not from LA, he's not

478
00:20:50,400 --> 00:20:53,040
Speaker 3: from Lay where he's from. They don't even fuck with La.

479
00:20:53,160 --> 00:20:54,600
Speaker 3: Like it's a lot of that going on.

480
00:20:54,640 --> 00:20:56,960
Speaker 2: Of course, and I get that politics, especially with La

481
00:20:57,040 --> 00:20:59,119
Speaker 2: of any other city, but not even to get on

482
00:20:59,160 --> 00:21:01,560
Speaker 2: the Amaretta shit. But like if they were to do

483
00:21:01,680 --> 00:21:05,879
Speaker 2: the best rappers from Atlanta, Andre three thousand camp be

484
00:21:05,920 --> 00:21:10,000
Speaker 2: on it now because he's technically not from Atlanta.

485
00:21:09,640 --> 00:21:13,120
Speaker 3: Well that's why you go. Best rappers from California got

486
00:21:13,200 --> 00:21:13,480
Speaker 3: bat now.

487
00:21:13,520 --> 00:21:16,280
Speaker 2: But then that's insane because you're getting into the Bay

488
00:21:16,480 --> 00:21:19,400
Speaker 2: like that's a big California is like the third biggest state.

489
00:21:20,560 --> 00:21:21,240
Speaker 2: That's crazy.

490
00:21:23,359 --> 00:21:27,920
Speaker 3: Uh okay, yeah, I'm not I'm not hiting nitpick, but

491
00:21:27,960 --> 00:21:29,320
Speaker 3: I'm just you know, it was reading the timeline and

492
00:21:29,320 --> 00:21:30,639
Speaker 3: seeing what people were saying, that's.

493
00:21:30,520 --> 00:21:33,680
Speaker 2: All Like, if we can't have rock him on the greatest.

494
00:21:33,320 --> 00:21:36,879
Speaker 3: New York City Rappers, why wouldn't you.

495
00:21:37,359 --> 00:21:41,440
Speaker 2: He's from Long Island exactly, that's New York.

496
00:21:41,440 --> 00:21:43,560
Speaker 3: Though it would be the New York City, it wouldn't

497
00:21:43,560 --> 00:21:44,840
Speaker 3: be New York City. It would be New York.

498
00:21:44,880 --> 00:21:46,159
Speaker 2: Oh then if we're getting in New York state, then

499
00:21:46,200 --> 00:21:49,440
Speaker 2: we have to put in Griselda there. Yeah, okay, not cool,

500
00:21:49,520 --> 00:21:51,560
Speaker 2: So we just state by state you would do I

501
00:21:51,560 --> 00:21:54,760
Speaker 2: would just do the whole New York Okay, I'm not

502
00:21:54,760 --> 00:21:57,080
Speaker 2: stay in New York fair enough.

503
00:21:57,160 --> 00:21:59,720
Speaker 4: Some niggas from binghamtow who get it in for sure.

504
00:21:59,640 --> 00:22:03,480
Speaker 3: From Inghamton, like rapping said get it in. She's not

505
00:22:03,480 --> 00:22:10,720
Speaker 3: talking about rapp Okay, who's who's rapping from Binghamton? Like

506
00:22:11,040 --> 00:22:12,760
Speaker 3: I missed that whole that movement.

507
00:22:13,000 --> 00:22:16,040
Speaker 4: I'm just saying, you know, we get Rory's point.

508
00:22:15,800 --> 00:22:20,160
Speaker 2: Though, I was more so on the side of the

509
00:22:20,240 --> 00:22:24,440
Speaker 2: rappers that are straight up not from the LA area period.

510
00:22:26,000 --> 00:22:29,040
Speaker 2: So we'll get at least to the top five, and

511
00:22:29,040 --> 00:22:32,000
Speaker 2: then from there I think it brings up immediately somebody

512
00:22:32,040 --> 00:22:34,639
Speaker 2: that's really not so at number one is Kendrick Lamar,

513
00:22:34,720 --> 00:22:38,800
Speaker 2: number two, Snoop Dogg three, Ice C four, Doctor Dre five, Tyler,

514
00:22:38,800 --> 00:22:42,720
Speaker 2: Creators six, DJ Quick seven, iced T eight, b Real nine,

515
00:22:42,760 --> 00:22:46,520
Speaker 2: Easy E ten, Nifsey Hustle out the gate. To your point, mal,

516
00:22:46,600 --> 00:22:49,800
Speaker 2: I know iced Tea very much made his career on

517
00:22:49,840 --> 00:22:52,160
Speaker 2: the West Coast and is a representation of the West Coast.

518
00:22:52,280 --> 00:22:53,359
Speaker 2: He's from Norton, New Jersey.

519
00:22:53,600 --> 00:22:56,280
Speaker 4: Mm hmm, he would be Iced Tea would be from

520
00:22:56,600 --> 00:22:57,080
Speaker 4: New Jersey.

521
00:22:57,880 --> 00:23:00,000
Speaker 3: Why do you say that because he acts.

522
00:22:59,720 --> 00:23:03,040
Speaker 4: Like he Jersey? That makes so much fucking sense.

523
00:23:03,080 --> 00:23:03,920
Speaker 2: Is he likes white girls?

524
00:23:04,480 --> 00:23:07,000
Speaker 5: No, not just that because he pimps out white girls

525
00:23:07,040 --> 00:23:09,119
Speaker 5: because of the type of you know, we love cocoa,

526
00:23:09,840 --> 00:23:10,240
Speaker 5: of course.

527
00:23:11,200 --> 00:23:13,040
Speaker 2: How do you feel about the top ten outside of

528
00:23:13,080 --> 00:23:17,040
Speaker 2: the regional debate between Iced Tea and Newark, New Jersey.

529
00:23:19,440 --> 00:23:21,240
Speaker 3: I don't know. I just think having Game not in

530
00:23:21,280 --> 00:23:22,480
Speaker 3: the top ten is blasphemy.

531
00:23:22,720 --> 00:23:25,480
Speaker 2: I completely agree with you.

532
00:23:25,480 --> 00:23:27,280
Speaker 3: You know. Then it's the more I look through.

533
00:23:27,119 --> 00:23:29,399
Speaker 4: The list, who would you replace them with?

534
00:23:30,800 --> 00:23:31,119
Speaker 3: Game?

535
00:23:31,400 --> 00:23:31,640
Speaker 4: Yeah?

536
00:23:33,040 --> 00:23:36,000
Speaker 2: Oh, I think Game can be in the top five.

537
00:23:37,680 --> 00:23:39,200
Speaker 4: Who would you replace him in the top five?

538
00:23:39,200 --> 00:23:42,400
Speaker 2: I'm fine with Tyler going down to six if I'm

539
00:23:42,520 --> 00:23:44,920
Speaker 2: if I'm keeping their order and just bumping where games

540
00:23:44,920 --> 00:23:48,600
Speaker 2: should be. I'm not mad at the top five if

541
00:23:48,600 --> 00:23:51,560
Speaker 2: it's no matter the order. Kendrick Snoop ice Cube, Doctor

542
00:23:51,640 --> 00:23:54,720
Speaker 2: Dre Game. I think that is a very fair, fair

543
00:23:54,800 --> 00:23:55,160
Speaker 2: top five.

544
00:23:55,200 --> 00:23:57,359
Speaker 3: Okay, before we do that, what is the criteria we're

545
00:23:57,400 --> 00:23:57,760
Speaker 3: just talking for?

546
00:23:58,600 --> 00:24:00,159
Speaker 2: It's complex, so you never get one.

547
00:24:00,080 --> 00:24:03,480
Speaker 3: Okay, So we don't know what the criteria is because.

548
00:24:03,119 --> 00:24:04,840
Speaker 2: As much as I hate beatots list, at least he

549
00:24:04,880 --> 00:24:07,680
Speaker 2: puts a criteria at the bottom and says it's because

550
00:24:07,720 --> 00:24:10,280
Speaker 2: of these things. Complex is just throws shit out, okay

551
00:24:10,320 --> 00:24:13,560
Speaker 2: and makes us all argue without the context. No context,

552
00:24:13,560 --> 00:24:14,920
Speaker 2: and complex is what happens every time.

553
00:24:14,960 --> 00:24:16,120
Speaker 3: So they know that we're going to do what we're

554
00:24:16,160 --> 00:24:18,760
Speaker 3: doing on our platform and dissect this list and keep

555
00:24:18,840 --> 00:24:20,400
Speaker 3: saying complex over and over and over.

556
00:24:21,000 --> 00:24:24,359
Speaker 5: Exactly, we stuck to three core principles when sorting our ranking.

557
00:24:24,400 --> 00:24:27,600
Speaker 5: This is coming from complex skill as a hip hop artist,

558
00:24:28,040 --> 00:24:32,199
Speaker 5: strength of a catalog, commercial impact, and lasting influence. They

559
00:24:32,200 --> 00:24:35,000
Speaker 5: say by skill they mean the entire rap package, delivery, presence,

560
00:24:35,000 --> 00:24:39,959
Speaker 5: pen game, overall artistry. They're focusing strictly on rappers, so

561
00:24:40,000 --> 00:24:41,760
Speaker 5: while artists like Nate Dogg and Ti Dallas on an

562
00:24:41,880 --> 00:24:46,280
Speaker 5: iconic LA artists, they're fundamentally singers, not rappers. So hip

563
00:24:46,280 --> 00:24:49,840
Speaker 5: hop skill, strength of a catalog, commercial impact, and lasting influence.

564
00:24:49,920 --> 00:24:54,000
Speaker 2: If you're focusing just on rappers and skill, then is

565
00:24:54,080 --> 00:24:58,080
Speaker 2: doctor dre An Easy allowed on the list as they

566
00:24:58,160 --> 00:25:02,600
Speaker 2: do not write their own raps and have both admitted that,

567
00:25:02,640 --> 00:25:05,360
Speaker 2: and it's like, I'm fine with it. I'm I don't

568
00:25:05,359 --> 00:25:08,200
Speaker 2: really care. They made incredible music and are the two

569
00:25:08,280 --> 00:25:10,919
Speaker 2: probably biggest icons in the LA rap scene ever. But

570
00:25:11,040 --> 00:25:14,800
Speaker 2: if you're going off skill of rapping, off their criteria,

571
00:25:15,080 --> 00:25:18,159
Speaker 2: not mine. Well, but Doctor Dreyan Easy Are they allowed

572
00:25:18,160 --> 00:25:18,680
Speaker 2: to be on the.

573
00:25:18,640 --> 00:25:21,280
Speaker 5: List, Yes, because they explain that by skill they mean

574
00:25:21,320 --> 00:25:25,760
Speaker 5: the entire rap package, delivery, presence, pen game, and overall artistry.

575
00:25:25,800 --> 00:25:27,320
Speaker 4: It takes more to be a rapper than.

576
00:25:27,960 --> 00:25:31,840
Speaker 2: But if you're you're taking out one complete pillar where every.

577
00:25:31,600 --> 00:25:34,080
Speaker 3: Other person on this play game is the biggest, that's.

578
00:25:35,280 --> 00:25:39,840
Speaker 2: Every single artist on here would cover every single pillar

579
00:25:39,880 --> 00:25:44,400
Speaker 2: period those two. An entire pillar is gone, gone.

580
00:25:44,280 --> 00:25:48,719
Speaker 3: Gone, and the pillar if the pen is the pillar, Like,

581
00:25:48,800 --> 00:25:50,399
Speaker 3: as a rapper, that's what you have. You have your

582
00:25:50,440 --> 00:25:51,440
Speaker 3: pen as your sword, like.

583
00:25:51,400 --> 00:25:53,240
Speaker 2: If you want to talk about the two most important

584
00:25:53,280 --> 00:25:56,600
Speaker 2: people in LA rap history, Drean Easy And I'm fine

585
00:25:56,600 --> 00:25:58,399
Speaker 2: with that, But if you're going off that criteria, I

586
00:25:58,400 --> 00:26:00,000
Speaker 2: don't know if Doctor Drean Easy E are allowed on.

587
00:26:00,520 --> 00:26:01,920
Speaker 5: I think they're allowed on the list. I just don't

588
00:26:01,920 --> 00:26:03,359
Speaker 5: think they should be as far up game.

589
00:26:03,440 --> 00:26:06,000
Speaker 3: Not in the top ten is crazy. I mean, that's

590
00:26:07,400 --> 00:26:09,240
Speaker 3: that's to me. We could just talk about that.

591
00:26:09,600 --> 00:26:11,439
Speaker 2: Take out the Pillar shit and it should be Kendrick

592
00:26:11,480 --> 00:26:13,720
Speaker 2: snoop icequ Dre and Game for sure.

593
00:26:13,920 --> 00:26:17,280
Speaker 4: I don't know LA politics. I'm not from over there.

594
00:26:18,359 --> 00:26:20,679
Speaker 4: Is there? Just like do they hate Game?

595
00:26:20,920 --> 00:26:24,320
Speaker 5: Because I feel like he's so disrespected by LA but

596
00:26:24,440 --> 00:26:26,760
Speaker 5: so uplifted by New York in other places.

597
00:26:26,800 --> 00:26:28,880
Speaker 4: So that's why is it a thing?

598
00:26:29,359 --> 00:26:33,960
Speaker 2: Or I mean Game. I wouldn't ever discredit what he

599
00:26:34,000 --> 00:26:37,560
Speaker 2: was doing in the Bay and in LA before he

600
00:26:37,600 --> 00:26:40,600
Speaker 2: broke with G Unit. But I mean why I think

601
00:26:40,680 --> 00:26:45,119
Speaker 2: Jimmy even put him with G Unit outside of Gunit

602
00:26:45,160 --> 00:26:48,040
Speaker 2: being on fire at the time, is that he sounded

603
00:26:48,080 --> 00:26:50,040
Speaker 2: and rapped like he was from New York. Of course

604
00:26:50,040 --> 00:26:51,640
Speaker 2: he sounds like he's from LA. Don't get me wrong.

605
00:26:51,720 --> 00:26:52,600
Speaker 4: I get what you're saying.

606
00:26:52,880 --> 00:26:55,560
Speaker 2: The way his delivery and lyrical content when he was

607
00:26:55,600 --> 00:26:58,240
Speaker 2: on clue tapes, if he didn't constantly say where he

608
00:26:58,280 --> 00:27:02,000
Speaker 2: was from, I wouldn't immediately believe that he wasn't from

609
00:27:02,000 --> 00:27:03,919
Speaker 2: New York. I think he's even talked about that he

610
00:27:04,000 --> 00:27:05,640
Speaker 2: rapped like he was from New York, and I think

611
00:27:05,640 --> 00:27:09,200
Speaker 2: that's probably why we all gravitated to him so much,

612
00:27:09,200 --> 00:27:11,800
Speaker 2: And I think the record that made him pop per

613
00:27:11,800 --> 00:27:16,600
Speaker 2: se was what the Jim Jones certified g's or whatever,

614
00:27:17,320 --> 00:27:21,160
Speaker 2: which I means yeah, sure, yeah, which has LA aspects.

615
00:27:21,160 --> 00:27:24,000
Speaker 2: But he was with Jim Jones when the world was

616
00:27:24,040 --> 00:27:27,120
Speaker 2: really introduced to him, not just LA. So I think

617
00:27:27,119 --> 00:27:30,440
Speaker 2: New York has always had a better appreciation for Game

618
00:27:30,760 --> 00:27:32,120
Speaker 2: than maybe the rest of the country.

619
00:27:32,280 --> 00:27:34,680
Speaker 4: But I hear you.

620
00:27:34,720 --> 00:27:37,760
Speaker 5: But if that's the case, then Tyler the creator doesn't

621
00:27:37,800 --> 00:27:40,000
Speaker 5: always sound like he's an LA artist. He does sound

622
00:27:40,040 --> 00:27:41,920
Speaker 5: like he's an LA artist, but he doesn't always sound

623
00:27:41,920 --> 00:27:42,439
Speaker 5: like he's He.

624
00:27:42,720 --> 00:27:47,640
Speaker 2: Definitely led the newer generation of LA. They call it weird.

625
00:27:47,640 --> 00:27:49,760
Speaker 2: I wouldn't call it weird, but that separate like this

626
00:27:49,840 --> 00:27:53,480
Speaker 2: isn't the stereotypical LA scene. He led that for sure,

627
00:27:54,000 --> 00:27:56,800
Speaker 2: which is where you get some of the new scene now.

628
00:27:57,480 --> 00:28:03,400
Speaker 2: But Game at the time, LA had been non existent

629
00:28:03,760 --> 00:28:06,400
Speaker 2: for quite some time. Game single handedly brought the West

630
00:28:06,440 --> 00:28:10,200
Speaker 2: Coast back and put a bunch of people on this list,

631
00:28:10,480 --> 00:28:13,719
Speaker 2: including the number one artist on their first mixtape on

632
00:28:13,760 --> 00:28:17,720
Speaker 2: their first tour, Nipsey Everyone Like. Game not only did

633
00:28:17,720 --> 00:28:20,480
Speaker 2: that shit by himself, he brought a bunch of people

634
00:28:20,480 --> 00:28:23,399
Speaker 2: with him. He wasn't on some selfish It's just me Like,

635
00:28:23,480 --> 00:28:25,879
Speaker 2: I remember Game mixtape shit when kay Dot was on it.

636
00:28:27,080 --> 00:28:28,720
Speaker 2: He was meeting with top with the j rock shit

637
00:28:28,800 --> 00:28:32,880
Speaker 2: like game. If he's not top five, the only other

638
00:28:32,880 --> 00:28:34,200
Speaker 2: way he could be was higher.

639
00:28:34,560 --> 00:28:36,919
Speaker 3: Yeah, Vince State was at number twenty three. It's pissing

640
00:28:36,920 --> 00:28:39,440
Speaker 3: me off. Let me just go ahead and say it.

641
00:28:40,840 --> 00:28:42,000
Speaker 3: He needs to be a lot higher.

642
00:28:43,240 --> 00:28:44,080
Speaker 2: Say the pillars again.

643
00:28:44,920 --> 00:28:49,680
Speaker 5: The pillars are skill like total skill, strength of a catalog,

644
00:28:49,880 --> 00:28:53,920
Speaker 5: commercial impact, and lasting influence. And I think number three

645
00:28:54,240 --> 00:28:57,680
Speaker 5: might be the commercial impact, Yeah, might be what's keeping him.

646
00:28:58,560 --> 00:29:01,360
Speaker 3: Who has all right, look at the people ahead of

647
00:29:02,200 --> 00:29:06,240
Speaker 3: Vince and who has more commercial impact than him, who

648
00:29:06,280 --> 00:29:07,880
Speaker 3: has a better catalog.

649
00:29:07,560 --> 00:29:12,440
Speaker 2: In him catalog You're gonna be tough. School Boy does

650
00:29:12,480 --> 00:29:14,360
Speaker 2: have a great catalog, YG does.

651
00:29:14,840 --> 00:29:15,360
Speaker 4: Yeah, But.

652
00:29:17,320 --> 00:29:20,120
Speaker 3: I love Dom Kennedy. He's not above Vince Staples.

653
00:29:20,520 --> 00:29:24,880
Speaker 2: Some could argue with commercial appeal and Vince Stable. Dom

654
00:29:24,920 --> 00:29:26,080
Speaker 2: has a great catalog.

655
00:29:27,080 --> 00:29:28,920
Speaker 3: Vince Stables has a great catalog, and he has an

656
00:29:28,920 --> 00:29:31,960
Speaker 3: adult flick show fair that's not commercial.

657
00:29:32,000 --> 00:29:33,280
Speaker 2: But they're focusing on the rapper.

658
00:29:34,040 --> 00:29:35,800
Speaker 3: Come on, man, Vince needs to be high in that.

659
00:29:36,920 --> 00:29:40,719
Speaker 2: I appreciate Nipsey being at ten outside him just being

660
00:29:40,720 --> 00:29:43,280
Speaker 2: above the game, which is kind of nice. If Nipsey

661
00:29:43,320 --> 00:29:46,000
Speaker 2: does not pass, is he at number ten lasting influence?

662
00:29:46,040 --> 00:29:49,800
Speaker 2: I fully understand this deal with what's standible. I mean

663
00:29:49,840 --> 00:30:01,200
Speaker 2: over game is insanity, but even over YG game Nipsey, Yeah, respectfully.

664
00:30:01,280 --> 00:30:03,720
Speaker 4: Yeah, I gotta go to LA in a couple of days.

665
00:30:04,040 --> 00:30:06,280
Speaker 2: I'm not suggesting that Nipsey does not belong on this

666
00:30:06,320 --> 00:30:09,280
Speaker 2: list whatsoever. He has hit every criteria or there but

667
00:30:10,600 --> 00:30:13,760
Speaker 2: I don't know if against YG with everything, if that,

668
00:30:13,840 --> 00:30:16,880
Speaker 2: if we're going off what they said, not off what

669
00:30:16,960 --> 00:30:19,120
Speaker 2: the allure of everything is to the public.

670
00:30:19,280 --> 00:30:21,640
Speaker 5: So we've had this conversation before when people say that

671
00:30:22,240 --> 00:30:24,000
Speaker 5: jay Z wouldn't be jay Z if Biggie had never died.

672
00:30:24,040 --> 00:30:25,880
Speaker 4: But we'll never know because Biggie died, right.

673
00:30:26,160 --> 00:30:30,200
Speaker 5: So we'll never know if people would have, if the

674
00:30:30,720 --> 00:30:34,840
Speaker 5: mass majority of America would have noticed how talented Nipsey

675
00:30:35,080 --> 00:30:38,400
Speaker 5: was because he was severely underrated, but before he passed,

676
00:30:38,680 --> 00:30:40,240
Speaker 5: they wouldn't have. We don't know if they would have

677
00:30:40,280 --> 00:30:42,680
Speaker 5: eventually figured that out. They could have eventually figured that out.

678
00:30:42,720 --> 00:30:44,320
Speaker 5: He could have had a hit that went off. Everybody

679
00:30:44,360 --> 00:30:45,880
Speaker 5: went back to his catalog and said, oh my god,

680
00:30:45,960 --> 00:30:48,120
Speaker 5: Nipsey has been one of the greatest for so long.

681
00:30:48,200 --> 00:30:50,680
Speaker 5: That could have happened, or he could have continued to

682
00:30:50,760 --> 00:30:52,000
Speaker 5: be underrated.

683
00:30:52,120 --> 00:30:54,640
Speaker 4: We will never know because he did die, of course.

684
00:30:54,680 --> 00:30:57,160
Speaker 2: And let me be clear, I think the Victory Lap

685
00:30:57,200 --> 00:31:00,320
Speaker 2: album was the one that was going to start his rise.

686
00:31:00,480 --> 00:31:02,560
Speaker 2: I think that's when he finally got the recognition, commercial

687
00:31:02,640 --> 00:31:04,600
Speaker 2: recognition that he deserved. He was about to be the

688
00:31:04,600 --> 00:31:08,760
Speaker 2: intro of Akalide album. Like, Yeah, Nipsey was on his

689
00:31:08,800 --> 00:31:10,600
Speaker 2: way for sure. I'm not saying because he passed, that's

690
00:31:10,600 --> 00:31:12,280
Speaker 2: when everyone started to give a fuck, So I'm not

691
00:31:12,320 --> 00:31:16,680
Speaker 2: saying that whatsoever. But over somebody like Game and YG

692
00:31:17,560 --> 00:31:21,320
Speaker 2: by those criterias is a little crazy to me, even

693
00:31:21,320 --> 00:31:23,920
Speaker 2: school Boy, if we're going to get into it. As

694
00:31:23,920 --> 00:31:26,360
Speaker 2: far as the older acts, I saw Punch tweet something

695
00:31:26,360 --> 00:31:27,960
Speaker 2: I wish they do it in eras. I agree with

696
00:31:28,040 --> 00:31:31,320
Speaker 2: him because it is very tough to compare Corrupt to

697
00:31:31,440 --> 00:31:36,280
Speaker 2: Vince Staples. It's just completely different times and like it's odd.

698
00:31:36,280 --> 00:31:38,360
Speaker 2: I don't even know how you would go about this.

699
00:31:38,440 --> 00:31:39,920
Speaker 2: I also don't even know how you put a list

700
00:31:39,960 --> 00:31:41,040
Speaker 2: like this together to begin with.

701
00:31:41,120 --> 00:31:49,560
Speaker 3: But you know, chat GBT chat GBT, you know how

702
00:31:49,600 --> 00:31:50,320
Speaker 3: to put it together.

703
00:31:50,400 --> 00:31:53,600
Speaker 2: Man, If we're going off skill alone, the fact that

704
00:31:53,640 --> 00:31:55,560
Speaker 2: Blue is at forty nine is insane. The fact that

705
00:31:55,600 --> 00:31:59,680
Speaker 2: Crooked Eye is at forty six is nuts. Will I am.

706
00:31:59,720 --> 00:32:01,800
Speaker 2: I think most of his impact did not come from

707
00:32:01,840 --> 00:32:08,920
Speaker 2: anything RAP related whatsoever. I thought ras cast was from

708
00:32:08,960 --> 00:32:11,080
Speaker 2: the bay.

709
00:32:11,160 --> 00:32:11,600
Speaker 3: I don't know.

710
00:32:11,680 --> 00:32:12,280
Speaker 2: I could be wrong.

711
00:32:12,400 --> 00:32:14,040
Speaker 3: I don't know what they're doing with this list.

712
00:32:14,520 --> 00:32:18,800
Speaker 2: Dragiel ruler for impact. Everyone in LA raps like him.

713
00:32:19,440 --> 00:32:20,600
Speaker 2: You can make a case that he could be a

714
00:32:20,640 --> 00:32:22,880
Speaker 2: little higher when it comes to impact.

715
00:32:24,600 --> 00:32:26,760
Speaker 5: They gonna kick our ass because they probably gonna be like, no,

716
00:32:26,840 --> 00:32:28,440
Speaker 5: you're wrong, You're fucking wrong.

717
00:32:28,480 --> 00:32:30,760
Speaker 2: All of LA was saying they were wrong. I mean shit,

718
00:32:30,880 --> 00:32:33,880
Speaker 2: Game Game included then Game put his own list together.

719
00:32:34,040 --> 00:32:35,400
Speaker 2: Game did put his own list together.

720
00:32:35,600 --> 00:32:37,160
Speaker 3: I look it, which is such a game.

721
00:32:37,040 --> 00:32:38,880
Speaker 2: Thing to do, and I appreciate when Game does stuff

722
00:32:38,880 --> 00:32:39,200
Speaker 2: like that.

723
00:32:39,680 --> 00:32:42,320
Speaker 3: They got Game outside the top ten, which is crazy.

724
00:32:42,480 --> 00:32:45,959
Speaker 5: Yeah, I don't That's what I'm saying, Like it feels disrespectful,

725
00:32:46,000 --> 00:32:49,600
Speaker 5: and that's why I'm wondering if there's like an underlying issue.

726
00:32:49,320 --> 00:32:52,680
Speaker 2: Before we get to games. Is it weird that Tupac

727
00:32:52,800 --> 00:32:58,800
Speaker 2: is left off when people like Iced Tea corrupt, who's

728
00:32:58,800 --> 00:33:00,920
Speaker 2: from Philly, but of course move to LA and that's

729
00:33:00,960 --> 00:33:04,600
Speaker 2: where he, you know, made his career. Exhibit is from

730
00:33:04,640 --> 00:33:08,040
Speaker 2: like Detroit, New Mexico, like literally not from LA whatsoever.

731
00:33:08,360 --> 00:33:13,640
Speaker 2: From Albuquerque, Like when you have people like that on there,

732
00:33:13,640 --> 00:33:16,760
Speaker 2: but then say Tupac isn't there, I can see why

733
00:33:16,760 --> 00:33:20,040
Speaker 2: that would upset people, even though Tupac maybe lived in

734
00:33:20,160 --> 00:33:22,920
Speaker 2: LA for like form, I think I've lived in LA

735
00:33:22,920 --> 00:33:25,720
Speaker 2: longer than Tupac did, like I've stayed at the madri

736
00:33:25,840 --> 00:33:30,000
Speaker 2: On longer, and I always felt like Tupac if he

737
00:33:30,080 --> 00:33:32,360
Speaker 2: was claiming the West Coast was more of the Bay

738
00:33:32,440 --> 00:33:34,120
Speaker 2: than he was Los Angeles.

739
00:33:34,200 --> 00:33:37,480
Speaker 5: So they they talked about that as well, and in

740
00:33:37,640 --> 00:33:40,760
Speaker 5: the article they say that this putting together, putting this

741
00:33:40,760 --> 00:33:43,400
Speaker 5: list together wasn't easy. LA as a transplant town. So

742
00:33:43,480 --> 00:33:45,520
Speaker 5: what qualifies someone as an LA rapper? They said, for

743
00:33:45,560 --> 00:33:48,120
Speaker 5: this list, it's an artist who creatively came to life

744
00:33:48,120 --> 00:33:50,640
Speaker 5: in the city and reflects its ethos and their music.

745
00:33:51,360 --> 00:33:53,600
Speaker 5: That's why some big names didn't make the cut. Tupac

746
00:33:53,640 --> 00:33:55,440
Speaker 5: may seem like an LA rapper, but he only lived

747
00:33:55,480 --> 00:33:57,280
Speaker 5: in the city for a couple of months. Although he

748
00:33:57,320 --> 00:33:59,520
Speaker 5: had some big hits under the deth Ro banner, he

749
00:33:59,600 --> 00:34:02,240
Speaker 5: was a full formed, platinum selling artists by the time

750
00:34:02,280 --> 00:34:05,080
Speaker 5: California Love came out. So I think why they left

751
00:34:05,080 --> 00:34:08,120
Speaker 5: some transplants on there and not Tupac is it because

752
00:34:08,239 --> 00:34:11,800
Speaker 5: is because Tupac was already a fully formed artist before

753
00:34:11,840 --> 00:34:15,160
Speaker 5: he moved to LA whereas the rest of them came

754
00:34:15,320 --> 00:34:16,400
Speaker 5: up in La bro.

755
00:34:16,480 --> 00:34:17,480
Speaker 4: I feel like that's fair.

756
00:34:17,560 --> 00:34:20,680
Speaker 2: I'm not terribly mad at that. And again, if it

757
00:34:20,680 --> 00:34:22,719
Speaker 2: was California, I'd be fine with Pac there because he

758
00:34:22,920 --> 00:34:25,080
Speaker 2: spent so much time in the Bay and that's where

759
00:34:25,080 --> 00:34:27,920
Speaker 2: he started his rap career for real, was in Oakland,

760
00:34:28,480 --> 00:34:30,880
Speaker 2: Marine County. So all right, I'm not mad at the.

761
00:34:30,960 --> 00:34:34,680
Speaker 3: Left off the list. Why his first rap name was

762
00:34:34,760 --> 00:34:35,520
Speaker 3: MC new York.

763
00:34:38,360 --> 00:34:38,839
Speaker 2: That's true.

764
00:34:38,920 --> 00:34:41,400
Speaker 3: You can have a rap on your top LA list

765
00:34:41,960 --> 00:34:44,239
Speaker 3: of all time and his first rap name was MC

766
00:34:44,400 --> 00:34:44,799
Speaker 3: new York.

767
00:34:45,040 --> 00:34:48,520
Speaker 2: Yeah, okay, but all right, it can't do that just

768
00:34:48,560 --> 00:34:50,800
Speaker 2: because you had a nickname. Like what find me the

769
00:34:50,880 --> 00:34:53,359
Speaker 2: vinyl press of the MC new York record? Like, yeah,

770
00:34:53,400 --> 00:34:56,319
Speaker 2: that was a thing he said somebody. He said that

771
00:34:56,360 --> 00:34:58,440
Speaker 2: in his head when he got to Baltimore. Like that

772
00:34:58,480 --> 00:35:01,040
Speaker 2: doesn't mean that was your rap name. I mean, you

773
00:35:01,080 --> 00:35:03,439
Speaker 2: can't find an EMC New York song. So now you're saying,

774
00:35:03,520 --> 00:35:05,560
Speaker 2: now you're telling Tupac what his rap name was.

775
00:35:06,440 --> 00:35:09,719
Speaker 3: See, that's what you white people do history, no matter what,

776
00:35:09,760 --> 00:35:10,600
Speaker 3: even when we're telling you.

777
00:35:10,719 --> 00:35:13,040
Speaker 2: I fully, fully disagreed with what his mother was doing

778
00:35:13,160 --> 00:35:13,800
Speaker 2: and everything.

779
00:35:14,160 --> 00:35:16,920
Speaker 3: Like I'm just saying his he said his rap name

780
00:35:16,920 --> 00:35:17,719
Speaker 3: was MC New York.

781
00:35:18,680 --> 00:35:20,160
Speaker 2: Yeah, but you can have a name.

782
00:35:20,160 --> 00:35:22,160
Speaker 3: Because you can't find a vinyl with two because he.

783
00:35:22,160 --> 00:35:23,359
Speaker 2: Didn't recording music under that.

784
00:35:23,440 --> 00:35:25,680
Speaker 3: Exactly what I'm just saying that maybe that might be

785
00:35:25,680 --> 00:35:27,359
Speaker 3: what Complex was, Like, Nah, we can't do.

786
00:35:27,280 --> 00:35:32,399
Speaker 2: That, Okay, but based off what they're saying about exhibit Corrupt, Yes,

787
00:35:32,480 --> 00:35:35,360
Speaker 2: those guys moved to LA and that is what started

788
00:35:35,360 --> 00:35:38,239
Speaker 2: their rap career. I'm sure Corrupt was rapping when he

789
00:35:38,280 --> 00:35:39,920
Speaker 2: was in Philly when he was a kid, but you

790
00:35:39,960 --> 00:35:43,160
Speaker 2: can't find those So I'm fine with that criteria. Tupac

791
00:35:43,239 --> 00:35:46,520
Speaker 2: got to the Bay, got with Digital Underground and was Tupac.

792
00:35:47,520 --> 00:35:50,680
Speaker 2: He wasn't EMBc New York with Digital Underground. It Wasac.

793
00:35:51,960 --> 00:35:54,279
Speaker 2: So I don't think it's because that was his name.

794
00:35:54,320 --> 00:35:57,239
Speaker 2: I think it was because he really, honestly spent like

795
00:35:57,760 --> 00:36:02,520
Speaker 2: six months in LA. He wasn't like really there, he

796
00:36:02,719 --> 00:36:03,920
Speaker 2: was with a gang from.

797
00:36:03,800 --> 00:36:05,520
Speaker 3: There, So where is he from?

798
00:36:06,600 --> 00:36:09,560
Speaker 2: I think Pak is one of those hybrids that just

799
00:36:10,280 --> 00:36:12,239
Speaker 2: moved around. That's one of those people you can't really

800
00:36:12,239 --> 00:36:14,160
Speaker 2: say where they were from. I think that's why he

801
00:36:14,400 --> 00:36:20,719
Speaker 2: like not not like click hopped, but he did. Yeah,

802
00:36:20,760 --> 00:36:22,319
Speaker 2: I don't. I don't think he ever really had a

803
00:36:22,320 --> 00:36:24,719
Speaker 2: place that he could call home. That's why he rode

804
00:36:24,719 --> 00:36:26,279
Speaker 2: for death Row so much, because he finally found a

805
00:36:26,280 --> 00:36:29,000
Speaker 2: group of people that he could like also had his back.

806
00:36:29,640 --> 00:36:32,480
Speaker 2: He went from New York to Baltimore, to fucking Marin,

807
00:36:32,560 --> 00:36:36,759
Speaker 2: to Oakland, than to jail, than the fucking LA and

808
00:36:38,120 --> 00:36:42,040
Speaker 2: in Vegas. I think that was just his his mentality

809
00:36:42,160 --> 00:36:44,839
Speaker 2: was with different gangs, like he never had a place

810
00:36:44,880 --> 00:36:45,640
Speaker 2: that he could call home.

811
00:36:46,480 --> 00:36:48,759
Speaker 3: I mean, these lists always interesting though, because you know,

812
00:36:49,040 --> 00:36:51,480
Speaker 3: just just just hearing the conversations going on around the

813
00:36:51,520 --> 00:36:54,040
Speaker 3: people that's on it, people that maybe should have been

814
00:36:54,080 --> 00:36:58,600
Speaker 3: on there. But this is very, very tricky only because

815
00:36:58,640 --> 00:37:02,160
Speaker 3: again you say LA rappers, and a lot of these

816
00:37:02,239 --> 00:37:06,680
Speaker 3: rappers are not from La California. Yes, But I like

817
00:37:06,760 --> 00:37:08,360
Speaker 3: these types of things too because it also you know,

818
00:37:08,360 --> 00:37:10,400
Speaker 3: you get to hear what people think, and you know,

819
00:37:10,480 --> 00:37:12,759
Speaker 3: they they start throwing names out there that should have

820
00:37:12,800 --> 00:37:15,640
Speaker 3: been on the list. Sugar Free at eighteen. I was

821
00:37:15,680 --> 00:37:17,440
Speaker 3: just laughing at that, only because I didn't expect them

822
00:37:17,440 --> 00:37:21,160
Speaker 3: to have sugar Free so high. But I'm a sugar

823
00:37:21,160 --> 00:37:23,920
Speaker 3: Free fan. I mean that's just me though, but I

824
00:37:23,960 --> 00:37:25,160
Speaker 3: respect them having them at eighteen.

825
00:37:25,719 --> 00:37:28,319
Speaker 2: What would be your top five before we get to games.

826
00:37:28,719 --> 00:37:32,120
Speaker 3: Before we get the game? Yeah to his list, Oh,

827
00:37:32,440 --> 00:37:55,520
Speaker 3: top five l a Cube game, Kendrick net four. That's four.

828
00:37:57,680 --> 00:37:59,279
Speaker 2: And this is your personal I said snoop right.

829
00:38:00,400 --> 00:38:04,160
Speaker 4: Oh you didn't say, okay, so Snoop game, Kendrick, Dre

830
00:38:04,680 --> 00:38:05,600
Speaker 4: Nick m.

831
00:38:05,719 --> 00:38:09,120
Speaker 2: Hm, No, he didn't say Dre No not Dre Cube,

832
00:38:09,520 --> 00:38:12,760
Speaker 2: Kendrick game, Nip Nip.

833
00:38:13,320 --> 00:38:16,279
Speaker 4: Snoop, okay Cube. I'm sorry not.

834
00:38:17,120 --> 00:38:21,120
Speaker 3: Yeah, yeah, ice Cube is ice C might be my

835
00:38:21,160 --> 00:38:21,759
Speaker 3: favorite rapper.

836
00:38:21,840 --> 00:38:23,080
Speaker 4: I was gonna say ice Cube is one of your

837
00:38:23,080 --> 00:38:23,680
Speaker 4: favorite rappers?

838
00:38:23,719 --> 00:38:25,800
Speaker 3: I know, yeah, Like I mean, just growing up, Q

839
00:38:26,239 --> 00:38:29,479
Speaker 3: was You know a lot of people don't don't really.

840
00:38:29,520 --> 00:38:34,879
Speaker 3: You know, remember ice cbe before television and film. Ice

841
00:38:35,000 --> 00:38:38,040
Speaker 3: Cube was, you know, you go back to his early stuff.

842
00:38:38,560 --> 00:38:41,880
Speaker 3: He was a super problem. But you know, Obviously they

843
00:38:41,880 --> 00:38:43,640
Speaker 3: got it right. They got him top three, So I'm

844
00:38:43,640 --> 00:38:44,239
Speaker 3: not mad at that.

845
00:38:45,040 --> 00:38:46,920
Speaker 2: Yeah, I mean I kind of have an issue with

846
00:38:46,960 --> 00:38:49,319
Speaker 2: Snoop Dogg not being number one no matter, like what

847
00:38:50,640 --> 00:38:52,799
Speaker 2: if you're going off all those pillars like Snoop is

848
00:38:52,800 --> 00:38:55,279
Speaker 2: the most famous rapper that's ever existed, Like you could

849
00:38:55,400 --> 00:38:59,040
Speaker 2: argue nobody's had more impact period than Snoop Dogg. So

850
00:38:59,160 --> 00:39:03,520
Speaker 2: to me, I even though I've even given snoops desography

851
00:39:03,600 --> 00:39:05,880
Speaker 2: some flak because there's just a lot of albums and

852
00:39:05,920 --> 00:39:08,319
Speaker 2: a lot of them don't really hit the mark, could

853
00:39:08,360 --> 00:39:10,239
Speaker 2: you not say Snoop is the number one LA.

854
00:39:10,239 --> 00:39:13,560
Speaker 3: Rapper like I think he would have been before. Obviously

855
00:39:13,640 --> 00:39:16,040
Speaker 3: last year he might have had Snoop number one, but

856
00:39:16,080 --> 00:39:19,040
Speaker 3: I mean obviously last year happened. So now anything coming

857
00:39:19,040 --> 00:39:22,120
Speaker 3: out of LA West Coast, California you talked about rappers,

858
00:39:22,120 --> 00:39:23,759
Speaker 3: Obviously Kendrick is going to be the number one on

859
00:39:23,800 --> 00:39:24,120
Speaker 3: the list.

860
00:39:24,480 --> 00:39:27,880
Speaker 2: I have a Snoop and where we're counting Dre not

861
00:39:27,960 --> 00:39:31,880
Speaker 2: with the Penn thing here, I would go Snoop, it

862
00:39:32,000 --> 00:39:34,480
Speaker 2: flip flopped between Cube and Kendrick. For me, that's a

863
00:39:34,520 --> 00:39:38,480
Speaker 2: two to three, then Dre and then game. That would

864
00:39:38,480 --> 00:39:40,839
Speaker 2: be my five, dre your top five. If we're not

865
00:39:40,920 --> 00:39:44,040
Speaker 2: counting that he doesn't write, oh shit, if we're just going.

866
00:39:43,800 --> 00:39:46,280
Speaker 3: Off I mean yeah, if you count that then of course.

867
00:39:46,320 --> 00:39:49,840
Speaker 3: But that's that's a big part of it though, rappers

868
00:39:50,040 --> 00:39:52,960
Speaker 3: Like you can't have a rappers list and then somebody

869
00:39:53,000 --> 00:39:55,400
Speaker 3: be your top five and they don't write like that's

870
00:39:56,239 --> 00:39:57,640
Speaker 3: what are we talking about? Listen.

871
00:39:57,719 --> 00:40:00,000
Speaker 2: I've said that from the beginning, but I hear you.

872
00:40:00,080 --> 00:40:02,320
Speaker 3: Yeah, like you know, if you're not right in your rhymes,

873
00:40:02,400 --> 00:40:04,080
Speaker 3: like you can't be top five, I.

874
00:40:04,160 --> 00:40:09,640
Speaker 2: Just okay, then Snoop Cube, Kendrick Game, Tyler.

875
00:40:11,040 --> 00:40:12,959
Speaker 3: Tyl, Is he your top five if.

876
00:40:12,880 --> 00:40:16,600
Speaker 2: We're going off all the pillars, impact and lasting, catalog everything, Yeah,

877
00:40:16,640 --> 00:40:17,279
Speaker 2: it's a bit's a.

878
00:40:18,719 --> 00:40:20,320
Speaker 3: I would yeah, Tyler's.

879
00:40:19,920 --> 00:40:22,319
Speaker 2: There, Like even if it does, even if it sounds weird,

880
00:40:22,320 --> 00:40:24,080
Speaker 2: if you look at everything on paper, how would he

881
00:40:24,160 --> 00:40:27,399
Speaker 2: not be there? Impact, down to the festivals in the city, like.

882
00:40:27,840 --> 00:40:30,960
Speaker 3: Clothing, all of that. Yes, he Tyler is amazing. What

883
00:40:31,000 --> 00:40:33,000
Speaker 3: he's doing is amazing. I'm just when you say top

884
00:40:33,040 --> 00:40:37,480
Speaker 3: five rappers from California or La.

885
00:40:39,680 --> 00:40:41,680
Speaker 2: No, all the pillars, all the pillars, that know, if

886
00:40:41,680 --> 00:40:43,840
Speaker 2: we were going off of skills, I got crooked in

887
00:40:44,360 --> 00:40:46,040
Speaker 2: blue like in my Top five.

888
00:40:45,960 --> 00:40:48,640
Speaker 3: Yeah, I gotta, I just got. I love Tyler, he's dope,

889
00:40:48,640 --> 00:40:52,200
Speaker 3: but you know top five is like whoa, Okay.

890
00:40:51,920 --> 00:40:53,759
Speaker 2: I just I'd love to be a fly on the

891
00:40:53,800 --> 00:40:57,400
Speaker 2: wall for these types of conversations, no input, no nothing,

892
00:40:57,440 --> 00:40:59,399
Speaker 2: just to see how they put it together, Like how

893
00:40:59,440 --> 00:41:03,719
Speaker 2: did you guys debate? Dojah Cat and Dazz at twenty five?

894
00:41:05,080 --> 00:41:07,520
Speaker 2: Both incredible, but like, how do you even get to that?

895
00:41:09,120 --> 00:41:10,200
Speaker 2: How does that debate happen?

896
00:41:10,239 --> 00:41:10,319
Speaker 3: Like?

897
00:41:10,320 --> 00:41:12,719
Speaker 2: All right, cool, let's go through their catalogs and see

898
00:41:12,760 --> 00:41:14,040
Speaker 2: who's twenty seven, who's twenty six?

899
00:41:14,360 --> 00:41:18,279
Speaker 4: We got? We got? Do we have Tiger over Doja Cat?

900
00:41:18,800 --> 00:41:19,080
Speaker 3: Not me?

901
00:41:19,200 --> 00:41:22,879
Speaker 5: If we're going off the pillars, No, if we're going

902
00:41:22,920 --> 00:41:25,920
Speaker 5: off the pillars, man, I you know I love saying

903
00:41:26,040 --> 00:41:27,479
Speaker 5: Tiger don't miss if.

904
00:41:27,360 --> 00:41:29,320
Speaker 2: We're going off there. If we're going off the pillars,

905
00:41:29,400 --> 00:41:31,400
Speaker 2: Dojah and Tiger should be a little higher on this.

906
00:41:33,360 --> 00:41:34,720
Speaker 3: Doojah should definitely be higher.

907
00:41:35,040 --> 00:41:37,560
Speaker 2: Her pen is crazy, she has the records, she has the.

908
00:41:37,600 --> 00:41:40,480
Speaker 3: Impact commercial success.

909
00:41:40,680 --> 00:41:42,280
Speaker 2: Can we not say the same about Tiger?

910
00:41:42,320 --> 00:41:42,480
Speaker 3: Though?

911
00:41:42,480 --> 00:41:43,960
Speaker 2: I know it's fun to make fun of him, That's

912
00:41:43,960 --> 00:41:45,600
Speaker 2: what Tiger never not had a hit.

913
00:41:45,840 --> 00:41:47,840
Speaker 4: Yeah, but I'm taig ain't not, never had it not.

914
00:41:48,080 --> 00:41:50,600
Speaker 2: I'm not saying catalog per se as far as album.

915
00:41:50,680 --> 00:41:52,840
Speaker 3: So that's what I'm saying. Like you're talking about catalogs,

916
00:41:52,840 --> 00:41:55,800
Speaker 3: I'm talking like albums like nobody's I'm not listening to

917
00:41:55,840 --> 00:41:59,400
Speaker 3: a Tiger album. I might play a Tiger record a song,

918
00:42:00,320 --> 00:42:01,960
Speaker 3: but I'm not playing a Tiger album.

919
00:42:02,200 --> 00:42:03,080
Speaker 4: But you got a Tiger.

920
00:42:03,080 --> 00:42:05,000
Speaker 5: I have an album and it should have had five

921
00:42:05,120 --> 00:42:07,960
Speaker 5: good singles on it, Yeah, singles and then hit.

922
00:42:08,800 --> 00:42:10,560
Speaker 2: And I loved his first album, No Introduction, when he

923
00:42:10,600 --> 00:42:14,239
Speaker 2: was rapping like gym Classiceros. Still love that album when

924
00:42:14,280 --> 00:42:15,560
Speaker 2: he's found the line in the cocain, I'm.

925
00:42:15,400 --> 00:42:16,879
Speaker 3: Gonna keep it a hundred. I don't think I've ever

926
00:42:16,880 --> 00:42:17,840
Speaker 3: listened to a Tiger.

927
00:42:17,640 --> 00:42:19,520
Speaker 5: Album because he just had so many hits. You never

928
00:42:19,560 --> 00:42:22,040
Speaker 5: needed to, Yeah, you never needed to. It was five

929
00:42:22,080 --> 00:42:24,200
Speaker 5: on the charts at the time he was fucking he had.

930
00:42:24,320 --> 00:42:26,160
Speaker 5: He had an EP on the charts every year.

931
00:42:26,800 --> 00:42:30,160
Speaker 3: How many albums just Tiger put up? I have no clue, Souff.

932
00:42:30,160 --> 00:42:31,880
Speaker 3: We got to start asking them type of questions.

933
00:42:32,000 --> 00:42:36,919
Speaker 2: He has eight albums, eight albums, yes, eight albums, not

934
00:42:37,000 --> 00:42:42,480
Speaker 2: to count what I think could be theme a era

935
00:42:42,640 --> 00:42:44,840
Speaker 2: classic Fan of a Fan with Chris Brown could be

936
00:42:44,960 --> 00:42:48,280
Speaker 2: a mid two thousand classic.

937
00:42:48,080 --> 00:42:50,319
Speaker 4: Fan of a Fan is a classic fuzz young millennials.

938
00:42:50,520 --> 00:42:52,520
Speaker 2: That's that's a great fucking mixtape.

939
00:42:54,080 --> 00:42:56,080
Speaker 3: Yees see, I was just listening to other ship. That's

940
00:42:56,080 --> 00:42:56,440
Speaker 3: what it was.

941
00:42:56,480 --> 00:42:58,600
Speaker 4: What you was listening to? And what was that came from?

942
00:42:59,360 --> 00:42:59,680
Speaker 2: Fifteen?

943
00:43:01,000 --> 00:43:02,120
Speaker 4: What was the original one?

944
00:43:02,520 --> 00:43:03,560
Speaker 2: It had to have been before then.

945
00:43:03,640 --> 00:43:04,759
Speaker 4: Yeah, I was gonna say this is a Fan of

946
00:43:04,800 --> 00:43:05,120
Speaker 4: the fan.

947
00:43:05,040 --> 00:43:06,600
Speaker 2: That Yeah, I tid I'm looking on Wikipedia.

948
00:43:06,600 --> 00:43:08,719
Speaker 4: I'm like I was in high school when the real fan.

949
00:43:08,800 --> 00:43:11,239
Speaker 2: Oh, Fan of a Fan mixtape came out in twenty.

950
00:43:10,960 --> 00:43:12,319
Speaker 4: Ten, Okay, that's what I thought.

951
00:43:12,400 --> 00:43:14,279
Speaker 2: Then there was a Fan of a Fan album, which

952
00:43:14,280 --> 00:43:15,520
Speaker 2: I'm not even sure what's on this.

953
00:43:16,040 --> 00:43:18,440
Speaker 4: Yeah, I don't know that either, but Fan of a fanom.

954
00:43:17,960 --> 00:43:20,000
Speaker 2: Fan mixtape was that ship twenty ten?

955
00:43:20,200 --> 00:43:23,160
Speaker 3: Yeah, I wasn't listening. You wasn't listening to Deuces in

956
00:43:23,160 --> 00:43:25,120
Speaker 3: twenty ten? Deuces?

957
00:43:25,200 --> 00:43:28,239
Speaker 2: Yeah yeah, that mixtape like doesn't have a skip. It's

958
00:43:28,239 --> 00:43:28,840
Speaker 2: not just Deuces.

959
00:43:28,840 --> 00:43:30,840
Speaker 5: He was probably listening to watch the Throne Out repeat

960
00:43:30,880 --> 00:43:32,000
Speaker 5: like the rest of us as well.

961
00:43:32,640 --> 00:43:34,200
Speaker 3: Twenty ten. It was just a lot it was a

962
00:43:34,239 --> 00:43:35,319
Speaker 3: lot of ross.

963
00:43:35,920 --> 00:43:37,120
Speaker 4: Oh, it was a lot of ross.

964
00:43:37,160 --> 00:43:38,920
Speaker 3: You know what I'm saying? It was? I was ross

965
00:43:39,000 --> 00:43:41,879
Speaker 3: ross was it was other shit going on. I couldn't listen.

966
00:43:41,920 --> 00:43:43,680
Speaker 3: I couldn't. I didn't make it. The Fan of a Fan.

967
00:43:43,560 --> 00:43:44,920
Speaker 4: Didn't No ceilings come out? Twenty ten?

968
00:43:44,960 --> 00:43:48,560
Speaker 2: That was none, but twenty ten had a egmulator was

969
00:43:48,560 --> 00:43:50,719
Speaker 2: then Meek was on fire? What was that first dream

970
00:43:50,760 --> 00:43:53,000
Speaker 2: Chasers mixtape with the big Sean Burn record?

971
00:43:53,040 --> 00:43:54,560
Speaker 3: It was? It was just a different energy.

972
00:43:55,280 --> 00:43:57,400
Speaker 2: It was definitely an MMG year for sure.

973
00:43:57,520 --> 00:43:59,719
Speaker 3: Yeah, I was listening to some different shit. I didn't.

974
00:43:59,719 --> 00:44:01,520
Speaker 3: I didn't get to fano a fan.

975
00:44:03,120 --> 00:44:05,160
Speaker 2: Like a virgin again. Now that Fan of a Fan mixtape?

976
00:44:05,200 --> 00:44:05,400
Speaker 3: Was it?

977
00:44:06,800 --> 00:44:06,920
Speaker 4: All?

978
00:44:07,000 --> 00:44:07,160
Speaker 3: Right?

979
00:44:07,200 --> 00:44:13,920
Speaker 2: Well, let's quickly get to Games. I appreciate that he

980
00:44:13,960 --> 00:44:16,399
Speaker 2: was pissed about this, and he's been quiet lately when

981
00:44:16,400 --> 00:44:17,880
Speaker 2: we thought he was gonna say something, so I know

982
00:44:17,960 --> 00:44:20,640
Speaker 2: Game has just been pacing around the house and couldn't

983
00:44:20,680 --> 00:44:23,640
Speaker 2: just let this go. He has Tupac at number one,

984
00:44:23,760 --> 00:44:28,040
Speaker 2: Snoop number two, Ice Cube three, Kendrick four, Game five,

985
00:44:28,200 --> 00:44:31,759
Speaker 2: Corrupt six, DJ Quick at seven, Doctor Dre at eight,

986
00:44:32,320 --> 00:44:36,279
Speaker 2: Easy E at nine, Exhibit at ten, and so on,

987
00:44:36,320 --> 00:44:37,800
Speaker 2: and so forth. We don't have to go through the

988
00:44:37,920 --> 00:44:41,400
Speaker 2: entire thing. I liked that he added mister Caponi onto

989
00:44:41,440 --> 00:44:45,320
Speaker 2: his list, which I think Complex should have a lot

990
00:44:45,360 --> 00:44:50,680
Speaker 2: of the Latino community boycotting outside of their offices. Mister Caponi,

991
00:44:50,719 --> 00:44:52,359
Speaker 2: I know you guys don't give a fuck about, but

992
00:44:52,960 --> 00:44:57,440
Speaker 2: that's like the fucking nas of Chicano rap. Like, if

993
00:44:57,480 --> 00:45:00,799
Speaker 2: you're gonna talk about La he was a huge part

994
00:45:00,880 --> 00:45:02,480
Speaker 2: of that city. The fact that he even make the

995
00:45:02,480 --> 00:45:04,080
Speaker 2: fact that you guys put blue Face on there and

996
00:45:04,120 --> 00:45:07,919
Speaker 2: not him when talking about impact of La Misica, Pony

997
00:45:07,960 --> 00:45:13,520
Speaker 2: could be in the top fifteen, like he solidified a

998
00:45:13,600 --> 00:45:14,439
Speaker 2: genre out there.

999
00:45:15,920 --> 00:45:16,640
Speaker 3: Top fifteen.

1000
00:45:17,680 --> 00:45:22,239
Speaker 2: Yeah, okay, so I appreciate that game added him there.

1001
00:45:22,480 --> 00:45:23,200
Speaker 2: Hey for a reason.

1002
00:45:23,200 --> 00:45:26,560
Speaker 3: There he has reason on the top one hundred.

1003
00:45:27,160 --> 00:45:29,800
Speaker 2: He has reason at eighty one. I feel like one hundred,

1004
00:45:29,880 --> 00:45:33,040
Speaker 2: Like why even why even do that? Like once you

1005
00:45:33,080 --> 00:45:34,960
Speaker 2: get to blue Face for fifth, like why do we

1006
00:45:35,600 --> 00:45:36,319
Speaker 2: do we need that?

1007
00:45:37,600 --> 00:45:40,480
Speaker 5: I understand. I think he was trying to, like, you know,

1008
00:45:41,160 --> 00:45:43,480
Speaker 5: not be nice, but he was trying to pay respects

1009
00:45:43,520 --> 00:45:46,200
Speaker 5: to his city and the artists that he might feel

1010
00:45:46,239 --> 00:45:48,680
Speaker 5: are getting left out that he loves. I respect that

1011
00:45:48,719 --> 00:45:50,520
Speaker 5: he did that because one hundred takes a lot of time.

1012
00:45:51,160 --> 00:45:54,560
Speaker 5: So for him to even take the time to do this, well, I.

1013
00:45:54,520 --> 00:45:57,719
Speaker 3: Think it's like like Punch had tweeted, I think that

1014
00:45:57,840 --> 00:46:00,799
Speaker 3: game was trying to cover like errors. He was trying

1015
00:46:00,800 --> 00:46:04,600
Speaker 3: to include like a lot of the newer guys, which

1016
00:46:04,640 --> 00:46:05,240
Speaker 3: is dope.

1017
00:46:05,440 --> 00:46:07,920
Speaker 5: We newer low key guys. Other than like, reason does

1018
00:46:07,960 --> 00:46:08,680
Speaker 5: he have on there?

1019
00:46:09,480 --> 00:46:11,920
Speaker 3: I'm gonna be honest, I can't even read that shit yet.

1020
00:46:12,000 --> 00:46:13,239
Speaker 4: I can't. I don't know why he put that shit

1021
00:46:13,280 --> 00:46:13,799
Speaker 4: in that red right.

1022
00:46:14,320 --> 00:46:16,359
Speaker 2: Well, no, he went on and broke it down into

1023
00:46:16,360 --> 00:46:19,120
Speaker 2: the twenty five so you can read it better. As

1024
00:46:19,120 --> 00:46:22,640
Speaker 2: far as new rappers, I think that might. I know

1025
00:46:22,680 --> 00:46:28,040
Speaker 2: he is as there he has as on there, So

1026
00:46:28,120 --> 00:46:30,919
Speaker 2: to me, like that's where one hundred is not needed

1027
00:46:30,920 --> 00:46:32,560
Speaker 2: because we don't even know what their careers are gonna

1028
00:46:32,600 --> 00:46:36,680
Speaker 2: be yet, So like I just think it's kind of unnecessary.

1029
00:46:36,719 --> 00:46:39,480
Speaker 2: I respect it though, but like you know, west Side

1030
00:46:39,480 --> 00:46:42,560
Speaker 2: Boogie at sixty two great, but he still has a

1031
00:46:42,600 --> 00:46:45,799
Speaker 2: full career ahead of them. Kidd Kiddin' got some love.

1032
00:46:45,840 --> 00:46:47,600
Speaker 2: I love that fifty four. Let's not act like Kidding

1033
00:46:48,239 --> 00:46:49,520
Speaker 2: didn't have him at that run.

1034
00:46:49,719 --> 00:46:51,680
Speaker 4: He has over west Side Boogie.

1035
00:46:52,640 --> 00:46:53,920
Speaker 2: No, oh god, I hope not.

1036
00:46:54,520 --> 00:46:55,319
Speaker 4: What did you just say?

1037
00:46:55,440 --> 00:46:57,640
Speaker 3: West Side was sixty two?

1038
00:46:58,200 --> 00:46:59,560
Speaker 4: Ravon is sixty.

1039
00:47:02,200 --> 00:47:02,719
Speaker 3: All right? Game?

1040
00:47:03,480 --> 00:47:06,920
Speaker 2: That must have been personal. There's no like, come on,

1041
00:47:06,960 --> 00:47:10,239
Speaker 2: there's no way he has he has Blue Face over

1042
00:47:10,280 --> 00:47:10,799
Speaker 2: westsid book.

1043
00:47:11,320 --> 00:47:12,359
Speaker 4: That's which is cool.

1044
00:47:12,520 --> 00:47:15,839
Speaker 5: They must really fuck with blue, They must really fuck

1045
00:47:15,880 --> 00:47:16,360
Speaker 5: with blue.

1046
00:47:17,120 --> 00:47:19,520
Speaker 2: Yeah, this is kind of that's nuts to have that there.

1047
00:47:19,960 --> 00:47:22,000
Speaker 5: Maybe I don't know Blue Faces catalog, Like I said,

1048
00:47:22,000 --> 00:47:24,080
Speaker 5: I don't you know, maybe I'm not aware. I love

1049
00:47:24,120 --> 00:47:26,919
Speaker 5: Bust Down Theiana, that's my ship, but I don't that's

1050
00:47:26,960 --> 00:47:27,399
Speaker 5: one song.

1051
00:47:28,120 --> 00:47:30,720
Speaker 4: No, that's what I'm saying. I'm not familiar with his catalog.

1052
00:47:30,320 --> 00:47:31,799
Speaker 2: For Reenix is still you forgot about that?

1053
00:47:33,239 --> 00:47:35,560
Speaker 3: All right? What time is the New York List dropping?

1054
00:47:36,200 --> 00:47:40,839
Speaker 5: Y'all making it? We can't trust complex to make it complex, Canna.

1055
00:47:41,080 --> 00:47:43,040
Speaker 2: I'm sure it's done here. It's about to go out today.

1056
00:47:43,080 --> 00:47:43,880
Speaker 2: I'm sure beat that.

1057
00:47:44,040 --> 00:47:45,560
Speaker 3: You know. Beat DoD was home. He had his du

1058
00:47:45,680 --> 00:47:48,920
Speaker 3: rag tied extra tight. Oh yeah, you know he was

1059
00:47:49,000 --> 00:47:51,040
Speaker 3: sick when that LA list came out. You know he

1060
00:47:51,080 --> 00:47:54,319
Speaker 3: wanted to make that list. Anytime the list come out,

1061
00:47:54,320 --> 00:47:56,320
Speaker 3: beat Doe gotta be mad. He gotta be heated.

1062
00:47:56,920 --> 00:47:59,719
Speaker 2: But why though, because complexes See, I think that's unfair

1063
00:47:59,760 --> 00:48:02,640
Speaker 2: if you feel that way, because Complex was doing the

1064
00:48:02,640 --> 00:48:04,759
Speaker 2: list ship before beat out. Was that was That's how

1065
00:48:04,800 --> 00:48:08,600
Speaker 2: Complex really popped. Was them doing like the twenty three

1066
00:48:09,160 --> 00:48:11,919
Speaker 2: Jordans of twenty twenty three, like they would just find

1067
00:48:11,960 --> 00:48:15,680
Speaker 2: anything at the list. Everything was a list. So this

1068
00:48:15,800 --> 00:48:16,640
Speaker 2: is complex as shit.

1069
00:48:17,440 --> 00:48:19,799
Speaker 3: But you know that New York list canna be interesting though,

1070
00:48:21,120 --> 00:48:22,000
Speaker 3: That's gonna be interesting.

1071
00:48:22,719 --> 00:48:23,960
Speaker 2: I'm curious how they break it up.

1072
00:48:25,280 --> 00:48:26,640
Speaker 3: THAT'SO.

1073
00:48:26,719 --> 00:48:28,000
Speaker 4: Can you stop laughing?

1074
00:48:28,239 --> 00:48:31,680
Speaker 3: Nah man? Because see, you know La when you talk

1075
00:48:31,719 --> 00:48:34,759
Speaker 3: about the LA list like respectfully, because I'm not from La,

1076
00:48:35,239 --> 00:48:38,239
Speaker 3: I'll look at it. But it's good to see people

1077
00:48:38,280 --> 00:48:40,640
Speaker 3: like Game. Somebody's from the West Coast, and you know,

1078
00:48:41,320 --> 00:48:43,160
Speaker 3: an artists, it's good to see them make a list

1079
00:48:43,160 --> 00:48:46,359
Speaker 3: because they grew up in the culture. They're from there,

1080
00:48:46,400 --> 00:48:49,240
Speaker 3: so the music means something different, the artists means something different.

1081
00:48:50,239 --> 00:48:53,239
Speaker 3: Same way being from New York. The New York lists

1082
00:48:53,280 --> 00:48:55,919
Speaker 3: come out depending on who puts it out. Me being

1083
00:48:55,960 --> 00:48:57,880
Speaker 3: from here, it's gonna be some names on that list

1084
00:48:57,920 --> 00:49:00,160
Speaker 3: where we're gonna be like, all right, hold on, man,

1085
00:49:00,400 --> 00:49:02,680
Speaker 3: I'm just saying I'm not saying no names yet. I

1086
00:49:02,760 --> 00:49:04,960
Speaker 3: just know I know the list is coming. New York

1087
00:49:05,080 --> 00:49:09,360
Speaker 3: is gonna happen, Atlanta list is gonna happen. Fucking a

1088
00:49:09,440 --> 00:49:13,120
Speaker 3: Texas list might happen. A Florida list might happen. Like

1089
00:49:13,320 --> 00:49:15,080
Speaker 3: the list is gonna pop, They're gonna start popping the

1090
00:49:15,080 --> 00:49:18,840
Speaker 3: ball over the place. But New York, we know is next. No.

1091
00:49:20,320 --> 00:49:22,840
Speaker 2: The only thing not Boosted with Boost Mobile is the

1092
00:49:22,880 --> 00:49:25,480
Speaker 2: price is mall. I freestyled that they didn't even tell

1093
00:49:25,520 --> 00:49:26,080
Speaker 2: me to say that.

1094
00:49:26,440 --> 00:49:26,760
Speaker 3: Nice.

1095
00:49:27,080 --> 00:49:29,480
Speaker 2: Now, that was bars. With Boost Mobile, you pay twenty

1096
00:49:29,480 --> 00:49:33,960
Speaker 2: five dollars a month forever. That is unlimited talk, text,

1097
00:49:34,040 --> 00:49:36,800
Speaker 2: and data starting at just twenty five dollars a month,

1098
00:49:37,000 --> 00:49:38,520
Speaker 2: with no price hikes.

1099
00:49:38,920 --> 00:49:41,560
Speaker 3: Five G speeds not available in all areas. After thirty

1100
00:49:41,600 --> 00:49:45,000
Speaker 3: GB customers may experience slower speeds. Customers will pay twenty

1101
00:49:45,000 --> 00:49:47,280
Speaker 3: five dollars a month as long as they remain active

1102
00:49:47,440 --> 00:49:56,520
Speaker 3: on the Boost Unlimited plan. I'm just saying there's gonna

1103
00:49:56,520 --> 00:49:57,800
Speaker 3: be some names on that list where we're gonna have

1104
00:49:57,800 --> 00:49:59,080
Speaker 3: to sit here and do what we're doing right now.

1105
00:49:59,120 --> 00:50:02,000
Speaker 5: But like, all right, enough, well, since we know what's coming,

1106
00:50:02,080 --> 00:50:04,040
Speaker 5: put yours together now. Because I know it's gonna take

1107
00:50:04,040 --> 00:50:05,600
Speaker 5: you a while. Put yours together now so that when

1108
00:50:05,600 --> 00:50:06,839
Speaker 5: they dropped, theirs will drop ours.

1109
00:50:06,880 --> 00:50:08,640
Speaker 2: We can do our top five. But before we get there,

1110
00:50:08,840 --> 00:50:12,240
Speaker 2: why is Childish Gambino at thirty two? He's from Atlanta

1111
00:50:12,560 --> 00:50:14,880
Speaker 2: and it has always been from Atlanta. I don't even know

1112
00:50:14,880 --> 00:50:17,440
Speaker 2: if he's ever lived in Los Angeles is he He's

1113
00:50:17,440 --> 00:50:22,279
Speaker 2: from Stone Mountain, Georgia. He has a show called Atlanta Is,

1114
00:50:23,239 --> 00:50:28,120
Speaker 2: multiple mixtapes called Stone Mountain. He's number thirty two. Childish

1115
00:50:28,120 --> 00:50:32,399
Speaker 2: Gambina on games are Complexes Games and I want to say,

1116
00:50:32,440 --> 00:50:34,680
Speaker 2: Baby King at thirty eight over West Side Boogie is

1117
00:50:36,480 --> 00:50:39,120
Speaker 2: see what I'm saying, Baby Keen at thirty eight is crazy.

1118
00:50:39,520 --> 00:50:42,879
Speaker 3: Yeah, it's just again man, I'm not from the West Coast,

1119
00:50:42,880 --> 00:50:44,319
Speaker 3: so you know I'm not gonna go as hard on

1120
00:50:44,320 --> 00:50:49,440
Speaker 3: that list. But Baby King there you have have an

1121
00:50:49,440 --> 00:50:49,919
Speaker 3: album out.

1122
00:50:50,120 --> 00:50:53,120
Speaker 2: He has one project out that was years ago, which

1123
00:50:53,200 --> 00:50:54,800
Speaker 2: was cool. I wasn't mad at it, but it wasn't

1124
00:50:54,840 --> 00:50:55,920
Speaker 2: like one.

1125
00:50:55,920 --> 00:50:59,080
Speaker 3: Now I'm gonna get you top thirty, top No. Thirty two.

1126
00:50:59,719 --> 00:51:01,960
Speaker 3: Now I'm gonna get you number thirty two, not all

1127
00:51:02,160 --> 00:51:04,040
Speaker 3: thirty eight, thirty eight.

1128
00:51:03,920 --> 00:51:06,120
Speaker 2: But again West Side Boogie is at sixty two.

1129
00:51:07,239 --> 00:51:11,480
Speaker 3: Yeah, West Boogie is rapping better than fucking and again,

1130
00:51:11,920 --> 00:51:12,319
Speaker 3: what are.

1131
00:51:12,200 --> 00:51:14,239
Speaker 4: They playing with my boy bug? I don't like that either.

1132
00:51:14,239 --> 00:51:16,239
Speaker 2: I don't like that whatsoever. I like that Murders got

1133
00:51:16,360 --> 00:51:19,280
Speaker 2: love on both these lists. He should be a little higher.

1134
00:51:19,400 --> 00:51:22,640
Speaker 2: If you go through Murrs catalog, it's top top ten

1135
00:51:22,680 --> 00:51:25,319
Speaker 2: catalog in the West. In my personal opinion, not mad

1136
00:51:25,360 --> 00:51:28,520
Speaker 2: at that. But let's let's let's do our top five.

1137
00:51:29,000 --> 00:51:31,400
Speaker 2: Should we do what we think Complex is gonna do?

1138
00:51:32,120 --> 00:51:32,799
Speaker 2: Top five New.

1139
00:51:32,760 --> 00:51:34,319
Speaker 4: York Complex is gonna do?

1140
00:51:34,480 --> 00:51:38,120
Speaker 5: Top five New York one, jay Z two, NAS three,

1141
00:51:38,360 --> 00:51:39,480
Speaker 5: Nicki Minaj for.

1142
00:51:41,719 --> 00:51:43,799
Speaker 2: Oh, let's let's write Josh right these down for de

1143
00:51:43,840 --> 00:51:45,640
Speaker 2: Marris's prediction for a.

1144
00:51:45,600 --> 00:51:49,040
Speaker 5: Complex, Yeah, I don't know who they will put at

1145
00:51:49,400 --> 00:51:52,720
Speaker 5: at four. I'm trying to think of who they would

1146
00:51:52,719 --> 00:51:53,520
Speaker 5: put in that spot.

1147
00:51:53,680 --> 00:51:55,319
Speaker 3: You know exactly who they're gonna put that for?

1148
00:51:55,560 --> 00:51:57,759
Speaker 4: Who that know that.

1149
00:52:00,040 --> 00:52:00,560
Speaker 3: They might do?

1150
00:52:01,920 --> 00:52:08,120
Speaker 4: They might do It's complex on Complex. Some niggas play

1151
00:52:08,120 --> 00:52:10,359
Speaker 4: a sab Rocky, they.

1152
00:52:10,320 --> 00:52:13,120
Speaker 2: Might put him at one. They may do Top one

1153
00:52:13,160 --> 00:52:16,880
Speaker 2: Rappers of New York City a sap Rocky.

1154
00:52:17,040 --> 00:52:18,600
Speaker 4: Damn would they.

1155
00:52:18,520 --> 00:52:20,520
Speaker 2: Do featuring Clams Casino?

1156
00:52:21,080 --> 00:52:22,399
Speaker 4: Would they do Jadakiss for four.

1157
00:52:23,840 --> 00:52:26,440
Speaker 3: If you think Jada Kiss is making top four on

1158
00:52:26,520 --> 00:52:27,840
Speaker 3: a complex, listen, I don't know.

1159
00:52:27,880 --> 00:52:28,880
Speaker 4: I think the podcast.

1160
00:52:28,960 --> 00:52:32,719
Speaker 2: Now, the podcast, that's what complex respect got him, That's

1161
00:52:32,760 --> 00:52:35,120
Speaker 2: what putting over that edge. It's like, so now you

1162
00:52:35,200 --> 00:52:36,719
Speaker 2: see he has four episodes like.

1163
00:52:36,719 --> 00:52:41,000
Speaker 3: So disrespectful and the ll cool j LL is not

1164
00:52:41,080 --> 00:52:42,320
Speaker 3: making a top five complex.

1165
00:52:42,360 --> 00:52:44,759
Speaker 5: They gotta do one like old school one to them

1166
00:52:44,800 --> 00:52:46,800
Speaker 5: who they think is old school, they got it.

1167
00:52:47,000 --> 00:52:52,080
Speaker 3: Old school Jay is old school true.

1168
00:52:50,760 --> 00:52:56,800
Speaker 2: Like eighties type ship. Yeah, okay, since they had exhibit

1169
00:52:57,400 --> 00:52:59,640
Speaker 2: on the LA one, they have to have people from

1170
00:52:59,640 --> 00:53:05,960
Speaker 2: Long Island, right, I'm gonna go similar to Damaruss. I

1171
00:53:06,040 --> 00:53:09,880
Speaker 2: think jay Z nas Nikki is going to be the three.

1172
00:53:10,160 --> 00:53:11,719
Speaker 2: I think that's gonna be the.

1173
00:53:11,440 --> 00:53:13,680
Speaker 4: They might put jay Z Nikki nas I ain't gonna lie.

1174
00:53:13,840 --> 00:53:17,120
Speaker 2: All right, let's put ourselves. Let's put ourselves in the

1175
00:53:17,160 --> 00:53:20,480
Speaker 2: writer's room, trying to give me a Let's put ourselves

1176
00:53:20,520 --> 00:53:22,959
Speaker 2: in the writer's room. I can see them putting Nikki

1177
00:53:23,040 --> 00:53:26,560
Speaker 2: at three to stir up some controversy, or I can

1178
00:53:26,560 --> 00:53:30,000
Speaker 2: see them putting Nicki at like eighteen to really piss

1179
00:53:30,040 --> 00:53:32,640
Speaker 2: the barbs and get I'm not saying Nikki deserves to

1180
00:53:32,640 --> 00:53:33,120
Speaker 2: be an eighteen.

1181
00:53:33,320 --> 00:53:34,640
Speaker 3: But they're not gonna do that. That's too much of

1182
00:53:34,680 --> 00:53:36,640
Speaker 3: a stretch. They're not gonna do that. She's gonna be top.

1183
00:53:37,239 --> 00:53:38,440
Speaker 4: That's too much of a stretch.

1184
00:53:39,239 --> 00:53:40,959
Speaker 3: Fifteen, He's gonna be top ten for sure.

1185
00:53:41,600 --> 00:53:44,200
Speaker 2: Okay, this is my prediction. Jay Z at one, Nas

1186
00:53:44,200 --> 00:53:48,640
Speaker 2: at two, Nikki at three, Biggie at four, rock him

1187
00:53:48,640 --> 00:53:49,080
Speaker 2: at five.

1188
00:53:49,400 --> 00:53:52,640
Speaker 3: So jay Z at one, where you forgot big.

1189
00:53:52,480 --> 00:53:56,640
Speaker 5: Biggie, jay Z at one, Biggie at two, Nikki at three,

1190
00:53:56,800 --> 00:53:57,560
Speaker 5: Nas at.

1191
00:53:57,400 --> 00:53:59,680
Speaker 2: Four, I don't know. We're allowed to change. I'm gonna once,

1192
00:53:59,680 --> 00:54:00,920
Speaker 2: so let's comes out and change my money.

1193
00:54:02,440 --> 00:54:03,279
Speaker 3: You ain't even have big.

1194
00:54:04,480 --> 00:54:07,600
Speaker 2: I could see them putting Biggie lowered again to cause

1195
00:54:07,680 --> 00:54:09,840
Speaker 2: controversy and write like yo, you only had two albums

1196
00:54:09,960 --> 00:54:12,920
Speaker 2: type ship. I could see that happening. That's a very

1197
00:54:12,920 --> 00:54:15,720
Speaker 2: complex thing to do, is to put Biggie at like nine.

1198
00:54:17,200 --> 00:54:21,759
Speaker 4: They gonna put Pak on there, New York, They're gonna

1199
00:54:21,760 --> 00:54:22,600
Speaker 4: put Pac on there.

1200
00:54:23,600 --> 00:54:25,800
Speaker 2: Hasn't complex done something like this though already.

1201
00:54:25,880 --> 00:54:26,520
Speaker 3: I'm sure they have.

1202
00:54:27,040 --> 00:54:29,600
Speaker 2: Oh this was all right, This was August of twenty

1203
00:54:29,680 --> 00:54:32,480
Speaker 2: twenty three. But I feel like they'll redo it just

1204
00:54:32,520 --> 00:54:34,360
Speaker 2: because the LA one went off.

1205
00:54:34,400 --> 00:54:36,359
Speaker 4: Definitely like, yeah, I feel like we talked about one.

1206
00:54:36,360 --> 00:54:37,200
Speaker 4: It's yeah, three we.

1207
00:54:37,239 --> 00:54:41,479
Speaker 3: Did because I feel like every year, every year shuffled this.

1208
00:54:41,480 --> 00:54:44,279
Speaker 2: This is August of twenty three. Jay Z at one,

1209
00:54:44,840 --> 00:54:48,839
Speaker 2: Biggie at two, Nas at three, Rock Him at four,

1210
00:54:49,840 --> 00:54:55,960
Speaker 2: ll at five, then goes six fifty seven, Nicki Minaj eight, DMX.

1211
00:54:56,080 --> 00:54:58,719
Speaker 5: I remember us being pissed. Ice Spice made the list.

1212
00:54:58,440 --> 00:55:01,200
Speaker 2: Nine buster rhymes. I'm curious one. I do remember talking

1213
00:55:01,200 --> 00:55:04,120
Speaker 2: about this list, but I can see them redoing one.

1214
00:55:04,200 --> 00:55:06,040
Speaker 3: I'm glad l was on the top five.

1215
00:55:07,239 --> 00:55:08,360
Speaker 4: What number was Nikki again?

1216
00:55:08,680 --> 00:55:11,000
Speaker 3: Seven? Seven seven? Say she's top ten?

1217
00:55:11,320 --> 00:55:13,520
Speaker 2: Sure? All right if they redo it? What's your prediction

1218
00:55:13,600 --> 00:55:16,160
Speaker 2: for the five? Has to be different than the.

1219
00:55:16,080 --> 00:55:17,640
Speaker 3: One prediction or just my five?

1220
00:55:17,840 --> 00:55:22,040
Speaker 2: No prediction for complex uh JD naj big.

1221
00:55:27,120 --> 00:55:28,360
Speaker 3: I think they keep it the same.

1222
00:55:29,560 --> 00:55:34,680
Speaker 2: L O rock Him okay, And they've also done in

1223
00:55:34,840 --> 00:55:36,520
Speaker 2: l A one before, so I definitely think they're gonna

1224
00:55:36,520 --> 00:55:39,359
Speaker 2: do another New York one. What do you think they're

1225
00:55:39,360 --> 00:55:40,120
Speaker 2: Atlanta one would be?

1226
00:55:43,920 --> 00:55:44,960
Speaker 3: Who would the Atlanta be?

1227
00:55:45,080 --> 00:55:45,520
Speaker 2: Uh?

1228
00:55:46,239 --> 00:55:55,400
Speaker 3: Future thug g Z, Gucci.

1229
00:55:58,360 --> 00:56:00,279
Speaker 5: They gonna have Gucci at one. They don't play about

1230
00:56:00,280 --> 00:56:01,279
Speaker 5: fucking Gucci.

1231
00:56:01,440 --> 00:56:03,200
Speaker 3: And maybe three thousand.

1232
00:56:04,239 --> 00:56:12,920
Speaker 2: Okay, I'm gonna go Future at one for Complex, Andrea

1233
00:56:12,960 --> 00:56:15,160
Speaker 2: at two, t I at three, Thug at four, g

1234
00:56:15,320 --> 00:56:20,439
Speaker 2: Z a five, but also g Z like isn't really

1235
00:56:20,480 --> 00:56:22,960
Speaker 2: from Atlanta. I don't know how it works, but Complex

1236
00:56:22,960 --> 00:56:27,400
Speaker 2: doesn't care. Complex doesn't care to marriage your Atlanta one

1237
00:56:27,400 --> 00:56:28,239
Speaker 2: and then we can move on.

1238
00:56:28,400 --> 00:56:31,359
Speaker 4: My Atlanta one is for what Complex? What I think

1239
00:56:31,440 --> 00:56:32,279
Speaker 4: Complex will say?

1240
00:56:33,560 --> 00:56:37,960
Speaker 5: I think Complex is gonna go Future at one, Ti

1241
00:56:38,239 --> 00:56:44,600
Speaker 5: at two, mm hmmm, A lot of at three?

1242
00:56:46,360 --> 00:56:47,800
Speaker 3: Wait? What this is?

1243
00:56:47,840 --> 00:56:47,880
Speaker 1: What?

1244
00:56:48,000 --> 00:56:53,880
Speaker 5: Complex? Remember what we're talking about a lot of a three? Uh,

1245
00:56:54,320 --> 00:56:58,160
Speaker 5: Thug at four, Gucci at five, A.

1246
00:56:58,120 --> 00:56:59,400
Speaker 2: Lot of at three is hilarious?

1247
00:57:00,120 --> 00:57:00,480
Speaker 3: All right?

1248
00:57:00,560 --> 00:57:03,640
Speaker 2: Well, thank you Complex for always stirring up nonsense when

1249
00:57:03,680 --> 00:57:06,840
Speaker 2: we don't even need it. But with that said, the

1250
00:57:06,880 --> 00:57:09,440
Speaker 2: diamonds look like peepe you hate off man?

1251
00:57:10,640 --> 00:57:14,239
Speaker 3: Meanwhile, Yeah, so what am I hating on clips?

1252
00:57:14,560 --> 00:57:14,719
Speaker 1: Nah?

1253
00:57:15,400 --> 00:57:16,120
Speaker 3: Record is hard?

1254
00:57:16,240 --> 00:57:17,400
Speaker 4: You can't hate on the clips?

1255
00:57:18,120 --> 00:57:19,880
Speaker 3: Whoever hated on the clips? Who did that?

1256
00:57:21,360 --> 00:57:23,360
Speaker 2: I mean, I'm sure all the Ovio communities have been

1257
00:57:23,360 --> 00:57:24,920
Speaker 2: doing that, hating.

1258
00:57:24,600 --> 00:57:25,120
Speaker 3: On the clips.

1259
00:57:25,440 --> 00:57:26,080
Speaker 2: I'm sure they have.

1260
00:57:26,360 --> 00:57:30,080
Speaker 3: Man, you can't, Ah, Trump is the song is hard? Yeah?

1261
00:57:30,080 --> 00:57:34,480
Speaker 3: Like that ship pretty for the production is crazy. That's

1262
00:57:34,480 --> 00:57:35,800
Speaker 3: one of those I want to hear, like, I want

1263
00:57:35,800 --> 00:57:37,439
Speaker 3: to hear a few rappers take that and do something

1264
00:57:37,440 --> 00:57:37,720
Speaker 3: to that.

1265
00:57:38,200 --> 00:57:40,160
Speaker 2: Yeah, that would be if this was still the freestyle era,

1266
00:57:40,240 --> 00:57:43,240
Speaker 2: there'd be twenty radio freestyles right now over that ship.

1267
00:57:43,280 --> 00:57:45,120
Speaker 4: They've been asking us to get on it.

1268
00:57:45,360 --> 00:57:46,000
Speaker 3: Who's us?

1269
00:57:46,000 --> 00:57:46,520
Speaker 4: Me and Rory?

1270
00:57:47,120 --> 00:57:49,760
Speaker 3: Who's asking for that? Whose days?

1271
00:57:49,960 --> 00:57:52,440
Speaker 6: You got to stop saying that the new hurry of

1272
00:57:52,520 --> 00:57:56,680
Speaker 6: moment nobody as shy play off of our back that

1273
00:57:56,800 --> 00:57:59,840
Speaker 6: we did when we immercenated, when we are a person

1274
00:58:00,720 --> 00:58:01,120
Speaker 6: push up.

1275
00:58:01,680 --> 00:58:03,520
Speaker 5: They've been asking for us to join, to jump on

1276
00:58:03,640 --> 00:58:05,000
Speaker 5: so Rory, we gotta we gotta do.

1277
00:58:04,960 --> 00:58:05,360
Speaker 3: That this week.

1278
00:58:05,680 --> 00:58:05,919
Speaker 4: Yeah.

1279
00:58:06,240 --> 00:58:09,320
Speaker 5: Yeah, Ballerina's doing Piroetes inside my snow globe and something

1280
00:58:09,320 --> 00:58:10,600
Speaker 5: I would have said, There's.

1281
00:58:10,520 --> 00:58:13,520
Speaker 3: Not nothing you would have said, There's absolutely nothing. You've

1282
00:58:13,560 --> 00:58:16,040
Speaker 3: never said that. You've never said nothing close to that.

1283
00:58:16,080 --> 00:58:18,320
Speaker 2: When I heard when I heard nas Rewind, I was like, oh,

1284
00:58:18,320 --> 00:58:19,000
Speaker 2: I would have done.

1285
00:58:18,840 --> 00:58:23,080
Speaker 3: That too, No, talk about would never said anything.

1286
00:58:23,360 --> 00:58:25,040
Speaker 2: I would have. I would have approached the p s

1287
00:58:25,080 --> 00:58:26,080
Speaker 2: A beat the same way.

1288
00:58:26,160 --> 00:58:29,520
Speaker 4: J He like what I'm just saying, That's something I would.

1289
00:58:29,280 --> 00:58:31,880
Speaker 2: Have said that bar Is crazy. Nallice went fucking off

1290
00:58:31,960 --> 00:58:32,400
Speaker 2: on this record.

1291
00:58:32,480 --> 00:58:34,480
Speaker 5: Niggas is my son said, that's not repeat. Definitely something

1292
00:58:34,480 --> 00:58:36,280
Speaker 5: I would have said. But yeah, Malice went crazy and

1293
00:58:36,280 --> 00:58:38,160
Speaker 5: he didn't curse to you entire time. He's bringing real

1294
00:58:38,240 --> 00:58:40,720
Speaker 5: hip hop back, real hip hop.

1295
00:58:42,320 --> 00:58:43,080
Speaker 3: Okay.

1296
00:58:44,320 --> 00:58:45,920
Speaker 2: I feel like they even cursed the rappers the like

1297
00:58:48,440 --> 00:58:51,320
Speaker 2: only well, only Will Smith didn't curse in his wraps,

1298
00:58:51,360 --> 00:58:56,560
Speaker 2: broken vals everywhere. That's explicit content for sure.

1299
00:58:56,640 --> 00:58:58,520
Speaker 3: Yeah, No, that was crazy talking.

1300
00:58:58,360 --> 00:59:01,960
Speaker 2: About snow globe ship too, for sure. I really love

1301
00:59:02,000 --> 00:59:06,200
Speaker 2: the record. I was a little nervous with the whole

1302
00:59:06,280 --> 00:59:08,640
Speaker 2: chad in Pharrell thing. Of course, we know Farrell has

1303
00:59:08,640 --> 00:59:11,520
Speaker 2: produced plenty of shit by himself, but that was a

1304
00:59:11,600 --> 00:59:13,320
Speaker 2: thing coming up to this, like, all right, we're getting

1305
00:59:13,360 --> 00:59:16,720
Speaker 2: a Farrell produced Clips album again, but there is no

1306
00:59:16,800 --> 00:59:20,720
Speaker 2: Chad involved in this. I'm not mad so far. He's

1307
00:59:20,720 --> 00:59:24,600
Speaker 2: one for one. Farrell is probably the best. Him and

1308
00:59:24,640 --> 00:59:27,120
Speaker 2: Swizzs are the best at making the most simplistic beats

1309
00:59:27,120 --> 00:59:27,880
Speaker 2: sound incredible.

1310
00:59:28,200 --> 00:59:30,320
Speaker 3: Yeah, this No, the production on this on this record

1311
00:59:30,400 --> 00:59:33,160
Speaker 3: is incredible. Like, I like this record a lot.

1312
00:59:33,240 --> 00:59:37,120
Speaker 2: Like the approach and pockets that they both picked. I'm

1313
00:59:37,280 --> 00:59:38,600
Speaker 2: really really excited for this album.

1314
00:59:38,680 --> 00:59:41,120
Speaker 4: What's your favorite uh lyric? Are your favorite bar?

1315
00:59:41,920 --> 00:59:45,120
Speaker 2: It's the snow Globe shit for sure, but the Ali

1316
00:59:45,240 --> 00:59:49,560
Speaker 2: Baba to Lady Gaga shiit was insane to me too.

1317
00:59:50,720 --> 00:59:53,400
Speaker 3: I mean it's people in line say Malice he got

1318
00:59:53,400 --> 00:59:54,080
Speaker 3: Push on this.

1319
00:59:53,960 --> 00:59:59,040
Speaker 2: One, but that's not I mean, Push got way better

1320
00:59:59,440 --> 01:00:04,240
Speaker 2: posts the clips. With his solo career. Malice was always,

1321
01:00:04,440 --> 01:00:06,320
Speaker 2: let's not act like back in the day, no one

1322
01:00:06,360 --> 01:00:09,880
Speaker 2: was ever discredling Push as a rapper, but Malice was

1323
01:00:09,920 --> 01:00:13,200
Speaker 2: always like the one Push would get him a few times.

1324
01:00:13,240 --> 01:00:15,680
Speaker 2: But I feel like Pushes even admitted that his brother

1325
01:00:15,760 --> 01:00:19,200
Speaker 2: was the better rapper. Push just got much better with

1326
01:00:19,200 --> 01:00:21,680
Speaker 2: his solo career. So I'm really excited to see this one.

1327
01:00:22,240 --> 01:00:25,480
Speaker 2: But I feel like Malice got pushed on his last

1328
01:00:25,480 --> 01:00:28,560
Speaker 2: solo project. Malice Versus was one of my favorite verses

1329
01:00:28,560 --> 01:00:32,440
Speaker 2: of that year. Yeah, twenty twenty two or whatever, Malice

1330
01:00:32,520 --> 01:00:33,640
Speaker 2: is Malice though, like.

1331
01:00:33,800 --> 01:00:36,600
Speaker 3: No, no, no, listen, I'm very aware of the clips

1332
01:00:37,000 --> 01:00:40,640
Speaker 3: one of my favorite groups, and this you know production

1333
01:00:40,720 --> 01:00:44,720
Speaker 3: with Pharrell. It's definitely you know, it's good to see

1334
01:00:44,720 --> 01:00:47,320
Speaker 3: them still working together. And then the thing I'm most

1335
01:00:47,320 --> 01:00:49,920
Speaker 3: suppressed of is how long they've been at it. And

1336
01:00:49,960 --> 01:00:52,320
Speaker 3: how good they still sound like that's it to me.

1337
01:00:52,520 --> 01:00:54,400
Speaker 3: That's like you know when you say this rap is

1338
01:00:54,440 --> 01:00:58,520
Speaker 3: a young man's sport to a degree, yes, but when

1339
01:00:58,560 --> 01:01:01,040
Speaker 3: you have you know, the clips and phar real still

1340
01:01:01,080 --> 01:01:05,240
Speaker 3: able to deliver and and give us joints that sound

1341
01:01:05,320 --> 01:01:09,200
Speaker 3: like this, it ain't no to me. It's no really,

1342
01:01:09,280 --> 01:01:11,959
Speaker 3: it's no young no wyans can't give us this sound.

1343
01:01:12,360 --> 01:01:14,600
Speaker 3: They can't give us this talk. They can't. They're not

1344
01:01:14,640 --> 01:01:16,880
Speaker 3: even this clever or this this witty in there in

1345
01:01:16,920 --> 01:01:20,000
Speaker 3: their bars and the entendres and things like that, Like

1346
01:01:20,080 --> 01:01:23,200
Speaker 3: this is the type of rap that you know, a

1347
01:01:23,280 --> 01:01:26,400
Speaker 3: certain sector I think appreciates in the community.

1348
01:01:26,440 --> 01:01:28,120
Speaker 4: You got to learn how to read. You gotta learn

1349
01:01:28,120 --> 01:01:29,600
Speaker 4: how to read. You got to learn how to travel,

1350
01:01:29,840 --> 01:01:30,520
Speaker 4: and you got.

1351
01:01:30,320 --> 01:01:34,120
Speaker 3: To learn how to travel, learn how to know.

1352
01:01:34,160 --> 01:01:36,720
Speaker 5: But this isn't I'm talking about rapping. It's not just

1353
01:01:36,800 --> 01:01:39,920
Speaker 5: about they're not just rapping about drugs. They had to

1354
01:01:40,000 --> 01:01:43,960
Speaker 5: have read books, seeing things, experience things for your vocabulary

1355
01:01:44,000 --> 01:01:45,680
Speaker 5: to open up this wye, for you to be able

1356
01:01:45,720 --> 01:01:48,600
Speaker 5: to make references about things from other countries. And yeah,

1357
01:01:48,640 --> 01:01:50,640
Speaker 5: you gotta travel, you gotta make money, you gotta read.

1358
01:01:50,880 --> 01:01:52,280
Speaker 5: And even if you don't have the money. You got

1359
01:01:52,280 --> 01:01:54,440
Speaker 5: to read about the places that you can't travel. Reading

1360
01:01:54,520 --> 01:01:56,480
Speaker 5: is fundamental, and these new rappers don't read.

1361
01:01:56,960 --> 01:01:59,080
Speaker 3: They can't read, read, they can't even talk. Have you

1362
01:01:59,080 --> 01:02:02,880
Speaker 3: earn some of these new artis just like in the interview, Yo,

1363
01:02:02,920 --> 01:02:04,880
Speaker 3: you feel me, feel me, film me feel me, film

1364
01:02:04,880 --> 01:02:05,800
Speaker 3: me fielm me feel me.

1365
01:02:06,280 --> 01:02:12,400
Speaker 2: Nigga, No, I can't feel a thing.

1366
01:02:12,520 --> 01:02:14,480
Speaker 3: Film me, fielm me, film me, fielm me feel me.

1367
01:02:14,880 --> 01:02:17,800
Speaker 3: Bro Yo, bro, Bro, this is a female you're sitting

1368
01:02:17,840 --> 01:02:21,560
Speaker 3: across from. It is a woman, you know, film me, bro, bro,

1369
01:02:21,720 --> 01:02:23,320
Speaker 3: bro Bro, You know what I'm saying, Bro.

1370
01:02:22,880 --> 01:02:24,600
Speaker 4: Bro, I mean time, what time?

1371
01:02:25,080 --> 01:02:27,160
Speaker 3: Get your dumb ass up and shut up.

1372
01:02:27,360 --> 01:02:29,760
Speaker 5: But that's because there there on the drugs, drugs. They're

1373
01:02:29,760 --> 01:02:30,560
Speaker 5: not selling the drugs.

1374
01:02:30,560 --> 01:02:33,520
Speaker 3: They're on drugs. They're selling drugs. They're on the drugs

1375
01:02:33,560 --> 01:02:34,920
Speaker 3: and they're selling more, selling the.

1376
01:02:34,960 --> 01:02:36,920
Speaker 5: Drugs today, friends their friends selling them back. They just

1377
01:02:36,960 --> 01:02:41,000
Speaker 5: doing like drug fucking switches, drug musical chairs.

1378
01:02:40,920 --> 01:02:41,920
Speaker 4: Drug musical chairs.

1379
01:02:41,960 --> 01:02:42,840
Speaker 3: Like let me hold that pill I.

1380
01:02:42,920 --> 01:02:44,760
Speaker 2: Just sold you, same way can I that chain for

1381
01:02:44,760 --> 01:02:46,680
Speaker 2: this video? Let me let me get just to the perks.

1382
01:02:46,680 --> 01:02:48,720
Speaker 3: Now, give me those two perks I just sold you.

1383
01:02:48,960 --> 01:02:52,120
Speaker 2: And I mean labels don't even have the staff to

1384
01:02:52,200 --> 01:02:54,720
Speaker 2: do media training that's been done everyone. They used to

1385
01:02:54,720 --> 01:02:57,439
Speaker 2: get fab a lot of bullshit FAB was and media training.

1386
01:02:57,440 --> 01:03:00,560
Speaker 2: He's not good at interviews. The fab smokes looks like

1387
01:03:00,640 --> 01:03:02,720
Speaker 2: Einstein compared to it's bad.

1388
01:03:03,160 --> 01:03:05,160
Speaker 3: It's bad like they I'm talking about.

1389
01:03:05,480 --> 01:03:07,080
Speaker 2: He's Neil de grass Tyson compared to this.

1390
01:03:07,240 --> 01:03:09,360
Speaker 3: Yeah, like these these these new artists, these young and

1391
01:03:09,480 --> 01:03:11,200
Speaker 3: a lot of these young casts. They I mean, it's

1392
01:03:11,280 --> 01:03:15,520
Speaker 3: just like my god, like you can't even hold a conversation.

1393
01:03:16,520 --> 01:03:18,880
Speaker 3: It's sad, but you know, it's good to hit a

1394
01:03:18,920 --> 01:03:21,320
Speaker 3: clip still in shape. I'm looking forward to hearing what

1395
01:03:21,320 --> 01:03:24,280
Speaker 3: else they got on this project. If it sounds anything

1396
01:03:24,320 --> 01:03:28,400
Speaker 3: like this Ace trump is joint, then you know this

1397
01:03:28,560 --> 01:03:30,440
Speaker 3: it's gonna be a good listen for me. Like I

1398
01:03:30,480 --> 01:03:33,760
Speaker 3: appreciate this type of nostalgia and this type of this

1399
01:03:33,840 --> 01:03:36,200
Speaker 3: type of attention to detail when you talk about rapping.

1400
01:03:36,280 --> 01:03:39,600
Speaker 2: I appreciate this, and uh, I feel like push Malice

1401
01:03:39,960 --> 01:03:43,200
Speaker 2: and Ross. Even though there's a million on tendras in

1402
01:03:43,280 --> 01:03:46,520
Speaker 2: this Ace of Trumpets record, those three rappers, to me,

1403
01:03:46,560 --> 01:03:50,120
Speaker 2: are the best at saying very simple things and delivering

1404
01:03:50,160 --> 01:03:54,720
Speaker 2: it in a way. That sounds so amazing. Soho shopping Spring.

1405
01:03:54,760 --> 01:03:56,880
Speaker 2: You should have seen it. It's not even that crazy,

1406
01:03:56,880 --> 01:04:00,200
Speaker 2: but I was. I'm like, I was just on broad Way.

1407
01:04:00,240 --> 01:04:04,320
Speaker 2: How I missed that shit? You should have seen it?

1408
01:04:06,480 --> 01:04:08,440
Speaker 2: How do you deliver it that good? Like Ross be

1409
01:04:08,520 --> 01:04:10,520
Speaker 2: saying some really basic shit, but it sounds better than

1410
01:04:10,800 --> 01:04:13,600
Speaker 2: all of your favorite rappers when they do complex shit. Pusher,

1411
01:04:13,720 --> 01:04:16,720
Speaker 2: Malice and Ross are masters at this type of shit.

1412
01:04:16,920 --> 01:04:20,480
Speaker 2: The very simple delivery. You catch every word. You may

1413
01:04:20,520 --> 01:04:24,400
Speaker 2: not catch the entendra, but you catch every single syllable word.

1414
01:04:24,960 --> 01:04:26,080
Speaker 2: It all sounds amazing.

1415
01:04:26,120 --> 01:04:28,800
Speaker 3: The delivery and rap is very important.

1416
01:04:28,320 --> 01:04:32,880
Speaker 2: Like Push as an elite MC. Still, where were you in?

1417
01:04:32,960 --> 01:04:35,200
Speaker 2: Big Meat brought the tigers the like he has more

1418
01:04:35,240 --> 01:04:38,400
Speaker 2: memorable stuff like that on top of his entendrius that

1419
01:04:39,040 --> 01:04:42,040
Speaker 2: separates him to me from everyone else. Like they not

1420
01:04:42,120 --> 01:04:44,800
Speaker 2: doing RAPPI rap rap rap. They found a very specific

1421
01:04:45,200 --> 01:04:48,000
Speaker 2: fun fun pocket, a fun pocket that a lot of

1422
01:04:48,000 --> 01:04:51,520
Speaker 2: people could fuck up like that could get tiresome for

1423
01:04:51,720 --> 01:04:53,919
Speaker 2: thirty two bars. They are masters at that.

1424
01:04:53,800 --> 01:04:54,280
Speaker 3: Type of shit.

1425
01:04:54,520 --> 01:04:56,800
Speaker 5: But see that's why going back rosses to it that

1426
01:04:56,960 --> 01:04:59,080
Speaker 5: going back to when we were talking about our complex

1427
01:04:59,160 --> 01:05:01,840
Speaker 5: list and they said skill and the majority of the

1428
01:05:01,840 --> 01:05:04,840
Speaker 5: pillars of skill. Only one of them was actual pen

1429
01:05:04,960 --> 01:05:07,080
Speaker 5: The rest of it was delivery the way that you

1430
01:05:07,160 --> 01:05:09,680
Speaker 5: break it down like that's a very very important thing.

1431
01:05:09,840 --> 01:05:12,560
Speaker 2: Easy as one of the best deliveries ever. Even Dre's

1432
01:05:12,560 --> 01:05:15,560
Speaker 2: delivery is incredible. That fucking the horrible line if if

1433
01:05:15,560 --> 01:05:17,600
Speaker 2: I slipped and I slipped and I'm slipping, I'm still slipping,

1434
01:05:17,840 --> 01:05:21,560
Speaker 2: awful fucking bar delivered incredibly.

1435
01:05:22,880 --> 01:05:26,880
Speaker 3: That shit hit back in the data. Still it's not

1436
01:05:27,000 --> 01:05:28,720
Speaker 3: And if I got my Nina and then you know shit,

1437
01:05:29,560 --> 01:05:31,560
Speaker 3: and I'm gonna continue to put the B down, put.

1438
01:05:31,440 --> 01:05:38,040
Speaker 2: The MAC down, snoops. Fan was crazy shit, It's important.

1439
01:05:38,320 --> 01:05:42,520
Speaker 2: I did see we spoke last episode that there was

1440
01:05:42,600 --> 01:05:46,080
Speaker 2: rumblings about Kendrick verse from before and then we thought

1441
01:05:46,120 --> 01:05:49,040
Speaker 2: because of the rock Nation situation that they may have

1442
01:05:49,080 --> 01:05:52,000
Speaker 2: a jay Z verse. I saw that Stove God tweeted

1443
01:05:52,000 --> 01:05:53,480
Speaker 2: that he is on the album. We know there's only

1444
01:05:53,520 --> 01:05:56,880
Speaker 2: two features, so I do not think we're getting a

1445
01:05:56,920 --> 01:05:59,960
Speaker 2: jay Z feature on this. I believe it is still

1446
01:06:00,000 --> 01:06:02,760
Speaker 2: Oh God, which is confirmed. And I think that Kendrick

1447
01:06:02,800 --> 01:06:07,440
Speaker 2: feature from Chains and Whips when they did the Lousvitan

1448
01:06:07,520 --> 01:06:10,400
Speaker 2: fashion show that like Jim Jones dis that was the

1449
01:06:10,400 --> 01:06:12,560
Speaker 2: one that Kendrick was rumored to be on, and then

1450
01:06:12,560 --> 01:06:15,040
Speaker 2: we never heard anything from it. Push a T went

1451
01:06:15,080 --> 01:06:17,760
Speaker 2: and did an interview and said that they wanted to

1452
01:06:17,760 --> 01:06:21,800
Speaker 2: put this out last year, but when they brought it

1453
01:06:21,840 --> 01:06:25,040
Speaker 2: to Deaf Jam, this was right after the Drake and

1454
01:06:25,160 --> 01:06:29,840
Speaker 2: Kendrick beef, and they wanted Kendrick to more or less

1455
01:06:29,880 --> 01:06:32,000
Speaker 2: censor his verse because of everything that was going on.

1456
01:06:33,000 --> 01:06:36,160
Speaker 2: Push said, fuck that. They got into some legality shit

1457
01:06:36,760 --> 01:06:39,400
Speaker 2: which led to the clips getting off deaf Jam as

1458
01:06:39,440 --> 01:06:41,560
Speaker 2: well as Push a T getting off deaf Jam. Oh wow,

1459
01:06:41,560 --> 01:06:43,880
Speaker 2: because of this entire thing, and they were able to

1460
01:06:43,880 --> 01:06:46,480
Speaker 2: shop it around and that's why there was a delay. Now,

1461
01:06:46,520 --> 01:06:48,760
Speaker 2: I'm sure there's always a bunch of different things behind

1462
01:06:48,760 --> 01:06:51,800
Speaker 2: the scenes that added to this, but that is kind

1463
01:06:51,800 --> 01:06:57,680
Speaker 2: of fucking insane. Yeah, and according to Push or this article,

1464
01:06:59,040 --> 01:07:03,800
Speaker 2: I believe the bar isn't even that crazy. From Kendrick,

1465
01:07:03,880 --> 01:07:05,840
Speaker 2: therapy taught me how to open up. It also showed

1466
01:07:05,840 --> 01:07:07,920
Speaker 2: me I don't give a up. I don't think it

1467
01:07:07,960 --> 01:07:09,880
Speaker 2: was the bars per se that they wanted to censor.

1468
01:07:10,000 --> 01:07:13,800
Speaker 2: I think it was def Jam saying Drake's two biggest

1469
01:07:13,840 --> 01:07:16,960
Speaker 2: ops are coming together. At this exact time to put

1470
01:07:17,000 --> 01:07:20,040
Speaker 2: a record out, which kind of I don't know. Do

1471
01:07:20,040 --> 01:07:23,360
Speaker 2: you think it contradicts or helps the lawsuit that Drake

1472
01:07:23,440 --> 01:07:24,000
Speaker 2: is going through.

1473
01:07:25,120 --> 01:07:28,800
Speaker 3: Why would it contradict it or help it that?

1474
01:07:29,760 --> 01:07:33,840
Speaker 2: I guess this would be proof that they were aware

1475
01:07:34,840 --> 01:07:37,720
Speaker 2: of his brand and also wanted to protect it in

1476
01:07:37,760 --> 01:07:40,840
Speaker 2: the midst of this entire thing, which could go against it,

1477
01:07:40,960 --> 01:07:46,520
Speaker 2: but couldn't a lawyer also prove that they were very

1478
01:07:46,600 --> 01:07:49,280
Speaker 2: much aware when they said that they support both of

1479
01:07:49,320 --> 01:07:51,400
Speaker 2: their artists and they would never stop an artist from

1480
01:07:51,400 --> 01:07:54,680
Speaker 2: doing anything. This does contradict what Universal said already. Sure,

1481
01:07:55,960 --> 01:08:00,560
Speaker 2: it does prove what Drake's lawyers were saying and was like,

1482
01:08:00,600 --> 01:08:02,880
Speaker 2: what we would never that's crazy. We would never get

1483
01:08:02,920 --> 01:08:05,880
Speaker 2: behind in ours. We don't treat any artist with any

1484
01:08:05,880 --> 01:08:09,880
Speaker 2: type of special privileges or anything. But even though this

1485
01:08:09,880 --> 01:08:11,840
Speaker 2: is on Drake's side, it still is proving that that

1486
01:08:11,920 --> 01:08:12,480
Speaker 2: does happen.

1487
01:08:12,880 --> 01:08:15,360
Speaker 3: Yeah, but we know that even if this didn't, if

1488
01:08:15,400 --> 01:08:17,880
Speaker 3: this never came out of Push, it never made any

1489
01:08:17,920 --> 01:08:21,200
Speaker 3: mention of this happen, and we know that that does happen.

1490
01:08:21,880 --> 01:08:25,000
Speaker 2: I just I don't know that Push It to me

1491
01:08:25,080 --> 01:08:27,320
Speaker 2: is not a liar. I just think There has to

1492
01:08:27,320 --> 01:08:32,000
Speaker 2: be more to this than just this sentence, because why

1493
01:08:32,120 --> 01:08:35,599
Speaker 2: after a record that calls somebody on your label that word,

1494
01:08:36,080 --> 01:08:40,160
Speaker 2: would you be upset about or try to block a

1495
01:08:40,240 --> 01:08:44,320
Speaker 2: clips in Kendrick song that doesn't talk about Drake whatsoever?

1496
01:08:44,960 --> 01:08:48,679
Speaker 2: Like the damage was done, This wouldn't this wasn't gonna

1497
01:08:48,680 --> 01:08:49,160
Speaker 2: do anything.

1498
01:08:49,280 --> 01:08:50,280
Speaker 4: What was the bar?

1499
01:08:50,840 --> 01:08:54,840
Speaker 2: The only bar that they mentioned? All right, I'll def

1500
01:08:54,880 --> 01:08:59,000
Speaker 2: jam sparen com to umgu said the optics of two

1501
01:08:59,040 --> 01:09:01,840
Speaker 2: of Drake's biggest enemy linking on wax Push calls their

1502
01:09:01,840 --> 01:09:04,559
Speaker 2: apprehension stupid, primarily because none of the bars and kendricks

1503
01:09:04,600 --> 01:09:07,320
Speaker 2: otherwise excellent verse could be perceived as a shot or

1504
01:09:07,360 --> 01:09:10,240
Speaker 2: even a sub. It does, however, contain the stellar line.

1505
01:09:10,400 --> 01:09:12,599
Speaker 2: Therapy taught me how to open up. It also showed

1506
01:09:12,640 --> 01:09:13,360
Speaker 2: me I don't give.

1507
01:09:13,240 --> 01:09:18,120
Speaker 3: A fuck what that's fucking stupid. Push it up.

1508
01:09:18,840 --> 01:09:20,639
Speaker 2: I actually love the writing this push it can barely

1509
01:09:20,680 --> 01:09:24,080
Speaker 2: contain his disgust recounting the stalemate with def Jam. They

1510
01:09:24,080 --> 01:09:26,160
Speaker 2: wanted me to ask Kendrick to censor his verse, which

1511
01:09:26,160 --> 01:09:28,599
Speaker 2: of course I was never doing, and then they wanted

1512
01:09:28,640 --> 01:09:30,680
Speaker 2: me to take the record off. And so after a

1513
01:09:30,720 --> 01:09:33,519
Speaker 2: month of not doing so, their lawyer said, well, we'll

1514
01:09:33,600 --> 01:09:36,000
Speaker 2: drop the Clips, but they can't do that because I'm

1515
01:09:36,040 --> 01:09:37,920
Speaker 2: still there as a solo artist. If you let us

1516
01:09:37,960 --> 01:09:41,040
Speaker 2: all go, this is that an order? Sure enough, def

1517
01:09:41,080 --> 01:09:43,599
Speaker 2: Jam eventually agreed to release the Clips and drop Push

1518
01:09:43,640 --> 01:09:45,479
Speaker 2: as a solo artist, freeing the duo up to shop

1519
01:09:45,479 --> 01:09:47,559
Speaker 2: for a new home with a finished Clips album and

1520
01:09:47,600 --> 01:09:49,160
Speaker 2: plenty more music in their pockets.

1521
01:09:51,080 --> 01:09:53,479
Speaker 3: Yeah, I think that was just uh, I mean, could

1522
01:09:53,520 --> 01:09:54,840
Speaker 3: it be a thing where they just felt like the

1523
01:09:54,880 --> 01:09:56,000
Speaker 3: song wasn't good?

1524
01:09:56,560 --> 01:09:59,439
Speaker 2: That Chains and Whip song was fire. It was premiered

1525
01:09:59,520 --> 01:10:03,840
Speaker 2: at the Lloyis Vauton fashion show in Paris. That was

1526
01:10:03,880 --> 01:10:05,519
Speaker 2: the one that Jason Beyonce. You could see they was

1527
01:10:05,520 --> 01:10:08,320
Speaker 2: writing lyrics in their head to it, like that record

1528
01:10:08,479 --> 01:10:10,720
Speaker 2: is fine, it's like leak now that not you know,

1529
01:10:10,800 --> 01:10:14,640
Speaker 2: the highest version of it, but you can listen to

1530
01:10:14,680 --> 01:10:16,880
Speaker 2: it on YouTube now. And it was rumors at that

1531
01:10:16,880 --> 01:10:18,519
Speaker 2: time Kendrick was already on it. They just didn't play

1532
01:10:18,520 --> 01:10:22,240
Speaker 2: his verse in Paris. No, that record is that record

1533
01:10:22,320 --> 01:10:22,800
Speaker 2: is too five?

1534
01:10:23,000 --> 01:10:24,880
Speaker 3: I think that that's I don't I don't understand any

1535
01:10:24,920 --> 01:10:27,000
Speaker 3: of that. I understand why why def Jam would even

1536
01:10:27,600 --> 01:10:30,439
Speaker 3: I mean, if he's not even mentioning Drake in the

1537
01:10:30,520 --> 01:10:34,040
Speaker 3: in the verse, why would you even ask push it

1538
01:10:34,200 --> 01:10:36,600
Speaker 3: to have it to have Kendrick since it like, I

1539
01:10:36,600 --> 01:10:37,960
Speaker 3: don't to me to.

1540
01:10:37,960 --> 01:10:39,920
Speaker 5: Assume no matter what, because of the time it was

1541
01:10:39,960 --> 01:10:41,640
Speaker 5: coming out, people would assume everything in it.

1542
01:10:42,000 --> 01:10:44,680
Speaker 3: Okay, that's fine, people can assume whatever. But for the

1543
01:10:44,840 --> 01:10:47,720
Speaker 3: label to go to push it and say, yo, like

1544
01:10:47,840 --> 01:10:49,720
Speaker 3: tell Kendrick not what like that?

1545
01:10:49,960 --> 01:10:54,679
Speaker 2: Just to me, that's just okay conspiracy. Did they already

1546
01:10:54,720 --> 01:10:57,360
Speaker 2: have some type of worry that Drake was going to

1547
01:10:57,400 --> 01:11:00,200
Speaker 2: sue them or heard rumblings after the beef that that

1548
01:11:00,240 --> 01:11:02,400
Speaker 2: would happen, and now they're trying to cover their ass

1549
01:11:02,439 --> 01:11:04,800
Speaker 2: because this would be another point, not to say it

1550
01:11:04,840 --> 01:11:08,000
Speaker 2: proves anything, but something you can put in the paperwork

1551
01:11:08,120 --> 01:11:11,160
Speaker 2: of these are two people that have said very disparaging

1552
01:11:11,200 --> 01:11:13,439
Speaker 2: things about me. You're now releasing a record they have

1553
01:11:13,479 --> 01:11:17,040
Speaker 2: together and putting money behind it. I could see Drake's lawyers.

1554
01:11:17,000 --> 01:11:19,600
Speaker 5: Evidence it could have been added as a little byoline

1555
01:11:19,760 --> 01:11:20,320
Speaker 5: in the lawsuit.

1556
01:11:20,439 --> 01:11:22,920
Speaker 2: Not to say that that really does anything, I think

1557
01:11:22,920 --> 01:11:25,679
Speaker 2: in Drake's lawsuit because it's like they didn't say anything

1558
01:11:25,680 --> 01:11:27,439
Speaker 2: about them. But I think I don't know if does

1559
01:11:27,479 --> 01:11:31,120
Speaker 2: it add more fuel. Like I feel like major corporations,

1560
01:11:31,160 --> 01:11:33,880
Speaker 2: when there's a possibility they could even be sued down

1561
01:11:33,920 --> 01:11:37,280
Speaker 2: to like the smallest sample that could be debatable, they're

1562
01:11:37,280 --> 01:11:40,080
Speaker 2: gonna say no just to cover their ass, like legal

1563
01:11:40,120 --> 01:11:42,160
Speaker 2: teams do. They don't even want to hear the music.

1564
01:11:42,160 --> 01:11:46,200
Speaker 2: They don't even give a fuck about anything art related.

1565
01:11:46,800 --> 01:11:50,720
Speaker 2: They're just there to say no. So I could maybe

1566
01:11:50,800 --> 01:11:53,400
Speaker 2: see that being a thing because they were already heard

1567
01:11:54,640 --> 01:11:57,360
Speaker 2: possible litigation rumors of what was going on. It's like,

1568
01:11:57,600 --> 01:12:00,639
Speaker 2: we really can't do this, even I don't think that's

1569
01:12:00,640 --> 01:12:01,240
Speaker 2: really illegal.

1570
01:12:02,479 --> 01:12:05,479
Speaker 3: Yeah, I just I don't know that's you know, def

1571
01:12:05,600 --> 01:12:07,600
Speaker 3: Jam doing that is just that's just that seems a

1572
01:12:07,600 --> 01:12:11,240
Speaker 3: little weird. That's that's no, that's very weird. Actually not

1573
01:12:11,280 --> 01:12:13,800
Speaker 3: a little. That's very weird for them to approach push

1574
01:12:13,840 --> 01:12:16,559
Speaker 3: it and just doesn't make no sense, Like especially if

1575
01:12:16,600 --> 01:12:18,680
Speaker 3: the line he's not talking about him, not going at

1576
01:12:18,720 --> 01:12:20,519
Speaker 3: him and any type, it just doesn't make any sense.

1577
01:12:21,960 --> 01:12:25,680
Speaker 2: I mean, but if that's the case, like amazing to

1578
01:12:26,400 --> 01:12:27,439
Speaker 2: get off the label that way.

1579
01:12:27,880 --> 01:12:31,960
Speaker 3: Oh no, I mean I'm sure you know they're happy

1580
01:12:32,000 --> 01:12:33,960
Speaker 3: about it, you know, like, oh shit, like we basically

1581
01:12:33,960 --> 01:12:37,080
Speaker 3: got a free walk, Like we're out of here. But

1582
01:12:37,920 --> 01:12:40,720
Speaker 3: it's just I don't know. It just doesn't make I

1583
01:12:40,760 --> 01:12:42,559
Speaker 3: feel like it's more to that story. That's just that,

1584
01:12:42,560 --> 01:12:43,280
Speaker 3: That's what I'm saying.

1585
01:12:43,320 --> 01:12:46,360
Speaker 2: I'm not saying it's false, just there has to be more.

1586
01:12:46,320 --> 01:12:48,160
Speaker 3: Has to be more to that. It has to be

1587
01:12:49,080 --> 01:12:50,280
Speaker 3: That makes no sense to me.

1588
01:12:50,400 --> 01:12:51,960
Speaker 2: Because what are you censoring in the verse?

1589
01:12:52,200 --> 01:12:55,800
Speaker 3: Exactly? That's what I'm saying. It just like I don't know,

1590
01:12:55,840 --> 01:12:57,400
Speaker 3: maybe he's just trying to not trying to really get

1591
01:12:57,400 --> 01:13:00,600
Speaker 3: into it, and you know whatever. But that part of

1592
01:13:00,600 --> 01:13:02,160
Speaker 3: the story to me is it has to be more

1593
01:13:02,240 --> 01:13:03,439
Speaker 3: that that makes no sense.

1594
01:13:04,240 --> 01:13:07,160
Speaker 2: Well, I mean between Chains and Whips. I assume now

1595
01:13:07,200 --> 01:13:10,639
Speaker 2: that they're off Deaf Jam, that song is definitely coming

1596
01:13:10,680 --> 01:13:15,200
Speaker 2: out with that Kendrick verse. And then we also have

1597
01:13:16,080 --> 01:13:18,360
Speaker 2: the stove Gude feature. So there's our two features.

1598
01:13:19,920 --> 01:13:22,400
Speaker 3: I think there was a I think there's another feature though,

1599
01:13:22,920 --> 01:13:25,599
Speaker 3: I think the feature you were alluding to what they

1600
01:13:25,600 --> 01:13:28,280
Speaker 3: were saying, uh, we'll push it was saying he's waiting

1601
01:13:28,280 --> 01:13:30,519
Speaker 3: for the feature. M you saying that you think it's

1602
01:13:30,520 --> 01:13:38,320
Speaker 3: a whole feature. I think nads. Okay, I think a nos.

1603
01:13:38,320 --> 01:13:39,960
Speaker 3: I think a nas verse may be on this album.

1604
01:13:40,040 --> 01:13:41,960
Speaker 2: Well, they kind of alluded to it in this article

1605
01:13:42,000 --> 01:13:44,200
Speaker 2: as well. The label love what they heard, except for

1606
01:13:44,240 --> 01:13:46,439
Speaker 2: the Kendrick Lamar guests verse on Chains and Whips, the

1607
01:13:46,439 --> 01:13:48,479
Speaker 2: final version of the song that ferralties at his first

1608
01:13:48,520 --> 01:13:52,800
Speaker 2: ELV Runway show. The song Pushes says was the first

1609
01:13:52,840 --> 01:13:54,680
Speaker 2: to come out of their sessions. Don't be fooled by

1610
01:13:54,680 --> 01:13:58,800
Speaker 2: Pushes interviews appealing for one last guest verse, and the

1611
01:13:58,840 --> 01:14:01,400
Speaker 2: Twitter jokes that he went to a GNX toward day

1612
01:14:01,479 --> 01:14:04,920
Speaker 2: to physically walk Kendrick into the nearest studio. Ka Dot's

1613
01:14:04,920 --> 01:14:08,000
Speaker 2: homework has been turned in for a while now, so

1614
01:14:08,640 --> 01:14:13,320
Speaker 2: I think that's still coming out, as is the change

1615
01:14:13,360 --> 01:14:15,720
Speaker 2: and Whips thing. Oh yeah, And they said there was

1616
01:14:15,720 --> 01:14:20,000
Speaker 2: two features, so a NAS one would be fire. But

1617
01:14:21,960 --> 01:14:23,439
Speaker 2: if they're sticking of that, I think we're only getting

1618
01:14:23,479 --> 01:14:24,120
Speaker 2: stoven Kendrick.

1619
01:14:25,479 --> 01:14:28,240
Speaker 3: This stove God, that feature gonna be because listen, man,

1620
01:14:28,280 --> 01:14:33,639
Speaker 3: it's not too many that could talk that, you know. Yeah,

1621
01:14:34,240 --> 01:14:37,360
Speaker 3: that went to talk that snow white talk like.

1622
01:14:37,360 --> 01:14:41,320
Speaker 5: Stove in like I am about to make a hundred

1623
01:14:41,479 --> 01:14:42,479
Speaker 5: thousand next.

1624
01:14:42,439 --> 01:14:44,559
Speaker 3: No, now you want to now you want to be stove?

1625
01:14:44,760 --> 01:14:48,000
Speaker 3: Now you she's about to go. We were calling her

1626
01:14:48,080 --> 01:14:50,840
Speaker 3: stove missus stovey through she got mad, so that was

1627
01:14:50,840 --> 01:14:52,480
Speaker 3: her ax, Like okay.

1628
01:14:52,280 --> 01:14:54,360
Speaker 5: Because yeah, because y'all are making fun of like it's

1629
01:14:54,360 --> 01:14:55,920
Speaker 5: funny when y'all do it from like people who aren't

1630
01:14:55,920 --> 01:14:59,720
Speaker 5: from my hometown, Like that's it's not funny. But yeah,

1631
01:15:00,000 --> 01:15:02,200
Speaker 5: a way, support Stuf were about to flip some ship. Boy,

1632
01:15:02,200 --> 01:15:04,200
Speaker 5: I'm about to make a hundred thousand, I swear to god,

1633
01:15:04,240 --> 01:15:04,920
Speaker 5: I'm about to go crazy.

1634
01:15:04,920 --> 01:15:06,960
Speaker 4: He's about to be the most motivated song of all time.

1635
01:15:08,600 --> 01:15:11,519
Speaker 3: I was doing what lashes do one hundred thousand.

1636
01:15:12,800 --> 01:15:14,360
Speaker 2: She's gonna date a drug dealer that buys her the

1637
01:15:14,400 --> 01:15:14,920
Speaker 2: last spot.

1638
01:15:15,040 --> 01:15:17,840
Speaker 3: No, you know they can't wait to get that boy

1639
01:15:17,960 --> 01:15:19,920
Speaker 3: in my studio pay my boufrint.

1640
01:15:22,400 --> 01:15:24,439
Speaker 2: Push that he might date. I'll mentioned yank r rib

1641
01:15:24,439 --> 01:15:26,759
Speaker 2: out Push is gonna do everything for our girl.

1642
01:15:28,080 --> 01:15:30,080
Speaker 3: Day cha bitch and pull her rib out yank or.

1643
01:15:30,080 --> 01:15:32,120
Speaker 2: Rib out like buy her new body?

1644
01:15:33,000 --> 01:15:34,639
Speaker 3: You know? Like is that what that meant?

1645
01:15:34,840 --> 01:15:38,599
Speaker 2: That's how I interpreted, Yes, unless you talk more romantic.

1646
01:15:38,600 --> 01:15:40,280
Speaker 2: And he was suggesting like an Adam and eves like

1647
01:15:40,280 --> 01:15:42,759
Speaker 2: theirs her rib now.

1648
01:15:42,760 --> 01:15:44,479
Speaker 5: Or she does so much coke that she just gives

1649
01:15:44,479 --> 01:15:46,960
Speaker 5: real skinny. But I think he meant surgery.

1650
01:15:47,120 --> 01:15:48,920
Speaker 3: Yeah, I don't want that girl that does too much coke.

1651
01:15:48,960 --> 01:15:49,920
Speaker 3: That she's skinny now.

1652
01:15:50,000 --> 01:15:52,760
Speaker 5: But were about to flip a brick? Why the head

1653
01:15:52,840 --> 01:15:54,959
Speaker 5: is crazy, her back, her throat always numb.

1654
01:15:54,920 --> 01:16:00,400
Speaker 3: And dry, cotton mouth. I'm cool this stove God, bitch.

1655
01:16:00,280 --> 01:16:02,839
Speaker 2: Some new hips and yank or rib out. Yeah, imagine

1656
01:16:02,840 --> 01:16:05,720
Speaker 2: pushed by bio chicks some hips and then you come

1657
01:16:05,720 --> 01:16:07,000
Speaker 2: home and there's a rib on account.

1658
01:16:07,080 --> 01:16:09,559
Speaker 3: Get a body done. I get it. Yeah, I'm looking

1659
01:16:09,600 --> 01:16:12,800
Speaker 3: forward to that stove feature though, I'm looking forward to that.

1660
01:16:13,080 --> 01:16:15,200
Speaker 3: I got it here. I got to hear the greasy

1661
01:16:15,240 --> 01:16:18,040
Speaker 3: talk on that stove is one of the few that

1662
01:16:18,160 --> 01:16:22,439
Speaker 3: I feel like probably when it comes to that type

1663
01:16:22,479 --> 01:16:26,280
Speaker 3: of talk may be just a little slicker than pushing mate.

1664
01:16:26,439 --> 01:16:28,759
Speaker 4: Oh ship, that's that's you, okay.

1665
01:16:29,640 --> 01:16:31,799
Speaker 3: Yeah, Like if you go and listen to a reasonable drought,

1666
01:16:32,479 --> 01:16:36,679
Speaker 3: there's not many people that could. I was very impressed

1667
01:16:36,720 --> 01:16:40,320
Speaker 3: by stove God on that entire project, like his his cleverness,

1668
01:16:40,360 --> 01:16:43,040
Speaker 3: his wittiness when it comes to that type of again,

1669
01:16:43,160 --> 01:16:47,519
Speaker 3: that that certain talk is. I'm not saying he did it,

1670
01:16:47,560 --> 01:16:49,000
Speaker 3: but he had to. He was in the house when

1671
01:16:49,040 --> 01:16:53,040
Speaker 3: it happened. He was I'm not. I'm not putting that

1672
01:16:53,280 --> 01:16:53,639
Speaker 3: on him.

1673
01:16:53,920 --> 01:16:54,280
Speaker 6: I ain't.

1674
01:16:54,320 --> 01:16:56,800
Speaker 3: I'm not doing that because Niggas is listening. I'm not

1675
01:16:56,840 --> 01:16:59,559
Speaker 3: saying he did anything, but he may have been around,

1676
01:16:59,560 --> 01:17:02,280
Speaker 3: because you can't just talk like that and not have

1677
01:17:02,439 --> 01:17:03,800
Speaker 3: been in close proximity.

1678
01:17:03,920 --> 01:17:07,599
Speaker 2: Yeah, and the amount of like coke entendres we've heard

1679
01:17:07,640 --> 01:17:09,519
Speaker 2: over the last twenty years. To be able to like

1680
01:17:10,479 --> 01:17:14,759
Speaker 2: really revive that genre takes a clever type of person.

1681
01:17:15,080 --> 01:17:16,720
Speaker 2: I feel like I've heard every coke bar on Earth,

1682
01:17:16,760 --> 01:17:19,559
Speaker 2: and then reasonable Drought came out and I was like, oh, like.

1683
01:17:19,479 --> 01:17:21,439
Speaker 3: What he said is what you do after the brick bitch,

1684
01:17:21,479 --> 01:17:27,320
Speaker 3: I'm Draymond. Niggas. Don't even talk like you can't even listen. Listen, listen. No,

1685
01:17:27,360 --> 01:17:29,040
Speaker 3: I'm being serious right now. I'm not even trying to

1686
01:17:29,040 --> 01:17:32,120
Speaker 3: cause no jokes, no laughs. It's what you do after

1687
01:17:32,200 --> 01:17:35,960
Speaker 3: the brick bitch, I'm Draymond. Niggas. Don't rat. They don't

1688
01:17:36,000 --> 01:17:39,639
Speaker 3: talk like that. You can't these rappers, not even they

1689
01:17:39,720 --> 01:17:42,200
Speaker 3: they wi Fi, they bandwidth. Don't even let them go

1690
01:17:42,400 --> 01:17:44,599
Speaker 3: that to that, Like, you don't even talk like that.

1691
01:17:44,680 --> 01:17:47,519
Speaker 3: Like that's to me, that type of slick, you know,

1692
01:17:47,720 --> 01:17:51,320
Speaker 3: those lines is what separates stole from everybody else. But

1693
01:17:51,400 --> 01:17:54,640
Speaker 3: to have him with guys like you know, Malice and

1694
01:17:54,760 --> 01:17:57,880
Speaker 3: Push who do that very well, it's just gonna be

1695
01:17:57,920 --> 01:18:03,879
Speaker 3: interesting to hear. And and I need to know rapers etiquette.

1696
01:18:03,920 --> 01:18:07,439
Speaker 3: I need to know if Pushing Malice's verse was done

1697
01:18:07,479 --> 01:18:10,400
Speaker 3: first and after Stove has sent his verse the day

1698
01:18:14,600 --> 01:18:18,200
Speaker 3: you saying that, and I hope so, I hope so.

1699
01:18:18,280 --> 01:18:19,040
Speaker 3: I hope we keep it.

1700
01:18:19,120 --> 01:18:21,280
Speaker 2: I think there's a world where Stove gets them for sure.

1701
01:18:21,400 --> 01:18:24,000
Speaker 2: I'm saying out of like Pushing Malice, not check. They're

1702
01:18:24,000 --> 01:18:24,960
Speaker 2: probably just gonna sit there, like.

1703
01:18:25,040 --> 01:18:28,040
Speaker 3: I hope not. I hope they kept it raped, keep

1704
01:18:28,040 --> 01:18:29,200
Speaker 3: it rapped. You don't want you hand it?

1705
01:18:29,240 --> 01:18:29,519
Speaker 4: Okay?

1706
01:18:29,560 --> 01:18:32,360
Speaker 5: So as a rap e etiquete, all right, that's rappers etiquette.

1707
01:18:32,360 --> 01:18:34,479
Speaker 3: You can't change your verse, can change your verse after

1708
01:18:34,520 --> 01:18:37,080
Speaker 3: I send mys in, Because if I send my verse

1709
01:18:37,120 --> 01:18:39,080
Speaker 3: in and then that a song come out and your

1710
01:18:39,120 --> 01:18:41,960
Speaker 3: balls is different than when I got it, We're gonna

1711
01:18:41,960 --> 01:18:43,719
Speaker 3: have a real problem. Now. It's like, no, I don't

1712
01:18:43,720 --> 01:18:46,160
Speaker 3: do that. Don't do that. Like y'all sent me the record,

1713
01:18:46,200 --> 01:18:48,679
Speaker 3: y'all bars was done. Y'all say yo, listen, we done.

1714
01:18:48,960 --> 01:18:51,080
Speaker 3: We just need your joint. I listened to where y'all

1715
01:18:51,160 --> 01:18:53,360
Speaker 3: was going with it, okay, cool, and I went where

1716
01:18:53,400 --> 01:18:55,320
Speaker 3: I went with it. And now that the album is

1717
01:18:55,360 --> 01:18:57,639
Speaker 3: out and done, it's like, now, y'all, balls is different.

1718
01:18:57,720 --> 01:18:59,880
Speaker 3: Like even if it's one or two balls, that's still

1719
01:18:59,880 --> 01:19:02,040
Speaker 3: a problem. You can't say it has to be whatever

1720
01:19:02,080 --> 01:19:05,479
Speaker 3: I heard. It has to be that hm hm, So

1721
01:19:05,560 --> 01:19:07,800
Speaker 3: I but I need to know who because they could

1722
01:19:07,800 --> 01:19:09,879
Speaker 3: have said they could have stove to be with no verses.

1723
01:19:10,120 --> 01:19:12,000
Speaker 4: Okay, so I never did a feature verse, so this

1724
01:19:12,120 --> 01:19:12,640
Speaker 4: is new to me.

1725
01:19:12,880 --> 01:19:16,840
Speaker 3: But what if I say, hold on, hold on, what baby?

1726
01:19:16,840 --> 01:19:18,880
Speaker 3: Did we know you never did a feature verse?

1727
01:19:19,080 --> 01:19:19,360
Speaker 4: Okay?

1728
01:19:19,360 --> 01:19:22,080
Speaker 5: I was just I'm just saying, like I usually, I'm

1729
01:19:22,280 --> 01:19:25,960
Speaker 5: J Coley fourteen, like, no features, So that's.

1730
01:19:25,840 --> 01:19:27,639
Speaker 2: Who you are, Yeah, that's who you see yourself.

1731
01:19:27,960 --> 01:19:28,160
Speaker 1: Yeah.

1732
01:19:28,240 --> 01:19:28,960
Speaker 4: Yeah.

1733
01:19:29,439 --> 01:19:32,559
Speaker 5: What I'm saying is what if I was I mentioned

1734
01:19:32,600 --> 01:19:34,000
Speaker 5: a bitch that I ain't fucking with no more, so

1735
01:19:34,040 --> 01:19:34,479
Speaker 5: I switched the.

1736
01:19:34,520 --> 01:19:35,080
Speaker 4: Name of the bitch.

1737
01:19:35,400 --> 01:19:35,640
Speaker 3: Is that?

1738
01:19:35,680 --> 01:19:39,920
Speaker 4: Okay? Not following you saying he said I can't.

1739
01:19:39,920 --> 01:19:41,760
Speaker 5: You can't change even one or two lines, like, you

1740
01:19:41,800 --> 01:19:42,840
Speaker 5: can't change nothing.

1741
01:19:43,280 --> 01:19:43,920
Speaker 2: That's the old rule.

1742
01:19:44,280 --> 01:19:46,360
Speaker 3: A name. If you don't want a name in it,

1743
01:19:46,840 --> 01:19:49,040
Speaker 3: that's fine, that's just a name you don't want. That's

1744
01:19:49,040 --> 01:19:51,360
Speaker 3: a name drop. That's no. I'm talking about like a

1745
01:19:51,360 --> 01:19:54,680
Speaker 3: bar like, not a name, a bar like. It's like

1746
01:19:54,760 --> 01:19:58,599
Speaker 3: either that bar wasn't there, or you added something that

1747
01:19:58,680 --> 01:19:59,960
Speaker 3: rappers ETI quit. You can't do that.

1748
01:20:01,120 --> 01:20:02,360
Speaker 2: There'll plenty of rappers do do it.

1749
01:20:02,520 --> 01:20:04,800
Speaker 3: Well, of course they do, but I'm I don't. I

1750
01:20:04,920 --> 01:20:07,800
Speaker 3: highly doubt pushing Malage do that. But I'm just saying

1751
01:20:07,880 --> 01:20:11,880
Speaker 3: because again Stove God talks different when it comes to

1752
01:20:11,920 --> 01:20:14,080
Speaker 3: that type of talk. So they may have heard something

1753
01:20:14,200 --> 01:20:16,120
Speaker 3: even been like oh that was clever, like I like

1754
01:20:16,160 --> 01:20:18,479
Speaker 3: the way, and they had to put one of those,

1755
01:20:18,520 --> 01:20:20,920
Speaker 3: and they in they verse you understand. I'm still it

1756
01:20:20,960 --> 01:20:23,479
Speaker 3: happens like so you're just getting inspired by somebody on

1757
01:20:23,520 --> 01:20:24,960
Speaker 3: a record with like Yo, that was hard.

1758
01:20:25,080 --> 01:20:27,599
Speaker 2: But that's the onliest thing is when rappers have their

1759
01:20:27,680 --> 01:20:30,760
Speaker 2: verse done but just send the feature just to beat,

1760
01:20:31,040 --> 01:20:32,880
Speaker 2: then get their shit back and see if they have

1761
01:20:32,960 --> 01:20:35,400
Speaker 2: to redo it, because then the feature is never gonna know.

1762
01:20:35,600 --> 01:20:37,519
Speaker 2: They'll never be the wiser whether you had a verse

1763
01:20:37,560 --> 01:20:40,240
Speaker 2: there or not. But I'm with changing if it does

1764
01:20:40,280 --> 01:20:42,360
Speaker 2: fit the song, Like if we're gonna both reference things,

1765
01:20:42,360 --> 01:20:45,720
Speaker 2: I think that's fine, but usually that comes from the

1766
01:20:45,840 --> 01:20:48,360
Speaker 2: artists sending over their verse as well, and the feature

1767
01:20:48,400 --> 01:20:50,680
Speaker 2: going off what they already have laid down there. You're

1768
01:20:50,720 --> 01:20:52,960
Speaker 2: doing it the other way around. That's I think that's

1769
01:20:52,960 --> 01:20:54,040
Speaker 2: against rapper etiquette.

1770
01:20:54,040 --> 01:20:56,760
Speaker 4: But yeah, but I'm not mad.

1771
01:20:56,800 --> 01:20:58,760
Speaker 3: Okay, we're gonna be talking. We know they're gonna be

1772
01:20:58,880 --> 01:20:59,800
Speaker 3: talking slick.

1773
01:21:00,120 --> 01:21:03,360
Speaker 5: Listen, I'm really I got so excited about that.

1774
01:21:03,439 --> 01:21:04,719
Speaker 4: I'm really really excited.

1775
01:21:04,800 --> 01:21:07,519
Speaker 2: Like here's the thing though, Like both Push and Malice

1776
01:21:07,560 --> 01:21:10,120
Speaker 2: have admitted in their lyrics that they don't know about

1777
01:21:10,120 --> 01:21:14,120
Speaker 2: this new era of drugs. Stove be going crazy with

1778
01:21:14,200 --> 01:21:17,439
Speaker 2: the Defend and All ship, Like his ship is happening

1779
01:21:17,520 --> 01:21:20,920
Speaker 2: right now in like the country. Like he's so about

1780
01:21:20,920 --> 01:21:23,360
Speaker 2: relative like pushing Mouse to talk about the fucking crack

1781
01:21:23,439 --> 01:21:25,920
Speaker 2: era and Reagan and all that ship. Now he's talking

1782
01:21:25,920 --> 01:21:28,720
Speaker 2: about fucking Biden ship right now. He talk about what's

1783
01:21:28,720 --> 01:21:32,120
Speaker 2: coming over the border currently current drugs. That LeVar Ball

1784
01:21:32,160 --> 01:21:35,120
Speaker 2: scheme he has on my album is absolutely insane.

1785
01:21:35,200 --> 01:21:39,760
Speaker 4: I like that.

1786
01:21:39,760 --> 01:21:42,160
Speaker 2: That's why they paid you, because you know how, I'm

1787
01:21:42,160 --> 01:21:44,200
Speaker 2: not gonna give the Vall scheme is one of the

1788
01:21:44,240 --> 01:21:46,320
Speaker 2: crazy ships I've ever heard. Listen, I won't give that

1789
01:21:46,320 --> 01:21:48,280
Speaker 2: one away, I will say he does stop the beat

1790
01:21:48,320 --> 01:21:50,439
Speaker 2: and say, I'm the fentanyl Faara com powder all my

1791
01:21:50,520 --> 01:21:52,720
Speaker 2: fear of gods. And I went like this when I

1792
01:21:52,720 --> 01:21:54,760
Speaker 2: heard the ship, see.

1793
01:21:54,520 --> 01:21:57,280
Speaker 4: Why are you giving up? Take his ship for it?

1794
01:21:57,360 --> 01:22:02,840
Speaker 2: Even drop like copy written already paperwork, Okay and listen.

1795
01:22:02,960 --> 01:22:04,880
Speaker 2: You know I viewed this when I saw Stove Ship

1796
01:22:05,520 --> 01:22:09,000
Speaker 2: clips Uh Stove God July eleventh, when the clips album

1797
01:22:09,000 --> 01:22:11,960
Speaker 2: comes out, you know, I personally got excited because my

1798
01:22:11,960 --> 01:22:14,800
Speaker 2: ship's coming after that. Let's just get the Stove ship

1799
01:22:14,920 --> 01:22:17,679
Speaker 2: higher and higher for one my ship dropped with them.

1800
01:22:18,000 --> 01:22:19,840
Speaker 3: Yeah, I'm looking forward to this. Ain't gonna lie. I

1801
01:22:19,880 --> 01:22:21,559
Speaker 3: was very I was very happy when I heard Stove

1802
01:22:21,640 --> 01:22:23,519
Speaker 3: was gonna be on this, uh this cliption. I'm ready.

1803
01:22:23,560 --> 01:22:26,160
Speaker 5: I'm ready for them to give the second best wrapper

1804
01:22:26,200 --> 01:22:29,479
Speaker 5: out of Syracuse's motherfucking props. Like I'm I'm ready for

1805
01:22:29,840 --> 01:22:32,760
Speaker 5: the mainstream to know how good he is.

1806
01:22:33,520 --> 01:22:35,639
Speaker 4: I'm ready for that. It's been a long time come.

1807
01:22:35,800 --> 01:22:40,599
Speaker 2: Speaking of Syracuse. Yeah, how did sh it's all over?

1808
01:22:41,640 --> 01:22:43,479
Speaker 4: Where do you miss all the jokes?

1809
01:22:43,600 --> 01:22:45,559
Speaker 3: I thought it was? I don't know, well, I thought

1810
01:22:45,560 --> 01:22:46,360
Speaker 3: he was from Rochester.

1811
01:22:46,920 --> 01:22:49,360
Speaker 4: No, he's that's why when I say, from my hometown.

1812
01:22:49,400 --> 01:22:50,480
Speaker 4: He's from my hometown.

1813
01:22:50,520 --> 01:22:55,080
Speaker 3: I thought he's from Rochester. Who's from Rochester? M somebody

1814
01:22:55,080 --> 01:23:03,799
Speaker 3: else Rochester thirty specially from Rochester. Yes, those from Rochester

1815
01:23:04,920 --> 01:23:06,600
Speaker 3: kind of get a mixed up to guys I listened to.

1816
01:23:06,640 --> 01:23:08,599
Speaker 3: I knew, I knew somebody. I'm like, I'm I kind

1817
01:23:08,640 --> 01:23:12,720
Speaker 3: of threw. I knew that Stove was from up you know,

1818
01:23:13,200 --> 01:23:14,719
Speaker 3: he was from he was up there on the interstate

1819
01:23:14,800 --> 01:23:15,240
Speaker 3: going off.

1820
01:23:15,280 --> 01:23:20,080
Speaker 5: I knew that from theists around baby central Central New York.

1821
01:23:19,920 --> 01:23:21,719
Speaker 3: Real shout out the Stove.

1822
01:23:21,840 --> 01:23:25,280
Speaker 2: Scariest cities in the whole state up there, Syracuse, just

1823
01:23:25,360 --> 01:23:28,519
Speaker 2: upstate cities in general are tarrolined me. Rochester might be

1824
01:23:28,560 --> 01:23:29,280
Speaker 2: the scary Rochester.

1825
01:23:29,360 --> 01:23:31,599
Speaker 4: We don't Rochester is we don't. We don't go over there.

1826
01:23:32,760 --> 01:23:35,360
Speaker 3: We don't go over there in Rochester.

1827
01:23:35,479 --> 01:23:37,960
Speaker 4: Is I'm cool, bro, everything the light touches as ours

1828
01:23:38,120 --> 01:23:40,160
Speaker 4: that all this ship. We don't go over there.

1829
01:23:40,439 --> 01:23:41,040
Speaker 3: Like we cool.

1830
01:23:41,800 --> 01:23:43,880
Speaker 2: Qus is scary in certain parts, but at least like

1831
01:23:43,920 --> 01:23:46,840
Speaker 2: there'll be some you know, you go campus, there's like

1832
01:23:46,920 --> 01:23:50,960
Speaker 2: some hope. Yeah, Rochester and Niagara are the scariest places

1833
01:23:51,000 --> 01:23:51,320
Speaker 2: on earth.

1834
01:23:51,760 --> 01:23:54,880
Speaker 3: Every city got a scary place, but the whole city.

1835
01:23:55,439 --> 01:23:57,519
Speaker 2: Yeah, like New Haven has Yale at.

1836
01:23:57,520 --> 01:24:01,440
Speaker 4: Least pistol Waven.

1837
01:24:00,840 --> 01:24:07,000
Speaker 2: Which is true. Don't fuck Connecticut maul. You know this

1838
01:24:07,080 --> 01:24:09,679
Speaker 2: episode is sponsored by Row.

1839
01:24:10,040 --> 01:24:10,840
Speaker 3: Ro helps you grow.

1840
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Speaker 2: You cannot spell Rory without Row, so naturally it's a

1841
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Speaker 2: great fit for this podcast because sometimes I never know

1842
01:24:19,800 --> 01:24:20,880
Speaker 2: when it's about to go down.

1843
01:24:21,680 --> 01:24:24,920
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1844
01:24:23,760 --> 01:24:27,200
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1845
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1846
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1847
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1848
01:24:35,600 --> 01:24:38,160
Speaker 2: a little confused on what we're talking about, we're talking about.

1849
01:24:39,000 --> 01:24:39,800
Speaker 3: Row, Baby Row.

1850
01:24:41,000 --> 01:24:43,320
Speaker 2: You have to row to that box as fast as

1851
01:24:43,320 --> 01:24:46,360
Speaker 2: you can because sometimes the moment just hits and you

1852
01:24:46,479 --> 01:24:47,879
Speaker 2: sitting there all flaccid.

1853
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1854
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1855
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1856
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Speaker 2: It prescribed new sexual health patients get fifteen dollars off

1857
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1858
01:25:02,280 --> 01:25:05,880
Speaker 2: the provider at road dot co. Slash roryan Mall to

1859
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Speaker 2: find out if prescription roast sparks are right for you.

1860
01:25:09,200 --> 01:25:14,280
Speaker 2: That's Oro dot Co slash roryan Mall for fifteen dollars

1861
01:25:14,360 --> 01:25:23,400
Speaker 2: off your first order. Speaking of LeVar Ball, I'm not

1862
01:25:23,439 --> 01:25:26,479
Speaker 2: here to apologize to mal because we never said Jellow

1863
01:25:26,479 --> 01:25:28,280
Speaker 2: was going to be a superstar. I just think he's

1864
01:25:28,280 --> 01:25:31,720
Speaker 2: probably sort of close to recouping his deal. I think

1865
01:25:31,760 --> 01:25:35,640
Speaker 2: the joint venture was a little a little aggressive.

1866
01:25:35,200 --> 01:25:37,880
Speaker 3: On every man. All of that shit was bullshit, man,

1867
01:25:38,080 --> 01:25:40,960
Speaker 3: all oh, I'm fine saying that all of it. Man,

1868
01:25:41,040 --> 01:25:41,960
Speaker 3: cut it out, but it was.

1869
01:25:41,880 --> 01:25:46,680
Speaker 2: Like seven million dollars. He kind of blew the opportunity

1870
01:25:46,720 --> 01:25:48,040
Speaker 2: with the looks that they gave him when he was

1871
01:25:48,080 --> 01:25:52,720
Speaker 2: doing the lion shit rolling loud, the glorilla thing. You

1872
01:25:52,760 --> 01:25:55,800
Speaker 2: can't say, def jam fucked this up. Oh No, they

1873
01:25:55,840 --> 01:25:58,080
Speaker 2: gave him all gave him every look. Yeah, they gave

1874
01:25:58,120 --> 01:25:59,840
Speaker 2: him all the pass coach, they gave him all of

1875
01:26:00,160 --> 01:26:05,120
Speaker 2: you know, NBA All Star Weekend. They had every single look.

1876
01:26:05,320 --> 01:26:07,919
Speaker 3: They gave him every look that every rapper that deserves

1877
01:26:07,960 --> 01:26:09,400
Speaker 3: a look should have.

1878
01:26:09,439 --> 01:26:13,760
Speaker 2: A scorching hot glorilla and a great gloriala verse, just

1879
01:26:13,800 --> 01:26:17,240
Speaker 2: not on a good song. Yeah, that snippet to what

1880
01:26:17,240 --> 01:26:19,720
Speaker 2: booted up is the name of it? Come on, man,

1881
01:26:20,720 --> 01:26:21,120
Speaker 2: it's over.

1882
01:26:22,160 --> 01:26:24,080
Speaker 3: It was over when it starts. See this is why

1883
01:26:24,120 --> 01:26:26,000
Speaker 3: I get mad with y'all because I say ship before

1884
01:26:26,040 --> 01:26:28,559
Speaker 3: it happens. Y'all look at me like, well, you don't know, mall.

1885
01:26:28,640 --> 01:26:31,479
Speaker 3: You can't say that it's the new. This ship was

1886
01:26:31,520 --> 01:26:34,320
Speaker 3: bullshit from the start. I told you that song was trash.

1887
01:26:34,720 --> 01:26:37,880
Speaker 3: I don't agree that. You don't listen to that ship.

1888
01:26:37,960 --> 01:26:40,920
Speaker 3: You don't hear it nowhere. They're not playing that record nowhere.

1889
01:26:40,960 --> 01:26:43,200
Speaker 3: It's over. That ship last ed, you know, two weeks

1890
01:26:43,200 --> 01:26:46,080
Speaker 3: on the timeline. Nobody's talking about that record.

1891
01:26:46,120 --> 01:26:49,040
Speaker 2: We lasted through All Star fucking line like that was

1892
01:26:49,080 --> 01:26:49,519
Speaker 2: a long time.

1893
01:26:49,560 --> 01:26:52,400
Speaker 3: Where that was three weeks an All Star game and

1894
01:26:52,479 --> 01:26:54,120
Speaker 3: fucking the Lions game.

1895
01:26:54,280 --> 01:26:55,840
Speaker 4: Ma, where do you be at this is?

1896
01:26:55,960 --> 01:26:57,920
Speaker 5: And you say this about a lot of music, and

1897
01:26:58,320 --> 01:27:00,360
Speaker 5: respectfully because I know you and I know you don't

1898
01:27:00,400 --> 01:27:01,679
Speaker 5: be nowhere but in your goddamn house.

1899
01:27:01,760 --> 01:27:03,320
Speaker 3: Yeah, where do you be? Where you be?

1900
01:27:03,400 --> 01:27:05,360
Speaker 5: Like, yo, hear that ship nowhere? You don't?

1901
01:27:06,400 --> 01:27:07,800
Speaker 3: You know what I said when I said I don't

1902
01:27:07,800 --> 01:27:08,720
Speaker 3: hear and they was.

1903
01:27:08,680 --> 01:27:10,040
Speaker 2: Trying to tell you that, And they go out get

1904
01:27:10,080 --> 01:27:12,519
Speaker 2: booked constantly, like we play that record every single time.

1905
01:27:14,840 --> 01:27:17,200
Speaker 3: Did your you think DJR Drama plays that record?

1906
01:27:17,800 --> 01:27:19,559
Speaker 2: He said in our group chat multiple times. When you're

1907
01:27:19,560 --> 01:27:20,280
Speaker 2: saying nobody cared.

1908
01:27:20,120 --> 01:27:21,799
Speaker 3: About some about you line, you don't play that record

1909
01:27:21,840 --> 01:27:23,200
Speaker 3: and if you do play it, you play you just

1910
01:27:23,200 --> 01:27:26,960
Speaker 3: play the hook and get right into something else that's

1911
01:27:27,000 --> 01:27:30,360
Speaker 3: that time as opposed to what's not. Even the DJ's

1912
01:27:30,360 --> 01:27:33,880
Speaker 3: are DJing based on timeline ship. Yeah, the fuck out

1913
01:27:33,920 --> 01:27:35,280
Speaker 3: of here with that ship. I don't care if you

1914
01:27:35,360 --> 01:27:38,439
Speaker 3: niggas got your phones out making videos for the time record.

1915
01:27:38,640 --> 01:27:40,160
Speaker 2: They play in full period.

1916
01:27:40,320 --> 01:27:41,200
Speaker 4: They don't play nothing else.

1917
01:27:41,320 --> 01:27:43,679
Speaker 2: Even when we liked the era of music, they weren't

1918
01:27:43,720 --> 01:27:43,920
Speaker 2: doing that.

1919
01:27:43,960 --> 01:27:45,479
Speaker 3: I'm not saying I'm not saying you have to play.

1920
01:27:45,320 --> 01:27:47,400
Speaker 2: The Nigga's a Prodigy's third verse on shok one.

1921
01:27:47,400 --> 01:27:49,519
Speaker 3: I'm not saying that. I'm saying that that record, all

1922
01:27:49,560 --> 01:27:52,639
Speaker 3: of that ship was gimmick shit. That whole Jello ship

1923
01:27:52,760 --> 01:27:53,400
Speaker 3: was gimmick shit.

1924
01:27:53,479 --> 01:27:54,120
Speaker 2: Oh wait, hold on.

1925
01:27:54,439 --> 01:27:56,519
Speaker 3: We never argued that it wasn't a gimmick no, but

1926
01:27:56,560 --> 01:27:58,160
Speaker 3: I was like, no, this is hard because it was.

1927
01:27:58,520 --> 01:28:02,040
Speaker 3: It was. It was not not y'all niggas was y'all

1928
01:28:02,080 --> 01:28:07,120
Speaker 3: was cloud chasing you Jello conspiring together? Yes, exactly, y'all

1929
01:28:07,160 --> 01:28:10,840
Speaker 3: was cloud chasing. Yeah, that ship was trash. I got

1930
01:28:10,920 --> 01:28:14,320
Speaker 3: zero cloud on that record. Trash. You made a video.

1931
01:28:14,400 --> 01:28:17,040
Speaker 3: You posted a video of your story to that ship.

1932
01:28:17,120 --> 01:28:20,880
Speaker 2: He didn't not have you ever seen period, So I

1933
01:28:20,920 --> 01:28:22,200
Speaker 2: don't even do that to my own music.

1934
01:28:22,320 --> 01:28:26,280
Speaker 3: I saw you post the video. I ain't gonna lie yo.

1935
01:28:26,439 --> 01:28:30,040
Speaker 3: Def jam might have caught one the fuck out of

1936
01:28:30,080 --> 01:28:30,880
Speaker 3: here with that ship.

1937
01:28:31,080 --> 01:28:34,200
Speaker 2: January thirdy came out. It lasted to at least the

1938
01:28:34,320 --> 01:28:37,720
Speaker 2: end of March early April, and.

1939
01:28:37,720 --> 01:28:40,160
Speaker 4: That's a long time for a song from artists.

1940
01:28:40,160 --> 01:28:42,560
Speaker 3: I'm not gonna last. She ain't last, and nobody played that.

1941
01:28:42,760 --> 01:28:46,000
Speaker 5: Ain't He can bounce back from this because we saw Gloilla,

1942
01:28:46,080 --> 01:28:48,640
Speaker 5: who was having quite arguably last year was one of

1943
01:28:48,680 --> 01:28:51,760
Speaker 5: the greatest years ever in music for her. We saw

1944
01:28:51,800 --> 01:28:55,200
Speaker 5: her drop that hot, hot bowl of piss that was

1945
01:28:55,240 --> 01:28:58,040
Speaker 5: that fucking ship, and she bounced back and had a

1946
01:28:58,680 --> 01:28:59,200
Speaker 5: let's not have.

1947
01:28:59,200 --> 01:29:00,679
Speaker 2: Like Lorella didn't have a better rest.

1948
01:29:01,600 --> 01:29:03,960
Speaker 3: Glorilla is a way better artist, she's a she's a

1949
01:29:04,000 --> 01:29:04,840
Speaker 3: way better rapper.

1950
01:29:04,960 --> 01:29:07,040
Speaker 5: She had the two songs, she had the two hit songs,

1951
01:29:07,120 --> 01:29:10,240
Speaker 5: so she had one more than Jello, but yeah, she

1952
01:29:10,280 --> 01:29:14,080
Speaker 5: only had the teacher. She had tomorrow too, and she

1953
01:29:14,240 --> 01:29:17,920
Speaker 5: had the original, her original song, and.

1954
01:29:17,800 --> 01:29:19,080
Speaker 4: Then came out.

1955
01:29:20,400 --> 01:29:21,000
Speaker 3: That's what happened.

1956
01:29:21,040 --> 01:29:23,720
Speaker 4: Everybody was saying her career was over, and she bounced back.

1957
01:29:24,720 --> 01:29:28,200
Speaker 3: Yeah, but this is different. This Jello shit is out

1958
01:29:28,200 --> 01:29:30,720
Speaker 3: of here. We could wrap this up, we could pack

1959
01:29:30,760 --> 01:29:33,840
Speaker 3: all this, boot it up, pack it up, suit it up,

1960
01:29:33,960 --> 01:29:36,519
Speaker 3: all of that can go. This is just not that.

1961
01:29:36,600 --> 01:29:38,040
Speaker 3: Come on, let's just be real. It's now we know

1962
01:29:38,080 --> 01:29:41,080
Speaker 3: what this is. They chasing something, They chasing the moment,

1963
01:29:41,160 --> 01:29:42,960
Speaker 3: that's all it is. And that's where the music gets

1964
01:29:42,960 --> 01:29:45,599
Speaker 3: fucked up at when you start signing artists and giving

1965
01:29:45,640 --> 01:29:47,720
Speaker 3: them these advances and giving them all these looks and

1966
01:29:47,760 --> 01:29:49,960
Speaker 3: instead of the third bro, nobody wants to hear that

1967
01:29:50,000 --> 01:29:52,800
Speaker 3: ship that she's gonna last for two months. And then

1968
01:29:52,800 --> 01:29:54,519
Speaker 3: it's like all right, man, like we're not posting that

1969
01:29:54,600 --> 01:29:57,360
Speaker 3: on our timeline no more. It just is what it is.

1970
01:29:57,840 --> 01:30:00,479
Speaker 2: Well, I mean, they just went the Glorilla record and

1971
01:30:00,560 --> 01:30:02,960
Speaker 2: this booted love shit. It's just shittier versions of the

1972
01:30:03,000 --> 01:30:09,200
Speaker 2: original song, where like glow RelA yeshit was awful, but

1973
01:30:09,479 --> 01:30:11,760
Speaker 2: then you get a yeah, glow like. I don't know

1974
01:30:11,920 --> 01:30:14,559
Speaker 2: if Jello is capable of that. We've only seen him

1975
01:30:14,560 --> 01:30:16,599
Speaker 2: be capable of making a shittier version of his hit record.

1976
01:30:17,920 --> 01:30:21,360
Speaker 3: He's chasing that same type of yeah, it's not yeah, man,

1977
01:30:21,800 --> 01:30:22,679
Speaker 3: that's not it.

1978
01:30:22,439 --> 01:30:25,519
Speaker 5: And what he doesn't understand is that record went off

1979
01:30:25,640 --> 01:30:28,880
Speaker 5: because it was different than what's out right now. It

1980
01:30:29,000 --> 01:30:31,200
Speaker 5: sounded different, which is why it went off so much.

1981
01:30:31,360 --> 01:30:34,240
Speaker 5: To keep trying to repeat it with not it's not

1982
01:30:34,280 --> 01:30:38,000
Speaker 5: going to hit the same unless you're a phenomenal rapper,

1983
01:30:38,439 --> 01:30:42,320
Speaker 5: and he's not a phenomenal rapper. So but I kind

1984
01:30:42,320 --> 01:30:43,680
Speaker 5: of want him to win. I don't know, I'm kind

1985
01:30:43,680 --> 01:30:45,200
Speaker 5: of like rooting for him. I want him to come

1986
01:30:45,200 --> 01:30:46,000
Speaker 5: back with something better.

1987
01:30:46,080 --> 01:30:48,080
Speaker 3: I'm for anybody black to win. But I'm just saying

1988
01:30:48,080 --> 01:30:50,320
Speaker 3: I'm also being honest and be real with you. That

1989
01:30:50,320 --> 01:30:54,000
Speaker 3: ain't it. That's all. I'm just a consumer. I love

1990
01:30:54,040 --> 01:30:57,160
Speaker 3: the culture, love the art. I'm just being out. That's

1991
01:30:57,240 --> 01:31:00,280
Speaker 3: not it, bro, Go back in the lab, work on

1992
01:31:00,400 --> 01:31:05,400
Speaker 3: your skills, set a little bit, find your your true identity.

1993
01:31:05,760 --> 01:31:07,599
Speaker 3: Don't try to find it through the balls, because niggas

1994
01:31:07,600 --> 01:31:09,800
Speaker 3: try to find themselves through their bars. Who I want

1995
01:31:09,800 --> 01:31:13,240
Speaker 3: to be today, no, no, nice, go home, figure out

1996
01:31:13,240 --> 01:31:16,519
Speaker 3: who you are first? Are you a ball player? Is

1997
01:31:16,680 --> 01:31:18,400
Speaker 3: just this rap just a hustle because it's a hustle

1998
01:31:18,400 --> 01:31:19,679
Speaker 3: for a lot of niggas? Is it just a hustle

1999
01:31:19,720 --> 01:31:22,439
Speaker 3: for you? Didn't hustle? I ain't mad at it, but

2000
01:31:22,520 --> 01:31:24,720
Speaker 3: you can't hustle me. I know what hustle when I

2001
01:31:24,720 --> 01:31:25,240
Speaker 3: see a hustle.

2002
01:31:25,280 --> 01:31:27,800
Speaker 5: Who else in history would you say that you've seen

2003
01:31:27,880 --> 01:31:29,880
Speaker 5: try to find themselves through the bars?

2004
01:31:30,800 --> 01:31:38,040
Speaker 3: Who else tried to find themselves through the in history?

2005
01:31:38,280 --> 01:31:42,120
Speaker 3: Some would argue Tupac? Some would I get why you

2006
01:31:42,120 --> 01:31:44,000
Speaker 3: say that, because Tupac when he first came out, it

2007
01:31:44,120 --> 01:31:47,560
Speaker 3: was more fun, loving more, you know, digital Underground was

2008
01:31:47,600 --> 01:31:51,040
Speaker 3: a more fun type of energy vibe. But I mean,

2009
01:31:51,120 --> 01:31:53,599
Speaker 3: I don't know. I mean things happen in possible real

2010
01:31:53,680 --> 01:31:57,320
Speaker 3: life that I think caused his energy and demeaning to

2011
01:31:57,479 --> 01:32:00,160
Speaker 3: change through his music. So I mean that's not I

2012
01:32:00,200 --> 01:32:03,240
Speaker 3: can't say, no, I don't. I don't agree with Tupac

2013
01:32:03,280 --> 01:32:06,799
Speaker 3: on that we understand why pop's energy and demeanor changed

2014
01:32:07,280 --> 01:32:08,000
Speaker 3: in his music.

2015
01:32:08,400 --> 01:32:09,599
Speaker 2: But what do you mean by that question?

2016
01:32:09,680 --> 01:32:09,760
Speaker 3: Like?

2017
01:32:09,800 --> 01:32:14,479
Speaker 2: What hasn't every rapper that's good found themselves through their lyrics?

2018
01:32:14,600 --> 01:32:16,479
Speaker 3: No, for some rappers come in the game knowing exactly

2019
01:32:16,479 --> 01:32:17,840
Speaker 3: who they are before they start rapping.

2020
01:32:18,040 --> 01:32:20,880
Speaker 2: Oh, you're saying someone that makes a complete new identity

2021
01:32:21,200 --> 01:32:25,040
Speaker 2: who they are. Oh, I mean almost all rappers have

2022
01:32:25,080 --> 01:32:28,400
Speaker 2: been accused of it, but I don't know if there's

2023
01:32:28,439 --> 01:32:31,920
Speaker 2: been a flat out rapper that's we know for a fact.

2024
01:32:32,000 --> 01:32:35,640
Speaker 2: This is just a complete different version of you. Have

2025
01:32:35,720 --> 01:32:37,599
Speaker 2: you guys heard like a CB four situation.

2026
01:32:37,640 --> 01:32:38,519
Speaker 4: You're saying like.

2027
01:32:38,439 --> 01:32:41,600
Speaker 3: That, that's what this yellow shit felt like to me?

2028
01:32:41,840 --> 01:32:42,080
Speaker 3: Have you?

2029
01:32:42,200 --> 01:32:44,040
Speaker 2: Yeah, I'm not. We were never mad.

2030
01:32:43,920 --> 01:32:44,960
Speaker 3: At like C before.

2031
01:32:46,640 --> 01:32:50,080
Speaker 4: It's mc gusto mgk's new song. Have you guys heard that?

2032
01:32:50,880 --> 01:32:56,479
Speaker 2: Yeah you said, yeah, of course, but no, I'm sorry

2033
01:32:56,520 --> 01:32:58,519
Speaker 2: I heard the song's only fifteen seconds long?

2034
01:32:58,600 --> 01:33:01,080
Speaker 3: Right? Are you only seen on time? I like me, Yeah,

2035
01:33:01,160 --> 01:33:03,479
Speaker 3: he's god like a car wash. Somebody throws him a

2036
01:33:03,479 --> 01:33:05,639
Speaker 3: mop and he starts like, what is that ship man?

2037
01:33:06,240 --> 01:33:10,719
Speaker 5: Yeah, it's you know, it's I mean, it's difference called cliche.

2038
01:33:11,200 --> 01:33:15,960
Speaker 5: Oh maybe he's doing like method acting because it's called cliche.

2039
01:33:16,200 --> 01:33:20,080
Speaker 3: That's what he's doing. Themes he's acting like every boy band,

2040
01:33:20,200 --> 01:33:25,519
Speaker 3: every This is ufo, this is who's's Nickolas Shay.

2041
01:33:25,439 --> 01:33:27,719
Speaker 2: From ninety degrees, ninety eight degrees.

2042
01:33:28,800 --> 01:33:31,759
Speaker 3: This is that one, this is InSync, this is jeopardy.

2043
01:33:31,800 --> 01:33:36,520
Speaker 2: It's not I think it's more like two thousand's alternative.

2044
01:33:36,760 --> 01:33:38,320
Speaker 3: Yeah yeah, than it is.

2045
01:33:38,840 --> 01:33:40,920
Speaker 2: It's like when like bling on a two and pop

2046
01:33:41,200 --> 01:33:44,120
Speaker 2: when you know I like it, but it's just I

2047
01:33:44,200 --> 01:33:47,200
Speaker 2: know what it is. This is gonna control TikTok and

2048
01:33:47,240 --> 01:33:49,559
Speaker 2: the younger generation. Like I don't know, I guess when

2049
01:33:49,600 --> 01:33:51,840
Speaker 2: you see ship like that, can you be mad at

2050
01:33:51,880 --> 01:33:56,679
Speaker 2: an artist if their goal is money and relevance. I'm

2051
01:33:56,680 --> 01:33:59,040
Speaker 2: not saying that's mgk's actually actually never thought it was.

2052
01:33:59,600 --> 01:34:03,200
Speaker 2: And i'mnna not even saying he doesn't not like this record,

2053
01:34:03,240 --> 01:34:07,559
Speaker 2: but this is a clear, clear not even attempt a

2054
01:34:07,600 --> 01:34:12,480
Speaker 2: success at you are going to own TikTok for young kids?

2055
01:34:12,840 --> 01:34:14,400
Speaker 3: Well yeah, I mean obviously he knows what he's doing.

2056
01:34:14,439 --> 01:34:16,439
Speaker 3: It's called cliche for a reason. I mean, I think

2057
01:34:16,439 --> 01:34:19,519
Speaker 3: he's speaking exactly to what you just said, you know,

2058
01:34:19,640 --> 01:34:21,639
Speaker 3: chasing TikTok social media.

2059
01:34:22,439 --> 01:34:26,400
Speaker 2: It's like a parody of a TRL record in two

2060
01:34:26,439 --> 01:34:27,080
Speaker 2: thousand and two.

2061
01:34:27,200 --> 01:34:32,760
Speaker 3: You gonna play it, Mara, No, good job, such a.

2062
01:34:32,720 --> 01:34:34,880
Speaker 2: Smart I'm not, but I mean, I don't know MGK,

2063
01:34:35,120 --> 01:34:38,120
Speaker 2: like I'm again, I'm sure he would come out and

2064
01:34:38,160 --> 01:34:39,640
Speaker 2: be like, no, I actually liked this song, Like I

2065
01:34:39,680 --> 01:34:42,040
Speaker 2: grew up on this and MGK and I are probably

2066
01:34:42,040 --> 01:34:44,600
Speaker 2: the same ageor around a year difference. I grew up

2067
01:34:44,600 --> 01:34:47,559
Speaker 2: on that type of rock music too, So he can

2068
01:34:47,680 --> 01:34:50,280
Speaker 2: hide behind that part of like, no, this, I really

2069
01:34:50,320 --> 01:34:52,200
Speaker 2: like this stuff. And you've seen me do rock music before.

2070
01:34:52,200 --> 01:34:56,160
Speaker 2: I've talked about it forever. But we know what this is. Yeah,

2071
01:34:56,320 --> 01:34:58,400
Speaker 2: down to the video. And but how could I be

2072
01:34:58,439 --> 01:35:00,400
Speaker 2: mad at him? If you want to make fun, money

2073
01:35:00,439 --> 01:35:02,559
Speaker 2: and be relevant, you have to do this.

2074
01:35:03,640 --> 01:35:06,240
Speaker 3: You don't have to do this, And that's what we

2075
01:35:06,280 --> 01:35:07,639
Speaker 3: got to get away. You know you do not you don't.

2076
01:35:07,800 --> 01:35:09,439
Speaker 3: There's a lot of artists that are not doing that

2077
01:35:09,840 --> 01:35:10,559
Speaker 3: what you just said.

2078
01:35:11,000 --> 01:35:13,920
Speaker 2: Are they also dating an A list actress and like

2079
01:35:14,240 --> 01:35:17,759
Speaker 2: really part of the elite Hollywood crowd?

2080
01:35:17,800 --> 01:35:21,400
Speaker 3: Now, yeah, but I mean even if even with that,

2081
01:35:21,680 --> 01:35:24,280
Speaker 3: you don't have to chase mg First of all, MGK

2082
01:35:24,400 --> 01:35:26,200
Speaker 3: is solidified. He's been in the game. How many years?

2083
01:35:27,560 --> 01:35:32,320
Speaker 2: Two thousand and eleven, almost fifteen years.

2084
01:35:32,120 --> 01:35:38,519
Speaker 3: It's a lot of shit MGK does not fifteen years ago, yeah, fourteen.

2085
01:35:40,320 --> 01:35:43,000
Speaker 3: So yeah, artists like MGK, you don't have to do that.

2086
01:35:43,439 --> 01:35:47,519
Speaker 3: I think that MGK did that making fun of artists

2087
01:35:47,520 --> 01:35:49,479
Speaker 3: that do that. I think that's saying he's not taking

2088
01:35:49,560 --> 01:35:52,800
Speaker 3: himself serious right now. This is a attempt at just

2089
01:35:52,960 --> 01:35:53,719
Speaker 3: you know, mocking.

2090
01:35:53,800 --> 01:35:55,640
Speaker 2: But I also think he likes the song and he's

2091
01:35:55,680 --> 01:35:57,160
Speaker 2: having fun, and maybe there's a world where he was

2092
01:35:57,200 --> 01:35:59,880
Speaker 2: just having fun and the label or his management heard

2093
01:35:59,920 --> 01:36:02,160
Speaker 2: it and was like, I know this was a joke,

2094
01:36:02,240 --> 01:36:04,799
Speaker 2: but this is going to be a smash for kids

2095
01:36:05,040 --> 01:36:08,080
Speaker 2: on TikTok, So just either lean into it or just

2096
01:36:08,240 --> 01:36:09,160
Speaker 2: delete it from your hard right.

2097
01:36:10,520 --> 01:36:11,880
Speaker 3: Yeah, I can see that happen. I can see that

2098
01:36:11,920 --> 01:36:13,240
Speaker 3: conversation happening.

2099
01:36:13,160 --> 01:36:15,479
Speaker 2: Because there's been plenty of records that we've heard from

2100
01:36:15,560 --> 01:36:18,720
Speaker 2: artists like I made that as like a joke. Like

2101
01:36:18,800 --> 01:36:21,280
Speaker 2: Nikki said, super Bass wasn't even supposed to make the album.

2102
01:36:21,360 --> 01:36:23,200
Speaker 2: She was like, I just like made it. It sounded

2103
01:36:23,200 --> 01:36:25,960
Speaker 2: cool to me. I was never gonna put it out. Yeah,

2104
01:36:26,120 --> 01:36:28,280
Speaker 2: that was supposed to be like maybe a deluxe B side,

2105
01:36:28,320 --> 01:36:30,120
Speaker 2: and it's like one of the biggest songs of her career.

2106
01:36:30,439 --> 01:36:34,080
Speaker 2: That happens often, So, I mean, we've known MGK two

2107
01:36:34,120 --> 01:36:37,479
Speaker 2: have integrity with his music and very hands on with

2108
01:36:37,520 --> 01:36:40,400
Speaker 2: what goes out. So maybe there's a case where yeah,

2109
01:36:40,400 --> 01:36:42,840
Speaker 2: he really did like it, but we know what it

2110
01:36:42,840 --> 01:36:48,160
Speaker 2: looks like after that car wash clip. Yeah, but I'm

2111
01:36:48,200 --> 01:36:48,920
Speaker 2: not mad at the song.

2112
01:36:49,120 --> 01:36:51,200
Speaker 3: No, I'm not mad at it. It's not for me,

2113
01:36:51,240 --> 01:36:52,840
Speaker 3: but I'm not mad at it. I get it.

2114
01:36:53,040 --> 01:36:55,120
Speaker 2: I don't know if I'm gonna listen to it per se,

2115
01:36:55,160 --> 01:36:58,080
Speaker 2: but I don't know. So you're not gonna listen to

2116
01:36:58,160 --> 01:37:00,360
Speaker 2: League of my Own by Jell I want to drum.

2117
01:37:00,560 --> 01:37:02,599
Speaker 3: I'll listen to it. I'll check it out and see

2118
01:37:02,640 --> 01:37:04,600
Speaker 3: what he did, but I'm not expecting it to be

2119
01:37:04,720 --> 01:37:07,120
Speaker 3: like a phenomenal project or anything like that.

2120
01:37:07,160 --> 01:37:09,080
Speaker 2: The only mistake I'll say that def Jam did, which

2121
01:37:09,160 --> 01:37:11,200
Speaker 2: maybe they didn't do, was putting Wayne on that remix

2122
01:37:11,320 --> 01:37:14,599
Speaker 2: to keep that song going. A good remix feature would

2123
01:37:14,600 --> 01:37:15,479
Speaker 2: have kept that record.

2124
01:37:15,520 --> 01:37:19,200
Speaker 3: That was Wayne's fucking dna O and the originally.

2125
01:37:19,240 --> 01:37:20,639
Speaker 2: I know that's why you didn't need Wayne on it.

2126
01:37:21,200 --> 01:37:23,640
Speaker 3: Yeahucking wayte you need to know. They needed Wayne on

2127
01:37:23,680 --> 01:37:25,479
Speaker 3: it to kind of stamp, but they was going after

2128
01:37:25,680 --> 01:37:27,759
Speaker 3: the Hot Boys ship that whole sound.

2129
01:37:27,720 --> 01:37:29,720
Speaker 2: Put young Boy, put Young Boy on that ship and

2130
01:37:29,760 --> 01:37:30,280
Speaker 2: called it day.

2131
01:37:33,000 --> 01:37:37,439
Speaker 3: Yeah. Nah, Well I told you that she wasn't gonna last.

2132
01:37:38,040 --> 01:37:39,960
Speaker 2: Sense, I owe you an apology? Do you owe Cardi

2133
01:37:40,000 --> 01:37:41,160
Speaker 2: an apology for what?

2134
01:37:41,160 --> 01:37:46,400
Speaker 3: What did I know? Why y'all keep putting me? What

2135
01:37:46,400 --> 01:37:49,360
Speaker 3: what did I say about Cardi? Now? What did I say? Okay?

2136
01:37:49,400 --> 01:37:51,960
Speaker 2: Well, not an apology? Are you tripling down? Because now,

2137
01:37:52,160 --> 01:37:55,639
Speaker 2: after everything that we've been discussing over the past few

2138
01:37:55,680 --> 01:37:59,519
Speaker 2: weeks between her and Stefan Diggs, over the weekend, they

2139
01:37:59,560 --> 01:38:03,200
Speaker 2: did make it official. And everyone knows what making official means.

2140
01:38:03,200 --> 01:38:08,200
Speaker 2: It means posting on Instagram together. They did a whole carousel,

2141
01:38:08,560 --> 01:38:13,040
Speaker 2: which at that point, according to social media rules, y'all

2142
01:38:13,040 --> 01:38:15,400
Speaker 2: are not like just talking having fun. You guys are

2143
01:38:15,439 --> 01:38:19,240
Speaker 2: basically married. No, because you posted a photo on Instagram.

2144
01:38:19,360 --> 01:38:21,719
Speaker 2: Those are the rules. I don't make them. I'm just saying,

2145
01:38:21,720 --> 01:38:22,240
Speaker 2: what the ig.

2146
01:38:22,400 --> 01:38:23,240
Speaker 4: You're skipping ahead?

2147
01:38:23,280 --> 01:38:30,280
Speaker 5: Though you're skipping what might have prompted that post?

2148
01:38:30,920 --> 01:38:34,800
Speaker 2: You were suggesting when Carti went on Twitter spaces and

2149
01:38:34,880 --> 01:38:39,200
Speaker 2: applied to offset asking for alimony more or less spousal support,

2150
01:38:39,640 --> 01:38:42,439
Speaker 2: where she then said, I hope you die, not only die,

2151
01:38:42,680 --> 01:38:43,760
Speaker 2: but die slow, and.

2152
01:38:43,760 --> 01:38:45,439
Speaker 4: I want you to think of me when you die.

2153
01:38:45,840 --> 01:38:47,720
Speaker 5: First of all, everybody was sending me the screenshots and

2154
01:38:47,760 --> 01:38:50,400
Speaker 5: me being in that live niggas like yo de maris,

2155
01:38:50,560 --> 01:38:52,800
Speaker 5: because you know it says like listening it was like

2156
01:38:52,840 --> 01:38:55,400
Speaker 5: ten am. I had him brush my teeth, washed my ass.

2157
01:38:55,439 --> 01:38:57,680
Speaker 5: I was getting up in the kitchen to go get

2158
01:38:57,720 --> 01:38:59,560
Speaker 5: something eat and I clicked that immediately and CARTI was

2159
01:38:59,600 --> 01:39:03,120
Speaker 5: screaming my ear, I said, and listened to the whole thing. Dedication,

2160
01:39:03,360 --> 01:39:04,599
Speaker 5: dedication to the mess.

2161
01:39:04,800 --> 01:39:09,719
Speaker 2: I only saw the clip that everyone's talking about, which

2162
01:39:09,760 --> 01:39:12,400
Speaker 2: is wild, and I feel like there's a lot of

2163
01:39:12,400 --> 01:39:15,080
Speaker 2: men that wish they could scream that when that happens

2164
01:39:15,120 --> 01:39:18,200
Speaker 2: to them, but you know we'd be put on a list.

2165
01:39:18,840 --> 01:39:21,360
Speaker 2: But either way, you think that was a direct response

2166
01:39:21,439 --> 01:39:24,439
Speaker 2: to everything that Offset had put in paperwork.

2167
01:39:24,640 --> 01:39:26,200
Speaker 4: I think I think that that.

2168
01:39:26,920 --> 01:39:29,640
Speaker 5: I think when Stefan posted CARDI I think it was

2169
01:39:29,680 --> 01:39:33,320
Speaker 5: a show of allegiance and just a show of love

2170
01:39:33,360 --> 01:39:33,839
Speaker 5: and support.

2171
01:39:34,400 --> 01:39:36,920
Speaker 2: I just you know, wait, he had an allegiance, thought

2172
01:39:37,000 --> 01:39:40,040
Speaker 2: like he was neutral at the time, is what you're saying.

2173
01:39:40,520 --> 01:39:40,920
Speaker 4: I think it.

2174
01:39:41,080 --> 01:39:43,200
Speaker 5: I think he posted her and show of support after

2175
01:39:43,320 --> 01:39:45,000
Speaker 5: it was the day after all of that happened.

2176
01:39:45,080 --> 01:39:45,519
Speaker 4: Yes, I do.

2177
01:39:45,600 --> 01:39:47,680
Speaker 5: Oh so he posted her first, he posted her, don't

2178
01:39:47,680 --> 01:39:52,160
Speaker 5: I don't follow him, So yes, he posted her first Okay, what.

2179
01:39:52,040 --> 01:39:54,840
Speaker 3: Do I old Cardy an apology for? No, you don't.

2180
01:39:54,840 --> 01:39:57,320
Speaker 2: Oh, I'm wondering if you're tribbling down based off your

2181
01:39:57,360 --> 01:40:00,000
Speaker 2: theory that because I actually never thought it would get

2182
01:40:00,160 --> 01:40:00,360
Speaker 2: to this.

2183
01:40:01,280 --> 01:40:02,320
Speaker 3: You didn't think it would.

2184
01:40:02,439 --> 01:40:05,800
Speaker 2: I thought she was having fun and dating. I didn't

2185
01:40:05,800 --> 01:40:08,719
Speaker 2: think it would get to the almost kissing ig photo

2186
01:40:09,280 --> 01:40:12,400
Speaker 2: because to me, that's a relationship by social media rules.

2187
01:40:14,280 --> 01:40:17,040
Speaker 3: Y'all don't why y'all don't listen to me. They showed

2188
01:40:17,120 --> 01:40:20,240
Speaker 3: up at a fucking nick playoff game court side. I

2189
01:40:20,320 --> 01:40:23,280
Speaker 3: told y'all that was a statement. You niggas argue me. No,

2190
01:40:23,400 --> 01:40:29,080
Speaker 3: they're just having fun and they're just.

2191
01:40:28,520 --> 01:40:32,839
Speaker 5: Definitely a statement again, well that I mean obviously.

2192
01:40:33,000 --> 01:40:33,160
Speaker 2: Yeah.

2193
01:40:33,360 --> 01:40:35,200
Speaker 3: Yeah, So why you can't post a picture?

2194
01:40:37,520 --> 01:40:37,800
Speaker 4: All right?

2195
01:40:38,880 --> 01:40:41,200
Speaker 2: Anytime you fucking somebody you post, can we pull up

2196
01:40:41,200 --> 01:40:42,920
Speaker 2: the photo them with laying on the boat almost kissing.

2197
01:40:43,000 --> 01:40:44,800
Speaker 2: This is a photo you post every time you're kind

2198
01:40:44,800 --> 01:40:45,439
Speaker 2: of fucking someone.

2199
01:40:45,760 --> 01:40:47,200
Speaker 3: No, this is the post. This is the photo you

2200
01:40:47,200 --> 01:40:48,200
Speaker 3: post when you know that.

2201
01:40:48,400 --> 01:40:49,639
Speaker 2: I know married men that don't post.

2202
01:40:49,600 --> 01:40:51,720
Speaker 3: When the whole timeline is talking about you handing the

2203
01:40:51,720 --> 01:40:53,400
Speaker 3: girl a bag of Tussie and you gotta tell your

2204
01:40:53,400 --> 01:40:55,960
Speaker 3: famous girlfriend listen. We gotta scrub that from the top

2205
01:40:56,000 --> 01:40:57,680
Speaker 3: of the time, like we need. We need a new

2206
01:40:57,680 --> 01:41:00,479
Speaker 3: carousel out there in the streets. Show some of the

2207
01:41:00,520 --> 01:41:03,320
Speaker 3: ass the thigh and looked like we're about to kiss.

2208
01:41:03,400 --> 01:41:05,920
Speaker 3: Let's get let's get off of the ass shaking party boat.

2209
01:41:06,080 --> 01:41:07,559
Speaker 3: Let's get the party boat out of here. You ain't

2210
01:41:07,600 --> 01:41:09,240
Speaker 3: seen the party boat since this dropped.

2211
01:41:09,439 --> 01:41:11,120
Speaker 4: Well, this is the party boat that they.

2212
01:41:11,040 --> 01:41:13,400
Speaker 3: Were, but this is a different side of the party boat.

2213
01:41:13,800 --> 01:41:16,080
Speaker 3: This is the love boat. That's the bow. This is

2214
01:41:16,120 --> 01:41:18,080
Speaker 3: the love boat. This is the love boat right here.

2215
01:41:18,120 --> 01:41:22,280
Speaker 3: This is yo. We we love each other. Show show Stephanson,

2216
01:41:22,360 --> 01:41:27,080
Speaker 3: the hr eighty thousand roses love got away from the party,

2217
01:41:27,120 --> 01:41:29,360
Speaker 3: get the party scene out of here. Showed show the

2218
01:41:29,400 --> 01:41:32,559
Speaker 3: people that I love you. That's what this is and

2219
01:41:32,600 --> 01:41:36,519
Speaker 3: I mean cool. Have listen, CARDI have fucking fun. Have fun.

2220
01:41:37,040 --> 01:41:38,720
Speaker 3: That's what she's supposed to do, have a great time.

2221
01:41:38,880 --> 01:41:41,559
Speaker 2: Was that offset tweet really fake? Of? He said, I

2222
01:41:41,640 --> 01:41:43,200
Speaker 2: like the rollout and then spelled it wrong and then

2223
01:41:43,240 --> 01:41:44,160
Speaker 2: had to do the edit version.

2224
01:41:44,520 --> 01:41:46,920
Speaker 4: I have no I wasn't able to find any supporting

2225
01:41:46,960 --> 01:41:47,439
Speaker 4: suits for that.

2226
01:41:47,520 --> 01:41:49,959
Speaker 5: I think it was real. It just might have been old. Okay,

2227
01:41:50,160 --> 01:41:52,439
Speaker 5: I don't know he or he scrept it. I couldn't

2228
01:41:52,479 --> 01:41:53,160
Speaker 5: get confirmation.

2229
01:41:53,200 --> 01:41:54,720
Speaker 2: Well, he gets hacked all the time. We know that

2230
01:41:55,360 --> 01:41:59,559
Speaker 2: to get off sets, passwords, password, off set is hacked

2231
01:41:59,720 --> 01:42:03,280
Speaker 2: by anytime something's actually happening, he just gets hacked.

2232
01:42:04,080 --> 01:42:07,160
Speaker 5: To give the people some backstory of what exactly was

2233
01:42:07,240 --> 01:42:09,280
Speaker 5: going on with the screaming of the spaces if you

2234
01:42:09,320 --> 01:42:14,240
Speaker 5: did not see it, Offset had gave a statement to

2235
01:42:14,320 --> 01:42:16,720
Speaker 5: the Breakfast Club saying that he the reason he was

2236
01:42:16,760 --> 01:42:21,000
Speaker 5: trying to take Cardi for support, posts divorce support or

2237
01:42:21,040 --> 01:42:25,479
Speaker 5: whatever alimony was because she never sees the kids, but

2238
01:42:25,520 --> 01:42:27,920
Speaker 5: she's trying to take him for everything and all types

2239
01:42:27,960 --> 01:42:29,640
Speaker 5: of shit even though she never has the kids. And

2240
01:42:29,680 --> 01:42:33,400
Speaker 5: that prompted Cardi to lose her absolute fucking mind and say, nigga,

2241
01:42:33,479 --> 01:42:35,600
Speaker 5: you haven't seen your kids in weeks. I'm always with

2242
01:42:35,640 --> 01:42:37,679
Speaker 5: your kids. And if I'm not with your kids, I'm working.

2243
01:42:37,920 --> 01:42:43,200
Speaker 5: I pay over fifty thousand dollars in school, security, daycare,

2244
01:42:43,320 --> 01:42:45,679
Speaker 5: all of this shit for the kids monthly, and you're

2245
01:42:45,720 --> 01:42:47,479
Speaker 5: not helping me. You don't help me pay for the

2246
01:42:47,520 --> 01:42:51,439
Speaker 5: Atlanta house like you don't help me with anything, but

2247
01:42:51,600 --> 01:42:54,560
Speaker 5: you're trying to put this out as if like I

2248
01:42:54,600 --> 01:42:56,320
Speaker 5: don't take care of my fucking kids and now I'm

2249
01:42:56,360 --> 01:42:58,160
Speaker 5: trying to take everything from you. And I think that

2250
01:42:58,200 --> 01:43:01,240
Speaker 5: really prompted her to lose her absolute fucking mind, and

2251
01:43:01,320 --> 01:43:04,160
Speaker 5: that that is what prompted that. So she says she's

2252
01:43:04,160 --> 01:43:06,559
Speaker 5: been working Corey. I think she's I think the album

2253
01:43:06,600 --> 01:43:07,720
Speaker 5: might actually be coming this year.

2254
01:43:07,920 --> 01:43:10,719
Speaker 2: So yeah, well she put a snippet out as well.

2255
01:43:10,560 --> 01:43:12,560
Speaker 4: As she does put that out.

2256
01:43:12,800 --> 01:43:18,000
Speaker 5: Oh so she put out Originally she put out herself

2257
01:43:18,680 --> 01:43:22,479
Speaker 5: kind of singing the lyrics to that song. Something leaked

2258
01:43:22,520 --> 01:43:24,880
Speaker 5: on TikTok where it had a beat to it and

2259
01:43:24,920 --> 01:43:27,439
Speaker 5: it sounded like a leaked older version of the song.

2260
01:43:27,520 --> 01:43:30,839
Speaker 5: And then they combined her kind of singing those lyrics

2261
01:43:31,040 --> 01:43:32,760
Speaker 5: combined with the yeah, like they put I.

2262
01:43:32,680 --> 01:43:34,320
Speaker 2: Saw the final version and thought it was the record.

2263
01:43:34,439 --> 01:43:34,639
Speaker 6: Yeah.

2264
01:43:35,120 --> 01:43:37,679
Speaker 2: She was on live just playing music, no no yo,

2265
01:43:38,240 --> 01:43:38,719
Speaker 2: the internet.

2266
01:43:39,000 --> 01:43:41,280
Speaker 5: She just said, she just kind of said the lyrics,

2267
01:43:41,320 --> 01:43:43,920
Speaker 5: and they put somebody got the leaked track and put

2268
01:43:43,920 --> 01:43:44,400
Speaker 5: it together.

2269
01:43:44,640 --> 01:43:46,719
Speaker 2: I liked the lyrics. I'm glad that's not the beat

2270
01:43:46,760 --> 01:43:50,200
Speaker 2: because I've heard that beat from Cardi before. It was

2271
01:43:50,280 --> 01:43:51,400
Speaker 2: very similar to I forgot what.

2272
01:43:52,400 --> 01:43:54,360
Speaker 4: Up a little bit? That little bit?

2273
01:43:54,439 --> 01:43:55,920
Speaker 2: Oh that makes me happy because I did. I thought

2274
01:43:55,960 --> 01:43:58,160
Speaker 2: the lyrics were great for a Cardi record, but the

2275
01:43:58,160 --> 01:43:59,720
Speaker 2: beat I was like, I've heard this a bunch of

2276
01:43:59,720 --> 01:44:01,639
Speaker 2: times her. I'm glad that's not the beat.

2277
01:44:01,640 --> 01:44:02,240
Speaker 1: That what.

2278
01:44:02,400 --> 01:44:05,080
Speaker 5: I'm fine, niggas, I'm trying to find niggas. I've been

2279
01:44:05,080 --> 01:44:09,320
Speaker 5: cuffed up too long. Let me remind niggas. Yeah, me too, Cardi.

2280
01:44:10,080 --> 01:44:13,200
Speaker 2: I thought you weren't cover her fucking summer. Let's go,

2281
01:44:13,439 --> 01:44:14,960
Speaker 2: so you admit you've better in a relationship.

2282
01:44:15,240 --> 01:44:17,519
Speaker 4: Let me remind niggas you bugging up.

2283
01:44:17,680 --> 01:44:19,759
Speaker 5: Sorry, I'm sorry. I got a little lot of character.

2284
01:44:19,840 --> 01:44:22,120
Speaker 5: I'm so sorry. Yes, Cartie don't really forward.

2285
01:44:22,000 --> 01:44:22,679
Speaker 4: To the new project.

2286
01:44:23,160 --> 01:44:24,320
Speaker 2: So you bet in a relationship.

2287
01:44:26,920 --> 01:44:30,519
Speaker 4: Yeah, Stepan Dick, let's go.

2288
01:44:30,960 --> 01:44:32,719
Speaker 2: Are you gonna find your stuff on this weekend?

2289
01:44:33,520 --> 01:44:35,960
Speaker 4: Mhmm? Are you gonna found them?

2290
01:44:36,080 --> 01:44:37,719
Speaker 2: You hosting? I saw the flyer and everything?

2291
01:44:37,880 --> 01:44:40,880
Speaker 5: Who said, I JK, Yeah, I'm yeah, who knows, you know,

2292
01:44:41,160 --> 01:44:41,760
Speaker 5: I don't know.

2293
01:44:41,920 --> 01:44:43,080
Speaker 4: Everything's up in the air.

2294
01:44:44,000 --> 01:44:45,800
Speaker 2: What do you think her hosting swag is gonna be?

2295
01:44:45,840 --> 01:44:45,920
Speaker 3: Like?

2296
01:44:46,960 --> 01:44:48,760
Speaker 2: Yeah, you think she'll grab the mic?

2297
01:44:49,120 --> 01:44:50,920
Speaker 3: Oh, she definitely get on the mic. For sure.

2298
01:44:51,080 --> 01:44:53,000
Speaker 2: If you have above a three point oh gpa, make

2299
01:44:53,040 --> 01:44:53,760
Speaker 2: some noise.

2300
01:44:56,960 --> 01:44:58,840
Speaker 3: Themara's gonna be focused on the girl. She gonna want.

2301
01:44:58,880 --> 01:45:00,400
Speaker 3: She gonna know what pretty girl.

2302
01:45:00,439 --> 01:45:02,880
Speaker 5: So you already know I'm doing dapping up a dapping

2303
01:45:02,960 --> 01:45:04,720
Speaker 5: up to tens. But it's not gonna be adapt. It's

2304
01:45:04,720 --> 01:45:08,479
Speaker 5: gonna be a hug of all women, all the tins

2305
01:45:08,479 --> 01:45:09,000
Speaker 5: and the party.

2306
01:45:09,160 --> 01:45:10,000
Speaker 3: But women or men.

2307
01:45:10,160 --> 01:45:10,760
Speaker 4: Women.

2308
01:45:11,200 --> 01:45:14,080
Speaker 5: You think I'm walking up the men asking for a hug, Well,

2309
01:45:14,320 --> 01:45:14,840
Speaker 5: fire me.

2310
01:45:14,800 --> 01:45:17,240
Speaker 3: If I ever do that. I'm not saying asking, But

2311
01:45:17,320 --> 01:45:19,240
Speaker 3: you know, you might walk up to a guy and

2312
01:45:19,240 --> 01:45:21,439
Speaker 3: just to say hello, and they would hug you. If

2313
01:45:21,439 --> 01:45:22,719
Speaker 3: you walked up and said hello, I'm.

2314
01:45:22,600 --> 01:45:25,080
Speaker 4: Sure they would. Yeah, I'm okay, I'm.

2315
01:45:24,920 --> 01:45:26,680
Speaker 2: Sure any drunk guy to day party would do that,

2316
01:45:26,720 --> 01:45:28,599
Speaker 2: but ability any sober woman.

2317
01:45:28,920 --> 01:45:30,639
Speaker 5: But no, I'm trying to I'm trying to find my Steffan.

2318
01:45:30,720 --> 01:45:32,240
Speaker 5: I'm trying to be on the boat with the bitches.

2319
01:45:34,920 --> 01:45:38,120
Speaker 3: Listen, man, I'm gonna just say this right. Let me

2320
01:45:38,160 --> 01:45:42,800
Speaker 3: just get my ship happy for Cardy, she's happy. I'm happy,

2321
01:45:42,840 --> 01:45:44,840
Speaker 3: Big Bronx. Shit. I support CARDI. I love Cardy. I

2322
01:45:44,880 --> 01:45:51,200
Speaker 3: know that. All I'm saying when this stepfon Diggs, niggas

2323
01:45:51,200 --> 01:45:53,960
Speaker 3: start acting like the Stephon Diggs that we know. We

2324
01:45:54,040 --> 01:45:58,080
Speaker 3: gotta have another conversation because you think cardis in offset

2325
01:45:58,800 --> 01:46:01,760
Speaker 3: when she gets this thig' Steph fond out.

2326
01:46:03,120 --> 01:46:06,640
Speaker 2: Man, here's the thing, because that's been your statement the

2327
01:46:06,760 --> 01:46:09,960
Speaker 2: entire time. And Damaris and I counter to that was, well,

2328
01:46:10,000 --> 01:46:12,320
Speaker 2: she's having fun too. Proof was on the boat. She

2329
01:46:12,439 --> 01:46:14,720
Speaker 2: was dancing with the girls too. We talked about the

2330
01:46:14,760 --> 01:46:17,160
Speaker 2: couple or people that are talking that like the Hose.

2331
01:46:17,040 --> 01:46:19,360
Speaker 3: The honeymoon phases lit we know, No.

2332
01:46:19,040 --> 01:46:20,599
Speaker 2: No, I'm not speaking about them. I want to get

2333
01:46:20,640 --> 01:46:24,719
Speaker 2: into my experience too. I have liked the fun girl

2334
01:46:25,080 --> 01:46:27,599
Speaker 2: until like that fun phase and then like, why are

2335
01:46:27,600 --> 01:46:31,040
Speaker 2: you acting that? Fund still like I like that you

2336
01:46:31,120 --> 01:46:33,120
Speaker 2: liked the Hose, but you liking them wait too, like

2337
01:46:33,120 --> 01:46:34,960
Speaker 2: like that was three months ago. We was liking the

2338
01:46:34,960 --> 01:46:38,519
Speaker 2: Hose three months ago. I could see that scenario happening.

2339
01:46:38,760 --> 01:46:40,719
Speaker 2: She already knows who he is, and like in the past,

2340
01:46:40,760 --> 01:46:44,360
Speaker 2: I've known who that girl is, but then the behavior

2341
01:46:44,439 --> 01:46:45,000
Speaker 2: never switched.

2342
01:46:45,439 --> 01:46:47,400
Speaker 3: That's not how see, that's not how it's gonna happen.

2343
01:46:47,439 --> 01:46:49,280
Speaker 3: Here's how I think it's gonna happen. And I'm not

2344
01:46:49,320 --> 01:46:51,720
Speaker 3: putting this on. I would love to see Cardi and

2345
01:46:51,760 --> 01:46:54,320
Speaker 3: steph On, you know, whatever they have for themselves, whatever

2346
01:46:54,400 --> 01:46:57,080
Speaker 3: plans they have, I hope all of that happens for them.

2347
01:46:57,960 --> 01:47:00,200
Speaker 3: How I see it playing out is step On is

2348
01:47:00,240 --> 01:47:04,840
Speaker 3: gonna do with Stepan does. He's gonna find somebody that

2349
01:47:04,880 --> 01:47:08,160
Speaker 3: he really likes, and he's gonna keep it away from Cardi.

2350
01:47:08,200 --> 01:47:10,560
Speaker 3: He's gonna try to be sneaky with it, and she

2351
01:47:10,640 --> 01:47:12,320
Speaker 3: gonna be like, nigga, why are you being sneaky? You

2352
01:47:12,360 --> 01:47:14,000
Speaker 3: know you could we could be honest, we could do

2353
01:47:14,000 --> 01:47:15,960
Speaker 3: all that you could let me know. And that's how

2354
01:47:16,040 --> 01:47:17,760
Speaker 3: that's gonna it's I don't think it's gonna be ugly.

2355
01:47:17,800 --> 01:47:19,320
Speaker 3: I just think that they're gonna be like, yo, listen,

2356
01:47:19,360 --> 01:47:22,200
Speaker 3: we had fun, it was cool, you know whatever, whatever,

2357
01:47:22,240 --> 01:47:23,960
Speaker 3: We're still friends. I think it's gonna be like that.

2358
01:47:24,040 --> 01:47:26,040
Speaker 3: I think that's how they I don't think it's gonna

2359
01:47:26,040 --> 01:47:28,719
Speaker 3: be like a bad split. I just think that Stephan

2360
01:47:28,720 --> 01:47:30,680
Speaker 3: aren't gonna find something that was another flavor of the

2361
01:47:30,720 --> 01:47:34,479
Speaker 3: month that he ain't telling Carty about, and she gonna

2362
01:47:34,479 --> 01:47:35,680
Speaker 3: be like, all right, nigga, Well, if you're gonna be

2363
01:47:35,720 --> 01:47:37,120
Speaker 3: doing that, just go ahead and do what you're doing,

2364
01:47:37,160 --> 01:47:39,360
Speaker 3: like I'm bringing the holes to you saying you could

2365
01:47:39,400 --> 01:47:41,479
Speaker 3: do it here in front of me, and then you

2366
01:47:41,600 --> 01:47:44,160
Speaker 3: sneaking off going to motherfucking to the mall Deeves with

2367
01:47:44,200 --> 01:47:46,880
Speaker 3: a bitch like I'm CARDI b At the end of

2368
01:47:46,880 --> 01:47:47,600
Speaker 3: the day, we can't do that.

2369
01:47:47,640 --> 01:47:49,160
Speaker 2: And then that says a man like when you try

2370
01:47:49,160 --> 01:47:51,760
Speaker 2: to like make logical sense in the argument, like you

2371
01:47:51,800 --> 01:47:54,200
Speaker 2: knew who I was, You was cool with that, Yeah,

2372
01:47:54,320 --> 01:47:56,280
Speaker 2: I didn't know when did it happen that that wasn't okay?

2373
01:47:56,840 --> 01:48:00,360
Speaker 3: Yeah, when you start liking somebody away from the fun,

2374
01:48:00,800 --> 01:48:03,599
Speaker 3: you can't have fun with somebody, like you can't take

2375
01:48:03,600 --> 01:48:05,760
Speaker 3: the girl from the party, and then like have a

2376
01:48:05,800 --> 01:48:07,720
Speaker 3: private like, nah, you can't do that.

2377
01:48:08,040 --> 01:48:10,840
Speaker 2: Where do we think Carty ends up in the Robert

2378
01:48:10,960 --> 01:48:13,360
Speaker 2: Craft Michael Rubin circle.

2379
01:48:14,800 --> 01:48:17,640
Speaker 3: Well, she was already at the Super Bowl on stage

2380
01:48:18,000 --> 01:48:20,680
Speaker 3: at it wasn't the you know, obviously the game, but

2381
01:48:20,760 --> 01:48:22,439
Speaker 3: she was a few years ago. She was at the

2382
01:48:22,479 --> 01:48:27,559
Speaker 3: Super Bowl's festivities on stage with Robert Kraft, So she

2383
01:48:27,640 --> 01:48:30,240
Speaker 3: has a somewhat I guess a little relationship. They already

2384
01:48:30,520 --> 01:48:32,960
Speaker 3: before Stepan. She was she was a part of the

2385
01:48:32,960 --> 01:48:35,519
Speaker 3: Patriots family before Stepan Diggs.

2386
01:48:36,080 --> 01:48:39,479
Speaker 2: That's gonna be tough. Damn Cardy is gonna be knocking

2387
01:48:39,520 --> 01:48:42,760
Speaker 2: off the checklists, already pissing offset off.

2388
01:48:43,000 --> 01:48:45,479
Speaker 3: She's gonna be well, he gonna be pissed off. Of course,

2389
01:48:45,520 --> 01:48:47,160
Speaker 3: that's been a baby father shit. You know that.

2390
01:48:47,200 --> 01:48:50,880
Speaker 2: But the season has started, so it's already June, August,

2391
01:48:50,920 --> 01:48:53,760
Speaker 2: September is coming. She will be in that box with

2392
01:48:53,920 --> 01:48:58,000
Speaker 2: Robert Craft and Meek Mill. Who gets more attention at

2393
01:48:58,000 --> 01:49:01,639
Speaker 2: the game. Cardi b ll Taylors with Taylor Swift. Taylor

2394
01:49:02,400 --> 01:49:03,719
Speaker 2: Cardi be with to me and say, Taylor.

2395
01:49:03,520 --> 01:49:07,000
Speaker 3: Swift, I don't know, man, Cardi started working in that booth,

2396
01:49:07,080 --> 01:49:08,720
Speaker 3: that skybox, I.

2397
01:49:08,640 --> 01:49:09,759
Speaker 4: Think, cause it'll be different.

2398
01:49:09,800 --> 01:49:12,280
Speaker 5: Taylor's been at all the NFL games, so now Cardi

2399
01:49:12,360 --> 01:49:14,320
Speaker 5: would be a new it's a new face.

2400
01:49:16,160 --> 01:49:16,880
Speaker 4: It's a new face.

2401
01:49:18,560 --> 01:49:19,080
Speaker 3: We don't see.

2402
01:49:19,280 --> 01:49:22,879
Speaker 5: Taylor Swift had five year old girls watching like Football

2403
01:49:23,160 --> 01:49:25,760
Speaker 5: with their dads just to see a glimpse of her

2404
01:49:25,760 --> 01:49:26,360
Speaker 5: in the corner.

2405
01:49:26,680 --> 01:49:28,400
Speaker 3: No, I know, Taylor Swift is Taylor Swift. But I'm

2406
01:49:28,400 --> 01:49:31,559
Speaker 3: just saying Cardi gonna look good in the skybox. Man,

2407
01:49:31,680 --> 01:49:33,200
Speaker 3: pray for all. Set is all like I said.

2408
01:49:33,000 --> 01:49:34,760
Speaker 2: He's gonna do the vibe with the pants suit, like

2409
01:49:34,920 --> 01:49:35,920
Speaker 2: she's gonna show up real.

2410
01:49:35,760 --> 01:49:38,000
Speaker 3: Professional, She's gonna look she's gonna look real good in nfell.

2411
01:49:38,040 --> 01:49:39,920
Speaker 2: You gonna pis Nikki off when Meek is at every

2412
01:49:39,920 --> 01:49:40,720
Speaker 2: Patriot game too.

2413
01:49:42,320 --> 01:49:44,120
Speaker 5: We'll come see me this weekend because I'm looking for

2414
01:49:44,160 --> 01:49:45,000
Speaker 5: my Stepan Diggs.

2415
01:49:45,000 --> 01:49:46,120
Speaker 4: I'm just saying, I know.

2416
01:49:46,320 --> 01:49:47,320
Speaker 3: You don't need a stepan.

2417
01:49:47,680 --> 01:49:49,920
Speaker 5: I need me a stepfand no, I need to have fun.

2418
01:49:50,280 --> 01:49:53,040
Speaker 5: I have been and I am a serial fucking monogamous

2419
01:49:53,040 --> 01:49:54,840
Speaker 5: that I'm over it. I learned guys by the way,

2420
01:49:54,880 --> 01:49:56,759
Speaker 5: you know, I won't talk about this on our next step.

2421
01:49:56,680 --> 01:49:58,800
Speaker 3: Like you about to become a whole, that's what you

2422
01:50:00,360 --> 01:50:02,719
Speaker 3: she said. I'm once they say I am a serial

2423
01:50:02,720 --> 01:50:05,840
Speaker 3: monogamous and I am sick of it. That means the

2424
01:50:05,920 --> 01:50:08,679
Speaker 3: wrong nigga about to hit you. See Insecure with Easter,

2425
01:50:08,960 --> 01:50:11,400
Speaker 3: she started sucking the weed dealer. She said, Dann, you

2426
01:50:11,439 --> 01:50:15,920
Speaker 3: gave him baby d be careful as all.

2427
01:50:15,960 --> 01:50:17,679
Speaker 5: I'm saying, they'll talk about it in the next episode

2428
01:50:17,680 --> 01:50:19,600
Speaker 5: because it is a more serious conversation that I do

2429
01:50:19,640 --> 01:50:20,000
Speaker 5: want to have.

2430
01:50:20,040 --> 01:50:22,640
Speaker 3: I can't realism right, but just don't don't let the

2431
01:50:22,680 --> 01:50:24,640
Speaker 3: wrong nigga hit that's all I'm saying. Don't let the

2432
01:50:25,479 --> 01:50:27,800
Speaker 3: You know what I mean, like, don't do that anybody that.

2433
01:50:27,720 --> 01:50:30,760
Speaker 5: I've already slept with, So obviously the wrong niggas have already.

2434
01:50:30,479 --> 01:50:32,519
Speaker 3: Hit no, no, see, don't do that. Don't do that.

2435
01:50:32,600 --> 01:50:34,559
Speaker 3: You know what I mean. I'm talking about when don't

2436
01:50:34,600 --> 01:50:36,200
Speaker 3: You don't want to look back on this time and

2437
01:50:36,240 --> 01:50:38,240
Speaker 3: be like, Yo, why y'all didn't because that's you love

2438
01:50:38,280 --> 01:50:40,000
Speaker 3: to do that. Why y'all didn't tell me I was

2439
01:50:40,000 --> 01:50:43,240
Speaker 3: bugging out. I'm telling you, don't bug out. I'm telling

2440
01:50:43,240 --> 01:50:46,040
Speaker 3: you before you bug out, do not bug out. Yeah,

2441
01:50:46,080 --> 01:50:48,880
Speaker 3: there's a way to hold correctly. That's all I'm not We'll.

2442
01:50:48,760 --> 01:50:50,840
Speaker 4: Talk about it in the next episode. I'm not houlling on.

2443
01:50:51,160 --> 01:50:54,600
Speaker 2: Well, this was fun. We have a long week of

2444
01:50:54,640 --> 01:50:56,080
Speaker 2: recording because we have a lot of ship to do

2445
01:50:56,080 --> 01:50:56,559
Speaker 2: this weekend.

2446
01:50:56,800 --> 01:51:00,000
Speaker 5: Yes, if you want to see me this weekend, buy tickets,

2447
01:51:00,040 --> 01:51:02,479
Speaker 5: burgers and bottles. They're in my bio because I am

2448
01:51:02,479 --> 01:51:04,960
Speaker 5: hosting and I'm be looking good. It's ship and I'm

2449
01:51:04,960 --> 01:51:06,960
Speaker 5: be wearing my baby d merch that might or might

2450
01:51:07,000 --> 01:51:07,800
Speaker 5: not be coming out song.

2451
01:51:08,560 --> 01:51:09,840
Speaker 2: Are they giving you a microphone?

2452
01:51:10,600 --> 01:51:10,880
Speaker 4: Yeah?

2453
01:51:11,040 --> 01:51:15,360
Speaker 2: Well, I'm really tight that we won't be there. Can

2454
01:51:15,360 --> 01:51:15,920
Speaker 2: I stream it?

2455
01:51:16,600 --> 01:51:17,559
Speaker 4: You're gonna be working.

2456
01:51:18,600 --> 01:51:20,240
Speaker 2: I like, while we're working, I'll just have my phone

2457
01:51:20,280 --> 01:51:20,559
Speaker 2: like this.

2458
01:51:20,920 --> 01:51:24,720
Speaker 5: You during an interview, So so Peach told me it's

2459
01:51:24,760 --> 01:51:27,080
Speaker 5: so funny. Peach was like, you should have you should

2460
01:51:27,080 --> 01:51:29,080
Speaker 5: have got a streaming backpack and you should be streaming

2461
01:51:29,120 --> 01:51:30,800
Speaker 5: everywhere you go. And I'm like, I would have done

2462
01:51:30,800 --> 01:51:32,160
Speaker 5: that if I would have thought about it in advance,

2463
01:51:32,160 --> 01:51:33,960
Speaker 5: because streaming backpacks are what Peached we were looking at.

2464
01:51:33,960 --> 01:51:35,080
Speaker 4: I'm like two thousand dollars.

2465
01:51:35,160 --> 01:51:38,679
Speaker 2: Yeah they're expensive. Yeah, yeah, those stose are a lot.

2466
01:51:38,800 --> 01:51:42,280
Speaker 2: But I mean, I don't know, tell the burgers and bottles, guys,

2467
01:51:42,360 --> 01:51:42,960
Speaker 2: but it split it.

2468
01:51:43,439 --> 01:51:46,080
Speaker 4: Maybe you guys excited for.

2469
01:51:46,120 --> 01:51:51,479
Speaker 2: The crazy rider streaming fact you're streaming, but like every

2470
01:51:51,520 --> 01:51:53,400
Speaker 2: event you do too, so you got like twenty of them.

2471
01:51:55,439 --> 01:51:58,160
Speaker 2: Well this was fun. Let's get out of here because

2472
01:51:58,200 --> 01:51:59,000
Speaker 2: we have some ship to do.

2473
01:51:59,120 --> 01:52:01,720
Speaker 3: Yes, we do the week ahead. We'll talk to y'all soon.

2474
01:52:01,840 --> 01:52:04,920
Speaker 3: Be safe, be blessed. I'm that nigga. He's just ginger peace.

2475
01:52:05,840 --> 01:52:06,640
Speaker 4: Willian no