1 00:00:00,480 --> 00:00:04,360 Speaker 1: What's up everybody. Welcome to the Granger Smith Podcast. Thanks 2 00:00:04,360 --> 00:00:06,800 Speaker 1: for listening on your favorite podcast app. Thank you for 3 00:00:06,920 --> 00:00:09,959 Speaker 1: watching if you're watching on YouTube, and thank you for 4 00:00:10,080 --> 00:00:13,480 Speaker 1: joining on this journey. It's been it's been a wild ride. 5 00:00:13,560 --> 00:00:15,800 Speaker 1: We've had a lot of episodes. Thank you so much 6 00:00:15,960 --> 00:00:18,599 Speaker 1: for all those that have started at the beginning and 7 00:00:18,720 --> 00:00:21,120 Speaker 1: heard this story and heard me talk to some friends 8 00:00:21,120 --> 00:00:23,639 Speaker 1: and heard me hear from some really interesting people. And 9 00:00:23,680 --> 00:00:27,320 Speaker 1: if you're brand new, well thanks thanks for listening. This 10 00:00:27,400 --> 00:00:31,600 Speaker 1: is such a crazy time, such a wild time in 11 00:00:31,640 --> 00:00:34,839 Speaker 1: the music business without a major tour going on, so 12 00:00:34,880 --> 00:00:38,080 Speaker 1: there's so many other other things that we have frian 13 00:00:38,159 --> 00:00:41,279 Speaker 1: and different pans all over the countertop. Here I want 14 00:00:41,320 --> 00:00:43,519 Speaker 1: to tell you some of the ways you can keep 15 00:00:43,600 --> 00:00:44,880 Speaker 1: up with this. Of course, a lot of you guys 16 00:00:45,000 --> 00:00:48,239 Speaker 1: know the Smiths. You could follow us, me and my 17 00:00:48,400 --> 00:00:52,160 Speaker 1: family on the Smiths YouTube channel, on the smith YouTube page. 18 00:00:52,360 --> 00:00:54,760 Speaker 1: You could follow me Granger Smith right here on this 19 00:00:54,840 --> 00:00:58,200 Speaker 1: podcast every single Monday. This is also where you're going 20 00:00:58,240 --> 00:01:00,160 Speaker 1: to find our old Doublis Junior's also where you're going 21 00:01:00,200 --> 00:01:03,640 Speaker 1: to find our truck restoration videos. A lot of you 22 00:01:03,680 --> 00:01:06,120 Speaker 1: guys have been asking commenting every time you see a 23 00:01:06,160 --> 00:01:08,800 Speaker 1: new video pop up on the Granger Smith YouTube site, 24 00:01:09,360 --> 00:01:12,760 Speaker 1: you've been saying where is the truck? How where's the truck? 25 00:01:12,800 --> 00:01:15,640 Speaker 1: In the process of the restoration the seventy four gmc 26 00:01:16,360 --> 00:01:19,160 Speaker 1: uh and I've I've posted on here before. I feel 27 00:01:19,200 --> 00:01:20,759 Speaker 1: like i need to tell you guys. First of all, 28 00:01:20,760 --> 00:01:24,760 Speaker 1: I'm so sorry that that series has been stalled a 29 00:01:24,760 --> 00:01:27,640 Speaker 1: little bit. The cab is at the body shop right now, 30 00:01:27,640 --> 00:01:30,800 Speaker 1: and the body shop is you know, we've done everything 31 00:01:30,920 --> 00:01:33,399 Speaker 1: on the frame up into the body, so the cabs 32 00:01:33,440 --> 00:01:37,720 Speaker 1: at the body shop they're putting the new roof on it, 33 00:01:38,040 --> 00:01:40,280 Speaker 1: and they got We got a big heilstorm that hit 34 00:01:40,360 --> 00:01:42,360 Speaker 1: us in Texas about a month ago, and so the 35 00:01:42,400 --> 00:01:47,600 Speaker 1: body shop got swarmed with work everybody. Everybody has to 36 00:01:47,680 --> 00:01:49,800 Speaker 1: understand that they're doing this work for us for free, 37 00:01:49,960 --> 00:01:52,320 Speaker 1: so when real work comes in, they got to take 38 00:01:52,320 --> 00:01:54,360 Speaker 1: the cash. So we totally understand that we're on a 39 00:01:54,360 --> 00:01:57,440 Speaker 1: little bit of delay. But I'm told that as you're 40 00:01:57,480 --> 00:02:01,760 Speaker 1: watching this podcast this week, we're supposed to get a 41 00:02:01,800 --> 00:02:04,280 Speaker 1: lot of stuff done on that cab, where finally me 42 00:02:04,400 --> 00:02:07,120 Speaker 1: and Butcher and Bull could pick it up and start 43 00:02:07,120 --> 00:02:10,200 Speaker 1: that series again. You could also find our series live 44 00:02:10,320 --> 00:02:13,200 Speaker 1: at the EU Farm right here on this YouTube page. 45 00:02:13,560 --> 00:02:16,600 Speaker 1: But it will be moving soon to a brand new, 46 00:02:16,680 --> 00:02:19,760 Speaker 1: new and improved EE Nation fan club that is in 47 00:02:19,840 --> 00:02:22,120 Speaker 1: development that we will be launching very soon and all 48 00:02:22,160 --> 00:02:27,200 Speaker 1: these live shows will be going to that. And we 49 00:02:27,240 --> 00:02:31,480 Speaker 1: don't have an official brand sponsorship today for this podcast, 50 00:02:31,800 --> 00:02:34,120 Speaker 1: so I will talk to you about ee apparel, which 51 00:02:34,360 --> 00:02:36,560 Speaker 1: I always love to talk to you guys about EEU apparel. 52 00:02:36,639 --> 00:02:39,120 Speaker 1: I'm right here sitting here at the headquarters at the 53 00:02:39,160 --> 00:02:43,360 Speaker 1: EE Farm as we speak. This is always a passion 54 00:02:43,400 --> 00:02:45,519 Speaker 1: project for me, as it has been for many many 55 00:02:45,600 --> 00:02:47,919 Speaker 1: years with me and my brothers, and I want to 56 00:02:47,960 --> 00:02:50,679 Speaker 1: first of all always thank you guys for joining EE Nation, 57 00:02:50,840 --> 00:02:54,079 Speaker 1: for being a part of this brand, of this lifestyle 58 00:02:54,120 --> 00:02:56,640 Speaker 1: that is so much bigger than just music or just 59 00:02:56,720 --> 00:03:02,160 Speaker 1: one person. And I am so proud every day to 60 00:03:02,240 --> 00:03:07,440 Speaker 1: know that we have the responsibility of representing this lifestyle 61 00:03:07,560 --> 00:03:11,280 Speaker 1: through this brand. The month of August coming up, there's 62 00:03:11,280 --> 00:03:14,440 Speaker 1: a lot of new stuff we have August second, our 63 00:03:14,520 --> 00:03:18,040 Speaker 1: back to school release that's gonna be really important August fifteenth. 64 00:03:18,200 --> 00:03:19,840 Speaker 1: Some of you might not think this is important, but 65 00:03:19,880 --> 00:03:21,600 Speaker 1: actually we've been working on this for a long time, 66 00:03:21,639 --> 00:03:24,880 Speaker 1: but that's our leggings release. And Amber has been working 67 00:03:24,919 --> 00:03:27,640 Speaker 1: so hard on these leggings. I mean she's been working 68 00:03:27,639 --> 00:03:30,200 Speaker 1: on this stuff for almost a year trying to find 69 00:03:30,280 --> 00:03:33,040 Speaker 1: the perfect leggings. I know that sounds crazy, but it's 70 00:03:33,040 --> 00:03:35,520 Speaker 1: the real deal and these suckers are going to be amazing. 71 00:03:35,520 --> 00:03:40,360 Speaker 1: That's August fifteenth. Then we get into September fourth through 72 00:03:40,360 --> 00:03:42,520 Speaker 1: the seventh. We're gonna have a Labor Day weekend sell 73 00:03:42,840 --> 00:03:45,000 Speaker 1: That one's gonna be really amazing. I've seen some stuff 74 00:03:45,280 --> 00:03:49,640 Speaker 1: all leading up to September eighteenth, our fall launch, and 75 00:03:49,680 --> 00:03:51,520 Speaker 1: you guys know how these launches go. You got to 76 00:03:51,560 --> 00:03:54,920 Speaker 1: get there early. Everything's gonna sell out, but it's so 77 00:03:55,120 --> 00:03:58,640 Speaker 1: worth it. We're gonna have early access through this fan 78 00:03:58,680 --> 00:04:01,160 Speaker 1: club that I'm talking about, and I'm going to release 79 00:04:01,200 --> 00:04:04,200 Speaker 1: a lot more information as that time gets closer. And 80 00:04:04,200 --> 00:04:06,920 Speaker 1: you know what's really cool about the September eighteenth fall 81 00:04:07,000 --> 00:04:10,600 Speaker 1: launch for Yigie Apparel. What's really cool is the next week, 82 00:04:11,400 --> 00:04:14,400 Speaker 1: my brand new album is going to come out September 83 00:04:14,560 --> 00:04:17,960 Speaker 1: twenty fifth. A lot more that you need to know 84 00:04:18,000 --> 00:04:22,400 Speaker 1: about that and that will be coming soon. Today. This 85 00:04:22,600 --> 00:04:26,640 Speaker 1: is a great chat a great friend of mine, one 86 00:04:26,680 --> 00:04:30,400 Speaker 1: of the pioneers in Texas country music. One of the 87 00:04:30,440 --> 00:04:33,040 Speaker 1: guys that many times has been called the king of 88 00:04:33,080 --> 00:04:36,560 Speaker 1: Texas country music, and he has he has lived life 89 00:04:36,600 --> 00:04:41,000 Speaker 1: to the fullest and he has live a life worthy 90 00:04:41,080 --> 00:04:45,560 Speaker 1: of you guys hearing his story because he's had a 91 00:04:45,560 --> 00:04:48,479 Speaker 1: lot of love, a lot of loss, and a lot 92 00:04:48,480 --> 00:04:51,280 Speaker 1: of redemption. So, without further ado, I want to I 93 00:04:51,320 --> 00:04:53,960 Speaker 1: want to introduce you and introduce you guys to mister 94 00:04:54,080 --> 00:05:30,480 Speaker 1: Josh Abbott. Welcome to the Grand Smith Podcast. Did Kids 95 00:05:30,600 --> 00:05:38,200 Speaker 1: in deesel my tires and schools, Long line by four, 96 00:05:38,920 --> 00:05:53,640 Speaker 1: Husband down on back Home Range and co one page. Yeah, you'reation. 97 00:05:57,320 --> 00:06:02,279 Speaker 1: So I believe it was two thousand nine. We were 98 00:06:02,320 --> 00:06:08,080 Speaker 1: at Anton's downtown Austin. Yeah, a party and it was 99 00:06:08,120 --> 00:06:13,160 Speaker 1: like a benefit I think. And there was a bunch 100 00:06:13,160 --> 00:06:17,039 Speaker 1: of artists there, a bunch of Texas country industry people there. 101 00:06:18,120 --> 00:06:22,360 Speaker 1: And I remember I played a couple of songs acoustic, 102 00:06:22,440 --> 00:06:24,640 Speaker 1: a bunch of people played. Yeah. Yeah, it was a 103 00:06:24,680 --> 00:06:27,040 Speaker 1: bunch And you remember on the nine talking about Yeah, 104 00:06:27,040 --> 00:06:29,880 Speaker 1: I think it was like a showcase of sorts. Yeah. Yeah. 105 00:06:29,920 --> 00:06:33,480 Speaker 1: So my my radio promoter at the time, she said 106 00:06:33,480 --> 00:06:35,919 Speaker 1: to see that guy over there. I think it was 107 00:06:35,920 --> 00:06:38,280 Speaker 1: a red trucker cap you were wearing. That was a 108 00:06:38,520 --> 00:06:41,200 Speaker 1: good memory. Man. She said, that guy is about to 109 00:06:41,200 --> 00:06:43,400 Speaker 1: blow up. He's about to blow up. Was like, what's 110 00:06:43,400 --> 00:06:47,080 Speaker 1: his name? Josh Abbott. That was the first, the first 111 00:06:47,120 --> 00:06:49,720 Speaker 1: time I saw Josh Abbott. I appreciate it. Shout out 112 00:06:49,760 --> 00:06:53,800 Speaker 1: to Angela was the one that did that, and and man, 113 00:06:54,080 --> 00:06:59,240 Speaker 1: she was right, yeah, because you skyrocketed from there. And 114 00:06:59,279 --> 00:07:01,279 Speaker 1: so what do you think I'm right about two thousand 115 00:07:01,279 --> 00:07:04,920 Speaker 1: and nine? Yeah, it's probably, well, I don't know when 116 00:07:04,960 --> 00:07:10,000 Speaker 1: we necessarily skyrocketed, but that was probably, I mean, definitely 117 00:07:10,040 --> 00:07:12,600 Speaker 1: is two thousand and eight or nine, Yeah, because we 118 00:07:12,720 --> 00:07:15,480 Speaker 1: actually started touring in two thousand and eight. So we 119 00:07:15,640 --> 00:07:18,239 Speaker 1: formed our band in two thousand and six just for fun. 120 00:07:19,720 --> 00:07:22,720 Speaker 1: Then we eventually, I think maybe in two thousand and seven, 121 00:07:22,800 --> 00:07:27,280 Speaker 1: recorded that taste Ep Yep, and it just caught so 122 00:07:27,440 --> 00:07:30,560 Speaker 1: much fire and Lubbock that we were like, Okay, we're 123 00:07:30,600 --> 00:07:35,640 Speaker 1: onto something here. So literally, in January of two thousand 124 00:07:35,640 --> 00:07:40,840 Speaker 1: and eight, I dropped out of grad school and signed 125 00:07:40,840 --> 00:07:44,440 Speaker 1: a I didn't really sign any paperwork, but essentially orally 126 00:07:45,560 --> 00:07:48,440 Speaker 1: signed an agreement to be booked by Bruce Kalmick, who's 127 00:07:48,480 --> 00:07:51,880 Speaker 1: now our manager, and so I'll never forget it. I 128 00:07:51,880 --> 00:07:54,000 Speaker 1: mean literally we started in January two thousand and eight 129 00:07:54,040 --> 00:07:56,880 Speaker 1: in terms of like making it. So you know, we 130 00:07:56,960 --> 00:08:00,240 Speaker 1: had we hired Angela to push songs on the radio. 131 00:08:00,760 --> 00:08:02,200 Speaker 1: I don't even know we hired her at that point. 132 00:08:02,240 --> 00:08:04,000 Speaker 1: It might have been a few months out down the road. 133 00:08:04,120 --> 00:08:07,160 Speaker 1: She was definitely, if not then she was definitely in 134 00:08:07,280 --> 00:08:09,880 Speaker 1: talks with you. Yeah, yeah, she's she was great. She 135 00:08:10,000 --> 00:08:12,120 Speaker 1: was a huge supporter and believer in the music and 136 00:08:12,680 --> 00:08:14,880 Speaker 1: really got a lot of Texas radio to play it. 137 00:08:14,960 --> 00:08:17,720 Speaker 1: And when we were just nobody here since since we 138 00:08:17,880 --> 00:08:19,880 Speaker 1: met at least, yeah, man, I mean, you know what's 139 00:08:19,880 --> 00:08:22,360 Speaker 1: funny is that you you reflect on that memory and 140 00:08:22,360 --> 00:08:25,680 Speaker 1: I remember that show. I also remember, you know, I 141 00:08:26,080 --> 00:08:28,280 Speaker 1: also remember on that show. I'm pretty sure my fiddle, 142 00:08:28,320 --> 00:08:34,480 Speaker 1: our fiddle player, Preston he uh he he hd, like 143 00:08:34,559 --> 00:08:37,400 Speaker 1: really slippery boots in that stage was really slick, and 144 00:08:37,440 --> 00:08:40,280 Speaker 1: I think he slipped and fell on it. I'm not 145 00:08:40,280 --> 00:08:43,440 Speaker 1: one hundred percent sure that was the show, but the 146 00:08:43,440 --> 00:08:46,080 Speaker 1: show I remember meeting you guys at two way long 147 00:08:46,120 --> 00:08:49,440 Speaker 1: ago we played a show in Tyler together. Yeah, and 148 00:08:51,559 --> 00:08:55,000 Speaker 1: I mean there was like seventy five people there maybe 149 00:08:55,280 --> 00:08:59,160 Speaker 1: or you were already you're already on your way then maybe, 150 00:08:59,200 --> 00:09:01,640 Speaker 1: But I mean same, the reason it was, I wasn't 151 00:09:01,760 --> 00:09:03,240 Speaker 1: I remember it as a weekday night. I think it's 152 00:09:03,280 --> 00:09:05,880 Speaker 1: like a Wednesday night. The only thing I remember about 153 00:09:05,880 --> 00:09:08,560 Speaker 1: that venue was the big red curtain that they had 154 00:09:08,640 --> 00:09:11,000 Speaker 1: that would that would kind of dramatically open up for 155 00:09:11,040 --> 00:09:13,280 Speaker 1: everyone to watch you. And you know, they opened it 156 00:09:13,320 --> 00:09:15,480 Speaker 1: and I'm like, oh, yeah, baby, there'll be a lot 157 00:09:15,520 --> 00:09:17,640 Speaker 1: of people out there and they're just one. We just 158 00:09:17,679 --> 00:09:19,880 Speaker 1: weren't in a position of celtickets yet, I will say. 159 00:09:19,960 --> 00:09:22,040 Speaker 1: I will say though, I remember that show very well too. 160 00:09:22,720 --> 00:09:25,640 Speaker 1: And and the reason I know you were skyrocketing, First 161 00:09:25,640 --> 00:09:28,440 Speaker 1: of all, you had a bus, and you know there 162 00:09:28,480 --> 00:09:31,199 Speaker 1: was a time when like it was a very defined 163 00:09:31,720 --> 00:09:37,000 Speaker 1: position if you had a bus. And and when you played, 164 00:09:37,200 --> 00:09:39,839 Speaker 1: everyone rushed the stage. They might have been saving. I 165 00:09:39,840 --> 00:09:41,680 Speaker 1: think it's more than saving. It might have been a 166 00:09:41,679 --> 00:09:45,880 Speaker 1: buck fifty, but they all rush the stage, and it 167 00:09:45,960 --> 00:09:50,160 Speaker 1: was like, Wow, this guy's a real deal. And I 168 00:09:50,200 --> 00:09:54,200 Speaker 1: don't know, I think before before we dive into this stuff, 169 00:09:54,880 --> 00:09:58,240 Speaker 1: we need to take care of probably for the listeners here, 170 00:09:58,800 --> 00:10:02,120 Speaker 1: we probably needed to to find Texas Country Yeah, sure, 171 00:10:02,360 --> 00:10:05,200 Speaker 1: because as you know, when both of us started venturing 172 00:10:05,240 --> 00:10:09,000 Speaker 1: out of Texas, that was always a question either you 173 00:10:09,120 --> 00:10:11,920 Speaker 1: got it and you knew it or you just said, 174 00:10:12,080 --> 00:10:15,880 Speaker 1: what is Texas Country? Right? This is like a big question. 175 00:10:16,360 --> 00:10:18,560 Speaker 1: So and I know that it's defined differently, but how 176 00:10:18,559 --> 00:10:23,600 Speaker 1: do you Josh Abbott, the one who has seen I 177 00:10:23,600 --> 00:10:28,280 Speaker 1: could say that you are top five ever of all 178 00:10:28,440 --> 00:10:34,760 Speaker 1: artists that have experienced the extreme presence of what Texas 179 00:10:34,840 --> 00:10:37,520 Speaker 1: Country has to offer. So how do you define it? Well, 180 00:10:37,559 --> 00:10:40,120 Speaker 1: you know, I appreciate the compliment. I definitely think we've 181 00:10:41,320 --> 00:10:43,559 Speaker 1: you know, we accomplished a lot more than I thought 182 00:10:43,600 --> 00:10:49,400 Speaker 1: we would. But you know, it's a music. It's music 183 00:10:49,440 --> 00:10:53,160 Speaker 1: that speaks to our culture. I almost I almost think 184 00:10:53,200 --> 00:10:56,319 Speaker 1: of Texas Country as the same way you would if 185 00:10:56,360 --> 00:10:58,760 Speaker 1: you found out you went to if you go to 186 00:10:58,800 --> 00:11:00,559 Speaker 1: Europe and you found out they had their own kind 187 00:11:00,559 --> 00:11:04,160 Speaker 1: of music scene over there some other specific place, right, 188 00:11:04,200 --> 00:11:08,000 Speaker 1: Because you know, we sing about these locations in Texas, 189 00:11:08,520 --> 00:11:12,800 Speaker 1: and even if we're not like name dropping Rivers and 190 00:11:13,360 --> 00:11:16,800 Speaker 1: and that whole kind of like stereotypical, cheesy quote unquote thing, 191 00:11:16,920 --> 00:11:23,360 Speaker 1: but there's just something about like our culture, the way 192 00:11:23,400 --> 00:11:25,640 Speaker 1: we are raised down here, right. I mean, it's just 193 00:11:26,000 --> 00:11:29,360 Speaker 1: very different as a whole compared to a lot of 194 00:11:29,360 --> 00:11:31,199 Speaker 1: the other a lot of the rest of the country. 195 00:11:31,760 --> 00:11:35,280 Speaker 1: There's there's a very strong sense of pride. You know. 196 00:11:36,120 --> 00:11:40,160 Speaker 1: I caution on the word nationalism because that just seems 197 00:11:40,160 --> 00:11:44,240 Speaker 1: to be like so grossly interpreted these days. And I 198 00:11:44,280 --> 00:11:46,959 Speaker 1: don't want anyone to think I'm referring to like Nazis 199 00:11:47,040 --> 00:11:49,640 Speaker 1: or anything. But I just what I mean is Texas 200 00:11:49,679 --> 00:11:52,400 Speaker 1: we think of ourselves as a nation. You know, we're 201 00:11:52,440 --> 00:11:56,480 Speaker 1: our own country Texas. Yeah, that's fair enough. So I 202 00:11:56,600 --> 00:11:59,360 Speaker 1: just think, yeah, we have our own music scene, we 203 00:11:59,480 --> 00:12:02,960 Speaker 1: have our own seen a music that that people support, 204 00:12:03,200 --> 00:12:07,199 Speaker 1: and it's you know, it's just very uniquely different than 205 00:12:07,200 --> 00:12:09,640 Speaker 1: anywhere else in the country. I mean, I think the 206 00:12:09,679 --> 00:12:15,240 Speaker 1: Seattle Portland, that kind of Northwest Coast rock scene is 207 00:12:15,280 --> 00:12:18,720 Speaker 1: probably you know, maybe as close as it gets to 208 00:12:18,840 --> 00:12:21,560 Speaker 1: kind of mimicking what we do. It could even maybe 209 00:12:21,720 --> 00:12:27,040 Speaker 1: even argue like the Southeastern kind of style and even 210 00:12:27,040 --> 00:12:31,400 Speaker 1: a little bit of that, you know, Southern rock kind 211 00:12:31,400 --> 00:12:33,439 Speaker 1: of has its own thing. But still there's just nothing 212 00:12:33,480 --> 00:12:36,760 Speaker 1: infrastructure wise like we have in Texas, where there's venues 213 00:12:36,840 --> 00:12:40,240 Speaker 1: stacked on top of each other, across the state and 214 00:12:40,320 --> 00:12:42,720 Speaker 1: you can play a city four times a year and 215 00:12:42,800 --> 00:12:45,560 Speaker 1: they're not going to burn your crowd out, which is crazy. Yeah, 216 00:12:45,679 --> 00:12:50,640 Speaker 1: infrastructure absolutely, fans are absolutely part of that. It's hard 217 00:12:50,679 --> 00:12:56,240 Speaker 1: to define the actual style of the genre because especially 218 00:12:56,320 --> 00:13:01,040 Speaker 1: it's Heyday when you have you have Jack Ingram, Whiskey Myers, 219 00:13:02,040 --> 00:13:07,560 Speaker 1: Kevin Fowler, you have some very different styles of music 220 00:13:08,320 --> 00:13:10,720 Speaker 1: all under the same umbrella. It could all play a festival. 221 00:13:11,240 --> 00:13:13,360 Speaker 1: It is a little weird like that, but you know what, 222 00:13:13,440 --> 00:13:14,960 Speaker 1: in the same sense, it's kind of like that with 223 00:13:15,679 --> 00:13:20,160 Speaker 1: national mainstream country, you know. I mean there's Luke Combs, Yeah, 224 00:13:20,200 --> 00:13:23,600 Speaker 1: and there's Miranda Lambert, and there's Carrie Underwood, and there's 225 00:13:23,960 --> 00:13:27,880 Speaker 1: Carly Pearce, and you know, there's Florida Georgia Line and 226 00:13:29,080 --> 00:13:32,000 Speaker 1: you know, there's a whole spectrum of music that kind 227 00:13:32,000 --> 00:13:34,760 Speaker 1: of gets put under the same umbrellas. It's almost the 228 00:13:34,800 --> 00:13:37,720 Speaker 1: same in Texas, I think, you know, with just there's 229 00:13:37,720 --> 00:13:41,000 Speaker 1: some of different styles. Yeah, there's more singer songwriter guys. 230 00:13:41,040 --> 00:13:44,200 Speaker 1: There's more rock bands then that you got your honky 231 00:13:44,240 --> 00:13:48,040 Speaker 1: tonk cowboy hat wearing, you know, fiddle playing bands, and 232 00:13:48,720 --> 00:13:52,160 Speaker 1: I don't know, we've fallen there somewhere. Could you could 233 00:13:52,200 --> 00:13:56,560 Speaker 1: tour in the state of Texas and you specifically could 234 00:13:56,559 --> 00:14:00,920 Speaker 1: put on jat Best, specifically in Lubbock, And how many 235 00:14:00,920 --> 00:14:05,040 Speaker 1: tickets would you sell average on a Jabfest in Loveock, Texas. 236 00:14:06,080 --> 00:14:08,840 Speaker 1: This was supposed to be year ten. I say supposed 237 00:14:08,880 --> 00:14:11,559 Speaker 1: to be because I really don't think that we'll be 238 00:14:11,600 --> 00:14:13,720 Speaker 1: able to have a jab Fest. I understand that I'm 239 00:14:13,720 --> 00:14:16,960 Speaker 1: hoping I'm wrong, but we've had it nine years and 240 00:14:17,000 --> 00:14:20,400 Speaker 1: I'm pretty sure we've sold out the Saturday night starting 241 00:14:20,440 --> 00:14:24,440 Speaker 1: in year three every year. How many tickets is that? Oh, 242 00:14:25,240 --> 00:14:29,640 Speaker 1: a little over seven thousand. And then we added a 243 00:14:29,680 --> 00:14:32,600 Speaker 1: Friday night show a few years ago, and we've sold 244 00:14:32,600 --> 00:14:34,840 Speaker 1: it out a couple times, but we don't play both nights. 245 00:14:34,880 --> 00:14:38,560 Speaker 1: We did one time, and I honestly didn't enjoy playing 246 00:14:38,560 --> 00:14:41,360 Speaker 1: two nights in a row because I just kind of 247 00:14:41,360 --> 00:14:43,720 Speaker 1: wanted to hang. So now we just have it to 248 00:14:43,760 --> 00:14:46,280 Speaker 1: where we have other bands headlined the Friday night and 249 00:14:46,960 --> 00:14:49,560 Speaker 1: I'm off. I just get to hang, yeah and visit 250 00:14:49,600 --> 00:14:52,680 Speaker 1: with them and friends and family, so that when Saturday 251 00:14:52,680 --> 00:14:55,120 Speaker 1: comes around and it's a show day, I'm not distracted 252 00:14:55,120 --> 00:14:58,800 Speaker 1: by all that stuff. But yeah, it's pretty it's been great. 253 00:14:59,320 --> 00:15:02,840 Speaker 1: I mean, that's just an unbelievable number, seven thousand tickets. 254 00:15:03,040 --> 00:15:06,080 Speaker 1: Most people, way, especially from the mainstream nationals. People that 255 00:15:06,120 --> 00:15:08,040 Speaker 1: are listening to this, you know that are your fans 256 00:15:08,080 --> 00:15:11,080 Speaker 1: from across the country, or they might not even know 257 00:15:11,120 --> 00:15:14,200 Speaker 1: who I am. Right because of this podcast, they'll discover me. 258 00:15:14,800 --> 00:15:17,880 Speaker 1: And for them to hear that we have venues where 259 00:15:17,880 --> 00:15:20,880 Speaker 1: we put five thousand plus people in there, they're probably like, 260 00:15:21,000 --> 00:15:26,120 Speaker 1: what the yeah? Oh yeah, and that's what again, that's 261 00:15:26,240 --> 00:15:28,600 Speaker 1: going back to what we talked about originally, is that's 262 00:15:28,720 --> 00:15:32,080 Speaker 1: what makes Texas music so unique. Yeah, we could have 263 00:15:33,520 --> 00:15:38,600 Speaker 1: a chart system with number one songs selling merch. I 264 00:15:38,600 --> 00:15:41,840 Speaker 1: mean I learned merch from Texas Country, agreed, I mean 265 00:15:41,960 --> 00:15:44,960 Speaker 1: far beyond anyone I've ever seen. You know, It's funny. 266 00:15:45,000 --> 00:15:49,800 Speaker 1: Hold one, when I've been asked this question before about 267 00:15:49,920 --> 00:15:53,160 Speaker 1: what's the difference between Texas Country and mainstream country, I'm like, 268 00:15:53,200 --> 00:15:56,400 Speaker 1: you know what, Honestly, we don't put our faces on 269 00:15:56,440 --> 00:16:00,560 Speaker 1: our shirts. Yeah, and we just talked about this. I've 270 00:16:00,600 --> 00:16:04,680 Speaker 1: never seen the Texas Country artists put their face like 271 00:16:04,800 --> 00:16:07,560 Speaker 1: on a shirt, like a tour shirt and sell it 272 00:16:07,560 --> 00:16:12,560 Speaker 1: at shows. But every mainstream artist does it. And it's 273 00:16:12,840 --> 00:16:15,840 Speaker 1: I have no idea why there's a difference. I don't either, 274 00:16:16,080 --> 00:16:18,520 Speaker 1: except for when we first started open up for national 275 00:16:18,520 --> 00:16:21,720 Speaker 1: acts and and our merch would have like ten times 276 00:16:21,760 --> 00:16:27,520 Speaker 1: to merchant. We would be at nobody. The other tour 277 00:16:27,560 --> 00:16:30,760 Speaker 1: managers would be just saying, hey, you got a limiture merch, 278 00:16:30,840 --> 00:16:32,240 Speaker 1: this is crazy. You got to take some of the 279 00:16:32,680 --> 00:16:36,640 Speaker 1: os are way too high, looks like old Navy said over. 280 00:16:38,320 --> 00:16:41,520 Speaker 1: But we learned that partly because that was just a 281 00:16:41,520 --> 00:16:44,920 Speaker 1: big part of our income. Yeah, and Donna Hue taught 282 00:16:44,920 --> 00:16:46,560 Speaker 1: me that early on. That's one of the things I 283 00:16:46,600 --> 00:16:49,720 Speaker 1: wanted to tat me don hu and Watson Man and 284 00:16:49,920 --> 00:16:52,560 Speaker 1: gotta throw a foul in there, because see, for sure, dude, 285 00:16:52,720 --> 00:16:55,040 Speaker 1: he would take me. He would take me as a 286 00:16:55,080 --> 00:16:57,120 Speaker 1: nobody opening act and bring me over to the merch 287 00:16:57,200 --> 00:16:59,600 Speaker 1: table at the end of the night, and then as 288 00:16:59,640 --> 00:17:02,280 Speaker 1: this endless line if people were coming to take a 289 00:17:02,320 --> 00:17:05,200 Speaker 1: picture or get something signed, he would say, did you 290 00:17:05,280 --> 00:17:08,160 Speaker 1: meet Granger? Yep? And you know what, man, A lot 291 00:17:08,160 --> 00:17:10,760 Speaker 1: of artists do that. And I think that's another thing 292 00:17:10,760 --> 00:17:13,320 Speaker 1: that separates us, because first of all, just the act 293 00:17:13,359 --> 00:17:17,400 Speaker 1: of signing. How many country artists on the national mainstream 294 00:17:17,760 --> 00:17:22,680 Speaker 1: charts sign autographs after shows, yeah, you know, and I'm 295 00:17:22,720 --> 00:17:25,840 Speaker 1: not I'm not critiquing that because for some of them, 296 00:17:25,960 --> 00:17:28,320 Speaker 1: that would be that would be horrible, that would be 297 00:17:28,359 --> 00:17:31,760 Speaker 1: a really horrible experience for them. Right, they get done 298 00:17:31,760 --> 00:17:33,600 Speaker 1: playing into a huge show, and they got there to 299 00:17:33,640 --> 00:17:36,000 Speaker 1: sign autographs and they're there for five hours, you know, 300 00:17:36,400 --> 00:17:38,440 Speaker 1: And then what people don't understand is that's not really 301 00:17:38,440 --> 00:17:40,560 Speaker 1: fair to the venue and the staff have been there 302 00:17:40,600 --> 00:17:43,120 Speaker 1: all day long. And now you know, if you sign 303 00:17:43,160 --> 00:17:45,199 Speaker 1: autographs for hours and hours and hours, it's cool for 304 00:17:45,200 --> 00:17:47,600 Speaker 1: the fans, but all those people that work there, you know, 305 00:17:47,600 --> 00:17:54,439 Speaker 1: it's not really cool for them to Nebraska. So you 306 00:17:54,440 --> 00:17:56,359 Speaker 1: have to learn that balance. But that's a big difference 307 00:17:56,359 --> 00:17:58,320 Speaker 1: I think between the two scenes as well. It's just 308 00:17:58,400 --> 00:18:00,840 Speaker 1: the op that I think, would you have a closer 309 00:18:00,880 --> 00:18:03,280 Speaker 1: relationship with fans? I mean, because you know, we're all 310 00:18:03,320 --> 00:18:05,800 Speaker 1: from Texas, right, most of us, So it's kind of like, 311 00:18:06,720 --> 00:18:11,080 Speaker 1: you know, you your fans probably are friends with someone 312 00:18:11,119 --> 00:18:13,480 Speaker 1: you went to high school or college with at least 313 00:18:13,480 --> 00:18:16,080 Speaker 1: early on, or you know, even as you've I've been 314 00:18:16,080 --> 00:18:20,639 Speaker 1: around now for a little bit, but now you know, 315 00:18:20,680 --> 00:18:23,199 Speaker 1: I meet people all the time who, hey, I move 316 00:18:23,320 --> 00:18:25,840 Speaker 1: next door to your old room mate from college, and 317 00:18:25,920 --> 00:18:28,920 Speaker 1: so there's just a real kind of closeness to that. 318 00:18:29,000 --> 00:18:32,639 Speaker 1: You know, the proximity feels really close. Whereas you know 319 00:18:32,720 --> 00:18:35,040 Speaker 1: you're not going to find that in mainstream quite as 320 00:18:35,119 --> 00:18:38,240 Speaker 1: much because looking at the country as opposed to the state. Yeah, 321 00:18:38,800 --> 00:18:41,879 Speaker 1: there's a there's a feeling in the crowd in a 322 00:18:41,880 --> 00:18:45,720 Speaker 1: Texas country concert. There's a feeling that, hey, I want 323 00:18:45,760 --> 00:18:48,480 Speaker 1: to do that. I could do that, I could make 324 00:18:48,520 --> 00:18:51,159 Speaker 1: a CD. It's literally what I start a band and 325 00:18:51,240 --> 00:18:54,639 Speaker 1: do that. It's literally what I said when I went 326 00:18:54,680 --> 00:18:58,439 Speaker 1: and watched, So take me to that moment. So I 327 00:18:58,440 --> 00:19:01,280 Speaker 1: was already playing guitar, started playing guitar probably around twenty one, 328 00:19:02,440 --> 00:19:06,879 Speaker 1: twenty twenty twenty one, not the year at the age. 329 00:19:06,960 --> 00:19:11,359 Speaker 1: It was a long time ago. And I started writing 330 00:19:11,440 --> 00:19:16,320 Speaker 1: songs maybe in two thousand and four, three somewhere in there, 331 00:19:16,400 --> 00:19:19,600 Speaker 1: you know. And I was going to the Blue Light 332 00:19:19,680 --> 00:19:21,320 Speaker 1: and love it because I was going to Texas Tech, 333 00:19:21,480 --> 00:19:24,720 Speaker 1: and you know, Wade Bowen was obviously he was the 334 00:19:24,760 --> 00:19:26,840 Speaker 1: guy everybody listened to because he was a Tech alumni. 335 00:19:27,160 --> 00:19:29,520 Speaker 1: He was just older than me by a couple of years. 336 00:19:29,600 --> 00:19:33,240 Speaker 1: So everybody loved Wade and then all of a sudden 337 00:19:33,280 --> 00:19:37,679 Speaker 1: through that I started hearing about Randy Rogers band and 338 00:19:37,760 --> 00:19:41,920 Speaker 1: Eli young Ban and I mean we would we would 339 00:19:41,960 --> 00:19:45,320 Speaker 1: listen to their CD at the pre party and we'd 340 00:19:45,359 --> 00:19:48,320 Speaker 1: all roll up there together, we'd pay our ten bucks 341 00:19:48,440 --> 00:19:50,840 Speaker 1: or whatever seven bucks to get in, yep, and we'd 342 00:19:50,840 --> 00:19:56,480 Speaker 1: watch these bands. And I remember just feeling so just 343 00:19:57,520 --> 00:20:02,720 Speaker 1: what's the word, I'm looking infatuated, just inspired by there's 344 00:20:02,800 --> 00:20:05,159 Speaker 1: this little stage and there's this band that looks like 345 00:20:05,160 --> 00:20:06,880 Speaker 1: they're having the time of their life and they're playing 346 00:20:06,920 --> 00:20:10,080 Speaker 1: their own songs. I've never heard any of them until 347 00:20:10,400 --> 00:20:12,280 Speaker 1: a friend of mine gave me this CD and said 348 00:20:12,280 --> 00:20:15,840 Speaker 1: you should listen. And you know, I would always be like, well, 349 00:20:15,840 --> 00:20:17,359 Speaker 1: how come they're not on the radio. And it's like 350 00:20:17,480 --> 00:20:19,439 Speaker 1: it's a different thing. You'll you'll learn, you know. And 351 00:20:19,760 --> 00:20:21,520 Speaker 1: because for me, growing up, even though I grew up 352 00:20:21,560 --> 00:20:24,439 Speaker 1: in love it, Texas country was not a really it 353 00:20:24,480 --> 00:20:25,960 Speaker 1: wasn't a thing that was played on the radio like 354 00:20:26,000 --> 00:20:28,320 Speaker 1: it is today now it's very normalized, but back then 355 00:20:28,480 --> 00:20:30,560 Speaker 1: you never heard it on the radio. So I was like, 356 00:20:30,840 --> 00:20:32,600 Speaker 1: you know, who are these guys? Which makes it even 357 00:20:32,640 --> 00:20:35,320 Speaker 1: more cool? And yeah, and so I remember I was 358 00:20:35,359 --> 00:20:37,719 Speaker 1: at specifically as a Randy Rodgers show one, not at 359 00:20:37,720 --> 00:20:40,960 Speaker 1: blue Light, and I just remember being like, I can 360 00:20:41,040 --> 00:20:44,920 Speaker 1: do this. I could totally be that guy, like I'm 361 00:20:44,960 --> 00:20:49,399 Speaker 1: an okay singer and I'm an okay writer. And looking 362 00:20:49,440 --> 00:20:53,480 Speaker 1: back now it's both. There's a mixture of being naive 363 00:20:53,760 --> 00:20:57,560 Speaker 1: and maybe cocky in those statements, but I'd like to 364 00:20:57,600 --> 00:21:00,600 Speaker 1: think it was just more confidence. I was just like, 365 00:21:01,560 --> 00:21:03,800 Speaker 1: I can totally do that. So I started writing songs, 366 00:21:03,800 --> 00:21:06,399 Speaker 1: put together the band with my fraternity brothers, and we 367 00:21:06,520 --> 00:21:09,719 Speaker 1: just started playing blue Light once a week. And you know, 368 00:21:09,880 --> 00:21:11,680 Speaker 1: I won't lie about it. I mean, I think part 369 00:21:11,680 --> 00:21:16,280 Speaker 1: of the reason we caught some success early on, if 370 00:21:16,440 --> 00:21:19,280 Speaker 1: you know, if I'm being humble about it, is, uh, 371 00:21:20,119 --> 00:21:23,480 Speaker 1: we were all on a fraternity right, and specifically my 372 00:21:23,520 --> 00:21:26,760 Speaker 1: bass player at the time, shout out know Hugh he was. 373 00:21:26,880 --> 00:21:28,960 Speaker 1: He's pretty popular in our fraternity and a lot of 374 00:21:29,000 --> 00:21:31,120 Speaker 1: people just love Neil. So we would go play blue 375 00:21:31,160 --> 00:21:33,560 Speaker 1: Light on Tuesday Wednesday night. Am I talking close enough 376 00:21:33,560 --> 00:21:36,439 Speaker 1: to the mic here? Right? Okay? I didn't know. They 377 00:21:36,440 --> 00:21:41,200 Speaker 1: are pretty directional and so anyway we'd show up, Well, 378 00:21:41,600 --> 00:21:43,880 Speaker 1: we were the it thing to do on Tuesday night, 379 00:21:44,119 --> 00:21:47,920 Speaker 1: so you know, all our fraternity brothers, not all of them, 380 00:21:47,920 --> 00:21:49,080 Speaker 1: but a bunch of them would come out and they'd 381 00:21:49,080 --> 00:21:52,200 Speaker 1: bring their girlfriends, well, they'd bring their sorority sisters and roommates, 382 00:21:52,240 --> 00:21:54,800 Speaker 1: and then they'd bring their boyfriends. And the next thing, 383 00:21:54,840 --> 00:21:56,560 Speaker 1: you know, I was like, yeah, I mean, I'm not 384 00:21:56,600 --> 00:21:59,399 Speaker 1: gonna lie. There were some nights where there was fifty 385 00:21:59,440 --> 00:22:02,200 Speaker 1: people there, but there were a lot of nights were 386 00:22:02,200 --> 00:22:06,000 Speaker 1: in college and there's it's sold out on a Tuesday night, 387 00:22:06,800 --> 00:22:09,160 Speaker 1: and me and all the guys are making like five 388 00:22:09,240 --> 00:22:13,399 Speaker 1: hundred bucks each and we think we are kings, Like 389 00:22:13,520 --> 00:22:16,359 Speaker 1: it does not get better than this, right, Like this 390 00:22:16,520 --> 00:22:19,240 Speaker 1: is great? And yeah, I just kind of went from there. 391 00:22:19,600 --> 00:22:22,840 Speaker 1: And what's crazy is and I say this a lot, 392 00:22:22,880 --> 00:22:27,040 Speaker 1: but sometimes those days it's all relative to where you 393 00:22:27,119 --> 00:22:29,439 Speaker 1: are in your life, because maybe that was maybe it 394 00:22:29,440 --> 00:22:32,840 Speaker 1: didn't get any better than that, because well, those were 395 00:22:32,920 --> 00:22:36,440 Speaker 1: pretty awesome nights. They were pretty great, you know, when 396 00:22:36,440 --> 00:22:38,320 Speaker 1: you're the in five hundred at the time, when you're 397 00:22:38,320 --> 00:22:40,800 Speaker 1: a college kid, five hundred bucks is a lot of 398 00:22:40,880 --> 00:22:44,560 Speaker 1: money single college did, yeah, you know, and you can 399 00:22:45,480 --> 00:22:47,840 Speaker 1: pack out the blue light and not have to worry 400 00:22:47,880 --> 00:22:51,520 Speaker 1: about traveling expenses. Make five hundred bucks. It's not a 401 00:22:51,520 --> 00:22:54,360 Speaker 1: bad deal, but you know, you realize real quick, can't 402 00:22:54,400 --> 00:22:57,080 Speaker 1: do that forever, right, So you have to at some 403 00:22:57,119 --> 00:22:59,360 Speaker 1: point parlay that and take the next step. And that's 404 00:22:59,359 --> 00:23:01,720 Speaker 1: what we did. So took the next step. A couple 405 00:23:01,720 --> 00:23:03,879 Speaker 1: of the band members changed because they just didn't want to. 406 00:23:04,320 --> 00:23:06,440 Speaker 1: They honestly did it for fun and they didn't want 407 00:23:06,480 --> 00:23:09,720 Speaker 1: to be in a touring band. They just didn't want 408 00:23:09,720 --> 00:23:13,960 Speaker 1: that wife, and so me and the banjo players stuck 409 00:23:14,000 --> 00:23:15,800 Speaker 1: it out. We found Preston on the fiddle, and we 410 00:23:15,840 --> 00:23:18,639 Speaker 1: found Eddie on the drums, and literally the four of 411 00:23:18,760 --> 00:23:22,159 Speaker 1: us have been, you know, work together since two thousand 412 00:23:22,200 --> 00:23:24,800 Speaker 1: and eight. It's a hard thing at the beginning finding 413 00:23:24,840 --> 00:23:28,120 Speaker 1: guys that you say, hey, we got a gig on Friday. 414 00:23:28,359 --> 00:23:30,399 Speaker 1: I know you have a job, but we got to 415 00:23:30,480 --> 00:23:33,640 Speaker 1: leave at like two pm. Yeah, And they're like, man, 416 00:23:33,800 --> 00:23:35,960 Speaker 1: I can't get off till five, know, And eventually you 417 00:23:36,000 --> 00:23:38,280 Speaker 1: got to say, you can't be in this band anymore. Yeah, 418 00:23:38,600 --> 00:23:41,040 Speaker 1: it's funny you say that. So again, I was in 419 00:23:41,040 --> 00:23:43,280 Speaker 1: grad school. The rest of the band was all in college, 420 00:23:43,320 --> 00:23:45,840 Speaker 1: except for I think Eddie, our drummer. He was he 421 00:23:45,880 --> 00:23:50,239 Speaker 1: had already finished his music, his two year program at 422 00:23:50,280 --> 00:23:54,720 Speaker 1: South Plain's Music School, and so Preston was in school 423 00:23:54,760 --> 00:23:57,760 Speaker 1: in Amarillo at West Texas A and m or Kenton 424 00:23:57,840 --> 00:24:00,840 Speaker 1: Canyon just outside of Amarillo, and so I was like, 425 00:24:00,880 --> 00:24:02,600 Speaker 1: he's such a great fiddle player and a fun dude 426 00:24:02,640 --> 00:24:05,680 Speaker 1: to hang with, and I love the kid. Like, we'll 427 00:24:05,720 --> 00:24:08,200 Speaker 1: adjust on his schedule. So we had like we set 428 00:24:08,240 --> 00:24:12,560 Speaker 1: it up to where Thursdays we had to play within 429 00:24:13,240 --> 00:24:16,680 Speaker 1: three hours of Lubbock Max, so we would never take 430 00:24:16,720 --> 00:24:19,080 Speaker 1: a gig pass that. So luckily for us in the 431 00:24:19,119 --> 00:24:22,120 Speaker 1: Texas scene and Lubbock, we would play Amarillo, Midland, Odessa, 432 00:24:22,400 --> 00:24:26,120 Speaker 1: San Angelo, Abilane, Wiched All Falls, or Lubbock's and that's 433 00:24:26,320 --> 00:24:29,119 Speaker 1: what we'd play on Thursday night, and then from there 434 00:24:29,400 --> 00:24:31,160 Speaker 1: we'd rout it right and we'd go to like Dallas, 435 00:24:31,240 --> 00:24:34,479 Speaker 1: Fort Worth, Hill Country, San Antonio, Austin, and then on 436 00:24:34,560 --> 00:24:38,720 Speaker 1: Saturday we might venture to East Texas Corpus, Houston and 437 00:24:38,880 --> 00:24:41,479 Speaker 1: Sunday the long drive all the way back to Lubbock. 438 00:24:41,560 --> 00:24:43,800 Speaker 1: And that's what we did for a couple of years 439 00:24:43,880 --> 00:24:46,119 Speaker 1: living out there, and then we all finally kind of 440 00:24:46,160 --> 00:24:49,639 Speaker 1: moved and relocated in twenty ten when things were hopping 441 00:24:49,880 --> 00:24:51,880 Speaker 1: a little bit. Yeah, things were hopping a little bit 442 00:24:54,200 --> 00:24:58,280 Speaker 1: in the spring of twenty ten is when She's Like 443 00:24:58,320 --> 00:25:02,560 Speaker 1: Texas came out, which was kind of the That's what 444 00:25:02,880 --> 00:25:05,199 Speaker 1: changed the game for us, because not only did we 445 00:25:05,240 --> 00:25:08,680 Speaker 1: have that song, She's Like Texas, which has become just 446 00:25:08,760 --> 00:25:14,679 Speaker 1: kind of a massive regional success story, changed life. It 447 00:25:14,800 --> 00:25:17,159 Speaker 1: changed my life. And then we followed that up with 448 00:25:17,359 --> 00:25:20,320 Speaker 1: the duet I did with an unknown artist at the 449 00:25:20,320 --> 00:25:24,760 Speaker 1: time named Casey Musgraves. And the music video is pretty wild, 450 00:25:24,880 --> 00:25:28,679 Speaker 1: isn't it For everybody listening that doesn't know. Granger and 451 00:25:28,720 --> 00:25:32,360 Speaker 1: his wife are in the music video. And I don't 452 00:25:32,400 --> 00:25:36,000 Speaker 1: want to give away the plot because it's actually like 453 00:25:36,480 --> 00:25:43,840 Speaker 1: a little controversial, and but y'all's makeout scene is still 454 00:25:44,480 --> 00:25:47,280 Speaker 1: it's top notch. That's you know what I mean. It's 455 00:25:47,359 --> 00:25:50,240 Speaker 1: it's it's underrated because, you know, because we were never 456 00:25:50,280 --> 00:25:52,760 Speaker 1: a big band at that time, so it never got 457 00:25:52,800 --> 00:25:54,920 Speaker 1: the attention to deserve. But that's that's a cool music video, 458 00:25:54,960 --> 00:25:57,000 Speaker 1: and I appreciate you being in of course. Man. Fun fact, 459 00:25:57,080 --> 00:26:00,760 Speaker 1: Amber was pregnant with London on that shoot, showing yet 460 00:26:00,760 --> 00:26:04,480 Speaker 1: so then she's eight Now. I just remember being like, 461 00:26:05,000 --> 00:26:07,480 Speaker 1: I knew it was your wife, but I was like, 462 00:26:08,400 --> 00:26:10,760 Speaker 1: you know, no, you know, I can't tell the story 463 00:26:10,800 --> 00:26:13,480 Speaker 1: because I don't want to ruin the plot for the video. 464 00:26:13,560 --> 00:26:16,080 Speaker 1: But she was like she did not you know, she 465 00:26:16,200 --> 00:26:18,960 Speaker 1: was like she didn't want to kiss me. And I 466 00:26:19,040 --> 00:26:21,920 Speaker 1: was like, well, look, I don't blame you. It's fine. 467 00:26:21,920 --> 00:26:24,359 Speaker 1: I totally get I'm not here as good looking as 468 00:26:24,440 --> 00:26:27,679 Speaker 1: your husband. This doesn't we're just acting here. I like, 469 00:26:27,720 --> 00:26:29,760 Speaker 1: this doesn't have to be real. And she kissed me 470 00:26:29,800 --> 00:26:32,080 Speaker 1: on the cheek and it worked for the video because 471 00:26:32,119 --> 00:26:33,639 Speaker 1: really it didn't need to be any more than that. 472 00:26:34,200 --> 00:26:36,199 Speaker 1: So well, if you're watching on YouTube, we'll link that 473 00:26:36,280 --> 00:26:42,560 Speaker 1: music video top of description series. That's funny, Yeah, amazing memories. 474 00:26:42,720 --> 00:26:45,399 Speaker 1: So where do you think go back to Texas Country? 475 00:26:45,640 --> 00:26:47,960 Speaker 1: Where do you think it came from? This thing that 476 00:26:48,040 --> 00:26:52,359 Speaker 1: became so huge and so regional and so accessible to 477 00:26:52,440 --> 00:26:55,479 Speaker 1: a young musician and so appealing to a fan that 478 00:26:55,560 --> 00:26:59,240 Speaker 1: had a lot of state nationalism. And it wasn't just Texas. 479 00:26:59,280 --> 00:27:01,640 Speaker 1: I mean Oklahoma jumped on sure, Arkansas jumped on board, 480 00:27:01,680 --> 00:27:05,240 Speaker 1: Wesan jumped on board. New Mexico did Oklahoma more so? Yeah, 481 00:27:05,280 --> 00:27:07,760 Speaker 1: I mean I would almost argue they have something different 482 00:27:07,760 --> 00:27:10,720 Speaker 1: than what's Texas Country. We all get closed in together. 483 00:27:10,800 --> 00:27:13,560 Speaker 1: Texas country red dirt country. I think there's two very 484 00:27:13,600 --> 00:27:17,040 Speaker 1: distinct sounds and approaches. So where did all of this 485 00:27:17,160 --> 00:27:19,320 Speaker 1: come from? Well, you know, that's a great question. And 486 00:27:19,320 --> 00:27:22,480 Speaker 1: why I don't pretend to be a historian, I would say, 487 00:27:23,359 --> 00:27:26,240 Speaker 1: you take a look at like, I hope I'm using 488 00:27:26,240 --> 00:27:30,600 Speaker 1: this word correctly. The epistemology m the way we view 489 00:27:30,640 --> 00:27:35,919 Speaker 1: the world, right, I think that's what that means. And 490 00:27:36,000 --> 00:27:41,240 Speaker 1: so in Texas again, we have you know, we come 491 00:27:41,240 --> 00:27:45,520 Speaker 1: from descendants of people who you know, want Texas to 492 00:27:45,520 --> 00:27:48,560 Speaker 1: be their own country again, right, So there's that very 493 00:27:48,560 --> 00:27:53,080 Speaker 1: independent sense among us. So it creates this pride. And 494 00:27:53,160 --> 00:27:57,040 Speaker 1: we're a big state. So that allows geography, for sure, 495 00:27:57,200 --> 00:27:59,200 Speaker 1: for a lot of area to to kind of sing 496 00:27:59,240 --> 00:28:04,199 Speaker 1: about and cover. And you know, honestly, I just think 497 00:28:05,840 --> 00:28:09,280 Speaker 1: some there's always been I don't but I think there's 498 00:28:09,320 --> 00:28:14,480 Speaker 1: always been some sort of disdain for the mainstream radio. 499 00:28:14,720 --> 00:28:17,439 Speaker 1: Which is so funny because you know, I listened to 500 00:28:17,520 --> 00:28:20,879 Speaker 1: old country from the seventies and eighties and I'm like, 501 00:28:20,960 --> 00:28:25,000 Speaker 1: I love this. But at the time, the guys who 502 00:28:25,000 --> 00:28:28,280 Speaker 1: were in the Texas country scene, they knocked on you know, 503 00:28:28,400 --> 00:28:31,760 Speaker 1: Terry Allen, you know, He's got a song called the 504 00:28:31,800 --> 00:28:34,600 Speaker 1: Flatland Farmer, who talks about this farmer up in the 505 00:28:34,600 --> 00:28:38,680 Speaker 1: middle of the country who never got famous, but he 506 00:28:38,280 --> 00:28:40,920 Speaker 1: he he can outpick out play in the Nashville Star. 507 00:28:41,520 --> 00:28:44,280 Speaker 1: And we actually covered that song one of our records. 508 00:28:44,320 --> 00:28:47,479 Speaker 1: But anyway, so yeah, I don't know. I don't want 509 00:28:47,480 --> 00:28:50,200 Speaker 1: to get too wordy here. I'm not a historian. I 510 00:28:50,200 --> 00:28:52,240 Speaker 1: bet there are some guys that probably have a better 511 00:28:52,320 --> 00:28:55,880 Speaker 1: understanding of maybe who started it and how it dominoed here. 512 00:28:56,240 --> 00:28:58,200 Speaker 1: I mean I can recite you a bunch of names, 513 00:28:58,280 --> 00:29:00,720 Speaker 1: especially from the Lubbock area, you know, going all the 514 00:29:00,720 --> 00:29:04,720 Speaker 1: way back to like the Flatlanders and even before them. Yeah, 515 00:29:04,840 --> 00:29:08,760 Speaker 1: but the word of mouth is just it's unreal how 516 00:29:08,760 --> 00:29:11,880 Speaker 1: that worked because this was before really social media at all, 517 00:29:12,400 --> 00:29:15,600 Speaker 1: and it was word of mouth that was taking these concerts. Like, 518 00:29:15,600 --> 00:29:19,360 Speaker 1: for instance, I was in College Station in early two 519 00:29:19,400 --> 00:29:23,960 Speaker 1: thousands and I remember seeing Pat Green core Mora was 520 00:29:24,000 --> 00:29:28,240 Speaker 1: opening at Shadow Canyon Old Club there right there on 521 00:29:28,280 --> 00:29:33,560 Speaker 1: the University and it was just packed, I mean slam packed, 522 00:29:34,240 --> 00:29:38,520 Speaker 1: and everyone knew all the words, including me. Everyone had 523 00:29:38,560 --> 00:29:42,440 Speaker 1: the record, including me. Yeah, and then Corey starts the show. 524 00:29:42,680 --> 00:29:44,880 Speaker 1: Everyone knew all the words and everyone had the record, 525 00:29:45,600 --> 00:29:50,400 Speaker 1: and that was just no one thought about it in 526 00:29:50,520 --> 00:29:52,800 Speaker 1: terms of is this guy on the radio or not? 527 00:29:53,520 --> 00:29:57,320 Speaker 1: It was it represented a good time with our friends 528 00:29:57,800 --> 00:30:01,240 Speaker 1: and pat saying about all the He was the background 529 00:30:01,360 --> 00:30:03,640 Speaker 1: music to all of our fun parties that we had, 530 00:30:03,840 --> 00:30:07,520 Speaker 1: and so is Corey. In the year two thousand and 531 00:30:07,960 --> 00:30:11,960 Speaker 1: that became the soundtrack to our lives then. And I 532 00:30:11,960 --> 00:30:16,959 Speaker 1: think there's something attractive about the unknown, right like moths 533 00:30:16,960 --> 00:30:19,560 Speaker 1: to a flame. There's something about that because in the 534 00:30:19,640 --> 00:30:23,080 Speaker 1: process of discovery with music, I mean, don't you even 535 00:30:23,200 --> 00:30:26,800 Speaker 1: still to this day you discover. You might listen to 536 00:30:26,840 --> 00:30:29,720 Speaker 1: a band who has one song and you're like, oh 537 00:30:29,760 --> 00:30:31,200 Speaker 1: my god, I love them. I got to share this, 538 00:30:31,320 --> 00:30:33,520 Speaker 1: right yeah, And you want to be able to You 539 00:30:33,560 --> 00:30:35,560 Speaker 1: want to be the guy to share it with your 540 00:30:35,600 --> 00:30:37,200 Speaker 1: friends and be like, y'all got to listen to this 541 00:30:37,240 --> 00:30:38,760 Speaker 1: because I think this is going to blow up. This 542 00:30:38,800 --> 00:30:40,600 Speaker 1: is huge. You know, I still do it all You're 543 00:30:40,680 --> 00:30:43,200 Speaker 1: really good at that, and well, you know, social media 544 00:30:43,240 --> 00:30:49,200 Speaker 1: platform has always partly been really helping younger artists. I 545 00:30:49,320 --> 00:30:52,200 Speaker 1: love doing it and I think if I was going 546 00:30:52,280 --> 00:30:54,360 Speaker 1: to have a job in the music industry besides being 547 00:30:54,360 --> 00:30:56,080 Speaker 1: a singer, would be A and R because I've just 548 00:30:56,120 --> 00:31:03,000 Speaker 1: always had some sort of natural ability to see a star, 549 00:31:03,920 --> 00:31:08,640 Speaker 1: you know, even when they weren't necessarily shining bright at 550 00:31:08,680 --> 00:31:12,000 Speaker 1: the time. But to me, it's always like you see 551 00:31:12,000 --> 00:31:13,920 Speaker 1: a star, you know it, you know what I mean, 552 00:31:14,440 --> 00:31:16,719 Speaker 1: everyone knew you were super talented. You just had to 553 00:31:16,720 --> 00:31:19,600 Speaker 1: like get out of the Texas country scene and sign 554 00:31:19,640 --> 00:31:22,840 Speaker 1: a record deal and crush it, you know. And seriously, 555 00:31:23,400 --> 00:31:25,920 Speaker 1: hats off to you, because I mean, you've done it. 556 00:31:25,920 --> 00:31:28,600 Speaker 1: You've accomplished so much. My record deal came way later, 557 00:31:29,000 --> 00:31:31,080 Speaker 1: so did yours. Yeah, we didn't sign a record deal 558 00:31:31,160 --> 00:31:35,720 Speaker 1: until twenty fifteen, really, and it's crazy what all the 559 00:31:35,720 --> 00:31:39,880 Speaker 1: stuff that happened before that. It's crazy to think that 560 00:31:39,960 --> 00:31:42,920 Speaker 1: was all brought on by the infrastructure of Texas country, 561 00:31:43,120 --> 00:31:44,880 Speaker 1: for sure. You know. I remember you did a quote 562 00:31:44,880 --> 00:31:48,880 Speaker 1: one you did an interview years ago, and you talked 563 00:31:48,880 --> 00:31:52,160 Speaker 1: about how the Texas country scene was kind of like 564 00:31:52,200 --> 00:31:54,720 Speaker 1: the It was was almost like the miners that would 565 00:31:54,720 --> 00:31:57,680 Speaker 1: prepare for the majors. Quote. You know what, though, I 566 00:31:58,800 --> 00:32:01,400 Speaker 1: didn't think that you were necesscessarily wrong. I think that 567 00:32:01,480 --> 00:32:04,240 Speaker 1: just some people in Texas kind of took it wrong, 568 00:32:04,280 --> 00:32:07,040 Speaker 1: because again, no one wants to feel inferior to any 569 00:32:07,040 --> 00:32:09,920 Speaker 1: other genre or any other state. But I totally got 570 00:32:09,920 --> 00:32:12,080 Speaker 1: what you meant. What you meant by that was it 571 00:32:12,200 --> 00:32:15,200 Speaker 1: trained you to visit radio. It trained you to get 572 00:32:15,240 --> 00:32:18,080 Speaker 1: your band and crew and infrastructure set, and it trained 573 00:32:18,120 --> 00:32:21,400 Speaker 1: you in a way that like when you when you 574 00:32:21,440 --> 00:32:24,320 Speaker 1: signed your record doing you started touring nationally and being 575 00:32:24,320 --> 00:32:27,080 Speaker 1: on like big tours with all these other huge artists, 576 00:32:27,560 --> 00:32:30,400 Speaker 1: you were way more prepared than for that. Then let's 577 00:32:30,400 --> 00:32:33,760 Speaker 1: say the normal act who had moved out to Nashville, 578 00:32:33,760 --> 00:32:35,920 Speaker 1: signed a record deal, had the first song on the radio, 579 00:32:35,920 --> 00:32:37,760 Speaker 1: and then got put on a tour and they had 580 00:32:37,760 --> 00:32:40,200 Speaker 1: no clue how to tour as a band. I have 581 00:32:40,280 --> 00:32:42,880 Speaker 1: no clue what they're doing with their merch absolutely, and 582 00:32:42,920 --> 00:32:44,680 Speaker 1: I totally got what you meant by it. So just no. 583 00:32:44,800 --> 00:32:47,560 Speaker 1: I remember you text so fans should know this. You're 584 00:32:47,600 --> 00:32:50,680 Speaker 1: such a good guy. You texted me an apology for 585 00:32:50,760 --> 00:32:52,960 Speaker 1: making that statement, and I remember replying to you like, 586 00:32:53,680 --> 00:32:57,000 Speaker 1: you do not have to apologize for this statement because 587 00:32:57,600 --> 00:32:59,800 Speaker 1: I get what you meant, and if people want to 588 00:33:00,480 --> 00:33:05,720 Speaker 1: misconstrue that, then you can't. You can't be responsible for interpretation. 589 00:33:06,280 --> 00:33:08,640 Speaker 1: Let me que responsible for intent. I want to take 590 00:33:08,640 --> 00:33:10,160 Speaker 1: a quick break on here, and then I want to 591 00:33:10,240 --> 00:33:12,560 Speaker 1: I'll tell you what I said in the interview that 592 00:33:12,640 --> 00:33:22,040 Speaker 1: became notorious. So I was this was coming off of 593 00:33:22,840 --> 00:33:28,800 Speaker 1: a national radio hit for me, and a reporter said, 594 00:33:30,240 --> 00:33:33,560 Speaker 1: how do you attribute having this hit coming from nothing 595 00:33:33,640 --> 00:33:37,040 Speaker 1: and having this hit on national radio? And I said, well, 596 00:33:37,080 --> 00:33:39,720 Speaker 1: it came from Texas Country. And he said, well, what 597 00:33:40,720 --> 00:33:42,920 Speaker 1: does Texas Country mean to you? And I said, man, 598 00:33:43,360 --> 00:33:46,000 Speaker 1: it's everything to me. It taught me everything I know. 599 00:33:46,400 --> 00:33:48,400 Speaker 1: It taught me just like you said. It taught me 600 00:33:48,920 --> 00:33:51,800 Speaker 1: how to make my first radio call, how to walk 601 00:33:51,840 --> 00:33:55,320 Speaker 1: into a radio station and say here's me, and here's 602 00:33:55,360 --> 00:33:58,440 Speaker 1: my band, and here's my song. It was the minor 603 00:33:58,520 --> 00:34:02,760 Speaker 1: leagues for everything thing in terms of training. It trained me. 604 00:34:02,840 --> 00:34:07,320 Speaker 1: But that one quote again got screenshot out of an article, 605 00:34:07,600 --> 00:34:10,680 Speaker 1: and then it stood. It floated around, and there was 606 00:34:10,960 --> 00:34:14,480 Speaker 1: a couple guys that took it really bad, a lot 607 00:34:14,520 --> 00:34:16,359 Speaker 1: of guys probably were neutral on it, and a couple 608 00:34:16,400 --> 00:34:20,279 Speaker 1: of guys actually defended me. I talked to all of them, 609 00:34:20,400 --> 00:34:23,279 Speaker 1: all the above. I talked to everybody because when that 610 00:34:23,360 --> 00:34:27,000 Speaker 1: came out, it crushed me because I thought, here, I 611 00:34:27,040 --> 00:34:30,279 Speaker 1: am thinking, I'm trying to pay homage. Yeah, to the 612 00:34:30,320 --> 00:34:33,680 Speaker 1: only reason I'm actually standing on this stage. Yea, and 613 00:34:33,920 --> 00:34:37,759 Speaker 1: the whole thing collapsed underneath me. Again. You know, I'm 614 00:34:37,760 --> 00:34:40,200 Speaker 1: not trying to be prophetic, but again, you cannot be 615 00:34:40,280 --> 00:34:43,840 Speaker 1: responsible for interpretation. You have to be responsible for intent. 616 00:34:44,000 --> 00:34:47,160 Speaker 1: Your intent was pure, and anyone that knows you knows that. 617 00:34:47,280 --> 00:34:50,760 Speaker 1: So if anybody wants to misconstrue it and be an asshole, 618 00:34:50,960 --> 00:34:54,000 Speaker 1: they can be an asshole. Yeah. Yeah. And I stand 619 00:34:54,040 --> 00:34:57,120 Speaker 1: to this day saying I have nothing in my music 620 00:34:57,160 --> 00:35:00,400 Speaker 1: career without Texas Country and the infrastructu Sure that it 621 00:35:00,480 --> 00:35:04,239 Speaker 1: taught me the grind that it taught me, the resilience 622 00:35:04,520 --> 00:35:08,040 Speaker 1: and and persistence that it taught me through through a 623 00:35:08,040 --> 00:35:10,560 Speaker 1: lot of times at the at the midnight rodeos when 624 00:35:10,640 --> 00:35:14,879 Speaker 1: we were having a really bad night and I got 625 00:35:14,880 --> 00:35:17,360 Speaker 1: back in the van and decided to go do it again. Yep. 626 00:35:17,520 --> 00:35:19,720 Speaker 1: And a lot of national acts that sign a record 627 00:35:19,719 --> 00:35:21,520 Speaker 1: deal right out of the gate, they don't ever have 628 00:35:21,560 --> 00:35:24,280 Speaker 1: that opporationality to do that. They never do that because 629 00:35:25,480 --> 00:35:29,200 Speaker 1: first of all, they're shielded. Their booking agency and label 630 00:35:29,320 --> 00:35:31,560 Speaker 1: won't let them go put themselves out there and be 631 00:35:31,680 --> 00:35:33,960 Speaker 1: vulnerable and show up and play to nobody. It's not 632 00:35:34,000 --> 00:35:36,360 Speaker 1: their fault. To their credit, they didn't have what me 633 00:35:36,400 --> 00:35:39,480 Speaker 1: and you had, right, They just they hunker down, they 634 00:35:39,560 --> 00:35:42,520 Speaker 1: visit radio, they get a hit, then they go on 635 00:35:42,560 --> 00:35:44,880 Speaker 1: to her, and then they open for somebody who's big. 636 00:35:45,200 --> 00:35:47,920 Speaker 1: So you're naturally in front of crowds, and then you 637 00:35:48,040 --> 00:35:51,719 Speaker 1: get a false, a false reading on how you're doing. 638 00:35:52,040 --> 00:35:55,239 Speaker 1: For sure, there's there's acts that will go for years 639 00:35:55,840 --> 00:35:58,560 Speaker 1: never headlining their own show. I'm not even at a club. 640 00:35:59,280 --> 00:36:02,719 Speaker 1: They spend years on the road with somebody big, and 641 00:36:02,760 --> 00:36:05,319 Speaker 1: they think, I think things are pretty good. I think 642 00:36:05,600 --> 00:36:07,839 Speaker 1: crowd loves me. And then they go out for the 643 00:36:07,840 --> 00:36:12,400 Speaker 1: first time at Cotton Ideas or whatever in Knoxville and 644 00:36:12,440 --> 00:36:15,440 Speaker 1: no one comes and they cannot understand it. And so 645 00:36:15,520 --> 00:36:17,400 Speaker 1: then they just they think they need to rethink their 646 00:36:17,400 --> 00:36:19,759 Speaker 1: whole sound and everything they do. Yeah, and they think 647 00:36:19,800 --> 00:36:24,959 Speaker 1: they have to pander and play a bunch of covers. Yeah, 648 00:36:25,000 --> 00:36:27,840 Speaker 1: exactly right, Like you know what I mean, Hey, let's 649 00:36:28,960 --> 00:36:30,840 Speaker 1: you know, we don't want them to be bored tonight, 650 00:36:30,960 --> 00:36:33,120 Speaker 1: so let's, you know, let's play ten covers or you 651 00:36:33,560 --> 00:36:36,080 Speaker 1: played twenty songs, you play ten covers, you know, And 652 00:36:36,120 --> 00:36:37,759 Speaker 1: I know when you're a young band, you don't have 653 00:36:37,800 --> 00:36:39,839 Speaker 1: a lot of originals, so that's you know, there's something 654 00:36:39,840 --> 00:36:41,640 Speaker 1: to be said for that. But it's like, I mean, 655 00:36:41,680 --> 00:36:43,480 Speaker 1: I've gone out and I've seen some of these you know, 656 00:36:43,560 --> 00:36:46,960 Speaker 1: shows of people and I'm like, you know, they might 657 00:36:47,000 --> 00:36:50,520 Speaker 1: have one hit, right, yeah, and they're opening and they're 658 00:36:50,520 --> 00:36:52,879 Speaker 1: playing a twenty five minute time slot. Well, the other 659 00:36:53,000 --> 00:36:55,600 Speaker 1: five songs were covers. I'm like, yeah, you just played 660 00:36:55,640 --> 00:36:58,880 Speaker 1: me five stuff cover songs and then your hit. You 661 00:36:58,920 --> 00:37:02,000 Speaker 1: didn't take this opportunity to show all these people that 662 00:37:02,040 --> 00:37:04,600 Speaker 1: you have more than the one song. So weird and 663 00:37:04,719 --> 00:37:08,520 Speaker 1: we said the right word there there. They haven't understood 664 00:37:08,520 --> 00:37:11,440 Speaker 1: the vulnerability of standing there and delivering an original music. 665 00:37:11,480 --> 00:37:13,920 Speaker 1: And maybe they're not going to clap at you. Maybe 666 00:37:13,920 --> 00:37:15,480 Speaker 1: they're going to go to the bathroom or go get 667 00:37:15,520 --> 00:37:18,320 Speaker 1: a drink, and that is really that kind of rejection 668 00:37:18,440 --> 00:37:21,640 Speaker 1: is really hard. The one of our very I wish 669 00:37:21,760 --> 00:37:23,640 Speaker 1: my band was in here with me because we laugh 670 00:37:23,680 --> 00:37:26,719 Speaker 1: about these stories all the time. One of our first gigs, 671 00:37:27,440 --> 00:37:30,040 Speaker 1: when again we signed with Bruce, he puts us out 672 00:37:30,040 --> 00:37:32,560 Speaker 1: on the road. God bless Bruce. At the time, you know, 673 00:37:32,640 --> 00:37:34,680 Speaker 1: he was still very young and green in his career, right, 674 00:37:34,840 --> 00:37:37,280 Speaker 1: so he's doing the best he can. He books us. 675 00:37:37,719 --> 00:37:40,439 Speaker 1: I think we were getting like five or six hundred 676 00:37:40,480 --> 00:37:46,160 Speaker 1: bucks to play a steakhouse in Madisonville. I always remember that. 677 00:37:46,800 --> 00:37:49,720 Speaker 1: So we go there, we get we get like free food, 678 00:37:49,800 --> 00:37:51,600 Speaker 1: and so that that alone, it's kind of worth it, 679 00:37:51,760 --> 00:37:54,520 Speaker 1: right for a bunch of young dudes. And so we 680 00:37:54,600 --> 00:37:57,440 Speaker 1: set up and play. There's only like three people there 681 00:37:57,560 --> 00:38:00,640 Speaker 1: listening to us, and I kid you not. At one point, 682 00:38:01,880 --> 00:38:04,000 Speaker 1: I don't think anyone was in there except for the 683 00:38:04,040 --> 00:38:08,440 Speaker 1: waiter pushing the broom across the floor in front of us, 684 00:38:08,800 --> 00:38:13,480 Speaker 1: like cleaning. And I was like, Okay, we have to 685 00:38:13,520 --> 00:38:16,640 Speaker 1: have a little more pride than this, you know. I 686 00:38:16,719 --> 00:38:19,880 Speaker 1: mean we may be nobody's but yeah, we're not doing 687 00:38:20,080 --> 00:38:23,160 Speaker 1: any good playing to nobody, you know, like we've got 688 00:38:23,200 --> 00:38:24,920 Speaker 1: to be We have to get in front of people. 689 00:38:24,960 --> 00:38:28,520 Speaker 1: Send my whole philosophy's flip to I'm going to open 690 00:38:28,560 --> 00:38:30,680 Speaker 1: for everybody and anybody, and I don't care if it 691 00:38:30,760 --> 00:38:36,120 Speaker 1: pays fifty bucks, five hundred bucks, or zero dollars. I 692 00:38:36,160 --> 00:38:38,239 Speaker 1: want to be in front of a crowd, you know 693 00:38:38,280 --> 00:38:40,440 Speaker 1: what I mean. My goal as a young artist was 694 00:38:41,520 --> 00:38:44,399 Speaker 1: I want to open, and I want people leaving talking 695 00:38:44,400 --> 00:38:47,680 Speaker 1: about the opener, So I would fire up my guys 696 00:38:47,719 --> 00:38:50,920 Speaker 1: every night. We're bringing it tonight. Every night we're bringing it. 697 00:38:50,960 --> 00:38:52,839 Speaker 1: And you know, it works when you're a young band 698 00:38:52,880 --> 00:38:55,240 Speaker 1: and you're a new band and there's an infectious energy 699 00:38:55,280 --> 00:38:59,520 Speaker 1: to that. Yeah. Absolutely, If you are the first music 700 00:38:59,600 --> 00:39:02,680 Speaker 1: artist I've had on this podcast, really you the first. 701 00:39:03,239 --> 00:39:06,040 Speaker 1: I'm honored you're the first. So yeah, we're getting some 702 00:39:06,120 --> 00:39:08,840 Speaker 1: good conversation. And I've told a lot of stories on 703 00:39:08,880 --> 00:39:11,560 Speaker 1: here about music and U and about those early days. 704 00:39:11,760 --> 00:39:15,160 Speaker 1: But you're the first artist that's backing these stories up 705 00:39:15,200 --> 00:39:18,239 Speaker 1: with me. That's I'm honored. Thanks buddy, of course. Man. 706 00:39:20,080 --> 00:39:24,800 Speaker 1: So outside of Texas Country, you've also over the last decade, 707 00:39:25,920 --> 00:39:30,120 Speaker 1: you've you've made it through being i mean, essentially the 708 00:39:30,200 --> 00:39:34,759 Speaker 1: king of the genre. Maybe we had our moment for 709 00:39:34,800 --> 00:39:38,000 Speaker 1: a couple of years. I think that we were. It's 710 00:39:38,040 --> 00:39:40,680 Speaker 1: hard to you know, I use that raise that term 711 00:39:40,800 --> 00:39:45,080 Speaker 1: king very cautiously because you know, it's people like who 712 00:39:45,080 --> 00:39:47,200 Speaker 1: they like, and you know, there's a lot of big, 713 00:39:47,239 --> 00:39:49,600 Speaker 1: popular bands. But I do think that you know, in 714 00:39:49,640 --> 00:39:51,960 Speaker 1: Texas Country, there's been a torch that's been passed and 715 00:39:52,000 --> 00:39:55,200 Speaker 1: it's kind of gone from Pat to Ragweed maybe and 716 00:39:55,239 --> 00:39:58,359 Speaker 1: then to Randy obviously, and I think you know, we 717 00:39:58,400 --> 00:40:01,319 Speaker 1: carried that torch for a couple years of kind of 718 00:40:01,360 --> 00:40:03,680 Speaker 1: being the van in Texas, and man, what a time. 719 00:40:03,920 --> 00:40:06,279 Speaker 1: I wish we could. I wish I could relive those 720 00:40:06,360 --> 00:40:09,600 Speaker 1: days in a way. I wish I wish I could 721 00:40:09,640 --> 00:40:12,799 Speaker 1: relive that success and moment with my life now, if 722 00:40:12,840 --> 00:40:15,000 Speaker 1: that makes sense. Yeah, because you have a wife and 723 00:40:16,360 --> 00:40:18,399 Speaker 1: a lot differently, And so I was going to say 724 00:40:18,920 --> 00:40:21,560 Speaker 1: that over that course of time being the king of 725 00:40:21,600 --> 00:40:26,960 Speaker 1: Texas Country, you also experienced the same highs and lows 726 00:40:27,160 --> 00:40:32,160 Speaker 1: that any major celebrity would go through in such high demand. 727 00:40:32,840 --> 00:40:36,960 Speaker 1: And you you lived your life out in the open, 728 00:40:38,560 --> 00:40:40,239 Speaker 1: partly because you had to because you were in such 729 00:40:40,239 --> 00:40:44,319 Speaker 1: a huge spotlight. But but I watched you go through 730 00:40:44,400 --> 00:40:50,600 Speaker 1: highs and lows in front of everyone, and through all that, 731 00:40:52,160 --> 00:40:55,360 Speaker 1: my hat's off to you for how for you sitting 732 00:40:55,360 --> 00:40:59,400 Speaker 1: here today and uh and still maintaining the integrity that 733 00:40:59,480 --> 00:41:01,759 Speaker 1: you have as a person and as a friend. But 734 00:41:01,840 --> 00:41:04,480 Speaker 1: you yeah, well, but you've been through some low stuff. Yeah, 735 00:41:04,480 --> 00:41:07,040 Speaker 1: I mean, and we can dance around it. I can 736 00:41:07,120 --> 00:41:09,440 Speaker 1: just talk about it for a second. I was married 737 00:41:09,480 --> 00:41:14,520 Speaker 1: previously I was a really shitty husband, really shitty. I 738 00:41:14,600 --> 00:41:18,759 Speaker 1: was so focused on my career, I was so selfish. 739 00:41:18,880 --> 00:41:23,920 Speaker 1: I drank way too much every single day, and I 740 00:41:24,040 --> 00:41:28,680 Speaker 1: just had insecurities and I was just a bad person, 741 00:41:29,040 --> 00:41:32,879 Speaker 1: I think for a couple of years there. And so 742 00:41:33,080 --> 00:41:37,319 Speaker 1: we ended up getting a divorce and I deserved it, 743 00:41:37,480 --> 00:41:39,160 Speaker 1: and I think that was a moment where I really 744 00:41:39,160 --> 00:41:41,080 Speaker 1: had to reassess my life, like is this what you 745 00:41:41,160 --> 00:41:44,319 Speaker 1: want with Josh? You know, like, yeah, you've played all 746 00:41:44,320 --> 00:41:46,520 Speaker 1: these sold out shows, Yeah, you got a record deal 747 00:41:46,600 --> 00:41:48,799 Speaker 1: at the time we had one, And it was like, 748 00:41:49,640 --> 00:41:52,840 Speaker 1: but now you've lost you know, the person who really 749 00:41:52,880 --> 00:41:55,960 Speaker 1: loves you and her whole family and a bunch of 750 00:41:56,000 --> 00:41:58,880 Speaker 1: your fans kind of you know, I just don't have 751 00:41:58,960 --> 00:42:02,239 Speaker 1: the same positive view of you. And I'm like, I 752 00:42:02,239 --> 00:42:05,680 Speaker 1: don't want this one thing to define my narrative because 753 00:42:06,360 --> 00:42:08,960 Speaker 1: I mean, I don't think I'm a bad guy. I 754 00:42:08,960 --> 00:42:12,000 Speaker 1: don't think i'm that guy. I think I just I 755 00:42:12,160 --> 00:42:14,279 Speaker 1: was a bad guy for a short amount of time, 756 00:42:14,560 --> 00:42:18,120 Speaker 1: and so it's hard to admit that. But I think 757 00:42:18,280 --> 00:42:20,560 Speaker 1: I grew from it in a way where I'm proud 758 00:42:20,600 --> 00:42:23,319 Speaker 1: of where I'm at now. I mean, I don't have 759 00:42:23,360 --> 00:42:25,160 Speaker 1: any issues with the things that I used to have 760 00:42:25,239 --> 00:42:28,800 Speaker 1: issues with, and I have a wife and two kids 761 00:42:28,840 --> 00:42:31,200 Speaker 1: now and life is beautiful in a way that if 762 00:42:31,239 --> 00:42:33,560 Speaker 1: my music career goes away, which right now it is 763 00:42:33,760 --> 00:42:37,440 Speaker 1: right like, no one's doing a career right now. But 764 00:42:37,480 --> 00:42:38,719 Speaker 1: I mean, if it goes away and I have to 765 00:42:38,760 --> 00:42:41,600 Speaker 1: go get a normal job, I'm actually fine with that 766 00:42:41,920 --> 00:42:45,759 Speaker 1: because I love where my life's at right now. There's 767 00:42:45,800 --> 00:42:49,080 Speaker 1: just a happier place. And so yeah, Highs and Lowe's, man, 768 00:42:49,160 --> 00:42:51,640 Speaker 1: I mean, there's been a lot of them. And if anyone, 769 00:42:52,239 --> 00:42:56,120 Speaker 1: if anyone doesn't understand, let me, let me paint the 770 00:42:56,120 --> 00:43:02,480 Speaker 1: scene for you. Josh skyrockets to the top of Texas Country, 771 00:43:03,320 --> 00:43:06,120 Speaker 1: and I hope that we've done a good job defining 772 00:43:06,400 --> 00:43:08,120 Speaker 1: what that is. If you don't know what that is. 773 00:43:08,440 --> 00:43:12,960 Speaker 1: But the fact is you you rose so fast from 774 00:43:13,320 --> 00:43:15,800 Speaker 1: the boy that was in Luveck, Texas looking at the 775 00:43:15,800 --> 00:43:17,960 Speaker 1: stage at Randy Rodgers saying I want to do that 776 00:43:18,520 --> 00:43:22,680 Speaker 1: to just a few years later, you're making, you know, 777 00:43:23,120 --> 00:43:27,040 Speaker 1: any kind of tour date sell out. I'm talking if 778 00:43:27,080 --> 00:43:31,480 Speaker 1: there's a festival, you're probably headlining it or or direct 779 00:43:31,480 --> 00:43:34,120 Speaker 1: support or direction. I mean, but you're equal and we 780 00:43:34,160 --> 00:43:37,040 Speaker 1: have no we haven't earned it. Yeah, we have no tenure, 781 00:43:37,200 --> 00:43:39,360 Speaker 1: we have no You know, you have to pay your dues. 782 00:43:39,520 --> 00:43:41,319 Speaker 1: I don't think we paid our dues long enough, and 783 00:43:41,360 --> 00:43:46,080 Speaker 1: I think that caught some resentment from the traditional longtime 784 00:43:46,160 --> 00:43:48,800 Speaker 1: fans of the scene, as well as some other bands 785 00:43:48,800 --> 00:43:50,719 Speaker 1: who just honestly didn't like to be They didn't like 786 00:43:50,800 --> 00:43:54,160 Speaker 1: a new gap bypassing them. Yeah. So if you're if 787 00:43:54,160 --> 00:43:57,080 Speaker 1: you're trying to put yourself in Josh shoes, imagine imagine 788 00:43:57,120 --> 00:44:00,680 Speaker 1: that where you're in such high demand, You're you're fending 789 00:44:00,719 --> 00:44:03,359 Speaker 1: off the haters that don't understand why you've You've come 790 00:44:03,440 --> 00:44:07,120 Speaker 1: up so quickly. You're trying to satisfy everyone that loves 791 00:44:07,120 --> 00:44:09,080 Speaker 1: your music so much. They don't want you to change. 792 00:44:09,440 --> 00:44:11,000 Speaker 1: They want you to just keep spitting out the same 793 00:44:11,040 --> 00:44:13,840 Speaker 1: record over and over. And I'm like those those records 794 00:44:13,840 --> 00:44:16,399 Speaker 1: we put out early on, there's some stuff I love 795 00:44:16,440 --> 00:44:18,600 Speaker 1: about them, but there's a lot I don't like. If 796 00:44:18,600 --> 00:44:21,399 Speaker 1: I could restart my career now, right, I wouldn't put 797 00:44:21,400 --> 00:44:25,480 Speaker 1: a song like Taste out. And that sounds hypocritical because 798 00:44:25,520 --> 00:44:27,719 Speaker 1: if we hadn't put that song out, I don't know 799 00:44:27,760 --> 00:44:31,400 Speaker 1: that I'm here right now, because that song created such 800 00:44:31,440 --> 00:44:36,120 Speaker 1: a magnetic you know following. I mean you could go 801 00:44:36,520 --> 00:44:38,960 Speaker 1: to to the to the to the river or the 802 00:44:39,040 --> 00:44:41,879 Speaker 1: lake or anywhere across Texas after that song came out 803 00:44:41,920 --> 00:44:46,880 Speaker 1: and people were playing it, and you know, but I 804 00:44:46,880 --> 00:44:49,560 Speaker 1: wouldn't put that song out now. And even a song 805 00:44:49,640 --> 00:44:51,680 Speaker 1: like She's like Texas, I'd polish that up a little 806 00:44:51,719 --> 00:44:53,799 Speaker 1: bit better. There's some there's some lines in there that 807 00:44:53,880 --> 00:44:59,000 Speaker 1: are a little bit understandable, and you can't there. They 808 00:44:59,000 --> 00:45:02,040 Speaker 1: are pieces of history better forever part of you. And 809 00:45:02,120 --> 00:45:06,120 Speaker 1: it doesn't matter. Well. The process informs the results, so 810 00:45:07,640 --> 00:45:11,040 Speaker 1: I can second guess things. Wish I hadn't done certain things, 811 00:45:11,080 --> 00:45:14,240 Speaker 1: but all of these things have led to a moment 812 00:45:14,360 --> 00:45:19,480 Speaker 1: now or I'm good. I live in Tuscaloose, Alabama. On 813 00:45:19,560 --> 00:45:22,239 Speaker 1: the bus We're playing a club that night. I'll never 814 00:45:22,280 --> 00:45:26,160 Speaker 1: forget it. And it was probably three o'clock in the afternoon, 815 00:45:26,520 --> 00:45:29,839 Speaker 1: sitting on the bus, just finished soundcheck, and my crew 816 00:45:29,960 --> 00:45:33,160 Speaker 1: starts kind of grumbling, you're seeing this, you're seeing this. 817 00:45:33,360 --> 00:45:38,240 Speaker 1: It's like, what, Josh, you see this? Josh start passing 818 00:45:38,239 --> 00:45:41,840 Speaker 1: the phone around and you are public on Twitter, Yeah, 819 00:45:41,880 --> 00:45:46,040 Speaker 1: about your your current separation from your current wife. Oh yeah, 820 00:45:46,080 --> 00:45:48,040 Speaker 1: and that was dumb. I wish I could take that back. 821 00:45:48,280 --> 00:45:49,719 Speaker 1: I don't know. I don't know, because what I was 822 00:45:49,719 --> 00:45:52,560 Speaker 1: about to say is you could have you could have 823 00:45:52,680 --> 00:45:58,600 Speaker 1: lived that privately. But I think I would like to 824 00:45:58,640 --> 00:46:01,239 Speaker 1: think that you inspired a lot of peace people to 825 00:46:01,480 --> 00:46:04,840 Speaker 1: live life in truth and light and honesty. That was 826 00:46:04,880 --> 00:46:07,040 Speaker 1: the goal, it really was. I think what you did. 827 00:46:07,080 --> 00:46:09,480 Speaker 1: That's what I read in those those tweets. It was, 828 00:46:09,560 --> 00:46:13,040 Speaker 1: you know what, this happens a lot. And I promise 829 00:46:13,080 --> 00:46:16,680 Speaker 1: I'm not the only person that's guilty of cheating on 830 00:46:16,760 --> 00:46:19,799 Speaker 1: their wife and being an alcoholic out here on the road, 831 00:46:19,800 --> 00:46:22,080 Speaker 1: and all sorts of other stuff. And I would never 832 00:46:22,200 --> 00:46:26,520 Speaker 1: name names, right, but there are a bunch of other 833 00:46:26,520 --> 00:46:29,440 Speaker 1: people who are guilty of those and have gone through 834 00:46:29,440 --> 00:46:33,840 Speaker 1: divorces themselves. But everyone's so scared keep it so quiet, 835 00:46:34,000 --> 00:46:37,080 Speaker 1: You're right, don't want to damage the reputation. And I 836 00:46:37,120 --> 00:46:38,799 Speaker 1: think that was just a moment for me where I 837 00:46:38,840 --> 00:46:43,000 Speaker 1: was just over the fakeness and was like, I used 838 00:46:43,160 --> 00:46:47,040 Speaker 1: this celebrity path. I use the word celebrity pretty loosely, 839 00:46:47,080 --> 00:46:49,560 Speaker 1: but you know what I mean, the being in the limelight, 840 00:46:49,680 --> 00:46:55,160 Speaker 1: being in the radio. You know, I mean I'm not saying. 841 00:46:55,360 --> 00:47:01,399 Speaker 1: You know, there's there's different levels oferity, you know, but 842 00:47:01,640 --> 00:47:03,920 Speaker 1: if I I the way I felt about it was, 843 00:47:04,520 --> 00:47:08,239 Speaker 1: if I was gonna use that path and trajectory of 844 00:47:08,320 --> 00:47:09,960 Speaker 1: kind of getting my music out there, being on the 845 00:47:10,040 --> 00:47:13,319 Speaker 1: radio and playing shows and being the guy, it would 846 00:47:13,360 --> 00:47:17,000 Speaker 1: be really, you know, disingenuous, fraudulent, whatever you want to 847 00:47:17,040 --> 00:47:21,480 Speaker 1: call it, for me to like not admit my failures too, 848 00:47:21,880 --> 00:47:25,960 Speaker 1: Like this can't just be a narcissistic praise everything I do, 849 00:47:26,160 --> 00:47:29,600 Speaker 1: which is I'm so over the narcissism that I see 850 00:47:29,640 --> 00:47:32,240 Speaker 1: on a daily basis on social media from other artists. 851 00:47:32,239 --> 00:47:36,040 Speaker 1: But you know, and I'm guilty of it too, and 852 00:47:36,120 --> 00:47:38,640 Speaker 1: we're all guilty. There's there's a balance of self promotion 853 00:47:38,800 --> 00:47:42,080 Speaker 1: and narcissism, yeah, because we are still a product. But 854 00:47:42,120 --> 00:47:43,799 Speaker 1: at the same time, you got to be real. You 855 00:47:43,840 --> 00:47:46,360 Speaker 1: gotta be real, and I wanted to be real with people. 856 00:47:47,480 --> 00:47:49,440 Speaker 1: You played a show that night, too, didn't you. I did, 857 00:47:49,680 --> 00:47:51,520 Speaker 1: because it was like a Saturday I played with the 858 00:47:51,600 --> 00:47:59,680 Speaker 1: Randy opened for Randy in Wichita, Kansas, and he immediately 859 00:47:59,760 --> 00:48:01,919 Speaker 1: after I posted I'm on the bus, I'm in the back, 860 00:48:01,960 --> 00:48:06,759 Speaker 1: I'm bawling, and he comes over there and just he 861 00:48:06,840 --> 00:48:09,399 Speaker 1: literally just walks in the backlune and just sits next 862 00:48:09,400 --> 00:48:13,640 Speaker 1: to me, gives me a hug. It's like, hey, buddy, 863 00:48:13,640 --> 00:48:15,680 Speaker 1: I wish you would have talked to me before he 864 00:48:15,719 --> 00:48:19,640 Speaker 1: posted this. You know, he encouraged me to, you know, 865 00:48:19,719 --> 00:48:21,720 Speaker 1: probably the smartest thing in the world be to delete 866 00:48:21,760 --> 00:48:23,880 Speaker 1: it and try to cover up a little, you know, 867 00:48:23,880 --> 00:48:27,080 Speaker 1: a bit and save some face. But it was too late, 868 00:48:27,200 --> 00:48:30,120 Speaker 1: and I just didn't. I was just in I wasn't thinking. 869 00:48:30,160 --> 00:48:32,320 Speaker 1: I was just in a really bad spot. I just 870 00:48:32,400 --> 00:48:35,200 Speaker 1: knew my life was crumbling, you know. I mean we 871 00:48:35,200 --> 00:48:37,120 Speaker 1: were on the record label for a couple of years. 872 00:48:37,160 --> 00:48:39,640 Speaker 1: At that moment, we still hadn't had a single radio 873 00:48:40,640 --> 00:48:43,120 Speaker 1: you know. Here it is, my life's falling apart, and 874 00:48:44,080 --> 00:48:46,319 Speaker 1: it's like Johnny Cash moment for me, you know, and 875 00:48:46,400 --> 00:48:49,280 Speaker 1: walk the line, you know, where you reach that point 876 00:48:49,280 --> 00:48:52,720 Speaker 1: where it's like, Okay, you better get your shit together, dude. 877 00:48:53,160 --> 00:48:55,560 Speaker 1: And so I'd like to think that since then I 878 00:48:55,600 --> 00:48:59,319 Speaker 1: got my shit together, you definitely have, as you mentioned now, 879 00:48:59,600 --> 00:49:04,880 Speaker 1: beautiful wife to beautiful children. And so looking back on 880 00:49:04,880 --> 00:49:08,759 Speaker 1: that tweet, does it not feel like that's part of 881 00:49:08,800 --> 00:49:11,600 Speaker 1: your life and you need it is? But you know what, 882 00:49:11,800 --> 00:49:15,640 Speaker 1: there's also a part of me I went, I cringe 883 00:49:16,040 --> 00:49:19,399 Speaker 1: at the idea of my daughter talking to me about 884 00:49:19,400 --> 00:49:22,680 Speaker 1: it one day. Yeah, dad, how could you do that? 885 00:49:23,640 --> 00:49:27,320 Speaker 1: Why are you such a bad husband to your first wife? 886 00:49:27,520 --> 00:49:29,040 Speaker 1: And you're gonna you still have a long time. And 887 00:49:29,200 --> 00:49:31,600 Speaker 1: another thing is, you know, there's I almost feel like 888 00:49:31,640 --> 00:49:34,440 Speaker 1: I carry a scarlet letter on me. I don't anymore, 889 00:49:34,520 --> 00:49:38,799 Speaker 1: but for years I did. In fact, we when we 890 00:49:38,880 --> 00:49:41,640 Speaker 1: released front Row Seat album, I almost made the album 891 00:49:41,680 --> 00:49:46,080 Speaker 1: cover an a and it for Abbott, but also write 892 00:49:46,080 --> 00:49:52,200 Speaker 1: the scarlet letter. So but it sucks for my wife, right, 893 00:49:52,280 --> 00:49:56,480 Speaker 1: my wife now, who's everything and is so gracious and 894 00:49:56,520 --> 00:49:59,040 Speaker 1: perfect for me in my life and I would do 895 00:49:59,080 --> 00:50:01,800 Speaker 1: anything for her, does it. But I think it sucks 896 00:50:01,800 --> 00:50:04,960 Speaker 1: for her because I put myself out there like that 897 00:50:05,000 --> 00:50:07,720 Speaker 1: and now there's people think like, oh, that's her husband, 898 00:50:08,040 --> 00:50:10,560 Speaker 1: you know, but he oh, I got you? Does that 899 00:50:10,640 --> 00:50:13,200 Speaker 1: for her too? And she probably you know, I think 900 00:50:13,239 --> 00:50:16,400 Speaker 1: she's probably self conscious of some of the things of 901 00:50:16,400 --> 00:50:18,840 Speaker 1: the mistakes I've made in my past and probably embarrassed 902 00:50:18,880 --> 00:50:21,240 Speaker 1: by them. But in the same sense, if I hadn't 903 00:50:21,280 --> 00:50:24,560 Speaker 1: gone through that road, right, I wouldn't be with her 904 00:50:24,640 --> 00:50:27,920 Speaker 1: now and have these kids, and so it's kind of 905 00:50:28,000 --> 00:50:32,400 Speaker 1: like you know you, you you know, people say I wouldn't 906 00:50:32,480 --> 00:50:35,200 Speaker 1: change a thing. I would change some things, right, but 907 00:50:35,280 --> 00:50:37,839 Speaker 1: I would hope that my path got right back to here. 908 00:50:38,680 --> 00:50:42,120 Speaker 1: And when you change things, am I not? Yeah? So yeah, 909 00:50:42,239 --> 00:50:44,359 Speaker 1: I think that you have a long time to come 910 00:50:44,440 --> 00:50:46,400 Speaker 1: up with that answer to your daughter. But it's somewhere 911 00:50:46,400 --> 00:50:49,680 Speaker 1: along the lines of baby. Let me tell you, I 912 00:50:49,719 --> 00:50:54,239 Speaker 1: have made mistakes. I've learned so much. And then I 913 00:50:54,360 --> 00:50:57,279 Speaker 1: learned from those mistakes, and then I got better. And 914 00:50:57,320 --> 00:51:00,279 Speaker 1: then I met your mama and she taught me. She 915 00:51:00,440 --> 00:51:05,080 Speaker 1: changed and I've never known. And then you were born, 916 00:51:05,600 --> 00:51:07,640 Speaker 1: and then I looked into your eyes for the first time, 917 00:51:07,680 --> 00:51:10,040 Speaker 1: and you taught me. I knew kind of love that 918 00:51:10,120 --> 00:51:12,680 Speaker 1: I didn't think I was capable of having agreed all 919 00:51:12,719 --> 00:51:15,080 Speaker 1: because of my broken past. I've balled my eyes out 920 00:51:15,080 --> 00:51:17,440 Speaker 1: when my daughter was born the moment I got to 921 00:51:17,480 --> 00:51:19,880 Speaker 1: hold her. I mean I was crying. Same for my 922 00:51:19,920 --> 00:51:23,120 Speaker 1: son too. But really, he'll listen to this one day 923 00:51:23,120 --> 00:51:25,680 Speaker 1: and be like, what the hell did more from my daughter? 924 00:51:26,239 --> 00:51:29,720 Speaker 1: Because you know I I just after going through everything 925 00:51:29,719 --> 00:51:31,560 Speaker 1: I went through, I didn't think that I would have 926 00:51:31,600 --> 00:51:34,200 Speaker 1: a family. I was like that ship sailed. Right, I'm 927 00:51:34,200 --> 00:51:38,600 Speaker 1: just gonna be the single bachelor guy for the rest 928 00:51:38,640 --> 00:51:40,600 Speaker 1: of my life probably, and maybe if I get married 929 00:51:40,600 --> 00:51:42,600 Speaker 1: one day, I'll just marry someone who already has kids. Right, 930 00:51:44,200 --> 00:51:48,080 Speaker 1: So having a daughter in that way was just, uh, 931 00:51:48,239 --> 00:51:53,720 Speaker 1: it changed, just changed everything for me. And I'm proud 932 00:51:53,719 --> 00:51:55,880 Speaker 1: of of my life now and I'm proud of you 933 00:51:55,920 --> 00:51:58,680 Speaker 1: know what we're doing. And you know, we might not 934 00:51:58,760 --> 00:52:01,200 Speaker 1: be our band. We're not probably as popular as we 935 00:52:01,280 --> 00:52:05,640 Speaker 1: used to be, because you know, when you're the it band, 936 00:52:05,640 --> 00:52:09,360 Speaker 1: it only lasts so long, right, it goes away. It 937 00:52:09,400 --> 00:52:12,319 Speaker 1: goes away for everyone right now away everyone who comes 938 00:52:12,400 --> 00:52:14,680 Speaker 1: is the it guy for country music, and he is. 939 00:52:15,120 --> 00:52:17,759 Speaker 1: He is badass and probably going to stay at that 940 00:52:17,880 --> 00:52:19,840 Speaker 1: level for a long time. But at some point he'll 941 00:52:20,160 --> 00:52:22,440 Speaker 1: he'll be the He'll be the guy with five or 942 00:52:22,440 --> 00:52:24,919 Speaker 1: six albums instead of two albums. Right. It also doesn't 943 00:52:24,960 --> 00:52:27,440 Speaker 1: mean he's any happier than you are, are in a 944 00:52:27,480 --> 00:52:29,120 Speaker 1: better place in life than you will. I don't know. 945 00:52:29,200 --> 00:52:31,759 Speaker 1: And you know that, Oh yeah, you do know that. Yeah, 946 00:52:31,760 --> 00:52:34,320 Speaker 1: And ever since I've known you for over a decade, 947 00:52:35,480 --> 00:52:38,759 Speaker 1: you you have a tendency in conversation to kind of 948 00:52:38,800 --> 00:52:41,879 Speaker 1: backfedal and play yourself down a little bit. I do 949 00:52:42,280 --> 00:52:45,760 Speaker 1: you always have? You did that when you were the king. Yeah. 950 00:52:46,400 --> 00:52:50,120 Speaker 1: And and my point to all that is you you have. 951 00:52:50,640 --> 00:52:54,719 Speaker 1: You had that ability to rise so fast and to 952 00:52:54,840 --> 00:52:58,320 Speaker 1: fall in love again and be renewed and then have children. 953 00:52:58,680 --> 00:53:01,359 Speaker 1: You have all that ability. There's nothing to say that 954 00:53:01,360 --> 00:53:04,400 Speaker 1: there's something on the horizon. Isn't even bigger than everything 955 00:53:04,680 --> 00:53:07,080 Speaker 1: in your career wise? I hope so, because I'm so 956 00:53:07,160 --> 00:53:08,839 Speaker 1: proud of the music that we're putting out right now. 957 00:53:08,880 --> 00:53:11,600 Speaker 1: The newest song that we put out, it's called the Luckiest. 958 00:53:11,600 --> 00:53:14,920 Speaker 1: It's how we named our son luck I think it's 959 00:53:14,960 --> 00:53:18,839 Speaker 1: the best song we've ever put out. And the thing is, 960 00:53:19,000 --> 00:53:21,879 Speaker 1: every artist says that, every artist says their newest song 961 00:53:22,280 --> 00:53:24,520 Speaker 1: is the best song they've ever put out. But ask 962 00:53:24,600 --> 00:53:27,239 Speaker 1: me in five years, because I didn't tell you, Luckiest 963 00:53:27,719 --> 00:53:30,600 Speaker 1: is my favorite song. I think it speaks to my life, 964 00:53:31,440 --> 00:53:36,120 Speaker 1: the direction, the gratefulness and my kids and the appreciation 965 00:53:36,360 --> 00:53:38,799 Speaker 1: for everything that's come along the way. You know, that's 966 00:53:38,800 --> 00:53:40,640 Speaker 1: a love song not only do my wife and kids, 967 00:53:40,640 --> 00:53:43,279 Speaker 1: but it's also a love song honestly to the fans too. 968 00:53:44,000 --> 00:53:45,879 Speaker 1: Like right in that song, I don't know that you've 969 00:53:45,920 --> 00:53:48,200 Speaker 1: heard it. It says, you know, I can't believe the 970 00:53:48,239 --> 00:53:51,320 Speaker 1: life I've been given. Yeah, I'm lucky. I know it's true, 971 00:53:51,680 --> 00:53:53,680 Speaker 1: but I feel the luckiest to be loved by you 972 00:53:54,239 --> 00:53:56,640 Speaker 1: so good, and I think that's i' will be able 973 00:53:56,680 --> 00:53:58,360 Speaker 1: to sing that to the fans every night and be 974 00:53:58,480 --> 00:54:02,480 Speaker 1: like lucky because of y'all. Y'all all paid a concert 975 00:54:02,480 --> 00:54:04,359 Speaker 1: ticket price to come here, and some of you bought 976 00:54:04,360 --> 00:54:07,680 Speaker 1: our shirt. There's millions of bands that you could spend 977 00:54:07,680 --> 00:54:09,480 Speaker 1: your money on, and you came to do it for mine. 978 00:54:09,800 --> 00:54:11,560 Speaker 1: I don't want to take that for grants, especially when 979 00:54:11,640 --> 00:54:14,200 Speaker 1: we get to play again one day. That's going to 980 00:54:14,280 --> 00:54:16,560 Speaker 1: even mean it more to us. Togethers like us that 981 00:54:16,640 --> 00:54:19,960 Speaker 1: people are risking a lot more just to see us, 982 00:54:20,960 --> 00:54:23,439 Speaker 1: and I think we'll even feel that gratefulness even more. 983 00:54:23,480 --> 00:54:26,200 Speaker 1: But man, if you say that your latest song is 984 00:54:26,239 --> 00:54:30,520 Speaker 1: your best, I don't think anything else matters in your past. Yeah, 985 00:54:30,600 --> 00:54:32,640 Speaker 1: you say, Every artist says it, but I don't think 986 00:54:32,719 --> 00:54:36,399 Speaker 1: you can really believe it unless it's real. Yeah, Oh, 987 00:54:36,440 --> 00:54:39,960 Speaker 1: I believe it. You know I believe it. Let's take 988 00:54:39,960 --> 00:54:42,480 Speaker 1: a quick break and then I want to talk about 989 00:54:43,160 --> 00:54:55,120 Speaker 1: possibly post music for you. Let's do it. So politics, Yeah, 990 00:54:56,320 --> 00:54:59,920 Speaker 1: I had to go here. Yeah, everybody, everybody sees that 991 00:55:00,120 --> 00:55:03,200 Speaker 1: I probably post more about politics, and a lot of 992 00:55:03,200 --> 00:55:05,920 Speaker 1: other artists I would say, do you have aspirations in 993 00:55:05,960 --> 00:55:12,080 Speaker 1: the political world, I'll say this, yes, yeah. Even ever 994 00:55:12,080 --> 00:55:13,960 Speaker 1: since I was in college, I thought I wanted to 995 00:55:14,040 --> 00:55:15,919 Speaker 1: be in politics, but I didn't know that I wanted 996 00:55:15,920 --> 00:55:18,640 Speaker 1: to be the politician. When I got out of college. 997 00:55:18,880 --> 00:55:21,240 Speaker 1: Between college and grad school, I actually worked on a 998 00:55:21,239 --> 00:55:30,920 Speaker 1: political campaign on as on a representative campaign, and I 999 00:55:30,960 --> 00:55:33,759 Speaker 1: realized real quick I did not want to be on 1000 00:55:34,239 --> 00:55:37,120 Speaker 1: the political team unless I was the politician. Just a 1001 00:55:37,680 --> 00:55:40,160 Speaker 1: lot of grinding for not a lot of pay, and 1002 00:55:40,920 --> 00:55:42,839 Speaker 1: kind of saw the trajectory of that, and I just 1003 00:55:43,080 --> 00:55:45,280 Speaker 1: I never wanted to move to Washington, d C. Anyway. 1004 00:55:45,400 --> 00:55:47,880 Speaker 1: So I was just kind of quickly like, you know, 1005 00:55:47,920 --> 00:55:49,440 Speaker 1: if I'm ever going to be in politics, i'm going 1006 00:55:49,520 --> 00:55:52,960 Speaker 1: to be I'm going to stick to Texas and I'll 1007 00:55:52,960 --> 00:55:55,480 Speaker 1: cross that road down down the line. But obviously I've 1008 00:55:55,480 --> 00:55:57,879 Speaker 1: been focused on my career for the last I mean, 1009 00:55:58,040 --> 00:56:01,160 Speaker 1: like I said, we started touring making it serious in 1010 00:56:01,160 --> 00:56:03,759 Speaker 1: two thousand and eight, so twelve years now. Yeah, you know, 1011 00:56:04,000 --> 00:56:07,520 Speaker 1: been doing it for fourteen. But I think I'm at 1012 00:56:07,560 --> 00:56:10,799 Speaker 1: a point now where it's an interesting like hmm, you know, 1013 00:56:10,880 --> 00:56:13,680 Speaker 1: And I've had talks with Governor Abbit and Senator Cornyn 1014 00:56:13,760 --> 00:56:16,400 Speaker 1: and some other elected officials, and they all know that 1015 00:56:16,440 --> 00:56:21,560 Speaker 1: I'm fifty percent serious about maybe me running for governor 1016 00:56:21,600 --> 00:56:24,279 Speaker 1: one day so Texas could see another Governor Abbit, they 1017 00:56:24,320 --> 00:56:27,080 Speaker 1: could yeah, you know, but I won't run against Governor 1018 00:56:27,080 --> 00:56:28,839 Speaker 1: Abbit now because what did you say, by the way, 1019 00:56:29,400 --> 00:56:31,239 Speaker 1: when you talk to him about it, Hey, things, it's great, 1020 00:56:31,560 --> 00:56:33,520 Speaker 1: you know, I mean obviously you know, what's what's he 1021 00:56:33,560 --> 00:56:36,400 Speaker 1: gonna say? No, Tosh, you would hate this job. No, 1022 00:56:36,640 --> 00:56:39,239 Speaker 1: He's like, you know, if you're called to do it, 1023 00:56:39,280 --> 00:56:41,239 Speaker 1: and you he's like, you know, I don't know if 1024 00:56:41,239 --> 00:56:42,680 Speaker 1: there was him that said it, or corn In or 1025 00:56:43,040 --> 00:56:45,480 Speaker 1: someone else, but they're all kind of like the general 1026 00:56:45,520 --> 00:56:47,960 Speaker 1: consensus is. You know, normally, when you're going to be 1027 00:56:47,960 --> 00:56:50,040 Speaker 1: in politics, you really have to work your way up 1028 00:56:50,080 --> 00:56:53,080 Speaker 1: to get that name recognition to be able to climb 1029 00:56:53,120 --> 00:56:56,520 Speaker 1: the ladder. Right, It's where you've got to start local small, 1030 00:56:56,600 --> 00:56:59,719 Speaker 1: you get bigger, bigger, bigger, bigger. He's like, you know, 1031 00:57:00,040 --> 00:57:02,400 Speaker 1: you've spent the last twelve years getting name recognition on 1032 00:57:02,520 --> 00:57:05,479 Speaker 1: radio across Texas. You have more name recognition than them. 1033 00:57:05,760 --> 00:57:08,440 Speaker 1: You know a lot of politicians do. So yeah, if 1034 00:57:08,440 --> 00:57:10,400 Speaker 1: you ran, you already have that gone for you. So 1035 00:57:10,440 --> 00:57:14,560 Speaker 1: it's just got it's about, you know, wanting to accept 1036 00:57:14,560 --> 00:57:17,520 Speaker 1: the challenges that come with you know, running for politics 1037 00:57:17,560 --> 00:57:22,040 Speaker 1: and then obviously being elected. So I do entertain the idea. 1038 00:57:22,560 --> 00:57:27,160 Speaker 1: My wife is very against it, really very So I 1039 00:57:27,240 --> 00:57:31,520 Speaker 1: won't run unless she unless she gives me your blessing, 1040 00:57:31,640 --> 00:57:33,160 Speaker 1: and I don't know if she will because I think 1041 00:57:33,200 --> 00:57:36,880 Speaker 1: she's you know, we have kids, and I think she 1042 00:57:37,000 --> 00:57:39,720 Speaker 1: doesn't want to see my name and some of the 1043 00:57:39,760 --> 00:57:41,920 Speaker 1: things I've done in the past drug out again all 1044 00:57:41,960 --> 00:57:45,400 Speaker 1: across the newspapers. Which it's not like I've you know, 1045 00:57:46,320 --> 00:57:49,920 Speaker 1: it's not like I had a DWI or murdered someone 1046 00:57:50,000 --> 00:57:52,480 Speaker 1: or anything. But I mean, you know, just being a 1047 00:57:52,520 --> 00:57:54,920 Speaker 1: country music singer and kind of going through the stuff 1048 00:57:54,960 --> 00:57:58,280 Speaker 1: I've gone through. You know, she's just afraid there might 1049 00:57:58,320 --> 00:58:00,800 Speaker 1: be a picture at leaks of me smoking though you know, 1050 00:58:00,840 --> 00:58:05,080 Speaker 1: there might be you know, some stories that come out 1051 00:58:05,160 --> 00:58:08,200 Speaker 1: that aren't flattering, right because they were so long ago. 1052 00:58:08,200 --> 00:58:10,320 Speaker 1: But that's what we do, That's what that's what our 1053 00:58:10,400 --> 00:58:14,520 Speaker 1: society does. In elections. In politics, it's nasty and it's 1054 00:58:14,960 --> 00:58:17,480 Speaker 1: find the dirt, even though that has nothing to do 1055 00:58:17,560 --> 00:58:22,960 Speaker 1: with someone's ability to you know, actually you know, create 1056 00:58:23,000 --> 00:58:26,480 Speaker 1: policy and understand it and work with others. But that's 1057 00:58:26,520 --> 00:58:31,600 Speaker 1: what politics is. And so anyway, yeah, long winded answer. 1058 00:58:31,920 --> 00:58:34,200 Speaker 1: I do want to run one day, but only in 1059 00:58:34,240 --> 00:58:36,080 Speaker 1: my wife will let me. So going back to the 1060 00:58:36,760 --> 00:58:39,160 Speaker 1: tweet that we talked about, you know, when I was 1061 00:58:39,160 --> 00:58:42,640 Speaker 1: in Tesscalus and you're in Wichita. That makes more sense though, 1062 00:58:43,000 --> 00:58:45,919 Speaker 1: to look back and go, yeah, I've had some problems. Yeah, 1063 00:58:46,000 --> 00:58:49,120 Speaker 1: there's no right, right, There's no one's gonna come up 1064 00:58:49,160 --> 00:58:51,320 Speaker 1: and go, I know something about Josh. You guys don't know. 1065 00:58:51,600 --> 00:58:54,480 Speaker 1: Ye'll be like tell me, yeah, you know, because you've 1066 00:58:54,480 --> 00:58:57,000 Speaker 1: been very public. That's a good thing. I do still 1067 00:58:57,040 --> 00:59:02,160 Speaker 1: hear stories sometimes about me and they're completely wrong. I 1068 00:59:02,240 --> 00:59:05,120 Speaker 1: mean there's not even one person accuracy to them. And 1069 00:59:05,440 --> 00:59:09,960 Speaker 1: it blows my mind because people be mad, be mad 1070 00:59:10,360 --> 00:59:14,800 Speaker 1: at something they've heard from and it wasn't even true. 1071 00:59:14,840 --> 00:59:18,840 Speaker 1: Like I'll give you an example. A buddy of mine 1072 00:59:19,360 --> 00:59:22,480 Speaker 1: was eating I think he had a Josh Abbat shirt. 1073 00:59:22,480 --> 00:59:24,000 Speaker 1: He's a good friend of mine, and he was eating 1074 00:59:24,000 --> 00:59:27,400 Speaker 1: at like a Mexican restaurant in Mexican food restaurant in 1075 00:59:27,480 --> 00:59:30,680 Speaker 1: New Bronfols or something like that, and it was either 1076 00:59:30,680 --> 00:59:33,960 Speaker 1: the waitress, the bartender or something was like, you know 1077 00:59:34,000 --> 00:59:37,120 Speaker 1: you like Josh Ababan. He was like, yeah, yeah, I 1078 00:59:37,200 --> 00:59:39,320 Speaker 1: like his music. You know. Well she was like f 1079 00:59:39,360 --> 00:59:42,600 Speaker 1: that guy, and he's like, why do you say that? 1080 00:59:42,640 --> 00:59:46,720 Speaker 1: And she's like, I heard he's got a kid in 1081 00:59:46,760 --> 00:59:54,919 Speaker 1: Abilene that he never accepted or sees and doesn't want 1082 00:59:54,920 --> 01:00:00,240 Speaker 1: anything to do with. And I honestly died laughing because 1083 01:00:00,240 --> 01:00:04,080 Speaker 1: I was like, it's just not true. So he found 1084 01:00:04,080 --> 01:00:08,919 Speaker 1: out the name of the person who's claiming this right, 1085 01:00:09,640 --> 01:00:11,960 Speaker 1: and you know, I looked her up on like Instagram 1086 01:00:12,040 --> 01:00:13,760 Speaker 1: or Facebook or something like that, and I was like, 1087 01:00:13,800 --> 01:00:17,920 Speaker 1: I've never even met this person, much less created a 1088 01:00:18,000 --> 01:00:20,480 Speaker 1: child with them. Yeah, I don't eve think I've ever 1089 01:00:20,520 --> 01:00:22,520 Speaker 1: talked to this person unless it was in a meeting Mary. 1090 01:00:22,680 --> 01:00:25,280 Speaker 1: So I mean, like anyway that that I probably shouldn't 1091 01:00:25,280 --> 01:00:27,360 Speaker 1: have even told that story. Life be like, Bay, why 1092 01:00:27,360 --> 01:00:28,600 Speaker 1: do you tell these stories? It was like a new 1093 01:00:28,640 --> 01:00:31,640 Speaker 1: song a child. Oh no, I'm not right, But it's 1094 01:00:31,720 --> 01:00:35,320 Speaker 1: just funny because again, you just hear stories and you know, 1095 01:00:35,360 --> 01:00:40,800 Speaker 1: we live in a society where we accept truth at 1096 01:00:41,400 --> 01:00:45,080 Speaker 1: immediately right truth bias. We we read something in a 1097 01:00:45,120 --> 01:00:48,840 Speaker 1: tweet it's true because someone said it, and that makes 1098 01:00:49,000 --> 01:00:51,400 Speaker 1: no sense because there's no credibility to a lot of 1099 01:00:51,400 --> 01:00:53,360 Speaker 1: that stuff. But that's the world we live in. And 1100 01:00:53,400 --> 01:00:57,120 Speaker 1: so you know, headlines and X amount of characters and 1101 01:00:57,600 --> 01:01:01,760 Speaker 1: short fragments they do damage. And so again, I want 1102 01:01:01,760 --> 01:01:04,000 Speaker 1: to run for office. I think i'd be great at 1103 01:01:04,000 --> 01:01:07,280 Speaker 1: it because I am a Republican, but I have some 1104 01:01:07,320 --> 01:01:10,960 Speaker 1: democratic views in terms of like social views, you know, 1105 01:01:11,600 --> 01:01:14,040 Speaker 1: and I think it's time that the Republican Party gets 1106 01:01:14,080 --> 01:01:21,880 Speaker 1: past the antiquated, you know, narratives of being against homosexuality 1107 01:01:22,000 --> 01:01:26,680 Speaker 1: and having the others. Everything on the ticket has to 1108 01:01:26,680 --> 01:01:29,480 Speaker 1: be one ideology, and it's a huge problem. And if 1109 01:01:29,560 --> 01:01:32,080 Speaker 1: that is a huge problem, because if you don't cater 1110 01:01:32,200 --> 01:01:35,760 Speaker 1: to that, you'll lose your you'll lose your base. But 1111 01:01:36,520 --> 01:01:38,760 Speaker 1: it's like, well that's you know, that's not what I believe. 1112 01:01:38,840 --> 01:01:40,400 Speaker 1: So I'm like, if I ever ran, i'd be like, yeah, 1113 01:01:40,400 --> 01:01:43,000 Speaker 1: I'm a Republican because I'm for small government. I'm for 1114 01:01:43,440 --> 01:01:45,520 Speaker 1: I don't think I don't want the national government coming 1115 01:01:45,520 --> 01:01:47,440 Speaker 1: in here and tell on Texas how to handle itself. 1116 01:01:47,840 --> 01:01:52,560 Speaker 1: Texas can do handle itself just fine. But in the 1117 01:01:52,600 --> 01:01:56,880 Speaker 1: same sense, like I'm you know, let's let's put casinos 1118 01:01:56,920 --> 01:02:01,840 Speaker 1: on the coast. I mean, how many dollars lead this 1119 01:02:01,960 --> 01:02:05,280 Speaker 1: state and go to New Mexico, Oklahoma or Louisiana. How 1120 01:02:05,280 --> 01:02:11,160 Speaker 1: many billions, billions right go across the border to those places. Now, 1121 01:02:11,280 --> 01:02:13,440 Speaker 1: Vegas you don't really count because that's a destination, But 1122 01:02:13,760 --> 01:02:16,240 Speaker 1: how many people drive across these the Texas border to 1123 01:02:16,240 --> 01:02:18,680 Speaker 1: go game one these other states? And what if we 1124 01:02:18,760 --> 01:02:21,240 Speaker 1: had some casinos in Texas and what if it was 1125 01:02:21,800 --> 01:02:23,440 Speaker 1: you know, what if there was like a tax on 1126 01:02:23,520 --> 01:02:27,000 Speaker 1: it on those casinos, and you know, people that are 1127 01:02:27,000 --> 01:02:28,560 Speaker 1: against it say, we yeah, but you don't, you don't 1128 01:02:28,600 --> 01:02:31,080 Speaker 1: understand what it decimates, what it does to the communities. 1129 01:02:31,120 --> 01:02:33,000 Speaker 1: I'm like, well, let's let the communities vote on it, 1130 01:02:33,480 --> 01:02:35,800 Speaker 1: you know, because some of them may be so hungry 1131 01:02:35,840 --> 01:02:39,520 Speaker 1: for economic prosperity that they say, maybe we can manage 1132 01:02:39,520 --> 01:02:44,240 Speaker 1: this responsibly as citizens and police ourselves and not fall 1133 01:02:44,320 --> 01:02:47,280 Speaker 1: victim to some of the entrapments so to speak that 1134 01:02:47,440 --> 01:02:51,080 Speaker 1: occur with you know, with a casino being in your city, 1135 01:02:51,120 --> 01:02:54,360 Speaker 1: and so that legalize marijuana. I mean, why does Texas 1136 01:02:54,360 --> 01:02:56,360 Speaker 1: have to be so behind on it. I mean, there's 1137 01:02:56,400 --> 01:02:58,240 Speaker 1: so many states that are done. It does mean people 1138 01:02:58,280 --> 01:02:59,800 Speaker 1: have to do it, and it doesn't mean that we 1139 01:02:59,840 --> 01:03:02,520 Speaker 1: have to just full blown like, hey, any amount is fine. 1140 01:03:02,880 --> 01:03:04,720 Speaker 1: Smoke as much as you want. Like, there's still a 1141 01:03:04,720 --> 01:03:07,680 Speaker 1: lot of rules around it, right, like don't operate a vehicle, 1142 01:03:07,920 --> 01:03:11,120 Speaker 1: you know, don't you can only have x amount and 1143 01:03:11,160 --> 01:03:13,960 Speaker 1: so forth. And it's been proven so many times that 1144 01:03:14,000 --> 01:03:17,160 Speaker 1: it's it's way easier on yourself than alcohol. But we 1145 01:03:17,200 --> 01:03:22,720 Speaker 1: get alcohol is very legal. Gay marriage, homosexual marriage, everybody 1146 01:03:22,800 --> 01:03:26,200 Speaker 1: uses different terms, right, But I mean, why do I 1147 01:03:26,240 --> 01:03:29,440 Speaker 1: care if they get married? Now on a level of 1148 01:03:29,520 --> 01:03:32,000 Speaker 1: church for church and state, I don't think that the 1149 01:03:32,040 --> 01:03:34,040 Speaker 1: country or the state should be able to tell a 1150 01:03:34,160 --> 01:03:36,760 Speaker 1: church they have to marry someone because that would go 1151 01:03:36,800 --> 01:03:42,160 Speaker 1: against maybe their their their you know, beliefs system. But 1152 01:03:42,320 --> 01:03:44,880 Speaker 1: if there is a church that says, yeah, we'll marry 1153 01:03:44,920 --> 01:03:47,840 Speaker 1: a gay gobble, why can't they get married? Like, who cares? 1154 01:03:47,920 --> 01:03:50,520 Speaker 1: It does not bother me in my life, you know, 1155 01:03:50,600 --> 01:03:52,600 Speaker 1: why can't they have those rights? Why can't they have 1156 01:03:52,640 --> 01:03:54,880 Speaker 1: the ability to be on each other's insurance and things 1157 01:03:54,960 --> 01:03:59,040 Speaker 1: when they're partners together, Like I just I wonder why 1158 01:03:59,080 --> 01:04:02,680 Speaker 1: we can't reach these compromises, and the hypocrisy of it 1159 01:04:02,720 --> 01:04:06,360 Speaker 1: all is what kills me, is because especially like I'm 1160 01:04:06,360 --> 01:04:09,080 Speaker 1: a Republican, but the Republican party, where the core of 1161 01:04:09,120 --> 01:04:13,120 Speaker 1: that is free will, right, small government, free will. We 1162 01:04:13,160 --> 01:04:15,240 Speaker 1: don't want the government tell us what to do. We 1163 01:04:15,280 --> 01:04:19,280 Speaker 1: want less regulations, less laws, right, So why are we like, no, 1164 01:04:19,320 --> 01:04:23,200 Speaker 1: you can't can't be getting married? No, no, you have 1165 01:04:23,240 --> 01:04:26,320 Speaker 1: all these restrictions when it's convenient for some sort of 1166 01:04:26,360 --> 01:04:30,160 Speaker 1: like Christian conservative narrative. But even that I think is outdated. 1167 01:04:30,440 --> 01:04:34,640 Speaker 1: I think a lot of modern Christians, while they necessarily 1168 01:04:34,680 --> 01:04:41,000 Speaker 1: wouldn't be like, yeah, homosexuality is is okay. I think 1169 01:04:41,040 --> 01:04:43,640 Speaker 1: a lot of people are now are like, well, you know, 1170 01:04:43,680 --> 01:04:46,120 Speaker 1: the Bible definitely addresses it, but it addresses a lot 1171 01:04:46,160 --> 01:04:48,480 Speaker 1: of things we're all guilty of, right, And That's where 1172 01:04:48,480 --> 01:04:51,760 Speaker 1: I'm at, Like, my sin is no less or worse 1173 01:04:51,840 --> 01:04:55,280 Speaker 1: than someone else's, So you're right. And there's a big 1174 01:04:55,280 --> 01:04:58,560 Speaker 1: difference between church and state. And there's no no apostles 1175 01:04:58,560 --> 01:05:02,240 Speaker 1: in the Bible. Never did they ever say we have 1176 01:05:02,320 --> 01:05:05,880 Speaker 1: to overthrow the government the Roman Empire because they're wrong 1177 01:05:06,360 --> 01:05:09,760 Speaker 1: and they need to be Christian. In fact, when the 1178 01:05:09,840 --> 01:05:13,760 Speaker 1: Roman Empire did become the Roman Catholic Empire, it actually 1179 01:05:13,960 --> 01:05:16,840 Speaker 1: was still really bad. It's really bad for sure. So 1180 01:05:16,920 --> 01:05:19,960 Speaker 1: that having that separation of church and state, Uh you 1181 01:05:19,960 --> 01:05:22,440 Speaker 1: could you could, you could worship your own way in 1182 01:05:22,520 --> 01:05:25,720 Speaker 1: your own church. Yeah, but the lawmakers could make laws 1183 01:05:26,280 --> 01:05:30,000 Speaker 1: and it doesn't have to contradict each other. And uh, 1184 01:05:30,240 --> 01:05:32,280 Speaker 1: and we've we've kind of been caught up in that 1185 01:05:32,320 --> 01:05:35,360 Speaker 1: a lot. And you know, it's just like there's all 1186 01:05:35,360 --> 01:05:38,560 Speaker 1: these you know, hypocrisies of the left too. I mean, 1187 01:05:38,560 --> 01:05:42,040 Speaker 1: there's there's so many right the Party of tolerant, but 1188 01:05:42,160 --> 01:05:44,560 Speaker 1: they don't want to be tolerant of people who don't 1189 01:05:44,560 --> 01:05:48,160 Speaker 1: believe what they believe, which makes no sense at all. Right, 1190 01:05:49,800 --> 01:05:53,000 Speaker 1: And uh, you know in today's culture that we live 1191 01:05:53,040 --> 01:05:56,080 Speaker 1: in now, we see these race riots occurring, and we 1192 01:05:56,120 --> 01:05:59,800 Speaker 1: see Black Lives Matter as a political agenda and and 1193 01:06:00,200 --> 01:06:02,600 Speaker 1: you know, a movement, and there's a balance to it 1194 01:06:02,640 --> 01:06:04,160 Speaker 1: all because you have to the way you have to 1195 01:06:04,200 --> 01:06:10,120 Speaker 1: tread that right, like, you know, black lives do matter, right, 1196 01:06:10,240 --> 01:06:15,560 Speaker 1: all lives do matter. And but you can't but you 1197 01:06:15,600 --> 01:06:19,040 Speaker 1: say one it alienates the other something and I do 1198 01:06:19,080 --> 01:06:22,200 Speaker 1: think that there's probably some sort of yeah, institutional racism 1199 01:06:22,280 --> 01:06:25,760 Speaker 1: that kind of still exists as a byproduct or from 1200 01:06:25,880 --> 01:06:28,760 Speaker 1: trickling down over the years, right like laws that weren't 1201 01:06:28,760 --> 01:06:32,000 Speaker 1: place years ago, that have just kind of only gone 1202 01:06:32,040 --> 01:06:34,760 Speaker 1: away in little bits, and today they're you know, I 1203 01:06:34,800 --> 01:06:37,520 Speaker 1: do think that it's very obvious that the African American 1204 01:06:37,920 --> 01:06:43,479 Speaker 1: the black community is you know, covered in poverty and 1205 01:06:43,600 --> 01:06:47,760 Speaker 1: they need a hand and and you know, I don't 1206 01:06:47,800 --> 01:06:50,480 Speaker 1: know how to fix that. But I think when it 1207 01:06:50,520 --> 01:06:53,760 Speaker 1: really angers me when I see Republicans who don't think 1208 01:06:53,800 --> 01:06:56,480 Speaker 1: it's a big don't think it's a problem. Of course 1209 01:06:56,520 --> 01:06:59,800 Speaker 1: it's a problem. What you just said is interesting because no, 1210 01:07:00,640 --> 01:07:03,240 Speaker 1: this is that you said the exact sentence that no 1211 01:07:03,360 --> 01:07:06,160 Speaker 1: politician is allowed to say. Right now, I don't know 1212 01:07:06,160 --> 01:07:08,680 Speaker 1: how to fix that. Oh, but yeah, that's what we 1213 01:07:08,720 --> 01:07:11,560 Speaker 1: want them to say. We want we want someone to 1214 01:07:11,600 --> 01:07:14,320 Speaker 1: finally tell us. I don't know how to fix that, 1215 01:07:14,720 --> 01:07:17,000 Speaker 1: but I'm working on it. I'll put it. I'm putting 1216 01:07:17,360 --> 01:07:19,560 Speaker 1: all the best people I know on this, and we 1217 01:07:19,600 --> 01:07:22,720 Speaker 1: will figure it out. Right now, I don't have an answer. 1218 01:07:22,760 --> 01:07:25,120 Speaker 1: I just realized it's a problem. But they always feel 1219 01:07:25,160 --> 01:07:27,040 Speaker 1: like they have to talk they always feel like they 1220 01:07:27,040 --> 01:07:30,280 Speaker 1: have to communicate like a solution, and sometimes it's I 1221 01:07:30,280 --> 01:07:32,320 Speaker 1: don't know if I have a solution, and I don't 1222 01:07:32,320 --> 01:07:34,200 Speaker 1: know if my solution is the best one, but here's 1223 01:07:34,240 --> 01:07:37,200 Speaker 1: what we have, you know, and and so. But in 1224 01:07:37,240 --> 01:07:40,120 Speaker 1: the same sense, you know, these I think the rioting 1225 01:07:40,160 --> 01:07:42,040 Speaker 1: and the burning and the looting and all that is 1226 01:07:42,160 --> 01:07:46,600 Speaker 1: just it's really just painting and perverting what is a 1227 01:07:46,720 --> 01:07:49,240 Speaker 1: what can be a really positive moment in history for 1228 01:07:49,560 --> 01:07:53,280 Speaker 1: civil rights, you know. And uh, I think it's okay 1229 01:07:53,320 --> 01:07:59,800 Speaker 1: for Republicans to go, yeah, you know, clearly there's some 1230 01:08:00,080 --> 01:08:02,760 Speaker 1: sort of you know, there's some sort of reason that 1231 01:08:03,040 --> 01:08:05,680 Speaker 1: African American men are being killed at the rates that 1232 01:08:05,720 --> 01:08:09,080 Speaker 1: they are by police officers. And I know that I'm 1233 01:08:09,120 --> 01:08:11,520 Speaker 1: getting into such deep stuff, right. I know that there 1234 01:08:11,520 --> 01:08:13,160 Speaker 1: are people who listen to the podcasts who say, well, 1235 01:08:13,200 --> 01:08:15,000 Speaker 1: you have what about black on black crime? Yeah, but 1236 01:08:15,000 --> 01:08:17,400 Speaker 1: that's we're not talking about black on black crime. We're 1237 01:08:17,439 --> 01:08:19,400 Speaker 1: not talking about white on black crime. We're talking about 1238 01:08:19,439 --> 01:08:23,360 Speaker 1: police and African American men, and there is some sort 1239 01:08:23,360 --> 01:08:28,280 Speaker 1: of weird correlation there, and I think we have to 1240 01:08:28,280 --> 01:08:31,240 Speaker 1: address that, you know. But in the same sense, I 1241 01:08:31,400 --> 01:08:34,760 Speaker 1: can't I don't personally feel like I can go out 1242 01:08:34,800 --> 01:08:41,360 Speaker 1: there and post and tag black lives matter, because even 1243 01:08:41,360 --> 01:08:45,280 Speaker 1: though yes, those three words aligned together, Yes, for sure 1244 01:08:45,320 --> 01:08:48,400 Speaker 1: they do, but it's become a political movement, and that 1245 01:08:48,439 --> 01:08:52,160 Speaker 1: political movement accepts dollars and it becomes a pack and 1246 01:08:52,200 --> 01:08:56,479 Speaker 1: donates money to, you know, candidates across the country that 1247 01:08:56,520 --> 01:08:58,600 Speaker 1: I might not support, And I don't want to be 1248 01:08:58,720 --> 01:09:02,519 Speaker 1: bullied into sup you cannot something that I don't want 1249 01:09:02,520 --> 01:09:04,880 Speaker 1: to support. So you know, if you if you act 1250 01:09:04,920 --> 01:09:06,840 Speaker 1: one way, or you're racist. If you act another way, 1251 01:09:06,840 --> 01:09:09,719 Speaker 1: you're not. And I just think the whole thing is bullshit. 1252 01:09:09,880 --> 01:09:11,760 Speaker 1: I think, why can we not just look at this 1253 01:09:11,800 --> 01:09:14,760 Speaker 1: from a lens of common sense and agree that, you 1254 01:09:14,800 --> 01:09:19,160 Speaker 1: know what, there's some truth to both sides, and let's 1255 01:09:19,200 --> 01:09:22,439 Speaker 1: find the real truth in the middle. So what's a 1256 01:09:22,520 --> 01:09:27,439 Speaker 1: reasonable timeline your wife willing that we could see Josh 1257 01:09:27,479 --> 01:09:29,120 Speaker 1: Abbot on a ticket one day, I don't know, I 1258 01:09:29,200 --> 01:09:33,519 Speaker 1: mean ten years, fifteen years. If she told me I 1259 01:09:33,520 --> 01:09:36,840 Speaker 1: could run in twenty twenty two and Governor abbotstep wasn't 1260 01:09:36,840 --> 01:09:39,000 Speaker 1: going to run for reelection, I would run. I just 1261 01:09:39,000 --> 01:09:42,120 Speaker 1: don't want to run against Governor Abbot because you know, 1262 01:09:42,200 --> 01:09:43,800 Speaker 1: and we have shared the same last name. First of all, 1263 01:09:43,800 --> 01:09:46,400 Speaker 1: it would be just very confusing. Thanks for voters, it 1264 01:09:46,439 --> 01:09:51,080 Speaker 1: really would be. Yeah, And I like Governor Abbit, and 1265 01:09:51,200 --> 01:09:53,880 Speaker 1: he's in a weird spot right now because the whole 1266 01:09:53,880 --> 01:09:58,559 Speaker 1: world is looking at him because Texas you know, opened 1267 01:09:58,640 --> 01:10:02,160 Speaker 1: up quote unquote two soon and we saw COVID rates 1268 01:10:02,160 --> 01:10:03,800 Speaker 1: spike up again, and then he had to come in 1269 01:10:03,840 --> 01:10:05,880 Speaker 1: and do something he didn't want to do, and that 1270 01:10:06,040 --> 01:10:08,840 Speaker 1: was shut the state back down. So he's it's like 1271 01:10:08,880 --> 01:10:11,719 Speaker 1: he's damned ivy, dude, damnit Ivy doesn't like, he's got 1272 01:10:11,960 --> 01:10:14,200 Speaker 1: both sides mad at him because he hasn't done it 1273 01:10:14,360 --> 01:10:16,280 Speaker 1: quote unquote the right way. And I'm like, he's in 1274 01:10:16,320 --> 01:10:18,320 Speaker 1: a no end spot. Let's all show him some grace. 1275 01:10:18,600 --> 01:10:21,559 Speaker 1: This is an unprecedent in time and history, Like this 1276 01:10:21,600 --> 01:10:25,200 Speaker 1: is weird, weird. The most developed country, you know, developed 1277 01:10:25,240 --> 01:10:28,519 Speaker 1: nation developed in this time of the world and we're 1278 01:10:28,760 --> 01:10:32,519 Speaker 1: undergoing this weird pandemic that you know, really sets us 1279 01:10:32,560 --> 01:10:36,880 Speaker 1: back to you know, times decades ago. Right Like it 1280 01:10:36,920 --> 01:10:39,479 Speaker 1: feels like I feel like we're living in the nineties again, 1281 01:10:39,520 --> 01:10:42,640 Speaker 1: where every mills at home and no one travels and 1282 01:10:42,680 --> 01:10:45,120 Speaker 1: goes out and yeah, you know, I'm rambling now. But 1283 01:10:45,520 --> 01:10:47,840 Speaker 1: you asked about the if I would run. Yeah, I'm 1284 01:10:47,880 --> 01:10:52,640 Speaker 1: run in twenty twenty, and my wife would let me. Yeah, 1285 01:10:52,720 --> 01:10:54,720 Speaker 1: but I don't see her change in her mind in 1286 01:10:54,720 --> 01:10:57,719 Speaker 1: the next couple of years, and I think Governor Abbit 1287 01:10:57,720 --> 01:11:01,960 Speaker 1: will run for reelection, So whenever the next one would 1288 01:11:01,920 --> 01:11:06,280 Speaker 1: be twenty twenty six, twenty thirty, twenty thirty sounds good man, 1289 01:11:06,280 --> 01:11:10,639 Speaker 1: it's ten years from now, right, Yeah. Wait, I'm off 1290 01:11:10,680 --> 01:11:12,920 Speaker 1: on my years. I'm a dumb as far as when 1291 01:11:12,920 --> 01:11:14,760 Speaker 1: the election years are. I know I'm not off on 1292 01:11:14,760 --> 01:11:17,120 Speaker 1: my years because he's not running for governor right now, 1293 01:11:17,400 --> 01:11:20,040 Speaker 1: and it's twenty twenty now it's president's Yeah, so every 1294 01:11:20,080 --> 01:11:22,000 Speaker 1: other twenty two, I think, is when he's up, and 1295 01:11:22,000 --> 01:11:25,280 Speaker 1: then it would be twenty twenty six and twenty thirty, 1296 01:11:25,360 --> 01:11:27,679 Speaker 1: so who knows. Maybe in twenty thirty that's the year 1297 01:11:28,800 --> 01:11:32,960 Speaker 1: that I run for governor. And let's get that ee 1298 01:11:33,040 --> 01:11:36,559 Speaker 1: Nation vote. We'll bring you back on there. Rekindle that 1299 01:11:36,640 --> 01:11:38,200 Speaker 1: how many of your fans are so bad at me 1300 01:11:38,320 --> 01:11:40,040 Speaker 1: right now for some of my viewpoints. But that's the 1301 01:11:40,040 --> 01:11:43,120 Speaker 1: thing is, I would just hope that people could listen 1302 01:11:43,280 --> 01:11:48,040 Speaker 1: to the approach I'm coming from because I don't come 1303 01:11:48,080 --> 01:11:52,640 Speaker 1: from a very polarizing viewpoint of very far right or 1304 01:11:52,760 --> 01:11:55,519 Speaker 1: very far left. I'm more right than left, but I'm 1305 01:11:55,560 --> 01:11:58,000 Speaker 1: closer to that middle, and I'd love to see more 1306 01:11:58,040 --> 01:12:01,280 Speaker 1: people get there and go. Yeah, man concede that point. 1307 01:12:01,320 --> 01:12:02,679 Speaker 1: I think a lot of people could use a little 1308 01:12:02,720 --> 01:12:05,479 Speaker 1: common sense when it comes to politics, and it doesn't 1309 01:12:05,479 --> 01:12:09,680 Speaker 1: exist right now on either side. Yeah. We'll bring you 1310 01:12:09,720 --> 01:12:13,479 Speaker 1: back on the podcast in twenty thirty to rekindle that, 1311 01:12:14,360 --> 01:12:18,800 Speaker 1: hopefully many times between now and then. But I'll end 1312 01:12:18,800 --> 01:12:22,640 Speaker 1: with this too. The one the one fraternity that me 1313 01:12:22,640 --> 01:12:25,400 Speaker 1: and you both belonged to that neither one of us 1314 01:12:25,479 --> 01:12:29,280 Speaker 1: wanted to get into, was we lost our dads. I 1315 01:12:29,320 --> 01:12:32,800 Speaker 1: lost my dad in twenty fourteen, and the first show 1316 01:12:32,840 --> 01:12:35,400 Speaker 1: I played back was with you in South Padre Island, 1317 01:12:35,400 --> 01:12:39,160 Speaker 1: Texas and opened up for you, remember, And it was 1318 01:12:39,200 --> 01:12:41,960 Speaker 1: a terrible show for me personally, in a great crowd, 1319 01:12:42,360 --> 01:12:46,200 Speaker 1: terrible show for me personally. I was just really going 1320 01:12:46,240 --> 01:12:50,040 Speaker 1: through the motions, and me and you had a good 1321 01:12:50,040 --> 01:12:55,559 Speaker 1: talk after the show. One year later, right this sever 1322 01:12:56,560 --> 01:12:58,719 Speaker 1: What year was it? My dad died in twenty seventeen, 1323 01:12:58,840 --> 01:13:02,479 Speaker 1: but it was March, that's right, So same month March 1324 01:13:02,920 --> 01:13:07,640 Speaker 1: Texas Independence Day. Yeah, my dad was March fifth, so 1325 01:13:08,400 --> 01:13:11,479 Speaker 1: the the night of the the invasion of the Alamo 1326 01:13:12,040 --> 01:13:15,200 Speaker 1: or the the the night and they breached the walls. 1327 01:13:15,760 --> 01:13:23,559 Speaker 1: So I, uh, I have this connection with you because yeah, 1328 01:13:23,600 --> 01:13:28,040 Speaker 1: I remember I reached out to you and you lost 1329 01:13:28,040 --> 01:13:31,840 Speaker 1: your dad a similar way that I lost mine. And 1330 01:13:31,920 --> 01:13:36,599 Speaker 1: it was I don't know why that I that I 1331 01:13:36,640 --> 01:13:41,599 Speaker 1: took that really hard with you. And I guess now 1332 01:13:42,000 --> 01:13:45,080 Speaker 1: knowing that it was three years but the same month, 1333 01:13:45,640 --> 01:13:49,320 Speaker 1: three days apart, maybe it was that point in my 1334 01:13:49,360 --> 01:13:52,520 Speaker 1: life where I had kind of come to an understanding 1335 01:13:53,120 --> 01:13:56,120 Speaker 1: that he was gone, and then you lost your dad, 1336 01:13:56,760 --> 01:13:59,559 Speaker 1: and it just, like I said, I don't know why, 1337 01:13:59,600 --> 01:14:02,439 Speaker 1: but it just really hit me hard. And I remember falling. 1338 01:14:03,200 --> 01:14:05,640 Speaker 1: We're friends and we empathize with each other, and I 1339 01:14:05,640 --> 01:14:11,400 Speaker 1: remember bawling, balling, and I was I'm not a crier. 1340 01:14:11,680 --> 01:14:14,120 Speaker 1: I'm not, and I don't just ball all the time, 1341 01:14:14,520 --> 01:14:19,840 Speaker 1: but man, I really cried, real tears thinking about your dad, 1342 01:14:19,880 --> 01:14:23,760 Speaker 1: who I had never met. And I remember thinking that 1343 01:14:24,080 --> 01:14:27,759 Speaker 1: where's the sadness coming from? It? It's not my dad 1344 01:14:28,120 --> 01:14:31,639 Speaker 1: that I'm sad about. It's not rekindling an old feeling. 1345 01:14:32,360 --> 01:14:37,720 Speaker 1: I think it was me knowing your heart and how 1346 01:14:37,760 --> 01:14:43,840 Speaker 1: crushed it was. Was so devastating to me to know 1347 01:14:43,960 --> 01:14:49,080 Speaker 1: that someone else, a buddy, would spend a night like that. Man, 1348 01:14:49,360 --> 01:14:51,519 Speaker 1: I mean, I can't even talk about it still. It's 1349 01:14:51,560 --> 01:14:53,720 Speaker 1: been three and a half years and I choke up. 1350 01:14:56,360 --> 01:15:00,200 Speaker 1: That was definitely the hardest moment of my life. He 1351 01:15:00,200 --> 01:15:02,639 Speaker 1: didn't get to meet my daughter. She was born two 1352 01:15:02,680 --> 01:15:04,960 Speaker 1: months after he died. She was born May fifth. He 1353 01:15:05,040 --> 01:15:09,479 Speaker 1: passed away March second, so I think we buried in 1354 01:15:09,560 --> 01:15:15,439 Speaker 1: March sixth. So, man, just rough time. That was a 1355 01:15:15,479 --> 01:15:18,160 Speaker 1: weird year. We followed that up with and it's just 1356 01:15:18,200 --> 01:15:23,680 Speaker 1: so much change, Right, my dad died, had a baby, 1357 01:15:24,120 --> 01:15:27,000 Speaker 1: and my wife and I got engaged. You know, our 1358 01:15:27,040 --> 01:15:32,600 Speaker 1: story might not be the the Christian movie story of 1359 01:15:32,800 --> 01:15:35,200 Speaker 1: you know, high school sweethearts that fell in love, got 1360 01:15:35,200 --> 01:15:38,040 Speaker 1: married and then had kids. We dated for a year 1361 01:15:38,080 --> 01:15:39,960 Speaker 1: and we were definitely in love. I already knew I 1362 01:15:39,960 --> 01:15:41,720 Speaker 1: wanted to marry her. I'd already told my parents that, 1363 01:15:41,840 --> 01:15:45,679 Speaker 1: I'd already told some of my team that. But yeah, 1364 01:15:45,680 --> 01:15:49,160 Speaker 1: we got pregnant first. And so anyway, and in that fall, 1365 01:15:49,240 --> 01:15:51,080 Speaker 1: we released the album Until My Voice Goes Out, and 1366 01:15:51,080 --> 01:15:54,640 Speaker 1: we were in Vegas for the shootings, and luckily, fortunately 1367 01:15:54,680 --> 01:15:58,880 Speaker 1: I wasn't down there. I had just left, probably thirty 1368 01:15:58,920 --> 01:16:01,479 Speaker 1: minutes before, to go back to the hotel room to 1369 01:16:01,600 --> 01:16:04,360 Speaker 1: check on my wife, who was up there not feeling well. 1370 01:16:04,560 --> 01:16:06,240 Speaker 1: And the whole reason she came out was to see 1371 01:16:06,280 --> 01:16:08,720 Speaker 1: Jason Aldan. She's like a big fan, right, yeah, big 1372 01:16:08,720 --> 01:16:10,960 Speaker 1: fan of all countries, so she wanted to watch Jason Aldan. 1373 01:16:11,439 --> 01:16:14,000 Speaker 1: She comes out there and she wasn't feeling good, so 1374 01:16:14,720 --> 01:16:17,080 Speaker 1: she stayed in the hotel, and so I went to 1375 01:16:17,200 --> 01:16:18,800 Speaker 1: check on her. And that's why I was not on 1376 01:16:18,840 --> 01:16:21,000 Speaker 1: the side of the stage or backstage when that happened. 1377 01:16:21,080 --> 01:16:23,760 Speaker 1: And maybe my story is a lot different right now 1378 01:16:23,840 --> 01:16:26,559 Speaker 1: if I was so so many what ifs. And I 1379 01:16:26,560 --> 01:16:30,400 Speaker 1: appreciate your heart and saying that about my dad, you know, 1380 01:16:30,600 --> 01:16:33,320 Speaker 1: because you know, I don't want to get into a 1381 01:16:34,400 --> 01:16:36,360 Speaker 1: I don't want to try to compare situations at all. 1382 01:16:36,400 --> 01:16:41,040 Speaker 1: But I remember when you suffered a loss. Yeah, I 1383 01:16:41,120 --> 01:16:44,000 Speaker 1: bawled once again. We were kind of connected with that too, 1384 01:16:44,040 --> 01:16:46,000 Speaker 1: because we had seen each other a few days before 1385 01:16:46,640 --> 01:16:49,000 Speaker 1: and you took a picture of me and riv and 1386 01:16:49,040 --> 01:16:53,160 Speaker 1: texted it to me. Yeah, and that's why did I cry. 1387 01:16:53,200 --> 01:16:57,240 Speaker 1: Several times. We just our hearts broke. That was one 1388 01:16:57,280 --> 01:17:00,479 Speaker 1: of the last picks. Yeah that I have me and him. 1389 01:17:01,400 --> 01:17:04,200 Speaker 1: You took it at Lone Start Jam and so yeah, 1390 01:17:04,200 --> 01:17:06,760 Speaker 1: we we have. You know, I don't want to, I 1391 01:17:06,760 --> 01:17:08,599 Speaker 1: don't want to end like on this kind of note. 1392 01:17:08,640 --> 01:17:14,680 Speaker 1: But but me and you have really intertwined history, some 1393 01:17:14,800 --> 01:17:18,320 Speaker 1: highs and some really lows. And I like to think 1394 01:17:18,360 --> 01:17:21,360 Speaker 1: that we're not even halfway done with with our history, 1395 01:17:21,479 --> 01:17:25,439 Speaker 1: me and you together and uh and I just I 1396 01:17:25,479 --> 01:17:27,919 Speaker 1: appreciate you driving over here for this, for this podcast, 1397 01:17:27,960 --> 01:17:29,320 Speaker 1: and I hope that we get to do it. It's 1398 01:17:29,400 --> 01:17:32,160 Speaker 1: my first musical artist. I hope we get to do 1399 01:17:32,200 --> 01:17:34,160 Speaker 1: it many more times down anytime. Ye