1 00:00:00,320 --> 00:00:02,960 Speaker 1: Brought to you by the reinvented two thousand twelve Camray. 2 00:00:03,240 --> 00:00:10,000 Speaker 1: It's ready. Are you welcome to Stuff Mom Never told you? 3 00:00:10,200 --> 00:00:18,080 Speaker 1: From housetop works dot Com. Hello, and welcome to the podcast. 4 00:00:18,200 --> 00:00:23,320 Speaker 1: This is Kristen, This is Molly. Molly. This is something 5 00:00:23,440 --> 00:00:26,200 Speaker 1: that I don't really like to say, even though it's fact. 6 00:00:26,360 --> 00:00:28,640 Speaker 1: It just sounds so cheesy when you say it out loud. 7 00:00:28,840 --> 00:00:31,960 Speaker 1: I can't wait to hear what you're gonna say, Molly. Yes, 8 00:00:32,200 --> 00:00:37,640 Speaker 1: it's swimsuits season. I know, and I groaned automatically. It 9 00:00:37,720 --> 00:00:39,600 Speaker 1: was just ingrained to me to start groaning. I know, 10 00:00:39,640 --> 00:00:42,120 Speaker 1: because a lot of times its swimsuit season is followed 11 00:00:42,159 --> 00:00:44,800 Speaker 1: by some kind of thing telling women about how they 12 00:00:44,840 --> 00:00:46,440 Speaker 1: need to shape up and get rid of all that 13 00:00:46,479 --> 00:00:49,560 Speaker 1: their cellulites, and they don't discuss people when they reveal 14 00:00:49,640 --> 00:00:52,400 Speaker 1: their pale bodies to the world. Yeah, there's all sorts 15 00:00:52,400 --> 00:00:55,120 Speaker 1: of sub body issues inherent in saying that it swimsuit season. 16 00:00:55,240 --> 00:00:57,120 Speaker 1: But we're not going to talk about body issues today. 17 00:00:57,160 --> 00:01:02,080 Speaker 1: We're just gonna focus on those pieces of cloths that 18 00:01:02,480 --> 00:01:08,280 Speaker 1: stir up both men and women alike every summer. The bapkini, 19 00:01:08,520 --> 00:01:14,160 Speaker 1: BUKKINI and I just want to give you a sneak 20 00:01:14,200 --> 00:01:16,840 Speaker 1: peek of this podcast where we're going with this. By 21 00:01:16,880 --> 00:01:19,040 Speaker 1: the end of it, Christmas is going to point out 22 00:01:19,240 --> 00:01:22,760 Speaker 1: that the bikini is the ultimate feminist icon. WHOA, I know, 23 00:01:23,120 --> 00:01:25,160 Speaker 1: is your mind blown? I didn't see that coming. I 24 00:01:25,200 --> 00:01:27,520 Speaker 1: didn't either. I didn't know I was going to do that. 25 00:01:27,760 --> 00:01:29,360 Speaker 1: I've got some work to do then in the next 26 00:01:29,400 --> 00:01:32,840 Speaker 1: twenty minutes. All right, Molly, let's get started, because the 27 00:01:33,000 --> 00:01:36,759 Speaker 1: history of the bikini, as the title of this podcast implies, 28 00:01:37,000 --> 00:01:40,400 Speaker 1: ain't so skimpy. Yes, more coverage than you had thought 29 00:01:40,720 --> 00:01:43,440 Speaker 1: possible with the bikini, so many puns to be had. 30 00:01:43,440 --> 00:01:46,880 Speaker 1: In this episode. We need to go back in time, Molly, 31 00:01:46,959 --> 00:01:55,680 Speaker 1: we need to go back BC. I did not realize this, Molly, 32 00:01:55,760 --> 00:01:59,040 Speaker 1: but the first recorded use of a form of bathing 33 00:01:59,160 --> 00:02:04,440 Speaker 1: costume was in Greece and three fifty BC. And there's 34 00:02:04,520 --> 00:02:09,720 Speaker 1: actually a fourth century mosaic wall in the Piazza ar Marina, 35 00:02:10,160 --> 00:02:12,440 Speaker 1: probably saying that I wish I could do an Italian 36 00:02:12,480 --> 00:02:20,880 Speaker 1: accent in sicily depicting women wearing bikinis. It's amazing. Yeah, 37 00:02:20,919 --> 00:02:23,960 Speaker 1: But as ancient Rome falls and the Greeks and all 38 00:02:24,000 --> 00:02:27,320 Speaker 1: the ancient civilizations die, out there comes the rise of 39 00:02:27,400 --> 00:02:33,519 Speaker 1: prudishness and shame regarding one's body, and no one went swimming. Yeah, 40 00:02:33,520 --> 00:02:36,919 Speaker 1: they would go bathing, you know, but not recreationally swimming 41 00:02:36,960 --> 00:02:39,840 Speaker 1: like we think of swimming today. During the eighteenth century, 42 00:02:40,120 --> 00:02:42,680 Speaker 1: they'd have spas where men and women would go, you know, 43 00:02:42,720 --> 00:02:45,320 Speaker 1: to to the public bathhouses, maybe go take a steam. 44 00:02:45,639 --> 00:02:48,320 Speaker 1: It was very therapeutic. It was medicinal. It was not like, 45 00:02:48,520 --> 00:02:51,560 Speaker 1: let's go splash around in the water. So it may 46 00:02:51,600 --> 00:02:53,640 Speaker 1: seem like we made a huge jump from like BC 47 00:02:54,320 --> 00:02:57,640 Speaker 1: to the eighteenth century, but I mean, for a long time, 48 00:02:57,840 --> 00:03:01,960 Speaker 1: swimming was frowned upon. It just wasn't something. It was 49 00:03:02,040 --> 00:03:06,800 Speaker 1: not the quintessential summer activity as it is today. But 50 00:03:07,320 --> 00:03:11,280 Speaker 1: by the mid eighteen hundreds we have the rise of 51 00:03:11,320 --> 00:03:15,359 Speaker 1: bathing as a recreational activity. And then in the early 52 00:03:15,400 --> 00:03:18,640 Speaker 1: eighteen hundreds, with the rise of bathing or swimming, we 53 00:03:18,680 --> 00:03:22,600 Speaker 1: can now call it. I guess we have the emergence 54 00:03:22,760 --> 00:03:26,200 Speaker 1: of swimwear because you need you can't just walk into 55 00:03:26,840 --> 00:03:29,880 Speaker 1: the water with a full suit on and and I 56 00:03:29,919 --> 00:03:33,280 Speaker 1: expect to have a good swim cany moally, Well that's 57 00:03:33,320 --> 00:03:36,680 Speaker 1: what they expected the ladies to do, that's right. Because 58 00:03:37,200 --> 00:03:40,600 Speaker 1: first swimsuits from when were essentially just like ball gowns. 59 00:03:40,680 --> 00:03:42,440 Speaker 1: Me not really, but it was a lot of cloth. 60 00:03:42,600 --> 00:03:47,360 Speaker 1: And to avoid the poofy ballooning of a skirt that 61 00:03:47,400 --> 00:03:49,320 Speaker 1: could happen as you get in the water, they would 62 00:03:49,360 --> 00:03:52,000 Speaker 1: weigh down. They put weights in the hymns of the 63 00:03:52,040 --> 00:03:54,840 Speaker 1: skirt to make sure that you know, you weren't gonna 64 00:03:55,280 --> 00:03:59,200 Speaker 1: show any shin. You know, the shin is the most 65 00:03:59,840 --> 00:04:02,280 Speaker 1: raw part of the leg, so you must hide it 66 00:04:02,320 --> 00:04:04,520 Speaker 1: at all times. And I don't know about you, Christim, 67 00:04:04,560 --> 00:04:08,040 Speaker 1: but swimming with weights on doesn't sound like much fun, 68 00:04:08,360 --> 00:04:12,080 Speaker 1: does It sounds like a recipe for disaster and fun. 69 00:04:12,200 --> 00:04:14,640 Speaker 1: Side side note to all of this, we actually have 70 00:04:14,720 --> 00:04:18,240 Speaker 1: the railroad to thank for all of this when we're 71 00:04:18,279 --> 00:04:21,039 Speaker 1: being invented, because it was with the railroad that people 72 00:04:21,040 --> 00:04:24,400 Speaker 1: could actually flock to the seasides to go to the beach, 73 00:04:24,720 --> 00:04:30,880 Speaker 1: thus popularizing the beach activities, thus necessitating the bathing suit. Now, 74 00:04:31,240 --> 00:04:35,320 Speaker 1: in addition to waiting down the swimming dress, uh, they 75 00:04:35,360 --> 00:04:37,000 Speaker 1: just went to all sorts of links to make sure 76 00:04:37,040 --> 00:04:39,640 Speaker 1: that women never had to be seen in a bathing costume. 77 00:04:39,960 --> 00:04:42,240 Speaker 1: There was this one cool thing that Slate pointed out 78 00:04:42,400 --> 00:04:45,400 Speaker 1: where it was like a dressing room on wheels, and 79 00:04:45,440 --> 00:04:47,400 Speaker 1: you'd put the woman in the dressing room wheels, she'd 80 00:04:47,440 --> 00:04:49,640 Speaker 1: put on her bathe and dress and they would wheel 81 00:04:49,680 --> 00:04:52,279 Speaker 1: her in the little room like down to the ocean 82 00:04:52,960 --> 00:04:55,120 Speaker 1: so she could get in the ocean without anyone seeing her, 83 00:04:55,480 --> 00:04:57,240 Speaker 1: and she could have a dip. And when she was 84 00:04:57,279 --> 00:04:59,640 Speaker 1: ready to get out, they'd wheel the thing up and 85 00:04:59,680 --> 00:05:01,280 Speaker 1: pick her up and take her back so that that she 86 00:05:01,320 --> 00:05:02,920 Speaker 1: could put her clothes on. And this was actually called 87 00:05:02,920 --> 00:05:07,320 Speaker 1: a bathing machine. Yeah, and it's you know, women just 88 00:05:07,360 --> 00:05:09,400 Speaker 1: could not be seen on a beach. Yeah, it was 89 00:05:09,440 --> 00:05:11,679 Speaker 1: a very it was very private thing, which makes sense. 90 00:05:11,720 --> 00:05:16,240 Speaker 1: This was a Victorian era, the height of prudishness. But 91 00:05:16,360 --> 00:05:20,200 Speaker 1: then we have some some women who are really tired 92 00:05:20,320 --> 00:05:23,600 Speaker 1: of being weighted down in the water because first of all, 93 00:05:23,600 --> 00:05:27,159 Speaker 1: it was probably dangerous and probably really hard to tread water, 94 00:05:27,680 --> 00:05:31,040 Speaker 1: whilst they pointed out some women died um. But then 95 00:05:31,080 --> 00:05:34,720 Speaker 1: in nine seven we have Australian swimmer and silent film 96 00:05:34,760 --> 00:05:39,880 Speaker 1: star Ant Kellerman who has had enough well she needed 97 00:05:39,880 --> 00:05:42,400 Speaker 1: to swim for for therapeutic reasons because she had had 98 00:05:42,440 --> 00:05:45,760 Speaker 1: polio and rickets, and so she started swimming to make 99 00:05:45,760 --> 00:05:48,400 Speaker 1: her legs strong, and she was like, hey, by the way, 100 00:05:48,400 --> 00:05:50,600 Speaker 1: it's really hard to make my legs strong when I 101 00:05:50,640 --> 00:05:54,360 Speaker 1: can't move them with all these like pantaloons and waded 102 00:05:54,400 --> 00:05:56,480 Speaker 1: down skirts and the like that you're making me wear. 103 00:05:56,960 --> 00:05:59,239 Speaker 1: So she shows up in America on a Boston beach 104 00:05:59,279 --> 00:06:01,760 Speaker 1: and wears, uh, what we would think of today is 105 00:06:01,800 --> 00:06:04,080 Speaker 1: a pretty modest swimsuit. It was like a tank top 106 00:06:04,200 --> 00:06:06,320 Speaker 1: that you know, had no cutouts, so she's not showing 107 00:06:06,320 --> 00:06:10,680 Speaker 1: any chest, she's showing their arms, but you know she's 108 00:06:10,680 --> 00:06:15,000 Speaker 1: pretty much covered from neck to thigh essentially. Yeah, and 109 00:06:15,040 --> 00:06:19,640 Speaker 1: this is a seven and she is arrested for her 110 00:06:19,960 --> 00:06:24,680 Speaker 1: swimsuit at a public beach beach in Boston for indecent exposure. 111 00:06:25,360 --> 00:06:29,360 Speaker 1: Can you imagine, no, I mean, if that's indecent exposure, 112 00:06:29,480 --> 00:06:33,720 Speaker 1: just imagine if those seven policemen could travel through time 113 00:06:33,760 --> 00:06:37,600 Speaker 1: to a two thousand and ten beach, if only they 114 00:06:37,600 --> 00:06:39,840 Speaker 1: had our time traveling capabilities that we have on this 115 00:06:39,880 --> 00:06:44,120 Speaker 1: podcast technology these days now only we would be remiss 116 00:06:44,279 --> 00:06:47,120 Speaker 1: in this discussion if we didn't mention Agnes Beckwith and 117 00:06:47,160 --> 00:06:49,960 Speaker 1: a Neck Kellerman, because there were two other women who 118 00:06:50,200 --> 00:06:55,800 Speaker 1: really helped pave the way for allowing women to go 119 00:06:56,520 --> 00:07:00,640 Speaker 1: swimming in public without having to worry about revealing the bodies, 120 00:07:00,720 --> 00:07:03,280 Speaker 1: you know, and being arrested for indecent exposure and all 121 00:07:03,360 --> 00:07:08,760 Speaker 1: this stuff. Um and back With, for instance, raced in 122 00:07:08,800 --> 00:07:12,520 Speaker 1: the water. She swam against other guys. She raised four 123 00:07:12,560 --> 00:07:15,640 Speaker 1: miles from one bridge to Greenwich, and she did that 124 00:07:15,680 --> 00:07:19,960 Speaker 1: while wearing the full skirted dress, petticoats, pantaloons and stockings, 125 00:07:20,160 --> 00:07:23,720 Speaker 1: kind of demonstrating that even with all of that swimming 126 00:07:23,760 --> 00:07:26,679 Speaker 1: costume on she could still keep up with the guys. 127 00:07:26,680 --> 00:07:28,760 Speaker 1: She was just as strong as one of the guys. 128 00:07:28,800 --> 00:07:35,600 Speaker 1: And then we also have American Amelia Bloomer, who instituted uh, 129 00:07:35,640 --> 00:07:40,840 Speaker 1: the Bloomers. We are aware of the clothing Bloomers named 130 00:07:40,880 --> 00:07:45,480 Speaker 1: after her that she started wearing to replace having to 131 00:07:45,520 --> 00:07:49,360 Speaker 1: wear the full skirt when she swam. So now we're 132 00:07:49,400 --> 00:07:52,720 Speaker 1: in the early nine president, and I think that you know, 133 00:07:52,760 --> 00:07:54,880 Speaker 1: the contribution of someone like back with it. She shows 134 00:07:54,880 --> 00:07:58,080 Speaker 1: that swimming is a sport, it needs a sports like costume. 135 00:07:58,600 --> 00:08:03,400 Speaker 1: And so yes, those full bathing dresses gradually faded away. Eventually, 136 00:08:03,400 --> 00:08:06,760 Speaker 1: those huge blue pants eventually faded away, and you could wear, respectively, 137 00:08:07,320 --> 00:08:10,160 Speaker 1: a one piece thing that covered you know, from you 138 00:08:10,400 --> 00:08:14,080 Speaker 1: from your your neck basically to your mid thigh. Yeah. 139 00:08:14,120 --> 00:08:15,720 Speaker 1: And and a lot of that had to do with 140 00:08:16,400 --> 00:08:19,680 Speaker 1: uh at Kellerman's arrest because that's set off kind of 141 00:08:19,760 --> 00:08:22,520 Speaker 1: a whole controversy of well, should she have been arrested 142 00:08:22,560 --> 00:08:25,200 Speaker 1: for that? Is that really indecent exposure? So that opened 143 00:08:25,200 --> 00:08:28,760 Speaker 1: the door for you know, saying no, that's ridiculous. Women 144 00:08:28,800 --> 00:08:31,880 Speaker 1: are drowning in weighted down dresses. So that brings the 145 00:08:32,000 --> 00:08:34,679 Speaker 1: rise of wos known as the mayo. Yeah, and by 146 00:08:34,760 --> 00:08:40,320 Speaker 1: nineteen fifteen, this was what American women were commonly wearing. Now, 147 00:08:40,400 --> 00:08:42,360 Speaker 1: let me just spell myo for you in case you 148 00:08:42,360 --> 00:08:45,200 Speaker 1: want to like google images of them, because there's so 149 00:08:45,240 --> 00:08:47,959 Speaker 1: many types of them. It's m A I L l 150 00:08:48,040 --> 00:08:51,640 Speaker 1: O T. It's the French word for swaddling clothes because 151 00:08:51,679 --> 00:08:55,400 Speaker 1: when I think of bathing suits, I think of swaddling clothes. Um, 152 00:08:55,440 --> 00:08:57,920 Speaker 1: but you know they were they kind of buried in 153 00:08:58,040 --> 00:09:00,680 Speaker 1: size and style, so you could wear one that really 154 00:09:00,679 --> 00:09:02,160 Speaker 1: covered you up, you could wear one that was a 155 00:09:02,160 --> 00:09:06,240 Speaker 1: little bit more risque. And one pieces. The term one 156 00:09:06,240 --> 00:09:08,640 Speaker 1: pieces pretty much replaced mayo, but essentially you're wearing a 157 00:09:08,679 --> 00:09:12,000 Speaker 1: one piece. It's a mayo. Yes, Now into the twenties 158 00:09:12,040 --> 00:09:15,600 Speaker 1: and thirties, we do have the emergence of the two piece, 159 00:09:16,520 --> 00:09:19,559 Speaker 1: not the bikini though. People two pieces a separate thing 160 00:09:19,600 --> 00:09:23,600 Speaker 1: from the bikini because these two pieces covered up the navel. 161 00:09:23,640 --> 00:09:26,000 Speaker 1: They would they would come up and sit pretty high 162 00:09:26,160 --> 00:09:29,800 Speaker 1: up on on your natural waist and then you would 163 00:09:29,840 --> 00:09:34,120 Speaker 1: have a pretty pretty covered, pretty solid covering for the 164 00:09:34,160 --> 00:09:38,160 Speaker 1: top to to make this this two piece and uh 165 00:09:38,200 --> 00:09:40,880 Speaker 1: and I love this. By the end of the nineteen twenties, 166 00:09:40,920 --> 00:09:43,480 Speaker 1: we had a lot of different novelty suits that were 167 00:09:43,480 --> 00:09:46,520 Speaker 1: associated with two pieces. So you'd have like a sailor 168 00:09:46,640 --> 00:09:51,320 Speaker 1: themed suit or maybe a leopard printed suit. Like they 169 00:09:51,360 --> 00:09:54,280 Speaker 1: really went wild with this with with these new this 170 00:09:54,320 --> 00:09:56,560 Speaker 1: new swim where provided you didn't see the navel. And 171 00:09:56,559 --> 00:09:57,760 Speaker 1: that's what I think. It is so funny. I mean 172 00:09:57,800 --> 00:10:01,400 Speaker 1: everyone has a belly button, you know, but largely Hollywood 173 00:10:01,400 --> 00:10:05,160 Speaker 1: influenced this because the Hollywood Hayes Code prohibited actresses from 174 00:10:05,200 --> 00:10:08,319 Speaker 1: showing their navel. Yeah, and so I mean you think 175 00:10:08,320 --> 00:10:10,840 Speaker 1: about all those starletts who are wearing those two pieces. 176 00:10:10,880 --> 00:10:13,800 Speaker 1: They you know, we're they seem so sexy, but they're 177 00:10:13,800 --> 00:10:17,040 Speaker 1: not showing their belly button of all things. Now I 178 00:10:16,520 --> 00:10:22,480 Speaker 1: should mention that in the thirties we do have the 179 00:10:22,600 --> 00:10:26,040 Speaker 1: arrival of the bowhouse. But the bow house is probably 180 00:10:26,040 --> 00:10:29,880 Speaker 1: not something that you have ever really seen on many 181 00:10:29,960 --> 00:10:34,839 Speaker 1: beaches because the bowhouse style was basically a pair of 182 00:10:35,480 --> 00:10:41,360 Speaker 1: swim trunks with suspenders for the top. Very naughty. It's 183 00:10:41,440 --> 00:10:44,560 Speaker 1: Christine's favorite bathing suites style, the bowhouse style. Shall you 184 00:10:44,600 --> 00:10:48,120 Speaker 1: be sporting it this summer? I shall not? All right, 185 00:10:48,480 --> 00:10:50,520 Speaker 1: you know what, it's the history of the bikini we 186 00:10:50,559 --> 00:10:53,800 Speaker 1: need to jump ahead to. We just need to do it, 187 00:10:53,880 --> 00:10:56,120 Speaker 1: Kristen Small. In order to make the leap to bikini, 188 00:10:56,200 --> 00:10:59,000 Speaker 1: we've got to leap across the Atlantic Ocean and go 189 00:10:59,080 --> 00:11:07,920 Speaker 1: to France. Great and in France, two men, independently of 190 00:11:08,000 --> 00:11:10,320 Speaker 1: each other, came up with the idea for the bikini. 191 00:11:10,400 --> 00:11:14,320 Speaker 1: We've got Jacque Coim and Louis Reared. I don't know 192 00:11:14,320 --> 00:11:17,040 Speaker 1: how to give that a French a French twist now, 193 00:11:17,080 --> 00:11:21,040 Speaker 1: according to Kelly ben Simone, and the name might ring 194 00:11:21,040 --> 00:11:23,720 Speaker 1: a bell to any other fans of the Real Housewives 195 00:11:23,760 --> 00:11:26,920 Speaker 1: of New York City. But according to Kelly ben Simon, 196 00:11:27,120 --> 00:11:29,200 Speaker 1: who wrote the book, actually a good book called the 197 00:11:29,240 --> 00:11:32,559 Speaker 1: Bikini Book that traces the history of the bikini. Um. 198 00:11:32,600 --> 00:11:35,840 Speaker 1: She says that attractive women back then were known as bombshells. 199 00:11:35,960 --> 00:11:38,840 Speaker 1: We know this, and anything intense was atomic, so the 200 00:11:38,880 --> 00:11:43,240 Speaker 1: bombshell atomic lingo of the day. So the two frenchmen, 201 00:11:43,480 --> 00:11:48,439 Speaker 1: while they're deciding what to call their new skimpy swimwear, 202 00:11:49,559 --> 00:11:54,840 Speaker 1: they decided to give them nuclear nicknames. So Jacqueim called 203 00:11:55,000 --> 00:11:59,640 Speaker 1: his swimsuit the atom a T O M E like 204 00:11:59,720 --> 00:12:04,640 Speaker 1: a bomb. And then Louis Reared introduced on July four, 205 00:12:04,800 --> 00:12:11,440 Speaker 1: nine six La Bikini. And that's because the United States 206 00:12:11,559 --> 00:12:15,560 Speaker 1: had started atomic testing on the Bikini Atoll, right, So 207 00:12:15,640 --> 00:12:20,199 Speaker 1: essentially the bikini is named after bomb testing. Yeah, so 208 00:12:19,880 --> 00:12:24,439 Speaker 1: that it is really odd there's a connection between bikinis 209 00:12:24,480 --> 00:12:30,199 Speaker 1: and bombs. Bombs, Adam bombs, But he's pepa. His invention 210 00:12:30,320 --> 00:12:33,000 Speaker 1: was going to be as revolutionary as the bomb. Now. 211 00:12:33,000 --> 00:12:35,439 Speaker 1: I think we should say though, that when Reard wanted 212 00:12:35,480 --> 00:12:40,240 Speaker 1: to introduce his bikini to the public, he couldn't get 213 00:12:40,559 --> 00:12:44,640 Speaker 1: models to put it on. It was too risque, so 214 00:12:44,720 --> 00:12:51,160 Speaker 1: instead he had to hire stripper Micheline Bernardini. That's my 215 00:12:52,000 --> 00:12:57,120 Speaker 1: terrible French accent. Micheline Bernardini was a stripper who wasn't 216 00:12:57,160 --> 00:13:00,320 Speaker 1: listed to model it and photos of her in this 217 00:13:00,400 --> 00:13:06,360 Speaker 1: bikini just circulated throughout the world and the bikini became 218 00:13:07,240 --> 00:13:10,160 Speaker 1: a sensation. First of all, of course, it was totally 219 00:13:10,240 --> 00:13:14,199 Speaker 1: scandalized in the US, and personally, I would have scandalized 220 00:13:14,200 --> 00:13:17,400 Speaker 1: it too, because you no offence micheline, but it kind 221 00:13:17,400 --> 00:13:19,760 Speaker 1: of looks like you're wearing a string diaper. Yes, Christa 222 00:13:19,840 --> 00:13:21,360 Speaker 1: was not a fan of the first bikini. It was 223 00:13:21,440 --> 00:13:24,880 Speaker 1: not the most flattering thing and uh so, yeah, it 224 00:13:24,920 --> 00:13:27,280 Speaker 1: was very scandalous. Scars and said no miles aware. And 225 00:13:27,320 --> 00:13:29,840 Speaker 1: in the US, wine swimsuit designers said that this was 226 00:13:29,880 --> 00:13:32,560 Speaker 1: only for frenchwoman because they were so short. It was 227 00:13:32,600 --> 00:13:33,800 Speaker 1: just the only thing they could do to even make 228 00:13:33,800 --> 00:13:35,480 Speaker 1: it look like they had any sort of body at all. 229 00:13:36,000 --> 00:13:41,959 Speaker 1: But then in the fifties early fifties, we have the 230 00:13:42,080 --> 00:13:48,160 Speaker 1: arrival of Bridget Bardo. Embardo looks fantastic in a bikini 231 00:13:48,200 --> 00:13:51,600 Speaker 1: and she has very long legs, and uh so there 232 00:13:51,640 --> 00:13:55,800 Speaker 1: goes that argument out the window. And gradually they just 233 00:13:55,880 --> 00:13:58,840 Speaker 1: become more and more popular. Well, there's the rise of 234 00:13:58,840 --> 00:14:01,760 Speaker 1: the private pool, so you don't have to go, you know, 235 00:14:01,920 --> 00:14:03,880 Speaker 1: the swimsuit comes into bou because we can all take 236 00:14:04,000 --> 00:14:06,280 Speaker 1: the railroads and go to the beach. Now you can 237 00:14:06,320 --> 00:14:07,960 Speaker 1: swim in your own backyard and no one needs to 238 00:14:08,000 --> 00:14:10,440 Speaker 1: see that you are wearing something that's considered vulgar and 239 00:14:10,520 --> 00:14:14,640 Speaker 1: only worn by crude, you know, European types. But even 240 00:14:14,800 --> 00:14:18,600 Speaker 1: in nineteen fifties seven, and this is according to an 241 00:14:18,679 --> 00:14:20,960 Speaker 1: article that we found in Slate, there was an issue 242 00:14:20,960 --> 00:14:24,440 Speaker 1: of the magazine Modern Girl that said, it's hardly necessary 243 00:14:24,440 --> 00:14:27,520 Speaker 1: to raise words over the so called bikini, since it's 244 00:14:27,600 --> 00:14:30,680 Speaker 1: inconceivable that any girl with tech and decency would ever 245 00:14:30,720 --> 00:14:34,160 Speaker 1: wear such a thing. So even though you know seven, 246 00:14:34,520 --> 00:14:37,480 Speaker 1: no girl would wear such a thing. By nineteen sixty 247 00:14:37,560 --> 00:14:42,640 Speaker 1: five in Time magazine, everyone reports writing them. So it's 248 00:14:42,640 --> 00:14:45,400 Speaker 1: a very quick adoption. They go from being very vulgar 249 00:14:45,520 --> 00:14:49,680 Speaker 1: two very accepted, extremely quickly. Yeah, nineteen sixty seven, Time 250 00:14:49,720 --> 00:14:54,560 Speaker 1: magazine features a survey claiming that sixty of young women 251 00:14:55,320 --> 00:14:58,560 Speaker 1: had already gone over to bikinis. And part of that, 252 00:14:58,600 --> 00:15:01,360 Speaker 1: again was Hollywood's influence. Why so those codes were relaxed 253 00:15:01,320 --> 00:15:04,200 Speaker 1: and one could you know, gas show enabl on the movies. 254 00:15:04,520 --> 00:15:06,920 Speaker 1: Think about like the James Bond movie where she comes 255 00:15:06,920 --> 00:15:08,840 Speaker 1: out of water in that gold bikini. I mean, there 256 00:15:08,840 --> 00:15:13,200 Speaker 1: are very uh strong image images associated with bathing suits 257 00:15:13,480 --> 00:15:18,520 Speaker 1: in the n OH. Yeah, Raquel Welsh one million years BC. Yeah, 258 00:15:18,600 --> 00:15:23,240 Speaker 1: that's that's quite a bikini bod. But with all this 259 00:15:23,360 --> 00:15:27,240 Speaker 1: talk about bikini's molly, there's one thing that we haven't 260 00:15:27,240 --> 00:15:31,240 Speaker 1: talked about yet, and that's Sports Illustrated. Now, as I 261 00:15:31,280 --> 00:15:33,720 Speaker 1: said at the beginning, you could make the argument, as 262 00:15:33,800 --> 00:15:36,840 Speaker 1: Kristen did, that the bikini is a pretty empowering piece 263 00:15:36,880 --> 00:15:39,960 Speaker 1: of clothing because it allows you to be free and 264 00:15:40,000 --> 00:15:43,840 Speaker 1: go swimming and you're not hindered by you know, your 265 00:15:43,880 --> 00:15:47,000 Speaker 1: bloomers or your bathing machine. I do think that body 266 00:15:47,040 --> 00:15:49,800 Speaker 1: issues aside that you can tie into it, it is 267 00:15:49,840 --> 00:15:52,360 Speaker 1: a pretty cool thing that finally women were allowed to 268 00:15:52,360 --> 00:15:56,200 Speaker 1: just swim unencumbered. Yeah. Because, once again, as this often 269 00:15:56,240 --> 00:15:58,840 Speaker 1: happens in my podcast research, the notion that I had 270 00:15:58,840 --> 00:16:02,200 Speaker 1: going into learning about bikinis was different than the notion 271 00:16:02,280 --> 00:16:04,680 Speaker 1: that I had coming out of it, Because when we 272 00:16:04,720 --> 00:16:08,240 Speaker 1: think of bikinis today, I feel like it's so loaded 273 00:16:08,280 --> 00:16:13,280 Speaker 1: with body issues and fulfilling the male gaze and things 274 00:16:13,360 --> 00:16:18,880 Speaker 1: like Sports Illustrated and over emphasis on breast size, all 275 00:16:18,920 --> 00:16:23,320 Speaker 1: of this stuff without really appreciating this history and the 276 00:16:23,400 --> 00:16:28,040 Speaker 1: struggle for women to literally cast off all of this 277 00:16:28,200 --> 00:16:31,880 Speaker 1: extra clothing so that they could swim right alongside men 278 00:16:31,960 --> 00:16:36,920 Speaker 1: and not be literally and metaphorically molly weighted down by 279 00:16:36,960 --> 00:16:41,640 Speaker 1: the constraints of heteronormative society. Yeah, you get to go 280 00:16:41,640 --> 00:16:43,920 Speaker 1: to the beach and actually enjoy your vacation because you're 281 00:16:43,920 --> 00:16:46,520 Speaker 1: not stuck in your bathing machine that's rolling you to 282 00:16:46,600 --> 00:16:49,520 Speaker 1: the water. You can play on the sand, you can swim. 283 00:16:49,560 --> 00:16:52,360 Speaker 1: As Kristen said, without being metaphorically weighed down. I was 284 00:16:52,400 --> 00:16:54,800 Speaker 1: pretty impressed with like the history of the bikini. But then, 285 00:16:54,960 --> 00:16:56,520 Speaker 1: as krist And just said, we got our brain Sports 286 00:16:56,520 --> 00:17:02,840 Speaker 1: Illustrated into it. The first unquote Sports Illustrated swimsuit edition 287 00:17:03,280 --> 00:17:06,399 Speaker 1: came out in nineteen sixty four. But it didn't have 288 00:17:06,480 --> 00:17:09,000 Speaker 1: anything to do with a bunch of sports editors wanting 289 00:17:09,040 --> 00:17:13,760 Speaker 1: to publish photos of scantily clad women. It really had 290 00:17:13,800 --> 00:17:16,280 Speaker 1: to do with a lack of sports news to cover. 291 00:17:16,359 --> 00:17:18,520 Speaker 1: So they were like, hey, we got some extra editorial 292 00:17:18,560 --> 00:17:21,480 Speaker 1: space to fill. I've got an idea, let's put in 293 00:17:21,480 --> 00:17:23,439 Speaker 1: a picture of a woman in a bikini. Yeah. It 294 00:17:23,480 --> 00:17:26,199 Speaker 1: was all about like going diving in the Caribbean. You know, 295 00:17:26,200 --> 00:17:27,800 Speaker 1: there was almost even you know, a little bit of 296 00:17:27,840 --> 00:17:29,639 Speaker 1: a story. They didnt even call it the swimsuit issue, 297 00:17:29,640 --> 00:17:31,800 Speaker 1: you know, it's just like, hey, here's some there's some 298 00:17:31,840 --> 00:17:34,120 Speaker 1: things gonna wear the next time you're in the Caribbean sporting. 299 00:17:34,280 --> 00:17:40,520 Speaker 1: It didn't actually become a standalone product until ven when 300 00:17:40,840 --> 00:17:44,439 Speaker 1: a very young, very bucksom Tira of Banks and a 301 00:17:44,560 --> 00:17:49,040 Speaker 1: very iconic photo graced the cover of the very four 302 00:17:49,200 --> 00:17:54,000 Speaker 1: first actual standalone sports Illustrated Swimsuit Edition. Now, I think 303 00:17:54,000 --> 00:17:56,159 Speaker 1: the reason that people get so worked up about the 304 00:17:56,200 --> 00:18:00,160 Speaker 1: swimsuit issue is that very quickly they abandoned tradition, all 305 00:18:00,160 --> 00:18:04,320 Speaker 1: ideas of what a swimsuit is. Like Sheryl Tis wears 306 00:18:04,320 --> 00:18:06,760 Speaker 1: a see through fishnet one piece, so at that point 307 00:18:06,800 --> 00:18:08,880 Speaker 1: you're like, this is not really illustrating something I can 308 00:18:08,880 --> 00:18:10,760 Speaker 1: wear while I'm being sporting on the beach. This is 309 00:18:10,800 --> 00:18:14,439 Speaker 1: just you're trying to see through. And then in we 310 00:18:14,600 --> 00:18:19,480 Speaker 1: have Heidi Clum standing there in a quote unquote painted swimsuit, 311 00:18:19,560 --> 00:18:23,439 Speaker 1: which is actually Clum just standing naked with some tidy 312 00:18:23,560 --> 00:18:26,400 Speaker 1: paint all over her torso. So I think that that's 313 00:18:26,440 --> 00:18:29,119 Speaker 1: part of why it's so controversial, is like, you know, 314 00:18:29,280 --> 00:18:31,480 Speaker 1: if you can separate all the body issues from the 315 00:18:31,520 --> 00:18:34,000 Speaker 1: bikini and then just think, oh, this is something I 316 00:18:34,040 --> 00:18:36,440 Speaker 1: wear while I'm on the beach, Like Gabriel Reese, the 317 00:18:36,480 --> 00:18:39,919 Speaker 1: volleyball player, competes in a bikini. And so if you 318 00:18:39,920 --> 00:18:42,240 Speaker 1: can take this thing that was like, hey, here's something, 319 00:18:42,280 --> 00:18:44,760 Speaker 1: here's a healthy woman, perfectly happy in the surf. Let's 320 00:18:44,760 --> 00:18:46,920 Speaker 1: have her hold her boobs and paint a bikini on her. 321 00:18:47,119 --> 00:18:51,280 Speaker 1: Then yeah, the bikini comes like this objectification of women. Yeah. 322 00:18:51,480 --> 00:18:55,159 Speaker 1: I was really surprised also when I was researching this 323 00:18:55,240 --> 00:18:58,159 Speaker 1: subject because I and maybe it was just because I 324 00:18:58,160 --> 00:19:00,920 Speaker 1: wasn't looking hard enough, but I did not come across 325 00:19:01,440 --> 00:19:06,440 Speaker 1: any academic papers as I was expecting to really dissecting, 326 00:19:06,880 --> 00:19:11,960 Speaker 1: you know, the feminism and the bikini and kind of 327 00:19:12,000 --> 00:19:16,840 Speaker 1: this idea of you know, women being objectified as sex 328 00:19:16,880 --> 00:19:19,680 Speaker 1: objects when they put on these bikini, Like what kind 329 00:19:19,720 --> 00:19:21,919 Speaker 1: of messages are we sending out to people? Is it 330 00:19:22,000 --> 00:19:24,480 Speaker 1: healthy for us to wear these things? All all of 331 00:19:24,520 --> 00:19:26,760 Speaker 1: the stuff, you know. But then I came to the 332 00:19:26,800 --> 00:19:31,000 Speaker 1: conclusion that maybe that's because it should be an empowering thing, 333 00:19:31,400 --> 00:19:37,080 Speaker 1: and it's actually I largely blame UH Sports Illustrated Swimsuit 334 00:19:37,240 --> 00:19:43,080 Speaker 1: edition for attaching all these body issues to bikinis, because 335 00:19:43,119 --> 00:19:47,119 Speaker 1: I feel like it wasn't until Sports Illustrated that you 336 00:19:47,200 --> 00:19:49,800 Speaker 1: have this cultural idea of what a woman should look 337 00:19:49,840 --> 00:19:53,040 Speaker 1: like in a bikini. Not to say that, you know, 338 00:19:53,160 --> 00:19:56,159 Speaker 1: Sports Illustrated is responsible for body issues that women have 339 00:19:56,240 --> 00:19:59,879 Speaker 1: probably had throughout time, um, but I do think that 340 00:20:00,000 --> 00:20:04,440 Speaker 1: probably had a lot to do with, um feeling inadequate 341 00:20:04,480 --> 00:20:06,679 Speaker 1: when you put one on, even if you're perfectly healthy 342 00:20:06,720 --> 00:20:09,639 Speaker 1: and fit right. And I liked this quote from Slate 343 00:20:10,000 --> 00:20:13,520 Speaker 1: by Brian Curtis. He wrote, Sports Illustrated editors have always 344 00:20:13,520 --> 00:20:15,480 Speaker 1: thought obliged to pretend that the swimsuit issue is a 345 00:20:15,480 --> 00:20:18,840 Speaker 1: source of massive national controversy. This is best observed in 346 00:20:18,880 --> 00:20:21,480 Speaker 1: their insistence two weeks after the annual issue on printing 347 00:20:21,480 --> 00:20:25,400 Speaker 1: correspondence from outraged parents and the smirched librarians. So here 348 00:20:25,440 --> 00:20:28,080 Speaker 1: you have this magazine that you know, fifty one weeks 349 00:20:28,080 --> 00:20:30,879 Speaker 1: out of the year it's just football, basketball, baseball, et cetera. 350 00:20:31,240 --> 00:20:33,760 Speaker 1: And then one week out the year they're like half 351 00:20:33,880 --> 00:20:37,040 Speaker 1: naked women. This is so crazy. We're getting banned in 352 00:20:37,040 --> 00:20:39,119 Speaker 1: the supermarkets because people aren't don't know what to do, 353 00:20:39,440 --> 00:20:41,920 Speaker 1: and I think that they know themselves fed that sort 354 00:20:41,920 --> 00:20:45,359 Speaker 1: of spectacle of Hey, this is this is crazy that 355 00:20:45,359 --> 00:20:47,879 Speaker 1: we do this. Well, look how radical we are. And 356 00:20:47,920 --> 00:20:52,720 Speaker 1: it also overly sexualizes the bikini. What started out as 357 00:20:53,200 --> 00:20:56,679 Speaker 1: basically a uniform for a recreational activity, just like you 358 00:20:56,720 --> 00:20:59,520 Speaker 1: put on jogging shorts when you're gonna go for a run. 359 00:21:00,000 --> 00:21:05,000 Speaker 1: It turns it into, um, something totally eroticized. I mean, 360 00:21:05,000 --> 00:21:06,960 Speaker 1: when Molly and I were talking about this earlier, kind 361 00:21:06,960 --> 00:21:11,360 Speaker 1: of um coming to terms with I guess the message 362 00:21:11,359 --> 00:21:13,760 Speaker 1: that it sends when you are walking down the beach 363 00:21:13,760 --> 00:21:16,880 Speaker 1: in a bikini kind of bearing all. Um. It's kind 364 00:21:16,880 --> 00:21:19,600 Speaker 1: of hard because I don't think that you can ever 365 00:21:19,920 --> 00:21:22,960 Speaker 1: remove the erotic from a naked woman's body. And I 366 00:21:23,000 --> 00:21:25,520 Speaker 1: don't think that that's necessarily a bad thing. I think 367 00:21:25,520 --> 00:21:27,840 Speaker 1: that that's part of it. But I think it is 368 00:21:27,920 --> 00:21:33,440 Speaker 1: unfortunate that the bikini has become such a source of 369 00:21:33,640 --> 00:21:38,879 Speaker 1: angst for women, um, whereas it should be I think 370 00:21:39,119 --> 00:21:42,320 Speaker 1: a source of empowerment. Yeah, well, on that note, I mean, 371 00:21:42,359 --> 00:21:44,520 Speaker 1: I can't say any better myself. We want your thoughts 372 00:21:44,560 --> 00:21:47,280 Speaker 1: on the bikini our email addresses mom stuff at house 373 00:21:47,280 --> 00:21:50,720 Speaker 1: selfworks dot com. Is the bikini empowering? Isn't the worst 374 00:21:50,720 --> 00:21:53,520 Speaker 1: thing that ever happened. Are you excited about summer? Are 375 00:21:53,520 --> 00:21:56,600 Speaker 1: you excited that vintage one piece Mayo's are coming back 376 00:21:56,600 --> 00:21:58,679 Speaker 1: into style? I know they are. You can find some 377 00:21:58,760 --> 00:22:02,000 Speaker 1: really cute Maya's this season, very flattering. Well, send us 378 00:22:02,000 --> 00:22:04,160 Speaker 1: your thoughts. Our email is mom stuff at how stuff 379 00:22:04,200 --> 00:22:06,720 Speaker 1: works dot com, or if you would like to share 380 00:22:06,720 --> 00:22:08,760 Speaker 1: your thoughts with other listeners, you should head over to 381 00:22:08,840 --> 00:22:13,760 Speaker 1: our Facebook page. It is Facebook dot com backslash stuff 382 00:22:13,800 --> 00:22:16,520 Speaker 1: Mom never told you, or you can just search stuff 383 00:22:16,520 --> 00:22:19,400 Speaker 1: Mom never told you in your handy Facebook search bar, 384 00:22:20,200 --> 00:22:23,600 Speaker 1: as you probably know. And now we'll do a little 385 00:22:23,600 --> 00:22:25,520 Speaker 1: bit of listener mail. We're gonna summarize a little bit 386 00:22:25,520 --> 00:22:27,800 Speaker 1: today and not read line by line just because we've 387 00:22:27,800 --> 00:22:32,040 Speaker 1: got a lot of email on our Japanese Condom Sales podcast, 388 00:22:33,240 --> 00:22:41,360 Speaker 1: very mixed reactions. Um, so let's get into some of them. 389 00:22:41,400 --> 00:22:44,879 Speaker 1: So first, let's start with a pretty pretty good correction. 390 00:22:44,960 --> 00:22:46,920 Speaker 1: I think we got that we may not have defined 391 00:22:47,040 --> 00:22:49,520 Speaker 1: all the terms related to manga and a talk of 392 00:22:49,600 --> 00:22:53,040 Speaker 1: culture as narrowly as you might, and so we might 393 00:22:53,080 --> 00:22:57,240 Speaker 1: have painted all people who read manga as people who's 394 00:22:57,240 --> 00:23:00,639 Speaker 1: love with body pillows, and that is definitely not you. 395 00:23:00,640 --> 00:23:03,119 Speaker 1: You can you can obviously make there are tons of 396 00:23:03,160 --> 00:23:05,159 Speaker 1: genres and we might have just sort of grouped them 397 00:23:05,160 --> 00:23:07,639 Speaker 1: all together for ease of our own podcast, which is 398 00:23:07,680 --> 00:23:10,000 Speaker 1: never the way we should do things here. Yeah, and uh, 399 00:23:10,160 --> 00:23:14,480 Speaker 1: speaking of the Otaku moa and sleeping with body pillows, 400 00:23:14,720 --> 00:23:18,640 Speaker 1: we were called out for jumping on a media trend 401 00:23:18,840 --> 00:23:23,600 Speaker 1: that paints an unfair portrait of a very small group 402 00:23:23,600 --> 00:23:28,320 Speaker 1: of men in Japan and extrapola set to the entire population, 403 00:23:28,640 --> 00:23:31,600 Speaker 1: and that wasn't what Molly and I were trying to do. Admittedly, 404 00:23:31,720 --> 00:23:35,280 Speaker 1: there were not that many articles that we found specifically 405 00:23:35,320 --> 00:23:42,040 Speaker 1: about the moe associated with the pillow thing, okay um, 406 00:23:42,080 --> 00:23:46,000 Speaker 1: but there were a lot of articles going back to 407 00:23:46,080 --> 00:23:50,160 Speaker 1: the mid nineties about this idea of Japanese men um 408 00:23:50,240 --> 00:23:54,800 Speaker 1: some Japanese men as herbivores versus carnivores, which we talked about. 409 00:23:54,800 --> 00:23:56,160 Speaker 1: And if you want more info and that, of course, 410 00:23:56,200 --> 00:23:58,840 Speaker 1: you can go back and listen to the podcast. But 411 00:23:58,880 --> 00:24:01,840 Speaker 1: I would like to clarify that our research did go 412 00:24:01,920 --> 00:24:05,040 Speaker 1: back more than uh the episode of thirty Rock with 413 00:24:05,119 --> 00:24:08,360 Speaker 1: James Franco in an article in the New York Times magazine, right, 414 00:24:08,400 --> 00:24:10,200 Speaker 1: you know, people thought it was just once one weird 415 00:24:10,240 --> 00:24:11,920 Speaker 1: story we had gotten out of Japan and we weren't 416 00:24:11,960 --> 00:24:14,720 Speaker 1: taking japan culture as a whole. But as you said, 417 00:24:14,720 --> 00:24:17,639 Speaker 1: they go back many years now. Let's also point out 418 00:24:17,680 --> 00:24:19,960 Speaker 1: that the title was a little bit tongue in cheek, yes, 419 00:24:20,080 --> 00:24:22,280 Speaker 1: because we've got many emails that tried to explain to 420 00:24:22,359 --> 00:24:25,600 Speaker 1: us all the reasons why Japanese condom sales might be dropping, 421 00:24:25,600 --> 00:24:28,400 Speaker 1: and these included things like the aging of the Japanese population, 422 00:24:28,760 --> 00:24:31,119 Speaker 1: the Japanese attitude towards work. One woman wrote in and 423 00:24:31,160 --> 00:24:33,399 Speaker 1: she had a Japanese boyfriend. He has to work, you know, 424 00:24:33,480 --> 00:24:35,320 Speaker 1: sixty hours a week, and so she's like, of course, 425 00:24:35,640 --> 00:24:38,000 Speaker 1: you know you sleep when you get home after that 426 00:24:38,040 --> 00:24:39,600 Speaker 1: kind of work week, you may not be having as 427 00:24:39,640 --> 00:24:43,320 Speaker 1: much sex um. One person pointed out that the age 428 00:24:43,320 --> 00:24:46,119 Speaker 1: in which Japanese youth lose their porginity is actually not 429 00:24:46,160 --> 00:24:49,679 Speaker 1: that different than in the US, So obviously, you know, 430 00:24:49,760 --> 00:24:51,919 Speaker 1: it's it's a complex as you and the and the 431 00:24:51,960 --> 00:24:54,800 Speaker 1: point we were trying to make with the title was 432 00:24:54,920 --> 00:24:57,760 Speaker 1: admittedly to get your attention, which it did, but it 433 00:24:57,800 --> 00:25:01,119 Speaker 1: wasn't to try to the answer to that question in 434 00:25:01,200 --> 00:25:05,359 Speaker 1: the podcast was not, Uh, Japanese condom sales have dropped 435 00:25:05,760 --> 00:25:08,080 Speaker 1: because people read manga. That wasn't the point at all. 436 00:25:08,480 --> 00:25:10,200 Speaker 1: So thanks to all of you though who wrote in 437 00:25:10,560 --> 00:25:14,280 Speaker 1: response to it, whether you had criticisms or praise. Molly 438 00:25:14,320 --> 00:25:17,280 Speaker 1: and I need to hear it all um So again, 439 00:25:17,280 --> 00:25:19,640 Speaker 1: our email is mom Stuff at how stuff works dot com. 440 00:25:19,760 --> 00:25:22,040 Speaker 1: You can also follow us during the week on our 441 00:25:22,119 --> 00:25:27,320 Speaker 1: Twitter it is mom Stuff podcast. Join us on there, 442 00:25:27,440 --> 00:25:30,400 Speaker 1: and then you can finally head over to our brand 443 00:25:30,440 --> 00:25:34,160 Speaker 1: new blog It's called stuff Mom Never told You Surprise, 444 00:25:34,520 --> 00:25:36,800 Speaker 1: and you can find that blog at how stuff works 445 00:25:36,960 --> 00:25:42,640 Speaker 1: dot com. For more on this and thousands of other topics, 446 00:25:42,720 --> 00:25:46,439 Speaker 1: does it how stuff works dot com. Want more how 447 00:25:46,520 --> 00:25:49,200 Speaker 1: stuff works, check out our blogs on the house stuff 448 00:25:49,200 --> 00:25:55,879 Speaker 1: works dot com home page. Brought to you by the 449 00:25:55,920 --> 00:25:59,280 Speaker 1: reinvented two thousand twelve camera. It's ready, are you