1 00:00:03,360 --> 00:00:13,520 Speaker 1: Transmitting what's happening and everybody, welcome to the show. Hope 2 00:00:13,520 --> 00:00:16,880 Speaker 1: you had a great weekend as always. Let me see 3 00:00:17,200 --> 00:00:19,720 Speaker 1: morning the studio morning. I want to start with a 4 00:00:19,840 --> 00:00:23,680 Speaker 1: voicemail from Whitney in O, Califlorida. I was just curious 5 00:00:23,720 --> 00:00:27,680 Speaker 1: if Lunchbox was still bicycling to work every day. Thank 6 00:00:27,720 --> 00:00:31,040 Speaker 1: you guys so much. We love you. Lunch The bike 7 00:00:31,120 --> 00:00:34,680 Speaker 1: has been in the shop, um when Yeah, it happened. 8 00:00:34,880 --> 00:00:37,479 Speaker 1: No, No No, nothing happened. It's just routine maintenance. When you 9 00:00:37,520 --> 00:00:39,880 Speaker 1: first bought the bike, they say, after a month or 10 00:00:39,880 --> 00:00:41,279 Speaker 1: two of having the bike, you need to bring it 11 00:00:41,320 --> 00:00:43,400 Speaker 1: back in so we can stretch out the brake cables 12 00:00:43,440 --> 00:00:46,680 Speaker 1: and everything. There's certain things that need to be fixed 13 00:00:46,680 --> 00:00:49,040 Speaker 1: on the bike after getting some ride on it. And 14 00:00:49,080 --> 00:00:50,479 Speaker 1: so I thought, okay, I'll just drop it off and 15 00:00:50,479 --> 00:00:52,440 Speaker 1: they'll fix it right then. And they're like, all right, 16 00:00:52,479 --> 00:00:53,840 Speaker 1: we'll see you back in a little over a week. 17 00:00:53,880 --> 00:00:56,120 Speaker 1: And I was like, oh, I thought I was gonna 18 00:00:56,160 --> 00:00:58,880 Speaker 1: get right back. So I walk home. See then you 19 00:00:58,960 --> 00:01:01,520 Speaker 1: walked down. Yeah. I had to put my helmet in 20 00:01:01,560 --> 00:01:04,280 Speaker 1: my backpack and I walked home. And here's what's funny. 21 00:01:04,360 --> 00:01:07,160 Speaker 1: Here's funny. I got home and my wife's later. My 22 00:01:07,200 --> 00:01:09,560 Speaker 1: wife's like, why didn't you take an uber? I was like, 23 00:01:09,959 --> 00:01:12,400 Speaker 1: I didn't even think about it. I honestly forgot all 24 00:01:12,440 --> 00:01:15,440 Speaker 1: about uber and I walked home. But you've been riding 25 00:01:15,480 --> 00:01:19,560 Speaker 1: your bike consistently, yes, and you feel safe doing it now? Yeah, 26 00:01:20,040 --> 00:01:22,039 Speaker 1: got the path, got the you know the timing, so 27 00:01:22,120 --> 00:01:24,039 Speaker 1: I know it takes however long and I go that 28 00:01:24,200 --> 00:01:26,080 Speaker 1: boom and so I look at the clock. I'm like, oh, 29 00:01:26,120 --> 00:01:27,800 Speaker 1: I gotta go. I'm running out of time. There's a 30 00:01:27,800 --> 00:01:29,600 Speaker 1: couple of days I've had to pedal a little faster 31 00:01:29,600 --> 00:01:31,560 Speaker 1: because I'm like, oh, I left a little late. But 32 00:01:31,680 --> 00:01:33,880 Speaker 1: I love it. So when you come in sometimes you're 33 00:01:33,880 --> 00:01:36,200 Speaker 1: sweaty and kind of yes, frazzled a little bit. I 34 00:01:36,240 --> 00:01:39,440 Speaker 1: am frazzled, sweaty, and I changed clothes when I get here, 35 00:01:39,440 --> 00:01:40,959 Speaker 1: and you haven't wrecked except for the one car that 36 00:01:41,000 --> 00:01:42,720 Speaker 1: almost hit you right and I had to dive into 37 00:01:42,720 --> 00:01:46,080 Speaker 1: the grass. Um. This leads me to something though called 38 00:01:46,160 --> 00:01:53,480 Speaker 1: spill the tea. Let's spill the tea. Y. Look, man, 39 00:01:53,600 --> 00:01:57,240 Speaker 1: I have the I have the advantage of sitting next 40 00:01:57,280 --> 00:01:59,400 Speaker 1: to lunch box, and it's great, great entertainment because I 41 00:01:59,400 --> 00:02:00,960 Speaker 1: get to see what he's looking on his computer because 42 00:02:00,960 --> 00:02:03,160 Speaker 1: it's right next to me. And the other day I 43 00:02:03,280 --> 00:02:05,680 Speaker 1: look at it at his computer and he is searching 44 00:02:05,760 --> 00:02:08,880 Speaker 1: happy hours. It's like, that's weird. I mean he's taking 45 00:02:08,919 --> 00:02:11,000 Speaker 1: notes happy hour here, happy hour there, and then he's 46 00:02:11,000 --> 00:02:13,799 Speaker 1: googling the address and he's checking to see if these 47 00:02:13,800 --> 00:02:17,000 Speaker 1: places are on the way from work to his house, 48 00:02:17,280 --> 00:02:20,400 Speaker 1: like his bike path, his bike path. And I'm thinking, oh, no, 49 00:02:20,520 --> 00:02:23,560 Speaker 1: lunch box is a problem. He's stopping at bars on 50 00:02:23,600 --> 00:02:25,720 Speaker 1: the way home to grab a drink on his bike 51 00:02:25,760 --> 00:02:29,600 Speaker 1: before he gets home. Does that mean no problem? Well, guys, 52 00:02:29,639 --> 00:02:31,880 Speaker 1: what time do we get out of here? Yeah, we 53 00:02:31,919 --> 00:02:33,679 Speaker 1: get out of here like at noon? Well, Eddie, you 54 00:02:33,760 --> 00:02:35,600 Speaker 1: leave it like four. Oh yeah, that's true. I'd be 55 00:02:35,600 --> 00:02:38,720 Speaker 1: at a good happy hour. Is there something wrong with 56 00:02:38,919 --> 00:02:44,839 Speaker 1: having a drink of alcohol? I knew it on your bike? 57 00:02:44,880 --> 00:02:48,600 Speaker 1: You're stopping a beer on your bike? Yeah? Alone, I 58 00:02:48,680 --> 00:02:50,720 Speaker 1: meet someone for lunch. They got a good No. No, no, 59 00:02:50,880 --> 00:02:53,440 Speaker 1: I mean hey, no alone. No, I don't do it 60 00:02:53,480 --> 00:02:56,400 Speaker 1: alone ever. Ever, I'm not going to a bar alone. 61 00:02:56,440 --> 00:03:00,600 Speaker 1: That's weird, really, meeting I mean friends at the jobs. Hey, 62 00:03:00,639 --> 00:03:01,919 Speaker 1: you want to grab a bike, you want to grab 63 00:03:01,919 --> 00:03:04,760 Speaker 1: a beer like it's weird. The industry we work in, 64 00:03:04,880 --> 00:03:07,560 Speaker 1: it's okay to have beers at lunch. It's okay to 65 00:03:07,600 --> 00:03:09,920 Speaker 1: have drinks at lunch and go back to work. A 66 00:03:09,960 --> 00:03:11,679 Speaker 1: lot of people do it. I mean, heck, I see 67 00:03:11,720 --> 00:03:15,400 Speaker 1: construction workers doing it. What so, I mean, why are 68 00:03:15,440 --> 00:03:19,160 Speaker 1: you watching instruction? Yeah? So, Eddie, your spill the tea is. 69 00:03:19,280 --> 00:03:20,760 Speaker 1: Do you think lunch box is riding his bike to 70 00:03:20,760 --> 00:03:22,800 Speaker 1: the bar after work? Yes, straight out, yes, yes. And 71 00:03:22,840 --> 00:03:24,760 Speaker 1: I think he tells his wife he's working late, and 72 00:03:24,919 --> 00:03:27,200 Speaker 1: does that happen? No, I tell my wife stopping for 73 00:03:27,200 --> 00:03:29,760 Speaker 1: a drink, I'll be home a little bit. I stopped 74 00:03:29,800 --> 00:03:32,560 Speaker 1: for drinking eleven thirty. I ain't stressful day at work. 75 00:03:32,600 --> 00:03:35,280 Speaker 1: I have a drink. When has it ever been stressful? Oh? Dude, 76 00:03:35,280 --> 00:03:37,280 Speaker 1: you guys, You guys are hard to deal with some days, 77 00:03:37,440 --> 00:03:40,160 Speaker 1: you know. Is that not true? We're driving you to drink? Yeah, 78 00:03:40,200 --> 00:03:43,320 Speaker 1: we're biking him to drink. Okay, but you're good? Yeah? 79 00:03:43,320 --> 00:03:45,840 Speaker 1: I mean no stress express here? I mean Eddie who cares? 80 00:03:45,920 --> 00:03:47,440 Speaker 1: All right, Eddie has a beer when he gets home. 81 00:03:47,480 --> 00:03:49,000 Speaker 1: I have a beer at the bar. What's the difference 82 00:03:49,040 --> 00:03:51,440 Speaker 1: at ten forty eight? No? I get beers. Later later 83 00:03:51,440 --> 00:03:55,760 Speaker 1: in the night, they all, right, well that's a spill 84 00:03:55,840 --> 00:03:57,880 Speaker 1: the tea. But you know what I'm gonna say, not 85 00:03:57,920 --> 00:03:59,960 Speaker 1: a lot of tea there. Yeah, I could have been 86 00:04:00,240 --> 00:04:05,880 Speaker 1: in the tea. Yeah, water down for sure. Let's open 87 00:04:05,960 --> 00:04:16,000 Speaker 1: up the mail bag, get something. We call hello, Bobby Bones. 88 00:04:16,080 --> 00:04:18,000 Speaker 1: So a few weeks ago, we had to get together 89 00:04:18,120 --> 00:04:20,400 Speaker 1: with the family at my brother in law's house. We're 90 00:04:20,400 --> 00:04:23,239 Speaker 1: having a good time. After a few beers, we started 91 00:04:23,240 --> 00:04:25,240 Speaker 1: the discussion of who is the most athletic person in 92 00:04:25,279 --> 00:04:30,919 Speaker 1: the family. Okay, I'm very competitive, and so it's my 93 00:04:30,960 --> 00:04:33,200 Speaker 1: brother in law. We started debating who's a faster runner, 94 00:04:33,800 --> 00:04:37,240 Speaker 1: who could bench press more? And then we landed on boxing. 95 00:04:37,600 --> 00:04:39,800 Speaker 1: Oh no, my brother in law was adamant that he 96 00:04:39,800 --> 00:04:41,919 Speaker 1: could beat me in the ring. I told him that 97 00:04:41,920 --> 00:04:43,320 Speaker 1: even though he's a little bigger than me, I could 98 00:04:43,320 --> 00:04:45,720 Speaker 1: handle him, no problem. But it was all in good fun, 99 00:04:45,800 --> 00:04:48,719 Speaker 1: no punches thrown. Well, the other night he came over 100 00:04:48,760 --> 00:04:50,880 Speaker 1: for dinner and he brought it up again. This time 101 00:04:51,960 --> 00:04:54,680 Speaker 1: no alcohol was involved. He was still dead set on 102 00:04:54,680 --> 00:04:56,440 Speaker 1: it and said we should find a time to actually 103 00:04:56,480 --> 00:04:58,920 Speaker 1: get in the ring against each other. Even texted me 104 00:04:58,960 --> 00:05:01,000 Speaker 1: earlier this week to see if I was free this weekend. 105 00:05:01,360 --> 00:05:03,440 Speaker 1: I don't think any good companies. It seems like a 106 00:05:03,560 --> 00:05:05,840 Speaker 1: lose lose situation, But honestly I like to take them 107 00:05:05,880 --> 00:05:08,039 Speaker 1: down just prove it. Oh gosh, should I fight my 108 00:05:08,080 --> 00:05:11,040 Speaker 1: brother in law? Or will cause more problems than it's 109 00:05:11,080 --> 00:05:14,279 Speaker 1: worth to just prove a point? Sign boxing, Brian, See, 110 00:05:14,360 --> 00:05:16,920 Speaker 1: this is toxic masculinity here at its best, where the 111 00:05:17,040 --> 00:05:20,000 Speaker 1: guys just can't even have this conversation and they feel 112 00:05:20,000 --> 00:05:22,559 Speaker 1: insulted that someone thinks they're more masculine than they are. 113 00:05:23,480 --> 00:05:25,560 Speaker 1: I suffer from this occasionally. I'm not gonna find anybody, Beau. 114 00:05:25,560 --> 00:05:28,920 Speaker 1: I'm gonna lose right for the most part. But if 115 00:05:28,920 --> 00:05:33,240 Speaker 1: you're competitive and someone says I'm bigger, faster, stronger than you, 116 00:05:33,240 --> 00:05:35,360 Speaker 1: you kind of want to show them that they're not right. 117 00:05:37,040 --> 00:05:40,120 Speaker 1: I do think this will cause problems if you win 118 00:05:40,240 --> 00:05:43,279 Speaker 1: or lose. If you lose, you will have to live 119 00:05:43,320 --> 00:05:47,360 Speaker 1: with it and live with him always talking about it forever. 120 00:05:48,400 --> 00:05:51,120 Speaker 1: If you win, it is going to put a bit 121 00:05:51,120 --> 00:05:53,240 Speaker 1: of a wedge in the relationship because he's gonna be 122 00:05:53,320 --> 00:05:55,880 Speaker 1: embarrassed or he's gonna go you cheated, and it's gonna 123 00:05:56,160 --> 00:06:01,560 Speaker 1: that's gonna be awkward. It's really a no win and 124 00:06:01,640 --> 00:06:03,359 Speaker 1: you're gonna get in the ring and forty five seconds 125 00:06:03,400 --> 00:06:06,480 Speaker 1: into it you're both gonna be gassed. Anyway, I ask 126 00:06:06,560 --> 00:06:12,440 Speaker 1: someone who I just train box. It's really a grind. 127 00:06:12,480 --> 00:06:14,080 Speaker 1: But then you add to the fact that someone's trying 128 00:06:14,080 --> 00:06:16,440 Speaker 1: to punch you in the face and getting hit while 129 00:06:16,480 --> 00:06:21,040 Speaker 1: doing it, it is exhausting. If you want to do it, 130 00:06:21,080 --> 00:06:23,960 Speaker 1: I would go two three minute rounds and then call 131 00:06:24,000 --> 00:06:26,680 Speaker 1: it after that. But I wouldn't do it because it's 132 00:06:26,680 --> 00:06:28,919 Speaker 1: just it's just a win win. If you must and 133 00:06:29,000 --> 00:06:30,960 Speaker 1: you think you both could handle it and you're mature 134 00:06:31,040 --> 00:06:33,120 Speaker 1: enough to handle it, don't try to do Rocky and 135 00:06:33,160 --> 00:06:35,159 Speaker 1: go twelve rounds. You will and if it's a tie, 136 00:06:35,240 --> 00:06:36,760 Speaker 1: it's a tie, but then you do it and get 137 00:06:36,800 --> 00:06:38,880 Speaker 1: it out of your system. I just I don't. It's 138 00:06:38,920 --> 00:06:42,679 Speaker 1: just not a good idea either way. I launch box. 139 00:06:42,720 --> 00:06:45,039 Speaker 1: What do you think about these two dudes fighting? I 140 00:06:45,120 --> 00:06:46,680 Speaker 1: love it. Listen, this is how you do it. When 141 00:06:46,720 --> 00:06:48,200 Speaker 1: you run your mouth, you gotta get in there and 142 00:06:48,240 --> 00:06:49,640 Speaker 1: settle it. And if you want to, but I don't 143 00:06:49,680 --> 00:06:51,640 Speaker 1: know they amy is running their mouth because it did 144 00:06:51,680 --> 00:06:55,160 Speaker 1: come up in a conversation. There's mouth running, but it 145 00:06:55,200 --> 00:06:58,000 Speaker 1: was organically brought up. Yes, But then he came over 146 00:06:58,160 --> 00:07:01,720 Speaker 1: again with Noll involved, and it's still eating at him 147 00:07:01,720 --> 00:07:03,159 Speaker 1: and he still wants to prove a point. So you 148 00:07:03,200 --> 00:07:04,880 Speaker 1: know what, Hey, you want to step in the ring, 149 00:07:05,000 --> 00:07:08,960 Speaker 1: go three rounds and do it. Do it, but do 150 00:07:09,000 --> 00:07:11,000 Speaker 1: a minute and a half rounds because you're so gad. 151 00:07:11,400 --> 00:07:13,200 Speaker 1: I'm telling you, man, I know you think you're if 152 00:07:13,200 --> 00:07:15,800 Speaker 1: you're in shape, it's a whole different beast once you're 153 00:07:16,400 --> 00:07:19,160 Speaker 1: doing it and getting hit at the same time, I say, 154 00:07:19,200 --> 00:07:22,040 Speaker 1: you probably shouldn't do it because it's just the odds 155 00:07:22,120 --> 00:07:24,400 Speaker 1: of it being bad for your relationship are very high 156 00:07:24,440 --> 00:07:26,720 Speaker 1: win or lose. If he just won't shut up and 157 00:07:26,760 --> 00:07:28,720 Speaker 1: you know you can win, I wouldn't go into it 158 00:07:28,720 --> 00:07:30,480 Speaker 1: going I think I can win. If you know you 159 00:07:30,520 --> 00:07:32,760 Speaker 1: can win, that's the only way I would even consider it. 160 00:07:32,920 --> 00:07:34,600 Speaker 1: And then he's gonna want to rematch, and I mean 161 00:07:34,680 --> 00:07:37,520 Speaker 1: you'll have the trilogy. I mean per view rights exactly. 162 00:07:37,560 --> 00:07:39,440 Speaker 1: I mean he got to negotiate those, and that's always 163 00:07:39,440 --> 00:07:41,800 Speaker 1: a fun Just stay away from it, boxing, Brian. If 164 00:07:41,800 --> 00:07:45,400 Speaker 1: you're just wondering at all, it'll go away. That's at 165 00:07:45,520 --> 00:07:47,240 Speaker 1: a year. Dude, do you want to we have this 166 00:07:47,280 --> 00:07:49,640 Speaker 1: debate where you're like, I'll can beat you up. You can't. Okay, 167 00:07:49,720 --> 00:07:51,680 Speaker 1: I woke your butt, But what do you think I 168 00:07:51,720 --> 00:07:54,120 Speaker 1: think it'd be a great story for the family to come. 169 00:07:54,560 --> 00:07:56,640 Speaker 1: I think for years they're gonna be like, dude, do 170 00:07:56,640 --> 00:07:58,800 Speaker 1: you remember when you guys fought? That was so funny. 171 00:07:58,840 --> 00:08:01,640 Speaker 1: You guys boxed, and so and so beat your amazing. 172 00:08:01,720 --> 00:08:04,160 Speaker 1: I was watching a story back when the Celtics in 173 00:08:04,200 --> 00:08:06,400 Speaker 1: the NBA won a championship. There were two players on 174 00:08:06,400 --> 00:08:10,239 Speaker 1: the Celtics. There's just one uh Rondo who was a guard, 175 00:08:10,240 --> 00:08:11,720 Speaker 1: and ray Allen who was a guard, and they hated 176 00:08:11,760 --> 00:08:13,440 Speaker 1: each other and they boxed and they had no cameras 177 00:08:13,480 --> 00:08:14,920 Speaker 1: and they fought each other in the locker room and 178 00:08:14,920 --> 00:08:17,720 Speaker 1: how did that sing? Gloves? One Rondo trying to knock 179 00:08:17,720 --> 00:08:19,680 Speaker 1: his head off, and ray Allen was like Jeff, Jett, Jeff. 180 00:08:19,760 --> 00:08:21,800 Speaker 1: And then it ended with no real They just did 181 00:08:21,800 --> 00:08:23,320 Speaker 1: it and got it over with and nobody was hurt. 182 00:08:23,360 --> 00:08:24,880 Speaker 1: Did they respect each other? I don't know what I 183 00:08:25,000 --> 00:08:28,480 Speaker 1: talked to him. Dudes always want to fight, man, all right, 184 00:08:28,760 --> 00:08:30,920 Speaker 1: don't do it? I say, these two guys, say, do it. 185 00:08:31,000 --> 00:08:33,520 Speaker 1: So take whomever's advice you value the most. That's two 186 00:08:33,520 --> 00:08:35,559 Speaker 1: to one. So yeah, yeah, it it's you two, you know, 187 00:08:36,080 --> 00:08:38,480 Speaker 1: all right, Brian, thank you. That is the mail bag. 188 00:08:38,920 --> 00:08:47,440 Speaker 1: We've got your tea. That was about the cloth. Ye idee. 189 00:08:47,440 --> 00:08:49,640 Speaker 1: What's happening in your neighborhood? Man, I'm in a pickle 190 00:08:49,760 --> 00:08:53,040 Speaker 1: because we live on a street that's kind of slanted, 191 00:08:53,160 --> 00:08:55,439 Speaker 1: like the driveway is it a slam? But the boys 192 00:08:55,440 --> 00:08:57,120 Speaker 1: want a basketball hoop. I'm like, guys, you can't play 193 00:08:57,200 --> 00:09:00,240 Speaker 1: basketball in our driveway. It's not possible. So they're like, oh, 194 00:09:00,280 --> 00:09:02,600 Speaker 1: we can't play basketball. I said, why don't we do this? 195 00:09:02,840 --> 00:09:05,319 Speaker 1: Just down the street, there's a cul de sac. There 196 00:09:05,360 --> 00:09:08,240 Speaker 1: are five houses. We don't know who lives there, but 197 00:09:08,559 --> 00:09:11,120 Speaker 1: go knock on the door, ask them if that's okay 198 00:09:11,160 --> 00:09:13,360 Speaker 1: if we put a basketball hoop on the cul de 199 00:09:13,440 --> 00:09:15,679 Speaker 1: sac and we'll let the whole neighborhood play. We just 200 00:09:15,720 --> 00:09:17,959 Speaker 1: got to get an okay from the people that live 201 00:09:17,960 --> 00:09:19,199 Speaker 1: in the cul de sac and they're like, no, no, 202 00:09:19,320 --> 00:09:22,160 Speaker 1: that's so embarrassing. I'm like, guys, this is a genius idea. 203 00:09:22,200 --> 00:09:25,200 Speaker 1: I'll pay for the hoop. Why wouldn't these people want 204 00:09:25,240 --> 00:09:27,480 Speaker 1: a basketball hoop in front of their house. So does 205 00:09:27,520 --> 00:09:29,160 Speaker 1: it stay up all the time or does it just 206 00:09:29,200 --> 00:09:31,160 Speaker 1: stay up whenever you guys are playing. No, it'll be 207 00:09:31,240 --> 00:09:33,880 Speaker 1: like a professional basketball hoop that it's a permanent hoop, 208 00:09:34,200 --> 00:09:37,680 Speaker 1: permanent hoop that the whole neighborhood could create in. No, 209 00:09:37,960 --> 00:09:39,719 Speaker 1: but it's gonna be in the cul de sac, right, Yeah, 210 00:09:39,720 --> 00:09:43,080 Speaker 1: So it's gonna be with a base, a weighted base. Absolutely. Yes, 211 00:09:43,200 --> 00:09:46,000 Speaker 1: you put like sand on it, cement, whatever sement you 212 00:09:46,120 --> 00:09:48,200 Speaker 1: think they're gonna go for that. I don't know, but 213 00:09:48,240 --> 00:09:50,360 Speaker 1: I'm saying, guys, I think that's a decent idea. I 214 00:09:50,400 --> 00:09:53,080 Speaker 1: think it's a fantastic a basketball goal in front of 215 00:09:53,080 --> 00:09:55,520 Speaker 1: their house. Because I've seen like two kids living in 216 00:09:55,679 --> 00:09:57,200 Speaker 1: some of those house. I don't know who lives in 217 00:09:57,200 --> 00:09:59,640 Speaker 1: the houses, but i've seen kids ride their bikes around 218 00:09:59,640 --> 00:10:02,160 Speaker 1: that could the sec. So I'm assuming if kids live there, 219 00:10:02,440 --> 00:10:04,880 Speaker 1: they're gonna say, yeah, that'd be awesome. You wouldn't need 220 00:10:05,000 --> 00:10:08,160 Speaker 1: all five of those families correct to say yes and 221 00:10:08,240 --> 00:10:10,400 Speaker 1: that they're okay with the basketball where kids are going 222 00:10:10,480 --> 00:10:12,400 Speaker 1: to be gathered in that cold to sack. Now, we 223 00:10:12,440 --> 00:10:15,000 Speaker 1: can set hours. Hey, no dribble, no, no b ball 224 00:10:15,040 --> 00:10:17,839 Speaker 1: after ten pm or nine pm whatever. For say you're 225 00:10:17,840 --> 00:10:19,280 Speaker 1: not gonna be down there to do maybe I'll go 226 00:10:19,320 --> 00:10:21,160 Speaker 1: down and be like, all right, guys, park's closed, this 227 00:10:21,240 --> 00:10:24,480 Speaker 1: is my hoop. No maybes you wouldn't. I just don't 228 00:10:24,520 --> 00:10:26,960 Speaker 1: think you can do that. Really, I don't even it's 229 00:10:27,000 --> 00:10:29,800 Speaker 1: not your part of the street. It'd be like you 230 00:10:30,040 --> 00:10:32,640 Speaker 1: parking your car down there and just now you could 231 00:10:32,920 --> 00:10:35,840 Speaker 1: you can park car on that curb and just leaving 232 00:10:35,880 --> 00:10:37,760 Speaker 1: your car down there though, because it's legal, But is 233 00:10:37,800 --> 00:10:41,760 Speaker 1: it acceptable as a good neighbor? I don't think it is. 234 00:10:41,880 --> 00:10:44,640 Speaker 1: So you say five, you gotta get five o'kas from 235 00:10:44,640 --> 00:10:46,000 Speaker 1: the people that live in the cold to sac Now 236 00:10:46,040 --> 00:10:48,439 Speaker 1: what if for say okay and one done? No, that's it. 237 00:10:48,520 --> 00:10:51,320 Speaker 1: I wouldn't even ask you. I wouldn't say you wouldn't 238 00:10:51,320 --> 00:10:53,400 Speaker 1: send your kids to go ask. I think it's showing 239 00:10:53,440 --> 00:10:56,559 Speaker 1: them responsibility to be like door to door. Hi, I'm 240 00:10:56,600 --> 00:10:58,760 Speaker 1: a kid that wants to play basketball. If your idea 241 00:10:58,920 --> 00:11:00,800 Speaker 1: is to show them responsibilit and you know they're gonna 242 00:11:00,800 --> 00:11:02,640 Speaker 1: get a no. I don't know. I think they're gonna 243 00:11:02,640 --> 00:11:04,679 Speaker 1: get a yes. Though. Is there any chance all five 244 00:11:04,679 --> 00:11:07,199 Speaker 1: never say please put a basketball hoop? In front of 245 00:11:07,200 --> 00:11:09,000 Speaker 1: our front yard where kids will be gathered the whole time. 246 00:11:09,200 --> 00:11:11,600 Speaker 1: I say yes, Okay, I think there's no chance they're 247 00:11:11,600 --> 00:11:15,320 Speaker 1: gonna they're gonna say yes, But I go, okay. Let 248 00:11:15,480 --> 00:11:16,920 Speaker 1: the question is, do you think they'll allow it? I 249 00:11:16,960 --> 00:11:21,000 Speaker 1: go no. I mean I hope so for the sake 250 00:11:21,040 --> 00:11:23,000 Speaker 1: of the kids. But there's probably gonna be one person 251 00:11:23,040 --> 00:11:25,880 Speaker 1: that's not down with it. So you're gonna say no, Oh, 252 00:11:26,000 --> 00:11:28,440 Speaker 1: one grinch. I'm gonna say yes. You gotta send the kids, 253 00:11:28,480 --> 00:11:30,840 Speaker 1: You send dad. They're gonna say no because some old 254 00:11:30,840 --> 00:11:32,920 Speaker 1: man is at my door the kids. It's hard to 255 00:11:32,920 --> 00:11:35,000 Speaker 1: say no to the kids. But if you it's a 256 00:11:35,000 --> 00:11:37,520 Speaker 1: permanent hoop, it's a permanent hoop, dude. But it's open 257 00:11:37,600 --> 00:11:39,439 Speaker 1: to the neighborhood. And I told him, guys, if you're 258 00:11:39,440 --> 00:11:40,800 Speaker 1: gonna pay, I don't want something in front of my 259 00:11:40,880 --> 00:11:42,720 Speaker 1: yard that's open in the neighborhood for everybody to just 260 00:11:42,720 --> 00:11:44,760 Speaker 1: be like, this is the gathering place. Really, I would 261 00:11:44,800 --> 00:11:47,559 Speaker 1: not want that. Even if it's kids. How enjoyable our 262 00:11:47,679 --> 00:11:52,160 Speaker 1: kids playing outside it's nine or younger. I don't want 263 00:11:52,200 --> 00:11:54,199 Speaker 1: a fourteen year old that's also looking at and then 264 00:11:54,320 --> 00:11:56,320 Speaker 1: they're gonna play some two on two the older kids, 265 00:11:56,320 --> 00:11:59,040 Speaker 1: the young kids can't play. I just think it's a 266 00:11:59,080 --> 00:12:02,320 Speaker 1: bad situation. Who get what if two groups show up 267 00:12:02,360 --> 00:12:03,800 Speaker 1: at the same time and want to play, like who 268 00:12:03,840 --> 00:12:06,719 Speaker 1: gets the court? Oh that's tough. Then they come to me. 269 00:12:06,800 --> 00:12:09,520 Speaker 1: I'll go settle the dispute. Maybe I'm the marshal dude. 270 00:12:09,559 --> 00:12:11,800 Speaker 1: Maybe I'll put my address there. Come to me and 271 00:12:11,840 --> 00:12:13,360 Speaker 1: I'll tell you can play or not. Okay, there's like 272 00:12:13,400 --> 00:12:16,400 Speaker 1: a lock on. Are you gonna send them down? I've 273 00:12:16,440 --> 00:12:18,520 Speaker 1: tried to, I've already. This has been two weeks in 274 00:12:18,559 --> 00:12:20,160 Speaker 1: the making of Like, guys, go and then I don't 275 00:12:20,160 --> 00:12:21,839 Speaker 1: even think they should do it. If I were the 276 00:12:21,880 --> 00:12:24,640 Speaker 1: person and I add kids, I wouldn't allow it. I'd 277 00:12:24,640 --> 00:12:26,120 Speaker 1: tell you. I was walking the dog and I saw 278 00:12:26,240 --> 00:12:28,160 Speaker 1: one parent outside water in their plants, and I was like, oh, 279 00:12:28,240 --> 00:12:29,679 Speaker 1: should I ask for them? But like no, no, no, 280 00:12:29,720 --> 00:12:31,520 Speaker 1: I'm not gonna do my kids work for them. You 281 00:12:31,559 --> 00:12:33,640 Speaker 1: guys go to Facebook. Here's a situation and he wants 282 00:12:33,640 --> 00:12:35,240 Speaker 1: to put a hoop and somebody else has called a sack. 283 00:12:35,360 --> 00:12:37,640 Speaker 1: That's it, But he's gonna pay for the hoop. Hey, 284 00:12:37,679 --> 00:12:40,679 Speaker 1: I put it on. I put it on my kids 285 00:12:40,800 --> 00:12:43,000 Speaker 1: but I can't. It's a slant. I can't do it. Well, 286 00:12:43,000 --> 00:12:46,280 Speaker 1: thank you, shot slant. They should on flat point Okay. 287 00:12:46,679 --> 00:12:50,160 Speaker 1: On Facebook, the question is can Eddie put a hoop 288 00:12:50,200 --> 00:12:52,640 Speaker 1: and someone else's called a sack a permanent hoop and 289 00:12:52,679 --> 00:12:55,560 Speaker 1: someone else is called a sad Let's go because it's public. Yeah. 290 00:12:55,679 --> 00:12:57,959 Speaker 1: Think about the sound of kids playing. It's beautiful. I 291 00:12:57,960 --> 00:12:59,840 Speaker 1: don't know. It's not even like that. It's not the crying. 292 00:13:00,400 --> 00:13:03,120 Speaker 1: Their balls are balancing, all right, Go to our Facebook 293 00:13:03,120 --> 00:13:06,959 Speaker 1: page and put your answer up there. The latest from 294 00:13:07,080 --> 00:13:12,320 Speaker 1: Nashville and Tullywood Morgan number two thirty seven, Skinny Garth 295 00:13:12,320 --> 00:13:15,240 Speaker 1: Brooks announced he will drop his anthology Part two the 296 00:13:15,320 --> 00:13:18,600 Speaker 1: Next five Years on November fifteenth. The project will take 297 00:13:18,640 --> 00:13:21,320 Speaker 1: fans behind the recording sessions of some of his albums, 298 00:13:21,360 --> 00:13:24,800 Speaker 1: and it will have two unreleased recordings, including a new 299 00:13:24,880 --> 00:13:28,360 Speaker 1: duet which Risha Yearwood Kelsey Ballerini and LC twenty twenty 300 00:13:28,400 --> 00:13:31,600 Speaker 1: two Heart First Tour. It's a ten date headlining tour 301 00:13:31,679 --> 00:13:35,640 Speaker 1: in major cities across America, kicking off September in New York. 302 00:13:36,080 --> 00:13:38,960 Speaker 1: John Party is sharing some of his different musical sides 303 00:13:39,000 --> 00:13:42,839 Speaker 1: on his upcoming album, Mister Saturday Night Summer has requested 304 00:13:42,880 --> 00:13:45,480 Speaker 1: a little more on my blue side, so it's kind 305 00:13:45,480 --> 00:13:47,840 Speaker 1: of bluesy, so there would be some of that, and 306 00:13:47,880 --> 00:13:52,000 Speaker 1: then there's just Stone Country and there's just a lot 307 00:13:52,040 --> 00:13:55,079 Speaker 1: of dynamics on it. And I like a record like that. 308 00:13:55,320 --> 00:13:58,160 Speaker 1: I'm Morgan. That's your Skinny Hall. It's time for the 309 00:13:58,200 --> 00:14:04,839 Speaker 1: good News with Bobby. Anthony is nine years old. He 310 00:14:04,880 --> 00:14:07,400 Speaker 1: got a new bike from his aunt for his birthday 311 00:14:08,000 --> 00:14:10,760 Speaker 1: and he put it next to the garage, went to bed, 312 00:14:10,960 --> 00:14:13,160 Speaker 1: woke up the next morning it was gone. So someone 313 00:14:13,200 --> 00:14:16,280 Speaker 1: stole his bike. His mom, Crystal and her sister the 314 00:14:16,320 --> 00:14:18,480 Speaker 1: aunt that boughtom the bike. When looking for the bike, 315 00:14:18,640 --> 00:14:22,040 Speaker 1: could not find it, so she posted on social media saying, hey, 316 00:14:22,080 --> 00:14:24,600 Speaker 1: there's a bike thief in the area. Then a woman 317 00:14:24,640 --> 00:14:26,560 Speaker 1: reached out to Crystal saying, hey, I'd like to buy 318 00:14:26,560 --> 00:14:29,480 Speaker 1: your kid a new bicycle. She said, no, that's okay, 319 00:14:29,640 --> 00:14:31,080 Speaker 1: you don't don't do that. We're just gonna try to 320 00:14:31,120 --> 00:14:34,480 Speaker 1: help find the person. But the stranger insisted, and so 321 00:14:34,520 --> 00:14:38,200 Speaker 1: she said fine. So the strangers, remaining anonymous, she met 322 00:14:38,240 --> 00:14:41,280 Speaker 1: them at the local walmart. She found the exact same 323 00:14:41,320 --> 00:14:42,760 Speaker 1: bike and she bought it and she was like, hey, 324 00:14:43,120 --> 00:14:47,000 Speaker 1: happy birthday, and I thought that was extremely random and 325 00:14:47,200 --> 00:14:50,320 Speaker 1: nice of her to do. Anthony's got a bike and 326 00:14:50,360 --> 00:14:52,800 Speaker 1: they're still trying to find the bike thief. But it 327 00:14:52,840 --> 00:14:56,160 Speaker 1: just reminds me of Amy seeing her kid's bikes being 328 00:14:56,240 --> 00:14:58,760 Speaker 1: rolled around the neighborhood by the people that stole their bikes. 329 00:14:59,440 --> 00:15:02,480 Speaker 1: M yeah, road right past us and you try to 330 00:15:02,480 --> 00:15:04,840 Speaker 1: stop him. Yeah, My kids bikes were very specific. They 331 00:15:04,840 --> 00:15:06,640 Speaker 1: were stolen out of our garage. And then a few 332 00:15:06,640 --> 00:15:08,960 Speaker 1: weeks later, we were down at the park and these 333 00:15:09,000 --> 00:15:11,400 Speaker 1: kids come rolling by and my son's like, hello, looks 334 00:15:11,400 --> 00:15:13,920 Speaker 1: like my bike and I'm looking to say, you know 335 00:15:13,960 --> 00:15:16,120 Speaker 1: what it is. So I go running after them and 336 00:15:16,160 --> 00:15:18,800 Speaker 1: I confront them and said, hey, those are my kids 337 00:15:18,800 --> 00:15:20,960 Speaker 1: bikes and they said they got them from a friend 338 00:15:21,520 --> 00:15:25,440 Speaker 1: and they might have right. Yeah. I mean it was 339 00:15:25,520 --> 00:15:28,480 Speaker 1: definitely dangerous and a police officer later told me that 340 00:15:28,520 --> 00:15:31,240 Speaker 1: I should have never done that ever. But guess who 341 00:15:31,320 --> 00:15:33,560 Speaker 1: got the bikes back? And that's another good news story, 342 00:15:33,600 --> 00:15:35,600 Speaker 1: Amy Me, I guess who got robbed a week later? 343 00:15:37,200 --> 00:15:39,240 Speaker 1: That was the scary part, was like, these people know 344 00:15:39,280 --> 00:15:42,000 Speaker 1: exactly where I live. Did you ever see the kids 345 00:15:42,040 --> 00:15:44,880 Speaker 1: after that? The same kids? Yes, in fact, one of 346 00:15:44,920 --> 00:15:46,880 Speaker 1: the boys, and I would try to speak to him often, 347 00:15:47,000 --> 00:15:49,320 Speaker 1: said he lived with his grandma. One time he asked 348 00:15:49,320 --> 00:15:51,000 Speaker 1: me if I had a dollar, and I said, why, yes, 349 00:15:51,040 --> 00:15:53,080 Speaker 1: I do. I just wanted to show him some compassion 350 00:15:53,080 --> 00:15:54,680 Speaker 1: and kindness and that I wasn't going to hold him 351 00:15:54,680 --> 00:15:58,080 Speaker 1: against them. And you know, there's room for second chances, 352 00:15:58,760 --> 00:16:01,400 Speaker 1: and there's room him in their garage now for a 353 00:16:01,400 --> 00:16:04,440 Speaker 1: new bike. And we moved and then I'm talking about 354 00:16:04,440 --> 00:16:06,800 Speaker 1: the person in the story, isn't Yeah, Amy moved different 355 00:16:06,880 --> 00:16:09,600 Speaker 1: ending all right, that is what it's all about, right there. 356 00:16:10,200 --> 00:16:13,880 Speaker 1: That was tell me something good about to have George 357 00:16:13,920 --> 00:16:16,600 Speaker 1: Burge in. Here's our thirty second bio on George Burge. 358 00:16:16,840 --> 00:16:19,680 Speaker 1: He is from Austin, Texas. You may have known him 359 00:16:19,720 --> 00:16:23,600 Speaker 1: from the duo Waterloo Revival. He's a solo artist now 360 00:16:24,040 --> 00:16:26,200 Speaker 1: and he decided after that he wasn't gonna be an 361 00:16:26,240 --> 00:16:29,280 Speaker 1: artist at all. But Clay Walker said, Bro, we're writing songs. 362 00:16:29,280 --> 00:16:31,240 Speaker 1: But I don't know if clay Walker's up, bro, but 363 00:16:31,280 --> 00:16:33,560 Speaker 1: he said, you put your songs upon TikTok, and so 364 00:16:33,600 --> 00:16:35,880 Speaker 1: he did and it kind of took off because he 365 00:16:36,040 --> 00:16:39,000 Speaker 1: is really, really good. He's a big barbecue guy. He 366 00:16:39,160 --> 00:16:41,720 Speaker 1: played golf at the University of Texas, and he just 367 00:16:41,720 --> 00:16:44,520 Speaker 1: celebrated his tenth anniversary with his wife Kara. They have 368 00:16:44,560 --> 00:16:46,560 Speaker 1: two kids. So I'm a big fan of this guy 369 00:16:46,600 --> 00:16:51,800 Speaker 1: right here, George Burge. Great story, great artist. Let's go 370 00:16:52,360 --> 00:16:56,240 Speaker 1: on the Bobby Bones Show now, George, George, are you buddy? 371 00:16:56,600 --> 00:16:59,160 Speaker 1: I'm doing great, man, It's really really good to be here. 372 00:17:00,040 --> 00:17:04,200 Speaker 1: You know. I don't know what inspired Maybe I saw 373 00:17:04,240 --> 00:17:05,600 Speaker 1: something online that was really good and I was like, 374 00:17:05,600 --> 00:17:07,919 Speaker 1: we gotta get George in the studio. Were we talking 375 00:17:07,920 --> 00:17:13,280 Speaker 1: online recently or something? Man? So, first off, benefit of 376 00:17:13,320 --> 00:17:15,200 Speaker 1: years forever, growing up in Austin, been listening to you 377 00:17:15,240 --> 00:17:17,640 Speaker 1: on the radio forever. And I'm sitting on my couch 378 00:17:17,680 --> 00:17:20,000 Speaker 1: one night. I had just posted like a little story 379 00:17:20,000 --> 00:17:22,000 Speaker 1: about being on the road with Gary Allen, and I 380 00:17:22,040 --> 00:17:24,360 Speaker 1: covered one of his songs in my post. And I'm 381 00:17:24,359 --> 00:17:26,480 Speaker 1: sitting on the couch and I scroll and I see 382 00:17:26,520 --> 00:17:29,360 Speaker 1: your name commenting on it, and I'm about fell out him. Yeah. 383 00:17:29,400 --> 00:17:32,639 Speaker 1: I was like, that's really good. Yeah, that's what it is. 384 00:17:32,720 --> 00:17:34,320 Speaker 1: And then I took that and I pushed a little 385 00:17:34,400 --> 00:17:36,119 Speaker 1: arrow and I sent it over to school with Steve's account, 386 00:17:36,119 --> 00:17:37,280 Speaker 1: and I said, hey, book, George would like to have 387 00:17:37,400 --> 00:17:39,280 Speaker 1: him up on the show. I was just looking for 388 00:17:39,440 --> 00:17:41,240 Speaker 1: stuff on instat I mean, I guess that's what I 389 00:17:41,240 --> 00:17:43,080 Speaker 1: do now. I don't even go search full songs. I'm 390 00:17:43,080 --> 00:17:45,760 Speaker 1: just like looking for people playing on Instagram. And George 391 00:17:45,800 --> 00:17:47,880 Speaker 1: is really good anyway, and you got a little heat 392 00:17:47,880 --> 00:17:50,240 Speaker 1: on you right now. Man, life has been really good. 393 00:17:50,840 --> 00:17:53,880 Speaker 1: You know. I've been in Nashville almost eight years now, 394 00:17:53,880 --> 00:17:56,280 Speaker 1: which is wild, and you know, you bang your head 395 00:17:56,280 --> 00:17:59,520 Speaker 1: against the wall forever and then finally somethings start working out. 396 00:17:59,600 --> 00:18:01,719 Speaker 1: And this last year has kind of felt like a dream. Man. 397 00:18:01,760 --> 00:18:05,280 Speaker 1: We've been touring, we've been recording music, and it feels 398 00:18:05,320 --> 00:18:08,959 Speaker 1: like it might actually work. Man. So it's it's too 399 00:18:09,040 --> 00:18:11,639 Speaker 1: like it feels like it might work for me. I'd 400 00:18:11,640 --> 00:18:13,520 Speaker 1: like to do a couple of things, George before we 401 00:18:13,520 --> 00:18:16,800 Speaker 1: get to your music, if you haven't heard it, I'm 402 00:18:16,800 --> 00:18:18,760 Speaker 1: gonna get to his song beer Beer Truck Truck in 403 00:18:18,800 --> 00:18:20,399 Speaker 1: a second, because I think we had you on the 404 00:18:20,440 --> 00:18:23,600 Speaker 1: phone when that went viral. But there was a girl 405 00:18:23,640 --> 00:18:26,440 Speaker 1: on TikTok who said, all country songs say beer, beer 406 00:18:26,480 --> 00:18:28,960 Speaker 1: truck truck, and here's the club of that beer Beer 407 00:18:29,080 --> 00:18:33,720 Speaker 1: truck truck girls in tight teens. So she said that's 408 00:18:33,720 --> 00:18:36,560 Speaker 1: all country music was. Then you did something that was 409 00:18:36,600 --> 00:18:38,639 Speaker 1: pretty clever. You actually made a song about it, but 410 00:18:38,680 --> 00:18:40,320 Speaker 1: you kind of flipped it a little bit. Here's a 411 00:18:40,320 --> 00:18:51,639 Speaker 1: clip of George's beer Beer Truck Truck you. So what 412 00:18:51,720 --> 00:18:53,320 Speaker 1: you did is you said, hey, it ain't always and 413 00:18:53,480 --> 00:18:56,720 Speaker 1: you start beer beer truck truck. So whenever you get 414 00:18:56,760 --> 00:18:59,400 Speaker 1: the idea for that, do you go, Okay, this could 415 00:18:59,440 --> 00:19:02,320 Speaker 1: be really dumb or this could be like really clever. 416 00:19:02,640 --> 00:19:04,280 Speaker 1: Were you kind of or did you know you had 417 00:19:04,280 --> 00:19:08,240 Speaker 1: something there? So it was, um, almost like a stars 418 00:19:08,280 --> 00:19:11,320 Speaker 1: aligning kind of week. I was in Galveston, Texas. Um, 419 00:19:11,400 --> 00:19:13,320 Speaker 1: Clay Walker had invited me to his house to write 420 00:19:13,320 --> 00:19:19,600 Speaker 1: for his record. I like it, we gotta lay the 421 00:19:19,600 --> 00:19:22,520 Speaker 1: ground work here. Um. But I had basically just told 422 00:19:22,520 --> 00:19:24,280 Speaker 1: Clay that I was I was probably not going to 423 00:19:24,359 --> 00:19:26,399 Speaker 1: do the artist thing anymore, not because I didn't want to, 424 00:19:26,440 --> 00:19:28,240 Speaker 1: just because I had been trying forever and I could 425 00:19:28,280 --> 00:19:30,240 Speaker 1: not figure out how to make it work. And so 426 00:19:30,280 --> 00:19:31,880 Speaker 1: I'm sitting there on the edge of the couch waiting 427 00:19:31,920 --> 00:19:33,639 Speaker 1: for Clay to change my life with this advice, and 428 00:19:33,680 --> 00:19:35,399 Speaker 1: he says, uh, you need to put your songs on 429 00:19:35,400 --> 00:19:42,119 Speaker 1: TikTok and Clay late fifties sixty you know, he tells 430 00:19:42,200 --> 00:19:44,919 Speaker 1: you you gotta get on TikTok. Wow, And man, I 431 00:19:44,960 --> 00:19:46,760 Speaker 1: wish you could have seen my eyes roll. I literally 432 00:19:46,760 --> 00:19:49,040 Speaker 1: put nothing into it. Like, I was like, man, that's 433 00:19:49,040 --> 00:19:51,600 Speaker 1: a bummer. Um, but we go. I go back to 434 00:19:51,600 --> 00:19:53,200 Speaker 1: my room to get showered up before we're going out 435 00:19:53,200 --> 00:19:55,000 Speaker 1: for dinner for the night, and something in me was like, 436 00:19:55,000 --> 00:19:57,720 Speaker 1: you know what, just try it, and so I downloaded 437 00:19:57,720 --> 00:20:00,760 Speaker 1: the app. Um. I have like six followers, mom my sister, 438 00:20:01,040 --> 00:20:03,960 Speaker 1: a couple of fake accounts, and that's it. And the 439 00:20:04,000 --> 00:20:05,640 Speaker 1: first thing I do is I clicked the country music 440 00:20:05,680 --> 00:20:08,480 Speaker 1: hashtag and I see that video. And I was already 441 00:20:08,520 --> 00:20:10,800 Speaker 1: in like a good headspace from my writing songs for 442 00:20:10,840 --> 00:20:12,199 Speaker 1: the week, and I was like, man, wouldn't it be 443 00:20:12,200 --> 00:20:15,200 Speaker 1: funny if I took her words and wrote a song 444 00:20:15,200 --> 00:20:17,280 Speaker 1: out of it, kind of as a rebuttal. And then 445 00:20:17,440 --> 00:20:20,239 Speaker 1: we went to dinner and Clay's like, open it up. 446 00:20:20,240 --> 00:20:22,880 Speaker 1: How'd it do? In that three hours, I'd gone from 447 00:20:22,880 --> 00:20:25,879 Speaker 1: like six to twenty thousand followers, and all of a sudden, 448 00:20:25,880 --> 00:20:27,600 Speaker 1: it's got like hundreds of thousand views. And there's all 449 00:20:27,600 --> 00:20:30,320 Speaker 1: these comments, and then a week goes by and I've 450 00:20:30,359 --> 00:20:32,679 Speaker 1: got one hundred thousand followers, and there's thousands and thousands 451 00:20:32,720 --> 00:20:35,159 Speaker 1: of comments saying that I need to finish the song, 452 00:20:35,640 --> 00:20:37,080 Speaker 1: and I'm like, man, I've kind of gotten myself in 453 00:20:37,119 --> 00:20:38,840 Speaker 1: a predicament. I'm gonna have to put out a song 454 00:20:38,840 --> 00:20:43,320 Speaker 1: called Beer Beer Truck Truck. So I sat down and 455 00:20:43,359 --> 00:20:45,160 Speaker 1: I finished it as best I could, and I actually 456 00:20:45,200 --> 00:20:47,040 Speaker 1: sent it to this girl. Her name is Aaron Chambers, 457 00:20:47,040 --> 00:20:49,800 Speaker 1: and we actually developed a bit of a relationship. She's awesome, 458 00:20:50,640 --> 00:20:53,200 Speaker 1: and she told me that she actually grew up a 459 00:20:53,200 --> 00:20:56,120 Speaker 1: country music fan, got away from it, but this song 460 00:20:56,160 --> 00:20:58,119 Speaker 1: gave her a bunch of nostalgian that she really liked it. 461 00:20:58,119 --> 00:21:00,120 Speaker 1: And I actually brought her on as a songwriter with me, 462 00:21:00,840 --> 00:21:03,880 Speaker 1: and we put a songwriter on. I did so because 463 00:21:03,880 --> 00:21:06,080 Speaker 1: this song has got over ten million streams, so she's 464 00:21:06,080 --> 00:21:07,919 Speaker 1: made a little money off. She actually just text me 465 00:21:07,960 --> 00:21:12,480 Speaker 1: that she's like, these royalty checks are pretty fun. She's 466 00:21:12,480 --> 00:21:15,960 Speaker 1: an elementary school music teacher just outside of Charlotte, North Carolina. 467 00:21:16,040 --> 00:21:17,720 Speaker 1: So the story got I mean, it's one of those 468 00:21:17,720 --> 00:21:19,879 Speaker 1: things you can't make up. Just the stars aligned and 469 00:21:21,160 --> 00:21:23,240 Speaker 1: you know, sometimes it just works out. It was really cool. 470 00:21:23,359 --> 00:21:27,520 Speaker 1: That's so. George Burgs is here and I'm gonna have 471 00:21:27,560 --> 00:21:29,359 Speaker 1: you played this song and then we'll talk about it 472 00:21:29,400 --> 00:21:32,439 Speaker 1: afterward because it's pretty interesting how and why you cut it. 473 00:21:32,480 --> 00:21:35,840 Speaker 1: But this is mind on you. George is here, George, 474 00:21:35,840 --> 00:21:37,440 Speaker 1: you want to introduce he's playing with you here. Yeah, 475 00:21:37,480 --> 00:21:39,080 Speaker 1: this is my guitar player. And one of my best 476 00:21:39,080 --> 00:21:41,720 Speaker 1: friends is Daniel Newell over here on guitar and harmonies. 477 00:21:41,920 --> 00:21:44,480 Speaker 1: So Daniel, you will know that you first are a 478 00:21:44,480 --> 00:21:46,399 Speaker 1: guitar player and second and best friends, so I always 479 00:21:46,400 --> 00:21:49,600 Speaker 1: know your role. Yeah, he's my best friend that plays guitar. 480 00:21:51,200 --> 00:22:07,960 Speaker 1: All right, here's George burrsh go ahead, George, baby, you're 481 00:22:08,200 --> 00:22:12,360 Speaker 1: out on fire. They lat me up and loud of control, 482 00:22:13,359 --> 00:22:17,960 Speaker 1: you know, my baby, Or I don't drink little tap shit, 483 00:22:18,119 --> 00:22:24,080 Speaker 1: it'll get me gone. Hold on, we're bull over the road. 484 00:22:24,119 --> 00:22:28,880 Speaker 1: Then we're going down right now. All I can think about. 485 00:22:29,440 --> 00:22:33,000 Speaker 1: I got my mind on you, ain't you on? My man? 486 00:22:33,400 --> 00:22:35,719 Speaker 1: Got these four wheels on a tune lane and were 487 00:22:35,760 --> 00:22:38,840 Speaker 1: cutting through the night. Got you why in my head? 488 00:22:39,240 --> 00:22:42,720 Speaker 1: All love on my lips, ugging on these curves like 489 00:22:42,920 --> 00:22:47,000 Speaker 1: them jeans on your hips every time you are being 490 00:22:47,200 --> 00:22:51,000 Speaker 1: looking like you do. I got my hands in my eyes, 491 00:22:51,160 --> 00:22:54,200 Speaker 1: in my mind on you. I got my mind on it. 492 00:22:54,600 --> 00:23:00,280 Speaker 1: I got my mind on I got my man I 493 00:23:00,359 --> 00:23:13,920 Speaker 1: know you. I got a man, I got a man. 494 00:23:14,080 --> 00:23:20,160 Speaker 1: O you come on. Great job, George Burge, Thank you. 495 00:23:20,240 --> 00:23:23,480 Speaker 1: Let's follow George on Instagram. George b I r g E. 496 00:23:23,840 --> 00:23:25,159 Speaker 1: If I ask you to play a little bit of 497 00:23:25,200 --> 00:23:27,159 Speaker 1: beer beer truck Truck and the Gary Allen cover? Do 498 00:23:27,160 --> 00:23:31,240 Speaker 1: you know them both? Um? Yeah, I think yeah, No, 499 00:23:31,320 --> 00:23:32,960 Speaker 1: I can blame your truck truck. I don't know about 500 00:23:32,960 --> 00:23:36,399 Speaker 1: the Gary Allen cover. If I if I yeah, I 501 00:23:36,440 --> 00:23:38,080 Speaker 1: could play the chorus of it. Probably that's all I 502 00:23:38,119 --> 00:23:41,040 Speaker 1: care about. George. Yeah, because I'm deciding here if I 503 00:23:41,080 --> 00:23:43,000 Speaker 1: wanted to do another segment for whether you or not, 504 00:23:43,200 --> 00:23:44,720 Speaker 1: and if you can't do it, you're just gonna have 505 00:23:44,760 --> 00:23:46,840 Speaker 1: to go. Yes, You're gonna have to go. Just you 506 00:23:46,920 --> 00:23:49,640 Speaker 1: Just always say yes, George, Yes, just remember always say 507 00:23:49,720 --> 00:23:56,119 Speaker 1: yes on the Bobby Bones Show. Now, George burg So 508 00:23:56,280 --> 00:23:59,080 Speaker 1: turns out I was on Instagram and I saw George 509 00:23:59,080 --> 00:24:01,040 Speaker 1: play this song, play me a little bit of the 510 00:24:01,080 --> 00:24:03,080 Speaker 1: Gary Allen cover? What song did you do on Instagram, 511 00:24:03,119 --> 00:24:04,840 Speaker 1: it would be you that's brought one of my favorite 512 00:24:04,880 --> 00:24:07,199 Speaker 1: Gary Allan songs. So it's like, um, if it was 513 00:24:07,280 --> 00:24:14,000 Speaker 1: a drink, it would be a strong one. If it 514 00:24:14,240 --> 00:24:21,320 Speaker 1: was a sense song, it would be. If it was 515 00:24:21,359 --> 00:24:29,120 Speaker 1: a color, it would be deep deep blue. And if 516 00:24:29,119 --> 00:24:35,399 Speaker 1: we're talking about a harding, it would be wouldn't you 517 00:24:35,440 --> 00:24:38,120 Speaker 1: invite him to come up here for you? Yeah? Yeah, 518 00:24:38,119 --> 00:24:41,640 Speaker 1: that's awesome, Georgie Bird. So you grew up in Austin, Texas, Yes, sir, 519 00:24:41,800 --> 00:24:44,480 Speaker 1: you're born there, Born and raised in Austin, Texas. Actually 520 00:24:44,560 --> 00:24:46,920 Speaker 1: never lived anywhere else till I moved here. Really this show, 521 00:24:47,160 --> 00:24:49,000 Speaker 1: Born and raised in Austin, Texas. I know the whole 522 00:24:49,040 --> 00:24:51,360 Speaker 1: show many times in high school where I was late 523 00:24:51,359 --> 00:24:54,360 Speaker 1: to class listening to the show. I appreciate that. So 524 00:24:54,520 --> 00:24:55,879 Speaker 1: you live in Austin, when do you decide to make 525 00:24:55,880 --> 00:24:58,919 Speaker 1: the move to Nashville. I moved to Nashville at the 526 00:24:59,000 --> 00:25:02,000 Speaker 1: end of twenty fourteen. And actually I never really like 527 00:25:02,720 --> 00:25:04,320 Speaker 1: thought I would play music for a living. It was 528 00:25:04,320 --> 00:25:06,160 Speaker 1: always something that I loved. I did in high school. 529 00:25:06,200 --> 00:25:08,000 Speaker 1: I grew up on Sixth Street, exits on my hands 530 00:25:08,000 --> 00:25:10,280 Speaker 1: and a little band, and we kept it going in 531 00:25:10,359 --> 00:25:13,600 Speaker 1: college and stuff, and I try to be responsible and 532 00:25:13,600 --> 00:25:17,320 Speaker 1: get a desk job and just kind I worked in 533 00:25:17,600 --> 00:25:21,399 Speaker 1: commercial real estate doing business development, and I was like 534 00:25:21,840 --> 00:25:24,280 Speaker 1: a number cruncher at a at a financial firm too. 535 00:25:24,359 --> 00:25:26,360 Speaker 1: So were you like always itching though to get out 536 00:25:26,359 --> 00:25:27,760 Speaker 1: and play even though you were doing that? Were you 537 00:25:27,760 --> 00:25:29,840 Speaker 1: playing locally or just give it up for a while? Man? 538 00:25:29,880 --> 00:25:32,080 Speaker 1: We just played locally. It was like, didn't even tour, 539 00:25:32,119 --> 00:25:33,679 Speaker 1: just did it because I love it. I would, um, 540 00:25:33,920 --> 00:25:35,239 Speaker 1: you know, it was one of those jobs right out 541 00:25:35,280 --> 00:25:37,320 Speaker 1: of college where you're working until nine ten pm every night, 542 00:25:37,400 --> 00:25:38,800 Speaker 1: and I would get out of work and we'd go 543 00:25:38,840 --> 00:25:42,000 Speaker 1: rehearse till one am and then go back to work 544 00:25:42,000 --> 00:25:44,520 Speaker 1: the next morning. And then we'd play Friday Saturday nights 545 00:25:45,000 --> 00:25:47,080 Speaker 1: in little dive bars in Austin. And it kind of started, 546 00:25:47,119 --> 00:25:48,440 Speaker 1: you know, a couple of friends would show up, and 547 00:25:48,480 --> 00:25:51,040 Speaker 1: then all of a sudden, it started getting bigger and bigger, 548 00:25:51,040 --> 00:25:53,880 Speaker 1: and we started just packing out these local venues. And 549 00:25:53,920 --> 00:25:55,680 Speaker 1: then we were doing a show for a local station 550 00:25:55,720 --> 00:26:00,280 Speaker 1: in Austin, and I met one of the guys that 551 00:26:00,640 --> 00:26:03,240 Speaker 1: ran one of the stations, and uh, you know, like 552 00:26:03,320 --> 00:26:05,240 Speaker 1: everybody else, this is the time of burn CDs I 553 00:26:05,280 --> 00:26:06,840 Speaker 1: was like, hey, man, I got this demo, like, can 554 00:26:06,840 --> 00:26:09,120 Speaker 1: I give you a demo my burn CD? And um, 555 00:26:09,160 --> 00:26:10,560 Speaker 1: he took it and he called me back the next 556 00:26:10,640 --> 00:26:12,440 Speaker 1: day and he's like, you're the first person I've I've 557 00:26:12,440 --> 00:26:13,920 Speaker 1: ever called back that gave me a demo? Do you 558 00:26:13,960 --> 00:26:16,640 Speaker 1: mind if I send this up to Nashville? And that's 559 00:26:16,640 --> 00:26:21,919 Speaker 1: what he did, and some just mailed into the city, 560 00:26:24,000 --> 00:26:27,200 Speaker 1: and uh, it just a couple of lucky breaks got 561 00:26:27,240 --> 00:26:29,840 Speaker 1: me here, some big people believing in me. And um, 562 00:26:29,880 --> 00:26:31,440 Speaker 1: you know, I've been here for a minute now and 563 00:26:31,800 --> 00:26:35,560 Speaker 1: had a couple things almost take off, been knocking at 564 00:26:35,600 --> 00:26:38,440 Speaker 1: the door for a minute. But this last year of 565 00:26:38,680 --> 00:26:40,680 Speaker 1: you know, beer beer truck truck went crazy. I got 566 00:26:40,680 --> 00:26:43,520 Speaker 1: to sign a record deal and um, make my first 567 00:26:43,640 --> 00:26:46,080 Speaker 1: full length record and started touring a little bit and 568 00:26:46,160 --> 00:26:48,560 Speaker 1: opening up for some guys like Gary Allen and Jake 569 00:26:48,600 --> 00:26:51,080 Speaker 1: Owen and Brantley, guys that I've like that hung the 570 00:26:51,080 --> 00:26:52,960 Speaker 1: moon for me. You know that I've idolized my whole life. 571 00:26:52,960 --> 00:26:56,240 Speaker 1: So um, this past year has definitely I mean I'm 572 00:26:56,240 --> 00:26:57,840 Speaker 1: out here hanging out with you man, this is this 573 00:26:57,840 --> 00:27:01,320 Speaker 1: past year has been a world turning downward. I think 574 00:27:01,320 --> 00:27:03,480 Speaker 1: that's pretty would you play a verse of chorus a 575 00:27:03,520 --> 00:27:05,680 Speaker 1: beer bear truck truck. Yeah? Man, if you missed the 576 00:27:05,760 --> 00:27:08,560 Speaker 1: last segment, what happened was a girls on TikTok going 577 00:27:08,640 --> 00:27:11,000 Speaker 1: all I hear a country songs a beer beard truck truck, 578 00:27:11,240 --> 00:27:12,840 Speaker 1: and then Georgia was like, oh, let miss h I 579 00:27:12,840 --> 00:27:15,359 Speaker 1: could write that. So so when I wrote it, I 580 00:27:15,400 --> 00:27:16,640 Speaker 1: kind of sat down on the edge of my bed 581 00:27:16,640 --> 00:27:18,520 Speaker 1: and I was like, Okay, beer beer truck truck, girls 582 00:27:18,520 --> 00:27:20,280 Speaker 1: and tight jeans. Yes, we are guilty of that at 583 00:27:20,280 --> 00:27:22,359 Speaker 1: country music, like whether we care to admit it or not, Like, 584 00:27:22,600 --> 00:27:24,640 Speaker 1: and we all love that too. And this was kind 585 00:27:24,680 --> 00:27:26,360 Speaker 1: of like, um, what I came up with as far 586 00:27:26,359 --> 00:27:27,800 Speaker 1: as like the verse in the story. So it'd be 587 00:27:27,800 --> 00:27:33,280 Speaker 1: like somewhere on a dirt road, somewhere with a stars 588 00:27:33,400 --> 00:27:38,000 Speaker 1: turn blue, somewhere on a tilgate on a bag, just dreaming. 589 00:27:38,119 --> 00:27:42,199 Speaker 1: Baout you. I know you think I'm crazy, Addie, just 590 00:27:42,359 --> 00:27:46,400 Speaker 1: living slow. No, I can't blame your baby just oh 591 00:27:46,560 --> 00:27:51,800 Speaker 1: you should know it ain't a baby truck dosing him 592 00:27:51,960 --> 00:27:58,199 Speaker 1: sat jeans, small trading due out. You're missing me. I 593 00:27:58,440 --> 00:28:04,800 Speaker 1: know the city come go baby's ritual bangs. Oh yeah, 594 00:28:05,080 --> 00:28:10,800 Speaker 1: hearing the con when you play alive is even better. Yeah, 595 00:28:10,800 --> 00:28:14,280 Speaker 1: that's awesome. U. So that you're single now that you 596 00:28:14,320 --> 00:28:15,960 Speaker 1: played a minute ago, ray, would you play a little 597 00:28:16,000 --> 00:28:21,439 Speaker 1: bit of mind on you? I got my man. You know, 598 00:28:21,440 --> 00:28:25,040 Speaker 1: when I hear this song, I can hear and maybe 599 00:28:25,080 --> 00:28:26,719 Speaker 1: because I kind of know the story a little bit, 600 00:28:26,720 --> 00:28:29,359 Speaker 1: I can hear Aldine singing this song. It sounds like 601 00:28:29,640 --> 00:28:31,440 Speaker 1: when Aldine like wants to do that a couple of 602 00:28:31,440 --> 00:28:33,439 Speaker 1: songs where he tried to act sexy, Like this sounds 603 00:28:33,440 --> 00:28:36,879 Speaker 1: like one of those songs he's singing. You know everyone 604 00:28:36,880 --> 00:28:38,640 Speaker 1: and you're like, that's a catchy song. It's kind of weird, 605 00:28:38,680 --> 00:28:41,920 Speaker 1: but when he sings it, but I can feel that 606 00:28:42,120 --> 00:28:43,920 Speaker 1: vibe in it. So he had that song on hold 607 00:28:44,360 --> 00:28:46,600 Speaker 1: when I was kind of on the verge of like 608 00:28:46,680 --> 00:28:49,960 Speaker 1: potentially not doing the artist thing anymore. Um, I was 609 00:28:50,040 --> 00:28:53,520 Speaker 1: really focusing on writing songs and so um Culte Ford 610 00:28:54,040 --> 00:28:55,640 Speaker 1: one of the first big artists to believe in me 611 00:28:55,680 --> 00:28:57,920 Speaker 1: and give me a chance. And um, me and him 612 00:28:57,920 --> 00:29:00,000 Speaker 1: were in the writer's room and um, not really right 613 00:29:00,240 --> 00:29:02,160 Speaker 1: for anything specific, just trying to write a great song. 614 00:29:02,240 --> 00:29:04,120 Speaker 1: And we finished it and I didn't really have a 615 00:29:04,160 --> 00:29:05,959 Speaker 1: way to put it out and it wasn't what he 616 00:29:06,000 --> 00:29:08,120 Speaker 1: does as an artist, so we're like, let's send it 617 00:29:08,160 --> 00:29:11,880 Speaker 1: to Jason Aldeen and twenty four hours later we get 618 00:29:11,880 --> 00:29:14,040 Speaker 1: an email with his entire team c seed on it 619 00:29:14,040 --> 00:29:15,840 Speaker 1: and they're like, hey, don't play this for anybody else. 620 00:29:16,720 --> 00:29:19,200 Speaker 1: Alden wants to hold it for his new record. And 621 00:29:20,160 --> 00:29:23,280 Speaker 1: fast forward six months, this dumb song beer Beer Truck 622 00:29:23,320 --> 00:29:27,120 Speaker 1: Truck like blows up and completely changes my life. And 623 00:29:27,160 --> 00:29:29,400 Speaker 1: I've got record labels calling me and I'm like, I 624 00:29:29,520 --> 00:29:32,000 Speaker 1: just have no idea what's going on. My world is spinning, 625 00:29:32,520 --> 00:29:35,040 Speaker 1: and all of a sudden, I, you know, decide which 626 00:29:35,080 --> 00:29:36,680 Speaker 1: record label I'm gonna sign with, and I'm on the 627 00:29:36,760 --> 00:29:38,680 Speaker 1: phone with the head of that label and he's like, hey, man, 628 00:29:38,720 --> 00:29:42,000 Speaker 1: I've listened to all your stuff and I think mind 629 00:29:42,080 --> 00:29:43,800 Speaker 1: on You is your hit. I think that's a song 630 00:29:43,840 --> 00:29:47,080 Speaker 1: that changes your life. And I'm like, man, I'm in 631 00:29:47,160 --> 00:29:49,880 Speaker 1: trouble because I just gave it away, and he goes, well, 632 00:29:49,880 --> 00:29:51,800 Speaker 1: you need to call and ask for it back. And 633 00:29:52,640 --> 00:29:54,320 Speaker 1: they gave me my song back, man, which does not 634 00:29:54,480 --> 00:29:57,080 Speaker 1: happen that often. You know. It's they could have easily 635 00:29:57,080 --> 00:30:00,440 Speaker 1: told me to buzz off. And man, can't believe I 636 00:30:00,440 --> 00:30:01,520 Speaker 1: got to put it out with my name on it, 637 00:30:01,600 --> 00:30:04,960 Speaker 1: and I'm really really excited. I feel like we might 638 00:30:04,960 --> 00:30:06,320 Speaker 1: just be getting started and I can't wait to see 639 00:30:06,320 --> 00:30:08,520 Speaker 1: where it goes. George Berge got a self titled EP 640 00:30:08,640 --> 00:30:11,680 Speaker 1: out now. It's got five songs on it, including mind 641 00:30:11,720 --> 00:30:14,880 Speaker 1: on You and Beer Beer Truck Truck a few other songs. 642 00:30:14,880 --> 00:30:16,560 Speaker 1: So if you liked him here, I think you'll like this. 643 00:30:16,600 --> 00:30:19,080 Speaker 1: But you say you finished your whole record? Is that 644 00:30:19,120 --> 00:30:21,360 Speaker 1: coming out like more songs soon or should be coming 645 00:30:21,400 --> 00:30:25,560 Speaker 1: out this fall. I actually just got mixes in yesterday, 646 00:30:25,800 --> 00:30:27,480 Speaker 1: and I don't know if it's cool or not to 647 00:30:27,480 --> 00:30:29,000 Speaker 1: listen to your own music, but I think I've listened 648 00:30:29,000 --> 00:30:31,040 Speaker 1: to it like one hundred times. I'm just so excited 649 00:30:31,040 --> 00:30:33,960 Speaker 1: about this project. And we'll have the record coming out 650 00:30:34,000 --> 00:30:37,320 Speaker 1: hopefully in the fall, and doing a bunch of touring too, 651 00:30:37,440 --> 00:30:40,440 Speaker 1: So I'm feeling very blessed right now. That's what's up, George. 652 00:30:40,520 --> 00:30:42,160 Speaker 1: Great appearance. This is one of those we were going 653 00:30:42,200 --> 00:30:43,760 Speaker 1: to do one segment and we did too because it 654 00:30:43,800 --> 00:30:45,880 Speaker 1: was so good and I rarely do that. If I'm 655 00:30:45,880 --> 00:30:48,520 Speaker 1: being honest with you, Bobby, I cannot thank you enough. Man. 656 00:30:48,680 --> 00:30:50,920 Speaker 1: It is really special, and thank you for believing me 657 00:30:50,960 --> 00:30:52,680 Speaker 1: and having us up here. Well, and I know this 658 00:30:52,760 --> 00:30:55,760 Speaker 1: is radio, so listeners some in their cars like can't 659 00:30:55,840 --> 00:30:58,880 Speaker 1: see the smile on his face, like when he hopefully 660 00:30:58,920 --> 00:31:01,040 Speaker 1: they can hear it. But when ever you're telling a story, 661 00:31:01,080 --> 00:31:03,200 Speaker 1: you're talking about your songs, are looking at like you've 662 00:31:03,240 --> 00:31:05,920 Speaker 1: the smile and this on your face, and it just 663 00:31:06,120 --> 00:31:08,360 Speaker 1: means I hope it's coming through. Well, you look fifteen. 664 00:31:08,640 --> 00:31:12,360 Speaker 1: And what about this beard, man, I've been working hard, 665 00:31:12,720 --> 00:31:18,520 Speaker 1: struggle beard. Yeah, it looks like you've been working. Yeah. 666 00:31:18,520 --> 00:31:20,600 Speaker 1: All right, there he is George Birds follow him at 667 00:31:20,720 --> 00:31:23,840 Speaker 1: George Burge on Instagram or George Birds Official on TikTok. 668 00:31:24,160 --> 00:31:27,000 Speaker 1: Not the unofficial guy because that guy's a douche. Unofficial 669 00:31:27,000 --> 00:31:28,960 Speaker 1: George Burgh. All right there he is George burs Or 670 00:31:29,040 --> 00:31:32,840 Speaker 1: let's coop him out of here. Nice job. This couple 671 00:31:32,880 --> 00:31:35,440 Speaker 1: bought this house and then they were doing home renovations 672 00:31:35,440 --> 00:31:38,480 Speaker 1: to this house and they found bones underneath it. And 673 00:31:38,640 --> 00:31:40,600 Speaker 1: first they were like, wonder what an animal. It's human 674 00:31:40,680 --> 00:31:44,680 Speaker 1: human bones. They found human bones underneath their house. Kathidy 675 00:31:44,760 --> 00:31:47,880 Speaker 1: Cassel and Eaton Merit bought their house in March and 676 00:31:47,960 --> 00:31:51,240 Speaker 1: they were trying to renovate it, and then they found 677 00:31:51,320 --> 00:31:54,840 Speaker 1: bones and newspaper from the nineteen sixties, so not even 678 00:31:54,880 --> 00:31:58,320 Speaker 1: like eighteen hundreds, I like nineteen sixties, Like I wonder. 679 00:32:00,080 --> 00:32:03,240 Speaker 1: They just say they're oddly large. And he was under 680 00:32:03,240 --> 00:32:06,400 Speaker 1: it gets doing some electrical wiring and just thought it 681 00:32:06,480 --> 00:32:09,040 Speaker 1: was like an animal or something, but they were really big. 682 00:32:09,320 --> 00:32:13,040 Speaker 1: What do you think it wooly mammothon, we got a 683 00:32:13,080 --> 00:32:15,280 Speaker 1: wooly but there it's massive and it's a bone, like 684 00:32:15,360 --> 00:32:18,640 Speaker 1: when you see the skeleton in the classroom and you 685 00:32:18,720 --> 00:32:22,200 Speaker 1: see like the the fibula, like it's a long, long 686 00:32:22,320 --> 00:32:25,600 Speaker 1: leg bone. Yes, it's that. They're super long and they're 687 00:32:25,640 --> 00:32:30,800 Speaker 1: clean bones. So they're like, all right, that's the deal. 688 00:32:31,200 --> 00:32:33,800 Speaker 1: And everybody freaked out. And then they realized it was 689 00:32:33,800 --> 00:32:37,200 Speaker 1: a large goose. Oh yeah, yeah, yeah, yeah. It looks 690 00:32:37,240 --> 00:32:40,120 Speaker 1: like human bones though, but for a long time it 691 00:32:40,160 --> 00:32:43,040 Speaker 1: was human bones to everybody. They all felt like, yes, no, 692 00:32:43,160 --> 00:32:49,080 Speaker 1: it's a long bone. Wow, so human. But I wanted 693 00:32:49,080 --> 00:32:50,840 Speaker 1: to walk you through their emotions while they were feeling 694 00:32:50,840 --> 00:32:51,920 Speaker 1: it as well. They had to like shut it down 695 00:32:51,960 --> 00:32:56,800 Speaker 1: because they thought too it was murdered into there. Amy's 696 00:32:56,840 --> 00:33:00,200 Speaker 1: pile of stories. Deritos has a new flavor coming out 697 00:33:00,240 --> 00:33:03,840 Speaker 1: called tangy tamarind and apparently this is the first time 698 00:33:03,920 --> 00:33:07,840 Speaker 1: this flavor has ever been used for a snack and 699 00:33:07,880 --> 00:33:11,080 Speaker 1: it's like a tangy treat with like a kick of 700 00:33:11,120 --> 00:33:14,000 Speaker 1: heat that'll pop in. And so I googled why wouldn't 701 00:33:14,040 --> 00:33:17,640 Speaker 1: tamaraiin be used? And apparently side effects of this or 702 00:33:17,720 --> 00:33:20,840 Speaker 1: acid reflex and high risk of dental problems. Oh wow, 703 00:33:20,920 --> 00:33:23,120 Speaker 1: I never heard of tamarin me neither. Oh I have 704 00:33:23,240 --> 00:33:27,360 Speaker 1: when down South Texas it was Tamarindo was the ingredients. 705 00:33:27,400 --> 00:33:30,240 Speaker 1: So it's a thing. So it's a regional thing. You 706 00:33:30,240 --> 00:33:33,719 Speaker 1: know what else would give me dental problems and hot 707 00:33:34,320 --> 00:33:38,600 Speaker 1: acid reflex, frostate whatever that is, Yeah, anything hot. So 708 00:33:38,640 --> 00:33:41,560 Speaker 1: it must just be a real like pepper type kick 709 00:33:41,760 --> 00:33:43,479 Speaker 1: like all the candies we would eat. His kids, they 710 00:33:43,480 --> 00:33:45,360 Speaker 1: would say acid on him and would be like, m 711 00:33:45,480 --> 00:33:47,120 Speaker 1: I don't care. But it was it was so good. 712 00:33:47,120 --> 00:33:51,960 Speaker 1: It was wow. Okay, I thought when I read that 713 00:33:52,000 --> 00:33:55,160 Speaker 1: it was some sort of fruit. Yeah, a tamarino like 714 00:33:55,160 --> 00:33:57,120 Speaker 1: a mandarin. That's what I thought. It was a mandarin. 715 00:33:57,840 --> 00:34:00,640 Speaker 1: That's what else if you find those doritos with caution 716 00:34:01,280 --> 00:34:04,160 Speaker 1: which speaking of caution and things, that might end you 717 00:34:04,240 --> 00:34:06,720 Speaker 1: up in the ear. I have funny ways celebrities ended 718 00:34:06,760 --> 00:34:10,480 Speaker 1: up at the hospital. Okay, I'm ready. Christie Teagan, she 719 00:34:10,600 --> 00:34:14,040 Speaker 1: wants bit into a suspicious orange and her lips swelled 720 00:34:14,120 --> 00:34:17,080 Speaker 1: up due to a major allergic reaction and she had 721 00:34:17,120 --> 00:34:19,480 Speaker 1: to go to the r Why was it suspicious? Well, 722 00:34:19,520 --> 00:34:21,279 Speaker 1: I don't know. It like whistling. I guess it ended 723 00:34:21,320 --> 00:34:23,960 Speaker 1: up a suspicion. Nothing to see here, I did it 724 00:34:23,960 --> 00:34:26,360 Speaker 1: was a different color. It's just an orange. Probably allergic 725 00:34:26,360 --> 00:34:29,160 Speaker 1: to it? Right? Yeah? Okay? Did me Lovado cut her 726 00:34:29,200 --> 00:34:32,240 Speaker 1: forehead open with a healing crystal? I heard a suspicious 727 00:34:32,280 --> 00:34:34,560 Speaker 1: healing crystal. Oh, I should have known, because it was suspicious. 728 00:34:34,800 --> 00:34:37,479 Speaker 1: To be careful with that. Galdego cut off the tip 729 00:34:37,560 --> 00:34:41,000 Speaker 1: of her finger while day drinking and cooking. Okay, and 730 00:34:41,040 --> 00:34:42,719 Speaker 1: I guess her husband was so grossed out by this 731 00:34:42,719 --> 00:34:45,240 Speaker 1: severed tip that he quickly threw it in the garbage disposal, 732 00:34:45,320 --> 00:34:50,720 Speaker 1: so they weren't able to even her finger like that. Sorry, anybody, 733 00:34:50,760 --> 00:34:52,520 Speaker 1: I have to go to the hospital for something really dumb. 734 00:34:53,160 --> 00:34:56,080 Speaker 1: If you Ray, I saw Ray hit a microphone button. 735 00:34:56,440 --> 00:34:58,719 Speaker 1: Do you Ray, do you have anything? Yeah? I did? 736 00:34:58,719 --> 00:35:00,000 Speaker 1: When I cut off my tongue. I was in the 737 00:35:00,080 --> 00:35:02,080 Speaker 1: shopping cart and I tipped out. But I was young, 738 00:35:02,360 --> 00:35:04,400 Speaker 1: it's not when I was older. You fell out and 739 00:35:04,400 --> 00:35:06,160 Speaker 1: cut your tongue. Yeo, I like part of it off. 740 00:35:06,360 --> 00:35:08,600 Speaker 1: Yeah it's still off. No, No No, it's back. I'm good. 741 00:35:08,600 --> 00:35:11,839 Speaker 1: Now you're a backling starfish. You're a starfish. Yeah, that's 742 00:35:11,880 --> 00:35:15,400 Speaker 1: cool for generation. Yeah, okay, all right. Halsey was loading 743 00:35:15,400 --> 00:35:19,160 Speaker 1: the dishwasher when she slammed her ankle into the door 744 00:35:19,280 --> 00:35:24,000 Speaker 1: and actually fractured it. And then lastly, Candice Cameron had 745 00:35:24,040 --> 00:35:26,680 Speaker 1: a hand injury when her brother Kirk Cameron drove over 746 00:35:26,719 --> 00:35:30,400 Speaker 1: it with golf cart. All right, now that I'm physically 747 00:35:30,400 --> 00:35:33,640 Speaker 1: feeling comfortable, what's the next segment. Well, Dolly Pardon was 748 00:35:33,680 --> 00:35:37,160 Speaker 1: talking about how therapeutic writing music has been for her, 749 00:35:37,200 --> 00:35:39,960 Speaker 1: and she said, yeah, that is her therapy. She never 750 00:35:40,080 --> 00:35:42,680 Speaker 1: had to go to a therapist because songwriting is what 751 00:35:42,920 --> 00:35:45,439 Speaker 1: heals her. And I was like, oh, dang, I wish 752 00:35:45,520 --> 00:35:47,880 Speaker 1: I had something that didn't make me go to therapy 753 00:35:47,960 --> 00:35:50,520 Speaker 1: once a week. PlayStation. I tell my wife that I'm 754 00:35:50,520 --> 00:35:52,759 Speaker 1: like it heals me my mental health. I need to 755 00:35:52,760 --> 00:35:55,400 Speaker 1: play PlayStation. That's what I do. And you know, I 756 00:35:55,400 --> 00:35:57,319 Speaker 1: shouldn't do you only buy it, didn't I don't really 757 00:35:57,360 --> 00:35:59,839 Speaker 1: think that's a Yeah, she's cool. Was it not being 758 00:36:00,080 --> 00:36:04,080 Speaker 1: mental health tool? And yeah, if I'm emitting it, I'm lying. Yeah. 759 00:36:04,920 --> 00:36:07,759 Speaker 1: But that's good that you do have awareness that PlayStation 760 00:36:07,840 --> 00:36:10,239 Speaker 1: relaxes you. I'm probablying about that. I just like it, 761 00:36:10,239 --> 00:36:13,640 Speaker 1: but you also need some probably like interaction and feedback. Yeah, 762 00:36:13,640 --> 00:36:15,040 Speaker 1: I do all that. Yeah, all right, that it I 763 00:36:15,160 --> 00:36:18,880 Speaker 1: mean me. That's my pile. That was Amy's pile of stories. 764 00:36:19,360 --> 00:36:27,560 Speaker 1: It's time for the good news. Midori Edwards reached out 765 00:36:27,600 --> 00:36:31,279 Speaker 1: to her local news station, Denverse seven after she got 766 00:36:31,320 --> 00:36:35,120 Speaker 1: straight up scammed by a mechanic. He was so shady, 767 00:36:35,239 --> 00:36:38,640 Speaker 1: he took money. She's pregnant, she's already a single mom 768 00:36:38,680 --> 00:36:40,880 Speaker 1: with a toddler, and he said he was going to 769 00:36:41,000 --> 00:36:43,080 Speaker 1: pick up some parts for her and then he just 770 00:36:43,120 --> 00:36:45,400 Speaker 1: straight up never returned took her money. So she's like, 771 00:36:45,480 --> 00:36:47,680 Speaker 1: people need to know about this. So when the news 772 00:36:47,719 --> 00:36:50,680 Speaker 1: reported the story, the community felt for her and they 773 00:36:50,719 --> 00:36:53,920 Speaker 1: decided to start making donations to cover the money that 774 00:36:53,960 --> 00:36:56,640 Speaker 1: she had lost so she could get her car repaired. Well. 775 00:36:56,680 --> 00:36:59,920 Speaker 1: Then budget A one transmission stepped up and said, we're 776 00:37:00,080 --> 00:37:01,640 Speaker 1: going to go ahead and repair your car for free, 777 00:37:01,719 --> 00:37:03,839 Speaker 1: so you keep that money to get yourself well back 778 00:37:03,920 --> 00:37:06,800 Speaker 1: up on you some money too. Then den Verse seven 779 00:37:07,360 --> 00:37:10,480 Speaker 1: decided to send her on a shopping spree to prepare 780 00:37:10,600 --> 00:37:13,400 Speaker 1: for the birth of her new baby and get everything 781 00:37:13,440 --> 00:37:15,560 Speaker 1: that she would need. So and they just kept like 782 00:37:15,680 --> 00:37:18,600 Speaker 1: I see you and I raise you. Yes, And she's like, dang, 783 00:37:18,600 --> 00:37:20,680 Speaker 1: all this good stuff's happening to me. I'll take it. 784 00:37:20,760 --> 00:37:22,359 Speaker 1: But she was literally in a place where she said 785 00:37:22,400 --> 00:37:24,600 Speaker 1: she had pretty much lost all hope in humanity, and 786 00:37:24,640 --> 00:37:28,520 Speaker 1: this completely restored it. I'm there in that place about 787 00:37:28,960 --> 00:37:32,080 Speaker 1: four thirty every morning. Oh yeah, yeah. I hate waking 788 00:37:32,160 --> 00:37:35,239 Speaker 1: up really lost hope in all humanity myself even That's 789 00:37:35,239 --> 00:37:36,839 Speaker 1: what I feel like every morning when I wake up. 790 00:37:36,880 --> 00:37:43,399 Speaker 1: When does that change? Eight thirty? Yeah, yeah, basically when 791 00:37:43,400 --> 00:37:45,399 Speaker 1: I'm waking up a little bit. Good for them, Good 792 00:37:45,400 --> 00:37:48,040 Speaker 1: for them for stepping up. Did they ever catch the guy? 793 00:37:48,120 --> 00:37:51,359 Speaker 1: Do you know? I mean she definitely outed him, but 794 00:37:51,400 --> 00:37:54,279 Speaker 1: so they didn't find him, and oh beat him up? 795 00:37:54,400 --> 00:37:56,319 Speaker 1: Listen that one not I don't know. That's not tell 796 00:37:56,360 --> 00:38:00,120 Speaker 1: me something leave that up, all right, great story, that 797 00:38:00,239 --> 00:38:03,120 Speaker 1: is what it's all about. That was tell me something good. 798 00:38:05,120 --> 00:38:07,080 Speaker 1: Do you like a quirky house or do you like 799 00:38:07,120 --> 00:38:10,040 Speaker 1: your house kind of standard? Oh? I like when it's 800 00:38:10,080 --> 00:38:13,279 Speaker 1: a little more eclectic. Well, this house in Ohio has 801 00:38:13,280 --> 00:38:15,359 Speaker 1: two jail cells in it. Oh no, it's like it's 802 00:38:15,360 --> 00:38:19,160 Speaker 1: like a regular house for me. Quirky, Yeah, but has 803 00:38:19,160 --> 00:38:24,240 Speaker 1: two jail cells. Everything else are normal because they built around. 804 00:38:24,280 --> 00:38:26,640 Speaker 1: They left the jail cells in that space and they 805 00:38:26,640 --> 00:38:29,600 Speaker 1: rebuilt the house. Yeah, two hundred, about thousand dollars if 806 00:38:29,600 --> 00:38:32,240 Speaker 1: you want to get the house. The cells are allegedly 807 00:38:32,239 --> 00:38:35,359 Speaker 1: the ones that held John Dillinger at the Allen County Jail. 808 00:38:35,440 --> 00:38:38,120 Speaker 1: But again they the jail went down, the house went up, 809 00:38:38,120 --> 00:38:41,600 Speaker 1: but they left that there. The house is pretty awesome looking. 810 00:38:43,560 --> 00:38:45,759 Speaker 1: If the house was awesome, he liked everything about it, 811 00:38:46,200 --> 00:38:48,640 Speaker 1: but the jail cells stayed in it. Would you buy 812 00:38:48,680 --> 00:38:52,479 Speaker 1: the house? Yeah? I would. I would have to renovate this. No, okay, 813 00:38:52,719 --> 00:38:55,480 Speaker 1: just say it held the gangster in there. That's cool. 814 00:38:56,400 --> 00:38:59,440 Speaker 1: It's actually pretty cool in that, and you know somebody 815 00:38:59,480 --> 00:39:02,440 Speaker 1: actually get locked in. Yeah, Eddie would come over something funny. 816 00:39:04,680 --> 00:39:06,719 Speaker 1: But it's an awesome house and there are just two 817 00:39:06,840 --> 00:39:08,839 Speaker 1: random jail cells in it, Like by the kitchen, are 818 00:39:08,840 --> 00:39:11,799 Speaker 1: their toilets in there. Um, yeah, there and one of them. No, 819 00:39:12,080 --> 00:39:14,400 Speaker 1: it's like a double bench. It almost looks like a 820 00:39:14,440 --> 00:39:17,920 Speaker 1: holding room for when there's seven or eight folks waiting, 821 00:39:18,280 --> 00:39:20,320 Speaker 1: and then the other one beside it is a small 822 00:39:20,320 --> 00:39:23,200 Speaker 1: one where there is like a little sink situation, a 823 00:39:23,239 --> 00:39:25,200 Speaker 1: little sink. I guess you can pee in the sink 824 00:39:25,200 --> 00:39:29,440 Speaker 1: if you need to. But crazy, but I like it. 825 00:39:29,560 --> 00:39:31,520 Speaker 1: I like a quirky house. The problem I get into 826 00:39:31,640 --> 00:39:34,200 Speaker 1: is I see something and we have this issue with 827 00:39:34,280 --> 00:39:35,879 Speaker 1: our house now, and I'm like, this would be so fun. 828 00:39:35,920 --> 00:39:37,879 Speaker 1: And then eventually got to resell it if you move, 829 00:39:37,880 --> 00:39:39,279 Speaker 1: and you're like, when nobody else wants to buy that 830 00:39:39,320 --> 00:39:41,600 Speaker 1: quirk that I thought was so fun? So I thought 831 00:39:41,600 --> 00:39:43,399 Speaker 1: that was pretty fun too. Under say about a thousand buction. 832 00:39:43,480 --> 00:39:46,440 Speaker 1: Get this house built nineteen seventy two, and they just 833 00:39:46,440 --> 00:39:48,799 Speaker 1: refused to tear down the jail celles because they thought 834 00:39:48,800 --> 00:39:50,720 Speaker 1: it was a part of history. It's not a contract 835 00:39:50,719 --> 00:39:52,359 Speaker 1: that it's selling right now, all right, It's go over 836 00:39:52,400 --> 00:39:58,680 Speaker 1: to Amy and get in the morning, corny, morning, corny. 837 00:39:59,000 --> 00:40:03,879 Speaker 1: Why to bananas sunscreen? Why do banan as you sunscreen 838 00:40:04,120 --> 00:40:13,560 Speaker 1: so they don't peel? All right? That was the morning corning. 839 00:40:15,080 --> 00:40:17,799 Speaker 1: So one wakes up and she sees that an intruder 840 00:40:18,000 --> 00:40:21,480 Speaker 1: was sleeping on her couch, like got in, they were stealing, 841 00:40:21,480 --> 00:40:24,000 Speaker 1: they're breaking in and I don't know if they were 842 00:40:24,080 --> 00:40:25,799 Speaker 1: drunk or I don't know what was happening, but they 843 00:40:25,840 --> 00:40:28,640 Speaker 1: fell asleep and they're on the couch. So she called 844 00:40:28,719 --> 00:40:32,839 Speaker 1: nine one one, and the dispatcher said, the police are busy. 845 00:40:33,360 --> 00:40:37,440 Speaker 1: I wake him up. Oh no, and she was like, 846 00:40:37,480 --> 00:40:39,520 Speaker 1: no way. She's like, I'm not doing that. So the 847 00:40:39,560 --> 00:40:42,200 Speaker 1: cops showed up, you know, twenty minutes later or so. 848 00:40:42,880 --> 00:40:46,920 Speaker 1: Here is her talking about the situation. I walked halfway 849 00:40:46,960 --> 00:40:50,920 Speaker 1: down the stairs and there was a strange man lying 850 00:40:51,040 --> 00:40:54,200 Speaker 1: right here on my couch. They said that the police 851 00:40:54,200 --> 00:40:57,880 Speaker 1: were really busy, and would we mind waking them up ourselves? 852 00:40:58,440 --> 00:41:01,160 Speaker 1: That's crazy. It's not your uncle who fell watching football Thankgiving, 853 00:41:01,360 --> 00:41:02,279 Speaker 1: you know, it was over at the house, like, hey, 854 00:41:02,320 --> 00:41:04,560 Speaker 1: wake himup, putting let him go to bed. It's somebody 855 00:41:04,600 --> 00:41:06,120 Speaker 1: who was trying to break into your house, who may 856 00:41:06,160 --> 00:41:09,239 Speaker 1: do bad things in general. I was thinking about this. 857 00:41:09,280 --> 00:41:11,080 Speaker 1: If I wouldn't woke up mill of night there somebody 858 00:41:11,080 --> 00:41:13,319 Speaker 1: on my couch, what would I do? Like, I gotta 859 00:41:13,360 --> 00:41:17,719 Speaker 1: think quick before I called nine one one. I would 860 00:41:17,880 --> 00:41:20,920 Speaker 1: run and get well, it's fairly close. I'd get my 861 00:41:21,040 --> 00:41:23,640 Speaker 1: gun and I would put it on him and I'd 862 00:41:23,680 --> 00:41:25,680 Speaker 1: wake him up. With a gun on him, I would 863 00:41:25,760 --> 00:41:27,719 Speaker 1: wake him up. I would, But now I wouldn't nudge 864 00:41:27,760 --> 00:41:30,839 Speaker 1: and be like, hey, hey, hey, buddy, angel, Hey, you'll 865 00:41:30,920 --> 00:41:32,960 Speaker 1: keep moving week. No, I would take I would take 866 00:41:32,960 --> 00:41:34,640 Speaker 1: the gun and I would hold it on him and 867 00:41:34,800 --> 00:41:39,560 Speaker 1: go hey hey, and I would wake him up that way, 868 00:41:39,800 --> 00:41:42,080 Speaker 1: and any movement at all like aggression, I would just 869 00:41:42,080 --> 00:41:44,799 Speaker 1: shoot him home. Oh my god, he's in your house. 870 00:41:44,880 --> 00:41:46,440 Speaker 1: He's coming at you. I'm for sure shoot him. I 871 00:41:46,440 --> 00:41:47,920 Speaker 1: have my house broken into, I've been jumped, I've had 872 00:41:47,920 --> 00:41:50,799 Speaker 1: it all. There's and Caitlin's in the bed. There's no 873 00:41:51,000 --> 00:41:55,160 Speaker 1: chance that any of that is happening. If that is 874 00:41:55,160 --> 00:41:56,560 Speaker 1: what I would do, and I would call nine one 875 00:41:56,680 --> 00:41:58,680 Speaker 1: one and I would say I got him and I'm 876 00:41:58,680 --> 00:42:02,280 Speaker 1: holding him here the end. Now, if he runs away, 877 00:42:02,360 --> 00:42:03,880 Speaker 1: if it's back as too, many's running out of the house, 878 00:42:03,920 --> 00:42:05,160 Speaker 1: I'm not gonna shot him in the back. I'm gonna 879 00:42:05,200 --> 00:42:07,279 Speaker 1: le him run out of the house. But if he 880 00:42:07,280 --> 00:42:09,439 Speaker 1: comes to me anyway, I's gonna shot him. And so 881 00:42:09,560 --> 00:42:11,200 Speaker 1: that that is what I would do. I was thinking, 882 00:42:11,239 --> 00:42:13,120 Speaker 1: what would I do, like im media, what I do? 883 00:42:13,320 --> 00:42:15,520 Speaker 1: I grab the gun, hold it on him, and then 884 00:42:15,520 --> 00:42:18,200 Speaker 1: wait till the cops got there. Um, and then if 885 00:42:18,239 --> 00:42:19,840 Speaker 1: he got a little fancy, I should do under a 886 00:42:19,840 --> 00:42:24,920 Speaker 1: speed and go dance movies. There's somebody on your couch, Amy, 887 00:42:25,080 --> 00:42:26,920 Speaker 1: what do you do? I'm calling nine one one, Like, 888 00:42:26,960 --> 00:42:30,280 Speaker 1: I find my phone and I go and I quietly call, 889 00:42:30,719 --> 00:42:32,799 Speaker 1: and I'm just like, send somebody here, and hopefully they 890 00:42:32,800 --> 00:42:35,279 Speaker 1: stay asleep until everyone can get there. They probably will 891 00:42:35,280 --> 00:42:37,640 Speaker 1: because they're probably passed out, like harder than just being 892 00:42:37,680 --> 00:42:40,520 Speaker 1: a little sleepy. What you would probably need to do 893 00:42:40,719 --> 00:42:43,160 Speaker 1: is go grab your phone, calling then one nine one one, 894 00:42:43,200 --> 00:42:46,040 Speaker 1: and lock yourself in a room or place that he 895 00:42:46,160 --> 00:42:48,080 Speaker 1: can't get to even if he wakes up. No. But 896 00:42:48,120 --> 00:42:49,719 Speaker 1: then I think about my kids in their upstairs. You 897 00:42:49,760 --> 00:42:51,719 Speaker 1: gotta make sure they're good too, that's the thing. First 898 00:42:51,760 --> 00:42:53,680 Speaker 1: thing first, Yeah, Amy's like, and then I'm in there 899 00:42:53,680 --> 00:42:56,719 Speaker 1: and I'm like, what about my kid? No? No, no, no, 900 00:42:56,920 --> 00:42:58,560 Speaker 1: even if you have to go lock yourself with them, 901 00:42:58,560 --> 00:43:01,000 Speaker 1: but you yeah, I'd make sure that you're not able 902 00:43:01,040 --> 00:43:04,279 Speaker 1: to be touched or attacked by the guy Eddie. I 903 00:43:04,320 --> 00:43:08,080 Speaker 1: am grabbing my kids quietly calling nine one one getting him, 904 00:43:08,120 --> 00:43:10,600 Speaker 1: and we're all going outside the house. And we're gonna 905 00:43:10,600 --> 00:43:12,840 Speaker 1: call him outside the house and maybe knock on a 906 00:43:12,840 --> 00:43:14,600 Speaker 1: neighbor's house and tell him, like, hey, we need to 907 00:43:14,640 --> 00:43:16,759 Speaker 1: hang out here for a second. You're exposed. Though they 908 00:43:16,800 --> 00:43:19,160 Speaker 1: say he comes out, they sees you. We're right. We 909 00:43:19,200 --> 00:43:21,319 Speaker 1: have the whole world. Though, to run your door not 910 00:43:21,400 --> 00:43:26,040 Speaker 1: make a noise like front door and my I don't know, no, 911 00:43:26,200 --> 00:43:28,279 Speaker 1: I mean Mima just makes a creek. Yeah, that's what 912 00:43:28,280 --> 00:43:33,320 Speaker 1: I'd be worried about. Lunch box. Listen, I'm going people's elbow. No, no, 913 00:43:34,520 --> 00:43:37,839 Speaker 1: you're not elbowing him like a wrestling match. Absolutely, and 914 00:43:37,880 --> 00:43:39,960 Speaker 1: then zip ties like cops do when they don't have 915 00:43:39,960 --> 00:43:42,680 Speaker 1: their handcuffs. Boom citizens a restaurant down the cow and 916 00:43:42,760 --> 00:43:45,680 Speaker 1: you have zip ties. Super well, I got great tape. 917 00:43:45,680 --> 00:43:48,280 Speaker 1: I drive the lows and I got a great tape. 918 00:43:48,320 --> 00:43:50,560 Speaker 1: As soon as you take the tape, opposities, you move him, 919 00:43:50,760 --> 00:43:54,719 Speaker 1: or you put a pillowcase over his head. Can't do nothing, 920 00:43:54,800 --> 00:43:57,400 Speaker 1: he won't wake up. Where am I no idea? How 921 00:43:57,440 --> 00:43:59,640 Speaker 1: you slam a pillowcase over and then you start punching him, yes, 922 00:43:59,719 --> 00:44:01,040 Speaker 1: and then he wakes up, I mean, don't know where 923 00:44:01,080 --> 00:44:03,200 Speaker 1: to go and got him? Does he have stars going 924 00:44:03,200 --> 00:44:06,239 Speaker 1: around his head? It's like a cartoon. I mean tell 925 00:44:06,280 --> 00:44:08,440 Speaker 1: me that wouldn't work. Yeah, it does. An anvil come 926 00:44:08,440 --> 00:44:09,680 Speaker 1: out of the sky and land on his head, and 927 00:44:09,719 --> 00:44:13,080 Speaker 1: then you citizens arrest him. Yep. I think that's probably 928 00:44:13,120 --> 00:44:15,560 Speaker 1: the worst idea of the four that can get somebody 929 00:44:15,640 --> 00:44:17,520 Speaker 1: hurt the worst. I don't even like, how do you 930 00:44:17,560 --> 00:44:20,920 Speaker 1: figure about this? That's you versus another dude. You're probably 931 00:44:20,960 --> 00:44:24,319 Speaker 1: not gonna win in that situation. He may have a gun. 932 00:44:24,480 --> 00:44:25,960 Speaker 1: What if you have duck takee duck take him to 933 00:44:26,040 --> 00:44:27,839 Speaker 1: the couch? I mean, come on, you to take him 934 00:44:27,840 --> 00:44:31,879 Speaker 1: to wherever. But it's gonna be tough. That's a weird story. 935 00:44:32,040 --> 00:44:34,520 Speaker 1: I felt bad for her, especially the nine one operators 936 00:44:34,560 --> 00:44:36,759 Speaker 1: like yeah, just wake him up, Like wait what no 937 00:44:37,320 --> 00:44:39,480 Speaker 1: cops got there. It ended up being all right, but 938 00:44:39,880 --> 00:44:44,719 Speaker 1: almost not a good situation. Starting tomorrow, we're giving away 939 00:44:44,719 --> 00:44:47,359 Speaker 1: five thousand bucks if you can win this game Two 940 00:44:47,440 --> 00:44:50,160 Speaker 1: Truths and a Lie. It's very easy game, it's very 941 00:44:50,160 --> 00:44:52,840 Speaker 1: old game, and we're doing it to celebrate the premiere 942 00:44:52,880 --> 00:44:55,399 Speaker 1: of my show Sneak in the Grass. It premieres Monday, 943 00:44:55,440 --> 00:44:57,920 Speaker 1: August first, on USA Network, which, by the way, I 944 00:44:57,960 --> 00:44:59,840 Speaker 1: guess I'm not supposed to really promote this, but tomorrow 945 00:45:00,040 --> 00:45:02,640 Speaker 1: an NBC. There's a whole episode after America's Got Talent. 946 00:45:02,760 --> 00:45:04,960 Speaker 1: It's like the preview episode, not promoting that, but I'm 947 00:45:05,000 --> 00:45:07,160 Speaker 1: just saying it'll be on tomorrow anyway. Snake in the 948 00:45:07,200 --> 00:45:11,759 Speaker 1: Grass August first, eleven, tenth Central on USA Bobbybones dot Com. 949 00:45:11,760 --> 00:45:14,319 Speaker 1: Because we need people to play, we're gonna do an 950 00:45:14,360 --> 00:45:17,560 Speaker 1: example round here. Now, this will be a glassroom example. 951 00:45:18,320 --> 00:45:21,160 Speaker 1: Lunchbox will be a fictional five thousand dollars for you. 952 00:45:22,800 --> 00:45:25,680 Speaker 1: That means not real. Yeah, that means fake. I can't 953 00:45:25,719 --> 00:45:30,040 Speaker 1: keep okay, So Raymundo, Scooba, Steven Abbey, you're each gonna 954 00:45:30,080 --> 00:45:32,320 Speaker 1: have a little story to tell you no longer the 955 00:45:32,400 --> 00:45:36,040 Speaker 1: fifteen seconds. Yes, lunchbox has to guess which one's the lie? 956 00:45:36,239 --> 00:45:40,600 Speaker 1: All right, of first, Raymundo, Raymondo, what's your story? Well, 957 00:45:40,640 --> 00:45:44,080 Speaker 1: I almost died when I was born in the womb. 958 00:45:44,120 --> 00:45:46,759 Speaker 1: The umbilical cord got wrapped around my brother and me. 959 00:45:46,960 --> 00:45:50,960 Speaker 1: We were life flighted to Utah, Salt Lake City. And 960 00:45:51,120 --> 00:45:55,760 Speaker 1: that's actually where I was born, not Michigan, so Utah. 961 00:45:55,840 --> 00:45:57,839 Speaker 1: So for those that have listened to the show, Ray 962 00:45:57,960 --> 00:46:00,279 Speaker 1: is a twin. By the way, I don't know the 963 00:46:00,320 --> 00:46:04,520 Speaker 1: answers either, Raise a twin, but he says they almost 964 00:46:04,560 --> 00:46:06,799 Speaker 1: didn't make it out alive and they had to go 965 00:46:06,800 --> 00:46:11,520 Speaker 1: to this. He said, uti uta ta Okay, there's raised story. Scooba, Steve, 966 00:46:11,520 --> 00:46:15,040 Speaker 1: our executive producer, give us your story please. So back 967 00:46:15,040 --> 00:46:17,200 Speaker 1: in twenty eleven, I was working in San Francisco and 968 00:46:17,320 --> 00:46:20,200 Speaker 1: radio and I spent several minutes talking with Ed Sheering 969 00:46:20,280 --> 00:46:22,440 Speaker 1: about the weather and some random stuff. But as I 970 00:46:22,480 --> 00:46:24,640 Speaker 1: was talking to him, I had no idea that it 971 00:46:24,680 --> 00:46:26,560 Speaker 1: was Ed Shearing. I just kept carrying on, talking and 972 00:46:26,600 --> 00:46:28,839 Speaker 1: talking and talking. It was at a station event before 973 00:46:28,840 --> 00:46:30,880 Speaker 1: about to have him come on and new performance, so 974 00:46:30,920 --> 00:46:33,480 Speaker 1: I should have known it was him. It was completely obvious, 975 00:46:33,680 --> 00:46:35,840 Speaker 1: but I just had no idea it was Ed Shearing. 976 00:46:36,800 --> 00:46:40,160 Speaker 1: Crab your story, all right, try or not? That was terrible. 977 00:46:40,560 --> 00:46:43,920 Speaker 1: That made the game for I mean, I know, I understand, 978 00:46:43,920 --> 00:46:46,759 Speaker 1: but you gotta have a better example than that. Let's 979 00:46:46,760 --> 00:46:50,520 Speaker 1: go let's go over to Abbey's. I think it was 980 00:46:50,600 --> 00:46:52,560 Speaker 1: just and how he told it. If he just said 981 00:46:52,880 --> 00:46:54,600 Speaker 1: he was at the radio station. He just hanging out 982 00:46:54,600 --> 00:46:56,120 Speaker 1: with some dude. He didn't know who it was, and 983 00:46:56,160 --> 00:46:57,960 Speaker 1: they were just talking getting ready for a big performance. 984 00:46:58,239 --> 00:47:00,960 Speaker 1: And then, you know, fifteen minutes I went by and 985 00:47:01,000 --> 00:47:02,080 Speaker 1: the guy was like, oh, I should go in there, 986 00:47:02,080 --> 00:47:03,279 Speaker 1: and he's like, oh, yeah, you're gonna go watch and 987 00:47:03,320 --> 00:47:09,479 Speaker 1: the guy goes up and it's cheering. That's pretty bad, 988 00:47:09,520 --> 00:47:12,440 Speaker 1: all right, Abby? Okay, So one time I was interviewed 989 00:47:12,480 --> 00:47:15,200 Speaker 1: on Good Morning America. I was in New York City, 990 00:47:15,320 --> 00:47:17,319 Speaker 1: Um to perform at Carnegie Hall with a group of 991 00:47:17,320 --> 00:47:20,439 Speaker 1: students with like a Western group, and um, Good Morning 992 00:47:20,480 --> 00:47:22,400 Speaker 1: America asked us to come on. And we were standing 993 00:47:22,400 --> 00:47:24,960 Speaker 1: behind like this cooking segment outside and they came up 994 00:47:25,000 --> 00:47:27,839 Speaker 1: to me interviewed me on like our experience at Carnegie Hall. 995 00:47:27,920 --> 00:47:30,840 Speaker 1: So it was cool. Okay, So part of that story, 996 00:47:30,880 --> 00:47:34,120 Speaker 1: you know, is true. Yeah, she went to Carnegal Hall, 997 00:47:34,239 --> 00:47:37,160 Speaker 1: yea Carnegal Hall. Yeah, you know, she went to New York. 998 00:47:37,200 --> 00:47:38,920 Speaker 1: You know she went to New York. Yeah, who knows 999 00:47:38,960 --> 00:47:41,480 Speaker 1: what she played Carnegie Hall, who knows whatever. Yeah, you 1000 00:47:41,520 --> 00:47:44,320 Speaker 1: know she went to New York to sing with a group. Yeah, 1001 00:47:44,440 --> 00:47:47,279 Speaker 1: so you didn't know that I don't remember that, Okay, Well, 1002 00:47:47,280 --> 00:47:50,400 Speaker 1: then anything anything with her singing I tuned out. You 1003 00:47:50,480 --> 00:47:53,480 Speaker 1: know you got three stories? Did Ray almost die in 1004 00:47:53,520 --> 00:47:59,680 Speaker 1: the womb with this twin brother? Did Scuba Steve? I 1005 00:47:59,680 --> 00:48:02,799 Speaker 1: don't know what he did? What shared chat with ed 1006 00:48:02,840 --> 00:48:09,840 Speaker 1: Shearon and not know? Or did Abby not get interviewed 1007 00:48:09,840 --> 00:48:12,000 Speaker 1: on Good Morning America? Now? Which ones a lie? Well? 1008 00:48:12,040 --> 00:48:15,040 Speaker 1: I know Ray is true? Like Ray almost died at birth, 1009 00:48:16,480 --> 00:48:19,239 Speaker 1: he went to Utah? What don't mean explains a lot? Well, 1010 00:48:19,400 --> 00:48:21,840 Speaker 1: I mean his brother's tall, he's short. I mean, I 1011 00:48:21,880 --> 00:48:23,920 Speaker 1: don't know, and I don't understand, like one of the 1012 00:48:23,960 --> 00:48:26,880 Speaker 1: two just didn't feed him properly. Yeah, and it's just 1013 00:48:26,920 --> 00:48:30,040 Speaker 1: weird that he would fly from Michigan to Utah. But 1014 00:48:30,520 --> 00:48:32,600 Speaker 1: I guess that's the nearest hospital. But I don't, I 1015 00:48:32,640 --> 00:48:35,520 Speaker 1: don't That's what I'm saying. I don't really understand that, 1016 00:48:35,560 --> 00:48:38,560 Speaker 1: but that that's just that's true. Like that just sounds 1017 00:48:38,560 --> 00:48:40,719 Speaker 1: true because I know a lot of kids that happens too. 1018 00:48:41,120 --> 00:48:45,560 Speaker 1: So Ray's is true. And listen, Scoopa is a radio nerd, 1019 00:48:46,000 --> 00:48:48,600 Speaker 1: like he is a nerd for music. He loves everything 1020 00:48:48,719 --> 00:48:51,160 Speaker 1: music for him not to know, ed Shearon, I just 1021 00:48:51,160 --> 00:48:55,000 Speaker 1: don't believe it. That's the lie. So Abby's is true? Yeah, 1022 00:48:55,040 --> 00:48:57,439 Speaker 1: I mean it is true. I don't know. I don't 1023 00:48:57,440 --> 00:49:00,000 Speaker 1: know anything about Good Morning America, so that could have happened. 1024 00:49:00,000 --> 00:49:02,279 Speaker 1: And I don't know how that show works. I don't know, 1025 00:49:03,000 --> 00:49:05,200 Speaker 1: you've never seen it. It works. Yeah, I don't know 1026 00:49:05,239 --> 00:49:08,279 Speaker 1: which one that is? Well, that could be confusing. So 1027 00:49:08,320 --> 00:49:10,279 Speaker 1: that's what I'm saying. She's a couple, or even the three, 1028 00:49:10,280 --> 00:49:12,399 Speaker 1: there's two big ones basically, like she said, she got 1029 00:49:12,440 --> 00:49:14,840 Speaker 1: interviewed in a crowd in Good Morning America about a 1030 00:49:14,840 --> 00:49:16,880 Speaker 1: cooking segment. I don't know which one do you think 1031 00:49:17,000 --> 00:49:20,840 Speaker 1: is for sure? For sure? True? Ray? Okay, hey, Ray? 1032 00:49:21,640 --> 00:49:27,120 Speaker 1: He says yours is true? Is it? It's true? So 1033 00:49:27,239 --> 00:49:30,120 Speaker 1: what happened? So do you know any more about that? Uh? Yeah, 1034 00:49:30,160 --> 00:49:32,320 Speaker 1: it wasn't Michigan. It was Wyoming, and we added to 1035 00:49:32,520 --> 00:49:34,640 Speaker 1: this private plane all the way to Utah. That was 1036 00:49:34,680 --> 00:49:37,280 Speaker 1: the closest hospital for I don't know, pediatricians or whatever. 1037 00:49:37,480 --> 00:49:40,040 Speaker 1: My brother almost died. I was there too. The umbilical 1038 00:49:40,120 --> 00:49:42,520 Speaker 1: cord they had to go in and unwrapid or whatever. 1039 00:49:42,560 --> 00:49:44,200 Speaker 1: That's how we were born. So, you guys, it sounds 1040 00:49:44,200 --> 00:49:46,359 Speaker 1: like we're kind of in like a wilderness e type 1041 00:49:46,360 --> 00:49:49,080 Speaker 1: area and a part of Utah was closest to where 1042 00:49:49,080 --> 00:49:51,920 Speaker 1: you were and wild yep. Okay, Ray, that's true. Lunchbox 1043 00:49:52,920 --> 00:49:58,960 Speaker 1: sniff that one out. Yeah yeah, Abbey, now hello, oh 1044 00:49:58,840 --> 00:50:02,799 Speaker 1: oh okay, he's now now in it. Well, No, Scooba's 1045 00:50:02,960 --> 00:50:06,840 Speaker 1: terrible story. He made a toilet terrible on purpose to 1046 00:50:06,880 --> 00:50:10,719 Speaker 1: make me think it's the lie? Are you switching it up? 1047 00:50:10,760 --> 00:50:12,040 Speaker 1: I didn't ask if you locked in, so you can 1048 00:50:12,080 --> 00:50:16,080 Speaker 1: still I'm not because I still stick with. Scuba is 1049 00:50:16,120 --> 00:50:18,839 Speaker 1: a radio nerd. He listens to music all the time. 1050 00:50:18,880 --> 00:50:21,520 Speaker 1: He knows who every artist is. He is dialed in 1051 00:50:21,520 --> 00:50:25,720 Speaker 1: on the music. Hey, Abby, Lunchbox says, your story is true. 1052 00:50:26,160 --> 00:50:27,920 Speaker 1: Now we know you were in a singing group. What 1053 00:50:28,000 --> 00:50:33,000 Speaker 1: was that group called the Prairie Rose Wranglers which tack Kansas. Yes, 1054 00:50:33,160 --> 00:50:34,960 Speaker 1: and you guys did go up and sing a Carnegie Hall? 1055 00:50:35,080 --> 00:50:37,160 Speaker 1: We did. And as part of your trip, did you 1056 00:50:37,160 --> 00:50:40,319 Speaker 1: guys go and stand outside of Good Morning America? And 1057 00:50:40,600 --> 00:50:43,040 Speaker 1: was there like a cooking segment? Yes, we're behind it. 1058 00:50:43,160 --> 00:50:51,439 Speaker 1: And did they interview you? They did? Five thousand dollars 1059 00:50:51,840 --> 00:50:55,400 Speaker 1: was real fiction? No dollars? Hey, Scuba, Steve, you do 1060 00:50:55,520 --> 00:50:58,719 Speaker 1: better I mean the delivery was a low week. As 1061 00:50:58,760 --> 00:51:00,640 Speaker 1: I'm reading it, I'm like, I'm not believing it myself 1062 00:51:00,680 --> 00:51:02,160 Speaker 1: because it wasn't true. And I'm like, wow, I can't 1063 00:51:02,160 --> 00:51:05,520 Speaker 1: even believe this, and I don't you gotta be a 1064 00:51:05,560 --> 00:51:08,239 Speaker 1: little bit and my head somewhere else, and so I 1065 00:51:08,280 --> 00:51:11,080 Speaker 1: just it was you want Lunchbox, congratulations, but you, I mean, 1066 00:51:11,120 --> 00:51:14,040 Speaker 1: you're heading somewhere else. We're on the air. But giving 1067 00:51:14,080 --> 00:51:17,120 Speaker 1: Scuba a not knowing a musical artist one is just 1068 00:51:17,239 --> 00:51:19,560 Speaker 1: not a believable thing. Here's what I'm gonna do, Lunchbox. 1069 00:51:20,160 --> 00:51:24,839 Speaker 1: I got another one. Oh no, no, I'm not giving 1070 00:51:24,840 --> 00:51:28,319 Speaker 1: you five thousand dollars. That's the listener starting tomorrow. Okay, 1071 00:51:28,840 --> 00:51:32,000 Speaker 1: but I have another one coming up in like twenty 1072 00:51:32,040 --> 00:51:33,960 Speaker 1: five minutes. Okay, here's what I'll do. We've already got 1073 00:51:34,000 --> 00:51:36,880 Speaker 1: the game done, got it? Oh? Was he in the 1074 00:51:36,920 --> 00:51:39,000 Speaker 1: next one? He can't play in it? Can we switch 1075 00:51:39,000 --> 00:51:40,600 Speaker 1: it up though and take him out of it? I 1076 00:51:40,640 --> 00:51:43,840 Speaker 1: think I've already seen then. Okay, I'll bet when I 1077 00:51:43,880 --> 00:51:45,919 Speaker 1: can help create a new one. I'm gonna give you 1078 00:51:47,960 --> 00:51:51,480 Speaker 1: twenty bucks if you win, you give me five if 1079 00:51:51,520 --> 00:51:55,480 Speaker 1: you lose. That's good. I can't control the game. Yeah, 1080 00:51:55,520 --> 00:51:58,640 Speaker 1: I like that. I'm down for that. Okay, twenty If 1081 00:51:58,680 --> 00:52:00,360 Speaker 1: you win, you give me five. If you lose, Boom, 1082 00:52:00,400 --> 00:52:03,360 Speaker 1: we'll play in like half an hour. I'm not touching you. 1083 00:52:04,040 --> 00:52:06,759 Speaker 1: Did you write your bike to no rain the forecast? 1084 00:52:07,400 --> 00:52:09,279 Speaker 1: You don't want to write in the rain? Oh I'm not. 1085 00:52:09,400 --> 00:52:14,239 Speaker 1: I'm not. I'm a cyclist, not dedicated rain. I'm fair weather. Ah, 1086 00:52:14,360 --> 00:52:16,600 Speaker 1: I like that, all right, weather. Well, I'm gonna play 1087 00:52:16,680 --> 00:52:19,239 Speaker 1: Jordan Davis by Dirt before I hit it, though. Let 1088 00:52:19,239 --> 00:52:22,040 Speaker 1: me say, ray, you can stout that song for one second. Thanks. 1089 00:52:22,120 --> 00:52:23,600 Speaker 1: I gotta tell you, guys, you can still get into 1090 00:52:23,640 --> 00:52:26,479 Speaker 1: play because we're gonna play all this week and all 1091 00:52:26,600 --> 00:52:29,280 Speaker 1: next week, and everybody that wins wins five thousand dollars 1092 00:52:29,440 --> 00:52:32,160 Speaker 1: with a chance to win twenty five thousand dollars or more, 1093 00:52:32,440 --> 00:52:34,480 Speaker 1: all to celebrate the premiere of my show Snake in 1094 00:52:34,560 --> 00:52:37,880 Speaker 1: the Grass on Monday, August first, at eleven tenth Central 1095 00:52:37,920 --> 00:52:41,759 Speaker 1: on USA. Please watch Hit up Bobbybones dot com for 1096 00:52:41,800 --> 00:52:45,040 Speaker 1: the rules and to sign up to play. I bet 1097 00:52:45,040 --> 00:52:47,839 Speaker 1: you Luke Hoombs sings that last song even though I'm 1098 00:52:47,960 --> 00:52:51,840 Speaker 1: leaving nine ago and nowhere different now, because yeah, it 1099 00:52:51,840 --> 00:52:55,240 Speaker 1: talks about having a kid and then you know, leaving 1100 00:52:55,800 --> 00:52:57,680 Speaker 1: to go to work or go they come back. And 1101 00:52:57,719 --> 00:52:59,320 Speaker 1: when he wrote it, he was like, that was perspective 1102 00:52:59,320 --> 00:53:02,200 Speaker 1: one of my co write. But I bet now when 1103 00:53:02,200 --> 00:53:04,879 Speaker 1: he sings it now that he has a kid, I'm 1104 00:53:04,920 --> 00:53:07,960 Speaker 1: sure he thinks of it as himself now and it 1105 00:53:08,040 --> 00:53:12,080 Speaker 1: probably makes him emotional now way after he wrote it, 1106 00:53:12,800 --> 00:53:15,279 Speaker 1: because of now what he's feeling. You know, I was 1107 00:53:15,320 --> 00:53:17,719 Speaker 1: thinking about that. Yeah, yeah, that's how I feel every 1108 00:53:17,760 --> 00:53:20,320 Speaker 1: time I leave. Caitlin even no I'm leaving and she's like, no, 1109 00:53:20,880 --> 00:53:23,759 Speaker 1: you're good, God, You're good. Go ahead, Leaf, all right, 1110 00:53:23,840 --> 00:53:29,239 Speaker 1: let's do the news. Bobby's story. Boy, this one was 1111 00:53:29,280 --> 00:53:31,600 Speaker 1: a doozy. It was such a doozy that I sent 1112 00:53:31,640 --> 00:53:33,080 Speaker 1: it to Mike on like Saturday, and I was like, 1113 00:53:33,480 --> 00:53:37,640 Speaker 1: I gotta talk about this story. So Elon Musk reportedly 1114 00:53:37,680 --> 00:53:40,440 Speaker 1: had an affair with the wife of Google co founder 1115 00:53:40,800 --> 00:53:45,480 Speaker 1: and longtime friends or gay Brand, prompting Sergey's divorce this year. 1116 00:53:46,040 --> 00:53:49,879 Speaker 1: Elon Musk denies it. These Musks in either own reality show, 1117 00:53:50,040 --> 00:53:51,799 Speaker 1: if they didn't have hundreds of billions of dollars, they'd 1118 00:53:51,800 --> 00:53:55,160 Speaker 1: probably do one. Elon Musk was involved reportedly in a 1119 00:53:55,239 --> 00:53:57,920 Speaker 1: romantic affair last fall with the wife of the Google 1120 00:53:58,200 --> 00:54:01,759 Speaker 1: co founder, a long time friend of Elon Musk. The 1121 00:54:01,760 --> 00:54:05,320 Speaker 1: affair allegedly prompted the Google guys divorce from Nicole Shanahan 1122 00:54:05,360 --> 00:54:11,719 Speaker 1: in January. You know, I just I would understand, not 1123 00:54:11,800 --> 00:54:13,360 Speaker 1: that I would agree with it, but I would understand. 1124 00:54:13,560 --> 00:54:18,000 Speaker 1: Let's say some woman is dating Ray and then Elon 1125 00:54:18,120 --> 00:54:21,080 Speaker 1: Musk comes in and it's like, I'm Elon, Elon Musk, 1126 00:54:21,320 --> 00:54:23,520 Speaker 1: and she's like, wow, you have hundreds of billions of dollars, 1127 00:54:24,560 --> 00:54:27,319 Speaker 1: so okay, and Ray's like, wait, what just happened here? 1128 00:54:27,480 --> 00:54:29,680 Speaker 1: I would understand that because Ray doesn't have hundreds of 1129 00:54:29,680 --> 00:54:31,360 Speaker 1: billions of dollars. How much money you got right in 1130 00:54:31,360 --> 00:54:35,080 Speaker 1: your bank account? Um? Thousand, okay, thousand bucks. So I 1131 00:54:35,120 --> 00:54:39,000 Speaker 1: would get that and go, well, she's not my type 1132 00:54:39,000 --> 00:54:42,680 Speaker 1: of person, but I understand why people would do that. Now, 1133 00:54:42,719 --> 00:54:47,560 Speaker 1: when this surgey guy has one hundred billion bucks and 1134 00:54:47,680 --> 00:54:50,799 Speaker 1: she leaves him for Elon, is Elon some sort of 1135 00:54:50,800 --> 00:54:54,680 Speaker 1: like wordsmith. He would be all right, I don't know, 1136 00:54:54,800 --> 00:54:57,960 Speaker 1: he just seems like a weird dude. I don't understand 1137 00:54:57,960 --> 00:55:00,960 Speaker 1: the appeal either, So there you go. Scember twenty twenty one. 1138 00:55:01,080 --> 00:55:05,799 Speaker 1: It happened. Supposedly they were still living together, La la la. 1139 00:55:06,080 --> 00:55:09,440 Speaker 1: Elon Musk is in the news again. His dad is 1140 00:55:09,480 --> 00:55:13,839 Speaker 1: saying these things like eat on or something. Oh it's 1141 00:55:13,840 --> 00:55:16,439 Speaker 1: something like that. It's something name that makes sense. So 1142 00:55:16,520 --> 00:55:19,439 Speaker 1: he's like, you know, going on this thing where women 1143 00:55:19,480 --> 00:55:24,280 Speaker 1: are begging him for a sperm because he has created Eaton. 1144 00:55:24,640 --> 00:55:27,000 Speaker 1: Interesting and he's his women are begging him for it. 1145 00:55:27,440 --> 00:55:32,400 Speaker 1: He's the same guy that married his stepdaughter. Remember I 1146 00:55:32,440 --> 00:55:35,080 Speaker 1: don't know if they married. They just had two kids. Uh, well, 1147 00:55:35,120 --> 00:55:38,720 Speaker 1: you know what, that's even worse. Yeah, and but someone 1148 00:55:38,760 --> 00:55:41,600 Speaker 1: who I think he raised since she was four years old. Yeah, 1149 00:55:41,680 --> 00:55:44,759 Speaker 1: three or four years old. So it's already weird and 1150 00:55:44,800 --> 00:55:46,920 Speaker 1: gross anyway, and maybe you think, well, maybe she was 1151 00:55:46,920 --> 00:55:50,600 Speaker 1: twenty five, but no, she was a kid, So that's 1152 00:55:50,840 --> 00:55:54,800 Speaker 1: a weird situation. Yeah. Errol isn't Errol Musk, r Ol 1153 00:55:54,960 --> 00:55:57,359 Speaker 1: never all Musk, not Eaton. You know, I like eat 1154 00:55:57,360 --> 00:55:59,960 Speaker 1: On a little better. Maybe his cousin. But he claimed 1155 00:56:00,280 --> 00:56:03,000 Speaker 1: that a company's been offering him money and the chance 1156 00:56:03,040 --> 00:56:06,480 Speaker 1: to donate his sperm. So there is we'll call him 1157 00:56:06,480 --> 00:56:10,080 Speaker 1: eat On eat On Musk. Officers in Pittsylvania shoot and 1158 00:56:10,239 --> 00:56:12,600 Speaker 1: kill a fifteen foot snake coiled around a man's neck. 1159 00:56:13,280 --> 00:56:15,240 Speaker 1: I was thinking about your lunchbox on this one, because 1160 00:56:15,239 --> 00:56:17,319 Speaker 1: you hate snakes so much. Yeah, I don't understand it. 1161 00:56:17,480 --> 00:56:19,760 Speaker 1: A police officer shot and killed a man's fifteen foot 1162 00:56:19,760 --> 00:56:22,960 Speaker 1: pet snake. How do you shoot it though? If it's 1163 00:56:23,000 --> 00:56:24,399 Speaker 1: on a neck? Do you have to put the gun 1164 00:56:24,480 --> 00:56:26,480 Speaker 1: up to it? And then do you make the guy 1165 00:56:26,600 --> 00:56:29,760 Speaker 1: turn at an angle so a bullet doesn't go through? Risky? 1166 00:56:30,680 --> 00:56:33,000 Speaker 1: So it happened to Wednesday about an hour North Philly 1167 00:56:33,200 --> 00:56:34,880 Speaker 1: police were called to the house of a twenty eight 1168 00:56:34,960 --> 00:56:37,319 Speaker 1: year old man at cardiac arrest. He was laying on 1169 00:56:37,360 --> 00:56:40,840 Speaker 1: the floor unconscious. Officers say the snake's midsection was wrapped 1170 00:56:40,840 --> 00:56:43,360 Speaker 1: around the man's throat, but that snake's head was just 1171 00:56:43,360 --> 00:56:45,960 Speaker 1: far enough away for the guy to shoot because they 1172 00:56:45,960 --> 00:56:50,160 Speaker 1: had to shoot while it was on him, but through 1173 00:56:50,200 --> 00:56:54,400 Speaker 1: the head, which wasn't exactly right in line with him. 1174 00:56:54,640 --> 00:56:57,000 Speaker 1: So neighbors that the offensive the guy holding the snake 1175 00:56:57,040 --> 00:56:59,439 Speaker 1: outside of his house or holding it in the house 1176 00:56:59,440 --> 00:57:03,080 Speaker 1: through his window. But remember, a wild animal will go 1177 00:57:03,239 --> 00:57:05,480 Speaker 1: fully wild animal on you. Even if it doesn't go 1178 00:57:05,520 --> 00:57:08,160 Speaker 1: wild animal ninety one other times, it still has a 1179 00:57:08,200 --> 00:57:11,360 Speaker 1: shot to go wild animal on you. That's from ABC seven, 1180 00:57:11,400 --> 00:57:14,359 Speaker 1: New York. Yeah, that is a that's a tough one there. 1181 00:57:15,680 --> 00:57:19,000 Speaker 1: So there's something if you go to a concert and 1182 00:57:19,080 --> 00:57:21,160 Speaker 1: you're like, dang, why are tickets so high? And it's 1183 00:57:21,200 --> 00:57:25,960 Speaker 1: not because of scalping. They have something called dynamic pricing, 1184 00:57:26,280 --> 00:57:30,360 Speaker 1: which is where the tickets can fluctuate based on how 1185 00:57:30,400 --> 00:57:33,840 Speaker 1: in demand they are. If this is allowed, it's a 1186 00:57:33,960 --> 00:57:37,880 Speaker 1: version of scalping kind of or sometimes I know they're 1187 00:57:37,920 --> 00:57:39,720 Speaker 1: artists in country music who buy up their own tickets 1188 00:57:39,720 --> 00:57:42,520 Speaker 1: and reselling theirselfs and it's a dirty oh yeah, and 1189 00:57:42,560 --> 00:57:44,680 Speaker 1: then they're like, oh, can't believe people are ripping off 1190 00:57:44,720 --> 00:57:46,560 Speaker 1: And they're like, no, bro, you're ripping your own fans off, 1191 00:57:46,560 --> 00:57:48,280 Speaker 1: and you're acting like somebody else is doing it. Who 1192 00:57:48,320 --> 00:57:53,760 Speaker 1: does that? No chance, no initials, no chance. So the 1193 00:57:53,960 --> 00:57:58,320 Speaker 1: Springsteen tickets are going for four to five thousand dollars 1194 00:57:58,320 --> 00:58:01,080 Speaker 1: for a pair of tickets because of dynamic pricing. I 1195 00:58:01,160 --> 00:58:03,200 Speaker 1: would just like to say this, if you come to 1196 00:58:03,400 --> 00:58:07,120 Speaker 1: comedically Inspirational my show, no dynamic pricing. Hey, no dynamic 1197 00:58:07,120 --> 00:58:10,320 Speaker 1: person on stage either, but that's what you get. So 1198 00:58:10,800 --> 00:58:14,280 Speaker 1: if you see dynamic pricing, the tickets could go up 1199 00:58:14,400 --> 00:58:17,600 Speaker 1: or down based on the demand of the tickets. That 1200 00:58:17,760 --> 00:58:20,479 Speaker 1: is unfortunate. So if you want to kind of my show, 1201 00:58:20,880 --> 00:58:22,840 Speaker 1: I don't think they're any left for Saturday, and they 1202 00:58:22,880 --> 00:58:25,760 Speaker 1: were like eight we just put up on Friday night 1203 00:58:25,800 --> 00:58:27,640 Speaker 1: in the balcony. If you'd like to come, just go 1204 00:58:27,720 --> 00:58:31,200 Speaker 1: to CMA Theater dot com or go to Bobbybones dot com. 1205 00:58:31,640 --> 00:58:35,000 Speaker 1: Marble unveils two new Avenger movies for twenty twenty five. Hey, 1206 00:58:35,040 --> 00:58:37,960 Speaker 1: movie Mike, I saw this yesterday, but they didn't say 1207 00:58:38,000 --> 00:58:40,520 Speaker 1: who was in the movies. No, not yet. So are 1208 00:58:40,560 --> 00:58:43,280 Speaker 1: they creating new Avengers. They're building tours. It's all the 1209 00:58:43,360 --> 00:58:45,080 Speaker 1: movies coming out now. They'll probably be a part of 1210 00:58:45,080 --> 00:58:47,360 Speaker 1: the New Avengers. And twenty twenty five just seems like 1211 00:58:47,360 --> 00:58:50,080 Speaker 1: too far At even teas, I just get annoyed more 1212 00:58:50,080 --> 00:58:52,360 Speaker 1: than I get excited, Like, have they even started making 1213 00:58:52,400 --> 00:58:55,640 Speaker 1: it yet? That's a good point. Not yet. Oh so 1214 00:58:55,800 --> 00:58:58,320 Speaker 1: that's why it was kept secret. Yeah, so now they 1215 00:58:58,320 --> 00:59:01,640 Speaker 1: can start actually publicly moving forward. Correct, Who do you 1216 00:59:01,680 --> 00:59:04,480 Speaker 1: think it's going to be in these Probably like some 1217 00:59:04,520 --> 00:59:06,440 Speaker 1: of the people from the last ones, like Thor the 1218 00:59:06,440 --> 00:59:08,880 Speaker 1: people still around, and then all the new characters. They 1219 00:59:09,160 --> 00:59:11,000 Speaker 1: came out with this, Las Vega will probably be in it. 1220 00:59:11,160 --> 00:59:13,840 Speaker 1: Who is the Captain America? Now, don't they shift that 1221 00:59:14,000 --> 00:59:16,400 Speaker 1: Anthony Mackie? Is he always going to be it? Or will? 1222 00:59:16,440 --> 00:59:18,240 Speaker 1: Then he passed it to somebody else too. They'll probably 1223 00:59:18,280 --> 00:59:20,760 Speaker 1: keep passing it. Do you like that? I think he's 1224 00:59:20,760 --> 00:59:23,080 Speaker 1: pretty good. No? No, do you like they keep passing it? Or? 1225 00:59:23,080 --> 00:59:25,880 Speaker 1: Would you rather see Captain America old? I'd rather see 1226 00:59:25,920 --> 00:59:29,360 Speaker 1: him old, like fifty five, not even old, but like older. Yeah, 1227 00:59:29,480 --> 00:59:31,560 Speaker 1: like fifty five and just like mentoring the next one. 1228 00:59:31,600 --> 00:59:34,480 Speaker 1: But he never goes out. It's like the queen and 1229 00:59:34,600 --> 00:59:36,400 Speaker 1: the one belows, like, dude, just die so I can 1230 00:59:36,440 --> 00:59:40,760 Speaker 1: take it. Humane Society is finding homes for four thousand 1231 00:59:41,000 --> 00:59:43,760 Speaker 1: be goals bred for research. So here's the story. So 1232 00:59:43,800 --> 00:59:46,960 Speaker 1: they were doing research on these beagles. They had been 1233 00:59:47,000 --> 00:59:50,760 Speaker 1: owned by a company, and then the judge said, no, 1234 00:59:50,840 --> 00:59:52,680 Speaker 1: you gotta let them go because you're mistreating the dogs. 1235 00:59:52,720 --> 00:59:54,200 Speaker 1: So there are four thousand of them, and so now 1236 00:59:54,200 --> 00:59:56,880 Speaker 1: the Humane Society is going, all right, we're going, let's go. 1237 00:59:57,400 --> 01:00:00,760 Speaker 1: So there are rescue groups from Wyoming, mass Virginia and 1238 01:00:00,800 --> 01:00:04,720 Speaker 1: elsewhere working together to assist this effort. The stories from NPR. 1239 01:00:04,800 --> 01:00:08,080 Speaker 1: What I would suggest is if you live in Virginia. 1240 01:00:08,160 --> 01:00:10,120 Speaker 1: We have a lot of listeners in Virginia, and you're 1241 01:00:10,160 --> 01:00:11,960 Speaker 1: looking for a dog, you could probably google this and 1242 01:00:12,000 --> 01:00:14,320 Speaker 1: find where these beagles are awesome. We had a couple 1243 01:00:14,320 --> 01:00:17,840 Speaker 1: of a kid like Yeah, so we had a couple 1244 01:00:17,880 --> 01:00:20,600 Speaker 1: that we used because of their excellent snouts. We used 1245 01:00:20,600 --> 01:00:23,280 Speaker 1: to hunt with them. But if you can and you're 1246 01:00:23,280 --> 01:00:24,720 Speaker 1: looking for a dog, I would encourage you to look 1247 01:00:24,720 --> 01:00:27,200 Speaker 1: this up and check it out. Kevin Costner's salary for 1248 01:00:27,280 --> 01:00:29,919 Speaker 1: Yellowstone has fans shocked, but not us. We talked about 1249 01:00:29,920 --> 01:00:32,040 Speaker 1: it last week. He is getting paid one point three 1250 01:00:32,080 --> 01:00:35,080 Speaker 1: million dollars per episode on the show. The amount of 1251 01:00:35,120 --> 01:00:39,720 Speaker 1: covers is acting and his producer role, which most of 1252 01:00:39,760 --> 01:00:42,320 Speaker 1: they just add that producer role doesn't really do much. 1253 01:00:42,920 --> 01:00:44,720 Speaker 1: He probably has some say but not really like I 1254 01:00:44,720 --> 01:00:47,520 Speaker 1: don't like that scene or that. I'm sure if you 1255 01:00:47,600 --> 01:00:49,600 Speaker 1: make that much money you can do that to say 1256 01:00:49,640 --> 01:00:51,840 Speaker 1: I don't like that, Yeah, that's some taste of country. 1257 01:00:52,320 --> 01:00:54,360 Speaker 1: Here's a story that I saw that I thought was awesome. 1258 01:00:55,160 --> 01:00:58,720 Speaker 1: So Jennifer Simpson posted on Twitter. She said, hey, look 1259 01:00:58,720 --> 01:01:02,200 Speaker 1: I've got these shoes and a jersey. I'm gonna sell 1260 01:01:02,240 --> 01:01:05,200 Speaker 1: of like JJ watch shoes and jersey. My grandpa died, 1261 01:01:05,200 --> 01:01:06,760 Speaker 1: were raising money for his funeral, which is a tweet 1262 01:01:06,840 --> 01:01:08,680 Speaker 1: wasn't to him. It was like if anybody wants to 1263 01:01:08,720 --> 01:01:11,600 Speaker 1: buy them, and so he got it, saw it, replied 1264 01:01:11,640 --> 01:01:13,040 Speaker 1: and was like, don't sell them and we'll take care 1265 01:01:13,040 --> 01:01:15,800 Speaker 1: of the funeral. And so he sent her money PayPal 1266 01:01:16,440 --> 01:01:18,919 Speaker 1: to like, hey, let me take care of the funeral. Dang, 1267 01:01:19,160 --> 01:01:21,400 Speaker 1: that was an awesome story. I saw the tweet. That 1268 01:01:21,480 --> 01:01:24,360 Speaker 1: was pretty amazing. So there you go. Also, I'll say 1269 01:01:24,400 --> 01:01:25,520 Speaker 1: this and I'll play it for in a little bit. 1270 01:01:25,560 --> 01:01:29,840 Speaker 1: Speaking of tweets, I played the Opery on Friday night. 1271 01:01:30,000 --> 01:01:32,840 Speaker 1: I did stand up Friday night, and so there was 1272 01:01:32,920 --> 01:01:35,160 Speaker 1: a woman who tweeted me to say, hey, I was 1273 01:01:35,200 --> 01:01:37,640 Speaker 1: doing a backstage tour the Opery, which if you come 1274 01:01:37,680 --> 01:01:39,560 Speaker 1: to Nahville you can do in the daytime. It's awesome. 1275 01:01:40,720 --> 01:01:42,280 Speaker 1: She goes, I was doing. I saw your performing tonight, 1276 01:01:42,320 --> 01:01:44,160 Speaker 1: so I buy tickets. Can't wait to see this show. 1277 01:01:44,480 --> 01:01:46,840 Speaker 1: That's all the tweet was to me. And so I 1278 01:01:46,880 --> 01:01:49,040 Speaker 1: saw it and I said, where are your tickets? And 1279 01:01:49,120 --> 01:01:50,920 Speaker 1: if they were on the lower part of the floor, 1280 01:01:51,360 --> 01:01:52,600 Speaker 1: that way I could at least talk to her. If 1281 01:01:52,600 --> 01:01:54,480 Speaker 1: you're way up there, I can't see up and you 1282 01:01:54,520 --> 01:01:56,520 Speaker 1: know when I'm a performing of the Opery, And so 1283 01:01:56,560 --> 01:01:58,000 Speaker 1: she goes, yeah, she showed me your tickets and you 1284 01:01:58,040 --> 01:01:59,680 Speaker 1: can see all this. And so I get up on 1285 01:01:59,720 --> 01:02:02,200 Speaker 1: stage age and they give me my twelve to fifteen minutes, 1286 01:02:02,200 --> 01:02:05,240 Speaker 1: which every artist has, and I go, hey, I'm looking 1287 01:02:05,240 --> 01:02:07,680 Speaker 1: for La La La. Are you here? She goes, whoa. 1288 01:02:07,840 --> 01:02:09,920 Speaker 1: And I thought it'd be a fun bit, and so 1289 01:02:09,920 --> 01:02:11,640 Speaker 1: I said, hey, why don't you come up. I don't 1290 01:02:11,640 --> 01:02:13,000 Speaker 1: know even if I could do that at the Opry 1291 01:02:13,320 --> 01:02:15,200 Speaker 1: and so but I'm like, hey, why not. And so 1292 01:02:15,760 --> 01:02:17,560 Speaker 1: she comes up and I'm talking to her a little bit, 1293 01:02:17,600 --> 01:02:19,240 Speaker 1: and I said, hey, I didn't know if she could 1294 01:02:19,240 --> 01:02:21,120 Speaker 1: seeing or not. It was just gonna be funny. And 1295 01:02:21,160 --> 01:02:23,400 Speaker 1: I said, hey, let's do a little duet here your 1296 01:02:23,400 --> 01:02:26,000 Speaker 1: Opery debut. She's like, oh my god, what's about to happen? 1297 01:02:26,400 --> 01:02:27,720 Speaker 1: And then if you go to my Instagram you can 1298 01:02:27,720 --> 01:02:30,200 Speaker 1: see what happens. But I couldn't believe it. I couldn't 1299 01:02:30,200 --> 01:02:32,640 Speaker 1: believe what happened. It was so cool. It may see 1300 01:02:32,640 --> 01:02:37,040 Speaker 1: it stage on stage stage, Yeah, that's she's up in 1301 01:02:37,080 --> 01:02:39,160 Speaker 1: front of the crowd. I'll play it for you coming 1302 01:02:39,240 --> 01:02:40,880 Speaker 1: up in a little bit. So if you can't, go 1303 01:02:40,920 --> 01:02:43,280 Speaker 1: to my Instagram. But it's at mister Bobby Bones. But 1304 01:02:43,480 --> 01:02:46,160 Speaker 1: I did not expect what to happen. Happened, and it 1305 01:02:46,200 --> 01:02:48,840 Speaker 1: was not set up. I didn't even give her any room, 1306 01:02:48,840 --> 01:02:50,840 Speaker 1: really because I thought she's gonna come up, be so nervous, 1307 01:02:50,880 --> 01:02:53,000 Speaker 1: it'll be funny. Which she's so nervous, and I went, 1308 01:02:53,080 --> 01:02:56,200 Speaker 1: you are my sunshine, my only Then she had to go, 1309 01:02:56,440 --> 01:03:01,360 Speaker 1: sunshine is it? But it's awesome. Yeah. Twitter rocks until 1310 01:03:01,360 --> 01:03:04,800 Speaker 1: it doesn't, which most time it doesn't. Finally, the average 1311 01:03:04,880 --> 01:03:08,600 Speaker 1: US price of regular gasoline fell again over thirty two cents. Yes, 1312 01:03:08,720 --> 01:03:12,400 Speaker 1: gas continues to drop. We like it, keep on drop it. 1313 01:03:12,480 --> 01:03:15,880 Speaker 1: That is from politico dot com. All right, do you 1314 01:03:15,960 --> 01:03:19,280 Speaker 1: want to do the mega millions now the audio or 1315 01:03:19,320 --> 01:03:21,880 Speaker 1: in a minute? In a minute, so if people can 1316 01:03:21,880 --> 01:03:25,080 Speaker 1: know if we want or not, you know, they need 1317 01:03:25,080 --> 01:03:27,400 Speaker 1: to come back. Well, the news has if anyone won 1318 01:03:27,480 --> 01:03:29,760 Speaker 1: the massive amount of money? Okay, that's a good point. 1319 01:03:29,800 --> 01:03:33,080 Speaker 1: Did anyone win the massive amount of money? No? Nobody? Okay, 1320 01:03:33,840 --> 01:03:38,880 Speaker 1: but people want other amounts, correct, did we I'm just 1321 01:03:38,920 --> 01:03:41,400 Speaker 1: gonna ask you this here we go. You let me 1322 01:03:41,440 --> 01:03:44,280 Speaker 1: to ask him. Yeah, go ahead, it's gonna start. Let's 1323 01:03:44,280 --> 01:03:48,760 Speaker 1: just say we go ahead with all the tickets we bought. Correct, 1324 01:03:48,800 --> 01:03:52,560 Speaker 1: do we get to cash in for anything? Correct? Yes? Okay, yes, okay, 1325 01:03:52,560 --> 01:03:55,560 Speaker 1: So we won something. Yeah, let's just say we want something. 1326 01:03:55,680 --> 01:03:58,520 Speaker 1: I didn't say that. We will find out what we want. 1327 01:03:59,040 --> 01:04:00,760 Speaker 1: We'll do two truths, gonna lie again, and we'll have 1328 01:04:00,880 --> 01:04:03,240 Speaker 1: lunchbox a chance to win some money. Yes, twenty dollars, 1329 01:04:03,400 --> 01:04:07,040 Speaker 1: twenty dollars, and we will play that clut from the opery. 1330 01:04:07,120 --> 01:04:11,960 Speaker 1: All that coming up next. So nobody won the big 1331 01:04:12,000 --> 01:04:14,400 Speaker 1: mega millions. We played it, nobody wanted it will now 1332 01:04:14,400 --> 01:04:17,440 Speaker 1: go up to seven hundred and ninety million dollars. But 1333 01:04:18,040 --> 01:04:21,960 Speaker 1: we won something. So what's the audio we have here? Lunchbok. 1334 01:04:22,360 --> 01:04:25,200 Speaker 1: This is me another gas station, another lady. I mean, 1335 01:04:25,760 --> 01:04:27,640 Speaker 1: these gas stations haven't been helping me out, so this 1336 01:04:27,640 --> 01:04:29,640 Speaker 1: one I told her, Look, the world hates me. I 1337 01:04:29,720 --> 01:04:32,560 Speaker 1: need you to help me. These get creepier. Yeah, the 1338 01:04:32,640 --> 01:04:34,360 Speaker 1: last time you're like, let me see your fingers. I 1339 01:04:34,840 --> 01:04:37,320 Speaker 1: touched his fingers. Yeah, I touched his magic fingers. Here's 1340 01:04:37,320 --> 01:04:39,400 Speaker 1: a clut. Hello, how are you doing doing good? How 1341 01:04:39,440 --> 01:04:44,280 Speaker 1: are you. I need to get rich, but I'll try 1342 01:04:44,280 --> 01:04:46,520 Speaker 1: to help you anything. No, I want to make a millions. 1343 01:04:46,520 --> 01:04:48,720 Speaker 1: Oh cool, well let's see what we can do. No, like, like, 1344 01:04:48,760 --> 01:04:50,480 Speaker 1: look the world, I feel like the world hates me, 1345 01:04:50,560 --> 01:04:53,120 Speaker 1: so I need you to have like put my juju 1346 01:04:53,160 --> 01:04:55,240 Speaker 1: on there for you. Yes, and like show me that 1347 01:04:55,280 --> 01:04:57,920 Speaker 1: the world loves me. The world does love you, but 1348 01:04:58,080 --> 01:05:00,520 Speaker 1: I can't control that. And I'll try with my Like 1349 01:05:01,000 --> 01:05:02,320 Speaker 1: it's like, what are you? What are you gonna say 1350 01:05:02,320 --> 01:05:06,800 Speaker 1: to that machine? Yournes Betsy? Do him right because I 1351 01:05:06,880 --> 01:05:09,680 Speaker 1: named her miss my mom Betsy. Be nice to me, Betsy. 1352 01:05:09,840 --> 01:05:12,880 Speaker 1: And if you get super rich, yeah, forget my man. 1353 01:05:12,960 --> 01:05:14,440 Speaker 1: I will never forget your name. Do you need to 1354 01:05:14,520 --> 01:05:22,120 Speaker 1: rub them on your tattoo? Okay, you're gonna win? Who Yeah, 1355 01:05:22,800 --> 01:05:24,480 Speaker 1: Like it wasn't creepy enough. I tell you hit with 1356 01:05:24,520 --> 01:05:27,680 Speaker 1: the tattoo? You want to rub it on your tattoo? Okay, 1357 01:05:28,000 --> 01:05:30,200 Speaker 1: let's just get to the point here. Did we win 1358 01:05:30,240 --> 01:05:33,400 Speaker 1: more than a dollar? Yes? Last time we only won 1359 01:05:33,480 --> 01:05:36,040 Speaker 1: two dollars, which means we lost. Did we win more 1360 01:05:36,040 --> 01:05:41,200 Speaker 1: than two dollars? Yes? Whoa her head? Last time? That's 1361 01:05:41,200 --> 01:05:45,080 Speaker 1: even this last time? Do we win more than five dollars, No, okay, 1362 01:05:46,800 --> 01:05:49,320 Speaker 1: four dollars and we doubled up. Then we're not clapping. 1363 01:05:49,440 --> 01:05:51,280 Speaker 1: We're not clapping. You convinced us to do this. We 1364 01:05:51,360 --> 01:05:54,280 Speaker 1: keep losing our money. But now, but I only give 1365 01:05:54,600 --> 01:05:58,040 Speaker 1: no not but now? But now? When's the drawing tomorrow? 1366 01:05:58,200 --> 01:06:01,840 Speaker 1: It is the third large just jack pot and make 1367 01:06:01,960 --> 01:06:06,480 Speaker 1: up millions history, and so now we need to get 1368 01:06:06,520 --> 01:06:10,320 Speaker 1: back in. We need to do it again. You've caused 1369 01:06:10,320 --> 01:06:14,160 Speaker 1: me to waste a significant amount of money. It's not waste, Bobby, 1370 01:06:14,240 --> 01:06:16,880 Speaker 1: it is waste because okay, but if we win, is 1371 01:06:16,880 --> 01:06:19,280 Speaker 1: it a waste? But we haven't won. But if we 1372 01:06:20,200 --> 01:06:27,920 Speaker 1: artists imber twenty one, that's just twenty bucks more. It's entertainment. 1373 01:06:27,920 --> 01:06:31,720 Speaker 1: I'm playing for entertainment, that's it. I'm in. Yeah, who 1374 01:06:31,800 --> 01:06:36,080 Speaker 1: else is in? Gouba always in? Yacuba is always in, 1375 01:06:36,280 --> 01:06:38,120 Speaker 1: and Lunchbox knew. That's why it went straight to him. 1376 01:06:38,200 --> 01:06:42,600 Speaker 1: Go ahead, it right, Eddie, anybody else speak out? Eddie? Hey, Hey, 1377 01:06:42,640 --> 01:06:44,360 Speaker 1: you know what I skipped out in the last one, 1378 01:06:45,240 --> 01:06:53,400 Speaker 1: and I saved up for this time seven hundred ninety million. Oregan, No, 1379 01:06:53,480 --> 01:06:57,560 Speaker 1: I'm not in. I don't I don't feel good. You 1380 01:06:57,720 --> 01:07:00,080 Speaker 1: keep doing things at the gas station, people on it. 1381 01:07:00,000 --> 01:07:02,960 Speaker 1: It makes you feel weird. It is weird. Okay, what 1382 01:07:03,000 --> 01:07:06,800 Speaker 1: if that's what's pausing you. How is that people's tattoos 1383 01:07:06,840 --> 01:07:08,640 Speaker 1: and like doing things with their body because it's always 1384 01:07:08,640 --> 01:07:11,120 Speaker 1: something body. Okay, then I won't do anything with their bodies, 1385 01:07:11,640 --> 01:07:13,840 Speaker 1: like going with a British accent talking about how you 1386 01:07:13,880 --> 01:07:16,240 Speaker 1: just came to America and I'd be like, I'm coming 1387 01:07:16,240 --> 01:07:18,320 Speaker 1: to visit my mother, trying to get your green card 1388 01:07:18,840 --> 01:07:20,960 Speaker 1: and it costs money and you want to stay here 1389 01:07:20,960 --> 01:07:24,320 Speaker 1: because you're working on a nonprofit. Okay, I like a 1390 01:07:24,360 --> 01:07:27,480 Speaker 1: fake story. Yeah okay, and see if that wasn't matters 1391 01:07:27,600 --> 01:07:29,640 Speaker 1: and they did, none of this matters, all right, Lunchbox, 1392 01:07:29,720 --> 01:07:31,040 Speaker 1: no win, but we'll give you the twenty bucks for 1393 01:07:31,160 --> 01:07:39,520 Speaker 1: let's get rich. It's Luchbox's birthday tab by the way, 1394 01:07:39,560 --> 01:07:42,680 Speaker 1: what's up? What's up on the birthday? Man? Well, it 1395 01:07:42,680 --> 01:07:44,640 Speaker 1: took long enough for you guys to recognize my birthday, 1396 01:07:44,640 --> 01:07:46,800 Speaker 1: and we will offended. I recognized it. I mean, I'm 1397 01:07:46,840 --> 01:07:48,520 Speaker 1: just saying, I'm just saying I put it in one 1398 01:07:48,520 --> 01:07:52,240 Speaker 1: of your segments. I'm just saying, no one else like 1399 01:07:52,520 --> 01:07:55,720 Speaker 1: I mean, Amy said having birthday and no one. I 1400 01:07:55,840 --> 01:07:58,480 Speaker 1: threw you again, I said, Amy, you said it. I'm 1401 01:07:58,520 --> 01:08:01,439 Speaker 1: just saying for my birthday, I was expecting my wife 1402 01:08:01,440 --> 01:08:03,760 Speaker 1: to wake up early, took me to breakfast because last 1403 01:08:03,800 --> 01:08:05,120 Speaker 1: night she day. What do you want for breakfast? You 1404 01:08:05,120 --> 01:08:07,520 Speaker 1: wants scrambled eggs. I woke up this morning. Guess what? 1405 01:08:08,040 --> 01:08:10,560 Speaker 1: She didn't get out of bed. So you get out 1406 01:08:10,560 --> 01:08:13,720 Speaker 1: of bed for her birthday? Yeah, because I'm up before her. 1407 01:08:13,760 --> 01:08:15,320 Speaker 1: But did you do something like did you get out 1408 01:08:15,320 --> 01:08:17,880 Speaker 1: of bed to do something extra for her birthday? Yeah? Yeah? Yeah, 1409 01:08:17,920 --> 01:08:22,040 Speaker 1: like what I probably cook scrambled eggs? You probably Yeah, 1410 01:08:22,120 --> 01:08:24,760 Speaker 1: we'll have your birthday buddy. Thank you. Birthday man. So 1411 01:08:24,800 --> 01:08:26,360 Speaker 1: I have no idea what we're gonna do today. I 1412 01:08:26,400 --> 01:08:28,559 Speaker 1: mean it's my wife has to have something planned. Right. 1413 01:08:28,720 --> 01:08:31,519 Speaker 1: Are you doing anything for lunch? Not that I know of. 1414 01:08:32,520 --> 01:08:34,479 Speaker 1: I have no idea. I'll tell you what. How about 1415 01:08:34,479 --> 01:08:40,160 Speaker 1: I send you to lunch? You and ray Neddie. You're 1416 01:08:40,160 --> 01:08:43,360 Speaker 1: gonna send us with him? This is your present to 1417 01:08:43,439 --> 01:08:46,559 Speaker 1: send us to his birthday. I have to leave. I 1418 01:08:46,560 --> 01:08:49,519 Speaker 1: have to fly away just for a day. I'll be 1419 01:08:49,600 --> 01:08:52,919 Speaker 1: working from a different studio tomorrow, but I will lunchbox. 1420 01:08:52,920 --> 01:08:54,559 Speaker 1: Tell me who's going to lunch with you, and I 1421 01:08:54,560 --> 01:08:57,160 Speaker 1: will I will pay for that lunch. Okay, for your 1422 01:08:57,160 --> 01:09:01,719 Speaker 1: birthday present? Most most people, for sure, No, most people 1423 01:09:01,760 --> 01:09:03,640 Speaker 1: on four. And then you have to prove to me 1424 01:09:03,640 --> 01:09:06,280 Speaker 1: they're going, so you're not just taking money from them. Okay, Okay, 1425 01:09:06,400 --> 01:09:09,680 Speaker 1: Now we may have to go to No, no, no, 1426 01:09:10,200 --> 01:09:12,760 Speaker 1: what it can't be anywhere you've never been for a lunch. No, no, 1427 01:09:12,800 --> 01:09:14,800 Speaker 1: I'm saying it might have to be lunch on a 1428 01:09:14,840 --> 01:09:17,640 Speaker 1: different day. Today's your birthday. He said, what do you 1429 01:09:17,720 --> 01:09:19,920 Speaker 1: have planned for lunch? And he said nothing, So I 1430 01:09:19,920 --> 01:09:21,600 Speaker 1: don't know. If I have to text my wife and 1431 01:09:21,640 --> 01:09:23,200 Speaker 1: see if she has something playing. What if she's gonna 1432 01:09:23,200 --> 01:09:28,120 Speaker 1: be jumping out of a cake. We'll figure. But this 1433 01:09:28,160 --> 01:09:30,080 Speaker 1: will be the birthday present from my wife and I. Okay, 1434 01:09:30,080 --> 01:09:33,320 Speaker 1: we'll send send you to lunch. Let me think. Okay, hey, Ray, 1435 01:09:33,360 --> 01:09:35,320 Speaker 1: I would have played done op until four. I want 1436 01:09:35,320 --> 01:09:39,799 Speaker 1: to I do want to play this from the Opery. 1437 01:09:39,800 --> 01:09:41,880 Speaker 1: I went and did stand up at the opera on Friday, 1438 01:09:42,160 --> 01:09:43,960 Speaker 1: and so I go up and I do my set. 1439 01:09:44,320 --> 01:09:47,040 Speaker 1: But woman had message me saying, hey, I'm from California. 1440 01:09:47,240 --> 01:09:49,519 Speaker 1: We were doing the Opery tour today. I saw your 1441 01:09:49,520 --> 01:09:51,639 Speaker 1: plan to ice. We bought tickets before we go home, 1442 01:09:51,920 --> 01:09:53,200 Speaker 1: and I was like, well, that's awesome, and so I 1443 01:09:53,240 --> 01:09:55,439 Speaker 1: saved it, but also said, hey, where are your tickets? 1444 01:09:55,439 --> 01:09:56,680 Speaker 1: And she said she was in the lower part of 1445 01:09:56,680 --> 01:09:58,559 Speaker 1: the show. So I went up really not thinking anything 1446 01:09:58,600 --> 01:10:00,479 Speaker 1: was going to happen. But I go up on stage 1447 01:10:00,479 --> 01:10:01,840 Speaker 1: and I do this thing where I'm like, where are you? 1448 01:10:01,840 --> 01:10:03,559 Speaker 1: And she goes whoo. I made a little joke because 1449 01:10:03,560 --> 01:10:05,960 Speaker 1: he who sound like an animal, and so that said, hey, 1450 01:10:05,960 --> 01:10:07,240 Speaker 1: come up here. I didn't even know if there were 1451 01:10:07,280 --> 01:10:10,800 Speaker 1: stairs to get on the stage, honestly, so luckily there were. 1452 01:10:11,200 --> 01:10:12,720 Speaker 1: So she comes up the stairs and I say, Hey, 1453 01:10:12,720 --> 01:10:15,120 Speaker 1: we're gonna do a duet, and she's kind of freaking 1454 01:10:15,120 --> 01:10:16,960 Speaker 1: out a little bit. I'd never met her, didn't know 1455 01:10:17,000 --> 01:10:18,519 Speaker 1: anything about her. I didn't even know what she looked 1456 01:10:18,520 --> 01:10:20,439 Speaker 1: like until she got out there. Said we're gonna do 1457 01:10:20,439 --> 01:10:22,120 Speaker 1: a duet, and the whole bands behind me ready to 1458 01:10:22,160 --> 01:10:24,360 Speaker 1: go because somebody else goes right after him. Done, So 1459 01:10:24,400 --> 01:10:27,200 Speaker 1: it's full Oprey. The house is packed. In this audio, 1460 01:10:27,520 --> 01:10:29,200 Speaker 1: it's okay, but you can hear what's going on play 1461 01:10:29,200 --> 01:10:30,920 Speaker 1: from it. Ray We're gonna sing a duet from the 1462 01:10:30,920 --> 01:10:33,040 Speaker 1: opera stage and we're gonna be done. Are you ready? Okay, 1463 01:10:33,080 --> 01:10:37,360 Speaker 1: here we go. I'm gonna I'll come to you. Okay, 1464 01:10:37,800 --> 01:10:42,840 Speaker 1: you are my sunshine sun Oh my god, she's good. 1465 01:10:42,880 --> 01:11:23,000 Speaker 1: Oh no, okay, you made me happy whence guys are great? Wow, 1466 01:11:21,680 --> 01:11:25,320 Speaker 1: so good. It's awesome. I didn't know her. I didn't 1467 01:11:25,320 --> 01:11:27,640 Speaker 1: expect it. I really thought she would like forget a 1468 01:11:27,680 --> 01:11:29,480 Speaker 1: word or not know it and we do a little comedy. 1469 01:11:29,640 --> 01:11:31,559 Speaker 1: But then she crushed it. And that's why I was like, 1470 01:11:31,560 --> 01:11:32,760 Speaker 1: you just sing it, because this is like you're a 1471 01:11:32,800 --> 01:11:37,400 Speaker 1: moment here. And then she just clutched time performance, nailed it, 1472 01:11:38,000 --> 01:11:40,800 Speaker 1: said good night, walked right down, went out. He's about 1473 01:11:40,800 --> 01:11:44,360 Speaker 1: tom went home. What a special memory for her. Awesome. 1474 01:11:44,479 --> 01:11:46,040 Speaker 1: It's on my Instagram if you want to see it, 1475 01:11:46,600 --> 01:11:50,639 Speaker 1: mister Bobby Bones. But it was. It's pretty awesome up there, lunchbox. 1476 01:11:50,720 --> 01:11:51,920 Speaker 1: To give a chance to win some money for you. 1477 01:11:51,960 --> 01:11:56,479 Speaker 1: It's your birthday. Two truths in a Lie next, okay, 1478 01:11:56,560 --> 01:11:58,920 Speaker 1: all right, twenty bucks if you can nail it. But 1479 01:11:59,040 --> 01:12:00,720 Speaker 1: the reason we're playing it, we're gonna give a listener 1480 01:12:00,760 --> 01:12:03,559 Speaker 1: a chance to win five thousand dollars Tuesday, Wednesday, Thursday 1481 01:12:03,560 --> 01:12:05,439 Speaker 1: and Friday. This week on the show. I mean twenty 1482 01:12:05,479 --> 01:12:07,240 Speaker 1: compared to five thousand, but I'll take you. Well, you 1483 01:12:07,280 --> 01:12:09,360 Speaker 1: get a salary here, I can do it for free 1484 01:12:09,400 --> 01:12:12,080 Speaker 1: if you'd like the twenty all right, well come back 1485 01:12:12,120 --> 01:12:16,080 Speaker 1: and play two truths in a Lie next. All right, 1486 01:12:16,080 --> 01:12:19,240 Speaker 1: I'll for grab lunchbox twenty dollars to you. The question 1487 01:12:19,360 --> 01:12:22,360 Speaker 1: that America wants to know is what does twenty dollars 1488 01:12:22,520 --> 01:12:25,840 Speaker 1: do make you? All Right, twenty dollars make you hollow? 1489 01:12:28,360 --> 01:12:30,960 Speaker 1: Tomorrow we'll play the game and get five thousand dollars away. 1490 01:12:31,080 --> 01:12:33,639 Speaker 1: But we're gonna play it tomorrow and Wednesday and Thursday 1491 01:12:33,680 --> 01:12:35,000 Speaker 1: and Friday, and we'renna do it next week as well. 1492 01:12:35,040 --> 01:12:36,960 Speaker 1: So we have all these five thousand dollars games, and 1493 01:12:37,040 --> 01:12:39,120 Speaker 1: then we actually have a chance to win over twenty 1494 01:12:39,160 --> 01:12:41,479 Speaker 1: five thousand dollars as well. So this is all to 1495 01:12:41,520 --> 01:12:43,679 Speaker 1: celebrate the premium of my show Snake in the Grass Monday, 1496 01:12:43,720 --> 01:12:48,040 Speaker 1: August first, at eleven tenth Central on USA. Please watch 1497 01:12:48,080 --> 01:12:50,000 Speaker 1: it just can you spot the liar? Eddie watched the 1498 01:12:50,080 --> 01:12:52,519 Speaker 1: first episode last night. I loved it, loved I watched 1499 01:12:52,520 --> 01:12:55,040 Speaker 1: with my whole family. We all loved it. Thanks to 1500 01:12:55,439 --> 01:12:57,560 Speaker 1: the liar. Did you pick the liar. No, you're not 1501 01:12:57,680 --> 01:13:00,680 Speaker 1: even close. Yes, it's hard, it's a really hard. It's 1502 01:13:00,720 --> 01:13:03,120 Speaker 1: good and they don't even like do editing to manipulate it. 1503 01:13:03,439 --> 01:13:06,880 Speaker 1: It's still tough. I was one sure I picked the liar, 1504 01:13:07,040 --> 01:13:09,599 Speaker 1: not even gloves. But can you pick the liar now, lunchbox? 1505 01:13:09,800 --> 01:13:11,439 Speaker 1: There are three people up here. I do not know 1506 01:13:11,520 --> 01:13:15,200 Speaker 1: who's lying. I'm right, so Amy, Morgan and Scuba Steve 1507 01:13:15,320 --> 01:13:17,280 Speaker 1: all have a little story to tell. Love it. See 1508 01:13:17,280 --> 01:13:19,360 Speaker 1: if you can pick the liar. If you lose, you 1509 01:13:19,439 --> 01:13:23,960 Speaker 1: only five bucks? Yeah? Amy, ready, yeah, tell yours. Well. 1510 01:13:24,080 --> 01:13:26,080 Speaker 1: I've hit a lot of things with my car, but 1511 01:13:26,320 --> 01:13:28,760 Speaker 1: one time I hit a cow. I had to hit 1512 01:13:28,840 --> 01:13:31,560 Speaker 1: the brakes to avoid one cow, but another cow that 1513 01:13:31,720 --> 01:13:34,240 Speaker 1: was with it came galloping like right behind it and 1514 01:13:34,720 --> 01:13:37,800 Speaker 1: boo ran right into it. Then the owner of the 1515 01:13:37,960 --> 01:13:43,280 Speaker 1: cows actually came out and apologized to me, so thankfully 1516 01:13:43,680 --> 01:13:45,759 Speaker 1: I didn't have to pay for any of the damage 1517 01:13:45,840 --> 01:13:49,040 Speaker 1: like he handled it and it was awesome. Amy has 1518 01:13:49,120 --> 01:13:54,720 Speaker 1: hit a cow? What? Okay? What are you already thinking? 1519 01:13:55,040 --> 01:13:59,519 Speaker 1: I mean, cows don't gallop, Yes, they do when they're 1520 01:13:59,520 --> 01:14:08,800 Speaker 1: galloping across pretty bad Okay, okay, I mean, guys, go ahead, 1521 01:14:09,360 --> 01:14:13,479 Speaker 1: cow's gallup. Okay, so you waited around? If you hit 1522 01:14:13,520 --> 01:14:16,120 Speaker 1: a cow, then the owner comes out. Did you get 1523 01:14:16,160 --> 01:14:17,719 Speaker 1: out of the car to see? I mean it's first 1524 01:14:17,720 --> 01:14:19,760 Speaker 1: I got out. Am I giving you every detail of 1525 01:14:19,840 --> 01:14:25,280 Speaker 1: what happened in College Station nineteen ninety nine, Texas A 1526 01:14:25,439 --> 01:14:29,280 Speaker 1: and M University, where there's cows everywhere. That's a proper wrinkle. 1527 01:14:32,720 --> 01:14:36,600 Speaker 1: That's Amy Morgan over to you. Well, you guys know, 1528 01:14:36,680 --> 01:14:40,200 Speaker 1: I'm obsessed with Shania Twain, right, and it started before 1529 01:14:40,240 --> 01:14:43,400 Speaker 1: I was even born. My dad's also in love with 1530 01:14:43,439 --> 01:14:46,599 Speaker 1: Shania Twain, and he wanted me to be named after her. 1531 01:14:47,120 --> 01:14:48,920 Speaker 1: But my mom was like, no way, we can't name 1532 01:14:48,960 --> 01:14:51,600 Speaker 1: our daughter after a famous artist. There's no chance. So 1533 01:14:51,720 --> 01:14:54,120 Speaker 1: then they both came up with a name which are 1534 01:14:54,160 --> 01:14:57,439 Speaker 1: now my middle names, and somehow settled on Morgan. But 1535 01:14:57,520 --> 01:14:59,599 Speaker 1: I'm almost named after What are your middle name? I'm 1536 01:14:59,600 --> 01:15:01,320 Speaker 1: watching his face and he also think this is a lie. 1537 01:15:01,320 --> 01:15:04,120 Speaker 1: I don't let nobody knows a liar. But I mean, 1538 01:15:04,200 --> 01:15:06,439 Speaker 1: I don't know anything about her parents. That's that's so 1539 01:15:06,600 --> 01:15:08,479 Speaker 1: hard to know anything. You know anything about Amy's live 1540 01:15:08,520 --> 01:15:11,559 Speaker 1: in College Station? I do what are your middle names? Well, 1541 01:15:11,560 --> 01:15:13,400 Speaker 1: I can't tell you that she wouldn't have to answer 1542 01:15:13,400 --> 01:15:17,960 Speaker 1: your questions, is it a liar? Is it not? Finally 1543 01:15:18,080 --> 01:15:22,519 Speaker 1: up is Oh god, I was walking down the street 1544 01:15:22,560 --> 01:15:26,640 Speaker 1: and I saw a bird. That's not it? Every so 1545 01:15:26,720 --> 01:15:28,599 Speaker 1: every weeknight at five, when I was a kid, I'd 1546 01:15:28,640 --> 01:15:30,640 Speaker 1: watch the five o'clock news with my mom channel and 1547 01:15:30,680 --> 01:15:33,160 Speaker 1: I news Bob, Ob, Saul and Marlo. Each they cut 1548 01:15:33,200 --> 01:15:34,960 Speaker 1: the Danny Trainer, he'd do the weather, and if he 1549 01:15:35,000 --> 01:15:38,400 Speaker 1: said good swells, great weather at the beach tomorrow, I'd 1550 01:15:38,479 --> 01:15:41,200 Speaker 1: run upstairs, going into messenger, tell my boys tomorrow we 1551 01:15:41,320 --> 01:15:43,680 Speaker 1: are ditching school. So we would do that. The next day, 1552 01:15:43,720 --> 01:15:46,360 Speaker 1: they're in lunch, a lot of commotion, run out, head 1553 01:15:46,400 --> 01:15:48,400 Speaker 1: to our trucks and go to the beach. One time 1554 01:15:48,439 --> 01:15:50,519 Speaker 1: we got caught by the security guard. How old were you? 1555 01:15:50,800 --> 01:15:53,880 Speaker 1: I was sixteen. Got caught by the security guard. He 1556 01:15:54,040 --> 01:15:56,000 Speaker 1: was gonna turn us in, but we bribed him with 1557 01:15:56,040 --> 01:15:58,880 Speaker 1: seven eleven slurpees and we got away with it. Okay, 1558 01:16:00,040 --> 01:16:05,640 Speaker 1: Scooba coming with strong, magnificent amount of details that I mean, 1559 01:16:08,200 --> 01:16:11,000 Speaker 1: just layering them in there too many? Actually, all right, 1560 01:16:11,240 --> 01:16:13,400 Speaker 1: so lunch and there's a lot harder because they're all 1561 01:16:13,479 --> 01:16:16,080 Speaker 1: terrible stories. No, they're actually all pretty good stories because 1562 01:16:16,080 --> 01:16:18,559 Speaker 1: scuba Let me tell you about scuba verse. He said 1563 01:16:18,600 --> 01:16:20,280 Speaker 1: it was when he was like he was a child, 1564 01:16:20,760 --> 01:16:23,120 Speaker 1: and then and then and then all turn and then 1565 01:16:23,120 --> 01:16:25,719 Speaker 1: he turned it into high school in sixteen and driving 1566 01:16:25,760 --> 01:16:30,800 Speaker 1: cars and hits. It's the message. So you have three 1567 01:16:30,880 --> 01:16:32,280 Speaker 1: year I don't even know what how old Scooba is 1568 01:16:32,320 --> 01:16:34,599 Speaker 1: now because he won't tell us his age. So I'm 1569 01:16:34,600 --> 01:16:36,360 Speaker 1: trying to figure out when he would have been sixteen, 1570 01:16:36,400 --> 01:16:38,080 Speaker 1: if it'd have been in the two thousands, or if 1571 01:16:38,120 --> 01:16:42,080 Speaker 1: it was in the nineties. Amy hit a cow. Morgan 1572 01:16:42,640 --> 01:16:48,320 Speaker 1: was almost named Shanaya Scuba Steve surfed, Yeah, and almost 1573 01:16:48,360 --> 01:16:52,479 Speaker 1: got caught. He got caught, traded slurpies and drug deal 1574 01:16:52,520 --> 01:16:55,800 Speaker 1: gone wrong. I'm not sure. Okay, so twenty bucks off 1575 01:16:55,840 --> 01:16:58,599 Speaker 1: for grabs. Yeah, but you owe me five if you miss. Yeah, 1576 01:16:59,240 --> 01:17:08,000 Speaker 1: I wanna hear the do you know for sure? Yeah? Why? Why? Why? 1577 01:17:08,240 --> 01:17:11,720 Speaker 1: She she's so reacted? Yeah? React? Why are you so 1578 01:17:11,920 --> 01:17:15,719 Speaker 1: bad at this game? Go ahead, lunch Amy, look at me, Amy? 1579 01:17:15,800 --> 01:17:17,439 Speaker 1: Why are you so bad at this game? Why did 1580 01:17:17,479 --> 01:17:24,000 Speaker 1: you just like that? He does it? He does? Go ahead, lunchbox, 1581 01:17:24,120 --> 01:17:26,200 Speaker 1: Who who is it? Well, here's the thing now, now, 1582 01:17:26,200 --> 01:17:29,080 Speaker 1: I'm confused because I wasn't gonna say Morgan number two 1583 01:17:29,080 --> 01:17:32,560 Speaker 1: because Chania Twain wasn't big until in the late nineties. No, 1584 01:17:33,040 --> 01:17:35,960 Speaker 1: she was not exactly, so she was already born before that, 1585 01:17:36,560 --> 01:17:40,160 Speaker 1: like she was. Shania Twain wasn't having hits in ninety two. Okay, 1586 01:17:40,200 --> 01:17:41,920 Speaker 1: go ahead, you know, I think that's when you're when 1587 01:17:41,920 --> 01:17:44,040 Speaker 1: you were born. I was born in ninety three, okay, 1588 01:17:44,160 --> 01:17:46,479 Speaker 1: ninety three. I don't think Shania Twain was around in 1589 01:17:46,600 --> 01:17:50,800 Speaker 1: ninety three. Jania Twain was like ninety seven, ninety eight. Okay, uh. 1590 01:17:51,240 --> 01:17:54,240 Speaker 1: But Amy's reaction, I was like, I already know how 1591 01:17:55,200 --> 01:17:58,840 Speaker 1: Mike tells me that she's the liar, but she does it. 1592 01:18:01,000 --> 01:18:03,080 Speaker 1: I don't think Amy's that good of a game player. 1593 01:18:03,160 --> 01:18:04,679 Speaker 1: I don't think she's that good of a bugger face. 1594 01:18:05,600 --> 01:18:08,280 Speaker 1: Go ahead and gosh, this is gonna be bad because 1595 01:18:08,280 --> 01:18:10,840 Speaker 1: if she tricks me, I'm be so mad. Let me 1596 01:18:11,000 --> 01:18:13,200 Speaker 1: so freaking mad. I don't know who the lewards either. 1597 01:18:13,240 --> 01:18:15,519 Speaker 1: I'm also playing. I know, I know, but those are 1598 01:18:15,560 --> 01:18:18,160 Speaker 1: the two. Um. Like, I mean, think Scooba's right, like 1599 01:18:18,200 --> 01:18:21,960 Speaker 1: should we go to Scuba? Yes? Out of it? Yeah? Scoots? 1600 01:18:22,000 --> 01:18:25,120 Speaker 1: Your's truth or a line that is one true. Okay, 1601 01:18:25,840 --> 01:18:29,439 Speaker 1: YEAHO was terrible to scan when he's lying, he has 1602 01:18:29,520 --> 01:18:31,240 Speaker 1: nothing to say when he's telling the truth. He's just 1603 01:18:31,280 --> 01:18:34,800 Speaker 1: way over the top. Okay. So it's Amy or it's Morgan. Yeah, 1604 01:18:35,760 --> 01:18:37,800 Speaker 1: And I mean, I don't know anything about twenty but 1605 01:18:37,840 --> 01:18:39,519 Speaker 1: I just don't think she was around till the nineties. 1606 01:18:39,560 --> 01:18:41,920 Speaker 1: But when I said I know the liar, Amy's why? 1607 01:18:42,600 --> 01:18:45,880 Speaker 1: So you have information that you feel as factory won't 1608 01:18:45,920 --> 01:18:48,799 Speaker 1: look at me, and then a reactionary based on Amy's reaction, 1609 01:18:48,960 --> 01:18:52,280 Speaker 1: go ahead, I can look at you. Yeah, man oh man, 1610 01:18:53,040 --> 01:18:57,360 Speaker 1: trying to think when was around for twenty dollar and 1611 01:18:57,520 --> 01:18:59,759 Speaker 1: let's not forget what twenty dollars do make me? Halla, 1612 01:19:00,960 --> 01:19:06,760 Speaker 1: Why who are you going to? Who's the liar? Amy? Now? 1613 01:19:06,960 --> 01:19:10,240 Speaker 1: I don't know the answer either, Like, but here's the thing, 1614 01:19:10,320 --> 01:19:12,960 Speaker 1: and I may have got fulled by Amy's why. The 1615 01:19:13,320 --> 01:19:15,799 Speaker 1: facts of it is, I just don't think Shania was around. 1616 01:19:15,840 --> 01:19:17,439 Speaker 1: So that's why, why why would you not go with 1617 01:19:17,520 --> 01:19:20,040 Speaker 1: facts and over him? Because that's because I had emotional 1618 01:19:20,200 --> 01:19:23,120 Speaker 1: threw me off too. I still don't think Shania was 1619 01:19:23,160 --> 01:19:25,880 Speaker 1: out when Morgan was ninety three. Yeah, I don't think 1620 01:19:26,000 --> 01:19:27,320 Speaker 1: that means she had to be out of ninety one 1621 01:19:27,439 --> 01:19:29,080 Speaker 1: ninety two for her dad to have to love her. 1622 01:19:29,400 --> 01:19:30,880 Speaker 1: That to me would have sent me to Morgan, even 1623 01:19:30,880 --> 01:19:33,400 Speaker 1: though I even reacted like that, right, I know, but 1624 01:19:33,520 --> 01:19:35,559 Speaker 1: I don't know. I mean, I'm not a history buff 1625 01:19:35,600 --> 01:19:40,200 Speaker 1: on country music. Maybe he knew underground artist under Underground. Yeah, 1626 01:19:40,240 --> 01:19:42,479 Speaker 1: maybe he was big into Canadian music back in the day. 1627 01:19:43,240 --> 01:19:45,800 Speaker 1: So I just want to why, Well I would have 1628 01:19:45,880 --> 01:19:49,360 Speaker 1: went with Morgan, you went with Amy. Dang it. I 1629 01:19:49,400 --> 01:19:52,360 Speaker 1: think there's money out for grabs either one. Amy. If 1630 01:19:52,400 --> 01:19:55,720 Speaker 1: you got me with your stupid why, I'm gonna be upset. Okay, Well, well, 1631 01:19:55,840 --> 01:20:03,480 Speaker 1: the person who is lying, go why why, I've already 1632 01:20:03,560 --> 01:20:08,599 Speaker 1: logged in with his answer when I said why what? Yeah, 1633 01:20:08,640 --> 01:20:10,880 Speaker 1: she blew it with that because he I for sure 1634 01:20:11,080 --> 01:20:15,120 Speaker 1: also does Lunchbox not listen to anybody's stories here? Because 1635 01:20:15,280 --> 01:20:19,080 Speaker 1: Morgan has said that before. If that's what I'm saying, 1636 01:20:19,080 --> 01:20:25,720 Speaker 1: I know his first song was in ninety five, That's 1637 01:20:25,720 --> 01:20:28,240 Speaker 1: what I'm saying. Yeah, but she had some music out before. 1638 01:20:28,439 --> 01:20:30,880 Speaker 1: My dad would just loved country music, so he knew. 1639 01:20:30,960 --> 01:20:33,400 Speaker 1: I mean, he was a big fan of everything in 1640 01:20:33,439 --> 01:20:35,800 Speaker 1: the nineties, so he knew about her before. She blew 1641 01:20:35,880 --> 01:20:42,280 Speaker 1: up and it loved her. Well, good job, um yeah, 1642 01:20:42,680 --> 01:20:47,880 Speaker 1: why yeah? Yeah? And Amy got so offended. You didn't 1643 01:20:47,920 --> 01:20:49,720 Speaker 1: in the beginning. You didn't believe my story at all. 1644 01:20:49,800 --> 01:20:51,439 Speaker 1: You're right, and I would either, and we would have 1645 01:20:51,560 --> 01:20:52,720 Speaker 1: known it. That was when we would have known. You 1646 01:20:52,760 --> 01:20:54,120 Speaker 1: would have shared with us. And if you got so 1647 01:20:54,280 --> 01:20:56,360 Speaker 1: you got so offended so fast. I was like, man, 1648 01:20:56,400 --> 01:20:58,519 Speaker 1: that's on her. Yeah, because I thought I was sold 1649 01:20:58,560 --> 01:21:01,760 Speaker 1: it with the college station. No, he came in too 1650 01:21:01,800 --> 01:21:04,560 Speaker 1: hard to gross it with that lunchbox. You are right, congratulations, 1651 01:21:04,560 --> 01:21:09,680 Speaker 1: you win yourself twenty dollars. Morrigan, good one. Yeah, I'm 1652 01:21:09,840 --> 01:21:11,800 Speaker 1: very good, liar, you are scoop sef. You're terrible at 1653 01:21:11,840 --> 01:21:18,280 Speaker 1: this game. Yea, yeah, I'm so okay. Anyway, we need 1654 01:21:18,320 --> 01:21:20,639 Speaker 1: people to play for tomorrow's show to win five thousand dollars. 1655 01:21:20,960 --> 01:21:23,479 Speaker 1: Hit up Bobby Bones dot com for all the rules 1656 01:21:23,520 --> 01:21:25,200 Speaker 1: and to sign up to play. We'll start tomorrow, and 1657 01:21:25,240 --> 01:21:27,400 Speaker 1: don't forget to watch Snake in the Grass my show Monday, 1658 01:21:27,439 --> 01:21:31,679 Speaker 1: August first, at eleven ten pm Central on USA. Thank 1659 01:21:31,720 --> 01:21:35,640 Speaker 1: you very much, everybody, Bobby Bones Show Down. Sorry up 1660 01:21:35,720 --> 01:21:39,160 Speaker 1: to day. This story comes to us from Hamden, Connecticut, 1661 01:21:39,600 --> 01:21:41,880 Speaker 1: a twenty five year old man was walking into the 1662 01:21:41,960 --> 01:21:44,320 Speaker 1: dollar store and two women were coming in behind him. 1663 01:21:44,320 --> 01:21:45,960 Speaker 1: So it's like, here, let me hold the door open 1664 01:21:46,040 --> 01:21:48,960 Speaker 1: for you. They walk in, they didn't say thank you. 1665 01:21:49,920 --> 01:21:53,240 Speaker 1: So he reaches in his waistband pulls out of guns. 1666 01:21:53,560 --> 01:21:57,240 Speaker 1: What is happening? Wow, when someone does something nice for you, 1667 01:21:57,640 --> 01:22:00,200 Speaker 1: you need to say thank you. He's got a point, 1668 01:22:00,240 --> 01:22:02,680 Speaker 1: but there's no need to pull the gun. Yeah, I 1669 01:22:02,760 --> 01:22:05,360 Speaker 1: feel like he's got other things going on. You don't 1670 01:22:05,439 --> 01:22:08,200 Speaker 1: hold a door so people will say thank you. You'll 1671 01:22:08,240 --> 01:22:09,880 Speaker 1: just expect him to say thank you. Yeah, but if 1672 01:22:09,920 --> 01:22:11,960 Speaker 1: they don't, that's okay. But you don't pull a gun 1673 01:22:13,000 --> 01:22:16,360 Speaker 1: that wow. So what he didn't shoot? No, he didn't shoot. 1674 01:22:16,400 --> 01:22:18,080 Speaker 1: He just said, you need to learn how to say 1675 01:22:18,200 --> 01:22:21,800 Speaker 1: thank you. When did they learn, though, thank you? When 1676 01:22:21,840 --> 01:22:23,360 Speaker 1: they opened the door? Now, thank you, thank you, thank you? 1677 01:22:23,800 --> 01:22:25,760 Speaker 1: So what happened to him? Police were called and he 1678 01:22:25,880 --> 01:22:28,439 Speaker 1: was arrested and he was facing multiple charges. He wasn't 1679 01:22:28,439 --> 01:22:31,360 Speaker 1: supposed to have a go. Someone that makes that decision 1680 01:22:31,479 --> 01:22:34,080 Speaker 1: usually has made other bad decisions that should keep them 1681 01:22:34,160 --> 01:22:36,639 Speaker 1: from having a gun. I'm munchboxed aft your bone head 1682 01:22:36,680 --> 01:22:40,360 Speaker 1: story of the day. All right, it's time for the 1683 01:22:40,439 --> 01:22:45,599 Speaker 1: Good News Countdown. It's the Good News Countdown, counting down 1684 01:22:45,800 --> 01:22:49,840 Speaker 1: the biggest good news stories across the left. Starting at 1685 01:22:49,880 --> 01:22:54,400 Speaker 1: number three. Number three, a woman from Pennsylvania hadn't seen 1686 01:22:54,439 --> 01:22:56,760 Speaker 1: her mom in a while, so she got in the car. 1687 01:22:57,280 --> 01:23:00,479 Speaker 1: She drove up to Maryland. On the way, she stopped 1688 01:23:00,520 --> 01:23:02,120 Speaker 1: the gas station and said, as should buy a lottery 1689 01:23:02,160 --> 01:23:05,360 Speaker 1: ticket one one hundred thousand bucks thanks to her mom 1690 01:23:05,479 --> 01:23:08,160 Speaker 1: saying you need to come see me. That's number three. 1691 01:23:08,280 --> 01:23:13,040 Speaker 1: Let's go. A thirteen year old girl, I'll say it again. 1692 01:23:13,120 --> 01:23:16,519 Speaker 1: Thirteen years old. She's from Texas. Her name is Elana Wilker. 1693 01:23:16,760 --> 01:23:20,200 Speaker 1: She got into medical school. She's thirteen. She just was 1694 01:23:20,240 --> 01:23:22,759 Speaker 1: accepted into the Hearsing School of Medicine at the University 1695 01:23:22,760 --> 01:23:26,040 Speaker 1: of Alabama at thirteen. She graduated high school last year 1696 01:23:26,320 --> 01:23:28,639 Speaker 1: and has already completed two and a half years of college. 1697 01:23:28,800 --> 01:23:34,720 Speaker 1: That is all right. McDonald's franchise owned rent Ohio, had 1698 01:23:34,800 --> 01:23:37,200 Speaker 1: to close for three months to renovate. But well, he 1699 01:23:37,320 --> 01:23:40,080 Speaker 1: never stopped paying his employees. He started out as a 1700 01:23:40,120 --> 01:23:43,120 Speaker 1: part time worker they're sixty years ago, worked his way 1701 01:23:43,200 --> 01:23:46,280 Speaker 1: all the way up manage the place, then owned the place. 1702 01:23:46,760 --> 01:23:48,439 Speaker 1: He says he knows a lot of his employees live 1703 01:23:48,479 --> 01:23:51,519 Speaker 1: paycheck to paycheck, so keeping them on payroll was not 1704 01:23:51,640 --> 01:23:54,400 Speaker 1: a hard decision, and that is exactly what he did. 1705 01:23:54,720 --> 01:23:56,519 Speaker 1: So shout out to him. All right, that's your good 1706 01:23:56,560 --> 01:24:02,280 Speaker 1: news countdown, good good news countdown. All right, tomorrow Randy 1707 01:24:02,360 --> 01:24:12,200 Speaker 1: Houser in studiommmandeer, all right, see tomorrow. Bye. Everybody stopping bombs.