1 00:00:02,840 --> 00:00:04,760 Speaker 1: Whit's Avenue West Avenue. What's happening? 2 00:00:04,800 --> 00:00:07,960 Speaker 2: It's another episode the Gangster Chronicles podcast. It's your boy 3 00:00:08,039 --> 00:00:11,080 Speaker 2: big Still when y'all hear that, man, you know some 4 00:00:11,200 --> 00:00:13,600 Speaker 2: legendary stuff it's about to go on. Man, tonight we 5 00:00:13,680 --> 00:00:16,799 Speaker 2: have a special guest, my boy. I'll leave for Saint 6 00:00:16,920 --> 00:00:17,480 Speaker 2: Louis Ticks. 7 00:00:17,520 --> 00:00:22,119 Speaker 1: I mean, what's aving with your baby? Just just just 8 00:00:22,120 --> 00:00:25,120 Speaker 1: just getting back. I'm tired, but I'm up. It's eleven 9 00:00:25,160 --> 00:00:27,840 Speaker 1: o'clock there. It was eleven o'clock over there. Man. 10 00:00:28,200 --> 00:00:29,680 Speaker 2: Yeah, you're talking me. Yeah, we ain't gonna have You're 11 00:00:29,680 --> 00:00:31,440 Speaker 2: gonna get too long. But you know how people we 12 00:00:31,480 --> 00:00:35,040 Speaker 2: have the conversations. Like last time, we had a whole 13 00:00:35,040 --> 00:00:38,000 Speaker 2: bunch of stuff going on. Man, we had a whole 14 00:00:38,040 --> 00:00:42,480 Speaker 2: bunch of stuff going on. Lines all yeah, Man, Hey, 15 00:00:42,640 --> 00:00:45,400 Speaker 2: you know what, man, since I got both of y'all here, man, 16 00:00:45,600 --> 00:00:48,440 Speaker 2: and both of y'all kind of like it's unsung heroes. 17 00:00:48,960 --> 00:00:49,800 Speaker 1: You fear what I'm saying. 18 00:00:50,920 --> 00:00:52,559 Speaker 2: They want to get to talking all that stuff. But 19 00:00:52,640 --> 00:00:54,600 Speaker 2: you know, ain't don't done a whole bunch of fly stuff. 20 00:00:55,200 --> 00:00:57,480 Speaker 2: You done a whole bunch of fly stuff again, man, 21 00:00:57,480 --> 00:01:00,400 Speaker 2: I don't think a lot of people know Man wrote 22 00:01:00,400 --> 00:01:01,360 Speaker 2: a lot of hit records. 23 00:01:01,360 --> 00:01:05,320 Speaker 1: Bro there so really really big records. 24 00:01:05,360 --> 00:01:07,680 Speaker 2: Man, can you give these people a run down on 25 00:01:07,800 --> 00:01:08,920 Speaker 2: what you was evolved in? 26 00:01:09,040 --> 00:01:15,280 Speaker 1: Man? The for was writing the country Grammar app. I 27 00:01:15,360 --> 00:01:19,160 Speaker 1: wrote majority of that, you know, like yeah you can 28 00:01:19,200 --> 00:01:22,440 Speaker 1: find a saint little Hey, why they play ring Yard 29 00:01:22,720 --> 00:01:26,319 Speaker 1: that I wrote, you know, ninety percent of that record 30 00:01:26,400 --> 00:01:29,360 Speaker 1: than Nellyville. A lot of that record, but a lot 31 00:01:29,360 --> 00:01:31,360 Speaker 1: of the concepts would be mine. You know what I'm saying, 32 00:01:31,400 --> 00:01:34,440 Speaker 1: Like that, like that concept. You know what I'm saying, 33 00:01:34,440 --> 00:01:37,040 Speaker 1: eighty t how important the concept as far as like 34 00:01:37,040 --> 00:01:40,640 Speaker 1: asl you know what I'm saying, grills the concept mine 35 00:01:43,600 --> 00:01:46,880 Speaker 1: tell feather because it was originally my song. So I 36 00:01:47,000 --> 00:01:48,760 Speaker 1: was just the one I used to like said before 37 00:01:48,760 --> 00:01:51,720 Speaker 1: I used to just like get all the beats. You 38 00:01:51,760 --> 00:01:54,160 Speaker 1: know what I'm saying, just take them home and do 39 00:01:54,280 --> 00:01:55,920 Speaker 1: something rough tour. You know what I'm saying. If I 40 00:01:55,960 --> 00:01:58,400 Speaker 1: do some loves ample to him, they're like them. So 41 00:01:58,480 --> 00:02:00,280 Speaker 1: I wrote, like you know what I'm saying, and like 42 00:02:00,400 --> 00:02:03,040 Speaker 1: all on them with all the drakes that are going 43 00:02:03,080 --> 00:02:04,840 Speaker 1: on the writers, you know what I'm saying, it's you know, 44 00:02:05,000 --> 00:02:07,760 Speaker 1: I wrote a lot I did wrote a lot, but 45 00:02:08,120 --> 00:02:10,040 Speaker 1: he can't get right to the magga. Writers can't write 46 00:02:10,040 --> 00:02:11,600 Speaker 1: as fast as I can, you know what I'm saying. 47 00:02:11,639 --> 00:02:13,639 Speaker 1: So I was, you know what I'm saying, the loan 48 00:02:13,680 --> 00:02:17,520 Speaker 1: take out, and I wrote all the hooks, enjoyed all 49 00:02:17,520 --> 00:02:19,200 Speaker 1: the hooks, and cut you all the beasts. But I 50 00:02:19,240 --> 00:02:21,079 Speaker 1: was the oldest all. You know what I'm saying. But 51 00:02:22,960 --> 00:02:26,520 Speaker 1: the whole thing about somebody writing raps and stuff like that, 52 00:02:27,080 --> 00:02:29,000 Speaker 1: I think it's thing man, you trying to make a 53 00:02:29,080 --> 00:02:31,560 Speaker 1: hit record, and it's a team thing. Yeah. 54 00:02:31,720 --> 00:02:33,760 Speaker 2: That don't mean that this cat can't write or this 55 00:02:33,840 --> 00:02:37,119 Speaker 2: dude can't write. I think people just you know, put 56 00:02:37,200 --> 00:02:39,160 Speaker 2: trying to put hit records together, try to put their 57 00:02:39,200 --> 00:02:40,960 Speaker 2: best foot for it, and it's a team thing. And 58 00:02:41,000 --> 00:02:43,880 Speaker 2: I know, like with Aid hisself height, you wrote one 59 00:02:43,919 --> 00:02:47,919 Speaker 2: hundred percent of all here stuff. Yeah, you never had 60 00:02:47,919 --> 00:02:50,360 Speaker 2: the luxury off having nobody wrong. That was really a 61 00:02:50,400 --> 00:02:52,440 Speaker 2: hook master. They could say, hey, let's try this hook 62 00:02:52,520 --> 00:02:53,600 Speaker 2: right there. You did everything. 63 00:02:54,840 --> 00:02:57,640 Speaker 3: Yeah, we kind of keppt everything in the house, you 64 00:02:57,680 --> 00:03:01,360 Speaker 3: know what I'm saying. And for the fact that I 65 00:03:01,440 --> 00:03:06,840 Speaker 3: kind of wrote everything and I would give verses to chill, 66 00:03:07,200 --> 00:03:09,720 Speaker 3: you know what I'm saying just on the strength. But 67 00:03:10,440 --> 00:03:13,840 Speaker 3: we was just you know, a four men crew, so 68 00:03:16,680 --> 00:03:22,120 Speaker 3: nobody was you know, really besides me because Mike was 69 00:03:22,120 --> 00:03:24,680 Speaker 3: a DJ, and then once Chill I had to go 70 00:03:24,720 --> 00:03:27,600 Speaker 3: sit down for a minute. It was basically just me, 71 00:03:27,800 --> 00:03:30,839 Speaker 3: Mike and Slip. Slip did all the beats. Mike did 72 00:03:30,880 --> 00:03:33,360 Speaker 3: all the cutting, and I did all the writing, and 73 00:03:33,440 --> 00:03:36,960 Speaker 3: we didn't pretty much deal with you know a lot 74 00:03:36,960 --> 00:03:42,080 Speaker 3: of outside uh entities. As far as you know, I 75 00:03:42,120 --> 00:03:45,520 Speaker 3: never got approached, you know, on the on the you 76 00:03:45,560 --> 00:03:48,560 Speaker 3: know eight I got a tight song or whatever whatever, 77 00:03:48,760 --> 00:03:51,720 Speaker 3: you know, not to say, I wasn't down to you know, 78 00:03:52,400 --> 00:03:58,120 Speaker 3: uh listen to somebody's ideas or whatever. But basically, like 79 00:03:58,240 --> 00:04:02,000 Speaker 3: you said, Ali, concepts is everything. 80 00:04:02,160 --> 00:04:02,360 Speaker 1: Man. 81 00:04:02,640 --> 00:04:04,560 Speaker 3: If you ain't got a concept, man, you ain't got 82 00:04:04,600 --> 00:04:08,640 Speaker 3: a song and ship coming up with them. Concepts, man's 83 00:04:08,760 --> 00:04:11,360 Speaker 3: valuable because then you just got a gang and run 84 00:04:11,400 --> 00:04:14,680 Speaker 3: on sentences and a gang and just talking about anything 85 00:04:14,760 --> 00:04:18,720 Speaker 3: and whatever. So I value that man all day. 86 00:04:19,720 --> 00:04:22,919 Speaker 1: Yeah, you know that's the truth, and that that that 87 00:04:23,839 --> 00:04:29,640 Speaker 1: I think when it won't bat, when it when it okay, 88 00:04:30,720 --> 00:04:34,960 Speaker 1: that's if I remember all all the members, right. Yeah. 89 00:04:35,560 --> 00:04:38,600 Speaker 3: I used to basically write until you know, niggas started 90 00:04:38,680 --> 00:04:42,400 Speaker 3: doing their own you know, projects or whatever, and then 91 00:04:42,520 --> 00:04:45,159 Speaker 3: like you said, not to say that motherfuckers couldn't write, 92 00:04:45,760 --> 00:04:49,600 Speaker 3: but it was just that I was the motherfucker who 93 00:04:49,720 --> 00:04:52,080 Speaker 3: came up with all the concepts to the songs. 94 00:04:52,560 --> 00:04:55,719 Speaker 1: So if if I just roll them out, then I'm 95 00:04:55,839 --> 00:04:58,320 Speaker 1: just gonna be like here, I'm gonna do these two verses. 96 00:04:58,760 --> 00:05:01,480 Speaker 1: You do this version, you do this first, And that 97 00:05:01,640 --> 00:05:05,440 Speaker 1: really kept us on the same page. You get me, Yeah, exactly. 98 00:05:05,520 --> 00:05:08,320 Speaker 1: That was something like Airport was on. It was exactly 99 00:05:09,360 --> 00:05:11,760 Speaker 1: the concept like you know what I'm saying, we do 100 00:05:11,839 --> 00:05:14,320 Speaker 1: it like this is gonna be crazy, gone, it's gonna 101 00:05:14,360 --> 00:05:16,200 Speaker 1: rock the world. Do I just we're gonna take it 102 00:05:16,320 --> 00:05:21,159 Speaker 1: was actually Murphy Lee word from Midwest Swing where he said, 103 00:05:21,279 --> 00:05:23,800 Speaker 1: uh yeah, by the way, I walked back round here, 104 00:05:23,960 --> 00:05:28,240 Speaker 1: I tell you. He said something like, uh oh, my 105 00:05:28,320 --> 00:05:30,720 Speaker 1: airport was one was give me two pers so I 106 00:05:30,880 --> 00:05:33,160 Speaker 1: even take your rynd. You know what I'm saying, like 107 00:05:33,839 --> 00:05:35,800 Speaker 1: right making a look like that that should be a 108 00:05:35,800 --> 00:05:38,040 Speaker 1: hook right there when remember merp said this, make that 109 00:05:38,160 --> 00:05:39,600 Speaker 1: the hook. You know what I'm saying stuff like that, 110 00:05:39,800 --> 00:05:42,159 Speaker 1: Like I was doing it because like cut your grandma, 111 00:05:42,240 --> 00:05:46,240 Speaker 1: like down down Baby Yo Street, And that was in 112 00:05:46,360 --> 00:05:51,160 Speaker 1: the verse that was, well, sometimes you come up with 113 00:05:51,200 --> 00:05:53,359 Speaker 1: ship like that. You had the burgers and. 114 00:05:53,440 --> 00:05:55,320 Speaker 3: Be like, oh no, that should be the hook. Like 115 00:05:55,440 --> 00:05:58,840 Speaker 3: there you take that pieks out and make that shit official. 116 00:05:59,400 --> 00:06:01,159 Speaker 1: You know what, you know what's funny? 117 00:06:01,240 --> 00:06:05,279 Speaker 2: Man, as fun as this song sounded, man country grammar, 118 00:06:06,000 --> 00:06:08,760 Speaker 2: you're talking about doing the drive by, but made it 119 00:06:08,880 --> 00:06:12,080 Speaker 2: sound so pretty and nice of people in their clubs 120 00:06:12,120 --> 00:06:14,839 Speaker 2: shaking they ass and y'all was on there talking about. 121 00:06:14,560 --> 00:06:17,000 Speaker 1: Putting me in some work. Yeah, that was a straight 122 00:06:17,080 --> 00:06:20,080 Speaker 1: up down own baby y'all street in the rang Jo 123 00:06:20,800 --> 00:06:24,440 Speaker 1: street sweeper cock ready to let it go your hands. 124 00:06:24,520 --> 00:06:28,520 Speaker 1: But housewives was jamming to the point of me selling 125 00:06:28,560 --> 00:06:32,040 Speaker 1: it was like, well you said a certain way, they 126 00:06:32,080 --> 00:06:34,960 Speaker 1: won't even hear it, like and he did rive me. 127 00:06:35,080 --> 00:06:37,279 Speaker 1: That was his record right there. He wrote that everyone 128 00:06:37,320 --> 00:06:40,560 Speaker 1: to go and take rive me. They said smoking l 129 00:06:40,640 --> 00:06:43,520 Speaker 1: in the back, all the housewives. And look, you know 130 00:06:43,560 --> 00:06:45,920 Speaker 1: what I'm saying. White women saying that don't they don't 131 00:06:45,920 --> 00:06:47,640 Speaker 1: know smoking the blood in the back of the band. 132 00:06:47,680 --> 00:06:49,240 Speaker 1: They just think of smoke. Hell, you know, I'm saying 133 00:06:49,320 --> 00:06:51,720 Speaker 1: just that that thing saw me and that's what he 134 00:06:51,880 --> 00:06:54,600 Speaker 1: ad like. I was like, okay, you got it. Got 135 00:06:54,760 --> 00:06:57,240 Speaker 1: the point It wasn't it wasn't no pointing. It was like, 136 00:06:57,800 --> 00:07:00,960 Speaker 1: we got a chance it sing little we got I'm 137 00:07:01,040 --> 00:07:03,360 Speaker 1: the best writer. He the best goal for us, like 138 00:07:03,520 --> 00:07:05,840 Speaker 1: selling it. You know what I'm saying, Murphy, he tell 139 00:07:05,920 --> 00:07:08,440 Speaker 1: he young, he coming up. He's gonna be that. You 140 00:07:08,600 --> 00:07:10,400 Speaker 1: just feel it, you know what I'm saying. And then 141 00:07:10,520 --> 00:07:15,800 Speaker 1: but your first chance, you can't play it. So then 142 00:07:15,840 --> 00:07:18,960 Speaker 1: they go tend to go diamond take you in a 143 00:07:19,040 --> 00:07:22,600 Speaker 1: whole other space, like, Okay, next album, let's just keep 144 00:07:22,640 --> 00:07:24,600 Speaker 1: the same format. We're nervous now. You don't want to 145 00:07:24,640 --> 00:07:27,200 Speaker 1: mess with it. You don't want to touch it. You 146 00:07:27,280 --> 00:07:31,880 Speaker 1: gotta Yeah, I'm saying, like one song he could be 147 00:07:31,920 --> 00:07:35,680 Speaker 1: a jam. I'm thinking the next one easier. Now. He 148 00:07:35,800 --> 00:07:38,680 Speaker 1: gotta start off. Every time they start your fresh you 149 00:07:38,720 --> 00:07:42,120 Speaker 1: get a little more lead way with the company and 150 00:07:42,200 --> 00:07:44,320 Speaker 1: with the record, with the radio stage and all that 151 00:07:44,400 --> 00:07:46,360 Speaker 1: that you had it here record, but and you can 152 00:07:46,440 --> 00:07:49,000 Speaker 1: start your beginning could be a little longer, but you 153 00:07:49,040 --> 00:07:52,040 Speaker 1: know when you first come out, just kick it off. 154 00:07:52,160 --> 00:07:55,560 Speaker 1: We have a jam. You gotta keep on making. It 155 00:07:55,720 --> 00:07:59,120 Speaker 1: was just like a team, team effort and then that's what. 156 00:07:59,240 --> 00:08:01,840 Speaker 2: I see, because that's why I say it kind of 157 00:08:01,880 --> 00:08:04,000 Speaker 2: reminded me of accomplished most wonder the way in the 158 00:08:04,040 --> 00:08:07,320 Speaker 2: Midwest was realed in the house. They kept the same 159 00:08:07,440 --> 00:08:09,640 Speaker 2: producer for a long time. He didn't go to old 160 00:08:09,680 --> 00:08:12,920 Speaker 2: bunch outside producers, Like you wouldn't go fire an m 161 00:08:13,000 --> 00:08:15,760 Speaker 2: skate album and find Timberland did this track. You know, 162 00:08:16,080 --> 00:08:19,000 Speaker 2: the real did this one and Trey did this one. No, 163 00:08:19,200 --> 00:08:21,120 Speaker 2: it was the same cast. It was kind of the 164 00:08:21,200 --> 00:08:24,120 Speaker 2: same thing, but the same lunatics. You know, you don't 165 00:08:24,160 --> 00:08:26,360 Speaker 2: come in and assist with the thing. Y'all was a group, 166 00:08:26,480 --> 00:08:28,400 Speaker 2: but y'all played it like a crew and not like 167 00:08:28,560 --> 00:08:32,160 Speaker 2: man that Nellie kept one hundred. You know, he kept 168 00:08:32,200 --> 00:08:34,240 Speaker 2: you all around for the whole runner everything. 169 00:08:35,280 --> 00:08:39,559 Speaker 1: I mean, it's we was gone, We was there, you 170 00:08:39,600 --> 00:08:41,120 Speaker 1: know what I'm saying. Like he said, like the same 171 00:08:41,200 --> 00:08:44,080 Speaker 1: producer je making the Beach, you know what I'm saying, 172 00:08:44,120 --> 00:08:47,840 Speaker 1: I was producing. Yeah, by the time it was from 173 00:08:49,559 --> 00:08:51,360 Speaker 1: you know, it kind of made a change and like 174 00:08:51,720 --> 00:08:53,439 Speaker 1: a lot of pro tools and all that, you know 175 00:08:53,480 --> 00:08:55,600 Speaker 1: what I'm saying. Then as far as like making the Beach, 176 00:08:55,679 --> 00:08:57,840 Speaker 1: it was so many more and we had a little 177 00:08:57,840 --> 00:08:59,760 Speaker 1: white there at Jaye who I kind of like that, 178 00:09:00,200 --> 00:09:02,559 Speaker 1: like this, do it like this, do like this? He was. 179 00:09:03,480 --> 00:09:05,160 Speaker 1: He knew how to play the ship. He had to 180 00:09:05,240 --> 00:09:07,319 Speaker 1: sample it if I wanted. I wanted that the first 181 00:09:07,400 --> 00:09:11,880 Speaker 1: song we had, I wanted that an old sugar hell 182 00:09:13,640 --> 00:09:15,880 Speaker 1: and I'm like, shap of that. He was like what 183 00:09:16,000 --> 00:09:18,640 Speaker 1: about this and just played it. I'm like, oh, you 184 00:09:18,800 --> 00:09:20,719 Speaker 1: go ahead and start making them all the way, like 185 00:09:20,880 --> 00:09:22,800 Speaker 1: to tell them how I wanted, like I want like 186 00:09:22,920 --> 00:09:26,480 Speaker 1: this doing like this. To always want to make a uh, 187 00:09:30,000 --> 00:09:33,280 Speaker 1: always put some type of melody in there. Okay, different, 188 00:09:33,280 --> 00:09:36,040 Speaker 1: I'm gonna make the solid around that melody. Put it 189 00:09:36,120 --> 00:09:37,839 Speaker 1: with you know what I'm saying. For some type of 190 00:09:37,960 --> 00:09:41,480 Speaker 1: melody groove in there. I'm gonna follow that that pattern. 191 00:09:41,559 --> 00:09:44,640 Speaker 1: Then you get by me sing lou a, I'm gonna 192 00:09:44,640 --> 00:09:50,959 Speaker 1: follow it. So did Jamah come up together? See I'm 193 00:09:51,000 --> 00:09:55,920 Speaker 1: older than them, I'm fifty one now. So they they 194 00:09:56,040 --> 00:09:57,320 Speaker 1: they were juggled at me. You know what I'm saying. 195 00:09:57,320 --> 00:10:01,559 Speaker 1: They was juggling like that mom my was that was 196 00:10:01,640 --> 00:10:03,160 Speaker 1: their little cousins and shit. So when I went to 197 00:10:03,200 --> 00:10:06,240 Speaker 1: school and came back and I would signed with Professor 198 00:10:06,280 --> 00:10:08,839 Speaker 1: Griff when he left pub again. He started to do 199 00:10:09,360 --> 00:10:12,160 Speaker 1: hard productions. He was down here in Atlanta now was 200 00:10:12,600 --> 00:10:15,240 Speaker 1: one of the Morris Brown see More Goodie from Goodie Mob. 201 00:10:15,280 --> 00:10:17,760 Speaker 1: He was there going to school. Like I said before, 202 00:10:17,840 --> 00:10:20,839 Speaker 1: we was just in the dawn rooms and everybody was 203 00:10:20,880 --> 00:10:23,640 Speaker 1: teasing everybody. We was teasing everybody from Mama Potas, from 204 00:10:23,640 --> 00:10:26,760 Speaker 1: the Bay and La. We said they talked proper, and 205 00:10:26,840 --> 00:10:29,000 Speaker 1: then we were saying New York with up Kid, with 206 00:10:29,160 --> 00:10:31,800 Speaker 1: up Kid, Everybody's teasing everybody. We laughing and smoke bun shit. 207 00:10:32,640 --> 00:10:35,040 Speaker 1: Then came round Atlanta. We was saying they country and 208 00:10:35,280 --> 00:10:37,280 Speaker 1: all kind of shit. They said me, it's Ali. You 209 00:10:37,400 --> 00:10:40,760 Speaker 1: say you cutry too, you say and everybody started saying 210 00:10:40,840 --> 00:10:44,599 Speaker 1: hood parent good And I was like, I laughed, but 211 00:10:45,000 --> 00:10:48,920 Speaker 1: I was like, dang, stay Eric, I say you know 212 00:10:48,960 --> 00:10:50,560 Speaker 1: what I'm saying. So when I went back to the crib, 213 00:10:50,640 --> 00:10:53,200 Speaker 1: it was like find a group. I got an idea 214 00:10:54,200 --> 00:10:55,720 Speaker 1: seeing it. I know how I can do it because 215 00:10:55,720 --> 00:10:59,280 Speaker 1: it's being back then around that time eight was on fire. 216 00:11:00,080 --> 00:11:02,960 Speaker 1: I'm saying it was run in the ninety nineties, ninety one, 217 00:11:03,920 --> 00:11:06,679 Speaker 1: so we didn't know it wasn't none of that. So 218 00:11:07,120 --> 00:11:09,160 Speaker 1: we could see when we've seen you and you had 219 00:11:09,200 --> 00:11:12,400 Speaker 1: them cagis all and them Kaki shorts something diggy shots 220 00:11:12,440 --> 00:11:15,160 Speaker 1: and socks board up. We knew you. You know what 221 00:11:15,200 --> 00:11:19,640 Speaker 1: I'm saying. If you the little make kango, you know 222 00:11:19,640 --> 00:11:22,319 Speaker 1: what I'm saying, be bop style. We was like Tennessee. 223 00:11:23,080 --> 00:11:24,719 Speaker 1: We had the ten minutes. All we knew you was 224 00:11:24,720 --> 00:11:26,920 Speaker 1: from New York. It was like difference at the time. 225 00:11:27,320 --> 00:11:29,760 Speaker 1: Now it's all a blurred in together stuff like that. 226 00:11:30,200 --> 00:11:32,000 Speaker 1: We was all learning each other. I'm know eight and 227 00:11:32,080 --> 00:11:35,360 Speaker 1: probably was gonna roll meeting because eight played a big 228 00:11:35,520 --> 00:11:38,520 Speaker 1: part in I got on school. I was a wool 229 00:11:38,559 --> 00:11:42,280 Speaker 1: tang fan. I got a bang it's and all banging shit, 230 00:11:42,400 --> 00:11:47,199 Speaker 1: just like a wig butter large heavy on that when 231 00:11:47,200 --> 00:11:49,040 Speaker 1: I went to school. When I got to school, I 232 00:11:49,440 --> 00:11:51,720 Speaker 1: went back to us starting my roommate for me up. 233 00:11:51,760 --> 00:11:54,160 Speaker 1: You know, back to day. I saw and ship like that. 234 00:11:54,320 --> 00:11:55,640 Speaker 1: Just you know what I'm saying. I knew them, you 235 00:11:55,679 --> 00:11:57,040 Speaker 1: know what I'm saying listening to them ship the but 236 00:11:57,080 --> 00:11:59,880 Speaker 1: I kind of like drifted off to where it's like 237 00:12:00,040 --> 00:12:03,240 Speaker 1: got heavy, so that's like wood chain. I came home 238 00:12:03,240 --> 00:12:06,160 Speaker 1: and I ain't I ain't messed with that, And then 239 00:12:07,000 --> 00:12:09,280 Speaker 1: it was slowly slow, but surely like they had a 240 00:12:09,320 --> 00:12:12,079 Speaker 1: little remix. They had tom Me t h O. It 241 00:12:12,160 --> 00:12:15,880 Speaker 1: was a different beat, like West Coast beat. Like they 242 00:12:15,920 --> 00:12:20,480 Speaker 1: started liking it. But then when eight dead old dirty video, 243 00:12:22,000 --> 00:12:25,720 Speaker 1: that's when everybody was like, oh, there was a big 244 00:12:25,840 --> 00:12:29,280 Speaker 1: part of that. I was using that video you in 245 00:12:29,400 --> 00:12:31,120 Speaker 1: the call where just in the car you didn't know 246 00:12:31,200 --> 00:12:32,679 Speaker 1: you was at you wasn't. 247 00:12:33,760 --> 00:12:36,520 Speaker 3: Yeall was in the Shimmy Shimmy remix video. I did 248 00:12:36,559 --> 00:12:39,199 Speaker 3: it first, and then I was in the can it 249 00:12:39,280 --> 00:12:41,920 Speaker 3: all be so simple video slow motion? 250 00:12:42,559 --> 00:12:44,280 Speaker 1: We seen eight in the video and I'm like, what 251 00:12:44,760 --> 00:12:48,040 Speaker 1: what what? Then everybody like, damnan, I listened to it 252 00:12:48,320 --> 00:12:50,000 Speaker 1: that ate in the video. It was in the video 253 00:12:50,200 --> 00:12:53,000 Speaker 1: just like it was deep like that real, so real 254 00:12:53,080 --> 00:12:57,440 Speaker 1: for deep like that. That's a portant boy, just the whole, 255 00:12:57,920 --> 00:13:00,240 Speaker 1: my whole, because it was just me. There was as 256 00:13:00,280 --> 00:13:02,679 Speaker 1: we call East Coast Ali. When I came home, I 257 00:13:02,840 --> 00:13:04,959 Speaker 1: was just just some different shit, different shit. And then 258 00:13:04,960 --> 00:13:07,040 Speaker 1: when we say I ain't in that video, I was wrapped. 259 00:13:07,280 --> 00:13:09,160 Speaker 1: It was easy. Yep. Yeah. 260 00:13:09,280 --> 00:13:12,360 Speaker 2: I think from the Midwest Land we have a tendency 261 00:13:12,440 --> 00:13:15,959 Speaker 2: to kind of listen to everybody but West Coast. Bratt 262 00:13:16,200 --> 00:13:21,640 Speaker 2: was definitely it hit because I think we kind of 263 00:13:21,760 --> 00:13:23,920 Speaker 2: identified with them a little bit because you know, they 264 00:13:23,920 --> 00:13:25,920 Speaker 2: would wear the dickies and stuff like that, and in 265 00:13:26,040 --> 00:13:29,320 Speaker 2: Cleveland they would wear dickies and T shirts. Took us 266 00:13:29,320 --> 00:13:31,079 Speaker 2: to me it was just poor people clothes. To me, 267 00:13:31,200 --> 00:13:33,120 Speaker 2: that was just you wearing your pops clothes. You know, 268 00:13:33,280 --> 00:13:36,080 Speaker 2: pops might have an old pair of dickies that become 269 00:13:36,120 --> 00:13:38,199 Speaker 2: a new pair of school school pants. 270 00:13:38,200 --> 00:13:38,920 Speaker 1: You feel what I mean. 271 00:13:39,240 --> 00:13:40,839 Speaker 2: When you ain't got a whole bunch of money in 272 00:13:40,920 --> 00:13:43,760 Speaker 2: the crib dog, that's what you're wearing. You might have 273 00:13:43,960 --> 00:13:45,960 Speaker 2: you one fair of nice Tilis shoes. And we met 274 00:13:46,000 --> 00:13:47,920 Speaker 2: the last shoot over year. I don't know how your 275 00:13:48,040 --> 00:13:50,760 Speaker 2: situation was coming up, but I wasn't getting to buy 276 00:13:50,880 --> 00:13:52,480 Speaker 2: no whole bunch of shoes and stuff. I had to 277 00:13:52,520 --> 00:13:53,880 Speaker 2: take my shoes off and I came. 278 00:13:54,440 --> 00:13:57,840 Speaker 1: I had a room spur, so I went started school 279 00:13:57,920 --> 00:14:00,319 Speaker 1: off of us from LEVI that fit, and you know, 280 00:14:00,440 --> 00:14:02,880 Speaker 1: once you washed them anyway, they kind of shrunk up anyway. 281 00:14:03,280 --> 00:14:07,040 Speaker 1: Then I Yeah, then I grew in my flood and 282 00:14:07,080 --> 00:14:09,439 Speaker 1: I had to rock muster of the Beastie Boys for 283 00:14:09,559 --> 00:14:11,320 Speaker 1: a minute. You know what I'm saying, it's also tough, 284 00:14:11,800 --> 00:14:14,599 Speaker 1: but nah that that time period because it was it 285 00:14:14,960 --> 00:14:19,080 Speaker 1: literally went East Coast and they hole shine, it didn't 286 00:14:19,120 --> 00:14:21,040 Speaker 1: go away. But then once it went to the West 287 00:14:21,080 --> 00:14:24,280 Speaker 1: coasts that you know, n W Wayhead. You know what 288 00:14:24,280 --> 00:14:28,680 Speaker 1: I'm saying. It's the whole transform over that that it 289 00:14:28,840 --> 00:14:32,280 Speaker 1: was at that time period ninety eighty nine, ninety ninety one, 290 00:14:32,360 --> 00:14:35,320 Speaker 1: cause still we the go the like my East Coast 291 00:14:35,560 --> 00:14:38,280 Speaker 1: said rock Cam said, DC. You know what I'm saying, 292 00:14:38,440 --> 00:14:40,520 Speaker 1: Like that was like our rock Cam to me. You 293 00:14:40,560 --> 00:14:43,440 Speaker 1: know what I'm saying. To where it was that time, 294 00:14:43,760 --> 00:14:45,880 Speaker 1: it was nothing but West Coast, you know what I'm saying. 295 00:14:45,960 --> 00:14:48,120 Speaker 1: For us, you know what I'm saying. And plus everybody 296 00:14:48,160 --> 00:14:51,240 Speaker 1: who I met Trey d if you were from the east, 297 00:14:51,240 --> 00:14:54,800 Speaker 1: Saint Louis snooping from Mississippi. You know what I'm saying. 298 00:14:56,120 --> 00:15:00,440 Speaker 1: Everybody in Watts Yeah, I just got so much connected 299 00:15:00,480 --> 00:15:07,280 Speaker 1: to Saint Louis, so many I'm Tyree's glasses just so much. 300 00:15:07,360 --> 00:15:09,600 Speaker 1: Watch I'm gonna teach you re real quick. The crazy 301 00:15:09,800 --> 00:15:13,000 Speaker 1: thing about that how that happened was the first sit 302 00:15:13,120 --> 00:15:19,200 Speaker 1: clown was all black, Saigon was red sand Saint Louis. 303 00:15:19,320 --> 00:15:24,440 Speaker 1: Dude moved to Watch and Saint Louis literally moved to watch. 304 00:15:25,800 --> 00:15:28,440 Speaker 1: Everybody just start moving to watch, just all sudden, like 305 00:15:28,520 --> 00:15:30,160 Speaker 1: it was real life or something. You know what I'm saying, 306 00:15:30,200 --> 00:15:32,360 Speaker 1: that's crazy. So we went out there one time for 307 00:15:32,440 --> 00:15:35,040 Speaker 1: a show. There was a bunch of long boy Bob 308 00:15:35,240 --> 00:15:37,960 Speaker 1: Rest in Piece of Bee Stroke. His father was living 309 00:15:37,960 --> 00:15:39,920 Speaker 1: in Watch and he told us the whole thing, like, ah, 310 00:15:40,000 --> 00:15:42,600 Speaker 1: we all came out here in the seventies and Red 311 00:15:42,680 --> 00:15:45,880 Speaker 1: Fox he had his show. We stopt moving out her 312 00:15:46,120 --> 00:15:50,000 Speaker 1: was like, dang we most of us was like ship. Nigga. 313 00:15:50,360 --> 00:15:52,880 Speaker 3: Friend Sam Frad said, nigga, move your ass to watch. 314 00:15:53,000 --> 00:15:57,560 Speaker 3: So nigga, we go on the watch. So it was 315 00:15:57,600 --> 00:15:58,840 Speaker 3: deep and now I was like. 316 00:16:00,560 --> 00:16:03,560 Speaker 2: Everybody got man, and I almost if you ever think 317 00:16:03,600 --> 00:16:06,000 Speaker 2: about it, man, the West Coast center the South was 318 00:16:06,160 --> 00:16:09,560 Speaker 2: almost always clicked up kind of. And I think that's 319 00:16:09,600 --> 00:16:12,560 Speaker 2: because everybody from out of here got roots in the South. Like, hey, 320 00:16:12,640 --> 00:16:14,040 Speaker 2: what's your people from Mississippi? 321 00:16:14,120 --> 00:16:17,520 Speaker 3: Right? They from Guffport, Mississippi, so you know, and then 322 00:16:17,600 --> 00:16:21,880 Speaker 3: my father from Tampa Bay, Florida, so you know, they they, 323 00:16:22,800 --> 00:16:25,280 Speaker 3: like everybody else, migrated to the West Coast. 324 00:16:25,880 --> 00:16:30,400 Speaker 1: Yeah, everybody, So you're gonna connect, you know what I'm saying. So, 325 00:16:30,480 --> 00:16:34,080 Speaker 1: and then they came down at the summer vacation by Qube. 326 00:16:34,160 --> 00:16:37,240 Speaker 1: That wasn't no, that wasn't no, just no record, that 327 00:16:37,400 --> 00:16:39,080 Speaker 1: wasn't sty reading my money. And I was about to 328 00:16:39,160 --> 00:16:42,800 Speaker 1: go into that because Saint Louis is grimy as heb thog. 329 00:16:43,640 --> 00:16:46,280 Speaker 3: Yeah, oh yeah, I don't people with Saint Louis a 330 00:16:46,360 --> 00:16:47,720 Speaker 3: few times throwing shows. 331 00:16:48,680 --> 00:16:52,080 Speaker 1: Niggas was on it. Yeah, I remember back in day, 332 00:16:52,720 --> 00:16:54,520 Speaker 1: and I think you can't just it's got a two 333 00:16:54,600 --> 00:16:59,520 Speaker 1: club jam east side on one side, on the east side, 334 00:16:59,560 --> 00:17:03,640 Speaker 1: so it down like the crips had a lockdown. You 335 00:17:03,720 --> 00:17:06,520 Speaker 1: go down that side, both sides of the streets. The 336 00:17:06,600 --> 00:17:09,200 Speaker 1: club on one side. It's a club right across the 337 00:17:09,200 --> 00:17:13,679 Speaker 1: streets East and East St. Louis. It's really Illinois's Eastern 338 00:17:13,680 --> 00:17:16,720 Speaker 1: Saint Look, we're going outside of the party and it 339 00:17:16,800 --> 00:17:20,600 Speaker 1: ain't nothing like state troopers. Ain't really no police. So 340 00:17:20,720 --> 00:17:22,200 Speaker 1: it was just, you know what I'm saying, around that 341 00:17:22,320 --> 00:17:26,520 Speaker 1: town ship. They came back. I mean, you might have 342 00:17:26,600 --> 00:17:31,920 Speaker 1: came to I want to say, well, Mercedes, you came 343 00:17:32,040 --> 00:17:34,119 Speaker 1: to so on the east side. Is one of them 344 00:17:34,320 --> 00:17:37,520 Speaker 1: two club jams or eight came when you do it 345 00:17:38,240 --> 00:17:42,840 Speaker 1: a cup ACoM. Yeah, yeah, we used to have We 346 00:17:43,000 --> 00:17:43,920 Speaker 1: used to have biggers on. 347 00:17:44,720 --> 00:17:47,159 Speaker 3: We used to have towns where niggas was on on 348 00:17:47,359 --> 00:17:50,600 Speaker 3: that ship. Niggas used to be ready when we pulled 349 00:17:50,720 --> 00:17:53,600 Speaker 3: up in towns just on the fact though some crip 350 00:17:53,720 --> 00:17:56,800 Speaker 3: ship or some game banging ship and niggas was coming 351 00:17:56,880 --> 00:18:00,359 Speaker 3: into their own with the gang ship. And we have 352 00:18:00,560 --> 00:18:03,760 Speaker 3: clubs sold up. Shit, we have clubs were fucked up 353 00:18:03,880 --> 00:18:06,520 Speaker 3: so bad. Theft for the police be a lot of 354 00:18:06,600 --> 00:18:08,960 Speaker 3: letting us see in and we the performers. They I 355 00:18:09,040 --> 00:18:11,800 Speaker 3: haven't been turned the wear a few times spots where 356 00:18:12,600 --> 00:18:16,080 Speaker 3: the presence of just gang niggas is just too much 357 00:18:16,520 --> 00:18:17,639 Speaker 3: for niggas to handle. 358 00:18:17,800 --> 00:18:21,160 Speaker 1: So they turned the nigga away because if I get 359 00:18:21,240 --> 00:18:21,680 Speaker 1: let ups. 360 00:18:21,800 --> 00:18:25,280 Speaker 3: A lot of times when I would do uh uh 361 00:18:26,320 --> 00:18:30,480 Speaker 3: gigs like that, uh niggas would tear the motherfucking spots 362 00:18:30,560 --> 00:18:32,480 Speaker 3: up before we could even get to perform. 363 00:18:32,800 --> 00:18:38,240 Speaker 1: You feel me? That time we were number like saying eighteen. 364 00:18:38,560 --> 00:18:42,560 Speaker 1: You're saying we're showing out exactly they coming in town. 365 00:18:43,000 --> 00:18:45,280 Speaker 1: We just chase showing out like that. There wasn't nothing 366 00:18:45,320 --> 00:18:46,600 Speaker 1: else to say about. It was just a show out. 367 00:18:46,640 --> 00:18:48,880 Speaker 1: We're gonna show that we this, that and the third, 368 00:18:48,920 --> 00:18:50,399 Speaker 1: you know what I'm saying. But yeah, it's just a 369 00:18:51,240 --> 00:18:54,240 Speaker 1: oh we came up. I was ducky, you know what 370 00:18:54,240 --> 00:18:56,480 Speaker 1: I'm saying, ducky, and I ain't want to talk about it, 371 00:18:56,480 --> 00:18:59,200 Speaker 1: and I ain't want it be the murder capital every year, 372 00:19:00,840 --> 00:19:03,560 Speaker 1: you know, the Saint Louis. It's kind of embarrassing, and look, 373 00:19:03,640 --> 00:19:06,159 Speaker 1: you know what I'm saying, especially, I ain't want to 374 00:19:06,680 --> 00:19:08,760 Speaker 1: push that like that. A lot of people the city 375 00:19:08,880 --> 00:19:10,600 Speaker 1: was upset, like damn man, you know what I'm saying. 376 00:19:10,600 --> 00:19:12,639 Speaker 1: When y'all ain't you know, y'all is something on the 377 00:19:12,680 --> 00:19:15,520 Speaker 1: party side. I'm like, yeah, I don't want to really 378 00:19:15,600 --> 00:19:17,760 Speaker 1: really really push it because it we came up right 379 00:19:17,840 --> 00:19:21,240 Speaker 1: to the park and beat MHM had to be a 380 00:19:21,400 --> 00:19:25,800 Speaker 1: big help to, you know us, because just for a 381 00:19:25,880 --> 00:19:28,320 Speaker 1: Labels wanted to try to go a different route or 382 00:19:28,359 --> 00:19:30,040 Speaker 1: we was perfect. You know what I'm saying. They couldn't 383 00:19:30,080 --> 00:19:32,359 Speaker 1: hear the drive by in the song. You know what 384 00:19:32,359 --> 00:19:34,119 Speaker 1: I'm saying. You don't hear it down down, but you 385 00:19:34,119 --> 00:19:35,879 Speaker 1: don't hear it the same way, so we kind of 386 00:19:35,960 --> 00:19:38,720 Speaker 1: like so but yeah, nah, it's just crazy. It's just 387 00:19:39,640 --> 00:19:42,000 Speaker 1: it's like I always try to swipe. We didn't like 388 00:19:42,119 --> 00:19:46,160 Speaker 1: no anything. The tough part. I don't like to brag 389 00:19:46,359 --> 00:19:50,200 Speaker 1: on this. Real motherfuckers everywhere you go. It's right, were 390 00:19:50,280 --> 00:19:54,040 Speaker 1: just a little I think they sprayed this ship when 391 00:19:54,080 --> 00:19:56,120 Speaker 1: we was young. Now it sounds praise. They sprayed this ship. 392 00:19:56,200 --> 00:19:58,639 Speaker 1: We was kids used to be outside playing football, and 393 00:19:58,720 --> 00:20:01,000 Speaker 1: they said it was for the bugs. You look up 394 00:20:01,040 --> 00:20:02,840 Speaker 1: on YouTube. It was like the Saint Louis and the 395 00:20:02,920 --> 00:20:05,480 Speaker 1: spray and it's this big thing. They had this lawsuit. 396 00:20:05,920 --> 00:20:10,320 Speaker 1: It was like some prebem stuff. Yeah now, but it 397 00:20:10,400 --> 00:20:12,920 Speaker 1: was up in the sky leaving them little trails and 398 00:20:12,960 --> 00:20:17,960 Speaker 1: stuff the truck, and we thought it was for the bugs. 399 00:20:18,000 --> 00:20:21,160 Speaker 1: Can't hear the street playing football right through the truck. 400 00:20:21,320 --> 00:20:23,600 Speaker 1: We'll get out the way here go spray the bugs, 401 00:20:23,720 --> 00:20:25,600 Speaker 1: you know what I'm saying. But it was just it 402 00:20:25,720 --> 00:20:27,760 Speaker 1: was some spray. They're coming down in the truck, you 403 00:20:27,800 --> 00:20:31,879 Speaker 1: know what I'm saying. Springs Brands, Frands, brands, brand. And 404 00:20:31,960 --> 00:20:35,399 Speaker 1: then we was, you know, born in like Probaly, the village. 405 00:20:35,480 --> 00:20:37,200 Speaker 1: Then when we moved to the north side, was a 406 00:20:37,240 --> 00:20:39,680 Speaker 1: little better. They all they sprayed like once a week 407 00:20:40,359 --> 00:20:44,679 Speaker 1: down So when you move out to I'm the youngest, 408 00:20:44,720 --> 00:20:47,000 Speaker 1: so my post was my age. She's ten years older. 409 00:20:47,040 --> 00:20:49,240 Speaker 1: So they at the house now, my sister and brothers, 410 00:20:49,240 --> 00:20:51,120 Speaker 1: they kind of moved out the house, so they still 411 00:20:51,440 --> 00:20:53,080 Speaker 1: moving back down to the projects. You know what I'm 412 00:20:53,080 --> 00:20:55,440 Speaker 1: saying that they all grew up, grew up down there, 413 00:20:55,520 --> 00:20:57,720 Speaker 1: so go right down there. So I just kept going 414 00:20:57,760 --> 00:21:00,280 Speaker 1: back down there, and they were just still I grew up. 415 00:21:00,320 --> 00:21:03,560 Speaker 1: They we sprayed every day down on every day, every day. 416 00:21:04,119 --> 00:21:06,399 Speaker 1: So you think that Spratty did something that kind of 417 00:21:06,520 --> 00:21:10,040 Speaker 1: like PopEd everybody up. It just slung chords. Because my wife, 418 00:21:10,119 --> 00:21:12,080 Speaker 1: she's from a little rock and she just pointed out 419 00:21:12,200 --> 00:21:14,239 Speaker 1: like something. Oh, and I used to laugh a little bit, 420 00:21:14,680 --> 00:21:17,160 Speaker 1: and we be in the club and ebody a shoe, 421 00:21:17,359 --> 00:21:19,840 Speaker 1: blah blah. We just kind of get down and then 422 00:21:20,720 --> 00:21:22,920 Speaker 1: if it wasn't towards us, were just kind of over with. 423 00:21:23,680 --> 00:21:25,520 Speaker 1: And then she pointed it out one time. I was like, 424 00:21:27,000 --> 00:21:29,200 Speaker 1: I just slowly started thinking as I got older. I 425 00:21:29,240 --> 00:21:31,840 Speaker 1: had been like forty five or some shit. When she 426 00:21:31,880 --> 00:21:34,240 Speaker 1: said this, I was thinking, like, damn, she she tanged 427 00:21:34,280 --> 00:21:36,920 Speaker 1: oy to me. So she pointed out, I'm like, damn, 428 00:21:36,960 --> 00:21:39,600 Speaker 1: it's deep, Like people just get into it. It's just 429 00:21:39,680 --> 00:21:43,760 Speaker 1: so clusey. So the banging, it's imaginic. So you you 430 00:21:44,760 --> 00:21:47,880 Speaker 1: banging with a street. The only thing that's separating us, 431 00:21:47,960 --> 00:21:49,920 Speaker 1: Like Kelly, got a little different, you know what I'm saying. 432 00:21:49,920 --> 00:21:51,840 Speaker 1: You got some streets, of course, you know what I'm saying, 433 00:21:51,920 --> 00:21:53,920 Speaker 1: of course, but at least you got a gap. You 434 00:21:54,000 --> 00:21:57,800 Speaker 1: got you got thirties, always did to the to the sixties. 435 00:21:57,800 --> 00:21:59,440 Speaker 1: You know I'm saying. That's a that's kind of the 436 00:21:59,520 --> 00:22:02,320 Speaker 1: same situation. You know what I'm saying. You might have 437 00:22:02,840 --> 00:22:06,679 Speaker 1: all Lull Street it's straight a dang, and then all 438 00:22:06,800 --> 00:22:10,600 Speaker 1: things separating us as the alley, so they just coming. 439 00:22:10,760 --> 00:22:12,600 Speaker 1: You might have a neighborhood right on the other side 440 00:22:12,600 --> 00:22:15,280 Speaker 1: of the alley. That's a whole different thing. That's a 441 00:22:15,320 --> 00:22:19,159 Speaker 1: whole different set. And it's just they could be the 442 00:22:19,240 --> 00:22:22,520 Speaker 1: same gang, but now they beefing or so we're just 443 00:22:23,200 --> 00:22:25,400 Speaker 1: or a totally different gangs, you know what I'm saying, 444 00:22:25,560 --> 00:22:27,760 Speaker 1: just right behind you in the alley, in the gang way. 445 00:22:27,840 --> 00:22:30,600 Speaker 1: So it's just it just got bad awhile we're just 446 00:22:30,640 --> 00:22:33,840 Speaker 1: getting caught slipping that easy. So it's so small. The 447 00:22:33,840 --> 00:22:36,200 Speaker 1: ain't number like one hundred and fifty thousand people in 448 00:22:36,359 --> 00:22:40,240 Speaker 1: the city. It is like, look, and you're saying, so 449 00:22:40,560 --> 00:22:42,760 Speaker 1: all this stuff going down the ACTIVI is it to 450 00:22:42,800 --> 00:22:45,520 Speaker 1: seem like it's a lot bigger. Yeah, it's not. It's 451 00:22:45,520 --> 00:22:47,320 Speaker 1: a lot bigger and a lot of a lot of 452 00:22:47,400 --> 00:22:51,560 Speaker 1: success out of everything about Like we look immediate Red Fox, 453 00:22:52,240 --> 00:22:58,439 Speaker 1: Dick Gregory, Uh you know cross Ford guy, Tory go Tory, 454 00:22:59,280 --> 00:23:03,920 Speaker 1: see your old school favorite to ship. Yeah, it's some discomedians, 455 00:23:04,040 --> 00:23:06,080 Speaker 1: like we got to control a lot of that. That 456 00:23:07,080 --> 00:23:10,399 Speaker 1: Chuck Berry with the rock and roll ship bag time, 457 00:23:10,760 --> 00:23:13,120 Speaker 1: Scot Joppling. You know what I'm saying. It was kind 458 00:23:13,160 --> 00:23:15,240 Speaker 1: of like the first like New York, you know what, 459 00:23:15,400 --> 00:23:17,600 Speaker 1: may me me and Saint Louis. You got your money right, 460 00:23:18,200 --> 00:23:20,920 Speaker 1: meet me in Saint Louis. Well, it's it's kind of 461 00:23:21,040 --> 00:23:23,000 Speaker 1: like it's but they want to keep it smaller. It's 462 00:23:23,040 --> 00:23:26,720 Speaker 1: the archdiss capital, the pope come in town, trade the 463 00:23:26,760 --> 00:23:30,280 Speaker 1: single you' going shed over there and let you know 464 00:23:30,359 --> 00:23:32,960 Speaker 1: on the bood oh oh, Park, I mean old pack 465 00:23:33,440 --> 00:23:35,960 Speaker 1: the biggest clip hood. He's going he going over to 466 00:23:36,000 --> 00:23:38,359 Speaker 1: a sausage spot over there, to a little like a 467 00:23:38,600 --> 00:23:40,440 Speaker 1: he called a meat market or whatever over there in 468 00:23:40,440 --> 00:23:44,320 Speaker 1: the neighborhood. It's straight up chaos over there. But it's 469 00:23:44,480 --> 00:23:48,200 Speaker 1: one little building, just straight stay perfect where it's the Archdioce. 470 00:23:48,240 --> 00:23:50,800 Speaker 1: It's called Capital All. We got so many Catholic schools, 471 00:23:50,880 --> 00:23:53,000 Speaker 1: and it was all I went to the only all 472 00:23:53,119 --> 00:23:56,440 Speaker 1: black Catholic school in America, start partnering with it, got 473 00:23:56,560 --> 00:24:00,639 Speaker 1: prepped all black. Jesus was black, and he was black. 474 00:24:01,600 --> 00:24:05,960 Speaker 1: All the ship on the wall, Negger was. It's a 475 00:24:06,000 --> 00:24:06,520 Speaker 1: different song. 476 00:24:07,400 --> 00:24:09,639 Speaker 2: So do you remember when the crips and the blood 477 00:24:09,720 --> 00:24:11,159 Speaker 2: started making their way kind. 478 00:24:11,000 --> 00:24:16,920 Speaker 1: Of down there like it was yesterday. It was what 479 00:24:17,080 --> 00:24:19,560 Speaker 1: we colored right around that time though, they just literally 480 00:24:19,600 --> 00:24:24,919 Speaker 1: start coming down. So whoever came, they just came. They did, 481 00:24:25,000 --> 00:24:28,840 Speaker 1: They came. They was there was a trade. They became 482 00:24:28,920 --> 00:24:33,240 Speaker 1: a trade. They started one great wood. Then they broughtn't 483 00:24:33,280 --> 00:24:37,360 Speaker 1: working well. They came down. Show love came through, gave 484 00:24:37,480 --> 00:24:40,080 Speaker 1: them sookie side kicks. They came all the way down. 485 00:24:40,760 --> 00:24:45,399 Speaker 1: They came from sixty trays to to pir rules, to 486 00:24:46,359 --> 00:24:49,879 Speaker 1: every and all the neighborhoods. Just whoever came to their neighborhood. 487 00:24:49,920 --> 00:24:52,639 Speaker 1: Look getting brothers up. We just start wearing what they 488 00:24:52,720 --> 00:24:54,200 Speaker 1: was warting. It was already look at French too, what 489 00:24:54,240 --> 00:24:56,240 Speaker 1: I'm saying be cause it was like there had the money, 490 00:24:56,280 --> 00:24:59,200 Speaker 1: so you come in, you got on like do man 491 00:25:00,680 --> 00:25:06,360 Speaker 1: quartea young don yeah, dope man something with the crispy 492 00:25:06,440 --> 00:25:07,920 Speaker 1: look and it was just you know what I'm saying, 493 00:25:08,040 --> 00:25:10,760 Speaker 1: like it was young too. So I remember fly Out. 494 00:25:10,800 --> 00:25:13,320 Speaker 1: When they hit, it was just like summer vacation, just 495 00:25:13,400 --> 00:25:16,359 Speaker 1: like the song came down. I wouldn't say it was 496 00:25:16,440 --> 00:25:19,080 Speaker 1: like the whole shootout type thing, but it was when 497 00:25:19,080 --> 00:25:23,200 Speaker 1: they came down, Smooth hooked us up. I was literally 498 00:25:23,320 --> 00:25:27,200 Speaker 1: taught us like this, this, this, that, And for a 499 00:25:27,280 --> 00:25:31,080 Speaker 1: long time it was just it was Inglewood. It was 500 00:25:32,000 --> 00:25:34,080 Speaker 1: we ain't had it, We wouldn't claiming our neighborhood. They 501 00:25:34,080 --> 00:25:36,920 Speaker 1: didn't start claiming the neighborhood until after the song he 502 00:25:37,040 --> 00:25:39,720 Speaker 1: said that died for the streets that they never heard of. 503 00:25:40,080 --> 00:25:43,080 Speaker 1: Everybody ft just switching over to you know, well, now 504 00:25:43,200 --> 00:25:46,960 Speaker 1: you could tell, like the the hat would be flaxing 505 00:25:47,000 --> 00:25:49,159 Speaker 1: and Robbins, so that that's their neighborhood. So they were 506 00:25:49,280 --> 00:25:53,240 Speaker 1: to Colorado Rocket that's being like that to where you 507 00:25:53,280 --> 00:25:55,840 Speaker 1: could just tell where they from. And they started being 508 00:25:56,000 --> 00:25:58,400 Speaker 1: like you could tell if they was on the left 509 00:25:58,440 --> 00:26:01,080 Speaker 1: side of the right side. As even if we just 510 00:26:01,160 --> 00:26:05,240 Speaker 1: a yeah that was that was always a staple with 511 00:26:05,400 --> 00:26:06,880 Speaker 1: a neighborhoods out here. 512 00:26:07,520 --> 00:26:12,920 Speaker 3: Uh, we either symbolized with either the color of a bandema. 513 00:26:13,440 --> 00:26:15,760 Speaker 1: You know, even though you was cripp of blood. 514 00:26:16,240 --> 00:26:19,160 Speaker 3: You know, you might you might have a purple rag 515 00:26:19,400 --> 00:26:23,040 Speaker 3: or a light blue wag or or black wag or 516 00:26:23,480 --> 00:26:26,639 Speaker 3: your your blood you might have a green rag or 517 00:26:26,920 --> 00:26:31,119 Speaker 3: you know, or yellow rack or whatever. Show and then 518 00:26:31,320 --> 00:26:36,040 Speaker 3: you know, once once the baseball caps got real popular 519 00:26:36,640 --> 00:26:39,480 Speaker 3: and you could you could, uh you know, you could 520 00:26:39,560 --> 00:26:43,280 Speaker 3: attach one of those to your neighborhood. You know, a 521 00:26:43,440 --> 00:26:46,880 Speaker 3: TC hat or a P hat or a W blue 522 00:26:46,960 --> 00:26:50,399 Speaker 3: hat or you see a Raiders hat, you know what 523 00:26:50,440 --> 00:26:56,160 Speaker 3: I'm saying, Steelers hat, a Nebraska hat. 524 00:26:56,160 --> 00:26:56,639 Speaker 1: You give me. 525 00:26:57,160 --> 00:27:01,679 Speaker 3: We definitely, we definitely made that tree and popular by 526 00:27:01,840 --> 00:27:07,200 Speaker 3: symbolizing because sometimes you know, during the school you know, 527 00:27:07,359 --> 00:27:10,160 Speaker 3: you wasn't able to carry the rags in your back 528 00:27:10,320 --> 00:27:14,920 Speaker 3: pocket and whatever because the schools start getting hilp you know, 529 00:27:15,160 --> 00:27:18,639 Speaker 3: to uh the color lines and ship like that, so 530 00:27:19,200 --> 00:27:23,320 Speaker 3: niggas will replace them with baseball caps or shirt or whatever. 531 00:27:24,600 --> 00:27:27,080 Speaker 1: The wand was at I mean like he's like getting 532 00:27:27,200 --> 00:27:31,560 Speaker 1: helped mal dude. He worked at JUNI lid attendency with 533 00:27:31,680 --> 00:27:35,080 Speaker 1: the kids. So I think if y'all waii or something 534 00:27:36,119 --> 00:27:39,119 Speaker 1: WHI So he worked at so when you went in 535 00:27:39,520 --> 00:27:42,359 Speaker 1: you talk to him first. He counselor like. So he 536 00:27:42,400 --> 00:27:44,719 Speaker 1: would talk to him, what you do to get it here? 537 00:27:44,880 --> 00:27:46,440 Speaker 1: Why you what you're gonna do when you get out, 538 00:27:46,640 --> 00:27:48,480 Speaker 1: and when you come out and you're going out, you 539 00:27:48,640 --> 00:27:51,040 Speaker 1: go back through him and talk to him again. A 540 00:27:51,119 --> 00:27:52,920 Speaker 1: lot of time he would bring like a good time. 541 00:27:53,040 --> 00:27:56,879 Speaker 1: He rain somebody bad. They ain't really got nowhere to 542 00:27:56,960 --> 00:27:59,920 Speaker 1: go yet, he bring him hall for the weekend. I'm 543 00:28:00,040 --> 00:28:02,920 Speaker 1: so a lot of the craziest people in the town 544 00:28:03,640 --> 00:28:04,960 Speaker 1: like stayed at the weekend with me when I was 545 00:28:05,080 --> 00:28:08,280 Speaker 1: twelve thirteen years old or ten eleven, twelve years old, 546 00:28:08,800 --> 00:28:10,560 Speaker 1: I had twenty beer and ships and they're all and 547 00:28:10,920 --> 00:28:12,760 Speaker 1: he showed you the should due and ship like you. 548 00:28:13,880 --> 00:28:15,320 Speaker 1: I didn't know it was me, you know what I'm saying, 549 00:28:15,480 --> 00:28:16,560 Speaker 1: the small due, you know what I'm saying. He was 550 00:28:16,560 --> 00:28:17,720 Speaker 1: a little strict, you know what I'm saying. But he 551 00:28:17,880 --> 00:28:20,359 Speaker 1: was fired, so hey, he knew me. They called him 552 00:28:20,400 --> 00:28:22,199 Speaker 1: mster g and I think y'all, but he was at 553 00:28:22,240 --> 00:28:25,120 Speaker 1: war g so he was hip though he got hipped 554 00:28:25,160 --> 00:28:28,200 Speaker 1: by coming to the house. But forty nine and had 555 00:28:28,240 --> 00:28:32,000 Speaker 1: all he are you four nine? Are you you see? 556 00:28:32,040 --> 00:28:34,040 Speaker 1: You know six folk? You know what I'm saying. You 557 00:28:34,119 --> 00:28:36,040 Speaker 1: know what I'm saying. He knew if I by my 558 00:28:36,160 --> 00:28:39,880 Speaker 1: Potts came around and they animal Seattle Marritis had something 559 00:28:39,960 --> 00:28:41,480 Speaker 1: he I wasn't with that what state. You know what 560 00:28:41,480 --> 00:28:44,280 Speaker 1: I'm saying. He knew. So it was in the way 561 00:28:44,760 --> 00:28:46,600 Speaker 1: you know, you could walk green. He was hipped. You 562 00:28:46,640 --> 00:28:48,160 Speaker 1: know what I'm saying, just being down there with all 563 00:28:48,200 --> 00:28:51,920 Speaker 1: the kids say, he knew it was up. It was 564 00:28:52,560 --> 00:28:55,560 Speaker 1: the lady things they were. They lived serious. 565 00:28:56,880 --> 00:29:00,360 Speaker 2: Yeah, it's crazy because you'rell the hop skipping out from 566 00:29:00,440 --> 00:29:01,320 Speaker 2: Chicago too. 567 00:29:03,200 --> 00:29:07,920 Speaker 1: Right then? Right there? Yeah, see yeah, Kansas City, because 568 00:29:07,920 --> 00:29:10,840 Speaker 1: what's that drive in Chicago? Maybe what's that drive of Chicago. 569 00:29:11,720 --> 00:29:15,720 Speaker 1: I'm about three hours everything back that way is close. 570 00:29:15,880 --> 00:29:19,720 Speaker 1: That's what made the dark game back then. It's so crucial. 571 00:29:20,440 --> 00:29:22,400 Speaker 1: You know out well, you've got to travel to get 572 00:29:22,440 --> 00:29:23,480 Speaker 1: to the next thing. Stuff. 573 00:29:23,480 --> 00:29:25,880 Speaker 2: You gotta do some riding. But there you need two 574 00:29:26,000 --> 00:29:28,960 Speaker 2: or three hours hit to the next city. Yeah, you 575 00:29:29,000 --> 00:29:31,520 Speaker 2: know you can get to Kentucky. You can get the 576 00:29:31,600 --> 00:29:33,840 Speaker 2: Kentucky at hour forty five to two hours, you know 577 00:29:33,880 --> 00:29:36,600 Speaker 2: what I mean, three hours you're there. You can get 578 00:29:36,640 --> 00:29:39,320 Speaker 2: the Pittsburgh real quick. So it's a lot of moving around. 579 00:29:39,680 --> 00:29:42,240 Speaker 2: But I would love to ask you, man. I listen 580 00:29:42,280 --> 00:29:44,720 Speaker 2: to people on the internet, man and the fans be 581 00:29:44,800 --> 00:29:47,200 Speaker 2: having an opinions. Sometimes I don't know what they're talking about. 582 00:29:47,240 --> 00:29:50,160 Speaker 2: I see this whole thing about track where he don't 583 00:29:50,200 --> 00:29:51,840 Speaker 2: write now, but this man got a whole bunch of 584 00:29:51,960 --> 00:29:55,160 Speaker 2: hit records. I said, he still got to deliver those records. Yeah, 585 00:29:56,400 --> 00:29:58,920 Speaker 2: so I think the whole thing about somebody else doing 586 00:29:59,000 --> 00:30:01,000 Speaker 2: or write, don't think it quite. 587 00:30:00,920 --> 00:30:04,760 Speaker 1: Mean the same thing that it once did. Now I 588 00:30:04,840 --> 00:30:08,520 Speaker 1: don't see. I don't think it does either. But if 589 00:30:08,560 --> 00:30:10,400 Speaker 1: you thinking about this, and we jumped straight to it 590 00:30:10,560 --> 00:30:15,040 Speaker 1: like it's one of the hardest diss records that everybody 591 00:30:15,240 --> 00:30:17,680 Speaker 1: keep forgetting, it's two of them made everybody keep forgetting. 592 00:30:17,800 --> 00:30:20,720 Speaker 1: One is white Stone said, you know I'm saying because 593 00:30:20,760 --> 00:30:24,440 Speaker 1: that was like jo up a lot with that, you 594 00:30:24,440 --> 00:30:26,960 Speaker 1: know what I'm saying, everybody else to skip over that. 595 00:30:27,040 --> 00:30:33,080 Speaker 1: Another one was real g commens the Gee's easy. That's 596 00:30:33,120 --> 00:30:35,600 Speaker 1: not that fall record. Like back after he had went 597 00:30:35,680 --> 00:30:37,680 Speaker 1: through what he was going through, and dev Ro was 598 00:30:37,920 --> 00:30:39,960 Speaker 1: shaming like that and he got this and when he 599 00:30:40,000 --> 00:30:44,120 Speaker 1: came up with that record, where is that that ship 600 00:30:44,200 --> 00:30:47,280 Speaker 1: with that beat was bang it? Where that's the overlooked 601 00:30:47,320 --> 00:30:48,720 Speaker 1: in myself? And you know what I'm saying that because 602 00:30:48,760 --> 00:30:50,400 Speaker 1: I know Easy he didn't right there? You know what 603 00:30:50,440 --> 00:30:54,520 Speaker 1: I'm saying, We didn't. He said it ice cue it 604 00:30:54,640 --> 00:30:56,680 Speaker 1: just in a different song, ice Cube, right the rhymes 605 00:30:56,800 --> 00:31:00,040 Speaker 1: that I say, you know, we never really was. You 606 00:31:00,040 --> 00:31:03,680 Speaker 1: know what I'm saying, Bis Markey Kine wrote for bus Markey. 607 00:31:04,840 --> 00:31:07,240 Speaker 1: You know what I'm saying, Like, I think it's it's 608 00:31:07,360 --> 00:31:11,040 Speaker 1: always it's always gonna be hip hop. Is you write 609 00:31:11,080 --> 00:31:16,600 Speaker 1: that ship? But now it's we're learning that. Okay. Caine wrote, Damn, 610 00:31:16,680 --> 00:31:19,040 Speaker 1: that's deep. It don't lessen bis market to me. You 611 00:31:19,080 --> 00:31:21,880 Speaker 1: know what I'm saying at all? You know what, Right, 612 00:31:22,080 --> 00:31:24,120 Speaker 1: it didn't lessen nothing for Easy. You know what I'm saying. 613 00:31:24,200 --> 00:31:29,200 Speaker 1: For us, something got Easy in its top five? Yeah? Right. 614 00:31:29,480 --> 00:31:30,280 Speaker 1: I think it's. 615 00:31:31,880 --> 00:31:35,080 Speaker 3: It's looked at differently today because this is a this 616 00:31:35,280 --> 00:31:36,760 Speaker 3: is a different generation. 617 00:31:37,280 --> 00:31:37,880 Speaker 1: You get me. 618 00:31:39,800 --> 00:31:43,680 Speaker 3: I don't think it was Uh, it was frowned upon, 619 00:31:44,440 --> 00:31:47,680 Speaker 3: like you said, because we all knew Easy didn't. 620 00:31:47,800 --> 00:31:47,960 Speaker 1: Right. 621 00:31:48,520 --> 00:31:51,400 Speaker 3: Yeah, you know what I'm saying, we shre everybody saw 622 00:31:51,600 --> 00:31:56,640 Speaker 3: the movie straight out of Charming. He didn't anyway that 623 00:31:57,040 --> 00:32:02,480 Speaker 3: you broke that ship. But like you said, uh, the 624 00:32:02,640 --> 00:32:08,000 Speaker 3: delivery and the person who Easy stood for is what 625 00:32:08,320 --> 00:32:13,000 Speaker 3: named him, you know, a West Coast superstar. Uh that 626 00:32:13,120 --> 00:32:19,640 Speaker 3: that that the voice the image of of Compton, Uh 627 00:32:20,720 --> 00:32:24,880 Speaker 3: what he portrayed to be. Nobody was like, oh man, 628 00:32:25,600 --> 00:32:27,240 Speaker 3: Ice Que broke his rap. 629 00:32:27,440 --> 00:32:31,160 Speaker 1: You get me. But you know, today it's it's kind 630 00:32:31,200 --> 00:32:34,000 Speaker 1: of frowned upon because. 631 00:32:34,400 --> 00:32:39,040 Speaker 3: They attached being authentic to having ghostwriters. 632 00:32:39,120 --> 00:32:39,520 Speaker 1: Today. 633 00:32:39,760 --> 00:32:42,680 Speaker 3: You know what I'm saying, You're not authentic nigga because 634 00:32:42,680 --> 00:32:44,280 Speaker 3: another nigga wrote your rap. 635 00:32:44,440 --> 00:32:44,760 Speaker 1: Whatever. 636 00:32:44,880 --> 00:32:48,560 Speaker 3: You know, it's just another thing that you know, the 637 00:32:49,000 --> 00:32:55,200 Speaker 3: the new generation wants to stand on for themselves. 638 00:32:55,440 --> 00:32:55,960 Speaker 1: You get me. 639 00:32:56,320 --> 00:33:01,720 Speaker 3: As far as separation from what's you know, the original 640 00:33:01,920 --> 00:33:05,880 Speaker 3: fact of the man, like you said, Daddy Jane wrote 641 00:33:05,920 --> 00:33:10,520 Speaker 3: for Beers, We wasn't tripping. We wasn't like, Oh damn 642 00:33:10,680 --> 00:33:14,400 Speaker 3: for real, Oh man, that nigga Beers ain't that because 643 00:33:14,840 --> 00:33:17,680 Speaker 3: you get it, it happened. It's I'm pretty sure a 644 00:33:17,760 --> 00:33:22,440 Speaker 3: lot you get me back to it. You know, especially 645 00:33:22,600 --> 00:33:25,240 Speaker 3: with you know some some of the females. 646 00:33:25,400 --> 00:33:27,440 Speaker 1: You give me my other. 647 00:33:27,320 --> 00:33:31,800 Speaker 3: People writing and writing, they deliveries. You know, it's producing 648 00:33:31,920 --> 00:33:35,160 Speaker 3: they songs. But you know, we was just thankful for 649 00:33:35,320 --> 00:33:39,480 Speaker 3: hip hop back then. So there are fuck who wrote 650 00:33:39,520 --> 00:33:42,960 Speaker 3: it long as the ship sounded good, and the people 651 00:33:43,040 --> 00:33:46,280 Speaker 3: who was rapping it was on point with it. You 652 00:33:46,400 --> 00:33:50,920 Speaker 3: get me so, like I said, when you're dealing with 653 00:33:51,440 --> 00:33:56,120 Speaker 3: you know, the fifteen to twenty five year old bracket, 654 00:33:56,600 --> 00:33:57,280 Speaker 3: and you know. 655 00:33:58,000 --> 00:34:00,320 Speaker 1: And and a lot of new new nigga is on 656 00:34:00,400 --> 00:34:01,600 Speaker 1: the streets and whatever. 657 00:34:01,840 --> 00:34:05,800 Speaker 3: Youngsters they have their own identity to a lot of 658 00:34:05,880 --> 00:34:09,640 Speaker 3: shit when in a hip hop nowadays, you get me. 659 00:34:09,920 --> 00:34:09,960 Speaker 1: So. 660 00:34:10,680 --> 00:34:16,200 Speaker 3: You know, back in our days, you know, being being 661 00:34:16,560 --> 00:34:21,320 Speaker 3: uh being poppy or singing on records that got you, 662 00:34:21,560 --> 00:34:24,840 Speaker 3: you know and unlet's it was some hood shit, you know, 663 00:34:25,400 --> 00:34:29,040 Speaker 3: like y'all did it or whatever. But you know, to 664 00:34:29,200 --> 00:34:34,040 Speaker 3: hear niggas making geniue wine, you know, songs, you know, 665 00:34:34,400 --> 00:34:38,719 Speaker 3: on a different scale, we never considered hip hop ish, 666 00:34:38,960 --> 00:34:43,040 Speaker 3: you feel me. But in a different time today, music 667 00:34:43,200 --> 00:34:46,600 Speaker 3: is different, the fans is different, you feel me, and 668 00:34:47,200 --> 00:34:49,600 Speaker 3: they want to stand on what they want to stand on. 669 00:34:49,760 --> 00:34:53,800 Speaker 3: As far as what they declare is hip hop to 670 00:34:53,960 --> 00:34:58,040 Speaker 3: them exact. Some of them might go, oh, you got 671 00:34:58,200 --> 00:35:01,800 Speaker 3: a ghostwriter, but then if it's one of their favorites, 672 00:35:01,880 --> 00:35:02,560 Speaker 3: they gonna. 673 00:35:02,360 --> 00:35:06,040 Speaker 1: Be like, give the ship you feel. So that's how 674 00:35:06,280 --> 00:35:08,200 Speaker 1: that's how the ship transitions today. 675 00:35:08,560 --> 00:35:12,160 Speaker 3: We got we got new people and and new forms 676 00:35:12,239 --> 00:35:15,480 Speaker 3: of hip hop today that they want to just declare 677 00:35:15,560 --> 00:35:16,359 Speaker 3: for themselves. 678 00:35:16,480 --> 00:35:19,840 Speaker 1: You give me yeah, just if we think about it. 679 00:35:20,920 --> 00:35:24,920 Speaker 1: The back when they first started the seventy seven and 680 00:35:25,000 --> 00:35:27,640 Speaker 1: seventy eighth and all that, they had a four man 681 00:35:27,760 --> 00:35:31,279 Speaker 1: crew Fucky four plus one more dollar. It was just 682 00:35:31,440 --> 00:35:35,040 Speaker 1: one person, right, you know what I'm saying. You watch 683 00:35:35,080 --> 00:35:38,040 Speaker 1: some of them, all them shows like whatever that show 684 00:35:38,239 --> 00:35:41,400 Speaker 1: was where like uh It's about grand Master Flash was 685 00:35:41,440 --> 00:35:45,919 Speaker 1: on Netflix and like Willis Smith Sun played and Jump Off. 686 00:35:46,040 --> 00:35:49,160 Speaker 1: I like that movie Jump They had the one dude 687 00:35:49,200 --> 00:35:51,359 Speaker 1: wrote the rap. You know what I'm saying. They wrote, 688 00:35:51,440 --> 00:35:52,920 Speaker 1: they wrote the rap. You know what I'm saying. It 689 00:35:53,080 --> 00:35:55,040 Speaker 1: was just you know, like they said, it was we 690 00:35:55,600 --> 00:35:57,360 Speaker 1: that's back when we was. You went to the store. 691 00:35:58,080 --> 00:36:01,680 Speaker 1: You're saying a rap album, you just falled. You know 692 00:36:01,719 --> 00:36:04,920 Speaker 1: what I'm saying? Like you I he manipulator brought that 693 00:36:05,080 --> 00:36:08,000 Speaker 1: home and was like he had too many choices. So 694 00:36:08,600 --> 00:36:11,600 Speaker 1: and then plus we was you know, always gonna because 695 00:36:11,680 --> 00:36:14,719 Speaker 1: just at the time, what I'm saying, hip hop was 696 00:36:14,880 --> 00:36:18,080 Speaker 1: going against the grain period just liking it, know what 697 00:36:18,080 --> 00:36:19,840 Speaker 1: I'm saying. We had time to work about who rolled it. 698 00:36:20,000 --> 00:36:23,000 Speaker 1: We wasn't that. It wasn't none of that. We couldn't 699 00:36:23,000 --> 00:36:24,759 Speaker 1: even worry about that. The kind of shit work. It 700 00:36:24,920 --> 00:36:27,239 Speaker 1: was just going against the grain. Just listening to hip 701 00:36:27,280 --> 00:36:33,600 Speaker 1: hop the heights you had records like uh word up 702 00:36:34,640 --> 00:36:40,040 Speaker 1: with by Cameo. They was dissent, Are you suffering? DJs? 703 00:36:40,360 --> 00:36:43,160 Speaker 1: You think your fly but you get here said you 704 00:36:43,280 --> 00:36:46,200 Speaker 1: put on your tails and your act real. We just 705 00:36:46,400 --> 00:36:49,760 Speaker 1: because we was hip hop was coming into the world. 706 00:36:49,800 --> 00:36:51,920 Speaker 1: We were old enough to remember, all three of us 707 00:36:52,080 --> 00:36:56,120 Speaker 1: were was no hip hop, no hip hop be came 708 00:36:57,080 --> 00:36:59,080 Speaker 1: then we we we loved it, you know what I'm saying. 709 00:36:59,200 --> 00:37:01,720 Speaker 1: And then we just felt it just like oh my goodness, 710 00:37:01,760 --> 00:37:05,160 Speaker 1: were boning. But we remember it was still some just 711 00:37:05,239 --> 00:37:07,719 Speaker 1: some regular new addition. Had they time they popped, we 712 00:37:07,840 --> 00:37:11,400 Speaker 1: wasn't tripping. Well, just saying so now the youth, they 713 00:37:11,520 --> 00:37:14,239 Speaker 1: gonna always have a spot always wanted because I'm talking 714 00:37:14,239 --> 00:37:18,359 Speaker 1: about father your son and your your daughter and son 715 00:37:18,520 --> 00:37:20,879 Speaker 1: don't want to be like you. You know what I'm saying, 716 00:37:20,880 --> 00:37:23,400 Speaker 1: if you start wearing a certain shoe or they just 717 00:37:23,520 --> 00:37:25,920 Speaker 1: gonna not do it because I ain't wearing of them all? 718 00:37:26,040 --> 00:37:27,600 Speaker 1: Who got all? You know what I'm saying, even though 719 00:37:27,800 --> 00:37:31,680 Speaker 1: exactly they that's how we was. I want them all bottles. 720 00:37:31,840 --> 00:37:35,200 Speaker 1: We wore Stacey's for a while. Now you don't want 721 00:37:35,239 --> 00:37:39,719 Speaker 1: Staceys for a while. But my father was everyone every 722 00:37:40,040 --> 00:37:41,640 Speaker 1: know he was wearing track. 723 00:37:43,360 --> 00:37:47,640 Speaker 3: Put a short song with some tube socks in the States. Yeah, 724 00:37:48,000 --> 00:37:49,919 Speaker 3: you want to stay away from that, nig I'm trying 725 00:37:49,920 --> 00:37:50,360 Speaker 3: to rock. 726 00:37:50,280 --> 00:37:55,879 Speaker 1: Me some core teens or some ship like our identity too, 727 00:37:56,400 --> 00:37:58,880 Speaker 1: And I get that. Yeah, you want to all chin. 728 00:37:59,200 --> 00:38:02,080 Speaker 1: But it was they say it was. It was, well 729 00:38:02,200 --> 00:38:06,920 Speaker 1: that that's just the because you had run and for 730 00:38:07,000 --> 00:38:11,319 Speaker 1: Beastie boy. I know that. You know what I'm saying now, 731 00:38:12,280 --> 00:38:14,760 Speaker 1: like I'm saying, I didn't get. But it's crazy. 732 00:38:14,840 --> 00:38:18,040 Speaker 3: I were frowned upon with certain ship because I didn't 733 00:38:18,040 --> 00:38:20,560 Speaker 3: give a damn who wrote the Michael Jackson record. 734 00:38:21,160 --> 00:38:24,600 Speaker 1: Yeah, a damn who wrote the Prints record? You get me? 735 00:38:25,080 --> 00:38:26,840 Speaker 3: Whether they did and nothing, that's what that was a 736 00:38:26,920 --> 00:38:29,480 Speaker 3: lot of R and B artists, pop artists, rock and 737 00:38:29,640 --> 00:38:32,600 Speaker 3: roll artists. A lot of these songs was pinned by 738 00:38:32,760 --> 00:38:36,680 Speaker 3: other motherfuckers, and for us it didn't matter. But you know, 739 00:38:37,239 --> 00:38:41,200 Speaker 3: hip hop is is considered uh you know, which which 740 00:38:41,280 --> 00:38:44,400 Speaker 3: a lot of our black music is considered, you know, 741 00:38:45,640 --> 00:38:50,080 Speaker 3: a struggle music. Uh so, but we we shouldn't be 742 00:38:50,239 --> 00:38:52,640 Speaker 3: frowned to born and we should be looked upon differently 743 00:38:52,719 --> 00:38:55,759 Speaker 3: as fucking But it's just what happens as far as 744 00:38:55,880 --> 00:38:57,040 Speaker 3: hip hop is concerned. 745 00:38:57,320 --> 00:39:00,640 Speaker 1: We the street niggas or we the we that ship. 746 00:39:00,840 --> 00:39:04,719 Speaker 3: So if you if you talking about something on a 747 00:39:04,800 --> 00:39:09,400 Speaker 3: wrap record, then he gotta be your own motherfucking words 748 00:39:09,520 --> 00:39:12,480 Speaker 3: or thoughts and not the thoughts of another nigga. And 749 00:39:12,600 --> 00:39:15,480 Speaker 3: that's what people try to push that line today. 750 00:39:17,120 --> 00:39:20,560 Speaker 1: Walkybody, did you are you who wrote it? Did you 751 00:39:20,880 --> 00:39:24,480 Speaker 1: are you doing that? Yeah? That's that. Yeah, Yeah, we 752 00:39:25,600 --> 00:39:29,719 Speaker 1: was concerned us nigga this motherfucker rapping and and is 753 00:39:29,800 --> 00:39:30,640 Speaker 1: it hard or not? 754 00:39:31,080 --> 00:39:36,359 Speaker 3: Like think got really focused on you know, uh if 755 00:39:36,520 --> 00:39:40,480 Speaker 3: you wrote his rap or not, you give me I'm 756 00:39:40,600 --> 00:39:44,879 Speaker 3: like it never even you know, and like you said, 757 00:39:44,920 --> 00:39:50,959 Speaker 3: we all knew Easy wasn't writing you know, he even 758 00:39:51,080 --> 00:39:54,479 Speaker 3: declared it. We all seen it, but we wasn't doing 759 00:39:54,600 --> 00:39:58,759 Speaker 3: that they Easy. We wasn't like, oh nigga, uh when 760 00:39:58,840 --> 00:40:02,279 Speaker 3: you did the like you said that this record, We 761 00:40:02,600 --> 00:40:05,719 Speaker 3: wasn't like our nigga. This ain't ship because he didn't 762 00:40:05,800 --> 00:40:06,120 Speaker 3: light it. 763 00:40:07,600 --> 00:40:11,320 Speaker 1: Because it was hard and we do that. We felt 764 00:40:11,400 --> 00:40:15,960 Speaker 1: like Easy was really what he was saying, like you got. 765 00:40:17,360 --> 00:40:19,239 Speaker 2: Not to cut you off, though, bro, But I think 766 00:40:19,360 --> 00:40:22,360 Speaker 2: that's what Drake kind of gets people's problem. 767 00:40:22,360 --> 00:40:22,920 Speaker 1: He was with him. 768 00:40:22,960 --> 00:40:27,280 Speaker 2: You gotta remember, Jane was writing for Easy, right. Easy 769 00:40:27,360 --> 00:40:29,720 Speaker 2: looked like he fit into the coach. He was authentic. 770 00:40:29,880 --> 00:40:31,600 Speaker 1: Right. If you from. 771 00:40:31,520 --> 00:40:33,880 Speaker 2: Canada and you got a cat from Tennessee right in 772 00:40:33,920 --> 00:40:36,680 Speaker 2: your reps one time, then the cat from Atlanta, you're 773 00:40:36,760 --> 00:40:39,040 Speaker 2: kind of taking they swag and it's not yours. 774 00:40:39,160 --> 00:40:39,480 Speaker 1: Easy. 775 00:40:39,840 --> 00:40:42,399 Speaker 2: The stuff that you was writing for Easy, it fit 776 00:40:42,520 --> 00:40:45,640 Speaker 2: Easy swagger because you saw Easy the short a stocking 777 00:40:45,760 --> 00:40:47,959 Speaker 2: dude with his penalty. Know he got a Jerry curl. 778 00:40:48,600 --> 00:40:50,319 Speaker 2: He looked just like a little Compton crip. 779 00:40:51,000 --> 00:40:52,000 Speaker 1: Yeah, all right. 780 00:40:54,239 --> 00:40:57,160 Speaker 3: They knew Easy was cruising down the street in his 781 00:40:57,320 --> 00:41:01,440 Speaker 3: sixty four exact. They knew Easy was in the hood 782 00:41:01,600 --> 00:41:07,000 Speaker 3: selling dope and was claiming the neighborhood and was authentic easy, 783 00:41:07,200 --> 00:41:09,400 Speaker 3: just like nigga, I ain't got time to be writing 784 00:41:09,760 --> 00:41:14,080 Speaker 3: like that's not my fort it's not my forte to 785 00:41:14,320 --> 00:41:18,759 Speaker 3: be sitting down like you know. Nah, But nigga, y'all 786 00:41:18,800 --> 00:41:22,120 Speaker 3: all know, I'm the nigga that serve. I'm the nigga 787 00:41:22,120 --> 00:41:25,080 Speaker 3: that claimed the hood. Y'all all see what I put 788 00:41:25,239 --> 00:41:27,320 Speaker 3: you know, sixty four low Rider. 789 00:41:27,640 --> 00:41:29,840 Speaker 1: I don't give a fuck. It's his y'all know what 790 00:41:30,080 --> 00:41:34,719 Speaker 1: hood I'm from. So yeah, it's easy to attach that 791 00:41:35,200 --> 00:41:38,520 Speaker 1: because it's like, well, shit, I see this nigga doing 792 00:41:38,600 --> 00:41:39,800 Speaker 1: this shit on the regular. 793 00:41:40,440 --> 00:41:44,280 Speaker 3: Yeah, But like you said, still that's a different aspect 794 00:41:44,400 --> 00:41:46,879 Speaker 3: when you go, oh, I got a nigga down here 795 00:41:47,000 --> 00:41:50,880 Speaker 3: writing some shit and now it's just like music. 796 00:41:51,000 --> 00:41:52,160 Speaker 1: I don't know. People. 797 00:41:52,480 --> 00:41:56,319 Speaker 3: People want some authenticity when it comes to hip hop, 798 00:41:56,520 --> 00:42:00,360 Speaker 3: and especially if you walk, especially if you trying to 799 00:42:00,440 --> 00:42:05,520 Speaker 3: walk that line of being an authentic nigga, you get 800 00:42:05,640 --> 00:42:09,279 Speaker 3: me and not just you know, I'm just some I'm 801 00:42:09,400 --> 00:42:13,120 Speaker 3: just a musician and I'm but if you walking around 802 00:42:13,400 --> 00:42:17,440 Speaker 3: like you know you wanted them, the niggas want some 803 00:42:17,640 --> 00:42:21,640 Speaker 3: authenticity to that which you are trying to play, and 804 00:42:22,239 --> 00:42:27,120 Speaker 3: it kind of throws it off when you talking shit 805 00:42:27,280 --> 00:42:31,080 Speaker 3: to a nigga, but you didn't write that shit talking, 806 00:42:31,960 --> 00:42:35,839 Speaker 3: and then you don't fit that deal. So now I'm 807 00:42:35,960 --> 00:42:38,600 Speaker 3: kind of fucked up behind the fact that you got 808 00:42:38,680 --> 00:42:42,960 Speaker 3: another nigga pinn in some shit, and especially on some 809 00:42:43,360 --> 00:42:47,920 Speaker 3: like this shit. You get me, right, you that's supposed 810 00:42:47,920 --> 00:42:51,200 Speaker 3: to be you. A nigga comes at you, he writing 811 00:42:51,360 --> 00:42:56,040 Speaker 3: his thoughts. Yeah, so we you know, we expect that 812 00:42:56,360 --> 00:43:01,279 Speaker 3: when it comes to our frame and all situations in 813 00:43:01,520 --> 00:43:04,120 Speaker 3: hip hop. You know, you a nigga from the streets. 814 00:43:04,360 --> 00:43:07,319 Speaker 3: I'm a nigga from the streets. You a nigga associated 815 00:43:07,400 --> 00:43:10,560 Speaker 3: with the streets. So I don't want to hear that 816 00:43:11,280 --> 00:43:14,279 Speaker 3: tear me down in Atlanta, right, and that you a 817 00:43:14,440 --> 00:43:17,040 Speaker 3: hard nigga or pull a pistol on a nigga or 818 00:43:17,120 --> 00:43:20,520 Speaker 3: slap the shit out of nigga. Now, I want to 819 00:43:20,640 --> 00:43:24,360 Speaker 3: test that because that ain't coming from you, you feel me. 820 00:43:25,239 --> 00:43:28,200 Speaker 3: That comes from somebody else. Now, if it was just 821 00:43:28,360 --> 00:43:31,200 Speaker 3: on some Hey, we in the club and gonna pop 822 00:43:31,320 --> 00:43:33,359 Speaker 3: some bottles and throw some money at. 823 00:43:33,320 --> 00:43:36,600 Speaker 1: Some bitches and that shit, nigga, be my guess. 824 00:43:37,840 --> 00:43:40,960 Speaker 3: If you're going out a nigga where y'all could possibly 825 00:43:41,120 --> 00:43:44,440 Speaker 3: meet up in the streets and whatever nigga that ain't shoot, 826 00:43:45,360 --> 00:43:48,360 Speaker 3: that's some other nigga. So I really need to be 827 00:43:48,480 --> 00:43:51,120 Speaker 3: trying to check the other nigga because them is his 828 00:43:51,360 --> 00:43:54,040 Speaker 3: thoughts when he talking about he want to pill a 829 00:43:54,200 --> 00:43:57,440 Speaker 3: cap or pull a strap on a nigga or whatever 830 00:43:57,680 --> 00:43:58,319 Speaker 3: you feel me. 831 00:44:00,080 --> 00:44:07,279 Speaker 1: I got because truthfully, like what we're talking about, we 832 00:44:07,480 --> 00:44:12,440 Speaker 1: like showing love in a sense because truthfully, we we 833 00:44:12,560 --> 00:44:15,760 Speaker 1: know that between help, Like when we're talking about MC's 834 00:44:15,920 --> 00:44:18,880 Speaker 1: and hip hop and everything, we know the rules like okay, 835 00:44:19,560 --> 00:44:21,400 Speaker 1: we ain't even paint no attention if you ain't right, 836 00:44:21,480 --> 00:44:24,799 Speaker 1: the wing gonna discredit you, Walters, you ain't overhe here 837 00:44:24,880 --> 00:44:28,719 Speaker 1: with the I'm the best right you know, right right 838 00:44:29,320 --> 00:44:32,560 Speaker 1: right right right out of this things between that right now. 839 00:44:32,719 --> 00:44:35,600 Speaker 1: But when we talk we all know, like the real deal, 840 00:44:35,719 --> 00:44:39,200 Speaker 1: Holy Field, you gotta be righting that ship. You know 841 00:44:39,200 --> 00:44:41,360 Speaker 1: what I'm saying. You want to be a category for 842 00:44:41,760 --> 00:44:45,239 Speaker 1: Like now, what I will say just in the travels 843 00:44:46,000 --> 00:44:48,480 Speaker 1: is in the travels like well we all been talking 844 00:44:48,480 --> 00:44:51,120 Speaker 1: about lay like just so tonight right now, it's so 845 00:44:51,360 --> 00:44:55,880 Speaker 1: much of them. See we lived it, we straightened up, 846 00:44:56,040 --> 00:44:58,120 Speaker 1: We we remember when it was to these all the 847 00:44:58,160 --> 00:45:00,239 Speaker 1: braids when there wasn't even know hooks. You know what 848 00:45:00,280 --> 00:45:02,800 Speaker 1: I'm saying. Do you know what I'm saying. I we 849 00:45:03,000 --> 00:45:06,680 Speaker 1: just did when we lived through the whole process. They 850 00:45:07,840 --> 00:45:11,120 Speaker 1: they studied it though they all of them studied. They 851 00:45:11,239 --> 00:45:13,200 Speaker 1: had to go back and listen to it. They studied 852 00:45:13,200 --> 00:45:15,600 Speaker 1: it to where even in the battle that we just 853 00:45:15,719 --> 00:45:18,800 Speaker 1: got from them, it was so much more. It was 854 00:45:19,080 --> 00:45:22,560 Speaker 1: it was I loved it because it was so triple 855 00:45:22,640 --> 00:45:24,719 Speaker 1: our tundra. And they because they had to do all 856 00:45:24,760 --> 00:45:26,680 Speaker 1: this because we didn't went through all these eras of 857 00:45:26,719 --> 00:45:28,640 Speaker 1: their battles and beach a lot of this stuff. Then 858 00:45:28,719 --> 00:45:31,360 Speaker 1: now they didn't came to where they's all so intelligent 859 00:45:31,440 --> 00:45:33,399 Speaker 1: to a degree, you know what I'm saying, Like it's 860 00:45:33,440 --> 00:45:37,600 Speaker 1: a different outlook. So I just give them a pass. Awesome, y'all. 861 00:45:37,840 --> 00:45:39,600 Speaker 1: Not us. We not y'all. You know what I'm saying, 862 00:45:39,600 --> 00:45:43,560 Speaker 1: because we living that life. You know, go at them. 863 00:45:43,600 --> 00:45:45,040 Speaker 1: You know what I'm saying. We ain't really need too 864 00:45:45,080 --> 00:45:47,480 Speaker 1: many clunchlines and none of the kind of you just 865 00:45:47,560 --> 00:45:49,200 Speaker 1: had to say some shit and just you know what 866 00:45:49,200 --> 00:45:53,000 Speaker 1: I'm saying, go in so we all respected what is 867 00:45:53,040 --> 00:45:58,200 Speaker 1: going on just for entertaining convervation wise. Yet it's when 868 00:45:58,239 --> 00:46:00,160 Speaker 1: you do a trivel I trip off that when you 869 00:46:00,440 --> 00:46:05,880 Speaker 1: if you go to Canada. I noticed when the Homewods, 870 00:46:05,880 --> 00:46:08,680 Speaker 1: while I knew who Canada, they came to business five percent, 871 00:46:09,560 --> 00:46:11,840 Speaker 1: they came with and they caused Canada like ci in 872 00:46:11,920 --> 00:46:15,279 Speaker 1: they called to see all nations right, so they had 873 00:46:15,320 --> 00:46:18,359 Speaker 1: a finally was Asian with them. They had a part 874 00:46:18,400 --> 00:46:21,560 Speaker 1: of that was, you know, had the dialects like he 875 00:46:21,680 --> 00:46:25,440 Speaker 1: was like Jamaica, and it was just so many different 876 00:46:25,640 --> 00:46:27,720 Speaker 1: types of people to world. We're just in my travelers, 877 00:46:27,760 --> 00:46:31,160 Speaker 1: like damn. So Canada is just a big old mixture, 878 00:46:31,320 --> 00:46:34,239 Speaker 1: you know what I'm saying, but a mem pot of 879 00:46:34,400 --> 00:46:38,440 Speaker 1: just like your next door neighbor could literally be trinidaddy 880 00:46:38,520 --> 00:46:40,000 Speaker 1: in or whatever. You know I'm saying, he could be. 881 00:46:40,520 --> 00:46:45,120 Speaker 1: Everybody was just different to I think that Drake. I 882 00:46:45,239 --> 00:46:46,719 Speaker 1: just take Dake for what he is, you know what 883 00:46:46,719 --> 00:46:49,480 Speaker 1: I'm saying, Like him coming off the show, you know 884 00:46:49,520 --> 00:46:52,600 Speaker 1: what I'm saying, off the grassy and then him being 885 00:46:52,760 --> 00:46:54,080 Speaker 1: you know what I'm saying, like I know it care 886 00:46:54,160 --> 00:46:58,399 Speaker 1: right because he wrote Alicia Keys wrote that record for him. 887 00:46:58,600 --> 00:47:03,120 Speaker 1: Studying hip hop so much much he you know, you know, 888 00:47:03,239 --> 00:47:07,800 Speaker 1: he couldn't wait to go to Cali and meet go 889 00:47:07,920 --> 00:47:10,279 Speaker 1: to Compton. You know what I'm saying, different than even 890 00:47:10,480 --> 00:47:12,319 Speaker 1: than I was. You know, I'm saying when I first went, 891 00:47:12,360 --> 00:47:13,800 Speaker 1: I already want to go to Compton and was like, 892 00:47:13,920 --> 00:47:16,000 Speaker 1: I don't really want to go to the hood. You 893 00:47:17,640 --> 00:47:20,080 Speaker 1: want to do is go see another record as city. Yeah. 894 00:47:21,320 --> 00:47:25,120 Speaker 1: So actually him really wanting to go there and him 895 00:47:25,280 --> 00:47:30,040 Speaker 1: being just a mixed kid, Jewish mixed and all this 896 00:47:30,160 --> 00:47:32,719 Speaker 1: kind of stuff to where he is what he is 897 00:47:32,800 --> 00:47:35,320 Speaker 1: to me, you know what I'm saying, Like so, but 898 00:47:35,560 --> 00:47:42,480 Speaker 1: seeing Canada, it's like it's their identity is no identity almost, 899 00:47:43,120 --> 00:47:45,320 Speaker 1: you know what I'm saying. Their idea is just the 900 00:47:45,400 --> 00:47:48,800 Speaker 1: little the little action with it and the little acces 901 00:47:48,880 --> 00:47:51,759 Speaker 1: they got. Other than that, it's just so much mixture 902 00:47:52,280 --> 00:47:56,680 Speaker 1: of just different people like you got he Drake speaks 903 00:47:56,680 --> 00:47:58,440 Speaker 1: French in a couple of records, because you're all on 904 00:47:58,560 --> 00:48:01,160 Speaker 1: that side, on the west coast side at Quebec, you 905 00:48:01,160 --> 00:48:03,360 Speaker 1: know what I'm saying, where it's more friends spoken, and 906 00:48:03,680 --> 00:48:07,279 Speaker 1: you know what I'm saying. So I just noticed it 907 00:48:07,400 --> 00:48:09,839 Speaker 1: by just just traveling to where they're seeing and once 908 00:48:09,880 --> 00:48:12,120 Speaker 1: he came out, I knew who I was. He looked 909 00:48:12,160 --> 00:48:16,480 Speaker 1: up to Joe, butten he looked up to push your 910 00:48:16,520 --> 00:48:19,280 Speaker 1: t you know what I'm saying. Then he he already 911 00:48:19,360 --> 00:48:22,759 Speaker 1: fighting the mixed battle. You know what I'm saying. K died. 912 00:48:23,440 --> 00:48:25,840 Speaker 1: You know I'm it was at a good battle period 913 00:48:25,880 --> 00:48:27,480 Speaker 1: to me, you know what I'm saying, Like K that 914 00:48:27,600 --> 00:48:29,719 Speaker 1: I knew. I was just hoping he was just gonna 915 00:48:29,800 --> 00:48:32,920 Speaker 1: respond and go and then with us, I forget that 916 00:48:32,960 --> 00:48:35,840 Speaker 1: generation where there ain't no time limit, ain't no on 917 00:48:35,960 --> 00:48:38,359 Speaker 1: the clock, you know what I'm saying. When eight got 918 00:48:38,400 --> 00:48:40,680 Speaker 1: it too, when they going back and forth, we just 919 00:48:40,760 --> 00:48:43,600 Speaker 1: waiting on H to respond. We got two three Months't 920 00:48:44,000 --> 00:48:46,080 Speaker 1: ain't no clock. You know what I'm saying. He might 921 00:48:46,160 --> 00:48:48,840 Speaker 1: skip a whole album and then go to the next album. 922 00:48:49,320 --> 00:48:51,640 Speaker 1: We just waiting overday. That's that's so that's the difference 923 00:48:51,680 --> 00:48:54,919 Speaker 1: with the youth now they like, oh, you got twenty 924 00:48:54,960 --> 00:49:00,400 Speaker 1: four hours to respond, Like okay, I'm right, I'm stay Creaks. 925 00:49:00,440 --> 00:49:04,480 Speaker 2: A manager, I would have told him it's like when 926 00:49:04,480 --> 00:49:06,960 Speaker 2: you're in a boxing match and you fighting against a 927 00:49:07,040 --> 00:49:10,560 Speaker 2: dude that may be a slugger, right and your thing 928 00:49:10,760 --> 00:49:12,680 Speaker 2: may be like money made ware of this thing like 929 00:49:12,800 --> 00:49:14,920 Speaker 2: I'm just not gonna get hit. I'm just gonna get 930 00:49:14,920 --> 00:49:16,239 Speaker 2: the points. I'm gonna really box you. 931 00:49:16,760 --> 00:49:17,799 Speaker 1: You can't go in there. 932 00:49:18,080 --> 00:49:19,879 Speaker 2: May whether it would have got knocked out if he'd 933 00:49:19,880 --> 00:49:22,160 Speaker 2: had changed this whole strategy. Just try I'm go in 934 00:49:22,200 --> 00:49:24,520 Speaker 2: there and slugg it out with somebody. He might get 935 00:49:24,680 --> 00:49:28,560 Speaker 2: knocked up right and not have freger to being undefeated. Now, 936 00:49:29,800 --> 00:49:32,040 Speaker 2: one thing I would say about Drake, Drake is one 937 00:49:32,040 --> 00:49:36,719 Speaker 2: of the biggest pop artists of all time. Now when 938 00:49:36,760 --> 00:49:38,840 Speaker 2: you start trying to put him in this lane with 939 00:49:38,960 --> 00:49:41,480 Speaker 2: Kop is a little dude that's a hip hop what 940 00:49:41,600 --> 00:49:44,759 Speaker 2: you call a hip hop baby. He's probably studying in 941 00:49:44,840 --> 00:49:48,200 Speaker 2: every style it is and still take it very serious 942 00:49:48,280 --> 00:49:50,600 Speaker 2: to this day, even though he rich. He's still a 943 00:49:50,760 --> 00:49:52,960 Speaker 2: dude that's gonna sit up and call probably call call 944 00:49:53,120 --> 00:49:55,480 Speaker 2: Punch and say Punk's listening to this verse I just wrote, 945 00:49:55,960 --> 00:49:57,520 Speaker 2: if you know what I mean, because he's in love 946 00:49:57,600 --> 00:50:00,200 Speaker 2: with the game like that, to where Frake is like 947 00:50:00,239 --> 00:50:02,560 Speaker 2: a dude that don't put out twenty some albums if 948 00:50:02,560 --> 00:50:05,120 Speaker 2: you count the mix tapes and everything like that, so 949 00:50:05,280 --> 00:50:07,400 Speaker 2: he's on the silly line. He might put a record 950 00:50:07,400 --> 00:50:09,600 Speaker 2: out to where he's singing on it. Then he made 951 00:50:09,760 --> 00:50:11,880 Speaker 2: another record out there where he rapping a little bit. 952 00:50:12,200 --> 00:50:14,000 Speaker 2: Let him do that, and the ain't nothing wrong with that. 953 00:50:14,160 --> 00:50:18,000 Speaker 2: But I think once you start misappropriating the culture of saying, Okay, 954 00:50:18,120 --> 00:50:20,480 Speaker 2: now I'm gonna take some stuff from Memphis, I'm gonna 955 00:50:20,480 --> 00:50:21,640 Speaker 2: take some stuff from Atlanta. 956 00:50:22,000 --> 00:50:23,319 Speaker 1: No, just be who you are. 957 00:50:23,480 --> 00:50:25,839 Speaker 2: Because as soon as he's sneer from the time he said, oh, 958 00:50:25,920 --> 00:50:28,200 Speaker 2: I'm gonna catch a body right, no out whatever I 959 00:50:28,320 --> 00:50:30,640 Speaker 2: told glasses, I said, he's sucking up right now, just 960 00:50:30,719 --> 00:50:31,520 Speaker 2: stay the lover. 961 00:50:31,440 --> 00:50:36,279 Speaker 1: Boy, y'all know, I look at that differ. I look 962 00:50:36,280 --> 00:50:44,280 Speaker 1: at him like I look at life the culture appropriately. 963 00:50:44,640 --> 00:50:47,399 Speaker 1: It's like if I'm if I'm if I'm if I'm 964 00:50:48,520 --> 00:50:51,680 Speaker 1: if we made it in a certain beacon off bulld Man, 965 00:50:51,760 --> 00:50:55,080 Speaker 1: we get together like shit, all you sound like eight, right, 966 00:50:55,800 --> 00:50:58,040 Speaker 1: you get eight on this? You know what I'm saying, 967 00:50:58,440 --> 00:51:02,000 Speaker 1: And we knowing that sound of a certain way we're targeting. 968 00:51:02,480 --> 00:51:04,200 Speaker 1: We always kind of got a tarpe. It's got like 969 00:51:04,239 --> 00:51:07,920 Speaker 1: a West Coast sound. We might go grills. He went, 970 00:51:08,000 --> 00:51:09,880 Speaker 1: stay for all wall, like go tall wall. You know 971 00:51:09,880 --> 00:51:11,520 Speaker 1: what I'm saying, Go get him to where I think 972 00:51:12,360 --> 00:51:15,800 Speaker 1: I wouldn't always look at it like him just his 973 00:51:16,000 --> 00:51:19,239 Speaker 1: daddy is from me. You know what I'm saying, Where 974 00:51:19,680 --> 00:51:21,960 Speaker 1: if you if I if I if my mall moved 975 00:51:21,960 --> 00:51:23,920 Speaker 1: from Cali and I go out with Cali and hang 976 00:51:24,040 --> 00:51:26,880 Speaker 1: hang out with Calia every summer or every other summer 977 00:51:26,960 --> 00:51:28,880 Speaker 1: or whatever, I want to get there. You know what 978 00:51:28,880 --> 00:51:31,320 Speaker 1: I'm saying, I already give him that much, put that 979 00:51:31,480 --> 00:51:33,719 Speaker 1: much on them. I don't take away now from that 980 00:51:33,840 --> 00:51:36,439 Speaker 1: I'm saying on the Drake side is that I don't 981 00:51:36,680 --> 00:51:39,319 Speaker 1: I don't take him at you know what I'm saying. 982 00:51:39,840 --> 00:51:42,640 Speaker 1: I know what he's doing like he he couldn't wait 983 00:51:42,719 --> 00:51:44,880 Speaker 1: to get with uh you know I'm saying in Atlanta 984 00:51:45,000 --> 00:51:47,440 Speaker 1: and then you know rap like that or he he 985 00:51:47,680 --> 00:51:50,400 Speaker 1: loved see them so much to where he you know, 986 00:51:50,560 --> 00:51:53,080 Speaker 1: wanted to get with that sound. And he was had 987 00:51:53,120 --> 00:51:58,080 Speaker 1: the ability to, you know, kind of fluctuate the because 988 00:51:58,120 --> 00:52:01,759 Speaker 1: he balanced though he balanced with itself. This this me 989 00:52:01,960 --> 00:52:04,839 Speaker 1: all three was black all day, every day, all the way. 990 00:52:05,080 --> 00:52:07,400 Speaker 1: You know what I'm saying, flat out, he having that 991 00:52:07,480 --> 00:52:09,640 Speaker 1: battle within their self too. You know what I'm saying, 992 00:52:10,120 --> 00:52:11,960 Speaker 1: I'm gonna tell you nothing to cut you off, broke, 993 00:52:12,000 --> 00:52:14,880 Speaker 1: but that's the thing out on one. We gotta stop 994 00:52:15,000 --> 00:52:17,400 Speaker 1: being racist kind of against our own people. If you've 995 00:52:17,400 --> 00:52:20,120 Speaker 1: got to drop a black blood and you black, yeah 996 00:52:21,080 --> 00:52:23,600 Speaker 1: we shouldn't make it. Well, just think our motherfucker might 997 00:52:23,680 --> 00:52:25,920 Speaker 1: feel like, damn, they're not fucking with me over here, 998 00:52:26,880 --> 00:52:29,279 Speaker 1: fucking me with me over here? Where do o the law? 999 00:52:29,880 --> 00:52:31,759 Speaker 2: I gotta fuck with the motherfucker. I don't care how 1000 00:52:31,880 --> 00:52:34,560 Speaker 2: much money you got. I tell people all there, he's 1001 00:52:34,600 --> 00:52:36,680 Speaker 2: a black kid that got a white man man. 1002 00:52:37,320 --> 00:52:40,600 Speaker 1: You know. I just say that. Do we think that 1003 00:52:41,960 --> 00:52:45,520 Speaker 1: is it wasn't slaves and can do? We think that 1004 00:52:45,640 --> 00:52:48,759 Speaker 1: it wasn't a struggle? They can't do think there wasn't 1005 00:52:48,760 --> 00:52:50,960 Speaker 1: no pressure they can do? We think that now, I 1006 00:52:51,040 --> 00:52:53,960 Speaker 1: can't see something thinking that. But we didn't travel, so 1007 00:52:54,040 --> 00:52:56,360 Speaker 1: I'm ready to tell you now. No, they went through it. 1008 00:52:56,440 --> 00:52:58,840 Speaker 1: It was slaves and gamba people. When they left the 1009 00:52:58,920 --> 00:53:02,360 Speaker 1: United States, they wanted went up to Canada because they 1010 00:53:02,520 --> 00:53:09,080 Speaker 1: freedom solar. Yeah, racism up there, but it was a 1011 00:53:09,200 --> 00:53:16,359 Speaker 1: lot less racism up in Canada. Yeah, it was Look 1012 00:53:16,400 --> 00:53:18,640 Speaker 1: at the Proud Boys, right y'all know you see the 1013 00:53:18,680 --> 00:53:21,640 Speaker 1: prod boys with Trump and broad Boys, the one that 1014 00:53:21,880 --> 00:53:25,759 Speaker 1: one faction that's really racist. That was Canadian. The one 1015 00:53:25,880 --> 00:53:28,719 Speaker 1: that was when you've seen the ones here. The leader 1016 00:53:28,880 --> 00:53:31,680 Speaker 1: was a dark skin like a Puerto Rican. They had 1017 00:53:31,719 --> 00:53:33,839 Speaker 1: a couple of little light skinned with mixed one type 1018 00:53:33,880 --> 00:53:36,279 Speaker 1: of white boys. Of course, they was more of some 1019 00:53:36,680 --> 00:53:39,800 Speaker 1: proud whoever proud to be American. You could be black 1020 00:53:39,920 --> 00:53:43,040 Speaker 1: or whatever, you will probably be American. Canadian one look 1021 00:53:43,080 --> 00:53:45,960 Speaker 1: it up. The head of the head was that one 1022 00:53:46,040 --> 00:53:48,320 Speaker 1: do he got taken out, but he Upper Canada. He 1023 00:53:48,560 --> 00:53:51,680 Speaker 1: was straight up racist, you know what I'm saying to work, 1024 00:53:52,520 --> 00:53:56,640 Speaker 1: Just being up in there in Canada so much I seen, 1025 00:53:57,719 --> 00:54:00,320 Speaker 1: like I do feel like the don't don't go with 1026 00:54:00,440 --> 00:54:04,359 Speaker 1: the whatever Drake talking about like a body or something. 1027 00:54:04,719 --> 00:54:06,399 Speaker 1: He got to me he got to be talking about 1028 00:54:07,360 --> 00:54:09,920 Speaker 1: like a rap body. I ain't never thinking he talking 1029 00:54:09,960 --> 00:54:13,879 Speaker 1: about I don't know. I ain't never think he's talking 1030 00:54:13,880 --> 00:54:16,880 Speaker 1: about a body. I'm just knowing, like what if he is. 1031 00:54:17,200 --> 00:54:19,560 Speaker 1: That's when I'm like, are you serious? I'm thinking you're 1032 00:54:19,560 --> 00:54:22,160 Speaker 1: talking about I'm gonna catch a body with this pin, 1033 00:54:22,280 --> 00:54:24,839 Speaker 1: you know what I'm saying. But if you going there, Drake, 1034 00:54:24,960 --> 00:54:28,439 Speaker 1: I'm assuming you're talking about I'm, you know, body bag. 1035 00:54:28,600 --> 00:54:31,359 Speaker 1: He's saying for I mean, Louis Baggs taking a body bag. 1036 00:54:31,800 --> 00:54:34,680 Speaker 1: You're just saying, see what you can't be talking about 1037 00:54:35,320 --> 00:54:38,680 Speaker 1: murder him out? I mean, come on, like yeah for real. 1038 00:54:38,840 --> 00:54:42,920 Speaker 2: And like you said, it's authentictionly because I remember when 1039 00:54:42,960 --> 00:54:46,080 Speaker 2: I first heard es music, right, I believe that that 1040 00:54:46,239 --> 00:54:48,319 Speaker 2: dude or where he was in Compton put them dry 1041 00:54:48,440 --> 00:54:50,359 Speaker 2: by so much the suckers, you know what I'm saying, 1042 00:54:50,760 --> 00:54:53,120 Speaker 2: Like this dude like really out there putting nothing work. 1043 00:54:53,200 --> 00:54:54,680 Speaker 2: Then you see him in the movie and the way 1044 00:54:54,719 --> 00:54:57,120 Speaker 2: you do stepping, the way he moved, you're like that 1045 00:54:57,520 --> 00:55:00,640 Speaker 2: probably serious, which, like I till eighth day, I talked 1046 00:55:00,640 --> 00:55:02,239 Speaker 2: to some of the young rappers that come on the 1047 00:55:02,280 --> 00:55:04,439 Speaker 2: show and it's funny as hell because these beat dudes 1048 00:55:04,440 --> 00:55:06,680 Speaker 2: are gonna sold some breakers on the young, but they 1049 00:55:06,760 --> 00:55:09,160 Speaker 2: be almost scared to appromp sate, Like especially when we 1050 00:55:09,200 --> 00:55:11,160 Speaker 2: do the show live, be like, oh, man, you know, 1051 00:55:11,239 --> 00:55:13,200 Speaker 2: can I talk to him? Should I say talking? 1052 00:55:13,400 --> 00:55:15,399 Speaker 1: I ain't talking to him like you're talking here ready, 1053 00:55:15,440 --> 00:55:15,840 Speaker 1: but doing it. 1054 00:55:21,520 --> 00:55:25,959 Speaker 3: Was really we ain't talking about me, man, so listen 1055 00:55:26,760 --> 00:55:29,120 Speaker 3: back on me. So we should wrap this up. We 1056 00:55:29,239 --> 00:55:31,960 Speaker 3: got my man out here. It's twelve o'clock out there, 1057 00:55:33,040 --> 00:55:33,800 Speaker 3: But I get it. 1058 00:55:34,040 --> 00:55:39,040 Speaker 1: It's like I think that the youth. See, I gotta 1059 00:55:39,239 --> 00:55:42,440 Speaker 1: always think we gotta be Trump because not us. And 1060 00:55:42,680 --> 00:55:45,040 Speaker 1: I'm saying us as people like YO were raising our 1061 00:55:45,160 --> 00:55:49,080 Speaker 1: kids he said, and all that what was it? What 1062 00:55:49,200 --> 00:55:51,520 Speaker 1: we call? He said, he'd be stupid to get this 1063 00:55:51,719 --> 00:55:55,000 Speaker 1: money and out of control. Though you still you know 1064 00:55:55,000 --> 00:55:58,399 Speaker 1: what I'm saying, like that was what was that called? 1065 00:55:58,440 --> 00:56:02,439 Speaker 1: What was that movie called? Uh? What was it? Cause? 1066 00:56:02,560 --> 00:56:05,600 Speaker 1: What would you do? What want? Where it was like 1067 00:56:05,640 --> 00:56:10,960 Speaker 1: their documentary movie though where they said, oh, probably the 1068 00:56:11,080 --> 00:56:15,000 Speaker 1: hundred Key Loves movies. He was walking the rock Wilder, 1069 00:56:16,000 --> 00:56:19,759 Speaker 1: Oh that's rhyme and reason and then he was talking 1070 00:56:19,760 --> 00:56:21,680 Speaker 1: about it. Then Maxine was saying, you can't get this 1071 00:56:21,719 --> 00:56:24,160 Speaker 1: aldo and just be living in a hood. And I'm 1072 00:56:24,160 --> 00:56:26,600 Speaker 1: saying to where we're raising these kids to be better 1073 00:56:27,400 --> 00:56:34,520 Speaker 1: like Snoop straight up? Oh say his kids is different. 1074 00:56:34,760 --> 00:56:37,480 Speaker 1: You know what I'm saying, to where I can't parade them. 1075 00:56:37,600 --> 00:56:40,200 Speaker 1: You know what I'm saying, because they kind of what 1076 00:56:40,400 --> 00:56:42,200 Speaker 1: we planned them to be. You know what I'm saying. 1077 00:56:42,239 --> 00:56:44,080 Speaker 1: We put a lot of our kids do better school, 1078 00:56:44,239 --> 00:56:46,520 Speaker 1: and we put a lot of kids through so I 1079 00:56:46,560 --> 00:56:49,480 Speaker 1: all put too much now if you if you just 1080 00:56:49,600 --> 00:56:51,640 Speaker 1: want to stick to you that kind of you know, 1081 00:56:52,360 --> 00:56:54,520 Speaker 1: and be a young boy and all your y'all y'all 1082 00:56:54,600 --> 00:56:55,960 Speaker 1: and know what I'm saying. But we got so many 1083 00:56:56,200 --> 00:56:59,279 Speaker 1: of us that just came up better and different situations, 1084 00:56:59,320 --> 00:57:01,360 Speaker 1: had fathers. Not a lot of us didn't have follows. 1085 00:57:01,680 --> 00:57:03,560 Speaker 1: Now we got doing a little bit better to where 1086 00:57:04,160 --> 00:57:08,320 Speaker 1: I really don't really be. I already take them serious 1087 00:57:08,480 --> 00:57:12,000 Speaker 1: like that on the Let's stay the them ones right now. 1088 00:57:12,120 --> 00:57:15,440 Speaker 1: You know what I'm saying, that the the ones who 1089 00:57:15,719 --> 00:57:18,120 Speaker 1: I can always tell you, we can tell getting it in. 1090 00:57:19,960 --> 00:57:21,560 Speaker 1: Let me tell get it in. I ain't taking some 1091 00:57:21,680 --> 00:57:24,960 Speaker 1: of the other ones serious like that. I just think 1092 00:57:25,000 --> 00:57:27,200 Speaker 1: they just kicking the ship. I already take it like that, 1093 00:57:27,720 --> 00:57:28,200 Speaker 1: you know what I'm saying. 1094 00:57:30,120 --> 00:57:33,120 Speaker 2: Yeah, Eve, before we go, Man, me and you was 1095 00:57:33,200 --> 00:57:36,720 Speaker 2: having a conversation Lab and I know he don't like 1096 00:57:36,800 --> 00:57:38,640 Speaker 2: this ship, so let me get my ship off first 1097 00:57:38,680 --> 00:57:42,720 Speaker 2: though we was having a conversation before because I ain't 1098 00:57:42,800 --> 00:57:44,520 Speaker 2: never went to none of the parties, Lab, you know, 1099 00:57:44,760 --> 00:57:45,840 Speaker 2: none of the parties like that. 1100 00:57:46,040 --> 00:57:46,240 Speaker 3: Man. 1101 00:57:47,520 --> 00:57:49,440 Speaker 2: You think do you think it's a wrap of when 1102 00:57:49,480 --> 00:57:50,439 Speaker 2: you think he's gonna go to jail? 1103 00:57:50,560 --> 00:57:59,560 Speaker 1: Man? I think should think that he gone, I don't 1104 00:57:59,560 --> 00:58:04,360 Speaker 1: see how all that, yeah, because I we don't see 1105 00:58:04,440 --> 00:58:08,640 Speaker 1: how not without it just being like, ain't you know 1106 00:58:08,640 --> 00:58:11,000 Speaker 1: what I'm saying, because it's you know what I'm saying. 1107 00:58:11,000 --> 00:58:12,919 Speaker 1: It's the off speculation, but we all know what I'm saying. 1108 00:58:12,920 --> 00:58:16,320 Speaker 1: It's like, is that is that Pop ain't gonna be 1109 00:58:16,360 --> 00:58:19,200 Speaker 1: at the end all this shit? You know what I'm saying. 1110 00:58:19,560 --> 00:58:22,160 Speaker 2: That what I'm saying, you just never know, man, because 1111 00:58:22,200 --> 00:58:24,520 Speaker 2: a lot of stuff that we used to hear rumors about, 1112 00:58:25,120 --> 00:58:28,000 Speaker 2: like I don't been to a few spots of salt, dude, 1113 00:58:28,200 --> 00:58:31,560 Speaker 2: you know, not necessarily smack no mother centers around. But 1114 00:58:31,560 --> 00:58:33,280 Speaker 2: I don't see him do some stuff where he don't 1115 00:58:33,320 --> 00:58:34,440 Speaker 2: press his muscle a little bit. 1116 00:58:34,840 --> 00:58:35,880 Speaker 1: Yeah, you know what I'm. 1117 00:58:35,720 --> 00:58:37,760 Speaker 2: Saying, where he don't push this line a little bit. Man, 1118 00:58:37,840 --> 00:58:39,920 Speaker 2: I think whatever you do in the dirt, always just 1119 00:58:40,000 --> 00:58:42,120 Speaker 2: come to the mother for the like that's good. 1120 00:58:42,760 --> 00:58:45,800 Speaker 1: So we're out all just without and just just throwing 1121 00:58:45,840 --> 00:58:48,960 Speaker 1: him under the bus. I mean, I can't really stand 1122 00:58:49,040 --> 00:58:50,760 Speaker 1: up for him at all. That's zero, you know what 1123 00:58:50,760 --> 00:58:52,919 Speaker 1: I'm saying. He had to have his all weight yet 1124 00:58:54,040 --> 00:58:55,760 Speaker 1: like big Gipps. You know what I'm saying like this, 1125 00:58:56,080 --> 00:58:57,880 Speaker 1: I came in late. You know what I'm saying. Man, 1126 00:58:57,920 --> 00:58:59,760 Speaker 1: you're saying maybe, but he older than me for in 1127 00:58:59,840 --> 00:59:01,640 Speaker 1: this she wise, you know what I'm saying. And then 1128 00:59:02,040 --> 00:59:05,040 Speaker 1: being the success that we had, Nelly kind of put 1129 00:59:05,120 --> 00:59:07,320 Speaker 1: us in them parties instantly. But like I tell you, 1130 00:59:07,640 --> 00:59:09,840 Speaker 1: it's two bodies, you know what I'm saying. That was 1131 00:59:10,600 --> 00:59:13,120 Speaker 1: at the time too, y'allsold a bunch of records. Yeah, 1132 00:59:13,200 --> 00:59:16,000 Speaker 1: so we went straight from the motil I remember being 1133 00:59:16,080 --> 00:59:18,360 Speaker 1: a motil to just a five star till we ain't 1134 00:59:18,400 --> 00:59:21,160 Speaker 1: have no in between. We were outdoor motiles on the 1135 00:59:21,600 --> 00:59:26,600 Speaker 1: program promotional run and then it just bubble just popped 1136 00:59:26,600 --> 00:59:28,120 Speaker 1: and it was just gone. We was at two three 1137 00:59:28,160 --> 00:59:30,280 Speaker 1: million in a month, you know what I'm saying, two 1138 00:59:30,360 --> 00:59:32,240 Speaker 1: three months, and we just could gone and just kept 1139 00:59:32,280 --> 00:59:36,880 Speaker 1: getting bigger and bigger. So where I we we went 1140 00:59:36,920 --> 00:59:42,280 Speaker 1: from Ship to Sugar because he was the first they 1141 00:59:42,440 --> 00:59:44,840 Speaker 1: be artists like that. Did no other set up, no nothing, 1142 00:59:44,920 --> 00:59:46,760 Speaker 1: just come out and go die. That was the first time. 1143 00:59:46,840 --> 00:59:48,520 Speaker 1: May it just happened, you know, I'm saying, fifty just 1144 00:59:48,680 --> 00:59:52,320 Speaker 1: now went down. So we technically hip hop with was 1145 00:59:52,440 --> 00:59:55,360 Speaker 1: the biggest from Ship to Sugar, ever, like damn. We 1146 00:59:55,520 --> 00:59:59,440 Speaker 1: literally went from outdoor to just the five star hotel 1147 00:59:59,760 --> 01:00:02,200 Speaker 1: to where I went into these rooms so fast. And 1148 01:00:02,280 --> 01:00:04,320 Speaker 1: I was the oldest, and I was like, you know, 1149 01:00:04,440 --> 01:00:06,800 Speaker 1: let's stay together, y'all. I'll stay together. But I noticed 1150 01:00:06,800 --> 01:00:09,520 Speaker 1: it was two parties. It was I ain't knowing the time, 1151 01:00:09,560 --> 01:00:12,080 Speaker 1: it was two parties. That first one. It was Rocket. 1152 01:00:12,200 --> 01:00:14,040 Speaker 1: It's a party party, of course, if you are just 1153 01:00:14,120 --> 01:00:18,560 Speaker 1: a true, real male, you you call them, you on 1154 01:00:18,640 --> 01:00:21,200 Speaker 1: your phone, you in La or you in Vegas or something. 1155 01:00:21,240 --> 01:00:24,080 Speaker 1: You got some hot bay already it's one o'clock. She 1156 01:00:24,280 --> 01:00:26,480 Speaker 1: called us, She from Tennessee. Is she in town? And 1157 01:00:26,920 --> 01:00:30,400 Speaker 1: we all in Vegas for the wards? We burning out. 1158 01:00:30,400 --> 01:00:33,040 Speaker 1: I ain't staying there, you know, three four in the morning, 1159 01:00:33,200 --> 01:00:35,800 Speaker 1: like I got to go. It's some waiting some to 1160 01:00:35,920 --> 01:00:38,800 Speaker 1: go to where When she heard about these little after 1161 01:00:39,040 --> 01:00:40,840 Speaker 1: parties and all this kind of shit, you know, it's 1162 01:00:41,040 --> 01:00:45,800 Speaker 1: it's it's started being like you know, I, you know, 1163 01:00:46,000 --> 01:00:48,600 Speaker 1: I had a problem, you know, just taking everybody's soft 1164 01:00:48,640 --> 01:00:50,280 Speaker 1: type of shit. Not everybody sawt but like, you know, 1165 01:00:50,840 --> 01:00:52,400 Speaker 1: just go be everything, go for you to me. It's 1166 01:00:52,520 --> 01:00:53,840 Speaker 1: just I don't want to do that shit and deal 1167 01:00:53,840 --> 01:00:55,000 Speaker 1: with that shit. You know what I'm saying to where 1168 01:00:55,440 --> 01:00:59,600 Speaker 1: I ease back on that. But you know, I kind 1169 01:00:59,640 --> 01:01:01,120 Speaker 1: of find that ship was you know what I'm saying, 1170 01:01:01,720 --> 01:01:04,440 Speaker 1: that's the real life, that's real parties going on, and 1171 01:01:04,600 --> 01:01:06,160 Speaker 1: all this kind of ship too. I say he had 1172 01:01:06,200 --> 01:01:08,560 Speaker 1: two good parties. As you look at I guess you 1173 01:01:08,560 --> 01:01:10,080 Speaker 1: know I'm saying, if you watch all that crazy ship 1174 01:01:10,120 --> 01:01:13,440 Speaker 1: that the next party that started at two o'clock was 1175 01:01:13,520 --> 01:01:15,840 Speaker 1: this ship, then, I guess, but that first one the 1176 01:01:16,000 --> 01:01:18,360 Speaker 1: early ones, that ship you I'm saying to where, hey, bro, 1177 01:01:18,960 --> 01:01:21,040 Speaker 1: if this ship the way it looks, it's a lot 1178 01:01:21,120 --> 01:01:24,160 Speaker 1: of ship constantly coming out, a lot of ship constant 1179 01:01:24,200 --> 01:01:27,680 Speaker 1: cots is coming out. And then that if I got daughters, bro, 1180 01:01:27,800 --> 01:01:30,880 Speaker 1: that Cassie tape. Bro. You know what I'm saying, Like 1181 01:01:31,360 --> 01:01:34,240 Speaker 1: it's hard, you know what I'm saying, Then you got 1182 01:01:34,880 --> 01:01:36,600 Speaker 1: all this ship that if you are pumplish some ship. 1183 01:01:36,640 --> 01:01:38,280 Speaker 1: I don't really care about that, you know what I'm saying. 1184 01:01:38,440 --> 01:01:40,800 Speaker 1: I ain't whether may. 1185 01:01:40,800 --> 01:01:42,960 Speaker 2: Sleep with us his business, you know, I don't care 1186 01:01:43,040 --> 01:01:43,360 Speaker 2: about that. 1187 01:01:46,280 --> 01:01:48,840 Speaker 1: I give you, I get you know, we were just 1188 01:01:49,120 --> 01:01:50,440 Speaker 1: in the row. All of us are in the road 1189 01:01:50,480 --> 01:01:52,440 Speaker 1: on this byself. We laughing on. You know I'm saying 1190 01:01:52,440 --> 01:01:54,000 Speaker 1: a little shit what I'm saying, but I really don't 1191 01:01:54,040 --> 01:01:55,640 Speaker 1: get fun. You know what I'm saying, Like it ain't gonna, 1192 01:01:55,960 --> 01:01:58,760 Speaker 1: I ain't gonna always she walks over like that. You 1193 01:01:58,760 --> 01:02:01,240 Speaker 1: know what I'm saying, especially not old. You know what's Yeah, 1194 01:02:02,360 --> 01:02:06,200 Speaker 1: the beating the tape off Cassie that she was sixteen 1195 01:02:06,360 --> 01:02:10,680 Speaker 1: is released. Somebody mad, bro, somebody man. You know what 1196 01:02:10,680 --> 01:02:12,919 Speaker 1: I'm saying. Like, we all know what's been said about 1197 01:02:12,960 --> 01:02:14,640 Speaker 1: buff You know what I'm saying. We all know what 1198 01:02:14,760 --> 01:02:17,360 Speaker 1: I said. You know what I'm saying, like and some 1199 01:02:18,040 --> 01:02:19,720 Speaker 1: something you mad? Somebody mad right now? 1200 01:02:19,760 --> 01:02:19,840 Speaker 3: Bro? 1201 01:02:20,160 --> 01:02:23,800 Speaker 1: Somebody mad is that they compete. Whoever you got this 1202 01:02:24,840 --> 01:02:27,000 Speaker 1: ain't mad right now? This is all coming down. You 1203 01:02:27,000 --> 01:02:28,760 Speaker 1: know what I'm saying. I'm telling you one thing. If 1204 01:02:28,840 --> 01:02:32,360 Speaker 1: the pop shit is real, it's a rap. Bro, it's 1205 01:02:32,440 --> 01:02:35,240 Speaker 1: a rap. Ain't nobody You done. You're done on the West, 1206 01:02:35,640 --> 01:02:38,960 Speaker 1: you done on the East, You're done. You're done it anywhere. 1207 01:02:39,000 --> 01:02:43,000 Speaker 1: If the pop shit real, bro, it's over. You're doing jail. 1208 01:02:43,560 --> 01:02:46,520 Speaker 1: But it's one situation where yeah so, but you beat 1209 01:02:46,520 --> 01:02:49,160 Speaker 1: it on the technicality, you might as we went just gone, 1210 01:02:49,400 --> 01:02:54,480 Speaker 1: just move away and just it's over. If it's the spring, oh, 1211 01:02:54,600 --> 01:02:56,720 Speaker 1: there ain't nothing you could do. And then if it 1212 01:02:56,800 --> 01:03:00,400 Speaker 1: ship start breaking down to the big eat ship, all 1213 01:03:00,440 --> 01:03:02,280 Speaker 1: the old rolling ship and all the little kind of shit. 1214 01:03:02,480 --> 01:03:04,520 Speaker 1: If that shit real. But if the park shit real, bro, 1215 01:03:05,200 --> 01:03:07,040 Speaker 1: it's a rap. So to me it looked like it. 1216 01:03:07,160 --> 01:03:10,160 Speaker 1: It started you off with boom, let's set this tall 1217 01:03:10,240 --> 01:03:12,600 Speaker 1: for me personally, That's how I look at Ball. They 1218 01:03:12,680 --> 01:03:16,720 Speaker 1: set this tall with you, boll. This weapon pop up 1219 01:03:16,760 --> 01:03:19,360 Speaker 1: twenty six years later, they just set that to the side. Okay, 1220 01:03:19,440 --> 01:03:22,160 Speaker 1: Ball Dwall, let's do what we do. Like in the Lord, 1221 01:03:22,200 --> 01:03:23,760 Speaker 1: They're gonna break you. They know what you're doing. They're 1222 01:03:23,760 --> 01:03:25,960 Speaker 1: gonna break your pocket. So you can't even fight back. Now, 1223 01:03:26,360 --> 01:03:28,200 Speaker 1: So if that right there, that shit pop up, the 1224 01:03:28,280 --> 01:03:30,600 Speaker 1: weapon come up missing me that we can found all 1225 01:03:30,640 --> 01:03:33,480 Speaker 1: these years, you know what I'm saying now, Now that 1226 01:03:33,640 --> 01:03:37,640 Speaker 1: means that the endorsement stop, income stop. So what you 1227 01:03:37,800 --> 01:03:40,960 Speaker 1: already got, you got the money coming in stop okay, 1228 01:03:41,240 --> 01:03:43,680 Speaker 1: now the money coming in and stop. Then boom, you 1229 01:03:43,720 --> 01:03:46,160 Speaker 1: get here with a big old lawsuit. You're losing some 1230 01:03:46,280 --> 01:03:50,400 Speaker 1: of that. Then you know your your your life is steady. 1231 01:03:50,400 --> 01:03:51,880 Speaker 1: You know what I'm saying go on, so you gotta 1232 01:03:51,920 --> 01:03:53,760 Speaker 1: pay these bills. You know what I'm saying. Your lifestyle 1233 01:03:53,800 --> 01:03:56,200 Speaker 1: ain't changed, but you're at the income ain't coming down all. 1234 01:03:56,640 --> 01:04:00,840 Speaker 1: So it looked like if I'm looking at way like that. Okay, 1235 01:04:00,880 --> 01:04:03,360 Speaker 1: so like they got this already set up for you. 1236 01:04:03,920 --> 01:04:07,240 Speaker 1: They notice they got some intail on this park situation. 1237 01:04:07,600 --> 01:04:10,520 Speaker 1: They're gonna break you. Sure, you just broke down and 1238 01:04:10,640 --> 01:04:13,720 Speaker 1: you can't fight anything in. It's gonna bang you over 1239 01:04:13,760 --> 01:04:16,600 Speaker 1: the head with that after just exposing everything about you. 1240 01:04:16,720 --> 01:04:21,080 Speaker 2: Though, I appreciate you, Lan because I know it's like 1241 01:04:21,360 --> 01:04:23,120 Speaker 2: you on the other side of the country. Dog when 1242 01:04:23,120 --> 01:04:25,280 Speaker 2: this twelve fifteen dog, how man, if people. 1243 01:04:25,080 --> 01:04:28,800 Speaker 1: Get actual lancause I noticed you. What's your social media? Bro? 1244 01:04:30,360 --> 01:04:36,040 Speaker 1: Ali underscore s and chick no nefinitely going here, man, 1245 01:04:36,840 --> 01:04:41,960 Speaker 1: appreciate this the late edition of the gangst the Chronicles. Man, 1246 01:04:42,040 --> 01:04:45,360 Speaker 1: we gonna check y'all out man and we out here Yo, Hey, 1247 01:04:46,120 --> 01:04:49,680 Speaker 1: meet you bro all. You know what I'm saying. Hear 1248 01:04:49,720 --> 01:04:50,720 Speaker 1: me earlier in the day and