WEBVTT - #200 - Tank

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<v Speaker 1>Butlet Cap Podcast bout Let keV Show Special guest episode

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<v Speaker 1>number two hundred too. Now I feel like I asked,

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<v Speaker 1>I'm knowing when not classic and it's only right on

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<v Speaker 1>episode two hundred. We have a legend, and I appreciate

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<v Speaker 1>this legend because his new album is out right now,

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<v Speaker 1>I appreciate him too. But I used to hate Joe

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<v Speaker 1>Ass at one point in time because you was that

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<v Speaker 1>guy in my relationship where every time you came on

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<v Speaker 1>the radio, here go your nigga babe, here you go.

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<v Speaker 1>But he brought He brought his physical CD physical. We

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<v Speaker 1>got a physical album. I brought physical. Yes, I don't

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<v Speaker 1>even know y'all have a Cdler brought the physical. He's

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<v Speaker 1>got to take it out the case. It's gotta take

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<v Speaker 1>it off. I gotta see what what it's looking like.

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<v Speaker 1>I've been open one of these are a minute, I

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<v Speaker 1>still haven't open one. I'm just been looking at him.

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<v Speaker 1>This is going to be the first. We'll see what

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<v Speaker 1>the CD looks like. We're going to open see if

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<v Speaker 1>we got thank You's on the inside. Look at listen

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<v Speaker 1>you hear that. I kind of missed that plastic paper

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<v Speaker 1>the play the album. This is CD. People look at

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<v Speaker 1>the d's. That's what we used to play in our cars.

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<v Speaker 1>It's not. This is the difference though, it is now

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<v Speaker 1>instead of a booklet, Q you got a QR to

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<v Speaker 1>get the thank you. Yes, Now, listen, there has to

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<v Speaker 1>be compromise. I get it, you know what I'm saying.

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<v Speaker 1>And in this in this new wage that we're in,

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<v Speaker 1>so I fought to press these up. I love it,

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<v Speaker 1>but you know, there have to be some compromise on

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<v Speaker 1>the amount of paper material that went into Was it

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<v Speaker 1>a tough fight to put the CD out? Though? Over

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<v Speaker 1>just Atlantic? They got No, it wasn't a tough fight.

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<v Speaker 1>But I am. I am an artist that still sells

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<v Speaker 1>physical CD okay, so you know. And I asked me

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<v Speaker 1>for BUYINGEL and they asked me for CD. Vinyl still popping, right,

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<v Speaker 1>vinyls a cracker. Yeah, Like, if you ain't selling vinyl

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<v Speaker 1>as a artist, you're tripping. It's crazy. I prefer Vinyl

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<v Speaker 1>over CD right now. You have a you don't even

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<v Speaker 1>have a record. I have a record, Yeah I do.

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<v Speaker 1>I'll use it, you know what I got. So listen, man,

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<v Speaker 1>this is your final album? Yeah, so what made you

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<v Speaker 1>decide to just hang it up? Well? The thing that

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<v Speaker 1>made me want to transition because you got the R

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<v Speaker 1>and B Money podcast, Army Money. Army Money label started

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<v Speaker 1>with the arm By Money label, and that was just

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<v Speaker 1>an alert, Armby makes money. You want to make money

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<v Speaker 1>on arm and B. Come to RMB money. We understand it,

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<v Speaker 1>we know the blueprint, we got it. But the thing

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<v Speaker 1>that kind of prompted my transition to happen, I think

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<v Speaker 1>maybe a little bit faster than I had thought I

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<v Speaker 1>would orchestrate. It was just you know, kind of going death,

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<v Speaker 1>you know, my right ear and some of my left,

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<v Speaker 1>and then the vertigo and then just that journey and

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<v Speaker 1>challenge that I went through medically, which kind of made

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<v Speaker 1>me look at time differently, right. You know, I wasn't

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<v Speaker 1>purposely procrastinating, you know, I just I was just taking

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<v Speaker 1>the steps, you know, maybe a little bit more cavalier

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<v Speaker 1>or more casual than I am now, because it's like

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<v Speaker 1>you look at the legacy, and you look at all

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<v Speaker 1>the goals and the things that you want to accomplish,

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<v Speaker 1>and just being on stage and taking my shirt off

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<v Speaker 1>singing in front of thousands you know women, that that's

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<v Speaker 1>not the end goal, right. The end goal for me

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<v Speaker 1>has always been to give that back, you know what,

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<v Speaker 1>I mean, to establish a foundation where singer songwriters and

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<v Speaker 1>producers could go and get their opportunity at a twenty

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<v Speaker 1>plus year career, and that I could help facilitate that

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<v Speaker 1>in some way, shape or form. That's always been the

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<v Speaker 1>end goal. So you know, the album process takes a

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<v Speaker 1>lot of time away from that. This is you know,

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<v Speaker 1>this is years in the making. Then a tour has

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<v Speaker 1>to go along with it, all of these things, and

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<v Speaker 1>it just keeps me away from that other thing that

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<v Speaker 1>I really want to get to, the mission and then acting.

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<v Speaker 1>So you know, I do act. I have appeared on

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<v Speaker 1>a bunch of stuff, but I haven't been able to

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<v Speaker 1>put the time into it. You have to, you have to,

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<v Speaker 1>they can't. The casting directors have to know that you're

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<v Speaker 1>available and that you're not going to go on tour

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<v Speaker 1>in the middle, in the middle of shooting. You know

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<v Speaker 1>what I'm saying. I got to take days when he's

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<v Speaker 1>available and only shoot those days of what They don't

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<v Speaker 1>want to deal with that, right, They want to know

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<v Speaker 1>that the actor is available for whatever needs to be done.

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<v Speaker 1>That's sitting, that's all. And so I have to get

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<v Speaker 1>off this roll, get off this bus, get off this

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<v Speaker 1>plane and sit down and build these things in order

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<v Speaker 1>for you know, for me for my goals to be fulfilled. Yo,

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<v Speaker 1>going deaf in one of your ears as an artist,

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<v Speaker 1>does that change anything about your process? Like? Do you

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<v Speaker 1>like like because it feels like obviously that's such an

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<v Speaker 1>important component of for sure got to be scary too.

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<v Speaker 1>It's scary at first, right because it's like I no

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<v Speaker 1>longer hear in stereo, you know what I mean, It's

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<v Speaker 1>all and then how do you process all of the

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<v Speaker 1>information in one ear? You know what I'm saying, From

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<v Speaker 1>music to voice to people talking, stuff moving, it's all

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<v Speaker 1>happening in one ear. And so yeah, it was an adjustment,

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<v Speaker 1>I mean it. You know, I was off balance for

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<v Speaker 1>a long time, you know what I mean. And and

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<v Speaker 1>my first time on stage from going that was I

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<v Speaker 1>was at the Essence Essence Festival and literally almost tripped twice.

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<v Speaker 1>So I have vertigo and I'm deaf in my right ear.

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<v Speaker 1>So I'm like, I'm looking back, I can't really hear.

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<v Speaker 1>I'm telling my guy, I'm pointing at my sound guy,

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<v Speaker 1>like turned the vocal up or turned that down, turn

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<v Speaker 1>the vocal back down, turned no don't. I couldn't figure

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<v Speaker 1>it out. They didn't, nobody else knew it. But in

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<v Speaker 1>my mind, I'm like, am I off? Am I am?

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<v Speaker 1>I am? I am I sharp? And my flat like

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<v Speaker 1>I couldn't tell. So it took a minute to find

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<v Speaker 1>that's a balance. Oh it's a lot. Yeah. I get

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<v Speaker 1>some weight, so you be that fat dude on stage

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<v Speaker 1>on the couchle. What's crazy is that I did gain weight.

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<v Speaker 1>You can't tell fat dudeys physic That's what I showed you, guys. Yeah,

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<v Speaker 1>but but the medicine, I don't know if anybody knows

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<v Speaker 1>anything about pregnant zone, very very very nasty, stereoides, stereoid

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<v Speaker 1>and and you know it was it was to help

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<v Speaker 1>the nerves in my ear. But what it also does

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<v Speaker 1>it sends you into a depression, which I'm already depress

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<v Speaker 1>because I only got one ear and I don't know

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<v Speaker 1>what the hell, which just magnifies that, magnifies that, and

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<v Speaker 1>then I'm eating like ninety going north, Like I'm doing

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<v Speaker 1>sixty milligrams of presnis on a day. I'm eating from

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<v Speaker 1>sun up to sundown. Anybody knows me, I don't eat

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<v Speaker 1>a lot of food and I have chronic reflux to

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<v Speaker 1>go along with that. So I'm having to sleep sitting up.

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<v Speaker 1>My stomach is out there here so that I won't

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<v Speaker 1>throw up on myself, sleep sitting up every night. It

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<v Speaker 1>was a process, man, and then trying to get back

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<v Speaker 1>in shape, and you know, it was it was. It

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<v Speaker 1>was one of the rare times where I was down mentally,

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<v Speaker 1>physically and spiritually. That's rough, you know what I mean.

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<v Speaker 1>And it's it's been. This album has been all of

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<v Speaker 1>that journey. It's been all of it. A lot of

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<v Speaker 1>that here, A lot of that is in there, you

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<v Speaker 1>know what I mean. And so now I can now

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<v Speaker 1>I'm in a place where I can say, yeah, I'm

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<v Speaker 1>ready to I'm ready to make that transition and I'm

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<v Speaker 1>happy to make it. So how did you climb out

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<v Speaker 1>of the depression and get back spiritually where you want

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<v Speaker 1>to be happy and to create again good people around me? Man?

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<v Speaker 1>My wife is you know, that's that's that's like my anchor, man,

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<v Speaker 1>She's She's just always there. You know what I'm saying.

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<v Speaker 1>My wife is like the what do you need? Every

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<v Speaker 1>five minutes? What can I do? What can I do?

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<v Speaker 1>You know? My got Lulu, I got you Valentine just

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<v Speaker 1>always in my air. Bro you you got it. You

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<v Speaker 1>gotta got out of a strong circle. You know what

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<v Speaker 1>I'm saying. My guy John Gaines, who you know, started

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<v Speaker 1>started helping me build back physically, you know what I'm saying.

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<v Speaker 1>And mentally, you know what I'm saying, just saying, you

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<v Speaker 1>got you gotta push. This is your tank. You know

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<v Speaker 1>what I'm saying. Don't you think? Man? Like you said,

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<v Speaker 1>people love to see you with your shirt off. People

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<v Speaker 1>love to see the tips. And you know I can't

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<v Speaker 1>let the people down. You know what I'm saying. We

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<v Speaker 1>don't like seeing that titties a song, just surprised for

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<v Speaker 1>the wife. Bring tank out at the wedding on Saturday.

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<v Speaker 1>I don't want this nigga nowhere near my wedding. If

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<v Speaker 1>I see. I'm not crying for the wrong reason. I'm here.

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<v Speaker 1>It's sober before it started. I'm just setting you up, man,

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<v Speaker 1>I'm here to set you up to knock it down.

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<v Speaker 1>But I successfully. She liked fat dudes. Now so Ross

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<v Speaker 1>and DJ Cally. She's got no choice. She got no choice.

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<v Speaker 1>Now they're a level because I've been trying to lose

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<v Speaker 1>the same hundred rounds for like the last you know,

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<v Speaker 1>I've been going to gym, been working with each other

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<v Speaker 1>for about a year and a half, and he's been

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<v Speaker 1>working out every morning at five am, and he looks

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<v Speaker 1>the same. Matter. In fact, I have a picture with

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<v Speaker 1>you from twenty thirteen and you haven't aged not a bit.

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<v Speaker 1>And I keep agent. They say, black, don't crack, But

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<v Speaker 1>what happened with me? I'm I don't. I don't know

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<v Speaker 1>if you've cracked. She had. Yeah, it's it's not some

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<v Speaker 1>people have Tank and Dwight jeans and it's not the

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<v Speaker 1>it's not so much to work, bro, it's it's it's

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<v Speaker 1>the intake. You got to manage the intake. The diet.

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<v Speaker 1>That's it. That's what. That's what they've been telling me

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<v Speaker 1>all this time. When they say it's eighty percent diet

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<v Speaker 1>twenty percent like working out, that's true, right, Yeah, you can.

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<v Speaker 1>You can. There are diets where you don't have to

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<v Speaker 1>work out at all. What it does what you do? Yeah,

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<v Speaker 1>what are those diets? There are Keto diets right now? Yeah,

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<v Speaker 1>we talked about keto every day. Twenty five pounds right now? Really? Yeah,

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<v Speaker 1>I mean I also work out, but you know, because

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<v Speaker 1>you look like ship too, So this is wild there, Keto.

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<v Speaker 1>There's also a carb free diet, you know what I mean,

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<v Speaker 1>where you supplement your carbs in other ways. Maybe you

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<v Speaker 1>know Celsius energy drinks, that type of thing, and just

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<v Speaker 1>just rely on protein and veggies and and let it

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<v Speaker 1>burn that way. And and then there's and then there's uh,

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<v Speaker 1>there's low calorie eating, you know what I mean. So

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<v Speaker 1>that's when you eat more times a day, but you

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<v Speaker 1>keep the calories load of smaller meals. Probably all the

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<v Speaker 1>respect was for you and everything, but I ain't listening

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<v Speaker 1>to none of that. And he also eats chocolates every night.

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<v Speaker 1>Every night, he's fucking taking a weed brownie to go

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<v Speaker 1>to sleep. Without the edibles. You're an addict a kind

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<v Speaker 1>of connotation to it. You have to stop. It's you.

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<v Speaker 1>It's you, buddy, it's the pandemic edibles, it's me. It's you.

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<v Speaker 1>We're on the other side of the pandemic. You just

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<v Speaker 1>we before operating as if we're this to do you

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<v Speaker 1>at the end of the day. You getting married on Sunday, Saturday,

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<v Speaker 1>right Saturday. Yeah, apparently somebody's happy with you and your decisions. Yeah, somebody.

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<v Speaker 1>What he's said, he kiss him every day. Take. I

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<v Speaker 1>want to talk to you about R and B because

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<v Speaker 1>I feel like good R and B is still out there.

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<v Speaker 1>But you know, when I was growing up, it was

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<v Speaker 1>your era. It was one twelve, it was Drew Hill,

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<v Speaker 1>it was I mean, we can go on and on

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<v Speaker 1>and on. By the way, I missed the R and

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<v Speaker 1>B group dying dying art form for sure. For sure,

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<v Speaker 1>the R and B group is something that I'm like,

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<v Speaker 1>what's the R and B group when I was a

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<v Speaker 1>tagging edge? But I feel like there's very few people

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<v Speaker 1>still making the R and B I was listening to

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<v Speaker 1>when I was growing up at a high level. I

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<v Speaker 1>think you're obviously somebody like that. I loved Lama's album.

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<v Speaker 1>What is your thoughts on just like the current state

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<v Speaker 1>of R and B and like some of them more

0:11:01.400 --> 0:11:04.560
<v Speaker 1>like I guess alternative arm because some stuff that's considered

0:11:04.679 --> 0:11:07.640
<v Speaker 1>R and B these days isn't really like what I

0:11:07.679 --> 0:11:09.840
<v Speaker 1>would consider R and B. Of course, does that make sense,

0:11:10.120 --> 0:11:14.120
<v Speaker 1>of course, but you have to consider what the kids

0:11:14.200 --> 0:11:17.200
<v Speaker 1>now that are doing R and B, what they grew

0:11:17.280 --> 0:11:19.360
<v Speaker 1>up on. You know, they grew up in a very

0:11:19.480 --> 0:11:23.200
<v Speaker 1>hip hop dominated society, right, you know what I mean?

0:11:23.360 --> 0:11:27.200
<v Speaker 1>And then not only that, they also had to live

0:11:27.440 --> 0:11:33.880
<v Speaker 1>with rappers, I guess, abandoning just regular rap and doing

0:11:33.920 --> 0:11:37.160
<v Speaker 1>all melody rap, right, and now they have to contend

0:11:37.200 --> 0:11:41.480
<v Speaker 1>with rappers using melody and actually being emotional. You know

0:11:41.520 --> 0:11:43.680
<v Speaker 1>what I'm saying. They baby mamas, you know, is out

0:11:43.679 --> 0:11:46.319
<v Speaker 1>of contruct all on the record. They got to shoot somebody,

0:11:46.440 --> 0:11:48.640
<v Speaker 1>but then they got to go check on their baby mama.

0:11:49.120 --> 0:11:51.040
<v Speaker 1>You know what I'm saying, who's not acting right? You

0:11:51.080 --> 0:11:52.760
<v Speaker 1>know what I'm saying, who might have been seeing the

0:11:52.760 --> 0:11:56.439
<v Speaker 1>guy they shot? You know, you know it's all murky

0:11:56.600 --> 0:12:00.559
<v Speaker 1>for us as male R and B singers grew up

0:12:00.600 --> 0:12:06.240
<v Speaker 1>on Jodasy boys to men. I'll be sure new addition, Bobby,

0:12:06.559 --> 0:12:09.280
<v Speaker 1>That's what we grew up on. So that's what we emulated.

0:12:09.920 --> 0:12:12.400
<v Speaker 1>That's what was mainstream. When you looked at the charts,

0:12:12.440 --> 0:12:14.840
<v Speaker 1>that was topping the charts, and if you wanted to

0:12:14.840 --> 0:12:17.880
<v Speaker 1>be somebody, you had to be like that. When these

0:12:17.960 --> 0:12:20.679
<v Speaker 1>kids look at the charts and they wanted to be somebody,

0:12:20.960 --> 0:12:24.960
<v Speaker 1>all they saw were rappers and there's future, there's juice world.

0:12:25.080 --> 0:12:27.520
<v Speaker 1>So the land just got bigger. They're like, how do

0:12:27.600 --> 0:12:31.360
<v Speaker 1>we fit into that? And so it became more about

0:12:31.440 --> 0:12:36.520
<v Speaker 1>incorporating the things that were winning, the esthetic that looked

0:12:36.520 --> 0:12:39.200
<v Speaker 1>to be the mainstream in order to either fit in

0:12:39.280 --> 0:12:42.400
<v Speaker 1>that space or just be seen period, you know what

0:12:42.480 --> 0:12:46.360
<v Speaker 1>I mean. And there weren't enough. There weren't enough outlets

0:12:46.640 --> 0:12:51.319
<v Speaker 1>that were willing to preserve the traditional nuance of R

0:12:51.400 --> 0:12:53.839
<v Speaker 1>and B. They just weren't you know, they weren't willing

0:12:53.880 --> 0:12:56.520
<v Speaker 1>to play it. Take a ballot number one. They just weren't,

0:12:56.640 --> 0:12:57.920
<v Speaker 1>you know what I mean. And so all of that

0:12:57.960 --> 0:13:01.080
<v Speaker 1>got pushed to an urban ac kind of thing which became.

0:13:01.320 --> 0:13:04.280
<v Speaker 1>Which is this new radio category, Well now it's it's

0:13:04.360 --> 0:13:07.000
<v Speaker 1>it's R and B radio, right, they're making the transition

0:13:07.120 --> 0:13:10.119
<v Speaker 1>to make it younger, which has become. But and initially

0:13:10.440 --> 0:13:13.560
<v Speaker 1>it was an oldies kind of thing. It was oldies

0:13:13.640 --> 0:13:17.040
<v Speaker 1>and some new R and R and B sprinkled in

0:13:17.080 --> 0:13:19.120
<v Speaker 1>here and there. You could only get one record off

0:13:19.120 --> 0:13:21.960
<v Speaker 1>a year, you know what I mean. So our outlet

0:13:22.120 --> 0:13:26.440
<v Speaker 1>was just that they stopped, you know, they stopped having

0:13:26.520 --> 0:13:29.040
<v Speaker 1>an R and B hour in the clubs, you know

0:13:29.080 --> 0:13:30.920
<v Speaker 1>what I'm saying, The last hour where you could make

0:13:30.960 --> 0:13:32.400
<v Speaker 1>a decision on who you was going you know what

0:13:32.400 --> 0:13:34.520
<v Speaker 1>I'm saying, Who's going to tap? In with they stopped

0:13:34.520 --> 0:13:37.600
<v Speaker 1>having it, so we lost clubs, you know what I'm saying.

0:13:37.960 --> 0:13:40.480
<v Speaker 1>We just started losing in so many different places. That

0:13:40.720 --> 0:13:43.240
<v Speaker 1>was like how do we fit in? How do we

0:13:43.320 --> 0:13:47.560
<v Speaker 1>keep up? We had to adapt their nuances and they're

0:13:48.280 --> 0:13:52.920
<v Speaker 1>slowly but surely we got away from what we grew

0:13:53.000 --> 0:13:54.920
<v Speaker 1>up on tradition. Shout out I want to shout out

0:13:55.040 --> 0:13:56.880
<v Speaker 1>money Long because she took a record to number one

0:13:56.880 --> 0:13:59.240
<v Speaker 1>at Urban and Rhythm and that was a very traditional

0:13:59.559 --> 0:14:05.920
<v Speaker 1>R and B, very traditional and very awesome for the

0:14:06.000 --> 0:14:08.560
<v Speaker 1>conversation because I was like, Yo, this is a real

0:14:08.679 --> 0:14:11.880
<v Speaker 1>R and B right, so that we can yell, kick, kick,

0:14:11.960 --> 0:14:14.840
<v Speaker 1>and stomp and wave our flags and say, hey it works.

0:14:17.520 --> 0:14:20.200
<v Speaker 1>Heartbreak Anniversary was a slower record that did really well.

0:14:20.520 --> 0:14:22.880
<v Speaker 1>You know, he's got a crazy voice. But there's been

0:14:22.880 --> 0:14:25.200
<v Speaker 1>a few records that have been cutting it like it's like,

0:14:25.520 --> 0:14:29.240
<v Speaker 1>you know, it's like they'll give us one a year

0:14:29.400 --> 0:14:32.480
<v Speaker 1>or one every six months, and we're like, yeah, that's cool,

0:14:32.560 --> 0:14:36.640
<v Speaker 1>but you know, you you give them a hundred, you

0:14:36.680 --> 0:14:39.520
<v Speaker 1>give it. Where's the balance? So what you're retiring, do

0:14:39.560 --> 0:14:41.440
<v Speaker 1>you feel comfortable leav an R and B where it's

0:14:41.440 --> 0:14:43.040
<v Speaker 1>at right now? Do you think it's in good hand.

0:14:43.160 --> 0:14:46.760
<v Speaker 1>I'm not leaving it to anybody. I'm going to recruit.

0:14:46.920 --> 0:14:49.760
<v Speaker 1>He's got his imprint, right, I'm going to recruit. So

0:14:49.880 --> 0:14:53.200
<v Speaker 1>now it's time for me to go build the army

0:14:53.280 --> 0:14:58.040
<v Speaker 1>of the songwriters and producers and artists who will feel

0:14:58.080 --> 0:15:00.640
<v Speaker 1>the void. And it's about grabbing the one that have

0:15:01.400 --> 0:15:04.320
<v Speaker 1>the nuances that I grew up on, right, you know

0:15:04.360 --> 0:15:07.040
<v Speaker 1>what I mean. I'm I'm looking for wavy artists, you

0:15:07.040 --> 0:15:08.600
<v Speaker 1>know what I'm saying, who can tap in and do

0:15:08.680 --> 0:15:11.000
<v Speaker 1>both and who have the trap and the all. I'm

0:15:11.040 --> 0:15:13.120
<v Speaker 1>tapping into all of that. But I'm also looking for

0:15:13.160 --> 0:15:16.840
<v Speaker 1>the R and B singer. That's a that's a different one.

0:15:17.280 --> 0:15:20.200
<v Speaker 1>The R and B singer has to actually be able

0:15:20.320 --> 0:15:23.960
<v Speaker 1>to sing right. Also shot out to like if you

0:15:24.000 --> 0:15:26.640
<v Speaker 1>think about like today, like back in the day. And

0:15:26.680 --> 0:15:30.720
<v Speaker 1>I say this because the New Division record is a

0:15:30.760 --> 0:15:35.520
<v Speaker 1>great record produced by Jermaine Dupria JD. Be Cox, absolutely

0:15:35.720 --> 0:15:38.880
<v Speaker 1>so if you think of you know, ninety eight ninety nine,

0:15:39.120 --> 0:15:41.680
<v Speaker 1>there was like these like mainstays of like R and

0:15:41.720 --> 0:15:44.000
<v Speaker 1>B production where it was like and I feel like

0:15:44.680 --> 0:15:47.200
<v Speaker 1>maybe the closest person to that that's like craft in

0:15:47.280 --> 0:15:49.280
<v Speaker 1>like dope hit records that have R and B vibes.

0:15:50.520 --> 0:15:52.040
<v Speaker 1>I mean, I think hit Maker is doing a pretty

0:15:52.080 --> 0:15:55.600
<v Speaker 1>decent job at it, like but outside of like I

0:15:55.640 --> 0:15:58.280
<v Speaker 1>don't know if we have that Jermaine dupri of like

0:15:58.360 --> 0:16:02.680
<v Speaker 1>the new era and traditional art, right, I mean, I

0:16:02.720 --> 0:16:05.880
<v Speaker 1>do it for myself, like Mustard's done some dope shit

0:16:05.960 --> 0:16:07.480
<v Speaker 1>for Lma, you know what I mean, but in terms

0:16:07.480 --> 0:16:10.480
<v Speaker 1>of like nothing traditional, right, But you hear what I'm saying,

0:16:10.560 --> 0:16:12.280
<v Speaker 1>Like back in the day we have like you know,

0:16:12.560 --> 0:16:15.440
<v Speaker 1>even like Diddy and the Hitmen were. I do it

0:16:15.480 --> 0:16:19.840
<v Speaker 1>for myself, but with the time, I need to be

0:16:19.880 --> 0:16:21.840
<v Speaker 1>able to do it for other people, right right, you

0:16:21.880 --> 0:16:23.560
<v Speaker 1>know what I mean. I produce and write that for

0:16:23.680 --> 0:16:26.400
<v Speaker 1>myself because that's what I have time to do, right,

0:16:26.720 --> 0:16:31.040
<v Speaker 1>But now I have to, like you said, who's the

0:16:31.080 --> 0:16:36.320
<v Speaker 1>go to producer that can bring R and B at

0:16:36.440 --> 0:16:38.400
<v Speaker 1>least some of the nuances of traditional R and B

0:16:38.520 --> 0:16:41.520
<v Speaker 1>into twenty twenty two, twenty twenty three. That's what I do,

0:16:41.600 --> 0:16:43.720
<v Speaker 1>But I do it just for me. Hey, we got

0:16:43.760 --> 0:16:45.640
<v Speaker 1>to stop the interview real quick. Tell you about our

0:16:45.680 --> 0:16:48.800
<v Speaker 1>good folks at odds socks. Listen, go to odd socksoficial

0:16:48.840 --> 0:16:51.600
<v Speaker 1>dot com. They're presenting sponsor of the Bootleg Cap podcast.

0:16:51.800 --> 0:16:53.760
<v Speaker 1>When you go on there, use the promo code bootleg

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<v Speaker 1>keV all one word together, bootleg keV, and you're gonna

0:16:57.080 --> 0:16:59.520
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0:16:59.560 --> 0:17:02.040
<v Speaker 1>get all the crazy licenses. My gee, they got the basics,

0:17:02.040 --> 0:17:05.560
<v Speaker 1>they got the Twizzlers, the Warhead underwear. How about these?

0:17:05.600 --> 0:17:08.800
<v Speaker 1>These are godfather draws. You know what I'm saying. Shot

0:17:08.800 --> 0:17:11.960
<v Speaker 1>out to the bootleg keV Socks. We're gonna be dropping

0:17:12.000 --> 0:17:14.600
<v Speaker 1>some merch and if you buy the merch, you get

0:17:14.600 --> 0:17:18.520
<v Speaker 1>free socks. That's coming surely. Uh but Yo, odd Socksofficial

0:17:18.560 --> 0:17:21.320
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0:17:21.400 --> 0:17:24.399
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0:17:24.400 --> 0:17:26.679
<v Speaker 1>I can't talk about. But they just did drop Doritos

0:17:26.680 --> 0:17:30.600
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0:17:30.680 --> 0:17:32.480
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0:17:32.480 --> 0:17:35.679
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0:17:35.760 --> 0:17:37.199
<v Speaker 1>Let's get back to the interview. Who are you a

0:17:37.200 --> 0:17:40.159
<v Speaker 1>fan of singer wives that are just that you just

0:17:40.160 --> 0:17:42.520
<v Speaker 1>just you know, obviously unaffiliated with your you and your

0:17:42.600 --> 0:17:44.320
<v Speaker 1>your crew, But like just someone who you you're just

0:17:44.320 --> 0:17:48.399
<v Speaker 1>a fan of singing, wise an artist that can sing.

0:17:48.440 --> 0:17:52.560
<v Speaker 1>I love h I love Lucky Day. You gotta love

0:17:52.640 --> 0:17:56.320
<v Speaker 1>Jazzmine Sullivan. She's amazing, great album to you. You gotta

0:17:56.359 --> 0:18:00.600
<v Speaker 1>love her. You gotta love Money Long. You gotta love

0:18:00.680 --> 0:18:04.120
<v Speaker 1>Kevin Ross, who needs way more flowers? Who needs way

0:18:04.119 --> 0:18:09.359
<v Speaker 1>more looks? You gotta love even some of the unsigned

0:18:09.400 --> 0:18:15.439
<v Speaker 1>acts who are out here going crazy. What's my guy,

0:18:17.160 --> 0:18:20.440
<v Speaker 1>Avery Wilson? You know, if you listen to that guy

0:18:20.520 --> 0:18:24.399
<v Speaker 1>saying like he's he should be he should really be

0:18:24.480 --> 0:18:28.879
<v Speaker 1>on the radio keeping the bar high, extremely high for

0:18:29.040 --> 0:18:31.360
<v Speaker 1>vocal ability. You know what I'm saying. Of course I'm

0:18:31.359 --> 0:18:37.120
<v Speaker 1>listening to Beyonce. She's She's beyond. Who's your R and B?

0:18:37.600 --> 0:18:41.400
<v Speaker 1>Mount Rushmore? If you have to choose the four rush

0:18:41.480 --> 0:18:48.480
<v Speaker 1>More the Mount h Yeah, Wow, you want to go deep.

0:18:49.520 --> 0:18:51.959
<v Speaker 1>That's what we're going. By the way, I'd like to

0:18:52.040 --> 0:18:55.240
<v Speaker 1>just point out the rules of this. Anything that happened

0:18:55.280 --> 0:18:59.320
<v Speaker 1>in their personal life out the window, move forward. I

0:18:59.400 --> 0:19:02.080
<v Speaker 1>know what I did, favorite tame Bro. I just want

0:19:02.119 --> 0:19:03.960
<v Speaker 1>to I just want to be clear that there's one

0:19:04.040 --> 0:19:09.080
<v Speaker 1>slot that should be Allocant, a really terrible guy, but

0:19:09.240 --> 0:19:15.800
<v Speaker 1>he deserves to be up there only. Okay, this is

0:19:15.840 --> 0:19:18.920
<v Speaker 1>a room only. So now with that being said, who

0:19:19.080 --> 0:19:22.320
<v Speaker 1>is your Mount Rushmore of R and B. Mount Rushmore

0:19:22.640 --> 0:19:29.200
<v Speaker 1>of R and B. Stupid Mount Rushmore of R and B.

0:19:30.920 --> 0:19:47.920
<v Speaker 1>Marvin Gay Okay, Beyonce O, Michael Jackson, Okay, just say

0:19:47.920 --> 0:20:01.240
<v Speaker 1>his name? Go ahead? Where is stead of why you whispering?

0:20:02.560 --> 0:20:11.280
<v Speaker 1>You know, just god, just say it. Kelly Kelly, Yeah, yeah,

0:20:11.440 --> 0:20:16.040
<v Speaker 1>art only. Obviously, I still listen. You know, it's crazy.

0:20:16.280 --> 0:20:19.160
<v Speaker 1>It's crazy because I love R. Kelly so much. Obviously

0:20:19.200 --> 0:20:21.800
<v Speaker 1>his music. I love his music. I'm like fucking hardcore

0:20:22.000 --> 0:20:24.919
<v Speaker 1>R Kelly fan. Yeah, I still get his ship off

0:20:24.920 --> 0:20:27.800
<v Speaker 1>at the end of the night when I'm dejaying, like

0:20:27.840 --> 0:20:30.639
<v Speaker 1>at the club and nobody says ship you drop that

0:20:30.680 --> 0:20:36.879
<v Speaker 1>fucking the morning I've been in the none of you

0:20:37.359 --> 0:20:40.160
<v Speaker 1>gonna say a few a bunch of clubs play step

0:20:40.160 --> 0:20:42.119
<v Speaker 1>in the name a little at your well. That was

0:20:42.200 --> 0:20:44.280
<v Speaker 1>that was actually a question asked, can we play R Kelly?

0:20:44.280 --> 0:20:47.200
<v Speaker 1>I said, yeah, just we're gonna be drinking anybody anybody

0:20:48.160 --> 0:20:51.400
<v Speaker 1>at that point time. I think I think everybody, you know,

0:20:51.640 --> 0:20:55.000
<v Speaker 1>everybody wants to be right in this conversation, right, and

0:20:55.040 --> 0:20:59.360
<v Speaker 1>I think I think everybody should be left to operate

0:20:59.480 --> 0:21:01.199
<v Speaker 1>or feel however they want to feel. You have so

0:21:01.240 --> 0:21:04.639
<v Speaker 1>many people that believe, hey, I just love the music,

0:21:04.880 --> 0:21:07.760
<v Speaker 1>and you're okay to believe that. You have some people

0:21:07.800 --> 0:21:11.080
<v Speaker 1>that feel like, oh, the music is is connected to

0:21:11.160 --> 0:21:13.200
<v Speaker 1>all of these bad things. You're allowed to believe that.

0:21:13.560 --> 0:21:17.760
<v Speaker 1>But condemning, condemning either side that side, we are so

0:21:17.920 --> 0:21:20.480
<v Speaker 1>extreme right now, that's not the We don't have to

0:21:20.520 --> 0:21:22.439
<v Speaker 1>agree on something. We don't have to agree. You can

0:21:22.480 --> 0:21:27.040
<v Speaker 1>have completely and you can make me exactly. Let's normalize,

0:21:27.040 --> 0:21:30.800
<v Speaker 1>have an opinions again in everything in a world. Yeah,

0:21:31.080 --> 0:21:33.840
<v Speaker 1>it's like yo, yo, You like during the pandemic you

0:21:33.920 --> 0:21:36.000
<v Speaker 1>kind of took a stance. I wouldn't say like a stance,

0:21:36.040 --> 0:21:38.080
<v Speaker 1>but you were very skeptical about some of the ship

0:21:38.119 --> 0:21:40.119
<v Speaker 1>that was going on. Rightfully, so, but I feel like

0:21:40.200 --> 0:21:41.719
<v Speaker 1>you kind of a lot of people were on your

0:21:41.720 --> 0:21:44.679
<v Speaker 1>fucking head about it early. Was that you, like just

0:21:44.680 --> 0:21:47.760
<v Speaker 1>in terms of like the vaccinations and the mask I mean, listen,

0:21:48.400 --> 0:21:52.000
<v Speaker 1>I'm just it's again what I'm saying, right, that's a

0:21:52.000 --> 0:21:54.760
<v Speaker 1>perfect example. And here's here's what's crazy. But let's let's

0:21:54.800 --> 0:21:56.840
<v Speaker 1>let's just speak a little bit I mean, they're probably

0:21:56.880 --> 0:22:01.560
<v Speaker 1>gonna put the CDC sign I guess on they moved

0:22:01.600 --> 0:22:05.600
<v Speaker 1>on the monkey. We're so we're looking for bumps. Now

0:22:06.920 --> 0:22:10.720
<v Speaker 1>we're we All of a sudden, the CDC puts out

0:22:10.720 --> 0:22:14.880
<v Speaker 1>a statement that says, oh, if you've had it, it's

0:22:14.920 --> 0:22:21.159
<v Speaker 1>the equivalent of having gotten the vaccine. Your your immunity

0:22:21.600 --> 0:22:26.080
<v Speaker 1>is just as powerful. Really, you you you you mean

0:22:26.119 --> 0:22:29.199
<v Speaker 1>to tell me, you the almighty c d C. You

0:22:29.359 --> 0:22:31.800
<v Speaker 1>just now figured that out. And when I said it

0:22:31.880 --> 0:22:36.080
<v Speaker 1>back in the beginning of all of this, I was stupid.

0:22:36.400 --> 0:22:40.960
<v Speaker 1>I was a conspiracy theorist. How dare you You can't

0:22:41.000 --> 0:22:45.080
<v Speaker 1>have free you can't think that way? How dare you ignorant?

0:22:45.200 --> 0:22:51.359
<v Speaker 1>People are dying? I said, I know people are also

0:22:51.480 --> 0:22:55.199
<v Speaker 1>living like me. I ain't gonna lie more scared of

0:22:55.200 --> 0:23:00.520
<v Speaker 1>the monkey pops than I was. If you're you're walking

0:23:00.520 --> 0:23:03.359
<v Speaker 1>around with monkey pops, you're fucking looking crazy. Yeah. No,

0:23:03.520 --> 0:23:07.320
<v Speaker 1>monkey pox all the stuff I've seen on it, that's different.

0:23:07.320 --> 0:23:11.320
<v Speaker 1>And I've had I've had chicken pox, chicken pox before

0:23:12.000 --> 0:23:13.600
<v Speaker 1>I was as a kid. I mean, that was this

0:23:13.720 --> 0:23:17.639
<v Speaker 1>monkey like man. They said, I'm the first one in

0:23:17.720 --> 0:23:21.560
<v Speaker 1>line soon as the vaccine here, I'm first getting the

0:23:21.640 --> 0:23:26.840
<v Speaker 1>monkey pox vaccine, the first one get to Johnson to

0:23:26.880 --> 0:23:31.960
<v Speaker 1>get a monkey pox vaccine, I don't want it. If

0:23:32.000 --> 0:23:34.840
<v Speaker 1>you get it, I get where you at. But I'm

0:23:34.880 --> 0:23:37.600
<v Speaker 1>already big and sweaty all the time. I can't be big,

0:23:37.600 --> 0:23:40.360
<v Speaker 1>sweaty with a bunch of bumps. So I gotta do this.

0:23:41.400 --> 0:23:48.960
<v Speaker 1>Make sweaty guys with bumps. You my god, you're not wrong.

0:23:49.680 --> 0:23:52.399
<v Speaker 1>I want you to feel comfortable. I want you to

0:23:52.480 --> 0:23:57.160
<v Speaker 1>feel safe. It was decided before I see no, no,

0:23:57.400 --> 0:24:00.480
<v Speaker 1>because I have to maintain my first statement, that's wrong.

0:24:01.480 --> 0:24:09.560
<v Speaker 1>You're not wrong. You're not wrong. It's dangerous, Oh yeah,

0:24:09.600 --> 0:24:12.520
<v Speaker 1>for sure. It's ugly. So that's why I'm care about

0:24:12.520 --> 0:24:17.080
<v Speaker 1>the vaccines of anything vac scene wise. I think they've

0:24:18.200 --> 0:24:21.399
<v Speaker 1>they've just ruled out that how resilient we are as

0:24:21.520 --> 0:24:24.040
<v Speaker 1>human beings, right, they've they've kind of ruled that out.

0:24:24.119 --> 0:24:27.040
<v Speaker 1>Now all of a sudden, our bodies and the things

0:24:27.080 --> 0:24:30.040
<v Speaker 1>within our bodies are no longer science only the vaccines

0:24:30.040 --> 0:24:33.440
<v Speaker 1>are only the man made things are. So I don't know, man,

0:24:33.480 --> 0:24:36.560
<v Speaker 1>it's just it's a tough conversation. Nobody's wrong. Do what

0:24:36.640 --> 0:24:39.200
<v Speaker 1>makes you feel safe? Exactly? What makes you happy? I

0:24:39.200 --> 0:24:42.400
<v Speaker 1>want to ask you, We're about twelve years or so

0:24:42.520 --> 0:24:46.800
<v Speaker 1>into like, uh, what I considered like a nice renaissance

0:24:46.960 --> 0:24:51.000
<v Speaker 1>in like R and B music becoming commercial again. And

0:24:51.040 --> 0:24:56.800
<v Speaker 1>I'm talking about when Frank Ocean in the Weekend came out,

0:24:57.080 --> 0:24:59.679
<v Speaker 1>they very much kind of kicked off a wave of

0:24:59.720 --> 0:25:02.680
<v Speaker 1>like influencing a whole new generation doing R and B

0:25:02.760 --> 0:25:05.720
<v Speaker 1>in their own way. Like at this point, like when

0:25:05.760 --> 0:25:09.080
<v Speaker 1>you hear The Weekend, who's obviously a fucking superstar, one

0:25:09.119 --> 0:25:11.440
<v Speaker 1>of my favorite artists, But like, do you kind of

0:25:11.440 --> 0:25:13.240
<v Speaker 1>put him in that R and B conversation at all?

0:25:13.520 --> 0:25:15.760
<v Speaker 1>Or is he kind of like transcended R and B

0:25:15.840 --> 0:25:18.119
<v Speaker 1>at this point? What do you like? Like, I think

0:25:18.200 --> 0:25:25.359
<v Speaker 1>that I think that the system has figured out a

0:25:25.400 --> 0:25:34.640
<v Speaker 1>way to make very successful artists who sing separate from

0:25:35.760 --> 0:25:39.960
<v Speaker 1>R and B or just the title for some reason. Right,

0:25:40.560 --> 0:25:49.000
<v Speaker 1>for all intentsive purposes, we can Bruno Mars, Frank Ocean,

0:25:50.040 --> 0:25:53.439
<v Speaker 1>these guys are R and B singers. The fact that

0:25:53.440 --> 0:25:57.439
<v Speaker 1>they're extremely popular, The fact that there may be a

0:25:57.600 --> 0:26:01.439
<v Speaker 1>different kind of rhythm or more upbeat or sonically it

0:26:01.480 --> 0:26:07.600
<v Speaker 1>may be more universal to the world. Right, the fact

0:26:07.600 --> 0:26:12.560
<v Speaker 1>that it's that doesn't kill the fact that it's R

0:26:12.640 --> 0:26:16.639
<v Speaker 1>and B music. Now we can we can add words

0:26:16.680 --> 0:26:20.240
<v Speaker 1>to it, Okay, R and B pop. Fine, it's very

0:26:20.240 --> 0:26:23.680
<v Speaker 1>popular R and B. Right, he's a very popular R

0:26:23.760 --> 0:26:26.640
<v Speaker 1>and B artist, right, But if you ask, but if

0:26:26.640 --> 0:26:28.920
<v Speaker 1>you ask these guys what they are and what they're doing,

0:26:29.040 --> 0:26:33.240
<v Speaker 1>R and B artists, R and B artists like change

0:26:33.280 --> 0:26:35.800
<v Speaker 1>the system has I's talked to Justin when he made this.

0:26:36.240 --> 0:26:38.080
<v Speaker 1>When you're doing the twenty twenty, he said, Man, I

0:26:38.080 --> 0:26:40.159
<v Speaker 1>made it. I was making an R and B album

0:26:40.560 --> 0:26:44.280
<v Speaker 1>and they just put me in a pop category. I'm

0:26:44.320 --> 0:26:48.040
<v Speaker 1>an R and Do you remember the Justin Bieber album

0:26:48.440 --> 0:26:54.200
<v Speaker 1>Journals that poo Bear produced and album. I mean that's

0:26:54.200 --> 0:26:58.240
<v Speaker 1>his best album and it's a traditional R and B album. Crazy,

0:26:58.520 --> 0:27:00.159
<v Speaker 1>No one ever talks about that album, but it it's

0:27:00.240 --> 0:27:03.520
<v Speaker 1>like it was straight R and B like Justin, Joel

0:27:03.520 --> 0:27:06.880
<v Speaker 1>Bear was in his bag, in his bag for sure. Vocally,

0:27:07.359 --> 0:27:11.040
<v Speaker 1>Kids sounded amazing. I think that kind of what what

0:27:11.080 --> 0:27:13.800
<v Speaker 1>you said on Drink Champs is so true though, Like

0:27:13.840 --> 0:27:16.520
<v Speaker 1>what you said about if a black artist does stay

0:27:16.560 --> 0:27:20.199
<v Speaker 1>with me like a Sam Smith record, it's it's not

0:27:20.400 --> 0:27:22.760
<v Speaker 1>for whatever reason. Like I really like when you when

0:27:22.760 --> 0:27:26.639
<v Speaker 1>you kind of articulated that it was very accurate. It

0:27:26.720 --> 0:27:29.359
<v Speaker 1>was like you like think of like a Lewis Capaldi,

0:27:29.640 --> 0:27:30.879
<v Speaker 1>you know what I mean, or some of these like

0:27:31.880 --> 0:27:36.120
<v Speaker 1>pop ballads. If if you did it, or if a

0:27:36.240 --> 0:27:38.760
<v Speaker 1>traditional R and B artist did it, it's not going

0:27:38.760 --> 0:27:40.240
<v Speaker 1>to get the same push, or it's not going to

0:27:40.320 --> 0:27:43.080
<v Speaker 1>be pushed at pop radio. We're not going to get

0:27:43.119 --> 0:27:46.399
<v Speaker 1>the look. Why do you think that is? We're black.

0:27:48.640 --> 0:27:51.160
<v Speaker 1>It's fine, Yeah, we're just not going to get the look.

0:27:51.600 --> 0:27:57.640
<v Speaker 1>You aren't going to take my CD and into uh

0:27:57.760 --> 0:28:00.600
<v Speaker 1>over there at the at the rhythmic station and say, hey, man,

0:28:00.600 --> 0:28:03.760
<v Speaker 1>I got this new tank song man and just yeah,

0:28:05.160 --> 0:28:10.800
<v Speaker 1>it doesn't really fit our demo. I don't And that

0:28:10.880 --> 0:28:13.640
<v Speaker 1>kind of goes like without even hearing the record. It's

0:28:13.640 --> 0:28:17.680
<v Speaker 1>almost like what you said earlier with that new radio format.

0:28:18.320 --> 0:28:21.359
<v Speaker 1>Now listen, if I if I give them, if I

0:28:21.480 --> 0:28:27.400
<v Speaker 1>give them a bunch of bitches and holes, now that's

0:28:27.440 --> 0:28:30.760
<v Speaker 1>gonna make us some money. Mm hmmmm, I see what's

0:28:30.760 --> 0:28:33.800
<v Speaker 1>going on? Got it? That's that's that's gonna get us

0:28:33.840 --> 0:28:37.040
<v Speaker 1>some money. You got anything like I don't know, like

0:28:37.200 --> 0:28:40.520
<v Speaker 1>the Migos or something like you got offset on a Verse,

0:28:40.720 --> 0:28:43.040
<v Speaker 1>You got offset on the verse. Oh yeah, perfect, that's

0:28:43.160 --> 0:28:48.200
<v Speaker 1>more our demo. Yeah, And I mean we can speak

0:28:48.200 --> 0:28:52.000
<v Speaker 1>to many reasons why that is, but we know what

0:28:52.040 --> 0:28:54.160
<v Speaker 1>we're up against. Yeah, so you know what I mean.

0:28:54.200 --> 0:28:56.160
<v Speaker 1>Are you still frustrated with it? Or do you just

0:28:56.360 --> 0:28:58.240
<v Speaker 1>find ways to overcome it? I don't even think about it.

0:28:58.400 --> 0:28:59.720
<v Speaker 1>That's that's the way to do it. Do you keep

0:28:59.760 --> 0:29:02.840
<v Speaker 1>your You're you're on a mission. I I I deal

0:29:02.880 --> 0:29:05.240
<v Speaker 1>with the people that I can touch. This album. You

0:29:05.360 --> 0:29:08.360
<v Speaker 1>got Chris Breezy on the album easy shout out to

0:29:08.440 --> 0:29:11.240
<v Speaker 1>Chris Breezy. Give Me Black to Tuxedo is amazing. Jay

0:29:11.320 --> 0:29:16.120
<v Speaker 1>Valentine your your partner on the R and B Money podcast.

0:29:17.160 --> 0:29:20.720
<v Speaker 1>If I'm throwing this thing in, yeah, give me the first.

0:29:20.880 --> 0:29:22.880
<v Speaker 1>If I can only listen to one record, what's the

0:29:22.880 --> 0:29:24.640
<v Speaker 1>one record I'm going to on this one? If you

0:29:24.680 --> 0:29:27.800
<v Speaker 1>had to pick one. I'm just saying like, let's say

0:29:27.880 --> 0:29:30.400
<v Speaker 1>let's say someone's listening and this is the first time

0:29:30.400 --> 0:29:33.480
<v Speaker 1>they've heard of Tank, they don't know who the They're

0:29:33.520 --> 0:29:35.320
<v Speaker 1>gonna open up Spotify and they're gonna be like, you

0:29:35.360 --> 0:29:38.000
<v Speaker 1>know what, I'm gonna check this Tank guy out. What's

0:29:38.000 --> 0:29:41.520
<v Speaker 1>the What's what's what's the record? You know your favorite

0:29:41.880 --> 0:29:44.520
<v Speaker 1>today because I'm sure tomorrow it's gonna change, maybe in

0:29:44.560 --> 0:29:52.000
<v Speaker 1>an hour. Absolutely, absolutely, I'm glad you said that. Hm,

0:29:55.160 --> 0:29:59.400
<v Speaker 1>when you dance, when you dance? Okay, track to track

0:29:59.480 --> 0:30:01.680
<v Speaker 1>to I'm just looking at some of these titles. Spoil

0:30:01.760 --> 0:30:06.960
<v Speaker 1>her alert? How much? Like? How do I spoil my

0:30:07.000 --> 0:30:09.200
<v Speaker 1>future wife? What do I need to do? Well? I

0:30:09.200 --> 0:30:14.120
<v Speaker 1>mean that's a conversation, right, So about that's the last

0:30:14.160 --> 0:30:20.640
<v Speaker 1>place we're going to. It starts with communication, right, right,

0:30:21.040 --> 0:30:22.880
<v Speaker 1>and that's what's communicated to you. So you have to

0:30:22.880 --> 0:30:26.120
<v Speaker 1>ask the right questions, right. And so in order to

0:30:26.200 --> 0:30:30.600
<v Speaker 1>spoil your spoil your woman, you have to be meeting

0:30:30.640 --> 0:30:33.640
<v Speaker 1>a need or or the needs right. And you have

0:30:33.720 --> 0:30:36.680
<v Speaker 1>to be you have to truly understand what those needs are.

0:30:36.720 --> 0:30:39.120
<v Speaker 1>That need is and they comes to it with time.

0:30:40.600 --> 0:30:45.440
<v Speaker 1>It's what she requires and for every woman that's completely different.

0:30:45.480 --> 0:30:48.200
<v Speaker 1>Like I'm very inquisitive, So I like to ask a

0:30:48.320 --> 0:30:51.920
<v Speaker 1>lot of questions, you know what I'm saying leading up

0:30:51.960 --> 0:30:55.000
<v Speaker 1>to whatever, before whatever. I like to be well versed

0:30:56.440 --> 0:30:59.200
<v Speaker 1>before before anything takes place. You know what I'm saying,

0:30:59.240 --> 0:31:02.280
<v Speaker 1>Before we sit down, eat, eat, eat a meal. You

0:31:02.320 --> 0:31:04.160
<v Speaker 1>know what I'm saying, Before we go somewhere to a

0:31:04.440 --> 0:31:07.040
<v Speaker 1>theme park. You may hate roller coasters, Okay, that's not

0:31:07.080 --> 0:31:09.080
<v Speaker 1>what we do, right right, you know what I'm saying.

0:31:09.160 --> 0:31:11.200
<v Speaker 1>You may hate water parks, but then that's not what

0:31:11.200 --> 0:31:14.200
<v Speaker 1>we do. You love the beach though, Oh I can

0:31:14.200 --> 0:31:16.880
<v Speaker 1>take you with some sand is ye yeah, yeah, whatever

0:31:16.880 --> 0:31:20.640
<v Speaker 1>you want, whatever you tget. She hates hard liquor but

0:31:20.720 --> 0:31:23.360
<v Speaker 1>loves red wine. Got you, I'm a I'm a whatever.

0:31:23.400 --> 0:31:25.360
<v Speaker 1>Look up the best red wines they have to offer.

0:31:25.680 --> 0:31:28.440
<v Speaker 1>You know what I'm saying, Like it's it's it's different.

0:31:28.480 --> 0:31:30.040
<v Speaker 1>She don't like to be pounded on. She likes to

0:31:30.040 --> 0:31:32.720
<v Speaker 1>be stroke slow there go there, Like you got to

0:31:32.720 --> 0:31:35.600
<v Speaker 1>ask these questions girls different, girls different. Don't treat it

0:31:35.640 --> 0:31:37.480
<v Speaker 1>like it's once one set up shot. It's not. It's

0:31:37.520 --> 0:31:39.320
<v Speaker 1>not one set of keys for every car there. Go

0:31:39.440 --> 0:31:41.360
<v Speaker 1>right up, Hey, that's the way to put it right there.

0:31:41.400 --> 0:31:45.840
<v Speaker 1>That's man, man yo, being married, being so busy, you

0:31:45.880 --> 0:31:48.840
<v Speaker 1>have so much going on. Give me some advice because

0:31:48.840 --> 0:31:51.160
<v Speaker 1>I struggle with this in my marriage where I'm just

0:31:51.240 --> 0:31:53.920
<v Speaker 1>I've just got like a million things happening. Work life balance,

0:31:54.040 --> 0:31:56.680
<v Speaker 1>like when it comes to like home to work, Like

0:31:56.720 --> 0:31:58.840
<v Speaker 1>how do you make sure you always have the time

0:31:58.880 --> 0:32:01.400
<v Speaker 1>carved out, and like, what are those things? Some tips

0:32:01.400 --> 0:32:02.760
<v Speaker 1>you could give somebody who's just got a lot of

0:32:02.760 --> 0:32:04.200
<v Speaker 1>shit going on but still wants to make sure that

0:32:04.240 --> 0:32:06.720
<v Speaker 1>they're very you know, active at home with the kids

0:32:06.720 --> 0:32:09.560
<v Speaker 1>and the wife, Well, you gotta, you gotta. You know,

0:32:09.640 --> 0:32:13.280
<v Speaker 1>it goes back to that conversation where you know you

0:32:13.280 --> 0:32:16.480
<v Speaker 1>you both understand that something's going to suffer. You know

0:32:16.520 --> 0:32:18.400
<v Speaker 1>what I'm saying, You're not going to be able to

0:32:18.400 --> 0:32:20.520
<v Speaker 1>make everything right, you know what I mean? Or you're

0:32:20.560 --> 0:32:22.480
<v Speaker 1>not going to be able to make this. You know

0:32:22.480 --> 0:32:25.480
<v Speaker 1>what I'm saying, which which, which fuels, which provides right?

0:32:26.360 --> 0:32:30.280
<v Speaker 1>And so within that you there is no balance. Let's

0:32:30.280 --> 0:32:34.520
<v Speaker 1>start there. But you do still time. You do still

0:32:34.560 --> 0:32:37.280
<v Speaker 1>moments like me and my wife have this, you know,

0:32:37.600 --> 0:32:40.040
<v Speaker 1>Wednesday's date night nice, you know what I'm saying. And

0:32:40.080 --> 0:32:42.440
<v Speaker 1>sometimes we shoot the pod on Wednesday. Sometimes we shoot

0:32:42.480 --> 0:32:44.480
<v Speaker 1>it on Tuesday. But if we shoot it on Wednesday,

0:32:44.760 --> 0:32:46.560
<v Speaker 1>you know, we'll do it one o'clock in a five

0:32:46.560 --> 0:32:49.760
<v Speaker 1>o'clock session. And she's like, Babe, you still want to

0:32:49.800 --> 0:32:51.440
<v Speaker 1>do day night like you damn, I don't want to

0:32:51.440 --> 0:32:53.680
<v Speaker 1>do day night. You're not gonna be on me as

0:32:53.680 --> 0:32:56.200
<v Speaker 1>the ends of the weekend. You ain't even spending no

0:32:56.360 --> 0:32:59.560
<v Speaker 1>time with and there no, no, we're doing this. We're

0:32:59.560 --> 0:33:01.640
<v Speaker 1>doing this. Was up seventy two hours to go on

0:33:01.680 --> 0:33:04.560
<v Speaker 1>to this line it up be up there like this,

0:33:04.680 --> 0:33:06.480
<v Speaker 1>But you're gonna be there. You're gonna be there. And

0:33:07.320 --> 0:33:12.680
<v Speaker 1>it's just it's just stealing those moments or purposely taking

0:33:12.720 --> 0:33:15.000
<v Speaker 1>that time, like doing it on purpose, you know what

0:33:15.040 --> 0:33:18.480
<v Speaker 1>I'm saying. Trying to plan ahead as much as possible,

0:33:18.520 --> 0:33:21.280
<v Speaker 1>you know what I'm saying. There's always something that comes up.

0:33:21.280 --> 0:33:23.400
<v Speaker 1>You know what I'm saying. Somebody call and be like this, Yeah,

0:33:23.640 --> 0:33:25.680
<v Speaker 1>I mean we got a hundred thousand if you come

0:33:25.720 --> 0:33:27.520
<v Speaker 1>home and do the thing. I'm like, Babe, listen, I

0:33:27.560 --> 0:33:30.800
<v Speaker 1>love the kids and I'd love to do art with them,

0:33:31.640 --> 0:33:36.640
<v Speaker 1>but you know that, honey, hate me calling. Maybe we

0:33:37.000 --> 0:33:40.719
<v Speaker 1>better art like I could send in the art school

0:33:40.920 --> 0:33:44.920
<v Speaker 1>with this, you know. So it's like and those are conversations,

0:33:44.920 --> 0:33:46.280
<v Speaker 1>you know what I'm saying. It's it's two of you.

0:33:46.520 --> 0:33:49.080
<v Speaker 1>So that's where the teamwork comes in play. Babe, I

0:33:49.120 --> 0:33:50.680
<v Speaker 1>can't make it to this one. You got to be there,

0:33:51.080 --> 0:33:52.560
<v Speaker 1>you know what I'm saying. Okay, Babe, you know what

0:33:52.640 --> 0:33:54.320
<v Speaker 1>you take this one off. You know, when you are there,

0:33:54.320 --> 0:33:55.800
<v Speaker 1>you take that off, I'll take care of it. You know,

0:33:55.840 --> 0:33:57.520
<v Speaker 1>you take off to day, you put your feet up,

0:33:57.600 --> 0:34:00.040
<v Speaker 1>I'll do all the running around. You know. It's it.

0:34:00.040 --> 0:34:02.160
<v Speaker 1>It's just communication. There is no balance. And that's the

0:34:02.200 --> 0:34:04.160
<v Speaker 1>crazy thing. I had to It took me forever to

0:34:04.200 --> 0:34:07.880
<v Speaker 1>realize that we communicate differently. The way I communicate is

0:34:07.880 --> 0:34:09.600
<v Speaker 1>differently than her, So I had to learn how to

0:34:09.600 --> 0:34:12.560
<v Speaker 1>communicate with her and not just for myself. Yeah, So

0:34:12.600 --> 0:34:16.040
<v Speaker 1>that's that's helped everything. So I appreciate that. Like, women

0:34:16.120 --> 0:34:18.560
<v Speaker 1>are very detailed in terms of communicating that thing, and

0:34:18.560 --> 0:34:21.319
<v Speaker 1>we're very vague, all right, cool and nosy. Women are

0:34:21.400 --> 0:34:24.480
<v Speaker 1>very nosy. Oh, I know the whole partment is complex

0:34:24.600 --> 0:34:27.640
<v Speaker 1>business and everybody extremely but I mean women are built

0:34:27.880 --> 0:34:33.440
<v Speaker 1>built for information. Oh yeah, for five black women and

0:34:33.480 --> 0:34:36.840
<v Speaker 1>we'd be good and no problems. The more information you provide,

0:34:37.160 --> 0:34:41.160
<v Speaker 1>the better a woman can operate. As a woman just

0:34:41.160 --> 0:34:43.040
<v Speaker 1>wants to know she can make any kind of choice

0:34:43.040 --> 0:34:45.480
<v Speaker 1>from there, right, But the more information you give are

0:34:45.480 --> 0:34:47.960
<v Speaker 1>the easier she can she can make those adjustments. They're

0:34:48.000 --> 0:34:51.560
<v Speaker 1>they're resilient like that, right, resilient like that? What up?

0:34:51.560 --> 0:34:54.000
<v Speaker 1>We got to stop the interview real quick to tell

0:34:54.000 --> 0:34:56.280
<v Speaker 1>you about our good folks at blue Chew. Don't forget

0:34:56.320 --> 0:34:57.840
<v Speaker 1>man right now, you can get a whole month of

0:34:57.880 --> 0:35:01.880
<v Speaker 1>blue Chee for free. That's right, Fellas. You're dealing with

0:35:01.920 --> 0:35:06.319
<v Speaker 1>that erectile dysfunction. Maybe you're under some stress, some anxiety.

0:35:06.680 --> 0:35:09.760
<v Speaker 1>Maybe you're man ain't working the way supposed to. Listen,

0:35:10.160 --> 0:35:14.759
<v Speaker 1>blue Choo got you same active ingredients as viagra and sialis. Uh,

0:35:14.880 --> 0:35:18.120
<v Speaker 1>but it goes straight to your doorstep. Indiscrete packaging. No

0:35:18.280 --> 0:35:20.080
<v Speaker 1>doctor's appointments where you got to go show up to

0:35:20.120 --> 0:35:22.520
<v Speaker 1>the doctor's office and have some awkward conversation about why

0:35:22.560 --> 0:35:26.280
<v Speaker 1>you're cockaine up the bar. But no, sir, all online,

0:35:26.480 --> 0:35:29.000
<v Speaker 1>go to blue choo dot com use the promo code

0:35:29.320 --> 0:35:35.600
<v Speaker 1>boot Leg. That's blue Choo dot com promo code boot Leg.

0:35:36.040 --> 0:35:38.200
<v Speaker 1>Use the promo code for me. It helps us out,

0:35:38.400 --> 0:35:40.200
<v Speaker 1>all right, Go do that and tell me how your

0:35:40.239 --> 0:35:41.759
<v Speaker 1>dick is. I'll take DMS. Just don't send me a

0:35:41.800 --> 0:35:43.879
<v Speaker 1>picture of it because that will get your blocked bud tank.

0:35:44.080 --> 0:35:48.080
<v Speaker 1>Appreciate that you obviously have had an illustrious career in

0:35:48.120 --> 0:35:53.960
<v Speaker 1>which a lot of women enjoy you physically and musically,

0:35:55.000 --> 0:35:56.800
<v Speaker 1>can you give me a talk about his life? We

0:35:56.840 --> 0:35:59.359
<v Speaker 1>had a lot of women. I don't mean, I don't mean,

0:35:59.560 --> 0:36:03.680
<v Speaker 1>I'm out of and your your fucking a lot of

0:36:03.719 --> 0:36:12.759
<v Speaker 1>women almost you probably have half something woman looks like

0:36:12.960 --> 0:36:16.120
<v Speaker 1>fan interactions, right, whether it's like a crazy person. What

0:36:16.280 --> 0:36:19.520
<v Speaker 1>is the craziest like groupie situation, like where maybe someone

0:36:19.640 --> 0:36:23.440
<v Speaker 1>snuck in your hotel? So there's a woman in my room,

0:36:23.480 --> 0:36:26.520
<v Speaker 1>So what happens there? Tell? What city is this? What's

0:36:26.520 --> 0:36:29.080
<v Speaker 1>the details here? So show I don't I don't want

0:36:29.080 --> 0:36:35.600
<v Speaker 1>to say the city somewhere in Virginia state folk a

0:36:35.640 --> 0:36:39.640
<v Speaker 1>lot of places to go, but for the slow niggas,

0:36:39.640 --> 0:36:42.480
<v Speaker 1>I like, I don't know, I don't even know what

0:36:42.480 --> 0:36:48.279
<v Speaker 1>that's and don't do not ask me? How do you

0:36:48.400 --> 0:36:50.759
<v Speaker 1>check in your room? In my room? I go into

0:36:50.800 --> 0:36:54.120
<v Speaker 1>my room after the show? Okay, so I'd already checked

0:36:54.120 --> 0:36:56.399
<v Speaker 1>into the room. I go into my room after the show,

0:36:57.120 --> 0:36:59.560
<v Speaker 1>and there's you know, there's there's a woman that you

0:36:59.600 --> 0:37:02.239
<v Speaker 1>know she's just in the room. She's not just in

0:37:02.239 --> 0:37:07.640
<v Speaker 1>the rooms. Please, I'm sorry, I just wanted I just

0:37:07.680 --> 0:37:09.840
<v Speaker 1>wanted to have this moment with you, and I'm like,

0:37:11.120 --> 0:37:13.160
<v Speaker 1>how the fuck you get in here? Are you doing

0:37:13.160 --> 0:37:14.360
<v Speaker 1>it here? Did you kick her out? This is the

0:37:14.360 --> 0:37:21.200
<v Speaker 1>real question. After after some time you were like, you know,

0:37:21.200 --> 0:37:23.360
<v Speaker 1>I appreciate it, appreciate the I'm gonna give you that.

0:37:25.200 --> 0:37:28.239
<v Speaker 1>I just needed to communicate with her and understand how

0:37:28.600 --> 0:37:33.160
<v Speaker 1>all this transport. So once I got enough information from her, yeah,

0:37:33.239 --> 0:37:38.000
<v Speaker 1>she was allowed information, allowed to leave without interide information.

0:37:38.160 --> 0:37:41.360
<v Speaker 1>I like that information. That's good way putting it. I

0:37:41.400 --> 0:37:43.640
<v Speaker 1>was just getting information, babe. But you're just gathering intel.

0:37:43.960 --> 0:37:46.799
<v Speaker 1>Gathering intel. You said you like information, right, I want

0:37:46.840 --> 0:37:51.759
<v Speaker 1>to you know, you get to get to know her

0:37:51.800 --> 0:37:54.720
<v Speaker 1>and understand where she's coming from. How are you enjoying uh,

0:37:55.000 --> 0:37:57.319
<v Speaker 1>because you've always been a great interview when you go

0:37:57.360 --> 0:38:00.200
<v Speaker 1>on people's shows and ship like the podcasting side of

0:38:00.280 --> 0:38:03.319
<v Speaker 1>things is obviously something that I feel like you're made

0:38:03.400 --> 0:38:06.000
<v Speaker 1>for it. Naturally, it's been great just from the rip.

0:38:06.160 --> 0:38:08.040
<v Speaker 1>How are you enjoying doing the podcast? I love it.

0:38:08.680 --> 0:38:11.880
<v Speaker 1>I love it, and you know, I love what it

0:38:11.960 --> 0:38:14.799
<v Speaker 1>represents more so than anything. You know, It's it's an

0:38:14.920 --> 0:38:17.360
<v Speaker 1>R and B space completely dedicated to R and B

0:38:17.880 --> 0:38:19.759
<v Speaker 1>and we get to we get to talk it and

0:38:20.520 --> 0:38:24.320
<v Speaker 1>relive it and and give the game and share the information,

0:38:24.560 --> 0:38:28.319
<v Speaker 1>like you know, in a real way, and it's good

0:38:28.360 --> 0:38:29.960
<v Speaker 1>being on the other side of it, you know what

0:38:30.000 --> 0:38:34.120
<v Speaker 1>I mean. Like I've I've always wanted again to transition

0:38:34.360 --> 0:38:36.719
<v Speaker 1>into that space, Like I've always felt like I was

0:38:36.760 --> 0:38:39.759
<v Speaker 1>going to be, you know, in radio in some way,

0:38:39.760 --> 0:38:42.960
<v Speaker 1>shape or form. And then the podcast thing kind of

0:38:42.960 --> 0:38:45.239
<v Speaker 1>becomes a thing and then I'm like, oh, there it is.

0:38:45.280 --> 0:38:46.560
<v Speaker 1>You know what I'm saying, there's a way that we

0:38:46.600 --> 0:38:49.759
<v Speaker 1>can do it and do it our way. And so

0:38:50.080 --> 0:38:52.840
<v Speaker 1>it was just, you know, the pandemic, you know, was

0:38:52.880 --> 0:38:56.040
<v Speaker 1>a blessing for us in disguise because that's where we

0:38:56.160 --> 0:38:59.919
<v Speaker 1>really started burning on the IG Live and it gave

0:39:00.120 --> 0:39:02.520
<v Speaker 1>us a real sense, you know, that we that we

0:39:02.680 --> 0:39:08.560
<v Speaker 1>had something and Kingsion recession proof, and so we start

0:39:09.000 --> 0:39:10.759
<v Speaker 1>doing it here in this space, and I'm like, let's

0:39:10.800 --> 0:39:13.160
<v Speaker 1>just let's just do it for real, Like let's call Jacob,

0:39:13.200 --> 0:39:15.600
<v Speaker 1>let's get the cameras up and this the people that

0:39:15.640 --> 0:39:18.040
<v Speaker 1>will come outside, Let's let's get him. And we get

0:39:18.040 --> 0:39:20.400
<v Speaker 1>a guy named Jamie Fox that decides he'll come outside,

0:39:20.400 --> 0:39:22.759
<v Speaker 1>and we're rocking and rolling and we're ten in the

0:39:22.800 --> 0:39:25.160
<v Speaker 1>can and he says, what you want to do. It's like,

0:39:25.320 --> 0:39:26.560
<v Speaker 1>what do you want to do. You know what I'm saying,

0:39:26.560 --> 0:39:28.960
<v Speaker 1>We're ready, I'll show you Doc shout out to Doc Winners.

0:39:29.200 --> 0:39:31.600
<v Speaker 1>And by the way, Doc Winners hates it when you

0:39:31.600 --> 0:39:34.200
<v Speaker 1>say Doc Winners, it's Doc Winter. Just want to put

0:39:34.200 --> 0:39:36.200
<v Speaker 1>that out because it's my first time hearing this too.

0:39:36.840 --> 0:39:39.960
<v Speaker 1>DJ called always say yo, Doc Winners, it's Doc Winter,

0:39:40.239 --> 0:39:45.120
<v Speaker 1>Doc Winter. Okay, you know what. I appreciate you right now.

0:39:45.680 --> 0:39:47.799
<v Speaker 1>He never correct. Back in the day, they used to

0:39:47.800 --> 0:39:50.480
<v Speaker 1>call it Joe Budden, Joe Buttens. Remember that I got you,

0:39:50.600 --> 0:39:53.719
<v Speaker 1>got you. Let's never make that mistake again, and shout

0:39:53.760 --> 0:39:57.680
<v Speaker 1>out to Doc Winter. And it just materialized from their

0:39:57.719 --> 0:40:01.400
<v Speaker 1>black effect, you know, and all the that and and

0:40:01.800 --> 0:40:05.000
<v Speaker 1>it just took off and we saw that this is

0:40:06.000 --> 0:40:08.120
<v Speaker 1>something that people didn't know they needed. It was a

0:40:08.200 --> 0:40:10.320
<v Speaker 1>niche that like, I'm surprised no one, like, how is

0:40:10.320 --> 0:40:11.680
<v Speaker 1>there not have been an R and B podcast this

0:40:11.760 --> 0:40:16.960
<v Speaker 1>whole time? Well, because what's the allure? Right, Because if

0:40:16.960 --> 0:40:19.440
<v Speaker 1>you're looking, you know, at the at the mainstream and

0:40:19.440 --> 0:40:21.160
<v Speaker 1>you were looking at the numbers, all the pods that

0:40:21.160 --> 0:40:23.120
<v Speaker 1>were doing well were just not about R and B,

0:40:23.719 --> 0:40:27.680
<v Speaker 1>you know, So people were doing doing more following than leading,

0:40:27.920 --> 0:40:29.440
<v Speaker 1>and so I say, hey, man, we're the leaders in

0:40:29.480 --> 0:40:32.200
<v Speaker 1>this space. We're not We're not has beens who are

0:40:32.200 --> 0:40:33.640
<v Speaker 1>going to talk about what we used to do. We

0:40:33.680 --> 0:40:37.000
<v Speaker 1>are actually doing something right now, like we are very

0:40:37.000 --> 0:40:40.440
<v Speaker 1>prevalent and relevant in this space. Who better than us

0:40:40.520 --> 0:40:44.600
<v Speaker 1>to have this conversation right? And it made sense. And

0:40:44.640 --> 0:40:47.600
<v Speaker 1>so you had Jamie Fox on is he working on

0:40:47.680 --> 0:40:50.480
<v Speaker 1>some new music? It's been so so long. Jamie Fox

0:40:50.680 --> 0:40:54.080
<v Speaker 1>is making a lot of money, a lot a lot

0:40:54.080 --> 0:40:56.600
<v Speaker 1>a lot of money doing movies. He just did the

0:40:56.600 --> 0:40:58.719
<v Speaker 1>new movie A Snoop. He's got the new one out,

0:40:59.000 --> 0:41:03.000
<v Speaker 1>is it Daylight? It was good? Yeah, watch it. I

0:41:03.000 --> 0:41:05.360
<v Speaker 1>gotta go see Daylight. I mean, you know, he's Jamie

0:41:05.400 --> 0:41:09.439
<v Speaker 1>is just Jamie can do anything. You know, I would

0:41:09.600 --> 0:41:12.640
<v Speaker 1>say raw talent. It's either Chris Brown or Jamie Fox

0:41:12.640 --> 0:41:14.359
<v Speaker 1>in the last like twenty five years talking about every

0:41:14.480 --> 0:41:16.560
<v Speaker 1>just raw talent, but every Yeah, I would give it

0:41:16.600 --> 0:41:20.040
<v Speaker 1>to Jamie Fox. Jamie can't dance like Chris, and Jamie

0:41:20.040 --> 0:41:21.399
<v Speaker 1>can't paint a mural on the side of the house

0:41:21.400 --> 0:41:23.800
<v Speaker 1>like Chris can. They each can do things. Jamie is

0:41:23.800 --> 0:41:26.640
<v Speaker 1>probably the greatest entertainer of all times. I'm trying to

0:41:26.680 --> 0:41:29.319
<v Speaker 1>for sure I'm not bad at that, but into what

0:41:29.320 --> 0:41:30.920
<v Speaker 1>what you're saying. You know what I'm saying. Musically, I

0:41:31.200 --> 0:41:35.719
<v Speaker 1>mean raw talent. Chris Brown can dance, he can paint

0:41:36.880 --> 0:41:39.319
<v Speaker 1>Chris and Jamie can do stand up, he can sing

0:41:39.360 --> 0:41:41.279
<v Speaker 1>his ass off, he can act. And I say that

0:41:41.400 --> 0:41:45.080
<v Speaker 1>Jamie can do ballet and he could do Jamie Fox

0:41:45.080 --> 0:41:49.040
<v Speaker 1>can do I've seen Jamie Fox do like a I

0:41:49.040 --> 0:41:50.920
<v Speaker 1>don't know what what was the name of Jamie's first

0:41:50.920 --> 0:41:52.799
<v Speaker 1>stand up was? I mean, I might need security, might

0:41:52.840 --> 0:41:56.400
<v Speaker 1>need security. He ain't got no new ones coming in

0:41:56.400 --> 0:41:58.000
<v Speaker 1>that month, and the fucking R and B album, the

0:41:58.000 --> 0:42:00.399
<v Speaker 1>first one unpredictable. No, no no, that's not the first one.

0:42:00.680 --> 0:42:02.080
<v Speaker 1>What was the you did the one, the one that

0:42:02.160 --> 0:42:04.600
<v Speaker 1>had one, that's the one that went crazy. But the

0:42:04.640 --> 0:42:08.600
<v Speaker 1>first one was, uh, it had infatuation on it. Just

0:42:09.200 --> 0:42:14.360
<v Speaker 1>FATU remember that. I can know you. You were babies,

0:42:14.520 --> 0:42:16.520
<v Speaker 1>You were babies. Yeah, he had an album before that.

0:42:16.600 --> 0:42:18.759
<v Speaker 1>I just remember Frenchie from the Jamie Fox Show was

0:42:18.800 --> 0:42:20.839
<v Speaker 1>always in the spank bank when I was a kid.

0:42:22.200 --> 0:42:24.960
<v Speaker 1>You remember Frenchy from the Jamie Fox as well. She

0:42:25.080 --> 0:42:28.239
<v Speaker 1>was a Francy French or whatever, the girl in the

0:42:28.239 --> 0:42:32.680
<v Speaker 1>hotel on the show spank bank. It's like, Gabriel, we

0:42:32.719 --> 0:42:33.920
<v Speaker 1>all got a spank bank. You know. When I was

0:42:33.960 --> 0:42:36.280
<v Speaker 1>a kid, it was j Lo, it was Vita Gera.

0:42:36.920 --> 0:42:39.440
<v Speaker 1>Oh shoot, you mean in your in your rolodex of

0:42:39.440 --> 0:42:43.360
<v Speaker 1>of of thoughts that you would go through to find

0:42:43.360 --> 0:42:45.319
<v Speaker 1>that place. I thought there was an actual spank bank

0:42:45.360 --> 0:42:48.799
<v Speaker 1>where they were pictured, Like what the uber the real quick?

0:42:49.360 --> 0:42:51.839
<v Speaker 1>Where is the space? How much money can I pull out?

0:42:52.880 --> 0:42:55.320
<v Speaker 1>Because because I was a poor, no kind of sewer,

0:42:55.760 --> 0:42:58.200
<v Speaker 1>so you say spank bank, like I would actually go

0:42:58.280 --> 0:43:01.839
<v Speaker 1>and audit. Connoisseur. We're gonna end the interview with this.

0:43:02.920 --> 0:43:07.040
<v Speaker 1>Let's go right back. Let's go right back. Let's go

0:43:07.120 --> 0:43:12.319
<v Speaker 1>right back to the Mount Rushmore conversation. Let's let's move it.

0:43:12.560 --> 0:43:16.239
<v Speaker 1>We got the R and B one sorted. Now, let's

0:43:16.239 --> 0:43:19.200
<v Speaker 1>go to the porn on Mount Rushmore. Who's the top

0:43:19.239 --> 0:43:25.960
<v Speaker 1>four erotic cinema stars of all time? Yeah? He said

0:43:26.000 --> 0:43:29.719
<v Speaker 1>he's a connoisseur. Oh man, I've forgotten some of these names.

0:43:29.920 --> 0:43:33.279
<v Speaker 1>No you haven't. I have, honestly, just to the ones

0:43:33.320 --> 0:43:37.000
<v Speaker 1>you remember, oh man, back in the day. And we

0:43:37.160 --> 0:43:39.319
<v Speaker 1>I mean, we gotta, we gotta go with the Heather Hunter.

0:43:39.680 --> 0:43:45.520
<v Speaker 1>Heather Hunter was g o g Vanessa del Rio, Yeah,

0:43:45.760 --> 0:43:48.840
<v Speaker 1>help help. Really, Heather Hunter was like one of the

0:43:48.880 --> 0:43:52.640
<v Speaker 1>first like black women who popped like like commercially in

0:43:52.680 --> 0:43:56.640
<v Speaker 1>the I just didn't know. Yeah, there was another young lady.

0:43:56.680 --> 0:44:01.160
<v Speaker 1>She was just like skin with green eyes. Uh had

0:44:01.200 --> 0:44:08.719
<v Speaker 1>a different kind of name. Uh, I'm like the bank

0:44:08.800 --> 0:44:12.360
<v Speaker 1>early bang bus era. What was her name, obsession? Her

0:44:12.440 --> 0:44:18.120
<v Speaker 1>name was Obsession, Yeah, Obsessions. She was serious, so serious.

0:44:19.239 --> 0:44:27.840
<v Speaker 1>And then you got it. I mean you kind of

0:44:27.880 --> 0:44:30.359
<v Speaker 1>you kind of gotta throw Jada Fire in there. Jada

0:44:30.400 --> 0:44:32.400
<v Speaker 1>Fire is a legend as well. You fucked me up.

0:44:32.520 --> 0:44:34.040
<v Speaker 1>I was so happy. I didn't know none of these

0:44:34.040 --> 0:44:35.759
<v Speaker 1>people you were talking about to you, said Jada Fire,

0:44:36.680 --> 0:44:39.800
<v Speaker 1>I didn't know. You kind of gotta go. You gotta

0:44:39.840 --> 0:44:42.160
<v Speaker 1>go Jada Fire in there. You know that you're like

0:44:42.320 --> 0:44:45.280
<v Speaker 1>a connoisseur when you run into the male porn stars

0:44:45.320 --> 0:44:47.800
<v Speaker 1>in public and you're like, yeah, I know you. I

0:44:48.280 --> 0:44:52.200
<v Speaker 1>used to hang out with mister Marcus, mister Marcus listen.

0:44:52.480 --> 0:45:00.600
<v Speaker 1>I met uh uh, Brian Pumper. I met Brian Pumper

0:45:01.000 --> 0:45:04.839
<v Speaker 1>on the flight on his way to LA to try

0:45:04.880 --> 0:45:08.399
<v Speaker 1>and be somebody. Oh did he have his Brian Pumper

0:45:08.480 --> 0:45:12.759
<v Speaker 1>jewels on? This is how it starts okay, okay, this

0:45:12.800 --> 0:45:16.600
<v Speaker 1>story is hilarious. I'm on the plane flying from New York.

0:45:19.200 --> 0:45:21.880
<v Speaker 1>The plane is pretty much empty, so I'm in a

0:45:21.920 --> 0:45:24.520
<v Speaker 1>coach seat in the back. Nobody around me. I got

0:45:24.520 --> 0:45:27.000
<v Speaker 1>a full row. Everybody kind of like it's a full row.

0:45:27.239 --> 0:45:31.120
<v Speaker 1>I'm laid back. I'm about to go to sleep. Brian

0:45:31.200 --> 0:45:34.480
<v Speaker 1>Pumper was I don't think he introduced it. It It was

0:45:34.480 --> 0:45:37.000
<v Speaker 1>wasn't Brian Pumper at the time, but nobody knew him.

0:45:37.000 --> 0:45:41.319
<v Speaker 1>It wasn't anybody. He's like, he comes over to my rosie. Hey, man,

0:45:41.360 --> 0:45:42.840
<v Speaker 1>I just wanted to say, man, big fan. You know

0:45:42.840 --> 0:45:44.359
<v Speaker 1>what I'm saying. I love you music, man. She want

0:45:44.360 --> 0:45:46.880
<v Speaker 1>to introduce myself to you. Man, I'm Brian what everything

0:45:47.000 --> 0:45:49.680
<v Speaker 1>was right? He's like, man, you know I love your music. Man,

0:45:49.719 --> 0:45:52.840
<v Speaker 1>I'm actually going to la myself to you know, to

0:45:52.840 --> 0:45:54.319
<v Speaker 1>trying to hand it music. You know what I'm saying.

0:45:55.400 --> 0:45:57.400
<v Speaker 1>I was like, Okay, that's dope, man, Well congratulations. And

0:45:57.440 --> 0:46:00.560
<v Speaker 1>one thing about me, I'll talk to anybody, a conversation

0:46:00.560 --> 0:46:01.920
<v Speaker 1>with anybody like I don't I don't care you know

0:46:01.960 --> 0:46:03.600
<v Speaker 1>what I'm saying. And so he's like, yeah, man, just

0:46:03.600 --> 0:46:05.520
<v Speaker 1>trying to my hand in music. You know, I rap,

0:46:05.800 --> 0:46:07.000
<v Speaker 1>you know what I'm saying. I was like, oh you rap?

0:46:07.040 --> 0:46:08.719
<v Speaker 1>He said, yeah, I rap? And I you know, I'm

0:46:08.800 --> 0:46:10.560
<v Speaker 1>kind of trying to do the porn on things as well.

0:46:10.560 --> 0:46:12.680
<v Speaker 1>I was like, yeah, yeah, get to it, get to it. Yeah,

0:46:12.760 --> 0:46:15.600
<v Speaker 1>use your gifts, right, And he was like, you know,

0:46:15.640 --> 0:46:17.840
<v Speaker 1>but on my wrap side, I feel like that, you know,

0:46:17.880 --> 0:46:19.360
<v Speaker 1>there's a there's a there's something missing, you know what

0:46:19.360 --> 0:46:20.799
<v Speaker 1>I'm saying. I feel like that I could be part

0:46:20.840 --> 0:46:22.360
<v Speaker 1>of a crew. I'm like, what what crew do you

0:46:22.360 --> 0:46:24.279
<v Speaker 1>think you're part of? He said, I feel like I

0:46:24.320 --> 0:46:26.880
<v Speaker 1>can be part of cash Money and I and I

0:46:26.880 --> 0:46:28.640
<v Speaker 1>looked at him. I was like, I don't think so.

0:46:29.880 --> 0:46:32.920
<v Speaker 1>I don't think so. Like I was brutally honest, I

0:46:33.520 --> 0:46:35.799
<v Speaker 1>don't think so. He's like, he's He's like, I think

0:46:35.840 --> 0:46:38.200
<v Speaker 1>I can. I said, what do you mean saying? He said, like,

0:46:39.640 --> 0:46:44.000
<v Speaker 1>my name is will Be bling Man. You know I'm

0:46:44.040 --> 0:46:46.439
<v Speaker 1>telling you the honest of God truth. I'm telling you honest.

0:46:46.640 --> 0:46:48.520
<v Speaker 1>He said, my name is bling Man, right, Like you

0:46:48.560 --> 0:46:51.319
<v Speaker 1>know how you got how you got the Little Wang song?

0:46:51.480 --> 0:46:54.640
<v Speaker 1>You know what I'm saying. Every time I comment around

0:46:54.640 --> 0:46:56.400
<v Speaker 1>in that town, bling blink, I'll just adopt that, and

0:46:56.440 --> 0:46:58.840
<v Speaker 1>that'll and that'll be me. Like, and I got some writing.

0:46:58.880 --> 0:47:02.640
<v Speaker 1>You want to hear some of my hooks? I said, sure, sure,

0:47:02.760 --> 0:47:08.720
<v Speaker 1>bling man, right, I promise you. He runs off about

0:47:08.760 --> 0:47:13.359
<v Speaker 1>a hundred hooks, and and I was honest with him,

0:47:13.360 --> 0:47:15.640
<v Speaker 1>and I said, I said, I said, those are trash

0:47:16.280 --> 0:47:19.480
<v Speaker 1>those are trashy hooks. You let him say a hundred hooks.

0:47:19.719 --> 0:47:22.600
<v Speaker 1>It's a flight, it's a flight. I mean we were

0:47:22.640 --> 0:47:25.279
<v Speaker 1>talking and and I was like, genuinely interested. You know

0:47:25.320 --> 0:47:29.240
<v Speaker 1>what I'm saying, Like you, bling man, it's a horrible idea.

0:47:29.320 --> 0:47:32.239
<v Speaker 1>Sounds like a w w F carrot. It works, right,

0:47:32.360 --> 0:47:34.080
<v Speaker 1>So he's playing me one of I'm like, Nope, that's

0:47:34.080 --> 0:47:35.959
<v Speaker 1>not it, But what do you think? And he's arguing

0:47:36.000 --> 0:47:37.719
<v Speaker 1>with me about how why it'll worked and how and

0:47:37.760 --> 0:47:39.960
<v Speaker 1>why it should work. And then I'm like, bro, that's

0:47:40.000 --> 0:47:41.520
<v Speaker 1>not it, Like you need to take your time and

0:47:41.560 --> 0:47:43.359
<v Speaker 1>do such and such, like if you really, I said,

0:47:43.520 --> 0:47:45.680
<v Speaker 1>you in a second, you can't wait. Fact jury, that's

0:47:45.680 --> 0:47:48.600
<v Speaker 1>fake Jerry. You know pumper jewels. Yeah, I said, that's fake, Jery.

0:47:48.680 --> 0:47:50.719
<v Speaker 1>You have on you can't do that. Two years ago,

0:47:50.920 --> 0:47:53.040
<v Speaker 1>me and my wife are going to a boba donut place.

0:47:53.080 --> 0:47:54.880
<v Speaker 1>You know, they're all over the valley, the little donut spots.

0:47:54.880 --> 0:47:57.600
<v Speaker 1>You know, I'm in line to get a fucking donut.

0:47:57.880 --> 0:48:00.560
<v Speaker 1>Brian pumpers in front of me. I tell my, I say,

0:48:00.840 --> 0:48:02.640
<v Speaker 1>you know that is She said, nah, it's like it's

0:48:02.640 --> 0:48:04.879
<v Speaker 1>Brian Pumper. She's like, I was like some male porn star.

0:48:05.040 --> 0:48:07.319
<v Speaker 1>So then she realizes who the fuck did I married

0:48:07.360 --> 0:48:12.360
<v Speaker 1>and knows what public So I'm like, yo, Brian Pumper

0:48:12.440 --> 0:48:14.799
<v Speaker 1>was good. You know, he had lugs on, fucking you

0:48:14.800 --> 0:48:18.439
<v Speaker 1>know fu. Yeah, So he gets his donut and ship

0:48:18.760 --> 0:48:21.080
<v Speaker 1>and I watched him walk outside of the donut spot

0:48:21.120 --> 0:48:25.200
<v Speaker 1>and hop into a two thousand Nissan Sentra that looked

0:48:25.239 --> 0:48:27.920
<v Speaker 1>like it had just gotten four wheeling in the mud,

0:48:28.560 --> 0:48:30.919
<v Speaker 1>and it looked like every possession in his entire life

0:48:30.960 --> 0:48:33.279
<v Speaker 1>since he was ten years old was stuffed into this

0:48:33.320 --> 0:48:39.400
<v Speaker 1>fucking car. And I was like, oh, Brian Bumper's down bad.

0:48:40.440 --> 0:48:42.520
<v Speaker 1>I think he was on. I think he was onto

0:48:42.560 --> 0:48:45.839
<v Speaker 1>something right because I feel like, I mean, he turned

0:48:45.880 --> 0:48:48.600
<v Speaker 1>out Lawrence Fitzburns's daughter, but I felt like he was

0:48:48.640 --> 0:48:50.120
<v Speaker 1>one of the I think he was one of the

0:48:50.160 --> 0:48:53.480
<v Speaker 1>first guys, at least black guys, to like be on

0:48:53.520 --> 0:48:56.520
<v Speaker 1>some like independent right type, you know what I'm saying,

0:48:56.520 --> 0:48:58.360
<v Speaker 1>where like I'm going to do my own thing, my

0:48:58.400 --> 0:49:01.600
<v Speaker 1>own distribution, and create my own line and get my

0:49:01.680 --> 0:49:05.640
<v Speaker 1>own He was. He was really trying to, you know,

0:49:05.880 --> 0:49:10.160
<v Speaker 1>do this independent thing. And and I think that sometimes

0:49:10.160 --> 0:49:12.120
<v Speaker 1>when you try to work against the system, you know

0:49:12.120 --> 0:49:15.440
<v Speaker 1>what I'm saying, The system has a way of of

0:49:15.520 --> 0:49:17.719
<v Speaker 1>shutting you down, you know what I'm saying. And I

0:49:17.760 --> 0:49:20.359
<v Speaker 1>think he'd be thriving during only fans times. I think

0:49:20.360 --> 0:49:22.760
<v Speaker 1>that's I think that, Oh yeah, I think that that

0:49:22.760 --> 0:49:25.040
<v Speaker 1>that Aids thing that came out, that rumored that came

0:49:25.080 --> 0:49:26.440
<v Speaker 1>out on him. You know what I'm saying, Like, I

0:49:26.440 --> 0:49:29.280
<v Speaker 1>don't I don't think those things that ruined him and Pinky,

0:49:29.360 --> 0:49:32.000
<v Speaker 1>I don't think. I don't think those things that happened,

0:49:32.080 --> 0:49:34.640
<v Speaker 1>or those rumors getting out there. I don't think that's,

0:49:34.760 --> 0:49:37.520
<v Speaker 1>you know, on accident. No, I think it's acidental. Listen,

0:49:37.560 --> 0:49:39.200
<v Speaker 1>we got to wrap up because Dwight's about to have

0:49:39.200 --> 0:49:42.760
<v Speaker 1>a right Dwight is fine. Okay, you don't have Dwight

0:49:42.800 --> 0:49:47.480
<v Speaker 1>move this season six times to get you. He hadads earlier.

0:49:47.560 --> 0:49:51.719
<v Speaker 1>We got to go to the next pace. You can't

0:49:52.239 --> 0:49:55.960
<v Speaker 1>by yourself give me some of the You've got the

0:49:56.040 --> 0:49:59.040
<v Speaker 1>right ship on you. The new album is out R

0:49:59.080 --> 0:50:01.440
<v Speaker 1>and B Money and Be Money Man. Listen, and I'm

0:50:01.440 --> 0:50:07.520
<v Speaker 1>trying to educate people. Buy the album. Go to iTunes

0:50:07.960 --> 0:50:12.200
<v Speaker 1>and buy the album unless you're going to stream these

0:50:12.239 --> 0:50:16.719
<v Speaker 1>songs two thousand and five hundred and fifty times. Yep,

0:50:17.120 --> 0:50:20.960
<v Speaker 1>I need you to buy the album. The number I

0:50:21.080 --> 0:50:23.600
<v Speaker 1>just said is not a fake number. It's the real

0:50:23.719 --> 0:50:27.160
<v Speaker 1>number in order to count as one album cell for

0:50:27.280 --> 0:50:30.640
<v Speaker 1>these seventeen songs. It is a real number. Yeah, if

0:50:30.680 --> 0:50:32.520
<v Speaker 1>you really want to support the artist these days, you

0:50:32.640 --> 0:50:35.920
<v Speaker 1>have to go buy it all. Go by We are Thankful,

0:50:36.080 --> 0:50:38.080
<v Speaker 1>or buy this? Where can you get this at? Like

0:50:38.120 --> 0:50:40.319
<v Speaker 1>a CD? Like if someone was like, are we at

0:50:40.400 --> 0:50:43.319
<v Speaker 1>Target and Walmart? Are we there? I think? I think

0:50:43.560 --> 0:50:45.640
<v Speaker 1>I think we might be there, but but hit me

0:50:45.719 --> 0:50:50.120
<v Speaker 1>in the DM. I have some. I have some. You

0:50:50.280 --> 0:50:53.600
<v Speaker 1>too can be like this man and have a CD

0:50:53.719 --> 0:50:56.160
<v Speaker 1>and have a physical Yep. I can find a place

0:50:56.200 --> 0:50:58.720
<v Speaker 1>to play it, but I'm gonna work. There's a radio

0:50:58.800 --> 0:51:01.279
<v Speaker 1>check down before we can go. I think I have

0:51:01.400 --> 0:51:03.640
<v Speaker 1>a CD player in my truck. I think the Colnant

0:51:03.640 --> 0:51:05.880
<v Speaker 1>has a CD player. I'm pretty sure it does. Just

0:51:05.920 --> 0:51:07.600
<v Speaker 1>a nice flex call. I think the caling it's got

0:51:07.640 --> 0:51:10.480
<v Speaker 1>a player, got a call on it. Anyway, I appreciate

0:51:10.520 --> 0:51:10.600
<v Speaker 1>you