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Speaker 1: Why would you not talk about something that's a part

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Speaker 1: of your legacy, Like you were a huge part of

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Speaker 1: that show. You were on that show in the most

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Speaker 1: iconic years of the show, you were leading the ship

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Speaker 1: during the golden years. Why would you not talk about

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Speaker 1: something like that? And you have so much insight into it,

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Speaker 1: So I think people really need to They just they

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Speaker 1: just try to use it as a dig towards you,

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Speaker 1: and it's getting kind of old, actually not kind of us,

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Speaker 1: very old is stale.

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Speaker 2: We need to let it go. Girls, Like he's going

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Speaker 2: to talk about it, and now he's going to talk

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Speaker 2: about it even.

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Speaker 1: More because one of his cast members has now infiltrated

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Speaker 1: the show. And it's all in the premiere of The

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Speaker 1: Royal Housewives of Atlanta, Like, let's keep talking about it

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Speaker 1: because Martel literally start to finish. It was about Martel

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Speaker 1: and Sharet.

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Speaker 3: That was it and the reason why I enjoyed this premiere.

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Speaker 3: And I'm going to say it and listen, I'm gonna

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Speaker 3: keep it real. Martel saved the premiere. Stay tuned, we'll

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Speaker 3: be right.

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Speaker 4: Back after these quick ads.

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Speaker 3: Welcome to Reality with the King. It's me Carlos King,

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Speaker 3: the King of Reality TV.

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Speaker 5: And one of the most sought.

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Speaker 3: After executive producers in reality television with over ten years

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Speaker 3: a production experience. Once a week from Reality with the King,

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Speaker 3: we'll sit down with my friends across the entertainment industry,

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Speaker 3: recap our favorite reality shows and revisit unforgettable moments that

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Speaker 3: we are still talking and tweeting about. Hey, rain Drops

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Speaker 3: on today's episode of Reality with the King. Yes, we

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Speaker 3: are talking about Season fifteen Real Housewives of Atlanta premiere.

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Speaker 3: I have so many thoughts. However, dot Org, I could

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Speaker 3: not do this alone. Yes, I got fan favorite ah show,

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Speaker 3: rain Drop, come on, sis. Of course, I'm talking about

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Speaker 3: the gorgeous, the beautiful, and the very opinionated Jasmin Henley Brown.

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Speaker 1: Hello, I'm so excited to be back with esteemed journalists

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Speaker 1: Carlos R.

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Speaker 5: King.

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Speaker 1: Okay, it's really a pleasure and an honor.

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Speaker 5: All right, don't do.

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Speaker 3: It because the R stands forward now, honey, Yeah, Jazz,

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Speaker 3: we have so much to catch up on when it

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Speaker 3: comes to the premiere episode. Now, look, before I get

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Speaker 3: to the grade that I'm going to give it, so

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Speaker 3: me and Jazz am I going to grade it at

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Speaker 3: the end. Okay, last season premiere, I gave a B

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Speaker 3: I think Jazzman give it a D child.

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Speaker 5: Who knows.

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Speaker 3: But we got to talk about this premiere, Jasmine. I'm

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Speaker 3: curious if you and I are going to agree.

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Speaker 1: But I enjoyed it, ok I'm very happy for you. Yes,

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Speaker 1: I'm so like Honestly, I love when people get enjoyment

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Speaker 1: out of things, and so I'm happy for you.

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Speaker 3: Not you're happy for me and my future endeavors.

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Speaker 1: Exactly, because I don't know that I enjoyed it. Listen, Carlos,

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Speaker 1: Like I said on Twitter, I'm gonna stick beside these

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Speaker 1: ladies because I've been watching them for so long. I've

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Speaker 1: been rocking with them for so long. But I was

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Speaker 1: watching the Real Housewives of Huntsville, Honey, the Real Housewives

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Speaker 1: of Martel.

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Speaker 2: Love and Marriage Atlanta. That's what I was watching.

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Speaker 5: I guess why.

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Speaker 3: That's probably why I enjoyed.

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Speaker 2: It, exactly.

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Speaker 1: Listen, your guy was all up and through there. What

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Speaker 1: did that lady say about her Macari cheese? All through

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Speaker 1: the bitch, Martel? All through the bitch? Okay, the opening

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Speaker 1: sequence was around Martel. I'm like this, this is not

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Speaker 1: the real housewive. Carlos, can you put in a good

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Speaker 1: word for me. I want to be like a story editor.

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Speaker 1: I want to go they need help. Why are we

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Speaker 1: opening with that? Why was that the crux of this

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Speaker 1: entire first episode? Go ahead, because you are the expert.

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Speaker 1: I'm just a spectator.

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Speaker 2: I have many thoughts. I have many thoughts.

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Speaker 3: This is so interesting. This is going to be a

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Speaker 3: very fun episode because one thing about me and Jazz,

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Speaker 3: I did.

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Speaker 5: Not call her to hear what she had to say.

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Speaker 5: She did not call me.

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Speaker 3: You all raindrops are hearing this in real time. So

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Speaker 3: this is so interesting. I enjoyed it, and now I'm

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Speaker 3: thinking that I enjoy so much because Martel Holt For

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Speaker 3: those who don't know, Martel Holpe is from the show

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Speaker 3: I created for the Upprah Winfrey Network called Love and

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Speaker 3: Marriage Huntsville.

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Speaker 5: The show was, at one point in.

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Speaker 3: Time, about these three couples attempting to revitalize Huntsville. Martell

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Speaker 3: was married to a woman named Melody Hope. On Love

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Speaker 3: and Marriage Huntsville, Martelle Elle cheated on his wife with

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Speaker 3: a woman who lives in the city, and he had

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Speaker 3: a three year affair.

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Speaker 5: Okay, gas, I can hear it already.

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Speaker 3: So not only did he have an affair, his now

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Speaker 3: ex wife Melody to come back.

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Speaker 5: She tried to make it work.

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Speaker 3: They had a baby during this period of Martel stepping out. Unfortunately,

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Speaker 3: Martel got the other woman pregnant and she decided to

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Speaker 3: keep this baby. And when she decided to keep the baby,

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Speaker 3: she was going to have it.

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Speaker 5: All those things happen.

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Speaker 3: Obviously, a lot has happened with Martell and Melody, and

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Speaker 3: his wife left him, filed for divorce, threatened now divorce,

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Speaker 3: so Martel is now dating Charae. The episode opens up

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Speaker 3: with Martel hopping out of the suv production paid for

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Speaker 3: and he wore.

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Speaker 2: In his Sunday's Best.

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Speaker 3: Martel was getting a good old Kreplo dollar tease.

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Speaker 2: And not prosperity pastor.

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Speaker 5: Not past the collection plate.

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Speaker 3: Martel, as jazz Ben said, was say his Sunday's Best

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Speaker 3: looking like Kreflo Dollar. He walks up to the chateau

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Speaker 3: and he and Sharay had this very pleasant exchange. Now

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Speaker 3: in the description, Charae said they were set up by

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Speaker 3: mutual friend Jasmine. Do you think I was the mutual

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Speaker 3: friend who set up Martel and Charae?

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Speaker 1: I did think that, but I remember when I found

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Speaker 1: out about them, and I text you, and I said, hey,

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Speaker 1: this is what I heard. You said, Oh such X

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Speaker 1: Y and Z they quick, but you didn't say you

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Speaker 1: didn't allude to you being the one who connected them.

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Speaker 1: So when she said it, I was like, oh was it?

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Speaker 1: But then I remember that conversation that we did have.

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Speaker 1: I'm like, oh, no, it wasn't.

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Speaker 2: That's not the mutual friend that she's referring to. But

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Speaker 2: was it. Inquiring minds would like to know.

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Speaker 3: Okay, reality of the King exclusive. I am not the

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Speaker 3: mutual friend, so Jasmine, this is the gag. I found

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Speaker 3: out they were dating through a mutual friend that we

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Speaker 3: all know right that me Charae Martell.

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Speaker 5: No, I will never forget this.

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Speaker 3: I was driving in my car, honey, down the highway,

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Speaker 3: honey bumping Blueprint. Hey say Skeletons jay Z No the

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Speaker 3: group Blueprint from the aute Skeletons.

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Speaker 1: Oh my god, Oh my gosh. Listen, girlies, I'm so sorry. Yes,

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Speaker 1: amazing group, amazing group.

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Speaker 5: I'm all good.

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Speaker 3: Listen Blueprint you think of jay Z the iconic album?

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Speaker 5: Yes, exactly part one?

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Speaker 3: Not too okay anyway, Shade not shade, So Jazz. I

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Speaker 3: was driving down the highway and this friend called me

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Speaker 3: and said, long story short, Martell and Sharing are dating.

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Speaker 3: True t I gagged so hard I literally pulled over

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Speaker 3: because I needed to remain focused. And then I just

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Speaker 3: kept asking, like, is it serious? What's going on? He

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Speaker 3: said to me. It's a guy. He said to me, like, yo,

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Speaker 3: it's serious. You know me, Jazz, if you tell me

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Speaker 3: a secret, I'm not gonna tell nobody.

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Speaker 5: I'm good at keeping secrets. Two weeks later, I.

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Speaker 3: Called Martel about something related to Huntsville the show.

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Speaker 5: He answered the phone and.

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Speaker 3: Says, somebody wants to say hi to you, and I

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Speaker 3: heard hello, and bitch it was Schari wit Phil, and

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Speaker 3: I said, excuse me, And that's how I got to

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Speaker 3: confirm that these two were seeing each other.

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Speaker 1: Now listen, I personally am not that curious, but if

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Speaker 1: I know anything about Carlos King's audience, they are Who

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Speaker 1: was the mutual friend? Was it Marceau? Was it somebody

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Speaker 1: else from Huntsville? Who was the mutual friend?

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Speaker 3: It was not a cast member, but it is somebody

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Speaker 3: in the industry.

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Speaker 2: Okay, fair enough.

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Speaker 5: Go ahead, the journalist, Jazz.

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Speaker 2: You're made to a stem journalist.

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Speaker 5: Okay, yes, I'm gonna call you Jazz. The journalist. Okay,

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Speaker 5: so Jazz the journalist ask the right question.

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Speaker 3: Sorry Porsche, Hey, Tmar, But Jazz the journalist is asking

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Speaker 3: the right questions. It was somebody in the industry, but

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Speaker 3: no cast member, and that's that's just what it is.

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Speaker 5: So that's how I found out. Now going back.

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Speaker 3: To the episode to see Scharay giddy, I've known Chave

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Speaker 3: for fifteen years. I've never seen Charae so giddy, and

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Speaker 3: I was pleasantly surprised to see the chemistry. So I

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Speaker 3: am a believer that. Look, do I think they're going

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Speaker 3: to get married? My opinion, no, But I think they're

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Speaker 3: both having good sex.

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Speaker 5: I think Martel is laying.

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Speaker 3: The pipe and I think Charae is spreading in love

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Speaker 3: and laying it wide.

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Speaker 1: And listen, let me tell you, because one thing I

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Speaker 1: did very much enjoy about this episode was that body

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Speaker 1: on Charay when she walked up to that door to open,

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Speaker 1: I said, where is my handkerchief? I'm sweating like and

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Speaker 1: I don't you know what I'm saying. I'm not that way,

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Speaker 1: but I looked at that body and I said, oh,

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Speaker 1: oh my god, I'm attracted to this. I'm gonna tract

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Speaker 1: Charae looks so good. She looked so good, and then

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Speaker 1: Martel came in. You already know. I think Martel is

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Speaker 1: just so fine. So the two of them together, that

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Speaker 1: makes sense to.

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Speaker 2: Me in my mind.

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Speaker 1: Like you said, maybe not marriage, but even if they do,

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Speaker 1: there are people of a certain age that they did

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Speaker 1: decide to get married, you know whatever, But I do

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Speaker 1: think they should have fun. I did see an interesting

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Speaker 1: tweet that said, or was it an Instagram post?

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Speaker 2: Forgive me whoever posted this.

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Speaker 1: They said that Charae is not used to dating anybody

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Speaker 1: that's attractive, that's why she's so happy about I saw

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Speaker 1: that too, and they show pictures of her ex husband

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Speaker 1: and that man that had her looking crazy down to Philadelphia,

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Speaker 1: and I said, they're right, They're right, They're right. She

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Speaker 1: did he is an attractive MAYG. So good on you,

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Speaker 1: miss Charae.

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Speaker 5: Charae, I love you.

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Speaker 3: But the girls are saying that you are getting because

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Speaker 3: but the first time in your life you have dated

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Speaker 3: somebody who looks as good as Martell. That's what the

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Speaker 3: girls are saying, Charay. So it's clear that they have chemistry,

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Speaker 3: but a lot of people are assuming this relationship is fake.

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Speaker 5: So Jazz the journalist.

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Speaker 3: This is the first time you got to see them

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Speaker 3: in action interacting. Do you think Charae and Martell's relationship

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Speaker 3: is real.

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Speaker 1: I think that it's real in the sense if they

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Speaker 1: are two people that want to have fun.

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Speaker 2: Like he just got out of.

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Speaker 1: A very serious like a marriage, like a lot of

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Speaker 1: controversy surrounding how that marriage dissolved with, you know, a mistress,

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Speaker 1: another baby. I don't think he's looking for another wife

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Speaker 1: right away. Charae. You know, we've seen her over the

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Speaker 1: years kind of struggling in this department, So I don't

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Speaker 1: know that she's looking for somebody to marry tomorrow either.

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Speaker 1: So what it does look like to me is just

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Speaker 1: two grown people who are having grown people fun, and

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Speaker 1: I'm here for it.

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Speaker 2: It seems real to me.

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Speaker 3: Yeah, so, Charrey, this is a courtesy of you finding

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Speaker 3: you a hot man for the first time her grad relationship.

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Speaker 6: Yeah, schara got a mayor.

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Speaker 1: Charree's got a fine man at home. Well he's not

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Speaker 1: at home, he's down in Huntsville. But she's got a

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Speaker 1: fine man that's willing to travel in the production of vehicles.

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Speaker 2: Oh, Atlanta, So good on you, my girl. Cheers clank clank.

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Speaker 5: Cheers Charie.

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Speaker 3: We are happy for you. And look, this really goes

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Speaker 3: to show you Jazz, which goes back to.

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Speaker 5: Your earlier statements.

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Speaker 3: I want to get into that before we talk about

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Speaker 3: the rest of the episode. Look your boy, who you love?

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Speaker 5: You know I love you.

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Speaker 3: I think it's so interesting that at the end of

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Speaker 3: the day, jazz Man, I really am the key to

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Speaker 3: reality TV because anytime you have a Carlos King cast

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Speaker 3: member on a show called Love and Masge Huntsville. Open

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Speaker 3: up the premiere episode of the Real Housewives of Atlanta,

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Speaker 3: a show I produce for eight years. I am that girl, Beyonce,

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Speaker 3: I Love you Track one on Renaissance.

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Speaker 5: But bitch, we got to share that title. I'm that girl.

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Speaker 2: It's okay, I had that title first. Bill let you in.

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Speaker 1: No, let me not say that because I'm look, I'm

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Speaker 1: not trying to activate the bee Hive. I'm just playing,

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Speaker 1: even though there is a post on my Instagram from

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Speaker 1: twenty sixteen where that was my captain. But anyway, neither

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Speaker 1: here nor there. Yeah, she's she's always ahead of the curve.

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Speaker 2: Anyway.

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Speaker 1: I almost text you after I almost teked you, like, oh, bitch,

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Speaker 1: you're taking it.

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Speaker 2: But I was like, you know what, I knew I

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Speaker 2: was coming.

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Speaker 1: To talk to you, So I was like, we're we're

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Speaker 1: going to talk about it because I know you. You're

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Speaker 1: not gonna not mention it. Let's mention it all. Okay,

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Speaker 1: let's mention it all. I was watching it. I said, Oh,

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Speaker 1: Carlos is taking it. He's taking it, and I'm so

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Speaker 1: glad that you are, like so live in it, sitting it,

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Speaker 1: basking it.

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Speaker 3: If that had a word, I.

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Speaker 5: Don't know what is, Zaby. I love you so much. Yes, look, yes, this.

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Speaker 3: Is all fun, but I gotta be honest with you

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Speaker 3: like I always am.

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Speaker 5: Look.

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Speaker 3: I think it's because you know how some people who

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Speaker 3: share main nameless love to say, Carlos is so obsessed

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Speaker 3: with Housewise, he can't let that show go. He cast

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Speaker 3: Monique Samuels from Housewives to launch DC Love and Marriage.

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Speaker 3: Carlos is so obsessed with Bravo Carlos, Carlos, Carlos, And

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Speaker 3: what this premiere show to me is I want that

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Speaker 3: same energy for them. If you're going to I want that,

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Speaker 3: I want that exact same energy. Jasmin just pointed out

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Speaker 3: she thought she was watching the Real Housewives of Huntsville.

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Speaker 1: Yes, and I do want to say, you know, I

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Speaker 1: don't know if I've said this on the podcast before,

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Speaker 1: as your friend, right, I see when people say that,

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Speaker 1: like I see comments, they love to jump in your

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Speaker 1: comments and he needs to talk about something other than

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Speaker 1: Bravo and you do, which I find quite interesting that

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Speaker 1: they conveniently forget that.

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Speaker 2: But even even even if you didn't.

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Speaker 1: Right, why would you not talk about something that's a

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Speaker 1: part of your legacy, Like you were a huge part.

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Speaker 2: Of that show.

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Speaker 1: You were on that show in the most iconic years

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Speaker 1: of the show, you were leading the ship during the

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Speaker 1: golden years. Why would you not talk about something like that?

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Speaker 1: And you have so much insight into it, So I

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Speaker 1: think people really need to They just try, They just

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Speaker 1: try to use it as a dig towards you, And

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Speaker 1: it's getting kind of old, actually not kind of us,

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Speaker 1: very old is stale. We need to let it go. Girls,

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Speaker 1: Like he's gonna talk about it, and now he's going

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Speaker 1: to talk about it even more because one of his

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Speaker 1: cast members has now infiltrated the show and it's all

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Speaker 1: in the premiere of The Royal Housewives of Atlanta, Like,

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Speaker 1: let's keep talking about it because Martel literally start to finish.

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Speaker 1: It was about Martel and Sharek.

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Speaker 3: That was it and the reason why I enjoyed this premiere.

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Speaker 3: And I'm going to say it and listen, I'm gonna

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Speaker 3: keep it real. Martel saved the premiere And this is

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Speaker 3: this is where my producer had come in because you

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Speaker 3: said earlier like you're the expert.

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Speaker 5: What do you think when you have a premiere episode?

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Speaker 3: You put so much real estate and making sure that

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Speaker 3: premiere episode scenes because it sets the tone for the season.

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Speaker 3: You want people to come back, right, That's just what

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Speaker 3: it is. This ghost to show you that, and this

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Speaker 3: is no shade. It is what it is, and we

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Speaker 3: have what maybe fifty more episodes to go. It goes

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Speaker 3: to show you that Martel was the only thing they

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Speaker 3: had going on that if it wasn't for Martel, nothing

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Speaker 3: would be happening.

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Speaker 5: This is no shade, and I'm gonna be all the

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Speaker 5: way real.

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Speaker 3: Y'all could shade me, y'all do it anyway, just make

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Speaker 3: sure you sput my name right so no one cares

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Speaker 3: about what Candy and Todd going through because we've seen

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Speaker 3: it and that's no shade.

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Speaker 5: We've seen it. It's nothing new. So you're not gonna

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Speaker 5: build too much.

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Speaker 3: Real estate in Todd feeling like Candy isn't at home.

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Speaker 3: I told that story when I was producing the show.

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Speaker 3: It's nothing new, so you can't build the A story

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Speaker 3: to be that Sanya is a new beat. You can't

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Speaker 3: build an a story on what she has going on

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Speaker 3: because no one's going to care that much. Juea Door

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Speaker 3: was not in this episode Tea for You Jazz, main

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Speaker 3: because she did not film for the first couple of

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Speaker 3: weeks because she was trying to negotiate her contract.

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Speaker 1: Oh you know I have that, So I have notes

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Speaker 1: right here. You can't see them at their off camera.

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Speaker 2: I have notes. One of them is where is Drew?

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Speaker 1: Even though historically I haven't cared, but I was like,

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Speaker 1: where is she?

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Speaker 2: Because her husband shut up, and I was like, that's odd.

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Speaker 3: She was in a meeting with her lawyer trying to

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Speaker 3: add more zero to her contracts says after the comma

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Speaker 3: and the decimal point, they.

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Speaker 1: Better not have given it to her. Let's be let's

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Speaker 1: be be ff fr right. And I always say this.

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Speaker 1: I don't say it as like I think Drew is

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Speaker 1: a horrible person and I'm sure she's a lovely gal

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Speaker 1: is it's just you?

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Speaker 2: What more do you think you're word?

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Speaker 1: Unless they were actually paying you in Trident Layers for

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Speaker 1: the previous seasons, there should have been no negotiation, especially

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Speaker 1: not enough for you to not be in episode one,

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Speaker 1: because if I wouldn't have showed up, I wouldn't have

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Speaker 1: noticed that you weren't there.

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Speaker 5: That is no shade.

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Speaker 3: I only remember Drew because Rap showed up.

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Speaker 1: He showed up, and then I remember, you know they're

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Speaker 1: going through a divorce, and I was like, oh, is

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Speaker 1: this around that time that that started?

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Speaker 3: Right?

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Speaker 1: I didn't know the timeline, so that's the only reason

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Speaker 1: I was kind of like, oh, yeah, Drew isn't here,

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Speaker 1: Like is this storyline about to play out already? But

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Speaker 1: like to your point, and I think something that I

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Speaker 1: was like, well, I was watching it, Which is which

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Speaker 1: contributed to me not really enjoying it, is because I

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Speaker 1: feel like they tried to hit us over the head

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Speaker 1: too hard with the drama of Martel and Chara and

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Speaker 1: him possibly cheating on her and messing with people in Atlanta,

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Speaker 1: and it's like, in episode one, these are my girls,

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Speaker 1: I'm coming back. I want to see what each of

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Speaker 1: them have, like really been up to, you know what

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Speaker 1: I'm saying, Like I want to get like extended scenes

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Speaker 1: with kind of them and the other people in their lives.

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Speaker 1: Like I don't want it out the gate the opening

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Speaker 1: teaser to be like a fight at a party over

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Speaker 1: somebody who's not even you know, over Martel and Charred,

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Speaker 1: like it just it felt too heavy handed in that

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Speaker 1: and that's a part of the reason why I didn't

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Speaker 1: really enjoy it. And even while I don't see it

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Speaker 1: for Siya, you know, in that way, I think she's okay.

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Speaker 1: Her scenes, her reintroduction like kind of shown the dynamic

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Speaker 1: between her family, her planning Ross's birthday, that felt the

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Speaker 1: most natural to me, and like that's I feel like

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Speaker 1: I wish we would have seen that for all of

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Speaker 1: the other.

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Speaker 3: Girls who I hate you interrupt, but stay tuned for more.

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Speaker 4: We'll be right back after these quick ads.

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Speaker 3: This is reality with the King, and I'm Carlos King.

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Speaker 3: Let's get back into the show.

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Speaker 1: When Candy's Sun was like calling her to help, that

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Speaker 1: broke my heart. Candy, look, you are a boss ass

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Speaker 1: bitch you world why okay, we know we get it.

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Speaker 1: Spend time with your family, girl, Because what I would

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00:21:05,240 --> 00:21:08,560
Speaker 1: hate to see is the dissolution of another black family

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Speaker 1: because you're too busy to be at home with your

403
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Speaker 1: men or support your man, be at home with your

404
00:21:13,400 --> 00:21:16,480
Speaker 1: children and are crying out. Like you know, children remember

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00:21:16,520 --> 00:21:18,960
Speaker 1: that as they grow up and not just we're thinking

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00:21:19,000 --> 00:21:21,600
Speaker 1: way too far into the future. But Candy, you have

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00:21:21,760 --> 00:21:24,840
Speaker 1: so much success, like so much money. I think she

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00:21:24,960 --> 00:21:27,439
Speaker 1: can like take it down a couple of notches. And

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Speaker 1: I really just hope that for her, really just as

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Speaker 1: a woman like I don't want to see her family

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Speaker 1: torn apart because she's so ambitious. So you know, those

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Speaker 1: are my two major notes.

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Speaker 3: No, and I'm glad you brought that up because I

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Speaker 3: wanted to do a deep dive into the working wantman

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Speaker 3: being the bread winner having to supplement this lifestyle that

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Speaker 3: her family is accustomed to.

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Speaker 5: Right to your point, listen, I don't know how much

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Speaker 5: money she has in the bank's.

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Speaker 3: A lot is Drew said, I want Candy's money because

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00:22:02,440 --> 00:22:05,560
Speaker 3: clearly you'a got money to spend. And Drew said, I

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00:22:05,560 --> 00:22:08,399
Speaker 3: ain't showing up unless I get some zeros after the comment.

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Speaker 5: That's my point.

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Speaker 3: But the thing about that storyline is number one, it

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00:22:16,520 --> 00:22:20,479
Speaker 3: was told before number two to your point. That phone

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00:22:20,520 --> 00:22:28,760
Speaker 3: call was heartbreaking, and I'm curious after she watched it

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Speaker 3: if it made her realize that all that glitters is

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Speaker 3: in gold because when he said, yeah, so and so.

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Speaker 5: Can help me, but I like when you do it.

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Speaker 3: And that was the part that touched me being a

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Speaker 3: mama's boy, right, being a mama's boy, knowing that, yeah,

431
00:22:49,880 --> 00:22:52,480
Speaker 3: my father's hear my big sisters here, whatever, But it's

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00:22:52,520 --> 00:22:54,640
Speaker 3: something about your mother, and I'm pretty sure it.

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Speaker 5: Wasn't anything specific.

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Speaker 3: That she does that he wanted that to me, Colle

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00:23:00,640 --> 00:23:05,800
Speaker 3: for I just want my mom around me like I

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00:23:05,920 --> 00:23:09,280
Speaker 3: want that, And that's why to me, it's one of

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00:23:09,320 --> 00:23:13,920
Speaker 3: those things where I'm just curious about career women who

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Speaker 3: are the bread women who have children, what advice would

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00:23:18,280 --> 00:23:22,040
Speaker 3: they give that situation. Because one thing about Oprah that

440
00:23:22,080 --> 00:23:25,520
Speaker 3: she has said countless of times, and she said this,

441
00:23:26,040 --> 00:23:26,680
Speaker 3: she said.

442
00:23:26,520 --> 00:23:29,840
Speaker 5: I would not be who I am today if I

443
00:23:29,920 --> 00:23:31,160
Speaker 5: was a mom.

444
00:23:31,960 --> 00:23:37,399
Speaker 3: She said, I could not imagine having a child doing

445
00:23:37,440 --> 00:23:44,720
Speaker 3: this whirlwind of my global domination. And she said that's

446
00:23:44,800 --> 00:23:48,240
Speaker 3: why when she got pregnant as a teenager by her uncle,

447
00:23:48,440 --> 00:23:51,120
Speaker 3: which is sick because he molested her.

448
00:23:53,040 --> 00:23:55,399
Speaker 5: She said, when she had a miscarriage.

449
00:23:56,200 --> 00:23:58,880
Speaker 3: She took that as a sign that I'm not meant

450
00:23:58,880 --> 00:24:01,920
Speaker 3: to be a mom. So it's one of those things

451
00:24:01,960 --> 00:24:07,639
Speaker 3: where it's very challenging. But I that moment honestly touch

452
00:24:08,119 --> 00:24:09,280
Speaker 3: my spirit.

453
00:24:09,880 --> 00:24:12,919
Speaker 1: It touched mine too. It is that question of like

454
00:24:13,880 --> 00:24:17,639
Speaker 1: can women have it all? That's a good you know,

455
00:24:17,680 --> 00:24:19,600
Speaker 1: that's a conversation for somebody to have. And I think

456
00:24:19,640 --> 00:24:22,920
Speaker 1: you're right someone other women who are in the same

457
00:24:23,040 --> 00:24:25,440
Speaker 1: position as Candy. They're the bread winner, they have children,

458
00:24:25,720 --> 00:24:29,080
Speaker 1: they want to maintain their family life in their professional life.

459
00:24:29,720 --> 00:24:31,920
Speaker 1: How challenging is that And do you have to give

460
00:24:32,280 --> 00:24:36,000
Speaker 1: up certain things in order for one to kind of

461
00:24:36,000 --> 00:24:40,040
Speaker 1: take become the priority. I don't know, but yeah, that scene,

462
00:24:40,119 --> 00:24:42,600
Speaker 1: I was just like, oh, and then when she was saying,

463
00:24:42,640 --> 00:24:45,479
Speaker 1: like Todd, she was talking to Mayeda and Kenya and

464
00:24:46,119 --> 00:24:48,840
Speaker 1: she was like, Todd was trying to make her the problem.

465
00:24:48,920 --> 00:24:53,439
Speaker 1: And I was like, you know, maybe Todd is resentful now,

466
00:24:53,600 --> 00:24:55,600
Speaker 1: you know, like maybe that is what it is, like

467
00:24:55,960 --> 00:24:58,920
Speaker 1: people become resentful. And I don't have any insight into

468
00:24:58,960 --> 00:25:02,040
Speaker 1: their relationship. And this is pure just speculation based on

469
00:25:02,080 --> 00:25:04,159
Speaker 1: what we've seen on the show, but we've seen for

470
00:25:04,280 --> 00:25:07,240
Speaker 1: years now him be very supportive of everything she wants

471
00:25:07,280 --> 00:25:09,159
Speaker 1: to do and like, you know, get in where he

472
00:25:09,200 --> 00:25:11,520
Speaker 1: fits in and all of that, and this like if

473
00:25:11,520 --> 00:25:13,280
Speaker 1: this is one thing that he's just like, I.

474
00:25:13,240 --> 00:25:15,080
Speaker 2: Really need you to help me here.

475
00:25:15,920 --> 00:25:18,280
Speaker 1: It does beg the question of why can't you make

476
00:25:18,320 --> 00:25:20,040
Speaker 1: yourself more available to help him?

477
00:25:20,320 --> 00:25:27,000
Speaker 3: It's really deepense emotional. So going into Marlow now, I

478
00:25:27,119 --> 00:25:30,399
Speaker 3: wonder if you called this because I caught it they

479
00:25:30,640 --> 00:25:38,000
Speaker 3: have toned down Marlow and said last year's premiere, marlow

480
00:25:38,520 --> 00:25:41,800
Speaker 3: was in thirty minutes of the forty two minute episode

481
00:25:42,119 --> 00:25:48,760
Speaker 3: and child in this episode. I was wears wall though

482
00:25:48,880 --> 00:25:52,080
Speaker 3: with my magnifying glass because I was like, where's marlow?

483
00:25:52,720 --> 00:25:57,239
Speaker 3: Marlow was reduced to five minutes in a forty two

484
00:25:57,280 --> 00:25:59,040
Speaker 3: minute episode.

485
00:25:58,760 --> 00:26:02,199
Speaker 5: And I think think that was on purpose. I think

486
00:26:02,520 --> 00:26:04,760
Speaker 5: it was a strong message.

487
00:26:04,280 --> 00:26:11,240
Speaker 3: That they're trying to rebottalize this season and limit Marlowe.

488
00:26:11,440 --> 00:26:14,360
Speaker 3: What did you think about Marlowe being in this episode

489
00:26:14,480 --> 00:26:16,640
Speaker 3: for the five minutes and what was going on with her?

490
00:26:17,000 --> 00:26:19,560
Speaker 1: So it goes back to my point of what I

491
00:26:19,560 --> 00:26:22,879
Speaker 1: said of I like seeing this side of them in

492
00:26:23,000 --> 00:26:25,919
Speaker 1: the first episode. We should see what they've been up

493
00:26:25,920 --> 00:26:28,160
Speaker 1: to since the last time we saw them last season.

494
00:26:28,200 --> 00:26:30,320
Speaker 1: It was a big point of contention with her kicking

495
00:26:30,320 --> 00:26:32,680
Speaker 1: her nephews out. So then we come back here and

496
00:26:32,720 --> 00:26:34,800
Speaker 1: we see them with the life coach and like she's

497
00:26:34,960 --> 00:26:38,800
Speaker 1: really working through this relationship with her nephews, and we

498
00:26:38,840 --> 00:26:40,879
Speaker 1: get an update that she hasn't heard from her sister,

499
00:26:40,920 --> 00:26:43,480
Speaker 1: and so now this is a forever thing. These are

500
00:26:43,520 --> 00:26:46,760
Speaker 1: her children now, and we are gonna, you know, based

501
00:26:46,800 --> 00:26:49,120
Speaker 1: on what we saw, be able to see her navigate

502
00:26:49,160 --> 00:26:51,280
Speaker 1: that very new normal for her. That's what I wanted

503
00:26:51,280 --> 00:26:53,200
Speaker 1: to see. It was very short. I also said, I

504
00:26:53,200 --> 00:26:55,520
Speaker 1: would have liked to see extended scenes of like them

505
00:26:55,600 --> 00:26:58,600
Speaker 1: doing their kind of their family life thing. But it

506
00:26:58,640 --> 00:27:01,280
Speaker 1: was good to see because I do what you said,

507
00:27:01,280 --> 00:27:05,800
Speaker 1: like last season, Marlowe was very She was a controversial figure, right,

508
00:27:05,880 --> 00:27:07,679
Speaker 1: and a lot of people were torn on if she

509
00:27:07,720 --> 00:27:10,040
Speaker 1: should even have been a housewife in the first place.

510
00:27:10,080 --> 00:27:12,840
Speaker 1: And she's very brash and just like goes for the

511
00:27:12,920 --> 00:27:16,200
Speaker 1: jugular and so I thought I didn't I didn't think

512
00:27:16,200 --> 00:27:19,159
Speaker 1: they were toning her down for the same reason that

513
00:27:19,240 --> 00:27:22,080
Speaker 1: you said. I thought it was like they're trying to

514
00:27:22,160 --> 00:27:25,680
Speaker 1: save her image, like they're trying to like rehab her

515
00:27:25,760 --> 00:27:28,920
Speaker 1: image and It's like, this is who she was last season,

516
00:27:29,200 --> 00:27:33,000
Speaker 1: but now she has these these nephews and she's just

517
00:27:33,040 --> 00:27:35,560
Speaker 1: turning over a new leaf. So I think we both are,

518
00:27:36,359 --> 00:27:39,399
Speaker 1: you know, in the same boat, like they're trying to

519
00:27:39,480 --> 00:27:41,720
Speaker 1: change the perception. But I thought it was because they

520
00:27:41,760 --> 00:27:43,840
Speaker 1: wanted to rehab her image, not save the show or

521
00:27:43,840 --> 00:27:44,720
Speaker 1: revitalize the show.

522
00:27:44,840 --> 00:27:46,240
Speaker 3: I think it was a little bit of both. And

523
00:27:46,320 --> 00:27:48,560
Speaker 3: like you said, we're saying the same thing. The thing

524
00:27:48,600 --> 00:27:53,320
Speaker 3: with Marlowe is Marlowe, who I love was came on

525
00:27:53,720 --> 00:27:56,080
Speaker 3: very strong last season.

526
00:27:56,760 --> 00:27:59,960
Speaker 5: Marlowe was in the protege section getting the peace.

527
00:28:00,760 --> 00:28:03,199
Speaker 3: She ate it, she drank it, she put in her

528
00:28:03,240 --> 00:28:06,520
Speaker 3: some rock, she had it in her smoothie.

529
00:28:07,160 --> 00:28:11,360
Speaker 5: I mean, Marlow's peach meant the world to her.

530
00:28:11,520 --> 00:28:14,880
Speaker 3: It was like forget a Grammy, a Tony, an Oscar,

531
00:28:15,040 --> 00:28:19,280
Speaker 3: and an Emmy. Marla had a peach and for her

532
00:28:19,640 --> 00:28:22,359
Speaker 3: that was the golden nugget in terms of what she

533
00:28:22,520 --> 00:28:27,480
Speaker 3: always desired. And unfortunately everybody goes through this once in

534
00:28:27,520 --> 00:28:33,000
Speaker 3: their lives. She overdosed on the kool aid of the peach.

535
00:28:33,680 --> 00:28:37,120
Speaker 3: And I think this season, based on the first episode,

536
00:28:37,200 --> 00:28:41,040
Speaker 3: I agree with you they tried to soften her even.

537
00:28:40,840 --> 00:28:41,400
Speaker 5: Towards the end.

538
00:28:41,480 --> 00:28:44,120
Speaker 3: We'll get to that in a second, where Candy and

539
00:28:44,160 --> 00:28:46,200
Speaker 3: Courtney got into an argument and she's just like, give

540
00:28:46,240 --> 00:28:47,960
Speaker 3: you a little side eye, trying to be nuicty.

541
00:28:48,120 --> 00:28:49,920
Speaker 2: Funniest part. That was the funniest part.

542
00:28:50,240 --> 00:28:51,840
Speaker 5: Love love that, Love that.

543
00:28:52,440 --> 00:28:57,840
Speaker 3: So going into the fact that the biggest story is Candy,

544
00:28:58,360 --> 00:29:04,840
Speaker 3: Kenya and Monya had had conversations about Martel having other

545
00:29:04,920 --> 00:29:11,600
Speaker 3: women in Atlanta. Kenya also said that Martel DMed her

546
00:29:12,040 --> 00:29:14,880
Speaker 3: and when they looked for the DM, it was nowhere

547
00:29:14,920 --> 00:29:17,800
Speaker 3: to be found, like like Drew.

548
00:29:20,240 --> 00:29:23,080
Speaker 2: Because he unscented. Now Here's here's the thing.

549
00:29:23,320 --> 00:29:26,200
Speaker 1: I wholeheartedly believe he did slid into her DMS and

550
00:29:26,240 --> 00:29:29,440
Speaker 1: he uncens it after he ended up like talking to

551
00:29:29,520 --> 00:29:30,320
Speaker 1: Chara or whatever.

552
00:29:30,440 --> 00:29:32,440
Speaker 2: That part I believe Carlos. I don't know.

553
00:29:32,480 --> 00:29:36,120
Speaker 1: I know Martosia boy, but but who would blame him?

554
00:29:36,440 --> 00:29:41,760
Speaker 1: Kenya Battie, charae Battie if you did sight into Kenya's DMS, No,

555
00:29:41,960 --> 00:29:42,960
Speaker 1: there's nothing wrong with that.

556
00:29:43,600 --> 00:29:47,200
Speaker 3: So I got tea for you, Okay, I can exclusively

557
00:29:47,280 --> 00:29:53,960
Speaker 3: confirm to Jazz the journalist that he did DM Kenya

558
00:29:54,640 --> 00:30:01,800
Speaker 3: about I love you, I said, Hoodey, I'm not gonna

559
00:30:01,840 --> 00:30:04,080
Speaker 3: fall for but how to tell pipe, I'm gonna need

560
00:30:04,080 --> 00:30:05,080
Speaker 3: more information.

561
00:30:05,640 --> 00:30:06,200
Speaker 5: I love her.

562
00:30:06,600 --> 00:30:10,680
Speaker 3: She had no dubby, she said, and hoodie, I'm not

563
00:30:11,080 --> 00:30:14,400
Speaker 3: the Twitter folks who just takes something small and create

564
00:30:14,440 --> 00:30:15,640
Speaker 3: a story for engagement.

565
00:30:16,640 --> 00:30:21,719
Speaker 5: Okay, so this is so shady.

566
00:30:21,960 --> 00:30:27,760
Speaker 3: Okay, long story, Shirt Jazz. Maybe maybe three years ago,

567
00:30:27,920 --> 00:30:31,280
Speaker 3: it could be four. Let's just say three. Three years ago,

568
00:30:31,920 --> 00:30:35,120
Speaker 3: I was promoting the new season of Love and Marriage

569
00:30:35,160 --> 00:30:39,600
Speaker 3: Huntsville and I did an IG live with Kenya, and

570
00:30:39,960 --> 00:30:45,640
Speaker 3: Kenya spoke about Martel and Melody, and Kenya had very

571
00:30:45,800 --> 00:30:47,080
Speaker 3: nice things.

572
00:30:46,720 --> 00:30:47,800
Speaker 5: To say about Martel.

573
00:30:48,440 --> 00:30:51,000
Speaker 3: She said how he was a great father, how she

574
00:30:51,040 --> 00:30:55,760
Speaker 3: can see he wants to do right. He's trying, but

575
00:30:56,200 --> 00:31:00,880
Speaker 3: she's team Black Love and she really wants them to win. Now,

576
00:31:01,520 --> 00:31:05,760
Speaker 3: Martel has said to me, and this will be coming

577
00:31:05,880 --> 00:31:08,920
Speaker 3: up in the next episode, Martel has said to me

578
00:31:09,320 --> 00:31:15,000
Speaker 3: he did DMN Kenya after our IG Live to say

579
00:31:15,280 --> 00:31:23,320
Speaker 3: thank you for the compliments. Now he has receipts of

580
00:31:23,400 --> 00:31:29,520
Speaker 3: what he DMed her, and he said she never responded

581
00:31:29,600 --> 00:31:30,040
Speaker 3: to him.

582
00:31:30,920 --> 00:31:33,160
Speaker 5: So that's the gag.

583
00:31:33,800 --> 00:31:38,600
Speaker 3: So Kenya never said verbatim what he said. And you know,

584
00:31:38,680 --> 00:31:41,920
Speaker 3: I love Kenya and so do you. But that's why

585
00:31:42,080 --> 00:31:45,440
Speaker 3: Jazz the journalist was like, no, what else, Carlos, I'm

586
00:31:45,440 --> 00:31:47,600
Speaker 3: not going to take this and run with it. I

587
00:31:47,640 --> 00:31:50,880
Speaker 3: love you, Kenya, but you never once.

588
00:31:50,720 --> 00:31:53,600
Speaker 5: Said exactly what he said to you.

589
00:31:53,800 --> 00:31:58,200
Speaker 3: Because when people here you're in my DMS, they immediately

590
00:31:58,280 --> 00:32:01,360
Speaker 3: go to something sexual exactly.

591
00:32:01,520 --> 00:32:04,160
Speaker 1: And she could have very easily if she saw it.

592
00:32:04,600 --> 00:32:06,640
Speaker 1: Because the other thing is it doesn't look like she

593
00:32:06,760 --> 00:32:10,080
Speaker 1: ever saw well. She had to have seen it in

594
00:32:10,200 --> 00:32:11,880
Speaker 1: order to know that he DMed her.

595
00:32:12,000 --> 00:32:12,719
Speaker 5: Yeah she saw it.

596
00:32:12,800 --> 00:32:16,240
Speaker 2: Yeah, hmm, she saw it. That's interesting, Keny. I can't

597
00:32:16,240 --> 00:32:18,240
Speaker 2: really defend you on that one, my girl. I was

598
00:32:18,280 --> 00:32:19,360
Speaker 2: about to try to reach.

599
00:32:19,960 --> 00:32:24,240
Speaker 1: I was doing my stretches because I was fin a reach, okay,

600
00:32:24,400 --> 00:32:27,280
Speaker 1: to try to find you an out, miss girl. But

601
00:32:28,840 --> 00:32:31,360
Speaker 1: you knew that man did not slide into your DMS

602
00:32:31,880 --> 00:32:35,120
Speaker 1: on nothing romantic. He was just saying thank you for

603
00:32:35,200 --> 00:32:37,160
Speaker 1: the kind words, and you flipped it.

604
00:32:38,360 --> 00:32:39,080
Speaker 2: Why would you do that?

605
00:32:39,960 --> 00:32:41,960
Speaker 3: Because King is trying to save the show.

606
00:32:43,400 --> 00:32:47,840
Speaker 1: Listen in my mind, look, Kenya, Kenya, you know I

607
00:32:47,880 --> 00:32:51,240
Speaker 1: really like you, girl. But when Carlos was just explaining it,

608
00:32:51,240 --> 00:32:53,600
Speaker 1: I said, oh, she on her Giselle Bryant Street, She's

609
00:32:53,640 --> 00:32:57,880
Speaker 1: on her I'm pad of the executive producer shit and listen,

610
00:32:59,040 --> 00:33:00,440
Speaker 1: a lot of the viewers are probab not going to

611
00:33:00,520 --> 00:33:01,080
Speaker 1: be mad at that.

612
00:33:01,520 --> 00:33:04,080
Speaker 2: I myself, it's getting tired for me. But do you

613
00:33:04,440 --> 00:33:04,720
Speaker 2: do you?

614
00:33:05,560 --> 00:33:05,760
Speaker 1: Yeah?

615
00:33:05,800 --> 00:33:07,520
Speaker 5: And I think that's the reason why.

616
00:33:07,880 --> 00:33:11,320
Speaker 3: Look, I think that's the reason why I do agree

617
00:33:11,360 --> 00:33:14,080
Speaker 3: with you in terms of but I said this last time.

618
00:33:14,160 --> 00:33:16,760
Speaker 3: I said, the golden days of Atlanta Housewife is gone

619
00:33:16,800 --> 00:33:19,840
Speaker 3: and we need to just accept it. It's never going to.

620
00:33:19,760 --> 00:33:24,520
Speaker 5: Be as in my meany leads voice organtic. It's not

621
00:33:24,600 --> 00:33:26,880
Speaker 5: going to be I love you, DDI.

622
00:33:27,360 --> 00:33:31,280
Speaker 3: It's not going to be as organic as it was before.

623
00:33:31,960 --> 00:33:35,840
Speaker 3: So I'm trying to find I'm being honest with y'all.

624
00:33:35,920 --> 00:33:39,160
Speaker 3: I'm trying to find the good in what this new

625
00:33:39,280 --> 00:33:43,800
Speaker 3: era of Atlanta is. And I think Kenya knew that

626
00:33:44,040 --> 00:33:48,120
Speaker 3: she had to have something happen. She was definitely on

627
00:33:48,200 --> 00:33:52,600
Speaker 3: her Gazelle Bryant. She produced the scene, she produced the moment,

628
00:33:53,080 --> 00:33:56,320
Speaker 3: and she tried to make sure that something happened. I

629
00:33:56,360 --> 00:33:58,800
Speaker 3: love Kenya. I'm going to get Kenya in the podcast

630
00:33:58,880 --> 00:34:03,120
Speaker 3: to address this with me. But I'm like you, I

631
00:34:03,400 --> 00:34:06,720
Speaker 3: listen to people, she never once said what he said

632
00:34:07,080 --> 00:34:12,120
Speaker 3: and that's because it was never anything that was worth sharing.

633
00:34:13,200 --> 00:34:17,879
Speaker 1: Yeah that can you? You wrong, girl, You are wrong

634
00:34:18,000 --> 00:34:18,360
Speaker 1: for that.

635
00:34:19,239 --> 00:34:21,759
Speaker 5: So let me ask you this. Who's wrong or right

636
00:34:21,920 --> 00:34:23,840
Speaker 5: in this Candy.

637
00:34:24,120 --> 00:34:30,640
Speaker 3: And Courtney oh ah beef that came out of left field,

638
00:34:30,840 --> 00:34:33,000
Speaker 3: and I'm gonna say it, guys, y'all can read me.

639
00:34:33,360 --> 00:34:36,600
Speaker 5: It's fine. The thirst is real.

640
00:34:37,640 --> 00:34:43,040
Speaker 2: Baby Noel or what is that child's name from Orange County? Noela?

641
00:34:43,560 --> 00:34:48,239
Speaker 1: No Noela, that's Noella point two right there?

642
00:34:49,000 --> 00:34:49,680
Speaker 5: Like why are you?

643
00:34:49,800 --> 00:34:51,920
Speaker 2: Why are you doing the most? Like that?

644
00:34:51,920 --> 00:34:55,279
Speaker 1: That's my issue. Listen, I'm about to stand on a

645
00:34:55,280 --> 00:34:56,160
Speaker 1: slowbox real quick.

646
00:34:56,200 --> 00:34:56,640
Speaker 2: Okay.

647
00:34:56,920 --> 00:34:59,560
Speaker 1: That's my issue with all these new girls that come

648
00:34:59,640 --> 00:35:02,840
Speaker 1: on these established shows like Real Housewives of Atlanta, just

649
00:35:02,840 --> 00:35:05,799
Speaker 1: the Real Housewives period. They think they have to be

650
00:35:06,239 --> 00:35:08,640
Speaker 1: like other personalities that we've seen in the past, so

651
00:35:08,680 --> 00:35:11,640
Speaker 1: they just do too much and it's just like it's

652
00:35:11,719 --> 00:35:15,600
Speaker 1: so off putting and like unwatchable and unlikable. Like as

653
00:35:15,600 --> 00:35:18,040
Speaker 1: soon as she walked in the doors, like beautiful gowns,

654
00:35:18,160 --> 00:35:20,560
Speaker 1: very pretty girl, but it was the second that you

655
00:35:20,680 --> 00:35:24,040
Speaker 1: just started like you're doing the most, Courtney, You're doing

656
00:35:24,040 --> 00:35:25,440
Speaker 1: the most, and I'm not here for it. I'm going

657
00:35:25,520 --> 00:35:27,040
Speaker 1: to jump off the soapbox. Now I thought it was

658
00:35:27,040 --> 00:35:28,560
Speaker 1: going to be a longer RAM, but this is not

659
00:35:28,680 --> 00:35:29,759
Speaker 1: my show, it's your show.

660
00:35:29,960 --> 00:35:31,120
Speaker 2: Oh no, what are your thoughts?

661
00:35:32,120 --> 00:35:32,719
Speaker 5: I have the reason.

662
00:35:32,840 --> 00:35:34,239
Speaker 3: I mean, you're the reason why I have it, So

663
00:35:34,280 --> 00:35:36,160
Speaker 3: don't continue, please go ahead.

664
00:35:36,400 --> 00:35:39,120
Speaker 1: No, it's just that, it's just that, like she was

665
00:35:39,160 --> 00:35:41,719
Speaker 1: doing the liast Charae's house like she was, and you

666
00:35:41,719 --> 00:35:43,680
Speaker 1: can see she was coming in kind of trying to

667
00:35:43,680 --> 00:35:46,440
Speaker 1: produce something, so she was setting it up like we

668
00:35:46,480 --> 00:35:47,200
Speaker 1: did all these.

669
00:35:47,040 --> 00:35:48,120
Speaker 2: Calls, all this, this and that.

670
00:35:48,320 --> 00:35:50,680
Speaker 1: Then she got to the party and she was just

671
00:35:50,840 --> 00:35:53,960
Speaker 1: very aggressive with Candy, and I didn't like that at

672
00:35:54,000 --> 00:35:56,880
Speaker 1: all because it's just like, it doesn't matter how you

673
00:35:56,920 --> 00:35:59,799
Speaker 1: two got acquainted. When Candy was like, look, we don't

674
00:35:59,840 --> 00:36:02,640
Speaker 1: run in the same circles, like I wouldn't have known you,

675
00:36:02,680 --> 00:36:04,640
Speaker 1: I wouldn't have remembered you. If it seems like she

676
00:36:04,719 --> 00:36:08,360
Speaker 1: got more offended because Candy is like, essentially you're forgettable.

677
00:36:09,760 --> 00:36:12,080
Speaker 1: We might have been around each other, but I wouldn't.

678
00:36:12,080 --> 00:36:14,040
Speaker 1: You're not a person that I would have remembered. Like

679
00:36:14,080 --> 00:36:16,080
Speaker 1: I seen this other girl in the picture that I

680
00:36:16,120 --> 00:36:19,160
Speaker 1: knew I didne you like it's done. But she was

681
00:36:19,239 --> 00:36:23,680
Speaker 1: just so aggressive and like just doing too much.

682
00:36:23,960 --> 00:36:29,160
Speaker 2: I didn't like it. It's a chop for me, not.

683
00:36:30,000 --> 00:36:46,120
Speaker 7: Roach boys, exactly, It's a chop for me.

684
00:36:49,719 --> 00:36:54,240
Speaker 3: Okay, I'm going to address this because damn Jazz, Okay,

685
00:36:54,560 --> 00:36:54,920
Speaker 3: forget it.

686
00:36:55,000 --> 00:36:56,879
Speaker 5: Let's go. Let's go, let's go, let's go, let's go.

687
00:36:57,000 --> 00:36:59,279
Speaker 2: Do it please, you know, don't hold back.

688
00:36:59,440 --> 00:37:00,200
Speaker 5: Oh no, oh.

689
00:37:00,239 --> 00:37:04,759
Speaker 3: I can't even about Water too. I just can't. It's

690
00:37:04,800 --> 00:37:07,960
Speaker 3: going to be very hard, and I'll let me just

691
00:37:07,960 --> 00:37:10,920
Speaker 3: start with Atlanta. It's going to be very hard for

692
00:37:11,200 --> 00:37:18,040
Speaker 3: a new peach holder to come across authentic because the

693
00:37:18,160 --> 00:37:22,840
Speaker 3: rules are different. And when I say that, I mean unfortunately.

694
00:37:23,680 --> 00:37:28,279
Speaker 3: Nobody wants to be a one season wonder and there's

695
00:37:28,320 --> 00:37:32,480
Speaker 3: so much pressure in getting that tithe of housewives because

696
00:37:32,680 --> 00:37:35,879
Speaker 3: it does change lives, and I think it's a part

697
00:37:35,920 --> 00:37:38,160
Speaker 3: of the production. I think it's also part of the

698
00:37:39,120 --> 00:37:44,040
Speaker 3: Lady herself. They feel like you have to come across

699
00:37:44,080 --> 00:37:47,920
Speaker 3: so strong and prove that you deserve this peach.

700
00:37:48,320 --> 00:37:49,640
Speaker 5: You got to prove it.

701
00:37:50,160 --> 00:37:54,080
Speaker 3: And one of my issues, well I'll say both of ours,

702
00:37:54,080 --> 00:37:56,600
Speaker 3: because we both said this last season about Drew. I

703
00:37:56,640 --> 00:37:59,920
Speaker 3: felt that Drew tried too hard to make fetch happen?

704
00:38:00,120 --> 00:38:02,920
Speaker 3: I mean she threw a doggy bone in a person's

705
00:38:02,960 --> 00:38:06,640
Speaker 3: face that she carried on a trip in her Duffel

706
00:38:06,719 --> 00:38:11,239
Speaker 3: bag with Ralphs condoms that he got from Florida and

707
00:38:11,320 --> 00:38:13,160
Speaker 3: wanted to make a moment happen.

708
00:38:13,520 --> 00:38:15,839
Speaker 1: Carlos, why would you remind I had that scrub from

709
00:38:15,840 --> 00:38:19,759
Speaker 1: my memory that late as hired as attempted moment. Why

710
00:38:19,800 --> 00:38:21,880
Speaker 1: would you remind me of that? Now I'm gonna have nightmares?

711
00:38:21,920 --> 00:38:22,399
Speaker 5: You said, not.

712
00:38:22,440 --> 00:38:26,680
Speaker 3: Nightmare on p Street Street up because you said, and

713
00:38:26,760 --> 00:38:29,680
Speaker 3: I quote one of the most iconic lines is podcast

714
00:38:29,760 --> 00:38:34,800
Speaker 3: has ever heard. Drew Sidora is eleven fifty nine PM.

715
00:38:35,160 --> 00:38:37,279
Speaker 5: She's late, late.

716
00:38:38,200 --> 00:38:41,120
Speaker 2: Late, Okay, mine still ain't changed.

717
00:38:41,680 --> 00:38:44,200
Speaker 3: Well, she look she was real late because she didn

718
00:38:44,239 --> 00:38:46,680
Speaker 3: show up tonight, so she was definitely late as episod

719
00:38:47,080 --> 00:38:49,440
Speaker 3: to show up. She sent her mad honey and say

720
00:38:49,520 --> 00:38:52,440
Speaker 3: can you be a part of this for me?

721
00:38:52,560 --> 00:38:53,160
Speaker 5: Thanks?

722
00:38:53,880 --> 00:38:59,040
Speaker 3: So Courtney was definitely coming across too strong. But my

723
00:38:59,239 --> 00:39:02,560
Speaker 3: question to you is this is there a balance? Because

724
00:39:02,840 --> 00:39:05,400
Speaker 3: Monyeta Shaw is somebody I know well, her name is

725
00:39:05,400 --> 00:39:06,800
Speaker 3: Monyeta Carter because she got married.

726
00:39:07,320 --> 00:39:09,879
Speaker 5: I know Monyeta personally. I love her.

727
00:39:09,920 --> 00:39:13,440
Speaker 3: She's a sweetheart in real life, she's friends with Candy.

728
00:39:13,560 --> 00:39:17,000
Speaker 3: In real life she's princes with Kenya. People thought Monyetta

729
00:39:17,080 --> 00:39:20,960
Speaker 3: was boring, but she's back now. So are you damned

730
00:39:21,000 --> 00:39:23,480
Speaker 3: if you do? Damn if you don't. If I don't

731
00:39:23,480 --> 00:39:25,759
Speaker 3: give y'all a moment, y'all say I'm boring. If I

732
00:39:25,960 --> 00:39:28,920
Speaker 3: be myself and don't make a moment, y'all say I'm boring.

733
00:39:29,440 --> 00:39:30,799
Speaker 5: So who to.

734
00:39:30,880 --> 00:39:34,520
Speaker 3: You a new housewife in the past three years where

735
00:39:34,719 --> 00:39:38,839
Speaker 3: their first season they came across authentic and that's why

736
00:39:38,880 --> 00:39:40,359
Speaker 3: they're still around A.

737
00:39:40,360 --> 00:39:42,880
Speaker 1: New housewife in the last three years out of all

738
00:39:42,960 --> 00:39:47,120
Speaker 1: of the I don't remember. I can't remember because I

739
00:39:47,120 --> 00:39:50,640
Speaker 1: don't know. I'm like, at this point five years ago,

740
00:39:50,760 --> 00:39:51,280
Speaker 1: was what.

741
00:39:51,120 --> 00:39:53,920
Speaker 5: Twenty twenty eighteen?

742
00:39:54,320 --> 00:39:56,960
Speaker 1: And that takes us to seasons of what or actually,

743
00:39:57,040 --> 00:39:59,719
Speaker 1: can we do this? How about you tell me some

744
00:39:59,760 --> 00:40:02,120
Speaker 1: new housewives that we've been introduced to in the last

745
00:40:02,120 --> 00:40:04,280
Speaker 1: couple of years, and then I'll let you know, because honestly,

746
00:40:04,360 --> 00:40:05,680
Speaker 1: I can't remember.

747
00:40:06,080 --> 00:40:09,360
Speaker 3: Doctor Wendy for me, her first season she came across

748
00:40:09,440 --> 00:40:10,480
Speaker 3: super authentic.

749
00:40:11,080 --> 00:40:13,920
Speaker 2: I doctor Wendy from Potomac.

750
00:40:13,719 --> 00:40:18,719
Speaker 3: Her first season authentic. Her first season, yes, I read

751
00:40:18,800 --> 00:40:21,759
Speaker 3: her her second season to her face and she I.

752
00:40:21,719 --> 00:40:24,120
Speaker 1: Thought her first season was I have four Degrees, I'm

753
00:40:25,040 --> 00:40:25,600
Speaker 1: I'm doctor.

754
00:40:25,680 --> 00:40:26,840
Speaker 2: That's her first.

755
00:40:26,680 --> 00:40:29,640
Speaker 3: Season though, that is her first season before her for

756
00:40:29,800 --> 00:40:30,680
Speaker 3: the plastic surgery.

757
00:40:31,400 --> 00:40:34,000
Speaker 2: Yeah, that was a chop season. She did too much.

758
00:40:35,920 --> 00:40:39,840
Speaker 1: But in her defense though, right, she redeemed herself for me,

759
00:40:39,960 --> 00:40:42,279
Speaker 1: because I think we talked about her the last time

760
00:40:42,320 --> 00:40:44,640
Speaker 1: we talked about Potomac. I don't watch Potomac. I don't

761
00:40:44,640 --> 00:40:47,920
Speaker 1: think I'm gonna start watching it again. But I have

762
00:40:48,160 --> 00:40:50,880
Speaker 1: gone away from Potomac liking Wendy.

763
00:40:51,160 --> 00:40:52,280
Speaker 2: Yes, and I didn't.

764
00:40:52,400 --> 00:40:54,040
Speaker 1: I didn't really see it for her first season. So

765
00:40:54,120 --> 00:40:56,680
Speaker 1: I think she redeemed herself. But did she come off

766
00:40:57,360 --> 00:41:00,360
Speaker 1: and authentic. No, She's another person I think tried to

767
00:41:00,400 --> 00:41:01,640
Speaker 1: do too much in her first season.

768
00:41:02,000 --> 00:41:04,400
Speaker 3: I think she did towards the end with the four degrees.

769
00:41:04,560 --> 00:41:07,359
Speaker 3: I thought her in the beginning she was great. I

770
00:41:07,440 --> 00:41:10,239
Speaker 3: thought Candace first season, she was herself.

771
00:41:10,520 --> 00:41:12,759
Speaker 2: I yes, yeah, Oh no, I'm sorry. I don't mean

772
00:41:12,800 --> 00:41:13,279
Speaker 2: to cut you off.

773
00:41:13,280 --> 00:41:15,560
Speaker 3: Oh no, no, no, I say, I'm saying Candace to

774
00:41:15,640 --> 00:41:18,120
Speaker 3: me can Yeah, these are the girls to me, who.

775
00:41:18,080 --> 00:41:18,560
Speaker 5: Did it right?

776
00:41:18,719 --> 00:41:25,400
Speaker 3: Candace Wendy Garcel. I'm talking about first season coming across

777
00:41:25,440 --> 00:41:31,680
Speaker 3: authentic Garcel, Windy, Candace, and that's it for me.

778
00:41:31,960 --> 00:41:37,200
Speaker 1: Candace for sure, Candace for sure, Garcel. Come, did she

779
00:41:37,200 --> 00:41:38,080
Speaker 1: come off authentic?

780
00:41:38,120 --> 00:41:38,319
Speaker 2: Sure?

781
00:41:38,640 --> 00:41:40,759
Speaker 1: I don't see it for her though, but maybe that

782
00:41:40,880 --> 00:41:42,520
Speaker 1: is authentically.

783
00:41:42,440 --> 00:41:47,279
Speaker 2: Who she is. Such a beautiful woman though.

784
00:41:47,320 --> 00:41:49,440
Speaker 1: But in my eyes, I'm just like I can take

785
00:41:49,480 --> 00:41:52,600
Speaker 1: it or leave it with her, but sure authentic.

786
00:41:52,680 --> 00:41:55,720
Speaker 2: Yes, I agree with you and y'all think.

787
00:41:55,600 --> 00:42:00,000
Speaker 7: Op top baby, and it's great.

788
00:42:00,560 --> 00:42:03,680
Speaker 1: Look, all I am is a spectator, right, So it's like,

789
00:42:03,760 --> 00:42:07,160
Speaker 1: I'm only here for entertainment. Either I like you or

790
00:42:07,200 --> 00:42:10,600
Speaker 1: I don't. And I you know, we have a whole

791
00:42:10,600 --> 00:42:12,440
Speaker 1: other conversation about how they try to make her and

792
00:42:13,440 --> 00:42:15,320
Speaker 1: that other woman on there, but do you know what

793
00:42:15,360 --> 00:42:15,680
Speaker 1: I mean?

794
00:42:16,080 --> 00:42:18,479
Speaker 3: And we'll talk about that when Beverly Hill's premiere. Honey,

795
00:42:18,480 --> 00:42:19,479
Speaker 3: I'm gonnavite you back?

796
00:42:19,719 --> 00:42:22,399
Speaker 5: So yes, Based on the.

797
00:42:22,440 --> 00:42:28,040
Speaker 3: Head bussa, I'm like you about to be a hit bussa, Honey,

798
00:42:28,040 --> 00:42:35,839
Speaker 3: come on Scrappy featuring Little John and Crime Mob. I

799
00:42:36,000 --> 00:42:41,960
Speaker 3: thought Courtney and Candy's conversation when it's so left, so fast,

800
00:42:42,480 --> 00:42:46,920
Speaker 3: and I just felt like nothing, nothing to me was

801
00:42:46,960 --> 00:42:50,200
Speaker 3: authentic about that exchange. And I felt like it was

802
00:42:50,400 --> 00:42:53,440
Speaker 3: just it was just people trying to get a moment

803
00:42:53,600 --> 00:42:56,160
Speaker 3: and trying to make something happen because the pressures were

804
00:42:56,800 --> 00:43:01,320
Speaker 3: this event is our premiere episode, so something must happen.

805
00:43:01,719 --> 00:43:05,000
Speaker 3: And I felt like everybody walked into that party with

806
00:43:05,080 --> 00:43:07,600
Speaker 3: that in mind, and I think that's why some things

807
00:43:07,640 --> 00:43:13,040
Speaker 3: just did not feel as authentic ass you know, Old Atlanta.

808
00:43:13,160 --> 00:43:16,719
Speaker 5: When Cynthia had a white party and.

809
00:43:16,800 --> 00:43:19,600
Speaker 3: Kenya chased down Nini because Kenya was med that Nina

810
00:43:19,640 --> 00:43:23,919
Speaker 3: invited Walter, her ex, to the wedding, and Nini said

811
00:43:23,960 --> 00:43:26,960
Speaker 3: to Kenya, no bitch is gonna say to me who

812
00:43:27,040 --> 00:43:29,640
Speaker 3: I can it cannot invite. It wasn't no hit bussa.

813
00:43:29,840 --> 00:43:32,920
Speaker 3: It wasn't no I'm gonna check you booth. It was

814
00:43:33,719 --> 00:43:36,359
Speaker 3: a real conversation that to me, and.

815
00:43:36,560 --> 00:43:38,520
Speaker 5: I think you agree. It was funny.

816
00:43:39,320 --> 00:43:43,120
Speaker 3: It wasn't like violent or like it was hilarious, and

817
00:43:43,160 --> 00:43:47,400
Speaker 3: I think to me, season six premiere, in my opinion,

818
00:43:49,080 --> 00:43:52,400
Speaker 3: will always be the standard in terms of how our

819
00:43:52,480 --> 00:43:54,480
Speaker 3: premiere should be for that show.

820
00:43:55,080 --> 00:44:00,160
Speaker 1: Yeah, I think Candy's energy is it was familiar and

821
00:44:00,280 --> 00:44:02,360
Speaker 1: Candy get like that. I think it was wasted on

822
00:44:02,400 --> 00:44:04,480
Speaker 1: someone that we don't care about though. That's what made

823
00:44:04,520 --> 00:44:07,640
Speaker 1: it feel inauthentic to me because I'm like, in what world, Candy,

824
00:44:07,680 --> 00:44:09,760
Speaker 1: were you even gonna spend more than like three minutes

825
00:44:09,760 --> 00:44:14,320
Speaker 1: talking to this lady anyway? You don't know her, it's established, Okay,

826
00:44:14,640 --> 00:44:17,400
Speaker 1: she's given you some really weird energy. Just walk the

827
00:44:17,440 --> 00:44:21,479
Speaker 1: fuck away. I wouldn't know you. You wasted I'm about

828
00:44:21,480 --> 00:44:24,560
Speaker 1: to have but this bitch that would have landed later

829
00:44:24,600 --> 00:44:26,160
Speaker 1: in this season, had you had have been talking about

830
00:44:26,160 --> 00:44:27,640
Speaker 1: one of the other girls on the cast that we

831
00:44:27,680 --> 00:44:30,320
Speaker 1: care about. But you're giving this up to this woman

832
00:44:30,400 --> 00:44:33,800
Speaker 1: that like if I never see her again, amazing, you

833
00:44:33,840 --> 00:44:35,759
Speaker 1: know what I'm saying, Like, you wasted it.

834
00:44:35,840 --> 00:44:38,400
Speaker 2: You wasted it. Candy wasted her moment.

835
00:44:38,440 --> 00:44:39,960
Speaker 1: It could it really could have been a moment, but

836
00:44:40,000 --> 00:44:42,680
Speaker 1: she wasted it on somebody that we don't care about.

837
00:44:43,239 --> 00:44:45,440
Speaker 3: Yeah, and I think she says that tomorrow later in

838
00:44:45,440 --> 00:44:46,080
Speaker 3: the season too.

839
00:44:46,200 --> 00:44:48,959
Speaker 5: Some think something like that. But to your point, because

840
00:44:49,000 --> 00:44:50,120
Speaker 5: when she gave.

841
00:44:50,080 --> 00:44:52,640
Speaker 6: Meaning I'm gonna stop talking to you right now, BEF

842
00:44:52,640 --> 00:44:55,719
Speaker 6: probably blowing up on your hands, so that to me,

843
00:44:56,200 --> 00:45:02,440
Speaker 6: to your point, it took weeks and months of filmmak

844
00:45:02,960 --> 00:45:06,920
Speaker 6: for these two tight ends to collide, and when she

845
00:45:07,040 --> 00:45:07,440
Speaker 6: said it.

846
00:45:07,520 --> 00:45:09,800
Speaker 3: We all girl, even Needy gag because Eddi.

847
00:45:09,719 --> 00:45:11,720
Speaker 5: Called me happy to see and said, what did.

848
00:45:11,600 --> 00:45:12,200
Speaker 3: She say to me?

849
00:45:12,440 --> 00:45:13,000
Speaker 5: I said, bitch.

850
00:45:13,000 --> 00:45:15,959
Speaker 3: She said, if you don't stop talking to me right now,

851
00:45:16,040 --> 00:45:17,479
Speaker 3: I'm gonna go blow a lot for your hands.

852
00:45:17,600 --> 00:45:18,920
Speaker 5: And Nini said she said that.

853
00:45:19,000 --> 00:45:23,200
Speaker 3: I said, yeah, bitch, she said it to you. So

854
00:45:23,719 --> 00:45:25,799
Speaker 3: that's why you're the best person to talk to, because

855
00:45:25,840 --> 00:45:29,239
Speaker 3: you remind me of moments to where Yes, it needs

856
00:45:29,320 --> 00:45:31,759
Speaker 3: to be a build up to say something like that,

857
00:45:31,920 --> 00:45:36,920
Speaker 3: because nobody can take me out of character that I

858
00:45:36,960 --> 00:45:39,760
Speaker 3: met for two point five seconds.

859
00:45:39,800 --> 00:45:42,200
Speaker 1: You very much should have been on your Mariah Carey,

860
00:45:43,000 --> 00:45:44,200
Speaker 1: I don't know her.

861
00:45:44,719 --> 00:45:45,640
Speaker 2: And walked away.

862
00:45:46,200 --> 00:45:50,640
Speaker 1: Okay, I don't believe in any any stretch of the

863
00:45:50,640 --> 00:45:54,880
Speaker 1: imagination that Candy Worldwide Birds is gonna have but in

864
00:45:55,040 --> 00:45:59,319
Speaker 1: risk any type of legal action being taken against her

865
00:45:59,560 --> 00:46:03,000
Speaker 1: by so one that she doesn't even know, it wouldn't

866
00:46:03,040 --> 00:46:05,399
Speaker 1: even be worth it at that point, Like I said

867
00:46:05,400 --> 00:46:07,800
Speaker 1: about all of these people on here, they are probably

868
00:46:07,840 --> 00:46:10,920
Speaker 1: lovely people in real life. This isn't personal. This is

869
00:46:11,000 --> 00:46:12,880
Speaker 1: TV and the words of Martin Lawrence.

870
00:46:12,880 --> 00:46:21,319
Speaker 2: Okay, this is TV, but.

871
00:46:21,400 --> 00:46:24,360
Speaker 3: Everything you're saying is so true. So as we wrap

872
00:46:24,400 --> 00:46:31,040
Speaker 3: things up. What grade the jazz? The journalist give the

873
00:46:31,200 --> 00:46:35,719
Speaker 3: season fifteenth premiere of the Real Housewives of Atlanta A D.

874
00:46:36,480 --> 00:46:47,760
Speaker 8: What about you, Carlos Carlos, Carlos, Carlos, Carlos.

875
00:46:47,400 --> 00:46:50,840
Speaker 5: Listen d as a donkey.

876
00:46:51,920 --> 00:46:56,760
Speaker 1: Yeah, as in donkey Boddy, A D as in donkey booty.

877
00:46:57,160 --> 00:47:00,919
Speaker 1: Because the story wasn't set up for me, I don't think.

878
00:47:01,040 --> 00:47:04,400
Speaker 1: I don't think my gray has anything to do really

879
00:47:04,480 --> 00:47:07,560
Speaker 1: with the cast. It's just a lot to do with

880
00:47:07,640 --> 00:47:09,759
Speaker 1: the way that the story was set up for me.

881
00:47:09,920 --> 00:47:12,040
Speaker 1: It doesn't make me want to I don't look forward

882
00:47:12,080 --> 00:47:14,279
Speaker 1: to this season because I feel like, based on this

883
00:47:14,360 --> 00:47:16,880
Speaker 1: first episode, I feel like, based on the first episode,

884
00:47:17,040 --> 00:47:20,200
Speaker 1: we're about to get a season where we're gonna watch

885
00:47:20,360 --> 00:47:24,160
Speaker 1: Candy's marriage like in a really bad place, and then

886
00:47:24,160 --> 00:47:26,080
Speaker 1: we're gonna watch a bunch of them try to like

887
00:47:26,360 --> 00:47:31,120
Speaker 1: accuse Martel of being deceitful to Charae and trying to

888
00:47:31,160 --> 00:47:33,640
Speaker 1: take that down when it's not even really by both

889
00:47:33,640 --> 00:47:36,719
Speaker 1: of their course a super serious flowship anyway, because I

890
00:47:36,760 --> 00:47:38,480
Speaker 1: love how just to take it back, I love how

891
00:47:38,520 --> 00:47:40,879
Speaker 1: Charay kept paying it like they're like, oh, I heard

892
00:47:40,880 --> 00:47:43,759
Speaker 1: mar tolders, and She's like Okay, show me. I would

893
00:47:43,880 --> 00:47:46,480
Speaker 1: like to see it like my nique. Okay, show me

894
00:47:46,880 --> 00:47:48,319
Speaker 1: like I'm not about to get up at arms. Both

895
00:47:48,320 --> 00:47:50,080
Speaker 1: of them have said this is not serious. They haven't

896
00:47:50,080 --> 00:47:53,120
Speaker 1: put a label on the girl get on. If he

897
00:47:53,160 --> 00:47:57,000
Speaker 1: does have other women in Atlanta, that's okay. Charay doesn't

898
00:47:57,000 --> 00:48:00,359
Speaker 1: seem to mind when he listened. He's her weekend and man.

899
00:48:00,400 --> 00:48:04,840
Speaker 1: When he comes and the production approved vehicle to the chateau,

900
00:48:05,840 --> 00:48:06,600
Speaker 1: she is happy.

901
00:48:06,680 --> 00:48:10,440
Speaker 2: And when he leaves, she's okay with it. The d

902
00:48:11,040 --> 00:48:13,040
Speaker 2: for me, what about you?

903
00:48:13,480 --> 00:48:16,280
Speaker 3: Okay, I love you all.

904
00:48:16,320 --> 00:48:19,000
Speaker 2: I love you all. I love I love you, I

905
00:48:19,120 --> 00:48:19,719
Speaker 2: love good.

906
00:48:20,120 --> 00:48:23,000
Speaker 5: This is good, not Doy Houston. I always love you.

907
00:48:23,040 --> 00:48:23,560
Speaker 5: I really would.

908
00:48:23,640 --> 00:48:32,400
Speaker 9: Okay, No, so me being all the way real right

909
00:48:33,640 --> 00:48:34,920
Speaker 9: based on my lens.

910
00:48:35,080 --> 00:48:36,480
Speaker 5: Like I said to y'all last season.

911
00:48:36,600 --> 00:48:39,120
Speaker 3: My lens now is I have to look at the

912
00:48:39,200 --> 00:48:42,839
Speaker 3: show differently and say it's a new era and look

913
00:48:42,840 --> 00:48:45,640
Speaker 3: at it that way. Now, I could be biased because

914
00:48:45,680 --> 00:48:47,640
Speaker 3: Martinell was all up in that thing and it gave

915
00:48:47,640 --> 00:48:48,520
Speaker 3: me hospital tease.

916
00:48:48,840 --> 00:48:50,720
Speaker 5: I'm gonna give it a minus.

917
00:48:51,760 --> 00:49:01,040
Speaker 1: An a minus sweetie, sweetie, So look, I will say,

918
00:49:01,040 --> 00:49:01,959
Speaker 1: I'm gonna tell you why.

919
00:49:02,320 --> 00:49:04,239
Speaker 5: Okay, and hear me out.

920
00:49:04,480 --> 00:49:07,040
Speaker 3: Hear me out, But I'm curious about if you agree

921
00:49:07,080 --> 00:49:10,160
Speaker 3: with me before I let you go. I enjoyed that

922
00:49:10,239 --> 00:49:16,239
Speaker 3: premiere more than the past four seasons of their premiers.

923
00:49:17,520 --> 00:49:20,000
Speaker 3: And that's why I'm like, look, if I need, if

924
00:49:20,040 --> 00:49:22,879
Speaker 3: I have to look at this show now, as Carlos,

925
00:49:23,280 --> 00:49:27,480
Speaker 3: everything you've known and worked and built and helped build

926
00:49:27,520 --> 00:49:30,520
Speaker 3: without this, of course, not just me to make this,

927
00:49:30,719 --> 00:49:32,520
Speaker 3: to make that show be number one at one point

928
00:49:32,560 --> 00:49:36,879
Speaker 3: in time, now look at it differently. If I had

929
00:49:36,880 --> 00:49:39,279
Speaker 3: to grade it based on last season, I gave a B.

930
00:49:39,600 --> 00:49:41,680
Speaker 3: I thought it was better than last season's premiere. I

931
00:49:41,680 --> 00:49:46,800
Speaker 3: thought it was better than Child thirteen twelve. I thought,

932
00:49:46,840 --> 00:49:50,880
Speaker 3: like this, this premiere at least was better than the

933
00:49:50,880 --> 00:49:54,359
Speaker 3: past four to me, maybe five. I just can't think

934
00:49:54,400 --> 00:49:58,080
Speaker 3: that far back, no shade. So that's why I give

935
00:49:58,080 --> 00:49:58,880
Speaker 3: it an a minus.

936
00:49:58,920 --> 00:50:02,879
Speaker 1: Forer effort is such a generous grade that I don't

937
00:50:02,920 --> 00:50:07,200
Speaker 1: believe you. I'm so sorry. I'm not trying to.

938
00:50:07,160 --> 00:50:07,959
Speaker 2: Call out the King.

939
00:50:08,200 --> 00:50:09,480
Speaker 5: You know the truth.

940
00:50:09,600 --> 00:50:16,239
Speaker 3: Jab after hearing my explanation.

941
00:50:16,440 --> 00:50:19,640
Speaker 1: Look after hearing your explanation, I definitely think you ian.

942
00:50:21,760 --> 00:50:27,399
Speaker 5: Better than that one in the past, was better than

943
00:50:27,400 --> 00:50:28,920
Speaker 5: that in the past five years.

944
00:50:29,280 --> 00:50:32,680
Speaker 1: If if my memory serves me correctly, I feel like

945
00:50:32,840 --> 00:50:36,479
Speaker 1: I enjoyed a few moments from last season's premiere because

946
00:50:36,560 --> 00:50:39,360
Speaker 1: last season we had Sharay coming back ken You was

947
00:50:39,400 --> 00:50:42,520
Speaker 1: doing Dancing with the Stars, so we saw her. I

948
00:50:42,560 --> 00:50:46,200
Speaker 1: feel like I would rank that one higher than this one.

949
00:50:46,400 --> 00:50:50,160
Speaker 2: For me, it was it was too heavy handed. It

950
00:50:50,200 --> 00:50:51,080
Speaker 2: was just too heavy handed.

951
00:50:51,719 --> 00:50:54,560
Speaker 1: It just feels like they are like beating us over

952
00:50:54,640 --> 00:50:57,160
Speaker 1: the head with like this is the storyline, Like Martella

953
00:50:57,200 --> 00:50:59,560
Speaker 1: is a cheater, Like it's all this tea out there

954
00:50:59,560 --> 00:51:02,960
Speaker 1: about him, Like we're gonna take him down, Like Charae,

955
00:51:02,960 --> 00:51:05,120
Speaker 1: this is just another man in your life that's not

956
00:51:05,160 --> 00:51:07,600
Speaker 1: a good man, and like we're gonna sprinkle a little

957
00:51:07,600 --> 00:51:10,799
Speaker 1: bit of saying it with her family drama in there,

958
00:51:10,880 --> 00:51:13,960
Speaker 1: just a little bit. And then you know, Marlowe, we

959
00:51:13,960 --> 00:51:16,760
Speaker 1: were getting a new Marlowe, so we got nineteen fifties

960
00:51:17,040 --> 00:51:24,000
Speaker 1: housewife asked Marlowe about to show up right almost Candy

961
00:51:24,040 --> 00:51:26,040
Speaker 1: and her husband, Like you know, I feel like we're

962
00:51:26,040 --> 00:51:27,759
Speaker 1: gonna beat this in the head now, Like Candy and

963
00:51:27,800 --> 00:51:30,960
Speaker 1: her her marriage is struggling because she wants to do

964
00:51:31,000 --> 00:51:33,200
Speaker 1: too much of her husband. Like it just felt so

965
00:51:33,360 --> 00:51:35,480
Speaker 1: heavy handed, and I'm like, I like to be eased

966
00:51:35,520 --> 00:51:38,160
Speaker 1: into the drama. I know it's coming, I know, and

967
00:51:38,200 --> 00:51:39,719
Speaker 1: that's why we watch it, but I like.

968
00:51:39,680 --> 00:51:40,879
Speaker 2: To be eased into it.

969
00:51:41,960 --> 00:51:44,800
Speaker 1: Give me a couple of episodes before you're like having

970
00:51:44,880 --> 00:51:47,800
Speaker 1: Martel and Kenya arguing at a function.

971
00:51:48,840 --> 00:51:50,120
Speaker 2: Give me a couple of episodes.

972
00:51:50,480 --> 00:51:53,520
Speaker 1: Because if they don't watch Love and Marriag Huntsville, they

973
00:51:53,520 --> 00:51:56,120
Speaker 1: don't care about Martel either, right, Like, I'm watching from

974
00:51:56,160 --> 00:51:58,560
Speaker 1: a different vantage point. I've watched his show, so I

975
00:51:58,640 --> 00:52:01,560
Speaker 1: know him, so I'm invested. But if you've never watched

976
00:52:01,600 --> 00:52:03,760
Speaker 1: the show and you're just watching this, you're like, why

977
00:52:03,840 --> 00:52:06,600
Speaker 1: is there so much energy given towards this man that

978
00:52:06,640 --> 00:52:08,000
Speaker 1: we don't really know much about.

979
00:52:08,320 --> 00:52:09,360
Speaker 2: It's too heavy handed?

980
00:52:09,440 --> 00:52:16,000
Speaker 3: Ooh, okay, great job on the witness said you just listen,

981
00:52:16,200 --> 00:52:20,280
Speaker 3: not Jazz the journalist, honey, Jazz the attorney, honey, Come on, squire,

982
00:52:20,840 --> 00:52:25,600
Speaker 3: that was that was okay? So rain Drops, I need

983
00:52:25,640 --> 00:52:28,360
Speaker 3: to know whose signe are you on?

984
00:52:31,239 --> 00:52:33,399
Speaker 1: And look, guys, it's okay if you're not on my side.

985
00:52:33,400 --> 00:52:37,279
Speaker 1: I totally get it. You totally understand it, child as you.

986
00:52:37,280 --> 00:52:38,160
Speaker 5: Know how I feel too.

987
00:52:38,280 --> 00:52:41,960
Speaker 3: But let us know what Gray you all give the

988
00:52:42,120 --> 00:52:45,400
Speaker 3: season fifteenth premiere of the Real Housewives of Atlanta.

989
00:52:45,560 --> 00:52:48,040
Speaker 5: Do you agree with Jazz the journalist Slash.

990
00:52:47,800 --> 00:52:51,479
Speaker 3: Esquire or do you believe and agree with the King?

991
00:52:55,880 --> 00:52:58,719
Speaker 3: Thank you for listening to Reality with the King. New

992
00:52:58,840 --> 00:53:05,560
Speaker 3: episodes drop Evere Tuesday, Share, comment, follow and subscribe to

993
00:53:05,640 --> 00:53:09,520
Speaker 3: Reality with the King. Wherever you get your podcast, visit

994
00:53:09,680 --> 00:53:13,080
Speaker 3: Reality withthe King dot com and be sure to follow

995
00:53:13,160 --> 00:53:18,239
Speaker 3: me at the Carlos King Underscore on Instagram, Twitter, TikTok

996
00:53:18,360 --> 00:53:21,279
Speaker 3: and Yes Baby, my YouTube channel where you can get

997
00:53:21,320 --> 00:53:25,520
Speaker 3: all of my visuals, baby, my expressions, Yes, and don't

998
00:53:25,520 --> 00:53:28,839
Speaker 3: forget Tweet me your thoughts and hot takes about this

999
00:53:28,960 --> 00:53:34,920
Speaker 3: episode using the hashtag Reality with the King. Reality with

1000
00:53:34,960 --> 00:53:39,200
Speaker 3: the King is a production of Kingdom Rain Entertainment. It

1001
00:53:39,280 --> 00:53:43,759
Speaker 3: is produced by Sierra Spragley Rix An executive produced by

1002
00:53:43,840 --> 00:53:56,920
Speaker 3: Me Carlos King, Kingdom Rain Entertainment, Baby,