WEBVTT - 'Summertime Switch' Meets World

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<v Speaker 1>I was just going to very quickly show you that

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<v Speaker 1>I haven't. I've been trying. I've had to flip a

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<v Speaker 1>coin for my last podcast, and I've been too late

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<v Speaker 1>to actually get a coin, so I've been flipping Rider

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<v Speaker 1>Strong season five. Uh oh, what just say and I'll

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<v Speaker 1>be like Robbie.

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<v Speaker 2>Like hair or tails, flip it in the air. Yeah,

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<v Speaker 2>why are you flipping a coin?

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<v Speaker 1>Because we're doing the word at the end of the contest,

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<v Speaker 1>so we're picking our finalists next week?

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<v Speaker 2>Are you're choosing by coin? Flip? No? Wait, is it

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<v Speaker 2>revealed here? Did we just except it was the first one?

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<v Speaker 1>The first one that comes in gets to go first,

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<v Speaker 1>but then the subsequent rounds we flip a coin, so

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<v Speaker 1>it's just chance who gets to go first and who

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<v Speaker 1>gets to go second?

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<v Speaker 2>Got it? So someone gets assigned, right or strong face?

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<v Speaker 1>Well that's yes, well exactly, I'll say. It's like, you know,

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<v Speaker 1>x Y gets hair and z X gets this. I

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<v Speaker 1>don't know.

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<v Speaker 2>I picked the x Y DVDs and CDs really impractical, Like,

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<v Speaker 2>don't they seem weird? Now? I still buy them. I

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<v Speaker 2>still buy them all the time. It seems so weird

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<v Speaker 2>to me that we like invented these discs that are

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<v Speaker 2>like super fragile, and can you so easily get scratched

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<v Speaker 2>and scratch them? Don't? Yeah, I know, and it's.

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<v Speaker 1>Still better than VHS tapes. You'd watch it like times

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<v Speaker 1>and then all of a sudden it was like, why

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<v Speaker 1>can I not see the rest of meatballs?

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<v Speaker 2>So yeah, I can't. I mean, it is so depressing

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<v Speaker 2>to me to think about how many great films I

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<v Speaker 2>encountered on VHS, like and that's how I knew them. Yeah,

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<v Speaker 2>do you know? I actually watched Back to the Future

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<v Speaker 2>scrambled for years, oh, listening just to the audio, because

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<v Speaker 2>you know, if you recorded a VHS, if it was protected,

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<v Speaker 2>it would what you would get was is a scrambled

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<v Speaker 2>version of the movie. So the audio would be perfectly fine,

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<v Speaker 2>but the visuals would be all crazy. And what my

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<v Speaker 2>dad used to do is rent videos from the video store,

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<v Speaker 2>and then if we really liked it, he would make

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<v Speaker 2>a copy. But he wouldn't choo the copy. He would

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<v Speaker 2>just make a copy because had two VCRs, and then

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<v Speaker 2>we'd get stuck with scrambled from before. It was Back

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<v Speaker 2>to the Future so much that I watched it scrambled

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<v Speaker 2>over and over and to this day, I can like

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<v Speaker 2>close my eyes and I can quote any line and

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<v Speaker 2>all the sound design of Back to the Future, but

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<v Speaker 2>the visuals are still kind.

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<v Speaker 3>Of fresh to the Oh my gosh, we get Blu

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<v Speaker 3>rays delivered to the house.

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<v Speaker 2>We took multiple times a week.

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<v Speaker 3>Wow, and I and I go, oh great, I'm so

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<v Speaker 3>glad we have more of these, and he don't worry,

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<v Speaker 3>I'm just replacing them. Jensen has a whole argument for

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<v Speaker 3>it about like how.

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<v Speaker 4>Hi everyone, Hi everyone, there was a bad signal that

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<v Speaker 4>went up. It's a shadeky and a Blu ray outside

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<v Speaker 4>my house, So I assume you need me on the show,

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<v Speaker 4>but yeah, please. The reason is is that when we

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<v Speaker 4>depend on these streaming services, you are going to see

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<v Speaker 4>films from the seventies and eighties absolutely disappear into Spanish.

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<v Speaker 4>When Netflix just recently stopped their DVD service, which if

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<v Speaker 4>you can't believe, they did it three months ago, but

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<v Speaker 4>they finally stopped the DVD mailing service, three to like

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<v Speaker 4>ten percent of the movies that they were shipping out

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<v Speaker 4>from the seventies or on the streaming service, we are

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<v Speaker 4>going to lose movies completely. And don't even get me

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<v Speaker 4>started about what Disney did to French Connection. And anyway,

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<v Speaker 4>if you ever need to have a movie and we're

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<v Speaker 4>all in the apocalypse, I'll be here, all.

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<v Speaker 3>Right, does writer or know what they did to French Connection.

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<v Speaker 4>They removed racial slurs from French Connection. And the reason

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<v Speaker 4>is in the movie it's a racist saying it, it's

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<v Speaker 4>a bad character saying it. They removed it, which also

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<v Speaker 4>will mean now the Criterion channel also has it removed,

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<v Speaker 4>and also anytime it's screened on publicly at all, it

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<v Speaker 4>will also be removed.

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<v Speaker 1>Who made that choice, Disney is I mean, yeah, Disney.

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<v Speaker 1>It also now takes place in Spain and there is

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<v Speaker 1>no connection. Yeah, unbelievable. CRAZI also French anymore, it's just

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<v Speaker 1>the Freedom connection.

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<v Speaker 2>I remember when there was a there was like a

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<v Speaker 2>premium uh uh service. I forget what it was, but

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<v Speaker 2>it was like it had all the Criterion movies before

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<v Speaker 2>Criterion had its own channel. Do you remember this one?

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<v Speaker 2>And then it went it went away and it was like, oh,

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<v Speaker 2>suddenly I couldn't access all these movies. And then luckily

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<v Speaker 2>Criterion came along, which is still my favorite.

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<v Speaker 4>There's movie movies really good. There's to be does really well.

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<v Speaker 4>There's someone that have really you know, like to be

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<v Speaker 4>was the only place you could watch Jaws streaming for

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<v Speaker 4>a long time. Yeah, it's just it's gonna be really strange.

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<v Speaker 4>I still buy books.

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<v Speaker 2>I still have like walls and walls books and boxes

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<v Speaker 2>of books, and that's ridiculous. At this it's it's wonderful.

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<v Speaker 2>I think it's wonderful too, but I have to move them,

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<v Speaker 2>like we're redoing the floors in my house and like

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<v Speaker 2>we are, like it's a huge pain to have to

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<v Speaker 2>re all these books and like I never have enough bookshelves.

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<v Speaker 2>I have piles in them, and it's like, oh my gosh.

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<v Speaker 2>And so that's why I don't buy DVDs, because I

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<v Speaker 2>just don't want to have to do. But I totally

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<v Speaker 2>agree in theory like we should. I want physical ca

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<v Speaker 2>copies of We'll see what we'll see.

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<v Speaker 4>If Danielle is complaining when you know, in twenty years

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<v Speaker 4>there's a line outside of our house to watch SERPENTO.

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<v Speaker 3>We're going to be coming direct now, Oh yeah, I

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<v Speaker 3>definitely won't be complaining. Then I'll think that's wonderful. I

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<v Speaker 3>can't wait for that to happen.

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<v Speaker 2>We'll take it to the media forever, guys. Thank you.

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<v Speaker 1>I agree, I agree, yeah yeah. Now they're changing everything.

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<v Speaker 1>In the last version of Jaws, I saw, the shark

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<v Speaker 1>was just misunderstood. So it's the whole thing is just

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<v Speaker 1>weird what they're doing nowadays, it really.

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<v Speaker 2>Is misunderstood shark looking for blood and all their own

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<v Speaker 2>places actly. Welcome to Pod meets World. I'm Danielle Fischel,

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<v Speaker 2>I'm Righter Strong, and I'm Wilfordell.

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<v Speaker 3>So we are taking a small Boy Meets World recap

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<v Speaker 3>break for the next two weeks as we get ready

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<v Speaker 3>for season three, and we've decided to focus on two

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<v Speaker 3>movies we've mentioned this season, and we are starting with

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<v Speaker 3>watching a movie from Ryder's resume. We all have work

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<v Speaker 3>and movies and Koushlin commercials we never want to see again.

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<v Speaker 3>And luckily, Ryder has decided to volunteer himself Hunger Game style.

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<v Speaker 2>This name volunteers tribute.

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<v Speaker 3>YEP Summertime Switch, which we would love for you to watch.

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<v Speaker 3>You can see it for free on YouTube just search

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<v Speaker 3>for Summertime Switch full movie. It was a TV movie

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<v Speaker 3>for ABC released October eighth, nineteen ninety four. Recently, the

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<v Speaker 3>trailer went a little viral online people seem to be

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<v Speaker 3>very nostalgic for it.

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<v Speaker 2>Do you remember how you ended up in this movie?

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<v Speaker 2>I got offered this part. This was so this was

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<v Speaker 2>between seasons one and two and Will this happened to

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<v Speaker 2>you too? You got offered Yeah, Disney moviees. So they

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<v Speaker 2>were it was ABC. It was an ABC movie of

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<v Speaker 2>the week. And what they would like to do, I guess,

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<v Speaker 2>was take actors who were on TV shows on ABC

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<v Speaker 2>shows and you know, build a movie around them or

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<v Speaker 2>have them apart and exist in the movie. And so

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<v Speaker 2>this this, I was just an offer and it was like,

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<v Speaker 2>oh yeah, three I think was three weeks in Jacksonville, Florida.

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<v Speaker 2>So I went off and did it, and then they

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<v Speaker 2>offered me another movie the next year, and I turned

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<v Speaker 2>them down and never never heard from them again. Right,

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<v Speaker 2>Simmtimes Switched too? Yes, No, I forget what the other

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<v Speaker 2>one was, but I just you know, I didn't really

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<v Speaker 2>have a great time on Summertime Switch, which we'll talk about.

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<v Speaker 2>I've already mentioned a little bit on this, and I'm

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<v Speaker 2>not sure. I mean, I probably would have done another

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<v Speaker 2>movie if if it's schedule had worked out, So I'm

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<v Speaker 2>not exactly sure why I turned it down, but I

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<v Speaker 2>never heard from ABC Movie of the Weeks again, so

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<v Speaker 2>well it makes me feel about I don't think I

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<v Speaker 2>ever heard from them. I'm pretty sure yet what you

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<v Speaker 2>weren't even a regular on Boy No.

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<v Speaker 3>But also even all the years that I was on

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<v Speaker 3>Boy Meets World, they used to boy boys were the

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<v Speaker 3>stars of movies back then.

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<v Speaker 2>It was it was very male heavy. It wasn't until

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<v Speaker 2>that I heard studio execs say, which is that boys

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<v Speaker 2>can identify with young boys, and girls can identify with

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<v Speaker 2>young boys. But boys can identify with young girls. So

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<v Speaker 2>therefore to get a bigger audience, you always which is

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<v Speaker 2>just absurd.

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<v Speaker 3>Well, it was also like girls will watch because they

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<v Speaker 3>have a crush on the guy, and the guy will

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<v Speaker 3>watch because it's an aspirational guy, like it's a guy

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<v Speaker 3>he wants to be like, so yeah, I know it.

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<v Speaker 2>Was sort of cool because think about My Girl or

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<v Speaker 2>Man in the Moon, like these are great movie. My

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<v Speaker 2>Girl is a huge hit. So it totally was like,

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<v Speaker 2>you know, this this rule wasn't true most of the time,

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<v Speaker 2>but it was still a rule.

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<v Speaker 1>Then, well, they're also trying to the networks are trying

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<v Speaker 1>to do something that they were holding on too from

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<v Speaker 1>the eighties, which were my favorite things in the world,

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<v Speaker 1>where they would take all of their talent and put

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<v Speaker 1>them in one after school specialer movie. So, you know,

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<v Speaker 1>like a high School USA was Michael J. Fox and

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<v Speaker 1>Todd Bridges and it was all these TV actors that

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<v Speaker 1>came together to do a high school movie. There was

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<v Speaker 1>another one, Poison Ivy Michael J. Fox and Nancy McKee. Yeah,

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<v Speaker 1>so this was like a thing. This is what that

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<v Speaker 1>they used to do, and this was the death throes

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<v Speaker 1>of it where it was like, we're still going to

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<v Speaker 1>try to take our talent and put him in I

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<v Speaker 1>still think it's a great idea. I still think, you know,

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<v Speaker 1>these streaming services should take all their biggest talent and

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<v Speaker 1>do one movie with them.

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<v Speaker 2>Yeah, you know, it's a fun idea.

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<v Speaker 1>It'd be is so great, but they just they don't

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<v Speaker 1>do that any especially if it's in the service of comedy,

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<v Speaker 1>you know what I mean. If you could take like

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<v Speaker 1>a bunch of good comic actors on the Netflix slate

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<v Speaker 1>for instance, and do like a movie.

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<v Speaker 3>Well, basically, it's the idea we've been talking about about

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<v Speaker 3>rebooting a cast. It's it was basically, but instead of

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<v Speaker 3>it in that case, it's not a reboot, it's just

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<v Speaker 3>putting it in something else at the same time.

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<v Speaker 2>From different TV shows.

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<v Speaker 1>Yeah, and it was great and it was They were

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<v Speaker 1>some of my favorite movies growing up as a kid,

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<v Speaker 1>So yeah, I mean you I think they were trying

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<v Speaker 1>to do that with these.

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<v Speaker 2>Yeah.

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<v Speaker 3>Well, the brief synopsis is that a spoiled rich boy

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<v Speaker 3>and a slick talking stream kid who happened to have

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<v Speaker 3>the same name find their lives reversed for the Summer,

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<v Speaker 3>which is also early similar to the movie Jensen and

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<v Speaker 3>I made for two Boy.

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<v Speaker 2>When I was watching this, I was like, this.

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<v Speaker 3>Is very this is very without having even seen Summertimes,

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<v Speaker 3>which it was inspirational. So it was directed by Alan

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<v Speaker 3>Metter Is that how you say his name? Alan Mehtter,

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<v Speaker 3>who had directed nineteen eighty five's Girls Just Want to

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<v Speaker 3>Have Fun with Sarah Jessica Parker. Yeah, and the great

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<v Speaker 3>Rodney Dangerfield comedy Back to School.

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<v Speaker 2>Oh, great movie.

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<v Speaker 3>He would also later helm the Olsen twin movies Billboard

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<v Speaker 3>Dad and Passport to Paris.

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<v Speaker 2>He did Billboard Dad. Yes, I'm surprised, Okay. It was

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<v Speaker 2>written by Patrick J.

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<v Speaker 3>Clifton, who had previously had the story credit on Polly

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<v Speaker 3>Shore's Son in Law, and it stars Jason Weaver, who

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<v Speaker 3>had played Michael Jackson in the very popular Jackson Family

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<v Speaker 3>mini series To Get This, and was also the singing

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<v Speaker 3>voice of Simba in Lion King Awesome. Some of his

0:10:43.040 --> 0:10:45.960
<v Speaker 3>other impressive credits, he was a lead on Smart Guy,

0:10:46.000 --> 0:10:48.360
<v Speaker 3>He was in the movie drum line The Cohen Brothers

0:10:48.440 --> 0:10:50.720
<v Speaker 3>Lady Killers, and he was a voice on the short

0:10:50.720 --> 0:10:55.000
<v Speaker 3>lived cartoon The Lebrons. Writer, what do you remember about Jason?

0:10:55.400 --> 0:10:59.440
<v Speaker 2>So talented, such a good guy. You know, he didn't

0:10:59.440 --> 0:11:02.720
<v Speaker 2>actually work together that much so because we were on

0:11:02.760 --> 0:11:06.680
<v Speaker 2>opposite storylines, But Jason was such a good cool guy.

0:11:06.720 --> 0:11:09.440
<v Speaker 2>He he was I don't think he was that much

0:11:09.480 --> 0:11:13.040
<v Speaker 2>older than me, but he was older than me, you know,

0:11:13.280 --> 0:11:15.559
<v Speaker 2>Like he was so much more mature. He was so

0:11:15.679 --> 0:11:18.840
<v Speaker 2>much cooler than me. And he just he just knew

0:11:18.880 --> 0:11:20.800
<v Speaker 2>what he was doing. Like I was such a clueless,

0:11:20.880 --> 0:11:23.720
<v Speaker 2>like fresh faced actor, like I don't know any but

0:11:23.760 --> 0:11:26.640
<v Speaker 2>he just he he was such more like he was

0:11:26.679 --> 0:11:29.080
<v Speaker 2>just more mature. He had lived life more so he

0:11:29.080 --> 0:11:33.080
<v Speaker 2>came across like an adult to me. And then to

0:11:33.120 --> 0:11:35.040
<v Speaker 2>watch it now and see like how good he is

0:11:35.040 --> 0:11:37.040
<v Speaker 2>in the movie I'm like, wow, you know, because I

0:11:37.160 --> 0:11:39.360
<v Speaker 2>have never seen the movie. I didn't obviously, i'd never

0:11:39.360 --> 0:11:41.160
<v Speaker 2>seen any of his scenes. And he has like all

0:11:41.200 --> 0:11:44.400
<v Speaker 2>this really good emotional stuff and he's amazing. And then

0:11:44.400 --> 0:11:47.880
<v Speaker 2>of course he can sing and I can dance. Yeah.

0:11:47.880 --> 0:11:50.760
<v Speaker 2>But I remember talking to him about Michael Jackson because

0:11:50.760 --> 0:11:52.960
<v Speaker 2>he had met him doing you know, because he had

0:11:53.000 --> 0:11:57.800
<v Speaker 2>played young Michael Jackson. And he told me about Michael

0:11:57.880 --> 0:12:02.560
<v Speaker 2>Jackson's different disguises. He different like and I forget what

0:12:02.640 --> 0:12:05.200
<v Speaker 2>he had, Like one disguise that that that he would

0:12:05.200 --> 0:12:09.120
<v Speaker 2>he would show up on set like I think, what

0:12:09.679 --> 0:12:12.040
<v Speaker 2>was it? An old lady? No, it was like a

0:12:12.080 --> 0:12:16.640
<v Speaker 2>Middle Eastern like Saudi Arabian prince outfit or whatever, so

0:12:16.679 --> 0:12:19.720
<v Speaker 2>he could wear a full like face covering and like

0:12:20.520 --> 0:12:23.400
<v Speaker 2>so basically everyone would think it's like so some rich

0:12:23.720 --> 0:12:26.840
<v Speaker 2>Middle Eastern you know prince is here, and it's like, no, no,

0:12:26.840 --> 0:12:27.920
<v Speaker 2>it's actually Michael Jackson.

0:12:27.960 --> 0:12:29.480
<v Speaker 3>I do that when I go to Target four times

0:12:29.480 --> 0:12:30.640
<v Speaker 3>in the day and I don't want them to know

0:12:30.679 --> 0:12:31.160
<v Speaker 3>that I'm back.

0:12:32.160 --> 0:12:34.120
<v Speaker 1>I can I can vouch for that. I think I've

0:12:34.120 --> 0:12:34.680
<v Speaker 1>seen her there.

0:12:35.840 --> 0:12:40.000
<v Speaker 2>Yeah, anyway, was awesome, But yeah, I didn't I didn

0:12:40.040 --> 0:12:42.000
<v Speaker 2>actually work with him that much that I didn't get

0:12:42.000 --> 0:12:43.920
<v Speaker 2>to work with any of those guys I did hang

0:12:43.960 --> 0:12:49.560
<v Speaker 2>out with. I played magic with David and Patrick, but no,

0:12:49.679 --> 0:12:51.960
<v Speaker 2>mostly hung out with the guys in the prison camp.

0:12:52.800 --> 0:12:53.040
<v Speaker 4>Well.

0:12:54.200 --> 0:12:56.680
<v Speaker 3>Yeah, other stars beyond our Pale Rider a strong here,

0:12:56.880 --> 0:13:01.040
<v Speaker 3>Richard Mole known as Bull on night Court. He there's

0:13:01.080 --> 0:13:03.840
<v Speaker 3>a gosh, I'm just realizing Salay Moon Fry was in

0:13:03.880 --> 0:13:06.199
<v Speaker 3>this movie. I did not recognize her. I didn't have

0:13:06.280 --> 0:13:08.320
<v Speaker 3>first either, and then I was like, that's so lay.

0:13:08.600 --> 0:13:11.520
<v Speaker 3>She's like a small part. But I do remember her

0:13:11.720 --> 0:13:13.400
<v Speaker 3>very well too, because this was I think the only

0:13:13.440 --> 0:13:15.200
<v Speaker 3>time I met her, and of course I had grown

0:13:15.280 --> 0:13:16.800
<v Speaker 3>up like in love.

0:13:16.600 --> 0:13:18.440
<v Speaker 2>With Punky Brewster. I just thought she was like the

0:13:18.480 --> 0:13:22.200
<v Speaker 2>coolest kid ever, and so I definitely remember meeting her

0:13:22.920 --> 0:13:25.360
<v Speaker 2>and just she was the nicest person. I remember hanging

0:13:25.400 --> 0:13:27.960
<v Speaker 2>out with her. She was uh. And then like, I

0:13:28.000 --> 0:13:30.960
<v Speaker 2>didn't remember this, but my mom when I talked when

0:13:31.000 --> 0:13:33.560
<v Speaker 2>I when you know, she put out that documentary like

0:13:33.640 --> 0:13:35.600
<v Speaker 2>a couple years ago. It was like all this footage

0:13:35.600 --> 0:13:37.760
<v Speaker 2>that she had taken and I had watched it and

0:13:37.800 --> 0:13:39.640
<v Speaker 2>I brought it up to my mom and she was like, yeah,

0:13:39.760 --> 0:13:42.400
<v Speaker 2>don't you remember she always had a camera, like even

0:13:42.440 --> 0:13:44.880
<v Speaker 2>back on this set, okay, because she knew. My mom

0:13:44.960 --> 0:13:48.199
<v Speaker 2>was like she always had like the latest coolest VHS

0:13:48.240 --> 0:13:51.000
<v Speaker 2>camera and was always filming and documenting everything. I was like,

0:13:51.040 --> 0:13:53.520
<v Speaker 2>I didn't remember that, but my mom remembered it. It was like,

0:13:53.520 --> 0:13:55.680
<v Speaker 2>that's so funny, and so that's all that footage has

0:13:55.720 --> 0:13:56.720
<v Speaker 2>become her documentary.

0:13:57.160 --> 0:13:59.959
<v Speaker 3>Yeah, so okay, Salain Moon Fry a gay punky brewster.

0:14:00.240 --> 0:14:04.120
<v Speaker 3>Barry Williams aka Greg Brady is a Grady was your dad?

0:14:04.400 --> 0:14:05.040
<v Speaker 3>That's awesome?

0:14:05.360 --> 0:14:06.839
<v Speaker 2>Wow, didn't know that? Okay.

0:14:06.920 --> 0:14:10.440
<v Speaker 1>Yeah, And our pal Patrick Richard Mall.

0:14:10.480 --> 0:14:14.920
<v Speaker 2>I don't think I was like, oh this guy, but

0:14:15.000 --> 0:14:17.600
<v Speaker 2>I don't think I ever met him by Yeah.

0:14:17.640 --> 0:14:20.200
<v Speaker 3>Well, and our pal Patrick Renna from the Sandlot and

0:14:20.360 --> 0:14:26.880
<v Speaker 3>TikTok Stardom. But most interestingly, Isaac Lidski plays bad boy

0:14:27.120 --> 0:14:31.120
<v Speaker 3>Numbers Numbers. He was also Weasel and Saved by the

0:14:31.160 --> 0:14:34.200
<v Speaker 3>Bell the New Class. But those roles are literally the

0:14:34.280 --> 0:14:36.160
<v Speaker 3>least cool thing about him, right, or tell me if

0:14:36.160 --> 0:14:38.640
<v Speaker 3>you know any of this, you should all I know?

0:14:38.840 --> 0:14:39.160
<v Speaker 2>Okay.

0:14:39.640 --> 0:14:44.240
<v Speaker 3>A year before Summertime Switch, he was diagnosed with retinitis pigmentosa,

0:14:44.560 --> 0:14:48.600
<v Speaker 3>a retinal degenerative disease that leads to progressive site loss

0:14:48.640 --> 0:14:51.600
<v Speaker 3>and blindness. He would then go on to graduate from

0:14:51.640 --> 0:14:54.920
<v Speaker 3>Harvard with a law degree, accomplished while losing his eyesight

0:14:54.960 --> 0:14:56.680
<v Speaker 3>completely when he was like nineteen.

0:14:56.720 --> 0:14:59.000
<v Speaker 2>He started at Columbia because I remember he moved. He

0:14:59.040 --> 0:15:00.800
<v Speaker 2>moved to New York right after for this movie. Started

0:15:00.800 --> 0:15:03.520
<v Speaker 2>at Columbia he was only like fifteen or sixteen, and

0:15:03.560 --> 0:15:07.040
<v Speaker 2>then transferred to Harvard and graduated at nineteen, like with honors,

0:15:07.280 --> 0:15:10.120
<v Speaker 2>unbelievable in mathematics or computer science and stuff.

0:15:10.440 --> 0:15:14.480
<v Speaker 3>He then founded an internet startup company called ru four

0:15:14.720 --> 0:15:17.720
<v Speaker 3>dot com and sold it for two hundred and thirty

0:15:17.760 --> 0:15:23.960
<v Speaker 3>million dollars. Then became Supreme Court Justice Sandrady O'Connor's law clerk,

0:15:24.240 --> 0:15:27.360
<v Speaker 3>the first blind person to ever hold the position, and

0:15:27.520 --> 0:15:31.240
<v Speaker 3>now runs a concrete company in Orlando that makes seventy

0:15:31.320 --> 0:15:32.680
<v Speaker 3>million dollars in revenue.

0:15:33.080 --> 0:15:36.560
<v Speaker 2>Wow. In a Ted Talks, there's a Ted Talks of him.

0:15:36.600 --> 0:15:39.880
<v Speaker 2>I watched, I watched this morning. I lost touch with Isaac.

0:15:39.880 --> 0:15:41.640
<v Speaker 2>I haven't seen him so the last time I saw

0:15:41.720 --> 0:15:44.280
<v Speaker 2>him was right when he was doing the internet company

0:15:44.360 --> 0:15:46.400
<v Speaker 2>in New York. Because I went to Columbia, so I

0:15:46.440 --> 0:15:48.920
<v Speaker 2>was living in New York and he was back from

0:15:49.000 --> 0:15:52.440
<v Speaker 2>Harvard doing this this business and he came over and

0:15:52.480 --> 0:15:54.360
<v Speaker 2>we hung out and that was so that was two

0:15:54.360 --> 0:15:56.680
<v Speaker 2>thousand and one. Two thousand and two was probably the

0:15:56.720 --> 0:15:58.840
<v Speaker 2>last time I saw him. Such a good guy. I mean,

0:15:58.880 --> 0:16:01.120
<v Speaker 2>he was like my friend on the set. We just

0:16:02.840 --> 0:16:05.920
<v Speaker 2>like fully blind. Yeah, I guess so now, although like

0:16:05.920 --> 0:16:08.880
<v Speaker 2>when watching his ted Talks, he presents as if he's

0:16:08.880 --> 0:16:12.720
<v Speaker 2>seen like very like he he manages incredibly And that's

0:16:12.720 --> 0:16:14.160
<v Speaker 2>what his Ted Talks is all about, is how you

0:16:14.200 --> 0:16:16.200
<v Speaker 2>create your own reality. And he wrote a book about it,

0:16:16.560 --> 0:16:19.360
<v Speaker 2>so like basically talks about how we think of seeing

0:16:19.400 --> 0:16:22.160
<v Speaker 2>as a passive experience, but it's really something our brain

0:16:22.320 --> 0:16:24.960
<v Speaker 2>is actively doing constantly and you can overcome like a

0:16:25.040 --> 0:16:29.080
<v Speaker 2>lack of scene. It's it's amazing. He's he's yeah, he was.

0:16:29.160 --> 0:16:31.920
<v Speaker 2>He was like just such a genius. His parents were.

0:16:32.120 --> 0:16:34.280
<v Speaker 2>His mom was the nicest. His mom was from Brazil

0:16:35.960 --> 0:16:40.000
<v Speaker 2>and his dad was a big time lawyer at the time.

0:16:40.480 --> 0:16:44.800
<v Speaker 2>He was prosecuting the case against tobacco companies. Remember in

0:16:44.840 --> 0:16:47.560
<v Speaker 2>the nineties, all those lawsuits. His dad was like one

0:16:47.560 --> 0:16:51.280
<v Speaker 2>of the main lawyers prosecuting that. Just the coolest people ever,

0:16:51.400 --> 0:16:54.560
<v Speaker 2>like and Isaac, like we just immediately bonded and like, yeah,

0:16:54.600 --> 0:16:56.160
<v Speaker 2>he was coming off staved by the Bell. He was

0:16:56.360 --> 0:16:58.520
<v Speaker 2>already I think he was already going to New York

0:16:58.520 --> 0:17:00.880
<v Speaker 2>for school. He was just like, yeah, well, I mean

0:17:00.920 --> 0:17:03.040
<v Speaker 2>it's an actual certified genius.

0:17:03.040 --> 0:17:05.760
<v Speaker 1>It sounds like I mean, people use that word a lot,

0:17:05.800 --> 0:17:08.800
<v Speaker 1>but it sounds like he's actually a genius. Ye. So yeah,

0:17:08.800 --> 0:17:09.320
<v Speaker 1>it's amazing.

0:17:09.400 --> 0:17:10.959
<v Speaker 3>Yeah, well, writer, we're going to have you chime in

0:17:10.960 --> 0:17:14.000
<v Speaker 3>with memories you have throughout the recap. Obviously, but overall

0:17:14.359 --> 0:17:16.000
<v Speaker 3>you said this was not you didn't have a great

0:17:16.040 --> 0:17:18.639
<v Speaker 3>experience filming this movie. Could you give us like a

0:17:18.680 --> 0:17:20.560
<v Speaker 3>brief little reason why run down?

0:17:20.760 --> 0:17:24.080
<v Speaker 2>Well, watching it again, I got a lot more positive

0:17:24.119 --> 0:17:27.320
<v Speaker 2>memories and like like just remembering Isaac and hanging out

0:17:27.320 --> 0:17:31.359
<v Speaker 2>with Patrick and all those guys, like there was there was,

0:17:31.400 --> 0:17:34.480
<v Speaker 2>It was a good experience. I think it goes back

0:17:34.520 --> 0:17:39.359
<v Speaker 2>to me just being love sick teenager. I was, you know,

0:17:39.400 --> 0:17:41.159
<v Speaker 2>I had done the season of Boy Meets World. I

0:17:41.200 --> 0:17:43.600
<v Speaker 2>was I was being taken away from home. I just

0:17:43.680 --> 0:17:46.680
<v Speaker 2>remember missing my girlfriend, the one with the white rose

0:17:46.760 --> 0:17:50.919
<v Speaker 2>that I would give her, and so I like, like

0:17:51.240 --> 0:17:54.840
<v Speaker 2>what I remember like distinctly is like coming home after

0:17:54.920 --> 0:17:57.480
<v Speaker 2>this and just being so happy, like going to Marine's

0:17:57.480 --> 0:18:00.440
<v Speaker 2>house and being like, I'm back, my life can start again.

0:18:00.560 --> 0:18:04.760
<v Speaker 2>Like right at fourteen, I was so madly in love

0:18:04.800 --> 0:18:06.560
<v Speaker 2>and this was you know, so I was just like

0:18:06.720 --> 0:18:09.680
<v Speaker 2>I was just tortured in some weird way. And then,

0:18:10.000 --> 0:18:13.040
<v Speaker 2>like I think I mentioned, I didn't feel like I

0:18:13.200 --> 0:18:18.280
<v Speaker 2>was good and I had a like combative relationship with

0:18:18.320 --> 0:18:22.200
<v Speaker 2>the director. He kept wanting me to be really funny

0:18:22.240 --> 0:18:25.000
<v Speaker 2>and over the top, which is totally understandable, and watching

0:18:25.000 --> 0:18:28.000
<v Speaker 2>the movie you can just see me pushing and like

0:18:28.320 --> 0:18:31.600
<v Speaker 2>I'm so uncomfortable. Second half of the movie, I was like, oh,

0:18:31.680 --> 0:18:34.919
<v Speaker 2>there's writer. Yeah, like once I dropped the whole like

0:18:35.320 --> 0:18:39.639
<v Speaker 2>rich kid character stuff they're allowed to act and didn't

0:18:39.680 --> 0:18:42.080
<v Speaker 2>know how to be a character. Like all I could

0:18:42.119 --> 0:18:44.480
<v Speaker 2>do was like be myself as as a young actor

0:18:44.480 --> 0:18:46.520
<v Speaker 2>at that point, and so like when I'm just kind

0:18:46.560 --> 0:18:48.840
<v Speaker 2>of there and being the coach or whatever it is

0:18:48.880 --> 0:18:50.280
<v Speaker 2>in the second half of the movie, I was like, oh,

0:18:50.359 --> 0:18:53.840
<v Speaker 2>well that's you're okay, right, Yeah, that whole first half

0:18:53.960 --> 0:18:56.000
<v Speaker 2>is so painful to watch, and it was really painful

0:18:56.040 --> 0:18:58.399
<v Speaker 2>to go through, and it was hot. It was Jacksonville

0:18:58.400 --> 0:19:01.640
<v Speaker 2>Florida and like July, and I just remember always being

0:19:01.720 --> 0:19:03.920
<v Speaker 2>like sweaty and buggy and hot.

0:19:04.080 --> 0:19:07.000
<v Speaker 3>Oh all right, well, I thought we could start with

0:19:07.040 --> 0:19:11.719
<v Speaker 3>a featured review on IMDb. Yes, yes, it says I

0:19:11.800 --> 0:19:14.480
<v Speaker 3>saw this movie the day before school let out a

0:19:14.480 --> 0:19:15.440
<v Speaker 3>couple of years back.

0:19:15.640 --> 0:19:18.320
<v Speaker 2>I didn't even see the ending. The guy who played

0:19:18.320 --> 0:19:21.760
<v Speaker 2>the delinquent wasn't very believable, but the rich kid was worse.

0:19:22.160 --> 0:19:25.000
<v Speaker 3>Call this movie a guilty pleasure or late for dinner

0:19:25.359 --> 0:19:26.639
<v Speaker 3>anything except good.

0:19:29.600 --> 0:19:32.520
<v Speaker 2>Yeah, I could go with that. I mean, I actually

0:19:32.560 --> 0:19:34.959
<v Speaker 2>thought the script was better than I remember, and I

0:19:35.000 --> 0:19:37.840
<v Speaker 2>was like, this, did you how did you remember it?

0:19:38.119 --> 0:19:41.520
<v Speaker 2>Because I still don't know who I'm rooting for. I

0:19:41.640 --> 0:19:42.239
<v Speaker 2>still don't care.

0:19:42.320 --> 0:19:45.760
<v Speaker 3>My biggest issue is that it feels like there is

0:19:46.720 --> 0:19:49.399
<v Speaker 3>an ending, or at least the start of an ending,

0:19:50.080 --> 0:19:52.880
<v Speaker 3>at fifty minutes in or something, and then no one

0:19:52.920 --> 0:19:53.760
<v Speaker 3>acknowledges that.

0:19:54.240 --> 0:19:56.560
<v Speaker 2>No, you mean when we confront each other at the dance.

0:19:56.880 --> 0:20:00.520
<v Speaker 3>Yes, and there's a shot where we go to the audience,

0:20:00.560 --> 0:20:03.480
<v Speaker 3>like a reaction shot of the audience, and then and

0:20:03.520 --> 0:20:06.080
<v Speaker 3>the audience takes it in, and then everyone just never

0:20:06.160 --> 0:20:06.880
<v Speaker 3>mentions that again.

0:20:07.320 --> 0:20:09.120
<v Speaker 1>And then you're kind of friends with the guy who

0:20:09.240 --> 0:20:10.280
<v Speaker 1>just tried to turn you in.

0:20:10.520 --> 0:20:22.800
<v Speaker 3>All of a sudden, it took its weird. Okay, let's

0:20:22.840 --> 0:20:25.280
<v Speaker 3>jump into it. Let's jump into our recount. So we

0:20:25.440 --> 0:20:28.400
<v Speaker 3>open with the title card and lead actor Jason Weaver

0:20:28.560 --> 0:20:31.399
<v Speaker 3>singing the movie's theme song, though that's not really mentioned

0:20:31.480 --> 0:20:35.760
<v Speaker 3>or anything. It's very nineties soul for real and Tevin

0:20:35.800 --> 0:20:39.080
<v Speaker 3>Campbell sounding. He also dresses like Tevin Campbell for the

0:20:39.119 --> 0:20:42.680
<v Speaker 3>rest of the movie. It's pretty great. Oh, he's amazing.

0:20:43.119 --> 0:20:46.040
<v Speaker 3>But beyond his music, we see Weaver playing fast. Freddy

0:20:46.119 --> 0:20:48.480
<v Speaker 3>Egan now knock on an old lady's door and he's

0:20:48.960 --> 0:20:52.600
<v Speaker 3>dressed as a jamboree scout. He tells this frail grandma

0:20:52.680 --> 0:20:55.120
<v Speaker 3>that he's collecting money for the Homeless Society, and she's

0:20:55.240 --> 0:20:57.879
<v Speaker 3>quick to want to donate. Freddie looks a little nervous

0:20:57.920 --> 0:21:00.760
<v Speaker 3>when she notices that his uniform is very tight, and

0:21:00.800 --> 0:21:03.200
<v Speaker 3>there was another opportunity I thought for a shot where

0:21:03.200 --> 0:21:05.000
<v Speaker 3>we could see that the uniform looks very tight, because

0:21:05.040 --> 0:21:07.080
<v Speaker 3>the only time we saw him was from very far away.

0:21:07.200 --> 0:21:09.800
<v Speaker 3>Is he was skipping along singing the song, so we

0:21:09.800 --> 0:21:11.840
<v Speaker 3>don't really see that his uniform looks tight, but she

0:21:11.960 --> 0:21:15.399
<v Speaker 3>mentions it and he plays it off very nicely, and

0:21:15.440 --> 0:21:19.280
<v Speaker 3>she gives him her dead husband's lucky gold coin for charity.

0:21:19.960 --> 0:21:21.720
<v Speaker 2>Feels like what, I.

0:21:21.680 --> 0:21:25.399
<v Speaker 3>Know what, maybe like some cold hard cash would have

0:21:25.400 --> 0:21:26.760
<v Speaker 3>been a cash.

0:21:26.560 --> 0:21:28.800
<v Speaker 1>But she donates an old gold coin, which was the

0:21:28.960 --> 0:21:32.320
<v Speaker 1>most thing her husband good silver.

0:21:32.800 --> 0:21:35.040
<v Speaker 2>Yeah, there's a lot of things before that.

0:21:35.080 --> 0:21:39.000
<v Speaker 1>And so I my sence, I knew nothing of this movie.

0:21:39.119 --> 0:21:42.520
<v Speaker 1>I knew nothing of this movie going in. I thought, oh,

0:21:42.920 --> 0:21:47.400
<v Speaker 1>they're doing Magic Ticket from you know, the the Arnold

0:21:47.400 --> 0:21:51.840
<v Speaker 1>Schwarzenegger movie. Like this coin is going to stretch them somehow, right,

0:21:53.840 --> 0:21:58.040
<v Speaker 1>this is gonna okay, this is gonna watch look at

0:21:58.080 --> 0:22:01.479
<v Speaker 1>look at this for because this is a minute nothing nothing.

0:22:01.840 --> 0:22:03.840
<v Speaker 1>It was just like, oh, she's oh no, she's just

0:22:03.840 --> 0:22:05.800
<v Speaker 1>an old lady giving away a coin. This means nothing

0:22:05.800 --> 0:22:07.600
<v Speaker 1>in the long run in any way, shape or form.

0:22:07.720 --> 0:22:11.520
<v Speaker 2>We'll go straight at the ending of the movie breaks

0:22:10.920 --> 0:22:15.119
<v Speaker 2>where you get like, what, it's so weird.

0:22:15.520 --> 0:22:17.480
<v Speaker 3>So just as she gives him the coin, she says,

0:22:17.480 --> 0:22:19.280
<v Speaker 3>there's a little bit there may be a little bit

0:22:19.320 --> 0:22:21.720
<v Speaker 3>of luck in it. And then a van pulls up

0:22:21.760 --> 0:22:23.639
<v Speaker 3>with the other boy scouts. One is down to his

0:22:23.680 --> 0:22:26.160
<v Speaker 3>boxer shorts. He points out fast Freddy as the kid

0:22:26.160 --> 0:22:29.119
<v Speaker 3>who took his clothes, and it becomes a chase. Freddy

0:22:29.160 --> 0:22:31.479
<v Speaker 3>sprints off through a neighbor's yard all of Ferris Bueller,

0:22:31.480 --> 0:22:33.680
<v Speaker 3>even snatching a hot dog from a man's lips, causing

0:22:33.720 --> 0:22:36.000
<v Speaker 3>him to basically fall backwards in a pool, even though

0:22:36.000 --> 0:22:36.720
<v Speaker 3>he's not pushed it.

0:22:36.800 --> 0:22:38.600
<v Speaker 2>All by Freddy.

0:22:38.560 --> 0:22:42.720
<v Speaker 3>Yeah, image, and he just falls back into the pool

0:22:42.920 --> 0:22:43.760
<v Speaker 3>and there we go.

0:22:44.160 --> 0:22:44.560
<v Speaker 1>Yeah.

0:22:44.680 --> 0:22:46.080
<v Speaker 2>I was a kid and my brother and I would

0:22:46.080 --> 0:22:48.520
<v Speaker 2>make movies. We always had to have somebody fall into

0:22:48.520 --> 0:22:51.560
<v Speaker 2>the pool. That was like that was like production value,

0:22:51.600 --> 0:22:53.600
<v Speaker 2>you know that, of course, especially if we were like

0:22:53.640 --> 0:22:55.880
<v Speaker 2>in makeup and but it was always the most fun

0:22:55.920 --> 0:22:57.960
<v Speaker 2>part was being able to go into the pool with

0:22:58.000 --> 0:23:00.960
<v Speaker 2>our clothes on. Right, right, we're getting away with something.

0:23:01.119 --> 0:23:04.240
<v Speaker 2>But yeah, always always a big fight lands in the pool.

0:23:04.280 --> 0:23:06.120
<v Speaker 2>Somebody has to fall on the pool. Yeah.

0:23:06.280 --> 0:23:08.919
<v Speaker 3>Eventually the boy scouts catch up and call the cops.

0:23:09.240 --> 0:23:12.800
<v Speaker 3>We then find ourselves in a judge's quarters. Fast Freddy

0:23:12.880 --> 0:23:15.560
<v Speaker 3>is accompanied by a police officer and the furious judge

0:23:15.560 --> 0:23:19.200
<v Speaker 3>appoints him to the supervisory care of juvenile detention camp,

0:23:19.440 --> 0:23:21.639
<v Speaker 3>where he will work and he will have no fun

0:23:21.760 --> 0:23:24.640
<v Speaker 3>at all. And right before the scene ends, Freddy gives

0:23:24.680 --> 0:23:28.000
<v Speaker 3>a hilarious line read trying to give the judge breath mintce.

0:23:28.280 --> 0:23:30.760
<v Speaker 3>He pulls out mints and says, uh, sir, hook it up.

0:23:30.800 --> 0:23:32.720
<v Speaker 3>You know what I'm saying, because you're stepping on U

0:23:33.440 --> 0:23:36.119
<v Speaker 3>and his way. It's so good, it's so funny.

0:23:36.160 --> 0:23:38.640
<v Speaker 2>He feels like improv. I feel like this is jasoning

0:23:38.680 --> 0:23:40.520
<v Speaker 2>and it's like one of the most natural lines in

0:23:40.560 --> 0:23:42.520
<v Speaker 2>the whole movie. And yeah, the best laugh.

0:23:42.680 --> 0:23:46.520
<v Speaker 3>It's like, well, I do think they les, Yeah, I

0:23:46.600 --> 0:23:48.960
<v Speaker 3>think I think they let him improv a few times,

0:23:49.000 --> 0:23:51.760
<v Speaker 3>because another time he improvs, he lets us know he

0:23:51.840 --> 0:23:54.480
<v Speaker 3>has skills about seventeen times.

0:23:54.600 --> 0:23:57.959
<v Speaker 2>Yes, And I thought that was not in the script, right.

0:23:58.280 --> 0:24:01.879
<v Speaker 1>He hit every nineties rope with the kind of I

0:24:01.920 --> 0:24:04.879
<v Speaker 1>got skills and you go, And it was just like

0:24:04.960 --> 0:24:13.200
<v Speaker 1>one snap, wasn't it was sash Yeah.

0:24:13.240 --> 0:24:15.959
<v Speaker 2>And then here's our boy Ryder Strong.

0:24:16.119 --> 0:24:18.800
<v Speaker 3>We are placed smack dab in a high school gym

0:24:19.119 --> 0:24:23.400
<v Speaker 3>for a team's scrimmage and another Freddie Egan. This one

0:24:23.680 --> 0:24:28.200
<v Speaker 3>Frederick Egan, the third played by Boy meets World's Rider Strong,

0:24:28.359 --> 0:24:30.600
<v Speaker 3>is on the free throw line playing sports ball.

0:24:31.280 --> 0:24:34.160
<v Speaker 2>Writer Were you nervous to play sports ball? In this movie.

0:24:34.440 --> 0:24:36.520
<v Speaker 2>I don't think I was. I think I was so blueless.

0:24:36.560 --> 0:24:38.120
<v Speaker 2>I was just like, yeah, I could do this. Hey,

0:24:38.520 --> 0:24:41.960
<v Speaker 2>just completely. I mean I one of my favorite movies

0:24:42.240 --> 0:24:45.760
<v Speaker 2>growing up was teen Wolf Great, so I can totally

0:24:45.800 --> 0:24:47.720
<v Speaker 2>see myself being like, well, I could do that. Even

0:24:47.720 --> 0:24:51.320
<v Speaker 2>though I never played basketball in my life, I was

0:24:51.520 --> 0:24:52.200
<v Speaker 2>so we played.

0:24:52.280 --> 0:24:54.720
<v Speaker 1>First year we played that, we would play with the

0:24:54.720 --> 0:24:57.440
<v Speaker 1>home I plue my kids. We played football and basketball,

0:24:57.480 --> 0:24:59.000
<v Speaker 1>and then I remember seeing You're sitting there on the

0:24:59.000 --> 0:25:01.600
<v Speaker 1>foul line and you make the first shot, which is

0:25:01.680 --> 0:25:03.400
<v Speaker 1>just a straight through and I was like, that's Rider

0:25:03.480 --> 0:25:04.960
<v Speaker 1>actually trying to make the free throw.

0:25:07.040 --> 0:25:10.240
<v Speaker 2>Myself, like Riders trying to make that shot. It's such

0:25:10.240 --> 0:25:12.880
<v Speaker 2>a clear example of like when you're a kid, like before,

0:25:13.600 --> 0:25:16.119
<v Speaker 2>before you're a teenager, you just think you're good at everything,

0:25:16.119 --> 0:25:18.080
<v Speaker 2>like whatever your parents signed you up for. So like

0:25:18.640 --> 0:25:22.480
<v Speaker 2>I did karate, I took piano, and like acting was

0:25:22.520 --> 0:25:24.880
<v Speaker 2>the same way, because like, oh I act, I also

0:25:24.880 --> 0:25:27.600
<v Speaker 2>could play basketball. I played soccer, and then, like you know,

0:25:27.680 --> 0:25:30.119
<v Speaker 2>you realize by the time you're like thirteen, you usually

0:25:30.119 --> 0:25:31.720
<v Speaker 2>realize like I'm not I'm not really.

0:25:31.520 --> 0:25:35.439
<v Speaker 5>Good stuff, and you had that realization yet, So I

0:25:35.440 --> 0:25:37.760
<v Speaker 5>think I just went in fully like dide and then

0:25:37.840 --> 0:25:42.160
<v Speaker 5>during the course of this movie realized I couldnt play basketball.

0:25:43.200 --> 0:25:47.640
<v Speaker 2>I still don't know what is a double dribble. So

0:25:47.680 --> 0:25:50.000
<v Speaker 2>there's there's two types of double dribble. Okay.

0:25:50.040 --> 0:25:54.719
<v Speaker 1>There's double double dribbling is you dribble, stop and then

0:25:54.800 --> 0:25:57.760
<v Speaker 1>dribble again, okay, And there's the double dribble where you

0:25:57.840 --> 0:25:59.760
<v Speaker 1>dribble the ball with both hands.

0:26:00.080 --> 0:26:04.399
<v Speaker 2>That's also my problem either. I remember Jason calling me

0:26:04.480 --> 0:26:07.040
<v Speaker 2>out while we're while we're shooting the scenes in the

0:26:07.040 --> 0:26:09.720
<v Speaker 2>basketball scenes, and he would just be like, double dribble double.

0:26:10.800 --> 0:26:12.480
<v Speaker 2>I was like, I don't know what you're saying. I

0:26:12.520 --> 0:26:14.960
<v Speaker 2>don't know what I'm doing wrong. I'm just here. Can

0:26:14.960 --> 0:26:18.480
<v Speaker 2>we please make this movie? Oh my god, so embarrassing

0:26:20.680 --> 0:26:23.320
<v Speaker 2>calling me out while player I tell you, this movie

0:26:23.359 --> 0:26:27.880
<v Speaker 2>was a crash course and and me learning about sports, basketball, sportsball.

0:26:28.560 --> 0:26:31.919
<v Speaker 3>This privileged Frederick is obviously bullied by the rest of

0:26:31.920 --> 0:26:34.560
<v Speaker 3>the kids on the team, and he misses both free throws.

0:26:34.359 --> 0:26:36.040
<v Speaker 2>Miserably losing the scrimmage.

0:26:36.119 --> 0:26:39.480
<v Speaker 3>One teammate uh says next year they might let girls

0:26:39.520 --> 0:26:42.920
<v Speaker 3>in the school and then they can trade Fairy for

0:26:43.080 --> 0:26:43.879
<v Speaker 3>another player.

0:26:43.920 --> 0:26:47.600
<v Speaker 2>So fair girls.

0:26:49.520 --> 0:26:52.640
<v Speaker 3>Girls are bad. I guess by the way I did

0:26:52.680 --> 0:26:56.320
<v Speaker 3>not understand. Fairy took me six times. I'm not sure

0:26:56.320 --> 0:27:00.359
<v Speaker 3>that kid was miked. I thought he said ready.

0:27:00.520 --> 0:27:02.760
<v Speaker 1>I thought, say Freddy too, is it very like a

0:27:02.880 --> 0:27:04.760
<v Speaker 1>like a Are you sure it's very very No.

0:27:04.880 --> 0:27:05.679
<v Speaker 2>I'm absolutely not.

0:27:06.200 --> 0:27:09.640
<v Speaker 3>I couldn't arn, wasn't was pretty sure. No, absolutely not sure.

0:27:09.680 --> 0:27:11.720
<v Speaker 3>I will not die on this hill. He said, Freddy,

0:27:11.800 --> 0:27:15.320
<v Speaker 3>I don't care. It's not fully Freddy. It's it's not

0:27:15.400 --> 0:27:17.879
<v Speaker 3>fully Fairy. I think the writer was miked and he

0:27:18.000 --> 0:27:19.760
<v Speaker 3>was just hoping his mic was picking it up.

0:27:19.800 --> 0:27:22.960
<v Speaker 2>And that's it possible. You say, you say, you say

0:27:23.040 --> 0:27:26.199
<v Speaker 2>my character is bullied, but I come across more like

0:27:26.200 --> 0:27:26.760
<v Speaker 2>the bully.

0:27:26.880 --> 0:27:29.560
<v Speaker 3>You're the biggest bully. But you you start on the

0:27:29.640 --> 0:27:32.359
<v Speaker 3>line you're saying, listen, I was not treated wise. So

0:27:32.440 --> 0:27:35.280
<v Speaker 3>you're trying to make you're trying to imply that they

0:27:35.520 --> 0:27:37.400
<v Speaker 3>were trying to set up that you're you don't fit

0:27:37.480 --> 0:27:38.280
<v Speaker 3>in anywhere.

0:27:38.320 --> 0:27:40.920
<v Speaker 2>And I think had I been a better actor, there's

0:27:40.960 --> 0:27:44.920
<v Speaker 2>a version of this character that you would have had

0:27:44.920 --> 0:27:47.360
<v Speaker 2>more sympathy for, you know, like you would have been like, oh,

0:27:47.440 --> 0:27:50.679
<v Speaker 2>this kid is you know, teased and made fun of

0:27:50.760 --> 0:27:53.760
<v Speaker 2>or you know, done that with a taking. You are

0:27:54.000 --> 0:27:55.600
<v Speaker 2>so rude to your chauffeur.

0:27:57.000 --> 0:27:58.959
<v Speaker 3>That's the hard that's the part to me that like

0:27:59.160 --> 0:28:02.240
<v Speaker 3>once once you were that cruel to him. I was like,

0:28:02.359 --> 0:28:05.280
<v Speaker 3>I hope this character falls in a bit of mud

0:28:05.359 --> 0:28:06.480
<v Speaker 3>and gets little on fire.

0:28:06.640 --> 0:28:08.800
<v Speaker 2>Okay, want to come out. But I was thinking about

0:28:08.800 --> 0:28:12.400
<v Speaker 2>this because because there is a way to play rich

0:28:12.440 --> 0:28:15.679
<v Speaker 2>snob that is fun and funny. Think about like the

0:28:15.680 --> 0:28:18.960
<v Speaker 2>way Bill Murray is able to like always say the

0:28:19.040 --> 0:28:21.840
<v Speaker 2>meanest thing and you're still kind of on his side

0:28:21.880 --> 0:28:24.439
<v Speaker 2>because he's clever, or he's like he's not pushing.

0:28:24.640 --> 0:28:27.439
<v Speaker 3>The best example is how much could a banana cost

0:28:27.680 --> 0:28:28.400
<v Speaker 3>ten dollars?

0:28:29.160 --> 0:28:33.359
<v Speaker 2>That's clueless, rich person, out of touch risk. Rich person

0:28:33.400 --> 0:28:36.440
<v Speaker 2>can be very funny. Yes, your can be funny. I'm

0:28:36.480 --> 0:28:43.480
<v Speaker 2>just disgusted me being rude. That was wider. If I

0:28:43.520 --> 0:28:46.400
<v Speaker 2>had if my if I could have had the slightest

0:28:46.400 --> 0:28:48.600
<v Speaker 2>sense of irony, just so the slight little tings that

0:28:48.760 --> 0:28:51.880
<v Speaker 2>like I think I'm better than these people. This is

0:28:51.960 --> 0:28:52.400
<v Speaker 2>not you.

0:28:52.720 --> 0:28:55.440
<v Speaker 3>He's in cat food out of an airport or whatever

0:28:55.480 --> 0:28:55.880
<v Speaker 3>you say.

0:28:56.040 --> 0:28:58.960
<v Speaker 2>Is that a career choice? It is written for you

0:28:59.040 --> 0:29:04.080
<v Speaker 2>to be the word despicable child. Now there's no, there's

0:29:04.080 --> 0:29:07.040
<v Speaker 2>no You are a child.

0:29:06.920 --> 0:29:11.560
<v Speaker 3>So could it be played that you are despicable because

0:29:11.560 --> 0:29:15.680
<v Speaker 3>of the very poor treatment you have been given my family?

0:29:15.800 --> 0:29:18.280
<v Speaker 3>And that's where the sympathy comes from. The sympathy comes

0:29:18.280 --> 0:29:22.640
<v Speaker 3>from this child doesn't know better because he's he's been

0:29:22.680 --> 0:29:24.240
<v Speaker 3>abandoned and has The.

0:29:24.200 --> 0:29:27.160
<v Speaker 2>Only real moment in the entire first fifty minutes of

0:29:27.280 --> 0:29:29.480
<v Speaker 2>my right acting in this movie is when I say,

0:29:29.600 --> 0:29:30.960
<v Speaker 2>you know, when I turn off the tape and I

0:29:31.000 --> 0:29:33.360
<v Speaker 2>say thanks Toad or whatever. I was like, that's a

0:29:33.400 --> 0:29:35.840
<v Speaker 2>real emotion. That's a real moment, that's a real thing.

0:29:36.120 --> 0:29:37.760
<v Speaker 1>It should have been what you what you do with

0:29:37.800 --> 0:29:40.000
<v Speaker 1>something like this, which is done in these movies, is

0:29:40.000 --> 0:29:42.680
<v Speaker 1>what you do is you're actually very nice to the

0:29:42.760 --> 0:29:44.840
<v Speaker 1>chauffeur and he's actually very nice to you because it's

0:29:44.880 --> 0:29:47.520
<v Speaker 1>the only adult in your entire life you've actually grown

0:29:47.600 --> 0:29:50.280
<v Speaker 1>up with. And that's how you do It's like, that

0:29:50.400 --> 0:29:52.360
<v Speaker 1>kind of thing is how you do it. Like he's

0:29:52.400 --> 0:29:54.400
<v Speaker 1>apologizing your dad's not here. My god, I've got to

0:29:54.400 --> 0:29:56.600
<v Speaker 1>tell you again that your dad's not here. Like that's

0:29:56.600 --> 0:29:58.360
<v Speaker 1>how you do it, as opposed to just being an

0:29:58.440 --> 0:30:02.000
<v Speaker 1>ass the whole time. Yeah, but Freddy, the other Freddy, though.

0:30:02.080 --> 0:30:04.400
<v Speaker 1>I also the way they started him. They start him

0:30:04.440 --> 0:30:07.280
<v Speaker 1>with robbing from the old Lady robbing. I have no

0:30:07.320 --> 0:30:10.120
<v Speaker 1>sympathy for any of these characters at this point. None

0:30:10.160 --> 0:30:11.920
<v Speaker 1>I care about neither of these kids. I hope they

0:30:11.960 --> 0:30:17.920
<v Speaker 1>are journey. You want to see some sort of like

0:30:18.160 --> 0:30:20.280
<v Speaker 1>I get even right off the bat kind of like.

0:30:20.320 --> 0:30:22.560
<v Speaker 1>And they try. That's the thing is they realized that too.

0:30:22.640 --> 0:30:25.840
<v Speaker 1>That's why they tried to do it. It just didn't work.

0:30:26.440 --> 0:30:28.680
<v Speaker 1>So it was like they they they got like, we

0:30:28.760 --> 0:30:30.720
<v Speaker 1>need to you know, some sort of a save the cat.

0:30:31.200 --> 0:30:32.960
<v Speaker 1>They ran the cat over and then just spit on

0:30:32.960 --> 0:30:34.760
<v Speaker 1>the carcass and they're like, here's our kids.

0:30:34.920 --> 0:30:37.800
<v Speaker 3>Well, as we mentioned, it's here Frederick learns that his

0:30:37.800 --> 0:30:40.600
<v Speaker 3>father played by Barry Williams, recorded a VHS message for

0:30:40.680 --> 0:30:42.479
<v Speaker 3>him and is not there to pick him up. His

0:30:42.560 --> 0:30:45.120
<v Speaker 3>dad explains he's too busy with work. He's building a

0:30:45.120 --> 0:30:47.800
<v Speaker 3>new stadium, and Frederick will be spending a month at

0:30:47.840 --> 0:30:50.560
<v Speaker 3>the Enclave Posh summer camp that he attended as a

0:30:50.600 --> 0:30:53.720
<v Speaker 3>child and has how's the children of Presidents and royalty.

0:30:53.920 --> 0:30:56.480
<v Speaker 3>He promises an experience of a lifetime, but it's clear

0:30:56.680 --> 0:31:00.040
<v Speaker 3>Frederick has been ignored by his father a lot and

0:31:00.120 --> 0:31:02.080
<v Speaker 3>gets a little teary eyed here and he throws the

0:31:02.200 --> 0:31:03.640
<v Speaker 3>VHS tape out the window.

0:31:04.000 --> 0:31:06.120
<v Speaker 2>Can we talk very quickly about Barry Williams?

0:31:06.240 --> 0:31:10.160
<v Speaker 1>Awesome, I'm busy paper acting, m because he just goes,

0:31:10.640 --> 0:31:11.000
<v Speaker 1>is this thing?

0:31:11.080 --> 0:31:14.719
<v Speaker 2>Is this thing off? Okay, turn it off? I've got

0:31:14.720 --> 0:31:16.920
<v Speaker 2>a paper here, pacting. It's packeding.

0:31:17.640 --> 0:31:18.040
<v Speaker 1>Awesome.

0:31:18.520 --> 0:31:21.840
<v Speaker 2>I was weird by the fact that we weren't driving. No, like,

0:31:21.960 --> 0:31:24.480
<v Speaker 2>we're just sitting parking, Like the Shu gets.

0:31:24.320 --> 0:31:27.200
<v Speaker 3>In the car and you couldn't you couldn't afford to

0:31:27.240 --> 0:31:33.000
<v Speaker 3>move process trailer or whatever. So writer, did did Mincus?

0:31:33.680 --> 0:31:36.960
<v Speaker 3>Did Lee or Mincus play into your performance of this

0:31:37.680 --> 0:31:38.480
<v Speaker 3>character at all?

0:31:38.840 --> 0:31:42.440
<v Speaker 2>No? I never even thought about it. I don't know.

0:31:42.520 --> 0:31:45.240
<v Speaker 3>I was I was thinking there was a moment when

0:31:45.280 --> 0:31:46.680
<v Speaker 3>you have that when we first see you with the

0:31:46.680 --> 0:31:48.320
<v Speaker 3>sweater tied around your shoulders, and I.

0:31:48.320 --> 0:31:51.680
<v Speaker 2>Was like, Oh, that's such a that's such a Mincus look.

0:31:52.080 --> 0:31:54.080
<v Speaker 3>And Jensen was then the one who goes, yeah, well,

0:31:54.080 --> 0:31:56.360
<v Speaker 3>it was between season one and two, so he had

0:31:56.440 --> 0:31:57.720
<v Speaker 3>just come off of working with Lee.

0:31:57.760 --> 0:31:59.160
<v Speaker 2>I wonder if there was any.

0:31:58.960 --> 0:32:03.200
<v Speaker 3>Sort of awareness awareness or minus vibe that you picked

0:32:03.240 --> 0:32:03.640
<v Speaker 3>up on it.

0:32:03.600 --> 0:32:05.480
<v Speaker 2>All, not not that I remember, I mean if any

0:32:05.560 --> 0:32:07.720
<v Speaker 2>I mean that's the thing, like, it would have been

0:32:07.800 --> 0:32:12.720
<v Speaker 2>nice if if Freddy were fred Egan, Frederick were smart,

0:32:12.840 --> 0:32:15.920
<v Speaker 2>like you know, or Liker, and they try and do

0:32:15.960 --> 0:32:19.600
<v Speaker 2>the smart Yeah, yeah, you're supposed to be smart. It's

0:32:19.840 --> 0:32:23.320
<v Speaker 2>so bad like yeah, and in fact, like I used

0:32:23.440 --> 0:32:26.320
<v Speaker 2>Neanderthal twice, it's like yeah, it's like they only had

0:32:26.360 --> 0:32:29.640
<v Speaker 2>so much room in their thesaurus where they were right whoever.

0:32:29.720 --> 0:32:32.240
<v Speaker 1>And not to bring it back to mash, but they

0:32:32.280 --> 0:32:35.760
<v Speaker 1>tried to make you Charles Winchester essentially is what they

0:32:35.760 --> 0:32:38.680
<v Speaker 1>were trying to do. This big kind of like yeah,

0:32:38.720 --> 0:32:40.000
<v Speaker 1>I mean that's exactly what they were trying.

0:32:40.040 --> 0:32:41.520
<v Speaker 2>It would have been so much better if if I

0:32:41.560 --> 0:32:45.520
<v Speaker 2>had one redeemed something something something would have been nice.

0:32:45.520 --> 0:32:47.480
<v Speaker 2>So far, I haven't seen that yet.

0:32:47.520 --> 0:32:52.280
<v Speaker 3>So then the limo backs into a different parking lot,

0:32:52.360 --> 0:32:54.480
<v Speaker 3>which I thought was a real interesting choice to have

0:32:54.600 --> 0:32:58.640
<v Speaker 3>the most seen moving in reverse. Yeah, and it is

0:32:58.680 --> 0:33:02.719
<v Speaker 3>a very busy parking lot intersection where many buses are

0:33:02.760 --> 0:33:05.240
<v Speaker 3>parked to take kids to their respective summer camps.

0:33:05.240 --> 0:33:06.960
<v Speaker 2>We see the paddy wagon bus.

0:33:06.720 --> 0:33:09.720
<v Speaker 3>For the juvenile center, and it is a very strict

0:33:09.920 --> 0:33:13.880
<v Speaker 3>mustached sergeant Waldron. He is waiting for and ready to

0:33:13.920 --> 0:33:17.840
<v Speaker 3>punish this wise guy Freddy Egan, who is late. We

0:33:17.920 --> 0:33:20.560
<v Speaker 3>see Writer all prepped out now he's got a sweater

0:33:20.600 --> 0:33:23.480
<v Speaker 3>around his neck, pastel polo and shorts loafers with his

0:33:23.560 --> 0:33:26.360
<v Speaker 3>luggage and golf bag. He finally ditches his driver and

0:33:26.400 --> 0:33:28.600
<v Speaker 3>there's a funny physical moment of Writer trying to lift

0:33:28.640 --> 0:33:30.239
<v Speaker 3>his bag. And I thought it was really good. Did

0:33:30.240 --> 0:33:31.840
<v Speaker 3>they actually make the bag super heavy for you?

0:33:32.080 --> 0:33:35.120
<v Speaker 2>I don't remember. It looked like they did. It looked

0:33:35.120 --> 0:33:37.800
<v Speaker 2>like the bottom was. I just love that they've like

0:33:37.920 --> 0:33:42.280
<v Speaker 2>overly saddled me with rich kid. Yeah, it's like not

0:33:42.320 --> 0:33:47.720
<v Speaker 2>only the sweater vest but also the racket in Yep, yes,

0:33:47.840 --> 0:33:48.280
<v Speaker 2>I love it.

0:33:48.480 --> 0:33:51.880
<v Speaker 1>I just also love that prison bus is next to

0:33:52.080 --> 0:33:55.640
<v Speaker 1>rich guy bus, like they're both parked right next to

0:33:55.680 --> 0:33:57.600
<v Speaker 1>each other and they go to the same like.

0:33:57.920 --> 0:34:01.760
<v Speaker 3>Well, it plays into the side plotholes later on when

0:34:01.960 --> 0:34:04.600
<v Speaker 3>knowing like what it is actually mentioned.

0:34:05.040 --> 0:34:06.200
<v Speaker 2>Okay, we'll get into it.

0:34:07.240 --> 0:34:10.520
<v Speaker 3>We're about to enter plot hole central, which is really

0:34:10.800 --> 0:34:24.200
<v Speaker 3>really fun for me. We now see fast Freddy also

0:34:24.239 --> 0:34:26.760
<v Speaker 3>in the parking lot, being led around by an officer.

0:34:26.880 --> 0:34:32.920
<v Speaker 3>They are told by dispatcher information again, another big sign

0:34:33.480 --> 0:34:34.640
<v Speaker 3>on the table side.

0:34:34.680 --> 0:34:39.799
<v Speaker 1>The sign budget of this film was crazy.

0:34:38.800 --> 0:34:40.640
<v Speaker 2>As big sign behindhand too.

0:34:40.719 --> 0:34:44.640
<v Speaker 3>Yeah yeah okay, So after looking his name up, Freddie

0:34:44.640 --> 0:34:47.520
<v Speaker 3>Egan will be going on Bus seven, which has not

0:34:47.640 --> 0:34:50.480
<v Speaker 3>yet arrived. The officer explains he's in a rush, and

0:34:50.520 --> 0:34:53.360
<v Speaker 3>he pays off the Dufus worker to watch his little prisoner,

0:34:53.560 --> 0:34:55.719
<v Speaker 3>and he handcuffs fast Freddy to a nearby van.

0:34:56.000 --> 0:34:59.080
<v Speaker 2>Freddie, hand can you say that again? Slower? He handcuffs

0:34:59.160 --> 0:35:00.360
<v Speaker 2>a kid to a V.

0:35:02.200 --> 0:35:07.000
<v Speaker 3>I know, I'm not sure this pickpocket needs to be handcuffed.

0:35:07.200 --> 0:35:10.120
<v Speaker 2>Hand cuff a van? Yeah, I love the guy's like,

0:35:10.239 --> 0:35:11.880
<v Speaker 2>is he dangerous?

0:35:11.920 --> 0:35:12.000
<v Speaker 1>Like?

0:35:12.719 --> 0:35:16.160
<v Speaker 2>Yeah, that's a valid question to ask. Left with some kid.

0:35:16.640 --> 0:35:19.400
<v Speaker 1>Here's twenty dollars, take care of this prisoner. I'm a

0:35:19.480 --> 0:35:20.680
<v Speaker 1>handcuffing to a van.

0:35:20.960 --> 0:35:21.640
<v Speaker 2>I've gotta go.

0:35:22.200 --> 0:35:22.359
<v Speaker 5>Oh.

0:35:22.880 --> 0:35:26.640
<v Speaker 3>So Freddy quick quickly picklocks his handcuffs, and we hear

0:35:26.680 --> 0:35:30.279
<v Speaker 3>an announcement asking for Freddie Egan to report to bus

0:35:30.480 --> 0:35:35.280
<v Speaker 3>one immediately, And so we see Frederick Egan, the third

0:35:35.480 --> 0:35:37.560
<v Speaker 3>pompous little rider, walk.

0:35:37.440 --> 0:35:39.759
<v Speaker 2>Right up to the sergeant and the prisoner. Bus number one.

0:35:39.800 --> 0:35:42.520
<v Speaker 3>He checks in as Frederick Egan, the third, and even

0:35:42.520 --> 0:35:45.120
<v Speaker 3>though the cop is confused, his name is on the list,

0:35:45.200 --> 0:35:47.920
<v Speaker 3>so it must be him. Frederick is grossed out by

0:35:47.960 --> 0:35:50.880
<v Speaker 3>the transportation and thinks it's a mistake, but he's dragged

0:35:50.880 --> 0:35:52.760
<v Speaker 3>on by the cop and that's that.

0:35:52.760 --> 0:35:54.800
<v Speaker 2>That's it, no further questions.

0:35:54.840 --> 0:35:55.120
<v Speaker 4>That's it.

0:35:55.160 --> 0:35:56.040
<v Speaker 2>We're not checking anything.

0:35:56.080 --> 0:35:58.560
<v Speaker 3>We're not checking anything else. This is totally fine. He

0:35:58.640 --> 0:36:01.439
<v Speaker 3>flips his lucky coin. I mean, the cops, I guess,

0:36:01.480 --> 0:36:04.399
<v Speaker 3>just did not take this from him, which no sense

0:36:04.440 --> 0:36:07.880
<v Speaker 3>at all. They would definitely have confiscated that. He's also

0:36:08.360 --> 0:36:13.320
<v Speaker 3>the world's greatest lock pick. I know, police cuffs.

0:36:13.480 --> 0:36:15.880
<v Speaker 2>It's like him and Houdini. Right, I'm gonna get out

0:36:15.880 --> 0:36:18.240
<v Speaker 2>of a street jacket. I think he reached a paper

0:36:18.280 --> 0:36:20.480
<v Speaker 2>clip he couldn't reach he first he didn't reach it

0:36:20.520 --> 0:36:22.279
<v Speaker 2>at all, and then he had it, had it, and

0:36:22.480 --> 0:36:26.799
<v Speaker 2>it made no sense, and it was unbelievable.

0:36:27.719 --> 0:36:30.680
<v Speaker 3>Well, when he gets to bus seven, he hilariously starts

0:36:30.719 --> 0:36:32.319
<v Speaker 3>to dance his way on, but he is.

0:36:32.280 --> 0:36:36.680
<v Speaker 2>Stopped by a snotty little bus leader, Peggy. That's so

0:36:39.120 --> 0:36:42.200
<v Speaker 2>that took a while to like. Three seats has a

0:36:42.239 --> 0:36:45.080
<v Speaker 2>single card and the credit it's a bigger part than

0:36:45.120 --> 0:36:46.400
<v Speaker 2>I you know, what.

0:36:46.480 --> 0:36:48.319
<v Speaker 3>I guess it's just because she had different hair color

0:36:48.360 --> 0:36:49.560
<v Speaker 3>that we just don't recognize her.

0:36:49.760 --> 0:36:53.000
<v Speaker 1>It must be yeah, because she was on screen for

0:36:53.080 --> 0:36:56.320
<v Speaker 1>a good five minutes before I was like, wait.

0:36:56.320 --> 0:36:57.439
<v Speaker 2>Oh, that's so late.

0:36:57.760 --> 0:37:01.560
<v Speaker 3>I never realized. Oh really, okay, I forgot I remember

0:37:01.600 --> 0:37:03.160
<v Speaker 3>when the movie started. I was like, oh, Sleigh moon

0:37:03.200 --> 0:37:05.480
<v Speaker 3>Fries in this, and then watched the whole movie and

0:37:05.520 --> 0:37:07.359
<v Speaker 3>never then wondered where Sleigh was, but never saw.

0:37:07.640 --> 0:37:07.799
<v Speaker 4>Oh.

0:37:08.120 --> 0:37:10.239
<v Speaker 2>I'm only realizing now that that's who that was.

0:37:11.880 --> 0:37:13.799
<v Speaker 3>He says, I knew this was too good to be

0:37:13.840 --> 0:37:17.000
<v Speaker 3>true and assumes the position. She's confused. He says he's

0:37:17.040 --> 0:37:19.360
<v Speaker 3>Fred Egan and he was told to come to bus seven.

0:37:19.440 --> 0:37:22.399
<v Speaker 3>She doesn't believe that. Yeah right, And I'm Wilma Flynstone,

0:37:22.440 --> 0:37:27.160
<v Speaker 3>she says. Peggy, flanked by butlers in tuxes behind her,

0:37:28.440 --> 0:37:31.520
<v Speaker 3>looks at her list and says, wow, there is his name,

0:37:31.600 --> 0:37:35.799
<v Speaker 3>Frederick Egan, and it has seven dollars signs next to it,

0:37:37.040 --> 0:37:40.200
<v Speaker 3>the symbols you see when you pick a restaurant and

0:37:40.280 --> 0:37:42.919
<v Speaker 3>you go, well, how much is this restaurant gonna set

0:37:42.920 --> 0:37:44.680
<v Speaker 3>me back? And they have somewhere between one and five

0:37:44.719 --> 0:37:46.719
<v Speaker 3>dollars signs Frederick Eagan is seven of.

0:37:46.680 --> 0:37:50.040
<v Speaker 2>Them seven, seven, and then in like two scenes we

0:37:50.040 --> 0:37:53.479
<v Speaker 2>find out his dad's worth how much billion dollars? Seven?

0:37:53.600 --> 0:37:56.040
<v Speaker 2>So the dollar signs represent a billion.

0:37:56.000 --> 0:38:00.479
<v Speaker 1>Each one, Yeah, and this is the ninetiest han billion

0:38:00.520 --> 0:38:01.400
<v Speaker 1>dollars is a that's.

0:38:01.239 --> 0:38:05.160
<v Speaker 2>A find out. You ten in the world, which is

0:38:05.200 --> 0:38:07.120
<v Speaker 2>I guess would have been true? It's seven if you were.

0:38:08.320 --> 0:38:10.680
<v Speaker 1>I think, I don't know a lot of the Middle

0:38:10.719 --> 0:38:13.120
<v Speaker 1>East shakes by that point. I think we're like thirty

0:38:13.120 --> 0:38:15.279
<v Speaker 1>forty fifty billion with all the oil money. Wasn't there?

0:38:15.680 --> 0:38:19.279
<v Speaker 2>I think again, I don't know Gates right, yeah, would

0:38:19.280 --> 0:38:20.520
<v Speaker 2>have already made money. I don't know.

0:38:20.800 --> 0:38:23.640
<v Speaker 3>Well, well, she changes her tune and says she didn't

0:38:23.680 --> 0:38:28.600
<v Speaker 3>expect him to be so. She loves his outfit and

0:38:28.719 --> 0:38:33.680
<v Speaker 3>his gangster chic is the newest rave. He uncomfortably takes

0:38:33.680 --> 0:38:35.960
<v Speaker 3>the bus and when he realizes he's going to the enclave,

0:38:36.000 --> 0:38:38.640
<v Speaker 3>he jumps right into character. He tells his new crush

0:38:38.640 --> 0:38:41.040
<v Speaker 3>that he's met her before, maybe in Paris or Rome.

0:38:41.400 --> 0:38:43.640
<v Speaker 3>She isn't hearing it, though, and tells him to get lost.

0:38:43.960 --> 0:38:47.200
<v Speaker 3>Freddy yells out, you better recognize I'm fast, Freddy, and

0:38:47.239 --> 0:38:50.400
<v Speaker 3>this gets the attention of two nearby kids, Patrick Renna

0:38:50.880 --> 0:38:56.600
<v Speaker 3>aka Modem and Todd Tom.

0:38:56.840 --> 0:39:01.160
<v Speaker 1>Todd, by the way, looks exactly like carry Elways.

0:39:02.960 --> 0:39:05.320
<v Speaker 2>Did you did you ever know David? No, this is

0:39:05.400 --> 0:39:11.399
<v Speaker 2>David tom So his sister was brother Okay, exactly. So

0:39:11.680 --> 0:39:14.840
<v Speaker 2>Nicole was on the nanny I guess at this time,

0:39:14.960 --> 0:39:16.719
<v Speaker 2>but she was she was working all the time, and

0:39:16.719 --> 0:39:18.480
<v Speaker 2>then David used to work all the time. He and

0:39:18.520 --> 0:39:20.600
<v Speaker 2>I I got really I really wanted this part in

0:39:20.640 --> 0:39:22.960
<v Speaker 2>this movie called Swing Kids. Do you guys remember, Yeah,

0:39:23.920 --> 0:39:25.560
<v Speaker 2>it was one of the hottest scripts. It was such

0:39:25.600 --> 0:39:29.440
<v Speaker 2>a cool script, and and I really wanted to I

0:39:29.480 --> 0:39:31.399
<v Speaker 2>think I got close. I don't know. I have from

0:39:31.520 --> 0:39:33.920
<v Speaker 2>whatever I have, And he got the part. He's amazing

0:39:33.920 --> 0:39:35.799
<v Speaker 2>and he's he's it's like the younger brother. It's a

0:39:35.800 --> 0:39:37.560
<v Speaker 2>small part, but it's it's a It was a cool

0:39:37.600 --> 0:39:40.240
<v Speaker 2>movie at the time, and he was David was such

0:39:40.320 --> 0:39:42.719
<v Speaker 2>a good actor. I have no idea what he's doing now.

0:39:43.160 --> 0:39:45.279
<v Speaker 2>And but he used to also be a drummer in

0:39:45.320 --> 0:39:48.240
<v Speaker 2>a band. So we spent a lot of time talking

0:39:48.280 --> 0:39:50.560
<v Speaker 2>music and hanging out during this during this movie. But

0:39:50.560 --> 0:39:52.080
<v Speaker 2>I also knew him back in La We had done

0:39:52.080 --> 0:39:54.400
<v Speaker 2>acting classes together at the Young Actors Space and he

0:39:54.520 --> 0:39:57.200
<v Speaker 2>was so good. But man, he looks like carry always

0:39:57.239 --> 0:39:59.839
<v Speaker 2>like man, he looks like well, his hair is like that,

0:40:00.080 --> 0:40:04.680
<v Speaker 2>her face like slicky. Oh my god. And man, Patrick

0:40:04.760 --> 0:40:06.440
<v Speaker 2>Renna is so good in this movie.

0:40:07.560 --> 0:40:12.759
<v Speaker 1>He's psychopath is he's like literally a sociopath in this movie.

0:40:12.840 --> 0:40:14.560
<v Speaker 1>He doesn't smile, he doesn't do it. It's like he

0:40:14.640 --> 0:40:17.879
<v Speaker 1>kills puppies to make it so dark dark.

0:40:18.040 --> 0:40:20.960
<v Speaker 2>It's a choice, and it's a.

0:40:20.880 --> 0:40:24.520
<v Speaker 1>Little creepy with Freddy and and the young woman. It's

0:40:24.560 --> 0:40:29.160
<v Speaker 1>I know where it's it's in time, but it's I mean,

0:40:29.200 --> 0:40:30.839
<v Speaker 1>they really pushed it far with him.

0:40:30.920 --> 0:40:32.719
<v Speaker 2>Well we also can we also talk about the pre

0:40:33.560 --> 0:40:37.279
<v Speaker 2>pre Sean and angela like necessity for them to be

0:40:37.320 --> 0:40:40.359
<v Speaker 2>of the same race. Like really, like the only other

0:40:40.400 --> 0:40:42.200
<v Speaker 2>black person in this movie is the one girl, and

0:40:42.280 --> 0:40:44.080
<v Speaker 2>that's who you're going to zero in. It's just like

0:40:44.200 --> 0:40:47.560
<v Speaker 2>it's so clear that that was how casting went right,

0:40:47.600 --> 0:40:49.680
<v Speaker 2>Like that's how people thought the black people on the

0:40:49.719 --> 0:40:53.799
<v Speaker 2>bus when he went in. The characters right, And if

0:40:53.840 --> 0:40:55.880
<v Speaker 2>you're going to have a love interest for this character,

0:40:56.840 --> 0:40:58.719
<v Speaker 2>then she has to be black. I mean that was

0:40:58.800 --> 0:41:00.839
<v Speaker 2>just sort of like the rule of you know cast

0:41:00.880 --> 0:41:02.760
<v Speaker 2>him back then, never happened today.

0:41:02.920 --> 0:41:05.880
<v Speaker 3>He doesn't need to know anything about who she is

0:41:05.920 --> 0:41:09.120
<v Speaker 3>as a person at all. He sees her and that's it.

0:41:09.560 --> 0:41:13.200
<v Speaker 3>She's she's attractive, and that's all he needs to know

0:41:13.239 --> 0:41:16.640
<v Speaker 3>about her period, And she is not interested in him

0:41:16.800 --> 0:41:18.520
<v Speaker 3>until she gets to know whether or not he's a

0:41:18.520 --> 0:41:21.480
<v Speaker 3>good person. So the guy has to be a well

0:41:21.560 --> 0:41:24.520
<v Speaker 3>developed character in order to impress the woman.

0:41:24.560 --> 0:41:26.200
<v Speaker 2>But for him, that's it. She's enough.

0:41:26.280 --> 0:41:29.000
<v Speaker 3>We don't even need to learn anything else about her.

0:41:29.840 --> 0:41:30.240
<v Speaker 2>Nope.

0:41:30.640 --> 0:41:34.000
<v Speaker 3>Next we see prisoner bus arrive at their grounds. One

0:41:34.120 --> 0:41:38.239
<v Speaker 3>prisoner has a very expensive warrant vintage T shirt on

0:41:38.400 --> 0:41:39.799
<v Speaker 3>that I would get.

0:41:40.280 --> 0:41:43.080
<v Speaker 2>I would lose a limb for Right now, you're recognizing

0:41:43.160 --> 0:41:44.520
<v Speaker 2>T shirts. I love that.

0:41:44.600 --> 0:41:46.920
<v Speaker 1>I also love how any time we're in the prison

0:41:47.040 --> 0:41:49.400
<v Speaker 1>yard or in the car, it's always the same.

0:41:49.440 --> 0:41:57.759
<v Speaker 2>Wow, wow every step of the way. It's great. I

0:41:57.800 --> 0:42:00.480
<v Speaker 2>actually I have a memory that came to me watching

0:42:00.480 --> 0:42:04.760
<v Speaker 2>the movie last night from this bus scene we had.

0:42:06.360 --> 0:42:09.520
<v Speaker 2>It's an Isaac memory. So we were on the bus

0:42:09.760 --> 0:42:14.920
<v Speaker 2>and like the extras were like local Floridians, some of

0:42:14.960 --> 0:42:20.400
<v Speaker 2>them tough looking guys. And this guy add a tattoo

0:42:20.719 --> 0:42:25.759
<v Speaker 2>that just was war on his arm, and Isaac, being

0:42:26.000 --> 0:42:29.640
<v Speaker 2>like friendly, guy was like, what what's up with with war?

0:42:29.800 --> 0:42:32.120
<v Speaker 2>Like would you just you're like war? What's going on?

0:42:32.600 --> 0:42:34.440
<v Speaker 2>And the guy was like, I can't talk about I'll

0:42:34.440 --> 0:42:36.200
<v Speaker 2>tell you later. I'll tell you later. And Isaac was

0:42:36.239 --> 0:42:38.920
<v Speaker 2>like okay. And then when they got off the bus

0:42:38.960 --> 0:42:41.920
<v Speaker 2>after we shot the scene, he was like it stands

0:42:41.920 --> 0:42:49.080
<v Speaker 2>for White Area and Resistance, and Isaac so brave and

0:42:49.680 --> 0:42:52.240
<v Speaker 2>just goes, well, I'm Jewish. Is that gonna be a problem.

0:42:53.040 --> 0:42:55.960
<v Speaker 2>And the guy just like got super insecure and super

0:42:55.960 --> 0:42:59.960
<v Speaker 2>weirded out and mumbled and like ran away. Wow yeah

0:43:00.160 --> 0:43:06.520
<v Speaker 2>intense right, oh my gosh, tattoo White airan resistance. Yeah,

0:43:06.520 --> 0:43:09.480
<v Speaker 2>but I just love that Isaac would just completely right away,

0:43:09.760 --> 0:43:11.840
<v Speaker 2>right away to the guy's face, like, well I'm tooish,

0:43:12.239 --> 0:43:16.040
<v Speaker 2>Like geez, yeah, yeah.

0:43:15.480 --> 0:43:17.879
<v Speaker 1>Well there's a prison camp. I mean that's so there's

0:43:18.480 --> 0:43:21.359
<v Speaker 1>but I mean, like, did they specifically go and try

0:43:21.400 --> 0:43:25.120
<v Speaker 1>to get quote unquote prisoners like the prison camp?

0:43:25.280 --> 0:43:27.279
<v Speaker 2>The extra casting can work, It can be all over

0:43:27.320 --> 0:43:30.480
<v Speaker 2>the place. Yeah, So yeah, I mean you're you know,

0:43:30.520 --> 0:43:32.279
<v Speaker 2>you're just getting people that look the part. You see

0:43:32.320 --> 0:43:34.560
<v Speaker 2>their photograph, you don't actually meet them and so if

0:43:34.560 --> 0:43:37.080
<v Speaker 2>you were looking for tough prisoners, you go to prison

0:43:37.239 --> 0:43:39.160
<v Speaker 2>for a prisoner camp. I mean, that's so you're gonna

0:43:39.160 --> 0:43:40.800
<v Speaker 2>get guys who look like they might.

0:43:40.640 --> 0:43:43.440
<v Speaker 3>Have been jumping back in a little bit to the

0:43:43.440 --> 0:43:48.480
<v Speaker 3>story point. Why when Freddy arrives, do they notice that

0:43:48.560 --> 0:43:52.080
<v Speaker 3>his clothes make him stand out? But no one on

0:43:52.120 --> 0:43:56.520
<v Speaker 3>the bus references what you're wearing wearing at all?

0:43:56.640 --> 0:43:59.080
<v Speaker 2>No one's like no one even makes a joke like, no,

0:43:59.280 --> 0:44:01.760
<v Speaker 2>what are you sweater?

0:44:01.960 --> 0:44:06.560
<v Speaker 3>Like nothing, It's just it's like it's and yet you

0:44:06.640 --> 0:44:10.240
<v Speaker 3>stand out way more in that environment than he stands

0:44:10.280 --> 0:44:10.759
<v Speaker 3>out in his.

0:44:10.920 --> 0:44:13.280
<v Speaker 2>So anyway, very little interesting.

0:44:13.320 --> 0:44:15.840
<v Speaker 3>So writer is obviously still trying to get out of

0:44:15.840 --> 0:44:20.720
<v Speaker 3>this predicament on the bus, using yes for a second time.

0:44:21.440 --> 0:44:24.279
<v Speaker 3>And then the Enclave bus arrives at their camp and

0:44:24.320 --> 0:44:27.560
<v Speaker 3>they are greeted by Miss Sykes, the camp administrator, who

0:44:27.640 --> 0:44:31.960
<v Speaker 3>rejects the weird flirtations of Modem and Todd before Freddy

0:44:32.160 --> 0:44:33.040
<v Speaker 3>double checks.

0:44:32.800 --> 0:44:34.080
<v Speaker 2>That he is on the list.

0:44:34.320 --> 0:44:38.600
<v Speaker 1>And it's Mom and Todd Todd.

0:44:40.520 --> 0:44:43.960
<v Speaker 3>She's very impressed by Frederick's father, forcing fast Freddy to

0:44:43.960 --> 0:44:46.640
<v Speaker 3>ask if she saw his rap sheet anyway. He is

0:44:46.680 --> 0:44:50.120
<v Speaker 3>then sent to the Reagan suite, which is palatial and

0:44:50.200 --> 0:44:54.160
<v Speaker 3>posh and filled with preppy dork clothes, a stalked fridge,

0:44:54.200 --> 0:44:56.840
<v Speaker 3>and a phone number for room service, which he uses

0:44:56.920 --> 0:45:00.479
<v Speaker 3>immediately and finds out he can't get junk food. Uses

0:45:00.520 --> 0:45:05.360
<v Speaker 3>a pillowcase to start stealing from the room, just again, instantly, instantly, instantly,

0:45:05.520 --> 0:45:07.720
<v Speaker 3>robbing the place instantly.

0:45:07.800 --> 0:45:09.400
<v Speaker 2>He doesn't think it's going to last. You know, you

0:45:09.440 --> 0:45:10.520
<v Speaker 2>take it, you can get.

0:45:10.520 --> 0:45:13.319
<v Speaker 3>I guess Steeling tries to escape later is what we see.

0:45:13.360 --> 0:45:14.160
<v Speaker 3>He's going to try to.

0:45:14.200 --> 0:45:15.319
<v Speaker 2>Escape what he can and go.

0:45:15.640 --> 0:45:20.000
<v Speaker 3>Yeah, which is a plot point. I can understand. I'm

0:45:20.000 --> 0:45:22.920
<v Speaker 3>in on this. So in the enclaved dining room, Peggy

0:45:23.000 --> 0:45:26.319
<v Speaker 3>is telling Freddy's crush how rich this Frederick Egan is

0:45:26.560 --> 0:45:27.520
<v Speaker 3>and ride on time.

0:45:27.600 --> 0:45:29.399
<v Speaker 2>Here's fast Freddy. He sits with.

0:45:29.440 --> 0:45:33.080
<v Speaker 3>Modem and Todd and Patrick. Renna is really coming off

0:45:33.120 --> 0:45:35.840
<v Speaker 3>as a great d bag like boy.

0:45:35.960 --> 0:45:40.840
<v Speaker 2>And I love this is so early nineties hacker, like

0:45:41.560 --> 0:45:44.799
<v Speaker 2>nobody had computers. There was no internet yet, like you

0:45:44.800 --> 0:45:46.319
<v Speaker 2>didn't have it. But I love that he's just got

0:45:46.320 --> 0:45:49.960
<v Speaker 2>a laptop at the dining table and stuff like that.

0:45:51.080 --> 0:45:54.400
<v Speaker 2>Just everybody's bank accounts everything. This was like the fantasy

0:45:54.440 --> 0:45:57.040
<v Speaker 2>for what the Internet could be exactly and it is

0:45:57.200 --> 0:45:59.920
<v Speaker 2>exactly what it is. Well, but we weren't there yet.

0:46:00.160 --> 0:46:01.280
<v Speaker 2>Let's play clip one.

0:46:01.400 --> 0:46:04.279
<v Speaker 6>All right, we certainly could use a little color around here.

0:46:04.640 --> 0:46:07.520
<v Speaker 6>I'm referring to your style. Of course, your skin color

0:46:07.560 --> 0:46:10.880
<v Speaker 6>hardly alienates you from this camp or this table. Wouldn't

0:46:10.880 --> 0:46:12.960
<v Speaker 6>matter if you're purple, as long as your parent could

0:46:12.960 --> 0:46:13.640
<v Speaker 6>come up with the green.

0:46:14.719 --> 0:46:19.000
<v Speaker 2>He plays this with like no affectation. It's like Serial

0:46:19.200 --> 0:46:23.239
<v Speaker 2>Killer weird dark. It is a starker dark, just like

0:46:23.280 --> 0:46:25.680
<v Speaker 2>a dull choice. That's what I love about it is

0:46:25.719 --> 0:46:28.200
<v Speaker 2>that he's just like, well even, I mean, what I

0:46:28.280 --> 0:46:30.840
<v Speaker 2>really struck me is when he goes to my camp

0:46:30.880 --> 0:46:32.799
<v Speaker 2>to kidnap me and he does it to me too.

0:46:32.840 --> 0:46:35.200
<v Speaker 2>It's just like, yeah, and don't make a sad do

0:46:35.600 --> 0:46:38.239
<v Speaker 2>what the hell? Yeah, it's a weird choice.

0:46:38.400 --> 0:46:41.560
<v Speaker 3>So Modem uses a laptop to look up Frederick Egan

0:46:41.640 --> 0:46:46.040
<v Speaker 3>the Third and sees he's worth seven billion dollars fast.

0:46:46.120 --> 0:46:49.319
<v Speaker 3>Freddy starts nervously coughing what is going on here? He

0:46:49.440 --> 0:46:51.440
<v Speaker 3>jets to talk to Peggy and his crush, who is

0:46:51.520 --> 0:46:55.840
<v Speaker 3>named Christine Olsen, but again she's not into it. Another rejection.

0:46:56.719 --> 0:47:01.000
<v Speaker 3>We also meet a laughing cafeteria chef Jimmy played by

0:47:01.080 --> 0:47:03.920
<v Speaker 3>Richard Mole, with what I can only guess is maybe

0:47:04.440 --> 0:47:05.720
<v Speaker 3>a creole accent.

0:47:05.960 --> 0:47:07.800
<v Speaker 2>That was the attempt.

0:47:07.920 --> 0:47:13.440
<v Speaker 1>I think he was a creole Southern Ish real ish.

0:47:13.480 --> 0:47:15.600
<v Speaker 3>He makes fun of Freddy's way with the ladies and

0:47:15.640 --> 0:47:17.960
<v Speaker 3>calls out that he belongs here as much as a

0:47:18.080 --> 0:47:19.360
<v Speaker 3>gator in a duck pond.

0:47:19.520 --> 0:47:22.200
<v Speaker 2>A gate and a duck pond. A gata and a

0:47:22.280 --> 0:47:25.719
<v Speaker 2>duck pond. I'm telling you, Daniel Fischel, since.

0:47:25.600 --> 0:47:28.520
<v Speaker 3>The truth he just senses he can pick up on

0:47:28.560 --> 0:47:31.960
<v Speaker 3>the truth, yep. And then at the detention center, Sergeant

0:47:32.000 --> 0:47:34.239
<v Speaker 3>Waldron is in his office flirting with a woman on

0:47:34.280 --> 0:47:35.759
<v Speaker 3>the phone when Ryder walks in.

0:47:37.000 --> 0:47:41.000
<v Speaker 1>Let's be honest as he walks in and is like, okay, cool,

0:47:41.040 --> 0:47:42.600
<v Speaker 1>interesting choice for summertime.

0:47:42.640 --> 0:47:45.160
<v Speaker 3>Switch well, I think at the very least he's being

0:47:45.160 --> 0:47:49.000
<v Speaker 3>flirty with his girlfriend. Ryder tries to tell him he

0:47:49.080 --> 0:47:51.120
<v Speaker 3>is not a delinquent and asks for a phone call,

0:47:51.160 --> 0:47:54.279
<v Speaker 3>but phone day is tomorrow Wednesday, and then stuck up

0:47:54.280 --> 0:47:57.319
<v Speaker 3>writer slash Frederick leaves and enters his bunk for the

0:47:57.360 --> 0:47:57.879
<v Speaker 3>first time.

0:47:58.160 --> 0:47:59.960
<v Speaker 2>It's just before the cool hand Luke reference.

0:48:00.320 --> 0:48:03.359
<v Speaker 1>There's so he says, it takes the line right from

0:48:03.360 --> 0:48:05.480
<v Speaker 1>cool we got what we got here is a failure

0:48:05.520 --> 0:48:09.360
<v Speaker 1>to communicate the cool with the glasses and everything.

0:48:09.480 --> 0:48:12.920
<v Speaker 2>Yep, just coming sounds like yep, here we go.

0:48:14.680 --> 0:48:17.880
<v Speaker 3>It's just gross cuts and hooligan's everywhere. And this is

0:48:17.880 --> 0:48:20.960
<v Speaker 3>where he meets Numbers, who asks him three to one

0:48:21.239 --> 0:48:22.600
<v Speaker 3>guess how I got my name?

0:48:22.920 --> 0:48:26.040
<v Speaker 2>But writer says this, and no one says, I don't

0:48:26.040 --> 0:48:31.800
<v Speaker 2>give a rat, But yeah, I don't give I remember

0:48:31.840 --> 0:48:34.680
<v Speaker 2>this so well because Isaac he was doing like a

0:48:34.840 --> 0:48:36.719
<v Speaker 2>New York accent that he didn't have, Like he was,

0:48:36.840 --> 0:48:39.600
<v Speaker 2>you know, call me numbers. So he would walk around

0:48:39.719 --> 0:48:42.439
<v Speaker 2>saying this line call me numbers to like get into

0:48:42.440 --> 0:48:44.759
<v Speaker 2>his accent right every day, so like every day and

0:48:44.880 --> 0:48:51.400
<v Speaker 2>said right before we go there we rolling, He'd be like, oh, Numbers,

0:48:51.440 --> 0:48:52.440
<v Speaker 2>that's how we found the accident.

0:48:52.600 --> 0:48:56.000
<v Speaker 1>Very voiceover thing to do, do that all the time.

0:48:56.200 --> 0:48:57.600
<v Speaker 2>Phrase that you need up here.

0:48:58.040 --> 0:49:02.879
<v Speaker 3>So whatever he said it, I was like, that's so funny. Well,

0:49:02.920 --> 0:49:06.319
<v Speaker 3>we also meet Hacksaw, who menacingly says he was the

0:49:06.360 --> 0:49:10.160
<v Speaker 3>first one in his family to stand upright. What does

0:49:10.200 --> 0:49:13.800
<v Speaker 3>that mean? Was his family babies? I don't understand.

0:49:14.160 --> 0:49:18.560
<v Speaker 2>Immediately again we have another. Dan means they are not

0:49:19.040 --> 0:49:26.399
<v Speaker 2>the first one. That's what it was, and just yeah,

0:49:26.440 --> 0:49:29.040
<v Speaker 2>I wanted to get cavemen and here's kept thinking what

0:49:29.080 --> 0:49:30.479
<v Speaker 2>they were for some reason.

0:49:30.560 --> 0:49:32.120
<v Speaker 3>When he said the first one to stand upright, I

0:49:32.160 --> 0:49:34.480
<v Speaker 3>just kept picturing babies on their back and I was like,

0:49:34.640 --> 0:49:36.960
<v Speaker 3>are they all babies? Did they not make it out

0:49:36.960 --> 0:49:39.000
<v Speaker 3>of babyhood? I don't understand.

0:49:39.880 --> 0:49:44.600
<v Speaker 2>Yeah, okay, okay, we are proud.

0:49:45.200 --> 0:49:48.239
<v Speaker 1>It is if you want to be that guy, which

0:49:48.280 --> 0:49:52.600
<v Speaker 1>I know you can't do it. No, the you know

0:49:52.640 --> 0:49:54.439
<v Speaker 1>what this was giving me a big vibe of which

0:49:54.480 --> 0:49:57.400
<v Speaker 1>is a phenomenally good movie. Have you seen Holes?

0:49:58.600 --> 0:50:03.359
<v Speaker 3>I did see love that movie, that movie Shila buff

0:50:03.520 --> 0:50:08.280
<v Speaker 3>It is areat movie and it's that same like boys camp.

0:50:08.320 --> 0:50:11.040
<v Speaker 1>They all have their there's arm pit and there's you know,

0:50:11.120 --> 0:50:13.240
<v Speaker 1>like they've argued. They all have their kind of vibe.

0:50:13.800 --> 0:50:19.560
<v Speaker 1>It is so good. You know, you don't have to

0:50:19.560 --> 0:50:19.920
<v Speaker 1>say that.

0:50:19.960 --> 0:50:23.279
<v Speaker 3>I thought I couldn't tell you one thing about it.

0:50:23.320 --> 0:50:25.800
<v Speaker 3>I don't know one about not a single thing except

0:50:25.880 --> 0:50:26.520
<v Speaker 3>that I liked it.

0:50:26.640 --> 0:50:28.200
<v Speaker 2>That's all I know. I just know that I like it.

0:50:29.760 --> 0:50:31.120
<v Speaker 2>Sigourney Weaver is in.

0:50:31.280 --> 0:50:34.760
<v Speaker 1>I mean, there's it's a great cast it is really

0:50:34.760 --> 0:50:38.640
<v Speaker 1>good in they would love holes, love holes?

0:50:38.719 --> 0:50:40.319
<v Speaker 3>All right, you know what you're doing this weekend writer,

0:50:41.480 --> 0:50:48.080
<v Speaker 3>great movie.

0:50:52.160 --> 0:50:55.920
<v Speaker 2>This scene was my nightmare having to do the like

0:50:56.000 --> 0:50:58.480
<v Speaker 2>the walk in carrying the shoes. For whatever reason, the

0:50:58.520 --> 0:51:02.680
<v Speaker 2>director was so unhappy with Mike and kept saying, go

0:51:02.880 --> 0:51:05.799
<v Speaker 2>bigger show. You know, it was like, be more disgusted.

0:51:05.840 --> 0:51:07.920
<v Speaker 2>This is awful. This is the word, you know, And

0:51:08.000 --> 0:51:10.439
<v Speaker 2>like I was, I could watching it again, I could

0:51:10.480 --> 0:51:14.240
<v Speaker 2>just get I felt like visceral discomfort of like push,

0:51:14.360 --> 0:51:16.800
<v Speaker 2>how do you get that much bigger with the dialogue,

0:51:16.800 --> 0:51:19.560
<v Speaker 2>with what you did? That's what I didn't get myself,

0:51:19.600 --> 0:51:21.240
<v Speaker 2>you know. And I'm just not that kind of actor,

0:51:21.320 --> 0:51:23.080
<v Speaker 2>like and I didn't think of myself like I just

0:51:23.080 --> 0:51:24.920
<v Speaker 2>didn't think that this was that funny. I guess, I

0:51:24.920 --> 0:51:26.839
<v Speaker 2>don't know. I just watching this, I was like, oh,

0:51:26.920 --> 0:51:27.880
<v Speaker 2>this is so awful.

0:51:27.920 --> 0:51:29.600
<v Speaker 1>I mean, I guess unless he wanted you to go

0:51:29.840 --> 0:51:35.239
<v Speaker 1>so ridiculously caricatry where I think running.

0:51:34.360 --> 0:51:36.000
<v Speaker 2>I mean, I think that's why I think it is

0:51:36.040 --> 0:51:39.719
<v Speaker 2>my fault. Acting. Was like, if there was any awareness

0:51:39.800 --> 0:51:43.440
<v Speaker 2>or campiness or irony of any sort to this character,

0:51:43.480 --> 0:51:45.919
<v Speaker 2>he's much more likable. It's much more funny, but as

0:51:45.920 --> 0:51:49.640
<v Speaker 2>it is, you're like annoyed by my disdain for everybody

0:51:49.640 --> 0:51:53.000
<v Speaker 2>because it's like you don't. I mean, that's I know,

0:51:53.120 --> 0:51:55.839
<v Speaker 2>but now I don't know. I think there's a way. Look,

0:51:56.000 --> 0:51:59.640
<v Speaker 2>I'd love to go back and acting coach young fourteen

0:51:59.719 --> 0:52:01.319
<v Speaker 2>year old old writer and tell him how to play

0:52:01.320 --> 0:52:03.279
<v Speaker 2>the scene and that it's okay. Uh, and then maybe

0:52:03.320 --> 0:52:05.319
<v Speaker 2>the director isn't wrong, but you know, how do he

0:52:05.360 --> 0:52:07.200
<v Speaker 2>take a note behind the note and find a version

0:52:07.200 --> 0:52:09.239
<v Speaker 2>that works for you? Okay? Could I could have helped

0:52:09.239 --> 0:52:11.520
<v Speaker 2>myself out. It's it was painful to watch, though.

0:52:11.560 --> 0:52:14.520
<v Speaker 3>Well I didn't think it was nearly as bad as

0:52:14.560 --> 0:52:19.200
<v Speaker 3>you agree. I agreed, Yeah, definitely not so okay. We

0:52:19.239 --> 0:52:22.040
<v Speaker 3>are also introduced to Ferret, who was yelling and hissing

0:52:22.080 --> 0:52:25.920
<v Speaker 3>and talking to a toothbrush, and he's called nuts.

0:52:26.480 --> 0:52:32.719
<v Speaker 2>He's really good. He's amazing, so Ty, like I think

0:52:33.160 --> 0:52:35.880
<v Speaker 2>I completely forgot like that he existed, and then I

0:52:35.920 --> 0:52:37.520
<v Speaker 2>started watching this movie, was like, oh my god, that's

0:52:37.840 --> 0:52:40.920
<v Speaker 2>I remember this guy Ty. He was older, he was

0:52:40.960 --> 0:52:43.160
<v Speaker 2>he was an adult, if I remember, he looks like

0:52:43.320 --> 0:52:46.480
<v Speaker 2>he was older than us, but just the best. And

0:52:46.560 --> 0:52:50.440
<v Speaker 2>I remember laughing NonStop with him. He would always he

0:52:50.560 --> 0:52:52.520
<v Speaker 2>I don't know if he had actually done stand up,

0:52:52.680 --> 0:52:55.719
<v Speaker 2>but he would always do bits and he was improvising

0:52:55.800 --> 0:52:58.080
<v Speaker 2>like crazy. So like most of the funniest stuff is

0:52:58.160 --> 0:53:00.920
<v Speaker 2>him improving, and like I guess he was like a

0:53:01.000 --> 0:53:04.200
<v Speaker 2>go to freak out slacker dude and like because there's

0:53:04.239 --> 0:53:06.359
<v Speaker 2>like a common commercial with him in it and like

0:53:06.520 --> 0:53:08.960
<v Speaker 2>you know when he freaks out, Like that's what I remember.

0:53:09.000 --> 0:53:10.920
<v Speaker 2>He was like known for being the guy like yeah

0:53:11.080 --> 0:53:13.919
<v Speaker 2>and has lost I draw like a berserker actor. He's

0:53:14.200 --> 0:53:14.800
<v Speaker 2>so funny.

0:53:15.280 --> 0:53:16.160
<v Speaker 1>He's in this movie.

0:53:16.160 --> 0:53:19.240
<v Speaker 3>He's really really good, and it's great against two totally

0:53:19.239 --> 0:53:20.600
<v Speaker 3>different characters in this movie.

0:53:20.640 --> 0:53:22.960
<v Speaker 2>There's a scene where he's just a different character and

0:53:23.000 --> 0:53:25.319
<v Speaker 2>then and then yeah, so we get to see him twice.

0:53:25.360 --> 0:53:25.879
<v Speaker 2>It's really great.

0:53:25.960 --> 0:53:27.600
<v Speaker 1>But this is what I found so odd about this

0:53:27.640 --> 0:53:32.839
<v Speaker 1>film is that the the people around you are way

0:53:32.920 --> 0:53:35.800
<v Speaker 1>more flushed out and given actual characters than the people

0:53:35.960 --> 0:53:39.120
<v Speaker 1>around the other Freddy Yeah, you know. So it's like

0:53:39.440 --> 0:53:41.759
<v Speaker 1>you wanted that balance of like you get where it's going,

0:53:41.760 --> 0:53:43.480
<v Speaker 1>but it wasn't like that at all. And that's why

0:53:43.480 --> 0:53:45.040
<v Speaker 1>I'm like, who am I I don't know who I'm

0:53:45.120 --> 0:53:47.239
<v Speaker 1>rooting for. It's supposed to be rooting for.

0:53:47.280 --> 0:53:49.799
<v Speaker 2>I didn't get it. Who is the protagonist? I don't know.

0:53:49.920 --> 0:53:51.839
<v Speaker 2>I guess it's Jason, really it's him.

0:53:52.600 --> 0:53:52.759
<v Speaker 1>Yeah.

0:53:52.800 --> 0:53:55.880
<v Speaker 2>It starts with his problem, like he gets sent to camp,

0:53:55.920 --> 0:53:57.560
<v Speaker 2>so it's really it's his predicament that.

0:53:58.520 --> 0:54:01.360
<v Speaker 1>Yeah, right, but it's all so your problem is the same.

0:54:01.400 --> 0:54:03.319
<v Speaker 1>Exact movie could exist if they just started with you

0:54:03.360 --> 0:54:05.399
<v Speaker 1>on the free free throw line. I mean, it's not

0:54:05.520 --> 0:54:08.040
<v Speaker 1>like his thing led to your thing. It was just

0:54:08.239 --> 0:54:10.520
<v Speaker 1>his character happened to go first with his problem.

0:54:10.520 --> 0:54:13.000
<v Speaker 2>That's all it was. Was. Yeah, so it's supposed to

0:54:13.040 --> 0:54:15.839
<v Speaker 2>be a two piece, and it just it was.

0:54:15.920 --> 0:54:17.640
<v Speaker 1>I didn't I didn't know who I was rooting for.

0:54:18.600 --> 0:54:19.239
<v Speaker 2>Yeah.

0:54:19.280 --> 0:54:22.560
<v Speaker 3>Well, back at Enclave, chef Jimmy catches Freddy walking around

0:54:22.560 --> 0:54:25.759
<v Speaker 3>with his pillowcase filled with stolen goods. Jimmy knows that

0:54:25.800 --> 0:54:27.680
<v Speaker 3>Freddy is lying and was meant to be at the

0:54:27.719 --> 0:54:31.399
<v Speaker 3>work camp down the street, because this is a quote.

0:54:31.520 --> 0:54:34.600
<v Speaker 3>I know the streets. I was raised on them myself.

0:54:35.239 --> 0:54:38.880
<v Speaker 3>So he references the fact that there's a work camp

0:54:39.480 --> 0:54:44.240
<v Speaker 3>down the street, and he recognizes quickly that fast Freddy

0:54:44.560 --> 0:54:46.879
<v Speaker 3>was probably meant to go there, and there's been some

0:54:46.960 --> 0:54:47.799
<v Speaker 3>sort of mix up.

0:54:47.960 --> 0:54:52.440
<v Speaker 1>Yeah, because the super wealthy camp is always within a

0:54:52.560 --> 0:54:55.080
<v Speaker 1>quarter mile of the prison camp.

0:54:55.480 --> 0:54:59.200
<v Speaker 2>I would like to say, just so it's out there.

0:54:59.600 --> 0:55:03.400
<v Speaker 3>My junior high school was directly next door to the

0:55:03.520 --> 0:55:05.720
<v Speaker 3>juvenile detention junior high school.

0:55:06.239 --> 0:55:09.200
<v Speaker 1>Yes, different than the super well, that'd be like the

0:55:09.440 --> 0:55:12.360
<v Speaker 1>be like Choate in Connecticut or one of these super

0:55:12.560 --> 0:55:17.160
<v Speaker 1>wealthy high schools. Being right next to cho is like

0:55:17.160 --> 0:55:18.680
<v Speaker 1>one of the biggest high schools and.

0:55:18.840 --> 0:55:20.160
<v Speaker 2>Sounds like a bad word. I know.

0:55:23.840 --> 0:55:28.799
<v Speaker 1>No, it's Choate, So like both. No, Choate is like

0:55:28.800 --> 0:55:30.440
<v Speaker 1>where a lot of presidents went. It's where you go

0:55:30.440 --> 0:55:33.520
<v Speaker 1>before or Harvard. Yeah, so it's it's one of those

0:55:33.520 --> 0:55:35.799
<v Speaker 1>things where that's not going to be next to a

0:55:35.840 --> 0:55:39.919
<v Speaker 1>detention center. So this is supposed to be super wealthy camp, right,

0:55:39.960 --> 0:55:43.320
<v Speaker 1>you know, within a stone's throw of the prison camp.

0:55:43.719 --> 0:55:46.560
<v Speaker 2>Very funny. Worked for the work for the piece, worked

0:55:46.560 --> 0:55:48.720
<v Speaker 2>for the peace, It worked out for it. Okay.

0:55:49.040 --> 0:55:51.959
<v Speaker 3>So Jimmy alludes that he won't snitch, and Freddy says

0:55:51.960 --> 0:55:53.560
<v Speaker 3>he just wants him to stay out of his face.

0:55:54.000 --> 0:55:56.200
<v Speaker 3>Back at the work camp, writer is in a scene

0:55:56.320 --> 0:55:59.000
<v Speaker 3>right out of shawsh Ank Redemption, digging a hole, still

0:55:59.120 --> 0:56:02.879
<v Speaker 3>mouthing off to the sergeant and getting nowhere at enclave fast.

0:56:02.920 --> 0:56:05.840
<v Speaker 3>Freddy gets a letter from Frederic's mom, who was on

0:56:05.960 --> 0:56:08.359
<v Speaker 3>safari but sent her a credit card for.

0:56:08.360 --> 0:56:08.960
<v Speaker 2>Him to use.

0:56:09.280 --> 0:56:11.080
<v Speaker 3>She explains that she'll pick him up at the end

0:56:11.080 --> 0:56:14.719
<v Speaker 3>of summer, and Freddy gets to charge gifts for Christine

0:56:14.880 --> 0:56:18.560
<v Speaker 3>onto the gold card, and she starts with He starts

0:56:18.600 --> 0:56:22.799
<v Speaker 3>with the absolute best caviar, which, as we know, all

0:56:22.880 --> 0:56:23.960
<v Speaker 3>high schoolers love.

0:56:24.040 --> 0:56:29.680
<v Speaker 1>Exactly a case a case a case of caviar, ten

0:56:29.800 --> 0:56:32.719
<v Speaker 1>years worth of caviar to the fifteen year old girl.

0:56:32.760 --> 0:56:33.520
<v Speaker 1>I really, we.

0:56:33.520 --> 0:56:35.920
<v Speaker 2>All know, we all know that's everyone's favorite.

0:56:36.640 --> 0:56:40.040
<v Speaker 3>Modem and Todd are watching Freddy and another person play basketball.

0:56:40.320 --> 0:56:43.400
<v Speaker 3>Modem is impressed with the other guy, a camper named Hoops,

0:56:43.480 --> 0:56:45.319
<v Speaker 3>who is maybe a thirty five year old man.

0:56:45.440 --> 0:56:49.799
<v Speaker 2>He is in every bit he is dunking. We had

0:56:49.800 --> 0:56:52.520
<v Speaker 2>these older we had all the basketball players were older.

0:56:52.520 --> 0:56:54.279
<v Speaker 2>They were in college. I actually remember hanging out with

0:56:54.320 --> 0:56:55.600
<v Speaker 2>a couple of them. I could see their faces in

0:56:55.640 --> 0:56:57.239
<v Speaker 2>the background of some of the scenes be like, oh, yes,

0:56:57.280 --> 0:56:59.200
<v Speaker 2>that's good night, guy. But I don't remember their names,

0:56:59.200 --> 0:57:01.200
<v Speaker 2>but there they were, Like you guys in particular, one

0:57:01.200 --> 0:57:04.560
<v Speaker 2>of whom will you'll appreciate this because I was. I

0:57:04.600 --> 0:57:06.759
<v Speaker 2>was big in to role playing games at the time. Yeah,

0:57:06.760 --> 0:57:10.040
<v Speaker 2>so like and of all things, well, first of all,

0:57:10.080 --> 0:57:12.200
<v Speaker 2>when you get back then, if you remember, if you

0:57:12.280 --> 0:57:14.160
<v Speaker 2>went to a town like Jacksonville, the first thing you

0:57:14.200 --> 0:57:17.080
<v Speaker 2>had to do was find the local couch book, game

0:57:17.160 --> 0:57:19.640
<v Speaker 2>store or whatever you have to. Like, I remember going

0:57:19.640 --> 0:57:21.400
<v Speaker 2>through the Yellow Pages and you have to look up

0:57:21.440 --> 0:57:23.800
<v Speaker 2>like hobbies, and then like there would be hobby stores

0:57:23.800 --> 0:57:27.840
<v Speaker 2>that would just be like airplane building and you're like, no,

0:57:27.920 --> 0:57:30.200
<v Speaker 2>I want the hobby store that has D and D books.

0:57:30.240 --> 0:57:33.400
<v Speaker 2>And anyway, one of these guys who was way too

0:57:33.480 --> 0:57:36.880
<v Speaker 2>old basketball player played where Wolf the Apocalypse, the role

0:57:36.880 --> 0:57:38.760
<v Speaker 2>playing game I used to play, and it was like,

0:57:38.960 --> 0:57:41.320
<v Speaker 2>I couldn't believe that of all the things in Jacksonville,

0:57:41.320 --> 0:57:44.560
<v Speaker 2>I found him. Fellow were wolf player, you found him.

0:57:44.720 --> 0:57:49.479
<v Speaker 2>I also I also remember buying minifig figurines to paint,

0:57:49.520 --> 0:57:51.960
<v Speaker 2>like the Pewter figurines. I got into painting while I

0:57:52.000 --> 0:57:54.080
<v Speaker 2>was doing this movie. I never got any good at it.

0:57:54.080 --> 0:57:57.080
<v Speaker 3>But well, this particular guy who played Hoops was named

0:57:57.160 --> 0:58:00.720
<v Speaker 3>Kent Schaeffer in his only role ever, and he goes

0:58:00.720 --> 0:58:02.520
<v Speaker 3>out of his way to avoid having any lines. They

0:58:02.560 --> 0:58:05.360
<v Speaker 3>actually I mean. They make it very clear he's not

0:58:05.400 --> 0:58:08.680
<v Speaker 3>allowed to talk. Also, Modem notices that Freddy is a

0:58:08.720 --> 0:58:11.400
<v Speaker 3>baller too, and the perfect new addition to their plan.

0:58:11.880 --> 0:58:15.920
<v Speaker 3>Christine walks up furious about her caviat and is not

0:58:16.080 --> 0:58:19.520
<v Speaker 3>interested in some flashy fly talking boy. She's not hearing

0:58:19.520 --> 0:58:22.760
<v Speaker 3>it and she takes off. Modem then extends an invitation

0:58:22.800 --> 0:58:25.360
<v Speaker 3>to Freddy to join the camp, the camp team for

0:58:25.440 --> 0:58:28.959
<v Speaker 3>their game against the detention camp. Oh, we see where

0:58:29.000 --> 0:58:34.400
<v Speaker 3>this is going. Then Freddy says nope and takes off.

0:58:34.840 --> 0:58:38.040
<v Speaker 3>At enclave, we hear a perfectly timed announcement sign up

0:58:38.080 --> 0:58:41.200
<v Speaker 3>today to play basketball against the richie rich kids, and

0:58:41.240 --> 0:58:44.320
<v Speaker 3>it must be Wednesday. Because Writer is calling his dad.

0:58:44.960 --> 0:58:47.840
<v Speaker 3>He tries to explain there has been a huge identity mistake,

0:58:47.880 --> 0:58:49.200
<v Speaker 3>but his dad isn't listening at all.

0:58:49.280 --> 0:58:51.600
<v Speaker 2>He's just focused on work. He hangs up without hearing

0:58:51.640 --> 0:58:56.120
<v Speaker 2>a word. Writer. This is where I noticed. Your skin

0:58:57.000 --> 0:59:00.880
<v Speaker 2>is flawless. Yeah, this is patly.

0:59:01.480 --> 0:59:05.680
<v Speaker 3>You have not a not a thing on your skin.

0:59:06.000 --> 0:59:09.720
<v Speaker 3>You look like this is obviously before filters. I would

0:59:09.760 --> 0:59:12.400
<v Speaker 3>be like they did something to his face. Nobody's face

0:59:12.480 --> 0:59:13.160
<v Speaker 3>is that flawless?

0:59:14.960 --> 0:59:19.440
<v Speaker 2>Prepubescent still gosh, yeah, a year later it would be

0:59:19.480 --> 0:59:23.640
<v Speaker 2>a whole nightmare. So yeah, man, I literally is close

0:59:23.720 --> 0:59:26.280
<v Speaker 2>up on you. I was like, wow, look at that skin.

0:59:26.760 --> 0:59:28.640
<v Speaker 2>There's actually like the whole section of the movie where

0:59:28.640 --> 0:59:30.400
<v Speaker 2>I have like a patch of dirt on the side

0:59:30.400 --> 0:59:32.360
<v Speaker 2>of my face, which made me think, do you guys

0:59:32.400 --> 0:59:37.320
<v Speaker 2>remember like Fuller's Earth? Oh, my god, you have. I

0:59:37.320 --> 0:59:39.280
<v Speaker 2>don't think anybody would know that, but Foller's Earth is

0:59:39.280 --> 0:59:44.240
<v Speaker 2>what is fake dirt because you don't want to use

0:59:44.320 --> 0:59:46.440
<v Speaker 2>real dirt on actors faces. So there's a thing called

0:59:46.480 --> 0:59:48.080
<v Speaker 2>Fuller's Earth. I don't know if they still use it

0:59:48.160 --> 0:59:51.040
<v Speaker 2>on set, but it's basically like a powder. It's like

0:59:51.080 --> 0:59:53.480
<v Speaker 2>a makeup. It looks like dirt and it comes in

0:59:53.560 --> 0:59:55.640
<v Speaker 2>big bags, and so whenever you're supposed to be dirty,

0:59:55.680 --> 0:59:59.600
<v Speaker 2>you get Fuller's Earth. When I saw that little patch

0:59:59.600 --> 1:00:01.520
<v Speaker 2>on the side, much like, I don't know it's there.

1:00:02.120 --> 1:00:06.960
<v Speaker 2>I haven't I haven't done enough. You needed to be

1:00:07.000 --> 1:00:07.480
<v Speaker 2>dirtied up.

1:00:07.480 --> 1:00:09.880
<v Speaker 1>Apparently we still also still don't know whatever that hole

1:00:10.040 --> 1:00:12.640
<v Speaker 1>was you were digging like. They never explained it, just

1:00:13.040 --> 1:00:14.120
<v Speaker 1>a hole, get in there.

1:00:13.800 --> 1:00:17.240
<v Speaker 3>And that was so Back in the dining room, writer

1:00:17.360 --> 1:00:20.000
<v Speaker 3>sits with some gross food and the insane kid Ferret,

1:00:20.000 --> 1:00:23.120
<v Speaker 3>who was playing with his mashed potatoes. Frederick tell's Numbers

1:00:23.120 --> 1:00:25.560
<v Speaker 3>and Hacksaw he wants in. They have no idea what

1:00:25.600 --> 1:00:27.960
<v Speaker 3>he's talking about, but Writer explains he's seen the movies.

1:00:28.000 --> 1:00:30.880
<v Speaker 3>He knows they're probably planning a break. Numbers and Hacksaw

1:00:30.960 --> 1:00:33.640
<v Speaker 3>say there is no escape plan, especially since less than

1:00:33.680 --> 1:00:36.600
<v Speaker 3>one percent of these ideas are successful. But still Writer

1:00:36.720 --> 1:00:39.040
<v Speaker 3>offers them cash and the boys say, okay, we'll help you.

1:00:39.200 --> 1:00:41.320
<v Speaker 2>This is this is where the music was doing the

1:00:41.400 --> 1:00:44.200
<v Speaker 2>like the dumb guy music cue, like letting us know

1:00:44.280 --> 1:00:45.680
<v Speaker 2>that this is so bad.

1:00:46.320 --> 1:00:46.560
<v Speaker 1>I do.

1:00:48.520 --> 1:00:50.600
<v Speaker 2>You ever watched Like Survivor and they always do it

1:00:50.600 --> 1:00:53.040
<v Speaker 2>like now you once you know, like you could just tell,

1:00:53.120 --> 1:00:56.040
<v Speaker 2>like the show is judging this person. Yeah, I'm supposed

1:00:56.080 --> 1:00:57.800
<v Speaker 2>to think this person is dumb because it has that

1:00:57.880 --> 1:01:01.439
<v Speaker 2>kind of music going on, and the music so heavy

1:01:01.480 --> 1:01:02.080
<v Speaker 2>handed that way.

1:01:02.400 --> 1:01:04.680
<v Speaker 3>Well, the next morning, Freddy wakes up in his huge

1:01:04.720 --> 1:01:07.600
<v Speaker 3>bed and says he's living life like Michael Jackson, a

1:01:07.600 --> 1:01:10.320
<v Speaker 3>small nod to his breakout role. He also does a

1:01:10.320 --> 1:01:13.320
<v Speaker 3>little MJ dance move and says I'm bad. Then we

1:01:13.360 --> 1:01:15.640
<v Speaker 3>see him at the pool, still hitting.

1:01:15.400 --> 1:01:19.480
<v Speaker 2>On things, makes himself.

1:01:19.200 --> 1:01:23.280
<v Speaker 3>Blind again another moment where they were like, hey, go ahead,

1:01:23.800 --> 1:01:26.320
<v Speaker 3>just do some just do some cool stuff. You're talented.

1:01:26.520 --> 1:01:28.640
<v Speaker 3>Give us some of your moves and see what you got.

1:01:29.040 --> 1:01:32.280
<v Speaker 3>He is still hitting on Christine unsuccessfully. He also has

1:01:32.320 --> 1:01:35.080
<v Speaker 3>a much higher voice for ad R for some reason.

1:01:35.080 --> 1:01:36.800
<v Speaker 3>You could tell the stuff that was ad R. It's

1:01:36.840 --> 1:01:39.920
<v Speaker 3>significantly higher. Then he runs into Modem who is in

1:01:39.960 --> 1:01:46.760
<v Speaker 3>the pool with a hat on. And I was gonna say,

1:01:46.760 --> 1:01:51.080
<v Speaker 3>swimming with shirt, I'm all four, swimming with a hat

1:01:51.560 --> 1:01:52.760
<v Speaker 3>is a real move.

1:01:52.560 --> 1:01:54.120
<v Speaker 2>But we see later he's got a piece of paper

1:01:54.160 --> 1:01:56.240
<v Speaker 2>in there, so it makes sense. I think it's funny.

1:01:56.800 --> 1:01:57.880
<v Speaker 2>It's funny. It's funny.

1:01:57.880 --> 1:02:01.520
<v Speaker 3>I'm just saying, hat on. He's still talking about the

1:02:01.520 --> 1:02:04.520
<v Speaker 3>basketball team and reveals that he needs poached eggs delivered

1:02:04.520 --> 1:02:07.520
<v Speaker 3>to him every morning or else Freddy Egan from the

1:02:07.560 --> 1:02:11.439
<v Speaker 3>South Side will be exposed, even to Christine. We find

1:02:11.440 --> 1:02:14.680
<v Speaker 3>out he knows about his true identity, and yep, the

1:02:14.720 --> 1:02:17.240
<v Speaker 3>next scene, he's making those poached eggs in the kitchen

1:02:17.280 --> 1:02:19.360
<v Speaker 3>and Chef Jimmy is mad about it. He says, you

1:02:19.400 --> 1:02:21.360
<v Speaker 3>don't oh mote him anything even if he does know,

1:02:21.680 --> 1:02:22.920
<v Speaker 3>And now, yeah.

1:02:22.760 --> 1:02:27.240
<v Speaker 1>I'm sorry. He's a chef. Now, all of a sudden,

1:02:27.280 --> 1:02:28.960
<v Speaker 1>he's going in. He knows how to poach eggs. He's

1:02:29.000 --> 1:02:31.200
<v Speaker 1>cooking the kid dinner. Where did he Where did he pick.

1:02:31.080 --> 1:02:32.760
<v Speaker 2>Up these cheffing skills? Is my question?

1:02:33.080 --> 1:02:38.160
<v Speaker 1>He probably perfectly poached eggs. It's so strange, and I

1:02:38.280 --> 1:02:41.400
<v Speaker 1>was like, oh, okay, oh lady's a chef chef too, Okay,

1:02:41.480 --> 1:02:42.200
<v Speaker 1>it's interesting.

1:02:43.920 --> 1:02:45.600
<v Speaker 2>This movie also does this thing a couple of times

1:02:45.600 --> 1:02:47.880
<v Speaker 2>where it brings up like it brings up a problem,

1:02:47.920 --> 1:02:50.720
<v Speaker 2>like oh, he's discovered who yeah Freddy is, and then

1:02:50.720 --> 1:02:53.880
<v Speaker 2>it just kind of doesn't matter anymore. No, don't worry

1:02:53.920 --> 1:02:56.000
<v Speaker 2>about it. They're like, we need steaks, and they're like,

1:02:56.760 --> 1:02:57.880
<v Speaker 2>how can I say something about it?

1:02:57.920 --> 1:03:01.400
<v Speaker 1>Okay that note or just have Freddy cook perfect stakes

1:03:01.720 --> 1:03:04.640
<v Speaker 1>is it's when you already brought up where we like

1:03:04.920 --> 1:03:08.040
<v Speaker 1>actually confront each other and to everybody what's happening, and

1:03:08.080 --> 1:03:11.360
<v Speaker 1>everyone just goes, we're.

1:03:11.200 --> 1:03:11.800
<v Speaker 2>Coming up to that.

1:03:12.200 --> 1:03:15.400
<v Speaker 3>So and now Freddie needs Jimmy's help to get Christine.

1:03:15.480 --> 1:03:18.120
<v Speaker 3>Freddy says, since the cook hasn't routed Freddy out, he

1:03:18.200 --> 1:03:21.640
<v Speaker 3>must be a good brother. And then Chef Jimmy says,

1:03:21.680 --> 1:03:22.920
<v Speaker 3>this man, I got.

1:03:22.800 --> 1:03:25.320
<v Speaker 2>A sister in Georgia and three brothers in Jersey. You

1:03:25.320 --> 1:03:29.800
<v Speaker 2>ain't my brother? What you wait, my brother? What what

1:03:29.840 --> 1:03:32.000
<v Speaker 2>does that mean? Okay?

1:03:32.200 --> 1:03:36.640
<v Speaker 3>Sure, anyway, Jimmy tells him to be an honest gentleman

1:03:36.680 --> 1:03:40.040
<v Speaker 3>to Christine, but Freddie isn't hearing it. At the same time,

1:03:40.240 --> 1:03:46.200
<v Speaker 3>Modem hacks into the Las Vegas mainframe and somehow gets

1:03:46.320 --> 1:03:51.400
<v Speaker 3>the Camp basketball team into their sports book so people

1:03:51.440 --> 1:03:52.520
<v Speaker 3>can bet on the game.

1:03:52.920 --> 1:03:54.680
<v Speaker 2>This will never come back up.

1:03:55.000 --> 1:03:59.280
<v Speaker 3>Just fyo, the betting, the money, nothing, This will never

1:03:59.320 --> 1:04:00.000
<v Speaker 3>be mentioned again.

1:04:00.360 --> 1:04:01.160
<v Speaker 2>This is this.

1:04:01.240 --> 1:04:03.760
<v Speaker 3>You'll never hear about it. Don't expect to wrap up

1:04:03.840 --> 1:04:06.919
<v Speaker 3>on this. It just doesn't come back.

1:04:08.480 --> 1:04:09.600
<v Speaker 2>You do love talking about Stacks.

1:04:09.880 --> 1:04:12.120
<v Speaker 3>It's true that you do. You do think you they

1:04:12.160 --> 1:04:14.040
<v Speaker 3>threatened stakes. They thinks it.

1:04:14.000 --> 1:04:18.560
<v Speaker 2>You otherwise this whole storyline like why does Modem care,

1:04:18.920 --> 1:04:22.120
<v Speaker 2>you know, unless unless there's real reasons.

1:04:21.760 --> 1:04:24.720
<v Speaker 1>Trying to keep him on the basketball team and all

1:04:24.760 --> 1:04:25.480
<v Speaker 1>that kind of stuff.

1:04:25.520 --> 1:04:27.760
<v Speaker 2>But it's yeah, never, She's right, it never comes up.

1:04:27.800 --> 1:04:28.240
<v Speaker 1>Do you lose?

1:04:29.600 --> 1:04:32.120
<v Speaker 3>He says, it's not as tough as those Pearl Jam

1:04:32.160 --> 1:04:33.480
<v Speaker 3>tickets they scored.

1:04:33.160 --> 1:04:35.840
<v Speaker 2>And then they bet two million dollars on the game.

1:04:35.880 --> 1:04:39.200
<v Speaker 3>It's just it's a very grounded scene and writer gets

1:04:39.240 --> 1:04:42.040
<v Speaker 3>another call to his dad, so it also must be Wednesday. Again,

1:04:42.080 --> 1:04:44.400
<v Speaker 3>it's a it's a full week. His dad is on

1:04:44.480 --> 1:04:47.120
<v Speaker 3>a construction site. It's been three weeks.

1:04:47.240 --> 1:04:49.520
<v Speaker 1>Three. It's a third call, so it's three weeks of

1:04:49.520 --> 1:04:50.560
<v Speaker 1>the month he's supposed to be.

1:04:50.920 --> 1:04:55.240
<v Speaker 2>It's a second. I think it's it's second call. Didn't

1:04:55.280 --> 1:04:59.160
<v Speaker 2>hear him. It was the day before Wednesday, exactly a

1:04:59.160 --> 1:05:01.600
<v Speaker 2>full week now, Yeah, so you're two weeks into a

1:05:01.640 --> 1:05:05.160
<v Speaker 2>one month sentence, or at least eight days because Tuesday

1:05:05.320 --> 1:05:05.840
<v Speaker 2>you tried.

1:05:05.920 --> 1:05:08.000
<v Speaker 3>Then the next day was Wednesday, and then it's now

1:05:08.080 --> 1:05:09.720
<v Speaker 3>next Wednesday, so it's been eight days.

1:05:09.840 --> 1:05:10.840
<v Speaker 2>Okay, okay.

1:05:12.320 --> 1:05:14.960
<v Speaker 3>So his dad is on a construction site with faulty

1:05:15.000 --> 1:05:18.880
<v Speaker 3>cell phone service. Again they attempt to fix. So the

1:05:18.920 --> 1:05:21.880
<v Speaker 3>attempt to fix the mistake is unsuccessful. So that night

1:05:21.920 --> 1:05:24.440
<v Speaker 3>the tunnel plan with numbers and Hacksaw is on, but

1:05:24.600 --> 1:05:26.960
<v Speaker 3>it ends up being a prank where a rider gets

1:05:26.960 --> 1:05:30.160
<v Speaker 3>sprayed with water and they're all caught redhanded and sent

1:05:30.240 --> 1:05:32.360
<v Speaker 3>to trash pick up on the highway the next day.

1:05:32.760 --> 1:05:36.520
<v Speaker 2>Now this is where I finally felt like I was okay, okay, great,

1:05:36.560 --> 1:05:40.960
<v Speaker 2>see I was like, well, I mean, first of all,

1:05:41.160 --> 1:05:43.479
<v Speaker 2>like I remember this. I remember shooting this obviously because

1:05:43.520 --> 1:05:46.200
<v Speaker 2>I get covered in water and light, there's lots of remember.

1:05:46.200 --> 1:05:47.960
<v Speaker 2>But I also remember like, this is one of the

1:05:47.960 --> 1:05:50.560
<v Speaker 2>first night scenes I ever shot, and I remember being

1:05:51.040 --> 1:05:55.440
<v Speaker 2>so like shocked at how much lighting you need, like

1:05:56.360 --> 1:06:00.680
<v Speaker 2>a condor without giant, big blue moonlight. Shooting at night

1:06:00.720 --> 1:06:02.920
<v Speaker 2>in the woods is like you have to have so

1:06:03.120 --> 1:06:06.240
<v Speaker 2>much light to just be able to see. And then though,

1:06:06.560 --> 1:06:09.720
<v Speaker 2>but man, like, do you guys catch the really awkward

1:06:09.720 --> 1:06:12.800
<v Speaker 2>moment where I go to recha the wrench, you're holding

1:06:12.800 --> 1:06:15.680
<v Speaker 2>your head the wrench, just hold they take it. It's like,

1:06:16.480 --> 1:06:18.360
<v Speaker 2>but I do like that at least I'm like being

1:06:18.440 --> 1:06:21.080
<v Speaker 2>a snap. See. Here's where I'm like being a snob

1:06:21.120 --> 1:06:22.840
<v Speaker 2>and like I think I'm better than you in a

1:06:22.880 --> 1:06:25.520
<v Speaker 2>funny way. Well, I'm like I got this, yeah, I

1:06:25.520 --> 1:06:28.080
<v Speaker 2>could tell, you know. And it's like, rather than discussed,

1:06:28.080 --> 1:06:30.520
<v Speaker 2>I'm playing like cocky, which is just the one way

1:06:30.520 --> 1:06:33.480
<v Speaker 2>should be a pretentious rich person. It's more likable. It's

1:06:33.480 --> 1:06:35.200
<v Speaker 2>more it's like, oh, this guy has no clue how

1:06:35.240 --> 1:06:37.240
<v Speaker 2>much of an ass he is. It's just you know,

1:06:37.520 --> 1:06:40.160
<v Speaker 2>whereas before it's like me constantly letting everyone else know

1:06:40.200 --> 1:06:42.520
<v Speaker 2>how much they suck our dirty or look weird and

1:06:42.560 --> 1:06:44.640
<v Speaker 2>it's just not good. Like so this I was like,

1:06:44.680 --> 1:06:48.520
<v Speaker 2>oh yeah, this is fun. Now at trash pick up,

1:06:48.600 --> 1:06:53.800
<v Speaker 2>the Enclave bus first fluids. Oh really, water sewage dump

1:06:53.840 --> 1:06:57.360
<v Speaker 2>on me. Let's get to that fluid coverage number one.

1:06:58.360 --> 1:07:00.960
<v Speaker 3>The Enclave bus drives by the prisoners, and Modem and

1:07:01.040 --> 1:07:03.960
<v Speaker 3>Todd instruct the adult bus driver to pull over. They

1:07:04.000 --> 1:07:07.240
<v Speaker 3>have a plan. They ask the workers rider, Hacksaw and

1:07:07.360 --> 1:07:10.400
<v Speaker 3>Numbers if they want to cool off because they're hot,

1:07:10.560 --> 1:07:15.600
<v Speaker 3>and the apparently street smart kids stupidly say yeah, we're thirsty.

1:07:15.960 --> 1:07:19.800
<v Speaker 2>Like there's a few things leading up to this. How

1:07:19.840 --> 1:07:22.520
<v Speaker 2>about the fact that the adults are in on sure?

1:07:23.000 --> 1:07:23.640
<v Speaker 2>I think that.

1:07:23.480 --> 1:07:26.040
<v Speaker 1>That that the guy the guy says, hey, bus driver,

1:07:26.200 --> 1:07:29.120
<v Speaker 1>pull over, and the guys you got it, Yeah, I now.

1:07:29.040 --> 1:07:29.920
<v Speaker 2>Pull over, no problem.

1:07:30.040 --> 1:07:33.000
<v Speaker 1>And just very quickly before that, uh, the police officer

1:07:33.040 --> 1:07:35.880
<v Speaker 1>when he's when he's yelling at them, he's pointing with

1:07:36.080 --> 1:07:39.800
<v Speaker 1>two fingers, and it's very odd because who points.

1:07:40.400 --> 1:07:43.200
<v Speaker 3>Well, you know, the teach you that when you are

1:07:43.360 --> 1:07:45.560
<v Speaker 3>a when you're at Disneyland, when you work at Disneyland,

1:07:45.560 --> 1:07:47.800
<v Speaker 3>if you ask anybody where anything is, they point with

1:07:47.840 --> 1:07:50.200
<v Speaker 3>two fingers because they never want anyone to think they're

1:07:50.240 --> 1:07:50.840
<v Speaker 3>pointing at them.

1:07:51.560 --> 1:07:53.840
<v Speaker 1>Okay, if you so so, so, then you think the

1:07:53.880 --> 1:07:55.800
<v Speaker 1>police officer went to Disneyland training school.

1:07:56.000 --> 1:07:56.320
<v Speaker 2>I do.

1:07:56.360 --> 1:07:58.720
<v Speaker 3>And I also there's another moment later where they shake

1:07:58.760 --> 1:08:01.280
<v Speaker 3>their rich they shake hands like wrists, and I think

1:08:01.560 --> 1:08:03.840
<v Speaker 3>I think everyone in this movie was Disney and plat.

1:08:05.560 --> 1:08:07.240
<v Speaker 2>Okay, that may okay, Well then you just explained it.

1:08:07.280 --> 1:08:07.840
<v Speaker 2>That makes okay.

1:08:07.960 --> 1:08:12.360
<v Speaker 3>So then writer Numbers and Hacksaw are doused with some

1:08:12.440 --> 1:08:14.760
<v Speaker 3>sort garious trip.

1:08:15.400 --> 1:08:18.120
<v Speaker 2>Yeah, because they had to, like they have. I mean,

1:08:18.160 --> 1:08:20.240
<v Speaker 2>it was clearly a choice because it was like, why

1:08:20.320 --> 1:08:28.200
<v Speaker 2>would my character get get and you have it so bad?

1:08:28.240 --> 1:08:32.559
<v Speaker 2>It's such bad overacting, like, oh I've lost my balance gang,

1:08:32.720 --> 1:08:38.000
<v Speaker 2>Oh what is this supposed to be? Yeah? I don't

1:08:38.040 --> 1:08:43.439
<v Speaker 2>know what is it? What's the giant? Were talking about?

1:08:43.439 --> 1:08:43.479
<v Speaker 1>This?

1:08:43.600 --> 1:08:45.360
<v Speaker 2>I was always getting covered because in my Giant I

1:08:45.360 --> 1:08:47.439
<v Speaker 2>get dumped on. It's like whenever you're a kid actor

1:08:47.439 --> 1:08:50.160
<v Speaker 2>you get dumped on. You get what is it supposed

1:08:50.240 --> 1:08:54.160
<v Speaker 2>to be? We have in a in a in a

1:08:54.200 --> 1:08:55.120
<v Speaker 2>cooler cooler.

1:08:55.439 --> 1:08:59.719
<v Speaker 1>Yeah, a giant, white giant cooler full of nasty white.

1:09:01.120 --> 1:09:04.799
<v Speaker 2>Anything. So now now you make me really it's secure

1:09:04.840 --> 1:09:08.679
<v Speaker 2>about this movie. This is uh, this is an interesting choice.

1:09:08.720 --> 1:09:11.120
<v Speaker 2>It is, my god, all I remember about this more

1:09:11.120 --> 1:09:14.760
<v Speaker 2>than it is Tie improvising the whole like Beware of

1:09:14.800 --> 1:09:16.519
<v Speaker 2>the Eyes of March day, Like when he said calling

1:09:16.720 --> 1:09:18.719
<v Speaker 2>us after the domp and he's like they just rolled

1:09:18.720 --> 1:09:21.479
<v Speaker 2>the camera and he just kept pocket and freaking out.

1:09:21.560 --> 1:09:25.960
<v Speaker 2>It was hysterical, like I'm losing it that whole day. Yeah,

1:09:26.000 --> 1:09:27.000
<v Speaker 2>he was a funny guy.

1:09:27.200 --> 1:09:30.120
<v Speaker 3>Oh yeah, well, oh my gosh, Okay, anyway, the sergeant

1:09:30.200 --> 1:09:32.080
<v Speaker 3>just sits back and watches this happen.

1:09:32.160 --> 1:09:34.200
<v Speaker 2>He doesn't do a thing, no, of course, not of course,

1:09:36.160 --> 1:09:37.080
<v Speaker 2>Jason yep.

1:09:38.840 --> 1:09:41.559
<v Speaker 3>But then back on the rich Enclave bus, Freddy stands

1:09:41.640 --> 1:09:43.759
<v Speaker 3>up for the prisoner kids and tells Modem and Todd

1:09:43.800 --> 1:09:47.519
<v Speaker 3>to raise up, impressing a nearby Christine. Also back on

1:09:47.520 --> 1:09:49.320
<v Speaker 3>the side of the road, Numbers helps write her up

1:09:49.320 --> 1:09:52.280
<v Speaker 3>and we have a new respect and friendship between them.

1:09:52.800 --> 1:09:55.599
<v Speaker 3>Back at enclave, Freddy is watching Christine play tennis, and

1:09:55.680 --> 1:09:58.360
<v Speaker 3>when they say good match, they shake.

1:09:58.200 --> 1:10:00.920
<v Speaker 2>Wrists like this. It's fascinating.

1:10:01.000 --> 1:10:04.040
<v Speaker 1>It's also just a weird tennis lesson all the way around,

1:10:04.920 --> 1:10:06.960
<v Speaker 1>the woman just holding on to her the whole time.

1:10:07.040 --> 1:10:08.840
<v Speaker 1>Swinging the racket for or twice and it's.

1:10:08.720 --> 1:10:10.920
<v Speaker 2>Like, hey, great, lesson you greatly pick something up there.

1:10:12.920 --> 1:10:16.519
<v Speaker 3>So, uh, it seems like this possible couple is starting

1:10:16.520 --> 1:10:18.479
<v Speaker 3>to get along because of what he did on the bus.

1:10:18.520 --> 1:10:20.720
<v Speaker 3>He asks her to the camp dance dance and she

1:10:20.840 --> 1:10:24.280
<v Speaker 3>says yes. The sergeant also tells his work crew they

1:10:24.280 --> 1:10:27.760
<v Speaker 3>didn't deserve the slime dowsing by Enclave, but he's interrupted

1:10:27.760 --> 1:10:30.720
<v Speaker 3>by another romantic phone call and he can't hide.

1:10:30.920 --> 1:10:36.519
<v Speaker 2>I no longer have a sweater vest shirt guy. I

1:10:36.560 --> 1:10:39.200
<v Speaker 2>also like to feel like I'm in the movie exactly.

1:10:39.400 --> 1:10:42.160
<v Speaker 2>I was also like this the line. I like the

1:10:42.200 --> 1:10:44.639
<v Speaker 2>line that I even wrote it down. Tough times don't last,

1:10:44.720 --> 1:10:47.519
<v Speaker 2>tough people do. I like him, like the big giant

1:10:47.560 --> 1:10:49.479
<v Speaker 2>sign behind him, the eyes well again, the sign.

1:10:49.680 --> 1:10:52.200
<v Speaker 1>Budget for this movie was off the chart, but it was.

1:10:52.720 --> 1:10:54.280
<v Speaker 2>I loved that. That's a great sentiment.

1:10:54.439 --> 1:10:55.320
<v Speaker 1>That's a great sentiment.

1:11:05.760 --> 1:11:08.759
<v Speaker 3>And at Enclave, we see Freddy bringing the poached eggs

1:11:08.760 --> 1:11:11.679
<v Speaker 3>to Modem, but it's actually been replaced by a rat

1:11:11.760 --> 1:11:14.160
<v Speaker 3>and a card that says you are what you eat.

1:11:14.760 --> 1:11:16.760
<v Speaker 3>But Modem just says to get it out of here.

1:11:16.800 --> 1:11:19.280
<v Speaker 3>And I just don't understand.

1:11:18.760 --> 1:11:20.800
<v Speaker 2>This beat at all. No, I would he not be

1:11:20.880 --> 1:11:22.160
<v Speaker 2>more mad about this.

1:11:22.160 --> 1:11:26.599
<v Speaker 1>And nothing because he doesn't feel he doesn't.

1:11:26.600 --> 1:11:27.759
<v Speaker 2>He just expose Freddy.

1:11:27.840 --> 1:11:29.280
<v Speaker 1>I don't get it, because he needs them from the

1:11:29.320 --> 1:11:32.760
<v Speaker 1>basketball because he's got two million dollars.

1:11:32.439 --> 1:11:35.840
<v Speaker 3>In the game now, so he's got million dollars. Speaking

1:11:36.040 --> 1:11:39.080
<v Speaker 3>of some confusion. Here we are at the dance. Freddy

1:11:39.240 --> 1:11:42.400
<v Speaker 3>is dancing with Christine and bragging about his father, which

1:11:42.439 --> 1:11:45.040
<v Speaker 3>we know are all lies, and Christine is showing she's

1:11:45.120 --> 1:11:47.760
<v Speaker 3>real down to earth even though she's rich, so Ley

1:11:47.840 --> 1:11:48.120
<v Speaker 3>is deep.

1:11:48.160 --> 1:11:50.280
<v Speaker 2>Jo I was sitting here going, oh, we're already at

1:11:50.280 --> 1:11:54.120
<v Speaker 2>the dance, right, but because you usually saved the dance

1:11:54.160 --> 1:11:56.320
<v Speaker 2>for the dance. But this movie is like a combo

1:11:56.400 --> 1:11:58.920
<v Speaker 2>between like high school teen movies where the dance is

1:11:58.960 --> 1:12:02.040
<v Speaker 2>the big third act thing and the sports movie basketball,

1:12:02.120 --> 1:12:04.479
<v Speaker 2>and it tries to do both up with.

1:12:04.479 --> 1:12:08.479
<v Speaker 3>Two endings, and you don't really realize that either of

1:12:08.520 --> 1:12:11.960
<v Speaker 3>those two things are super important. There's only been very

1:12:12.040 --> 1:12:14.599
<v Speaker 3>casual mention of both of them, and so.

1:12:14.720 --> 1:12:17.719
<v Speaker 2>You're like, is the dance important? Is the game important?

1:12:18.200 --> 1:12:21.080
<v Speaker 2>Because you gotta have Jason Weaver singing dance, That's what

1:12:21.120 --> 1:12:22.080
<v Speaker 2>it is exactly.

1:12:23.400 --> 1:12:26.040
<v Speaker 1>He's the only one singing and dancing because all the

1:12:26.080 --> 1:12:30.280
<v Speaker 1>other dancing couples look like they are being tortured to

1:12:30.360 --> 1:12:30.760
<v Speaker 1>be there.

1:12:30.840 --> 1:12:32.439
<v Speaker 2>It is the most well, we're.

1:12:32.280 --> 1:12:34.960
<v Speaker 3>Playing bad movie. She's the whole point is that she's

1:12:34.960 --> 1:12:36.519
<v Speaker 3>playing bad music. I said, movies.

1:12:36.800 --> 1:12:37.640
<v Speaker 2>She's playing.

1:12:38.920 --> 1:12:41.639
<v Speaker 1>These poor people like spinning around each other, just looking

1:12:41.720 --> 1:12:43.559
<v Speaker 1>at there's a couple behind you that I swear to God,

1:12:43.640 --> 1:12:45.719
<v Speaker 1>right before they said action got into a huge fight

1:12:46.400 --> 1:12:47.120
<v Speaker 1>right beforehand.

1:12:47.160 --> 1:12:50.040
<v Speaker 2>It was not I just had a memory. The only

1:12:50.120 --> 1:12:52.719
<v Speaker 2>time I've ever done peri oke was during this movie,

1:12:52.760 --> 1:12:55.719
<v Speaker 2>and I did David Tom and Patrick Renna I don't

1:12:55.760 --> 1:12:58.120
<v Speaker 2>and we must have been out with Jason, but he

1:12:58.160 --> 1:12:59.680
<v Speaker 2>didn't do it with it, but we the three of

1:12:59.760 --> 1:13:05.280
<v Speaker 2>us and sang something. Anyway, I haven't done karaoke since

1:13:07.000 --> 1:13:10.479
<v Speaker 2>I'm so bad and so yeah, but what happened during

1:13:10.479 --> 1:13:13.400
<v Speaker 2>the karaoke We were doing some kind of like spontaneous

1:13:13.479 --> 1:13:16.200
<v Speaker 2>dance move and I slammed the mic into David Tom's

1:13:16.479 --> 1:13:18.719
<v Speaker 2>oh I know, and like gave him a black eye,

1:13:18.800 --> 1:13:21.000
<v Speaker 2>and god, yeah, it was like bad. He was like

1:13:21.080 --> 1:13:25.000
<v Speaker 2>really hurt and like kind of upset and like of

1:13:25.040 --> 1:13:27.920
<v Speaker 2>course a horrible singer. So never done karaoke since but.

1:13:28.400 --> 1:13:31.679
<v Speaker 1>No, I mean the usually not had many injuries in karaoke.

1:13:31.760 --> 1:13:32.480
<v Speaker 1>That's impressive.

1:13:32.880 --> 1:13:33.640
<v Speaker 2>It is impressive.

1:13:33.800 --> 1:13:36.519
<v Speaker 3>Well, so Leigh's DJing and Hoops is housing eggs, and

1:13:36.560 --> 1:13:38.600
<v Speaker 3>when the music gets boring, Freddy says he wants to

1:13:38.600 --> 1:13:41.960
<v Speaker 3>show Christine something he's been working on. But outside Modem

1:13:42.000 --> 1:13:44.479
<v Speaker 3>has crossed the river to the Bad Camp and luckily

1:13:44.600 --> 1:13:47.479
<v Speaker 3>is right there. When Ryder walks by, he grabs him

1:13:47.479 --> 1:13:48.840
<v Speaker 3>and tells him he wants to take him to the

1:13:48.920 --> 1:13:51.559
<v Speaker 3>dance and introduce him to his evil twin, the other

1:13:51.680 --> 1:13:56.320
<v Speaker 3>Freddy Egan, Right, housing, when you when you eat something

1:13:56.360 --> 1:13:57.960
<v Speaker 3>like a ton of it, you're housing.

1:13:58.160 --> 1:14:01.960
<v Speaker 1>You're housing it. Never even never heard that housing something inthing.

1:14:03.080 --> 1:14:06.800
<v Speaker 2>This is a this is a horrible scene. It's all

1:14:06.840 --> 1:14:09.800
<v Speaker 2>in one shot. I think what happened is like it

1:14:09.880 --> 1:14:11.800
<v Speaker 2>was a last minute I think we were probably it

1:14:11.880 --> 1:14:14.040
<v Speaker 2>was probably the same night we were doing the moonlight Escape,

1:14:14.360 --> 1:14:16.040
<v Speaker 2>and it's like they grab the camera and they're like,

1:14:16.439 --> 1:14:18.400
<v Speaker 2>just find a corner over here, we'll pretend the fences

1:14:18.479 --> 1:14:20.479
<v Speaker 2>right there. You guys, just do your in one shot,

1:14:20.920 --> 1:14:22.439
<v Speaker 2>we'll get out of here and take and then because

1:14:22.640 --> 1:14:24.320
<v Speaker 2>none of it makes sense, like we're losing light, we're

1:14:24.360 --> 1:14:27.200
<v Speaker 2>losing light. We're like, yeah, we have to play open

1:14:27.240 --> 1:14:29.280
<v Speaker 2>to the camera, like because we just have this one

1:14:29.320 --> 1:14:33.040
<v Speaker 2>two shot that's all. It's so bad. It's weird. It's weird,

1:14:33.479 --> 1:14:35.920
<v Speaker 2>like and there's also just no recognition that there's this

1:14:36.080 --> 1:14:38.599
<v Speaker 2>dude and like full cameo and face pain.

1:14:39.200 --> 1:14:43.360
<v Speaker 3>Yeah, you're just okay, I gotta go get hacks on numbers.

1:14:44.000 --> 1:14:47.280
<v Speaker 1>Why so is he just going by himself? The guy

1:14:47.280 --> 1:14:49.240
<v Speaker 1>who's supposed to be like the mastermind of the whole

1:14:49.280 --> 1:14:52.040
<v Speaker 1>thing goes to the bad camp to break in by himself,

1:14:52.080 --> 1:14:54.040
<v Speaker 1>to go grab hoping that this guy is going to

1:14:54.080 --> 1:14:55.320
<v Speaker 1>walk by him at some point.

1:14:55.240 --> 1:14:59.120
<v Speaker 2>And luckily he's there. He's just right there.

1:14:59.280 --> 1:15:01.320
<v Speaker 1>It's like, why not send one of your minions or

1:15:01.400 --> 1:15:04.080
<v Speaker 1>five of them, but you're going to go buy yourself into.

1:15:03.920 --> 1:15:07.840
<v Speaker 2>The camp whatever and just get a d It made

1:15:07.880 --> 1:15:08.439
<v Speaker 2>no sense.

1:15:08.520 --> 1:15:12.320
<v Speaker 1>And also I love how he's he's changing his call

1:15:12.360 --> 1:15:14.000
<v Speaker 1>sign every time he gets on.

1:15:13.960 --> 1:15:20.360
<v Speaker 2>His mother every time. What does he hoping happens? Just

1:15:20.520 --> 1:15:22.640
<v Speaker 2>trying to bring you to the camp. Yeah, he's just

1:15:22.640 --> 1:15:25.000
<v Speaker 2>going to find you, But what's going to happen? Because

1:15:25.120 --> 1:15:29.120
<v Speaker 2>isn't that going to ruin his basketball? But then none

1:15:29.120 --> 1:15:33.080
<v Speaker 2>of it makes none of that because if he if

1:15:33.080 --> 1:15:35.960
<v Speaker 2>he doesn't, because he can already expose Freddy. He already

1:15:35.960 --> 1:15:38.839
<v Speaker 2>can do it. He has the power. It was, so now.

1:15:40.439 --> 1:15:42.000
<v Speaker 3>Is the reason he's going to do it. He's going

1:15:42.080 --> 1:15:44.600
<v Speaker 3>to give up the bat because he has Hoops. So

1:15:44.720 --> 1:15:49.519
<v Speaker 3>maybe he's decided, without this being explained at all, he's decided.

1:15:49.040 --> 1:15:51.680
<v Speaker 2>Well, that rat was the last the last thing. He

1:15:51.720 --> 1:15:54.160
<v Speaker 2>could just expose Freddy. He could just take the piece

1:15:54.160 --> 1:15:56.120
<v Speaker 2>of paper from his hat, go to the people.

1:15:56.200 --> 1:16:00.240
<v Speaker 3>That right, much more interesting to do it, Freddy, say,

1:16:00.320 --> 1:16:06.400
<v Speaker 3>expose what actually happened to everybody? So Hoops is just

1:16:06.520 --> 1:16:10.439
<v Speaker 3>housing eggs as I mentioned, and.

1:16:09.560 --> 1:16:13.240
<v Speaker 2>Jason Siggs and dances and he's gray. Okay.

1:16:13.280 --> 1:16:15.240
<v Speaker 3>Back at the dance, Freddie has taken over DJing and

1:16:15.280 --> 1:16:18.519
<v Speaker 3>performs his own song that Girl with more MJ Moves.

1:16:18.760 --> 1:16:21.720
<v Speaker 3>He is good and Christine loves it. Also, we find

1:16:21.760 --> 1:16:24.679
<v Speaker 3>out that the sergeant's lady friend from the phone calls

1:16:24.800 --> 1:16:28.680
<v Speaker 3>is the Posh Camps director, Miss Sikes. They rendezvous at

1:16:28.720 --> 1:16:32.200
<v Speaker 3>the dance and kiss, but also Ryder and his crew

1:16:32.280 --> 1:16:35.240
<v Speaker 3>have arrived. They interrupt the music celebration to present the

1:16:35.280 --> 1:16:38.920
<v Speaker 3>real Frederick Egan the Third and It's Rider the gig

1:16:39.160 --> 1:16:43.400
<v Speaker 3>is up whoa major moment the movie should be over

1:16:43.479 --> 1:16:47.760
<v Speaker 3>at this point. The audience reacts.

1:16:46.840 --> 1:16:49.160
<v Speaker 2>Whole basketball game? Is this really gonna end right now?

1:16:49.479 --> 1:16:51.439
<v Speaker 2>I thought the same thing, and I was so tired

1:16:51.479 --> 1:16:53.680
<v Speaker 2>I was doing remember being here for the scene at

1:16:53.720 --> 1:16:56.080
<v Speaker 2>all either, which is so weird because usually remember big

1:16:56.120 --> 1:16:58.679
<v Speaker 2>crowd scenes like this well as a person who didn't

1:16:58.720 --> 1:17:01.000
<v Speaker 2>remember being in the crowd at Thriller Thrilla and Phila.

1:17:01.680 --> 1:17:02.520
<v Speaker 2>Oh yeah.

1:17:02.560 --> 1:17:05.120
<v Speaker 3>You know when when there's a long day like that

1:17:05.200 --> 1:17:08.559
<v Speaker 3>and you're not really doing much, you just forget those days.

1:17:09.280 --> 1:17:12.840
<v Speaker 3>So the Fred's meet, they get into a small fight.

1:17:13.120 --> 1:17:16.080
<v Speaker 3>Luckily the cop is there being all sexy with his

1:17:16.160 --> 1:17:17.439
<v Speaker 3>lady friend and he gets his home.

1:17:17.479 --> 1:17:20.640
<v Speaker 1>He doesn't know her name. We're ran past that. We

1:17:20.880 --> 1:17:23.519
<v Speaker 1>been phone sexing with this woman forever. They've been talking

1:17:23.520 --> 1:17:26.280
<v Speaker 1>a long time and know her name. Yeah, he calls

1:17:26.320 --> 1:17:29.519
<v Speaker 1>it a lot. Yeah, yeah, right, I know. But you

1:17:29.600 --> 1:17:32.040
<v Speaker 1>figure you get you don't just jump to nickname. You

1:17:32.200 --> 1:17:34.760
<v Speaker 1>go from regular name to nickname. That's the progression.

1:17:35.040 --> 1:17:37.360
<v Speaker 3>So he gets the hoodlumbs out of there, including the

1:17:37.400 --> 1:17:41.200
<v Speaker 3>wrong Freddy once again. But isn't everything now exposed? And

1:17:41.240 --> 1:17:44.639
<v Speaker 3>then Hoops passes out from too many eggs. Then we're

1:17:44.680 --> 1:17:47.120
<v Speaker 3>back at enclave. Numbers is bummed to find out that

1:17:47.160 --> 1:17:49.519
<v Speaker 3>Hoops is very sick from eating all the eggs and

1:17:49.560 --> 1:17:51.280
<v Speaker 3>can't play in the game. That would not be Numbers

1:17:51.280 --> 1:17:56.559
<v Speaker 3>who would be bummed by that, right, it would be Moodem.

1:17:57.200 --> 1:17:59.479
<v Speaker 3>Modem is bummed to find out that Hoops is very

1:17:59.479 --> 1:18:01.439
<v Speaker 3>sick for me to all the eggs and can't play

1:18:01.479 --> 1:18:04.960
<v Speaker 3>in the game. And there is zero discussion about what

1:18:05.120 --> 1:18:06.200
<v Speaker 3>was just exposed.

1:18:06.320 --> 1:18:09.240
<v Speaker 1>Freddie is there, like hanging out with them now, no

1:18:09.400 --> 1:18:10.160
<v Speaker 1>thing has changed.

1:18:10.200 --> 1:18:13.400
<v Speaker 2>Freddy's in the background, he's dancing talking with them, like,

1:18:13.479 --> 1:18:15.240
<v Speaker 2>what the hell's happened? What am I missing here?

1:18:15.320 --> 1:18:17.600
<v Speaker 3>It's never brought up again, isn't They shouldn't that have

1:18:17.640 --> 1:18:19.880
<v Speaker 3>been the end of the switcheroo? But no, it's just

1:18:20.040 --> 1:18:22.519
<v Speaker 3>we move right on past it, as if that didn't happen.

1:18:22.800 --> 1:18:26.200
<v Speaker 3>Makes no sense anyway. Now they need Freddy. Who are

1:18:25.920 --> 1:18:29.200
<v Speaker 3>they are still calling Frederick? They know he's not Frederick now,

1:18:29.200 --> 1:18:32.000
<v Speaker 3>but okay, they they need him to join the team.

1:18:32.120 --> 1:18:34.400
<v Speaker 2>They believe me is the whole point, right, they say,

1:18:34.439 --> 1:18:37.160
<v Speaker 2>like that guy's trying to get Freddy like so they

1:18:37.400 --> 1:18:40.120
<v Speaker 2>at the dance. Nobody believed me, so everything else what

1:18:40.160 --> 1:18:42.479
<v Speaker 2>it was, and did they just do it with like ad.

1:18:42.439 --> 1:18:44.960
<v Speaker 1>R where they tried to throw in lines that were

1:18:45.000 --> 1:18:47.320
<v Speaker 1>off camera of people going like, that's not Freddy. I mean,

1:18:47.400 --> 1:18:49.120
<v Speaker 1>is that how they tried to explain.

1:18:48.800 --> 1:18:51.720
<v Speaker 2>It says like that guy's you know, trying to get

1:18:51.760 --> 1:18:52.880
<v Speaker 2>Freddy or something, and.

1:18:53.000 --> 1:18:56.639
<v Speaker 3>So at least also, if they didn't do that long

1:18:56.840 --> 1:19:00.120
<v Speaker 3>reaction shot of the audience taking it all in, you

1:19:00.160 --> 1:19:02.840
<v Speaker 3>could have also believed that they were distracted by so

1:19:02.920 --> 1:19:07.080
<v Speaker 3>many other things. Wait a minute, miss miss has her

1:19:07.080 --> 1:19:09.000
<v Speaker 3>tank top off and they're hooking up, and oh the

1:19:09.080 --> 1:19:11.559
<v Speaker 3>stuff and and oh it just got lost in the fray.

1:19:11.880 --> 1:19:14.040
<v Speaker 3>But they like do this long shot of the audience

1:19:14.080 --> 1:19:16.560
<v Speaker 3>going Freddy, Oh my goodness.

1:19:16.280 --> 1:19:18.160
<v Speaker 2>So why did I have to bring my friends right?

1:19:18.240 --> 1:19:20.559
<v Speaker 2>Like make this whole meal? But then they don't do

1:19:20.600 --> 1:19:23.000
<v Speaker 2>anything now except get us in trouble because we have

1:19:23.080 --> 1:19:25.160
<v Speaker 2>a bunch of prison kids who escaped.

1:19:25.400 --> 1:19:28.000
<v Speaker 1>By the way, yes you have now officially escaped from

1:19:28.040 --> 1:19:31.320
<v Speaker 1>prison camp, which was which you were you were sentenced

1:19:31.320 --> 1:19:31.760
<v Speaker 1>to be at.

1:19:31.800 --> 1:19:35.600
<v Speaker 2>So sentence I got. Yeah, I could also just you know,

1:19:35.680 --> 1:19:38.559
<v Speaker 2>maybe called my dad or yeah, I'm called it. My

1:19:38.640 --> 1:19:40.920
<v Speaker 2>butler figured out a way to note go home.

1:19:41.240 --> 1:19:43.760
<v Speaker 3>No, So Freddy says he has already said no to

1:19:43.840 --> 1:19:46.520
<v Speaker 3>joining the team, But when Modem threatens to tell Christine

1:19:46.680 --> 1:19:53.320
<v Speaker 3>about his real identity again, he buckles and joins, I

1:19:53.360 --> 1:19:56.600
<v Speaker 3>know I'm repeating myself here, but Christine already knows this

1:19:57.280 --> 1:20:01.320
<v Speaker 3>from the dance. She knows, wasn't She question like, Hey,

1:20:01.560 --> 1:20:03.400
<v Speaker 3>what was that? What was that that happened?

1:20:03.400 --> 1:20:05.719
<v Speaker 2>Can we talk about that giant thing that just happened

1:20:05.720 --> 1:20:08.439
<v Speaker 2>and what was that about? Nope.

1:20:08.840 --> 1:20:11.360
<v Speaker 3>Back at detention camp, the sergeant is getting his basketball

1:20:11.360 --> 1:20:13.640
<v Speaker 3>squad together to beat Enclave and says every man who

1:20:13.720 --> 1:20:15.559
<v Speaker 3>plays in the game will get a work reduction. So

1:20:15.600 --> 1:20:18.799
<v Speaker 3>now even writer is actually invested in beating the spoiled brats,

1:20:19.040 --> 1:20:22.120
<v Speaker 3>so he'll play and coach them. On the other side

1:20:22.120 --> 1:20:23.440
<v Speaker 3>of the camps, Christine.

1:20:23.040 --> 1:20:26.640
<v Speaker 2>And Freddy, great way to accommodate Rider Strong being in

1:20:26.680 --> 1:20:30.160
<v Speaker 2>your movie. Absolutely, I have a very unathletic kid who's

1:20:30.160 --> 1:20:33.200
<v Speaker 2>supposed to be the savior of your basketball team. You

1:20:33.280 --> 1:20:37.439
<v Speaker 2>say he's gonna coach them, right, It's so smart. I

1:20:37.479 --> 1:20:38.800
<v Speaker 2>was like, thank god they said that.

1:20:39.520 --> 1:20:42.519
<v Speaker 3>Yep. Christine and Freddie are really getting along at the

1:20:42.560 --> 1:20:45.040
<v Speaker 3>other camp. But Christine wants to meet his parents. He's

1:20:45.040 --> 1:20:47.800
<v Speaker 3>clearly nervous about this, but says she will soon. Also,

1:20:47.840 --> 1:20:50.839
<v Speaker 3>Frederick slimo driver swings by to drop off a Kashmir comforter,

1:20:50.920 --> 1:20:53.719
<v Speaker 3>So Freddie hides in the shower and avoids getting busted.

1:20:54.520 --> 1:20:57.000
<v Speaker 3>But also, but what he was busted at the dance.

1:20:57.400 --> 1:20:59.080
<v Speaker 3>I have to drop this.

1:20:59.520 --> 1:21:01.439
<v Speaker 1>I'm gonna you can't, you can't. It's one of those

1:21:01.479 --> 1:21:04.120
<v Speaker 1>things where there's just you can't logic.

1:21:04.360 --> 1:21:08.560
<v Speaker 2>When he is in the power, he doesn't try to

1:21:08.640 --> 1:21:11.760
<v Speaker 2>change his voice at all. He's just he doesn't do something.

1:21:11.800 --> 1:21:15.800
<v Speaker 2>It's just not your voice. She's doesn't very high like this,

1:21:15.960 --> 1:21:16.759
<v Speaker 2>he doesn't exist.

1:21:17.280 --> 1:21:20.760
<v Speaker 1>How about also just the chauffeur just walking into the

1:21:20.760 --> 1:21:25.439
<v Speaker 1>bathroom is in the shower, Like that's a little little

1:21:25.439 --> 1:21:34.120
<v Speaker 1>odd too. So yeah, very very strange.

1:21:38.000 --> 1:21:40.960
<v Speaker 3>Well, we see the prisoners basketball practice, which isn't going great,

1:21:41.000 --> 1:21:43.479
<v Speaker 3>but they learned that crazy Ferret has an incredible shot.

1:21:43.600 --> 1:21:46.000
<v Speaker 3>Writer convinces him to join the team, and again we

1:21:46.040 --> 1:21:49.200
<v Speaker 3>see Writer's glorious perfect skin in a nice close up

1:21:50.000 --> 1:21:52.840
<v Speaker 3>the rich kid sweat sweaty rider.

1:21:53.320 --> 1:21:54.720
<v Speaker 2>No, this is where I was like, oh well this

1:21:54.800 --> 1:21:58.040
<v Speaker 2>is this makes sense? Like how do you make you know,

1:21:58.600 --> 1:22:01.720
<v Speaker 2>a basketball team better like have this outsider character and

1:22:01.760 --> 1:22:04.320
<v Speaker 2>me sort of bringing the team together. It's like, okay,

1:22:04.400 --> 1:22:07.120
<v Speaker 2>this is you mean, it's right, but can.

1:22:07.000 --> 1:22:09.479
<v Speaker 1>We talk about just a big of another big kind

1:22:09.520 --> 1:22:13.599
<v Speaker 1>of point where it should never have been basketball, right,

1:22:13.680 --> 1:22:17.920
<v Speaker 1>It should have been a rich sport where usually underprivileged

1:22:18.000 --> 1:22:21.040
<v Speaker 1>kids don't have the opportunity to play it. Where basketball

1:22:21.360 --> 1:22:25.080
<v Speaker 1>it's basketball. Everybody can play basketball. So the kids at

1:22:25.120 --> 1:22:28.320
<v Speaker 1>the delinquent camp are are you know, are gonna get

1:22:28.320 --> 1:22:30.000
<v Speaker 1>a chance. They're gonna know how to play basketball? It

1:22:30.120 --> 1:22:33.840
<v Speaker 1>you made it polo or something very richy rich, it

1:22:33.840 --> 1:22:36.200
<v Speaker 1>would have made more sense to me that that. It's like,

1:22:36.280 --> 1:22:39.320
<v Speaker 1>how the hell are we gonna beat rich kid camptball?

1:22:39.320 --> 1:22:41.840
<v Speaker 2>Though? Man, I know, but it was just.

1:22:41.800 --> 1:22:43.920
<v Speaker 1>One of those things where it's basketball is it's a

1:22:43.960 --> 1:22:45.760
<v Speaker 1>game from the streets. I mean that's what That's what

1:22:45.840 --> 1:22:48.760
<v Speaker 1>basketball is. That's the soul of basketball. So like that

1:22:48.800 --> 1:22:50.000
<v Speaker 1>didn't make sense to me either.

1:22:50.240 --> 1:22:53.000
<v Speaker 3>The rich kid practice is going very poorly without hoops,

1:22:53.040 --> 1:22:54.799
<v Speaker 3>and one of the weirdest parts of the movie occurs

1:22:54.800 --> 1:22:57.280
<v Speaker 3>when Freddie explains that he can help because he's good

1:22:57.280 --> 1:22:57.960
<v Speaker 3>at basketball.

1:22:58.560 --> 1:23:00.719
<v Speaker 2>You know, I got to spiel it know what I'm saying.

1:23:00.880 --> 1:23:02.679
<v Speaker 2>I got the skills to pay the bills.

1:23:03.000 --> 1:23:05.040
<v Speaker 6>So watch how I shoot the chef.

1:23:05.280 --> 1:23:08.240
<v Speaker 2>Now, I got skills, just like what Tim Hardaway see it.

1:23:08.400 --> 1:23:12.280
<v Speaker 2>I got SKUs four times, at least four times. I

1:23:12.400 --> 1:23:15.839
<v Speaker 2>get it. You have you've got skills. You've got skills.

1:23:16.040 --> 1:23:17.400
<v Speaker 2>You think. They probably just let him improvise.

1:23:18.000 --> 1:23:19.479
<v Speaker 3>They just told him go out there and do that,

1:23:19.520 --> 1:23:23.639
<v Speaker 3>and he just kind of it's great, it doesn't matter.

1:23:23.720 --> 1:23:26.080
<v Speaker 3>You still enjoy it, you're still in But it's just

1:23:26.120 --> 1:23:28.400
<v Speaker 3>funny because I knew, Oh, that was definitely a moment

1:23:28.439 --> 1:23:30.080
<v Speaker 3>where they let him improv because I was like.

1:23:30.040 --> 1:23:32.880
<v Speaker 2>Nobody wrote a line where they wrote four times, I

1:23:32.920 --> 1:23:34.120
<v Speaker 2>got skills.

1:23:34.479 --> 1:23:37.040
<v Speaker 3>So we see Modem working on are on creating a

1:23:37.080 --> 1:23:42.000
<v Speaker 3>remote control magnetic basketball all like you do. Okay, more

1:23:42.040 --> 1:23:45.360
<v Speaker 3>confusion here. Writer is practicing basketball way into the night

1:23:45.439 --> 1:23:46.639
<v Speaker 3>when Ferrett joins.

1:23:46.479 --> 1:23:47.599
<v Speaker 2>Him at a detention camp.

1:23:48.120 --> 1:23:51.720
<v Speaker 3>Yes it is once noting for the scene. Ferrett is

1:23:51.760 --> 1:23:56.320
<v Speaker 3>a completely different character. He sounds different. He is maybe

1:23:56.560 --> 1:23:59.000
<v Speaker 3>twenty percent as crazy as he's been all movie. He

1:23:59.080 --> 1:24:01.360
<v Speaker 3>teaches Writer how to shoot in about ten seconds, but

1:24:01.400 --> 1:24:05.080
<v Speaker 3>again he is no longer insane. We also learned that

1:24:05.120 --> 1:24:07.360
<v Speaker 3>his parents left him in a dumpster when he was born,

1:24:07.600 --> 1:24:10.720
<v Speaker 3>and then writer connects with him about parental neglect and

1:24:10.760 --> 1:24:11.760
<v Speaker 3>they practiced some more.

1:24:11.960 --> 1:24:18.120
<v Speaker 2>The worst scene effort like that my character relate is,

1:24:19.760 --> 1:24:24.600
<v Speaker 2>I guess left in a dumpster. Your dad's a billionaires.

1:24:25.880 --> 1:24:27.760
<v Speaker 2>It reminded me of have you guys ever heard of

1:24:27.840 --> 1:24:29.760
<v Speaker 2>affluenza like that?

1:24:30.080 --> 1:24:30.200
<v Speaker 1>Oh?

1:24:30.320 --> 1:24:34.120
<v Speaker 2>Yes, yeah, defense that some kid got. Yes. It's like,

1:24:34.400 --> 1:24:37.040
<v Speaker 2>it's like, well, I've had it. You know, it's really

1:24:37.080 --> 1:24:39.960
<v Speaker 2>hard to be super wealthy by your parents.

1:24:40.160 --> 1:24:40.240
<v Speaker 1>You.

1:24:40.720 --> 1:24:42.400
<v Speaker 2>I mean, I know you're coming from a dumpster and

1:24:42.400 --> 1:24:45.840
<v Speaker 2>you talk to your toothbrush and then let me just

1:24:46.000 --> 1:24:51.799
<v Speaker 2>throw your toothbrush away. I know, what a dick ye happening.

1:24:51.880 --> 1:24:54.240
<v Speaker 2>I was like, that's I was like, am I like?

1:24:54.479 --> 1:24:56.880
<v Speaker 2>Am I telling him to grow up and let go

1:24:56.960 --> 1:25:01.080
<v Speaker 2>of his childish what you're saying? He runs after the

1:25:01.080 --> 1:25:08.680
<v Speaker 2>two he does runs for a second. The character think

1:25:08.720 --> 1:25:09.920
<v Speaker 2>he's playing that's what.

1:25:09.840 --> 1:25:13.760
<v Speaker 3>This same is the worst scene. It's the weirdest weirdness

1:25:13.800 --> 1:25:15.280
<v Speaker 3>scene of the whole movie.

1:25:15.680 --> 1:25:18.880
<v Speaker 1>I also think Ferrett is the only one wearing a

1:25:18.920 --> 1:25:21.800
<v Speaker 1>black jumpsuit, and I believe the numbers on the back

1:25:22.040 --> 1:25:26.280
<v Speaker 1>are six six six. What if I think it's that

1:25:26.400 --> 1:25:28.120
<v Speaker 1>they gave him the devil's numbers on the back to

1:25:28.320 --> 1:25:30.479
<v Speaker 1>ye this is the worst.

1:25:30.479 --> 1:25:33.400
<v Speaker 3>Same Well, back in the kitchen, Freddy is freaking out

1:25:33.400 --> 1:25:35.960
<v Speaker 3>to chef Jimmy about his predicament. Jimmy reveals that in

1:25:36.000 --> 1:25:38.320
<v Speaker 3>his hood he was a stupid little street punk. So

1:25:38.360 --> 1:25:41.559
<v Speaker 3>people can change. He gives he gives words of motivation

1:25:41.600 --> 1:25:44.360
<v Speaker 3>and says Christine likes him, not the fake character he's.

1:25:44.560 --> 1:25:48.080
<v Speaker 2>This is a good scene with the two. Great is

1:25:48.200 --> 1:25:51.439
<v Speaker 2>very good. This is the sort of like sentimentality that

1:25:51.560 --> 1:25:53.360
<v Speaker 2>this movie could use.

1:25:54.520 --> 1:25:56.519
<v Speaker 3>These are the best scenes between the that have used

1:25:56.520 --> 1:25:59.000
<v Speaker 3>some of this for writer's parents, maybe to see them

1:25:59.040 --> 1:26:01.400
<v Speaker 3>having a little bit of a some sort of realization

1:26:01.439 --> 1:26:01.720
<v Speaker 3>about it.

1:26:02.280 --> 1:26:05.320
<v Speaker 2>A better Ferret connection scene. Yeah, I mean that's Paul.

1:26:05.439 --> 1:26:09.080
<v Speaker 2>But they don't bond. There's the you're fred Freddy.

1:26:09.280 --> 1:26:14.040
<v Speaker 1>Fred Rick is bonding with his cellmates, Yeah, and becoming

1:26:14.120 --> 1:26:15.760
<v Speaker 1>part of that crew, Freddie.

1:26:15.920 --> 1:26:16.960
<v Speaker 2>They don't have that at all.

1:26:17.360 --> 1:26:19.519
<v Speaker 1>They have him connecting with this one character, which is great,

1:26:19.520 --> 1:26:21.840
<v Speaker 1>but there's no balance between the two. It's like and

1:26:21.880 --> 1:26:24.479
<v Speaker 1>then we'll get to it where he later apologized everybody like,

1:26:24.600 --> 1:26:27.240
<v Speaker 1>we're still love you. He never connected with any of

1:26:27.280 --> 1:26:29.200
<v Speaker 1>these people. They never show him connecting with his team.

1:26:29.240 --> 1:26:31.880
<v Speaker 1>They don't show him connecting with anybody. It's so weird.

1:26:32.280 --> 1:26:35.360
<v Speaker 3>Well, it's now basketball game day. We see the rich

1:26:35.439 --> 1:26:38.040
<v Speaker 3>parents and suits and fancy cars, and the hoodlum parents

1:26:38.120 --> 1:26:42.400
<v Speaker 3>arriving on motorcycles, drinking beers and barping, and oh, the

1:26:42.680 --> 1:26:47.439
<v Speaker 3>rich Frederick the Third's dad and mom have arrived to

1:26:47.520 --> 1:26:51.519
<v Speaker 3>surprise their son at the game, Jim. Christine meets them

1:26:51.520 --> 1:26:54.400
<v Speaker 3>in the camp director's office. She is shocked they're white.

1:26:54.600 --> 1:26:57.759
<v Speaker 3>She confronts Freddy mad he didn't tell her. He seems

1:26:58.000 --> 1:27:01.080
<v Speaker 3>so tired of lying, so then he tells her and

1:27:01.240 --> 1:27:04.120
<v Speaker 3>all of his basketball teammates and the cheerleaders the truth

1:27:04.160 --> 1:27:08.120
<v Speaker 3>about everything. He is, poor Freddie Egan from the streets

1:27:08.120 --> 1:27:09.880
<v Speaker 3>of the South Side, who doesn't even know who his

1:27:10.000 --> 1:27:13.280
<v Speaker 3>parents are. He calls himself scum and says the only

1:27:13.360 --> 1:27:15.680
<v Speaker 3>honest thing he said is that this has been the

1:27:15.680 --> 1:27:19.320
<v Speaker 3>best summer of his life. And then Christine says they

1:27:19.560 --> 1:27:22.920
<v Speaker 3>like him no matter who he is. She accepts him,

1:27:22.960 --> 1:27:26.439
<v Speaker 3>and everyone accepts him, and just like that, it's all

1:27:26.640 --> 1:27:28.040
<v Speaker 3>totally okay.

1:27:28.439 --> 1:27:31.479
<v Speaker 2>You didn't bond with any of these people, But also,

1:27:32.120 --> 1:27:34.040
<v Speaker 2>what about the fact that they all heard this at

1:27:34.040 --> 1:27:41.960
<v Speaker 2>the dance. Ugh, it's so strange.

1:27:42.840 --> 1:27:45.640
<v Speaker 3>So Ryder's mom catches up with him, and he is

1:27:45.720 --> 1:27:48.840
<v Speaker 3>disappointed to see him with such hoodlums, but Ryder stands

1:27:48.920 --> 1:27:51.200
<v Speaker 3>up for himself and his friends. When his mom looks

1:27:51.240 --> 1:27:53.280
<v Speaker 3>to his dad for support, he doesn't care. He's just

1:27:53.320 --> 1:27:55.040
<v Speaker 3>ready to cheer him on numbers.

1:27:55.080 --> 1:27:55.559
<v Speaker 2>Is happy to.

1:27:55.520 --> 1:28:00.760
<v Speaker 3>See this progress and now it's game time, noting now

1:28:00.800 --> 1:28:02.800
<v Speaker 3>that Ferrett is crazy again.

1:28:04.439 --> 1:28:07.280
<v Speaker 2>He is no longer the guy we saw in the

1:28:07.360 --> 1:28:09.800
<v Speaker 2>last scene. He's crazy now.

1:28:09.920 --> 1:28:14.320
<v Speaker 3>The Fred's face off for the jump ball important plot point.

1:28:14.360 --> 1:28:17.799
<v Speaker 3>They are giving a magnetic ball by modem. Did anyone

1:28:17.880 --> 1:28:20.160
<v Speaker 3>remember that moment? I forgot that that happened?

1:28:20.520 --> 1:28:26.760
<v Speaker 1>Yes, but have we had There's no mention at all

1:28:27.520 --> 1:28:31.800
<v Speaker 1>from Freddy's parents, Frederick's parents about why are you at

1:28:31.800 --> 1:28:36.000
<v Speaker 1>that camp, why are you on this team, whether you happened.

1:28:35.840 --> 1:28:38.760
<v Speaker 2>Why are you wearing a jumpsuit? Why were you just

1:28:38.840 --> 1:28:42.240
<v Speaker 2>in prison? No mention of any of this.

1:28:42.640 --> 1:28:45.479
<v Speaker 3>No, And it's supposed to be that the cop pushes

1:28:45.520 --> 1:28:48.920
<v Speaker 3>them along that like, oh he covered it, rushes, keep god,

1:28:48.920 --> 1:28:49.760
<v Speaker 3>gotta keep moving, got.

1:28:49.720 --> 1:28:50.400
<v Speaker 2>To rush over this.

1:28:50.479 --> 1:28:54.599
<v Speaker 3>But it the amount of suspension of disbelief you have

1:28:54.680 --> 1:28:57.639
<v Speaker 3>to have to keep going with this is a lot. Also,

1:28:57.920 --> 1:29:01.040
<v Speaker 3>I really truly did forget the magnetic ball part.

1:29:01.200 --> 1:29:01.479
<v Speaker 2>I don't.

1:29:01.520 --> 1:29:03.800
<v Speaker 3>I didn't feel like then they reminded us that this

1:29:03.840 --> 1:29:08.120
<v Speaker 3>had happened. I completely, honestly had forgotten about Modem. Modem's

1:29:08.120 --> 1:29:11.040
<v Speaker 3>been gone for a long time, Modem's involvement in this.

1:29:11.800 --> 1:29:13.800
<v Speaker 3>I feel like they could have maybe reminded us a

1:29:13.800 --> 1:29:19.200
<v Speaker 3>little bit about Modem's involvement. So Out the Gate Enclave

1:29:19.280 --> 1:29:21.680
<v Speaker 3>takes an early lead, especially when Modem turns on the

1:29:21.680 --> 1:29:25.200
<v Speaker 3>ball magnet, making the prisoner's ball wildly spin around the

1:29:25.240 --> 1:29:28.280
<v Speaker 3>basket basket, which is a decent affer.

1:29:30.720 --> 1:29:33.000
<v Speaker 2>It was normal to wear a T shirt under your jersey,

1:29:33.120 --> 1:29:34.920
<v Speaker 2>like I am, yeah you can't. It was normal.

1:29:35.400 --> 1:29:37.960
<v Speaker 3>Okay, that's not too bad, now, writer, did you have

1:29:38.000 --> 1:29:39.040
<v Speaker 3>a basketball double here?

1:29:39.080 --> 1:29:41.120
<v Speaker 2>Because you look yes you did, okay.

1:29:42.360 --> 1:29:42.760
<v Speaker 4>Right away.

1:29:42.840 --> 1:29:45.680
<v Speaker 2>He's an extra in other scenes too. He's I think

1:29:45.680 --> 1:29:47.880
<v Speaker 2>he's in the dance scene. He's figured prominently, has like

1:29:47.920 --> 1:29:50.519
<v Speaker 2>the same hair as me, and he's like slightly taller

1:29:50.560 --> 1:29:53.840
<v Speaker 2>and thinner and an amazing basketball player. Yeah, they really good.

1:29:53.880 --> 1:29:56.040
<v Speaker 2>It was lucky they found him. Yeah, okayt Yeah, we

1:29:56.120 --> 1:29:58.680
<v Speaker 2>knew it. We knew that. Whenever it's me, it's a

1:29:58.720 --> 1:30:02.960
<v Speaker 2>close up and Jason off camera saying double dribble, double dribble, dribble.

1:30:03.360 --> 1:30:04.719
<v Speaker 2>It's in the wheelchair.

1:30:04.760 --> 1:30:07.400
<v Speaker 1>The Nancy Kerrigan scene is they're wheeling me around the

1:30:07.400 --> 1:30:09.879
<v Speaker 1>ice to look like I gainst gate. It's the basketball equivalent.

1:30:10.560 --> 1:30:13.000
<v Speaker 3>So Chef Jimmy is in the stands and he's figuring

1:30:13.000 --> 1:30:15.960
<v Speaker 3>out something is wrong with that ball. During halftime where

1:30:16.080 --> 1:30:19.680
<v Speaker 3>Enclave leads by eighteen, Jimmy finds Modem and destroys the

1:30:19.720 --> 1:30:23.120
<v Speaker 3>trick ball. Modem's plan and the two million dollar bet

1:30:23.160 --> 1:30:26.240
<v Speaker 3>have been exposed, So I guess the plan does come

1:30:26.320 --> 1:30:28.920
<v Speaker 3>The two million dollar thing does come back up here.

1:30:28.800 --> 1:30:29.320
<v Speaker 2>A little bits.

1:30:29.479 --> 1:30:31.960
<v Speaker 3>It's a little bit, a little it's mentioned at least.

1:30:33.560 --> 1:30:36.519
<v Speaker 3>So then Chef Jimmy tells Freddy about Modem's trickery and

1:30:36.560 --> 1:30:39.120
<v Speaker 3>suggests Freddy sit out the second half to make this fair.

1:30:39.240 --> 1:30:41.320
<v Speaker 2>He says, it's the right thing to do, the miss

1:30:41.360 --> 1:30:45.760
<v Speaker 2>thing I have ever heard. I know what. Why does

1:30:45.960 --> 1:30:50.160
<v Speaker 2>Jason get punished like what? He has to sit out

1:30:50.160 --> 1:30:53.439
<v Speaker 2>the game because this other kid cheated? Right right? No,

1:30:53.920 --> 1:30:57.000
<v Speaker 2>it is the it's the worst plan, and it's so

1:30:57.400 --> 1:31:01.120
<v Speaker 2>insulting to the protagonist of our movie Done the Right

1:31:01.160 --> 1:31:04.360
<v Speaker 2>Thing is a good basketball player, and yet he's supposed

1:31:04.360 --> 1:31:06.800
<v Speaker 2>to take a back seat like that is It's the

1:31:06.840 --> 1:31:07.519
<v Speaker 2>weirdest logic.

1:31:10.120 --> 1:31:12.000
<v Speaker 1>No. I also love how they say to you that

1:31:12.040 --> 1:31:15.240
<v Speaker 1>when your two characters get together, he says, look, I

1:31:15.280 --> 1:31:17.120
<v Speaker 1>know there's been some bad blood between us. It's like

1:31:17.160 --> 1:31:20.360
<v Speaker 1>bad blood. You stole my life and put me in prison.

1:31:21.000 --> 1:31:23.360
<v Speaker 1>This is not bad blood. It's like, hey, I know

1:31:23.439 --> 1:31:28.160
<v Speaker 1>there's been some stuff. It's like at also the truth, No,

1:31:28.280 --> 1:31:31.200
<v Speaker 1>he didn't. He also stole the other guy's life. It

1:31:31.240 --> 1:31:32.839
<v Speaker 1>was a total mistake by.

1:31:32.800 --> 1:31:36.400
<v Speaker 3>Both of that There's actually been no bad blood between

1:31:36.439 --> 1:31:37.200
<v Speaker 3>the two of you.

1:31:38.240 --> 1:31:41.960
<v Speaker 2>It's so weird. It's the so thing is odd.

1:31:42.680 --> 1:31:44.960
<v Speaker 3>Freddy walks up to Rider, clears the air, and takes

1:31:44.960 --> 1:31:47.080
<v Speaker 3>a spot on the bench, allowing the detention camp to

1:31:47.120 --> 1:31:49.680
<v Speaker 3>catch up. In a montage worth noting, many of the

1:31:49.680 --> 1:31:51.600
<v Speaker 3>shots of the ball going into the basket do not

1:31:51.760 --> 1:31:53.160
<v Speaker 3>match the shots that are taken.

1:31:53.560 --> 1:31:55.160
<v Speaker 2>I saw the same shot of.

1:31:55.240 --> 1:31:57.800
<v Speaker 3>The ball going into the basket and over again, even

1:31:57.840 --> 1:32:00.559
<v Speaker 3>with the ball shot from the other side. Okay, there

1:32:00.600 --> 1:32:03.439
<v Speaker 3>are two seconds left, and left an enclave only leads

1:32:03.439 --> 1:32:06.479
<v Speaker 3>by one. It's seventy eight to seventy seven. Last play

1:32:06.479 --> 1:32:09.360
<v Speaker 3>of the game, Prisoner's Ball. They inbound to Rider and

1:32:09.400 --> 1:32:12.240
<v Speaker 3>he's fouled just as the clock runs out. Yes, so

1:32:13.200 --> 1:32:15.679
<v Speaker 3>Rider will go to the free throw line and has

1:32:15.720 --> 1:32:18.240
<v Speaker 3>to take has to make both shots to win the game.

1:32:18.840 --> 1:32:21.719
<v Speaker 3>Just like the scrimmage we saw at the very beginning

1:32:21.720 --> 1:32:24.760
<v Speaker 3>of the movie. Cool Rider gets ready for his first

1:32:24.760 --> 1:32:26.560
<v Speaker 3>shot with his parents looking on and the crowd is

1:32:26.600 --> 1:32:29.880
<v Speaker 3>going nuts, and then he hears Ferret's coaching advice in

1:32:29.920 --> 1:32:32.759
<v Speaker 3>his head. He shoots, and he hits the first shot.

1:32:33.040 --> 1:32:35.120
<v Speaker 2>Tie game. Don't show you take the shot. They don't

1:32:35.120 --> 1:32:36.160
<v Speaker 2>even show you take the shot.

1:32:37.080 --> 1:32:38.679
<v Speaker 1>You take the shot, and they cut to it going

1:32:38.960 --> 1:32:40.760
<v Speaker 1>like could you not make a free throw?

1:32:41.000 --> 1:32:45.400
<v Speaker 2>Or did they not? Probably not? Okay, they can roll enough.

1:32:45.240 --> 1:32:50.160
<v Speaker 1>Times to get one, and then they show you, actually, I.

1:32:50.200 --> 1:32:52.519
<v Speaker 2>Probably tried fifteen times. They're like, you know, let's just

1:32:52.560 --> 1:32:53.480
<v Speaker 2>call it's.

1:32:53.479 --> 1:32:58.960
<v Speaker 3>Yeah, diminishing returns, So he's square. He takes the second shot,

1:32:58.960 --> 1:33:02.200
<v Speaker 3>he squares up, and he exit the detention camp wins

1:33:02.240 --> 1:33:06.680
<v Speaker 3>by one thanks to sports ball Master Riders strong.

1:33:07.840 --> 1:33:10.160
<v Speaker 2>And how is this supposed to be an accomplishment when they.

1:33:10.240 --> 1:33:12.120
<v Speaker 1>Yeah, you make but you also make the second one,

1:33:12.439 --> 1:33:15.719
<v Speaker 1>and you just go there's no like, oh my god,

1:33:15.720 --> 1:33:18.320
<v Speaker 1>I mean it's just and then finally like there's a

1:33:18.320 --> 1:33:20.559
<v Speaker 1>beat of silence, and then the team comes over. It's like,

1:33:20.760 --> 1:33:22.240
<v Speaker 1>oh wait, that's right, that was the second one. You

1:33:22.240 --> 1:33:22.800
<v Speaker 1>just won the game.

1:33:22.840 --> 1:33:25.240
<v Speaker 2>It was such like a games over the thing.

1:33:25.600 --> 1:33:30.400
<v Speaker 3>So his team and their fans storm the court, I know.

1:33:30.280 --> 1:33:37.160
<v Speaker 2>The other Freddy positive thing, call the game off, do

1:33:37.240 --> 1:33:41.160
<v Speaker 2>it again without magnetic balls, and like, I.

1:33:41.160 --> 1:33:43.200
<v Speaker 1>Don't know who we're supposed to root for. I still

1:33:43.240 --> 1:33:45.320
<v Speaker 1>don't know who I'm supposed to root for in this movie.

1:33:45.360 --> 1:33:46.080
<v Speaker 1>I don't get it.

1:33:46.120 --> 1:33:48.400
<v Speaker 2>They wanted to have it both, they wanted to have

1:33:48.439 --> 1:33:51.640
<v Speaker 2>it be both of us, and it's just too much. Yeah. Yeah,

1:33:51.840 --> 1:33:55.040
<v Speaker 2>let's also not think about the race connotations here. Let's

1:33:55.080 --> 1:33:57.679
<v Speaker 2>just that's it's like, yeah, it's weird.

1:33:57.880 --> 1:33:58.400
<v Speaker 1>It's weird.

1:33:59.200 --> 1:34:02.720
<v Speaker 3>So now, after the game, camp instructor, Miss Sikes explains

1:34:02.720 --> 1:34:05.480
<v Speaker 3>to Freddy that Modem and Todd are busted for racketeering

1:34:05.479 --> 1:34:08.559
<v Speaker 3>and gambling. Also, she's learned all about the original bus

1:34:08.560 --> 1:34:11.240
<v Speaker 3>mix up and will contact the Juvenile Board about his

1:34:11.320 --> 1:34:14.760
<v Speaker 3>exemplary behavior. Then him and Cook Jimmy have kind of

1:34:14.760 --> 1:34:17.639
<v Speaker 3>a long emotional moment that ends in a hug. As

1:34:17.680 --> 1:34:20.240
<v Speaker 3>he leaves, Christine pops up to kiss him and tells

1:34:20.320 --> 1:34:22.639
<v Speaker 3>him she likes him even if he doesn't have a dollar.

1:34:23.000 --> 1:34:25.599
<v Speaker 3>He reveals Miss Sykes offered him a job at the camp,

1:34:25.680 --> 1:34:27.400
<v Speaker 3>and he has a new fall. He has a new

1:34:27.520 --> 1:34:30.120
<v Speaker 3>a new foster parent cook Jimmy.

1:34:31.000 --> 1:34:35.120
<v Speaker 2>Okay, everything a lots going on. I'm gonna have a

1:34:35.200 --> 1:34:37.800
<v Speaker 2>dad now, is fair? Its going to be on the job,

1:34:38.560 --> 1:34:42.360
<v Speaker 2>you know, Bush, he needs his soup brush and.

1:34:42.280 --> 1:34:45.280
<v Speaker 1>You can you literally threw away his sanity.

1:34:45.479 --> 1:34:49.240
<v Speaker 2>Nice good work. The ending is that I introduced friends

1:34:49.280 --> 1:34:52.519
<v Speaker 2>to my parents, right, mom? Have you met my friends?

1:34:52.680 --> 1:34:55.320
<v Speaker 2>These are my friends? Friends? Man like they get the

1:34:55.360 --> 1:34:57.640
<v Speaker 2>benefit of knowing a rich guy.

1:34:57.920 --> 1:35:04.720
<v Speaker 1>Yeah no, no, nothing with your parents. There's no actual way. Nope,

1:35:05.240 --> 1:35:07.400
<v Speaker 1>still not. Why were you in jail?

1:35:07.640 --> 1:35:10.680
<v Speaker 2>No, just gets adopted a job, going to get out

1:35:10.680 --> 1:35:15.559
<v Speaker 2>of jail free card friends? Yeah? Yeah, but I won

1:35:15.640 --> 1:35:17.960
<v Speaker 2>the basketball game that recheated again.

1:35:18.040 --> 1:35:20.000
<v Speaker 1>I still don't know who I'm supposed to root for.

1:35:20.479 --> 1:35:23.160
<v Speaker 3>Christine admits she's going to miss him so much, and

1:35:23.280 --> 1:35:26.080
<v Speaker 3>they kiss again, this time an open mouth kiss, and

1:35:26.240 --> 1:35:29.120
<v Speaker 3>it's time for her to leave camp now alone. Freddy

1:35:29.160 --> 1:35:32.280
<v Speaker 3>looks around. Wow, what an adventure this has been. He

1:35:32.360 --> 1:35:35.280
<v Speaker 3>finds that gold coin he has in his pocket. Yep,

1:35:35.439 --> 1:35:37.639
<v Speaker 3>the one he stole from a poor old widow who

1:35:37.680 --> 1:35:39.719
<v Speaker 3>probably thinks about it all the time and also thinks

1:35:39.720 --> 1:35:42.479
<v Speaker 3>it helped the homeless. He doesn't care to care about that,

1:35:42.520 --> 1:35:44.479
<v Speaker 3>and he flips it in the air. This thing may

1:35:44.520 --> 1:35:46.960
<v Speaker 3>have brought luck, after all, he thinks to himself, even

1:35:46.960 --> 1:35:49.200
<v Speaker 3>though once again he stole it from a widow who

1:35:49.280 --> 1:35:52.719
<v Speaker 3>held onto it for years after her beloved husband died.

1:35:55.760 --> 1:35:58.519
<v Speaker 2>So and he breaks the fourth wall. Breaks the fourth wall.

1:35:59.240 --> 1:36:01.439
<v Speaker 3>It's for the first time he stares directly into the

1:36:01.439 --> 1:36:03.599
<v Speaker 3>camera to give us a little eyebrow raise and then

1:36:04.200 --> 1:36:04.760
<v Speaker 3>freeze frame.

1:36:05.120 --> 1:36:09.719
<v Speaker 2>End of movie. I think if we've learned anything, it's

1:36:09.800 --> 1:36:13.679
<v Speaker 2>the Boy Means World has stood the test of time

1:36:13.720 --> 1:36:14.439
<v Speaker 2>for good reasons.

1:36:15.080 --> 1:36:15.320
<v Speaker 1>Yeah.

1:36:15.840 --> 1:36:20.800
<v Speaker 2>Yeah, a lot of writing, directing, acting, and being done

1:36:20.800 --> 1:36:25.200
<v Speaker 2>in the nineties at levels a little less. You know.

1:36:25.920 --> 1:36:28.720
<v Speaker 2>You know what this makes me think is that anytime

1:36:28.840 --> 1:36:31.880
<v Speaker 2>we've ever had a plot point issue with a Boy

1:36:31.920 --> 1:36:39.520
<v Speaker 2>Meets World episode, it's always something so insignificant. Yeah, insignificant.

1:36:39.720 --> 1:36:43.120
<v Speaker 2>It is also, I mean, it is also a sitcom,

1:36:43.200 --> 1:36:45.360
<v Speaker 2>so you have a little bit of the like sure

1:36:45.520 --> 1:36:48.559
<v Speaker 2>reality like sort of being yanked, whereas with the movie

1:36:48.760 --> 1:36:50.800
<v Speaker 2>you have to you have to think these things through,

1:36:50.840 --> 1:36:53.840
<v Speaker 2>you have to have the logic. And this is a

1:36:53.880 --> 1:36:54.799
<v Speaker 2>perfect example.

1:36:54.840 --> 1:36:58.519
<v Speaker 1>Though I have to say, of everyone's like the writers

1:36:58.520 --> 1:37:00.600
<v Speaker 1>are on strike, is it really that important? Is that

1:37:01.240 --> 1:37:03.360
<v Speaker 1>this is one of the reasons to show how important

1:37:03.360 --> 1:37:07.120
<v Speaker 1>writing is. You need the writers to do stuff, because

1:37:07.120 --> 1:37:08.719
<v Speaker 1>this just needed to be rewritten.

1:37:08.840 --> 1:37:11.240
<v Speaker 2>It just it didn't lot parts of it was just

1:37:11.280 --> 1:37:13.759
<v Speaker 2>didn't make any sense. It was like what I positive

1:37:13.800 --> 1:37:16.800
<v Speaker 2>what happened is they probably had a version of the

1:37:16.840 --> 1:37:21.280
<v Speaker 2>script and then just they decided to like offer it

1:37:21.280 --> 1:37:23.559
<v Speaker 2>to two actors and they had to keep you know,

1:37:23.680 --> 1:37:25.720
<v Speaker 2>they probably went back to the writer and said both

1:37:25.720 --> 1:37:28.120
<v Speaker 2>these parts have to be equal. You can't end, yeah,

1:37:28.160 --> 1:37:31.320
<v Speaker 2>and they ended up cramming way too many different plots

1:37:31.360 --> 1:37:33.120
<v Speaker 2>into you know, it's like, oh, we gotta have a

1:37:33.200 --> 1:37:35.679
<v Speaker 2>dance to accommodate the fact that Jason could sing a dance.

1:37:35.680 --> 1:37:37.479
<v Speaker 2>We got to have a basketball game because we have

1:37:37.479 --> 1:37:39.400
<v Speaker 2>to have a big and it's like just way too

1:37:39.520 --> 1:37:40.960
<v Speaker 2>much going on. I have to.

1:37:40.920 --> 1:37:43.600
<v Speaker 1>Say you, you might not have liked your performance, and

1:37:43.600 --> 1:37:45.439
<v Speaker 1>we're always the most critical of ourselves, but.

1:37:45.560 --> 1:37:48.759
<v Speaker 2>None of the acting was terrible. No, especially for when it.

1:37:48.680 --> 1:37:53.000
<v Speaker 1>Was It's exactly nineties acting, and it was good nineties

1:37:53.080 --> 1:37:53.960
<v Speaker 1>kids acting like that.

1:37:54.040 --> 1:37:56.040
<v Speaker 2>It was not bad. And I think if you're a

1:37:56.120 --> 1:37:58.479
<v Speaker 2>kid and you're a teenager, an eleven year old or

1:37:58.520 --> 1:38:01.439
<v Speaker 2>whatever watching this movie on you know, a Thursday night

1:38:01.520 --> 1:38:05.000
<v Speaker 2>or whenever I heard, it has all the ingredients like

1:38:05.040 --> 1:38:08.040
<v Speaker 2>it has you want, and like, I think people have

1:38:08.080 --> 1:38:11.240
<v Speaker 2>nostalgia for this movie, like they don't really remember the storyline.

1:38:11.240 --> 1:38:13.639
<v Speaker 2>They just remember like, oh, that's right, that guy uses

1:38:13.640 --> 1:38:14.760
<v Speaker 2>a computer to hack this.

1:38:16.160 --> 1:38:16.920
<v Speaker 1>Big basketball.

1:38:17.040 --> 1:38:17.960
<v Speaker 2>Yeah, that kind of it is.

1:38:18.040 --> 1:38:20.800
<v Speaker 1>It's a kind of fun. I mean when you pick

1:38:20.800 --> 1:38:22.920
<v Speaker 1>it apart, Yes, the story makes no sense.

1:38:23.200 --> 1:38:25.720
<v Speaker 2>You don't know who to who to root for. Some

1:38:25.760 --> 1:38:26.879
<v Speaker 2>of the people are kind.

1:38:26.680 --> 1:38:31.799
<v Speaker 1>Of awful, but the acting great, you know, the rompy

1:38:31.880 --> 1:38:32.880
<v Speaker 1>basketball get great.

1:38:32.880 --> 1:38:34.160
<v Speaker 2>I mean, it is what it is. You know, it's

1:38:34.320 --> 1:38:36.920
<v Speaker 2>it's a camp hijinks movie. So it was just a

1:38:36.920 --> 1:38:37.479
<v Speaker 2>weird one.

1:38:37.800 --> 1:38:42.120
<v Speaker 3>Well, next week, one of our favorite guests and very

1:38:42.160 --> 1:38:47.760
<v Speaker 3>good sport Natanya Ross, will return to watch Munchie strikes.

1:38:47.240 --> 1:38:48.679
<v Speaker 2>Back with all of us.

1:38:49.160 --> 1:38:50.240
<v Speaker 1>I can't wait to see that writer.

1:38:50.520 --> 1:38:53.600
<v Speaker 2>Thank you for being such a good sport. No, definitely I.

1:38:55.520 --> 1:38:55.600
<v Speaker 1>Was.

1:38:55.680 --> 1:38:58.559
<v Speaker 2>It was actually a good revisit. Great. I feel better

1:38:58.600 --> 1:39:02.439
<v Speaker 2>about the experience about the movie I don't really had.

1:39:02.560 --> 1:39:03.760
<v Speaker 2>I know, I don't know if I ever really had

1:39:03.800 --> 1:39:06.680
<v Speaker 2>feelings about the movie, but I definitely feel better, like

1:39:07.000 --> 1:39:08.720
<v Speaker 2>I have some good memories from this time in my life.

1:39:08.760 --> 1:39:12.519
<v Speaker 2>So it's good to think back and you know, yeah, good.

1:39:12.800 --> 1:39:14.799
<v Speaker 3>Well, thank you all for joining us for this episode

1:39:14.800 --> 1:39:16.760
<v Speaker 3>of Pod Meets World. As always, you can follow us

1:39:16.760 --> 1:39:19.000
<v Speaker 3>on Instagram pod Meets World Show. You can send us

1:39:19.000 --> 1:39:21.519
<v Speaker 3>your emails pod Meets Worldshow at gmail dot com, and

1:39:21.680 --> 1:39:22.080
<v Speaker 3>we have.

1:39:22.479 --> 1:39:26.440
<v Speaker 2>Merch merch from a rich Kids camp.

1:39:27.040 --> 1:39:30.240
<v Speaker 3>Pod Meets Worldshow dot com. We will see you all

1:39:30.240 --> 1:39:32.200
<v Speaker 3>next time. Writer send us out.

1:39:32.560 --> 1:39:36.800
<v Speaker 2>We love you all, pod dismissed. Pod Meets World is

1:39:36.840 --> 1:39:39.680
<v Speaker 2>an iHeart podcast produced and hosted by Danielle Fischel, Will

1:39:39.720 --> 1:39:43.719
<v Speaker 2>Ferdell and Ryder Strong. Executive producers Jensen Karp and Amy Sugarman.

1:39:43.840 --> 1:39:47.479
<v Speaker 2>Executive in charge of production, Danielle Romo, producer and editor,

1:39:47.560 --> 1:39:51.599
<v Speaker 2>Tara Sudbox producer, Jackie Rodriguez, engineer and Boy Meets World

1:39:51.640 --> 1:39:54.519
<v Speaker 2>super fan Easton Allen. Our theme song is by Kyle

1:39:54.560 --> 1:39:57.320
<v Speaker 2>Morton of Typhoon. You can follow us on Instagram at

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