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Speaker 1: I was just going to very quickly show you that

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Speaker 1: I haven't. I've been trying. I've had to flip a

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Speaker 1: coin for my last podcast, and I've been too late

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Speaker 1: to actually get a coin, so I've been flipping Rider

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Speaker 1: Strong season five. Uh oh, what just say and I'll

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Speaker 1: be like Robbie.

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Speaker 2: Like hair or tails, flip it in the air. Yeah,

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Speaker 2: why are you flipping a coin?

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Speaker 1: Because we're doing the word at the end of the contest,

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Speaker 1: so we're picking our finalists next week?

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Speaker 2: Are you're choosing by coin? Flip? No? Wait, is it

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Speaker 2: revealed here? Did we just except it was the first one?

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Speaker 1: The first one that comes in gets to go first,

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Speaker 1: but then the subsequent rounds we flip a coin, so

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Speaker 1: it's just chance who gets to go first and who

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Speaker 1: gets to go second?

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Speaker 2: Got it? So someone gets assigned, right or strong face?

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Speaker 1: Well that's yes, well exactly, I'll say. It's like, you know,

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Speaker 1: x Y gets hair and z X gets this. I

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Speaker 1: don't know.

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Speaker 2: I picked the x Y DVDs and CDs really impractical, Like,

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Speaker 2: don't they seem weird? Now? I still buy them. I

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Speaker 2: still buy them all the time. It seems so weird

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Speaker 2: to me that we like invented these discs that are

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Speaker 2: like super fragile, and can you so easily get scratched

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Speaker 2: and scratch them? Don't? Yeah, I know, and it's.

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Speaker 1: Still better than VHS tapes. You'd watch it like times

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Speaker 1: and then all of a sudden it was like, why

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Speaker 1: can I not see the rest of meatballs?

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Speaker 2: So yeah, I can't. I mean, it is so depressing

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Speaker 2: to me to think about how many great films I

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Speaker 2: encountered on VHS, like and that's how I knew them. Yeah,

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Speaker 2: do you know? I actually watched Back to the Future

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Speaker 2: scrambled for years, oh, listening just to the audio, because

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Speaker 2: you know, if you recorded a VHS, if it was protected,

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Speaker 2: it would what you would get was is a scrambled

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Speaker 2: version of the movie. So the audio would be perfectly fine,

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Speaker 2: but the visuals would be all crazy. And what my

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Speaker 2: dad used to do is rent videos from the video store,

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Speaker 2: and then if we really liked it, he would make

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Speaker 2: a copy. But he wouldn't choo the copy. He would

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Speaker 2: just make a copy because had two VCRs, and then

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Speaker 2: we'd get stuck with scrambled from before. It was Back

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Speaker 2: to the Future so much that I watched it scrambled

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Speaker 2: over and over and to this day, I can like

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Speaker 2: close my eyes and I can quote any line and

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Speaker 2: all the sound design of Back to the Future, but

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Speaker 2: the visuals are still kind.

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Speaker 3: Of fresh to the Oh my gosh, we get Blu

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Speaker 3: rays delivered to the house.

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Speaker 2: We took multiple times a week.

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Speaker 3: Wow, and I and I go, oh great, I'm so

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Speaker 3: glad we have more of these, and he don't worry,

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Speaker 3: I'm just replacing them. Jensen has a whole argument for

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Speaker 3: it about like how.

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Speaker 4: Hi everyone, Hi everyone, there was a bad signal that

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Speaker 4: went up. It's a shadeky and a Blu ray outside

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Speaker 4: my house, So I assume you need me on the show,

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Speaker 4: but yeah, please. The reason is is that when we

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Speaker 4: depend on these streaming services, you are going to see

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Speaker 4: films from the seventies and eighties absolutely disappear into Spanish.

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Speaker 4: When Netflix just recently stopped their DVD service, which if

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Speaker 4: you can't believe, they did it three months ago, but

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Speaker 4: they finally stopped the DVD mailing service, three to like

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Speaker 4: ten percent of the movies that they were shipping out

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Speaker 4: from the seventies or on the streaming service, we are

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Speaker 4: going to lose movies completely. And don't even get me

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Speaker 4: started about what Disney did to French Connection. And anyway,

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Speaker 4: if you ever need to have a movie and we're

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Speaker 4: all in the apocalypse, I'll be here, all.

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Speaker 3: Right, does writer or know what they did to French Connection.

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Speaker 4: They removed racial slurs from French Connection. And the reason

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Speaker 4: is in the movie it's a racist saying it, it's

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Speaker 4: a bad character saying it. They removed it, which also

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Speaker 4: will mean now the Criterion channel also has it removed,

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Speaker 4: and also anytime it's screened on publicly at all, it

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Speaker 4: will also be removed.

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Speaker 1: Who made that choice, Disney is I mean, yeah, Disney.

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Speaker 1: It also now takes place in Spain and there is

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Speaker 1: no connection. Yeah, unbelievable. CRAZI also French anymore, it's just

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Speaker 1: the Freedom connection.

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Speaker 2: I remember when there was a there was like a

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Speaker 2: premium uh uh service. I forget what it was, but

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Speaker 2: it was like it had all the Criterion movies before

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Speaker 2: Criterion had its own channel. Do you remember this one?

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Speaker 2: And then it went it went away and it was like, oh,

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Speaker 2: suddenly I couldn't access all these movies. And then luckily

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Speaker 2: Criterion came along, which is still my favorite.

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Speaker 4: There's movie movies really good. There's to be does really well.

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Speaker 4: There's someone that have really you know, like to be

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Speaker 4: was the only place you could watch Jaws streaming for

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Speaker 4: a long time. Yeah, it's just it's gonna be really strange.

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Speaker 4: I still buy books.

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Speaker 2: I still have like walls and walls books and boxes

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Speaker 2: of books, and that's ridiculous. At this it's it's wonderful.

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Speaker 2: I think it's wonderful too, but I have to move them,

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Speaker 2: like we're redoing the floors in my house and like

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Speaker 2: we are, like it's a huge pain to have to

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Speaker 2: re all these books and like I never have enough bookshelves.

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Speaker 2: I have piles in them, and it's like, oh my gosh.

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Speaker 2: And so that's why I don't buy DVDs, because I

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Speaker 2: just don't want to have to do. But I totally

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Speaker 2: agree in theory like we should. I want physical ca

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Speaker 2: copies of We'll see what we'll see.

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Speaker 4: If Danielle is complaining when you know, in twenty years

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Speaker 4: there's a line outside of our house to watch SERPENTO.

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Speaker 3: We're going to be coming direct now, Oh yeah, I

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Speaker 3: definitely won't be complaining. Then I'll think that's wonderful. I

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Speaker 3: can't wait for that to happen.

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Speaker 2: We'll take it to the media forever, guys. Thank you.

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Speaker 1: I agree, I agree, yeah yeah. Now they're changing everything.

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Speaker 1: In the last version of Jaws, I saw, the shark

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Speaker 1: was just misunderstood. So it's the whole thing is just

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Speaker 1: weird what they're doing nowadays, it really.

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Speaker 2: Is misunderstood shark looking for blood and all their own

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Speaker 2: places actly. Welcome to Pod meets World. I'm Danielle Fischel,

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Speaker 2: I'm Righter Strong, and I'm Wilfordell.

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Speaker 3: So we are taking a small Boy Meets World recap

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Speaker 3: break for the next two weeks as we get ready

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Speaker 3: for season three, and we've decided to focus on two

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Speaker 3: movies we've mentioned this season, and we are starting with

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Speaker 3: watching a movie from Ryder's resume. We all have work

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Speaker 3: and movies and Koushlin commercials we never want to see again.

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Speaker 3: And luckily, Ryder has decided to volunteer himself Hunger Game style.

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Speaker 2: This name volunteers tribute.

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Speaker 3: YEP Summertime Switch, which we would love for you to watch.

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Speaker 3: You can see it for free on YouTube just search

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Speaker 3: for Summertime Switch full movie. It was a TV movie

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Speaker 3: for ABC released October eighth, nineteen ninety four. Recently, the

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Speaker 3: trailer went a little viral online people seem to be

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Speaker 3: very nostalgic for it.

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Speaker 2: Do you remember how you ended up in this movie?

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Speaker 2: I got offered this part. This was so this was

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Speaker 2: between seasons one and two and Will this happened to

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Speaker 2: you too? You got offered Yeah, Disney moviees. So they

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Speaker 2: were it was ABC. It was an ABC movie of

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Speaker 2: the week. And what they would like to do, I guess,

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Speaker 2: was take actors who were on TV shows on ABC

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Speaker 2: shows and you know, build a movie around them or

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Speaker 2: have them apart and exist in the movie. And so

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Speaker 2: this this, I was just an offer and it was like,

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Speaker 2: oh yeah, three I think was three weeks in Jacksonville, Florida.

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Speaker 2: So I went off and did it, and then they

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Speaker 2: offered me another movie the next year, and I turned

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Speaker 2: them down and never never heard from them again. Right,

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Speaker 2: Simmtimes Switched too? Yes, No, I forget what the other

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Speaker 2: one was, but I just you know, I didn't really

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Speaker 2: have a great time on Summertime Switch, which we'll talk about.

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Speaker 2: I've already mentioned a little bit on this, and I'm

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Speaker 2: not sure. I mean, I probably would have done another

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Speaker 2: movie if if it's schedule had worked out, So I'm

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Speaker 2: not exactly sure why I turned it down, but I

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Speaker 2: never heard from ABC Movie of the Weeks again, so

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Speaker 2: well it makes me feel about I don't think I

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Speaker 2: ever heard from them. I'm pretty sure yet what you

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Speaker 2: weren't even a regular on Boy No.

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Speaker 3: But also even all the years that I was on

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Speaker 3: Boy Meets World, they used to boy boys were the

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Speaker 3: stars of movies back then.

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Speaker 2: It was it was very male heavy. It wasn't until

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Speaker 2: that I heard studio execs say, which is that boys

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Speaker 2: can identify with young boys, and girls can identify with

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Speaker 2: young boys. But boys can identify with young girls. So

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Speaker 2: therefore to get a bigger audience, you always which is

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Speaker 2: just absurd.

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Speaker 3: Well, it was also like girls will watch because they

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Speaker 3: have a crush on the guy, and the guy will

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Speaker 3: watch because it's an aspirational guy, like it's a guy

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Speaker 3: he wants to be like, so yeah, I know it.

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Speaker 2: Was sort of cool because think about My Girl or

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Speaker 2: Man in the Moon, like these are great movie. My

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Speaker 2: Girl is a huge hit. So it totally was like,

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Speaker 2: you know, this this rule wasn't true most of the time,

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Speaker 2: but it was still a rule.

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Speaker 1: Then, well, they're also trying to the networks are trying

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Speaker 1: to do something that they were holding on too from

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Speaker 1: the eighties, which were my favorite things in the world,

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Speaker 1: where they would take all of their talent and put

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Speaker 1: them in one after school specialer movie. So, you know,

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Speaker 1: like a high School USA was Michael J. Fox and

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Speaker 1: Todd Bridges and it was all these TV actors that

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Speaker 1: came together to do a high school movie. There was

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Speaker 1: another one, Poison Ivy Michael J. Fox and Nancy McKee. Yeah,

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Speaker 1: so this was like a thing. This is what that

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Speaker 1: they used to do, and this was the death throes

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Speaker 1: of it where it was like, we're still going to

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Speaker 1: try to take our talent and put him in I

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Speaker 1: still think it's a great idea. I still think, you know,

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Speaker 1: these streaming services should take all their biggest talent and

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Speaker 1: do one movie with them.

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Speaker 2: Yeah, you know, it's a fun idea.

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Speaker 1: It'd be is so great, but they just they don't

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Speaker 1: do that any especially if it's in the service of comedy,

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Speaker 1: you know what I mean. If you could take like

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Speaker 1: a bunch of good comic actors on the Netflix slate

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Speaker 1: for instance, and do like a movie.

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Speaker 3: Well, basically, it's the idea we've been talking about about

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Speaker 3: rebooting a cast. It's it was basically, but instead of

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Speaker 3: it in that case, it's not a reboot, it's just

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Speaker 3: putting it in something else at the same time.

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Speaker 2: From different TV shows.

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Speaker 1: Yeah, and it was great and it was They were

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Speaker 1: some of my favorite movies growing up as a kid,

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Speaker 1: So yeah, I mean you I think they were trying

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Speaker 1: to do that with these.

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Speaker 2: Yeah.

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Speaker 3: Well, the brief synopsis is that a spoiled rich boy

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Speaker 3: and a slick talking stream kid who happened to have

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Speaker 3: the same name find their lives reversed for the Summer,

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Speaker 3: which is also early similar to the movie Jensen and

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Speaker 3: I made for two Boy.

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Speaker 2: When I was watching this, I was like, this.

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Speaker 3: Is very this is very without having even seen Summertimes,

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Speaker 3: which it was inspirational. So it was directed by Alan

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Speaker 3: Metter Is that how you say his name? Alan Mehtter,

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Speaker 3: who had directed nineteen eighty five's Girls Just Want to

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Speaker 3: Have Fun with Sarah Jessica Parker. Yeah, and the great

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Speaker 3: Rodney Dangerfield comedy Back to School.

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Speaker 2: Oh, great movie.

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Speaker 3: He would also later helm the Olsen twin movies Billboard

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Speaker 3: Dad and Passport to Paris.

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Speaker 2: He did Billboard Dad. Yes, I'm surprised, Okay. It was

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Speaker 2: written by Patrick J.

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Speaker 3: Clifton, who had previously had the story credit on Polly

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Speaker 3: Shore's Son in Law, and it stars Jason Weaver, who

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Speaker 3: had played Michael Jackson in the very popular Jackson Family

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Speaker 3: mini series To Get This, and was also the singing

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Speaker 3: voice of Simba in Lion King Awesome. Some of his

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Speaker 3: other impressive credits, he was a lead on Smart Guy,

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Speaker 3: He was in the movie drum line The Cohen Brothers

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Speaker 3: Lady Killers, and he was a voice on the short

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Speaker 3: lived cartoon The Lebrons. Writer, what do you remember about Jason?

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Speaker 2: So talented, such a good guy. You know, he didn't

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Speaker 2: actually work together that much so because we were on

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Speaker 2: opposite storylines, But Jason was such a good cool guy.

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Speaker 2: He he was I don't think he was that much

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Speaker 2: older than me, but he was older than me, you know,

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Speaker 2: Like he was so much more mature. He was so

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Speaker 2: much cooler than me. And he just he just knew

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Speaker 2: what he was doing. Like I was such a clueless,

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Speaker 2: like fresh faced actor, like I don't know any but

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Speaker 2: he just he he was such more like he was

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Speaker 2: just more mature. He had lived life more so he

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Speaker 2: came across like an adult to me. And then to

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Speaker 2: watch it now and see like how good he is

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Speaker 2: in the movie I'm like, wow, you know, because I

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Speaker 2: have never seen the movie. I didn't obviously, i'd never

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Speaker 2: seen any of his scenes. And he has like all

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Speaker 2: this really good emotional stuff and he's amazing. And then

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Speaker 2: of course he can sing and I can dance. Yeah.

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Speaker 2: But I remember talking to him about Michael Jackson because

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Speaker 2: he had met him doing you know, because he had

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Speaker 2: played young Michael Jackson. And he told me about Michael

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Speaker 2: Jackson's different disguises. He different like and I forget what

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Speaker 2: he had, Like one disguise that that that he would

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Speaker 2: he would show up on set like I think, what

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Speaker 2: was it? An old lady? No, it was like a

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Speaker 2: Middle Eastern like Saudi Arabian prince outfit or whatever, so

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Speaker 2: he could wear a full like face covering and like

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Speaker 2: so basically everyone would think it's like so some rich

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Speaker 2: Middle Eastern you know prince is here, and it's like, no, no,

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Speaker 2: it's actually Michael Jackson.

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Speaker 3: I do that when I go to Target four times

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Speaker 3: in the day and I don't want them to know

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Speaker 3: that I'm back.

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Speaker 1: I can I can vouch for that. I think I've

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Speaker 1: seen her there.

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Speaker 2: Yeah, anyway, was awesome, But yeah, I didn't I didn

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Speaker 2: actually work with him that much that I didn't get

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Speaker 2: to work with any of those guys I did hang

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Speaker 2: out with. I played magic with David and Patrick, but no,

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Speaker 2: mostly hung out with the guys in the prison camp.

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Speaker 4: Well.

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Speaker 3: Yeah, other stars beyond our Pale Rider a strong here,

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Speaker 3: Richard Mole known as Bull on night Court. He there's

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Speaker 3: a gosh, I'm just realizing Salay Moon Fry was in

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Speaker 3: this movie. I did not recognize her. I didn't have

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Speaker 3: first either, and then I was like, that's so lay.

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Speaker 3: She's like a small part. But I do remember her

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Speaker 3: very well too, because this was I think the only

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Speaker 3: time I met her, and of course I had grown

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Speaker 3: up like in love.

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Speaker 2: With Punky Brewster. I just thought she was like the

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Speaker 2: coolest kid ever, and so I definitely remember meeting her

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Speaker 2: and just she was the nicest person. I remember hanging

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Speaker 2: out with her. She was uh. And then like, I

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Speaker 2: didn't remember this, but my mom when I talked when

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Speaker 2: I when you know, she put out that documentary like

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Speaker 2: a couple years ago. It was like all this footage

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Speaker 2: that she had taken and I had watched it and

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Speaker 2: I brought it up to my mom and she was like, yeah,

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Speaker 2: don't you remember she always had a camera, like even

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Speaker 2: back on this set, okay, because she knew. My mom

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Speaker 2: was like she always had like the latest coolest VHS

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Speaker 2: camera and was always filming and documenting everything. I was like,

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Speaker 2: I didn't remember that, but my mom remembered it. It was like,

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Speaker 2: that's so funny, and so that's all that footage has

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Speaker 2: become her documentary.

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Speaker 3: Yeah, so okay, Salain Moon Fry a gay punky brewster.

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Speaker 3: Barry Williams aka Greg Brady is a Grady was your dad?

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Speaker 3: That's awesome?

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Speaker 2: Wow, didn't know that? Okay.

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Speaker 1: Yeah, And our pal Patrick Richard Mall.

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Speaker 2: I don't think I was like, oh this guy, but

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Speaker 2: I don't think I ever met him by Yeah.

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Speaker 3: Well, and our pal Patrick Renna from the Sandlot and

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Speaker 3: TikTok Stardom. But most interestingly, Isaac Lidski plays bad boy

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Speaker 3: Numbers Numbers. He was also Weasel and Saved by the

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Speaker 3: Bell the New Class. But those roles are literally the

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Speaker 3: least cool thing about him, right, or tell me if

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Speaker 3: you know any of this, you should all I know?

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Speaker 2: Okay.

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Speaker 3: A year before Summertime Switch, he was diagnosed with retinitis pigmentosa,

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Speaker 3: a retinal degenerative disease that leads to progressive site loss

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Speaker 3: and blindness. He would then go on to graduate from

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Speaker 3: Harvard with a law degree, accomplished while losing his eyesight

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Speaker 3: completely when he was like nineteen.

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Speaker 2: He started at Columbia because I remember he moved. He

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Speaker 2: moved to New York right after for this movie. Started

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Speaker 2: at Columbia he was only like fifteen or sixteen, and

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Speaker 2: then transferred to Harvard and graduated at nineteen, like with honors,

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Speaker 2: unbelievable in mathematics or computer science and stuff.

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Speaker 3: He then founded an internet startup company called ru four

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Speaker 3: dot com and sold it for two hundred and thirty

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Speaker 3: million dollars. Then became Supreme Court Justice Sandrady O'Connor's law clerk,

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Speaker 3: the first blind person to ever hold the position, and

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Speaker 3: now runs a concrete company in Orlando that makes seventy

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Speaker 3: million dollars in revenue.

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Speaker 2: Wow. In a Ted Talks, there's a Ted Talks of him.

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Speaker 2: I watched, I watched this morning. I lost touch with Isaac.

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Speaker 2: I haven't seen him so the last time I saw

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Speaker 2: him was right when he was doing the internet company

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Speaker 2: in New York. Because I went to Columbia, so I

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Speaker 2: was living in New York and he was back from

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Speaker 2: Harvard doing this this business and he came over and

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Speaker 2: we hung out and that was so that was two

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Speaker 2: thousand and one. Two thousand and two was probably the

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Speaker 2: last time I saw him. Such a good guy. I mean,

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Speaker 2: he was like my friend on the set. We just

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Speaker 2: like fully blind. Yeah, I guess so now, although like

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Speaker 2: when watching his ted Talks, he presents as if he's

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Speaker 2: seen like very like he he manages incredibly And that's

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Speaker 2: what his Ted Talks is all about, is how you

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Speaker 2: create your own reality. And he wrote a book about it,

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Speaker 2: so like basically talks about how we think of seeing

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Speaker 2: as a passive experience, but it's really something our brain

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00:16:22,320 --> 00:16:24,960
Speaker 2: is actively doing constantly and you can overcome like a

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Speaker 2: lack of scene. It's it's amazing. He's he's yeah, he was.

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Speaker 2: He was like just such a genius. His parents were.

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Speaker 2: His mom was the nicest. His mom was from Brazil

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Speaker 2: and his dad was a big time lawyer at the time.

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Speaker 2: He was prosecuting the case against tobacco companies. Remember in

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Speaker 2: the nineties, all those lawsuits. His dad was like one

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Speaker 2: of the main lawyers prosecuting that. Just the coolest people ever,

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Speaker 2: like and Isaac, like we just immediately bonded and like, yeah,

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Speaker 2: he was coming off staved by the Bell. He was

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Speaker 2: already I think he was already going to New York

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Speaker 2: for school. He was just like, yeah, well, I mean

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Speaker 2: it's an actual certified genius.

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Speaker 1: It sounds like I mean, people use that word a lot,

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Speaker 1: but it sounds like he's actually a genius. Ye. So yeah,

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Speaker 1: it's amazing.

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Speaker 3: Yeah, well, writer, we're going to have you chime in

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00:17:10,960 --> 00:17:14,000
Speaker 3: with memories you have throughout the recap. Obviously, but overall

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Speaker 3: you said this was not you didn't have a great

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Speaker 3: experience filming this movie. Could you give us like a

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Speaker 3: brief little reason why run down?

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Speaker 2: Well, watching it again, I got a lot more positive

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Speaker 2: memories and like like just remembering Isaac and hanging out

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Speaker 2: with Patrick and all those guys, like there was there was,

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Speaker 2: It was a good experience. I think it goes back

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Speaker 2: to me just being love sick teenager. I was, you know,

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Speaker 2: I had done the season of Boy Meets World. I

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Speaker 2: was I was being taken away from home. I just

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Speaker 2: remember missing my girlfriend, the one with the white rose

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Speaker 2: that I would give her, and so I like, like

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Speaker 2: what I remember like distinctly is like coming home after

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Speaker 2: this and just being so happy, like going to Marine's

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Speaker 2: house and being like, I'm back, my life can start again.

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Speaker 2: Like right at fourteen, I was so madly in love

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Speaker 2: and this was you know, so I was just like

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00:18:06,720 --> 00:18:09,680
Speaker 2: I was just tortured in some weird way. And then,

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Speaker 2: like I think I mentioned, I didn't feel like I

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Speaker 2: was good and I had a like combative relationship with

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Speaker 2: the director. He kept wanting me to be really funny

386
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Speaker 2: and over the top, which is totally understandable, and watching

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Speaker 2: the movie you can just see me pushing and like

388
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Speaker 2: I'm so uncomfortable. Second half of the movie, I was like, oh,

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Speaker 2: there's writer. Yeah, like once I dropped the whole like

390
00:18:35,320 --> 00:18:39,639
Speaker 2: rich kid character stuff they're allowed to act and didn't

391
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Speaker 2: know how to be a character. Like all I could

392
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Speaker 2: do was like be myself as as a young actor

393
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Speaker 2: at that point, and so like when I'm just kind

394
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Speaker 2: of there and being the coach or whatever it is

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Speaker 2: in the second half of the movie, I was like, oh,

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Speaker 2: well that's you're okay, right, Yeah, that whole first half

397
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Speaker 2: is so painful to watch, and it was really painful

398
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Speaker 2: to go through, and it was hot. It was Jacksonville

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Speaker 2: Florida and like July, and I just remember always being

400
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Speaker 2: like sweaty and buggy and hot.

401
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Speaker 3: Oh all right, well, I thought we could start with

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Speaker 3: a featured review on IMDb. Yes, yes, it says I

403
00:19:11,800 --> 00:19:14,480
Speaker 3: saw this movie the day before school let out a

404
00:19:14,480 --> 00:19:15,440
Speaker 3: couple of years back.

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Speaker 2: I didn't even see the ending. The guy who played

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00:19:18,320 --> 00:19:21,760
Speaker 2: the delinquent wasn't very believable, but the rich kid was worse.

407
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Speaker 3: Call this movie a guilty pleasure or late for dinner

408
00:19:25,359 --> 00:19:26,639
Speaker 3: anything except good.

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Speaker 2: Yeah, I could go with that. I mean, I actually

410
00:19:32,560 --> 00:19:34,959
Speaker 2: thought the script was better than I remember, and I

411
00:19:35,000 --> 00:19:37,840
Speaker 2: was like, this, did you how did you remember it?

412
00:19:38,119 --> 00:19:41,520
Speaker 2: Because I still don't know who I'm rooting for. I

413
00:19:41,640 --> 00:19:42,239
Speaker 2: still don't care.

414
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Speaker 3: My biggest issue is that it feels like there is

415
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Speaker 3: an ending, or at least the start of an ending,

416
00:19:50,080 --> 00:19:52,880
Speaker 3: at fifty minutes in or something, and then no one

417
00:19:52,920 --> 00:19:53,760
Speaker 3: acknowledges that.

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Speaker 2: No, you mean when we confront each other at the dance.

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00:19:56,880 --> 00:20:00,520
Speaker 3: Yes, and there's a shot where we go to the audience,

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00:20:00,560 --> 00:20:03,480
Speaker 3: like a reaction shot of the audience, and then and

421
00:20:03,520 --> 00:20:06,080
Speaker 3: the audience takes it in, and then everyone just never

422
00:20:06,160 --> 00:20:06,880
Speaker 3: mentions that again.

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Speaker 1: And then you're kind of friends with the guy who

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Speaker 1: just tried to turn you in.

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Speaker 3: All of a sudden, it took its weird. Okay, let's

426
00:20:22,840 --> 00:20:25,280
Speaker 3: jump into it. Let's jump into our recount. So we

427
00:20:25,440 --> 00:20:28,400
Speaker 3: open with the title card and lead actor Jason Weaver

428
00:20:28,560 --> 00:20:31,399
Speaker 3: singing the movie's theme song, though that's not really mentioned

429
00:20:31,480 --> 00:20:35,760
Speaker 3: or anything. It's very nineties soul for real and Tevin

430
00:20:35,800 --> 00:20:39,080
Speaker 3: Campbell sounding. He also dresses like Tevin Campbell for the

431
00:20:39,119 --> 00:20:42,680
Speaker 3: rest of the movie. It's pretty great. Oh, he's amazing.

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00:20:43,119 --> 00:20:46,040
Speaker 3: But beyond his music, we see Weaver playing fast. Freddy

433
00:20:46,119 --> 00:20:48,480
Speaker 3: Egan now knock on an old lady's door and he's

434
00:20:48,960 --> 00:20:52,600
Speaker 3: dressed as a jamboree scout. He tells this frail grandma

435
00:20:52,680 --> 00:20:55,120
Speaker 3: that he's collecting money for the Homeless Society, and she's

436
00:20:55,240 --> 00:20:57,879
Speaker 3: quick to want to donate. Freddie looks a little nervous

437
00:20:57,920 --> 00:21:00,760
Speaker 3: when she notices that his uniform is very tight, and

438
00:21:00,800 --> 00:21:03,200
Speaker 3: there was another opportunity I thought for a shot where

439
00:21:03,200 --> 00:21:05,000
Speaker 3: we could see that the uniform looks very tight, because

440
00:21:05,040 --> 00:21:07,080
Speaker 3: the only time we saw him was from very far away.

441
00:21:07,200 --> 00:21:09,800
Speaker 3: Is he was skipping along singing the song, so we

442
00:21:09,800 --> 00:21:11,840
Speaker 3: don't really see that his uniform looks tight, but she

443
00:21:11,960 --> 00:21:15,399
Speaker 3: mentions it and he plays it off very nicely, and

444
00:21:15,440 --> 00:21:19,280
Speaker 3: she gives him her dead husband's lucky gold coin for charity.

445
00:21:19,960 --> 00:21:21,720
Speaker 2: Feels like what, I.

446
00:21:21,680 --> 00:21:25,399
Speaker 3: Know what, maybe like some cold hard cash would have

447
00:21:25,400 --> 00:21:26,760
Speaker 3: been a cash.

448
00:21:26,560 --> 00:21:28,800
Speaker 1: But she donates an old gold coin, which was the

449
00:21:28,960 --> 00:21:32,320
Speaker 1: most thing her husband good silver.

450
00:21:32,800 --> 00:21:35,040
Speaker 2: Yeah, there's a lot of things before that.

451
00:21:35,080 --> 00:21:39,000
Speaker 1: And so I my sence, I knew nothing of this movie.

452
00:21:39,119 --> 00:21:42,520
Speaker 1: I knew nothing of this movie going in. I thought, oh,

453
00:21:42,920 --> 00:21:47,400
Speaker 1: they're doing Magic Ticket from you know, the the Arnold

454
00:21:47,400 --> 00:21:51,840
Speaker 1: Schwarzenegger movie. Like this coin is going to stretch them somehow, right,

455
00:21:53,840 --> 00:21:58,040
Speaker 1: this is gonna okay, this is gonna watch look at

456
00:21:58,080 --> 00:22:01,479
Speaker 1: look at this for because this is a minute nothing nothing.

457
00:22:01,840 --> 00:22:03,840
Speaker 1: It was just like, oh, she's oh no, she's just

458
00:22:03,840 --> 00:22:05,800
Speaker 1: an old lady giving away a coin. This means nothing

459
00:22:05,800 --> 00:22:07,600
Speaker 1: in the long run in any way, shape or form.

460
00:22:07,720 --> 00:22:11,520
Speaker 2: We'll go straight at the ending of the movie breaks

461
00:22:10,920 --> 00:22:15,119
Speaker 2: where you get like, what, it's so weird.

462
00:22:15,520 --> 00:22:17,480
Speaker 3: So just as she gives him the coin, she says,

463
00:22:17,480 --> 00:22:19,280
Speaker 3: there's a little bit there may be a little bit

464
00:22:19,320 --> 00:22:21,720
Speaker 3: of luck in it. And then a van pulls up

465
00:22:21,760 --> 00:22:23,639
Speaker 3: with the other boy scouts. One is down to his

466
00:22:23,680 --> 00:22:26,160
Speaker 3: boxer shorts. He points out fast Freddy as the kid

467
00:22:26,160 --> 00:22:29,119
Speaker 3: who took his clothes, and it becomes a chase. Freddy

468
00:22:29,160 --> 00:22:31,479
Speaker 3: sprints off through a neighbor's yard all of Ferris Bueller,

469
00:22:31,480 --> 00:22:33,680
Speaker 3: even snatching a hot dog from a man's lips, causing

470
00:22:33,720 --> 00:22:36,000
Speaker 3: him to basically fall backwards in a pool, even though

471
00:22:36,000 --> 00:22:36,720
Speaker 3: he's not pushed it.

472
00:22:36,800 --> 00:22:38,600
Speaker 2: All by Freddy.

473
00:22:38,560 --> 00:22:42,720
Speaker 3: Yeah, image, and he just falls back into the pool

474
00:22:42,920 --> 00:22:43,760
Speaker 3: and there we go.

475
00:22:44,160 --> 00:22:44,560
Speaker 1: Yeah.

476
00:22:44,680 --> 00:22:46,080
Speaker 2: I was a kid and my brother and I would

477
00:22:46,080 --> 00:22:48,520
Speaker 2: make movies. We always had to have somebody fall into

478
00:22:48,520 --> 00:22:51,560
Speaker 2: the pool. That was like that was like production value,

479
00:22:51,600 --> 00:22:53,600
Speaker 2: you know that, of course, especially if we were like

480
00:22:53,640 --> 00:22:55,880
Speaker 2: in makeup and but it was always the most fun

481
00:22:55,920 --> 00:22:57,960
Speaker 2: part was being able to go into the pool with

482
00:22:58,000 --> 00:23:00,960
Speaker 2: our clothes on. Right, right, we're getting away with something.

483
00:23:01,119 --> 00:23:04,240
Speaker 2: But yeah, always always a big fight lands in the pool.

484
00:23:04,280 --> 00:23:06,120
Speaker 2: Somebody has to fall on the pool. Yeah.

485
00:23:06,280 --> 00:23:08,919
Speaker 3: Eventually the boy scouts catch up and call the cops.

486
00:23:09,240 --> 00:23:12,800
Speaker 3: We then find ourselves in a judge's quarters. Fast Freddy

487
00:23:12,880 --> 00:23:15,560
Speaker 3: is accompanied by a police officer and the furious judge

488
00:23:15,560 --> 00:23:19,200
Speaker 3: appoints him to the supervisory care of juvenile detention camp,

489
00:23:19,440 --> 00:23:21,639
Speaker 3: where he will work and he will have no fun

490
00:23:21,760 --> 00:23:24,640
Speaker 3: at all. And right before the scene ends, Freddy gives

491
00:23:24,680 --> 00:23:28,000
Speaker 3: a hilarious line read trying to give the judge breath mintce.

492
00:23:28,280 --> 00:23:30,760
Speaker 3: He pulls out mints and says, uh, sir, hook it up.

493
00:23:30,800 --> 00:23:32,720
Speaker 3: You know what I'm saying, because you're stepping on U

494
00:23:33,440 --> 00:23:36,119
Speaker 3: and his way. It's so good, it's so funny.

495
00:23:36,160 --> 00:23:38,640
Speaker 2: He feels like improv. I feel like this is jasoning

496
00:23:38,680 --> 00:23:40,520
Speaker 2: and it's like one of the most natural lines in

497
00:23:40,560 --> 00:23:42,520
Speaker 2: the whole movie. And yeah, the best laugh.

498
00:23:42,680 --> 00:23:46,520
Speaker 3: It's like, well, I do think they les, Yeah, I

499
00:23:46,600 --> 00:23:48,960
Speaker 3: think I think they let him improv a few times,

500
00:23:49,000 --> 00:23:51,760
Speaker 3: because another time he improvs, he lets us know he

501
00:23:51,840 --> 00:23:54,480
Speaker 3: has skills about seventeen times.

502
00:23:54,600 --> 00:23:57,959
Speaker 2: Yes, And I thought that was not in the script, right.

503
00:23:58,280 --> 00:24:01,879
Speaker 1: He hit every nineties rope with the kind of I

504
00:24:01,920 --> 00:24:04,879
Speaker 1: got skills and you go, And it was just like

505
00:24:04,960 --> 00:24:13,200
Speaker 1: one snap, wasn't it was sash Yeah.

506
00:24:13,240 --> 00:24:15,959
Speaker 2: And then here's our boy Ryder Strong.

507
00:24:16,119 --> 00:24:18,800
Speaker 3: We are placed smack dab in a high school gym

508
00:24:19,119 --> 00:24:23,400
Speaker 3: for a team's scrimmage and another Freddie Egan. This one

509
00:24:23,680 --> 00:24:28,200
Speaker 3: Frederick Egan, the third played by Boy meets World's Rider Strong,

510
00:24:28,359 --> 00:24:30,600
Speaker 3: is on the free throw line playing sports ball.

511
00:24:31,280 --> 00:24:34,160
Speaker 2: Writer Were you nervous to play sports ball? In this movie.

512
00:24:34,440 --> 00:24:36,520
Speaker 2: I don't think I was. I think I was so blueless.

513
00:24:36,560 --> 00:24:38,120
Speaker 2: I was just like, yeah, I could do this. Hey,

514
00:24:38,520 --> 00:24:41,960
Speaker 2: just completely. I mean I one of my favorite movies

515
00:24:42,240 --> 00:24:45,760
Speaker 2: growing up was teen Wolf Great, so I can totally

516
00:24:45,800 --> 00:24:47,720
Speaker 2: see myself being like, well, I could do that. Even

517
00:24:47,720 --> 00:24:51,320
Speaker 2: though I never played basketball in my life, I was

518
00:24:51,520 --> 00:24:52,200
Speaker 2: so we played.

519
00:24:52,280 --> 00:24:54,720
Speaker 1: First year we played that, we would play with the

520
00:24:54,720 --> 00:24:57,440
Speaker 1: home I plue my kids. We played football and basketball,

521
00:24:57,480 --> 00:24:59,000
Speaker 1: and then I remember seeing You're sitting there on the

522
00:24:59,000 --> 00:25:01,600
Speaker 1: foul line and you make the first shot, which is

523
00:25:01,680 --> 00:25:03,400
Speaker 1: just a straight through and I was like, that's Rider

524
00:25:03,480 --> 00:25:04,960
Speaker 1: actually trying to make the free throw.

525
00:25:07,040 --> 00:25:10,240
Speaker 2: Myself, like Riders trying to make that shot. It's such

526
00:25:10,240 --> 00:25:12,880
Speaker 2: a clear example of like when you're a kid, like before,

527
00:25:13,600 --> 00:25:16,119
Speaker 2: before you're a teenager, you just think you're good at everything,

528
00:25:16,119 --> 00:25:18,080
Speaker 2: like whatever your parents signed you up for. So like

529
00:25:18,640 --> 00:25:22,480
Speaker 2: I did karate, I took piano, and like acting was

530
00:25:22,520 --> 00:25:24,880
Speaker 2: the same way, because like, oh I act, I also

531
00:25:24,880 --> 00:25:27,600
Speaker 2: could play basketball. I played soccer, and then, like you know,

532
00:25:27,680 --> 00:25:30,119
Speaker 2: you realize by the time you're like thirteen, you usually

533
00:25:30,119 --> 00:25:31,720
Speaker 2: realize like I'm not I'm not really.

534
00:25:31,520 --> 00:25:35,439
Speaker 5: Good stuff, and you had that realization yet, So I

535
00:25:35,440 --> 00:25:37,760
Speaker 5: think I just went in fully like dide and then

536
00:25:37,840 --> 00:25:42,160
Speaker 5: during the course of this movie realized I couldnt play basketball.

537
00:25:43,200 --> 00:25:47,640
Speaker 2: I still don't know what is a double dribble. So

538
00:25:47,680 --> 00:25:50,000
Speaker 2: there's there's two types of double dribble. Okay.

539
00:25:50,040 --> 00:25:54,719
Speaker 1: There's double double dribbling is you dribble, stop and then

540
00:25:54,800 --> 00:25:57,760
Speaker 1: dribble again, okay, And there's the double dribble where you

541
00:25:57,840 --> 00:25:59,760
Speaker 1: dribble the ball with both hands.

542
00:26:00,080 --> 00:26:04,399
Speaker 2: That's also my problem either. I remember Jason calling me

543
00:26:04,480 --> 00:26:07,040
Speaker 2: out while we're while we're shooting the scenes in the

544
00:26:07,040 --> 00:26:09,720
Speaker 2: basketball scenes, and he would just be like, double dribble double.

545
00:26:10,800 --> 00:26:12,480
Speaker 2: I was like, I don't know what you're saying. I

546
00:26:12,520 --> 00:26:14,960
Speaker 2: don't know what I'm doing wrong. I'm just here. Can

547
00:26:14,960 --> 00:26:18,480
Speaker 2: we please make this movie? Oh my god, so embarrassing

548
00:26:20,680 --> 00:26:23,320
Speaker 2: calling me out while player I tell you, this movie

549
00:26:23,359 --> 00:26:27,880
Speaker 2: was a crash course and and me learning about sports, basketball, sportsball.

550
00:26:28,560 --> 00:26:31,919
Speaker 3: This privileged Frederick is obviously bullied by the rest of

551
00:26:31,920 --> 00:26:34,560
Speaker 3: the kids on the team, and he misses both free throws.

552
00:26:34,359 --> 00:26:36,040
Speaker 2: Miserably losing the scrimmage.

553
00:26:36,119 --> 00:26:39,480
Speaker 3: One teammate uh says next year they might let girls

554
00:26:39,520 --> 00:26:42,920
Speaker 3: in the school and then they can trade Fairy for

555
00:26:43,080 --> 00:26:43,879
Speaker 3: another player.

556
00:26:43,920 --> 00:26:47,600
Speaker 2: So fair girls.

557
00:26:49,520 --> 00:26:52,640
Speaker 3: Girls are bad. I guess by the way I did

558
00:26:52,680 --> 00:26:56,320
Speaker 3: not understand. Fairy took me six times. I'm not sure

559
00:26:56,320 --> 00:27:00,359
Speaker 3: that kid was miked. I thought he said ready.

560
00:27:00,520 --> 00:27:02,760
Speaker 1: I thought, say Freddy too, is it very like a

561
00:27:02,880 --> 00:27:04,760
Speaker 1: like a Are you sure it's very very No.

562
00:27:04,880 --> 00:27:05,679
Speaker 2: I'm absolutely not.

563
00:27:06,200 --> 00:27:09,640
Speaker 3: I couldn't arn, wasn't was pretty sure. No, absolutely not sure.

564
00:27:09,680 --> 00:27:11,720
Speaker 3: I will not die on this hill. He said, Freddy,

565
00:27:11,800 --> 00:27:15,320
Speaker 3: I don't care. It's not fully Freddy. It's it's not

566
00:27:15,400 --> 00:27:17,879
Speaker 3: fully Fairy. I think the writer was miked and he

567
00:27:18,000 --> 00:27:19,760
Speaker 3: was just hoping his mic was picking it up.

568
00:27:19,800 --> 00:27:22,960
Speaker 2: And that's it possible. You say, you say, you say

569
00:27:23,040 --> 00:27:26,199
Speaker 2: my character is bullied, but I come across more like

570
00:27:26,200 --> 00:27:26,760
Speaker 2: the bully.

571
00:27:26,880 --> 00:27:29,560
Speaker 3: You're the biggest bully. But you you start on the

572
00:27:29,640 --> 00:27:32,359
Speaker 3: line you're saying, listen, I was not treated wise. So

573
00:27:32,440 --> 00:27:35,280
Speaker 3: you're trying to make you're trying to imply that they

574
00:27:35,520 --> 00:27:37,400
Speaker 3: were trying to set up that you're you don't fit

575
00:27:37,480 --> 00:27:38,280
Speaker 3: in anywhere.

576
00:27:38,320 --> 00:27:40,920
Speaker 2: And I think had I been a better actor, there's

577
00:27:40,960 --> 00:27:44,920
Speaker 2: a version of this character that you would have had

578
00:27:44,920 --> 00:27:47,360
Speaker 2: more sympathy for, you know, like you would have been like, oh,

579
00:27:47,440 --> 00:27:50,679
Speaker 2: this kid is you know, teased and made fun of

580
00:27:50,760 --> 00:27:53,760
Speaker 2: or you know, done that with a taking. You are

581
00:27:54,000 --> 00:27:55,600
Speaker 2: so rude to your chauffeur.

582
00:27:57,000 --> 00:27:58,959
Speaker 3: That's the hard that's the part to me that like

583
00:27:59,160 --> 00:28:02,240
Speaker 3: once once you were that cruel to him. I was like,

584
00:28:02,359 --> 00:28:05,280
Speaker 3: I hope this character falls in a bit of mud

585
00:28:05,359 --> 00:28:06,480
Speaker 3: and gets little on fire.

586
00:28:06,640 --> 00:28:08,800
Speaker 2: Okay, want to come out. But I was thinking about

587
00:28:08,800 --> 00:28:12,400
Speaker 2: this because because there is a way to play rich

588
00:28:12,440 --> 00:28:15,679
Speaker 2: snob that is fun and funny. Think about like the

589
00:28:15,680 --> 00:28:18,960
Speaker 2: way Bill Murray is able to like always say the

590
00:28:19,040 --> 00:28:21,840
Speaker 2: meanest thing and you're still kind of on his side

591
00:28:21,880 --> 00:28:24,439
Speaker 2: because he's clever, or he's like he's not pushing.

592
00:28:24,640 --> 00:28:27,439
Speaker 3: The best example is how much could a banana cost

593
00:28:27,680 --> 00:28:28,400
Speaker 3: ten dollars?

594
00:28:29,160 --> 00:28:33,359
Speaker 2: That's clueless, rich person, out of touch risk. Rich person

595
00:28:33,400 --> 00:28:36,440
Speaker 2: can be very funny. Yes, your can be funny. I'm

596
00:28:36,480 --> 00:28:43,480
Speaker 2: just disgusted me being rude. That was wider. If I

597
00:28:43,520 --> 00:28:46,400
Speaker 2: had if my if I could have had the slightest

598
00:28:46,400 --> 00:28:48,600
Speaker 2: sense of irony, just so the slight little tings that

599
00:28:48,760 --> 00:28:51,880
Speaker 2: like I think I'm better than these people. This is

600
00:28:51,960 --> 00:28:52,400
Speaker 2: not you.

601
00:28:52,720 --> 00:28:55,440
Speaker 3: He's in cat food out of an airport or whatever

602
00:28:55,480 --> 00:28:55,880
Speaker 3: you say.

603
00:28:56,040 --> 00:28:58,960
Speaker 2: Is that a career choice? It is written for you

604
00:28:59,040 --> 00:29:04,080
Speaker 2: to be the word despicable child. Now there's no, there's

605
00:29:04,080 --> 00:29:07,040
Speaker 2: no You are a child.

606
00:29:06,920 --> 00:29:11,560
Speaker 3: So could it be played that you are despicable because

607
00:29:11,560 --> 00:29:15,680
Speaker 3: of the very poor treatment you have been given my family?

608
00:29:15,800 --> 00:29:18,280
Speaker 3: And that's where the sympathy comes from. The sympathy comes

609
00:29:18,280 --> 00:29:22,640
Speaker 3: from this child doesn't know better because he's he's been

610
00:29:22,680 --> 00:29:24,240
Speaker 3: abandoned and has The.

611
00:29:24,200 --> 00:29:27,160
Speaker 2: Only real moment in the entire first fifty minutes of

612
00:29:27,280 --> 00:29:29,480
Speaker 2: my right acting in this movie is when I say,

613
00:29:29,600 --> 00:29:30,960
Speaker 2: you know, when I turn off the tape and I

614
00:29:31,000 --> 00:29:33,360
Speaker 2: say thanks Toad or whatever. I was like, that's a

615
00:29:33,400 --> 00:29:35,840
Speaker 2: real emotion. That's a real moment, that's a real thing.

616
00:29:36,120 --> 00:29:37,760
Speaker 1: It should have been what you what you do with

617
00:29:37,800 --> 00:29:40,000
Speaker 1: something like this, which is done in these movies, is

618
00:29:40,000 --> 00:29:42,680
Speaker 1: what you do is you're actually very nice to the

619
00:29:42,760 --> 00:29:44,840
Speaker 1: chauffeur and he's actually very nice to you because it's

620
00:29:44,880 --> 00:29:47,520
Speaker 1: the only adult in your entire life you've actually grown

621
00:29:47,600 --> 00:29:50,280
Speaker 1: up with. And that's how you do It's like, that

622
00:29:50,400 --> 00:29:52,360
Speaker 1: kind of thing is how you do it. Like he's

623
00:29:52,400 --> 00:29:54,400
Speaker 1: apologizing your dad's not here. My god, I've got to

624
00:29:54,400 --> 00:29:56,600
Speaker 1: tell you again that your dad's not here. Like that's

625
00:29:56,600 --> 00:29:58,360
Speaker 1: how you do it, as opposed to just being an

626
00:29:58,440 --> 00:30:02,000
Speaker 1: ass the whole time. Yeah, but Freddy, the other Freddy, though.

627
00:30:02,080 --> 00:30:04,400
Speaker 1: I also the way they started him. They start him

628
00:30:04,440 --> 00:30:07,280
Speaker 1: with robbing from the old Lady robbing. I have no

629
00:30:07,320 --> 00:30:10,120
Speaker 1: sympathy for any of these characters at this point. None

630
00:30:10,160 --> 00:30:11,920
Speaker 1: I care about neither of these kids. I hope they

631
00:30:11,960 --> 00:30:17,920
Speaker 1: are journey. You want to see some sort of like

632
00:30:18,160 --> 00:30:20,280
Speaker 1: I get even right off the bat kind of like.

633
00:30:20,320 --> 00:30:22,560
Speaker 1: And they try. That's the thing is they realized that too.

634
00:30:22,640 --> 00:30:25,840
Speaker 1: That's why they tried to do it. It just didn't work.

635
00:30:26,440 --> 00:30:28,680
Speaker 1: So it was like they they they got like, we

636
00:30:28,760 --> 00:30:30,720
Speaker 1: need to you know, some sort of a save the cat.

637
00:30:31,200 --> 00:30:32,960
Speaker 1: They ran the cat over and then just spit on

638
00:30:32,960 --> 00:30:34,760
Speaker 1: the carcass and they're like, here's our kids.

639
00:30:34,920 --> 00:30:37,800
Speaker 3: Well, as we mentioned, it's here Frederick learns that his

640
00:30:37,800 --> 00:30:40,600
Speaker 3: father played by Barry Williams, recorded a VHS message for

641
00:30:40,680 --> 00:30:42,479
Speaker 3: him and is not there to pick him up. His

642
00:30:42,560 --> 00:30:45,120
Speaker 3: dad explains he's too busy with work. He's building a

643
00:30:45,120 --> 00:30:47,800
Speaker 3: new stadium, and Frederick will be spending a month at

644
00:30:47,840 --> 00:30:50,560
Speaker 3: the Enclave Posh summer camp that he attended as a

645
00:30:50,600 --> 00:30:53,720
Speaker 3: child and has how's the children of Presidents and royalty.

646
00:30:53,920 --> 00:30:56,480
Speaker 3: He promises an experience of a lifetime, but it's clear

647
00:30:56,680 --> 00:31:00,040
Speaker 3: Frederick has been ignored by his father a lot and

648
00:31:00,120 --> 00:31:02,080
Speaker 3: gets a little teary eyed here and he throws the

649
00:31:02,200 --> 00:31:03,640
Speaker 3: VHS tape out the window.

650
00:31:04,000 --> 00:31:06,120
Speaker 2: Can we talk very quickly about Barry Williams?

651
00:31:06,240 --> 00:31:10,160
Speaker 1: Awesome, I'm busy paper acting, m because he just goes,

652
00:31:10,640 --> 00:31:11,000
Speaker 1: is this thing?

653
00:31:11,080 --> 00:31:14,719
Speaker 2: Is this thing off? Okay, turn it off? I've got

654
00:31:14,720 --> 00:31:16,920
Speaker 2: a paper here, pacting. It's packeding.

655
00:31:17,640 --> 00:31:18,040
Speaker 1: Awesome.

656
00:31:18,520 --> 00:31:21,840
Speaker 2: I was weird by the fact that we weren't driving. No, like,

657
00:31:21,960 --> 00:31:24,480
Speaker 2: we're just sitting parking, Like the Shu gets.

658
00:31:24,320 --> 00:31:27,200
Speaker 3: In the car and you couldn't you couldn't afford to

659
00:31:27,240 --> 00:31:33,000
Speaker 3: move process trailer or whatever. So writer, did did Mincus?

660
00:31:33,680 --> 00:31:36,960
Speaker 3: Did Lee or Mincus play into your performance of this

661
00:31:37,680 --> 00:31:38,480
Speaker 3: character at all?

662
00:31:38,840 --> 00:31:42,440
Speaker 2: No? I never even thought about it. I don't know.

663
00:31:42,520 --> 00:31:45,240
Speaker 3: I was I was thinking there was a moment when

664
00:31:45,280 --> 00:31:46,680
Speaker 3: you have that when we first see you with the

665
00:31:46,680 --> 00:31:48,320
Speaker 3: sweater tied around your shoulders, and I.

666
00:31:48,320 --> 00:31:51,680
Speaker 2: Was like, Oh, that's such a that's such a Mincus look.

667
00:31:52,080 --> 00:31:54,080
Speaker 3: And Jensen was then the one who goes, yeah, well,

668
00:31:54,080 --> 00:31:56,360
Speaker 3: it was between season one and two, so he had

669
00:31:56,440 --> 00:31:57,720
Speaker 3: just come off of working with Lee.

670
00:31:57,760 --> 00:31:59,160
Speaker 2: I wonder if there was any.

671
00:31:58,960 --> 00:32:03,200
Speaker 3: Sort of awareness awareness or minus vibe that you picked

672
00:32:03,240 --> 00:32:03,640
Speaker 3: up on it.

673
00:32:03,600 --> 00:32:05,480
Speaker 2: All, not not that I remember, I mean if any

674
00:32:05,560 --> 00:32:07,720
Speaker 2: I mean that's the thing, like, it would have been

675
00:32:07,800 --> 00:32:12,720
Speaker 2: nice if if Freddy were fred Egan, Frederick were smart,

676
00:32:12,840 --> 00:32:15,920
Speaker 2: like you know, or Liker, and they try and do

677
00:32:15,960 --> 00:32:19,600
Speaker 2: the smart Yeah, yeah, you're supposed to be smart. It's

678
00:32:19,840 --> 00:32:23,320
Speaker 2: so bad like yeah, and in fact, like I used

679
00:32:23,440 --> 00:32:26,320
Speaker 2: Neanderthal twice, it's like yeah, it's like they only had

680
00:32:26,360 --> 00:32:29,640
Speaker 2: so much room in their thesaurus where they were right whoever.

681
00:32:29,720 --> 00:32:32,240
Speaker 1: And not to bring it back to mash, but they

682
00:32:32,280 --> 00:32:35,760
Speaker 1: tried to make you Charles Winchester essentially is what they

683
00:32:35,760 --> 00:32:38,680
Speaker 1: were trying to do. This big kind of like yeah,

684
00:32:38,720 --> 00:32:40,000
Speaker 1: I mean that's exactly what they were trying.

685
00:32:40,040 --> 00:32:41,520
Speaker 2: It would have been so much better if if I

686
00:32:41,560 --> 00:32:45,520
Speaker 2: had one redeemed something something something would have been nice.

687
00:32:45,520 --> 00:32:47,480
Speaker 2: So far, I haven't seen that yet.

688
00:32:47,520 --> 00:32:52,280
Speaker 3: So then the limo backs into a different parking lot,

689
00:32:52,360 --> 00:32:54,480
Speaker 3: which I thought was a real interesting choice to have

690
00:32:54,600 --> 00:32:58,640
Speaker 3: the most seen moving in reverse. Yeah, and it is

691
00:32:58,680 --> 00:33:02,719
Speaker 3: a very busy parking lot intersection where many buses are

692
00:33:02,760 --> 00:33:05,240
Speaker 3: parked to take kids to their respective summer camps.

693
00:33:05,240 --> 00:33:06,960
Speaker 2: We see the paddy wagon bus.

694
00:33:06,720 --> 00:33:09,720
Speaker 3: For the juvenile center, and it is a very strict

695
00:33:09,920 --> 00:33:13,880
Speaker 3: mustached sergeant Waldron. He is waiting for and ready to

696
00:33:13,920 --> 00:33:17,840
Speaker 3: punish this wise guy Freddy Egan, who is late. We

697
00:33:17,920 --> 00:33:20,560
Speaker 3: see Writer all prepped out now he's got a sweater

698
00:33:20,600 --> 00:33:23,480
Speaker 3: around his neck, pastel polo and shorts loafers with his

699
00:33:23,560 --> 00:33:26,360
Speaker 3: luggage and golf bag. He finally ditches his driver and

700
00:33:26,400 --> 00:33:28,600
Speaker 3: there's a funny physical moment of Writer trying to lift

701
00:33:28,640 --> 00:33:30,239
Speaker 3: his bag. And I thought it was really good. Did

702
00:33:30,240 --> 00:33:31,840
Speaker 3: they actually make the bag super heavy for you?

703
00:33:32,080 --> 00:33:35,120
Speaker 2: I don't remember. It looked like they did. It looked

704
00:33:35,120 --> 00:33:37,800
Speaker 2: like the bottom was. I just love that they've like

705
00:33:37,920 --> 00:33:42,280
Speaker 2: overly saddled me with rich kid. Yeah, it's like not

706
00:33:42,320 --> 00:33:47,720
Speaker 2: only the sweater vest but also the racket in Yep, yes,

707
00:33:47,840 --> 00:33:48,280
Speaker 2: I love it.

708
00:33:48,480 --> 00:33:51,880
Speaker 1: I just also love that prison bus is next to

709
00:33:52,080 --> 00:33:55,640
Speaker 1: rich guy bus, like they're both parked right next to

710
00:33:55,680 --> 00:33:57,600
Speaker 1: each other and they go to the same like.

711
00:33:57,920 --> 00:34:01,760
Speaker 3: Well, it plays into the side plotholes later on when

712
00:34:01,960 --> 00:34:04,600
Speaker 3: knowing like what it is actually mentioned.

713
00:34:05,040 --> 00:34:06,200
Speaker 2: Okay, we'll get into it.

714
00:34:07,240 --> 00:34:10,520
Speaker 3: We're about to enter plot hole central, which is really

715
00:34:10,800 --> 00:34:24,200
Speaker 3: really fun for me. We now see fast Freddy also

716
00:34:24,239 --> 00:34:26,760
Speaker 3: in the parking lot, being led around by an officer.

717
00:34:26,880 --> 00:34:32,920
Speaker 3: They are told by dispatcher information again, another big sign

718
00:34:33,480 --> 00:34:34,640
Speaker 3: on the table side.

719
00:34:34,680 --> 00:34:39,799
Speaker 1: The sign budget of this film was crazy.

720
00:34:38,800 --> 00:34:40,640
Speaker 2: As big sign behindhand too.

721
00:34:40,719 --> 00:34:44,640
Speaker 3: Yeah yeah okay, So after looking his name up, Freddie

722
00:34:44,640 --> 00:34:47,520
Speaker 3: Egan will be going on Bus seven, which has not

723
00:34:47,640 --> 00:34:50,480
Speaker 3: yet arrived. The officer explains he's in a rush, and

724
00:34:50,520 --> 00:34:53,360
Speaker 3: he pays off the Dufus worker to watch his little prisoner,

725
00:34:53,560 --> 00:34:55,719
Speaker 3: and he handcuffs fast Freddy to a nearby van.

726
00:34:56,000 --> 00:34:59,080
Speaker 2: Freddie, hand can you say that again? Slower? He handcuffs

727
00:34:59,160 --> 00:35:00,360
Speaker 2: a kid to a V.

728
00:35:02,200 --> 00:35:07,000
Speaker 3: I know, I'm not sure this pickpocket needs to be handcuffed.

729
00:35:07,200 --> 00:35:10,120
Speaker 2: Hand cuff a van? Yeah, I love the guy's like,

730
00:35:10,239 --> 00:35:11,880
Speaker 2: is he dangerous?

731
00:35:11,920 --> 00:35:12,000
Speaker 1: Like?

732
00:35:12,719 --> 00:35:16,160
Speaker 2: Yeah, that's a valid question to ask. Left with some kid.

733
00:35:16,640 --> 00:35:19,400
Speaker 1: Here's twenty dollars, take care of this prisoner. I'm a

734
00:35:19,480 --> 00:35:20,680
Speaker 1: handcuffing to a van.

735
00:35:20,960 --> 00:35:21,640
Speaker 2: I've gotta go.

736
00:35:22,200 --> 00:35:22,359
Speaker 5: Oh.

737
00:35:22,880 --> 00:35:26,640
Speaker 3: So Freddy quick quickly picklocks his handcuffs, and we hear

738
00:35:26,680 --> 00:35:30,279
Speaker 3: an announcement asking for Freddie Egan to report to bus

739
00:35:30,480 --> 00:35:35,280
Speaker 3: one immediately, And so we see Frederick Egan, the third

740
00:35:35,480 --> 00:35:37,560
Speaker 3: pompous little rider, walk.

741
00:35:37,440 --> 00:35:39,759
Speaker 2: Right up to the sergeant and the prisoner. Bus number one.

742
00:35:39,800 --> 00:35:42,520
Speaker 3: He checks in as Frederick Egan, the third, and even

743
00:35:42,520 --> 00:35:45,120
Speaker 3: though the cop is confused, his name is on the list,

744
00:35:45,200 --> 00:35:47,920
Speaker 3: so it must be him. Frederick is grossed out by

745
00:35:47,960 --> 00:35:50,880
Speaker 3: the transportation and thinks it's a mistake, but he's dragged

746
00:35:50,880 --> 00:35:52,760
Speaker 3: on by the cop and that's that.

747
00:35:52,760 --> 00:35:54,800
Speaker 2: That's it, no further questions.

748
00:35:54,840 --> 00:35:55,120
Speaker 4: That's it.

749
00:35:55,160 --> 00:35:56,040
Speaker 2: We're not checking anything.

750
00:35:56,080 --> 00:35:58,560
Speaker 3: We're not checking anything else. This is totally fine. He

751
00:35:58,640 --> 00:36:01,439
Speaker 3: flips his lucky coin. I mean, the cops, I guess,

752
00:36:01,480 --> 00:36:04,399
Speaker 3: just did not take this from him, which no sense

753
00:36:04,440 --> 00:36:07,880
Speaker 3: at all. They would definitely have confiscated that. He's also

754
00:36:08,360 --> 00:36:13,320
Speaker 3: the world's greatest lock pick. I know, police cuffs.

755
00:36:13,480 --> 00:36:15,880
Speaker 2: It's like him and Houdini. Right, I'm gonna get out

756
00:36:15,880 --> 00:36:18,240
Speaker 2: of a street jacket. I think he reached a paper

757
00:36:18,280 --> 00:36:20,480
Speaker 2: clip he couldn't reach he first he didn't reach it

758
00:36:20,520 --> 00:36:22,279
Speaker 2: at all, and then he had it, had it, and

759
00:36:22,480 --> 00:36:26,799
Speaker 2: it made no sense, and it was unbelievable.

760
00:36:27,719 --> 00:36:30,680
Speaker 3: Well, when he gets to bus seven, he hilariously starts

761
00:36:30,719 --> 00:36:32,319
Speaker 3: to dance his way on, but he is.

762
00:36:32,280 --> 00:36:36,680
Speaker 2: Stopped by a snotty little bus leader, Peggy. That's so

763
00:36:39,120 --> 00:36:42,200
Speaker 2: that took a while to like. Three seats has a

764
00:36:42,239 --> 00:36:45,080
Speaker 2: single card and the credit it's a bigger part than

765
00:36:45,120 --> 00:36:46,400
Speaker 2: I you know, what.

766
00:36:46,480 --> 00:36:48,319
Speaker 3: I guess it's just because she had different hair color

767
00:36:48,360 --> 00:36:49,560
Speaker 3: that we just don't recognize her.

768
00:36:49,760 --> 00:36:53,000
Speaker 1: It must be yeah, because she was on screen for

769
00:36:53,080 --> 00:36:56,320
Speaker 1: a good five minutes before I was like, wait.

770
00:36:56,320 --> 00:36:57,439
Speaker 2: Oh, that's so late.

771
00:36:57,760 --> 00:37:01,560
Speaker 3: I never realized. Oh really, okay, I forgot I remember

772
00:37:01,600 --> 00:37:03,160
Speaker 3: when the movie started. I was like, oh, Sleigh moon

773
00:37:03,200 --> 00:37:05,480
Speaker 3: Fries in this, and then watched the whole movie and

774
00:37:05,520 --> 00:37:07,359
Speaker 3: never then wondered where Sleigh was, but never saw.

775
00:37:07,640 --> 00:37:07,799
Speaker 4: Oh.

776
00:37:08,120 --> 00:37:10,239
Speaker 2: I'm only realizing now that that's who that was.

777
00:37:11,880 --> 00:37:13,799
Speaker 3: He says, I knew this was too good to be

778
00:37:13,840 --> 00:37:17,000
Speaker 3: true and assumes the position. She's confused. He says he's

779
00:37:17,040 --> 00:37:19,360
Speaker 3: Fred Egan and he was told to come to bus seven.

780
00:37:19,440 --> 00:37:22,399
Speaker 3: She doesn't believe that. Yeah right, And I'm Wilma Flynstone,

781
00:37:22,440 --> 00:37:27,160
Speaker 3: she says. Peggy, flanked by butlers in tuxes behind her,

782
00:37:28,440 --> 00:37:31,520
Speaker 3: looks at her list and says, wow, there is his name,

783
00:37:31,600 --> 00:37:35,799
Speaker 3: Frederick Egan, and it has seven dollars signs next to it,

784
00:37:37,040 --> 00:37:40,200
Speaker 3: the symbols you see when you pick a restaurant and

785
00:37:40,280 --> 00:37:42,919
Speaker 3: you go, well, how much is this restaurant gonna set

786
00:37:42,920 --> 00:37:44,680
Speaker 3: me back? And they have somewhere between one and five

787
00:37:44,719 --> 00:37:46,719
Speaker 3: dollars signs Frederick Eagan is seven of.

788
00:37:46,680 --> 00:37:50,040
Speaker 2: Them seven, seven, and then in like two scenes we

789
00:37:50,040 --> 00:37:53,479
Speaker 2: find out his dad's worth how much billion dollars? Seven?

790
00:37:53,600 --> 00:37:56,040
Speaker 2: So the dollar signs represent a billion.

791
00:37:56,000 --> 00:38:00,479
Speaker 1: Each one, Yeah, and this is the ninetiest han billion

792
00:38:00,520 --> 00:38:01,400
Speaker 1: dollars is a that's.

793
00:38:01,239 --> 00:38:05,160
Speaker 2: A find out. You ten in the world, which is

794
00:38:05,200 --> 00:38:07,120
Speaker 2: I guess would have been true? It's seven if you were.

795
00:38:08,320 --> 00:38:10,680
Speaker 1: I think, I don't know a lot of the Middle

796
00:38:10,719 --> 00:38:13,120
Speaker 1: East shakes by that point. I think we're like thirty

797
00:38:13,120 --> 00:38:15,279
Speaker 1: forty fifty billion with all the oil money. Wasn't there?

798
00:38:15,680 --> 00:38:19,279
Speaker 2: I think again, I don't know Gates right, yeah, would

799
00:38:19,280 --> 00:38:20,520
Speaker 2: have already made money. I don't know.

800
00:38:20,800 --> 00:38:23,640
Speaker 3: Well, well, she changes her tune and says she didn't

801
00:38:23,680 --> 00:38:28,600
Speaker 3: expect him to be so. She loves his outfit and

802
00:38:28,719 --> 00:38:33,680
Speaker 3: his gangster chic is the newest rave. He uncomfortably takes

803
00:38:33,680 --> 00:38:35,960
Speaker 3: the bus and when he realizes he's going to the enclave,

804
00:38:36,000 --> 00:38:38,640
Speaker 3: he jumps right into character. He tells his new crush

805
00:38:38,640 --> 00:38:41,040
Speaker 3: that he's met her before, maybe in Paris or Rome.

806
00:38:41,400 --> 00:38:43,640
Speaker 3: She isn't hearing it, though, and tells him to get lost.

807
00:38:43,960 --> 00:38:47,200
Speaker 3: Freddy yells out, you better recognize I'm fast, Freddy, and

808
00:38:47,239 --> 00:38:50,400
Speaker 3: this gets the attention of two nearby kids, Patrick Renna

809
00:38:50,880 --> 00:38:56,600
Speaker 3: aka Modem and Todd Tom.

810
00:38:56,840 --> 00:39:01,160
Speaker 1: Todd, by the way, looks exactly like carry Elways.

811
00:39:02,960 --> 00:39:05,320
Speaker 2: Did you did you ever know David? No, this is

812
00:39:05,400 --> 00:39:11,399
Speaker 2: David tom So his sister was brother Okay, exactly. So

813
00:39:11,680 --> 00:39:14,840
Speaker 2: Nicole was on the nanny I guess at this time,

814
00:39:14,960 --> 00:39:16,719
Speaker 2: but she was she was working all the time, and

815
00:39:16,719 --> 00:39:18,480
Speaker 2: then David used to work all the time. He and

816
00:39:18,520 --> 00:39:20,600
Speaker 2: I I got really I really wanted this part in

817
00:39:20,640 --> 00:39:22,960
Speaker 2: this movie called Swing Kids. Do you guys remember, Yeah,

818
00:39:23,920 --> 00:39:25,560
Speaker 2: it was one of the hottest scripts. It was such

819
00:39:25,600 --> 00:39:29,440
Speaker 2: a cool script, and and I really wanted to I

820
00:39:29,480 --> 00:39:31,399
Speaker 2: think I got close. I don't know. I have from

821
00:39:31,520 --> 00:39:33,920
Speaker 2: whatever I have, And he got the part. He's amazing

822
00:39:33,920 --> 00:39:35,799
Speaker 2: and he's he's it's like the younger brother. It's a

823
00:39:35,800 --> 00:39:37,560
Speaker 2: small part, but it's it's a It was a cool

824
00:39:37,600 --> 00:39:40,240
Speaker 2: movie at the time, and he was David was such

825
00:39:40,320 --> 00:39:42,719
Speaker 2: a good actor. I have no idea what he's doing now.

826
00:39:43,160 --> 00:39:45,279
Speaker 2: And but he used to also be a drummer in

827
00:39:45,320 --> 00:39:48,240
Speaker 2: a band. So we spent a lot of time talking

828
00:39:48,280 --> 00:39:50,560
Speaker 2: music and hanging out during this during this movie. But

829
00:39:50,560 --> 00:39:52,080
Speaker 2: I also knew him back in La We had done

830
00:39:52,080 --> 00:39:54,400
Speaker 2: acting classes together at the Young Actors Space and he

831
00:39:54,520 --> 00:39:57,200
Speaker 2: was so good. But man, he looks like carry always

832
00:39:57,239 --> 00:39:59,839
Speaker 2: like man, he looks like well, his hair is like that,

833
00:40:00,080 --> 00:40:04,680
Speaker 2: her face like slicky. Oh my god. And man, Patrick

834
00:40:04,760 --> 00:40:06,440
Speaker 2: Renna is so good in this movie.

835
00:40:07,560 --> 00:40:12,759
Speaker 1: He's psychopath is he's like literally a sociopath in this movie.

836
00:40:12,840 --> 00:40:14,560
Speaker 1: He doesn't smile, he doesn't do it. It's like he

837
00:40:14,640 --> 00:40:17,879
Speaker 1: kills puppies to make it so dark dark.

838
00:40:18,040 --> 00:40:20,960
Speaker 2: It's a choice, and it's a.

839
00:40:20,880 --> 00:40:24,520
Speaker 1: Little creepy with Freddy and and the young woman. It's

840
00:40:24,560 --> 00:40:29,160
Speaker 1: I know where it's it's in time, but it's I mean,

841
00:40:29,200 --> 00:40:30,839
Speaker 1: they really pushed it far with him.

842
00:40:30,920 --> 00:40:32,719
Speaker 2: Well we also can we also talk about the pre

843
00:40:33,560 --> 00:40:37,279
Speaker 2: pre Sean and angela like necessity for them to be

844
00:40:37,320 --> 00:40:40,359
Speaker 2: of the same race. Like really, like the only other

845
00:40:40,400 --> 00:40:42,200
Speaker 2: black person in this movie is the one girl, and

846
00:40:42,280 --> 00:40:44,080
Speaker 2: that's who you're going to zero in. It's just like

847
00:40:44,200 --> 00:40:47,560
Speaker 2: it's so clear that that was how casting went right,

848
00:40:47,600 --> 00:40:49,680
Speaker 2: Like that's how people thought the black people on the

849
00:40:49,719 --> 00:40:53,799
Speaker 2: bus when he went in. The characters right, And if

850
00:40:53,840 --> 00:40:55,880
Speaker 2: you're going to have a love interest for this character,

851
00:40:56,840 --> 00:40:58,719
Speaker 2: then she has to be black. I mean that was

852
00:40:58,800 --> 00:41:00,839
Speaker 2: just sort of like the rule of you know cast

853
00:41:00,880 --> 00:41:02,760
Speaker 2: him back then, never happened today.

854
00:41:02,920 --> 00:41:05,880
Speaker 3: He doesn't need to know anything about who she is

855
00:41:05,920 --> 00:41:09,120
Speaker 3: as a person at all. He sees her and that's it.

856
00:41:09,560 --> 00:41:13,200
Speaker 3: She's she's attractive, and that's all he needs to know

857
00:41:13,239 --> 00:41:16,640
Speaker 3: about her period, And she is not interested in him

858
00:41:16,800 --> 00:41:18,520
Speaker 3: until she gets to know whether or not he's a

859
00:41:18,520 --> 00:41:21,480
Speaker 3: good person. So the guy has to be a well

860
00:41:21,560 --> 00:41:24,520
Speaker 3: developed character in order to impress the woman.

861
00:41:24,560 --> 00:41:26,200
Speaker 2: But for him, that's it. She's enough.

862
00:41:26,280 --> 00:41:29,000
Speaker 3: We don't even need to learn anything else about her.

863
00:41:29,840 --> 00:41:30,240
Speaker 2: Nope.

864
00:41:30,640 --> 00:41:34,000
Speaker 3: Next we see prisoner bus arrive at their grounds. One

865
00:41:34,120 --> 00:41:38,239
Speaker 3: prisoner has a very expensive warrant vintage T shirt on

866
00:41:38,400 --> 00:41:39,799
Speaker 3: that I would get.

867
00:41:40,280 --> 00:41:43,080
Speaker 2: I would lose a limb for Right now, you're recognizing

868
00:41:43,160 --> 00:41:44,520
Speaker 2: T shirts. I love that.

869
00:41:44,600 --> 00:41:46,920
Speaker 1: I also love how any time we're in the prison

870
00:41:47,040 --> 00:41:49,400
Speaker 1: yard or in the car, it's always the same.

871
00:41:49,440 --> 00:41:57,759
Speaker 2: Wow, wow every step of the way. It's great. I

872
00:41:57,800 --> 00:42:00,480
Speaker 2: actually I have a memory that came to me watching

873
00:42:00,480 --> 00:42:04,760
Speaker 2: the movie last night from this bus scene we had.

874
00:42:06,360 --> 00:42:09,520
Speaker 2: It's an Isaac memory. So we were on the bus

875
00:42:09,760 --> 00:42:14,920
Speaker 2: and like the extras were like local Floridians, some of

876
00:42:14,960 --> 00:42:20,400
Speaker 2: them tough looking guys. And this guy add a tattoo

877
00:42:20,719 --> 00:42:25,759
Speaker 2: that just was war on his arm, and Isaac, being

878
00:42:26,000 --> 00:42:29,640
Speaker 2: like friendly, guy was like, what what's up with with war?

879
00:42:29,800 --> 00:42:32,120
Speaker 2: Like would you just you're like war? What's going on?

880
00:42:32,600 --> 00:42:34,440
Speaker 2: And the guy was like, I can't talk about I'll

881
00:42:34,440 --> 00:42:36,200
Speaker 2: tell you later. I'll tell you later. And Isaac was

882
00:42:36,239 --> 00:42:38,920
Speaker 2: like okay. And then when they got off the bus

883
00:42:38,960 --> 00:42:41,920
Speaker 2: after we shot the scene, he was like it stands

884
00:42:41,920 --> 00:42:49,080
Speaker 2: for White Area and Resistance, and Isaac so brave and

885
00:42:49,680 --> 00:42:52,240
Speaker 2: just goes, well, I'm Jewish. Is that gonna be a problem.

886
00:42:53,040 --> 00:42:55,960
Speaker 2: And the guy just like got super insecure and super

887
00:42:55,960 --> 00:42:59,960
Speaker 2: weirded out and mumbled and like ran away. Wow yeah

888
00:43:00,160 --> 00:43:06,520
Speaker 2: intense right, oh my gosh, tattoo White airan resistance. Yeah,

889
00:43:06,520 --> 00:43:09,480
Speaker 2: but I just love that Isaac would just completely right away,

890
00:43:09,760 --> 00:43:11,840
Speaker 2: right away to the guy's face, like, well I'm tooish,

891
00:43:12,239 --> 00:43:16,040
Speaker 2: Like geez, yeah, yeah.

892
00:43:15,480 --> 00:43:17,879
Speaker 1: Well there's a prison camp. I mean that's so there's

893
00:43:18,480 --> 00:43:21,359
Speaker 1: but I mean, like, did they specifically go and try

894
00:43:21,400 --> 00:43:25,120
Speaker 1: to get quote unquote prisoners like the prison camp?

895
00:43:25,280 --> 00:43:27,279
Speaker 2: The extra casting can work, It can be all over

896
00:43:27,320 --> 00:43:30,480
Speaker 2: the place. Yeah, So yeah, I mean you're you know,

897
00:43:30,520 --> 00:43:32,279
Speaker 2: you're just getting people that look the part. You see

898
00:43:32,320 --> 00:43:34,560
Speaker 2: their photograph, you don't actually meet them and so if

899
00:43:34,560 --> 00:43:37,080
Speaker 2: you were looking for tough prisoners, you go to prison

900
00:43:37,239 --> 00:43:39,160
Speaker 2: for a prisoner camp. I mean, that's so you're gonna

901
00:43:39,160 --> 00:43:40,800
Speaker 2: get guys who look like they might.

902
00:43:40,640 --> 00:43:43,440
Speaker 3: Have been jumping back in a little bit to the

903
00:43:43,440 --> 00:43:48,480
Speaker 3: story point. Why when Freddy arrives, do they notice that

904
00:43:48,560 --> 00:43:52,080
Speaker 3: his clothes make him stand out? But no one on

905
00:43:52,120 --> 00:43:56,520
Speaker 3: the bus references what you're wearing wearing at all?

906
00:43:56,640 --> 00:43:59,080
Speaker 2: No one's like no one even makes a joke like, no,

907
00:43:59,280 --> 00:44:01,760
Speaker 2: what are you sweater?

908
00:44:01,960 --> 00:44:06,560
Speaker 3: Like nothing, It's just it's like it's and yet you

909
00:44:06,640 --> 00:44:10,240
Speaker 3: stand out way more in that environment than he stands

910
00:44:10,280 --> 00:44:10,759
Speaker 3: out in his.

911
00:44:10,920 --> 00:44:13,280
Speaker 2: So anyway, very little interesting.

912
00:44:13,320 --> 00:44:15,840
Speaker 3: So writer is obviously still trying to get out of

913
00:44:15,840 --> 00:44:20,720
Speaker 3: this predicament on the bus, using yes for a second time.

914
00:44:21,440 --> 00:44:24,279
Speaker 3: And then the Enclave bus arrives at their camp and

915
00:44:24,320 --> 00:44:27,560
Speaker 3: they are greeted by Miss Sykes, the camp administrator, who

916
00:44:27,640 --> 00:44:31,960
Speaker 3: rejects the weird flirtations of Modem and Todd before Freddy

917
00:44:32,160 --> 00:44:33,040
Speaker 3: double checks.

918
00:44:32,800 --> 00:44:34,080
Speaker 2: That he is on the list.

919
00:44:34,320 --> 00:44:38,600
Speaker 1: And it's Mom and Todd Todd.

920
00:44:40,520 --> 00:44:43,960
Speaker 3: She's very impressed by Frederick's father, forcing fast Freddy to

921
00:44:43,960 --> 00:44:46,640
Speaker 3: ask if she saw his rap sheet anyway. He is

922
00:44:46,680 --> 00:44:50,120
Speaker 3: then sent to the Reagan suite, which is palatial and

923
00:44:50,200 --> 00:44:54,160
Speaker 3: posh and filled with preppy dork clothes, a stalked fridge,

924
00:44:54,200 --> 00:44:56,840
Speaker 3: and a phone number for room service, which he uses

925
00:44:56,920 --> 00:45:00,479
Speaker 3: immediately and finds out he can't get junk food. Uses

926
00:45:00,520 --> 00:45:05,360
Speaker 3: a pillowcase to start stealing from the room, just again, instantly, instantly, instantly,

927
00:45:05,520 --> 00:45:07,720
Speaker 3: robbing the place instantly.

928
00:45:07,800 --> 00:45:09,400
Speaker 2: He doesn't think it's going to last. You know, you

929
00:45:09,440 --> 00:45:10,520
Speaker 2: take it, you can get.

930
00:45:10,520 --> 00:45:13,319
Speaker 3: I guess Steeling tries to escape later is what we see.

931
00:45:13,360 --> 00:45:14,160
Speaker 3: He's going to try to.

932
00:45:14,200 --> 00:45:15,319
Speaker 2: Escape what he can and go.

933
00:45:15,640 --> 00:45:20,000
Speaker 3: Yeah, which is a plot point. I can understand. I'm

934
00:45:20,000 --> 00:45:22,920
Speaker 3: in on this. So in the enclaved dining room, Peggy

935
00:45:23,000 --> 00:45:26,319
Speaker 3: is telling Freddy's crush how rich this Frederick Egan is

936
00:45:26,560 --> 00:45:27,520
Speaker 3: and ride on time.

937
00:45:27,600 --> 00:45:29,399
Speaker 2: Here's fast Freddy. He sits with.

938
00:45:29,440 --> 00:45:33,080
Speaker 3: Modem and Todd and Patrick. Renna is really coming off

939
00:45:33,120 --> 00:45:35,840
Speaker 3: as a great d bag like boy.

940
00:45:35,960 --> 00:45:40,840
Speaker 2: And I love this is so early nineties hacker, like

941
00:45:41,560 --> 00:45:44,799
Speaker 2: nobody had computers. There was no internet yet, like you

942
00:45:44,800 --> 00:45:46,319
Speaker 2: didn't have it. But I love that he's just got

943
00:45:46,320 --> 00:45:49,960
Speaker 2: a laptop at the dining table and stuff like that.

944
00:45:51,080 --> 00:45:54,400
Speaker 2: Just everybody's bank accounts everything. This was like the fantasy

945
00:45:54,440 --> 00:45:57,040
Speaker 2: for what the Internet could be exactly and it is

946
00:45:57,200 --> 00:45:59,920
Speaker 2: exactly what it is. Well, but we weren't there yet.

947
00:46:00,160 --> 00:46:01,280
Speaker 2: Let's play clip one.

948
00:46:01,400 --> 00:46:04,279
Speaker 6: All right, we certainly could use a little color around here.

949
00:46:04,640 --> 00:46:07,520
Speaker 6: I'm referring to your style. Of course, your skin color

950
00:46:07,560 --> 00:46:10,880
Speaker 6: hardly alienates you from this camp or this table. Wouldn't

951
00:46:10,880 --> 00:46:12,960
Speaker 6: matter if you're purple, as long as your parent could

952
00:46:12,960 --> 00:46:13,640
Speaker 6: come up with the green.

953
00:46:14,719 --> 00:46:19,000
Speaker 2: He plays this with like no affectation. It's like Serial

954
00:46:19,200 --> 00:46:23,239
Speaker 2: Killer weird dark. It is a starker dark, just like

955
00:46:23,280 --> 00:46:25,680
Speaker 2: a dull choice. That's what I love about it is

956
00:46:25,719 --> 00:46:28,200
Speaker 2: that he's just like, well even, I mean, what I

957
00:46:28,280 --> 00:46:30,840
Speaker 2: really struck me is when he goes to my camp

958
00:46:30,880 --> 00:46:32,799
Speaker 2: to kidnap me and he does it to me too.

959
00:46:32,840 --> 00:46:35,200
Speaker 2: It's just like, yeah, and don't make a sad do

960
00:46:35,600 --> 00:46:38,239
Speaker 2: what the hell? Yeah, it's a weird choice.

961
00:46:38,400 --> 00:46:41,560
Speaker 3: So Modem uses a laptop to look up Frederick Egan

962
00:46:41,640 --> 00:46:46,040
Speaker 3: the Third and sees he's worth seven billion dollars fast.

963
00:46:46,120 --> 00:46:49,319
Speaker 3: Freddy starts nervously coughing what is going on here? He

964
00:46:49,440 --> 00:46:51,440
Speaker 3: jets to talk to Peggy and his crush, who is

965
00:46:51,520 --> 00:46:55,840
Speaker 3: named Christine Olsen, but again she's not into it. Another rejection.

966
00:46:56,719 --> 00:47:01,000
Speaker 3: We also meet a laughing cafeteria chef Jimmy played by

967
00:47:01,080 --> 00:47:03,920
Speaker 3: Richard Mole, with what I can only guess is maybe

968
00:47:04,440 --> 00:47:05,720
Speaker 3: a creole accent.

969
00:47:05,960 --> 00:47:07,800
Speaker 2: That was the attempt.

970
00:47:07,920 --> 00:47:13,440
Speaker 1: I think he was a creole Southern Ish real ish.

971
00:47:13,480 --> 00:47:15,600
Speaker 3: He makes fun of Freddy's way with the ladies and

972
00:47:15,640 --> 00:47:17,960
Speaker 3: calls out that he belongs here as much as a

973
00:47:18,080 --> 00:47:19,360
Speaker 3: gator in a duck pond.

974
00:47:19,520 --> 00:47:22,200
Speaker 2: A gate and a duck pond. A gata and a

975
00:47:22,280 --> 00:47:25,719
Speaker 2: duck pond. I'm telling you, Daniel Fischel, since.

976
00:47:25,600 --> 00:47:28,520
Speaker 3: The truth he just senses he can pick up on

977
00:47:28,560 --> 00:47:31,960
Speaker 3: the truth, yep. And then at the detention center, Sergeant

978
00:47:32,000 --> 00:47:34,239
Speaker 3: Waldron is in his office flirting with a woman on

979
00:47:34,280 --> 00:47:35,759
Speaker 3: the phone when Ryder walks in.

980
00:47:37,000 --> 00:47:41,000
Speaker 1: Let's be honest as he walks in and is like, okay, cool,

981
00:47:41,040 --> 00:47:42,600
Speaker 1: interesting choice for summertime.

982
00:47:42,640 --> 00:47:45,160
Speaker 3: Switch well, I think at the very least he's being

983
00:47:45,160 --> 00:47:49,000
Speaker 3: flirty with his girlfriend. Ryder tries to tell him he

984
00:47:49,080 --> 00:47:51,120
Speaker 3: is not a delinquent and asks for a phone call,

985
00:47:51,160 --> 00:47:54,279
Speaker 3: but phone day is tomorrow Wednesday, and then stuck up

986
00:47:54,280 --> 00:47:57,319
Speaker 3: writer slash Frederick leaves and enters his bunk for the

987
00:47:57,360 --> 00:47:57,879
Speaker 3: first time.

988
00:47:58,160 --> 00:47:59,960
Speaker 2: It's just before the cool hand Luke reference.

989
00:48:00,320 --> 00:48:03,359
Speaker 1: There's so he says, it takes the line right from

990
00:48:03,360 --> 00:48:05,480
Speaker 1: cool we got what we got here is a failure

991
00:48:05,520 --> 00:48:09,360
Speaker 1: to communicate the cool with the glasses and everything.

992
00:48:09,480 --> 00:48:12,920
Speaker 2: Yep, just coming sounds like yep, here we go.

993
00:48:14,680 --> 00:48:17,880
Speaker 3: It's just gross cuts and hooligan's everywhere. And this is

994
00:48:17,880 --> 00:48:20,960
Speaker 3: where he meets Numbers, who asks him three to one

995
00:48:21,239 --> 00:48:22,600
Speaker 3: guess how I got my name?

996
00:48:22,920 --> 00:48:26,040
Speaker 2: But writer says this, and no one says, I don't

997
00:48:26,040 --> 00:48:31,800
Speaker 2: give a rat, But yeah, I don't give I remember

998
00:48:31,840 --> 00:48:34,680
Speaker 2: this so well because Isaac he was doing like a

999
00:48:34,840 --> 00:48:36,719
Speaker 2: New York accent that he didn't have, Like he was,

1000
00:48:36,840 --> 00:48:39,600
Speaker 2: you know, call me numbers. So he would walk around

1001
00:48:39,719 --> 00:48:42,439
Speaker 2: saying this line call me numbers to like get into

1002
00:48:42,440 --> 00:48:44,759
Speaker 2: his accent right every day, so like every day and

1003
00:48:44,880 --> 00:48:51,400
Speaker 2: said right before we go there we rolling, He'd be like, oh, Numbers,

1004
00:48:51,440 --> 00:48:52,440
Speaker 2: that's how we found the accident.

1005
00:48:52,600 --> 00:48:56,000
Speaker 1: Very voiceover thing to do, do that all the time.

1006
00:48:56,200 --> 00:48:57,600
Speaker 2: Phrase that you need up here.

1007
00:48:58,040 --> 00:49:02,879
Speaker 3: So whatever he said it, I was like, that's so funny. Well,

1008
00:49:02,920 --> 00:49:06,319
Speaker 3: we also meet Hacksaw, who menacingly says he was the

1009
00:49:06,360 --> 00:49:10,160
Speaker 3: first one in his family to stand upright. What does

1010
00:49:10,200 --> 00:49:13,800
Speaker 3: that mean? Was his family babies? I don't understand.

1011
00:49:14,160 --> 00:49:18,560
Speaker 2: Immediately again we have another. Dan means they are not

1012
00:49:19,040 --> 00:49:26,399
Speaker 2: the first one. That's what it was, and just yeah,

1013
00:49:26,440 --> 00:49:29,040
Speaker 2: I wanted to get cavemen and here's kept thinking what

1014
00:49:29,080 --> 00:49:30,479
Speaker 2: they were for some reason.

1015
00:49:30,560 --> 00:49:32,120
Speaker 3: When he said the first one to stand upright, I

1016
00:49:32,160 --> 00:49:34,480
Speaker 3: just kept picturing babies on their back and I was like,

1017
00:49:34,640 --> 00:49:36,960
Speaker 3: are they all babies? Did they not make it out

1018
00:49:36,960 --> 00:49:39,000
Speaker 3: of babyhood? I don't understand.

1019
00:49:39,880 --> 00:49:44,600
Speaker 2: Yeah, okay, okay, we are proud.

1020
00:49:45,200 --> 00:49:48,239
Speaker 1: It is if you want to be that guy, which

1021
00:49:48,280 --> 00:49:52,600
Speaker 1: I know you can't do it. No, the you know

1022
00:49:52,640 --> 00:49:54,439
Speaker 1: what this was giving me a big vibe of which

1023
00:49:54,480 --> 00:49:57,400
Speaker 1: is a phenomenally good movie. Have you seen Holes?

1024
00:49:58,600 --> 00:50:03,359
Speaker 3: I did see love that movie, that movie Shila buff

1025
00:50:03,520 --> 00:50:08,280
Speaker 3: It is areat movie and it's that same like boys camp.

1026
00:50:08,320 --> 00:50:11,040
Speaker 1: They all have their there's arm pit and there's you know,

1027
00:50:11,120 --> 00:50:13,240
Speaker 1: like they've argued. They all have their kind of vibe.

1028
00:50:13,800 --> 00:50:19,560
Speaker 1: It is so good. You know, you don't have to

1029
00:50:19,560 --> 00:50:19,920
Speaker 1: say that.

1030
00:50:19,960 --> 00:50:23,279
Speaker 3: I thought I couldn't tell you one thing about it.

1031
00:50:23,320 --> 00:50:25,800
Speaker 3: I don't know one about not a single thing except

1032
00:50:25,880 --> 00:50:26,520
Speaker 3: that I liked it.

1033
00:50:26,640 --> 00:50:28,200
Speaker 2: That's all I know. I just know that I like it.

1034
00:50:29,760 --> 00:50:31,120
Speaker 2: Sigourney Weaver is in.

1035
00:50:31,280 --> 00:50:34,760
Speaker 1: I mean, there's it's a great cast it is really

1036
00:50:34,760 --> 00:50:38,640
Speaker 1: good in they would love holes, love holes?

1037
00:50:38,719 --> 00:50:40,319
Speaker 3: All right, you know what you're doing this weekend writer,

1038
00:50:41,480 --> 00:50:48,080
Speaker 3: great movie.

1039
00:50:52,160 --> 00:50:55,920
Speaker 2: This scene was my nightmare having to do the like

1040
00:50:56,000 --> 00:50:58,480
Speaker 2: the walk in carrying the shoes. For whatever reason, the

1041
00:50:58,520 --> 00:51:02,680
Speaker 2: director was so unhappy with Mike and kept saying, go

1042
00:51:02,880 --> 00:51:05,799
Speaker 2: bigger show. You know, it was like, be more disgusted.

1043
00:51:05,840 --> 00:51:07,920
Speaker 2: This is awful. This is the word, you know, And

1044
00:51:08,000 --> 00:51:10,439
Speaker 2: like I was, I could watching it again, I could

1045
00:51:10,480 --> 00:51:14,240
Speaker 2: just get I felt like visceral discomfort of like push,

1046
00:51:14,360 --> 00:51:16,800
Speaker 2: how do you get that much bigger with the dialogue,

1047
00:51:16,800 --> 00:51:19,560
Speaker 2: with what you did? That's what I didn't get myself,

1048
00:51:19,600 --> 00:51:21,240
Speaker 2: you know. And I'm just not that kind of actor,

1049
00:51:21,320 --> 00:51:23,080
Speaker 2: like and I didn't think of myself like I just

1050
00:51:23,080 --> 00:51:24,920
Speaker 2: didn't think that this was that funny. I guess, I

1051
00:51:24,920 --> 00:51:26,839
Speaker 2: don't know. I just watching this, I was like, oh,

1052
00:51:26,920 --> 00:51:27,880
Speaker 2: this is so awful.

1053
00:51:27,920 --> 00:51:29,600
Speaker 1: I mean, I guess unless he wanted you to go

1054
00:51:29,840 --> 00:51:35,239
Speaker 1: so ridiculously caricatry where I think running.

1055
00:51:34,360 --> 00:51:36,000
Speaker 2: I mean, I think that's why I think it is

1056
00:51:36,040 --> 00:51:39,719
Speaker 2: my fault. Acting. Was like, if there was any awareness

1057
00:51:39,800 --> 00:51:43,440
Speaker 2: or campiness or irony of any sort to this character,

1058
00:51:43,480 --> 00:51:45,919
Speaker 2: he's much more likable. It's much more funny, but as

1059
00:51:45,920 --> 00:51:49,640
Speaker 2: it is, you're like annoyed by my disdain for everybody

1060
00:51:49,640 --> 00:51:53,000
Speaker 2: because it's like you don't. I mean, that's I know,

1061
00:51:53,120 --> 00:51:55,839
Speaker 2: but now I don't know. I think there's a way. Look,

1062
00:51:56,000 --> 00:51:59,640
Speaker 2: I'd love to go back and acting coach young fourteen

1063
00:51:59,719 --> 00:52:01,319
Speaker 2: year old old writer and tell him how to play

1064
00:52:01,320 --> 00:52:03,279
Speaker 2: the scene and that it's okay. Uh, and then maybe

1065
00:52:03,320 --> 00:52:05,319
Speaker 2: the director isn't wrong, but you know, how do he

1066
00:52:05,360 --> 00:52:07,200
Speaker 2: take a note behind the note and find a version

1067
00:52:07,200 --> 00:52:09,239
Speaker 2: that works for you? Okay? Could I could have helped

1068
00:52:09,239 --> 00:52:11,520
Speaker 2: myself out. It's it was painful to watch, though.

1069
00:52:11,560 --> 00:52:14,520
Speaker 3: Well I didn't think it was nearly as bad as

1070
00:52:14,560 --> 00:52:19,200
Speaker 3: you agree. I agreed, Yeah, definitely not so okay. We

1071
00:52:19,239 --> 00:52:22,040
Speaker 3: are also introduced to Ferret, who was yelling and hissing

1072
00:52:22,080 --> 00:52:25,920
Speaker 3: and talking to a toothbrush, and he's called nuts.

1073
00:52:26,480 --> 00:52:32,719
Speaker 2: He's really good. He's amazing, so Ty, like I think

1074
00:52:33,160 --> 00:52:35,880
Speaker 2: I completely forgot like that he existed, and then I

1075
00:52:35,920 --> 00:52:37,520
Speaker 2: started watching this movie, was like, oh my god, that's

1076
00:52:37,840 --> 00:52:40,920
Speaker 2: I remember this guy Ty. He was older, he was

1077
00:52:40,960 --> 00:52:43,160
Speaker 2: he was an adult, if I remember, he looks like

1078
00:52:43,320 --> 00:52:46,480
Speaker 2: he was older than us, but just the best. And

1079
00:52:46,560 --> 00:52:50,440
Speaker 2: I remember laughing NonStop with him. He would always he

1080
00:52:50,560 --> 00:52:52,520
Speaker 2: I don't know if he had actually done stand up,

1081
00:52:52,680 --> 00:52:55,719
Speaker 2: but he would always do bits and he was improvising

1082
00:52:55,800 --> 00:52:58,080
Speaker 2: like crazy. So like most of the funniest stuff is

1083
00:52:58,160 --> 00:53:00,920
Speaker 2: him improving, and like I guess he was like a

1084
00:53:01,000 --> 00:53:04,200
Speaker 2: go to freak out slacker dude and like because there's

1085
00:53:04,239 --> 00:53:06,359
Speaker 2: like a common commercial with him in it and like

1086
00:53:06,520 --> 00:53:08,960
Speaker 2: you know when he freaks out, Like that's what I remember.

1087
00:53:09,000 --> 00:53:10,920
Speaker 2: He was like known for being the guy like yeah

1088
00:53:11,080 --> 00:53:13,919
Speaker 2: and has lost I draw like a berserker actor. He's

1089
00:53:14,200 --> 00:53:14,800
Speaker 2: so funny.

1090
00:53:15,280 --> 00:53:16,160
Speaker 1: He's in this movie.

1091
00:53:16,160 --> 00:53:19,240
Speaker 3: He's really really good, and it's great against two totally

1092
00:53:19,239 --> 00:53:20,600
Speaker 3: different characters in this movie.

1093
00:53:20,640 --> 00:53:22,960
Speaker 2: There's a scene where he's just a different character and

1094
00:53:23,000 --> 00:53:25,319
Speaker 2: then and then yeah, so we get to see him twice.

1095
00:53:25,360 --> 00:53:25,879
Speaker 2: It's really great.

1096
00:53:25,960 --> 00:53:27,600
Speaker 1: But this is what I found so odd about this

1097
00:53:27,640 --> 00:53:32,839
Speaker 1: film is that the the people around you are way

1098
00:53:32,920 --> 00:53:35,800
Speaker 1: more flushed out and given actual characters than the people

1099
00:53:35,960 --> 00:53:39,120
Speaker 1: around the other Freddy Yeah, you know. So it's like

1100
00:53:39,440 --> 00:53:41,759
Speaker 1: you wanted that balance of like you get where it's going,

1101
00:53:41,760 --> 00:53:43,480
Speaker 1: but it wasn't like that at all. And that's why

1102
00:53:43,480 --> 00:53:45,040
Speaker 1: I'm like, who am I I don't know who I'm

1103
00:53:45,120 --> 00:53:47,239
Speaker 1: rooting for. It's supposed to be rooting for.

1104
00:53:47,280 --> 00:53:49,799
Speaker 2: I didn't get it. Who is the protagonist? I don't know.

1105
00:53:49,920 --> 00:53:51,839
Speaker 2: I guess it's Jason, really it's him.

1106
00:53:52,600 --> 00:53:52,759
Speaker 1: Yeah.

1107
00:53:52,800 --> 00:53:55,880
Speaker 2: It starts with his problem, like he gets sent to camp,

1108
00:53:55,920 --> 00:53:57,560
Speaker 2: so it's really it's his predicament that.

1109
00:53:58,520 --> 00:54:01,360
Speaker 1: Yeah, right, but it's all so your problem is the same.

1110
00:54:01,400 --> 00:54:03,319
Speaker 1: Exact movie could exist if they just started with you

1111
00:54:03,360 --> 00:54:05,399
Speaker 1: on the free free throw line. I mean, it's not

1112
00:54:05,520 --> 00:54:08,040
Speaker 1: like his thing led to your thing. It was just

1113
00:54:08,239 --> 00:54:10,520
Speaker 1: his character happened to go first with his problem.

1114
00:54:10,520 --> 00:54:13,000
Speaker 2: That's all it was. Was. Yeah, so it's supposed to

1115
00:54:13,040 --> 00:54:15,839
Speaker 2: be a two piece, and it just it was.

1116
00:54:15,920 --> 00:54:17,640
Speaker 1: I didn't I didn't know who I was rooting for.

1117
00:54:18,600 --> 00:54:19,239
Speaker 2: Yeah.

1118
00:54:19,280 --> 00:54:22,560
Speaker 3: Well, back at Enclave, chef Jimmy catches Freddy walking around

1119
00:54:22,560 --> 00:54:25,759
Speaker 3: with his pillowcase filled with stolen goods. Jimmy knows that

1120
00:54:25,800 --> 00:54:27,680
Speaker 3: Freddy is lying and was meant to be at the

1121
00:54:27,719 --> 00:54:31,399
Speaker 3: work camp down the street, because this is a quote.

1122
00:54:31,520 --> 00:54:34,600
Speaker 3: I know the streets. I was raised on them myself.

1123
00:54:35,239 --> 00:54:38,880
Speaker 3: So he references the fact that there's a work camp

1124
00:54:39,480 --> 00:54:44,240
Speaker 3: down the street, and he recognizes quickly that fast Freddy

1125
00:54:44,560 --> 00:54:46,879
Speaker 3: was probably meant to go there, and there's been some

1126
00:54:46,960 --> 00:54:47,799
Speaker 3: sort of mix up.

1127
00:54:47,960 --> 00:54:52,440
Speaker 1: Yeah, because the super wealthy camp is always within a

1128
00:54:52,560 --> 00:54:55,080
Speaker 1: quarter mile of the prison camp.

1129
00:54:55,480 --> 00:54:59,200
Speaker 2: I would like to say, just so it's out there.

1130
00:54:59,600 --> 00:55:03,400
Speaker 3: My junior high school was directly next door to the

1131
00:55:03,520 --> 00:55:05,720
Speaker 3: juvenile detention junior high school.

1132
00:55:06,239 --> 00:55:09,200
Speaker 1: Yes, different than the super well, that'd be like the

1133
00:55:09,440 --> 00:55:12,360
Speaker 1: be like Choate in Connecticut or one of these super

1134
00:55:12,560 --> 00:55:17,160
Speaker 1: wealthy high schools. Being right next to cho is like

1135
00:55:17,160 --> 00:55:18,680
Speaker 1: one of the biggest high schools and.

1136
00:55:18,840 --> 00:55:20,160
Speaker 2: Sounds like a bad word. I know.

1137
00:55:23,840 --> 00:55:28,799
Speaker 1: No, it's Choate, So like both. No, Choate is like

1138
00:55:28,800 --> 00:55:30,440
Speaker 1: where a lot of presidents went. It's where you go

1139
00:55:30,440 --> 00:55:33,520
Speaker 1: before or Harvard. Yeah, so it's it's one of those

1140
00:55:33,520 --> 00:55:35,799
Speaker 1: things where that's not going to be next to a

1141
00:55:35,840 --> 00:55:39,919
Speaker 1: detention center. So this is supposed to be super wealthy camp, right,

1142
00:55:39,960 --> 00:55:43,320
Speaker 1: you know, within a stone's throw of the prison camp.

1143
00:55:43,719 --> 00:55:46,560
Speaker 2: Very funny. Worked for the work for the piece, worked

1144
00:55:46,560 --> 00:55:48,720
Speaker 2: for the peace, It worked out for it. Okay.

1145
00:55:49,040 --> 00:55:51,959
Speaker 3: So Jimmy alludes that he won't snitch, and Freddy says

1146
00:55:51,960 --> 00:55:53,560
Speaker 3: he just wants him to stay out of his face.

1147
00:55:54,000 --> 00:55:56,200
Speaker 3: Back at the work camp, writer is in a scene

1148
00:55:56,320 --> 00:55:59,000
Speaker 3: right out of shawsh Ank Redemption, digging a hole, still

1149
00:55:59,120 --> 00:56:02,879
Speaker 3: mouthing off to the sergeant and getting nowhere at enclave fast.

1150
00:56:02,920 --> 00:56:05,840
Speaker 3: Freddy gets a letter from Frederic's mom, who was on

1151
00:56:05,960 --> 00:56:08,359
Speaker 3: safari but sent her a credit card for.

1152
00:56:08,360 --> 00:56:08,960
Speaker 2: Him to use.

1153
00:56:09,280 --> 00:56:11,080
Speaker 3: She explains that she'll pick him up at the end

1154
00:56:11,080 --> 00:56:14,719
Speaker 3: of summer, and Freddy gets to charge gifts for Christine

1155
00:56:14,880 --> 00:56:18,560
Speaker 3: onto the gold card, and she starts with He starts

1156
00:56:18,600 --> 00:56:22,799
Speaker 3: with the absolute best caviar, which, as we know, all

1157
00:56:22,880 --> 00:56:23,960
Speaker 3: high schoolers love.

1158
00:56:24,040 --> 00:56:29,680
Speaker 1: Exactly a case a case a case of caviar, ten

1159
00:56:29,800 --> 00:56:32,719
Speaker 1: years worth of caviar to the fifteen year old girl.

1160
00:56:32,760 --> 00:56:33,520
Speaker 1: I really, we.

1161
00:56:33,520 --> 00:56:35,920
Speaker 2: All know, we all know that's everyone's favorite.

1162
00:56:36,640 --> 00:56:40,040
Speaker 3: Modem and Todd are watching Freddy and another person play basketball.

1163
00:56:40,320 --> 00:56:43,400
Speaker 3: Modem is impressed with the other guy, a camper named Hoops,

1164
00:56:43,480 --> 00:56:45,319
Speaker 3: who is maybe a thirty five year old man.

1165
00:56:45,440 --> 00:56:49,799
Speaker 2: He is in every bit he is dunking. We had

1166
00:56:49,800 --> 00:56:52,520
Speaker 2: these older we had all the basketball players were older.

1167
00:56:52,520 --> 00:56:54,279
Speaker 2: They were in college. I actually remember hanging out with

1168
00:56:54,320 --> 00:56:55,600
Speaker 2: a couple of them. I could see their faces in

1169
00:56:55,640 --> 00:56:57,239
Speaker 2: the background of some of the scenes be like, oh, yes,

1170
00:56:57,280 --> 00:56:59,200
Speaker 2: that's good night, guy. But I don't remember their names,

1171
00:56:59,200 --> 00:57:01,200
Speaker 2: but there they were, Like you guys in particular, one

1172
00:57:01,200 --> 00:57:04,560
Speaker 2: of whom will you'll appreciate this because I was. I

1173
00:57:04,600 --> 00:57:06,759
Speaker 2: was big in to role playing games at the time. Yeah,

1174
00:57:06,760 --> 00:57:10,040
Speaker 2: so like and of all things, well, first of all,

1175
00:57:10,080 --> 00:57:12,200
Speaker 2: when you get back then, if you remember, if you

1176
00:57:12,280 --> 00:57:14,160
Speaker 2: went to a town like Jacksonville, the first thing you

1177
00:57:14,200 --> 00:57:17,080
Speaker 2: had to do was find the local couch book, game

1178
00:57:17,160 --> 00:57:19,640
Speaker 2: store or whatever you have to. Like, I remember going

1179
00:57:19,640 --> 00:57:21,400
Speaker 2: through the Yellow Pages and you have to look up

1180
00:57:21,440 --> 00:57:23,800
Speaker 2: like hobbies, and then like there would be hobby stores

1181
00:57:23,800 --> 00:57:27,840
Speaker 2: that would just be like airplane building and you're like, no,

1182
00:57:27,920 --> 00:57:30,200
Speaker 2: I want the hobby store that has D and D books.

1183
00:57:30,240 --> 00:57:33,400
Speaker 2: And anyway, one of these guys who was way too

1184
00:57:33,480 --> 00:57:36,880
Speaker 2: old basketball player played where Wolf the Apocalypse, the role

1185
00:57:36,880 --> 00:57:38,760
Speaker 2: playing game I used to play, and it was like,

1186
00:57:38,960 --> 00:57:41,320
Speaker 2: I couldn't believe that of all the things in Jacksonville,

1187
00:57:41,320 --> 00:57:44,560
Speaker 2: I found him. Fellow were wolf player, you found him.

1188
00:57:44,720 --> 00:57:49,479
Speaker 2: I also I also remember buying minifig figurines to paint,

1189
00:57:49,520 --> 00:57:51,960
Speaker 2: like the Pewter figurines. I got into painting while I

1190
00:57:52,000 --> 00:57:54,080
Speaker 2: was doing this movie. I never got any good at it.

1191
00:57:54,080 --> 00:57:57,080
Speaker 3: But well, this particular guy who played Hoops was named

1192
00:57:57,160 --> 00:58:00,720
Speaker 3: Kent Schaeffer in his only role ever, and he goes

1193
00:58:00,720 --> 00:58:02,520
Speaker 3: out of his way to avoid having any lines. They

1194
00:58:02,560 --> 00:58:05,360
Speaker 3: actually I mean. They make it very clear he's not

1195
00:58:05,400 --> 00:58:08,680
Speaker 3: allowed to talk. Also, Modem notices that Freddy is a

1196
00:58:08,720 --> 00:58:11,400
Speaker 3: baller too, and the perfect new addition to their plan.

1197
00:58:11,880 --> 00:58:15,920
Speaker 3: Christine walks up furious about her caviat and is not

1198
00:58:16,080 --> 00:58:19,520
Speaker 3: interested in some flashy fly talking boy. She's not hearing

1199
00:58:19,520 --> 00:58:22,760
Speaker 3: it and she takes off. Modem then extends an invitation

1200
00:58:22,800 --> 00:58:25,360
Speaker 3: to Freddy to join the camp, the camp team for

1201
00:58:25,440 --> 00:58:28,959
Speaker 3: their game against the detention camp. Oh, we see where

1202
00:58:29,000 --> 00:58:34,400
Speaker 3: this is going. Then Freddy says nope and takes off.

1203
00:58:34,840 --> 00:58:38,040
Speaker 3: At enclave, we hear a perfectly timed announcement sign up

1204
00:58:38,080 --> 00:58:41,200
Speaker 3: today to play basketball against the richie rich kids, and

1205
00:58:41,240 --> 00:58:44,320
Speaker 3: it must be Wednesday. Because Writer is calling his dad.

1206
00:58:44,960 --> 00:58:47,840
Speaker 3: He tries to explain there has been a huge identity mistake,

1207
00:58:47,880 --> 00:58:49,200
Speaker 3: but his dad isn't listening at all.

1208
00:58:49,280 --> 00:58:51,600
Speaker 2: He's just focused on work. He hangs up without hearing

1209
00:58:51,640 --> 00:58:56,120
Speaker 2: a word. Writer. This is where I noticed. Your skin

1210
00:58:57,000 --> 00:59:00,880
Speaker 2: is flawless. Yeah, this is patly.

1211
00:59:01,480 --> 00:59:05,680
Speaker 3: You have not a not a thing on your skin.

1212
00:59:06,000 --> 00:59:09,720
Speaker 3: You look like this is obviously before filters. I would

1213
00:59:09,760 --> 00:59:12,400
Speaker 3: be like they did something to his face. Nobody's face

1214
00:59:12,480 --> 00:59:13,160
Speaker 3: is that flawless?

1215
00:59:14,960 --> 00:59:19,440
Speaker 2: Prepubescent still gosh, yeah, a year later it would be

1216
00:59:19,480 --> 00:59:23,640
Speaker 2: a whole nightmare. So yeah, man, I literally is close

1217
00:59:23,720 --> 00:59:26,280
Speaker 2: up on you. I was like, wow, look at that skin.

1218
00:59:26,760 --> 00:59:28,640
Speaker 2: There's actually like the whole section of the movie where

1219
00:59:28,640 --> 00:59:30,400
Speaker 2: I have like a patch of dirt on the side

1220
00:59:30,400 --> 00:59:32,360
Speaker 2: of my face, which made me think, do you guys

1221
00:59:32,400 --> 00:59:37,320
Speaker 2: remember like Fuller's Earth? Oh, my god, you have. I

1222
00:59:37,320 --> 00:59:39,280
Speaker 2: don't think anybody would know that, but Foller's Earth is

1223
00:59:39,280 --> 00:59:44,240
Speaker 2: what is fake dirt because you don't want to use

1224
00:59:44,320 --> 00:59:46,440
Speaker 2: real dirt on actors faces. So there's a thing called

1225
00:59:46,480 --> 00:59:48,080
Speaker 2: Fuller's Earth. I don't know if they still use it

1226
00:59:48,160 --> 00:59:51,040
Speaker 2: on set, but it's basically like a powder. It's like

1227
00:59:51,080 --> 00:59:53,480
Speaker 2: a makeup. It looks like dirt and it comes in

1228
00:59:53,560 --> 00:59:55,640
Speaker 2: big bags, and so whenever you're supposed to be dirty,

1229
00:59:55,680 --> 00:59:59,600
Speaker 2: you get Fuller's Earth. When I saw that little patch

1230
00:59:59,600 --> 01:00:01,520
Speaker 2: on the side, much like, I don't know it's there.

1231
01:00:02,120 --> 01:00:06,960
Speaker 2: I haven't I haven't done enough. You needed to be

1232
01:00:07,000 --> 01:00:07,480
Speaker 2: dirtied up.

1233
01:00:07,480 --> 01:00:09,880
Speaker 1: Apparently we still also still don't know whatever that hole

1234
01:00:10,040 --> 01:00:12,640
Speaker 1: was you were digging like. They never explained it, just

1235
01:00:13,040 --> 01:00:14,120
Speaker 1: a hole, get in there.

1236
01:00:13,800 --> 01:00:17,240
Speaker 3: And that was so Back in the dining room, writer

1237
01:00:17,360 --> 01:00:20,000
Speaker 3: sits with some gross food and the insane kid Ferret,

1238
01:00:20,000 --> 01:00:23,120
Speaker 3: who was playing with his mashed potatoes. Frederick tell's Numbers

1239
01:00:23,120 --> 01:00:25,560
Speaker 3: and Hacksaw he wants in. They have no idea what

1240
01:00:25,600 --> 01:00:27,960
Speaker 3: he's talking about, but Writer explains he's seen the movies.

1241
01:00:28,000 --> 01:00:30,880
Speaker 3: He knows they're probably planning a break. Numbers and Hacksaw

1242
01:00:30,960 --> 01:00:33,640
Speaker 3: say there is no escape plan, especially since less than

1243
01:00:33,680 --> 01:00:36,600
Speaker 3: one percent of these ideas are successful. But still Writer

1244
01:00:36,720 --> 01:00:39,040
Speaker 3: offers them cash and the boys say, okay, we'll help you.

1245
01:00:39,200 --> 01:00:41,320
Speaker 2: This is this is where the music was doing the

1246
01:00:41,400 --> 01:00:44,200
Speaker 2: like the dumb guy music cue, like letting us know

1247
01:00:44,280 --> 01:00:45,680
Speaker 2: that this is so bad.

1248
01:00:46,320 --> 01:00:46,560
Speaker 1: I do.

1249
01:00:48,520 --> 01:00:50,600
Speaker 2: You ever watched Like Survivor and they always do it

1250
01:00:50,600 --> 01:00:53,040
Speaker 2: like now you once you know, like you could just tell,

1251
01:00:53,120 --> 01:00:56,040
Speaker 2: like the show is judging this person. Yeah, I'm supposed

1252
01:00:56,080 --> 01:00:57,800
Speaker 2: to think this person is dumb because it has that

1253
01:00:57,880 --> 01:01:01,439
Speaker 2: kind of music going on, and the music so heavy

1254
01:01:01,480 --> 01:01:02,080
Speaker 2: handed that way.

1255
01:01:02,400 --> 01:01:04,680
Speaker 3: Well, the next morning, Freddy wakes up in his huge

1256
01:01:04,720 --> 01:01:07,600
Speaker 3: bed and says he's living life like Michael Jackson, a

1257
01:01:07,600 --> 01:01:10,320
Speaker 3: small nod to his breakout role. He also does a

1258
01:01:10,320 --> 01:01:13,320
Speaker 3: little MJ dance move and says I'm bad. Then we

1259
01:01:13,360 --> 01:01:15,640
Speaker 3: see him at the pool, still hitting.

1260
01:01:15,400 --> 01:01:19,480
Speaker 2: On things, makes himself.

1261
01:01:19,200 --> 01:01:23,280
Speaker 3: Blind again another moment where they were like, hey, go ahead,

1262
01:01:23,800 --> 01:01:26,320
Speaker 3: just do some just do some cool stuff. You're talented.

1263
01:01:26,520 --> 01:01:28,640
Speaker 3: Give us some of your moves and see what you got.

1264
01:01:29,040 --> 01:01:32,280
Speaker 3: He is still hitting on Christine unsuccessfully. He also has

1265
01:01:32,320 --> 01:01:35,080
Speaker 3: a much higher voice for ad R for some reason.

1266
01:01:35,080 --> 01:01:36,800
Speaker 3: You could tell the stuff that was ad R. It's

1267
01:01:36,840 --> 01:01:39,920
Speaker 3: significantly higher. Then he runs into Modem who is in

1268
01:01:39,960 --> 01:01:46,760
Speaker 3: the pool with a hat on. And I was gonna say,

1269
01:01:46,760 --> 01:01:51,080
Speaker 3: swimming with shirt, I'm all four, swimming with a hat

1270
01:01:51,560 --> 01:01:52,760
Speaker 3: is a real move.

1271
01:01:52,560 --> 01:01:54,120
Speaker 2: But we see later he's got a piece of paper

1272
01:01:54,160 --> 01:01:56,240
Speaker 2: in there, so it makes sense. I think it's funny.

1273
01:01:56,800 --> 01:01:57,880
Speaker 2: It's funny. It's funny.

1274
01:01:57,880 --> 01:02:01,520
Speaker 3: I'm just saying, hat on. He's still talking about the

1275
01:02:01,520 --> 01:02:04,520
Speaker 3: basketball team and reveals that he needs poached eggs delivered

1276
01:02:04,520 --> 01:02:07,520
Speaker 3: to him every morning or else Freddy Egan from the

1277
01:02:07,560 --> 01:02:11,439
Speaker 3: South Side will be exposed, even to Christine. We find

1278
01:02:11,440 --> 01:02:14,680
Speaker 3: out he knows about his true identity, and yep, the

1279
01:02:14,720 --> 01:02:17,240
Speaker 3: next scene, he's making those poached eggs in the kitchen

1280
01:02:17,280 --> 01:02:19,360
Speaker 3: and Chef Jimmy is mad about it. He says, you

1281
01:02:19,400 --> 01:02:21,360
Speaker 3: don't oh mote him anything even if he does know,

1282
01:02:21,680 --> 01:02:22,920
Speaker 3: And now, yeah.

1283
01:02:22,760 --> 01:02:27,240
Speaker 1: I'm sorry. He's a chef. Now, all of a sudden,

1284
01:02:27,280 --> 01:02:28,960
Speaker 1: he's going in. He knows how to poach eggs. He's

1285
01:02:29,000 --> 01:02:31,200
Speaker 1: cooking the kid dinner. Where did he Where did he pick.

1286
01:02:31,080 --> 01:02:32,760
Speaker 2: Up these cheffing skills? Is my question?

1287
01:02:33,080 --> 01:02:38,160
Speaker 1: He probably perfectly poached eggs. It's so strange, and I

1288
01:02:38,280 --> 01:02:41,400
Speaker 1: was like, oh, okay, oh lady's a chef chef too, Okay,

1289
01:02:41,480 --> 01:02:42,200
Speaker 1: it's interesting.

1290
01:02:43,920 --> 01:02:45,600
Speaker 2: This movie also does this thing a couple of times

1291
01:02:45,600 --> 01:02:47,880
Speaker 2: where it brings up like it brings up a problem,

1292
01:02:47,920 --> 01:02:50,720
Speaker 2: like oh, he's discovered who yeah Freddy is, and then

1293
01:02:50,720 --> 01:02:53,880
Speaker 2: it just kind of doesn't matter anymore. No, don't worry

1294
01:02:53,920 --> 01:02:56,000
Speaker 2: about it. They're like, we need steaks, and they're like,

1295
01:02:56,760 --> 01:02:57,880
Speaker 2: how can I say something about it?

1296
01:02:57,920 --> 01:03:01,400
Speaker 1: Okay that note or just have Freddy cook perfect stakes

1297
01:03:01,720 --> 01:03:04,640
Speaker 1: is it's when you already brought up where we like

1298
01:03:04,920 --> 01:03:08,040
Speaker 1: actually confront each other and to everybody what's happening, and

1299
01:03:08,080 --> 01:03:11,360
Speaker 1: everyone just goes, we're.

1300
01:03:11,200 --> 01:03:11,800
Speaker 2: Coming up to that.

1301
01:03:12,200 --> 01:03:15,400
Speaker 3: So and now Freddie needs Jimmy's help to get Christine.

1302
01:03:15,480 --> 01:03:18,120
Speaker 3: Freddy says, since the cook hasn't routed Freddy out, he

1303
01:03:18,200 --> 01:03:21,640
Speaker 3: must be a good brother. And then Chef Jimmy says,

1304
01:03:21,680 --> 01:03:22,920
Speaker 3: this man, I got.

1305
01:03:22,800 --> 01:03:25,320
Speaker 2: A sister in Georgia and three brothers in Jersey. You

1306
01:03:25,320 --> 01:03:29,800
Speaker 2: ain't my brother? What you wait, my brother? What what

1307
01:03:29,840 --> 01:03:32,000
Speaker 2: does that mean? Okay?

1308
01:03:32,200 --> 01:03:36,640
Speaker 3: Sure, anyway, Jimmy tells him to be an honest gentleman

1309
01:03:36,680 --> 01:03:40,040
Speaker 3: to Christine, but Freddie isn't hearing it. At the same time,

1310
01:03:40,240 --> 01:03:46,200
Speaker 3: Modem hacks into the Las Vegas mainframe and somehow gets

1311
01:03:46,320 --> 01:03:51,400
Speaker 3: the Camp basketball team into their sports book so people

1312
01:03:51,440 --> 01:03:52,520
Speaker 3: can bet on the game.

1313
01:03:52,920 --> 01:03:54,680
Speaker 2: This will never come back up.

1314
01:03:55,000 --> 01:03:59,280
Speaker 3: Just fyo, the betting, the money, nothing, This will never

1315
01:03:59,320 --> 01:04:00,000
Speaker 3: be mentioned again.

1316
01:04:00,360 --> 01:04:01,160
Speaker 2: This is this.

1317
01:04:01,240 --> 01:04:03,760
Speaker 3: You'll never hear about it. Don't expect to wrap up

1318
01:04:03,840 --> 01:04:06,919
Speaker 3: on this. It just doesn't come back.

1319
01:04:08,480 --> 01:04:09,600
Speaker 2: You do love talking about Stacks.

1320
01:04:09,880 --> 01:04:12,120
Speaker 3: It's true that you do. You do think you they

1321
01:04:12,160 --> 01:04:14,040
Speaker 3: threatened stakes. They thinks it.

1322
01:04:14,000 --> 01:04:18,560
Speaker 2: You otherwise this whole storyline like why does Modem care,

1323
01:04:18,920 --> 01:04:22,120
Speaker 2: you know, unless unless there's real reasons.

1324
01:04:21,760 --> 01:04:24,720
Speaker 1: Trying to keep him on the basketball team and all

1325
01:04:24,760 --> 01:04:25,480
Speaker 1: that kind of stuff.

1326
01:04:25,520 --> 01:04:27,760
Speaker 2: But it's yeah, never, She's right, it never comes up.

1327
01:04:27,800 --> 01:04:28,240
Speaker 1: Do you lose?

1328
01:04:29,600 --> 01:04:32,120
Speaker 3: He says, it's not as tough as those Pearl Jam

1329
01:04:32,160 --> 01:04:33,480
Speaker 3: tickets they scored.

1330
01:04:33,160 --> 01:04:35,840
Speaker 2: And then they bet two million dollars on the game.

1331
01:04:35,880 --> 01:04:39,200
Speaker 3: It's just it's a very grounded scene and writer gets

1332
01:04:39,240 --> 01:04:42,040
Speaker 3: another call to his dad, so it also must be Wednesday. Again,

1333
01:04:42,080 --> 01:04:44,400
Speaker 3: it's a it's a full week. His dad is on

1334
01:04:44,480 --> 01:04:47,120
Speaker 3: a construction site. It's been three weeks.

1335
01:04:47,240 --> 01:04:49,520
Speaker 1: Three. It's a third call, so it's three weeks of

1336
01:04:49,520 --> 01:04:50,560
Speaker 1: the month he's supposed to be.

1337
01:04:50,920 --> 01:04:55,240
Speaker 2: It's a second. I think it's it's second call. Didn't

1338
01:04:55,280 --> 01:04:59,160
Speaker 2: hear him. It was the day before Wednesday, exactly a

1339
01:04:59,160 --> 01:05:01,600
Speaker 2: full week now, Yeah, so you're two weeks into a

1340
01:05:01,640 --> 01:05:05,160
Speaker 2: one month sentence, or at least eight days because Tuesday

1341
01:05:05,320 --> 01:05:05,840
Speaker 2: you tried.

1342
01:05:05,920 --> 01:05:08,000
Speaker 3: Then the next day was Wednesday, and then it's now

1343
01:05:08,080 --> 01:05:09,720
Speaker 3: next Wednesday, so it's been eight days.

1344
01:05:09,840 --> 01:05:10,840
Speaker 2: Okay, okay.

1345
01:05:12,320 --> 01:05:14,960
Speaker 3: So his dad is on a construction site with faulty

1346
01:05:15,000 --> 01:05:18,880
Speaker 3: cell phone service. Again they attempt to fix. So the

1347
01:05:18,920 --> 01:05:21,880
Speaker 3: attempt to fix the mistake is unsuccessful. So that night

1348
01:05:21,920 --> 01:05:24,440
Speaker 3: the tunnel plan with numbers and Hacksaw is on, but

1349
01:05:24,600 --> 01:05:26,960
Speaker 3: it ends up being a prank where a rider gets

1350
01:05:26,960 --> 01:05:30,160
Speaker 3: sprayed with water and they're all caught redhanded and sent

1351
01:05:30,240 --> 01:05:32,360
Speaker 3: to trash pick up on the highway the next day.

1352
01:05:32,760 --> 01:05:36,520
Speaker 2: Now this is where I finally felt like I was okay, okay, great,

1353
01:05:36,560 --> 01:05:40,960
Speaker 2: see I was like, well, I mean, first of all,

1354
01:05:41,160 --> 01:05:43,479
Speaker 2: like I remember this. I remember shooting this obviously because

1355
01:05:43,520 --> 01:05:46,200
Speaker 2: I get covered in water and light, there's lots of remember.

1356
01:05:46,200 --> 01:05:47,960
Speaker 2: But I also remember like, this is one of the

1357
01:05:47,960 --> 01:05:50,560
Speaker 2: first night scenes I ever shot, and I remember being

1358
01:05:51,040 --> 01:05:55,440
Speaker 2: so like shocked at how much lighting you need, like

1359
01:05:56,360 --> 01:06:00,680
Speaker 2: a condor without giant, big blue moonlight. Shooting at night

1360
01:06:00,720 --> 01:06:02,920
Speaker 2: in the woods is like you have to have so

1361
01:06:03,120 --> 01:06:06,240
Speaker 2: much light to just be able to see. And then though,

1362
01:06:06,560 --> 01:06:09,720
Speaker 2: but man, like, do you guys catch the really awkward

1363
01:06:09,720 --> 01:06:12,800
Speaker 2: moment where I go to recha the wrench, you're holding

1364
01:06:12,800 --> 01:06:15,680
Speaker 2: your head the wrench, just hold they take it. It's like,

1365
01:06:16,480 --> 01:06:18,360
Speaker 2: but I do like that at least I'm like being

1366
01:06:18,440 --> 01:06:21,080
Speaker 2: a snap. See. Here's where I'm like being a snob

1367
01:06:21,120 --> 01:06:22,840
Speaker 2: and like I think I'm better than you in a

1368
01:06:22,880 --> 01:06:25,520
Speaker 2: funny way. Well, I'm like I got this, yeah, I

1369
01:06:25,520 --> 01:06:28,080
Speaker 2: could tell, you know. And it's like, rather than discussed,

1370
01:06:28,080 --> 01:06:30,520
Speaker 2: I'm playing like cocky, which is just the one way

1371
01:06:30,520 --> 01:06:33,480
Speaker 2: should be a pretentious rich person. It's more likable. It's

1372
01:06:33,480 --> 01:06:35,200
Speaker 2: more it's like, oh, this guy has no clue how

1373
01:06:35,240 --> 01:06:37,240
Speaker 2: much of an ass he is. It's just you know,

1374
01:06:37,520 --> 01:06:40,160
Speaker 2: whereas before it's like me constantly letting everyone else know

1375
01:06:40,200 --> 01:06:42,520
Speaker 2: how much they suck our dirty or look weird and

1376
01:06:42,560 --> 01:06:44,640
Speaker 2: it's just not good. Like so this I was like,

1377
01:06:44,680 --> 01:06:48,520
Speaker 2: oh yeah, this is fun. Now at trash pick up,

1378
01:06:48,600 --> 01:06:53,800
Speaker 2: the Enclave bus first fluids. Oh really, water sewage dump

1379
01:06:53,840 --> 01:06:57,360
Speaker 2: on me. Let's get to that fluid coverage number one.

1380
01:06:58,360 --> 01:07:00,960
Speaker 3: The Enclave bus drives by the prisoners, and Modem and

1381
01:07:01,040 --> 01:07:03,960
Speaker 3: Todd instruct the adult bus driver to pull over. They

1382
01:07:04,000 --> 01:07:07,240
Speaker 3: have a plan. They ask the workers rider, Hacksaw and

1383
01:07:07,360 --> 01:07:10,400
Speaker 3: Numbers if they want to cool off because they're hot,

1384
01:07:10,560 --> 01:07:15,600
Speaker 3: and the apparently street smart kids stupidly say yeah, we're thirsty.

1385
01:07:15,960 --> 01:07:19,800
Speaker 2: Like there's a few things leading up to this. How

1386
01:07:19,840 --> 01:07:22,520
Speaker 2: about the fact that the adults are in on sure?

1387
01:07:23,000 --> 01:07:23,640
Speaker 2: I think that.

1388
01:07:23,480 --> 01:07:26,040
Speaker 1: That that the guy the guy says, hey, bus driver,

1389
01:07:26,200 --> 01:07:29,120
Speaker 1: pull over, and the guys you got it, Yeah, I now.

1390
01:07:29,040 --> 01:07:29,920
Speaker 2: Pull over, no problem.

1391
01:07:30,040 --> 01:07:33,000
Speaker 1: And just very quickly before that, uh, the police officer

1392
01:07:33,040 --> 01:07:35,880
Speaker 1: when he's when he's yelling at them, he's pointing with

1393
01:07:36,080 --> 01:07:39,800
Speaker 1: two fingers, and it's very odd because who points.

1394
01:07:40,400 --> 01:07:43,200
Speaker 3: Well, you know, the teach you that when you are

1395
01:07:43,360 --> 01:07:45,560
Speaker 3: a when you're at Disneyland, when you work at Disneyland,

1396
01:07:45,560 --> 01:07:47,800
Speaker 3: if you ask anybody where anything is, they point with

1397
01:07:47,840 --> 01:07:50,200
Speaker 3: two fingers because they never want anyone to think they're

1398
01:07:50,240 --> 01:07:50,840
Speaker 3: pointing at them.

1399
01:07:51,560 --> 01:07:53,840
Speaker 1: Okay, if you so so, so, then you think the

1400
01:07:53,880 --> 01:07:55,800
Speaker 1: police officer went to Disneyland training school.

1401
01:07:56,000 --> 01:07:56,320
Speaker 2: I do.

1402
01:07:56,360 --> 01:07:58,720
Speaker 3: And I also there's another moment later where they shake

1403
01:07:58,760 --> 01:08:01,280
Speaker 3: their rich they shake hands like wrists, and I think

1404
01:08:01,560 --> 01:08:03,840
Speaker 3: I think everyone in this movie was Disney and plat.

1405
01:08:05,560 --> 01:08:07,240
Speaker 2: Okay, that may okay, Well then you just explained it.

1406
01:08:07,280 --> 01:08:07,840
Speaker 2: That makes okay.

1407
01:08:07,960 --> 01:08:12,360
Speaker 3: So then writer Numbers and Hacksaw are doused with some

1408
01:08:12,440 --> 01:08:14,760
Speaker 3: sort garious trip.

1409
01:08:15,400 --> 01:08:18,120
Speaker 2: Yeah, because they had to, like they have. I mean,

1410
01:08:18,160 --> 01:08:20,240
Speaker 2: it was clearly a choice because it was like, why

1411
01:08:20,320 --> 01:08:28,200
Speaker 2: would my character get get and you have it so bad?

1412
01:08:28,240 --> 01:08:32,559
Speaker 2: It's such bad overacting, like, oh I've lost my balance gang,

1413
01:08:32,720 --> 01:08:38,000
Speaker 2: Oh what is this supposed to be? Yeah? I don't

1414
01:08:38,040 --> 01:08:43,439
Speaker 2: know what is it? What's the giant? Were talking about?

1415
01:08:43,439 --> 01:08:43,479
Speaker 1: This?

1416
01:08:43,600 --> 01:08:45,360
Speaker 2: I was always getting covered because in my Giant I

1417
01:08:45,360 --> 01:08:47,439
Speaker 2: get dumped on. It's like whenever you're a kid actor

1418
01:08:47,439 --> 01:08:50,160
Speaker 2: you get dumped on. You get what is it supposed

1419
01:08:50,240 --> 01:08:54,160
Speaker 2: to be? We have in a in a in a

1420
01:08:54,200 --> 01:08:55,120
Speaker 2: cooler cooler.

1421
01:08:55,439 --> 01:08:59,719
Speaker 1: Yeah, a giant, white giant cooler full of nasty white.

1422
01:09:01,120 --> 01:09:04,799
Speaker 2: Anything. So now now you make me really it's secure

1423
01:09:04,840 --> 01:09:08,679
Speaker 2: about this movie. This is uh, this is an interesting choice.

1424
01:09:08,720 --> 01:09:11,120
Speaker 2: It is, my god, all I remember about this more

1425
01:09:11,120 --> 01:09:14,760
Speaker 2: than it is Tie improvising the whole like Beware of

1426
01:09:14,800 --> 01:09:16,519
Speaker 2: the Eyes of March day, Like when he said calling

1427
01:09:16,720 --> 01:09:18,719
Speaker 2: us after the domp and he's like they just rolled

1428
01:09:18,720 --> 01:09:21,479
Speaker 2: the camera and he just kept pocket and freaking out.

1429
01:09:21,560 --> 01:09:25,960
Speaker 2: It was hysterical, like I'm losing it that whole day. Yeah,

1430
01:09:26,000 --> 01:09:27,000
Speaker 2: he was a funny guy.

1431
01:09:27,200 --> 01:09:30,120
Speaker 3: Oh yeah, well, oh my gosh, Okay, anyway, the sergeant

1432
01:09:30,200 --> 01:09:32,080
Speaker 3: just sits back and watches this happen.

1433
01:09:32,160 --> 01:09:34,200
Speaker 2: He doesn't do a thing, no, of course, not of course,

1434
01:09:36,160 --> 01:09:37,080
Speaker 2: Jason yep.

1435
01:09:38,840 --> 01:09:41,559
Speaker 3: But then back on the rich Enclave bus, Freddy stands

1436
01:09:41,640 --> 01:09:43,759
Speaker 3: up for the prisoner kids and tells Modem and Todd

1437
01:09:43,800 --> 01:09:47,519
Speaker 3: to raise up, impressing a nearby Christine. Also back on

1438
01:09:47,520 --> 01:09:49,320
Speaker 3: the side of the road, Numbers helps write her up

1439
01:09:49,320 --> 01:09:52,280
Speaker 3: and we have a new respect and friendship between them.

1440
01:09:52,800 --> 01:09:55,599
Speaker 3: Back at enclave, Freddy is watching Christine play tennis, and

1441
01:09:55,680 --> 01:09:58,360
Speaker 3: when they say good match, they shake.

1442
01:09:58,200 --> 01:10:00,920
Speaker 2: Wrists like this. It's fascinating.

1443
01:10:01,000 --> 01:10:04,040
Speaker 1: It's also just a weird tennis lesson all the way around,

1444
01:10:04,920 --> 01:10:06,960
Speaker 1: the woman just holding on to her the whole time.

1445
01:10:07,040 --> 01:10:08,840
Speaker 1: Swinging the racket for or twice and it's.

1446
01:10:08,720 --> 01:10:10,920
Speaker 2: Like, hey, great, lesson you greatly pick something up there.

1447
01:10:12,920 --> 01:10:16,519
Speaker 3: So, uh, it seems like this possible couple is starting

1448
01:10:16,520 --> 01:10:18,479
Speaker 3: to get along because of what he did on the bus.

1449
01:10:18,520 --> 01:10:20,720
Speaker 3: He asks her to the camp dance dance and she

1450
01:10:20,840 --> 01:10:24,280
Speaker 3: says yes. The sergeant also tells his work crew they

1451
01:10:24,280 --> 01:10:27,760
Speaker 3: didn't deserve the slime dowsing by Enclave, but he's interrupted

1452
01:10:27,760 --> 01:10:30,720
Speaker 3: by another romantic phone call and he can't hide.

1453
01:10:30,920 --> 01:10:36,519
Speaker 2: I no longer have a sweater vest shirt guy. I

1454
01:10:36,560 --> 01:10:39,200
Speaker 2: also like to feel like I'm in the movie exactly.

1455
01:10:39,400 --> 01:10:42,160
Speaker 2: I was also like this the line. I like the

1456
01:10:42,200 --> 01:10:44,639
Speaker 2: line that I even wrote it down. Tough times don't last,

1457
01:10:44,720 --> 01:10:47,519
Speaker 2: tough people do. I like him, like the big giant

1458
01:10:47,560 --> 01:10:49,479
Speaker 2: sign behind him, the eyes well again, the sign.

1459
01:10:49,680 --> 01:10:52,200
Speaker 1: Budget for this movie was off the chart, but it was.

1460
01:10:52,720 --> 01:10:54,280
Speaker 2: I loved that. That's a great sentiment.

1461
01:10:54,439 --> 01:10:55,320
Speaker 1: That's a great sentiment.

1462
01:11:05,760 --> 01:11:08,759
Speaker 3: And at Enclave, we see Freddy bringing the poached eggs

1463
01:11:08,760 --> 01:11:11,679
Speaker 3: to Modem, but it's actually been replaced by a rat

1464
01:11:11,760 --> 01:11:14,160
Speaker 3: and a card that says you are what you eat.

1465
01:11:14,760 --> 01:11:16,760
Speaker 3: But Modem just says to get it out of here.

1466
01:11:16,800 --> 01:11:19,280
Speaker 3: And I just don't understand.

1467
01:11:18,760 --> 01:11:20,800
Speaker 2: This beat at all. No, I would he not be

1468
01:11:20,880 --> 01:11:22,160
Speaker 2: more mad about this.

1469
01:11:22,160 --> 01:11:26,599
Speaker 1: And nothing because he doesn't feel he doesn't.

1470
01:11:26,600 --> 01:11:27,759
Speaker 2: He just expose Freddy.

1471
01:11:27,840 --> 01:11:29,280
Speaker 1: I don't get it, because he needs them from the

1472
01:11:29,320 --> 01:11:32,760
Speaker 1: basketball because he's got two million dollars.

1473
01:11:32,439 --> 01:11:35,840
Speaker 3: In the game now, so he's got million dollars. Speaking

1474
01:11:36,040 --> 01:11:39,080
Speaker 3: of some confusion. Here we are at the dance. Freddy

1475
01:11:39,240 --> 01:11:42,400
Speaker 3: is dancing with Christine and bragging about his father, which

1476
01:11:42,439 --> 01:11:45,040
Speaker 3: we know are all lies, and Christine is showing she's

1477
01:11:45,120 --> 01:11:47,760
Speaker 3: real down to earth even though she's rich, so Ley

1478
01:11:47,840 --> 01:11:48,120
Speaker 3: is deep.

1479
01:11:48,160 --> 01:11:50,280
Speaker 2: Jo I was sitting here going, oh, we're already at

1480
01:11:50,280 --> 01:11:54,120
Speaker 2: the dance, right, but because you usually saved the dance

1481
01:11:54,160 --> 01:11:56,320
Speaker 2: for the dance. But this movie is like a combo

1482
01:11:56,400 --> 01:11:58,920
Speaker 2: between like high school teen movies where the dance is

1483
01:11:58,960 --> 01:12:02,040
Speaker 2: the big third act thing and the sports movie basketball,

1484
01:12:02,120 --> 01:12:04,479
Speaker 2: and it tries to do both up with.

1485
01:12:04,479 --> 01:12:08,479
Speaker 3: Two endings, and you don't really realize that either of

1486
01:12:08,520 --> 01:12:11,960
Speaker 3: those two things are super important. There's only been very

1487
01:12:12,040 --> 01:12:14,599
Speaker 3: casual mention of both of them, and so.

1488
01:12:14,720 --> 01:12:17,719
Speaker 2: You're like, is the dance important? Is the game important?

1489
01:12:18,200 --> 01:12:21,080
Speaker 2: Because you gotta have Jason Weaver singing dance, That's what

1490
01:12:21,120 --> 01:12:22,080
Speaker 2: it is exactly.

1491
01:12:23,400 --> 01:12:26,040
Speaker 1: He's the only one singing and dancing because all the

1492
01:12:26,080 --> 01:12:30,280
Speaker 1: other dancing couples look like they are being tortured to

1493
01:12:30,360 --> 01:12:30,760
Speaker 1: be there.

1494
01:12:30,840 --> 01:12:32,439
Speaker 2: It is the most well, we're.

1495
01:12:32,280 --> 01:12:34,960
Speaker 3: Playing bad movie. She's the whole point is that she's

1496
01:12:34,960 --> 01:12:36,519
Speaker 3: playing bad music. I said, movies.

1497
01:12:36,800 --> 01:12:37,640
Speaker 2: She's playing.

1498
01:12:38,920 --> 01:12:41,639
Speaker 1: These poor people like spinning around each other, just looking

1499
01:12:41,720 --> 01:12:43,559
Speaker 1: at there's a couple behind you that I swear to God,

1500
01:12:43,640 --> 01:12:45,719
Speaker 1: right before they said action got into a huge fight

1501
01:12:46,400 --> 01:12:47,120
Speaker 1: right beforehand.

1502
01:12:47,160 --> 01:12:50,040
Speaker 2: It was not I just had a memory. The only

1503
01:12:50,120 --> 01:12:52,719
Speaker 2: time I've ever done peri oke was during this movie,

1504
01:12:52,760 --> 01:12:55,719
Speaker 2: and I did David Tom and Patrick Renna I don't

1505
01:12:55,760 --> 01:12:58,120
Speaker 2: and we must have been out with Jason, but he

1506
01:12:58,160 --> 01:12:59,680
Speaker 2: didn't do it with it, but we the three of

1507
01:12:59,760 --> 01:13:05,280
Speaker 2: us and sang something. Anyway, I haven't done karaoke since

1508
01:13:07,000 --> 01:13:10,479
Speaker 2: I'm so bad and so yeah, but what happened during

1509
01:13:10,479 --> 01:13:13,400
Speaker 2: the karaoke We were doing some kind of like spontaneous

1510
01:13:13,479 --> 01:13:16,200
Speaker 2: dance move and I slammed the mic into David Tom's

1511
01:13:16,479 --> 01:13:18,719
Speaker 2: oh I know, and like gave him a black eye,

1512
01:13:18,800 --> 01:13:21,000
Speaker 2: and god, yeah, it was like bad. He was like

1513
01:13:21,080 --> 01:13:25,000
Speaker 2: really hurt and like kind of upset and like of

1514
01:13:25,040 --> 01:13:27,920
Speaker 2: course a horrible singer. So never done karaoke since but.

1515
01:13:28,400 --> 01:13:31,679
Speaker 1: No, I mean the usually not had many injuries in karaoke.

1516
01:13:31,760 --> 01:13:32,480
Speaker 1: That's impressive.

1517
01:13:32,880 --> 01:13:33,640
Speaker 2: It is impressive.

1518
01:13:33,800 --> 01:13:36,519
Speaker 3: Well, so Leigh's DJing and Hoops is housing eggs, and

1519
01:13:36,560 --> 01:13:38,600
Speaker 3: when the music gets boring, Freddy says he wants to

1520
01:13:38,600 --> 01:13:41,960
Speaker 3: show Christine something he's been working on. But outside Modem

1521
01:13:42,000 --> 01:13:44,479
Speaker 3: has crossed the river to the Bad Camp and luckily

1522
01:13:44,600 --> 01:13:47,479
Speaker 3: is right there. When Ryder walks by, he grabs him

1523
01:13:47,479 --> 01:13:48,840
Speaker 3: and tells him he wants to take him to the

1524
01:13:48,920 --> 01:13:51,559
Speaker 3: dance and introduce him to his evil twin, the other

1525
01:13:51,680 --> 01:13:56,320
Speaker 3: Freddy Egan, Right, housing, when you when you eat something

1526
01:13:56,360 --> 01:13:57,960
Speaker 3: like a ton of it, you're housing.

1527
01:13:58,160 --> 01:14:01,960
Speaker 1: You're housing it. Never even never heard that housing something inthing.

1528
01:14:03,080 --> 01:14:06,800
Speaker 2: This is a this is a horrible scene. It's all

1529
01:14:06,840 --> 01:14:09,800
Speaker 2: in one shot. I think what happened is like it

1530
01:14:09,880 --> 01:14:11,800
Speaker 2: was a last minute I think we were probably it

1531
01:14:11,880 --> 01:14:14,040
Speaker 2: was probably the same night we were doing the moonlight Escape,

1532
01:14:14,360 --> 01:14:16,040
Speaker 2: and it's like they grab the camera and they're like,

1533
01:14:16,439 --> 01:14:18,400
Speaker 2: just find a corner over here, we'll pretend the fences

1534
01:14:18,479 --> 01:14:20,479
Speaker 2: right there. You guys, just do your in one shot,

1535
01:14:20,920 --> 01:14:22,439
Speaker 2: we'll get out of here and take and then because

1536
01:14:22,640 --> 01:14:24,320
Speaker 2: none of it makes sense, like we're losing light, we're

1537
01:14:24,360 --> 01:14:27,200
Speaker 2: losing light. We're like, yeah, we have to play open

1538
01:14:27,240 --> 01:14:29,280
Speaker 2: to the camera, like because we just have this one

1539
01:14:29,320 --> 01:14:33,040
Speaker 2: two shot that's all. It's so bad. It's weird. It's weird,

1540
01:14:33,479 --> 01:14:35,920
Speaker 2: like and there's also just no recognition that there's this

1541
01:14:36,080 --> 01:14:38,599
Speaker 2: dude and like full cameo and face pain.

1542
01:14:39,200 --> 01:14:43,360
Speaker 3: Yeah, you're just okay, I gotta go get hacks on numbers.

1543
01:14:44,000 --> 01:14:47,280
Speaker 1: Why so is he just going by himself? The guy

1544
01:14:47,280 --> 01:14:49,240
Speaker 1: who's supposed to be like the mastermind of the whole

1545
01:14:49,280 --> 01:14:52,040
Speaker 1: thing goes to the bad camp to break in by himself,

1546
01:14:52,080 --> 01:14:54,040
Speaker 1: to go grab hoping that this guy is going to

1547
01:14:54,080 --> 01:14:55,320
Speaker 1: walk by him at some point.

1548
01:14:55,240 --> 01:14:59,120
Speaker 2: And luckily he's there. He's just right there.

1549
01:14:59,280 --> 01:15:01,320
Speaker 1: It's like, why not send one of your minions or

1550
01:15:01,400 --> 01:15:04,080
Speaker 1: five of them, but you're going to go buy yourself into.

1551
01:15:03,920 --> 01:15:07,840
Speaker 2: The camp whatever and just get a d It made

1552
01:15:07,880 --> 01:15:08,439
Speaker 2: no sense.

1553
01:15:08,520 --> 01:15:12,320
Speaker 1: And also I love how he's he's changing his call

1554
01:15:12,360 --> 01:15:14,000
Speaker 1: sign every time he gets on.

1555
01:15:13,960 --> 01:15:20,360
Speaker 2: His mother every time. What does he hoping happens? Just

1556
01:15:20,520 --> 01:15:22,640
Speaker 2: trying to bring you to the camp. Yeah, he's just

1557
01:15:22,640 --> 01:15:25,000
Speaker 2: going to find you, But what's going to happen? Because

1558
01:15:25,120 --> 01:15:29,120
Speaker 2: isn't that going to ruin his basketball? But then none

1559
01:15:29,120 --> 01:15:33,080
Speaker 2: of it makes none of that because if he if

1560
01:15:33,080 --> 01:15:35,960
Speaker 2: he doesn't, because he can already expose Freddy. He already

1561
01:15:35,960 --> 01:15:38,839
Speaker 2: can do it. He has the power. It was, so now.

1562
01:15:40,439 --> 01:15:42,000
Speaker 3: Is the reason he's going to do it. He's going

1563
01:15:42,080 --> 01:15:44,600
Speaker 3: to give up the bat because he has Hoops. So

1564
01:15:44,720 --> 01:15:49,519
Speaker 3: maybe he's decided, without this being explained at all, he's decided.

1565
01:15:49,040 --> 01:15:51,680
Speaker 2: Well, that rat was the last the last thing. He

1566
01:15:51,720 --> 01:15:54,160
Speaker 2: could just expose Freddy. He could just take the piece

1567
01:15:54,160 --> 01:15:56,120
Speaker 2: of paper from his hat, go to the people.

1568
01:15:56,200 --> 01:16:00,240
Speaker 3: That right, much more interesting to do it, Freddy, say,

1569
01:16:00,320 --> 01:16:06,400
Speaker 3: expose what actually happened to everybody? So Hoops is just

1570
01:16:06,520 --> 01:16:10,439
Speaker 3: housing eggs as I mentioned, and.

1571
01:16:09,560 --> 01:16:13,240
Speaker 2: Jason Siggs and dances and he's gray. Okay.

1572
01:16:13,280 --> 01:16:15,240
Speaker 3: Back at the dance, Freddie has taken over DJing and

1573
01:16:15,280 --> 01:16:18,519
Speaker 3: performs his own song that Girl with more MJ Moves.

1574
01:16:18,760 --> 01:16:21,720
Speaker 3: He is good and Christine loves it. Also, we find

1575
01:16:21,760 --> 01:16:24,679
Speaker 3: out that the sergeant's lady friend from the phone calls

1576
01:16:24,800 --> 01:16:28,680
Speaker 3: is the Posh Camps director, Miss Sikes. They rendezvous at

1577
01:16:28,720 --> 01:16:32,200
Speaker 3: the dance and kiss, but also Ryder and his crew

1578
01:16:32,280 --> 01:16:35,240
Speaker 3: have arrived. They interrupt the music celebration to present the

1579
01:16:35,280 --> 01:16:38,920
Speaker 3: real Frederick Egan the Third and It's Rider the gig

1580
01:16:39,160 --> 01:16:43,400
Speaker 3: is up whoa major moment the movie should be over

1581
01:16:43,479 --> 01:16:47,760
Speaker 3: at this point. The audience reacts.

1582
01:16:46,840 --> 01:16:49,160
Speaker 2: Whole basketball game? Is this really gonna end right now?

1583
01:16:49,479 --> 01:16:51,439
Speaker 2: I thought the same thing, and I was so tired

1584
01:16:51,479 --> 01:16:53,680
Speaker 2: I was doing remember being here for the scene at

1585
01:16:53,720 --> 01:16:56,080
Speaker 2: all either, which is so weird because usually remember big

1586
01:16:56,120 --> 01:16:58,679
Speaker 2: crowd scenes like this well as a person who didn't

1587
01:16:58,720 --> 01:17:01,000
Speaker 2: remember being in the crowd at Thriller Thrilla and Phila.

1588
01:17:01,680 --> 01:17:02,520
Speaker 2: Oh yeah.

1589
01:17:02,560 --> 01:17:05,120
Speaker 3: You know when when there's a long day like that

1590
01:17:05,200 --> 01:17:08,559
Speaker 3: and you're not really doing much, you just forget those days.

1591
01:17:09,280 --> 01:17:12,840
Speaker 3: So the Fred's meet, they get into a small fight.

1592
01:17:13,120 --> 01:17:16,080
Speaker 3: Luckily the cop is there being all sexy with his

1593
01:17:16,160 --> 01:17:17,439
Speaker 3: lady friend and he gets his home.

1594
01:17:17,479 --> 01:17:20,640
Speaker 1: He doesn't know her name. We're ran past that. We

1595
01:17:20,880 --> 01:17:23,519
Speaker 1: been phone sexing with this woman forever. They've been talking

1596
01:17:23,520 --> 01:17:26,280
Speaker 1: a long time and know her name. Yeah, he calls

1597
01:17:26,320 --> 01:17:29,519
Speaker 1: it a lot. Yeah, yeah, right, I know. But you

1598
01:17:29,600 --> 01:17:32,040
Speaker 1: figure you get you don't just jump to nickname. You

1599
01:17:32,200 --> 01:17:34,760
Speaker 1: go from regular name to nickname. That's the progression.

1600
01:17:35,040 --> 01:17:37,360
Speaker 3: So he gets the hoodlumbs out of there, including the

1601
01:17:37,400 --> 01:17:41,200
Speaker 3: wrong Freddy once again. But isn't everything now exposed? And

1602
01:17:41,240 --> 01:17:44,639
Speaker 3: then Hoops passes out from too many eggs. Then we're

1603
01:17:44,680 --> 01:17:47,120
Speaker 3: back at enclave. Numbers is bummed to find out that

1604
01:17:47,160 --> 01:17:49,519
Speaker 3: Hoops is very sick from eating all the eggs and

1605
01:17:49,560 --> 01:17:51,280
Speaker 3: can't play in the game. That would not be Numbers

1606
01:17:51,280 --> 01:17:56,559
Speaker 3: who would be bummed by that, right, it would be Moodem.

1607
01:17:57,200 --> 01:17:59,479
Speaker 3: Modem is bummed to find out that Hoops is very

1608
01:17:59,479 --> 01:18:01,439
Speaker 3: sick for me to all the eggs and can't play

1609
01:18:01,479 --> 01:18:04,960
Speaker 3: in the game. And there is zero discussion about what

1610
01:18:05,120 --> 01:18:06,200
Speaker 3: was just exposed.

1611
01:18:06,320 --> 01:18:09,240
Speaker 1: Freddie is there, like hanging out with them now, no

1612
01:18:09,400 --> 01:18:10,160
Speaker 1: thing has changed.

1613
01:18:10,200 --> 01:18:13,400
Speaker 2: Freddy's in the background, he's dancing talking with them, like,

1614
01:18:13,479 --> 01:18:15,240
Speaker 2: what the hell's happened? What am I missing here?

1615
01:18:15,320 --> 01:18:17,600
Speaker 3: It's never brought up again, isn't They shouldn't that have

1616
01:18:17,640 --> 01:18:19,880
Speaker 3: been the end of the switcheroo? But no, it's just

1617
01:18:20,040 --> 01:18:22,519
Speaker 3: we move right on past it, as if that didn't happen.

1618
01:18:22,800 --> 01:18:26,200
Speaker 3: Makes no sense anyway. Now they need Freddy. Who are

1619
01:18:25,920 --> 01:18:29,200
Speaker 3: they are still calling Frederick? They know he's not Frederick now,

1620
01:18:29,200 --> 01:18:32,000
Speaker 3: but okay, they they need him to join the team.

1621
01:18:32,120 --> 01:18:34,400
Speaker 2: They believe me is the whole point, right, they say,

1622
01:18:34,439 --> 01:18:37,160
Speaker 2: like that guy's trying to get Freddy like so they

1623
01:18:37,400 --> 01:18:40,120
Speaker 2: at the dance. Nobody believed me, so everything else what

1624
01:18:40,160 --> 01:18:42,479
Speaker 2: it was, and did they just do it with like ad.

1625
01:18:42,439 --> 01:18:44,960
Speaker 1: R where they tried to throw in lines that were

1626
01:18:45,000 --> 01:18:47,320
Speaker 1: off camera of people going like, that's not Freddy. I mean,

1627
01:18:47,400 --> 01:18:49,120
Speaker 1: is that how they tried to explain.

1628
01:18:48,800 --> 01:18:51,720
Speaker 2: It says like that guy's you know, trying to get

1629
01:18:51,760 --> 01:18:52,880
Speaker 2: Freddy or something, and.

1630
01:18:53,000 --> 01:18:56,639
Speaker 3: So at least also, if they didn't do that long

1631
01:18:56,840 --> 01:19:00,120
Speaker 3: reaction shot of the audience taking it all in, you

1632
01:19:00,160 --> 01:19:02,840
Speaker 3: could have also believed that they were distracted by so

1633
01:19:02,920 --> 01:19:07,080
Speaker 3: many other things. Wait a minute, miss miss has her

1634
01:19:07,080 --> 01:19:09,000
Speaker 3: tank top off and they're hooking up, and oh the

1635
01:19:09,080 --> 01:19:11,559
Speaker 3: stuff and and oh it just got lost in the fray.

1636
01:19:11,880 --> 01:19:14,040
Speaker 3: But they like do this long shot of the audience

1637
01:19:14,080 --> 01:19:16,560
Speaker 3: going Freddy, Oh my goodness.

1638
01:19:16,280 --> 01:19:18,160
Speaker 2: So why did I have to bring my friends right?

1639
01:19:18,240 --> 01:19:20,559
Speaker 2: Like make this whole meal? But then they don't do

1640
01:19:20,600 --> 01:19:23,000
Speaker 2: anything now except get us in trouble because we have

1641
01:19:23,080 --> 01:19:25,160
Speaker 2: a bunch of prison kids who escaped.

1642
01:19:25,400 --> 01:19:28,000
Speaker 1: By the way, yes you have now officially escaped from

1643
01:19:28,040 --> 01:19:31,320
Speaker 1: prison camp, which was which you were you were sentenced

1644
01:19:31,320 --> 01:19:31,760
Speaker 1: to be at.

1645
01:19:31,800 --> 01:19:35,600
Speaker 2: So sentence I got. Yeah, I could also just you know,

1646
01:19:35,680 --> 01:19:38,559
Speaker 2: maybe called my dad or yeah, I'm called it. My

1647
01:19:38,640 --> 01:19:40,920
Speaker 2: butler figured out a way to note go home.

1648
01:19:41,240 --> 01:19:43,760
Speaker 3: No, So Freddy says he has already said no to

1649
01:19:43,840 --> 01:19:46,520
Speaker 3: joining the team, But when Modem threatens to tell Christine

1650
01:19:46,680 --> 01:19:53,320
Speaker 3: about his real identity again, he buckles and joins, I

1651
01:19:53,360 --> 01:19:56,600
Speaker 3: know I'm repeating myself here, but Christine already knows this

1652
01:19:57,280 --> 01:20:01,320
Speaker 3: from the dance. She knows, wasn't She question like, Hey,

1653
01:20:01,560 --> 01:20:03,400
Speaker 3: what was that? What was that that happened?

1654
01:20:03,400 --> 01:20:05,719
Speaker 2: Can we talk about that giant thing that just happened

1655
01:20:05,720 --> 01:20:08,439
Speaker 2: and what was that about? Nope.

1656
01:20:08,840 --> 01:20:11,360
Speaker 3: Back at detention camp, the sergeant is getting his basketball

1657
01:20:11,360 --> 01:20:13,640
Speaker 3: squad together to beat Enclave and says every man who

1658
01:20:13,720 --> 01:20:15,559
Speaker 3: plays in the game will get a work reduction. So

1659
01:20:15,600 --> 01:20:18,799
Speaker 3: now even writer is actually invested in beating the spoiled brats,

1660
01:20:19,040 --> 01:20:22,120
Speaker 3: so he'll play and coach them. On the other side

1661
01:20:22,120 --> 01:20:23,440
Speaker 3: of the camps, Christine.

1662
01:20:23,040 --> 01:20:26,640
Speaker 2: And Freddy, great way to accommodate Rider Strong being in

1663
01:20:26,680 --> 01:20:30,160
Speaker 2: your movie. Absolutely, I have a very unathletic kid who's

1664
01:20:30,160 --> 01:20:33,200
Speaker 2: supposed to be the savior of your basketball team. You

1665
01:20:33,280 --> 01:20:37,439
Speaker 2: say he's gonna coach them, right, It's so smart. I

1666
01:20:37,479 --> 01:20:38,800
Speaker 2: was like, thank god they said that.

1667
01:20:39,520 --> 01:20:42,519
Speaker 3: Yep. Christine and Freddie are really getting along at the

1668
01:20:42,560 --> 01:20:45,040
Speaker 3: other camp. But Christine wants to meet his parents. He's

1669
01:20:45,040 --> 01:20:47,800
Speaker 3: clearly nervous about this, but says she will soon. Also,

1670
01:20:47,840 --> 01:20:50,839
Speaker 3: Frederick slimo driver swings by to drop off a Kashmir comforter,

1671
01:20:50,920 --> 01:20:53,719
Speaker 3: So Freddie hides in the shower and avoids getting busted.

1672
01:20:54,520 --> 01:20:57,000
Speaker 3: But also, but what he was busted at the dance.

1673
01:20:57,400 --> 01:20:59,080
Speaker 3: I have to drop this.

1674
01:20:59,520 --> 01:21:01,439
Speaker 1: I'm gonna you can't, you can't. It's one of those

1675
01:21:01,479 --> 01:21:04,120
Speaker 1: things where there's just you can't logic.

1676
01:21:04,360 --> 01:21:08,560
Speaker 2: When he is in the power, he doesn't try to

1677
01:21:08,640 --> 01:21:11,760
Speaker 2: change his voice at all. He's just he doesn't do something.

1678
01:21:11,800 --> 01:21:15,800
Speaker 2: It's just not your voice. She's doesn't very high like this,

1679
01:21:15,960 --> 01:21:16,759
Speaker 2: he doesn't exist.

1680
01:21:17,280 --> 01:21:20,760
Speaker 1: How about also just the chauffeur just walking into the

1681
01:21:20,760 --> 01:21:25,439
Speaker 1: bathroom is in the shower, Like that's a little little

1682
01:21:25,439 --> 01:21:34,120
Speaker 1: odd too. So yeah, very very strange.

1683
01:21:38,000 --> 01:21:40,960
Speaker 3: Well, we see the prisoners basketball practice, which isn't going great,

1684
01:21:41,000 --> 01:21:43,479
Speaker 3: but they learned that crazy Ferret has an incredible shot.

1685
01:21:43,600 --> 01:21:46,000
Speaker 3: Writer convinces him to join the team, and again we

1686
01:21:46,040 --> 01:21:49,200
Speaker 3: see Writer's glorious perfect skin in a nice close up

1687
01:21:50,000 --> 01:21:52,840
Speaker 3: the rich kid sweat sweaty rider.

1688
01:21:53,320 --> 01:21:54,720
Speaker 2: No, this is where I was like, oh well this

1689
01:21:54,800 --> 01:21:58,040
Speaker 2: is this makes sense? Like how do you make you know,

1690
01:21:58,600 --> 01:22:01,720
Speaker 2: a basketball team better like have this outsider character and

1691
01:22:01,760 --> 01:22:04,320
Speaker 2: me sort of bringing the team together. It's like, okay,

1692
01:22:04,400 --> 01:22:07,120
Speaker 2: this is you mean, it's right, but can.

1693
01:22:07,000 --> 01:22:09,479
Speaker 1: We talk about just a big of another big kind

1694
01:22:09,520 --> 01:22:13,599
Speaker 1: of point where it should never have been basketball, right,

1695
01:22:13,680 --> 01:22:17,920
Speaker 1: It should have been a rich sport where usually underprivileged

1696
01:22:18,000 --> 01:22:21,040
Speaker 1: kids don't have the opportunity to play it. Where basketball

1697
01:22:21,360 --> 01:22:25,080
Speaker 1: it's basketball. Everybody can play basketball. So the kids at

1698
01:22:25,120 --> 01:22:28,320
Speaker 1: the delinquent camp are are you know, are gonna get

1699
01:22:28,320 --> 01:22:30,000
Speaker 1: a chance. They're gonna know how to play basketball? It

1700
01:22:30,120 --> 01:22:33,840
Speaker 1: you made it polo or something very richy rich, it

1701
01:22:33,840 --> 01:22:36,200
Speaker 1: would have made more sense to me that that. It's like,

1702
01:22:36,280 --> 01:22:39,320
Speaker 1: how the hell are we gonna beat rich kid camptball?

1703
01:22:39,320 --> 01:22:41,840
Speaker 2: Though? Man, I know, but it was just.

1704
01:22:41,800 --> 01:22:43,920
Speaker 1: One of those things where it's basketball is it's a

1705
01:22:43,960 --> 01:22:45,760
Speaker 1: game from the streets. I mean that's what That's what

1706
01:22:45,840 --> 01:22:48,760
Speaker 1: basketball is. That's the soul of basketball. So like that

1707
01:22:48,800 --> 01:22:50,000
Speaker 1: didn't make sense to me either.

1708
01:22:50,240 --> 01:22:53,000
Speaker 3: The rich kid practice is going very poorly without hoops,

1709
01:22:53,040 --> 01:22:54,799
Speaker 3: and one of the weirdest parts of the movie occurs

1710
01:22:54,800 --> 01:22:57,280
Speaker 3: when Freddie explains that he can help because he's good

1711
01:22:57,280 --> 01:22:57,960
Speaker 3: at basketball.

1712
01:22:58,560 --> 01:23:00,719
Speaker 2: You know, I got to spiel it know what I'm saying.

1713
01:23:00,880 --> 01:23:02,679
Speaker 2: I got the skills to pay the bills.

1714
01:23:03,000 --> 01:23:05,040
Speaker 6: So watch how I shoot the chef.

1715
01:23:05,280 --> 01:23:08,240
Speaker 2: Now, I got skills, just like what Tim Hardaway see it.

1716
01:23:08,400 --> 01:23:12,280
Speaker 2: I got SKUs four times, at least four times. I

1717
01:23:12,400 --> 01:23:15,839
Speaker 2: get it. You have you've got skills. You've got skills.

1718
01:23:16,040 --> 01:23:17,400
Speaker 2: You think. They probably just let him improvise.

1719
01:23:18,000 --> 01:23:19,479
Speaker 3: They just told him go out there and do that,

1720
01:23:19,520 --> 01:23:23,639
Speaker 3: and he just kind of it's great, it doesn't matter.

1721
01:23:23,720 --> 01:23:26,080
Speaker 3: You still enjoy it, you're still in But it's just

1722
01:23:26,120 --> 01:23:28,400
Speaker 3: funny because I knew, Oh, that was definitely a moment

1723
01:23:28,439 --> 01:23:30,080
Speaker 3: where they let him improv because I was like.

1724
01:23:30,040 --> 01:23:32,880
Speaker 2: Nobody wrote a line where they wrote four times, I

1725
01:23:32,920 --> 01:23:34,120
Speaker 2: got skills.

1726
01:23:34,479 --> 01:23:37,040
Speaker 3: So we see Modem working on are on creating a

1727
01:23:37,080 --> 01:23:42,000
Speaker 3: remote control magnetic basketball all like you do. Okay, more

1728
01:23:42,040 --> 01:23:45,360
Speaker 3: confusion here. Writer is practicing basketball way into the night

1729
01:23:45,439 --> 01:23:46,639
Speaker 3: when Ferrett joins.

1730
01:23:46,479 --> 01:23:47,599
Speaker 2: Him at a detention camp.

1731
01:23:48,120 --> 01:23:51,720
Speaker 3: Yes it is once noting for the scene. Ferrett is

1732
01:23:51,760 --> 01:23:56,320
Speaker 3: a completely different character. He sounds different. He is maybe

1733
01:23:56,560 --> 01:23:59,000
Speaker 3: twenty percent as crazy as he's been all movie. He

1734
01:23:59,080 --> 01:24:01,360
Speaker 3: teaches Writer how to shoot in about ten seconds, but

1735
01:24:01,400 --> 01:24:05,080
Speaker 3: again he is no longer insane. We also learned that

1736
01:24:05,120 --> 01:24:07,360
Speaker 3: his parents left him in a dumpster when he was born,

1737
01:24:07,600 --> 01:24:10,720
Speaker 3: and then writer connects with him about parental neglect and

1738
01:24:10,760 --> 01:24:11,760
Speaker 3: they practiced some more.

1739
01:24:11,960 --> 01:24:18,120
Speaker 2: The worst scene effort like that my character relate is,

1740
01:24:19,760 --> 01:24:24,600
Speaker 2: I guess left in a dumpster. Your dad's a billionaires.

1741
01:24:25,880 --> 01:24:27,760
Speaker 2: It reminded me of have you guys ever heard of

1742
01:24:27,840 --> 01:24:29,760
Speaker 2: affluenza like that?

1743
01:24:30,080 --> 01:24:30,200
Speaker 1: Oh?

1744
01:24:30,320 --> 01:24:34,120
Speaker 2: Yes, yeah, defense that some kid got. Yes. It's like,

1745
01:24:34,400 --> 01:24:37,040
Speaker 2: it's like, well, I've had it. You know, it's really

1746
01:24:37,080 --> 01:24:39,960
Speaker 2: hard to be super wealthy by your parents.

1747
01:24:40,160 --> 01:24:40,240
Speaker 1: You.

1748
01:24:40,720 --> 01:24:42,400
Speaker 2: I mean, I know you're coming from a dumpster and

1749
01:24:42,400 --> 01:24:45,840
Speaker 2: you talk to your toothbrush and then let me just

1750
01:24:46,000 --> 01:24:51,799
Speaker 2: throw your toothbrush away. I know, what a dick ye happening.

1751
01:24:51,880 --> 01:24:54,240
Speaker 2: I was like, that's I was like, am I like?

1752
01:24:54,479 --> 01:24:56,880
Speaker 2: Am I telling him to grow up and let go

1753
01:24:56,960 --> 01:25:01,080
Speaker 2: of his childish what you're saying? He runs after the

1754
01:25:01,080 --> 01:25:08,680
Speaker 2: two he does runs for a second. The character think

1755
01:25:08,720 --> 01:25:09,920
Speaker 2: he's playing that's what.

1756
01:25:09,840 --> 01:25:13,760
Speaker 3: This same is the worst scene. It's the weirdest weirdness

1757
01:25:13,800 --> 01:25:15,280
Speaker 3: scene of the whole movie.

1758
01:25:15,680 --> 01:25:18,880
Speaker 1: I also think Ferrett is the only one wearing a

1759
01:25:18,920 --> 01:25:21,800
Speaker 1: black jumpsuit, and I believe the numbers on the back

1760
01:25:22,040 --> 01:25:26,280
Speaker 1: are six six six. What if I think it's that

1761
01:25:26,400 --> 01:25:28,120
Speaker 1: they gave him the devil's numbers on the back to

1762
01:25:28,320 --> 01:25:30,479
Speaker 1: ye this is the worst.

1763
01:25:30,479 --> 01:25:33,400
Speaker 3: Same Well, back in the kitchen, Freddy is freaking out

1764
01:25:33,400 --> 01:25:35,960
Speaker 3: to chef Jimmy about his predicament. Jimmy reveals that in

1765
01:25:36,000 --> 01:25:38,320
Speaker 3: his hood he was a stupid little street punk. So

1766
01:25:38,360 --> 01:25:41,559
Speaker 3: people can change. He gives he gives words of motivation

1767
01:25:41,600 --> 01:25:44,360
Speaker 3: and says Christine likes him, not the fake character he's.

1768
01:25:44,560 --> 01:25:48,080
Speaker 2: This is a good scene with the two. Great is

1769
01:25:48,200 --> 01:25:51,439
Speaker 2: very good. This is the sort of like sentimentality that

1770
01:25:51,560 --> 01:25:53,360
Speaker 2: this movie could use.

1771
01:25:54,520 --> 01:25:56,519
Speaker 3: These are the best scenes between the that have used

1772
01:25:56,520 --> 01:25:59,000
Speaker 3: some of this for writer's parents, maybe to see them

1773
01:25:59,040 --> 01:26:01,400
Speaker 3: having a little bit of a some sort of realization

1774
01:26:01,439 --> 01:26:01,720
Speaker 3: about it.

1775
01:26:02,280 --> 01:26:05,320
Speaker 2: A better Ferret connection scene. Yeah, I mean that's Paul.

1776
01:26:05,439 --> 01:26:09,080
Speaker 2: But they don't bond. There's the you're fred Freddy.

1777
01:26:09,280 --> 01:26:14,040
Speaker 1: Fred Rick is bonding with his cellmates, Yeah, and becoming

1778
01:26:14,120 --> 01:26:15,760
Speaker 1: part of that crew, Freddie.

1779
01:26:15,920 --> 01:26:16,960
Speaker 2: They don't have that at all.

1780
01:26:17,360 --> 01:26:19,519
Speaker 1: They have him connecting with this one character, which is great,

1781
01:26:19,520 --> 01:26:21,840
Speaker 1: but there's no balance between the two. It's like and

1782
01:26:21,880 --> 01:26:24,479
Speaker 1: then we'll get to it where he later apologized everybody like,

1783
01:26:24,600 --> 01:26:27,240
Speaker 1: we're still love you. He never connected with any of

1784
01:26:27,280 --> 01:26:29,200
Speaker 1: these people. They never show him connecting with his team.

1785
01:26:29,240 --> 01:26:31,880
Speaker 1: They don't show him connecting with anybody. It's so weird.

1786
01:26:32,280 --> 01:26:35,360
Speaker 3: Well, it's now basketball game day. We see the rich

1787
01:26:35,439 --> 01:26:38,040
Speaker 3: parents and suits and fancy cars, and the hoodlum parents

1788
01:26:38,120 --> 01:26:42,400
Speaker 3: arriving on motorcycles, drinking beers and barping, and oh, the

1789
01:26:42,680 --> 01:26:47,439
Speaker 3: rich Frederick the Third's dad and mom have arrived to

1790
01:26:47,520 --> 01:26:51,519
Speaker 3: surprise their son at the game, Jim. Christine meets them

1791
01:26:51,520 --> 01:26:54,400
Speaker 3: in the camp director's office. She is shocked they're white.

1792
01:26:54,600 --> 01:26:57,759
Speaker 3: She confronts Freddy mad he didn't tell her. He seems

1793
01:26:58,000 --> 01:27:01,080
Speaker 3: so tired of lying, so then he tells her and

1794
01:27:01,240 --> 01:27:04,120
Speaker 3: all of his basketball teammates and the cheerleaders the truth

1795
01:27:04,160 --> 01:27:08,120
Speaker 3: about everything. He is, poor Freddie Egan from the streets

1796
01:27:08,120 --> 01:27:09,880
Speaker 3: of the South Side, who doesn't even know who his

1797
01:27:10,000 --> 01:27:13,280
Speaker 3: parents are. He calls himself scum and says the only

1798
01:27:13,360 --> 01:27:15,680
Speaker 3: honest thing he said is that this has been the

1799
01:27:15,680 --> 01:27:19,320
Speaker 3: best summer of his life. And then Christine says they

1800
01:27:19,560 --> 01:27:22,920
Speaker 3: like him no matter who he is. She accepts him,

1801
01:27:22,960 --> 01:27:26,439
Speaker 3: and everyone accepts him, and just like that, it's all

1802
01:27:26,640 --> 01:27:28,040
Speaker 3: totally okay.

1803
01:27:28,439 --> 01:27:31,479
Speaker 2: You didn't bond with any of these people, But also,

1804
01:27:32,120 --> 01:27:34,040
Speaker 2: what about the fact that they all heard this at

1805
01:27:34,040 --> 01:27:41,960
Speaker 2: the dance. Ugh, it's so strange.

1806
01:27:42,840 --> 01:27:45,640
Speaker 3: So Ryder's mom catches up with him, and he is

1807
01:27:45,720 --> 01:27:48,840
Speaker 3: disappointed to see him with such hoodlums, but Ryder stands

1808
01:27:48,920 --> 01:27:51,200
Speaker 3: up for himself and his friends. When his mom looks

1809
01:27:51,240 --> 01:27:53,280
Speaker 3: to his dad for support, he doesn't care. He's just

1810
01:27:53,320 --> 01:27:55,040
Speaker 3: ready to cheer him on numbers.

1811
01:27:55,080 --> 01:27:55,559
Speaker 2: Is happy to.

1812
01:27:55,520 --> 01:28:00,760
Speaker 3: See this progress and now it's game time, noting now

1813
01:28:00,800 --> 01:28:02,800
Speaker 3: that Ferrett is crazy again.

1814
01:28:04,439 --> 01:28:07,280
Speaker 2: He is no longer the guy we saw in the

1815
01:28:07,360 --> 01:28:09,800
Speaker 2: last scene. He's crazy now.

1816
01:28:09,920 --> 01:28:14,320
Speaker 3: The Fred's face off for the jump ball important plot point.

1817
01:28:14,360 --> 01:28:17,799
Speaker 3: They are giving a magnetic ball by modem. Did anyone

1818
01:28:17,880 --> 01:28:20,160
Speaker 3: remember that moment? I forgot that that happened?

1819
01:28:20,520 --> 01:28:26,760
Speaker 1: Yes, but have we had There's no mention at all

1820
01:28:27,520 --> 01:28:31,800
Speaker 1: from Freddy's parents, Frederick's parents about why are you at

1821
01:28:31,800 --> 01:28:36,000
Speaker 1: that camp, why are you on this team, whether you happened.

1822
01:28:35,840 --> 01:28:38,760
Speaker 2: Why are you wearing a jumpsuit? Why were you just

1823
01:28:38,840 --> 01:28:42,240
Speaker 2: in prison? No mention of any of this.

1824
01:28:42,640 --> 01:28:45,479
Speaker 3: No, And it's supposed to be that the cop pushes

1825
01:28:45,520 --> 01:28:48,920
Speaker 3: them along that like, oh he covered it, rushes, keep god,

1826
01:28:48,920 --> 01:28:49,760
Speaker 3: gotta keep moving, got.

1827
01:28:49,720 --> 01:28:50,400
Speaker 2: To rush over this.

1828
01:28:50,479 --> 01:28:54,599
Speaker 3: But it the amount of suspension of disbelief you have

1829
01:28:54,680 --> 01:28:57,639
Speaker 3: to have to keep going with this is a lot. Also,

1830
01:28:57,920 --> 01:29:01,040
Speaker 3: I really truly did forget the magnetic ball part.

1831
01:29:01,200 --> 01:29:01,479
Speaker 2: I don't.

1832
01:29:01,520 --> 01:29:03,800
Speaker 3: I didn't feel like then they reminded us that this

1833
01:29:03,840 --> 01:29:08,120
Speaker 3: had happened. I completely, honestly had forgotten about Modem. Modem's

1834
01:29:08,120 --> 01:29:11,040
Speaker 3: been gone for a long time, Modem's involvement in this.

1835
01:29:11,800 --> 01:29:13,800
Speaker 3: I feel like they could have maybe reminded us a

1836
01:29:13,800 --> 01:29:19,200
Speaker 3: little bit about Modem's involvement. So Out the Gate Enclave

1837
01:29:19,280 --> 01:29:21,680
Speaker 3: takes an early lead, especially when Modem turns on the

1838
01:29:21,680 --> 01:29:25,200
Speaker 3: ball magnet, making the prisoner's ball wildly spin around the

1839
01:29:25,240 --> 01:29:28,280
Speaker 3: basket basket, which is a decent affer.

1840
01:29:30,720 --> 01:29:33,000
Speaker 2: It was normal to wear a T shirt under your jersey,

1841
01:29:33,120 --> 01:29:34,920
Speaker 2: like I am, yeah you can't. It was normal.

1842
01:29:35,400 --> 01:29:37,960
Speaker 3: Okay, that's not too bad, now, writer, did you have

1843
01:29:38,000 --> 01:29:39,040
Speaker 3: a basketball double here?

1844
01:29:39,080 --> 01:29:41,120
Speaker 2: Because you look yes you did, okay.

1845
01:29:42,360 --> 01:29:42,760
Speaker 4: Right away.

1846
01:29:42,840 --> 01:29:45,680
Speaker 2: He's an extra in other scenes too. He's I think

1847
01:29:45,680 --> 01:29:47,880
Speaker 2: he's in the dance scene. He's figured prominently, has like

1848
01:29:47,920 --> 01:29:50,519
Speaker 2: the same hair as me, and he's like slightly taller

1849
01:29:50,560 --> 01:29:53,840
Speaker 2: and thinner and an amazing basketball player. Yeah, they really good.

1850
01:29:53,880 --> 01:29:56,040
Speaker 2: It was lucky they found him. Yeah, okayt Yeah, we

1851
01:29:56,120 --> 01:29:58,680
Speaker 2: knew it. We knew that. Whenever it's me, it's a

1852
01:29:58,720 --> 01:30:02,960
Speaker 2: close up and Jason off camera saying double dribble, double dribble, dribble.

1853
01:30:03,360 --> 01:30:04,719
Speaker 2: It's in the wheelchair.

1854
01:30:04,760 --> 01:30:07,400
Speaker 1: The Nancy Kerrigan scene is they're wheeling me around the

1855
01:30:07,400 --> 01:30:09,879
Speaker 1: ice to look like I gainst gate. It's the basketball equivalent.

1856
01:30:10,560 --> 01:30:13,000
Speaker 3: So Chef Jimmy is in the stands and he's figuring

1857
01:30:13,000 --> 01:30:15,960
Speaker 3: out something is wrong with that ball. During halftime where

1858
01:30:16,080 --> 01:30:19,680
Speaker 3: Enclave leads by eighteen, Jimmy finds Modem and destroys the

1859
01:30:19,720 --> 01:30:23,120
Speaker 3: trick ball. Modem's plan and the two million dollar bet

1860
01:30:23,160 --> 01:30:26,240
Speaker 3: have been exposed, So I guess the plan does come

1861
01:30:26,320 --> 01:30:28,920
Speaker 3: The two million dollar thing does come back up here.

1862
01:30:28,800 --> 01:30:29,320
Speaker 2: A little bits.

1863
01:30:29,479 --> 01:30:31,960
Speaker 3: It's a little bit, a little it's mentioned at least.

1864
01:30:33,560 --> 01:30:36,519
Speaker 3: So then Chef Jimmy tells Freddy about Modem's trickery and

1865
01:30:36,560 --> 01:30:39,120
Speaker 3: suggests Freddy sit out the second half to make this fair.

1866
01:30:39,240 --> 01:30:41,320
Speaker 2: He says, it's the right thing to do, the miss

1867
01:30:41,360 --> 01:30:45,760
Speaker 2: thing I have ever heard. I know what. Why does

1868
01:30:45,960 --> 01:30:50,160
Speaker 2: Jason get punished like what? He has to sit out

1869
01:30:50,160 --> 01:30:53,439
Speaker 2: the game because this other kid cheated? Right right? No,

1870
01:30:53,920 --> 01:30:57,000
Speaker 2: it is the it's the worst plan, and it's so

1871
01:30:57,400 --> 01:31:01,120
Speaker 2: insulting to the protagonist of our movie Done the Right

1872
01:31:01,160 --> 01:31:04,360
Speaker 2: Thing is a good basketball player, and yet he's supposed

1873
01:31:04,360 --> 01:31:06,800
Speaker 2: to take a back seat like that is It's the

1874
01:31:06,840 --> 01:31:07,519
Speaker 2: weirdest logic.

1875
01:31:10,120 --> 01:31:12,000
Speaker 1: No. I also love how they say to you that

1876
01:31:12,040 --> 01:31:15,240
Speaker 1: when your two characters get together, he says, look, I

1877
01:31:15,280 --> 01:31:17,120
Speaker 1: know there's been some bad blood between us. It's like

1878
01:31:17,160 --> 01:31:20,360
Speaker 1: bad blood. You stole my life and put me in prison.

1879
01:31:21,000 --> 01:31:23,360
Speaker 1: This is not bad blood. It's like, hey, I know

1880
01:31:23,439 --> 01:31:28,160
Speaker 1: there's been some stuff. It's like at also the truth, No,

1881
01:31:28,280 --> 01:31:31,200
Speaker 1: he didn't. He also stole the other guy's life. It

1882
01:31:31,240 --> 01:31:32,839
Speaker 1: was a total mistake by.

1883
01:31:32,800 --> 01:31:36,400
Speaker 3: Both of that There's actually been no bad blood between

1884
01:31:36,439 --> 01:31:37,200
Speaker 3: the two of you.

1885
01:31:38,240 --> 01:31:41,960
Speaker 2: It's so weird. It's the so thing is odd.

1886
01:31:42,680 --> 01:31:44,960
Speaker 3: Freddy walks up to Rider, clears the air, and takes

1887
01:31:44,960 --> 01:31:47,080
Speaker 3: a spot on the bench, allowing the detention camp to

1888
01:31:47,120 --> 01:31:49,680
Speaker 3: catch up. In a montage worth noting, many of the

1889
01:31:49,680 --> 01:31:51,600
Speaker 3: shots of the ball going into the basket do not

1890
01:31:51,760 --> 01:31:53,160
Speaker 3: match the shots that are taken.

1891
01:31:53,560 --> 01:31:55,160
Speaker 2: I saw the same shot of.

1892
01:31:55,240 --> 01:31:57,800
Speaker 3: The ball going into the basket and over again, even

1893
01:31:57,840 --> 01:32:00,559
Speaker 3: with the ball shot from the other side. Okay, there

1894
01:32:00,600 --> 01:32:03,439
Speaker 3: are two seconds left, and left an enclave only leads

1895
01:32:03,439 --> 01:32:06,479
Speaker 3: by one. It's seventy eight to seventy seven. Last play

1896
01:32:06,479 --> 01:32:09,360
Speaker 3: of the game, Prisoner's Ball. They inbound to Rider and

1897
01:32:09,400 --> 01:32:12,240
Speaker 3: he's fouled just as the clock runs out. Yes, so

1898
01:32:13,200 --> 01:32:15,679
Speaker 3: Rider will go to the free throw line and has

1899
01:32:15,720 --> 01:32:18,240
Speaker 3: to take has to make both shots to win the game.

1900
01:32:18,840 --> 01:32:21,719
Speaker 3: Just like the scrimmage we saw at the very beginning

1901
01:32:21,720 --> 01:32:24,760
Speaker 3: of the movie. Cool Rider gets ready for his first

1902
01:32:24,760 --> 01:32:26,560
Speaker 3: shot with his parents looking on and the crowd is

1903
01:32:26,600 --> 01:32:29,880
Speaker 3: going nuts, and then he hears Ferret's coaching advice in

1904
01:32:29,920 --> 01:32:32,759
Speaker 3: his head. He shoots, and he hits the first shot.

1905
01:32:33,040 --> 01:32:35,120
Speaker 2: Tie game. Don't show you take the shot. They don't

1906
01:32:35,120 --> 01:32:36,160
Speaker 2: even show you take the shot.

1907
01:32:37,080 --> 01:32:38,679
Speaker 1: You take the shot, and they cut to it going

1908
01:32:38,960 --> 01:32:40,760
Speaker 1: like could you not make a free throw?

1909
01:32:41,000 --> 01:32:45,400
Speaker 2: Or did they not? Probably not? Okay, they can roll enough.

1910
01:32:45,240 --> 01:32:50,160
Speaker 1: Times to get one, and then they show you, actually, I.

1911
01:32:50,200 --> 01:32:52,519
Speaker 2: Probably tried fifteen times. They're like, you know, let's just

1912
01:32:52,560 --> 01:32:53,480
Speaker 2: call it's.

1913
01:32:53,479 --> 01:32:58,960
Speaker 3: Yeah, diminishing returns, So he's square. He takes the second shot,

1914
01:32:58,960 --> 01:33:02,200
Speaker 3: he squares up, and he exit the detention camp wins

1915
01:33:02,240 --> 01:33:06,680
Speaker 3: by one thanks to sports ball Master Riders strong.

1916
01:33:07,840 --> 01:33:10,160
Speaker 2: And how is this supposed to be an accomplishment when they.

1917
01:33:10,240 --> 01:33:12,120
Speaker 1: Yeah, you make but you also make the second one,

1918
01:33:12,439 --> 01:33:15,719
Speaker 1: and you just go there's no like, oh my god,

1919
01:33:15,720 --> 01:33:18,320
Speaker 1: I mean it's just and then finally like there's a

1920
01:33:18,320 --> 01:33:20,559
Speaker 1: beat of silence, and then the team comes over. It's like,

1921
01:33:20,760 --> 01:33:22,240
Speaker 1: oh wait, that's right, that was the second one. You

1922
01:33:22,240 --> 01:33:22,800
Speaker 1: just won the game.

1923
01:33:22,840 --> 01:33:25,240
Speaker 2: It was such like a games over the thing.

1924
01:33:25,600 --> 01:33:30,400
Speaker 3: So his team and their fans storm the court, I know.

1925
01:33:30,280 --> 01:33:37,160
Speaker 2: The other Freddy positive thing, call the game off, do

1926
01:33:37,240 --> 01:33:41,160
Speaker 2: it again without magnetic balls, and like, I.

1927
01:33:41,160 --> 01:33:43,200
Speaker 1: Don't know who we're supposed to root for. I still

1928
01:33:43,240 --> 01:33:45,320
Speaker 1: don't know who I'm supposed to root for in this movie.

1929
01:33:45,360 --> 01:33:46,080
Speaker 1: I don't get it.

1930
01:33:46,120 --> 01:33:48,400
Speaker 2: They wanted to have it both, they wanted to have

1931
01:33:48,439 --> 01:33:51,640
Speaker 2: it be both of us, and it's just too much. Yeah. Yeah,

1932
01:33:51,840 --> 01:33:55,040
Speaker 2: let's also not think about the race connotations here. Let's

1933
01:33:55,080 --> 01:33:57,679
Speaker 2: just that's it's like, yeah, it's weird.

1934
01:33:57,880 --> 01:33:58,400
Speaker 1: It's weird.

1935
01:33:59,200 --> 01:34:02,720
Speaker 3: So now, after the game, camp instructor, Miss Sikes explains

1936
01:34:02,720 --> 01:34:05,480
Speaker 3: to Freddy that Modem and Todd are busted for racketeering

1937
01:34:05,479 --> 01:34:08,559
Speaker 3: and gambling. Also, she's learned all about the original bus

1938
01:34:08,560 --> 01:34:11,240
Speaker 3: mix up and will contact the Juvenile Board about his

1939
01:34:11,320 --> 01:34:14,760
Speaker 3: exemplary behavior. Then him and Cook Jimmy have kind of

1940
01:34:14,760 --> 01:34:17,639
Speaker 3: a long emotional moment that ends in a hug. As

1941
01:34:17,680 --> 01:34:20,240
Speaker 3: he leaves, Christine pops up to kiss him and tells

1942
01:34:20,320 --> 01:34:22,639
Speaker 3: him she likes him even if he doesn't have a dollar.

1943
01:34:23,000 --> 01:34:25,599
Speaker 3: He reveals Miss Sykes offered him a job at the camp,

1944
01:34:25,680 --> 01:34:27,400
Speaker 3: and he has a new fall. He has a new

1945
01:34:27,520 --> 01:34:30,120
Speaker 3: a new foster parent cook Jimmy.

1946
01:34:31,000 --> 01:34:35,120
Speaker 2: Okay, everything a lots going on. I'm gonna have a

1947
01:34:35,200 --> 01:34:37,800
Speaker 2: dad now, is fair? Its going to be on the job,

1948
01:34:38,560 --> 01:34:42,360
Speaker 2: you know, Bush, he needs his soup brush and.

1949
01:34:42,280 --> 01:34:45,280
Speaker 1: You can you literally threw away his sanity.

1950
01:34:45,479 --> 01:34:49,240
Speaker 2: Nice good work. The ending is that I introduced friends

1951
01:34:49,280 --> 01:34:52,519
Speaker 2: to my parents, right, mom? Have you met my friends?

1952
01:34:52,680 --> 01:34:55,320
Speaker 2: These are my friends? Friends? Man like they get the

1953
01:34:55,360 --> 01:34:57,640
Speaker 2: benefit of knowing a rich guy.

1954
01:34:57,920 --> 01:35:04,720
Speaker 1: Yeah no, no, nothing with your parents. There's no actual way. Nope,

1955
01:35:05,240 --> 01:35:07,400
Speaker 1: still not. Why were you in jail?

1956
01:35:07,640 --> 01:35:10,680
Speaker 2: No, just gets adopted a job, going to get out

1957
01:35:10,680 --> 01:35:15,559
Speaker 2: of jail free card friends? Yeah? Yeah, but I won

1958
01:35:15,640 --> 01:35:17,960
Speaker 2: the basketball game that recheated again.

1959
01:35:18,040 --> 01:35:20,000
Speaker 1: I still don't know who I'm supposed to root for.

1960
01:35:20,479 --> 01:35:23,160
Speaker 3: Christine admits she's going to miss him so much, and

1961
01:35:23,280 --> 01:35:26,080
Speaker 3: they kiss again, this time an open mouth kiss, and

1962
01:35:26,240 --> 01:35:29,120
Speaker 3: it's time for her to leave camp now alone. Freddy

1963
01:35:29,160 --> 01:35:32,280
Speaker 3: looks around. Wow, what an adventure this has been. He

1964
01:35:32,360 --> 01:35:35,280
Speaker 3: finds that gold coin he has in his pocket. Yep,

1965
01:35:35,439 --> 01:35:37,639
Speaker 3: the one he stole from a poor old widow who

1966
01:35:37,680 --> 01:35:39,719
Speaker 3: probably thinks about it all the time and also thinks

1967
01:35:39,720 --> 01:35:42,479
Speaker 3: it helped the homeless. He doesn't care to care about that,

1968
01:35:42,520 --> 01:35:44,479
Speaker 3: and he flips it in the air. This thing may

1969
01:35:44,520 --> 01:35:46,960
Speaker 3: have brought luck, after all, he thinks to himself, even

1970
01:35:46,960 --> 01:35:49,200
Speaker 3: though once again he stole it from a widow who

1971
01:35:49,280 --> 01:35:52,719
Speaker 3: held onto it for years after her beloved husband died.

1972
01:35:55,760 --> 01:35:58,519
Speaker 2: So and he breaks the fourth wall. Breaks the fourth wall.

1973
01:35:59,240 --> 01:36:01,439
Speaker 3: It's for the first time he stares directly into the

1974
01:36:01,439 --> 01:36:03,599
Speaker 3: camera to give us a little eyebrow raise and then

1975
01:36:04,200 --> 01:36:04,760
Speaker 3: freeze frame.

1976
01:36:05,120 --> 01:36:09,719
Speaker 2: End of movie. I think if we've learned anything, it's

1977
01:36:09,800 --> 01:36:13,679
Speaker 2: the Boy Means World has stood the test of time

1978
01:36:13,720 --> 01:36:14,439
Speaker 2: for good reasons.

1979
01:36:15,080 --> 01:36:15,320
Speaker 1: Yeah.

1980
01:36:15,840 --> 01:36:20,800
Speaker 2: Yeah, a lot of writing, directing, acting, and being done

1981
01:36:20,800 --> 01:36:25,200
Speaker 2: in the nineties at levels a little less. You know.

1982
01:36:25,920 --> 01:36:28,720
Speaker 2: You know what this makes me think is that anytime

1983
01:36:28,840 --> 01:36:31,880
Speaker 2: we've ever had a plot point issue with a Boy

1984
01:36:31,920 --> 01:36:39,520
Speaker 2: Meets World episode, it's always something so insignificant. Yeah, insignificant.

1985
01:36:39,720 --> 01:36:43,120
Speaker 2: It is also, I mean, it is also a sitcom,

1986
01:36:43,200 --> 01:36:45,360
Speaker 2: so you have a little bit of the like sure

1987
01:36:45,520 --> 01:36:48,559
Speaker 2: reality like sort of being yanked, whereas with the movie

1988
01:36:48,760 --> 01:36:50,800
Speaker 2: you have to you have to think these things through,

1989
01:36:50,840 --> 01:36:53,840
Speaker 2: you have to have the logic. And this is a

1990
01:36:53,880 --> 01:36:54,799
Speaker 2: perfect example.

1991
01:36:54,840 --> 01:36:58,519
Speaker 1: Though I have to say, of everyone's like the writers

1992
01:36:58,520 --> 01:37:00,600
Speaker 1: are on strike, is it really that important? Is that

1993
01:37:01,240 --> 01:37:03,360
Speaker 1: this is one of the reasons to show how important

1994
01:37:03,360 --> 01:37:07,120
Speaker 1: writing is. You need the writers to do stuff, because

1995
01:37:07,120 --> 01:37:08,719
Speaker 1: this just needed to be rewritten.

1996
01:37:08,840 --> 01:37:11,240
Speaker 2: It just it didn't lot parts of it was just

1997
01:37:11,280 --> 01:37:13,759
Speaker 2: didn't make any sense. It was like what I positive

1998
01:37:13,800 --> 01:37:16,800
Speaker 2: what happened is they probably had a version of the

1999
01:37:16,840 --> 01:37:21,280
Speaker 2: script and then just they decided to like offer it

2000
01:37:21,280 --> 01:37:23,559
Speaker 2: to two actors and they had to keep you know,

2001
01:37:23,680 --> 01:37:25,720
Speaker 2: they probably went back to the writer and said both

2002
01:37:25,720 --> 01:37:28,120
Speaker 2: these parts have to be equal. You can't end, yeah,

2003
01:37:28,160 --> 01:37:31,320
Speaker 2: and they ended up cramming way too many different plots

2004
01:37:31,360 --> 01:37:33,120
Speaker 2: into you know, it's like, oh, we gotta have a

2005
01:37:33,200 --> 01:37:35,679
Speaker 2: dance to accommodate the fact that Jason could sing a dance.

2006
01:37:35,680 --> 01:37:37,479
Speaker 2: We got to have a basketball game because we have

2007
01:37:37,479 --> 01:37:39,400
Speaker 2: to have a big and it's like just way too

2008
01:37:39,520 --> 01:37:40,960
Speaker 2: much going on. I have to.

2009
01:37:40,920 --> 01:37:43,600
Speaker 1: Say you, you might not have liked your performance, and

2010
01:37:43,600 --> 01:37:45,439
Speaker 1: we're always the most critical of ourselves, but.

2011
01:37:45,560 --> 01:37:48,759
Speaker 2: None of the acting was terrible. No, especially for when it.

2012
01:37:48,680 --> 01:37:53,000
Speaker 1: Was It's exactly nineties acting, and it was good nineties

2013
01:37:53,080 --> 01:37:53,960
Speaker 1: kids acting like that.

2014
01:37:54,040 --> 01:37:56,040
Speaker 2: It was not bad. And I think if you're a

2015
01:37:56,120 --> 01:37:58,479
Speaker 2: kid and you're a teenager, an eleven year old or

2016
01:37:58,520 --> 01:38:01,439
Speaker 2: whatever watching this movie on you know, a Thursday night

2017
01:38:01,520 --> 01:38:05,000
Speaker 2: or whenever I heard, it has all the ingredients like

2018
01:38:05,040 --> 01:38:08,040
Speaker 2: it has you want, and like, I think people have

2019
01:38:08,080 --> 01:38:11,240
Speaker 2: nostalgia for this movie, like they don't really remember the storyline.

2020
01:38:11,240 --> 01:38:13,639
Speaker 2: They just remember like, oh, that's right, that guy uses

2021
01:38:13,640 --> 01:38:14,760
Speaker 2: a computer to hack this.

2022
01:38:16,160 --> 01:38:16,920
Speaker 1: Big basketball.

2023
01:38:17,040 --> 01:38:17,960
Speaker 2: Yeah, that kind of it is.

2024
01:38:18,040 --> 01:38:20,800
Speaker 1: It's a kind of fun. I mean when you pick

2025
01:38:20,800 --> 01:38:22,920
Speaker 1: it apart, Yes, the story makes no sense.

2026
01:38:23,200 --> 01:38:25,720
Speaker 2: You don't know who to who to root for. Some

2027
01:38:25,760 --> 01:38:26,879
Speaker 2: of the people are kind.

2028
01:38:26,680 --> 01:38:31,799
Speaker 1: Of awful, but the acting great, you know, the rompy

2029
01:38:31,880 --> 01:38:32,880
Speaker 1: basketball get great.

2030
01:38:32,880 --> 01:38:34,160
Speaker 2: I mean, it is what it is. You know, it's

2031
01:38:34,320 --> 01:38:36,920
Speaker 2: it's a camp hijinks movie. So it was just a

2032
01:38:36,920 --> 01:38:37,479
Speaker 2: weird one.

2033
01:38:37,800 --> 01:38:42,120
Speaker 3: Well, next week, one of our favorite guests and very

2034
01:38:42,160 --> 01:38:47,760
Speaker 3: good sport Natanya Ross, will return to watch Munchie strikes.

2035
01:38:47,240 --> 01:38:48,679
Speaker 2: Back with all of us.

2036
01:38:49,160 --> 01:38:50,240
Speaker 1: I can't wait to see that writer.

2037
01:38:50,520 --> 01:38:53,600
Speaker 2: Thank you for being such a good sport. No, definitely I.

2038
01:38:55,520 --> 01:38:55,600
Speaker 1: Was.

2039
01:38:55,680 --> 01:38:58,559
Speaker 2: It was actually a good revisit. Great. I feel better

2040
01:38:58,600 --> 01:39:02,439
Speaker 2: about the experience about the movie I don't really had.

2041
01:39:02,560 --> 01:39:03,760
Speaker 2: I know, I don't know if I ever really had

2042
01:39:03,800 --> 01:39:06,680
Speaker 2: feelings about the movie, but I definitely feel better, like

2043
01:39:07,000 --> 01:39:08,720
Speaker 2: I have some good memories from this time in my life.

2044
01:39:08,760 --> 01:39:12,519
Speaker 2: So it's good to think back and you know, yeah, good.

2045
01:39:12,800 --> 01:39:14,799
Speaker 3: Well, thank you all for joining us for this episode

2046
01:39:14,800 --> 01:39:16,760
Speaker 3: of Pod Meets World. As always, you can follow us

2047
01:39:16,760 --> 01:39:19,000
Speaker 3: on Instagram pod Meets World Show. You can send us

2048
01:39:19,000 --> 01:39:21,519
Speaker 3: your emails pod Meets Worldshow at gmail dot com, and

2049
01:39:21,680 --> 01:39:22,080
Speaker 3: we have.

2050
01:39:22,479 --> 01:39:26,440
Speaker 2: Merch merch from a rich Kids camp.

2051
01:39:27,040 --> 01:39:30,240
Speaker 3: Pod Meets Worldshow dot com. We will see you all

2052
01:39:30,240 --> 01:39:32,200
Speaker 3: next time. Writer send us out.

2053
01:39:32,560 --> 01:39:36,800
Speaker 2: We love you all, pod dismissed. Pod Meets World is

2054
01:39:36,840 --> 01:39:39,680
Speaker 2: an iHeart podcast produced and hosted by Danielle Fischel, Will

2055
01:39:39,720 --> 01:39:43,719
Speaker 2: Ferdell and Ryder Strong. Executive producers Jensen Karp and Amy Sugarman.

2056
01:39:43,840 --> 01:39:47,479
Speaker 2: Executive in charge of production, Danielle Romo, producer and editor,

2057
01:39:47,560 --> 01:39:51,599
Speaker 2: Tara Sudbox producer, Jackie Rodriguez, engineer and Boy Meets World

2058
01:39:51,640 --> 01:39:54,519
Speaker 2: super fan Easton Allen. Our theme song is by Kyle

2059
01:39:54,560 --> 01:39:57,320
Speaker 2: Morton of Typhoon. You can follow us on Instagram at

2060
01:39:57,320 --> 01:40:00,760
Speaker 2: Podmeets World Show, or send us an email Podmets World

2061
01:40:00,760 --> 01:40:02,880
Speaker 2: Show at gmail dot com.