1 00:00:01,080 --> 00:00:05,280 Speaker 1: Look man, oh, I see you? Why and look over there? 2 00:00:05,320 --> 00:00:13,119 Speaker 1: How is that? Culture? Yes, boss d culture calling. We 3 00:00:13,200 --> 00:00:15,600 Speaker 1: have to address one thing, the elephant in the room. 4 00:00:15,840 --> 00:00:18,159 Speaker 1: The elephant in the room, which is the room we're in, 5 00:00:18,400 --> 00:00:21,599 Speaker 1: which is no longer the little Harry Potter broom close 6 00:00:21,640 --> 00:00:23,720 Speaker 1: that we were in. That was a crazy twist that 7 00:00:23,760 --> 00:00:27,040 Speaker 1: the elephant in the room was the room. Wow, crazy twist. 8 00:00:27,200 --> 00:00:29,960 Speaker 1: How meta. It's so big. I already love it here 9 00:00:30,240 --> 00:00:31,960 Speaker 1: me too. I feel very at home. I feel very 10 00:00:31,960 --> 00:00:33,920 Speaker 1: at home. We have a cultures to have perched on 11 00:00:33,960 --> 00:00:36,280 Speaker 1: a bookshelf to remind us where we came from. Remind 12 00:00:36,320 --> 00:00:37,680 Speaker 1: us where we came from. We have a Forever Dog 13 00:00:37,800 --> 00:00:42,440 Speaker 1: studio Marquee. We have a Phillies player. Ma. It's great. 14 00:00:42,440 --> 00:00:45,320 Speaker 1: I have notes. I have notes about the work program. 15 00:00:45,400 --> 00:00:47,800 Speaker 1: We need a table. We'll get a table. We're gonna 16 00:00:47,840 --> 00:00:49,680 Speaker 1: get a little table for that light over there, and 17 00:00:49,720 --> 00:00:51,480 Speaker 1: we're gonna get a little end table for the lights. 18 00:00:51,520 --> 00:00:53,120 Speaker 1: Want to make sure we're covered on tables. And but 19 00:00:53,200 --> 00:00:57,520 Speaker 1: I gotta say, the books are gaggery. There's such a 20 00:00:57,520 --> 00:00:59,280 Speaker 1: great variety, you know, it's a very masculin. But I 21 00:00:59,280 --> 00:01:02,400 Speaker 1: see some eighties smith, I see I see I see 22 00:01:02,440 --> 00:01:04,839 Speaker 1: some good stuff. I see some I see great variety. 23 00:01:04,840 --> 00:01:07,320 Speaker 1: There's some black Panther comics at the bottom. Who is 24 00:01:07,360 --> 00:01:10,440 Speaker 1: reading these books? I think Alex and HPJ. You guys 25 00:01:10,480 --> 00:01:12,840 Speaker 1: hang out in here and read the books. Okay, I 26 00:01:12,880 --> 00:01:16,240 Speaker 1: don't know. It's I don't judge you what you based you. 27 00:01:16,480 --> 00:01:18,280 Speaker 1: We just want to We just want to congratulate forever 28 00:01:18,360 --> 00:01:21,640 Speaker 1: Dog for reading, for reading, and for just moving into 29 00:01:21,640 --> 00:01:24,679 Speaker 1: this great space that is literally two blocks away from 30 00:01:24,680 --> 00:01:28,440 Speaker 1: my apartment. Oh my god, that's privilege. That is that 31 00:01:28,520 --> 00:01:30,600 Speaker 1: is privileged to be so close to the podcast studio. 32 00:01:30,800 --> 00:01:33,840 Speaker 1: That's I I agree. I agree every time you walk 33 00:01:33,880 --> 00:01:35,880 Speaker 1: in here and know that it's been really hard for 34 00:01:35,920 --> 00:01:38,800 Speaker 1: me to get here from from forty minutes. Absolutely, and um, 35 00:01:38,840 --> 00:01:41,160 Speaker 1: you know this is an oppression narrative for you and 36 00:01:42,040 --> 00:01:46,360 Speaker 1: for noticing support you. But I can't fully ever experience 37 00:01:46,440 --> 00:01:49,560 Speaker 1: what you are experienced, right, did you notice, um speaking 38 00:01:49,600 --> 00:01:52,800 Speaker 1: of that, did you notice my entsemble today? Yeah? Okay, 39 00:01:52,840 --> 00:01:56,600 Speaker 1: Matt walked in. He said, we're giving you full Anthony drag. 40 00:01:56,720 --> 00:01:59,200 Speaker 1: Is that what you said? Something to that effect? It 41 00:01:59,240 --> 00:02:03,320 Speaker 1: was it was those where and and our guest and 42 00:02:03,360 --> 00:02:07,040 Speaker 1: I fully groaned. We said no, no, no, no, no, no, 43 00:02:08,240 --> 00:02:11,400 Speaker 1: and a small a small voice, but a mighty one, 44 00:02:11,560 --> 00:02:13,440 Speaker 1: and I will not be silent. Well, let's let's get 45 00:02:13,440 --> 00:02:17,160 Speaker 1: our guest. Free Anthony hashtag for Anthony from What, Free 46 00:02:17,240 --> 00:02:21,600 Speaker 1: him from What? Bring him in? Let's read the credit. 47 00:02:21,639 --> 00:02:23,480 Speaker 1: We're gonna bring him in. Here the credits, bitch. He 48 00:02:23,600 --> 00:02:27,680 Speaker 1: hosts the monthly Shows, the Amazing Monthly Shows here in Brooklyn, 49 00:02:27,720 --> 00:02:32,560 Speaker 1: Future Forms and Stevie Future Forms at on a rotating 50 00:02:33,280 --> 00:02:37,360 Speaker 1: uh list of venues, and Stevie at Our Wicked Lady, 51 00:02:37,520 --> 00:02:40,920 Speaker 1: Amazing shows that We've both done, and Marsh Juwin Marsh 52 00:02:40,919 --> 00:02:44,800 Speaker 1: and with Julio and Mary and Joe and this and 53 00:02:44,880 --> 00:02:46,680 Speaker 1: this is the guy. This is the reason why he's on. 54 00:02:46,720 --> 00:02:50,120 Speaker 1: We want him to talk about his incredible new solo show. 55 00:02:50,400 --> 00:02:52,440 Speaker 1: We can't wait to see it. Oh my god, poster 56 00:02:52,720 --> 00:02:55,640 Speaker 1: is amazing. Work on that. With a little help from 57 00:02:55,720 --> 00:03:00,880 Speaker 1: Sisters Weekend, My Goal Love It and Gelo Club Comic 58 00:03:00,960 --> 00:03:03,600 Speaker 1: y'all Club Comic, y'all, it's gonna be so good. You 59 00:03:03,600 --> 00:03:07,239 Speaker 1: guys in the Union Hall March seven at eight p m. Honey, 60 00:03:07,240 --> 00:03:09,119 Speaker 1: get your tickets now, they're going to go I Live. 61 00:03:09,280 --> 00:03:11,200 Speaker 1: I'll be there and they're gonna go betch I'll be 62 00:03:11,240 --> 00:03:13,760 Speaker 1: there as well. Okay, so please two days after my birthday, Saw, 63 00:03:13,760 --> 00:03:16,160 Speaker 1: I'm making it my birthday party. Please welcome our guest, 64 00:03:16,880 --> 00:03:20,120 Speaker 1: Sam Tagger. Oh my gosh, Hello, thank you so much 65 00:03:20,160 --> 00:03:21,920 Speaker 1: for having me. This is a true honor and a 66 00:03:21,960 --> 00:03:26,560 Speaker 1: pleasure time. He's our third two timer and this is historic, 67 00:03:26,840 --> 00:03:28,840 Speaker 1: this is huge. Okay, Sam, what do you think about Anthony? 68 00:03:28,880 --> 00:03:33,400 Speaker 1: Let's let's get it. Thank you. He when you were like, 69 00:03:33,440 --> 00:03:36,640 Speaker 1: what is he guilty of, it's like truly murdered. He is. 70 00:03:37,440 --> 00:03:41,000 Speaker 1: It's not whether he killed before, it's where he hit 71 00:03:41,080 --> 00:03:43,960 Speaker 1: the bodies. He is a you can see it in 72 00:03:43,960 --> 00:03:47,560 Speaker 1: his eyes. This is the sixth or seventh time I've 73 00:03:47,560 --> 00:03:50,040 Speaker 1: heard this, and now I'm realizing it's not just like 74 00:03:50,080 --> 00:03:52,280 Speaker 1: a funny joke every one's making. It's a belief that 75 00:03:52,360 --> 00:03:55,280 Speaker 1: he's a murderer for real. This is real. This is 76 00:03:57,040 --> 00:03:59,160 Speaker 1: It was an immediate like I saw him come on 77 00:03:59,200 --> 00:04:01,680 Speaker 1: screen and I was like, I felt the fear strike 78 00:04:01,760 --> 00:04:07,320 Speaker 1: my heart. I understand barking birds, birds started hitting the 79 00:04:07,360 --> 00:04:15,160 Speaker 1: windows in effect, I'll say, she no, is it? What 80 00:04:15,280 --> 00:04:18,360 Speaker 1: is it? A look in his eyes, the smirk, it's 81 00:04:18,400 --> 00:04:22,560 Speaker 1: the tone, there's just like it's still like handsomeness. That's like, 82 00:04:22,760 --> 00:04:26,000 Speaker 1: wait a minute, this is a trap. And someone pointed 83 00:04:26,040 --> 00:04:29,800 Speaker 1: out to me that the way he says a rapa 84 00:04:30,120 --> 00:04:31,800 Speaker 1: and I didn't notice this, but the way he says 85 00:04:31,800 --> 00:04:33,640 Speaker 1: a rape I don't know exactly how he said it. 86 00:04:33,720 --> 00:04:35,440 Speaker 1: So this is still some work that I have to do. 87 00:04:35,480 --> 00:04:39,080 Speaker 1: But is the right way that you're supposed to say it? Um, 88 00:04:39,120 --> 00:04:42,920 Speaker 1: like if we're gonna work with Spans language is very complicated, 89 00:04:43,000 --> 00:04:46,359 Speaker 1: and it's absolutely complicated, but I believe a rapa is 90 00:04:46,440 --> 00:04:48,960 Speaker 1: the Spanish way to pronounce it. Crazy thing to be 91 00:04:49,000 --> 00:04:51,480 Speaker 1: on record for. I think he may have it pronounced 92 00:04:51,480 --> 00:04:55,760 Speaker 1: it like arepa pay like some insane way to pronounce 93 00:04:55,800 --> 00:05:01,000 Speaker 1: it way that he called. I'm willing to look past 94 00:05:01,080 --> 00:05:05,560 Speaker 1: the mispronunciation. Like I read your article today and then 95 00:05:05,760 --> 00:05:11,520 Speaker 1: writing you know, I couldn't help but disagree with everything 96 00:05:11,560 --> 00:05:14,400 Speaker 1: you thought. Everything I thought? Yes, okay, did you agree 97 00:05:14,400 --> 00:05:18,920 Speaker 1: with anything I thought of it? Thank you. I knew 98 00:05:18,960 --> 00:05:21,760 Speaker 1: what I was walking into today. I knew the way 99 00:05:21,880 --> 00:05:23,600 Speaker 1: the tides would turn, and I will say this, I 100 00:05:23,640 --> 00:05:27,599 Speaker 1: refused to be bullied or silenced US hashtag free Anthony. 101 00:05:27,640 --> 00:05:29,359 Speaker 1: We are a minority in this country and this is 102 00:05:29,360 --> 00:05:33,520 Speaker 1: the year of minorities being heard where he love Anthony, 103 00:05:34,120 --> 00:05:37,880 Speaker 1: listened to us free Anthony hashtag free Antony. To me, 104 00:05:37,960 --> 00:05:40,520 Speaker 1: it's like, I truly was just like who cast him? 105 00:05:40,720 --> 00:05:45,120 Speaker 1: Like what? Honey? If you look at his fucking IMDb page, 106 00:05:45,160 --> 00:05:47,680 Speaker 1: it's full of the d list roles like he was 107 00:05:47,720 --> 00:05:52,000 Speaker 1: an actor, the list roles. I would kill for those credits. Okay, 108 00:05:52,040 --> 00:05:55,719 Speaker 1: the blacklist, honey, the Blacklist, Like I'm saying, like under fives, 109 00:05:55,720 --> 00:05:59,279 Speaker 1: like he's like at my level, our level, all of ours, 110 00:05:59,600 --> 00:06:04,760 Speaker 1: this stupid bitch, and I'm not. I'm not trapesing around 111 00:06:04,839 --> 00:06:10,280 Speaker 1: Georgia being like, what's a thirst trap? Look at this? 112 00:06:10,320 --> 00:06:12,560 Speaker 1: It's a great Did he not know what a thirst 113 00:06:12,600 --> 00:06:16,160 Speaker 1: trap was? I don't remember that. Don't cast him then, 114 00:06:16,440 --> 00:06:18,960 Speaker 1: like it's insane. I think it's genius. I think he 115 00:06:20,040 --> 00:06:23,800 Speaker 1: obviously has us talking, you know, the person who had 116 00:06:23,880 --> 00:06:29,320 Speaker 1: us talking this way became its awful. He's bringing down 117 00:06:29,360 --> 00:06:32,440 Speaker 1: the dialogue to a level where it shouldn't be. He's 118 00:06:33,520 --> 00:06:38,160 Speaker 1: shitting on queer for the straight guy's legacy. Are you 119 00:06:38,400 --> 00:06:44,479 Speaker 1: a fan? You know? Slightly? Okay? This TV show used 120 00:06:44,520 --> 00:06:48,000 Speaker 1: to be the highest gay makeover show in the land. 121 00:06:48,680 --> 00:06:56,039 Speaker 1: Now it's this great. Oh my god, Fine, you know 122 00:06:56,040 --> 00:07:00,880 Speaker 1: what's the gold standard property brothers. I'm not familiar, you knows, 123 00:07:03,520 --> 00:07:07,080 Speaker 1: I'm familiar with the concept. I'm just saying like I'm 124 00:07:07,120 --> 00:07:09,840 Speaker 1: coming into this as like, you know, not super familiar 125 00:07:09,840 --> 00:07:12,640 Speaker 1: with makeover shows in general. But you know what you're 126 00:07:12,640 --> 00:07:16,720 Speaker 1: feeling exactly. And I love the other four, love them 127 00:07:16,760 --> 00:07:18,720 Speaker 1: and love you know what. At the end of the day, 128 00:07:18,880 --> 00:07:22,800 Speaker 1: love Anthony Fellow Canadian love him. But this is a 129 00:07:22,880 --> 00:07:26,000 Speaker 1: question that I have. We know that he's a good person, 130 00:07:26,240 --> 00:07:29,200 Speaker 1: right because now let's getting to the point where like 131 00:07:29,480 --> 00:07:31,800 Speaker 1: people are like, we hate him, and then you never 132 00:07:31,880 --> 00:07:34,520 Speaker 1: know what these people on the Twitter on the instant 133 00:07:34,840 --> 00:07:38,840 Speaker 1: what does what does these people mean? People comments, people 134 00:07:38,880 --> 00:07:43,720 Speaker 1: who comment like you don't comment, I don't comment. I did. 135 00:07:44,000 --> 00:07:46,040 Speaker 1: I will cop to this. I will cop to this. 136 00:07:46,440 --> 00:07:51,920 Speaker 1: I did send Tan a message what Tan got on 137 00:07:51,960 --> 00:07:54,800 Speaker 1: his instant story and was discussing how he was getting 138 00:07:54,840 --> 00:07:57,640 Speaker 1: a lot of kind of crazy d ms about how 139 00:07:57,680 --> 00:08:00,480 Speaker 1: people were disappointed that they went on Megan kelly show. 140 00:08:00,960 --> 00:08:02,880 Speaker 1: They were like, why did you go on macan Kelly's show? 141 00:08:02,920 --> 00:08:05,360 Speaker 1: And so he took two inst the story and he 142 00:08:05,440 --> 00:08:07,400 Speaker 1: was like, Hi, guys, a lot of you are d 143 00:08:07,560 --> 00:08:11,120 Speaker 1: m NG asking why we did Megan Kelly um, it 144 00:08:11,200 --> 00:08:13,559 Speaker 1: was to reach an audience. It's not about like whose 145 00:08:13,560 --> 00:08:15,200 Speaker 1: show it is, It's about the audience that we can 146 00:08:15,200 --> 00:08:17,520 Speaker 1: reach on our show. Is in a rare position to 147 00:08:17,600 --> 00:08:20,040 Speaker 1: do that. And then he goes and I just also 148 00:08:20,120 --> 00:08:21,880 Speaker 1: want to say that a lot of what you guys 149 00:08:21,960 --> 00:08:26,200 Speaker 1: are saying is absolutely disgusting, and so I really wanted 150 00:08:26,240 --> 00:08:29,600 Speaker 1: to address that because it's really gross and nobody ever 151 00:08:29,680 --> 00:08:32,920 Speaker 1: deserves to be talked about this way. And I commented, 152 00:08:32,960 --> 00:08:36,040 Speaker 1: I was like, thank you for doing that. That was good. 153 00:08:36,120 --> 00:08:39,040 Speaker 1: I was like, that is a little period that any 154 00:08:39,160 --> 00:08:41,280 Speaker 1: that that that's the thing that you have to end 155 00:08:41,320 --> 00:08:43,839 Speaker 1: on for every kind of statement, like you know, thing 156 00:08:43,880 --> 00:08:45,679 Speaker 1: like that where you're just like, also, by the way, 157 00:08:46,400 --> 00:08:49,160 Speaker 1: did you ever say that? I hope people can find 158 00:08:49,200 --> 00:08:53,160 Speaker 1: the distinction between lovingly talking about something because you're obsessed 159 00:08:53,200 --> 00:08:55,720 Speaker 1: with it and it's a gen genuinely a good thing 160 00:08:55,760 --> 00:08:57,520 Speaker 1: and generally a good thing in your life and like 161 00:08:57,600 --> 00:09:00,520 Speaker 1: hatred so and he's a good person, but Sam, what's 162 00:09:00,520 --> 00:09:02,480 Speaker 1: the over and under on him being an actual serial? 163 00:09:02,559 --> 00:09:05,600 Speaker 1: He's like, that would fall under bad person for me personally. 164 00:09:05,720 --> 00:09:08,200 Speaker 1: I don't know. I mean, we don't. He's doing like 165 00:09:08,240 --> 00:09:10,760 Speaker 1: a dexter thing where he's like killing only criminals. Like 166 00:09:10,960 --> 00:09:13,240 Speaker 1: he definitely has the thirst for blood, and like, I 167 00:09:13,280 --> 00:09:15,199 Speaker 1: don't like on a base level thing, the thirst for 168 00:09:15,240 --> 00:09:20,160 Speaker 1: blood is like a bad thing. Process. Who's someone with 169 00:09:20,200 --> 00:09:25,640 Speaker 1: a thirst for blood? That's great, Tanya Harding, Tanya and 170 00:09:26,280 --> 00:09:29,600 Speaker 1: I don't know, let's talk about Oh, let's talk about 171 00:09:29,600 --> 00:09:34,079 Speaker 1: miss Morosa. Oh wow, um, we don't. We don't actually 172 00:09:34,080 --> 00:09:35,800 Speaker 1: have to have a conversation about this. Omar Rosa though, 173 00:09:35,920 --> 00:09:37,920 Speaker 1: is spilling all the teams. She's spilling all the tea 174 00:09:38,720 --> 00:09:44,320 Speaker 1: she is she changing in your public Okay, good, but again, 175 00:09:44,480 --> 00:09:47,320 Speaker 1: just checking on the tithe She's doing a slight service 176 00:09:47,559 --> 00:09:50,160 Speaker 1: and it barely balances out all the horrible things she's Yeah, 177 00:09:50,160 --> 00:09:51,880 Speaker 1: all of that. Like when people are like, actually I 178 00:09:51,920 --> 00:09:55,280 Speaker 1: made a mistake, it's like you knew it was obvious before. 179 00:09:55,360 --> 00:09:57,720 Speaker 1: It wasn't some trick, it was plain. Also, I just 180 00:09:57,760 --> 00:10:00,160 Speaker 1: want to say and no, I'm gonna say that, man, 181 00:10:00,160 --> 00:10:03,640 Speaker 1: I don't think the honey. Okay, that's great to know 182 00:10:03,720 --> 00:10:07,200 Speaker 1: there's that passion in the room, though, And I stopped 183 00:10:07,240 --> 00:10:10,719 Speaker 1: myself and I I'm going to organize my thoughts a 184 00:10:10,760 --> 00:10:16,240 Speaker 1: little bit more. That's so cool. It's so cool like 185 00:10:16,559 --> 00:10:19,640 Speaker 1: watching him articulate that point. Yeah, I mean taught me 186 00:10:19,679 --> 00:10:25,520 Speaker 1: about language really probably, Yeah, absolutely, I'm sure Bowen's right. 187 00:10:25,840 --> 00:10:28,760 Speaker 1: I would never question Bowen when it comes to languages 188 00:10:28,840 --> 00:10:34,240 Speaker 1: than he knows so many SAMs and to think that 189 00:10:34,280 --> 00:10:38,600 Speaker 1: English is his third language. Crazy, Yeah it is, that's true. 190 00:10:38,640 --> 00:10:40,800 Speaker 1: I'm just accepting that I'm doing. Do you think that's 191 00:10:40,800 --> 00:10:45,560 Speaker 1: the most amazing thing about you? Yes? Completely? But you 192 00:10:45,600 --> 00:10:47,160 Speaker 1: know what, I was just talking to someone at work 193 00:10:47,160 --> 00:10:50,559 Speaker 1: about this and she speaks fluent French and um every time, 194 00:10:50,720 --> 00:10:54,199 Speaker 1: the same, same, same sime. Now I'm I am copying 195 00:10:54,440 --> 00:10:58,280 Speaker 1: to just not actually knowing my French anymore, and I 196 00:10:58,320 --> 00:11:01,240 Speaker 1: need to get better at it. If anyone wants to 197 00:11:01,440 --> 00:11:04,040 Speaker 1: help me immerse um, you know, let me know if it. 198 00:11:04,080 --> 00:11:05,599 Speaker 1: Even if it was Anthony, who knows some of his 199 00:11:05,760 --> 00:11:08,720 Speaker 1: you know, French Canadian, I don't know. That could be 200 00:11:08,800 --> 00:11:12,080 Speaker 1: what makes you guys best friend. I think you guys 201 00:11:12,080 --> 00:11:14,920 Speaker 1: would really bond over him teaching you French. That would 202 00:11:14,960 --> 00:11:16,800 Speaker 1: be nice. And maybe you could teach him how to cook. 203 00:11:18,160 --> 00:11:21,079 Speaker 1: What if it's a win a date with Tad Hamilton's scenario, 204 00:11:21,200 --> 00:11:23,800 Speaker 1: which is often a scenario that I think about, where 205 00:11:24,120 --> 00:11:28,360 Speaker 1: Anthony sees you and falls in love with you. What 206 00:11:28,440 --> 00:11:30,200 Speaker 1: do you keep your take from now? Or do you 207 00:11:30,240 --> 00:11:32,520 Speaker 1: go along for the ride like a magic carpet. I 208 00:11:32,559 --> 00:11:35,960 Speaker 1: think in order to make the narrative more compelling and 209 00:11:36,000 --> 00:11:39,800 Speaker 1: to have conflict there, I need to resist his advances 210 00:11:39,840 --> 00:11:42,400 Speaker 1: like Kate Bosworth exactly, and I need to be like 211 00:11:42,679 --> 00:11:46,680 Speaker 1: no Anthony, I wrote, I've written about how much I 212 00:11:46,760 --> 00:11:50,280 Speaker 1: dislike you. I could never this can never work. This 213 00:11:50,360 --> 00:11:55,960 Speaker 1: actually is a good rom conference this wait has this 214 00:11:56,040 --> 00:12:00,240 Speaker 1: been done? Like where viewer fucking hates someone meets that person? 215 00:12:01,160 --> 00:12:06,560 Speaker 1: Is that you've got male ish familiar familiar? Yeah, it's 216 00:12:06,640 --> 00:12:08,640 Speaker 1: it's it sounds familiar, but you know what, that's always 217 00:12:08,640 --> 00:12:11,600 Speaker 1: a good idea when it seems familiar. But then you 218 00:12:11,600 --> 00:12:13,920 Speaker 1: find out no one's done it. Yes, yes, yes, and 219 00:12:14,000 --> 00:12:18,640 Speaker 1: so um yeah third act, you know what happens, Um, 220 00:12:18,720 --> 00:12:24,120 Speaker 1: instead of an airport chase, it's it's a drone doc chase. 221 00:12:24,760 --> 00:12:27,800 Speaker 1: I'm about to port to drone. That's amazing, that's really cool. 222 00:12:27,880 --> 00:12:32,080 Speaker 1: That's really that really makes it current? Yeah yeah, So anyway, um, 223 00:12:32,360 --> 00:12:34,880 Speaker 1: who's casting it? Who's casting in? I can't do the work. 224 00:12:34,960 --> 00:12:37,880 Speaker 1: You guys. Do my god, what I want to see 225 00:12:37,920 --> 00:12:40,120 Speaker 1: be funny? You know the time that movie is going 226 00:12:40,200 --> 00:12:43,000 Speaker 1: to be really also have really funny moments. Oh my god, 227 00:12:43,080 --> 00:12:44,960 Speaker 1: this is like her getting off the drone is going 228 00:12:45,000 --> 00:12:47,120 Speaker 1: to be such a funny moment. Oh my god, Sandra Bullock. 229 00:12:47,720 --> 00:12:49,800 Speaker 1: Oh okay, so this is not based on me and 230 00:12:49,800 --> 00:12:54,760 Speaker 1: and it worked straight? Yeah, it should be straight, absolutely, 231 00:12:54,760 --> 00:12:56,560 Speaker 1: because that way it's like, you know, people don't like 232 00:12:56,640 --> 00:13:01,280 Speaker 1: watching I know that. Yeah, yeah, I definitely like would 233 00:13:01,400 --> 00:13:03,600 Speaker 1: love for like you to play your sign No, but 234 00:13:03,679 --> 00:13:05,760 Speaker 1: I think Sandra Bullock would just like she would want 235 00:13:05,760 --> 00:13:08,480 Speaker 1: to fun. She'd be so fun coming off the drone 236 00:13:08,640 --> 00:13:13,400 Speaker 1: that I just picked. I would want to cast Anthony 237 00:13:13,400 --> 00:13:16,400 Speaker 1: as himself, but he doesn't have much experience any over 238 00:13:16,440 --> 00:13:18,679 Speaker 1: five lines, so I don't know. Yeah, no, I think 239 00:13:18,720 --> 00:13:21,920 Speaker 1: we take the risk. Yeah you gotta. I mean those 240 00:13:21,960 --> 00:13:23,959 Speaker 1: people that are gonna see it, they're gonna see the 241 00:13:24,400 --> 00:13:26,920 Speaker 1: blood lust. And it's not that I'd have a problem 242 00:13:26,920 --> 00:13:30,440 Speaker 1: with that. It's just like like they will yeah kind 243 00:13:30,440 --> 00:13:33,560 Speaker 1: of not buy a totally polarizing you know, how would 244 00:13:33,559 --> 00:13:35,520 Speaker 1: it do overseas? How would it do internet? Right? And 245 00:13:37,720 --> 00:13:42,640 Speaker 1: think about that where they make their money. Absolutely everything. 246 00:13:42,840 --> 00:13:46,480 Speaker 1: Every Hollywood boardroom, everyone always brings up China. Now it's 247 00:13:46,559 --> 00:13:48,960 Speaker 1: this is true. Every action movie you have to have 248 00:13:49,000 --> 00:13:52,560 Speaker 1: a car chase in South Korea that ends in a gunfight. 249 00:13:53,559 --> 00:13:56,559 Speaker 1: You have to you have to have that. Also, that's 250 00:13:56,600 --> 00:13:59,240 Speaker 1: a Black Panther reference. I also not a spoiler alert. Um, 251 00:13:59,280 --> 00:14:01,560 Speaker 1: I still love how in Black Panther even though some 252 00:14:01,640 --> 00:14:04,600 Speaker 1: of it takes place in South Korea, the Asian people, 253 00:14:04,679 --> 00:14:08,200 Speaker 1: the Asian character still relegated to just being like fish women, 254 00:14:08,360 --> 00:14:11,200 Speaker 1: like fish, fish sales. Fish not a fish women in 255 00:14:11,240 --> 00:14:13,760 Speaker 1: the real sense, because you can believe that in the world, 256 00:14:14,320 --> 00:14:19,640 Speaker 1: but they are fish. Damn it. She's a bouncer and 257 00:14:19,680 --> 00:14:22,480 Speaker 1: she's a bouncer and find she like is cool with 258 00:14:22,520 --> 00:14:25,520 Speaker 1: Andy circus fish women. I'm gonna just go ahead and 259 00:14:25,520 --> 00:14:28,720 Speaker 1: say front runner for a title of that so far, 260 00:14:28,760 --> 00:14:31,120 Speaker 1: the front runner, because every after every episode we kind 261 00:14:31,120 --> 00:14:33,120 Speaker 1: of like have a moment where we disagree about the 262 00:14:33,120 --> 00:14:34,680 Speaker 1: title of Epps so far. I just want to check 263 00:14:34,760 --> 00:14:39,880 Speaker 1: him with everyone. Fish women, Yes, Sam, why don't you 264 00:14:39,920 --> 00:14:42,480 Speaker 1: tell us a little bit about Club Comic. Yes, it's 265 00:14:42,480 --> 00:14:45,440 Speaker 1: what we're gagged for. So club comic is this show? 266 00:14:45,920 --> 00:14:47,760 Speaker 1: So I you know, a couple of years ago, I 267 00:14:49,000 --> 00:14:53,280 Speaker 1: made this track called X song. There was a club 268 00:14:53,360 --> 00:14:57,400 Speaker 1: track where I speak because I famously can't sing, so 269 00:14:57,480 --> 00:14:59,840 Speaker 1: you know, I spoke over a techno beat and the 270 00:15:00,400 --> 00:15:03,520 Speaker 1: UM sort of an exploration into that world again UM 271 00:15:03,520 --> 00:15:07,720 Speaker 1: with UM, you know, a fuller concept of being a 272 00:15:07,760 --> 00:15:11,920 Speaker 1: club party pop star and making a bunch of tracks. 273 00:15:13,120 --> 00:15:16,480 Speaker 1: It's it's a it's a throwback to like you know, 274 00:15:16,760 --> 00:15:20,400 Speaker 1: Michael Musto. It's like it's a little it's a little 275 00:15:20,520 --> 00:15:25,440 Speaker 1: party monster but modernized but with a comedic bent infused 276 00:15:25,440 --> 00:15:27,880 Speaker 1: into stand up. Is that is this an accurate description? 277 00:15:27,880 --> 00:15:29,800 Speaker 1: I think that's a very accurate description. Is trying to 278 00:15:30,080 --> 00:15:34,720 Speaker 1: find that mark between Paris Hilton's drunk text and LCD 279 00:15:34,840 --> 00:15:38,040 Speaker 1: sound systems losing my edge. Okay, that's beautiful, that's amazing. 280 00:15:38,080 --> 00:15:40,760 Speaker 1: That's very visual. And here's the thing though, with Sam 281 00:15:40,800 --> 00:15:44,040 Speaker 1: knows rhythm, and this is what separates Sam from let's 282 00:15:44,080 --> 00:15:47,840 Speaker 1: say I Countess Luan doing um jeake say Levy. It's 283 00:15:48,200 --> 00:15:50,880 Speaker 1: um that Sam has an understanding of rhythm because he 284 00:15:50,960 --> 00:15:53,160 Speaker 1: is a drummer. This is true. This is fact. I 285 00:15:53,160 --> 00:15:56,480 Speaker 1: didn't know you were a drummer, didn't from my bulging 286 00:15:57,520 --> 00:16:00,640 Speaker 1: But you're not walking around drumming. That's true, that you're 287 00:16:00,680 --> 00:16:03,480 Speaker 1: not going out to the club's drumming. I don't advertise 288 00:16:03,520 --> 00:16:08,840 Speaker 1: as such. Yeah, you advertise as mostly comic and friend yes, um, 289 00:16:08,880 --> 00:16:11,880 Speaker 1: but drumming. Have you been doing that your whole life? Uh? No? 290 00:16:12,120 --> 00:16:20,720 Speaker 1: I started in college. Uh taught Yeah. Yeah, rhythm a natural. 291 00:16:20,840 --> 00:16:23,080 Speaker 1: It was a natural fit. And I would play with 292 00:16:23,120 --> 00:16:24,960 Speaker 1: my friends. And then I moved to New York and 293 00:16:25,000 --> 00:16:26,800 Speaker 1: played in a couple of bands for a little bit 294 00:16:27,440 --> 00:16:30,680 Speaker 1: and it was interesting. Yes, of course, any interest in 295 00:16:30,920 --> 00:16:36,520 Speaker 1: revisiting that M sort of. I sort of am. But 296 00:16:36,640 --> 00:16:40,560 Speaker 1: the music scene is like way more serious and I 297 00:16:40,600 --> 00:16:43,480 Speaker 1: am not I'm good at that. What is the music 298 00:16:43,520 --> 00:16:47,080 Speaker 1: scene anyway anymore? I don't know. I actually I am 299 00:16:47,160 --> 00:16:50,680 Speaker 1: so disconnected honestly at this point, I am also extremely disconnected. Well, 300 00:16:50,720 --> 00:16:53,160 Speaker 1: I mean, I guess, like and also, how you get 301 00:16:53,200 --> 00:16:56,200 Speaker 1: started in the music industry. That's so bizarre. When like 302 00:16:56,320 --> 00:16:58,840 Speaker 1: at NT Want You, they had that really weird Clive 303 00:16:58,960 --> 00:17:05,520 Speaker 1: Davis recorded music like concentration. It was like a school 304 00:17:05,960 --> 00:17:07,840 Speaker 1: and you guy, guess could learn to be a pop star. 305 00:17:08,040 --> 00:17:14,280 Speaker 1: Oh my god. Yeah, I mean, like, um, somebody was 306 00:17:14,320 --> 00:17:17,720 Speaker 1: in it. No, they're not coming to my host really 307 00:17:17,760 --> 00:17:24,200 Speaker 1: is that it's Maggie Rogers. Have you heard Maggie Rogers. 308 00:17:24,840 --> 00:17:26,439 Speaker 1: And the thing is she wasn't even the one I 309 00:17:26,480 --> 00:17:28,600 Speaker 1: was thinking about. I'm still not landing on this other one. 310 00:17:28,600 --> 00:17:32,440 Speaker 1: But I know that some oak it's like a chantelle types. 311 00:17:32,720 --> 00:17:36,000 Speaker 1: Oh no, like it's like an R and B singer. 312 00:17:36,040 --> 00:17:39,199 Speaker 1: I'm just not landing on. Well, do they teach the 313 00:17:39,240 --> 00:17:42,800 Speaker 1: students at the Clive Davis fucking thing how to you know, 314 00:17:43,000 --> 00:17:45,479 Speaker 1: make themselves more palatable to a wide audience like they 315 00:17:45,520 --> 00:17:51,800 Speaker 1: did Whitney. Um, I think they do teach branding, by 316 00:17:51,840 --> 00:17:57,920 Speaker 1: the way, and now she's like trapped, She's like she's 317 00:17:57,920 --> 00:18:00,399 Speaker 1: got deals. I do want to say everyone should read 318 00:18:00,400 --> 00:18:05,600 Speaker 1: this New York Times piece about how Clive Davis destroyed Whitney. Absolutely, 319 00:18:05,640 --> 00:18:11,240 Speaker 1: I'm extremely anti Davis is a monster. He Well, there 320 00:18:11,280 --> 00:18:14,800 Speaker 1: was the documentary about Whitney about How which basically said, 321 00:18:15,040 --> 00:18:19,160 Speaker 1: you know, she left lived her life closeted sexually. Whether 322 00:18:19,200 --> 00:18:21,679 Speaker 1: she was bisexual or a lesbian is up for debate, 323 00:18:21,720 --> 00:18:23,960 Speaker 1: but she wasn't a long relationship with this woman that 324 00:18:24,000 --> 00:18:27,199 Speaker 1: was the love of her life, Robin and um, it 325 00:18:27,280 --> 00:18:30,239 Speaker 1: was extremely hidden from the public eye, and most of 326 00:18:30,280 --> 00:18:31,960 Speaker 1: that had to do with two people, which was her 327 00:18:32,000 --> 00:18:37,800 Speaker 1: mother who was very religious and very controlling, and Clive 328 00:18:37,920 --> 00:18:42,639 Speaker 1: who was like focused on making her the biggest pop 329 00:18:43,359 --> 00:18:45,919 Speaker 1: diva in the world. And you just couldn't be in 330 00:18:45,920 --> 00:18:48,600 Speaker 1: the same sex relationship and be that. And so Clive Davis, 331 00:18:48,640 --> 00:18:52,600 Speaker 1: who we find out later on is himself closet and 332 00:18:52,680 --> 00:18:54,560 Speaker 1: who and he just came out, I mean a few 333 00:18:54,600 --> 00:18:57,000 Speaker 1: years ago, and like there we go. So so think 334 00:18:57,000 --> 00:19:00,800 Speaker 1: about that. Think about someone who stays closeted sexually for 335 00:19:00,880 --> 00:19:03,200 Speaker 1: eighty five years, Like that's who we're dealing with here. 336 00:19:03,560 --> 00:19:06,240 Speaker 1: So that's how little he cared about the artists. He 337 00:19:06,240 --> 00:19:09,280 Speaker 1: didn't care about himself. So like he really kind of 338 00:19:09,320 --> 00:19:11,960 Speaker 1: like fucked Whitney up. I think that he knew. I 339 00:19:12,000 --> 00:19:14,840 Speaker 1: don't know, this is like alleged, but it was pretty 340 00:19:14,840 --> 00:19:17,719 Speaker 1: common knowledge as she was doing drugs, etcetera. Also, he 341 00:19:17,760 --> 00:19:21,160 Speaker 1: had like a big public fight with Kelly Clarkson. There 342 00:19:21,200 --> 00:19:23,400 Speaker 1: was an entire chapter of his book that was like 343 00:19:24,080 --> 00:19:26,440 Speaker 1: she sucks to work with. Not sure if she would 344 00:19:26,600 --> 00:19:29,879 Speaker 1: have made it in the music industry with that American idol. 345 00:19:30,200 --> 00:19:33,320 Speaker 1: She was a cry baby over songs that I picked 346 00:19:33,359 --> 00:19:35,600 Speaker 1: for her and and made her a huge star. She 347 00:19:35,640 --> 00:19:37,400 Speaker 1: didn't want to sing them. Her instincts were always wrong. 348 00:19:37,480 --> 00:19:39,200 Speaker 1: I was always right, not think she says it's true. 349 00:19:40,200 --> 00:19:43,840 Speaker 1: She comes out with a statement and she's like, no, actually, 350 00:19:43,880 --> 00:19:46,280 Speaker 1: fuck this, I'm not gonna lie down and take this. 351 00:19:46,560 --> 00:19:50,639 Speaker 1: He's lying. He's misremembering incidents here, specifically what happened. And 352 00:19:50,680 --> 00:19:55,199 Speaker 1: then she wrote like about specific incidents and mistakes that 353 00:19:55,200 --> 00:19:58,080 Speaker 1: he's making in his book. So she like fully went 354 00:19:58,200 --> 00:20:00,840 Speaker 1: up against him and and I think a lot of 355 00:20:00,880 --> 00:20:03,160 Speaker 1: people really respect her for that because I think he 356 00:20:03,520 --> 00:20:05,680 Speaker 1: has done this with a lot of artists over time. 357 00:20:05,720 --> 00:20:08,879 Speaker 1: I think people understand that what she's doing is speaking 358 00:20:08,920 --> 00:20:12,240 Speaker 1: truth to power in a real way. And I think 359 00:20:12,280 --> 00:20:14,920 Speaker 1: that's why she's so supportive in the music industry, because 360 00:20:14,920 --> 00:20:17,879 Speaker 1: people know she's a great singer and she speaks up. 361 00:20:19,200 --> 00:20:22,600 Speaker 1: Kelly Clarkson is an icon, and you know what, you know, 362 00:20:22,880 --> 00:20:24,240 Speaker 1: I have ship talked to her in the past, and 363 00:20:24,920 --> 00:20:28,760 Speaker 1: that's actually why I did this. You know what, I'm 364 00:20:28,800 --> 00:20:30,359 Speaker 1: going to continue to shop talk her in the future 365 00:20:30,400 --> 00:20:34,119 Speaker 1: because it's it's very she's it's very fun to make 366 00:20:34,160 --> 00:20:36,400 Speaker 1: fun of her. I sort of did on the last episode, 367 00:20:37,119 --> 00:20:39,720 Speaker 1: did yeah, Well, I was saying that like as a 368 00:20:39,720 --> 00:20:41,720 Speaker 1: sixteen year old, like, it's hard to hide you're gay 369 00:20:41,800 --> 00:20:44,879 Speaker 1: when you're like my favorite singer is Kelly Clarkson, because 370 00:20:45,119 --> 00:20:47,119 Speaker 1: people aren't going to be like, oh, he looks like 371 00:20:47,119 --> 00:20:50,520 Speaker 1: Britney spears like he wants to like less hard, less 372 00:20:50,600 --> 00:20:52,560 Speaker 1: easy to get away with that. When your favorite singer 373 00:20:52,600 --> 00:20:57,680 Speaker 1: is Kelly Clarkson publicly at sixteen, she can get away 374 00:20:57,680 --> 00:20:59,600 Speaker 1: with that a little bit. One time, my best friend 375 00:20:59,600 --> 00:21:01,720 Speaker 1: at the time said I just wish she showed more 376 00:21:01,800 --> 00:21:06,480 Speaker 1: skin and like gay man, and me like shivered when 377 00:21:06,520 --> 00:21:08,840 Speaker 1: that happened. I was like, I hate to me. Honestly, 378 00:21:08,880 --> 00:21:10,840 Speaker 1: that reads more like something that gay man would say. 379 00:21:13,320 --> 00:21:24,240 Speaker 1: Now today, currently eight of culture is gay and we 380 00:21:24,359 --> 00:21:28,080 Speaker 1: dress up as them, yes, and treat everyone like garbage, 381 00:21:28,080 --> 00:21:31,680 Speaker 1: Like every day is like straightboy Halloween. We're always dressing up. 382 00:21:32,200 --> 00:21:35,600 Speaker 1: It is it is, Sam, You've written some new materials, 383 00:21:35,600 --> 00:21:41,639 Speaker 1: new songs, materials. I have six maybe seven new trash. Yes. Yes, 384 00:21:41,680 --> 00:21:45,879 Speaker 1: I've worked with a couple of producers. So I'm so 385 00:21:45,960 --> 00:21:48,439 Speaker 1: I'm so excited for the me. I'm really excited, and 386 00:21:48,480 --> 00:21:50,920 Speaker 1: there's gonna be a lot of mesh. I think we're 387 00:21:51,000 --> 00:21:57,000 Speaker 1: saying it's it's like a throwback to nineties culture. I 388 00:21:57,080 --> 00:22:00,760 Speaker 1: really love like the photos and just I think it's great. 389 00:22:00,760 --> 00:22:02,600 Speaker 1: I also think it's genius to have you spell out 390 00:22:03,040 --> 00:22:05,479 Speaker 1: the words of the title. His body is like, couldn't 391 00:22:05,480 --> 00:22:08,280 Speaker 1: wart it to spell the letters, that's amazing. He showed 392 00:22:08,320 --> 00:22:11,199 Speaker 1: me an early, rough raw photo of it. Did you 393 00:22:11,240 --> 00:22:13,560 Speaker 1: get it? Because I did? Because you know what I said, 394 00:22:13,560 --> 00:22:15,719 Speaker 1: I go, this is this is so cool? This is 395 00:22:15,760 --> 00:22:17,879 Speaker 1: like was And I didn't even ask this is I 396 00:22:17,920 --> 00:22:20,000 Speaker 1: didn't even say this is like? I said, are you 397 00:22:20,119 --> 00:22:23,919 Speaker 1: referencing Rue Paul's Viva Glam campaign for mac and the 398 00:22:24,000 --> 00:22:29,600 Speaker 1: nineties And the answer was yes, deeply. But that was 399 00:22:29,920 --> 00:22:33,600 Speaker 1: that was Sisters Weekend's idea. Fully. They came up with 400 00:22:33,600 --> 00:22:36,560 Speaker 1: the design and they shot the photos. And I saw 401 00:22:36,600 --> 00:22:38,680 Speaker 1: you the day that the same day, No, no, the 402 00:22:38,760 --> 00:22:41,440 Speaker 1: day after you shot, because you still had silver pain on. Yeah. 403 00:22:41,640 --> 00:22:43,920 Speaker 1: I painted my entire body of silver and it's there's 404 00:22:43,920 --> 00:22:47,720 Speaker 1: still some in my ears. That's its nast You know, 405 00:22:48,200 --> 00:22:51,760 Speaker 1: you might take care of that yourself. Sam is famously 406 00:22:51,800 --> 00:22:54,639 Speaker 1: a stinker, which means he this is true. I was 407 00:22:54,680 --> 00:22:57,159 Speaker 1: learning this would come up today because I don't come 408 00:22:57,240 --> 00:22:58,960 Speaker 1: up on the first time, not come up. It did 409 00:22:58,960 --> 00:23:01,320 Speaker 1: not come up Sam's stay the stinker, which means that 410 00:23:01,359 --> 00:23:06,280 Speaker 1: he is um let's say, very sparing about just personal hygiene. 411 00:23:06,320 --> 00:23:10,560 Speaker 1: I would say is that he's a minimalist. There is 412 00:23:10,720 --> 00:23:13,639 Speaker 1: a fear of products or a fear of conforming the hygiene. 413 00:23:13,680 --> 00:23:16,040 Speaker 1: I think it's a little bit of both. Okay, okay, okay, 414 00:23:16,119 --> 00:23:21,119 Speaker 1: because it's like one, it's my own, you know, special brand. 415 00:23:23,320 --> 00:23:27,919 Speaker 1: People know what I'm coming and when did you start? 416 00:23:28,040 --> 00:23:30,800 Speaker 1: Like where do you stop? I'm worried about the slippery 417 00:23:30,840 --> 00:23:34,280 Speaker 1: slope aspect of taking care of myself. Well, your fragrance 418 00:23:34,320 --> 00:23:36,640 Speaker 1: be called if you could just give everyone like what 419 00:23:36,680 --> 00:23:38,480 Speaker 1: your scent is, like, what your vibe is, like, what's 420 00:23:38,520 --> 00:23:41,000 Speaker 1: the fragrance? How do you brand it? I feel like 421 00:23:41,000 --> 00:23:46,200 Speaker 1: it would be called like like I think it's salty, salty. 422 00:23:46,840 --> 00:23:56,480 Speaker 1: I think it's called stinker crust prep. Oh my god, honestly, 423 00:23:56,920 --> 00:24:02,639 Speaker 1: that's the one, my personal Brandon crust prep. Because like 424 00:24:02,680 --> 00:24:07,840 Speaker 1: if you saw be like he's clean, yeah, oh my god, 425 00:24:08,119 --> 00:24:11,800 Speaker 1: that is privilege that is looking clean, but being crusty bitch. 426 00:24:12,400 --> 00:24:15,560 Speaker 1: Mine would be called beachy, but you wouldn't know if 427 00:24:15,560 --> 00:24:18,480 Speaker 1: it would be bitchy or literally beachy, like the Long 428 00:24:18,520 --> 00:24:22,040 Speaker 1: Island that's fun. That's fun. You have to say it 429 00:24:22,119 --> 00:24:24,479 Speaker 1: like that. But when what's your sent mine would be 430 00:24:24,520 --> 00:24:31,840 Speaker 1: called um thesaurus because there's something else you could get, 431 00:24:31,880 --> 00:24:34,560 Speaker 1: Because that would be a little bit better. Yeah, if 432 00:24:34,560 --> 00:24:37,440 Speaker 1: you're feeling because there's something else you can get, they'd 433 00:24:37,480 --> 00:24:39,640 Speaker 1: be a little bit better. In a descriptory, more specific, 434 00:24:39,720 --> 00:24:42,959 Speaker 1: also sort of off, sort of off the mark, like 435 00:24:43,040 --> 00:24:46,920 Speaker 1: that's not the one, and you keep coming back to me. Yeah, yeah, 436 00:24:47,240 --> 00:24:50,679 Speaker 1: thesaurus now I want to talk about It could be 437 00:24:50,720 --> 00:24:53,840 Speaker 1: a good dinosaur too, It could be a great dinosaurs thesaurus. 438 00:24:54,520 --> 00:24:56,440 Speaker 1: Oh my god, I think I saw a thesaurus in 439 00:24:56,600 --> 00:25:02,000 Speaker 1: Jurassic World three or two. Oh my god. Yes, that's 440 00:25:02,040 --> 00:25:05,760 Speaker 1: like a popsicle stick joke for like a ten year old. 441 00:25:06,480 --> 00:25:13,640 Speaker 1: The saurus emerges as a contender for title Crust. It's 442 00:25:13,680 --> 00:25:16,200 Speaker 1: also in the race. Oh baby, you know what, let 443 00:25:16,200 --> 00:25:17,879 Speaker 1: me just let me just pull back a little. I 444 00:25:18,119 --> 00:25:21,359 Speaker 1: I'm loving the vibe of the new space so much. 445 00:25:22,400 --> 00:25:25,359 Speaker 1: It's very casual in a good way. Sorry, I know 446 00:25:25,400 --> 00:25:27,119 Speaker 1: we've like already getting up on you on the anthony. 447 00:25:27,320 --> 00:25:29,560 Speaker 1: That's fine, you know what. By all it means, literally, 448 00:25:30,000 --> 00:25:34,800 Speaker 1: my haters make me stronger. Kisses to my critics like Okay, 449 00:25:34,800 --> 00:25:37,879 Speaker 1: it's like black panther suit, you know, like wow exactly. 450 00:25:38,160 --> 00:25:41,879 Speaker 1: But um, when I walked in, I was like gorgeous. 451 00:25:42,000 --> 00:25:44,359 Speaker 1: When Bone walked in, he was like stunning. And the 452 00:25:44,359 --> 00:25:46,600 Speaker 1: first thing said when when you walked in with needs work, 453 00:25:48,400 --> 00:25:50,600 Speaker 1: I'm a bit, I'm a famous bitch. Oh my god. 454 00:25:50,680 --> 00:25:53,120 Speaker 1: That's why I look up to Adam ra Pond. This 455 00:25:53,160 --> 00:25:56,719 Speaker 1: is what I think about. This is what I think about. Yes, 456 00:25:56,760 --> 00:25:58,760 Speaker 1: he's a famous bitch. He calls himself a bit, but 457 00:25:58,800 --> 00:26:01,440 Speaker 1: like he's like bit, like winky, like I'm not really 458 00:26:02,560 --> 00:26:05,320 Speaker 1: I think deeply there's someone there. This is what I've 459 00:26:05,320 --> 00:26:07,800 Speaker 1: been saying. That is someone who knows where he wants 460 00:26:07,800 --> 00:26:10,680 Speaker 1: to sit in the restaurant. Like he walks in, he says, 461 00:26:11,040 --> 00:26:13,200 Speaker 1: we want to sit outside by the water. And if 462 00:26:13,200 --> 00:26:15,440 Speaker 1: there's no water, you fucking dig a hole and put 463 00:26:15,480 --> 00:26:17,639 Speaker 1: water in it. And you get a little like Adam 464 00:26:17,720 --> 00:26:20,760 Speaker 1: Ripon wants to sit next to the water. I like, 465 00:26:21,000 --> 00:26:23,360 Speaker 1: do not see that. I see more like he's trying 466 00:26:23,400 --> 00:26:25,439 Speaker 1: to be Like I think he's trying so hard to 467 00:26:25,480 --> 00:26:29,679 Speaker 1: be like hashtag relatable gay and that like it's like 468 00:26:29,720 --> 00:26:32,359 Speaker 1: he's doing like just enough bitchy to be like, but 469 00:26:32,440 --> 00:26:34,720 Speaker 1: you don't think who he really is is like someone 470 00:26:34,720 --> 00:26:39,280 Speaker 1: who wants He's probably like he would be like a 471 00:26:39,320 --> 00:26:43,840 Speaker 1: monster to the help, but um, you know his whole 472 00:26:43,880 --> 00:26:48,280 Speaker 1: thing in a fun, mainstream way. That's debatable because I 473 00:26:48,320 --> 00:26:52,760 Speaker 1: feel I was like, you know, Adam, I'm approaching at 474 00:26:52,800 --> 00:26:54,560 Speaker 1: him the same way I remember urging Anthony, which is 475 00:26:54,960 --> 00:26:58,280 Speaker 1: coming from a place of love and acceptance. But the 476 00:26:58,359 --> 00:27:01,040 Speaker 1: moment that I had disengaged from from how I remember 477 00:27:01,080 --> 00:27:09,040 Speaker 1: this moment remembers this moment? Now you don't I remember this. 478 00:27:09,359 --> 00:27:12,240 Speaker 1: I when when sucking Adam did that press conference where 479 00:27:12,240 --> 00:27:14,840 Speaker 1: he was like, I'm still getting used to being like 480 00:27:15,040 --> 00:27:20,800 Speaker 1: America's sweetheart. I was like, fucking yeah. I thought he 481 00:27:20,880 --> 00:27:23,520 Speaker 1: was unapologetic. I thought you were gonna like, I actually 482 00:27:23,600 --> 00:27:26,159 Speaker 1: like that far that's when I'm in. When I'm not 483 00:27:26,320 --> 00:27:28,000 Speaker 1: in is like the part I thought you were gonna 484 00:27:28,000 --> 00:27:29,480 Speaker 1: bring this up was they were like on the on 485 00:27:29,520 --> 00:27:32,159 Speaker 1: the scale of this, Elmo, how excited are you when 486 00:27:32,160 --> 00:27:35,440 Speaker 1: he goes Meryl Street. I didn't get that. That didn't 487 00:27:35,440 --> 00:27:37,760 Speaker 1: read for me. That was the moment because I was like, 488 00:27:38,840 --> 00:27:42,359 Speaker 1: he was glitch. He was totally Glitchen glitch. To spit 489 00:27:42,440 --> 00:27:45,960 Speaker 1: out because and then the world the reporter was like 490 00:27:46,000 --> 00:27:47,800 Speaker 1: that doesn't really makes no, no, and then he goes 491 00:27:48,240 --> 00:27:50,439 Speaker 1: and then like the reporters like okay, and then he 492 00:27:50,480 --> 00:27:52,760 Speaker 1: goes if that makes sense, and then the reporters like, 493 00:27:52,880 --> 00:27:57,080 Speaker 1: I don't think it does. Was that she was she 494 00:27:57,160 --> 00:28:00,719 Speaker 1: I loved her, was like escaped. We need her as 495 00:28:00,760 --> 00:28:05,000 Speaker 1: a guest. I mean, look, Adam's great, and he doesn't 496 00:28:05,000 --> 00:28:10,000 Speaker 1: insane work out. He is representing bitches, not LGBT. LGBT 497 00:28:10,119 --> 00:28:14,159 Speaker 1: community is confused that he's representing them. Now he's representing bitches, okay, 498 00:28:14,240 --> 00:28:17,320 Speaker 1: which is another oppressive minority. Absolutely, it's time we're here, 499 00:28:17,400 --> 00:28:20,280 Speaker 1: Guy Brandam. Guy Branda has been chastising me over text, 500 00:28:20,320 --> 00:28:22,720 Speaker 1: being like why are you on board with him? He's 501 00:28:23,040 --> 00:28:25,120 Speaker 1: he's representing all of us. He wants to we haven't 502 00:28:25,119 --> 00:28:27,359 Speaker 1: been seen in the past. He's he's showing everybody what 503 00:28:27,359 --> 00:28:30,000 Speaker 1: it's like to be seen, blah blah blah, which I 504 00:28:30,080 --> 00:28:33,040 Speaker 1: sort of get. But then he sent me a screenshot 505 00:28:33,080 --> 00:28:35,600 Speaker 1: first of all of like a Lewis Vertel tweet, and 506 00:28:35,640 --> 00:28:37,560 Speaker 1: I was like, okay, what and then it was an 507 00:28:37,560 --> 00:28:40,800 Speaker 1: Adam upon tweet. It was too like like you're sad, 508 00:28:43,080 --> 00:28:44,320 Speaker 1: No, no no, no, it was fine. It was just like 509 00:28:44,360 --> 00:28:45,680 Speaker 1: I was like what wait what am I know? It 510 00:28:45,720 --> 00:28:48,800 Speaker 1: was just a moment of like wait what am I reading? Um? 511 00:28:48,880 --> 00:28:51,440 Speaker 1: But it was like Adam quote tweeting someone who was 512 00:28:51,440 --> 00:28:54,680 Speaker 1: sent who tweeted at him? Who even is Adam Rappon? 513 00:28:54,880 --> 00:28:58,200 Speaker 1: And then Adam Rapon quote tweeted that to say, I 514 00:28:58,240 --> 00:29:01,520 Speaker 1: don't know who isn't And I'm like, that's also something 515 00:29:01,520 --> 00:29:04,720 Speaker 1: that that doesn't make sense, like we thinking they might 516 00:29:04,760 --> 00:29:07,920 Speaker 1: not be with it. He might not get it, he 517 00:29:08,000 --> 00:29:09,480 Speaker 1: might not be he might be a little bit of 518 00:29:09,520 --> 00:29:15,240 Speaker 1: an antony it deeply. Anthony has a great personality. He's fun, 519 00:29:15,280 --> 00:29:17,200 Speaker 1: he gets it, he gets the joke. Fine, fine, fine, 520 00:29:19,080 --> 00:29:21,400 Speaker 1: No one with a great personality. There's two strokes t 521 00:29:21,480 --> 00:29:26,480 Speaker 1: shirts in that season eight episodes like how did we 522 00:29:26,720 --> 00:29:29,080 Speaker 1: drink that? They do? Wardrobe should have been like wait 523 00:29:29,080 --> 00:29:31,200 Speaker 1: a minute, wait a minute, Antony, you have another one 524 00:29:31,200 --> 00:29:33,080 Speaker 1: of this that you wore on Tuesday. You don't think 525 00:29:33,080 --> 00:29:37,840 Speaker 1: wardrobe dressed him themselves. I don't know. Wow, use your 526 00:29:37,880 --> 00:29:41,040 Speaker 1: thinking cap bo. You've been on sets, you famously as 527 00:29:41,120 --> 00:29:44,680 Speaker 1: much as Anthony. You've been on sets. You bring your 528 00:29:44,680 --> 00:29:49,960 Speaker 1: own ship, not always most of the time. Honey, No, honey, okay, 529 00:29:49,800 --> 00:29:52,760 Speaker 1: the fit you, they fit me. They ever keep you, 530 00:29:52,760 --> 00:29:54,920 Speaker 1: ever keep the clothes. No, I'm not to do with 531 00:29:54,920 --> 00:30:00,320 Speaker 1: my Sara dests like a sorry Sarah. I wish I 532 00:30:00,040 --> 00:30:02,120 Speaker 1: I think about that. I thought about that. Does Sarah 533 00:30:02,240 --> 00:30:04,080 Speaker 1: keep all the close from character? There's a legend that 534 00:30:04,080 --> 00:30:05,640 Speaker 1: she she kept a lot of the clothes from Sex 535 00:30:05,640 --> 00:30:07,440 Speaker 1: in the City, And I want to I want to 536 00:30:07,480 --> 00:30:11,080 Speaker 1: get that aspiration where I'm like, oh my god, no 537 00:30:11,120 --> 00:30:14,440 Speaker 1: one stunning. We love um. And that's a call back 538 00:30:14,440 --> 00:30:16,800 Speaker 1: to our first episode, which was Sex in the City theme, 539 00:30:17,160 --> 00:30:19,440 Speaker 1: which is the one we did. It's called Sex the 540 00:30:19,480 --> 00:30:22,480 Speaker 1: City and Sex in the City, which is like a 541 00:30:22,520 --> 00:30:27,760 Speaker 1: semite is m I feel? Yes, it's close. Sam. How 542 00:30:27,840 --> 00:30:30,480 Speaker 1: are you dealing with this? With this? This s a 543 00:30:30,520 --> 00:30:36,160 Speaker 1: t C news Oh the falling drama. God, I mean 544 00:30:36,200 --> 00:30:41,440 Speaker 1: it's I mean team s JP always. It's like clear 545 00:30:41,520 --> 00:30:45,840 Speaker 1: that controls like a little. Have you seen that YouTube 546 00:30:45,880 --> 00:30:48,960 Speaker 1: video of her like in her husband in their apartment? 547 00:30:49,880 --> 00:30:55,520 Speaker 1: It see I might know that like disqualifies her from 548 00:30:55,560 --> 00:30:58,280 Speaker 1: some like jobs in no way, no way. I love 549 00:30:58,320 --> 00:31:01,240 Speaker 1: that video. See that videos. She is an artist. She's 550 00:31:01,280 --> 00:31:03,480 Speaker 1: an artist, and people forget that like what she did 551 00:31:03,520 --> 00:31:06,560 Speaker 1: with that part, like kim control is incredible. Like that's 552 00:31:06,600 --> 00:31:08,360 Speaker 1: the thing that sucks about the whole thing is you 553 00:31:08,360 --> 00:31:09,880 Speaker 1: don't want it to get to a point where it's 554 00:31:09,920 --> 00:31:12,280 Speaker 1: like someone takes sides and then it's like the other 555 00:31:12,280 --> 00:31:14,480 Speaker 1: one for good because people do that with women. So 556 00:31:15,760 --> 00:31:20,680 Speaker 1: but but here's a take I have is she's grieving, 557 00:31:21,040 --> 00:31:23,560 Speaker 1: you know what I mean, Like her brother fucking died, 558 00:31:23,640 --> 00:31:26,680 Speaker 1: Like I think emotionally, she was dealing with the s 559 00:31:26,760 --> 00:31:29,200 Speaker 1: JP like drama in the media, like they I think 560 00:31:29,240 --> 00:31:31,160 Speaker 1: they both were thinking about it a lot, and then 561 00:31:31,240 --> 00:31:33,000 Speaker 1: this fucking came out of nowhere and it's like, I 562 00:31:33,040 --> 00:31:35,120 Speaker 1: don't want to talk about this anymore, so I'm gonna 563 00:31:35,160 --> 00:31:40,400 Speaker 1: do something crazy like screenshot at that and posted it 564 00:31:40,480 --> 00:31:43,960 Speaker 1: was nuts. But also, but you understand where that's coming from. 565 00:31:44,000 --> 00:31:47,320 Speaker 1: I think, course sympathy on both sides absolutely, I don't know, 566 00:31:47,520 --> 00:31:49,840 Speaker 1: you know, everyone gets along. And I'm a bit for 567 00:31:49,840 --> 00:31:54,000 Speaker 1: for starting this conversation and being like for you know, 568 00:31:54,320 --> 00:31:57,280 Speaker 1: entertaining the idea of doing this conversation, because it is 569 00:31:57,320 --> 00:31:59,400 Speaker 1: fun to be like it is like like like put 570 00:31:59,440 --> 00:32:03,120 Speaker 1: the anthem the anthony thing. It's fun to like bitterally 571 00:32:03,200 --> 00:32:05,280 Speaker 1: take a strong side at the end of the day, 572 00:32:05,360 --> 00:32:07,239 Speaker 1: Like I have love for both of them because they 573 00:32:07,280 --> 00:32:10,920 Speaker 1: both like are fucking awesome. I've always say s JP 574 00:32:11,120 --> 00:32:16,000 Speaker 1: underrated actress, very good, actress, very talented. I started divorce 575 00:32:16,120 --> 00:32:20,280 Speaker 1: last week. I had to stop after like four ups 576 00:32:20,280 --> 00:32:26,320 Speaker 1: because me and me and she got the like puts truly, 577 00:32:26,360 --> 00:32:29,320 Speaker 1: we just like tensed up and like we just started bickering. 578 00:32:30,200 --> 00:32:32,080 Speaker 1: I actually started watching it at the end of Henry 579 00:32:32,120 --> 00:32:33,920 Speaker 1: and his relationship to and it may be very in 580 00:32:33,960 --> 00:32:36,080 Speaker 1: my head, I was like, oh my god, because a 581 00:32:36,120 --> 00:32:40,920 Speaker 1: lot of it, Yeah, it's like whoa, it's shit, this 582 00:32:41,000 --> 00:32:43,240 Speaker 1: is real. And you know, I wasn't really a Thomas 583 00:32:43,240 --> 00:32:47,840 Speaker 1: Hayden Church fan. I've never I've never connected, but this 584 00:32:48,040 --> 00:32:50,760 Speaker 1: like he plays it in such a specific way that 585 00:32:50,840 --> 00:32:54,360 Speaker 1: he really does like you buy it. Like I don't 586 00:32:54,360 --> 00:32:56,440 Speaker 1: know Thomas Hayden Church. He's got a style that's I 587 00:32:56,520 --> 00:32:58,520 Speaker 1: think maybe in the wrong movie like you don't buy 588 00:32:58,600 --> 00:33:01,800 Speaker 1: but like in this show, I'm really feeling it. The 589 00:33:01,880 --> 00:33:05,440 Speaker 1: chemistry between them is believable. She's got some genuinely funny 590 00:33:05,480 --> 00:33:08,160 Speaker 1: communic moments. Even in the pilot, the first scene where 591 00:33:08,200 --> 00:33:10,600 Speaker 1: she like flips him the bird as he's walking away. 592 00:33:10,640 --> 00:33:13,240 Speaker 1: I'm like, whoa, yeah, so good. But there was the 593 00:33:13,680 --> 00:33:17,520 Speaker 1: last scene that she has in the first season, Um oh, 594 00:33:17,560 --> 00:33:19,240 Speaker 1: I guess I don't want to ruin it for you outside. 595 00:33:19,880 --> 00:33:21,680 Speaker 1: I don't want to say, okay, it's good. She just 596 00:33:21,720 --> 00:33:23,320 Speaker 1: has a great moment at the end when you're like 597 00:33:23,520 --> 00:33:30,560 Speaker 1: Sarah Jessica part for life, for life Life, Sam, Yes, 598 00:33:31,040 --> 00:33:33,320 Speaker 1: will you shoot a music video for one of the 599 00:33:33,400 --> 00:33:36,000 Speaker 1: tracks for a club comment? Because you gotta be visual. 600 00:33:36,240 --> 00:33:37,880 Speaker 1: I mean, I know these days you have to be 601 00:33:38,360 --> 00:33:41,120 Speaker 1: you want to keep up at um. You know, I'm 602 00:33:41,160 --> 00:33:45,000 Speaker 1: not sure I would like to, but it requires so 603 00:33:45,120 --> 00:33:48,560 Speaker 1: much work, and you know, in this industry, because you 604 00:33:48,600 --> 00:33:50,960 Speaker 1: have to get a choreographer, you gotta get a choreographer. 605 00:33:51,080 --> 00:33:55,200 Speaker 1: I mean, lights are like I was gonna say, big, 606 00:33:56,520 --> 00:34:00,160 Speaker 1: who has the money? Yeah, I mean it's insane. I 607 00:34:00,200 --> 00:34:03,080 Speaker 1: remember like paying for like like we used to do 608 00:34:03,120 --> 00:34:05,440 Speaker 1: that a lot, Like you pay like what was it 609 00:34:05,480 --> 00:34:07,560 Speaker 1: like to fifty for a music video and like it 610 00:34:07,560 --> 00:34:09,480 Speaker 1: looks shitty, but you're proud of it because it happened 611 00:34:09,480 --> 00:34:12,600 Speaker 1: at all. Yeah, which is something to be proud of. 612 00:34:14,200 --> 00:34:16,919 Speaker 1: But it's like like thinking about getting into that again. 613 00:34:16,920 --> 00:34:21,120 Speaker 1: It's like so much so much because I haven't Yeah, 614 00:34:21,160 --> 00:34:23,240 Speaker 1: I haven't had to think about that in a while 615 00:34:23,520 --> 00:34:26,360 Speaker 1: because and which which is just me not not me 616 00:34:26,440 --> 00:34:28,680 Speaker 1: being like oh like I've moved on from that. It's 617 00:34:28,719 --> 00:34:31,680 Speaker 1: just that like I've never you know, I just I 618 00:34:31,719 --> 00:34:33,359 Speaker 1: just don't want to deal with that ever. And that's 619 00:34:33,960 --> 00:34:35,719 Speaker 1: we did it a lot, right, How did you guys 620 00:34:35,760 --> 00:34:38,279 Speaker 1: do so many VIDs? Well, there was several of us, 621 00:34:38,320 --> 00:34:41,040 Speaker 1: so we all pitched in a little bit. But I 622 00:34:41,120 --> 00:34:43,880 Speaker 1: totally disengaged, right, Like I wasn't that involved in the 623 00:34:43,960 --> 00:34:47,000 Speaker 1: video production. I would say like, well you did what 624 00:34:47,000 --> 00:34:49,279 Speaker 1: what you did so well for popular lett which is 625 00:34:49,320 --> 00:34:53,239 Speaker 1: like contribute like visually, and you were also an amazing 626 00:34:53,360 --> 00:34:55,960 Speaker 1: performer in the group. Like I think everyone like had 627 00:34:56,200 --> 00:34:58,920 Speaker 1: like different but like in terms of money, like we 628 00:34:59,000 --> 00:35:03,719 Speaker 1: all through like and got something. I wasn't like, you know, 629 00:35:04,080 --> 00:35:07,440 Speaker 1: I was engaged in the I wasn't like thinking about 630 00:35:07,480 --> 00:35:11,919 Speaker 1: like you know, we're we're locations where ye like that 631 00:35:12,040 --> 00:35:14,279 Speaker 1: is a nightmare. That's tough you have to have, like 632 00:35:14,400 --> 00:35:16,839 Speaker 1: in order to be a producer, like Dave Mazzone has 633 00:35:16,960 --> 00:35:20,319 Speaker 1: that Dave has, but not everyone has that instinct, which 634 00:35:20,320 --> 00:35:23,399 Speaker 1: is like as a producer, it's sucking a lot of work. 635 00:35:23,440 --> 00:35:28,000 Speaker 1: It's so much uncomfortable. It's like being annoying to everyone. Yes, 636 00:35:28,200 --> 00:35:30,480 Speaker 1: that's the job, and it's like I can't do that. 637 00:35:31,000 --> 00:35:34,000 Speaker 1: I have to be loved, and especially like being comfortable 638 00:35:34,080 --> 00:35:38,520 Speaker 1: asking for favors because you are every time. Yeah always, 639 00:35:38,880 --> 00:35:41,439 Speaker 1: because if you actually got a location, you're paying so 640 00:35:41,560 --> 00:35:44,160 Speaker 1: much money. Yeah yeah, yeah, there's got to be something 641 00:35:44,239 --> 00:35:47,319 Speaker 1: that's like thrown in there because you looked at her 642 00:35:47,360 --> 00:35:51,160 Speaker 1: it was free somehow. I mean, you know, like the location. 643 00:35:51,200 --> 00:35:56,600 Speaker 1: It was like your dad's offense. Oh my dad has 644 00:35:56,640 --> 00:36:02,239 Speaker 1: like a building we could use. That's me. Finish your joke, 645 00:36:02,600 --> 00:36:10,640 Speaker 1: um a girl sing. I even hate when people post 646 00:36:10,760 --> 00:36:13,319 Speaker 1: on Facebook like looking for an office, and I'm like, 647 00:36:13,560 --> 00:36:23,840 Speaker 1: don't like this is for seeing this? I know. I 648 00:36:23,840 --> 00:36:27,719 Speaker 1: think also oftentimes people know exactly where to find those 649 00:36:27,800 --> 00:36:29,800 Speaker 1: things and they just post them publicly so it doesn't 650 00:36:29,960 --> 00:36:33,080 Speaker 1: know they're blogging them. But it's like, okay, oh I 651 00:36:33,120 --> 00:36:34,719 Speaker 1: don't know. Also who the am I to said, I 652 00:36:34,719 --> 00:36:37,080 Speaker 1: don't know how it is, Well, you've been here, say it. 653 00:36:37,320 --> 00:36:39,960 Speaker 1: I've been out here and I know people you know 654 00:36:40,200 --> 00:36:43,480 Speaker 1: know where the locations are. You should start commenting that. 655 00:36:45,480 --> 00:36:50,399 Speaker 1: I quit Facebook so this is about a week. We're 656 00:36:50,440 --> 00:36:52,319 Speaker 1: at the week mark. How are you feeling. I'm feeling 657 00:36:52,360 --> 00:36:54,759 Speaker 1: pretty good. Do you have a goal time period that 658 00:36:54,760 --> 00:36:58,160 Speaker 1: you're having for Yeah, I just want to like until 659 00:36:58,200 --> 00:36:59,480 Speaker 1: I feel like I can go back to it and 660 00:36:59,480 --> 00:37:02,600 Speaker 1: it won't be distracting to me because it what what 661 00:37:02,760 --> 00:37:05,279 Speaker 1: I think was a problem was like it was in 662 00:37:05,320 --> 00:37:08,480 Speaker 1: my life as this thing I did instead of work, 663 00:37:09,080 --> 00:37:11,360 Speaker 1: Like I wasn't writing new stuff. I was just getting 664 00:37:11,400 --> 00:37:13,720 Speaker 1: caught up in like things that don't matter, like arguing 665 00:37:13,760 --> 00:37:17,200 Speaker 1: about whatever headline it happens to be that week or whatever, 666 00:37:17,239 --> 00:37:19,799 Speaker 1: like bullshit dramas happening instead of doing the work. It's 667 00:37:19,800 --> 00:37:22,719 Speaker 1: just a distraction. So so far, so good. It's been 668 00:37:23,080 --> 00:37:25,600 Speaker 1: good for me and that respect, I'm so impressed. But 669 00:37:25,719 --> 00:37:28,319 Speaker 1: it's hard to not like, you know, I know, I 670 00:37:28,360 --> 00:37:32,680 Speaker 1: feel like it's there. It's impossible. You're also not missing much. No, 671 00:37:32,920 --> 00:37:38,720 Speaker 1: the quality has gone down. Its website. It's where people 672 00:37:38,800 --> 00:37:41,800 Speaker 1: go when they have a bad feeling to share, Yeah, 673 00:37:41,880 --> 00:37:45,120 Speaker 1: something to complain about. Yeah, it truly is not. Yeah, 674 00:37:45,200 --> 00:37:48,239 Speaker 1: there's no like variable reward anymore to go back and 675 00:37:48,280 --> 00:37:50,640 Speaker 1: to be like, what's going to happen now? You know? 676 00:37:50,760 --> 00:37:52,960 Speaker 1: It's also it's like, what am I gonna get out 677 00:37:52,960 --> 00:37:55,520 Speaker 1: of it this time? When that's gone? I mean, And 678 00:37:55,560 --> 00:37:58,000 Speaker 1: also there's the argument that it's like, oh sorry, that 679 00:37:58,080 --> 00:38:00,600 Speaker 1: like the reality of the news and every thing isn't 680 00:38:00,600 --> 00:38:03,480 Speaker 1: like exciting and fun for you. That's also fun. I 681 00:38:03,520 --> 00:38:06,040 Speaker 1: think Facebook is great to like engage with people, but 682 00:38:06,480 --> 00:38:08,520 Speaker 1: when you have to make a personal choice for like 683 00:38:09,040 --> 00:38:12,960 Speaker 1: your mental well being, like let people do that, like 684 00:38:13,080 --> 00:38:15,960 Speaker 1: I'll engage in the way I want you on Twitter 685 00:38:16,000 --> 00:38:19,000 Speaker 1: and Instagram. Oh my god, the people who are guilds 686 00:38:19,040 --> 00:38:23,400 Speaker 1: you into like engaging with certain news stories like I 687 00:38:23,400 --> 00:38:26,000 Speaker 1: don't know, you know how present that is very it's 688 00:38:26,120 --> 00:38:29,040 Speaker 1: very present, but I just it's it's there. There's there's 689 00:38:29,040 --> 00:38:31,640 Speaker 1: such a weird problem with that that I haven't been 690 00:38:31,680 --> 00:38:37,640 Speaker 1: able to verbalize. But anyway, Um, it's pleak, It's it's bullying. 691 00:38:37,960 --> 00:38:40,879 Speaker 1: It's bullying and simple and we have you watched any 692 00:38:40,920 --> 00:38:46,480 Speaker 1: of Top Model No, okay, really getting bad? Um, it's 693 00:38:46,480 --> 00:38:48,239 Speaker 1: just a bad show. And it it dumps down, it's 694 00:38:50,080 --> 00:38:52,320 Speaker 1: it doesn't respect it's audience, it talks down to its audience. 695 00:38:52,400 --> 00:38:55,040 Speaker 1: It's just a bat show. But that's what made me 696 00:38:55,120 --> 00:38:59,080 Speaker 1: literally the word bullying for me triggered Top Model. The 697 00:38:59,120 --> 00:39:01,719 Speaker 1: episode was like a out bullying and it was so 698 00:39:01,880 --> 00:39:03,959 Speaker 1: dumb and it was so crazy because the last scene 699 00:39:03,960 --> 00:39:06,120 Speaker 1: of the show is literally tired Banks telling a girl 700 00:39:06,160 --> 00:39:10,160 Speaker 1: she's a bad person and that and she doesn't really 701 00:39:10,200 --> 00:39:12,799 Speaker 1: deserve This girl isn't bullying anyone in the house. She 702 00:39:12,840 --> 00:39:15,360 Speaker 1: doesn't have any friends because like her personality is a 703 00:39:15,360 --> 00:39:18,120 Speaker 1: little tough to connect with, and she says things sometimes 704 00:39:18,120 --> 00:39:21,760 Speaker 1: they're like conceited, but she's not anything. She's being bullied 705 00:39:22,040 --> 00:39:25,319 Speaker 1: and ostracized, and Tyra is like speech to her at 706 00:39:25,320 --> 00:39:27,560 Speaker 1: the end is like, in order to win this competition, 707 00:39:27,800 --> 00:39:30,160 Speaker 1: you have to be a good person on the outside 708 00:39:30,520 --> 00:39:32,960 Speaker 1: and the inside. And I think you're a good person 709 00:39:32,960 --> 00:39:36,120 Speaker 1: on inside, but that isn't showing and you need to work. 710 00:39:36,160 --> 00:39:38,440 Speaker 1: And it goes on and on, and then girl just 711 00:39:38,520 --> 00:39:44,000 Speaker 1: eventually goes okay, I understand. She's like, okay, I'm cheap, 712 00:39:44,120 --> 00:39:46,439 Speaker 1: thank you. It's and I was like, okay, I'm gonna 713 00:39:46,480 --> 00:39:49,759 Speaker 1: let you go, Like and it's like, bitch, you just 714 00:39:49,760 --> 00:39:52,560 Speaker 1: held this girl hostage and told her what a shitty person. 715 00:39:52,640 --> 00:39:56,000 Speaker 1: You are a supermodel, you run this show, you're a mogul, 716 00:39:56,200 --> 00:39:59,480 Speaker 1: you have everything this girl has very little. Let stand 717 00:39:59,480 --> 00:40:02,839 Speaker 1: there and tell her that she's a bad person. That's 718 00:40:02,960 --> 00:40:06,560 Speaker 1: breaking her, Like it doesn't matter her personality quirks at 719 00:40:06,600 --> 00:40:11,480 Speaker 1: that point, like Tyra Banks is a bully, she is 720 00:40:11,600 --> 00:40:14,600 Speaker 1: not good. It needs to be called out. Let's talk 721 00:40:14,600 --> 00:40:17,840 Speaker 1: about because Sam two seconds ago said bebe let's talk 722 00:40:17,880 --> 00:40:25,400 Speaker 1: about dark grace, dar grace. I like, what's that other word? 723 00:40:25,560 --> 00:40:30,160 Speaker 1: Uh um? Oh like I'm sorry? What you know? Anthony 724 00:40:30,239 --> 00:40:35,040 Speaker 1: says it? If he? Okay, so and he's on record 725 00:40:35,040 --> 00:40:40,880 Speaker 1: for something different important to right? Okay, Um, we we know, 726 00:40:40,960 --> 00:40:42,800 Speaker 1: we sort of know. I sort of know where you stand. 727 00:40:42,840 --> 00:40:46,799 Speaker 1: We all do. We're all in this. Yes, I mean, 728 00:40:46,840 --> 00:40:52,600 Speaker 1: as is just killing markedly improved, markedly improved. How does 729 00:40:52,680 --> 00:40:56,160 Speaker 1: she do that? I don't think. I think. I think 730 00:40:56,560 --> 00:40:58,399 Speaker 1: I think she is one of those queens who saw 731 00:40:58,440 --> 00:41:00,839 Speaker 1: herself on TV and was like, oh wait I come 732 00:41:00,840 --> 00:41:03,440 Speaker 1: off that way. Yeah. I think I think not all 733 00:41:03,520 --> 00:41:05,839 Speaker 1: queens do that. She seems like a resilient person, Like 734 00:41:06,000 --> 00:41:09,520 Speaker 1: I don't think it was easy on her when things were, 735 00:41:10,160 --> 00:41:12,359 Speaker 1: you know, not good with her and Valentine. I think 736 00:41:12,440 --> 00:41:15,879 Speaker 1: Valentina's fans probably came to destroy her, and I think 737 00:41:15,880 --> 00:41:17,480 Speaker 1: you can respond to that in like one of two 738 00:41:17,520 --> 00:41:20,200 Speaker 1: ways say, I don't care. I have this opportunity to 739 00:41:20,239 --> 00:41:23,000 Speaker 1: be fierce, like let's be fierce, or you can literally 740 00:41:23,120 --> 00:41:28,040 Speaker 1: fade away forever because it's too hard. And I feel 741 00:41:28,080 --> 00:41:30,800 Speaker 1: like she chose to like get very fierce and level 742 00:41:30,800 --> 00:41:34,640 Speaker 1: her pussy up. And I love that. I love that, 743 00:41:34,680 --> 00:41:36,560 Speaker 1: so I think it's really powerful. And that's so powerful. 744 00:41:36,560 --> 00:41:39,839 Speaker 1: I think mostly everyone else is really boring. Yes, and 745 00:41:39,880 --> 00:41:42,880 Speaker 1: like Angela is like fine, like she's gonna win, but 746 00:41:42,960 --> 00:41:47,680 Speaker 1: I don't care, Like who don't care about Angela? Hallelu No, 747 00:41:48,560 --> 00:41:50,960 Speaker 1: I don't think hallelu is funny. I don't connect with 748 00:41:50,960 --> 00:41:54,240 Speaker 1: people who don't think it's funny. Really, yeah, hallelu Really 749 00:41:54,640 --> 00:41:56,560 Speaker 1: to me, it's like, what's funny about it? It's just 750 00:41:56,600 --> 00:42:01,000 Speaker 1: a catch phrase. I think hollelu is so funny. I 751 00:42:01,000 --> 00:42:03,600 Speaker 1: don't know. I love it. To me, it's like I'm 752 00:42:03,640 --> 00:42:05,640 Speaker 1: not like a catchphrase queen either, Like I'm not like 753 00:42:05,760 --> 00:42:09,040 Speaker 1: coming for the catchphrases, but I come in. This whole 754 00:42:09,040 --> 00:42:11,640 Speaker 1: fucking podcast is a series of catchphrases. What are you 755 00:42:11,640 --> 00:42:17,680 Speaker 1: talking about? Well, I'm just saying in my drag race contestants, 756 00:42:18,719 --> 00:42:22,040 Speaker 1: it's not necessary. Whereas some queens you could argue are 757 00:42:22,080 --> 00:42:26,279 Speaker 1: mostly catchphrase, okay, like Jocelyn Fox is like want want 758 00:42:26,400 --> 00:42:31,040 Speaker 1: and not too and I love that catch phrase. But 759 00:42:31,120 --> 00:42:34,520 Speaker 1: it was a large part of her. It was so 760 00:42:34,719 --> 00:42:38,880 Speaker 1: sure she should have won his congeniality she was, but 761 00:42:39,000 --> 00:42:42,640 Speaker 1: she got married instead, which was so nice. And I'm 762 00:42:42,680 --> 00:42:47,239 Speaker 1: so tired of Ben winning, like been so good every time, 763 00:42:47,600 --> 00:42:49,640 Speaker 1: and I'm not like he shouldn't have won, but i 764 00:42:49,640 --> 00:42:52,840 Speaker 1: am like, who cares, I'm so bored. Yeah, they do 765 00:42:52,920 --> 00:42:56,680 Speaker 1: something really interesting with Ben this episode. Oh yeah, because 766 00:42:56,719 --> 00:42:58,600 Speaker 1: I have to tell you don't know this, but we've 767 00:42:58,640 --> 00:43:02,319 Speaker 1: seen the episode. I love this about you guys. But 768 00:43:02,440 --> 00:43:04,040 Speaker 1: also this is going to come out next week one. 769 00:43:04,040 --> 00:43:06,719 Speaker 1: There will be another episode two. So this is all 770 00:43:08,360 --> 00:43:10,200 Speaker 1: I have to reserve. We have to reserve comment on 771 00:43:10,239 --> 00:43:11,840 Speaker 1: a lot of what you're saying. The thing, Ben, is 772 00:43:11,880 --> 00:43:16,560 Speaker 1: that you can't really deny it, though, is the hardest part. 773 00:43:16,880 --> 00:43:19,760 Speaker 1: You can't deny the competence, and that you can't deny 774 00:43:19,800 --> 00:43:22,560 Speaker 1: that it's well done or even that you enjoyed it, 775 00:43:23,120 --> 00:43:25,239 Speaker 1: the comp that that it's well done. I'm more like 776 00:43:25,280 --> 00:43:28,839 Speaker 1: annoyed that the queens aren't better other than Ben, Like 777 00:43:28,880 --> 00:43:31,680 Speaker 1: I'm like, what, like, who did you want to be there? 778 00:43:32,200 --> 00:43:34,239 Speaker 1: Who did I want to be there? Well, one wasn't 779 00:43:34,280 --> 00:43:37,600 Speaker 1: William supposed to be there. I was sure, and I 780 00:43:37,640 --> 00:43:41,399 Speaker 1: was like kind of excited because Willem really shakes things up. 781 00:43:41,600 --> 00:43:46,120 Speaker 1: I see, I don't like I wanted kim Che to 782 00:43:46,160 --> 00:43:49,480 Speaker 1: come back, like that would have been so fun, and like, 783 00:43:49,600 --> 00:43:52,160 Speaker 1: I think she's gotten even more confident. She was good 784 00:43:52,160 --> 00:43:55,640 Speaker 1: on her season and want I wanted to win. And 785 00:43:55,680 --> 00:43:58,960 Speaker 1: then like, I don't know, all these queens seem like 786 00:44:00,040 --> 00:44:06,360 Speaker 1: queens queens. That's the first time I've heard that. I mean, 787 00:44:08,280 --> 00:44:12,640 Speaker 1: is that you're so nice. I think that they are 788 00:44:12,840 --> 00:44:16,080 Speaker 1: philler queens because I think that if if you actually 789 00:44:16,200 --> 00:44:22,319 Speaker 1: took the first ten seasons whatever, you would come back 790 00:44:22,320 --> 00:44:24,680 Speaker 1: with a list that looked very close to the All 791 00:44:24,719 --> 00:44:27,880 Speaker 1: Stars to cast. And I think that that says it all. 792 00:44:27,920 --> 00:44:30,239 Speaker 1: I mean, like, if if they all were ineligible, we were, 793 00:44:30,320 --> 00:44:32,520 Speaker 1: if we were doing All Stars right now, who will 794 00:44:32,560 --> 00:44:35,880 Speaker 1: we pick? We'd pick Alaska, we would pick Detox, We'd 795 00:44:35,880 --> 00:44:38,359 Speaker 1: pick a list to Edwards. I think, all right, because 796 00:44:38,400 --> 00:44:42,240 Speaker 1: they sort of right dried the well with All Stars 797 00:44:42,280 --> 00:44:44,399 Speaker 1: to exactly, and so I think, no matter what, All 798 00:44:44,400 --> 00:44:46,600 Speaker 1: Stars three is not going to be All Stars too, 799 00:44:46,600 --> 00:44:51,359 Speaker 1: because literally, you know, fucking Alaska and Alyssa aren't there, 800 00:44:51,480 --> 00:44:55,000 Speaker 1: so so who's the next exciting? Like, I guess Trixie, 801 00:44:55,440 --> 00:44:57,719 Speaker 1: you know what I mean, like a CAMG. I would 802 00:44:57,719 --> 00:45:00,320 Speaker 1: have loved to see leg. I don't know if I 803 00:45:00,440 --> 00:45:06,800 Speaker 1: like can reveal secret Facebook group information, We'll try try it, 804 00:45:06,880 --> 00:45:10,279 Speaker 1: do it. So you said something about Tricksie that I 805 00:45:10,320 --> 00:45:14,959 Speaker 1: felt like was very accurate. Come on, he said that 806 00:45:15,560 --> 00:45:19,880 Speaker 1: she's only funny because Katya laughs so much after everything 807 00:45:19,920 --> 00:45:24,240 Speaker 1: she says. I really disagree, really yeah, because I actually 808 00:45:24,239 --> 00:45:28,040 Speaker 1: think that for me, the best part of UM that 809 00:45:28,120 --> 00:45:33,960 Speaker 1: show Trixy and Katya is Trixie reacting to what Katya does. 810 00:45:34,280 --> 00:45:37,839 Speaker 1: I mean, yes, but then to have her be in 811 00:45:37,880 --> 00:45:42,640 Speaker 1: this um you know, she's just funny, she's to put 812 00:45:42,719 --> 00:45:45,399 Speaker 1: she's in this little feedback loophole where it's like I'll 813 00:45:45,440 --> 00:45:49,080 Speaker 1: say anything and Katya will cackle for like a fucking 814 00:45:49,480 --> 00:45:51,960 Speaker 1: minute and all and and she just has time to 815 00:45:51,960 --> 00:45:54,520 Speaker 1: sit there and silence and me like, yeah, but I 816 00:45:54,520 --> 00:45:57,799 Speaker 1: don't know, I'm killing I trust Katya. They're like if 817 00:45:57,800 --> 00:46:00,480 Speaker 1: she like, she thinks it's funny, because it's fun funny, 818 00:46:00,560 --> 00:46:03,000 Speaker 1: and just watching Katia react to it, the way she does, 819 00:46:03,080 --> 00:46:05,239 Speaker 1: Like I don't know, like to me, that's how i'd 820 00:46:05,239 --> 00:46:07,120 Speaker 1: be reacting. That's how I react when you when you 821 00:46:07,280 --> 00:46:10,839 Speaker 1: are turning it okay insane like wise, but I don't. 822 00:46:10,920 --> 00:46:14,000 Speaker 1: I mean, like with Katia, it's like you can it's 823 00:46:14,040 --> 00:46:16,719 Speaker 1: she's she's her reactions are just so volatible and that 824 00:46:16,840 --> 00:46:19,279 Speaker 1: like you don't know how strongly she will react on 825 00:46:19,320 --> 00:46:22,000 Speaker 1: any given thing, and so she'll just be like it's 826 00:46:22,040 --> 00:46:27,799 Speaker 1: the same. Like that was good. That was like just 827 00:46:28,080 --> 00:46:30,400 Speaker 1: I'm like, all right, like Katia, come on, like but 828 00:46:30,440 --> 00:46:33,360 Speaker 1: maybe that's her actual physical response. Is crazy that Bowen 829 00:46:33,440 --> 00:46:36,760 Speaker 1: isn't reading Katia, because you know, Bowen has done crazy 830 00:46:36,840 --> 00:46:38,600 Speaker 1: things when it comes to Katia, and I has like 831 00:46:38,680 --> 00:46:42,480 Speaker 1: ruined drag race. My god, I wasn't. I wasn't following. 832 00:46:44,760 --> 00:46:50,640 Speaker 1: I was villainized that today I remember you, like begging 833 00:46:50,680 --> 00:46:57,080 Speaker 1: for the community is respect again, I never stood. I've 834 00:46:57,200 --> 00:47:03,200 Speaker 1: stood my ground, tunning. Yeah, it's crazy, is written apology gay, 835 00:47:03,360 --> 00:47:08,480 Speaker 1: it's queer sports. And now people don't say, don't spoil 836 00:47:08,520 --> 00:47:11,200 Speaker 1: the super Bowl results for me. Fuck you, it is 837 00:47:11,200 --> 00:47:13,040 Speaker 1: not the same, and you deeply know it's not. I 838 00:47:13,080 --> 00:47:15,719 Speaker 1: deeply know it is absolutely the same. And that people 839 00:47:15,719 --> 00:47:20,520 Speaker 1: should fucking clock in its appointment television, gather around your support, 840 00:47:20,600 --> 00:47:23,240 Speaker 1: your local gay night life, and go to the bars 841 00:47:23,239 --> 00:47:25,840 Speaker 1: and watch it in real time. Honey, you have privileged 842 00:47:25,920 --> 00:47:28,839 Speaker 1: now you have you walk into this room privilege. Yeah, 843 00:47:29,360 --> 00:47:33,600 Speaker 1: telling people to go to bars when you have the screeners. 844 00:47:32,440 --> 00:47:38,120 Speaker 1: Get out of here. I'm saying, no, oh my god, no, no. Anytime, 845 00:47:38,239 --> 00:47:41,959 Speaker 1: anytime you both came after me during the Sometimes Sam 846 00:47:42,000 --> 00:47:45,960 Speaker 1: and I get on the same side. We go. People 847 00:47:45,960 --> 00:47:48,160 Speaker 1: were coming after me for being rich and for having 848 00:47:48,160 --> 00:47:51,600 Speaker 1: a home theater. You the one percent and it's filthy. 849 00:47:51,640 --> 00:47:54,120 Speaker 1: That was the best day of my entire life. I 850 00:47:54,200 --> 00:47:57,120 Speaker 1: was so full of true joy. When you have to 851 00:47:57,160 --> 00:48:01,560 Speaker 1: think about everything Bowen has, it's so disheartened. Just honey, 852 00:48:01,640 --> 00:48:06,480 Speaker 1: up a day, bitch. My parents parents are immigrants. They 853 00:48:06,600 --> 00:48:11,400 Speaker 1: worked every single scent and you know nothing of that struggle. 854 00:48:11,719 --> 00:48:14,680 Speaker 1: I know everything. If you were born with the silver spoon, no, honey, 855 00:48:15,040 --> 00:48:18,160 Speaker 1: a dang mouth unbelievable, bitch. If they had stayed in China, 856 00:48:18,200 --> 00:48:21,040 Speaker 1: I would not have been born as a second child. Honey, 857 00:48:21,160 --> 00:48:27,000 Speaker 1: and I live every vilege honoring, honoring the sacrifice they 858 00:48:27,040 --> 00:48:29,360 Speaker 1: made that has that has paid dividends for them. In 859 00:48:29,440 --> 00:48:33,960 Speaker 1: return that they they've they've reaped everything that they've sacrificed. Honey, 860 00:48:35,239 --> 00:48:37,719 Speaker 1: I can hear all the listeners clocking the privilege. Sorry, 861 00:48:37,719 --> 00:48:40,239 Speaker 1: I just getting their pens out down the time when 862 00:48:40,239 --> 00:48:44,200 Speaker 1: they heard it. Wasn't crazy. They were so loud. All 863 00:48:44,239 --> 00:48:49,560 Speaker 1: his coins, all sacra coins, just carries them around. Yeah, 864 00:48:51,360 --> 00:48:53,319 Speaker 1: but no, it's cool to remember that you were rich. 865 00:48:53,360 --> 00:48:56,040 Speaker 1: I did know that, but I had forgotten briefly. Okay, yeah, 866 00:48:56,360 --> 00:48:59,560 Speaker 1: abely Sam very wealthy. I would say, Sam is pretty wealthy. 867 00:48:59,560 --> 00:49:05,680 Speaker 1: Oh you've her hush, not simply not. I think he 868 00:49:05,800 --> 00:49:10,319 Speaker 1: certainly has a nice one bedroom. He does, Oh it's 869 00:49:10,360 --> 00:49:15,160 Speaker 1: a oh yes, it's a two bedroom. I live with 870 00:49:15,200 --> 00:49:21,040 Speaker 1: my lover. I walked in and I said, these people 871 00:49:21,080 --> 00:49:24,560 Speaker 1: do very well. It's a well kept apartner. These people 872 00:49:24,560 --> 00:49:27,200 Speaker 1: do very well. It has nothing to do with money. 873 00:49:27,880 --> 00:49:30,840 Speaker 1: That's everything to do with their own taste and effort 874 00:49:31,480 --> 00:49:33,440 Speaker 1: to maintain it. You know, we knew what we wanted 875 00:49:34,760 --> 00:49:40,000 Speaker 1: and so we made the rights. Yeah beautiful. Yeah, living 876 00:49:40,000 --> 00:49:45,440 Speaker 1: in New York is it's just it's a huge wow. 877 00:49:45,920 --> 00:49:50,920 Speaker 1: You know, if you came over to my apartment, um, 878 00:49:51,080 --> 00:49:53,239 Speaker 1: I don't know, no one's been there. I don't know 879 00:49:53,239 --> 00:49:55,239 Speaker 1: how people are going to react. I live in Greenpoint now, 880 00:49:55,280 --> 00:49:58,439 Speaker 1: but it's just one I moved as of about two 881 00:49:58,440 --> 00:50:01,959 Speaker 1: months ago. No way, yes, but he's like super close 882 00:50:02,000 --> 00:50:06,239 Speaker 1: to the line. I'm very very close to Queens. Got it? 883 00:50:06,280 --> 00:50:09,839 Speaker 1: But I was about to ask for the here right, 884 00:50:10,160 --> 00:50:13,680 Speaker 1: Um but no, I love it, but like I'm curious 885 00:50:13,719 --> 00:50:16,480 Speaker 1: to think because I don't necessarily know too much about 886 00:50:16,480 --> 00:50:20,239 Speaker 1: style or like home to core, I could probably really identified, like, um, 887 00:50:20,520 --> 00:50:24,959 Speaker 1: use a Bobby right now to like, I think it's nice. 888 00:50:25,080 --> 00:50:27,240 Speaker 1: We could all use a Bobby, but me too, me most, 889 00:50:27,800 --> 00:50:29,600 Speaker 1: But I think it's kind of nice in there. But 890 00:50:29,880 --> 00:50:33,319 Speaker 1: I'm sure once like you and Dave come over and 891 00:50:33,320 --> 00:50:36,880 Speaker 1: study comes over, I'm gonna be told something is egregiously wrong. 892 00:50:37,960 --> 00:50:39,799 Speaker 1: I won't do that. No, no, no no, and not in 893 00:50:39,800 --> 00:50:41,960 Speaker 1: a bad way, in an objective way. I'm just sure 894 00:50:42,120 --> 00:50:44,520 Speaker 1: I've set it up in some way that's like obviously 895 00:50:44,560 --> 00:50:47,680 Speaker 1: not right when it's just a big housewarming party. Come on, 896 00:50:49,360 --> 00:50:54,759 Speaker 1: is it just you? Except we're having some problems with 897 00:50:54,920 --> 00:50:59,160 Speaker 1: living facilities, like what like constantly water dripping down from 898 00:50:59,160 --> 00:51:04,000 Speaker 1: my roof Rainforest Cafe. It's happened three times, you get one, Well, 899 00:51:04,120 --> 00:51:06,840 Speaker 1: we worked it out with the problems were clear and 900 00:51:06,880 --> 00:51:09,239 Speaker 1: they were fixed. But it was just like, this is 901 00:51:09,280 --> 00:51:12,719 Speaker 1: happening a lot um because it's not good. I mean, 902 00:51:12,719 --> 00:51:15,560 Speaker 1: you don't want water leaking down from the ceiling in 903 00:51:15,640 --> 00:51:19,960 Speaker 1: your apartment. No, no, no, maybe from the shower when 904 00:51:19,960 --> 00:51:22,880 Speaker 1: you turn it on, but other than that, water shouldn't 905 00:51:22,920 --> 00:51:26,920 Speaker 1: be coming down. No, we agree about that. That really happens. 906 00:51:27,040 --> 00:51:29,279 Speaker 1: That really happened, you know, but it does. It does. 907 00:51:29,640 --> 00:51:32,280 Speaker 1: It's really powerful and that's like, you know, it's honest, 908 00:51:32,480 --> 00:51:35,479 Speaker 1: and that's like what's so important is friends being honest 909 00:51:35,520 --> 00:51:38,360 Speaker 1: with you. If you can't be honest, Okay, let me 910 00:51:38,360 --> 00:51:41,320 Speaker 1: ask you something then, queen, Okay, you are Jennifer Honeston's 911 00:51:41,360 --> 00:51:43,719 Speaker 1: best friend right now, what do you tell her? I'm 912 00:51:43,800 --> 00:51:46,680 Speaker 1: so sorry you're going through. I'm sure this is really 913 00:51:46,719 --> 00:51:50,000 Speaker 1: hard and you know you're going to find the one 914 00:51:50,320 --> 00:51:52,400 Speaker 1: and like, definitely, like I don't think it's your fault, 915 00:51:52,400 --> 00:51:57,040 Speaker 1: but maybe reflect not necessarily exactly, but definitely like before 916 00:51:57,040 --> 00:52:00,319 Speaker 1: you jump in next time, make sure it's right. So 917 00:52:00,440 --> 00:52:03,480 Speaker 1: get this. If Jennifer est is your best friend, and 918 00:52:03,520 --> 00:52:06,080 Speaker 1: like literally think of yourself like her best friend in 919 00:52:06,120 --> 00:52:08,200 Speaker 1: this world, like in this world you are her best friend. 920 00:52:09,320 --> 00:52:12,480 Speaker 1: She comes to you and says, oh my god, this 921 00:52:12,520 --> 00:52:18,719 Speaker 1: is fucking crazy. Brad texted me and what let's just 922 00:52:18,719 --> 00:52:22,520 Speaker 1: act out the scenario. What do you say? He said, 923 00:52:22,920 --> 00:52:26,000 Speaker 1: I've been thinking about you. What do I do to 924 00:52:26,040 --> 00:52:28,759 Speaker 1: Why I haven't responded? En? You can't do this? Oh 925 00:52:28,840 --> 00:52:33,560 Speaker 1: my god, Jenn, text them back. No, Jen, I'd stop. 926 00:52:33,880 --> 00:52:36,239 Speaker 1: You've made I want to say I love you. You 927 00:52:36,239 --> 00:52:39,080 Speaker 1: have built your feel you should do that. You've built 928 00:52:39,120 --> 00:52:45,880 Speaker 1: your whole public persona like deliberately around this like shitty 929 00:52:45,960 --> 00:52:49,600 Speaker 1: idea about that that this shitty obsession with like your 930 00:52:49,600 --> 00:52:51,839 Speaker 1: love life and your personal God, you're not making any 931 00:52:51,880 --> 00:52:57,880 Speaker 1: sense I think I needed. In fact, I'm gonna call 932 00:52:57,960 --> 00:53:00,120 Speaker 1: him right now. Don't call that's too needy. Do you 933 00:53:00,120 --> 00:53:03,560 Speaker 1: think that's too needy? Yeah? Okay, Yeah, I'll text text okay? 934 00:53:03,680 --> 00:53:05,799 Speaker 1: Or should I email him? Should I have my agent 935 00:53:05,840 --> 00:53:08,680 Speaker 1: email him? I don't know. That's so cold? Yeah, what 936 00:53:08,719 --> 00:53:11,080 Speaker 1: makes you think that he he's not going to treat 937 00:53:11,120 --> 00:53:12,479 Speaker 1: the same way that he treated you in the past 938 00:53:12,560 --> 00:53:17,560 Speaker 1: or that he treated Angelina. You know, Um, I have 939 00:53:17,640 --> 00:53:21,200 Speaker 1: a I have a really good feeling. Yeah. Yeah, I 940 00:53:21,280 --> 00:53:23,600 Speaker 1: just got a lot of money from Apple to do 941 00:53:23,680 --> 00:53:27,840 Speaker 1: my show. Wow, congrats. Oh yeah, I didn't know you 942 00:53:27,880 --> 00:53:30,439 Speaker 1: got an Apple show. That's very really good and really 943 00:53:30,440 --> 00:53:32,799 Speaker 1: confident because I've asked for what I wanted. But what 944 00:53:32,880 --> 00:53:38,720 Speaker 1: was your contract? Like sucking ten millions? That crazy? Crazy? 945 00:53:39,120 --> 00:53:41,120 Speaker 1: Now I'm feeling really confident, So I think I should 946 00:53:41,160 --> 00:53:42,759 Speaker 1: text Brad that I love him and want to get 947 00:53:42,760 --> 00:53:45,279 Speaker 1: back together. I think we should announce it right now. No, 948 00:53:45,400 --> 00:53:49,240 Speaker 1: here's what you do. You have your agent, email his agent, 949 00:53:49,320 --> 00:53:51,759 Speaker 1: get him cast on your Apple show. Then he'll fall 950 00:53:51,800 --> 00:53:54,880 Speaker 1: in love with you naturally Brad style. Oh my god, Yes, 951 00:53:54,920 --> 00:53:56,440 Speaker 1: Should I wear a wig so I can pretend it's 952 00:53:56,440 --> 00:53:59,080 Speaker 1: not Maybe you could tell them it's like, I don't 953 00:53:59,080 --> 00:54:01,480 Speaker 1: know who's who has brown the hair. I honestly don't 954 00:54:01,520 --> 00:54:03,360 Speaker 1: know anyone. I don't know any of them. All my 955 00:54:03,400 --> 00:54:06,400 Speaker 1: friends are I would, but you guys are are Chelsea 956 00:54:06,440 --> 00:54:12,120 Speaker 1: Handler and Chelsea Handler, so you guys are both blond. 957 00:54:12,120 --> 00:54:16,279 Speaker 1: We don't know anyone who's brown hair or brown you 958 00:54:16,280 --> 00:54:19,160 Speaker 1: know what? As Chelsea Handler, I will one day start 959 00:54:19,360 --> 00:54:23,080 Speaker 1: like a mediocre Netflix documentary series where I surround myself 960 00:54:23,120 --> 00:54:26,840 Speaker 1: with people of color just as as props and see 961 00:54:28,520 --> 00:54:32,120 Speaker 1: great and we learned a lot. That's fun I would 962 00:54:32,120 --> 00:54:34,040 Speaker 1: I want the transcript for that. I would tell it 963 00:54:34,080 --> 00:54:37,799 Speaker 1: to John straight. I'd be like, no, John, No, it's 964 00:54:37,800 --> 00:54:39,880 Speaker 1: crazy people are even thinking about I think that showed 965 00:54:39,880 --> 00:54:42,359 Speaker 1: our difference really well, because like we've gained upon Matt 966 00:54:42,400 --> 00:54:45,319 Speaker 1: so much today, and it's like this like show that 967 00:54:45,480 --> 00:54:48,880 Speaker 1: we don't follow each other blindly. That's what I'm saying. 968 00:54:49,080 --> 00:54:51,480 Speaker 1: It's when you guys are not on the same page. 969 00:54:51,520 --> 00:54:54,959 Speaker 1: It's very power. But here's the thing. What's the third 970 00:54:55,000 --> 00:54:58,040 Speaker 1: iteration of this? Where Okay, So because the other two 971 00:54:58,160 --> 00:55:01,080 Speaker 1: are Matt and I getting up on Sam or Sam 972 00:55:01,120 --> 00:55:03,560 Speaker 1: and I getting up on a Mat No, no, no, no no, no, 973 00:55:03,600 --> 00:55:07,840 Speaker 1: I'm sorry, I'm sorry. The two iterations are Matt and 974 00:55:07,880 --> 00:55:10,120 Speaker 1: Sam getting up on me and me and Sam getting 975 00:55:10,200 --> 00:55:12,440 Speaker 1: up on Matt. But me and Matt I've never gained 976 00:55:12,480 --> 00:55:14,920 Speaker 1: up on Sam because it's not respectful. Because he's a guest. 977 00:55:15,000 --> 00:55:16,920 Speaker 1: Then we should be nice. Now we can get up 978 00:55:16,920 --> 00:55:22,640 Speaker 1: on him. About the stinker part, Yeah, it's really rancid. Yeah, 979 00:55:22,680 --> 00:55:25,600 Speaker 1: I mean it's nast especially today was so hot. But 980 00:55:25,719 --> 00:55:29,520 Speaker 1: here's the spring, by the way, here's what you've ruined. 981 00:55:30,000 --> 00:55:32,040 Speaker 1: Like I was with you, I saw you over the 982 00:55:32,040 --> 00:55:33,920 Speaker 1: weekend and then I came and then like I walked 983 00:55:34,000 --> 00:55:35,960 Speaker 1: over to you and I was like, damn it, Sam, 984 00:55:36,080 --> 00:55:38,480 Speaker 1: you stinker and you go and you and you were 985 00:55:38,520 --> 00:55:40,719 Speaker 1: like yeah, And then I was like, I guess I 986 00:55:40,760 --> 00:55:42,400 Speaker 1: have to put up with that, Like this is just 987 00:55:42,520 --> 00:55:48,440 Speaker 1: normal now, he's normalized dead. I mean, is it actively annoying? No, 988 00:55:48,880 --> 00:55:53,239 Speaker 1: it's because cute. And I think it smells really good 989 00:55:53,239 --> 00:55:56,360 Speaker 1: in here right now. See there we go my breath 990 00:55:56,360 --> 00:55:59,920 Speaker 1: and the mic smell is amazing, Ran, what is this 991 00:56:00,000 --> 00:56:05,040 Speaker 1: to me? Like disgusting? But the sound sniffing into the 992 00:56:05,080 --> 00:56:08,759 Speaker 1: mic just now like really hurt that the viewers are 993 00:56:08,760 --> 00:56:13,560 Speaker 1: probably like, oh, and they're watching the ers and they're 994 00:56:13,600 --> 00:56:18,600 Speaker 1: watching podcasts are a visual media. Can I say one thing? Yes, 995 00:56:19,280 --> 00:56:23,680 Speaker 1: I'm wearing a mac Weldon shirt. Oh sponsor. I just 996 00:56:23,719 --> 00:56:26,320 Speaker 1: wanted to throw it out to my sponsor arena, because 997 00:56:26,360 --> 00:56:28,600 Speaker 1: you know, you can go on mac weldon dot com 998 00:56:28,640 --> 00:56:30,919 Speaker 1: and use promo code Lost Cultures Test to get twenty 999 00:56:31,000 --> 00:56:33,359 Speaker 1: percent off. Yeah, they're not actually not even making me 1000 00:56:33,400 --> 00:56:38,279 Speaker 1: say that, really wearing it, that's nuts. I'm wearing mack 1001 00:56:38,280 --> 00:56:41,160 Speaker 1: weldon socks right now. You are my god. Do you 1002 00:56:41,200 --> 00:56:43,160 Speaker 1: know you can go to mac weldon dot com. Forward, 1003 00:56:43,160 --> 00:56:46,520 Speaker 1: slash lost Culture rests and use the promo code lost 1004 00:56:46,520 --> 00:56:50,040 Speaker 1: Culture rests and get off. Didn't know that? Wow? Now 1005 00:56:50,080 --> 00:56:53,640 Speaker 1: you know live ads I love? Yeah? Well, um, we 1006 00:56:53,680 --> 00:56:55,239 Speaker 1: wanted you to be a part of it. That was 1007 00:56:55,280 --> 00:56:58,880 Speaker 1: really cool. A peek behind the curtain. Yeah yeah, yeah, wow. 1008 00:56:59,800 --> 00:57:05,920 Speaker 1: I mean we're good at what we do that. Do 1009 00:57:05,960 --> 00:57:08,160 Speaker 1: you listen to this podcast or now? Do you say 1010 00:57:08,200 --> 00:57:10,799 Speaker 1: if I want to, I scroll, I see who the 1011 00:57:10,840 --> 00:57:13,400 Speaker 1: guest is and I feel out in that moment? Do 1012 00:57:13,480 --> 00:57:15,359 Speaker 1: I give it a list? Do I not? And what's 1013 00:57:15,400 --> 00:57:17,760 Speaker 1: an example of someone that that you saw on our 1014 00:57:17,760 --> 00:57:20,360 Speaker 1: show that you said click click click, bitch. I clicked 1015 00:57:20,360 --> 00:57:25,040 Speaker 1: the Janine garoffalo one feel Um. So the craziest part 1016 00:57:25,520 --> 00:57:28,520 Speaker 1: was when you were like, it's noon on this date 1017 00:57:28,680 --> 00:57:31,320 Speaker 1: and you're listening and it was literally noon on this day. 1018 00:57:32,720 --> 00:57:34,720 Speaker 1: Actually I was going to take a screenshot and I 1019 00:57:34,760 --> 00:57:37,880 Speaker 1: was like, who cares? Right? So you know what you 1020 00:57:37,920 --> 00:57:41,240 Speaker 1: told us? Now? So why would you need? Like I thought, 1021 00:57:41,240 --> 00:57:42,640 Speaker 1: I was like, this is gonna be so fun. I'm 1022 00:57:42,640 --> 00:57:45,520 Speaker 1: gonna like text Matt you need, I need. That would 1023 00:57:45,560 --> 00:57:47,320 Speaker 1: have been That would have been the love because everyone 1024 00:57:47,440 --> 00:57:49,880 Speaker 1: while I'll shoot a text when I'm listening because it's 1025 00:57:49,920 --> 00:57:52,720 Speaker 1: it feels very personal. Wow. Yes, and you get a 1026 00:57:52,720 --> 00:57:54,600 Speaker 1: direct line and I get a direct line, and that's 1027 00:57:54,640 --> 00:57:58,240 Speaker 1: so to the heart, straight to the heart. Yeah, I mean, 1028 00:57:58,280 --> 00:58:00,600 Speaker 1: and I wish I had a direct line, more people, 1029 00:58:00,680 --> 00:58:06,240 Speaker 1: more things. I would tell Trixie you're being boring. Oh, 1030 00:58:06,280 --> 00:58:08,720 Speaker 1: and she'd be like, thank you, that's honest, that's friendship, 1031 00:58:09,520 --> 00:58:12,840 Speaker 1: you know what. I stay tuned, stay tuned. That's all 1032 00:58:12,880 --> 00:58:15,640 Speaker 1: I want to say about Drag Race and Trixie State, 1033 00:58:17,920 --> 00:58:21,160 Speaker 1: especially not now it's already gonna have come out spoiling 1034 00:58:21,200 --> 00:58:25,479 Speaker 1: for me. I look, no, it wasn't ulsaid was stay 1035 00:58:25,480 --> 00:58:28,080 Speaker 1: tuned for Trixie. Something will happen with tricks It's not 1036 00:58:28,160 --> 00:58:31,760 Speaker 1: a spoiler that something happens with Tricksie and drag Wait. Wait, 1037 00:58:31,800 --> 00:58:34,400 Speaker 1: I have one question. Do you guys feel like are 1038 00:58:34,400 --> 00:58:36,200 Speaker 1: you like stressed out by the fact that there's going 1039 00:58:36,240 --> 00:58:38,600 Speaker 1: to be, like immediately another season and it's going to 1040 00:58:38,680 --> 00:58:43,240 Speaker 1: be so much No, I'm excited about it. I want 1041 00:58:43,360 --> 00:58:46,800 Speaker 1: that space because otherwise I just we're gonna there's gonna 1042 00:58:46,800 --> 00:58:49,440 Speaker 1: be some element of fatigue there. It's gonna feel so different. 1043 00:58:49,480 --> 00:58:53,720 Speaker 1: I know it. Well, I mean, yes, I think it will. 1044 00:58:53,880 --> 00:58:56,240 Speaker 1: I think because like it's the tenth season and v 1045 00:58:56,400 --> 00:58:58,000 Speaker 1: H one knows what a hit it has. And I 1046 00:58:58,040 --> 00:59:00,920 Speaker 1: think this season nine premiere was big girl, like Gaga 1047 00:59:00,960 --> 00:59:01,959 Speaker 1: was on it, you know what I mean, Like it'll 1048 00:59:01,960 --> 00:59:05,560 Speaker 1: be exciting. And also the New Queens, if what I'm 1049 00:59:05,600 --> 00:59:07,880 Speaker 1: hearing the tea that I'm hearing is true, Like there's 1050 00:59:07,920 --> 00:59:11,240 Speaker 1: some really good fucking queens on there, and I'm excited 1051 00:59:11,280 --> 00:59:15,240 Speaker 1: about watching them. And I think like the each one 1052 00:59:15,280 --> 00:59:18,080 Speaker 1: knows what a geman has and they're going to turn 1053 00:59:18,080 --> 00:59:21,400 Speaker 1: it out. Okay, okay. Also, I don't get fatigue over 1054 00:59:21,480 --> 00:59:23,520 Speaker 1: drag Race. I wanted to always be on I mean, 1055 00:59:24,160 --> 00:59:27,480 Speaker 1: like ideally same Like I'd like to think that I 1056 00:59:27,520 --> 00:59:31,600 Speaker 1: would always want drag Race, but it is, it feels 1057 00:59:31,640 --> 00:59:35,360 Speaker 1: like sometimes there's a lot of mental up keep to 1058 00:59:35,480 --> 00:59:39,880 Speaker 1: be done. I don't know, you know, it just feels 1059 00:59:39,920 --> 00:59:42,840 Speaker 1: like you have to constantly pars it out and like 1060 00:59:42,960 --> 00:59:46,680 Speaker 1: talk about it. I don't know, we literally, we literally 1061 00:59:46,720 --> 00:59:48,960 Speaker 1: are talking about it every week, Like maybe that's why. 1062 00:59:49,000 --> 00:59:51,520 Speaker 1: Maybe it's just because there's like an output every week 1063 00:59:51,600 --> 00:59:54,200 Speaker 1: related to that. It's also similar to like when like 1064 00:59:54,280 --> 00:59:56,200 Speaker 1: straight people are talking about sports all the time and 1065 00:59:56,240 --> 00:59:58,080 Speaker 1: you're like, when was the last time you like asked 1066 00:59:58,120 --> 01:00:00,840 Speaker 1: you how you were doing, and I'd feel like gay 1067 01:00:00,840 --> 01:00:03,440 Speaker 1: people now get that where it's like all conversations are 1068 01:00:03,440 --> 01:00:06,880 Speaker 1: about drag race. We never talked about real things anymore. 1069 01:00:06,880 --> 01:00:09,439 Speaker 1: You have to read on Bowen Yang that is who 1070 01:00:09,480 --> 01:00:11,800 Speaker 1: butt drag race up. And you know what, it's true. 1071 01:00:12,240 --> 01:00:15,840 Speaker 1: It's he's very privileged. All that privilege, it's gone right 1072 01:00:15,880 --> 01:00:20,000 Speaker 1: to his head. He's gone blind with privilege. Where You're right, Sam? Fine? 1073 01:00:20,120 --> 01:00:27,680 Speaker 1: How are you? Oh my god? Incredible? So good? Yeah? 1074 01:00:27,840 --> 01:00:37,560 Speaker 1: What are you excited about? The show? Who's opening? So sheer? 1075 01:00:38,440 --> 01:00:43,840 Speaker 1: Lovely girl, stunning, stunning, stunning, beautiful, talented, funny, just a 1076 01:00:44,520 --> 01:00:47,840 Speaker 1: kind because the most important is kind. Well, you know 1077 01:00:47,960 --> 01:00:53,360 Speaker 1: there are some more important things. Okay, Um, you know 1078 01:00:54,600 --> 01:00:57,320 Speaker 1: Max Witter, Max Twitter, it's going to be their sister's 1079 01:00:57,320 --> 01:01:03,880 Speaker 1: weekend showing a NEWVID that's exciting artists, artists. Heard of it, Matt, Yeah, 1080 01:01:03,920 --> 01:01:06,479 Speaker 1: I have, I've heard of it, heard of it? Wait? 1081 01:01:06,640 --> 01:01:10,200 Speaker 1: Did did did we talk about this year about your 1082 01:01:10,360 --> 01:01:13,200 Speaker 1: little history and at you the air? Now? Yes we did. 1083 01:01:13,200 --> 01:01:15,400 Speaker 1: How is the touch? We touched on it? We touched 1084 01:01:15,440 --> 01:01:17,320 Speaker 1: on it. Give your side of this story, Give her 1085 01:01:17,320 --> 01:01:19,560 Speaker 1: side of the story. How difficult was she to work with? 1086 01:01:20,160 --> 01:01:25,080 Speaker 1: So not difficult? It was crazy that you had a 1087 01:01:25,080 --> 01:01:30,080 Speaker 1: real opportunity there, I know. But you know honesty well. 1088 01:01:30,120 --> 01:01:33,120 Speaker 1: And there's there's this really fun book called Truth in Comedy. 1089 01:01:33,200 --> 01:01:34,840 Speaker 1: You should check it out. I'm gonna check it out. 1090 01:01:34,880 --> 01:01:36,920 Speaker 1: I'm gonna check specifically because I know how much you 1091 01:01:36,960 --> 01:01:39,600 Speaker 1: loved comedy. Can I say something, I've never read it. Proudly, really, 1092 01:01:39,920 --> 01:01:41,760 Speaker 1: I've never read it. I'm so proud of you. I 1093 01:01:41,760 --> 01:01:44,480 Speaker 1: wish I were you right now. You have read comedy. 1094 01:01:44,480 --> 01:01:46,600 Speaker 1: When I was in college, it was like, like you 1095 01:01:47,080 --> 01:01:50,280 Speaker 1: actually had to read this, like we So I went 1096 01:01:50,320 --> 01:01:52,840 Speaker 1: to college and I was the first year once the 1097 01:01:52,920 --> 01:01:55,440 Speaker 1: year was a fourth year, and like she was a 1098 01:01:55,440 --> 01:01:57,760 Speaker 1: fourth year along with this other guy who I won't name, 1099 01:01:58,200 --> 01:02:00,360 Speaker 1: don't name. I was just like very strict and he 1100 01:02:00,440 --> 01:02:02,439 Speaker 1: was like, you guys actually really need to read this book. 1101 01:02:02,480 --> 01:02:05,200 Speaker 1: And he was very much like like I. We were 1102 01:02:05,200 --> 01:02:07,640 Speaker 1: doing musical improve and as I've stated, I cannot sing, 1103 01:02:08,280 --> 01:02:11,000 Speaker 1: and so they were like, so he was like, which 1104 01:02:11,080 --> 01:02:14,520 Speaker 1: what do you feel more comfortable with, like harmony or 1105 01:02:15,520 --> 01:02:18,800 Speaker 1: the melody melody? And I was like melody and he's like, okay, 1106 01:02:18,840 --> 01:02:23,640 Speaker 1: you're doing harmony, and it was like chill, twist yeah, 1107 01:02:23,680 --> 01:02:25,520 Speaker 1: and it was just like Okay, I don't know how 1108 01:02:25,560 --> 01:02:27,960 Speaker 1: to sing, but here goes. And then it was like 1109 01:02:28,160 --> 01:02:30,400 Speaker 1: so he was being really strict and Sayshire was extremely 1110 01:02:30,480 --> 01:02:32,800 Speaker 1: nice to me and was very like the first person. 1111 01:02:32,920 --> 01:02:35,240 Speaker 1: I was like, oh, I'm comfortable around you. Thank you. 1112 01:02:36,120 --> 01:02:38,480 Speaker 1: That's actually huge. Nice to you. How like she was 1113 01:02:38,560 --> 01:02:40,120 Speaker 1: kind to you, or she took you in a room 1114 01:02:40,120 --> 01:02:45,320 Speaker 1: and taught you singing. She was kind to me. She 1115 01:02:45,360 --> 01:02:48,600 Speaker 1: couldn't just teach me singing right then and there, weekend, 1116 01:02:49,320 --> 01:02:51,360 Speaker 1: I doubt it. Would you like to learn singing right now? 1117 01:02:51,480 --> 01:03:00,720 Speaker 1: Hit me? Come on natural pet? Oh no, that's a third, 1118 01:03:01,320 --> 01:03:09,720 Speaker 1: the third and then the most important one. You know 1119 01:03:09,720 --> 01:03:15,320 Speaker 1: how to sing? You match the tone? Shut up sing? 1120 01:03:15,520 --> 01:03:19,200 Speaker 1: Drummer singer we taught could be a drummer singer like 1121 01:03:19,560 --> 01:03:24,200 Speaker 1: insert famous drummer singer here. I shouldn't know Dave, who 1122 01:03:24,280 --> 01:03:30,520 Speaker 1: could forget? Who could forget? His favorite band? The Food Fighter. 1123 01:03:37,200 --> 01:03:41,440 Speaker 1: That was really good. I'm a really fantastic talent, fantasticque 1124 01:03:42,520 --> 01:03:47,200 Speaker 1: you know who I hope never fucking comes back. Kings 1125 01:03:47,280 --> 01:03:52,880 Speaker 1: of mother fucking Oh my god, your feet were planted. 1126 01:03:53,240 --> 01:03:55,919 Speaker 1: You had such hate in your heart. You don't like them, 1127 01:03:56,000 --> 01:04:00,800 Speaker 1: you somebody, oh my god, they were any where. It's 1128 01:04:00,840 --> 01:04:04,160 Speaker 1: like people are like, oh, actually they're really like actually 1129 01:04:04,200 --> 01:04:08,160 Speaker 1: good and that like out okay, which is how I 1130 01:04:08,200 --> 01:04:12,800 Speaker 1: felt about Mumford. Sorry, yeah, but no, but people were like, 1131 01:04:12,960 --> 01:04:15,760 Speaker 1: but people literally said that thing, and we used to 1132 01:04:15,800 --> 01:04:19,400 Speaker 1: sit down and listen to this. I'm like, this is bullshit. Immediately, 1133 01:04:19,440 --> 01:04:21,240 Speaker 1: I'm proud of this is my truth. And comedy was 1134 01:04:21,280 --> 01:04:24,360 Speaker 1: that I didn't like Mumford and they were made for 1135 01:04:24,440 --> 01:04:28,000 Speaker 1: me and I could see it was like, no, that'll 1136 01:04:28,040 --> 01:04:30,880 Speaker 1: take the bait. It's like like you should have rejected Anthony, 1137 01:04:30,920 --> 01:04:34,800 Speaker 1: like he's clearly made for you, but you're taking the bait. Yeah, 1138 01:04:34,800 --> 01:04:36,280 Speaker 1: And that's how I guess how I choose to live 1139 01:04:36,320 --> 01:04:38,640 Speaker 1: my life. Like some of us, like we walk into 1140 01:04:38,680 --> 01:04:41,520 Speaker 1: the world and we say I'm going to experience the world, 1141 01:04:41,520 --> 01:04:44,600 Speaker 1: and other of us. Others of us they hide in 1142 01:04:44,640 --> 01:04:46,720 Speaker 1: the dark, away from their interests, in away from from 1143 01:04:46,720 --> 01:04:48,919 Speaker 1: what's going to give them joy. And I just hope 1144 01:04:48,920 --> 01:04:51,400 Speaker 1: that you can welcome to the light, honey, And I 1145 01:04:51,440 --> 01:04:54,520 Speaker 1: hope that you get a life coach. That was bitch, 1146 01:04:54,600 --> 01:04:56,880 Speaker 1: you need a life coach, and bitch you need a 1147 01:04:56,880 --> 01:05:00,920 Speaker 1: life coach. Both need coaches, and I wish you the 1148 01:05:00,960 --> 01:05:09,160 Speaker 1: best and as always, kisses to my critics. Yea to 1149 01:05:09,240 --> 01:05:12,160 Speaker 1: all my critics. Matt's like over here fucking being like 1150 01:05:12,400 --> 01:05:14,800 Speaker 1: I don't like kids me this, and then he like 1151 01:05:14,960 --> 01:05:24,880 Speaker 1: spews his fucking critics as always, from something like that 1152 01:05:24,880 --> 01:05:27,439 Speaker 1: would be the fun Real House Lives track for you. Yes, 1153 01:05:27,920 --> 01:05:30,320 Speaker 1: kisses to my critics. You only made me stronger and 1154 01:05:30,440 --> 01:05:33,920 Speaker 1: God bless. Although I did also have one when we 1155 01:05:33,920 --> 01:05:38,480 Speaker 1: were Roulette, which was don't bite the hand. You are 1156 01:05:38,520 --> 01:05:43,640 Speaker 1: a catchphrase, queen, I guess so then Matt at one 1157 01:05:43,680 --> 01:05:48,920 Speaker 1: point for about a week long period, we were in Charlottesville, Charleston, 1158 01:05:49,680 --> 01:05:53,720 Speaker 1: one of those Charleston, probably Charleston. That's why I went 1159 01:05:53,720 --> 01:05:58,000 Speaker 1: to college. Yes, Charleston, Yes, Charlottesville. As v I I'm 1160 01:05:58,120 --> 01:06:02,120 Speaker 1: Charleston and Matt, he was telling you where you went. Sorry, 1161 01:06:03,040 --> 01:06:06,600 Speaker 1: I know that's catchphrase in Charleston was just for the 1162 01:06:06,640 --> 01:06:10,240 Speaker 1: week was don't bite the hand, don't fight. No no, 1163 01:06:10,240 --> 01:06:12,000 Speaker 1: no, no no, no no no, I'm sorry, that's what you 1164 01:06:12,000 --> 01:06:15,120 Speaker 1: just said. It was keep him second guessing, second guessing. 1165 01:06:15,400 --> 01:06:18,680 Speaker 1: You always have to keep him second guessing. He was 1166 01:06:18,680 --> 01:06:24,040 Speaker 1: suck guessing that one's coming back, coming back, keep him 1167 01:06:24,040 --> 01:06:30,440 Speaker 1: second guessing. Wait, that is peak idiot. That's so so stupid, 1168 01:06:30,720 --> 01:06:35,600 Speaker 1: it's so so funny. I think Sam has catchphrases too, absolutely, 1169 01:06:35,920 --> 01:06:39,400 Speaker 1: I guess I don't think so. Honey, you're se whole 1170 01:06:39,680 --> 01:06:42,800 Speaker 1: podcast is catching. You're right, we're garbage and trash. Sam's 1171 01:06:42,840 --> 01:06:46,680 Speaker 1: catchphrases are more like little one word monosyllabic things like 1172 01:06:47,000 --> 01:06:52,080 Speaker 1: perf oh yeah, a lot I say, like deaf stunning, Yeah, 1173 01:06:52,120 --> 01:06:55,000 Speaker 1: I say stunning, Yeah, I do say stunning, you do. 1174 01:06:55,880 --> 01:06:57,840 Speaker 1: I think it's not like a full on catch phrase, 1175 01:06:57,880 --> 01:07:01,840 Speaker 1: but just like the general gasp, like the yeah, oh yeah, 1176 01:07:02,120 --> 01:07:05,800 Speaker 1: that's that's that's trademarks slam. Yeah, no, it's not. Everyone 1177 01:07:05,960 --> 01:07:12,320 Speaker 1: does that. Wow awesome. Um, that was a thank you? 1178 01:07:13,000 --> 01:07:15,320 Speaker 1: Anything else you want to talk about for a club comic? 1179 01:07:16,040 --> 01:07:17,840 Speaker 1: I just want to talk about it. I'm so excited. 1180 01:07:18,240 --> 01:07:22,920 Speaker 1: Oh she's Um. Is there a narrative throat? There is 1181 01:07:22,960 --> 01:07:26,840 Speaker 1: a narrative thread. It's based heavily off of both Lady 1182 01:07:26,880 --> 01:07:31,360 Speaker 1: Gaga's Monster Ball Tour documentary and Katy Perry's Part of 1183 01:07:31,400 --> 01:07:35,920 Speaker 1: Me documentary. I oh, because we were making fun of 1184 01:07:36,000 --> 01:07:40,440 Speaker 1: that documentary, weren't we? In the promo bed it's it's 1185 01:07:40,480 --> 01:07:44,160 Speaker 1: a through line. Oh my god, I can't wait. She 1186 01:07:44,400 --> 01:07:45,880 Speaker 1: was gonna be so fun. It's gonna be so fun. 1187 01:07:46,200 --> 01:07:48,320 Speaker 1: I'm not gonna spoil anything, but there's a fun little 1188 01:07:48,360 --> 01:07:51,080 Speaker 1: reference to the beginning of the Monster Ball doc um 1189 01:07:51,120 --> 01:07:54,439 Speaker 1: where Lady Gaga's in her dressing room. But it's so fun, 1190 01:07:54,640 --> 01:07:56,920 Speaker 1: you know what? You know what moment came back to me, 1191 01:07:57,160 --> 01:07:59,560 Speaker 1: and that first the first of all, there's amazing moments 1192 01:07:59,560 --> 01:08:01,880 Speaker 1: in the Monster Ball doc but there's one where in 1193 01:08:01,920 --> 01:08:04,960 Speaker 1: the middle of Just Dance, she um turns to the 1194 01:08:05,000 --> 01:08:08,920 Speaker 1: audience and goes, did you guys come here to party tonight? 1195 01:08:09,840 --> 01:08:16,559 Speaker 1: I'm gonna kick yours and everyone goes crazy and I'm 1196 01:08:16,600 --> 01:08:19,160 Speaker 1: watching and I'm like, oh, I'm gonna kick your ass 1197 01:08:19,240 --> 01:08:22,120 Speaker 1: New York or insert city. And then the part of 1198 01:08:22,240 --> 01:08:25,320 Speaker 1: course during um Love Game where they play the Marylyn 1199 01:08:25,439 --> 01:08:28,360 Speaker 1: Manson remix and then she goes, you know what I'm 1200 01:08:28,400 --> 01:08:32,439 Speaker 1: talking about? She goes, Um, I don't know if you've 1201 01:08:32,479 --> 01:08:37,479 Speaker 1: heard that I've got a pretty tremendous dick. So come on, 1202 01:08:38,600 --> 01:08:42,439 Speaker 1: oh no, no, she goes, um, Yeah, I've got a 1203 01:08:42,479 --> 01:08:44,840 Speaker 1: pretty tremendous dick. And I heard that they've got some 1204 01:08:45,000 --> 01:08:49,479 Speaker 1: pretty tremendous dicks too, here in New York City. On 1205 01:08:49,720 --> 01:08:55,600 Speaker 1: here in Brussels, the best run. She goes, um, alright, Belfast, 1206 01:08:55,840 --> 01:08:58,920 Speaker 1: but here they've got some pretty big cock. Here in 1207 01:08:59,080 --> 01:09:03,519 Speaker 1: northern Irelen. She goes, welcome to the monster Ball, Now 1208 01:09:03,680 --> 01:09:06,599 Speaker 1: dancing motherfucker's and then it's this huge Yeah, that's how 1209 01:09:06,640 --> 01:09:09,120 Speaker 1: you do. That's really fun. That was peak Gaga for me. 1210 01:09:09,479 --> 01:09:12,640 Speaker 1: That concert is so weird because like she doesn't have 1211 01:09:12,800 --> 01:09:15,759 Speaker 1: that many hits yet and she's still like doing giant 1212 01:09:15,920 --> 01:09:18,360 Speaker 1: fucking tours. You're seeing her do like the B sides. 1213 01:09:19,000 --> 01:09:26,960 Speaker 1: It's so happy. No, in the beginning where she goes 1214 01:09:27,040 --> 01:09:29,280 Speaker 1: on when she does like glittering grease and she like 1215 01:09:29,479 --> 01:09:32,800 Speaker 1: beautiful and dirty rich, Yes, like you know what should 1216 01:09:32,800 --> 01:09:34,439 Speaker 1: have been like one of the big hits, but is 1217 01:09:34,520 --> 01:09:35,920 Speaker 1: sort of a B side if you think about it. 1218 01:09:36,160 --> 01:09:40,200 Speaker 1: But yeah, that's like one of the real fans put 1219 01:09:40,280 --> 01:09:42,559 Speaker 1: on the it's not a B side, but everyone else 1220 01:09:42,640 --> 01:09:47,720 Speaker 1: it's a Are you guys familiar with the hidden track 1221 01:09:47,800 --> 01:09:51,560 Speaker 1: from the Fame, which is Disco Heaven? I wasn't a 1222 01:09:51,640 --> 01:09:55,280 Speaker 1: fan early on her best You must listen. You don't 1223 01:09:55,280 --> 01:09:57,439 Speaker 1: know how do you where is it hidden? No, one 1224 01:09:57,560 --> 01:10:00,639 Speaker 1: loves the bonus tracks. It's on Spotify. It's not gonna 1225 01:10:00,680 --> 01:10:02,760 Speaker 1: be It's not gonna be on the actual album when 1226 01:10:02,760 --> 01:10:05,759 Speaker 1: you tap into the album. But you actually just searched 1227 01:10:05,920 --> 01:10:08,519 Speaker 1: the Lady Gaga disco ha it in little pop up Spotify? 1228 01:10:08,920 --> 01:10:10,960 Speaker 1: No Apple Music, don't, man, you don't have any streament. 1229 01:10:11,520 --> 01:10:13,559 Speaker 1: It'll be on Apple Music to search Leady Gaga Disco, 1230 01:10:13,680 --> 01:10:16,559 Speaker 1: Haven't it is? So and school and life change Bones? Okay, 1231 01:10:16,600 --> 01:10:20,719 Speaker 1: all right, um, I wonder what the next life changing 1232 01:10:20,800 --> 01:10:24,880 Speaker 1: song will be? I had I had a like I 1233 01:10:25,040 --> 01:10:27,680 Speaker 1: used to pirate all my music and I like downloaded 1234 01:10:28,040 --> 01:10:30,760 Speaker 1: Born this Way and it like had multiple tracks missing 1235 01:10:30,800 --> 01:10:32,200 Speaker 1: from it, and it was the only version of Born 1236 01:10:32,280 --> 01:10:34,960 Speaker 1: this Way I had forever. Then which tracks did you miss? Like? 1237 01:10:35,000 --> 01:10:37,200 Speaker 1: I had never heard Black Jesus. Oh, that's such a 1238 01:10:37,240 --> 01:10:40,879 Speaker 1: good that one either. Maybe you have the same bootlegs. 1239 01:10:40,920 --> 01:10:43,080 Speaker 1: Maybe it was it was a bonus truck on the 1240 01:10:43,680 --> 01:10:46,719 Speaker 1: on the deluxe edition. Oh so it is a bonus tracks, 1241 01:10:47,360 --> 01:10:49,080 Speaker 1: so I wasn't. The other ones were the other ones? 1242 01:10:49,560 --> 01:10:51,800 Speaker 1: I don't remember the other ones a fad but he 1243 01:10:51,840 --> 01:10:53,560 Speaker 1: owns the vinals about whatever. I don't know how you 1244 01:10:53,600 --> 01:10:58,280 Speaker 1: Reckon Tall that unbelievable about the brand. It's about when 1245 01:10:58,280 --> 01:10:59,960 Speaker 1: you welcome to the apartment saying, these people do very 1246 01:11:00,080 --> 01:11:03,280 Speaker 1: well when they have Vinyl see her live with me? 1247 01:11:03,920 --> 01:11:09,479 Speaker 1: You know me, I'm currently UMAs hell, But we're going 1248 01:11:09,560 --> 01:11:12,439 Speaker 1: to go see her in Vega. Were to Vegas, Vegas? 1249 01:11:13,680 --> 01:11:15,720 Speaker 1: That I want to see them all in Vegas. Like, 1250 01:11:15,800 --> 01:11:18,400 Speaker 1: I can't believe Mariah, Like she's still doing stuff. No 1251 01:11:18,680 --> 01:11:21,320 Speaker 1: was there, like and I didn't go see her. It's weird. 1252 01:11:21,360 --> 01:11:24,320 Speaker 1: The Brittany Vegas show looked so fun that I think 1253 01:11:24,320 --> 01:11:26,160 Speaker 1: it's over? Is it? Oh? I didn't know that. I 1254 01:11:26,200 --> 01:11:29,639 Speaker 1: mean it's ending very soon. Well I would, I would. 1255 01:11:30,000 --> 01:11:32,040 Speaker 1: I would shell out the money to go watch Christina 1256 01:11:32,040 --> 01:11:34,479 Speaker 1: Aguilera show in Vegas. Is she doing one? No, But 1257 01:11:34,640 --> 01:11:36,439 Speaker 1: I'm just saying that's one that I would go to. 1258 01:11:36,640 --> 01:11:40,280 Speaker 1: She to me is just like a general B side person. Yeah, 1259 01:11:41,560 --> 01:11:45,920 Speaker 1: so your eternal A side and like Christina is just 1260 01:11:46,000 --> 01:11:48,000 Speaker 1: the B side of that a little bit. I understand 1261 01:11:48,200 --> 01:11:51,760 Speaker 1: feeling like that. I just think Christina, there's so much 1262 01:11:51,840 --> 01:11:54,800 Speaker 1: good Christina stuff that we don't even talk about. There 1263 01:11:54,920 --> 01:11:58,200 Speaker 1: is like Stripped has so much good stuff. Even her 1264 01:11:58,280 --> 01:12:01,320 Speaker 1: last album Lotus or whatever, there's some good tracks on there, 1265 01:12:01,400 --> 01:12:07,080 Speaker 1: and people just didn't even want to get well, She's 1266 01:12:07,160 --> 01:12:10,160 Speaker 1: I don't know, Christine regular is a part of me, 1267 01:12:10,439 --> 01:12:13,439 Speaker 1: I think. But I think Gaga is this anomaly for 1268 01:12:13,560 --> 01:12:17,560 Speaker 1: a Vegas act because I feel like it's weird. It 1269 01:12:18,360 --> 01:12:20,880 Speaker 1: starts a different era about when you go to Vegas, 1270 01:12:20,960 --> 01:12:22,840 Speaker 1: you know what I mean, Like, no one this big 1271 01:12:23,000 --> 01:12:25,559 Speaker 1: currently or maybe she I don't know what are her 1272 01:12:25,600 --> 01:12:30,559 Speaker 1: record sales, like platinum, platinum, but like a year after 1273 01:12:30,680 --> 01:12:32,680 Speaker 1: it came out, and that's right. So I'm saying like, 1274 01:12:33,000 --> 01:12:36,200 Speaker 1: maybe she's not like as financially comfortable as we thought. 1275 01:12:37,120 --> 01:12:39,960 Speaker 1: Who knows she's financially comfortable. She's a huge pop star, 1276 01:12:40,240 --> 01:12:43,160 Speaker 1: but maybe that's just not where the money is anymore. Sure, 1277 01:12:43,360 --> 01:12:45,160 Speaker 1: maybe she wants to be doing shows and shows and 1278 01:12:45,240 --> 01:12:48,519 Speaker 1: shows and movies, but she shouldn't. She's in so much pain. 1279 01:12:50,720 --> 01:12:53,640 Speaker 1: But I don't think she thinks of herself. I think 1280 01:12:53,720 --> 01:12:56,120 Speaker 1: she thinks of pushing on and like this is her 1281 01:12:56,200 --> 01:13:00,280 Speaker 1: second tour, she's canceled. She's crazy, she's ambitious to a fault. 1282 01:13:00,320 --> 01:13:04,719 Speaker 1: I think I worry about her. Yeah, oh yeah, dang, 1283 01:13:05,000 --> 01:13:09,200 Speaker 1: she's gone. She can't go forever like this, No no, No, 1284 01:13:09,400 --> 01:13:10,960 Speaker 1: there's going to have to be some sort of physical 1285 01:13:11,479 --> 01:13:15,519 Speaker 1: um change. I think that, like maybe that's even part 1286 01:13:15,560 --> 01:13:17,320 Speaker 1: of the reason why we see her dipping her toe 1287 01:13:17,360 --> 01:13:21,679 Speaker 1: into acting and trying to do movies or songwright maybe 1288 01:13:21,760 --> 01:13:25,800 Speaker 1: because that's where she's headed, like in a sort of 1289 01:13:25,960 --> 01:13:28,200 Speaker 1: like I don't know if Bette Midler is the right 1290 01:13:28,360 --> 01:13:30,240 Speaker 1: thing to say, but like some sort of like more 1291 01:13:30,320 --> 01:13:34,760 Speaker 1: acting direct direct, Yeah, sure, sure, like shared it for 1292 01:13:34,840 --> 01:13:38,680 Speaker 1: a second, Yeah, yeah, to stating that maybe I the 1293 01:13:38,760 --> 01:13:40,280 Speaker 1: tea that I heard is that A Star is Born 1294 01:13:40,400 --> 01:13:43,680 Speaker 1: is good? When does that come out? Like soon? Like 1295 01:13:43,880 --> 01:13:45,320 Speaker 1: this is supposed to come out in May, then it 1296 01:13:45,400 --> 01:13:47,360 Speaker 1: was October and then it got pushed again to maybe 1297 01:13:47,400 --> 01:13:49,920 Speaker 1: September or something. But it's it's like it was pushed 1298 01:13:49,960 --> 01:13:51,760 Speaker 1: from being a summer movie to being more of an 1299 01:13:51,760 --> 01:13:54,600 Speaker 1: Oscar movie because apparently people were very impressed with like 1300 01:13:54,640 --> 01:13:58,040 Speaker 1: Bradley Cooper's work in it, and he directed it, and 1301 01:13:58,120 --> 01:14:01,120 Speaker 1: they said that Gaga is like good enough to get attention. 1302 01:14:01,240 --> 01:14:04,160 Speaker 1: But the tea that I heard said that he is 1303 01:14:04,280 --> 01:14:06,120 Speaker 1: like the thing you walk away from being wow, he 1304 01:14:06,240 --> 01:14:08,960 Speaker 1: was amazing, which is kind of crazy. And also he 1305 01:14:09,080 --> 01:14:10,880 Speaker 1: directed it, and I heard the movie is good, and 1306 01:14:10,960 --> 01:14:13,200 Speaker 1: I heard that she's also good in it, but that 1307 01:14:13,360 --> 01:14:15,479 Speaker 1: he's like the story of it is what is the 1308 01:14:15,520 --> 01:14:17,400 Speaker 1: tea that I heard? I was lucky rooting for him 1309 01:14:17,520 --> 01:14:20,479 Speaker 1: during Silver Linings Playbook. During that whole Oscar season, I 1310 01:14:20,560 --> 01:14:22,320 Speaker 1: forgot who was who he was up against, but look 1311 01:14:22,360 --> 01:14:24,479 Speaker 1: he was, like, yeah, he was great. I love Bradley Cooper. 1312 01:14:24,479 --> 01:14:27,040 Speaker 1: I think he's a great actor. He's one where I'm like, like, 1313 01:14:27,120 --> 01:14:29,840 Speaker 1: if someone says like, do you like Bradley Cooper, my 1314 01:14:29,960 --> 01:14:32,200 Speaker 1: first response is no, And then I'll think on it 1315 01:14:32,320 --> 01:14:34,360 Speaker 1: and be like, yes, yeah, I'll be like he was 1316 01:14:34,400 --> 01:14:36,880 Speaker 1: in Americans, like what's really did dislike? You know what 1317 01:14:36,960 --> 01:14:40,840 Speaker 1: I mean? He seems like a big guy, and yeah, 1318 01:14:40,960 --> 01:14:44,519 Speaker 1: his instinct seems to be good. I didn't the first 1319 01:14:44,560 --> 01:14:47,639 Speaker 1: time I saw Silverlings Plinty, Silver Linings Playbook, I really 1320 01:14:47,720 --> 01:14:49,439 Speaker 1: didn't like it. And then the second time I was 1321 01:14:49,520 --> 01:14:52,479 Speaker 1: like weeping, crying loved it. So I loved it. I 1322 01:14:52,920 --> 01:14:56,160 Speaker 1: think Jepher Lawrence is kind of bullshit, and I think 1323 01:14:56,200 --> 01:14:59,760 Speaker 1: she's great. I loved her. It like made me love 1324 01:14:59,840 --> 01:15:03,640 Speaker 1: her like you don't love like the front runner, and 1325 01:15:03,760 --> 01:15:06,280 Speaker 1: I respect that, like I I root for the underdog 1326 01:15:06,360 --> 01:15:09,040 Speaker 1: to a lot. But like, I think what colored everyone's 1327 01:15:09,080 --> 01:15:11,400 Speaker 1: perception of that Oscar season in that movie is like 1328 01:15:11,520 --> 01:15:14,560 Speaker 1: everyone was like, she's amazing, you love it, and you're like, wait, no, 1329 01:15:14,640 --> 01:15:16,559 Speaker 1: I haven't made up my mind. It's like with them 1330 01:15:16,600 --> 01:15:18,720 Speaker 1: A Stone and La Land and I was like, you 1331 01:15:18,920 --> 01:15:21,840 Speaker 1: love it the awards, it will win and you're like wait, 1332 01:15:22,000 --> 01:15:26,640 Speaker 1: hold on, yes, And I think the instinct to not 1333 01:15:26,800 --> 01:15:29,560 Speaker 1: root for that is a good one. Think you have 1334 01:15:29,880 --> 01:15:33,160 Speaker 1: to break out of the matrix. But also one of 1335 01:15:33,280 --> 01:15:35,840 Speaker 1: my do your friends one's told me that you just 1336 01:15:35,960 --> 01:15:41,720 Speaker 1: have to go through life and experience it. Um, I 1337 01:15:41,800 --> 01:15:44,439 Speaker 1: think it's time to with that lesson learned, it's time 1338 01:15:44,479 --> 01:15:46,519 Speaker 1: to move on to I don't think so, honey. And 1339 01:15:46,720 --> 01:15:49,120 Speaker 1: I don't think so honey, as you're well aware of it. Oh, 1340 01:15:49,479 --> 01:15:52,640 Speaker 1: don't come from as you're well aware. Is your is 1341 01:15:52,680 --> 01:15:54,759 Speaker 1: your moment to take a minute to do really whatever 1342 01:15:54,840 --> 01:15:56,680 Speaker 1: you want to do. And Sam proves that you can 1343 01:15:56,720 --> 01:16:02,559 Speaker 1: do whatever you want to do. How you've come for us, 1344 01:16:02,640 --> 01:16:05,880 Speaker 1: You've come for Kelly, You've you've really tried to ruin 1345 01:16:06,040 --> 01:16:10,879 Speaker 1: my life. But this is remember the Sam's first episode 1346 01:16:11,000 --> 01:16:13,040 Speaker 1: was the day that Instagram stories came out, and you 1347 01:16:13,120 --> 01:16:15,479 Speaker 1: didn't mention it. I was doing a service to you 1348 01:16:15,640 --> 01:16:18,560 Speaker 1: guys by like you know, you have to criticize what 1349 01:16:18,720 --> 01:16:21,560 Speaker 1: you love so that it gets to where it should be. 1350 01:16:22,040 --> 01:16:24,800 Speaker 1: I think Sam has lefted us up absolutely. Okay, we're 1351 01:16:24,800 --> 01:16:26,280 Speaker 1: talking me to go first. I would love for you 1352 01:16:26,320 --> 01:16:28,479 Speaker 1: to go first. Okay, this is Matt Rodgers is I 1353 01:16:28,520 --> 01:16:30,560 Speaker 1: don't think so honey, and his time starts now. I 1354 01:16:30,600 --> 01:16:34,880 Speaker 1: don't think so honey. Critics personally, my critics, I blow 1355 01:16:34,960 --> 01:16:38,240 Speaker 1: him kisses, but not everyone does. Hey, critics, why don't 1356 01:16:38,240 --> 01:16:41,280 Speaker 1: you try enjoying something. Sam Taggart, you can be a 1357 01:16:41,360 --> 01:16:43,559 Speaker 1: little bit of a critic sometimes when you're doing your 1358 01:16:43,560 --> 01:16:45,240 Speaker 1: I don't think so honey. You will say I don't 1359 01:16:45,240 --> 01:16:49,040 Speaker 1: think so honey, Matt and Bowen for whatever goddamn reason. Well, 1360 01:16:49,080 --> 01:16:51,519 Speaker 1: I won't stand for it. Sam Tagget is a critic 1361 01:16:51,680 --> 01:16:53,800 Speaker 1: and a hater, and he makes me stronger. When he 1362 01:16:53,920 --> 01:16:56,639 Speaker 1: came out and criticized Kelly Clarkson for all sorts of dummy, 1363 01:16:56,680 --> 01:16:59,559 Speaker 1: dum dum dumb reasons, I said, well, you're a critic, 1364 01:16:59,680 --> 01:17:02,719 Speaker 1: and I sipped my whatever I was drinking at that moment. 1365 01:17:03,040 --> 01:17:07,920 Speaker 1: Let's call it te I continue on critics. Yes, I'm 1366 01:17:07,960 --> 01:17:11,240 Speaker 1: also talking about you in the world of film and television. 1367 01:17:11,840 --> 01:17:14,759 Speaker 1: I don't think so, honey, because two percent of people 1368 01:17:15,200 --> 01:17:17,160 Speaker 1: said that Black Panther was not good at only as 1369 01:17:17,160 --> 01:17:19,920 Speaker 1: a ninety percent of on Tomatoes, those two percent of critics, 1370 01:17:20,360 --> 01:17:23,240 Speaker 1: I don't think so honey, that was universally great film. 1371 01:17:23,400 --> 01:17:26,200 Speaker 1: If you're a critic, check yourself. And if you have 1372 01:17:26,280 --> 01:17:28,160 Speaker 1: a lot of privilege like and Yang, check yourself. You 1373 01:17:28,240 --> 01:17:30,759 Speaker 1: are a critic of Amastona Jennifer Lawrence, check yourself to privilege. 1374 01:17:30,760 --> 01:17:36,240 Speaker 1: But okay, that was very scattered, like almost a tornado 1375 01:17:36,400 --> 01:17:39,160 Speaker 1: of I don't think so, honey, where you didn't know, um, 1376 01:17:39,240 --> 01:17:41,080 Speaker 1: what was coming at you from what direction? Yeah, I 1377 01:17:41,160 --> 01:17:44,599 Speaker 1: was like pointless. You had you you had a three 1378 01:17:44,640 --> 01:17:47,400 Speaker 1: pronged approach. You did Sam, which you spent a lot 1379 01:17:47,439 --> 01:17:49,240 Speaker 1: of time on, and then Black Panther, which you spent 1380 01:17:49,280 --> 01:17:51,840 Speaker 1: a little less time than me, which you barely squeeze. Well, 1381 01:17:51,920 --> 01:17:54,680 Speaker 1: think about how they all attached to the umbrella of 1382 01:17:54,800 --> 01:17:59,640 Speaker 1: critics and then judge, Okay, um, I feel like I'm 1383 01:17:59,680 --> 01:18:01,360 Speaker 1: gonna hear about this. I don't think so honey. People 1384 01:18:01,400 --> 01:18:02,960 Speaker 1: are going to be like, this wasn't a very good one. 1385 01:18:10,680 --> 01:18:17,479 Speaker 1: The phone time, myself um wow, um okay, you could 1386 01:18:17,720 --> 01:18:20,640 Speaker 1: technically say that Matt came for us. Yeah, I mean, 1387 01:18:20,760 --> 01:18:24,200 Speaker 1: like technically. I just looked down at my phone and 1388 01:18:24,360 --> 01:18:26,479 Speaker 1: I had a text from Michael Hartney, who's seeing the 1389 01:18:27,680 --> 01:18:31,080 Speaker 1: sneak peek of Frozen on Broadway tonight, and he said, 1390 01:18:31,360 --> 01:18:34,320 Speaker 1: Broadway Let It Go is the gag of the fucking century. 1391 01:18:35,800 --> 01:18:39,720 Speaker 1: I just know that that's true. Alright, listeners, I have 1392 01:18:39,840 --> 01:18:41,840 Speaker 1: one minute on the clock for Bowen Yanks. I don't 1393 01:18:41,840 --> 01:18:43,680 Speaker 1: think so, honey, and his time starts now. I don't 1394 01:18:43,720 --> 01:18:46,559 Speaker 1: think so, honey. People who are welcoming Paris Hilton back 1395 01:18:46,640 --> 01:18:52,719 Speaker 1: into the fucking mainstream zeitgeist bullshit. Kem Petres, this great 1396 01:18:52,880 --> 01:18:55,920 Speaker 1: new German pop star has like like has her like 1397 01:18:56,000 --> 01:18:58,120 Speaker 1: worshiping in an altar of Paris Hilton and her music video, 1398 01:18:58,120 --> 01:19:00,639 Speaker 1: and everyone's like gagged for all the gays, like Boe, 1399 01:19:00,720 --> 01:19:02,639 Speaker 1: Do you see the new Competest video where like Paris 1400 01:19:02,680 --> 01:19:04,960 Speaker 1: Hilton makes a little cameo at the end, and like, yeah, 1401 01:19:05,000 --> 01:19:07,680 Speaker 1: I didn't. It's fucking bullshit because Paris Hilton voted for 1402 01:19:07,840 --> 01:19:11,280 Speaker 1: Donald fucking Trump. Important And I was talking to Dave 1403 01:19:11,400 --> 01:19:14,519 Speaker 1: Zoni about this. Davi is sort of like Davis taking 1404 01:19:14,560 --> 01:19:16,120 Speaker 1: this very reason sid He He goes, oh, well, you know, 1405 01:19:16,200 --> 01:19:18,120 Speaker 1: we can't expect her to know better, and I go, yes, 1406 01:19:18,240 --> 01:19:22,040 Speaker 1: we can't. Can she went to fucking Sidley and Friends 1407 01:19:22,160 --> 01:19:24,560 Speaker 1: or I don't know that him? Oh no, I'm not 1408 01:19:24,560 --> 01:19:27,000 Speaker 1: gonna read date what I'm saying reading the the culture 1409 01:19:27,120 --> 01:19:31,519 Speaker 1: that is so eager to second Paris Hilton, who actually 1410 01:19:31,760 --> 01:19:35,080 Speaker 1: fucking sucks and it's a monster and voted for the 1411 01:19:35,160 --> 01:19:38,360 Speaker 1: worst fucking president in the history of this country, as 1412 01:19:38,400 --> 01:19:42,439 Speaker 1: agreed upon two political scientists. So, Paris Hilton, I don't 1413 01:19:42,640 --> 01:19:44,600 Speaker 1: think so, honey, you you're a piece of ship. And 1414 01:19:44,680 --> 01:19:48,519 Speaker 1: that's one minute. Wow, very good. That was that. And 1415 01:19:48,600 --> 01:19:52,880 Speaker 1: that was a two pronged because it was Paris Hilton culture, 1416 01:19:53,080 --> 01:19:55,240 Speaker 1: and it was the culture that allows Paris Hilton and 1417 01:19:55,320 --> 01:19:57,400 Speaker 1: they do connect. And that's what made that think. I 1418 01:19:57,479 --> 01:19:59,920 Speaker 1: had no idea she was a Trump supporter. Yeah, and 1419 01:20:00,040 --> 01:20:03,200 Speaker 1: to proudly admitted to that. And the answer was very like, 1420 01:20:03,360 --> 01:20:05,320 Speaker 1: I just think he'd be good for jobs. Like it 1421 01:20:05,439 --> 01:20:08,120 Speaker 1: was very just like, I'm going to say this stupid 1422 01:20:08,160 --> 01:20:11,519 Speaker 1: fucking thing. Yeah, okay, okay, you ready, I think so 1423 01:20:12,280 --> 01:20:14,600 Speaker 1: who knows what this will be? I never know what 1424 01:20:14,760 --> 01:20:18,519 Speaker 1: this tramp. I said I didn't want any more no 1425 01:20:18,720 --> 01:20:21,599 Speaker 1: good tramps on this episode, on on this podcast after 1426 01:20:21,680 --> 01:20:25,400 Speaker 1: the any down the episode. Okay, listen to that one 1427 01:20:25,600 --> 01:20:31,680 Speaker 1: no good pregnant tramp. Okay, this is I don't think 1428 01:20:31,720 --> 01:20:35,080 Speaker 1: so honey. This time starts new. Um, I don't think 1429 01:20:35,120 --> 01:20:38,240 Speaker 1: so honey. People that make me feel bad for enjoying 1430 01:20:38,320 --> 01:20:42,080 Speaker 1: the warm weather in the middle of winter, Like, Okay, 1431 01:20:42,240 --> 01:20:44,720 Speaker 1: I get it. Global warming is real and it's going 1432 01:20:44,800 --> 01:20:48,000 Speaker 1: to destroy us all. But like and I'm not saying 1433 01:20:48,000 --> 01:20:50,160 Speaker 1: like it's a good thing, but like, at least let 1434 01:20:50,200 --> 01:20:54,519 Speaker 1: me have fun for one day. It's like every day 1435 01:20:54,680 --> 01:20:58,160 Speaker 1: is so hard with this like social political climate, and like, 1436 01:20:58,640 --> 01:21:04,120 Speaker 1: can I just enjoy this sunshine for a second. It's 1437 01:21:04,160 --> 01:21:06,479 Speaker 1: like we all need to stop fighting. Okay, we need 1438 01:21:06,560 --> 01:21:09,600 Speaker 1: to stop fighting, and we need to stop criticizing and 1439 01:21:09,640 --> 01:21:13,679 Speaker 1: we need to just embrace that. Yeah it's hot, sister 1440 01:21:13,960 --> 01:21:19,720 Speaker 1: speak on Like yes, queen, and like, just like if 1441 01:21:19,760 --> 01:21:22,519 Speaker 1: I have to suffer through the world like stopping and 1442 01:21:22,560 --> 01:21:24,599 Speaker 1: like they're not being enough food and like not enough water, 1443 01:21:24,720 --> 01:21:31,400 Speaker 1: that let me have this one day in like and like, sisters, queen, Queen, 1444 01:21:31,560 --> 01:21:33,720 Speaker 1: I love us and I love our summer bodies that 1445 01:21:33,800 --> 01:21:39,760 Speaker 1: came a little early, never better. I think the three 1446 01:21:39,760 --> 01:21:42,000 Speaker 1: of us will have summer bodies. I think we did 1447 01:21:42,200 --> 01:21:46,160 Speaker 1: a hundred forty crunches today, many too many. They said 1448 01:21:46,200 --> 01:21:47,800 Speaker 1: you have to do a thousand or it won't show up. 1449 01:21:48,040 --> 01:21:50,840 Speaker 1: That's what they say. In one sitting. Who can count 1450 01:21:50,840 --> 01:21:55,000 Speaker 1: to a thousand asleep? I certainly couldn't count any higher 1451 01:21:55,000 --> 01:21:56,960 Speaker 1: than I went, so I had to stop. Oh my god, 1452 01:21:57,880 --> 01:22:00,720 Speaker 1: I just I just came from sulcill did look at 1453 01:22:00,840 --> 01:22:04,880 Speaker 1: us turning versus Madonna theme Dry Top by Drew B. James, 1454 01:22:05,000 --> 01:22:08,360 Speaker 1: friend of the pod. He was so good, so good. 1455 01:22:08,560 --> 01:22:10,360 Speaker 1: He made us new stretches at the end to Madonna 1456 01:22:10,439 --> 01:22:13,960 Speaker 1: singing a vita. What a bit. I loved her. I 1457 01:22:14,040 --> 01:22:16,360 Speaker 1: loved him doing that anyway, Sam, thank you so much 1458 01:22:16,400 --> 01:22:18,519 Speaker 1: for doing that. That was true. That was a true one. 1459 01:22:18,880 --> 01:22:20,800 Speaker 1: It was you know, And I was like, do I 1460 01:22:21,080 --> 01:22:25,479 Speaker 1: do I go from a like that is what everyone 1461 01:22:25,520 --> 01:22:28,519 Speaker 1: expects you. And I thought, you know, this is a 1462 01:22:28,560 --> 01:22:32,080 Speaker 1: building here, this is a building here, it is let's 1463 01:22:32,120 --> 01:22:36,040 Speaker 1: focus on me building up and not tearing down. Yes, 1464 01:22:36,200 --> 01:22:40,160 Speaker 1: this is that people step forward and say I'm here. Now, 1465 01:22:40,400 --> 01:22:43,360 Speaker 1: I'm here, and I'm building. I'm a victim. I'm oppressed. 1466 01:22:44,040 --> 01:22:48,479 Speaker 1: I like Anthony Parowski. I'm a victim. I'm here. That's 1467 01:22:48,680 --> 01:22:52,840 Speaker 1: my minority is white gay who likes Anthony Parowski. That 1468 01:22:52,960 --> 01:22:55,320 Speaker 1: counts that. Definitely, kind of definitely. Absolutely. I walked into 1469 01:22:55,360 --> 01:22:56,840 Speaker 1: a space and I look around and I said, no 1470 01:22:57,000 --> 01:22:59,519 Speaker 1: one here gets it. Yeah, yeah, yeah, yeah. That makes 1471 01:22:59,560 --> 01:23:02,920 Speaker 1: me in my already that every religion in the world 1472 01:23:03,240 --> 01:23:06,960 Speaker 1: has has some discrimination against white guys who like Anthony Parowski. 1473 01:23:07,120 --> 01:23:10,559 Speaker 1: Every religion. It's in every text, it's in every ancient text. 1474 01:23:11,439 --> 01:23:14,719 Speaker 1: It's under the in the Bible it says thou shalt 1475 01:23:14,840 --> 01:23:20,600 Speaker 1: not eat seafood. It's under that one. Yes, yes, absolutely absolutely. 1476 01:23:21,960 --> 01:23:28,080 Speaker 1: Club Comic seventh, thank you. So this was a perfect episode. 1477 01:23:28,200 --> 01:23:30,599 Speaker 1: This is a perfect episode and a perfect first episode 1478 01:23:30,640 --> 01:23:33,400 Speaker 1: in the new space. Thank you for being here. Thank 1479 01:23:33,439 --> 01:23:36,920 Speaker 1: you for having me and guys. Check out Sam's monthly 1480 01:23:36,960 --> 01:23:40,560 Speaker 1: shows in Brooklyn Stevie Future Forums, and also please go 1481 01:23:40,880 --> 01:23:43,800 Speaker 1: to Club Comic March seven, eight p m. Union Hall 1482 01:23:44,200 --> 01:23:47,439 Speaker 1: Amazing Openers, She's a maide A Sister's Weekend Max Witter 1483 01:23:47,640 --> 01:23:51,320 Speaker 1: interstitial starring me honey, Oh wow, that was some tea. 1484 01:23:51,600 --> 01:23:58,080 Speaker 1: Starring in Nick Nannymica. I like these names and to 1485 01:23:58,160 --> 01:23:59,920 Speaker 1: drop these do you can drop all the names? Okay, 1486 01:24:00,000 --> 01:24:01,639 Speaker 1: it won't be it will be surprised to the people 1487 01:24:01,680 --> 01:24:04,719 Speaker 1: who don't listen to the pod. There you go. Every 1488 01:24:04,800 --> 01:24:07,599 Speaker 1: If everyone who listened to the pod bought a ticket, 1489 01:24:08,640 --> 01:24:10,680 Speaker 1: the show would sell out because we have exactly a 1490 01:24:11,040 --> 01:24:16,479 Speaker 1: hundred two listeners. That would be incredible. Absolutely, let's close 1491 01:24:16,520 --> 01:24:18,320 Speaker 1: out with the song. And now that samkinsing, we can 1492 01:24:18,360 --> 01:24:20,720 Speaker 1: all sing. Okay, here we go. We know what the 1493 01:24:20,800 --> 01:24:39,800 Speaker 1: title is, Fish talking about, Fish talking about so by. 1494 01:24:44,040 --> 01:24:47,519 Speaker 1: This has been a Forever Dog production executive produced by 1495 01:24:47,560 --> 01:24:52,880 Speaker 1: Brett Boum, Joe Silio, and Alex Ramsey. For more original podcasts, 1496 01:24:53,040 --> 01:24:57,000 Speaker 1: please visit Forever Dog Podcasts dot com and subscribe to 1497 01:24:57,040 --> 01:25:01,000 Speaker 1: our shows on Apple Podcasts, Spotify, or wherever you get 1498 01:25:01,040 --> 01:25:04,120 Speaker 1: your podcasts. Keep up with the latest Forever Dog news 1499 01:25:04,280 --> 01:25:08,200 Speaker 1: by following us on Twitter and Instagram at Forever Dog 1500 01:25:08,360 --> 01:25:11,880 Speaker 1: Team and liking our page on Facebook. M