00:00:08 Speaker 1: And I invited you. 00:00:10 Speaker 2: Here, thought I made myself perfectly clear. When you're a guest to my home, you gotta come to me empty. And I said, no, guests, your presences presence enough. And I already had too much stuff. 00:00:35 Speaker 3: So how do you. 00:00:36 Speaker 2: Dare to surbey me? 00:00:48 Speaker 3: Welcome to I said, no gifts. I'm Brigard Wineger. We're in the backyard. I'm having the time of my life. I'm already having the time of my life. I hope you are too. You're scrubbing out the inside of the microwave, you're tiling the roof. I don't know what you're doing. That's none of my business. You know, you get to peek in at me. I don't get anything from you. And so we're just gonna move into the podcast before I get upset. I love today's guest. He's just terrific. Oh it's Liam garow Ah Bridger Babes. 00:01:25 Speaker 1: I don't even wait a minute. We have to say the moment that has led us here. Some have said this is history, but more importantly, some have also said, this is her story. 00:01:34 Speaker 3: It's I mean, first of all, her story, it's first of all her history. First. 00:01:38 Speaker 1: Yes, Oh my god, it is a delight to be here. It's so nice to see you. I should say, also like in the flesh and having you you've never read in person. Well, you are no longer a person that just lives on my phone. This is fantastic now a. 00:01:48 Speaker 3: Full realized three D human being. 00:01:51 Speaker 1: And I'm gonna say something and I'm sorry, and I'm trying to be this way about people when you're like, oh, you see someone in person and then you give like a comment about how they read versus how they you know, in person versus online, you have the most piercing blue eyes, and I don't think that reads enough on camera. And I'll just say that and like, like to be honest, like when I saw you, I was like. 00:02:08 Speaker 3: I was struck by that you were frightened. 00:02:10 Speaker 1: I was ill. I almost did one eighty out of here, and I said, I don't care that I was in a nightmare, uber right of my life. I'm away over. I'll get back in that car with Michael. I said, Michael, we're doing a loop. We're doing a loop. We're doing a one eighty pivot and we're going back to Hollywood Hotel. And I know that we're in the time machine. So room three O eight. I don't care who knows. I don't care who knows, Just try and kill. 00:02:32 Speaker 3: Yeah, you are in town, you're visiting I am, indeed Hollywood Hotel. What is the situation happening there? 00:02:39 Speaker 1: It sounds so it sounds simultaneously fancy and like maybe you would die there. Let me explain. So, first of all, when you walk into my room, is there a smell of a wet towel? Of course was it there the moment I arrived? Absolutely, there was just a wet towel there. Oh, here's the thing that would have made sense. There just was the smell. And so I do have a slight concern of like, am I inhaling black mold? Am I sleeping poison? Am I gonna die? And I mean, here's the thing. If it's my time, it's my time. But I've stayed at this hotel before and it's always been, I have to say, a lovely experience. The rooms are always very clean. Previously to this, I've never encountered a smell. And also I'm gonna say this to you, bang for your buck, great location. I'm not even sponsored by them, I have to tell you, But I and I's also. 00:03:22 Speaker 3: If you're gonna get a free night or something for the complaining and promoting, and I'll take it for either. 00:03:27 Speaker 1: Honestly, I would like I would like a free night for both the complaint and the promotion. 00:03:31 Speaker 3: I want to. 00:03:31 Speaker 1: I want to. I want to, I want to. So Yeah, I'm in town love LA. It's one of those cities I have to say where every time I'm here, I'm like, ugh. The thing about La is that it's like it's almost a city that works. Does that make sense? You were like it almost almost for all of its advancements. You're like, oh, La has so much but still disgusting drinking water, you know what I mean? Like, well, I'm sorry, I'm just like you know, and even like I I was joking before we hopped on the mic, but you know, I was in this uber ride over and I have to say, from where I'm staying to your place, it should have only been a twenty five minute ride. But Michael behind the wheel, let me tell you something, he was living and let god, and his version of that is driving under the speed limit and turning a twenty five minute ride into a forty minute one. 00:04:15 Speaker 3: And here we are driving under the speed on the freeway. Oh, it's so dangerous. 00:04:20 Speaker 1: I didn't feel good about it. And then he had the audacity when someone was like at an intersection to turn, they were like taking just a bit too long to turn, and he goes ugh, And I'm like, Michael, you have not earned this. You've not earned this. You think you're the good driver, but Michael Ziva, you are not. And that's not okay. 00:04:37 Speaker 3: Oh. I feel like the key to uber driving is getting there as quickly as possible. 00:04:42 Speaker 1: I mean, call me crazy, well, and I am about to so get ready. But like I also, my like vision of any be it a cab and or uber and or a lift situation is I think I have the kind of standard where I think every like trip in the backseat of a car is going to be like a scene from an eighties movie. We're like, no, no, no. The cab driver uber driver they know this city like the back of their hand, and they know all the places to get to, you know, take you to where you need to be. And then you get in there and they're like, hey, so I actually live like an hour outside of town. I seldom drive in La. 00:05:16 Speaker 3: So people are driving in from riverside. 00:05:18 Speaker 1: They're like, your guess is as good as mine. We are just going to listen to ways. And you're like, I love that. And of course, because I'm not from here, I can't be like takes Visita, like I have no. 00:05:27 Speaker 3: Your prisoner back though, you're just doing whatever they want. 00:05:29 Speaker 1: And that is kind of how I felt. Because also his passenger seat was lodged way back close to me. 00:05:35 Speaker 3: And oh, so you were in the past. Oh, I guess you could. I mean, I'm sitting behind the drive. 00:05:38 Speaker 1: No, you don't know. Yeah, I'm sitting I'm sitting in the back seat, kitty corner. 00:05:43 Speaker 3: Right. You have to do if you're alone in an uber, You're not going to sit directly behind the driver, No, unless you're giving them a massage or something or. 00:05:50 Speaker 1: Going to strangle them with a tie. Yeah, exactly, And both can happen. By the way, the Hollywood Hotel, and that's another thing I want to plug about that place. 00:05:57 Speaker 3: You could be killed at any point, and. 00:05:59 Speaker 1: I think that's kind of like the fun vibe about LA in general is when you step outside, you know for sure you smell dog poop and you could die at any moment. And that's another thing about La too, where it's almost a city that works. When you see excrement on the ground, I'm also gonna say something else. Eight out of ten times, you know it's a humans. 00:06:17 Speaker 3: Look, I'm gonna defend La for a moment. 00:06:19 Speaker 2: Say it. 00:06:20 Speaker 3: I've seen human excrement on the subway in New York. 00:06:23 Speaker 1: Well, New York is no city to compare it to. 00:06:25 Speaker 3: I mean, we're talking about functioning cities. 00:06:28 Speaker 1: I mean, this is true. And also I mean, listen, I come from Vancouver, Canada, which is like, it's kind of not fair because it is an it's an unusually clean city. And as someone who's like lived in dirty cities, I spent ten years in Toronto, which, by the way, famously they used to call the Big Smoke. Let that be an indication as to how clean that city used to be. 00:06:46 Speaker 3: Big Smoke, Yes, because of the smog. 00:06:49 Speaker 1: Correct. 00:06:50 Speaker 3: Wow, yeah, not a great name. 00:06:52 Speaker 1: Not a great name. 00:06:53 Speaker 3: Nobody loves that city. 00:06:55 Speaker 1: Well, I mean I had a good time while I was there. See now I get all defensive about it, but so I mean, so listen, I've lived in my fair share of city of dirty cities. And actually the reason I knew I had to move is because I was one time walking down the stairwell into the Ousington subway station and there was and listen, I say that this is value neutral. I don't say this to indict this man, obviously someone struggling with mental health problems, but was standing astride an emptied grocery bag openly defecating. 00:07:21 Speaker 3: Okay, right, And I said, well it's time for me to go. That's a good sign. 00:07:25 Speaker 1: And I left. The next morning, I said, I'm packing up my life. I said, I can't do this. 00:07:30 Speaker 3: Wait, so you're currently living in Vancouver. 00:07:32 Speaker 1: I am, yeah, I'm a pandemic move. I moved in like August twenty twenty. 00:07:36 Speaker 3: Why I know, where are you from? Originally in Canada, so. 00:07:39 Speaker 1: I am like pretty much Ontario base. I was born in my nation's capital, Ottawa, cult for Plaza, and then spent the entirety of my twenties in Toronto, spent my teen years living out east on the East Coast, and now I've been in Vancouver for the last three years. 00:07:55 Speaker 3: Wow, do you think you're going to settle in Vancouver? 00:07:58 Speaker 1: So I've had people ask me that, and I have. My feeling about Vancouver is that it is the right city for me right now. 00:08:04 Speaker 3: Oh that's a nice way of looking at things. Yeah, I just get to a city and I'm like, I guess i'll die here. Yeah, I don't think beyond dying. 00:08:11 Speaker 1: That's so funny you say that, though, because I thought that's what was gonna happen to me in Toronto. Oh, I was like, I moved there to die in Toronto. Well, I was nineteen, and I was like, oh, well, I guess this is just where I live now for the rest of my life. And I like, I had no sense of my life going anywhere beyond that, right, And so I think also being in my twenties in Toronto was the right move, and I think being thirties in Vancouver feels right. Also, it's a little more low key of a city. 00:08:37 Speaker 3: I've never been to Canada. I don't even know where to start. What, let's name the top five Canadian cities. Okay, I want I'm going to get you in trouble with Canadians. 00:08:46 Speaker 1: I listen, there's nothing they can do to me. I'm internationally beloved. Just kidding, I Okay, I would say number one. I mean, it's gonna seem bias because I'm there currently but number one, I'll say Vancouver. Okay. Number two I'm going to say and this is a pivot, so ladies, get ready, I'm gonna say Montreal. Here's the thing. 00:09:04 Speaker 3: Well, I have a friend from Montreal. 00:09:05 Speaker 1: And have and wait, I was gonna ask if you've been, but you've never been to Canada. So Montreal is sort of like Canada's Europe, right of course, and it's very like it's like you kind of step in there and you're like, oh, this feels like a like a like a country onto itself, Like it feels there's something very I was gonna say provincial, but I guess that's kind of obvious, but like there's something like there's something that like there is Montreal art, there's Montreal culture, there's Montreal. 00:09:29 Speaker 3: Food, there is right smoking, all the things. 00:09:34 Speaker 1: And so I would say Montreal, and then I would say Toronto, and then I would say Halifax. Here's the thing about Halifax. You go for forty eight hours because everything that's worth doing, and Halifax isn't gonna take any longer. 00:09:46 Speaker 3: I can't even picture Halifax. What's the scene in Halifax. 00:09:49 Speaker 1: It's very like it looks it's very well, it's a Seaside town. Obviously it's like close to the water, but there's it's different than Vancouver. It's much older. So there's something very like arts and crafts about oh this calife. Like when you go, you're kind of like everything just has like I don't know how to always describe it, except for everything is just like painted wood. Like it's everything's like really bright and kind of like, uh, it feels almost like you've stepped into like a like a illustration from a children's novel. 00:10:21 Speaker 3: It's a forced charm that is out there. 00:10:24 Speaker 1: That is exactly right where it's like cottage core, but with even less money, if that makes sense. 00:10:29 Speaker 3: Now you're getting in trouble Agains. 00:10:30 Speaker 1: I don't and I don't care who knows it? 00:10:32 Speaker 3: Prince Edward Island. Have you ever been there? No home e Van of green Gables, I'm familiar. How have you not gone there? Well? 00:10:40 Speaker 1: You know, how have you not gone to Canada? Period? 00:10:43 Speaker 3: I have no I have no business there. 00:10:45 Speaker 1: Well, I have to say, that's also shocking to me that you would have never gone. First of all, let's throw in just as a number five city, let's say Summerside, Prince Edward Island. Why not let me. But it's also incredible to me that you've never been to Canada, if not only to like perform, to do stand up, to. 00:10:58 Speaker 3: Do nothing, nothing has ever drawn me there. I want to go. I'm not actively avoiding. 00:11:03 Speaker 1: Can I say something too about you? In Canada? You would thrive they because they would eat you up there, because you have what I can only describe as having old time gentlemanly manners. 00:11:13 Speaker 3: Oh incredible, wonderful and appreciate it. 00:11:15 Speaker 1: Like and Canadians do sort of like we really we hinge so much of our cultural identity on being polite people. And because you are like sort of I don't know, like there's something very like early nineteen hundreds about you. 00:11:28 Speaker 3: I don't know what where that vibe is coming from. That can't possibly be true. 00:11:34 Speaker 1: It's your cadence. You sound like you. You sound like you could be related to Jimmy Stewart. That's just true. 00:11:39 Speaker 3: I don't understand people. I get this pretty frequently, and I need some sort of person who studies this type of thing to pinpoint this for me. 00:11:48 Speaker 1: Where are you from again? 00:11:49 Speaker 3: Utah? 00:11:51 Speaker 1: I'm trying to think does Utah is Utah known as having any kind of regional dialog. No, it's very flat, right and actually, and your accent of anything or you know, yeah, I guess oppose your accent sort of belies that because you have a real kind of like sprightly animated. 00:12:04 Speaker 3: Wave speaking fascinating. Okay, Canadians are very polite. I feel like I would feel like a slob there. 00:12:11 Speaker 1: Disagree? 00:12:12 Speaker 3: Do you think I would just be able to blend in. 00:12:15 Speaker 1: Can I I would go as far as to say, as people would assume if they didn't know who you were, would assume you just were from there. 00:12:21 Speaker 3: Maybe it's time to go. 00:12:22 Speaker 1: I honestly, I would really I would look into trying to perform there, just so you can get like a vibe for a city. 00:12:29 Speaker 3: Okay, Vancouver seems lovely to me. 00:12:31 Speaker 1: And also I'm there, so like we could famously hang. 00:12:33 Speaker 3: Out there we go. See the reasons are piling up, that's're absolutely piling up. I wonder what the flight? Oh? I mean, I guess I could simply ask you, what is the flight from LA to Vancouver? 00:12:42 Speaker 1: Well, in terms of a price point, in terms of length. 00:12:44 Speaker 3: Let's go for both. I mean I was thinking length, but why not talk numbers? 00:12:48 Speaker 1: Okay, if you're gonna do the northbound flight, you're looking at three hours because you're going against the wind. If you're coming back down south, you're looking at two and a half because you're going with it. That's nothing, it's nothing true. It's literally the definition of a hop, skip and a jump. And when you look up that in the dictionary, it's just a picture of you flying. And then in terms of a price point, I mean, obviously depends on how far ahead you're booking. I would say round trip, are looking at like anywhere between five to seven hundred dollars. 00:13:11 Speaker 3: Okay, that's too much money. Wait, five to seven hundred Canadian Yeah, a three hour flight five round trip in US dollars. Five hundred dollars for a three hour flight, that's too much money. It's three to four hundred dollars to get to New York. 00:13:28 Speaker 1: Oh but okay, but that's within your own country. 00:13:32 Speaker 3: I don't care. We're talking distance, I don't imaginary whatever the borders. Who cares? That shouldn't change prices? 00:13:41 Speaker 1: Well, famously it does, and I'm trying to break it to. 00:13:43 Speaker 3: You on the case. Let's see here, we're looking at what does that say? 00:13:48 Speaker 1: Okay, so we've got a one. Oh, there's a two hundred dollars round trip. 00:13:51 Speaker 3: I guess what, Sorry, no one wants to go to Vancouver. 00:13:56 Speaker 1: I guess I just fly a little more expensive than you do as all. I guess I don't paying private flight there. Yeah, it's it's me and Taylor Swift and are private plane. And I'm like, girl, this is a forty five minute trip, and this is we have to do it. We have to do it. I know this is what you normally do on your own just to like empty some fuel into the ocean. But we got to go right now. 00:14:14 Speaker 3: If it's two hundred dollars to get there, I'm going to be there every weekend. 00:14:18 Speaker 1: I can. I say. I think you would really enjoy it, and I would love to see you there. 00:14:22 Speaker 3: I feel like the food there is good such true. 00:14:24 Speaker 1: Is an excellent food city. It's very like I mean, it's I would say, actually, especially because you're in LA, Vancouver would actually be an incredible jumping off point for you, because I think there are certain tenets of Vancouver culture that really, uh, what's sort I'm looking for that the drop parallels between LA. So like, for example, Vancouver is very much a city that pauses itself as being a wellness city. 00:14:49 Speaker 3: So a lot of who are like familiar. 00:14:51 Speaker 1: You know, we're all trying to eat well, we're trying to exercise. I mean, am I a person who wakes up every morning at five am to go to the gym? Somehow? Yes, every morning, wouldn't you know it? Monday through Friday. I'm up at five am, I'm in the gym at five thirty. We're doing an I forty five. We're back at home at six fifteen and we're taking a shower. We're on our computer to work for seven. I mean, look at this structure I've built for my life. 00:15:11 Speaker 3: You are trapped in some sort of You've got to let go. 00:15:15 Speaker 1: But also, this is what I'm saying, it's Vancouver is the right city for this phase of my life. Was I looking for the structure of my twenties? Of course? Was it any Did I have anything approaching that kind of structure? No? But I wanted it so desperately. And the fact that I am now a person in their thirties with a ritual and a routine, it is so comforting to me. 00:15:35 Speaker 3: Five days a week. 00:15:36 Speaker 1: You look very fit. 00:15:37 Speaker 3: Oh thank you. 00:15:38 Speaker 1: You are obviously an exercise. 00:15:39 Speaker 3: I work out but twice a week and it is horrible. And I will say that this is gonna sound like I'm once made me throw up. 00:15:48 Speaker 1: Well, we've all been there. Wait a minute, did you actually throw up? 00:15:50 Speaker 3: Yes? I grew up in the street. I'm just going to end. It was actually very recent. This is a recent development. Really, yes, I And now we're revealing it. 00:15:59 Speaker 1: Do you mind me? 00:16:00 Speaker 3: Can you some follow up questions about it? Of course I love a follow up on throw up? 00:16:03 Speaker 1: Okay, what time of day was it? 00:16:04 Speaker 4: It was? 00:16:05 Speaker 3: I I usually do early evening, five o'clock. 00:16:08 Speaker 1: Did you eat beforehand? 00:16:09 Speaker 2: No? 00:16:10 Speaker 1: Fascinating? 00:16:11 Speaker 3: You know what? And this is gonna I mean, people are just going to say he's out of control. There are times I'll do my I'll schedule my gym appointment for seven pm, and I have to eat dinner before that. I'll go to it. This is actually this is this does not reflect well on me, but we're just we're in it now. 00:16:27 Speaker 1: Yeah. 00:16:27 Speaker 3: I'll go to in and Out at five o'clock and eat a full meal. Yeah, and then I'm working out at seven o'clock with a giant hamburger and French fries in me. 00:16:35 Speaker 1: This is gonna sound like I'm placating you, but you're by that point you've had two hours to digest. So it makes sense then that actually to me. Can I be honest, that doesn't bump to use some podcastling go that doesn't bump for me at all, That really doesn't. 00:16:47 Speaker 3: I got to put that in my lingo. I'm gonna start bumping nonstoff. 00:16:51 Speaker 1: Yeah, absolutely, No, I think that's absolutely the right thing. Do you need energy before you are? 00:16:54 Speaker 3: Okay? 00:16:54 Speaker 1: So you're supporting this, no fucking question. Am I supporting? 00:16:59 Speaker 3: Love to this? Because every time I go, I feel like, oh, this is dangerous behavior? What am I doing? But I have to do it because it's the only way I can do it. 00:17:06 Speaker 1: Listen, My thing is this. If they recommend that you wait half an hour before jumping into a pool two hours. 00:17:11 Speaker 3: Two hours, it's stirring around in your stomach, it's been chewed up, it's dignasticated. 00:17:16 Speaker 1: My god. No, I think that's the right thing to do. 00:17:18 Speaker 3: And I'm getting a little bit of caffeine, which I think I need. 00:17:22 Speaker 1: Do you think that's what prompted the throw up? 00:17:24 Speaker 3: What the eating or the caffeine? 00:17:27 Speaker 1: Well, I know you didn't eat beforehand, so do the caffeine. 00:17:29 Speaker 3: No. I think it was just the sheer intensity of the workut and I had been gone for two weeks and oh, you had essentially been sitting on a plane for ten hours a day before, so it was it was not. 00:17:41 Speaker 1: A good I think it was just like a shock to your system. 00:17:43 Speaker 3: Gives a bad idea on my part. And I've injured myself. And that's another thing that's happening. I've heard my bat I. 00:17:48 Speaker 1: Mean, are you dealing with the herd back right now? 00:17:51 Speaker 3: It's it's getting better. I mean, this is just becoming the pity hour, but yes, some back pain. 00:17:55 Speaker 1: I want to say this to the listeners at home. MOSTO can't appreciate Bridger's physical stature. The fact that you only exercise two days a week, to me is alarming because you race and we keep it tight like guns for days. I mean, like, I didn't realize this was like an opening carry state. I'll say that, but like, like, you're an incredible. 00:18:13 Speaker 3: Shape Bridger's I'm telling you, they made me throw up. Oh got it so only once though, And I hope it's not the beginning of some sort of pattern where I'm constantly throwing up in the street. I don't want to become that person. It's constant, you know. 00:18:27 Speaker 1: I mean, it isn't, unfortunately, a way to keep the weight off. I hate to break it to you, but it just is a. 00:18:32 Speaker 3: Half a granola bar. I eight at three o'clock. Yeah, get out? Oh how did we get to me throwing up in the gutter? Exercise exercise fitness Vancouver, Vancouver. You're exercising five days a week. Vancouver's a wellness town. 00:18:45 Speaker 1: Well and also oh and you were like, and I bet you Vancouver is a great food town. Yes, and it is, I will say the way that it really suffers unfortunately because it is a bit of a wellness town. Although so is La and the La y'all have figure this out. Vancouver on unfortunately is not a great dessert city. I'm oh, it just isn't. 00:19:04 Speaker 3: Oh, I hate to hear that. 00:19:05 Speaker 1: Now, Onalise, you're you're nodding. Have you been to Vancouver? Do you agree with this? 00:19:09 Speaker 3: You do you have bad desserts or no desserts? No dessert Oh has had no desserts? 00:19:15 Speaker 1: Well yeah, to me, it's just like and and it's fun And again, La, you have really figured out. 00:19:21 Speaker 3: Oh, I can tell you desserts galore. 00:19:23 Speaker 1: And specifically, you guys have figured out donut culture here. 00:19:26 Speaker 3: Oh, I can tell you, well, I have some. I have a lot of opinions on the donut. 00:19:30 Speaker 1: Culture, same as do you. And I have strong opinions about the donut culture in Vancouver, and regrettably they are lost. They need some direction. Let me ask you this. When you get a filled like a like a like a jelly, don't like a filled jelly. 00:19:46 Speaker 3: Like a Boston cream. Let's not leave that off the table. 00:19:49 Speaker 1: But no, specifically, I want to ask about the jelly one, because when you get the jelly donut, what do you prefer? Do you want a tan? Do you want it to be coated with a raw granulated sugar or a powdered sugar? 00:20:01 Speaker 3: Oh? 00:20:01 Speaker 1: Interesting on Alice's mouth? Your answer? 00:20:04 Speaker 3: And I'm not gonna look yeah, okay? 00:20:08 Speaker 1: And are you out of your mind? What is your answer? 00:20:12 Speaker 3: Can I look up my favorite one? I'm trying to remember if it has that type of sugar. I go to a place called kettle Glazed Donuts, okay, and it's so delicious. 00:20:22 Speaker 1: And also, listeners, don't if you don't, don't worry. I will tell you what anoles reveals to me, like I'm just sitting on it. But just so you know, I am. I'm almost about to get in the backseat to that uberth Michael again. I swear to gone, I'm about to buildoz an. 00:20:32 Speaker 3: I wonder what's gonna happen when I answer I while it's gonna to destroy the entire podcast. 00:20:36 Speaker 1: This is already becoming a bit of an unsafe space if I'm honest. 00:20:39 Speaker 3: Okay, I'm looking at their donuts. I'm flying through yelp. I'm looking for my preferred jelly donut. What are they serving here? And I think that this may be a twist. It may not even be the right answer in either direction. 00:20:53 Speaker 1: Oh, because are you thinking glazed? 00:20:55 Speaker 3: I like it glazed? Okay, so okay, but okay, they make an excellent lace don't and they make their own jam. I can't recommend this place stuff and the price point is perfect. Oh, I love kettle glaze. 00:21:07 Speaker 1: So if you had a jelly full donut, would you prefer that the exterior of the powdered? Thank you? 00:21:12 Speaker 5: And ald like a lunatic psychopath. 00:21:18 Speaker 3: Oh, I can't even where have you had that? 00:21:21 Speaker 1: Just around. 00:21:21 Speaker 4: I feel like I've had it like a duncan, like I don't think uncommon. 00:21:25 Speaker 1: I've never had it with a powder. 00:21:26 Speaker 3: Oh, I picture a powder That's it's the quintessential I'm sorry to say, obviously a cab, but it's the quintessential cop donut. It is a certain like the powder jelly donut. 00:21:37 Speaker 1: Yeah, and are you so a cab that that you won't eat that jelly donut that's actually huge? 00:21:41 Speaker 3: Are huge? But let's say yes, sure. 00:21:43 Speaker 1: Yes, absolutely, Well it's because my thing about granulated sugar is like on like it's I know that powdered sugar is just like blended granulated sugar. 00:21:55 Speaker 3: I know this, Yeah, but I mean it's creates a textural difference. 00:21:58 Speaker 1: And also my illness is I think if it's powdered, then it's less sugar. 00:22:02 Speaker 3: Oh. Interesting, you feel like somehow the spreading of it is like at an atom level, Yeah, making less sugar on the doughnut. 00:22:10 Speaker 1: And I will say this when I eat a powdered sugar that is, or rather when I eat a filled jelly donut that is powdered versus granulated. When I eat the powdered one, I don't feel sick afterwards, whereas when I eat the granulated one, I do feel because to me, I think it is I bet you it is more sugar. I bet you anything interesting. 00:22:30 Speaker 3: I would almost say it's less because those granules are. 00:22:33 Speaker 1: I have to go. 00:22:34 Speaker 3: They're taking a space on that donut. 00:22:36 Speaker 1: I'm gonna call Michael. I'm getting the backseat of this uber. This is a nightmare. 00:22:40 Speaker 3: But Vancouver is doing all of their donuts and a granulated sugar. 00:22:42 Speaker 1: A lot of them, like the jelly filled ones. Regrettably yes, but uh and a lot of people drag me for this in Vancouver, and this is a very Vancouver specific reference, so I apologize to the listeners. But like, the place I go to for my donuts is this chain spot in Vancouver called Breca Okay, which is like, not like there are more mom and pop more like niche artisan places to get a donut. But let me tell you something. They figured it out and I don't think they should ever ever ever be discounted. I think they are the they are the place to go for a donut. Well, it sounds like a mini chain to me, it is a mini chain. 00:23:16 Speaker 3: I feel like mini chains can be trusted in some situations. 00:23:22 Speaker 1: Not if. But when you come to Vancouver. Two things. We're getting dinner and then we are gonna get a donut from Brecca. 00:23:29 Speaker 3: Oh, I thought you were going to say that, we're going to follow it up with breakfast. 00:23:32 Speaker 1: And listen, we're gonna we're gonna have dinner, We're gonna have a crazy night, and then six Sam will roll around and we're gonna find ourselves a twenty four hour diner and just do it all over again. 00:23:41 Speaker 3: Okay, I I trust you. I feel like you know donuts if you have strong opinions. Breca b r e kka. Cut out that second k oh. We're working with a single k girl, Recca. Who that's a oh yeah, I'm trying to figure out why it's called Breca. 00:23:57 Speaker 1: And you know, so funny. In spite of how truly, at this point thousands of dollars I've given them in my business, I've never thought to inquire because you know what the product is a solid. I don't second guess. 00:24:06 Speaker 3: Are you getting a coffee there? 00:24:08 Speaker 1: Nope? Oh I will, oh you don't. 00:24:10 Speaker 3: Oh? 00:24:10 Speaker 1: Okay. First of all, just so I can really explain my mental illness to you, I am a person who will have donuts delivered to my home. 00:24:16 Speaker 3: Oh boy, this is that's crossing the line for me. I have to go. First of all, I need to see the donut before I put down money for it. 00:24:23 Speaker 1: But let me say this isn't it Isn't it a testament to the product that I know I can deliver Breca and it's always gonna be good. Why And I don't need to see it beforehand? And sure enough when it shows up at my friend door, it's exactly what I think. 00:24:34 Speaker 3: And how many are you ordering to be delivered? 00:24:36 Speaker 1: That's kind of actually none of your business. No, you want to know something, I'm like, no, you know what, I'm going to be honest and vulnerable. I will order three donuts to my apartment. 00:24:45 Speaker 3: That seems like if it was one donut, that would be like a Taylor Swift private jet level of waste, right, But three donuts, because you're not going to order a dozen for yourself, You're gonna be drawing crazy. 00:24:56 Speaker 1: And I definitely have never done that. Guys, the pandemic was dark, But no, I feel like three is good because then you get like, listen, you're gonna get like a different donut you're getting a variety, obviously, because it's me. Every donut that I'm getting is gonna be a filled donut, but it's like a different kind of filled. 00:25:11 Speaker 3: Any type of chocolate happening. 00:25:14 Speaker 1: Get ready? 00:25:14 Speaker 3: Oh okay. 00:25:15 Speaker 1: So they have your quintessential gorgeous Boston cream, which obviously on the menu. Obviously they also do an it's like eating a cloud. They have a powdered sugar nutella filled donut. 00:25:28 Speaker 3: Oh delicious. No, I'm kind of on record as saying nutella is too sweet. 00:25:33 Speaker 1: Which is surprising to me because it's famously more nutty, I think than it is sweet. 00:25:37 Speaker 3: I don't know what's going on there, but the way my mouth reacts to nutella is I think I'm like, this is frosting? 00:25:44 Speaker 1: Is this like You're like, it's like you're on a lease with the granulated sugar. It's like, for whatever reason, it's just like it's something you either are aren't on board with. 00:25:51 Speaker 3: It might be I think it's genetic. 00:25:54 Speaker 1: Are like my mother hated Natella, My grandmother hated Natella. What's your thought? It's on a caramel situation, because caramel is a very divisive. 00:26:02 Speaker 3: Well, I mean and it's also a wildly and consistent product. Correct, I mean you good, and I'm gonna say caramel. I have to be true to myself. Well, actually, I'm not being true to myself because I say both, which is not right. It's not fair to anybody. 00:26:17 Speaker 1: Well, because you just want to make friends and you don't want to you don't want to anger anybody. 00:26:21 Speaker 3: And it depends on the situation. Sometimes if I'm like at a nice baker, I'm like, I can't say carmel here. They're gonna think I'm trash caramel. 00:26:27 Speaker 1: Do you find though that I have you traveled to the South in the States, I've been to Tennessee, And do you find that when you're in a place like Tennessee you can just say carmel and feel safe? 00:26:36 Speaker 3: Oh? Yeah, Utah, I'm safe. 00:26:38 Speaker 2: Uh. 00:26:39 Speaker 3: Basically the Mountain West, California, You're California is tricky because everyone here is a transplant, right, and so everyone brings their own little problem with caramel. Uh. But as far as as far as the food itself, I'm you generally on board. 00:26:55 Speaker 1: Because they do a filled donut ibreca, it's a dulce de la cha. Oh, and I and I have to say I am not a caramel fan hmm, and I do really enjoy that. 00:27:06 Speaker 3: Then that must be good. That's a good See it's. 00:27:09 Speaker 1: A solid product. And when you think about okay, first of all, if Breca's business does not boom after this, and they deserve it, they. 00:27:16 Speaker 3: Aren't going to go straight out of business. 00:27:18 Speaker 1: I I mean listen only because they run out of stock. That's why. That's why between this and Hollywood Hotel, think of what I'm helping to do for small businesses everywhere. 00:27:29 Speaker 3: I would love for this podcast to drive a small business out of business. If there's a. 00:27:34 Speaker 1: Small business that you could pick to go out of business, which one would it be. Let's all say it. Let's all say our small and dependent mom and pop store that we want to run out of town. 00:27:42 Speaker 3: I mean, I could name several dentists and optometrists. Oh, we're not gonna do it. I complained about all these people enough, But I did have an optometrist who took my contact directly out of my eye, and I think that maybe there should there's a health code being violated or something there. They should be put out of business. 00:27:58 Speaker 1: That to me is like when this is this is gonna be a weird This is where I where my brain went. But just follow this logic for a second. It's kind of like if you are a parent, you become so desensitized to germs and like bodily fluids because you're just constantly dealing with it all the time, that you then think you can just engage with the rest of the world. 00:28:19 Speaker 3: Do you know what I mean. 00:28:20 Speaker 1: It's like like for that Upton intrist, they're like, well, I deal with people's eyes, so I'll just get that, and you're like, no, no, no, like in the same way that like like oh as you like you as this adult parent, like you don't need to like bring a hand keep my nose, Like I got it exactly. 00:28:33 Speaker 3: I guess exactly what was going on. Oh you don't pluck something out of my eye. No, not without your permission and without my friend. And that's and the mood has to be right. 00:28:42 Speaker 1: If there's not at least ten lit candles, then this isn't gonna work. 00:28:46 Speaker 3: Liam. Yes, we've got something else we have to talk about. We absolutely have something else to talk about. Look, okay, I was excited to have you here today. I thought, uh, you know, bare minimum will have a fine time. Yes, it could be it could go all over the place, or you know, there could be an explosion. You never know. But I thought we're gonna have a good time, right, Liam's so sweet, he's so funny. We're gonna have a nice time. So you know, the podcast is called I said no gifts, and so emails have been sent, exchanges have been made. I mean, I feel like this title has been run by you. So I was a little surprised. First of all, you were late, and so I was already wow, running hot. 00:29:25 Speaker 1: Wow. We explicitly said that that was a Michael's fault. 00:29:28 Speaker 3: Analis was kind of scratching your name out of future guests. 00:29:31 Speaker 1: Yeah, okay, interesting on a Lie's interesting on two feasts, you are on aalise. 00:29:38 Speaker 3: And then here comes strike two. Okay, Liam skipping into the backyard holding what, at least from my where I'm standing, is a gift? 00:29:50 Speaker 1: Can I say where the confusion was? 00:29:51 Speaker 3: I would love some clarity. 00:29:54 Speaker 1: Famously, I'm not great at reading emails. 00:29:57 Speaker 3: Okay. 00:29:58 Speaker 1: I was so sure you're gonna die when I tell you this. I thought the podcast was called please now more gifts. Now, please grab your Winergard. 00:30:07 Speaker 3: It's the same set of letters, essentially. 00:30:09 Speaker 1: And so here I was thinking if anything kind of weird that he would demand that a guest bring him a gift. That that's where my brain went. I'll say that, and I don't blame you, and so I mean, I but listen, I in keeping with my polite Canadian nature, who is I had to question you? And here you are hosting me in your gorgeous you know, home, your backyard, you doing everything I can. You got me water with ice, everybody hello, So I thought, listen, of course I'll extend the gesture I will, I will, you know, follow along with the protocol of this podcast. I will get you a gift because obviously the title demands it. And I really, I really, you know, I messed up. Okay, I messed up owning it, and I think it's that's the bravest and most honest thing I could do. 00:30:54 Speaker 3: And it's also very professional. You may not be a professional in email, no, you may be falling away behind in that sector, yeah, but here you are, you bringing a real class with the apology, the owning, and then there's this gift and it's like, I don't know, should we open it? Here on the podcast. 00:31:09 Speaker 1: I mean, if you don't mind, you know what I think we should do, though. 00:31:34 Speaker 3: Go ahead, you're I mean, you're making all these calls. 00:31:36 Speaker 1: Now, I think you should close your eyes when I give it to you, and then I'm gonna give it to you, and then you're gonna open your eyes. 00:31:41 Speaker 3: Okay, in the okay, but you're going to hand it to me in the bag it came, yes, okay, no question? And should we say what bag it's in right now? 00:31:48 Speaker 1: Famously it is very much in a Macy's bag. And did I buy your gift at Macy's No? 00:31:53 Speaker 2: Why? 00:31:53 Speaker 1: Let me explain. I also am not great at reading wedding invitations. So here's what happened. I had so I came into town, as I mentioned, I think for a wedding and if I didn't, now we all know. And there was a dress code that I definitely did miss. And they specifically were like, we don't want any cream colored clothes. Ohs, that is exactly what I brought for the weddings a lot. So I Jake and Becky they're allowed to do whatever they want. 00:32:15 Speaker 3: It's their big day, Jake and Becky, I'm not on your soul. Hello. 00:32:17 Speaker 1: Well and listen, you said it, not me. But the point is I am meeting them for dinner after this anyway. So I bulldozed over to Macy's bought myself a blue suit as one does. Wow, and ahead of the Macy's purchase, because I thought you were demanding a gift, I went over to a little special place. So, Bridger, now is the time. Close your eyes, closing my eyes, get ready to receive. I put my hand out here. Yeah, I think it's perfect. Get ready to receive the Macy's bag. Okay, okay, he's holding it. He's holding it. 00:32:43 Speaker 3: Shall I open my eyes? Okay, I'm going to okay, right to your face. I okay, And I'm reaching in for. 00:32:49 Speaker 1: He's really getting into the bag. He's getting into the bagh. 00:32:52 Speaker 3: Okay, I'm okay, okay, I mean should I guess that's fun? 00:32:57 Speaker 1: What do you think it is? 00:32:58 Speaker 3: I mean, from what I'm feeling, hm hmm, it's a square wrapped in plastic. That's about I would say fourteen inches by fourteen inches. 00:33:07 Speaker 1: Oh my god. First of all, if that, if that's the accurate math, that is incredible. 00:33:10 Speaker 3: And we should check later. I'm very good at estimates. I'm going to say, oh, there's there are two things I want to guess, but I'm going to lean into this is a record. 00:33:20 Speaker 1: Opening on zan flip it over. 00:33:23 Speaker 3: It Actually, oh my gosh, this is in Oh. I mean, I'm just falling apart looking at this. Are you I love this album? 00:33:30 Speaker 1: Should we reveal what it is? 00:33:32 Speaker 3: It's Fleetwood Max Toss. 00:33:33 Speaker 1: Now let me ask you a question. Do you own a record player? 00:33:35 Speaker 3: I don't, well, and then this pick is a bust. But listen, I'll but look to just own this. This is my favorite Fleetwood mac album mine two. It's I mean, it is the best one. They're all. I mean, there are a. 00:33:50 Speaker 1: Listen rumors deserves its flowers for all the obvious reasons. But here's the thing. If you're a real one, this is the best one. And I want to say something else. When I was rummaging through bens trying to find one, they had multiple copies and I did exert the due diligence in picking up the one that was the last water Damage one. So I want I really. 00:34:08 Speaker 3: Is a US album. 00:34:10 Speaker 1: I believe it is. 00:34:10 Speaker 3: That's amazing. This may be for all we know, this is like a an original. 00:34:16 Speaker 1: For all we know, there are trace amounts of cocaine on the Liner album liner notes of that album. 00:34:20 Speaker 3: I'm so thrilled about this. Where did you get it? 00:34:23 Speaker 1: It was from a little like secondhand store. God, I wish I can remember the name of it. It's like in downtown LA when you walk in there's an enormous mannequin with a like peacock feathered dress. Okay, and you walk in and it feels like, all of a sudden, you're stepping foot into a warehouse. Oh, like, the owner of the store is this is absolutely true? Was just like openly rolling joints at the counter. True, And he just like sat himself inside in front of like an industrial sized fan. Okay, it's hot in there. 00:34:57 Speaker 3: I guess it's sure not a lot of air circulation somewhere in the wear house. 00:35:00 Speaker 1: Absolutely, And so I went there and because you know what, I because it was going to be either this one or I was going to get you a Linda Ronstatt record. 00:35:07 Speaker 3: Oh interesting, Now I wouldn't have been as excited. 00:35:10 Speaker 1: And then I'm so glad I got you this one. 00:35:11 Speaker 3: I would have thought, oh, you know, I don't I'm not as familiar with Linda. This will be nice well, this feels like a momento. 00:35:18 Speaker 1: And I'm not a religious person, but this is really you know, you know what this is, Mama, that's God. 00:35:24 Speaker 3: We finally found proof. 00:35:25 Speaker 1: This is the fact that I could have and did, by the way, search out Linda Ronstet Records, and then I happened upon this one. Literally, I was like, I went to this record store thinking it was I was so certain I was going to get you, like Living in the USA or Mad Love, and then sure enough this quite literally essentially jumped out at me. 00:35:41 Speaker 3: And I was like levitated. 00:35:42 Speaker 1: Yeah, just with Steve Vnix's witchy powers. And I thought, wouldn't just be an absolute scream if I got him Fleetwood Max Task And now here we are. 00:35:49 Speaker 3: It's I mean, thank god I don't own a record player, because then I would already own this and it would be a double And then suddenly I'm dealing with doubles, and. 00:35:56 Speaker 1: Really, when you think about it would be a quadruple, because why that's a double album. 00:35:59 Speaker 3: That's right, that's right. Too much vinyl happening, that's right. 00:36:03 Speaker 1: Famously, I believe at the time. Now this is nineteen seventy nine numbers, but I believe at the time, it was the most expensive record ever made. It cost a million dollars, which in nineteen seventy nine it was about. 00:36:14 Speaker 3: Two hundred and fifty million dollars a sudden, you can take that to the bank. 00:36:17 Speaker 1: That's exactly right. And listen, as we've established, you're great with SS numbers, so I'm sure that's exactly right. And so this is a very you know, there's a lot of like lore and there's a there's this is a very you know, storied record, and so I mean, I I love it, and I just thought, you know what I want you to have it? 00:36:33 Speaker 3: Can you tell us a little bit more about this album? I feel like the only thing I really know is that there was like an attempt to kind of there was some punk influence on it. 00:36:42 Speaker 1: There was a bit, yes, but it's so it's not overt. I think what really happened with this record is, you know, Lindsay Buckingham famously is like sort of the mastermind behind all of all of their records. He's like the head honcho producer, and after the enormous successive rumors, I think he really wanted to strike out and do something really musically different, which is why you know, this record, as it compares to Rumors, I would say, is much more rougher around the edges sonically, I think, you know, even in terms of its subject matter, it's a little darker. Oh yeah, you know, it's kind of like Rumors, but without its polish and its sheen, which is why I like it. There's something a little more pared down about it. 00:37:24 Speaker 2: Uh. 00:37:24 Speaker 1: And so this was a record I believe that took them a year to finish making. 00:37:28 Speaker 3: And was content of course. I mean it was horse it was. It wasn't ever not contentious with that. 00:37:33 Speaker 1: Imagine there's like, actually they got along so good. 00:37:37 Speaker 3: It was all about teamwork. 00:37:38 Speaker 1: Yeah, and then Christine mcvieh herself Ripe coined the term that day in the studio in nineteen seventy eight. She said, guys, this is gonna sound crazy, but I just came up with this famously. I think teamwork makes the dream work. 00:37:49 Speaker 3: And they were like, they all loved it. 00:37:52 Speaker 1: STEVNX lifted herself up out of her like pound of cocaine. She said, did you just make that up? 00:37:56 Speaker 3: And she's like, I did, teamwork makes the dream work? Does sound like someone on cocaine. 00:38:01 Speaker 1: Oh and this record, by the way, absolutely sounds like a bunch of people on cocaine made it. There's wonderful, there's a kind of there's a there's like a frenzied nature to it. There's a kind of there's it's ragged. Yeah, ragged, Yes, there's a raggedness to it. I would say that is exactly the right word everybody. I mean, if someone hasn't heard this album, they've got to listen to it. Do you now, given that you are already familiar with it, are there songs on the record that already kind of like speak to you? That are some of your favorites? 00:38:29 Speaker 3: I love the Ledge. I think the Ledge is so good. I mean it's hard for me to say. I mean, Tusk is an incredible song. I don't I don't feel like I have a number one favorite. Whenever I put this album on, I just let it run through one. I mean that's kind of my mo for most music. Well, because I. 00:38:48 Speaker 1: Think you and I are like just old enough. That's like, that's how we grew up listening to music, like this idea of going to tracks and it's like, I don't mean to make it sound like we're eighty years old. But I mean, like, I'm ninety eight, well and I'm one hundred, and we look incredible. We've established were very physically fit because of our routine and our exercise. Grandchildren and we and God love them, one of them just turned fifty. But like I think, I think what I've am so yes struck by with this record is like it does also emerge from an era where that is how people intended for people to listen to that music, right, Like this idea of singles mindset wasn't really as prevalent, this idea that like no, no, you start an album side one, right, you listen to it all the way through, and then you flip it, and then you listen to that all the way through and then you're done. 00:39:34 Speaker 3: It's like a movie or a book. 00:39:36 Speaker 1: Yes, yes, it is telling I'm sorry to say it tells a story. That might sound right, but it's telling a story. 00:39:42 Speaker 3: What's happening with Fleetwood Mack at this point? 00:39:44 Speaker 1: You know, it's so funny, literally, I'm not kidding. This morning, Stevie Nicks was giving an interview with Vulture. Because of course, Christy McFee. 00:39:51 Speaker 3: Said she did top twenty five comedians to watch this year. 00:39:54 Speaker 1: She did it, and because and you know what people love about Steve v Nix's comedy. It's so viby. There aren't any hard jokes, but she really sets the scene. But she does an interview with Vulture, and you know Christy McVie, who did pass away recently, very sadly, She just gave an interview saying like, I don't really think it's worth continuing the band without her. I mean, sure, of course, and and all the but which is interesting though, because they did actually for many many years, because Christy mcvee left the band in nineteen ninety eight after that hugely successful reunion tour called The Dance, remember right, and she left the group, oh my god, for like fifteen years or something like she reunite or however that math checks out, because she reunited with them in twenty thirteen, okay, and then they did obviously very successful tours with the original lineup, you know, all five of them, And then Lindsey Buckingham was sort of unceremoniously exiled from the band in recent years. 00:40:52 Speaker 3: I think that's right. I forgot that he was kicked out. 00:40:54 Speaker 1: Yes, because I think he and I apparently what I think was it like they were all getting some. It wasn't the rock and roll Hall of Fame. It was other some like big career achievement wor thing anyway. And I guess the real straw that broke the camel's back was when Stevie was giving her speech. Behind her, Lindsay Buckingham pulled Christy mcfeed to like, kind of do this little waltz in this little dance to kind of indicate that like he thought she was taking too long, and she was like, oh, I do not like that, of course, and so that apparently instigated a major fight and then he was out. 00:41:24 Speaker 3: Skis the quitting, the firing like it. It feels like they run it like an Rby's. It's like it doesn't matter who's here, just in and out of. 00:41:33 Speaker 1: It's a soap opera. No, it is a soap opera. And also, by the way, this has happened both times that Lindsay Buckingham has left the band, because it happened just recently within the last handful of years, and it did happen the first time in nineteen eighty seven he left the band, and both times that he left, they replaced him with two guitarists, which is a testament to his ability that when one corson goes down, they have to play some two people sign right yeah yeah right, I mean listen. Do I think he is probably a problematic person? Yes? Is he also very gifted and skilled of what he does? Absolutely, as by the Tusk record and many others. 00:42:06 Speaker 3: Of course, you know what's your feeling when like a favorite band breaks up for you? 00:42:11 Speaker 1: I do you know? So funny? I already emerged into my musical taste with so many of my favorite acts kind of having like either pulled the brakes a little bit on their career or like even with Fleetwood Mac, it's like being we're together and now we're broken up, or we're together we're broken up. But I will say the first band slash group that I came up with that when they disbanded, where it actually I like, it felt like someone punched me in the stomach and I realized this is gonna be very on the nose. Example, but when the Spice Girls broke up, when not when they broke up, but when Jerry left and Very left. 00:42:45 Speaker 3: Yes, let's let's put it out there, Jerry left. 00:42:48 Speaker 1: But also when the Spy girls broke up. I mean, like, you know, let's be honest, like Jerry was the Spice Girls, and like when she left, I remember being a small child and I was devastated, like course devastated, and I could not understand. And I also, you know, through your child's mind, there are so many things that you're kind of like not fully understanding or you don't have the full picture of. So there was this picture of her that was printed in my local newspaper, the Ottawa Citizen, and she was like kind of just dressed up in business casual where because she was really wanting to sort of I guess Springboard sort of more charity work for us and she's gunning for the UN or whatever exactly. And that's where this picture was from. She was at the u N and she was like dressing in this business casual outfit. But I, as a child, I didn't understand this. All I could think was, oh my god, I cannot believe Ginger just let the Spice Girls go work in an office. Like I was like, I can't believe she's working in nine to five And I said goodbye to international fame and stardom just so she could work in a cubicle, Like, I really that is what I thought, and I was so confused by it. 00:43:48 Speaker 3: Yeah, I kind of remember having that same feeling. And for me, when a band breaks up, there's just this intense worry. It's not even a concern about there not being more new music. It's like they're not friends anymore. Yeah, friends aren't friends anymore, and I'm worried about what happened. 00:44:02 Speaker 1: Yes, And also when you're a child, like there's something so like, I don't know, when you're a little kid, you think the things that you like are gonna be that way forever. Of course, we're gonna keep going and going and going. And then when when it's not, I mean, it's devastating immortality. Not well, ain't that the damn truths? I mean, and not to the same degree, but I did have a similar ish feeling. When S Club seven broke up. I was like, also, let this be a sign of the times, because I think two of the members have been like this is so like nothing now, but like they were caught smoking pot. They were like these young twenty somethings and they were caught smoking pot. But me, like nine years old, I was like, I don't know. 00:44:37 Speaker 5: Why they're trying to ruin what they've built. I was like, they're all gonna get caught, like, oh have done drugs. They're gonna die from pot like I was. So, I was really legitimately devastated. The irony being that I would grow to love a band like Fleetwood Mac who literally was funneled by drugs for the better part of fifteen years. 00:44:54 Speaker 3: Break up upon break up upon breakup, Yes, just torturous relationship. Do you own a lot of records? 00:45:01 Speaker 1: Well, I wouldn't say a lot, But also famously I don't own a record player. I just like, because I'm also that person, I'm like, no, no, this, I'm such an idiot. I'm like, I'm gonna buy one. I'm always like, I am gonna buy one, and I'm gonna set the money aside and I'm gonna do it. And when you know what, here I am thirty two years young still have not made that purchase. 00:45:20 Speaker 3: It's a I can't open that door. That's the reason, Like I think, the moment I own a record player, my home will be destroyed. 00:45:25 Speaker 1: I just get too many records I will. 00:45:27 Speaker 3: I mean, it'll just records, records everywhere. And I did that with books a long time ago, and then I moved to New York and I realized I can't keep buying these. Well, and now I'm kind of turning the corner because of you know, the Internet is not letting us own anything, and we should probably own as many physical things as we can before that question kind of claw them away from us. 00:45:45 Speaker 1: That before the grid goes down. 00:45:46 Speaker 3: Yes, yeah, I'm a that's the reason I don't own a record player. 00:45:51 Speaker 1: Well, I also and this is a real testament to my laziness, but I'm sorry to say, I do love just listening to an album through without having to get up. 00:46:00 Speaker 3: Oh sure there. 00:46:01 Speaker 1: Is something really nice. Yeah, I mean about bluetoothing a speaker to your phone, opening up title, and then away we go. 00:46:08 Speaker 3: It is amazing what the human mind is able to become lazy about almost immediately, like yep, not wanting to get up to put a CD in or a DVD or to change the channel. Curse things seem the TV's like miles away at this point. 00:46:21 Speaker 1: Yes, And that's how I feel about a record player, where I'm like, and also, each quote unquote side of a record is like what twenty minutes I'm getting up. 00:46:31 Speaker 3: This is really twenty minutes. It's got to be a half hour. 00:46:34 Speaker 1: Most records go like forty five minutes at the longest. 00:46:37 Speaker 3: Wow. 00:46:38 Speaker 1: So then and math tells me, if you split that in two, that's approximately twenty some odd minutes per side. So I'm like every twenty minutes I'm getting up. Oh I don't think so. 00:46:46 Speaker 3: Oh you're out of breath, you're sweating. 00:46:48 Speaker 1: Listen. Done a lot for me, but it has not at all incentivized me to want to get up to change the record the strength. No, I don't have it. And also, if we're being honest, am I listening to music while maybe like pretty deep into an edible? 00:47:02 Speaker 3: Yeah, yeah, you're stuck to the floor. 00:47:05 Speaker 1: Absolutely, I'm horizontals Well, I always say, like there is a edible or not. There does come a point in the day, and it's pretty early, by the way, where I do just need to be horizontal. Like if I'm being entirely honest, like beyond five pm, it's kind of like no, no go for me. Like I'm indoors and I like I'm really living like my FDR fantasy. There's a blanket over my lap. I'm sitting down like you know what I mean, Like, I just really I want to be You're. 00:47:29 Speaker 3: In kind of one of those basket wheelchairs, ye, woven wheelchair. 00:47:33 Speaker 1: I have a lovely woman pushing me around. You know. It's funny. Even before I started like enjoying the occasional edible, I think I already had stoner mindset because my my mo constantly is just like I want to be, like the most comfortable I could possibly be, Like. 00:47:49 Speaker 3: That is you're in your home. 00:47:51 Speaker 1: Yes, But I think like but to a degree where I will, like I won't get up to change the record, Like that's what I'm saying. Like I think there are people who understand, like, oh, in place, like I'm going to get up now, and I need to there's business attend to. But like when I decide that I'm done, I'm done. I'm done. Remember I'm ordering donuts to my apartment. 00:48:11 Speaker 3: It's an obvious lifestyle. 00:48:13 Speaker 1: Are you? 00:48:14 Speaker 3: Are you getting up? I'm moving things around. I'm never quite at ease, are you? 00:48:18 Speaker 1: Would you describe yourself as being a jittery person. 00:48:20 Speaker 3: I'm not jittery unless you know, of course, caffeine levels go through the roof and then my throwing up in the gutter. A lot of problems are happening for me. I am an anxious person, right, so maybe that's kind of driving it. I don't know. 00:48:35 Speaker 1: Yeah, you have well, because here's the thing. As a I mean, I still have my anxiety, but I definitely am far less anxious than I used to be. So as a person who also used to be very tightly wound, I relate to this feeling. 00:48:47 Speaker 3: Can I ask you? You've said F forty five several times, and I follow you on Instagram, so I see it on occasion, But I don't understand what F forty five is. It's F forty five, yes. Is it like a boot camp situation? No? 00:49:01 Speaker 1: So F the F for forty five stands for functional. Oh okay, basically is like functional fitness, and then forty five because the classes are only forty five minutes. 00:49:09 Speaker 3: Oh oh, it's all right there in the title. 00:49:10 Speaker 1: It's all right, it's in the name, and it's just like it's a hit workouts and you just kind of do this little circuit for forty five minutes, you push your body to its limit, and then you go home. 00:49:20 Speaker 3: Wow. 00:49:21 Speaker 1: And so it oscillates between you'll do some days that are cardio Okay, you do some days at our strength and then deva, wouldn't you know it? Every so often you do a day that's both and so uh it's a real combo situation. So I and I, by the way, always I was so sure I would never be a person that would enjoy any form of physical fitness. And I'm sorry to say, and I know, I'm like, this is really me going against my former self. I love it, love it. 00:49:46 Speaker 3: Are they playing music? Hell? Yes, what kind of music? This is a big problem? 00:49:50 Speaker 1: Well no, can I tell you why? I also love the location that I go to is because like all the trainers there are straight, but they play gay music. 00:49:57 Speaker 3: Oh okay, the well, my the current trainers play decent music. But I had to leave a trainer because he was playing corn and also trying to talk to me about Joe Roganna nevery every turn. I'm now already mad working out. I don't need more reasons to be angry. 00:50:13 Speaker 1: No, let me tell you there is and I'm actually gonna gi him ahodout right now. His name is Olivier. He's a trainer at my gem. Again, straight as an arrow, But you had best believe at five thirty in the morning, he will blast Kylie Minogue's Padam and then when we're finished the class for the cool down, he dims all the lights and one not he puts on Shania Twins. You're still the one? Are you kidding me? 00:50:36 Speaker 3: A dream? 00:50:36 Speaker 1: And I say to him every day I go Olivier, I want you to know something. You are the embodiment of all. 00:50:42 Speaker 3: He's gonna come out to you, I hope. So he's just waiting for the right time. 00:50:46 Speaker 1: He You know, what can I say that would so not be off base for me. The amount of straightmen that I felt comfortable over the course of my life letting me know about any sexual proclivities they have is staggering. This is absolutely true. I went to my I mentioned that I went to your friends birthday party a few days ago. Within five minutes of this person showing up, he was like, letting it be known that he really wanted to make out with me. 00:51:09 Speaker 3: Oh wow. 00:51:10 Speaker 1: And then later he was like, oh, well I can't, and I was like, oh why, and he's like I have a girlfriend. And I was like I what, how, how? 00:51:20 Speaker 3: And why what time of day this? For whatever reason, I'm picturing afternoon? No, he was like it's in the evening. Yeah, yeah, I would, but like also not hideously late. I would say like nine or ten, and he was just getting into it five minutes in to say that. 00:51:36 Speaker 1: There was a spark as an understatement Wow yes, yes, wow. And I was like, oh my god, we're going to make out and then he was like, well, actually we can't because because here's how we he gave me all the information. He goes, oh, we can't because actually I know. I didn't realize this was gonna happen, but I actually am meeting someone later and I was like, oh my god, no problem, and I'm like, obviously I'm smart. So I was like, I'm going to be here for longer. And then he's like, I don't know, like we're not. And I was like, what girl, Like I can't do this dance with you? This is I can't. I can't hold your hand through your life. 00:52:09 Speaker 3: To go from being that direct to this wishy washy. 00:52:12 Speaker 1: Can I say you know what? I think? It also was he's a male improviser and okay, well, and I think it's a little also like yes, he was interested, but also it was a little like him just yes, sanding, does that make sense like. 00:52:23 Speaker 3: Well, it sounds like him saying well, maybe, oh, an app that's a good improv technique that people should embrace, just kind of not making any decisions on stage. 00:52:31 Speaker 1: Well, and you know what, as Elaine May used to say when in doubt Seduce, she always used to say that if you're in a scene and you don't know where it goes, seduce and you know what, maybe that's exactly what he was doing. He's like, I don't really quite know what to do here, so you know what, let's make out. And then I said okay. And then he was like, well, and I thought, okay, A nightmare, A nightmare. 00:52:49 Speaker 3: We got to play a game. 00:52:50 Speaker 1: What shall we play? 00:52:51 Speaker 3: We're playing, don't tell me we're playing Gift Master. I've gone so good at this on Alias. I've become a professional. It's amazing. Liam. I need a number between one and ten from you. 00:53:03 Speaker 1: I'm gonna choose seven. 00:53:04 Speaker 3: Okay, I have to do my life calculating right now. You can promote to recommend, do whatever you want with the microphone. 00:53:10 Speaker 1: I'll be right back, okay. Listeners of apparently a podcast called I Said No Gifts Boy, was I'm mistaken about that title? If you have enjoyed even an iota of what you've heard so far, you can follow me across all socials at Liam Garrow. I also have a brand new podcast that maybe mister Bridger Weineger himself will be guesting on Excuse Me, Excuse Me, And so that show is called tell Me Everything. It's where guests come on, such as Bridger and they're going to bring on their favorite things from pop culture and just kind of riff about it and tell me why they like it so much. And if you want to keep up to date with that show, you can follow my show's Instagram page at tell Liam Everything. And if you listen to Tell Me Everything and enjoy it, I would rate and review and subscribe to that pod, because god knows it makes a huge difference. 00:53:57 Speaker 3: Of course, everyone follow those directions. So that was excellent. Thank you. Really that felt like you had copy in front of. 00:54:04 Speaker 1: You and wanted something I didn't. Anyone know how I know I didn't because I know already there are a few things I forgot to say. But that's fine. 00:54:09 Speaker 3: Is this something you need to say? 00:54:11 Speaker 1: Oh? Well, just that we have some wonderful guests on the show, and by this point, by the time everyone's listened, fabulous comedian growed fairly, we'll have been on the show and also just around the court, either just around the corner or maybe an episode that has just dropped Paul F. Tompkins and Tompkins, Oh we love both of them. Adorable And by the time I think this episode goes wide, I think your episode is like a week away. 00:54:33 Speaker 3: Oh my god coming down. Anticipation is building. People are freaking out. 00:54:37 Speaker 1: And I'm not just saying this to say to you. You were gorgeous to talk to you. I had so much fun, you were so great. 00:54:44 Speaker 3: I uh, well, we'll see how the wider public feels. They might burn me down. 00:54:49 Speaker 1: We've had to edit a lot of it out, but I mean, God bless So now walk me through this game. 00:54:53 Speaker 3: Okay, Gift Master, this is how we play. I'm gonna name three gifts, okay, and I'm gonna name three celebrities. Yep, You're gonna tell me which gift you can you'll give, which celebrity and why. Okay, that makes perfect sense. Yes, this doesn't need to be repeated. 00:55:05 Speaker 1: Nope. 00:55:05 Speaker 3: Okay, these are the three gifts you'll be giving today. Number one, a golden lockett. That's a nice little gift. Okay. Number two singing lessons, that's not a bad gift. Those are expensive. Number three a good scare, so that you'll be giving them a good scare. And the celebrities are number one Russell Crowe, okay, Number two Barbara Hershey, this is list. This is a good list, and number three Haruki Murakami. Are you familiar Japanese author? That's all you need to know? Okay, excellent Japanese author. 00:55:36 Speaker 1: Okay, I'm gonna get can I say I already know? 00:55:39 Speaker 3: Okay? Great. 00:55:41 Speaker 1: I'm giving the lockett to the author because and I'll tell you why, because I feel like so much of writing is such like an insular kind of like not always like super appreciated profession. So to be able to give some again, to echo your sentiment about having something that's tangible before the grid goes down, Like imagine gifting someone or just little lockett and being like, thank you for your work, even though I have no idea who you are. 00:56:04 Speaker 3: You know, like I think that the lockett is a great it's kind of a like an elevated candle gift. Yes, it's like I don't really know anything, but this is beautiful and you can do whatever you want. 00:56:13 Speaker 1: And also, if someone gave me a lockett, I'm like, are we literally meeting in hundreds? And are you about to marry me? Because I will say yes, I'm gonna give a good was that a good scare? 00:56:21 Speaker 3: A good scare? 00:56:22 Speaker 1: Diva? You know, I'm giving that to Barbara Hershey because I just you know, I I want her to I want her to feel like, at this phase of her life she can still be surprised, because you know, sometimes when we get older, we have the sense of we we again, we know our ritual, we know our routine, we have a sense of who we are. But imagine, imagine Barbara Hershey. She thinks she's all just snug and tucked away living. God knows where we're doing, God knows what well I mean, Barbara, reach out, Barbara. We'd love to have you on the pods and and so I just think it'd be fun. And I don't want to I don't want it to be too scary. I don't want her to be like, you know, I don't want there to be any sort of you know, medical incident. Okay, okay, but I just imagine, just mean jumping out of you know, out of a bush maybe and just going like huzzah, and then her going like oh. And then and then I'm like, Barbara, it was a gift from Bridger. And then she's like that bridge she's already writing the thank you note. Absolutely, she's running to her desk. And here's the thing. If any of us saw Le miserabla, I think we absolutely know that Russell Crowe just needs that singing lesson, because here's the thing. Here's what I appreciate about the vocal. I love the attack. Okay, he knows does he does he have the greatest voice? No? And does that hold him back? 00:57:31 Speaker 3: No? 00:57:31 Speaker 1: And that's actually really powerful that he still hops on that mic and gives it his all. He doesn't sing with his diaphragm at all. It's coming straight from his throat, which is in itself so powerful. And I think we can agree a choice. But like to me, I just think, like, imagine if you took that fervor had the foundation of a technique and there it is technique and skill, and then he could truly be unstoppable. I mean, apparently he's done quite well for himself. This is what I hear but I still. 00:58:00 Speaker 3: Think like he's on a downhill slide. And imagine Russell reach out. 00:58:04 Speaker 1: And imagine if out of nowhere, how about this as as like a scenario because everyone is kind of like shit talking is singing from limz right. Imagine if out of Nowhere he did like a Broadway musical and everyone was kind of prepared for him to be like, oh god, this is gonna be good Russell Crowe. But if secretly he'd been taking intense voice lessons for a year and then he just and then he just emerged on the stage like what our generation's fucking Mandy Patinkin. I mean, no one could be Mandy Patinkin and also use different you know, think who was the original guy in Le miz Uh? He was an also French Canadian? 00:58:41 Speaker 3: Oh interesting fact? Was it his final role? No? 00:58:45 Speaker 1: And I want to say he played Valjean. But anyway, but I'm a very similar kind of like baritone deep voice typing to a Russell Crowe. So imagine if he emerged as him. There are so many theater nerds that are screaming his name at me right now. Of course, I mean they are going to the ball, I know, I know, but you know what, I can tell that Analie is doing a fervent Google's the browse furrowed, her glasses are sliding down her nose. She is ready to go. 00:59:10 Speaker 3: I mean, this would change Russell Crowe's career in the biggest possible way. 00:59:14 Speaker 1: That's what happens with so many actors. They do like once they arguably even though he never had like a dip in popularity, but like, even like a Daniel Radcliffe, he got like such a big push when he didn't when he showed his wang on stage in equist and then when he did how to succeed in business not really trying, and now he's on Broadway again with I. 00:59:33 Speaker 3: Feel like he's making a very smart career. 00:59:35 Speaker 1: Moves one thousand percent. And also what I love about him too is like it didn't take him a beat, nothing at all. The second JK Rowley came out with her transphobic bullshit, Daniel Radcliffe incredible. Daniel Radcliffe was also like, so that's not right, and I was like, so absolutely it's isn't it so easy to be plugged into your humanity. 00:59:54 Speaker 3: Just say things that are true yep, and that are decent. Absolutely, Yeah, we love him, and we could love Russell Russell, take the lesson. 01:00:04 Speaker 1: Take the lesson, and we would love to. And if you're serious, Russell, I'm gonna say this to you. If you're listening, and if. 01:00:10 Speaker 3: You're serious, he is, he's left a review. 01:00:12 Speaker 1: If you're serious, we're serious. And if you really are serious about your commitment to your voice, I'm sorry, I'm looping you into this bridge and I will co sign and pay for your voice. 01:00:19 Speaker 3: We'll finance the lesson. 01:00:20 Speaker 1: We absolutely will up to up to fifty dollars an absolutely, absolutely, and fifty Canadian dollars also Canadian. 01:00:29 Speaker 3: Yeah, so like actually, I can't do the math of. 01:00:32 Speaker 1: How that would work the proxim with sixty five American dollars. 01:00:35 Speaker 3: Sixty five American dollars. I always hate to see that. The Canadian price, and then in a book cover always hurts my. 01:00:40 Speaker 1: Heart because you're like, god, it could be that, huh yeah, And then here I am, like with literal like durda my face, paying an American price for a book, being like, well, i feel like I'm being robbed blind. 01:00:51 Speaker 3: Okay, excellently played, beautifully played, thank you, I mean the pieces and you don't even know who Haruki is so like, you nailed it. 01:00:58 Speaker 1: Thank you. I listen. I realized it the game. But also I didn't come here to play. Does that make sense? 01:01:02 Speaker 3: Like, okay, do you have an answer on a Lisa And it's fine if you don't. 01:01:07 Speaker 4: I don't know if he was the original one, but I did find a French Canadian actor named Oh gosh, I am I gonna butcher this a little bit, well as I am, I mean a little bit. This is Marian m A R I E n. 01:01:21 Speaker 1: No Ziva girl. Hang on Google, okay, Google, okay, hang on here. 01:01:28 Speaker 3: Also Colem Wilkinson. There we go Comb Wilkinson. Yes, c O M B c O L m oh Comb. 01:01:36 Speaker 1: I think that's what I was thinking of. Okay, is the French Canadian watch? I like totally center down the wrong rabbit. 01:01:43 Speaker 3: Hole a little little song while I sing while I find it. Let's see. Sorry, this is we don't need to know? 01:01:53 Speaker 1: Yes you do, I actually do. Because here's the thing. If I was a podcast listener, and if I didn't find out if Cole Wilkinson's nationality. 01:02:00 Speaker 3: Irish Irish Wilkinson, of course, okay, then I'm obviously also thinking of a different actor here's the thing, guys, my Uber ride with Michael really threw me for a tizzy. 01:02:10 Speaker 1: I don't know, I don't know left from right, up from down, Irish from Canadian. I mean, I'm obviously just on one. 01:02:15 Speaker 3: We've got to answer a listener question. 01:02:17 Speaker 1: Let's do it. 01:02:18 Speaker 3: This is the final segment of the podcast. It's called I said no emails, and. 01:02:24 Speaker 1: If I may, are people having the audacity to send you an email? 01:02:27 Speaker 3: They're sending emails I said no gifts at gmail dot com. I mean being it's overloaded with requests and questions and problems. 01:02:36 Speaker 1: Ludicrous. 01:02:36 Speaker 3: They're asking me to step into their lives and you know, correct or answer questions for them. Will you helpe me answer a question? 01:02:43 Speaker 1: Of course? 01:02:44 Speaker 3: Okay, let's read this. It says, dear Bridge, you're a friend, that's me. What would you give a person who refuses to accept money for their time and talent? And how do you value an active kindness in order to reciprocate it appropriately? My acupuncture mentor won't accept payment for tutoring lessons and undercharges me for treatments when anyone asks for acupuncturist or herbalist recommendation. This person is of course my number one choice, but it doesn't feel like enough. I could just start supplying her with freshly baked bread and other culinary treats, but again, I feel my debt is far greater than a bit of flour and water? Am I being weirdly capitalist about this? How will I know when I've done enough without giving the impression that I'm asking for more and thus perpetuating the cycle? What would you do in such a situation? With sincere gratitude? And this person has not left in their name, they just said basic broke Berliner, a German is amongst us. 01:03:35 Speaker 1: There are two things I want to say, Okay, One, if you are already having a way to send money to this person, just send them the amount that you want to send them. 01:03:44 Speaker 3: Interesting, so like so for you, they're trapped in this toxic situation with their mentor. 01:03:48 Speaker 1: So, first of all, to this broke berlinner, if this is not your situation, I'm sorry. But if you are already paying some stipends to this person, I'm going to assume there's already some kind point of payment situation that you have said up right, yes, so just send them the amount that you want to give them. Then and then just follow up with a note of like, let's say let's say they're charging you fifty and you want to give them a hundred. The note that you send with that one hundred dollars that you want to give them is I'm not having a conversation about this. 01:04:18 Speaker 3: But now this is what I have to say. Does that then turn the mentor into an employee? No, I feel like the cut rate is like, well, we're friends, so the moment we're paying market rate, suddenly we're just in business together. 01:04:36 Speaker 1: Well, I have something that The other part of the thing that I was going to suggest is if this mentor of yours is also going to really be because here's what you also don't want to do. If someone's going to really assert themselves in saying like this is the rate I'm giving you your friend or your you know, my protege blah blah blah blah blah. You don't want someone to then go through the emotional labor of them having to like constantly be like no, no, no, please, no, don't give me that. So you know what I would do, So one of two things, Either you pay that forward to the next person where you go, you know, what someone did me the solid and kind of I knew they were under charging me and they were doing me a solid. So I'm going to do that for someone else. Oh that's very sweet, And I'm gonna I'm going to pick a person who I think is maybe struggling financially, or maybe maybe they're not struggling fantasy, but maybe they have a real kind of like passion for what it is they're doing. And you want to reward that by being like, I see the direction you're going in, and so the thing that I would like to gift to you is this thing that someone gifted to me. It's kind of pass paying it forward. The other thing I would say, if you do have this kind of like pseudo friend relationship with this mentor, pick up the billet dinner. It's so easy, it's so easy. 01:05:45 Speaker 3: Easy, easy. Yes, I mean here's what I'll say. 01:05:48 Speaker 1: Go ahead. 01:05:48 Speaker 3: This mentor obviously has some sort of hold on Berlin or some sort of control. There's a definite power imbalance. Yeah, I said it before, or I'll say it again. It's toxic. Okay, it's inescapable. 01:06:03 Speaker 1: Okay. 01:06:03 Speaker 3: The Berliner obviously can't say no to discount rates, No, and therefore cannot escape. So what I'm gonna say is this is an opportunity for Berliner to take advantage of someone. Oh you're already doing it, okay, So just keep pushing the gas. You don't need to be baking bread. You don't need to be giving gifts. You know. The mentor is getting whatever they want out of this this little power dynamic. They're loving it. Okay, that's the gift for them. 01:06:33 Speaker 1: I just want everyone to know Bridger is also stroking a small white cat in his lap as he's devising this plan. Go ahead. 01:06:39 Speaker 3: Uh, that's all I have to say the mentor, any gift, would it be too much for this person? And it would? They would not like it. They love they love Berliner kind of being in their clutches. That's the payment. 01:06:54 Speaker 1: You think the mentor is slightly evil? 01:06:56 Speaker 3: I think completely this. This acupuncturist. I've never heard of one before, but now I know. Hmm, And of course they exist, and I have to now assume they're all manipulators. 01:07:09 Speaker 1: Well, they in a way kind of are, because they're jabbing needles into your body that are making you feel things and helping and helping the emotions rise to the surface. 01:07:17 Speaker 3: True, So they have a knowledge, your working knowledge of manipulation. 01:07:21 Speaker 1: Yes, yes, okay, I would say, yeah, Berlinard, I'm gonna say some of you right now. I really appreciate that you want to pay this forward and you want to do right and you want to be a good person, and that's all very nice, But do you want to know what's really exhausting if I was your mentor is whatever this conversation is. So they don't they don't want to accept it, and you've exerted, You've extended the offer, they've refused it, and so you just you leave it alone and again you then pay forward that as bridgerould call it manipulation to someone else, or you just pick up the tab when you go for dinner and just be like again, and you kind of just need to be the assertive adult and you kind of just need to say, like, I'm actually not having a conversation about this, I'm buying you dinner. That's a okay, sure, listen. I'm I'm not saying you should should or shouldn't do bridges idea. I'm just saying I'm just saying, here's another option. 01:08:14 Speaker 3: It's always nice to have a backup despite how bad it is. Absolutely got. I just have something in the closet to cook up when you run out of ingredients. 01:08:22 Speaker 1: And you know what to this berliner, if you really feel like blowing up your life, do a Bridger is suggesting. I think that would be fun and a real a real gas. 01:08:30 Speaker 3: And the Berliner hasn't revealed their name, so they have an absolute cloak of secrecy right now. They continue, They do the manipulation, they do the advantage taking of do whatever you want. 01:08:42 Speaker 1: And in this society, that's real power that you have here is staying anonymous, which is what this person's must done. 01:08:47 Speaker 3: I mean, they have not sold their data to the podcast. 01:08:50 Speaker 1: No, so God, I appreciate that, god Less. 01:08:52 Speaker 3: We answered it perfectly. 01:08:53 Speaker 1: Yes, I think I would agree. 01:08:55 Speaker 3: You know, we took a two prong approach and now this person's thrilled. Yeah, they better not right back. 01:09:01 Speaker 1: And also, as a general note for other listeners, maybe stop writing and emails. Pritcher doesn't want these. 01:09:08 Speaker 3: We don't want another email. Absolutely, I'm hanging by a thread. 01:09:13 Speaker 1: Here, I am with egg on my face, bringing a gift like a frick and moron because I've got the name of the podcast. 01:09:19 Speaker 3: Wrong, I'm sick to my stomach. 01:09:21 Speaker 1: I mean, I commented Bridger you before and how great you look. Now you're an ashen color. The blood has fallen out of your face. 01:09:28 Speaker 3: I mean you are like several times during the podcast you had to revive me. 01:09:31 Speaker 1: And and you're not gonna hear that on the final product listeners. Why because we had to edit those pauses out. But it absolutely happened, and we have the medical bills to prove it, because it costs five hundred dollars. 01:09:40 Speaker 3: Corn ambulance. 01:09:41 Speaker 1: Yes, yes, yes, even more. Now this is my personal tusk, it is, this is your storms and I think we can all agree. 01:09:50 Speaker 3: Liam, I've had such a wonderful time. I'm so glad you could make it all the way from Vancouver. 01:09:54 Speaker 1: This I have to say, it was an absolute joy being on the show. It was lovely being able to meet you and a lily being able to like actually see you in person do the show. It means a lot that you would make time for me, so thank you. 01:10:05 Speaker 3: Of course, it's the least I can do, the absolute least. 01:10:08 Speaker 1: Listen, the least would have been honestly nothing, So this is actually incredible. 01:10:14 Speaker 3: Thank you for being here and thank you for this beautiful and album. 01:10:16 Speaker 1: Ah well, your thank you, even though I inadvertently disobeyed you. I hope you enjoy it. If and when you should ever get a. 01:10:21 Speaker 3: Record, it's gonna be sitting somewhere looking tasteful, collecting dusk collecting, absolutely absolutely absolutely not. Thank you again. Thank you listener. The podcast is over. You've got to do something else. Maybe you could listen to Tusk. Maybe you could sit in quiet and just think about everything you've heard process, you know, just think critically about the podcast today and the layers, et cetera. Do whatever you want. I'll be back again soon. I love you, goodbye. I said No Gifts is an exactly right production. It's produced by our dear friend Annalise Nelson, and it's beautifully mixed by Ben Holliday. And we couldn't do it without our guest booker, Patrick Coottner. The theme song, of course, could only come from miracle worker Amy Mann. You must follow the show on Instagram at I said no Gifts, I don't want to hear any excuses. That's where you get to see pictures of all these gorgeous gifts I'm getting and don't you want to see pictures of the gifts? He lie? 01:11:25 Speaker 1: Why did you hear? 01:11:29 Speaker 2: Gonta made myself perfectly clear. But you're a guest to me. You gotta come to me empty, And I said, no guests. Your presences presents enough. I'm already too much stuff. 01:11:51 Speaker 1: So how do you dance? 01:11:53 Speaker 2: Survey me