WEBVTT - Eric Bellinger Is Back Giving Angela Singing Lessons + On Tour With Usher & Chris Brown

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<v Speaker 1>What type his way up with Angela? He and you know,

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<v Speaker 1>this is a fun person to talk to. Eric Bellinger

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<v Speaker 1>is here today. Take your headphones out and stay for

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<v Speaker 1>a minute.

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<v Speaker 2>Yeah, I'm chilling.

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<v Speaker 3>Phone.

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<v Speaker 1>You got airphones in Oh I.

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<v Speaker 2>I didn't even realize. You know, you just have them.

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<v Speaker 4>Yeah, you're just used to it.

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<v Speaker 2>Oh my god.

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<v Speaker 4>Do you listen to audio books and things like that?

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<v Speaker 2>Yeah?

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<v Speaker 3>Okay, something moving all the time, especially like the little

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<v Speaker 3>massage music that you'd be like, you know.

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<v Speaker 4>You listen to that.

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<v Speaker 1>Look you need to do one of those type of albums.

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<v Speaker 1>You're right, because I felt like, yeah, you know, no,

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<v Speaker 1>I really.

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<v Speaker 2>Do so you know what I mean.

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<v Speaker 3>If you've been around you know you just hear that

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<v Speaker 3>little I'm beyonest, It's just it just does something.

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<v Speaker 2>To the energy.

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<v Speaker 4>Are you having a good time right now on tour?

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<v Speaker 3>Such a good time. I'm living a dream. This is

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<v Speaker 3>all the things I pray for.

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<v Speaker 2>Yeah. Really, it's like.

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<v Speaker 1>I feel like you've been, you know, excelling for quite

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<v Speaker 1>some time though.

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<v Speaker 2>Thank you.

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<v Speaker 3>Yeah, It's it's like a good gradual slow build, you

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<v Speaker 3>know what I mean. I know, Wiz Khalif said, you

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<v Speaker 3>know the quicker you here, the fast you go on.

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<v Speaker 3>I think that's really the energy in with my okay line,

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<v Speaker 3>it's just been an amazing steady pace.

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<v Speaker 1>Well, before we get into your new music, because you

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<v Speaker 1>have an album coming out August twenty first, yes, I

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<v Speaker 1>want to talk about this list. So Essence is putting

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<v Speaker 1>out this list of the fifty greatest R and B

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<v Speaker 1>songs of all time, So every day they're putting out

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<v Speaker 1>like another ten, So we're only at thirty so far

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<v Speaker 1>at the time of this interview. From fifty to thirty,

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<v Speaker 1>so I want to get your thoughts on what you

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<v Speaker 1>would put on this list and what's already out there. So, okay,

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<v Speaker 1>at number fifty is Jesse Powell with you like that?

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<v Speaker 4>Okay?

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<v Speaker 1>And I feel like this is such a hard list

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<v Speaker 1>because I'm thinking about songs that I love and it's

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<v Speaker 1>so subjective too, you know, And I think R and

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<v Speaker 1>B has just too many different categories and time periods,

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<v Speaker 1>like how do you choose? But forty nine was tell

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<v Speaker 1>me regroove theory. Okay, number forty eight is folded by

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<v Speaker 1>Kilani and we already said that came out like recent.

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<v Speaker 2>It just came out.

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<v Speaker 3>But I think it's going to be here Forever shout

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<v Speaker 3>out to all the people that worked on Folded.

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<v Speaker 2>Yeah, really good.

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<v Speaker 1>And yeah, And I just feel like that's the type

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<v Speaker 1>of song. There's certain songs you hear in the first

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<v Speaker 1>time you hear it, you're like, that's a hit. Yeah,

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<v Speaker 1>Like even if you don't even realize who it is,

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<v Speaker 1>that was one of those songs that you're like immediately,

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<v Speaker 1>that's a hit.

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<v Speaker 3>When I seen it, I was like, Okay, that's annoying.

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<v Speaker 3>But it was for short warranty.

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<v Speaker 1>Which one of your songs would you put on the

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<v Speaker 1>list of top fifty crime for you?

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<v Speaker 3>Okay?

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<v Speaker 2>I think crime Friend of You is a timeless, timeless song.

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<v Speaker 3>I got a lot of bangers, but when we were

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<v Speaker 3>talking about Forever Crime Friend, you Ain't going nowhere, that

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<v Speaker 3>thing could be in the mix of Motown Temptations and

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<v Speaker 3>Today's Day in Air two.

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<v Speaker 1>I actually really liked that song and it made me

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<v Speaker 1>reflect because I'm sure for every woman, they're going to

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<v Speaker 1>think about the person I'm with. Do I remember a

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<v Speaker 1>time that he actually cried in front of me? Because

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<v Speaker 1>I feel like men are programmed not to do that,

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<v Speaker 1>even for you, you program not to cry in front

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<v Speaker 1>of anyone, And that's when you know you really trust someone.

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<v Speaker 3>Yeah, And at first it wasn't a thing that I

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<v Speaker 3>was like, babe. It was like me trying to sneak off,

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<v Speaker 3>you know, get to a little cut maybe where I

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<v Speaker 3>can just let all my emotions, you know, whether it's

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<v Speaker 3>in a car balcony, in a bedroom and everybody downstairs.

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<v Speaker 3>But somehow I think her intuition she always just like felty,

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<v Speaker 3>like where's he at or something, because she would just

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<v Speaker 3>come behind me and just it's okay, and you know,

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<v Speaker 3>just rub my back and just be there, not necessarily

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<v Speaker 3>having the answers, but just having the presence and the

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<v Speaker 3>comfort for me. So man, after that, I was like, Wow,

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<v Speaker 3>this is a different safety net that I feel, and

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<v Speaker 3>I had to make a song about it.

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<v Speaker 1>It's different too, because when someone cries in front of

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<v Speaker 1>you, you don't know if you're supposed to just let them

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<v Speaker 1>cry or supposed to be like, what's wrong?

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<v Speaker 2>Right?

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<v Speaker 4>You know? Are you trying to?

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<v Speaker 2>Like?

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<v Speaker 1>Because I think the problem we have sometimes is somebody's

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<v Speaker 1>crying and we're trying to like fix it. What can

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<v Speaker 1>I do when sometimes somebody really just needs to feel

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<v Speaker 1>safe enough.

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<v Speaker 4>To cry in front of you?

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<v Speaker 3>I agree, I agree, and I wasn't, you know, even

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<v Speaker 3>looking for anything. So it was dope that she was

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<v Speaker 3>there because these tears were specifically from losing my mom,

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<v Speaker 3>you know, and tears of grief. So there is no

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<v Speaker 3>answer in that case. So I'm glad that she was

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<v Speaker 3>just there and didn't try to.

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<v Speaker 2>Come with the solution.

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<v Speaker 1>And sometimes it just happens out of nowhere, like you'll

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<v Speaker 1>just be shunning and then you think about something.

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<v Speaker 2>Yeah, that's the part when you lose.

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<v Speaker 1>Your birthday, maybe your mind's birthday, and then all of

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<v Speaker 1>a sudden you're.

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<v Speaker 2>Like this did that trigger me?

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<v Speaker 4>Yeah?

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<v Speaker 2>The memories you never know, like you said, when they're

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<v Speaker 2>gonna creep up.

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<v Speaker 1>And sometimes you also got to look at like your

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<v Speaker 1>mother is what brought you to somebody like because I

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<v Speaker 1>feel like you also have a song on here called

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<v Speaker 1>just like You yeap where you are actually referencing your

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<v Speaker 1>mother and you want to be just like her. Yeah,

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<v Speaker 1>And do you feel like with Leamyah, she has a

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<v Speaker 1>lot of qualities that your mother has.

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<v Speaker 2>I definitely think so. Man.

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<v Speaker 3>She's such a caterer and just a domestic, god fearing woman.

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<v Speaker 3>A lot of the qualities that I I had seen

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<v Speaker 3>in my mom growing up, and when you're looking for

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<v Speaker 3>your wife and that person that you're gonna be with forever,

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<v Speaker 3>you're subconsciously looking for little things that remind you of

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<v Speaker 3>the way your mom did them.

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<v Speaker 2>And that just means it could be anything.

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<v Speaker 3>Small, you know, like whether it's prayer or just like

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<v Speaker 3>I said that, comfort or just conversation. But man, I

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<v Speaker 3>definitely think that my mom definitely had so much love

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<v Speaker 3>for Lamayah because she saw a lot of hurting herself too.

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<v Speaker 4>That's dope.

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<v Speaker 1>You gotta feel like all the time, there's certain signs

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<v Speaker 1>you get like God brought you this person. Yeah, and

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<v Speaker 1>then you lost your mom, but you have somebody that's

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<v Speaker 1>really taking care of you at the same time.

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<v Speaker 3>Now, so true to be there for you. Got always

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<v Speaker 3>got you. It may always feel crazy, but he got

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<v Speaker 3>a plan.

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<v Speaker 2>Yeah, you got a plan.

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<v Speaker 4>All right.

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<v Speaker 1>Well, now let's get into more of this list, because

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<v Speaker 1>I know we were talking about that first. Yeah yeah,

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<v Speaker 1>but cry in front of you. I definitely could see

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<v Speaker 1>that like that.

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<v Speaker 2>For real, genuinely, not just because I wrote.

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<v Speaker 1>It and it meant a lot to you, you know,

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<v Speaker 1>And I think that is sometimes because you work and

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<v Speaker 1>write for a lot of other artists. But I also

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<v Speaker 1>feel like there's nothing like knowing that somebody wrote a

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<v Speaker 1>song and it came from a place of their own story.

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<v Speaker 1>And I know you do sit down with people and

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<v Speaker 1>talk to them about like what they're going through, what

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<v Speaker 1>they want to express, but being able to tell that

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<v Speaker 1>story of like this is why I write the song,

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<v Speaker 1>this is what happened and it inspired me.

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<v Speaker 4>It's just a different type of feeling when you hear it.

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<v Speaker 3>Yeah, No, for real, you got to get the backstories

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<v Speaker 3>and the breakdown so you could know where the artist

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<v Speaker 3>was coming from.

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<v Speaker 2>So it's important.

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<v Speaker 3>I'm about to start rolling out videos where I'm just

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<v Speaker 3>explaining the meaning of the songs, why I wrote them, songs,

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<v Speaker 3>the state of mind I.

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<v Speaker 2>Was in, and all that too.

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<v Speaker 3>So stay tuned if you're watching this roll out. You

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<v Speaker 3>know what I'm saying, laying out of some mashing class

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<v Speaker 3>feel me.

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<v Speaker 4>You know, and before I know, I keep on straining

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<v Speaker 4>from the list.

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<v Speaker 2>Now.

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<v Speaker 1>I remember when we had you on lip Service, and

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<v Speaker 1>I've seen you talk about this before with the AI artist,

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<v Speaker 1>and you said, decided to do that because you had

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<v Speaker 1>just an overload of so many songs. Yeah, and you

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<v Speaker 1>just wanted to be able to like put those out

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<v Speaker 1>in whatever way you can. But there's been so much

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<v Speaker 1>backlash since then against AI artists, like I mean, other

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<v Speaker 1>artists who you work with and respect have also said

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<v Speaker 1>that they're completely against it. Even you know, I've seen

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<v Speaker 1>kayline he says, uh, really, just do not like that?

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<v Speaker 1>What would you say to them?

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<v Speaker 2>I'll say, I understand that you don't like it. I do,

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<v Speaker 2>but I do. But yeah, but because the thing is.

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<v Speaker 3>I hate to say this, but a lot of times

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<v Speaker 3>you don't even know that the producers, the videographers or

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<v Speaker 3>the mixing engineers is working and using AI. But they

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<v Speaker 3>just you only know one dynamic of AI. Therefore, you're

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<v Speaker 3>not even able to fully translate what AI is capable

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<v Speaker 3>of because this ain't got nothing to do it lyrics,

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<v Speaker 3>This ain't gotten nothing.

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<v Speaker 4>To do it because you wrote the songs, you have

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<v Speaker 4>the artists.

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<v Speaker 3>Yeah, this is totally different. But I mean just the

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<v Speaker 3>capabilities and the possibilities of it.

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<v Speaker 2>Bruh AI. You can do so many things AI.

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<v Speaker 1>Yeah, but you know what I think the main issue

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<v Speaker 1>is is people getting trained AIS using your voice.

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<v Speaker 3>Yeah, but you still can't compete. I mean, they can't

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<v Speaker 3>compete with you. You're the real person. They can't do

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<v Speaker 3>the shows. They came through the interviews, they came through

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<v Speaker 3>the podcast, they came to the meet and Greece.

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<v Speaker 2>Why are you worried?

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<v Speaker 1>But I wonder if there has to be a way

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<v Speaker 1>to monetize or control that, because if you're using my

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<v Speaker 1>voice to train people.

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<v Speaker 3>Nah, it ain't they voice. It ain't they voice to

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<v Speaker 3>explain it to me, it's just not their voice. Like

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<v Speaker 3>if it's if you listen to both back to back,

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<v Speaker 3>there may be similarities because it's a female because it's

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<v Speaker 3>a soft tone, but it's not the same voice that's

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<v Speaker 3>listening back to back.

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<v Speaker 2>And are you going to and tell me it's the

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<v Speaker 2>same voice?

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<v Speaker 4>Are you going to roll out these artists? Like what's

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<v Speaker 4>the plan?

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<v Speaker 2>No? They rolling out? Some people don't even know the

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<v Speaker 2>AI they lit their favorite song.

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<v Speaker 1>You know there's an artist right now that who got

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<v Speaker 1>a lot of backlash because people found out his song

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<v Speaker 1>was AI and literally this ain't like he had to

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<v Speaker 1>cancel his tour.

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<v Speaker 4>There was so much backlash.

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<v Speaker 2>Who put the tour together? I don't managers was bugging

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<v Speaker 2>they was they were starting to believe a.

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<v Speaker 1>High ticket sales because of the backlash because people found out,

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<v Speaker 1>you know, he said the song wasn't AI, but it was,

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<v Speaker 1>And so I.

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<v Speaker 2>See that's the thing.

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<v Speaker 3>It's just it's just a thin line, of very thin

0:09:14.520 --> 0:09:17.120
<v Speaker 3>line when it comes to AI. It just is because

0:09:17.160 --> 0:09:19.679
<v Speaker 3>you don't you don't know, you can't tell what's AI.

0:09:19.920 --> 0:09:22.600
<v Speaker 3>Like the naked ear can't hear it. I can hear it.

0:09:22.960 --> 0:09:25.280
<v Speaker 3>I know, like some people that can like point out

0:09:25.280 --> 0:09:28.480
<v Speaker 3>AI in one second of hearing it, like oh Ai,

0:09:28.640 --> 0:09:30.679
<v Speaker 3>I definitely, and some people like how you know, like bro,

0:09:31.040 --> 0:09:31.880
<v Speaker 3>it's too perfect.

0:09:32.200 --> 0:09:34.000
<v Speaker 2>When it's too perfect AI.

0:09:34.360 --> 0:09:36.199
<v Speaker 1>It's two perfect, I'd be like, wait, that person got

0:09:36.200 --> 0:09:37.600
<v Speaker 1>three legs and be like.

0:09:37.520 --> 0:09:41.719
<v Speaker 3>Oh this is a It'd be like like what we're

0:09:41.760 --> 0:09:43.120
<v Speaker 3>doing something?

0:09:43.120 --> 0:09:45.280
<v Speaker 4>Well, what about this new project? Did you use any

0:09:45.320 --> 0:09:45.920
<v Speaker 4>AI for that?

0:09:46.080 --> 0:09:46.360
<v Speaker 2>Zero?

0:09:46.559 --> 0:09:46.920
<v Speaker 4>Okay?

0:09:47.040 --> 0:09:49.320
<v Speaker 2>Zero zero zero. It's different things.

0:09:49.360 --> 0:09:52.120
<v Speaker 3>I'm a person that is like a real creative, so

0:09:52.200 --> 0:09:56.720
<v Speaker 3>I like to experiment when it comes to different songs

0:09:56.760 --> 0:09:59.040
<v Speaker 3>and like what is the technology you have to offer

0:09:59.080 --> 0:10:02.200
<v Speaker 3>in twenty twenty six? And you know I can say okay,

0:10:02.240 --> 0:10:04.600
<v Speaker 3>that's that. But it's a big separation like when you

0:10:04.640 --> 0:10:07.720
<v Speaker 3>hear this album, you're gonna hear complete like.

0:10:07.960 --> 0:10:10.920
<v Speaker 2>Organic drums, piano, guitar.

0:10:11.520 --> 0:10:15.319
<v Speaker 3>It's not gonna be like perfection on the one sixteen Quantiz.

0:10:15.640 --> 0:10:18.880
<v Speaker 3>It's a real feel that you'll be able to notice

0:10:18.920 --> 0:10:21.080
<v Speaker 3>the difference. So I'm excited for people to hear.

0:10:21.240 --> 0:10:23.280
<v Speaker 1>All Right, So we're talking about this list now. Other

0:10:23.320 --> 0:10:25.600
<v Speaker 1>songs on the list Escape, who Can I Run to?

0:10:26.679 --> 0:10:29.640
<v Speaker 1>Genuine so anxious. I don't know if he's going to

0:10:29.679 --> 0:10:30.520
<v Speaker 1>appear on this again.

0:10:30.800 --> 0:10:31.400
<v Speaker 4>Let me give you oh.

0:10:31.440 --> 0:10:34.720
<v Speaker 1>Ari Lennox made the list with New Apartment. Now, I

0:10:34.760 --> 0:10:36.520
<v Speaker 1>like Ari Lennox. I feel like I wonder if she'll

0:10:36.559 --> 0:10:38.560
<v Speaker 1>be on there again, or if this is because I

0:10:38.640 --> 0:10:39.800
<v Speaker 1>might have picked a different.

0:10:39.480 --> 0:10:40.600
<v Speaker 2>Are doubling up?

0:10:40.880 --> 0:10:42.880
<v Speaker 1>Well, I don't know, because we only know, you know,

0:10:43.000 --> 0:10:45.640
<v Speaker 1>thirty through fifty right now? Aliyah one in a million?

0:10:45.920 --> 0:10:47.800
<v Speaker 1>This is what's because some of these artists, I'm like,

0:10:47.840 --> 0:10:49.200
<v Speaker 1>which song would I pick?

0:10:50.240 --> 0:10:51.080
<v Speaker 2>One in a million?

0:10:51.200 --> 0:10:54.160
<v Speaker 1>Is amazing a Keisha Cole Love, I think that's a given.

0:10:54.840 --> 0:10:57.720
<v Speaker 1>You know that to this day, that's the karaoke.

0:10:57.400 --> 0:11:02.839
<v Speaker 2>Pick, even for ot Genesis Yea, you Can't keep Me Killing.

0:11:03.480 --> 0:11:05.800
<v Speaker 4>Tony Braxton Love should have brought You Home.

0:11:07.120 --> 0:11:09.320
<v Speaker 1>I want to ask you, as we're looking at some

0:11:09.400 --> 0:11:11.280
<v Speaker 1>of these songs, what are some songs that would make

0:11:11.320 --> 0:11:13.880
<v Speaker 1>the list for you as like the top of all times.

0:11:13.640 --> 0:11:14.439
<v Speaker 2>All time.

0:11:15.960 --> 0:11:20.840
<v Speaker 3>Usher, okay, quaestionions, I would go music, soul, child love

0:11:21.920 --> 0:11:27.400
<v Speaker 3>like Stevie Wonder, Ribbon in the Sky. I like the Temptations,

0:11:27.679 --> 0:11:29.200
<v Speaker 3>the way you do the things you do.

0:11:29.640 --> 0:11:32.760
<v Speaker 1>Ooh, the temptations I might do. Just my imagination of

0:11:32.960 --> 0:11:34.400
<v Speaker 1>that was just mom.

0:11:34.559 --> 0:11:35.160
<v Speaker 2>I love that song.

0:11:36.920 --> 0:11:38.000
<v Speaker 4>That's such a classic.

0:11:38.120 --> 0:11:40.120
<v Speaker 3>It is, you know, I like the way you do

0:11:40.160 --> 0:11:42.040
<v Speaker 3>the things you do because of the songwriting on it.

0:11:42.200 --> 0:11:43.400
<v Speaker 2>Oh, such a good.

0:11:43.240 --> 0:11:45.240
<v Speaker 1>Song, and you're looking at different things than I am

0:11:45.240 --> 0:11:45.880
<v Speaker 1>the consumer.

0:11:46.840 --> 0:11:49.880
<v Speaker 3>But the but the just my imagination, that's probably the big,

0:11:49.960 --> 0:11:50.560
<v Speaker 3>big one.

0:11:50.760 --> 0:11:51.480
<v Speaker 2>I love that one too.

0:11:51.640 --> 0:11:54.320
<v Speaker 1>There's such a difference between what's the big big song

0:11:54.480 --> 0:11:58.200
<v Speaker 1>and what's the impactful one too. Sometimes yeah, like the

0:11:58.240 --> 0:11:59.920
<v Speaker 1>song that might be the biggest might not be the

0:12:00.040 --> 0:12:01.240
<v Speaker 1>one that you would want to make the list.

0:12:01.720 --> 0:12:06.320
<v Speaker 3>Everybody has their own preference and opinion because listening to

0:12:06.400 --> 0:12:09.080
<v Speaker 3>one song from one person, they could say I hate

0:12:09.080 --> 0:12:10.720
<v Speaker 3>that song, the next person I love that song.

0:12:10.800 --> 0:12:12.440
<v Speaker 2>Like wow, people's opinion there.

0:12:12.440 --> 0:12:14.160
<v Speaker 4>Is just crazy. What would be your number one?

0:12:15.000 --> 0:12:20.280
<v Speaker 2>Number one? R and D, R and B? Who should

0:12:20.280 --> 0:12:22.760
<v Speaker 2>I say? Let me think about it. I might go

0:12:24.880 --> 0:12:25.840
<v Speaker 2>Whitney Houston.

0:12:27.920 --> 0:12:28.440
<v Speaker 4>Which one?

0:12:35.320 --> 0:12:38.280
<v Speaker 1>What's the song called I don't want to sing along

0:12:38.320 --> 0:12:39.439
<v Speaker 1>with you because I'm not Ai.

0:12:40.040 --> 0:12:47.920
<v Speaker 2>I love said, I'm a y bodyguards. That song is

0:12:47.960 --> 0:12:49.120
<v Speaker 2>like quite the best one?

0:12:52.360 --> 0:12:58.880
<v Speaker 4>What about okay not? What's the song where she was

0:12:58.920 --> 0:12:59.680
<v Speaker 4>like the side piece?

0:13:00.800 --> 0:13:04.640
<v Speaker 3>Uh?

0:13:01.320 --> 0:13:05.319
<v Speaker 2>Uh? That one?

0:13:05.800 --> 0:13:06.079
<v Speaker 3>No?

0:13:06.640 --> 0:13:07.760
<v Speaker 2>You know that? Or Whitney.

0:13:07.880 --> 0:13:13.480
<v Speaker 1>Yeah, I'm talking about Whitney the song where Oh my gosh,

0:13:13.640 --> 0:13:16.280
<v Speaker 1>because my mom used to love this song and I didn't.

0:13:16.320 --> 0:13:18.520
<v Speaker 1>You know how you don't and I will always love you. No,

0:13:18.600 --> 0:13:20.559
<v Speaker 1>you don't know what the song is about until later.

0:13:20.800 --> 0:13:21.600
<v Speaker 2>Oh yeah, you grow up.

0:13:21.600 --> 0:13:24.199
<v Speaker 4>And that's what I was.

0:13:24.120 --> 0:13:26.200
<v Speaker 1>Talking about all that time she was in love with

0:13:26.240 --> 0:13:28.000
<v Speaker 1>a man who was with somebody else?

0:13:29.280 --> 0:13:30.000
<v Speaker 2>Somebody else?

0:13:31.280 --> 0:13:31.480
<v Speaker 3>Yeah?

0:13:31.840 --> 0:13:33.480
<v Speaker 4>Am I forgetting the name of this song that.

0:13:33.440 --> 0:13:35.480
<v Speaker 3>Has become the norm? Now I'll be hearing them phone calls.

0:13:35.520 --> 0:13:36.719
<v Speaker 3>I'll be doing Lord.

0:13:36.600 --> 0:13:40.440
<v Speaker 1>Jesus, Oh you mean tell us a secret? Been some

0:13:40.520 --> 0:13:42.120
<v Speaker 1>crazy and it beat a regular voice.

0:13:42.720 --> 0:13:44.760
<v Speaker 3>I'd be like, yo, you know how many people have

0:13:44.880 --> 0:13:47.040
<v Speaker 3>had to be like, what's this?

0:13:47.840 --> 0:13:49.800
<v Speaker 2>Oh? So what I'm saving? Yes?

0:13:50.000 --> 0:13:50.440
<v Speaker 4>That one?

0:13:51.040 --> 0:13:54.240
<v Speaker 1>Saving all my love for you? Right, because you realize

0:13:54.280 --> 0:13:55.400
<v Speaker 1>that song is about.

0:13:55.120 --> 0:13:58.280
<v Speaker 3>Her being Yeah, but look I will say a lot

0:13:58.320 --> 0:13:59.680
<v Speaker 3>of moments is.

0:13:59.600 --> 0:14:02.480
<v Speaker 4>All that he has. You got your family and.

0:14:02.480 --> 0:14:05.920
<v Speaker 3>They need you there insane, it's diabolical.

0:14:06.360 --> 0:14:08.480
<v Speaker 2>A lot of lyrics are diabolical.

0:14:09.440 --> 0:14:11.280
<v Speaker 3>And the artist, I would say, the artists sometimes they

0:14:11.360 --> 0:14:12.600
<v Speaker 3>hear the song and they just love the song.

0:14:12.600 --> 0:14:13.800
<v Speaker 2>It's not always the artist.

0:14:13.679 --> 0:14:14.679
<v Speaker 4>Story so beautiful.

0:14:15.080 --> 0:14:16.720
<v Speaker 2>This is true, This is true.

0:14:16.920 --> 0:14:18.920
<v Speaker 4>You know later on, I know you there's some songs

0:14:18.960 --> 0:14:19.200
<v Speaker 4>you like.

0:14:19.280 --> 0:14:19.480
<v Speaker 3>Dang.

0:14:19.480 --> 0:14:21.720
<v Speaker 4>I didn't realize that's what they were talking about. Everybody

0:14:21.720 --> 0:14:23.080
<v Speaker 4>always talks about s w V.

0:14:23.640 --> 0:14:26.360
<v Speaker 3>You know the one for me, Yeah, but it's who

0:14:26.400 --> 0:14:28.640
<v Speaker 3>else next me say, you're making it.

0:14:29.880 --> 0:14:31.600
<v Speaker 2>I thought it was just making difficult for him to

0:14:31.600 --> 0:14:32.080
<v Speaker 2>get the number.

0:14:32.160 --> 0:14:35.680
<v Speaker 1>Well, you know, in the very beginning of that song,

0:14:36.560 --> 0:14:38.440
<v Speaker 1>the way that it starts, it's a little ad lib

0:14:38.880 --> 0:14:40.880
<v Speaker 1>and she goes, I wonder if she could tell I'm

0:14:40.880 --> 0:14:41.560
<v Speaker 1>hard right now?

0:14:41.960 --> 0:14:44.440
<v Speaker 2>Not you didn't know.

0:14:44.520 --> 0:14:46.800
<v Speaker 4>In the beginning of that next song, they say that.

0:14:47.160 --> 0:14:50.560
<v Speaker 2>No, that would have explained it all. That would have

0:14:50.640 --> 0:14:53.280
<v Speaker 2>explained it, because I was just like, you know what

0:14:53.280 --> 0:14:53.760
<v Speaker 2>I'm saying.

0:14:53.880 --> 0:14:58.160
<v Speaker 4>It was just like this is like, no, they really

0:14:58.320 --> 0:15:02.760
<v Speaker 4>say that. Listen, listen right now.

0:15:08.360 --> 0:15:08.680
<v Speaker 2>Hello.

0:15:09.200 --> 0:15:11.240
<v Speaker 4>Once they intro it with that, I know I forgot.

0:15:11.320 --> 0:15:13.120
<v Speaker 2>I forgot who you're talking to.

0:15:18.080 --> 0:15:18.920
<v Speaker 4>Live right there.

0:15:19.120 --> 0:15:22.000
<v Speaker 2>I missed that. I was still putting my head on land.

0:15:22.160 --> 0:15:22.400
<v Speaker 3>You know.

0:15:24.120 --> 0:15:25.680
<v Speaker 4>You're the censored version.

0:15:26.040 --> 0:15:28.160
<v Speaker 3>That's probably what it is, because I have never heard that.

0:15:28.680 --> 0:15:30.280
<v Speaker 3>Lord geez, I only have this song on the radio.

0:15:30.560 --> 0:15:33.440
<v Speaker 1>Okay, well there you have it. So your number one

0:15:33.440 --> 0:15:34.640
<v Speaker 1>song would be Whitney Houston.

0:15:34.920 --> 0:15:37.600
<v Speaker 3>Yeah, what's that song called Bodyguard soundtrack? That's the best

0:15:37.640 --> 0:15:38.160
<v Speaker 3>song ever?

0:15:38.240 --> 0:15:38.440
<v Speaker 5>Man?

0:15:38.640 --> 0:15:41.840
<v Speaker 4>All Right, I don't really need to very much.

0:15:41.920 --> 0:15:42.600
<v Speaker 2>I just love it.

0:15:42.800 --> 0:15:44.760
<v Speaker 1>If I had a I could sound amazing. I just

0:15:44.840 --> 0:15:46.320
<v Speaker 1>want to put we could get you right with the

0:15:46.360 --> 0:15:47.040
<v Speaker 1>AI too.

0:15:47.440 --> 0:15:48.320
<v Speaker 4>Can you imagine?

0:15:48.520 --> 0:15:50.680
<v Speaker 2>I promise it's not even an imagination.

0:15:50.800 --> 0:15:52.880
<v Speaker 1>What were we Okay, if we were in the studio

0:15:52.960 --> 0:15:54.640
<v Speaker 1>right now, what is your process? Let's just say I

0:15:54.680 --> 0:15:56.880
<v Speaker 1>was an artist and I was like, all right, I

0:15:56.920 --> 0:15:58.600
<v Speaker 1>want to, you know, write a hit song.

0:15:58.760 --> 0:16:00.720
<v Speaker 3>Yeah, I would say first, I would say, you gotta

0:16:00.800 --> 0:16:03.920
<v Speaker 3>be willing to sound crazy, all right, So talk to.

0:16:03.880 --> 0:16:05.880
<v Speaker 1>Me like I'm in the studio, So Eric, I'm trying

0:16:05.880 --> 0:16:06.760
<v Speaker 1>to do a hit song.

0:16:08.560 --> 0:16:10.520
<v Speaker 2>What's the first song that you would think to sing

0:16:10.560 --> 0:16:12.360
<v Speaker 2>when you in the car. What you like to sing?

0:16:12.360 --> 0:16:14.320
<v Speaker 2>Because that will help me discover your register.

0:16:14.600 --> 0:16:16.840
<v Speaker 1>Oh you know what, I kind of like feel like

0:16:16.920 --> 0:16:18.400
<v Speaker 1>a new Jack swing type of vibe.

0:16:18.480 --> 0:16:21.560
<v Speaker 2>Okay, any song you know what song I love?

0:16:21.720 --> 0:16:22.480
<v Speaker 4>Is it good to you?

0:16:22.960 --> 0:16:26.720
<v Speaker 2>Which want to say, who's that body that is good?

0:16:27.360 --> 0:16:30.160
<v Speaker 3>I'm about to go BBD When I think new Jack swing,

0:16:30.520 --> 0:16:33.440
<v Speaker 3>I'm thinking new addition, I'm thinking, I think is.

0:16:33.400 --> 0:16:34.640
<v Speaker 4>It good to you? Is that in juice?

0:16:36.400 --> 0:16:36.600
<v Speaker 2>You know?

0:16:36.640 --> 0:16:37.920
<v Speaker 4>I need that type of vibe.

0:16:38.000 --> 0:16:40.440
<v Speaker 3>Hold on, give me a melody, even because I gotta

0:16:40.480 --> 0:16:43.600
<v Speaker 3>find your regis. I'm right into you. I'm not even

0:16:43.640 --> 0:16:45.080
<v Speaker 3>gonna give you nothing that ain't even in.

0:16:45.160 --> 0:16:48.280
<v Speaker 4>Your yeah from juice. Okay, all right, here you go.

0:16:48.360 --> 0:16:50.200
<v Speaker 1>So I'm saying, this is my song right here, I

0:16:50.240 --> 0:16:52.520
<v Speaker 1>want something that is in.

0:16:52.480 --> 0:16:58.600
<v Speaker 2>The similar It's so Janet. I can hear some channels, Janet,

0:16:59.640 --> 0:17:01.240
<v Speaker 2>So is it right there?

0:17:01.400 --> 0:17:03.160
<v Speaker 3>It can do that? Is it?

0:17:03.680 --> 0:17:05.840
<v Speaker 2>I think again? Just go just go La la la

0:17:05.920 --> 0:17:09.119
<v Speaker 2>la la la la la la la la la.

0:17:08.840 --> 0:17:12.800
<v Speaker 3>La la la la more confident la la la la

0:17:12.960 --> 0:17:13.760
<v Speaker 3>hit it, hit it, hit it.

0:17:14.640 --> 0:17:15.000
<v Speaker 2>There you go.

0:17:15.040 --> 0:17:16.919
<v Speaker 3>Okay, So now that with a little bit of all

0:17:16.920 --> 0:17:18.600
<v Speaker 3>those them is gonna get you completely right.

0:17:18.920 --> 0:17:21.919
<v Speaker 2>So you know, all right dead Nah, I don't know

0:17:21.920 --> 0:17:24.320
<v Speaker 2>what they talking about very live.

0:17:24.440 --> 0:17:28.080
<v Speaker 3>Ask anybody that's singing, please lying if they say it

0:17:28.119 --> 0:17:30.159
<v Speaker 3>ain't all right. So now you got the la la

0:17:30.240 --> 0:17:31.919
<v Speaker 3>la that sounds like a comfortable register.

0:17:32.160 --> 0:17:33.800
<v Speaker 2>I would be like, what about this la la la

0:17:33.920 --> 0:17:37.000
<v Speaker 2>la la. Let me you say that that's more comfortable

0:17:37.240 --> 0:17:38.320
<v Speaker 2>to me for you?

0:17:38.800 --> 0:17:41.440
<v Speaker 3>So now la la la, So I go if I say,

0:17:41.520 --> 0:17:44.639
<v Speaker 3>if I, if I see that, that's already like a

0:17:44.680 --> 0:17:47.040
<v Speaker 3>good singing voice, good register. If I was just random

0:17:47.040 --> 0:17:49.520
<v Speaker 3>words that I pulled, the next thing, I would be like, okay,

0:17:49.800 --> 0:17:52.480
<v Speaker 3>do you wanna we gotta listen to some music?

0:17:52.600 --> 0:17:54.960
<v Speaker 2>You know, So now I will play some beats like

0:17:55.000 --> 0:17:56.400
<v Speaker 2>do you like this beat? Do you like this beat?

0:17:56.400 --> 0:17:57.880
<v Speaker 2>Do you like this beat? I probably play like five

0:17:57.880 --> 0:17:59.440
<v Speaker 2>to ten beats until you love beat.

0:17:59.760 --> 0:18:02.040
<v Speaker 4>You pick the beat first before you decide the content.

0:18:02.160 --> 0:18:05.040
<v Speaker 3>Yeah, I like to write to the music, so it

0:18:05.119 --> 0:18:08.000
<v Speaker 3>kind of gives me somewhere to go. Okay, really, music

0:18:08.080 --> 0:18:10.960
<v Speaker 3>can tell you what will fit the chords, you know,

0:18:11.000 --> 0:18:12.480
<v Speaker 3>the chords out of fit, and you can help find

0:18:12.520 --> 0:18:14.399
<v Speaker 3>a melody. So now I have to have to be

0:18:14.520 --> 0:18:17.000
<v Speaker 3>and I know your registered. So now I would literally

0:18:17.119 --> 0:18:18.359
<v Speaker 3>just freestyle.

0:18:19.000 --> 0:18:21.879
<v Speaker 1>Are you like a therapist somewhat when you're talking to

0:18:21.880 --> 0:18:23.960
<v Speaker 1>somebody about what's going on in their life, like, so,

0:18:24.000 --> 0:18:24.800
<v Speaker 1>what's in love?

0:18:24.880 --> 0:18:25.760
<v Speaker 2>You just broke up?

0:18:26.200 --> 0:18:28.960
<v Speaker 3>What's going on? Talk to me like, actually, I'm happily.

0:18:29.119 --> 0:18:31.639
<v Speaker 3>You know, I've been with somebody for six years and

0:18:31.760 --> 0:18:33.280
<v Speaker 3>I don't know. This might be the one? Okay, cool

0:18:33.280 --> 0:18:34.639
<v Speaker 3>boom you said might be the one. Now of a

0:18:34.640 --> 0:18:35.560
<v Speaker 3>suddenly be like, all I got.

0:18:35.440 --> 0:18:37.800
<v Speaker 4>The song what's called might be the one?

0:18:38.320 --> 0:18:38.760
<v Speaker 2>Simple?

0:18:39.560 --> 0:18:43.280
<v Speaker 3>You know what I'm saying. So conversation leads to the

0:18:43.280 --> 0:18:45.800
<v Speaker 3>song be the one?

0:18:45.960 --> 0:18:51.960
<v Speaker 1>Yeah, yeah, yeah, Okay, it's a hit.

0:18:53.960 --> 0:18:54.160
<v Speaker 3>Ok.

0:18:54.400 --> 0:18:54.720
<v Speaker 2>I like that.

0:18:54.760 --> 0:18:56.760
<v Speaker 1>I like to just understand the process of getting in

0:18:56.760 --> 0:18:59.439
<v Speaker 1>the studio with Eric Bellinger and seeing what that's like.

0:18:59.720 --> 0:19:02.439
<v Speaker 1>How do you prefer writers camps or do you to

0:19:02.480 --> 0:19:05.360
<v Speaker 1>prefer just you being one on one with the artists?

0:19:06.680 --> 0:19:06.960
<v Speaker 2>Wow?

0:19:07.880 --> 0:19:11.600
<v Speaker 3>Fifty with the artists. I'm gonna nail it, guarantee. I'm

0:19:11.600 --> 0:19:13.520
<v Speaker 3>gonna talk to you. I'm gonna figure out what you like.

0:19:13.720 --> 0:19:15.439
<v Speaker 3>I'm gonna act you along the process, like do you

0:19:15.480 --> 0:19:17.080
<v Speaker 3>like this melody? Because I'm about to go let it

0:19:17.119 --> 0:19:19.439
<v Speaker 3>you know, so you already have approved. But if it's

0:19:19.480 --> 0:19:23.960
<v Speaker 3>a camp, that just turns up the competitive friendly competition

0:19:25.000 --> 0:19:28.600
<v Speaker 3>amongst the studio and Room A and Studio B and

0:19:28.640 --> 0:19:31.440
<v Speaker 3>Studio C, and we all in here going and then

0:19:31.520 --> 0:19:34.800
<v Speaker 3>later on we know that Chris Brown or Usher anybody

0:19:34.920 --> 0:19:36.520
<v Speaker 3>is gonna be walking through and listening. It's like, Okay,

0:19:36.560 --> 0:19:37.920
<v Speaker 3>let's see what y'll work on. Let see what y'all

0:19:37.920 --> 0:19:39.600
<v Speaker 3>wked on. Let' see what y'all worked on. And by

0:19:39.640 --> 0:19:41.160
<v Speaker 3>the time they get to my room, I just want

0:19:41.200 --> 0:19:41.760
<v Speaker 3>to say good luck.

0:19:43.880 --> 0:19:47.600
<v Speaker 2>Yeah, I'm I'm yeah, I'm trying to just annihilate. I'm

0:19:47.600 --> 0:19:48.960
<v Speaker 2>not trying to be on the album. I'm not trying

0:19:48.960 --> 0:19:49.440
<v Speaker 2>to write a song.

0:19:49.480 --> 0:19:51.199
<v Speaker 3>People like I'm trying to come in there and they

0:19:51.240 --> 0:19:52.919
<v Speaker 3>have the whole vision, Like, oh my god, I see it.

0:19:52.960 --> 0:19:55.040
<v Speaker 3>You can have the video. This is a single. Now

0:19:55.040 --> 0:19:57.400
<v Speaker 3>we're not talking about is an album? Is a song

0:19:57.440 --> 0:19:59.600
<v Speaker 3>on the album? It's like, it's like what we weren't

0:19:59.600 --> 0:20:00.240
<v Speaker 3>in a video? Yo?

0:20:00.840 --> 0:20:02.920
<v Speaker 1>And listen, you're on the tour where Chris Brown and

0:20:03.000 --> 0:20:06.119
<v Speaker 1>Usher written hits. Yeah, but both of them, so it

0:20:06.160 --> 0:20:07.399
<v Speaker 1>was kind of a no brainer.

0:20:07.160 --> 0:20:07.560
<v Speaker 4>To have you.

0:20:08.840 --> 0:20:12.720
<v Speaker 2>I love that they felt that way too, because I was.

0:20:12.720 --> 0:20:14.880
<v Speaker 3>Like, yo, I gotta be there.

0:20:15.160 --> 0:20:17.000
<v Speaker 4>Who gave you the call? Like how did this happen?

0:20:17.280 --> 0:20:20.199
<v Speaker 3>Chris Chris actually was like, Yo, I got this idea

0:20:20.320 --> 0:20:20.880
<v Speaker 3>for the tour.

0:20:21.359 --> 0:20:23.000
<v Speaker 2>This is before I knew Usher was going to any

0:20:23.040 --> 0:20:26.639
<v Speaker 2>of that, and I was just like, let's run it.

0:20:26.680 --> 0:20:29.760
<v Speaker 2>Whatever it is. I'm down. And then I found out

0:20:29.920 --> 0:20:30.960
<v Speaker 2>Usher was part and I.

0:20:30.960 --> 0:20:34.000
<v Speaker 3>Was like, yo, is this the one he was talking about?

0:20:34.080 --> 0:20:36.680
<v Speaker 3>I didn't know for the longest. I'm like, that's got

0:20:36.680 --> 0:20:38.720
<v Speaker 3>to be the tour he's talking about. But I didn't

0:20:38.720 --> 0:20:42.440
<v Speaker 3>speak with him again until his manager.

0:20:42.160 --> 0:20:44.080
<v Speaker 4>Just call like, Hey, what's up this hand of the business.

0:20:45.280 --> 0:20:46.600
<v Speaker 2>So I was like, oh, he was serious.

0:20:47.000 --> 0:20:48.280
<v Speaker 4>That's dope though. I love that.

0:20:48.320 --> 0:20:50.359
<v Speaker 1>And then it has to be very comfortable for you

0:20:50.400 --> 0:20:52.919
<v Speaker 1>to be able to come out there, like I have

0:20:53.000 --> 0:20:55.680
<v Speaker 1>to imagine that this tour is fun because you guys

0:20:55.720 --> 0:20:56.720
<v Speaker 1>all know each other.

0:20:57.119 --> 0:20:58.160
<v Speaker 2>And everybody's cool.

0:20:58.560 --> 0:21:01.639
<v Speaker 3>Backstage is fun on they just crazy, all the people

0:21:01.800 --> 0:21:04.320
<v Speaker 3>like we're all looking at you know, each each other

0:21:04.480 --> 0:21:07.560
<v Speaker 3>said and just supporting one another. And it's really a

0:21:07.600 --> 0:21:10.360
<v Speaker 3>dope thing to see all the guys come together for this.

0:21:11.400 --> 0:21:12.679
<v Speaker 4>Now, listen, I gotta ask you.

0:21:12.680 --> 0:21:15.600
<v Speaker 1>You went viral also recently for talking about the Weekend

0:21:15.880 --> 0:21:19.000
<v Speaker 1>right and the Billy Goat or whatever, and so people

0:21:19.040 --> 0:21:20.200
<v Speaker 1>were upset about that.

0:21:20.640 --> 0:21:23.199
<v Speaker 2>I don't know why. I still don't know why they

0:21:23.200 --> 0:21:23.679
<v Speaker 2>were upset.

0:21:24.400 --> 0:21:25.640
<v Speaker 4>Dan's a huge weekend fan.

0:21:25.720 --> 0:21:28.000
<v Speaker 1>I have to say, I'm on the record, I'm not

0:21:28.080 --> 0:21:30.520
<v Speaker 1>like the biggest fan of the weekend and so it

0:21:30.640 --> 0:21:32.480
<v Speaker 1>just is what it is. Like there's some people there

0:21:32.720 --> 0:21:35.359
<v Speaker 1>everyone loves and he could be like the biggest tours

0:21:35.400 --> 0:21:36.240
<v Speaker 1>selling but it's just.

0:21:36.200 --> 0:21:38.600
<v Speaker 2>Not my whole vibe, right Dan.

0:21:40.600 --> 0:21:41.800
<v Speaker 4>I mean, I'm just being honest.

0:21:41.800 --> 0:21:45.399
<v Speaker 1>So I was okay, and he does have like a yeah, no.

0:21:45.600 --> 0:21:48.080
<v Speaker 2>He got songs. The songs are big songs and they

0:21:48.080 --> 0:21:50.360
<v Speaker 2>were just as the singer.

0:21:51.160 --> 0:21:52.280
<v Speaker 4>Billy Goat was wild though.

0:21:52.680 --> 0:21:54.600
<v Speaker 2>But I just made because his vibrato has like a

0:21:54.640 --> 0:21:55.200
<v Speaker 2>thing like.

0:21:56.640 --> 0:21:57.120
<v Speaker 3>You know what I mean.

0:21:57.320 --> 0:22:00.800
<v Speaker 2>It's not not like throwing shots. It's like his fans heeriod.

0:22:00.800 --> 0:22:03.080
<v Speaker 3>I know they know what I'm talking about, right, And

0:22:03.119 --> 0:22:06.200
<v Speaker 3>it's cool. It was just it was really meant to

0:22:06.240 --> 0:22:06.840
<v Speaker 3>be an insult.

0:22:07.080 --> 0:22:08.080
<v Speaker 2>No, not at all.

0:22:08.320 --> 0:22:11.199
<v Speaker 1>Okay, I'm just asking because all I see online is

0:22:11.240 --> 0:22:13.000
<v Speaker 1>people like they went crazy over there.

0:22:13.000 --> 0:22:15.280
<v Speaker 3>We're talking about catalog. They talking about who's doing shout

0:22:15.280 --> 0:22:18.119
<v Speaker 3>out stadiums. I'm like, bro, I am talking about he

0:22:18.160 --> 0:22:19.359
<v Speaker 3>asked me a question.

0:22:19.440 --> 0:22:20.240
<v Speaker 4>I'm in the business.

0:22:20.400 --> 0:22:23.400
<v Speaker 2>I do this opinion matters? Sorry?

0:22:23.840 --> 0:22:25.560
<v Speaker 1>All right, now I want to say when I look

0:22:25.560 --> 0:22:27.280
<v Speaker 1>at some of the songs that I'm going to tell

0:22:27.280 --> 0:22:28.359
<v Speaker 1>you some of the tongues that I put on my

0:22:28.359 --> 0:22:29.560
<v Speaker 1>top fifty list, and I want.

0:22:29.400 --> 0:22:30.080
<v Speaker 3>To see what you think.

0:22:30.119 --> 0:22:30.800
<v Speaker 2>All right, all right?

0:22:30.880 --> 0:22:32.000
<v Speaker 4>I put Many Ripperten.

0:22:33.520 --> 0:22:34.760
<v Speaker 2>Yeah, that's what.

0:22:35.560 --> 0:22:38.840
<v Speaker 4>Many people can hit that now, nobody. Yeah, I was

0:22:38.880 --> 0:22:39.800
<v Speaker 4>in here trying earlier.

0:22:39.880 --> 0:22:41.400
<v Speaker 2>That's good. Many Many's good.

0:22:41.560 --> 0:22:42.440
<v Speaker 4>I know I hurt your ear.

0:22:42.600 --> 0:22:45.920
<v Speaker 1>Sorry, but I feel like that's just a classic song,

0:22:46.040 --> 0:22:48.199
<v Speaker 1>just even the way she was able to use her

0:22:48.280 --> 0:22:49.560
<v Speaker 1>voice and all of that on there.

0:22:50.200 --> 0:22:50.800
<v Speaker 2>I'll give you that.

0:22:52.160 --> 0:22:53.840
<v Speaker 4>I put baby Face whipp.

0:22:53.560 --> 0:22:57.200
<v Speaker 2>A pil Oh. Okay, okay, okay, okay.

0:22:56.960 --> 0:22:58.399
<v Speaker 4>What would you pay for Babyface?

0:22:58.960 --> 0:23:01.280
<v Speaker 2>I only think of you on two occasions.

0:23:01.280 --> 0:23:04.080
<v Speaker 1>That's the deal that's actually I think made this Oh no,

0:23:04.160 --> 0:23:07.520
<v Speaker 1>that's is that? Yeah, two occasions, just the deal that

0:23:07.560 --> 0:23:08.399
<v Speaker 1>actually made the list.

0:23:08.280 --> 0:23:09.200
<v Speaker 4>At number forty three.

0:23:09.800 --> 0:23:11.040
<v Speaker 2>It's really good. Mm hmm.

0:23:11.520 --> 0:23:14.879
<v Speaker 4>So that's on there. I did put New Flame.

0:23:15.200 --> 0:23:15.480
<v Speaker 3>Oh.

0:23:16.000 --> 0:23:18.399
<v Speaker 4>I know, I know you, but I do love that

0:23:18.560 --> 0:23:19.239
<v Speaker 4>song too.

0:23:20.800 --> 0:23:22.320
<v Speaker 2>I know you, like.

0:23:22.240 --> 0:23:25.080
<v Speaker 1>I made some money off that song, so it makes

0:23:25.119 --> 0:23:28.120
<v Speaker 1>me love that song. My dad randomly really likes that really.

0:23:28.320 --> 0:23:30.040
<v Speaker 3>See Okay, when Pops approves.

0:23:31.320 --> 0:23:33.639
<v Speaker 1>Other than New Flame, what's your favorite Chris Brown song?

0:23:33.680 --> 0:23:35.720
<v Speaker 1>And other than Fine China, what's your favorite Chris Brown?

0:23:35.800 --> 0:23:36.600
<v Speaker 2>Chris Brown?

0:23:37.680 --> 0:23:43.040
<v Speaker 5>I like strip I just want to Okay, I love

0:23:43.040 --> 0:23:47.680
<v Speaker 5>that and Usher I would say that's what it's made

0:23:47.720 --> 0:23:49.280
<v Speaker 5>for my favorite songs.

0:23:49.320 --> 0:23:51.680
<v Speaker 4>Okay, I like that all right?

0:23:51.720 --> 0:23:54.119
<v Speaker 1>Now back to I put just Me and You Tony

0:23:54.160 --> 0:23:55.240
<v Speaker 1>Tony Tony on my list.

0:23:55.359 --> 0:23:59.720
<v Speaker 3>Okay, I like that too. That's classic. That's classic but simple.

0:24:00.040 --> 0:24:02.600
<v Speaker 1>But a lot of people that's not their favorite Tony

0:24:02.640 --> 0:24:04.480
<v Speaker 1>Tony Tony song because in the room.

0:24:04.480 --> 0:24:07.639
<v Speaker 3>We're discussing, aversary is like the big one because we

0:24:07.680 --> 0:24:09.080
<v Speaker 3>can use it annually.

0:24:10.320 --> 0:24:11.840
<v Speaker 4>You know, that's always a cheat code.

0:24:12.040 --> 0:24:16.040
<v Speaker 1>Yeah, three songs, birthday songs, any type of like celebrations.

0:24:16.160 --> 0:24:17.240
<v Speaker 4>But the birthday song.

0:24:17.080 --> 0:24:20.120
<v Speaker 3>Is a cheat code birth and it's more and more

0:24:20.160 --> 0:24:22.200
<v Speaker 3>coming out too, So you gotta go to or you

0:24:22.480 --> 0:24:24.320
<v Speaker 3>switch around because it's birthdays all the time.

0:24:24.480 --> 0:24:26.040
<v Speaker 2>What should be doing for yomies? What you do?

0:24:26.160 --> 0:24:26.360
<v Speaker 4>Okay?

0:24:26.440 --> 0:24:29.200
<v Speaker 1>Well, of course I like busy signal. It's like a

0:24:29.400 --> 0:24:30.639
<v Speaker 1>a Caribbean.

0:24:30.480 --> 0:24:38.720
<v Speaker 3>Okay, you know that happy birthday on your birth Yeah, yeah.

0:24:37.000 --> 0:24:41.200
<v Speaker 1>What's your favorite birthday song like baby birthday.

0:24:41.600 --> 0:24:45.600
<v Speaker 4>You gotta do a birthday that.

0:24:46.480 --> 0:24:49.679
<v Speaker 3>I want to say heavy birthday.

0:24:49.840 --> 0:24:54.440
<v Speaker 4>That's a good one. No matter what, you always got

0:24:54.480 --> 0:24:56.440
<v Speaker 4>to have a good birthday song. I feel like, honey.

0:24:56.480 --> 0:24:57.960
<v Speaker 1>And then we always try to switch it up because

0:24:58.000 --> 0:25:00.440
<v Speaker 1>you get sick of like every time someone's birthday. You

0:25:00.520 --> 0:25:03.280
<v Speaker 1>don't want to post the same song. Let me switch

0:25:03.280 --> 0:25:04.400
<v Speaker 1>it up and find something there.

0:25:04.600 --> 0:25:06.879
<v Speaker 2>That's my dog, that's my.

0:25:08.240 --> 0:25:11.440
<v Speaker 4>But that's listen, that's cheat code. Okay.

0:25:11.520 --> 0:25:15.119
<v Speaker 1>Fatherhood is also on your album You are a boy

0:25:15.240 --> 0:25:17.280
<v Speaker 1>dad boy to express.

0:25:17.520 --> 0:25:18.959
<v Speaker 4>I wonder what it would be like if you had

0:25:18.960 --> 0:25:19.679
<v Speaker 4>a little girl.

0:25:20.080 --> 0:25:21.760
<v Speaker 2>So wait, I just had I just got a dog,

0:25:21.880 --> 0:25:23.200
<v Speaker 2>a little girl. Dogs I count.

0:25:23.359 --> 0:25:24.439
<v Speaker 4>That does not count.

0:25:24.800 --> 0:25:25.560
<v Speaker 2>It counts to me.

0:25:25.760 --> 0:25:27.679
<v Speaker 4>And you know what the technical term for that is.

0:25:31.920 --> 0:25:37.000
<v Speaker 3>So yeah, you know, I'm very rough with them.

0:25:37.320 --> 0:25:37.840
<v Speaker 2>I love that.

0:25:37.840 --> 0:25:40.040
<v Speaker 3>It's a lot of sports, a lot of football practices.

0:25:40.040 --> 0:25:41.880
<v Speaker 3>I have basketball practice. I to go to the park,

0:25:41.960 --> 0:25:45.159
<v Speaker 3>ride by school swimming, and I always wonder, like what

0:25:45.240 --> 0:25:47.719
<v Speaker 3>I have been able to handle the barettes and barbies.

0:25:47.800 --> 0:25:49.280
<v Speaker 4>But you know, little girls are rough.

0:25:49.320 --> 0:25:51.240
<v Speaker 1>I was a little time boy growing up and I

0:25:51.400 --> 0:25:53.240
<v Speaker 1>was not like Miss Burrett's and barbies.

0:25:53.320 --> 0:25:56.199
<v Speaker 2>Okay, Okay, I thought I was like automatic like pink.

0:25:56.880 --> 0:25:57.160
<v Speaker 4>No.

0:25:57.560 --> 0:26:00.520
<v Speaker 1>I feel like when I was young, I was very like.

0:26:00.560 --> 0:26:02.960
<v Speaker 1>I played sports, I played basketball, I ran track, I

0:26:02.960 --> 0:26:04.840
<v Speaker 1>did all of those things. Yeah, and I had an

0:26:04.840 --> 0:26:09.000
<v Speaker 1>older brother and girl with older brothers, it automatically makes

0:26:09.040 --> 0:26:09.800
<v Speaker 1>them more time.

0:26:09.600 --> 0:26:12.280
<v Speaker 4>Boyish because they you know, that's a good point. Yeah,

0:26:12.760 --> 0:26:13.480
<v Speaker 4>you have sisters.

0:26:13.720 --> 0:26:13.959
<v Speaker 2>I do.

0:26:14.200 --> 0:26:18.879
<v Speaker 3>I have sister don Belly and she's a singer too. Okay,

0:26:18.960 --> 0:26:19.720
<v Speaker 3>yeah she's doing.

0:26:21.119 --> 0:26:21.359
<v Speaker 2>Brother.

0:26:21.440 --> 0:26:24.320
<v Speaker 4>Do you guys work together, Yeah for sure.

0:26:24.680 --> 0:26:27.960
<v Speaker 1>Okay, I'm just saying, you know, because I'm just thinking

0:26:27.960 --> 0:26:29.879
<v Speaker 1>about what life was like growing up for you in

0:26:29.920 --> 0:26:32.000
<v Speaker 1>a house. I know you have a musical family and

0:26:32.040 --> 0:26:34.960
<v Speaker 1>you come from that. Yeah, so maybe this was like

0:26:35.200 --> 0:26:36.040
<v Speaker 1>destined for you.

0:26:36.480 --> 0:26:37.800
<v Speaker 2>It is. I ain't know.

0:26:37.840 --> 0:26:41.720
<v Speaker 3>My mom sings, my grandpa sings, my sister sings, I sing,

0:26:42.000 --> 0:26:44.000
<v Speaker 3>my sons are singing, like, oh my god.

0:26:44.119 --> 0:26:47.000
<v Speaker 2>Especially since that Michael music Michael movie.

0:26:46.800 --> 0:26:50.879
<v Speaker 3>Came out, Like yo, I've been seeing the videos online

0:26:51.240 --> 0:26:54.520
<v Speaker 3>about people and like their kids feel like Michael was

0:26:54.600 --> 0:26:57.000
<v Speaker 3>just discovered, like he just dropped last week and that's

0:26:57.720 --> 0:26:58.320
<v Speaker 3>my household.

0:26:59.240 --> 0:27:03.640
<v Speaker 1>It's crazy how certain artists can transcend like every single generation,

0:27:03.840 --> 0:27:07.159
<v Speaker 1>and he's one of them. Yeah, And because now, like

0:27:07.920 --> 0:27:09.960
<v Speaker 1>we have young Kayla in the room, she's only twenty two.

0:27:10.200 --> 0:27:11.960
<v Speaker 1>There's a lot of stuff that she doesn't know. But

0:27:12.040 --> 0:27:13.960
<v Speaker 1>like you never heard this song. You never heard this song,

0:27:13.960 --> 0:27:17.119
<v Speaker 1>but she'll know all the Michael songs. And in the

0:27:17.200 --> 0:27:18.960
<v Speaker 1>room the other day we were also talking about some

0:27:19.040 --> 0:27:22.080
<v Speaker 1>of our our favorite Michael Jackson songs and some of

0:27:22.119 --> 0:27:24.000
<v Speaker 1>them I like, and people in the room are like,

0:27:24.000 --> 0:27:24.880
<v Speaker 1>I never heard that one.

0:27:25.080 --> 0:27:26.960
<v Speaker 2>Really? Yeah, See he got a lot.

0:27:27.040 --> 0:27:29.080
<v Speaker 3>I think the big songs is like you know, the

0:27:29.080 --> 0:27:32.879
<v Speaker 3>big ones, but he did have some fire cut songs

0:27:33.000 --> 0:27:34.080
<v Speaker 3>too that you have.

0:27:34.280 --> 0:27:41.040
<v Speaker 2>You have to just discover his girlfriends with Paul McCartney. No,

0:27:41.359 --> 0:27:42.600
<v Speaker 2>the Dog Gone.

0:27:42.280 --> 0:27:44.040
<v Speaker 4>Girl is mine, Now that's the girl is.

0:27:44.040 --> 0:27:45.840
<v Speaker 2>My girlfriendend the.

0:27:47.480 --> 0:27:48.480
<v Speaker 3>Oh good friend?

0:27:48.760 --> 0:27:49.160
<v Speaker 2>That one?

0:27:49.280 --> 0:27:53.000
<v Speaker 5>Yes, Yes, I love that song for I like that

0:27:53.200 --> 0:27:57.320
<v Speaker 5>it's real chu And it's like that's also he's like

0:27:57.359 --> 0:27:58.560
<v Speaker 5>a side piece on that song.

0:27:58.800 --> 0:27:59.959
<v Speaker 4>Do I like side piece song?

0:28:01.640 --> 0:28:05.040
<v Speaker 1>It seems like I'm gonna tell your boyfriend exactly what

0:28:04.440 --> 0:28:05.840
<v Speaker 1>you're right.

0:28:07.480 --> 0:28:09.480
<v Speaker 2>See you're just singing it. You're not even thinking about

0:28:09.520 --> 0:28:10.280
<v Speaker 2>it when you're young.

0:28:11.280 --> 0:28:14.280
<v Speaker 1>I mean, listen, And you know what's interesting too is

0:28:14.280 --> 0:28:17.560
<v Speaker 1>the conversation people have been having lately. Somebody was asking

0:28:17.560 --> 0:28:20.320
<v Speaker 1>me about who was asking me about my thoughts of

0:28:21.440 --> 0:28:24.800
<v Speaker 1>young Miami because I turned into such a huge conversation

0:28:25.680 --> 0:28:27.760
<v Speaker 1>about and you know, I'm I love that song.

0:28:27.960 --> 0:28:30.520
<v Speaker 4>I do that was like my song love it?

0:28:30.520 --> 0:28:32.720
<v Speaker 2>It's saying some crazy is it?

0:28:32.760 --> 0:28:33.240
<v Speaker 4>But yeah?

0:28:33.400 --> 0:28:34.199
<v Speaker 2>I think I love it.

0:28:34.600 --> 0:28:38.760
<v Speaker 1>Men have been saying way crazier things. Remember the song

0:28:39.560 --> 0:28:40.480
<v Speaker 1>you put it in your mouth?

0:28:40.800 --> 0:28:42.480
<v Speaker 3>Yeah, But I don't think that's I don't think people

0:28:42.520 --> 0:28:45.440
<v Speaker 3>are saying that that song is bad, like sexual wise,

0:28:45.520 --> 0:28:46.440
<v Speaker 3>like we're past that.

0:28:46.600 --> 0:28:49.760
<v Speaker 2>I think it's just like the illegal business that people

0:28:50.680 --> 0:28:51.120
<v Speaker 2>for the kids.

0:28:51.120 --> 0:28:56.160
<v Speaker 1>Okay, that's all right. I get that for the kids, Okay,

0:28:56.280 --> 0:28:59.280
<v Speaker 1>all right, But scamming is bad, especially you've been scammed.

0:28:59.280 --> 0:29:01.040
<v Speaker 1>That song might be like, yeah, that's all.

0:29:01.120 --> 0:29:03.440
<v Speaker 3>But the song is fire. It's a hit, that's the thing.

0:29:03.920 --> 0:29:07.320
<v Speaker 3>Will It gets the people going, It gets.

0:29:07.160 --> 0:29:09.440
<v Speaker 4>The conversation going. Have you ever been scammed?

0:29:10.320 --> 0:29:10.680
<v Speaker 2>I have.

0:29:11.600 --> 0:29:13.760
<v Speaker 3>I'm loky still thinking I'm gonn getting my fifty rags back,

0:29:13.840 --> 0:29:16.240
<v Speaker 3>Like I'm waiting, like what can I get that back?

0:29:16.800 --> 0:29:17.520
<v Speaker 2>Is it coming back?

0:29:17.760 --> 0:29:19.680
<v Speaker 4>I don't think so. Sometimes you got to just chalk

0:29:19.720 --> 0:29:20.720
<v Speaker 4>it up as a lot.

0:29:20.720 --> 0:29:22.560
<v Speaker 2>It's been six years, but no it's over.

0:29:23.040 --> 0:29:24.320
<v Speaker 4>Oh my god, what happened?

0:29:24.400 --> 0:29:26.120
<v Speaker 3>I might get the fifty because you know how safe.

0:29:26.120 --> 0:29:27.640
<v Speaker 3>For example, you back in the day, it was a

0:29:27.680 --> 0:29:30.200
<v Speaker 3>little vibe. I didn't know what was going on hand.

0:29:30.280 --> 0:29:31.920
<v Speaker 3>My man's this amount and we're gonna give you that

0:29:32.040 --> 0:29:32.560
<v Speaker 3>amount back.

0:29:33.280 --> 0:29:34.680
<v Speaker 2>It worked a couple of times.

0:29:34.720 --> 0:29:36.760
<v Speaker 4>I was like, that's how they get you, because then

0:29:36.760 --> 0:29:40.760
<v Speaker 4>they up the money. That's what happened, right, Hey, bro, Bro,

0:29:40.880 --> 0:29:41.440
<v Speaker 4>how's it going?

0:29:42.160 --> 0:29:45.840
<v Speaker 2>You got that empty body? No, alright, I'm calling you

0:29:45.840 --> 0:29:48.560
<v Speaker 2>back next week. You know the person though, Like, yeah,

0:29:48.640 --> 0:29:51.360
<v Speaker 2>I know the person. So I'm like, bro, what happened? Bro?

0:29:51.400 --> 0:29:51.880
<v Speaker 2>I don't know?

0:29:53.640 --> 0:29:55.280
<v Speaker 4>But then he got got to or.

0:29:55.440 --> 0:29:58.600
<v Speaker 2>Said he got got to Okay, So I'm like, you

0:29:58.760 --> 0:30:00.320
<v Speaker 2>do mean to do? I got got too? I'm like,

0:30:01.320 --> 0:30:05.200
<v Speaker 2>I don't know. Gangs gang, They're like, no, a lot

0:30:05.240 --> 0:30:06.800
<v Speaker 2>of people already got him. I'm like I want to

0:30:06.800 --> 0:30:07.280
<v Speaker 2>get him too.

0:30:07.880 --> 0:30:10.000
<v Speaker 1>Yeah, And then you know what happens when people, oh

0:30:10.080 --> 0:30:12.240
<v Speaker 1>a lot of people. That's when you really could feel like,

0:30:12.280 --> 0:30:13.720
<v Speaker 1>I don't know if I'm ever get more money.

0:30:13.760 --> 0:30:13.920
<v Speaker 2>Bag.

0:30:14.360 --> 0:30:17.800
<v Speaker 3>That's why I'm loky, Like it's like in there in

0:30:17.840 --> 0:30:19.920
<v Speaker 3>my head. But I wouldn't have thought about it if you.

0:30:19.840 --> 0:30:22.600
<v Speaker 1>Didn't said and what about so you never thought like

0:30:22.680 --> 0:30:24.440
<v Speaker 1>let me try to sue or do nothing?

0:30:24.800 --> 0:30:30.600
<v Speaker 2>No, we can't do that. This was it was like

0:30:30.720 --> 0:30:32.560
<v Speaker 2>years ago. Okay, So I can.

0:30:32.560 --> 0:30:35.880
<v Speaker 1>Understand you not loving the idea of that song when

0:30:35.920 --> 0:30:37.160
<v Speaker 1>you're on the other side.

0:30:36.960 --> 0:30:37.719
<v Speaker 4>Of it, you know what I mean?

0:30:37.840 --> 0:30:38.960
<v Speaker 2>Right? If you done came up?

0:30:39.680 --> 0:30:41.680
<v Speaker 4>You came up, you like, this is my song?

0:30:41.880 --> 0:30:43.000
<v Speaker 2>But this is my song?

0:30:43.120 --> 0:30:45.600
<v Speaker 4>But I took a l then maybe not.

0:30:48.640 --> 0:30:51.040
<v Speaker 2>I don't want to know where this game is now?

0:30:51.040 --> 0:30:53.200
<v Speaker 4>What is Eric Bellinger still learning?

0:30:53.360 --> 0:30:57.240
<v Speaker 1>Because I feel like you have been so consistent with

0:30:57.320 --> 0:30:59.360
<v Speaker 1>everything that you're doing, and of course we always want

0:30:59.360 --> 0:31:01.640
<v Speaker 1>to be still learning growing. So in what ways would

0:31:01.640 --> 0:31:03.320
<v Speaker 1>you say that you're learning and growing still?

0:31:03.520 --> 0:31:04.200
<v Speaker 2>Yeah?

0:31:04.360 --> 0:31:06.960
<v Speaker 3>I think I'm learning more and more that it's better

0:31:07.080 --> 0:31:11.720
<v Speaker 3>to like just be you, be raw, be real, as

0:31:11.720 --> 0:31:16.800
<v Speaker 3>opposed to trying to present like this perfect image or

0:31:16.840 --> 0:31:22.920
<v Speaker 3>this perfect persona or this perfect answer that just adds

0:31:23.320 --> 0:31:26.479
<v Speaker 3>so much stress to your life when there's really still

0:31:26.520 --> 0:31:27.640
<v Speaker 3>no such thing as perfect.

0:31:27.720 --> 0:31:27.959
<v Speaker 2>You know.

0:31:28.080 --> 0:31:32.200
<v Speaker 3>So, I think me just embracing reality and embracing my

0:31:32.280 --> 0:31:38.120
<v Speaker 3>imperfections has made me a lot more just comfortable every day,

0:31:38.320 --> 0:31:39.920
<v Speaker 3>you know what, I'm saying in my own skin, so

0:31:40.440 --> 0:31:41.520
<v Speaker 3>be you.

0:31:41.520 --> 0:31:43.480
<v Speaker 1>You know, the first song, and I don't have this.

0:31:43.640 --> 0:31:46.520
<v Speaker 1>I only have those songs that came out. I need help. Yeah,

0:31:46.640 --> 0:31:48.080
<v Speaker 1>you gotta tell me what that's about.

0:31:48.200 --> 0:31:51.880
<v Speaker 3>I need help is so my whole slogan is it's easy.

0:31:52.440 --> 0:31:55.880
<v Speaker 3>Everything it's easy. But there's a line in first verse

0:31:55.920 --> 0:31:57.840
<v Speaker 3>I say, no one knows what it takes to be

0:31:57.920 --> 0:32:02.800
<v Speaker 3>me because I make it look easy. But I worked very,

0:32:02.920 --> 0:32:06.120
<v Speaker 3>very very hard to make it look easy. You know,

0:32:06.160 --> 0:32:11.840
<v Speaker 3>I'm covering so many different areas of you know, just

0:32:12.040 --> 0:32:14.520
<v Speaker 3>job hats, just to make sure it's all good.

0:32:15.160 --> 0:32:18.480
<v Speaker 2>But it's like, man, I need some help. I need

0:32:18.480 --> 0:32:19.240
<v Speaker 2>to be able to delegate.

0:32:19.280 --> 0:32:20.840
<v Speaker 3>I need to be able to call on somebody say hey,

0:32:20.880 --> 0:32:22.479
<v Speaker 3>can you handle that for me because I'm over here

0:32:22.520 --> 0:32:25.040
<v Speaker 3>and I can't get it done. But I think it's

0:32:25.080 --> 0:32:27.640
<v Speaker 3>just and my nature to always just want to be

0:32:27.680 --> 0:32:29.360
<v Speaker 3>the one to do it. Like I know it got

0:32:29.400 --> 0:32:32.120
<v Speaker 3>done because I did it. But now I'm feeling more

0:32:32.120 --> 0:32:34.280
<v Speaker 3>comfortable with the team around me that I can just

0:32:34.360 --> 0:32:36.320
<v Speaker 3>like oh they got that, Oh they got that.

0:32:36.480 --> 0:32:38.280
<v Speaker 2>So I think I need help.

0:32:38.400 --> 0:32:41.400
<v Speaker 3>Is the first song on the album because it's in

0:32:41.520 --> 0:32:43.280
<v Speaker 3>order to get the entire project.

0:32:43.880 --> 0:32:45.440
<v Speaker 2>It had to start with that. It's also the first

0:32:45.440 --> 0:32:46.760
<v Speaker 2>song that I did for the album.

0:32:46.840 --> 0:32:49.640
<v Speaker 3>First song was I Need Help, and it came from

0:32:49.640 --> 0:32:52.800
<v Speaker 3>a conversation with Troy Taylor and he was like, talk.

0:32:52.640 --> 0:32:53.960
<v Speaker 2>To me, what do you want to write about? What's

0:32:53.960 --> 0:32:54.920
<v Speaker 2>going on in your life?

0:32:55.960 --> 0:32:57.520
<v Speaker 3>And then I just said, well, this is the first

0:32:57.520 --> 0:33:00.680
<v Speaker 3>time I'm doing a deal with a label. The first time,

0:33:00.680 --> 0:33:03.680
<v Speaker 3>I'm like, yo, reaching out like I need Help, and

0:33:03.720 --> 0:33:04.640
<v Speaker 3>we wrote that song.

0:33:04.840 --> 0:33:06.680
<v Speaker 4>I didn't realize this is your first time doing a

0:33:06.720 --> 0:33:09.680
<v Speaker 4>deal with a label. What made you decide? Now when

0:33:09.720 --> 0:33:11.560
<v Speaker 4>everybody's going the opposite.

0:33:11.160 --> 0:33:14.440
<v Speaker 3>Round, So everybody about to go Indian and they gonna

0:33:14.440 --> 0:33:16.400
<v Speaker 3>be like figuring it out, and I'm gonna be like.

0:33:16.400 --> 0:33:17.440
<v Speaker 4>I already figured it out.

0:33:17.840 --> 0:33:20.360
<v Speaker 3>Yeah, but not only did I figure it out, I

0:33:20.400 --> 0:33:20.880
<v Speaker 3>got help.

0:33:20.920 --> 0:33:23.280
<v Speaker 2>Now y'all figuring it out?

0:33:23.560 --> 0:33:23.840
<v Speaker 4>Okay.

0:33:23.880 --> 0:33:25.000
<v Speaker 2>So it's a weird time.

0:33:25.160 --> 0:33:28.240
<v Speaker 3>So it's like now that I you know, everyone's doing

0:33:28.240 --> 0:33:31.160
<v Speaker 3>the Oh I want to be independent. It's cool, but

0:33:31.280 --> 0:33:33.760
<v Speaker 3>I know what it really takes. Everybody don't even really know.

0:33:33.880 --> 0:33:36.080
<v Speaker 3>Y'all have no idea what you're getting yourself into. But

0:33:36.920 --> 0:33:38.600
<v Speaker 3>put that time in because it is worth it if

0:33:38.600 --> 0:33:40.400
<v Speaker 3>you do know all the tools and you're able to

0:33:40.480 --> 0:33:45.400
<v Speaker 3>do it. It's just a lot more effective when you

0:33:45.560 --> 0:33:50.680
<v Speaker 3>have a conglomerate of people that are believing in the

0:33:50.680 --> 0:33:51.520
<v Speaker 3>same vision as you.

0:33:52.200 --> 0:33:52.840
<v Speaker 2>Lock and Key.

0:33:53.320 --> 0:33:55.520
<v Speaker 1>Did you go looking for a deal or did something

0:33:55.720 --> 0:33:58.120
<v Speaker 1>just come up that you were like, actually, this sounds good.

0:33:58.720 --> 0:34:01.440
<v Speaker 2>No, it was that. It was so in the beginning

0:34:01.480 --> 0:34:02.080
<v Speaker 2>of my career.

0:34:02.200 --> 0:34:04.600
<v Speaker 3>The very first major session that I had was with

0:34:04.720 --> 0:34:09.359
<v Speaker 3>Rodney Jerkins. So now I'm signed to him again. Well

0:34:09.360 --> 0:34:12.000
<v Speaker 3>not again, but now I'm signed to him. And this

0:34:12.320 --> 0:34:16.760
<v Speaker 3>entire time we've been in communication and it's been dope

0:34:16.800 --> 0:34:19.000
<v Speaker 3>because he's been a mentor, he's been a friend, he's

0:34:19.040 --> 0:34:22.160
<v Speaker 3>always given me advice. I've been working with him throughout

0:34:22.200 --> 0:34:27.440
<v Speaker 3>the process and he recently got a position at the

0:34:27.520 --> 0:34:31.640
<v Speaker 3>label and they were like, Yo, we need your expertise.

0:34:31.760 --> 0:34:34.560
<v Speaker 3>Who do you want to sign? He said Eric Bellinger.

0:34:34.840 --> 0:34:37.640
<v Speaker 3>So period we've been building it up and I didn't

0:34:37.640 --> 0:34:38.120
<v Speaker 3>even know it.

0:34:38.520 --> 0:34:40.319
<v Speaker 1>And I feel like you could have a position like

0:34:40.360 --> 0:34:44.360
<v Speaker 1>how hit Maker had his position Atlantic Atlantic.

0:34:43.880 --> 0:34:44.960
<v Speaker 4>And then Empire.

0:34:45.239 --> 0:34:46.000
<v Speaker 2>That's what I want to do.

0:34:46.080 --> 0:34:48.360
<v Speaker 1>I could see that being something you could do, because

0:34:48.360 --> 0:34:49.960
<v Speaker 1>you know how many artists are probably like, oh, we

0:34:50.000 --> 0:34:52.600
<v Speaker 1>have Eric Bellinger on the label. It's a twofold thing

0:34:52.719 --> 0:34:55.600
<v Speaker 1>because now you're in house being able to get like

0:34:55.680 --> 0:34:57.720
<v Speaker 1>first DIBs on some of these projects.

0:34:57.360 --> 0:35:00.759
<v Speaker 2>Joints with them exactly. That's my goal for sure.

0:35:00.880 --> 0:35:04.799
<v Speaker 3>I mean, yeah, I know, yeah, I'll take a share,

0:35:06.080 --> 0:35:08.600
<v Speaker 3>take a chair for the show.

0:35:09.400 --> 0:35:11.439
<v Speaker 1>And then you close it out with everything is in Order.

0:35:11.520 --> 0:35:15.000
<v Speaker 1>So it feels like throughout the course of this album,

0:35:15.200 --> 0:35:16.960
<v Speaker 1>it starts off with you needing help and then by

0:35:17.000 --> 0:35:17.640
<v Speaker 1>the end of it.

0:35:17.640 --> 0:35:20.600
<v Speaker 3>Yep, it's all good. Last one too, it was really man,

0:35:20.680 --> 0:35:24.319
<v Speaker 3>we wrote these songs so intentionally. The last song was like,

0:35:24.360 --> 0:35:26.600
<v Speaker 3>everything's like, what else? What can we say? What's the

0:35:26.640 --> 0:35:28.880
<v Speaker 3>song that we could write about to close it out?

0:35:29.040 --> 0:35:32.239
<v Speaker 3>So with Everything is in Order, it basically just talks

0:35:32.280 --> 0:35:36.480
<v Speaker 3>about everything that I've went through and how it's prepared

0:35:36.520 --> 0:35:39.000
<v Speaker 3>me for now and where we're at now. You know,

0:35:39.040 --> 0:35:40.680
<v Speaker 3>the first line is I'm set up for the next

0:35:40.719 --> 0:35:42.759
<v Speaker 3>six years. I used to pray to be right here,

0:35:43.160 --> 0:35:46.080
<v Speaker 3>work my way up to eight twenty credit my payments

0:35:46.080 --> 0:35:47.400
<v Speaker 3>song on automatic debit.

0:35:47.640 --> 0:35:49.680
<v Speaker 2>You know what I'm saying? Everything is in order.

0:35:49.719 --> 0:35:51.759
<v Speaker 3>But these are things that when I was first starting out,

0:35:52.480 --> 0:35:53.879
<v Speaker 3>I didn't know. I was just trying to make sure

0:35:53.880 --> 0:35:56.000
<v Speaker 3>I hit the bill, make sure I can pay my bill.

0:35:56.040 --> 0:35:58.799
<v Speaker 3>Boom the thirtieth come around again, what we're about to do?

0:35:59.239 --> 0:36:02.359
<v Speaker 3>So now it's like, nah, we got it set up

0:36:02.400 --> 0:36:05.120
<v Speaker 3>in advance. We think about that like okay, we get

0:36:05.120 --> 0:36:07.400
<v Speaker 3>a check, it's like all right, cool a right, you

0:36:07.400 --> 0:36:09.480
<v Speaker 3>should be good til twenty twenty nine January.

0:36:09.560 --> 0:36:11.640
<v Speaker 2>I'm like that for you.

0:36:13.880 --> 0:36:16.440
<v Speaker 1>Are you an extravagant person when it comes to spending

0:36:16.480 --> 0:36:16.879
<v Speaker 1>money too?

0:36:18.160 --> 0:36:21.120
<v Speaker 2>Trying to get better at not spending it? But my

0:36:21.239 --> 0:36:22.720
<v Speaker 2>I just be like, that's wavy.

0:36:23.040 --> 0:36:25.759
<v Speaker 1>You know it's so hard, right, I want to not

0:36:25.880 --> 0:36:28.640
<v Speaker 1>spend You know how you can really justify it? You

0:36:28.680 --> 0:36:31.560
<v Speaker 1>gotta start selling stuff that you don't use anymore.

0:36:32.080 --> 0:36:33.359
<v Speaker 3>Because why are we piling up?

0:36:33.560 --> 0:36:33.759
<v Speaker 2>Yeah?

0:36:33.800 --> 0:36:35.800
<v Speaker 1>Because I definitely had an appointment at my house with

0:36:35.840 --> 0:36:37.320
<v Speaker 1>the real Real yesterday.

0:36:36.920 --> 0:36:38.160
<v Speaker 2>Like hey they pulled up.

0:36:38.400 --> 0:36:40.400
<v Speaker 4>Yes, they'll come to your house and get oh.

0:36:40.320 --> 0:36:42.200
<v Speaker 2>The real real, Yeah, come through.

0:36:42.440 --> 0:36:44.879
<v Speaker 1>To do is put everything together and they only take

0:36:44.920 --> 0:36:46.960
<v Speaker 1>certain brands. You could look online and see what they'll take.

0:36:47.239 --> 0:36:50.080
<v Speaker 1>They list everything and you get and it's like to me,

0:36:50.160 --> 0:36:51.359
<v Speaker 1>I was like this feels great.

0:36:51.520 --> 0:36:54.279
<v Speaker 3>No, there's places in LA that's like, yo, we buy clothes.

0:36:54.320 --> 0:36:56.279
<v Speaker 2>We buy clothes. But man, they be trying to get

0:36:56.320 --> 0:36:57.000
<v Speaker 2>you the percentages.

0:36:57.880 --> 0:36:59.759
<v Speaker 4>So what else are you doing though?

0:36:59.800 --> 0:37:01.799
<v Speaker 2>You know what I'm saying. Yeah, you take that.

0:37:04.600 --> 0:37:06.440
<v Speaker 4>And the more you sell, the higher percentage you get.

0:37:06.440 --> 0:37:08.840
<v Speaker 4>And then it's it's like a super like high end brand.

0:37:09.160 --> 0:37:10.560
<v Speaker 4>You can kind of name your price.

0:37:10.760 --> 0:37:13.200
<v Speaker 3>Yeah, not a real real I say, I never did

0:37:13.200 --> 0:37:15.480
<v Speaker 3>a business. I've always been on the buying end, whichever

0:37:15.680 --> 0:37:16.799
<v Speaker 3>I need to be on the selling end.

0:37:17.080 --> 0:37:19.080
<v Speaker 1>No, I'm telling you it's a good idea because it's

0:37:19.080 --> 0:37:20.640
<v Speaker 1>a great way to clear things out. But then you

0:37:20.640 --> 0:37:22.520
<v Speaker 1>can get some money to buy yourself something else.

0:37:22.600 --> 0:37:24.759
<v Speaker 3>No, no, no, you just you just did it. They

0:37:24.760 --> 0:37:26.640
<v Speaker 3>can come through the house because think about it. The

0:37:26.680 --> 0:37:28.960
<v Speaker 3>places I go I have to pack. I'll be packing

0:37:29.000 --> 0:37:31.279
<v Speaker 3>up clothes taking it. Hey, I want to buy these

0:37:31.280 --> 0:37:32.759
<v Speaker 3>clothes and then they take what they want and I

0:37:32.760 --> 0:37:33.799
<v Speaker 3>got to take the other clothes bag.

0:37:33.920 --> 0:37:36.640
<v Speaker 1>No, they'll let you know, we'll take this, but not this,

0:37:36.960 --> 0:37:37.799
<v Speaker 1>and they take it.

0:37:37.840 --> 0:37:40.439
<v Speaker 4>They take a picture of everything, and that's that all.

0:37:40.400 --> 0:37:41.479
<v Speaker 2>Right, real real I'm coming.

0:37:43.360 --> 0:37:46.040
<v Speaker 3>Might as well do a little, a little add or something,

0:37:46.080 --> 0:37:46.960
<v Speaker 3>a little partner.

0:37:49.120 --> 0:37:51.759
<v Speaker 1>Well, listen, Eric Bellager always a great conversation as a

0:37:51.800 --> 0:37:53.480
<v Speaker 1>great time with you, and I love to see like

0:37:53.520 --> 0:37:55.200
<v Speaker 1>every single time you're in town. You always got to

0:37:55.239 --> 0:37:57.480
<v Speaker 1>come through because I feel like we can talk about whatever.

0:37:57.560 --> 0:37:59.680
<v Speaker 4>But you've been so consistent throughout your career.

0:38:00.440 --> 0:38:02.759
<v Speaker 1>I was gonna say I would have put focused on

0:38:02.760 --> 0:38:03.800
<v Speaker 1>You in the top fifty.

0:38:04.040 --> 0:38:07.080
<v Speaker 3>Ooh, I like focused on you. Focus on you is

0:38:07.120 --> 0:38:10.960
<v Speaker 3>crazy because I have like a weird I got a

0:38:11.000 --> 0:38:13.719
<v Speaker 3>weird like no, because like and focus on you.

0:38:13.760 --> 0:38:16.200
<v Speaker 2>It was supposed to be the joint in my head.

0:38:16.320 --> 0:38:18.920
<v Speaker 2>I'm like, I need New York. I need to figure

0:38:18.920 --> 0:38:19.239
<v Speaker 2>that out.

0:38:19.280 --> 0:38:22.959
<v Speaker 3>So we did the Ochilly and then at the same time,

0:38:23.000 --> 0:38:25.000
<v Speaker 3>we dropped it the same week.

0:38:26.440 --> 0:38:28.840
<v Speaker 2>And Chris Brown and Kidding dropped Oh.

0:38:29.920 --> 0:38:33.440
<v Speaker 4>Damn, hey, gay, can I get a weak you.

0:38:33.440 --> 0:38:33.839
<v Speaker 2>Know what I mean?

0:38:33.880 --> 0:38:37.480
<v Speaker 3>But it was like, ah, that was the joint. But

0:38:37.800 --> 0:38:38.680
<v Speaker 3>I love that song.

0:38:38.760 --> 0:38:39.880
<v Speaker 4>So you're still trying to give us this.

0:38:40.320 --> 0:38:45.240
<v Speaker 2>I love that joint. The body Guarden. What's it called what's.

0:38:45.040 --> 0:38:47.600
<v Speaker 4>Called oh I have nothing?

0:38:47.719 --> 0:38:50.520
<v Speaker 3>It is I have nothing? What's the other one called boom?

0:38:51.440 --> 0:38:52.480
<v Speaker 3>What's that one called? Oh?

0:38:52.520 --> 0:38:53.600
<v Speaker 2>I will Always love you?

0:38:53.640 --> 0:38:53.719
<v Speaker 5>So?

0:38:53.880 --> 0:38:55.000
<v Speaker 2>Yes? So what is it?

0:38:55.880 --> 0:38:59.880
<v Speaker 3>I have nothing nothing? Thats song is crazy. It's just

0:39:00.239 --> 0:39:01.040
<v Speaker 3>it's just beautiful.

0:39:01.080 --> 0:39:04.040
<v Speaker 4>It is sweet. I gotta do more. I gotta get

0:39:04.040 --> 0:39:08.480
<v Speaker 4>out of these side chicks songs. What we sound it

0:39:08.600 --> 0:39:08.960
<v Speaker 4>so good?

0:39:09.200 --> 0:39:12.200
<v Speaker 2>They do know they do? They do? They do? They

0:39:12.239 --> 0:39:12.839
<v Speaker 2>be hits too.

0:39:14.920 --> 0:39:17.000
<v Speaker 1>There's the perspective you can't write fround because you've been

0:39:17.040 --> 0:39:18.359
<v Speaker 1>such a good guy for so long.

0:39:18.760 --> 0:39:22.560
<v Speaker 2>Boo listen when it comes to writing a song.

0:39:22.960 --> 0:39:25.440
<v Speaker 3>Oh yeah, I could just execute this song because I

0:39:25.480 --> 0:39:26.800
<v Speaker 3>know how to write a song.

0:39:26.960 --> 0:39:28.840
<v Speaker 2>So yeah, I could do whatever.

0:39:29.320 --> 0:39:34.040
<v Speaker 3>Miss Molly Matt roll roll roll your bowl.

0:39:34.080 --> 0:39:36.480
<v Speaker 2>I'll make it a hit. All right.

0:39:36.520 --> 0:39:38.840
<v Speaker 1>But Eric Bellinger, ladies and gentlemen, and the date is

0:39:39.120 --> 0:39:40.239
<v Speaker 1>it's twenty first.

0:39:40.160 --> 0:39:41.520
<v Speaker 2>That's right, August twenty first.

0:39:41.719 --> 0:39:44.040
<v Speaker 4>You're going to go on a too. You got to

0:39:44.120 --> 0:39:46.640
<v Speaker 4>Oh yeah, oh yeah, show is no joke.

0:39:46.680 --> 0:39:48.399
<v Speaker 2>Yeah, we're getting people ready appreciate that.

0:39:48.520 --> 0:39:51.640
<v Speaker 3>So the next twitter, I do believe me, a lot

0:39:51.640 --> 0:39:54.560
<v Speaker 3>of these songs or all of them will be performed.

0:39:54.640 --> 0:39:56.919
<v Speaker 3>I think I think this is the album that will

0:39:57.120 --> 0:40:00.839
<v Speaker 3>make the difference for Eric Bellinger. If you weren't a fan,

0:40:01.239 --> 0:40:03.560
<v Speaker 3>and if you were and you have been behind me,

0:40:04.320 --> 0:40:05.680
<v Speaker 3>you know this is just going to give you more

0:40:05.719 --> 0:40:07.960
<v Speaker 3>ammo to round up more supporters.

0:40:08.200 --> 0:40:10.200
<v Speaker 4>All right, Well, thank you so much again.

0:40:10.080 --> 0:40:10.480
<v Speaker 2>Thank you.

0:40:10.560 --> 0:40:11.239
<v Speaker 4>It's way yep.