WEBVTT - Shrek with Atsuko Okatsuka

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<v Speaker 1>On the Beck dol Cast, the questions asked if movies

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<v Speaker 1>have women in them, are all their discussions just boyfriends

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<v Speaker 1>and husbands or do they have individualism the patriarchy? Zef

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<v Speaker 1>in best start changing it with the beck del Cast.

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<v Speaker 1>Welcome to the Backdel Cast. My name's Cheney, my name's Caitlin,

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<v Speaker 1>and this is becktel Cast, the podcast about how women

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<v Speaker 1>are represented in movies. But today it's an episode we've

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<v Speaker 1>been waiting for a very long time to do, and

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<v Speaker 1>I'm so excited and it's going to be the best

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<v Speaker 1>day ever. It's Shrek Scheck. It's Shrek, but you're excited

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<v Speaker 1>about Shrek the musical, not Shrek the movie. I don't

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<v Speaker 1>like Check the movie. I love. I love Shrek the Musical.

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<v Speaker 1>It's the best Broadway musical ever committed to Broadway. Broadway Luminaries.

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<v Speaker 1>Luminaries Sutton Foster as Princess Fiona, Brian Darcy James as

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<v Speaker 1>Shrek himself. Um, I don't know who any of the

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<v Speaker 1>those people are. Your God, I'm very excited for I

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<v Speaker 1>have a lot of things to say about Shrek. I'm

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<v Speaker 1>very excited for for today. So so this is our

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<v Speaker 1>podcast about the Betel Test. Though, Yeah, yeah, yeah, right.

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<v Speaker 1>If you don't know what that is, hey, i'll tell you.

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<v Speaker 1>Is it test you apply it to a movie or whatever.

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<v Speaker 1>It requires that there are two female characters with names

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<v Speaker 1>they talk to each other about anything other than a

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<v Speaker 1>man most movies. Spoiler, this movie does not do everyone

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<v Speaker 1>does not do very well at all in terms. But

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<v Speaker 1>the musical does better? Oh does it? Yes? Interesting? Shrek

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<v Speaker 1>the Musical is essentially just a way more dramatic version

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<v Speaker 1>of Shrek the movie. It's actually better because there's more

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<v Speaker 1>emotional depth. There's songs that sound like they could be

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<v Speaker 1>sung by Bon Jovi perhaps, but are instead being sung

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<v Speaker 1>by Shrek, which is like wild, it's crazy. Well, I'm

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<v Speaker 1>fascinated to see where this discussion goes. I'm so Excitedly,

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<v Speaker 1>I'm so excited. Let's introduced our guests before we get

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<v Speaker 1>much further. She's a comedian. She is the co founder

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<v Speaker 1>of Disoriented Comedy at scoot SKA. Welcome, Hi, Hi, thank

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<v Speaker 1>you for having me, Thank you so much for being here,

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<v Speaker 1>for pitching Trek. For some reason, it spoke to me.

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<v Speaker 1>That's amazing. Yeah, So what's your what's your personal history

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<v Speaker 1>of with Shrek? When did you first see the movie. Gosh,

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<v Speaker 1>I guess when when it first came out? Right, So one, two, one, yeah,

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<v Speaker 1>I guess. So it's crazy that Shrek has been in

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<v Speaker 1>our lives for this long sixteen years and honestly feels

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<v Speaker 1>like longer. I don't remember life before Shrek. There's part

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<v Speaker 1>two and it is, there are three, there's a three

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<v Speaker 1>and maybe all and a five in production. Gang and

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<v Speaker 1>Little did anyone in this room now a Broadway musical

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<v Speaker 1>that ran for four years. I knew about the musical.

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<v Speaker 1>I've seen like pictures of it, and just the aesthetic

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<v Speaker 1>of like Shrek and his makeup. I was like, oh,

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<v Speaker 1>I never want to see that. It's very scary. There's

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<v Speaker 1>a full taping of the Broadway production on Netflix. It's

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<v Speaker 1>been there for years. I'm pretty sure I'm the only

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<v Speaker 1>person who's ever watched it. But you can see Sutton

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<v Speaker 1>Foster really really humiliate herself and and she's in She's

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<v Speaker 1>in a show with Hilary Duff right now, so it's like,

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<v Speaker 1>you know, she's not afraid to do things that are

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<v Speaker 1>maybe a little embarrassing, but her playing Princess Fiona is

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<v Speaker 1>like man. And she got nominated for a Tony so

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<v Speaker 1>ups to Sutton Foster. Yeah, this was a This was

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<v Speaker 1>a very popular, successful musical in spite of the fact

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<v Speaker 1>that it was Shrek the musical and very scary to

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<v Speaker 1>look at. Well, Shrek the movie was enormously popular. Yes,

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<v Speaker 1>but the people dress, but people dressed a Shrek should

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<v Speaker 1>not have worked out. No, it's and if you look

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<v Speaker 1>at it, you're like, there's no, this is very scary.

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<v Speaker 1>It's the makeup scary. It's it's just like, we'll put

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<v Speaker 1>this in just like the green I mean, he's got

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<v Speaker 1>like big baldest head and like it's little ears on it.

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<v Speaker 1>It's a lot, which is what you said is great

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<v Speaker 1>because that is the theme of Shrek. Right, Oh wow, okay, yeah,

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<v Speaker 1>so they do Shrek in the movie. Yeah, they do. Okay,

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<v Speaker 1>there's no there's no compromise. Arguably, maybe they're kind have

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<v Speaker 1>been a little compromise, but I mean, I guess if

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<v Speaker 1>you're trying to get kids to go to it. But yeah,

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<v Speaker 1>and the whole point is, like, you know, it's not

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<v Speaker 1>what's on the outside, right, right, that's the of the story.

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<v Speaker 1>But with the cameras that close, and it's a it's

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<v Speaker 1>a Broadway musical, so you're not meant to be as

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<v Speaker 1>close as you can see them in the Netflix special,

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<v Speaker 1>because you can see just Brian Darcy James sweating through

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<v Speaker 1>his Shrek was given in a hundred time percent and

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<v Speaker 1>that's why he gets nominated for Tony's Yeah, because I'm

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<v Speaker 1>pretty sure Ogre's don't have pores, you know, and so

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<v Speaker 1>you can't for the realism of it. Yeah, the animated

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<v Speaker 1>Shrek seems very slick, right, Yeah, he's got hair, follicles,

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<v Speaker 1>he's got pores. Yeah. Well the Shrek, the Shrek of

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<v Speaker 1>the books is riddled with facial acne not And I'm

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<v Speaker 1>not shaming Shrek. I'm just saying I have a visual

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<v Speaker 1>of Shrek looking into wiping sweat off. Well, there's he's

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<v Speaker 1>got blackheads. He's got hair too. Yeah, yes, yes, I can.

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<v Speaker 1>I can relate. There's an opening scene, like the opening

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<v Speaker 1>credits in the movie. There's a like a whole montage

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<v Speaker 1>and Shrek is like getting a mud shower basically in

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<v Speaker 1>one of the shots, and you like turns around, you

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<v Speaker 1>see his nipples, you see his chest hair, he's got like,

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<v Speaker 1>oh he does have chest. I didn't remember that. I

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<v Speaker 1>just remember the mud blas. Yeah, I was looking for

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<v Speaker 1>the finer details. Human is he? Yeah, you know, he's

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<v Speaker 1>just like us. So you've just seen the first one? Yes,

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<v Speaker 1>I have only seen the first one. Yeah, I totally

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<v Speaker 1>the second one he has kids or something. The third

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<v Speaker 1>one he has kids. The second one is about him

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<v Speaker 1>meeting Fiona's parents. I own Shrek two on DVD. Brag

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<v Speaker 1>you see. Aristotle and I were trying to figure out

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<v Speaker 1>the difference between three and four. I don't think I

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<v Speaker 1>went as far. I've seen the third one. I haven't

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<v Speaker 1>seen the fourth one. See, we've seen the four one,

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<v Speaker 1>but neither of us. Have you even't seen the fourth one?

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<v Speaker 1>I'm sorry. I just made her will seem like more

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<v Speaker 1>of a freak than he actually is. I've seen one

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<v Speaker 1>to four in the musical a million times. I have

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<v Speaker 1>not seen three. So what's your personal experience? I saw

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<v Speaker 1>Shrek one in the theater the theater, the theater, not

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<v Speaker 1>the musical staj theater, just the movie theater. And but yeah,

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<v Speaker 1>I've seen Shrek probably a dozen times, quite a few times.

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<v Speaker 1>I've seen this movie a lot. What about you? Well,

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<v Speaker 1>this is one of my first of all, I'm sorry

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<v Speaker 1>in advance, but this is one of the few chances

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<v Speaker 1>I have on the podcast to shine in terms of

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<v Speaker 1>having knowledge of a movie, because usually I'll say I

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<v Speaker 1>watched it an hour ago, but this time I get

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<v Speaker 1>to say I have a grand history of the Shrek.

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<v Speaker 1>I did not see it in the theaters, but I

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<v Speaker 1>did see it. I've seen it many times. I got

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<v Speaker 1>very interested in the musical after being very afraid of

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<v Speaker 1>it when I watched it in college on Netflix. I

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<v Speaker 1>have since seen Shrek the Musical over ten times. I've

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<v Speaker 1>written quite a bit about it. I've sold my own

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<v Speaker 1>Shrek nudes on the Internet and raised three thousand dollars

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<v Speaker 1>for Planned Parenthood, and described for the listeners at home

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<v Speaker 1>who may not be familiar with your Shrek nudes, what

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<v Speaker 1>exactly do you mean by that? When I say my

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<v Speaker 1>Shrek nudes, I mean I'm painted myself green and took

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<v Speaker 1>a bunch of nudes and then seldom on the world

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<v Speaker 1>Wide Web, even though that wasn't their original purpose. Um,

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<v Speaker 1>therefore the next one. But I recycled them and uh

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<v Speaker 1>and and sold them for one of them many times

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<v Speaker 1>the government was trying to defund Plan Parenthood. This is

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<v Speaker 1>about two years ago. It seems to happen every month

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<v Speaker 1>so yeah, it was are one of those times. Unfortunately

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<v Speaker 1>we didn't say them with Shrek nudes, as I was

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<v Speaker 1>hoping we would. But I've seen Shrek the Musical over

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<v Speaker 1>ten times in three states, and I write about it

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<v Speaker 1>about once a year, and it is become an important

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<v Speaker 1>part of my life. And how similar is the musical

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<v Speaker 1>to the first movie? I would say that, I mean,

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<v Speaker 1>it's the same story, but the way it's told is

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<v Speaker 1>very different. You learned aiming, even on a bass level.

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<v Speaker 1>You learn way more about Shrek as a character, and

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<v Speaker 1>you get more about his background and the first scene

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<v Speaker 1>of the musical than you get in the entire movie.

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<v Speaker 1>So yeah, we don't get much Shrek backstory you're doing later.

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<v Speaker 1>But yeah, in the in the musical, the first scene

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<v Speaker 1>is Little Shrek, which is always fun to see in

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<v Speaker 1>the musical because you see a young usually a young

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<v Speaker 1>husky boy, dressed as Shrek and his parents are singing

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<v Speaker 1>to him about how ogres have to be very tough

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<v Speaker 1>and they're hated by society and you have to be

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<v Speaker 1>really tough. And then I kick him out of the

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<v Speaker 1>house when he's seven years old to go and brave

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<v Speaker 1>the world himself. So automatically, you're like, man, Shrek's had

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<v Speaker 1>a hard life, whereas the movie is just sort of

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<v Speaker 1>like some funny ones and now and you don't find

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<v Speaker 1>out anything smash Mouth got about that sounds true. It

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<v Speaker 1>does not age. Well, here's something fun in strict the musical,

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<v Speaker 1>it still ends with smash mouths and they take their bows.

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<v Speaker 1>It's great, like they just got the right smash Mouth

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<v Speaker 1>was like, yeah, you can have that. Yeah, I mean

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<v Speaker 1>smash Mother. I'm guessing they need to check sometimes here

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<v Speaker 1>at like Ross Yeah, yeah, and that songs a cover anyways,

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<v Speaker 1>Like that song is not smash Moth song. It's like

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<v Speaker 1>some sixty All Stars. There's a star is a smash Mouth,

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<v Speaker 1>the smash mouth a ridge. My favorite memorial tweet for

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<v Speaker 1>nine eleven every year is the smash Mouth one where

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<v Speaker 1>smash Mouth posts the same weird tweet every year of

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<v Speaker 1>like smash Mouth remembers nine eleven and it just has

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<v Speaker 1>a visual of those words and then like the silhouette

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<v Speaker 1>of the twin. I was like, why you like what bizarre?

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<v Speaker 1>The most bizarro tribute to nine eleven you'll find every

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<v Speaker 1>single year for like as long as Twitter has existed. Okay, well,

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<v Speaker 1>they're smash smash mouth, smash mouth. Let's do the recap.

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<v Speaker 1>Let's do it. Shrek is about an ogre named Shrek.

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<v Speaker 1>He's stinky, he loves mud. He just wants to be

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<v Speaker 1>left alone, and he lives in It's like I don't know,

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<v Speaker 1>Middle Ages whatever, like European my swamp kingdom thing, and

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<v Speaker 1>all these fairytale creatures get dumped on his swamp lawn

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<v Speaker 1>and he's like, wait a minute. But before that, he

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<v Speaker 1>meets Donkey, and Donkey is a talking donkey because Lord

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<v Speaker 1>far Quad is trying to round up all the fairytale creatures,

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<v Speaker 1>so he's like paying people to get rid of them

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<v Speaker 1>because he wants his perfect white kingdom without any growth

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<v Speaker 1>fairytale creatures. So all these people, all these fairytale creatures

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<v Speaker 1>end up on Shrek's thing, and he's like, I'm gonna

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<v Speaker 1>go talk to this Lord far Quad. Meanwhile, Lord far

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<v Speaker 1>Quad is trying to be a king. In order to

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<v Speaker 1>do that, he has to marry a princess. But the

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<v Speaker 1>funny thing is he's short. He's short, he's hilarious, he's short,

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<v Speaker 1>and so therefore he's a little Napoleon, right. I wonder

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<v Speaker 1>if that is like a poke at Disney for having

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<v Speaker 1>like all like the short Daddies, well this whole movie

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<v Speaker 1>at Disney to the point where it's like why does

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<v Speaker 1>it exist? But we'll get there. But so Shrek's like, hey,

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<v Speaker 1>far Quad, get your ship off my land, and he's like,

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<v Speaker 1>go rescue a princess for me so I can be

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<v Speaker 1>king and marry her. So Shrek goes and rescues Princess Fiona.

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<v Speaker 1>She's locked on the highest tower of the tallest room

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<v Speaker 1>of the whatever. Another person who's too good to be

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<v Speaker 1>in this movie Cameron Diaz. I don't care much for

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<v Speaker 1>Cameron Dia. I don't either, but she's still too good

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<v Speaker 1>for this movie. She's got so hot critique. So he

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<v Speaker 1>goes to rest he and Donkey, who are friends at

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<v Speaker 1>this point, even though he's like, I don't like friends.

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<v Speaker 1>I don't have any friends. They go to rescue Princess

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<v Speaker 1>Fiona and she's like, wait a minute, you're an ogre gross.

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<v Speaker 1>I hate ogre's. I need to be rescued by my

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<v Speaker 1>true love so I can have true love's first kiss.

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<v Speaker 1>And they're like, why is that so important to you?

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<v Speaker 1>And then we find out it's because a spell had

0:12:31.240 --> 0:12:34.720
<v Speaker 1>been cast on her and she turns into an ogre

0:12:34.800 --> 0:12:37.760
<v Speaker 1>every night. But she and Shrek are like kind of

0:12:37.800 --> 0:12:42.240
<v Speaker 1>started to dig their vibing, vibing. They're lamping and they're vibing.

0:12:42.320 --> 0:12:45.160
<v Speaker 1>They're lamping together and they're starting to kind of vibe

0:12:45.160 --> 0:12:48.560
<v Speaker 1>a little bit. So the Donkeys like hey, and Donkey

0:12:48.600 --> 0:12:52.120
<v Speaker 1>discovers her secret. She keeps like best songs in the

0:12:52.200 --> 0:12:57.080
<v Speaker 1>musical song by Donkey, Yes, song by Donkey, when Shrek

0:12:57.080 --> 0:13:00.120
<v Speaker 1>and Fiona are vibing, so Brian, Darcy, James and and

0:13:00.200 --> 0:13:03.280
<v Speaker 1>Foster like we're sharing squirrel meat or whatever they're eating.

0:13:03.640 --> 0:13:06.679
<v Speaker 1>And then Donkey sings this whole song called Mega Move

0:13:07.160 --> 0:13:15.720
<v Speaker 1>and it's a funky like but he's like, make a move.

0:13:15.920 --> 0:13:18.520
<v Speaker 1>And then he brings in the three blind mice and

0:13:18.559 --> 0:13:20.640
<v Speaker 1>they do a solo and they're like these hot but

0:13:20.640 --> 0:13:23.959
<v Speaker 1>they're hot blind ladies. In this version, it's super fun.

0:13:24.080 --> 0:13:27.280
<v Speaker 1>It's a blast top to bottom. You gotta love it

0:13:27.640 --> 0:13:29.959
<v Speaker 1>all right. That's part of where the musical passes the

0:13:30.000 --> 0:13:32.400
<v Speaker 1>Bectel test. The three blind mice talk to each other

0:13:32.559 --> 0:13:36.920
<v Speaker 1>because they're all women, yeah I know, not all blind mice.

0:13:40.880 --> 0:13:45.640
<v Speaker 1>So Shrek and Fiona their vibe in but he overhears

0:13:45.679 --> 0:13:50.720
<v Speaker 1>this conversation between Donkey and Fiona where she's revealing that, oh,

0:13:50.800 --> 0:13:52.959
<v Speaker 1>I'm an ugly ogre and I can't be this way

0:13:53.000 --> 0:13:54.600
<v Speaker 1>and I have to marry Lord Farquad so I can

0:13:54.600 --> 0:13:57.280
<v Speaker 1>be a beautiful, hot human lady the rest of my

0:13:57.320 --> 0:14:00.760
<v Speaker 1>life to lift the curse as one does. And Shrek

0:14:00.840 --> 0:14:04.400
<v Speaker 1>misinterprets this and things that she's talking about Shrek and

0:14:04.440 --> 0:14:07.880
<v Speaker 1>being like, who would love an ugly beast like an ogre?

0:14:08.280 --> 0:14:10.640
<v Speaker 1>So he gets all piste off and he like sells

0:14:10.640 --> 0:14:13.480
<v Speaker 1>her to Lord far Quad. Basically, this is where the

0:14:13.520 --> 0:14:16.400
<v Speaker 1>act one break in the musical is, and it's that's

0:14:16.400 --> 0:14:17.920
<v Speaker 1>the act one because that's that's like the end of

0:14:17.920 --> 0:14:21.360
<v Speaker 1>the movie almost, I know, I know, well, I mean

0:14:21.480 --> 0:14:25.160
<v Speaker 1>act one break is is more than halfway. But accidents

0:14:25.360 --> 0:14:31.239
<v Speaker 1>in theaters, I was thinking three act structure like screenplays.

0:14:31.280 --> 0:14:33.760
<v Speaker 1>I do have a master screen scream, so it makes

0:14:33.800 --> 0:14:36.800
<v Speaker 1>sense that he would think that. Um no, but in

0:14:36.880 --> 0:14:39.840
<v Speaker 1>terms of act one intermission act um so act one

0:14:39.920 --> 0:14:42.600
<v Speaker 1>is usually longer. But um yeah, there's this beautiful three

0:14:42.600 --> 0:14:45.480
<v Speaker 1>part of harmony. I've performed it at many a karaoke

0:14:46.880 --> 0:14:50.360
<v Speaker 1>with Shrek, Donkey and Fionna singing it's the song about

0:14:50.360 --> 0:14:52.680
<v Speaker 1>who I'd be. Shrek is singing about how he wants

0:14:52.720 --> 0:14:55.560
<v Speaker 1>to be a Viking. Donkey is thinking about how he

0:14:55.640 --> 0:14:57.480
<v Speaker 1>fears he's going to be alone for the rest of

0:14:57.520 --> 0:15:02.040
<v Speaker 1>his live Donkey if Toe saying about how her feminine

0:15:02.080 --> 0:15:05.560
<v Speaker 1>illusions are falling apart. It's a It's a beautiful go

0:15:05.680 --> 0:15:09.000
<v Speaker 1>see the musical. It's aid almost every junior high at

0:15:09.080 --> 0:15:12.840
<v Speaker 1>this point. It's off Broadway every junior high. I saw

0:15:12.880 --> 0:15:15.880
<v Speaker 1>it at Malibu Junior High last year, and it was bad.

0:15:16.440 --> 0:15:19.280
<v Speaker 1>It sounds like an expensive production to pull off, especially

0:15:19.320 --> 0:15:23.840
<v Speaker 1>for high school. Well that's yes, and there it's it's

0:15:23.840 --> 0:15:28.520
<v Speaker 1>this huge puppet that has two songs. Yeah, so that's

0:15:28.520 --> 0:15:32.000
<v Speaker 1>another place where it passes um. But anyways, so you

0:15:32.040 --> 0:15:33.640
<v Speaker 1>can you you sort of have to drive out to

0:15:33.720 --> 0:15:36.800
<v Speaker 1>wealthy I had to drive to Malibu because they can

0:15:36.840 --> 0:15:41.600
<v Speaker 1>afford to put on Shrek Junior right, but worth the trip.

0:15:41.720 --> 0:15:45.640
<v Speaker 1>Don't regret it. Glad to hear it. Yeah, So Fiona

0:15:45.680 --> 0:15:49.000
<v Speaker 1>goes off and there she's about to marry Lord far Quad,

0:15:49.120 --> 0:15:51.840
<v Speaker 1>and Donkeys like, Shrek, you fucking idiot. She likes you,

0:15:51.880 --> 0:15:55.000
<v Speaker 1>and he's like what okay, and then he goes and

0:15:55.080 --> 0:15:58.200
<v Speaker 1>storms the wedding and he's like, wait a minute, stop,

0:15:58.320 --> 0:16:01.440
<v Speaker 1>I love you. And then they Shrek and Fianna kiss

0:16:02.160 --> 0:16:06.280
<v Speaker 1>and she thinks it's lifting the spell. But because her

0:16:06.320 --> 0:16:09.040
<v Speaker 1>true love is Shrek and she takes true love's form,

0:16:09.400 --> 0:16:11.840
<v Speaker 1>she stays as an ogre and isn't a human anymore.

0:16:12.000 --> 0:16:14.000
<v Speaker 1>And she's like, I thought I wouldn't be mutiful and

0:16:14.000 --> 0:16:17.280
<v Speaker 1>he's like, you are mutiful, and then they get married

0:16:17.520 --> 0:16:22.440
<v Speaker 1>in the end hashtag relationship goals, and it's suddenly the

0:16:22.480 --> 0:16:25.840
<v Speaker 1>whole town is not scared of ogres anymore, right because

0:16:25.840 --> 0:16:32.560
<v Speaker 1>of feminist icon trac. Yeah, they were like it's time. Yeah. Yeah,

0:16:32.920 --> 0:16:36.520
<v Speaker 1>Well here's something that is bizarre. I mean, there's so

0:16:36.680 --> 0:16:41.000
<v Speaker 1>there's this movie like Baseline totally pointless, shouldn't exist, but

0:16:41.680 --> 0:16:47.240
<v Speaker 1>Lord Farquad's character is basically trying to like purify, you know,

0:16:47.360 --> 0:16:51.920
<v Speaker 1>like Hitler style, trying to purify the kingdom by marginalizing

0:16:51.960 --> 0:16:56.480
<v Speaker 1>anyone who is not human basically right and and created

0:16:56.520 --> 0:16:59.360
<v Speaker 1>by humans. Yeah, you know, it's I mean, it's kind

0:16:59.360 --> 0:17:03.880
<v Speaker 1>of it is kind of like gentrification or yeah, yeah,

0:17:04.000 --> 0:17:08.639
<v Speaker 1>forcing that like humans who have power made these rules,

0:17:08.960 --> 0:17:11.800
<v Speaker 1>human beings, made up fairy tales and then to suddenly

0:17:11.800 --> 0:17:15.160
<v Speaker 1>be like, no, no longer, you get ready get out

0:17:15.160 --> 0:17:20.840
<v Speaker 1>of here, which which yeah, these like imagination the Steak,

0:17:21.400 --> 0:17:24.359
<v Speaker 1>we don't see that, which again I don't think totally. Yeah,

0:17:24.600 --> 0:17:27.320
<v Speaker 1>So you go to the swamp where we fear another

0:17:27.359 --> 0:17:30.920
<v Speaker 1>creature that we made up oker, you know, right, and

0:17:31.240 --> 0:17:34.040
<v Speaker 1>that's where you will be forced to stay, which you know,

0:17:34.080 --> 0:17:35.719
<v Speaker 1>there were no borders, so I don't know how that

0:17:35.840 --> 0:17:38.600
<v Speaker 1>was going to work. They basically all say like, go

0:17:38.760 --> 0:17:41.840
<v Speaker 1>to Shrek's house. Yeah, forced people out. They're like, oh,

0:17:41.920 --> 0:17:44.960
<v Speaker 1>Shrek has a house, go there, and then everyone's which

0:17:45.000 --> 0:17:48.119
<v Speaker 1>is another fun. All the Fairytale creatures have two numbers

0:17:48.160 --> 0:17:50.880
<v Speaker 1>in the musical, one and I one one to let

0:17:50.920 --> 0:17:55.320
<v Speaker 1>your freak Flag fly. Very inspiring. Okay, I guess I

0:17:55.320 --> 0:17:58.560
<v Speaker 1>gotta watch THEA was nominated for a Tony Kate what

0:17:59.000 --> 0:18:01.600
<v Speaker 1>I know. He could hit the high notes. He he

0:18:01.680 --> 0:18:09.240
<v Speaker 1>was on the ones that do. He's great. Pinocchio. We've

0:18:09.280 --> 0:18:12.560
<v Speaker 1>got next yeah, next, next spring season, We're gonna go.

0:18:12.600 --> 0:18:15.920
<v Speaker 1>It'll be a trip. It's I'm busy that day. Listen.

0:18:16.560 --> 0:18:20.320
<v Speaker 1>It's fun. It's a blast. So we're here to talk

0:18:20.400 --> 0:18:24.440
<v Speaker 1>about mostly the movie, although feel free to I will

0:18:24.480 --> 0:18:29.960
<v Speaker 1>continue to interject but thank you for. One of the

0:18:29.960 --> 0:18:33.119
<v Speaker 1>things about the movie is that there's pretty much only

0:18:33.640 --> 0:18:37.560
<v Speaker 1>one female character. You could argue that the dragon is female,

0:18:37.640 --> 0:18:40.479
<v Speaker 1>but that dragon doesn't have any lines and it's a dragon.

0:18:41.160 --> 0:18:47.080
<v Speaker 1>So there's essentially only one female character. Okay, in the movie,

0:18:47.560 --> 0:18:50.080
<v Speaker 1>there's one, and she's Fiona. There's a few other one

0:18:50.160 --> 0:18:52.199
<v Speaker 1>there's like you see some like fairy godmothers in like

0:18:52.240 --> 0:18:53.840
<v Speaker 1>a witch and stuff like that, but they usually don't

0:18:53.840 --> 0:18:57.920
<v Speaker 1>have lines, so there's really only primary right, So there's

0:18:57.960 --> 0:19:01.879
<v Speaker 1>one primary female character, Fiona. Uh. Immediately, she's framed as

0:19:01.960 --> 0:19:05.720
<v Speaker 1>like a damsel in distress, so she has to be saved,

0:19:05.800 --> 0:19:10.399
<v Speaker 1>she has to be rescued, so the trope stands strong dance.

0:19:10.520 --> 0:19:14.199
<v Speaker 1>They I mean, they subverted to an extent to the

0:19:14.200 --> 0:19:17.639
<v Speaker 1>point where it might be uncomfortable for people, not to

0:19:17.680 --> 0:19:20.560
<v Speaker 1>the point where she's the dominant one in the relationship.

0:19:21.640 --> 0:19:24.600
<v Speaker 1>But this, I mean, this whole movie is based on like, oh,

0:19:24.680 --> 0:19:29.320
<v Speaker 1>it's post modern fairy tales, which is grow up whatever,

0:19:30.119 --> 0:19:33.680
<v Speaker 1>like dumb, but yeah, I don't know, right, I mean,

0:19:33.680 --> 0:19:36.280
<v Speaker 1>this movie does a lot to sort of subvert the

0:19:36.280 --> 0:19:39.840
<v Speaker 1>tropes of fairy tales, mostly in a very obnoxious, egregious

0:19:39.840 --> 0:19:41.720
<v Speaker 1>way totally. But at the end of the day, the

0:19:41.760 --> 0:19:43.960
<v Speaker 1>movie is still about like a woman needing to be

0:19:44.040 --> 0:19:47.400
<v Speaker 1>saved by a man via being kissed by her one

0:19:47.520 --> 0:19:50.760
<v Speaker 1>true love to break this enchantment. It's like one very

0:19:50.760 --> 0:19:57.280
<v Speaker 1>heteronormative no surprise there, and too why Okay, So later

0:19:57.320 --> 0:19:59.879
<v Speaker 1>in the movie we see a scene where Robin Hood

0:20:00.200 --> 0:20:02.720
<v Speaker 1>comes and like tries to take her away and rescue

0:20:02.760 --> 0:20:04.720
<v Speaker 1>her again, and then she beats the show out of

0:20:04.800 --> 0:20:08.200
<v Speaker 1>him and all the merry men. If she's capable of that,

0:20:08.640 --> 0:20:12.600
<v Speaker 1>why didn't she just save herself from being in the

0:20:12.680 --> 0:20:16.560
<v Speaker 1>tower kick the Dragon's ask herself go to the witch's

0:20:16.720 --> 0:20:19.920
<v Speaker 1>house who put the spell on her in the first place,

0:20:20.160 --> 0:20:23.560
<v Speaker 1>and be like, fucking undo this, you ask whole Well,

0:20:23.640 --> 0:20:26.280
<v Speaker 1>in theory, she was like beholden by the belief right

0:20:26.880 --> 0:20:29.159
<v Speaker 1>that she had that this is what had to happen.

0:20:29.320 --> 0:20:33.760
<v Speaker 1>But that's not well, it was never established. Well, maybe

0:20:33.760 --> 0:20:36.600
<v Speaker 1>she thinks that she has to be rescued, but when

0:20:36.600 --> 0:20:39.440
<v Speaker 1>she's describing the nature of the spell to Donkey, all

0:20:39.480 --> 0:20:42.000
<v Speaker 1>she says is I need to kiss my one true love.

0:20:42.440 --> 0:20:48.800
<v Speaker 1>So like, it's not clear why love she could have

0:20:48.840 --> 0:20:53.000
<v Speaker 1>been active and not insanely fucking passive, got it right, Well,

0:20:53.040 --> 0:20:57.919
<v Speaker 1>there's that problem with you. There is the problem that

0:20:58.119 --> 0:21:03.680
<v Speaker 1>Shrek and Donkey and this entire movie don't respect women.

0:21:04.400 --> 0:21:08.480
<v Speaker 1>Here are some examples, different comments that Shrek makes snow

0:21:08.480 --> 0:21:10.359
<v Speaker 1>white ends up on his table and he's like dead

0:21:10.400 --> 0:21:16.120
<v Speaker 1>broad off the table rack. It's the moment where they're

0:21:16.359 --> 0:21:19.480
<v Speaker 1>entering the castle where the dragon lives. Donkeys like, so,

0:21:19.520 --> 0:21:22.000
<v Speaker 1>where is this fire breathing pain in the neck anyway?

0:21:22.119 --> 0:21:25.440
<v Speaker 1>And Shrek said inside waiting for us to rescue her

0:21:27.400 --> 0:21:33.080
<v Speaker 1>feminist icon miss disappointing that quick one. Yeah, that's why

0:21:33.119 --> 0:21:35.280
<v Speaker 1>I watched these movies eight thousand times and pick up

0:21:35.520 --> 0:21:39.600
<v Speaker 1>all the stuff. Musical Shrek way less misogynical, were insecure,

0:21:39.960 --> 0:21:43.320
<v Speaker 1>Oh that would be appropriate and a little bit jittering,

0:21:43.320 --> 0:21:45.520
<v Speaker 1>and it's just like, yeah, to talk to girls. But

0:21:45.560 --> 0:21:49.680
<v Speaker 1>in the movie, Shrek is constantly terrible, pushing her away,

0:21:49.920 --> 0:21:53.720
<v Speaker 1>tossing her, throwing her, like a lot of physical violence.

0:21:54.320 --> 0:21:56.320
<v Speaker 1>There's at least one point where he slams her down

0:21:56.400 --> 0:21:59.679
<v Speaker 1>on the ground as like shut up. Yeah, it happens

0:21:59.680 --> 0:22:02.800
<v Speaker 1>a lot in the movie. Oh Um, there's a moment

0:22:02.880 --> 0:22:05.679
<v Speaker 1>when Donkey is telling Shrek to like wait till the

0:22:05.760 --> 0:22:09.080
<v Speaker 1>right moment to crash the wedding basically, and he's like,

0:22:09.359 --> 0:22:12.800
<v Speaker 1>chicks love that romantic crap. So just putting us all

0:22:12.840 --> 0:22:15.640
<v Speaker 1>on a box, which is weird because he's been living

0:22:15.680 --> 0:22:19.760
<v Speaker 1>alone for so long to know these even how he

0:22:19.760 --> 0:22:24.399
<v Speaker 1>knows dating and chicks. And if he had been kicked

0:22:24.440 --> 0:22:27.000
<v Speaker 1>out at seven as well, and I've been living in

0:22:27.040 --> 0:22:29.400
<v Speaker 1>that and just been hanging out with mud and slugs

0:22:29.400 --> 0:22:32.399
<v Speaker 1>and stuff, I don't know how he would know that, right, Yeah,

0:22:32.640 --> 0:22:35.000
<v Speaker 1>that's true. Well I don't know. Maybe well, first of all,

0:22:35.040 --> 0:22:40.280
<v Speaker 1>maybe seven in like older years is like maybe he's

0:22:40.280 --> 0:22:43.040
<v Speaker 1>actually twenty five when he got kicked out. Sure, yeah,

0:22:43.040 --> 0:22:47.119
<v Speaker 1>so his dad treated his mom right, But but that's

0:22:47.160 --> 0:22:51.720
<v Speaker 1>not but that's not cannon to the movie. It's okay,

0:22:51.880 --> 0:22:55.440
<v Speaker 1>yes I have. But in there I think I feel

0:22:55.480 --> 0:22:58.119
<v Speaker 1>like in later Shrek movies, which I don't remember, is

0:22:58.160 --> 0:23:01.679
<v Speaker 1>clearly that they address his background at some point. And

0:23:01.720 --> 0:23:03.840
<v Speaker 1>maybe that's where the musical drew it from. Because the

0:23:03.920 --> 0:23:07.160
<v Speaker 1>musical was released in oh eight. Maybe it was also

0:23:07.200 --> 0:23:09.760
<v Speaker 1>all adapted from a book, or at least the first

0:23:09.760 --> 0:23:13.080
<v Speaker 1>a wonderful book by William Steeg, who's a great New

0:23:13.119 --> 0:23:17.439
<v Speaker 1>Yorker cartoonist. And I recommend the original, where Shrek is

0:23:17.960 --> 0:23:21.119
<v Speaker 1>kind of just a villain who's forced to look at

0:23:21.160 --> 0:23:24.720
<v Speaker 1>himself in a very existential way. Thus my favorite illustration

0:23:24.760 --> 0:23:27.760
<v Speaker 1>from the book, which is Shrek the Illustrated Trek in

0:23:27.800 --> 0:23:30.240
<v Speaker 1>a hall of mirrors looking back at a thousand tracks,

0:23:30.240 --> 0:23:36.720
<v Speaker 1>and it's like, it's us, it's society. Interesting anyways, well

0:23:36.800 --> 0:23:41.880
<v Speaker 1>back to the back to the bashing, to the beautiful

0:23:41.920 --> 0:23:45.840
<v Speaker 1>source material with the dragon too, even though we we

0:23:45.880 --> 0:23:50.040
<v Speaker 1>don't count her as a full speaking female role, when

0:23:50.320 --> 0:23:53.760
<v Speaker 1>when she realized, like what stops her from being violent

0:23:53.920 --> 0:23:59.080
<v Speaker 1>is like, I guess lust because she wants to donkey.

0:23:59.160 --> 0:24:02.000
<v Speaker 1>Yeah she yeah, exactly, she sees something that she likes

0:24:02.000 --> 0:24:05.240
<v Speaker 1>and and suddenly suddenly she has these long eyelashes that

0:24:05.320 --> 0:24:09.800
<v Speaker 1>she's fluttering. And I'm going to stop my one dimensional

0:24:09.920 --> 0:24:13.480
<v Speaker 1>character ways, which is I just breathe fire and stop

0:24:13.520 --> 0:24:17.439
<v Speaker 1>people unless I fall in love with a with a

0:24:17.480 --> 0:24:21.359
<v Speaker 1>donkey dude. And she does. Yeah, that's interesting. And you

0:24:21.359 --> 0:24:23.639
<v Speaker 1>could sort of make the same argument for Cameron Diaz

0:24:23.800 --> 0:24:26.720
<v Speaker 1>for Princess Fiona of like, you know, it's not until

0:24:26.760 --> 0:24:30.200
<v Speaker 1>they meet a male love interest that they're like suddenly

0:24:30.280 --> 0:24:34.720
<v Speaker 1>these dimensions are released or like empowered and somehow, like

0:24:35.200 --> 0:24:37.679
<v Speaker 1>in theory, I feel like we're led to believe if

0:24:37.680 --> 0:24:41.120
<v Speaker 1>Shrek and Doggy didn't show up, Fiona and the Dragon

0:24:41.640 --> 0:24:44.399
<v Speaker 1>would not have changed on their own. Oh totally not.

0:24:44.880 --> 0:24:49.080
<v Speaker 1>Like Fiona is like the only thing about her character,

0:24:49.440 --> 0:24:52.080
<v Speaker 1>especially at the beginning, is that I need to find

0:24:52.080 --> 0:24:54.600
<v Speaker 1>my true love or my true love needs to rescue me.

0:24:54.720 --> 0:25:00.760
<v Speaker 1>It's like incredibly one dimensional. In the musical, Okay, Fiona

0:25:00.920 --> 0:25:04.320
<v Speaker 1>is locked up in a tower by her parents on

0:25:04.600 --> 0:25:09.600
<v Speaker 1>Christmas Eve, and her parents are holding her hostage because

0:25:09.640 --> 0:25:14.840
<v Speaker 1>they're telling her that until her husband shows up that

0:25:14.920 --> 0:25:17.240
<v Speaker 1>they were not going to release her. I think, actually

0:25:17.280 --> 0:25:20.360
<v Speaker 1>you learned something to that effect in Shrek two. Well

0:25:20.400 --> 0:25:24.560
<v Speaker 1>then there you go. So beautiful, beautiful song called um

0:25:24.600 --> 0:25:28.680
<v Speaker 1>I Know It's Today, sung by three different Fiona's young Fiona,

0:25:28.800 --> 0:25:32.280
<v Speaker 1>teenage Fiona, and of course Sutton Foster, who makes quite

0:25:32.280 --> 0:25:35.320
<v Speaker 1>the entrance in that song. Um anyways, nominated for a

0:25:35.359 --> 0:25:38.600
<v Speaker 1>Tony snubbed for someone who probably did a better job

0:25:38.640 --> 0:25:44.280
<v Speaker 1>doing something else. Back to the Dragon, though, Uh, the

0:25:44.359 --> 0:25:46.480
<v Speaker 1>point I wanted to make about that is that it

0:25:46.560 --> 0:25:49.720
<v Speaker 1>drives me nuts in a movie or TV show or whatever,

0:25:50.000 --> 0:25:53.520
<v Speaker 1>that there is a character who you don't really know

0:25:53.640 --> 0:25:56.520
<v Speaker 1>what the gender is at first, and then the reveal

0:25:56.680 --> 0:26:00.520
<v Speaker 1>is it's a girl, Like oh, that cop that takes

0:26:00.520 --> 0:26:03.359
<v Speaker 1>off its helmet and gets off a motorcycle that was

0:26:03.440 --> 0:26:07.919
<v Speaker 1>actually a woman, because it's like, how fucking stupid is it? That?

0:26:08.080 --> 0:26:13.399
<v Speaker 1>Like being a woman is somehow like a bonkers reveal? Right, right,

0:26:13.440 --> 0:26:16.359
<v Speaker 1>it's supposed to be like more impressive or or the

0:26:16.480 --> 0:26:20.879
<v Speaker 1>flaws make more sense that yeah, or just like the

0:26:21.000 --> 0:26:23.239
<v Speaker 1>thing that where I I mean, I get why they

0:26:23.280 --> 0:26:25.000
<v Speaker 1>do it, I get what they're doing when that happens.

0:26:25.040 --> 0:26:27.879
<v Speaker 1>It's like this thing that you're socialized to believe is

0:26:27.960 --> 0:26:33.560
<v Speaker 1>usually a man actually a girl. Surprised, but it's just

0:26:33.600 --> 0:26:36.720
<v Speaker 1>like annoying that that has to be a reveal like that.

0:26:36.760 --> 0:26:40.879
<v Speaker 1>There are isn't just like representation of women in roles

0:26:40.960 --> 0:26:43.120
<v Speaker 1>like that where we would just be like, oh, sure

0:26:43.160 --> 0:26:45.080
<v Speaker 1>that's a girl because we see that as a woman

0:26:45.640 --> 0:26:50.000
<v Speaker 1>all the time. Well, and and another bit character that

0:26:50.160 --> 0:26:54.479
<v Speaker 1>is deeply problematic that appears more in later movies and

0:26:54.600 --> 0:26:58.280
<v Speaker 1>appears in the musical, to the point where future incarnations

0:26:58.280 --> 0:27:01.440
<v Speaker 1>of the musical scrubbed this lyric kept in one production

0:27:01.480 --> 0:27:03.760
<v Speaker 1>I saw in Massachusetts, which was like get rid of it.

0:27:03.760 --> 0:27:07.880
<v Speaker 1>But anyways, I spoke with the director of the Whole Thing,

0:27:08.240 --> 0:27:11.600
<v Speaker 1>but the Big bad Wolf in the movie, there's a

0:27:11.600 --> 0:27:15.840
<v Speaker 1>lot of transphobic jokes at me that character's expense. And

0:27:15.920 --> 0:27:18.720
<v Speaker 1>even in the musical there's a song like something something

0:27:18.800 --> 0:27:21.639
<v Speaker 1>something dressed they called me a hot and tranny mess

0:27:22.119 --> 0:27:25.399
<v Speaker 1>and what was the right and which was in the

0:27:25.440 --> 0:27:27.680
<v Speaker 1>original musical anno it, but then they took it out

0:27:27.960 --> 0:27:31.800
<v Speaker 1>because they were just like, Oh, that's fucking nightmare. That's terrible.

0:27:31.840 --> 0:27:34.760
<v Speaker 1>You can't say that. Um and and that's like kind

0:27:34.760 --> 0:27:37.600
<v Speaker 1>of what this movie boils down to from a feminist

0:27:37.640 --> 0:27:40.520
<v Speaker 1>perspective of It's like it's sort of like, oh, the

0:27:41.480 --> 0:27:44.200
<v Speaker 1>female it's a badass, but just never in a way

0:27:44.240 --> 0:27:50.000
<v Speaker 1>that is actually threatening or challenging to patriarchal standards. Like

0:27:50.080 --> 0:27:53.880
<v Speaker 1>she's allowed to kicking her favorite mixed me needs article.

0:27:54.240 --> 0:27:56.960
<v Speaker 1>She kicks and she gets to fight a little bit,

0:27:57.400 --> 0:27:59.960
<v Speaker 1>but never in a way that super affects the plot,

0:28:00.119 --> 0:28:04.159
<v Speaker 1>never in a way that that challenges the heteronormative fairy

0:28:04.200 --> 0:28:08.800
<v Speaker 1>tale standards of she has to end up with a guy,

0:28:08.960 --> 0:28:15.240
<v Speaker 1>whether it's the tiny misogynist or the larger misogynist, and

0:28:15.600 --> 0:28:18.359
<v Speaker 1>that seems like I said, feel it feels so unearned

0:28:18.359 --> 0:28:22.040
<v Speaker 1>when she's like kicking Robin Hood's ass, because it's like, well,

0:28:22.080 --> 0:28:24.040
<v Speaker 1>if you could do that, and if you had the

0:28:24.080 --> 0:28:26.560
<v Speaker 1>agency to do that, why didn't you have the agency

0:28:26.640 --> 0:28:29.800
<v Speaker 1>to choose your own destiny and like go after what

0:28:29.880 --> 0:28:34.359
<v Speaker 1>you actually wanted. If marrying a dude is what you want, fine,

0:28:34.520 --> 0:28:36.879
<v Speaker 1>but like then go out and get it. Like it

0:28:37.000 --> 0:28:38.960
<v Speaker 1>just it was insane to me that she was so

0:28:39.080 --> 0:28:42.040
<v Speaker 1>passive and just like literally waiting around to be rescued,

0:28:42.360 --> 0:28:45.280
<v Speaker 1>because I think I think maybe the writers were focused

0:28:45.360 --> 0:28:49.440
<v Speaker 1>more on undoing fairy tales in general, but not necessarily

0:28:49.840 --> 0:28:52.480
<v Speaker 1>doing it in a refreshing way. They're like, fairy tales

0:28:52.520 --> 0:28:56.680
<v Speaker 1>are still about the damsel and distress, but for them

0:28:56.720 --> 0:28:58.840
<v Speaker 1>to be like, oh, you know what we're gonna do

0:28:58.880 --> 0:29:01.960
<v Speaker 1>is just constantly remind do that you're watching a fairy

0:29:01.960 --> 0:29:05.040
<v Speaker 1>tale getting undone. But we're not quite there yet with

0:29:05.640 --> 0:29:09.520
<v Speaker 1>being ready to have the female character be the lead

0:29:10.440 --> 0:29:13.800
<v Speaker 1>or the one that can choose her own adventure, and

0:29:13.880 --> 0:29:16.760
<v Speaker 1>we're not quite ready for those. Yeah, I think it

0:29:16.840 --> 0:29:22.080
<v Speaker 1>wasn't ready to like maybe Tangled or Fave or you know,

0:29:22.240 --> 0:29:25.760
<v Speaker 1>yeah it had to be Moana or yeah, I haven't

0:29:25.800 --> 0:29:30.800
<v Speaker 1>seen those three films that I just named. Moah, No,

0:29:30.920 --> 0:29:33.520
<v Speaker 1>I gotta see Moana. I did watch Tangled. I feel like,

0:29:33.640 --> 0:29:36.000
<v Speaker 1>was she more independent? I don't even I think, But

0:29:36.200 --> 0:29:38.760
<v Speaker 1>still the guy was a little bit too involved. Okay,

0:29:38.840 --> 0:29:41.400
<v Speaker 1>okay had to show up. Yeah I remember her being

0:29:41.400 --> 0:29:45.239
<v Speaker 1>like snippier than regular princesses. But yeah, I think they

0:29:45.280 --> 0:29:48.080
<v Speaker 1>were still focused on, like people are used to still

0:29:48.160 --> 0:29:50.840
<v Speaker 1>the idea of like the fairy tale. Let's just make

0:29:50.880 --> 0:29:54.320
<v Speaker 1>fun of the idea of fairy tale, but it's still patriarchal,

0:29:54.440 --> 0:29:57.240
<v Speaker 1>you know what I mean? Absolutely. I mean I think

0:29:57.240 --> 0:29:59.920
<v Speaker 1>that this whole movie is built on and so much

0:30:00.040 --> 0:30:03.000
<v Speaker 1>of like so much of Shrek, And this goes into

0:30:03.000 --> 0:30:06.480
<v Speaker 1>this whole thing that I think about a lot because

0:30:06.520 --> 0:30:10.200
<v Speaker 1>I don't have a life. Um is like, how basically

0:30:10.320 --> 0:30:14.320
<v Speaker 1>dream Works was this company that was formed to spite Disney,

0:30:14.560 --> 0:30:18.160
<v Speaker 1>who do these fairy tale stories constantly, and so Shrek

0:30:18.240 --> 0:30:20.680
<v Speaker 1>was just essentially meant to be a big middle finger

0:30:20.720 --> 0:30:24.480
<v Speaker 1>from Jeffrey Katzenberg, who produced some really famous Disney like

0:30:24.640 --> 0:30:29.320
<v Speaker 1>Renaissance movies. UM as a big middle finger to be like,

0:30:29.360 --> 0:30:31.520
<v Speaker 1>oh look, I did all this great work and then

0:30:31.560 --> 0:30:33.960
<v Speaker 1>you fucking fire me or whatever. The falling out was

0:30:34.000 --> 0:30:36.240
<v Speaker 1>there and now I have DreamWorks and now we're just

0:30:36.240 --> 0:30:38.840
<v Speaker 1>because I fulk you to Disney all the time, and

0:30:39.240 --> 0:30:41.160
<v Speaker 1>doesn't really take the time to do that in a

0:30:41.240 --> 0:30:44.600
<v Speaker 1>very thoughtful or interesting way, because even when like Princess

0:30:44.600 --> 0:30:48.520
<v Speaker 1>Fiona is doing the kick thing and in theory like

0:30:48.720 --> 0:30:52.760
<v Speaker 1>total just on paper that sounds very cool, but really

0:30:52.800 --> 0:30:56.520
<v Speaker 1>all that does is earn her respect in the eyes

0:30:56.560 --> 0:30:59.320
<v Speaker 1>of the men she's traveling with. Other than that, there's

0:30:59.360 --> 0:31:02.280
<v Speaker 1>not a bit effect on the plot because up until

0:31:02.320 --> 0:31:05.840
<v Speaker 1>the point, Shrek was like just mostly found her as

0:31:05.840 --> 0:31:07.840
<v Speaker 1>a nuisance, and then when you see from the ground,

0:31:08.320 --> 0:31:11.400
<v Speaker 1>he just does that. Even after that happens, but he

0:31:11.440 --> 0:31:13.719
<v Speaker 1>finds her a total nuisance. And then as soon as

0:31:13.800 --> 0:31:16.360
<v Speaker 1>he witnesses that whole like fight scene, he's like, well,

0:31:16.360 --> 0:31:21.160
<v Speaker 1>I'm not going to beat her up anymore. So he

0:31:21.200 --> 0:31:23.120
<v Speaker 1>does not throw her on the ground. In the musical

0:31:23.280 --> 0:31:25.560
<v Speaker 1>thank You Very Much Good, I think that that's probably

0:31:25.600 --> 0:31:27.160
<v Speaker 1>just a sudden, faster thing. She's like, I will not

0:31:27.200 --> 0:31:31.239
<v Speaker 1>be thrown I'm I'm the Queen of Broadway. I will

0:31:31.280 --> 0:31:33.800
<v Speaker 1>not be thrown on the ground. I mean, I think

0:31:33.840 --> 0:31:37.720
<v Speaker 1>this movie, although it does not handle this that well,

0:31:37.800 --> 0:31:39.720
<v Speaker 1>and I'll explain why in a moment. But the moral

0:31:39.760 --> 0:31:42.320
<v Speaker 1>of the story, is we already mentioned, is that like,

0:31:42.400 --> 0:31:46.320
<v Speaker 1>you should judge people based on their character, and you

0:31:46.320 --> 0:31:48.600
<v Speaker 1>should get to know people before you judge them, and

0:31:48.640 --> 0:31:50.640
<v Speaker 1>it doesn't matter what you look like, and your important

0:31:50.680 --> 0:31:53.960
<v Speaker 1>thing is the content of your character. However, one of

0:31:54.000 --> 0:31:57.000
<v Speaker 1>the reasons they don't really reinforce that in the story

0:31:57.240 --> 0:32:01.480
<v Speaker 1>is that it's like pretty heavily can firmed that. Like

0:32:01.800 --> 0:32:04.680
<v Speaker 1>Fiona when she is an ogre, they're like, yeah, you're

0:32:04.680 --> 0:32:07.440
<v Speaker 1>definitely ugly. She's like, I'm ugly, and Donkey's like, yep,

0:32:07.480 --> 0:32:10.680
<v Speaker 1>you're You're for sure ugly. And the thing is though,

0:32:10.720 --> 0:32:13.440
<v Speaker 1>that like she basically looks exactly like she does as

0:32:13.440 --> 0:32:16.440
<v Speaker 1>a human, except she's green and she's heavier, So they're

0:32:16.440 --> 0:32:20.560
<v Speaker 1>basically equating being fat to being ugly, which is incredibly problematic.

0:32:21.000 --> 0:32:23.320
<v Speaker 1>And then on top of that, they do they do

0:32:23.440 --> 0:32:27.920
<v Speaker 1>that with Trek's character as well. Yeah they do. Yeah,

0:32:28.040 --> 0:32:34.400
<v Speaker 1>any otherness is not accepted by farads right, and the

0:32:34.440 --> 0:32:36.360
<v Speaker 1>movie is trying to say, like, no, you can still

0:32:36.440 --> 0:32:39.680
<v Speaker 1>be ugly and you're you're still you can still be likable,

0:32:40.360 --> 0:32:44.200
<v Speaker 1>But they're not. I mean, in the end, there's that

0:32:44.240 --> 0:32:46.240
<v Speaker 1>line where she's like, I thought I was going to

0:32:46.320 --> 0:32:48.480
<v Speaker 1>be beautiful and trucks like you are beautiful, But it's

0:32:48.480 --> 0:32:52.560
<v Speaker 1>still sort of like, I think implied that only Shrek

0:32:52.640 --> 0:32:56.480
<v Speaker 1>could find her beautiful because he's also an ogre, and

0:32:56.520 --> 0:33:00.120
<v Speaker 1>like she's still not because she doesn't adhere to like

0:33:00.160 --> 0:33:03.560
<v Speaker 1>western beauty standards were as the whole you are so beautiful,

0:33:03.800 --> 0:33:07.680
<v Speaker 1>but only to me, because that, to me is what

0:33:07.840 --> 0:33:10.200
<v Speaker 1>makes it like whoa, why can't you just end it

0:33:10.200 --> 0:33:14.240
<v Speaker 1>at you are so beautiful? You know? Right? Well? And

0:33:14.240 --> 0:33:16.880
<v Speaker 1>then what do we think of the ending of sort

0:33:16.880 --> 0:33:19.680
<v Speaker 1>of it's it's implied, especially in the back half of

0:33:19.720 --> 0:33:24.560
<v Speaker 1>the movie whence Donkey finds out that Fiona's night form

0:33:24.840 --> 0:33:28.240
<v Speaker 1>is as an ogre, where he's like, well, Shreks and Ogre,

0:33:28.280 --> 0:33:30.520
<v Speaker 1>you should hang out with him, where it's like, I

0:33:30.560 --> 0:33:33.160
<v Speaker 1>don't know, like and this has been on and I

0:33:33.160 --> 0:33:35.720
<v Speaker 1>don't think originally, you know, it was like eight or

0:33:35.760 --> 0:33:38.120
<v Speaker 1>nine in this movie, I didn't have the language to articulated.

0:33:38.440 --> 0:33:40.959
<v Speaker 1>I was like, well, are we to believe? You know?

0:33:41.040 --> 0:33:44.120
<v Speaker 1>By the end, when Fiona turns out that loves true

0:33:44.160 --> 0:33:47.960
<v Speaker 1>form for her as she's an ogre if she had

0:33:48.000 --> 0:33:50.320
<v Speaker 1>been a human with that have not been okay, Like

0:33:50.720 --> 0:33:54.160
<v Speaker 1>can only like and like belong together in this universe

0:33:54.160 --> 0:33:57.160
<v Speaker 1>and what does that mean? And like is that that

0:33:57.440 --> 0:34:00.320
<v Speaker 1>never has sat well with me? Like that just seems

0:34:00.320 --> 0:34:04.160
<v Speaker 1>like a weird backwards thing to I feel like, um,

0:34:04.200 --> 0:34:07.400
<v Speaker 1>gay and lesbian people experienced this a lot, where like, like,

0:34:07.560 --> 0:34:09.719
<v Speaker 1>you're gay, I have a gay friend. You should meet

0:34:09.719 --> 0:34:11.480
<v Speaker 1>my gay friend. And it's like, well, well if I

0:34:11.480 --> 0:34:14.319
<v Speaker 1>don't like that, there, yeah they're there. Yeah, there's like

0:34:14.320 --> 0:34:16.319
<v Speaker 1>a pretty good chance you wouldn't want to date him.

0:34:16.360 --> 0:34:18.479
<v Speaker 1>But people are just like, oh, because you're both gay,

0:34:18.719 --> 0:34:21.799
<v Speaker 1>you should hang out, and it's like no, so yeah,

0:34:22.480 --> 0:34:25.560
<v Speaker 1>runding me of that that happens to people of color

0:34:25.640 --> 0:34:27.839
<v Speaker 1>to where it's like, oh, you would love my black

0:34:27.880 --> 0:34:31.680
<v Speaker 1>guy friend. You know he's single to another black girl.

0:34:31.920 --> 0:34:35.719
<v Speaker 1>You know, oh really quick to like going back to

0:34:35.840 --> 0:34:39.919
<v Speaker 1>like it's it's it's not what's on the exterior, it's

0:34:39.960 --> 0:34:43.040
<v Speaker 1>what's on the interior. If that was the case, to like,

0:34:43.120 --> 0:34:47.600
<v Speaker 1>Shrek in actuality is not very likable, Like he's an asshole.

0:34:47.640 --> 0:34:51.000
<v Speaker 1>Neither is Fiona. Yeah not either, And so I'm you know,

0:34:51.040 --> 0:34:54.799
<v Speaker 1>I'm confused about that being the message initially because it's

0:34:54.840 --> 0:34:59.120
<v Speaker 1>like if I've you know, Shrek, I've known people like Shrek,

0:34:59.160 --> 0:35:01.880
<v Speaker 1>that's like, no me alone, I'm a grumpy person because

0:35:01.960 --> 0:35:04.359
<v Speaker 1>like people don't understand me, and so in turn there

0:35:04.360 --> 0:35:07.080
<v Speaker 1>an asshole. They let tragedy turn them into an asshole,

0:35:07.600 --> 0:35:10.440
<v Speaker 1>and uh, they are hard to get along with. So

0:35:10.560 --> 0:35:12.160
<v Speaker 1>I don't know, tell me what I have to hang

0:35:12.160 --> 0:35:15.160
<v Speaker 1>on to if I'm supposed to fall in love And

0:35:15.200 --> 0:35:17.759
<v Speaker 1>that's I mean, I think maybe that in terms of

0:35:17.800 --> 0:35:21.160
<v Speaker 1>the way that masculinity has portrayed a lot in pop culture,

0:35:21.200 --> 0:35:23.080
<v Speaker 1>that that is sort of a common thing to do.

0:35:23.160 --> 0:35:25.760
<v Speaker 1>I like, well, he's an asshole because he just doesn't

0:35:25.800 --> 0:35:28.280
<v Speaker 1>know how to express himself. So you have to accept

0:35:28.360 --> 0:35:31.040
<v Speaker 1>the fact that he's an asshole to you, usually a

0:35:31.080 --> 0:35:35.080
<v Speaker 1>female character, because he just doesn't know. He just doesn't know,

0:35:35.200 --> 0:35:36.920
<v Speaker 1>and you just have to deal with it. And then

0:35:36.960 --> 0:35:39.840
<v Speaker 1>you got to soften him up, you gotta fix it.

0:35:40.280 --> 0:35:43.279
<v Speaker 1>Inshol to people who never let sour things turn them

0:35:43.320 --> 0:35:46.640
<v Speaker 1>sour and are nice. Right, that's an insult to people

0:35:46.680 --> 0:35:49.799
<v Speaker 1>who are actually nice, even if maybe on the exterior,

0:35:49.840 --> 0:35:52.319
<v Speaker 1>I don't know, you know what I mean, Like right, like,

0:35:52.360 --> 0:35:55.040
<v Speaker 1>I think it's it's cutting you know, and no matter

0:35:55.840 --> 0:35:58.080
<v Speaker 1>you know. Obviously that's not to discount any character or

0:35:58.160 --> 0:36:02.000
<v Speaker 1>person's experience, but you can't always cut someone that much

0:36:02.000 --> 0:36:03.880
<v Speaker 1>slack of like, you can't just be an asshole to

0:36:04.080 --> 0:36:08.680
<v Speaker 1>everybody because you're like so insecure in your masculinity you

0:36:08.680 --> 0:36:10.600
<v Speaker 1>can't express yourself, you know, or like you had a

0:36:10.600 --> 0:36:14.800
<v Speaker 1>difficult childhood and that's all valid, and that's all character stuff.

0:36:15.680 --> 0:36:18.240
<v Speaker 1>But don't be surprised if people don't like you because

0:36:18.280 --> 0:36:20.080
<v Speaker 1>of it. Right, there should be a consequences for being

0:36:20.080 --> 0:36:23.840
<v Speaker 1>an ass always, even like Donkey, there's a scene where

0:36:24.120 --> 0:36:27.200
<v Speaker 1>after they've like gone on the whole journey and Fiona

0:36:27.360 --> 0:36:31.080
<v Speaker 1>is hanging out with far Quad Donkeys all like, oh,

0:36:31.160 --> 0:36:34.279
<v Speaker 1>you treat me badly and you undermine me and Doto

0:36:34.480 --> 0:36:37.360
<v Speaker 1>and all this stuff, and shreks like why are you

0:36:37.400 --> 0:36:40.560
<v Speaker 1>still hanging around then, which is a legitimate question because

0:36:40.600 --> 0:36:43.960
<v Speaker 1>like Donkey, why are you letting this person emotionally abuse you?

0:36:44.440 --> 0:36:46.560
<v Speaker 1>And Donkey's like, because that's what friends are for. They

0:36:46.640 --> 0:36:49.280
<v Speaker 1>forgive each other, which like feels like a wrong message

0:36:49.360 --> 0:36:52.480
<v Speaker 1>to send to people. It's like, if someone's like being

0:36:52.520 --> 0:36:56.600
<v Speaker 1>abusive torn you maybe don't forgive them. If that's if

0:36:56.680 --> 0:37:00.160
<v Speaker 1>it's their character to be a complete fucking asshole. I

0:37:00.200 --> 0:37:03.839
<v Speaker 1>would argue the more powerful, the most powerful relationship in

0:37:03.880 --> 0:37:07.440
<v Speaker 1>this movie is Shrek and Donkey and in the musical.

0:37:07.600 --> 0:37:10.520
<v Speaker 1>But it's like Shrek and Donkey have more songs together

0:37:10.600 --> 0:37:13.160
<v Speaker 1>the Shrek and Fiona do with the musical. Dude, but whatever,

0:37:13.239 --> 0:37:16.439
<v Speaker 1>I mean. But but there is more emphasis placed on

0:37:17.280 --> 0:37:20.640
<v Speaker 1>I guess Shrek and Fiona's relationship is more integral to

0:37:20.680 --> 0:37:24.560
<v Speaker 1>the plot, but in terms of characterization, it's way more

0:37:24.640 --> 0:37:27.920
<v Speaker 1>Shrek and Donkey, if like they have you know these

0:37:28.360 --> 0:37:31.959
<v Speaker 1>Originally Shrek rejects him and he's like, no, I'm fun,

0:37:32.880 --> 0:37:35.880
<v Speaker 1>It's okay, you can come, and then they have a

0:37:35.960 --> 0:37:38.560
<v Speaker 1>falling out, and then they have a reunion, and then

0:37:38.600 --> 0:37:42.920
<v Speaker 1>it's like there's just more in general. So I don't know.

0:37:43.120 --> 0:37:45.480
<v Speaker 1>I hadn't thought of that until I watched it this

0:37:45.600 --> 0:37:49.760
<v Speaker 1>last time, watching specifically for how female characters are treated.

0:37:50.239 --> 0:37:53.120
<v Speaker 1>And granted, you know, Shrek and Fiona have a falling out,

0:37:53.440 --> 0:37:56.840
<v Speaker 1>but it's based on a misunderstanding and then he sells her,

0:37:57.080 --> 0:38:01.240
<v Speaker 1>only to return and marry her without her ever saying wait,

0:38:01.280 --> 0:38:03.719
<v Speaker 1>you sold me because you got mad and you didn't

0:38:03.760 --> 0:38:06.719
<v Speaker 1>even ask me what I did, Like that should be

0:38:06.760 --> 0:38:10.359
<v Speaker 1>a problem, right of like you overheard something and then

0:38:10.400 --> 0:38:13.919
<v Speaker 1>you sold me to a hitler, Like what are you doing?

0:38:13.960 --> 0:38:16.520
<v Speaker 1>You know? But she's like, no, you're right. The son's

0:38:16.560 --> 0:38:20.520
<v Speaker 1>about to set let's marry right, right, Like, let's make

0:38:20.560 --> 0:38:25.360
<v Speaker 1>out he didn't remember the Donkey Donkey actually apologizing to

0:38:25.920 --> 0:38:29.200
<v Speaker 1>He goes like, because friends forgive each other, and then yeah,

0:38:29.280 --> 0:38:32.000
<v Speaker 1>and then Shrek says he forgives Donkey, but like, I

0:38:32.000 --> 0:38:35.160
<v Speaker 1>don't really know what Donkey did wrong besides just getting

0:38:35.200 --> 0:38:37.759
<v Speaker 1>close with Fiona. I don't know. I think it was

0:38:37.800 --> 0:38:41.640
<v Speaker 1>because Donkey didn't tell Shrek because he promised Fiona he

0:38:41.680 --> 0:38:45.840
<v Speaker 1>wouldn't tell. Oh, it's part of the misunderstanding. He Shrek

0:38:45.880 --> 0:38:47.720
<v Speaker 1>was all like, oh, they're buddy, buddy, and they're ganging

0:38:47.800 --> 0:38:50.840
<v Speaker 1>up on me, and but like that's not what was happening.

0:38:50.920 --> 0:38:56.160
<v Speaker 1>So if Donkey did apologize, he didn't need to to

0:38:56.200 --> 0:38:58.640
<v Speaker 1>this point of like, which goes back to the point

0:38:58.680 --> 0:39:00.680
<v Speaker 1>of like, that's a weird that is the weird message

0:39:00.719 --> 0:39:03.799
<v Speaker 1>to give. Let's if kids are watching this and going like, oh,

0:39:03.840 --> 0:39:06.200
<v Speaker 1>that's how it should be a friend. If they wronged me,

0:39:06.440 --> 0:39:09.680
<v Speaker 1>I apologize and I should forgive anyway, even if I

0:39:09.680 --> 0:39:11.400
<v Speaker 1>didn't do anything wrong, I don't know. I don't know

0:39:11.440 --> 0:39:14.040
<v Speaker 1>what the demographic is of this film. I mean it's

0:39:14.040 --> 0:39:17.400
<v Speaker 1>more it's pretty wide. Well it's kids and adults. Like

0:39:17.440 --> 0:39:20.160
<v Speaker 1>there was enough like adult humor that adults can appreciate

0:39:20.200 --> 0:39:24.920
<v Speaker 1>it if you're the lowest common denominator, yeah, small penis

0:39:25.040 --> 0:39:28.040
<v Speaker 1>jokes and stuff, right, yeah, I mean like that's and

0:39:28.120 --> 0:39:30.960
<v Speaker 1>this is another like DreamWorks movie thing where there's what

0:39:31.080 --> 0:39:33.080
<v Speaker 1>happens in DreamWorks movies, but this is like the first

0:39:33.200 --> 0:39:37.839
<v Speaker 1>very successful one where this movie is like pushing post

0:39:37.920 --> 0:39:40.680
<v Speaker 1>modern drugs to the point where, for the most part,

0:39:41.239 --> 0:39:43.279
<v Speaker 1>this movie, in theory is for kids. You can bring

0:39:43.320 --> 0:39:45.080
<v Speaker 1>your kids to see it because most of the drugs

0:39:45.080 --> 0:39:46.919
<v Speaker 1>will fly over their head. But to the point where

0:39:46.960 --> 0:39:50.640
<v Speaker 1>it's like do these kids even know what is being

0:39:50.760 --> 0:39:53.440
<v Speaker 1>riffed on? Like do they know the source material of

0:39:53.520 --> 0:39:56.759
<v Speaker 1>these four billion fairy tales? And do they know? And

0:39:56.800 --> 0:39:59.800
<v Speaker 1>you know, so it is made more for stupid adults

0:40:00.120 --> 0:40:03.640
<v Speaker 1>who don't have a sorry, people who love his movie

0:40:03.920 --> 0:40:07.000
<v Speaker 1>but like you know, don't have a developed enough brain

0:40:07.440 --> 0:40:09.480
<v Speaker 1>to laugh at anything other than like I heard that,

0:40:09.680 --> 0:40:12.959
<v Speaker 1>I've heard of that. I've heard it because that's oh

0:40:13.040 --> 0:40:17.839
<v Speaker 1>my god a song. It's funny because the ogre thing

0:40:17.920 --> 0:40:20.480
<v Speaker 1>of the song, like there's just so little thought put

0:40:20.520 --> 0:40:25.240
<v Speaker 1>into any joke. It's infuriating. It's and then another note

0:40:25.239 --> 0:40:29.160
<v Speaker 1>on the comedy is that like Shrek is always cracking drunks,

0:40:29.160 --> 0:40:31.600
<v Speaker 1>they're not that funny, but at least he's like making jokes.

0:40:32.040 --> 0:40:36.240
<v Speaker 1>Man Donkey is by and large like the comic relief

0:40:36.440 --> 0:40:39.440
<v Speaker 1>of the movie. Even far Quad gets some like funny moments.

0:40:39.840 --> 0:40:42.279
<v Speaker 1>Fiona like, she doesn't get any funny a lot. I

0:40:42.320 --> 0:40:44.320
<v Speaker 1>feel like none of the comedy in the movie is

0:40:44.360 --> 0:40:46.759
<v Speaker 1>given to her, Like she's never given an opportunity to

0:40:46.760 --> 0:40:50.240
<v Speaker 1>make people laugh except for maybe the one the nod

0:40:50.400 --> 0:40:53.120
<v Speaker 1>to like the matrix thing where she's like which is

0:40:53.120 --> 0:41:03.080
<v Speaker 1>another but like, yeah, there's just she doesn't get any well.

0:41:03.080 --> 0:41:09.719
<v Speaker 1>Her character sucks. She's like a brat, she's entitled, she's passive.

0:41:10.320 --> 0:41:12.600
<v Speaker 1>This movie does a little bit more than other movies

0:41:12.640 --> 0:41:15.520
<v Speaker 1>in terms of like showing why the two characters might

0:41:15.560 --> 0:41:17.839
<v Speaker 1>like each other, but it's all very superficial stuff where

0:41:17.840 --> 0:41:21.640
<v Speaker 1>it's like, oh, they both burp and they both like

0:41:21.800 --> 0:41:24.680
<v Speaker 1>to and again that's her earning his respect by being

0:41:24.680 --> 0:41:28.160
<v Speaker 1>more like him. Right, being more like a man is.

0:41:29.400 --> 0:41:31.719
<v Speaker 1>She's like, let me take this snake and turn it

0:41:31.760 --> 0:41:40.799
<v Speaker 1>into a trick called dick balloon Fionta. So yeah, I

0:41:40.920 --> 0:41:45.920
<v Speaker 1>don't like her character in any way, and the attempts

0:41:45.920 --> 0:41:47.760
<v Speaker 1>at the movie does make it like because so often

0:41:47.760 --> 0:41:49.919
<v Speaker 1>you see in a movie where it's like a man

0:41:50.120 --> 0:41:52.080
<v Speaker 1>is a lead and he has a love interest, and

0:41:52.120 --> 0:41:54.480
<v Speaker 1>you're never really sure why they'd be interested in each

0:41:54.480 --> 0:41:57.279
<v Speaker 1>other because the female characters usually so poorly developed that

0:41:57.320 --> 0:41:59.120
<v Speaker 1>it makes no sense why they would end up together.

0:41:59.719 --> 0:42:02.600
<v Speaker 1>But like, she's hot, so he likes her, and that's

0:42:02.640 --> 0:42:05.080
<v Speaker 1>good enough. I think the movie does a little bit

0:42:05.120 --> 0:42:08.640
<v Speaker 1>tiny more than most movies to develop that romantic relationship,

0:42:08.640 --> 0:42:13.239
<v Speaker 1>but it's still not enough, so I think, and I

0:42:13.280 --> 0:42:16.960
<v Speaker 1>think it is interesting just a quick acknowledgement of how

0:42:17.120 --> 0:42:24.240
<v Speaker 1>Shrek has aged into now where largely except with children

0:42:24.320 --> 0:42:26.160
<v Speaker 1>and adults who saw it when they were stupid and

0:42:26.200 --> 0:42:30.359
<v Speaker 1>have not gotten smarter or more critically thinking since two

0:42:30.360 --> 0:42:34.120
<v Speaker 1>thousand and one, which God help those people. But there's

0:42:34.160 --> 0:42:37.439
<v Speaker 1>been this huge subculture that's developed if people making fun

0:42:37.480 --> 0:42:42.040
<v Speaker 1>of Shrek for how derivative and lame, and you know,

0:42:42.120 --> 0:42:44.880
<v Speaker 1>just a movie that really takes pleasure on feeling very

0:42:44.960 --> 0:42:49.000
<v Speaker 1>cutting edge while accomplishing nothing, you know, And there's this

0:42:49.120 --> 0:42:52.120
<v Speaker 1>whole subculture for it online and some of them at

0:42:52.160 --> 0:42:54.840
<v Speaker 1>this point it's pretty much extinct, and that's good. But

0:42:54.960 --> 0:42:57.160
<v Speaker 1>you know, like I'm sure some of our listeners would

0:42:57.160 --> 0:43:00.280
<v Speaker 1>recognize the Shrek is Love, Shrek is Life video those

0:43:00.480 --> 0:43:02.920
<v Speaker 1>and like all these I'll show them to you. They're

0:43:02.920 --> 0:43:05.200
<v Speaker 1>gonna I don't know about these, Dang, they're going to

0:43:05.239 --> 0:43:08.399
<v Speaker 1>bloil your mind. There was this there's this PC game

0:43:09.080 --> 0:43:11.399
<v Speaker 1>that came out around the time Shrek the movie did,

0:43:11.840 --> 0:43:15.040
<v Speaker 1>and people found it maybe ten to twelve years after

0:43:15.080 --> 0:43:17.440
<v Speaker 1>the movie came out, and started making these very bizarre

0:43:17.440 --> 0:43:21.200
<v Speaker 1>sketches using the Shrek characters, um that were very like

0:43:21.400 --> 0:43:27.640
<v Speaker 1>hyper sexual and demonized Trek and condemned the character. And

0:43:27.640 --> 0:43:30.080
<v Speaker 1>and sometimes they're very funny. Sometimes they were too dark

0:43:30.160 --> 0:43:33.160
<v Speaker 1>and like don't want those ones. Um. There's also a

0:43:33.239 --> 0:43:35.960
<v Speaker 1>subculture for Jimmy Neutron as well. But anyways, all that

0:43:36.080 --> 0:43:38.960
<v Speaker 1>to say, Shrek, I would argue, is not a movie

0:43:39.000 --> 0:43:41.279
<v Speaker 1>that has aged well and anyway and kind of in

0:43:41.280 --> 0:43:44.360
<v Speaker 1>a in a in a pop culture way, hasn't been

0:43:44.520 --> 0:43:47.120
<v Speaker 1>as accepted down in the line. I mean Shrek five

0:43:47.200 --> 0:43:48.719
<v Speaker 1>is going to make a million dollars, but it's not

0:43:48.760 --> 0:43:51.040
<v Speaker 1>going to have as many only a million dollars. That's

0:43:51.120 --> 0:43:54.640
<v Speaker 1>terrible for me. Sorry, billion, a billion, trillion. It's gonna

0:43:54.640 --> 0:43:59.600
<v Speaker 1>make ten times with boss baby mate or that you

0:43:59.680 --> 0:44:05.400
<v Speaker 1>much in are the EMI movie probably feminist icon the

0:44:05.400 --> 0:44:10.759
<v Speaker 1>EMGI um but um. But you know, all I have

0:44:10.880 --> 0:44:13.920
<v Speaker 1>to say, like Shrek five will and this is not

0:44:13.960 --> 0:44:16.920
<v Speaker 1>saying a lot, but probably be more conscientious of its

0:44:16.960 --> 0:44:20.560
<v Speaker 1>audience than I would Shrek that came out two months

0:44:20.600 --> 0:44:24.840
<v Speaker 1>before nine eleven, you know, like it really was just like, yeah,

0:44:24.880 --> 0:44:31.200
<v Speaker 1>what was subversive in two thousand and one is deeply problematic. Now, yeah, right,

0:44:31.440 --> 0:44:33.560
<v Speaker 1>I'll show you Shrek his live Shrek is Life. I'm

0:44:33.560 --> 0:44:36.000
<v Speaker 1>excited to see that. Yeah. Does anyone have any other

0:44:36.040 --> 0:44:38.600
<v Speaker 1>final thoughts about the movie? I don't think so. I'm

0:44:38.640 --> 0:44:42.600
<v Speaker 1>gonna watch two, three, four, and five. I guess the

0:44:42.680 --> 0:44:48.359
<v Speaker 1>musical musical because besides them having kids and him meeting

0:44:48.360 --> 0:44:51.200
<v Speaker 1>her parents and maybe finding about his his parents, I

0:44:51.200 --> 0:44:53.960
<v Speaker 1>don't know. Maybe it'll be cool to see like the

0:44:54.000 --> 0:44:59.040
<v Speaker 1>fifth one be like his daughter, Shrek Woke, Shrek Girl,

0:44:59.080 --> 0:45:04.520
<v Speaker 1>Shrek Girl, Shrek All Female reboot of Shrek yeah, something

0:45:04.800 --> 0:45:09.600
<v Speaker 1>you're Shrek falls in love with Fiona non or like

0:45:09.640 --> 0:45:12.520
<v Speaker 1>maybe it doesn't fallinary just trying to get a job

0:45:12.560 --> 0:45:17.480
<v Speaker 1>and it's hard. Yeah. Yeah, a female Shrek tries to

0:45:17.520 --> 0:45:25.200
<v Speaker 1>negotiate a salary is the salary. But also also I

0:45:25.239 --> 0:45:27.279
<v Speaker 1>did one more thing to throw in for Shrek three,

0:45:27.320 --> 0:45:29.720
<v Speaker 1>the only Shrek movie I have not seen. It turns

0:45:29.760 --> 0:45:32.879
<v Speaker 1>out that came out in No. Seven and already the

0:45:32.880 --> 0:45:36.000
<v Speaker 1>Shrek culture was so such a joke that Tim and

0:45:36.080 --> 0:45:39.200
<v Speaker 1>Eric were the first people to jump on promoting Shrek

0:45:39.239 --> 0:45:42.640
<v Speaker 1>three as a great It's been a joke for well

0:45:42.680 --> 0:45:46.360
<v Speaker 1>over ten years now. Um, and I would recommend watching

0:45:46.360 --> 0:45:49.200
<v Speaker 1>the Tim and Eric Shrek three promovid this one because

0:45:49.200 --> 0:45:55.520
<v Speaker 1>they were issued a cease and desist. That's amazing. Let

0:45:55.640 --> 0:46:01.279
<v Speaker 1>us discuss whether or not the movie passes the Buchtel test. Sure, no,

0:46:01.520 --> 0:46:06.040
<v Speaker 1>not sorry, there were there even on any opportunities when

0:46:06.120 --> 0:46:08.400
<v Speaker 1>were two women in the same scene. I mean in

0:46:08.440 --> 0:46:14.600
<v Speaker 1>the beginning, when all the fairytale creatures are in Shreks swamp,

0:46:14.640 --> 0:46:18.880
<v Speaker 1>there are like a few fairy godmothers. Uh, there's no

0:46:19.040 --> 0:46:21.239
<v Speaker 1>white but she is unconscious. Oh that's the other thing

0:46:21.239 --> 0:46:25.120
<v Speaker 1>I wanted to say. End at the wedding. Oh yeah,

0:46:25.520 --> 0:46:27.680
<v Speaker 1>at the end. So you see her in the beginning

0:46:27.800 --> 0:46:31.759
<v Speaker 1>in like the like glass casket thing, sleeping unconscious, so

0:46:31.880 --> 0:46:35.000
<v Speaker 1>she can't talk um. In the end though, she and

0:46:35.200 --> 0:46:39.839
<v Speaker 1>Cinderella flap each other whenever Fiona is trying to throw okay, yeah,

0:46:40.560 --> 0:46:43.600
<v Speaker 1>perpetuating that like do they talk or do they just

0:46:43.680 --> 0:46:47.520
<v Speaker 1>they do not speak each other because they want the

0:46:47.520 --> 0:46:49.600
<v Speaker 1>book so bad, because because that means they want to

0:46:49.600 --> 0:46:56.279
<v Speaker 1>they'll getting married next god damn it. And then first

0:46:56.280 --> 0:46:59.080
<v Speaker 1>of all, I want to know that, well someone, she's

0:46:59.200 --> 0:47:05.799
<v Speaker 1>probably kissing her consensually. You cannot have consent when you're

0:47:05.800 --> 0:47:07.800
<v Speaker 1>in a coma. That's what we need. A gro shop.

0:47:07.960 --> 0:47:12.040
<v Speaker 1>We've all seen kill Bill. Yeah, no, you will get

0:47:12.480 --> 0:47:16.919
<v Speaker 1>what she she attacks with her mouse Aristotle. Snow White

0:47:16.920 --> 0:47:18.960
<v Speaker 1>comes back in later Shrek movies. Right, she comes back

0:47:18.960 --> 0:47:23.640
<v Speaker 1>in Shrek three. I don't know, she's in the trailer

0:47:23.680 --> 0:47:27.520
<v Speaker 1>for three, so she keeps coming. I mean that she's

0:47:27.560 --> 0:47:31.399
<v Speaker 1>not represented better and and granted, with snow White, you're

0:47:31.400 --> 0:47:34.600
<v Speaker 1>presented with an uphill battle for a moment one sure,

0:47:35.440 --> 0:47:38.400
<v Speaker 1>especially whenever Lord Farquad finds like the magic mirror on

0:47:38.440 --> 0:47:40.600
<v Speaker 1>the wall and he's like, how do I become a king,

0:47:40.640 --> 0:47:42.360
<v Speaker 1>and he's like, you got to marry one of these princesses.

0:47:42.400 --> 0:47:44.759
<v Speaker 1>So he does this whole like Bachelor at number one,

0:47:45.560 --> 0:47:48.200
<v Speaker 1>something like Cinderella is a mentally abused shut in whose

0:47:48.200 --> 0:47:50.839
<v Speaker 1>hobbies are cooking and cleaning for her two evil sisters.

0:47:51.040 --> 0:47:54.520
<v Speaker 1>First of all, probably not have hobbies. Yeah, at least

0:47:54.640 --> 0:47:56.400
<v Speaker 1>say sudn't believe it. I don't know. But then like

0:47:56.480 --> 0:47:58.799
<v Speaker 1>it's kind of like it's like shaming her for it,

0:47:58.880 --> 0:48:01.640
<v Speaker 1>like she's on her fault that she used abused. But

0:48:01.719 --> 0:48:04.160
<v Speaker 1>they're like, oh, she's not a viable cannon because she's

0:48:04.200 --> 0:48:08.040
<v Speaker 1>been abused by men. And then they talk about snow white.

0:48:08.400 --> 0:48:10.719
<v Speaker 1>The joke is, even though she loves with seven other men,

0:48:10.840 --> 0:48:13.960
<v Speaker 1>she's not easy. And then just kiss her dad frozen

0:48:13.960 --> 0:48:16.040
<v Speaker 1>lips and find out what a live wire she is.

0:48:16.440 --> 0:48:21.040
<v Speaker 1>Or don't kiss a sleeping, unconscious woman. Don't ever do that. Yeah,

0:48:21.080 --> 0:48:24.640
<v Speaker 1>and then it's sort of presented or this is was

0:48:24.719 --> 0:48:28.040
<v Speaker 1>my read of the scene that far Quad is pressured

0:48:28.080 --> 0:48:30.640
<v Speaker 1>by the people, you know, his like thugs or whatever

0:48:30.680 --> 0:48:34.360
<v Speaker 1>around him to choose Fiona because she's the least damaged

0:48:34.680 --> 0:48:37.680
<v Speaker 1>sounding of the three. But then the mirror is like,

0:48:37.920 --> 0:48:40.319
<v Speaker 1>but also, wait, I should tell you that thing that

0:48:40.600 --> 0:48:42.920
<v Speaker 1>at that point coming up in forty five minutes, you know.

0:48:43.040 --> 0:48:46.359
<v Speaker 1>And and so he chooses her because she sounds like

0:48:46.680 --> 0:48:50.799
<v Speaker 1>the least bogged down by her circumstances that are not

0:48:51.040 --> 0:48:54.400
<v Speaker 1>her fault. But that's not even true, you know, I

0:48:54.520 --> 0:48:56.600
<v Speaker 1>hate it. Oh. The other thing I wanted to point

0:48:56.640 --> 0:49:00.560
<v Speaker 1>out is that Shrek rescues Fiona a night passes. The

0:49:00.600 --> 0:49:03.480
<v Speaker 1>next day, like they got off to a rocky start,

0:49:03.560 --> 0:49:08.000
<v Speaker 1>he keeps throwing her on the ground. It The next

0:49:08.040 --> 0:49:12.200
<v Speaker 1>day she kills a bird with her voice and then

0:49:12.239 --> 0:49:18.680
<v Speaker 1>steals the bird. She steals the eggs and like cooks them.

0:49:18.719 --> 0:49:21.239
<v Speaker 1>And her way of like making a nice gesture to

0:49:21.280 --> 0:49:23.480
<v Speaker 1>be like, hey, let's make amends is to cook them

0:49:23.560 --> 0:49:29.160
<v Speaker 1>food he cooks for her later. True, like the weed

0:49:29.239 --> 0:49:32.359
<v Speaker 1>rat weed rats. Right, So I let that go on

0:49:32.400 --> 0:49:35.799
<v Speaker 1>the basis that he reciprocated it. Okay, that's fair. But

0:49:35.920 --> 0:49:39.080
<v Speaker 1>I was just like, oh, she's doing good domestic chore, right,

0:49:39.280 --> 0:49:41.319
<v Speaker 1>and maybe in you know, she probably conditioned to think

0:49:41.320 --> 0:49:44.080
<v Speaker 1>that's what you should do, right, right. I wondered where

0:49:44.120 --> 0:49:46.400
<v Speaker 1>she would cook in that that space she was in

0:49:46.520 --> 0:49:50.680
<v Speaker 1>for so long. Yeah, did she have access to a kitchen. Well,

0:49:50.680 --> 0:49:54.440
<v Speaker 1>in the musical, she says she had a hot plate. Okay, good,

0:49:55.040 --> 0:49:59.799
<v Speaker 1>I mean I worry about these things in a chamber poto.

0:50:00.120 --> 0:50:02.360
<v Speaker 1>Oh no, no she yeah, she says I had no toilet.

0:50:02.480 --> 0:50:05.560
<v Speaker 1>That was a lot. Well, it sounds like the musical

0:50:05.560 --> 0:50:07.480
<v Speaker 1>I answered a lot of questions I have about you

0:50:07.640 --> 0:50:10.840
<v Speaker 1>gotta watch it. Uh so. Yeah, the movie does not

0:50:10.880 --> 0:50:12.920
<v Speaker 1>pass the back to test. Doesn't even come close. There

0:50:12.920 --> 0:50:18.160
<v Speaker 1>are never in the same scene at any point. Let's

0:50:18.200 --> 0:50:21.000
<v Speaker 1>write the movie on her nipple scale zero five nipples

0:50:21.040 --> 0:50:23.480
<v Speaker 1>based on its portrayal of women. I'm going to give

0:50:23.520 --> 0:50:26.960
<v Speaker 1>it like a one like. It does not do well

0:50:27.080 --> 0:50:31.600
<v Speaker 1>for me. Between her only ambition is to fall in

0:50:31.600 --> 0:50:36.120
<v Speaker 1>love with a man and be rescued by him. Doesn't

0:50:36.160 --> 0:50:38.120
<v Speaker 1>matter even who it is. She's just like, I just

0:50:38.160 --> 0:50:40.520
<v Speaker 1>need a man to save me and kiss me. That's

0:50:40.520 --> 0:50:44.520
<v Speaker 1>really her only ambition pretty much throughout, and eventually you know,

0:50:44.600 --> 0:50:46.839
<v Speaker 1>she finds someone who she might like, even though like

0:50:47.160 --> 0:50:50.479
<v Speaker 1>are they compatible? I don't know. That remains her whole

0:50:50.600 --> 0:50:54.239
<v Speaker 1>goal throughout the movie. And Shrek is a misogynst piece

0:50:54.280 --> 0:50:57.719
<v Speaker 1>of ship. Donkey isn't much better the treatment and women

0:50:57.840 --> 0:51:01.200
<v Speaker 1>is just bad. Yeah, it's no there's no getting around it.

0:51:01.880 --> 0:51:08.960
<v Speaker 1>So one nipple it belongs to donkey weird because I

0:51:09.000 --> 0:51:13.480
<v Speaker 1>like to give animal. Okay, I'm gonna red like Jalen

0:51:14.239 --> 0:51:17.200
<v Speaker 1>like another one on his chest. I wonder how many

0:51:17.360 --> 0:51:21.440
<v Speaker 1>nipples donkeys have? Do they have stay tuned for donkeys?

0:51:23.560 --> 0:51:27.040
<v Speaker 1>I don't even know how that works. Is it for Trude?

0:51:27.040 --> 0:51:33.640
<v Speaker 1>More if you're a certain donkey right to teeths on

0:51:33.719 --> 0:51:39.120
<v Speaker 1>Google and she didn't say two nipples, one donkey teeth

0:51:39.480 --> 0:51:44.200
<v Speaker 1>kitalin here panda nipple on the donkey, I'm gonna have

0:51:44.280 --> 0:51:47.960
<v Speaker 1>to say I give it a one too, because even

0:51:48.000 --> 0:51:51.600
<v Speaker 1>though it's the old tale of you know, the princess

0:51:51.640 --> 0:51:54.600
<v Speaker 1>needs to get married and that's her one thought, it's

0:51:54.640 --> 0:51:59.880
<v Speaker 1>also motivated by her looks. Because if I do it

0:52:00.000 --> 0:52:01.520
<v Speaker 1>that I don't, I don't have to be an ogre

0:52:01.560 --> 0:52:04.759
<v Speaker 1>anymore at night. So it's just like an extra one

0:52:04.880 --> 0:52:08.720
<v Speaker 1>to punch into into my nipples. And that one nipple

0:52:08.840 --> 0:52:12.440
<v Speaker 1>I will put on. I guess far quad is that

0:52:12.560 --> 0:52:15.640
<v Speaker 1>you see his nipple in the movie he's like sitting

0:52:15.680 --> 0:52:19.960
<v Speaker 1>in bed topless, remember that. Yeah, it's when he's like reh,

0:52:20.000 --> 0:52:22.560
<v Speaker 1>he's probably jerking off because it's when he's looking at

0:52:22.560 --> 0:52:24.439
<v Speaker 1>the magic mirror on the wall and he's like, show

0:52:24.520 --> 0:52:27.320
<v Speaker 1>me again, and it like rewinds, just like a picture

0:52:27.320 --> 0:52:30.040
<v Speaker 1>of her, and he's like in his bed, not wearing

0:52:30.040 --> 0:52:37.400
<v Speaker 1>a shirt, jerking too. Yeah, um, remember that character you see?

0:52:37.480 --> 0:52:40.200
<v Speaker 1>And I think, no, the mirror, the mirror. I think

0:52:40.239 --> 0:52:43.400
<v Speaker 1>the mirror is in snow white. And I saw that

0:52:43.400 --> 0:52:45.600
<v Speaker 1>too because I was like, shouldn't it be a female character?

0:52:45.719 --> 0:52:49.680
<v Speaker 1>But but I tried to go that's why he was.

0:52:49.800 --> 0:52:52.640
<v Speaker 1>He was saying those things about the princesses. Something I

0:52:52.719 --> 0:52:55.000
<v Speaker 1>could have subverted but chose not to, chose not to

0:52:56.200 --> 0:52:58.000
<v Speaker 1>or It's not like they're like, hey, should we subvert

0:52:58.080 --> 0:53:00.160
<v Speaker 1>this or not. They probably didn't even think of it.

0:53:00.200 --> 0:53:01.919
<v Speaker 1>They're probably just like, well, well, my friends a guy,

0:53:02.040 --> 0:53:04.759
<v Speaker 1>I would like to give him a job. I'm gonna

0:53:04.800 --> 0:53:09.760
<v Speaker 1>put the nipple on them there actually right, So, speaking

0:53:09.800 --> 0:53:12.880
<v Speaker 1>as a as as a woman who has been sexually

0:53:12.920 --> 0:53:17.040
<v Speaker 1>rejected by a far quad and a local production at

0:53:17.400 --> 0:53:21.120
<v Speaker 1>the musical, I'd like to give this movie one nipple

0:53:21.520 --> 0:53:24.200
<v Speaker 1>in terms of its female portrayal and in terms of

0:53:24.320 --> 0:53:28.239
<v Speaker 1>how it's uh far quads respond to twenty two year

0:53:28.280 --> 0:53:31.839
<v Speaker 1>old women sexually interested in them. Uh No, But I mean,

0:53:31.880 --> 0:53:34.279
<v Speaker 1>it's just there's no there's no getting around it. There's

0:53:34.320 --> 0:53:38.560
<v Speaker 1>no really redeeming female character. So it's even worse than

0:53:38.719 --> 0:53:41.840
<v Speaker 1>most movies we encounter where you know, a popular summer

0:53:41.880 --> 0:53:44.680
<v Speaker 1>movie usually includes one female character who might be great

0:53:44.760 --> 0:53:46.600
<v Speaker 1>and have has agency, but there's no one for her

0:53:46.640 --> 0:53:48.640
<v Speaker 1>to talk to. Not only is there no one for

0:53:48.680 --> 0:53:52.160
<v Speaker 1>Fiona to talk to, but her character is completely half

0:53:52.160 --> 0:53:57.040
<v Speaker 1>baked as well. Uh that said, watch Shrek the Musical. Uh,

0:53:57.080 --> 0:53:59.839
<v Speaker 1>there's a really there's literally a lot of amazing work done.

0:54:00.000 --> 0:54:02.879
<v Speaker 1>I encourage you to foster Shrek feminism of your own,

0:54:02.960 --> 0:54:07.799
<v Speaker 1>reclaim what Shrek has denied you. Yes, indeed, yes, um,

0:54:07.800 --> 0:54:11.200
<v Speaker 1>and I will give I will give my nipple to

0:54:12.360 --> 0:54:17.400
<v Speaker 1>Sutton Foster as Princess Fiona and Shrek the Musical. Sure. Yeah,

0:54:17.880 --> 0:54:20.000
<v Speaker 1>thank you so much for being here. Thank you, thank

0:54:20.000 --> 0:54:22.080
<v Speaker 1>you so much for having me. Certainly, where can people

0:54:22.080 --> 0:54:26.200
<v Speaker 1>follow you online? You can find me at Otsco Comedy,

0:54:26.320 --> 0:54:30.520
<v Speaker 1>on Instagram, Twitter, I'm on all the all the platforms.

0:54:30.719 --> 0:54:34.000
<v Speaker 1>On the platforms, just it'll pop up. If you start

0:54:34.040 --> 0:54:37.960
<v Speaker 1>typing my very Japanese, um, just a T s U

0:54:38.040 --> 0:54:42.839
<v Speaker 1>k O, it'll pop up. She's very searchical. You can

0:54:42.880 --> 0:54:47.560
<v Speaker 1>follow us on all the platforms well, Twitter, Instagram, Facebook,

0:54:47.600 --> 0:54:49.759
<v Speaker 1>and go to our website back toolcast dot com. For

0:54:49.840 --> 0:54:54.480
<v Speaker 1>sure you can find upcoming live shows, including our one

0:54:54.560 --> 0:54:58.840
<v Speaker 1>year anniversary live show at the Nerds show Room at

0:54:58.880 --> 0:55:02.440
<v Speaker 1>Meltdown Comics. How did you get that? Oh? I don't know.

0:55:02.520 --> 0:55:07.600
<v Speaker 1>Maybe program director of that venue and Dante. Maybe she

0:55:07.680 --> 0:55:10.520
<v Speaker 1>put that show up where I don't know. Uh So

0:55:10.719 --> 0:55:14.920
<v Speaker 1>check that out. It's on December two at seven pm.

0:55:15.120 --> 0:55:20.560
<v Speaker 1>Details forthcoming specially guest special movie will for Billina be there.

0:55:21.080 --> 0:55:24.600
<v Speaker 1>I haven't talked about Alfred Millina all day. God, okay, well,

0:55:24.840 --> 0:55:26.560
<v Speaker 1>Alfred Millina, I don't care what he was doing at

0:55:26.560 --> 0:55:28.160
<v Speaker 1>this time. He was like, I'm too, I don't I

0:55:28.200 --> 0:55:31.040
<v Speaker 1>don't funk with DreamWorks. I think that's what Alfred Mallina

0:55:31.080 --> 0:55:33.920
<v Speaker 1>would say, for sure, just putting words in his dignified

0:55:34.239 --> 0:55:39.120
<v Speaker 1>talented mountain. Also watch Rat Teens on the Cafe streaming

0:55:39.160 --> 0:55:43.160
<v Speaker 1>platform is my new cartoon about teenage rats. It's wonderful,

0:55:43.600 --> 0:55:47.920
<v Speaker 1>Thank you and um Happily ever After.