WEBVTT - Fat Joe

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<v Speaker 1>R and B money.

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<v Speaker 2>We are.

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<v Speaker 1>Take Malachi. We are the authority on R and B

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<v Speaker 1>Ladies and gentlemen. My name is Tank Valentine. This the

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<v Speaker 1>all N B money buck eyes Yeah, real R and B.

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<v Speaker 1>The authority told them the ship. Well all things R

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<v Speaker 1>and B fighties and gentlemen. Today we have a guy

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<v Speaker 1>my friends. Uh, it's in his blood, in his blood,

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<v Speaker 1>that sen his blood. Every every birthday, every birthday.

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<v Speaker 3>I fight time when you can we wind the time

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<v Speaker 3>because hello, Sally's that's.

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<v Speaker 1>Why fight the time when you you can readwind?

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<v Speaker 3>Why look brand new?

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<v Speaker 1>Bro? Let me say something every every time I've before, now,

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<v Speaker 1>before we've gotten into business together, every time I've ever

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<v Speaker 1>seen you and met you, it's always been about inclusion.

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<v Speaker 1>It's always been about putting your arms around and making

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<v Speaker 1>sure that everybody feels welcome, that you are giving the

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<v Speaker 1>greetings and giving the love. And I've never seen anything different.

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<v Speaker 3>That's just who I am, you know what I'm saying.

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<v Speaker 3>So I'm I'm I like being happy and I want

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<v Speaker 3>to make sure my people happy. Yeah, And so that's

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<v Speaker 3>what it's all about. And so the days of you know,

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<v Speaker 3>we can talk about a lot of shit. We going

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<v Speaker 3>there now off rip. I never liked the major label

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<v Speaker 3>record companies. I never liked how they did our artists

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<v Speaker 3>from the past. I remember they used to they used

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<v Speaker 3>to put Old School at Noon tours together and they

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<v Speaker 3>have guys twenty two, twenty one, twenty three on tour

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<v Speaker 3>calling them old School at Noon. So if you get

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<v Speaker 3>dropped off a major label, they automatically call you old

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<v Speaker 3>School at Noon. But you're only twenty three. Yeah, you know,

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<v Speaker 3>you got these guys and I don't want to say

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<v Speaker 3>their names because really they're really legendary to me, but

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<v Speaker 3>they would have them on Old School at Noon tours

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<v Speaker 3>and shit like that. So I made a note of it.

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<v Speaker 3>I say, yo, listen, they gonna do me the same way.

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<v Speaker 3>So I got to make sure to diversify and make

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<v Speaker 3>sure I get to it. And I love seeing my

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<v Speaker 3>fellow artists look good like you look good.

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<v Speaker 1>You know.

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<v Speaker 3>I was in Beverly Hill's and you know, I'm good

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<v Speaker 3>friends with Johnny Gill and he pulled up in the

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<v Speaker 3>boys boy yard back. I was like, you know, I

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<v Speaker 3>want all my guys looking good, making money getting there.

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<v Speaker 3>That's what it's all about for me. It's never been

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<v Speaker 3>about just me. You know when the kid plays, he'd

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<v Speaker 3>be like, my boy, my boy never been like that

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<v Speaker 3>with me. Had been about everybody eating. Inclusion is all

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<v Speaker 3>all I'm about.

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<v Speaker 1>Bro, You've navigated thirty plus successful.

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<v Speaker 3>Years in this shit pretty crazy.

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<v Speaker 1>Really crazy. It doesn't happen right, and like it's not.

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<v Speaker 1>It's not. You're at the thirtieth year and we're we're

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<v Speaker 1>seeing some fall off. No, you know, you're you're you're

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<v Speaker 1>in a thirtieth year looking like Lebron as I would

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<v Speaker 1>like to say, yeah, Lebron and it's twenty first.

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<v Speaker 3>You know that's Lebron amazes me. You know, to be

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<v Speaker 3>in that shape, still be competitive, but you're in that shape. Yeah,

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<v Speaker 3>I don't want a better shape. Well, you know, God

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<v Speaker 3>is pushing me through it. And so what people got

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<v Speaker 3>to know is that I put my hands in God.

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<v Speaker 3>You know, when people try to, you know, say cancel

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<v Speaker 3>me or or start some shit, I don't even worry.

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<v Speaker 3>I just know God is going to push me through

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<v Speaker 3>because you know where my heart is. Everything, everything's the journey.

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<v Speaker 3>You know, it can't faster for certain people, came slower

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<v Speaker 3>for certain people. But it really is, like Nipsey said,

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<v Speaker 3>this this career thing is really a marathon. And so

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<v Speaker 3>it just keep going and keep going, and who knows,

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<v Speaker 3>something leads to something, something leads to something, you know,

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<v Speaker 3>and then you know it used to be when we started,

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<v Speaker 3>it was about, you know, I used to be with

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<v Speaker 3>Biggie Smalls every day recipes b ig twenty seven years

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<v Speaker 3>and we never took pictures because that was considered sucker

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<v Speaker 3>shit at that time, right, And now I take pictures

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<v Speaker 3>of anything, like I'll be sitting parking the car, like, yo,

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<v Speaker 3>take a pic because we got to capture the moment.

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<v Speaker 3>But when I came up, it was all about if

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<v Speaker 3>you win the club. You would see Fat Joe. You

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<v Speaker 3>would think, yo, I can't talk to this guy. Yeah,

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<v Speaker 3>you know, I got the gangsters around me. I'm standing

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<v Speaker 3>there like, don't look. Because that's what the wave was

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<v Speaker 3>at the time. And so during COVID, everybody stuck home.

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<v Speaker 3>They allowed me to turn on the IG Live and

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<v Speaker 3>show people my real person nine because they knew lean back,

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<v Speaker 3>they knew the songs, they didn't really know Fat Joe

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<v Speaker 3>the personality. And even at that time when we would

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<v Speaker 3>go do interviews, it was like we had to be

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<v Speaker 3>real guarded. You know, you got the the Wendy Williams,

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<v Speaker 3>the Miss Jones ebro at one time where they're all

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<v Speaker 3>trying to jam you up. You know, no disrespect y'all,

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<v Speaker 3>but you know that's where that's where our interviews was.

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<v Speaker 3>So all of us had to put up those little

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<v Speaker 3>invisible bars. So during the COVID it was like, all right,

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<v Speaker 3>everybody the fuck out anyway, laugh Joe, Joe jokes, play

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<v Speaker 3>the Jones girls, you know what I'm saying. You know,

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<v Speaker 3>I'm starting to ship with the Jones girls every every

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<v Speaker 3>day and to try to on to check it to

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<v Speaker 3>everybody like oh shit, I ain't No. Fat Joe was

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<v Speaker 3>like this. But and so you never know where this

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<v Speaker 3>journey gonna take you because it just opened so many

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<v Speaker 3>different doors, you know what I'm saying. Like I never

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<v Speaker 3>thought when I was hustling on the block, I'd be

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<v Speaker 3>selling men's hair grooming products all over the world. But

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<v Speaker 3>we're doing it with trapping.

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<v Speaker 1>Trapped.

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<v Speaker 3>It's scary out here.

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<v Speaker 1>Let's go back there, uh, Fat Joe to the to

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<v Speaker 1>the Bronx sho did Little Joe desire to be a

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<v Speaker 1>rapper a mobile in that sense and entertained?

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<v Speaker 3>Let me tell you a story I told a million times,

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<v Speaker 3>but I'm gonna tell you I remember being taught. First

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<v Speaker 3>of all, it wasn't for young people. There was no Instagram,

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<v Speaker 3>the biggest we could think of with Sanford and Son

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<v Speaker 3>and George Jefferson. We ain't see nobody else that look

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<v Speaker 3>like us. And I'm in the Bronx and I hate

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<v Speaker 3>to tell y'all, but it was like a war zone.

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<v Speaker 3>It was like Ukraine. Pronce was fucked up. It wasn't

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<v Speaker 3>no real buildings or nothing, no playgrounds. And I remember

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<v Speaker 3>sitting out there with my boy Louis one day, twelve

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<v Speaker 3>years old, and I was like, Yo, this broke shit.

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<v Speaker 3>This ain't for me. He was looking at me like

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<v Speaker 3>what I was like, Yo, bro I'm not gonna be broke,

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<v Speaker 3>you know. And so I always remember that moment where

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<v Speaker 3>it was in my DNA that I knew there was

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<v Speaker 3>more for me out there. I didn't know what it was.

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<v Speaker 3>So I was out in the street getting a bunch

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<v Speaker 3>of money, you know. He tried to kill me maybe

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<v Speaker 3>thirty forty times, literally, like the bullet had my name

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<v Speaker 3>on it, shooting at Fat Joey. And so my man

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<v Speaker 3>Diamond D from d TC stepped to me and said yo, Joe, man,

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<v Speaker 3>you gotta you gotta change your life and they're gonna

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<v Speaker 3>kill you out.

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<v Speaker 1>Are you rapping at this point? You're not right? But

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<v Speaker 1>this is your guys.

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<v Speaker 3>You really have to understand. Fat Joe was born. So

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<v Speaker 3>you know the Muslims they go to Saudi Arabia to

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<v Speaker 3>go to mech Yeah. I literally there's just just no

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<v Speaker 3>way a line, there's no way to doing it. I

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<v Speaker 3>literally was born in the birth place of hip hop. No,

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<v Speaker 3>not on the West Side, not on the East Side,

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<v Speaker 3>not on this Grandmaster Flash was out my window DJ

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<v Speaker 3>and every day Melle Mail was playing pickup games of basketball.

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<v Speaker 3>Ruby d the first Latino I MC, Shot Rock the

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<v Speaker 3>first female MC. They af from a hood, my hood,

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<v Speaker 3>like the inception of hip hop. You know, first time

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<v Speaker 3>somebody probably broke dance or this. That's my hood, right,

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<v Speaker 3>so I'm watching it. So I've been to hip hop

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<v Speaker 3>since I was born. I did everything from MC to

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<v Speaker 3>break dance to graffiti, right, I did the whole culture.

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<v Speaker 3>Thing only thing I could never do good was DJ.

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<v Speaker 3>It's the only thing I could never DJ. Wright and

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<v Speaker 3>I used to try, but and so it was either

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<v Speaker 3>hustle or hip hop. So my man Diamond d was

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<v Speaker 3>on already Lort and That's was on and Diamond was like, Yo,

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<v Speaker 3>let's go to the studio. I'll pay Joe.

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<v Speaker 1>So we went in there.

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<v Speaker 3>We made a demo that became my first single, flow Joe,

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<v Speaker 3>that went number one in America, single song.

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<v Speaker 1>Recorded first, So.

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<v Speaker 3>Yeah, it went out the park.

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<v Speaker 1>That's crazy.

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<v Speaker 3>It went out the park number one in America. Our cio.

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<v Speaker 1>Out the project, not even first out in the project.

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<v Speaker 3>I'm still in the project, you know. I moved out

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<v Speaker 3>the projects because I was getting money before I rapped.

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<v Speaker 3>But I was in the project to about my second album,

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<v Speaker 3>and when it's when I realized, all righty, you you're

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<v Speaker 3>rap star now and they starting to view you a

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<v Speaker 3>little different. So for me, I would have still been

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<v Speaker 3>in the projects right now, you know. But it got

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<v Speaker 3>to where it was a lot of jealousy. It was,

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<v Speaker 3>you know, I got up in the project showing them

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<v Speaker 3>I ain't changed. I'm still fat Joe. And then it

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<v Speaker 3>just got to the point where I realized, I was like, damn,

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<v Speaker 3>you know, we one day we had a riot in

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<v Speaker 3>the project because of me, right, So I basically I

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<v Speaker 3>used to run the projects like you know, King of Zamonga,

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<v Speaker 3>you know what I'm saying. And then I became a rapper,

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<v Speaker 3>so now they're seeing me on TV and all that,

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<v Speaker 3>so they started to looking at me like I changed.

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<v Speaker 3>I went soft. I'm a rapper. I can't punch you

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<v Speaker 3>in your face. I can't.

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<v Speaker 1>You know, you know I'm aper.

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<v Speaker 3>No, no, no, I'm a rapper. Of course I can't

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<v Speaker 3>punch you in like you know, you know what I'm saying.

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<v Speaker 3>So it's like it got to that point. And then

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<v Speaker 3>one day we had like half the projects fight half

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<v Speaker 3>the projects because some dude told me, like, Yo, the

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<v Speaker 3>fuck you think you're doing that? I smacked his cheek

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<v Speaker 3>off real quick.

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<v Speaker 1>Bomb.

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<v Speaker 3>I didn't even think about it. I left, you know it.

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<v Speaker 3>It was just a normal currence to me. I left,

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<v Speaker 3>I came back. Then there was a dude there that

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<v Speaker 3>I grew up with his kindergarten and he was angry

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<v Speaker 3>and I don't even say his name. I said, Yo, Pito,

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<v Speaker 3>what's up? PTOs that he was the name fat Pito,

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<v Speaker 3>Fat Joe, Fatito. We grew up since kindergarten. What you mean,

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<v Speaker 3>what's up, nigga?

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<v Speaker 1>What's up?

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<v Speaker 3>You snapped? That was my brother in law. You slap,

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<v Speaker 3>and he swung on me and that's not suggested right,

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<v Speaker 3>and so swung on me. Miss I almost let him

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<v Speaker 3>get away with it. I almost let him get away

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<v Speaker 3>with it. I backed up. I went in the car.

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<v Speaker 3>I never forget I tell you this story, Rich, I

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<v Speaker 3>never forget. My brother full Flex stopped me and said, Yo, Joe,

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<v Speaker 3>I know it's speed though, but you know if you

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<v Speaker 3>walk away right now, they ain't gonna respect you like

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<v Speaker 3>that in the hood no more. I said, damn, but

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<v Speaker 3>it's Peto. He said, Yo, bro, it's up to you.

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<v Speaker 3>I know it's feet though. He was telling me, like,

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<v Speaker 3>I know you don't want to do nothing to Beto.

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<v Speaker 3>You know what I'm saying. Someone in the trunk. I

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<v Speaker 3>pulled out the shots. You remember they used to add

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<v Speaker 3>the yellow shots, the big Michellan shit.

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<v Speaker 1>Yeah, I know, exact household it.

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<v Speaker 3>I started beating beat though up with the Michelan shit,

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<v Speaker 3>and then the whole whoever was jealous of Fat Joe

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<v Speaker 3>Fort Fat Joe that day, whoever was my real brothers

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<v Speaker 3>in the projects Fort dumb So it was half of

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<v Speaker 3>the projects again, I mean, fifty guys a getting like

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<v Speaker 3>everybody going up. Brothers was fighting brothers and my brother

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<v Speaker 3>Hard Power. Oh he was fighting my brother Gizmo, who

0:12:25.880 --> 0:12:29.760
<v Speaker 3>started TS. TS went with Gizmo went with the other side.

0:12:29.920 --> 0:12:32.640
<v Speaker 3>So it was like all our life we knew each other.

0:12:32.720 --> 0:12:35.280
<v Speaker 3>We all had like a big riot because they was

0:12:35.360 --> 0:12:37.880
<v Speaker 3>defending me. They was like, fuck that, Joey, Joey'll brother,

0:12:38.679 --> 0:12:40.240
<v Speaker 3>you know what I'm saying. Then the other half it

0:12:40.400 --> 0:12:41.280
<v Speaker 3>was a little bit jealous.

0:12:41.320 --> 0:12:43.240
<v Speaker 1>We had to we did.

0:12:43.360 --> 0:12:46.160
<v Speaker 3>We won for sure, you know what I'm saying. And

0:12:46.280 --> 0:12:49.760
<v Speaker 3>then and then you know, but that taught me like, man,

0:12:49.800 --> 0:12:52.000
<v Speaker 3>you can't really get out of here like that. On Man,

0:12:52.040 --> 0:12:54.640
<v Speaker 3>these guys are seeing you on TV, and so it's

0:12:54.800 --> 0:12:58.840
<v Speaker 3>not your perception of dumb changes a lot of times,

0:12:58.920 --> 0:13:02.320
<v Speaker 3>you know, as an artist, people's perception if you change,

0:13:03.160 --> 0:13:05.199
<v Speaker 3>and so you can still be the same person. You

0:13:05.320 --> 0:13:07.959
<v Speaker 3>the same you know, we all kids at heart, but

0:13:08.160 --> 0:13:11.040
<v Speaker 3>they start looking at you different, and so you know,

0:13:12.000 --> 0:13:13.440
<v Speaker 3>you know, that's that's what happens.

0:13:13.920 --> 0:13:18.160
<v Speaker 1>Wow, is I'm sure there's a moment. I'm sure there's

0:13:18.240 --> 0:13:21.200
<v Speaker 1>that moment in other moments where it's like you are

0:13:21.400 --> 0:13:25.880
<v Speaker 1>graduating to a place of success on a different side,

0:13:26.600 --> 0:13:31.640
<v Speaker 1>but there's this urge to maintain the street credibility, the

0:13:31.679 --> 0:13:32.600
<v Speaker 1>street credibility.

0:13:32.679 --> 0:13:34.760
<v Speaker 3>Did that we put it down in this game, like

0:13:34.880 --> 0:13:37.280
<v Speaker 3>in this in this rap game without saying no names,

0:13:37.280 --> 0:13:39.840
<v Speaker 3>because I'm cool with a lot of people, not even

0:13:39.920 --> 0:13:43.079
<v Speaker 3>cool brothers, but we we smashed anybody who tried to

0:13:43.120 --> 0:13:46.360
<v Speaker 3>fuck with us, like literally everybody who try to fuck

0:13:46.400 --> 0:13:46.679
<v Speaker 3>with us.

0:13:47.920 --> 0:13:53.000
<v Speaker 1>And this is all yeah, yeah, none of this can

0:13:53.040 --> 0:13:56.520
<v Speaker 1>be used none of all what I'm saying, none of

0:13:56.559 --> 0:13:58.840
<v Speaker 1>this can use against.

0:14:04.080 --> 0:14:08.000
<v Speaker 3>It's been so it was like, you gotta understand hip hop.

0:14:08.120 --> 0:14:12.320
<v Speaker 3>They ain't no PhD, they ain't no bachelorists degree. It's

0:14:12.440 --> 0:14:15.440
<v Speaker 3>like you got a bunch of guys that could rap.

0:14:16.920 --> 0:14:19.160
<v Speaker 3>They probably normally wouldn't even have a career on a

0:14:19.320 --> 0:14:22.360
<v Speaker 3>job if they didn't know how to rap. They aunt

0:14:22.400 --> 0:14:25.880
<v Speaker 3>to Rogers, everybody who just came home from jail. Everybody

0:14:26.000 --> 0:14:29.080
<v Speaker 3>think they tough. Everybody did so every now and then

0:14:29.160 --> 0:14:33.520
<v Speaker 3>you gotta like reassure them that this is what happens.

0:14:34.600 --> 0:14:36.760
<v Speaker 2>It's interesting for me because me growing up in the

0:14:36.800 --> 0:14:40.640
<v Speaker 2>Bay Area, I always I watched I watched you as

0:14:40.680 --> 0:14:43.520
<v Speaker 2>a kid, and I watched your career and it was

0:14:44.560 --> 0:14:48.960
<v Speaker 2>very parallel to e forties for me. I think on

0:14:49.080 --> 0:14:52.320
<v Speaker 2>the East Coast forty because I know him so well,

0:14:52.360 --> 0:14:54.560
<v Speaker 2>that's my guy, and I'm watching you on the whole

0:14:54.600 --> 0:14:55.520
<v Speaker 2>other side of the country.

0:14:55.560 --> 0:14:58.960
<v Speaker 1>I'm like, this is very familiar to me. Yeah, it

0:14:59.080 --> 0:15:00.320
<v Speaker 1>is very familiar to me.

0:15:00.840 --> 0:15:03.400
<v Speaker 2>Like and it was funny because and even and even

0:15:03.520 --> 0:15:07.600
<v Speaker 2>how it's how it's uh come to life now later

0:15:07.680 --> 0:15:10.800
<v Speaker 2>in your career, businessman, business life. But you guys were

0:15:10.880 --> 0:15:14.560
<v Speaker 2>always independent. You guys always had your wife with you.

0:15:15.000 --> 0:15:18.160
<v Speaker 2>It was also it was it was watching a man

0:15:18.280 --> 0:15:21.600
<v Speaker 2>do business right, because we have a lot of little

0:15:21.640 --> 0:15:25.440
<v Speaker 2>boys in this industry. It's very few men who are

0:15:25.480 --> 0:15:29.880
<v Speaker 2>handling their business and who are approaching everything as a man.

0:15:30.080 --> 0:15:34.160
<v Speaker 1>First, all we asked is men is respect. We're not

0:15:34.200 --> 0:15:36.680
<v Speaker 1>trying to say nobody, We're not trying to disrespect nobody.

0:15:36.760 --> 0:15:39.160
<v Speaker 3>This is what this is about. Yeah, So the only

0:15:39.240 --> 0:15:41.440
<v Speaker 3>reason I come to do a podcast, so I do

0:15:41.640 --> 0:15:43.800
<v Speaker 3>my own talk show or whatever the case may be,

0:15:44.400 --> 0:15:47.320
<v Speaker 3>is transparency. Yes, you know, we got people who look

0:15:47.400 --> 0:15:49.920
<v Speaker 3>up to us, whether they're R and B, whether they're rappers,

0:15:50.600 --> 0:15:53.760
<v Speaker 3>and they got to hear these type of stories. They

0:15:53.840 --> 0:15:57.400
<v Speaker 3>gotta hear these business moves, they gotta hear how fat

0:15:57.440 --> 0:16:00.520
<v Speaker 3>you'oin fifty are friends now brothers when they was trying

0:16:00.520 --> 0:16:01.120
<v Speaker 3>to kill each other.

0:16:01.280 --> 0:16:01.840
<v Speaker 1>They got here.

0:16:04.560 --> 0:16:07.880
<v Speaker 3>I was there, I was going, but not they even

0:16:08.000 --> 0:16:10.680
<v Speaker 3>dwell on that. But I'm just saying they got to

0:16:10.720 --> 0:16:13.200
<v Speaker 3>see the growth so they can know, you know, like

0:16:13.520 --> 0:16:17.480
<v Speaker 3>even Fat Joe, I'm a dreamer, I'm a believer. But

0:16:18.720 --> 0:16:20.440
<v Speaker 3>if somebody does it. You know, I used to go

0:16:20.520 --> 0:16:22.920
<v Speaker 3>to puff Daddy's house and just stare at the walls,

0:16:23.400 --> 0:16:26.240
<v Speaker 3>to the ceilings and the marble and be like, yo,

0:16:26.320 --> 0:16:29.200
<v Speaker 3>we could get ship like this, you know, or someone

0:16:29.280 --> 0:16:32.160
<v Speaker 3>I hear a deal. You know, fifty cent just closed

0:16:32.200 --> 0:16:35.760
<v Speaker 3>this TV show man. We could do that. And so

0:16:35.960 --> 0:16:38.240
<v Speaker 3>I've always looked at everything like I got to see

0:16:38.280 --> 0:16:41.520
<v Speaker 3>it to believe it, and from a lens of not jealousy,

0:16:42.000 --> 0:16:46.360
<v Speaker 3>but inspiration. And so that's what's so important about outlets

0:16:46.520 --> 0:16:49.440
<v Speaker 3>like this. It's like we got to share that information

0:16:49.600 --> 0:16:52.920
<v Speaker 3>with the youth. Has somebody broke down to me when

0:16:53.000 --> 0:16:56.320
<v Speaker 3>I was a young kid wilding in the industry and

0:16:56.440 --> 0:16:59.200
<v Speaker 3>all like, yo, bro, this ain't good for business. Somebody,

0:16:59.320 --> 0:17:01.880
<v Speaker 3>I really rest of the known out of switch right there.

0:17:02.520 --> 0:17:04.320
<v Speaker 3>I would it would have saved me a bunch of

0:17:04.840 --> 0:17:08.760
<v Speaker 3>paying bells, paying rents, you know, you know, I was

0:17:08.800 --> 0:17:11.719
<v Speaker 3>going MTV Awards that that year, not even that all

0:17:11.760 --> 0:17:14.119
<v Speaker 3>them year awards. I had bet for fifty, so I

0:17:14.200 --> 0:17:16.800
<v Speaker 3>have to fly in with fifty guys. I had to

0:17:16.880 --> 0:17:20.520
<v Speaker 3>put fifty guys in fifty old towels. You know, we

0:17:20.680 --> 0:17:24.800
<v Speaker 3>popped in fifty bottles, hundred bottles. You know that's that's

0:17:24.840 --> 0:17:30.040
<v Speaker 3>a big purse. You the boss, sit down there. The

0:17:30.160 --> 0:17:33.040
<v Speaker 3>wars real because the last thing you want is to

0:17:33.800 --> 0:17:37.040
<v Speaker 3>get caught off point. So you got to be right

0:17:37.640 --> 0:17:40.600
<v Speaker 3>so that all that ship costs. So it's for the

0:17:41.200 --> 0:17:43.960
<v Speaker 3>the youth to understand. Don't get involved in that.

0:17:44.200 --> 0:17:44.840
<v Speaker 1>You know what I'm saying.

0:17:44.880 --> 0:17:48.080
<v Speaker 3>We get we we we pray to God right. First

0:17:48.160 --> 0:17:51.679
<v Speaker 3>of all, God is everything to meet. God is everything right,

0:17:52.359 --> 0:17:54.919
<v Speaker 3>and so we pray to God to get us out

0:17:54.960 --> 0:17:59.880
<v Speaker 3>of these terrible situations. And then once you're there, everybody

0:18:00.160 --> 0:18:03.719
<v Speaker 3>race to see how they how they asshole? You ever

0:18:03.840 --> 0:18:07.240
<v Speaker 3>watched them? How many you want a ward? Shows? You watch?

0:18:07.560 --> 0:18:10.800
<v Speaker 3>And whoever's hot at the time, it's their chance to

0:18:10.920 --> 0:18:14.240
<v Speaker 3>act like an asshole while they getting their ward. It's

0:18:14.320 --> 0:18:17.040
<v Speaker 3>like yeah, yah, yeah, I'm like, yo, bro, just be humble,

0:18:17.760 --> 0:18:21.240
<v Speaker 3>be happy, you know. And with R and B, you

0:18:21.359 --> 0:18:24.239
<v Speaker 3>got a lot of complicated, Like you met a lot

0:18:24.280 --> 0:18:28.399
<v Speaker 3>of R and B singers that're like mentally complicated, right, Like.

0:18:28.920 --> 0:18:31.960
<v Speaker 1>Well, it's just that like with R and B. You know,

0:18:32.160 --> 0:18:34.840
<v Speaker 1>for the most part, R and B is a very

0:18:34.920 --> 0:18:39.480
<v Speaker 1>much solo venture, right, and so it's not like it's

0:18:39.520 --> 0:18:42.359
<v Speaker 1>not like cruise or where you like, where there's an

0:18:42.359 --> 0:18:45.280
<v Speaker 1>accountability system in a sense, right, you always have your

0:18:45.320 --> 0:18:47.119
<v Speaker 1>one guy that's like, hey man, we shouldn't like I

0:18:47.200 --> 0:18:49.240
<v Speaker 1>have my guy right here. It's like that, ain't it.

0:18:49.640 --> 0:18:51.440
<v Speaker 1>We need to be on that or we shouldn't do this.

0:18:51.560 --> 0:18:54.560
<v Speaker 1>There's a crew, there's a sense of brotherhood, sense of family,

0:18:54.680 --> 0:18:57.520
<v Speaker 1>camaraderie as R and B artists is just.

0:18:58.400 --> 0:18:59.920
<v Speaker 3>Used like everybody for themselves.

0:19:00.040 --> 0:19:04.440
<v Speaker 2>It is is I equate it to it being we're

0:19:04.480 --> 0:19:07.520
<v Speaker 2>all in high school. It's the one girl that everybody

0:19:07.640 --> 0:19:10.000
<v Speaker 2>likes and everybody's their friend. As soon as one guy

0:19:10.080 --> 0:19:12.560
<v Speaker 2>gets her, he tucks her and says, you better not

0:19:12.640 --> 0:19:14.080
<v Speaker 2>talk to none of these motherfuckers again.

0:19:14.200 --> 0:19:15.640
<v Speaker 1>That's what it is. That's what R and B music

0:19:15.800 --> 0:19:18.160
<v Speaker 1>is exactly. I got the girl. So whoever is whoever

0:19:18.240 --> 0:19:21.040
<v Speaker 1>is the top R and B guy? I got the girl?

0:19:21.200 --> 0:19:24.120
<v Speaker 3>Well you talk to you talking in the sense of executives.

0:19:24.359 --> 0:19:25.240
<v Speaker 1>No, I'm talking in the.

0:19:25.320 --> 0:19:28.160
<v Speaker 2>Sense of artists. I'm talking about the artists. You gotta

0:19:28.160 --> 0:19:30.159
<v Speaker 2>think about it like this. We can go back to

0:19:30.240 --> 0:19:33.400
<v Speaker 2>the history of R and B music and point out

0:19:33.960 --> 0:19:36.800
<v Speaker 2>that probably and you know a lot of niggas gonna

0:19:36.800 --> 0:19:39.960
<v Speaker 2>get mad at me about this. Keith Sweat is one

0:19:40.000 --> 0:19:43.000
<v Speaker 2>of the last artists to actually put other R and

0:19:43.080 --> 0:19:47.320
<v Speaker 2>B artists on silk and too many raptors that do

0:19:47.480 --> 0:19:50.520
<v Speaker 2>that too, Keith Sweat, But it's more, it's more round.

0:19:50.800 --> 0:19:53.720
<v Speaker 3>You're not selfish like baby Face wrote all of Bobby

0:19:53.760 --> 0:19:56.600
<v Speaker 3>Brown's all that ship. You wrote a bunch of shit, yo, Bro.

0:19:56.800 --> 0:20:00.920
<v Speaker 3>That's very giving, absolutely, because everybody's like, you know, like,

0:20:01.160 --> 0:20:03.200
<v Speaker 3>oh I got to hit. I'm not giving this to nobody.

0:20:03.520 --> 0:20:08.280
<v Speaker 3>Give somebody a hit. It's crazy. But so in a sense,

0:20:08.480 --> 0:20:11.000
<v Speaker 3>Keith Sweat definitely put a bunch of them on.

0:20:11.160 --> 0:20:13.159
<v Speaker 1>A bunch of people on You want talk.

0:20:13.040 --> 0:20:15.359
<v Speaker 3>About Keith Sweat, you know what I'm saying. Keith Sweat.

0:20:15.400 --> 0:20:19.119
<v Speaker 3>All right, Let's go back to fat yo, when all

0:20:19.200 --> 0:20:22.320
<v Speaker 3>the gangsters was getting money. And it's weird because they

0:20:22.400 --> 0:20:24.920
<v Speaker 3>put them all in jail. They all died. But I

0:20:25.000 --> 0:20:27.080
<v Speaker 3>grew up at a time where you turn the corner,

0:20:27.640 --> 0:20:29.480
<v Speaker 3>it looked like it was bombed up, and then you

0:20:29.600 --> 0:20:33.040
<v Speaker 3>bump into ten benzes and beamers and little kids are

0:20:33.119 --> 0:20:37.000
<v Speaker 3>playing basketball with big rope chains with plates like you know,

0:20:37.200 --> 0:20:40.000
<v Speaker 3>the dudes is sitting in the corner dapping dan doubt

0:20:40.119 --> 0:20:42.879
<v Speaker 3>like I grew up in a fly time where guys

0:20:43.040 --> 0:20:46.600
<v Speaker 3>was out there stunting crazy like that. That's that's the

0:20:46.720 --> 0:20:50.840
<v Speaker 3>time I come from, right and so. But even though

0:20:50.920 --> 0:20:55.000
<v Speaker 3>these guys were selling massive drugs, shooting people every day,

0:20:55.920 --> 0:20:59.440
<v Speaker 3>every time you went into the most notorious guy's car,

0:21:00.320 --> 0:21:14.680
<v Speaker 3>when he pressed plate, it was Keith Sweat. It's just

0:21:14.840 --> 0:21:23.600
<v Speaker 3>nowhere around. There was nowhere around playing laying drives in

0:21:23.680 --> 0:21:28.120
<v Speaker 3>the ship. No, it's a fat ye. That's why you say.

0:21:28.560 --> 0:21:30.800
<v Speaker 3>You say, Yo, Joe man, you always get Keith Sweat

0:21:30.840 --> 0:21:35.360
<v Speaker 3>at your birthday, fucking right, because my guys somemi ever,

0:21:35.760 --> 0:21:39.080
<v Speaker 3>they know what the is. When he did singing, they're like, yo,

0:21:39.200 --> 0:21:42.159
<v Speaker 3>he got Keith Sweat up in this motherfucker. Like you know,

0:21:42.800 --> 0:21:45.280
<v Speaker 3>Keith Sweat man, I don't. I try to tell him

0:21:45.320 --> 0:21:48.280
<v Speaker 3>all the time. I don't think he knows what he

0:21:48.440 --> 0:21:51.439
<v Speaker 3>meant to the gangsters in the hallm in the Bronx

0:21:51.520 --> 0:21:54.040
<v Speaker 3>and around America. You know Keith Sweat, I don't know

0:21:54.640 --> 0:21:57.359
<v Speaker 3>he was singing love ballance, but that was some they

0:21:57.440 --> 0:21:57.679
<v Speaker 3>had that.

0:21:57.760 --> 0:22:00.879
<v Speaker 2>Base under the ship. It was just it was a

0:22:01.520 --> 0:22:04.920
<v Speaker 2>different it was a different vibe to his music. It

0:22:05.040 --> 0:22:08.480
<v Speaker 2>was a different vibe to his music, like he sang. Really,

0:22:08.720 --> 0:22:12.000
<v Speaker 2>Keith Sweat might have been the first trap so, I

0:22:12.080 --> 0:22:14.560
<v Speaker 2>mean he might have hit so hard like the music

0:22:14.720 --> 0:22:17.159
<v Speaker 2>hits so hard, like it was low rider music on

0:22:17.200 --> 0:22:17.800
<v Speaker 2>the West Coast.

0:22:18.359 --> 0:22:20.919
<v Speaker 1>You know what I'm saying today, Man, I ain't want

0:22:20.960 --> 0:22:22.680
<v Speaker 1>to no soft ship. Man, wan't sing on top of those.

0:22:24.119 --> 0:22:25.399
<v Speaker 1>You got to give me some hot ship that she

0:22:25.440 --> 0:22:27.600
<v Speaker 1>gotta be jumping pumping to speaker his baby and and

0:22:28.040 --> 0:22:31.440
<v Speaker 1>to to parallel that. That's really what Keith Sweat is. Yeah,

0:22:32.000 --> 0:22:35.200
<v Speaker 1>it's really being played by the cases key Sweat. This

0:22:35.320 --> 0:22:35.680
<v Speaker 1>is a game.

0:22:35.920 --> 0:22:39.359
<v Speaker 3>Absolutely absolutely Keth Sweat man, he's something else.

0:22:39.520 --> 0:22:39.639
<v Speaker 1>Man.

0:22:39.720 --> 0:22:41.639
<v Speaker 3>One year I did my birthday party. I had to

0:22:41.760 --> 0:22:44.680
<v Speaker 3>move the whole party around for his day. So we

0:22:44.800 --> 0:22:47.840
<v Speaker 3>did it on Sunday because he was booked Monday, Tuesday, Wednesday,

0:22:47.880 --> 0:22:50.600
<v Speaker 3>Thursday for he was love playboy. I see you on

0:22:50.680 --> 0:22:52.840
<v Speaker 3>my birthday to night he said, Yo, Man, the twenty

0:22:52.920 --> 0:22:57.560
<v Speaker 3>six is open. I said the parties on Keith Sweat.

0:22:58.200 --> 0:23:00.200
<v Speaker 3>We don't hem about last year he was gonna I

0:23:00.200 --> 0:23:02.200
<v Speaker 3>don't know if people know, but you know it's house

0:23:02.280 --> 0:23:02.960
<v Speaker 3>caught a fire.

0:23:03.720 --> 0:23:04.200
<v Speaker 1>Do you know that?

0:23:04.400 --> 0:23:06.720
<v Speaker 3>Yes, that was the day of my birthday. He was

0:23:06.720 --> 0:23:09.440
<v Speaker 3>supposed to fly in last year and last year. We

0:23:09.560 --> 0:23:12.120
<v Speaker 3>try to get you like two years tank we got

0:23:12.520 --> 0:23:17.040
<v Speaker 3>last last year, Babyface came, Stephanie Mills came. You know,

0:23:17.160 --> 0:23:18.400
<v Speaker 3>Mary Jay come all the time.

0:23:18.520 --> 0:23:19.960
<v Speaker 1>She early.

0:23:20.480 --> 0:23:22.320
<v Speaker 3>I'm gonna tell you early because I tried.

0:23:22.119 --> 0:23:27.520
<v Speaker 1>To No, no, no, we're gonna stop this trying to

0:23:27.520 --> 0:23:27.880
<v Speaker 1>get call.

0:23:28.400 --> 0:23:35.080
<v Speaker 3>You have to tell me okay, okay earlier Joe when

0:23:35.800 --> 0:23:37.919
<v Speaker 3>we're doing that that Joe party. I got a new thing.

0:23:38.040 --> 0:23:40.480
<v Speaker 3>You know they say, don't talk to dudes wives. I

0:23:40.600 --> 0:23:42.199
<v Speaker 3>think that's the only way to get it done now

0:23:42.280 --> 0:23:43.480
<v Speaker 3>was talking to dudes wives.

0:23:43.600 --> 0:23:44.040
<v Speaker 1>I swear to.

0:23:46.560 --> 0:23:47.760
<v Speaker 3>No, No, that's how I get shit done.

0:23:48.440 --> 0:23:49.720
<v Speaker 1>To come, no, I need it.

0:23:49.800 --> 0:23:51.639
<v Speaker 3>I needed baby Face to pet me something. I have

0:23:51.720 --> 0:23:55.080
<v Speaker 3>to hit this girl up, like yo, yay, Joe, we love.

0:23:55.040 --> 0:23:55.199
<v Speaker 1>It y.

0:23:57.880 --> 0:24:00.320
<v Speaker 3>You know what I'm saying. That's what's doing this ship lately,

0:24:02.400 --> 0:24:05.760
<v Speaker 3>pushing the shutout. That's who I gotta find your wife

0:24:05.760 --> 0:24:08.280
<v Speaker 3>would be like, Yo, check this out. I need him there.

0:24:08.600 --> 0:24:16.239
<v Speaker 1>She messed up when she's gonna calls at you right

0:24:16.280 --> 0:24:17.320
<v Speaker 1>now so I can talk to him.

0:24:18.600 --> 0:24:21.240
<v Speaker 3>People know, you know, I'm more of an R and

0:24:21.400 --> 0:24:26.920
<v Speaker 3>B guy, absolutely hip hop Richie, Like, Yo, why you

0:24:26.960 --> 0:24:29.040
<v Speaker 3>wan't to always want to play that on b ship

0:24:29.240 --> 0:24:29.720
<v Speaker 3>man all that.

0:24:38.680 --> 0:24:40.000
<v Speaker 1>It's a little too intimate for you.

0:24:40.680 --> 0:24:43.560
<v Speaker 2>You're playing blue Magic and deal Phonics.

0:24:43.640 --> 0:24:48.320
<v Speaker 3>I play that, Yeah, that's I play. I got the

0:24:48.640 --> 0:24:51.240
<v Speaker 3>super old school mix for on the plane. I'm scared

0:24:51.280 --> 0:24:55.800
<v Speaker 3>to fly, so I listen to all that delphonic stylistics,

0:24:55.920 --> 0:25:00.200
<v Speaker 3>the blue notes, everything, Man, I listen to all that

0:25:00.320 --> 0:25:01.280
<v Speaker 3>calms me down.

0:25:01.800 --> 0:25:04.879
<v Speaker 1>I gotta ask a question, yes, Switch or the barge?

0:25:05.880 --> 0:25:11.120
<v Speaker 3>The Barge's incredible? Yeah, oh Bobby, Yeah, because they're big man.

0:25:12.359 --> 0:25:16.840
<v Speaker 3>You know Bobby's Bobby. But you know Switch. Most people

0:25:16.920 --> 0:25:18.959
<v Speaker 3>you could have tried to jam me up right now

0:25:18.960 --> 0:25:22.040
<v Speaker 3>because most people don't even know Switch unless you really

0:25:22.119 --> 0:25:24.560
<v Speaker 3>know arm that barge is.

0:25:25.160 --> 0:25:27.159
<v Speaker 1>That's like saying that's the Little Brother and Little Sisters.

0:25:27.240 --> 0:25:32.040
<v Speaker 3>Yeah, that's like saying, you know Michael Jackson, LaToya or

0:25:32.080 --> 0:25:34.240
<v Speaker 3>some ship like that, even though don't get it fucked up.

0:25:34.320 --> 0:25:37.840
<v Speaker 3>Switch was the ship. Switch is the ship but the

0:25:37.960 --> 0:25:39.800
<v Speaker 3>barge that's superstardom.

0:25:40.680 --> 0:25:45.359
<v Speaker 1>Yeah, that's fair. That's it. Let's let's talk music. What

0:25:45.480 --> 0:25:49.479
<v Speaker 1>do you think if if we're giving a secret, if

0:25:49.480 --> 0:25:54.320
<v Speaker 1>we're giving a blueprint in terms of sting, relevant sting,

0:25:54.480 --> 0:25:59.240
<v Speaker 1>active sting on the charts, being able to do high

0:25:59.320 --> 0:26:04.760
<v Speaker 1>level collaborate rations. You started that a long time ago.

0:26:05.760 --> 0:26:10.680
<v Speaker 3>Well, you know what happened to me was after Pun

0:26:10.840 --> 0:26:15.440
<v Speaker 3>died Rest in peace, Big Pun. I went to All

0:26:15.520 --> 0:26:21.760
<v Speaker 3>Star Weekend in d C. And it was even Philly

0:26:21.800 --> 0:26:24.960
<v Speaker 3>of DC. I want to say DC. That's crazy because

0:26:25.000 --> 0:26:30.359
<v Speaker 3>I remember so I think it was DC, and I

0:26:30.520 --> 0:26:34.719
<v Speaker 3>was walking into the game and R Kelly was standing

0:26:34.800 --> 0:26:38.600
<v Speaker 3>up on the wall and I've seen him, and so

0:26:38.880 --> 0:26:41.600
<v Speaker 3>at this time R Kelly had only collaborated with like

0:26:41.760 --> 0:26:45.439
<v Speaker 3>Biggie or not even jay Z. Yet it was Biggie

0:26:45.480 --> 0:26:48.760
<v Speaker 3>and nas right, and so he was number one in

0:26:48.840 --> 0:26:51.320
<v Speaker 3>the universe. And so when he sees me, say, your

0:26:51.359 --> 0:26:54.040
<v Speaker 3>fat Joe was up and like you said, every man

0:26:54.119 --> 0:26:58.479
<v Speaker 3>for himself, Like that's the only reason why Ward chosen

0:26:58.600 --> 0:27:00.399
<v Speaker 3>All that is dope because you go to parties and

0:27:00.440 --> 0:27:02.359
<v Speaker 3>you get to see people in this love. But we

0:27:02.480 --> 0:27:04.359
<v Speaker 3>never see these people unless we see him at a

0:27:04.440 --> 0:27:06.639
<v Speaker 3>concert or something. She was like, Yo, man, I'm a

0:27:06.720 --> 0:27:10.800
<v Speaker 3>fat yo fan bro. I'm like Kelly, like serious, this

0:27:10.920 --> 0:27:15.239
<v Speaker 3>guy was God at the top and he was like, Yo, man, yo,

0:27:15.320 --> 0:27:17.159
<v Speaker 3>rest in peace. Big pun I grew up with the

0:27:17.200 --> 0:27:20.320
<v Speaker 3>Puerto Ricans, which shoe in Chicago. He was like, Yo, man,

0:27:20.359 --> 0:27:22.800
<v Speaker 3>I want to do a song with you. Now at

0:27:22.840 --> 0:27:28.399
<v Speaker 3>this point, I'm still really street like, really really street like,

0:27:29.000 --> 0:27:30.920
<v Speaker 3>like I didn't know no better, right, so I to

0:27:31.040 --> 0:27:32.920
<v Speaker 3>grab all Kelly by the chart said Yo, I'm not

0:27:33.040 --> 0:27:36.000
<v Speaker 3>the guy you say you want to do it somewhere

0:27:36.320 --> 0:27:39.760
<v Speaker 3>and then you can just zero nah for.

0:27:42.000 --> 0:27:46.120
<v Speaker 4>Yo yo no, no, Thank god, I said it myself

0:27:46.800 --> 0:27:51.840
<v Speaker 4>because I said, Yo, listen, yo, take I'm that ghetto

0:27:52.560 --> 0:27:55.200
<v Speaker 4>that's still street now that Joe be like, oh wow,

0:27:55.280 --> 0:27:57.680
<v Speaker 4>that'd be a you know, an honor what you know.

0:27:57.880 --> 0:28:00.159
<v Speaker 3>Then I was like, yo, my man, no, be like,

0:28:00.240 --> 0:28:02.120
<v Speaker 3>I ain't the one. I ain't the guy you want

0:28:02.200 --> 0:28:04.760
<v Speaker 3>to talk to like that. She's like, nah, I'm gonna

0:28:04.760 --> 0:28:07.800
<v Speaker 3>be in Orlando, come down there. We do a song

0:28:07.920 --> 0:28:13.119
<v Speaker 3>this this that Magically DJ bron G hits me up.

0:28:13.160 --> 0:28:15.720
<v Speaker 3>I never even knew he made beats he was like, yo, Joe, man,

0:28:15.760 --> 0:28:18.200
<v Speaker 3>I want I made a beat for you. So I

0:28:18.280 --> 0:28:21.800
<v Speaker 3>knew all these producers that made hits, but every time

0:28:21.840 --> 0:28:24.080
<v Speaker 3>I asked him for beats, say track Masters or whatever,

0:28:24.160 --> 0:28:26.600
<v Speaker 3>they had all the hits, but they would send me

0:28:26.680 --> 0:28:29.240
<v Speaker 3>they hard ship. So like, if I would go to Tank,

0:28:29.320 --> 0:28:30.920
<v Speaker 3>it writs hits, and I'd be like, yo, Tank, I

0:28:30.960 --> 0:28:33.880
<v Speaker 3>want to joint. I was so street. Tank would think

0:28:33.920 --> 0:28:36.920
<v Speaker 3>of his one hardcourt joined be like, yo Joe, I

0:28:37.000 --> 0:28:39.600
<v Speaker 3>got one for you. No, I want to fucking hit.

0:28:40.240 --> 0:28:43.720
<v Speaker 3>I want the barge, not Switch. You understand what I'm saying.

0:28:43.760 --> 0:28:48.840
<v Speaker 3>So I'm just saying I'm trying to tell you I

0:28:48.920 --> 0:28:51.280
<v Speaker 3>want no yo switch. I love you. You know I

0:28:51.320 --> 0:28:53.680
<v Speaker 3>held the barge, one of my favorite ever. But you

0:28:53.760 --> 0:28:56.320
<v Speaker 3>know I held the barges. That's my guy. But listen,

0:28:56.640 --> 0:29:01.719
<v Speaker 3>so he go like this, So Bron, we go by him.

0:29:01.760 --> 0:29:04.080
<v Speaker 3>It gives us the beat. We play the ship. We

0:29:04.160 --> 0:29:06.760
<v Speaker 3>start running around the fucking truck because it's the beat.

0:29:06.840 --> 0:29:09.800
<v Speaker 3>Till we dug it, We're like, oh, somebody gave us

0:29:09.840 --> 0:29:13.640
<v Speaker 3>a hit something at least it sounded like a hit,

0:29:14.160 --> 0:29:16.520
<v Speaker 3>like because everybody else was just giving us shoot him up.

0:29:16.880 --> 0:29:19.120
<v Speaker 3>They ain't that shit to marb deeper rap to or

0:29:19.440 --> 0:29:22.320
<v Speaker 3>mop or you know. So I'm like, because that's what

0:29:22.480 --> 0:29:25.480
<v Speaker 3>I was coming out the gate. So we dancing. So

0:29:25.600 --> 0:29:29.440
<v Speaker 3>I do my verses. We drive down to Orlando. Right

0:29:30.520 --> 0:29:34.000
<v Speaker 3>ll Kelly's laying on the couch. I walk up in there.

0:29:34.560 --> 0:29:37.320
<v Speaker 3>Funny shit is the track masters was there too. They

0:29:37.480 --> 0:29:40.160
<v Speaker 3>was doing his music and so when I walked in,

0:29:40.320 --> 0:29:42.200
<v Speaker 3>I'm like, Yo, what's up, cows? Yo's up?

0:29:42.280 --> 0:29:42.600
<v Speaker 1>Yo this.

0:29:43.480 --> 0:29:45.280
<v Speaker 3>He was just sitting on the couch and he said,

0:29:45.320 --> 0:29:47.160
<v Speaker 3>he said, Yo, you got the song. I said, yeah,

0:29:47.200 --> 0:29:50.120
<v Speaker 3>I got the song. And it's funny because he tried

0:29:50.160 --> 0:29:53.280
<v Speaker 3>to talk. He talked to you like real light and

0:29:53.400 --> 0:29:56.240
<v Speaker 3>shit like yo's cows. You know what I'm saying that,

0:29:56.760 --> 0:29:59.400
<v Speaker 3>you know, I actually I never heard him talk with bass.

0:30:00.200 --> 0:30:02.959
<v Speaker 3>He always talked like smooth and shit. Right. So I'll

0:30:03.000 --> 0:30:06.040
<v Speaker 3>give him the CD and he plays it and immediately

0:30:06.120 --> 0:30:10.600
<v Speaker 3>he rolls off the couch and he grabs this recorder

0:30:11.000 --> 0:30:16.640
<v Speaker 3>like a like a caller and goes, ooh he does

0:30:16.760 --> 0:30:19.200
<v Speaker 3>like the inch. I don't know what he doing, but

0:30:19.360 --> 0:30:21.479
<v Speaker 3>he thinking of the hook. But he's singing the ship right.

0:30:21.520 --> 0:30:23.400
<v Speaker 3>He was like, Yo, this ship is ha Yo, you

0:30:23.480 --> 0:30:26.320
<v Speaker 3>the fire whatever it was then he started mumbling some

0:30:26.400 --> 0:30:28.960
<v Speaker 3>shit in the hook. Then he turned the ship off

0:30:29.000 --> 0:30:30.680
<v Speaker 3>and he was like, and the track masters looking at

0:30:30.720 --> 0:30:32.360
<v Speaker 3>me like, yo, Joe, I ain't know you can rhyme

0:30:32.520 --> 0:30:34.800
<v Speaker 3>like that. I ain't know you can make hits like that.

0:30:34.880 --> 0:30:36.400
<v Speaker 3>I was like, y'all, I've been telling you to give

0:30:36.440 --> 0:30:39.360
<v Speaker 3>me the ship. Ba y'all, y'all keep thinking I'm fat

0:30:39.480 --> 0:30:43.640
<v Speaker 3>Joe against it, right, So funny shit is he does that.

0:30:43.800 --> 0:30:46.320
<v Speaker 3>So I'm thinking, you know, all, Kelly's gonna sing the hook,

0:30:46.880 --> 0:30:50.800
<v Speaker 3>We're gonna do it. And he goes, yeah, yeah, you

0:30:50.920 --> 0:30:54.480
<v Speaker 3>know him, I got a two fake. I'm like, huh.

0:30:54.600 --> 0:30:56.120
<v Speaker 3>He's like it was like two in the morning. He

0:30:56.240 --> 0:30:58.360
<v Speaker 3>was like, y'all, I got a two fake. You know

0:30:58.400 --> 0:31:01.200
<v Speaker 3>what I'm saying. So you gotta, you know, go chill,

0:31:01.800 --> 0:31:02.680
<v Speaker 3>We'll figure it out.

0:31:02.800 --> 0:31:03.200
<v Speaker 1>This this that.

0:31:03.320 --> 0:31:05.520
<v Speaker 3>I'm like, I drove twenty hours at the time.

0:31:05.600 --> 0:31:06.280
<v Speaker 1>I was kidding you.

0:31:07.280 --> 0:31:09.560
<v Speaker 3>I drove down there too, So I'm like, yo, caws.

0:31:09.920 --> 0:31:12.000
<v Speaker 3>He was like a two fake, this this that, so

0:31:12.120 --> 0:31:14.600
<v Speaker 3>out of nowhere, he disappears and walks out the room

0:31:15.000 --> 0:31:17.720
<v Speaker 3>to a door through a door. So it's like ten

0:31:17.800 --> 0:31:20.000
<v Speaker 3>minutes twenty thirty forty minutes. Like, I'm telling you I'm

0:31:20.160 --> 0:31:24.280
<v Speaker 3>really impulsive. I'm like, really really street. At this point,

0:31:24.600 --> 0:31:26.520
<v Speaker 3>I don't know how to explained, so I said, man,

0:31:26.600 --> 0:31:28.920
<v Speaker 3>fuck that, man, I go to the door. I opened

0:31:28.920 --> 0:31:30.920
<v Speaker 3>the door. I opened the door. He dad ass got

0:31:31.000 --> 0:31:35.080
<v Speaker 3>a dentist giving him novercan on a chair in real life,

0:31:35.400 --> 0:31:38.640
<v Speaker 3>in the fucking studio, like two in the morning. I

0:31:38.720 --> 0:31:43.560
<v Speaker 3>felt so yo. Yeah yeah, heck yo, tex. I felt

0:31:43.680 --> 0:31:46.360
<v Speaker 3>so bad. I'm sitting there like this. I'm like, oh shit,

0:31:46.440 --> 0:31:50.360
<v Speaker 3>he really got a tooth. Fake. I go because I

0:31:50.520 --> 0:31:53.360
<v Speaker 3>noticed one record gonna change my life. Yeah, this is

0:31:53.440 --> 0:31:55.800
<v Speaker 3>a hit. Hit you know you got to hit with

0:31:55.920 --> 0:31:57.920
<v Speaker 3>al Kelly at that time. It's just.

0:32:00.200 --> 0:32:00.320
<v Speaker 1>Right.

0:32:01.200 --> 0:32:03.800
<v Speaker 3>So long story short, the man don't call me for

0:32:03.920 --> 0:32:07.480
<v Speaker 3>like two days, and I'm staying in like a motel

0:32:07.640 --> 0:32:11.800
<v Speaker 3>and you know, Orlando, I'm writing, I'm working on my album,

0:32:12.440 --> 0:32:15.200
<v Speaker 3>and then we're about to be I'm like, man, fuck him, man,

0:32:15.280 --> 0:32:17.640
<v Speaker 3>we're going back up to the boss man. So we

0:32:17.840 --> 0:32:19.480
<v Speaker 3>in the truck ready and out of no way. The

0:32:19.560 --> 0:32:25.000
<v Speaker 3>phone ring. He's like, yo, what's Upclscals said, what's up? Kels,

0:32:25.040 --> 0:32:28.560
<v Speaker 3>You're too good? Everything good. He's liked, hold up and

0:32:28.640 --> 0:32:31.080
<v Speaker 3>he pressed playing you here, we eat Doug and roll

0:32:31.200 --> 0:32:42.440
<v Speaker 3>and yeah and so off and then and that's what happened, man,

0:32:42.600 --> 0:32:44.960
<v Speaker 3>and uh and so that ship.

0:32:44.840 --> 0:32:47.160
<v Speaker 1>And that's your first R and B collaboration, my first hit,

0:32:47.520 --> 0:32:50.560
<v Speaker 1>like my first R and B hit, you know what

0:32:50.600 --> 0:32:51.000
<v Speaker 1>I'm saying.

0:32:51.040 --> 0:32:52.920
<v Speaker 3>I never forget. We used to throw parties out here

0:32:52.920 --> 0:32:55.440
<v Speaker 3>in Miami. We used to every Memorial Weekend. I used

0:32:55.440 --> 0:32:57.720
<v Speaker 3>to throw all the parties in all the clubs. And

0:32:57.800 --> 0:33:00.720
<v Speaker 3>we had a Terror squad Pool party. I never forget.

0:33:00.800 --> 0:33:02.920
<v Speaker 3>That was the biggest shit out here. So you had

0:33:03.080 --> 0:33:06.920
<v Speaker 3>cam on every fab, every you know, all the usual suspects,

0:33:06.960 --> 0:33:09.640
<v Speaker 3>everybody in the building. AI's in there.

0:33:09.800 --> 0:33:10.000
<v Speaker 1>Yeah.

0:33:10.680 --> 0:33:12.920
<v Speaker 3>And I go to DJ and I say, yo, press player,

0:33:13.000 --> 0:33:16.520
<v Speaker 3>niggas like yo, brand new Fat Joe Nigga play that ship.

0:33:16.600 --> 0:33:19.160
<v Speaker 3>When they heard that, all Kelly go we Doug and y'o.

0:33:19.240 --> 0:33:22.440
<v Speaker 3>I seen. I actually got to see every rapper's face.

0:33:22.520 --> 0:33:23.240
<v Speaker 3>They all was like.

0:33:24.960 --> 0:33:26.480
<v Speaker 1>Because they had never heard a record like that from

0:33:26.520 --> 0:33:26.840
<v Speaker 1>you either.

0:33:26.880 --> 0:33:29.360
<v Speaker 3>Who gives a fuck? He got a smash with all

0:33:29.520 --> 0:33:33.800
<v Speaker 3>Kelly at that time, they looking around like, oh shit,

0:33:34.040 --> 0:33:39.400
<v Speaker 3>this motherfucker lit like this was like the ultimate collaboration

0:33:39.640 --> 0:33:41.200
<v Speaker 3>at the time. You know what I'm saying, and the

0:33:41.280 --> 0:33:44.280
<v Speaker 3>ship was a hit, and so we followed that up

0:33:44.360 --> 0:33:48.280
<v Speaker 3>with Wes Love with a shan Tee Earth gott He

0:33:48.360 --> 0:33:51.320
<v Speaker 3>that was another ill story too. You know, I didn't

0:33:51.360 --> 0:33:54.640
<v Speaker 3>really know IRV Gotti. I met him like two three

0:33:54.720 --> 0:33:57.760
<v Speaker 3>days before Pun died and we talked for like hours,

0:33:58.440 --> 0:34:01.640
<v Speaker 3>and then Pun died and and then you know, that's

0:34:01.640 --> 0:34:04.080
<v Speaker 3>where I met a Jarul. I was sitting in the

0:34:04.120 --> 0:34:07.480
<v Speaker 3>funeral crying and then I look up and it was

0:34:07.560 --> 0:34:09.439
<v Speaker 3>Ja Ru. He was like, Yo, sorry about your brother,

0:34:09.960 --> 0:34:12.799
<v Speaker 3>and like I said, I let God push me through.

0:34:13.360 --> 0:34:15.480
<v Speaker 3>At that moment, I said to myself, oh, this is

0:34:15.560 --> 0:34:19.719
<v Speaker 3>my God, you know, because I don't cry. So when

0:34:19.760 --> 0:34:21.960
<v Speaker 3>I finally broke down and cried out of nowhere, it

0:34:22.080 --> 0:34:24.120
<v Speaker 3>was Ja Ru standing over me. I said, oh, God,

0:34:24.239 --> 0:34:26.399
<v Speaker 3>let me know. This is my God. So I told

0:34:26.440 --> 0:34:28.480
<v Speaker 3>him thank you, and then out of no way. I

0:34:28.600 --> 0:34:31.480
<v Speaker 3>was sleeping in the crib with my wife and phone

0:34:31.600 --> 0:34:34.680
<v Speaker 3>ring when you still had the house phone. Shit, like

0:34:34.760 --> 0:34:36.960
<v Speaker 3>three in the morning, is Irve Gody, Yojoe, we made

0:34:37.000 --> 0:34:38.800
<v Speaker 3>a joint for you. Come down. I'm like, who's this?

0:34:39.440 --> 0:34:42.600
<v Speaker 3>Deserve Gotti? So I go down there, they press plays

0:34:42.680 --> 0:34:44.200
<v Speaker 3>What's Love what's not.

0:34:45.760 --> 0:34:46.320
<v Speaker 1>God to do?

0:34:46.800 --> 0:34:49.120
<v Speaker 3>They gave me a smash when the niggas was rocket.

0:34:49.800 --> 0:34:52.040
<v Speaker 3>I'm saying, that's why I always stayed loyal to them.

0:34:52.120 --> 0:34:56.200
<v Speaker 1>You ask a question about that, the aggression that you

0:34:56.320 --> 0:34:57.080
<v Speaker 1>start the record with.

0:34:58.200 --> 0:35:00.360
<v Speaker 3>Put that fucking I was still in this. Please.

0:35:01.600 --> 0:35:03.439
<v Speaker 1>The song is called What's Love.

0:35:05.520 --> 0:35:08.880
<v Speaker 3>Put the fucking beat on, put the fucking mic on.

0:35:08.960 --> 0:35:09.440
<v Speaker 1>It was like.

0:35:12.600 --> 0:35:14.320
<v Speaker 3>I was supreme, beaan ghetto.

0:35:14.960 --> 0:35:15.280
<v Speaker 1>Still.

0:35:15.560 --> 0:35:17.279
<v Speaker 3>I don't know how to explain this shit to you.

0:35:17.400 --> 0:35:20.840
<v Speaker 3>Fu you. Nobody told me it was gonna be like

0:35:21.040 --> 0:35:23.880
<v Speaker 3>you know, yo, you You're gonna be doing stadiums after that.

0:35:24.040 --> 0:35:26.960
<v Speaker 3>It was like white people discover Fat Joe. After What's Love,

0:35:27.840 --> 0:35:30.360
<v Speaker 3>I couldn't perform for black people or Spanish people for

0:35:30.480 --> 0:35:33.200
<v Speaker 3>like two years straight. I was doing all them jingle balls,

0:35:33.760 --> 0:35:38.839
<v Speaker 3>every white Katie Perry, whoever, the white guys. Vegas at

0:35:38.840 --> 0:35:42.000
<v Speaker 3>that point, fuck Vegas, like it was the whole place

0:35:42.160 --> 0:35:45.359
<v Speaker 3>was white. It was it was like, who's the white

0:35:45.440 --> 0:35:47.960
<v Speaker 3>Like if so say it was right now? What's Love

0:35:48.080 --> 0:35:50.720
<v Speaker 3>was right now. I'd be on tour with Billie Eilish

0:35:51.440 --> 0:35:55.040
<v Speaker 3>ship like yes, it's just nowhere around so they hear.

0:35:55.680 --> 0:35:58.239
<v Speaker 3>Because you know, you can't do one song. So when

0:35:58.280 --> 0:36:00.800
<v Speaker 3>they hit the other five songs, him and fuck you

0:36:01.000 --> 0:36:03.920
<v Speaker 3>suck my big Bitch, this, that, that, that and then

0:36:04.000 --> 0:36:06.799
<v Speaker 3>one stuff, they like confused, like, yo, I thought, he's

0:36:06.880 --> 0:36:11.080
<v Speaker 3>like a fucking commercial god right, So I was doing

0:36:11.120 --> 0:36:12.880
<v Speaker 3>the hardcore ship theyn't doing it now.

0:36:13.000 --> 0:36:15.719
<v Speaker 1>It was crazy, man, now that I know what I know,

0:36:16.280 --> 0:36:19.440
<v Speaker 1>you know for being this a little different way different,

0:36:20.120 --> 0:36:23.520
<v Speaker 1>So you hadn't settled into that being a formula. You

0:36:23.640 --> 0:36:26.719
<v Speaker 1>were just like he had two of them great records

0:36:26.800 --> 0:36:27.799
<v Speaker 1>that are what they are.

0:36:28.520 --> 0:36:31.160
<v Speaker 3>Fun started with the he's still not a player, still

0:36:31.239 --> 0:36:33.879
<v Speaker 3>not a player. So when I met when I met Pun,

0:36:35.360 --> 0:36:37.600
<v Speaker 3>I told him I wanted him to be the Spanish Biggie.

0:36:38.239 --> 0:36:41.239
<v Speaker 3>And you know he's into lyrics, hardcore beats this that

0:36:41.360 --> 0:36:41.879
<v Speaker 3>he love.

0:36:43.320 --> 0:36:43.600
<v Speaker 1>R and B.

0:36:44.520 --> 0:36:47.560
<v Speaker 3>Janet Jackson was his favorite. But his favorite record of

0:36:47.640 --> 0:36:50.480
<v Speaker 3>all time was Fire and Desire. So he be driving

0:36:50.520 --> 0:36:55.320
<v Speaker 3>through the Bronx Fire and Esi like he was a

0:36:55.400 --> 0:36:58.200
<v Speaker 3>big R and B had two but he preferred to

0:36:58.360 --> 0:37:01.799
<v Speaker 3>rap hardcore and so I was like, yo, we gotta

0:37:01.840 --> 0:37:03.680
<v Speaker 3>do something for the girls. We got it, did and

0:37:03.760 --> 0:37:06.400
<v Speaker 3>that he did the joint with Joe the singer. You know,

0:37:06.640 --> 0:37:11.279
<v Speaker 3>thank God for Joe and key Dark Massenberg because you know,

0:37:11.480 --> 0:37:16.040
<v Speaker 3>Joe had just sold five hundred thousand records his first week.

0:37:16.440 --> 0:37:20.960
<v Speaker 3>Joe was the biggest he's he was doing trake numbers. Yeah,

0:37:21.680 --> 0:37:26.520
<v Speaker 3>literally half a million first week Trake ship. And we

0:37:26.600 --> 0:37:28.919
<v Speaker 3>stepped to him and Keydall was like, you know, yo, Joe,

0:37:29.239 --> 0:37:31.680
<v Speaker 3>I sent him to the studio. He shows up, he

0:37:31.760 --> 0:37:34.359
<v Speaker 3>does the song with us. Like, think about the artist

0:37:34.440 --> 0:37:36.640
<v Speaker 3>you never met before, you never heard of? You just

0:37:36.719 --> 0:37:41.239
<v Speaker 3>so FI hundred thousand and you to get on it. Yeah, Joe,

0:37:41.400 --> 0:37:44.200
<v Speaker 3>that ship took off. So shout out to Joe for

0:37:44.320 --> 0:37:45.120
<v Speaker 3>being the real one.

0:37:45.200 --> 0:37:47.560
<v Speaker 1>For Evan Keid, do you also feel like that the

0:37:47.719 --> 0:37:52.600
<v Speaker 1>legend of fat Joe also played a part in people

0:37:53.239 --> 0:37:57.960
<v Speaker 1>understanding how serious you were as a person. Yes, and

0:37:58.040 --> 0:37:59.839
<v Speaker 1>you make a request, It's like, oh, fat Joe.

0:38:01.800 --> 0:38:03.680
<v Speaker 3>You want to know what's crazy is the first time

0:38:03.719 --> 0:38:07.200
<v Speaker 3>I worked with Kanye. Right, we throw the beat up

0:38:07.520 --> 0:38:09.239
<v Speaker 3>and I pulled out the pending in the pad and

0:38:09.320 --> 0:38:13.279
<v Speaker 3>he said, he said, what's that. I was like, no,

0:38:13.320 --> 0:38:17.160
<v Speaker 3>I'm about to write. He was like, you're right. I

0:38:17.200 --> 0:38:19.759
<v Speaker 3>thought you was the Don Colion. They just come bring

0:38:19.840 --> 0:38:24.480
<v Speaker 3>the ship to you. I said, no, motherfuck, I'm a

0:38:24.640 --> 0:38:32.320
<v Speaker 3>rapper MC swear to God. Kanye said he thought I

0:38:32.480 --> 0:38:35.160
<v Speaker 3>was the John. They just bring the ship to me.

0:38:35.280 --> 0:38:38.319
<v Speaker 3>I was like, are you fucking crazy? I write my ship.

0:38:39.320 --> 0:38:42.560
<v Speaker 3>That was the craziest ship. He really dead ass thought

0:38:42.560 --> 0:38:43.160
<v Speaker 3>it was like.

0:38:45.160 --> 0:38:46.360
<v Speaker 1>Somebody right done?

0:38:48.560 --> 0:38:52.120
<v Speaker 3>It wraps up here. I was like, na, man, I write.

0:38:52.520 --> 0:38:55.719
<v Speaker 3>And then we did the joint on Pride and Joy,

0:38:56.440 --> 0:38:59.880
<v Speaker 3>which very underrated song I did with Kanye. We had that.

0:39:00.000 --> 0:39:03.200
<v Speaker 3>Everybody on there who was on that jade the bus

0:39:03.320 --> 0:39:05.960
<v Speaker 3>the most depth this everybody. Even if you all about

0:39:05.960 --> 0:39:08.560
<v Speaker 3>the money, I don't really care. O Cay. That shit

0:39:08.640 --> 0:39:10.360
<v Speaker 3>cost me a lot of money. That was about to

0:39:10.360 --> 0:39:11.280
<v Speaker 3>be my next question.

0:39:11.600 --> 0:39:14.240
<v Speaker 1>That sounds like a very He charged me nothing.

0:39:14.680 --> 0:39:17.680
<v Speaker 3>He charged me. Nobody charged me. He charged me nothing.

0:39:18.080 --> 0:39:23.040
<v Speaker 3>Shout out the bank. He charged me nothing. But he said,

0:39:23.080 --> 0:39:26.040
<v Speaker 3>when we shoot the video, I gotta hire Hype Williams.

0:39:26.320 --> 0:39:30.160
<v Speaker 3>Oh you know what that is? Then I gotta pay

0:39:30.239 --> 0:39:36.080
<v Speaker 3>for the wardrobe. He literally had seven what was it,

0:39:36.200 --> 0:39:40.880
<v Speaker 3>seven eight thousand dollars tank tops from France, tang tops.

0:39:41.480 --> 0:39:43.719
<v Speaker 3>I'm looking at this sit like a hole in my head.

0:39:43.840 --> 0:39:43.960
<v Speaker 1>Man.

0:39:44.040 --> 0:39:46.040
<v Speaker 3>I'm like, when I went through the show, say yo,

0:39:46.080 --> 0:39:49.120
<v Speaker 3>what we spent eighty thousand on clothes and when I

0:39:49.239 --> 0:39:53.880
<v Speaker 3>was looking at shit was tang tops sweatpants for fifteen thousand.

0:39:54.280 --> 0:39:56.719
<v Speaker 3>I mean, we understand that shit now, but at the time,

0:39:57.080 --> 0:39:59.680
<v Speaker 3>I guess I ain't have it like that. That was

0:39:59.719 --> 0:40:00.200
<v Speaker 3>coming right.

0:40:00.360 --> 0:40:01.920
<v Speaker 1>I don't think we were in tune with.

0:40:03.800 --> 0:40:06.480
<v Speaker 3>Shi it cost that much, no way, But that was

0:40:06.560 --> 0:40:09.840
<v Speaker 3>right after another round. Had just had another round with

0:40:10.719 --> 0:40:12.960
<v Speaker 3>Chris Brown, and that was the gift that kept giving.

0:40:13.600 --> 0:40:15.680
<v Speaker 1>And so you got a very aggressive line in that

0:40:15.760 --> 0:40:16.720
<v Speaker 1>record too, which.

0:40:16.520 --> 0:40:20.239
<v Speaker 3>You want to fuck you with the mask on Halloween, pussy. Yeah,

0:40:20.320 --> 0:40:32.040
<v Speaker 3>that was a matter of bed. He tells me all

0:40:32.120 --> 0:40:35.840
<v Speaker 3>the time and in the day that don't go. You

0:40:35.880 --> 0:40:38.120
<v Speaker 3>know how I do that that that line, it was

0:40:38.200 --> 0:40:41.440
<v Speaker 3>coming at the single day I go on Twitter, somebody

0:40:41.600 --> 0:40:44.200
<v Speaker 3>like this nigga said fuck you with your mask on

0:40:44.719 --> 0:40:49.600
<v Speaker 3>holiday Halloween, pussy. But let me tell you that story.

0:40:49.680 --> 0:40:53.560
<v Speaker 3>I'm in, I'm in I'm in Africa. So for a

0:40:53.680 --> 0:40:58.080
<v Speaker 3>long time I've been to more places in Africa than

0:40:58.160 --> 0:41:01.759
<v Speaker 3>most artists have been everywhere Africa. And so it was

0:41:01.800 --> 0:41:05.160
<v Speaker 3>a time where American artists were either scared to go

0:41:05.280 --> 0:41:09.440
<v Speaker 3>to Africa or didn't want to go to Africa. So

0:41:09.640 --> 0:41:13.160
<v Speaker 3>I was doing I've been to Kenya. I've been to Somali.

0:41:13.239 --> 0:41:15.560
<v Speaker 3>I've been to Zimbabwe. I've been to South Africa. I've

0:41:15.600 --> 0:41:19.359
<v Speaker 3>been to Luanda. I've been to Rwanda. I've been to Angola.

0:41:20.000 --> 0:41:24.520
<v Speaker 3>I damn there, lived in ain't Goola, Equatorial Guinea. I've

0:41:24.560 --> 0:41:29.279
<v Speaker 3>been to Morocco. I've been Yo Bro. I went to

0:41:30.080 --> 0:41:33.080
<v Speaker 3>Nigeria a million times. I went to a place called Jabooty.

0:41:33.360 --> 0:41:36.960
<v Speaker 3>I'm doing all of Africa right, So I did everything

0:41:37.040 --> 0:41:40.319
<v Speaker 3>in Africa. And then one show I had had Timberland

0:41:41.200 --> 0:41:44.839
<v Speaker 3>Chris Brown seattra. It was finally I seen some Americans.

0:41:44.880 --> 0:41:49.160
<v Speaker 3>I'm in Africa and Chris Brown sitting there and he

0:41:49.280 --> 0:41:51.480
<v Speaker 3>talking with me, said, Yo, crack man, let's do a song.

0:41:51.560 --> 0:41:55.799
<v Speaker 3>It's time. How look at Chris Brown said like that, Chris,

0:41:58.840 --> 0:42:01.399
<v Speaker 3>I'm kind of kind of fucked up right now too.

0:42:01.960 --> 0:42:04.080
<v Speaker 3>I needed to hit hit. You know, when you go

0:42:04.200 --> 0:42:06.399
<v Speaker 3>through one of them sluts where you got a little

0:42:06.480 --> 0:42:09.200
<v Speaker 3>three four years where you ain't putt one out the park,

0:42:09.800 --> 0:42:12.759
<v Speaker 3>that's that's. Look when you're used to putting out number

0:42:12.800 --> 0:42:16.520
<v Speaker 3>ones and you get a slump where you almost can't

0:42:16.560 --> 0:42:19.960
<v Speaker 3>see the number. I was putting out so many number ones.

0:42:20.920 --> 0:42:22.800
<v Speaker 3>They was like a joke to me. I was giving

0:42:22.840 --> 0:42:26.160
<v Speaker 3>away number ones like to other artists. My friends, Yo,

0:42:26.239 --> 0:42:28.120
<v Speaker 3>take that, it's the number one, yo. Don't worry about this.

0:42:28.560 --> 0:42:30.719
<v Speaker 3>I thought they just come to everybody like that. When

0:42:30.719 --> 0:42:33.879
<v Speaker 3>I went in that drout and your ma and Chris

0:42:33.960 --> 0:42:43.920
<v Speaker 3>Brown said he gonna give me a life preserver, I said, now, Chris, now, Chris, please,

0:42:44.640 --> 0:42:47.799
<v Speaker 3>I'm an Africa with you. You probably He's like, nah, nah,

0:42:47.880 --> 0:42:50.279
<v Speaker 3>send the song. I do it. So I went right

0:42:50.360 --> 0:42:52.719
<v Speaker 3>back to the studio with Cooling Dre shout out Cooling Dre,

0:42:53.440 --> 0:42:57.320
<v Speaker 3>and they monsters in the game. And and so I

0:42:57.400 --> 0:42:59.879
<v Speaker 3>said with Dre and that that actually was like three

0:43:00.160 --> 0:43:03.160
<v Speaker 3>different hooks that we did in another round. So I

0:43:03.239 --> 0:43:06.880
<v Speaker 3>had one song where they had when on You, and

0:43:08.760 --> 0:43:12.400
<v Speaker 3>that was on one song. Then we had to we

0:43:12.520 --> 0:43:16.000
<v Speaker 3>broke that whole hook down three. It was actually three

0:43:16.080 --> 0:43:19.719
<v Speaker 3>hooks like on records I had. And then we just

0:43:19.800 --> 0:43:22.920
<v Speaker 3>made it one hook and send the best part to

0:43:23.000 --> 0:43:25.759
<v Speaker 3>send it to Chris, and he sent the back he

0:43:25.920 --> 0:43:28.560
<v Speaker 3>shat and so and so when we wrote I want

0:43:28.600 --> 0:43:33.759
<v Speaker 3>it on you, I want to fuck you, and you

0:43:33.840 --> 0:43:36.040
<v Speaker 3>know what inspired that little part right there? And I

0:43:36.080 --> 0:43:39.080
<v Speaker 3>hope I don't get sued was when when Lil Wayne

0:43:39.160 --> 0:43:41.320
<v Speaker 3>had that record. I used to go to live and

0:43:41.440 --> 0:43:44.400
<v Speaker 3>he'd be sitting on the couch and saying, I just

0:43:44.520 --> 0:43:47.320
<v Speaker 3>want to fuck every girl in the world. I just

0:43:47.440 --> 0:43:49.799
<v Speaker 3>want to fuck every girl in the world. And I'll

0:43:49.800 --> 0:43:51.120
<v Speaker 3>be looking at him and he'd be like, I just

0:43:51.200 --> 0:43:53.520
<v Speaker 3>want to and he pointing a round. And so that's

0:43:53.560 --> 0:43:55.080
<v Speaker 3>how I came up with that part of the hook

0:43:55.160 --> 0:44:01.640
<v Speaker 3>that won you. And you never know what inspires. So

0:44:01.800 --> 0:44:05.880
<v Speaker 3>he did it, and that ship just rangle off crazy.

0:44:06.760 --> 0:44:06.920
<v Speaker 1>You know.

0:44:07.040 --> 0:44:10.239
<v Speaker 3>The only problem with that song, I would say, was

0:44:10.400 --> 0:44:13.560
<v Speaker 3>that I wasn't on fire like so if I was

0:44:13.680 --> 0:44:16.680
<v Speaker 3>on fire, so that ship would have been the biggest

0:44:16.719 --> 0:44:19.359
<v Speaker 3>ship in the universe. But the fact that I had

0:44:19.400 --> 0:44:22.400
<v Speaker 3>to dig myself out of hole, you know, all the

0:44:22.480 --> 0:44:24.719
<v Speaker 3>way up was similar to you know all the way up.

0:44:24.719 --> 0:44:26.560
<v Speaker 3>It was a couple of years before I dropped the

0:44:26.640 --> 0:44:31.480
<v Speaker 3>Big Boy, so it stalled. You know, people were asking,

0:44:31.600 --> 0:44:34.719
<v Speaker 3>you think, you know these guys, you know, there's a

0:44:34.840 --> 0:44:38.759
<v Speaker 3>real bandwagon ship. Anybody got to jump on some ship

0:44:38.880 --> 0:44:41.719
<v Speaker 3>this and that. Social media wasn't out yet like that,

0:44:41.920 --> 0:44:44.320
<v Speaker 3>and so and and and all the way up. So

0:44:44.360 --> 0:44:47.320
<v Speaker 3>a couple of DJs just like yo, should I sound

0:44:47.440 --> 0:44:51.560
<v Speaker 3>like a lean Back? And then the ship just took

0:44:51.640 --> 0:44:52.560
<v Speaker 3>off and went flying.

0:44:52.719 --> 0:44:55.160
<v Speaker 1>You know, did you skip over?

0:44:55.320 --> 0:44:57.920
<v Speaker 3>Lean Back was out of here? Lean Back was monster

0:44:59.320 --> 0:45:02.680
<v Speaker 3>different type of dang. Shout out to scotts if.

0:45:02.640 --> 0:45:05.160
<v Speaker 1>I had no question, are you are you independent?

0:45:05.320 --> 0:45:08.799
<v Speaker 3>With no no, no, no, no no no, I'm signing

0:45:08.880 --> 0:45:11.160
<v Speaker 3>Steve Rifkin. At the time, that was just like.

0:45:11.400 --> 0:45:14.120
<v Speaker 1>But it's still under you though, on the squad because

0:45:15.280 --> 0:45:15.880
<v Speaker 1>and we'll.

0:45:15.719 --> 0:45:18.920
<v Speaker 3>Go to everything's under right, And that's what stories I

0:45:19.000 --> 0:45:21.480
<v Speaker 3>want to talk about. That the stories I'm trying to

0:45:21.520 --> 0:45:25.480
<v Speaker 3>tell you. It's like, look, I was signing Relativity Records,

0:45:26.000 --> 0:45:29.120
<v Speaker 3>low low budget record label. Thank god they put me on.

0:45:29.239 --> 0:45:31.680
<v Speaker 3>That's why I'm so close with Common. Me and him

0:45:31.719 --> 0:45:35.160
<v Speaker 3>started on the same label, m P the beat Nuts,

0:45:35.400 --> 0:45:40.280
<v Speaker 3>Chi Ali and so we we had this little label

0:45:40.400 --> 0:45:42.560
<v Speaker 3>that was independent, but we I didn't own ship. I

0:45:42.680 --> 0:45:47.719
<v Speaker 3>was just an artist. And then Bee Smalls blows up.

0:45:48.280 --> 0:45:51.400
<v Speaker 3>So I gave Biggie Smalls his first show ever. So

0:45:51.520 --> 0:45:54.080
<v Speaker 3>I was rapping and promoting shows at the same time.

0:45:54.160 --> 0:45:56.440
<v Speaker 3>Like I told you, I was promoting out here. So

0:45:56.640 --> 0:46:02.640
<v Speaker 3>we was tight tight. So Biggie said, y'all, let's make

0:46:02.680 --> 0:46:05.960
<v Speaker 3>an album. Together. He was on the time. He had

0:46:06.040 --> 0:46:07.800
<v Speaker 3>all a beef for Tupac and this and this and

0:46:07.920 --> 0:46:12.439
<v Speaker 3>that and so, long story short, we recorded a couple

0:46:12.480 --> 0:46:17.160
<v Speaker 3>of records. Immediately Atlantic Records heard that I was working

0:46:17.239 --> 0:46:20.080
<v Speaker 3>with Biggie and you know how they do the divide

0:46:20.080 --> 0:46:22.279
<v Speaker 3>and conquer. They came right over shout out my brother

0:46:22.400 --> 0:46:25.279
<v Speaker 3>rob Reef Tuloh, thank god you did that. So he

0:46:25.440 --> 0:46:27.279
<v Speaker 3>came over and said, Yo, you're working with Biggie on

0:46:27.360 --> 0:46:30.680
<v Speaker 3>the album. I was saying yeah, so boom, he said, nah,

0:46:30.760 --> 0:46:32.960
<v Speaker 3>we want to give you your own record label. We

0:46:33.080 --> 0:46:35.680
<v Speaker 3>wanted this, this, that, and so I didn't even deserve

0:46:36.640 --> 0:46:39.320
<v Speaker 3>my own record label. You know what I'm saying. I

0:46:39.360 --> 0:46:42.520
<v Speaker 3>didn't even deserve my own record label because I was

0:46:42.680 --> 0:46:46.279
<v Speaker 3>just on a bum fuck record label and I ain't

0:46:46.320 --> 0:46:48.799
<v Speaker 3>really sell no records or nothing like that. Because they heard,

0:46:48.840 --> 0:46:52.880
<v Speaker 3>they said, Yo, anything Puff touching anything, Biggie touching anybody

0:46:53.000 --> 0:46:55.239
<v Speaker 3>touching like that, getting that the ship about to go

0:46:55.840 --> 0:46:56.239
<v Speaker 3>get them.

0:46:57.000 --> 0:47:00.239
<v Speaker 1>So we want to get a label and millions, and

0:47:01.040 --> 0:47:04.279
<v Speaker 1>you had a label deal. Off of a tall conversation.

0:47:05.120 --> 0:47:08.480
<v Speaker 3>We heard Nigga's talking Yo, Joe and Biggie working on

0:47:08.640 --> 0:47:13.160
<v Speaker 3>something social social currency at the time. It wasn't social media,

0:47:13.200 --> 0:47:15.879
<v Speaker 3>it wasn't not like that, but they heard the hype

0:47:15.880 --> 0:47:17.920
<v Speaker 3>and it was like boom. And I remember I showed

0:47:19.680 --> 0:47:22.520
<v Speaker 3>Poff Daddy the contract and he read it. He said, oh,

0:47:22.600 --> 0:47:25.439
<v Speaker 3>play boy, you got to sign that. I ain't ain't.

0:47:26.239 --> 0:47:38.560
<v Speaker 3>I'm not giving you nothing like that, playboy. Let me

0:47:38.600 --> 0:47:41.160
<v Speaker 3>tell you some of the greatest South Sus single of

0:47:41.239 --> 0:47:44.759
<v Speaker 3>all time. His name is Hector Loveo. That movie O

0:47:44.920 --> 0:47:50.320
<v Speaker 3>Conte Jalo and Mark Anthony. That was his life and

0:47:50.480 --> 0:47:54.040
<v Speaker 3>he's my favorite souths single of all time. And he

0:47:54.200 --> 0:47:58.279
<v Speaker 3>got live songs where he's talking so much ship tank

0:47:58.400 --> 0:48:01.040
<v Speaker 3>and I feel like I'm there. When I'm there, he says,

0:48:01.080 --> 0:48:04.040
<v Speaker 3>the only singer that sings underwater, the only singer that

0:48:04.120 --> 0:48:06.759
<v Speaker 3>when he opens his mouth, fire comes out. This this

0:48:06.960 --> 0:48:08.600
<v Speaker 3>that I know you see a lot of singers in

0:48:08.680 --> 0:48:12.160
<v Speaker 3>here and then fucking with me tonight like he was.

0:48:13.000 --> 0:48:15.839
<v Speaker 3>And they were there and and and and so think

0:48:15.920 --> 0:48:18.120
<v Speaker 3>Marvin Gay Stevie wondered this, but this and that. He

0:48:18.320 --> 0:48:21.040
<v Speaker 3>was talking that ship with them there, so he's talking

0:48:21.120 --> 0:48:25.400
<v Speaker 3>that SELLI cruises here, the biggest was there. He was like,

0:48:25.480 --> 0:48:28.080
<v Speaker 3>ain't can't nobody fuck with me? I am the best

0:48:28.560 --> 0:48:31.000
<v Speaker 3>and I'm like, wow, what you know? I never seen

0:48:31.040 --> 0:48:34.880
<v Speaker 3>him live. I'm like, what it would have been to Besy?

0:48:35.120 --> 0:48:35.319
<v Speaker 1>Yeah?

0:48:37.400 --> 0:48:40.319
<v Speaker 3>Now my favorite song of all time?

0:48:40.400 --> 0:48:50.479
<v Speaker 1>Hold on Speed Speed, Yeah. I introduced these kind of things,

0:48:51.080 --> 0:48:52.239
<v Speaker 1>songs for these kind of things.

0:48:52.320 --> 0:48:53.960
<v Speaker 3>Joe, you have songs for the introduction.

0:48:55.239 --> 0:49:00.880
<v Speaker 1>Joe, this is crazy, gotta dream, hold on, let me

0:49:00.920 --> 0:49:11.520
<v Speaker 1>get the dream dream. There we go, Joe, we have

0:49:11.600 --> 0:49:15.120
<v Speaker 1>a song for this. Who's the song? Tell him what song?

0:49:16.840 --> 0:49:18.000
<v Speaker 1>Top F.

0:49:21.440 --> 0:49:22.719
<v Speaker 3>You're to lie.

0:49:26.480 --> 0:49:33.120
<v Speaker 1>F your top fat ob singer?

0:49:34.719 --> 0:49:35.200
<v Speaker 3>What else?

0:49:35.960 --> 0:49:37.320
<v Speaker 1>R and B songs?

0:49:39.840 --> 0:49:44.040
<v Speaker 3>We got a new that's this that Joe? We know

0:49:44.320 --> 0:49:49.000
<v Speaker 3>how you room? What do we? You aren't know your top.

0:49:51.080 --> 0:49:54.200
<v Speaker 2>And yes, rare.

0:49:55.680 --> 0:49:57.480
<v Speaker 3>Pow top far.

0:50:03.400 --> 0:50:03.560
<v Speaker 1>Jo.

0:50:03.680 --> 0:50:17.399
<v Speaker 5>Okay, I'm gonna give you my top five.

0:50:17.960 --> 0:50:22.200
<v Speaker 3>Luther Evangels the greatest of all time, just my opinion.

0:50:22.800 --> 0:50:26.760
<v Speaker 3>You know, some people say Teddy, some people say Stevie,

0:50:27.440 --> 0:50:28.560
<v Speaker 3>some people say.

0:50:29.600 --> 0:50:32.000
<v Speaker 1>People say Donnie. They say that, but I got their faithorite.

0:50:31.800 --> 0:50:36.920
<v Speaker 3>We say everybody? So my guy is Luther Evangels the

0:50:36.960 --> 0:50:38.680
<v Speaker 3>greatest of all time. I used to go to see

0:50:38.760 --> 0:50:41.480
<v Speaker 3>him and he'd be this small because I was up

0:50:41.560 --> 0:50:44.759
<v Speaker 3>a deck with a cheap three piece suit on. Like

0:50:44.840 --> 0:50:48.359
<v Speaker 3>the cheap shit one n eighty dollars three piece suit

0:50:48.440 --> 0:50:52.120
<v Speaker 3>up with my wife, with my wife, with my wife.

0:50:53.080 --> 0:50:57.399
<v Speaker 3>The second one would be Babyface, And so anything Babyface

0:50:58.680 --> 0:51:04.080
<v Speaker 3>is uh, Babyface is like uh, I know every ad, live,

0:51:04.239 --> 0:51:07.320
<v Speaker 3>every lyric, every everything too. I could be a background

0:51:07.400 --> 0:51:11.120
<v Speaker 3>singer for Babyface and so so many times baby Face

0:51:11.200 --> 0:51:14.640
<v Speaker 3>performing people want to throw me out the show because

0:51:14.680 --> 0:51:17.439
<v Speaker 3>you know, decent people go see Babyface.

0:51:18.360 --> 0:51:19.239
<v Speaker 1>And I'm sitting in there.

0:51:19.520 --> 0:51:22.600
<v Speaker 3>I'm standing in the front roads. You know, tell me where.

0:51:24.000 --> 0:51:24.239
<v Speaker 1>You know?

0:51:24.800 --> 0:51:27.600
<v Speaker 3>You tell me who you know. That's when you turn around,

0:51:28.080 --> 0:51:30.120
<v Speaker 3>love you like you don't. You don't want to go

0:51:30.280 --> 0:51:33.400
<v Speaker 3>to a Mary Jay's show with your wife there. You

0:51:33.600 --> 0:51:35.640
<v Speaker 3>don't want to go cause you probably get stabbed in

0:51:35.719 --> 0:51:40.440
<v Speaker 3>your back about forty times by mad women. Right, But Babyface,

0:51:40.560 --> 0:51:42.480
<v Speaker 3>you could turn to your wife and go, but where

0:51:42.560 --> 0:51:46.719
<v Speaker 3>where you go? And tell me who who? Who's gonna

0:51:46.800 --> 0:51:49.640
<v Speaker 3>live your baby where that I do not tell you where?

0:51:50.000 --> 0:51:51.840
<v Speaker 1>No, baby Face is the conversation.

0:51:52.880 --> 0:51:55.719
<v Speaker 3>Where you go, Where where you go? And tell me

0:51:55.840 --> 0:51:59.520
<v Speaker 3>who's gotta you know that's your babyface. There would be

0:51:59.560 --> 0:52:03.880
<v Speaker 3>a Needa Baker. Now, I listen to Anita Baker every

0:52:04.080 --> 0:52:08.359
<v Speaker 3>single day of my life. The only problem I got

0:52:08.400 --> 0:52:10.920
<v Speaker 3>with Anita Baker still when I go to her shows,

0:52:11.360 --> 0:52:14.839
<v Speaker 3>she don't sing the song. You know, she she kills

0:52:14.920 --> 0:52:17.240
<v Speaker 3>it so much. She's so tired of singing these songs.

0:52:17.680 --> 0:52:19.360
<v Speaker 3>So if you come to my song, you're gonna hear me.

0:52:19.440 --> 0:52:21.480
<v Speaker 3>Go my show, you're gonna hear me say lean back,

0:52:22.080 --> 0:52:27.520
<v Speaker 3>lean back, ain't hey, Hey, I'm trying to sing along

0:52:27.600 --> 0:52:30.600
<v Speaker 3>with us, but she's killing it so much that I can't.

0:52:30.680 --> 0:52:33.440
<v Speaker 3>Lauren Hill do that too. She get like they just

0:52:33.560 --> 0:52:36.319
<v Speaker 3>like I guess, they want to change the song. Tired

0:52:36.360 --> 0:52:39.239
<v Speaker 3>of singing the ship. They freak it a whole different way,

0:52:39.880 --> 0:52:42.200
<v Speaker 3>you know what I'm saying. So, but Anita Baker, she's

0:52:42.360 --> 0:52:46.200
<v Speaker 3>uh top three. So I got Luther, Babyface and Needa

0:52:46.239 --> 0:52:49.280
<v Speaker 3>Baker Forth you know where I had to keep sweat.

0:52:49.320 --> 0:52:58.760
<v Speaker 3>I have yeah, keep sweating. Oh you know step on stage.

0:52:58.880 --> 0:53:04.560
<v Speaker 3>Girl screamed like I'm chief. He's just amazing to me. Man,

0:53:04.640 --> 0:53:08.240
<v Speaker 3>I watched this man be a superstar my whole life.

0:53:08.960 --> 0:53:13.440
<v Speaker 3>Yeah no, yeah, watch this man in real life be

0:53:13.560 --> 0:53:15.880
<v Speaker 3>a superstar my whole life. When he used to have

0:53:16.040 --> 0:53:18.719
<v Speaker 3>the show in Madison, squat Gardener, when he come out

0:53:18.800 --> 0:53:21.680
<v Speaker 3>in the bed, they pushed the bed out and he

0:53:21.800 --> 0:53:26.560
<v Speaker 3>got the He's still the biggest so Keith sweat Man.

0:53:27.600 --> 0:53:30.879
<v Speaker 3>He's definitely a role model to me, somebody I look

0:53:30.960 --> 0:53:35.440
<v Speaker 3>up to. And another way, Uh, and last is Stephanie

0:53:35.520 --> 0:53:41.000
<v Speaker 3>Mills for sure, and so is you know, because Stephanie

0:53:41.120 --> 0:53:44.239
<v Speaker 3>brings my moms and my aunts into it, you know.

0:53:44.360 --> 0:53:47.680
<v Speaker 3>And when they was cleaning the saturdays, you know what

0:53:47.719 --> 0:53:51.040
<v Speaker 3>I mean, they playing that Stephanie top and I'm just like,

0:53:51.320 --> 0:53:54.600
<v Speaker 3>you know, losing my mind with Stephanie and every time

0:53:54.640 --> 0:53:58.359
<v Speaker 3>I hear her music it makes me feel the same way. Yeah,

0:53:58.400 --> 0:53:59.800
<v Speaker 3>and she's also touring.

0:54:00.719 --> 0:54:01.719
<v Speaker 1>Uh. You know. R and B.

0:54:01.920 --> 0:54:07.760
<v Speaker 3>I think their fans support more than hip hop fans

0:54:07.840 --> 0:54:10.600
<v Speaker 3>do because you can have hip hop guys slip through

0:54:10.640 --> 0:54:13.799
<v Speaker 3>the cracks, but R and B, if you're not getting high,

0:54:14.400 --> 0:54:18.239
<v Speaker 3>you show up, you can sing good still because some

0:54:18.400 --> 0:54:21.440
<v Speaker 3>people that is sad. I've went to see some R

0:54:21.480 --> 0:54:26.239
<v Speaker 3>and B singers that they lost their voice, and so

0:54:28.239 --> 0:54:30.160
<v Speaker 3>it's crazy because I know they got to pay their bills,

0:54:30.200 --> 0:54:33.239
<v Speaker 3>but I'd rather listen to the record how I know them,

0:54:33.760 --> 0:54:36.480
<v Speaker 3>how they really was putting it down. They go to

0:54:36.560 --> 0:54:40.000
<v Speaker 3>a show and they can't do it right. So that's

0:54:40.080 --> 0:54:43.400
<v Speaker 3>my top five. Luther Vangels grew up like three blocks

0:54:43.440 --> 0:54:48.399
<v Speaker 3>from me. Luther Vanels was born in the Lower East

0:54:48.480 --> 0:54:51.799
<v Speaker 3>Side but came up to the Bronx, but literally three

0:54:52.120 --> 0:54:54.239
<v Speaker 3>so that's it's safe to say. Luther grew up where

0:54:54.320 --> 0:54:55.160
<v Speaker 3>hip hop was born.

0:54:55.840 --> 0:54:56.520
<v Speaker 1>He lived.

0:54:58.640 --> 0:55:01.600
<v Speaker 3>Five foot steps, you know, five blocks from me, so

0:55:01.719 --> 0:55:04.520
<v Speaker 3>I didn't know tell our sampled the Luther's on to

0:55:04.640 --> 0:55:08.080
<v Speaker 3>the Sunshine and his family. They cleared it so fast

0:55:08.160 --> 0:55:09.960
<v Speaker 3>and they was like, Yo, we love you fat Joey

0:55:10.040 --> 0:55:13.040
<v Speaker 3>from five blocks away. And then when I went to

0:55:13.160 --> 0:55:15.800
<v Speaker 3>YouTube and started singing, I was like, Yo, fucking Luther

0:55:15.960 --> 0:55:19.759
<v Speaker 3>from five blocks that's crazy. Luther van Jos everything to me.

0:55:20.040 --> 0:55:23.160
<v Speaker 3>You know what I'm saying. He's uh, he's my idel man.

0:55:23.280 --> 0:55:26.879
<v Speaker 3>He's special. I don't think nobody can sing like him.

0:55:26.920 --> 0:55:28.800
<v Speaker 3>I think he can hear any kind of note in

0:55:28.880 --> 0:55:31.880
<v Speaker 3>the world. He was just crazy. I remember I used

0:55:31.920 --> 0:55:36.320
<v Speaker 3>to go to shows. He walked past, and you know,

0:55:36.480 --> 0:55:38.839
<v Speaker 3>Luther about to get him some shit. So every now

0:55:38.880 --> 0:55:40.560
<v Speaker 3>and then I go on YouTube and I'd be like,

0:55:40.560 --> 0:55:44.799
<v Speaker 3>all right, Luther BT Award Luther, American Music Award, Luther

0:55:44.960 --> 0:55:48.640
<v Speaker 3>Tribute to Dion Warwick, and she on some shit. Like

0:55:48.719 --> 0:55:49.400
<v Speaker 3>he's sitting there.

0:55:49.480 --> 0:55:49.919
<v Speaker 1>You're ready.

0:55:50.200 --> 0:55:52.680
<v Speaker 3>The whole crowd is laughing me for you. He started

0:55:52.680 --> 0:55:55.080
<v Speaker 3>to sing because they already know, all right, Luther about

0:55:55.120 --> 0:55:57.440
<v Speaker 3>to be on some shit. So that's why guy gave

0:55:57.520 --> 0:56:00.360
<v Speaker 3>you the songs. I'll tell you a funny story about

0:56:00.440 --> 0:56:04.920
<v Speaker 3>all right. And of course Michael Jackson Trump's everything. You know,

0:56:05.600 --> 0:56:10.520
<v Speaker 3>Michael Jackson is Michael Jackson. He's an alien, right, and

0:56:10.680 --> 0:56:13.240
<v Speaker 3>so to anything Michael Jackson.

0:56:13.320 --> 0:56:13.440
<v Speaker 1>Right.

0:56:13.960 --> 0:56:17.080
<v Speaker 3>But I mentioned a crazy story is I was in

0:56:17.160 --> 0:56:20.640
<v Speaker 3>the studio with Rico Love, good friend of mine, brother,

0:56:20.960 --> 0:56:23.080
<v Speaker 3>and he was working this one. He was writing every

0:56:23.160 --> 0:56:24.880
<v Speaker 3>hit for Usher. I was there when he was writing

0:56:24.920 --> 0:56:27.719
<v Speaker 3>all them hits for Usher, like hanging out with them,

0:56:27.800 --> 0:56:32.360
<v Speaker 3>and Usher was dead. That's funny bout Usher. So so

0:56:32.520 --> 0:56:34.600
<v Speaker 3>we up there one day, Usher begs me to take

0:56:34.640 --> 0:56:36.759
<v Speaker 3>them to the club, right, and I'm like, y, usher Man,

0:56:36.880 --> 0:56:38.359
<v Speaker 3>you know you don't want to go to no club,

0:56:38.440 --> 0:56:42.640
<v Speaker 3>you know, because us likes I don't want the responsibility

0:56:42.680 --> 0:56:46.880
<v Speaker 3>of having to hold down these fucking superstars, right, because

0:56:46.920 --> 0:56:50.520
<v Speaker 3>I become security, you know, I can never let nothing

0:56:50.600 --> 0:56:53.719
<v Speaker 3>happen to us. Ship now telling me take him to

0:56:53.840 --> 0:56:56.880
<v Speaker 3>where all the Spanish chicks is that's usually in the

0:56:56.960 --> 0:56:59.480
<v Speaker 3>hood out here. So he's like, Yo, I want to

0:56:59.480 --> 0:57:02.160
<v Speaker 3>see this the Spanish chicks, let's go. I'm like, y'all

0:57:02.200 --> 0:57:05.800
<v Speaker 3>should stay here. He was in a safe studio, fucking

0:57:05.920 --> 0:57:11.680
<v Speaker 3>Jay Valentine Candles. We walk in the club and he

0:57:11.880 --> 0:57:15.520
<v Speaker 3>starts dancing and I'm looking at him and the man

0:57:15.680 --> 0:57:18.280
<v Speaker 3>is floating in one spot. He was doing some ship

0:57:18.320 --> 0:57:21.560
<v Speaker 3>where he was floating. I'm looking at him. Everybody's looking

0:57:21.560 --> 0:57:25.160
<v Speaker 3>at him, like, yo, fucking Usher floating in one spot.

0:57:25.240 --> 0:57:26.880
<v Speaker 3>I don't know what the fuck he was doing. I

0:57:26.960 --> 0:57:29.680
<v Speaker 3>was like, yo, the Scott he's not on his feet,

0:57:29.760 --> 0:57:33.240
<v Speaker 3>he's like floating, right, Usher. But I was there for

0:57:33.360 --> 0:57:36.040
<v Speaker 3>when we go rode all of them. And then I

0:57:36.320 --> 0:57:41.440
<v Speaker 3>actually had to convince Kelly Rowland to do that song Motivation,

0:57:42.640 --> 0:57:46.640
<v Speaker 3>and so she wasn't sure about it, and I was like, yo, Kelly,

0:57:47.080 --> 0:57:48.880
<v Speaker 3>because she had just had a hit that was one

0:57:48.920 --> 0:57:54.680
<v Speaker 3>of them sat Ship, so she was thinking about and

0:57:54.760 --> 0:57:58.600
<v Speaker 3>I'm like, yo, bro, you know you Destiny's child. You

0:57:58.680 --> 0:58:01.200
<v Speaker 3>know that ship is this man. The man just wrote

0:58:01.840 --> 0:58:05.439
<v Speaker 3>thirty million hits for us, like you catching them. That's

0:58:05.440 --> 0:58:09.040
<v Speaker 3>another thing you know as a writer now, I know, right,

0:58:09.160 --> 0:58:11.400
<v Speaker 3>Like so I did four songs with Scott Storch. Each

0:58:11.480 --> 0:58:13.920
<v Speaker 3>one of them went number one on the Billboard one hundred.

0:58:14.480 --> 0:58:17.040
<v Speaker 3>Had I known that, I would have did twenty songs

0:58:18.480 --> 0:58:21.640
<v Speaker 3>at the time. You know, when you're gun hot. Yeah,

0:58:21.880 --> 0:58:23.720
<v Speaker 3>when you got a pen in your gun hot, you

0:58:23.840 --> 0:58:24.320
<v Speaker 3>gotta go.

0:58:25.400 --> 0:58:26.040
<v Speaker 1>You know what I'm saying.

0:58:26.080 --> 0:58:29.320
<v Speaker 3>So I'm like, yo, his gun hot right now? You

0:58:29.400 --> 0:58:31.800
<v Speaker 3>know she did it, and look that was a big

0:58:31.920 --> 0:58:33.400
<v Speaker 3>hit for her. You know what I'm saying.

0:58:33.960 --> 0:58:37.600
<v Speaker 1>Let's build your super R and B artists, Joe, right now,

0:58:37.640 --> 0:58:39.280
<v Speaker 1>how do we do that? Show you? I'm goin to

0:58:39.320 --> 0:58:42.720
<v Speaker 1>show you. This is called voltron, right, So you have

0:58:42.800 --> 0:58:45.120
<v Speaker 1>to pick an R and B artist, dead or alive

0:58:45.720 --> 0:58:48.919
<v Speaker 1>that you would get the vocal from, that you would

0:58:48.960 --> 0:58:51.760
<v Speaker 1>get the performance style from, that you would get the

0:58:51.920 --> 0:58:55.040
<v Speaker 1>styling from, and that you would get the passion from.

0:58:56.120 --> 0:58:57.960
<v Speaker 1>So out of all the R and B artists that

0:58:58.040 --> 0:59:01.280
<v Speaker 1>you know and love, did her alive? To make your

0:59:01.360 --> 0:59:03.880
<v Speaker 1>super R and B artists, who would you get the

0:59:04.080 --> 0:59:04.720
<v Speaker 1>vocal from?

0:59:05.920 --> 0:59:12.720
<v Speaker 3>Michael Jackson? Nobody got that. Nobody got that tone, any

0:59:12.800 --> 0:59:14.560
<v Speaker 3>kind of record, any record, nobody.

0:59:16.480 --> 0:59:21.160
<v Speaker 1>We've said he had had four voices overtime, He's had

0:59:21.240 --> 0:59:24.440
<v Speaker 1>four different voices Ala.

0:59:25.040 --> 0:59:30.040
<v Speaker 3>Michael Jackson performance, I get Chris Brown. So I got

0:59:30.080 --> 0:59:37.320
<v Speaker 3>an m J and a Chris Brown absolutely absolutely on

0:59:37.440 --> 0:59:38.240
<v Speaker 3>the summer.

0:59:39.960 --> 0:59:44.640
<v Speaker 1>All right Will Records. So who's the styling of the

0:59:44.800 --> 0:59:47.360
<v Speaker 1>artists the drip? Who got the fly sh it on?

0:59:49.680 --> 0:59:52.160
<v Speaker 3>If I could pick, if it could be a female,

0:59:53.440 --> 0:59:56.240
<v Speaker 3>it could be a female. And I really think about this,

0:59:56.400 --> 0:59:59.400
<v Speaker 3>but I think I go Aliyah.

1:00:00.120 --> 1:00:01.040
<v Speaker 1>The stylis fly.

1:00:01.520 --> 1:00:03.680
<v Speaker 3>You know what I'm saying. That was that little tomboy

1:00:03.800 --> 1:00:07.040
<v Speaker 3>look showing her little six pack. You know what I'm saying.

1:00:07.360 --> 1:00:11.360
<v Speaker 3>I think she was a big trendsetter. Yeah, yeah, yeah,

1:00:11.480 --> 1:00:16.240
<v Speaker 3>So I would go vocally m J performance, Chris Brown

1:00:16.520 --> 1:00:17.760
<v Speaker 3>styling the Leah.

1:00:18.000 --> 1:00:19.800
<v Speaker 1>Passion, passion.

1:00:25.880 --> 1:00:31.160
<v Speaker 3>That's a lot of passion, but passion. I'm torn between two.

1:00:33.720 --> 1:00:35.640
<v Speaker 3>One I really know which is Maxwell.

1:00:40.400 --> 1:00:40.520
<v Speaker 1>Right.

1:00:41.320 --> 1:00:43.520
<v Speaker 3>Yeah. Every time I see Maxwell, I stop him. I

1:00:43.600 --> 1:00:47.440
<v Speaker 3>make him sing that ship to he can be drunk

1:00:47.520 --> 1:00:50.680
<v Speaker 3>at a part. Yeah yeah, yeah, yeah yeah, every time

1:00:51.080 --> 1:00:53.480
<v Speaker 3>sing the song man, Yeah yeah, sing the song. Max.

1:00:55.440 --> 1:00:58.040
<v Speaker 3>We could be in the club popping. I'll be like, yo,

1:00:58.080 --> 1:01:01.800
<v Speaker 3>you gotta be like yo, Joe, you got so you

1:01:01.920 --> 1:01:08.200
<v Speaker 3>need passion to hit that note. And somebody I don't

1:01:08.200 --> 1:01:11.200
<v Speaker 3>really know all her music like that, but just from

1:01:11.240 --> 1:01:13.840
<v Speaker 3>seeing her perform so many times throughout my whole life,

1:01:13.880 --> 1:01:20.200
<v Speaker 3>I'll say, you Alounder Adams because when she's singing, she's shinging.

1:01:20.760 --> 1:01:21.320
<v Speaker 1>She's not playing.

1:01:21.520 --> 1:01:26.240
<v Speaker 3>You know, yeah, she's not playing with these people, you

1:01:26.320 --> 1:01:29.200
<v Speaker 3>know what I'm saying. And we get throw Patty in

1:01:29.280 --> 1:01:32.240
<v Speaker 3>there too, Patty LaBelle, but you know those are like,

1:01:32.480 --> 1:01:36.480
<v Speaker 3>you know what I'm saying, passion. So I got vocally

1:01:36.600 --> 1:01:40.000
<v Speaker 3>nobody better than MJ with the his tones is like

1:01:40.520 --> 1:01:44.040
<v Speaker 3>it's unreal. Like every time I listen to Michael. Matter

1:01:44.080 --> 1:01:45.880
<v Speaker 3>of fact, I'm gonna listen to him now when I

1:01:46.000 --> 1:01:51.320
<v Speaker 3>leave here and go in the car. Vocally nobody, performance wise,

1:01:51.880 --> 1:01:56.280
<v Speaker 3>nobody like Chris Brown. I don't watch Chris Brown jump

1:01:56.400 --> 1:02:01.240
<v Speaker 3>off the balcony and land on one finger the ship

1:02:02.120 --> 1:02:07.040
<v Speaker 3>like yo, bro, this guy here, I'm not exaggerating. I'm

1:02:07.080 --> 1:02:07.919
<v Speaker 3>not exaggerating.

1:02:07.920 --> 1:02:08.800
<v Speaker 1>I didn't know where he.

1:02:08.920 --> 1:02:13.240
<v Speaker 3>Was gonna say, Yo, he flipped off the bunton. He

1:02:13.880 --> 1:02:20.960
<v Speaker 3>laying on one finger and then opening humbrother and like yo, brother,

1:02:21.320 --> 1:02:26.320
<v Speaker 3>like the man unreal, like we gotta stop but this but.

1:02:26.400 --> 1:02:28.440
<v Speaker 1>This ship is true too. That's what makes me. Man.

1:02:28.760 --> 1:02:32.480
<v Speaker 3>It's unreal. Then he'll go playing game of basketball and

1:02:32.560 --> 1:02:40.400
<v Speaker 3>dropped sixty on it. Yo, He's unreal. Swag I said it,

1:02:40.520 --> 1:02:45.320
<v Speaker 3>lib yeah, yeah, and passion. I gave you a couple

1:02:45.400 --> 1:02:51.520
<v Speaker 3>of Jews from Yolanda Adams, Patty Down and uh and Maxwell.

1:02:51.920 --> 1:02:53.160
<v Speaker 3>It's just Maxwell. He did it.

1:02:53.360 --> 1:02:53.640
<v Speaker 1>He did.

1:02:54.000 --> 1:02:56.959
<v Speaker 3>You know Nas. You know Nas never had the rhyme

1:02:57.080 --> 1:03:01.600
<v Speaker 3>outside of Illmatic. He created such a classic, the album Illmatic.

1:03:02.280 --> 1:03:04.480
<v Speaker 3>If he never rhymed again, he'd be a legend, the

1:03:04.840 --> 1:03:07.880
<v Speaker 3>icon on the Mount Rushmore forever. Yeah, right, because if

1:03:07.920 --> 1:03:10.840
<v Speaker 3>you think about it, on Dred three thousand ain't really rapping,

1:03:10.920 --> 1:03:13.480
<v Speaker 3>like fifteen years, we still got him on Mount Rushmore.

1:03:13.960 --> 1:03:16.479
<v Speaker 3>So your man Nis were ill matter. He was done.

1:03:16.600 --> 1:03:19.720
<v Speaker 3>He did some ship that goes into in the Museum

1:03:19.800 --> 1:03:23.800
<v Speaker 3>of Natural History, right, and so Max man with that.

1:03:27.000 --> 1:03:30.120
<v Speaker 3>I ain't never had the saying of a song swimming

1:03:30.200 --> 1:03:32.920
<v Speaker 3>through the concrete and ship. You remember the video. You

1:03:32.960 --> 1:03:36.480
<v Speaker 3>remember the video You're swimming through the you know what

1:03:36.520 --> 1:03:40.240
<v Speaker 3>I'm saying. So you know, I'm good with what my choices.

1:03:39.880 --> 1:03:41.920
<v Speaker 1>Were all before we let you, before we let you

1:03:42.000 --> 1:03:45.320
<v Speaker 1>out of here, brother Joe. Yeah, we got a very

1:03:45.400 --> 1:03:48.520
<v Speaker 1>very very special part of this show. We keep themed songs.

1:03:48.560 --> 1:03:52.120
<v Speaker 1>Ready here, Okay, that's my that's my job. This one is.

1:03:52.800 --> 1:03:55.720
<v Speaker 1>I ain't saying no names. I ain't saying no names.

1:03:56.160 --> 1:03:58.840
<v Speaker 1>Ain't saying no names. I ain't saying no name.

1:03:58.960 --> 1:04:04.240
<v Speaker 3>Where you were, what you did? You don't say she.

1:04:06.480 --> 1:04:07.520
<v Speaker 1>I ain't saying nobody.

1:04:16.000 --> 1:04:19.480
<v Speaker 3>And that's all we want to We don't want nobody

1:04:19.520 --> 1:04:20.360
<v Speaker 3>to say no names.

1:04:21.160 --> 1:04:25.480
<v Speaker 1>So this is no man, very very very special segment.

1:04:26.080 --> 1:04:27.680
<v Speaker 3>Thank you so much. Man, it was an honor to

1:04:27.760 --> 1:04:30.520
<v Speaker 3>be You got you got to. You're not done yet.

1:04:30.560 --> 1:04:31.280
<v Speaker 3>Oh I'm not done.

1:04:31.360 --> 1:04:33.960
<v Speaker 2>You're not done. You got one more thing. Okay, it's

1:04:34.000 --> 1:04:35.760
<v Speaker 2>the part of the show is called I ain't saying

1:04:35.800 --> 1:04:39.080
<v Speaker 2>no names. Will you tell us a story? Funny or

1:04:39.160 --> 1:04:43.480
<v Speaker 2>fucked up? Are funny and fucked up? The only rule

1:04:43.520 --> 1:04:45.600
<v Speaker 2>to the game is you can't say no names.

1:04:46.000 --> 1:04:51.720
<v Speaker 3>Okay, what comes to mind?

1:04:53.640 --> 1:04:53.800
<v Speaker 1>Man?

1:04:53.840 --> 1:04:58.560
<v Speaker 3>I got too many stories. Oh it was an artist

1:04:59.200 --> 1:05:06.000
<v Speaker 3>right that, Uh, an R and B artist who was

1:05:06.200 --> 1:05:09.720
<v Speaker 3>very sexual, very uh you know, write songs for the

1:05:09.880 --> 1:05:11.880
<v Speaker 3>ladies and this and that and.

1:05:13.520 --> 1:05:13.680
<v Speaker 1>Uh.

1:05:15.680 --> 1:05:19.440
<v Speaker 3>He would have women butt naked like if it was

1:05:19.560 --> 1:05:23.320
<v Speaker 3>like like art, like you know how you statue like

1:05:23.440 --> 1:05:26.360
<v Speaker 3>a statue like art. And he would write his hit

1:05:26.480 --> 1:05:32.600
<v Speaker 3>records looking at butt naked women. That was like his art,

1:05:33.040 --> 1:05:37.200
<v Speaker 3>you know how he got this and then and then

1:05:37.280 --> 1:05:39.720
<v Speaker 3>another red Bone to come and another one and they

1:05:39.840 --> 1:05:42.480
<v Speaker 3>was they was older. I don't want nobody thinking, no

1:05:42.560 --> 1:05:47.400
<v Speaker 3>crazy shit. But I ain't saying no names. But let

1:05:47.440 --> 1:05:49.520
<v Speaker 3>me tell you something that that I never forget. I

1:05:49.720 --> 1:05:53.200
<v Speaker 3>never forgot that session. But I was just like they

1:05:53.280 --> 1:05:57.000
<v Speaker 3>was just coming poles about an hour coming poles, but

1:05:57.240 --> 1:06:01.880
<v Speaker 3>naked on the stool thing. My walk out the room,

1:06:01.960 --> 1:06:05.360
<v Speaker 3>another one come in and the dude just be writing

1:06:05.440 --> 1:06:10.680
<v Speaker 3>here records about girls. I ain't saying no names. Wow.

1:06:11.000 --> 1:06:12.000
<v Speaker 1>I like that.

1:06:16.560 --> 1:06:19.600
<v Speaker 3>That's a legendary. I never gave nobody that one.

1:06:20.200 --> 1:06:23.080
<v Speaker 1>That's a legend to that. Wow.

1:06:23.440 --> 1:06:24.120
<v Speaker 3>Yeah yeah yeah.

1:06:24.120 --> 1:06:27.520
<v Speaker 1>You never know what people's inspiration is that. Okay, this

1:06:27.600 --> 1:06:30.280
<v Speaker 1>is is a question. Is that is that? Is that cheating?

1:06:31.800 --> 1:06:35.240
<v Speaker 1>I'm just writing a song. It's not it's not cheating, right.

1:06:35.520 --> 1:06:38.760
<v Speaker 3>No, it's not cheating. No, no, no, it's not cheating.

1:06:39.560 --> 1:06:40.400
<v Speaker 1>It's not cheating.

1:06:42.240 --> 1:06:45.600
<v Speaker 3>Okay, with that, I didn't see the girls flirting. They

1:06:45.680 --> 1:06:47.960
<v Speaker 3>weren't even looking at us. They were there minding their

1:06:48.040 --> 1:06:55.800
<v Speaker 3>business like they posing like I don't get yeah, yeah, yeah,

1:06:55.920 --> 1:06:57.960
<v Speaker 3>but I ain't saying no names.

1:06:58.080 --> 1:07:03.720
<v Speaker 1>Wow, wow, other fat Joe. We are. I mean, family

1:07:03.800 --> 1:07:05.280
<v Speaker 1>goes without saying, but we are.

1:07:05.440 --> 1:07:05.680
<v Speaker 3>We are.

1:07:05.760 --> 1:07:09.120
<v Speaker 1>I think we are all inspired and and we are

1:07:09.200 --> 1:07:12.120
<v Speaker 1>all better because of what you've done and how you

1:07:12.200 --> 1:07:15.480
<v Speaker 1>do it, man, And we appreciate we appreciate you a

1:07:15.680 --> 1:07:18.280
<v Speaker 1>thousand times over. I appreciate you giving me the call.

1:07:18.920 --> 1:07:22.360
<v Speaker 1>As I said, you've always been inclusively, You've always wrapped

1:07:22.400 --> 1:07:25.080
<v Speaker 1>your hands and arms around everyone. And you give me

1:07:25.160 --> 1:07:28.479
<v Speaker 1>a call and say, hey, man, you want you want

1:07:28.560 --> 1:07:32.200
<v Speaker 1>to be part of this. Yeah, it wasn't a do

1:07:32.400 --> 1:07:35.680
<v Speaker 1>you want to be part of this? It was you

1:07:35.880 --> 1:07:36.760
<v Speaker 1>want to be part of.

1:07:36.800 --> 1:07:42.160
<v Speaker 3>You get money right? Think of Tyson back for right,

1:07:42.280 --> 1:07:44.200
<v Speaker 3>one of the most handsome men in the world. You've

1:07:44.240 --> 1:07:49.800
<v Speaker 3>been a runway model forever. We found a way for

1:07:49.960 --> 1:07:54.520
<v Speaker 3>people who love him to support and he get paid

1:07:54.600 --> 1:08:00.000
<v Speaker 3>now office his looks so every night somebody, every day

1:08:00.000 --> 1:08:02.720
<v Speaker 3>he ain't somebody buying the box. You know, we finally

1:08:02.840 --> 1:08:05.480
<v Speaker 3>found the right system for Tyson Beckford to get his

1:08:05.840 --> 1:08:09.440
<v Speaker 3>just due, get his flowers right. And so you know,

1:08:09.560 --> 1:08:11.480
<v Speaker 3>it's the beginning of a lot of stuff we're gonna do.

1:08:11.680 --> 1:08:14.200
<v Speaker 3>You know, shout out to jay Z. He going for

1:08:14.320 --> 1:08:19.280
<v Speaker 3>the casino up in New York Times Square, and so

1:08:19.360 --> 1:08:22.400
<v Speaker 3>I wanted to get it because then fifteen thousand people

1:08:22.439 --> 1:08:24.920
<v Speaker 3>that look like us to get jobs and Times Square

1:08:25.560 --> 1:08:28.200
<v Speaker 3>and so I just every time I hear amazing things

1:08:28.240 --> 1:08:31.320
<v Speaker 3>from people you know, I look up to or who

1:08:31.400 --> 1:08:33.880
<v Speaker 3>I love or what they're doing, you know, and inspires me.

1:08:34.880 --> 1:08:37.320
<v Speaker 1>Well, you inspire his brother in that absolutely, that is

1:08:37.360 --> 1:08:40.640
<v Speaker 1>the blueprint, man. How can we continue to push it

1:08:40.760 --> 1:08:43.400
<v Speaker 1>forward or pay it forward? You know what I mean?

1:08:46.120 --> 1:08:52.160
<v Speaker 1>That's it. I'm Tank, this podcast authority on all things

1:08:52.439 --> 1:08:56.519
<v Speaker 1>R and B and this has been all things fat yup, Yeah,

1:09:00.240 --> 1:09:01.280
<v Speaker 1>R and B Money.

1:09:02.439 --> 1:09:04.200
<v Speaker 2>R and B Money is a production of the Black

1:09:04.240 --> 1:09:09.000
<v Speaker 2>Effect podcast Network. For more podcasts from iHeartRadio, visit the

1:09:09.120 --> 1:09:12.960
<v Speaker 2>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:09:13.000 --> 1:09:16.880
<v Speaker 2>favorite shows. Don't forget to subscribe to and rate our show,

1:09:17.200 --> 1:09:19.800
<v Speaker 2>and you can connect with us on social media at

1:09:19.880 --> 1:09:24.120
<v Speaker 2>j Valentine and at the Real Tank. For the extended episode,

1:09:24.240 --> 1:09:28.439
<v Speaker 2>subscribe to YouTube dot com or slash R and B

1:09:28.560 --> 1:09:28.840
<v Speaker 2>Money