1 00:00:00,080 --> 00:00:10,200 Speaker 1: M h. 2 00:00:15,960 --> 00:00:19,400 Speaker 2: What happened with the Endoscope Jimmy relationship? When did it start? 3 00:00:19,920 --> 00:00:23,279 Speaker 1: Well? Deliverance, you know, the second album, so basically to 4 00:00:23,840 --> 00:00:26,680 Speaker 1: set the scene, all right, so Ugly comes out goes 5 00:00:26,760 --> 00:00:29,720 Speaker 1: number one. Uh. I had the record with Jada Kiss 6 00:00:29,760 --> 00:00:35,360 Speaker 1: which was big, the the Archie record Rest in Peace 7 00:00:35,479 --> 00:00:39,760 Speaker 1: Archie Ever so we ready remix, it's we ready. You 8 00:00:39,800 --> 00:00:41,240 Speaker 1: know what I'm saying. It was the remix. 9 00:00:41,760 --> 00:00:43,160 Speaker 2: So that's considered the original verse. 10 00:00:43,200 --> 00:00:45,240 Speaker 1: I mean it is. I mean, like you know, it's 11 00:00:45,320 --> 00:00:47,680 Speaker 1: it's it's it's the one that gets you know what 12 00:00:47,720 --> 00:00:50,400 Speaker 1: I'm saying people, I'm viewed to be on that song. 13 00:00:50,520 --> 00:00:53,080 Speaker 2: That's a that's a slick, slick ass verse. 14 00:00:53,200 --> 00:00:57,120 Speaker 1: That's but that that verse and that song. At that time, 15 00:00:57,200 --> 00:00:59,400 Speaker 1: I was the biggest I have ever been or will 16 00:00:59,440 --> 00:01:01,800 Speaker 1: ever be in Atlanta, Georgia. And that been a lot 17 00:01:01,880 --> 00:01:03,960 Speaker 1: to me, you know what I'm saying, Like in the streets, 18 00:01:04,000 --> 00:01:06,479 Speaker 1: you know what I'm saying. I performed, you know, when 19 00:01:06,800 --> 00:01:09,480 Speaker 1: Kujo had his accident I'll never forget, you know, and 20 00:01:09,680 --> 00:01:14,200 Speaker 1: we had a fundraiser, you know, and t I was 21 00:01:14,280 --> 00:01:16,200 Speaker 1: there where he had dope boys in the traut. You 22 00:01:16,280 --> 00:01:19,520 Speaker 1: know what I'm saying, and we performed those two songs right, 23 00:01:19,560 --> 00:01:21,440 Speaker 1: and it was neck and neck, which one people was 24 00:01:21,520 --> 00:01:23,800 Speaker 1: most hyped about, you know what I'm saying. And so 25 00:01:24,000 --> 00:01:26,840 Speaker 1: I'm looking at going into my second record, second album, 26 00:01:26,880 --> 00:01:30,800 Speaker 1: I'm thinking, oh man, we're gonna capitalize on on the 27 00:01:31,080 --> 00:01:34,520 Speaker 1: urban you know what I'm saying. Well, because I'm thinking, like, 28 00:01:34,600 --> 00:01:37,240 Speaker 1: all right, Tim's gonna do half the record this time. 29 00:01:37,240 --> 00:01:40,319 Speaker 1: When we get a little John, I'm gonna get Tube whoever. 30 00:01:40,440 --> 00:01:41,960 Speaker 1: You know what I'm saying at the time, like I'm 31 00:01:42,000 --> 00:01:46,160 Speaker 1: gonna do like a classic southern hip hop album. Tim 32 00:01:47,080 --> 00:01:50,520 Speaker 1: changed all that when he played me, uh, one record 33 00:01:50,600 --> 00:01:54,080 Speaker 1: is a song off Deliverance called coming Around See You 34 00:01:54,360 --> 00:01:58,360 Speaker 1: Come in Around the Band. It's like a bluegrass sample. 35 00:01:58,480 --> 00:02:00,840 Speaker 1: But he had freaked and dropped that it was so 36 00:02:01,200 --> 00:02:04,880 Speaker 1: dope man, and he was like, he wasn't going for 37 00:02:05,080 --> 00:02:07,280 Speaker 1: the plan I had. He was like, listen, he wanted 38 00:02:07,320 --> 00:02:10,079 Speaker 1: to roll the dice on selling ten million, you know, 39 00:02:10,400 --> 00:02:15,040 Speaker 1: and and going. He said, let's make the album that 40 00:02:15,720 --> 00:02:18,799 Speaker 1: sounds the way the ugly video looked, and let's let's 41 00:02:18,840 --> 00:02:21,239 Speaker 1: go deeper into explaining like let people know it's not 42 00:02:21,360 --> 00:02:24,040 Speaker 1: a joke, which was credible to me. And we went 43 00:02:24,160 --> 00:02:27,799 Speaker 1: that way, and you know, we we created what we 44 00:02:27,960 --> 00:02:30,040 Speaker 1: planned in the seas that would sprout and become a 45 00:02:30,080 --> 00:02:33,160 Speaker 1: whole new sub genre, you know with you know, country 46 00:02:33,280 --> 00:02:37,040 Speaker 1: route like as we were talking about earlier. But it 47 00:02:37,360 --> 00:02:39,720 Speaker 1: totally took me away from I remember even we went 48 00:02:39,840 --> 00:02:44,239 Speaker 1: out to Jimmy's office to play him, uh Deliverance the album. 49 00:02:44,680 --> 00:02:46,040 Speaker 1: He heard it all He's like, all right, we're the 50 00:02:46,040 --> 00:02:50,040 Speaker 1: club songs, no club songs really on that. And so 51 00:02:51,520 --> 00:02:54,000 Speaker 1: Tim was like, there ain't gonna be no club songs, 52 00:02:54,240 --> 00:02:55,679 Speaker 1: you know what I'm saying. This is what we're doing. 53 00:02:56,440 --> 00:02:58,679 Speaker 1: And they finally came around and we put out the 54 00:02:58,760 --> 00:03:01,519 Speaker 1: album and it was very crit claimed and you know, 55 00:03:01,880 --> 00:03:06,120 Speaker 1: but once again, if platinum wasn't good enough by the 56 00:03:06,160 --> 00:03:09,160 Speaker 1: interstupt standards, what was four hundred thousand go be? You 57 00:03:09,200 --> 00:03:11,639 Speaker 1: know what I'm saying. And not to mention at the time, 58 00:03:11,800 --> 00:03:14,320 Speaker 1: Miss Jade had come out shout out to Jade one 59 00:03:14,320 --> 00:03:17,400 Speaker 1: of the dopest female in season of all time. Uh, 60 00:03:17,720 --> 00:03:21,320 Speaker 1: but her project based on the Interscopte standards under before now, 61 00:03:21,440 --> 00:03:23,520 Speaker 1: she wasn't given the same chance that I was given. 62 00:03:23,600 --> 00:03:25,560 Speaker 1: That's you know what I mean. They didn't press the 63 00:03:25,600 --> 00:03:30,840 Speaker 1: button for her, like yeah, and she had some great feats, 64 00:03:30,840 --> 00:03:33,600 Speaker 1: she had a jay Z feature, she had a Missy feature, 65 00:03:34,320 --> 00:03:36,560 Speaker 1: but you know, for whatever reason, it just didn't connect. 66 00:03:36,720 --> 00:03:39,880 Speaker 2: And uh, the relationship. 67 00:03:40,640 --> 00:03:42,800 Speaker 1: And at the time, and Tim would be the first 68 00:03:42,840 --> 00:03:45,480 Speaker 1: to tell you this, I think you would. I was 69 00:03:45,600 --> 00:03:47,720 Speaker 1: green and not really ready to be the man as 70 00:03:47,720 --> 00:03:51,200 Speaker 1: an artist. But he was totally unprepared for being a 71 00:03:51,320 --> 00:03:54,880 Speaker 1: boss at that time at that time. And and I 72 00:03:54,920 --> 00:03:56,600 Speaker 1: think he would because if you think about it, be 73 00:03:56,760 --> 00:03:59,520 Speaker 1: club and then he had his real success later on 74 00:03:59,760 --> 00:04:02,600 Speaker 1: as mostly music. That was his second deal with Jimmy, 75 00:04:02,720 --> 00:04:04,960 Speaker 1: you know what I'm saying, after a period, you know, 76 00:04:05,120 --> 00:04:08,680 Speaker 1: of multiple years of not being with Jimmy, and so 77 00:04:10,480 --> 00:04:12,880 Speaker 1: you know, it was Jimmy gave me the option to 78 00:04:12,920 --> 00:04:14,800 Speaker 1: staying on Interscope, you know what I'm saying. But at 79 00:04:14,840 --> 00:04:16,720 Speaker 1: the time I'm looking at it like, well, I had 80 00:04:17,440 --> 00:04:20,280 Speaker 1: being Biggs related, big Boys relationship had really started to 81 00:04:20,640 --> 00:04:23,839 Speaker 1: grow and flourish, and and we had taken a trip 82 00:04:23,920 --> 00:04:27,200 Speaker 1: to London and we were like really already talking about 83 00:04:27,400 --> 00:04:29,240 Speaker 1: because I kind of saw the handwriting on the wall 84 00:04:29,360 --> 00:04:31,840 Speaker 1: at Interscope with that situation, I was like, man, be 85 00:04:31,880 --> 00:04:33,320 Speaker 1: great to come back, come back, home, you know what 86 00:04:33,360 --> 00:04:36,919 Speaker 1: I'm saying. Right with the DF and UH and Tim 87 00:04:38,000 --> 00:04:40,800 Speaker 1: so and Tim was going off on Jimmy and stuff 88 00:04:40,880 --> 00:04:43,920 Speaker 1: like that, you know, and it was so Tim at 89 00:04:43,960 --> 00:04:46,120 Speaker 1: that time was gone. You know what I'm saying. Jimmy 90 00:04:46,279 --> 00:04:48,799 Speaker 1: was not wanted to be in business with Tim anymore. 91 00:04:49,040 --> 00:04:50,560 Speaker 1: But he gave me the option to stay in. But 92 00:04:50,640 --> 00:04:53,520 Speaker 1: I'm looking at the situation G Unit's come in now 93 00:04:53,680 --> 00:04:58,039 Speaker 1: fifty cent uh. You know, if there was a period 94 00:04:58,080 --> 00:05:00,440 Speaker 1: of interscope there where it looked a whole like if 95 00:05:00,480 --> 00:05:02,720 Speaker 1: you weren't after mad G you did shady, then you 96 00:05:03,520 --> 00:05:06,160 Speaker 1: were kind of working against the system. And so I'm 97 00:05:06,200 --> 00:05:08,920 Speaker 1: thinking about being in that building solo Lolo, you know 98 00:05:08,960 --> 00:05:11,560 Speaker 1: what I'm saying, because this is my brother. Polo was 99 00:05:11,600 --> 00:05:14,080 Speaker 1: coming in. He was about to have some muscling there. 100 00:05:14,160 --> 00:05:16,200 Speaker 1: But this was the end between period. So there really 101 00:05:16,279 --> 00:05:19,000 Speaker 1: wasn't anybody from the South or anybody I had a 102 00:05:19,040 --> 00:05:21,440 Speaker 1: relationship with it was going to be in that imprint role, 103 00:05:22,120 --> 00:05:24,360 Speaker 1: you know. And even though he gave me the option 104 00:05:24,480 --> 00:05:25,800 Speaker 1: to stay and I said, I'm just gonna take my 105 00:05:25,880 --> 00:05:29,120 Speaker 1: walking papers and so, but me and Tim were originally 106 00:05:29,160 --> 00:05:31,720 Speaker 1: supposed to be going to death. Jam is what I thought, 107 00:05:32,279 --> 00:05:34,760 Speaker 1: but that was a period kind of a dark period 108 00:05:34,800 --> 00:05:36,640 Speaker 1: for Tim where he went to Miami and that was 109 00:05:36,760 --> 00:05:39,320 Speaker 1: he was his weight. He was really heavy at the time, 110 00:05:39,800 --> 00:05:41,680 Speaker 1: you know, around the time of the Fade the Black video, 111 00:05:41,839 --> 00:05:43,080 Speaker 1: you know, when he was in there with jay Z 112 00:05:43,760 --> 00:05:47,919 Speaker 1: and and he kind of just went silent for about 113 00:05:47,960 --> 00:05:50,640 Speaker 1: six months to a year, you know, at a very 114 00:05:50,720 --> 00:05:54,360 Speaker 1: crucial time. And that to me, that just about me 115 00:05:54,440 --> 00:05:56,200 Speaker 1: and the guy had talked on the phone every day 116 00:05:56,279 --> 00:05:58,040 Speaker 1: for two or three years at that point, and it 117 00:05:58,279 --> 00:06:01,360 Speaker 1: goes just cultiple months. I can't get touched with him. 118 00:06:01,800 --> 00:06:04,400 Speaker 1: And it's at that critical juncture too. You know. He 119 00:06:04,480 --> 00:06:06,400 Speaker 1: had told me not to really do shows, kind of 120 00:06:06,440 --> 00:06:08,160 Speaker 1: lay low and we was gonna come make this big 121 00:06:08,279 --> 00:06:12,039 Speaker 1: return or whatever. And uh yeah, it was a crucial time, man. 122 00:06:12,120 --> 00:06:14,080 Speaker 1: You know what I'm saying, because after Delivering I wasn't 123 00:06:14,120 --> 00:06:17,560 Speaker 1: getting the same type of show love. You know what 124 00:06:17,600 --> 00:06:20,720 Speaker 1: I'm saying from from the Deliverance project that that I 125 00:06:20,839 --> 00:06:23,400 Speaker 1: gott with Ugly being on to go in the nightclubs 126 00:06:23,440 --> 00:06:26,040 Speaker 1: and perform Ugly four times and get twenty rags. You 127 00:06:26,040 --> 00:06:29,000 Speaker 1: know what I'm saying. I had kind of started, uh 128 00:06:29,160 --> 00:06:33,080 Speaker 1: take going the route of performing on college campuses for 129 00:06:33,200 --> 00:06:35,160 Speaker 1: seventy five hundred and taking a band, you know what 130 00:06:35,160 --> 00:06:38,760 Speaker 1: I'm saying, stuff like that, and uh, and so, but 131 00:06:38,880 --> 00:06:41,640 Speaker 1: I had to shut everything down and then being big 132 00:06:41,760 --> 00:06:44,440 Speaker 1: er building this bawn and then here comes Vision Records 133 00:06:44,640 --> 00:06:45,839 Speaker 1: and Purple ribbing. 134 00:06:46,120 --> 00:06:48,640 Speaker 3: Before we get into the big and purple ribbon stuff, 135 00:06:48,640 --> 00:06:50,080 Speaker 3: What was you and Timlin's relationship like? 136 00:06:50,160 --> 00:06:56,960 Speaker 1: Now we're cool? Yeah, yeah, it's it's it's I wouldn't 137 00:06:56,960 --> 00:07:01,040 Speaker 1: say that we're We're on the not on bad times, 138 00:07:01,120 --> 00:07:03,680 Speaker 1: you know what I'm saying. We were just the communications 139 00:07:03,720 --> 00:07:08,080 Speaker 1: not like you know, I don't. We don't have a 140 00:07:08,120 --> 00:07:13,240 Speaker 1: lot of common you know what I'm saying. I called 141 00:07:13,280 --> 00:07:19,920 Speaker 1: Jimmy I if I had USNB anytime I've seen Jimmy 142 00:07:19,920 --> 00:07:22,040 Speaker 1: because I spent a lot of time when Polo was 143 00:07:22,240 --> 00:07:25,920 Speaker 1: you know, Polo and Jimmy were really really Polo's my brother, 144 00:07:25,960 --> 00:07:27,360 Speaker 1: and so I spent a lot of time out there 145 00:07:27,520 --> 00:07:30,240 Speaker 1: in l A during that period, and you know, be 146 00:07:30,360 --> 00:07:34,120 Speaker 1: a Jimmy Yeah, I man, there's some funny stories that 147 00:07:34,240 --> 00:07:37,400 Speaker 1: we share. But but uh, and Timberland is a part 148 00:07:37,440 --> 00:07:40,000 Speaker 1: of that too, you know. Uh, there's there's there's been 149 00:07:40,040 --> 00:07:43,760 Speaker 1: a lot of times with Tim where uh, just to 150 00:07:44,200 --> 00:07:48,280 Speaker 1: just to to put it, put it lightly, you know. Uh, 151 00:07:50,480 --> 00:07:52,920 Speaker 1: words didn't match actions. You know what I'm saying a 152 00:07:53,000 --> 00:07:54,520 Speaker 1: couple of times. You know what I'm saying. 153 00:07:54,600 --> 00:07:57,000 Speaker 2: I think we've experienced that a lot of this business. 154 00:07:57,200 --> 00:07:59,560 Speaker 1: Yeah, and so it is what it is. But the 155 00:07:59,640 --> 00:08:01,800 Speaker 1: man did way too much for me, taught me, way 156 00:08:01,840 --> 00:08:04,840 Speaker 1: too much for me to ever harbor like overall hell 157 00:08:04,920 --> 00:08:08,240 Speaker 1: wheel towards it. I'm so grateful and loved the guy, 158 00:08:08,360 --> 00:08:10,760 Speaker 1: and he's got a brother and be forever regardless. 159 00:08:10,360 --> 00:08:12,400 Speaker 4: Of how he feels about be In hindsight, I'm looking 160 00:08:12,440 --> 00:08:14,080 Speaker 4: at it now, just thinking about it, like you had 161 00:08:14,120 --> 00:08:16,160 Speaker 4: a vision and you're the artist, you're the creative, and 162 00:08:16,240 --> 00:08:18,560 Speaker 4: you were saying, I wanted to create this sound go 163 00:08:18,680 --> 00:08:21,080 Speaker 4: with dungeon and sofa, and the label. 164 00:08:20,960 --> 00:08:21,840 Speaker 1: Said do it this way. 165 00:08:21,880 --> 00:08:24,920 Speaker 5: A lot of artists I seen tell that story. Looking back, 166 00:08:25,200 --> 00:08:26,680 Speaker 5: do you think you probably should. 167 00:08:26,400 --> 00:08:31,080 Speaker 1: Have went with your original plan? Well, it's twofold because 168 00:08:31,120 --> 00:08:33,520 Speaker 1: on one side of it, you wouldn't. You don't change 169 00:08:33,679 --> 00:08:36,720 Speaker 1: history because if you do, you start pulling out blocks 170 00:08:36,760 --> 00:08:39,160 Speaker 1: in the foundation that you could change. I could be 171 00:08:39,240 --> 00:08:42,040 Speaker 1: dead now, you know. But the other side of me 172 00:08:42,280 --> 00:08:44,640 Speaker 1: is like, yeah, I would like to have seen maybe 173 00:08:44,720 --> 00:08:47,040 Speaker 1: what would have happened in so altered the universe if 174 00:08:47,120 --> 00:08:48,679 Speaker 1: I had just done what the fuck I wanted to. 175 00:08:49,160 --> 00:08:50,680 Speaker 5: Did you ever get a chance to work with TOUMP? 176 00:08:51,720 --> 00:08:54,400 Speaker 1: Not really do? Look, and I just say he was 177 00:08:54,440 --> 00:08:56,679 Speaker 1: an example, you know when I said that earlier, like 178 00:08:56,800 --> 00:09:00,240 Speaker 1: but man, I love too, but I love it sounds 179 00:09:00,280 --> 00:09:03,040 Speaker 1: like mother. What you know is is my favorite TI 180 00:09:03,240 --> 00:09:07,839 Speaker 1: record ever and and top ten favorite hip hop is 181 00:09:07,880 --> 00:09:10,520 Speaker 1: that dude? But uh yeah, so you the house and 182 00:09:10,600 --> 00:09:12,880 Speaker 1: then you know, like I said, being come to Big 183 00:09:12,960 --> 00:09:16,280 Speaker 1: Boy been great friend. Yeah, you know what I'm saying, 184 00:09:16,400 --> 00:09:19,280 Speaker 1: And and our relationship was only getting tighter because at 185 00:09:19,280 --> 00:09:22,560 Speaker 1: this time, you know, uh, this is like speaker Box 186 00:09:22,640 --> 00:09:24,880 Speaker 1: love below time and Dre's kind of going. So you 187 00:09:24,920 --> 00:09:25,400 Speaker 1: know what I'm saying. 188 00:09:25,440 --> 00:09:27,480 Speaker 3: It's kind of because when I first met you, I was, 189 00:09:27,640 --> 00:09:29,120 Speaker 3: you know, I was working at the quiment I run 190 00:09:29,200 --> 00:09:31,599 Speaker 3: in the promote radio promotion, and then when they was 191 00:09:31,679 --> 00:09:34,040 Speaker 3: transitioning to Purple Ribbons when you was coming in. 192 00:09:34,320 --> 00:09:36,559 Speaker 2: Yep, So you know, with all that I was, I 193 00:09:36,720 --> 00:09:39,160 Speaker 2: was going to work for Steve Rifkin at that time. 194 00:09:39,400 --> 00:09:40,439 Speaker 1: I do remember that now. 195 00:09:40,520 --> 00:09:43,959 Speaker 3: Yeah, so you know when I heard the records. I 196 00:09:44,160 --> 00:09:46,640 Speaker 3: was like, oh Ship, I mean, of course I knew 197 00:09:46,640 --> 00:09:48,959 Speaker 3: you from you know, the records from before, but I 198 00:09:49,080 --> 00:09:50,440 Speaker 3: was like, you was gonna come back with a. 199 00:09:50,480 --> 00:09:54,000 Speaker 1: Bang, Yeah, but by the records being ret made, like 200 00:09:54,080 --> 00:09:55,840 Speaker 1: getting ready for that, Yeah, yeah, no doubt. 201 00:09:55,960 --> 00:09:58,760 Speaker 3: So you know, I look at you coming into Purple 202 00:09:58,880 --> 00:10:02,439 Speaker 3: Ribbon when you was coming into for one. Did you 203 00:10:02,720 --> 00:10:05,040 Speaker 3: like hollered Tim and say, man, this is what I'm doing? 204 00:10:05,160 --> 00:10:06,559 Speaker 3: Or was it at that point we were. 205 00:10:06,559 --> 00:10:08,120 Speaker 1: To really communicate, you know what I'm saying. It was 206 00:10:08,160 --> 00:10:11,120 Speaker 1: a situation where he had kind of gone silent and uh. 207 00:10:11,920 --> 00:10:16,480 Speaker 1: And then at the end, like when it was like 208 00:10:16,720 --> 00:10:19,280 Speaker 1: everything had been agreed to basically and we were about 209 00:10:19,800 --> 00:10:23,520 Speaker 1: Tim did come back in briefly, and he he it 210 00:10:23,720 --> 00:10:26,360 Speaker 1: was kind of fucked up because he kind of his 211 00:10:26,640 --> 00:10:29,000 Speaker 1: energy was kind of like he wanted he was kind 212 00:10:29,040 --> 00:10:32,120 Speaker 1: of seeing me with cast or with me, you know 213 00:10:32,160 --> 00:10:33,920 Speaker 1: what I'm saying, And they were just the biggest things 214 00:10:33,960 --> 00:10:36,360 Speaker 1: in music, and it was he wanted to be a 215 00:10:36,440 --> 00:10:39,440 Speaker 1: part of it, kind of like and I really couldn't 216 00:10:39,440 --> 00:10:41,080 Speaker 1: make that happen at that time, you know what I'm saying, 217 00:10:41,120 --> 00:10:43,719 Speaker 1: because I would have loved for Timberlando have been but 218 00:10:44,000 --> 00:10:47,719 Speaker 1: we were already too far into the process, and you know, 219 00:10:47,840 --> 00:10:51,400 Speaker 1: Big wasn't really he wasn't really you know, trying to 220 00:10:52,040 --> 00:10:54,559 Speaker 1: do that to collaborate at that time, you know what 221 00:10:54,600 --> 00:10:57,559 Speaker 1: I'm saying. And so it was what it was, and 222 00:10:57,920 --> 00:11:01,240 Speaker 1: I think Tim did feel a way. Even though Tim 223 00:11:01,360 --> 00:11:04,640 Speaker 1: didn't do a track on I made sure that that out. Yeah, 224 00:11:04,880 --> 00:11:08,439 Speaker 1: now I paid him. I was top Timberland dollars. I 225 00:11:08,520 --> 00:11:10,240 Speaker 1: wasn't paying the one twenty five that a lot of 226 00:11:10,280 --> 00:11:14,640 Speaker 1: people were paying sixty five Yeah for a record that 227 00:11:14,760 --> 00:11:18,440 Speaker 1: wasn't even really that great, but anyway, but still just. 228 00:11:18,440 --> 00:11:21,680 Speaker 2: Out of respect, I mean, and I wanted him to feel, you. 229 00:11:21,720 --> 00:11:24,319 Speaker 1: Know, good about it, and and uh and I you know, 230 00:11:24,440 --> 00:11:27,680 Speaker 1: it wasn't like b for anything, but I think maybe 231 00:11:27,840 --> 00:11:30,160 Speaker 1: there was some but I had some feelings about him 232 00:11:30,200 --> 00:11:32,280 Speaker 1: not talking to me for multiple months, so you know, 233 00:11:32,440 --> 00:11:34,960 Speaker 1: and and there were a couple of things that lingering 234 00:11:35,080 --> 00:11:38,320 Speaker 1: from the the time that we were together that it happened, 235 00:11:38,320 --> 00:11:42,400 Speaker 1: you know. But at the end of the day, I 236 00:11:42,440 --> 00:11:44,160 Speaker 1: would say as far as just to put a bowl 237 00:11:44,200 --> 00:11:47,160 Speaker 1: on the Timberland thing, like we're just different kind of people, man, 238 00:11:47,320 --> 00:11:50,559 Speaker 1: you know what I'm saying. And there's on some levels 239 00:11:50,600 --> 00:11:52,760 Speaker 1: our ship don't mix. But you know, like I said, 240 00:11:52,800 --> 00:11:57,480 Speaker 1: it's still all love. So anyway, here we are and 241 00:11:57,720 --> 00:12:01,720 Speaker 1: and and Virgin Records shout out the mas Aletic who 242 00:12:01,840 --> 00:12:05,840 Speaker 1: was who was the line? Lionel was there at the time. 243 00:12:06,200 --> 00:12:10,160 Speaker 1: Uh it was Linel's last was written hour and he 244 00:12:10,320 --> 00:12:12,839 Speaker 1: was He's one of those legendary radio guys too, but 245 00:12:12,960 --> 00:12:16,720 Speaker 1: he was like vice president of Virgin and master Letic 246 00:12:16,920 --> 00:12:18,280 Speaker 1: was like the youngest CEO ever. 247 00:12:18,480 --> 00:12:21,319 Speaker 2: He was on one Matt in a group he was. 248 00:12:21,679 --> 00:12:24,720 Speaker 2: He produced like several fans. 249 00:12:24,800 --> 00:12:26,559 Speaker 1: Yeah, so when I had my I had my deal 250 00:12:26,640 --> 00:12:29,000 Speaker 1: over there at the same time, like like like you said, 251 00:12:29,120 --> 00:12:30,520 Speaker 1: like smashing passion. 252 00:12:30,440 --> 00:12:32,240 Speaker 2: Like he had done some big rights. So I was like, 253 00:12:32,559 --> 00:12:34,880 Speaker 2: I felt good about being over there because I said. 254 00:12:35,320 --> 00:12:39,640 Speaker 3: The label was ran by the guy that knows music, 255 00:12:40,000 --> 00:12:42,080 Speaker 3: because a lot of these labels are run by being counters. 256 00:12:42,120 --> 00:12:43,600 Speaker 1: But then he got kicked out of there like right 257 00:12:43,640 --> 00:12:46,599 Speaker 1: after we signed. But but but before he left, he 258 00:12:47,200 --> 00:12:49,880 Speaker 1: backed and brings truck up to be a big boy. 259 00:12:49,920 --> 00:12:53,680 Speaker 1: You know, he really did like I could at the time. 260 00:12:53,800 --> 00:12:55,760 Speaker 1: I don't know, I hear all these fake numbers of 261 00:12:55,800 --> 00:12:58,319 Speaker 1: what deals were, but I'm gonna tell you somebody just 262 00:12:58,360 --> 00:13:00,280 Speaker 1: come put seven figures in your pocket, you know what 263 00:13:00,320 --> 00:13:03,240 Speaker 1: I'm saying, Like, that's that's strong. And then and then 264 00:13:03,280 --> 00:13:05,280 Speaker 1: you still got another seven to make a record with. 265 00:13:05,480 --> 00:13:06,840 Speaker 1: I mean, that's he that's all right. 266 00:13:07,800 --> 00:13:08,800 Speaker 2: But that's quite all right. 267 00:13:08,920 --> 00:13:11,600 Speaker 1: I mean when you talk about quite right, and that's 268 00:13:11,720 --> 00:13:15,200 Speaker 1: real numbers, that ain't that? Ain't you hear these exaggerated 269 00:13:15,280 --> 00:13:17,800 Speaker 1: tales of what the whole deal with all the marketing 270 00:13:17,880 --> 00:13:20,640 Speaker 1: budgets and all that shit, you know, But the bottom 271 00:13:20,720 --> 00:13:23,760 Speaker 1: line is this is we were rich at that time. 272 00:13:23,920 --> 00:13:27,480 Speaker 1: I had been rich, but but I was real rich 273 00:13:27,520 --> 00:13:29,679 Speaker 1: at that time, and the big boy got richer, you 274 00:13:29,720 --> 00:13:32,319 Speaker 1: know what I'm saying. And then the thing was is 275 00:13:32,400 --> 00:13:35,880 Speaker 1: we already being Rick had already done three quarters of 276 00:13:35,960 --> 00:13:37,800 Speaker 1: the album, you know what I'm saying. And so I 277 00:13:37,880 --> 00:13:41,760 Speaker 1: got them paid, got DJ paid, and then here we are, 278 00:13:41,880 --> 00:13:45,360 Speaker 1: we're looking for the hit, right and this is this, 279 00:13:45,559 --> 00:13:48,079 Speaker 1: This tells you how funny the world is. So we 280 00:13:48,240 --> 00:13:50,520 Speaker 1: put out the record to be produced, which was called 281 00:13:50,960 --> 00:13:54,240 Speaker 1: a Little Gratitude. Yeah, and it didn't it didn't go. 282 00:13:55,200 --> 00:13:57,719 Speaker 1: Then we put out a record that I loved to 283 00:13:57,880 --> 00:14:01,400 Speaker 1: this day, the Other Side, produced by Organized Noise, featuring 284 00:14:01,480 --> 00:14:04,199 Speaker 1: Sleepy Round and Pete Poblo and that was cool to 285 00:14:04,200 --> 00:14:07,120 Speaker 1: get Pete Poplo on the Organized Noise track. But uh, 286 00:14:08,160 --> 00:14:10,960 Speaker 1: and both of the records were dope. The Tim record 287 00:14:11,040 --> 00:14:13,800 Speaker 1: was dope too. But I always tell people back then, 288 00:14:14,559 --> 00:14:16,600 Speaker 1: we take it for granted now because we can access 289 00:14:16,679 --> 00:14:20,600 Speaker 1: fans directly via a social media page. At that time, 290 00:14:20,960 --> 00:14:23,680 Speaker 1: if you didn't make it fit a M every radio 291 00:14:24,560 --> 00:14:27,160 Speaker 1: uh TV like M t V, B and T, you 292 00:14:27,240 --> 00:14:28,480 Speaker 1: would the actual CD or. 293 00:14:30,120 --> 00:14:32,160 Speaker 2: You had to make it fit within those mediums. 294 00:14:32,600 --> 00:14:37,360 Speaker 1: And and you know, radio is a very peculiar thing, 295 00:14:37,480 --> 00:14:41,200 Speaker 1: you know what I'm sa And so neither record worked 296 00:14:41,240 --> 00:14:43,720 Speaker 1: short story long, and so I'm down to my third 297 00:14:43,760 --> 00:14:46,800 Speaker 1: strike after getting all this because they're not gonna roll 298 00:14:46,880 --> 00:14:53,280 Speaker 1: out songs like singles them. So I'm a third strike basically, 299 00:14:53,480 --> 00:14:58,320 Speaker 1: And we got to figure it out. And Eddie Weathers 300 00:15:00,000 --> 00:15:03,880 Speaker 1: ain't coming in, Yeah, Jermaine had come in president, yes, 301 00:15:04,120 --> 00:15:07,480 Speaker 1: and uh, he had the idea for me to work 302 00:15:07,600 --> 00:15:12,160 Speaker 1: with mister Colly Park and I was I had a 303 00:15:12,200 --> 00:15:15,880 Speaker 1: relationship with the Smurf. Yeah, Man Smurf, Save Smurfing. Be 304 00:15:15,920 --> 00:15:18,440 Speaker 1: Twins saved my life man like at that time, because 305 00:15:18,440 --> 00:15:23,320 Speaker 1: I had accuse that single with and so you know, 306 00:15:23,520 --> 00:15:25,880 Speaker 1: I and by this time, I've been signed to Virgin 307 00:15:26,000 --> 00:15:27,600 Speaker 1: for over a year, you know what I'm saying. So 308 00:15:28,440 --> 00:15:30,320 Speaker 1: I just spent a lot of money, you know what 309 00:15:30,360 --> 00:15:30,760 Speaker 1: I'm saying. 310 00:15:30,840 --> 00:15:33,160 Speaker 2: And I ain't out a budget, but I know that 311 00:15:33,240 --> 00:15:34,320 Speaker 2: ship was doing a lot of. 312 00:15:34,400 --> 00:15:37,480 Speaker 1: Things, you know, multiple homes, family with home, you know, 313 00:15:37,560 --> 00:15:40,720 Speaker 1: stuff like that. And so I had to figure it out. 314 00:15:40,880 --> 00:15:42,480 Speaker 1: I needed a hit and I needed to get and 315 00:15:42,520 --> 00:15:44,320 Speaker 1: I was like, I ain't trying to go to deliver 316 00:15:44,680 --> 00:15:47,840 Speaker 1: you know, fucking college alternative route. I'm going back to 317 00:15:47,880 --> 00:15:49,480 Speaker 1: the clubs and picking up that twenty you know what 318 00:15:49,480 --> 00:15:53,240 Speaker 1: I'm saying like that, And so being Smurf went in 319 00:15:53,400 --> 00:15:56,720 Speaker 1: and we did dow Booty my first verson. We did 320 00:15:56,800 --> 00:15:58,080 Speaker 1: the Hook the first. 321 00:15:57,960 --> 00:15:59,920 Speaker 5: Night Platinum twenty one. 322 00:16:00,120 --> 00:16:03,800 Speaker 1: Yeah, that's what we started him and uh and man, 323 00:16:03,880 --> 00:16:05,760 Speaker 1: it was just a cool experience for the jump man. 324 00:16:05,880 --> 00:16:10,520 Speaker 1: Like uh, Smurf is, he's got this presence about it. Man, 325 00:16:10,600 --> 00:16:13,440 Speaker 1: it's he don't he have just a good It's just 326 00:16:13,880 --> 00:16:17,160 Speaker 1: he's one of the best human He doesn't get credit 327 00:16:17,320 --> 00:16:21,640 Speaker 1: period because he dude, he's just so cool. But when 328 00:16:21,680 --> 00:16:23,840 Speaker 1: you really start looking at the numbers and you start 329 00:16:23,920 --> 00:16:25,880 Speaker 1: looking at influence. You know what I'm saying, it's the 330 00:16:25,960 --> 00:16:30,320 Speaker 1: college Park, but he was he either championed or created 331 00:16:30,680 --> 00:16:32,680 Speaker 1: or you know, was a part of or have everyone 332 00:16:32,800 --> 00:16:34,840 Speaker 1: look at it. We get into the Soldier Boys, all 333 00:16:34,880 --> 00:16:35,800 Speaker 1: that type of stuff. 334 00:16:35,560 --> 00:16:37,320 Speaker 5: Just a testament to the College Park. 335 00:16:37,520 --> 00:16:38,760 Speaker 2: Like yesterday. 336 00:16:38,840 --> 00:16:41,760 Speaker 5: Okay, so this sexy red video with Drake's Soldier Boy 337 00:16:41,840 --> 00:16:42,760 Speaker 5: that samples. 338 00:16:42,400 --> 00:16:43,760 Speaker 1: Holly Berry College Park. 339 00:16:43,840 --> 00:16:47,800 Speaker 4: Right then, Just Peacock has a movie with Melissa McCartney. 340 00:16:48,360 --> 00:16:49,960 Speaker 4: They're playing Miss New Booty. 341 00:16:50,320 --> 00:16:55,720 Speaker 6: Welch's juice had was it Miss New Juice Juicy? They 342 00:16:55,800 --> 00:16:59,280 Speaker 6: remixed it was this new fruit new Fruit. The remixed 343 00:16:59,320 --> 00:17:00,520 Speaker 6: this fruit there something. 344 00:17:01,600 --> 00:17:05,359 Speaker 1: But yeah, we got we were paid handsomely for all 345 00:17:05,400 --> 00:17:06,959 Speaker 1: that stuff, you know what I'm saying. And it's been 346 00:17:07,040 --> 00:17:11,359 Speaker 1: in about twelve movies. I forget all the Light but 347 00:17:11,560 --> 00:17:17,920 Speaker 1: uh uh, what's your name? Yeah? Chloe Bak Chloe that Yeah, 348 00:17:18,080 --> 00:17:22,000 Speaker 1: Bailey Bailey her her song treat Me, you know help 349 00:17:22,040 --> 00:17:23,960 Speaker 1: being a Twins and Smurt were on a portion of 350 00:17:24,000 --> 00:17:27,359 Speaker 1: that song because they y'all still yeah, and and it 351 00:17:27,480 --> 00:17:29,280 Speaker 1: doesn't stop there. I mean a lot of people have 352 00:17:29,440 --> 00:17:33,680 Speaker 1: sampled it, but it yeah, and it's their biggest song 353 00:17:33,800 --> 00:17:37,040 Speaker 1: in terms of like arguably in terms of like pop 354 00:17:37,480 --> 00:17:41,040 Speaker 1: you know, cultural like phenomenon type ship. 355 00:17:41,119 --> 00:17:42,320 Speaker 5: You know, it's a ribbon one. 356 00:17:42,400 --> 00:17:44,480 Speaker 4: You you glossed over with you, I mean because you 357 00:17:44,560 --> 00:17:47,240 Speaker 4: said radio is how to fit back? Talk about Claire 358 00:17:47,320 --> 00:17:51,120 Speaker 4: mount Lounge, you and killing Mike that infamous. 359 00:17:52,440 --> 00:17:53,600 Speaker 5: How did that get inspired? 360 00:17:54,320 --> 00:17:56,960 Speaker 1: I was saying this to somebody earlier this week. We're 361 00:17:57,000 --> 00:17:59,119 Speaker 1: talking about Clairemunt Lounge, and I said, it's amazing when 362 00:17:59,119 --> 00:18:01,520 Speaker 1: I think about all the music to being Rico Wade 363 00:18:01,920 --> 00:18:04,800 Speaker 1: and organized Noise and done over the years, and all 364 00:18:04,880 --> 00:18:08,399 Speaker 1: the thought and time and particulous attention to detail that 365 00:18:08,520 --> 00:18:13,600 Speaker 1: went into all the music that we made, like this baseline, 366 00:18:13,640 --> 00:18:15,840 Speaker 1: get this player to play it this way, and ship 367 00:18:16,080 --> 00:18:20,200 Speaker 1: like months literally on single songs. And then to think 368 00:18:20,320 --> 00:18:25,119 Speaker 1: that the song that we did together that arguably had 369 00:18:25,200 --> 00:18:29,879 Speaker 1: the greatest impact took about seven minutes to make, you know, 370 00:18:30,119 --> 00:18:33,800 Speaker 1: And that's it's crazy, you know. And the story behind 371 00:18:33,880 --> 00:18:37,280 Speaker 1: clairemont loungees that I was dating a girl, or I 372 00:18:37,400 --> 00:18:40,720 Speaker 1: started dating a girl and she was like very tracked. 373 00:18:40,760 --> 00:18:43,399 Speaker 1: We ended up dating for a couple of years, and 374 00:18:43,560 --> 00:18:45,639 Speaker 1: uh it was she was the first girl that I 375 00:18:45,720 --> 00:18:49,320 Speaker 1: had ever had since I became like a rapper or 376 00:18:49,359 --> 00:18:51,320 Speaker 1: whatever that I had really tried to make my girl, 377 00:18:51,400 --> 00:18:53,320 Speaker 1: you know what I'm saying. And so I was beating 378 00:18:53,359 --> 00:18:55,720 Speaker 1: her family and stuff, and her brother was coming in town, 379 00:18:55,840 --> 00:18:58,560 Speaker 1: and uh, they were going to be at the Claremont Lounge, 380 00:18:58,560 --> 00:19:00,879 Speaker 1: and basically I was trying to time it perfectly. I 381 00:19:01,040 --> 00:19:02,800 Speaker 1: was at the Dungeon, just hanging out, and I was 382 00:19:02,840 --> 00:19:06,760 Speaker 1: trying to time it perfectly where where I wouldn't have 383 00:19:06,840 --> 00:19:08,760 Speaker 1: to get there so early that I would have to 384 00:19:08,920 --> 00:19:10,880 Speaker 1: just like spend too much time with her bro, spent 385 00:19:10,960 --> 00:19:12,760 Speaker 1: too much money or whatever. I was just kind of 386 00:19:12,840 --> 00:19:17,719 Speaker 1: crabbing and uh and being g Rock Superstars shotting Man 387 00:19:17,800 --> 00:19:21,440 Speaker 1: my dog from the flat Lands man from Shamdune the organization, 388 00:19:22,160 --> 00:19:24,080 Speaker 1: and we're there, me and him are just clowning. He 389 00:19:24,200 --> 00:19:26,359 Speaker 1: you know, he was my hype man for multiple years 390 00:19:26,720 --> 00:19:29,080 Speaker 1: and uh, it's my brother to this day. And we 391 00:19:29,200 --> 00:19:32,200 Speaker 1: were we were we were just clowning, you know what 392 00:19:32,240 --> 00:19:34,359 Speaker 1: I'm saying. And I was like, I fit the bit 393 00:19:34,520 --> 00:19:38,480 Speaker 1: up at the clam lamb and he was like, that's it, Well, 394 00:19:38,560 --> 00:19:41,920 Speaker 1: that's it. Yeah, So I dropped it and and just 395 00:19:42,080 --> 00:19:45,720 Speaker 1: vibe through that first verse and then uh, and then 396 00:19:46,080 --> 00:19:50,000 Speaker 1: I forget, like the next day literally like we sent 397 00:19:50,080 --> 00:19:53,480 Speaker 1: it to Big and uh, and I was kind of 398 00:19:53,520 --> 00:19:55,480 Speaker 1: hoping he would get on it, you know what I'm saying, 399 00:19:55,520 --> 00:19:59,200 Speaker 1: It's really what I was thinking. But before anything could happen, 400 00:19:59,280 --> 00:20:02,320 Speaker 1: I think Chiller was there, you know, with him and 401 00:20:03,480 --> 00:20:07,080 Speaker 1: like that same day, like the verses that like they 402 00:20:07,160 --> 00:20:09,280 Speaker 1: sitting back with Chill, you know, that's when he was 403 00:20:09,359 --> 00:20:12,040 Speaker 1: hungry at that time. And it was like to me 404 00:20:12,240 --> 00:20:15,640 Speaker 1: to this day, arguably killing Mike's hard as verse verse 405 00:20:15,720 --> 00:20:19,359 Speaker 1: hardest song hard because I came on that bitch. I 406 00:20:19,520 --> 00:20:22,840 Speaker 1: came on there with a certain like you came on yeah, 407 00:20:22,880 --> 00:20:26,720 Speaker 1: but he can't. But based on like so I come 408 00:20:26,840 --> 00:20:30,040 Speaker 1: in like setting a mood. He came in like with 409 00:20:30,520 --> 00:20:32,679 Speaker 1: the feature type verse, you know what I'm saying. Then 410 00:20:32,760 --> 00:20:34,800 Speaker 1: Kool Brees did his thing too, man, it was all 411 00:20:35,000 --> 00:20:36,960 Speaker 1: I was honored. I had always wanted to do a 412 00:20:37,040 --> 00:20:43,640 Speaker 1: record is one of the like him and wished doctor both. 413 00:20:43,920 --> 00:20:47,280 Speaker 1: But but Cool Breeze like as far as like my taste, man, 414 00:20:47,400 --> 00:20:49,520 Speaker 1: I love Cool Breast points greatest. 415 00:20:50,359 --> 00:20:54,080 Speaker 7: Sou I love that the cow hon I love his 416 00:20:54,200 --> 00:20:57,840 Speaker 7: whole energy, like you know what I'm saying, Like watching 417 00:20:57,960 --> 00:21:00,600 Speaker 7: the hook right to his house on the same now 418 00:21:00,680 --> 00:21:02,720 Speaker 7: the window of the course that playing what you say, 419 00:21:02,880 --> 00:21:03,720 Speaker 7: like he just. 420 00:21:05,240 --> 00:21:07,040 Speaker 2: Doctor was hard to he was spiritual. 421 00:21:07,119 --> 00:21:09,600 Speaker 1: Man. I loved Doctor. I love him to life man 422 00:21:09,680 --> 00:21:12,640 Speaker 1: for sure. Man, I love the Dungeon family period. 423 00:21:28,280 --> 00:21:31,119 Speaker 3: With the business with UH, with Big Boy and Purple 424 00:21:31,200 --> 00:21:34,600 Speaker 3: Ribbon overall. How would you how would you say the 425 00:21:34,680 --> 00:21:35,399 Speaker 3: business was? 426 00:21:35,680 --> 00:21:42,440 Speaker 1: I would say that UH Big and I were incredible friends, 427 00:21:43,080 --> 00:21:47,280 Speaker 1: and business did to some degree changed that. But I 428 00:21:47,560 --> 00:21:50,359 Speaker 1: what I am willing to do is accept most of 429 00:21:50,440 --> 00:21:53,119 Speaker 1: the responsibility for that because it was just kind of 430 00:21:53,160 --> 00:21:56,359 Speaker 1: one of those things where once, once we were doing 431 00:21:56,440 --> 00:21:58,840 Speaker 1: business together, we couldn't quite get and stay on the 432 00:21:58,920 --> 00:22:01,600 Speaker 1: same page. It's like we both were partiers, you know 433 00:22:01,640 --> 00:22:04,680 Speaker 1: what I'm saying, And like it's like the two days 434 00:22:04,720 --> 00:22:06,560 Speaker 1: he'd be up and partying would be the two days 435 00:22:06,600 --> 00:22:08,520 Speaker 1: I was crashing, and then the two days I was 436 00:22:08,600 --> 00:22:10,359 Speaker 1: partying would be the two days he was crashing. And 437 00:22:10,400 --> 00:22:12,320 Speaker 1: we just couldn't get on the same page. It was, 438 00:22:12,520 --> 00:22:15,359 Speaker 1: you know, and it was very frustrated. But I was 439 00:22:15,440 --> 00:22:18,800 Speaker 1: dealing with with an addiction to UH, to painkillers, to 440 00:22:18,880 --> 00:22:21,280 Speaker 1: prescription painkillers at the time, you know what I'm saying, 441 00:22:21,320 --> 00:22:24,119 Speaker 1: And it was and there was a promo tour that 442 00:22:24,440 --> 00:22:28,159 Speaker 1: uh that the whole label was supposed to go on 443 00:22:28,480 --> 00:22:33,520 Speaker 1: and and and I refused it. I declined. And the 444 00:22:33,600 --> 00:22:35,920 Speaker 1: reason for that might have appeared like I just thought 445 00:22:35,920 --> 00:22:37,720 Speaker 1: I was bigger than everybody. It was really that I 446 00:22:37,760 --> 00:22:39,560 Speaker 1: had an addiction to the pills and I was scared 447 00:22:39,600 --> 00:22:41,200 Speaker 1: to death to leave and not be able to get 448 00:22:41,280 --> 00:22:44,040 Speaker 1: the pills. You know what I'm saying. And and uh 449 00:22:44,440 --> 00:22:47,680 Speaker 1: so that's tragic, you know what I'm saying. But uh, I, 450 00:22:48,480 --> 00:22:51,240 Speaker 1: once again, man, I have so much love for being 451 00:22:51,520 --> 00:22:54,000 Speaker 1: you know what I'm saying. And uh only to mission 452 00:22:54,080 --> 00:22:58,160 Speaker 1: is outcast my favorite thing, you know what I'm saying. Ever, 453 00:22:58,440 --> 00:23:00,640 Speaker 1: you know what I'm saying, Uh, I think the Big 454 00:23:00,720 --> 00:23:04,120 Speaker 1: Boy is heavily slept on in the outcast dynamic because 455 00:23:04,119 --> 00:23:07,720 Speaker 1: the outcast that I know that I love first three 456 00:23:07,800 --> 00:23:12,520 Speaker 1: albums Outcast Big Boy was a heavy, heavy component and that, 457 00:23:12,720 --> 00:23:15,760 Speaker 1: you know what I'm saying, like Elevator. 458 00:23:15,280 --> 00:23:17,240 Speaker 3: A lot of times Big and I was just having 459 00:23:17,280 --> 00:23:20,120 Speaker 3: this conversation a few months ago. When you have such 460 00:23:20,119 --> 00:23:23,320 Speaker 3: a big personality like an Andrew three thousand and then, 461 00:23:23,480 --> 00:23:25,399 Speaker 3: don't get it wrong, Dream three thousands, one of the 462 00:23:25,440 --> 00:23:27,720 Speaker 3: dopest lyrics ever to touch a microphone. 463 00:23:27,840 --> 00:23:30,880 Speaker 2: But let me tell you something, that motherfucker Big Boy Boy, 464 00:23:30,920 --> 00:23:31,680 Speaker 2: that mother fuck. 465 00:23:31,680 --> 00:23:34,639 Speaker 1: Big And to think this always blows my mind to 466 00:23:34,720 --> 00:23:37,440 Speaker 1: think that at one time Sea Low was in fucking 467 00:23:38,560 --> 00:23:44,040 Speaker 1: I mean, we're talking about three the greatest, no matter 468 00:23:44,320 --> 00:23:50,240 Speaker 1: what standards, the top twenty five lyricists, Big Boy Seo and. 469 00:23:51,200 --> 00:23:53,600 Speaker 5: It says Big and Sea Lower better rappers than him on. 470 00:23:53,680 --> 00:23:56,240 Speaker 1: Other group has even two come on, you know what 471 00:23:56,280 --> 00:23:58,320 Speaker 1: I'm saying, Like I'm trying to think who. 472 00:23:58,400 --> 00:23:59,040 Speaker 2: Big Boy is. 473 00:23:59,119 --> 00:24:03,160 Speaker 3: Definitely I'm glad that lately he's been getting the claim. 474 00:24:03,640 --> 00:24:06,200 Speaker 3: But as a lyricist, Big Boy man he hard. 475 00:24:08,640 --> 00:24:11,720 Speaker 1: He just left. Yeah, I mean the solo albums he 476 00:24:11,800 --> 00:24:13,920 Speaker 1: held it down period. But but but when you go 477 00:24:14,040 --> 00:24:17,200 Speaker 1: back to like outcast like man like Atling is my 478 00:24:17,320 --> 00:24:20,719 Speaker 1: favorite album ever in hip hop, you know ever period 479 00:24:20,760 --> 00:24:26,600 Speaker 1: of the genre, and man Biggs versus like Killing Wheels 480 00:24:26,640 --> 00:24:28,520 Speaker 1: are Steve Man come on mind. 481 00:24:29,840 --> 00:24:33,000 Speaker 2: Idea, But I sat to go to that, go to 482 00:24:33,080 --> 00:24:34,399 Speaker 2: that equiminal album. 483 00:24:35,680 --> 00:24:36,160 Speaker 5: Criminals. 484 00:24:36,480 --> 00:24:40,159 Speaker 1: Yeah, but that's when Dre started taking off though, like 485 00:24:40,400 --> 00:24:45,320 Speaker 1: like right off the bat return Return. Like to this day, 486 00:24:45,359 --> 00:24:46,880 Speaker 1: I can't understand that flow. 487 00:24:46,960 --> 00:24:48,359 Speaker 2: He was like trying to get that. 488 00:24:48,680 --> 00:24:50,520 Speaker 1: You know what I'm saying. I'm almost thinking that he 489 00:24:50,560 --> 00:24:52,680 Speaker 1: did that originally to a different beat or something that 490 00:24:52,920 --> 00:24:54,399 Speaker 1: and they put it on because I mean, that's like 491 00:24:54,520 --> 00:24:57,360 Speaker 1: one of the dopest, most offbeat on beat things ever. 492 00:24:57,840 --> 00:25:01,399 Speaker 3: I listened to this verse dre has on the Idle 493 00:25:01,480 --> 00:25:10,200 Speaker 3: Wild soundtrack Divorce. What's the phobia kobe chroynophobia, whatever it is? 494 00:25:10,600 --> 00:25:11,440 Speaker 3: Afraid of time? 495 00:25:12,480 --> 00:25:12,600 Speaker 1: Uh? 496 00:25:12,880 --> 00:25:16,800 Speaker 2: This song on that? Don't let me verse on there? 497 00:25:16,960 --> 00:25:18,880 Speaker 2: So motherfucker, I just keep bringing it back. 498 00:25:19,280 --> 00:25:24,159 Speaker 1: It's b I'm embarrassed that I have, maybe because I 499 00:25:24,280 --> 00:25:25,960 Speaker 1: tuned things out a little bit of that time, because 500 00:25:25,960 --> 00:25:27,960 Speaker 1: I got a little I got a little disillusion with 501 00:25:28,119 --> 00:25:30,560 Speaker 1: with the love blow and stuff because you know, I 502 00:25:30,680 --> 00:25:32,280 Speaker 1: just like rapping, you know what I say? 503 00:25:32,520 --> 00:25:35,200 Speaker 3: So back you we go real quick circle back to 504 00:25:36,359 --> 00:25:38,520 Speaker 3: the addiction standpoint, and it's all you know, And I 505 00:25:38,600 --> 00:25:40,879 Speaker 3: told you this off camera America. 506 00:25:41,080 --> 00:25:44,600 Speaker 2: People love a comeback story, man, and you just you know, 507 00:25:44,840 --> 00:25:47,440 Speaker 2: like you said, you was down and out on the pills. 508 00:25:48,240 --> 00:25:50,159 Speaker 2: Was it was it just peels? Was it powder? 509 00:25:50,320 --> 00:25:54,480 Speaker 1: I've done every drug except PCP mm hmm. Yeah. And 510 00:25:54,560 --> 00:25:56,600 Speaker 1: only reason I ain't done PCP because it wasn't nobody 511 00:25:56,640 --> 00:25:59,520 Speaker 1: around me with it. But you know what I'm saying, 512 00:25:59,560 --> 00:26:02,280 Speaker 1: I never have been an intravening drug user. Yeah, you 513 00:26:02,320 --> 00:26:04,160 Speaker 1: know what I'm saying. So I've never shot up anything. 514 00:26:04,240 --> 00:26:06,600 Speaker 2: How many years was it when you was like down down? 515 00:26:09,119 --> 00:26:12,040 Speaker 1: I mean, I don't know. I mean it's because it's 516 00:26:12,119 --> 00:26:14,240 Speaker 1: never like it's not like on and off, you know 517 00:26:14,280 --> 00:26:16,080 Speaker 1: what I'm saying. Like it's it's not like it's just 518 00:26:16,160 --> 00:26:19,280 Speaker 1: so black and white. It's like gradual slope up, the 519 00:26:19,359 --> 00:26:21,680 Speaker 1: gradual slope down, you know what I'm saying. So I 520 00:26:21,840 --> 00:26:24,480 Speaker 1: say it's probably about five years where you know, a 521 00:26:24,760 --> 00:26:27,000 Speaker 1: total where I was worthless. 522 00:26:27,760 --> 00:26:30,080 Speaker 2: So that's a lot of money, useless iss tits on 523 00:26:30,119 --> 00:26:34,200 Speaker 2: the boards my daddy. So so that's a lot of 524 00:26:34,280 --> 00:26:36,959 Speaker 2: money lost, bubba uh family. 525 00:26:37,040 --> 00:26:40,080 Speaker 1: But even more so than that, man, it's just because 526 00:26:40,480 --> 00:26:43,760 Speaker 1: like the reason that I still push forward with this, 527 00:26:44,000 --> 00:26:46,359 Speaker 1: with this pursuit, you know what I'm saying. The reason 528 00:26:46,400 --> 00:26:49,480 Speaker 1: I'm forty six years old and I still write raps 529 00:26:49,600 --> 00:26:52,480 Speaker 1: every day, literally every day. And the reason that I'll 530 00:26:52,520 --> 00:26:57,040 Speaker 1: tell you what's different from me and other people that 531 00:26:57,160 --> 00:27:00,920 Speaker 1: do music or you know, MC's that a or get older. 532 00:27:01,119 --> 00:27:05,160 Speaker 1: Is that my sword continues to get sharper and sharper. 533 00:27:06,000 --> 00:27:10,360 Speaker 1: And that's really because what I'm chasing is fulfilling my potential, 534 00:27:10,880 --> 00:27:12,320 Speaker 1: you know what I'm saying. And when you wake up 535 00:27:13,880 --> 00:27:16,920 Speaker 1: certain days and you know you're coming in very low, 536 00:27:17,680 --> 00:27:20,160 Speaker 1: you know what I'm saying, As far as like basically 537 00:27:20,240 --> 00:27:23,560 Speaker 1: what you know you're capable of. I firmly believe I 538 00:27:23,560 --> 00:27:25,280 Speaker 1: could have done anything in this world. I could have 539 00:27:25,320 --> 00:27:27,640 Speaker 1: been a senator, I could have been a lot anything, 540 00:27:28,600 --> 00:27:31,560 Speaker 1: you know, maybe with a little prodding and little support, 541 00:27:31,680 --> 00:27:37,879 Speaker 1: which I never received. But just I just my aptitude 542 00:27:37,960 --> 00:27:40,480 Speaker 1: is off the charts, you know what I'm saying, Like, 543 00:27:40,640 --> 00:27:44,560 Speaker 1: and uh, and my spirit is pretty big too, you 544 00:27:44,600 --> 00:27:49,159 Speaker 1: know what I'm saying. And you know, it's just no 545 00:27:49,480 --> 00:27:53,359 Speaker 1: feeling like that. You you feel like at a certain 546 00:27:53,359 --> 00:27:56,280 Speaker 1: point you just spend in the creator's face, you know 547 00:27:56,320 --> 00:27:59,879 Speaker 1: what I'm saying, because you're doing so little with what 548 00:28:00,119 --> 00:28:02,960 Speaker 1: you've been given, you know, And so I still just 549 00:28:03,040 --> 00:28:05,000 Speaker 1: want to fulfill my potential, man, I really do. 550 00:28:05,280 --> 00:28:08,320 Speaker 4: Like and uh, did you see Eminem kind of went 551 00:28:08,359 --> 00:28:10,560 Speaker 4: through the same thing with Addiction re Left album. 552 00:28:10,800 --> 00:28:13,040 Speaker 1: Yeah, but but you know it's and I mean, I 553 00:28:13,040 --> 00:28:15,560 Speaker 1: don't take anything away from Marshall on any level. Man, 554 00:28:15,840 --> 00:28:18,440 Speaker 1: He's always shown me love and I really want to do. 555 00:28:18,800 --> 00:28:21,240 Speaker 1: One of my goals for twenty for the next eighteen 556 00:28:21,320 --> 00:28:24,479 Speaker 1: months is to do a record with him. Deal. But uh, 557 00:28:28,560 --> 00:28:33,880 Speaker 1: recovering is a is a little less tricky on private planes, 558 00:28:34,720 --> 00:28:37,600 Speaker 1: you know what I'm saying. You know, when you when 559 00:28:37,640 --> 00:28:40,000 Speaker 1: you still are going in fucking sweaty as night club 560 00:28:40,120 --> 00:28:42,240 Speaker 1: and see, I would say, you know what I'm saying, like, 561 00:28:42,400 --> 00:28:45,880 Speaker 1: and you know you yeah, I mean like when you 562 00:28:46,040 --> 00:28:48,400 Speaker 1: still really trenched out with it, you still really like 563 00:28:48,640 --> 00:28:50,480 Speaker 1: you know, in the trenches with it, like and I'm 564 00:28:50,520 --> 00:28:53,760 Speaker 1: not making excuses, I'm just saying, it's a totally different experience, 565 00:28:53,840 --> 00:28:55,760 Speaker 1: you know what I'm saying. And it's when you can 566 00:28:55,880 --> 00:28:58,440 Speaker 1: fly in the specialists and you know all that type 567 00:28:58,440 --> 00:29:01,160 Speaker 1: of stuff. You go to rehab. I've been to rehab 568 00:29:01,200 --> 00:29:04,600 Speaker 1: a couple of times, and uh, and I am a 569 00:29:04,680 --> 00:29:08,080 Speaker 1: proponent of of rehab. Absolutely, Sometimes you need to be 570 00:29:08,240 --> 00:29:09,120 Speaker 1: locked away. 571 00:29:09,160 --> 00:29:11,280 Speaker 2: You know, for away from the people that you was 572 00:29:11,320 --> 00:29:12,400 Speaker 2: down and from the drug. 573 00:29:12,560 --> 00:29:14,440 Speaker 1: You know what I'm saying. Sometimes you just or whatever, 574 00:29:14,520 --> 00:29:16,320 Speaker 1: you know what I'm saying. But but addiction, that's a 575 00:29:16,480 --> 00:29:21,560 Speaker 1: huge misconception. Addiction is not about drugs. It's about avoid 576 00:29:21,920 --> 00:29:25,000 Speaker 1: you know what I'm saying, and a person which I 577 00:29:25,160 --> 00:29:28,960 Speaker 1: definitely have in mind. And the drugs or or the 578 00:29:29,560 --> 00:29:33,640 Speaker 1: casino or the cheeseburgers or the pussy or whatever it is. 579 00:29:33,880 --> 00:29:36,320 Speaker 1: You know what I'm saying, you you we can anytime 580 00:29:36,400 --> 00:29:40,640 Speaker 1: I'm trying to feel that internal whole. Look, I'm seeking 581 00:29:40,720 --> 00:29:43,440 Speaker 1: an internal solution with an external factor. You know what 582 00:29:43,480 --> 00:29:46,880 Speaker 1: I'm saying. It's you know, the spiritual solution is the 583 00:29:46,960 --> 00:29:49,240 Speaker 1: only one, you know, the only one that's gonna that's 584 00:29:49,240 --> 00:29:50,080 Speaker 1: gonna a man of. 585 00:29:50,120 --> 00:29:56,320 Speaker 3: That story time of legend, Jerry new facebre this is 586 00:29:56,600 --> 00:29:59,400 Speaker 3: a great, great conversation before we get out of him. 587 00:29:59,440 --> 00:30:02,440 Speaker 3: I got actually to of course, if you had to 588 00:30:02,480 --> 00:30:04,720 Speaker 3: pick one producer out of all the producers you work with, 589 00:30:05,960 --> 00:30:06,640 Speaker 3: who is gonna be. 590 00:30:08,240 --> 00:30:08,520 Speaker 1: Just one? 591 00:30:08,560 --> 00:30:09,880 Speaker 2: You only pick one producer and the. 592 00:30:09,920 --> 00:30:12,400 Speaker 5: Whole album of a rapping and one producer. 593 00:30:12,520 --> 00:30:16,640 Speaker 1: I just can't make that determination because based on just 594 00:30:16,720 --> 00:30:20,520 Speaker 1: strictly like Timberland is the best beat maker. Now he's 595 00:30:20,560 --> 00:30:23,400 Speaker 1: a great producer, don't get me wrong, but there are 596 00:30:23,480 --> 00:30:27,160 Speaker 1: better producers. When we're talking about what a producers work with. No, 597 00:30:27,440 --> 00:30:29,880 Speaker 1: but I'm talking about this I'm talking about I'm trying to. 598 00:30:30,280 --> 00:30:32,600 Speaker 1: I have to preface this by saying, so if we're 599 00:30:32,600 --> 00:30:33,240 Speaker 1: talking about just the. 600 00:30:33,280 --> 00:30:36,040 Speaker 2: Beat to go conquer the Marshals, go do an album. 601 00:30:37,840 --> 00:30:41,000 Speaker 1: But I need Rico Wade because and I need college 602 00:30:41,040 --> 00:30:45,920 Speaker 1: for I can't. I can't do it because from one 603 00:30:46,040 --> 00:30:49,440 Speaker 1: to three, because they all bring something. So they did 604 00:30:50,080 --> 00:30:53,479 Speaker 1: distinctively different and special to the to the to the party. 605 00:30:53,960 --> 00:30:56,320 Speaker 1: I guess if you made me pick one, it'd be Tiam, 606 00:30:56,800 --> 00:30:58,760 Speaker 1: It'd be Team just because because I know that there's 607 00:30:58,760 --> 00:31:00,200 Speaker 1: a lot of big play potential there. 608 00:31:00,360 --> 00:31:02,880 Speaker 2: Okay, okay, there we go. 609 00:31:03,800 --> 00:31:06,760 Speaker 3: Jerry Clark, new face, Bubba spars and we got it 610 00:31:06,800 --> 00:31:08,480 Speaker 3: before we get out of here, look out and said 611 00:31:08,520 --> 00:31:11,720 Speaker 3: that twice us being a huge new face. 612 00:31:11,760 --> 00:31:12,880 Speaker 2: He gonna have you'all got a. 613 00:31:12,880 --> 00:31:13,640 Speaker 1: Time Clark or something. 614 00:31:13,960 --> 00:31:18,200 Speaker 3: Motherfucking look in here. But new fa is gonna have 615 00:31:18,200 --> 00:31:21,120 Speaker 3: to exit. He don't know who don't know? And me 616 00:31:21,200 --> 00:31:24,400 Speaker 3: and you we George Bulldof, we say you go again. 617 00:31:24,800 --> 00:31:30,320 Speaker 3: Hunker down, hey man, don't this again. 618 00:31:30,480 --> 00:31:33,880 Speaker 2: Feel like a special year? Man Carson back, all the 619 00:31:34,000 --> 00:31:34,960 Speaker 2: weapons we got. 620 00:31:35,400 --> 00:31:38,240 Speaker 1: They all feeling special to me since ninety nine, I 621 00:31:38,280 --> 00:31:39,360 Speaker 1: don't know, I mean, yeah. 622 00:31:39,240 --> 00:31:42,280 Speaker 2: They all special, but twenty and twenty one was special. 623 00:31:42,360 --> 00:31:47,239 Speaker 1: Man. To get that feeling like, I had to kind 624 00:31:47,280 --> 00:31:48,920 Speaker 1: of watch a couple of games. I know on paper, 625 00:31:49,080 --> 00:31:49,720 Speaker 1: you know what I'm saying. 626 00:31:49,760 --> 00:31:52,320 Speaker 2: We gotta gott a rough schedule this year, though. 627 00:31:52,320 --> 00:31:57,320 Speaker 1: Man, man, I ain't nobody worry about Texas. If I 628 00:31:59,160 --> 00:32:02,600 Speaker 1: and we can beat them Bambers, if the folks over 629 00:32:02,640 --> 00:32:03,600 Speaker 1: here to the west. 630 00:32:03,800 --> 00:32:06,440 Speaker 2: Over twenty twenty west talusive. 631 00:32:05,840 --> 00:32:07,920 Speaker 1: If we can, if we get like that's just like 632 00:32:08,040 --> 00:32:10,600 Speaker 1: I said, the person who had our mind he gone. Now, 633 00:32:10,680 --> 00:32:12,280 Speaker 1: if I could deal with the man of the beer, 634 00:32:12,600 --> 00:32:14,760 Speaker 1: that's all that's the biggest hater. I gotta worry about, 635 00:32:14,960 --> 00:32:18,480 Speaker 1: the big saving head I head. It'd be what you're 636 00:32:18,480 --> 00:32:21,000 Speaker 1: talking about, like like your closest you know what I'm saying, 637 00:32:21,040 --> 00:32:23,760 Speaker 1: the closest thing to you. And it's like, man, once 638 00:32:23,840 --> 00:32:26,560 Speaker 1: we we're going to get Georgia and what else because 639 00:32:26,600 --> 00:32:29,280 Speaker 1: we old Miss, we showed you this year. We bitch 640 00:32:29,320 --> 00:32:32,680 Speaker 1: slapped Old Miss because they just don't went through eighty five. 641 00:32:32,760 --> 00:32:34,000 Speaker 1: They just don't have I like. 642 00:32:34,080 --> 00:32:35,000 Speaker 2: How we play on the role. 643 00:32:35,080 --> 00:32:37,520 Speaker 3: So that's why I feel confident going into Austin, Texas, 644 00:32:37,840 --> 00:32:39,760 Speaker 3: going into Oxford, playing. 645 00:32:39,520 --> 00:32:41,200 Speaker 1: Those teams that's what I'm saying. 646 00:32:41,360 --> 00:32:44,840 Speaker 3: We open up Clemson right here down town, thirty one ten, 647 00:32:45,200 --> 00:32:51,400 Speaker 3: thirty one, yeah, thirty one ten, yeah, and it's now now. 648 00:32:51,320 --> 00:32:53,840 Speaker 1: Here's what I will say. What we go to Tuscaloosa 649 00:32:54,320 --> 00:32:57,200 Speaker 1: last week September, we win that game, then you gotta 650 00:32:57,200 --> 00:32:59,440 Speaker 1: start being you gotta worry a little bit about Texas 651 00:32:59,600 --> 00:33:00,400 Speaker 1: and something. 652 00:33:00,480 --> 00:33:03,600 Speaker 3: Then in Texas before and then Texas is after. Okay, yeah, 653 00:33:03,720 --> 00:33:06,760 Speaker 3: but we got and then don't forget the trickiest game. 654 00:33:06,800 --> 00:33:08,600 Speaker 3: But he is always in Jacksonville. 655 00:33:08,640 --> 00:33:11,239 Speaker 1: Oh and Auburn is gonna be much improved this year. 656 00:33:11,320 --> 00:33:12,000 Speaker 2: We got them at home. 657 00:33:12,080 --> 00:33:14,000 Speaker 1: Now, it don't matter. You just said you like playing 658 00:33:14,000 --> 00:33:14,400 Speaker 1: on the road. 659 00:33:14,560 --> 00:33:16,400 Speaker 2: I'm telling you an I said, I like how we 660 00:33:16,520 --> 00:33:17,840 Speaker 2: play on them with Hugh Freeze. 661 00:33:17,920 --> 00:33:20,640 Speaker 1: Dude, Auburn is my pick this year to have that 662 00:33:20,840 --> 00:33:23,760 Speaker 1: second year coach bounce where they they you. 663 00:33:23,800 --> 00:33:26,800 Speaker 3: Can see because because it's an office of mine, it 664 00:33:26,880 --> 00:33:28,040 Speaker 3: ain't too many cats better. 665 00:33:27,880 --> 00:33:30,200 Speaker 1: Than I can see Alburn having that kind of weird 666 00:33:30,280 --> 00:33:32,480 Speaker 1: wacky year where they're eleven and one or something. You 667 00:33:32,520 --> 00:33:34,960 Speaker 1: know what I'm saying, Like, I can really see that buddy. 668 00:33:34,720 --> 00:33:37,360 Speaker 2: Come to Athens this year, though, But to see comes 669 00:33:37,400 --> 00:33:39,720 Speaker 2: to Athens. Yeah, another game. 670 00:33:39,800 --> 00:33:42,400 Speaker 1: Look, another game, another game that worries me. Another game 671 00:33:42,480 --> 00:33:47,520 Speaker 1: to worries me, Kentucky? Because are you saying that because 672 00:33:47,520 --> 00:33:50,320 Speaker 1: of the quarter what's his name? Saying it because the quarterback, 673 00:33:50,360 --> 00:33:53,920 Speaker 1: our quarterback Vander Griffs up there and then middle I 674 00:33:54,000 --> 00:33:55,840 Speaker 1: start in middle linebackers. But I'm not just saying it 675 00:33:55,880 --> 00:33:58,200 Speaker 1: because of that. I hate it for them. That's all 676 00:33:58,240 --> 00:33:58,680 Speaker 1: I can say. 677 00:33:58,840 --> 00:34:01,160 Speaker 2: Is they all you know, they play They physical. 678 00:34:01,240 --> 00:34:05,240 Speaker 1: Man, we're physical too. Yeah what you say what it's 679 00:34:05,280 --> 00:34:06,720 Speaker 1: hard to beat us in that game. That's why we 680 00:34:06,760 --> 00:34:10,239 Speaker 1: would have beig Michigan this year. You don't play bully 681 00:34:10,320 --> 00:34:10,920 Speaker 1: ball with us. 682 00:34:11,200 --> 00:34:13,799 Speaker 2: We're not that the Orange Bowl a couple years ago. 683 00:34:14,080 --> 00:34:17,200 Speaker 1: But then you know what, Alabama is an asterisk because 684 00:34:17,760 --> 00:34:21,600 Speaker 1: because of the mental things. So so that mental thing 685 00:34:21,719 --> 00:34:26,680 Speaker 1: going even it We'll have to see I hope so. 686 00:34:26,840 --> 00:34:28,600 Speaker 1: And I'm gonna step out there on faith just like 687 00:34:28,719 --> 00:34:29,759 Speaker 1: you just did and say that. 688 00:34:29,920 --> 00:34:33,279 Speaker 2: Yeah that And part two of what I'm saying is 689 00:34:33,360 --> 00:34:35,239 Speaker 2: this the braves too, no matter how much money the 690 00:34:35,320 --> 00:34:35,759 Speaker 2: Dodgers spent. 691 00:34:35,880 --> 00:34:37,640 Speaker 1: You know, I was just asking my friend book. I 692 00:34:37,800 --> 00:34:40,040 Speaker 1: was just last like we were talking about the braids. 693 00:34:41,080 --> 00:34:43,479 Speaker 1: Basically the same as last year. We picked up Chris Sale. 694 00:34:43,760 --> 00:34:46,520 Speaker 1: We needed a front end picture like that. Another one yeah, 695 00:34:46,840 --> 00:34:47,400 Speaker 1: a dog. 696 00:34:47,600 --> 00:34:50,799 Speaker 2: Yeah, we got from a star in eighth. It ain't 697 00:34:50,840 --> 00:34:51,680 Speaker 2: too many and. 698 00:34:53,880 --> 00:35:00,080 Speaker 8: Offenses and I can't but two good catchers. They we 699 00:35:00,239 --> 00:35:01,920 Speaker 8: have to be able to get. It's like we got 700 00:35:02,080 --> 00:35:04,680 Speaker 8: our last year. We got it last year too. 701 00:35:04,719 --> 00:35:07,160 Speaker 1: You can't. We should have known this. History should have 702 00:35:07,160 --> 00:35:10,040 Speaker 1: already told us this that when you hit so many homers, 703 00:35:10,160 --> 00:35:12,400 Speaker 1: like when you get the playoffs, when you getting the playoff, 704 00:35:12,800 --> 00:35:14,520 Speaker 1: you gotta be able to play small balls. 705 00:35:15,200 --> 00:35:18,600 Speaker 3: Yes, because you see the teams like the Braves and 706 00:35:18,640 --> 00:35:21,279 Speaker 3: the Yankees who rely on the three run home and 707 00:35:21,560 --> 00:35:22,520 Speaker 3: they get to the playoffs. 708 00:35:22,640 --> 00:35:24,600 Speaker 1: Like that's like, you know, relying on the three points 709 00:35:24,880 --> 00:35:25,200 Speaker 1: too much. 710 00:35:25,600 --> 00:35:28,200 Speaker 2: Get to the playoffs, Man, you get cold. And because 711 00:35:28,239 --> 00:35:30,200 Speaker 2: the Phillies just punched us in the mouth. Man, that 712 00:35:30,280 --> 00:35:30,759 Speaker 2: ship hurt. 713 00:35:30,840 --> 00:35:31,560 Speaker 1: Man, I hate that. 714 00:35:31,800 --> 00:35:34,080 Speaker 2: So motherfuckers too. 715 00:35:34,200 --> 00:35:40,200 Speaker 1: Man, good friends of mine, Ryan Howard and oh yeah. 716 00:35:42,360 --> 00:35:45,080 Speaker 2: That's Phels. That's Jimmy Rollins. I just ran into Jimmy 717 00:35:45,120 --> 00:35:45,920 Speaker 2: Rollins in the airport. 718 00:35:45,960 --> 00:35:46,760 Speaker 1: Oh Jimmy Robins. 719 00:35:47,640 --> 00:35:48,960 Speaker 2: Yeah, but they had a squad. 720 00:35:49,120 --> 00:35:51,360 Speaker 1: But man, and so you know, I got love for 721 00:35:51,440 --> 00:35:54,400 Speaker 1: the boys. Man, but they still be like the Phillies. 722 00:35:54,480 --> 00:35:56,800 Speaker 2: Like but but the Phillies now, man, they came and 723 00:35:56,880 --> 00:35:58,360 Speaker 2: punched us in them. That's embarrassing. 724 00:35:58,400 --> 00:35:59,239 Speaker 1: What happened last year? 725 00:35:59,280 --> 00:35:59,480 Speaker 2: You go? 726 00:35:59,680 --> 00:36:01,879 Speaker 1: You were in one hundred and six games. 727 00:36:02,160 --> 00:36:04,840 Speaker 2: And one one and barely one. That ship it was 728 00:36:04,880 --> 00:36:08,480 Speaker 2: an area. Yeah dropped the man. Fuck man, she got us. Look, 729 00:36:08,520 --> 00:36:12,080 Speaker 2: we was talking, man, all right, man, they look story. 730 00:36:12,440 --> 00:36:14,239 Speaker 5: No, I got an end on rap because I was talking. 731 00:36:15,080 --> 00:36:16,200 Speaker 5: I got I got quich. 732 00:36:16,239 --> 00:36:17,480 Speaker 1: I want to know what I got coming up? 733 00:36:17,600 --> 00:36:18,239 Speaker 2: Yeah, that too. 734 00:36:18,360 --> 00:36:20,920 Speaker 4: But the question that I have, you know, I got 735 00:36:21,000 --> 00:36:25,200 Speaker 4: a newspaper article in my bag too, segment and that 736 00:36:26,040 --> 00:36:26,319 Speaker 4: that's not. 737 00:36:26,400 --> 00:36:27,319 Speaker 1: From the right rope. 738 00:36:28,200 --> 00:36:31,640 Speaker 5: Bubba is the second best white rapper in hip hop? 739 00:36:31,800 --> 00:36:32,359 Speaker 2: Oh ship? 740 00:36:33,600 --> 00:36:35,640 Speaker 1: Did you sure didn't say second best white rapper in 741 00:36:35,680 --> 00:36:36,080 Speaker 1: the world. 742 00:36:36,280 --> 00:36:40,040 Speaker 2: Who was the first m g K they got? Somebody 743 00:36:40,719 --> 00:36:44,480 Speaker 2: was the first one? First? It was double XL. You 744 00:36:44,520 --> 00:36:47,600 Speaker 2: got open bring us backscratch, got. 745 00:36:47,520 --> 00:36:50,040 Speaker 1: Scratched both sparks backscratches. 746 00:36:50,239 --> 00:36:54,080 Speaker 4: But if we were to put like a mount rushmore 747 00:36:54,160 --> 00:36:56,640 Speaker 4: the white rapper, you know, you know your top five 748 00:36:57,239 --> 00:37:01,160 Speaker 4: white rapper four. This is like this war of all this, 749 00:37:01,280 --> 00:37:03,680 Speaker 4: how we who we're gonna put in this this Mount 750 00:37:03,760 --> 00:37:06,239 Speaker 4: Rushmore wrapper. 751 00:37:06,400 --> 00:37:09,160 Speaker 1: One, yellow Wolf, two Bubba three. 752 00:37:10,680 --> 00:37:11,840 Speaker 2: Oh damn, that's. 753 00:37:13,200 --> 00:37:14,240 Speaker 1: That's four, Haystack. 754 00:37:15,000 --> 00:37:15,640 Speaker 2: When they can't be. 755 00:37:15,719 --> 00:37:20,440 Speaker 3: Five, you canna jump five? No, he said, you've been 756 00:37:20,480 --> 00:37:24,480 Speaker 3: in North Dakota. You see my Rushmore South Dakota for five? 757 00:37:24,560 --> 00:37:25,560 Speaker 3: President up, there is four. 758 00:37:26,320 --> 00:37:28,080 Speaker 1: I don't know, but I don't. I don't think along them. 759 00:37:28,120 --> 00:37:29,160 Speaker 1: Damn Russ, I don't. 760 00:37:29,000 --> 00:37:32,880 Speaker 2: See I don't see color. 761 00:37:33,480 --> 00:37:33,759 Speaker 4: You know what. 762 00:37:36,360 --> 00:37:37,839 Speaker 5: I hate that when I hear that, I say saying, 763 00:37:37,840 --> 00:37:38,919 Speaker 5: you don't stop at red lights. 764 00:37:39,000 --> 00:37:40,920 Speaker 2: Hey, my dad said, if. 765 00:37:40,880 --> 00:37:43,680 Speaker 1: Somebody says god, I call that a cracker dropper. 766 00:37:43,960 --> 00:37:47,080 Speaker 2: Yeah, don't trust see. I don't see color. So your 767 00:37:47,120 --> 00:37:49,560 Speaker 2: Mount Rushmore and white rappers is damn. 768 00:37:49,560 --> 00:37:50,520 Speaker 1: I don't do this, Paul. 769 00:37:51,200 --> 00:37:52,919 Speaker 2: We're just going back on Paul Wall. 770 00:37:53,280 --> 00:37:57,120 Speaker 1: You yellow Wolf and yellow Woe. That's all in the 771 00:37:57,160 --> 00:38:00,759 Speaker 1: scope to except Paul Wall. But if people like in 772 00:38:00,840 --> 00:38:03,759 Speaker 1: a mainstream sense may not know like all the way, 773 00:38:04,480 --> 00:38:06,200 Speaker 1: A lot of people who was just. 774 00:38:06,239 --> 00:38:11,560 Speaker 5: Signed and but like he went and built remember trunk music. 775 00:38:12,440 --> 00:38:15,359 Speaker 1: But that's all people remember though, Like I'm talking about 776 00:38:15,440 --> 00:38:18,400 Speaker 1: like since then, I mean, he's consistently put out and 777 00:38:18,440 --> 00:38:23,240 Speaker 1: he's still it's hard. Yeah, he's he's just talented. 778 00:38:23,640 --> 00:38:27,520 Speaker 3: Came my house years ago with kPa and performed in 779 00:38:27,600 --> 00:38:28,120 Speaker 3: my basement. 780 00:38:28,600 --> 00:38:29,279 Speaker 1: Yeah, they was on that. 781 00:38:29,840 --> 00:38:31,879 Speaker 3: They came by my house and said, hey, KP said, 782 00:38:31,880 --> 00:38:34,360 Speaker 3: I want you to meet this new artist that I got. 783 00:38:35,120 --> 00:38:37,440 Speaker 3: And I was downstairs in my theater with my kids 784 00:38:38,080 --> 00:38:39,600 Speaker 3: and he came back and I came out and I 785 00:38:39,719 --> 00:38:44,400 Speaker 3: sat and I said, damn, this dude don't from like Alabama. 786 00:38:44,480 --> 00:38:45,360 Speaker 2: Somebody yes. 787 00:38:47,040 --> 00:38:47,480 Speaker 5: Him DJ. 788 00:38:48,560 --> 00:38:53,279 Speaker 1: You know that's my DJ for watching. That's my little 789 00:38:53,280 --> 00:38:54,120 Speaker 1: brother man forever. 790 00:38:54,480 --> 00:38:56,160 Speaker 5: That's somebody else. People didn't know it was white that 791 00:38:56,280 --> 00:38:58,440 Speaker 5: he put up in the studio and they're like, oh. 792 00:38:59,440 --> 00:39:01,719 Speaker 1: Hey, hey, you want to ever hear some Gucci main 793 00:39:01,880 --> 00:39:04,200 Speaker 1: stories from back in the day. Baron, I forgot the 794 00:39:04,280 --> 00:39:07,280 Speaker 1: same chicken talk. Yeah, that's what's next for you, Bubba. 795 00:39:07,280 --> 00:39:07,719 Speaker 2: What's going on? 796 00:39:08,920 --> 00:39:10,040 Speaker 1: You know? To be a polo? 797 00:39:10,080 --> 00:39:12,920 Speaker 2: And don got an artist polo just be coming on 798 00:39:13,000 --> 00:39:14,480 Speaker 2: the show man, Hey. 799 00:39:14,400 --> 00:39:15,200 Speaker 1: Man, I gotta do it. 800 00:39:17,480 --> 00:39:18,080 Speaker 2: In high school. 801 00:39:18,239 --> 00:39:21,399 Speaker 1: That's my brother, though, brother, you'll get here at some point. 802 00:39:21,520 --> 00:39:24,759 Speaker 1: He's going And uh so we got an artist named 803 00:39:24,800 --> 00:39:28,000 Speaker 1: Jeremy Cruz, which I would I would say that he is, 804 00:39:28,560 --> 00:39:32,279 Speaker 1: uh what Bubba Sparks was in two thousand and one 805 00:39:32,680 --> 00:39:35,600 Speaker 1: in terms of sounding a certain way but like looking 806 00:39:35,640 --> 00:39:37,839 Speaker 1: away to make people be like, what the fuck. He's 807 00:39:37,920 --> 00:39:40,799 Speaker 1: Daddy's from the middle of nowhere in Missouri, and he's 808 00:39:41,280 --> 00:39:44,920 Speaker 1: his sound is more contemporary, but he is man. He 809 00:39:45,080 --> 00:39:47,200 Speaker 1: is raw's hell and he looks like a mixed between 810 00:39:47,280 --> 00:39:54,759 Speaker 1: Chris Farley and fucking Boogie, very very country. And what's 811 00:39:54,800 --> 00:39:58,560 Speaker 1: his name is Jeremy Crew Senor e w is Jeremy Crue. 812 00:39:59,280 --> 00:40:04,600 Speaker 1: Then and then my other homeboy, Dusty Lee from Louisville, Kentucky. 813 00:40:04,680 --> 00:40:07,439 Speaker 1: The hardest working artist I've ever been around in my life. 814 00:40:07,840 --> 00:40:11,120 Speaker 1: Very talented, dude, bossed up dude. He and ire actually 815 00:40:11,320 --> 00:40:14,759 Speaker 1: and we've been putting out singles. Uh. We're putting out 816 00:40:14,760 --> 00:40:17,719 Speaker 1: an album in June. It's called Im Polite Gentleman and uh. 817 00:40:18,280 --> 00:40:20,640 Speaker 1: And Dusty he's like my artist too, basically. You know 818 00:40:20,680 --> 00:40:23,560 Speaker 1: what I'm saying. I'm really excited about that I'm on 819 00:40:23,640 --> 00:40:26,720 Speaker 1: this table, you know, in power and good ship, younger 820 00:40:26,760 --> 00:40:28,759 Speaker 1: people with clean slates, you know what I'm saying. 821 00:40:28,800 --> 00:40:31,840 Speaker 3: And so Big Brown said he wanted wanted you to 822 00:40:31,920 --> 00:40:34,600 Speaker 3: plug his fans feet page. 823 00:40:34,800 --> 00:40:44,640 Speaker 1: Yeah, that's right. That's right. Bons my boy Buggy Brown 824 00:40:44,800 --> 00:40:52,680 Speaker 1: Boogie Brown's bunions. Hey man, man, We're just kidding, but. 825 00:40:52,800 --> 00:40:56,879 Speaker 2: I wanted to get said he we appreciate you, old cap. 826 00:40:57,200 --> 00:40:59,840 Speaker 2: Look I told him, I. 827 00:40:59,800 --> 00:41:01,960 Speaker 1: Said, Dad, you guys are doing a great job. 828 00:41:02,640 --> 00:41:03,120 Speaker 2: Hey, thank you. 829 00:41:03,920 --> 00:41:07,080 Speaker 1: It's not like doing a great job pleas only present 830 00:41:07,120 --> 00:41:07,360 Speaker 1: we are. 831 00:41:07,440 --> 00:41:08,960 Speaker 2: Hey man, I appreciate you, Hey man. 832 00:41:09,360 --> 00:41:14,400 Speaker 3: Story Time Legendary, Jerry my brother new face brother Sparks. 833 00:41:14,840 --> 00:41:19,239 Speaker 2: We signing off. Make sure you go on YouTube, motherfucking 834 00:41:19,560 --> 00:41:20,520 Speaker 2: like subscribe. 835 00:41:20,680 --> 00:41:22,680 Speaker 5: New website. We got a new website. 836 00:41:22,800 --> 00:41:27,560 Speaker 3: Jerry Legendary, Jerry dot com legend Darry Jerry dot Com. 837 00:41:27,680 --> 00:41:28,560 Speaker 2: Make sure you log on. 838 00:41:28,800 --> 00:41:31,560 Speaker 1: Hey, if you never liked Bubut Sparks music, go listen 839 00:41:31,600 --> 00:41:33,279 Speaker 1: to some of my new music. If you don't like it, 840 00:41:33,480 --> 00:41:34,560 Speaker 1: I refund your misery. 841 00:41:36,000 --> 00:41:38,200 Speaker 2: I was listening to one record. It's a country well not. 842 00:41:38,239 --> 00:41:40,400 Speaker 5: A country record, but it's hard country rap too. 843 00:41:40,880 --> 00:41:43,680 Speaker 1: This is what is just in closing. In closing, what 844 00:41:43,800 --> 00:41:45,879 Speaker 1: I would say is that I was blessed to work 845 00:41:45,920 --> 00:41:48,200 Speaker 1: with a lot of great producers early. I've always been good. 846 00:41:48,400 --> 00:41:50,680 Speaker 1: I'm great now. I go room by myself making it. 847 00:41:51,160 --> 00:41:52,520 Speaker 1: You know what I'm saying. I just don't have the 848 00:41:52,760 --> 00:41:54,960 Speaker 1: interscope pushing the button no more. So it doesn't get 849 00:41:55,080 --> 00:41:56,960 Speaker 1: quite a notoriety. But I'm a bad motherfucker. If you 850 00:41:57,000 --> 00:41:58,239 Speaker 1: don't like it, you better learn and love it. 851 00:41:58,280 --> 00:41:58,880 Speaker 2: But you are. 852 00:41:59,000 --> 00:42:02,360 Speaker 3: Hey, Jerry Clark, new Face, Bubba Sparks. We sign it 853 00:42:02,400 --> 00:42:07,080 Speaker 3: off story Time with the legend you heard, you heard, 854 00:42:23,160 --> 00:42:25,879 Speaker 3: story Time with the legendary Jerry. Of course every week 855 00:42:26,880 --> 00:42:29,520 Speaker 3: new face, new face was there, and I'm gonna let 856 00:42:29,600 --> 00:42:31,200 Speaker 3: him jump into his own segment. 857 00:42:31,560 --> 00:42:32,560 Speaker 2: But he's that guy. 858 00:42:34,160 --> 00:42:35,200 Speaker 1: He's that guy. You know. 859 00:42:35,280 --> 00:42:37,239 Speaker 4: When we got to call the bubble was coming, I 860 00:42:37,440 --> 00:42:40,640 Speaker 4: just had to go into collection and just pull out everything. 861 00:42:40,800 --> 00:42:43,520 Speaker 4: So and you just, you know, tell me why I 862 00:42:43,560 --> 00:42:47,680 Speaker 4: would pull something out like this? Why would I pull 863 00:42:47,760 --> 00:42:48,359 Speaker 4: out death? 864 00:42:48,640 --> 00:42:52,960 Speaker 1: Jamn? I got paid a pretty pity for that too. 865 00:42:53,480 --> 00:42:55,960 Speaker 4: In the second name, it says bone crushing. It's in 866 00:42:56,000 --> 00:42:59,080 Speaker 4: alphabetical no, no, no, they would have had me first. 867 00:43:02,280 --> 00:43:04,680 Speaker 1: Now that's a cool experience, and it pays dividends to 868 00:43:04,719 --> 00:43:08,640 Speaker 1: this day's not damn you still not money wise? I 869 00:43:08,719 --> 00:43:11,680 Speaker 1: got like I got one hundred thousand dollars I think 870 00:43:11,760 --> 00:43:15,040 Speaker 1: for that. And it was basically we went out to 871 00:43:15,239 --> 00:43:17,200 Speaker 1: l A and they hook up all these cables to 872 00:43:17,320 --> 00:43:20,880 Speaker 1: you and stuff, and it was a cool move. I 873 00:43:21,040 --> 00:43:23,000 Speaker 1: didn't count, but but you know, I never played the 874 00:43:23,080 --> 00:43:26,560 Speaker 1: game one time and uh, because I'm not a super game. 875 00:43:27,400 --> 00:43:29,359 Speaker 1: But the games I did play were like the sport game. 876 00:43:31,719 --> 00:43:33,239 Speaker 1: And I had a song on Madden It was very 877 00:43:33,280 --> 00:43:36,080 Speaker 1: popular to the Back in the Mud, which was also 878 00:43:36,160 --> 00:43:40,880 Speaker 1: the ESPN College Football Game Day theme song talking about camera. 879 00:43:41,080 --> 00:43:45,719 Speaker 4: So we talked about brought because I know, look at 880 00:43:45,840 --> 00:43:49,120 Speaker 4: that and they all changed their life in some capacity. 881 00:43:49,200 --> 00:43:54,000 Speaker 1: Damn, this right here the first time I ever heard 882 00:43:54,360 --> 00:43:59,000 Speaker 1: or saw outcast or knew anything aboutcast. Watching American rap 883 00:43:59,080 --> 00:44:04,880 Speaker 1: makers on a Sunday night recipes rn L Star with 884 00:44:05,080 --> 00:44:08,480 Speaker 1: my TV with Bunny Years down in the country in 885 00:44:08,560 --> 00:44:11,920 Speaker 1: La Grange, Georgia, and it was snowy, Yeah, it was snowy, 886 00:44:12,040 --> 00:44:15,080 Speaker 1: but but they played the Player's Ball video and I 887 00:44:15,200 --> 00:44:18,520 Speaker 1: was a Christmas on the uh, and they were interviewing 888 00:44:18,600 --> 00:44:20,759 Speaker 1: and I was like, who are these guys in that song? 889 00:44:21,040 --> 00:44:22,960 Speaker 1: And I was just like, what the fun? And if 890 00:44:23,000 --> 00:44:26,959 Speaker 1: you remember, you know, the Player's Ball? The Christmas version 891 00:44:27,040 --> 00:44:29,360 Speaker 1: came out and then it was like forever before the 892 00:44:29,440 --> 00:44:32,400 Speaker 1: album came out. But man, we were waiting and anticipating 893 00:44:32,480 --> 00:44:35,360 Speaker 1: this album so crazy. I was in the ninth or 894 00:44:35,440 --> 00:44:38,840 Speaker 1: tenth grade and uh, man, in my life was I 895 00:44:38,920 --> 00:44:43,880 Speaker 1: would not have ever made it if it wasn't for 896 00:44:44,120 --> 00:44:46,359 Speaker 1: these in the Dungeon family, you know as a whole, 897 00:44:46,560 --> 00:44:49,960 Speaker 1: but but particularly these two special and DJ, you know 898 00:44:50,000 --> 00:44:53,919 Speaker 1: what I'm saying. And I know DJ and H. DJ's uncle, 899 00:44:54,040 --> 00:44:55,920 Speaker 1: David Sheets down in her County used to come to 900 00:44:56,000 --> 00:44:58,520 Speaker 1: my daddy's store, and uh and I thought he was 901 00:44:58,600 --> 00:45:01,040 Speaker 1: bullshitting all those years until J when I met DJ, 902 00:45:01,200 --> 00:45:02,960 Speaker 1: he confirmed it for me. So I knew his uncle 903 00:45:03,360 --> 00:45:06,560 Speaker 1: for a long time. But what else we got? Oh life, 904 00:45:06,600 --> 00:45:12,919 Speaker 1: he is too short and that's DJ. 905 00:45:13,480 --> 00:45:16,560 Speaker 2: That must have been Itchy Bond. Yeah, the Itchy Bond days. 906 00:45:16,840 --> 00:45:17,600 Speaker 1: What years is this? 907 00:45:17,960 --> 00:45:21,000 Speaker 2: They had to be ninety three, ninety wait, no ninety six. 908 00:45:21,920 --> 00:45:27,560 Speaker 5: Thug hold that, thank pre Freakingick too pre freaking Nick. 909 00:45:27,680 --> 00:45:28,279 Speaker 2: What year was that? 910 00:45:28,560 --> 00:45:31,399 Speaker 1: What year was that? Let you see that one? It's 911 00:45:31,440 --> 00:45:34,680 Speaker 1: funny he kept the same College Park music logo. Okay, 912 00:45:35,800 --> 00:45:38,080 Speaker 1: now did you have this? I still got that to 913 00:45:38,200 --> 00:45:38,600 Speaker 1: this day. 914 00:45:38,760 --> 00:45:41,799 Speaker 5: Yeah, you talking about the you know, the smash hit 915 00:45:41,920 --> 00:45:43,480 Speaker 5: you made with these guys right here. 916 00:45:43,480 --> 00:45:47,040 Speaker 1: And twins Man, great guys, man like they crazy as hell, man, 917 00:45:47,120 --> 00:45:50,319 Speaker 1: but definitely crazy. I love them. It's it's unconditional. 918 00:45:50,640 --> 00:45:53,560 Speaker 5: Yeah, we talked about this one, gentlemen. 919 00:45:53,640 --> 00:45:57,600 Speaker 1: Here Yellow Wolf, shout out the wolf Man. We need 920 00:45:57,680 --> 00:46:00,520 Speaker 1: to finish that EP was supposed to be an album. 921 00:46:00,560 --> 00:46:02,400 Speaker 1: We need to go back in and finish it. Wolf 922 00:46:02,600 --> 00:46:05,080 Speaker 1: And he's one of the most slept on. You know, 923 00:46:05,360 --> 00:46:07,520 Speaker 1: I've never worked with a person more talented than here 924 00:46:07,719 --> 00:46:08,040 Speaker 1: for sure. 925 00:46:08,280 --> 00:46:09,279 Speaker 2: Nineteen ninety eight. 926 00:46:09,520 --> 00:46:13,200 Speaker 5: Damn we oh wow, speaking of bubb we got him 927 00:46:13,280 --> 00:46:13,600 Speaker 5: right here. 928 00:46:13,800 --> 00:46:14,920 Speaker 1: Oh yeah, that is that? 929 00:46:15,080 --> 00:46:18,680 Speaker 2: Is that the major label trilogy? Damn? 930 00:46:19,520 --> 00:46:20,640 Speaker 1: What's that one? Oh? 931 00:46:20,719 --> 00:46:24,839 Speaker 2: E w A, this is is still in the rapper too? 932 00:46:25,160 --> 00:46:28,000 Speaker 1: Oh man, Classics Dark Day. 933 00:46:29,040 --> 00:46:31,239 Speaker 4: One of the questions I usually ask people is looking 934 00:46:31,280 --> 00:46:34,040 Speaker 4: at in hindsight, looking at the bubble on there, if 935 00:46:34,080 --> 00:46:36,640 Speaker 4: you could tell that bubble on each cover or something. 936 00:46:36,520 --> 00:46:38,040 Speaker 5: You know, what would you tell him? 937 00:46:38,480 --> 00:46:40,600 Speaker 1: I would just like push this one in the face 938 00:46:41,719 --> 00:46:46,600 Speaker 1: and say, don't miss nothing, go to work, okay, you know, 939 00:46:46,719 --> 00:46:48,879 Speaker 1: don't be a fucking weird though, And I would tell 940 00:46:49,000 --> 00:46:52,560 Speaker 1: this guy, man, it's guy honesty. Was just doing the best. 941 00:46:52,640 --> 00:46:54,880 Speaker 1: He fucking kid at that time. Boy, he was holding 942 00:46:54,920 --> 00:46:58,200 Speaker 1: on for dear life. This one right here was doing 943 00:46:58,239 --> 00:47:02,800 Speaker 1: the Girls Gone Wild DVDs every night. I mean like 944 00:47:02,880 --> 00:47:05,480 Speaker 1: I literally I did a Girl's Gonna w Yeah. 945 00:47:07,040 --> 00:47:08,399 Speaker 2: Really, oh man. 946 00:47:08,960 --> 00:47:11,560 Speaker 1: And so you know this guy, this guy was drug 947 00:47:11,640 --> 00:47:15,480 Speaker 1: addicted and he was actually at this time, this exact time, 948 00:47:15,640 --> 00:47:18,480 Speaker 1: I had had a personal trainer for about six months 949 00:47:18,480 --> 00:47:20,520 Speaker 1: and that was in really great shape. But it's okay 950 00:47:20,560 --> 00:47:24,319 Speaker 1: because before New Booty happened, actually happened, I gained back 951 00:47:24,320 --> 00:47:33,520 Speaker 1: the way. Speaking of New Booty, Uh, and I always 952 00:47:33,560 --> 00:47:35,520 Speaker 1: take this time to get my mama shout out because 953 00:47:35,560 --> 00:47:38,719 Speaker 1: she calls me mister few Booty because I don't have 954 00:47:38,880 --> 00:47:42,000 Speaker 1: much ass. But anyway, we used to we printed up 955 00:47:42,000 --> 00:47:44,560 Speaker 1: a bunch of these shorts obviously back then, and we 956 00:47:44,719 --> 00:47:50,240 Speaker 1: sold them. Uh my boy dax Us as my brother, 957 00:47:50,640 --> 00:47:52,800 Speaker 1: he was on he was selling my merch out of 958 00:47:52,840 --> 00:47:58,880 Speaker 1: the Countess of his heart just to go yeah, and uh, 959 00:47:59,200 --> 00:48:02,359 Speaker 1: but we couldn't. We couldn't keep nothing in shorts I'm 960 00:48:02,360 --> 00:48:05,000 Speaker 1: talking about. We were selling between dollars pop and we were, yeah, 961 00:48:05,040 --> 00:48:07,040 Speaker 1: we were because they were the actual shorts from the video, 962 00:48:07,719 --> 00:48:11,840 Speaker 1: and every woman in North America wanted a pair, like literally, 963 00:48:11,880 --> 00:48:13,719 Speaker 1: and we couldn't keep it up. We could have sold 964 00:48:13,760 --> 00:48:16,120 Speaker 1: him for fifty dollars and talk about we sold probably 965 00:48:16,280 --> 00:48:17,399 Speaker 1: ten thousand pair of them. 966 00:48:17,680 --> 00:48:20,280 Speaker 5: Ya in the scopes and the school babies. 967 00:48:22,880 --> 00:48:28,360 Speaker 1: I resent that. Hey, this right here is one of 968 00:48:28,400 --> 00:48:30,879 Speaker 1: the greatest, if not the greatest MC of all time, 969 00:48:31,520 --> 00:48:33,680 Speaker 1: and this guy right here is just but a humble 970 00:48:33,760 --> 00:48:34,520 Speaker 1: civil servant. 971 00:48:34,960 --> 00:48:38,480 Speaker 2: Those are two greatest white MC's of all time right there. 972 00:48:38,719 --> 00:48:40,440 Speaker 1: I can't say that, Oh, shut up. 973 00:48:42,920 --> 00:48:44,600 Speaker 2: In my opinion, yeah, in your opinion. 974 00:48:44,719 --> 00:48:49,279 Speaker 1: In my opinion, yeah, he's one and he's two. Right, 975 00:48:49,800 --> 00:48:54,600 Speaker 1: but you know that three dollars will get your coke cola. Yeah, 976 00:48:56,160 --> 00:48:57,560 Speaker 1: a bunch of shit man, that. 977 00:48:59,600 --> 00:49:02,719 Speaker 2: Talking about he's straight out the changes. I don't remember, 978 00:49:04,239 --> 00:49:06,359 Speaker 2: like you, straight out of in a month. 979 00:49:07,800 --> 00:49:10,000 Speaker 1: It was the source. It couldn't be the source where 980 00:49:10,120 --> 00:49:13,759 Speaker 1: fucking you know, like the portal bullet we got that? 981 00:49:14,560 --> 00:49:17,760 Speaker 2: Like you was an alto right there, man, insta. 982 00:49:17,800 --> 00:49:21,680 Speaker 1: Oriole did that photo shoot? You said that? All dang, 983 00:49:21,760 --> 00:49:24,640 Speaker 1: it's the verse. It's the verse from uh we the 984 00:49:24,760 --> 00:49:31,359 Speaker 1: ship uh A town with with Yeah. If Boba ain't 985 00:49:31,360 --> 00:49:33,839 Speaker 1: a stellar fella, y'all just need to measure better. Yeah, 986 00:49:33,880 --> 00:49:37,280 Speaker 1: you're skinny and I'm chunking still remember that photo shoot? 987 00:49:38,120 --> 00:49:39,400 Speaker 1: Don't interrupt me when I'm wrapping. 988 00:49:41,320 --> 00:49:44,919 Speaker 2: Sorry, sorry, boss, you couldn't let me get to go ahead. 989 00:49:45,120 --> 00:49:47,440 Speaker 2: He want to wrap, he's ready his verse it's. 990 00:49:47,320 --> 00:49:54,200 Speaker 1: Not the same now I wanted you while ago. Oh no, 991 00:49:54,360 --> 00:49:57,120 Speaker 1: that's a good verse though, for real, Damn, I didn't 992 00:49:57,160 --> 00:49:59,759 Speaker 1: never saw this though, I don't miss much. Show you 993 00:49:59,840 --> 00:50:02,120 Speaker 1: new face with that man? That's what I man, what 994 00:50:02,400 --> 00:50:04,560 Speaker 1: is this? This never happened, and you're gonna get this 995 00:50:04,640 --> 00:50:10,719 Speaker 1: printed up created condition there right November two thousand and three. 996 00:50:11,160 --> 00:50:13,200 Speaker 2: Yeah, you can go get it there. They're singing, what 997 00:50:13,360 --> 00:50:16,080 Speaker 2: is that new face on that one? That's when he 998 00:50:16,200 --> 00:50:17,480 Speaker 2: was in ship like he was. 999 00:50:17,920 --> 00:50:22,279 Speaker 1: Oh no, that was that was very much pain piel guy. Look, 1000 00:50:22,360 --> 00:50:26,520 Speaker 1: I mean I had on flip flops and like I'm 1001 00:50:26,520 --> 00:50:30,560 Speaker 1: going to play church Lady softball or something. But that's 1002 00:50:30,560 --> 00:50:34,880 Speaker 1: a good article. Yeah, close up, Yeah he will whoop 1003 00:50:34,920 --> 00:50:35,200 Speaker 1: your ass. 1004 00:50:35,280 --> 00:50:39,800 Speaker 4: Man, close up, I look like a prison like guards 1005 00:50:41,080 --> 00:50:43,080 Speaker 4: and almost looked like the four four ones. 1006 00:50:43,080 --> 00:50:47,040 Speaker 1: Alright, no, those are I was with the Travis Barker, 1007 00:50:47,360 --> 00:50:53,719 Speaker 1: uh my homeboy Travis famous Yeah, T shirt, standard operating procedure, 1008 00:50:53,760 --> 00:50:55,160 Speaker 1: Cardos shorts, Pollo. 1009 00:50:55,480 --> 00:50:59,000 Speaker 4: And lasting at least you know the only photo it's 1010 00:50:59,040 --> 00:51:02,279 Speaker 4: like Christmas Day. The only photo I had prior meeting 1011 00:51:02,320 --> 00:51:04,320 Speaker 4: his brother, I was felt like I was having I 1012 00:51:04,440 --> 00:51:04,759 Speaker 4: met my. 1013 00:51:05,239 --> 00:51:06,440 Speaker 5: At birthday bash. 1014 00:51:08,040 --> 00:51:10,880 Speaker 2: Related which was that this is birthday bash came out 1015 00:51:10,880 --> 00:51:11,360 Speaker 2: with Archie. 1016 00:51:11,800 --> 00:51:13,520 Speaker 5: No this well, I don't know why. This is the 1017 00:51:13,640 --> 00:51:17,600 Speaker 5: year when Tip got out. This was the flip h five. 1018 00:51:17,840 --> 00:51:19,799 Speaker 4: Yeah, because I remember I took the picture and they 1019 00:51:19,920 --> 00:51:21,760 Speaker 4: was like Tip in the background. 1020 00:51:21,840 --> 00:51:23,239 Speaker 1: But that's that year. I don't know. 1021 00:51:23,280 --> 00:51:25,560 Speaker 5: Why did you perform Birthday Bash. 1022 00:51:26,960 --> 00:51:29,640 Speaker 1: Archie? I did? I performed like this new booty time 1023 00:51:29,840 --> 00:51:32,440 Speaker 1: you did that? That was what year? That was six? Yeah, 1024 00:51:32,840 --> 00:51:35,279 Speaker 1: but it was that This was at Lakewood, right, yeah? Yeah, 1025 00:51:35,880 --> 00:51:37,680 Speaker 1: you know what I did for Hot Hot one O 1026 00:51:37,800 --> 00:51:40,560 Speaker 1: seven was at Phillips Marina. Didn't they have birthday bas 1027 00:51:41,360 --> 00:51:43,800 Speaker 1: It went from Lakewood. That was the one I performed 1028 00:51:44,040 --> 00:51:48,520 Speaker 1: the first one Phillips. Yeah, I had on when I'm 1029 00:51:48,520 --> 00:51:50,279 Speaker 1: about to take a picture of this reader. 1030 00:51:50,719 --> 00:51:56,480 Speaker 5: You had the black crackers, he had what you got 1031 00:51:56,520 --> 00:51:58,000 Speaker 5: the next church that? 1032 00:51:58,239 --> 00:52:01,880 Speaker 1: What's that? You had? The next side kick? Sidekick they 1033 00:52:01,960 --> 00:52:02,680 Speaker 1: gave they gave me. 1034 00:52:03,200 --> 00:52:05,279 Speaker 2: They was doing a lot of promotions. Mobile was with 1035 00:52:05,360 --> 00:52:06,040 Speaker 2: those with a lot of. 1036 00:52:06,200 --> 00:52:09,040 Speaker 1: It was with a video, certain videos that shot for one. 1037 00:52:09,239 --> 00:52:12,799 Speaker 5: Hey Man, story Time Celebrate the Legend man stor Hey, this. 1038 00:52:12,920 --> 00:52:15,719 Speaker 1: Is cool man, y'all definitely need to keep doing this 1039 00:52:16,120 --> 00:52:16,759 Speaker 1: section right now. 1040 00:52:17,080 --> 00:52:19,719 Speaker 3: All the stuff we was gonna stop at the after 1041 00:52:19,760 --> 00:52:22,200 Speaker 3: we interviewed you, I was I was just gonna stop off. 1042 00:52:22,360 --> 00:52:24,680 Speaker 1: Y'all been doing that with everybody, like bring Christmas Day 1043 00:52:24,760 --> 00:52:26,640 Speaker 1: like this, I get to keep all this stuff. 1044 00:52:28,920 --> 00:52:29,400 Speaker 2: Security. 1045 00:52:31,200 --> 00:52:33,560 Speaker 1: Hey, let me see the other one. 1046 00:52:34,040 --> 00:52:35,200 Speaker 2: Damn man, should we do it? 1047 00:52:35,480 --> 00:52:37,960 Speaker 1: Ship? Look Christmas Day for. 1048 00:52:40,440 --> 00:52:41,400 Speaker 2: We're about to sign. 1049 00:52:41,320 --> 00:52:43,399 Speaker 5: Up, signing off because we don't made your day. 1050 00:52:44,120 --> 00:52:47,399 Speaker 3: You look and look at him. He said, Hey, look mama, Hey, 1051 00:52:47,560 --> 00:52:50,680 Speaker 3: story Time with Legend Jay New Face is always dead. 1052 00:52:51,440 --> 00:52:54,719 Speaker 3: Special segment is always great like this, Like Bubba say, 1053 00:52:55,239 --> 00:52:58,000 Speaker 3: it's like Christmas Morning. So we're about to sign off. 1054 00:52:58,040 --> 00:53:02,240 Speaker 3: Bubba sparks new Face Jerry Clark while he taking. 1055 00:53:04,360 --> 00:53:05,680 Speaker 2: You're gonna tag us last. 1056 00:53:05,480 --> 00:53:15,640 Speaker 9: Shotiated story Legendary Ship be out to next week by 1057 00:53:16,040 --> 00:53:16,520 Speaker 9: love y'all. 1058 00:53:21,880 --> 00:53:24,279 Speaker 3: Story Time with the Legendary Jerry is hosted by me, 1059 00:53:25,080 --> 00:53:29,960 Speaker 3: the One and Only Jerry Clark. Music has been provided 1060 00:53:30,040 --> 00:53:35,520 Speaker 3: by July the Producer. If you haven't already, please please 1061 00:53:35,640 --> 00:53:38,719 Speaker 3: make sure you subscribe to Storytime with the Legendary Jerry 1062 00:53:39,120 --> 00:53:42,680 Speaker 3: on YouTube and wherever you listen to podcasts, and make 1063 00:53:42,760 --> 00:53:46,319 Speaker 3: sure you follow us on all social media platforms at 1064 00:53:46,600 --> 00:53:50,319 Speaker 3: the Legendary Jerry podcast. For more podcasts in my heart media, 1065 00:53:50,400 --> 00:53:53,200 Speaker 3: visit the iHeartRadio app, Apple podcasts, or wherever you listen 1066 00:53:53,239 --> 00:53:54,240 Speaker 3: to your favorite shows.