WEBVTT - Emotions in Outer Space

0:00:03.080 --> 0:00:05.960
<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

0:00:05.960 --> 0:00:14.120
<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

0:00:14.160 --> 0:00:17.040
<v Speaker 1>My name is Robert Lamb and I'm Julie Douglas. Julie,

0:00:17.079 --> 0:00:19.079
<v Speaker 1>I know you have seen this video that's been making

0:00:19.120 --> 0:00:20.880
<v Speaker 1>the rounds. I know you've seen it because we watched

0:00:20.880 --> 0:00:23.840
<v Speaker 1>it together and did a whole episode of our video

0:00:24.200 --> 0:00:27.000
<v Speaker 1>series about viral videos about it. But we have the

0:00:27.120 --> 0:00:31.200
<v Speaker 1>video about crying in space and what that might consist of. Yeah,

0:00:31.280 --> 0:00:34.440
<v Speaker 1>it is a great video was put out by the

0:00:34.520 --> 0:00:38.960
<v Speaker 1>I S S Commander, International Space Station Commander Chris Hatfield,

0:00:39.520 --> 0:00:42.760
<v Speaker 1>and he demonstrates what it is like to cry in space.

0:00:42.800 --> 0:00:46.160
<v Speaker 1>Now he doesn't actually he doesn't. Cried a sad novel

0:00:46.320 --> 0:00:49.640
<v Speaker 1>and then begin you know, he's a man, he is

0:00:50.200 --> 0:00:53.360
<v Speaker 1>he is manned up to a venture into the void

0:00:53.520 --> 0:00:55.960
<v Speaker 1>and he has that he seems like a really nice guy.

0:00:56.000 --> 0:00:58.840
<v Speaker 1>But you know, he's got a mustache. He has a mustache,

0:00:58.840 --> 0:01:01.840
<v Speaker 1>He has kind of a there's a certain machismo to

0:01:02.200 --> 0:01:06.640
<v Speaker 1>anybody that goes up into space, male or female. So um, yeah,

0:01:06.720 --> 0:01:08.720
<v Speaker 1>So if an astronaut is going to demonstrate what it's

0:01:08.760 --> 0:01:10.200
<v Speaker 1>like to cry and space, they're going to have to

0:01:10.319 --> 0:01:12.280
<v Speaker 1>escort some water in their eyes because these there are

0:01:12.319 --> 0:01:15.280
<v Speaker 1>some hard boiled eggs. That's right, man or woman, you

0:01:15.319 --> 0:01:18.120
<v Speaker 1>are a cowboy in outer space. So but one of

0:01:18.160 --> 0:01:20.160
<v Speaker 1>the great things about this video is that it really

0:01:20.160 --> 0:01:22.360
<v Speaker 1>does pull back the curtains on what it is like.

0:01:22.400 --> 0:01:26.600
<v Speaker 1>There's rote day to day activities, including crying, right because um,

0:01:26.600 --> 0:01:29.839
<v Speaker 1>I you know, assume that there are lots of emotional

0:01:29.880 --> 0:01:31.959
<v Speaker 1>issues in outer space. And we've talked about this a bit.

0:01:32.480 --> 0:01:35.640
<v Speaker 1>It's a high stress environment and as we're gonna get

0:01:35.680 --> 0:01:38.720
<v Speaker 1>into in in this in another podcast, and it's a

0:01:38.760 --> 0:01:42.959
<v Speaker 1>hostile environment, and and so it's possible that that tears

0:01:42.959 --> 0:01:45.840
<v Speaker 1>could occur, and in all likelihood they have occurred. You know,

0:01:46.240 --> 0:01:48.880
<v Speaker 1>just we've joked, there's been some pretty tense moments. You know,

0:01:48.920 --> 0:01:51.440
<v Speaker 1>they locked themselves in the bathroom and just boo who yeah. Well,

0:01:51.440 --> 0:01:53.880
<v Speaker 1>and then also you can there are other reasons tears

0:01:53.880 --> 0:01:57.720
<v Speaker 1>can form, you know, various irritations I irritations and sinus

0:01:57.720 --> 0:02:00.560
<v Speaker 1>and whatnot. And you know that has happened. But his

0:02:00.600 --> 0:02:02.880
<v Speaker 1>work has been great because he has he has done

0:02:03.040 --> 0:02:05.080
<v Speaker 1>a really nice job in these videos of shining light

0:02:05.160 --> 0:02:09.600
<v Speaker 1>on space minutia. You know, the little tiny bits of

0:02:09.680 --> 0:02:11.960
<v Speaker 1>daily life you might not think about, like if if

0:02:12.000 --> 0:02:13.880
<v Speaker 1>we didn't know better, I might think that they forgot

0:02:13.919 --> 0:02:16.840
<v Speaker 1>to assign him anything to do, and he's just shooting

0:02:16.840 --> 0:02:18.360
<v Speaker 1>a bunch of videos. But of course he has plenty

0:02:18.360 --> 0:02:21.080
<v Speaker 1>of other well as well. I think that the one

0:02:21.080 --> 0:02:22.680
<v Speaker 1>of the cool things about this video is that it

0:02:22.760 --> 0:02:28.200
<v Speaker 1>also underscores this idea that, uh, everything in space, everything

0:02:28.320 --> 0:02:31.720
<v Speaker 1>in microgravity, behaves differently. So even though we bring our

0:02:31.800 --> 0:02:36.840
<v Speaker 1>portable cages with us, right, we bring our own artificial environments, um,

0:02:36.880 --> 0:02:39.960
<v Speaker 1>you know in the capsule on the International Space Station, Uh,

0:02:40.040 --> 0:02:43.600
<v Speaker 1>we still have to sort of relearn how to be human.

0:02:43.720 --> 0:02:47.120
<v Speaker 1>So imagine that you have this really poignant moment that

0:02:47.160 --> 0:02:50.720
<v Speaker 1>you're stirring up in your emotions, and all of a sudden,

0:02:50.760 --> 0:02:52.960
<v Speaker 1>tears begin to well up in your eyes. Well they

0:02:53.000 --> 0:02:55.760
<v Speaker 1>don't just flow down, obviously, because there's no gravity. Instead,

0:02:56.120 --> 0:03:00.480
<v Speaker 1>they just pool atop your eyeballs, growing fatter and more

0:03:00.560 --> 0:03:05.400
<v Speaker 1>obscenely large, until they break off into this big glob

0:03:05.520 --> 0:03:07.760
<v Speaker 1>in front of you and float off. And then somebody

0:03:07.760 --> 0:03:10.280
<v Speaker 1>could conceivably turn around and they're about to say, hey,

0:03:10.280 --> 0:03:13.040
<v Speaker 1>what are you crying about? And then the whole glob

0:03:13.120 --> 0:03:15.000
<v Speaker 1>of your tears just goes into their mouth, that's right,

0:03:15.040 --> 0:03:18.320
<v Speaker 1>and so it becomes this otherworldly experience, right, And I

0:03:18.320 --> 0:03:20.840
<v Speaker 1>imagine that the first couple of times people crying spaces

0:03:20.919 --> 0:03:24.320
<v Speaker 1>probably really fascinating. In fact, I bet that whatever you're

0:03:24.360 --> 0:03:27.560
<v Speaker 1>sad about, you know, that kind of no matter, it

0:03:27.600 --> 0:03:29.840
<v Speaker 1>no longer matters, right, because in front of you is

0:03:29.880 --> 0:03:32.320
<v Speaker 1>this big glob that you can play with. What if

0:03:32.320 --> 0:03:35.560
<v Speaker 1>you were missing gravity, You're crying because you miss gravity

0:03:35.600 --> 0:03:36.920
<v Speaker 1>so much, And then that just makes it all the

0:03:36.920 --> 0:03:38.680
<v Speaker 1>worse because you're like, I can't even cry, like nor

0:03:38.800 --> 0:03:42.320
<v Speaker 1>this is how I cry now. My tears mock me. Yeah.

0:03:42.600 --> 0:03:46.000
<v Speaker 1>As I mentioned in the video, I'd also um reminded

0:03:46.000 --> 0:03:49.160
<v Speaker 1>me a bit of Dante's Inferno. There's a bit there

0:03:49.160 --> 0:03:51.880
<v Speaker 1>where Dante and Virgil are in the on the frozen

0:03:51.960 --> 0:03:54.560
<v Speaker 1>lake of Casitas at the bottom of Hell, and these

0:03:54.680 --> 0:03:57.720
<v Speaker 1>individuals are are frozen in this lake with their heads

0:03:57.720 --> 0:04:01.440
<v Speaker 1>facing up, so that when they cry out in tears

0:04:01.480 --> 0:04:04.000
<v Speaker 1>and you know, repenting their sins or tears of anger,

0:04:04.320 --> 0:04:08.040
<v Speaker 1>the water pools in their sockets and freezes there. Um.

0:04:08.080 --> 0:04:10.560
<v Speaker 1>Which you know, if you start to think about it,

0:04:10.800 --> 0:04:13.560
<v Speaker 1>if you start to imagine worst case scenarios, you could

0:04:13.600 --> 0:04:17.560
<v Speaker 1>possibly envision in a situation where you're crying in space

0:04:17.600 --> 0:04:21.279
<v Speaker 1>and there's been a temperature failure in the capsule, temperatures

0:04:21.279 --> 0:04:25.360
<v Speaker 1>are plumbering, and those globs of of water in your

0:04:25.360 --> 0:04:31.760
<v Speaker 1>eye sockets could potentially freeesaw, so you get eyeball popsicles. Yeah. Nice. Now,

0:04:31.800 --> 0:04:34.000
<v Speaker 1>if you're exposed to the void itself, then the tears

0:04:34.000 --> 0:04:36.400
<v Speaker 1>will probably just boil off. But that's that's an entirely

0:04:36.400 --> 0:04:40.640
<v Speaker 1>different situation. Yeah, an entirely different episode as well. Uh Well,

0:04:40.720 --> 0:04:42.800
<v Speaker 1>in order for us to really talk about what it's

0:04:42.839 --> 0:04:46.600
<v Speaker 1>like to be human in space exploration, or to relearn

0:04:46.600 --> 0:04:49.640
<v Speaker 1>our humanness and how to deal with it, particularly emotions,

0:04:49.640 --> 0:04:52.200
<v Speaker 1>we should probably talk about space itself and then the

0:04:52.240 --> 0:04:54.320
<v Speaker 1>International Space Station, which is sort of where the grand

0:04:54.360 --> 0:04:58.200
<v Speaker 1>experiment has been playing out. Okay, yeah, Well, space itself,

0:04:58.360 --> 0:05:03.120
<v Speaker 1>the void, the great black yonder as it is, it's uh,

0:05:03.279 --> 0:05:06.039
<v Speaker 1>it's it is a very hostile environment because one of

0:05:06.040 --> 0:05:07.440
<v Speaker 1>the one of the things we always have to to

0:05:07.520 --> 0:05:10.320
<v Speaker 1>drive home here is that as human beings, we are

0:05:10.360 --> 0:05:13.800
<v Speaker 1>a We're an organism that is evolved to live in

0:05:13.880 --> 0:05:18.280
<v Speaker 1>a very thin layer of even our own atmosphere, in

0:05:18.279 --> 0:05:21.120
<v Speaker 1>our own environment. There are places on Earth that we

0:05:21.200 --> 0:05:26.960
<v Speaker 1>cannot live without the significant technological help. So if you

0:05:27.000 --> 0:05:29.640
<v Speaker 1>take us out of the planet entirely, then you're you've

0:05:29.720 --> 0:05:32.480
<v Speaker 1>taken us into a place of death. Yeah. True. I

0:05:32.520 --> 0:05:34.800
<v Speaker 1>mean we don't think about it because we don't see it.

0:05:34.839 --> 0:05:37.599
<v Speaker 1>But we are dealing with hundreds of pounds of pressure

0:05:37.680 --> 0:05:39.680
<v Speaker 1>in the air, right, We're just kind of used to

0:05:39.760 --> 0:05:42.600
<v Speaker 1>moving around in it. But in space, as we know

0:05:42.800 --> 0:05:45.160
<v Speaker 1>is that it's a vacuum. There is no air pressure.

0:05:45.320 --> 0:05:48.720
<v Speaker 1>Molecules are scant, right. But the way I like to

0:05:48.760 --> 0:05:50.440
<v Speaker 1>think of it is is think back to Star Trek.

0:05:50.600 --> 0:05:54.040
<v Speaker 1>You see William Schattner walking around um and he's he's

0:05:54.040 --> 0:05:56.120
<v Speaker 1>wearing his girdle, of course, and he's very he's very

0:05:56.160 --> 0:05:59.840
<v Speaker 1>confident in his in his torso because that girdle is

0:06:00.000 --> 0:06:01.960
<v Speaker 1>pressing in. And take that girdle away and he's going

0:06:02.000 --> 0:06:04.240
<v Speaker 1>to be very very self conscious, is going to be

0:06:04.279 --> 0:06:07.520
<v Speaker 1>totally put off. Nothing's going to feel right, and he's

0:06:07.520 --> 0:06:09.800
<v Speaker 1>going to have to relearn how he's doing everything around

0:06:09.839 --> 0:06:12.840
<v Speaker 1>the ship because the atmospheric pressure is kind of like

0:06:12.880 --> 0:06:15.520
<v Speaker 1>a girdle pressing in on us all the time, and

0:06:15.560 --> 0:06:17.800
<v Speaker 1>it becomes such a part of who we are and

0:06:17.839 --> 0:06:20.400
<v Speaker 1>how we experienced the world. We we don't even begin

0:06:20.440 --> 0:06:23.400
<v Speaker 1>to register it unless there's a significant change. And it's

0:06:23.400 --> 0:06:26.559
<v Speaker 1>funny because it's hard to divorce yourself from this uh

0:06:26.880 --> 0:06:30.839
<v Speaker 1>notion of air pressure or or even air molecule molecules

0:06:30.880 --> 0:06:33.600
<v Speaker 1>not being present because we think it there's empty air,

0:06:33.640 --> 0:06:36.520
<v Speaker 1>but of course air is not empty. Is it is heavy,

0:06:36.560 --> 0:06:38.920
<v Speaker 1>it is thick, it is pressing in on us and

0:06:39.040 --> 0:06:42.440
<v Speaker 1>spaces an environment where that is not present, and the

0:06:42.480 --> 0:06:45.279
<v Speaker 1>temperature space is at its coold is just the temperature

0:06:45.279 --> 0:06:48.440
<v Speaker 1>of the leftover glow from the Big Bang, the radiation

0:06:48.520 --> 0:06:51.839
<v Speaker 1>known as the cosmic microwave background based the entire universe

0:06:51.880 --> 0:06:55.360
<v Speaker 1>in the temperature of only two point seven kelvin. That's

0:06:55.520 --> 0:06:58.960
<v Speaker 1>less than three degrees above absolute zero or minus four

0:06:59.040 --> 0:07:02.320
<v Speaker 1>hundred and fifty five degrees fahrenheit. And of course we

0:07:02.320 --> 0:07:05.400
<v Speaker 1>have even more stats about what the environment of space

0:07:05.480 --> 0:07:07.599
<v Speaker 1>is like if you don't happen to have a space suit,

0:07:07.640 --> 0:07:10.120
<v Speaker 1>but that's a separate podcast episode. Tune in for that.

0:07:10.920 --> 0:07:13.320
<v Speaker 1>But if you do have a space suit and your

0:07:13.360 --> 0:07:16.400
<v Speaker 1>destination is the International Space Station, you are luck because

0:07:16.440 --> 0:07:20.920
<v Speaker 1>this is a habitable artificial satellite in low orbit space,

0:07:21.000 --> 0:07:25.840
<v Speaker 1>traveling about seventeen thousand miles plus change an hour in

0:07:25.960 --> 0:07:29.000
<v Speaker 1>order to stay in orbit, making gentle curve around the Earth.

0:07:29.400 --> 0:07:33.840
<v Speaker 1>And it's up there about two miles kios. And when

0:07:33.840 --> 0:07:35.880
<v Speaker 1>you're an orbit like that, things are waitless because they're

0:07:35.880 --> 0:07:39.600
<v Speaker 1>all falling at the same velocity. So, um, we should

0:07:39.640 --> 0:07:42.160
<v Speaker 1>point out that the I S S is actually in

0:07:42.240 --> 0:07:45.160
<v Speaker 1>its thirteenth year. That's right, first module went up in

0:07:47.080 --> 0:07:50.360
<v Speaker 1>we keep adding more to it. Yeah, I keep hearing

0:07:50.600 --> 0:07:54.640
<v Speaker 1>uh descriptions like frailer park or modules that snapped together,

0:07:54.680 --> 0:07:56.800
<v Speaker 1>and well, because that's the only way to do it right.

0:07:56.840 --> 0:07:58.480
<v Speaker 1>You can't take the whole you gotta bring it up

0:07:58.480 --> 0:08:00.400
<v Speaker 1>piece by piece and a symbol it there. It's kind

0:08:00.400 --> 0:08:02.360
<v Speaker 1>of kind of like my my bookshelf here at work.

0:08:02.720 --> 0:08:04.480
<v Speaker 1>Like if I ever lose my job, there's no way

0:08:04.480 --> 0:08:06.120
<v Speaker 1>I'll get all of them home because I brought them

0:08:06.120 --> 0:08:07.480
<v Speaker 1>in a little bit by a little bit by a

0:08:07.480 --> 0:08:09.280
<v Speaker 1>little bit. They would taking like a year to clear

0:08:09.320 --> 0:08:11.320
<v Speaker 1>all of it out. Yeah, it's just and and you know,

0:08:11.360 --> 0:08:14.360
<v Speaker 1>and that and all the other junk. But I've seen

0:08:14.400 --> 0:08:17.400
<v Speaker 1>the cost estimated at around a hundred and fifty billion dollars.

0:08:17.760 --> 0:08:19.840
<v Speaker 1>But then I've also seen people talk about the cost

0:08:19.920 --> 0:08:22.120
<v Speaker 1>of the International Space Station is really being the sort

0:08:22.160 --> 0:08:25.640
<v Speaker 1>of thing that you can't maybe more than the cost,

0:08:25.720 --> 0:08:27.920
<v Speaker 1>but the value. It's it's something you really can't even

0:08:27.960 --> 0:08:30.680
<v Speaker 1>put up a dollar amount on because so much work,

0:08:30.760 --> 0:08:33.080
<v Speaker 1>so much effort has gone into it. It is, uh,

0:08:33.280 --> 0:08:34.760
<v Speaker 1>it's kind of you know, we don't have much in

0:08:34.760 --> 0:08:37.439
<v Speaker 1>the way of super projects today here on Earth, but

0:08:37.520 --> 0:08:40.840
<v Speaker 1>it is. It is basically one of the modern marvels.

0:08:40.880 --> 0:08:43.800
<v Speaker 1>It is. It is like a pyramid for us. It is,

0:08:43.880 --> 0:08:46.080
<v Speaker 1>and there has been a ton of research conducted in

0:08:46.480 --> 0:08:51.240
<v Speaker 1>every expedition actually has certain research goals in mind. So

0:08:51.320 --> 0:08:53.960
<v Speaker 1>not only is it about maintaining that the actual I

0:08:54.120 --> 0:08:55.800
<v Speaker 1>S S, but it's also like, let's let's take a

0:08:55.800 --> 0:09:01.040
<v Speaker 1>look at how X behaves in microgravity or some other experiment.

0:09:01.320 --> 0:09:04.480
<v Speaker 1>In fact, Expedition three five, which is right now the

0:09:04.480 --> 0:09:08.920
<v Speaker 1>the expedition that's in use is um being conducted by

0:09:08.960 --> 0:09:12.080
<v Speaker 1>a six person crew. Again, Chris Hadfield is the commander there,

0:09:12.679 --> 0:09:18.000
<v Speaker 1>and they are using an instrument called the Alpha bagnetic

0:09:18.080 --> 0:09:21.719
<v Speaker 1>Spectrometer two by the way, not one. It is a

0:09:21.760 --> 0:09:24.800
<v Speaker 1>state of the art particle physics detector. And recently in

0:09:24.800 --> 0:09:27.680
<v Speaker 1>the news there was an item about how they've gotten

0:09:27.720 --> 0:09:32.080
<v Speaker 1>a whiff of dark matter the spectrometer, which is really cool. Yeah,

0:09:32.320 --> 0:09:34.120
<v Speaker 1>So it's it's right that the I S. S is

0:09:34.160 --> 0:09:37.120
<v Speaker 1>not just a place where astronauts pretend to cry and

0:09:37.120 --> 0:09:39.440
<v Speaker 1>then take videos. It's not just a place where there

0:09:39.520 --> 0:09:42.120
<v Speaker 1>occasionally there's some sort of spat about a toilet going

0:09:42.600 --> 0:09:45.040
<v Speaker 1>off the whack. But it is a place on the

0:09:45.040 --> 0:09:48.480
<v Speaker 1>cutting edge of science. It is, and it is a very,

0:09:48.520 --> 0:09:52.120
<v Speaker 1>as we said, small space of cutting edge science going on.

0:09:52.320 --> 0:09:54.560
<v Speaker 1>We're talking about a living space that amounts to the

0:09:54.600 --> 0:09:57.920
<v Speaker 1>equivalent of roughly one and a half Boeing seven forty seven.

0:09:58.840 --> 0:10:03.120
<v Speaker 1>So let take a listen to what it sounds like

0:10:03.440 --> 0:10:06.560
<v Speaker 1>life aboard I S. S S and to some of the

0:10:06.640 --> 0:10:10.840
<v Speaker 1>ambient noises, so we can get an idea of what

0:10:10.960 --> 0:10:13.680
<v Speaker 1>sort of emotional landscape you might be butting up against

0:10:13.679 --> 0:10:33.600
<v Speaker 1>that if you are an astronaut. Now, I love that

0:10:33.679 --> 0:10:36.200
<v Speaker 1>because that that sounds like a lot of a lot

0:10:36.280 --> 0:10:38.719
<v Speaker 1>of music that I actually listened to. Like, I get

0:10:38.800 --> 0:10:41.640
<v Speaker 1>kind of a a pecker meets nurse with wound kind

0:10:41.679 --> 0:10:45.200
<v Speaker 1>of vibe there, a little ambient, a little industrial. It's

0:10:45.280 --> 0:10:47.760
<v Speaker 1>it's nice. Yeah, And those again we sort of take

0:10:48.400 --> 0:10:51.520
<v Speaker 1>uh quietude or you know this when we really want

0:10:51.640 --> 0:10:53.920
<v Speaker 1>quiet in our lives, for granted, because there is a

0:10:53.960 --> 0:10:56.040
<v Speaker 1>way that you can actually get to some sort of

0:10:56.200 --> 0:10:58.400
<v Speaker 1>total silence. Not always right, there's always going to be

0:10:58.440 --> 0:11:01.599
<v Speaker 1>ambient noise. I now a world like that, though I

0:11:01.600 --> 0:11:03.440
<v Speaker 1>would go to sleep to that, would you? I would

0:11:03.480 --> 0:11:05.920
<v Speaker 1>prefer that to absolute silence because absolute silence is just

0:11:05.960 --> 0:11:09.360
<v Speaker 1>a little loud to me. M okay. Actually, you had

0:11:09.360 --> 0:11:11.360
<v Speaker 1>a good block post about that recently, didn't you, Or

0:11:11.440 --> 0:11:13.319
<v Speaker 1>maybe it was on Facebook that you threw that up.

0:11:13.920 --> 0:11:18.120
<v Speaker 1>But there was a room that was sealed, wasn't itbook

0:11:18.240 --> 0:11:21.959
<v Speaker 1>Absolute Science and Silence, and people could not stand it. Correct. Yeah,

0:11:22.000 --> 0:11:23.920
<v Speaker 1>it can be a little maddening, And so I kind

0:11:24.080 --> 0:11:25.880
<v Speaker 1>like a little white noise or a little music when

0:11:25.920 --> 0:11:27.400
<v Speaker 1>I go to and go to sleep if I can

0:11:27.440 --> 0:11:29.560
<v Speaker 1>get it. I used to. I used to live in

0:11:29.559 --> 0:11:32.880
<v Speaker 1>a a living space where the bedroom is really close

0:11:32.960 --> 0:11:36.280
<v Speaker 1>to the kitchen, and so I could hear the dishwasher

0:11:36.880 --> 0:11:39.439
<v Speaker 1>really well at night, man, and I love that. If

0:11:39.440 --> 0:11:41.199
<v Speaker 1>it were up to me, I'd have the dishwasher in

0:11:41.240 --> 0:11:44.520
<v Speaker 1>the bedroom. Have you seen those toys that are four

0:11:44.760 --> 0:11:48.920
<v Speaker 1>babies that basically have like a white noise um sound

0:11:48.920 --> 0:11:50.320
<v Speaker 1>and it was such a sound like I guess like

0:11:50.320 --> 0:11:53.640
<v Speaker 1>the amnionic fluid rushing through I have not I have

0:11:53.679 --> 0:11:56.000
<v Speaker 1>not heard of it. And there's also a heartbeat setting.

0:11:56.200 --> 0:12:01.120
<v Speaker 1>Is there a berg noise but a digestion noise? No,

0:12:01.520 --> 0:12:03.560
<v Speaker 1>but there should be giddings part because they're probably they

0:12:03.600 --> 0:12:07.400
<v Speaker 1>probably identify that as a as as a friend. I'm

0:12:07.440 --> 0:12:10.600
<v Speaker 1>just trying to imagine now, um getting one of those

0:12:10.920 --> 0:12:14.120
<v Speaker 1>uh sleep CDs and it having proper green meat me

0:12:14.520 --> 0:12:18.719
<v Speaker 1>digestion noises on it. Alright, So I mean we're spiraling

0:12:18.760 --> 0:12:22.080
<v Speaker 1>off here, um, losing altitude. Must must climb back up

0:12:22.600 --> 0:12:26.800
<v Speaker 1>realry back in capsule. Alright. So you're on the I

0:12:27.080 --> 0:12:30.040
<v Speaker 1>S S. You're having a bad day. What might a

0:12:30.080 --> 0:12:35.680
<v Speaker 1>bad day be in space? Well, I mean, you know,

0:12:35.720 --> 0:12:37.959
<v Speaker 1>it can get really bad if you want to get

0:12:37.960 --> 0:12:41.600
<v Speaker 1>into worst case scenarios, but just thinking about like a

0:12:41.679 --> 0:12:45.880
<v Speaker 1>normal day again, you're in close confines with your co

0:12:46.000 --> 0:12:50.480
<v Speaker 1>workers all the time, floating up in each other's business,

0:12:50.960 --> 0:12:53.960
<v Speaker 1>having to take care that your lunches don't float into

0:12:54.000 --> 0:12:56.760
<v Speaker 1>each other, that there's nothing you know, falling off your

0:12:56.800 --> 0:12:58.800
<v Speaker 1>face or or out of your face that's going to

0:12:58.880 --> 0:13:02.160
<v Speaker 1>float into the next person. It's true, and just the

0:13:02.200 --> 0:13:05.280
<v Speaker 1>act of eating. I've noticed it reminds me of um,

0:13:05.280 --> 0:13:08.319
<v Speaker 1>like broom hockey, Like you kind of have to use

0:13:08.360 --> 0:13:11.320
<v Speaker 1>your hands to direct food into your mouth, you know,

0:13:11.360 --> 0:13:14.679
<v Speaker 1>the goal hole of food. Otherwise, yes, that's going to

0:13:14.800 --> 0:13:17.559
<v Speaker 1>hit your coworker in the face. Yeah. And and thecorum

0:13:18.040 --> 0:13:20.199
<v Speaker 1>kind of goes out of the out the door a

0:13:20.240 --> 0:13:22.440
<v Speaker 1>little bit with the with the with the the eating

0:13:22.440 --> 0:13:24.120
<v Speaker 1>in space like the videos you see, it's a totally

0:13:24.120 --> 0:13:27.680
<v Speaker 1>different sort of philosophy of eating. It's just kind of

0:13:28.160 --> 0:13:31.319
<v Speaker 1>sending things up and catching them and other things. You're

0:13:31.440 --> 0:13:34.640
<v Speaker 1>just slurping out of a little box. It's it's interesting.

0:13:34.880 --> 0:13:36.240
<v Speaker 1>Do you like that you can kind of chomp it

0:13:36.280 --> 0:13:38.440
<v Speaker 1>and catch it in your mouth? Um? But yeah, so

0:13:38.559 --> 0:13:42.160
<v Speaker 1>they're they're a little um indignities that could be visited

0:13:42.240 --> 0:13:44.679
<v Speaker 1>upon you, right, I mean not to say nothing else

0:13:44.880 --> 0:13:47.000
<v Speaker 1>of you know, things can get pretty hectic when you

0:13:47.000 --> 0:13:49.440
<v Speaker 1>have situations like oh, something might hit the station and

0:13:49.480 --> 0:13:52.480
<v Speaker 1>we all have to crowd into one capsule just in

0:13:52.559 --> 0:13:55.600
<v Speaker 1>case we lose the station. I mean that it can

0:13:55.600 --> 0:13:58.600
<v Speaker 1>get really stressful as well. Plus they're there are various

0:13:58.640 --> 0:14:01.600
<v Speaker 1>stages that people to to go to when they're exposed

0:14:01.640 --> 0:14:05.560
<v Speaker 1>to micro microgravity first, I mean, first of all, when

0:14:05.600 --> 0:14:09.840
<v Speaker 1>you first step into microgravity UM, you spend the first

0:14:09.840 --> 0:14:12.080
<v Speaker 1>phase of your judney, your journey just adjusting to that

0:14:12.120 --> 0:14:15.840
<v Speaker 1>cramped environment with an upset stomach, headaches, and space most

0:14:15.920 --> 0:14:19.640
<v Speaker 1>space motion sickness. According to NASA's Johnson Space Center, you'll

0:14:19.640 --> 0:14:25.560
<v Speaker 1>also experience a drop in sleep efficiency greatly reduced rim.

0:14:26.120 --> 0:14:29.200
<v Speaker 1>Uh so, in other words, you may experience dream deprivation

0:14:29.240 --> 0:14:33.080
<v Speaker 1>as well. So you're uncomfortable, you're sluggish, and you're still

0:14:33.120 --> 0:14:35.600
<v Speaker 1>having to work with all these people. I mean, it's

0:14:35.600 --> 0:14:39.080
<v Speaker 1>it's hard enough to deal with people when you when

0:14:39.080 --> 0:14:41.520
<v Speaker 1>you're just having a trouble getting a full night sleep,

0:14:41.600 --> 0:14:43.320
<v Speaker 1>much less when you have all these other factors going

0:14:43.320 --> 0:14:47.080
<v Speaker 1>on UM and path that it gets even weirder. There's

0:14:47.120 --> 0:14:51.040
<v Speaker 1>like a second stage UM where you'll you'll you'll have

0:14:51.080 --> 0:14:54.320
<v Speaker 1>like a complete adaptation they say, for about six additional weeks.

0:14:54.320 --> 0:14:56.080
<v Speaker 1>So once you passed that first slump, you have kind

0:14:56.080 --> 0:15:00.280
<v Speaker 1>of like the salad weeks there in space. But then

0:15:00.840 --> 0:15:04.280
<v Speaker 1>so you have a sense of euphoria. No, no, not euphoria,

0:15:04.360 --> 0:15:06.120
<v Speaker 1>you're just confident. You're like, all right, I got this.

0:15:06.200 --> 0:15:07.800
<v Speaker 1>I know how to use the bathroom, I know how

0:15:07.800 --> 0:15:10.480
<v Speaker 1>to eat peanut butter in space, Thank you very much.

0:15:10.600 --> 0:15:13.520
<v Speaker 1>I know how to move through the space without upsetting

0:15:13.520 --> 0:15:17.600
<v Speaker 1>everybody's laptops and everything else. Sleep patterns are decent. Uh,

0:15:17.640 --> 0:15:19.840
<v Speaker 1>And I mean that's a whole area. There's the sleeping,

0:15:19.840 --> 0:15:21.440
<v Speaker 1>because I've seen the One of the things you have

0:15:21.440 --> 0:15:24.120
<v Speaker 1>to remember is when we're sleeping, you you might touch

0:15:24.160 --> 0:15:26.000
<v Speaker 1>your face or whatnot. You might have some other kind

0:15:26.040 --> 0:15:28.680
<v Speaker 1>of sleep issues that could cause some sort of weirdness

0:15:28.720 --> 0:15:31.120
<v Speaker 1>or nightcares. But imagine sleeping and there's you have to

0:15:31.120 --> 0:15:34.120
<v Speaker 1>strap your your arms down because otherwise it'll float up

0:15:34.120 --> 0:15:36.920
<v Speaker 1>and just start pawing at your face during the night. Well,

0:15:36.920 --> 0:15:39.040
<v Speaker 1>it really is it tethered existence. And I was thinking

0:15:39.040 --> 0:15:41.080
<v Speaker 1>about this, is that you tether yourself to sleep. You

0:15:41.120 --> 0:15:43.760
<v Speaker 1>tether all the items that you need so that they're

0:15:43.800 --> 0:15:45.800
<v Speaker 1>available and you can find them. Otherwise everything is just

0:15:45.840 --> 0:15:48.240
<v Speaker 1>floating around. Yeah, you can't just set stuff on the nightstand.

0:15:48.600 --> 0:15:50.600
<v Speaker 1>You've got to have them to tether. Do your body

0:15:50.680 --> 0:15:54.720
<v Speaker 1>or do your bed wrappings. Well, and at this point

0:15:54.720 --> 0:15:58.479
<v Speaker 1>to presumably you have adjusted to the lack of diurnal

0:15:58.720 --> 0:16:01.960
<v Speaker 1>or nocturnal triggers rights the day and night. Um, you

0:16:02.360 --> 0:16:04.760
<v Speaker 1>are beginning to say Okay, so this is a this

0:16:04.840 --> 0:16:08.320
<v Speaker 1>is my brain adjusting to this lack of light, this sunlight,

0:16:09.000 --> 0:16:12.560
<v Speaker 1>and um a lack of touch as well, because this

0:16:12.600 --> 0:16:14.360
<v Speaker 1>is something that's pretty important. We've talked about this before.

0:16:14.400 --> 0:16:17.680
<v Speaker 1>It's very comforting to be touched. But obviously you are

0:16:18.440 --> 0:16:20.480
<v Speaker 1>you're with coworkers in the first place. Second of all,

0:16:20.600 --> 0:16:23.200
<v Speaker 1>it's not really you're not a situation where you would

0:16:23.240 --> 0:16:27.200
<v Speaker 1>be cuttling up presumably, And and just imagine too, like

0:16:27.240 --> 0:16:29.200
<v Speaker 1>so you wanted to stay cuttle up without you say,

0:16:29.240 --> 0:16:31.040
<v Speaker 1>we say you had like a nice blanket with you.

0:16:31.840 --> 0:16:34.200
<v Speaker 1>The experience of cuddling up with that blanket would be

0:16:34.240 --> 0:16:36.840
<v Speaker 1>extremely different in microgravity because it imagined like a nice

0:16:36.840 --> 0:16:38.840
<v Speaker 1>heavy blanket, how it sort of sits on you like

0:16:38.840 --> 0:16:40.640
<v Speaker 1>you wouldn't be able to You wouldn't get that because

0:16:40.680 --> 0:16:44.280
<v Speaker 1>the gravity is not not strong enough. That's true, right,

0:16:44.440 --> 0:16:46.680
<v Speaker 1>just even though the most basic thing of having that

0:16:46.760 --> 0:16:50.480
<v Speaker 1>pressure around you is removed. And so in time between

0:16:50.520 --> 0:16:53.480
<v Speaker 1>week six and week twelve, things start to get a

0:16:53.480 --> 0:16:58.800
<v Speaker 1>little moody, typically with people aboard the space station. Russian

0:16:59.480 --> 0:17:02.400
<v Speaker 1>observations found that a number of the symptoms were linked

0:17:02.400 --> 0:17:06.119
<v Speaker 1>to boredom and isolation. You become hyper sensitive, irritable, less motivated.

0:17:06.680 --> 0:17:09.200
<v Speaker 1>You may fly up the handle whenever a crew member

0:17:09.480 --> 0:17:11.960
<v Speaker 1>drifts into your personal space or you know, borrow some

0:17:12.000 --> 0:17:14.560
<v Speaker 1>of your stuff, you know, sort of you know, dorm

0:17:14.640 --> 0:17:17.879
<v Speaker 1>room annoyances uh too and uh and so yeah, you

0:17:17.920 --> 0:17:21.399
<v Speaker 1>get you get more uh sensitivity to allowed noises, uh,

0:17:21.520 --> 0:17:26.080
<v Speaker 1>your your musical preferences may change, uh, exhaustion, sleep disturbances,

0:17:26.160 --> 0:17:28.720
<v Speaker 1>loss of appetite. You might creep back into everything. It

0:17:28.800 --> 0:17:31.199
<v Speaker 1>becomes a very negative time before finally, towards the end

0:17:31.200 --> 0:17:35.120
<v Speaker 1>of your journey, you can expect to experience agitation, lack

0:17:35.160 --> 0:17:38.160
<v Speaker 1>of control and uh. And then it sort of culminates

0:17:38.359 --> 0:17:40.960
<v Speaker 1>with the sense of space euphoria where you finally sort

0:17:41.000 --> 0:17:43.760
<v Speaker 1>of rise above it. So you have this whole um

0:17:43.960 --> 0:17:49.359
<v Speaker 1>sort of journey through the through the various ranges of

0:17:49.440 --> 0:17:52.760
<v Speaker 1>human emotion. There's are huge ups and downs and emotion.

0:17:52.840 --> 0:17:56.040
<v Speaker 1>And of course, uh, those people who are administrating the

0:17:56.119 --> 0:18:00.480
<v Speaker 1>program are very cognizant of this, and obviously they try

0:18:00.560 --> 0:18:04.640
<v Speaker 1>to choose people who are the healthiest mentally. In can

0:18:04.720 --> 0:18:07.639
<v Speaker 1>kind of roll with the punches, right, because if you

0:18:07.880 --> 0:18:10.159
<v Speaker 1>slight someone, or if you're the one who's slighted, you

0:18:10.240 --> 0:18:13.359
<v Speaker 1>cannot go off the handle in this situation. In fact,

0:18:13.480 --> 0:18:16.320
<v Speaker 1>one of the crews of sky Lab, NASA's first attempt

0:18:16.320 --> 0:18:20.760
<v Speaker 1>at a space station, became so annoyed with their circumstances,

0:18:21.359 --> 0:18:25.200
<v Speaker 1>uh that they placed that annoyance on mission control during

0:18:25.240 --> 0:18:27.560
<v Speaker 1>their eighty four days in space, and they mutiny need

0:18:27.880 --> 0:18:31.920
<v Speaker 1>they felt, and they turned off all communication. Because again,

0:18:32.200 --> 0:18:36.600
<v Speaker 1>this is a very specific psychological situation. And if you

0:18:36.640 --> 0:18:39.640
<v Speaker 1>need someone to blame, you can either blame each other

0:18:39.760 --> 0:18:43.080
<v Speaker 1>or one another, or you can blame mission control, right, yeah,

0:18:43.119 --> 0:18:46.440
<v Speaker 1>I mean you can also blame inanimate objects like I.

0:18:46.440 --> 0:18:49.439
<v Speaker 1>I've certainly stubbed my toe on like coffee tables before,

0:18:49.760 --> 0:18:51.480
<v Speaker 1>and I think if I had an airlock, I would

0:18:51.480 --> 0:18:54.000
<v Speaker 1>have I would have sent the coffee table out the airlock.

0:18:54.840 --> 0:18:59.160
<v Speaker 1>I think the room bout too. The room was blameless. Really,

0:18:59.440 --> 0:19:01.119
<v Speaker 1>I feel like you've turned a corner with Romo, Like

0:19:01.119 --> 0:19:02.800
<v Speaker 1>you were, there were some annoyance with it, and now

0:19:02.840 --> 0:19:05.480
<v Speaker 1>there's love. I don't remember having annoyance with room. Roomba

0:19:05.600 --> 0:19:10.280
<v Speaker 1>requires a certain amount of upkeep and and and PLC

0:19:11.080 --> 0:19:14.280
<v Speaker 1>and and battery life to h to maintain its objectives.

0:19:15.040 --> 0:19:17.720
<v Speaker 1>So it's it's a much more nurturing relationship than people

0:19:17.720 --> 0:19:23.679
<v Speaker 1>tend to think when they first purchased a robotic vacuum cleaner. Well,

0:19:23.800 --> 0:19:26.320
<v Speaker 1>and I suppose the same thing is going on with

0:19:26.400 --> 0:19:28.479
<v Speaker 1>I F S AND's in the same way. It's kind

0:19:28.480 --> 0:19:30.200
<v Speaker 1>of like a giant room, but it's very sensitive and

0:19:30.240 --> 0:19:32.199
<v Speaker 1>you have to keep maintaining. I wonder if anyone ever

0:19:32.240 --> 0:19:34.120
<v Speaker 1>gets annoyed with a coworker and then goes and talks

0:19:34.160 --> 0:19:36.280
<v Speaker 1>to Robina about it, and they're they're just like, oh

0:19:36.320 --> 0:19:40.000
<v Speaker 1>my god, Cindy will not shut up, and about the

0:19:41.000 --> 0:19:44.520
<v Speaker 1>batter cats, and so you're just you know, completely over there,

0:19:44.560 --> 0:19:48.520
<v Speaker 1>just trying to robinot about it. Well, that's the thing, um,

0:19:48.760 --> 0:19:53.480
<v Speaker 1>you know, astronauts are basically trained to sort of self soothe,

0:19:53.960 --> 0:19:57.680
<v Speaker 1>and they're they're trained in conflict resolution, because the idea

0:19:57.800 --> 0:20:00.320
<v Speaker 1>is that you don't you want to be able to

0:20:00.359 --> 0:20:04.200
<v Speaker 1>board uh the I S S with as even keel

0:20:04.280 --> 0:20:07.400
<v Speaker 1>and as many tools in your toolbox and dealing with

0:20:07.520 --> 0:20:11.000
<v Speaker 1>others as opposed to um sort of dealing with the

0:20:11.040 --> 0:20:15.920
<v Speaker 1>after effects of that, right because because obviously somebody sulking

0:20:15.920 --> 0:20:19.479
<v Speaker 1>and turning off all communication is not really an option,

0:20:19.520 --> 0:20:21.920
<v Speaker 1>that is that is to be avoided at all costs.

0:20:22.000 --> 0:20:24.399
<v Speaker 1>And I have read to that in instances where there

0:20:24.400 --> 0:20:28.879
<v Speaker 1>are some really dire situations that that astronauts or astronauts

0:20:28.920 --> 0:20:33.840
<v Speaker 1>can then video sort of their complaint and send it

0:20:34.000 --> 0:20:37.560
<v Speaker 1>kind of like MTV reality, like when I think they're

0:20:37.680 --> 0:20:42.679
<v Speaker 1>the precursorvice right, um, and then mission control can review

0:20:42.720 --> 0:20:45.640
<v Speaker 1>it and sort of give feedback. But those are really

0:20:45.680 --> 0:20:48.600
<v Speaker 1>dire situations. The idea is to to board and to

0:20:48.800 --> 0:20:52.600
<v Speaker 1>try to self suthe and to correct yourself as many

0:20:52.600 --> 0:20:56.800
<v Speaker 1>places as possible. So to that end, another tool in

0:20:56.840 --> 0:21:01.760
<v Speaker 1>the toolbox. Uh, well, drugs, right, I mean, medication is

0:21:01.760 --> 0:21:05.439
<v Speaker 1>is certainly extremely helpful um in situations such as this,

0:21:05.520 --> 0:21:07.439
<v Speaker 1>and there are a number of them. Um. Some of

0:21:07.480 --> 0:21:10.040
<v Speaker 1>these are medications that of course deal with just the

0:21:10.359 --> 0:21:13.359
<v Speaker 1>some of the physical symptoms of of of weightlessness that

0:21:13.480 --> 0:21:16.160
<v Speaker 1>deal with nausea or headaches and what have you. Um.

0:21:16.200 --> 0:21:18.240
<v Speaker 1>There are also things to deal with the bone mass.

0:21:18.880 --> 0:21:21.720
<v Speaker 1>But then there are there are also various medications that

0:21:21.760 --> 0:21:25.600
<v Speaker 1>are very homed in on the mind and the mental

0:21:25.640 --> 0:21:29.240
<v Speaker 1>states moti pheno. Right, this is this is a mood enhancement,

0:21:29.680 --> 0:21:34.240
<v Speaker 1>memory improving and mood brightening psychostimulants. So this enhances weightfulness,

0:21:34.280 --> 0:21:37.200
<v Speaker 1>attention capacity, and vigilance, which is really important, right because

0:21:37.240 --> 0:21:38.639
<v Speaker 1>if you're trying to adjust to all of this and

0:21:38.720 --> 0:21:41.560
<v Speaker 1>you have research that you have to conduct, if you

0:21:41.600 --> 0:21:43.920
<v Speaker 1>have a space walk, you want to be alert. Yeah,

0:21:44.040 --> 0:21:47.000
<v Speaker 1>it's all about optimizing their performance, no matter how fatigued

0:21:47.240 --> 0:21:49.840
<v Speaker 1>or cranky they are. So because I mean, it comes

0:21:49.880 --> 0:21:51.879
<v Speaker 1>down to it. If there's something that really needs to

0:21:51.920 --> 0:21:54.040
<v Speaker 1>be done on I s s uh you know, and

0:21:54.080 --> 0:21:57.600
<v Speaker 1>it's you know, potentially life or death, it doesn't it

0:21:57.640 --> 0:21:59.360
<v Speaker 1>doesn't matter if you're tired, it doesn't matter if you're

0:21:59.359 --> 0:22:02.080
<v Speaker 1>in a cranky mood. Here, take three of these and

0:22:02.119 --> 0:22:04.600
<v Speaker 1>go do a space wall. Yeah, it's kind of the

0:22:04.640 --> 0:22:08.159
<v Speaker 1>suck it up drug. Alright, let's take a quick break

0:22:08.200 --> 0:22:10.000
<v Speaker 1>and when we get back, we are going to talk

0:22:10.040 --> 0:22:22.520
<v Speaker 1>about this psychotic contingency plan. All right, we're back. So

0:22:23.240 --> 0:22:27.880
<v Speaker 1>duct tape it's not just something that's super useful here

0:22:28.000 --> 0:22:31.920
<v Speaker 1>on Earth, also in outer space. It turns out, yes, now,

0:22:32.040 --> 0:22:35.960
<v Speaker 1>duct tape it comes in handy in cases of space madness. Now,

0:22:37.320 --> 0:22:39.320
<v Speaker 1>of course, space madness is one of the great tropes

0:22:39.359 --> 0:22:42.199
<v Speaker 1>of of science fiction, the idea that people will go

0:22:42.240 --> 0:22:45.119
<v Speaker 1>into space and they'll they'll go a little mad, and

0:22:45.119 --> 0:22:47.440
<v Speaker 1>there as we've discussed here. There's a certain amount of

0:22:47.440 --> 0:22:49.800
<v Speaker 1>truth to that. It's a it's a it's an environment

0:22:49.880 --> 0:22:52.400
<v Speaker 1>that can tax the human body and the human mind.

0:22:52.400 --> 0:22:56.200
<v Speaker 1>It can force people uh into into places in their

0:22:56.240 --> 0:22:58.520
<v Speaker 1>own minds they're maybe not used to going. Someone could

0:22:58.520 --> 0:23:00.960
<v Speaker 1>conceivably snap. So you see it all the time and

0:23:01.000 --> 0:23:03.240
<v Speaker 1>films people are always experiencing space. Man's to be it

0:23:03.320 --> 0:23:07.440
<v Speaker 1>like Sunshine or Pandorum or I mean, the list goes on.

0:23:07.600 --> 0:23:10.440
<v Speaker 1>People go nuts, they do crazy things, and certainly duct

0:23:10.480 --> 0:23:12.280
<v Speaker 1>tape could be helpful in this case. If you needed

0:23:12.320 --> 0:23:15.440
<v Speaker 1>to duct tape, you're saying, uh, coworkers up and then

0:23:15.480 --> 0:23:17.359
<v Speaker 1>force everyone to have a tea party on the outside

0:23:17.400 --> 0:23:20.880
<v Speaker 1>of the ship. But it's also goodly specific. But it's

0:23:20.920 --> 0:23:24.480
<v Speaker 1>also very useful according to NASA, in dealing with that

0:23:24.840 --> 0:23:28.760
<v Speaker 1>um individual before he or she makes everyone go out

0:23:28.800 --> 0:23:31.159
<v Speaker 1>for a teat party. It's true. So that's why. In

0:23:31.200 --> 0:23:35.280
<v Speaker 1>addition to duct tape, NASA also has tranquilizers on hand

0:23:35.600 --> 0:23:38.040
<v Speaker 1>in case anyone flies off the handle in the serious way.

0:23:38.359 --> 0:23:40.560
<v Speaker 1>According to a two thousand and seven report from the

0:23:40.600 --> 0:23:44.840
<v Speaker 1>a P Associated Press, astronauts keep a few tranquilizers on hand,

0:23:45.280 --> 0:23:49.080
<v Speaker 1>and NASA recommends binding the individual for wrists and ankles

0:23:49.119 --> 0:23:51.640
<v Speaker 1>with duct tapes, strapping them down with a bungee cord,

0:23:51.720 --> 0:23:55.800
<v Speaker 1>and if necessary, sticking them with that tranquilizer. That makes

0:23:55.800 --> 0:23:57.199
<v Speaker 1>me feel better, just to know that there is a

0:23:57.200 --> 0:24:01.840
<v Speaker 1>contingency plan. Yeah, because again it's a high stakes environment

0:24:01.840 --> 0:24:03.399
<v Speaker 1>and if somebody goes off the handle, there's not a

0:24:03.440 --> 0:24:05.160
<v Speaker 1>lot of room to deal with them. There's not a break.

0:24:05.720 --> 0:24:07.960
<v Speaker 1>You're gonna have to just duct tape them up and

0:24:07.960 --> 0:24:11.800
<v Speaker 1>and settle them down with some some soothing pharmaceuticals. It's true,

0:24:11.840 --> 0:24:15.399
<v Speaker 1>if someone flies off the handle here at hs W headquarters,

0:24:15.400 --> 0:24:17.760
<v Speaker 1>they can just go down to the little store in

0:24:17.840 --> 0:24:21.760
<v Speaker 1>our building. They can get some smarties, banana yea cool

0:24:21.760 --> 0:24:24.840
<v Speaker 1>off a bit. But yeah, outer space, you've got a

0:24:24.840 --> 0:24:28.560
<v Speaker 1>lot of money at stake and a lot of man hours,

0:24:29.520 --> 0:24:31.639
<v Speaker 1>so you can't have the craziness going on. Yeah, you

0:24:31.640 --> 0:24:33.680
<v Speaker 1>can't just go out for a stroll. I mean, you

0:24:33.680 --> 0:24:36.000
<v Speaker 1>could go out for a stroll, but that's because me

0:24:36.040 --> 0:24:40.560
<v Speaker 1>even more pressure. So that leads us to this next

0:24:40.600 --> 0:24:43.560
<v Speaker 1>sort of idea of how to deal with emotions in space,

0:24:43.720 --> 0:24:46.240
<v Speaker 1>how to deal with our humanness, and that is soothing

0:24:46.320 --> 0:24:50.239
<v Speaker 1>The Savage Beast with music. Yes, I mean music has

0:24:50.240 --> 0:24:52.639
<v Speaker 1>always been a part of our journeys into space. I

0:24:52.640 --> 0:24:55.600
<v Speaker 1>mean that if you've followed my Space music block series

0:24:55.640 --> 0:24:57.480
<v Speaker 1>at all, you'll see that. In addition to me just

0:24:57.960 --> 0:25:01.560
<v Speaker 1>sharing stuff that has very levels of connection to the

0:25:01.640 --> 0:25:03.960
<v Speaker 1>space and space exporation, I I've done a number of

0:25:04.000 --> 0:25:08.280
<v Speaker 1>posts about astronauts bringing up instruments, smuggling instruments aboard, various

0:25:08.320 --> 0:25:10.800
<v Speaker 1>music that has taken place in space or somehow involved

0:25:11.160 --> 0:25:14.920
<v Speaker 1>UM space exploration data in one way or another. And uh,

0:25:15.000 --> 0:25:17.200
<v Speaker 1>and as we've talked about before, music is a powerful

0:25:17.240 --> 0:25:21.000
<v Speaker 1>thing and it can It can really change your mind.

0:25:21.040 --> 0:25:23.280
<v Speaker 1>It can control the way you're feeling, it can dictate

0:25:23.320 --> 0:25:26.560
<v Speaker 1>the way you feel so and also more importantly, it

0:25:26.680 --> 0:25:29.480
<v Speaker 1>is a slice of life on planet Earth that you

0:25:29.520 --> 0:25:31.200
<v Speaker 1>can bring up with you. It's another part of our

0:25:31.320 --> 0:25:35.560
<v Speaker 1>environment that can be taken into this hostile, unreal environment

0:25:35.840 --> 0:25:39.200
<v Speaker 1>and make everything seem a little more normal. Yeah. I mean,

0:25:39.200 --> 0:25:41.159
<v Speaker 1>there are a raft of studies that talk about the

0:25:41.160 --> 0:25:44.800
<v Speaker 1>healing qualities of are the healing properties of music? Just

0:25:44.920 --> 0:25:49.200
<v Speaker 1>recently this week there was an item about how live music,

0:25:49.240 --> 0:25:54.280
<v Speaker 1>in particular played in neonatal intensive care units actually helped

0:25:54.600 --> 0:25:58.600
<v Speaker 1>premium babies to um sort of recover from some of

0:25:58.640 --> 0:26:03.919
<v Speaker 1>those um complications that arise from premature birth much faster.

0:26:04.160 --> 0:26:07.600
<v Speaker 1>So you know, imagine, yes, you are in this environment

0:26:07.600 --> 0:26:09.800
<v Speaker 1>on the I S S. You've got some sensory deprivation

0:26:09.880 --> 0:26:11.720
<v Speaker 1>going on. You're not able to cuddle all the time

0:26:11.760 --> 0:26:14.080
<v Speaker 1>and have that twenty second hug that we know releases

0:26:14.080 --> 0:26:15.760
<v Speaker 1>oxytose and it makes you feel better unless you're going

0:26:16.880 --> 0:26:19.639
<v Speaker 1>and then I don't know how how nice he hugs are,

0:26:19.800 --> 0:26:22.119
<v Speaker 1>or you have your hug shirt on. That's true. You

0:26:22.160 --> 0:26:26.160
<v Speaker 1>can have technology, can you You can. You can bring

0:26:26.200 --> 0:26:28.919
<v Speaker 1>that music with you, you can play it. Chris Hadfield

0:26:28.960 --> 0:26:31.879
<v Speaker 1>actually has a special guitar that he plays on board

0:26:31.920 --> 0:26:35.080
<v Speaker 1>the I S. S Uh. The thing is, you still

0:26:35.119 --> 0:26:38.159
<v Speaker 1>have to try to relearn that right because your hands

0:26:38.160 --> 0:26:40.639
<v Speaker 1>are moving differently. He says that when you're moving fast

0:26:40.680 --> 0:26:43.040
<v Speaker 1>on the neck of the guitar, you often miss the

0:26:43.119 --> 0:26:45.520
<v Speaker 1>threats because on Earth you're used to the weight of

0:26:45.560 --> 0:26:47.119
<v Speaker 1>your arm, which kind of helps you track where your

0:26:47.160 --> 0:26:50.200
<v Speaker 1>hand is going. But without gravity, you overshoot the mark.

0:26:50.320 --> 0:26:54.960
<v Speaker 1>So in this soothing, in this soothing version of music,

0:26:55.040 --> 0:26:57.800
<v Speaker 1>you still I'm sure have a bit of frustration getting

0:26:57.840 --> 0:26:59.760
<v Speaker 1>to that point we're like, Okay, it's going to take

0:26:59.800 --> 0:27:02.560
<v Speaker 1>the week the master playing the guitar again in space.

0:27:02.600 --> 0:27:05.520
<v Speaker 1>But when I do, boy will. What I love about

0:27:05.560 --> 0:27:08.280
<v Speaker 1>this is that here on Earth he probably doesn't even

0:27:08.359 --> 0:27:10.920
<v Speaker 1>rank um. Like, I mean, there's no doubt he doesn't

0:27:10.960 --> 0:27:15.119
<v Speaker 1>even rank among the top guitarists there are. There are

0:27:15.119 --> 0:27:17.679
<v Speaker 1>many great guitarists on Earth, and he's he's been an

0:27:17.720 --> 0:27:20.560
<v Speaker 1>aunt in their shadows. But take the game up into

0:27:20.680 --> 0:27:23.960
<v Speaker 1>orbit and he outclasses them all. I bet everyone else

0:27:24.000 --> 0:27:28.040
<v Speaker 1>would be just fumbling in spacey shreds. Yeah for sure. UM.

0:27:28.080 --> 0:27:31.399
<v Speaker 1>But here's the thing about musical instruments. Uh, any of

0:27:31.400 --> 0:27:34.399
<v Speaker 1>them can be brought up, but for safety, they all

0:27:34.600 --> 0:27:39.840
<v Speaker 1>have to meet certain standards. Yes, which instrument were, like

0:27:39.880 --> 0:27:42.520
<v Speaker 1>an organ would be kind of difficult or yeah, grand

0:27:42.520 --> 0:27:45.639
<v Speaker 1>piano would be sort of difficult to do. UM. So

0:27:45.800 --> 0:27:48.880
<v Speaker 1>for safety, the current electronic keyboard that's on the ISS

0:27:48.960 --> 0:27:51.399
<v Speaker 1>had to be tested to ensure there wasn't a significant

0:27:51.400 --> 0:27:55.240
<v Speaker 1>source of electromagnetic radiation which could throw off the instruments

0:27:55.960 --> 0:27:58.359
<v Speaker 1>on board. UM. And then all instruments have to be

0:27:58.400 --> 0:28:01.679
<v Speaker 1>tested for toxicity, even a trace amount to something like

0:28:01.680 --> 0:28:05.480
<v Speaker 1>an oil based chemical like benzene. Is dangerous for astronauts

0:28:05.480 --> 0:28:08.480
<v Speaker 1>to inhale an enclosed space. Yeah. Like, I think back

0:28:08.520 --> 0:28:10.919
<v Speaker 1>to when I played trumpet in high school and that

0:28:10.920 --> 0:28:14.040
<v Speaker 1>thing was just I mean, it's full of oils and spit.

0:28:14.359 --> 0:28:17.679
<v Speaker 1>I mean, the spit valve is pretty nasty and disturbing

0:28:18.440 --> 0:28:21.240
<v Speaker 1>here on Earth. Imagine an orbit, whereas just you, it's

0:28:21.240 --> 0:28:23.919
<v Speaker 1>just I don't even know where how it would collect.

0:28:24.000 --> 0:28:26.000
<v Speaker 1>I would have to I have have not researched it.

0:28:26.000 --> 0:28:28.760
<v Speaker 1>But now I'm suddenly really interested in trumpet playing in orbit.

0:28:28.760 --> 0:28:31.360
<v Speaker 1>I'm sure someone's brought one up. I bet they got

0:28:31.359 --> 0:28:33.600
<v Speaker 1>a stink I if they played it, though, right, you

0:28:33.640 --> 0:28:36.080
<v Speaker 1>probably have to go in the bathroom cry there and

0:28:36.119 --> 0:28:41.960
<v Speaker 1>then play your trumpet there. Um. Another way that I

0:28:42.000 --> 0:28:44.800
<v Speaker 1>think is really important that we've seen emerge out of

0:28:44.800 --> 0:28:47.640
<v Speaker 1>the I S s UM is this idea of documenting

0:28:47.640 --> 0:28:50.760
<v Speaker 1>your experience is a way to sort of cope with

0:28:50.840 --> 0:28:54.680
<v Speaker 1>the realities. Yeah. This has been a part of NASA's

0:28:55.920 --> 0:28:59.520
<v Speaker 1>plan for a mental stability and space from pretty early on.

0:28:59.560 --> 0:29:02.080
<v Speaker 1>You know. Yeah, And I think that it's even just

0:29:02.120 --> 0:29:04.920
<v Speaker 1>that these wrote things. This minutia, I think, to me

0:29:05.040 --> 0:29:09.840
<v Speaker 1>sort of gets at least me excited about space exploration.

0:29:10.000 --> 0:29:12.920
<v Speaker 1>Because it really does pull back the curtain. So not

0:29:13.000 --> 0:29:16.760
<v Speaker 1>only does Chris had Feel regularly tweets stunning photos of Earth,

0:29:16.840 --> 0:29:21.240
<v Speaker 1>which in and of itself is glorious to behold. Um,

0:29:21.280 --> 0:29:25.160
<v Speaker 1>he's got his SoundCloud samples as we heard at the

0:29:25.200 --> 0:29:29.520
<v Speaker 1>top of the episode, of just various things in space

0:29:29.640 --> 0:29:33.120
<v Speaker 1>or on the I s s that you hear. And

0:29:33.360 --> 0:29:36.760
<v Speaker 1>I think that's one interesting because it's sort of like

0:29:37.920 --> 0:29:40.920
<v Speaker 1>a soundtrack tor raiser Head, which has lots of crazy

0:29:40.960 --> 0:29:43.920
<v Speaker 1>ambient noises to it. But two really does give you

0:29:44.040 --> 0:29:47.680
<v Speaker 1>insight into to what that existence might be like. So yeah,

0:29:47.720 --> 0:29:50.000
<v Speaker 1>it might just be uh, you know, some sort of

0:29:50.040 --> 0:29:53.440
<v Speaker 1>insight into like how do you deal with fingernail clipping

0:29:53.440 --> 0:29:57.160
<v Speaker 1>in space? But still that is is something that you're like,

0:29:57.200 --> 0:29:58.800
<v Speaker 1>you know, I never thought about that. I never thought

0:29:58.840 --> 0:30:00.760
<v Speaker 1>that just clipping my nails with fly off into the

0:30:00.800 --> 0:30:02.640
<v Speaker 1>face of coworkers, or that you'd have to have a

0:30:02.680 --> 0:30:04.840
<v Speaker 1>special process for that. Well, if you've ever been hit

0:30:04.880 --> 0:30:07.320
<v Speaker 1>in the face by a fingernail flying off of clippers,

0:30:07.320 --> 0:30:09.280
<v Speaker 1>then you know that it can be extremely dangerous. Well,

0:30:09.320 --> 0:30:11.880
<v Speaker 1>you already know how I feel about fingernail clipping in

0:30:11.920 --> 0:30:14.360
<v Speaker 1>the office, so I think you can imagine the sort

0:30:14.360 --> 0:30:16.480
<v Speaker 1>of tackles that would be raised for me if I

0:30:16.520 --> 0:30:20.120
<v Speaker 1>were an astronaut next to someone who was clipping their fingernails.

0:30:20.240 --> 0:30:24.000
<v Speaker 1>But again, this drives home this idea that nothing is

0:30:24.200 --> 0:30:27.440
<v Speaker 1>sort of normal or just wrote or boring in space,

0:30:27.480 --> 0:30:30.920
<v Speaker 1>because everything has to be rethought, relearned and thought about.

0:30:31.440 --> 0:30:33.520
<v Speaker 1>You know, if I can come back to media board

0:30:33.560 --> 0:30:35.680
<v Speaker 1>I S S for a minute. A few years back,

0:30:35.840 --> 0:30:38.680
<v Speaker 1>they actually released a list of the various books, DVDs

0:30:38.720 --> 0:30:41.440
<v Speaker 1>and albums that were available up there, and I imagine

0:30:41.440 --> 0:30:43.360
<v Speaker 1>it's changed since then because now everything is even more

0:30:43.400 --> 0:30:45.080
<v Speaker 1>and more digital. It just doesn't make sense for there

0:30:45.080 --> 0:30:48.400
<v Speaker 1>to be a bunch of physical albums or physical books

0:30:48.440 --> 0:30:51.000
<v Speaker 1>located on the I S S. But some of the

0:30:51.080 --> 0:30:54.680
<v Speaker 1>musical options included, um The Age of Aquarius by the

0:30:54.680 --> 0:30:58.880
<v Speaker 1>Fifth to mention, there was the album American Patriot by

0:30:58.960 --> 0:31:02.600
<v Speaker 1>Lee Greenwood. Are was Woven in Time by Steve green

0:31:02.680 --> 0:31:04.320
<v Speaker 1>There was a College that you could also listen to,

0:31:04.320 --> 0:31:09.280
<v Speaker 1>College Fight Songs Volumes one, two and three, Beethoven Symphony

0:31:09.360 --> 0:31:11.520
<v Speaker 1>Number nine, the Very Best of Staying in the Police

0:31:12.040 --> 0:31:15.280
<v Speaker 1>Elephant by the Black Eyed Peas. It was a pretty

0:31:15.320 --> 0:31:17.840
<v Speaker 1>interesting list. And then when you weren't listening to those musics.

0:31:17.840 --> 0:31:20.480
<v Speaker 1>You could watch a DVD of a brother where art

0:31:20.480 --> 0:31:24.960
<v Speaker 1>thou uh Serenity Sea Lab and you could you could

0:31:24.960 --> 0:31:28.600
<v Speaker 1>also read the likes of Isaac Asimov's Foundation, and so

0:31:28.680 --> 0:31:31.800
<v Speaker 1>that reminds me that it's not just that their astronauts

0:31:31.880 --> 0:31:35.280
<v Speaker 1>up there doing things um in a very autonomous way.

0:31:35.480 --> 0:31:37.280
<v Speaker 1>There is a sort of big brother figure, I guess

0:31:37.320 --> 0:31:41.000
<v Speaker 1>you could say, in the form of mission control making

0:31:41.000 --> 0:31:43.440
<v Speaker 1>sure that things are going smoothly. And I thought it

0:31:43.480 --> 0:31:46.240
<v Speaker 1>would be interesting to bring up that they are keeping

0:31:46.280 --> 0:31:49.320
<v Speaker 1>an eye and ear out. In fact, it was a

0:31:49.400 --> 0:31:53.560
<v Speaker 1>Russian support staff remember that spotted that the canary in

0:31:53.600 --> 0:31:58.360
<v Speaker 1>the coal mine during a mission is the cosmonauts speech rhythms,

0:31:58.840 --> 0:32:02.320
<v Speaker 1>because this will tell you early signs of strain. So

0:32:02.440 --> 0:32:06.680
<v Speaker 1>even just monitoring the speech patterns gives mission control an

0:32:06.720 --> 0:32:09.280
<v Speaker 1>idea of what is going on. And in the case

0:32:09.560 --> 0:32:13.440
<v Speaker 1>of the Russian supports staff member, they actually would arrange

0:32:13.520 --> 0:32:17.600
<v Speaker 1>surprise gifts when they heard attention in speech patterns like

0:32:17.680 --> 0:32:23.480
<v Speaker 1>hidden on the on board already in supply ships. Yeah,

0:32:23.520 --> 0:32:26.600
<v Speaker 1>and then then they would arrange for cheery telephone calls

0:32:26.680 --> 0:32:30.200
<v Speaker 1>from celebrities or you know, from family members, just to

0:32:30.280 --> 0:32:33.760
<v Speaker 1>try to keep everybody's spirits up. Interesting, yeah, the man

0:32:33.840 --> 0:32:37.560
<v Speaker 1>behind the curtain. Yeah. And then there's this idea that

0:32:37.800 --> 0:32:39.800
<v Speaker 1>you can keep your spirits up by focusing on the

0:32:39.800 --> 0:32:43.360
<v Speaker 1>wonder and the awe of it all. Nicole Stott is

0:32:43.400 --> 0:32:45.880
<v Speaker 1>an astronaut, and she said I believe that she was

0:32:45.920 --> 0:32:48.120
<v Speaker 1>in a two thousand and ten mission. She described the

0:32:48.240 --> 0:32:51.000
<v Speaker 1>sense of wonder and awe by saying that one of

0:32:51.040 --> 0:32:53.000
<v Speaker 1>the most interesting things to me is that while I'm

0:32:53.120 --> 0:32:56.720
<v Speaker 1>still in floating, I can feel the reaction or maybe

0:32:56.760 --> 0:33:00.479
<v Speaker 1>better described as a motion through my body from something

0:33:00.520 --> 0:33:03.520
<v Speaker 1>as slight as my heart beat. My heart beats, and

0:33:03.560 --> 0:33:06.440
<v Speaker 1>I can actually feel like this space station is moving

0:33:06.480 --> 0:33:09.360
<v Speaker 1>around me because of it, when in fact it's really

0:33:09.440 --> 0:33:12.480
<v Speaker 1>my whole body gently moving in response to it, and

0:33:12.520 --> 0:33:15.640
<v Speaker 1>not the station motion at all. Well, there you have it,

0:33:16.120 --> 0:33:20.120
<v Speaker 1>life and space, crying in space, emotion and space. Um

0:33:20.320 --> 0:33:23.320
<v Speaker 1>that it does make you think. So let's call over

0:33:23.360 --> 0:33:26.680
<v Speaker 1>our own Robinot to provide us with a little listener mail.

0:33:28.680 --> 0:33:30.880
<v Speaker 1>This first one comes to us from Murphy. Murphy rights

0:33:30.920 --> 0:33:32.880
<v Speaker 1>ten and says, Hi, Robert and Julie. I go to

0:33:32.920 --> 0:33:35.720
<v Speaker 1>school in Boston, and so I ride the elevators every

0:33:35.760 --> 0:33:38.160
<v Speaker 1>day when I ride with other people, I tend to

0:33:38.160 --> 0:33:41.640
<v Speaker 1>act with normal elevator behavior, but when I ride them alone,

0:33:41.800 --> 0:33:44.320
<v Speaker 1>things get a little strange. After the door closes, I

0:33:44.360 --> 0:33:46.680
<v Speaker 1>like to kneel on the ground, then as the elevator

0:33:46.720 --> 0:33:49.920
<v Speaker 1>starts to lift, I stand up on one foot, knee out,

0:33:50.040 --> 0:33:52.760
<v Speaker 1>elbow in, and one arm in the air. I kind

0:33:52.800 --> 0:33:54.960
<v Speaker 1>of hope that if anyone was watching me with X

0:33:55.040 --> 0:33:57.120
<v Speaker 1>ray or something, it would look like I was a

0:33:57.160 --> 0:34:00.920
<v Speaker 1>superhero leaping up off the ground with amazing drink. Sometimes

0:34:00.920 --> 0:34:03.239
<v Speaker 1>I just pay some circles as I go up, and

0:34:03.280 --> 0:34:05.320
<v Speaker 1>other times I face with my back to the door

0:34:05.360 --> 0:34:08.920
<v Speaker 1>and turn around dramatically after it's full open. I love

0:34:08.960 --> 0:34:14.200
<v Speaker 1>the show dirt Pad and stuff. I love everything about that,

0:34:14.719 --> 0:34:18.279
<v Speaker 1>including the sign off being on an elevator alone. It

0:34:18.320 --> 0:34:20.920
<v Speaker 1>does sort of I don't know if there's anything particularly

0:34:20.920 --> 0:34:22.799
<v Speaker 1>weird I do. I guess I'm more prone to to

0:34:22.920 --> 0:34:25.480
<v Speaker 1>move around and sort of bob and weave a little

0:34:25.520 --> 0:34:28.719
<v Speaker 1>bit if I'm caffeinated. Sure, I think all of us do,

0:34:28.840 --> 0:34:31.960
<v Speaker 1>maybe maybe do some personal grooming if there's a mirror, right.

0:34:32.360 --> 0:34:34.080
<v Speaker 1>Sometimes I feel like like when you know when the

0:34:34.120 --> 0:34:35.799
<v Speaker 1>door opens and you don't think anyone's on and then

0:34:35.800 --> 0:34:38.400
<v Speaker 1>you go on. And then but if somebody's already aboard

0:34:38.440 --> 0:34:40.239
<v Speaker 1>and they're like and and so there's this awkward moment

0:34:40.280 --> 0:34:41.600
<v Speaker 1>where they're like, I'm trying to get off, and then

0:34:41.600 --> 0:34:43.400
<v Speaker 1>you're like, I'm sorry, I should have been rushing on

0:34:43.480 --> 0:34:45.839
<v Speaker 1>board the elevator. But then like I kind of judge

0:34:45.880 --> 0:34:47.560
<v Speaker 1>them too, because I feel like you were hiding in

0:34:47.600 --> 0:34:49.840
<v Speaker 1>the shadows or something, you know, like where did you

0:34:49.840 --> 0:34:52.480
<v Speaker 1>come from? You should have been more clearly visible. Why

0:34:52.520 --> 0:34:55.560
<v Speaker 1>weren't you standing right at the door. I challenge you

0:34:55.600 --> 0:34:57.960
<v Speaker 1>next time that happens, to have that discussion with that

0:34:58.000 --> 0:34:59.719
<v Speaker 1>person and be like, you know, I have got to

0:34:59.760 --> 0:35:02.840
<v Speaker 1>talk you about something. Can I pull you aside and

0:35:02.840 --> 0:35:04.359
<v Speaker 1>talk to you about how I feel like you're doing

0:35:04.360 --> 0:35:06.919
<v Speaker 1>this intentionally and hiding in the shadows and what that's

0:35:06.920 --> 0:35:09.880
<v Speaker 1>doing to me emotionally. Al Right, here's another one. This

0:35:09.920 --> 0:35:12.759
<v Speaker 1>one comes to us from Eric, who writes into us

0:35:12.760 --> 0:35:15.880
<v Speaker 1>pretty regular and says, when I was a kid, my

0:35:15.960 --> 0:35:18.239
<v Speaker 1>dad was part owner of a small plane. We were

0:35:18.239 --> 0:35:20.480
<v Speaker 1>flying at night and I noticed a faint blue ring

0:35:20.600 --> 0:35:23.560
<v Speaker 1>where the prop was. My dad took his hand and

0:35:23.600 --> 0:35:26.040
<v Speaker 1>put it close to the windshield, and tiny bolts of

0:35:26.120 --> 0:35:28.960
<v Speaker 1>lightning shot out of his fingers. I tried it too

0:35:29.080 --> 0:35:31.759
<v Speaker 1>and felt a slight tingling, but it was fun to

0:35:31.800 --> 0:35:35.279
<v Speaker 1>pretend to be Emperor Palpatine. I know St. Almo's fire

0:35:35.320 --> 0:35:37.759
<v Speaker 1>isn't lightning, but it was still cool. I've never been

0:35:37.760 --> 0:35:40.520
<v Speaker 1>struck myself, but it's a subject that fascinates me. There

0:35:40.560 --> 0:35:43.000
<v Speaker 1>was actually a televised soccer game that was struck by lightning.

0:35:43.040 --> 0:35:45.520
<v Speaker 1>It was strange because several players were hurt while several

0:35:45.520 --> 0:35:47.920
<v Speaker 1>were not. Some of the injured players were much farther

0:35:48.040 --> 0:35:51.080
<v Speaker 1>away from where the lightning struck the field than players

0:35:51.080 --> 0:35:53.520
<v Speaker 1>who were not hurt. It was later discovered that only

0:35:53.560 --> 0:35:55.560
<v Speaker 1>the players with both feet on the ground were the

0:35:55.560 --> 0:35:59.160
<v Speaker 1>ones hurt. Eric This just reminded me that one of

0:35:59.160 --> 0:36:02.080
<v Speaker 1>our was Sures I'm very fond of, was was asking

0:36:02.120 --> 0:36:05.799
<v Speaker 1>about us doing an episode on Tonitas, and recently there's

0:36:05.840 --> 0:36:09.920
<v Speaker 1>a news item about the connection between Tonitas and lightning.

0:36:10.160 --> 0:36:12.439
<v Speaker 1>So perhaps something that we want to explore the sort

0:36:12.440 --> 0:36:14.560
<v Speaker 1>of after effects, and we did explore a bit in

0:36:14.640 --> 0:36:20.400
<v Speaker 1>terms of migraines as well. But any who cool, All right, Well, hey,

0:36:20.640 --> 0:36:23.319
<v Speaker 1>you guys know the uh the speel If you would

0:36:23.360 --> 0:36:25.560
<v Speaker 1>like to talk to us about any of this if

0:36:25.560 --> 0:36:29.160
<v Speaker 1>you have some comments about elevators, comments about lightning, comments

0:36:29.160 --> 0:36:33.799
<v Speaker 1>about the the I S s about weightlessness in reality

0:36:33.960 --> 0:36:38.040
<v Speaker 1>or in fiction, your expectations of life in orbit, or

0:36:38.160 --> 0:36:41.799
<v Speaker 1>what do you think about these cool SoundCloud files of

0:36:41.800 --> 0:36:44.200
<v Speaker 1>of ambient noise aboard the I S. Would you be

0:36:44.239 --> 0:36:46.359
<v Speaker 1>able to sleep through that? Or you, like me, would

0:36:46.360 --> 0:36:48.319
<v Speaker 1>you prefer to sleep through that? We'd love to hear

0:36:48.360 --> 0:36:50.640
<v Speaker 1>from me. You can find us on Facebook. You can

0:36:50.680 --> 0:36:53.239
<v Speaker 1>find us on tumbler. We are Stuff to Blow your

0:36:53.239 --> 0:36:55.160
<v Speaker 1>Mind on both of those. You can also find us

0:36:55.200 --> 0:36:58.640
<v Speaker 1>on Twitter, where our handle is below the mind. Also

0:36:58.680 --> 0:37:00.920
<v Speaker 1>find us on YouTube, where we have of all these videos.

0:37:01.120 --> 0:37:03.360
<v Speaker 1>You can find us there is mind Stuff show, but

0:37:03.480 --> 0:37:06.120
<v Speaker 1>also I think Stuff to Blow Your Mind redirects to

0:37:06.160 --> 0:37:09.319
<v Speaker 1>that as well. And hey, we have a website. You

0:37:09.360 --> 0:37:12.600
<v Speaker 1>can find us there at www dot stuff to Blow

0:37:12.640 --> 0:37:15.919
<v Speaker 1>your Mind dot com. Yeah, and uh yeah, that shows

0:37:16.000 --> 0:37:20.240
<v Speaker 1>us in the talkies in those videos which we talk um. Also,

0:37:20.520 --> 0:37:22.799
<v Speaker 1>if you if you don't mind sharing, let us know

0:37:23.239 --> 0:37:25.279
<v Speaker 1>what thing you would miss the most. If you are

0:37:25.280 --> 0:37:27.520
<v Speaker 1>on my s S, you can shoot us an email

0:37:27.640 --> 0:38:11.319
<v Speaker 1>at blow the Mind at discovery dot com for more

0:38:11.360 --> 0:38:13.959
<v Speaker 1>on this and thousands of other topics, visit how stuff

0:38:14.000 --> 0:38:20.480
<v Speaker 1>works dot com.