1 00:00:00,160 --> 00:00:03,440 Speaker 1: What up is Bombing with Ergondre the only podcast braving 2 00:00:03,480 --> 00:00:07,200 Speaker 1: enough to talk about the biggest disasters, failures and beautiful 3 00:00:07,280 --> 00:00:10,480 Speaker 1: train wrecks in comedy, music, life, and whatever else explodes 4 00:00:10,480 --> 00:00:11,320 Speaker 1: in our faces. 5 00:00:11,600 --> 00:00:13,880 Speaker 2: I'm your host, Eric Andre. Duh. 6 00:00:13,960 --> 00:00:18,800 Speaker 1: We got two absolute legends of experimental rock, Stomy and 7 00:00:18,880 --> 00:00:21,919 Speaker 1: Greg from Deer Hoof, with my partners in crime Derek 8 00:00:22,079 --> 00:00:25,680 Speaker 1: Beckels and Nick Rutherford riding shotgun. We bend all sorts 9 00:00:25,720 --> 00:00:27,960 Speaker 1: of sounds on this episode, talking about their bombs over 10 00:00:28,040 --> 00:00:30,840 Speaker 1: twenty years, bombs on tour, and what hot human excrements 11 00:00:30,880 --> 00:00:33,760 Speaker 1: they've had thrown at them on stage. The band's latest 12 00:00:33,840 --> 00:00:37,120 Speaker 1: twentieth album, Noble and Godlike in Ruin, is available to 13 00:00:37,159 --> 00:00:39,640 Speaker 1: stream everywhere except Spotify. 14 00:00:39,840 --> 00:00:41,040 Speaker 2: They've been bending. 15 00:00:40,720 --> 00:00:43,800 Speaker 1: Sound breaking rules and making beautiful chaos for over two decades, 16 00:00:43,840 --> 00:00:47,200 Speaker 1: so who better to talk about musical disasters and glorious mistakes. 17 00:00:47,640 --> 00:00:57,440 Speaker 3: Enjoy Bombing Balming with Eric Andre. 18 00:00:57,920 --> 00:01:00,560 Speaker 4: Ladies, please give it for Greg. It's tell me from 19 00:01:00,560 --> 00:01:10,480 Speaker 4: Dear and hosts and Nick Ruther chas old friends. 20 00:01:10,640 --> 00:01:12,680 Speaker 5: I think there's too many people hosting this. 21 00:01:13,640 --> 00:01:17,480 Speaker 1: Yeah yeah, okay, so we're big fans and we I 22 00:01:17,520 --> 00:01:21,280 Speaker 1: have a podcast about bombing where I did anybody tell 23 00:01:21,319 --> 00:01:22,000 Speaker 1: you guys anything? 24 00:01:22,319 --> 00:01:25,120 Speaker 2: You know? I yeah, that's why you need to know. 25 00:01:25,560 --> 00:01:27,920 Speaker 2: We just asked like about your worst gig of all time, 26 00:01:28,000 --> 00:01:31,560 Speaker 2: and I put I surrounded you guys with garbage, yeah, 27 00:01:33,400 --> 00:01:37,520 Speaker 2: Junkyard instruments to make you more comfortable. 28 00:01:39,440 --> 00:01:42,040 Speaker 1: We just asked artists over there, like their worst gigs 29 00:01:42,080 --> 00:01:44,319 Speaker 1: of all time? What was the worst show you ever played? 30 00:01:44,840 --> 00:01:46,199 Speaker 6: I think in San Francisco? 31 00:01:46,560 --> 00:01:48,680 Speaker 2: What happened you guys started there? 32 00:01:48,880 --> 00:01:51,120 Speaker 5: Yeah, but now you're just throwing it right under the 33 00:01:51,160 --> 00:01:52,280 Speaker 5: bus started bomb. 34 00:01:55,160 --> 00:01:56,800 Speaker 2: And now you hate it. You turned your back on 35 00:01:56,840 --> 00:01:57,880 Speaker 2: the people of San Francisco. 36 00:01:58,080 --> 00:02:01,400 Speaker 6: Yeah, okay, yeah, yeah, no, you know. 37 00:02:01,440 --> 00:02:06,320 Speaker 7: We used to play improvisation, like noise improvisation and then yeah, 38 00:02:06,760 --> 00:02:09,840 Speaker 7: and then I was on the floor heating like base 39 00:02:10,440 --> 00:02:13,360 Speaker 7: with my like with sticks and stuff. 40 00:02:13,400 --> 00:02:17,360 Speaker 6: Yeah yeah, you know, just free, free improvisations. Yeah. 41 00:02:17,440 --> 00:02:20,960 Speaker 7: And then there's like a really weird lady like like. 42 00:02:21,160 --> 00:02:23,800 Speaker 6: Was on stage like this in front of me. My 43 00:02:23,880 --> 00:02:26,760 Speaker 6: head is almost on the stage, so she was like 44 00:02:29,240 --> 00:02:33,320 Speaker 6: ninety five ninety six start. Yeah, and there was the 45 00:02:33,880 --> 00:02:35,800 Speaker 6: bar called what not Igana? 46 00:02:35,840 --> 00:02:38,720 Speaker 7: What's the the perry was working there. 47 00:02:39,000 --> 00:02:40,480 Speaker 6: Yeah. But anyway, she's like. 48 00:02:43,200 --> 00:02:50,640 Speaker 2: Anyway anyway, crawling towards you had on the stage. 49 00:02:50,840 --> 00:02:51,959 Speaker 6: No, she was right there. 50 00:02:52,120 --> 00:02:55,519 Speaker 7: I was on the band, the band with a higher level, 51 00:02:55,639 --> 00:02:56,640 Speaker 7: higher level. 52 00:02:56,919 --> 00:02:59,280 Speaker 2: Was there a body attached to the head or is 53 00:02:59,320 --> 00:02:59,680 Speaker 2: it just. 54 00:02:59,639 --> 00:03:06,440 Speaker 6: A it's ahead? But she's like, why don't you sing? 55 00:03:08,160 --> 00:03:11,040 Speaker 2: Why said that's reasonable? 56 00:03:11,000 --> 00:03:11,880 Speaker 8: Are you going to start? 57 00:03:11,880 --> 00:03:12,880 Speaker 6: When you going to start? 58 00:03:14,840 --> 00:03:15,120 Speaker 3: Pretty? 59 00:03:16,000 --> 00:03:18,320 Speaker 2: People say every time this podcast. 60 00:03:17,919 --> 00:03:20,720 Speaker 7: San Francisco, there are always this weird audience. 61 00:03:20,800 --> 00:03:21,480 Speaker 6: You know, all the. 62 00:03:21,680 --> 00:03:23,679 Speaker 2: Reasonable question, though I don't know how weird that is 63 00:03:25,160 --> 00:03:28,359 Speaker 2: all the time. If you're banging on your base, when 64 00:03:28,400 --> 00:03:30,240 Speaker 2: does it start? When are you going to start? 65 00:03:31,000 --> 00:03:31,680 Speaker 5: Franciscans? 66 00:03:31,680 --> 00:03:34,760 Speaker 2: We have stuff to do, woman, my mother, it's not 67 00:03:34,800 --> 00:03:35,680 Speaker 2: a dress for herself. 68 00:03:35,960 --> 00:03:38,160 Speaker 8: When are you going to still been obvious that we 69 00:03:38,240 --> 00:03:43,640 Speaker 8: had started, I mean the passion with which we were engaged. 70 00:03:43,800 --> 00:03:46,840 Speaker 2: Yeah, has it been the same members the old Thomp 71 00:03:46,880 --> 00:03:47,600 Speaker 2: since ninety four? 72 00:03:47,760 --> 00:03:51,880 Speaker 8: Not the passion however, just on YouTube since ninety four, 73 00:03:52,280 --> 00:03:55,720 Speaker 8: we we still have. Yeah, she joined ninety five and 74 00:03:58,160 --> 00:04:01,559 Speaker 8: immediately she bombed. 75 00:04:01,240 --> 00:04:03,240 Speaker 2: And you're like, we gotta work with her for thirty 76 00:04:03,280 --> 00:04:04,360 Speaker 2: more years. 77 00:04:04,040 --> 00:04:05,720 Speaker 5: She doesn't know how to start a show. 78 00:04:07,840 --> 00:04:08,320 Speaker 3: I like, what. 79 00:04:09,880 --> 00:04:13,800 Speaker 4: You want to work together for thirty more years? 80 00:04:16,960 --> 00:04:19,400 Speaker 2: So what happened to that lady? Is she she died 81 00:04:19,480 --> 00:04:20,520 Speaker 2: shortly after that show? 82 00:04:20,720 --> 00:04:23,440 Speaker 6: Probably she was just ahead. 83 00:04:24,040 --> 00:04:27,360 Speaker 2: Yeah, it's hard miss after the day after your show. 84 00:04:27,520 --> 00:04:32,000 Speaker 8: Yeah, do you remember the one time we played San Francisco? 85 00:04:32,080 --> 00:04:35,600 Speaker 8: We did return? You know this didn't scar us, permit? 86 00:04:35,720 --> 00:04:38,239 Speaker 9: Did you leave your heart there in any way, shape 87 00:04:38,279 --> 00:04:40,120 Speaker 9: or form? 88 00:04:40,920 --> 00:04:40,960 Speaker 10: What? 89 00:04:41,440 --> 00:04:43,159 Speaker 2: Okay? Now, now I regret. 90 00:04:43,480 --> 00:04:45,880 Speaker 5: We're gonna We're gonna get him out of here. 91 00:04:46,400 --> 00:04:49,240 Speaker 2: Don't worry about that. We're gonna get him and any 92 00:04:49,320 --> 00:04:53,840 Speaker 2: Tony Bennett Reverend. He's sponsored by Old Lady Catheters. 93 00:04:54,160 --> 00:04:56,400 Speaker 1: Now, you guys all live in four different cities. How 94 00:04:56,400 --> 00:04:58,920 Speaker 1: do you guys function in a long distance relationship? 95 00:04:59,000 --> 00:05:03,960 Speaker 11: And what is your deal with in San Francisco? 96 00:05:04,160 --> 00:05:07,320 Speaker 8: Continue to like San Francisco and continue to return. 97 00:05:07,480 --> 00:05:09,599 Speaker 2: That's not a very strong word. You don't love it, 98 00:05:09,640 --> 00:05:11,200 Speaker 2: though we love. 99 00:05:12,520 --> 00:05:19,120 Speaker 8: My point is that there have been times, over the 100 00:05:19,120 --> 00:05:23,560 Speaker 8: course of our storied career in which we have played 101 00:05:23,600 --> 00:05:29,240 Speaker 8: cities to which we have never opted to return. And 102 00:05:29,320 --> 00:05:33,160 Speaker 8: one of those cities not so far from San Francisco, 103 00:05:33,600 --> 00:05:40,440 Speaker 8: but but another universe. In terms of audience appreciation of 104 00:05:41,320 --> 00:05:47,240 Speaker 8: what most people consider extraordinarily beautiful music, our music and 105 00:05:47,279 --> 00:05:48,400 Speaker 8: that is modesto. 106 00:05:48,560 --> 00:05:54,480 Speaker 2: Califno be has a song? 107 00:05:56,480 --> 00:05:59,400 Speaker 8: Did that okay? Could you recite the lyrics to me 108 00:05:59,480 --> 00:06:01,280 Speaker 8: in full so that I. 109 00:06:01,200 --> 00:06:01,920 Speaker 2: Know I could do? 110 00:06:03,120 --> 00:06:04,400 Speaker 5: Could you do it in Farsie? 111 00:06:04,680 --> 00:06:06,520 Speaker 2: I could do it in Farsi, but I can't do 112 00:06:06,560 --> 00:06:10,600 Speaker 2: the whole thing. No, I don't. I don't know. That's all. 113 00:06:10,800 --> 00:06:13,120 Speaker 2: That's the only fact. You really put me in a corner. 114 00:06:14,120 --> 00:06:15,120 Speaker 5: That's what this podcast is. 115 00:06:15,240 --> 00:06:17,280 Speaker 2: I feel like I feel like a headless woman had 116 00:06:17,320 --> 00:06:20,760 Speaker 2: an experimental dy brought to you by Corners? 117 00:06:22,760 --> 00:06:25,640 Speaker 5: Is it? Is it modesta like the Carrier Wife Capital 118 00:06:25,680 --> 00:06:27,400 Speaker 5: of the World is true? 119 00:06:27,600 --> 00:06:30,839 Speaker 2: I think so it might be. That's not very modesto 120 00:06:30,960 --> 00:06:35,400 Speaker 2: of that. So I'm trying. 121 00:06:35,160 --> 00:06:37,279 Speaker 5: To do the math and I can't put it together. 122 00:06:37,480 --> 00:06:39,440 Speaker 2: I don't. I don't know. 123 00:06:40,040 --> 00:06:44,000 Speaker 9: Look modesto Spanish for modest I thought. 124 00:06:43,800 --> 00:06:44,160 Speaker 3: We were. 125 00:06:49,800 --> 00:06:51,600 Speaker 2: Well, mister know it all over here? 126 00:06:54,839 --> 00:07:00,960 Speaker 8: Whose flashlight was normally used to check identification, you know, 127 00:07:01,080 --> 00:07:05,479 Speaker 8: to to accurately judge a person's age and whether they're allowed. 128 00:07:05,600 --> 00:07:11,680 Speaker 8: This is in the door in the Modesto. Once we 129 00:07:11,800 --> 00:07:15,840 Speaker 8: started playing exactly it was the size there was four 130 00:07:15,880 --> 00:07:24,680 Speaker 8: bean bags in opening band was already sketchy biscuit I 131 00:07:24,720 --> 00:07:27,320 Speaker 8: don't mean the band was sketchy, but the band. 132 00:07:27,160 --> 00:07:30,240 Speaker 2: They were, you could tell that they. 133 00:07:30,160 --> 00:07:35,800 Speaker 8: Didn't have full commitment. Let's say the Trevor who was 134 00:07:35,840 --> 00:07:40,600 Speaker 8: playing who was playing bass in that band, never really 135 00:07:40,640 --> 00:07:41,840 Speaker 8: took his coat off. 136 00:07:45,840 --> 00:07:46,040 Speaker 2: Long. 137 00:07:46,200 --> 00:07:48,520 Speaker 8: Yeah, it's like in his mind he was already on 138 00:07:48,560 --> 00:07:52,400 Speaker 8: the drive back home. Once we got on there and 139 00:07:52,480 --> 00:07:58,520 Speaker 8: began the door Man's by the second song, his flashlight 140 00:07:58,720 --> 00:08:02,920 Speaker 8: was no longer pointed to identification. It was pointed at 141 00:08:02,960 --> 00:08:07,200 Speaker 8: the stage into our eyes, trying to get us to stop. 142 00:08:10,960 --> 00:08:14,600 Speaker 11: Yeah, Dorman's laser pointing me like that, you're a drone pilot. 143 00:08:15,680 --> 00:08:22,560 Speaker 2: Wow, a doorman only venue, have you? They didn't know 144 00:08:22,800 --> 00:08:25,160 Speaker 2: they did no research exactly. 145 00:08:25,280 --> 00:08:28,240 Speaker 8: No, this is this was in the mid nineties. 146 00:08:28,480 --> 00:08:31,640 Speaker 2: There wasn't research was a bottom. You had to get 147 00:08:31,680 --> 00:08:39,440 Speaker 2: a book cyclop library. Yeah. The Internet was just like 148 00:08:39,559 --> 00:08:42,800 Speaker 2: ship stable to lamp posts. Yeah. 149 00:08:42,880 --> 00:08:44,640 Speaker 5: Wait, so you've never been back to Modesta. 150 00:08:45,520 --> 00:08:46,800 Speaker 8: No, I mean if you. 151 00:08:46,960 --> 00:08:48,040 Speaker 5: Well, we got a surprise for you. 152 00:08:48,160 --> 00:08:59,000 Speaker 2: This here door Gary Dorman. You have the door man 153 00:08:59,440 --> 00:09:01,520 Speaker 2: he was on that door's not a health gut. 154 00:09:01,960 --> 00:09:03,400 Speaker 5: We got mister modest. 155 00:09:05,000 --> 00:09:13,160 Speaker 12: Tenjerine Allow, and we got you guys two tickets economy 156 00:09:13,400 --> 00:09:16,160 Speaker 12: on them Tradesta. 157 00:09:22,960 --> 00:09:29,280 Speaker 2: Three year lease, a three year lease on a beautiful 158 00:09:29,320 --> 00:09:33,920 Speaker 2: one bedroom indos you have to pay for We got 159 00:09:33,960 --> 00:09:34,560 Speaker 2: the first month. 160 00:09:34,679 --> 00:09:36,600 Speaker 5: No bathroom, it's a communal bathroom. 161 00:09:37,880 --> 00:09:39,280 Speaker 2: Communal bathroom shared. 162 00:09:40,040 --> 00:09:42,160 Speaker 5: I think you've I think you've had enough acid. 163 00:09:43,240 --> 00:09:49,840 Speaker 2: You got to share the health of Yeah. So Modesta 164 00:09:49,920 --> 00:09:51,760 Speaker 2: was about, have you guys ever had any like bottles 165 00:09:51,800 --> 00:09:55,760 Speaker 2: thrown at you? How bad has it got? Didn't anybody 166 00:09:55,840 --> 00:09:57,079 Speaker 2: throw anything at you ever? 167 00:09:58,160 --> 00:09:58,199 Speaker 13: Know? 168 00:09:58,400 --> 00:10:01,160 Speaker 7: But you get your nos very calm on The people 169 00:10:01,200 --> 00:10:04,520 Speaker 7: put pete in the plastic car and they throw in 170 00:10:04,559 --> 00:10:04,880 Speaker 7: the air. 171 00:10:05,960 --> 00:10:08,520 Speaker 2: We do that here too. Well yeah, sorry, we do 172 00:10:08,600 --> 00:10:13,120 Speaker 2: that at my apartment. But it's an active love the 173 00:10:13,120 --> 00:10:15,360 Speaker 2: British version of putting a layer around somebody's neck. 174 00:10:16,080 --> 00:10:20,679 Speaker 1: Hawaiian initiate my apartments in the basement of Bearnheim. 175 00:10:20,840 --> 00:10:25,000 Speaker 2: So that's why the act it's an active couple. There's 176 00:10:25,040 --> 00:10:27,360 Speaker 2: a gay sex there's a famous gay sex club in 177 00:10:27,400 --> 00:10:31,640 Speaker 2: Germany where the ship basement. You gotta see. It's the 178 00:10:31,920 --> 00:10:40,080 Speaker 2: it's the modesto of Germany. You know what I'm talking about? Sure, 179 00:10:40,320 --> 00:10:43,960 Speaker 2: sure you did it. People's mouth for urinals. Yea. Yeah. 180 00:10:44,559 --> 00:10:48,640 Speaker 8: Bombing in Germany is that it's always a little more subtle. 181 00:10:49,320 --> 00:10:52,120 Speaker 8: They could say, oh, if they clap, they clap, they 182 00:10:52,160 --> 00:10:54,640 Speaker 8: make it seem like they clap. And then after the 183 00:10:54,679 --> 00:10:58,920 Speaker 8: show they come up to you and say, I liked 184 00:10:58,920 --> 00:11:02,439 Speaker 8: your show. The snare drum was a little too loud. 185 00:11:05,000 --> 00:11:09,080 Speaker 8: I liked the show. It was better last time, wasn't it. Yeah, 186 00:11:09,160 --> 00:11:16,760 Speaker 8: And this, this characteristic of the German music personality is 187 00:11:16,800 --> 00:11:24,360 Speaker 8: so well documented and famous that somebody actually started a 188 00:11:24,400 --> 00:11:31,000 Speaker 8: Twitter account called German Music Opinion. Everybody just writes in, 189 00:11:32,040 --> 00:11:34,560 Speaker 8: you know that, just at German Music Opinion, all the 190 00:11:34,960 --> 00:11:39,679 Speaker 8: almost you know xerox, you know, identical experiences they've had 191 00:11:39,800 --> 00:11:43,360 Speaker 8: post show with it with what theoretically are their own fans. 192 00:11:43,720 --> 00:11:47,960 Speaker 2: Yeah, like critiquing the Yeah. 193 00:11:46,760 --> 00:11:48,720 Speaker 8: But I don't know if you consider it a bomb. 194 00:11:48,920 --> 00:11:52,280 Speaker 8: It's definitely a deflation, but not expose. 195 00:11:53,600 --> 00:12:04,720 Speaker 2: So they just like taking a little break. Wait, so 196 00:12:04,760 --> 00:12:06,480 Speaker 2: you got pissed throwing at you in England? 197 00:12:06,840 --> 00:12:08,199 Speaker 6: No, No, that was a Blur. 198 00:12:08,720 --> 00:12:12,640 Speaker 2: We opened it was a blur. It was a Blur 199 00:12:12,679 --> 00:12:14,040 Speaker 2: because the piss got in your. 200 00:12:13,920 --> 00:12:15,839 Speaker 6: Eyes, not the band Blur. 201 00:12:16,280 --> 00:12:19,240 Speaker 2: Band Blur got pissed throwing at them and. 202 00:12:21,000 --> 00:12:24,719 Speaker 5: Us what the band blur through piss on you know? 203 00:12:24,960 --> 00:12:27,000 Speaker 6: The Blur piste on people. 204 00:12:27,320 --> 00:12:30,720 Speaker 2: What the band Blur peede on the audience. 205 00:12:31,440 --> 00:12:32,679 Speaker 8: You're thinking some other band. 206 00:12:33,320 --> 00:12:34,400 Speaker 2: They're not called Blur. 207 00:12:40,559 --> 00:12:41,040 Speaker 3: Audience. 208 00:12:50,000 --> 00:12:52,480 Speaker 5: Wait, so Blur the band was heckling the audience. 209 00:12:53,520 --> 00:12:55,760 Speaker 1: Wait, shows that you gotta put it up on the screen. 210 00:12:55,760 --> 00:12:58,120 Speaker 1: If that's wait, wait wait. 211 00:12:58,360 --> 00:12:59,920 Speaker 2: Tell us that tell us that. 212 00:13:02,040 --> 00:13:03,320 Speaker 5: I feel like we haven't gotten. 213 00:13:04,600 --> 00:13:05,400 Speaker 2: You gotta start over. 214 00:13:05,800 --> 00:13:08,040 Speaker 6: You know, it's just you know, in u K. 215 00:13:08,280 --> 00:13:12,120 Speaker 7: People get drunk towards the end of the festival. So 216 00:13:12,160 --> 00:13:15,480 Speaker 7: we played in Hyde Park right and we are like 217 00:13:15,480 --> 00:13:17,200 Speaker 7: like first Bond and then. 218 00:13:17,160 --> 00:13:23,120 Speaker 6: Like Florence and the Machine and Blur played. We can play. 219 00:13:23,160 --> 00:13:26,680 Speaker 7: But by the by the time by the time Blur 220 00:13:26,800 --> 00:13:31,440 Speaker 7: came out, everybody was so drunk they started peeing in 221 00:13:32,040 --> 00:13:38,280 Speaker 7: then they throw in the air, so it just spreads 222 00:13:38,280 --> 00:13:39,280 Speaker 7: the clouds. 223 00:13:39,120 --> 00:13:40,719 Speaker 6: It's like a raining of. 224 00:13:41,840 --> 00:13:46,599 Speaker 2: Missed gathering at the jugg you know, insane clouds. The 225 00:13:47,559 --> 00:13:48,720 Speaker 2: people on stage. 226 00:13:50,840 --> 00:13:51,280 Speaker 6: Exactly. 227 00:13:55,920 --> 00:14:03,040 Speaker 2: Yeah, of France very shy, and they just grew pretty 228 00:14:03,040 --> 00:14:06,319 Speaker 2: shy in Paris. Then he got to Vermont and Amster, so. 229 00:14:06,240 --> 00:14:08,560 Speaker 9: It's not as bad as it sounded. They're just throwing 230 00:14:08,640 --> 00:14:10,880 Speaker 9: piss up in the air and like letting it shower 231 00:14:10,960 --> 00:14:11,440 Speaker 9: down on them. 232 00:14:11,480 --> 00:14:12,480 Speaker 2: It's a nice minute. It's not. 233 00:14:12,640 --> 00:14:17,800 Speaker 11: It's probably refracting in the life. 234 00:14:20,320 --> 00:14:21,200 Speaker 5: That's a sign of respect. 235 00:14:21,200 --> 00:14:23,800 Speaker 14: You guys have a song called piss Rainbow. You think, right, 236 00:14:24,120 --> 00:14:28,120 Speaker 14: and let's hear some of it. Now, let's hear a 237 00:14:28,200 --> 00:14:32,240 Speaker 14: little bit of piss Rainbow. How did you guys start 238 00:14:32,280 --> 00:14:32,760 Speaker 14: as a band? 239 00:14:34,480 --> 00:14:38,240 Speaker 2: You existed, wait in ninety four, there's no research, So 240 00:14:38,320 --> 00:14:39,360 Speaker 2: how could you start an event? 241 00:14:39,920 --> 00:14:42,840 Speaker 6: I didn't. I didn't join until ninety five. 242 00:14:44,280 --> 00:14:48,360 Speaker 2: Couple weeks ago. Well, ninety five, okay, ninety five. Yeah, 243 00:14:48,400 --> 00:14:50,440 Speaker 2: you're in the weeds between ninety four and ninety five. 244 00:14:50,560 --> 00:14:53,480 Speaker 2: Let's say ninety five. Remember that. Do you remember Book 245 00:14:53,560 --> 00:14:55,840 Speaker 2: your Own fucking Life? Did you guys ever ever use that? 246 00:14:56,200 --> 00:14:58,320 Speaker 2: You know what I'm talking about. No. It was like 247 00:14:58,640 --> 00:15:00,840 Speaker 2: if you were in a band and you needed to 248 00:15:00,840 --> 00:15:04,040 Speaker 2: book your own tour, there was this fucking phone book 249 00:15:04,200 --> 00:15:07,640 Speaker 2: called Book your Own Life that had the phone numbers 250 00:15:07,680 --> 00:15:13,240 Speaker 2: of every single punk, every venue, and every every band member. Yeah, 251 00:15:14,760 --> 00:15:16,160 Speaker 2: it was basically. 252 00:15:15,640 --> 00:15:18,600 Speaker 9: Every place that was basically was every place that was 253 00:15:18,640 --> 00:15:20,800 Speaker 9: going out of business that would let a band play. 254 00:15:21,520 --> 00:15:31,440 Speaker 9: It's just like it was, denys. It was like a 255 00:15:31,440 --> 00:15:32,880 Speaker 9: pizza parlor going out of business. 256 00:15:33,360 --> 00:15:35,160 Speaker 2: Sure spirit. 257 00:15:37,440 --> 00:15:37,720 Speaker 3: Yeah. 258 00:15:38,040 --> 00:15:42,600 Speaker 8: First at a place in El Paso, where when we 259 00:15:42,760 --> 00:15:47,600 Speaker 8: arrived hoping to meet the promoter a k a. The 260 00:15:47,600 --> 00:15:54,080 Speaker 8: person whose number was in the book, walked in completely empty, 261 00:15:54,960 --> 00:16:01,520 Speaker 8: no pa system, nothing. The only person there a bartender. Okay, 262 00:16:01,720 --> 00:16:06,000 Speaker 8: go to ask the bartender we're deer Hook. They've never 263 00:16:06,040 --> 00:16:10,200 Speaker 8: heard of deer we're playing tonight. I did not hear 264 00:16:11,640 --> 00:16:14,840 Speaker 8: mentioned the promoter's name. They've never heard of that person. 265 00:16:16,920 --> 00:16:22,440 Speaker 8: And then yeah, we We waited for about an hour. 266 00:16:24,120 --> 00:16:28,560 Speaker 8: The promoter did show up, went into a closet, pulled 267 00:16:28,560 --> 00:16:32,200 Speaker 8: out two microphones, put them on the stage. 268 00:16:32,680 --> 00:16:33,080 Speaker 2: Relief. 269 00:16:33,160 --> 00:16:35,080 Speaker 8: Okay, we're going to have this show. We're going to 270 00:16:35,120 --> 00:16:38,160 Speaker 8: get paid, set up the microphones. 271 00:16:37,960 --> 00:16:43,480 Speaker 5: Left, and Modesto was worse than that show. 272 00:16:44,000 --> 00:16:50,320 Speaker 8: No no, no, no no, I'm I'm stacking him. Building to 273 00:16:50,400 --> 00:16:53,520 Speaker 8: a climax. The two people who saw the show came 274 00:16:53,600 --> 00:16:57,960 Speaker 8: up after the word afterwards and wanted to buy a CD. 275 00:16:58,120 --> 00:17:01,600 Speaker 8: And what they really wanted at actually was they were 276 00:17:02,040 --> 00:17:04,640 Speaker 8: they had just gotten out of the army and they 277 00:17:04,680 --> 00:17:08,040 Speaker 8: wanted They were thinking, we're going to start a recording studio. 278 00:17:08,560 --> 00:17:11,119 Speaker 8: Can we have your settings. 279 00:17:18,720 --> 00:17:25,880 Speaker 9: Or rad your obsess You guys want to play Friday. 280 00:17:27,040 --> 00:17:30,439 Speaker 9: We just opened up this place, and. 281 00:17:30,520 --> 00:17:31,119 Speaker 2: So did they? 282 00:17:31,320 --> 00:17:32,320 Speaker 5: Did they get join? 283 00:17:37,160 --> 00:17:37,560 Speaker 2: I don't know. 284 00:17:37,600 --> 00:17:39,680 Speaker 5: I'm just trying to keep the conversation moving. Now I'm 285 00:17:39,680 --> 00:17:40,480 Speaker 5: getting attacked. 286 00:17:40,680 --> 00:17:42,960 Speaker 2: They're about to come in, come in, got them. 287 00:17:43,040 --> 00:17:45,960 Speaker 9: You're acting like a woman's head, asking when are you 288 00:17:46,000 --> 00:17:46,600 Speaker 9: going to start? 289 00:17:48,359 --> 00:17:53,159 Speaker 2: When they met, General Norman Schwartz Coffin pass deer Hoof 290 00:17:53,240 --> 00:17:56,240 Speaker 2: was never the sick. Do you guys get patriots from 291 00:17:56,280 --> 00:18:00,760 Speaker 2: here on out? When you when I met, When you 292 00:18:00,760 --> 00:18:03,240 Speaker 2: guys met, do you remember what you were wearing? Okay, 293 00:18:03,320 --> 00:18:11,119 Speaker 2: that is yeah out just the thing you want to know. 294 00:18:11,440 --> 00:18:15,320 Speaker 2: He can't don't want to pay for this. We're charging 295 00:18:15,320 --> 00:18:18,600 Speaker 2: you whatever possible. Do you remember what you were wearing 296 00:18:18,600 --> 00:18:19,880 Speaker 2: when you first met? 297 00:18:20,359 --> 00:18:28,720 Speaker 7: No, Wow, Greig wasn't wearing much anything. Shoes, yeah, so 298 00:18:28,760 --> 00:18:34,600 Speaker 7: I thought, oh, it's a hippie band. Correctly, Yeah, No, 299 00:18:34,760 --> 00:18:37,840 Speaker 7: Tippy in the bathroom, they were disgusting. 300 00:18:38,200 --> 00:18:39,120 Speaker 2: They didn't like their ass. 301 00:18:39,119 --> 00:18:42,080 Speaker 7: It wasn't disgusting, but I had to always their hygiene 302 00:18:42,119 --> 00:18:46,480 Speaker 7: was by Tippy before I go to practice, because there's 303 00:18:46,560 --> 00:18:50,720 Speaker 7: no Tippy in the bathroom. Did he cats always get 304 00:18:50,760 --> 00:18:52,520 Speaker 7: into the closet. 305 00:18:52,119 --> 00:18:54,840 Speaker 2: And stuff and their filth core band. 306 00:18:55,359 --> 00:18:59,440 Speaker 6: But they had locks in Everything elements. Yeah. 307 00:19:00,040 --> 00:19:02,560 Speaker 2: So there I filled the quirl with Justin Bieber elements ye. 308 00:19:03,200 --> 00:19:10,680 Speaker 2: Like yeah, So why did you decide to join such 309 00:19:10,680 --> 00:19:11,840 Speaker 2: a filthy band. 310 00:19:13,280 --> 00:19:14,680 Speaker 5: The Shoes first time? 311 00:19:16,359 --> 00:19:17,640 Speaker 6: Yeah, they fed me. 312 00:19:17,920 --> 00:19:18,600 Speaker 2: They fed you. 313 00:19:18,600 --> 00:19:20,159 Speaker 5: You're starving. 314 00:19:21,440 --> 00:19:23,360 Speaker 6: I was a student, so I was starving. 315 00:19:23,760 --> 00:19:29,120 Speaker 2: You're confused, you're starving. Yeah, she knew she was starving. 316 00:19:29,160 --> 00:19:30,080 Speaker 2: She wasn't confused. 317 00:19:30,240 --> 00:19:31,359 Speaker 6: Yeah. 318 00:19:32,000 --> 00:19:34,680 Speaker 2: Yeah, and they made they fed you. 319 00:19:34,840 --> 00:19:35,960 Speaker 6: Read and then like. 320 00:19:36,080 --> 00:19:38,159 Speaker 2: Bean Souper and like Harry Krishna. 321 00:19:38,359 --> 00:19:38,560 Speaker 3: Yeah. 322 00:19:38,600 --> 00:19:39,879 Speaker 2: Basically they gave you. 323 00:19:40,280 --> 00:19:40,800 Speaker 6: I don't know. 324 00:19:41,359 --> 00:19:43,600 Speaker 7: So if you enjoy christian they can give you. 325 00:19:44,200 --> 00:19:48,520 Speaker 2: They give you. They don't give you Bean. They meet 326 00:19:48,520 --> 00:19:51,240 Speaker 2: you at that door and they throw urine in your face. 327 00:19:52,200 --> 00:19:56,360 Speaker 11: They throw your Yeah, tell me if everything's okay. 328 00:19:56,800 --> 00:20:00,719 Speaker 2: Yeah, and trapping signal. So you've been human traffic by 329 00:20:00,760 --> 00:20:01,879 Speaker 2: DIRA for thirty years. 330 00:20:02,160 --> 00:20:05,080 Speaker 8: Yeah, and we got. 331 00:20:09,960 --> 00:20:21,200 Speaker 3: With Aridre with Aridre. 332 00:20:21,600 --> 00:20:24,760 Speaker 1: Okay, what are some of the worst international gigs you 333 00:20:24,800 --> 00:20:25,840 Speaker 1: guys have ever played? 334 00:20:26,160 --> 00:20:28,800 Speaker 5: What are some of the worst nationalities. 335 00:20:30,160 --> 00:20:35,280 Speaker 2: People? There? You go, you gotta go Steve Miller style, 336 00:20:37,920 --> 00:20:39,440 Speaker 2: Steven Miller Band ever played. 337 00:20:41,760 --> 00:20:43,800 Speaker 8: I was thinking the same thing, but it was too 338 00:20:43,840 --> 00:20:45,080 Speaker 8: slow on the uptake. 339 00:20:45,240 --> 00:20:48,679 Speaker 7: But you know our first Like when I joined the band, 340 00:20:49,040 --> 00:20:53,640 Speaker 7: there was a bass player, bass player Rob. He went 341 00:20:53,680 --> 00:20:58,960 Speaker 7: to g Allen show. You remember the story he didn't 342 00:20:59,040 --> 00:21:04,879 Speaker 7: His friend went show in San Francisco and then of 343 00:21:04,920 --> 00:21:07,399 Speaker 7: course on the stage and then picked up the pool 344 00:21:07,880 --> 00:21:11,280 Speaker 7: and punched what's friend in the face lunch. 345 00:21:11,680 --> 00:21:13,320 Speaker 6: Yeah, so the poop goes. 346 00:21:20,359 --> 00:21:25,800 Speaker 11: His story for you could imagine, I got like logistical questions. 347 00:21:25,800 --> 00:21:28,400 Speaker 5: So he stuck it to his knuckles first. 348 00:21:33,040 --> 00:21:38,440 Speaker 9: Smushing through his knuckles from the It's like brass knuckles. 349 00:21:38,200 --> 00:21:41,439 Speaker 5: But ship it's it's not like brass. 350 00:21:41,440 --> 00:21:44,800 Speaker 8: No, no, no, because brass knuckles. It's just one and done. 351 00:21:44,920 --> 00:21:48,840 Speaker 8: Kind of just at an event he played a contact. 352 00:21:48,920 --> 00:21:52,480 Speaker 8: I think this was more like boom and then kind 353 00:21:52,520 --> 00:21:53,160 Speaker 8: of opened. 354 00:21:53,520 --> 00:21:57,399 Speaker 2: It was like a Jackson Pollock painting. Yeah, it was. 355 00:21:58,760 --> 00:21:59,240 Speaker 3: It was alright. 356 00:21:59,760 --> 00:22:02,080 Speaker 2: And he ever watched his face again. He's a super fan. 357 00:22:02,200 --> 00:22:05,560 Speaker 2: He's a face. His face is going for one million 358 00:22:06,800 --> 00:22:11,800 Speaker 2: egg on his face, already on his face, digested egg 359 00:22:11,920 --> 00:22:12,639 Speaker 2: on his face. 360 00:22:13,640 --> 00:22:18,400 Speaker 11: So you you've been in Deer Hoof longer than yeah, 361 00:22:18,640 --> 00:22:21,200 Speaker 11: and anybody really. 362 00:22:22,000 --> 00:22:22,760 Speaker 2: You were the first. 363 00:22:23,080 --> 00:22:26,840 Speaker 8: I wasn't the first, but the first, the first who 364 00:22:26,960 --> 00:22:31,600 Speaker 8: exceeded me by one week. Quit the band after you 365 00:22:31,680 --> 00:22:32,920 Speaker 8: heard that gg Allen. 366 00:22:32,800 --> 00:22:36,600 Speaker 2: Story after he was on the podcast. 367 00:22:38,080 --> 00:22:40,920 Speaker 11: Has anybody who's quit the band then later been like, hey, 368 00:22:41,000 --> 00:22:43,159 Speaker 11: can I come back again in the band. 369 00:22:43,320 --> 00:22:44,320 Speaker 5: You guys are killing it. 370 00:22:45,000 --> 00:22:46,040 Speaker 8: We are we're bombing. 371 00:22:46,080 --> 00:22:52,240 Speaker 2: What are you talking about today? Last night brother. 372 00:22:54,000 --> 00:22:58,239 Speaker 8: So Rob moved to Berlin and I would say that 373 00:22:58,280 --> 00:23:01,640 Speaker 8: we we did have a bit of a a bit 374 00:23:01,680 --> 00:23:05,440 Speaker 8: of a what's German for faux pas? 375 00:23:06,480 --> 00:23:07,200 Speaker 5: Folk? 376 00:23:09,840 --> 00:23:10,280 Speaker 2: I don't know what. 377 00:23:12,000 --> 00:23:17,160 Speaker 5: Ah, it's a mistake. It's a public mistake, social. 378 00:23:17,040 --> 00:23:23,120 Speaker 8: Embarrassment of a mistake that that causes you incredible amounts 379 00:23:23,119 --> 00:23:28,480 Speaker 8: of shame. And when I stepped up to the microphone 380 00:23:29,440 --> 00:23:33,600 Speaker 8: while opening for the Red Hot Chili Peppers, who if 381 00:23:33,640 --> 00:23:38,120 Speaker 8: they weren't throwing things at us, it was only because 382 00:23:40,040 --> 00:23:44,520 Speaker 8: they were more invested in the booing that they were doing. 383 00:23:45,040 --> 00:23:49,320 Speaker 8: Or would checking in a in a in a hockey 384 00:23:49,400 --> 00:23:51,080 Speaker 8: arena in Berlin. 385 00:23:51,080 --> 00:24:02,840 Speaker 15: Uh, readers from Canada, I woke up from my ancient slumber. 386 00:24:05,600 --> 00:24:07,919 Speaker 8: Okay, yeah, so you know hockey, So you know what 387 00:24:07,960 --> 00:24:12,680 Speaker 8: the acoustics are like in an arena. You try to say, 388 00:24:14,040 --> 00:24:18,919 Speaker 8: you try to express your excitement by saying Berlin is tice. 389 00:24:20,240 --> 00:24:23,520 Speaker 8: Berlin is hot, and I'm sweating. I'm the drummer, and 390 00:24:23,880 --> 00:24:26,919 Speaker 8: you know, I'm working hard and I'm excited. You know, 391 00:24:26,920 --> 00:24:29,359 Speaker 8: the Chili Peppers are coming. This is going to be cool. 392 00:24:29,960 --> 00:24:34,320 Speaker 8: I'm sweating and I'm trying to describe the audience as hot. 393 00:24:34,760 --> 00:24:38,160 Speaker 8: What they hear in the blurred you know, it's someone 394 00:24:38,240 --> 00:24:45,000 Speaker 8: like that other band blurred acoustics. You've seen them, huge 395 00:24:45,040 --> 00:24:46,520 Speaker 8: fans you have to talk about. 396 00:24:49,480 --> 00:24:55,080 Speaker 2: I don't want to go there. You don't understand. 397 00:24:55,119 --> 00:24:58,080 Speaker 8: That's what you don't understand. And on no other podcast 398 00:24:58,080 --> 00:25:01,800 Speaker 8: would this story be appropriate to Is that in the 399 00:25:01,840 --> 00:25:06,760 Speaker 8: blurred acoustics of a Berlin hockey arena, Berlin is tice. 400 00:25:07,040 --> 00:25:14,600 Speaker 8: Sounds like Berlin is Yeah. Yeah, that did not improve 401 00:25:15,040 --> 00:25:15,760 Speaker 8: our standing. 402 00:25:16,240 --> 00:25:17,320 Speaker 2: The audience. 403 00:25:19,880 --> 00:25:22,800 Speaker 8: Ship into the microphone to amplify a million times, and 404 00:25:24,960 --> 00:25:30,640 Speaker 8: your people who only want to hear one Bili Pepper song. 405 00:25:30,760 --> 00:25:34,240 Speaker 1: Anyway, why are you saying Berlin is hot because that's 406 00:25:34,359 --> 00:25:35,080 Speaker 1: kind of strange. 407 00:25:35,480 --> 00:25:36,720 Speaker 2: That's strange though, too. 408 00:25:37,040 --> 00:25:39,639 Speaker 8: Your vocabulary being less limits. 409 00:25:41,680 --> 00:25:42,560 Speaker 2: Berlin is great. 410 00:25:44,080 --> 00:25:49,960 Speaker 5: Thank you. That is so close to I understand. 411 00:25:50,359 --> 00:25:55,120 Speaker 8: We come on on your show, tell vulnerably. 412 00:25:58,359 --> 00:25:59,159 Speaker 2: We criticized. 413 00:25:59,320 --> 00:26:07,639 Speaker 9: Sorry, we give you some German praise. 414 00:26:07,720 --> 00:26:11,760 Speaker 2: We're just We're the girls and girls the movie. But 415 00:26:11,880 --> 00:26:12,560 Speaker 2: also you. 416 00:26:12,520 --> 00:26:14,879 Speaker 5: Could say that Berlin is the ship. 417 00:26:16,560 --> 00:26:17,560 Speaker 13: It was. 418 00:26:19,040 --> 00:26:22,040 Speaker 2: What happens after you say Berlin is ship. 419 00:26:21,800 --> 00:26:28,560 Speaker 16: Accidentally the already somewhat attenuated level of interest in our band, 420 00:26:29,119 --> 00:26:32,840 Speaker 16: which was not on anyone's ticket and was not on 421 00:26:32,880 --> 00:26:34,520 Speaker 16: the website where they were touring. 422 00:26:36,600 --> 00:26:39,119 Speaker 8: Yes, but full tour, yes, but this was before the 423 00:26:39,160 --> 00:26:43,600 Speaker 8: era of research in Germany. They weren't able to figure 424 00:26:43,640 --> 00:26:46,720 Speaker 8: out that we were on the tour. They thought they were. 425 00:26:46,920 --> 00:26:50,440 Speaker 8: They The thing is I started. They did not like it. 426 00:26:51,800 --> 00:27:00,480 Speaker 8: Version longer, version is the. 427 00:26:57,480 --> 00:27:00,960 Speaker 7: All Every opener is for red pippers. I don't think 428 00:27:01,080 --> 00:27:02,719 Speaker 7: fans like open. 429 00:27:03,440 --> 00:27:05,760 Speaker 1: They don't like they want to see they paid for 430 00:27:05,840 --> 00:27:07,880 Speaker 1: who they want to see you open. 431 00:27:07,960 --> 00:27:10,119 Speaker 2: They're angry, you think. 432 00:27:10,680 --> 00:27:14,480 Speaker 11: Just then this shoeless hippie comes up. 433 00:27:14,920 --> 00:27:16,160 Speaker 5: Yeah, they don't know. 434 00:27:16,040 --> 00:27:17,080 Speaker 2: How to start this show. 435 00:27:18,080 --> 00:27:22,280 Speaker 1: They mean her there's than you to, right, Who are 436 00:27:22,280 --> 00:27:22,920 Speaker 1: they mean her to? 437 00:27:23,600 --> 00:27:27,280 Speaker 6: I don't really. I mean, they're so far away from the. 438 00:27:27,440 --> 00:27:30,920 Speaker 9: State associated so you don't care. 439 00:27:31,000 --> 00:27:36,760 Speaker 1: Like but he's like Berlady ship us a. 440 00:27:42,440 --> 00:27:46,159 Speaker 2: Sh and I don't care for the red Chili Peppers 441 00:27:46,160 --> 00:27:53,320 Speaker 2: and I'm like, Hey, the Germans do like ship. Yeah, 442 00:27:54,280 --> 00:27:55,040 Speaker 2: they do like ship. 443 00:27:55,080 --> 00:27:56,960 Speaker 1: So it could have been a it could have been 444 00:27:57,000 --> 00:28:00,600 Speaker 1: a you know, Grand Slam, but it sounds like this 445 00:28:00,640 --> 00:28:02,800 Speaker 1: show is not The show is not good. 446 00:28:04,080 --> 00:28:07,760 Speaker 8: It became less uncomfortable when I saw the same audience 447 00:28:08,440 --> 00:28:12,560 Speaker 8: also totally bored and looking at their phones throughout the 448 00:28:12,720 --> 00:28:16,880 Speaker 8: entire chili until they hit one of two songs. O man, 449 00:28:17,240 --> 00:28:18,680 Speaker 8: So yeah, it was what was. 450 00:28:18,600 --> 00:28:31,320 Speaker 5: The song that they came to hear Californication dream of Telephone. 451 00:28:28,840 --> 00:28:52,560 Speaker 17: In Farsi, caliphone cash, This is beautiful under the Downtown 452 00:28:52,880 --> 00:28:54,400 Speaker 17: got to get chili peppers. 453 00:28:54,040 --> 00:28:54,320 Speaker 2: Out of. 454 00:28:57,160 --> 00:28:59,960 Speaker 1: Our friend John Daily made a fake red chili rippers 455 00:29:00,040 --> 00:29:02,000 Speaker 1: on That's quite good and you should listen to it. 456 00:29:02,000 --> 00:29:06,520 Speaker 2: It's very funny sounds. It's like it's like it's just 457 00:29:06,520 --> 00:29:11,840 Speaker 2: like he goes, don't get caught by the Alabama slammer. 458 00:29:14,120 --> 00:29:18,720 Speaker 1: And then goes coming down to Glen Glyn. 459 00:29:22,560 --> 00:29:26,880 Speaker 2: It's more run out of the Yeah, it's like the Dina. 460 00:29:27,200 --> 00:29:31,360 Speaker 18: It's like Alter Dinu babysitter Hallelujah. 461 00:29:31,480 --> 00:29:32,880 Speaker 2: I thought I knew you. 462 00:29:34,160 --> 00:29:38,000 Speaker 5: There. 463 00:29:38,040 --> 00:29:42,760 Speaker 2: Like funk Ai, they're kind of easy listening. 464 00:29:42,880 --> 00:29:44,600 Speaker 11: Yeah, that's the first contient I ever saw it was 465 00:29:44,640 --> 00:29:47,160 Speaker 11: the Chilli Peppers proven really proven. 466 00:29:47,240 --> 00:29:51,760 Speaker 2: Yeah, proven FaceTime fleet right now. I love that video 467 00:29:52,160 --> 00:29:55,600 Speaker 2: that just came out. Shut the fuck up. Somebody came 468 00:29:55,680 --> 00:29:57,000 Speaker 2: up to them and like he was like on Saint 469 00:29:57,080 --> 00:30:00,120 Speaker 2: Mark Street and they go, hey, what's up? What are 470 00:30:00,120 --> 00:30:02,760 Speaker 2: you wearing? It's like one of those like how much 471 00:30:02,800 --> 00:30:04,240 Speaker 2: you pay? What are you wearing? 472 00:30:04,280 --> 00:30:09,480 Speaker 3: Any fun? Up? 473 00:30:09,720 --> 00:30:17,200 Speaker 2: Might have I record you for no reason. He's very nice, 474 00:30:17,480 --> 00:30:20,840 Speaker 2: he is, He's very nice. So that's why it was 475 00:30:20,840 --> 00:30:23,400 Speaker 2: like extra satisfying, not the. 476 00:30:23,400 --> 00:30:37,840 Speaker 3: Fu with a recondre with a recondre. 477 00:30:38,240 --> 00:30:40,440 Speaker 2: But you guys don't drink anymore. 478 00:30:40,520 --> 00:30:41,160 Speaker 6: I do drink. 479 00:30:41,600 --> 00:30:46,080 Speaker 7: You drink not so much by but you've put it back, Yeah, 480 00:30:46,120 --> 00:30:46,760 Speaker 7: put it back. 481 00:30:47,000 --> 00:30:52,040 Speaker 2: You slam it back because you're wasted. Oh that's a 482 00:30:52,040 --> 00:30:55,880 Speaker 2: good question, really good hammered. Have you been on stage? 483 00:30:55,920 --> 00:31:02,280 Speaker 7: But I it sounds like yes, yeah, bombing, bombing? I 484 00:31:02,320 --> 00:31:03,720 Speaker 7: did bomb one night. 485 00:31:04,360 --> 00:31:05,200 Speaker 6: What happened tour? 486 00:31:05,360 --> 00:31:06,160 Speaker 3: What happened you bob? 487 00:31:07,920 --> 00:31:16,440 Speaker 2: You drink? Yeah, yeah, you've been burying the lead? Okay, 488 00:31:16,440 --> 00:31:17,840 Speaker 2: so what happens paying is a picture? 489 00:31:17,920 --> 00:31:20,680 Speaker 7: So after the New Year's even then there was like 490 00:31:20,680 --> 00:31:24,080 Speaker 7: like a load of champagne because it's a new Year's 491 00:31:24,160 --> 00:31:28,240 Speaker 7: Year and we played the show opening open for super 492 00:31:28,240 --> 00:31:29,080 Speaker 7: Far Animals. 493 00:31:30,560 --> 00:31:33,960 Speaker 6: In super Far Animals, a manager brought us. 494 00:31:34,280 --> 00:31:35,280 Speaker 2: A lot of champagne. 495 00:31:36,240 --> 00:31:41,720 Speaker 7: Champagne strong, yes, because it's not like prosecco. The alcohol 496 00:31:41,840 --> 00:31:47,880 Speaker 7: level is strong, strong, first saying it's New Year's somewhere. 497 00:31:48,880 --> 00:31:52,280 Speaker 11: You know, yeah, we know that's in this case the. 498 00:31:54,600 --> 00:31:56,360 Speaker 2: Worst carbonation. It's bullshit. 499 00:31:56,880 --> 00:32:02,400 Speaker 1: Champagne second fermentation. That's a real bubbles are real fake bubbles. 500 00:32:03,120 --> 00:32:04,360 Speaker 1: That's interesting man. 501 00:32:05,000 --> 00:32:07,640 Speaker 7: That Yeah, you've been to champagne. 502 00:32:08,040 --> 00:32:11,440 Speaker 2: I've never been to champagne, but I've drank it and 503 00:32:11,520 --> 00:32:13,800 Speaker 2: it gets you drunk. So you're okay. So you're in London, 504 00:32:13,840 --> 00:32:16,800 Speaker 2: you're backstage. The guy from Super. 505 00:32:16,560 --> 00:32:24,240 Speaker 1: Fuzzy fucking Time Bombs or whatever, he comes hot. I'm sorry, 506 00:32:24,320 --> 00:32:27,080 Speaker 1: it's something the bands that you've grown up with. I'm 507 00:32:27,080 --> 00:32:28,040 Speaker 1: insulting your best friends. 508 00:32:28,080 --> 00:32:31,320 Speaker 2: Okay. So the guy comes up case case of champagne, 509 00:32:31,400 --> 00:32:35,080 Speaker 2: got tons of champions, but he's got enough. He's got enough, 510 00:32:35,240 --> 00:32:37,600 Speaker 2: and you start what drinking right out the bottle or what? 511 00:32:37,720 --> 00:32:39,960 Speaker 6: No, No, it's just a little bit a little. 512 00:32:39,720 --> 00:32:41,280 Speaker 2: But you don't realize how drunk you get. 513 00:32:41,520 --> 00:32:44,760 Speaker 7: Yeah, and we're waiting for the fireworks. But you know 514 00:32:44,920 --> 00:32:48,360 Speaker 7: Tammis River, I mean it's so beautiful, right yeah, and 515 00:32:48,360 --> 00:32:51,360 Speaker 7: then I you know me john My, you know our 516 00:32:51,400 --> 00:32:54,840 Speaker 7: bond mats. He doesn't drink so John he stopped after 517 00:32:54,840 --> 00:32:56,480 Speaker 7: the three of us, just n. 518 00:32:56,600 --> 00:32:58,240 Speaker 5: He's still he. 519 00:32:59,800 --> 00:33:01,600 Speaker 2: Still he still drinks through his own. 520 00:33:06,320 --> 00:33:08,320 Speaker 8: Yeah, and we got so much fun. 521 00:33:10,360 --> 00:33:12,920 Speaker 2: I was like, if he was really addicted to her. 522 00:33:13,000 --> 00:33:16,400 Speaker 2: But I don't really think about this joke. She'll be fine, 523 00:33:18,400 --> 00:33:21,200 Speaker 2: especially because we do heroin at the end. That's how 524 00:33:21,200 --> 00:33:24,040 Speaker 2: we wrap That's how we wrap things up. But okay, 525 00:33:24,120 --> 00:33:28,080 Speaker 2: so you're drinking champagne, you're looking at the fireworks. You're 526 00:33:28,080 --> 00:33:30,960 Speaker 2: not really thinking about how much champagne is going down. 527 00:33:31,360 --> 00:33:34,680 Speaker 7: At some point, somebody is throwing a fireworks. 528 00:33:35,200 --> 00:33:38,600 Speaker 8: You know, it's a British. 529 00:33:40,160 --> 00:33:45,800 Speaker 2: I mean, come on down. Okay, So people are. 530 00:33:46,720 --> 00:33:48,360 Speaker 5: We were throwing bombs at you? 531 00:33:48,480 --> 00:33:50,480 Speaker 6: Yeah, you're not just the little ones, you know. 532 00:33:50,920 --> 00:33:53,360 Speaker 2: Yeah, just a little fire cracker. 533 00:33:53,520 --> 00:33:55,360 Speaker 6: Yeah yeah, you know those rats. 534 00:33:55,600 --> 00:33:57,880 Speaker 2: Yeah it's like black cats. 535 00:33:58,240 --> 00:34:02,120 Speaker 6: Yeah yeah, yea that yeah. Yeah, but you were like, what, 536 00:34:02,360 --> 00:34:04,240 Speaker 6: you know, I don't know. 537 00:34:04,280 --> 00:34:06,840 Speaker 7: Maybe we went back to hotel three or four in 538 00:34:06,880 --> 00:34:10,960 Speaker 7: the morning. Maybe maybe, but I mean we were all together, 539 00:34:11,120 --> 00:34:15,240 Speaker 7: but I went into the elevator and sudden he felt, 540 00:34:16,800 --> 00:34:17,520 Speaker 7: you know, bombing. 541 00:34:17,920 --> 00:34:19,719 Speaker 2: I felt, oh, I thought you were about to go 542 00:34:19,800 --> 00:34:21,919 Speaker 2: on stage after your always. 543 00:34:22,040 --> 00:34:24,640 Speaker 1: I thought they were throwing crackers at you your waisted 544 00:34:25,120 --> 00:34:27,400 Speaker 1: three or four in the morning, you get in the elevator, like, 545 00:34:26,880 --> 00:34:28,760 Speaker 1: but where are you get on stage? 546 00:34:34,080 --> 00:34:37,000 Speaker 2: So it's fluids, we can make that happen. So you 547 00:34:37,040 --> 00:34:39,680 Speaker 2: were sober during the show, yeah, so it was after it. 548 00:34:39,760 --> 00:34:41,160 Speaker 2: But then you threw up in the elevator. 549 00:34:41,239 --> 00:34:42,880 Speaker 6: Yeah, but it was like everywhere. 550 00:34:42,880 --> 00:34:46,440 Speaker 5: It was a bomb so much in a champaign of 551 00:34:46,560 --> 00:34:47,640 Speaker 5: my body liquid. 552 00:34:48,840 --> 00:34:54,439 Speaker 11: You're like a solo show, my body so much. 553 00:34:55,520 --> 00:34:57,600 Speaker 8: Audience audience like what. 554 00:34:59,120 --> 00:34:59,840 Speaker 2: You saw it? 555 00:35:00,200 --> 00:35:02,000 Speaker 8: Oh, I saw you row? 556 00:35:02,280 --> 00:35:04,719 Speaker 5: Oh boy, what's the movie? What's the movie? 557 00:35:04,719 --> 00:35:06,640 Speaker 11: You just get out of the elevator, run to the 558 00:35:06,719 --> 00:35:07,880 Speaker 11: room and just forget about it. 559 00:35:08,239 --> 00:35:12,520 Speaker 6: I told the people, because I mean it's obvious. 560 00:35:12,480 --> 00:35:14,719 Speaker 2: You told them you go. Can you send more champagne 561 00:35:14,800 --> 00:35:19,600 Speaker 2: to my room? I lost half of my I spilled 562 00:35:19,640 --> 00:35:23,719 Speaker 2: some from my esopagus. I'm sending an elevator filled with 563 00:35:23,800 --> 00:35:25,720 Speaker 2: barf down to the lobby. 564 00:35:26,360 --> 00:35:28,560 Speaker 5: I put a couple of guns in there and send 565 00:35:28,560 --> 00:35:29,120 Speaker 5: it back up. 566 00:35:29,200 --> 00:35:31,160 Speaker 2: It's New Year's in London. What are they going they 567 00:35:31,200 --> 00:35:32,960 Speaker 2: expect there's gonna be some debauchery. 568 00:35:33,239 --> 00:35:35,919 Speaker 6: Thank you, thank you. That makes me feel better. 569 00:35:35,960 --> 00:35:39,000 Speaker 11: But then people found your musician, your rock stars, like 570 00:35:39,120 --> 00:35:40,080 Speaker 11: they want you to vomit. 571 00:35:40,080 --> 00:35:43,120 Speaker 5: It's the elevator. 572 00:35:43,280 --> 00:35:46,240 Speaker 2: Gregg sip with kim Meill t all night like a chicken. 573 00:35:46,640 --> 00:35:51,560 Speaker 2: You're like, you know, fucking Jim Morrison, you got you 574 00:35:51,600 --> 00:35:53,279 Speaker 2: got to do the heavy lifting for the whole band. 575 00:35:54,800 --> 00:36:00,120 Speaker 2: You guys like mister Rogers. Yeah, you're like Yellen and 576 00:36:00,239 --> 00:36:01,080 Speaker 2: JJ Abrams. 577 00:36:01,239 --> 00:36:01,399 Speaker 12: Yeah. 578 00:36:03,600 --> 00:36:08,400 Speaker 2: I don't get it. I don't get it, but it 579 00:36:08,400 --> 00:36:09,200 Speaker 2: doesn't make any sense. 580 00:36:09,400 --> 00:36:10,880 Speaker 8: It sounds funny, but what's. 581 00:36:10,719 --> 00:36:14,480 Speaker 2: The That's all I need, That's all I need. This 582 00:36:14,520 --> 00:36:15,640 Speaker 2: is a low bar production. 583 00:36:16,440 --> 00:36:20,040 Speaker 5: She had at hell. You've never been on you never 584 00:36:20,120 --> 00:36:21,080 Speaker 5: performed drunk. 585 00:36:22,200 --> 00:36:24,440 Speaker 2: Well, well, hold on now. 586 00:36:27,320 --> 00:36:32,200 Speaker 7: I think our first tour we did ninety ninety. 587 00:36:31,920 --> 00:36:34,759 Speaker 2: Five, ninety percent of it was drunk. No, no, no, 588 00:36:34,800 --> 00:36:37,479 Speaker 2: it's just I thought, that's what you're saying, are very short. 589 00:36:37,640 --> 00:36:39,960 Speaker 2: Ninety percent of it that was fucking no. 590 00:36:40,160 --> 00:36:43,000 Speaker 7: We didn't I didn't sing melody or anything, so you know, 591 00:36:43,120 --> 00:36:44,920 Speaker 7: I didn't improvisation. 592 00:36:45,920 --> 00:36:46,960 Speaker 2: You didn't sing melodies. 593 00:36:47,480 --> 00:36:50,280 Speaker 6: I used to just improvise just screen. 594 00:36:50,360 --> 00:36:53,120 Speaker 1: You guys are real loose with it in ninety five. Yeah, 595 00:36:53,680 --> 00:36:57,000 Speaker 1: you were winning it for the first couple of years. No, no, 596 00:36:57,400 --> 00:36:59,520 Speaker 1: and then somebody goes, let's write a song just. 597 00:36:59,600 --> 00:37:03,439 Speaker 7: First tour because you know I even last two years. Yeah, 598 00:37:04,160 --> 00:37:06,680 Speaker 7: you know, I joined the bond and we went on tour. 599 00:37:06,760 --> 00:37:08,839 Speaker 6: So I don't have any you know what I. 600 00:37:08,719 --> 00:37:10,400 Speaker 2: Mean memory of it because you're drunk. 601 00:37:10,400 --> 00:37:15,640 Speaker 7: I don't have any kind of a professional attitude tours, 602 00:37:15,680 --> 00:37:17,480 Speaker 7: the you know, playing. 603 00:37:17,320 --> 00:37:20,080 Speaker 1: When you guys start getting serious, when did the professionals 604 00:37:20,120 --> 00:37:20,480 Speaker 1: have kicked? 605 00:37:20,719 --> 00:37:23,920 Speaker 7: Well, when I started, you know, singing. 606 00:37:25,800 --> 00:37:28,399 Speaker 2: Doing at first you started to see we're just screaming. Yeah, 607 00:37:28,800 --> 00:37:31,440 Speaker 2: when did you start? We have video of like the 608 00:37:31,640 --> 00:37:34,720 Speaker 2: earliest show. Yeah, can you can you look up earlier 609 00:37:34,840 --> 00:37:38,640 Speaker 2: like the earl like I want to see. I want 610 00:37:38,680 --> 00:37:40,560 Speaker 2: to see footage of like the earliest show. 611 00:37:41,880 --> 00:37:44,200 Speaker 5: The Headless Lady who asked when you're going to start? 612 00:37:44,320 --> 00:37:48,840 Speaker 5: She actually, yeah, when you started to drunk. 613 00:37:48,920 --> 00:37:52,240 Speaker 7: It's just I screamed so much. I had one beer 614 00:37:52,320 --> 00:37:54,840 Speaker 7: and then screaming I lost my voice. 615 00:37:54,960 --> 00:37:58,440 Speaker 6: You know, so I'm careful. 616 00:37:58,560 --> 00:38:01,240 Speaker 2: You know now you have and you whisper. 617 00:38:03,560 --> 00:38:07,279 Speaker 8: I just thought of another great bombing incident. We're at 618 00:38:07,280 --> 00:38:09,880 Speaker 8: the Filmore. Okay, it's a big moment for us, the 619 00:38:09,920 --> 00:38:12,240 Speaker 8: biggest show we've ever played at that time. It's nineteen 620 00:38:12,280 --> 00:38:15,840 Speaker 8: ninety six or ninety seven, and we're opening for Sonic 621 00:38:15,880 --> 00:38:20,640 Speaker 8: Youth Dream Come True. We're playing the show. Unlike the 622 00:38:20,680 --> 00:38:23,240 Speaker 8: shows with the Chili Peppers. It's going quite well. People 623 00:38:23,239 --> 00:38:25,560 Speaker 8: seem to like it. We get to one really quiet 624 00:38:25,600 --> 00:38:29,520 Speaker 8: part of one song in which so Tony, for the 625 00:38:29,600 --> 00:38:34,239 Speaker 8: final time in our career, does scream, and it's an 626 00:38:34,280 --> 00:38:40,640 Speaker 8: extraordinarily exposed moment of utter silence in which all instruments 627 00:38:41,120 --> 00:38:46,319 Speaker 8: fall to no sound whatsoever. It's pin drop level of 628 00:38:46,360 --> 00:38:49,840 Speaker 8: concentration in the San Francisco audience, who now love. 629 00:38:49,800 --> 00:38:54,360 Speaker 2: Us Germany is ship Germany? 630 00:38:55,000 --> 00:39:00,839 Speaker 8: That was not said, he to the situation, So tell 631 00:39:00,880 --> 00:39:05,359 Speaker 8: me does the scream? And then from the far end 632 00:39:05,440 --> 00:39:10,080 Speaker 8: of the film, were all the way at the other end, somebody. 633 00:39:09,600 --> 00:39:12,839 Speaker 2: Goes, she goes, and then we hear this. 634 00:39:17,400 --> 00:39:19,760 Speaker 8: It's like, it's so embarrassing, you know, it's the most 635 00:39:19,800 --> 00:39:22,920 Speaker 8: exposed moment imaginable. You know, it was like a total 636 00:39:23,040 --> 00:39:25,880 Speaker 8: like gong show, you know. And then we get to 637 00:39:25,920 --> 00:39:28,960 Speaker 8: the end of the performance and as we're passing sonic 638 00:39:29,000 --> 00:39:31,960 Speaker 8: youth like we're getting off stage and they're coming on. 639 00:39:32,120 --> 00:39:39,120 Speaker 8: They're like, oh did you see Nicholas cage? Heckling question 640 00:39:39,840 --> 00:39:44,080 Speaker 8: by the way show. 641 00:39:45,880 --> 00:39:47,359 Speaker 2: And then we didn't believe it. 642 00:39:47,680 --> 00:39:51,319 Speaker 8: And then our friend's roommate, our friend was at the show. 643 00:39:52,080 --> 00:39:55,400 Speaker 8: You your actual roommate, and she came to the show. 644 00:39:56,040 --> 00:39:57,719 Speaker 8: Tell that part of the story, you tell that part 645 00:39:57,800 --> 00:40:02,400 Speaker 8: really well, this is not this maybe the fifteenth podcast. 646 00:40:02,800 --> 00:40:05,200 Speaker 7: She got on the bus on the way back, you know, 647 00:40:05,719 --> 00:40:07,680 Speaker 7: thirty thirty eight gear or something. 648 00:40:08,080 --> 00:40:11,600 Speaker 6: But then Nicrol's cage came after she sat. 649 00:40:11,440 --> 00:40:13,440 Speaker 2: Down into Europe, but. 650 00:40:14,600 --> 00:40:19,000 Speaker 7: Into the bus Geary thirty eight Geary bus where my roommate. 651 00:40:18,800 --> 00:40:21,439 Speaker 2: Was from What's going home? 652 00:40:21,520 --> 00:40:23,600 Speaker 6: You know, because I put her on the guest list 653 00:40:23,680 --> 00:40:24,120 Speaker 6: and stuff. 654 00:40:24,400 --> 00:40:27,920 Speaker 7: But she's like she doesn't help the coins, you know, 655 00:40:29,040 --> 00:40:31,000 Speaker 7: you know, classic Nicholas. 656 00:40:33,920 --> 00:40:38,160 Speaker 6: You needed cash. You know, it's like, hey, someone got 657 00:40:38,600 --> 00:40:43,680 Speaker 6: you know that money for me. So like my roommates 658 00:40:43,719 --> 00:40:44,240 Speaker 6: I heard. 659 00:40:44,200 --> 00:40:52,680 Speaker 8: Here, your roommate was the one to get it. 660 00:40:52,719 --> 00:40:54,520 Speaker 2: Sounds like he was nickel. 661 00:40:57,120 --> 00:41:00,240 Speaker 8: Wow, good night everybody. 662 00:41:00,320 --> 00:41:01,279 Speaker 5: We gotta get him. 663 00:41:01,160 --> 00:41:12,840 Speaker 2: Out of here. Oh I'm fucking dizzy. Wells left to 664 00:41:12,880 --> 00:41:15,200 Speaker 2: be said any other bombing stories you like to throw 665 00:41:15,239 --> 00:41:15,600 Speaker 2: in there. 666 00:41:16,800 --> 00:41:19,680 Speaker 1: So we have people call in with problems and we 667 00:41:19,920 --> 00:41:21,960 Speaker 1: have the guests try to help them with their problems. 668 00:41:22,080 --> 00:41:25,320 Speaker 2: Okay, let's hear this guy's bombing story, because I don't. 669 00:41:25,360 --> 00:41:27,759 Speaker 10: Know this is a So my brother and I we 670 00:41:27,840 --> 00:41:29,880 Speaker 10: used to go to the y m C A swummer 671 00:41:29,920 --> 00:41:34,640 Speaker 10: camp back a swummer camp consumer. You know, pretty white 672 00:41:34,719 --> 00:41:40,520 Speaker 10: lady you know she would take it. Yeah, the sleepovers 673 00:41:40,560 --> 00:41:43,080 Speaker 10: on the weekends. So I pull up, you know what 674 00:41:43,080 --> 00:41:45,640 Speaker 10: I mean, getting some pizza. I was like, yo, I've 675 00:41:45,680 --> 00:41:50,880 Speaker 10: never had five slices of pizza, so I pounded them in, 676 00:41:50,960 --> 00:41:52,840 Speaker 10: you know what I'm saying. Next thing, I know, to 677 00:41:52,920 --> 00:41:55,200 Speaker 10: go to the swimming pool for like you know what 678 00:41:55,239 --> 00:42:00,920 Speaker 10: I'm saying, the evening activities. Lo and behold a whole 679 00:42:00,920 --> 00:42:03,600 Speaker 10: pull full of like one hundred kids. You know, I'm 680 00:42:03,600 --> 00:42:07,720 Speaker 10: assuming that all of a sudden, the pizza started talking. 681 00:42:08,360 --> 00:42:11,920 Speaker 10: Next thing, I knew, I got five slices of cher 682 00:42:12,960 --> 00:42:19,000 Speaker 10: all over the British everybody gets out on. 683 00:42:19,080 --> 00:42:21,880 Speaker 2: The one weird. 684 00:42:27,080 --> 00:42:29,400 Speaker 11: So do you guys have anything to say to that? 685 00:42:31,160 --> 00:42:34,799 Speaker 8: He said, that was a pretty white lady at the 686 00:42:34,920 --> 00:42:37,840 Speaker 8: y m c. A. He said he was going to 687 00:42:37,920 --> 00:42:38,680 Speaker 8: the y m c A. 688 00:42:38,960 --> 00:42:40,200 Speaker 2: His voice was hot. 689 00:42:41,120 --> 00:42:42,840 Speaker 8: Yeah, so where did he go wrong? 690 00:42:43,000 --> 00:42:46,960 Speaker 2: Which he turned right? No? 691 00:42:47,080 --> 00:42:50,080 Speaker 8: No, no, that was the result. What was the mistake? 692 00:42:50,520 --> 00:42:55,640 Speaker 2: Five slices? Are you even paying attention? And he doesn't 693 00:42:55,640 --> 00:42:59,319 Speaker 2: normally eat five slices? He established that that's what guys are, 694 00:42:59,360 --> 00:43:01,560 Speaker 2: Just like I got a sound intelligence, So just throw 695 00:43:01,600 --> 00:43:05,640 Speaker 2: in some is there somebody? Is there anything better than 696 00:43:05,640 --> 00:43:14,000 Speaker 2: that haunting fucking what was spine shattering? Butthole clunching? Prison confession? 697 00:43:14,280 --> 00:43:19,759 Speaker 1: Yeah, anyway, I'm getting the electric chair later, but I 698 00:43:19,800 --> 00:43:22,480 Speaker 1: wanted to confess this crazy pizza story a lot of 699 00:43:22,480 --> 00:43:23,400 Speaker 1: people before. 700 00:43:24,200 --> 00:43:28,200 Speaker 19: Let me tell you a story about pizza. I'm about 701 00:43:28,239 --> 00:43:31,799 Speaker 19: to get lethal, but I wanted to make one, but 702 00:43:31,880 --> 00:43:34,760 Speaker 19: Judge said I could make one final from prison. 703 00:43:37,400 --> 00:43:42,560 Speaker 2: All right. 704 00:43:42,640 --> 00:43:45,040 Speaker 13: First of all, love the fact that this is a 705 00:43:45,120 --> 00:43:49,440 Speaker 13: seven one six number. Go Bill, here's my bombing story. 706 00:43:50,239 --> 00:43:52,440 Speaker 13: When I was in high school, I used to volunteer 707 00:43:52,840 --> 00:43:56,280 Speaker 13: around the holidays at UH, this daycare program for adults 708 00:43:56,320 --> 00:44:02,239 Speaker 13: with disability UH. And I remember one year, sixteen seventeen, 709 00:44:02,800 --> 00:44:05,600 Speaker 13: we were playing bingo with some of the adults and 710 00:44:06,320 --> 00:44:10,200 Speaker 13: the Wham song Last Christmas was playing and everyone was 711 00:44:10,239 --> 00:44:12,520 Speaker 13: kind of singing along to it, and I had been 712 00:44:12,560 --> 00:44:13,640 Speaker 13: chatting to this one. 713 00:44:13,440 --> 00:44:15,160 Speaker 2: Guy playing Bengo with him for a. 714 00:44:15,160 --> 00:44:17,920 Speaker 13: While and I felt like we had a good rapport 715 00:44:18,000 --> 00:44:21,720 Speaker 13: going on. So when the line give it to someone 716 00:44:21,880 --> 00:44:24,760 Speaker 13: Special came on, I thought it would be really cute 717 00:44:24,800 --> 00:44:27,640 Speaker 13: to point to him and sing the line. So the 718 00:44:27,680 --> 00:44:30,560 Speaker 13: song said give it to someone Special, and I pointed 719 00:44:30,560 --> 00:44:34,800 Speaker 13: to him and I said, like you, and this. 720 00:44:34,719 --> 00:44:37,319 Speaker 2: Man looked me dead in the eyes. 721 00:44:37,400 --> 00:44:40,200 Speaker 13: And said, the fuck is that supposed to mean? 722 00:44:41,800 --> 00:44:45,840 Speaker 2: And I said, this is jazz. I don't know, and. 723 00:44:46,560 --> 00:44:49,759 Speaker 13: I just thought it would be cute and funny. I 724 00:44:49,760 --> 00:44:53,120 Speaker 13: should mention that we all wore Christmas themed costumes, so 725 00:44:53,160 --> 00:44:56,000 Speaker 13: I had a big Rudolph nose on and my face 726 00:44:56,040 --> 00:45:00,840 Speaker 13: basically turned as red as that nose. So he proceeded 727 00:45:00,880 --> 00:45:03,480 Speaker 13: to tell me, you know what, you look special with 728 00:45:03,560 --> 00:45:07,719 Speaker 13: that nose on. And there are very few nights where 729 00:45:07,760 --> 00:45:11,960 Speaker 13: I try to fall asleep and don't think about that story. 730 00:45:12,280 --> 00:45:16,520 Speaker 2: So, uh yeah, all right. 731 00:45:16,640 --> 00:45:21,799 Speaker 1: Well, Trouble Murderers called it Trouble Sleepy Murderers called it. 732 00:45:23,760 --> 00:45:24,760 Speaker 2: There's a death row. 733 00:45:26,560 --> 00:45:28,680 Speaker 11: In a staphole segment on the show for a while, 734 00:45:28,880 --> 00:45:29,920 Speaker 11: giving given. 735 00:45:30,120 --> 00:45:34,080 Speaker 5: Guys a voice, I really appreciate. 736 00:45:33,600 --> 00:45:36,640 Speaker 9: That you guys are letting people bomb when they tell 737 00:45:36,640 --> 00:45:38,360 Speaker 9: a story. 738 00:45:38,760 --> 00:45:54,880 Speaker 18: There, I go, all right, listen up, we got some 739 00:45:55,080 --> 00:45:55,799 Speaker 18: special for you. 740 00:45:56,040 --> 00:45:58,400 Speaker 1: Got a burning story that you're itching to tell about 741 00:45:58,400 --> 00:46:00,640 Speaker 1: when you bombed or absolutely fail in life. 742 00:46:00,760 --> 00:46:03,560 Speaker 2: Now's your chance to tell me all about it, Babo. 743 00:46:03,760 --> 00:46:06,839 Speaker 1: I want to hear your worst, most cringe worthy what 744 00:46:06,960 --> 00:46:10,360 Speaker 1: the fuck was I thinking? What just happened moment? So 745 00:46:10,400 --> 00:46:13,680 Speaker 1: pick up your phone and dial seven one six Bombing. 746 00:46:13,880 --> 00:46:17,440 Speaker 1: That's seven one six two six six twenty four sixty 747 00:46:17,440 --> 00:46:19,399 Speaker 1: four and leave me a voicemail and we. 748 00:46:19,440 --> 00:46:21,400 Speaker 2: Might just play it on a future episode. 749 00:46:21,480 --> 00:46:23,200 Speaker 1: Bombing with Eric Andre is brought to you by Will 750 00:46:23,239 --> 00:46:26,280 Speaker 1: Ferrell's Big Money Players Network and iHeart Podcast. Our executive 751 00:46:26,280 --> 00:46:29,600 Speaker 1: producer is no I Abad. Our producer's Bei Wang. Our 752 00:46:29,600 --> 00:46:33,120 Speaker 1: research assistant is David Carliner. Our editor and sound designers 753 00:46:33,160 --> 00:46:36,160 Speaker 1: Andy Harris. Our art is by Dylan Vanderberg. His podcast 754 00:46:36,239 --> 00:46:38,040 Speaker 1: is recorded at Sweet Tea Studios.