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Speaker 1: First of all, you don't know me. All about that

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Speaker 1: high school drama, girl drama, girl, all about them.

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Speaker 2: High school queens. We'll take you for a ride, and

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Speaker 2: our comic girl sharing for the right teams.

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Speaker 3: Drama, queens up girl fashion, but your tough girl, you

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Speaker 3: could sit with us.

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Speaker 1: Girl Drama, Queens, drama, queise drama, Queens drama, drama, Queens drama, queens.

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Speaker 4: You guys this week we all watched separately, and so

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Speaker 4: I'm excited to see what rang bells for all of us.

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Speaker 3: I know that feels really fun when it's like getting

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Speaker 3: on the zoom. I was like, did you guys like it?

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Speaker 3: I really liked it.

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Speaker 4: Oh my god, I loved this episode.

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Speaker 2: Peace was great, right, yeah, it was really good. It

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Speaker 2: was tight, That's what That's what you said, Hillary, right

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Speaker 2: before we started. You said it was really tight, and

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Speaker 2: it was. It was Mike Herro and David Strauss and

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Speaker 2: they everything felt very well oiled. It was everything. All

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Speaker 2: the transition worked really well. Greg was our director who

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Speaker 2: was also one of our producers, and he directed a lot.

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Speaker 2: So it was really I think a very easy z

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Speaker 2: sort of symbiosis for everybody on this one.

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Speaker 5: And it's all one location.

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Speaker 4: Yeah, which the episode ended and I was like, yo,

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Speaker 4: we spent eight days in one location. Yeah, and it

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Speaker 4: all felt like one awesome night, just one night of drama.

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Speaker 2: I like it. I wonder if the studio was like

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Speaker 2: asking us to cut our budget or something, and they said,

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Speaker 2: we need to just do one episode.

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Speaker 5: Yeah, we did something expensive.

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Speaker 4: What was it?

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Speaker 2: We were borrowing money for another episode, right.

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Speaker 3: Yeah, that's the thing. When we'd have a really expensive episode,

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Speaker 3: they would pull cash from that and then they would

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Speaker 3: give us something like this. But the irony is that

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Speaker 3: what winds up being budget friendly in this one makes

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Speaker 3: it so dynamic because everyone's in the same place in it.

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Speaker 3: It elevates the whole night.

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Speaker 2: Yeah, it felt really fun.

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Speaker 5: Yeah, give them the synopsis.

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Speaker 3: We're talking about Season five, episode seven. In the Club

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Speaker 3: I'm not gonna say done. In good Club, fair date

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Speaker 3: February twelfth, two thousand and eight, the entire gang gathers

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Speaker 3: a trick to see the honorary title perform and Mia hello.

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Speaker 3: While Peyton and Haley see this as an opportunity to

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Speaker 3: introduce their musical act, Mia, Carrie sees it as a

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Speaker 3: chance to get closer to Nathan. Oh boy, throw Brook

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Speaker 3: sets up Marvin and Millicent on the World's Cutest blind

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Speaker 3: date and spends the night flirting with the cute bartender Owen.

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Speaker 3: Lindsey confronts Lucas about sneaking off to see Peyton, and

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Speaker 3: Peyton realizes she's been lying to everyone, including herself, about

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Speaker 3: why she really came home to Tree Hill.

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Speaker 2: Woo all jam packed. Loved it, and we had like

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Speaker 2: five songs, four songs. It felt like full songs. We'd

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Speaker 2: pack so much into this episode.

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Speaker 5: Here's how to say.

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Speaker 4: We start the episode with honorary title, right, And I

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Speaker 4: feel bad for them at this point because every other

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Speaker 4: musical act that's come on the show got to do

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Speaker 4: a little acting, you know, like they were like do

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Speaker 4: a little seeny scene or just some like ad lib

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Speaker 4: like you know whatever.

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Speaker 5: These guys are.

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Speaker 4: Like, shut up and sing, just do the sing song thing.

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Speaker 4: Get to act.

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Speaker 3: But also were they just like not into acting? Like

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Speaker 3: I kind of wonder if some people are like serious

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Speaker 3: musicians were like, we're not.

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Speaker 5: Are you telling me?

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Speaker 4: Those cute little emo boys wouldn't alone Brooke Davis coming

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Speaker 4: over and being like, hey make.

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Speaker 5: That bartender jealous.

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Speaker 3: I don't know, maybe, but I liked.

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Speaker 4: That we were getting big bands. That means that we

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Speaker 4: were doing well.

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Speaker 3: Yes, it was so exciting, and it really was the

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Speaker 3: season where people really started to want to come on

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Speaker 3: the show because we were breaking musical acts, so then

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Speaker 3: bigger musicians wanted to come and join. I have to say,

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Speaker 3: all of us being at Trick having that opening scene

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Speaker 3: taking shots, yay. I was like, the first time we're

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Speaker 3: drinking together legally. Oh god, Like our characters are babies.

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Speaker 5: Yeah, well, and the drink is disgusting.

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Speaker 2: Tequila and grenadine.

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Speaker 5: Yeah, tequila grena.

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Speaker 3: The most popular. In the sweetest I was like, oh

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Speaker 3: my god, I had such fun with all of Brooks

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Speaker 3: oneliners in this episode. I remember it, dude.

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Speaker 4: The Brooks dialogue in this episode is so sharp, It's

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Speaker 4: so dialed in.

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Speaker 2: I loved it.

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Speaker 3: Yeah, this was like the best version. Even the things

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Speaker 3: that felt ridiculous were so fun to play. But what

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Speaker 3: kills me is that you can hear this is when

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Speaker 3: my my like chronic tonsilitis started to get so bad.

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Speaker 3: This was a year before I finally had to have

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Speaker 3: a tonsal ectomy, and you can hear how shredded my

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Speaker 3: voice is. And especially because in episodes where we're you

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Speaker 3: know at the club we have to talk above the music. Yeah,

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Speaker 3: and the vocal strain had gotten so bad that my

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Speaker 3: whole opening speech is terrible. ADR.

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Speaker 5: Oh it is.

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Speaker 2: I didn't even notice.

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Speaker 3: Oh my god, I noticed it, I guess, but they

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Speaker 3: had me. They I had to loop the whole thing

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Speaker 3: like weeks after we shot the episode, when I didn't

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Speaker 3: sound so crackly. It makes me crazy. I hate bad ADR.

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Speaker 2: I love the fact that we were in Trick because

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Speaker 2: it felt like at any time, around any corner, you

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Speaker 2: never knew which storyline was gonna happen or who was

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Speaker 2: going to converge into what situation. And I know, I

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Speaker 2: had a lot of fun that night running around trying

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Speaker 2: to kind of keep the peace between everybody and make

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Speaker 2: you know, making the rounds and hitting up all the

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Speaker 2: It was fun to be able to dip into all

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Speaker 2: the storylines, especially because when we uh normally film an episode,

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Speaker 2: you're you're only in a couple of storylines, You're not

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Speaker 2: all everybody's not all converged into each other's. So it

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Speaker 2: was fun. Even though it was eight days in the

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Speaker 2: same location, it was nice, nice to show up everywhere.

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Speaker 3: It had graduation party energy.

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Speaker 5: Yeah, yay.

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Speaker 4: This was at the peak of us watching thirty Rock

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Speaker 4: and this is the episode where Joy and I were

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Speaker 4: obsessed with Tracy Moore as where Wolf forrmits and there's

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Speaker 4: a there's a fan video somewhere of us going where

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Speaker 4: Wolf formits us gets great.

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Speaker 2: I thought this was to read a book moment in time.

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Speaker 4: No, this was where Wolf bar mitzvah, and it was

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Speaker 4: so funny to us and we were just like punchy.

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Speaker 5: The crew was over it.

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Speaker 4: They're like, these kids keep laughing.

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Speaker 2: Yeah, that definitely happens when you've got all of us

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Speaker 2: in one place for a really extended period of time.

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Speaker 2: Eventually we all just get real punchy and goofy, and

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Speaker 2: the crew is desperate to go home.

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Speaker 4: It's so much easier to control like two kids completely

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Speaker 4: when you've got twenty.

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Speaker 3: Yeah, when you have the full cast and three hundred extras,

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Speaker 3: it gets crazy. And I think you know something that

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Speaker 3: adds to that is that when you're trapped in the

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Speaker 3: same set all day, so the lighting is the same,

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Speaker 3: like it's nighttime, so we were doing sixteen hours a

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Speaker 3: day of nighttime. It's like being in a casino. You

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Speaker 3: start to lose your mind because you have no idea

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Speaker 3: what time it is, You have no idea where you are,

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Speaker 3: You have no idea how long you've been there. Like

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Speaker 3: everything smushes together.

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Speaker 2: And the temperature is controlled, the sound is controlled, the

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Speaker 2: lighting is controlled. There's just nothing spontaneous.

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Speaker 5: Yeah, yeah, I loved it though.

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Speaker 4: Man, it felt like Trick felt to me by this point,

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Speaker 4: like a real bar in Wilmington and it was our

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Speaker 4: hangout and like some of the extras were my buddies

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Speaker 4: from downtown. They'd be like, man, I can make seventy

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Speaker 4: five dollars a day sitting around hanging out with you

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Speaker 4: in a bar, Like.

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Speaker 3: Yeah, can get fed all day long? Cool?

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Speaker 5: Sounds great.

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Speaker 2: When did Carol buy satellite because the satellite's near there,

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Speaker 2: isn't It wasn't that sort of the It was like

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Speaker 2: she was around there so much all day that she

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Speaker 2: kind of found it. Or I wonder what that story was.

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Speaker 3: Was that in season six that she got the bar.

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Speaker 4: Satellite's still there and Carol and her partner at the

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Speaker 4: time opened it, and then my friend became a bartender there,

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Speaker 4: Skyler from he Is Legend, and it became kind of

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Speaker 4: this like, oh, Downtown's become too much of a scene.

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Speaker 4: We've got to go out to Satellite, you know, like

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Speaker 4: I was like, Oh, you've got to be cool to

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Speaker 4: know about this and that outdoor movie screen.

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Speaker 3: Oh so fun.

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Speaker 4: Yeah, I bet it's still fun.

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Speaker 2: I'm going there this weekend.

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Speaker 4: I'll check it out.

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Speaker 2: Oh you are, Yeah, I'm going to pop into Satellite.

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Speaker 6: Yeah.

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Speaker 4: It's become like a really popular area. They have a

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Speaker 4: cargo district in Wilmington that's really become developed. And now

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Speaker 4: there's farmer Farmer's markets down by Satellite and all these

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Speaker 4: other businesses.

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Speaker 2: And Rescu's theater they opened up that massive theater for

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Speaker 2: touring companies too.

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Speaker 1: Wow.

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Speaker 4: Yeah, it's good.

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Speaker 2: It's exciting over there.

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Speaker 5: But back to Trick.

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Speaker 4: Yeah, back to Trick.

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Speaker 5: Where should we start?

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Speaker 2: I mean, okay, we've got a lot of drama with Lindsay,

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Speaker 2: Lucas and Peyton.

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Speaker 4: Let's talk about Lindsay.

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Speaker 5: She wants to go home. That's not a cool girl.

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Speaker 2: Moved done.

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Speaker 3: Yeah, and it's interesting to see her in this new

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Speaker 3: hair color, doing a new thing, and you're kind of like,

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Speaker 3: what's going on here? And she is just prickly, she's mad,

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Speaker 3: she's over it, she's done, she's been nice, she's asked,

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Speaker 3: do I have any to worry about? And he keeps

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Speaker 3: saying no, and she knows he's lying, and everything is sticky.

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Speaker 3: When you and her both left him at the bar,

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Speaker 3: I was like, I want more of this fight.

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Speaker 5: Fight, fight girl. Peyton has done nothing.

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Speaker 4: Peyton has done nothing but avoid Lucas and say, here's

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Speaker 4: some boundaries, and I'm gonna give you some money and

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Speaker 4: I'm above board, and don't say weird things to me.

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Speaker 4: And also do not grab my arm when I'm walking

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Speaker 4: away from you and pull me close to you and

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Speaker 4: your manly Torso don't do.

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Speaker 3: That, especially when she's watching from across the bar.

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Speaker 4: Nay, is he dumb?

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Speaker 2: I didn't like it.

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Speaker 3: Well, it seems that he can't help himself.

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Speaker 2: Yeah, is that it? Can he not help himself? Or

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Speaker 2: is he dumb?

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Speaker 4: Take a listener poll Gus also watched this one with me.

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Speaker 4: Now that he's watched.

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Speaker 2: That last one, what's a verdict?

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Speaker 4: He was so excited that Peyton was causing so much trouble.

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Speaker 4: He goes, Peyton's causing so much in this town. Is

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Speaker 4: she's not even trying?

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Speaker 5: Like I know, baby, that's power.

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Speaker 4: No, Peyton's not doing anything, And so I feel bad

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Speaker 4: that Lindsay's so frustrated, but I also delighted in watching

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Speaker 4: this because when you don't have to lift a finger

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Speaker 4: and you're really pissing somebody off, that can't feel nice.

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Speaker 2: Just her presence, the fact that she showed up there,

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Speaker 2: I mean, Peyton came back for Lucas. Yeah, and everybody

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Speaker 2: knows it, even though Peyton doesn't seem to know it

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Speaker 2: at the moment until that she does in the end.

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Speaker 3: Even though Peyton's trying to be above board, Lindsay's not stupid.

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Speaker 3: She's an observer. She sees what the dynamic is. And

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Speaker 3: more even than her being mad at Peyton, I think

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Speaker 3: Peyton becomes the easy target for how mad she is

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Speaker 3: at Lucas, because Lucas keeps to your point, Hillary seeking

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Speaker 3: Peyton out, He goes to check on her. He leaves

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Speaker 3: the dinner party and goes to trick he and lies

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Speaker 3: to her about it, and the fact that he had

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Speaker 3: the audacity to say, well, why didn't you tell me

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Speaker 3: sooner that you'd seen my car? And She's like, oh,

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Speaker 3: absolutely not, Yeah, you should have told me you went.

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Speaker 4: Yeah.

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Speaker 5: I loved Lindsay in this episode.

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Speaker 3: I loved her and I loved that she pointed that out.

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Speaker 3: It was like, no, it's not my responsibility to spy

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Speaker 3: on you and tell you I am it's your responsibility

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Speaker 3: to be honest with me. And she can smell the

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Speaker 3: denial on both of them.

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Speaker 2: M hm oh. And she's so classy about it too,

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Speaker 2: though she doesn't get dirty. She's just like standing up

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Speaker 2: for herself.

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Speaker 4: She says, I'll have no problem avoiding Peyton. It's you

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Speaker 4: I'm worried about, Like they could be in the same space.

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Speaker 4: Payne's not doing anything to provoke her, She's not like

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Speaker 4: seeking her out or anything.

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Speaker 2: But yeah, but Lucas is, and Lucas is the one

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Speaker 2: that she's all day watching and you know, obviously that's

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Speaker 2: what she cares about. Mm hmm.

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Speaker 4: Maybe Peyton should have made out with one of those

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Speaker 4: boys in the honorary title, you know there, you know,

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Speaker 4: just like sorry busy.

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Speaker 3: Yeah, but he probably would have told you you could

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Speaker 3: do better.

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Speaker 4: Again, God, he's insufferable.

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Speaker 5: Well, so then you have the flip side.

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Speaker 4: You've got all this like kind of toxic stuff going

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Speaker 4: on with that love triangle. But then you've got Nathan

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Speaker 4: and Haley being so flirty and like, oh we're going

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Speaker 4: to have the house to ourselves. Yes, the champagne room.

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Speaker 4: I was really sad by the Nathan Haley storyline because

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Speaker 4: it seems like it was going to be such a

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Speaker 4: nice night.

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Speaker 2: I know we needed drama though, I mean, we have

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Speaker 2: to amp up the nanny carey of it all. We

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Speaker 2: got to ramp that up so that it's really going somewhere. Wow,

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Speaker 2: she's so overt. It's just amazing to me. The wild

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Speaker 2: is still just chilling with her there, not like alerting anyone.

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Speaker 3: It's really a choice because that chemistry is spicy.

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Speaker 2: Yes, yeah, it is.

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Speaker 3: I like that James isn't doing what they've got Lucas

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Speaker 3: and Peyton doing, which is being in denial and saying no, no, no.

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Speaker 3: He's taken aback by it, and you can tell that

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Speaker 3: it is a bit of a struggle for him, and

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Speaker 3: and I like that he plays the conflict, especially given

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Speaker 3: the fact that we know that they've had this really

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Speaker 3: rough year in their marriage. Yeah, you know that Haley's like,

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Speaker 3: maybe we're going to get back into our intimacy. It

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Speaker 3: clues you in that they've drifted apart in that way.

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Speaker 3: And I like that whether it was you know, James

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Speaker 3: instinctively knowing or maybe Greg directing to say, like, no,

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Speaker 3: show me that this is hard, Like, of course it

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Speaker 3: would be hard to get hit on by a person

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Speaker 3: like this. And you know, when your marriage is a

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Speaker 3: mess or whatever.

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Speaker 4: Marriage has only been a mess for four months. I

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Speaker 4: just need to throw that out there, the reminder.

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Speaker 3: And well, by the way, he's not acting on it,

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Speaker 3: but I like that we're not doing like Pleasantville and

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Speaker 3: pretending like, yeah, it wouldn't be sort of shocking or

300
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Speaker 3: confronting or conflicting to be on the receiving end of

301
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Speaker 3: that sort of attention. And what is so crazy to

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Speaker 3: me is that she goes so far in this episode

303
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Speaker 3: and then says watch me swim naked, and then he

304
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Speaker 3: still says nothing. There was a point where I was like, well, she's.

305
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Speaker 2: Really good with the kid. Yep, he doesn't want to

306
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Speaker 2: get this young girl fired. She's kind of young and

307
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Speaker 2: being dumb, and yeah, okay, you're in a house with

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Speaker 2: a hot guy, Like, I get it. I'll just stave

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Speaker 2: her off until.

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Speaker 3: Exactly and Haley's finally getting a little freedom.

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Speaker 5: Guys, I'm so hot.

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Speaker 4: She just can't she can't handle herself. I do this

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Speaker 4: to women.

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Speaker 3: Yeah, I make them crazy. But at night, when Haley

315
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Speaker 3: says the thing about being disappointed, and it's such a

316
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Speaker 3: great callback to when Haley knew that Peyton and Lucas

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Speaker 3: were sneaking around behind Brooks back, like she gets put

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Speaker 3: in this position by Lucas all the time.

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Speaker 2: Yeah, he's not making any friends tonight.

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Speaker 3: No, And then Nathan says nothing.

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Speaker 6: Yeah.

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Speaker 3: Oh, I was like, this was your moment, This was

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Speaker 3: your moment to say, the nanny is trying to bang

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Speaker 3: me and I don't know what to do about it.

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Speaker 2: It's really interesting, though, because this is super subtle and

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Speaker 2: I don't think it was intended. But what it reminded

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Speaker 2: me of was when I was watching. I mean, we

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Speaker 2: find out later that owen sober, and often bartenders will

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Speaker 2: keep temptation close, like, excuse me, so sober people will

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Speaker 2: keep temptation close on purpose as a sort of daily reminder,

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Speaker 2: and they become bartenders a lot, or work in rehab

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Speaker 2: facilities or whatever, so there is a constant reminder of

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Speaker 2: the fact that they are ape capable of resisting the temptation.

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Speaker 2: And there's this weird it felt like maybe there was

335
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Speaker 2: some I don't know what it is. I mean, I

336
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Speaker 2: think it was incredibly stupid of Nathan to continue on

337
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Speaker 2: with this, But there is something in us sometimes that

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Speaker 2: it's like, why do we just keep temptation close even

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Speaker 2: though we know it's a really bad idea? Why why

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Speaker 2: is he doing that?

341
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Speaker 4: Well? I did feel for him, because all night long,

342
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Speaker 4: everybody else is just running in circles, right, everybody's got

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Speaker 4: a drama. Everybody's oh Mia, oh mouth, and Millie oh

344
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Speaker 4: Victoria's hair. You know, like it's just chaos. Oh, we're

345
00:16:51,760 --> 00:16:54,960
Speaker 4: young and we're just gonna be scattered and crazy. And

346
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Speaker 4: he's just on his stool trying to be sober, and

347
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Speaker 4: everyone keeps ditch and nobody wants to talk to him

348
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Speaker 4: except for this messy chick. And sometimes the devil, you know,

349
00:17:06,320 --> 00:17:09,359
Speaker 4: is good enough and it's like, well, it's talked to her,

350
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Speaker 4: Or sit here and play with this bottle cap, you know,

351
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Speaker 4: Like I I have been a person in that situation

352
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Speaker 4: where I've just kind of been left up to my

353
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Speaker 4: own devices, and it's like, do I really have to

354
00:17:19,800 --> 00:17:22,280
Speaker 4: make friends with a stranger right now? Or can I

355
00:17:22,480 --> 00:17:25,680
Speaker 4: just talk to this mess and then like laugh about

356
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Speaker 4: it later with my partner? You know, like I don't

357
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Speaker 4: think he was necessarily tolerating her stuff, but what were

358
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Speaker 4: his options?

359
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Speaker 6: Yeah?

360
00:17:35,040 --> 00:17:40,720
Speaker 3: Well and on top of that, what are his options?

361
00:17:40,760 --> 00:17:46,960
Speaker 3: And it temptation that you're talking about, Joy like, to

362
00:17:47,080 --> 00:17:52,959
Speaker 3: be flirted with so boldly, that's gratifying. Of course, someone

363
00:17:53,080 --> 00:17:55,679
Speaker 3: be like I would blow up my job in my

364
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Speaker 3: life because I think you are worth it. You go like, oh,

365
00:18:01,080 --> 00:18:05,480
Speaker 3: you know, and and I appreciate that. As he's trying

366
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Speaker 3: to rebuild himself, she's playing into his old core, messy

367
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Speaker 3: Nathan ego and you can see him kind of having

368
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Speaker 3: this battle of who he used to be and who

369
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Speaker 3: he is now and where his sadness is and the

370
00:18:21,200 --> 00:18:23,720
Speaker 3: way he wants his ego to be puffed up and

371
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Speaker 3: it all. It all felt really human. And I like

372
00:18:28,680 --> 00:18:32,919
Speaker 3: that they crafted that. You know that that as an

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Speaker 3: actor for James and our directing team and the writers

374
00:18:36,440 --> 00:18:40,160
Speaker 3: like that they made something more out of what Nathan's

375
00:18:40,200 --> 00:18:44,840
Speaker 3: going through than just like good talk girls. I also

376
00:18:44,920 --> 00:18:46,960
Speaker 3: loved that scene for us Joy, like just both of

377
00:18:47,040 --> 00:18:49,639
Speaker 3: us coming in and being like r and then leaving

378
00:18:49,720 --> 00:18:52,360
Speaker 3: him and he's like what the like, where's everyone going? Oh?

379
00:18:52,680 --> 00:18:57,240
Speaker 5: That is the scene? Yeah, thanks for the talk, good talk.

380
00:18:57,119 --> 00:19:01,560
Speaker 3: But there was there was such comedy for him, and

381
00:19:01,600 --> 00:19:03,800
Speaker 3: you go, like, I feel for that guy. He's in

382
00:19:03,840 --> 00:19:06,920
Speaker 3: a he's in a hard place, but.

383
00:19:07,000 --> 00:19:10,320
Speaker 2: Man, yeah, but he did have a chance.

384
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Speaker 4: Is this the first time that Haley and Nathan have

385
00:19:13,119 --> 00:19:15,200
Speaker 4: gone out since like reconciling?

386
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Speaker 2: It seems so.

387
00:19:16,640 --> 00:19:19,120
Speaker 4: I think so, because it was weird to me that

388
00:19:19,240 --> 00:19:22,480
Speaker 4: she like ditched him. She did, like who gives a

389
00:19:22,520 --> 00:19:24,199
Speaker 4: fuck about whether or not me a place? You know

390
00:19:24,240 --> 00:19:26,800
Speaker 4: that's not him's job, and like who gives a come

391
00:19:26,800 --> 00:19:31,240
Speaker 4: out lindsay, Like she hasn't had her husband in four

392
00:19:31,280 --> 00:19:34,520
Speaker 4: months and they're super flirty at the beginning of the night,

393
00:19:34,560 --> 00:19:37,919
Speaker 4: and there's all this promise. And then I didn't know

394
00:19:37,960 --> 00:19:41,600
Speaker 4: if it was like a sub subconscious thing on Haley's part, like, well,

395
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Speaker 4: I had to build a life without you for a

396
00:19:44,160 --> 00:19:46,960
Speaker 4: little while, so you're gonna fit into my mold, not

397
00:19:47,400 --> 00:19:50,720
Speaker 4: the other way around, or yeah, I guess I just

398
00:19:50,720 --> 00:19:53,280
Speaker 4: figured she'd be so excited to be with him.

399
00:19:53,920 --> 00:19:56,160
Speaker 2: Yeah, I think it. Maybe it was like a settling

400
00:19:56,160 --> 00:20:00,359
Speaker 2: into the safety of it all, like I'm finally finally

401
00:20:00,440 --> 00:20:02,280
Speaker 2: back to doing what we used to do, and so

402
00:20:02,400 --> 00:20:05,800
Speaker 2: now because it feels safe and it feels comfortable again.

403
00:20:05,880 --> 00:20:08,280
Speaker 2: I can I can trust that this is good. We're good,

404
00:20:08,320 --> 00:20:10,359
Speaker 2: We're good to go. I can buzz around with all

405
00:20:10,359 --> 00:20:12,479
Speaker 2: my friends and go check out what's happening in all

406
00:20:12,480 --> 00:20:15,000
Speaker 2: these different spaces that I haven't really been able to

407
00:20:15,160 --> 00:20:17,800
Speaker 2: tend to because I've been tending to you and my family,

408
00:20:17,840 --> 00:20:23,080
Speaker 2: and so now everything's okay. Yeah, not really taking advantage. Yeah.

409
00:20:23,320 --> 00:20:26,359
Speaker 3: Is it Hailey's first night on the town. Yeah, like

410
00:20:26,400 --> 00:20:27,439
Speaker 3: you haven't really been out there.

411
00:20:27,440 --> 00:20:29,920
Speaker 4: Oh no, she came out with us and we saw

412
00:20:30,000 --> 00:20:31,760
Speaker 4: Nanny Carey the first time.

413
00:20:32,080 --> 00:20:33,160
Speaker 5: Oh that's right.

414
00:20:33,280 --> 00:20:35,800
Speaker 3: But you had a night out with us, which was

415
00:20:36,960 --> 00:20:40,720
Speaker 3: a little stressful. Yeah, and like you were kind of

416
00:20:40,760 --> 00:20:42,400
Speaker 3: just getting out of your shel This is like your

417
00:20:42,440 --> 00:20:45,080
Speaker 3: first real night out. You feel good.

418
00:20:45,720 --> 00:20:45,960
Speaker 5: Yeah.

419
00:20:45,960 --> 00:20:49,679
Speaker 3: And I think it's part of the youth, right, Like

420
00:20:50,040 --> 00:20:54,760
Speaker 3: we're all twenty one, twenty two years old. I didn't

421
00:20:54,800 --> 00:20:58,480
Speaker 3: know how at that age like to not follow my

422
00:20:58,560 --> 00:21:02,480
Speaker 3: friends everywhere when we out, like your boyfriend, you know,

423
00:21:03,320 --> 00:21:05,960
Speaker 3: we're just like we're out. I say at you, like

424
00:21:06,000 --> 00:21:08,919
Speaker 3: who cares? You know, it's I think it's different. Like

425
00:21:09,000 --> 00:21:11,800
Speaker 3: you're speaking from the perspective now of being you know,

426
00:21:12,080 --> 00:21:14,480
Speaker 3: a wife and a mom and you get it in

427
00:21:14,520 --> 00:21:17,840
Speaker 3: a way that we couldn't have gotten it back then,

428
00:21:18,200 --> 00:21:21,359
Speaker 3: and I sort of loved I loved the youth in

429
00:21:21,400 --> 00:21:24,520
Speaker 3: it because as much as Brooks teasing Haley like, well,

430
00:21:24,560 --> 00:21:26,280
Speaker 3: you know you'll be in a home by the time

431
00:21:26,320 --> 00:21:28,639
Speaker 3: you're thirty five, at this point with like how fast

432
00:21:28,640 --> 00:21:32,200
Speaker 3: you're running through life, like, Haley's still Yeah, she's a

433
00:21:32,200 --> 00:21:33,520
Speaker 3: wife and a mom, but she's twenty two.

434
00:21:33,760 --> 00:21:35,840
Speaker 2: She's also being asked to put out some fires though.

435
00:21:35,920 --> 00:21:37,880
Speaker 2: I mean she's getting pulled around a bit too.

436
00:21:39,000 --> 00:21:40,880
Speaker 3: Yeah, because she's the responsible one.

437
00:21:40,960 --> 00:21:43,440
Speaker 2: Right, So between kind of keeping an eye on Quentin

438
00:21:43,520 --> 00:21:45,600
Speaker 2: and then having to deal with Mia and then having

439
00:21:45,640 --> 00:21:47,600
Speaker 2: to deal with Lindsay and it's a lot.

440
00:21:48,200 --> 00:21:48,680
Speaker 7: Yeah.

441
00:21:48,920 --> 00:21:51,680
Speaker 4: Is Brooke the only person that doesn't piss Haley off

442
00:21:51,680 --> 00:21:52,040
Speaker 4: that night?

443
00:21:52,560 --> 00:21:53,119
Speaker 5: I think so?

444
00:21:53,560 --> 00:21:56,399
Speaker 4: Yeah, because you guys don't find about anything, do you know,

445
00:21:56,640 --> 00:21:57,560
Speaker 4: we don't know.

446
00:21:58,040 --> 00:21:59,680
Speaker 5: Everyone else is on her list?

447
00:22:00,400 --> 00:22:04,760
Speaker 4: Yeah. I did love that storyline. Gus thought that looked

448
00:22:05,240 --> 00:22:07,280
Speaker 4: like he was like that date looks fun.

449
00:22:07,920 --> 00:22:11,600
Speaker 5: Yeah, the Mouth and Millie date. Yeah, I loved it.

450
00:22:11,920 --> 00:22:14,480
Speaker 4: That was appealing to him. He's like, wow, because there

451
00:22:14,520 --> 00:22:16,840
Speaker 4: was a shot where everyone in the club is like

452
00:22:17,000 --> 00:22:19,880
Speaker 4: dancing and then you just see these two people talking,

453
00:22:20,359 --> 00:22:22,560
Speaker 4: yes and like just in their own little world, and

454
00:22:22,600 --> 00:22:25,560
Speaker 4: he goes, they're having the best time out of everyone there.

455
00:22:25,840 --> 00:22:29,520
Speaker 5: Oh that's what a date is. Yeah, this is supposed

456
00:22:29,520 --> 00:22:31,480
Speaker 5: to be if it's good magic.

457
00:22:31,760 --> 00:22:36,439
Speaker 3: And they have such great chemistry and it feels it

458
00:22:36,480 --> 00:22:41,680
Speaker 3: feels sparkly, like it feels innocent and also romantic. And

459
00:22:42,320 --> 00:22:44,840
Speaker 3: the way that they leaned into everything. I mean that

460
00:22:44,960 --> 00:22:47,560
Speaker 3: game Ninja Hunter Bear. I was like, this is the

461
00:22:47,640 --> 00:22:50,200
Speaker 3: cutest thing I've ever seen in my life. Oh my god.

462
00:22:50,640 --> 00:22:55,400
Speaker 3: I like I wanted to shove that napkin in hain

463
00:22:55,520 --> 00:22:57,640
Speaker 3: Lee's face and be like, no, you're gonna take this.

464
00:22:57,960 --> 00:22:59,480
Speaker 7: And then when it cut to the end and it's

465
00:22:59,520 --> 00:23:02,920
Speaker 7: the closeup of the napkin shot, it like I forgot,

466
00:23:03,520 --> 00:23:06,440
Speaker 7: but I felt so vindicated because I was like, why

467
00:23:06,520 --> 00:23:08,439
Speaker 7: isn't Brooke campaigning harder?

468
00:23:08,480 --> 00:23:10,360
Speaker 3: And then I went, oh, okay, okay, it's gonna work out.

469
00:23:10,400 --> 00:23:14,720
Speaker 3: Like I was like yelling at the TV about what

470
00:23:14,760 --> 00:23:17,400
Speaker 3: my character was doing because I just wanted more of them.

471
00:23:19,000 --> 00:23:21,280
Speaker 5: Yeah, they were great. They were sweet with each other.

472
00:23:21,400 --> 00:23:24,480
Speaker 4: He seems like loose and like the Alice sitting there

473
00:23:24,600 --> 00:23:32,440
Speaker 4: watching everything gross creepy. Yeah, yeah, it was very voyeuristic.

474
00:23:33,080 --> 00:23:35,879
Speaker 2: What was the text? I was like watching it on

475
00:23:35,920 --> 00:23:38,280
Speaker 2: an iPad and I didn't pause it to read the text.

476
00:23:38,480 --> 00:23:40,919
Speaker 4: It was like, I'm glad you're feeling better. Are you

477
00:23:40,960 --> 00:23:42,320
Speaker 4: coming over tonight or something.

478
00:23:42,400 --> 00:23:44,560
Speaker 2: No, it was the one at the end when when

479
00:23:44,680 --> 00:23:46,320
Speaker 2: right before she tries to kiss him.

480
00:23:46,359 --> 00:23:48,360
Speaker 3: She said, kiss her and you're fired.

481
00:23:49,080 --> 00:23:51,000
Speaker 5: Oh, so she says, go.

482
00:23:51,800 --> 00:23:53,320
Speaker 3: He's like, you know, I think we rushed into it,

483
00:23:53,359 --> 00:23:55,679
Speaker 3: and she's like, it's fine, go have fun, and he

484
00:23:55,760 --> 00:23:58,160
Speaker 3: thinks he's off the hook. And then she texts him

485
00:23:58,320 --> 00:23:59,520
Speaker 3: kiss her and you're fired.

486
00:24:00,160 --> 00:24:01,840
Speaker 2: This is so strange.

487
00:24:02,119 --> 00:24:06,480
Speaker 4: Oh yeah, I feel like that whole storyline is just

488
00:24:06,880 --> 00:24:11,679
Speaker 4: crist It finally says that we're all thinking. She's like,

489
00:24:12,080 --> 00:24:16,119
Speaker 4: this is not the boy that I know, because he's like, oh,

490
00:24:16,160 --> 00:24:19,159
Speaker 4: i just can't date Millie right now because I'm up

491
00:24:19,200 --> 00:24:20,439
Speaker 4: for a promotion at work.

492
00:24:21,440 --> 00:24:24,160
Speaker 5: What what are you doing?

493
00:24:24,520 --> 00:24:26,159
Speaker 2: I know. I loved when Owen was like, yeah, I

494
00:24:26,160 --> 00:24:29,760
Speaker 2: hate when hot girls hit on me too, doing that,

495
00:24:30,800 --> 00:24:31,679
Speaker 2: you lunatic.

496
00:24:31,960 --> 00:24:36,000
Speaker 3: It was really nice to see everyone have clear perspective

497
00:24:36,000 --> 00:24:38,280
Speaker 3: on it, Owen being the new guy and Brooke being

498
00:24:38,480 --> 00:24:41,440
Speaker 3: you know, one of Mouth's oldest friends, and I loved.

499
00:24:42,400 --> 00:24:45,000
Speaker 3: I just loved the way they made the dynamics really clear,

500
00:24:45,280 --> 00:24:48,200
Speaker 3: so simply, like all he has to say to Millicent

501
00:24:48,359 --> 00:24:50,240
Speaker 3: is like, oh, I was pretty much her assistant in

502
00:24:50,320 --> 00:24:54,879
Speaker 3: high school. It's so cute, funny, and immediately it puts

503
00:24:54,920 --> 00:24:59,160
Speaker 3: them in this dynamic together, and and it it does.

504
00:24:59,240 --> 00:25:02,720
Speaker 3: It explains work in Mouth's friendship in like the sweetest

505
00:25:02,760 --> 00:25:06,200
Speaker 3: and oddly clearest way, Like it didn't need a whole

506
00:25:06,200 --> 00:25:09,440
Speaker 3: bunch of exposition or whatever. It was all just flirting

507
00:25:09,440 --> 00:25:12,480
Speaker 3: between the two of them, and it it felt sharp.

508
00:25:12,760 --> 00:25:15,200
Speaker 3: You said it earlier. The dialogue feels so sharp, and

509
00:25:15,520 --> 00:25:16,920
Speaker 3: I think it feels that way for everyone.

510
00:25:17,520 --> 00:25:17,840
Speaker 2: Yeah.

511
00:25:17,880 --> 00:25:21,080
Speaker 4: Well, when he said it's complicated and Brooke said, well,

512
00:25:21,119 --> 00:25:22,440
Speaker 4: then uncomplicated.

513
00:25:24,000 --> 00:25:25,480
Speaker 5: I want to say that all the time.

514
00:25:25,720 --> 00:25:27,080
Speaker 4: Yeah. Complicated.

515
00:25:27,880 --> 00:25:31,480
Speaker 2: Yeah, that's you could be on a T shirt just uncomplicated.

516
00:25:32,040 --> 00:25:42,919
Speaker 2: Oh yeah, why didn't I think of that all the advice? Well,

517
00:25:42,920 --> 00:25:45,560
Speaker 2: i'll tell you what was complicated in this episode was

518
00:25:46,520 --> 00:25:49,480
Speaker 2: Kate Vogel tramp playpool because.

519
00:25:49,080 --> 00:25:57,800
Speaker 4: Oh my god, Angel, because she did not know how

520
00:25:57,840 --> 00:25:59,000
Speaker 4: to play pool at all.

521
00:25:59,520 --> 00:26:01,359
Speaker 5: She hated were you in that scene? It was that

522
00:26:01,480 --> 00:26:03,640
Speaker 5: just the two of us. No, I was standing there

523
00:26:03,680 --> 00:26:04,960
Speaker 5: with you. You were right there with.

524
00:26:04,880 --> 00:26:07,000
Speaker 2: Me, right, okay, I'm sorry, the two of you and

525
00:26:07,080 --> 00:26:08,840
Speaker 2: Kate and Kate Okay.

526
00:26:08,560 --> 00:26:12,840
Speaker 4: That's why we started doing were Wolf bar mitzvah.

527
00:26:11,840 --> 00:26:13,399
Speaker 5: Okay, right right right, yes, that's right.

528
00:26:13,480 --> 00:26:16,080
Speaker 3: Okay, But you guys, I remember what a show it

529
00:26:16,160 --> 00:26:18,280
Speaker 3: was and how stressed she was about it, because we

530
00:26:18,280 --> 00:26:21,120
Speaker 3: were obviously all at work the whole week, and her

531
00:26:21,520 --> 00:26:23,880
Speaker 3: having a meltdown in like the zone where the cast

532
00:26:23,960 --> 00:26:27,040
Speaker 3: chairs were, where she was just like, well, what can.

533
00:26:26,920 --> 00:26:27,399
Speaker 5: We do this?

534
00:26:27,680 --> 00:26:27,960
Speaker 4: Yeah?

535
00:26:28,200 --> 00:26:28,760
Speaker 5: Didn't they ask?

536
00:26:28,840 --> 00:26:30,280
Speaker 2: She was like, does anybody have a Do we have

537
00:26:30,320 --> 00:26:32,280
Speaker 2: a double for me that can play pool? Is there

538
00:26:32,320 --> 00:26:35,680
Speaker 2: some kind of person who really can do this? I

539
00:26:35,720 --> 00:26:38,119
Speaker 2: actually don't know what happened in the end. Did we

540
00:26:38,160 --> 00:26:41,080
Speaker 2: have somebody come in and like shoot for her?

541
00:26:41,800 --> 00:26:44,880
Speaker 4: No? I think what I think maybe what they ended

542
00:26:44,960 --> 00:26:48,640
Speaker 4: up doing is getting like lining it up for her,

543
00:26:48,880 --> 00:26:53,439
Speaker 4: lining it up perfectly right, and then getting shots of

544
00:26:53,480 --> 00:26:57,360
Speaker 4: her just kind of slowly pushing them in, but then

545
00:26:57,400 --> 00:26:59,359
Speaker 4: like speeding them up in the edit, you know what

546
00:26:59,400 --> 00:26:59,720
Speaker 4: I mean?

547
00:27:00,080 --> 00:27:03,280
Speaker 2: Such an incredibly difficult First of all, friends, working with

548
00:27:03,400 --> 00:27:07,680
Speaker 2: props is always complicated because you have to remember exactly

549
00:27:07,720 --> 00:27:10,600
Speaker 2: on camera. If you remember exactly where they were exactly

550
00:27:10,600 --> 00:27:12,480
Speaker 2: what moment you picked it up or put it down,

551
00:27:13,440 --> 00:27:17,280
Speaker 2: and so multiple props is extra difficult. Plus this was

552
00:27:17,359 --> 00:27:20,120
Speaker 2: Kate's first acting job, wasn't it. She's not even used

553
00:27:20,119 --> 00:27:23,560
Speaker 2: to working on camera or with cameras or anything. So

554
00:27:23,880 --> 00:27:27,000
Speaker 2: she's trying to say lines and deal with her mark

555
00:27:27,320 --> 00:27:32,080
Speaker 2: and emote properly the way that you do when you're acting,

556
00:27:32,800 --> 00:27:36,120
Speaker 2: and then shoot booth like she has to sing in.

557
00:27:36,040 --> 00:27:38,040
Speaker 4: Front of a crowd for the first time. She's only

558
00:27:38,040 --> 00:27:40,399
Speaker 4: ever done it in the studio like by yourself really,

559
00:27:41,160 --> 00:27:44,560
Speaker 4: and just the stress was super.

560
00:27:44,320 --> 00:27:47,920
Speaker 2: Super stressful. Yeah, this was a big moment for Kate,

561
00:27:47,960 --> 00:27:50,679
Speaker 2: so it felt very good to watch her finish and

562
00:27:50,680 --> 00:27:52,639
Speaker 2: accomplish that and then get up on that stage and

563
00:27:52,880 --> 00:27:54,000
Speaker 2: just and nail that song.

564
00:27:54,080 --> 00:27:56,760
Speaker 5: I love that nail. That was incredible.

565
00:27:57,600 --> 00:28:03,240
Speaker 3: Yeah, Like I was away and we've all watched Kate

566
00:28:03,480 --> 00:28:08,040
Speaker 3: like duh, but it even shocked me watching her and going,

567
00:28:08,119 --> 00:28:11,880
Speaker 3: oh my god, I forgot that this was the first

568
00:28:11,880 --> 00:28:19,080
Speaker 3: time that audiences saw her and she's just so unbelievable

569
00:28:19,280 --> 00:28:19,680
Speaker 3: up there.

570
00:28:20,359 --> 00:28:26,080
Speaker 4: Yeah. My note in here is Mia kills mea kills.

571
00:28:25,720 --> 00:28:27,800
Speaker 5: Yeah, And what I liked is that, like, you.

572
00:28:27,720 --> 00:28:30,000
Speaker 4: Know, so far she's had like kind of that emo

573
00:28:30,240 --> 00:28:33,680
Speaker 4: really like like tight bang, like her hair smashed down

574
00:28:33,680 --> 00:28:36,240
Speaker 4: on her face. The second girlfriend gets up on that

575
00:28:36,280 --> 00:28:37,920
Speaker 4: stage and starts singing her hair.

576
00:28:39,320 --> 00:28:41,720
Speaker 2: Choke, and she's just like, I'll show you.

577
00:28:42,040 --> 00:28:43,240
Speaker 3: She's like, you choke.

578
00:28:43,520 --> 00:28:45,120
Speaker 5: She's got like a wind machine.

579
00:28:45,680 --> 00:28:48,680
Speaker 3: My note is Kate all in caps killing it?

580
00:28:49,200 --> 00:28:51,120
Speaker 5: Yes? Yep. And by the.

581
00:28:51,040 --> 00:28:52,760
Speaker 3: Way, I wrote this down too, Oh my god, I'm

582
00:28:52,800 --> 00:28:55,320
Speaker 3: so glad it's in here. I feel I don't know

583
00:28:55,360 --> 00:28:57,560
Speaker 3: if you guys thought this. I feel like the way

584
00:28:58,240 --> 00:29:03,840
Speaker 3: that Liz Friedlander shot that college basketball stuff a few

585
00:29:03,880 --> 00:29:08,920
Speaker 3: episodes ago changed the way we shot concerts at Trick.

586
00:29:09,240 --> 00:29:12,280
Speaker 4: Well, did we get a new study that's interesting, We might.

587
00:29:12,120 --> 00:29:14,240
Speaker 3: Have, But like the way, and by the way, maybe

588
00:29:14,240 --> 00:29:17,600
Speaker 3: it was just it was Maddie coming in. Yeah, maybe,

589
00:29:18,000 --> 00:29:23,920
Speaker 3: But like the way that Liz created being inside the

590
00:29:24,160 --> 00:29:28,240
Speaker 3: basketball game, suddenly we're at Trick and we are in

591
00:29:28,280 --> 00:29:31,680
Speaker 3: the crowd and we're in the show. Yeah, we were

592
00:29:31,720 --> 00:29:33,520
Speaker 3: just like in it in a different way, and it

593
00:29:33,560 --> 00:29:37,840
Speaker 3: made me feel so hyped. Yeah, watching her that way,

594
00:29:37,880 --> 00:29:39,640
Speaker 3: I really I felt like I was right back there

595
00:29:39,680 --> 00:29:40,160
Speaker 3: in that room.

596
00:29:40,600 --> 00:29:44,320
Speaker 2: And maybe that's why the concerts also felt super in

597
00:29:44,400 --> 00:29:48,840
Speaker 2: this particular episode, all of the live performances felt to

598
00:29:48,960 --> 00:29:54,240
Speaker 2: me much more I guess able to be able to

599
00:29:54,240 --> 00:29:55,120
Speaker 2: connect with it more.

600
00:29:55,840 --> 00:29:59,400
Speaker 4: They were paced up. It felt there was no like, Okay,

601
00:29:59,480 --> 00:30:03,280
Speaker 4: well when's this over. Everything felt like so paced up

602
00:30:03,680 --> 00:30:07,640
Speaker 4: because yeah, even if the people in the shot aren't moving,

603
00:30:07,800 --> 00:30:12,120
Speaker 4: the camera's moving. Yes, So you're just always like on

604
00:30:12,160 --> 00:30:14,280
Speaker 4: a journey during these songs.

605
00:30:14,640 --> 00:30:17,720
Speaker 3: It's really dynamic, and I love the way that they

606
00:30:17,800 --> 00:30:20,680
Speaker 3: really figured out how to punctuate the songs with the

607
00:30:20,720 --> 00:30:24,160
Speaker 3: cutaways to things happening, like being in a moment where

608
00:30:24,200 --> 00:30:27,280
Speaker 3: as an audience member, you are rocking out and then

609
00:30:27,360 --> 00:30:30,600
Speaker 3: suddenly Peyton sends Victoria a bitter shrew.

610
00:30:34,000 --> 00:30:37,120
Speaker 4: I forgot that Peyton's the one that did that. That's

611
00:30:37,160 --> 00:30:37,960
Speaker 4: so good.

612
00:30:38,520 --> 00:30:40,160
Speaker 5: I totally forgot I did too.

613
00:30:40,240 --> 00:30:41,320
Speaker 3: That was incredible.

614
00:30:41,480 --> 00:30:43,040
Speaker 5: And I love that Owens it on the joke.

615
00:30:43,120 --> 00:30:43,800
Speaker 4: He's just game.

616
00:30:43,880 --> 00:30:46,320
Speaker 2: He's like, sure, I'll play. I'll play high school with you, guys,

617
00:30:46,360 --> 00:30:46,719
Speaker 2: what's up?

618
00:30:47,080 --> 00:30:49,480
Speaker 4: I like the Peyton and Owen have a secret friendship

619
00:30:49,480 --> 00:30:51,520
Speaker 4: at this point because she makes him send the red

620
00:30:51,680 --> 00:30:55,160
Speaker 4: check to Lucas, and she's also like, and another thing,

621
00:30:55,200 --> 00:30:57,400
Speaker 4: I'm all with somebody else here tonight can you get

622
00:30:57,400 --> 00:30:58,000
Speaker 4: my friends fat.

623
00:30:58,120 --> 00:31:01,000
Speaker 3: By the way, her office is also his office.

624
00:31:01,360 --> 00:31:03,800
Speaker 5: Yeah, why didn't I have scenes with Joe?

625
00:31:04,040 --> 00:31:04,560
Speaker 3: I don't know.

626
00:31:04,880 --> 00:31:06,640
Speaker 2: Didn't you you never had scenes?

627
00:31:06,880 --> 00:31:07,280
Speaker 3: I did?

628
00:31:07,520 --> 00:31:08,360
Speaker 4: I know you did.

629
00:31:09,920 --> 00:31:12,760
Speaker 3: Like our chemistry is so spicy.

630
00:31:12,440 --> 00:31:16,520
Speaker 4: Let's talk about it because I love the Katherine Heppern

631
00:31:16,560 --> 00:31:19,280
Speaker 4: Spencer Tracy better than you are.

632
00:31:19,520 --> 00:31:22,560
Speaker 5: Let's have a little date under a batter.

633
00:31:22,800 --> 00:31:27,160
Speaker 4: Oh god, I love it. It's viby, which She's like,

634
00:31:27,280 --> 00:31:29,280
Speaker 4: half the people in this club are wearing my clothes

635
00:31:29,280 --> 00:31:30,960
Speaker 4: and he's like, well, all the people in this club

636
00:31:30,960 --> 00:31:34,760
Speaker 4: are drinking my drinks. Lot a guy.

637
00:31:35,000 --> 00:31:35,760
Speaker 5: It's great.

638
00:31:36,360 --> 00:31:37,320
Speaker 3: It's really amazing.

639
00:31:37,320 --> 00:31:40,000
Speaker 2: And I loved that he uh kind of turns her

640
00:31:40,000 --> 00:31:42,160
Speaker 2: down at the end, just you know, giving her it's

641
00:31:42,200 --> 00:31:44,360
Speaker 2: not a it's not a turn down, it's it's just

642
00:31:44,480 --> 00:31:49,040
Speaker 2: an encouragement to hang on and keep let's just let's

643
00:31:49,080 --> 00:31:50,320
Speaker 2: just keep seeing where this goes.

644
00:31:50,960 --> 00:31:54,720
Speaker 3: Yeah, it's really sweet and that he's not so quick

645
00:31:54,760 --> 00:31:57,520
Speaker 3: to jump in. Yeah, like so many people have been

646
00:31:57,560 --> 00:31:59,680
Speaker 3: with her. I'm not going to take advantage of you.

647
00:32:00,080 --> 00:32:00,400
Speaker 4: Yeah.

648
00:32:00,520 --> 00:32:03,440
Speaker 3: Yeah, he's like, I'm not trying to be a creep. Yeah,

649
00:32:03,520 --> 00:32:08,239
Speaker 3: but he's he's been game to play with her, with

650
00:32:08,280 --> 00:32:11,800
Speaker 3: her best friend. He's supportive with her mom, like.

651
00:32:11,880 --> 00:32:15,680
Speaker 2: Well, he clearly is super into her. Yes, yeah, it's

652
00:32:15,760 --> 00:32:16,400
Speaker 2: really fun.

653
00:32:16,520 --> 00:32:18,719
Speaker 3: I was like, oh my god, I remember these scenes

654
00:32:18,720 --> 00:32:23,280
Speaker 3: being just fun and liking that they brought someone in

655
00:32:23,320 --> 00:32:30,080
Speaker 3: who had sort of like this complimentary energy. Yeah. Like

656
00:32:30,240 --> 00:32:33,480
Speaker 3: Brooke and Owen have a really interesting sort of two

657
00:32:33,520 --> 00:32:36,840
Speaker 3: sides of the same coin vibe to them. Mm hmm,

658
00:32:37,240 --> 00:32:37,520
Speaker 3: And I.

659
00:32:37,480 --> 00:32:39,000
Speaker 5: Agree it was fun to watch.

660
00:32:40,600 --> 00:32:43,880
Speaker 4: Yeah, he's really different from a lot Like like Lucas

661
00:32:43,920 --> 00:32:46,120
Speaker 4: and Nathan are brothers, duh, they kind of have a

662
00:32:46,160 --> 00:32:49,040
Speaker 4: similar energy. They want to be the hero. I don't

663
00:32:49,040 --> 00:32:51,120
Speaker 4: think Owen wants to be the hero. I think Owen

664
00:32:51,920 --> 00:32:54,920
Speaker 4: wants to do his job and go home and like

665
00:32:55,040 --> 00:32:57,080
Speaker 4: feed his dog. He wants to play with his dog

666
00:32:57,200 --> 00:32:57,680
Speaker 4: or something.

667
00:32:57,920 --> 00:33:00,760
Speaker 2: Totally yeah, yeah, oh that guy.

668
00:33:01,320 --> 00:33:03,320
Speaker 4: Yeah, Like, you guys seem like you're in a lot

669
00:33:03,360 --> 00:33:05,160
Speaker 4: of drama right now.

670
00:33:06,120 --> 00:33:07,600
Speaker 3: I'm gonna go walk my dog.

671
00:33:09,560 --> 00:33:11,800
Speaker 5: But I love the banter between all of them.

672
00:33:11,920 --> 00:33:13,840
Speaker 4: I love that he does like he gives you shit

673
00:33:13,880 --> 00:33:17,160
Speaker 4: about your mom, but then at the end he's like,

674
00:33:17,600 --> 00:33:22,200
Speaker 4: you're acting your age. Your mom is like he just validating,

675
00:33:22,240 --> 00:33:27,040
Speaker 4: loved that your feelings because that's with Victoria was dark.

676
00:33:29,120 --> 00:33:29,640
Speaker 4: That was sad.

677
00:33:29,680 --> 00:33:33,280
Speaker 3: Yeah, yeah, it was hard. It was hard to hear

678
00:33:33,320 --> 00:33:38,000
Speaker 3: her say those things, and really special that, you know,

679
00:33:38,200 --> 00:33:43,360
Speaker 3: someone who whose attention she wants sees her in a

680
00:33:43,400 --> 00:33:45,760
Speaker 3: way that isn't just yeah, I want to take her

681
00:33:45,760 --> 00:33:49,040
Speaker 3: on a date. He's kind of like, I see you,

682
00:33:49,040 --> 00:33:49,880
Speaker 3: You're gonna be okay.

683
00:33:50,840 --> 00:33:53,680
Speaker 2: And yeah, she's a rough she's not used to that night.

684
00:33:53,920 --> 00:33:57,040
Speaker 2: That's so tough. Yeah, dealing with your mom trying to

685
00:33:57,080 --> 00:34:00,280
Speaker 2: publicly embarrass you on purpose, trying to manipulate every thing

686
00:34:00,320 --> 00:34:02,280
Speaker 2: in your life. I mean, she.

687
00:34:02,280 --> 00:34:04,920
Speaker 4: Said I can embarrass you out of town.

688
00:34:06,040 --> 00:34:07,920
Speaker 2: You imagine, no.

689
00:34:09,560 --> 00:34:11,359
Speaker 3: And her just out on the dance floor with all

690
00:34:11,400 --> 00:34:17,719
Speaker 3: those people and like oof. But it's interesting that, as

691
00:34:17,880 --> 00:34:21,960
Speaker 3: terrible as it is, there's a nice human motivation to

692
00:34:22,040 --> 00:34:24,680
Speaker 3: it for Daphne, because she says, these people are not

693
00:34:24,760 --> 00:34:28,640
Speaker 3: your friends. They take from you. And while she's wrong,

694
00:34:29,200 --> 00:34:32,360
Speaker 3: you can see how a parent would think.

695
00:34:32,160 --> 00:34:36,680
Speaker 2: That, Sure, your friends don't need you. Isn't that what

696
00:34:36,719 --> 00:34:38,920
Speaker 2: she said? People who are friends?

697
00:34:39,080 --> 00:34:42,560
Speaker 4: She said friends don't use you, and Brooke says neither

698
00:34:42,680 --> 00:34:44,800
Speaker 4: do mothers ohs use?

699
00:34:45,080 --> 00:34:47,080
Speaker 2: Okay? I thought she said need And I was like,

700
00:34:47,080 --> 00:34:50,960
Speaker 2: what an interesting choice? Use makes more sense. Friends don't

701
00:34:51,080 --> 00:34:54,319
Speaker 2: use you. Yeah, neither do mothers.

702
00:34:54,680 --> 00:34:59,840
Speaker 4: I mean for the human side of Victoria, she really

703
00:35:00,000 --> 00:35:03,480
Speaker 4: I think she's doing her daughter a solid. Yes, she

704
00:35:03,719 --> 00:35:07,520
Speaker 4: legitimately thinks I have done right by my child.

705
00:35:08,400 --> 00:35:10,360
Speaker 2: That's the best way to play a villain.

706
00:35:10,840 --> 00:35:14,040
Speaker 3: Yeah, and I love that. That's clear because you see

707
00:35:14,080 --> 00:35:18,200
Speaker 3: why she behaves the way she does, and because Daphne

708
00:35:18,239 --> 00:35:21,799
Speaker 3: is so friacking good at her job. You also see

709
00:35:21,800 --> 00:35:27,120
Speaker 3: when she's calculating, will my daughter's relationships with these people

710
00:35:27,680 --> 00:35:31,920
Speaker 3: put my relationship with my daughter in jeopardy? And so

711
00:35:31,960 --> 00:35:39,480
Speaker 3: it's parental, it's motivated by business, it's all these things.

712
00:35:39,880 --> 00:35:43,640
Speaker 2: She also might not be wrong in terms of I

713
00:35:43,640 --> 00:35:47,080
Speaker 2: mean opening up clothes over Bros In Tree Hill. It's

714
00:35:47,120 --> 00:35:49,360
Speaker 2: in the middle of kind of nowhere. I mean, why

715
00:35:49,440 --> 00:35:52,080
Speaker 2: would she open up high high end boutique there.

716
00:35:53,200 --> 00:35:56,080
Speaker 4: It was before like internet orders, you know what I mean. Yeah,

717
00:35:56,280 --> 00:35:58,359
Speaker 4: we weren't ordering stuff off the internet. Yeah.

718
00:35:58,400 --> 00:36:01,719
Speaker 2: Yeah, it's not that on a fundamental like principle of

719
00:36:01,760 --> 00:36:06,319
Speaker 2: the matter, she's necessarily wrong. It's just that there's just

720
00:36:06,360 --> 00:36:09,120
Speaker 2: more to life than being right or wrong, you know,

721
00:36:09,160 --> 00:36:12,319
Speaker 2: and having a relationship with her daughter, and it's your

722
00:36:12,400 --> 00:36:14,640
Speaker 2: business to decide what you want to do with it.

723
00:36:14,680 --> 00:36:17,239
Speaker 2: What is Yeah, if Brooke wants to succeed or fail,

724
00:36:17,239 --> 00:36:19,280
Speaker 2: if she wants to take a leap and try something

725
00:36:19,320 --> 00:36:22,399
Speaker 2: wild and crazy, you try try a new thing that's

726
00:36:22,480 --> 00:36:24,640
Speaker 2: kind of a I mean, that's the tough part about

727
00:36:24,640 --> 00:36:27,520
Speaker 2: being a parent, right when you just learning the times

728
00:36:27,520 --> 00:36:31,360
Speaker 2: when you take your hands off and go okay, okay.

729
00:36:31,120 --> 00:36:31,959
Speaker 4: You're gonna be great.

730
00:36:32,480 --> 00:36:38,240
Speaker 3: Yeah, Sadly, I don't think you're gonna do great.

731
00:36:38,600 --> 00:36:41,600
Speaker 2: Is in Victoria's wheelhouse. I don't think so at all. No,

732
00:36:41,640 --> 00:36:43,719
Speaker 2: because she doesn't have to take my hands off thing.

733
00:36:43,760 --> 00:36:45,600
Speaker 2: It's like, no, I'm going to fix everything for you

734
00:36:45,680 --> 00:36:47,239
Speaker 2: so that you don't run into the same problems that

735
00:36:47,280 --> 00:36:50,319
Speaker 2: I ran into. Let me just handle this. But she's

736
00:36:50,360 --> 00:36:51,680
Speaker 2: not letting you live your own.

737
00:36:51,520 --> 00:36:55,319
Speaker 4: Life, dude. The only thing I can think about in

738
00:36:55,360 --> 00:36:59,319
Speaker 4: those scenes where Daphne's like dancing and it's supposed to

739
00:36:59,360 --> 00:37:01,000
Speaker 4: be a joke is.

740
00:37:00,920 --> 00:37:03,879
Speaker 5: How hot she looks. So hot is how hot she looks.

741
00:37:03,880 --> 00:37:07,800
Speaker 4: But also it made me so paranoid because I'm supposed

742
00:37:07,800 --> 00:37:09,320
Speaker 4: to go out with my husband this weekend, and like

743
00:37:09,360 --> 00:37:11,480
Speaker 4: we're gonna go somewhere where there might be some dancing,

744
00:37:11,560 --> 00:37:14,560
Speaker 4: and I'm like, are there gonna be young people in

745
00:37:14,600 --> 00:37:20,719
Speaker 4: their tunnel making fun of me? I can't wait. But

746
00:37:20,760 --> 00:37:22,520
Speaker 4: also I'm horrified.

747
00:37:23,080 --> 00:37:26,319
Speaker 2: Yeah, you just dance your heart out, don't think about it.

748
00:37:26,440 --> 00:37:28,799
Speaker 4: Yeah, guys, I wish I could look like Daphne that

749
00:37:28,840 --> 00:37:32,200
Speaker 4: little leopard print top. Good fute.

750
00:37:32,440 --> 00:37:36,799
Speaker 3: I was like, I don't wanna, you know, objectify anybody,

751
00:37:37,200 --> 00:37:40,760
Speaker 3: but I'm staring Daphne's niga.

752
00:37:41,440 --> 00:37:42,840
Speaker 5: I'm speaking of objectifying.

753
00:37:43,040 --> 00:37:45,600
Speaker 4: You know. We've got Nanny Carey, Oh with the dress.

754
00:37:45,680 --> 00:37:48,360
Speaker 5: She's like, I'm just so wirried it's gonna fall off.

755
00:37:50,520 --> 00:37:53,480
Speaker 4: I loved it. They were like, you know what works well?

756
00:37:53,480 --> 00:37:56,880
Speaker 4: And trick is a really small red dress. It worked

757
00:37:56,880 --> 00:38:01,320
Speaker 4: on Rachel. I'm gonna work great on Nanny. Came Nathan

758
00:38:01,400 --> 00:38:02,200
Speaker 4: can't resist.

759
00:38:02,600 --> 00:38:06,440
Speaker 3: Our writers really love a little red dress. They love it.

760
00:38:07,040 --> 00:38:08,479
Speaker 5: So Quentin was there too.

761
00:38:09,200 --> 00:38:10,840
Speaker 4: Oh yeah, how.

762
00:38:10,680 --> 00:38:12,640
Speaker 3: Is he getting in? Is it still an all ages bar?

763
00:38:12,719 --> 00:38:13,400
Speaker 3: I'm confused.

764
00:38:13,520 --> 00:38:14,480
Speaker 5: It seems like it is.

765
00:38:15,080 --> 00:38:17,560
Speaker 4: I guess I didn't think you could have because remember

766
00:38:17,560 --> 00:38:19,719
Speaker 4: when we had all Ages nights, they'd put all the

767
00:38:19,760 --> 00:38:21,399
Speaker 4: liquor away, right.

768
00:38:21,480 --> 00:38:24,799
Speaker 5: Yeah, I think it's just that he's got a fake ID.

769
00:38:25,640 --> 00:38:28,000
Speaker 2: He must, But isn't he there with any of his friends.

770
00:38:28,000 --> 00:38:30,239
Speaker 2: It just seems so weird that he's there by himself

771
00:38:30,680 --> 00:38:31,200
Speaker 2: to see.

772
00:38:31,000 --> 00:38:31,920
Speaker 5: The honorary title.

773
00:38:32,080 --> 00:38:34,760
Speaker 4: He's just like dying to see the honorary title.

774
00:38:35,040 --> 00:38:35,680
Speaker 5: This kid.

775
00:38:36,520 --> 00:38:40,279
Speaker 3: I will say, it's interesting because when you think about

776
00:38:40,640 --> 00:38:42,399
Speaker 3: all the nights that we had at Trick when we

777
00:38:42,400 --> 00:38:44,440
Speaker 3: were all in high school, there was always liquor at

778
00:38:44,480 --> 00:38:47,040
Speaker 3: the bar, but there was there was an all ages club.

779
00:38:47,160 --> 00:38:48,320
Speaker 5: I thought they put it away.

780
00:38:49,080 --> 00:38:51,799
Speaker 4: Thought when we had Trick nights there was no liquor there,

781
00:38:52,080 --> 00:38:54,040
Speaker 4: no because Karen was running it.

782
00:38:54,760 --> 00:38:58,279
Speaker 3: I think maybe that was like the first night and

783
00:38:58,320 --> 00:39:01,640
Speaker 3: then everybody was just drinking there all the time. But

784
00:39:02,480 --> 00:39:05,319
Speaker 3: we had this fun like all ages place. We used

785
00:39:05,320 --> 00:39:08,200
Speaker 3: to go see bands when I was in high school

786
00:39:08,880 --> 00:39:13,520
Speaker 3: and they would huge sharpie an x across the top

787
00:39:13,560 --> 00:39:17,200
Speaker 3: of both your hands if you were underage, so like

788
00:39:17,280 --> 00:39:19,120
Speaker 3: there was no way you could go to the bar

789
00:39:19,200 --> 00:39:21,839
Speaker 3: and order a drink. They were just like nice, try

790
00:39:21,920 --> 00:39:25,440
Speaker 3: washing that off in the bathroom, you ding, donk. So

791
00:39:25,520 --> 00:39:27,520
Speaker 3: I part of me is like, we should have gone.

792
00:39:28,520 --> 00:39:30,440
Speaker 3: If we're gonna have high school kids there, we should

793
00:39:30,440 --> 00:39:35,640
Speaker 3: have like we should have done something a little clear embarrassing.

794
00:39:35,760 --> 00:39:37,479
Speaker 2: Yeah, no, he for sure has a fake ID.

795
00:39:37,800 --> 00:39:39,160
Speaker 5: Did you guys have fake id's.

796
00:39:40,000 --> 00:39:42,879
Speaker 2: Yeah I didn't. I didn't, Oh I did. I'm sure

797
00:39:43,080 --> 00:39:43,640
Speaker 2: everybody else.

798
00:39:43,680 --> 00:39:45,640
Speaker 3: I in college though I'm not in high school.

799
00:39:45,840 --> 00:39:47,840
Speaker 4: Girl, I had a fake ID that I got the

800
00:39:47,880 --> 00:39:50,480
Speaker 4: first week of college in New York City, and then

801
00:39:50,520 --> 00:39:53,080
Speaker 4: I got that job on MTV right away, and everyone

802
00:39:53,120 --> 00:39:56,000
Speaker 4: knew I was a brand new freshman in college, and

803
00:39:56,040 --> 00:39:57,920
Speaker 4: so I would have bartenders be.

804
00:39:57,960 --> 00:39:59,480
Speaker 5: Like, we know you.

805
00:39:59,480 --> 00:40:03,080
Speaker 4: You're a You're not twenty one, and I developed this game.

806
00:40:03,160 --> 00:40:04,760
Speaker 5: I've been two years in Europe first.

807
00:40:04,920 --> 00:40:08,160
Speaker 4: Yeah. No, I would say, you guys, are you that dumb?

808
00:40:08,239 --> 00:40:12,080
Speaker 4: It's TV. Of course I'm not eighteen. And they'd be like,

809
00:40:12,360 --> 00:40:17,719
Speaker 4: oh that's crazy. Yeah, you just let them think they're

810
00:40:17,719 --> 00:40:20,160
Speaker 4: in on a you know, I'm gonna tell you the secret.

811
00:40:21,400 --> 00:40:23,520
Speaker 3: Oh my god, that's amazing. Big ideas.

812
00:40:23,800 --> 00:40:26,800
Speaker 5: Don't take tips out there, kids, Yeah, no drinking.

813
00:40:26,440 --> 00:40:34,480
Speaker 4: Come on, hugs not drugs.

814
00:40:35,960 --> 00:40:36,560
Speaker 5: Yeah, but I would.

815
00:40:36,560 --> 00:40:38,400
Speaker 2: I'd still liked the addition of Quentin in the episode.

816
00:40:38,440 --> 00:40:40,439
Speaker 2: I mean, it seemed a little strange that he was there,

817
00:40:40,480 --> 00:40:44,440
Speaker 2: but it felt right to just have one extra complication

818
00:40:44,560 --> 00:40:48,560
Speaker 2: and just the reminder that he's around and he's still

819
00:40:48,600 --> 00:40:50,360
Speaker 2: a part of what's really going on. I thought that

820
00:40:50,440 --> 00:40:50,840
Speaker 2: was cool.

821
00:40:51,200 --> 00:40:54,040
Speaker 4: And if your family is the only family taking like

822
00:40:54,080 --> 00:40:59,080
Speaker 4: a real interest in him and you know, showing him

823
00:40:59,480 --> 00:41:03,360
Speaker 4: unconditional support even when he's being just like a brat,

824
00:41:03,840 --> 00:41:07,480
Speaker 4: it would make sense that he would gravitate towards your

825
00:41:07,520 --> 00:41:10,400
Speaker 4: spaces and just be like, what are you doing here?

826
00:41:11,000 --> 00:41:13,480
Speaker 4: It feels good when you're a kid to have the

827
00:41:13,560 --> 00:41:18,000
Speaker 4: gaze of an adult that thinks that you're worth something. Yeah,

828
00:41:18,320 --> 00:41:18,800
Speaker 4: and he's.

829
00:41:18,680 --> 00:41:19,799
Speaker 5: Got three of them in that.

830
00:41:19,760 --> 00:41:22,520
Speaker 2: Bar, And he showed up for Haley in the end

831
00:41:22,600 --> 00:41:28,960
Speaker 2: when Jason smacking Haley around and trying to assert his dominance.

832
00:41:29,320 --> 00:41:30,200
Speaker 4: I did not like that.

833
00:41:30,400 --> 00:41:32,319
Speaker 5: I don't think Kevin Fetterline did either.

834
00:41:32,480 --> 00:41:34,400
Speaker 2: No, he was really nervous to do that.

835
00:41:34,480 --> 00:41:34,920
Speaker 4: He failed.

836
00:41:35,320 --> 00:41:37,120
Speaker 2: I think I said this in another episode too. Yeah,

837
00:41:37,160 --> 00:41:40,080
Speaker 2: he was really like this is okay, I'm sorry.

838
00:41:41,000 --> 00:41:43,040
Speaker 5: Yeah, so sweet.

839
00:41:43,400 --> 00:41:46,480
Speaker 4: Yeah, he was stressed about it. But I guess I

840
00:41:46,920 --> 00:41:50,000
Speaker 4: like that. It wasn't that he just came to Haley's rescue.

841
00:41:50,040 --> 00:41:52,040
Speaker 4: It's that he also came to Nathan's rescue.

842
00:41:52,360 --> 00:41:52,760
Speaker 2: Yeah.

843
00:41:53,280 --> 00:41:57,160
Speaker 4: And the one thing that was confounding for me is like,

844
00:41:57,920 --> 00:42:01,200
Speaker 4: why Haley was so mad at Nathan, I felt a

845
00:42:01,280 --> 00:42:02,120
Speaker 4: regular to me.

846
00:42:02,719 --> 00:42:04,120
Speaker 5: I thought so at first too.

847
00:42:04,239 --> 00:42:05,959
Speaker 2: When I was watching it, I was like, oh, damn,

848
00:42:06,000 --> 00:42:08,480
Speaker 2: I'm getting mad. Why am I so mad? And the

849
00:42:08,480 --> 00:42:10,239
Speaker 2: more I watched the scene, the more I thought, you

850
00:42:10,280 --> 00:42:13,520
Speaker 2: know what, No, I get it, I do get it.

851
00:42:13,600 --> 00:42:20,160
Speaker 2: She's right, he's he just jeopardized everything one night, and

852
00:42:20,480 --> 00:42:25,520
Speaker 2: it destroyed his family and his life and his future,

853
00:42:25,640 --> 00:42:28,960
Speaker 2: and everything fell apart because he couldn't control his temper.

854
00:42:29,400 --> 00:42:32,640
Speaker 2: He just couldn't get it under control, even though he's

855
00:42:32,640 --> 00:42:35,960
Speaker 2: defending someone he loves. That's not the way you do

856
00:42:36,000 --> 00:42:40,440
Speaker 2: it in certain circumstances. Obviously, Haley wasn't being physically threatened

857
00:42:40,440 --> 00:42:43,560
Speaker 2: in a way that was dangerous for her, in which case, yes,

858
00:42:43,719 --> 00:42:46,879
Speaker 2: that would be appropriate for him to step up. But yeah,

859
00:42:47,480 --> 00:42:48,480
Speaker 2: I think Hailey was right.

860
00:42:48,920 --> 00:42:52,080
Speaker 3: It's such a trigger. The last time he got in

861
00:42:52,120 --> 00:42:55,239
Speaker 3: a bar fight, he wound up almost paralyzed exactly. And

862
00:42:55,560 --> 00:43:00,400
Speaker 3: so I think the anger is not just about what

863
00:43:00,440 --> 00:43:03,160
Speaker 3: were you thinking you almost hit that guy? It's the

864
00:43:03,280 --> 00:43:06,520
Speaker 3: what were you thinking for any of this? It's why

865
00:43:06,600 --> 00:43:08,200
Speaker 3: didn't you go home with me that night of your

866
00:43:08,640 --> 00:43:09,440
Speaker 3: sneaker launch?

867
00:43:09,480 --> 00:43:09,800
Speaker 4: Yeah?

868
00:43:09,840 --> 00:43:12,080
Speaker 3: Why? Like, why are you like this? Why do you

869
00:43:12,200 --> 00:43:16,920
Speaker 3: do this, And I loved how much came out because

870
00:43:16,960 --> 00:43:19,840
Speaker 3: I felt like it wasn't just about the guy in

871
00:43:19,880 --> 00:43:22,239
Speaker 3: the bar who slapped her ass. It was all of

872
00:43:22,280 --> 00:43:25,480
Speaker 3: it coming out, and I was like, oh, there it is.

873
00:43:25,520 --> 00:43:27,840
Speaker 3: It's like it's got to get out.

874
00:43:27,640 --> 00:43:31,000
Speaker 2: Somewhere, yep, because how could she Ever, when she was

875
00:43:31,040 --> 00:43:33,959
Speaker 2: dealing with his rehabilitation. You can't get mad at.

876
00:43:33,840 --> 00:43:36,919
Speaker 4: Somebody who's I mean, he's in a wheelchair.

877
00:43:36,560 --> 00:43:40,160
Speaker 2: Like you're helping him heal. You can't start blaming and

878
00:43:40,160 --> 00:43:42,400
Speaker 2: pointing fingers. That's not going to do anybody any good.

879
00:43:42,719 --> 00:43:45,440
Speaker 2: But now that he's well and he's up and about

880
00:43:45,480 --> 00:43:48,759
Speaker 2: and capable of stepping in and trying to fight a

881
00:43:48,800 --> 00:43:54,799
Speaker 2: guy and then tries to do it, Oh man, no way. Yeah,

882
00:43:54,840 --> 00:43:56,359
Speaker 2: you're right, it's all of it. It's all of it

883
00:43:56,760 --> 00:43:58,520
Speaker 2: from before that she wasn't able to get out.

884
00:43:58,960 --> 00:43:59,200
Speaker 5: Yeah.

885
00:43:59,239 --> 00:44:02,120
Speaker 3: I felt like it was older stuff and I liked

886
00:44:02,160 --> 00:44:02,680
Speaker 3: seeing it.

887
00:44:03,520 --> 00:44:07,360
Speaker 4: Okay, that makes sense, that makes total sense. But honestly, like,

888
00:44:08,480 --> 00:44:12,480
Speaker 4: if we're in a bar and some dude who has

889
00:44:12,560 --> 00:44:15,440
Speaker 4: been a prick comes up and slaps our ass, Like,

890
00:44:15,960 --> 00:44:18,560
Speaker 4: what do we expect our partners to do? Because I

891
00:44:18,600 --> 00:44:20,800
Speaker 4: know what my partner would do yes, and it would

892
00:44:20,840 --> 00:44:24,279
Speaker 4: probably like result in prison or at least like a

893
00:44:24,320 --> 00:44:28,360
Speaker 4: YouTube or like a cell phone video online. You know

894
00:44:28,880 --> 00:44:29,680
Speaker 4: it some messy.

895
00:44:30,440 --> 00:44:31,680
Speaker 5: Yeah, I agree.

896
00:44:31,680 --> 00:44:35,520
Speaker 2: In normal circumstances, yes, that's what I would expect to

897
00:44:36,440 --> 00:44:40,640
Speaker 2: If he didn't. Under normal circumstances, I would definitely have

898
00:44:40,640 --> 00:44:42,839
Speaker 2: been mad driving home, like really just wanted to let

899
00:44:42,840 --> 00:44:44,600
Speaker 2: me take care of that by myself.

900
00:44:44,880 --> 00:44:45,560
Speaker 4: I'll handle it.

901
00:44:45,600 --> 00:44:48,240
Speaker 5: No, all right. I respect him like I want.

902
00:44:48,040 --> 00:44:49,719
Speaker 4: Him to do it. It's just that I know what

903
00:44:49,840 --> 00:44:54,719
Speaker 4: he would do, like I can anticipate his moves, but

904
00:44:54,800 --> 00:44:57,560
Speaker 4: I legitimately don't know what Nathan should have done, like

905
00:44:57,840 --> 00:45:02,240
Speaker 4: use your words or or just walk away.

906
00:45:03,080 --> 00:45:05,839
Speaker 2: Yeah, it's true chantally, yeah walk away. But I think

907
00:45:05,920 --> 00:45:09,799
Speaker 2: it was right that he's put his presence there in

908
00:45:09,880 --> 00:45:14,920
Speaker 2: between Haley and Jason and was like I'm here, I'm

909
00:45:15,520 --> 00:45:18,120
Speaker 2: are we done now? But I just don't like that

910
00:45:18,160 --> 00:45:19,080
Speaker 2: he tried to push it further.

911
00:45:20,200 --> 00:45:23,400
Speaker 3: Yeah, what's nice is that it all works like you

912
00:45:23,440 --> 00:45:28,520
Speaker 3: get it from every angle. I got it, and I

913
00:45:28,520 --> 00:45:29,720
Speaker 3: thought it was such a good scene.

914
00:45:30,200 --> 00:45:32,880
Speaker 4: Well because now he's got this other chick like, eh, weird,

915
00:45:32,960 --> 00:45:35,520
Speaker 4: she's mad? That was actually like awesome.

916
00:45:36,120 --> 00:45:40,040
Speaker 3: Yeah, yeah, I would love that I want someone to

917
00:45:40,080 --> 00:45:40,719
Speaker 3: defend me.

918
00:45:41,320 --> 00:45:45,240
Speaker 4: I bet she is so bad.

919
00:45:45,680 --> 00:45:47,880
Speaker 2: Well, the end of the episode was a big surprise.

920
00:45:48,160 --> 00:45:51,400
Speaker 2: I thought that when Peyton walked up to Lucas's house

921
00:45:52,120 --> 00:45:55,080
Speaker 2: and Lindsay was crying, it was gonna be because he

922
00:45:55,120 --> 00:45:56,920
Speaker 2: broke up with her and she was about to like

923
00:45:57,520 --> 00:46:00,200
Speaker 2: walk out the door and say congratulations, Peyton, you got

924
00:46:00,239 --> 00:46:02,719
Speaker 2: what you wanted. I fully thought that was coming out

925
00:46:02,760 --> 00:46:06,200
Speaker 2: of her mouth. Big surprise, big.

926
00:46:07,080 --> 00:46:10,040
Speaker 4: I remember every scene that I shot with Chad in

927
00:46:10,040 --> 00:46:15,160
Speaker 4: this episode, every single one, because you just develop like

928
00:46:15,200 --> 00:46:19,719
Speaker 4: a territory thing over your acting partner, and after a while,

929
00:46:19,760 --> 00:46:22,480
Speaker 4: it starts to feel like it's really easy to slip

930
00:46:22,520 --> 00:46:25,200
Speaker 4: into because you're like, yeah, God, damn it, why are

931
00:46:25,239 --> 00:46:26,200
Speaker 4: you following me around?

932
00:46:26,239 --> 00:46:27,600
Speaker 5: Go be with your other person.

933
00:46:27,880 --> 00:46:29,919
Speaker 4: And then okay, great, you're gonna push it and push

934
00:46:29,960 --> 00:46:32,000
Speaker 4: it and push it and push it. Fine, I'm gonna

935
00:46:32,040 --> 00:46:33,960
Speaker 4: kiss you and you're gonna have to deal with it.

936
00:46:34,719 --> 00:46:39,400
Speaker 4: And then he kisses her back, and I was so

937
00:46:39,560 --> 00:46:40,239
Speaker 4: pleased with that.

938
00:46:40,760 --> 00:46:43,000
Speaker 2: Wait, was this in the script that you guys break

939
00:46:43,040 --> 00:46:45,399
Speaker 2: apart and then he kisses you back or was it

940
00:46:45,440 --> 00:46:45,759
Speaker 2: like a.

941
00:46:46,000 --> 00:46:47,440
Speaker 5: Yep, yeah, yep.

942
00:46:47,800 --> 00:46:50,520
Speaker 4: Lucas always leans in and kisses her back.

943
00:46:50,920 --> 00:46:53,759
Speaker 2: Yeah, super important that it wasn't just like he fell

944
00:46:53,760 --> 00:46:56,680
Speaker 2: into the kiss with you that he stopped and then

945
00:46:56,760 --> 00:46:57,879
Speaker 2: decided to go back.

946
00:46:57,960 --> 00:47:03,880
Speaker 3: Yeah, he went in and it really it reinforces the

947
00:47:04,120 --> 00:47:07,200
Speaker 3: energy that Brooke then gets to tell Peyton she's a

948
00:47:07,200 --> 00:47:11,920
Speaker 3: witness to and say, Lindsay doesn't stand a chance. Trust me,

949
00:47:12,640 --> 00:47:14,440
Speaker 3: it's always been you too.

950
00:47:14,719 --> 00:47:16,759
Speaker 2: Which Haley then becomes an actual witness to.

951
00:47:17,239 --> 00:47:18,840
Speaker 5: Yes, but that's.

952
00:47:18,680 --> 00:47:22,520
Speaker 3: It, right, is like it Haley gets put right back

953
00:47:22,520 --> 00:47:25,160
Speaker 3: in her high school position with Lucas and Peyton and

954
00:47:25,200 --> 00:47:30,160
Speaker 3: with Nathan. Yes, and and then you get this thing.

955
00:47:30,280 --> 00:47:32,640
Speaker 3: I realized that it was a really cool device that

956
00:47:32,680 --> 00:47:35,960
Speaker 3: they used in the writing where everyone saw it. They

957
00:47:36,000 --> 00:47:38,960
Speaker 3: saw you guys break, they saw him come back, and

958
00:47:39,000 --> 00:47:42,520
Speaker 3: then it was a cool device to make Brooks dialogue

959
00:47:42,560 --> 00:47:46,840
Speaker 3: to Peyton be the way to say what everybody was thinking,

960
00:47:47,120 --> 00:47:49,120
Speaker 3: Like like I got to answer the question for the

961
00:47:49,160 --> 00:47:53,160
Speaker 3: audience like it's always been you too, and everybody knows it,

962
00:47:53,560 --> 00:47:55,640
Speaker 3: and like I like Lindsay. I'm not trying to be

963
00:47:55,719 --> 00:47:58,600
Speaker 3: rude to her, but she just doesn't stand a chance, babe,

964
00:47:58,840 --> 00:47:59,120
Speaker 3: And you.

965
00:47:59,080 --> 00:48:01,760
Speaker 2: Said what everybody was thinking. It's all true, It's.

966
00:48:01,640 --> 00:48:06,960
Speaker 4: All true exactly, and it felt so celebratory, like they're bluggy.

967
00:48:07,080 --> 00:48:08,839
Speaker 5: Peyton's like, I'm gonna go get my name.

968
00:48:09,520 --> 00:48:12,920
Speaker 4: I'm gonna do it my I love when she's like, well,

969
00:48:12,960 --> 00:48:14,759
Speaker 4: if I came back for Lucas, would you come back

970
00:48:14,800 --> 00:48:18,120
Speaker 4: forward Lucas came on, bitch.

971
00:48:21,080 --> 00:48:21,960
Speaker 5: I loved it.

972
00:48:22,040 --> 00:48:26,160
Speaker 4: I just loved all those little tiny moments where it's

973
00:48:27,160 --> 00:48:31,399
Speaker 4: the friendships feel real. They really do. And I get

974
00:48:31,400 --> 00:48:34,200
Speaker 4: the magic of the show. Like I when people are like, oh,

975
00:48:34,200 --> 00:48:36,040
Speaker 4: we watched the show over and over and over again,

976
00:48:36,480 --> 00:48:38,839
Speaker 4: you know for a long time. I was like, yeah, yeah,

977
00:48:38,880 --> 00:48:40,480
Speaker 4: I really watch it once.

978
00:48:40,960 --> 00:48:42,520
Speaker 5: I could watch that episode again.

979
00:48:43,520 --> 00:48:48,520
Speaker 4: I loved feeling like a part of that gang and

980
00:48:48,680 --> 00:48:52,120
Speaker 4: all of those lines, you know, these zippy one liners

981
00:48:52,120 --> 00:48:54,000
Speaker 4: with each other, like tell me I don't look like

982
00:48:54,080 --> 00:48:56,040
Speaker 4: my mother, tell me that Lindsay's a bitch.

983
00:48:56,080 --> 00:48:58,520
Speaker 5: Yeah, Lindsay's a bitch. My mother's a bitch, you know,

984
00:48:58,560 --> 00:49:01,440
Speaker 5: like and sorry you and so are you and you

985
00:49:01,480 --> 00:49:03,280
Speaker 5: look just like her when you dancing.

986
00:49:03,560 --> 00:49:08,239
Speaker 4: I just loved that, the pace of it. I can't

987
00:49:08,239 --> 00:49:11,680
Speaker 4: say it enough. I just feel like real friendships.

988
00:49:12,000 --> 00:49:14,959
Speaker 3: Yeah, it was so great and it was nice to have,

989
00:49:15,880 --> 00:49:19,000
Speaker 3: you know, these emotional beats inside of something so punchy

990
00:49:19,480 --> 00:49:19,879
Speaker 3: mm hmm.

991
00:49:20,640 --> 00:49:25,680
Speaker 4: Well, and even the exact opposite of that, when you know,

992
00:49:25,760 --> 00:49:29,479
Speaker 4: Haley comes up to Peyton at the bar and it's like, hey,

993
00:49:29,520 --> 00:49:32,120
Speaker 4: how you doing, and Peyton is kind of like, oh, sorry,

994
00:49:32,160 --> 00:49:33,959
Speaker 4: I didn't want to bug you. I know that you're

995
00:49:34,160 --> 00:49:37,160
Speaker 4: handling some stuff with Lindsay and you can see it

996
00:49:37,200 --> 00:49:40,120
Speaker 4: on Haley's face, so she's like, come on, man, like

997
00:49:40,280 --> 00:49:42,280
Speaker 4: make it easy on me. This sucks.

998
00:49:42,800 --> 00:49:44,840
Speaker 2: Yeah, why am I back in high school?

999
00:49:45,200 --> 00:49:48,120
Speaker 4: That's real friendship where you can like roll your eyes

1000
00:49:48,400 --> 00:49:52,440
Speaker 4: at your friends and be like, guys, come on, I'm tired.

1001
00:49:52,640 --> 00:49:57,760
Speaker 4: I wanted a nice night. Yeah, that girlfriend energy is solid.

1002
00:49:58,239 --> 00:50:01,200
Speaker 5: I dug it, and Lucas to oh totally loves Peyton.

1003
00:50:02,040 --> 00:50:02,560
Speaker 2: He does.

1004
00:50:02,800 --> 00:50:04,280
Speaker 5: Why did he propose to Lindsay?

1005
00:50:05,200 --> 00:50:06,680
Speaker 2: I mean, the only thing I could think of is

1006
00:50:06,719 --> 00:50:08,960
Speaker 2: that he's like, it's too volatile, it's too unknown. I

1007
00:50:09,000 --> 00:50:10,879
Speaker 2: have a sure thing right here, and that's what I'm

1008
00:50:10,880 --> 00:50:12,399
Speaker 2: gonna take. I'm taking the sure thing.

1009
00:50:13,960 --> 00:50:18,640
Speaker 3: I don't think that's it as soon as because I

1010
00:50:18,760 --> 00:50:20,239
Speaker 3: was like, oh my god, Peyton's gonna go and they're

1011
00:50:20,239 --> 00:50:21,800
Speaker 3: going to talk or whatever. And then when I realized

1012
00:50:21,840 --> 00:50:24,320
Speaker 3: what was happening, and she does the like uh huh.

1013
00:50:25,080 --> 00:50:28,400
Speaker 3: I was like, oh my god, I have this memory.

1014
00:50:28,680 --> 00:50:33,239
Speaker 3: It's a little hazy, but I'm ninety percent sure that

1015
00:50:33,360 --> 00:50:39,439
Speaker 3: Lindsay finds the ring and he sees her with it

1016
00:50:40,160 --> 00:50:41,560
Speaker 3: and then proposes.

1017
00:50:42,160 --> 00:50:45,520
Speaker 4: I mean he had that dream where she found it, Yes,

1018
00:50:45,719 --> 00:50:47,560
Speaker 4: and he proposes to her, and then Peyton's all naked

1019
00:50:47,640 --> 00:50:48,000
Speaker 4: on the bed.

1020
00:50:48,239 --> 00:50:49,120
Speaker 5: Well, she didn't find it.

1021
00:50:49,200 --> 00:50:50,960
Speaker 2: She walks in the room and he's holding it, and

1022
00:50:50,960 --> 00:50:52,640
Speaker 2: she sees him the whole day in the dream.

1023
00:50:53,040 --> 00:50:58,520
Speaker 3: But I'm pretty sure, if I remember correctly, I think

1024
00:50:58,760 --> 00:51:01,279
Speaker 3: she finds it and he sees her with it and

1025
00:51:01,320 --> 00:51:02,680
Speaker 3: it just happens.

1026
00:51:03,200 --> 00:51:05,960
Speaker 2: Oh, she's probably trying to empty her drawers out and

1027
00:51:06,000 --> 00:51:08,440
Speaker 2: go pack and leave somewhere and finds the ring in

1028
00:51:08,480 --> 00:51:08,960
Speaker 2: the drawer.

1029
00:51:09,400 --> 00:51:12,400
Speaker 5: He's a bad hider. Why would he put it there.

1030
00:51:12,680 --> 00:51:15,200
Speaker 3: In the sock drawer? What a dummy?

1031
00:51:15,320 --> 00:51:17,000
Speaker 2: Come on, poets, do better.

1032
00:51:17,120 --> 00:51:20,640
Speaker 4: Yeah, have an imagination, Lucas, put it in your mom's

1033
00:51:20,719 --> 00:51:22,520
Speaker 4: room at least.

1034
00:51:22,960 --> 00:51:25,480
Speaker 3: Geh, the room you don't sleep in. Yikes.

1035
00:51:25,920 --> 00:51:28,160
Speaker 4: I'm gonna keep my desk in here and my ring

1036
00:51:28,239 --> 00:51:29,960
Speaker 4: in here. I'm going to keep everything in here.

1037
00:51:30,920 --> 00:51:35,280
Speaker 3: But that the look on your face is so good,

1038
00:51:35,360 --> 00:51:38,359
Speaker 3: and the look on his face like it it was

1039
00:51:38,480 --> 00:51:40,000
Speaker 3: so I was like, oh my god, oh my god,

1040
00:51:40,120 --> 00:51:41,080
Speaker 3: my god, I got my god.

1041
00:51:41,560 --> 00:51:42,720
Speaker 5: The look on his face.

1042
00:51:43,080 --> 00:51:47,640
Speaker 4: He's a shark eyd, dead eyd looking at me. And

1043
00:51:47,960 --> 00:51:51,200
Speaker 4: I didn't like that. That felt like sociopathy to me.

1044
00:51:51,400 --> 00:51:53,920
Speaker 4: That we could just share this moment where I'm like

1045
00:51:54,360 --> 00:51:57,239
Speaker 4: I love you and you love me too, and be

1046
00:51:57,360 --> 00:51:59,360
Speaker 4: like OK, and he's like I gotta go talk to

1047
00:51:59,400 --> 00:52:04,279
Speaker 4: lindsay yeah, awesome, you know, let's let's settle this up.

1048
00:52:05,760 --> 00:52:08,439
Speaker 4: And then for Peyton to see him just standing there

1049
00:52:08,760 --> 00:52:11,560
Speaker 4: all dead eyed, that freaked me out.

1050
00:52:11,920 --> 00:52:13,879
Speaker 5: That's still like, what a coward.

1051
00:52:14,160 --> 00:52:16,759
Speaker 2: I'm sorry she finds the ring, but like you were

1052
00:52:17,080 --> 00:52:19,200
Speaker 2: literally going back to break up with her and she

1053
00:52:19,280 --> 00:52:21,400
Speaker 2: finds the ring and you don't have the hones to

1054
00:52:21,440 --> 00:52:24,880
Speaker 2: go like I'm sorry, listen, yeah, I was going to

1055
00:52:24,960 --> 00:52:25,600
Speaker 2: propose to you.

1056
00:52:26,640 --> 00:52:29,520
Speaker 4: Yeah, he's gotten out with that, like, oh, that's that's

1057
00:52:29,640 --> 00:52:31,200
Speaker 4: Keith's ring for my mom.

1058
00:52:31,600 --> 00:52:36,279
Speaker 3: That was my mom's Yeah. But again, I think it

1059
00:52:36,360 --> 00:52:39,000
Speaker 3: plays to the youth at twenty two.

1060
00:52:39,680 --> 00:52:42,440
Speaker 4: True you go, uh oh did the three of us

1061
00:52:42,480 --> 00:52:45,279
Speaker 4: get engaged when we were in our early twenties because.

1062
00:52:45,000 --> 00:52:45,760
Speaker 5: We were scared.

1063
00:52:49,040 --> 00:52:53,640
Speaker 2: Dag to shay. You nailed that one, Hillary, and nailed it.

1064
00:52:53,920 --> 00:52:54,280
Speaker 3: Damn.

1065
00:52:54,360 --> 00:52:55,120
Speaker 2: I'm sweating.

1066
00:52:55,560 --> 00:52:57,799
Speaker 5: Yeah, I know. I'm so uncomfortable right now.

1067
00:52:58,239 --> 00:53:02,040
Speaker 3: I wasn't gonna us, but now that you've dragged us,

1068
00:53:02,120 --> 00:53:03,040
Speaker 3: that's what I meant.

1069
00:53:03,480 --> 00:53:05,279
Speaker 5: Guys, we made poor choices.

1070
00:53:06,840 --> 00:53:12,240
Speaker 3: You're like, well, obviously, yeah.

1071
00:53:10,920 --> 00:53:14,719
Speaker 4: Yeah, no, I totally understand Lucas right now, just like, yes.

1072
00:53:15,760 --> 00:53:17,200
Speaker 3: Oh god, it's happening.

1073
00:53:17,560 --> 00:53:19,719
Speaker 2: Yeah, what's the safest move I can do? Right now?

1074
00:53:19,800 --> 00:53:21,680
Speaker 5: You always think you can fix it later?

1075
00:53:22,040 --> 00:53:23,400
Speaker 2: Right right? Self preservation?

1076
00:53:23,600 --> 00:53:28,560
Speaker 4: You're like, you know what, there's time, there's time. No,

1077
00:53:28,680 --> 00:53:29,800
Speaker 4: so you know there's flowers.

1078
00:53:30,480 --> 00:53:32,319
Speaker 3: You got to jump off the train when you got

1079
00:53:32,360 --> 00:53:34,360
Speaker 3: to jump off because otherwise it leaves the station.

1080
00:53:34,760 --> 00:53:53,560
Speaker 6: It sure does, all.

1081
00:53:45,520 --> 00:53:47,879
Speaker 4: Right, So did we miss anything you guys, because now

1082
00:53:47,920 --> 00:53:49,600
Speaker 4: we're all incredibly uncomfortable.

1083
00:53:49,680 --> 00:53:50,279
Speaker 5: We missed it.

1084
00:53:50,360 --> 00:53:52,239
Speaker 2: We missed a fan question. Let's throw this in and

1085
00:53:52,320 --> 00:53:55,239
Speaker 2: I'll ask you guys, because let's chang the subject with

1086
00:53:55,320 --> 00:54:00,000
Speaker 2: this question from Daniel. It's about husbands and partners you've met.

1087
00:54:00,000 --> 00:54:02,359
Speaker 2: Shouldn't your husband's have not watched the show, but if

1088
00:54:02,400 --> 00:54:05,840
Speaker 2: they had to watch one episode of your performance, which

1089
00:54:06,360 --> 00:54:09,759
Speaker 2: would you have them watch and or there's like a

1090
00:54:09,760 --> 00:54:12,160
Speaker 2: little caveat to this. If they could have made a

1091
00:54:12,160 --> 00:54:16,080
Speaker 2: guest appearance on the show, what character would they play

1092
00:54:16,120 --> 00:54:16,479
Speaker 2: and why?

1093
00:54:19,760 --> 00:54:23,080
Speaker 4: I mean Jeff auditioned for Uncle Keith. Yeah, and I

1094
00:54:23,120 --> 00:54:24,960
Speaker 4: don't know if he tested for it, but he like

1095
00:54:25,080 --> 00:54:26,839
Speaker 4: definitely came in a couple times.

1096
00:54:26,880 --> 00:54:27,560
Speaker 5: Would have been great.

1097
00:54:27,760 --> 00:54:29,600
Speaker 4: He would have been great, And that would have been weird.

1098
00:54:29,800 --> 00:54:31,400
Speaker 3: It would have been so weird.

1099
00:54:31,760 --> 00:54:34,279
Speaker 4: I probably still would have kissed him, but it would

1100
00:54:34,280 --> 00:54:36,839
Speaker 4: have been weird. Yeah, it would have been like us

1101
00:54:36,840 --> 00:54:37,720
Speaker 4: weekly fodder.

1102
00:54:38,120 --> 00:54:41,560
Speaker 3: You know it's cool, Hillary, I took that bullet for you.

1103
00:54:41,560 --> 00:54:46,080
Speaker 3: Don't worry. Our writers really put me in the firing

1104
00:54:46,120 --> 00:54:50,279
Speaker 3: squad for this. You said it in like season one.

1105
00:54:50,320 --> 00:54:51,200
Speaker 3: You were like, what the hell?

1106
00:54:51,280 --> 00:54:51,440
Speaker 2: Man?

1107
00:54:51,600 --> 00:54:54,640
Speaker 3: Like everybody kissed everybody and you were the only one

1108
00:54:54,640 --> 00:54:55,360
Speaker 3: that got for it.

1109
00:54:55,360 --> 00:54:57,360
Speaker 5: I was like, I know, you're welcome.

1110
00:54:58,480 --> 00:55:01,760
Speaker 4: Yeah, you're the only person that got trouble for kissing people. Meanwhile,

1111
00:55:01,760 --> 00:55:04,840
Speaker 4: the rest of us are like, you'll do It'll be fine.

1112
00:55:05,080 --> 00:55:08,200
Speaker 3: Who would Grant be? He? Well, the funny thing is

1113
00:55:08,360 --> 00:55:11,080
Speaker 3: that Grant would be the hot bartender because my husband

1114
00:55:11,120 --> 00:55:14,799
Speaker 3: is a hot bartender. Yeah, like the minute you get

1115
00:55:14,840 --> 00:55:17,680
Speaker 3: to our house, he's just pouring wine and opening things.

1116
00:55:17,800 --> 00:55:18,080
Speaker 2: Dude.

1117
00:55:18,120 --> 00:55:21,800
Speaker 4: When we were in Vegas and he just had Graham

1118
00:55:21,920 --> 00:55:24,680
Speaker 4: was like a magician. We'd walk down a hallway, yes,

1119
00:55:24,840 --> 00:55:27,120
Speaker 4: and he'd have like a crystal glass full of tequila

1120
00:55:27,239 --> 00:55:29,239
Speaker 4: for anybody that walked in, and we're like, oh, yeah,

1121
00:55:29,239 --> 00:55:31,040
Speaker 4: where's this coming from? Yeah?

1122
00:55:31,080 --> 00:55:33,480
Speaker 2: Yeah, magically. I just look down and find a drink

1123
00:55:33,520 --> 00:55:35,399
Speaker 2: in my hand. I'm like, uh oh, how did that

1124
00:55:35,600 --> 00:55:35,960
Speaker 2: get there?

1125
00:55:35,960 --> 00:55:40,560
Speaker 3: No, it's honestly incredible, Like he is the who's a

1126
00:55:40,600 --> 00:55:44,200
Speaker 3: famous magician? I don't actually David Blaine. Yeah, he's like

1127
00:55:44,200 --> 00:55:46,960
Speaker 3: the David Blaine of drinks, and it's lovely for me.

1128
00:55:48,360 --> 00:55:50,240
Speaker 4: He's the Chris Angel mind freak.

1129
00:55:51,040 --> 00:55:52,680
Speaker 5: Yeah, and like he's so cute.

1130
00:55:52,719 --> 00:55:54,440
Speaker 3: I'd flirt with him the way I was flirting with

1131
00:55:54,480 --> 00:55:55,360
Speaker 3: Owen in this episode.

1132
00:55:56,120 --> 00:55:56,799
Speaker 5: I don't know what.

1133
00:55:56,880 --> 00:56:00,719
Speaker 3: Episode I would say they have to watch, though, because.

1134
00:56:00,480 --> 00:56:02,200
Speaker 4: Not one where we're having sex with people.

1135
00:56:02,480 --> 00:56:07,839
Speaker 3: Oh no, never, yeah, definitely not. But I we haven't

1136
00:56:07,840 --> 00:56:09,560
Speaker 3: seen them all yet, so I feel like I don't

1137
00:56:09,600 --> 00:56:12,240
Speaker 3: know it was thus far. I would say probably something

1138
00:56:12,239 --> 00:56:15,480
Speaker 3: from season five, because I love this season so much.

1139
00:56:15,840 --> 00:56:16,800
Speaker 5: Yeah.

1140
00:56:16,400 --> 00:56:19,200
Speaker 3: Yeah, although Jeff should.

1141
00:56:18,880 --> 00:56:21,359
Speaker 2: See the episodes that you did when Ellie was dying,

1142
00:56:21,400 --> 00:56:23,279
Speaker 2: like the one she did when she was dying, Like, yeah,

1143
00:56:23,320 --> 00:56:25,520
Speaker 2: it's so nice to have your spouse be proud of you,

1144
00:56:25,640 --> 00:56:28,160
Speaker 2: and you did such great work in those episodes. That

1145
00:56:28,200 --> 00:56:30,120
Speaker 2: would be I would pick that well.

1146
00:56:30,160 --> 00:56:32,920
Speaker 4: And he and Cheryl have known each other forever and

1147
00:56:32,920 --> 00:56:37,320
Speaker 4: they're like pals. I think it would trip him out

1148
00:56:37,360 --> 00:56:40,759
Speaker 4: to see his like lifelong friend play my mother like

1149
00:56:40,800 --> 00:56:43,040
Speaker 4: that would be a weird thing, but no weirder than

1150
00:56:43,120 --> 00:56:47,400
Speaker 4: him playing Jensel Jensen's dad, because Jenson's been my longtime friends.

1151
00:56:47,520 --> 00:56:49,839
Speaker 5: So that's a weird thing.

1152
00:56:49,880 --> 00:56:52,680
Speaker 4: When your partners and like your peers also can play

1153
00:56:52,680 --> 00:56:56,279
Speaker 4: your parents, that's a very CW thing to do, very

1154
00:56:56,360 --> 00:56:59,240
Speaker 4: CW soap opera, CW. Yeah, what do you want Grant

1155
00:56:59,280 --> 00:56:59,720
Speaker 4: to watch?

1156
00:57:00,400 --> 00:57:06,520
Speaker 3: I just don't know, Like I love this season so much,

1157
00:57:06,560 --> 00:57:09,200
Speaker 3: But to your point, Joy, like, I think there's sort

1158
00:57:09,239 --> 00:57:14,479
Speaker 3: of formative Brooke Davis things that if he were gonna watch,

1159
00:57:14,520 --> 00:57:18,320
Speaker 3: i'd want him to know about. But I don't know.

1160
00:57:18,600 --> 00:57:21,800
Speaker 3: I don't know that I could pick something.

1161
00:57:22,480 --> 00:57:25,560
Speaker 4: Has Maria watched any of the show now, She's bored

1162
00:57:25,600 --> 00:57:25,960
Speaker 4: with it.

1163
00:57:26,280 --> 00:57:27,240
Speaker 2: She's seen it.

1164
00:57:27,240 --> 00:57:31,040
Speaker 4: She's like, Wow, you look like a baby. Us was

1165
00:57:31,120 --> 00:57:34,240
Speaker 4: bored with it until this year. Like there's a change

1166
00:57:34,280 --> 00:57:36,720
Speaker 4: that happens when they hit like teen teen years.

1167
00:57:37,040 --> 00:57:39,520
Speaker 2: Yeah, so maybe next year she'll be into it. Probably

1168
00:57:39,520 --> 00:57:41,280
Speaker 2: some of her friends will start watching at some point

1169
00:57:41,280 --> 00:57:43,240
Speaker 2: and then she'll be that's what it is. And because

1170
00:57:43,240 --> 00:57:45,920
Speaker 2: we're watching Gilmore Girls right now, so they're starting to

1171
00:57:45,960 --> 00:57:47,720
Speaker 2: all be like in that phase.

1172
00:57:48,680 --> 00:57:51,200
Speaker 4: They don't want to think that anyone at school knows

1173
00:57:51,240 --> 00:57:53,880
Speaker 4: more about you than they know, and so then they

1174
00:57:53,960 --> 00:57:56,440
Speaker 4: just like want to do the homework. They're like, oh God,

1175
00:57:56,600 --> 00:57:58,560
Speaker 4: oh god, what do you mean you had a psychostalker?

1176
00:57:59,200 --> 00:58:03,120
Speaker 3: Are you talking about? I? You guys, there were there

1177
00:58:03,160 --> 00:58:06,600
Speaker 3: were these two girls at our show tonight who got tickets.

1178
00:58:06,640 --> 00:58:07,960
Speaker 3: I don't know if they were in the front front

1179
00:58:08,040 --> 00:58:10,240
Speaker 3: row or the second row, but like the front rows

1180
00:58:10,440 --> 00:58:13,480
Speaker 3: in our theater are very close to the stage. We

1181
00:58:13,560 --> 00:58:16,680
Speaker 3: came out for our bow and everyone's super emotional. We're

1182
00:58:16,680 --> 00:58:19,000
Speaker 3: having like a thing, and this girl it was like

1183
00:58:19,000 --> 00:58:21,600
Speaker 3: an involuntary reaction. And this girl looked like she was

1184
00:58:21,640 --> 00:58:24,520
Speaker 3: fifteen years old and just stood up in the middle

1185
00:58:24,520 --> 00:58:27,960
Speaker 3: of the audience, applauding and went and I was like,

1186
00:58:28,080 --> 00:58:30,720
Speaker 3: oh Jesus, like it's scared of the shit out of me.

1187
00:58:31,160 --> 00:58:33,400
Speaker 3: One of the other actors jumped and we all were

1188
00:58:33,440 --> 00:58:37,560
Speaker 3: just like, that's not what this play is. But thank you. Yeah,

1189
00:58:37,760 --> 00:58:40,439
Speaker 3: close over her brows and I was like, wow, there's

1190
00:58:40,560 --> 00:58:42,160
Speaker 3: still like they love it.

1191
00:58:42,160 --> 00:58:43,080
Speaker 2: It means so much.

1192
00:58:43,320 --> 00:58:47,360
Speaker 3: Yeah, they were like these sweet teenagers, and I was like, whoa, okay,

1193
00:58:47,760 --> 00:58:50,760
Speaker 3: the teens are still coming Like there is like Gus is.

1194
00:58:50,760 --> 00:58:51,360
Speaker 4: Into it now.

1195
00:58:52,040 --> 00:58:56,240
Speaker 2: There's something about it that really I have sixteen year

1196
00:58:56,280 --> 00:58:58,400
Speaker 2: olds see me in the airport come up and say,

1197
00:58:58,440 --> 00:59:00,840
Speaker 2: I'm sure you guys do too. There's it's amazing to me.

1198
00:59:00,920 --> 00:59:03,920
Speaker 2: The age range. I'm like, yeah, not alive when this

1199
00:59:04,000 --> 00:59:08,919
Speaker 2: show started. Hey, I'm so glad that you still recognize me. Like,

1200
00:59:09,720 --> 00:59:11,280
Speaker 2: that's great, you good news.

1201
00:59:11,720 --> 00:59:13,720
Speaker 5: Tell your mom. I said, thank you, that's right.

1202
00:59:13,880 --> 00:59:17,200
Speaker 3: But wow, as gross of a line as it was,

1203
00:59:17,320 --> 00:59:20,960
Speaker 3: I always laugh and think that we're sort of like

1204
00:59:21,000 --> 00:59:24,480
Speaker 3: Matthew McConaughey and dazed and confused, like you keep getting older,

1205
00:59:24,520 --> 00:59:25,919
Speaker 3: but they can stay the same age.

1206
00:59:28,520 --> 00:59:28,800
Speaker 4: Oh.

1207
00:59:28,880 --> 00:59:30,600
Speaker 5: I can't wait for Mario to watch.

1208
00:59:30,800 --> 00:59:31,040
Speaker 2: Yeah.

1209
00:59:31,400 --> 00:59:35,080
Speaker 4: Yeah, you playing like the iconic teen mom is going

1210
00:59:35,160 --> 00:59:36,800
Speaker 4: to blow her mind.

1211
00:59:37,640 --> 00:59:42,120
Speaker 3: Yeah. I'm also curious when she's going to be into it, HM,

1212
00:59:42,520 --> 00:59:44,120
Speaker 3: like when the line changes.

1213
00:59:44,680 --> 00:59:47,600
Speaker 2: I don't know. I honestly don't know how much she'll

1214
00:59:47,640 --> 00:59:51,480
Speaker 2: be into it. She looks at my face every single day, dude, No,

1215
00:59:51,720 --> 00:59:54,720
Speaker 2: because it's not you. It's a totally different person that

1216
00:59:54,800 --> 00:59:58,280
Speaker 2: looks like you. And they get invested in it.

1217
00:59:58,560 --> 01:00:00,840
Speaker 4: Yeah, because they're just like I'm learning in a secret

1218
01:00:00,920 --> 01:00:05,880
Speaker 4: right now about my parent right and it's wild. Yeah.

1219
01:00:06,040 --> 01:00:08,280
Speaker 2: Oh well, you know when it starts, isn't there that.

1220
01:00:08,200 --> 01:00:12,400
Speaker 4: Scene where like Haley's tipsy, You had like a drunk scene.

1221
01:00:12,880 --> 01:00:15,000
Speaker 2: That'll be funny for probably well the one that I

1222
01:00:15,040 --> 01:00:19,480
Speaker 2: when I eat pop brownies with my sisters in later episodes,

1223
01:00:19,520 --> 01:00:20,080
Speaker 2: that's funny.

1224
01:00:20,520 --> 01:00:21,160
Speaker 3: Oh my god.

1225
01:00:21,240 --> 01:00:23,800
Speaker 2: Yeah, well should we spend a wheel?

1226
01:00:24,000 --> 01:00:25,000
Speaker 5: I think we should.

1227
01:00:25,640 --> 01:00:30,120
Speaker 4: God, I loved this episode.

1228
01:00:28,680 --> 01:00:31,800
Speaker 2: Most likely too. No no, no, no no no no.

1229
01:00:32,000 --> 01:00:37,280
Speaker 5: Na took their way out of a speeding ticket. Oh

1230
01:00:38,160 --> 01:00:41,920
Speaker 5: not me, Hillary, you guys, it is me because I'm

1231
01:00:41,960 --> 01:00:42,800
Speaker 5: a thing that I do.

1232
01:00:43,120 --> 01:00:45,320
Speaker 4: Okay, So when I moved to LA and I did

1233
01:00:45,400 --> 01:00:47,360
Speaker 4: not know my way around at all, and I was

1234
01:00:47,520 --> 01:00:50,640
Speaker 4: just I was not good in LA and I would

1235
01:00:50,680 --> 01:00:53,400
Speaker 4: get pulled over all the time for either driving like

1236
01:00:53,520 --> 01:00:57,120
Speaker 4: way too slow, trying to like read maps and things,

1237
01:00:58,080 --> 01:01:01,000
Speaker 4: or speeding through just because I was in a terrible mood,

1238
01:01:01,080 --> 01:01:03,000
Speaker 4: and so I would get pulled all the time, and

1239
01:01:03,120 --> 01:01:06,400
Speaker 4: the officer would come up to my window and be like,

1240
01:01:06,560 --> 01:01:09,440
Speaker 4: how are we doing today? And I'd be like not great,

1241
01:01:10,360 --> 01:01:13,000
Speaker 4: and they'd be like, okay, ma'am, where do you live?

1242
01:01:13,160 --> 01:01:14,920
Speaker 4: And I'd be like, I don't even know, Like my

1243
01:01:15,000 --> 01:01:17,200
Speaker 4: husband and I are just constantly traveling, and.

1244
01:01:17,040 --> 01:01:19,040
Speaker 5: Like we're in puert Rico one week and they're in

1245
01:01:19,080 --> 01:01:20,840
Speaker 5: New Orleans and they're in New York. I'm not gonna

1246
01:01:20,840 --> 01:01:22,320
Speaker 5: be here. I don't even know where I am and

1247
01:01:22,440 --> 01:01:23,120
Speaker 5: I hate it here.

1248
01:01:23,680 --> 01:01:27,000
Speaker 4: And they'd be like, oh, uh, are you pregnant?

1249
01:01:27,160 --> 01:01:30,040
Speaker 5: And I'd be like, yes, I am.

1250
01:01:30,520 --> 01:01:33,400
Speaker 4: And they would just get so creeped out and they

1251
01:01:33,440 --> 01:01:35,960
Speaker 4: would be like, ma'am, you need to get home. Are

1252
01:01:36,000 --> 01:01:37,640
Speaker 4: you okay? Or do you need an escort?

1253
01:01:39,520 --> 01:01:39,800
Speaker 5: Yeah?

1254
01:01:39,840 --> 01:01:42,840
Speaker 4: I think they need to understand sometimes people are just

1255
01:01:42,880 --> 01:01:45,720
Speaker 4: having a bad day, a bad day, and if you can,

1256
01:01:47,160 --> 01:01:50,280
Speaker 4: you could just give them the laundry list. Sometimes you'll

1257
01:01:50,320 --> 01:01:53,320
Speaker 4: meet someone that understands, and sometimes you'll meet someone that's like, well,

1258
01:01:53,440 --> 01:01:54,600
Speaker 4: I'm going to add on to it.

1259
01:01:56,520 --> 01:01:59,480
Speaker 3: I need y'all to know that about a minute and

1260
01:01:59,520 --> 01:02:02,120
Speaker 3: a half half for I said my husband would play

1261
01:02:02,120 --> 01:02:04,760
Speaker 3: the hot bartender on the show. He just walked in

1262
01:02:04,840 --> 01:02:07,480
Speaker 3: and snuck me a box of French fries and of

1263
01:02:07,520 --> 01:02:10,040
Speaker 3: red wine.

1264
01:02:10,920 --> 01:02:11,680
Speaker 2: That's awesome.

1265
01:02:12,160 --> 01:02:12,800
Speaker 5: I love you.

1266
01:02:13,720 --> 01:02:15,360
Speaker 3: Oh, I love it honestly.

1267
01:02:15,800 --> 01:02:17,720
Speaker 5: What a dream And to be on brand.

1268
01:02:17,760 --> 01:02:20,600
Speaker 4: I'm recording in my husband's garage, like maybe he is

1269
01:02:20,720 --> 01:02:25,160
Speaker 4: uncle Keith with the Oh my god, yeah we're in

1270
01:02:25,200 --> 01:02:25,640
Speaker 4: the garage.

1271
01:02:25,760 --> 01:02:27,479
Speaker 3: You did marry Uncle Keith Hiller?

1272
01:02:27,600 --> 01:02:27,959
Speaker 5: I did.

1273
01:02:28,400 --> 01:02:30,360
Speaker 4: Hey, who on the show can talk themselves out of

1274
01:02:30,400 --> 01:02:33,600
Speaker 4: a speeding ticket? Be The answer is always Bevin.

1275
01:02:33,800 --> 01:02:34,640
Speaker 3: It's always Bevin.

1276
01:02:34,840 --> 01:02:34,960
Speaker 2: No.

1277
01:02:35,040 --> 01:02:37,440
Speaker 4: But I want to say Haley because she's friends with

1278
01:02:37,520 --> 01:02:40,560
Speaker 4: everyone in town. Like everyone else scattered and Haley's there

1279
01:02:40,760 --> 01:02:43,760
Speaker 4: and like it's fair. Her husband's like the NBA recruit

1280
01:02:43,840 --> 01:02:45,240
Speaker 4: and she's a big deal.

1281
01:02:45,520 --> 01:02:47,480
Speaker 2: Yeah, everybody would probably give cut her some slack.

1282
01:02:48,120 --> 01:02:48,960
Speaker 4: She's a teacher.

1283
01:02:49,520 --> 01:02:51,479
Speaker 3: I feel like Haley would be the person who would

1284
01:02:51,640 --> 01:02:53,360
Speaker 3: who'd be like, no, just give me the ticket, and

1285
01:02:53,400 --> 01:02:54,680
Speaker 3: they'd be like no.

1286
01:02:55,040 --> 01:02:56,560
Speaker 2: I'd be like, you're right, Look, I was going for

1287
01:02:56,800 --> 01:02:58,880
Speaker 2: four miles over the speed limit. You're absolutely right, I

1288
01:02:58,880 --> 01:02:59,680
Speaker 2: should have a ticket.

1289
01:02:59,760 --> 01:03:00,600
Speaker 3: Yeah, it'd be.

1290
01:03:00,560 --> 01:03:03,120
Speaker 6: Like calm down.

1291
01:03:03,520 --> 01:03:04,760
Speaker 2: Yeah, I think you're right about that.

1292
01:03:05,280 --> 01:03:09,040
Speaker 3: Honestly, I can't believe they never wrote work dat is

1293
01:03:09,040 --> 01:03:10,680
Speaker 3: getting herself out of a speeding ticket.

1294
01:03:10,920 --> 01:03:13,240
Speaker 2: Well, she would have tried, but that scene would have

1295
01:03:13,240 --> 01:03:14,760
Speaker 2: been at the end of the scene. He still gives

1296
01:03:14,760 --> 01:03:15,320
Speaker 2: her the ticket.

1297
01:03:16,760 --> 01:03:18,120
Speaker 5: I mean, we all got arrested.

1298
01:03:19,160 --> 01:03:21,040
Speaker 4: That doesn't bode well for our skill set.

1299
01:03:21,880 --> 01:03:23,960
Speaker 3: I have never talked my way out of a speeding ticket.

1300
01:03:24,160 --> 01:03:27,160
Speaker 3: I've only had two of them. But still funny.

1301
01:03:27,200 --> 01:03:29,360
Speaker 4: All right, ladies, what's our honorable mention?

1302
01:03:29,840 --> 01:03:32,840
Speaker 5: M I liked when Brooke told.

1303
01:03:32,640 --> 01:03:36,680
Speaker 4: Mouth and Millicent. She says, fall love, get married, and

1304
01:03:36,720 --> 01:03:39,360
Speaker 4: sit me next to a hawkeye at your wedding. And

1305
01:03:39,960 --> 01:03:43,880
Speaker 4: I loved that level of awkwardness, Like, what a way

1306
01:03:43,920 --> 01:03:45,720
Speaker 4: to put your friend on the spot.

1307
01:03:46,440 --> 01:03:48,480
Speaker 5: Fantastic blind date.

1308
01:03:49,360 --> 01:03:50,560
Speaker 2: Yeah, so good.

1309
01:03:50,800 --> 01:03:51,840
Speaker 4: What about you guys?

1310
01:03:52,160 --> 01:03:53,120
Speaker 2: I liked that band.

1311
01:03:53,680 --> 01:03:55,400
Speaker 5: They really were very good. They were great.

1312
01:03:55,520 --> 01:03:57,800
Speaker 2: Well, I'm sorry, I keep forgetting the name of the band.

1313
01:03:57,880 --> 01:03:58,800
Speaker 5: Honorary title.

1314
01:03:59,120 --> 01:04:03,680
Speaker 2: Honorary title gets the honorable mention from me. I liked them.

1315
01:04:04,240 --> 01:04:06,600
Speaker 4: He liked how like all their hair was in their face.

1316
01:04:06,680 --> 01:04:09,240
Speaker 4: He's like, and everyone looks tired, And I was like, yeah,

1317
01:04:09,240 --> 01:04:10,880
Speaker 4: that was kind of the emo vibe back then.

1318
01:04:10,920 --> 01:04:13,080
Speaker 2: Baby, it was the vibe I'm here but I don't care.

1319
01:04:13,840 --> 01:04:17,280
Speaker 4: Yeah, just singing sad songs.

1320
01:04:18,880 --> 01:04:21,320
Speaker 3: I gotta give. I gotta give my honorary mention to

1321
01:04:21,400 --> 01:04:26,480
Speaker 3: Joe Manganello, just like he played it all so perfectly,

1322
01:04:27,240 --> 01:04:30,240
Speaker 3: and that thing of like maybe when you grow up?

1323
01:04:30,360 --> 01:04:34,240
Speaker 3: I was like, that is a line.

1324
01:04:34,520 --> 01:04:37,920
Speaker 4: Yeah, yeah, who's gonna come in and be worthy of

1325
01:04:37,960 --> 01:04:39,680
Speaker 4: Brook Davis? Like impress me?

1326
01:04:40,120 --> 01:04:40,440
Speaker 3: Hello?

1327
01:04:40,680 --> 01:04:43,360
Speaker 4: Yeah, loved it? All right, you guys. Next week we

1328
01:04:43,400 --> 01:04:46,919
Speaker 4: have season five episode eight. Please please please.

1329
01:04:46,680 --> 01:04:47,720
Speaker 5: Let me get what I want.

1330
01:04:49,200 --> 01:04:51,000
Speaker 2: I feel like I remember this episode.

1331
01:04:51,400 --> 01:04:52,840
Speaker 4: I know this one. You and I fight in this

1332
01:04:52,960 --> 01:04:53,880
Speaker 4: next episode.

1333
01:04:54,120 --> 01:04:57,760
Speaker 6: Oh oh yeah, she's.

1334
01:04:57,560 --> 01:04:59,800
Speaker 5: Going down friends, all right, we'll see you next week.

1335
01:05:00,440 --> 01:05:03,280
Speaker 2: All right, Hey, hey, thanks for listening.

1336
01:05:03,400 --> 01:05:04,000
Speaker 5: Don't forget to.

1337
01:05:04,040 --> 01:05:06,280
Speaker 3: Leave us a review. You can also follow us on

1338
01:05:06,360 --> 01:05:08,520
Speaker 3: Instagram at Drama Queens O t.

1339
01:05:08,800 --> 01:05:13,520
Speaker 4: H or email us at Drama Queens at iHeartRadio dot com.

1340
01:05:13,760 --> 01:05:14,760
Speaker 5: See you next time.

1341
01:05:16,000 --> 01:05:19,400
Speaker 1: We all about that high school drama Girl, Drama Girl,

1342
01:05:19,440 --> 01:05:20,240
Speaker 1: all about them.

1343
01:05:20,120 --> 01:05:21,880
Speaker 2: High school queens.

1344
01:05:21,920 --> 01:05:23,360
Speaker 3: We'll take you for a ride at.

1345
01:05:23,320 --> 01:05:26,120
Speaker 2: Our comic girl sharing for the right teams.

1346
01:05:26,200 --> 01:05:29,680
Speaker 3: Drama Queens, leise my girl up girl fashion with your

1347
01:05:29,720 --> 01:05:30,480
Speaker 3: tough girl.

1348
01:05:30,320 --> 01:05:31,280
Speaker 5: You could sit with us.

1349
01:05:31,320 --> 01:05:35,760
Speaker 1: Girl drama, Queens drama, queise drama, Queens drama, drama, Queens drama,

1350
01:05:35,840 --> 01:05:37,080
Speaker 1: Queens