1 00:00:01,880 --> 00:00:04,160 Speaker 1: Just so if I feel we're like besties. But I 2 00:00:04,200 --> 00:00:06,320 Speaker 1: have to ask you this, in all honesty, have you 3 00:00:06,400 --> 00:00:10,400 Speaker 1: seen the documentary Halftime? More like, how many times have 4 00:00:10,560 --> 00:00:13,840 Speaker 1: I actually seen it? Okay? Good? I just wanted to 5 00:00:13,880 --> 00:00:15,760 Speaker 1: make sure we're still friends here, Okay, okay. So for 6 00:00:15,800 --> 00:00:19,320 Speaker 1: those of you who have not seen it, Halftime is 7 00:00:19,320 --> 00:00:22,640 Speaker 1: a Netflix documentary about the making of the Super Bowl 8 00:00:22,640 --> 00:00:25,920 Speaker 1: halftime show back in twenty twenty. We stay talking about 9 00:00:25,920 --> 00:00:29,440 Speaker 1: the halftime show, don't we. We say it in every episode. 10 00:00:29,640 --> 00:00:32,199 Speaker 1: It doesn't matter who the artist or icon is, we 11 00:00:32,200 --> 00:00:35,800 Speaker 1: are always going to talk about super Bowl Halftime twenty twenty. 12 00:00:35,960 --> 00:00:39,800 Speaker 1: We are obsessed because, you know what, it's just that good. Yes, 13 00:00:40,200 --> 00:00:42,960 Speaker 1: it gives us an inside look at the making of 14 00:00:43,000 --> 00:00:46,680 Speaker 1: the show, but even better, it's a first person account 15 00:00:46,760 --> 00:00:51,680 Speaker 1: of Jennifer's career through her eyes, reflecting her iconic career 16 00:00:51,760 --> 00:00:54,920 Speaker 1: and the pressures that come with I guess that level 17 00:00:54,920 --> 00:00:57,680 Speaker 1: of fame. Yeah. But in addition to that, it's also 18 00:00:57,800 --> 00:01:01,560 Speaker 1: about just living up to your family's expectations of who 19 00:01:01,600 --> 00:01:04,240 Speaker 1: you are, who you should be, and that is something 20 00:01:04,760 --> 00:01:11,759 Speaker 1: many Latinos know all too well. You know, there's also 21 00:01:11,800 --> 00:01:14,320 Speaker 1: this one part of the documentary where Jen says that 22 00:01:14,560 --> 00:01:17,200 Speaker 1: each of her siblings had a special talent, something they 23 00:01:17,200 --> 00:01:21,160 Speaker 1: were always known for. So Leslie was the singer, Linda 24 00:01:21,560 --> 00:01:25,520 Speaker 1: was the smart one, and Jennifer, well, she was the dancer. 25 00:01:25,600 --> 00:01:28,560 Speaker 1: She was the athlete of the family. And growing up, 26 00:01:28,920 --> 00:01:32,280 Speaker 1: Jlo's parents had a very specific recipe for success for 27 00:01:32,360 --> 00:01:36,959 Speaker 1: their kids. Stay in your lane. They told them focus 28 00:01:37,000 --> 00:01:41,200 Speaker 1: on one thing and be good at that, said gracias, 29 00:01:41,319 --> 00:01:44,840 Speaker 1: But no gracias to that guidance. Yeah, because she knew 30 00:01:44,920 --> 00:01:47,840 Speaker 1: that she was capable of so much more. She wanted 31 00:01:47,840 --> 00:01:52,120 Speaker 1: to do it all, singing, dancing, and acting. Yes, and 32 00:01:52,200 --> 00:01:54,960 Speaker 1: in our last episode we told y'all about how she 33 00:01:55,120 --> 00:01:57,760 Speaker 1: shook up the whole damn industry and set the fashion 34 00:01:57,800 --> 00:02:01,000 Speaker 1: world on fire with those major red carpet looks and 35 00:02:01,160 --> 00:02:05,360 Speaker 1: her sense of style. But today it's all about the musica. 36 00:02:06,080 --> 00:02:12,359 Speaker 1: J Loo lactante. She's unstoppable. Yes, and today we are 37 00:02:12,440 --> 00:02:16,720 Speaker 1: talking about all the hits and all the drama surrounding 38 00:02:16,760 --> 00:02:21,320 Speaker 1: those hits. Grab your snacks, sit back and relax. We're 39 00:02:21,320 --> 00:02:23,960 Speaker 1: going to cruise down memory lane to see why Jenny 40 00:02:24,000 --> 00:02:26,640 Speaker 1: from the Blocks still got it and how she rose 41 00:02:26,840 --> 00:02:30,120 Speaker 1: to the top. Burned too brightly in the spotlight, yet 42 00:02:30,280 --> 00:02:36,880 Speaker 1: resurrected herself like a mother ethan Phoenix. I'm your host, 43 00:02:37,040 --> 00:02:41,679 Speaker 1: Liliana Rasquez, and I'm Joseph Carrillo, and this is becoming 44 00:02:41,840 --> 00:02:44,919 Speaker 1: an icon a weekly podcast. Will we give you the 45 00:02:45,000 --> 00:02:48,600 Speaker 1: rundown on how today's most famous Latin stars have sha 46 00:02:48,880 --> 00:02:52,880 Speaker 1: pop culture and given the world some extra Sublet sit 47 00:02:52,960 --> 00:02:57,440 Speaker 1: back and get comfortable, because we are going in the 48 00:02:57,480 --> 00:03:03,639 Speaker 1: only way we know how, with buenas and a lot 49 00:03:03,680 --> 00:03:07,080 Speaker 1: of opinions as we relive their greatest achievements on our 50 00:03:07,160 --> 00:03:21,040 Speaker 1: journey to find out what makes them so iconic. Okay, 51 00:03:21,080 --> 00:03:23,240 Speaker 1: so let me set the stage for all of you. 52 00:03:23,520 --> 00:03:27,880 Speaker 1: The year is nineteen ninety nine. Everyone was downloading music 53 00:03:27,919 --> 00:03:32,040 Speaker 1: on Napster. Bill Clinton was acquitted people, including myself. We're 54 00:03:32,040 --> 00:03:36,080 Speaker 1: scared shitless about why Duk and kids are robbing each 55 00:03:36,120 --> 00:03:39,240 Speaker 1: other for Pokemon cards? And wasn't this the year of 56 00:03:39,280 --> 00:03:43,640 Speaker 1: the Green Grammy's Dress. No, that's the next year. Nineteen 57 00:03:43,760 --> 00:03:47,440 Speaker 1: ninety nine was actually the year of the Latin explosion. 58 00:03:47,760 --> 00:03:53,680 Speaker 1: At the Grammys explosion, I hate that term, y'all know 59 00:03:53,720 --> 00:03:56,840 Speaker 1: how I feel about this. But that night at the Grammys, 60 00:03:57,120 --> 00:04:00,560 Speaker 1: Ricky Martin took the stage and performed La Copa, his 61 00:04:00,760 --> 00:04:03,800 Speaker 1: hit song from the nineteen ninety eight World Cup. I 62 00:04:03,800 --> 00:04:06,280 Speaker 1: don't know if y'all remember this, but it was Craig 63 00:04:06,520 --> 00:04:08,960 Speaker 1: Well Craig for the Grammys at the time. There were 64 00:04:09,040 --> 00:04:12,440 Speaker 1: dancers on stilt. He had dancers and drummers in the aisles. 65 00:04:12,520 --> 00:04:17,160 Speaker 1: He lit up the stage and everybody loved it. Joseph, 66 00:04:17,160 --> 00:04:20,520 Speaker 1: do you remember seeing this performance or hearing people talk 67 00:04:20,520 --> 00:04:23,440 Speaker 1: about it. I remember seeing it and just kind of 68 00:04:23,480 --> 00:04:26,200 Speaker 1: being in shock that it was just so different and 69 00:04:26,240 --> 00:04:28,680 Speaker 1: it was kind of lively and vibrant. But when I 70 00:04:28,720 --> 00:04:30,560 Speaker 1: first thought, I was like, oh my god, this is 71 00:04:31,000 --> 00:04:33,400 Speaker 1: he is so handsome. These people are so into it 72 00:04:33,440 --> 00:04:36,880 Speaker 1: and clapping and dancing, And what did you think about it? Well, 73 00:04:36,920 --> 00:04:39,200 Speaker 1: I remember feeling that the Grammys felt like a funeral. 74 00:04:39,520 --> 00:04:43,719 Speaker 1: First of all, the room was dead, like typically before 75 00:04:43,760 --> 00:04:46,120 Speaker 1: you're saying like in general, I just felt the whole 76 00:04:46,120 --> 00:04:47,680 Speaker 1: show was dead. It was like you could hear a 77 00:04:47,720 --> 00:04:49,680 Speaker 1: pin drop and this is supposed to be a music 78 00:04:49,720 --> 00:04:53,200 Speaker 1: award show, and then all of a sudden you hear 79 00:04:53,360 --> 00:04:56,919 Speaker 1: all of the brass instruments and the drums and Ricky 80 00:04:57,120 --> 00:05:00,800 Speaker 1: swaying his hips. This man literally brought the Emmy's to Life. 81 00:05:01,040 --> 00:05:05,320 Speaker 1: The turn up was real. Yes, And here's the thing. 82 00:05:05,440 --> 00:05:09,640 Speaker 1: That night was major because I feel after that night 83 00:05:09,880 --> 00:05:12,680 Speaker 1: the door opened, it blew open for Spanish music on 84 00:05:12,680 --> 00:05:15,000 Speaker 1: a global scale, because that same year you also had 85 00:05:15,240 --> 00:05:20,160 Speaker 1: Mark Anthony Santana, Shakira Jlo of course, and let's just 86 00:05:20,240 --> 00:05:22,440 Speaker 1: be honest, Ricky look was really good in those leather pants. Now, 87 00:05:22,760 --> 00:05:30,640 Speaker 1: I mean, go, go go. After this one performance, the 88 00:05:30,880 --> 00:05:36,000 Speaker 1: entire world wanted an album from every Latino performer, including 89 00:05:36,040 --> 00:05:38,760 Speaker 1: one from a young actress sitting in the front row 90 00:05:39,120 --> 00:05:43,680 Speaker 1: that night. This was after the movie Selena, right, Yes, 91 00:05:43,839 --> 00:05:46,479 Speaker 1: that's right, So in Selena Jlo had shown the world 92 00:05:46,480 --> 00:05:49,960 Speaker 1: that she was a triple threat. We knew she could dance, now, 93 00:05:50,000 --> 00:05:53,120 Speaker 1: we knew she could act and she could sing, but 94 00:05:53,279 --> 00:05:58,120 Speaker 1: at the time her focus was really unbecoming a serious actress. 95 00:05:58,440 --> 00:06:01,160 Speaker 1: But with the rest of the world ropping these albums, 96 00:06:01,440 --> 00:06:05,280 Speaker 1: the Latin explosion was everywhere. By the way, why did 97 00:06:05,320 --> 00:06:08,280 Speaker 1: we have to explode? Why why couldn't it just been 98 00:06:08,320 --> 00:06:12,000 Speaker 1: the Latino movement, the Latino wave? Why are y'all trying 99 00:06:12,040 --> 00:06:16,760 Speaker 1: to kill us? Okay, okay, let's bring it back. Okay, fine, fine, fine, 100 00:06:17,040 --> 00:06:20,479 Speaker 1: I have feelings. I'm very passionate about this, Okay. This 101 00:06:20,600 --> 00:06:25,200 Speaker 1: Latin explosion meant that everyone was also asking Jennifer about 102 00:06:25,320 --> 00:06:28,400 Speaker 1: her album. What they didn't know was that Jenny was 103 00:06:28,400 --> 00:06:31,440 Speaker 1: ahead of them. She was already plotting her musical takeover, 104 00:06:31,839 --> 00:06:35,600 Speaker 1: to the point that she actually passed on touring with 105 00:06:35,920 --> 00:06:40,960 Speaker 1: Janet Jackson. What shut up, We're going to talk about 106 00:06:40,960 --> 00:06:42,960 Speaker 1: it in the next episode. There's some stories there that 107 00:06:43,000 --> 00:06:48,840 Speaker 1: y'all may not know. I hate you. Jaylo was going 108 00:06:48,880 --> 00:06:51,360 Speaker 1: to be more than just a movie star. She was 109 00:06:51,400 --> 00:06:53,600 Speaker 1: going to be more than a performer. She wanted to 110 00:06:53,640 --> 00:06:58,719 Speaker 1: be a household name, an icon exactly, and she needed 111 00:06:58,720 --> 00:07:01,800 Speaker 1: to prove her singing chop. So she cut some demos 112 00:07:02,120 --> 00:07:05,359 Speaker 1: and here's the thing. It actually worked because Sony Music, 113 00:07:05,600 --> 00:07:09,239 Speaker 1: which at the time was run by Tommy Mottola aka 114 00:07:09,480 --> 00:07:15,360 Speaker 1: Mariah's first husband, signed Jlo to a deal, but Sony 115 00:07:15,600 --> 00:07:20,960 Speaker 1: wanted her to sing in English instead. On June first, 116 00:07:21,200 --> 00:07:26,720 Speaker 1: nineteen ninety nine, Jlo dropped her first album on the sixth, 117 00:07:27,200 --> 00:07:29,520 Speaker 1: inspired by the subway line that would take her from 118 00:07:29,520 --> 00:07:31,760 Speaker 1: the Bronx to Manhattan and back. While she was studying 119 00:07:31,840 --> 00:07:36,360 Speaker 1: by day and dancing by night like a Latino Batman exactly, 120 00:07:36,640 --> 00:07:40,280 Speaker 1: and people were so drawn to these Latin beats mixed 121 00:07:40,280 --> 00:07:43,440 Speaker 1: with pop, R and B and hip hop. Well, Jennifer 122 00:07:43,520 --> 00:07:46,760 Speaker 1: loved a variety of music, and she put that all 123 00:07:46,840 --> 00:07:49,320 Speaker 1: into her album. She would remember listening to wrap and 124 00:07:49,440 --> 00:07:52,080 Speaker 1: hip hop on the train home, but as soon as 125 00:07:52,080 --> 00:07:55,240 Speaker 1: she stepped through that door, it was all Celia Cruz 126 00:07:55,760 --> 00:08:00,280 Speaker 1: one and of course modern day music like Madonna. And 127 00:08:00,320 --> 00:08:02,760 Speaker 1: I think that you really feel all of that in 128 00:08:02,800 --> 00:08:05,240 Speaker 1: the first album, don't you. I think you can feel 129 00:08:05,240 --> 00:08:07,920 Speaker 1: it throughout all of her career. To be honest, do 130 00:08:07,960 --> 00:08:11,640 Speaker 1: you remember where you were in life when on the 131 00:08:11,760 --> 00:08:17,520 Speaker 1: six came out? Are you for a real bitch? I 132 00:08:17,520 --> 00:08:19,720 Speaker 1: don't even know that. I want to know if you 133 00:08:20,120 --> 00:08:25,000 Speaker 1: had my love and I give you, would you comfort me? 134 00:08:25,840 --> 00:08:28,320 Speaker 1: The way she said to Rust on that song just 135 00:08:28,440 --> 00:08:30,560 Speaker 1: killed me every time I heard it, So I remember 136 00:08:30,680 --> 00:08:32,360 Speaker 1: where I was, what I was doing, because I was like, 137 00:08:32,400 --> 00:08:34,400 Speaker 1: did she just say to Rust to make it run? 138 00:08:34,480 --> 00:08:37,000 Speaker 1: Say it again? How did she say it? She gave 139 00:08:37,120 --> 00:08:40,559 Speaker 1: me to us? She says, you have to go back 140 00:08:40,559 --> 00:08:42,760 Speaker 1: and listen to it. There are words that just drive 141 00:08:42,800 --> 00:08:46,320 Speaker 1: me crazy. But I was obsessed with if you had 142 00:08:46,360 --> 00:08:51,400 Speaker 1: my love and feeling so good. The remix really interesting. 143 00:08:51,720 --> 00:08:53,960 Speaker 1: Do you have a favorite song if You Had My Love? 144 00:08:54,000 --> 00:08:56,880 Speaker 1: Because you have to remember this was the very first 145 00:08:56,880 --> 00:09:00,440 Speaker 1: single off her very first album, So this is the 146 00:09:00,520 --> 00:09:03,400 Speaker 1: moment that everyone will define Jennifer Lopez by for the 147 00:09:03,559 --> 00:09:07,240 Speaker 1: rest of her life. And as a style expert, I 148 00:09:07,400 --> 00:09:11,920 Speaker 1: have to go back to the white bikini tom with 149 00:09:11,960 --> 00:09:16,920 Speaker 1: the white pants and the pin straight hair. I loved 150 00:09:16,960 --> 00:09:19,559 Speaker 1: If You Had My Love. So I just remember that 151 00:09:19,840 --> 00:09:21,880 Speaker 1: video and I've also dressed up as that j Lo. 152 00:09:22,120 --> 00:09:24,680 Speaker 1: So when Jaylo went on tour for her fiftieth birthday, 153 00:09:24,880 --> 00:09:26,319 Speaker 1: my friends and I all went. It was a group 154 00:09:26,400 --> 00:09:28,640 Speaker 1: of six of us and we each had to be 155 00:09:28,800 --> 00:09:32,079 Speaker 1: a different j Lo. I love that. It was so 156 00:09:32,160 --> 00:09:34,679 Speaker 1: much fun, so we all dressed up as different j Lo's. 157 00:09:34,840 --> 00:09:38,520 Speaker 1: I personally wanted that one, but this girl, Tanya decided 158 00:09:38,520 --> 00:09:40,600 Speaker 1: that she wanted to be that one. So I changed 159 00:09:40,720 --> 00:09:42,640 Speaker 1: to Jenny from the Block j Loo, but she was 160 00:09:42,679 --> 00:09:44,520 Speaker 1: if You Had My Love j Loo because you can't 161 00:09:44,559 --> 00:09:46,079 Speaker 1: dress up like j Loo and not do that. It's 162 00:09:46,120 --> 00:09:48,880 Speaker 1: one of the most iconic video looks of her career. 163 00:09:49,240 --> 00:09:52,320 Speaker 1: So you said, what was your favorite song waiting for Tonight? 164 00:09:53,160 --> 00:09:55,280 Speaker 1: Do you remember that one? Seriously, shut up, I'm about 165 00:09:55,280 --> 00:09:59,760 Speaker 1: to end the podcast. Okay, that's a rap on j 166 00:10:00,320 --> 00:10:04,040 Speaker 1: episode two. But let me tell you why Waiting for 167 00:10:04,080 --> 00:10:06,960 Speaker 1: Tonight really kind of set out to me. So. I 168 00:10:07,120 --> 00:10:09,959 Speaker 1: was a young baby makeup artist at that time, and 169 00:10:10,080 --> 00:10:13,640 Speaker 1: Kevin o'quan had done her makeup, and now as a 170 00:10:13,679 --> 00:10:16,160 Speaker 1: celebrity a makeup artist, I was just so. I didn't 171 00:10:16,160 --> 00:10:18,080 Speaker 1: even know I wanted to be a celebrity makeupartist until 172 00:10:18,160 --> 00:10:20,480 Speaker 1: you know, here I am. But when I found out 173 00:10:20,559 --> 00:10:23,080 Speaker 1: Kevin o'quand did her, I was just so mesmerized by 174 00:10:23,240 --> 00:10:25,800 Speaker 1: what he had done. And the crystals, like no one 175 00:10:25,840 --> 00:10:28,320 Speaker 1: had seen crystals like that in the video. That was 176 00:10:28,360 --> 00:10:31,080 Speaker 1: definitely a glam moment. You know what's amazing is that, 177 00:10:31,280 --> 00:10:33,720 Speaker 1: looking back, that was her very first album. It was 178 00:10:33,720 --> 00:10:36,760 Speaker 1: her very first kind of shot out into the world. 179 00:10:36,840 --> 00:10:38,800 Speaker 1: And to know that she was working with Kevin o'quan 180 00:10:38,960 --> 00:10:41,040 Speaker 1: on the makeup and she had all of these iconic looks, 181 00:10:41,040 --> 00:10:42,720 Speaker 1: and girl, you know, she didn't have the budget she 182 00:10:42,800 --> 00:10:48,319 Speaker 1: had now. So this album obviously produced five major singles, 183 00:10:48,360 --> 00:10:50,200 Speaker 1: three of them which hit the main US Hot one 184 00:10:50,280 --> 00:10:52,280 Speaker 1: hundred charts. You know what else is on that album? 185 00:10:52,640 --> 00:10:58,319 Speaker 1: Tony ballad with the future mister Lopez as known as 186 00:10:58,440 --> 00:11:03,520 Speaker 1: Mister x Lopez m Mark Anthony. So there's this heart 187 00:11:03,520 --> 00:11:06,880 Speaker 1: wrenching song called noma Amis. Have you heard the lyrics? 188 00:11:06,880 --> 00:11:10,280 Speaker 1: Though the whole song, Mark is like, I'm a mess, 189 00:11:10,320 --> 00:11:12,920 Speaker 1: I'm not good for you. You shall bounce, and She's like, 190 00:11:13,000 --> 00:11:15,440 Speaker 1: I love you. We can make it work. Literally the 191 00:11:15,480 --> 00:11:18,400 Speaker 1: story of my life. And he's got her back to 192 00:11:18,520 --> 00:11:22,200 Speaker 1: him the entire video. He has his back to her. 193 00:11:22,559 --> 00:11:25,240 Speaker 1: Take a hint, j Lo. When it came to Lopez 194 00:11:25,240 --> 00:11:28,240 Speaker 1: and Anthony in real life. Well, yeah, there's so much 195 00:11:28,280 --> 00:11:30,640 Speaker 1: to unpack there, So we're going to save that for 196 00:11:30,679 --> 00:11:33,360 Speaker 1: the relationship episode. You're definitely not going to want to 197 00:11:33,360 --> 00:11:35,839 Speaker 1: miss that one. I hate you. You're such a tease, 198 00:11:36,040 --> 00:11:39,400 Speaker 1: I know. So let's jump forward a year. Jennifer is 199 00:11:39,440 --> 00:11:41,839 Speaker 1: back at the Grammys, but this time he Diddy is 200 00:11:41,880 --> 00:11:46,120 Speaker 1: on her arm. Yes, we're bringing them back. They attended 201 00:11:46,160 --> 00:11:49,560 Speaker 1: the Grammy Awards and we all know what happened that night. 202 00:11:50,080 --> 00:11:53,920 Speaker 1: I can imagine what happened that night, but history the 203 00:11:54,080 --> 00:11:58,600 Speaker 1: green Versati dress is back front Encore on becoming an icon, 204 00:11:58,679 --> 00:12:02,360 Speaker 1: y'all that it is the dress that changed the world, 205 00:12:02,520 --> 00:12:05,120 Speaker 1: makes an appearance again on the show as she attended 206 00:12:05,120 --> 00:12:08,200 Speaker 1: the awards ceremony with her then partner, who was also 207 00:12:08,280 --> 00:12:11,560 Speaker 1: a producer for on the six. It didn't stop there. 208 00:12:12,000 --> 00:12:16,840 Speaker 1: Homegirl went back to work and released another album in 209 00:12:16,880 --> 00:12:20,320 Speaker 1: two thousand and one, while also starring in a romantic 210 00:12:20,360 --> 00:12:24,200 Speaker 1: comedy Talk about a Multitask or j Low. That's right. 211 00:12:24,320 --> 00:12:26,880 Speaker 1: She became the first woman to have a number one 212 00:12:26,920 --> 00:12:31,560 Speaker 1: film alongside an album. Her sophomore album, j Lo was 213 00:12:31,600 --> 00:12:34,720 Speaker 1: released at the same week as The Wedding Planner. So 214 00:12:34,800 --> 00:12:37,760 Speaker 1: let's talk about Love Don't Cost a Thing? Where were you? 215 00:12:38,080 --> 00:12:42,880 Speaker 1: I was living in Spain at the time, if I remember, 216 00:12:43,200 --> 00:12:48,520 Speaker 1: And it made it all the way there, Joseph, this 217 00:12:48,559 --> 00:12:51,720 Speaker 1: is the second time I'm gonna end the episode. Okay, okay, 218 00:12:53,160 --> 00:12:56,160 Speaker 1: Love Don't cost a Thing was so good and I'm like, well, 219 00:12:56,240 --> 00:12:58,960 Speaker 1: my love cost a thing? Can I have your sugar, 220 00:12:59,040 --> 00:13:01,959 Speaker 1: daddy jr. Loo. I mean it costs a lot of things. 221 00:13:02,080 --> 00:13:04,079 Speaker 1: Let me tell you. You know, she was out there 222 00:13:04,080 --> 00:13:06,480 Speaker 1: telling people she didn't need the diamonds she in the car. 223 00:13:06,520 --> 00:13:09,600 Speaker 1: She threw a Fendi baggett bag out of her convertible. 224 00:13:09,640 --> 00:13:11,600 Speaker 1: I was like, girl, I'll catch that Fendi bag. Throw 225 00:13:11,640 --> 00:13:13,280 Speaker 1: it in. Yeah, I was right there. I was on 226 00:13:13,400 --> 00:13:18,200 Speaker 1: the p you were on the causeway trying to catch 227 00:13:18,280 --> 00:13:22,120 Speaker 1: that Fendi Baghett. I will say about this album, I 228 00:13:22,160 --> 00:13:24,480 Speaker 1: don't remember it getting lots of awards. Yeah, I don't 229 00:13:24,480 --> 00:13:27,720 Speaker 1: remember it getting a ton of critical acclaim, but it 230 00:13:27,760 --> 00:13:32,360 Speaker 1: didn't really matter because it made fans out of everybody. 231 00:13:32,440 --> 00:13:35,160 Speaker 1: Not only was Love Don't Cost a thing on this album, 232 00:13:35,440 --> 00:13:39,240 Speaker 1: not only was Chris A. Judd in that video but said, 233 00:13:40,520 --> 00:13:43,360 Speaker 1: but we also got Ain't It Funny? Okay, which is 234 00:13:43,400 --> 00:13:46,160 Speaker 1: one of my favorite songs. And then we also got 235 00:13:46,240 --> 00:13:48,080 Speaker 1: I'm Real, which we're going to talk about later because 236 00:13:48,080 --> 00:13:50,319 Speaker 1: we cannot just quickly graze over that. We got to 237 00:13:50,360 --> 00:13:54,520 Speaker 1: have like a whole moment about that. Okay. But here's 238 00:13:54,559 --> 00:13:58,520 Speaker 1: the thing. Around the time of this album, something else happened, 239 00:13:58,640 --> 00:14:03,240 Speaker 1: something that has kept every everyone talking for almost twenty years. 240 00:14:04,080 --> 00:14:06,520 Speaker 1: Are y'all ready for Little Cheesement? Oh? You better serve 241 00:14:06,559 --> 00:14:13,480 Speaker 1: this shit up. Let's go. So I'm gonna tell you 242 00:14:13,520 --> 00:14:17,200 Speaker 1: a story that involves another mega super icon. I have 243 00:14:17,320 --> 00:14:19,800 Speaker 1: the chills right now. What are you going to say? Okay, So, 244 00:14:19,920 --> 00:14:25,200 Speaker 1: remember when we're talking about Tommy Mantola, Mariah's X Okay. 245 00:14:25,280 --> 00:14:28,960 Speaker 1: So at the time, Tommy was a power player. He 246 00:14:29,000 --> 00:14:31,560 Speaker 1: was the head of Sony Music. He was a certified 247 00:14:31,800 --> 00:14:34,360 Speaker 1: hit maker. He founded Hall and Oates. For God's sake, 248 00:14:34,800 --> 00:14:37,680 Speaker 1: what is that some sort of breakfast that comes with 249 00:14:37,800 --> 00:14:41,920 Speaker 1: brunch and Mimosa's Joseph, Yeah, are you serious right now? 250 00:14:42,920 --> 00:14:45,360 Speaker 1: Just kidding. I know you're obsessed and you get worked up. 251 00:14:45,800 --> 00:14:50,400 Speaker 1: Do not disrespect John Hall and Darryl Oates. Okay, God 252 00:14:50,440 --> 00:14:53,520 Speaker 1: please protect them. They are old. What I'm saying is 253 00:14:53,560 --> 00:14:57,120 Speaker 1: that at this time, back in the nineties, everything that 254 00:14:57,160 --> 00:15:01,680 Speaker 1: Tommy touched was gold. He had hit after hit, but 255 00:15:01,800 --> 00:15:05,080 Speaker 1: most people at the time really knew him as Mariah 256 00:15:05,200 --> 00:15:11,560 Speaker 1: Carey's husband now her ex of course, or Dahlia's current husband. Yes, 257 00:15:11,880 --> 00:15:14,800 Speaker 1: that is Tommy. Okay. So back in the nineties, Maria 258 00:15:14,920 --> 00:15:18,040 Speaker 1: and Tommy got married in this crazy, over the top 259 00:15:18,160 --> 00:15:21,480 Speaker 1: fairytale wedding on Long Island, and then the Prince Charming 260 00:15:21,560 --> 00:15:24,400 Speaker 1: takes his beautiful young bride back to their castle and 261 00:15:25,040 --> 00:15:29,840 Speaker 1: that motherfucker basically locked her up. No, you guys, for 262 00:15:29,920 --> 00:15:34,200 Speaker 1: a real dead ass, Maria was a prisoner. No seriously, y'all. 263 00:15:34,360 --> 00:15:37,680 Speaker 1: She had guards following her everywhere. There were cameras all 264 00:15:37,760 --> 00:15:41,480 Speaker 1: over the house. Cinderella was literally locked up in that 265 00:15:41,560 --> 00:15:45,200 Speaker 1: mansion on Long Island. It's keeping more a Fiona and 266 00:15:45,320 --> 00:15:48,760 Speaker 1: Shrek and all that was missing is the dragon. It's true. 267 00:15:49,080 --> 00:15:51,560 Speaker 1: So finally Maria was like, you know what, enough is 268 00:15:51,680 --> 00:15:55,560 Speaker 1: enough and she actually filed for divorce the Emancipation of Mimi. 269 00:15:55,880 --> 00:15:59,480 Speaker 1: Oh such a good album. Yes, So all of this 270 00:15:59,520 --> 00:16:03,680 Speaker 1: is to say, this is happening. Mariah is finally stepping 271 00:16:03,680 --> 00:16:06,680 Speaker 1: out on Tommy, and Tommy, being the piece of shit 272 00:16:06,760 --> 00:16:11,040 Speaker 1: that he is, needs to exact revenge on Mimi. So 273 00:16:11,320 --> 00:16:14,120 Speaker 1: listen to what he does. He gets on Nosy finds 274 00:16:14,120 --> 00:16:16,120 Speaker 1: out that Maria has just optioned the rights to a 275 00:16:16,120 --> 00:16:18,920 Speaker 1: beat from a seventies band called Firecracker, and that her 276 00:16:19,000 --> 00:16:21,560 Speaker 1: next album is actually going to be led by a 277 00:16:21,600 --> 00:16:26,160 Speaker 1: song using that track. So what does this scabroon do next. 278 00:16:26,880 --> 00:16:31,440 Speaker 1: M graciously accepts that Maria needs to be a free butterfly. No, 279 00:16:31,920 --> 00:16:37,120 Speaker 1: he options the rights to the song himself, puts together 280 00:16:37,240 --> 00:16:41,320 Speaker 1: a dream team to make this song using the sample, 281 00:16:41,600 --> 00:16:46,120 Speaker 1: basically stealing it from Maria before she can release hers. 282 00:16:46,520 --> 00:16:50,800 Speaker 1: That's spiteful, trifling ass, and then he has the nerve 283 00:16:50,920 --> 00:16:53,800 Speaker 1: to call up job Rule and says jah, I need 284 00:16:53,800 --> 00:16:56,840 Speaker 1: this track right now. And do you know who Tommy 285 00:16:57,040 --> 00:17:01,040 Speaker 1: enlists as Jaz's partner on the track I can't I 286 00:17:01,120 --> 00:17:05,840 Speaker 1: can't take it. My palms are sweating. Tommy Mettola's newest protege, 287 00:17:06,320 --> 00:17:11,960 Speaker 1: a young Latina named Jennifer Lopez. That's right, you guys, 288 00:17:12,440 --> 00:17:16,359 Speaker 1: I'm Real is released. It is a straight banger and 289 00:17:16,560 --> 00:17:23,080 Speaker 1: goes to number one. Are you do you remember this song? 290 00:17:23,440 --> 00:17:25,520 Speaker 1: I was that song. I just want to say that 291 00:17:25,600 --> 00:17:27,640 Speaker 1: I really was that song. But were you jaw Rule 292 00:17:27,760 --> 00:17:30,560 Speaker 1: or were you j Lowe and her pink, juicy couture outfit. 293 00:17:31,760 --> 00:17:36,159 Speaker 1: I was a combo like why you Gotta? I was both. Listen, 294 00:17:36,440 --> 00:17:38,960 Speaker 1: we were all a little jaw, a little murder inc 295 00:17:39,080 --> 00:17:41,800 Speaker 1: and a little jay And you know, it was the nineties, 296 00:17:41,840 --> 00:17:44,159 Speaker 1: speaking of I wonder what a Shan Tivas is up to. 297 00:17:45,720 --> 00:17:49,880 Speaker 1: You need to take some icons add like medication right now. 298 00:17:49,920 --> 00:17:51,640 Speaker 1: You are all over the place. I love you, okay? 299 00:17:51,680 --> 00:17:54,080 Speaker 1: So yes, it was the nineties, all right. So we 300 00:17:54,080 --> 00:17:56,440 Speaker 1: were telling you the story because it all goes back 301 00:17:56,480 --> 00:18:01,080 Speaker 1: to Mariah and the Cheeseman of all cheesebooks. So it's 302 00:18:01,080 --> 00:18:03,199 Speaker 1: a follow two thousand and one. Mariah's out on a 303 00:18:03,200 --> 00:18:06,000 Speaker 1: press store for a movie called Glitter, and it doesn't 304 00:18:06,040 --> 00:18:07,639 Speaker 1: take long for the rest of the world to realize 305 00:18:07,640 --> 00:18:12,280 Speaker 1: that this movie is not good. Okay, I enjoyed Glitter 306 00:18:12,560 --> 00:18:17,800 Speaker 1: for the campy spectacle that it is, but it's bad. 307 00:18:18,280 --> 00:18:21,640 Speaker 1: It's real bad. It's real bad. Okay. So Mariah has 308 00:18:21,720 --> 00:18:26,560 Speaker 1: just had this song stolen from her by her crazy 309 00:18:26,640 --> 00:18:30,200 Speaker 1: ass X given to j Lowe goes to number one. 310 00:18:30,720 --> 00:18:34,600 Speaker 1: She's out having to promote this shit ass movie in Germany. 311 00:18:35,080 --> 00:18:38,000 Speaker 1: Everyone knows the movie's a mess. She hates her X. 312 00:18:38,080 --> 00:18:42,040 Speaker 1: He gave her song to somebody else, and the woman 313 00:18:42,080 --> 00:18:44,040 Speaker 1: that he gave that song too has a number one 314 00:18:44,040 --> 00:18:46,560 Speaker 1: song along with the number one movie. So a reporter 315 00:18:46,840 --> 00:18:50,560 Speaker 1: asks her, what do you think of Jennifer Lopez, and 316 00:18:50,720 --> 00:18:56,240 Speaker 1: Mariah answers with four words that launched a twenty year feud. 317 00:18:57,000 --> 00:18:59,600 Speaker 1: I don't know her. That is still my favorite line 318 00:18:59,640 --> 00:19:05,520 Speaker 1: that exist. I don't know her. The shade the shade, 319 00:19:05,840 --> 00:19:08,440 Speaker 1: and it's crazy. I looked it up in the dictionary 320 00:19:08,520 --> 00:19:11,040 Speaker 1: and it is just the photo of Mariah Carey and 321 00:19:11,240 --> 00:19:15,479 Speaker 1: her forced teethy smiles saying I don't know her. I 322 00:19:15,480 --> 00:19:19,520 Speaker 1: don't know her. I wonder if secretly one of them 323 00:19:19,520 --> 00:19:21,760 Speaker 1: has tried to communicate and put the kabash or do 324 00:19:21,880 --> 00:19:24,960 Speaker 1: they like that there's this feud. Well, first of all, 325 00:19:25,000 --> 00:19:29,040 Speaker 1: I hate anytime the world pins two women against each 326 00:19:29,040 --> 00:19:31,720 Speaker 1: other that are both so incredibly successful in their own right. 327 00:19:32,160 --> 00:19:35,080 Speaker 1: It's annoying because there's tons of successful men and no 328 00:19:35,119 --> 00:19:38,320 Speaker 1: one's like, oh, Tom Brady, do you hate Aaron Rodgers? Like? 329 00:19:38,359 --> 00:19:40,959 Speaker 1: It doesn't work like that in man world. But for 330 00:19:41,000 --> 00:19:45,199 Speaker 1: some reason, especially in music and film and television, you 331 00:19:45,240 --> 00:19:50,040 Speaker 1: can't have two incredibly talented, beautiful, successful women be at 332 00:19:50,040 --> 00:19:52,159 Speaker 1: the top at the same time because they automatically have 333 00:19:52,200 --> 00:19:54,520 Speaker 1: to hate each other. So, of course, leave it to 334 00:19:54,560 --> 00:19:58,439 Speaker 1: Andy Cohen, the chief chismosa in charge, to dig a 335 00:19:58,480 --> 00:20:02,560 Speaker 1: little bit deeper on a feud. So Mariah Carey agreed 336 00:20:02,720 --> 00:20:05,800 Speaker 1: to go into Andy's clubhouse and watch what happens live. 337 00:20:06,160 --> 00:20:08,560 Speaker 1: By the way, Andy switch sides with her because Maria 338 00:20:08,640 --> 00:20:11,520 Speaker 1: always has to be on the left. So Maria's sitting 339 00:20:11,560 --> 00:20:14,159 Speaker 1: there and Andy's like, can we please talk about that moment? 340 00:20:14,359 --> 00:20:16,840 Speaker 1: And Mariah Carey gave it a little bit more context, 341 00:20:16,880 --> 00:20:19,800 Speaker 1: which is what she meant by saying, I don't know 342 00:20:19,920 --> 00:20:23,440 Speaker 1: her wasn't that she didn't know who Jennifer Lopez was. 343 00:20:23,640 --> 00:20:26,399 Speaker 1: Of course she knew who she was. What she was 344 00:20:26,440 --> 00:20:29,440 Speaker 1: saying is I don't personally know her. I'm not down 345 00:20:29,480 --> 00:20:31,960 Speaker 1: with her, I don't vibe with her. We don't hang out. 346 00:20:32,320 --> 00:20:34,240 Speaker 1: You and I knew Jennifer as much as Mariah did. 347 00:20:34,240 --> 00:20:36,560 Speaker 1: And that's what she was saying, right, And the question 348 00:20:36,640 --> 00:20:38,800 Speaker 1: is still a specific thing, what do you think of 349 00:20:38,920 --> 00:20:41,800 Speaker 1: Jennifer Lopez? Right? And Maria says in the moment, she 350 00:20:41,920 --> 00:20:45,440 Speaker 1: answered very dryly and very honestly, which is I don't 351 00:20:45,480 --> 00:20:49,119 Speaker 1: know her. She knows of her, but she doesn't have 352 00:20:49,280 --> 00:20:52,320 Speaker 1: personal relations with her. But it makes her a damn 353 00:20:52,640 --> 00:20:55,720 Speaker 1: good story. And of course the feud has gone on 354 00:20:55,840 --> 00:20:58,320 Speaker 1: and on, and I believe one time Jennifer was texting 355 00:20:58,400 --> 00:21:01,399 Speaker 1: during one of Mariah's performing and people thought she was 356 00:21:01,440 --> 00:21:04,560 Speaker 1: being shady, and then they were both had various residencies 357 00:21:04,600 --> 00:21:07,680 Speaker 1: at the same time. So listen, I'm gonna go by 358 00:21:07,680 --> 00:21:10,879 Speaker 1: the age old adage of where there's smoke, there's fire. 359 00:21:11,280 --> 00:21:14,159 Speaker 1: They're probably not besties, but they probably don't hate each other. 360 00:21:14,320 --> 00:21:15,719 Speaker 1: It's true whole time. But I have to go back 361 00:21:15,760 --> 00:21:17,879 Speaker 1: to one point that you made. You were saying the 362 00:21:17,920 --> 00:21:20,080 Speaker 1: world depending each other. It wasn't the world. It was 363 00:21:20,119 --> 00:21:23,920 Speaker 1: fucking Tommy Mottola painting girls against each other. Oh my god, 364 00:21:24,240 --> 00:21:26,320 Speaker 1: so now we know who it was. It's always a 365 00:21:26,440 --> 00:21:30,359 Speaker 1: damn man. So here's the thing. Jennifer's a star. The 366 00:21:30,480 --> 00:21:33,439 Speaker 1: charts say it, the fans obviously recognize it. Her albums 367 00:21:33,440 --> 00:21:35,439 Speaker 1: are gold, and she's dropping it after hit. So she 368 00:21:35,480 --> 00:21:38,400 Speaker 1: releases an album with remixes, the debuts at number one, 369 00:21:38,640 --> 00:21:42,520 Speaker 1: and her third studio album, This is Me Them, and 370 00:21:42,680 --> 00:21:46,920 Speaker 1: that album was inspired by someone in her life. Can 371 00:21:47,000 --> 00:21:50,720 Speaker 1: I say it as you're like foaming at the mouth 372 00:21:51,200 --> 00:21:55,800 Speaker 1: benefer was born, Yes, and with that birthkave a different 373 00:21:55,880 --> 00:21:58,639 Speaker 1: kind of media frenzy that would affect all aspects of 374 00:21:58,680 --> 00:22:02,240 Speaker 1: the empire she was trying to build and almost ended 375 00:22:02,320 --> 00:22:05,399 Speaker 1: it all for her, which makes it so much juicier. 376 00:22:12,119 --> 00:22:14,960 Speaker 1: When it comes to her albums, Jennifer has always been 377 00:22:15,000 --> 00:22:19,879 Speaker 1: inspired by her relationships, love and sex. This is Me 378 00:22:19,960 --> 00:22:23,359 Speaker 1: then came at a particularly interesting time because it was 379 00:22:23,440 --> 00:22:26,000 Speaker 1: late two thousand and two and there was only one 380 00:22:26,480 --> 00:22:30,000 Speaker 1: thing or person, I should say, on j Lo's mind, 381 00:22:30,720 --> 00:22:36,480 Speaker 1: her high profile relationship with none other than mister Ben Affleck. Yeah, 382 00:22:36,520 --> 00:22:39,800 Speaker 1: and despite the album having the biggest opening sales of 383 00:22:39,840 --> 00:22:42,800 Speaker 1: her career. It only reached number six on the Billboard 384 00:22:42,840 --> 00:22:45,080 Speaker 1: two hundred and that was due in part to the 385 00:22:45,280 --> 00:22:48,600 Speaker 1: Benefit Mayhem. So let's talk about it a bit. I 386 00:22:48,720 --> 00:22:52,920 Speaker 1: want you to tell me as an entertainment journalist, let 387 00:22:52,960 --> 00:22:57,720 Speaker 1: me tell you that's why I'm asking. Benefer was the 388 00:22:57,760 --> 00:23:03,240 Speaker 1: gift that kept on giving. Here. You had to majorly 389 00:23:03,840 --> 00:23:07,959 Speaker 1: high profile A list celebrities, one from the music world, 390 00:23:08,359 --> 00:23:11,760 Speaker 1: one from the entertainment world, and when you put those 391 00:23:11,800 --> 00:23:16,720 Speaker 1: two worlds together, you have pure combustion. I always say, 392 00:23:16,760 --> 00:23:18,840 Speaker 1: it's a lot of times you have an A list 393 00:23:18,920 --> 00:23:21,520 Speaker 1: actor dating a B list celebrity, or a B list 394 00:23:21,600 --> 00:23:24,439 Speaker 1: reality star or B list musician, but when you have 395 00:23:24,680 --> 00:23:30,359 Speaker 1: an A and an A together, it's just all spectacle. 396 00:23:30,520 --> 00:23:34,239 Speaker 1: It's also completely doomed and destined to fail because you 397 00:23:34,280 --> 00:23:37,800 Speaker 1: can't have that much wattage and expect it to sustain 398 00:23:37,920 --> 00:23:40,359 Speaker 1: and survive. I get what you're saying, but I'm going 399 00:23:40,440 --> 00:23:43,080 Speaker 1: to do this really weird Latino thing. So weren't there 400 00:23:43,119 --> 00:23:46,320 Speaker 1: already big people together. Let's just say, not like Brad 401 00:23:46,359 --> 00:23:48,960 Speaker 1: Pitt and Angelina, but like Brad Pitt and Jennifer Aniston. 402 00:23:49,040 --> 00:23:51,360 Speaker 1: So I'm talking about the wattage of how big they were, right, 403 00:23:51,680 --> 00:23:53,800 Speaker 1: but with it a little bit more salacious because she 404 00:23:53,960 --> 00:23:57,080 Speaker 1: was Latina. Yes, two things are different, and you hit 405 00:23:57,119 --> 00:24:00,399 Speaker 1: on one of them. Yes, she was Latina. And Ben 406 00:24:00,840 --> 00:24:04,400 Speaker 1: was the industry golden boy at the time. Right. He 407 00:24:04,560 --> 00:24:08,919 Speaker 1: was Matt Damon's bestie. They had written and starred in 408 00:24:08,960 --> 00:24:12,720 Speaker 1: Goodwill Hunting, They had won an Academy Award. He was 409 00:24:12,920 --> 00:24:18,520 Speaker 1: Hollywood's golden boy at the time. Then you have Jennifer, right, 410 00:24:18,760 --> 00:24:21,280 Speaker 1: she's un around the way, a girl from the Bronx. 411 00:24:21,359 --> 00:24:24,239 Speaker 1: She was a fly girl, she was self made, she 412 00:24:24,320 --> 00:24:27,600 Speaker 1: was Puerto Rican and proudly Puerto Rican. And then you 413 00:24:27,680 --> 00:24:30,960 Speaker 1: also have the combination of her coming from music and 414 00:24:31,160 --> 00:24:36,200 Speaker 1: he came from film. Bringing together two stars in different industries, 415 00:24:36,400 --> 00:24:39,960 Speaker 1: both at their kind of peak was unique. At the time, 416 00:24:40,160 --> 00:24:42,840 Speaker 1: you had so much star power. But I do think 417 00:24:42,880 --> 00:24:46,920 Speaker 1: that Jennifer was so different and maybe not who they 418 00:24:46,960 --> 00:24:50,240 Speaker 1: thought Ben should be with. Maybe they wanted a Gwyneth 419 00:24:50,280 --> 00:24:54,680 Speaker 1: Paltrow type for Ben Affleck and instead they had Jennifer 420 00:24:54,680 --> 00:24:59,640 Speaker 1: Lopez who was from the block. But you guys, we're 421 00:24:59,640 --> 00:25:02,679 Speaker 1: gonna dig very deep. We're going to unearth all of 422 00:25:02,680 --> 00:25:05,480 Speaker 1: the benefit drama in a future episode. So let's get 423 00:25:05,480 --> 00:25:08,399 Speaker 1: back to the album. Okay, So what do you remember 424 00:25:08,440 --> 00:25:11,760 Speaker 1: about this? We got Jenny from the Block and all 425 00:25:11,880 --> 00:25:16,720 Speaker 1: I have with Elly, She set aside her dance pop 426 00:25:16,760 --> 00:25:18,800 Speaker 1: sound and let R and B and soul take the 427 00:25:18,840 --> 00:25:21,879 Speaker 1: front seat this time around, and that was a callback 428 00:25:21,920 --> 00:25:23,840 Speaker 1: to the sounds of the Bronx that she had grown 429 00:25:23,920 --> 00:25:27,800 Speaker 1: up with. Lopez was influenced by works of Michael Jackson, 430 00:25:28,000 --> 00:25:31,439 Speaker 1: Luther Van Dross, and Stevie Wonder, among others, and she 431 00:25:31,520 --> 00:25:33,879 Speaker 1: always said with this album she really tried to capture 432 00:25:33,920 --> 00:25:37,639 Speaker 1: their sound because their music made her quote heart sing 433 00:25:38,440 --> 00:25:41,840 Speaker 1: when you talk about this is me. Then it's an 434 00:25:41,920 --> 00:25:46,920 Speaker 1: interesting album because it got kind of mixed reviews from 435 00:25:47,359 --> 00:25:51,800 Speaker 1: music critics and from me first foremotion, here he goes. Okay, 436 00:25:51,840 --> 00:25:54,400 Speaker 1: so let's get to the facts. It did sell two 437 00:25:54,440 --> 00:25:57,080 Speaker 1: point six million copies in the US, It did reach 438 00:25:57,160 --> 00:25:59,440 Speaker 1: number two on the Billboard two hundred and it went 439 00:25:59,440 --> 00:26:03,640 Speaker 1: out to sell six million copies world Why. So this 440 00:26:03,840 --> 00:26:07,080 Speaker 1: was a success whether the critics panned it or not. 441 00:26:08,160 --> 00:26:13,399 Speaker 1: But what really made it for me was simply one song. 442 00:26:13,640 --> 00:26:17,800 Speaker 1: It was the lead single, Jenny from the Block. That 443 00:26:18,000 --> 00:26:22,399 Speaker 1: video was hot. Now This is the Jennifer that I 444 00:26:22,520 --> 00:26:26,680 Speaker 1: usually dress up as for Halloween, for Jennifer themed parties. 445 00:26:26,840 --> 00:26:30,639 Speaker 1: This is my Saturday Saturdays when I go pick up 446 00:26:30,680 --> 00:26:34,919 Speaker 1: my kid from preschool. Hello, this is my Jennifer. Because, 447 00:26:35,359 --> 00:26:37,200 Speaker 1: by the way, this look is so back right now, 448 00:26:37,240 --> 00:26:41,280 Speaker 1: to the cargoes, the high heeled tims, the whole vibe, 449 00:26:41,359 --> 00:26:44,640 Speaker 1: the page boycap, her dancing in the streets in the Bronx. 450 00:26:45,080 --> 00:26:48,400 Speaker 1: This video for me, brought me back in a way 451 00:26:48,520 --> 00:26:50,600 Speaker 1: that I didn't realize I needed to be brought back 452 00:26:50,600 --> 00:26:52,680 Speaker 1: at the time, and even now when I watch it, 453 00:26:52,680 --> 00:26:54,960 Speaker 1: it's just pure nostalgia for me. There is such a 454 00:26:55,160 --> 00:26:58,520 Speaker 1: feel good vibe to old j Loo songs and that's 455 00:26:58,520 --> 00:27:00,919 Speaker 1: what fans really connect to. It takes us back to 456 00:27:01,000 --> 00:27:04,320 Speaker 1: the nineties. In two thousand and one. Things were different, 457 00:27:04,320 --> 00:27:06,600 Speaker 1: we didn't have social media. It just felt like a 458 00:27:06,680 --> 00:27:11,399 Speaker 1: simpler time. This video, for her, it was the old 459 00:27:11,480 --> 00:27:15,200 Speaker 1: Jalo and the new j Lo in the fight Oh 460 00:27:15,240 --> 00:27:18,440 Speaker 1: my God, like Norma Jean and Marilyn Monroe. Yes, who 461 00:27:18,480 --> 00:27:22,280 Speaker 1: will prevail? Right? So she had all of this glitz 462 00:27:22,280 --> 00:27:25,040 Speaker 1: and glam and attention. She was with Ben Athleck. She 463 00:27:25,119 --> 00:27:28,639 Speaker 1: was living the yacht life, right, but then she was like, 464 00:27:29,000 --> 00:27:31,879 Speaker 1: hold up, hold up, I'm still Jenny from the Block, 465 00:27:32,040 --> 00:27:35,719 Speaker 1: and she gave us the most poetic line ever written 466 00:27:36,720 --> 00:27:39,520 Speaker 1: in the history of me. I don't know which one 467 00:27:39,560 --> 00:27:42,680 Speaker 1: you're gonna say. What are you going to say? Don't 468 00:27:42,720 --> 00:27:47,080 Speaker 1: be fooled? Oh yeah, by the rocks that I got. 469 00:27:48,000 --> 00:27:52,400 Speaker 1: It's true. Okay, I'm going to frame that ship that 470 00:27:52,760 --> 00:27:56,920 Speaker 1: is really good? Is really good? Not even don't be 471 00:27:56,960 --> 00:27:59,800 Speaker 1: fooled by the rocks that I have. She could have 472 00:27:59,800 --> 00:28:03,320 Speaker 1: said no, but it would have been. But then you 473 00:28:03,320 --> 00:28:05,600 Speaker 1: can't rhyme it with blocks, and you can't be don't 474 00:28:05,600 --> 00:28:08,280 Speaker 1: be fooled by the rocks that I got. I'm still 475 00:28:08,320 --> 00:28:10,880 Speaker 1: I'm still Jenny from the block. Used to have a little, 476 00:28:10,960 --> 00:28:12,880 Speaker 1: Now I have a lot. Can you try it with 477 00:28:13,040 --> 00:28:16,520 Speaker 1: have and see? Don't be fooled by the rocks that 478 00:28:16,600 --> 00:28:22,240 Speaker 1: I have. It just doesn't go. It really just doesn't. 479 00:28:23,160 --> 00:28:25,199 Speaker 1: It doesn't work. I was sorry, you can't sing that 480 00:28:25,280 --> 00:28:27,879 Speaker 1: line and they get your ass slapped by Ben Affleck 481 00:28:28,000 --> 00:28:31,480 Speaker 1: on a yacht. It doesn't work. It is a whole vibe, 482 00:28:31,560 --> 00:28:36,000 Speaker 1: my friends, well also things. Speaking of being a whole vibe, 483 00:28:36,000 --> 00:28:39,040 Speaker 1: it reached number two in the Billboards two hundred and 484 00:28:39,200 --> 00:28:42,800 Speaker 1: earned double platinum status in the US. That's right, and 485 00:28:42,840 --> 00:28:45,040 Speaker 1: that wasn't the only song on the album. We also 486 00:28:45,200 --> 00:28:47,400 Speaker 1: need to talk about I'm Glad, which a lot of 487 00:28:47,400 --> 00:28:50,880 Speaker 1: people don't like, but honestly, this is one of my 488 00:28:50,920 --> 00:28:55,080 Speaker 1: favorite Jlo videos. I loved that song. It was so happy, 489 00:28:55,320 --> 00:28:58,560 Speaker 1: it was so happy, and that, to me, is the 490 00:28:58,600 --> 00:29:02,000 Speaker 1: best Jlo has ever moved in I'm Glad. So, in 491 00:29:02,080 --> 00:29:04,480 Speaker 1: case you guys don't remember this video, this is when 492 00:29:04,520 --> 00:29:06,840 Speaker 1: she kind of did that like flash dance rip off 493 00:29:06,840 --> 00:29:09,760 Speaker 1: and people were she's a richel thought in her mind, 494 00:29:10,080 --> 00:29:12,480 Speaker 1: but and she dances on the chair under the water. 495 00:29:12,920 --> 00:29:14,680 Speaker 1: So I was taking a dance class in New York 496 00:29:14,720 --> 00:29:16,280 Speaker 1: one of the first years that I moved there, and 497 00:29:16,360 --> 00:29:18,240 Speaker 1: I hired a private teacher to teach it to me, 498 00:29:18,440 --> 00:29:21,239 Speaker 1: and I quit after ten minutes. Yeah, it wasn't going 499 00:29:21,280 --> 00:29:25,800 Speaker 1: to happen. That is not a true story. Are you serious? 500 00:29:25,840 --> 00:29:28,440 Speaker 1: It's a true story. Have you seen the video? Yes? Okay. 501 00:29:28,520 --> 00:29:30,240 Speaker 1: I was like, I just need to learn thirty seconds 502 00:29:30,240 --> 00:29:32,719 Speaker 1: of choreo and they're like, cool, no problem. So he 503 00:29:32,760 --> 00:29:34,080 Speaker 1: did it for me and I was, okay, I can 504 00:29:34,120 --> 00:29:36,600 Speaker 1: do this, y'all. I was twenty three at my peak 505 00:29:36,680 --> 00:29:39,520 Speaker 1: and couldn't even do ten seconds of the choreo no Bitch. 506 00:29:39,560 --> 00:29:41,240 Speaker 1: You saw him walk in with a bucket of water 507 00:29:41,320 --> 00:29:46,360 Speaker 1: and you were like, we're not doing this yet. It 508 00:29:46,560 --> 00:29:48,239 Speaker 1: is one of my favorite songs on that and she 509 00:29:48,360 --> 00:29:50,680 Speaker 1: honestly has never looked better. That's when we get her 510 00:29:50,680 --> 00:29:53,040 Speaker 1: in the leg warmers and little black undis and we 511 00:29:53,080 --> 00:29:58,480 Speaker 1: get curly hair j Lo, which personally I love her hair. 512 00:29:58,560 --> 00:30:02,480 Speaker 1: Oh natural, I love early bouncy hair Jlo, and it's 513 00:30:02,560 --> 00:30:06,080 Speaker 1: just all good. I kind of feel that curly hair 514 00:30:06,640 --> 00:30:09,479 Speaker 1: caused a frenzy. Well, it might have caused a frenzy, 515 00:30:09,520 --> 00:30:13,720 Speaker 1: but it certainly didn't cause a frenzy bigger than the 516 00:30:13,760 --> 00:30:17,760 Speaker 1: benefit of frenzy. But the frenzy around this pairing ultimately 517 00:30:17,760 --> 00:30:23,680 Speaker 1: became the catalyst for benefit breaking up. Yeah, they weren't overexposed. 518 00:30:23,720 --> 00:30:26,480 Speaker 1: I'm just going to say it, and it actually really 519 00:30:26,680 --> 00:30:29,960 Speaker 1: negatively affected both of their careers. I just don't know 520 00:30:30,000 --> 00:30:33,360 Speaker 1: why I love them. They called it quits, resulting in 521 00:30:33,400 --> 00:30:37,800 Speaker 1: one of the singer's biggest heartbreaks ever. And he was 522 00:30:37,920 --> 00:30:41,640 Speaker 1: Jennifer's muse. This was the man that inspired this whole 523 00:30:41,640 --> 00:30:44,840 Speaker 1: album and on This Is Me, then she had more 524 00:30:44,920 --> 00:30:47,960 Speaker 1: co writing credits on this album than any of her 525 00:30:48,000 --> 00:30:51,480 Speaker 1: previous albums, and the most interesting writing on the whole 526 00:30:51,560 --> 00:30:55,880 Speaker 1: album the dedication girl, let me read it to you. 527 00:30:55,880 --> 00:30:58,960 Speaker 1: You are my life, my soul, inspiration for every lyric, 528 00:30:59,440 --> 00:31:05,200 Speaker 1: every motion, every bit of feeling on this record. Come on, 529 00:31:05,720 --> 00:31:09,560 Speaker 1: it's really romantic. Jay Loo loves to be in love, 530 00:31:09,640 --> 00:31:14,240 Speaker 1: and y'all, she was head over heels for Ben, just 531 00:31:14,520 --> 00:31:17,320 Speaker 1: that sentence alone when she's saying the rock says she 532 00:31:17,440 --> 00:31:19,400 Speaker 1: got and now she's like, you are my life, my 533 00:31:19,440 --> 00:31:23,160 Speaker 1: sole inspiration for every lyric. She was definitely fucking in love. 534 00:31:23,760 --> 00:31:26,440 Speaker 1: When she looks back at this album. Here's what Jennifer 535 00:31:26,440 --> 00:31:29,160 Speaker 1: had to say about this is me then. She said, 536 00:31:29,720 --> 00:31:32,160 Speaker 1: twenty years from now, if I give this album to 537 00:31:32,200 --> 00:31:34,600 Speaker 1: one of my kids, I'll be like, this was me then. 538 00:31:35,040 --> 00:31:39,240 Speaker 1: At that moment, it was all very telling about where 539 00:31:39,280 --> 00:31:41,480 Speaker 1: she was in her life. And I have to point 540 00:31:41,520 --> 00:31:45,080 Speaker 1: out that now that here we are in twenty twenty two, 541 00:31:45,760 --> 00:31:50,080 Speaker 1: Ben and jen back together, it was destiny and by 542 00:31:50,120 --> 00:31:53,360 Speaker 1: the way, he is the only man that she has 543 00:31:53,480 --> 00:31:57,120 Speaker 1: ever made this kind of romantic gesture too, not even 544 00:31:57,280 --> 00:32:00,840 Speaker 1: to Mark Anthony, the father of her kids. Jayla has 545 00:32:00,840 --> 00:32:03,320 Speaker 1: gone on to say that that's her favorite album out 546 00:32:03,320 --> 00:32:05,640 Speaker 1: of all of the ones she's ever recorded, because it's 547 00:32:05,640 --> 00:32:09,960 Speaker 1: the most vulnerable she's ever been on a record. After 548 00:32:10,120 --> 00:32:12,960 Speaker 1: the Benefit explosion, it took a lot for her to 549 00:32:13,000 --> 00:32:17,520 Speaker 1: rebuild herself. Everything had gotten to her and Homegirl was 550 00:32:17,600 --> 00:32:22,080 Speaker 1: feeling soups to Presso. Yeah, she had fired her longtime manager, 551 00:32:22,120 --> 00:32:24,560 Speaker 1: Benny Medina. He was the man who basically put her 552 00:32:24,600 --> 00:32:27,560 Speaker 1: on the map. She called off her wedding to Ben 553 00:32:27,680 --> 00:32:30,880 Speaker 1: and then got married to Mark Anthony a year later. 554 00:32:31,400 --> 00:32:34,680 Speaker 1: It was a lot, but she still managed to release 555 00:32:34,720 --> 00:32:38,400 Speaker 1: her fourth record, Rebirth, in two thousand and five. Alexis 556 00:32:38,440 --> 00:32:41,320 Speaker 1: Petritus of The Guardian had remarked that the album title 557 00:32:41,400 --> 00:32:44,720 Speaker 1: suggests that even Lopez has realized that something is amiss 558 00:32:44,760 --> 00:32:47,680 Speaker 1: with her career, and despite the highlights, you're still left 559 00:32:47,680 --> 00:32:53,520 Speaker 1: pondering the question what happened to Jennifer Lopez? On the 560 00:32:53,560 --> 00:32:57,680 Speaker 1: next Becoming an Icon Girl, it's a twenty year career. 561 00:32:57,840 --> 00:33:00,600 Speaker 1: We had a lot more to say about the music, yes, 562 00:33:00,760 --> 00:33:03,640 Speaker 1: and since we're talking about music, you got to know 563 00:33:03,720 --> 00:33:11,200 Speaker 1: how to shake your ass. Becoming an Icon is presented 564 00:33:11,240 --> 00:33:15,600 Speaker 1: by Sonoro and Ihearts Michael Kuda Podcast Network Listen to 565 00:33:15,680 --> 00:33:19,760 Speaker 1: becoming an icon on the iHeartRadio app, Apple podcast, or 566 00:33:19,880 --> 00:33:21,760 Speaker 1: wherever you get your podcast