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Speaker 1: Oh, welcome back to another episode of Alchemy. This. I'm

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Speaker 1: your host, Kevin Pollic, Yes that Kevin? What's that? Yes?

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Speaker 1: I can tell you I prefer my chocolate treats refrigerator.

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Speaker 1: Thanks for asking what I digress? Let's meet to rock,

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Speaker 1: shall we? In no particular? Ward to say hello to

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Speaker 1: Christop Varado, Chrisolicious? Are you over Hannah from below deck yet? Dude?

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Speaker 1: Get her out of there? Okay, she wasn't she wasn't

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Speaker 1: even sick. She just like I didn't want to hang

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Speaker 1: with with the with the crew. And it's like, look,

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Speaker 1: if you don't want to hang with the crew, you're

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Speaker 1: not a part of the crew. You're the enemy. Leave

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Speaker 1: the boat. Thank you, thank you? Hello, this so hey

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Speaker 1: to Craig Kokowskik account, which is your favorite kid in

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Speaker 1: the hall? And why oh um, I gotta go with

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Speaker 1: Dave Foley, uh because he had a good sense to

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Speaker 1: stay out of brain candy. No, they're all great, They're

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Speaker 1: all great, and I love that movie too, but The

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Speaker 1: Day Full, I think is the good straight man. Correct

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Speaker 1: continue Canadian funny men for fo Hey, Why there's James Heeney,

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Speaker 1: Jimmy j Heenberg. Why haven't you ever taken the time

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Speaker 1: to learn how to juggle. Uh. Well, I just feel

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Speaker 1: like the amount of times that I spend learning how

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Speaker 1: how to juggle, it's taking away from something that I

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Speaker 1: could put into so many other things and succeed at

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Speaker 1: diminishing returns of energy put into learning to juggle. But

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Speaker 1: I'm correct you've made a conscious effort to not learn

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Speaker 1: to juggle. Well I I yes, yes, thank you for that.

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Speaker 1: Hey there's Caroline Carter go ahead, Greig, one of those

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Speaker 1: other things you're channeling your energy into. I'm trying to

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Speaker 1: learn how to use telekinesis to just make the items

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Speaker 1: float in front of me. So here's like chuckle, yeah, yeah,

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Speaker 1: you don't want to you don't want to bother jruggling.

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Speaker 1: Hey there's Caroline counter fireing the whole longest drive behind

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Speaker 1: the wheel please. Oh, I don't know, but I'm trying

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Speaker 1: to drive across country. That's something I want to do.

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Speaker 1: You're trying. I'm trying. So it's not going well because

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Speaker 1: I have to get in the car and I'm trying

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Speaker 1: from where I am right now, and I'm not going

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Speaker 1: to damn place. But I'm a really bad driver. I

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Speaker 1: failed my driver says the first time, because I drove

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Speaker 1: through a stop sign. Because I didn't because you didn't

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Speaker 1: see it. Yeah, that's what I said to the person

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Speaker 1: when they told me I failed and you didn't see

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Speaker 1: it because you refused to look or you just didn't

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Speaker 1: acknowledge it. Well, I don't believe in signs in general,

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Speaker 1: so I don't know why that should have to change

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Speaker 1: when I'm on the road. Fantastic. Anyone out there listening,

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Speaker 1: we would like to help Caroline on or drive across

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Speaker 1: the country. Please write to us with your name here

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Speaker 1: and I'll give you this co come and now please

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Speaker 1: help me welcoming back Gary Anthony will yas it feels right.

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Speaker 1: And by the way, keV if you hear me, if

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Speaker 1: I sound a little clip today when you when I'm

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Speaker 1: in a scene with you guys, it's because I want

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Speaker 1: to I'm gonna do with technical difficulties. This is a

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Speaker 1: life choice that I have made, much like being black

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Speaker 1: and fairly tall. Correct, continue g a cake or pie?

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Speaker 1: And why I gotta be honest, Uh, I think you

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Speaker 1: know this about me, and it's probably this is kind

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Speaker 1: of cheating with the audience. My family invented something called

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Speaker 1: a kai which is a combination of a cake and

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Speaker 1: a pie. Uh So, just like Caroline doesn't see signs,

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Speaker 1: I don't see desserts hurt them all. I treat them

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Speaker 1: all equally. I got a mouthful or, as you say,

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Speaker 1: a cheek build with Kai right now? All right? Uh?

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Speaker 1: And last but no more, wait, Chris, we had and

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Speaker 1: last but no more scoops of raisins than yours. If

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Speaker 1: you think I'm least, it's Joey Greer sugar Puss, which

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Speaker 1: are your current favorite pair of shoes. You know, I'm

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Speaker 1: not even gonna answer that. You you thought you forgot Chris,

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Speaker 1: and that's upsetting the men. And I never want to

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Speaker 1: forget Chris. Thank you. You know he's He's always in

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Speaker 1: our hearts, and that's the problem, all the good old

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Speaker 1: times when he was in our homes. All right, let's

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Speaker 1: do a damn show. Many of our scenes suggestions are

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Speaker 1: gathered from listener emails or from our patroon v I

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Speaker 1: p s. Hey. If you'd like to become a Patreon

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Speaker 1: supporter of the show and enjoy exclusive content and other perks,

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Speaker 1: just head on over to patreon dot com slash Alchemy

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Speaker 1: this If you'd like to submit a scene suggestion via

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Speaker 1: email right to the podcast at your name here at

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Speaker 1: alchemy this dot com. First off, a note from one

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Speaker 1: of our Patreon v I p S, who wrote, for

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Speaker 1: Gary Anthony Williams, I'm Gary, Yep, there he is, okay,

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Speaker 1: Toyvo wrote, Yes, Direck Kevin, it has been mostly you

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Speaker 1: and I love it. Do you know what else? I love?

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Speaker 1: Gary Anthony Williams. That guy was pure magic in the

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Speaker 1: latest episode that aired on the twenty one July meeting yesterday,

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Speaker 1: That whole episode was ecstatic. Please give Mr Williams anything

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Speaker 1: he wants to keep him on. Given me everything I

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Speaker 1: ever needed. By the way, keV, you gave me for

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Speaker 1: the first for the first time in my life. You

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Speaker 1: gave me respect yep, and a neck rubb I've never

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Speaker 1: had at the same time. I had him on at it.

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Speaker 1: I had him on. I had him intermittently, as Caroline

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Speaker 1: used to say, she talked to everything about being intermitted, intimented, intimitted.

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Speaker 1: I've had him like that. I've never had him at

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Speaker 1: the same time, and you've given it. It was a

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Speaker 1: it was a respectful necro as we call it in

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Speaker 1: the business. Um, well, thank you for that. Toivo. He

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Speaker 1: goes on to say, even though I miss Vanessa's lovely

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Speaker 1: presence in the pod, episodes like Mr Williams introduction with

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Speaker 1: both Craig Cy and Mark g in the crew are

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Speaker 1: simply amazing entertainment. Vanessa Raglan, one of the founders, will

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Speaker 1: be returning to the show next week. Don't even worry

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Speaker 1: about it, ah, and now on with the show. See

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Speaker 1: number one comes to us from Kristen, who wrote, one

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Speaker 1: time our dog woke us up at three o'clock in

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Speaker 1: the morning because there was a seven foot long alligator

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Speaker 1: on the front porch of our suburban house. We called

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Speaker 1: nine one one and they sent a pair of burly

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Speaker 1: policemen from the Violent Offenders unit, who wrestled the alligator

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Speaker 1: off the porch and tied him up until the alligator

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Speaker 1: removal people arrived. A while later. The alligator removers put

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Speaker 1: the scaly fella in their truck to be relocated to

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Speaker 1: a nature reserve far away from people. They said that

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Speaker 1: it was the bree season and that our toothy friend

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Speaker 1: had probably gotten lost in his search for a female. Anyway,

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Speaker 1: I just thought that would be an amazing scene suggestion.

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Speaker 1: With apologies from being from Florida, CHRISTI m Jamie, Jamie,

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Speaker 1: wake up. You don't have to put your whole body

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Speaker 1: on top of me to wake me up. I'm up.

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Speaker 1: I'm I'm up. You're waking up. Can you get off?

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Speaker 1: Can you get off of me? Are you awake? Yeah,

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Speaker 1: we're talking to you. I am awake. Maybe having a dream,

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Speaker 1: Jamie might be having a dream, Carol, I'm awake. What

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Speaker 1: is it? I don't know what Maybe like an eighty eight.

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Speaker 1: I don't know how big it is. I'm not going

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Speaker 1: out there to measure Jamie. You gotta go out there

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Speaker 1: and do something. I just can't go out there. If

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Speaker 1: you're not going to go out there with a measuring table,

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Speaker 1: Hell would I go out there? Got to go to work.

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Speaker 1: I kick out there. It's like on the cards on

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Speaker 1: the front lawn. Hey, getter, it's me the house dog.

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Speaker 1: All right, all right, what's your business? I'm just looking

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Speaker 1: for love. I'm just looking for love. It is then

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Speaker 1: they love in that house. I feel you feel, you know,

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Speaker 1: there used to be these two. They're not doing so well.

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Speaker 1: You don't notice. But every time you talk to me,

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Speaker 1: there's a low growl after you talk. It seems to

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Speaker 1: be threatening. In to me. Here's what I'm gonna do.

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Speaker 1: Here's the deal I'm gonna make with you. I'm gonna

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Speaker 1: break down and do it as motherfucker. I'm gonna eat

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Speaker 1: anything that moves or make love to anything. Okay, okay, okay,

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Speaker 1: I've heard you out. I've heard you out. I'm pacing, okay, okay, okay.

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Speaker 1: I mean I don't want to die. I am a

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Speaker 1: little lonely myself. Um. Have you ever may love to

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Speaker 1: an alligator? An alligator of indeterminate links? No, no, open up,

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Speaker 1: open up, crowls base. Oh god, damn it, bone goo

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Speaker 1: is having sex with a goddamn alex. We kind of

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Speaker 1: do something. It's having sex with it. Something is having

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Speaker 1: sex with something in this house or on this Oh

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Speaker 1: my god, Oh my god, oh my god. Okay, I'm sorry.

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Speaker 1: Every time I get in the mood, one of my

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Speaker 1: balls get sucked up inside me. I tell you, I

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Speaker 1: tell you every time. I don't care if you're fucking

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Speaker 1: you with one ball. Okay, excuse me, sir. If you

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Speaker 1: were just the doctor will be in in just a moment. Um.

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Speaker 1: He asked me to come in and pre look at

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Speaker 1: your balls. Would you please PLoP them out? For me. Okay,

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Speaker 1: there's one and I'd like to see the other. Please,

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Speaker 1: oh oh my, oh dear, let me get the doctor

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Speaker 1: just one moment. Doctor, there is there is something that

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Speaker 1: you would like to see. Okay, go on, no, no,

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Speaker 1: I'll let you see for yourself. I'm going to go

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Speaker 1: out and get a milk shake in this. Is there

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Speaker 1: a patient in this room here? Yes? Yes? Oh, I'm

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Speaker 1: sorry patient. Yes, the doctor is visually blind. He's usually blind. Doctor.

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Speaker 1: I have to take a version of what other kind

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Speaker 1: of blind is there? I mean, that's like, that's what

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Speaker 1: blind means. If you're blind. Some people are blind in

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Speaker 1: different ways. Okay, so what i'd like to do, like

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Speaker 1: to see it in my own kid, you're blind, you

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Speaker 1: can steal with your finger. You can't see your finger, sir,

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Speaker 1: don't tell me what I can't do. In fact, you

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Speaker 1: know what, maybe you need a different doctor either. You

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Speaker 1: do see our balls. I'm sorry, so, Carl Steve. I mean,

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Speaker 1: I've been, uh you know, a police officer now for

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Speaker 1: seventeen years, but you're the first partner I've had that

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Speaker 1: was single. So if you could just hit me to

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Speaker 1: what's going on out there? Let me just turn the

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Speaker 1: radio down in case dispatch needs us. I think you

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Speaker 1: just turned it up. Hold, because before I was hearing nothing,

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Speaker 1: and now now I'm here in like wal to wall music. Yep,

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Speaker 1: that's me. I just wanted in case dispatch needed us

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Speaker 1: for any uh any activity out there in the neighborhoods. Anyways,

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Speaker 1: what what is the single scene like these days? Well,

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Speaker 1: it's tough out there. It's tough out there. Uh, I

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Speaker 1: I don't know which way your predilections run, fair enough,

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Speaker 1: you can fill me in, I could, okay, So, uh,

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Speaker 1: whether you're looking for a man or looking for a

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Speaker 1: woman or or other, or whether you're looking for all

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Speaker 1: of the above, it's tough out there, I see. And

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Speaker 1: your experience, uh do you have to know? Uh? You're

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Speaker 1: asking my hole in the ground sort of thing? That

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Speaker 1: is helpful? Sure? And what about shipped from Shinola? Look? Uh,

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Speaker 1: ship and Shinola is a toss up for me? You know,

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Speaker 1: I get it right fifty of the time, which is

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Speaker 1: not good enough. You know, you need to be identify

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Speaker 1: one or the other more often than that. So I'll

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Speaker 1: agree that that is a tough one. Carl Turner, get

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Speaker 1: in my office right now. Now. It's up Chief you

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Speaker 1: goddamn Squadcott was talked on the side of the highway.

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Speaker 1: We got us on the goddamn radio blaring to you.

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Speaker 1: We need to sucking help. Nothing's happening. I don't even

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Speaker 1: get a call back. I'm worried, sick at the station.

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Speaker 1: What the hell? Sorry? Sorry, chee. If I stepped in shinola,

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Speaker 1: I gotta clean it all off of my shoes. Oh

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Speaker 1: what's the difference between that and ship? All right, might

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Speaker 1: be shipped, This might be shipped. You said that, Chief,

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Speaker 1: I got a question for you. What you said? You

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Speaker 1: were upset and worried about us of God say, I'm

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Speaker 1: a sensitive guy, all right, Jesus fucking Christ. I'm not

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Speaker 1: sure why we're bringing him into it, but we don't.

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Speaker 1: All right, Diana, here's your second milkshake at the day.

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Speaker 1: It looks to me like you've seen a lot of

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Speaker 1: pre balls. Are pre seeing the balls? I gotta be

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Speaker 1: I've got to be honest with you. And this has

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Speaker 1: happened to me my entire life, my entire life. I

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Speaker 1: have a lactose deficiency, and when I am face to

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Speaker 1: face with a pre ball, it all comes rolling back.

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Speaker 1: As one man once said, it comes rolling down the

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Speaker 1: hill like a can of shinola. Oh yeah, Diana, I

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Speaker 1: gotta I gotta ask you something. If you do, make

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Speaker 1: sure you do it with a Spanish accent. Diana, what

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Speaker 1: do I have to do to get you to look

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Speaker 1: at my balls? I'm asking you about? Are you asking

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Speaker 1: me asking me to look at your balls? Is it

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Speaker 1: one and the same? It's one and the same, My

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Speaker 1: beautiful you just did it. Don't if I should still

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Speaker 1: be here or just waiting in line to order, but

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Speaker 1: it seems kind of like a private thing. So I'm

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Speaker 1: what can I What do I get for you? I

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Speaker 1: just wanted to cookies and cream? Got you? Is Diana?

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Speaker 1: By the way, Hey I'm Diana. I just got asked out.

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Speaker 1: I'm gonna see a ball? Okay, congratulations? Um oh I

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Speaker 1: think I reckon. I think you looked at um my

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Speaker 1: friend's balls at the ball doctor? Right, I'm working at

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Speaker 1: about doctors? Are you? Is your friend Marcos? Yes, it's

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Speaker 1: my friend. Yeah. Oh, I have bad news. I tried

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Speaker 1: to call him yesterday, but it just went to a

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Speaker 1: service that picked up the phone. Yeah, that's how his phone. Yeah,

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Speaker 1: I guess I should just deliver it to you. I okay, yeah,

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Speaker 1: it was a bad It's extremely bad. Here's a you

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Speaker 1: can keep the change. It's a quarter. Um, yes, So

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Speaker 1: what's the news. I'm ready, dude, I'm sorry. I was

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Speaker 1: trying to tell you, and you I'm sorry took a

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Speaker 1: big spat slurp from my milk. But I was trying

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Speaker 1: to say, is that Marcos? I'm sorry? Everybody have a

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Speaker 1: green priest license? Uh? On the on the ball lady,

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Speaker 1: that's me. That's me. It says all that on the

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Speaker 1: license plate. Oh it says more. Please read the whole thing.

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Speaker 1: I was gonna say. It seems short for a license

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Speaker 1: plate from what I remember. I'm the ball lady. Come

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Speaker 1: over and check it out. I have a milk deficiency.

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Speaker 1: It all comes rushing back as soon as I see

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Speaker 1: a ball. Is that that's it? That's my car? Waite?

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Speaker 1: Is Is that a problem? Not at all? I just

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Speaker 1: wanted to say, I love Press, I love that eco friendliness.

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Speaker 1: I think it's just great. That's all. Okay, sir, can

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Speaker 1: you direct us to where the where you last saw

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Speaker 1: the gator? But I was in front of my house. Okay,

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Speaker 1: it was in front of my house, and then my

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Speaker 1: dog and they were having relations. They were having sex.

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Speaker 1: I'd hold up here, folks, when you say your dog

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Speaker 1: was having its way with the gator or so we're clear,

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Speaker 1: was the gator having its way with your dog? I

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Speaker 1: need to get the right picture. In my mind, it

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Speaker 1: seemed like a given take. They seemed very open communicating,

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Speaker 1: kind of like maybe trying new things. Let me clarify,

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Speaker 1: but it's hard to find that in today. Who was

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Speaker 1: who was inside of who? Both? It was the exchanged

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Speaker 1: exchange parts holes. Yeah, you don't often see a dog

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Speaker 1: in a gator performing sixty nine. That's a new one. Yeah,

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Speaker 1: new for humans too, for some people. And you know

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Speaker 1: what do you mean by that? Man? What do I mean? Well?

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Speaker 1: I guess to say it um in you know, coded language.

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Speaker 1: My husband and I don't sixty nine ever, even if

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Speaker 1: what I meant to say, again, I'm sorry, I do

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Speaker 1: that all the time. I tried to say the thing,

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Speaker 1: and then I say the opposite. My husband and I

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Speaker 1: don't have sex, no matter what. Um right, sir, If

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Speaker 1: you tried to sixty eight, are you familiar with sixty eight?

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Speaker 1: That's where I do you? Excuse me? What do you do? Me?

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Speaker 1: And I owe you one? Oh ship? Is that the

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Speaker 1: alligator there getting side officers getting side down good inside,

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Speaker 1: I'll get her. I uh, I have to see you again,

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Speaker 1: you will. I'll never be too far away. I mean

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Speaker 1: you broke me off. Listen, I know that, I know

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Speaker 1: you been looking for love and you need We all do,

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Speaker 1: we all need love. But I gotta move home. Wait, wait,

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Speaker 1: any chance you can help my owners and Bud Wait,

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Speaker 1: maybe funk one or both of them. That's a scene

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Speaker 1: one ah see to comes was from New patron V.

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Speaker 1: I prote you guys. I've had a very weird cross

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Speaker 1: pollination with Kevin. He came and spoke at this CMO

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Speaker 1: Club summit. I was at Hilarious and Inside Film, and

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Speaker 1: then I got into some improv and was referred to

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Speaker 1: this part of casts from Zach Hutteleson at West Side

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Speaker 1: Comedy Theater. And now I'm taking a class from Patrick Rowland.

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Speaker 1: Not that you asked, you're My scene suggestion is the

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Speaker 1: attic of an Applebee's thanks for making me laugh so

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Speaker 1: hard and I've almost crashed my car on several occasions.

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Speaker 1: Kyle Jacobson the attic of an Apple Sherlyne sher line,

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Speaker 1: what we got customers coming? Okay, I've been down to

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Speaker 1: the basement looking for the pan to do fry. It

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Speaker 1: ain't in the basement, Slyne. Okay, well, it's not in

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Speaker 1: the kitchen. You checked the kitchen to where the pans

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Speaker 1: usually are. I've checked the pan area. I've checked the pantrey,

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Speaker 1: which I've enough. Pantrey doesn't have anything to do with pans.

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Speaker 1: I know that we've all been working at this apple

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Speaker 1: Bee's for twenty years. I know the entry has the

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Speaker 1: dry goods in it. But Sherlene is just one of

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Speaker 1: those words like hamburger don't have ham in it. Poetry. Now,

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Speaker 1: I'm so sick and tired of your fucking poetry. Okay,

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Speaker 1: you're a cook at Applebee. Stop doing poetry. If you're

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Speaker 1: really sick and tired, you should go to a doctor.

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Speaker 1: Doctor twy is he torn, Shirlene? Point is the pan

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Speaker 1: ain't down in the base stand? Pan ain't in the kitchen? Okay.

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Speaker 1: The only place it might be is possibly it could

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Speaker 1: be in the attic, but I don't want to go

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Speaker 1: up there because I'm afraid of stairs. Ain't nobody want

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Speaker 1: to go in that haunted attic of this year apple

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Speaker 1: be Shirlene, don't nobody want to go in the haunted

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Speaker 1: at this here apple by Charlene stand stop walking away

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Speaker 1: from me. You need to go. You need to go. Okay,

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Speaker 1: I'm I'm the boss here. Okay, I don't want to go.

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Speaker 1: I'm afraid of stairs. I don't give a shit about ghosts,

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Speaker 1: but I'm afraid of the stairs. I swallow my fear, Surelyn,

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Speaker 1: but I ain't never tell him where it's gonna come

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Speaker 1: up after I swallowed it. If I don't come back.

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Speaker 1: Would you tell my cousin he's the ball doctor, he's

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Speaker 1: visually brandy. Would you tell him that own not table

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Speaker 1: next to his bed underneath this red velvet? She? Are

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Speaker 1: you rotting it? I'm right, yeah, I'm writting. Oh shoot,

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Speaker 1: this pen doesn't have any Okay, all right, I'm bad.

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Speaker 1: Got this one? Yeah it works? Okay, Well, uh yeah,

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Speaker 1: I'm sure if you just want to step a little

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Speaker 1: further back so you can actually see the what am

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00:21:36,720 --> 00:21:39,520
Speaker 1: I looking at? Well? Okay, everyone calm down at this

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Speaker 1: one of the time. Kay, Okay, further away to see it?

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00:21:44,720 --> 00:21:48,760
Speaker 1: I am very near sighted. Well, your nose to wall here, sir,

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Speaker 1: so I need my hands on this wall to see it.

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Speaker 1: What do you mean fingers out of my house? Sorry, sorry, sorry,

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00:21:59,000 --> 00:22:04,240
Speaker 1: just I'm sorry. So you're legally blind? Okay, no that's

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00:22:04,280 --> 00:22:07,840
Speaker 1: not true. Look I'm not supposed to do this. But look,

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00:22:07,840 --> 00:22:09,960
Speaker 1: there's a big case out there. Okay. I used to

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Speaker 1: be a detective. Long story short. Look, I need someone

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Speaker 1: who can see with their hands to fix it. You

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Speaker 1: understand when you say case, what do you mean? I

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00:22:19,280 --> 00:22:22,680
Speaker 1: mean an actual briefcase. There's a case. Okay, I need

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00:22:22,760 --> 00:22:26,919
Speaker 1: you to find feel it. Mr Stevens, thank you so

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Speaker 1: much for seeing me today. Well what a great office man.

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Speaker 1: Oh man. Um, I'm just gonna get right to it.

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Speaker 1: I'm here to pitch you this film idea. It's not

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Speaker 1: exactly a sequel, uh sequel to uh legally Blonde, it's reimagining.

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Speaker 1: It's called legally blind. Um. Yeah, and so she comes

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00:22:45,040 --> 00:22:48,720
Speaker 1: to college. Uh this this young gal and uh instead

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00:22:48,760 --> 00:22:53,720
Speaker 1: of being you know, uh attractive and super blonde and

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00:22:53,760 --> 00:22:57,160
Speaker 1: all that, she's just blind. And um. You know it's

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Speaker 1: it's to interrupt you for just a moment. I and

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00:23:00,280 --> 00:23:02,320
Speaker 1: maybe I'm the one that's out of place here and

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Speaker 1: I'm crazy, but are you pitching a movie to a

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Speaker 1: ball doctor right now? You know I was told I

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Speaker 1: could get a meeting with you. Sir, You've got a meeting,

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Speaker 1: but we call these appointments. So, babe, how did the

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00:23:15,600 --> 00:23:21,199
Speaker 1: pitch go? Well, uh, it's for all of our dreams,

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Speaker 1: all of our hopes, like this brilliant idea. Yeah. So

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Speaker 1: it might be an issue with the guy who says

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Speaker 1: he's my new agent because he I thought he was

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Speaker 1: sending me to a film studio. Ding Dong, ding dong.

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Speaker 1: He's the only one that says ding dong when he

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Speaker 1: shows up. Was going on, I'm naked, I'm naked. You

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Speaker 1: look at the door. Okay, all right, Hey Steve, Oh baba,

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Speaker 1: how's it going? Vere? Hey? You know what? I don't

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00:23:50,240 --> 00:23:51,720
Speaker 1: know if you're cooking it here? Doesn't smell like it.

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Speaker 1: Why don't we go to Applebee's my treat? Yeah, my

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00:23:54,800 --> 00:23:57,919
Speaker 1: life was just throwing some clothes on. I was just

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Speaker 1: about to tell her about my pitch meeting. Oh, we'll

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00:24:00,520 --> 00:24:02,480
Speaker 1: tell her over dinner. Come on a bottle of shirt

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00:24:02,480 --> 00:24:12,400
Speaker 1: and on me. Welcome to the attic. Okay, who's who's there?

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Speaker 1: Who's air? There are many of us, many of us,

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Speaker 1: all the lost souls of Applebee's. Oh wait, I just

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00:24:27,680 --> 00:24:29,879
Speaker 1: came up. I just came up to get a pan.

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00:24:30,280 --> 00:24:36,640
Speaker 1: I won't disturb you, and you're ghosting up? Is there

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00:24:36,680 --> 00:24:39,040
Speaker 1: a Is there a restaurant even up here in a

387
00:24:39,720 --> 00:24:47,520
Speaker 1: space we call your Applebee's basement Applebee's. It's like a

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00:24:47,560 --> 00:24:52,280
Speaker 1: whole different environment, a whole different existence up here. We're

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Speaker 1: all dead. Would you like to see a menu? I

390
00:24:58,680 --> 00:25:01,520
Speaker 1: suppose in stead of me saying no, I don't want

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00:25:01,560 --> 00:25:04,959
Speaker 1: to see a menu, I'll say yes, and I'd like

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00:25:05,040 --> 00:25:11,040
Speaker 1: to see and I would we recommend the kicking sticking

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00:25:11,119 --> 00:25:15,520
Speaker 1: chicken with a side of zucchi. Wait a minute, that

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00:25:15,520 --> 00:25:19,600
Speaker 1: that recipe hasn't been around applebee since eighteen. I got

395
00:25:19,600 --> 00:25:22,520
Speaker 1: an idea if you go so work with me. I

396
00:25:22,560 --> 00:25:26,520
Speaker 1: can take your ghostly recipes from around the eighteen twelve era,

397
00:25:27,320 --> 00:25:30,760
Speaker 1: take them down to the kitchen Applebee's, and we can

398
00:25:30,840 --> 00:25:36,280
Speaker 1: all somehow turn this into a success, a financial success.

399
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Speaker 1: What did it for us? All Right? That was a

400
00:25:39,520 --> 00:25:42,240
Speaker 1: great report, Thank you, Marcus. Uh. Now, if we can

401
00:25:42,280 --> 00:25:46,200
Speaker 1: go onto some of our smaller stores or different markets,

402
00:25:46,240 --> 00:25:50,280
Speaker 1: it looks like a store out of Clearwater, Florida, and

403
00:25:50,320 --> 00:25:53,760
Speaker 1: Applebee's is booming. And uh we actually sent one of

404
00:25:53,800 --> 00:25:55,840
Speaker 1: our secret shoppers over there, and it seems like they

405
00:25:55,880 --> 00:25:58,080
Speaker 1: have a different menu that we're using here. We're asking

406
00:25:58,119 --> 00:26:01,160
Speaker 1: at least from corporate, so we have to aside from

407
00:26:01,160 --> 00:26:04,000
Speaker 1: the board standpoint, a couple options. I'll go through them.

408
00:26:04,040 --> 00:26:07,560
Speaker 1: Actually it's a long list. But could you actually speak up, Dave?

409
00:26:07,640 --> 00:26:13,240
Speaker 1: I have a touch of ear blindness. Oh yes, sorry, um,

410
00:26:13,480 --> 00:26:17,720
Speaker 1: of course, So Dave, Dave, Hey, how you going? Man?

411
00:26:17,920 --> 00:26:22,359
Speaker 1: Could you speak down a little bit? Sure, just a

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00:26:22,400 --> 00:26:27,040
Speaker 1: little bit. You know what? Why don't you do? Why

413
00:26:27,080 --> 00:26:31,200
Speaker 1: don't we switch seats? You're closer to me. Oh, hold

414
00:26:31,200 --> 00:26:34,359
Speaker 1: on that that sounds like good. Just second, excuse me, No,

415
00:26:34,440 --> 00:26:37,400
Speaker 1: don't switch with me? With me, I'm saying trouble. Could

416
00:26:37,440 --> 00:26:40,480
Speaker 1: you speak with a little bit more base because it's

417
00:26:41,640 --> 00:26:43,560
Speaker 1: I don't know, it's just kind of scratches on my

418
00:26:43,600 --> 00:26:45,600
Speaker 1: ear switch. Alright, this is what I'm gonna know? What

419
00:26:45,680 --> 00:26:48,480
Speaker 1: is he saying? Okay, this is what I'm gonna do.

420
00:26:48,520 --> 00:26:50,840
Speaker 1: I'm gonna talk with a Spanish accent. Okay, I'm gonna

421
00:26:50,840 --> 00:26:55,119
Speaker 1: try to be an Toni and bender's for a little bit.

422
00:26:55,160 --> 00:26:58,000
Speaker 1: I'm so sorry. I only understand people who speak with

423
00:26:58,160 --> 00:27:03,080
Speaker 1: a British accent. So you can try Spanish, but I'm

424
00:27:03,119 --> 00:27:05,720
Speaker 1: not sure all understand? Well, Bell, Hell the hell have

425
00:27:05,720 --> 00:27:07,960
Speaker 1: you been hearing us this whole time? Then? Huh answer

426
00:27:08,000 --> 00:27:12,320
Speaker 1: me that I might might. I'm happy to translate for

427
00:27:12,400 --> 00:27:14,480
Speaker 1: the lady if you want to just start off that

428
00:27:15,040 --> 00:27:20,560
Speaker 1: God that's Russell Crowe's brother from I hear everything. Now, Well,

429
00:27:21,640 --> 00:27:25,160
Speaker 1: we have good news and bad news for you. Yeah. Yeah.

430
00:27:25,680 --> 00:27:30,080
Speaker 1: The good news is the menu is is a success.

431
00:27:29,920 --> 00:27:32,760
Speaker 1: It's wonderful. I heard they're talking about us from here

432
00:27:32,800 --> 00:27:37,360
Speaker 1: to Florida. The bad news is we have to say

433
00:27:37,359 --> 00:27:39,600
Speaker 1: goodbye to you. Now, what do you mean? We're just

434
00:27:40,240 --> 00:27:44,400
Speaker 1: we're just you unlocked. You believed in us, and that's

435
00:27:44,400 --> 00:27:48,600
Speaker 1: all we were waiting for someone to believe in us. Right,

436
00:27:50,960 --> 00:27:54,320
Speaker 1: I'll miss you all, but can I can I come

437
00:27:54,359 --> 00:27:59,240
Speaker 1: with you? Yeah? Kill yourself all right, I'm gonna go

438
00:27:59,280 --> 00:28:02,400
Speaker 1: back down in kitchen and I'm okay. I'm miss saying

439
00:28:02,600 --> 00:28:06,639
Speaker 1: wait wait, huh will always be here or there? I

440
00:28:06,680 --> 00:28:09,320
Speaker 1: should say? No, you just you literally just told me

441
00:28:09,359 --> 00:28:12,240
Speaker 1: you were laved. But I mean where we're going, where

442
00:28:12,280 --> 00:28:14,840
Speaker 1: we're going next, you can always come. So why don't

443
00:28:14,880 --> 00:28:18,520
Speaker 1: you enjoy your time here? And when you miss us terribly?

444
00:28:19,480 --> 00:28:22,159
Speaker 1: You know what to do when I miss you terribly,

445
00:28:22,160 --> 00:28:24,080
Speaker 1: I'll do the thing that you told me to do,

446
00:28:24,480 --> 00:28:29,879
Speaker 1: perhaps my fingers three times and say chicken fried state chicken.

447
00:28:30,480 --> 00:28:32,800
Speaker 1: Hold on, don't say the third time, right, but then

448
00:28:32,840 --> 00:28:36,479
Speaker 1: you'll appear to me, which you already are right now anyway,

449
00:28:36,760 --> 00:28:39,200
Speaker 1: all right, well it was we are getting out of

450
00:28:39,200 --> 00:28:44,080
Speaker 1: her spirits, ghouls. Everybody all packed up ready, go oh,

451
00:28:44,120 --> 00:28:46,000
Speaker 1: here's that pen you were looking for. By the way,

452
00:28:46,680 --> 00:28:49,160
Speaker 1: I forgot this whole time. I was looking for a pan.

453
00:28:49,440 --> 00:28:52,680
Speaker 1: But you gave me more faith than myself, and you

454
00:28:52,720 --> 00:29:00,479
Speaker 1: gave us the same utter up. Yeah, well, I mean

455
00:29:00,480 --> 00:29:03,120
Speaker 1: looking at your chart here, sir. Uh, I'm not sure

456
00:29:03,160 --> 00:29:04,840
Speaker 1: where you were spending a lot of time, but you

457
00:29:04,840 --> 00:29:08,600
Speaker 1: have heavy, heavy levels of leading asbestos in your system.

458
00:29:08,680 --> 00:29:10,840
Speaker 1: And uh, I don't know what to tell you, but

459
00:29:11,080 --> 00:29:12,760
Speaker 1: I don't think you should be working in a restaurant

460
00:29:12,920 --> 00:29:15,000
Speaker 1: or you're gonna have to be doing a lot of

461
00:29:16,360 --> 00:29:18,080
Speaker 1: but work at home to take care of yourself. Sir.

462
00:29:19,240 --> 00:29:22,800
Speaker 1: The restaurant is out of now it's my life. And

463
00:29:22,840 --> 00:29:24,760
Speaker 1: I'll tell you where I was. I was in the

464
00:29:24,800 --> 00:29:28,239
Speaker 1: attic of Applebach. What that does it? Yeah, I mean

465
00:29:28,280 --> 00:29:30,880
Speaker 1: the levels of leading asbesis I mean, that's clear. I'd

466
00:29:30,880 --> 00:29:33,120
Speaker 1: like to see another doctor. Please, do you want to

467
00:29:33,120 --> 00:29:39,040
Speaker 1: see another doctor? How about how about a doctor sees you? Oh? Doctor? Yeah,

468
00:29:39,080 --> 00:29:42,120
Speaker 1: all right, all right, I'm coming in. Oh oh, it's

469
00:29:42,120 --> 00:29:46,000
Speaker 1: a competition. Okay, why don't you you You're welcome to

470
00:29:46,000 --> 00:29:48,520
Speaker 1: go with No. No, this is not about me today.

471
00:29:48,560 --> 00:29:53,960
Speaker 1: It's all about you, Dr dummy. Okay, well, if it's

472
00:29:54,000 --> 00:29:56,280
Speaker 1: all right, I'll no, it's not all right. I was

473
00:29:56,360 --> 00:30:01,920
Speaker 1: ving gestatious, Jesus strikes. What do you got, Jim, geez, Jim,

474
00:30:01,960 --> 00:30:03,480
Speaker 1: did you want us to see one of your patients

475
00:30:03,520 --> 00:30:07,719
Speaker 1: for a second opinion? I mean, yes, I'm trying to leave. Okay,

476
00:30:07,760 --> 00:30:09,160
Speaker 1: I was look, can I talk to you doctors on

477
00:30:09,240 --> 00:30:12,680
Speaker 1: the side for a second? Can I can know, sir,

478
00:30:12,840 --> 00:30:15,320
Speaker 1: stay in the gallon in the corner, and we're going

479
00:30:15,360 --> 00:30:17,480
Speaker 1: to look. I just don't get everyone wants to have

480
00:30:17,560 --> 00:30:21,440
Speaker 1: a second opinion, second opinion. You know, I spent thirteen

481
00:30:21,520 --> 00:30:24,640
Speaker 1: years in medical school. Thirteen years. Okay, I'm a specialist.

482
00:30:24,760 --> 00:30:26,960
Speaker 1: I have a subspecialty, and everyone was like, let me

483
00:30:26,960 --> 00:30:28,920
Speaker 1: see someone, let me see someone. Guess nobody does that.

484
00:30:29,040 --> 00:30:32,640
Speaker 1: Nobody does it with a guy to mechanic. Okay, you three,

485
00:30:32,720 --> 00:30:36,000
Speaker 1: get into my office. I'm the chief surgeon. While you

486
00:30:36,120 --> 00:30:41,560
Speaker 1: three were chinning, chatting, arguing, everyone in our hospital died

487
00:30:42,640 --> 00:30:45,200
Speaker 1: everyone and we don't even a lot of them. Were

488
00:30:45,240 --> 00:30:49,400
Speaker 1: not even bad cases, all right, but they dropped dead.

489
00:30:49,440 --> 00:30:53,280
Speaker 1: Because you don't have a doctor in a room, they're dead.

490
00:30:54,320 --> 00:30:58,240
Speaker 1: So this is on us. You're saying, Yes, we weren't

491
00:30:58,240 --> 00:31:03,680
Speaker 1: doing our rounds. We weren't looking after patients. Jim was

492
00:31:03,760 --> 00:31:08,720
Speaker 1: stopping us from doing our job. You know, you three

493
00:31:08,760 --> 00:31:11,400
Speaker 1: decided it was time to gossip and try to one

494
00:31:11,480 --> 00:31:21,520
Speaker 1: up each other like a couple little creeks. Excuse you.

495
00:31:21,760 --> 00:31:25,000
Speaker 1: I am the head surgeon here, alright. I went to

496
00:31:25,040 --> 00:31:33,680
Speaker 1: Harvard twice, failed the first time. Okay, is it head searching?

497
00:31:37,400 --> 00:31:40,160
Speaker 1: You three are on thin ice every We still got

498
00:31:40,200 --> 00:31:42,880
Speaker 1: the dead bodies in the room. You three are responsible

499
00:31:42,960 --> 00:31:47,280
Speaker 1: for getting those out of there? Um? What else? What else? Um?

500
00:31:47,640 --> 00:31:54,680
Speaker 1: You you gotta get new supplies. All the nurses quit? Chief?

501
00:31:54,720 --> 00:31:57,120
Speaker 1: Are you doing bits now? What's happened? Yeah? Oh? On

502
00:31:57,200 --> 00:32:00,200
Speaker 1: what else? Okay? So I was talking on my life.

503
00:32:01,120 --> 00:32:04,560
Speaker 1: Ladies and gentlemen, welcome to the stage now the Chief

504
00:32:04,720 --> 00:32:11,280
Speaker 1: of Surgery, Darryl frecal Time. Thank you so much. Again

505
00:32:11,320 --> 00:32:13,840
Speaker 1: for having me. Um, it's great to be here. Let's

506
00:32:13,840 --> 00:32:18,640
Speaker 1: get it up again for the host. Everybody. Huh about

507
00:32:18,680 --> 00:32:23,160
Speaker 1: brain surgeons? Do the thing about brain surgeons? Okay, okay, okay, okay.

508
00:32:23,200 --> 00:32:28,680
Speaker 1: Don't usually take requests in my step, but I will. Uh.

509
00:32:29,440 --> 00:32:34,360
Speaker 1: What's the deal with brain surgeons? Huh? Part of me?

510
00:32:34,440 --> 00:32:38,040
Speaker 1: Part of me, Mr brain surgeon. I am an agent.

511
00:32:38,200 --> 00:32:41,120
Speaker 1: I'm sure you could tell by my suit. And I

512
00:32:41,280 --> 00:32:45,479
Speaker 1: have a movie deal for you. Okay, I'll lay yourself

513
00:32:45,480 --> 00:32:47,960
Speaker 1: into my house. Don't worry about that. Don't worry about that.

514
00:32:48,000 --> 00:32:52,600
Speaker 1: This is Hollywood, baby, Hollywood. Okay, you're familiar with the

515
00:32:52,640 --> 00:32:57,080
Speaker 1: movie Legally Blonde. That's my favorite film. Oh I knew it.

516
00:32:57,720 --> 00:33:05,320
Speaker 1: Imagine this legally uh huh blind huh? Okay, So why

517
00:33:05,320 --> 00:33:08,000
Speaker 1: did you bring up the Legally Blonde film? First? Don't

518
00:33:08,040 --> 00:33:10,160
Speaker 1: have something to do with it by saying legally, But

519
00:33:10,320 --> 00:33:13,720
Speaker 1: I don't understand. No, no, it's a matter of fact.

520
00:33:13,840 --> 00:33:16,000
Speaker 1: What do you want me to do with that? I

521
00:33:16,040 --> 00:33:17,720
Speaker 1: want you to I want you to be. I want

522
00:33:17,720 --> 00:33:20,040
Speaker 1: you to be the star. I know you're you are

523
00:33:20,600 --> 00:33:24,280
Speaker 1: be the star you are. You've come so far? Are

524
00:33:24,360 --> 00:33:29,720
Speaker 1: you doing book poetry? Ladies and gentlemen, walcome to the

525
00:33:29,880 --> 00:33:39,720
Speaker 1: stage now the poet who knows it, David Barkenheimer. Hi, everybody. Uh,

526
00:33:39,880 --> 00:33:42,160
Speaker 1: you could probably tell him an agent by my suit.

527
00:33:43,240 --> 00:33:45,440
Speaker 1: But don't shut me out. Don't give me the boot.

528
00:33:46,000 --> 00:33:48,480
Speaker 1: You see, I'm here, I'm pleading. I need your love.

529
00:33:49,040 --> 00:33:53,880
Speaker 1: Oh he started No, no, man, he ran his boot

530
00:33:53,920 --> 00:33:57,040
Speaker 1: with suit rant I like that. Yeah, I didn't know

531
00:33:57,080 --> 00:34:02,120
Speaker 1: he started up. So when you look up to the

532
00:34:02,240 --> 00:34:06,520
Speaker 1: stars you might see me. I'm shiny baby. I'm an

533
00:34:06,560 --> 00:34:15,000
Speaker 1: agent from W M E. And that has seen to everybody.

534
00:34:15,400 --> 00:34:21,680
Speaker 1: Moose are the rails and we are off. The Scene

535
00:34:21,680 --> 00:34:24,320
Speaker 1: three comes from Emily, who wrote, hello all, I absolutely

536
00:34:24,320 --> 00:34:26,279
Speaker 1: adore your podcast and it never failed to bring a

537
00:34:26,280 --> 00:34:29,600
Speaker 1: smile to my face while I die of laughter. Up,

538
00:34:29,680 --> 00:34:33,120
Speaker 1: we've killed another. Thank you all for bringing such weird

539
00:34:33,160 --> 00:34:35,960
Speaker 1: and amazing energy to this world. I have a scene suggestion.

540
00:34:36,560 --> 00:34:39,759
Speaker 1: I'm from Joshua Tree, California, and would love it if

541
00:34:39,800 --> 00:34:42,880
Speaker 1: you all did a scene where someone is stranded in

542
00:34:43,000 --> 00:34:50,120
Speaker 1: National Park with very little supplies. Emily from Joshua Tree, Honey,

543
00:34:50,160 --> 00:34:55,919
Speaker 1: where's the there's a shovel in your hand, God damn it,

544
00:34:56,280 --> 00:35:01,359
Speaker 1: and where's the corn? It's behind you? Is that your

545
00:35:01,400 --> 00:35:05,520
Speaker 1: clever way again of saying that, Oh my god, thank god,

546
00:35:05,600 --> 00:35:10,279
Speaker 1: thank god, Oh my god, thank god. Sir, sir, can

547
00:35:10,320 --> 00:35:14,760
Speaker 1: we help you? Yeah? You have water? What's that water?

548
00:35:15,320 --> 00:35:23,440
Speaker 1: You have water? Water? We have? Funny, thank you? Are

549
00:35:23,440 --> 00:35:28,280
Speaker 1: you looking for the train station? I'm looking for water. Okay,

550
00:35:28,320 --> 00:35:30,479
Speaker 1: Well we can have a sip. You can have a sip.

551
00:35:30,520 --> 00:35:33,440
Speaker 1: But we only have enough honey for us. Honey, we

552
00:35:33,480 --> 00:35:36,360
Speaker 1: only have enough for us. Oh my god, he's loving

553
00:35:36,400 --> 00:35:41,680
Speaker 1: it so fast. Ok okay, okay, okay, thank you, yelcome,

554
00:35:41,800 --> 00:35:45,200
Speaker 1: thank you. What's your name, stranger? My name is Jerry.

555
00:35:46,280 --> 00:35:48,880
Speaker 1: I need something to eat. It's been tasty. What's your

556
00:35:48,960 --> 00:35:54,120
Speaker 1: last name, Yeah, Jerry. What's your last name? Fargola? It's

557
00:35:54,200 --> 00:35:56,120
Speaker 1: Jerry Fagola. What do you want from me? Give me

558
00:35:56,160 --> 00:35:59,240
Speaker 1: something to eat? I'm hung. What we'd like from you, Jerry?

559
00:35:59,280 --> 00:36:03,200
Speaker 1: Is an explanation? Well, I've been lost out here. Alright,

560
00:36:03,280 --> 00:36:06,879
Speaker 1: FBI agents, listen up, everybody listen. I put those put

561
00:36:06,880 --> 00:36:13,560
Speaker 1: that cigarette out a different jackets. All right, we need

562
00:36:13,600 --> 00:36:18,480
Speaker 1: to put everything down. Whatever you're working on stops today.

563
00:36:18,840 --> 00:36:23,400
Speaker 1: We have a number one suspect. I've been working on

564
00:36:23,400 --> 00:36:29,360
Speaker 1: a case for shut up up, Randy. You want me

565
00:36:29,440 --> 00:36:33,840
Speaker 1: to establish Jerry. I've been working on Jerry for Gola.

566
00:36:36,880 --> 00:36:41,920
Speaker 1: You mean Jerry Forgola? What him? Well, we all thought

567
00:36:41,960 --> 00:36:43,880
Speaker 1: he was dead and gone right, we all thought we

568
00:36:44,000 --> 00:36:48,480
Speaker 1: lost him. It's been dead for years in Guatemala. Turns

569
00:36:48,520 --> 00:36:53,960
Speaker 1: out there was a sighting where well, I'll give you

570
00:36:54,000 --> 00:36:57,839
Speaker 1: a hint. It's where wait, why are we doing here? Where?

571
00:36:58,120 --> 00:37:00,160
Speaker 1: I want him to have some fun here? It's are

572
00:37:00,200 --> 00:37:04,839
Speaker 1: we all went last year to those edibles and found ourselves.

573
00:37:05,280 --> 00:37:10,160
Speaker 1: I started occasion to night. You don't actually even work here,

574
00:37:10,280 --> 00:37:18,160
Speaker 1: if I'm being honest. Joshua Tree. Everybody was found in

575
00:37:18,239 --> 00:37:24,359
Speaker 1: Joshua Tree. That's right talking and Joshua Tree. I don't

576
00:37:24,400 --> 00:37:27,759
Speaker 1: know any more details, but I like how serious Carl's being.

577
00:37:28,080 --> 00:37:30,400
Speaker 1: He's taking this personally, and that's the type of officer

578
00:37:31,719 --> 00:37:36,319
Speaker 1: person we have marriages. I only have this case as

579
00:37:36,400 --> 00:37:40,960
Speaker 1: any testament in my life. Where Grandpa, Randy, Do we

580
00:37:41,000 --> 00:37:44,439
Speaker 1: have to go to the Texas school Book Depository again? Yes?

581
00:37:44,640 --> 00:37:48,560
Speaker 1: We do? All right? Now it's a museum. Now you're

582
00:37:48,560 --> 00:37:51,920
Speaker 1: you're not gonna find you're gonna find any evidence there.

583
00:37:52,360 --> 00:37:54,799
Speaker 1: You don't know how to look. I've been on this

584
00:37:54,920 --> 00:37:59,680
Speaker 1: case for sixty oh Jerry, nice to see you again.

585
00:38:00,560 --> 00:38:03,400
Speaker 1: Head on upstairs, you know your spot. Let me know

586
00:38:03,440 --> 00:38:07,400
Speaker 1: if you need anything up there. I probably don't need backup,

587
00:38:08,680 --> 00:38:12,680
Speaker 1: right back up? What do you call you, Jerry, Grandpa, Randy?

588
00:38:13,040 --> 00:38:15,759
Speaker 1: I have a lot of aliases. The only way to

589
00:38:15,880 --> 00:38:21,319
Speaker 1: protect my shelf and my family from reprisal. Baby, wake up,

590
00:38:21,600 --> 00:38:27,520
Speaker 1: wake up? Okay, I'm up. Oh my god, sorry, so

591
00:38:27,680 --> 00:38:31,840
Speaker 1: close to my ear. I don't know distances anymore. The

592
00:38:31,840 --> 00:38:39,520
Speaker 1: world's closing in on me. They found him. Somebody spotted him, Jerry, Jerry,

593
00:38:40,320 --> 00:38:44,080
Speaker 1: Oh my god, Oh my god. Honey, this is great, right,

594
00:38:45,160 --> 00:38:47,600
Speaker 1: great and bad. The rest of the FBI is going

595
00:38:47,640 --> 00:38:50,560
Speaker 1: to go out looking for him tomorrow. I'm going now, Baby,

596
00:38:50,760 --> 00:38:53,480
Speaker 1: I'm going to find him before the rest of the Honey,

597
00:38:53,480 --> 00:38:55,000
Speaker 1: why didn't you tell me this before we went to

598
00:38:55,080 --> 00:38:58,120
Speaker 1: bed tonight. Why did you in the middle of the night.

599
00:38:58,600 --> 00:39:00,360
Speaker 1: I wanted you to get a good night slip? I

600
00:39:00,440 --> 00:39:05,640
Speaker 1: really did. This is bad that night. Sleep. Okay. I

601
00:39:05,680 --> 00:39:08,080
Speaker 1: understand this part of your job is FBI. You're gonna

602
00:39:08,120 --> 00:39:11,520
Speaker 1: have to be gone sometimes I understand. But sometimes they

603
00:39:11,560 --> 00:39:14,439
Speaker 1: feel like you just lean too hard into the FBI thing.

604
00:39:15,800 --> 00:39:18,360
Speaker 1: This time it ain't for the FBI. This time is

605
00:39:18,360 --> 00:39:24,000
Speaker 1: for me, This time is real. Listen, We're gonna have

606
00:39:24,040 --> 00:39:27,160
Speaker 1: to suspend operations with Cuba. Alright, that's just the way

607
00:39:27,160 --> 00:39:29,640
Speaker 1: it is. Looks like Jerry for Gola has been found

608
00:39:29,640 --> 00:39:32,680
Speaker 1: that Red Pieces ship, that motherfucker who gave away our

609
00:39:32,840 --> 00:39:36,760
Speaker 1: approprietary technology as shun of a bitch, he's been found.

610
00:39:39,000 --> 00:39:42,000
Speaker 1: Did they find him? Wait? Wait wait wait wait wait

611
00:39:42,040 --> 00:39:44,080
Speaker 1: wait wait wait wait you saying the motherfucker that's still

612
00:39:44,120 --> 00:39:48,040
Speaker 1: Cuba from us earlier? You know what I thought you

613
00:39:48,040 --> 00:39:52,560
Speaker 1: were saying, Cuba is in Cuba. I thought same thing.

614
00:39:52,600 --> 00:39:54,520
Speaker 1: I thought the same thing that you're talking about the

615
00:39:54,560 --> 00:39:58,320
Speaker 1: country Cuba. Alright, time out was just too big. Alright,

616
00:39:58,320 --> 00:40:02,640
Speaker 1: we're all gonna have to get a little close and okay, insane,

617
00:40:02,800 --> 00:40:05,680
Speaker 1: Look what were you going to say? What did they

618
00:40:05,719 --> 00:40:08,799
Speaker 1: find them? What did they find them? Where did they

619
00:40:08,800 --> 00:40:12,600
Speaker 1: find them? And what did they find on them? Both?

620
00:40:14,800 --> 00:40:17,200
Speaker 1: I really am thankful that you guys let me go

621
00:40:17,360 --> 00:40:20,880
Speaker 1: camping with you, the water, the food. I don't know

622
00:40:20,920 --> 00:40:22,960
Speaker 1: how I'm going to repay you for let me stay

623
00:40:22,960 --> 00:40:24,920
Speaker 1: with you. I have a couple of ideas how you

624
00:40:24,920 --> 00:40:28,719
Speaker 1: could repay us. Okay, it was kind of maybe an

625
00:40:28,719 --> 00:40:31,640
Speaker 1: honest answer to the question where are you from and

626
00:40:31,960 --> 00:40:35,520
Speaker 1: why are you here? I'm from the I'm from Illinois

627
00:40:36,160 --> 00:40:39,800
Speaker 1: and I and I'm well, I was a paper maker.

628
00:40:40,239 --> 00:40:43,960
Speaker 1: And how how is it you found yourself in Joshua

629
00:40:44,080 --> 00:40:46,920
Speaker 1: Tree at all? What are you doing? Well? It was

630
00:40:47,000 --> 00:40:49,560
Speaker 1: simply I I went out a road trip and uh

631
00:40:51,400 --> 00:40:54,799
Speaker 1: and uh and uh and that this is the first

632
00:40:54,840 --> 00:40:57,640
Speaker 1: people that I've seen since you know what my wife is? Right?

633
00:40:57,680 --> 00:41:01,080
Speaker 1: Did you said paper maker maker? I worked at a

634
00:41:01,080 --> 00:41:05,200
Speaker 1: paper maker factory. It's, you know, a paper I don't

635
00:41:05,200 --> 00:41:08,440
Speaker 1: know what that means. I say, Okay, listen, I'm in hiding.

636
00:41:08,680 --> 00:41:10,920
Speaker 1: Is that what you want to hear? How long have

637
00:41:10,920 --> 00:41:12,960
Speaker 1: you been in hiding that you come up without in

638
00:41:13,080 --> 00:41:17,040
Speaker 1: hiding for twenty years? Okay? Please? Twenty years in hiding

639
00:41:17,160 --> 00:41:19,960
Speaker 1: and you're asked what you do and you say paper making.

640
00:41:20,239 --> 00:41:22,880
Speaker 1: And I was trying to keep it a secret, but

641
00:41:23,080 --> 00:41:25,200
Speaker 1: I guess I can trust you. Guys. You've been feeding me,

642
00:41:25,480 --> 00:41:30,440
Speaker 1: you've been giving me liquids. You can't trust I know.

643
00:41:30,719 --> 00:41:32,480
Speaker 1: I mean. Also, here's the thing. If you were in

644
00:41:32,600 --> 00:41:34,400
Speaker 1: hiding for twenty years, how come you're so bad at

645
00:41:34,440 --> 00:41:36,839
Speaker 1: surviving off the land. You came out of there like

646
00:41:37,480 --> 00:41:41,439
Speaker 1: thirsty and hungry as well. Well, I had a well

647
00:41:41,560 --> 00:41:43,719
Speaker 1: that I had Doug, which I thought was deep enough.

648
00:41:43,960 --> 00:41:46,040
Speaker 1: But how did you make it? How did you make it?

649
00:41:46,080 --> 00:41:48,840
Speaker 1: Twenty years? Where were you before? Right before this? Stop?

650
00:41:49,040 --> 00:41:53,960
Speaker 1: And this was this was a bad one. Look, buss,

651
00:41:54,200 --> 00:41:57,960
Speaker 1: I didn't mean any disrespect. Okay, So just just to clarify,

652
00:41:58,120 --> 00:42:01,480
Speaker 1: we're going after the guy. Don't even do this. No no, no,

653
00:42:01,480 --> 00:42:09,319
Speaker 1: no no no no expect respect, respect, respect, okay, listen, right,

654
00:42:09,480 --> 00:42:11,120
Speaker 1: I don't even look. You're making me want to go

655
00:42:11,160 --> 00:42:13,759
Speaker 1: talk to Salvator SALVATONI. I don't want no no no, no, no,

656
00:42:13,760 --> 00:42:18,239
Speaker 1: no no. Take it easy, take it easy, okay or not,

657
00:42:18,480 --> 00:42:22,320
Speaker 1: it's yours. It's yours, hey, boss, Before you get a

658
00:42:22,360 --> 00:42:24,239
Speaker 1: mouthful of shela me, I got a question for you.

659
00:42:24,280 --> 00:42:28,359
Speaker 1: It's too late, too late, me, you're right, it's too late.

660
00:42:28,440 --> 00:42:32,799
Speaker 1: Never mind. All right, Look, here's the deal. If we

661
00:42:32,840 --> 00:42:35,719
Speaker 1: don't get this guy, the Fobbie will get him first.

662
00:42:35,800 --> 00:42:39,200
Speaker 1: You know what I mean. That's what I was gonna say.

663
00:42:39,320 --> 00:42:44,680
Speaker 1: The Footbi is gonna move in before windows. Well, sorry, folks, Uh,

664
00:42:44,920 --> 00:42:46,960
Speaker 1: without Jerry here, we're gonna have to close down the

665
00:42:46,960 --> 00:42:51,000
Speaker 1: papermaker factory. What but This is how I made my money.

666
00:42:51,040 --> 00:42:55,040
Speaker 1: This is we make paper makers and then send them

667
00:42:55,040 --> 00:43:00,360
Speaker 1: to the factories that make paper. We're a crucial cog

668
00:43:00,440 --> 00:43:02,960
Speaker 1: in the in the chain of industry. What are we

669
00:43:02,960 --> 00:43:05,600
Speaker 1: supposed to do with the rest of our lives? Like

670
00:43:05,680 --> 00:43:09,080
Speaker 1: I don't know. I mean, what are you gonna do? Well,

671
00:43:09,120 --> 00:43:11,760
Speaker 1: I've I've always wanted to retire and visit the National

672
00:43:11,800 --> 00:43:15,200
Speaker 1: park System. Billy, what park do you think you'd go

673
00:43:15,280 --> 00:43:19,360
Speaker 1: to first? Well, there's one up in up in the

674
00:43:19,400 --> 00:43:21,880
Speaker 1: upper Peninsula of Michigan. That's uh, it's the least of

675
00:43:21,960 --> 00:43:27,840
Speaker 1: take it again. There's a there's a native population of

676
00:43:27,880 --> 00:43:33,960
Speaker 1: elk there and it's just beautiful from what it's called.

677
00:43:34,680 --> 00:43:38,120
Speaker 1: Are you telling me Jerry retired? Look, I don't know

678
00:43:38,120 --> 00:43:40,200
Speaker 1: if he retired. All I know is it we we

679
00:43:40,280 --> 00:43:42,200
Speaker 1: showed up and he's gone. He's the only one who

680
00:43:42,280 --> 00:43:45,120
Speaker 1: knows he has the key to the machines that make

681
00:43:45,160 --> 00:43:49,000
Speaker 1: the papermakers. Jerry just made this personal. If there's one

682
00:43:49,000 --> 00:43:51,440
Speaker 1: thing I'm gonna do in my life, I will track

683
00:43:51,560 --> 00:43:54,960
Speaker 1: down Jerry. I will find Jerry, and I will get

684
00:43:54,960 --> 00:43:58,359
Speaker 1: that people make or going back again? All right, quide down,

685
00:43:58,400 --> 00:44:07,560
Speaker 1: everybody down. New information, New information here, everybody, We're not

686
00:44:07,640 --> 00:44:10,960
Speaker 1: just going after Jerry. We're also not going after Carl.

687
00:44:11,760 --> 00:44:14,600
Speaker 1: He's gone rogue. He's gone rogue. He's a danger to

688
00:44:14,680 --> 00:44:18,480
Speaker 1: himself and to others. So you're saying to dismiss a

689
00:44:18,520 --> 00:44:23,239
Speaker 1: case of sixties and the amount of information they have

690
00:44:23,320 --> 00:44:28,279
Speaker 1: confided listening to you. So you're saying we are going

691
00:44:28,320 --> 00:44:31,040
Speaker 1: after Carl, or we're also not not going after Carl.

692
00:44:31,640 --> 00:44:36,080
Speaker 1: Both listen. If you see Carl, you shoot to kill

693
00:44:37,200 --> 00:44:42,200
Speaker 1: you shoot? We have to rent Should we rent the

694
00:44:42,239 --> 00:44:48,080
Speaker 1: guns out now from the armor rears? Yeah? Go rent

695
00:44:48,160 --> 00:44:51,239
Speaker 1: the guns. Everybody go all hands on deck. Joshua Tree,

696
00:44:51,360 --> 00:44:53,600
Speaker 1: go by the way. The Bob is also going there.

697
00:44:54,560 --> 00:44:57,919
Speaker 1: Hey you need to rent a gun? Yeah, I saw

698
00:44:57,960 --> 00:44:59,600
Speaker 1: you on the way to the armory. I'm going to

699
00:44:59,600 --> 00:45:02,560
Speaker 1: rent you one of mind going what's your name? Girl?

700
00:45:02,640 --> 00:45:06,839
Speaker 1: What's your name? Um? Carol? That's a pretty name. How

701
00:45:06,920 --> 00:45:12,560
Speaker 1: you spell it? How you that's enough, that's enough, that's enough.

702
00:45:13,280 --> 00:45:15,839
Speaker 1: If you're reaching my back hip pocket, you're gonna find

703
00:45:15,840 --> 00:45:18,560
Speaker 1: a block nine mill of me. That's for you, girl,

704
00:45:18,640 --> 00:45:21,520
Speaker 1: that's for you. Thank you? Do I just sign anything.

705
00:45:21,560 --> 00:45:23,120
Speaker 1: There's also this old guy here. I don't know if

706
00:45:23,120 --> 00:45:27,719
Speaker 1: he wants? Is that Randy here? Hey man, how you doing?

707
00:45:27,800 --> 00:45:31,759
Speaker 1: Bro fine? She needed to get a girl. Grandpa. You

708
00:45:31,800 --> 00:45:35,000
Speaker 1: don't need a gun, hey, trust you with one. You

709
00:45:35,040 --> 00:45:38,120
Speaker 1: need to respect your elders. Young man. Hey, but I

710
00:45:38,160 --> 00:45:41,799
Speaker 1: got a musket for you must a top note in

711
00:45:42,000 --> 00:45:51,240
Speaker 1: musket man. Hey, all right, please, Carol, don't move, Jerry,

712
00:45:51,480 --> 00:45:55,160
Speaker 1: don't move. We got you surrounded. What is this? What

713
00:45:59,239 --> 00:46:03,040
Speaker 1: the moffia here wrapped me out? Why would we wrat

714
00:46:03,120 --> 00:46:08,360
Speaker 1: you out? I've successfu twenty years and now the cocks

715
00:46:08,400 --> 00:46:13,480
Speaker 1: are here twenty years. I mean, don't do this, Carl,

716
00:46:15,000 --> 00:46:20,040
Speaker 1: Car'll do it too late. I've already shot him and

717
00:46:20,160 --> 00:46:25,040
Speaker 1: he didn't even know it. He didn't even know it.

718
00:46:26,320 --> 00:46:28,719
Speaker 1: Right now, there's a bullet slowly making its way down

719
00:46:28,760 --> 00:46:36,160
Speaker 1: from your clervical to your left ventricle. Did I also fired?

720
00:46:36,280 --> 00:46:44,120
Speaker 1: And so did the mafiaatting tools be able to show

721
00:46:44,239 --> 00:46:50,279
Speaker 1: this case? Damn? All right, somebody take this papermaker key.

722
00:46:52,200 --> 00:46:58,480
Speaker 1: That's the only reason that mery. I don't want that.

723
00:46:59,280 --> 00:47:02,400
Speaker 1: I won't that. Jimmy, do you realize that when you

724
00:47:02,480 --> 00:47:04,840
Speaker 1: closed down the people make a factory, you put me

725
00:47:04,840 --> 00:47:07,200
Speaker 1: out of work, you put my family out of work.

726
00:47:07,520 --> 00:47:09,320
Speaker 1: I had to go to learn to be an FBI,

727
00:47:09,440 --> 00:47:16,520
Speaker 1: just to track you down. Sorry, take the key, just sorry.

728
00:47:16,840 --> 00:47:27,920
Speaker 1: Fire fire, there's a fire. There's a fire. Shoot the fire.

729
00:47:28,040 --> 00:47:35,279
Speaker 1: Everybody shoot at the fire. Alright, FBI, alright, BI, quiet Well,

730
00:47:36,120 --> 00:47:42,279
Speaker 1: who knew? Our hero today is Randy. Randy put this

731
00:47:42,320 --> 00:47:46,960
Speaker 1: case together, he solved it himself. I dead. He is Randy.

732
00:47:47,000 --> 00:47:49,759
Speaker 1: You want to say a few words the first thing

733
00:47:49,920 --> 00:47:55,200
Speaker 1: I want to share here? Thank god, thank god he's

734
00:47:55,239 --> 00:48:04,800
Speaker 1: finally dead. Three. Well, everybody go back to your old cases.

735
00:48:06,000 --> 00:48:08,320
Speaker 1: I throughout all the evidence you told this is stop.

736
00:48:08,400 --> 00:48:11,800
Speaker 1: I threw it out, I burned it. I shredded it. Carol,

737
00:48:11,960 --> 00:48:14,360
Speaker 1: why do you have a hickey in your neck? I

738
00:48:14,440 --> 00:48:16,279
Speaker 1: hooked up with the guy who saw who gave me

739
00:48:16,360 --> 00:48:19,680
Speaker 1: his gun? What and how is that any of our business?

740
00:48:19,880 --> 00:48:22,719
Speaker 1: He asked me, What do you want me to lies? If? Yeah?

741
00:48:22,719 --> 00:48:26,319
Speaker 1: I know you guys are Carol, finnything ever happened? If

742
00:48:26,360 --> 00:48:30,400
Speaker 1: they ask you, you'd be truthful? Girl. Okay, you know

743
00:48:30,440 --> 00:48:34,120
Speaker 1: what in the Bible, page fifty eight, it says the

744
00:48:34,200 --> 00:48:38,200
Speaker 1: truth got your back. Oh yeah, look it does say

745
00:48:38,239 --> 00:48:44,640
Speaker 1: that right there. Yeah eight? Girl? Okay, Um, well, I

746
00:48:44,680 --> 00:48:46,480
Speaker 1: guess I should put my clothes back on and get

747
00:48:46,480 --> 00:48:54,680
Speaker 1: back to my office. Um no, let me slowly dress you. Yes, Michael,

748
00:48:54,680 --> 00:48:57,600
Speaker 1: it's I could. Thanks for coming in to see me today.

749
00:48:58,000 --> 00:49:02,080
Speaker 1: I just wanted a question about your put on page.

750
00:49:02,719 --> 00:49:08,120
Speaker 1: It says here and you wrote the truth got your back.

751
00:49:09,080 --> 00:49:11,560
Speaker 1: I'm just curious what you mean by that. What is

752
00:49:11,600 --> 00:49:17,920
Speaker 1: the greater meaning behind this? Well? Uh, I'm half happy

753
00:49:17,960 --> 00:49:20,520
Speaker 1: to hear from either one of you. I'm just bringing wine.

754
00:49:20,520 --> 00:49:22,799
Speaker 1: I just come in here to bring wine, and why

755
00:49:22,800 --> 00:49:26,120
Speaker 1: don't you pour the wine instead of just bringing Okay,

756
00:49:26,640 --> 00:49:30,560
Speaker 1: So when I wrote truth got your back, what I

757
00:49:30,600 --> 00:49:35,759
Speaker 1: meant was that you're like a team with truth. I'm like,

758
00:49:36,280 --> 00:49:38,800
Speaker 1: you're going to have to defend truth. But don't you worry.

759
00:49:39,320 --> 00:49:42,759
Speaker 1: Truth got your back again? Do you get it? I

760
00:49:42,840 --> 00:49:45,680
Speaker 1: understand words as you as you lay them out. I

761
00:49:45,719 --> 00:49:48,080
Speaker 1: don't know. More you protect the truth, the more the

762
00:49:48,120 --> 00:49:51,279
Speaker 1: truth will protect you. So does that mean just put

763
00:49:51,440 --> 00:49:54,120
Speaker 1: the Bible? Is there a problem with this? It really

764
00:49:54,160 --> 00:49:57,919
Speaker 1: makes sense. I understand you're selling hard now, but I'm

765
00:49:58,000 --> 00:49:59,960
Speaker 1: trying to make it clear. So when people read the

766
00:50:00,040 --> 00:50:05,040
Speaker 1: Bible they understand, well, I mean, it's truth. Whatever it

767
00:50:05,120 --> 00:50:08,680
Speaker 1: inspires them to feel will be fine. It's up to interpretation.

768
00:50:08,840 --> 00:50:10,840
Speaker 1: Is it the whole thing? And am I wrong? You

769
00:50:10,880 --> 00:50:13,960
Speaker 1: seem very defensive. I am. You've come to one of

770
00:50:14,000 --> 00:50:17,880
Speaker 1: my favorite lines, and it seems like you're gonna Michael. Listen,

771
00:50:17,920 --> 00:50:20,839
Speaker 1: we need this thing canonized. Alright, come on, alright, hurry up,

772
00:50:21,440 --> 00:50:23,160
Speaker 1: Just pick the line and put it in. We need

773
00:50:23,200 --> 00:50:26,400
Speaker 1: a canonize. Let's go. The guy's a fucking waiting these alright,

774
00:50:26,680 --> 00:50:30,920
Speaker 1: ladies and gentlemen of the congregation. That's way. I've known

775
00:50:31,120 --> 00:50:36,400
Speaker 1: that the Bible says Jesus pleases and a rally refuses.

776
00:50:37,680 --> 00:50:41,879
Speaker 1: You're turning the page. If you'll turn the page fifty two,

777
00:50:41,920 --> 00:50:45,080
Speaker 1: where there's a colorful picture of Moses sliding down from

778
00:50:45,080 --> 00:50:49,200
Speaker 1: the mountain on his might have different. I have a

779
00:50:49,200 --> 00:50:51,760
Speaker 1: different book. What wait, what book you got? My brother?

780
00:50:52,080 --> 00:50:54,240
Speaker 1: What's a Bible? Just different? My books a little bigger.

781
00:50:54,239 --> 00:50:59,000
Speaker 1: So fifty two. My my pictures are on fifty Oh

782
00:50:59,040 --> 00:51:01,640
Speaker 1: that's the book of proface? Is that was Michael's enemy?

783
00:51:02,280 --> 00:51:10,319
Speaker 1: You got Michael's Enemy's Bible? Hair tech. I didn't know

784
00:51:10,520 --> 00:51:18,719
Speaker 1: it was on sale. It was on sale. Don't don't

785
00:51:18,719 --> 00:51:25,440
Speaker 1: take me to the attic, No, welcome to the attic.

786
00:51:26,280 --> 00:51:33,919
Speaker 1: Can I offer you some Muzor Realistics. Today, let's thank

787
00:51:33,960 --> 00:51:39,440
Speaker 1: all of our akamis please, starting with Mr Garry Anthony Williams. Gary, Hi, guys,

788
00:51:39,960 --> 00:51:42,319
Speaker 1: thank you so much for joining us today. I know

789
00:51:42,480 --> 00:51:45,600
Speaker 1: you've you've got an appointment with the Open Road, so

790
00:51:45,680 --> 00:51:48,880
Speaker 1: we'll let you go. But how how you have any

791
00:51:48,920 --> 00:51:52,160
Speaker 1: anything you'd like to mention to the folks, A plug wise,

792
00:51:52,239 --> 00:51:56,080
Speaker 1: anything they should follow, look up or otherwise be involved. Yeah, yeah,

793
00:51:56,080 --> 00:51:59,480
Speaker 1: sure sure. Uh brand new TV show that I'm about

794
00:51:59,520 --> 00:52:02,439
Speaker 1: to go back can finish shooting for Netflix next week

795
00:52:03,320 --> 00:52:06,239
Speaker 1: called The Crew, So keep your eye out for that me,

796
00:52:06,400 --> 00:52:10,239
Speaker 1: Kevin James and some other people. And then if you

797
00:52:10,280 --> 00:52:14,319
Speaker 1: want to listen to my podcast called Day Drinking with

798
00:52:14,360 --> 00:52:17,640
Speaker 1: Gary and Elliott, I wouldn't mind. I wouldn't mind at all.

799
00:52:18,480 --> 00:52:21,920
Speaker 1: Day Drinking with Gary and Elliott. And look for the

800
00:52:21,960 --> 00:52:24,919
Speaker 1: Crew on Netflix, Yes, sir, And you're going back to work.

801
00:52:24,960 --> 00:52:27,280
Speaker 1: And what part of the world does that man Long Island,

802
00:52:27,360 --> 00:52:29,560
Speaker 1: New York I have to quarantine. They're going to do

803
00:52:29,600 --> 00:52:32,840
Speaker 1: the nose pap smear three times a week, the sweet

804
00:52:32,840 --> 00:52:36,520
Speaker 1: Sweet Nose pop. Has anybody had it up the nose yet?

805
00:52:37,840 --> 00:52:41,160
Speaker 1: You have? How is it? Yeah? Yeah? You know? Okay

806
00:52:42,320 --> 00:52:45,880
Speaker 1: A little bit. Yeah, it's you get a little you know,

807
00:52:46,400 --> 00:52:50,160
Speaker 1: a little spark, little spark. Yeah, I'm kind of looking

808
00:52:50,200 --> 00:52:53,759
Speaker 1: forward to it. God speed Gary, and thanks for joining us.

809
00:52:53,800 --> 00:52:58,200
Speaker 1: Thank you my friend Caroline Cotter. Anything you'd like to

810
00:52:58,200 --> 00:53:01,799
Speaker 1: mention or folks can find. Yeah, I'm gonna take this

811
00:53:01,880 --> 00:53:05,080
Speaker 1: time to promote my Instagram. It's Carter Poop. And just

812
00:53:05,239 --> 00:53:07,960
Speaker 1: know that I did delete it for the time being

813
00:53:08,000 --> 00:53:10,319
Speaker 1: because it's giving me too much anxiety, so I no

814
00:53:10,360 --> 00:53:14,319
Speaker 1: longer have it on my phone. It exists. Check it out,

815
00:53:14,480 --> 00:53:18,080
Speaker 1: but you know, don't engage. So you didn't. You didn't

816
00:53:18,080 --> 00:53:20,320
Speaker 1: get rid of the account. The account is still available.

817
00:53:20,360 --> 00:53:22,040
Speaker 1: You just got rid of it up from your own

818
00:53:22,120 --> 00:53:26,560
Speaker 1: individual phone exactly, all right, So leave you alone. But

819
00:53:26,640 --> 00:53:32,760
Speaker 1: check out the side. Check out the conte got the page.

820
00:53:33,760 --> 00:53:36,960
Speaker 1: Thank you for that. Mr James Teney, well, thanks for

821
00:53:37,000 --> 00:53:40,160
Speaker 1: having me. Um. I've been doing a lot of streaming

822
00:53:40,320 --> 00:53:46,680
Speaker 1: on Twitch which dot tv or it's it's Twitch dot

823
00:53:46,719 --> 00:53:49,520
Speaker 1: tv forward slash the real James. I have a feeling

824
00:53:49,560 --> 00:53:52,560
Speaker 1: you would find, din't I love that that you would know.

825
00:53:54,880 --> 00:53:57,560
Speaker 1: Mr Chris Alvarado, thanks so much for joining us, Pal,

826
00:53:57,880 --> 00:54:00,560
Speaker 1: Thanks for having me. I'm gonna give my to Gary.

827
00:54:00,640 --> 00:54:02,480
Speaker 1: I had so much fun playing with you, Gary, so

828
00:54:02,520 --> 00:54:05,000
Speaker 1: I want to reiterate check out and listen to day

829
00:54:05,040 --> 00:54:08,719
Speaker 1: drinking with Gary and Elliott. That's that's my plug. Nice

830
00:54:08,760 --> 00:54:15,480
Speaker 1: work much, Craig Katkowski. Yes, uh here we are in

831
00:54:15,520 --> 00:54:21,280
Speaker 1: Craig's grammar corner. As always. Uh, I imply and you infer.

832
00:54:22,400 --> 00:54:24,440
Speaker 1: I e. I'm the one who hints, and then you

833
00:54:24,480 --> 00:54:26,520
Speaker 1: have to read through the meaning of my hinting to

834
00:54:26,640 --> 00:54:29,680
Speaker 1: infer what are you inferring? As a phrase that means nothing?

835
00:54:30,280 --> 00:54:32,239
Speaker 1: You want? What are you implying? And then you can

836
00:54:32,239 --> 00:54:37,600
Speaker 1: infer what I impl They're not so interchangeable, they are

837
00:54:37,600 --> 00:54:42,120
Speaker 1: not flying that towards me. You inferred correctly, my friend.

838
00:54:44,760 --> 00:54:49,120
Speaker 1: Educational and entertaining. That's all we root for. And speaking

839
00:54:49,120 --> 00:54:51,879
Speaker 1: of which, Mr Joey Greer, thanks much for being here,

840
00:54:52,480 --> 00:54:56,040
Speaker 1: Thank you for having me. I'm doing digital mm A training.

841
00:54:56,080 --> 00:54:58,480
Speaker 1: If anybody wants to get on board it that so

842
00:54:59,280 --> 00:55:01,960
Speaker 1: you just email me some of your phone number and

843
00:55:02,000 --> 00:55:05,759
Speaker 1: then where should people email you again? Uh? Email me

844
00:55:05,840 --> 00:55:07,719
Speaker 1: at m m A trainer the best of the best

845
00:55:07,760 --> 00:55:09,279
Speaker 1: if you want the rest, and you're gonna have to

846
00:55:09,320 --> 00:55:12,799
Speaker 1: take the test at gmail dot com. Are you are

847
00:55:12,840 --> 00:55:15,240
Speaker 1: you doing that shin jitsu to the art of fighting

848
00:55:15,360 --> 00:55:17,600
Speaker 1: from the knees down using only the knees down, just

849
00:55:17,760 --> 00:55:20,080
Speaker 1: the shans are you doing exactly a lot of people

850
00:55:20,120 --> 00:55:22,480
Speaker 1: say because it's an exposed bone and the conroci by

851
00:55:22,560 --> 00:55:25,680
Speaker 1: one of the weakest. I disagree, and with my methodology

852
00:55:25,680 --> 00:55:28,720
Speaker 1: of injecting with certain metallurgy into the knee cap it stuff.

853
00:55:28,920 --> 00:55:32,160
Speaker 1: Not only are we gonna make the knee stronger, So

854
00:55:32,400 --> 00:55:34,400
Speaker 1: check that out. Wait, hold on, did you say not

855
00:55:34,520 --> 00:55:36,200
Speaker 1: only are we gonna make the knee strong? And then

856
00:55:36,200 --> 00:55:39,880
Speaker 1: you were done? I mean, if you want to know

857
00:55:39,920 --> 00:55:46,279
Speaker 1: the rest, No, no, I know. Let's thank our brengineering

858
00:55:46,320 --> 00:55:50,680
Speaker 1: producer of stars, Mr Doug Baine, the fine folks that

859
00:55:50,760 --> 00:55:56,239
Speaker 1: I heart media. I mean, how's Kevin Pollack. I'm minding

860
00:55:56,280 --> 00:55:58,440
Speaker 1: you to please be kind to each other, and damn it,

861
00:55:58,560 --> 00:56:01,440
Speaker 1: wear masks every damn time you leave the home. Where

862
00:56:01,680 --> 00:56:06,040
Speaker 1: a mask? Please? Um? Yeah? Thanks so much for all

863
00:56:06,160 --> 00:56:12,200
Speaker 1: the comments and reviews and emails and support. We greatly

864
00:56:12,400 --> 00:56:14,759
Speaker 1: appreciate you. Until next time,