1 00:00:00,080 --> 00:00:03,640 Speaker 1: Hello the Internet, and welcome to this episode of jur 2 00:00:03,720 --> 00:00:09,119 Speaker 1: Daly said Geist, Season one forty two, Episode one. It's 3 00:00:09,119 --> 00:00:12,280 Speaker 1: a production of radio and this is the podcast where 4 00:00:12,280 --> 00:00:14,480 Speaker 1: we take a deep dive into America's share consciousness, said 5 00:00:14,520 --> 00:00:19,560 Speaker 1: say officially off the top. Fuck the Cooke Brothers, Fuck 6 00:00:19,640 --> 00:00:25,400 Speaker 1: Fox News, Ross Limbaugh, uh Funck, Ben Shapiro, Fuck part Zuckerberg, Bezos, 7 00:00:25,840 --> 00:00:31,800 Speaker 1: Fuck ESPN. Wow funk jk Rowling. Uh yeah, funck ESPN 8 00:00:31,840 --> 00:00:36,720 Speaker 1: for making woes apologize for telling Josh Holly to go 9 00:00:36,800 --> 00:00:39,919 Speaker 1: funk episodes. Wait, well, the senator wanted the NBA players 10 00:00:40,000 --> 00:00:45,560 Speaker 1: to back the blue on their jerseys. What the fact that? Yeah, 11 00:00:45,680 --> 00:00:49,320 Speaker 1: in case people don't know, woes the NBA reporter part 12 00:00:49,440 --> 00:00:55,240 Speaker 1: excellence of NBA, you know, knowledge info dropping woes bumps. 13 00:00:55,480 --> 00:00:59,800 Speaker 1: Josh Holly's office senate a message to ESPN being like, hey, 14 00:01:00,040 --> 00:01:03,360 Speaker 1: guys should instead of putting Black Lives Matter on your jerseys, 15 00:01:03,440 --> 00:01:08,280 Speaker 1: you should put back the blue and responded simply fuck you, 16 00:01:09,280 --> 00:01:13,280 Speaker 1: and then ESPN made him apologize. Around by Disney, who 17 00:01:13,280 --> 00:01:16,880 Speaker 1: will be talking about the day again as always. Uh, 18 00:01:16,920 --> 00:01:22,760 Speaker 1: it's Monday, July thirty. My name is Jack O'Brien, a 19 00:01:22,920 --> 00:01:27,120 Speaker 1: k A oh baby, would you look at that turf? 20 00:01:27,560 --> 00:01:33,000 Speaker 1: J K. Rolling is a fucking jerk, that Christy. I'm 21 00:01:33,040 --> 00:01:35,920 Speaker 1: a Gucci mane and I am thrilled to be joined 22 00:01:35,959 --> 00:01:41,520 Speaker 1: as always by my co host, Mr Miles I unfortunately 23 00:01:41,600 --> 00:01:43,920 Speaker 1: drank cold Brutes early and I forgot to look up 24 00:01:43,920 --> 00:01:45,560 Speaker 1: in a K. So I'm just gonna go with the 25 00:01:45,600 --> 00:01:48,040 Speaker 1: old school the O g one. I started with this 26 00:01:48,440 --> 00:01:51,640 Speaker 1: Miles Gray a K your Boy Kusama the Black and 27 00:01:51,720 --> 00:01:59,040 Speaker 1: Ees experimental artist. She's like every like trippy older Japanese woman, 28 00:01:59,080 --> 00:02:01,880 Speaker 1: I know, like style or like they're everyone's doing a 29 00:02:02,000 --> 00:02:06,960 Speaker 1: version of the Yayoi. I don't. I don't. Actually you're 30 00:02:06,960 --> 00:02:11,840 Speaker 1: not familiar with the I'm not. Every time he's like, yeah, man, 31 00:02:11,880 --> 00:02:17,160 Speaker 1: I love that AKA your Boy. So they got something 32 00:02:17,160 --> 00:02:24,280 Speaker 1: to do with us. You've seen like those gigantic like 33 00:02:24,400 --> 00:02:27,800 Speaker 1: pumpkins that are like yellow with like black dots, or 34 00:02:27,840 --> 00:02:30,600 Speaker 1: like any installation that has all these dots in a room, 35 00:02:30,760 --> 00:02:33,200 Speaker 1: and people like taking Instagram photos. A lot of those 36 00:02:33,200 --> 00:02:36,440 Speaker 1: tend to be usually thank you for contextualizing it as 37 00:02:36,440 --> 00:02:39,560 Speaker 1: an Instagram, otherwise I would not be able to or 38 00:02:39,600 --> 00:02:43,280 Speaker 1: what is art really? Right? Well, we are thrilled to 39 00:02:43,280 --> 00:02:48,120 Speaker 1: be joined in our third seat by the hilarious, the talented, 40 00:02:48,240 --> 00:02:55,280 Speaker 1: the brilliant Tess. Yeah, I'm so excited to be here. 41 00:02:55,560 --> 00:02:59,960 Speaker 1: I have adrenaline pumping filling a mouse. Your bare hand 42 00:03:00,080 --> 00:03:02,960 Speaker 1: ends right in front of just ripped it in half 43 00:03:03,840 --> 00:03:06,440 Speaker 1: on the zoom just for that, Like, oh, yeah, I 44 00:03:06,440 --> 00:03:12,840 Speaker 1: don't think I'm about this life. You've got beautiful art 45 00:03:12,960 --> 00:03:17,560 Speaker 1: behind you, made by you really Yeah, snaps too for 46 00:03:17,600 --> 00:03:19,560 Speaker 1: the art, you know. I say this, and I don't 47 00:03:19,560 --> 00:03:21,720 Speaker 1: mean to come at our other guests, but some of 48 00:03:21,720 --> 00:03:25,960 Speaker 1: our our guests the background the wall is dry, blank, 49 00:03:26,560 --> 00:03:28,960 Speaker 1: and I like the amount of you know, I like that. 50 00:03:29,000 --> 00:03:30,160 Speaker 1: I like that. I like what I see back there. 51 00:03:30,160 --> 00:03:32,919 Speaker 1: And some of it is your work too. Yeah, I 52 00:03:32,960 --> 00:03:36,840 Speaker 1: would say, is my work behind me? Nice? I'm actually 53 00:03:36,880 --> 00:03:40,520 Speaker 1: always intimidated by how few of our guests have things 54 00:03:41,320 --> 00:03:45,400 Speaker 1: or have blank walls behind them because I have such 55 00:03:45,440 --> 00:03:48,160 Speaker 1: a bad such bad me sense scene in my zoom 56 00:03:48,320 --> 00:03:52,160 Speaker 1: that uh, I have gone, I have gone false background. 57 00:03:52,440 --> 00:03:54,360 Speaker 1: It looks like the Feds just like trying to flip 58 00:03:54,400 --> 00:04:00,160 Speaker 1: my bedroom behind you. Yeah, there's something. I mean, Look, 59 00:03:59,560 --> 00:04:02,600 Speaker 1: if we really want to go out, the walls in 60 00:04:02,640 --> 00:04:05,760 Speaker 1: this home are not bare, Okay, I make I respect 61 00:04:05,760 --> 00:04:09,400 Speaker 1: the walls with art in this home. Uh, we were 62 00:04:09,440 --> 00:04:12,400 Speaker 1: still have all our stuff in boxes because you never 63 00:04:12,720 --> 00:04:15,200 Speaker 1: you never know. You can't you can't have so many 64 00:04:15,240 --> 00:04:18,160 Speaker 1: things that you can't drop in find whatever. Robert de 65 00:04:18,279 --> 00:04:25,440 Speaker 1: Niro says in Heat uh killer pop culture reference the 66 00:04:25,440 --> 00:04:31,400 Speaker 1: fire background. Yeah, yeah, I think it's appropriate reference. Yeah. Yeah, Well, tuys, 67 00:04:31,400 --> 00:04:33,120 Speaker 1: we're gonna get to know you a little bit better 68 00:04:33,160 --> 00:04:35,760 Speaker 1: in a moment. First, we are going to tell our 69 00:04:35,800 --> 00:04:39,440 Speaker 1: listeners a couple of things we're talking about. Uh, we 70 00:04:39,480 --> 00:04:42,320 Speaker 1: all watched Hamilton's I think, right, Yeah, so we're gonna 71 00:04:42,320 --> 00:04:46,919 Speaker 1: talk about Hamilton's seems to be in the zeitgeist. We're 72 00:04:46,960 --> 00:04:51,720 Speaker 1: going to talk about Bella Hadide having a post taken 73 00:04:51,760 --> 00:04:57,720 Speaker 1: down for saying that her father's from Palestine. What. Yeah, 74 00:04:57,839 --> 00:05:00,600 Speaker 1: so that just seems to be part of it. It's 75 00:05:00,680 --> 00:05:07,400 Speaker 1: interesting what social media platforms are sensitive about. We also, 76 00:05:08,120 --> 00:05:10,960 Speaker 1: the person who wrote my A k A Today got 77 00:05:11,040 --> 00:05:14,000 Speaker 1: kicked off of a platform for using the word redneck, 78 00:05:14,279 --> 00:05:18,359 Speaker 1: So very sensitive about that. We're we're very sensitive on 79 00:05:18,400 --> 00:05:23,720 Speaker 1: these platforms about you know, white supremacists and uh yeah, 80 00:05:23,760 --> 00:05:26,880 Speaker 1: and anyone that actively evolved in apartheid state. But yeah, 81 00:05:26,960 --> 00:05:29,880 Speaker 1: that's uh, let's let's make sure we consider the feelings 82 00:05:29,880 --> 00:05:33,600 Speaker 1: of everyone. Okay, yes, yes we have diversity of thought. 83 00:05:33,720 --> 00:05:38,719 Speaker 1: I mean, how foolish of belahadied to admit that her 84 00:05:38,800 --> 00:05:42,279 Speaker 1: father was from a different place, and then that happened 85 00:05:42,320 --> 00:05:44,839 Speaker 1: to be a place where I can only imagine what 86 00:05:45,000 --> 00:05:48,159 Speaker 1: happens like when we'll get into how any of these 87 00:05:48,160 --> 00:05:51,640 Speaker 1: things end up becoming hot posts that somehow the platform 88 00:05:51,640 --> 00:05:57,000 Speaker 1: has to intervene in all of that plenty more. But first, 89 00:05:57,040 --> 00:05:58,840 Speaker 1: as we like to task our guess, what is something 90 00:05:58,880 --> 00:06:03,880 Speaker 1: from your search history? It is revealing about who you are. Um? Well, 91 00:06:03,960 --> 00:06:06,320 Speaker 1: I was doing a lot of googling of Hamilton's because 92 00:06:06,360 --> 00:06:10,120 Speaker 1: we just washed Hamilton's. But before that, I was looking 93 00:06:10,240 --> 00:06:12,480 Speaker 1: up I don't know if you know what beetle leaves 94 00:06:12,480 --> 00:06:16,720 Speaker 1: are or battle leaves in Um South Asian cultures called 95 00:06:16,720 --> 00:06:20,039 Speaker 1: bond um And it's like this like leaf that is 96 00:06:20,080 --> 00:06:25,000 Speaker 1: like full of either sugar or seeds or something, and 97 00:06:25,040 --> 00:06:27,799 Speaker 1: there's like one of them makes you kind of high, 98 00:06:27,839 --> 00:06:30,000 Speaker 1: I'm not sure, um, and then people eat it like 99 00:06:30,080 --> 00:06:32,880 Speaker 1: after like their meal, and they have like bond stalls 100 00:06:32,920 --> 00:06:35,080 Speaker 1: all over the place. In Southeast Asia they call it 101 00:06:35,520 --> 00:06:38,280 Speaker 1: battle or beetle b e t e L leaf. Anyways, 102 00:06:38,320 --> 00:06:40,560 Speaker 1: I've been doing a lot of googling of that. Are 103 00:06:40,600 --> 00:06:43,360 Speaker 1: you're gonna do I paint as you can see. Um, 104 00:06:43,360 --> 00:06:46,919 Speaker 1: I'm going to do another series on these leaves, um, 105 00:06:46,960 --> 00:06:49,520 Speaker 1: and I'm excited to learn more about it. Are they 106 00:06:49,560 --> 00:06:51,720 Speaker 1: Are they legal in the US, because I know the 107 00:06:51,800 --> 00:06:54,640 Speaker 1: US likes to like ban a lot of like things 108 00:06:54,680 --> 00:06:57,760 Speaker 1: like that. Well, I mean it's obviously maybe the agricultural things, 109 00:06:57,760 --> 00:07:00,800 Speaker 1: but is that something you can get in United States 110 00:07:00,880 --> 00:07:02,960 Speaker 1: or yeah? I mean I feel like you can get 111 00:07:03,000 --> 00:07:07,120 Speaker 1: anything now in the US it is legal, right, But 112 00:07:07,680 --> 00:07:10,760 Speaker 1: I think there is an like I think like a 113 00:07:10,760 --> 00:07:13,440 Speaker 1: piece of a seed that you put in one of them, 114 00:07:13,520 --> 00:07:17,640 Speaker 1: and um, it gets you high, so like and like 115 00:07:17,680 --> 00:07:19,520 Speaker 1: when you go in South because it like makes your 116 00:07:19,520 --> 00:07:21,440 Speaker 1: spit red. So whenever you're in South Asia, you see 117 00:07:21,480 --> 00:07:24,880 Speaker 1: all these like red spit spots all over on the streets. 118 00:07:24,880 --> 00:07:27,440 Speaker 1: And that's because people are spitting out at the bond spit. Oh, 119 00:07:27,520 --> 00:07:31,280 Speaker 1: that just happened on ninety Fiance where this woman thought 120 00:07:31,320 --> 00:07:34,800 Speaker 1: there was blood. She was in uh India and she 121 00:07:34,880 --> 00:07:37,040 Speaker 1: thought there was blood on the floor and the duce 122 00:07:37,200 --> 00:07:38,720 Speaker 1: was like, no, no, they're just spitting sh it out 123 00:07:38,760 --> 00:07:41,480 Speaker 1: like that's not blood. Yeah, that's what it is. That 124 00:07:41,680 --> 00:07:44,800 Speaker 1: spit out. It comes from the bottom. Leave have you? 125 00:07:44,920 --> 00:07:47,240 Speaker 1: Is that something? Like? Is that a good way to 126 00:07:47,280 --> 00:07:51,000 Speaker 1: sort of get over your meal, like sort of lethargy 127 00:07:51,120 --> 00:07:54,239 Speaker 1: after digesting? It must be if it makes you high, 128 00:07:54,400 --> 00:07:57,200 Speaker 1: like it was like something my grandmother used to eat 129 00:07:57,240 --> 00:08:00,600 Speaker 1: after you right, like a little bit, I guess. I mean, 130 00:08:00,640 --> 00:08:05,960 Speaker 1: I like any you know, local itis treatment because in Japan, 131 00:08:06,080 --> 00:08:07,720 Speaker 1: like all we say is like if you fall asleep, 132 00:08:07,760 --> 00:08:10,760 Speaker 1: you'll turn into a cow. There's no like where's like 133 00:08:10,840 --> 00:08:17,880 Speaker 1: our beatle leaf to fight transformation something? Yeah? Yeah, drinking coffee. 134 00:08:17,880 --> 00:08:19,880 Speaker 1: I mean well people love drinking tea and coffee and 135 00:08:19,880 --> 00:08:21,600 Speaker 1: things like that. But as a kid, I would just 136 00:08:21,600 --> 00:08:24,360 Speaker 1: be like sleeping, give me my gime, my coca leaves 137 00:08:24,440 --> 00:08:29,040 Speaker 1: or I'm not gonna wake up? Uh? What is something 138 00:08:29,200 --> 00:08:34,680 Speaker 1: you think? It is? Underrated? Underrated? I Um? I got 139 00:08:34,720 --> 00:08:41,400 Speaker 1: really excited about the cotton candy grapes. Yeah yeah, wait 140 00:08:42,120 --> 00:08:45,200 Speaker 1: they taste like it is that I saw the term trending, 141 00:08:45,400 --> 00:08:48,400 Speaker 1: but I was like, what is this not grape cotton candy? 142 00:08:48,960 --> 00:08:52,839 Speaker 1: Cotton candy grapes. It's grapes that tastes like cotton candy 143 00:08:53,000 --> 00:08:58,200 Speaker 1: I have. What do you think? I very good. I 144 00:08:58,320 --> 00:09:00,000 Speaker 1: just got them for the first time from Trader Joe, 145 00:09:00,360 --> 00:09:03,520 Speaker 1: and um, I think not enough people are talking about them. Yeah, 146 00:09:03,640 --> 00:09:07,360 Speaker 1: I'm gonna be underrated. So they're usually a white grape, 147 00:09:07,440 --> 00:09:10,800 Speaker 1: right like a green grape, and they just bred them 148 00:09:10,840 --> 00:09:16,320 Speaker 1: to have favor incredible amounts of sugar, just like the 149 00:09:16,360 --> 00:09:21,439 Speaker 1: most sugar that has ever had concentrated in it, which 150 00:09:21,880 --> 00:09:25,280 Speaker 1: a lot of people like. One of my favorite underrated 151 00:09:25,280 --> 00:09:28,720 Speaker 1: facts about just the world is how much of our 152 00:09:28,760 --> 00:09:32,800 Speaker 1: food was like designed by people farmers over the over 153 00:09:32,840 --> 00:09:37,319 Speaker 1: the years, just through selective you know, breeding and agriculture. 154 00:09:37,840 --> 00:09:42,320 Speaker 1: And yeah, they can design anything just using like picking 155 00:09:42,360 --> 00:09:47,040 Speaker 1: the ones that damn phenotypes and stuff damn phenotypes and 156 00:09:47,200 --> 00:09:48,760 Speaker 1: so what we do with the weed, bro, that's how 157 00:09:48,760 --> 00:09:51,959 Speaker 1: we get those killer as buds, dude. But like the 158 00:09:52,559 --> 00:09:55,600 Speaker 1: was it is the experience tas you you what you went, Okay, 159 00:09:55,600 --> 00:09:57,320 Speaker 1: I'm gonna hear about it, let me get it, and 160 00:09:57,360 --> 00:09:59,559 Speaker 1: you enjoyed. Did it blow? So you're saying it's underrated 161 00:09:59,559 --> 00:10:03,360 Speaker 1: because it just blew your mind? Yeah, I'm really surprised 162 00:10:03,360 --> 00:10:05,120 Speaker 1: that more. I mean, like I did hear about it 163 00:10:05,120 --> 00:10:08,160 Speaker 1: on NPR, like a year ago, but I've been kind 164 00:10:08,200 --> 00:10:11,079 Speaker 1: of I'm really excited. I should say that I haven't 165 00:10:11,080 --> 00:10:19,520 Speaker 1: had sugar in like three months in my life. I was. 166 00:10:19,640 --> 00:10:21,760 Speaker 1: I was like, oh my god, this is if I 167 00:10:21,800 --> 00:10:24,920 Speaker 1: can't have sugar, I will have the cotton candy flavored grapes. 168 00:10:25,120 --> 00:10:27,920 Speaker 1: You know, they also have gummy bear flavored grapes, which 169 00:10:27,960 --> 00:10:30,480 Speaker 1: I was really confused by because is it like grape 170 00:10:30,559 --> 00:10:35,679 Speaker 1: gummy bear flavored or gummy berries enough flavor? Right? So 171 00:10:35,720 --> 00:10:39,040 Speaker 1: I was like, in the consistence, yeah, um so can 172 00:10:39,080 --> 00:10:43,040 Speaker 1: I get? Are these only available at TJ's or there 173 00:10:43,040 --> 00:10:46,280 Speaker 1: at Whole Ful's too, Okay, so anywhere they're not paying people, 174 00:10:46,280 --> 00:10:53,959 Speaker 1: they're just like sporadically, Yeah, everybody. Everybody fucking suddenly forgot. 175 00:10:54,400 --> 00:10:58,640 Speaker 1: I'm still every day I'm reading about every supermarket whatever 176 00:10:58,800 --> 00:11:01,080 Speaker 1: I'll be the owner of of Trader Joe's being like, 177 00:11:01,120 --> 00:11:04,520 Speaker 1: I'm sorry, bro, that we told you a couple of months. Yes, 178 00:11:04,600 --> 00:11:08,960 Speaker 1: the numbers are getting worse, but what groceries aren't paying 179 00:11:09,040 --> 00:11:11,839 Speaker 1: essential workers? I don't know who it is actually, I mean, 180 00:11:11,920 --> 00:11:13,920 Speaker 1: you'd feel like we would hear because I know Kroger 181 00:11:14,240 --> 00:11:16,680 Speaker 1: they keep dipping in and out of the bullshit. I 182 00:11:16,720 --> 00:11:18,800 Speaker 1: know Whole Foods is like that too. I just read 183 00:11:18,800 --> 00:11:22,040 Speaker 1: something about Trader Joe's. Yeah, it's like again, like you, 184 00:11:22,520 --> 00:11:25,160 Speaker 1: there's so much in front of us right now to 185 00:11:25,160 --> 00:11:27,280 Speaker 1: be like, I think this is a good time to 186 00:11:27,360 --> 00:11:29,520 Speaker 1: draw the line and say, if you work at a 187 00:11:29,720 --> 00:11:32,439 Speaker 1: supermarket and you are what we call an essential worker, 188 00:11:32,520 --> 00:11:34,800 Speaker 1: that this is the minimum pay. Can we make this 189 00:11:34,880 --> 00:11:38,760 Speaker 1: a lot? But there's then there's another story too. I 190 00:11:38,760 --> 00:11:40,560 Speaker 1: think at the Washington Post someone else that was sort 191 00:11:40,559 --> 00:11:43,640 Speaker 1: of talking about the some emails they recovered about like 192 00:11:43,679 --> 00:11:46,680 Speaker 1: the lobbying effort in like states like Florida and stuff 193 00:11:46,679 --> 00:11:49,640 Speaker 1: like where you're seeing the lobbyists for the Chamber of Commerce, 194 00:11:49,720 --> 00:11:52,640 Speaker 1: like emailing directly to the governor and being like, hey man, 195 00:11:52,679 --> 00:11:54,480 Speaker 1: look here's the deal. We got to make sure there 196 00:11:54,480 --> 00:11:57,760 Speaker 1: are legal protections for these employers first before we even 197 00:11:57,840 --> 00:12:01,000 Speaker 1: talk about reopening. Then we can talk like it's just 198 00:12:01,160 --> 00:12:05,120 Speaker 1: you know, it's awful. It's always someone else right in 199 00:12:05,160 --> 00:12:09,200 Speaker 1: the laws. You see the law firms that are already 200 00:12:09,240 --> 00:12:14,240 Speaker 1: working with the GOP on uh, you know, invalidating mail 201 00:12:14,320 --> 00:12:20,400 Speaker 1: in ballots, got p PP loans, No I did not. Yeah, 202 00:12:21,120 --> 00:12:25,040 Speaker 1: gotta gotta take care of gotta take care of the essential. 203 00:12:26,400 --> 00:12:29,280 Speaker 1: I mean, if if Devin noon Az his case about 204 00:12:29,280 --> 00:12:31,600 Speaker 1: about the Twitter cow, is any indication of the kinds 205 00:12:31,600 --> 00:12:34,280 Speaker 1: of legal minds the GOP is able to wrangle around 206 00:12:34,320 --> 00:12:37,880 Speaker 1: for like they're on its face completely like meaningless lawsuits 207 00:12:37,880 --> 00:12:41,280 Speaker 1: that are just like slow ship down. I think it'll 208 00:12:41,320 --> 00:12:44,520 Speaker 1: be it'll slow things down. I don't know how interesting 209 00:12:44,559 --> 00:12:47,120 Speaker 1: the case because even like the Supreme Court decision with 210 00:12:47,200 --> 00:12:50,240 Speaker 1: the Trump administration just like yeah, the docta thing, like 211 00:12:50,640 --> 00:12:53,199 Speaker 1: you just didn't even use like a legal argument. You 212 00:12:53,320 --> 00:12:55,800 Speaker 1: just so like I don't know what you think we 213 00:12:55,800 --> 00:12:57,880 Speaker 1: were going to do, Like this is still kind of 214 00:12:59,040 --> 00:13:03,360 Speaker 1: to yeah, you still like laws are still a thing. 215 00:13:05,679 --> 00:13:07,840 Speaker 1: There's so many judges they've been stacking the courts with 216 00:13:07,960 --> 00:13:09,520 Speaker 1: that you'll see, like because I'm sure there a lot 217 00:13:09,559 --> 00:13:11,199 Speaker 1: of people have been talking about how some states will 218 00:13:11,200 --> 00:13:13,880 Speaker 1: try and certify their the Republican Party will try and 219 00:13:13,920 --> 00:13:17,440 Speaker 1: certify their own results before the Secretary of State, like 220 00:13:17,480 --> 00:13:20,400 Speaker 1: in a state like Michigan or something where it's uh 221 00:13:20,440 --> 00:13:25,199 Speaker 1: their Democrats hold those positions. But yeah, raise yourself, it's 222 00:13:25,200 --> 00:13:27,360 Speaker 1: going to be such a ship show. I'm yeah, I'm not. 223 00:13:27,440 --> 00:13:31,280 Speaker 1: I'm not looking forward. It's I mean, they stole, Like, 224 00:13:31,360 --> 00:13:34,000 Speaker 1: even though I think Bush did end up having the 225 00:13:34,080 --> 00:13:37,000 Speaker 1: more abouts in Florida when they did the like very 226 00:13:37,040 --> 00:13:40,520 Speaker 1: careful recount, like that had nothing to do with why 227 00:13:40,640 --> 00:13:44,240 Speaker 1: they want. They won because they had more better lawyers 228 00:13:44,320 --> 00:13:48,319 Speaker 1: and just outlasted the Democrat lawyers. Um, and we're shrewder, 229 00:13:48,440 --> 00:13:52,199 Speaker 1: which we have seen time and time again. Like they 230 00:13:53,240 --> 00:13:57,920 Speaker 1: have an insurgent mentality because they don't have the actual 231 00:13:58,040 --> 00:14:01,760 Speaker 1: populace on their side, so they they know how to cheat. 232 00:14:01,800 --> 00:14:06,479 Speaker 1: They've been doing it for years, better at it. Yeah, Um, 233 00:14:06,520 --> 00:14:11,679 Speaker 1: what is something you think is overrated? I'm gonna say, Um, 234 00:14:11,840 --> 00:14:17,240 Speaker 1: Kanye West running for president? Have you seen his platform? 235 00:14:17,440 --> 00:14:20,600 Speaker 1: Did you? Did you hear his three freest presidential freestyle 236 00:14:20,800 --> 00:14:25,200 Speaker 1: dropped on Forbes? Oh well if you if you did 237 00:14:25,440 --> 00:14:27,600 Speaker 1: not change my mind, if you didn't vote for him now, 238 00:14:27,960 --> 00:14:31,760 Speaker 1: you definitely won't now after hearing that ship now but yeah, 239 00:14:31,800 --> 00:14:35,600 Speaker 1: it's yeah, it's dark. Elon musk Uh Yeah that was 240 00:14:35,640 --> 00:14:40,360 Speaker 1: my favorite. Has backed out supporting him after being like 241 00:14:41,160 --> 00:14:43,200 Speaker 1: full support, You got my full support. And someone's like, 242 00:14:43,360 --> 00:14:45,840 Speaker 1: you know, he's like an anti vaxer and like anti abortion. 243 00:14:45,880 --> 00:14:49,240 Speaker 1: He's like, ah, I guess there are more differences than 244 00:14:49,280 --> 00:14:54,280 Speaker 1: I had anticipated I will a must reconsider at a 245 00:14:54,280 --> 00:14:56,240 Speaker 1: certain point where you're like, hey, you're a billionaire. I'm 246 00:14:56,280 --> 00:14:59,760 Speaker 1: a billionaire. Like we're cool dudes. Like then we have 247 00:14:59,840 --> 00:15:03,040 Speaker 1: the exact same worldview, right, and he's that he didn't, 248 00:15:03,040 --> 00:15:05,240 Speaker 1: like I mean, just like so I work in the 249 00:15:05,240 --> 00:15:08,360 Speaker 1: world of politics, just the whole, Like he hasn't actually 250 00:15:08,880 --> 00:15:12,920 Speaker 1: got the signatures in the right state, yeah, none of it. 251 00:15:13,200 --> 00:15:16,920 Speaker 1: So it's just like, you know, it's a potential, you know, 252 00:15:17,120 --> 00:15:20,960 Speaker 1: right in chaos Harambe type candidate. You know, like last 253 00:15:21,000 --> 00:15:25,560 Speaker 1: time people voted fucking wrote in Harambe. Uh so, Kanye 254 00:15:25,600 --> 00:15:28,680 Speaker 1: West maybe that, but don't get it twisted. If if 255 00:15:28,720 --> 00:15:31,480 Speaker 1: you and any listeners out there, if you hear a 256 00:15:31,520 --> 00:15:33,960 Speaker 1: young person even pretend to act like they will vote 257 00:15:33,960 --> 00:15:36,600 Speaker 1: for him, smack the ship out of them, slap them. 258 00:15:36,680 --> 00:15:42,640 Speaker 1: And like I was just picturing a young person being 259 00:15:42,720 --> 00:15:45,280 Speaker 1: smacked so hard the vape comes out of their mouth, 260 00:15:47,160 --> 00:15:50,760 Speaker 1: the three stripes come off their geezis. But the whole 261 00:15:51,200 --> 00:15:55,080 Speaker 1: it is really something. I mean, the there's also reports 262 00:15:55,080 --> 00:15:57,120 Speaker 1: you know that now his family like he's having another 263 00:15:57,200 --> 00:16:00,880 Speaker 1: episode because he hasn't he's taking his daication and like, 264 00:16:01,240 --> 00:16:04,640 Speaker 1: I mean, the the things that he's saying, you know, 265 00:16:04,760 --> 00:16:07,360 Speaker 1: are not real political views. There are a lot of 266 00:16:07,400 --> 00:16:11,120 Speaker 1: just emotional things and he's just sort of free associating 267 00:16:11,480 --> 00:16:16,280 Speaker 1: and what they call interviews. But yeah, again, you'd hope 268 00:16:16,880 --> 00:16:18,440 Speaker 1: that every time we've been talking about I mean, I 269 00:16:18,480 --> 00:16:20,680 Speaker 1: think since like the second Maga thing, we're like, Okay, 270 00:16:20,720 --> 00:16:22,720 Speaker 1: this person just this man needs help and he's not 271 00:16:22,800 --> 00:16:26,200 Speaker 1: getting and he just continues to be allowed to operate 272 00:16:26,240 --> 00:16:28,240 Speaker 1: and has a group of enablers who are like, yeah, dude, 273 00:16:28,240 --> 00:16:30,000 Speaker 1: that was fire. Yeah that was fired, dude. The way 274 00:16:30,000 --> 00:16:32,000 Speaker 1: you said you're gonna run for president, that was fired, dude, 275 00:16:32,200 --> 00:16:34,840 Speaker 1: that was fire. Uh, don't worry about your meds. They 276 00:16:34,880 --> 00:16:37,400 Speaker 1: make you. Their creativity is stifling, and that's one of 277 00:16:37,440 --> 00:16:38,880 Speaker 1: the reasons why he said he doesn't take it. So 278 00:16:39,600 --> 00:16:44,160 Speaker 1: it's just tough, and I you know, there's so many 279 00:16:44,360 --> 00:16:48,840 Speaker 1: very creative people who uh take the medication that is 280 00:16:48,880 --> 00:16:52,160 Speaker 1: prescribed to them, like you you have to. Yeah, I 281 00:16:52,200 --> 00:16:55,360 Speaker 1: don't know that that's a myth. I think I'm going 282 00:16:55,400 --> 00:16:58,760 Speaker 1: to throw in there the very least, you know, these 283 00:16:58,960 --> 00:17:01,800 Speaker 1: like Forbes should know. But again, this is why the media, 284 00:17:01,920 --> 00:17:04,240 Speaker 1: you know, and all they need to have the interview 285 00:17:04,240 --> 00:17:06,520 Speaker 1: where he sounds like he doesn't know what he's talking about. 286 00:17:06,560 --> 00:17:09,800 Speaker 1: And he's saying that vaccines are trying to prevent you 287 00:17:09,800 --> 00:17:12,800 Speaker 1: your child entry to heaven. That that's what it is. Like, 288 00:17:12,840 --> 00:17:15,960 Speaker 1: it's all about this like satanic verse Jesus God kind 289 00:17:16,000 --> 00:17:18,679 Speaker 1: of thing. And but then they be Forbes gets to 290 00:17:18,680 --> 00:17:20,080 Speaker 1: do it and they get all the traffic because they 291 00:17:20,119 --> 00:17:22,320 Speaker 1: have like these three quote unquote freestyles where he's just 292 00:17:22,359 --> 00:17:28,920 Speaker 1: like it's just saying shit rhythmically. Yeah. Uh. And finally, 293 00:17:28,960 --> 00:17:32,600 Speaker 1: what is a myth? What is something you know it 294 00:17:32,640 --> 00:17:35,000 Speaker 1: to be false that people think it's true or vice versa. 295 00:17:35,680 --> 00:17:38,640 Speaker 1: I would say a myth is that mouse chaps work, 296 00:17:39,359 --> 00:17:42,040 Speaker 1: because mouse chaps do not work. I have like a 297 00:17:42,080 --> 00:17:45,639 Speaker 1: gazillion of them around my apartment and um yeah, that 298 00:17:45,680 --> 00:17:48,159 Speaker 1: mouse was not getting caught in any of them. But 299 00:17:48,280 --> 00:17:50,879 Speaker 1: you asked us to call you the human mouse trap 300 00:17:51,480 --> 00:17:54,480 Speaker 1: when we started this call right that you just grabbed 301 00:17:54,480 --> 00:18:01,119 Speaker 1: them with your bare hands, snatch Ozzy Osbourne. But the 302 00:18:01,200 --> 00:18:05,880 Speaker 1: mouse version that is uh. I've been dealing with mice 303 00:18:06,000 --> 00:18:08,359 Speaker 1: for I mean, you know, like I've had mice in 304 00:18:08,400 --> 00:18:11,280 Speaker 1: my apartment like once, like four years ago, but ever 305 00:18:11,280 --> 00:18:15,040 Speaker 1: since the pandemic started there's so many there's the infestation 306 00:18:15,040 --> 00:18:17,639 Speaker 1: of pess is just through the roof I heard, you know, 307 00:18:17,720 --> 00:18:20,640 Speaker 1: because of the pandemic, mice don't have food to eat, 308 00:18:20,680 --> 00:18:23,480 Speaker 1: so they're just kind of going to all these apartments. 309 00:18:23,680 --> 00:18:26,480 Speaker 1: That was like the big story in New York. Those 310 00:18:26,480 --> 00:18:29,479 Speaker 1: first two weeks were like the literal rat wars that 311 00:18:29,520 --> 00:18:33,600 Speaker 1: were happening in Manhattan because like once the food dries up, 312 00:18:33,640 --> 00:18:35,600 Speaker 1: they go in search of other food and then they 313 00:18:35,600 --> 00:18:38,199 Speaker 1: turned they turned up on some other rat turf and 314 00:18:38,240 --> 00:18:45,120 Speaker 1: this rat war. Yeah. Yeah, apparently Koreatown is like New York, which, yeah, 315 00:18:45,280 --> 00:18:49,200 Speaker 1: it is kind of like New York, probably have just 316 00:18:49,520 --> 00:18:51,879 Speaker 1: like with like more high rise like apartments and like 317 00:18:51,960 --> 00:18:56,000 Speaker 1: sort of like architecture. Yeah. Yeah, yeah, I'm having some 318 00:18:56,040 --> 00:18:59,840 Speaker 1: battles with with the flies. The flies are coming in. 319 00:19:00,400 --> 00:19:16,840 Speaker 1: I got electrified fly swatters. Yeah. The executioner, wow, I didn't. 320 00:19:16,920 --> 00:19:19,000 Speaker 1: And it comes with the hood that you just put 321 00:19:19,040 --> 00:19:27,399 Speaker 1: over your head over here flies up. Yeah. I like 322 00:19:27,480 --> 00:19:31,440 Speaker 1: the salt shotgun. That one is more. That one's fun, yeah, 323 00:19:31,480 --> 00:19:33,800 Speaker 1: because that just like basically like you cock it once 324 00:19:33,800 --> 00:19:37,399 Speaker 1: and it just I mean it's probably the least humane 325 00:19:37,440 --> 00:19:39,919 Speaker 1: because it's just like destroying their wings like with the 326 00:19:39,960 --> 00:19:43,000 Speaker 1: buckshot of like the grains of salt. But this is 327 00:19:43,040 --> 00:19:46,479 Speaker 1: the this is the world where right now, So I 328 00:19:46,520 --> 00:19:49,439 Speaker 1: have not seen this. I'm googling it right now, like 329 00:19:49,520 --> 00:19:52,000 Speaker 1: look for it's like, I don't know fly salt shotgun. 330 00:19:54,160 --> 00:19:58,320 Speaker 1: That's uh, that's one that I've never successfully got a 331 00:19:58,400 --> 00:20:01,960 Speaker 1: fly with. The bug a salt as it's called. It's 332 00:20:02,000 --> 00:20:06,600 Speaker 1: probably made by some fucking former Blackwater child murder, so 333 00:20:06,640 --> 00:20:08,560 Speaker 1: I should probably not talk about it. Like I can't 334 00:20:08,600 --> 00:20:11,520 Speaker 1: imagine the backstory to a thing where a guy's like, 335 00:20:11,840 --> 00:20:15,840 Speaker 1: what if you applied the principles of the buck shot 336 00:20:15,920 --> 00:20:18,359 Speaker 1: in a shotgun that you could just you know, use 337 00:20:18,400 --> 00:20:20,360 Speaker 1: at home and kill a flywood man because that ship 338 00:20:20,520 --> 00:20:24,000 Speaker 1: is cool on a cute on another insect. Do you 339 00:20:24,040 --> 00:20:26,399 Speaker 1: have one of these? Do you have the holster? No? 340 00:20:26,640 --> 00:20:29,240 Speaker 1: I I had it um like at an old office 341 00:20:29,680 --> 00:20:32,520 Speaker 1: and at another like at another apartment I had like 342 00:20:32,560 --> 00:20:34,960 Speaker 1: someone had it and I would use it. But I 343 00:20:35,880 --> 00:20:39,879 Speaker 1: now at the moment, I am bug as saltless. I 344 00:20:40,000 --> 00:20:42,480 Speaker 1: just I use I try and use um either my 345 00:20:42,520 --> 00:20:47,280 Speaker 1: bare hands or a towel. The bare hand one is 346 00:20:47,359 --> 00:20:50,760 Speaker 1: like like Jack said that that old Clyde Frasier anecdote 347 00:20:51,000 --> 00:20:53,080 Speaker 1: man was so cool, caught a fly with his bare 348 00:20:53,160 --> 00:20:56,080 Speaker 1: hands and then let it go. And I was trying 349 00:20:56,080 --> 00:20:59,239 Speaker 1: and press my uh my partner her majesty with it, 350 00:20:59,280 --> 00:21:01,680 Speaker 1: and she just think is so stupid, Like I caught 351 00:21:01,720 --> 00:21:03,560 Speaker 1: him in my hand. Did you see? Did you see? 352 00:21:04,040 --> 00:21:05,840 Speaker 1: And she's like, you do catch him with your hands? 353 00:21:05,880 --> 00:21:07,000 Speaker 1: Oh yeah, I can get you a fly with my 354 00:21:07,000 --> 00:21:11,080 Speaker 1: hands with one hand, Yes, yes, I could get him. 355 00:21:11,119 --> 00:21:14,760 Speaker 1: You are cool. But but here's the thing. Watch me 356 00:21:14,920 --> 00:21:18,560 Speaker 1: spending forty five minutes listening to Bodego boys in my headphones, 357 00:21:18,760 --> 00:21:22,639 Speaker 1: like running around my house. So it's not like I 358 00:21:22,760 --> 00:21:25,200 Speaker 1: just come in and snatch the shut out. She's like, yeah, full, 359 00:21:25,280 --> 00:21:28,600 Speaker 1: you wasted half a day. And also outside and release 360 00:21:28,640 --> 00:21:30,480 Speaker 1: your hand. I bet you didn't get that ship. Cut 361 00:21:30,520 --> 00:21:32,480 Speaker 1: to me opening my hands. I didn't get that ship. 362 00:21:33,160 --> 00:21:36,040 Speaker 1: My friend's wife made fun of him time for doing 363 00:21:36,040 --> 00:21:38,399 Speaker 1: the thing where yeah, he would like grab it and 364 00:21:38,440 --> 00:21:47,480 Speaker 1: then like release his hand very slowly. Not I've done 365 00:21:47,480 --> 00:21:51,840 Speaker 1: that so many times. Uh. Yeah, I want Frasier uh 366 00:21:52,119 --> 00:21:56,680 Speaker 1: from the nineteen seventies Knicks one of the more underrated 367 00:21:56,880 --> 00:22:02,040 Speaker 1: NBA players uh and the most grated announcer because he's 368 00:22:02,119 --> 00:22:07,800 Speaker 1: just uh, absurd, but he uh, he would just walk 369 00:22:07,840 --> 00:22:11,000 Speaker 1: into a room and slowly reach out and grab a fly, 370 00:22:11,320 --> 00:22:13,960 Speaker 1: shake it in his hand, release it, and he was 371 00:22:14,040 --> 00:22:16,280 Speaker 1: like and kids thought that was cool. I was like, 372 00:22:17,359 --> 00:22:21,320 Speaker 1: I think that ship's cool as hell. Man, Like that 373 00:22:21,440 --> 00:22:23,159 Speaker 1: was in one of his books of like how to 374 00:22:23,280 --> 00:22:28,720 Speaker 1: be cool. It's like, not everybody can do that. And 375 00:22:28,760 --> 00:22:32,600 Speaker 1: also nobody has a fucking like handspan of like fourteen inches. 376 00:22:32,880 --> 00:22:36,120 Speaker 1: Probably he did like, don't discount the size of an envy, 377 00:22:36,200 --> 00:22:39,720 Speaker 1: Like any man over six ft three or four is 378 00:22:39,840 --> 00:22:43,560 Speaker 1: hand size. It's he gets out of control. Yeah. Yeah, 379 00:22:43,800 --> 00:22:46,680 Speaker 1: that was one thing that I feel like was it 380 00:22:46,760 --> 00:22:50,119 Speaker 1: hadn't fully appreciated about Jordan until the last dance was 381 00:22:50,359 --> 00:22:53,520 Speaker 1: just hand sized, like the his hand just reached all 382 00:22:53,560 --> 00:22:56,600 Speaker 1: the way around that ball. Right. Um. Also flies in 383 00:22:56,640 --> 00:23:02,040 Speaker 1: the seventies notoriously slow. Yeah, we wouldn't know. Actually, that's 384 00:23:02,119 --> 00:23:03,960 Speaker 1: that's one of those things that we would have no 385 00:23:04,000 --> 00:23:06,480 Speaker 1: idea flies were speeding up. It turns out that the 386 00:23:06,560 --> 00:23:09,760 Speaker 1: guy who created the bug assault is a is from 387 00:23:09,800 --> 00:23:15,679 Speaker 1: southern California, is a surfer in yoga, and he's just 388 00:23:15,720 --> 00:23:19,200 Speaker 1: like an inventor basically. But I don't know. I don't 389 00:23:19,200 --> 00:23:21,439 Speaker 1: need to do much of a deep dive into this 390 00:23:21,520 --> 00:23:23,600 Speaker 1: kind of thing that I feel like all roads lead 391 00:23:23,640 --> 00:23:27,159 Speaker 1: to darkness. Tune in tomorrow when that guy's our guests. 392 00:23:27,840 --> 00:23:29,320 Speaker 1: I feel like you really need to invest in one 393 00:23:29,359 --> 00:23:35,159 Speaker 1: of these racket smiles. I know, but I feel like 394 00:23:35,600 --> 00:23:37,600 Speaker 1: every time there's one of those arounds, people end up 395 00:23:37,680 --> 00:23:40,600 Speaker 1: hitting each other with them. Oh, I've never done it. 396 00:23:41,119 --> 00:23:43,520 Speaker 1: That's the that's where that's where she gets it goes left. 397 00:23:43,520 --> 00:23:45,800 Speaker 1: With those electric rackets, you start smacking people with them. 398 00:23:46,840 --> 00:23:50,159 Speaker 1: I've managed not to hit anybody with Oh no, I 399 00:23:50,200 --> 00:23:53,040 Speaker 1: mean intentionally, like it turns into a drunken game of 400 00:23:53,200 --> 00:23:55,600 Speaker 1: I'm going to way of the electrified tennis racket at 401 00:23:55,600 --> 00:24:01,399 Speaker 1: you right there, hurt. I'd imagine it does. It's sparks 402 00:24:02,440 --> 00:24:06,800 Speaker 1: satisfying though. When you hit the fly with electric tennis racket, 403 00:24:07,160 --> 00:24:10,160 Speaker 1: it's like you hear a loud pop, which is like 404 00:24:10,600 --> 00:24:13,080 Speaker 1: what killing flies should always feel like. There should always 405 00:24:13,119 --> 00:24:17,080 Speaker 1: be allob pop like your um and then you get 406 00:24:17,119 --> 00:24:20,399 Speaker 1: sometimes it'll stay on the racket, yeah, and you just 407 00:24:20,440 --> 00:24:25,520 Speaker 1: get it sparking, fulfilling, Yeah, because so I'm not I'm 408 00:24:25,560 --> 00:24:28,800 Speaker 1: not doing it like needlessly to towards the fly it's 409 00:24:28,840 --> 00:24:32,480 Speaker 1: actually like sometimes you'll hit the fly with the shock, 410 00:24:32,560 --> 00:24:35,439 Speaker 1: it'll hit the ground and if you don't like go 411 00:24:35,520 --> 00:24:37,760 Speaker 1: and get the tissue right away to come pick it up, 412 00:24:37,800 --> 00:24:40,000 Speaker 1: it'll get back up. It just like stuns it for 413 00:24:40,040 --> 00:24:43,720 Speaker 1: a second. But if it gets there, it starts smoking 414 00:24:43,720 --> 00:24:46,000 Speaker 1: and then you get your little glass to about you 415 00:24:46,040 --> 00:25:02,080 Speaker 1: start free basing that smoke flash. Um, sorry, that's so gross, 416 00:25:02,200 --> 00:25:04,720 Speaker 1: but just here in the two I'll be like yeah, 417 00:25:04,720 --> 00:25:07,320 Speaker 1: and then then she gets smoking. I'm like, Okay, I 418 00:25:07,359 --> 00:25:08,919 Speaker 1: thought I was bad when I was like, I'm shooting 419 00:25:08,920 --> 00:25:12,840 Speaker 1: the ship out of their wings and their fun. Everyone 420 00:25:12,880 --> 00:25:17,560 Speaker 1: has a weird way of dealing with insects, you know. Yeah, alright, guys, 421 00:25:17,640 --> 00:25:19,640 Speaker 1: let's take a quick break and come back and talk 422 00:25:19,920 --> 00:25:36,679 Speaker 1: Hamilton's and we're back, and guys, Hamilton is back in 423 00:25:36,960 --> 00:25:40,600 Speaker 1: the zeitgeist. Four years after it was kind of at 424 00:25:40,600 --> 00:25:45,479 Speaker 1: its peak. It was just hitting Broadway. They filmed uh 425 00:25:46,080 --> 00:25:50,200 Speaker 1: movie version of the play, which is just it's pretty 426 00:25:50,280 --> 00:25:52,760 Speaker 1: much just like a wide shot on the on the 427 00:25:52,840 --> 00:25:55,239 Speaker 1: stage with some close ups here and there. There are 428 00:25:55,240 --> 00:25:57,399 Speaker 1: a couple where they had they definitely had a camera 429 00:25:57,520 --> 00:25:59,960 Speaker 1: up on stage, you know what, to get some dramatic 430 00:26:00,000 --> 00:26:03,800 Speaker 1: in a little tight. Yeah, it came in a little tight. Um. Yeah, 431 00:26:04,400 --> 00:26:07,520 Speaker 1: what was you guys experience with Hamilton's at that? Well, 432 00:26:07,560 --> 00:26:11,200 Speaker 1: go ahead, test. I have avoided Hamilton's for the past 433 00:26:11,240 --> 00:26:15,520 Speaker 1: four years completely up until this point where I watched 434 00:26:15,520 --> 00:26:19,600 Speaker 1: it last night for you guys. I did it for 435 00:26:19,640 --> 00:26:24,240 Speaker 1: you guys. Um, I say, I knew it was big, 436 00:26:24,680 --> 00:26:28,600 Speaker 1: but like every musical that comes out, I just don't 437 00:26:28,640 --> 00:26:32,400 Speaker 1: care because I'm I'm the genre of musical is does 438 00:26:32,440 --> 00:26:35,200 Speaker 1: not appeal to me personally. Like I understand, I totally 439 00:26:35,280 --> 00:26:37,600 Speaker 1: understand its appeal because they are like, it's a nice 440 00:26:37,640 --> 00:26:39,919 Speaker 1: experience to watch it, but I don't get That's not 441 00:26:39,920 --> 00:26:43,720 Speaker 1: how I get my Jolly's. So I'm just like, all right, fine, cool, 442 00:26:43,760 --> 00:26:46,800 Speaker 1: like it's hip hop, great, but I don't watch musicals, 443 00:26:46,800 --> 00:26:51,000 Speaker 1: so thank you. Um and then yeah, and then but 444 00:26:51,160 --> 00:26:53,280 Speaker 1: it coming back now and it being like it just 445 00:26:53,320 --> 00:26:54,720 Speaker 1: used to be a thing where like you had to 446 00:26:54,720 --> 00:26:56,520 Speaker 1: get a ticket to go see and I'm like, yeah, 447 00:26:56,520 --> 00:26:58,600 Speaker 1: I don't give a funk. And like all the people 448 00:26:58,640 --> 00:27:00,119 Speaker 1: I knew who were like I'm going to hamil and 449 00:27:00,200 --> 00:27:01,720 Speaker 1: I'm like, I don't really have that much in common 450 00:27:01,760 --> 00:27:05,760 Speaker 1: with you all. So but like so on that level. 451 00:27:06,160 --> 00:27:09,560 Speaker 1: Very it was enormous with people who subscribe to The 452 00:27:09,600 --> 00:27:12,159 Speaker 1: New York Times and listen to crooked media podcasts. I 453 00:27:12,160 --> 00:27:14,639 Speaker 1: feel like it was the dad from get Out's favorite musical. 454 00:27:15,440 --> 00:27:17,840 Speaker 1: It was enormous with other people too, though, like my 455 00:27:17,920 --> 00:27:24,399 Speaker 1: little sister, who is not into politics and his American history, 456 00:27:24,560 --> 00:27:28,280 Speaker 1: was really into it. I'm just like that. I think 457 00:27:28,320 --> 00:27:31,520 Speaker 1: that's more like the perception that it was only big 458 00:27:31,560 --> 00:27:35,160 Speaker 1: with people who go to Broadway plays, but like kids, 459 00:27:35,600 --> 00:27:39,600 Speaker 1: it is like a Harry Potter level phenomenon with younger kids, 460 00:27:39,640 --> 00:27:44,679 Speaker 1: Like younger kids really hard with it. Yeah, but I 461 00:27:44,720 --> 00:27:48,080 Speaker 1: think and that's to its credit because I remember the 462 00:27:48,119 --> 00:27:50,760 Speaker 1: thing that I noticed was it was more people than normal, 463 00:27:50,880 --> 00:27:53,680 Speaker 1: Like usually there was the musical set or people who 464 00:27:53,800 --> 00:27:56,199 Speaker 1: like theater who I would hear talk about it. And 465 00:27:56,240 --> 00:27:58,720 Speaker 1: then it reached like a tipping point when I was like, 466 00:27:58,720 --> 00:28:00,720 Speaker 1: you've never even been to a fun like what the 467 00:28:00,760 --> 00:28:03,520 Speaker 1: fuck right? And then so I was like, Okay, I'm 468 00:28:03,560 --> 00:28:05,679 Speaker 1: sure the music is good, but it just sort of ended. 469 00:28:05,960 --> 00:28:09,640 Speaker 1: My curiosity ended there because there's something about a musical. Man, 470 00:28:09,680 --> 00:28:14,640 Speaker 1: I just like, it's embarrassing, it's weird, and I don't 471 00:28:14,640 --> 00:28:17,399 Speaker 1: mean to be like it's like you're dumb for like 472 00:28:17,480 --> 00:28:20,920 Speaker 1: in a musical, Like to me, there's just something about 473 00:28:20,960 --> 00:28:26,560 Speaker 1: a production, the sort of like seamlessness between like drama 474 00:28:26,680 --> 00:28:29,879 Speaker 1: then too, like these big sort of like numbers, like 475 00:28:29,960 --> 00:28:33,000 Speaker 1: the flow like dramatically is a little like like wonky 476 00:28:33,080 --> 00:28:34,840 Speaker 1: for me. And I think that's also because I can't 477 00:28:34,880 --> 00:28:38,240 Speaker 1: just put like that suspense, suspension of disbelief about like 478 00:28:38,280 --> 00:28:40,880 Speaker 1: how a musical even operates when I'm like this motherfucker's 479 00:28:40,960 --> 00:28:44,880 Speaker 1: wouldn't start singing, right, But that's well in this case, 480 00:28:44,920 --> 00:28:49,680 Speaker 1: they never stop singing. So so I don't know. I 481 00:28:49,680 --> 00:28:51,840 Speaker 1: feel like I was just gonna say, I just feel 482 00:28:51,880 --> 00:28:54,240 Speaker 1: like I had a really hard time, Like I had 483 00:28:54,280 --> 00:28:56,400 Speaker 1: to have the Wikipedia entry open so I could follow 484 00:28:56,440 --> 00:28:59,360 Speaker 1: along with the summary, and then I had subtitles on, 485 00:29:00,000 --> 00:29:02,040 Speaker 1: and I just think that when the music is going 486 00:29:02,120 --> 00:29:04,360 Speaker 1: and there's words I am having, I was just having 487 00:29:04,400 --> 00:29:06,880 Speaker 1: a hard time following along. I was like, wait, what's happening. 488 00:29:06,920 --> 00:29:10,760 Speaker 1: There's so much happening. Yeah, there is a ton happening. 489 00:29:10,920 --> 00:29:14,840 Speaker 1: It is like a little Shakespeare in the sense that 490 00:29:14,920 --> 00:29:19,200 Speaker 1: like it's the language is highly affected and so like 491 00:29:19,280 --> 00:29:23,080 Speaker 1: you need to probably like here it a couple of 492 00:29:23,120 --> 00:29:26,680 Speaker 1: times to like fully understand what's going on. I actually 493 00:29:26,720 --> 00:29:32,600 Speaker 1: think the listening to the soundtrack is an ideal way 494 00:29:32,600 --> 00:29:35,640 Speaker 1: because then you're not distracted by what's happening and you 495 00:29:35,680 --> 00:29:40,640 Speaker 1: get the entire story with just the soundtrack. Um So 496 00:29:40,760 --> 00:29:44,360 Speaker 1: I recommend that to people who don't feel like sitting down, 497 00:29:44,840 --> 00:29:48,640 Speaker 1: uh and and watching a thing like the soundtrack tells 498 00:29:48,640 --> 00:29:51,240 Speaker 1: you the whole story. I think it's I think it's 499 00:29:51,280 --> 00:29:54,520 Speaker 1: worth watching, though I think don't sure, don't like if 500 00:29:54,520 --> 00:29:56,400 Speaker 1: you're going to engage with it, you might as well 501 00:29:56,440 --> 00:30:00,640 Speaker 1: fully seed like the actual production, because I think this 502 00:30:01,160 --> 00:30:04,200 Speaker 1: you know the reason it's back up and it's just interesting. 503 00:30:04,200 --> 00:30:05,720 Speaker 1: I think this is probably where most of the bulk 504 00:30:05,760 --> 00:30:07,840 Speaker 1: of our conversation is going to be about, is that 505 00:30:07,920 --> 00:30:11,680 Speaker 1: like it came out in or like that was its 506 00:30:11,720 --> 00:30:13,920 Speaker 1: peak and there was a certain level of discourse or 507 00:30:13,920 --> 00:30:17,200 Speaker 1: a public consciousness around what anything meant back then, where 508 00:30:17,280 --> 00:30:22,040 Speaker 1: this was like fun and very neutral and great, great, great, 509 00:30:22,120 --> 00:30:25,320 Speaker 1: we love it. Cut two. Now it's having it's coming 510 00:30:25,320 --> 00:30:27,080 Speaker 1: back out again. A lot of people who haven't seen 511 00:30:27,040 --> 00:30:28,640 Speaker 1: it or seeing and we're like okay, and there are 512 00:30:28,640 --> 00:30:30,760 Speaker 1: people there was valid criticism of it back then, More 513 00:30:30,800 --> 00:30:33,719 Speaker 1: about like its historical accuracy and its depiction of like 514 00:30:33,800 --> 00:30:36,280 Speaker 1: women and the characters within that and what it meant 515 00:30:36,320 --> 00:30:38,640 Speaker 1: to what like there were no people of color in it, 516 00:30:38,760 --> 00:30:41,760 Speaker 1: like in terms of historically represented, aside from like a 517 00:30:41,880 --> 00:30:44,840 Speaker 1: wink at Sally when there's like a Thomas Jefferson joke. 518 00:30:45,360 --> 00:30:48,200 Speaker 1: But that was the thing that I found myself. I'm like, man, 519 00:30:48,200 --> 00:30:49,760 Speaker 1: this is gonna be stupid. And I'm like, damn, the 520 00:30:49,800 --> 00:30:54,280 Speaker 1: fucking music is good. The fucking like the production itself 521 00:30:54,680 --> 00:30:58,760 Speaker 1: is good. Like I completely understand why it connects with 522 00:30:59,560 --> 00:31:02,520 Speaker 1: anyone watches it, because it's like hard to not like 523 00:31:02,680 --> 00:31:05,160 Speaker 1: the ever the performances are great, the numbers are great. 524 00:31:05,400 --> 00:31:09,240 Speaker 1: But I think that's where the danger is more. Like 525 00:31:09,520 --> 00:31:11,680 Speaker 1: if if we just take Hamilton's as being like a 526 00:31:11,760 --> 00:31:17,160 Speaker 1: historically accurate anything, right, I think it's I think it's 527 00:31:17,240 --> 00:31:22,960 Speaker 1: really a piece of the moment of the Obama administration 528 00:31:23,240 --> 00:31:27,480 Speaker 1: and like how liberal people wanted to think about America 529 00:31:27,760 --> 00:31:31,400 Speaker 1: as Obama was kind of coming to power. And in fact, 530 00:31:31,440 --> 00:31:35,440 Speaker 1: he first performed like he it took him a couple 531 00:31:35,480 --> 00:31:38,320 Speaker 1: of months to write the very first song. Uh, that's 532 00:31:38,400 --> 00:31:41,320 Speaker 1: like the you know, beginning of his life. Uh, And 533 00:31:41,400 --> 00:31:44,560 Speaker 1: he went to the White House Obama's White House and 534 00:31:44,600 --> 00:31:47,520 Speaker 1: performed that like that was the first anybody had heard 535 00:31:47,760 --> 00:31:52,800 Speaker 1: of the what eventually became the play. But um so 536 00:31:52,880 --> 00:31:55,240 Speaker 1: it is. I I feel like it's kind of inextricably 537 00:31:55,320 --> 00:32:01,360 Speaker 1: tied to the Obama administration and that sort of sensibility. 538 00:32:01,680 --> 00:32:06,880 Speaker 1: And but I also think like that it didn't bother 539 00:32:07,040 --> 00:32:11,680 Speaker 1: me as like they're there are definitely parts where like 540 00:32:11,760 --> 00:32:14,600 Speaker 1: the fact that we are watching and rooting for the 541 00:32:14,600 --> 00:32:18,200 Speaker 1: guy who created America's banking system is like, on the 542 00:32:18,200 --> 00:32:24,440 Speaker 1: one hand, up because but on the other hand, it 543 00:32:24,640 --> 00:32:27,720 Speaker 1: is such early stages and who the funk knows, like, 544 00:32:28,320 --> 00:32:31,720 Speaker 1: you know, what would have happened if he hadn't, like 545 00:32:31,840 --> 00:32:36,080 Speaker 1: what whether that needed to happen to make America you know, 546 00:32:36,640 --> 00:32:40,160 Speaker 1: have any of the good things that it has. But yeah, 547 00:32:40,200 --> 00:32:43,680 Speaker 1: the slavery stuff is really like kind of glossed over 548 00:32:43,800 --> 00:32:47,280 Speaker 1: for sure. Yeah, because I mean the Skylar family were 549 00:32:47,360 --> 00:32:52,520 Speaker 1: slave owners, and Hamilton definitely had a hand in employing slaves. 550 00:32:52,600 --> 00:32:54,200 Speaker 1: You know, there's not a lot to say whether he 551 00:32:54,320 --> 00:32:56,720 Speaker 1: was fully anti slam. Mean, it can go both ways, 552 00:32:56,760 --> 00:33:00,360 Speaker 1: but it's you know, there's a for there's like a 553 00:33:00,360 --> 00:33:03,480 Speaker 1: moment where he's like taking shots to Thomas Jefferson for 554 00:33:03,600 --> 00:33:05,560 Speaker 1: like being a slave, and it's like, bro, you're booed 555 00:33:05,640 --> 00:33:08,440 Speaker 1: up with a slave owning family, Like slaves work for you, 556 00:33:08,520 --> 00:33:10,400 Speaker 1: Like you're up in it. You worked on a slave 557 00:33:10,440 --> 00:33:12,920 Speaker 1: ship as a child. Okay, if like we're gonna go 558 00:33:13,160 --> 00:33:18,080 Speaker 1: way back um and even like George Washington, like it's 559 00:33:18,080 --> 00:33:20,280 Speaker 1: like you're not even hold on your boy, George Washington. 560 00:33:20,480 --> 00:33:24,800 Speaker 1: Also the man has slave dentures. But but but again, 561 00:33:24,840 --> 00:33:26,920 Speaker 1: this is the thing. It's like I get it because 562 00:33:26,920 --> 00:33:29,479 Speaker 1: as a musical, like how are you gonna get You 563 00:33:29,520 --> 00:33:32,400 Speaker 1: can't really take anything. I think that's the problem with 564 00:33:32,400 --> 00:33:35,479 Speaker 1: doing a musical about anything historical because like there's a 565 00:33:35,560 --> 00:33:41,080 Speaker 1: lot of probably deep deep societal implications and ramifications like 566 00:33:41,080 --> 00:33:43,760 Speaker 1: like the material you're doing versus like it's not just 567 00:33:43,760 --> 00:33:46,880 Speaker 1: about like Steve Bartman who fucked up the Cubs chance 568 00:33:46,920 --> 00:33:50,200 Speaker 1: to go into the World series like very narrowly, Like yeah, 569 00:33:50,320 --> 00:33:52,000 Speaker 1: like maybe you can work around and tell that a 570 00:33:52,000 --> 00:33:55,800 Speaker 1: different way, but like a country about that, but that 571 00:33:55,800 --> 00:34:03,440 Speaker 1: would be than the Bartman to Department. That's great, But 572 00:34:03,520 --> 00:34:06,280 Speaker 1: I mean, like with this, we're talking about the founding 573 00:34:06,560 --> 00:34:09,319 Speaker 1: of a country that was built on racism and the 574 00:34:09,360 --> 00:34:12,560 Speaker 1: concept that landed white men were the only holders of 575 00:34:12,640 --> 00:34:16,880 Speaker 1: power agency in this country. Like that's a little murky 576 00:34:16,960 --> 00:34:20,640 Speaker 1: to try and like sing and dance around a little bit. Uh. 577 00:34:20,680 --> 00:34:24,160 Speaker 1: I still yeah, I want to say, like all all 578 00:34:24,200 --> 00:34:26,640 Speaker 1: of these criticisms are true. I still give it like 579 00:34:26,960 --> 00:34:30,400 Speaker 1: five stars. It gets me every time, like it fucking 580 00:34:30,880 --> 00:34:34,040 Speaker 1: as a piece of work. It you know, you have 581 00:34:34,120 --> 00:34:37,400 Speaker 1: to go in just from a critical standpoint, you know, 582 00:34:38,120 --> 00:34:43,000 Speaker 1: watching a movie that is actually just a play, Like 583 00:34:43,120 --> 00:34:46,520 Speaker 1: you have to like the whole point of a play 584 00:34:46,840 --> 00:34:52,160 Speaker 1: is that you're taking interiority, like what's happening inside people's minds, 585 00:34:52,239 --> 00:34:55,160 Speaker 1: and like exploding it across the stage so even people 586 00:34:55,160 --> 00:34:58,760 Speaker 1: in the back can see it. So like it's not subtle, 587 00:34:59,560 --> 00:35:04,280 Speaker 1: Like the performances are not like the same movie performances 588 00:35:04,320 --> 00:35:07,320 Speaker 1: that you would typically think of as a good movie performance. 589 00:35:07,520 --> 00:35:10,920 Speaker 1: But there's still like great performances. The guy who plays 590 00:35:11,880 --> 00:35:20,839 Speaker 1: Burr it's wild though, because again musical hater. But like 591 00:35:21,040 --> 00:35:24,120 Speaker 1: I would be lying if I didn't say there are 592 00:35:24,320 --> 00:35:27,000 Speaker 1: songs that like I really didn't like. And I think 593 00:35:27,000 --> 00:35:31,960 Speaker 1: that's what's interesting about it is because if you if 594 00:35:32,000 --> 00:35:34,360 Speaker 1: you just look, if you can take all the detail 595 00:35:34,440 --> 00:35:37,840 Speaker 1: out and like the songs and the musical numbers and 596 00:35:37,880 --> 00:35:41,239 Speaker 1: the production like, yeah, it absolutely deserves every plot it 597 00:35:41,520 --> 00:35:45,680 Speaker 1: gets as a musical production. Uh. And you know, lin 598 00:35:45,680 --> 00:35:48,480 Speaker 1: Manuel Miranda himself said, because as this was coming back 599 00:35:48,520 --> 00:35:51,480 Speaker 1: and people were like, have y'all actually seen Hamilton's Like 600 00:35:51,520 --> 00:35:54,960 Speaker 1: this is kind of interesting there. Um, he was basically 601 00:35:54,960 --> 00:35:58,200 Speaker 1: saying like, yeah, man, it was a long time ago. Uh, 602 00:35:58,560 --> 00:36:00,839 Speaker 1: like trying to deal with something this complex and put 603 00:36:00,880 --> 00:36:02,919 Speaker 1: it in a two and a half hour musical like, yeah, 604 00:36:02,920 --> 00:36:04,759 Speaker 1: you're gonna miss a lot. And he's like, so this 605 00:36:04,840 --> 00:36:07,279 Speaker 1: is all fair game, Like all this criticism is fair game. 606 00:36:07,360 --> 00:36:09,120 Speaker 1: So I mean credit to him, And I think that's 607 00:36:09,120 --> 00:36:13,400 Speaker 1: why it's it's not well, I have many criticisms of 608 00:36:13,440 --> 00:36:15,560 Speaker 1: the historical accuracy. I'm like, if I can just if 609 00:36:15,560 --> 00:36:17,759 Speaker 1: I treat it as this musical, fine, if I want 610 00:36:17,800 --> 00:36:20,280 Speaker 1: to go back further, like, you know, because I believe 611 00:36:20,320 --> 00:36:22,800 Speaker 1: he was working with a historian who was a white 612 00:36:23,280 --> 00:36:26,040 Speaker 1: male historian who was like you know, seen as like 613 00:36:26,080 --> 00:36:30,319 Speaker 1: an expert on Alexander Hamilton's for the historical things, and 614 00:36:30,680 --> 00:36:32,840 Speaker 1: even in that man's writing, there isn't a lot of 615 00:36:32,880 --> 00:36:37,440 Speaker 1: references to the people of color that actually existed around him, 616 00:36:37,560 --> 00:36:40,560 Speaker 1: and even the contributions of black people people of color 617 00:36:40,600 --> 00:36:43,640 Speaker 1: during the revolution, like they people thought for the on 618 00:36:43,680 --> 00:36:47,600 Speaker 1: the side of the patriots. So it's also weird too 619 00:36:47,680 --> 00:36:50,680 Speaker 1: because then you're like, well, but the cast is all 620 00:36:50,680 --> 00:36:53,600 Speaker 1: people of color, but you're still telling the story of 621 00:36:53,640 --> 00:36:58,760 Speaker 1: white people just with with black and brown bodies. So 622 00:36:59,239 --> 00:37:02,440 Speaker 1: it but then but there's no reference to actual people 623 00:37:02,480 --> 00:37:05,440 Speaker 1: of color who also have historical significance. So that's when 624 00:37:05,480 --> 00:37:08,640 Speaker 1: like you start getting a little like wound down about 625 00:37:08,640 --> 00:37:11,360 Speaker 1: how it could have been more. But that's where it's like, 626 00:37:11,400 --> 00:37:14,239 Speaker 1: what what's the most what can we actually expect? That's 627 00:37:14,239 --> 00:37:16,280 Speaker 1: why I'm even thinking, like what can I even expect 628 00:37:16,320 --> 00:37:19,120 Speaker 1: from a musical, because a musical isn't the place where, 629 00:37:19,680 --> 00:37:21,759 Speaker 1: you know, lin Manuel Morandi's gonna sit down and like 630 00:37:21,800 --> 00:37:24,080 Speaker 1: there's gonna be a whole musical about how George Washington's 631 00:37:24,120 --> 00:37:27,759 Speaker 1: dentures were pulled teeths of African slaves, Like that's really 632 00:37:27,760 --> 00:37:32,120 Speaker 1: not the the stage for that. That's the next musical, 633 00:37:32,360 --> 00:37:34,440 Speaker 1: Yeah right, I mean it could be like maybe he'll 634 00:37:34,520 --> 00:37:36,879 Speaker 1: learn from this, you know, Like I mean the way 635 00:37:36,920 --> 00:37:40,799 Speaker 1: this musical came about is he read this biography by 636 00:37:41,080 --> 00:37:44,440 Speaker 1: I think, uh, churn in. I think it's a guy's name. 637 00:37:44,960 --> 00:37:48,080 Speaker 1: Uh that was like a best seller about Alexander Hamilton's 638 00:37:48,400 --> 00:37:53,439 Speaker 1: and he women, Well, Miranda read it on vacation and 639 00:37:54,000 --> 00:37:56,200 Speaker 1: came back and was like, Yeah, this is a dope 640 00:37:56,239 --> 00:37:58,319 Speaker 1: story that I think a lot of people would be 641 00:37:58,360 --> 00:38:01,759 Speaker 1: interested in and just started like adapting it. So it's 642 00:38:01,800 --> 00:38:05,839 Speaker 1: not like a thing where he, I don't know, set 643 00:38:05,840 --> 00:38:08,879 Speaker 1: out to make a broad political statement, like there there 644 00:38:08,880 --> 00:38:13,960 Speaker 1: are some issues with this that are purely like the 645 00:38:14,000 --> 00:38:19,600 Speaker 1: Waynes worldification of like where it became so successful and 646 00:38:19,680 --> 00:38:23,719 Speaker 1: it connected with such a broad swath of the population 647 00:38:23,840 --> 00:38:29,040 Speaker 1: that it like can't possibly be cool anymore. Like the 648 00:38:29,080 --> 00:38:31,640 Speaker 1: fact that the fact that the room where it happened 649 00:38:32,400 --> 00:38:35,759 Speaker 1: has become a phrase used by John Bolton in his 650 00:38:35,960 --> 00:38:39,040 Speaker 1: like book about the Trump White House is like yeah, 651 00:38:39,080 --> 00:38:41,880 Speaker 1: I mean that's like, you know, Dan Quayle having a 652 00:38:41,880 --> 00:38:46,320 Speaker 1: book called Schwing or something after The Wayne's World became 653 00:38:46,400 --> 00:38:51,920 Speaker 1: like the number one movie of pop culture. Ever, it's just, uh, 654 00:38:52,080 --> 00:38:54,800 Speaker 1: it's not you can't really help that, and you also 655 00:38:55,160 --> 00:38:58,400 Speaker 1: like that I think applies to the purpose and thesis 656 00:38:58,960 --> 00:39:02,520 Speaker 1: of a play, Like I am definitely interested in seeing 657 00:39:02,640 --> 00:39:07,560 Speaker 1: what he makes next, although I know, I know it 658 00:39:07,560 --> 00:39:11,040 Speaker 1: takes like a long time to to write these things 659 00:39:11,120 --> 00:39:15,239 Speaker 1: or something, wasn't it. Yeah, he's really good at Uh. 660 00:39:15,320 --> 00:39:16,960 Speaker 1: I don't know if you all have seen Mo Wanna 661 00:39:17,239 --> 00:39:21,520 Speaker 1: because that's uh, it's a movie I've seen many times 662 00:39:21,760 --> 00:39:24,120 Speaker 1: because my kids love it. I probably would not have 663 00:39:24,160 --> 00:39:27,359 Speaker 1: seen it otherwise. But he wrote the music for that, 664 00:39:27,640 --> 00:39:31,440 Speaker 1: and that's the lyrics are great. But like he I 665 00:39:31,480 --> 00:39:33,880 Speaker 1: think he's at his best when he's like writing lyrics 666 00:39:33,920 --> 00:39:37,880 Speaker 1: to not rap songs. Uh, Like he he has a 667 00:39:37,920 --> 00:39:42,400 Speaker 1: good like musicality to it. H that, Like, my favorite 668 00:39:42,400 --> 00:39:47,360 Speaker 1: songs in this play are the non rap songs. Uh. 669 00:39:47,480 --> 00:39:51,560 Speaker 1: Mine are the truly non rap songs. And that it's 670 00:39:50,680 --> 00:39:54,600 Speaker 1: your Yeah, the kid, I was like the one and 671 00:39:54,600 --> 00:39:58,839 Speaker 1: that's what's funny. That motherfucker was hamming it up the most. Yeah, 672 00:39:58,960 --> 00:40:00,960 Speaker 1: and I'm like and I'm meanwhile, You're like, I don't 673 00:40:00,960 --> 00:40:07,480 Speaker 1: really funk with musicals, and I'm like, da that yeah, yeah, man, 674 00:40:07,560 --> 00:40:11,200 Speaker 1: it should go. But otherwise I'm like the room, I 675 00:40:11,200 --> 00:40:14,680 Speaker 1: mean they're all like that. That's like it's truly, it's 676 00:40:14,719 --> 00:40:16,799 Speaker 1: really something else because to experience it, and you know, 677 00:40:16,880 --> 00:40:19,839 Speaker 1: like this guy really synthesized a lot of historical ship 678 00:40:20,000 --> 00:40:23,520 Speaker 1: and try to just fucking turn it into colloquial things 679 00:40:23,520 --> 00:40:27,960 Speaker 1: we can understand now. I think he is impressive. So 680 00:40:28,000 --> 00:40:29,759 Speaker 1: that's why it's like you kind of it's hard to 681 00:40:29,800 --> 00:40:34,640 Speaker 1: really have a real opinion on this because it's either you. 682 00:40:35,280 --> 00:40:37,040 Speaker 1: I don't think it's fair to just say, like all 683 00:40:37,080 --> 00:40:40,360 Speaker 1: the historical and accuracies negated as a musical because it 684 00:40:40,440 --> 00:40:44,920 Speaker 1: doesn't like it's objectively as music and like as as compositions, 685 00:40:45,040 --> 00:40:47,600 Speaker 1: they are really really good and they deserve the awards 686 00:40:47,960 --> 00:40:50,000 Speaker 1: and and you know the other way around. It's not like, 687 00:40:50,400 --> 00:40:52,440 Speaker 1: well you have to forget about all the historical and 688 00:40:52,480 --> 00:40:54,800 Speaker 1: accuracies because it's so good as a musical. It's just 689 00:40:54,880 --> 00:40:56,600 Speaker 1: kind of like one of those things I think everyone 690 00:40:56,640 --> 00:41:01,839 Speaker 1: should be aware. There Glamor Rising, the Founding Fathers, which 691 00:41:02,320 --> 00:41:06,760 Speaker 1: is dangerous water to wait into. But but the lyrics, 692 00:41:06,800 --> 00:41:08,799 Speaker 1: I mean, yeah, look, he's he's got bars, but he 693 00:41:08,840 --> 00:41:11,720 Speaker 1: also does well when he has someone who can swoop 694 00:41:11,840 --> 00:41:15,680 Speaker 1: right in and sing. Like there's a good balance between 695 00:41:16,440 --> 00:41:19,239 Speaker 1: Lin Manuel's Miranda. Lin manuel Miranda is like lack of 696 00:41:19,280 --> 00:41:23,120 Speaker 1: like really like powerhouse vocality, and then like the way 697 00:41:23,160 --> 00:41:25,400 Speaker 1: the songs are written where you'll never just get too 698 00:41:25,520 --> 00:41:28,080 Speaker 1: much of him doing his thing where they'll be you know, 699 00:41:28,480 --> 00:41:30,800 Speaker 1: these other performers around there, like really take it to 700 00:41:30,840 --> 00:41:34,279 Speaker 1: the next level. I do think go ahead. I was 701 00:41:34,320 --> 00:41:37,080 Speaker 1: just gonna say that I heard that the newer versions 702 00:41:37,120 --> 00:41:41,719 Speaker 1: of this play the Hamilton's character sings better, and that 703 00:41:42,000 --> 00:41:48,359 Speaker 1: because of course, how could how could he not wait? 704 00:41:48,400 --> 00:41:55,680 Speaker 1: So that that's also an awkward one because like he 705 00:41:55,719 --> 00:41:58,960 Speaker 1: deserves to be whatever the funk he wants in this play. 706 00:41:59,000 --> 00:42:01,360 Speaker 1: He wrote the whole thing. The thing that's beautiful about 707 00:42:01,400 --> 00:42:04,400 Speaker 1: the play like burst out of his brain. The writing 708 00:42:04,480 --> 00:42:08,960 Speaker 1: is the star. Uh. It is like I feel like 709 00:42:09,040 --> 00:42:12,360 Speaker 1: I haven't seen the best version of this play because 710 00:42:12,400 --> 00:42:14,719 Speaker 1: I have only seen it with him in the lead role. 711 00:42:17,200 --> 00:42:21,840 Speaker 1: It's just a little like you get the sense some 712 00:42:22,080 --> 00:42:25,239 Speaker 1: of the play might have been written because he has 713 00:42:25,239 --> 00:42:28,120 Speaker 1: a fetish that involves people putting coats on him. Do 714 00:42:28,160 --> 00:42:31,879 Speaker 1: you notice how often people are like James Brown, want 715 00:42:31,880 --> 00:42:35,560 Speaker 1: to be James Brown, because like it's like twenty times. 716 00:42:35,600 --> 00:42:40,360 Speaker 1: But no, it's just, yeah, there's something slightly embarrassing about 717 00:42:40,400 --> 00:42:43,879 Speaker 1: it because you know, he's putting himself in this role 718 00:42:44,440 --> 00:42:49,040 Speaker 1: of like you know, and being surrounded by these incredible 719 00:42:49,160 --> 00:42:53,680 Speaker 1: physical performers and you know, vocal performers, and he's not. 720 00:42:54,440 --> 00:42:58,160 Speaker 1: I actually saw the play in person, and like that 721 00:42:58,280 --> 00:43:01,880 Speaker 1: was noticeable from my seats. Where the fucking the back 722 00:43:01,960 --> 00:43:06,120 Speaker 1: Where is that Like he physically like doesn't He doesn't 723 00:43:06,160 --> 00:43:10,239 Speaker 1: have the same like physicality that other actors do, and 724 00:43:10,640 --> 00:43:14,799 Speaker 1: nor should you expect him to because he's doing everything. Yeah, 725 00:43:14,840 --> 00:43:17,359 Speaker 1: he's doing everything, and he's writing and he's not like 726 00:43:17,520 --> 00:43:20,240 Speaker 1: the best actor in New York like everybody else in 727 00:43:20,239 --> 00:43:24,120 Speaker 1: in the play. But it is just kind of awkward, 728 00:43:24,239 --> 00:43:28,280 Speaker 1: like it's it's tough because I don't think he's ever bad, 729 00:43:28,320 --> 00:43:31,960 Speaker 1: like where you're like, man, the song is when David 730 00:43:32,040 --> 00:43:36,440 Speaker 1: Digs is Thomas Jefferson or Leslie Odom Jr. Is Aaron 731 00:43:36,719 --> 00:43:43,200 Speaker 1: Like when when Thomas Jefferson came back, I was like, yeah, yeah, 732 00:43:43,600 --> 00:43:45,920 Speaker 1: other motherfucker to stay. He's like, let me hear about Tommas. 733 00:43:46,560 --> 00:43:49,200 Speaker 1: So that's like what's funny is that even when you're 734 00:43:49,239 --> 00:43:51,480 Speaker 1: in awe, like because you you see lin Manuel Moran, 735 00:43:51,560 --> 00:43:53,600 Speaker 1: You're like, damn, look at this like singular like this. 736 00:43:53,680 --> 00:43:56,719 Speaker 1: I mean he had many collaborators, but like like wow, 737 00:43:56,760 --> 00:43:59,480 Speaker 1: look at this sort of creator on stage doing his 738 00:43:59,520 --> 00:44:02,080 Speaker 1: thing and then you're like, damn, look at these perflict 739 00:44:02,080 --> 00:44:05,200 Speaker 1: at this performer though, like next to him, like look 740 00:44:05,239 --> 00:44:08,239 Speaker 1: at this man like out in the end, I was like, yeah, 741 00:44:08,280 --> 00:44:11,239 Speaker 1: fuck Hamilton Bro like clapped that man Aaron Burr like 742 00:44:11,280 --> 00:44:14,880 Speaker 1: fu yeah, Like I'm rooting for you because I was 743 00:44:14,960 --> 00:44:19,120 Speaker 1: so connected to the performances of so of every other 744 00:44:19,160 --> 00:44:22,839 Speaker 1: person Renee at least Goldsbury, the DVD digs, all those 745 00:44:22,880 --> 00:44:26,480 Speaker 1: people I have, like I can remember like moments I 746 00:44:26,680 --> 00:44:28,720 Speaker 1: would feel like I would I would watch that part again. 747 00:44:28,840 --> 00:44:31,839 Speaker 1: There weren't many that involved Lin Manuel Miranda's like his 748 00:44:31,920 --> 00:44:34,759 Speaker 1: own own performances, And that's not a shot at him, 749 00:44:35,040 --> 00:44:36,880 Speaker 1: and I'm sure he knows. He would never say that 750 00:44:36,920 --> 00:44:39,200 Speaker 1: I'm a better performer than any of those people. But 751 00:44:39,840 --> 00:44:42,200 Speaker 1: everybody's got their strengths, and his strength was doing that, 752 00:44:42,320 --> 00:44:44,239 Speaker 1: Like to your point, yeah, he deserves to be up there, 753 00:44:44,239 --> 00:44:46,040 Speaker 1: but I would like to see it with the alternate, 754 00:44:46,440 --> 00:44:53,200 Speaker 1: you know, yeah, uh Angelica's performance, Philippa Sho's performing Angelica's 755 00:44:53,239 --> 00:44:58,719 Speaker 1: not her name? What who plays uh Angelica? Rene? Yeah? Yeah, 756 00:44:58,760 --> 00:45:03,320 Speaker 1: that's yeah, Rene, Yeah, that performance and Philippa's Who's performance 757 00:45:03,320 --> 00:45:07,960 Speaker 1: deserved fucking great. Yeah, there's also kind of like they 758 00:45:08,000 --> 00:45:11,560 Speaker 1: were doing that bootstrapping ship also to that about like 759 00:45:11,600 --> 00:45:19,200 Speaker 1: oh he's an immigrant, smarter, harder, blah blah blah. Did 760 00:45:19,200 --> 00:45:21,400 Speaker 1: the song come after the play or did the play 761 00:45:21,760 --> 00:45:23,600 Speaker 1: have that line first and then the song came because 762 00:45:23,600 --> 00:45:27,240 Speaker 1: he has that song lin Manuel, how did a bastard, 763 00:45:27,440 --> 00:45:31,160 Speaker 1: orphan son of a that that one? No? Like immigrants 764 00:45:31,160 --> 00:45:34,759 Speaker 1: get the job done? Um, it's a pop song that 765 00:45:34,800 --> 00:45:37,239 Speaker 1: he wrote when he had had all these Um oh 766 00:45:37,280 --> 00:45:40,480 Speaker 1: my gosh, I should have google this way. I think 767 00:45:40,520 --> 00:45:43,200 Speaker 1: that came from the play because I think that it 768 00:45:43,280 --> 00:45:44,799 Speaker 1: was like a line in the play and then like 769 00:45:45,000 --> 00:45:49,759 Speaker 1: he popularized it. Yeah, but but I guess even like 770 00:45:49,840 --> 00:45:52,600 Speaker 1: there were these things, like there were these very American 771 00:45:52,760 --> 00:45:55,640 Speaker 1: myths though still built in it were like founding fathers. 772 00:45:55,920 --> 00:45:59,080 Speaker 1: They were really like hip dudes who you should have 773 00:45:59,080 --> 00:46:01,880 Speaker 1: seen him dance. They are really cool. That's why this 774 00:46:01,920 --> 00:46:03,960 Speaker 1: country so great. I don't know about slavery stuff. I mean, 775 00:46:03,960 --> 00:46:05,520 Speaker 1: we can talk about that in another musical that I 776 00:46:05,600 --> 00:46:08,200 Speaker 1: won't watch. But there's that and then this, there's like 777 00:46:08,239 --> 00:46:11,719 Speaker 1: this bootstrap thing of you know, that's all you need, kid, 778 00:46:12,320 --> 00:46:15,399 Speaker 1: just be a little bit smarter, don't worry about any 779 00:46:15,440 --> 00:46:18,160 Speaker 1: of the systemic oppression you may experience along the way. 780 00:46:18,280 --> 00:46:23,200 Speaker 1: Just get your bootstraps all. I mean, he just put 781 00:46:23,200 --> 00:46:30,439 Speaker 1: a pencil to his temple connected it to his brain. Okay, 782 00:46:30,480 --> 00:46:32,759 Speaker 1: I have a question for you all, Like, did it 783 00:46:32,840 --> 00:46:36,520 Speaker 1: feel different watching it three and a half years into 784 00:46:36,560 --> 00:46:42,000 Speaker 1: the Trump administration? Yes? Yes, That's What's what I'm saying 785 00:46:42,040 --> 00:46:44,880 Speaker 1: is like I watched it and I couldn't. I'd have 786 00:46:44,960 --> 00:46:48,160 Speaker 1: to constantly remind myself that like I can, I can 787 00:46:48,360 --> 00:46:51,399 Speaker 1: enjoy what I'm seeing rather than immediately being turned off. 788 00:46:51,440 --> 00:46:53,440 Speaker 1: But like, man, this is how fucking America started. We'll 789 00:46:53,480 --> 00:46:55,600 Speaker 1: get this ship off mych This isn't what it is. 790 00:46:56,400 --> 00:47:00,320 Speaker 1: This is fucked up and a misrepresentation. There's totally asua 791 00:47:00,480 --> 00:47:03,760 Speaker 1: of of contributions of people of color to this actual 792 00:47:03,840 --> 00:47:06,600 Speaker 1: historical event, and they're excusing it by having people of 793 00:47:06,640 --> 00:47:11,000 Speaker 1: color out there performing it. And I think, but that's 794 00:47:11,040 --> 00:47:14,400 Speaker 1: where everyone is saying, like we're looking at we're in 795 00:47:14,440 --> 00:47:18,280 Speaker 1: a different mindset now, And I think probably just because 796 00:47:18,320 --> 00:47:21,520 Speaker 1: I like history, I probably would have been like okay, 797 00:47:21,560 --> 00:47:23,719 Speaker 1: but the music, I also like music, so it's good. 798 00:47:23,760 --> 00:47:28,640 Speaker 1: But it definitely like there were times I was I 799 00:47:28,760 --> 00:47:31,839 Speaker 1: was it was getting me thinking a lot about like 800 00:47:32,239 --> 00:47:36,000 Speaker 1: what are they saying? And I'm like, that's not much 801 00:47:36,040 --> 00:47:38,920 Speaker 1: more than I probably would have yeah, four years ago. Yeah, 802 00:47:38,960 --> 00:47:41,560 Speaker 1: I kept thinking about like how, I don't know, there 803 00:47:41,640 --> 00:47:44,799 Speaker 1: was like a line about, oh my gosh, I think 804 00:47:44,840 --> 00:47:47,439 Speaker 1: it was probably around voting rights right this week, where 805 00:47:47,440 --> 00:47:50,400 Speaker 1: Trump was saying that voting is a privilege and not 806 00:47:50,480 --> 00:47:52,920 Speaker 1: a right, and the Constitution says that voting is a 807 00:47:53,000 --> 00:47:55,200 Speaker 1: right for all people. And so I was just thinking 808 00:47:55,200 --> 00:47:58,759 Speaker 1: about that in context with this, with this musical, there's 809 00:47:59,520 --> 00:48:04,279 Speaker 1: you know, we have a president like the play I guess, 810 00:48:04,360 --> 00:48:06,200 Speaker 1: I don't know, I don't want to say it glamorizes 811 00:48:06,520 --> 00:48:11,440 Speaker 1: the Constitution, federalist papers, whatever there's like, but just in 812 00:48:12,040 --> 00:48:14,960 Speaker 1: like in contrast with the president that actually doesn't give 813 00:48:15,000 --> 00:48:20,200 Speaker 1: a funk about anything but anything that it just kind 814 00:48:20,200 --> 00:48:22,520 Speaker 1: of felt different. I don't know, I don't I still 815 00:48:22,560 --> 00:48:26,160 Speaker 1: don't know what I'm feeling about that. But I definitely 816 00:48:26,200 --> 00:48:29,480 Speaker 1: think it would have been different if I watched it 817 00:48:29,560 --> 00:48:34,439 Speaker 1: during the Obama administration. I was definitely less uh yeah, 818 00:48:34,560 --> 00:48:36,840 Speaker 1: forgiving of a lot of the stuff that they just 819 00:48:36,920 --> 00:48:41,200 Speaker 1: kind of gloss over, and you know, they're like he writes, 820 00:48:41,320 --> 00:48:44,160 Speaker 1: he sure writes a lot, but like they don't really 821 00:48:44,200 --> 00:48:46,960 Speaker 1: talk about like what he was writing, which was setting 822 00:48:47,040 --> 00:48:50,440 Speaker 1: up a setting up a giant banking system that had 823 00:48:50,480 --> 00:48:53,960 Speaker 1: tons of power, and you know there there's people around 824 00:48:54,040 --> 00:48:58,160 Speaker 1: him who are abolitionists. I think even Eliza ends up 825 00:48:58,200 --> 00:49:00,759 Speaker 1: being an abolitionist, or at least they say she does 826 00:49:00,800 --> 00:49:05,759 Speaker 1: at the end, and he doesn't, like he never really 827 00:49:05,800 --> 00:49:08,600 Speaker 1: does that. I don't know. I was very like the 828 00:49:08,680 --> 00:49:12,759 Speaker 1: fact he's like fully complicit and his son's death, like, 829 00:49:13,440 --> 00:49:17,160 Speaker 1: which is something yeah where he's like, yeah, man, just 830 00:49:17,239 --> 00:49:20,239 Speaker 1: go out there, fire that ship at the sky. You 831 00:49:20,320 --> 00:49:23,040 Speaker 1: can guarantee he's going to be a good dude in 832 00:49:23,080 --> 00:49:26,200 Speaker 1: this gunfight. You're going off to get in here, take 833 00:49:26,280 --> 00:49:30,280 Speaker 1: my guns to the gunfight. Uh. And then like that's 834 00:49:30,320 --> 00:49:34,080 Speaker 1: what is like his redemption. I don't know, man, I 835 00:49:34,200 --> 00:49:37,920 Speaker 1: was that still like that that fucking kills me, Like 836 00:49:38,000 --> 00:49:44,399 Speaker 1: that scene, Yeah, that's awful. Murder me well, I mean, 837 00:49:45,120 --> 00:49:47,360 Speaker 1: and then when he gets killed does not murder me 838 00:49:47,480 --> 00:49:51,919 Speaker 1: quit as much? Even with the SloMo. I was like, all, yeah, 839 00:49:53,840 --> 00:49:58,400 Speaker 1: can we get the king back up there? To that? 840 00:49:58,719 --> 00:50:01,240 Speaker 1: And again we should talk about because I was probably 841 00:50:01,239 --> 00:50:04,560 Speaker 1: the most talked about moment in the entire thing in 842 00:50:04,640 --> 00:50:08,400 Speaker 1: terms of conversation around people watching Hamilton's on Disney Plus 843 00:50:08,800 --> 00:50:13,720 Speaker 1: was the spittle that ends up on his mouth during 844 00:50:13,840 --> 00:50:17,239 Speaker 1: the You'll Miss Me. I was watching. I don't know 845 00:50:17,320 --> 00:50:18,880 Speaker 1: too clue, I don't know what it was, but I 846 00:50:18,920 --> 00:50:23,359 Speaker 1: think obscene. There's one line he says where it you know, 847 00:50:23,400 --> 00:50:29,919 Speaker 1: you have to take coronavirus. Yeah, let's hook him with that. 848 00:50:30,040 --> 00:50:31,959 Speaker 1: Let's hook him with that. Guys, we're gonna talk about 849 00:50:32,000 --> 00:50:34,920 Speaker 1: the spittle, but first we're gonna take a quick break 850 00:50:45,040 --> 00:50:51,759 Speaker 1: and we're back and yeah, the spittle is like just 851 00:50:52,560 --> 00:50:55,480 Speaker 1: obscene to be watching in the middle of a pandemic 852 00:50:55,640 --> 00:50:59,960 Speaker 1: where uh just that that is unthinkable to be an 853 00:51:00,160 --> 00:51:04,439 Speaker 1: h in that crowd as that dude does that, which 854 00:51:04,480 --> 00:51:07,520 Speaker 1: is I think, like, I don't think that's unintentional. I 855 00:51:07,560 --> 00:51:09,920 Speaker 1: think that's part of the performance, right, He's like trying 856 00:51:09,960 --> 00:51:13,839 Speaker 1: to be like very I'm sure, I don't. I don't 857 00:51:13,840 --> 00:51:19,359 Speaker 1: know anything. I'm reading now it says that he has 858 00:51:19,400 --> 00:51:29,759 Speaker 1: opened up Jonathan Gross. Wait, what's his name? Gross? He says, uh. 859 00:51:30,920 --> 00:51:33,680 Speaker 1: The In an interview with Variety, was asked about the 860 00:51:33,719 --> 00:51:37,640 Speaker 1: habit in general, about like his the characters spitting uh, 861 00:51:37,640 --> 00:51:39,480 Speaker 1: and he says, I spit a lot on stage. I've 862 00:51:39,520 --> 00:51:41,719 Speaker 1: always been a spitter. I start sweating, I just get 863 00:51:41,760 --> 00:51:44,280 Speaker 1: wet when I perform on stage. It's just what happens. 864 00:51:45,880 --> 00:51:48,919 Speaker 1: So Jack, and that's you know, brothers in arms, right there, 865 00:51:48,920 --> 00:51:53,839 Speaker 1: brothers in sweat. I yeah, I noticed that a lot 866 00:51:53,880 --> 00:51:58,920 Speaker 1: like Hercules Mulligan uh was sweat. And then James Madison 867 00:51:59,480 --> 00:52:03,040 Speaker 1: was the character. The actor who played both those characters 868 00:52:03,200 --> 00:52:05,480 Speaker 1: was first of all like bundled the funk up. I 869 00:52:05,520 --> 00:52:08,879 Speaker 1: don't know exactly why, but was so sweaty. I felt. 870 00:52:08,920 --> 00:52:11,800 Speaker 1: I felt for that dude. I was not paying attention 871 00:52:11,800 --> 00:52:15,400 Speaker 1: to anybody sweat or mouth sweat or anything. So I 872 00:52:15,480 --> 00:52:17,319 Speaker 1: feel like I need to rewatch. I'm always like one 873 00:52:17,360 --> 00:52:19,920 Speaker 1: of those people, like when someone's like talking and they 874 00:52:19,960 --> 00:52:22,960 Speaker 1: spit on you, I'm always like, okay, So like I 875 00:52:23,040 --> 00:52:28,480 Speaker 1: have a I'm always clocking mouth spit and so you 876 00:52:28,560 --> 00:52:31,799 Speaker 1: can't be really excited about everyone wearing masks. Now, it 877 00:52:31,840 --> 00:52:33,400 Speaker 1: doesn't really bother me. I just like, you know, I 878 00:52:33,440 --> 00:52:35,600 Speaker 1: have an eye for a detail. But the thing he 879 00:52:35,680 --> 00:52:37,360 Speaker 1: was saying was he said, for quote, this is a 880 00:52:37,440 --> 00:52:41,960 Speaker 1: quote about how um like other performances he's done. They said, 881 00:52:42,000 --> 00:52:44,239 Speaker 1: but those who've seen Broadways little shop of Horrors too, 882 00:52:44,600 --> 00:52:47,120 Speaker 1: like have seen this spitting habit of his quote. For 883 00:52:47,160 --> 00:52:49,239 Speaker 1: the first couple of weeks of the run, I felt 884 00:52:49,280 --> 00:52:51,040 Speaker 1: bad because I'd walked down to the end of the 885 00:52:51,080 --> 00:52:53,200 Speaker 1: stage in the second song of the show, Skid Role, 886 00:52:53,239 --> 00:52:55,520 Speaker 1: and I can't help it. I'm just like spitting on everybody, 887 00:52:55,880 --> 00:52:58,359 Speaker 1: and they're either enjoying it, or they're laughing, or they're 888 00:52:58,400 --> 00:53:01,399 Speaker 1: holding up their programs to block their face. I don't 889 00:53:01,440 --> 00:53:04,319 Speaker 1: care anymore, but it made me feel self conscious at first. 890 00:53:04,440 --> 00:53:06,360 Speaker 1: I've never been so close to the audience where I 891 00:53:06,400 --> 00:53:11,160 Speaker 1: was actually seeing the reaction on people's faces while Splash 892 00:53:11,320 --> 00:53:19,319 Speaker 1: Zone in a Broadway musical. Yeah, it's just, you know, 893 00:53:19,440 --> 00:53:21,840 Speaker 1: so he's he's brave. He's doing him because at the 894 00:53:21,880 --> 00:53:24,239 Speaker 1: end of the day, I can't say a damn thing 895 00:53:24,239 --> 00:53:27,520 Speaker 1: about his vocal performance because he's my favorite song. Even 896 00:53:27,520 --> 00:53:30,799 Speaker 1: with the spit, I'm I'm there first for that, and 897 00:53:30,840 --> 00:53:34,880 Speaker 1: he just like just completely like owns those moments with 898 00:53:35,080 --> 00:53:39,040 Speaker 1: just like a couple of facial gestures. He's very funny. Yeah. 899 00:53:40,160 --> 00:53:42,600 Speaker 1: The the other big moment that people are talking about 900 00:53:42,680 --> 00:53:47,200 Speaker 1: is at the end when Eliza Skylar like comes out 901 00:53:47,239 --> 00:53:50,080 Speaker 1: to the It's literally the last moment before the lights 902 00:53:50,080 --> 00:53:54,080 Speaker 1: go down, she is like talking about, you know, what 903 00:53:54,239 --> 00:53:56,759 Speaker 1: she did with her life after he died, and then 904 00:53:56,920 --> 00:53:58,759 Speaker 1: like looks out at the audience and like has this 905 00:53:58,920 --> 00:54:03,600 Speaker 1: like almost horrified gasp. It could be read as horrified gasp, 906 00:54:03,760 --> 00:54:07,440 Speaker 1: or it could just be read as like emotionally overwhelmed. Uh. 907 00:54:07,520 --> 00:54:10,640 Speaker 1: And people were like, why did that happen? Does it 908 00:54:10,680 --> 00:54:15,400 Speaker 1: not happen in the other versions of the show? I 909 00:54:15,440 --> 00:54:18,239 Speaker 1: think it does. It's just kind of an interesting like 910 00:54:18,680 --> 00:54:21,799 Speaker 1: choice that the that the actor makes at the end 911 00:54:21,800 --> 00:54:24,960 Speaker 1: of the or I think it's actually written into the 912 00:54:24,960 --> 00:54:28,320 Speaker 1: play because all all actors who play the role of 913 00:54:28,360 --> 00:54:31,360 Speaker 1: Eliza do that. Oh yeah, well there's like a stage 914 00:54:31,360 --> 00:54:34,319 Speaker 1: direction too, because there's a spotlight, like it's it's there 915 00:54:34,480 --> 00:54:38,120 Speaker 1: there again, there's another thing saying she explains it. People 916 00:54:38,120 --> 00:54:40,279 Speaker 1: are like, is it Eliza going into heaven? Is she's 917 00:54:40,280 --> 00:54:42,839 Speaker 1: seeing Alexander, She's seeing God? What is it? And it's 918 00:54:42,920 --> 00:54:45,200 Speaker 1: kind of all of those things. Sometimes it's literally I 919 00:54:45,239 --> 00:54:47,440 Speaker 1: look out and I see the audience, and that's what 920 00:54:47,480 --> 00:54:49,600 Speaker 1: it is. But I think that the idea, but I 921 00:54:49,640 --> 00:54:53,480 Speaker 1: think that idea of transcendence is present in all of that. 922 00:54:53,600 --> 00:54:58,040 Speaker 1: So that's just the gasp, transcendence, gasp, Like she's seeing 923 00:54:58,520 --> 00:55:02,359 Speaker 1: the interpretation I read, like mixed with what you just 924 00:55:02,400 --> 00:55:06,080 Speaker 1: read was also the idea that like she is seeing 925 00:55:06,280 --> 00:55:09,680 Speaker 1: across time at the audience because that whole song and 926 00:55:09,760 --> 00:55:12,880 Speaker 1: that whole moment is about legacy, and now she's like 927 00:55:12,960 --> 00:55:16,759 Speaker 1: singing across time this audience seeing a play about them, 928 00:55:17,000 --> 00:55:20,719 Speaker 1: and she's like overwhelmed by, you know, the fact that 929 00:55:20,760 --> 00:55:23,120 Speaker 1: their legacy does live on, even though for a long 930 00:55:23,160 --> 00:55:27,480 Speaker 1: time it was kind of not so much. It's the 931 00:55:27,600 --> 00:55:30,239 Speaker 1: only I think my first time hearing about Aaron Burrow 932 00:55:30,320 --> 00:55:34,560 Speaker 1: was that got Milk commercial where the dude is eating 933 00:55:34,560 --> 00:55:36,440 Speaker 1: the peanut butter sandwich and he's trying to be like 934 00:55:36,440 --> 00:55:39,360 Speaker 1: four of ten dollars and the famous duel against alexand 935 00:55:39,360 --> 00:55:49,279 Speaker 1: like who was the person who killed Alexander Hamilton's Yeah, um, 936 00:55:49,360 --> 00:55:55,200 Speaker 1: that commercial the first mainstream hit by Michael Bay Uh 937 00:55:55,280 --> 00:55:59,879 Speaker 1: what like Transformers. Yeah, he directed that commercial, Aaron Berg 938 00:56:00,080 --> 00:56:03,239 Speaker 1: milk commercial. Yeah, he directed that straight out of I 939 00:56:03,280 --> 00:56:05,920 Speaker 1: think film school and kind of put his name on 940 00:56:05,920 --> 00:56:09,520 Speaker 1: the map. Jesus to think of, look at all the 941 00:56:09,560 --> 00:56:14,800 Speaker 1: reverberations from Alexander Hamilton's Look at that? Would it actually 942 00:56:14,840 --> 00:56:16,239 Speaker 1: like I don't. I don't know why we're talking about 943 00:56:16,239 --> 00:56:19,880 Speaker 1: lin Manuel Miranda. It's Michael Bay who owes Alexander Hamilton's 944 00:56:19,880 --> 00:56:25,279 Speaker 1: every right. I mean. One thing that jam pointed out 945 00:56:25,400 --> 00:56:28,960 Speaker 1: is that the they have two of the three fox 946 00:56:29,040 --> 00:56:34,360 Speaker 1: in the play censored. Um. Yeah, and he was saying 947 00:56:34,400 --> 00:56:37,040 Speaker 1: that it's because did it stay in one of them 948 00:56:39,760 --> 00:56:44,240 Speaker 1: actually is, or maybe it's the one where he goes, 949 00:56:44,480 --> 00:56:47,680 Speaker 1: it's my wife that you decided to fun, you know, 950 00:56:47,920 --> 00:56:51,880 Speaker 1: and Mike doesn't actually finish yeah, because I don't remember 951 00:56:51,960 --> 00:56:57,640 Speaker 1: like a clear remember. Yeah. But he was pointing out 952 00:56:57,680 --> 00:57:01,480 Speaker 1: that you can actually get away with like three fun. 953 00:57:01,719 --> 00:57:05,719 Speaker 1: It's all about context. The only like the about the ratings, right, 954 00:57:05,719 --> 00:57:09,520 Speaker 1: because they did that to Yeah, So they did it 955 00:57:09,560 --> 00:57:12,520 Speaker 1: to avoid being our. Disney refused to show anything on 956 00:57:12,560 --> 00:57:17,120 Speaker 1: Disney Plus that's beyond a PG thirteen. Uh. The general 957 00:57:17,200 --> 00:57:19,520 Speaker 1: rule is that you can only have one fuck in 958 00:57:19,600 --> 00:57:23,200 Speaker 1: a movie without it becoming our. But that's only if 959 00:57:23,240 --> 00:57:26,800 Speaker 1: you're using it as a verb and in the context 960 00:57:26,880 --> 00:57:32,400 Speaker 1: of sex. So like not surprisingly, this play is not 961 00:57:32,720 --> 00:57:36,680 Speaker 1: them talking about fucking people each other. It's just like 962 00:57:36,720 --> 00:57:42,680 Speaker 1: a colloquial use of the phrase. And Disney still was 963 00:57:42,800 --> 00:57:48,480 Speaker 1: very cautious about it on Disney Wait one fuck or 964 00:57:48,520 --> 00:57:52,480 Speaker 1: two fox one fuck, one fuck and then if you 965 00:57:52,520 --> 00:57:57,920 Speaker 1: funk twice your r Yes, yes, but that should that 966 00:57:58,200 --> 00:58:01,360 Speaker 1: isn't the case all the time, depending on the context. 967 00:58:01,480 --> 00:58:05,240 Speaker 1: Context fucking right, Like we could we could get a PG. 968 00:58:05,400 --> 00:58:08,000 Speaker 1: Thirteen even with our intro where we say fun the 969 00:58:08,080 --> 00:58:12,000 Speaker 1: Koch brothers and dozens of people because we're not talking 970 00:58:12,040 --> 00:58:16,480 Speaker 1: about specifically making love to the Koch brothers. Uh no, 971 00:58:16,840 --> 00:58:19,400 Speaker 1: at least that wasn't the original when in that instance 972 00:58:19,440 --> 00:58:23,880 Speaker 1: would be necrophilia technically. Yeah, I mean, I think a 973 00:58:23,920 --> 00:58:26,280 Speaker 1: lot of parents are watching this with their kids, so 974 00:58:26,320 --> 00:58:30,720 Speaker 1: I think, you know, I mean, like, I'm I'm conflicted 975 00:58:30,760 --> 00:58:34,520 Speaker 1: because I recognize that on stage, like they get to 976 00:58:34,720 --> 00:58:38,400 Speaker 1: say fuck and but people are paying hundreds of dollars 977 00:58:38,440 --> 00:58:42,440 Speaker 1: for that experience. But we're in people's homes if we 978 00:58:42,440 --> 00:58:44,760 Speaker 1: are getting access to this, How did your parents handle 979 00:58:44,840 --> 00:58:47,560 Speaker 1: when you were kids? Cursing showing up on something you're 980 00:58:47,560 --> 00:58:52,040 Speaker 1: watching was like, oh my god, no, no TV would 981 00:58:52,080 --> 00:58:58,240 Speaker 1: go off and I'd be sent to my room. What 982 00:58:58,320 --> 00:59:02,800 Speaker 1: about you? Jack? MyD was very uh lax when it 983 00:59:02,840 --> 00:59:05,400 Speaker 1: came to letting me see our rated movies to the 984 00:59:05,440 --> 00:59:07,600 Speaker 1: point that I like got kicked out of our rated 985 00:59:07,640 --> 00:59:10,880 Speaker 1: movies that my dad like bought a ticket for me 986 00:59:10,960 --> 00:59:14,840 Speaker 1: to go into you were your dad was there with you. 987 00:59:15,360 --> 00:59:19,680 Speaker 1: He was so he took my little sister to see Fernalie. 988 00:59:20,040 --> 00:59:22,800 Speaker 1: He bought tickets for me and my older sister to 989 00:59:22,840 --> 00:59:25,680 Speaker 1: go see Lethal Weapon three, And then the people like 990 00:59:26,040 --> 00:59:28,640 Speaker 1: rolled in and we're like, you gotta get out of 991 00:59:28,680 --> 00:59:35,959 Speaker 1: like but yeah, So apparently Disney plug, like we've talked 992 00:59:35,960 --> 00:59:40,800 Speaker 1: about the weird uh Darryl Hannah butt shot from Splash 993 00:59:40,920 --> 00:59:43,960 Speaker 1: that they like cloned her hair so it just looks 994 00:59:43,960 --> 00:59:48,080 Speaker 1: like there's like, ah, what rug of her hair that's 995 00:59:48,120 --> 00:59:53,400 Speaker 1: like attached to her butt. Yeah, and then they apparently 996 00:59:53,840 --> 00:59:57,280 Speaker 1: blurred out a woman's cleavage on an episode of Wizards 997 00:59:57,280 --> 01:00:02,000 Speaker 1: of Waverley Place because that was too risk a. Um, well, 998 01:00:02,040 --> 01:00:05,280 Speaker 1: we can't have our children know about the existence of 999 01:00:05,360 --> 01:00:09,640 Speaker 1: female breasts. I mean, what what then? What what's next? 1000 01:00:10,000 --> 01:00:17,840 Speaker 1: What's next? But jack next? Yeah, because children don't buy 1001 01:00:18,120 --> 01:00:21,200 Speaker 1: they're very by their very nature, need to know what 1002 01:00:21,320 --> 01:00:25,320 Speaker 1: pressing like, it's weird when you see these like I 1003 01:00:25,400 --> 01:00:28,400 Speaker 1: really would love to know about these like this puritanical 1004 01:00:28,600 --> 01:00:32,200 Speaker 1: editorial board within a Disney's flush where it's like, are 1005 01:00:32,200 --> 01:00:34,840 Speaker 1: they are they going off of complaints that go in? 1006 01:00:34,880 --> 01:00:37,360 Speaker 1: Are there a team of people who have to be 1007 01:00:37,440 --> 01:00:39,400 Speaker 1: super buttoned up and be like oh no, no no, no, no no, 1008 01:00:39,600 --> 01:00:42,520 Speaker 1: don't get this out? And oh man, the have you 1009 01:00:42,560 --> 01:00:46,880 Speaker 1: seen this film is not yet rated? That documentary you know, 1010 01:00:47,000 --> 01:00:51,440 Speaker 1: you have to watch that. That is unbelievable. And the 1011 01:00:51,720 --> 01:00:53,760 Speaker 1: you know, m p A is so often telling on 1012 01:00:53,800 --> 01:00:56,640 Speaker 1: itself when it's like making these rules because it's always 1013 01:00:56,680 --> 01:01:01,080 Speaker 1: like a woman showing pleasure during sex is the thing 1014 01:01:01,200 --> 01:01:04,840 Speaker 1: that like they object to if a woman is not 1015 01:01:05,040 --> 01:01:08,280 Speaker 1: having a pleasurable time like a k like they're they're 1016 01:01:08,360 --> 01:01:13,760 Speaker 1: much more lax when it comes to yeah, which is 1017 01:01:14,360 --> 01:01:16,960 Speaker 1: so fucking dark. Do you know what this reminds me 1018 01:01:17,000 --> 01:01:19,160 Speaker 1: of when I was I'm just going to tell a 1019 01:01:19,160 --> 01:01:23,400 Speaker 1: personal story. When I was younger. We lived in Saudi 1020 01:01:23,400 --> 01:01:25,360 Speaker 1: Arabia when I was in junior high so we were 1021 01:01:25,360 --> 01:01:28,439 Speaker 1: there from when I was twelve to fourteen, and we 1022 01:01:28,480 --> 01:01:31,400 Speaker 1: brought a newspaper to Sathuria like we came to the US. 1023 01:01:31,560 --> 01:01:33,680 Speaker 1: Someone had asked us for a copy of a newspaper 1024 01:01:33,680 --> 01:01:35,440 Speaker 1: because it's so hard to get news there. And this 1025 01:01:35,520 --> 01:01:39,080 Speaker 1: was like in the night like two um, and like 1026 01:01:39,120 --> 01:01:42,120 Speaker 1: there was an ad for Jessica Rabbit, so that when 1027 01:01:42,120 --> 01:01:44,240 Speaker 1: we were going through not an ad for described but 1028 01:01:44,280 --> 01:01:51,040 Speaker 1: like Roger. Yeah, so the immigrant immigration officers for Sauthi Arabia, 1029 01:01:51,080 --> 01:01:53,040 Speaker 1: they go through the newspaper one by one and they'll 1030 01:01:53,080 --> 01:01:57,320 Speaker 1: black out, Um, they blacked out Jessica Rabbit's body and 1031 01:01:57,800 --> 01:02:00,360 Speaker 1: they'll just like you know, censor that way. They'll either 1032 01:02:00,480 --> 01:02:04,480 Speaker 1: like cover up cleavage or cover up anything like female 1033 01:02:04,920 --> 01:02:07,720 Speaker 1: that body even though it's like probably like the New 1034 01:02:07,800 --> 01:02:10,560 Speaker 1: York Times or something. You know, it wasn't it wasn't Playboy. 1035 01:02:10,840 --> 01:02:12,360 Speaker 1: So that's kind of what this reminds me of when 1036 01:02:12,360 --> 01:02:15,120 Speaker 1: you're talking about but just kind of like in a 1037 01:02:15,160 --> 01:02:18,520 Speaker 1: cartoon version. It's very Muslim, is basically what I'm trying 1038 01:02:18,560 --> 01:02:20,880 Speaker 1: to say. Disney Plus is very hello well and very 1039 01:02:20,960 --> 01:02:25,000 Speaker 1: much like blaming women for existing and yeah, because if 1040 01:02:25,000 --> 01:02:27,120 Speaker 1: they didn't exist, like we wouldn't have to do like 1041 01:02:27,160 --> 01:02:30,120 Speaker 1: then there wouldn't be darkness. So just hide everything because 1042 01:02:30,120 --> 01:02:33,800 Speaker 1: it's there. It's like, what the funk is this? It's 1043 01:02:35,080 --> 01:02:39,320 Speaker 1: that's the creeping shrery of of Disney. Yeah, I didn't 1044 01:02:39,360 --> 01:02:44,600 Speaker 1: realize Disney spent seventy five million dollars million to acquire 1045 01:02:44,840 --> 01:02:50,440 Speaker 1: just the distribution for Hamilton's just just this like one 1046 01:02:50,960 --> 01:02:54,200 Speaker 1: filming of a play that already exists and that you 1047 01:02:54,240 --> 01:02:57,360 Speaker 1: can go out and like see at your local theater 1048 01:02:57,520 --> 01:03:01,480 Speaker 1: if when it comes through town. They spent seventy five million, 1049 01:03:01,840 --> 01:03:07,040 Speaker 1: and they are apparently like happy they did because they 1050 01:03:07,200 --> 01:03:12,440 Speaker 1: saw a seventy surge and subscriptions over the July fourth 1051 01:03:12,520 --> 01:03:16,400 Speaker 1: weekend and they said it's like a whole new demographic 1052 01:03:16,440 --> 01:03:20,000 Speaker 1: that they hadn't reached before. They weren't more specific than that, 1053 01:03:20,160 --> 01:03:25,320 Speaker 1: so who knows who they're referring Like Quimby Baby, do 1054 01:03:25,400 --> 01:03:28,479 Speaker 1: you think he's like ninety two or percent of their 1055 01:03:28,480 --> 01:03:33,600 Speaker 1: trial users ended the second to trial it was over, 1056 01:03:33,680 --> 01:03:36,320 Speaker 1: So they went from like nine hundred thousand to like 1057 01:03:36,520 --> 01:03:40,080 Speaker 1: three thousand unfortunate assholes myself included who forgot to cancel 1058 01:03:40,160 --> 01:03:42,760 Speaker 1: it in time. But I'm sure that will go down 1059 01:03:42,760 --> 01:03:48,040 Speaker 1: even more. People like fuck I paid Quimby four five? Wow? 1060 01:03:48,080 --> 01:03:50,760 Speaker 1: That is that thinks they're fucked. They're fucked over there. 1061 01:03:51,000 --> 01:03:54,960 Speaker 1: That's really not good. Well, Tess, it has been a 1062 01:03:55,040 --> 01:03:58,960 Speaker 1: pleasure having you on the Daily Zykes again. Where can 1063 01:03:59,000 --> 01:04:02,120 Speaker 1: people find you and follow you? They can find me 1064 01:04:02,200 --> 01:04:05,360 Speaker 1: at Hasie star dot m e UM. I have a 1065 01:04:05,360 --> 01:04:08,520 Speaker 1: podcast called Good Muslim, Bad Muslim, but we just ended 1066 01:04:08,640 --> 01:04:10,800 Speaker 1: our show after five years, but you can still listen 1067 01:04:10,840 --> 01:04:14,880 Speaker 1: to it archives out there. And is there a tweet 1068 01:04:15,000 --> 01:04:17,600 Speaker 1: or some other work of social media you've been enjoying. 1069 01:04:18,400 --> 01:04:20,240 Speaker 1: I mean, we we already talked about the tweet that 1070 01:04:20,240 --> 01:04:23,360 Speaker 1: I was enjoying. I really enjoyed Elon Musk's response to 1071 01:04:23,440 --> 01:04:25,760 Speaker 1: Kanye West where he was endorsing him at first, and 1072 01:04:25,760 --> 01:04:29,360 Speaker 1: then he backtracked really fast and made me laugh aload. 1073 01:04:29,720 --> 01:04:33,160 Speaker 1: So good. Yeah, Miles, where can people find you on? 1074 01:04:33,200 --> 01:04:36,400 Speaker 1: What's a tweet you've been enjoying? You can find me 1075 01:04:36,480 --> 01:04:41,120 Speaker 1: and follow me on Twitter, Instagram, PlayStation Network, Miles of 1076 01:04:41,320 --> 01:04:44,600 Speaker 1: Gray and also my other podcast four twenty Day Fiance. 1077 01:04:45,360 --> 01:04:47,440 Speaker 1: You know we're talking about ninety day Fiance. This is 1078 01:04:47,520 --> 01:04:50,360 Speaker 1: what it is. Uh. Some tweets that I like. One 1079 01:04:50,400 --> 01:04:53,720 Speaker 1: of them is from h c J. Told Donald my 1080 01:04:53,880 --> 01:04:57,320 Speaker 1: heart podcast label mate. He says, I remember working at 1081 01:04:57,320 --> 01:05:00,000 Speaker 1: a Blockbuster right before they closed down and asking if 1082 01:05:00,000 --> 01:05:02,160 Speaker 1: we were getting severance and my boss was like, no, 1083 01:05:02,320 --> 01:05:04,840 Speaker 1: but you can have like fifteen DVDs or whatever movies 1084 01:05:04,920 --> 01:05:07,480 Speaker 1: we have left and I was like, cool, that works, 1085 01:05:11,080 --> 01:05:14,480 Speaker 1: and it was all Titanic. It was Titanic on the 1086 01:05:14,480 --> 01:05:18,880 Speaker 1: money phone with Titanic DVD copies, and then another one 1087 01:05:18,920 --> 01:05:22,520 Speaker 1: another labelmate, Molly Lambert at Molly Lambert and just said, 1088 01:05:22,560 --> 01:05:28,360 Speaker 1: should I start in only plants? Thinking about that plants 1089 01:05:29,280 --> 01:05:34,560 Speaker 1: tweets I've been enjoying dropped, Mike tweeted interviewer, can I 1090 01:05:34,560 --> 01:05:38,720 Speaker 1: get your references? Me sighing, Probably not. Nobody else does. 1091 01:05:40,600 --> 01:05:44,800 Speaker 1: James Herbert outside the NBA as opposed to inside the 1092 01:05:44,880 --> 01:05:50,080 Speaker 1: NBA tweeted, NBA gossip is now called bubble t So 1093 01:05:51,640 --> 01:05:55,920 Speaker 1: I like, I did see that one? You like? You 1094 01:05:55,960 --> 01:05:59,280 Speaker 1: like bubble t Jack with the bubo, I foke with Bobo. 1095 01:06:00,120 --> 01:06:01,880 Speaker 1: What's your favorite? Yeah? There was a good there was 1096 01:06:01,920 --> 01:06:05,240 Speaker 1: a good Bobba. We gotta press the Asians. What's your favorite, bro, 1097 01:06:06,080 --> 01:06:10,000 Speaker 1: there's a good Bubba truck outside of the crack was 1098 01:06:10,040 --> 01:06:13,560 Speaker 1: back in the day. Yeah, I think it was. I forget, 1099 01:06:13,600 --> 01:06:15,760 Speaker 1: I forget what my favorite was. Oh you sound like 1100 01:06:15,800 --> 01:06:21,880 Speaker 1: a fake as bubble on top and then the little 1101 01:06:21,880 --> 01:06:25,000 Speaker 1: like jelly stuff too. Yeah yeah, yeah, the phone with 1102 01:06:25,040 --> 01:06:28,840 Speaker 1: a jelly is definitely the What I remember of bubble 1103 01:06:28,880 --> 01:06:34,120 Speaker 1: tea is that what that have been an acceptable answer? No, 1104 01:06:34,200 --> 01:06:36,560 Speaker 1: I like the one that has the phone and the 1105 01:06:37,520 --> 01:06:39,440 Speaker 1: base favorite, you know what I mean? Like, what's the 1106 01:06:39,520 --> 01:06:41,200 Speaker 1: drink that has the boba in it? What are you 1107 01:06:41,240 --> 01:06:45,360 Speaker 1: sipping on? Is Vietnamese coffee one? Yeah? I mean they 1108 01:06:45,400 --> 01:06:47,640 Speaker 1: have that. I mean, or like the tasty I always 1109 01:06:47,680 --> 01:06:52,200 Speaker 1: go taro okay, I'm taro gang in the building. Almond milk, oh, 1110 01:06:52,800 --> 01:06:55,400 Speaker 1: I think I like milk? Actually, I like, oh I 1111 01:06:55,400 --> 01:06:58,600 Speaker 1: should try that, yeah, because yes, I do like that 1112 01:06:58,640 --> 01:07:05,040 Speaker 1: almond syrup and then chi good too. Oh, pandemic where 1113 01:07:05,040 --> 01:07:10,479 Speaker 1: we don't get access to boba like that anymore. Yeah, 1114 01:07:10,520 --> 01:07:13,440 Speaker 1: we're truly becoming like our immigrant mothers, where it's like, yeah, 1115 01:07:13,480 --> 01:07:15,240 Speaker 1: I can make that at home, Like what do you want? 1116 01:07:16,040 --> 01:07:17,720 Speaker 1: We can figure out how to make that home. I'm like, 1117 01:07:17,760 --> 01:07:19,360 Speaker 1: I don't know if I can make this tapioka yet 1118 01:07:19,400 --> 01:07:23,440 Speaker 1: tape tapioka at home, but I'll try. I also like 1119 01:07:23,520 --> 01:07:27,280 Speaker 1: to tweet by Heaven at Heaven sent mail tweeted due 1120 01:07:27,320 --> 01:07:30,160 Speaker 1: to COVID nineteen, I will not shake hands or hug anymore. 1121 01:07:30,520 --> 01:07:34,880 Speaker 1: You may either kneel or bow to me. I think 1122 01:07:35,240 --> 01:07:37,840 Speaker 1: I kind of like that policy. Uh, and I'm going 1123 01:07:37,880 --> 01:07:44,400 Speaker 1: to be instituting it immediately. Uh yeah. You can find 1124 01:07:44,400 --> 01:07:46,320 Speaker 1: me on Twitter at Jack Underscore Brain. You can find 1125 01:07:46,400 --> 01:07:48,919 Speaker 1: us on Twitter at daily Zeitgeis. Were at the Daily 1126 01:07:49,000 --> 01:07:52,040 Speaker 1: Zeitgeis on Instagram. We have a Facebook fan page and 1127 01:07:52,240 --> 01:07:55,400 Speaker 1: a website, Daily zygeys dot com, where we post our 1128 01:07:55,480 --> 01:08:00,000 Speaker 1: episodes and our foot We link off to the information 1129 01:08:00,000 --> 01:08:02,520 Speaker 1: that we talked about today's episode, as well as the 1130 01:08:02,600 --> 01:08:05,640 Speaker 1: song we ride out on mild What are we going 1131 01:08:05,680 --> 01:08:08,120 Speaker 1: to ride out on today? Man? This is actually gonna 1132 01:08:08,120 --> 01:08:12,280 Speaker 1: be from Horace Silver. Okay. Horace Silver is another artist 1133 01:08:12,400 --> 01:08:17,400 Speaker 1: who just this man has given us so many samples. Uh. 1134 01:08:17,840 --> 01:08:23,080 Speaker 1: Just He's a hard bop style jazz musician. Um has 1135 01:08:23,120 --> 01:08:25,960 Speaker 1: played with all of the greats. But this track, again, 1136 01:08:26,000 --> 01:08:29,439 Speaker 1: I'm all about just like textures. The last week, We've 1137 01:08:29,439 --> 01:08:31,840 Speaker 1: done a lot of vibes. This is another one. This 1138 01:08:31,920 --> 01:08:34,400 Speaker 1: is Horace Silver in This track is called soul Searching, 1139 01:08:34,760 --> 01:08:37,360 Speaker 1: So just get into this. Uh it's a great, great thing. 1140 01:08:37,400 --> 01:08:40,880 Speaker 1: Any Honestly, any of Horace Silver's work is fantastic to 1141 01:08:40,960 --> 01:08:43,840 Speaker 1: listen to. I think calming music is a good way 1142 01:08:43,920 --> 01:08:46,600 Speaker 1: to start the week, not getting turned up off the 1143 01:08:46,720 --> 01:08:51,280 Speaker 1: revolutionary anthems of Hamilton's because I know it must be nice. 1144 01:08:52,520 --> 01:08:54,439 Speaker 1: Is That's the other thing about musicals, Like when you 1145 01:08:54,439 --> 01:08:56,280 Speaker 1: just see like these dudes like do like some hard 1146 01:08:56,280 --> 01:08:59,120 Speaker 1: bars and shop, You're like, yeah, man, fun Man's got 1147 01:08:59,120 --> 01:09:04,080 Speaker 1: bars and he's like it must be nice nice, And 1148 01:09:04,120 --> 01:09:07,640 Speaker 1: I'm like, wow, that's a hard change of piners. But 1149 01:09:08,040 --> 01:09:15,200 Speaker 1: I like it bars and musical, all right. Well. The 1150 01:09:15,280 --> 01:09:17,880 Speaker 1: Daily Zeitgeist is a production by Heart Radio for more 1151 01:09:17,920 --> 01:09:20,559 Speaker 1: podcast for my Heart Radio, visit the heart Radio app, 1152 01:09:20,560 --> 01:09:24,639 Speaker 1: Apple podcast, or wherever you listen to your favorite shows. 1153 01:09:25,240 --> 01:09:27,880 Speaker 1: That is going to do it for this Monday morning. 1154 01:09:28,000 --> 01:09:30,000 Speaker 1: We're gonna be back this afternoon to tell you what 1155 01:09:30,120 --> 01:09:32,200 Speaker 1: it is trending and we will talk to you guys. 1156 01:09:32,200 --> 01:09:40,720 Speaker 1: Then bye. What is the meaning of life? What? That's 1157 01:09:40,800 --> 01:09:44,960 Speaker 1: my purpose? In bow? Do it came? The puzzle will be? 1158 01:09:45,040 --> 01:09:47,960 Speaker 1: So what have I done up to now? It be 1159 01:09:48,040 --> 01:09:51,160 Speaker 1: all done in vain? If my life what to him? 1160 01:09:51,160 --> 01:09:57,519 Speaker 1: What would you manage to gain? I'm so how real 1161 01:09:57,800 --> 01:10:03,880 Speaker 1: true vau and my eyes are working, so it's up 1162 01:10:03,920 --> 01:10:08,920 Speaker 1: to me to do. I all the meaning of life, 1163 01:10:09,160 --> 01:10:10,720 Speaker 1: I've all my purpose in it.