WEBVTT - Cornelia Frame (VP of Casting and Talent Relations at Disney)

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<v Speaker 1>Welcome back, and thank you so much for joining us

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<v Speaker 1>on this park Hopper episode of Magical Rewind. We are

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<v Speaker 1>very excited for today's guests. I'm always super excited when

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<v Speaker 1>we can get people from the other.

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<v Speaker 2>Side of the d com.

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<v Speaker 1>So it's awesome to get the actors and the people

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<v Speaker 1>that were involved in the actual shooting of the projects.

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<v Speaker 1>But when we get somebody from the channel who can

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<v Speaker 1>kind of give us overall views of what's going on,

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<v Speaker 1>I get really excited because I always learn a whole

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<v Speaker 1>bunch of new stuff. So you know this person, don't you.

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<v Speaker 2>I do. Yes.

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<v Speaker 3>She was absolutely one of the top dogs that was

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<v Speaker 3>handling so much around us during all three of the movies,

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<v Speaker 3>I want to say, and for quite a bit after.

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<v Speaker 4>And she's always super fun and.

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<v Speaker 3>Easy going and just like you know, when she was

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<v Speaker 3>on set or anywhere we were having to be, it

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<v Speaker 3>was always so fun to just chat with her.

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<v Speaker 2>I love that. Well, I can't wait. Let's get right

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<v Speaker 2>into it. Please help us.

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<v Speaker 1>Welcome Cornelia Frame, who was the vice president of Casting

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<v Speaker 1>and Talent Relations at the Disney Channel for eighteen years.

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<v Speaker 2>I cannot wait to talk to her.

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<v Speaker 5>Cornelia Frame, Hi, Hello, Hello, Welcome Yeah.

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<v Speaker 3>One thing I forgot to say will she was always

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<v Speaker 3>dressed to the tea.

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<v Speaker 4>Her style never fails. I love the top. Look at

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<v Speaker 4>how cute you are, Ah, Sabrina.

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<v Speaker 6>You know though, you taught me a lot in the

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<v Speaker 6>hair and makeup department, because what is your was your

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<v Speaker 6>mom a hairstylist?

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<v Speaker 7>Yes, okay, you gave me this tip that I tell

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<v Speaker 7>people to this day. You told me, you said, practice

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<v Speaker 7>when you're like, practice doing your hair and makeup when

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<v Speaker 7>you're not going out, like when you're staying home, so

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<v Speaker 7>you can like make mistakes so you're not stressed, so

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<v Speaker 7>you're not in a rush.

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<v Speaker 6>Because all my friends were like, you're here and makeups amazing.

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<v Speaker 6>I'm like I learned it from all the talent on

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<v Speaker 6>Disney Channel, but like you gave me that tip, and

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<v Speaker 6>I would play around with a curling iron, like on

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<v Speaker 6>a Friday night if I even if I had nowhere

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<v Speaker 6>to be, and it was like how I learned how

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<v Speaker 6>to make my heart a little more down.

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<v Speaker 3>Yeah, because then when you do have to you're not

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<v Speaker 3>like really stressed because you're figuring out something for the

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<v Speaker 3>first time.

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<v Speaker 1>Oh well, thank you so much for joining us. We

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<v Speaker 1>love when we have people. I was just telling Sabrina.

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<v Speaker 1>We were talking about this in the intro where we

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<v Speaker 1>get a lot of the actors that come on the show,

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<v Speaker 1>which we love hearing about the actual productions and what

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<v Speaker 1>it was like to shoot you know, insert movie name here.

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<v Speaker 1>But we're always so excited when we get somebody from

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<v Speaker 1>the other side that comes from the channel to tell

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<v Speaker 1>us kind of the overview of how it works, how

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<v Speaker 1>the sausage is made. For lack of a better term, So,

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<v Speaker 1>so you spent eighteen years at Disney and left as

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<v Speaker 1>VP of Casting and Talent Relations, can you please let

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<v Speaker 1>the people know what that job entails.

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<v Speaker 6>Well, it means you find talent, You find them from

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<v Speaker 6>all across the world, and then you make sure they

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<v Speaker 6>are taken care of in many different ways on the

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<v Speaker 6>talent relation side, from promoting their own project and often

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<v Speaker 6>asking them to help promote other other brands within the company,

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<v Speaker 6>like a.

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<v Speaker 8>Disney cruise going to going.

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<v Speaker 6>On Radio Disney at Radio Disney Music Awards, or it

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<v Speaker 6>could be even co promoting a Disney feature film too.

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<v Speaker 6>So you kind of had your hand in a lot

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<v Speaker 6>of different elements for all sorts of different talent, which

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<v Speaker 6>was an opportunity for me.

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<v Speaker 1>And now is this correct that you oversaw over two

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<v Speaker 1>hundred live action projects for the company. Yes, okay, so

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<v Speaker 1>let me let me name just a few of them

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<v Speaker 1>and see if we've got some of the bangers here.

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<v Speaker 4>This track record is insane, you guys, buckle up.

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<v Speaker 2>This is amazing.

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<v Speaker 1>High school musical, Wizards of Waverley Place, Hannah Montana, Jesse Casey,

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<v Speaker 1>Undercover Girl meets were World, that's so raven, Sweet Life

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<v Speaker 1>of Zach and Cody Descendants, Good Luck Charlie, and the

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<v Speaker 1>list goes on and on.

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<v Speaker 2>We're all those correct.

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<v Speaker 8>Those are correct.

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<v Speaker 6>My very first day of my very first day, it

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<v Speaker 6>was actually before my very first day, but my boss said,

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<v Speaker 6>why don't you come in and just come in because

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<v Speaker 6>we're testing this girl for this TV show.

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<v Speaker 8>And it was Miley Cyrus.

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<v Speaker 6>They were testing her for Hannah Montana that day and

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<v Speaker 6>that was like the day that she ends up getting

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<v Speaker 6>the role, and it was wild.

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<v Speaker 8>Then a month later, we're a just named zac Efron.

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<v Speaker 6>I mean, it just sort of everything kind of I

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<v Speaker 6>had meetings with the Jonas brothers early on, and it

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<v Speaker 6>just sort of like everything came one after the other.

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<v Speaker 2>Speaking of Miley, Cyrus.

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<v Speaker 1>Did we hear originally that the role of Hannah Montana

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<v Speaker 1>was actually offered to Was it Ali of Ali and

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<v Speaker 1>Aj Yes.

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<v Speaker 6>You know, I don't know if they offered it to her,

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<v Speaker 6>although I do think they did present it to her.

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<v Speaker 8>Yeah, And she had said.

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<v Speaker 2>That Gary Marsh wanted to wanted her to and she

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<v Speaker 2>said no.

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<v Speaker 3>Yeah, yeah, crazy, can't believe it. I mean, she would

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<v Speaker 3>have been great too. She has so much of the

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<v Speaker 3>fun quirkiness of what Miley brought to the role and everything.

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<v Speaker 3>She's got a great voice that's like, Wow, how do

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<v Speaker 3>you pass that up? How do you pass up at

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<v Speaker 3>Disney Channel show? I don't understand, but hey, I'm sure

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<v Speaker 3>there was a reason.

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<v Speaker 6>Well, and I think a lot a lot of people

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<v Speaker 6>I'm sure have mentioned who've been on here before. It's

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<v Speaker 6>sometimes you just want to get out of the Disney time.

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<v Speaker 6>It's like you did your high school time. You did

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<v Speaker 6>your school time. It's like, Okay, I want to go

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<v Speaker 6>to college now, and that maybe on an ABC show

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<v Speaker 6>or I may be on another a movie side of it,

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<v Speaker 6>you want to sort of get your feet wet in

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<v Speaker 6>a different, different part of your acting.

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<v Speaker 3>Bone. Sure, yeah, because I do think she would have

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<v Speaker 3>been older than what Miley was when she took on

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<v Speaker 3>the role for sure, right, she was closer to eighteen

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<v Speaker 3>than Miley was.

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<v Speaker 1>Yeah, yeah, that's ancient and Disney when it comes to

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<v Speaker 1>Disney Channel, that's like eighteen. My god, you're well past

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<v Speaker 1>your prime on the Disney Channel at eighteen.

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<v Speaker 3>When I booked The Cheetah Girls, I was seventeen, going

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<v Speaker 3>in for the role of a fifteen year old and thinking,

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<v Speaker 3>you know, obviously I wanted it so bad, but I

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<v Speaker 3>was so worried they were going to see my age

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<v Speaker 3>and think, oh no, there's you know. But knowing it

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<v Speaker 3>was a d com, it wasn't a TV show, I

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<v Speaker 3>thought maybe I'd have a little bit more a chance

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<v Speaker 3>because again, they didn't know it was going to be

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<v Speaker 3>three of them. They thought I would just be one

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<v Speaker 3>one movie. So I was really nervous because I was

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<v Speaker 3>seventeen and I was going.

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<v Speaker 1>Well, remember when we interviewed her from Got to Kick

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<v Speaker 1>It Up, she was what twenty five playing fourteen or.

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<v Speaker 2>Something like that, and she just kept her mouth shut.

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<v Speaker 1>Like I'm just not going to tell anybody how old

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<v Speaker 1>I am. Just just in kayse.

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<v Speaker 6>And that's so Miley Cyrus the Jason URLs, who played

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<v Speaker 6>Miley's brother on the show. He just kept his mouth

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<v Speaker 6>I mean he must have been twenty five twenty he

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<v Speaker 6>was much much older and he just kept his mouth shut.

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<v Speaker 2>Yep, just be quiet.

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<v Speaker 8>It was awesome.

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<v Speaker 6>IMDb didn't have birthdays at that time on it. It

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<v Speaker 6>was very it was you know, there was not a

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<v Speaker 6>lot of information out there. Was really easy to keep

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<v Speaker 6>it quiet for a long time too.

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<v Speaker 1>Yeah, yeah, okay, so we've mentioned some names now, We've

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<v Speaker 1>mentioned Miley Cyrus, We've mentioned the Jonas brothers. Let let

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<v Speaker 1>me just read you this is another list here, if

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<v Speaker 1>you can stand, another list of some of the globally

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<v Speaker 1>famous names that you helped to find and you worked with.

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<v Speaker 1>Selena Gomez, Olivia Rodrigu, Zendeia, Sabrina Carpenter, the Jonas Brothers,

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<v Speaker 1>Miley Cyrus, Demi Levado, Zach Efron, Austin Butler, and Jenna

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<v Speaker 1>Ortega just.

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<v Speaker 2>A few people that are slightly working in the industry

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<v Speaker 2>right now.

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<v Speaker 1>So here is a question that I'm sure you get

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<v Speaker 1>asked a lot, and I know there's terms that we hear,

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<v Speaker 1>it it factor whatever is, but how when somebody walks

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<v Speaker 1>into the room do you know that's the person.

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<v Speaker 6>It is a very an unspoken like vibe often that

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<v Speaker 6>just feels it and like the way they connect with

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<v Speaker 6>the material. But even some of the people who are

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<v Speaker 6>become it, they can read for the wrong job and

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<v Speaker 6>it just doesn't work out at all and it takes

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<v Speaker 6>them a lot longer. Like even Austin Butler has an

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<v Speaker 6>interesting career. He was a background on a million of

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<v Speaker 6>shows for so long, Like he's somebody who really put

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<v Speaker 6>in tons and tons and tons and tons of work

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<v Speaker 6>too for it, and he was and sometimes the luck

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<v Speaker 6>also wasn't even there. The luck was meaning you know,

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<v Speaker 6>like if you could be on the What's going to

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<v Speaker 6>be the hottest show?

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<v Speaker 8>But if it if nobody watches it, nobody sees you.

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<v Speaker 6>So but on the it factor, I mean sometimes you

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<v Speaker 6>just it's just everything from how they're speaking to the

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<v Speaker 6>casting director, like how they're chatting, and then and then

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<v Speaker 6>they just naturally slide into the material right away too,

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<v Speaker 6>like in a way that you're like, this person has

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<v Speaker 6>has something that I want to work with that I

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<v Speaker 6>believe in the factor too, and I'm sure their names

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<v Speaker 6>I could I can't remember that.

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<v Speaker 8>I'm like that person was it too, that may not

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<v Speaker 8>have made it.

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<v Speaker 6>Everybody has, you know, those people on their list too

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<v Speaker 6>that they hoped so much for it, you know, even

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<v Speaker 6>Olivia Rodrigo.

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<v Speaker 8>I mean I were set around.

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<v Speaker 6>She had had on YouTube some tapes of her doing

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<v Speaker 6>some performing and I'd set it around and they were

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<v Speaker 6>much more like they're similar to her style now. But

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<v Speaker 6>that was not what pop music was at that time.

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<v Speaker 6>You were in the ballad era at all that started.

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<v Speaker 6>I can't remember what year where suddenly popped in the

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<v Speaker 6>top ten. There would be ballads, which was very rare

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<v Speaker 6>for many years, and it was just not the timing

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<v Speaker 6>wasn't right at that moment, and she was on bizarre

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<v Speaker 6>part for us at that time she was. It was

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<v Speaker 6>before high school musical, So you really need the right

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<v Speaker 6>project to catapull you to the next next level.

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<v Speaker 3>Yeah, and you actually got a chance to go on

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<v Speaker 3>set quite a bit, right for all of these different

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<v Speaker 3>d coms and TV shows. What was one of your

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<v Speaker 3>favorite memories of being on set with the cast? Where

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<v Speaker 3>did you get a chance to either travel to or

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<v Speaker 3>you know, be able to be a part of something

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<v Speaker 3>that you just really remember always.

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<v Speaker 6>Yeah, I mean that is one of the best parts

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<v Speaker 6>of the job is being able to go to sets

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<v Speaker 6>in general.

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<v Speaker 8>I mean, it's really privileged to be able to see

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<v Speaker 8>that movie.

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<v Speaker 6>And seeing how many people it takes to make movies

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<v Speaker 6>and TV shows, it's wild.

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<v Speaker 8>There's no small.

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<v Speaker 6>Feed to get these projects made, and it's uh, you know,

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<v Speaker 6>I didn't get to go to your set, Cety girls

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<v Speaker 6>in India or Spain.

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<v Speaker 8>I didn't get to go to either.

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<v Speaker 6>I remember everybody, even when they went to India, what

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<v Speaker 6>an Everybody who got to go at the company at

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<v Speaker 6>that time actually felt like it was a really big

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<v Speaker 6>privilege that they got to go because it was not again,

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<v Speaker 6>it's India.

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<v Speaker 8>It's all the way in India.

0:10:35.920 --> 0:10:38.800
<v Speaker 6>And like, yeah, there was you know, we were not

0:10:38.960 --> 0:10:41.560
<v Speaker 6>sending just tons of executives over and that's not how

0:10:41.640 --> 0:10:44.160
<v Speaker 6>the channel operated too. They were they really, you know,

0:10:44.720 --> 0:10:47.920
<v Speaker 6>everybody had to really have a very big purpose to

0:10:47.960 --> 0:10:51.120
<v Speaker 6>be there, and so and I remember just all the

0:10:51.120 --> 0:10:53.200
<v Speaker 6>different people who would get to go. And then Spain,

0:10:53.240 --> 0:10:54.679
<v Speaker 6>I didn't get to go to either, but I did

0:10:54.679 --> 0:10:55.960
<v Speaker 6>get to meet you in Spain.

0:10:56.360 --> 0:10:58.240
<v Speaker 8>I Madrid, and we did a promo.

0:10:58.120 --> 0:11:03.360
<v Speaker 3>The promo concert exactly. Do you remember how sick I was, Yes.

0:11:03.280 --> 0:11:05.679
<v Speaker 6>But I remember it was at the very tail end

0:11:05.720 --> 0:11:09.440
<v Speaker 6>of like the promotional window. Yes, very it was like

0:11:09.559 --> 0:11:12.480
<v Speaker 6>a challenging time for everybody. But I even remember all

0:11:12.760 --> 0:11:15.240
<v Speaker 6>the three of you after the party, like you're just

0:11:15.280 --> 0:11:17.240
<v Speaker 6>sitting down just being so happy.

0:11:16.960 --> 0:11:18.760
<v Speaker 8>And also being like that was really fun. I kind

0:11:18.800 --> 0:11:19.720
<v Speaker 8>of wanted to do it again.

0:11:19.840 --> 0:11:23.360
<v Speaker 6>As hard as it was, like right the heart into it,

0:11:23.360 --> 0:11:26.640
<v Speaker 6>it was really hard, and you all, the three of

0:11:26.679 --> 0:11:29.320
<v Speaker 6>you were such sisters like then you all, I mean,

0:11:29.360 --> 0:11:31.840
<v Speaker 6>it was really fun. It was It's very infectious to

0:11:32.240 --> 0:11:35.720
<v Speaker 6>be around the talent because every they're all friends, and

0:11:35.760 --> 0:11:39.000
<v Speaker 6>then they're friends within the different like all the different

0:11:39.040 --> 0:11:41.719
<v Speaker 6>shows and movies are often friends too because they've had

0:11:41.760 --> 0:11:44.679
<v Speaker 6>to do international promos for three days together. We would

0:11:44.960 --> 0:11:47.240
<v Speaker 6>get talent together to do that and that would be

0:11:47.520 --> 0:11:49.959
<v Speaker 6>where you get to sort of interact with everybody all

0:11:50.000 --> 0:11:52.840
<v Speaker 6>the time and and get to spend time. But even yeah,

0:11:52.880 --> 0:11:55.520
<v Speaker 6>going to Utah for the High School Musical series recently

0:11:55.600 --> 0:11:57.520
<v Speaker 6>was fabulous too because there was a lot of people

0:11:57.520 --> 0:12:00.160
<v Speaker 6>we worked on the movie who were involved in the

0:12:00.280 --> 0:12:03.240
<v Speaker 6>series too, and that was really special to see these people,

0:12:03.720 --> 0:12:06.400
<v Speaker 6>you know, being able to come back again and work around.

0:12:06.559 --> 0:12:08.840
<v Speaker 1>We just talked to Corwin blue like last week. So

0:12:09.200 --> 0:12:11.440
<v Speaker 1>he was telling us just how wonderful it was. But wait,

0:12:11.640 --> 0:12:14.400
<v Speaker 1>I have to jump in. I'm sorry, Sabrina, you've never

0:12:14.400 --> 0:12:16.240
<v Speaker 1>told me about this. What you were sick when you

0:12:16.240 --> 0:12:17.600
<v Speaker 1>were doing a concert?

0:12:18.160 --> 0:12:21.360
<v Speaker 3>Yeah, I had scarlet fever or something crazy.

0:12:21.920 --> 0:12:23.480
<v Speaker 2>You were sick in eighteen seventy.

0:12:24.200 --> 0:12:28.120
<v Speaker 4>No, it was like something. So we went to do

0:12:28.160 --> 0:12:28.480
<v Speaker 4>a show.

0:12:28.480 --> 0:12:30.200
<v Speaker 3>But we were in the midst of doing our tour

0:12:30.240 --> 0:12:33.520
<v Speaker 3>and Disney Channel was expanding into Spain, right, that was

0:12:33.520 --> 0:12:34.079
<v Speaker 3>what that was.

0:12:34.040 --> 0:12:35.520
<v Speaker 8>For launching Spain.

0:12:35.600 --> 0:12:39.080
<v Speaker 6>And this was part of a big relaunch party, okay,

0:12:39.240 --> 0:12:41.120
<v Speaker 6>And they were the only talent that got to be

0:12:41.200 --> 0:12:41.880
<v Speaker 6>brought over.

0:12:41.679 --> 0:12:43.959
<v Speaker 3>There, I think, so I don't remember a lot of

0:12:44.200 --> 0:12:46.920
<v Speaker 3>other talent that was there with us. And I actually

0:12:47.280 --> 0:12:51.240
<v Speaker 3>had stayed home one day trying to get myself better.

0:12:51.280 --> 0:12:53.240
<v Speaker 3>I went into a doctor. I had to get like

0:12:53.400 --> 0:12:56.240
<v Speaker 3>a whole needle situation. It was like this whole thing

0:12:56.280 --> 0:12:58.200
<v Speaker 3>to get me better, just to get me there. And

0:12:58.240 --> 0:13:01.280
<v Speaker 3>then when I got there, then I got to see

0:13:01.280 --> 0:13:04.440
<v Speaker 3>a doctor from Spain. He gave me whatever. I felt

0:13:04.760 --> 0:13:08.720
<v Speaker 3>like a new sprung chicken. I was out there dancing

0:13:08.840 --> 0:13:11.160
<v Speaker 3>like you would never have even known that I was sick.

0:13:11.640 --> 0:13:13.800
<v Speaker 3>And then on my way home during that flight, I

0:13:13.840 --> 0:13:16.679
<v Speaker 3>got my my I you know, was taking the medication,

0:13:16.760 --> 0:13:18.600
<v Speaker 3>but still kind of got sick a little bit more.

0:13:18.600 --> 0:13:20.679
<v Speaker 3>But at the same time, I don't know if it

0:13:20.720 --> 0:13:23.080
<v Speaker 3>was the adrenaline of just being there and when we

0:13:23.160 --> 0:13:25.440
<v Speaker 3>had stuff like that with the Channel, you just knew

0:13:25.800 --> 0:13:29.000
<v Speaker 3>these were once in a lifetime opportunities that it was

0:13:29.040 --> 0:13:31.200
<v Speaker 3>such a big deal for us to be there. It

0:13:31.280 --> 0:13:34.280
<v Speaker 3>was huge that the Channel was launching into Spain. It

0:13:34.360 --> 0:13:37.000
<v Speaker 3>was huge for us because at that time, High School

0:13:37.080 --> 0:13:40.240
<v Speaker 3>Musical had come out, I believe, and the Jonahs brothers

0:13:40.280 --> 0:13:42.960
<v Speaker 3>were working, so we were the talent that they decided

0:13:43.000 --> 0:13:45.360
<v Speaker 3>to go out there with and it was just a

0:13:45.360 --> 0:13:47.720
<v Speaker 3>big opportunity. So I don't know really exactly if it

0:13:47.760 --> 0:13:49.400
<v Speaker 3>was just the medication or if I was just like

0:13:49.520 --> 0:13:52.120
<v Speaker 3>hyped on life that I didn't care. All I did

0:13:52.120 --> 0:13:53.840
<v Speaker 3>to do was do my ten minute set and then

0:13:53.880 --> 0:13:57.439
<v Speaker 3>I was good. But it was so fun, and that's

0:13:57.480 --> 0:13:59.640
<v Speaker 3>what I was I loved is you could tell whenever

0:13:59.679 --> 0:14:03.439
<v Speaker 3>you were around us that you were really seeing us

0:14:03.480 --> 0:14:06.319
<v Speaker 3>as a cast and as a as a real life friendship,

0:14:06.520 --> 0:14:08.240
<v Speaker 3>you know, and you were able to go do that

0:14:08.280 --> 0:14:10.360
<v Speaker 3>with the High School musical casts and all the other

0:14:10.559 --> 0:14:13.120
<v Speaker 3>the Hannah Montana casts and all of those other shows

0:14:13.640 --> 0:14:17.000
<v Speaker 3>and just see one on one. Like how special those

0:14:17.040 --> 0:14:18.200
<v Speaker 3>relationships became.

0:14:18.480 --> 0:14:20.720
<v Speaker 8>Yeah, A lot of people talk about it as like school.

0:14:20.760 --> 0:14:23.080
<v Speaker 6>It's like an alumni thing, like when they see somebody

0:14:23.080 --> 0:14:25.960
<v Speaker 6>from that time, that era, you know, it feels like, oh,

0:14:25.960 --> 0:14:28.880
<v Speaker 6>we went to school together, we have the same totally.

0:14:29.000 --> 0:14:31.400
<v Speaker 1>We have that with the TGIF group. That was all

0:14:31.440 --> 0:14:33.800
<v Speaker 1>this the same TGIF people, It's that same thing.

0:14:33.920 --> 0:14:34.520
<v Speaker 2>Yeah.

0:14:34.560 --> 0:14:37.280
<v Speaker 6>I heard that about the TGIF because a Disney executive

0:14:37.320 --> 0:14:40.280
<v Speaker 6>had worked during that era, and I remember being just

0:14:40.320 --> 0:14:41.880
<v Speaker 6>as excited hearing about that era.

0:14:42.240 --> 0:14:53.080
<v Speaker 1>It was crazy. Okay with the list of people that

0:14:53.120 --> 0:14:56.240
<v Speaker 1>we just named, which is insane. Is there someone out

0:14:56.280 --> 0:14:59.360
<v Speaker 1>there that as you watch their career you feel a

0:14:59.360 --> 0:15:02.080
<v Speaker 1>special kind of bond with, like I help that start,

0:15:02.280 --> 0:15:05.080
<v Speaker 1>I helped find that person, or there's something special about

0:15:05.080 --> 0:15:06.320
<v Speaker 1>that one individual.

0:15:07.280 --> 0:15:08.400
<v Speaker 8>Well, I mean so much.

0:15:08.440 --> 0:15:10.760
<v Speaker 6>Also is a group thing too, Like I got so

0:15:10.840 --> 0:15:12.840
<v Speaker 6>much credit to a lot of the other executives at

0:15:12.880 --> 0:15:13.840
<v Speaker 6>Disney Channel too.

0:15:13.880 --> 0:15:14.560
<v Speaker 8>Like when I.

0:15:15.280 --> 0:15:18.600
<v Speaker 6>Say so, I hate to take a complete proprietary sentence

0:15:18.600 --> 0:15:21.440
<v Speaker 6>about it, but even right now, Sabrina Carpenter songs has been,

0:15:21.480 --> 0:15:23.400
<v Speaker 6>like she said, two songs in the top ten lately,

0:15:23.840 --> 0:15:27.080
<v Speaker 6>and that girl has worked so hard from so such

0:15:27.080 --> 0:15:27.720
<v Speaker 6>a young age.

0:15:27.800 --> 0:15:29.720
<v Speaker 8>She was someone we loved as an actress.

0:15:29.760 --> 0:15:30.160
<v Speaker 4>Early on.

0:15:30.240 --> 0:15:32.600
<v Speaker 6>She did a pilot for us and we loved her,

0:15:32.640 --> 0:15:34.720
<v Speaker 6>and it was just the pilot didn't go and it's like,

0:15:34.760 --> 0:15:36.120
<v Speaker 6>what was the next right thing?

0:15:36.560 --> 0:15:38.800
<v Speaker 8>You know, what were we going to do with her?

0:15:38.880 --> 0:15:42.800
<v Speaker 6>And she had a great voice too, I remember she

0:15:42.840 --> 0:15:45.040
<v Speaker 6>had a voice, and she had just a sparkling fun

0:15:45.400 --> 0:15:49.880
<v Speaker 6>at this personality that was awesome and you just really

0:15:49.960 --> 0:15:50.920
<v Speaker 6>liked being around her.

0:15:51.000 --> 0:15:53.360
<v Speaker 8>And she was really good actress too, And that's shit

0:15:53.520 --> 0:15:54.880
<v Speaker 8>great people.

0:15:54.920 --> 0:15:58.040
<v Speaker 6>Don't people think, oh, they're just like the acting is

0:15:58.080 --> 0:16:00.520
<v Speaker 6>like nothing, it's all they only hire a bunch of singers.

0:16:00.560 --> 0:16:03.320
<v Speaker 8>And it's like, no, no, no, no, we need you needed.

0:16:03.040 --> 0:16:06.200
<v Speaker 6>To be an actor too, And that was really first,

0:16:06.600 --> 0:16:09.560
<v Speaker 6>and then the music thing would end up happening naturally,

0:16:09.680 --> 0:16:13.800
<v Speaker 6>very organically, naturally, unless you were auditioning for a music project.

0:16:14.040 --> 0:16:17.360
<v Speaker 3>Did she by chance, Sabrina? Was she around in that

0:16:17.440 --> 0:16:20.280
<v Speaker 3>area like to possibly audition for that same role?

0:16:20.360 --> 0:16:22.760
<v Speaker 6>No, it's so interesting, I'm trying to remember if she

0:16:23.080 --> 0:16:26.360
<v Speaker 6>auditioned for one of the other roles in Descendants because

0:16:26.360 --> 0:16:28.520
<v Speaker 6>then she yeah, because she ended up doing Avengers and

0:16:28.560 --> 0:16:29.920
<v Speaker 6>babysitting was Sophia.

0:16:29.640 --> 0:16:32.040
<v Speaker 3>Cars That's where I met her at that premiere.

0:16:32.200 --> 0:16:32.880
<v Speaker 8>Yeah, exactly.

0:16:33.040 --> 0:16:35.120
<v Speaker 2>She would have been too young for Descendants, wouldn't she

0:16:35.280 --> 0:16:35.840
<v Speaker 2>just buy a bit?

0:16:36.160 --> 0:16:36.640
<v Speaker 8>Exactly?

0:16:36.800 --> 0:16:41.320
<v Speaker 6>But Zendek did audition many times for Descendants, and that

0:16:41.480 --> 0:16:44.440
<v Speaker 6>was a big deal, Like, I mean a.

0:16:44.520 --> 0:16:47.640
<v Speaker 8>Really big deal that she auditioned over and over.

0:16:47.720 --> 0:16:50.480
<v Speaker 6>I mean she she really wanted it, and it just

0:16:50.680 --> 0:16:53.960
<v Speaker 6>ended up not going her way. And you know, I'm

0:16:54.000 --> 0:16:55.960
<v Speaker 6>sure now that I think about it, and I'm like,

0:16:56.000 --> 0:16:58.720
<v Speaker 6>did she had Spiderman? Like would Spider Man have happened

0:16:58.800 --> 0:17:00.600
<v Speaker 6>right at the same time? Because it really is true

0:17:00.720 --> 0:17:03.120
<v Speaker 6>late things happen for a reason, and you do often

0:17:03.160 --> 0:17:06.000
<v Speaker 6>book this other thing that's amazing when you don't get

0:17:06.000 --> 0:17:10.080
<v Speaker 6>something else. But Zendaia definitely like put so much effort

0:17:10.080 --> 0:17:13.600
<v Speaker 6>and so much work into it too. Wow, And it

0:17:13.800 --> 0:17:16.840
<v Speaker 6>just it's one of those things that you're really you know,

0:17:17.280 --> 0:17:21.000
<v Speaker 6>you you understand when people want these roles, like how

0:17:21.040 --> 0:17:21.840
<v Speaker 6>important it is.

0:17:22.440 --> 0:17:23.840
<v Speaker 1>Well that going back to what you said, though, that

0:17:23.880 --> 0:17:26.040
<v Speaker 1>was exactly the thing that amazed me when I walked

0:17:26.080 --> 0:17:27.240
<v Speaker 1>on the set of Groming's world.

0:17:27.880 --> 0:17:31.880
<v Speaker 2>Was how funny Sabrina and Rowan both were. I mean,

0:17:31.920 --> 0:17:32.439
<v Speaker 2>it was it.

0:17:32.600 --> 0:17:34.639
<v Speaker 1>I knew that they could sing, and I knew Sabrina

0:17:34.640 --> 0:17:36.119
<v Speaker 1>won't really wanted to be singing on all that stuff,

0:17:36.160 --> 0:17:39.000
<v Speaker 1>but the comedy was there. And to me, again, I

0:17:39.000 --> 0:17:41.159
<v Speaker 1>don't sing at all, but comedy is music and you

0:17:41.200 --> 0:17:41.640
<v Speaker 1>could just.

0:17:41.600 --> 0:17:44.320
<v Speaker 2>Tell they had the rhythm. So yeah, very very impressive.

0:17:44.800 --> 0:17:45.200
<v Speaker 4>Mm hmm.

0:17:45.880 --> 0:17:51.359
<v Speaker 3>I remember my audition process. I auditioned that Disney so

0:17:51.720 --> 0:17:54.719
<v Speaker 3>many times before I ended up getting the Cheetah Girls.

0:17:56.000 --> 0:17:57.959
<v Speaker 4>That back in the day was you'd come in with

0:17:58.000 --> 0:17:58.560
<v Speaker 4>your script.

0:17:59.040 --> 0:18:01.760
<v Speaker 3>Then you'd have your little cassette tape, your little karaoke

0:18:01.920 --> 0:18:05.160
<v Speaker 3>tape that they'd put in a radio. You would sing

0:18:05.359 --> 0:18:08.840
<v Speaker 3>and then they would turn on some random music and say, okay,

0:18:08.880 --> 0:18:10.560
<v Speaker 3>now just just dance for us.

0:18:10.680 --> 0:18:13.280
<v Speaker 4>So that's what that's what my audition was.

0:18:13.320 --> 0:18:15.879
<v Speaker 3>I had my cassette tape, my things, and then I

0:18:15.960 --> 0:18:18.320
<v Speaker 3>had shoes that I could move around on, and I would,

0:18:18.359 --> 0:18:20.399
<v Speaker 3>you know, show off any little bit of tumbling I

0:18:20.400 --> 0:18:22.120
<v Speaker 3>could do in that small room or whatever.

0:18:22.720 --> 0:18:25.240
<v Speaker 4>What is the audition process for the channel now?

0:18:25.280 --> 0:18:28.560
<v Speaker 3>Because I feel back then that was the beginning of

0:18:28.640 --> 0:18:31.919
<v Speaker 3>music that really wasn't a big thing at that time,

0:18:32.160 --> 0:18:33.679
<v Speaker 3>you know, auditioning for music stuff.

0:18:33.680 --> 0:18:34.560
<v Speaker 4>What is it like now?

0:18:34.640 --> 0:18:36.640
<v Speaker 3>Is there like a I see in my head there's

0:18:36.680 --> 0:18:42.119
<v Speaker 3>like a baby grand piano, a whole orchestra. I just

0:18:42.160 --> 0:18:45.119
<v Speaker 3>could see that it's gotta be a bigger deal than

0:18:45.160 --> 0:18:46.760
<v Speaker 3>it was back when I was auditioning.

0:18:47.280 --> 0:18:48.200
<v Speaker 8>Yeah, not always.

0:18:48.200 --> 0:18:50.160
<v Speaker 6>I mean, some of it is you're sending them You're

0:18:50.200 --> 0:18:55.080
<v Speaker 6>sending your singing portion in advance too often. That's like

0:18:55.119 --> 0:18:58.840
<v Speaker 6>how even there's so much pretaping these days too, So

0:18:58.960 --> 0:19:02.320
<v Speaker 6>you're sending here's my dance footage, like so people can

0:19:02.359 --> 0:19:06.080
<v Speaker 6>see you full length and you can get the music there.

0:19:06.119 --> 0:19:09.280
<v Speaker 6>And then oftentimes it's like as you go further, you

0:19:09.320 --> 0:19:12.760
<v Speaker 6>are singing in the room, but sometimes just not even

0:19:12.800 --> 0:19:15.919
<v Speaker 6>accompanied by anything, I mean, or you are bringing in

0:19:15.960 --> 0:19:18.119
<v Speaker 6>your phone. You are bringing in your phone with like

0:19:18.160 --> 0:19:21.719
<v Speaker 6>a backing track on there. But it just depends what

0:19:21.760 --> 0:19:24.000
<v Speaker 6>it is, and it's often what the director, like, you know,

0:19:24.080 --> 0:19:26.719
<v Speaker 6>are people comfortable enough to sign off on this person

0:19:27.320 --> 0:19:30.359
<v Speaker 6>just based on that material? And sometimes the director will

0:19:30.400 --> 0:19:34.440
<v Speaker 6>like an actor and the network will have a different opinion,

0:19:34.520 --> 0:19:38.080
<v Speaker 6>and so the director really works with the talent to

0:19:38.119 --> 0:19:40.040
<v Speaker 6>say like okay, let's make sure you're next.

0:19:40.080 --> 0:19:41.480
<v Speaker 8>We're going to have a piano.

0:19:41.200 --> 0:19:44.280
<v Speaker 6>There, We're going to have this this element here, so

0:19:44.320 --> 0:19:47.040
<v Speaker 6>that we can really make sure the network understands like

0:19:47.119 --> 0:19:49.000
<v Speaker 6>this is why you would be get like you are

0:19:49.040 --> 0:19:51.760
<v Speaker 6>perfect for this role. So sometimes you do need to

0:19:51.800 --> 0:19:54.120
<v Speaker 6>compliment it up. But it's not like in one way,

0:19:54.160 --> 0:19:57.919
<v Speaker 6>it's still the basics, like it's wild, how it just

0:19:58.000 --> 0:20:01.040
<v Speaker 6>really is, you know, that's all.

0:20:01.119 --> 0:20:02.280
<v Speaker 8>You know. Getting a taste of you.

0:20:02.320 --> 0:20:04.640
<v Speaker 6>Singing and dancing in the room is just like how

0:20:04.680 --> 0:20:07.320
<v Speaker 6>it always has been to wow.

0:20:07.200 --> 0:20:08.080
<v Speaker 8>Great, so cool.

0:20:08.520 --> 0:20:12.119
<v Speaker 6>There's also for zombies, there's interesting there were auditions and

0:20:12.160 --> 0:20:14.200
<v Speaker 6>I think they're also online too, where.

0:20:14.240 --> 0:20:16.200
<v Speaker 8>They really went from room to room.

0:20:16.280 --> 0:20:18.600
<v Speaker 6>It was almost like a screen test, but it was

0:20:18.800 --> 0:20:20.919
<v Speaker 6>like done in an office building, not even done with

0:20:21.000 --> 0:20:24.359
<v Speaker 6>that fancy of a camera, but it's like where you

0:20:24.400 --> 0:20:26.400
<v Speaker 6>really they cut it and they made it much more,

0:20:26.960 --> 0:20:30.359
<v Speaker 6>much more action throughout each of the different scenes to

0:20:30.400 --> 0:20:35.359
<v Speaker 6>help get the actors Mila Manheim and macdonnelley signed off on.

0:20:35.600 --> 0:20:38.280
<v Speaker 6>So sometimes you you know, the creatives have to like

0:20:38.359 --> 0:20:41.520
<v Speaker 6>come up with different different ways to really get their

0:20:41.600 --> 0:20:44.159
<v Speaker 6>talent sold too. And that process that worked with the

0:20:44.200 --> 0:20:46.960
<v Speaker 6>casting directors work with too. And it's also fun when

0:20:46.960 --> 0:20:49.200
<v Speaker 6>it changes it up too, because sitting in a room,

0:20:49.560 --> 0:20:53.600
<v Speaker 6>you know, watching actor come in after you know, sometimes

0:20:53.600 --> 0:20:55.760
<v Speaker 6>like you're like, even the best actor can come in

0:20:55.880 --> 0:20:58.320
<v Speaker 6>after lunch. We just like if there's a moment after

0:20:58.400 --> 0:21:02.439
<v Speaker 6>lunch where everybody's energy is just like low yep, Like

0:21:02.560 --> 0:21:05.159
<v Speaker 6>you're like, it's not a great thing for the actor

0:21:05.200 --> 0:21:08.760
<v Speaker 6>at times, like some moments or you're like, oh, it

0:21:08.840 --> 0:21:11.040
<v Speaker 6>wakes it up when you're like, well there's some talent

0:21:11.080 --> 0:21:13.800
<v Speaker 6>that we really love because I just suddenly got so

0:21:13.920 --> 0:21:14.639
<v Speaker 6>much more awake.

0:21:15.760 --> 0:21:16.359
<v Speaker 2>I remember.

0:21:16.400 --> 0:21:17.919
<v Speaker 1>I remember that as an actor where it's like an

0:21:17.920 --> 0:21:19.840
<v Speaker 1>audition would come through and they'd be like, hey, you

0:21:19.880 --> 0:21:22.760
<v Speaker 1>have the four forty five on Friday slot, Like oh,

0:21:22.840 --> 0:21:23.280
<v Speaker 1>you're like.

0:21:23.359 --> 0:21:27.000
<v Speaker 4>Oh that's awesome. What's the point of even going to that.

0:21:28.520 --> 0:21:30.639
<v Speaker 3>You bring in that's when you bring in Starbucks to

0:21:30.960 --> 0:21:33.560
<v Speaker 3>the actual audition. Hey, just giving you guys a pickup

0:21:33.600 --> 0:21:34.560
<v Speaker 3>before I go ahead and do.

0:21:34.520 --> 0:21:36.160
<v Speaker 2>My series an shot.

0:21:37.000 --> 0:21:40.520
<v Speaker 1>When you think back, is there an audition for anybody

0:21:40.560 --> 0:21:43.119
<v Speaker 1>that stands out for you where you just instantly goes in.

0:21:43.119 --> 0:21:44.920
<v Speaker 2>Your head like, oh man, that was a great audition.

0:21:45.760 --> 0:21:49.160
<v Speaker 6>I mean, there are so many, so many good auditions too,

0:21:49.200 --> 0:21:53.199
<v Speaker 6>because I do remember Miley's like just being amazing, Like

0:21:53.240 --> 0:21:55.919
<v Speaker 6>this girl just shed she had it all. She was charming,

0:21:55.960 --> 0:21:58.720
<v Speaker 6>she was witty. She was also really comfortable talking to

0:21:58.880 --> 0:22:01.760
<v Speaker 6>all the executives. Oftentimes, when you're in a room with

0:22:02.080 --> 0:22:05.919
<v Speaker 6>ten twelve people sitting around a really long boardroom table,

0:22:06.040 --> 0:22:08.480
<v Speaker 6>it's uncomfortable, especially if you're eleven, twelve.

0:22:08.320 --> 0:22:09.120
<v Speaker 8>Thirteen years old.

0:22:09.440 --> 0:22:12.159
<v Speaker 6>Sure you know, and when an actor is comfortable with

0:22:12.200 --> 0:22:15.320
<v Speaker 6>it and can sort of like make jokes about it,

0:22:15.359 --> 0:22:18.040
<v Speaker 6>like that always helps. I mean that always really helps,

0:22:18.040 --> 0:22:20.600
<v Speaker 6>and it can help sell the person on the project too.

0:22:21.240 --> 0:22:25.919
<v Speaker 6>And it was also funny auditioning. We auditioned her dad

0:22:26.040 --> 0:22:28.239
<v Speaker 6>to be her dad, but we had also auditioned some

0:22:28.240 --> 0:22:31.000
<v Speaker 6>other people. We were testing, like another person to who

0:22:31.080 --> 0:22:34.480
<v Speaker 6>was very different and the other person had tons of

0:22:34.480 --> 0:22:37.800
<v Speaker 6>comedy experience, like they were exactly how the role was

0:22:37.800 --> 0:22:41.040
<v Speaker 6>written and everything, but it's like nothing can release the

0:22:41.119 --> 0:22:43.840
<v Speaker 6>chemistry that they and it was really even for that.

0:22:43.920 --> 0:22:46.040
<v Speaker 6>I think part of it was the musical part of

0:22:46.080 --> 0:22:50.879
<v Speaker 6>the audition. I remember that part really shining too, like

0:22:51.080 --> 0:22:54.160
<v Speaker 6>that you're like the musical chemistry they have, even though

0:22:54.359 --> 0:22:57.679
<v Speaker 6>technically the role was written as her manager, So it

0:22:57.720 --> 0:23:00.200
<v Speaker 6>wasn't necessarily like they were doing music to get Yeah,

0:23:00.200 --> 0:23:03.120
<v Speaker 6>there's so much in the episode like that wasn't every

0:23:03.119 --> 0:23:05.720
<v Speaker 6>episode wasn't going to be a huge daughter and dad thing.

0:23:05.880 --> 0:23:08.800
<v Speaker 8>But just even seeing that in that room, it was like,

0:23:09.080 --> 0:23:10.880
<v Speaker 8>we'd be great active this way.

0:23:11.080 --> 0:23:13.960
<v Speaker 4>Did he play while she sang? Or what was that

0:23:14.480 --> 0:23:15.120
<v Speaker 4>like exactly?

0:23:15.200 --> 0:23:15.640
<v Speaker 1>He played?

0:23:16.160 --> 0:23:19.119
<v Speaker 2>H yeah, wow, how do you beat that? That's so cool?

0:23:19.560 --> 0:23:22.840
<v Speaker 6>Yeah, and you just and then chemistry, I mean Zach

0:23:22.920 --> 0:23:25.160
<v Speaker 6>and Vanessa, like you can just see the tapes on

0:23:25.200 --> 0:23:27.400
<v Speaker 6>YouTube too, it's like the chemistry is there.

0:23:27.480 --> 0:23:28.160
<v Speaker 2>It was just there.

0:23:28.240 --> 0:23:31.200
<v Speaker 3>Yeah, it's just that Michael Healy told us that. He

0:23:31.320 --> 0:23:34.399
<v Speaker 3>said that chemistry between them was just stand out. It

0:23:34.440 --> 0:23:36.040
<v Speaker 3>was you know, they knew it was going to be

0:23:36.240 --> 0:23:37.440
<v Speaker 3>amazing on film.

0:23:37.560 --> 0:23:40.400
<v Speaker 2>Yeah, and it was. I had never seen high school Musical.

0:23:40.400 --> 0:23:42.320
<v Speaker 1>As the last person in the world to never see it,

0:23:42.359 --> 0:23:44.479
<v Speaker 1>I saw it two three weeks ago, whatever it was,

0:23:45.080 --> 0:23:47.439
<v Speaker 1>And even as an adult watching it, you just you

0:23:47.480 --> 0:23:49.119
<v Speaker 1>saw it. I mean you saw that they had it.

0:23:49.119 --> 0:23:51.840
<v Speaker 1>It was it was there there, you were, they're engaging,

0:23:52.040 --> 0:23:54.359
<v Speaker 1>you were all in and so yeah, I mean it

0:23:54.440 --> 0:23:56.000
<v Speaker 1>was if you had half of that in the room,

0:23:56.200 --> 0:23:57.720
<v Speaker 1>how do you not cast them.

0:23:58.119 --> 0:23:59.520
<v Speaker 2>Yeah, they were so great.

0:24:00.119 --> 0:24:03.679
<v Speaker 1>Did you ever have to fight for anybody that you

0:24:03.760 --> 0:24:06.200
<v Speaker 1>knew was right for the part that they were just noe,

0:24:06.200 --> 0:24:07.720
<v Speaker 1>We're going to go another way and you were like, no,

0:24:07.800 --> 0:24:10.040
<v Speaker 1>I'm telling you this is you're going the wrong direction.

0:24:10.400 --> 0:24:13.119
<v Speaker 6>I mean there's always people, even Olivia Rodrigue for this

0:24:13.240 --> 0:24:16.720
<v Speaker 6>series High School Musical, she wasn't the just the I

0:24:16.720 --> 0:24:20.440
<v Speaker 6>mean there was a lot of deliberation just I don't

0:24:20.480 --> 0:24:23.719
<v Speaker 6>even remember who if it was anybody who it was,

0:24:23.760 --> 0:24:26.680
<v Speaker 6>but it wasn't just cast her in the room moment too,

0:24:27.119 --> 0:24:29.640
<v Speaker 6>And I remember having a lot of conversations about her

0:24:29.680 --> 0:24:33.000
<v Speaker 6>and what I felt like, you know, what her strong

0:24:33.040 --> 0:24:37.000
<v Speaker 6>suits were for this, And yeah, I mean there's you

0:24:37.080 --> 0:24:40.159
<v Speaker 6>fight for a lot of people in casting too, It's definitely,

0:24:40.600 --> 0:24:43.159
<v Speaker 6>and you have to help sometimes segue with the director.

0:24:43.200 --> 0:24:45.680
<v Speaker 8>But you know between that the creative team and the net.

0:24:45.720 --> 0:24:47.639
<v Speaker 6>You know you may have you have may be aligned

0:24:47.640 --> 0:24:49.520
<v Speaker 6>with the creative team, but that even the other people

0:24:49.600 --> 0:24:52.679
<v Speaker 6>the network may not even be aligned with it. So

0:24:52.720 --> 0:24:57.119
<v Speaker 6>it's like coming together, get everybody together is definitely a

0:24:57.160 --> 0:25:00.960
<v Speaker 6>really a skill you need is and also but being

0:25:00.960 --> 0:25:03.359
<v Speaker 6>able to share your opinion, like what your opinion is

0:25:03.400 --> 0:25:07.159
<v Speaker 6>too without without saying you know, okay, I have to

0:25:07.160 --> 0:25:09.720
<v Speaker 6>cave to what everybody else says at the Networkers Studio,

0:25:09.800 --> 0:25:13.639
<v Speaker 6>like you won't want to be able to fight for

0:25:13.760 --> 0:25:15.879
<v Speaker 6>people and go, okay, it's all right if the project

0:25:15.880 --> 0:25:18.960
<v Speaker 6>goes another direction, but we'll work through it.

0:25:19.080 --> 0:25:19.439
<v Speaker 4>Yeah.

0:25:19.520 --> 0:25:23.280
<v Speaker 3>And you probably too also are experience seing like I know,

0:25:23.359 --> 0:25:26.159
<v Speaker 3>I've come to an audition before and walk out.

0:25:26.200 --> 0:25:28.760
<v Speaker 4>I auditioned for the High.

0:25:28.600 --> 0:25:31.800
<v Speaker 3>School Musical Series, and I remember going up and going

0:25:31.880 --> 0:25:34.760
<v Speaker 3>up to that floor. Is it still the twenty first floor? Yes,

0:25:35.600 --> 0:25:39.520
<v Speaker 3>and getting that those stomach cramps, but oh my gosh.

0:25:39.560 --> 0:25:43.200
<v Speaker 3>And I remember getting off the elevator as Christy Carlson.

0:25:42.880 --> 0:25:45.280
<v Speaker 4>Romano was getting on. I was like, damn it.

0:25:46.520 --> 0:25:52.000
<v Speaker 3>Because yeah, and I had met Christy multiple times. She

0:25:52.080 --> 0:25:54.280
<v Speaker 3>was so sweet, But it was like I knew that

0:25:54.280 --> 0:25:56.679
<v Speaker 3>that role I was going for. They were probably looking

0:25:56.720 --> 0:25:59.399
<v Speaker 3>at quite a few Disney alums, you know, and like

0:26:00.280 --> 0:26:02.680
<v Speaker 3>having all of that, with all these different relationships that

0:26:02.720 --> 0:26:05.200
<v Speaker 3>you have with all these different actors, you know, trying

0:26:05.200 --> 0:26:07.160
<v Speaker 3>to find the right one for that part has got

0:26:07.160 --> 0:26:09.280
<v Speaker 3>to be something that you go through quite a bit.

0:26:09.320 --> 0:26:11.320
<v Speaker 4>With all the new projects that happen.

0:26:11.720 --> 0:26:15.119
<v Speaker 6>Yeah, no, definitely. And it's so interesting now with a

0:26:15.119 --> 0:26:17.680
<v Speaker 6>lot of auditions start on zoom. I mean, in one way,

0:26:17.720 --> 0:26:20.680
<v Speaker 6>you don't have that waiting room thing where you would

0:26:21.000 --> 0:26:23.800
<v Speaker 6>like you see your competition and you can really make

0:26:23.880 --> 0:26:27.399
<v Speaker 6>your start your stories going going, why this role feels

0:26:27.440 --> 0:26:30.720
<v Speaker 6>like it's more that person but at the same time

0:26:30.880 --> 0:26:33.439
<v Speaker 6>or is it just more nerve wracking sitting behind a

0:26:33.480 --> 0:26:36.720
<v Speaker 6>computer without anybody to talk to, just waiting until they're like,

0:26:36.840 --> 0:26:38.640
<v Speaker 6>you're up, You're next, right.

0:26:38.960 --> 0:26:41.960
<v Speaker 3>I would assume too, because I think as an actor

0:26:42.040 --> 0:26:44.280
<v Speaker 3>will tell me if this is how it felt like,

0:26:44.720 --> 0:26:47.680
<v Speaker 3>you could walk into a room and then when you walk.

0:26:47.480 --> 0:26:49.720
<v Speaker 4>Out, you go, wow, that vibe was so good. I

0:26:49.840 --> 0:26:52.320
<v Speaker 4>connect like the be able to connect.

0:26:52.320 --> 0:26:55.000
<v Speaker 3>In person versus I would say, think it would be

0:26:55.600 --> 0:26:58.800
<v Speaker 3>hard to feel that through a computer, you know, hard

0:26:58.840 --> 0:27:02.000
<v Speaker 3>to feel. Oh, so those producers seemed that's I think

0:27:02.040 --> 0:27:04.440
<v Speaker 3>I did exactly what they were asking for. They were

0:27:04.440 --> 0:27:07.600
<v Speaker 3>looking for something like I can give them, I would

0:27:07.640 --> 0:27:10.320
<v Speaker 3>assume on zoom for the actor they don't want they

0:27:10.359 --> 0:27:13.080
<v Speaker 3>walk away going mmm, I have no idea.

0:27:13.200 --> 0:27:14.320
<v Speaker 2>Yeah, no, you'd want that.

0:27:14.359 --> 0:27:19.159
<v Speaker 1>I mean you wanted that the anxious was part of

0:27:19.280 --> 0:27:22.360
<v Speaker 1>the vibe you wanted to sit there and have those

0:27:22.880 --> 0:27:24.679
<v Speaker 1>because you were ready to perform.

0:27:24.800 --> 0:27:26.280
<v Speaker 2>I also loved looking at.

0:27:26.240 --> 0:27:28.600
<v Speaker 1>The other people in the room, going Okay, I'm better

0:27:28.640 --> 0:27:30.520
<v Speaker 1>than all these people. I wasn't, but you've got to

0:27:30.520 --> 0:27:32.840
<v Speaker 1>have that mindset where you're like, I'm going to stand out.

0:27:32.960 --> 0:27:35.520
<v Speaker 2>I'm better than everybody here. I can't wait to do this.

0:27:35.800 --> 0:27:37.359
<v Speaker 1>And so I mean again, I have an audition for

0:27:37.400 --> 0:27:39.960
<v Speaker 1>anything in fifteen years, so I haven't had to do

0:27:40.000 --> 0:27:40.679
<v Speaker 1>a Zoom audition.

0:27:40.720 --> 0:27:44.520
<v Speaker 2>I wouldn't know, but that kind of you wanted that.

0:27:44.480 --> 0:27:47.720
<v Speaker 1>The ultimate for an actor for an audition was you

0:27:47.760 --> 0:27:51.600
<v Speaker 1>would walk in, you'd connect, you'd kill it, and as

0:27:51.640 --> 0:27:53.919
<v Speaker 1>you were walking out, the casting director would follow you

0:27:53.960 --> 0:27:55.240
<v Speaker 1>and say, excuse me, excuse.

0:27:54.960 --> 0:27:56.359
<v Speaker 2>Me, can you come back in?

0:27:56.440 --> 0:27:58.080
<v Speaker 1>We want to And they do that in front of

0:27:58.119 --> 0:28:00.639
<v Speaker 1>the rest of the room, and you were like, yeah, yes,

0:28:00.760 --> 0:28:03.680
<v Speaker 1>that's what I'm looking for. So that was just the

0:28:03.720 --> 0:28:05.480
<v Speaker 1>best feeling in the world. And it's a shame that

0:28:05.480 --> 0:28:07.800
<v Speaker 1>they don't have that anymore. You don't get that on Zoom.

0:28:08.119 --> 0:28:09.160
<v Speaker 8>No, it's so true.

0:28:09.200 --> 0:28:11.679
<v Speaker 6>We've had a casting director follow somebody and the person

0:28:11.760 --> 0:28:14.200
<v Speaker 6>like had started to go to the Burbank Airport already

0:28:14.280 --> 0:28:17.280
<v Speaker 6>and it was like like no, no, no, no, we really

0:28:17.359 --> 0:28:19.879
<v Speaker 6>need you, and the actors did not know that you

0:28:19.880 --> 0:28:22.600
<v Speaker 6>should sometimes like wait like like that they might call

0:28:22.640 --> 0:28:24.359
<v Speaker 6>you back in a second. I mean it was literally

0:28:24.400 --> 0:28:26.600
<v Speaker 6>following them like by the footsteps and just missed them

0:28:26.600 --> 0:28:27.359
<v Speaker 6>at the elevator.

0:28:27.520 --> 0:28:29.520
<v Speaker 2>It's the best. I love that so much.

0:28:29.720 --> 0:28:30.480
<v Speaker 4>It's crazy.

0:28:38.760 --> 0:28:41.200
<v Speaker 1>So while you were also at the Channel, you witnessed

0:28:41.240 --> 0:28:43.960
<v Speaker 1>kind of the birth of this the new vibe of

0:28:44.080 --> 0:28:46.640
<v Speaker 1>not just the Channel, but what's going on in a

0:28:46.640 --> 0:28:49.160
<v Speaker 1>lot of Hollywood, which is kind of the dawn of

0:28:49.200 --> 0:28:52.400
<v Speaker 1>the rebirth. Yes, so, I mean we've got you know,

0:28:52.480 --> 0:28:55.720
<v Speaker 1>boy Mets World that's so raven, high school musical TV.

0:28:56.240 --> 0:28:58.400
<v Speaker 2>Now they're all in on Wizards of Waverley Place.

0:28:58.840 --> 0:29:01.520
<v Speaker 1>How how did you feel about kind of the direction

0:29:01.640 --> 0:29:04.280
<v Speaker 1>of the channel rebooting a whole bunch of different things.

0:29:04.960 --> 0:29:07.600
<v Speaker 6>Well, you know, some reboots just across the board, like

0:29:07.600 --> 0:29:10.600
<v Speaker 6>from any any place, can be amazing too, and they

0:29:10.640 --> 0:29:13.320
<v Speaker 6>can feel completely different. I mean, I think there's always

0:29:13.320 --> 0:29:16.880
<v Speaker 6>a little sadness because you just they're only going with

0:29:16.920 --> 0:29:20.080
<v Speaker 6>the hits usually, you know, and they have a certain cast,

0:29:20.120 --> 0:29:22.280
<v Speaker 6>and it's also like that's how my eye see it,

0:29:22.320 --> 0:29:25.160
<v Speaker 6>Like I only can see it that way too, So

0:29:25.440 --> 0:29:30.040
<v Speaker 6>I think sometimes it's very hard, but then sometimes reboots

0:29:30.040 --> 0:29:33.000
<v Speaker 6>are great. I mean, like they're just different and it's

0:29:33.000 --> 0:29:35.640
<v Speaker 6>like it's almost like, yeah, sure it has a similar title,

0:29:35.640 --> 0:29:39.680
<v Speaker 6>but it's a completely different show, and that's always lovely

0:29:39.760 --> 0:29:42.600
<v Speaker 6>when it has yeah, because like that's a Raven's Home

0:29:42.640 --> 0:29:44.800
<v Speaker 6>and that's a Raven and just I mean there were

0:29:45.120 --> 0:29:48.680
<v Speaker 6>but they're different shows. They're just completely different shows overall too.

0:29:48.720 --> 0:29:50.720
<v Speaker 6>And the same girl I mean girl meets World and

0:29:50.760 --> 0:29:53.160
<v Speaker 6>boy meets We. I mean there definitely feels like it

0:29:53.240 --> 0:29:56.320
<v Speaker 6>was like these were natural different shows over all. They

0:29:56.600 --> 0:29:59.920
<v Speaker 6>happen to have titles which help people on streaming service

0:30:00.120 --> 0:30:02.600
<v Speaker 6>is say I want to tune in because the title.

0:30:02.400 --> 0:30:06.680
<v Speaker 3>Is familiar, right, And how is it for you watching

0:30:07.200 --> 0:30:08.680
<v Speaker 3>something like with Raven's Home.

0:30:09.160 --> 0:30:11.120
<v Speaker 4>I mean, she did it on that so Raven, I know.

0:30:11.160 --> 0:30:15.760
<v Speaker 3>She she got more involved in the behind the scenes work.

0:30:16.280 --> 0:30:18.600
<v Speaker 3>But now what she's doing and able to be a

0:30:18.640 --> 0:30:21.080
<v Speaker 3>part of with Raven's Home, is how is that for

0:30:21.120 --> 0:30:24.120
<v Speaker 3>you to watch an actor? You know them when they're younger,

0:30:24.240 --> 0:30:28.000
<v Speaker 3>when they're building, and then they're coming back and coming

0:30:28.040 --> 0:30:30.120
<v Speaker 3>in as more of an adult and a more of

0:30:30.320 --> 0:30:32.560
<v Speaker 3>like a different hat on right than just coming as

0:30:32.560 --> 0:30:33.360
<v Speaker 3>a child actor.

0:30:33.880 --> 0:30:35.400
<v Speaker 6>Yeah, I mean that was one of the things that

0:30:35.440 --> 0:30:38.200
<v Speaker 6>I was really amazing to watch that Disney Channel would

0:30:38.240 --> 0:30:40.680
<v Speaker 6>give a lot of actors like it would be something

0:30:40.720 --> 0:30:43.200
<v Speaker 6>it's a deal point. It's like to be able to

0:30:43.240 --> 0:30:46.040
<v Speaker 6>direct an episode or write an episode, or be in

0:30:46.080 --> 0:30:48.920
<v Speaker 6>the writer's room, and we really wanted to give people

0:30:48.960 --> 0:30:51.680
<v Speaker 6>opportunities to grow their career, to look at it in

0:30:51.720 --> 0:30:54.719
<v Speaker 6>a different way, to see, you know, see what it

0:30:54.800 --> 0:30:56.440
<v Speaker 6>is on the to be on the other side of

0:30:56.480 --> 0:30:59.720
<v Speaker 6>the camera. Even animated, We've done tours with the animation team.

0:30:59.720 --> 0:31:02.320
<v Speaker 6>We've had talents say I have more interested in animation,

0:31:02.480 --> 0:31:06.600
<v Speaker 6>even saying let's get them more voiceover opportunities, or even

0:31:06.680 --> 0:31:09.520
<v Speaker 6>just like ghosts, sit and look at what the animators do,

0:31:09.640 --> 0:31:12.120
<v Speaker 6>like get a reel behind the scenes, look at it,

0:31:12.160 --> 0:31:16.000
<v Speaker 6>because those opportunities are really important. And that was really

0:31:16.080 --> 0:31:20.520
<v Speaker 6>exciting to watch overall too, Like Mos Beyond the Suite Life,

0:31:20.520 --> 0:31:23.560
<v Speaker 6>I mean, he directs, He directs all these major TV

0:31:23.640 --> 0:31:26.040
<v Speaker 6>shows all the time. Phil Lowis, Phil Lewis liked or

0:31:26.240 --> 0:31:29.160
<v Speaker 6>directs constantly and like it's the credits are amazing and

0:31:29.200 --> 0:31:31.360
<v Speaker 6>I'm sure one of the first opportunities.

0:31:31.400 --> 0:31:32.480
<v Speaker 8>I mean, I actually don't.

0:31:32.520 --> 0:31:35.040
<v Speaker 6>I don't know if we gave I would think we did,

0:31:35.080 --> 0:31:38.360
<v Speaker 6>but I don't actually for sure know that. But it's

0:31:38.400 --> 0:31:41.960
<v Speaker 6>really amazing to be able to give people that opportunity

0:31:42.040 --> 0:31:45.240
<v Speaker 6>and to learn a bit more to and have, you know,

0:31:45.280 --> 0:31:48.880
<v Speaker 6>and have those mentors from the other executive producers that

0:31:48.920 --> 0:31:51.400
<v Speaker 6>are there too, to have them really guide them too,

0:31:51.440 --> 0:31:54.239
<v Speaker 6>because even coming in as an executive producer, it's not

0:31:54.320 --> 0:31:57.080
<v Speaker 6>like you know everything right right, you have visions and

0:31:57.120 --> 0:32:00.520
<v Speaker 6>maybe you're like Zenda definitely had tons of amazing ideas

0:32:00.520 --> 0:32:04.160
<v Speaker 6>when she Casey undercovers a producer, like tons of like

0:32:04.480 --> 0:32:07.160
<v Speaker 6>ideas all the time. But at the same time, yeah,

0:32:07.200 --> 0:32:10.280
<v Speaker 6>she needed the producers to like Rob was her producer,

0:32:10.280 --> 0:32:13.360
<v Speaker 6>and that was amazingly helpful, like to see it like, Okay,

0:32:13.360 --> 0:32:14.760
<v Speaker 6>now I learned this stuff too.

0:32:15.320 --> 0:32:15.800
<v Speaker 4>Yeah.

0:32:15.880 --> 0:32:17.840
<v Speaker 2>Yeah, that that's what we did on gromy Throll.

0:32:17.920 --> 0:32:20.480
<v Speaker 1>I mean, Danielle Fischle got her start directing, Ryder Strong

0:32:20.480 --> 0:32:22.600
<v Speaker 1>got to start directing, I got to write episodes. I

0:32:22.600 --> 0:32:24.360
<v Speaker 1>mean that was like part of the deal to get

0:32:24.440 --> 0:32:27.239
<v Speaker 1>us to come back. And it's hugely helpful. I mean,

0:32:27.280 --> 0:32:30.080
<v Speaker 1>it's it's a great way to learn and you're learning

0:32:30.160 --> 0:32:32.400
<v Speaker 1>in an environment where, like you said, you you already

0:32:32.400 --> 0:32:33.800
<v Speaker 1>know a lot of the people around you, so you

0:32:33.800 --> 0:32:37.120
<v Speaker 1>feel comfortable to take the next step and make mistakes.

0:32:36.600 --> 0:32:37.520
<v Speaker 2>And do what you have to do.

0:32:37.600 --> 0:32:40.680
<v Speaker 1>But yeah, the channel was great at nurturing that kind

0:32:40.720 --> 0:32:42.480
<v Speaker 1>of talent, which was was a ton of fun.

0:32:42.600 --> 0:32:45.680
<v Speaker 2>So we appreciate it, which is which is nice.

0:32:46.480 --> 0:32:49.200
<v Speaker 3>A few there's a few of the names like Mitchell Musso,

0:32:49.480 --> 0:32:53.400
<v Speaker 3>Jason Dollie, Brenda's song. They seems we call them kind

0:32:53.440 --> 0:32:57.520
<v Speaker 3>of the dcom Royalty because they've all been in a

0:32:57.680 --> 0:33:01.280
<v Speaker 3>quite a multiple of projects. Coms did that when it

0:33:01.320 --> 0:33:04.200
<v Speaker 3>came to that, do you remember was it easy to go, oh,

0:33:04.240 --> 0:33:06.840
<v Speaker 3>this is obviously Brenda song, We've got to give this

0:33:06.880 --> 0:33:10.000
<v Speaker 3>to her or Jason or was it was it?

0:33:10.040 --> 0:33:11.520
<v Speaker 4>Did it make it easier or did it make it

0:33:11.600 --> 0:33:13.400
<v Speaker 4>kind of harder to do well?

0:33:13.440 --> 0:33:16.240
<v Speaker 6>I mean, Wendy wo Hop like that one was hands

0:33:16.280 --> 0:33:17.600
<v Speaker 6>down like this is this is a.

0:33:17.600 --> 0:33:20.600
<v Speaker 8>Role for Brenda too. And then Mitchell Mussa was acting

0:33:20.640 --> 0:33:23.240
<v Speaker 8>a lot like he'd auditioned a ton before he got

0:33:23.240 --> 0:33:26.040
<v Speaker 8>handed in Montana, and he'd worked a lot too, and

0:33:26.240 --> 0:33:29.480
<v Speaker 8>Jason had worked he did been on a network sitcom

0:33:29.520 --> 0:33:33.960
<v Speaker 8>too before that, So oftentimes they are sometimes they're coming

0:33:33.960 --> 0:33:36.680
<v Speaker 8>in and auditioning for a project for the second time

0:33:36.720 --> 0:33:39.200
<v Speaker 8>for us, and then sometimes they are just offered it.

0:33:39.200 --> 0:33:41.640
<v Speaker 8>It just depends what it is. Or sometimes they come.

0:33:41.480 --> 0:33:43.800
<v Speaker 6>In and do a meeting with the director and the

0:33:43.880 --> 0:33:48.880
<v Speaker 6>creative team instead of actually auditioning about the role. So yeah,

0:33:48.920 --> 0:33:51.840
<v Speaker 6>I mean, sometimes it's easy, and sometimes it's also like

0:33:51.920 --> 0:33:55.000
<v Speaker 6>the kit Chircher had a different you know, like we

0:33:55.120 --> 0:33:57.280
<v Speaker 6>just had a different vision for it, and then some

0:33:57.480 --> 0:34:00.440
<v Speaker 6>play that we this brilliant idea, Oh these people. The

0:34:00.520 --> 0:34:02.880
<v Speaker 6>series wraps like earlier than we thought it did, like

0:34:02.920 --> 0:34:05.080
<v Speaker 6>the timing, because you really a lot of the time

0:34:05.120 --> 0:34:07.600
<v Speaker 6>the series and the movie people were competing for talent,

0:34:08.040 --> 0:34:09.719
<v Speaker 6>I mean, or.

0:34:09.680 --> 0:34:12.840
<v Speaker 8>Hollywood records, like Miley, Like we wanted Miley.

0:34:12.600 --> 0:34:16.080
<v Speaker 6>In a d com, but we a she would tour

0:34:16.320 --> 0:34:19.040
<v Speaker 6>every like right after the series would wrap, she would

0:34:19.080 --> 0:34:21.799
<v Speaker 6>go on these tours, and so then it was hard

0:34:22.000 --> 0:34:25.520
<v Speaker 6>and we needed we just wanted to keep her looking

0:34:25.560 --> 0:34:27.840
<v Speaker 6>as much like she was looking before, you know, not

0:34:27.920 --> 0:34:29.839
<v Speaker 6>to suddenly come back as a twenty five year old,

0:34:30.360 --> 0:34:32.759
<v Speaker 6>and so it would be hard to like slot in

0:34:32.840 --> 0:34:35.399
<v Speaker 6>a movie at the same time as a well while

0:34:35.400 --> 0:34:37.640
<v Speaker 6>doing a tour too, and you have to have the

0:34:37.719 --> 0:34:40.080
<v Speaker 6>right You just can't say, you know, here's a story

0:34:40.080 --> 0:34:41.880
<v Speaker 6>about a young girl, let's put Miley in it, like

0:34:41.920 --> 0:34:44.879
<v Speaker 6>you want it to work for her, to work for

0:34:45.360 --> 0:34:50.440
<v Speaker 6>like her overall career trajectory too, so right, that's always

0:34:50.440 --> 0:34:51.399
<v Speaker 6>really important too.

0:34:51.520 --> 0:34:53.520
<v Speaker 8>But yeah, I mean, and it just depends, like it's

0:34:53.560 --> 0:34:56.520
<v Speaker 8>funny Jason Dolly and I wish I had come with

0:34:56.600 --> 0:34:58.760
<v Speaker 8>the story that I just there.

0:34:59.280 --> 0:35:03.080
<v Speaker 6>He ended up getting minute Man because like somebody was sick,

0:35:03.280 --> 0:35:07.040
<v Speaker 6>like the night before that they told us. I remember being

0:35:07.080 --> 0:35:10.480
<v Speaker 6>a Friday night late and like getting him this information like.

0:35:10.920 --> 0:35:13.560
<v Speaker 8>Faxing still I was like faxing something.

0:35:13.640 --> 0:35:15.600
<v Speaker 6>Like it was like for some reason I had to

0:35:15.640 --> 0:35:19.200
<v Speaker 6>fax some like legal document too, which but like yeah,

0:35:19.200 --> 0:35:21.239
<v Speaker 6>and it was a big deal to he got that.

0:35:21.320 --> 0:35:23.160
<v Speaker 6>And then it really sort of like everything kind of

0:35:23.200 --> 0:35:25.880
<v Speaker 6>even trickled more from them, even though we'd known him

0:35:25.920 --> 0:35:27.960
<v Speaker 6>and he'd auditioned for us before and we've seen him

0:35:27.960 --> 0:35:30.319
<v Speaker 6>and other stuff too, like he'd done other stuff. It

0:35:30.400 --> 0:35:33.399
<v Speaker 6>was just suddenly like that movie v Ben then good

0:35:33.480 --> 0:35:36.160
<v Speaker 6>Luck Charlie, it became even it was all around the

0:35:36.200 --> 0:35:36.719
<v Speaker 6>same time.

0:35:36.800 --> 0:35:37.959
<v Speaker 8>Too often somebody does.

0:35:37.880 --> 0:35:40.480
<v Speaker 6>A pilot for us, whether the pilot goes or not.

0:35:40.600 --> 0:35:42.239
<v Speaker 6>We just fall in love with the actor and say

0:35:42.239 --> 0:35:44.399
<v Speaker 6>put them in this movie. I mean, that's the quick

0:35:44.480 --> 0:35:46.239
<v Speaker 6>thing is like we would fall in love with it.

0:35:46.239 --> 0:35:49.799
<v Speaker 6>It's with actors. And also it's not easy. I mean

0:35:49.840 --> 0:35:52.080
<v Speaker 6>people think like, oh, it's so easy to find a

0:35:52.120 --> 0:35:53.320
<v Speaker 6>million great child stars.

0:35:53.360 --> 0:35:53.680
<v Speaker 8>It's not.

0:35:53.960 --> 0:35:56.480
<v Speaker 6>There's a lot of optioning to it. There's a lot

0:35:56.600 --> 0:35:58.799
<v Speaker 6>of creativity put into it.

0:35:59.200 --> 0:36:01.200
<v Speaker 3>And you guys have to suffered through a lot of

0:36:01.280 --> 0:36:06.920
<v Speaker 3>bad auditions before time, like the Gems. I'm sure there's

0:36:07.000 --> 0:36:09.759
<v Speaker 3>just I mean, but at the same time, your guys'

0:36:09.800 --> 0:36:15.960
<v Speaker 3>record of finding those incredible child actors is just unreal.

0:36:16.200 --> 0:36:18.839
<v Speaker 4>And we when we did got to Kick it Up.

0:36:19.000 --> 0:36:21.759
<v Speaker 3>I mean, there's America Ferrera and we did it right

0:36:21.840 --> 0:36:25.239
<v Speaker 3>around you know, obviously Barbie's just come out. She's done

0:36:25.960 --> 0:36:30.680
<v Speaker 3>so much but between then and now, but you know,

0:36:30.880 --> 0:36:33.880
<v Speaker 3>she wasn't put in a Gotta Kick It Up, you know,

0:36:34.120 --> 0:36:37.880
<v Speaker 3>just a one off movie. Never nothing happened after it.

0:36:37.960 --> 0:36:40.960
<v Speaker 3>But she definitely was, you know, put out there and

0:36:41.000 --> 0:36:41.879
<v Speaker 3>did great.

0:36:42.160 --> 0:36:44.160
<v Speaker 6>And a funny personal story to me is the reason

0:36:44.200 --> 0:36:46.120
<v Speaker 6>I got my job at Disney Channel is my friend

0:36:46.239 --> 0:36:49.120
<v Speaker 6>Megan was an executive there. She was a creative executive

0:36:49.120 --> 0:36:52.040
<v Speaker 6>on the animation side, but Disney had a program at

0:36:52.040 --> 0:36:55.160
<v Speaker 6>that time where executives assistance. They could all come in

0:36:55.239 --> 0:36:57.680
<v Speaker 6>and like sell pitching an idea for a story. And

0:36:57.760 --> 0:37:00.840
<v Speaker 6>my friend Megan Teach for America, so she was the

0:37:00.880 --> 0:37:03.200
<v Speaker 6>one like the story was created from.

0:37:03.400 --> 0:37:06.160
<v Speaker 8>It was like her story that she ended up Oh

0:37:06.160 --> 0:37:11.160
<v Speaker 8>cool for that movie. And even I was like, yeah, everybody,

0:37:11.320 --> 0:37:14.160
<v Speaker 8>just it's a different It's just so exciting that Disney

0:37:14.200 --> 0:37:16.560
<v Speaker 8>gave those opportunities there too.

0:37:17.320 --> 0:37:21.040
<v Speaker 1>Yes, now absolutely, speaking of opportunities, can you tell us

0:37:21.040 --> 0:37:24.200
<v Speaker 1>a little bit do you remember a young Sabrina Brian

0:37:24.239 --> 0:37:25.880
<v Speaker 1>coming in and auditioning.

0:37:27.920 --> 0:37:31.920
<v Speaker 8>I wasn't there when girls? Oh no, I know, I know.

0:37:32.120 --> 0:37:35.080
<v Speaker 8>I wish I was too, but I wasn't there at

0:37:35.080 --> 0:37:35.879
<v Speaker 8>that time too.

0:37:36.160 --> 0:37:39.400
<v Speaker 3>Yeah, And there was a good amount of time between

0:37:39.440 --> 0:37:41.799
<v Speaker 3>the first and the second one. There was a couple

0:37:41.840 --> 0:37:46.160
<v Speaker 3>of years before. I mean we filmed into two thousand

0:37:46.200 --> 0:37:48.800
<v Speaker 3>and two. The movie came out in two thousand and three,

0:37:49.920 --> 0:37:53.200
<v Speaker 3>and then it wasn't until the following year that we

0:37:53.200 --> 0:37:56.000
<v Speaker 3>did a Christmas album, which was was it with Hollywood Records?

0:37:56.000 --> 0:37:58.000
<v Speaker 8>I think, yeah, Walt Disney Records.

0:37:58.560 --> 0:38:00.239
<v Speaker 4>It was Walt Disney Records. I'm pretty sure.

0:38:00.600 --> 0:38:02.319
<v Speaker 3>And you know, we went out on tour and it

0:38:02.400 --> 0:38:05.799
<v Speaker 3>was like it wasn't until after a while that they

0:38:05.840 --> 0:38:07.920
<v Speaker 3>were even talking about doing a second one, so that

0:38:08.000 --> 0:38:10.680
<v Speaker 3>at that point somewhere in between, right, you were around

0:38:11.080 --> 0:38:13.480
<v Speaker 3>by the second one, so it was somewhere in between.

0:38:13.520 --> 0:38:16.640
<v Speaker 6>I remember when it was suddenly like we're bringing the

0:38:16.719 --> 0:38:18.560
<v Speaker 6>cheat because it had been a while too and it

0:38:18.600 --> 0:38:20.399
<v Speaker 6>made a lot of sense. And I think also the

0:38:20.480 --> 0:38:23.160
<v Speaker 6>music thing was really starting to connect on air two

0:38:23.200 --> 0:38:24.640
<v Speaker 6>and everybody thought.

0:38:24.880 --> 0:38:27.759
<v Speaker 8>Well, and Raven had off because her show had ended.

0:38:27.840 --> 0:38:31.239
<v Speaker 6>She was doing studio like stuff for the Features at

0:38:31.239 --> 0:38:33.880
<v Speaker 6>Disney Features or the free Form show. So even that

0:38:34.000 --> 0:38:35.680
<v Speaker 6>there was like this moment of like is it all

0:38:35.719 --> 0:38:38.640
<v Speaker 6>going to work out with Cheetah Girls? And everybody's like,

0:38:38.760 --> 0:38:40.719
<v Speaker 6>let's try to make another Cheatah Girls, And suddenly it

0:38:40.760 --> 0:38:41.760
<v Speaker 6>was like going to Spain.

0:38:42.440 --> 0:38:43.880
<v Speaker 8>Yeah, it was so exciting.

0:38:43.920 --> 0:38:45.880
<v Speaker 6>And then Kenny and we also got in because Kenny

0:38:45.920 --> 0:38:47.720
<v Speaker 6>did both of them, right, yeah, two.

0:38:47.560 --> 0:38:52.120
<v Speaker 3>And Kenny Kenny only did two the second one. Paul Hohen,

0:38:52.160 --> 0:38:54.799
<v Speaker 3>who does the the does zombies, did three.

0:38:54.880 --> 0:38:57.239
<v Speaker 6>Yeah, he does more than that. He's probably directed like

0:38:57.800 --> 0:38:59.439
<v Speaker 6>five movies. You should interview.

0:38:59.080 --> 0:39:01.680
<v Speaker 4>Pass We definitely again, Paul, for sure.

0:39:01.920 --> 0:39:03.399
<v Speaker 8>But I now remember and then it was like, You're

0:39:03.440 --> 0:39:04.400
<v Speaker 8>going to India, and I just.

0:39:04.400 --> 0:39:05.759
<v Speaker 6>Felt like we were going to be going around the

0:39:05.800 --> 0:39:07.759
<v Speaker 6>world with the Cheetah girls for a while and it

0:39:07.800 --> 0:39:09.480
<v Speaker 6>was such an exciting time to.

0:39:09.600 --> 0:39:11.320
<v Speaker 8>Be complating these big movies.

0:39:11.400 --> 0:39:15.040
<v Speaker 3>Suddenly, Yes, I think we talked to you and Gary

0:39:15.080 --> 0:39:17.480
<v Speaker 3>Marsh at some point and we're like, can we go

0:39:17.600 --> 0:39:18.360
<v Speaker 3>to Tokyo?

0:39:18.640 --> 0:39:23.200
<v Speaker 4>That sounds awesome? Cheetas in Tokyo? Gary, doesn't that sound anything?

0:39:23.640 --> 0:39:25.600
<v Speaker 3>Just at that point, we're just trying to figure out

0:39:25.640 --> 0:39:27.520
<v Speaker 3>where can we film in the world because this is

0:39:27.600 --> 0:39:28.560
<v Speaker 3>just the best job, and.

0:39:28.800 --> 0:39:30.600
<v Speaker 2>Just keep it going. I just want to keep it going.

0:39:31.239 --> 0:39:33.360
<v Speaker 3>Feeling what would be the reasons that cheetahn't need to

0:39:33.400 --> 0:39:34.640
<v Speaker 3>go down to Australia.

0:39:34.760 --> 0:39:36.600
<v Speaker 4>Don't know, but let's figure it out. There's got to

0:39:36.600 --> 0:39:37.879
<v Speaker 4>be a musical vestival.

0:39:37.840 --> 0:39:39.600
<v Speaker 2>Not do Cheetahs down under? Come on?

0:39:39.800 --> 0:39:40.000
<v Speaker 8>Right?

0:39:40.880 --> 0:39:43.200
<v Speaker 2>So, So here's a question that we we loved.

0:39:43.320 --> 0:39:44.920
<v Speaker 1>We've only had one or two people from the other

0:39:44.960 --> 0:39:47.080
<v Speaker 1>side of the channel on, but a question we love

0:39:47.120 --> 0:39:49.720
<v Speaker 1>to ask is is there a project that you loved

0:39:50.400 --> 0:39:53.560
<v Speaker 1>that you thought was going to be big and just

0:39:53.600 --> 0:39:54.520
<v Speaker 1>att never took off.

0:39:54.600 --> 0:39:57.480
<v Speaker 6>Well it's and I don't know about Big prom Packed,

0:39:57.520 --> 0:40:00.279
<v Speaker 6>which came out a year ago, was we loved.

0:40:00.520 --> 0:40:01.160
<v Speaker 8>Loved it.

0:40:01.160 --> 0:40:06.640
<v Speaker 6>It's so good, so cute between those two is there's

0:40:06.680 --> 0:40:09.000
<v Speaker 6>so much good casting around all all of them too.

0:40:09.440 --> 0:40:10.480
<v Speaker 4>The music.

0:40:10.680 --> 0:40:12.640
<v Speaker 8>There's so much fun in that movie.

0:40:12.680 --> 0:40:15.359
<v Speaker 6>And I I kept thinking, am I looking at it

0:40:15.400 --> 0:40:16.600
<v Speaker 6>through my eighties eyes?

0:40:16.680 --> 0:40:19.719
<v Speaker 8>Like eyes because I love an eighties movie? Was No,

0:40:19.880 --> 0:40:24.800
<v Speaker 8>and I watch it. Everybody was like, it's a great movie,

0:40:24.840 --> 0:40:25.560
<v Speaker 8>and I don't think.

0:40:25.600 --> 0:40:28.000
<v Speaker 6>I think because it was Disney plus and everybody's sort

0:40:28.000 --> 0:40:29.560
<v Speaker 6>of like, where are we watching.

0:40:30.800 --> 0:40:31.280
<v Speaker 8>Exactly?

0:40:31.440 --> 0:40:33.960
<v Speaker 6>And it was a little bit edgier than the Channel

0:40:34.160 --> 0:40:36.280
<v Speaker 6>movies that were directly premiering on the channel.

0:40:36.320 --> 0:40:38.120
<v Speaker 8>But right away it was.

0:40:38.239 --> 0:40:40.680
<v Speaker 6>Just I mean, I thought it was such a well

0:40:40.840 --> 0:40:44.200
<v Speaker 6>done movie and so many so many It had comedy,

0:40:44.280 --> 0:40:47.040
<v Speaker 6>it had love, it had everything. So that was a

0:40:47.080 --> 0:40:50.920
<v Speaker 6>disappointment for sure too. And even the Kim Possible we boot,

0:40:51.080 --> 0:40:53.480
<v Speaker 6>I mean, it was definitely something fun to work on,

0:40:53.560 --> 0:40:56.480
<v Speaker 6>and it was exciting like on all sorts of different elements,

0:40:56.520 --> 0:40:59.479
<v Speaker 6>and the storyline was great, like it really felt like, Okay,

0:40:59.480 --> 0:41:03.359
<v Speaker 6>this could be a natural transition something that people.

0:41:03.560 --> 0:41:06.240
<v Speaker 2>Love as somebody who was on the original Kim Possible.

0:41:06.320 --> 0:41:07.160
<v Speaker 8>Well I wasn't.

0:41:07.280 --> 0:41:11.000
<v Speaker 9>I didn't know who it was for, right, And that's

0:41:11.040 --> 0:41:13.000
<v Speaker 9>what that's so interesting that you say that, So you

0:41:13.040 --> 0:41:18.480
<v Speaker 9>didn't really that her storyline, the storyline.

0:41:17.840 --> 0:41:19.880
<v Speaker 8>For her wasn't really like this.

0:41:20.560 --> 0:41:23.759
<v Speaker 6>I would think the young teen girls, gymnastic teen girl.

0:41:23.880 --> 0:41:26.680
<v Speaker 6>I was like, they should be into it. Like that's

0:41:26.719 --> 0:41:27.520
<v Speaker 6>where I really felt.

0:41:28.080 --> 0:41:30.960
<v Speaker 1>Yeah, I more met like the audience, the original Kim

0:41:31.000 --> 0:41:34.759
<v Speaker 1>Possible audience would want to see the cartoon rebooted, right,

0:41:35.160 --> 0:41:39.320
<v Speaker 1>and the new audience I don't think connected with the characters.

0:41:39.400 --> 0:41:41.440
<v Speaker 2>So I just kind of didn't know who it was

0:41:41.600 --> 0:41:42.319
<v Speaker 2>supposed to be for.

0:41:42.520 --> 0:41:44.960
<v Speaker 6>And that goes back to it's like it's just another movie,

0:41:45.000 --> 0:41:47.080
<v Speaker 6>you know, like it's a movie with the title that

0:41:47.120 --> 0:41:48.520
<v Speaker 6>you hope that somebody else.

0:41:48.440 --> 0:41:50.319
<v Speaker 8>Was like, it's impossible, I've never heard of it.

0:41:50.320 --> 0:41:52.640
<v Speaker 6>Sounds it's a great movie. You just hope, right, just

0:41:52.680 --> 0:41:55.480
<v Speaker 6>be into it. But yeah, they would just be into

0:41:55.520 --> 0:41:57.600
<v Speaker 6>it from that way too. And I think doing animation,

0:41:57.800 --> 0:42:00.400
<v Speaker 6>animation to animated.

0:42:00.239 --> 0:42:01.960
<v Speaker 8>To live action, I think is definitely a.

0:42:01.960 --> 0:42:05.279
<v Speaker 6>Challenge, Like there absolutely a spond in those projects that

0:42:06.360 --> 0:42:09.240
<v Speaker 6>may not be able to like really honor the original

0:42:09.280 --> 0:42:10.439
<v Speaker 6>fan base in the same way.

0:42:10.560 --> 0:42:11.640
<v Speaker 4>Yeah, that makes sense.

0:42:11.800 --> 0:42:12.080
<v Speaker 2>Okay.

0:42:12.120 --> 0:42:15.160
<v Speaker 1>So for the last question we have for you is,

0:42:15.600 --> 0:42:17.480
<v Speaker 1>and it kind of goes along with what we've we've

0:42:17.520 --> 0:42:20.880
<v Speaker 1>been talking about a little bit, which is with the

0:42:20.880 --> 0:42:24.960
<v Speaker 1>proliferation of streaming with Disney Plus and Hulu and everything

0:42:25.000 --> 0:42:27.960
<v Speaker 1>growing the way it is, with kids just being different

0:42:28.000 --> 0:42:30.600
<v Speaker 1>and the way they're watching everything being different, the entire

0:42:30.719 --> 0:42:34.239
<v Speaker 1>industry being different, what do you think the future of

0:42:34.320 --> 0:42:35.920
<v Speaker 1>dcoms is?

0:42:36.080 --> 0:42:38.000
<v Speaker 2>And do you think the dcom is here to stay?

0:42:39.080 --> 0:42:41.359
<v Speaker 6>I mean, one would hope the dcom is here to say,

0:42:41.400 --> 0:42:44.680
<v Speaker 6>because there's always going to be kids who need kids content,

0:42:44.800 --> 0:42:48.120
<v Speaker 6>and as we all know, social media like places are

0:42:48.160 --> 0:42:50.879
<v Speaker 6>moving it up to sixteen too. We know that that

0:42:51.400 --> 0:42:54.880
<v Speaker 6>is not you know, it's not always the healthiest place

0:42:54.960 --> 0:42:57.280
<v Speaker 6>to be too. But I just think really the distribution

0:42:57.440 --> 0:43:00.440
<v Speaker 6>method is that's where wrap how or how is this

0:43:00.600 --> 0:43:04.759
<v Speaker 6>getting distributed to to kids and families overall. But yeah,

0:43:04.800 --> 0:43:06.800
<v Speaker 6>I think there's always going to be times and I

0:43:06.840 --> 0:43:08.920
<v Speaker 6>mean I didn't have d coms when I was growing up,

0:43:08.920 --> 0:43:11.920
<v Speaker 6>but even just all these corny family movies that hold

0:43:12.000 --> 0:43:14.319
<v Speaker 6>in my heart this place, like there was one called

0:43:14.400 --> 0:43:16.520
<v Speaker 6>Savenger Hunt I'm sure nobody's ever heard of it.

0:43:16.560 --> 0:43:18.320
<v Speaker 2>Scavenger Hut's a great movie.

0:43:18.520 --> 0:43:22.080
<v Speaker 4>Was it on Disney No, But they.

0:43:22.040 --> 0:43:24.360
<v Speaker 8>Just loved it. I mean it was something I loved.

0:43:24.680 --> 0:43:26.279
<v Speaker 2>It was like Explorers for me. Yeah.

0:43:26.360 --> 0:43:28.920
<v Speaker 8>Yeah, And it's like you just hope that there is

0:43:28.920 --> 0:43:29.320
<v Speaker 8>a space.

0:43:29.400 --> 0:43:31.560
<v Speaker 6>It's like, but how are we getting this to the

0:43:31.600 --> 0:43:33.880
<v Speaker 6>audience is the biggest challenge right now too.

0:43:33.960 --> 0:43:35.719
<v Speaker 8>And I think this streamer, I think you also don't

0:43:35.760 --> 0:43:36.200
<v Speaker 8>have the same.

0:43:36.800 --> 0:43:39.239
<v Speaker 6>Disney Plus had so much going for it from nat

0:43:39.239 --> 0:43:42.480
<v Speaker 6>Gio content, you know, all the Marvel content, and it's

0:43:42.520 --> 0:43:44.680
<v Speaker 6>like they don't even have We had such a beautiful

0:43:44.719 --> 0:43:48.239
<v Speaker 6>promotional window on the channel because the channel didn't have commercials,

0:43:48.520 --> 0:43:52.200
<v Speaker 6>so there were so many promos and and promos that

0:43:52.280 --> 0:43:54.680
<v Speaker 6>like they were just commercials that were very personal to

0:43:54.719 --> 0:43:56.480
<v Speaker 6>the audience where you got to know the actor and

0:43:56.520 --> 0:43:59.040
<v Speaker 6>you got to hear about the actor personally or like

0:43:59.080 --> 0:44:01.319
<v Speaker 6>maybe go back to their home town and talk to them.

0:44:01.680 --> 0:44:04.279
<v Speaker 6>And like, you just don't have that same opportunity to

0:44:04.360 --> 0:44:07.680
<v Speaker 6>promote to people. It's just like you hope they find

0:44:07.719 --> 0:44:08.400
<v Speaker 6>it on a tile.

0:44:08.640 --> 0:44:09.919
<v Speaker 4>Yeah, but I do.

0:44:10.080 --> 0:44:13.920
<v Speaker 3>I do feel that Disney Plus has, at least for

0:44:14.160 --> 0:44:17.520
<v Speaker 3>the next generation that might you know back when I

0:44:17.680 --> 0:44:19.480
<v Speaker 3>when The Cheetah Girls came out, and when I was

0:44:19.520 --> 0:44:22.080
<v Speaker 3>auditioning a lot, there was a d com every month

0:44:22.200 --> 0:44:25.600
<v Speaker 3>it came out, and you knew whatever day it was

0:44:25.640 --> 0:44:27.680
<v Speaker 3>that they would premiere, like that's what you did, you

0:44:27.719 --> 0:44:30.440
<v Speaker 3>got home after school, that movie's coming out and then

0:44:30.480 --> 0:44:34.040
<v Speaker 3>it replayed a bunch. So now they don't have that

0:44:34.120 --> 0:44:37.680
<v Speaker 3>as much. But on Disney Plus, it's actually you can

0:44:37.680 --> 0:44:39.840
<v Speaker 3>at least find them and once you and Will and

0:44:39.880 --> 0:44:42.120
<v Speaker 3>I both know this because that's how we rewatch them.

0:44:42.520 --> 0:44:44.600
<v Speaker 3>Once you look for one of these d coms, they

0:44:44.640 --> 0:44:47.759
<v Speaker 3>all start popping up on the suggestion box. And now

0:44:48.120 --> 0:44:50.680
<v Speaker 3>now they're there, which is great that I feel like

0:44:50.719 --> 0:44:54.120
<v Speaker 3>they'll watch a movie like Descendants, right or Zombies and

0:44:54.200 --> 0:44:56.440
<v Speaker 3>then now then they'll get a high school musical one,

0:44:56.520 --> 0:44:58.080
<v Speaker 3>or they'll get a Cheetah Girls, or they'll.

0:44:57.920 --> 0:45:01.000
<v Speaker 2>Get the thirteenth Year will pop up on nowhere something.

0:45:00.760 --> 0:45:01.680
<v Speaker 4>And random ones.

0:45:01.680 --> 0:45:04.080
<v Speaker 3>They'll get these these ones that are older and it's

0:45:04.120 --> 0:45:06.800
<v Speaker 3>like a new generation. I know we've talked to We

0:45:06.840 --> 0:45:09.520
<v Speaker 3>got a chance to talk to Brandon Baker from Johnny

0:45:09.560 --> 0:45:12.839
<v Speaker 3>Tsunami and you know, he he's felt it and he's

0:45:13.000 --> 0:45:15.319
<v Speaker 3>been out of the business for a while and he's like, oh,

0:45:15.320 --> 0:45:18.120
<v Speaker 3>but I definitely feel it from the fans. The new

0:45:18.200 --> 0:45:21.880
<v Speaker 3>generation is somehow finding it on Disney Plus, which is awesome.

0:45:22.120 --> 0:45:25.719
<v Speaker 3>You know, those are such great, awesome classic ones for

0:45:25.800 --> 0:45:27.600
<v Speaker 3>people to be able to see.

0:45:28.040 --> 0:45:30.279
<v Speaker 6>Yeah, I'm glad to hear that it is that algorithm

0:45:30.320 --> 0:45:32.319
<v Speaker 6>is working to the benefit, because you would hate to

0:45:32.360 --> 0:45:35.480
<v Speaker 6>be like my show starts with the letter like S

0:45:35.520 --> 0:45:38.400
<v Speaker 6>and I'm like, you know, it's like and you're like,

0:45:38.440 --> 0:45:40.759
<v Speaker 6>nobody's gonna see like they're gonna go to all other

0:45:40.800 --> 0:45:41.400
<v Speaker 6>ones first.

0:45:41.560 --> 0:45:42.719
<v Speaker 2>Yeah, totally.

0:45:42.960 --> 0:45:43.759
<v Speaker 8>It's good to hear.

0:45:43.920 --> 0:45:48.120
<v Speaker 3>I have to ask you, what's been your favorite franchise

0:45:48.440 --> 0:45:52.200
<v Speaker 3>or movie or show. What's the one that you just

0:45:52.239 --> 0:45:54.319
<v Speaker 3>feel like that's your heart right there.

0:45:54.560 --> 0:45:56.200
<v Speaker 8>I mean, like for Hannah.

0:45:55.880 --> 0:45:57.680
<v Speaker 6>Montana, I had such a soft stop because it was

0:45:57.760 --> 0:46:00.399
<v Speaker 6>just day one and we heard and we're traveling all.

0:46:00.320 --> 0:46:00.920
<v Speaker 8>Over the place.

0:46:00.960 --> 0:46:03.120
<v Speaker 6>She was young, she was she was fun, I mean,

0:46:03.160 --> 0:46:06.440
<v Speaker 6>and Disney Channel games even from seeing her like performed

0:46:06.480 --> 0:46:08.680
<v Speaker 6>down in Orlando early on, so there was like, for me,

0:46:08.760 --> 0:46:10.960
<v Speaker 6>a lot of connection for that and she would just

0:46:11.040 --> 0:46:14.759
<v Speaker 6>be like can you believe, like like amazed at like

0:46:14.880 --> 0:46:17.759
<v Speaker 6>other pop stars, like she really had no idea that

0:46:17.840 --> 0:46:19.640
<v Speaker 6>she might get in that same level, Like, I mean

0:46:19.680 --> 0:46:23.080
<v Speaker 6>there and there was such a pure innocence to it

0:46:23.120 --> 0:46:26.120
<v Speaker 6>and like a fun Like, God, wouldn't that be fun

0:46:26.120 --> 0:46:28.120
<v Speaker 6>if I was as famous as Britney Spears. But that's

0:46:28.120 --> 0:46:30.640
<v Speaker 6>never gonna happen, Like she just didn't really even think

0:46:30.680 --> 0:46:32.440
<v Speaker 6>it too, and so like I had a lot of

0:46:32.480 --> 0:46:37.279
<v Speaker 6>connection with her. Watching High School Musical Reboot is amazing too.

0:46:37.280 --> 0:46:39.480
<v Speaker 6>I mean there's so many and Lemonade Mouth, which we

0:46:39.520 --> 0:46:41.560
<v Speaker 6>didn't talk about. I like wish we did a sequel.

0:46:41.600 --> 0:46:43.400
<v Speaker 1>I mean there were so many nuggets, which is what

0:46:43.560 --> 0:46:46.720
<v Speaker 1>we just watched it, and I said, I personally believed

0:46:46.760 --> 0:46:48.160
<v Speaker 1>because I am not a fan of musicals.

0:46:48.160 --> 0:46:49.720
<v Speaker 2>I'm famously not a fan of musicals.

0:46:50.120 --> 0:46:53.120
<v Speaker 1>I personally believe it was the best music, right of

0:46:53.200 --> 0:46:54.439
<v Speaker 1>any of the movies that I saw.

0:46:54.560 --> 0:46:58.399
<v Speaker 3>That music was so amazing, Cornelia. I was like, who

0:46:58.400 --> 0:47:02.520
<v Speaker 3>are producers working on this? This is like incredible, Oh

0:47:02.600 --> 0:47:03.840
<v Speaker 3>my gosh, so good.

0:47:04.440 --> 0:47:04.960
<v Speaker 8>I read it.

0:47:05.000 --> 0:47:08.760
<v Speaker 6>I met a person who was on an NBC comedy

0:47:08.800 --> 0:47:10.680
<v Speaker 6>and he's like, we play this on Breakthrough.

0:47:11.000 --> 0:47:11.920
<v Speaker 8>It's got your breakthrough.

0:47:11.960 --> 0:47:13.279
<v Speaker 6>He's like, when we would have it, they would like

0:47:13.360 --> 0:47:18.280
<v Speaker 6>play this music from it to like get going and everything.

0:47:18.360 --> 0:47:21.919
<v Speaker 3>I was like, yeah, I believe it.

0:47:21.920 --> 0:47:22.600
<v Speaker 2>It was great.

0:47:22.800 --> 0:47:23.719
<v Speaker 4>It really was so good.

0:47:23.760 --> 0:47:26.120
<v Speaker 3>And there was talks right because we did talk about

0:47:26.160 --> 0:47:29.560
<v Speaker 3>this in our review. There was talks about possibly doing

0:47:29.760 --> 0:47:35.719
<v Speaker 3>a sequel and then it ended up not going through that. Yeah. Crazy,

0:47:35.800 --> 0:47:36.600
<v Speaker 3>great cast too.

0:47:36.719 --> 0:47:39.560
<v Speaker 1>Yeah, yeah, everybody was awesome. Well, thank you so much

0:47:39.600 --> 0:47:41.400
<v Speaker 1>for joining us. I have to tell you I have

0:47:41.760 --> 0:47:44.920
<v Speaker 1>three more pages of questions for you. So is there

0:47:45.000 --> 0:47:47.120
<v Speaker 1>any chance you can come back and join us again

0:47:47.200 --> 0:47:49.040
<v Speaker 1>to give us some more background stuff.

0:47:48.840 --> 0:47:51.600
<v Speaker 8>And I might be able to make my schedule available.

0:47:52.080 --> 0:47:52.279
<v Speaker 3>Yeah.

0:47:52.480 --> 0:47:54.760
<v Speaker 2>Good, because this has been so cool.

0:47:55.239 --> 0:47:57.680
<v Speaker 1>Thank you so much for joining us and again pulling

0:47:57.680 --> 0:47:59.640
<v Speaker 1>the curtain back just a little bit on on getting

0:47:59.640 --> 0:48:02.239
<v Speaker 1>the deco. I'm done and finding this incredible talent. And

0:48:02.440 --> 0:48:05.200
<v Speaker 1>I mean you look at Hollywood nowadays and it's littered

0:48:05.280 --> 0:48:07.960
<v Speaker 1>with Disney kids. I mean it really is. They're taking

0:48:08.000 --> 0:48:10.920
<v Speaker 1>over the world. And it's because when you're talented, you're talented.

0:48:10.920 --> 0:48:13.600
<v Speaker 1>But somebody's got to find that talent. And so we're

0:48:13.640 --> 0:48:14.880
<v Speaker 1>so glad that you were there.

0:48:15.000 --> 0:48:18.520
<v Speaker 3>Also supported you were always somebody who was an advocate

0:48:18.560 --> 0:48:20.040
<v Speaker 3>for us, and I just want to take the second

0:48:20.560 --> 0:48:23.520
<v Speaker 3>to thank you because there's times where I know we

0:48:23.520 --> 0:48:25.160
<v Speaker 3>were trying to edge it up a little bit and

0:48:25.160 --> 0:48:28.080
<v Speaker 3>standards and practices were like that skirt, edge it up,

0:48:28.080 --> 0:48:30.000
<v Speaker 3>but it has to be at your ankle, you know,

0:48:30.120 --> 0:48:30.360
<v Speaker 3>and we.

0:48:30.520 --> 0:48:32.399
<v Speaker 4>Would be like, Cornelia, help us.

0:48:32.480 --> 0:48:35.799
<v Speaker 3>And you always were such an amazing advocate for us

0:48:35.840 --> 0:48:39.799
<v Speaker 3>as actors, and like realizing that everyone was going for

0:48:39.840 --> 0:48:42.200
<v Speaker 3>the same goal, we wanted the best of the best,

0:48:42.360 --> 0:48:44.359
<v Speaker 3>you know, So thank you so much. There was so

0:48:44.360 --> 0:48:46.600
<v Speaker 3>many times I know you were sticking up for us

0:48:46.640 --> 0:48:49.640
<v Speaker 3>and being our mouth for you know, our ideas and

0:48:50.040 --> 0:48:52.000
<v Speaker 3>hopes and stuff. So thank you so much for all

0:48:52.040 --> 0:48:54.239
<v Speaker 3>your hard work because I know you do it for

0:48:54.400 --> 0:48:56.359
<v Speaker 3>so many of the kids on the channel as well.

0:48:57.080 --> 0:48:57.440
<v Speaker 8>Thank you.

0:48:57.520 --> 0:48:59.640
<v Speaker 6>That means so much, it really really does, because that

0:48:59.719 --> 0:49:01.640
<v Speaker 6>was the best and you know the part of the

0:49:01.719 --> 0:49:04.480
<v Speaker 6>job being there and being able to understand what you

0:49:04.520 --> 0:49:05.200
<v Speaker 6>were going through.

0:49:05.480 --> 0:49:09.040
<v Speaker 4>So yeah, thank you. It was so good to see you.

0:49:09.680 --> 0:49:12.239
<v Speaker 2>Thank you very much. And we're calling you again because

0:49:12.239 --> 0:49:13.560
<v Speaker 2>we didn't even get to some of the bigger one.

0:49:13.640 --> 0:49:14.799
<v Speaker 4>I know we need to get the half of them.

0:49:15.400 --> 0:49:16.560
<v Speaker 2>I've got so much more to ask.

0:49:17.280 --> 0:49:19.920
<v Speaker 8>Great great to see you both you too, Thank.

0:49:19.680 --> 0:49:20.719
<v Speaker 4>You, Elia, Thank you.

0:49:24.400 --> 0:49:25.080
<v Speaker 2>I'm not joking.

0:49:25.520 --> 0:49:27.640
<v Speaker 1>I have three more pages of I know, we didn't

0:49:27.640 --> 0:49:30.120
<v Speaker 1>talk about cow Bells, we didn't talk about teen Beach Movie.

0:49:30.160 --> 0:49:32.239
<v Speaker 2>We didn't There's so much left that I want to

0:49:32.280 --> 0:49:32.760
<v Speaker 2>talk about.

0:49:32.880 --> 0:49:36.000
<v Speaker 3>She was a part of so many of them, so

0:49:36.160 --> 0:49:39.960
<v Speaker 3>many and really everyone knew Cornelia everyone day.

0:49:40.000 --> 0:49:41.560
<v Speaker 2>But that's the thing is you talk about.

0:49:41.800 --> 0:49:44.839
<v Speaker 1>This is where I think Disney Channel does not get

0:49:44.880 --> 0:49:48.000
<v Speaker 1>its due, is because you talk about some of the

0:49:48.000 --> 0:49:51.360
<v Speaker 1>best casting directors in the history of Hollywood, literally in

0:49:51.400 --> 0:49:54.719
<v Speaker 1>the history of Hollywood. And I bet you nobody is

0:49:54.719 --> 0:49:57.960
<v Speaker 1>going to put the Disney Channel casting directors on that list.

0:49:58.239 --> 0:50:02.160
<v Speaker 1>And when you list the people like the like Austin Butler,

0:50:02.400 --> 0:50:05.080
<v Speaker 1>end Zin Day, one after another, they were found by

0:50:05.080 --> 0:50:08.080
<v Speaker 1>the Disney Channel. They were found by these casting directors

0:50:08.280 --> 0:50:11.400
<v Speaker 1>who have I mean, you look at Hollywood nowadays. Some

0:50:11.440 --> 0:50:14.120
<v Speaker 1>of the biggest stars in Hollywood started on the Disney

0:50:14.200 --> 0:50:16.040
<v Speaker 1>Channel because of these casting directors.

0:50:16.160 --> 0:50:18.160
<v Speaker 2>And they never get their due, they really don't.

0:50:18.320 --> 0:50:21.360
<v Speaker 3>And I think too, what's also important is you know she,

0:50:21.760 --> 0:50:24.680
<v Speaker 3>like she said with Austin, he came in auditioned and

0:50:24.840 --> 0:50:28.520
<v Speaker 3>it was the job of being smart about what is

0:50:28.560 --> 0:50:33.040
<v Speaker 3>the perfect role for them, Yeah, to take off. Yeah,

0:50:33.160 --> 0:50:36.080
<v Speaker 3>not just throwing them some random role like she said

0:50:36.080 --> 0:50:37.920
<v Speaker 3>with Hannah Montana, we just want to give her some

0:50:38.000 --> 0:50:39.280
<v Speaker 3>young girl character.

0:50:39.400 --> 0:50:41.279
<v Speaker 4>It needed to make sense. It needed to be.

0:50:41.280 --> 0:50:44.920
<v Speaker 3>Something that was gonna either push her or help build that.

0:50:45.000 --> 0:50:49.840
<v Speaker 3>They cared about building the platform for their artists, their

0:50:49.880 --> 0:50:51.960
<v Speaker 3>actors that were on their channel.

0:50:52.000 --> 0:50:53.759
<v Speaker 4>That was a huge part for them.

0:50:54.000 --> 0:50:56.960
<v Speaker 3>It wasn't just oh, she's adorable and she's cute, so

0:50:57.040 --> 0:50:59.200
<v Speaker 3>just you know, yea fabering this movie.

0:50:59.239 --> 0:51:01.360
<v Speaker 4>It wasn't like that in that or whatever. No, it

0:51:01.719 --> 0:51:03.240
<v Speaker 4>so so strategic.

0:51:03.600 --> 0:51:05.520
<v Speaker 1>It was, but it was also I love what she said,

0:51:05.560 --> 0:51:07.080
<v Speaker 1>and you saw it time and time again on the

0:51:07.120 --> 0:51:09.279
<v Speaker 1>channel where its oh no, I know that person isn't

0:51:09.320 --> 0:51:12.160
<v Speaker 1>right for this part, but they're gonna be at the

0:51:12.160 --> 0:51:14.600
<v Speaker 1>top of the list and we're gonna find something for them.

0:51:15.080 --> 0:51:16.880
<v Speaker 1>Like just what you were saying where it was like

0:51:17.280 --> 0:51:19.520
<v Speaker 1>there's so many casting directors in Hollywood where you go in,

0:51:19.600 --> 0:51:22.000
<v Speaker 1>you read, you never know, even if you're good, you

0:51:22.080 --> 0:51:23.880
<v Speaker 1>never see them again, and then you book something and

0:51:23.920 --> 0:51:25.239
<v Speaker 1>you get big and then they come back to you

0:51:25.280 --> 0:51:25.680
<v Speaker 1>like oh I.

0:51:25.640 --> 0:51:26.680
<v Speaker 2>Remember, blah blah blah.

0:51:26.719 --> 0:51:28.640
<v Speaker 1>But Disney Channel it was no, we're gonna try in

0:51:28.680 --> 0:51:30.120
<v Speaker 1>this now you're not right for this one. We're gonna

0:51:30.120 --> 0:51:31.400
<v Speaker 1>try in this. Now you're not right for this one.

0:51:31.440 --> 0:51:32.800
<v Speaker 1>We're gonna try in this totally.

0:51:32.800 --> 0:51:33.920
<v Speaker 2>Then they find the people.

0:51:33.920 --> 0:51:36.160
<v Speaker 1>I mean again, we went through these lists of Miley Cyrus,

0:51:36.160 --> 0:51:39.319
<v Speaker 1>Demi Levado, Zach Effron, Austin Butler, Jenna Ortega, the Jonas Brothers,

0:51:39.320 --> 0:51:40.160
<v Speaker 1>Sabena Carpenter.

0:51:40.280 --> 0:51:44.320
<v Speaker 2>It is one banger after another wild and that the

0:51:44.480 --> 0:51:47.760
<v Speaker 2>list I just read runs Hollywood. Essentially, these are fall

0:51:47.920 --> 0:51:49.080
<v Speaker 2>Disney Channel kids.

0:51:49.120 --> 0:51:52.400
<v Speaker 1>So absolutely, she is just a font of knowledge and

0:51:52.440 --> 0:51:53.640
<v Speaker 1>I cannot wait to have her back.

0:51:53.719 --> 0:51:54.520
<v Speaker 2>It's totally cool.

0:51:54.560 --> 0:51:56.719
<v Speaker 1>Well, thank you all so much for joining us on

0:51:56.760 --> 0:51:59.799
<v Speaker 1>this awesomely eye opening episode of Magical. Rewind our park

0:52:00.000 --> 0:52:02.640
<v Speaker 1>Opper episode and join us next time, because I think

0:52:02.719 --> 0:52:06.520
<v Speaker 1>the movie that we're watching is Camp Rock, Camp Rock.

0:52:07.120 --> 0:52:10.839
<v Speaker 1>Let's I think about camp and I guess there's gonna

0:52:10.880 --> 0:52:13.200
<v Speaker 1>be some rock and I'm very excited.

0:52:13.360 --> 0:52:15.359
<v Speaker 4>Lots of hair we're going to be We've got lots

0:52:15.360 --> 0:52:16.480
<v Speaker 4>of hair going again.

0:52:16.560 --> 0:52:19.160
<v Speaker 2>Dude, I'm in. I'm in all the way swing swing

0:52:19.239 --> 0:52:20.920
<v Speaker 2>hairs happening. I love that.

0:52:20.960 --> 0:52:23.919
<v Speaker 1>So thank you everybody for joining us, and please join

0:52:24.000 --> 0:52:24.480
<v Speaker 1>us next time.

0:52:24.520 --> 0:52:37.440
<v Speaker 2>Bye everybody, Bye,