1
00:00:05,080 --> 00:00:08,360
Speaker 1: They like they like your uh, they like your voice.

2
00:00:08,440 --> 00:00:12,080
Speaker 2: You know you got that big sexy voice. Yes, woman,

3
00:00:12,200 --> 00:00:22,280
Speaker 2: still against the Chronicles, mane you my notes, bro Like Pinocchio,

4
00:00:22,320 --> 00:00:23,760
Speaker 2: We're gonna tell you the truth and nothing.

5
00:00:23,800 --> 00:00:27,840
Speaker 3: But it's not your.

6
00:00:34,040 --> 00:00:34,960
Speaker 1: Jel. You know what to do.

7
00:00:35,520 --> 00:00:39,040
Speaker 2: Welcome to another episode of the gangst the Chronicles. Got

8
00:00:39,040 --> 00:00:40,840
Speaker 2: the homies in the building.

9
00:00:40,880 --> 00:00:43,519
Speaker 3: Yeah, big steal. What uto? We got cater up in

10
00:00:43,560 --> 00:00:43,839
Speaker 3: this month?

11
00:00:43,920 --> 00:00:44,320
Speaker 2: What up?

12
00:00:44,400 --> 00:00:46,879
Speaker 4: Man with some still with somep ape man chilling man.

13
00:00:47,440 --> 00:00:48,879
Speaker 3: Yeah, we had to get you back up on the

14
00:00:49,560 --> 00:00:51,360
Speaker 3: up on the set to you again, up on the

15
00:00:51,400 --> 00:00:54,440
Speaker 3: show again because family, you know you was on the ship.

16
00:00:54,520 --> 00:00:56,400
Speaker 3: I think he was on the fourth or fifth episode

17
00:00:56,400 --> 00:00:59,520
Speaker 3: Against the Chronicles. Yeah, a long time alumna.

18
00:00:59,560 --> 00:01:00,440
Speaker 2: Three years years ago.

19
00:01:02,280 --> 00:01:05,160
Speaker 4: We was at the other spot, the other the other

20
00:01:05,280 --> 00:01:07,479
Speaker 4: dudes was hosting though, but we had a dope interview though.

21
00:01:07,560 --> 00:01:08,600
Speaker 2: Still you know what I'm saying.

22
00:01:08,720 --> 00:01:10,800
Speaker 3: It was hot, it was It was a mind ship, man.

23
00:01:11,400 --> 00:01:13,640
Speaker 3: So it's a lot of shit to talk about today, man,

24
00:01:13,720 --> 00:01:15,480
Speaker 3: A whole lot of shit. Man. I guess my boy,

25
00:01:15,560 --> 00:01:18,800
Speaker 3: young Buck, he's selling that catalog. Man, you know, I

26
00:01:18,800 --> 00:01:21,400
Speaker 3: thought it went for a lot more though. Man, he

27
00:01:21,520 --> 00:01:22,880
Speaker 3: has he has missed.

28
00:01:23,120 --> 00:01:25,840
Speaker 4: Yeah, but studio album wise, what he had really solid

29
00:01:25,880 --> 00:01:28,480
Speaker 4: to yeah BYuT a sound a lot of those group.

30
00:01:28,400 --> 00:01:29,960
Speaker 2: Music and features other.

31
00:01:29,840 --> 00:01:32,320
Speaker 3: Than that, but that's a part of his catalog. I

32
00:01:32,560 --> 00:01:35,640
Speaker 3: blanking fifty said he want his money. I ain't mad

33
00:01:35,680 --> 00:01:37,200
Speaker 3: at that. A lot of people at like fifty doing

34
00:01:37,200 --> 00:01:40,920
Speaker 3: something wrong with something man old and fifty RECs fifty

35
00:01:40,959 --> 00:01:42,479
Speaker 3: said he wanted his motherfucking money.

36
00:01:42,680 --> 00:01:43,160
Speaker 2: Business.

37
00:01:43,440 --> 00:01:44,800
Speaker 3: You're not playing that's his business.

38
00:01:44,840 --> 00:01:45,080
Speaker 2: Dog.

39
00:01:45,280 --> 00:01:48,080
Speaker 3: Why is it that that because you got some money

40
00:01:48,480 --> 00:01:50,320
Speaker 3: and you telling a nigga about what he owe you,

41
00:01:50,320 --> 00:01:52,160
Speaker 3: you a bad man because you want your words back?

42
00:01:54,120 --> 00:01:55,840
Speaker 3: Why is that you ever go through that ship?

43
00:01:56,000 --> 00:01:59,960
Speaker 2: What's that? When I was just reading on some ship

44
00:02:00,200 --> 00:02:00,680
Speaker 2: right here.

45
00:02:02,000 --> 00:02:04,280
Speaker 3: But what you ask me, like, when the nigga owe

46
00:02:04,320 --> 00:02:06,720
Speaker 3: you money, why is that people feel like because you

47
00:02:06,800 --> 00:02:09,680
Speaker 3: may have some money and you want another niggas here

48
00:02:09,720 --> 00:02:11,359
Speaker 3: because he owe you some money, you the bad guy

49
00:02:11,440 --> 00:02:15,280
Speaker 3: now just because you got some money, like you have

50
00:02:15,320 --> 00:02:16,840
Speaker 3: a let a homy hold something back in the day

51
00:02:16,840 --> 00:02:18,639
Speaker 3: and he just didn't give you yours back because he

52
00:02:18,680 --> 00:02:20,720
Speaker 3: felt like we nigga, you ate you going out getting

53
00:02:20,720 --> 00:02:21,840
Speaker 3: money every fucking weekend.

54
00:02:21,840 --> 00:02:26,480
Speaker 2: At these show, A lot of niggas felt like that. Yeah,

55
00:02:26,639 --> 00:02:30,840
Speaker 2: I mean I've done it. It's been situations where I've

56
00:02:30,880 --> 00:02:37,240
Speaker 2: done business with people or you know shit. I had

57
00:02:37,280 --> 00:02:41,360
Speaker 2: a motherfucker who I gave a nigga when I was

58
00:02:41,400 --> 00:02:47,079
Speaker 2: coaching football. I gave a nigga three grand to get

59
00:02:47,080 --> 00:02:51,440
Speaker 2: a van from auction so I could drive the kids around.

60
00:02:53,000 --> 00:02:58,239
Speaker 2: And the nigga took my three grand brought me back

61
00:02:58,280 --> 00:03:01,079
Speaker 2: a piece of shit van. I told him I don't

62
00:03:01,080 --> 00:03:04,760
Speaker 2: want this piece of shit you get me, so you

63
00:03:04,800 --> 00:03:07,560
Speaker 2: can either take the ship back and bring me a

64
00:03:07,600 --> 00:03:10,280
Speaker 2: better van, or you can give me my bread back.

65
00:03:10,880 --> 00:03:14,840
Speaker 2: So the niggas showed me another van, but he wanted

66
00:03:14,840 --> 00:03:18,359
Speaker 2: me to give him another thousand dollars. I said, no, man,

67
00:03:18,440 --> 00:03:19,600
Speaker 2: just give my money back.

68
00:03:19,960 --> 00:03:20,240
Speaker 1: Nigga.

69
00:03:20,280 --> 00:03:23,280
Speaker 2: It's been about eight years and I ain't never hear

70
00:03:24,400 --> 00:03:29,919
Speaker 2: not the van. Might nigga just just like hey, fuck

71
00:03:29,960 --> 00:03:32,880
Speaker 2: it now, not like hey, I'm gonna work with you

72
00:03:33,080 --> 00:03:35,960
Speaker 2: or the nigga. I guess niggas be feeling like nigga,

73
00:03:36,000 --> 00:03:38,839
Speaker 2: you eate nigga. You're tripping right now. He doesn't count.

74
00:03:38,880 --> 00:03:41,440
Speaker 4: He didn't counted every album you done, release the songs

75
00:03:41,480 --> 00:03:42,040
Speaker 4: since then, the.

76
00:03:42,840 --> 00:03:47,840
Speaker 2: Nuggets, I guess you know, It's just like that, you know, nigga,

77
00:03:47,920 --> 00:03:50,960
Speaker 2: especially if it's a especially if it's a motherfucker on

78
00:03:51,000 --> 00:03:53,280
Speaker 2: the scale of just like you said, Kate, oh a

79
00:03:53,320 --> 00:03:56,320
Speaker 2: nigga looking at you like, oh, nigga, you do this

80
00:03:56,440 --> 00:03:58,680
Speaker 2: and you do that. Nigga, you supposed to be eight.

81
00:03:59,160 --> 00:04:01,320
Speaker 2: Let me tell you some nigg it's just automatically off

82
00:04:01,320 --> 00:04:06,160
Speaker 2: the gate. You think you know right now, nigga, we billionaires.

83
00:04:06,480 --> 00:04:09,000
Speaker 2: Us sitting on this podcast right now, Nigga, we make it.

84
00:04:09,560 --> 00:04:12,920
Speaker 2: We're making a million dollars an inbox full of total strangers.

85
00:04:13,000 --> 00:04:15,480
Speaker 4: You give me for the cashat Links is sending me stuff,

86
00:04:15,520 --> 00:04:17,920
Speaker 4: and I know what I'm saying, like a you get

87
00:04:17,960 --> 00:04:20,120
Speaker 4: that you give me. But I did want to elaborate

88
00:04:20,200 --> 00:04:22,320
Speaker 4: on what the operative word of what you said. Still

89
00:04:22,360 --> 00:04:26,680
Speaker 4: about the fifty bucks situation is like Homie Buck in

90
00:04:26,720 --> 00:04:29,520
Speaker 4: fifty relationship with business. You know what I'm saying, But

91
00:04:30,080 --> 00:04:34,200
Speaker 4: Buck might feel he wants more Homye treatment. But as

92
00:04:34,200 --> 00:04:37,080
Speaker 4: we all know fifties track record, you don't spare no

93
00:04:37,160 --> 00:04:40,160
Speaker 4: losses when it come to business with nobody except Tony Yayo.

94
00:04:40,760 --> 00:04:40,919
Speaker 3: You know.

95
00:04:41,400 --> 00:04:43,640
Speaker 4: Other than that, you know what I'm saying, so you

96
00:04:43,680 --> 00:04:45,920
Speaker 4: would think you know they had gen unit wanting historic

97
00:04:45,960 --> 00:04:49,960
Speaker 4: groups that he'll give his board pass or this hometown discount.

98
00:04:50,000 --> 00:04:52,919
Speaker 4: But that's not reality, you know what I'm saying.

99
00:04:53,080 --> 00:04:56,320
Speaker 2: No, reality is business is business. And I try to

100
00:04:56,400 --> 00:05:00,880
Speaker 2: say that right now, like you don't want to cross friendships,

101
00:05:01,200 --> 00:05:04,159
Speaker 2: and just like you tell motherfuckers, this has nothing to

102
00:05:04,200 --> 00:05:08,560
Speaker 2: do with us personally, But business is business. I had

103
00:05:08,600 --> 00:05:11,880
Speaker 2: to learn it come to my motherfucking bread and you know,

104
00:05:12,000 --> 00:05:17,040
Speaker 2: paying my bills and you know, paying college tuitions and

105
00:05:17,120 --> 00:05:21,200
Speaker 2: you know, helping do this or that. Man, it's about

106
00:05:21,320 --> 00:05:25,919
Speaker 2: what I'm old or what I gotta do. And I

107
00:05:26,000 --> 00:05:28,599
Speaker 2: try to tell niggas all time, we could be friends

108
00:05:28,680 --> 00:05:31,279
Speaker 2: as a motherfucker, but when it comes to business, and

109
00:05:31,320 --> 00:05:33,040
Speaker 2: then I want you to I want you to know,

110
00:05:33,080 --> 00:05:35,960
Speaker 2: and I'm gonna keep saying this shit. It has nothing

111
00:05:36,000 --> 00:05:40,119
Speaker 2: to do with you personally. Personally, nigga, we can still

112
00:05:40,160 --> 00:05:43,640
Speaker 2: smoke a blunt, crack, open a beer or whatever, but

113
00:05:43,720 --> 00:05:47,680
Speaker 2: when it come to business, I run my business like

114
00:05:47,920 --> 00:05:51,720
Speaker 2: just like a motherfucker. Then corporate motherfuckers, you gotta walk

115
00:05:51,800 --> 00:05:54,240
Speaker 2: up into that and take that elevator up to the

116
00:05:54,240 --> 00:05:56,839
Speaker 2: top floor, and you gotta sit in the office and

117
00:05:56,920 --> 00:06:00,280
Speaker 2: negotiate then motherfuckers ain't gonna give you a break break

118
00:06:00,360 --> 00:06:03,880
Speaker 2: on nothing if it was given. Every T has crossed,

119
00:06:03,920 --> 00:06:07,880
Speaker 2: every I has dotted, every signature. So I try to

120
00:06:07,960 --> 00:06:10,960
Speaker 2: pattern my business like business.

121
00:06:11,120 --> 00:06:13,839
Speaker 4: And if you was conducting your business in a mannerism

122
00:06:13,880 --> 00:06:15,440
Speaker 4: that they request you to conduct it in, and you

123
00:06:15,440 --> 00:06:19,560
Speaker 4: wouldn't even became a exactly yeah, wen't even got the

124
00:06:19,600 --> 00:06:21,440
Speaker 4: where you're supposed to be if you was cutting colors

125
00:06:21,480 --> 00:06:25,240
Speaker 4: like that, and everybody you know, they they count to McNay.

126
00:06:25,240 --> 00:06:29,880
Speaker 2: And it's unfortunate, Like it's unfortunate that you might go

127
00:06:30,200 --> 00:06:35,400
Speaker 2: into you know, businesses or partnerships with with so called

128
00:06:35,480 --> 00:06:38,279
Speaker 2: friends or people you've known for a long time or

129
00:06:38,320 --> 00:06:41,240
Speaker 2: people whatever. But at the end of the day, shit

130
00:06:41,360 --> 00:06:45,520
Speaker 2: is business man, and we gotta learn like you know, hey,

131
00:06:45,680 --> 00:06:48,000
Speaker 2: this is what it gotta be. And people need to

132
00:06:48,120 --> 00:06:53,359
Speaker 2: learn like this is boss. I'm a worker or you know,

133
00:06:54,040 --> 00:06:56,680
Speaker 2: if I'm a fifty to fifty partner, you know, we

134
00:06:56,760 --> 00:06:59,880
Speaker 2: could get bought out. You know, one nigga can decide

135
00:07:00,080 --> 00:07:02,839
Speaker 2: to sell or you know, if I'm in that position

136
00:07:02,880 --> 00:07:05,960
Speaker 2: of business is that's just what it is. You give

137
00:07:06,040 --> 00:07:09,520
Speaker 2: me l Let's keep the friend. Let's not make it personal.

138
00:07:09,600 --> 00:07:12,480
Speaker 2: To where now you want to start talking shit or

139
00:07:12,520 --> 00:07:14,360
Speaker 2: you want to no, man.

140
00:07:14,560 --> 00:07:18,000
Speaker 3: Well, you know what. I wonder though, on another note,

141
00:07:18,160 --> 00:07:20,800
Speaker 3: had this been anybody else, because you don't see rock

142
00:07:20,880 --> 00:07:23,040
Speaker 3: and roll people putting their business out there like that.

143
00:07:23,240 --> 00:07:23,480
Speaker 2: Yeah.

144
00:07:23,640 --> 00:07:25,560
Speaker 3: If it would have been a situation of where one

145
00:07:25,560 --> 00:07:28,080
Speaker 3: of the members of the Rolling Stones old another member,

146
00:07:28,440 --> 00:07:30,840
Speaker 3: you wouldn't hear nothing about it. It's only in our community.

147
00:07:30,960 --> 00:07:32,160
Speaker 3: You see some stories.

148
00:07:32,440 --> 00:07:36,560
Speaker 2: I've watched some stories of rock and roll bands and

149
00:07:37,560 --> 00:07:41,040
Speaker 2: you know, he was the writer and they broke up

150
00:07:41,120 --> 00:07:43,760
Speaker 2: because he was writing and he was getting more money

151
00:07:43,800 --> 00:07:46,880
Speaker 2: for producing, and they wouldn't let Johnny write a song,

152
00:07:47,120 --> 00:07:50,040
Speaker 2: and they just wanted to keep him a guitar player

153
00:07:50,120 --> 00:07:52,520
Speaker 2: and you're the drummer. I've seen a lot of those

154
00:07:52,600 --> 00:07:57,960
Speaker 2: stories in rock and roll, and so, you know, because

155
00:07:58,280 --> 00:08:03,240
Speaker 2: let's just face it, always somebody who's here and then

156
00:08:03,280 --> 00:08:04,600
Speaker 2: you got a motherfucker who here.

157
00:08:05,200 --> 00:08:06,800
Speaker 1: That's just it. You get me.

158
00:08:07,320 --> 00:08:11,400
Speaker 2: Somebody discovered the group, or somebody started the group, or

159
00:08:11,480 --> 00:08:14,960
Speaker 2: somebody started the label, and even though he's a member

160
00:08:15,120 --> 00:08:18,840
Speaker 2: or he's part of the crew and actuality, he owns

161
00:08:18,880 --> 00:08:19,440
Speaker 2: the label.

162
00:08:19,560 --> 00:08:22,320
Speaker 3: I think, yeah, I think fifty took care of them.

163
00:08:22,360 --> 00:08:24,880
Speaker 3: Dudes though, man, But you think about it, like, you know,

164
00:08:24,960 --> 00:08:27,160
Speaker 3: fifty made a point. I listened to him say something

165
00:08:27,160 --> 00:08:30,600
Speaker 3: one time. He said, when he had the gun, the brand,

166
00:08:31,400 --> 00:08:33,520
Speaker 3: all of the cats they coming there wearing.

167
00:08:33,320 --> 00:08:34,360
Speaker 2: Nice everything else.

168
00:08:34,400 --> 00:08:37,040
Speaker 3: But yeah, he giving them getting them a check every

169
00:08:37,040 --> 00:08:40,080
Speaker 3: month for that shit. So he cut all they checks off.

170
00:08:40,760 --> 00:08:43,200
Speaker 3: He cut their money off. I'm not mad at the

171
00:08:43,240 --> 00:08:45,800
Speaker 3: man because he's not the only one that's in bankruptcy

172
00:08:45,800 --> 00:08:47,440
Speaker 3: court trying to get his money. I guess he got

173
00:08:47,480 --> 00:08:49,880
Speaker 3: some shit with the irs. That's the mother stuff. I

174
00:08:49,920 --> 00:08:51,880
Speaker 3: hope he get through it. That's a sad situation. I

175
00:08:51,880 --> 00:08:54,720
Speaker 3: don't like to see no brother go through no financial

176
00:08:57,120 --> 00:08:59,000
Speaker 3: especially when you were a cat that once had it

177
00:08:59,040 --> 00:09:01,120
Speaker 3: all apparently you know, I mean, and now you you

178
00:09:01,120 --> 00:09:03,720
Speaker 3: know you gotta go through this. But that's just business, bro.

179
00:09:03,760 --> 00:09:05,880
Speaker 3: I ain't mad at him for taking his money at all. Man.

180
00:09:06,120 --> 00:09:08,600
Speaker 4: You know a lot of the rappers that get put

181
00:09:08,640 --> 00:09:11,679
Speaker 4: on and everybody don't. They're having so much fun they

182
00:09:11,800 --> 00:09:14,520
Speaker 4: making all that bread, you know. They everybody wasn't always

183
00:09:14,520 --> 00:09:16,600
Speaker 4: in tune with investing and starting their own stuff. You

184
00:09:16,640 --> 00:09:19,480
Speaker 4: never think it's going in yeah, or taxes for that matter,

185
00:09:19,720 --> 00:09:21,800
Speaker 4: you know, especially in that era that that group was hot.

186
00:09:21,840 --> 00:09:23,679
Speaker 4: You know a lot of them was youngsters, and they

187
00:09:23,720 --> 00:09:25,079
Speaker 4: didn't think it was going in. They thought it was

188
00:09:25,080 --> 00:09:28,240
Speaker 4: gonna keep going. And then boom, all right, we gotta

189
00:09:28,240 --> 00:09:31,080
Speaker 4: pay this unrecoup these hotels, these cases.

190
00:09:31,400 --> 00:09:33,240
Speaker 2: The costs.

191
00:09:33,480 --> 00:09:35,360
Speaker 1: It's unfortunate. I said.

192
00:09:35,880 --> 00:09:39,440
Speaker 2: It's always a nigga who's up here whose vision is greater.

193
00:09:39,960 --> 00:09:43,000
Speaker 2: And then I mean, and those are usually the niggas

194
00:09:43,000 --> 00:09:46,959
Speaker 2: who who who, who start and invest? You know what

195
00:09:47,000 --> 00:09:50,640
Speaker 2: I'm saying more, you know, he he, he started with

196
00:09:50,800 --> 00:09:53,480
Speaker 2: g unit then decide, you know, I'm gonna get it.

197
00:09:53,520 --> 00:09:57,760
Speaker 2: I'm I'm I'm a niggas given me opportunities. Now I

198
00:09:57,840 --> 00:10:00,520
Speaker 2: got an opportunity for a label, so and I'm gonna

199
00:10:00,559 --> 00:10:03,240
Speaker 2: put y'all on. And then here come to niggas with

200
00:10:03,280 --> 00:10:07,040
Speaker 2: the shoes and we wanna make you a shoe. And okay, everybody,

201
00:10:07,120 --> 00:10:09,800
Speaker 2: it's just like fucking that's just like being on a

202
00:10:09,840 --> 00:10:14,120
Speaker 2: basketball team or football team. You're sponsored by Adidas, you

203
00:10:14,160 --> 00:10:18,240
Speaker 2: gotta wear a DS these mother fucking Nikes. Yeah up,

204
00:10:18,320 --> 00:10:20,840
Speaker 2: and here you give me so, I mean, it's just

205
00:10:20,960 --> 00:10:23,360
Speaker 2: certain ship. And then you know, niggas be feeling like

206
00:10:23,520 --> 00:10:25,360
Speaker 2: nigg I'm gonna wear what the fuck I wanna wear?

207
00:10:25,520 --> 00:10:28,839
Speaker 1: You know, Okay, then well let me cancel that rebox check.

208
00:10:28,960 --> 00:10:32,199
Speaker 2: Yeah, because we wanna wear nikes instead of gu with

209
00:10:32,320 --> 00:10:33,120
Speaker 2: tenny shoes.

210
00:10:33,640 --> 00:10:36,520
Speaker 3: It's just business and some business personal.

211
00:10:36,320 --> 00:10:39,160
Speaker 2: And and and and and that's the problem because some

212
00:10:39,240 --> 00:10:42,600
Speaker 2: niggas do take it personal. Some niggas be feeling like

213
00:10:42,760 --> 00:10:45,640
Speaker 2: and then you always get the streak of jealousy. You know,

214
00:10:46,120 --> 00:10:48,800
Speaker 2: fifty pulling up in the Rolls Royce and we jumping

215
00:10:48,840 --> 00:10:52,200
Speaker 2: out of the van. You know, he's staying in the

216
00:10:52,240 --> 00:10:55,439
Speaker 2: big suite and we staying in the regular room. He

217
00:10:55,600 --> 00:10:58,920
Speaker 2: flying first class and we back and coach. Some of

218
00:10:58,920 --> 00:11:01,600
Speaker 2: that might fuck with nick Is. Instead of going like, nigga,

219
00:11:01,880 --> 00:11:04,160
Speaker 2: I'm going to come up, nigga, I'm finna be you know,

220
00:11:04,520 --> 00:11:07,680
Speaker 2: I'm finna ride this way too, and never may invest

221
00:11:07,800 --> 00:11:10,480
Speaker 2: like you said. Some niggas be like, fucking give me

222
00:11:10,520 --> 00:11:13,160
Speaker 2: a crib, give me a couple of cars, buy me

223
00:11:13,240 --> 00:11:16,040
Speaker 2: some chains, and and that's it. I'm good, fuck going

224
00:11:16,080 --> 00:11:19,320
Speaker 2: in features going to take me fuck going to take

225
00:11:19,840 --> 00:11:22,880
Speaker 2: my two hundred and fifty thousand advance and go invest

226
00:11:22,920 --> 00:11:25,640
Speaker 2: in a water company or go ahead, go open.

227
00:11:25,720 --> 00:11:29,080
Speaker 3: Niggas be like man, nigga, Nigga, I'm about to go.

228
00:11:29,280 --> 00:11:31,319
Speaker 2: I'm about to go, buy me a couple of lo los,

229
00:11:31,360 --> 00:11:35,320
Speaker 2: the rolls, Royce Nigga, a six bedroom house, floss on

230
00:11:35,400 --> 00:11:36,960
Speaker 2: a nigga and I'm good.

231
00:11:37,240 --> 00:11:39,319
Speaker 4: And Buck was the crowd favorite of the group other

232
00:11:39,360 --> 00:11:41,199
Speaker 4: than fifty two. So it's like, you know, he had

233
00:11:41,240 --> 00:11:44,199
Speaker 4: action at branching off and being still successful.

234
00:11:44,240 --> 00:11:46,959
Speaker 2: But what was like I said, I never got into

235
00:11:47,080 --> 00:11:51,000
Speaker 2: nigga's business. What was the cause of the of the

236
00:11:51,040 --> 00:11:53,240
Speaker 2: fuck you? He's in debt with fifty?

237
00:11:53,440 --> 00:11:54,120
Speaker 1: I get all it.

238
00:11:54,160 --> 00:11:58,000
Speaker 2: Also fifty also paid his TAXI what okay? What started

239
00:11:58,240 --> 00:12:02,760
Speaker 2: all the like nigga, I'm like, I'm not even I'm

240
00:12:02,760 --> 00:12:04,200
Speaker 2: not even fucking with you, y'all.

241
00:12:04,240 --> 00:12:06,920
Speaker 3: I think it's because I think it's because fifty kept

242
00:12:06,920 --> 00:12:08,920
Speaker 3: asking for his bread like he was there for the

243
00:12:09,000 --> 00:12:11,040
Speaker 3: nigga like is he paid his taxes for them. He

244
00:12:11,120 --> 00:12:14,959
Speaker 3: did some things, and I guess Buck had some unsavory things.

245
00:12:15,400 --> 00:12:17,200
Speaker 3: I don't know what it was, because I'm not wanting

246
00:12:17,240 --> 00:12:19,400
Speaker 3: them cast to be in everybody's business neither.

247
00:12:19,240 --> 00:12:22,360
Speaker 2: Because you would think, like, okay, nigga, if I'm paying

248
00:12:22,440 --> 00:12:25,400
Speaker 2: your taxes and I'm doing this and I'm doing that?

249
00:12:25,559 --> 00:12:29,520
Speaker 2: What what what did? What? What did was he old records? Well, yeah,

250
00:12:29,559 --> 00:12:31,400
Speaker 2: I guess record what what was it?

251
00:12:31,440 --> 00:12:34,640
Speaker 3: I guess Buck owes him two albums and he never

252
00:12:34,720 --> 00:12:37,240
Speaker 3: turned the albums in. So fifty told them multiple times,

253
00:12:37,280 --> 00:12:39,320
Speaker 3: I guess either giving me the money or the music,

254
00:12:39,760 --> 00:12:41,760
Speaker 3: but you come, can't take my money and then not

255
00:12:41,800 --> 00:12:42,160
Speaker 3: give me.

256
00:12:42,240 --> 00:12:46,000
Speaker 4: Buck they released a series of mixtapes after his departure

257
00:12:46,040 --> 00:12:48,080
Speaker 4: that was pretty successful that he could have just spent

258
00:12:48,160 --> 00:12:49,679
Speaker 4: his albums, so you know.

259
00:12:51,360 --> 00:12:54,839
Speaker 2: Yeah, because you know what, you know what why? Why

260
00:12:54,840 --> 00:12:58,640
Speaker 2: did you know? Why did Buck decide like why did

261
00:12:58,679 --> 00:13:01,319
Speaker 2: he feel like he wasn't getting any money? Did he

262
00:13:01,400 --> 00:13:03,480
Speaker 2: feel like he wasn't getting no royalties?

263
00:13:04,240 --> 00:13:06,160
Speaker 3: You know? I guess it's one of them things to

264
00:13:06,200 --> 00:13:09,480
Speaker 3: where if you in debt, right and you come somebody

265
00:13:09,520 --> 00:13:11,800
Speaker 3: in fifty say, okay, man, I got you. I'm'a you know,

266
00:13:12,520 --> 00:13:15,000
Speaker 3: he goes, there's two fifty or whatever, you owe me

267
00:13:15,080 --> 00:13:18,520
Speaker 3: two albums whatever, right, whatever deal they made, right, Yeah,

268
00:13:18,679 --> 00:13:21,000
Speaker 3: when it comes time to turn them albums in, you

269
00:13:21,080 --> 00:13:22,959
Speaker 3: really ain't got nothing else coming because you might have

270
00:13:23,040 --> 00:13:24,880
Speaker 3: took that two fifty and paid your bill. So you

271
00:13:24,920 --> 00:13:27,079
Speaker 3: feeling like, well, man, I'm giving this up for nothing,

272
00:13:26,800 --> 00:13:29,240
Speaker 3: not thinking about this man. Just don't give you a

273
00:13:29,320 --> 00:13:30,200
Speaker 3: quarter million dollars.

274
00:13:30,400 --> 00:13:30,640
Speaker 2: Man.

275
00:13:30,720 --> 00:13:32,520
Speaker 3: You know, I don't know what their business was, and

276
00:13:32,559 --> 00:13:34,440
Speaker 3: I'm not I don't have no dog in the game.

277
00:13:34,480 --> 00:13:36,800
Speaker 3: I don't you know what I'm saying. But I think

278
00:13:36,840 --> 00:13:38,800
Speaker 3: it was just like fifty just seemed to me like

279
00:13:38,840 --> 00:13:41,439
Speaker 3: he just a shrewd nigga with that business playing.

280
00:13:41,440 --> 00:13:43,319
Speaker 4: He gonna do you like them Jews? Gonna do you? You

281
00:13:43,200 --> 00:13:43,920
Speaker 4: don't run it, you.

282
00:13:44,720 --> 00:13:46,800
Speaker 3: Say, we can't say nothing about no Jews, man. We

283
00:13:46,880 --> 00:13:47,800
Speaker 3: love Jewish people.

284
00:13:47,880 --> 00:13:52,920
Speaker 2: Yeah, yeah, yeah, yeah, the decision maker, the decision maker,

285
00:13:53,800 --> 00:13:54,560
Speaker 2: Yeah yeah.

286
00:13:54,600 --> 00:13:55,520
Speaker 1: We stay away.

287
00:13:55,760 --> 00:14:00,079
Speaker 2: It's a girl from certain situations on this show to

288
00:14:00,160 --> 00:14:02,480
Speaker 2: begin with j or t or l whatever.

289
00:14:02,520 --> 00:14:04,640
Speaker 1: Hell yeah. We don't mess with the letter.

290
00:14:04,800 --> 00:14:05,160
Speaker 4: The letter.

291
00:14:05,200 --> 00:14:08,160
Speaker 2: I ain't doing no out' that's with the letters right

292
00:14:08,200 --> 00:14:10,600
Speaker 2: now for Bes soup like a gang sign. Man, We

293
00:14:10,679 --> 00:14:13,480
Speaker 2: don't mess with that hood man.

294
00:14:13,720 --> 00:14:16,240
Speaker 4: After we like not that, we back away. He wanted

295
00:14:16,240 --> 00:14:19,000
Speaker 4: to sit. Let me gonna be praised more up politically correct.

296
00:14:19,120 --> 00:14:21,360
Speaker 4: He gonna do you just like them decision makers? Gonna

297
00:14:21,400 --> 00:14:24,120
Speaker 4: do you He ain't he ain't cutting no homy corner

298
00:14:24,120 --> 00:14:24,480
Speaker 4: on that bit.

299
00:14:24,720 --> 00:14:27,440
Speaker 2: I'm gonna even put it like this, he gonna do

300
00:14:27,560 --> 00:14:32,840
Speaker 2: you like any motherfucker who's shrew with business shit little

301
00:14:33,200 --> 00:14:38,240
Speaker 2: Magic Johnson, Michael Jordan like shit puff Daddy like no

302
00:14:38,560 --> 00:14:39,520
Speaker 2: nigga like.

303
00:14:39,600 --> 00:14:41,680
Speaker 3: You better get shrewed with it or people will take

304
00:14:41,720 --> 00:14:46,600
Speaker 3: advantage off. Yeah, tell you this, bro, I've linked out

305
00:14:46,760 --> 00:14:49,520
Speaker 3: so much money, dog, And I'm not talking about the

306
00:14:49,560 --> 00:14:53,040
Speaker 3: little stuff. I'm talking about Like to me, anytime you

307
00:14:53,080 --> 00:14:56,320
Speaker 3: give a nigga over five hundred dollars, dog, it's like

308
00:14:56,400 --> 00:14:58,560
Speaker 3: you know, I'm talking about that, them five hundreds, them

309
00:14:58,600 --> 00:15:00,880
Speaker 3: a thousands, And I'm a tell you I've had these

310
00:15:00,960 --> 00:15:03,080
Speaker 3: same people that still might owe me three or four

311
00:15:03,120 --> 00:15:05,080
Speaker 3: thousand dollars on low go back and talk about me

312
00:15:05,200 --> 00:15:08,280
Speaker 3: like a dog, Like seriously, I sit up here and

313
00:15:08,280 --> 00:15:10,080
Speaker 3: look like, damn, this nigga said owe me money though

314
00:15:10,120 --> 00:15:12,280
Speaker 3: he slipping and talking about me like he crazy.

315
00:15:12,200 --> 00:15:14,880
Speaker 4: Those humblers of canna pie when he needed that change.

316
00:15:14,880 --> 00:15:17,360
Speaker 3: Oh for sure, it ain't just that little thousand.

317
00:15:18,440 --> 00:15:20,160
Speaker 4: Talk about the little gass thousand he up there with

318
00:15:20,200 --> 00:15:20,760
Speaker 4: eight every week.

319
00:15:20,840 --> 00:15:26,160
Speaker 2: Man, fucking he got bread man producing songs with glasses

320
00:15:26,200 --> 00:15:31,200
Speaker 2: and most won't it this motherfucker. Yeah they got show

321
00:15:31,600 --> 00:15:35,760
Speaker 2: is they got shows and eat my taco shows and

322
00:15:35,800 --> 00:15:38,920
Speaker 2: gates the chronicles and ship n Iddy over there with

323
00:15:39,080 --> 00:15:42,600
Speaker 2: glasses and eight he taking trips and ship. You got

324
00:15:43,160 --> 00:15:46,680
Speaker 2: got a motherfucking son fucking football. Oh oh yeah, you

325
00:15:46,680 --> 00:15:51,800
Speaker 2: really ain'tetting no money now after that son the boy,

326
00:15:52,560 --> 00:15:55,200
Speaker 2: you're missing that niggas by the fact Nigga loaned me

327
00:15:55,280 --> 00:16:00,280
Speaker 2: a thousand thousand more like, hey, gonna even say, lord, niggae, me.

328
00:16:02,520 --> 00:16:05,040
Speaker 3: Say you mother fuck a dog and talk about you bad, like,

329
00:16:05,320 --> 00:16:07,200
Speaker 3: well he did this to me and he stole this

330
00:16:07,240 --> 00:16:09,600
Speaker 3: from me. I'm like, God, damn, they give me a thousand.

331
00:16:09,800 --> 00:16:14,800
Speaker 3: You know what kto For a long time, man, I

332
00:16:14,840 --> 00:16:16,640
Speaker 3: went up in them buildings every day. I had a

333
00:16:16,720 --> 00:16:19,600
Speaker 3: job as an executive dog and so people will wonder

334
00:16:19,600 --> 00:16:21,800
Speaker 3: how I was able to do certain things because Nigga,

335
00:16:21,800 --> 00:16:24,760
Speaker 3: I go to work. I have things that I do

336
00:16:24,840 --> 00:16:27,560
Speaker 3: outside of this. You can do the same thing. You

337
00:16:27,560 --> 00:16:28,960
Speaker 3: don't have to just come and do this show for

338
00:16:28,960 --> 00:16:32,080
Speaker 3: an hour every week. You can come and do if

339
00:16:32,120 --> 00:16:34,000
Speaker 3: you count an average work week, which is forty to

340
00:16:34,080 --> 00:16:38,080
Speaker 3: fifty hours. Hell my, nigga, you got forty seven hours

341
00:16:38,200 --> 00:16:40,800
Speaker 3: left in the week to go do something. Yeah, to

342
00:16:40,880 --> 00:16:42,520
Speaker 3: go do something else. You feel what I'm saying.

343
00:16:42,520 --> 00:16:43,720
Speaker 4: In the eraror of entitlement.

344
00:16:44,320 --> 00:16:45,720
Speaker 3: Oh man, it's an error of.

345
00:16:45,920 --> 00:16:49,640
Speaker 4: Entitlement, and you get moreed people so entitled you don't

346
00:16:49,640 --> 00:16:53,040
Speaker 4: even want to want homeboys. Oh no, be scared to

347
00:16:53,080 --> 00:16:53,840
Speaker 4: have a partner now.

348
00:16:54,040 --> 00:16:54,920
Speaker 2: It costs too much.

349
00:16:56,040 --> 00:16:58,240
Speaker 3: It turned off bad. That's why always say, Man eighty

350
00:16:58,320 --> 00:17:01,600
Speaker 3: is the perfect partner man, because he's famous and he

351
00:17:01,680 --> 00:17:03,960
Speaker 3: has a career, and he got stuff going on to

352
00:17:04,040 --> 00:17:06,919
Speaker 3: where he's just not sitting up here looking at me.

353
00:17:07,000 --> 00:17:08,640
Speaker 3: I ain't just sitting up here looking at him. It's

354
00:17:08,640 --> 00:17:11,480
Speaker 3: an equal relationship. You feel what I'm saying. Yeah, he

355
00:17:11,600 --> 00:17:12,920
Speaker 3: do his thing. You know what I'm saying. If I

356
00:17:12,920 --> 00:17:14,600
Speaker 3: can get eight, if I can get digging the phone

357
00:17:14,600 --> 00:17:17,080
Speaker 3: over five minutes, dog, it's a more minus a cage.

358
00:17:17,400 --> 00:17:21,960
Speaker 2: I ain't doing shit, nigga, long me a thousand, nigga,

359
00:17:21,960 --> 00:17:22,760
Speaker 2: Sit right back.

360
00:17:22,640 --> 00:17:27,040
Speaker 4: On that cattle show. I've been to send you my

361
00:17:27,160 --> 00:17:28,080
Speaker 4: cash sh link.

362
00:17:28,160 --> 00:17:30,600
Speaker 3: I'm gonna tell you this. Not only is it the

363
00:17:30,680 --> 00:17:34,200
Speaker 3: age of entitlement, we are in the era of the

364
00:17:34,320 --> 00:17:36,679
Speaker 3: rack sheet of the most ratchet shit in the world.

365
00:17:37,600 --> 00:17:39,320
Speaker 3: Back in the day, we call it ghetto eight like

366
00:17:39,400 --> 00:17:41,080
Speaker 3: them hick of them ghettaway ass.

367
00:17:40,960 --> 00:17:45,760
Speaker 4: Niggas houchie mamas then came back with a vengeance.

368
00:17:45,560 --> 00:17:48,399
Speaker 3: With a vengeance with the girls say my pussy pink.

369
00:17:48,359 --> 00:17:52,840
Speaker 2: She said, my couchie pink, my booty hole brown. Let

370
00:17:52,920 --> 00:17:57,479
Speaker 2: me tell you something. I've been doing hip hop for

371
00:17:57,520 --> 00:18:02,840
Speaker 2: a long time. No disrespect to the women, the women.

372
00:18:03,240 --> 00:18:08,200
Speaker 2: Let me tell you something, y'all. How we used to

373
00:18:08,240 --> 00:18:14,560
Speaker 2: say get it, how you live? And you know, at

374
00:18:14,560 --> 00:18:18,520
Speaker 2: a point in time, I was, you know, I represented

375
00:18:18,560 --> 00:18:21,119
Speaker 2: the hood. Hood was everything to me. You get me.

376
00:18:22,119 --> 00:18:27,119
Speaker 2: I spoke about it in my music, you know. But

377
00:18:27,200 --> 00:18:33,680
Speaker 2: it was a certain level that I knew that record

378
00:18:33,720 --> 00:18:43,240
Speaker 2: labels wouldn't touch because of the ship we did. You

379
00:18:43,280 --> 00:18:45,000
Speaker 2: had niggas like two Live Crew.

380
00:18:46,119 --> 00:18:48,639
Speaker 3: Shut out mister mixed Louke homies.

381
00:18:49,640 --> 00:18:52,360
Speaker 2: Two Live Crew used to make songs like what Doodoo

382
00:18:52,359 --> 00:18:56,199
Speaker 2: Brown and ship like that and pop that Coochie and

383
00:18:56,280 --> 00:19:03,239
Speaker 2: all of that so horny. They hated that ship. Uh

384
00:19:03,440 --> 00:19:06,800
Speaker 2: them niggas went to jail a couple of times. Yeah,

385
00:19:06,840 --> 00:19:12,760
Speaker 2: for sure because of ship like that. But now in

386
00:19:12,800 --> 00:19:18,879
Speaker 2: the in the day of having your own access to

387
00:19:19,000 --> 00:19:25,680
Speaker 2: do ship, you really don't have a boundary of what

388
00:19:26,240 --> 00:19:34,920
Speaker 2: can be said or viewed. The young ladies out here

389
00:19:35,000 --> 00:19:39,080
Speaker 2: rapping about you know, and I don't know. You know,

390
00:19:39,200 --> 00:19:41,840
Speaker 2: like I said, some ship could be gimmick, you know

391
00:19:41,880 --> 00:19:49,000
Speaker 2: what I'm saying, But some ship could be just shock

392
00:19:49,119 --> 00:19:54,160
Speaker 2: value of what is really when you when you grow

393
00:19:54,280 --> 00:19:59,040
Speaker 2: up in the hood. You get me. I grew up

394
00:19:59,080 --> 00:20:02,080
Speaker 2: in the hood, so we ought you certain shit. On

395
00:20:02,160 --> 00:20:05,080
Speaker 2: the female aspect, you know, you got a lot of

396
00:20:05,119 --> 00:20:10,440
Speaker 2: horny ass niggas out here who love pussy, who loves seeing,

397
00:20:10,800 --> 00:20:13,199
Speaker 2: you know. And now that a lot of females have

398
00:20:13,320 --> 00:20:18,360
Speaker 2: access to grab the mic and speak about their experience

399
00:20:18,560 --> 00:20:22,040
Speaker 2: of what they go through in the hood or dealing

400
00:20:22,080 --> 00:20:24,919
Speaker 2: with niggas in the hood, or having a hood nigga

401
00:20:25,040 --> 00:20:25,840
Speaker 2: or a hood.

402
00:20:25,600 --> 00:20:27,200
Speaker 1: Baby daddy or whatever.

403
00:20:27,520 --> 00:20:29,920
Speaker 2: So you see a lot of that being expressed on

404
00:20:30,560 --> 00:20:33,200
Speaker 2: a lot of the records. You get me and yeah,

405
00:20:33,200 --> 00:20:35,920
Speaker 2: and you know, you always had a little nasty little

406
00:20:35,920 --> 00:20:40,199
Speaker 2: thing in the hood. So you know, I guess the

407
00:20:40,359 --> 00:20:43,040
Speaker 2: visuals in the songs that some of these ladies are

408
00:20:43,080 --> 00:20:46,600
Speaker 2: putting out nowadays. You know, like I said, I grew

409
00:20:46,680 --> 00:20:49,800
Speaker 2: up in the hood. You know we called we had

410
00:20:49,840 --> 00:20:52,359
Speaker 2: hood rats, you know, it's what we call them. It

411
00:20:52,520 --> 00:20:58,120
Speaker 2: just wasn't no, they wasn't you know, so no disrespect,

412
00:20:58,200 --> 00:21:00,600
Speaker 2: you know, ladies, you know, do what you gotta do,

413
00:21:01,840 --> 00:21:07,000
Speaker 2: you know, But I would, you know, having a daughter,

414
00:21:07,119 --> 00:21:09,879
Speaker 2: I would probably you know, not want her to listen

415
00:21:10,119 --> 00:21:14,080
Speaker 2: to some of the songs that are expressed by by

416
00:21:14,200 --> 00:21:19,159
Speaker 2: my by my lady artist today. Yeah, but you know

417
00:21:19,200 --> 00:21:21,439
Speaker 2: what I'm saying, it's it's all in your opinion of

418
00:21:21,480 --> 00:21:23,159
Speaker 2: how you look, like I said, because I grew up

419
00:21:23,160 --> 00:21:25,560
Speaker 2: in the hood, so I know what that experience is.

420
00:21:26,160 --> 00:21:31,800
Speaker 2: But being a little older, I would, you know, I

421
00:21:31,840 --> 00:21:36,000
Speaker 2: would have the direction because I even you know, even

422
00:21:36,040 --> 00:21:39,240
Speaker 2: if you know, I see my my daughter today or something,

423
00:21:39,359 --> 00:21:41,840
Speaker 2: you know, if I see her on a picture with

424
00:21:41,960 --> 00:21:44,639
Speaker 2: her ass out or something like that, I'm gonna hit

425
00:21:44,680 --> 00:21:47,480
Speaker 2: her and be like, take that shit down, you give me.

426
00:21:47,720 --> 00:21:50,239
Speaker 2: I mean, that's just the expression that I for what

427
00:21:50,359 --> 00:21:53,080
Speaker 2: I see, because like, you got some crazy ass niggas

428
00:21:53,080 --> 00:21:56,120
Speaker 2: out here, man, So just watch yourself, ladies, you feel me.

429
00:21:56,200 --> 00:21:58,640
Speaker 3: Yeah, you got some crazy ass niggas out here for sure.

430
00:21:58,760 --> 00:22:02,240
Speaker 3: That may not take that because me being behind the

431
00:22:02,280 --> 00:22:05,320
Speaker 3: scenes of entertainment a lot of times, all that stuff

432
00:22:05,400 --> 00:22:05,840
Speaker 3: is an act.

433
00:22:05,920 --> 00:22:09,240
Speaker 2: Doog and do you and just like not to cut

434
00:22:09,280 --> 00:22:13,800
Speaker 2: you off still, but do you think like they in

435
00:22:13,920 --> 00:22:18,200
Speaker 2: competition with like let's see who can make the nastiest song,

436
00:22:18,400 --> 00:22:19,880
Speaker 2: and let's see who can.

437
00:22:20,520 --> 00:22:21,320
Speaker 1: You don't think.

438
00:22:21,200 --> 00:22:23,879
Speaker 4: It's like the female version of drill, but they use

439
00:22:23,920 --> 00:22:26,320
Speaker 4: it with the sexual shock value with their lyrics. How

440
00:22:26,680 --> 00:22:29,840
Speaker 4: got the other niggas talk about gangster ship to where

441
00:22:29,880 --> 00:22:30,600
Speaker 4: they gonna do it?

442
00:22:31,240 --> 00:22:33,760
Speaker 2: These girls talk about who can? Because I'll be shocked.

443
00:22:33,760 --> 00:22:36,800
Speaker 2: I'll be shocked without what I'm singing. I'll be shocked

444
00:22:36,800 --> 00:22:38,840
Speaker 2: about what I hear that one.

445
00:22:39,200 --> 00:22:41,280
Speaker 4: I'm like, damn, I whole lyric and true ain't off

446
00:22:41,320 --> 00:22:41,760
Speaker 4: this one.

447
00:22:41,840 --> 00:22:43,920
Speaker 3: And please believe it's an executive.

448
00:22:43,480 --> 00:22:43,800
Speaker 2: And it's they.

449
00:22:43,840 --> 00:22:46,320
Speaker 4: Mama's bumping it too in the car with the kids

450
00:22:46,320 --> 00:22:50,240
Speaker 4: because it's they jam you ain't no Grandma's.

451
00:22:49,920 --> 00:22:52,640
Speaker 3: Sick this out though, dog. Please believe, though, y'all, both

452
00:22:52,640 --> 00:22:55,040
Speaker 3: of y'all, that it's an executive in these buildings and

453
00:22:55,040 --> 00:22:57,680
Speaker 3: what you building. They got a girl up there. He

454
00:22:57,800 --> 00:23:00,320
Speaker 3: trying to figure out what to do with She got

455
00:23:00,400 --> 00:23:02,080
Speaker 3: some talent, but I gotta try to figure out the

456
00:23:02,119 --> 00:23:04,919
Speaker 3: image for and he looking at Meg, he looking at

457
00:23:04,960 --> 00:23:07,840
Speaker 3: all these other girls. Man fucked that we gonna put

458
00:23:07,840 --> 00:23:09,920
Speaker 3: some tight ass leggings on your ass and you gonna

459
00:23:09,920 --> 00:23:11,359
Speaker 3: bend over and shake that booty.

460
00:23:11,400 --> 00:23:13,960
Speaker 4: Yeah, you're gonna come in Lauren Hill. You're gonna leave Glorilla.

461
00:23:14,240 --> 00:23:17,520
Speaker 2: See, I'm gonna tell you but who But but really,

462
00:23:18,240 --> 00:23:20,320
Speaker 2: who's coming in Lauren Hire? No more?

463
00:23:20,760 --> 00:23:25,040
Speaker 4: They see nobody make it rapping like that or rapping. Uh,

464
00:23:25,160 --> 00:23:28,000
Speaker 4: there's nobody been a success on as far as lately

465
00:23:28,040 --> 00:23:30,800
Speaker 4: I can think of in women music. It hasn't been

466
00:23:30,800 --> 00:23:35,280
Speaker 4: no conscience, not even just conscience, just regular. Really it's

467
00:23:35,320 --> 00:23:37,600
Speaker 4: gotta be sexualized or people close their ears. They're not

468
00:23:37,600 --> 00:23:39,000
Speaker 4: even gonna put no money behind that.

469
00:23:39,200 --> 00:23:41,400
Speaker 3: The day is a quality for Lauren Hill.

470
00:23:41,560 --> 00:23:42,399
Speaker 2: You see light.

471
00:23:42,520 --> 00:23:44,320
Speaker 3: I think all that's done my nigga.

472
00:23:45,400 --> 00:23:51,200
Speaker 2: Even the even even Salt and Pepper Man like yeah,

473
00:23:52,160 --> 00:23:54,840
Speaker 2: I mean like I get it. We we we got

474
00:23:54,960 --> 00:23:59,840
Speaker 2: Little Kim, we got Foxy Brown and should I was

475
00:24:00,000 --> 00:24:02,440
Speaker 2: listening to Little Kim on the way up here. You

476
00:24:02,480 --> 00:24:07,280
Speaker 2: get me. I listened to it. You know, Little Kim

477
00:24:07,400 --> 00:24:10,320
Speaker 2: was on, but she had lyrics. Yeah, because they can

478
00:24:10,359 --> 00:24:11,800
Speaker 2: sit up in there with the big boys.

479
00:24:12,920 --> 00:24:14,600
Speaker 3: You know, you sly rap.

480
00:24:14,680 --> 00:24:16,080
Speaker 4: You know what I'm saying to a lot of these

481
00:24:16,080 --> 00:24:17,440
Speaker 4: are just it's a style rap.

482
00:24:17,640 --> 00:24:20,639
Speaker 1: Do you feel like there's no lyricism.

483
00:24:21,920 --> 00:24:23,479
Speaker 3: Some of the ship. You know what, let me let

484
00:24:23,520 --> 00:24:25,240
Speaker 3: me like song.

485
00:24:25,400 --> 00:24:27,920
Speaker 4: I like Scarlet, you know what I'm saying, female from

486
00:24:27,960 --> 00:24:30,600
Speaker 4: New York, and she's she's the new you know what

487
00:24:30,640 --> 00:24:33,120
Speaker 4: I'm saying, you know, far something that's not on that

488
00:24:33,200 --> 00:24:34,199
Speaker 4: but still out here on.

489
00:24:34,280 --> 00:24:37,680
Speaker 2: The ladies, my coochie pink and my booty old Brown

490
00:24:37,720 --> 00:24:41,280
Speaker 2: with her big, big, big sexy red, big sexy.

491
00:24:40,880 --> 00:24:42,520
Speaker 3: Red, big sexy red lyrics.

492
00:24:42,600 --> 00:24:45,240
Speaker 4: Let me see a lot of pretty smooth you know.

493
00:24:45,480 --> 00:24:47,919
Speaker 4: You know I've seen her on the show, and you've

494
00:24:47,920 --> 00:24:50,000
Speaker 4: seen them change her image because on the show, it's

495
00:24:50,040 --> 00:24:50,920
Speaker 4: a totally different times.

496
00:24:51,000 --> 00:24:54,639
Speaker 2: I said, I'm all for the female artist, you know

497
00:24:54,680 --> 00:24:56,680
Speaker 2: what I'm saying, because I come from the era where

498
00:24:56,800 --> 00:24:58,119
Speaker 2: it was just a different time.

499
00:24:59,359 --> 00:24:59,960
Speaker 1: Female art.

500
00:25:00,119 --> 00:25:04,720
Speaker 2: This didn't you know, they didn't promote themselves as as

501
00:25:04,720 --> 00:25:12,160
Speaker 2: far as sexuality. And then and then another thing is

502
00:25:12,560 --> 00:25:18,479
Speaker 2: because it was so dominant by men that the women

503
00:25:19,040 --> 00:25:23,199
Speaker 2: didn't want to come in own some pussy ship to

504
00:25:23,320 --> 00:25:28,280
Speaker 2: be sexualized, like oh you just the pussy things or whatever.

505
00:25:28,600 --> 00:25:32,239
Speaker 2: So we had the fucking emc lights, we had the

506
00:25:32,359 --> 00:25:38,199
Speaker 2: fucking uh up, even even back to fucking rock saying Chante,

507
00:25:38,640 --> 00:25:43,359
Speaker 2: you know she was a spinner, you know, Salt and Pepper,

508
00:25:43,440 --> 00:25:47,479
Speaker 2: queen of tea for money, love fucking you know, we

509
00:25:47,560 --> 00:25:54,240
Speaker 2: didn't get sexualized in our rap really till to me,

510
00:25:54,400 --> 00:25:58,560
Speaker 2: little kim And and Foxy Brown came out. They that

511
00:25:58,640 --> 00:25:59,680
Speaker 2: was that was sexy.

512
00:26:02,320 --> 00:26:08,359
Speaker 3: That was the Yeah, yeah, okay, if y'all call these lyrics,

513
00:26:08,840 --> 00:26:11,520
Speaker 3: uh uh, I'm out here in Miami looking for the

514
00:26:11,600 --> 00:26:14,960
Speaker 3: hoochie daddies. Where they at, Where the niggas they get racks?

515
00:26:15,080 --> 00:26:17,480
Speaker 3: Where they at? My son need a new puppy. But

516
00:26:17,520 --> 00:26:18,200
Speaker 3: see that's the.

517
00:26:18,359 --> 00:26:21,040
Speaker 2: That's that step daddy hot.

518
00:26:21,119 --> 00:26:24,480
Speaker 3: Where the niggas at. I'm trying to get my coochie scratched.

519
00:26:24,920 --> 00:26:27,920
Speaker 3: I'm trying to get my coochie stretched. You know them

520
00:26:28,000 --> 00:26:31,080
Speaker 3: dread here is do it best. I'm like a nigga.

521
00:26:31,200 --> 00:26:33,640
Speaker 3: I like a nigga with a chick. All my niggas

522
00:26:33,640 --> 00:26:36,360
Speaker 3: give me nick. You know I'm sexy, I'm the best.

523
00:26:36,600 --> 00:26:38,920
Speaker 3: I'm the ship little big sem neck you know it.

524
00:26:39,760 --> 00:26:43,600
Speaker 3: I I can't say his name because he be cheating. Yeah,

525
00:26:43,640 --> 00:26:47,240
Speaker 3: and I'm the reason a ha ha ha. Niggas love

526
00:26:47,280 --> 00:26:50,920
Speaker 3: a bad bitch where Sukie say not on my tits?

527
00:26:51,359 --> 00:26:57,520
Speaker 2: Okay, them lyrics dog that sounds just like something. It's

528
00:26:58,080 --> 00:27:03,920
Speaker 2: it's it's it's implicity, because hey, I wrote that's what it's.

529
00:27:04,080 --> 00:27:10,200
Speaker 2: What's it's it's how can I put this? It's simplicity

530
00:27:10,560 --> 00:27:20,880
Speaker 2: because when you think about that, you gotta think about

531
00:27:25,240 --> 00:27:30,480
Speaker 2: it's still homegirls in Compton who running the pack, fucking nigga, bitch,

532
00:27:30,520 --> 00:27:33,520
Speaker 2: I beat your ass. It's still homegirls in the pack

533
00:27:33,680 --> 00:27:39,000
Speaker 2: in Long Beach, in Texas, in Atlanta, in Tennessee, they're

534
00:27:39,040 --> 00:27:42,879
Speaker 2: fucking fifteen to twenty five, and they'll go, bitch, I

535
00:27:43,000 --> 00:27:46,760
Speaker 2: beat your motherfucking ass. Bitch, what you looking at? Hole? Yeah,

536
00:27:46,840 --> 00:27:51,200
Speaker 2: your nigga won't me Ho. That's the mentality of that

537
00:27:51,600 --> 00:27:54,800
Speaker 2: shit right there. So when you get a motherfucker to

538
00:27:54,880 --> 00:27:58,720
Speaker 2: get on a record and get the barking that anthem,

539
00:27:58,840 --> 00:28:03,080
Speaker 2: for all those bit just they go, you god damn

540
00:28:03,400 --> 00:28:09,080
Speaker 2: right all kind of Ultimately that's what they represent, just

541
00:28:09,240 --> 00:28:15,000
Speaker 2: like listen, Just like I represented every fucking gang banging

542
00:28:15,080 --> 00:28:18,280
Speaker 2: nigga from here to New York and every young ass

543
00:28:18,359 --> 00:28:21,439
Speaker 2: nigga who felt like nigga fucked you this the hood

544
00:28:21,520 --> 00:28:22,520
Speaker 2: and won't he won't.

545
00:28:22,560 --> 00:28:26,080
Speaker 3: So would you say they like female gainst the rappers.

546
00:28:25,760 --> 00:28:29,679
Speaker 2: Almost I wouldn't say they gangst the rappers, but their hood,

547
00:28:29,840 --> 00:28:35,040
Speaker 2: they represent their their female representers of of a fucking

548
00:28:35,440 --> 00:28:39,720
Speaker 2: of a fucking of a place in time that will

549
00:28:39,760 --> 00:28:42,640
Speaker 2: never be forgotten. I don't give what you get me,

550
00:28:43,440 --> 00:28:46,240
Speaker 2: it will never be you get me. Wats is gonna

551
00:28:46,240 --> 00:28:52,440
Speaker 2: always be here? Yeah, you get me? Projects in New York, Atlanta,

552
00:28:52,560 --> 00:28:58,920
Speaker 2: fucking like ward. Poverty, poverty is never going anywhere. And

553
00:28:59,080 --> 00:29:03,560
Speaker 2: unfortunately a lot of us grow up in that situation

554
00:29:03,960 --> 00:29:07,240
Speaker 2: where we walk outside our door and it's ten to

555
00:29:07,400 --> 00:29:11,880
Speaker 2: fifteen motherfuckers who growing up just like us. You understand me,

556
00:29:13,080 --> 00:29:17,400
Speaker 2: and I'm a female, I'm fucking seventeen eighteen out then

557
00:29:17,520 --> 00:29:20,640
Speaker 2: fucked me about three or four hood niggas got me

558
00:29:20,760 --> 00:29:24,000
Speaker 2: two or three kids. It's hard out here.

559
00:29:24,280 --> 00:29:26,040
Speaker 4: You get a lot of those little girls and sat

560
00:29:26,040 --> 00:29:28,120
Speaker 4: in the back seat what daddy was bumping too short

561
00:29:28,160 --> 00:29:29,920
Speaker 4: on the way to dropping him up in school, so

562
00:29:29,960 --> 00:29:32,080
Speaker 4: they inspired you know it.

563
00:29:32,080 --> 00:29:35,560
Speaker 2: It's just what, let me tell you something. It's hard

564
00:29:35,680 --> 00:29:42,040
Speaker 2: for any It's hard for any motherfucker who's five or

565
00:29:42,120 --> 00:29:46,440
Speaker 2: six or seven or eight and their mama still and

566
00:29:46,480 --> 00:29:50,960
Speaker 2: they daddy's still living in poverty, and you know they

567
00:29:51,120 --> 00:29:56,880
Speaker 2: going to school with all the neighborhood kids. Now, not

568
00:29:57,000 --> 00:29:59,840
Speaker 2: saying that you can't be a success story from that,

569
00:30:01,080 --> 00:30:05,440
Speaker 2: but a lot of it's maybe it starts right here.

570
00:30:05,920 --> 00:30:10,120
Speaker 2: Maybe the success of her breaking, maybe her success of

571
00:30:10,160 --> 00:30:15,680
Speaker 2: breaking the motherfucking chain, is her being successful to where

572
00:30:16,120 --> 00:30:20,080
Speaker 2: in a few years when when the maturity sets in,

573
00:30:21,760 --> 00:30:24,760
Speaker 2: it could be at all. You know, I'm doing something positive.

574
00:30:25,000 --> 00:30:29,959
Speaker 2: You're helping you. My kids is going to school and finish,

575
00:30:30,080 --> 00:30:33,120
Speaker 2: graduate and go to college. And I was able to

576
00:30:33,160 --> 00:30:35,880
Speaker 2: take some of that money. And you know cause, like

577
00:30:35,880 --> 00:30:39,360
Speaker 2: I said, right and right now, it's about like she said, nigga,

578
00:30:40,800 --> 00:30:44,760
Speaker 2: this and and the crazy shit about it. This is

579
00:30:44,800 --> 00:30:47,080
Speaker 2: what motherfuckers want. And that's what I was about to say.

580
00:30:47,160 --> 00:30:49,160
Speaker 4: It ain't and we don't want it to get coming

581
00:30:49,240 --> 00:30:53,400
Speaker 4: off like we're condemning. But that's their reality, the new generation,

582
00:30:53,520 --> 00:30:55,400
Speaker 4: the new little mama little niggas running.

583
00:30:55,400 --> 00:30:58,200
Speaker 2: It was my realitybody, you know what I'm saying. That

584
00:30:58,280 --> 00:30:59,120
Speaker 2: was my reality.

585
00:30:59,240 --> 00:31:01,840
Speaker 4: Then they did me they dealing with different type of guys.

586
00:31:02,040 --> 00:31:06,040
Speaker 4: That was my reality. I was able to you able

587
00:31:06,080 --> 00:31:06,800
Speaker 4: to break that.

588
00:31:07,200 --> 00:31:10,719
Speaker 2: When you able to get yourself out of that fucking

589
00:31:10,800 --> 00:31:15,760
Speaker 2: poverty situation, you get me. H, My mama didn't gang bang,

590
00:31:16,160 --> 00:31:18,600
Speaker 2: my father didn't gang bang, but I grew up in

591
00:31:18,600 --> 00:31:21,720
Speaker 2: the hood. So I was a reflection of that. You

592
00:31:21,760 --> 00:31:27,040
Speaker 2: get me. Now, if my mama was still living in Guffport, Mississippi,

593
00:31:27,080 --> 00:31:30,160
Speaker 2: and we were somewhere else, who knows what that what

594
00:31:30,560 --> 00:31:34,400
Speaker 2: product of that environment I would have became. But when

595
00:31:34,440 --> 00:31:38,160
Speaker 2: my parents divorced and my mama moved to fucking Compton

596
00:31:38,200 --> 00:31:41,960
Speaker 2: when I was five years old, it's over. You get me.

597
00:31:42,400 --> 00:31:47,160
Speaker 2: Ain't no daddy in the house. My older sister was

598
00:31:47,200 --> 00:31:50,520
Speaker 2: fucking with the gang bang in niggas. So that's a

599
00:31:50,560 --> 00:31:54,200
Speaker 2: reflection of ain't nothing else for me? What do I see?

600
00:31:54,720 --> 00:31:57,800
Speaker 2: You give me? And when you go to the structure

601
00:31:57,880 --> 00:32:00,120
Speaker 2: of who do you look at as some my the

602
00:32:00,320 --> 00:32:04,640
Speaker 2: positive Nigga. I don't see your motherfucking thing around here.

603
00:32:05,000 --> 00:32:08,680
Speaker 2: I see niggas down the street serving in doors. I

604
00:32:08,720 --> 00:32:12,360
Speaker 2: don't see no situation to where it's better. So that

605
00:32:12,520 --> 00:32:14,840
Speaker 2: was the product. And when I started rapping, it was

606
00:32:14,880 --> 00:32:17,720
Speaker 2: the same ship. Nigga. I'm talking about track new Park,

607
00:32:18,040 --> 00:32:22,280
Speaker 2: I'm talking about drive by killings, I'm talking about selling dope.

608
00:32:22,520 --> 00:32:26,200
Speaker 2: I'm talking about fucking hood rats and bitches who hos

609
00:32:26,560 --> 00:32:31,000
Speaker 2: and and police who beaten them. It's the same ship

610
00:32:31,320 --> 00:32:33,800
Speaker 2: when you grow up in that and you get me.

611
00:32:33,800 --> 00:32:37,520
Speaker 3: These little girls now it is talking about they getting

612
00:32:37,520 --> 00:32:43,240
Speaker 3: lit licking on. They buddy, they baby daddy ain't shit.

613
00:32:43,840 --> 00:32:46,040
Speaker 2: You know what, you know, you know what it is

614
00:32:46,120 --> 00:32:49,280
Speaker 2: with this nigga slaming with this nigga. It's the fucking

615
00:32:49,360 --> 00:32:54,840
Speaker 2: eminem syndrome. Like, yeah, bitch, I'm broke. Yeah, I'm poverty,

616
00:32:55,000 --> 00:32:58,000
Speaker 2: so what Yeah, I'm in the hood. I'm in the hood.

617
00:32:58,440 --> 00:33:01,480
Speaker 2: I'm fucking with hood, yeah, niggeh. And I'm gonna just

618
00:33:01,600 --> 00:33:06,080
Speaker 2: keep yeah, because if I wasn't rapping and I wasn't this,

619
00:33:06,080 --> 00:33:09,360
Speaker 2: this is still the fucking reality, right, I'm still fucking

620
00:33:09,400 --> 00:33:12,120
Speaker 2: with hood, ass niggas. I still got me two and

621
00:33:12,280 --> 00:33:16,120
Speaker 2: three baby daddies or whatever whatever. I'm still out here

622
00:33:16,160 --> 00:33:20,040
Speaker 2: trying to hustle. You know, my nigga selling dope, this

623
00:33:20,160 --> 00:33:23,840
Speaker 2: nigga gang banging. I'm living on the block in the hood.

624
00:33:24,200 --> 00:33:27,800
Speaker 2: My homegirl, fuck with a nigga who banging and selling.

625
00:33:28,160 --> 00:33:31,480
Speaker 2: So I'm just gonna start speaking about it like like

626
00:33:31,600 --> 00:33:36,800
Speaker 2: because because really it's it's going on whether I put

627
00:33:36,840 --> 00:33:38,080
Speaker 2: it on a record or not.

628
00:33:38,680 --> 00:33:39,239
Speaker 3: You get me.

629
00:33:40,720 --> 00:33:44,000
Speaker 1: It's like she said, look, if I put it on

630
00:33:44,120 --> 00:33:44,720
Speaker 1: the record, or.

631
00:33:44,640 --> 00:33:47,680
Speaker 2: That my koochie is peaking, my boot gonna be brown.

632
00:33:47,760 --> 00:33:55,840
Speaker 2: You get reality a bit. Still, go have a kid,

633
00:33:56,640 --> 00:33:59,480
Speaker 2: and she gonna be like, fuck my baby, daddy up

634
00:33:59,520 --> 00:34:03,200
Speaker 2: with you. So yeah, nigga, my son need a new pathy. Yeah, nigga,

635
00:34:03,280 --> 00:34:06,320
Speaker 2: because fuck that nigg that nigga in jail or he

636
00:34:06,560 --> 00:34:09,680
Speaker 2: gone for whatever, or he fucking with that bitch across town.

637
00:34:09,960 --> 00:34:10,520
Speaker 3: You get me.

638
00:34:11,480 --> 00:34:14,279
Speaker 2: And and she gonna tell you in a minute, I

639
00:34:14,320 --> 00:34:17,359
Speaker 2: love fucking with me. A ratchet ass nigga. You got

640
00:34:17,440 --> 00:34:19,759
Speaker 2: damn bright, A nigga who will pull a gun on you,

641
00:34:19,880 --> 00:34:22,399
Speaker 2: A nigga wh will rob your motherfucking ass or beat

642
00:34:22,440 --> 00:34:23,399
Speaker 2: your motherfucking there.

643
00:34:23,480 --> 00:34:24,040
Speaker 1: I love it.

644
00:34:24,160 --> 00:34:27,680
Speaker 2: So yeah, I'm just gonna tell you the reality of

645
00:34:28,080 --> 00:34:31,279
Speaker 2: And when you says these lyrics, she going, hell no,

646
00:34:31,480 --> 00:34:34,160
Speaker 2: these ain't lyrics, nigga. This shit went on yesterday was.

647
00:34:34,239 --> 00:34:35,600
Speaker 4: Yesterday, This was this morning.

648
00:34:35,880 --> 00:34:39,560
Speaker 3: I ain't you know what though, man, You got young

649
00:34:39,640 --> 00:34:42,560
Speaker 3: people out there getting their money. Dog like this, get

650
00:34:42,600 --> 00:34:43,160
Speaker 3: your money.

651
00:34:43,880 --> 00:34:46,200
Speaker 2: I mean, at the end of the day, if it's straight,

652
00:34:46,280 --> 00:34:49,160
Speaker 2: that's what that's because it could be consumers consuming that,

653
00:34:49,280 --> 00:34:52,319
Speaker 2: so can't stray away from it because the motherfucker be

654
00:34:52,400 --> 00:34:54,520
Speaker 2: on the record telling you, yeah, nigga, I want my

655
00:34:54,600 --> 00:34:58,520
Speaker 2: pussy stretched or I want my dick sucked, and in actuality,

656
00:34:58,560 --> 00:35:02,840
Speaker 2: they could go home and be the qu hum regular it. So,

657
00:35:03,360 --> 00:35:06,520
Speaker 2: you know, you never know what ship is for today.

658
00:35:06,800 --> 00:35:08,919
Speaker 2: And like I said, the females have figured it out.

659
00:35:09,000 --> 00:35:09,239
Speaker 1: Ship.

660
00:35:09,400 --> 00:35:12,280
Speaker 2: What the fuck I'm gonna talk about getting my booty

661
00:35:12,320 --> 00:35:14,600
Speaker 2: hold doug out or I'm gonna talk about this.

662
00:35:15,080 --> 00:35:17,759
Speaker 3: Why y'all think it's so hard for these because the

663
00:35:17,760 --> 00:35:20,080
Speaker 3: West Coast ain't had a girl take off in a minute,

664
00:35:20,120 --> 00:35:24,319
Speaker 3: though I had a theory behind that minute.

665
00:35:24,320 --> 00:35:26,759
Speaker 2: It's crazy because we got we got some hood rats here,

666
00:35:27,080 --> 00:35:29,839
Speaker 2: we got some ratchets. I don't even talking I didn't

667
00:35:29,840 --> 00:35:33,480
Speaker 2: even talk about the spinners. I'm just talking about on

668
00:35:33,480 --> 00:35:35,160
Speaker 2: on the on the ratchet get out.

669
00:35:35,320 --> 00:35:36,359
Speaker 3: What's a whole bunch of them?

670
00:35:36,640 --> 00:35:40,960
Speaker 2: Like, So, why haven't we had a successful ratchet on

671
00:35:41,000 --> 00:35:44,359
Speaker 2: the West Coast? That's a hell of a question, man,

672
00:35:44,640 --> 00:35:48,839
Speaker 2: because we've had or we've had we've had that that

673
00:35:49,320 --> 00:35:54,160
Speaker 2: golden era of females. We've had yo yo and rage

674
00:35:54,640 --> 00:36:01,400
Speaker 2: and we've had you know, yes, you know, uh Medusa.

675
00:36:02,120 --> 00:36:07,920
Speaker 2: We've had we've had that era of female rappers because

676
00:36:08,040 --> 00:36:11,839
Speaker 2: just like I said, females don't want to be defined

677
00:36:12,360 --> 00:36:16,279
Speaker 2: from our era as because we've had enough. Oh you're

678
00:36:16,280 --> 00:36:19,160
Speaker 2: a bitch, you're a whole, You're a hood rap, you're

679
00:36:19,160 --> 00:36:23,800
Speaker 2: a strawberry. So our female rappers came out on the

680
00:36:23,840 --> 00:36:25,600
Speaker 2: fuck that they want to sit at the table with them.

681
00:36:25,640 --> 00:36:27,840
Speaker 2: I'm gonna sit at the table on the fo just

682
00:36:28,120 --> 00:36:33,040
Speaker 2: like you. Yeah, why haven't we been successful with uh?

683
00:36:33,320 --> 00:36:36,640
Speaker 2: With uh? With a Cardi b or a fucking Nicki

684
00:36:36,719 --> 00:36:40,560
Speaker 2: Mina or a fucking or a fucking big sexy red

685
00:36:40,719 --> 00:36:43,320
Speaker 2: or Glolla. One question.

686
00:36:44,160 --> 00:36:48,799
Speaker 3: I think man La in particular, go so hard on

687
00:36:48,840 --> 00:36:52,240
Speaker 3: the female man. You gotta remember, we wouldn't allow nobody

688
00:36:52,280 --> 00:36:55,000
Speaker 3: to Bitches ain't ship, you know what I'm saying.

689
00:36:55,000 --> 00:36:57,800
Speaker 1: That's what I just said, right right.

690
00:36:57,960 --> 00:36:59,759
Speaker 3: Bitches ain't shipp but hoes and tricks. You know what

691
00:36:59,760 --> 00:37:02,399
Speaker 3: I mean? Bitch, you know what I'm saying. Think about

692
00:37:02,400 --> 00:37:06,400
Speaker 3: a dog. California as a whole is almost like a

693
00:37:06,440 --> 00:37:09,239
Speaker 3: pimp player of state thanks to pinp player of state.

694
00:37:09,360 --> 00:37:12,160
Speaker 3: So it's like Nigga were telling the women stay in

695
00:37:12,200 --> 00:37:14,560
Speaker 3: your place, pull if you want to, you know, don't

696
00:37:14,640 --> 00:37:17,200
Speaker 3: jump up. Whereas where they had dog. You know, I'm

697
00:37:17,239 --> 00:37:19,560
Speaker 3: from the Midwest, dog or broad to slice your throat

698
00:37:19,600 --> 00:37:22,520
Speaker 3: out there brads walk around with razors and their motherfucker

699
00:37:22,560 --> 00:37:23,640
Speaker 3: mom and Cleveland.

700
00:37:23,280 --> 00:37:24,680
Speaker 2: Dog giveing niggas buck fiftyes.

701
00:37:24,680 --> 00:37:26,560
Speaker 3: You know what I'm saying, Broad to go down here

702
00:37:26,640 --> 00:37:28,279
Speaker 3: like she's about to give you some head. Don't kick

703
00:37:28,320 --> 00:37:29,600
Speaker 3: your nick off, you know what I'm saying.

704
00:37:30,200 --> 00:37:33,640
Speaker 2: Wow, it was just like, yeah, it's just I just

705
00:37:33,719 --> 00:37:36,440
Speaker 2: I don't. I don't know why though, because even if

706
00:37:36,440 --> 00:37:39,160
Speaker 2: you look at even if you look at at at

707
00:37:39,160 --> 00:37:43,840
Speaker 2: the young at the young lady, the scarlet, right, Yeah,

708
00:37:44,040 --> 00:37:48,600
Speaker 2: she's getting so much love off of simplicity of just

709
00:37:49,200 --> 00:37:52,120
Speaker 2: I'm just representing New York on some hard aspect shit,

710
00:37:52,239 --> 00:37:55,520
Speaker 2: right Yeah, And like I said, we've had hard like rage,

711
00:37:55,640 --> 00:37:56,440
Speaker 2: rage is hard.

712
00:37:56,600 --> 00:37:59,600
Speaker 4: So do you think with her when the raids her

713
00:37:59,640 --> 00:38:01,440
Speaker 4: to going and meeting with the big boys and it's

714
00:38:01,440 --> 00:38:06,319
Speaker 4: cutter check, they're gonna say, but we need one, we

715
00:38:06,400 --> 00:38:09,959
Speaker 4: need one that's gonna flip over and cross over women.

716
00:38:10,080 --> 00:38:11,919
Speaker 4: Crossover music is the ratchet music.

717
00:38:11,960 --> 00:38:16,200
Speaker 2: I think I think Carty did it. Cardi Cardi, what

718
00:38:16,280 --> 00:38:19,560
Speaker 2: was it? Wet Ass Pussy was her song or something?

719
00:38:20,600 --> 00:38:22,160
Speaker 3: Her breakout song was THEO that.

720
00:38:22,200 --> 00:38:26,080
Speaker 2: Yo that Yeah, and she was CARTI was on some hood.

721
00:38:25,880 --> 00:38:31,040
Speaker 4: Ship You're so yearning for somebody different post Nicky and

722
00:38:31,080 --> 00:38:33,320
Speaker 4: that was kind of the only energy that could match Nicky.

723
00:38:33,400 --> 00:38:35,319
Speaker 4: Now it was a gang of women now. At one

724
00:38:35,320 --> 00:38:38,480
Speaker 4: time Nicki was like the long standing woman rapper and

725
00:38:38,520 --> 00:38:40,719
Speaker 4: then when the awards come she in the category with

726
00:38:40,800 --> 00:38:43,560
Speaker 4: Taylor Swift and Beyonce because of what no girl rappers.

727
00:38:43,560 --> 00:38:46,200
Speaker 3: Well, one thing about Nicki and you know, I know

728
00:38:46,360 --> 00:38:48,239
Speaker 3: people may say carry you don't write her ship, but

729
00:38:48,280 --> 00:38:49,319
Speaker 3: she knows how to deliver it.

730
00:38:49,920 --> 00:38:50,360
Speaker 2: Yeah.

731
00:38:50,400 --> 00:38:53,480
Speaker 3: So Cardi her shit sound good. She's got good ass music,

732
00:38:53,520 --> 00:38:55,000
Speaker 3: you know what I'm saying, And she got the ship

733
00:38:55,040 --> 00:38:57,239
Speaker 3: she do And I think with one of a lot

734
00:38:57,280 --> 00:39:00,239
Speaker 3: of people over the Cardi was her personality. Yeah, she

735
00:39:00,400 --> 00:39:02,120
Speaker 3: was just like a regular girl.

736
00:39:02,480 --> 00:39:05,160
Speaker 2: Cardi won over a lot of people because of being

737
00:39:05,239 --> 00:39:09,200
Speaker 2: on that TV show. Shit, that's where she won over

738
00:39:09,280 --> 00:39:11,960
Speaker 2: a lot of people. So when she jumped into the

739
00:39:12,080 --> 00:39:15,960
Speaker 2: rapp arena, it was already set up because she was

740
00:39:16,000 --> 00:39:18,759
Speaker 2: a she was fan favorite.

741
00:39:18,239 --> 00:39:22,480
Speaker 4: Of The Good Dog Story too, but Yeahder Dog Story too,

742
00:39:23,960 --> 00:39:24,759
Speaker 4: the yeah, And.

743
00:39:25,120 --> 00:39:27,239
Speaker 2: Like you said, her personality was like I don't give

744
00:39:27,280 --> 00:39:29,800
Speaker 2: a fuck and I'm just gonna be me and whatever

745
00:39:29,880 --> 00:39:31,959
Speaker 2: and it don't give fun. Her rise came.

746
00:39:32,600 --> 00:39:35,479
Speaker 4: We seen Nikki shut up for a minute until Cardy

747
00:39:35,560 --> 00:39:39,040
Speaker 4: started having babies and chilling. That's when you know what

748
00:39:39,040 --> 00:39:41,719
Speaker 4: I'm saying, because they don't really rock. But like you've

749
00:39:41,760 --> 00:39:44,440
Speaker 4: seen it, I felt. I always felt like this about Nikki.

750
00:39:44,520 --> 00:39:46,440
Speaker 4: She dope as hell. I followed her back when she

751
00:39:46,520 --> 00:39:49,440
Speaker 4: was on the mixtapes, but when it was some competition

752
00:39:49,560 --> 00:39:53,759
Speaker 4: finally came for because it wasn't no other rappers when

753
00:39:53,800 --> 00:39:58,000
Speaker 4: she eight seven o six nine, oh no woman rappers like.

754
00:39:58,000 --> 00:39:59,040
Speaker 3: Nicky kind of had that shit.

755
00:39:59,160 --> 00:40:00,919
Speaker 4: I mean I was gone, you know what I'm saying,

756
00:40:01,080 --> 00:40:04,440
Speaker 4: So what nobody to be the antire of that? So

757
00:40:04,480 --> 00:40:06,080
Speaker 4: when she blew out of the water and then we

758
00:40:06,120 --> 00:40:08,160
Speaker 4: got a new fresh face, we was clamoring for something

759
00:40:08,160 --> 00:40:10,600
Speaker 4: new that was kind of like in the middle.

760
00:40:10,960 --> 00:40:14,400
Speaker 3: Yeah, see Nikki. She got Nikki a beast from that microphone.

761
00:40:14,560 --> 00:40:17,400
Speaker 4: Yeah, good performer and like say you got energy and

762
00:40:17,440 --> 00:40:17,839
Speaker 4: all that?

763
00:40:18,200 --> 00:40:20,440
Speaker 3: Can she fuck with a Remy mom probably not Remy

764
00:40:20,440 --> 00:40:21,880
Speaker 3: mad like battling a nigga that.

765
00:40:22,239 --> 00:40:24,279
Speaker 4: That that's Stanton jail threw her because it was her,

766
00:40:24,400 --> 00:40:26,080
Speaker 4: it was her peak year that seven year.

767
00:40:26,200 --> 00:40:28,720
Speaker 3: Yeah, then her was her years. Then you had Cardi

768
00:40:28,880 --> 00:40:31,080
Speaker 3: came in, and I agree with eight like you said,

769
00:40:31,200 --> 00:40:35,680
Speaker 3: because Cardi was the underdog. Then she gonna tell your

770
00:40:35,680 --> 00:40:37,239
Speaker 3: imperfections my teeth fuck I.

771
00:40:37,160 --> 00:40:40,080
Speaker 4: Got yeah, yeah, I'm saying that said, I got the

772
00:40:40,120 --> 00:40:42,840
Speaker 4: bag and my teeth. It was like, oh, Ship, what

773
00:40:42,880 --> 00:40:45,279
Speaker 4: we're gonna do now? She made them bit to start

774
00:40:45,280 --> 00:40:47,440
Speaker 4: getting married. But this wasn't thing about getting married for

775
00:40:48,120 --> 00:40:48,719
Speaker 4: baby girl.

776
00:40:49,600 --> 00:40:52,400
Speaker 3: That's you know what I'm saying. And see, Ship, the

777
00:40:52,480 --> 00:40:55,880
Speaker 3: thing is man'sticated to ratchets. You see Erica Baduke just

778
00:40:55,960 --> 00:40:58,600
Speaker 3: something I guess she had some things to say about

779
00:40:58,600 --> 00:40:59,960
Speaker 3: blue Face, y'ah. I saw that.

780
00:41:00,360 --> 00:41:02,200
Speaker 1: Yeah, yeah, yeah, I don't really, I don't.

781
00:41:02,320 --> 00:41:06,399
Speaker 2: I don't. I don't follow that too much.

782
00:41:06,760 --> 00:41:08,640
Speaker 3: Yeah, I don't either, because you know what my thing

783
00:41:08,760 --> 00:41:10,800
Speaker 3: is this, I never wanted to be the old nigga

784
00:41:10,840 --> 00:41:12,560
Speaker 3: this and everything all the young niggas was doing.

785
00:41:12,600 --> 00:41:15,520
Speaker 4: Definitely because we about what his his his his, what

786
00:41:15,600 --> 00:41:21,080
Speaker 4: his thing is with little mama. Yeah, okay, he having

787
00:41:21,080 --> 00:41:21,680
Speaker 4: three daughters.

788
00:41:21,719 --> 00:41:22,560
Speaker 2: That's crazy as hell.

789
00:41:23,520 --> 00:41:23,960
Speaker 1: I don't.

790
00:41:24,040 --> 00:41:27,560
Speaker 2: I don't pretty much because I don't, you know, I don't,

791
00:41:27,600 --> 00:41:29,680
Speaker 2: like you said, you don't want people to think you

792
00:41:29,840 --> 00:41:34,600
Speaker 2: have an opinion of whatever. Uh I mean, but you can.

793
00:41:35,000 --> 00:41:37,359
Speaker 2: But I just there's just certain ship that I just

794
00:41:37,440 --> 00:41:38,680
Speaker 2: don't I don't fuck and.

795
00:41:38,600 --> 00:41:40,680
Speaker 3: It's certain ship. We ain't supposed to like my nigga.

796
00:41:40,719 --> 00:41:42,759
Speaker 3: We old there's niggas. You know, it's certain ship. I'm

797
00:41:42,800 --> 00:41:44,799
Speaker 3: just not gonna listen to. It's certain ship that's just

798
00:41:44,880 --> 00:41:47,120
Speaker 3: not gonna be my vibe. Now, I'm gonna tell you this.

799
00:41:47,400 --> 00:41:50,200
Speaker 3: And my keyds grew up suburban like a motherfucker. I

800
00:41:50,280 --> 00:41:52,840
Speaker 3: bet you my daughter know who the fuck big sexy

801
00:41:53,120 --> 00:41:53,920
Speaker 3: videos in the wall.

802
00:41:54,080 --> 00:41:57,720
Speaker 2: Yeah, I have a call mine and ask definitely.

803
00:41:57,400 --> 00:42:00,239
Speaker 3: Because that's the ship. Dog, it's not for me. I'm

804
00:42:00,239 --> 00:42:02,160
Speaker 3: still a nigga that in the car listening to this

805
00:42:02,239 --> 00:42:05,440
Speaker 3: nigga listening to Scarface, listening to the whole fucking with

806
00:42:05,520 --> 00:42:08,440
Speaker 3: Koogie rap. That's my shit because that's my air. Now,

807
00:42:08,520 --> 00:42:11,239
Speaker 3: some of the young shit I like, some of the

808
00:42:11,239 --> 00:42:13,360
Speaker 3: shit I like from these new niggas. I fuck with

809
00:42:13,400 --> 00:42:15,640
Speaker 3: the new niggas, you know what I'm saying. Because hip

810
00:42:15,680 --> 00:42:17,960
Speaker 3: hop has to continue to grow, Dog, it just can't

811
00:42:18,000 --> 00:42:20,080
Speaker 3: be the same old niggas the whole time. But that

812
00:42:20,160 --> 00:42:22,960
Speaker 3: don't mean necessarily that the oh geez got a note

813
00:42:23,000 --> 00:42:25,359
Speaker 3: go nowhere. It's a lane for every fucking body. Dog,

814
00:42:25,680 --> 00:42:28,000
Speaker 3: hip hop is just turning fifty years old.

815
00:42:27,800 --> 00:42:29,840
Speaker 4: My nigga, Ya, it's turning fifty.

816
00:42:29,960 --> 00:42:32,200
Speaker 3: It's just turning fifty. So it was inevitable that she

817
00:42:32,320 --> 00:42:34,359
Speaker 3: was going to see some sixty year old rappers. Some

818
00:42:34,400 --> 00:42:37,479
Speaker 3: fifty sixty year rappers. Now that shit is pretty normal. Dog. Yeah.

819
00:42:37,640 --> 00:42:39,760
Speaker 3: Back in the day, Dog, I remember, I got told

820
00:42:39,800 --> 00:42:44,200
Speaker 3: by an executive, dog Dude from Jive Records man said

821
00:42:44,239 --> 00:42:47,040
Speaker 3: that he would never sign a rapper that was over

822
00:42:47,120 --> 00:42:50,759
Speaker 3: twenty four years old. And that was just twelve years ago.

823
00:42:50,840 --> 00:42:53,799
Speaker 3: And why is that? You know what? I think that's

824
00:42:53,840 --> 00:42:56,360
Speaker 3: what they thought. You gotta remember eight the people that's.

825
00:42:56,320 --> 00:43:00,200
Speaker 2: Well as an executive that you have been what you

826
00:43:00,320 --> 00:43:01,840
Speaker 2: signed a fifty year old rapper?

827
00:43:02,200 --> 00:43:04,279
Speaker 3: You know what, Dog, it depends on what the fuck

828
00:43:04,320 --> 00:43:06,359
Speaker 3: he had going on. If that nigga got a hit record,

829
00:43:06,400 --> 00:43:08,359
Speaker 3: he ever fucking yeah, because I'm gonna tell you like this,

830
00:43:09,000 --> 00:43:11,080
Speaker 3: you can have a fifty year old rapper that might

831
00:43:11,680 --> 00:43:14,000
Speaker 3: I'm pretty sure any nigga that's rapping at fifty ain't

832
00:43:14,080 --> 00:43:18,160
Speaker 3: just started rapping. That was the case. Shit, Rick Ross

833
00:43:18,200 --> 00:43:21,600
Speaker 3: wasn't supposed to ever get on two chains, wasn't never

834
00:43:21,600 --> 00:43:23,120
Speaker 3: supposed to get on them niggas that got on in

835
00:43:23,160 --> 00:43:26,520
Speaker 3: their late thirties right ad mid to late thirties. I know,

836
00:43:26,600 --> 00:43:29,919
Speaker 3: for effect, Ross had been swinging his blade and saw

837
00:43:30,000 --> 00:43:33,080
Speaker 3: for years. Dog for years. He was just a nigga.

838
00:43:33,160 --> 00:43:35,120
Speaker 3: So you couldn't say, oh, this is just a nigga

839
00:43:35,120 --> 00:43:37,239
Speaker 3: that wait till he turned thirty sixty star rapping. No,

840
00:43:37,320 --> 00:43:39,920
Speaker 3: he just finally found that right record that resonated with everybody.

841
00:43:40,000 --> 00:43:43,759
Speaker 4: That's the only genre of music that tears down and

842
00:43:43,840 --> 00:43:46,080
Speaker 4: has all these stipulation. That's like telling your uncle put

843
00:43:46,120 --> 00:43:48,880
Speaker 4: your saxophone down, Like yeah, if your grandma.

844
00:43:48,920 --> 00:43:53,879
Speaker 2: Why do you feel the younger generation of hip hop

845
00:43:54,560 --> 00:43:59,600
Speaker 2: despises the older generation of hip hop? I don't because

846
00:44:00,000 --> 00:44:03,120
Speaker 2: there are a lot of It's not all, but you

847
00:44:03,200 --> 00:44:09,120
Speaker 2: hear a lot of rap of young rappers commented. They

848
00:44:09,640 --> 00:44:14,600
Speaker 2: they comment on old nigga, old school, Oh this old nigga,

849
00:44:14,680 --> 00:44:17,800
Speaker 2: old rapper, Oh this, oh that. Why do you think

850
00:44:17,920 --> 00:44:20,840
Speaker 2: that is? Or do you think that they are afraid

851
00:44:21,000 --> 00:44:25,719
Speaker 2: that niggas are still can can be in competition or

852
00:44:25,760 --> 00:44:30,320
Speaker 2: do you feel that they are just like because niggas

853
00:44:30,320 --> 00:44:33,600
Speaker 2: are still relevant. You can still mention a Buster Rhymes

854
00:44:33,719 --> 00:44:36,120
Speaker 2: or m C eight and people go, oh yeah, I

855
00:44:36,160 --> 00:44:39,520
Speaker 2: know he won't or do you feel it? They feel

856
00:44:39,560 --> 00:44:42,839
Speaker 2: it blocks there, you know, because I just feel like if.

857
00:44:42,760 --> 00:44:44,960
Speaker 3: One hundred percent for sure, some of these young niggas

858
00:44:44,960 --> 00:44:46,560
Speaker 3: got in their mind, oh well they need to just

859
00:44:46,600 --> 00:44:49,160
Speaker 3: go ahead and let us do this, or they feel

860
00:44:49,160 --> 00:44:54,280
Speaker 3: like some people feel like this, he should be helping

861
00:44:54,320 --> 00:44:57,200
Speaker 3: me push my shit right there, you go help me

862
00:44:57,280 --> 00:44:59,759
Speaker 3: push my ship. You put out his mind. Why don't

863
00:44:59,760 --> 00:45:01,200
Speaker 3: you just put that shit down and come and do

864
00:45:01,280 --> 00:45:04,080
Speaker 3: what I want you to do. I've had other podcasts

865
00:45:04,080 --> 00:45:06,360
Speaker 3: tell me, man, you know you should just focus on

866
00:45:06,400 --> 00:45:09,000
Speaker 3: our stuff. It's like, so just seeing fuck all this

867
00:45:09,040 --> 00:45:11,080
Speaker 3: show that's making me all this money, I should just

868
00:45:11,120 --> 00:45:12,520
Speaker 3: come and fuck with you so you can make all

869
00:45:12,560 --> 00:45:15,279
Speaker 3: the money now, right, That's what the saying when it

870
00:45:15,280 --> 00:45:19,479
Speaker 3: should be a mentality, dog do this. Don't nobody owe

871
00:45:19,520 --> 00:45:22,839
Speaker 3: nobody nothing, doog Nobody has to come in and help

872
00:45:22,880 --> 00:45:25,880
Speaker 3: you fulfill your dream or fulfill the fantasy that you

873
00:45:25,960 --> 00:45:29,239
Speaker 3: gotta becoming a rapper below. You don't owe it to

874
00:45:29,280 --> 00:45:31,839
Speaker 3: nobody in Compton eight to go back and say, hey, man,

875
00:45:32,680 --> 00:45:35,560
Speaker 3: I'm gonna put my career that's still really vible. I

876
00:45:35,640 --> 00:45:37,799
Speaker 3: make a lot of money at to come and push

877
00:45:37,840 --> 00:45:40,279
Speaker 3: the line on you. That may not work. Even if

878
00:45:40,320 --> 00:45:42,359
Speaker 3: you get that what they don't understand it. Even if

879
00:45:42,360 --> 00:45:45,640
Speaker 3: they get this man's endorsement or the next nigga's endorsement,

880
00:45:45,880 --> 00:45:48,960
Speaker 3: it don't always ensure you gonna be successful. Look how

881
00:45:49,040 --> 00:45:52,000
Speaker 3: mean niggas go. Dre is probably arguably the best hip

882
00:45:52,040 --> 00:45:55,200
Speaker 3: hop producer of all time. He said, niggas that didn't

883
00:45:55,239 --> 00:45:58,759
Speaker 3: make it out of there definitely, So it ain't no guarantee.

884
00:45:58,760 --> 00:46:01,360
Speaker 3: It's all on WI you do now you think about it.

885
00:46:01,400 --> 00:46:05,000
Speaker 3: When Ross finally took off, I don't know who the

886
00:46:05,040 --> 00:46:07,960
Speaker 3: nigga is that made that hustling beat. Yeah, it was

887
00:46:08,000 --> 00:46:10,080
Speaker 3: just a record that worked. You feel what I'm seeing.

888
00:46:10,080 --> 00:46:11,400
Speaker 3: He got a record that work and it was on

889
00:46:11,480 --> 00:46:14,799
Speaker 3: from there and he's proved to be a prolific songwriter,

890
00:46:15,040 --> 00:46:17,240
Speaker 3: rapper and all that. Ross got one of the best

891
00:46:17,239 --> 00:46:22,320
Speaker 3: beat selections in the game. To me, he's a polished rapper.

892
00:46:22,560 --> 00:46:25,359
Speaker 3: So yeah, eight, I would I think definitely, Dog. I

893
00:46:25,400 --> 00:46:28,279
Speaker 3: think you're dealing with a group of people that work

894
00:46:28,280 --> 00:46:30,439
Speaker 3: in these offices, and that's what I used to fight

895
00:46:30,480 --> 00:46:32,279
Speaker 3: all the time. That's why I'm no longer repping them

896
00:46:32,280 --> 00:46:35,880
Speaker 3: buildings of people that didn't know, they didn't care about

897
00:46:35,880 --> 00:46:39,040
Speaker 3: the culture. They didn't know about the culture. Right now,

898
00:46:39,480 --> 00:46:41,279
Speaker 3: if it's some nigga I meet in the street that

899
00:46:41,360 --> 00:46:43,880
Speaker 3: decide he's going through a midlife crisis and on the

900
00:46:43,880 --> 00:46:46,000
Speaker 3: side of the fifty he gonna become a rapper, I'm

901
00:46:46,040 --> 00:46:48,040
Speaker 3: gonna tell this nigga, man, take your ass home and

902
00:46:48,120 --> 00:46:51,720
Speaker 3: take care of your grandkids. Go do something with your kids,

903
00:46:51,800 --> 00:46:54,759
Speaker 3: or go and invest your time and putting one of

904
00:46:54,760 --> 00:46:57,040
Speaker 3: these young niggas out. But if it's a nigga dog

905
00:46:57,080 --> 00:46:58,759
Speaker 3: that I know don't been in his grind, he got

906
00:46:58,760 --> 00:47:00,480
Speaker 3: some shit. Fuck not.

907
00:47:03,120 --> 00:47:04,520
Speaker 2: I don't think it should be like that.

908
00:47:04,640 --> 00:47:06,560
Speaker 4: It's like, you know, the they say you're too old

909
00:47:06,640 --> 00:47:08,640
Speaker 4: to be No, you might be too old to be

910
00:47:08,680 --> 00:47:11,279
Speaker 4: rapping about what you're talking about, you know what I'm saying,

911
00:47:11,400 --> 00:47:15,320
Speaker 4: not making music. Got to understand a lot of niggas

912
00:47:15,640 --> 00:47:18,000
Speaker 4: be like they rappers, but we make music.

913
00:47:18,760 --> 00:47:20,799
Speaker 2: You make music. You know what I'm saying.

914
00:47:20,800 --> 00:47:22,799
Speaker 4: It ain't no timeline to it. It's a timeline of

915
00:47:22,840 --> 00:47:25,040
Speaker 4: what you're talking about might be outdated, but if you

916
00:47:25,120 --> 00:47:28,719
Speaker 4: shit dope. It's fucky and relevant, and it's moving the

917
00:47:29,000 --> 00:47:31,040
Speaker 4: moving toes of the crowd of the mind.

918
00:47:32,160 --> 00:47:35,680
Speaker 3: I mean, come on, tell you this. I start listening

919
00:47:35,760 --> 00:47:39,600
Speaker 3: to Too Short Dog. When I was a kid, he

920
00:47:39,760 --> 00:47:42,839
Speaker 3: examining as songs. Then he got examining as songs. Now

921
00:47:43,320 --> 00:47:45,680
Speaker 3: I don't ever want Too Short to put the microphone down.

922
00:47:45,760 --> 00:47:48,360
Speaker 3: What for? I still enjoy it Too Short. He forty

923
00:47:48,480 --> 00:47:50,440
Speaker 3: steal a bad motherfucker. This soems like he get.

924
00:47:50,239 --> 00:47:52,400
Speaker 2: Better every That's a prime example.

925
00:47:53,080 --> 00:47:54,960
Speaker 3: Is steal a cold nigga on the mind. To me,

926
00:47:55,080 --> 00:47:56,759
Speaker 3: his new shit is better than his old shit.

927
00:47:57,719 --> 00:48:01,719
Speaker 4: Somebody out there, Yeah, he forty is the one. There's

928
00:48:01,800 --> 00:48:05,080
Speaker 4: one rapper that should have broke the mold on all

929
00:48:05,080 --> 00:48:06,840
Speaker 4: that because when he went tell me when to Go

930
00:48:07,320 --> 00:48:09,160
Speaker 4: was one of the times with the whole narrative of

931
00:48:09,480 --> 00:48:10,640
Speaker 4: y'all need to stop doing it.

932
00:48:11,200 --> 00:48:11,600
Speaker 2: They tell me.

933
00:48:11,840 --> 00:48:14,640
Speaker 4: He come out with the youngsters with that joint, rejuvenated

934
00:48:14,680 --> 00:48:17,640
Speaker 4: his whole career. Think about growing dread, but I'm growing

935
00:48:18,320 --> 00:48:18,840
Speaker 4: Stay with me.

936
00:48:18,960 --> 00:48:22,800
Speaker 3: Sand is still hard to do sound forty water seemed

937
00:48:22,800 --> 00:48:25,240
Speaker 3: like he had a resurgence. To me, the niggas always

938
00:48:25,239 --> 00:48:29,279
Speaker 3: stand him, but he always sharp as a tech dough. Yeah,

939
00:48:29,480 --> 00:48:31,880
Speaker 3: he's selling his wine to me. That's what nigga, the niggas,

940
00:48:31,920 --> 00:48:33,640
Speaker 3: these young niggas should look up to in the mind.

941
00:48:33,640 --> 00:48:35,439
Speaker 3: Be like, Man, this nigga's right here doing this ship.

942
00:48:36,320 --> 00:48:38,880
Speaker 3: He is, He's where hip hop has grown to be.

943
00:48:39,040 --> 00:48:41,040
Speaker 3: Dog Remember eight when they were saying that this ship

944
00:48:41,040 --> 00:48:41,960
Speaker 3: wouldn't go last.

945
00:48:42,680 --> 00:48:44,799
Speaker 2: Definitely, it was hard to try to get. You know,

946
00:48:44,960 --> 00:48:46,880
Speaker 2: back in my days, it was hard to get a

947
00:48:46,880 --> 00:48:51,840
Speaker 2: record deal. That was like a fantasy, you know what

948
00:48:51,880 --> 00:48:55,799
Speaker 2: I'm saying, to get a fucking record deal, like, you know,

949
00:48:56,040 --> 00:49:00,879
Speaker 2: to be a fucking nigga living in poverty and you know,

950
00:49:01,200 --> 00:49:05,239
Speaker 2: single moms and struggling and not knowing what the fuck

951
00:49:05,320 --> 00:49:08,799
Speaker 2: you gonna do with life. That fucking record deal it

952
00:49:08,840 --> 00:49:12,200
Speaker 2: was unthought of. So but you know, it's it's a

953
00:49:12,239 --> 00:49:16,359
Speaker 2: different time in a different era. Now you get me ship,

954
00:49:16,400 --> 00:49:19,279
Speaker 2: I'm go in my kitchen and make a song and

955
00:49:19,600 --> 00:49:24,080
Speaker 2: put it out, and so the access is different, and

956
00:49:25,440 --> 00:49:27,560
Speaker 2: I just feel like, you know, a lot of a

957
00:49:27,600 --> 00:49:32,120
Speaker 2: lot of artists may feel like, you know, I'm the hot,

958
00:49:32,200 --> 00:49:35,600
Speaker 2: relevant motherfucker, and then you still got niggas talking about

959
00:49:36,040 --> 00:49:37,400
Speaker 2: this nigga or this nigga.

960
00:49:37,480 --> 00:49:40,520
Speaker 3: You get me so yeah, real, hold on, is that

961
00:49:40,520 --> 00:49:44,000
Speaker 3: the front door? That's what? Yeah, I locked it. Ain't

962
00:49:44,000 --> 00:49:49,200
Speaker 3: nobody like you're hearing shit slamming and stuff. But that's

963
00:49:49,239 --> 00:49:54,080
Speaker 3: the thing, man, speaking of raschosness and women. Man, Trey

964
00:49:54,200 --> 00:49:58,440
Speaker 3: Song's got some issues right now. Main main made you

965
00:49:58,520 --> 00:50:01,399
Speaker 3: got some issues right now. Man, he got some shit going. Man,

966
00:50:02,480 --> 00:50:05,040
Speaker 3: I guess old girl is suing him man for ten

967
00:50:05,120 --> 00:50:06,560
Speaker 3: million dollars or some shit like that.

968
00:50:06,640 --> 00:50:09,800
Speaker 4: Then he just beat something a couple of weeks ago, right, Yeah,

969
00:50:09,960 --> 00:50:12,719
Speaker 4: that bill costs the same on the same lines of.

970
00:50:15,360 --> 00:50:17,719
Speaker 3: You have ten million dollars. Trade Song sued for ten

971
00:50:17,760 --> 00:50:20,960
Speaker 3: million dollars to accuse of groping and exposing a woman's breast.

972
00:50:21,239 --> 00:50:23,680
Speaker 4: R and B niggas ain't no joke boy, man, but

973
00:50:23,760 --> 00:50:25,000
Speaker 4: you know, rushing these bitches.

974
00:50:27,440 --> 00:50:29,359
Speaker 3: That's how I got in the industry was through two

975
00:50:29,400 --> 00:50:31,759
Speaker 3: live crew, through mister mixing them. I used to help

976
00:50:31,800 --> 00:50:35,000
Speaker 3: them dudes out doing little stuffing like that, right, And

977
00:50:35,680 --> 00:50:38,000
Speaker 3: I remember, man, when they went on stage, Dog, they

978
00:50:38,040 --> 00:50:40,239
Speaker 3: would invite girls on stage, and if you went up

979
00:50:40,239 --> 00:50:42,040
Speaker 3: on that stage, your top was coming off.

980
00:50:42,200 --> 00:50:43,080
Speaker 2: You already know it.

981
00:50:43,160 --> 00:50:46,160
Speaker 3: I wouldn't be surprised if we saw some motherfuckering the

982
00:50:46,160 --> 00:50:48,560
Speaker 3: way shit is going out, dog, you gonna have somebody

983
00:50:48,640 --> 00:50:49,359
Speaker 3: come from the day.

984
00:50:50,280 --> 00:50:52,560
Speaker 4: Yeah, But then it's such a hustle when you sit

985
00:50:52,640 --> 00:50:55,080
Speaker 4: up look at videos like that where she's very much

986
00:50:55,239 --> 00:50:59,000
Speaker 4: enjoying herself, right, she's not.

987
00:51:00,080 --> 00:51:03,560
Speaker 2: And they done went and found a video from what

988
00:51:03,840 --> 00:51:04,840
Speaker 2: ten years ago?

989
00:51:05,560 --> 00:51:07,760
Speaker 1: I don't know when. When did they say this happened?

990
00:51:08,040 --> 00:51:09,160
Speaker 3: This is ten years ago?

991
00:51:09,440 --> 00:51:11,800
Speaker 2: Okay, so they don't went and dug up a video

992
00:51:12,040 --> 00:51:15,600
Speaker 2: where Nigga walked up and like it looked like they

993
00:51:15,640 --> 00:51:17,640
Speaker 2: all had a little pool party.

994
00:51:17,400 --> 00:51:18,479
Speaker 1: Drunk, having fun.

995
00:51:18,560 --> 00:51:23,000
Speaker 2: She's giggling and smiling and laughing about the incident.

996
00:51:23,800 --> 00:51:25,920
Speaker 3: But you see what color she goes? Right, come on,

997
00:51:26,440 --> 00:51:28,359
Speaker 3: and I'm gonna tell you what this is all about, Nay.

998
00:51:28,680 --> 00:51:30,799
Speaker 3: Is it about a money grab? It's a money grab

999
00:51:30,920 --> 00:51:32,600
Speaker 3: in effect. She's a little white girl. They gonna give

1000
00:51:32,640 --> 00:51:34,920
Speaker 3: it to her too, because she's sitting up there, Keith

1001
00:51:35,000 --> 00:51:37,080
Speaker 3: keening and laughing. Ain't no telling her she went back

1002
00:51:37,080 --> 00:51:38,719
Speaker 3: there and blew his old top down.

1003
00:51:38,760 --> 00:51:42,040
Speaker 2: When my nigga got to a million dollars, You know

1004
00:51:42,120 --> 00:51:43,760
Speaker 2: that's the thing, man, You give.

1005
00:51:43,719 --> 00:51:45,680
Speaker 4: Me like he been having a lot of hell of

1006
00:51:45,680 --> 00:51:47,560
Speaker 4: a case. His case is you got hell like this

1007
00:51:47,640 --> 00:51:48,640
Speaker 4: eight lately.

1008
00:51:48,400 --> 00:51:50,480
Speaker 3: He ain't gotta have ten million because if he tell

1009
00:51:50,480 --> 00:51:52,160
Speaker 3: that brought he got a million for us, she gonna

1010
00:51:52,160 --> 00:51:52,960
Speaker 3: take it and go get on.

1011
00:51:54,400 --> 00:51:59,680
Speaker 2: I'm just saying, period like. But so they gonna let her.

1012
00:52:00,239 --> 00:52:03,600
Speaker 2: Oh man, this shit is shitted. All of this is

1013
00:52:03,600 --> 00:52:05,920
Speaker 2: because the stem of the Maigan fallout right.

1014
00:52:05,960 --> 00:52:10,160
Speaker 3: Well, see the Alega incident took place talking in twenty thirteen.

1015
00:52:10,680 --> 00:52:15,040
Speaker 2: Okay, so why why it take you ten years after

1016
00:52:15,200 --> 00:52:19,960
Speaker 2: I go through and and another thing. None of this

1017
00:52:20,040 --> 00:52:23,520
Speaker 2: shit was presented during this whole case and trial and

1018
00:52:23,560 --> 00:52:26,480
Speaker 2: all of that. And the minute they convicted they and

1019
00:52:26,560 --> 00:52:30,120
Speaker 2: say they finished, send them away. Now here come you know?

1020
00:52:30,400 --> 00:52:33,880
Speaker 2: Oh well he exposed my breast ten years ago.

1021
00:52:34,600 --> 00:52:37,200
Speaker 3: Well this is what it was. I guess this took

1022
00:52:37,239 --> 00:52:39,560
Speaker 3: place at the Fox was resort to seeing him on

1023
00:52:39,640 --> 00:52:42,000
Speaker 3: a man, and a man took it to keep Tribal

1024
00:52:42,080 --> 00:52:45,880
Speaker 3: Nation Reserve reservation in Connecticut. Neverson was hosting the event.

1025
00:52:45,960 --> 00:52:48,120
Speaker 3: The woman wanted to take a photo with the artists.

1026
00:52:48,520 --> 00:52:50,760
Speaker 3: She was working as a business analyst for a local

1027
00:52:50,800 --> 00:52:53,800
Speaker 3: liquor distributor and said the situation made her feel ashamed

1028
00:52:53,800 --> 00:52:57,200
Speaker 3: and bears and anxious about whether or not her colleagues

1029
00:52:57,200 --> 00:52:59,239
Speaker 3: has seen her breast. Now, I'm gonna tell you this.

1030
00:52:59,600 --> 00:53:01,759
Speaker 3: If I'm somewhere with my wife and some clown come

1031
00:53:01,800 --> 00:53:04,480
Speaker 3: and grab her and pull her thing down, my wife

1032
00:53:04,520 --> 00:53:06,680
Speaker 3: is gonna be upset, swing and talking shit. You're gonna

1033
00:53:06,680 --> 00:53:09,440
Speaker 3: see me busting on the smile. It ain't no smiling.

1034
00:53:09,560 --> 00:53:11,319
Speaker 3: She was on it looking like she had a good time.

1035
00:53:11,400 --> 00:53:15,080
Speaker 2: Dogy, she got shows. And then my thing is, like

1036
00:53:15,120 --> 00:53:17,560
Speaker 2: I said, I just don't want to turn it like that,

1037
00:53:17,719 --> 00:53:23,680
Speaker 2: But like, could it have been some kind of prior

1038
00:53:23,719 --> 00:53:26,600
Speaker 2: in her action to where he felt like it was

1039
00:53:26,760 --> 00:53:29,840
Speaker 2: cool for him to walk up and do that because

1040
00:53:30,480 --> 00:53:33,640
Speaker 2: I know, motherfucker's be drunk and stupid, but god, damn nigga,

1041
00:53:33,719 --> 00:53:36,480
Speaker 2: you just walking up the strange ladies and pulling their

1042
00:53:36,560 --> 00:53:41,600
Speaker 2: tits out. Yeah, so so he should have known better. Man,

1043
00:53:41,719 --> 00:53:44,240
Speaker 2: He like, like this is but this is what I'm saying.

1044
00:53:44,920 --> 00:53:48,160
Speaker 2: Was there some kind of prior in her action to

1045
00:53:48,239 --> 00:53:51,640
Speaker 2: where he felt like it was cool to walk up

1046
00:53:51,680 --> 00:53:55,440
Speaker 2: and do that, because it wasn't like she turned around,

1047
00:53:55,520 --> 00:53:58,440
Speaker 2: looked at him and slapped his shit at She didn't

1048
00:53:58,520 --> 00:54:01,360
Speaker 2: run out the room, like, oh my god, I'm embarrassed.

1049
00:54:01,360 --> 00:54:04,160
Speaker 2: He sat there with an open mouth, giggling like, oh

1050
00:54:04,200 --> 00:54:06,840
Speaker 2: my god, he just showed my tit, you get me?

1051
00:54:07,320 --> 00:54:13,799
Speaker 2: So was it some prior interaction because if that was

1052
00:54:13,960 --> 00:54:16,560
Speaker 2: if that was my broad, she'd have turned around and

1053
00:54:16,560 --> 00:54:19,520
Speaker 2: slapped the shit out of that, you get me, or

1054
00:54:20,600 --> 00:54:24,440
Speaker 2: some would have happened. But it turned into a situation,

1055
00:54:24,680 --> 00:54:27,560
Speaker 2: Like you said, she's sitting there smiling and giggling. So

1056
00:54:27,800 --> 00:54:30,440
Speaker 2: what you could have been very nervous too and didn't

1057
00:54:30,480 --> 00:54:33,000
Speaker 2: know what to do. But do that I'm not saying

1058
00:54:33,000 --> 00:54:35,680
Speaker 2: because I wasn't near dog, but yeah, but but still

1059
00:54:36,120 --> 00:54:39,080
Speaker 2: ten years later though, bro, But my thing is, it's

1060
00:54:39,120 --> 00:54:43,600
Speaker 2: still gonna be some kind of incident to where you

1061
00:54:43,760 --> 00:54:47,400
Speaker 2: finna be let known that that wasn't cool, you know me?

1062
00:54:47,520 --> 00:54:49,680
Speaker 2: That's all I'm saying. You're finna be I'm finna turn

1063
00:54:49,719 --> 00:54:52,359
Speaker 2: around and be like why would you do that? And

1064
00:54:52,360 --> 00:54:54,719
Speaker 2: and and I'm finna be like, oh, you get me.

1065
00:54:55,200 --> 00:54:57,440
Speaker 2: It wouldn't be an incident to where I'm standing there

1066
00:54:57,480 --> 00:55:00,680
Speaker 2: giggling and laughing and everybody's standing there, and I'm still

1067
00:55:01,360 --> 00:55:02,160
Speaker 2: I'm still.

1068
00:55:01,880 --> 00:55:04,640
Speaker 4: Gonna live a decade of your life after this incident.

1069
00:55:06,040 --> 00:55:09,719
Speaker 2: And since this it's a trend, so so what you've

1070
00:55:09,719 --> 00:55:13,319
Speaker 2: been watching him for ten years and what, Yeah, did

1071
00:55:13,360 --> 00:55:16,640
Speaker 2: you not feel like three years ago it was appropriate

1072
00:55:16,680 --> 00:55:20,520
Speaker 2: to do or a year after that, or you know,

1073
00:55:20,600 --> 00:55:24,080
Speaker 2: I'm pretty sure you watched his career. I mean, you know,

1074
00:55:24,480 --> 00:55:27,279
Speaker 2: at any given time you could have been like, oh no,

1075
00:55:27,320 --> 00:55:30,840
Speaker 2: I'm finna hit this motherfucker right now. To me, it

1076
00:55:30,920 --> 00:55:34,719
Speaker 2: is like a setup to where, Okay, now he's been

1077
00:55:34,800 --> 00:55:38,560
Speaker 2: convicted of the meg shit, so you're.

1078
00:55:38,360 --> 00:55:39,359
Speaker 1: Definitely gonna win.

1079
00:55:39,480 --> 00:55:45,280
Speaker 2: Now, you get me, because who wants more negative press?

1080
00:55:45,680 --> 00:55:49,799
Speaker 1: You get me. So so let's that's just like a lawyer.

1081
00:55:49,840 --> 00:55:52,560
Speaker 2: You're gonna tell you, let's reach for the let's reach

1082
00:55:52,640 --> 00:55:54,839
Speaker 2: for the for the fucking moon and hope we get

1083
00:55:54,840 --> 00:55:55,440
Speaker 2: the stars.

1084
00:55:55,640 --> 00:55:57,239
Speaker 3: You get me, you know what. And then I'm gonna

1085
00:55:57,239 --> 00:56:00,840
Speaker 3: tell you this too. It's obviously video footage of this stuff.

1086
00:56:01,280 --> 00:56:04,520
Speaker 3: We just saw the video, right yeah, ain't no telling

1087
00:56:04,520 --> 00:56:07,560
Speaker 3: that her daddy's sitting at home looking on to see Nowadays,

1088
00:56:07,880 --> 00:56:09,400
Speaker 3: it ain't like back in the day to where you

1089
00:56:09,400 --> 00:56:11,640
Speaker 3: could do that. Should nobody ever see it? Nowadays, your

1090
00:56:11,719 --> 00:56:14,120
Speaker 3: daddy could be sitting up in the bathroom looking at

1091
00:56:14,120 --> 00:56:16,320
Speaker 3: the phone and all of a sudden, some ship Popper twenty.

1092
00:56:16,160 --> 00:56:18,080
Speaker 4: Thirteen the internet was active, so it ain't like that

1093
00:56:18,160 --> 00:56:21,440
Speaker 4: was in the prettystormic times where the video just service just.

1094
00:56:21,440 --> 00:56:24,880
Speaker 3: Saw you know what, I'm saying something that was upset

1095
00:56:25,840 --> 00:56:26,960
Speaker 3: though I didn't know what to do.

1096
00:56:27,280 --> 00:56:31,239
Speaker 4: Oh, it's because it's a whole movement protecting and advocating

1097
00:56:31,239 --> 00:56:35,720
Speaker 4: this type of stuff. Who's who's to protect artists, actors

1098
00:56:35,719 --> 00:56:38,120
Speaker 4: and when they these women are in these settings and

1099
00:56:38,160 --> 00:56:40,240
Speaker 4: hopes to meet these kind of guys and get the.

1100
00:56:40,040 --> 00:56:43,600
Speaker 2: Fucking is holding this video ship yeah ten years ago

1101
00:56:43,840 --> 00:56:46,560
Speaker 2: on the on their phone or something like.

1102
00:56:47,640 --> 00:56:50,239
Speaker 4: Man, you can claim anything now you're guilty by the

1103
00:56:50,280 --> 00:56:55,000
Speaker 4: about the accusation Nowadays, public opinion guilt is way deeper

1104
00:56:55,040 --> 00:56:56,320
Speaker 4: than the court guilt.

1105
00:56:56,320 --> 00:56:58,440
Speaker 3: Now man, the court of look.

1106
00:56:58,360 --> 00:57:02,120
Speaker 4: When the case is still got a civily hey opinion.

1107
00:57:02,120 --> 00:57:04,319
Speaker 3: I don't have niggas tell me what I'm doing. Dog

1108
00:57:04,400 --> 00:57:07,640
Speaker 3: that don't know nothing about me, write me whole motherfucking

1109
00:57:07,640 --> 00:57:10,640
Speaker 3: scriptures on Instagram. You did this to such and suction,

1110
00:57:10,800 --> 00:57:11,440
Speaker 3: You did this.

1111
00:57:11,719 --> 00:57:14,120
Speaker 1: You're still getting blamed for fucking with people.

1112
00:57:14,200 --> 00:57:15,120
Speaker 3: Man all the time.

1113
00:57:15,239 --> 00:57:19,320
Speaker 2: Dog, I'm gonna let them know you're doing something. You

1114
00:57:19,480 --> 00:57:22,520
Speaker 2: still getting blame, man, They still mad at what you

1115
00:57:22,640 --> 00:57:24,000
Speaker 2: did all the time.

1116
00:57:24,080 --> 00:57:25,840
Speaker 3: You know what, it's the main two or three niggas

1117
00:57:25,920 --> 00:57:28,240
Speaker 3: dog the same, They still going. They just go at

1118
00:57:28,280 --> 00:57:30,680
Speaker 3: you and they make it theyselves every point, every time

1119
00:57:30,720 --> 00:57:32,520
Speaker 3: they tell me, I ain't fucking with y'all. But here

1120
00:57:32,560 --> 00:57:36,080
Speaker 3: they come every week with the same old every video

1121
00:57:37,200 --> 00:57:38,200
Speaker 3: hit the ground.

1122
00:57:38,040 --> 00:57:40,880
Speaker 1: Still getting blamed, still.

1123
00:57:40,400 --> 00:57:45,040
Speaker 2: Steal you fucked off the show man. How could you

1124
00:57:45,240 --> 00:57:48,400
Speaker 2: do that to him? How could you? And Man, I

1125
00:57:48,440 --> 00:57:51,680
Speaker 2: ain't fucking with you no more. Still and then tomorrow

1126
00:57:51,920 --> 00:57:59,960
Speaker 2: you see up there again, Jane, Yeah, fuck you again. Yeah,

1127
00:58:00,200 --> 00:58:04,520
Speaker 2: and I'll be back to borrow motherfucking mind. Man.

1128
00:58:05,920 --> 00:58:07,840
Speaker 3: You know what, though, One thing I want to clear

1129
00:58:07,920 --> 00:58:09,840
Speaker 3: up though, Man, I don't think no man should put

1130
00:58:09,880 --> 00:58:12,520
Speaker 3: his hands on no female if if he ain't invited

1131
00:58:12,560 --> 00:58:14,760
Speaker 3: to do so, dog, you shouldn't do it. And I

1132
00:58:14,760 --> 00:58:17,160
Speaker 3: do think that women do have the right to seek

1133
00:58:17,240 --> 00:58:19,960
Speaker 3: retribution as do men. Because I'm gonna tell you what

1134
00:58:20,040 --> 00:58:22,480
Speaker 3: I didn't like when I was going to road with

1135
00:58:22,520 --> 00:58:26,000
Speaker 3: my artist or whatever, dog you gotta. This is an

1136
00:58:26,080 --> 00:58:29,200
Speaker 3: era of aggressive ass women. I don't have women grab

1137
00:58:29,280 --> 00:58:31,480
Speaker 3: my ass before a dog or try to grab me

1138
00:58:31,480 --> 00:58:33,880
Speaker 3: and my ship. And I almost stole on the motherfucker

1139
00:58:33,920 --> 00:58:34,400
Speaker 3: before a dog.

1140
00:58:34,440 --> 00:58:36,200
Speaker 2: I don't want don't. I don't get sued.

1141
00:58:38,040 --> 00:58:38,840
Speaker 4: She gonna sue you.

1142
00:58:38,880 --> 00:58:40,560
Speaker 3: How many women you don't have? Eight? No one came

1143
00:58:40,600 --> 00:58:42,200
Speaker 3: and just grabbed you A did some shit it feel

1144
00:58:42,200 --> 00:58:43,040
Speaker 3: like because you're a rapper.

1145
00:58:43,160 --> 00:58:47,880
Speaker 2: I didn't have that because you probably so stand off

1146
00:58:48,160 --> 00:58:51,880
Speaker 2: I was. I was stand offish and I was unapproachable, So.

1147
00:58:54,040 --> 00:58:54,480
Speaker 1: I didn't.

1148
00:58:54,600 --> 00:58:58,080
Speaker 2: I didn't give that that or that that of what

1149
00:58:58,400 --> 00:59:00,920
Speaker 2: you know, I'm a one up and grab him on

1150
00:59:00,960 --> 00:59:04,920
Speaker 2: the ad. No, I represented a different type of nigga

1151
00:59:05,000 --> 00:59:06,600
Speaker 2: when I was going out, So.

1152
00:59:08,080 --> 00:59:08,600
Speaker 1: I didn't.

1153
00:59:08,640 --> 00:59:11,440
Speaker 2: I didn't. I didn't get approached by those type of females.

1154
00:59:11,600 --> 00:59:14,080
Speaker 2: I didn't look like I didn't look like the money.

1155
00:59:14,120 --> 00:59:16,280
Speaker 2: I didn't look like the money played, or I didn't

1156
00:59:16,280 --> 00:59:18,880
Speaker 2: look like the I looked like the nigga who would

1157
00:59:18,880 --> 00:59:21,840
Speaker 2: turn around and pabably tel niggas to jump your ass

1158
00:59:21,960 --> 00:59:26,360
Speaker 2: or I would probably you thought a lot of females

1159
00:59:26,400 --> 00:59:29,760
Speaker 2: would say, oh, you was the unapproachable nigga, because you

1160
00:59:29,800 --> 00:59:33,200
Speaker 2: would you look like. So I didn't get none of that.

1161
00:59:33,400 --> 00:59:36,520
Speaker 2: You know, I didn't get women grabbing on the ass

1162
00:59:36,640 --> 00:59:39,920
Speaker 2: or you know, hey, nigga, let me you know I mean,

1163
00:59:39,960 --> 00:59:40,560
Speaker 2: and then you.

1164
00:59:40,480 --> 00:59:43,560
Speaker 4: Know what you be the what if you was the

1165
00:59:43,640 --> 00:59:45,600
Speaker 4: nigga that set up there and you and the in

1166
00:59:45,640 --> 00:59:48,080
Speaker 4: the day, we all rocking and rolling outside. You out

1167
00:59:48,080 --> 00:59:50,240
Speaker 4: there on the news because some girl grabbed you and swipe.

1168
00:59:50,280 --> 00:59:52,480
Speaker 4: They looked like this bitch ass nigga, you supposed.

1169
00:59:52,120 --> 00:59:52,840
Speaker 3: To be happy.

1170
00:59:54,360 --> 00:59:57,720
Speaker 2: You supposed to be happy to bitch was on. Yeah, yeah,

1171
00:59:57,760 --> 00:59:59,920
Speaker 2: back in those days, what's wrong with you?

1172
01:00:00,720 --> 01:00:03,960
Speaker 3: Yeah, it's like thinking about it. Not like this though, Dog,

1173
01:00:04,040 --> 01:00:04,760
Speaker 3: you're in the area now.

1174
01:00:05,000 --> 01:00:07,680
Speaker 2: Nigga called, nigga called you one of them letters.

1175
01:00:07,680 --> 01:00:10,840
Speaker 3: Man, Man, you gotta the beauty ain't on him too?

1176
01:00:10,920 --> 01:00:17,120
Speaker 2: Movement nigga on two step ass niggas.

1177
01:00:17,120 --> 01:00:19,400
Speaker 3: You finding out now, old dog. It's like I see

1178
01:00:19,400 --> 01:00:22,480
Speaker 3: these teachers, right, they get God for fucking these students,

1179
01:00:22,520 --> 01:00:24,800
Speaker 3: you know, these fifteen, you know year old students and

1180
01:00:24,800 --> 01:00:27,400
Speaker 3: shit like that right to women. And you look at

1181
01:00:27,400 --> 01:00:29,880
Speaker 3: these women to be like, damn, she overdy fucking with

1182
01:00:29,920 --> 01:00:33,760
Speaker 3: little kids and these little niggas is really you know,

1183
01:00:34,760 --> 01:00:35,200
Speaker 3: just think.

1184
01:00:35,080 --> 01:00:38,000
Speaker 2: About the era wind they not feeling attractive at home

1185
01:00:38,080 --> 01:00:41,480
Speaker 2: and the husband's not doing something or whatever, you know,

1186
01:00:41,680 --> 01:00:46,000
Speaker 2: making Mary Poppins feel like that she got, she got,

1187
01:00:46,160 --> 01:00:48,840
Speaker 2: she got a little horny. The fifteen year old dick

1188
01:00:48,880 --> 01:00:53,080
Speaker 2: hard and shit and she's feeling like shit, I'm feeling

1189
01:00:53,160 --> 01:00:54,000
Speaker 2: attractive and.

1190
01:00:54,040 --> 01:00:56,720
Speaker 4: Good teacher, teacher going home now with the ig man

1191
01:00:57,640 --> 01:00:59,960
Speaker 4: different person Facebook page.

1192
01:01:00,160 --> 01:01:04,000
Speaker 2: Because these young young, young little boys is coming into

1193
01:01:04,040 --> 01:01:08,200
Speaker 2: their little sexuality and they looking at girls on Instagram

1194
01:01:08,200 --> 01:01:10,880
Speaker 2: of bikinis and all that. Man, they get a chance

1195
01:01:10,920 --> 01:01:14,600
Speaker 2: to knock out at fifteen years old, you get to yeah, nigga,

1196
01:01:14,640 --> 01:01:17,800
Speaker 2: she finna blow you down and get you some good

1197
01:01:17,920 --> 01:01:18,840
Speaker 2: grown pu.

1198
01:01:18,680 --> 01:01:21,800
Speaker 3: Seeing this ain't just started happening. So that means tell

1199
01:01:21,840 --> 01:01:23,840
Speaker 3: me that these little niggas nowadays just can't keep their

1200
01:01:23,840 --> 01:01:28,600
Speaker 3: mouth shut. Because I'm gonna tell you we got internet.

1201
01:01:28,760 --> 01:01:30,840
Speaker 1: We got internet and ship now. Man.

1202
01:01:30,960 --> 01:01:33,600
Speaker 2: Can you tell me you got internet and ship now?

1203
01:01:33,640 --> 01:01:33,840
Speaker 1: Man?

1204
01:01:34,080 --> 01:01:37,520
Speaker 2: Come on, you can't be fifteen living at home with

1205
01:01:37,600 --> 01:01:41,520
Speaker 2: your parents fucking your teacher. They gonna find out. I'm

1206
01:01:41,520 --> 01:01:43,840
Speaker 2: just gonna go through your phone or they got something

1207
01:01:43,880 --> 01:01:46,440
Speaker 2: where they can go through your ship. They don't seen

1208
01:01:46,520 --> 01:01:49,920
Speaker 2: Miss Mary send you a couple of ass shots, man, Man,

1209
01:01:50,000 --> 01:01:51,200
Speaker 2: come on, you this.

1210
01:01:53,280 --> 01:01:57,040
Speaker 3: When you was around fifteen to sixteen, you knew some

1211
01:01:57,200 --> 01:01:59,280
Speaker 3: niggas that was fucking the old bro in the hood.

1212
01:01:59,400 --> 01:02:01,880
Speaker 3: Somebody like oh, Nigga, you fucking her. She's thirty Thigga,

1213
01:02:01,960 --> 01:02:03,600
Speaker 3: she twenty nine. She thirty five.

1214
01:02:04,160 --> 01:02:04,600
Speaker 1: That was me.

1215
01:02:04,720 --> 01:02:07,880
Speaker 2: I was that stroking me an older woman. I was.

1216
01:02:08,160 --> 01:02:11,320
Speaker 2: I was that an older woman when I was younger.

1217
01:02:11,560 --> 01:02:15,240
Speaker 2: I mean it was like I said, it was, it was.

1218
01:02:16,640 --> 01:02:19,280
Speaker 2: It wasn't frown upon. That's what I'm saying. I went

1219
01:02:19,320 --> 01:02:27,200
Speaker 2: to Chris Shaw. Nigga said, off, I got a grown

1220
01:02:27,240 --> 01:02:28,960
Speaker 2: ass woman. You know what I'm saying.

1221
01:02:29,000 --> 01:02:31,560
Speaker 4: Like I'm going to the I'm going to school and

1222
01:02:31,600 --> 01:02:32,960
Speaker 4: getting dropped off by my bra.

1223
01:02:33,320 --> 01:02:35,920
Speaker 3: You getting feeling. Do you feel like you've been abused?

1224
01:02:35,960 --> 01:02:38,440
Speaker 2: I was honored out of I was. I was.

1225
01:02:38,600 --> 01:02:39,080
Speaker 3: I was.

1226
01:02:39,320 --> 01:02:40,680
Speaker 2: I was the g at the dice game.

1227
01:02:41,400 --> 01:02:42,440
Speaker 3: I was like this.

1228
01:02:42,600 --> 01:02:45,320
Speaker 2: Nigga still said, hey, Kateo, your girl can take us

1229
01:02:45,320 --> 01:02:50,040
Speaker 2: to Earl's Wieners. She be. I feel I never tell

1230
01:02:50,080 --> 01:02:53,720
Speaker 2: on her on the right, Nigga said, we stayed together

1231
01:02:53,840 --> 01:02:56,240
Speaker 2: nine years. We stayed together about seven eight years. We

1232
01:02:56,280 --> 01:02:59,320
Speaker 2: were together about seven eight years. Still said, hey man,

1233
01:02:59,360 --> 01:03:03,840
Speaker 2: I'm just wanting cause abuse. He said, you didn't feel abused,

1234
01:03:04,160 --> 01:03:06,240
Speaker 2: was just sitting at the court. You're sitting at the

1235
01:03:06,280 --> 01:03:09,480
Speaker 2: corner after holding your swipe with your leg crossed like

1236
01:03:09,760 --> 01:03:13,080
Speaker 2: shivering and shiit she she just she just touched me

1237
01:03:13,200 --> 01:03:17,960
Speaker 2: how appropriately. Bigga was like mad, Nigga that mad. She

1238
01:03:18,080 --> 01:03:20,280
Speaker 2: did some things to be Nigga. I will be here

1239
01:03:20,640 --> 01:03:22,400
Speaker 2: for the rest of my life for me to talk

1240
01:03:22,440 --> 01:03:26,720
Speaker 2: to somebody my age. Bet I bet I run into

1241
01:03:26,760 --> 01:03:30,640
Speaker 2: no bitch my age because I would be like, shit, yeah's.

1242
01:03:30,080 --> 01:03:32,200
Speaker 1: Mary did this and she did this?

1243
01:03:32,360 --> 01:03:35,000
Speaker 2: Is park girl gonna be looking like what the fuck

1244
01:03:35,120 --> 01:03:36,040
Speaker 2: is Parker? Was real?

1245
01:03:36,160 --> 01:03:36,360
Speaker 3: Man?

1246
01:03:36,360 --> 01:03:37,600
Speaker 2: That Friday scene was real.

1247
01:03:37,680 --> 01:03:39,520
Speaker 3: That was reality, sure, and you kind of man that

1248
01:03:39,680 --> 01:03:41,880
Speaker 3: just got cracked for having sex with a sixteen year

1249
01:03:41,920 --> 01:03:46,120
Speaker 3: old student and you kype of high school teacher has

1250
01:03:46,160 --> 01:03:49,280
Speaker 3: been arrested for unlawful sexual intercourse with a minor the

1251
01:03:49,400 --> 01:03:52,480
Speaker 3: Sam Bernardino County Sheriff's Department and then.

1252
01:03:52,360 --> 01:03:54,960
Speaker 1: The sixteen he was already stroke her.

1253
01:03:55,480 --> 01:03:56,440
Speaker 2: That's why she picked it.

1254
01:03:56,760 --> 01:03:58,120
Speaker 1: He was already stroking.

1255
01:03:58,240 --> 01:03:59,600
Speaker 3: She's thirty eight years old.

1256
01:04:00,680 --> 01:04:03,720
Speaker 2: Nigga, that was proper. He was like, oh, he was

1257
01:04:03,760 --> 01:04:06,760
Speaker 2: getting the he was getting everything. He had, all the

1258
01:04:06,880 --> 01:04:10,760
Speaker 2: jay higgas he was you you know at sixteen, you

1259
01:04:10,800 --> 01:04:16,280
Speaker 2: know depending look at sixteen. Depending Also, he was probably

1260
01:04:16,520 --> 01:04:21,840
Speaker 2: a white kid, so he probably wasn't getting everything that

1261
01:04:21,960 --> 01:04:25,520
Speaker 2: comes to offer with with with you know, with that age,

1262
01:04:25,640 --> 01:04:29,400
Speaker 2: with his age group, he probably had a little pussy experienced,

1263
01:04:29,400 --> 01:04:33,240
Speaker 2: little finger banging, whatever. But at that age thirty eight,

1264
01:04:33,680 --> 01:04:36,120
Speaker 2: nigga she doing all the tricks.

1265
01:04:36,320 --> 01:04:38,560
Speaker 3: She won Teachers of the Teacher for the Year award

1266
01:04:38,640 --> 01:04:39,280
Speaker 3: in two thousand.

1267
01:04:40,280 --> 01:04:44,440
Speaker 2: Yeah, because she's school she is really schooling the puling kids.

1268
01:04:44,480 --> 01:04:47,640
Speaker 2: She's helping the pupils. Advanced man, leave her alone.

1269
01:04:47,800 --> 01:04:50,440
Speaker 3: Believe that there may be additional victims and niggas like

1270
01:04:50,440 --> 01:04:51,400
Speaker 3: I ain't saying enough.

1271
01:04:51,440 --> 01:04:53,120
Speaker 1: Nigga shit stanty man.

1272
01:04:53,320 --> 01:04:55,600
Speaker 2: See, if y'all were smart enough, you would have kept

1273
01:04:55,640 --> 01:04:58,919
Speaker 2: your mouth quiet, everybody would have been getting everybody would

1274
01:04:58,920 --> 01:05:02,040
Speaker 2: have been getting extra credit. You would have been getting

1275
01:05:02,240 --> 01:05:05,640
Speaker 2: extra credit in class. But somebody had to go on

1276
01:05:05,760 --> 01:05:10,000
Speaker 2: head and blow the whistle. And she was probably serving

1277
01:05:10,080 --> 01:05:12,200
Speaker 2: a few. Like I'm gonna tell you how I got caught.

1278
01:05:12,240 --> 01:05:14,800
Speaker 2: It was some nigga that wasn't use to somebody show

1279
01:05:14,960 --> 01:05:19,560
Speaker 2: some look at this, look at this. Nigga got jealous.

1280
01:05:19,600 --> 01:05:22,160
Speaker 2: She done send him some pictures or something. She donna

1281
01:05:22,160 --> 01:05:24,880
Speaker 2: send him some pictures. And like she said, it was

1282
01:05:24,960 --> 01:05:28,640
Speaker 2: multiple victims, so she doesn't hit the wrong one and

1283
01:05:28,720 --> 01:05:32,200
Speaker 2: he don't win and show Timmy or somebody. And Timmy

1284
01:05:32,320 --> 01:05:35,400
Speaker 2: got bad because he was like, damn, I thought it

1285
01:05:35,480 --> 01:05:36,120
Speaker 2: was all me.

1286
01:05:36,760 --> 01:05:38,960
Speaker 3: All me instead of just tripping. Because I'm gonna.

1287
01:05:38,760 --> 01:05:40,640
Speaker 1: Tell you she giving a couple of niggas a.

1288
01:05:41,960 --> 01:05:44,680
Speaker 3: I'm gonna tell you that she was the urn with

1289
01:05:44,760 --> 01:05:45,520
Speaker 3: the turn.

1290
01:05:45,480 --> 01:05:48,160
Speaker 2: When niggas get to when niggas get to a third grade,

1291
01:05:48,480 --> 01:05:51,520
Speaker 2: they tell you, yeah, we're gonna send you to miss Mary.

1292
01:05:51,680 --> 01:05:54,320
Speaker 2: She gonna take care of you home room. She was

1293
01:05:54,360 --> 01:05:57,800
Speaker 2: the thing. Yeah, she was the right of passage. When

1294
01:05:57,840 --> 01:06:01,320
Speaker 2: you turned sixteen, we gonna see you to Miss Mary.

1295
01:06:01,520 --> 01:06:02,840
Speaker 2: Is she gonna do you good?

1296
01:06:03,480 --> 01:06:06,440
Speaker 3: Never be the same, I'm telling you, Dog, you know

1297
01:06:06,520 --> 01:06:07,240
Speaker 3: what's crazy though?

1298
01:06:07,320 --> 01:06:07,560
Speaker 4: Dog?

1299
01:06:07,800 --> 01:06:12,000
Speaker 3: All this stuff man, it's like Bill calls me situation man.

1300
01:06:12,120 --> 01:06:16,320
Speaker 3: Seemed like it just opened up a floodgate for everybody

1301
01:06:16,760 --> 01:06:18,960
Speaker 3: to come out. Oh and he got it's a former

1302
01:06:19,040 --> 01:06:24,840
Speaker 3: Playboy model Victoria Valentino hassed, drugging and raping her in

1303
01:06:24,920 --> 01:06:28,840
Speaker 3: nineteen sixty nine and accusers of Nevada playing legal action

1304
01:06:29,000 --> 01:06:31,960
Speaker 3: things to look back window loss. See this look back

1305
01:06:32,000 --> 01:06:35,360
Speaker 3: window law, dog is really a vaslation right there? Yes,

1306
01:06:35,520 --> 01:06:38,680
Speaker 3: who's to say that? Some shit a nigga might not

1307
01:06:38,720 --> 01:06:41,240
Speaker 3: even be thinking about. Let's say you accidentally bumped into

1308
01:06:41,240 --> 01:06:43,160
Speaker 3: a broad a year ago and you bumped up against

1309
01:06:43,200 --> 01:06:46,520
Speaker 3: her bore, not on purpose, but you walked past. Oh

1310
01:06:46,800 --> 01:06:51,280
Speaker 3: this nigga eight touched my ass ten years ago. So

1311
01:06:51,480 --> 01:06:52,200
Speaker 3: is that What state?

1312
01:06:52,280 --> 01:06:53,600
Speaker 2: Is that law cracking in? Man?

1313
01:06:53,720 --> 01:06:56,160
Speaker 3: That's California. Let me see the look back.

1314
01:06:56,320 --> 01:06:59,000
Speaker 2: You know, the other cases was in Philly. This a

1315
01:06:59,040 --> 01:07:03,320
Speaker 2: California woman tripping? Yeah, because it had she said, nineteen

1316
01:07:03,480 --> 01:07:14,800
Speaker 2: sixty nine. Damn Bertha Crippen. That's in Nevada. So what

1317
01:07:14,840 --> 01:07:17,880
Speaker 2: they did was they went and filed a case in Nevada.

1318
01:07:18,840 --> 01:07:23,440
Speaker 2: The incident didn't happen in Nevada, but she's probably staying

1319
01:07:23,640 --> 01:07:26,600
Speaker 2: there or whatever, so you can go file a case.

1320
01:07:27,600 --> 01:07:30,840
Speaker 3: Wow, Okay, listen. This this is why is important to

1321
01:07:30,880 --> 01:07:32,880
Speaker 3: be looking at those little things that come up in

1322
01:07:32,920 --> 01:07:36,000
Speaker 3: your mail about the different bills and stuff that's being passed,

1323
01:07:36,000 --> 01:07:40,240
Speaker 3: and motherfuckers don't pay attention. On January first, twenty twenty three,

1324
01:07:40,280 --> 01:07:43,560
Speaker 3: the Sexual Abuse and Cover Up Accountability Act, otherwise known

1325
01:07:43,560 --> 01:07:47,560
Speaker 3: as California Assembly Bill two seven seven seven, went into effect.

1326
01:07:47,600 --> 01:07:50,160
Speaker 3: The law opens up a three year look back window,

1327
01:07:50,200 --> 01:07:54,080
Speaker 3: permitting survivors to file civil claims for sexual assault beginning

1328
01:07:54,160 --> 01:07:58,120
Speaker 3: on January first, twenty twenty three, and ending on December

1329
01:07:58,160 --> 01:07:59,760
Speaker 3: thirty first, twenty twenty six.

1330
01:08:00,640 --> 01:08:03,040
Speaker 4: So mean, and basically, you still got time to get

1331
01:08:03,080 --> 01:08:05,600
Speaker 4: your money. We can't put them in jail, but you

1332
01:08:05,600 --> 01:08:06,520
Speaker 4: can get you some bread.

1333
01:08:08,600 --> 01:08:12,080
Speaker 3: Yep, because of the Meeting two movement. Now, I do

1334
01:08:12,240 --> 01:08:14,560
Speaker 3: think it's some motherfuckers that should be held accountable for

1335
01:08:14,600 --> 01:08:17,040
Speaker 3: some shit, to the course, but some of this shit

1336
01:08:17,120 --> 01:08:18,920
Speaker 3: is gonna get ridiculous, dog, I'm telling.

1337
01:08:18,760 --> 01:08:20,960
Speaker 4: You, that's what I'm saying. We ain't questioning accountability. We

1338
01:08:21,120 --> 01:08:25,559
Speaker 4: questioned in time frame and and and and and the

1339
01:08:25,760 --> 01:08:29,040
Speaker 4: energy behind what's moving people to us. Everybody energy ain't

1340
01:08:29,080 --> 01:08:29,600
Speaker 4: genuine with this.

1341
01:08:29,880 --> 01:08:32,240
Speaker 3: See if my daughter came to me and told me

1342
01:08:32,320 --> 01:08:34,880
Speaker 3: crying one day that the motherfucker did something to her

1343
01:08:35,360 --> 01:08:38,639
Speaker 3: eight years ago, you damn right. I want that motherfucker

1344
01:08:38,640 --> 01:08:40,200
Speaker 3: to pay real the beauty Now, I don't give a FUCKU.

1345
01:08:40,280 --> 01:08:42,719
Speaker 3: Sometimes it's hard for girls to come forward with certain

1346
01:08:42,720 --> 01:08:46,240
Speaker 3: shit for whatever reason. Dog, is is hard for especially

1347
01:08:46,240 --> 01:08:48,360
Speaker 3: for women to come up and say, you know what,

1348
01:08:48,439 --> 01:08:50,040
Speaker 3: this dude has been doing this to me because it

1349
01:08:50,120 --> 01:08:51,800
Speaker 3: might be a motherfucker family member.

1350
01:08:51,960 --> 01:08:53,880
Speaker 2: What's the ceiling on it to where.

1351
01:08:55,720 --> 01:08:59,560
Speaker 4: Accus you're getting accused of something but didn't do it,

1352
01:08:59,600 --> 01:09:03,120
Speaker 4: but still gotta pay because the accusation alone can damage

1353
01:09:03,120 --> 01:09:05,040
Speaker 4: your whole thing of what you got going on currently.

1354
01:09:05,439 --> 01:09:07,360
Speaker 4: Or you just break bread just to make it go away,

1355
01:09:07,400 --> 01:09:08,400
Speaker 4: and you didn't even do it.

1356
01:09:08,560 --> 01:09:10,280
Speaker 3: That's what I'm saying, because you know what I'm saying.

1357
01:09:10,360 --> 01:09:12,479
Speaker 3: It's some niggas that just don't have time for shit

1358
01:09:12,640 --> 01:09:15,320
Speaker 3: like that. They got a money play going on and

1359
01:09:15,360 --> 01:09:18,280
Speaker 3: they can't afford the bad press. So sometimes it's easy

1360
01:09:18,400 --> 01:09:20,320
Speaker 3: just to chip a broad off fifty thousand and sixty

1361
01:09:20,360 --> 01:09:22,240
Speaker 3: thousand dollars if you can hear you just take this.

1362
01:09:22,680 --> 01:09:24,720
Speaker 3: It's like the boy that was playing football, he had

1363
01:09:24,760 --> 01:09:27,320
Speaker 3: to be the dumbest motherfucker in the world. The boy

1364
01:09:27,320 --> 01:09:29,680
Speaker 3: that got caught going to massage parlers.

1365
01:09:29,600 --> 01:09:30,840
Speaker 2: Oh my god, from Cleveland.

1366
01:09:31,640 --> 01:09:33,799
Speaker 3: You had to dude that went over to Cleveland, right, yeah,

1367
01:09:33,840 --> 01:09:36,040
Speaker 3: because they offered him the opportunity. He should have just

1368
01:09:36,120 --> 01:09:38,479
Speaker 3: kicked them brawls down. You gonna got one hundred million

1369
01:09:38,520 --> 01:09:40,599
Speaker 3: dollar contract, my nigga, he was supposed to take five

1370
01:09:40,600 --> 01:09:42,519
Speaker 3: for that. He's going to break them holes off.

1371
01:09:42,640 --> 01:09:44,800
Speaker 4: I think that I think that the whole state and

1372
01:09:45,360 --> 01:09:48,680
Speaker 4: the organization at the time he was working for supplied

1373
01:09:48,760 --> 01:09:51,360
Speaker 4: him with all his wants, his little fetishal needs until

1374
01:09:51,360 --> 01:09:52,680
Speaker 4: it was time to go. Because if he never was

1375
01:09:52,680 --> 01:09:55,439
Speaker 4: gonna leave that squad, we would have never found out about.

1376
01:09:55,240 --> 01:09:55,679
Speaker 2: None of that.

1377
01:09:56,240 --> 01:09:58,160
Speaker 4: You know, he wasn't leaving the Texans. We wouldn't have

1378
01:09:58,200 --> 01:09:59,160
Speaker 4: found out about that shit.

1379
01:09:59,280 --> 01:10:00,880
Speaker 3: You know what, I still think.

1380
01:10:03,200 --> 01:10:04,840
Speaker 4: We wouldn't have found out if he wasn't leaving the

1381
01:10:04,880 --> 01:10:05,680
Speaker 4: damn Texas.

1382
01:10:05,960 --> 01:10:09,960
Speaker 3: You know what, See in the statue of limits sexual assault,

1383
01:10:09,960 --> 01:10:13,160
Speaker 3: the rapist twenty years to win the offense was committed,

1384
01:10:13,160 --> 01:10:15,200
Speaker 3: but if the victim reports it to the law enforcement

1385
01:10:15,240 --> 01:10:18,479
Speaker 3: like a police report for twenty years, there's no time limit.

1386
01:10:19,800 --> 01:10:21,479
Speaker 3: So what nigga could have did? Some shiit?

1387
01:10:21,640 --> 01:10:21,880
Speaker 2: Dog?

1388
01:10:22,360 --> 01:10:24,200
Speaker 3: You remember when we was kids, Dog, you can't tell

1389
01:10:24,240 --> 01:10:25,880
Speaker 3: them you ain't pinched little girls booties.

1390
01:10:25,680 --> 01:10:27,559
Speaker 4: And run to the bathroom and all that old that.

1391
01:10:27,840 --> 01:10:28,719
Speaker 2: Was the games you played.

1392
01:10:28,720 --> 01:10:31,160
Speaker 3: I go, Yeah, it was right though, But so if

1393
01:10:31,160 --> 01:10:33,439
Speaker 3: a nigga, So does that say that? Where if you

1394
01:10:33,520 --> 01:10:36,840
Speaker 3: a twenty five year old nigga, little Tunisia, who's booty

1395
01:10:36,880 --> 01:10:38,920
Speaker 3: you might have pinched back in third grade? Come back now,

1396
01:10:38,920 --> 01:10:41,680
Speaker 3: I said that nigga assaulted me. I'm suing his ass.

1397
01:10:43,880 --> 01:10:44,920
Speaker 3: This shit is getting crazy.

1398
01:10:44,960 --> 01:10:47,240
Speaker 4: The countless got that in games of how go get it?

1399
01:10:47,280 --> 01:10:48,240
Speaker 4: I can still get up.

1400
01:10:48,280 --> 01:10:50,599
Speaker 2: But she's saying the nigga drugged me in all kind

1401
01:10:50,640 --> 01:10:52,759
Speaker 2: of man these man, Bill calls.

1402
01:10:52,560 --> 01:10:56,160
Speaker 4: Me man, he giving them that Spanish fly man.

1403
01:10:58,640 --> 01:10:59,280
Speaker 1: That regard.

1404
01:10:59,400 --> 01:11:02,240
Speaker 2: Like I said, I'm not gonna you know, we're not

1405
01:11:02,280 --> 01:11:05,640
Speaker 2: gonna speak ill of the of the of the female

1406
01:11:06,000 --> 01:11:09,559
Speaker 2: because you know it doesn't matter. You know they'll you

1407
01:11:09,600 --> 01:11:12,559
Speaker 2: know it don't matter, and it's still and won't eele.

1408
01:11:12,600 --> 01:11:20,479
Speaker 2: But my thing is why now like no time limit whatever,

1409
01:11:20,600 --> 01:11:24,040
Speaker 2: you know, it's not right, whatever, But lives have changed.

1410
01:11:24,080 --> 01:11:27,519
Speaker 2: Situation Bill Cosby, one thousand years old. Man, we thought

1411
01:11:27,600 --> 01:11:31,240
Speaker 2: you want to you want I mean so at the

1412
01:11:31,439 --> 01:11:34,000
Speaker 2: end of the day, this is what I said.

1413
01:11:34,320 --> 01:11:36,120
Speaker 1: What's the end game? Okay?

1414
01:11:36,120 --> 01:11:39,360
Speaker 2: Because you you you you wanna go back and you

1415
01:11:39,400 --> 01:11:44,839
Speaker 2: wanna what proved that he drugged you in nineteen sixty nine, Okay,

1416
01:11:46,320 --> 01:11:51,400
Speaker 2: you didn't say nothing in seventy seventy one, two, three, four, five, six, seven, eight, nine,

1417
01:11:51,640 --> 01:11:53,120
Speaker 2: eighty one, two three.

1418
01:11:53,080 --> 01:11:57,840
Speaker 4: Four, five presidents ago, this man touched you. Druggs, you

1419
01:11:57,880 --> 01:12:00,960
Speaker 4: allegedly y'all was all getting drug that he wasn't even

1420
01:12:01,000 --> 01:12:02,920
Speaker 4: jumping on the boat with all those bronze in two

1421
01:12:02,960 --> 01:12:03,439
Speaker 4: thousand and eight.

1422
01:12:04,160 --> 01:12:07,360
Speaker 2: What it was at the Playboy Madge situation ship. They

1423
01:12:07,479 --> 01:12:10,040
Speaker 2: was all partying at the Playboy.

1424
01:12:10,240 --> 01:12:11,880
Speaker 3: Tell him what she had Bill do for her?

1425
01:12:12,240 --> 01:12:15,559
Speaker 2: Like they said he she was like an actor.

1426
01:12:15,600 --> 01:12:18,639
Speaker 4: She was doing something because you know, you know, met

1427
01:12:18,680 --> 01:12:21,679
Speaker 4: in the dressing room met him in the dressing room

1428
01:12:21,680 --> 01:12:24,120
Speaker 4: after the fat Abbut show or something.

1429
01:12:24,479 --> 01:12:27,439
Speaker 2: You know you have niggas, Hey check this out though

1430
01:12:28,000 --> 01:12:30,639
Speaker 2: my niggas was cold with the mickeys or something.

1431
01:12:30,640 --> 01:12:31,559
Speaker 1: What they was doing?

1432
01:12:31,640 --> 01:12:34,800
Speaker 4: Man, you ever listened to a Will Cosby kill?

1433
01:12:35,120 --> 01:12:36,120
Speaker 1: And what was they doing?

1434
01:12:36,280 --> 01:12:41,519
Speaker 2: Dropping something that you ever album? Have you ever listened

1435
01:12:41,520 --> 01:12:44,760
Speaker 2: to a Bill Cosby Tommy Alam to tell you?

1436
01:12:44,760 --> 01:12:45,920
Speaker 3: I'm about to tell you real talk.

1437
01:12:45,920 --> 01:12:49,040
Speaker 1: I'm about to tell you Bill Cosby like he was.

1438
01:12:49,240 --> 01:12:51,559
Speaker 2: He was a star right his albums. He was a

1439
01:12:51,600 --> 01:12:55,519
Speaker 2: star right about that on the jokes, Yeah, I think

1440
01:12:55,560 --> 01:12:58,799
Speaker 2: it was a star right back then, Sidney forty eight movies.

1441
01:12:59,120 --> 01:12:59,960
Speaker 1: He was doing it all.

1442
01:13:00,080 --> 01:13:04,639
Speaker 2: See Jackie Box, how you drugging the holes just off

1443
01:13:04,680 --> 01:13:06,800
Speaker 2: of the bitch. A couple of dollars man to get

1444
01:13:06,880 --> 01:13:10,559
Speaker 2: you some bussy. Why he's in there. He won't hey stell,

1445
01:13:10,840 --> 01:13:12,559
Speaker 2: he WoT him down in his bedroom.

1446
01:13:12,600 --> 01:13:16,160
Speaker 1: He won him like this. Still, he wold him like

1447
01:13:16,240 --> 01:13:17,200
Speaker 1: this when he walk.

1448
01:13:17,080 --> 01:13:21,360
Speaker 4: In ready, man, hein't got no time for still, no

1449
01:13:21,439 --> 01:13:22,040
Speaker 4: tumble along.

1450
01:13:22,160 --> 01:13:31,160
Speaker 2: He would want no downlogue take one niggas one nigga

1451
01:13:31,200 --> 01:13:34,960
Speaker 2: won her in the guan in the corner. Look look

1452
01:13:35,040 --> 01:13:37,680
Speaker 2: he he start off like this. He walking in here,

1453
01:13:38,080 --> 01:13:41,040
Speaker 2: he start doing like this on her. There she go

1454
01:13:41,800 --> 01:13:42,360
Speaker 2: all right, she.

1455
01:13:42,439 --> 01:13:43,760
Speaker 3: Ready let me pull that clip up.

1456
01:13:43,800 --> 01:13:47,960
Speaker 2: She ready, she ready ready, Look, Kate, did he start

1457
01:13:48,000 --> 01:13:50,679
Speaker 2: doing what of these with the jacket? He started pulling

1458
01:13:50,720 --> 01:13:55,400
Speaker 2: off that cash mirror. No, he got started zipping. He

1459
01:13:55,439 --> 01:13:58,920
Speaker 2: started zipping the sweater and then he make one grab

1460
01:13:59,000 --> 01:14:02,439
Speaker 2: for that breast from that bear breast out. It's probably

1461
01:14:02,560 --> 01:14:05,599
Speaker 2: just bear and just he just grabbing all the down

1462
01:14:05,600 --> 01:14:09,280
Speaker 2: with this coat. She's like, take this spoonful of pudding.

1463
01:14:09,680 --> 01:14:13,960
Speaker 1: Hey, she probably over here, just be like, oh yeah,

1464
01:14:14,000 --> 01:14:14,960
Speaker 1: she ready.

1465
01:14:14,760 --> 01:14:17,360
Speaker 4: Wake up with the money on the dresser, and he

1466
01:14:17,439 --> 01:14:18,280
Speaker 4: gone wake up.

1467
01:14:18,320 --> 01:14:22,320
Speaker 2: The titties is out, the skirt pulled up. Bill over

1468
01:14:22,360 --> 01:14:23,639
Speaker 2: there eating some jell O.

1469
01:14:23,720 --> 01:14:30,520
Speaker 3: Pudding on the phone with Camille.

1470
01:14:31,000 --> 01:14:32,479
Speaker 4: Soon as you said something up.

1471
01:14:32,720 --> 01:14:36,960
Speaker 2: They said that nigga that got inside, he got himself

1472
01:14:36,960 --> 01:14:39,320
Speaker 2: and slid out the door with the bitch. Wake up,

1473
01:14:39,439 --> 01:14:43,320
Speaker 2: she finds it. What the fuck is up up? Bill's

1474
01:14:43,360 --> 01:14:45,640
Speaker 2: old sets up and they got his fat out. Her

1475
01:14:45,680 --> 01:14:53,280
Speaker 2: voice going on over, they said and fed out. I'm

1476
01:14:53,360 --> 01:14:56,840
Speaker 2: just saying, no one nigga was large. Why the nigga

1477
01:14:56,960 --> 01:15:00,280
Speaker 2: drugging him though? He just he did like I said.

1478
01:15:00,080 --> 01:15:03,320
Speaker 3: He drug he made it. He made a joke about it.

1479
01:15:03,600 --> 01:15:07,160
Speaker 3: Here it is right there. During the segment, Cosby recalls

1480
01:15:07,200 --> 01:15:09,680
Speaker 3: hearing the myth of Spanish fly as a boy. It's

1481
01:15:09,720 --> 01:15:12,840
Speaker 3: believe in there for DZ because then Cosby words light

1482
01:15:12,920 --> 01:15:16,240
Speaker 3: up women. The routine turns more unsully than when Cosby

1483
01:15:16,280 --> 01:15:19,040
Speaker 3: fast forward to his adult life on the TV show

1484
01:15:19,080 --> 01:15:21,840
Speaker 3: he started in filmed in Spain. According to Cause You,

1485
01:15:21,920 --> 01:15:24,679
Speaker 3: both he and the Coach star Bob Cupp couldn't wait

1486
01:15:24,720 --> 01:15:26,840
Speaker 3: to get their hands with some Spanish fly to use

1487
01:15:26,880 --> 01:15:28,439
Speaker 3: on women in the land of Spanish Fly.

1488
01:15:29,720 --> 01:15:32,640
Speaker 4: Yeahs, to use his albums to help with my monologues.

1489
01:15:32,640 --> 01:15:34,200
Speaker 4: When I was in Jedia highs, I would listen to

1490
01:15:34,280 --> 01:15:38,680
Speaker 4: his album so I was the teacher tell me he

1491
01:15:38,720 --> 01:15:41,080
Speaker 4: had all the Spanish fly junks though, so of course

1492
01:15:41,120 --> 01:15:44,840
Speaker 4: I didn't pick them, but retrospect, I remember he always.

1493
01:15:44,560 --> 01:15:47,880
Speaker 2: As my nigga live. That's fly Nigga. I told you

1494
01:15:48,320 --> 01:15:52,000
Speaker 2: he won't to bitch. He won't to just fucked up

1495
01:15:52,120 --> 01:15:52,839
Speaker 2: in the corner.

1496
01:15:53,160 --> 01:15:54,840
Speaker 1: Nobody could do the barbcue sauce. None of the kids

1497
01:15:54,880 --> 01:15:56,960
Speaker 1: get had another barkie sauce and Nigga like to stay off.

1498
01:15:57,080 --> 01:16:01,719
Speaker 2: Yet that ship nigga say he had all the fugga

1499
01:16:02,800 --> 01:16:07,439
Speaker 2: Kenny nigga man crazy, Yeah, he have her in the

1500
01:16:07,479 --> 01:16:13,760
Speaker 2: corner like this. Still he like a caver style there. Yeah, yeah, yeah,

1501
01:16:14,160 --> 01:16:18,040
Speaker 2: my nigga like him. I got past the fuck out

1502
01:16:18,200 --> 01:16:24,280
Speaker 2: like nigga nothing Nigga. He taking bung hole and everything.

1503
01:16:25,479 --> 01:16:28,320
Speaker 5: Talk about Spanish flying and it never starts with one

1504
01:16:28,320 --> 01:16:30,280
Speaker 5: of the guys on the corner. It's always some strange

1505
01:16:30,320 --> 01:16:33,000
Speaker 5: thirteen year olds. You know what you know anything about

1506
01:16:33,120 --> 01:16:35,679
Speaker 5: Spanish flying? No tell me about Well it's this girl

1507
01:16:35,760 --> 01:16:38,080
Speaker 5: crazy Mary. He put something in her drink.

1508
01:16:38,120 --> 01:16:42,120
Speaker 2: Man. Yeah see he walked what I just said. What

1509
01:16:42,160 --> 01:16:46,639
Speaker 2: I say you want to like he won't. I told

1510
01:16:46,760 --> 01:16:50,680
Speaker 2: you I told you he want him like uh, he

1511
01:16:51,680 --> 01:16:57,920
Speaker 2: wanted them snoring. Who the hell would enjoy that nigga.

1512
01:16:58,000 --> 01:17:04,160
Speaker 2: He does he enjo. He enjoyed that kuldaver, but he

1513
01:17:04,240 --> 01:17:06,920
Speaker 2: want he wanted to be able to put it in positions.

1514
01:17:07,000 --> 01:17:11,160
Speaker 2: It's like a different waters. You know.

1515
01:17:11,200 --> 01:17:12,639
Speaker 3: They about to get bills and.

1516
01:17:13,920 --> 01:17:18,599
Speaker 2: Niggat get that. Nigga said, you don't. God damn well, nigga.

1517
01:17:18,800 --> 01:17:22,280
Speaker 2: You that had a bitch who was just too fucking loaded. Nigga,

1518
01:17:22,400 --> 01:17:24,720
Speaker 2: she tried to give you some pussy and she.

1519
01:17:26,640 --> 01:17:27,320
Speaker 1: Was like a mother.

1520
01:17:28,920 --> 01:17:32,160
Speaker 2: Yeah, at the baby girl house and she and she

1521
01:17:32,280 --> 01:17:36,360
Speaker 2: had dress. She drunk whole she had drunk that whole fifth. Yeah,

1522
01:17:36,640 --> 01:17:40,120
Speaker 2: and she over and the nigga, she's just ready. Nigga

1523
01:17:40,280 --> 01:17:48,559
Speaker 2: done maying asleep, sleep, you got drinks, get smoked dog.

1524
01:17:48,560 --> 01:17:51,800
Speaker 2: It was making bros paying something. Niggas, what about nigga.

1525
01:17:51,840 --> 01:17:55,479
Speaker 2: Cato said, she playing in sleep. Man, He ain't really sleep.

1526
01:17:55,680 --> 01:17:58,719
Speaker 2: She just down to before.

1527
01:17:59,120 --> 01:17:59,800
Speaker 3: She used to him.

1528
01:17:59,800 --> 01:18:02,080
Speaker 2: By now, if you're attracted to me, you got hot

1529
01:18:02,160 --> 01:18:03,440
Speaker 2: tolerance anyway.

1530
01:18:05,160 --> 01:18:08,200
Speaker 1: Niggas said, Nigga, come on bed all day.

1531
01:18:09,160 --> 01:18:10,360
Speaker 4: You don't want all that dialogue.

1532
01:18:10,439 --> 01:18:12,559
Speaker 2: He want to get straight to the reading scripts all

1533
01:18:12,640 --> 01:18:15,679
Speaker 2: day and nigg get that fifth. Go to that room.

1534
01:18:15,840 --> 01:18:16,160
Speaker 1: Nigga.

1535
01:18:16,240 --> 01:18:21,000
Speaker 2: She was drinking next ding. You know, baby be over

1536
01:18:21,040 --> 01:18:25,120
Speaker 2: there loaded like a motherfucker. Nigga still stopped playing What

1537
01:18:25,240 --> 01:18:27,200
Speaker 2: about the women? That new Bill get down and was

1538
01:18:27,240 --> 01:18:28,840
Speaker 2: trying to get the bills like.

1539
01:18:28,880 --> 01:18:34,640
Speaker 1: Nigga give me fly be up ye, nigga wake me up.

1540
01:18:34,720 --> 01:18:37,080
Speaker 2: Nigga Let when Bill get it? How me out to

1541
01:18:37,160 --> 01:18:39,800
Speaker 2: the tables somewhere. This fucked up, Well, this is what

1542
01:18:39,840 --> 01:18:42,400
Speaker 2: the woman said. She said she met Cosby in nineteen

1543
01:18:42,520 --> 01:18:45,400
Speaker 2: sixty nine when she went for an audition after her

1544
01:18:45,439 --> 01:18:48,599
Speaker 2: six year old son died. She said she remembers telling

1545
01:18:48,680 --> 01:18:51,160
Speaker 2: calls me about the death a drowning, but didn't hear

1546
01:18:51,160 --> 01:18:53,720
Speaker 2: from him again until she and her roommate ran into

1547
01:18:53,760 --> 01:18:57,360
Speaker 2: him at Cafe the Girls and then him. I was surprised,

1548
01:18:57,360 --> 01:18:59,439
Speaker 2: but he saw me sitting there crying because I was

1549
01:18:59,479 --> 01:19:01,519
Speaker 2: having a hell of a day, she said, referring to

1550
01:19:01,560 --> 01:19:04,559
Speaker 2: her grief over her son. Cosby offered to pay for

1551
01:19:04,640 --> 01:19:07,600
Speaker 2: a spot for her and her roommate, Valentino said, and

1552
01:19:07,720 --> 01:19:10,200
Speaker 2: offered to take him them to dinner afterwards. She said

1553
01:19:10,240 --> 01:19:12,400
Speaker 2: that she didn't want to go, but that it appeared

1554
01:19:12,439 --> 01:19:14,519
Speaker 2: that caused you were just starting to hit the show.

1555
01:19:14,600 --> 01:19:17,719
Speaker 2: I spy seemed sincere in his offer. We weren't looking

1556
01:19:17,760 --> 01:19:19,439
Speaker 2: for a date, but you know, when the big star

1557
01:19:19,520 --> 01:19:23,839
Speaker 2: of the popular television serieses Offer reached out seemingly in sympathy,

1558
01:19:23,880 --> 01:19:27,439
Speaker 2: you know, you kind of can't turn down man. And

1559
01:19:27,479 --> 01:19:30,120
Speaker 2: he was running the game back then. He was like, oh, yeah,

1560
01:19:30,160 --> 01:19:31,240
Speaker 2: you're gonna take you to dinner.

1561
01:19:31,520 --> 01:19:33,200
Speaker 3: She said she didn't want to go, but she said,

1562
01:19:33,360 --> 01:19:39,080
Speaker 3: you wanted to go. Huh, let me see. She said

1563
01:19:39,080 --> 01:19:41,439
Speaker 3: that she began grasping at Cosby, who was out of

1564
01:19:41,439 --> 01:19:46,320
Speaker 3: her okay here ago, and at dinner, Cosby offered her

1565
01:19:46,320 --> 01:19:48,040
Speaker 3: in her room, made a peal and said it would

1566
01:19:48,080 --> 01:19:53,160
Speaker 3: make them all feel better off. She said that she

1567
01:19:53,320 --> 01:19:57,040
Speaker 3: believed he faked taking his own pill and that he

1568
01:19:57,080 --> 01:19:59,960
Speaker 3: put a second one directly in her and her roommate's mind.

1569
01:20:00,760 --> 01:20:03,200
Speaker 3: They began to feel unwell and asked to go home,

1570
01:20:03,320 --> 01:20:05,880
Speaker 3: Valentino said, but instead of driving them home, she said,

1571
01:20:05,960 --> 01:20:08,760
Speaker 3: Cosby took them to a town home where he said

1572
01:20:08,760 --> 01:20:13,080
Speaker 3: he wanted to show them his Iespy awards. Valentino said

1573
01:20:13,160 --> 01:20:15,680
Speaker 3: she thinks she must have passed out after Collsby got

1574
01:20:15,760 --> 01:20:18,040
Speaker 3: them out the car, because she said she woke up

1575
01:20:18,040 --> 01:20:21,519
Speaker 3: in the room with Cosby sitting by her roommate. He

1576
01:20:21,600 --> 01:20:23,439
Speaker 3: looked like he was getting ready to pounce on a

1577
01:20:23,479 --> 01:20:25,760
Speaker 3: little mouse. She said. Then I saw a buge in

1578
01:20:25,800 --> 01:20:31,479
Speaker 3: his pants while she was unconscious. I just felt very

1579
01:20:31,479 --> 01:20:34,080
Speaker 3: protective of her, and I tried to distract him. She

1580
01:20:34,160 --> 01:20:36,559
Speaker 3: said that she began grasping at Cosby, who was out

1581
01:20:36,600 --> 01:20:38,960
Speaker 3: of her reach, and that she couldn't quite form her

1582
01:20:38,960 --> 01:20:41,200
Speaker 3: words in her state. Cosby then came over to her,

1583
01:20:41,280 --> 01:20:43,920
Speaker 3: she said, seemingly angry at her attempts to stop him.

1584
01:20:44,479 --> 01:20:47,920
Speaker 3: Valentino said that she stood up, she immediately felt her

1585
01:20:48,000 --> 01:20:51,479
Speaker 3: lace collapse, believest her and ended up kneeling in front

1586
01:20:51,479 --> 01:20:54,280
Speaker 3: of Cosby, who was on a love seat. Cosby then

1587
01:20:54,439 --> 01:20:58,240
Speaker 3: orally and vaginally raped her, according to her retailing in

1588
01:20:58,280 --> 01:21:01,559
Speaker 3: her lawsuit. So she said that she was so weak

1589
01:21:01,640 --> 01:21:03,760
Speaker 3: she just filled down in front of his knees and

1590
01:21:03,800 --> 01:21:04,280
Speaker 3: he got it.

1591
01:21:04,320 --> 01:21:06,719
Speaker 4: So was she more mad that he faked take the pill?

1592
01:21:06,800 --> 01:21:08,599
Speaker 4: Wanted him to be off the pill too, because if

1593
01:21:08,600 --> 01:21:11,719
Speaker 4: he offered the pill and you took it, she said.

1594
01:21:13,040 --> 01:21:16,240
Speaker 2: Yeah, and then and then why old? So yeah, So

1595
01:21:16,439 --> 01:21:19,439
Speaker 2: I don't understand how does that stand? Because it's not

1596
01:21:19,560 --> 01:21:22,280
Speaker 2: like he slipped something and they drink and she didn't

1597
01:21:22,280 --> 01:21:25,680
Speaker 2: know about it. He told her, it's gonna makes a

1598
01:21:25,840 --> 01:21:29,000
Speaker 2: pill that's gonna make you feel better. He didn't say

1599
01:21:29,040 --> 01:21:32,200
Speaker 2: it's a tiler and all or aspirin. The nigga said

1600
01:21:32,200 --> 01:21:34,400
Speaker 2: this is gonna make you at the restaurant and the

1601
01:21:34,479 --> 01:21:38,120
Speaker 2: publish one in her mouth and in the homegirl mouth.

1602
01:21:38,479 --> 01:21:42,479
Speaker 2: Now she could have instantly said and spit the motherfucker out,

1603
01:21:42,600 --> 01:21:44,160
Speaker 2: or could it not took it, Or she could have.

1604
01:21:44,200 --> 01:21:47,240
Speaker 4: Said, are you mad that the homegirl got it before you?

1605
01:21:47,280 --> 01:21:51,559
Speaker 2: Now? She mad, No, it seemed now, it seemed like

1606
01:21:52,720 --> 01:21:56,519
Speaker 2: it seemed like this is just a fewtile money grab

1607
01:21:56,600 --> 01:21:59,240
Speaker 2: or something that it is, because first of all, it's

1608
01:21:59,280 --> 01:22:01,880
Speaker 2: happening almost what thirty years later.

1609
01:22:02,280 --> 01:22:04,439
Speaker 3: Nineteen sixty nine, Hey, oh no, it's fifty some.

1610
01:22:04,560 --> 01:22:10,280
Speaker 2: Years later, whatever in a century. I'm not doing. I'm

1611
01:22:10,320 --> 01:22:13,960
Speaker 2: not breaking down math right now, so fuck it. Fifty

1612
01:22:14,000 --> 01:22:21,200
Speaker 2: two years later, she decides, not enough of this shit,

1613
01:22:22,080 --> 01:22:25,559
Speaker 2: I just want to re again. Hold up, Hold up.

1614
01:22:27,240 --> 01:22:32,680
Speaker 2: Fifty two years later, after admitting that he put the

1615
01:22:32,760 --> 01:22:36,000
Speaker 2: pill in her mouth, he didn't force it on the table,

1616
01:22:36,120 --> 01:22:39,000
Speaker 2: said little bit sat it on the table. He never

1617
01:22:39,080 --> 01:22:42,600
Speaker 2: said he forced it in her mouth. She said he

1618
01:22:43,000 --> 01:22:47,360
Speaker 2: faked put he faked taking his own pill, and he

1619
01:22:47,560 --> 01:22:51,680
Speaker 2: proceeded to put a pill in the homegirl's mouth and

1620
01:22:51,760 --> 01:22:56,320
Speaker 2: won in my mouth so you could have easily spit

1621
01:22:56,400 --> 01:22:59,679
Speaker 2: it out, or when the nigga hand come into your mouth,

1622
01:23:00,200 --> 01:23:01,920
Speaker 2: been like, no, I don't want that.

1623
01:23:02,720 --> 01:23:09,080
Speaker 1: But you hear her say, but it's Bill Cosby.

1624
01:23:09,520 --> 01:23:10,400
Speaker 3: Yeah, you get me.

1625
01:23:10,520 --> 01:23:13,160
Speaker 2: And I want to see those Eyespy awards. I gotta

1626
01:23:13,200 --> 01:23:17,200
Speaker 2: see the Eyespy Awards from the eye spy. And she

1627
01:23:17,320 --> 01:23:19,720
Speaker 2: wanted to see the awards. So who's gonna tell him no?

1628
01:23:20,360 --> 01:23:22,280
Speaker 2: Right in sixty that's what she's looking.

1629
01:23:22,520 --> 01:23:24,559
Speaker 3: And the way she described it that she fell right

1630
01:23:24,600 --> 01:23:26,280
Speaker 3: in front of him when he was in a love seat,

1631
01:23:26,320 --> 01:23:28,320
Speaker 3: on her knees, and he just put his dick in

1632
01:23:28,320 --> 01:23:32,680
Speaker 3: her mouth. Okay, here you go. Andrew White, cosby spokesperson,

1633
01:23:32,720 --> 01:23:35,719
Speaker 3: accused Valentina in a statement Thursday, of having no proof

1634
01:23:35,760 --> 01:23:38,240
Speaker 3: of facts and of going from town to town with

1635
01:23:38,320 --> 01:23:42,280
Speaker 3: her allegations. He also alleged that the legislation that allowed

1636
01:23:42,320 --> 01:23:46,280
Speaker 3: her suit was a violation of Cosby's constitutional rights. Cosby

1637
01:23:46,320 --> 01:23:51,080
Speaker 3: has consistently denied all allegations of sexual misconduct. What grave

1638
01:23:51,200 --> 01:23:53,400
Speaker 3: yard can mister Cobsey visit in order to dig up

1639
01:23:53,439 --> 01:23:56,280
Speaker 3: potential witnesses to testify on his behalf. Why, I said,

1640
01:23:56,720 --> 01:23:59,200
Speaker 3: America is continuing to see this as a formula to

1641
01:23:59,200 --> 01:24:01,800
Speaker 3: make sure that no more black men in America accumulate

1642
01:24:01,840 --> 01:24:05,880
Speaker 3: the American dream that was secured by mister Cosby. Valentino

1643
01:24:05,960 --> 01:24:09,679
Speaker 3: pushed back against accusations at the allegations against Cosby, whom

1644
01:24:09,800 --> 01:24:13,519
Speaker 3: sixty women have accused of sexual assault, had anything to

1645
01:24:13,520 --> 01:24:16,559
Speaker 3: do with his being black. Andrew White has tried to

1646
01:24:16,600 --> 01:24:18,720
Speaker 3: make it seem as though it's about race. But it's

1647
01:24:18,760 --> 01:24:21,200
Speaker 3: not about race, she said, adding that Cosby was an

1648
01:24:21,240 --> 01:24:24,960
Speaker 3: equal opportunity racist and probably the most prolific serial rapists

1649
01:24:24,960 --> 01:24:27,719
Speaker 3: of the twentieth century. This is about rape, not race.

1650
01:24:28,479 --> 01:24:31,120
Speaker 3: All them sixty women can't be lying, my nigga, though.

1651
01:24:35,800 --> 01:24:39,880
Speaker 2: I'm not saying that lying because every lack he has

1652
01:24:39,920 --> 01:24:41,439
Speaker 2: a choice at the end of the day. You can't

1653
01:24:41,439 --> 01:24:44,240
Speaker 2: say that though, I mean, I don't, I don't know,

1654
01:24:44,439 --> 01:24:50,280
Speaker 2: like I said, but how many my nigga had accuse him?

1655
01:24:50,520 --> 01:24:56,439
Speaker 2: How many accused of shan thirty twenty? Yeah, you get me? Yeah,

1656
01:24:56,520 --> 01:24:58,800
Speaker 2: so you know to say you give me.

1657
01:24:59,040 --> 01:25:01,439
Speaker 4: And then it's a thing between the niggas saying you

1658
01:25:01,560 --> 01:25:02,960
Speaker 4: line and then saying that, and.

1659
01:25:02,920 --> 01:25:06,080
Speaker 2: It's not even a lifestyle. This ain't even nineteen sixty nine.

1660
01:25:06,120 --> 01:25:08,479
Speaker 2: This was what a couple of years ago you had

1661
01:25:08,479 --> 01:25:12,280
Speaker 2: what over twenty women accused the shine of sexual assault?

1662
01:25:12,360 --> 01:25:16,080
Speaker 1: Right? And this is after what after.

1663
01:25:15,840 --> 01:25:18,759
Speaker 4: He And all we're trying to get clear is okay,

1664
01:25:18,800 --> 01:25:19,360
Speaker 4: when is what?

1665
01:25:19,560 --> 01:25:21,080
Speaker 2: What's the cut off?

1666
01:25:21,360 --> 01:25:25,880
Speaker 4: Far as as they say, you can just accuse fucking

1667
01:25:26,000 --> 01:25:27,000
Speaker 4: past when you want to.

1668
01:25:27,080 --> 01:25:29,720
Speaker 2: But okay, if you can cut off because as a

1669
01:25:29,720 --> 01:25:34,599
Speaker 2: woman you can get say whatever again, this happened fifty

1670
01:25:34,640 --> 01:25:37,960
Speaker 2: seven years ago, deshne happened what a couple of years ago,

1671
01:25:38,120 --> 01:25:40,839
Speaker 2: years ago, got over twenty some women said he sexually

1672
01:25:40,840 --> 01:25:41,559
Speaker 2: assault him?

1673
01:25:42,400 --> 01:25:45,479
Speaker 1: How many? How many criminal cases came up about it?

1674
01:25:45,520 --> 01:25:47,080
Speaker 2: None? All civil?

1675
01:25:47,160 --> 01:25:49,800
Speaker 3: It was, That's all it's about. This ain't about civil.

1676
01:25:50,400 --> 01:25:53,080
Speaker 3: This is the former playboy Mabel. She's a playboy mater.

1677
01:25:55,040 --> 01:25:57,160
Speaker 3: Look at Bill, how you're looking man? Bill is looking

1678
01:25:57,200 --> 01:25:59,240
Speaker 3: like this? Look at this look called Bill's face. Look

1679
01:26:01,080 --> 01:26:03,080
Speaker 3: Bill like, I don't remember that. I don't remember that.

1680
01:26:03,600 --> 01:26:07,559
Speaker 3: He said, I don't remember that. Ass I'm sorry, And

1681
01:26:07,680 --> 01:26:10,519
Speaker 3: what it is like I said, not to say it's wrong?

1682
01:26:10,600 --> 01:26:11,800
Speaker 1: Whatever, laughing.

1683
01:26:13,000 --> 01:26:16,360
Speaker 2: Bill like I don't still rocking with him. Yeah, Bill's

1684
01:26:16,360 --> 01:26:21,759
Speaker 2: asked some pudding, this ship recorder chocolate putting on their ass.

1685
01:26:21,800 --> 01:26:23,800
Speaker 2: Nigga like, I mean, I've seen the samoving.

1686
01:26:23,920 --> 01:26:27,679
Speaker 1: Bill Cox was like another one.

1687
01:26:28,040 --> 01:26:31,679
Speaker 2: It's just a cold thing. He's the original calid he said.

1688
01:26:32,400 --> 01:26:35,559
Speaker 2: Another one while he was eating his pudding. Another one.

1689
01:26:36,000 --> 01:26:38,439
Speaker 3: Bill said, your motherfuckers leave me the fuck alone.

1690
01:26:38,600 --> 01:26:39,519
Speaker 2: I'm not tripping that.

1691
01:26:39,640 --> 01:26:42,080
Speaker 1: Nigga said, have a pudding popping a smile.

1692
01:26:44,160 --> 01:26:47,960
Speaker 3: Smile before we get in any further trouble, because I

1693
01:26:48,000 --> 01:26:49,240
Speaker 3: know it's gonna be some mother Yeah.

1694
01:26:49,600 --> 01:26:52,320
Speaker 4: Yeah, they're gonna say you and that guy, you go.

1695
01:26:52,400 --> 01:26:53,240
Speaker 3: In and shut it down.

1696
01:26:53,320 --> 01:26:55,639
Speaker 1: Man, I don't give a fuck.

1697
01:26:55,640 --> 01:26:56,320
Speaker 3: It's another week.

1698
01:26:56,400 --> 01:26:57,200
Speaker 1: I'll give a fuck.

1699
01:26:57,439 --> 01:27:00,400
Speaker 2: Have a pudding popp in his smile file.

1700
01:27:03,240 --> 01:27:05,120
Speaker 3: You know what, though, I do want to talk about

1701
01:27:05,120 --> 01:27:06,720
Speaker 3: before we go. I know we haven't been going back

1702
01:27:06,760 --> 01:27:08,920
Speaker 3: and forth over this two interfth episode, but me and

1703
01:27:08,960 --> 01:27:11,080
Speaker 3: eight I wanted to do this shit the right way

1704
01:27:11,080 --> 01:27:14,000
Speaker 3: for the people. So we still having the two inter episode,

1705
01:27:14,040 --> 01:27:17,680
Speaker 3: but we go combine that with the thirtieth anniversary of

1706
01:27:17,880 --> 01:27:21,479
Speaker 3: Minutes to Society. Yeah, we would have a live event

1707
01:27:21,520 --> 01:27:23,840
Speaker 3: with the Homeboy Tiring Turner where we're gonna be up

1708
01:27:23,840 --> 01:27:28,479
Speaker 3: there talking to him about minutes thirty years later. Ticket

1709
01:27:28,520 --> 01:27:30,760
Speaker 3: details coming soon. It's go be in Hollywood as it

1710
01:27:30,760 --> 01:27:32,439
Speaker 3: was a lot of people hit me while y'all doing

1711
01:27:32,479 --> 01:27:35,080
Speaker 3: it way out there and this and that, but we

1712
01:27:35,120 --> 01:27:38,599
Speaker 3: about to have some some pretty epic shit going on.

1713
01:27:39,200 --> 01:27:41,760
Speaker 3: It's mom what seemed like it was thirty years That

1714
01:27:41,920 --> 01:27:46,040
Speaker 3: was thirty years ago. Eight hell nah, just like yesterdamn.

1715
01:27:46,479 --> 01:27:50,320
Speaker 2: Yeah. I mean for the fact that it was, it's

1716
01:27:50,320 --> 01:27:55,880
Speaker 2: a prolific movie, you know, a movie that really, you know,

1717
01:27:56,200 --> 01:28:00,880
Speaker 2: expressed what was going on with a lot of young

1718
01:28:00,960 --> 01:28:04,880
Speaker 2: men going through that transition of trying to you know,

1719
01:28:05,040 --> 01:28:11,160
Speaker 2: find themselves. You know, you know, growing up in the hood,

1720
01:28:11,280 --> 01:28:15,080
Speaker 2: I keep saying, and becoming a certain age. A lot

1721
01:28:15,080 --> 01:28:18,080
Speaker 2: of niggas started gang banging way early before that though

1722
01:28:18,280 --> 01:28:21,440
Speaker 2: in the movie minutes you know, my nigga was graduating

1723
01:28:21,520 --> 01:28:24,840
Speaker 2: high school. Uh, it was a lot of motherfuckers you

1724
01:28:24,880 --> 01:28:31,519
Speaker 2: know who started banging eleven twelve years old. So just

1725
01:28:31,720 --> 01:28:34,559
Speaker 2: showing you know, the transition, you know, living with your

1726
01:28:34,560 --> 01:28:38,320
Speaker 2: grandparents or your parents and growing up in the hood,

1727
01:28:38,400 --> 01:28:42,719
Speaker 2: and you know, all his friends and influences was niggas

1728
01:28:42,720 --> 01:28:46,759
Speaker 2: from the hood. So it's just you know, like I said,

1729
01:28:46,800 --> 01:28:49,559
Speaker 2: some of us make it out and then a lot

1730
01:28:49,640 --> 01:28:51,719
Speaker 2: of us don't. A lot of us had to walk

1731
01:28:51,800 --> 01:28:55,400
Speaker 2: that thin line of toting that rag and that you

1732
01:28:55,439 --> 01:28:56,759
Speaker 2: know and claiming the hood.

1733
01:28:56,880 --> 01:29:01,839
Speaker 1: So an audition for that, Yeah, I had to audition.

1734
01:29:05,640 --> 01:29:08,840
Speaker 2: You know movies, you know, the the Hood Movies was

1735
01:29:08,880 --> 01:29:12,360
Speaker 2: getting popular at the time. What I say, we had

1736
01:29:12,439 --> 01:29:16,440
Speaker 2: Boys in the Hood, We had Juice, they had South Central,

1737
01:29:18,080 --> 01:29:24,040
Speaker 2: they had Trespass with Ice, TM Cube and them. So

1738
01:29:24,160 --> 01:29:29,400
Speaker 2: the Hood movies was getting kind of popular. So you know,

1739
01:29:29,479 --> 01:29:34,280
Speaker 2: everybody know the Hughes brothers, you know, Alan Albert uh

1740
01:29:34,320 --> 01:29:42,360
Speaker 2: started their career with with shooting Tupac videos, and New

1741
01:29:42,479 --> 01:29:46,840
Speaker 2: Line basically gave him a deal to do the movie. Uh,

1742
01:29:47,280 --> 01:29:49,080
Speaker 2: but they had to put Pock in it.

1743
01:29:49,280 --> 01:29:49,519
Speaker 3: You know.

1744
01:29:49,600 --> 01:29:52,240
Speaker 2: They told the whole story on the Little Park Special.

1745
01:29:52,640 --> 01:29:55,160
Speaker 2: But yeah, I had to I had to audition. And

1746
01:29:56,080 --> 01:29:59,679
Speaker 2: being a West Coast rapper, you know, growing up in Compton,

1747
01:30:00,439 --> 01:30:04,160
Speaker 2: Uh them, you know, seeing the box and hearing you know,

1748
01:30:04,280 --> 01:30:07,400
Speaker 2: the videos and all of that, they saw me probably

1749
01:30:07,439 --> 01:30:11,760
Speaker 2: on the video and figured like, yeah, let's get him in.

1750
01:30:11,960 --> 01:30:13,960
Speaker 2: So I think it was out of me and Wren

1751
01:30:14,320 --> 01:30:16,000
Speaker 2: that was wrong for the part of a.

1752
01:30:16,080 --> 01:30:17,360
Speaker 1: Wax was the.

1753
01:30:19,120 --> 01:30:21,639
Speaker 2: Villain in black. Yeah, so it was out. I think

1754
01:30:21,720 --> 01:30:25,800
Speaker 2: me and Wren to read for a Wax and Wren

1755
01:30:25,920 --> 01:30:28,679
Speaker 2: got their code voice too. I don't know if Rend.

1756
01:30:29,120 --> 01:30:31,720
Speaker 2: I don't know if Reren couldn't do it or he was,

1757
01:30:31,800 --> 01:30:35,160
Speaker 2: you know, not feeling it or whatever. But they called

1758
01:30:35,200 --> 01:30:38,519
Speaker 2: me back a second time, and they called me back

1759
01:30:38,560 --> 01:30:40,960
Speaker 2: a third time, and then that was it.

1760
01:30:42,439 --> 01:30:45,360
Speaker 3: Yeah, that's crazy, man. It don't seem like it was

1761
01:30:45,360 --> 01:30:47,719
Speaker 3: thirty years ago. But I can't picture nobody else playing

1762
01:30:47,760 --> 01:30:51,040
Speaker 3: a Wax. But it's like that character was meant for you.

1763
01:30:51,640 --> 01:30:54,640
Speaker 2: Yeah, you know, shout out to Like I said, I

1764
01:30:54,800 --> 01:30:57,040
Speaker 2: just talked to them too.

1765
01:30:59,479 --> 01:31:02,439
Speaker 1: It was a good experience. You get them what I'm saying.

1766
01:31:06,680 --> 01:31:09,559
Speaker 2: And now that this the thirtieth year anniversary, it seems

1767
01:31:09,600 --> 01:31:12,519
Speaker 2: like it's kicking up a lot more right now than

1768
01:31:12,600 --> 01:31:14,880
Speaker 2: when it first came out because you know, a lot

1769
01:31:14,880 --> 01:31:19,000
Speaker 2: of people, you know, whether you know you're you're in

1770
01:31:19,080 --> 01:31:22,600
Speaker 2: our generation or the newer generation is getting this is

1771
01:31:22,680 --> 01:31:25,479
Speaker 2: able to see it now, and that's how you connect

1772
01:31:25,520 --> 01:31:27,840
Speaker 2: with a lot of the younger generation. You know, they

1773
01:31:27,880 --> 01:31:30,519
Speaker 2: watch it on Netflix or wherever they can get it,

1774
01:31:30,960 --> 01:31:33,519
Speaker 2: you know, and they see the music or they hear

1775
01:31:33,600 --> 01:31:36,760
Speaker 2: about MC eight or whatever. So you know, it was

1776
01:31:36,800 --> 01:31:39,360
Speaker 2: a good experience, man, And not only that, it was

1777
01:31:39,400 --> 01:31:42,280
Speaker 2: a good movie because it told about what was going

1778
01:31:42,320 --> 01:31:44,840
Speaker 2: on with the culture of West Coast in the state

1779
01:31:44,840 --> 01:31:48,240
Speaker 2: of gang banging and just like I said again, growing

1780
01:31:48,320 --> 01:31:51,280
Speaker 2: up in the neighborhood with you know who were your

1781
01:31:51,320 --> 01:31:53,120
Speaker 2: influences and all that shit.

1782
01:31:53,280 --> 01:31:57,960
Speaker 3: So yeah, yeah, for sure, man. Well it's gonna be epic, man,

1783
01:31:58,000 --> 01:32:00,599
Speaker 3: and we will have details for that man. And thank

1784
01:32:00,680 --> 01:32:03,320
Speaker 3: you for tuning in to another episode the Games the

1785
01:32:03,400 --> 01:32:07,280
Speaker 3: Chronicles podcast. Make sure y'all hit our Instagram pegs up

1786
01:32:07,320 --> 01:32:10,719
Speaker 3: at the Gangster Chronicles podcast. Go look at our videos

1787
01:32:10,760 --> 01:32:14,360
Speaker 3: on YouTube at the Digital Soapbox Network on YouTube. Make

1788
01:32:14,400 --> 01:32:17,200
Speaker 3: sure you go follow Kato's crazy ass on this page

1789
01:32:17,200 --> 01:32:18,240
Speaker 3: with your Instagram.

1790
01:32:18,040 --> 01:32:21,040
Speaker 4: Kato Phone your Underscore official and.

1791
01:32:21,240 --> 01:32:24,160
Speaker 3: We do have a we go have an announcement in

1792
01:32:24,160 --> 01:32:26,679
Speaker 3: a week for y'all regarding the Gamest the Chronicles show

1793
01:32:26,720 --> 01:32:29,840
Speaker 3: coming to radio. Come in to radio, Wake your punk

1794
01:32:29,880 --> 01:32:32,400
Speaker 3: ass up radio. It's a bunch of exciting shit going on.

1795
01:32:32,880 --> 01:32:36,160
Speaker 3: But when we had a full of details, we hit

1796
01:32:36,240 --> 01:32:37,360
Speaker 3: them up with you and we got here.

1797
01:32:37,680 --> 01:32:39,160
Speaker 2: Sure on my mama