1 00:00:00,600 --> 00:00:01,320 Speaker 1: Taking a Walk. 2 00:00:01,800 --> 00:00:04,880 Speaker 2: Look, Kurt was certainly struggling with drugs at the time. 3 00:00:05,120 --> 00:00:09,600 Speaker 2: This is widely known, but creatively in my experience was 4 00:00:09,600 --> 00:00:12,720 Speaker 2: that he always knew exactly what he was doing and 5 00:00:11,880 --> 00:00:16,959 Speaker 2: he executed one of the greatest you know, arguably the 6 00:00:17,120 --> 00:00:19,319 Speaker 2: greatest MTV Unplugged ever. 7 00:00:19,480 --> 00:00:22,960 Speaker 1: The Taking a Walk podcast loves to celebrate great moments 8 00:00:23,000 --> 00:00:26,400 Speaker 1: in music history. There was an iconic moment that occurred 9 00:00:26,440 --> 00:00:29,400 Speaker 1: on November eighteenth, nineteen ninety three, in New York City. 10 00:00:29,920 --> 00:00:34,200 Speaker 1: Nirvana recorded their MTV Unplugged in New York, which stands 11 00:00:34,240 --> 00:00:36,919 Speaker 1: the test of time as a seminal moment in their 12 00:00:37,000 --> 00:00:41,559 Speaker 1: career and in music. Join host Buzz Night with special 13 00:00:41,600 --> 00:00:45,479 Speaker 1: guests that include Danny Goldberg, longtime music executive and at 14 00:00:45,520 --> 00:00:48,560 Speaker 1: the time he was the manager of Nirvana. Buzz is 15 00:00:48,600 --> 00:00:53,000 Speaker 1: also joined by former MTV VH one executive Rob Barnett, 16 00:00:53,240 --> 00:00:56,520 Speaker 1: who shares his recollections from that magic moment in music history. 17 00:00:57,200 --> 00:00:59,480 Speaker 1: We'll also hear from some fans who were there at 18 00:00:59,480 --> 00:01:03,360 Speaker 1: the concert sharing their piece of music history. All next 19 00:01:03,760 --> 00:01:06,760 Speaker 1: on Taking a Walk Danny Goldberg. 20 00:01:07,760 --> 00:01:10,440 Speaker 3: Danny, can you tell us about the process that led 21 00:01:10,480 --> 00:01:12,760 Speaker 3: to the performance becoming a reality? 22 00:01:13,319 --> 00:01:15,400 Speaker 2: Well, there were a couple of different factors. 23 00:01:16,520 --> 00:01:17,319 Speaker 3: One was. 24 00:01:18,760 --> 00:01:22,480 Speaker 2: That Kurt had put an enormous amount of energy into 25 00:01:22,520 --> 00:01:26,039 Speaker 2: the video for Heart Shaped Box. It was the most 26 00:01:26,319 --> 00:01:32,160 Speaker 2: highest budget video Nirvana had done. There was a change directors, 27 00:01:33,440 --> 00:01:38,240 Speaker 2: and he didn't really feel he couldn't think of another 28 00:01:38,400 --> 00:01:43,000 Speaker 2: music video in his mind for a subsequent song that 29 00:01:43,040 --> 00:01:45,920 Speaker 2: would that would that would live up to the production 30 00:01:46,040 --> 00:01:48,600 Speaker 2: of Heart Shaped Box, and he just wasn't He didn't 31 00:01:48,600 --> 00:01:50,320 Speaker 2: have a vision for it prior to you know, all 32 00:01:50,320 --> 00:01:54,400 Speaker 2: of the Nirvana videos were Kurt's ideas, you know, as 33 00:01:54,440 --> 00:01:56,640 Speaker 2: well as like King Spirit and in Bloom and so 34 00:01:56,720 --> 00:02:02,400 Speaker 2: forth and and so Unplugged, but he wanted to do 35 00:02:02,680 --> 00:02:05,920 Speaker 2: justice to in Utero, which had just come out, you know, 36 00:02:06,280 --> 00:02:09,720 Speaker 2: only been out a few few months. And he was very, 37 00:02:09,880 --> 00:02:14,880 Speaker 2: very tuned into the influence and cultural footprint of MTV. 38 00:02:15,000 --> 00:02:17,960 Speaker 2: He watched MTV a lot, and he knew they were 39 00:02:18,000 --> 00:02:22,280 Speaker 2: really important to the band's connection with their fans. So 40 00:02:22,280 --> 00:02:27,240 Speaker 2: so Unplugged was a way of having a significant presence 41 00:02:27,280 --> 00:02:30,720 Speaker 2: on MTV without making another music video. That was one factor. 42 00:02:31,960 --> 00:02:35,440 Speaker 2: And another factor is I think MTV wanted the band 43 00:02:35,440 --> 00:02:37,960 Speaker 2: to do it, and he didn't love saying no to MTV. 44 00:02:38,120 --> 00:02:41,000 Speaker 2: He would say no to the on occasion because his 45 00:02:41,160 --> 00:02:43,520 Speaker 2: art and his own personal schedule came first, but they 46 00:02:43,520 --> 00:02:47,320 Speaker 2: were very important to him. And then at some point 47 00:02:47,400 --> 00:02:51,680 Speaker 2: he developed the creative vision of what a Nirvana unplugged 48 00:02:51,720 --> 00:02:54,880 Speaker 2: would be. I don't know when that happened, but by 49 00:02:54,919 --> 00:02:57,320 Speaker 2: the time they did it, it was completely different from 50 00:02:57,360 --> 00:03:00,760 Speaker 2: any other unplugged I mean, most are when they did it, 51 00:03:00,840 --> 00:03:05,560 Speaker 2: unplugged would just do their hits, an acoustic version of them. 52 00:03:07,440 --> 00:03:11,120 Speaker 2: The Nirvana Unplugged didn't even have some of their biggest 53 00:03:11,160 --> 00:03:13,320 Speaker 2: songs on it. There was no smells like teen Spirit, 54 00:03:13,840 --> 00:03:17,840 Speaker 2: for example, and it had several songs that had never 55 00:03:17,960 --> 00:03:22,519 Speaker 2: been recorded or even performed by Nirvana before those meat 56 00:03:22,560 --> 00:03:27,840 Speaker 2: puppet songs. And David Bowie managed old the world. I 57 00:03:27,840 --> 00:03:29,679 Speaker 2: mean maybe he had done it at some point in 58 00:03:29,720 --> 00:03:33,320 Speaker 2: the past, but I never heard him do it, and 59 00:03:34,600 --> 00:03:36,960 Speaker 2: he really had this vision of a different kind of 60 00:03:37,000 --> 00:03:41,400 Speaker 2: instrumentation and just kind of another version of his art. 61 00:03:41,560 --> 00:03:46,440 Speaker 2: So it started out as a marketing idea and ended 62 00:03:46,520 --> 00:03:50,480 Speaker 2: up being, you know, a real creative self expression for him. 63 00:03:51,560 --> 00:03:56,520 Speaker 3: So I know, the rehearsal process in Weehawken was definitely 64 00:03:56,560 --> 00:04:01,240 Speaker 3: a challenging process. What were you recollect of that rehearsal. 65 00:04:02,360 --> 00:04:03,520 Speaker 4: Oh, I was. 66 00:04:05,880 --> 00:04:11,720 Speaker 2: I was on the West coast. My my my wife 67 00:04:12,120 --> 00:04:15,440 Speaker 2: was about to give birth to our son, Max, and 68 00:04:16,000 --> 00:04:18,240 Speaker 2: so I wasn't there. I was on the phone a 69 00:04:18,240 --> 00:04:22,160 Speaker 2: lot with both him and other people around. But look, 70 00:04:22,240 --> 00:04:25,440 Speaker 2: Kurt was certainly struggling with drugs at the time. This 71 00:04:25,520 --> 00:04:29,839 Speaker 2: is widely known, but creatively, in my experience was that 72 00:04:29,920 --> 00:04:32,960 Speaker 2: he always knew exactly what he was doing, and he 73 00:04:32,960 --> 00:04:35,680 Speaker 2: he executed, you know, one of the greatest, you know, 74 00:04:36,440 --> 00:04:41,200 Speaker 2: arguably the greatest MTV unplugged ever. So, you know, I 75 00:04:41,240 --> 00:04:46,080 Speaker 2: don't I don't remember any more drama about the rehearsals 76 00:04:47,320 --> 00:04:52,160 Speaker 2: that other than the continuing drama of his, you know, 77 00:04:52,200 --> 00:04:54,840 Speaker 2: personal issues that had been going on, you know, for 78 00:04:54,880 --> 00:04:55,560 Speaker 2: several months. 79 00:04:56,839 --> 00:05:00,479 Speaker 3: Did you feel then that he was discovering a new 80 00:05:00,560 --> 00:05:04,840 Speaker 3: style in terms of the form that that performance ultimately took. 81 00:05:05,760 --> 00:05:08,240 Speaker 2: Well, he talked about it afterwards. I spoke to him 82 00:05:08,240 --> 00:05:12,080 Speaker 2: the next day, and he was really excited by it 83 00:05:12,240 --> 00:05:16,600 Speaker 2: at that time. Janet Billig, who worked for my company then, 84 00:05:16,680 --> 00:05:18,719 Speaker 2: who was very close to Kurt, told me that in 85 00:05:18,760 --> 00:05:21,320 Speaker 2: the immediate aftermath of it, he was worried that it 86 00:05:21,440 --> 00:05:24,960 Speaker 2: sucked and He was very anxiety written about it, but 87 00:05:25,040 --> 00:05:27,560 Speaker 2: when he got so much good feedback by the next 88 00:05:27,680 --> 00:05:30,240 Speaker 2: day when I spoke to him, he was really excited 89 00:05:30,279 --> 00:05:32,520 Speaker 2: and he felt that people would perceive the band in 90 00:05:32,560 --> 00:05:35,120 Speaker 2: a new way. He was so ambitious that he as 91 00:05:35,160 --> 00:05:39,840 Speaker 2: successful as Nirvana had been two number one albums redefining 92 00:05:39,880 --> 00:05:44,320 Speaker 2: what commercial rock and roll was globally, he still felt 93 00:05:44,360 --> 00:05:47,880 Speaker 2: he had other parts of himself creatively that were meaningful, 94 00:05:47,920 --> 00:05:50,960 Speaker 2: and he thought he had really he had really demonstrated 95 00:05:51,000 --> 00:05:52,760 Speaker 2: some of that with the Unplugged. So he was really 96 00:05:52,839 --> 00:05:55,720 Speaker 2: really excited about it by the next day, and there 97 00:05:55,760 --> 00:05:58,400 Speaker 2: was no question in my mind that this was again, 98 00:05:58,440 --> 00:05:59,880 Speaker 2: this was art. To him, this was not. 99 00:06:01,440 --> 00:06:04,960 Speaker 3: And did you end up feeling differently about the performance 100 00:06:05,160 --> 00:06:08,880 Speaker 3: as time passed and when it would ultimately run on 101 00:06:09,560 --> 00:06:11,440 Speaker 3: MTV that December? 102 00:06:12,480 --> 00:06:15,039 Speaker 2: Oh, I don't know. I fell in love with it 103 00:06:15,160 --> 00:06:18,680 Speaker 2: right away. I mean, you know, I loved hearing his voice. 104 00:06:19,560 --> 00:06:23,160 Speaker 2: I thought the performances were incredible. The lead belly song, 105 00:06:23,200 --> 00:06:27,600 Speaker 2: the Bowie song, the Penny Royalty without any rhythm, just 106 00:06:27,960 --> 00:06:30,120 Speaker 2: almost a folk version of it, and that was one 107 00:06:30,160 --> 00:06:35,320 Speaker 2: of my favorite of his lyrics. I knew right away 108 00:06:35,360 --> 00:06:38,040 Speaker 2: it was spectacular and so I still feel that way 109 00:06:38,080 --> 00:06:41,240 Speaker 2: to this day. You know, a lot of people the 110 00:06:41,400 --> 00:06:45,359 Speaker 2: Unplugged is their favorite Nirvana album. It's certainly up there 111 00:06:45,560 --> 00:06:49,159 Speaker 2: along never Mind in Utero as one of the three 112 00:06:49,200 --> 00:06:51,920 Speaker 2: albums that really defines the band's legacy. 113 00:06:53,040 --> 00:06:55,600 Speaker 3: Thank you, Danny, that's tremendous. I really appreciate it. 114 00:06:56,240 --> 00:06:58,359 Speaker 2: Oh my pleasure, Bizz, thanks for including me. 115 00:06:59,480 --> 00:07:02,000 Speaker 3: We'll be right back with more of the Taken a 116 00:07:02,040 --> 00:07:09,240 Speaker 3: Walk Podcast. Welcome back to the Taking a Walk Podcast. 117 00:07:09,400 --> 00:07:14,200 Speaker 5: I'm Sarah from Fairfield, Connecticut, and I cannot believe it 118 00:07:14,240 --> 00:07:18,800 Speaker 5: has been thirty years since I witnessed Nirvana at the 119 00:07:19,000 --> 00:07:23,280 Speaker 5: MTV Unplugged performance in New York. I knew when I 120 00:07:23,440 --> 00:07:25,880 Speaker 5: was walking in, like this really was going to be 121 00:07:25,920 --> 00:07:28,720 Speaker 5: something special, Like there was just such a vibe, like 122 00:07:28,800 --> 00:07:33,000 Speaker 5: with all the Nirvana fans, like you could just feel 123 00:07:33,200 --> 00:07:35,040 Speaker 5: the aura in the air. 124 00:07:35,240 --> 00:07:38,080 Speaker 6: I am James and I'm fifty years old now live 125 00:07:38,120 --> 00:07:41,320 Speaker 6: in Montclair in New York, and I was there November eighteenth, 126 00:07:41,480 --> 00:07:46,920 Speaker 6: nineteen ninety three, for what was a magnificent performance at 127 00:07:46,920 --> 00:07:52,920 Speaker 6: the Nirvana MTV Unplugged. I knew I had witnessed music history. 128 00:07:53,200 --> 00:07:57,160 Speaker 6: The atmosphere there was so electric from the moment we 129 00:07:57,200 --> 00:08:01,960 Speaker 6: walked in, the stage was beauty set with candles and 130 00:08:02,080 --> 00:08:06,560 Speaker 6: flowers and that iconic Nirvana logo backdrop. 131 00:08:07,680 --> 00:08:08,800 Speaker 4: You could you could. 132 00:08:08,560 --> 00:08:13,280 Speaker 6: Feel the anticipation in the air, and then Kurt Christ 133 00:08:13,360 --> 00:08:16,760 Speaker 6: and Dave walked out and the crowd just erupted. 134 00:08:17,280 --> 00:08:20,280 Speaker 3: Rob Barnett, So, Rob, thanks for being on this moment 135 00:08:20,320 --> 00:08:24,400 Speaker 3: of taking a walk where we are celebrating the MTV 136 00:08:25,240 --> 00:08:29,920 Speaker 3: Nirvana unplugged in New York from November of ninety three. 137 00:08:30,080 --> 00:08:34,120 Speaker 3: Now you had an eleven year run at MTV and 138 00:08:34,240 --> 00:08:37,800 Speaker 3: VH one. What were you doing in particular at this 139 00:08:37,960 --> 00:08:39,640 Speaker 3: time at MTV? 140 00:08:40,720 --> 00:08:45,719 Speaker 7: I was a lucky, lucky boy because years after programming 141 00:08:45,840 --> 00:08:50,319 Speaker 7: some of America's finest rock radio stations all around the country, 142 00:08:51,000 --> 00:08:54,400 Speaker 7: I got to MTV in the late eighties, and that 143 00:08:54,559 --> 00:08:57,440 Speaker 7: was a time when it was still all music and 144 00:08:57,520 --> 00:09:01,040 Speaker 7: I was one of the heads of programming at MTV. 145 00:09:01,400 --> 00:09:06,520 Speaker 7: So my job, along with just five other human beings, 146 00:09:07,040 --> 00:09:10,559 Speaker 7: every single Monday morning, was to sit in a big 147 00:09:10,960 --> 00:09:15,520 Speaker 7: honkin conference room where they would show us every single 148 00:09:15,880 --> 00:09:20,000 Speaker 7: music video that was submitted that week, and then, like 149 00:09:20,160 --> 00:09:26,040 Speaker 7: Christians to the Lions, we'd either do thumbs up or 150 00:09:26,120 --> 00:09:30,920 Speaker 7: thumbs down. Three of us were the music programmers. We 151 00:09:30,920 --> 00:09:33,960 Speaker 7: were you know, we had those radio chops, right, and 152 00:09:34,000 --> 00:09:37,600 Speaker 7: then the other three people in the room were called Taar, 153 00:09:37,920 --> 00:09:42,679 Speaker 7: Talent and Artist Relations. They were there with equally great 154 00:09:42,960 --> 00:09:46,160 Speaker 7: you know, music experience and programmer chops, but they were 155 00:09:46,200 --> 00:09:49,560 Speaker 7: representing what the labels and the artists were interested in. 156 00:09:50,120 --> 00:09:54,960 Speaker 7: And then the genius of the chairman of then Viacom, 157 00:09:55,040 --> 00:09:57,559 Speaker 7: Tom Preston, was that the six of us would fight 158 00:09:57,760 --> 00:10:00,720 Speaker 7: right because there were only a few slots that would 159 00:10:00,760 --> 00:10:02,959 Speaker 7: be added to that playlist every week. 160 00:10:03,280 --> 00:10:06,400 Speaker 4: So that was that was the first part of the job. 161 00:10:06,520 --> 00:10:09,840 Speaker 4: Second part of the job was that I sat in 162 00:10:09,920 --> 00:10:13,040 Speaker 4: an office that had four people that worked under me, 163 00:10:13,640 --> 00:10:17,800 Speaker 4: and the twenty four hour pages of a full day 164 00:10:18,160 --> 00:10:21,920 Speaker 4: programming log would get passed up the line each day 165 00:10:22,440 --> 00:10:26,080 Speaker 4: from the junior person on the staff up to me 166 00:10:26,360 --> 00:10:29,600 Speaker 4: and we would we would literally, you know, go over 167 00:10:29,840 --> 00:10:34,320 Speaker 4: every minute of every hour of everything that was on MTV. 168 00:10:34,800 --> 00:10:38,640 Speaker 4: We programmed the thing like a radio station with pictures. 169 00:10:39,280 --> 00:10:42,559 Speaker 3: So do you remember who was really at the core 170 00:10:42,640 --> 00:10:45,160 Speaker 3: of the person that sort of you know, brought this 171 00:10:45,280 --> 00:10:48,840 Speaker 3: idea forward about Nirvana doing this performance. 172 00:10:50,000 --> 00:10:53,920 Speaker 4: Well, it's a great story because you know, success has 173 00:10:54,000 --> 00:10:58,240 Speaker 4: many mothers and many fathers, But there is absolutely no question. 174 00:10:59,160 --> 00:11:03,000 Speaker 4: If you're an Nirvana fan, then you need to know 175 00:11:03,080 --> 00:11:08,160 Speaker 4: if you don't already about who Amy Finnerty is, because 176 00:11:08,320 --> 00:11:11,520 Speaker 4: back then, you know, remember the old days when we 177 00:11:11,559 --> 00:11:14,240 Speaker 4: would go to our job and have to show up 178 00:11:14,320 --> 00:11:17,800 Speaker 4: at nine a m especially on a Monday, Remember those days. 179 00:11:17,840 --> 00:11:20,960 Speaker 4: Buzz Yeah, even if we had the coolest jobs in 180 00:11:20,960 --> 00:11:23,800 Speaker 4: the world, you fucking have to go to your job 181 00:11:23,880 --> 00:11:25,959 Speaker 4: and show up at nine o'clock in the morning. And 182 00:11:26,600 --> 00:11:29,520 Speaker 4: the funniest thing about MTV back then is some of 183 00:11:29,600 --> 00:11:32,720 Speaker 4: us even wore suits, which just makes you want to 184 00:11:32,800 --> 00:11:35,720 Speaker 4: throw up now when you think about it. You know, 185 00:11:36,160 --> 00:11:39,160 Speaker 4: remember when radio guys like we started to wear like 186 00:11:39,320 --> 00:11:43,920 Speaker 4: sport jackets and ties and we all look like idiots. Well, 187 00:11:44,240 --> 00:11:46,640 Speaker 4: it was a little bit like that. And on many 188 00:11:46,679 --> 00:11:51,520 Speaker 4: many Monday mornings, when four out of the five people 189 00:11:51,559 --> 00:11:55,400 Speaker 4: that worked for me would show up, the desk down 190 00:11:55,400 --> 00:11:58,440 Speaker 4: at the end of the line, Amy Finnerty's desk would 191 00:11:58,480 --> 00:12:01,400 Speaker 4: be empty on many many Monday mornings, and I would 192 00:12:01,440 --> 00:12:03,360 Speaker 4: look at all my guys and I would say to 193 00:12:03,559 --> 00:12:05,960 Speaker 4: Kurt Stephik, one of her best buddies, one of the 194 00:12:06,000 --> 00:12:10,560 Speaker 4: great programmers of MTV where the fuck is Amy? And 195 00:12:10,640 --> 00:12:15,160 Speaker 4: Kurt would give me some sort of doggate my homework cover, like, oh, yeah, 196 00:12:15,520 --> 00:12:19,200 Speaker 4: she's out of town and she wanted you to know 197 00:12:19,240 --> 00:12:22,120 Speaker 4: that she missed her flight, and I go, well, great, 198 00:12:22,160 --> 00:12:25,080 Speaker 4: when is she going to be here? Oh, the the plane. 199 00:12:25,520 --> 00:12:30,200 Speaker 4: You know, I think this afternoon many many weeks when 200 00:12:30,240 --> 00:12:33,520 Speaker 4: Amy wasn't where she should have been at Times Square. No, 201 00:12:33,600 --> 00:12:35,720 Speaker 4: we weren't even in Times Square. We were at Columbus 202 00:12:35,720 --> 00:12:39,599 Speaker 4: Circle in New York. Back then, Amy was in Seattle, 203 00:12:40,320 --> 00:12:46,120 Speaker 4: and for MTV's purposes, Amy Finnerty was busy discovering Nirvana. 204 00:12:46,840 --> 00:12:51,440 Speaker 4: And when she came back on one certain week and 205 00:12:51,480 --> 00:12:56,400 Speaker 4: started playing that music for the senior leadership team of MTV, 206 00:12:57,480 --> 00:13:02,000 Speaker 4: the world changed because if you look at the context 207 00:13:02,760 --> 00:13:06,120 Speaker 4: of what was happening in music, and especially what was 208 00:13:06,160 --> 00:13:11,960 Speaker 4: happening at MTV. Late eighties, we had a hair band phase. 209 00:13:13,040 --> 00:13:17,000 Speaker 4: Early nineties, we had a boy band phase. 210 00:13:17,840 --> 00:13:21,960 Speaker 8: And you know, I was a little sad during the 211 00:13:22,040 --> 00:13:26,760 Speaker 8: boy band phase because I thought I was working at 212 00:13:26,760 --> 00:13:29,960 Speaker 8: the pop culture center of the universe, and I of 213 00:13:30,000 --> 00:13:33,439 Speaker 8: course wanted to be working at the rock and roll 214 00:13:33,640 --> 00:13:34,840 Speaker 8: center of the universe. 215 00:13:35,280 --> 00:13:37,360 Speaker 4: But we were a little busy for a few years 216 00:13:37,360 --> 00:13:40,720 Speaker 4: playing Marky Mark and the Funky Bunch and you know, 217 00:13:42,679 --> 00:13:47,760 Speaker 4: Backstreet Boys in sync. That's what was happening a few 218 00:13:47,840 --> 00:13:52,840 Speaker 4: moments before we heard Nirvana, and everyone in the world 219 00:13:53,000 --> 00:13:58,280 Speaker 4: knows that that not only changed the course of rock forever, 220 00:13:59,320 --> 00:14:04,240 Speaker 4: we can now say, decades and decades later, that that 221 00:14:04,400 --> 00:14:10,320 Speaker 4: moment was the last major innovation in the story of rock. 222 00:14:11,360 --> 00:14:15,920 Speaker 3: And when you listen today to Unplugged in New York 223 00:14:16,000 --> 00:14:21,360 Speaker 3: with Nirvana, tell me as you reflect on that, how 224 00:14:21,400 --> 00:14:25,320 Speaker 3: you feel about the performance, how it stands up now. 225 00:14:26,480 --> 00:14:30,360 Speaker 4: Well, it's great to get the invitation to reconnect with you, 226 00:14:30,840 --> 00:14:35,080 Speaker 4: especially to talk about this topic and this album, because 227 00:14:35,120 --> 00:14:39,600 Speaker 4: I spent the last couple of nights listening again to 228 00:14:39,760 --> 00:14:44,640 Speaker 4: that magic moment on this earth, and you can't listen 229 00:14:44,720 --> 00:14:48,280 Speaker 4: to it without the agony and the pain of losing Kurt. 230 00:14:49,240 --> 00:14:54,520 Speaker 4: When that happened, my office was seated next to Kurt Loder. 231 00:14:54,640 --> 00:14:58,160 Speaker 4: For many years, Kurt and I worked together on dozens 232 00:14:58,200 --> 00:15:03,600 Speaker 4: of the MTV docs that were called rockumentaries. But when 233 00:15:03,640 --> 00:15:10,720 Speaker 4: we lost Kurt not long after MTV unplugged, Kurt was 234 00:15:10,720 --> 00:15:14,360 Speaker 4: our Walter Cronkite, and this was one of the great 235 00:15:14,440 --> 00:15:20,400 Speaker 4: moments in American history, in world history, to lose one 236 00:15:20,440 --> 00:15:23,200 Speaker 4: of the true geniuses in the history of music. When 237 00:15:23,240 --> 00:15:33,560 Speaker 4: you listen to Nirvana unplugged, you're hearing the marriage of pop, rock, punk, 238 00:15:34,560 --> 00:15:41,880 Speaker 4: and this ineffable section of American music that took something 239 00:15:42,640 --> 00:15:49,320 Speaker 4: that was in the same breath, raw, melodic and pop 240 00:15:50,120 --> 00:15:54,960 Speaker 4: that it almost doesn't mathematically add up in your mind 241 00:15:55,560 --> 00:16:00,360 Speaker 4: except for the fact that its strengthen its power is 242 00:16:00,520 --> 00:16:05,720 Speaker 4: in its uniqueness and in its ability to just rip 243 00:16:05,840 --> 00:16:10,080 Speaker 4: right through your soul and demand that you pay attention 244 00:16:10,360 --> 00:16:14,800 Speaker 4: to something that is completely unlike anything else. I mean, 245 00:16:14,800 --> 00:16:18,400 Speaker 4: I'm old enough to have spent a lot of years 246 00:16:18,400 --> 00:16:23,000 Speaker 4: at CBGB's and the punk clubs in the mid and 247 00:16:23,120 --> 00:16:30,080 Speaker 4: late seventies in New York. This was certainly the child 248 00:16:30,200 --> 00:16:33,480 Speaker 4: of that, but it took it in a direction that 249 00:16:33,600 --> 00:16:37,479 Speaker 4: punk could never really get to, or was never designed 250 00:16:37,520 --> 00:16:40,320 Speaker 4: to get to. Nirvana took it to the top of 251 00:16:40,360 --> 00:16:40,840 Speaker 4: the mountain. 252 00:16:42,000 --> 00:16:45,200 Speaker 3: It's brilliant. Thank you, Rob, so great to be with 253 00:16:45,280 --> 00:16:45,680 Speaker 3: you again. 254 00:16:46,520 --> 00:16:47,480 Speaker 4: Yeah, thanks man. 255 00:16:48,840 --> 00:16:51,280 Speaker 1: Thanks for listening to this episode of the Taking a 256 00:16:51,320 --> 00:16:55,240 Speaker 1: Walk podcast. Share this and other episodes with your friends 257 00:16:55,320 --> 00:16:58,800 Speaker 1: and follow us so you never miss an episode. Taking 258 00:16:58,840 --> 00:17:02,720 Speaker 1: a Walk is available on the iHeartRadio app, Apple Podcasts, 259 00:17:02,920 --> 00:17:05,200 Speaker 1: and wherever you get your podcasts.