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Speaker 1: No corner. Whoa whoa bit?

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Speaker 2: Hold on tight because I tweet in this Saturday and

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Speaker 2: shit goat and I heard that you want to show

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Speaker 2: whoa megushi b I'm kind of fucking wait he showed

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Speaker 2: me somemoke this be teddy here, could give a fuck.

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Speaker 1: The story rope?

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Speaker 2: You want to tweet it over with me? And I'm

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Speaker 2: gonna show you. I didn't know, like the money in

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Speaker 2: my pocket? Boo, don't know.

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Speaker 3: Welcome back. Top of the week, I guess the first

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Speaker 3: official Monday working Monday of twenty twenty five for everyone else. Yeah.

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Speaker 3: I saw everyone on their ig story saying damn back

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Speaker 3: to work, and I was like, shit, we I mean

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Speaker 3: we recorded through the entire holiday. Yes, it feels good

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Speaker 3: to be back. So this is just a regular Monday

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Speaker 3: for us. I didn't feel it at all, just was

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Speaker 3: you know.

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Speaker 2: What I mean? In the New York area, it's a

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Speaker 2: little snowy, a little snowy. I like a little snowy Monday.

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Speaker 3: Yeah, it was cute snow too.

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Speaker 1: Yeah. I like snow.

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Speaker 2: Yeah, snow man.

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Speaker 3: Congestion pricing happened at the same time.

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Speaker 2: Yes, wonderful time to be in New Yorker. Isn't it.

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Speaker 1: No, it's not snow.

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Speaker 2: Oh, pay more money to get into the snow in

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Speaker 2: the traffic, then sit in the traffic, then pay five

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Speaker 2: hundred dollars for parking.

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Speaker 3: Listen, we don't have to get too much into it

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Speaker 3: because I guess it is local. But I have seen

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Speaker 3: it all over the news, no matter where the fuck

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Speaker 3: you're at, because we're the first city implementing this congestion

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Speaker 3: pricing thing. For those that don't know, it, already costs

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Speaker 3: to go from Jersey to New York for like twenty

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Speaker 3: one bucks, adding another nine to that. All the bridges

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Speaker 3: that never had a toll now have a toll. This

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Speaker 3: is fucking nuts. It's a money grab.

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Speaker 1: Today.

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Speaker 3: Yes, the streets were a little lighter with traffic coming in,

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Speaker 3: but I don't think it's really gonna change. I think

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Speaker 3: traffic's going to be the same traffic still. This is

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Speaker 3: just a money grab. I don't think they're gonna fix

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Speaker 3: anything with MTA. So right now, it's either you pay

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Speaker 3: fucking thirty dollars to come into the city or you

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Speaker 3: get burned alive on the entry. Yeah, whatever you like,

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Speaker 3: but have no fear. Cops are on their phones.

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Speaker 2: The big Don is back. He's coming back soon. I

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Speaker 2: think this will only last a month. You won't see

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Speaker 2: this anymore.

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Speaker 3: Trump did say he would get rid of it, but

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Speaker 3: I was reading an article that said it's not that easy.

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Speaker 3: The president doesn't have as much authority on this as

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Speaker 3: one would think, but I would love for him to

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Speaker 3: get rid of it. With that said, Happy birthday tomorrow.

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Speaker 3: We were gonna get you a cake, but you know,

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Speaker 3: we ran out of time and we spent it on

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Speaker 3: the tolls. But happy January sixth to you. Yes, like

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Speaker 3: your second birthday. Yes, your rebirth.

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Speaker 1: To the stars and stripes.

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Speaker 2: The Democrats threw a party in a surprise party for

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Speaker 2: us born the tea party.

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Speaker 3: So yeah, technically I guess with your your rebirth you're

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Speaker 3: four years old, yes the casey.

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Speaker 2: Yes, it's my fourth birthday.

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Speaker 3: Yes, absolutely after your rebirth, Yes, born again.

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Speaker 2: M hm.

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Speaker 1: When you got your first communion.

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Speaker 3: Right on those steps, A lot happened, Yeah, a lot

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Speaker 3: did happen. Also, Happy Founder's Day to all the good

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Speaker 3: brothers of Cap Alpha Sofraternity Incorporated.

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Speaker 1: It was over the weekend.

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Speaker 3: I even went out on Saturday night, would you do?

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Speaker 3: I went to sayic New Jersey in the hood went

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Speaker 3: to a Founder's Day party. Oh okay, you know I

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Speaker 3: was partying with women that were born after nine eleven.

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Speaker 2: It was great. That sounds terrible, That sounds like No.

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Speaker 3: It was mainly like the area that I was in

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Speaker 3: was my era. But I could see all the younger people. Yeah,

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Speaker 3: I will say and shout out to Wila. It was

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Speaker 3: great always to hear WI, my guy. The young kids

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Speaker 3: still kind of party to our music. I was like excited.

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Speaker 3: I was like, all right, I know there's gonna be

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Speaker 3: half young people and then half of the old heads.

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Speaker 3: But I'll get to experience what music plays outside because

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Speaker 3: I don't go out very often, and what I do,

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Speaker 3: it's the spots of my age that's playing all about

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Speaker 3: the Benjamins for ten minutes straight.

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Speaker 1: They listened to the same.

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Speaker 2: Music as us. They're supposed to.

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Speaker 3: Their era has no classic records.

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Speaker 2: No, they got drill. They got a few drill records

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Speaker 2: as classic records.

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Speaker 1: It wasn't really a drill environment.

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Speaker 3: I mean, there was definitely some people in there that

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Speaker 3: would drill you, and they didn't pat anyone down. So

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Speaker 3: I'm glad they that Wila kept it like fun and light,

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Speaker 3: more r and b Yes, sexy drill night, but it

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Speaker 3: was a good time. I was just disappointed that I

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Speaker 3: didn't get like the young kid experience of their music.

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Speaker 3: I mean I even tried to listen to Babies album

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Speaker 3: on the way there to get in the mind state,

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Speaker 3: which we'll get to.

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Speaker 4: Am.

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Speaker 2: I allowed to go to the Founders Day party of course, Yeah, okay,

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Speaker 2: I thought it was I mean, you'd have to pay,

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Speaker 2: I have to pay to get in. Yeah okay.

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Speaker 3: So also it was like, this is gonna sound a

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Speaker 3: little elitist, but it was nice to go to a

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Speaker 3: party like in the hood. Bottles were like one hundred

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Speaker 3: and twenty five dollars. I was like, oh, let's go crazy.

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Speaker 2: Yeah. Oh yeah you see out?

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Speaker 1: Yeah yeah, ran out?

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Speaker 2: Gotcha? Yeah, I'll get the next three. It's all good.

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Speaker 3: Yeah that that was great, but it was cool. I

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Speaker 3: think bottle girls of the younger age are a little

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Speaker 3: bit more aggressive than when I.

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Speaker 2: Know younger girls are more aggressive.

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Speaker 3: Yeah, they're really forward. Yeah, and they don't really take

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Speaker 3: no for an answer.

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Speaker 2: Now, they let you know they need to they need

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Speaker 2: a bill paid immediately. Yeah. Absolutely.

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Speaker 3: And I don't know if it was just weird coincidence.

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Speaker 3: The only other white person in there ended up being

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Speaker 3: my father's closest childhood friend's daughter.

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Speaker 1: Very odd.

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Speaker 3: That's not weird deal. It was weird as fuck to me.

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Speaker 3: How does she look like her dad? Never she's pretty,

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Speaker 3: but she was. She's red hair and white.

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Speaker 2: You think that's like my Yeah, that's definitely off your menu.

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Speaker 3: Everyone thought that was like actually my sister. And I

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Speaker 3: was like, funny, you ass like we're technically like some relationship.

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Speaker 2: We're cousins.

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Speaker 3: Like I called her dad uncle my whole life. I

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Speaker 3: think I met her once. She said she had been

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Speaker 3: to my house before. I was like, wow, this is

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Speaker 3: very odd of the only two white people that are here. Yeah,

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Speaker 3: I thought it was, you know, one of those moments

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Speaker 3: you know you're in the right place.

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Speaker 2: Happy day.

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Speaker 1: Collecting red heads like collecting red heads. Black were like pokemon, Yeah,

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Speaker 1: they like them. I'm black, white, they like redheads, a

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Speaker 1: lot of redheads.

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Speaker 2: J Just why are you saying they like you're not

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Speaker 2: a black.

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Speaker 1: Woman, because I don't collect red heads, but.

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Speaker 2: You said black.

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Speaker 3: Where would you keep them if you did, like in

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Speaker 3: your basement or on a podcast set?

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Speaker 1: We don't really need.

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Speaker 2: Much light, so yeah, ye, Like and now I think

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Speaker 2: about y'all, like Grimlins can you after midnight? Can't get wet?

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Speaker 3: And where did you after midnight? On Saturday?

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Speaker 2: Redheads are like Grimlins.

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Speaker 3: Man definitely definitely ran into uh some ghosts of pussy

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Speaker 3: pass but like college, Like how she look better?

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Speaker 2: I love that. I love when they look better. And

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Speaker 2: when you crush them and break their heart and they

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Speaker 2: come back stronger. She's like, oh you little vulture on you?

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Speaker 1: Nah?

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Speaker 4: She?

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Speaker 1: Uh fuck is wrong with you?

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Speaker 2: Love the little vulture. I love when you crush them

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Speaker 2: and they come back and they glowed up, Like see

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Speaker 2: think you welcome. That's what you gotta say, You're welcome.

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Speaker 1: She was cool and it was a cool interaction.

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Speaker 3: I got the vibe, which was fine because I wasn't

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Speaker 3: trying anything that she was in a full blown relation.

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Speaker 3: I can just tell by body language and it just

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Speaker 3: but it reminded me of just like the dummy missions

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Speaker 3: I used to do. She lived in Philly and I

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Speaker 3: would drive it like if this sounds so so bad,

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Speaker 3: I'm a completely different person, Like if I didn't get

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Speaker 3: any pussy at Rutgers for a weekend, I was driving

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Speaker 3: it three am down Route one to Philly and get

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Speaker 3: there at like four point thirty five in the morning.

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Speaker 2: That's when it's some good good though you're only doing

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Speaker 2: this fire. Yeah that fire had you paying some toes

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Speaker 2: for sure. Yeah. Absolutely. Now we ain't got no choice done.

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Speaker 2: And again you told no matter what in New.

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Speaker 3: York, I'm a reformed person. I'm not proud of any

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Speaker 3: of this. I don't think any young men should strive

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Speaker 3: to do this. It just leads to a life of emptiness.

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Speaker 3: It was my first time I had gotten into a

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Speaker 3: line sister love triangle. I had fucked her line's sister before,

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Speaker 3: and then I mean she was throwing it.

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Speaker 1: So what was a young nineteen year old supposed to do?

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Speaker 2: Fall on line? Yeah, she's supposed to do.

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Speaker 3: And it ended up in the same apartment once, and

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Speaker 3: yeah it was.

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Speaker 1: It was messy.

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Speaker 3: I hope they've recovered because I'm not worth a lifetime

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Speaker 3: job in love here.

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Speaker 2: When when you your stories of driving the Philly that's

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Speaker 2: rookie shit. I just drove all away to Montreal.

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Speaker 1: With no passport.

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Speaker 2: Yeah, yeah, good. When they know me at the border,

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Speaker 2: let me do here, man, turn it right around. I'm

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Speaker 2: here for twenty four hours and I'm out of here.

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Speaker 3: It's nasty though, at three am to drive to Philly

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Speaker 3: for some puzzy and then he's like ten am, that's

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Speaker 3: what time we left to go to my It was

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Speaker 3: a phone. At least I could stay horny for an

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Speaker 3: hour on that drive. You had like nine hours to

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Speaker 3: be like, yo, I could just go.

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Speaker 2: Beat off six and a half.

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Speaker 1: It's not that six and a half is crazy.

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Speaker 3: Six times three went there and back.

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Speaker 1: Well, then went back up. Yeah, yeah, six and a

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Speaker 1: half is crazy. Ma.

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Speaker 2: When you young, though, baby did you ain't really got

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Speaker 2: ship to do on a random like you know what

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Speaker 2: I mean?

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Speaker 1: How young were you?

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Speaker 2: Mom? Probably like twenty three maybe?

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Speaker 1: Oh okay, I thought that was like a couple of

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Speaker 1: years ago, like ten years. I thought it was like

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Speaker 1: ten years ago.

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Speaker 2: I was was my young twenties. That's when I was

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Speaker 2: just doing stupid shit. Yeah.

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Speaker 1: Him doing that now and not flying would be alarious.

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Speaker 2: Yeah about say now, like come on, put me on

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Speaker 2: the flight hour and a half.

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Speaker 1: I think the farthest I went from Brooklyn to the Bronx.

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Speaker 1: That's so that's a lot public transportation.

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Speaker 2: Though, Baby, I do that on a Tuesday, Like what

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Speaker 2: baby talk went from Brooklyn to the Bronx what that's

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Speaker 2: a regular trip. Maybe you don't even.

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Speaker 1: I feel like Queens a Jersey is a long distance relationship.

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Speaker 1: Yeah for sure for a couple.

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Speaker 3: Of trains and if you don't have like Long Island

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Speaker 3: Railroad money, Now that's that's a trip. Yeah, taking the

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Speaker 3: A to the path, like you have to have some fire.

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Speaker 2: What about going up to like Connecticut and like I've

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Speaker 2: done that Connecticut.

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Speaker 1: Connecticut is not that far though.

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Speaker 2: Yeah, but that's it's still like two hours. It's like

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Speaker 2: a two hours drive.

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Speaker 1: You've put on some goodie. You put on a good playlist.

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Speaker 1: Oh you di't get you warmed up? Blood the whole way.

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Speaker 1: Oh not the fun flirt the whole way.

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Speaker 2: Start start letting him know which exit you passing, Like yo,

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Speaker 2: I just passed seventy six. You'll say, I come my

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Speaker 2: hour in ten and I'll be there. Like what you're doing?

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Speaker 1: Cooked?

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Speaker 2: I think, like you know what I'm.

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Speaker 3: Saying, your off The ubers were looking at like this corning.

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Speaker 1: Kid out of my path.

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Speaker 2: Yeah, now you can share the low share and a

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Speaker 2: low so she know exactly what into getting the shower?

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Speaker 3: I know, I know, you know, what's the longest you've

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Speaker 3: ever put a girl in an Uber to your house.

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Speaker 2: The longest probably from Philly.

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Speaker 1: I think Philly is the longest time.

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Speaker 3: Yeah, which is surprisingly not as expensive as you do.

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Speaker 2: It's not, it's not.

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Speaker 1: That was actually a.

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Speaker 3: Bad thing to find out, because then I was like,

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Speaker 3: all right, well the Philly Ross they could be up

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Speaker 3: here in an hour.

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Speaker 1: It's just like three hundred bucks.

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Speaker 2: And it was. It was gangster because the uber driver

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Speaker 2: he had family in New York. So I just kicked

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Speaker 2: it with him, like, Yo, you mean tomorrow she gonna

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Speaker 2: leave the same time take her back. I won't. I won't.

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Speaker 2: I won't close the app. I just saying straight up

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Speaker 2: cash because whatever it say on the app, the drivers

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Speaker 2: don't get that.

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Speaker 1: They only get like sixty percent of app.

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Speaker 2: Yeah, see you know what I'm saying. So I was like, yo,

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Speaker 2: he was like, no problem. He went to his cousin house,

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Speaker 2: gave me his number, He stayed in New York for

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Speaker 2: the day. Next day, picked the right up, took it

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Speaker 2: right back to Philly.

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Speaker 3: Yeah, our friend Brittany is the queen of that. If

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Speaker 3: we get an suv, Sh'll talk to the driver and

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Speaker 3: be like, what you need.

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Speaker 1: To make tonight?

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Speaker 3: We're going to four spots and then she'll just we'll

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Speaker 3: have a private drive that's four cheaper than what it

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Speaker 3: would have been. Absolutely, that's the way I bounce around,

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Speaker 3: a different way to do it. That's the way to

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Speaker 3: do it. Do you guys do anything over the weekend

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Speaker 3: celebrate Founder's Day?

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Speaker 1: I know everyone was really excited.

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Speaker 2: No, I didn't sell it.

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Speaker 1: Fourteen years of achievement.

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Speaker 2: I didn't celebrate Founder's Day. But I found like four

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Speaker 2: hundred dollars in one of my jackets. Oh shit, I

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Speaker 2: guess it is Founders Day for me. I was going

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Speaker 2: through some coats and stuff getting rid of winning one

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Speaker 2: of my pockets. It was four four hundred dollars bills.

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Speaker 2: I was like, oh for twenty dollars, I found four

293
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Speaker 2: hundred in the coat were.

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Speaker 1: My sweatshirt that you told me he was gonna give me.

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Speaker 1: No of this out the dry cleaner.

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Speaker 2: I didn't. I didn't pick it up. There it's in

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Speaker 2: the cleaners. I got you.

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Speaker 1: You just wore it. It ain't in the stop lyon.

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Speaker 2: He's put it in the cleaners after I wore it.

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Speaker 2: You wanted it to smell like me. Baby. They didn't

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Speaker 2: want to get you in no trouble out him. You

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00:11:50,480 --> 00:11:52,920
Speaker 2: know what I mean, my cologne all over I'm just saying,

303
00:11:52,920 --> 00:11:55,240
Speaker 2: my cologne is all over it. My deodorant is in

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Speaker 2: the arms and all of that, Like I ain't.

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Speaker 1: Nobody to smell it, my love, nobody to smell it,

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Speaker 1: all right?

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Speaker 2: You know what I'm saying.

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00:12:00,040 --> 00:12:03,160
Speaker 3: I've given Dameris sweatpants before, like great sweatpants that she

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00:12:03,200 --> 00:12:09,760
Speaker 3: wears often. Would you feel away as yeah, Babyd's man, Yes,

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Speaker 3: I never thought about that until just now.

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Speaker 2: Yeah, and another nigga sweats like his balls and all

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Speaker 2: that was in there and that.

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Speaker 3: No, I think you took the tags off it. I

314
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Speaker 3: don't think I ever wore but they wore mine.

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Speaker 1: No you No, you wore both of those. Okay, you

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Speaker 1: didn't wear them often, but you I got a bunch

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Speaker 1: of half my closet is rory. But you do know

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Speaker 1: I wear draws. I wasn't free like my balls weren't.

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Speaker 2: I don't know that those could have been the end

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Speaker 2: of the house joints that you throw on to when you

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Speaker 2: get off the bed.

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Speaker 3: You know, I never get it.

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Speaker 1: Now, I gotta pary your backs and your John Elliott

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Speaker 1: basketball shorts that I'm pretty sure that you didn't wear

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Speaker 1: draws with which ones they're like camo green. Don't say

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Speaker 1: you want them for those? No, they're good at that.

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Speaker 1: They're good at that. Crazy.

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Speaker 3: They look like the redneck joints, right Yeah, Like if

329
00:12:50,240 --> 00:12:51,640
Speaker 3: I wear them, it's crazy, but if you wear them,

330
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Speaker 3: it's fashionable.

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Speaker 1: Yeah.

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Speaker 2: Those around your widows, around your your boos, like stuff

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00:12:55,720 --> 00:12:56,400
Speaker 2: that you get from gods.

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Speaker 1: I've definitely had dudes SAYO, these ain't mine. I'm like,

335
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Speaker 1: not dudes, my, he like these ain't mind. I'm just

336
00:13:01,280 --> 00:13:03,839
Speaker 1: like they're Rory's and he like he knows. I used

337
00:13:03,840 --> 00:13:05,680
Speaker 1: to basically, damn there live at Rory's house. So I

338
00:13:05,679 --> 00:13:06,640
Speaker 1: had a bunch of Rory ship.

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00:13:07,480 --> 00:13:10,959
Speaker 2: Yeah, he's an understanding guy. He's just kind of understanding. Yeah,

340
00:13:11,000 --> 00:13:12,320
Speaker 2: that's my understanding ship. Right there?

341
00:13:12,679 --> 00:13:13,319
Speaker 1: Does that working?

342
00:13:13,360 --> 00:13:16,719
Speaker 2: I'm crashing out in reverse? No, what if?

343
00:13:16,720 --> 00:13:17,760
Speaker 1: What if? What if?

344
00:13:17,760 --> 00:13:19,800
Speaker 3: To marry will be like a big teeth like one

345
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Speaker 3: of her sleep First of.

346
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Speaker 2: All, if you if you can fit one of the

347
00:13:24,000 --> 00:13:26,880
Speaker 2: marriage's big teas. Girls have really big t shirts that

348
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Speaker 2: they sleep and they got another guy guy.

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Speaker 1: I tried to give a guy a Giants like practice shirt,

350
00:13:33,480 --> 00:13:36,080
Speaker 1: Like it was like a Giants practice like long sleep

351
00:13:36,160 --> 00:13:38,920
Speaker 1: shirt you gave a guy I tried to give him

352
00:13:38,920 --> 00:13:41,680
Speaker 1: my It was I had a Giant's practice shirt and

353
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Speaker 1: I tried to give it to him to you don't.

354
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Speaker 2: Play for the Giants. Nah, you want to, you can't

355
00:13:47,200 --> 00:13:48,400
Speaker 2: go further, or you're just gonna be directed.

356
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Speaker 1: My cousin places for the Giant.

357
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Speaker 2: Okay, okay, okay, that's different. That's your cousin play from

358
00:13:52,800 --> 00:13:53,600
Speaker 2: That's different.

359
00:13:53,640 --> 00:13:56,880
Speaker 3: All right, because black people, he was cousin so loosely.

360
00:13:56,880 --> 00:13:58,640
Speaker 3: I'd have to see her twenty three and me, is

361
00:13:58,640 --> 00:13:59,480
Speaker 3: that your real cousin?

362
00:13:59,800 --> 00:14:00,320
Speaker 2: That's true?

363
00:14:00,360 --> 00:14:03,559
Speaker 3: He got a point, white boy, you got a point, grandmother.

364
00:14:03,679 --> 00:14:08,040
Speaker 2: First, I need to see the cook out something like.

365
00:14:08,120 --> 00:14:09,320
Speaker 2: We ain't just saying that's cousins.

366
00:14:09,559 --> 00:14:12,280
Speaker 3: Yeah, half cousin. I know how that can get. So

367
00:14:12,280 --> 00:14:13,960
Speaker 3: I would need to really see the paperwork on that.

368
00:14:14,360 --> 00:14:14,680
Speaker 1: I know.

369
00:14:14,679 --> 00:14:16,960
Speaker 3: Do you think Joy Taylor ever showed up with one

370
00:14:17,000 --> 00:14:20,960
Speaker 3: of skips like blazers on please blazers?

371
00:14:21,000 --> 00:14:22,800
Speaker 2: Where was she? Where would she be showing up to.

372
00:14:23,040 --> 00:14:25,640
Speaker 3: Skipped with skiffs? Fucking Jordan One's on.

373
00:14:27,440 --> 00:14:27,640
Speaker 2: Here?

374
00:14:27,760 --> 00:14:29,720
Speaker 1: Get Yeah, it was a nasty weekend.

375
00:14:29,720 --> 00:14:31,840
Speaker 2: I was on the timeline this week and going crazy

376
00:14:31,880 --> 00:14:32,800
Speaker 2: on Joy man. Yo.

377
00:14:32,920 --> 00:14:36,000
Speaker 3: Every single time I think I'm extremely manly and don't

378
00:14:36,000 --> 00:14:38,760
Speaker 3: care about gossip, something like this breaks. And then I

379
00:14:38,800 --> 00:14:41,120
Speaker 3: turned into a little schoolgirl and sit Indian style on

380
00:14:41,200 --> 00:14:43,600
Speaker 3: my couch and giggle about all the and I call

381
00:14:43,640 --> 00:14:44,240
Speaker 3: it team.

382
00:14:44,320 --> 00:14:50,800
Speaker 2: Yeah. I tried. I tried to ignore it. I did.

383
00:14:51,160 --> 00:14:52,160
Speaker 1: That's was too much fun.

384
00:14:52,320 --> 00:14:54,200
Speaker 2: I tried to ignore it. But y'all are getting too

385
00:14:54,240 --> 00:14:56,280
Speaker 2: good with the memes. Y'all are getting too good with

386
00:14:56,320 --> 00:14:59,760
Speaker 2: the photoshop. The AI It was very entertaining.

387
00:15:00,400 --> 00:15:02,520
Speaker 3: I mean, I'm sure most people listening to this have

388
00:15:02,680 --> 00:15:05,640
Speaker 3: heard about it, but we will give some backstory. Can

389
00:15:05,680 --> 00:15:08,600
Speaker 3: we get the actual woman's name that filed the suit? Yeah,

390
00:15:09,320 --> 00:15:11,720
Speaker 3: I'll just say miss Faraji, so I don't screw up

391
00:15:11,720 --> 00:15:13,560
Speaker 3: her first name. I don't want to be disrespectful. She

392
00:15:13,640 --> 00:15:18,720
Speaker 3: filed a lawsuit against Fox Sports basically for sexual harassment

393
00:15:19,080 --> 00:15:22,680
Speaker 3: against Skip Bayless. But there was also a lot more

394
00:15:23,000 --> 00:15:27,000
Speaker 3: gossip in Tea that was involved in this entire lawsuit.

395
00:15:27,200 --> 00:15:30,160
Speaker 3: So Joy Taylor, who we know, was I get mediator

396
00:15:30,200 --> 00:15:32,440
Speaker 3: you would call one of the hosts on FS one.

397
00:15:33,200 --> 00:15:37,400
Speaker 3: She became close friends with Miss Faraji. She had just

398
00:15:37,440 --> 00:15:39,520
Speaker 3: moved from Miami to LA to try to get more

399
00:15:39,720 --> 00:15:43,280
Speaker 3: time on Fox Sports. Miss Fragi was one of the

400
00:15:43,320 --> 00:15:44,600
Speaker 3: hairdressers I believe right.

401
00:15:44,680 --> 00:15:48,320
Speaker 1: Yes, she was Joy's personal hair So Joy.

402
00:15:48,120 --> 00:15:50,400
Speaker 3: Taylor was married, her husband stayed Miami. She was, you know,

403
00:15:50,520 --> 00:15:53,680
Speaker 3: just trying to find her community, her tribe. So her

404
00:15:53,840 --> 00:15:56,680
Speaker 3: and missus Farragi got really cool, started to go out

405
00:15:56,680 --> 00:15:58,240
Speaker 3: for drinks, you know, just became work friends.

406
00:15:59,240 --> 00:16:00,320
Speaker 1: Then Joyce starts to.

407
00:16:00,240 --> 00:16:02,360
Speaker 3: Bring like, you know, just some older guy around that

408
00:16:02,400 --> 00:16:04,480
Speaker 3: was always paying for the drinks, but that why not

409
00:16:05,040 --> 00:16:07,440
Speaker 3: always need that guy we all know, get the dirty

410
00:16:07,440 --> 00:16:10,040
Speaker 3: martiniz or whatever they said, and they were very specific

411
00:16:10,120 --> 00:16:13,480
Speaker 3: of what he was ordering. He would come around and

412
00:16:13,560 --> 00:16:16,920
Speaker 3: you know sometimes you get that body language shit of like, oh,

413
00:16:16,960 --> 00:16:19,280
Speaker 3: they're definitely fucking like, y'all are giggling too much with

414
00:16:19,320 --> 00:16:22,080
Speaker 3: each other, knees are too close. The more we drink,

415
00:16:22,080 --> 00:16:24,400
Speaker 3: the closer y'all getting. Y'all leave together. This is weird,

416
00:16:24,920 --> 00:16:28,360
Speaker 3: but wasn't judging her. She's married, but cool whatever, that's

417
00:16:28,400 --> 00:16:31,440
Speaker 3: her life now. Miss Faraji like a year later, is

418
00:16:31,560 --> 00:16:34,440
Speaker 3: in the office and runs into this gentleman in the

419
00:16:34,480 --> 00:16:36,240
Speaker 3: elevator and was like, yo, you know that old guy

420
00:16:36,280 --> 00:16:38,040
Speaker 3: that always buys us Margarita's I just seen him and

421
00:16:38,080 --> 00:16:40,680
Speaker 3: she was like chill. That is the head of content

422
00:16:41,040 --> 00:16:44,400
Speaker 3: at Fox Sports. Now in the midst of this, both

423
00:16:45,320 --> 00:16:50,160
Speaker 3: Joy and What's Dixon Charles Dixon, head of content. Both

424
00:16:50,200 --> 00:16:52,440
Speaker 3: people are married here, so I guess everyone has something

425
00:16:52,480 --> 00:16:54,360
Speaker 3: to lose. I guess that's a good affair. I'm not

426
00:16:54,400 --> 00:16:57,880
Speaker 3: here to judge. He suggests to Skip when they start

427
00:16:57,880 --> 00:17:01,040
Speaker 3: the Skip in Shannon Sharp show that she should be

428
00:17:01,560 --> 00:17:03,920
Speaker 3: the moderator. She has no real experience whatsoever. She's a

429
00:17:03,920 --> 00:17:07,400
Speaker 3: bartender and did a few clips on FS one since

430
00:17:07,400 --> 00:17:07,960
Speaker 3: they were fucking.

431
00:17:08,040 --> 00:17:10,040
Speaker 1: He did what most people that love.

432
00:17:09,960 --> 00:17:12,800
Speaker 3: Mad men do, just give the chick that you're fucking

433
00:17:13,200 --> 00:17:17,240
Speaker 3: the biggest role for the new show with no real.

434
00:17:16,920 --> 00:17:17,720
Speaker 2: You know what that means.

435
00:17:18,240 --> 00:17:18,480
Speaker 1: Hmm.

436
00:17:18,960 --> 00:17:20,800
Speaker 2: Joy was in there turning him out.

437
00:17:21,160 --> 00:17:24,200
Speaker 3: So I'm actually not quite sure why this is even

438
00:17:24,240 --> 00:17:26,960
Speaker 3: specifically in this lawsuit because it kind of has nothing.

439
00:17:27,600 --> 00:17:29,439
Speaker 3: It's wrong, but it has nothing to do with the

440
00:17:29,440 --> 00:17:33,040
Speaker 3: sexual harassment. Skip is the real nasty accuser here, and

441
00:17:33,040 --> 00:17:35,600
Speaker 3: again this is all alleged. Skip was trying to sleep

442
00:17:35,640 --> 00:17:38,520
Speaker 3: with the hair addresser. He walked up to her, grabbed

443
00:17:38,520 --> 00:17:39,320
Speaker 3: her ass one time.

444
00:17:39,960 --> 00:17:40,360
Speaker 1: Mmmm.

445
00:17:40,640 --> 00:17:43,280
Speaker 3: Skip was handsy, Joy, Taylor said, yo, just let that

446
00:17:43,320 --> 00:17:46,119
Speaker 3: shit go. And I believe mister Dixon grabbed her ass.

447
00:17:46,400 --> 00:17:49,080
Speaker 3: But Skip had offered her what was it? One point

448
00:17:49,160 --> 00:17:49,800
Speaker 3: five million to.

449
00:17:49,840 --> 00:17:57,320
Speaker 2: Fuck stop right there, Skip Bayless? What came Skip camera two? Skip?

450
00:17:58,080 --> 00:18:00,880
Speaker 2: Ain't no pussy worth one point five million dollars. Let's

451
00:18:00,880 --> 00:18:02,919
Speaker 2: just be come on, like what do I get it?

452
00:18:02,960 --> 00:18:05,240
Speaker 2: You got it, you got it to give, but one

453
00:18:05,280 --> 00:18:06,440
Speaker 2: point five million.

454
00:18:06,920 --> 00:18:08,040
Speaker 1: Listen, see that's what's wrong.

455
00:18:08,160 --> 00:18:10,360
Speaker 2: You have. The inflation on pussy is out of control.

456
00:18:10,520 --> 00:18:15,359
Speaker 3: If I'm making eight million, which is incredible, one point

457
00:18:15,400 --> 00:18:17,679
Speaker 3: five million is still a lot of fucking Oh absolutely

458
00:18:17,720 --> 00:18:20,480
Speaker 3: for some pussy. Yeah, like come on, Skip and again,

459
00:18:20,640 --> 00:18:22,080
Speaker 3: very attractive woman, go ahead and mercery.

460
00:18:22,119 --> 00:18:24,679
Speaker 1: So I do want to clarify because you know, defend

461
00:18:24,720 --> 00:18:27,280
Speaker 1: all women. You're not gonna we're not gonna play with

462
00:18:27,320 --> 00:18:30,080
Speaker 1: Joy like oh, Joy had no she had no experience

463
00:18:30,119 --> 00:18:32,320
Speaker 1: or nothing like that. She went to Barry University in Miami.

464
00:18:32,560 --> 00:18:34,680
Speaker 1: She was an intern and she produced for a bunch

465
00:18:34,680 --> 00:18:37,120
Speaker 1: of Miami radio giants before land in the position as

466
00:18:37,160 --> 00:18:40,360
Speaker 1: co hosts of one oh four point three FM seven nineties,

467
00:18:40,359 --> 00:18:42,720
Speaker 1: The Ticket, Zaslow and Enjoy Show. She worked as a

468
00:18:42,760 --> 00:18:45,240
Speaker 1: host of Thursday Night Live and Fantasy Football Today on

469
00:18:45,320 --> 00:18:48,160
Speaker 1: CBS Sports before she even moved to LA for FS one.

470
00:18:48,320 --> 00:18:50,320
Speaker 1: So let's not just say that she had no experience.

471
00:18:50,600 --> 00:18:52,880
Speaker 3: I will reword it to make you and the feminist

472
00:18:52,880 --> 00:18:56,080
Speaker 3: feel better. They were suggesting that, yes, of course, she

473
00:18:56,119 --> 00:18:58,639
Speaker 3: moved from Miami to LA to work in sports before

474
00:18:58,680 --> 00:19:00,919
Speaker 3: she had even met that guy, was qualified to at

475
00:19:00,960 --> 00:19:03,359
Speaker 3: least have a position with in sports media, and was

476
00:19:03,400 --> 00:19:06,480
Speaker 3: working radio and also being a bartender.

477
00:19:06,520 --> 00:19:07,840
Speaker 1: I respect the hustle, and she grew.

478
00:19:07,800 --> 00:19:09,760
Speaker 2: Up running a game of her brother's a Hall of Famer.

479
00:19:09,920 --> 00:19:11,679
Speaker 3: I'm not saying she was just some random chick off

480
00:19:11,720 --> 00:19:16,879
Speaker 3: the street, but everyone, including Skip Bayless, was suggesting that

481
00:19:17,240 --> 00:19:19,600
Speaker 3: she didn't have the experience for that exact role yet,

482
00:19:20,040 --> 00:19:21,760
Speaker 3: not that she didn't have any, but she wasn't the

483
00:19:21,800 --> 00:19:24,399
Speaker 3: one that should have stepped in, especially that Skip and

484
00:19:24,440 --> 00:19:26,159
Speaker 3: Shannon was like one of the.

485
00:19:26,119 --> 00:19:29,760
Speaker 2: Biggest people at the network that probably were due up

486
00:19:29,760 --> 00:19:29,960
Speaker 2: for that.

487
00:19:30,160 --> 00:19:35,439
Speaker 3: Yeah, and suggested in this paperwork that Charles Dixon had.

488
00:19:35,320 --> 00:19:37,520
Speaker 1: Asked, Skip, can you do this favor for me to

489
00:19:37,520 --> 00:19:37,959
Speaker 1: put her on?

490
00:19:38,119 --> 00:19:40,399
Speaker 3: So that's where people were like, all right, she's not

491
00:19:40,640 --> 00:19:42,520
Speaker 3: There's a million other people we could have hired in

492
00:19:42,560 --> 00:19:45,080
Speaker 3: this position. This is a little funny, but let's not

493
00:19:45,119 --> 00:19:48,040
Speaker 3: act like that hasn't happened a million times within.

494
00:19:47,840 --> 00:19:50,280
Speaker 1: Every industry, not just entertainment. Also doesn't hurt that she

495
00:19:50,400 --> 00:19:53,879
Speaker 1: is gorgeous, So yeah, for sure. And I never minded

496
00:19:53,920 --> 00:19:58,159
Speaker 1: her on the show. But you could tell, did you

497
00:19:58,200 --> 00:20:00,280
Speaker 1: guys watch that show game?

498
00:20:00,320 --> 00:20:00,840
Speaker 2: Yeah, I saw it.

499
00:20:01,960 --> 00:20:03,720
Speaker 3: You could tell Skip didn't like that girl up there.

500
00:20:04,920 --> 00:20:06,879
Speaker 3: He always kind of gave her a little look in

501
00:20:06,920 --> 00:20:09,520
Speaker 3: an attitude more than he ever had with Molly or

502
00:20:09,560 --> 00:20:11,520
Speaker 3: anyone else. Like, you could tell Skip did not want

503
00:20:11,520 --> 00:20:11,960
Speaker 3: that girl there.

504
00:20:12,000 --> 00:20:14,680
Speaker 2: Yeah, I thought I thought Skip was gay.

505
00:20:15,520 --> 00:20:19,040
Speaker 3: So that's the money that you say that when all

506
00:20:19,080 --> 00:20:22,200
Speaker 3: this came out, before I read anything, the first thought

507
00:20:22,200 --> 00:20:24,720
Speaker 3: I had was is someone exposing Skip baylist for being gay?

508
00:20:25,160 --> 00:20:26,800
Speaker 3: That was the first thing I thought. I was like, Oh,

509
00:20:26,840 --> 00:20:27,840
Speaker 3: finally he can live his truth.

510
00:20:27,880 --> 00:20:29,440
Speaker 2: Yeah. I always thought Skip was gay, like.

511
00:20:29,680 --> 00:20:31,560
Speaker 3: Gay or and I'm not saying gay people are creeps,

512
00:20:31,600 --> 00:20:34,080
Speaker 3: but he was either gay or a creep. Yeah, separate,

513
00:20:34,119 --> 00:20:38,920
Speaker 3: but he when selfies with and oh man, you're a hero.

514
00:20:39,720 --> 00:20:44,280
Speaker 2: That's freedom. That's that's called me a free.

515
00:20:43,920 --> 00:20:49,359
Speaker 3: So Skip allegedly he claims that Joy Taylor Went was

516
00:20:49,400 --> 00:20:51,480
Speaker 3: even trying to hit on him in the beginning, and

517
00:20:51,520 --> 00:20:53,800
Speaker 3: he turned it down. He was trying to offer the

518
00:20:53,840 --> 00:20:56,920
Speaker 3: hairdresser one point five million a fuck and then came

519
00:20:57,000 --> 00:20:57,479
Speaker 3: on to her.

520
00:20:57,560 --> 00:20:59,640
Speaker 2: But why skips? Why he why? What's the one point

521
00:20:59,680 --> 00:21:01,080
Speaker 2: five How does he land on that?

522
00:21:01,760 --> 00:21:04,120
Speaker 3: I mean, I talk to his accountant. What's the most

523
00:21:04,160 --> 00:21:05,919
Speaker 3: I could spend this month on a big.

524
00:21:08,280 --> 00:21:08,480
Speaker 1: Top?

525
00:21:08,720 --> 00:21:10,400
Speaker 3: Yo, you have any big purchases I should know about

526
00:21:10,680 --> 00:21:12,040
Speaker 3: at the top of the month, so I could balance

527
00:21:12,080 --> 00:21:15,359
Speaker 3: out your check book one point actually trying to purchase

528
00:21:15,359 --> 00:21:16,680
Speaker 3: some pussy for one point five one?

529
00:21:17,440 --> 00:21:18,199
Speaker 1: And how do you write them?

530
00:21:18,560 --> 00:21:21,159
Speaker 3: First of all, this is how poor I am in

531
00:21:21,200 --> 00:21:23,840
Speaker 3: relations to this entire thing. How do you send a

532
00:21:23,840 --> 00:21:25,320
Speaker 3: woman one point five million dollars?

533
00:21:25,480 --> 00:21:29,720
Speaker 2: Well, it's installments. You send a wire out, but at

534
00:21:29,760 --> 00:21:31,320
Speaker 2: some point like and you got to make sure you

535
00:21:31,359 --> 00:21:32,760
Speaker 2: do at the top of the year, so you know,

536
00:21:32,880 --> 00:21:34,600
Speaker 2: file taxes on that, she get the whole year to

537
00:21:34,680 --> 00:21:34,919
Speaker 2: kind of.

538
00:21:35,080 --> 00:21:37,640
Speaker 3: I know a lot of business managers and accountants are

539
00:21:37,760 --> 00:21:40,400
Speaker 3: used to having discretion and not asking about certain things

540
00:21:40,400 --> 00:21:43,160
Speaker 3: because they know more about you than than your own

541
00:21:43,280 --> 00:21:45,880
Speaker 3: partner of your purchases, Like they know in that pro

542
00:21:45,920 --> 00:21:47,480
Speaker 3: biller dot com comes up, they know what Tom it

543
00:21:47,560 --> 00:21:47,840
Speaker 3: is with that.

544
00:21:48,160 --> 00:21:49,440
Speaker 1: They see what you've cash apped.

545
00:21:49,440 --> 00:21:53,080
Speaker 3: They know a lot and don't ask questions when they

546
00:21:53,119 --> 00:21:54,880
Speaker 3: don't need to go their job.

547
00:21:55,359 --> 00:21:57,399
Speaker 1: They're just there to make sure you pay your taxes.

548
00:21:57,880 --> 00:22:00,760
Speaker 3: If I put one point five million in installments to

549
00:22:00,800 --> 00:22:02,600
Speaker 3: a girl, Lloyon's asking me, what the fuck is that?

550
00:22:02,680 --> 00:22:04,840
Speaker 1: Oh? Yeah, but you have to and you need to

551
00:22:04,840 --> 00:22:05,919
Speaker 1: see less money. I know.

552
00:22:06,119 --> 00:22:09,200
Speaker 3: No, I'm saying I wouldn't even know how to send

553
00:22:09,240 --> 00:22:12,560
Speaker 3: that type of money to a girl, like even setting

554
00:22:12,560 --> 00:22:15,840
Speaker 3: my mom money is an one hundred dollars in installments.

555
00:22:16,040 --> 00:22:18,919
Speaker 2: Box out here worth one point five million dollars. I

556
00:22:18,920 --> 00:22:20,200
Speaker 2: don't care what you though.

557
00:22:20,280 --> 00:22:23,120
Speaker 3: Well, well, at that point you have to like hire her, right,

558
00:22:23,320 --> 00:22:25,520
Speaker 3: you can't just off the whim. He did take that

559
00:22:25,640 --> 00:22:28,840
Speaker 3: tax for FS one, but that's not coming out of SKIPS.

560
00:22:29,560 --> 00:22:31,560
Speaker 3: FS one was paying her. Skip wasn't paying her.

561
00:22:32,160 --> 00:22:34,240
Speaker 2: It probably worked it out in his contract.

562
00:22:34,560 --> 00:22:39,040
Speaker 3: She was the hairdresser. I was not coming from Skips LLC.

563
00:22:39,359 --> 00:22:41,600
Speaker 3: She was working on every other show she had been

564
00:22:41,840 --> 00:22:43,439
Speaker 3: since twenty twelve before Skip was even there.

565
00:22:43,520 --> 00:22:45,880
Speaker 2: Yeah, but like his hairdressing. Now Skip's head looks great, right,

566
00:22:47,240 --> 00:22:49,000
Speaker 2: I guess so, Yeah, and now we know why.

567
00:22:48,800 --> 00:22:51,920
Speaker 3: He came on to her and she was like, first

568
00:22:51,920 --> 00:22:54,560
Speaker 3: of all, Skip, you have a wife. And Skip's reply

569
00:22:54,640 --> 00:22:57,920
Speaker 3: to that is, aren't you Muslim? Your dad probably has

570
00:22:57,960 --> 00:23:01,040
Speaker 3: three or four wives. And then she did what I

571
00:23:01,080 --> 00:23:03,240
Speaker 3: guess was the best move in that awkward situation, because

572
00:23:03,240 --> 00:23:05,640
Speaker 3: I'm sure that was very uncomfortable for her. She pulled

573
00:23:05,640 --> 00:23:07,760
Speaker 3: the yell my dad's dead card and really really made

574
00:23:07,760 --> 00:23:12,080
Speaker 3: the mood weird in the dressing room. Mmmm, Like, have

575
00:23:12,200 --> 00:23:15,240
Speaker 3: you ever he did someone up about like, you know, oh,

576
00:23:15,280 --> 00:23:16,840
Speaker 3: when you were a kid, mother joke or whatever. And

577
00:23:16,840 --> 00:23:19,800
Speaker 3: then they hit you with the big joker, my mom's dead.

578
00:23:19,840 --> 00:23:21,600
Speaker 3: You're like, all right, well you don't know. I'm leaving

579
00:23:21,600 --> 00:23:22,280
Speaker 3: the lunch from now.

580
00:23:22,440 --> 00:23:24,919
Speaker 2: So So where does Joy Taylor fall in all of this? So,

581
00:23:25,359 --> 00:23:28,040
Speaker 2: because it was alleged that she was saying that she

582
00:23:28,200 --> 00:23:31,200
Speaker 2: was going to scream sexual harassment or sexual.

583
00:23:31,560 --> 00:23:35,480
Speaker 1: So one of the things named in the lawsuit is, well,

584
00:23:35,640 --> 00:23:38,760
Speaker 1: the girl is suing Joy as well, because she's basically

585
00:23:38,800 --> 00:23:42,159
Speaker 1: saying after her friendship with Taylor with Joy ended, she

586
00:23:42,200 --> 00:23:45,120
Speaker 1: started losing work. Joy said that she wanted a black stylist,

587
00:23:45,200 --> 00:23:48,280
Speaker 1: like she requested a black stylist, and they slowly started

588
00:23:48,359 --> 00:23:51,280
Speaker 1: like taking her eyes and work and then they fired her.

589
00:23:52,200 --> 00:23:53,800
Speaker 2: So now so now she's ringing the law.

590
00:23:54,040 --> 00:23:56,920
Speaker 1: Yes, but one of the things she said that Joy

591
00:23:57,000 --> 00:23:58,919
Speaker 1: said when it came, she says she when she was

592
00:23:58,920 --> 00:24:01,600
Speaker 1: friends with Joy, she warned and her, Hey, mister Dixon,

593
00:24:01,680 --> 00:24:03,359
Speaker 1: the head of Rory said, is the head of content

594
00:24:03,440 --> 00:24:05,919
Speaker 1: for FS one. He has a lot of power. You

595
00:24:05,920 --> 00:24:09,600
Speaker 1: should be careful with sleeping with him. And allegedly Joy said, well,

596
00:24:09,840 --> 00:24:11,960
Speaker 1: I have power too, because if he tries to fire me,

597
00:24:12,000 --> 00:24:13,560
Speaker 1: I'm just gonna say that he forced himself.

598
00:24:13,800 --> 00:24:17,440
Speaker 2: I mean this, which is a girl. Yes see, that's

599
00:24:17,440 --> 00:24:20,720
Speaker 2: the part. And you know, we want to be respectful

600
00:24:20,720 --> 00:24:23,399
Speaker 2: to people that really are in workplaces. And you know,

601
00:24:23,480 --> 00:24:27,160
Speaker 2: sexual harassment is real and things like sexual assault is real.

602
00:24:27,200 --> 00:24:30,479
Speaker 2: We understand that. But I have a problem with if

603
00:24:30,560 --> 00:24:34,000
Speaker 2: you're there and you're experiencing these things and it's a problem,

604
00:24:34,359 --> 00:24:36,639
Speaker 2: but because you're getting paid, you still deal with it

605
00:24:36,680 --> 00:24:39,360
Speaker 2: and you don't say nothing. I feel like when you leave,

606
00:24:39,480 --> 00:24:41,040
Speaker 2: if you get fired, you shouldn't be able to say

607
00:24:41,040 --> 00:24:41,560
Speaker 2: nothing either.

608
00:24:41,960 --> 00:24:43,640
Speaker 1: But now, why do you feel that?

609
00:24:43,680 --> 00:24:44,399
Speaker 3: Because you crazy?

610
00:24:44,680 --> 00:24:46,760
Speaker 2: So you're sitting here, so the money makes it you

611
00:24:46,800 --> 00:24:48,200
Speaker 2: can you can deal with it because you get in a.

612
00:24:48,160 --> 00:24:49,480
Speaker 1: Check people have built.

613
00:24:49,600 --> 00:24:52,600
Speaker 2: Wrong is wrong, but again right is right. Wrong as wrong.

614
00:24:52,640 --> 00:24:55,000
Speaker 2: If you're being sexually harassed at the workplace, I don't

615
00:24:55,040 --> 00:24:57,640
Speaker 2: care what they're paying you. If you feel like you're

616
00:24:57,680 --> 00:24:59,359
Speaker 2: not you don't want to deal with that, Okay, then

617
00:24:59,400 --> 00:25:01,880
Speaker 2: say something wh you did. Don't wait till now they're

618
00:25:01,880 --> 00:25:03,919
Speaker 2: not paying you anymore and you don't work here to

619
00:25:03,960 --> 00:25:05,760
Speaker 2: now be like, oh, well, you know I was sexually

620
00:25:05,800 --> 00:25:07,560
Speaker 2: harassed while I was it, Okay, So why you didn't

621
00:25:07,560 --> 00:25:08,199
Speaker 2: say something while you.

622
00:25:08,680 --> 00:25:10,880
Speaker 3: She had said when she was still friends with Joey

623
00:25:10,920 --> 00:25:14,439
Speaker 3: Taylor uh ms frosh, she said, Yo, he grabbed my ass,

624
00:25:14,480 --> 00:25:16,240
Speaker 3: and Joy was like, you should just forget about it

625
00:25:16,240 --> 00:25:18,000
Speaker 3: and move on. A lot of women are put in

626
00:25:18,000 --> 00:25:21,120
Speaker 3: that position that one they won't be believed, and now

627
00:25:21,160 --> 00:25:23,360
Speaker 3: you have a stain where you can't even get hired

628
00:25:23,400 --> 00:25:25,960
Speaker 3: anywhere else because you went to the HR to talk

629
00:25:25,960 --> 00:25:29,439
Speaker 3: about sexual assault and they'll bury it. Like, had she

630
00:25:29,480 --> 00:25:31,679
Speaker 3: not said anything, we would not know anything about.

631
00:25:31,400 --> 00:25:32,119
Speaker 2: This, Okay.

632
00:25:32,160 --> 00:25:34,600
Speaker 1: So it's saying something when you leave when you're when

633
00:25:34,640 --> 00:25:38,000
Speaker 1: you're fired, does what Well, it's just a lawsuit. So

634
00:25:38,040 --> 00:25:40,160
Speaker 1: she's trying to get money like out of it.

635
00:25:41,640 --> 00:25:43,199
Speaker 2: So why she couldn't try to get money while she

636
00:25:43,240 --> 00:25:44,600
Speaker 2: was there. She could have quit while she was there,

637
00:25:44,640 --> 00:25:46,000
Speaker 2: she was sexually harassed while she was there.

638
00:25:46,080 --> 00:25:47,800
Speaker 1: Yeah, but quit and pay her bills with what?

639
00:25:48,800 --> 00:25:51,679
Speaker 2: Yeah, I'm just not see that's I'm just right as

640
00:25:51,760 --> 00:25:53,680
Speaker 2: right wrong as if somebody grabbed your ass in the

641
00:25:53,720 --> 00:25:56,560
Speaker 2: workplace right then and there, that should be a problem

642
00:25:56,560 --> 00:25:57,080
Speaker 2: and somebody.

643
00:25:57,840 --> 00:26:01,679
Speaker 3: Unfortunately, some women are in the mind state that this

644
00:26:01,800 --> 00:26:04,000
Speaker 3: is just how it goes everywhere, like this is just

645
00:26:04,520 --> 00:26:06,320
Speaker 3: something I have to deal with, which is so fucked

646
00:26:06,400 --> 00:26:08,760
Speaker 3: up that women would even have to have that mentality

647
00:26:08,800 --> 00:26:11,360
Speaker 3: that this is going to happen anywhere. It doesn't mean anything,

648
00:26:11,440 --> 00:26:13,320
Speaker 3: Like I just have to keep my head down and

649
00:26:13,359 --> 00:26:16,000
Speaker 3: keep working because the moment you say something, where are

650
00:26:16,000 --> 00:26:17,960
Speaker 3: you going to get hired again? You're the hairdresser that

651
00:26:18,880 --> 00:26:22,200
Speaker 3: cries sexual harassment, nobody's hiring you.

652
00:26:22,200 --> 00:26:23,240
Speaker 2: No, Listen at.

653
00:26:23,119 --> 00:26:25,439
Speaker 3: This point, Now, not only do I have to deal

654
00:26:25,520 --> 00:26:28,560
Speaker 3: with that, but I was still working. Now you're trying

655
00:26:28,560 --> 00:26:30,679
Speaker 3: to phase me out while sexually harassing me.

656
00:26:30,720 --> 00:26:32,520
Speaker 1: Oh yeah, now I'm fucking sing say something.

657
00:26:32,600 --> 00:26:37,280
Speaker 2: Yeah, listen, I understand it's tough, and certain work environments

658
00:26:37,359 --> 00:26:40,840
Speaker 2: is it's a lot on women. I get that, but

659
00:26:40,920 --> 00:26:44,080
Speaker 2: it's also a thing of if you're being sexually harassed,

660
00:26:44,720 --> 00:26:48,280
Speaker 2: like no money should come before that. That's just my

661
00:26:48,320 --> 00:26:51,000
Speaker 2: thoughts on that. How much money is how much money

662
00:26:51,000 --> 00:26:55,080
Speaker 2: you're making if you're being sexually harassed. The money means nothing.

663
00:26:55,800 --> 00:26:58,119
Speaker 1: You keep saying the money means nothing. Money means something.

664
00:26:59,000 --> 00:27:02,159
Speaker 1: If somebody's grabbing at the workplace, if you have to,

665
00:27:02,560 --> 00:27:03,960
Speaker 1: you know what people deal with to be able to

666
00:27:03,960 --> 00:27:05,760
Speaker 1: feed their fanly. Yeah, I do, Yeah, I do.

667
00:27:05,880 --> 00:27:07,320
Speaker 2: Every day. I walk past him and I talk to

668
00:27:07,320 --> 00:27:07,959
Speaker 2: some of them. I know.

669
00:27:08,240 --> 00:27:09,439
Speaker 1: Yeah, shit is right.

670
00:27:09,480 --> 00:27:12,159
Speaker 2: What does that mean? You're gonna you're gonna just let

671
00:27:12,200 --> 00:27:13,840
Speaker 2: your ask get grab because you get in a check,

672
00:27:14,520 --> 00:27:15,920
Speaker 2: Go be a fucking stripper. If that's the.

673
00:27:15,880 --> 00:27:19,600
Speaker 1: Case, that's all right. If you're going to do with right.

674
00:27:19,960 --> 00:27:20,760
Speaker 1: Look at the two people.

675
00:27:20,760 --> 00:27:22,320
Speaker 2: If you're gonna do people that.

676
00:27:22,280 --> 00:27:26,639
Speaker 3: Have were sexually harassing her allegedly was Skip Baylists. We

677
00:27:26,720 --> 00:27:29,680
Speaker 3: know how powerful Skip is in that world, and then

678
00:27:29,720 --> 00:27:32,920
Speaker 3: the head of content of Fox Sports. Those are two

679
00:27:32,920 --> 00:27:36,800
Speaker 3: of the more powerful people in her entire work world. Yeah,

680
00:27:36,880 --> 00:27:38,720
Speaker 3: she doesn't think that she could just run and be

681
00:27:38,760 --> 00:27:42,640
Speaker 3: like yo, Skip said, I should suck him because I'm Muslim,

682
00:27:42,720 --> 00:27:44,200
Speaker 3: and it's okay because he's married.

683
00:27:44,560 --> 00:27:46,919
Speaker 1: Yeah, she's not gonna do that. It's two most powerful

684
00:27:46,920 --> 00:27:48,480
Speaker 1: people in her world, so by far.

685
00:27:48,560 --> 00:27:50,880
Speaker 2: So wait till I get fired and do it. Yeah,

686
00:27:51,040 --> 00:27:51,919
Speaker 2: makes no sense to me.

687
00:27:52,920 --> 00:27:54,159
Speaker 1: You're also not a woman to me.

688
00:27:54,280 --> 00:27:56,000
Speaker 2: Yeah, I'm a man though, but it makes no sense to

689
00:27:56,040 --> 00:27:58,560
Speaker 2: me just to because I'm getting a check, I'll deal

690
00:27:58,600 --> 00:28:00,000
Speaker 2: with it. But then I'm not getting a check. Oh

691
00:28:00,080 --> 00:28:01,240
Speaker 2: that was wrong. It's wrong.

692
00:28:01,240 --> 00:28:03,119
Speaker 1: Whether you get in to check it out, it was wrong.

693
00:28:03,200 --> 00:28:06,760
Speaker 1: But there's a certain I can't do anything like you know.

694
00:28:06,920 --> 00:28:08,399
Speaker 1: Actually we've explained it. If you don't get it, you

695
00:28:08,400 --> 00:28:09,560
Speaker 1: don't get it. Don't make sense to you.

696
00:28:10,480 --> 00:28:12,240
Speaker 2: It doesn't. It doesn't. I'm glad you said that it

697
00:28:12,280 --> 00:28:12,880
Speaker 2: doesn't make sense.

698
00:28:13,359 --> 00:28:15,920
Speaker 3: Not that we really care what Jason Whitlock really ever

699
00:28:16,040 --> 00:28:19,360
Speaker 3: has to say, But but he did bring.

700
00:28:19,280 --> 00:28:21,040
Speaker 2: Up dude, he makes points sometimes.

701
00:28:21,080 --> 00:28:24,240
Speaker 3: Don't do that all right, Well, let's define sometimes. But

702
00:28:25,640 --> 00:28:29,520
Speaker 3: he was suggesting that Shannon Sharp was behind this entire thing,

703
00:28:30,040 --> 00:28:30,720
Speaker 3: not to say that.

704
00:28:30,800 --> 00:28:34,639
Speaker 2: How they put Shannon in this, how they rose Shannon

705
00:28:34,840 --> 00:28:35,760
Speaker 2: this is This.

706
00:28:35,720 --> 00:28:38,200
Speaker 3: Is Jason's point of view. He's not suggesting that woman

707
00:28:38,240 --> 00:28:42,320
Speaker 3: is lying at all. He's just suggesting that Shannon Sharp,

708
00:28:42,400 --> 00:28:44,160
Speaker 3: that we know has a grudge with Skip. It was

709
00:28:44,160 --> 00:28:47,120
Speaker 3: a bad fallout with that weird fallout with FS one that.

710
00:28:47,080 --> 00:28:47,600
Speaker 1: Was the whole thing.

711
00:28:48,120 --> 00:28:51,000
Speaker 3: That this is Shannon's way of getting his get back

712
00:28:51,320 --> 00:28:54,160
Speaker 3: at everybody had an issue with the head, the head

713
00:28:54,160 --> 00:28:57,960
Speaker 3: of content Skip. Everyone named in this lawsuit does have

714
00:28:58,000 --> 00:29:00,440
Speaker 3: some issue with Shannon Sharp. Now, I do not believe

715
00:29:00,480 --> 00:29:03,000
Speaker 3: that Shannon Sharp and this woman, like you know, got

716
00:29:03,000 --> 00:29:06,440
Speaker 3: together to try to take everyone down, but it is

717
00:29:06,480 --> 00:29:10,480
Speaker 3: an interesting theory that he brings up. This is Shannon's

718
00:29:10,520 --> 00:29:11,440
Speaker 3: way of doing that.

719
00:29:12,880 --> 00:29:15,480
Speaker 2: So he thinks that Shannon is the one that's blowing

720
00:29:15,480 --> 00:29:16,560
Speaker 2: the whistle on this whole thing.

721
00:29:16,680 --> 00:29:20,000
Speaker 3: That Shannon Sharp and this woman because she says good

722
00:29:20,000 --> 00:29:22,600
Speaker 3: things about Shannon in the paperwork, like he was fine

723
00:29:22,600 --> 00:29:26,520
Speaker 3: and do anything which Shannon Sharp outside of him fake

724
00:29:26,560 --> 00:29:29,920
Speaker 3: fucking on Instagram and all that. Again, we don't know

725
00:29:29,960 --> 00:29:31,880
Speaker 3: these people, but Shannon doesn't really come off as a

726
00:29:31,920 --> 00:29:38,080
Speaker 3: creep to me. I think Shannon being pretty honest about

727
00:29:38,280 --> 00:29:41,080
Speaker 3: his personal life and not being in relationships.

728
00:29:41,080 --> 00:29:42,240
Speaker 1: I don't think he's in the workplace.

729
00:29:42,280 --> 00:29:44,120
Speaker 3: I think he has plenty of pussy outside the workplace

730
00:29:44,120 --> 00:29:46,240
Speaker 3: and is not trying to fuck the hairdresser.

731
00:29:46,600 --> 00:29:47,520
Speaker 1: Also, he doesn't have hair.

732
00:29:48,200 --> 00:29:50,080
Speaker 3: Probably didn't see her who doesn't have a hair.

733
00:29:50,400 --> 00:29:51,440
Speaker 1: I mean it's a little bit there.

734
00:29:51,600 --> 00:29:52,600
Speaker 2: Shannon has hair.

735
00:29:52,640 --> 00:29:56,080
Speaker 3: What are you talking about? I think a barber comes

736
00:29:56,080 --> 00:29:57,000
Speaker 3: to him and shapes it.

737
00:29:57,080 --> 00:29:58,840
Speaker 2: Let me out, you don't call it a hairdresser, but

738
00:29:58,840 --> 00:30:00,320
Speaker 2: Shannon Sharp ain't bald us.

739
00:30:00,240 --> 00:30:01,560
Speaker 3: Here, not for a hairdresser.

740
00:30:01,600 --> 00:30:05,480
Speaker 2: Though she could brush it. She can brush, brush, spray

741
00:30:05,520 --> 00:30:07,640
Speaker 2: machine on it, you know, get him, get him blowing.

742
00:30:07,360 --> 00:30:10,080
Speaker 3: For the spoken a black and mile you where do

743
00:30:10,080 --> 00:30:12,720
Speaker 3: we think this goes? Does this cripple f S one?

744
00:30:12,960 --> 00:30:15,480
Speaker 3: Like this is a huge deal? In my opinion, it

745
00:30:15,520 --> 00:30:17,960
Speaker 3: is a huge deal. I don't know if it cripples

746
00:30:18,040 --> 00:30:18,480
Speaker 3: f S one.

747
00:30:18,520 --> 00:30:21,080
Speaker 2: It would be interesting to see what ends up happening

748
00:30:21,640 --> 00:30:26,920
Speaker 2: with with Joy at the network, what ends up happening

749
00:30:26,960 --> 00:30:29,600
Speaker 2: with Skip. I could see Skip retiring. He's at that

750
00:30:29,640 --> 00:30:32,040
Speaker 2: age anyway, I mean I could. I don't think Skip

751
00:30:32,080 --> 00:30:35,600
Speaker 2: was planned on being on television many more years after

752
00:30:35,640 --> 00:30:39,080
Speaker 2: this current contract is up, So I could see Skip

753
00:30:39,680 --> 00:30:42,560
Speaker 2: stepping away from it all kind of like you know what,

754
00:30:43,080 --> 00:30:46,600
Speaker 2: Like I'm done, But yeah, we'll have to see again.

755
00:30:46,640 --> 00:30:49,640
Speaker 2: This is just accusations, right, for allegation.

756
00:30:49,800 --> 00:30:51,720
Speaker 1: There's not We haven't seen any real proof other than

757
00:30:51,760 --> 00:30:54,720
Speaker 1: a couple of text messages from Skip right, No real

758
00:30:55,240 --> 00:30:55,720
Speaker 1: I mean.

759
00:30:56,160 --> 00:30:59,120
Speaker 2: Well, Skip is probably guilt because he's married, right, Skip

760
00:30:59,120 --> 00:31:01,880
Speaker 2: Bayle's married. I don't know, I think he is, right, Yeah,

761
00:31:02,280 --> 00:31:05,600
Speaker 2: he's married, right, So that's probably beard in So probably

762
00:31:05,600 --> 00:31:07,440
Speaker 2: just you know, he's going to go through some ship

763
00:31:07,480 --> 00:31:09,680
Speaker 2: at home if those text messages come out, and you

764
00:31:09,720 --> 00:31:12,040
Speaker 2: know he's he's gonna have some questions from the wife

765
00:31:12,040 --> 00:31:13,880
Speaker 2: and things like that. It'll it'll mess up his home

766
00:31:13,960 --> 00:31:17,600
Speaker 2: for sure. But you know he didn't you know he

767
00:31:17,840 --> 00:31:18,840
Speaker 2: little hands hey at work?

768
00:31:19,360 --> 00:31:21,640
Speaker 3: No, well, you can't go up to a hairdresser and

769
00:31:21,680 --> 00:31:23,840
Speaker 3: ask to fuck her and offer one point five million,

770
00:31:23,880 --> 00:31:25,960
Speaker 3: and when she says you're married, you go with your

771
00:31:26,040 --> 00:31:28,880
Speaker 3: Muslim all right, what's the worst that? What's what's whatever?

772
00:31:28,880 --> 00:31:29,400
Speaker 1: You about to say?

773
00:31:29,480 --> 00:31:33,160
Speaker 2: What's worst? What's worst asking somebody in the workplace, you know,

774
00:31:33,440 --> 00:31:35,640
Speaker 2: like grabbing any ass or them turning down to one

775
00:31:35,640 --> 00:31:36,360
Speaker 2: point five.

776
00:31:37,840 --> 00:31:38,840
Speaker 1: Both are awful.

777
00:31:39,120 --> 00:31:42,760
Speaker 2: Turn it down at one point five is crazy? All right?

778
00:31:42,800 --> 00:31:45,080
Speaker 3: See Nope, but this goes back to your moral shit

779
00:31:45,120 --> 00:31:48,680
Speaker 3: of when we argue if you put a dollar amount

780
00:31:48,880 --> 00:31:50,400
Speaker 3: to what you will do. At this point, we're just

781
00:31:50,440 --> 00:31:55,040
Speaker 3: negotiating because we know you'll do it what you think

782
00:31:55,160 --> 00:31:57,360
Speaker 3: everyone would for one point five million, because she didn't

783
00:31:57,400 --> 00:31:58,320
Speaker 3: if he said two point five.

784
00:31:58,800 --> 00:32:00,760
Speaker 2: I'm just saying that's why. But that's why saying it's crazy,

785
00:32:01,160 --> 00:32:02,920
Speaker 2: how many women would not fuck if you like, I'm

786
00:32:02,960 --> 00:32:06,520
Speaker 2: gonna give you one point five million? How many women?

787
00:32:07,400 --> 00:32:09,440
Speaker 1: I don't know, plenty of women when you're putting a

788
00:32:09,520 --> 00:32:11,240
Speaker 1: skip baitless. It ain't like you're saying.

789
00:32:11,400 --> 00:32:13,880
Speaker 2: Of women ain't turning down one point You just sat

790
00:32:13,920 --> 00:32:14,120
Speaker 2: here and.

791
00:32:14,160 --> 00:32:16,520
Speaker 1: Said, like you got to turn down one point five,

792
00:32:16,720 --> 00:32:18,520
Speaker 1: you'll be putting that ship on women a lot. When

793
00:32:18,520 --> 00:32:20,560
Speaker 1: we had that same conversation where you try to convince

794
00:32:20,560 --> 00:32:22,640
Speaker 1: me that I would fuck Lebron because he would pay me.

795
00:32:22,920 --> 00:32:25,560
Speaker 1: Not everybody values the same thing that.

796
00:32:26,880 --> 00:32:28,760
Speaker 2: A lot of women ain't turning down one point five

797
00:32:29,640 --> 00:32:30,600
Speaker 2: A lot of women.

798
00:32:30,840 --> 00:32:32,760
Speaker 1: A lot of women won't, but a lot of women will.

799
00:32:33,640 --> 00:32:35,640
Speaker 1: Let's not even make it.

800
00:32:34,440 --> 00:32:36,760
Speaker 3: It'sn't even making a gender thing.

801
00:32:36,880 --> 00:32:39,080
Speaker 2: I just told me she kept the job because she

802
00:32:39,160 --> 00:32:41,000
Speaker 2: had she had bills to pay. She said, hell, how

803
00:32:41,080 --> 00:32:42,760
Speaker 2: much you think she's making a year being a hairstyars?

804
00:32:44,040 --> 00:32:45,160
Speaker 3: She probably does well for herself.

805
00:32:45,160 --> 00:32:47,280
Speaker 1: She's been how much do you think she's making a

806
00:32:47,360 --> 00:32:50,160
Speaker 1: year being a job? Keeping a job while you're being

807
00:32:50,200 --> 00:32:53,920
Speaker 1: sexually harassed to pay your bills versus fucking for one

808
00:32:53,920 --> 00:32:55,680
Speaker 1: point five? Are too completely different?

809
00:32:55,760 --> 00:32:57,720
Speaker 2: Yes they are. So I'm saying you think that a

810
00:32:57,760 --> 00:33:00,000
Speaker 2: woman that is saying I want to keep my job

811
00:33:00,160 --> 00:33:02,760
Speaker 2: so I'm gonna be quiet about being harassed at work.

812
00:33:03,040 --> 00:33:05,200
Speaker 2: It is you think that her turning down one point

813
00:33:05,200 --> 00:33:08,480
Speaker 2: five is not crazy, that's crazy for women to time.

814
00:33:08,520 --> 00:33:11,000
Speaker 2: I'm not saying she's wrong. I'm just saying that's shocking.

815
00:33:11,040 --> 00:33:13,400
Speaker 2: Like damn, she told skip nahd Like, I'm cool on

816
00:33:13,440 --> 00:33:16,360
Speaker 2: the one point five. That's a lot of fucking money

817
00:33:16,400 --> 00:33:18,600
Speaker 2: for it just to be fucking some old white dude. Okay,

818
00:33:18,880 --> 00:33:21,440
Speaker 2: let's nag like that's not that's crazy. It is. It

819
00:33:21,520 --> 00:33:23,560
Speaker 2: is one point five. It ain't like I'm sending a

820
00:33:23,600 --> 00:33:25,800
Speaker 2: wire in the morning. Oh no, I send it right now.

821
00:33:25,880 --> 00:33:27,560
Speaker 1: But if that's the case, she would just go be

822
00:33:27,600 --> 00:33:29,640
Speaker 1: an escort if she wanted to fuck for that amount

823
00:33:29,680 --> 00:33:32,480
Speaker 1: of money. That obviously that's not the what she went into.

824
00:33:32,520 --> 00:33:35,240
Speaker 1: Obviously she likes her job. I get that part.

825
00:33:35,320 --> 00:33:38,360
Speaker 2: I'm just saying I don't know many women that would

826
00:33:38,400 --> 00:33:41,600
Speaker 2: say to one point five just to fuck one night.

827
00:33:42,160 --> 00:33:43,880
Speaker 2: There's not a lot of women turning that down. Let's

828
00:33:43,880 --> 00:33:46,080
Speaker 2: just keep it really twenty twenty five. Man, A lot

829
00:33:46,080 --> 00:33:48,000
Speaker 2: of women is not turning down one point five.

830
00:33:47,880 --> 00:33:48,520
Speaker 1: Minut saying that.

831
00:33:48,560 --> 00:33:50,520
Speaker 3: But clearly there are some because she turned it down.

832
00:33:50,680 --> 00:33:52,560
Speaker 2: Of course, I'm not saying all women is taking it.

833
00:33:52,640 --> 00:33:54,640
Speaker 2: I'm saying that's just if a woe be like you,

834
00:33:54,720 --> 00:33:57,680
Speaker 2: how much you offer one point five? Best believe her

835
00:33:57,680 --> 00:33:59,880
Speaker 2: homegirl started another group chat like I don't know, I'm

836
00:34:00,160 --> 00:34:02,720
Speaker 2: it took that it's another group chat on her phone

837
00:34:02,720 --> 00:34:04,720
Speaker 2: that she's not in with her girls just having that

838
00:34:04,760 --> 00:34:06,480
Speaker 2: conversation like one point five.

839
00:34:06,800 --> 00:34:10,040
Speaker 1: Not everybody willing to sell they soul for money, mom,

840
00:34:10,280 --> 00:34:12,480
Speaker 1: everybody got a price. All right.

841
00:34:12,520 --> 00:34:15,359
Speaker 3: Let's say you are the stylist on the view. You're

842
00:34:15,440 --> 00:34:16,960
Speaker 3: dressing all all those old.

843
00:34:16,960 --> 00:34:19,720
Speaker 2: Rock gods down. It will be coming my room.

844
00:34:19,760 --> 00:34:23,279
Speaker 3: Joy Bayhart got one point five on it. Are you

845
00:34:23,640 --> 00:34:25,080
Speaker 3: fucking her missionary? Face to face?

846
00:34:25,560 --> 00:34:28,920
Speaker 2: How does Joy Bayhart look? How much you off from

847
00:34:28,960 --> 00:34:30,880
Speaker 2: me one point five't ever matter how she looks, I'm

848
00:34:30,960 --> 00:34:31,880
Speaker 2: knocking her head off.

849
00:34:32,760 --> 00:34:34,600
Speaker 1: I'll be on it. I'm fucking Joy Bahart for one for.

850
00:34:34,680 --> 00:34:39,439
Speaker 2: One point five, Joy getting knocked down. I'm putting Joy

851
00:34:39,480 --> 00:34:43,080
Speaker 2: through the you might fuck for cheaper one point five.

852
00:34:43,840 --> 00:34:45,760
Speaker 2: If Joy put the one point five on the table,

853
00:34:45,800 --> 00:34:46,920
Speaker 2: she getting fucked on top of the.

854
00:34:46,840 --> 00:34:49,080
Speaker 3: One point I love that Joy Bahart is the female

855
00:34:49,120 --> 00:34:51,440
Speaker 3: Skip baitless in this situation, Poor Joy.

856
00:34:51,400 --> 00:34:54,600
Speaker 2: One point five? What I can never go uptown if

857
00:34:54,640 --> 00:34:56,680
Speaker 2: I turn that one point five? Niggas you did what?

858
00:34:58,200 --> 00:34:59,080
Speaker 1: You didn't take that?

859
00:35:00,280 --> 00:35:00,440
Speaker 3: You know?

860
00:35:00,600 --> 00:35:01,680
Speaker 2: One five?

861
00:35:01,960 --> 00:35:02,200
Speaker 1: All right?

862
00:35:02,200 --> 00:35:05,320
Speaker 2: You're married, man, listen, we can go on a vacation

863
00:35:05,440 --> 00:35:09,200
Speaker 2: after that. Barbara Walters, Barbara getting knocked down?

864
00:35:09,200 --> 00:35:11,879
Speaker 3: If you're married, though, and you don't have one point

865
00:35:11,880 --> 00:35:14,359
Speaker 3: five million dollars, and then you fucked Joy Behart and

866
00:35:14,400 --> 00:35:16,480
Speaker 3: get that one point five? What are you telling your

867
00:35:16,480 --> 00:35:18,080
Speaker 3: wife of where this lick you just came up from?

868
00:35:18,160 --> 00:35:22,239
Speaker 2: Y'all got hot in a Gamblets spot. Nigga, I had

869
00:35:22,239 --> 00:35:27,239
Speaker 2: the hot hand you had all yeah, I had to

870
00:35:27,280 --> 00:35:29,000
Speaker 2: hot hand in the gambless spot. We out.

871
00:35:29,640 --> 00:35:32,920
Speaker 3: I think Skip will end up being fine. And pardon

872
00:35:32,920 --> 00:35:36,560
Speaker 3: me for just being such a liberal. Cut here the

873
00:35:36,600 --> 00:35:39,839
Speaker 3: massagy that Joy Taylor. If this is all true, she's

874
00:35:39,880 --> 00:35:42,719
Speaker 3: fucked up. But either way, let's say it's not true.

875
00:35:42,840 --> 00:35:47,000
Speaker 3: She's still fucked Joy, She's never coming back. There was

876
00:35:47,040 --> 00:35:49,920
Speaker 3: also that she was fucking Emmanual to another co host.

877
00:35:50,000 --> 00:35:52,919
Speaker 3: Like these accusations, there's no way that woman is gonna

878
00:35:52,960 --> 00:35:56,160
Speaker 3: get back on TV and a company feel okay about

879
00:35:56,200 --> 00:35:58,000
Speaker 3: it just with these allegations. So you think of the

880
00:35:58,040 --> 00:36:00,520
Speaker 3: amount of people she was fucking, which is which I think.

881
00:36:00,960 --> 00:36:03,439
Speaker 3: Had this conversation off Skip, I think it'll be just fine.

882
00:36:03,520 --> 00:36:06,399
Speaker 2: We had this conversation off Mike, and y'all was saying that, well,

883
00:36:06,480 --> 00:36:09,440
Speaker 2: she can't get fired because it's just accusations. Do we

884
00:36:09,520 --> 00:36:11,520
Speaker 2: think that they will force her to step down? Yeah,

885
00:36:11,920 --> 00:36:14,640
Speaker 2: as long as you're keeping the toll on that, I

886
00:36:14,680 --> 00:36:16,520
Speaker 2: do think she st'll force her to step I completely

887
00:36:16,520 --> 00:36:16,879
Speaker 2: think that.

888
00:36:17,080 --> 00:36:20,520
Speaker 3: Yeah, And I'm curious if the head of content even

889
00:36:20,560 --> 00:36:25,080
Speaker 3: makes a statement. Also, if you're Joy Taylor's husband, what

890
00:36:25,120 --> 00:36:27,080
Speaker 3: are you doing in this situation? Are you making a statement?

891
00:36:28,120 --> 00:36:29,239
Speaker 1: Oh? Shut the fuck up.

892
00:36:29,440 --> 00:36:30,360
Speaker 2: Joey Taylor's married.

893
00:36:31,000 --> 00:36:32,840
Speaker 3: That's what was so crazy about this entire thing. She

894
00:36:32,920 --> 00:36:35,000
Speaker 3: moved from Miami, her husband stayed in Miami. She went

895
00:36:35,040 --> 00:36:38,760
Speaker 3: to La just following her dream. So she started allegedly

896
00:36:38,800 --> 00:36:41,520
Speaker 3: fucking the head of content while her husband was still.

897
00:36:41,320 --> 00:36:45,120
Speaker 1: In Miami because she was lonely. They were married for

898
00:36:45,160 --> 00:36:45,440
Speaker 1: a year.

899
00:36:45,640 --> 00:36:50,759
Speaker 3: Okay, she's okay, Okay, but Charles Dixon was also married. Mmm,

900
00:36:51,200 --> 00:36:53,319
Speaker 3: so it was a safer affair because everyone had something

901
00:36:53,320 --> 00:36:56,560
Speaker 3: to fucking lose. But the hairdresser said that there was

902
00:36:56,600 --> 00:37:01,120
Speaker 3: times when Joy and her husband and Charlie Dixon and

903
00:37:01,160 --> 00:37:04,040
Speaker 3: his wife would go out together, like at work functions

904
00:37:04,040 --> 00:37:05,840
Speaker 3: and shit like, and she would just watch from a

905
00:37:05,840 --> 00:37:06,640
Speaker 3: distan like goddamn.

906
00:37:06,800 --> 00:37:09,719
Speaker 2: But but you and I have been around a week,

907
00:37:09,800 --> 00:37:12,800
Speaker 2: know enough people to know none of this is out

908
00:37:12,920 --> 00:37:15,120
Speaker 2: of like this is the norm.

909
00:37:15,680 --> 00:37:20,160
Speaker 3: Completely agree with you, But she's on air talent. This

910
00:37:20,280 --> 00:37:23,480
Speaker 3: changes everything, Like, yes, this is some office politics, which

911
00:37:23,520 --> 00:37:26,200
Speaker 3: I've always found very fucking weird. There's so many women

912
00:37:26,239 --> 00:37:27,759
Speaker 3: and men in the world. Why do you need to

913
00:37:27,760 --> 00:37:31,239
Speaker 3: fuck someone at work? Insane to me? And I mean,

914
00:37:31,280 --> 00:37:34,080
Speaker 3: I guess I get Joy's perspective of it, of fucking

915
00:37:34,080 --> 00:37:38,040
Speaker 3: her way to a great gig, like I falter her

916
00:37:38,080 --> 00:37:39,799
Speaker 3: because she was married, not because she did it that way.

917
00:37:39,840 --> 00:37:42,080
Speaker 3: If if somebody sees an opportunity to fuck their way

918
00:37:42,120 --> 00:37:43,759
Speaker 3: to the top, I have had it. You might of

919
00:37:43,800 --> 00:37:46,319
Speaker 3: fucking judge, people have done sicker shit than fuck their

920
00:37:46,360 --> 00:37:49,560
Speaker 3: way to the top. So whatever, it's better than your

921
00:37:49,560 --> 00:37:52,680
Speaker 3: way to your reputation, which I also get well. To

922
00:37:52,719 --> 00:37:54,279
Speaker 3: be honest, at the end of the day, you can

923
00:37:54,320 --> 00:37:56,160
Speaker 3: really only fuck your way to the bottom when it

924
00:37:56,200 --> 00:37:58,839
Speaker 3: comes down to it. Because with all this coming out,

925
00:37:59,239 --> 00:38:01,480
Speaker 3: I think she's on her way to the bottom. This

926
00:38:01,520 --> 00:38:04,480
Speaker 3: isn't gonna keep her anywhere. Who's skip Bayless's friends?

927
00:38:05,160 --> 00:38:08,520
Speaker 1: I don't I don't have them on face because.

928
00:38:08,280 --> 00:38:11,800
Speaker 2: One point five one point five if I'm if if

929
00:38:11,600 --> 00:38:15,120
Speaker 2: if it come out tomorrow that Rory said the girl

930
00:38:15,200 --> 00:38:18,640
Speaker 2: a text message saying, YO, for the one point five,

931
00:38:18,680 --> 00:38:19,600
Speaker 2: you're gonna give me some adds.

932
00:38:19,640 --> 00:38:21,640
Speaker 1: I don't have one point.

933
00:38:21,080 --> 00:38:23,799
Speaker 2: I'm just saying if it came out, I'm gonna feel away.

934
00:38:23,800 --> 00:38:25,759
Speaker 2: I'm gonna feel like I failed Roy's friend because I

935
00:38:25,760 --> 00:38:27,680
Speaker 2: don't be like, do you know how much for one

936
00:38:27,760 --> 00:38:30,319
Speaker 2: point five we could go to d R. You will

937
00:38:31,120 --> 00:38:33,960
Speaker 2: no disrespect to the hairdressers, Miss Misfaraji. She's I think

938
00:38:33,960 --> 00:38:36,120
Speaker 2: she's an attractive woman, very pretty. But if we go to

939
00:38:36,239 --> 00:38:38,319
Speaker 2: d R, we gonna see thirty of them before we

940
00:38:38,360 --> 00:38:40,440
Speaker 2: even get to the resort. What can they do it

941
00:38:40,560 --> 00:38:43,439
Speaker 2: one point five in d R, you can fuck the

942
00:38:43,600 --> 00:38:44,320
Speaker 2: entire island.

943
00:38:44,320 --> 00:38:46,400
Speaker 3: But I think I think that goes back to the

944
00:38:46,560 --> 00:38:49,799
Speaker 3: power ship in the office, like of course, I think

945
00:38:49,800 --> 00:38:52,160
Speaker 3: Skip could go find let's not even say an escort.

946
00:38:52,280 --> 00:38:53,840
Speaker 3: I think Skip could find a woman that looks like

947
00:38:53,840 --> 00:38:55,360
Speaker 3: that that would just want to fuck him because he

948
00:38:55,360 --> 00:38:57,880
Speaker 3: has money. That's not rare. I think he did it

949
00:38:57,880 --> 00:39:00,520
Speaker 3: because it was an office thing like that. He got

950
00:39:00,560 --> 00:39:02,480
Speaker 3: off on doing that to an employee.

951
00:39:03,320 --> 00:39:06,000
Speaker 1: She kept turning him down. She also kept turning him down.

952
00:39:06,040 --> 00:39:09,000
Speaker 1: I don't believe her. Sorry, I don't.

953
00:39:09,200 --> 00:39:11,000
Speaker 2: Yeah, I don't believe. I don't be offered a one

954
00:39:11,040 --> 00:39:12,440
Speaker 2: point five. I don't believe that.

955
00:39:12,440 --> 00:39:16,160
Speaker 3: That Muslim comment that was way too like the Skip.

956
00:39:16,080 --> 00:39:18,080
Speaker 2: Got that off. Skip said that now, Adam, I'm rolling.

957
00:39:18,440 --> 00:39:20,280
Speaker 2: I think he said that, But I don't think Skip

958
00:39:20,280 --> 00:39:22,719
Speaker 2: Bayle was off with her one point five million dollars FU. Yeah,

959
00:39:23,040 --> 00:39:25,640
Speaker 2: I'm not rolling with that in the game.

960
00:39:25,480 --> 00:39:28,720
Speaker 3: Too, jokingly say that like I'll pay one point because

961
00:39:28,800 --> 00:39:30,919
Speaker 3: he kept going at her and she kept turning it down,

962
00:39:32,120 --> 00:39:33,919
Speaker 3: point being like, yo, I you one point five.

963
00:39:34,000 --> 00:39:35,440
Speaker 2: So every day he was just saying that he was

964
00:39:35,440 --> 00:39:37,279
Speaker 2: walking in the head styles room like yo, one point

965
00:39:37,280 --> 00:39:38,880
Speaker 2: three and she was like not, So it was like

966
00:39:38,920 --> 00:39:40,759
Speaker 2: they were been in all right. I mean, well, if

967
00:39:40,760 --> 00:39:42,279
Speaker 2: she was bidding, he ain't get to the two yet,

968
00:39:42,280 --> 00:39:43,600
Speaker 2: she probably would have folded at the two.

969
00:39:44,160 --> 00:39:47,440
Speaker 3: I just unless you're podcasting and it's a consensual conversation,

970
00:39:47,480 --> 00:39:49,719
Speaker 3: I don't understand why you're talking about sex with your coworks.

971
00:39:50,480 --> 00:39:54,120
Speaker 2: I mean, coworkers talk about sex, not us having sex together,

972
00:39:54,160 --> 00:39:55,319
Speaker 2: but they talk about sex.

973
00:39:55,360 --> 00:39:59,279
Speaker 3: Though Skip is a boss in that area, like he

974
00:39:59,280 --> 00:40:01,160
Speaker 3: should be talking about sex to anybody.

975
00:40:01,239 --> 00:40:03,520
Speaker 2: Oh no, I get that. I'm just saying co workers.

976
00:40:03,560 --> 00:40:05,600
Speaker 2: Come on, bro, we've had jobs. You talk to your

977
00:40:05,600 --> 00:40:08,640
Speaker 2: co workers about sex. Maybe not about y'all having sex.

978
00:40:08,680 --> 00:40:10,920
Speaker 2: You shouldn't do that, of course, but we talk about

979
00:40:10,960 --> 00:40:13,720
Speaker 2: having like sex. That's just a natural thing that people

980
00:40:13,800 --> 00:40:15,760
Speaker 2: that are working together with you also shouldn't.

981
00:40:15,800 --> 00:40:18,279
Speaker 1: You shouldn't really do that, especially if you're a male

982
00:40:18,320 --> 00:40:20,640
Speaker 1: co worker. You shouldn't be saying that around your female

983
00:40:20,640 --> 00:40:22,520
Speaker 1: co worker. You shouldn't talking about sex run your female

984
00:40:22,560 --> 00:40:24,960
Speaker 1: co worker just to be just to play it safe,

985
00:40:25,560 --> 00:40:28,440
Speaker 1: just don't do it. People listening, just don't do it,

986
00:40:28,640 --> 00:40:29,920
Speaker 1: because they can't make somebody.

987
00:40:30,120 --> 00:40:34,360
Speaker 2: Every job I've had, we've talked about sex. That's just

988
00:40:34,400 --> 00:40:37,160
Speaker 2: I'm just I'm just going on for again my my experience.

989
00:40:37,320 --> 00:40:41,120
Speaker 2: Every job I've had, everybody had talked about sex. Not again,

990
00:40:41,200 --> 00:40:44,000
Speaker 2: not with each other, but sex came up in the

991
00:40:44,040 --> 00:40:47,960
Speaker 2: workplace like we not come on, we being naive here?

992
00:40:48,600 --> 00:40:53,160
Speaker 2: What job with job? When I was working at the hospital, absolutely, the.

993
00:40:53,120 --> 00:40:59,440
Speaker 1: Hospitals are known for being like messy, like.

994
00:40:59,480 --> 00:41:02,560
Speaker 2: Not working at a bar. You think that, you think

995
00:41:02,640 --> 00:41:03,680
Speaker 2: bartenders don't talk to each other.

996
00:41:03,719 --> 00:41:06,359
Speaker 1: By mself as a bartender, I actually have never talked

997
00:41:06,400 --> 00:41:09,520
Speaker 1: to any of my male coworkers about sexual things ever,

998
00:41:10,400 --> 00:41:13,600
Speaker 1: and I bartended for a long time. Never That's why

999
00:41:13,640 --> 00:41:15,080
Speaker 1: I just you just don't. I don't know. I just

1000
00:41:15,080 --> 00:41:17,760
Speaker 1: felt like what you just men? Just to be safe?

1001
00:41:17,880 --> 00:41:20,160
Speaker 1: Everything is different and you play everything by ear, but

1002
00:41:20,200 --> 00:41:21,439
Speaker 1: just don't talk to your female co workers.

1003
00:41:21,920 --> 00:41:24,120
Speaker 2: Oh no, in twenty twenty five even you can't even

1004
00:41:24,120 --> 00:41:25,879
Speaker 2: talk to your female co workers if you're a man,

1005
00:41:26,880 --> 00:41:29,879
Speaker 2: I don't even say good morning. Maybe I said, wanting

1006
00:41:29,920 --> 00:41:33,759
Speaker 2: to you know, you do not walk right past the

1007
00:41:33,840 --> 00:41:35,759
Speaker 2: mic has to be hot, Yeah, yeah, yeah, you're gonna

1008
00:41:35,800 --> 00:41:37,680
Speaker 2: hear everything I say that, baby, did y'all hear it?

1009
00:41:38,840 --> 00:41:41,560
Speaker 2: Niggas ain't gonna have me in no lawsuit. No, I

1010
00:41:41,560 --> 00:41:43,759
Speaker 2: don't say nothing. I'll walk right past man.

1011
00:41:43,760 --> 00:41:46,719
Speaker 3: When I was working at uh Havas, like we would

1012
00:41:46,760 --> 00:41:50,319
Speaker 3: do shoots in Airbnb's, like were runn airbnbs and soho

1013
00:41:50,640 --> 00:41:52,239
Speaker 3: to do like a week of shooting, and a lot

1014
00:41:52,239 --> 00:41:52,920
Speaker 3: of times.

1015
00:41:52,640 --> 00:41:53,279
Speaker 1: We would stay there.

1016
00:41:53,280 --> 00:41:55,600
Speaker 3: There'd be a bunch of beds, like if we have

1017
00:41:55,680 --> 00:41:58,320
Speaker 3: to shoot at seven am, we're rapping at fucking midnight,

1018
00:41:58,360 --> 00:42:00,799
Speaker 3: Like a lot of us would just stay. And two

1019
00:42:00,880 --> 00:42:04,240
Speaker 3: coworkers started fucking and they put me in a fucking

1020
00:42:04,680 --> 00:42:07,799
Speaker 3: small ass conference room no windows, and started asking me

1021
00:42:08,080 --> 00:42:10,680
Speaker 3: about what they were doing at Airbnb. I was like,

1022
00:42:10,760 --> 00:42:13,239
Speaker 3: I was asleep and it must have not been good

1023
00:42:13,239 --> 00:42:14,759
Speaker 3: sex because I didn't hear shit. And that was the

1024
00:42:14,800 --> 00:42:17,879
Speaker 3: god's honest truth. But apparently, I mean they were going

1025
00:42:18,000 --> 00:42:21,400
Speaker 3: at it. Maybe I'm just a deep sleeper, yeah, but

1026
00:42:22,120 --> 00:42:24,120
Speaker 3: they they thought I was lying and trying to protect them.

1027
00:42:24,120 --> 00:42:27,000
Speaker 3: I was like, does I have no idea? But everyone

1028
00:42:27,000 --> 00:42:28,920
Speaker 3: else snitched, so they bus got fired.

1029
00:42:29,360 --> 00:42:30,719
Speaker 2: You should have been sleepwalking.

1030
00:42:32,320 --> 00:42:34,319
Speaker 3: But it was kind of nasty because she they were

1031
00:42:34,360 --> 00:42:36,840
Speaker 3: in the same like role. It wasn't like a power dynamic,

1032
00:42:37,080 --> 00:42:39,040
Speaker 3: but she was like damn near twice his age. That's

1033
00:42:39,040 --> 00:42:41,239
Speaker 3: why I blew my fucking mind.

1034
00:42:42,080 --> 00:42:44,320
Speaker 2: So what was the issue if it was consensual.

1035
00:42:44,480 --> 00:42:47,080
Speaker 3: I just coworkers. We were in an airbnb paid by

1036
00:42:47,080 --> 00:42:50,120
Speaker 3: the company out of a production budget, like for a

1037
00:42:50,160 --> 00:42:52,080
Speaker 3: company like Havas being that corporate.

1038
00:42:52,160 --> 00:42:53,680
Speaker 1: Like you can't, nah, you can't.

1039
00:42:54,200 --> 00:42:57,160
Speaker 3: If they fucked at their house, like cool, that's you're

1040
00:42:57,200 --> 00:42:59,920
Speaker 3: basically fucking in the office. It's the same thing. But

1041
00:43:00,239 --> 00:43:01,759
Speaker 3: they might as well went to the bathroom at the

1042
00:43:01,760 --> 00:43:02,440
Speaker 3: office and fucked.

1043
00:43:02,480 --> 00:43:04,120
Speaker 1: But that's what they get for being cheap. Because y'all

1044
00:43:04,120 --> 00:43:06,239
Speaker 1: should have all been in your own hotel rooms.

1045
00:43:07,320 --> 00:43:11,160
Speaker 3: We were in like huge airbnbs where everyone had their

1046
00:43:11,200 --> 00:43:15,080
Speaker 3: own individual room and bathroom like it. It happened often.

1047
00:43:15,520 --> 00:43:17,920
Speaker 3: It was better than hotels for the most part. No

1048
00:43:17,920 --> 00:43:18,880
Speaker 3: one had to share a bathroom.

1049
00:43:18,920 --> 00:43:19,680
Speaker 1: You had your own room.

1050
00:43:20,040 --> 00:43:23,040
Speaker 3: And at that point I was pissed because you know,

1051
00:43:23,080 --> 00:43:25,439
Speaker 3: we always gave the women the best rooms because they're women.

1052
00:43:26,120 --> 00:43:27,759
Speaker 3: She was in old boys room. I could have taken

1053
00:43:27,800 --> 00:43:28,320
Speaker 3: her room.

1054
00:43:28,719 --> 00:43:30,839
Speaker 2: That's why you was mad. That's why I didn't.

1055
00:43:30,880 --> 00:43:31,279
Speaker 3: I didn't know.

1056
00:43:31,440 --> 00:43:32,359
Speaker 2: That's why you dropped it down.

1057
00:43:32,480 --> 00:43:35,160
Speaker 3: I thought I was he sent the emails I was

1058
00:43:35,160 --> 00:43:38,080
Speaker 3: getting fired because again I did not know what was

1059
00:43:38,120 --> 00:43:40,560
Speaker 3: going on, and everyone else that was there, I guess,

1060
00:43:40,680 --> 00:43:43,879
Speaker 3: was like only whispering amongst themselves. So when I got

1061
00:43:43,880 --> 00:43:45,359
Speaker 3: sat in that room, I thought I was getting fired,

1062
00:43:45,360 --> 00:43:45,919
Speaker 3: and they were like.

1063
00:43:45,800 --> 00:43:46,279
Speaker 1: Did you know?

1064
00:43:46,520 --> 00:43:49,239
Speaker 3: And I'm not gonna say their names, obviously were having

1065
00:43:49,360 --> 00:43:53,239
Speaker 3: They said intercourse, which I started laughing because I can't hold.

1066
00:43:53,560 --> 00:43:56,200
Speaker 3: Don't tell me having like a fifty five year old.

1067
00:43:57,840 --> 00:43:59,880
Speaker 1: Intercourse to me? Hilarious.

1068
00:44:00,000 --> 00:44:06,640
Speaker 2: Don't say intercourse to me, but either way, uh, you know, Joy, Missferaji, Skip, listen, man,

1069
00:44:06,680 --> 00:44:09,200
Speaker 2: you know y'all understand, get a little horney at the

1070
00:44:09,239 --> 00:44:11,719
Speaker 2: workplace and you know what you gotta Now you gotta

1071
00:44:11,840 --> 00:44:12,480
Speaker 2: stand behind that.

1072
00:44:12,760 --> 00:44:16,759
Speaker 3: Now before we do wrap up, does Shannon Sharp talk

1073
00:44:16,760 --> 00:44:19,080
Speaker 3: about this? Steven A talk about this?

1074
00:44:19,120 --> 00:44:22,040
Speaker 2: Absolutely? They can't wait we talking about it and we

1075
00:44:22,040 --> 00:44:24,520
Speaker 2: don't know these niggas. You think if I worked with

1076
00:44:24,600 --> 00:44:26,680
Speaker 2: somebody for years like that and this happened, Like, I'm

1077
00:44:26,680 --> 00:44:27,799
Speaker 2: not gonna say something.

1078
00:44:27,640 --> 00:44:29,120
Speaker 3: But I feel like both of them kind of have

1079
00:44:29,160 --> 00:44:31,520
Speaker 3: to come out and say they weren't aware. And I know,

1080
00:44:32,239 --> 00:44:34,000
Speaker 3: you know, Steve and and Skip were at a whole

1081
00:44:34,000 --> 00:44:36,600
Speaker 3: different network. Wasn't even f s one. You do have

1082
00:44:36,640 --> 00:44:38,920
Speaker 3: to say, I didn't know shit. Nah, you know Shannon

1083
00:44:38,960 --> 00:44:41,160
Speaker 3: if he's the same shit of me in that windowless room, bro,

1084
00:44:41,200 --> 00:44:42,000
Speaker 3: I have no idea.

1085
00:44:42,000 --> 00:44:45,160
Speaker 2: Shannon gonna pull some yack, he gonna shit, he gonna

1086
00:44:45,160 --> 00:44:46,000
Speaker 2: talk some ship boy.

1087
00:44:46,040 --> 00:44:54,280
Speaker 3: Oh, I think you'll skip lead them loan skip.

1088
00:44:55,760 --> 00:44:58,279
Speaker 1: But then that puts you in a crazy position because what.

1089
00:44:58,280 --> 00:44:59,880
Speaker 2: If Shannon lost his job because the didn't want to

1090
00:44:59,880 --> 00:45:01,200
Speaker 2: give him on a dish one point five?

1091
00:45:03,560 --> 00:45:06,920
Speaker 1: That's that's why I skip, had it all right, man,

1092
00:45:07,000 --> 00:45:07,239
Speaker 1: Like y.

1093
00:45:07,560 --> 00:45:09,439
Speaker 2: Y'all lost sh it because y'all trying to skip trying

1094
00:45:09,440 --> 00:45:10,879
Speaker 2: to give this young lady one point five?

1095
00:45:11,239 --> 00:45:12,080
Speaker 1: Oh my god.

1096
00:45:12,600 --> 00:45:14,680
Speaker 3: Well, I mean I feel for the spouses in this

1097
00:45:14,800 --> 00:45:17,960
Speaker 3: entire thing, cause that's gotta be man. I imagine that

1098
00:45:17,960 --> 00:45:21,440
Speaker 3: that group chat with with a Joy Taylor's husband, like

1099
00:45:21,680 --> 00:45:24,759
Speaker 3: with the homies, I wouldn't know what to say. She's

1100
00:45:24,800 --> 00:45:29,080
Speaker 3: not married? Oh yeah, Oh I didn't know they divorced.

1101
00:45:29,840 --> 00:45:33,239
Speaker 3: Keep up with Maybe he found out?

1102
00:45:33,440 --> 00:45:36,160
Speaker 2: Oh maybe No, she wasn't. She wasn't. In the f

1103
00:45:36,200 --> 00:45:38,719
Speaker 2: s one and twenty seventeen, was she she was?

1104
00:45:39,480 --> 00:45:41,759
Speaker 3: It's specifically said in the pay work she left her

1105
00:45:41,840 --> 00:45:44,880
Speaker 3: husband still married in Miami to go to LA to work.

1106
00:45:44,760 --> 00:45:47,360
Speaker 2: With f S one. Oh okay, maybe that's why.

1107
00:45:47,239 --> 00:45:48,240
Speaker 1: She was definitely cheating.

1108
00:45:48,320 --> 00:45:51,000
Speaker 3: If that is the case, I feel bad for all

1109
00:45:51,040 --> 00:45:53,399
Speaker 3: the women that are in sports because let's not act

1110
00:45:53,440 --> 00:45:56,080
Speaker 3: like that hasn't been a whole stigma forever that if

1111
00:45:56,120 --> 00:45:58,640
Speaker 3: a woman is working in sports, she's fucking everybody. And

1112
00:45:59,080 --> 00:46:02,640
Speaker 3: this just puts proof to it, and now every girl

1113
00:46:03,480 --> 00:46:04,360
Speaker 3: is going to have that.

1114
00:46:04,440 --> 00:46:07,759
Speaker 2: Well, sometimes women women in whatever workspace end, they are

1115
00:46:07,840 --> 00:46:10,080
Speaker 2: fucking guys in the work sometimes.

1116
00:46:10,080 --> 00:46:13,120
Speaker 1: But there's also a bunch of women who bust. They

1117
00:46:13,120 --> 00:46:14,239
Speaker 1: asked to get to where they're at.

1118
00:46:15,800 --> 00:46:17,920
Speaker 2: All it's women that bust they ask to get their

1119
00:46:17,920 --> 00:46:19,719
Speaker 2: position in this woman that get they ass busted to

1120
00:46:19,719 --> 00:46:23,400
Speaker 2: get their position. This is nothing new, I promise you

1121
00:46:23,480 --> 00:46:26,600
Speaker 2: this is all. There's people in their seventies that can

1122
00:46:26,640 --> 00:46:28,799
Speaker 2: be like this was happening in the seventies, like what

1123
00:46:28,800 --> 00:46:30,399
Speaker 2: do we it's nothing new here?

1124
00:46:30,760 --> 00:46:34,960
Speaker 3: Butson needs to be fired if everything is true here,

1125
00:46:35,080 --> 00:46:38,600
Speaker 3: because now I have to question your decision making as

1126
00:46:38,600 --> 00:46:41,080
Speaker 3: a leader, like you're just putting women that you're fucking

1127
00:46:41,120 --> 00:46:44,279
Speaker 3: in the position rather than somebody that's qualified for it,

1128
00:46:44,520 --> 00:46:48,200
Speaker 3: because to me, that makes them men every woman is

1129
00:46:48,239 --> 00:46:51,719
Speaker 3: not just getting a job because some boss is fucking them.

1130
00:46:51,719 --> 00:46:54,719
Speaker 3: That's awful management. And I'm not saying that there aren't awful,

1131
00:46:54,880 --> 00:46:59,000
Speaker 3: disgusting men that do that, clearly, but not every boss

1132
00:46:59,080 --> 00:47:01,799
Speaker 3: is only giving position to women because they're fucking them, right,

1133
00:47:02,120 --> 00:47:06,359
Speaker 3: So it's that stigma is gonna be even more now.

1134
00:47:06,560 --> 00:47:08,080
Speaker 1: So I feel for him.

1135
00:47:08,320 --> 00:47:10,200
Speaker 2: It is what it is. Man. Everybody will be fine

1136
00:47:10,200 --> 00:47:11,239
Speaker 2: at the end of the day. They'll end up at

1137
00:47:11,280 --> 00:47:12,600
Speaker 2: another network, they won't.

1138
00:47:12,920 --> 00:47:14,520
Speaker 1: I hope, I hope the truth comes out, and I

1139
00:47:14,560 --> 00:47:18,160
Speaker 1: really hope that if this isn't true, like, ain't nothing

1140
00:47:18,160 --> 00:47:19,920
Speaker 1: you can really do to bring joy career back. That's

1141
00:47:19,960 --> 00:47:22,560
Speaker 1: fucked up. If it isn't true, it's that's fucked up. Oh,

1142
00:47:22,640 --> 00:47:26,120
Speaker 1: she has a podcast, She'll be fine, because nobody with

1143
00:47:26,239 --> 00:47:30,520
Speaker 1: a podcast will be fine. Why podcasting is not fine?

1144
00:47:30,600 --> 00:47:31,680
Speaker 2: Yo, Yeah, she'll be fine.

1145
00:47:31,760 --> 00:47:32,360
Speaker 1: I'll tell you this.

1146
00:47:32,520 --> 00:47:34,600
Speaker 3: If in the paperwork of her saying that if she

1147
00:47:34,640 --> 00:47:37,360
Speaker 3: got fired she would just scream rape pretty much is

1148
00:47:37,360 --> 00:47:37,759
Speaker 3: what she said.

1149
00:47:37,880 --> 00:47:40,319
Speaker 2: That's crazy.

1150
00:47:40,440 --> 00:47:42,680
Speaker 3: I can if she already has that type of mind state.

1151
00:47:42,760 --> 00:47:45,400
Speaker 3: I can see her going on her podcast if this

1152
00:47:45,520 --> 00:47:49,480
Speaker 3: is true and angling it that she started fucking the

1153
00:47:49,520 --> 00:47:53,080
Speaker 3: head of content because she felt pressured she could spend

1154
00:47:53,080 --> 00:47:56,560
Speaker 3: this and become a quote unquote victim. In these times,

1155
00:47:56,600 --> 00:47:59,000
Speaker 3: it's very fucking easy become one and be like yo he,

1156
00:47:59,800 --> 00:48:01,480
Speaker 3: I felt like I had to do it and like

1157
00:48:01,560 --> 00:48:03,960
Speaker 3: I was embarrassed, and like she could find a way

1158
00:48:04,000 --> 00:48:06,239
Speaker 3: to spin this where she looks like she was a

1159
00:48:06,320 --> 00:48:10,080
Speaker 3: victim in this entireoy. Yeah, especially if she already has

1160
00:48:10,080 --> 00:48:11,880
Speaker 3: a mind state that she'll yo rape when she was

1161
00:48:11,920 --> 00:48:15,120
Speaker 3: having consensual sex. We already know the diabolical shit that

1162
00:48:15,160 --> 00:48:16,960
Speaker 3: she could come up with and make herself look like

1163
00:48:17,640 --> 00:48:19,000
Speaker 3: this is what women have to go through in the

1164
00:48:19,000 --> 00:48:20,640
Speaker 3: space the only way I could even get a job.

1165
00:48:20,920 --> 00:48:23,600
Speaker 3: I felt very pressured. If I felt like I said something,

1166
00:48:23,800 --> 00:48:25,239
Speaker 3: my whole career would be done. She could find a

1167
00:48:25,239 --> 00:48:27,279
Speaker 3: way to spend this that women will attach and be.

1168
00:48:27,320 --> 00:48:29,799
Speaker 1: Like, look, she's a victim. I could see it.

1169
00:48:30,640 --> 00:48:33,520
Speaker 3: And Fox Sports is not going to side with Charlie

1170
00:48:33,560 --> 00:48:34,600
Speaker 3: Dixon if that's the case.

1171
00:48:34,920 --> 00:48:39,120
Speaker 2: No, highly doubt that. But well, onto another set of balls.

1172
00:48:39,200 --> 00:48:43,880
Speaker 2: Leangelo balls viral records here transit another set of ball.

1173
00:48:44,560 --> 00:48:45,520
Speaker 1: Not I get what you're saying.

1174
00:48:45,560 --> 00:48:50,160
Speaker 3: Yeah, Skips balls, Yeah, fs ones LeVar ball. They don't

1175
00:48:50,160 --> 00:48:52,400
Speaker 3: get made a star? Yeah, I get it, all right.

1176
00:48:52,440 --> 00:48:54,520
Speaker 2: So y'all was going crazy about this le Angelo Ball

1177
00:48:54,600 --> 00:48:55,480
Speaker 2: record last week.

1178
00:48:56,160 --> 00:49:00,120
Speaker 3: My twenty twenty five predictions are live on Patreon on

1179
00:49:00,200 --> 00:49:02,600
Speaker 3: right now, patreon dot com, Backslash, New.

1180
00:49:02,560 --> 00:49:05,279
Speaker 1: Royan Maul and I think so far on one for

1181
00:49:05,360 --> 00:49:10,239
Speaker 1: one you set a hit record? Is not this is

1182
00:49:10,280 --> 00:49:11,560
Speaker 1: that's a bona fide hit.

1183
00:49:12,800 --> 00:49:13,640
Speaker 2: What's bona fide?

1184
00:49:14,600 --> 00:49:16,959
Speaker 3: Because we got kids going to shoot up the charts.

1185
00:49:17,040 --> 00:49:21,080
Speaker 2: Man, this record ain't going nowhere, man, it's viral hit.

1186
00:49:21,280 --> 00:49:22,600
Speaker 2: It's it's a viral song.

1187
00:49:22,800 --> 00:49:24,439
Speaker 3: You don't think we're gonna gonna chart.

1188
00:49:24,800 --> 00:49:27,440
Speaker 2: No, Nelly won his style back, and Nelly been He's

1189
00:49:27,440 --> 00:49:29,640
Speaker 2: been going crazy asking for his style back all weekend.

1190
00:49:29,640 --> 00:49:30,840
Speaker 2: But I mean, I get it. I understand.

1191
00:49:30,880 --> 00:49:32,080
Speaker 3: I hear a lot of Chamelionaire in it.

1192
00:49:32,840 --> 00:49:35,320
Speaker 2: I see I can see that. Yeah, I see Chamelionaire.

1193
00:49:35,360 --> 00:49:38,759
Speaker 2: I can hear little Nelly uh a little boosy, Yeah,

1194
00:49:38,880 --> 00:49:40,600
Speaker 2: I can hear. I can hear a little bit of that. Yeah.

1195
00:49:40,600 --> 00:49:43,600
Speaker 2: It's got a little New Orleans bounced, New Orleans fled

1196
00:49:43,640 --> 00:49:45,040
Speaker 2: to a little Midwest flair. I get it.

1197
00:49:46,000 --> 00:49:48,240
Speaker 3: I mean, I think it's a good record.

1198
00:49:49,400 --> 00:49:49,719
Speaker 1: I get it.

1199
00:49:49,920 --> 00:49:51,680
Speaker 3: It's a hype, and it's funny to say that you

1200
00:49:51,760 --> 00:49:53,960
Speaker 3: love this record. I don't think it's a bad record.

1201
00:49:54,080 --> 00:49:56,399
Speaker 2: I can say it's a bad record. I heard it once,

1202
00:49:57,480 --> 00:50:00,239
Speaker 2: but I probably won't listen to it again. I mean,

1203
00:50:00,280 --> 00:50:03,200
Speaker 2: it's cool for being li Angelo Ball. I get the

1204
00:50:03,520 --> 00:50:06,520
Speaker 2: you know, the fact that it's LiAngelo Ball basketball player

1205
00:50:06,880 --> 00:50:10,480
Speaker 2: made a really good song. Catchyes, viral on you know,

1206
00:50:10,719 --> 00:50:13,520
Speaker 2: on on social media right now. I get it. But

1207
00:50:13,560 --> 00:50:14,879
Speaker 2: you told about it's gonna be a hit.

1208
00:50:16,840 --> 00:50:19,000
Speaker 3: I think it will actually last. I think it'll be

1209
00:50:19,000 --> 00:50:20,799
Speaker 3: a record this year, like I think it will come

1210
00:50:20,840 --> 00:50:22,120
Speaker 3: on for the remainder of the year.

1211
00:50:22,840 --> 00:50:25,920
Speaker 1: I really do see. I don't I don't need as

1212
00:50:25,960 --> 00:50:27,200
Speaker 1: a TikTok dance.

1213
00:50:29,120 --> 00:50:30,279
Speaker 3: And that's coming, you know it is.

1214
00:50:30,880 --> 00:50:33,840
Speaker 1: I was thinking of something when I was listening. He

1215
00:50:33,920 --> 00:50:35,800
Speaker 1: might swerve and be in the corner. Who whoa whoa

1216
00:50:37,120 --> 00:50:39,280
Speaker 1: three million in three days?

1217
00:50:40,160 --> 00:50:43,040
Speaker 2: Yeah, viral. I get it. It's a good song. It's catchy.

1218
00:50:43,160 --> 00:50:46,200
Speaker 2: It's definitely catchy record. I'm seeing some DJs play with

1219
00:50:46,200 --> 00:50:48,440
Speaker 2: the different blends and you know, things like that. With

1220
00:50:48,480 --> 00:50:50,399
Speaker 2: the record. I get it. I understand what it's doing.

1221
00:50:50,440 --> 00:50:53,960
Speaker 2: But I don't know if we'll hear this record being

1222
00:50:54,000 --> 00:50:57,080
Speaker 2: played at the festival in June July.

1223
00:50:57,480 --> 00:50:59,040
Speaker 3: This is going off at Rolling Live for sure.

1224
00:50:59,080 --> 00:50:59,840
Speaker 1: Oh definitely.

1225
00:51:01,040 --> 00:51:02,759
Speaker 3: Come on, man, all I trust is God glocks some

1226
00:51:02,840 --> 00:51:07,640
Speaker 3: dollars too. Like he was speaking to me, he was not.

1227
00:51:07,680 --> 00:51:09,640
Speaker 2: I could promise you, lie, Angelo Wall was not speaking.

1228
00:51:10,719 --> 00:51:12,719
Speaker 2: Wasn't you were not going to promise you? He wasn't

1229
00:51:12,719 --> 00:51:13,319
Speaker 2: speaking to you.

1230
00:51:13,480 --> 00:51:16,400
Speaker 3: I mean I hear a three stacks pocket crazy on

1231
00:51:16,440 --> 00:51:16,759
Speaker 3: this beat?

1232
00:51:16,960 --> 00:51:17,480
Speaker 1: Who did this?

1233
00:51:18,880 --> 00:51:21,359
Speaker 2: Now we start putting it was was this?

1234
00:51:21,440 --> 00:51:23,799
Speaker 1: Did did Metro and conductor come together to make this?

1235
00:51:23,960 --> 00:51:25,919
Speaker 3: Like? This beat is crazy? I could hear the three

1236
00:51:25,920 --> 00:51:28,120
Speaker 3: stacks pocket on it. I think three stacks after the

1237
00:51:28,160 --> 00:51:30,960
Speaker 3: Flute album We Deserve a Verse, and I think he

1238
00:51:31,000 --> 00:51:33,479
Speaker 3: treats it like like walk it out. I saw people

1239
00:51:33,520 --> 00:51:35,560
Speaker 3: saying Boosy or Webby would be great on a remix.

1240
00:51:35,600 --> 00:51:37,080
Speaker 3: I think we get a remix.

1241
00:51:36,760 --> 00:51:40,280
Speaker 2: Out of this. I could see a remix happening. I mean, mate, listen,

1242
00:51:40,400 --> 00:51:43,520
Speaker 2: I felt the same way. Well, actually, no, I didn't

1243
00:51:43,520 --> 00:51:46,560
Speaker 2: know the Global record was a hit. What was her

1244
00:51:46,560 --> 00:51:51,279
Speaker 2: first record that we love fr e no no another one? Yeah,

1245
00:51:51,320 --> 00:51:56,720
Speaker 2: Glow no Nigga Free. I'm f r e fuck Nigga Free.

1246
00:51:56,760 --> 00:51:58,920
Speaker 2: That was her one that one I knew that was

1247
00:51:58,920 --> 00:52:01,880
Speaker 2: a hit, so I could kind of see maybe some

1248
00:52:02,120 --> 00:52:05,040
Speaker 2: remnants of that here. But I think the fact that

1249
00:52:05,080 --> 00:52:08,880
Speaker 2: it's a Langelo ball is what's gonna stop it from

1250
00:52:08,960 --> 00:52:11,960
Speaker 2: because it is a gift in the curse of Now.

1251
00:52:11,960 --> 00:52:14,520
Speaker 2: If this was some random guy that we never even

1252
00:52:14,560 --> 00:52:15,000
Speaker 2: heard of.

1253
00:52:14,920 --> 00:52:16,600
Speaker 1: We would never even be listening to this record.

1254
00:52:16,560 --> 00:52:19,200
Speaker 2: I do that it's different. It's different.

1255
00:52:19,440 --> 00:52:23,040
Speaker 3: He's definitely caught steam because it was langeol ball and

1256
00:52:23,080 --> 00:52:24,719
Speaker 3: it was like, oh, this is actually pretty fucking good.

1257
00:52:24,760 --> 00:52:27,719
Speaker 2: But then he debuted on somebody's stream. Yeah, so he

1258
00:52:27,960 --> 00:52:29,600
Speaker 2: debuted it on because of who he was.

1259
00:52:29,800 --> 00:52:32,720
Speaker 3: His brother was playing it on Instagram, like he's definitely

1260
00:52:32,719 --> 00:52:33,480
Speaker 3: had the ball roll up.

1261
00:52:33,480 --> 00:52:35,160
Speaker 2: So that's what I'm saying. The fact that it was that,

1262
00:52:35,320 --> 00:52:37,799
Speaker 2: I think is what's making it this. But I think

1263
00:52:37,840 --> 00:52:40,120
Speaker 2: there's a ceiling in that, because you know, when you're

1264
00:52:40,120 --> 00:52:43,399
Speaker 2: a ballplayer, when you're an athlete, like it's not your

1265
00:52:43,480 --> 00:52:45,799
Speaker 2: mute when you try to jump into music, you have

1266
00:52:45,880 --> 00:52:46,320
Speaker 2: a ceiling.

1267
00:52:46,480 --> 00:52:49,040
Speaker 1: But I don't think he's been successful enough in ball for.

1268
00:52:50,280 --> 00:52:52,919
Speaker 2: I mean, he hasn't. He's not a he's not an NBA.

1269
00:52:53,160 --> 00:52:55,440
Speaker 2: But I mean the fact that he is a ball brother.

1270
00:52:55,880 --> 00:52:59,400
Speaker 2: I think that's gonna hinder it a little bit. Versus

1271
00:52:59,400 --> 00:53:03,440
Speaker 2: if this was like a why En from the Midwest

1272
00:53:03,560 --> 00:53:06,480
Speaker 2: that's really in the streets selling pills and busting glocks.

1273
00:53:06,520 --> 00:53:08,319
Speaker 2: Like if it was that type of ki, I could

1274
00:53:08,320 --> 00:53:11,160
Speaker 2: see that him getting a remix and then it really

1275
00:53:11,200 --> 00:53:14,000
Speaker 2: going crazy. Like but with leangel Be and li Angelo Ball,

1276
00:53:14,000 --> 00:53:14,840
Speaker 2: I think there's a cap on it.

1277
00:53:14,880 --> 00:53:17,120
Speaker 3: But this is the first time we've seen an athlete

1278
00:53:17,560 --> 00:53:20,640
Speaker 3: outside of a b of course, maybe put that shit

1279
00:53:20,719 --> 00:53:23,400
Speaker 3: on that tried to make a record that I feel

1280
00:53:23,440 --> 00:53:28,080
Speaker 3: like would lean into party and hits. Like Damian Lillard

1281
00:53:28,080 --> 00:53:32,680
Speaker 3: to me is the best rapper basketball player ever, but

1282
00:53:32,920 --> 00:53:34,759
Speaker 3: his albums are shit that like, I like, he's like

1283
00:53:34,800 --> 00:53:38,000
Speaker 3: really rapping on this shit. This is a hit, this

1284
00:53:38,080 --> 00:53:41,440
Speaker 3: is a song for the party. We've never seen athletes

1285
00:53:41,480 --> 00:53:43,600
Speaker 3: really try to do that before. Even when when Shaq

1286
00:53:43,680 --> 00:53:45,680
Speaker 3: was doing he was rapping. Some of those were hits,

1287
00:53:45,719 --> 00:53:46,440
Speaker 3: but he was rapping.

1288
00:53:46,560 --> 00:53:47,200
Speaker 2: Shaq got hits.

1289
00:53:47,239 --> 00:53:50,480
Speaker 3: Don't say something, Kobe, he was I mean tean rap.

1290
00:53:50,480 --> 00:53:53,040
Speaker 3: He wasn't really in pocket. Iverson was making fucking cop

1291
00:53:53,120 --> 00:53:54,720
Speaker 3: killing music that wasn't.

1292
00:53:54,520 --> 00:53:55,239
Speaker 1: Playing on the radio.

1293
00:53:55,480 --> 00:53:59,799
Speaker 3: Yeah, we've only seen athletes try to be lyrical. This

1294
00:53:59,880 --> 00:54:01,799
Speaker 3: is the first time that we haven't, so I don't

1295
00:54:01,800 --> 00:54:04,280
Speaker 3: think it will hinder the way it has with other athletes.

1296
00:54:04,320 --> 00:54:06,799
Speaker 3: Like people are just viewing this as a good record now,

1297
00:54:07,080 --> 00:54:09,279
Speaker 3: and he got a lot of steam because good record.

1298
00:54:09,000 --> 00:54:11,200
Speaker 2: Is good record. He's viral with right now.

1299
00:54:11,280 --> 00:54:13,920
Speaker 3: Good record though, So I am one for one. I

1300
00:54:13,920 --> 00:54:16,200
Speaker 3: don't need flowers yet. I told you guys the two

1301
00:54:16,280 --> 00:54:18,279
Speaker 3: tone red and yellow roses. I like a lot, but

1302
00:54:18,719 --> 00:54:21,840
Speaker 3: whenever you guys want to put together, right, gotcha? So

1303
00:54:22,040 --> 00:54:25,560
Speaker 3: maybe a sunflower? No p and E's, but one for

1304
00:54:25,680 --> 00:54:28,160
Speaker 3: one already, p and E's baby, p and E's.

1305
00:54:28,600 --> 00:54:30,759
Speaker 2: I don't know if I'm taking your we know your

1306
00:54:30,760 --> 00:54:32,640
Speaker 2: pronunciation is like, are you sure?

1307
00:54:32,840 --> 00:54:35,960
Speaker 1: I'm positive it's my favorite flower, p and E's, p

1308
00:54:36,120 --> 00:54:38,920
Speaker 1: and ees, p and E's, yes, not pones.

1309
00:54:38,640 --> 00:54:42,520
Speaker 2: P and E's. How drangey is? How drangey is? Right?

1310
00:54:42,920 --> 00:54:44,279
Speaker 1: Is that you said high drange is?

1311
00:54:44,360 --> 00:54:45,680
Speaker 2: I think high drangers okay?

1312
00:54:46,239 --> 00:54:48,880
Speaker 1: And above forty hyre playing no rory.

1313
00:54:49,840 --> 00:54:52,120
Speaker 3: Technically I'm two for two or one point five for

1314
00:54:52,239 --> 00:54:52,839
Speaker 3: one point five.

1315
00:54:54,200 --> 00:54:56,120
Speaker 2: Don't see now you're trying to pallay it into the

1316
00:54:56,200 --> 00:54:57,719
Speaker 2: nikky thing you predicted. Cut it out.

1317
00:54:57,800 --> 00:55:00,359
Speaker 1: I mean we set it off. My cut it see

1318
00:55:00,400 --> 00:55:00,880
Speaker 1: it happening.

1319
00:55:01,239 --> 00:55:03,279
Speaker 2: All right, well you got time, it's only January, you

1320
00:55:03,320 --> 00:55:03,719
Speaker 2: got time.

1321
00:55:03,880 --> 00:55:06,920
Speaker 3: But crazy out the gate. I will it stays in.

1322
00:55:07,120 --> 00:55:10,000
Speaker 3: I will smoking you guys laughed at my lists on Patreon.

1323
00:55:10,160 --> 00:55:11,200
Speaker 1: I am out the gate.

1324
00:55:11,320 --> 00:55:13,320
Speaker 2: I will say. It's looking like, all right, old you

1325
00:55:13,400 --> 00:55:15,520
Speaker 2: might have some info that you might be inside trading

1326
00:55:15,600 --> 00:55:17,560
Speaker 2: right now, like, all right, man, you might have you

1327
00:55:17,640 --> 00:55:18,760
Speaker 2: might have heard about some things.

1328
00:55:18,560 --> 00:55:20,719
Speaker 3: Coming down to fight from the LeVar and yeah, you

1329
00:55:20,800 --> 00:55:22,560
Speaker 3: knew about some shit and Kenneth.

1330
00:55:22,239 --> 00:55:24,919
Speaker 2: Petty it's alright, though, it's all right, but you're looking

1331
00:55:25,000 --> 00:55:26,759
Speaker 2: you look at I though you look at you might

1332
00:55:26,760 --> 00:55:27,320
Speaker 2: make the bubble.

1333
00:55:27,920 --> 00:55:29,960
Speaker 3: And also what I need my flowers for? I got

1334
00:55:30,080 --> 00:55:32,399
Speaker 3: a Drake shout out. I got my own time stamp now.

1335
00:55:32,280 --> 00:55:34,320
Speaker 2: From Drake to fight Irish.

1336
00:55:34,400 --> 00:55:37,120
Speaker 1: Yeah, please wait. You didn't think that was that was

1337
00:55:37,160 --> 00:55:37,400
Speaker 1: for me?

1338
00:55:38,360 --> 00:55:41,000
Speaker 2: No, not at one time did I ever think that

1339
00:55:41,080 --> 00:55:41,920
Speaker 2: was for you know?

1340
00:55:42,480 --> 00:55:47,240
Speaker 3: Over the weekend on Conductor's YouTube page A, I would't

1341
00:55:47,239 --> 00:55:48,640
Speaker 3: even call it a snippet. It was a video of

1342
00:55:49,040 --> 00:55:52,000
Speaker 3: Drake wrapping over a Conductor beat of something that he

1343
00:55:52,080 --> 00:55:55,080
Speaker 3: had just written. Who even named it Fighting Irish? By

1344
00:55:55,080 --> 00:55:59,000
Speaker 3: the way, because that was not on any like official thing.

1345
00:55:59,120 --> 00:56:01,160
Speaker 3: People just deemed it fighting Irish, which I thought was

1346
00:56:01,160 --> 00:56:02,680
Speaker 3: a hard title because we'll get to the reason why.

1347
00:56:02,719 --> 00:56:07,120
Speaker 2: But what a video was originally posted on his photographer's page. Yeah,

1348
00:56:07,520 --> 00:56:10,239
Speaker 2: I'm not sure if that he captioned it that or not.

1349
00:56:10,800 --> 00:56:12,680
Speaker 3: It wasn't and then it got to Conductor's page, and

1350
00:56:12,680 --> 00:56:16,080
Speaker 3: then everything obviously got taken down by Universal, which we'll

1351
00:56:16,080 --> 00:56:17,759
Speaker 3: also get to because I thought that was interesting in

1352
00:56:17,800 --> 00:56:20,120
Speaker 3: the middle of this entire back and forth that Drake

1353
00:56:20,160 --> 00:56:23,440
Speaker 3: has with the Universal, but it had the timeline in

1354
00:56:23,440 --> 00:56:26,840
Speaker 3: a fucking frenzy because this is the first time since

1355
00:56:26,880 --> 00:56:30,799
Speaker 3: Harp Part six that we really heard a response from

1356
00:56:30,880 --> 00:56:35,160
Speaker 3: Drake about everything that happened in the last six seven months.

1357
00:56:35,480 --> 00:56:37,160
Speaker 3: There was stuff in one hundred gigs that was here

1358
00:56:37,160 --> 00:56:39,120
Speaker 3: and there, certain things, but nothing that felt like an

1359
00:56:39,160 --> 00:56:42,919
Speaker 3: official response to what was going on. This entire thing

1360
00:56:43,840 --> 00:56:46,040
Speaker 3: feels like a shot at Lebron James. I think that's

1361
00:56:46,080 --> 00:56:50,359
Speaker 3: why people called it fighting Irish, because obviously Lebron used

1362
00:56:50,400 --> 00:56:54,799
Speaker 3: to play was it Saint Mary's where their mascot was

1363
00:56:54,920 --> 00:56:58,439
Speaker 3: the Irish? It comes out the gate.

1364
00:56:58,800 --> 00:57:02,800
Speaker 1: I don't know. I think it's not just a lebron this.

1365
00:57:03,040 --> 00:57:06,080
Speaker 3: I think it's overall all the people that he was

1366
00:57:06,120 --> 00:57:08,680
Speaker 3: cool with that ended up buying a ticket to the

1367
00:57:08,719 --> 00:57:11,680
Speaker 3: Amazon show, and just everyone that he saw.

1368
00:57:12,600 --> 00:57:14,120
Speaker 1: I wouldn't I guess, yeah, switch sides.

1369
00:57:15,239 --> 00:57:17,840
Speaker 3: But this put again the timeline back in a full

1370
00:57:17,880 --> 00:57:22,440
Speaker 3: fucking split where everybody was either absolutely hating it or

1371
00:57:22,520 --> 00:57:24,680
Speaker 3: thought it was the greatest thing. I just can we

1372
00:57:24,720 --> 00:57:27,480
Speaker 3: get to a place in twenty twenty five? Why are

1373
00:57:27,520 --> 00:57:30,560
Speaker 3: people hoping for bad music from artists like I'll never

1374
00:57:30,680 --> 00:57:33,440
Speaker 3: understand that logic. I understand we're in the era that

1375
00:57:33,480 --> 00:57:36,400
Speaker 3: everyone chose the team, and everyone that didn't even like

1376
00:57:36,520 --> 00:57:39,200
Speaker 3: hip hop before now has decided to take the Kendrick side,

1377
00:57:39,200 --> 00:57:41,040
Speaker 3: which is fine. He's an incredible artist. I'm glad more

1378
00:57:41,080 --> 00:57:46,080
Speaker 3: people are Kendrick fans. Why on earth? As a consumer,

1379
00:57:46,120 --> 00:57:47,880
Speaker 3: this shows me that you're just not a fan of music.

1380
00:57:48,080 --> 00:57:51,160
Speaker 3: Why on Earth would you want bad Drake music. Why

1381
00:57:51,200 --> 00:57:53,479
Speaker 3: on Earth would you want bad Kendrick music. Why would

1382
00:57:53,480 --> 00:57:55,600
Speaker 3: you want bad Sism music because she's with TD. I

1383
00:57:55,640 --> 00:57:59,520
Speaker 3: don't get this new stand people want bad music. People

1384
00:57:59,560 --> 00:58:05,320
Speaker 3: were so celebrating that they thought this Drake snippet or

1385
00:58:05,720 --> 00:58:09,000
Speaker 3: leak was bad to the point that they were they

1386
00:58:09,040 --> 00:58:12,080
Speaker 3: were searching chat GBT and did this whole theory of

1387
00:58:12,080 --> 00:58:15,760
Speaker 3: when Drake uses a shun at the end of every bar.

1388
00:58:16,560 --> 00:58:20,160
Speaker 3: People were just finding chat GBT versus like make a

1389
00:58:20,280 --> 00:58:23,280
Speaker 3: Drake verse with shun as the last syllable, and they

1390
00:58:23,280 --> 00:58:24,000
Speaker 3: were pretty funny.

1391
00:58:24,000 --> 00:58:24,680
Speaker 1: I can't lie.

1392
00:58:24,760 --> 00:58:28,120
Speaker 3: Like chat GBT did come up with some great like

1393
00:58:28,800 --> 00:58:30,880
Speaker 3: No nine am at chat gbt's they.

1394
00:58:30,760 --> 00:58:33,480
Speaker 1: Were fucking but I don't know.

1395
00:58:33,520 --> 00:58:37,240
Speaker 3: I just found it odd that, of course I've already

1396
00:58:37,280 --> 00:58:41,680
Speaker 3: accepted this weird stand culture on both sides, but I thought,

1397
00:58:41,680 --> 00:58:44,960
Speaker 3: like when we got Drake to rap again that I'm

1398
00:58:45,000 --> 00:58:46,960
Speaker 3: not saying you have to like it, but the celebration

1399
00:58:47,160 --> 00:58:50,400
Speaker 3: and hope that Drake continues to put out music that

1400
00:58:50,440 --> 00:58:55,520
Speaker 3: they deem awful. And also the people that did once

1401
00:58:55,800 --> 00:58:59,160
Speaker 3: like an artist, but now that they've chose this other team,

1402
00:58:59,520 --> 00:59:02,040
Speaker 3: they just credit everything that they used to like about

1403
00:59:02,040 --> 00:59:02,480
Speaker 3: the artist.

1404
00:59:02,800 --> 00:59:05,960
Speaker 2: But that's not just what artists. That's in life though,

1405
00:59:06,440 --> 00:59:10,200
Speaker 2: Like that's just the thing that people do. Why, because

1406
00:59:10,200 --> 00:59:12,000
Speaker 2: that's what people have been waiting for. They've been waiting

1407
00:59:12,000 --> 00:59:13,760
Speaker 2: for a moment to say, oh, he's not as good

1408
00:59:13,840 --> 00:59:15,560
Speaker 2: or she's not as good as y'all thought she was,

1409
00:59:16,160 --> 00:59:17,760
Speaker 2: or that you know, this person not as dope as

1410
00:59:17,840 --> 00:59:20,920
Speaker 2: y'all thought they were. People are waiting for that moment

1411
00:59:21,000 --> 00:59:23,560
Speaker 2: for you to look like you slipped or you had,

1412
00:59:23,680 --> 00:59:26,000
Speaker 2: you know, a moment where it wasn't your best effort

1413
00:59:26,200 --> 00:59:29,640
Speaker 2: to then kind of like anything after that gonna say, see, look,

1414
00:59:29,680 --> 00:59:31,680
Speaker 2: I told you this person was never as good anyway.

1415
00:59:31,760 --> 00:59:38,080
Speaker 3: But I've objectively had criticism for Drake since CLB, But

1416
00:59:38,160 --> 00:59:40,400
Speaker 3: I love the twenty one Savage One like honestly never

1417
00:59:40,480 --> 00:59:41,560
Speaker 3: mind CLB.

1418
00:59:41,800 --> 00:59:42,000
Speaker 2: Yah.

1419
00:59:42,720 --> 00:59:44,880
Speaker 3: I didn't go into for All the Dogs hoping to

1420
00:59:44,920 --> 00:59:48,000
Speaker 3: be right. I wanted the music to be good.

1421
00:59:48,200 --> 00:59:48,360
Speaker 1: Now.

1422
00:59:48,360 --> 00:59:51,040
Speaker 3: It wasn't my favorite Drake album. But I'm not sitting

1423
00:59:51,120 --> 00:59:52,920
Speaker 3: here now because I was like, hey, I feel like

1424
00:59:52,960 --> 00:59:55,800
Speaker 3: he's not inspired that I want to be right about it.

1425
00:59:57,000 --> 00:59:59,360
Speaker 3: I don't want I didn't want GNX to be bad.

1426
01:00:01,040 --> 01:00:03,440
Speaker 3: Why do people want the artists that they don't like

1427
01:00:03,840 --> 01:00:05,280
Speaker 3: to now have to make bad music?

1428
01:00:05,320 --> 01:00:08,680
Speaker 1: Well, because you value the actual music more than you

1429
01:00:08,800 --> 01:00:12,760
Speaker 1: value the yapp culture. The need for controversy and drama

1430
01:00:12,800 --> 01:00:14,920
Speaker 1: and debate because people don't really have that shit going

1431
01:00:14,960 --> 01:00:17,480
Speaker 1: on in their like real lives. They're bored, So the

1432
01:00:17,520 --> 01:00:19,800
Speaker 1: only time they even get a chance to argue with

1433
01:00:19,880 --> 01:00:22,720
Speaker 1: somebody is like online or like things like that. They

1434
01:00:22,760 --> 01:00:25,200
Speaker 1: need the controversy in their lives. You actually care about

1435
01:00:25,240 --> 01:00:27,120
Speaker 1: the music. There are people who still care about the music.

1436
01:00:27,560 --> 01:00:29,680
Speaker 1: I mean not only that other people just been louder lately.

1437
01:00:29,760 --> 01:00:32,920
Speaker 2: There's people that again, you know, when you've had when

1438
01:00:32,920 --> 01:00:35,880
Speaker 2: you've been as dominant as Drake has been over the

1439
01:00:35,920 --> 01:00:40,120
Speaker 2: past fourteen fifteen years or whatever, and you know, there's

1440
01:00:40,160 --> 01:00:43,360
Speaker 2: a group of people that no matter what you do,

1441
01:00:43,400 --> 01:00:46,400
Speaker 2: when you dominate for years, people want to see you

1442
01:00:46,520 --> 01:00:49,720
Speaker 2: kind of like have a moment where you're not dominating,

1443
01:00:49,720 --> 01:00:51,960
Speaker 2: where you're not the best. Like that's just a I

1444
01:00:52,000 --> 01:00:54,880
Speaker 2: think that's human nature. I think people just being human

1445
01:00:55,160 --> 01:00:58,720
Speaker 2: want to see somebody else receive, you know, the accolades

1446
01:00:58,760 --> 01:01:00,920
Speaker 2: and the praise that you've received for so many years.

1447
01:01:01,200 --> 01:01:01,640
Speaker 1: I get that.

1448
01:01:01,840 --> 01:01:03,760
Speaker 2: So I think this is we're in that phase where

1449
01:01:03,800 --> 01:01:06,040
Speaker 2: I think it Drake can put out a way extra now. Oh,

1450
01:01:06,120 --> 01:01:07,800
Speaker 2: I mean, but it's it's supposed to be. Because you're

1451
01:01:07,840 --> 01:01:10,160
Speaker 2: talking about a guy that's again has dominated for so long,

1452
01:01:10,240 --> 01:01:12,480
Speaker 2: so his you know, his tear down has to be

1453
01:01:12,520 --> 01:01:16,600
Speaker 2: extra his is you know, if it's gonna happen. I'm

1454
01:01:16,600 --> 01:01:18,240
Speaker 2: on the side of you and let it happen. If

1455
01:01:18,280 --> 01:01:20,840
Speaker 2: the music is actually bad, if the you know, what

1456
01:01:20,880 --> 01:01:22,560
Speaker 2: we're listening to is like, okay, this is not as good.

1457
01:01:22,600 --> 01:01:25,200
Speaker 2: If it's that, then by all means it's time to

1458
01:01:25,240 --> 01:01:27,440
Speaker 2: put somebody else in that spot. But don't force it

1459
01:01:27,480 --> 01:01:31,160
Speaker 2: and say everything you hear now post beef is oh,

1460
01:01:31,200 --> 01:01:35,000
Speaker 2: it's chat GPT, it's trash, it's garbage. It's like, all right, man,

1461
01:01:35,440 --> 01:01:37,240
Speaker 2: people that know can see through that shit. Like I

1462
01:01:37,280 --> 01:01:40,760
Speaker 2: yeologist waiting for anything that he put Drake can put

1463
01:01:40,760 --> 01:01:45,640
Speaker 2: out his greatest album tomorrow and there's gonna be a

1464
01:01:45,680 --> 01:01:48,040
Speaker 2: flood of people online saying this is trash.

1465
01:01:48,160 --> 01:01:50,880
Speaker 1: Do you think that this Fighting Irish was good objectively?

1466
01:01:52,320 --> 01:01:54,320
Speaker 2: Yeah? I like the way he released it too. It

1467
01:01:54,400 --> 01:01:55,560
Speaker 2: kind of was like, just you.

1468
01:01:55,520 --> 01:01:57,439
Speaker 1: Think that was intentional? It wasn't really just a leak.

1469
01:01:57,800 --> 01:02:01,120
Speaker 2: Well obviously it's old that had been recorded for a while. Now.

1470
01:02:01,600 --> 01:02:02,600
Speaker 1: Oh I didn't know that.

1471
01:02:02,680 --> 01:02:04,080
Speaker 2: I mean he had braves in the video.

1472
01:02:04,520 --> 01:02:06,840
Speaker 3: Oh shit, okay, yeah, see this is how much like

1473
01:02:06,920 --> 01:02:10,040
Speaker 3: I don't care too much about these people. I only

1474
01:02:10,040 --> 01:02:11,800
Speaker 3: care about their music. I would have never even like

1475
01:02:11,920 --> 01:02:12,280
Speaker 3: noticed it.

1476
01:02:12,560 --> 01:02:15,120
Speaker 2: So this is this is this at least hairstyles, This

1477
01:02:15,160 --> 01:02:18,240
Speaker 2: is at least a couple months old. And I thought

1478
01:02:18,240 --> 01:02:20,040
Speaker 2: it was, you know, his way of kind of like

1479
01:02:20,840 --> 01:02:23,160
Speaker 2: because I'm sure people have been reaching out to him

1480
01:02:23,160 --> 01:02:25,640
Speaker 2: and kind of like you know, backsliding and you know,

1481
01:02:25,720 --> 01:02:29,400
Speaker 2: backtracking certain actions and reaching out to him, and I

1482
01:02:29,440 --> 01:02:31,520
Speaker 2: think this is probably his way of letting those people know,

1483
01:02:31,680 --> 01:02:34,400
Speaker 2: like naha, fam like that wasn't you know what I mean,

1484
01:02:34,440 --> 01:02:36,120
Speaker 2: like you got to stay over there, you picked the side,

1485
01:02:36,160 --> 01:02:38,000
Speaker 2: stay over there. I think this was a cool way

1486
01:02:38,040 --> 01:02:38,400
Speaker 2: of doing that.

1487
01:02:38,520 --> 01:02:40,240
Speaker 3: Do you think he chose to leak it or had

1488
01:02:40,240 --> 01:02:43,680
Speaker 3: someone purposely leak it based off because you brought up

1489
01:02:43,680 --> 01:02:46,600
Speaker 3: in the last episode that Lebron at his birthday party

1490
01:02:46,640 --> 01:02:49,520
Speaker 3: requested a man of the garden and wrapped it because

1491
01:02:49,560 --> 01:02:52,640
Speaker 3: Draken followed him. Do you think Drake asked this to

1492
01:02:52,680 --> 01:02:55,600
Speaker 3: be leaked because of Lebron's fortieth birthday party. Because this,

1493
01:02:55,960 --> 01:02:58,000
Speaker 3: again is a pretty direct which we'll go through lyrics.

1494
01:02:58,040 --> 01:03:00,480
Speaker 3: It is a direct shot at Lebron through most of us.

1495
01:03:00,640 --> 01:03:03,080
Speaker 3: That's pretty yeah, obviously we know that part. I think

1496
01:03:03,080 --> 01:03:05,560
Speaker 3: that it's it could be some of that, uh that

1497
01:03:05,600 --> 01:03:09,080
Speaker 3: probably some of it. I believe that you know, Lebron

1498
01:03:09,120 --> 01:03:13,200
Speaker 3: has probably reached out, you know, through some avenues or

1499
01:03:13,240 --> 01:03:16,280
Speaker 3: you know, directly, or however he can to probably have

1500
01:03:16,320 --> 01:03:19,680
Speaker 3: a conversation with Drake. And I think this is probably

1501
01:03:19,800 --> 01:03:22,720
Speaker 3: Drake's way of saying, like, fam like you know what

1502
01:03:22,720 --> 01:03:24,760
Speaker 3: I mean, like, don't don't reach don't try to hit

1503
01:03:24,760 --> 01:03:26,800
Speaker 3: my line, like this is what it is, This is

1504
01:03:26,800 --> 01:03:28,439
Speaker 3: where I'm at, Like, y'all knew what it was when

1505
01:03:28,800 --> 01:03:31,160
Speaker 3: you know, we was at the h at Mike Rubin's party,

1506
01:03:31,320 --> 01:03:33,000
Speaker 3: you know what I'm saying, Like y'all felt, y'all knew

1507
01:03:33,000 --> 01:03:35,560
Speaker 3: the energy was different. I didn't speak to nobody, you

1508
01:03:35,600 --> 01:03:36,040
Speaker 3: know what I mean.

1509
01:03:36,120 --> 01:03:38,200
Speaker 2: Like, so I think this is his way of kind

1510
01:03:38,200 --> 01:03:41,560
Speaker 2: of like just standing down on that, like you listen,

1511
01:03:41,600 --> 01:03:43,160
Speaker 2: this is what it is, like it ain't no beef,

1512
01:03:43,200 --> 01:03:45,320
Speaker 2: but you know, y'all can't We never gonna be as

1513
01:03:46,200 --> 01:03:48,440
Speaker 2: chummy chummy and as cool as we were, Like pick

1514
01:03:48,520 --> 01:03:50,760
Speaker 2: that you picked that side, stay over there.

1515
01:03:51,080 --> 01:03:53,360
Speaker 3: I'm indifferent with it because I did see even like

1516
01:03:53,400 --> 01:03:55,600
Speaker 3: people that I do think are actually objective and just

1517
01:03:55,720 --> 01:04:00,560
Speaker 3: music fans analyzing this, I did see people this as

1518
01:04:00,680 --> 01:04:05,040
Speaker 3: Drake pretty much calling himself a victim in a rap

1519
01:04:05,080 --> 01:04:09,040
Speaker 3: battle that he very much engaged in and continued for

1520
01:04:09,160 --> 01:04:13,040
Speaker 3: a week straight to have Kendrick Lamar reply again and

1521
01:04:13,080 --> 01:04:15,479
Speaker 3: now is playing victim. I get that point of view,

1522
01:04:15,520 --> 01:04:18,960
Speaker 3: but I don't really think how is you think this

1523
01:04:19,040 --> 01:04:20,840
Speaker 3: is playing victim. I think if he can't win for

1524
01:04:20,920 --> 01:04:23,440
Speaker 3: losing when it comes to rapping about the situation that

1525
01:04:23,560 --> 01:04:25,200
Speaker 3: happened in the last six months, even though I was

1526
01:04:25,240 --> 01:04:27,080
Speaker 3: someone that's been on record saying I can't wait to

1527
01:04:27,120 --> 01:04:29,600
Speaker 3: hear what Drake and Cole have to say in you know,

1528
01:04:29,800 --> 01:04:31,320
Speaker 3: reflecting on everything that happens.

1529
01:04:31,320 --> 01:04:33,720
Speaker 1: So I'm here for all this. I like the record.

1530
01:04:33,680 --> 01:04:37,920
Speaker 3: Anytime there's some conductor shit and Drake is rapping like

1531
01:04:37,960 --> 01:04:40,439
Speaker 3: a fucking lonely mafio, So I'm here for it every time.

1532
01:04:40,720 --> 01:04:41,840
Speaker 1: I think it's it's great.

1533
01:04:41,840 --> 01:04:43,600
Speaker 3: Even though I don't think this is his best rapping,

1534
01:04:44,000 --> 01:04:46,520
Speaker 3: I did like the way he addressed it. And if

1535
01:04:47,200 --> 01:04:52,680
Speaker 3: I had friends of fifteen twenty years and somebody called

1536
01:04:52,720 --> 01:04:55,000
Speaker 3: me a pedophile and you you bought a ticket to

1537
01:04:55,040 --> 01:04:57,800
Speaker 3: go watch it, I'm feeling a way m hm. So

1538
01:04:57,880 --> 01:05:00,520
Speaker 3: I get I don't think Drake is playing victim in

1539
01:05:00,560 --> 01:05:04,240
Speaker 3: per se of that battle. I think he is rightfully

1540
01:05:04,280 --> 01:05:06,240
Speaker 3: so upset at some of his friends that like, oh

1541
01:05:06,280 --> 01:05:08,680
Speaker 3: you you really went to that show like I thought

1542
01:05:08,680 --> 01:05:12,120
Speaker 3: we was like close like that. So I understand that,

1543
01:05:12,160 --> 01:05:14,480
Speaker 3: and I think that's why he can't win for losing

1544
01:05:14,480 --> 01:05:17,160
Speaker 3: because people. I think even DJ headed had posted something

1545
01:05:17,160 --> 01:05:20,680
Speaker 3: about him playing victim off when he was the aggressor.

1546
01:05:21,000 --> 01:05:23,320
Speaker 3: I get that, But this is separate. This is his

1547
01:05:23,400 --> 01:05:28,680
Speaker 3: friends that he's mad at. He doesn't really address Kendrick

1548
01:05:28,800 --> 01:05:33,360
Speaker 3: in this whatsoever. This is all direct mainly Lebron. The

1549
01:05:33,400 --> 01:05:37,160
Speaker 3: only problem I have with what he was saying, the

1550
01:05:37,200 --> 01:05:39,680
Speaker 3: world fell in love with gimmicks. Even my brothers got tickets,

1551
01:05:40,240 --> 01:05:41,439
Speaker 3: seem like they loved every minute.

1552
01:05:41,440 --> 01:05:41,760
Speaker 1: I get it.

1553
01:05:41,800 --> 01:05:43,600
Speaker 3: He's mad at at all his friends that were there.

1554
01:05:44,600 --> 01:05:46,280
Speaker 3: You can't say that the world fell in love with

1555
01:05:46,280 --> 01:05:49,320
Speaker 3: gimmicks when you fully participated in this battle. You even

1556
01:05:49,360 --> 01:05:52,440
Speaker 3: told Kendrick Lamar to call you a pedophile, like you

1557
01:05:52,520 --> 01:05:55,200
Speaker 3: went through that entire thing. You're we didn't fall in

1558
01:05:55,200 --> 01:05:57,400
Speaker 3: love with the gimmicks. You got what you asked for.

1559
01:05:57,640 --> 01:05:57,960
Speaker 2: M hm.

1560
01:05:58,440 --> 01:06:01,000
Speaker 3: So I don't want to hear anything about that as

1561
01:06:01,720 --> 01:06:06,480
Speaker 3: us as fans falling for anything, because you, as Tupac

1562
01:06:06,520 --> 01:06:09,920
Speaker 3: and Snoop Dogg told Kendrick to do exactly what he

1563
01:06:10,040 --> 01:06:12,920
Speaker 3: ended up doing. Drop drop drop, I know you got

1564
01:06:12,920 --> 01:06:15,200
Speaker 3: ten more all that shit. Nah, I don't want to

1565
01:06:15,200 --> 01:06:17,320
Speaker 3: hear that part. But everything else, Yeah, man, i'd say

1566
01:06:17,320 --> 01:06:20,000
Speaker 3: fuck Lebron too, would say that.

1567
01:06:20,520 --> 01:06:21,960
Speaker 2: I mean, I think it's trying to figure out where

1568
01:06:21,960 --> 01:06:23,880
Speaker 2: you saying playing the victim part at.

1569
01:06:24,240 --> 01:06:27,440
Speaker 3: That's how people viewed this entire thing, Like after the battle, now,

1570
01:06:27,680 --> 01:06:30,080
Speaker 3: Drake is like, look what they did to me when

1571
01:06:30,120 --> 01:06:33,960
Speaker 3: you actively participated in a rap battle where there are

1572
01:06:34,000 --> 01:06:36,320
Speaker 3: no rules, So I looked a different I would be

1573
01:06:36,360 --> 01:06:38,400
Speaker 3: mad at my friends, but I'm not. You bart think

1574
01:06:38,480 --> 01:06:40,120
Speaker 3: the world that we fell in love with the gimmicks

1575
01:06:40,200 --> 01:06:42,480
Speaker 3: when you set the gimmicks.

1576
01:06:42,480 --> 01:06:44,920
Speaker 2: Before Kendrick did. But that doesn't mean you call him

1577
01:06:44,920 --> 01:06:46,960
Speaker 2: a pedophile. Yeah, but that doesn't mean I can't say

1578
01:06:46,960 --> 01:06:47,720
Speaker 2: you fell in love with it.

1579
01:06:47,840 --> 01:06:49,840
Speaker 1: Yeah, that doesn't make it any less of a gimmick.

1580
01:06:49,560 --> 01:06:50,240
Speaker 2: That you live in.

1581
01:06:50,280 --> 01:06:55,760
Speaker 1: Default again, what you fell for it? Then? Then rap

1582
01:06:55,800 --> 01:07:00,919
Speaker 1: battles are gimmicks. Nah, not exactly. You know why he's

1583
01:07:00,960 --> 01:07:04,040
Speaker 1: saying gimmicks, and especially when you're talking about they not

1584
01:07:04,240 --> 01:07:06,400
Speaker 1: like us. And I don't just that one. If he

1585
01:07:06,440 --> 01:07:09,480
Speaker 1: would have dragged it on for more than one bar, sure,

1586
01:07:09,800 --> 01:07:12,960
Speaker 1: but that one little line that happens the rhyme with tickets,

1587
01:07:13,080 --> 01:07:15,280
Speaker 1: I'm not like the bar. I don't think that gives

1588
01:07:15,360 --> 01:07:16,040
Speaker 1: victim that.

1589
01:07:16,040 --> 01:07:18,240
Speaker 3: That's the only part of this entire thing where I

1590
01:07:18,280 --> 01:07:20,840
Speaker 3: am giving credence to some of the objective fans that

1591
01:07:20,880 --> 01:07:23,160
Speaker 3: were like, this isn't really what I wanted to hear.

1592
01:07:23,800 --> 01:07:27,720
Speaker 3: You shouldn't sound like this is. You're the victim in

1593
01:07:27,720 --> 01:07:30,360
Speaker 3: a situation that you very much were an active participant in.

1594
01:07:30,440 --> 01:07:33,160
Speaker 3: It just didn't go the way maybe you thought it was.

1595
01:07:33,160 --> 01:07:33,520
Speaker 2: Going to go.

1596
01:07:33,840 --> 01:07:36,200
Speaker 3: But other than that, I do think it's a cool freestyle.

1597
01:07:37,120 --> 01:07:39,240
Speaker 3: I wish you would have finished it. My guess is

1598
01:07:39,280 --> 01:07:41,000
Speaker 3: that he was going to scrap it, but he had

1599
01:07:41,000 --> 01:07:42,360
Speaker 3: the footage and was like, let me just get this

1600
01:07:42,360 --> 01:07:42,760
Speaker 3: shit out.

1601
01:07:43,720 --> 01:07:45,760
Speaker 1: I don't know if you had spoken to him, but

1602
01:07:46,240 --> 01:07:48,280
Speaker 1: to double back, he did mention that kind of like

1603
01:07:48,320 --> 01:07:50,560
Speaker 1: that gimmick thing. On verse three again, he said this

1604
01:07:50,640 --> 01:07:52,600
Speaker 1: nigga pulled a rabbit out that had and y'all love

1605
01:07:52,600 --> 01:07:55,520
Speaker 1: a magician, so it wasn't just mentioned once. I'll bring

1606
01:07:55,560 --> 01:07:55,840
Speaker 1: that up.

1607
01:07:57,400 --> 01:08:03,360
Speaker 3: Yeah, that's part of a rap attle. Go make some

1608
01:08:03,400 --> 01:08:05,880
Speaker 3: ship up and see if the people fall for.

1609
01:08:06,080 --> 01:08:07,640
Speaker 2: I think again, make it.

1610
01:08:07,640 --> 01:08:09,200
Speaker 1: I didn't. I didn't really think that.

1611
01:08:09,640 --> 01:08:12,920
Speaker 2: I think it's listen, I think it's I think it's

1612
01:08:13,040 --> 01:08:16,320
Speaker 2: very simple. I think that people that he obviously had

1613
01:08:16,360 --> 01:08:19,559
Speaker 2: a personal relationship with on a deeper level than we

1614
01:08:19,640 --> 01:08:25,439
Speaker 2: probably know. I think that he saw them stand next

1615
01:08:25,439 --> 01:08:29,760
Speaker 2: to something that was trying to paint him to be

1616
01:08:29,880 --> 01:08:31,960
Speaker 2: something that again, is the worst ship in the world.

1617
01:08:32,920 --> 01:08:35,880
Speaker 2: And I think that he feels like, if you're my friend,

1618
01:08:36,600 --> 01:08:39,760
Speaker 2: it is it is rap, and it is entertainment. But

1619
01:08:39,840 --> 01:08:42,920
Speaker 2: if you're my friend and somebody is you know, alluding

1620
01:08:42,960 --> 01:08:48,639
Speaker 2: that I'm this fucking disgusting person. You can't be at

1621
01:08:48,640 --> 01:08:53,440
Speaker 2: the show dancing with them, rapping along to the lyrics

1622
01:08:53,920 --> 01:08:58,760
Speaker 2: like you, that's just again we're talking about if you're

1623
01:08:58,800 --> 01:09:02,000
Speaker 2: a friend, not if you're just somebody that I say, yo,

1624
01:09:02,040 --> 01:09:04,200
Speaker 2: what's up, and I keep it moving. If you're in

1625
01:09:04,280 --> 01:09:06,080
Speaker 2: my house and you know what I'm saying, you're playing

1626
01:09:06,120 --> 01:09:08,160
Speaker 2: with my kids, and your kids and my kids know

1627
01:09:08,200 --> 01:09:11,280
Speaker 2: each other, like, it's certain things that I'm just gonna

1628
01:09:11,320 --> 01:09:15,760
Speaker 2: expect a certain level of loyalty, like and I think

1629
01:09:15,800 --> 01:09:20,040
Speaker 2: that that's what this is basically speaking to, Like, you know,

1630
01:09:20,120 --> 01:09:21,800
Speaker 2: it's like you said we're brothers, but I'm not that

1631
01:09:21,880 --> 01:09:23,800
Speaker 2: cousin of visit that we family. I'm not push that

1632
01:09:23,840 --> 01:09:25,439
Speaker 2: cousin a visit like I think a lot of that

1633
01:09:25,600 --> 01:09:27,759
Speaker 2: was at Cole.

1634
01:09:28,200 --> 01:09:30,240
Speaker 3: I don't think that was all at Lebron, whoever it's

1635
01:09:30,280 --> 01:09:32,880
Speaker 3: at cry Blues for you say it wasn't malicious talk

1636
01:09:32,880 --> 01:09:34,479
Speaker 3: about we failing. I think a lot of that God

1637
01:09:34,520 --> 01:09:37,439
Speaker 3: forbid we ever tarn at your public image. That bar

1638
01:09:37,520 --> 01:09:40,879
Speaker 3: people said was about Lebron. And then I saw everyone

1639
01:09:40,960 --> 01:09:43,200
Speaker 3: take that conclusion that Drake was going to expose Lebron

1640
01:09:43,200 --> 01:09:43,599
Speaker 3: for cheating.

1641
01:09:43,600 --> 01:09:44,920
Speaker 1: I was like, how did y'all get that from that bar?

1642
01:09:45,320 --> 01:09:48,800
Speaker 3: Again, that's just the internet that I didn't even touch.

1643
01:09:48,920 --> 01:09:52,479
Speaker 1: That I didn't even think about. But we've heard that

1644
01:09:52,600 --> 01:09:55,960
Speaker 1: before whatever. So I when people said that I attributed

1645
01:09:56,040 --> 01:09:59,160
Speaker 1: to Lebron. But now that you say that, all that

1646
01:09:59,200 --> 01:10:01,280
Speaker 1: brother talk is if I really discovered a sibling in that,

1647
01:10:01,280 --> 01:10:03,320
Speaker 1: God for Bill we ever got the tournish your public image?

1648
01:10:03,880 --> 01:10:05,760
Speaker 1: Now I do get what you're saying, why that might

1649
01:10:05,760 --> 01:10:06,679
Speaker 1: be Cole. I'm here.

1650
01:10:06,960 --> 01:10:08,680
Speaker 3: I think those three bars are cold because if we

1651
01:10:08,760 --> 01:10:11,280
Speaker 3: go back and I'm sorry to backtrack for everyone that's

1652
01:10:11,360 --> 01:10:13,679
Speaker 3: listening to this pod. But this battle's not going anywhere.

1653
01:10:13,800 --> 01:10:15,840
Speaker 3: We're gonna continue. We just it is what it is.

1654
01:10:16,880 --> 01:10:18,760
Speaker 3: I had said when Cole went on there, he had

1655
01:10:18,800 --> 01:10:21,679
Speaker 3: spoken with Drake and Kendrick and found out where both

1656
01:10:21,720 --> 01:10:24,200
Speaker 3: of them were taking it, and said, I have a family.

1657
01:10:24,320 --> 01:10:26,600
Speaker 3: I am in a great space with my family. I

1658
01:10:26,720 --> 01:10:28,800
Speaker 3: was probably on tour for a long time, and I

1659
01:10:28,840 --> 01:10:32,040
Speaker 3: don't need anything of my past to come out of here.

1660
01:10:32,439 --> 01:10:34,479
Speaker 3: And I think that's where Drake is saying, God forbid

1661
01:10:34,520 --> 01:10:37,040
Speaker 3: we ever got to tarnish your public image, because in

1662
01:10:37,080 --> 01:10:39,599
Speaker 3: this battle no matter, clearly we see that both sides

1663
01:10:39,640 --> 01:10:42,599
Speaker 3: were making things up to begin with. I don't think

1664
01:10:42,600 --> 01:10:45,000
Speaker 3: Cole wanted anything made up or the truth to ever

1665
01:10:45,040 --> 01:10:47,840
Speaker 3: be said about him in some of his younger days,

1666
01:10:48,200 --> 01:10:51,120
Speaker 3: so he bowed out. That was my take then, and

1667
01:10:51,320 --> 01:10:54,040
Speaker 3: I think Drake kind of confirms it here. God forbid

1668
01:10:54,080 --> 01:10:55,439
Speaker 3: we tarnished you public image. I think he had a

1669
01:10:55,439 --> 01:10:56,840
Speaker 3: combo with Cole, and Cole said, I don't want to

1670
01:10:56,840 --> 01:10:58,800
Speaker 3: go there. Y'all about to go in some family shit.

1671
01:10:58,960 --> 01:11:02,439
Speaker 3: Fuck that is out, bro. We all have demons, we

1672
01:11:02,479 --> 01:11:04,720
Speaker 3: all have shit. I'm not trying to put anything on

1673
01:11:04,760 --> 01:11:06,920
Speaker 3: cold or put anything on jacket. We all have some

1674
01:11:07,040 --> 01:11:10,599
Speaker 3: things consensually that we're not proud of in our past,

1675
01:11:10,760 --> 01:11:13,720
Speaker 3: especially a young millionaire that's twenty two years old on tour.

1676
01:11:13,840 --> 01:11:18,519
Speaker 3: I'm sure there was some shit. I'm not here, and

1677
01:11:18,560 --> 01:11:20,120
Speaker 3: Cole has a great public image.

1678
01:11:20,320 --> 01:11:22,680
Speaker 1: Genius is bringing up DeMar de Rosen.

1679
01:11:25,160 --> 01:11:25,840
Speaker 2: Genius.

1680
01:11:26,080 --> 01:11:28,320
Speaker 1: I'm just saying, I'm just just throwing players out there.

1681
01:11:28,760 --> 01:11:29,360
Speaker 2: Not I get it.

1682
01:11:30,680 --> 01:11:33,120
Speaker 1: Wait it would.

1683
01:11:33,120 --> 01:11:37,280
Speaker 3: It would tarnish DeMar DeRozan's public image if we knew

1684
01:11:37,280 --> 01:11:38,720
Speaker 3: he had depression and anxiety.

1685
01:11:39,520 --> 01:11:41,599
Speaker 1: No, listen, as far as.

1686
01:11:41,479 --> 01:11:42,720
Speaker 3: The thing, you know, I love you, but I think

1687
01:11:42,720 --> 01:11:43,559
Speaker 3: you guys got that one.

1688
01:11:43,439 --> 01:11:45,479
Speaker 1: And talking about niggas cried the blues for you saying

1689
01:11:45,520 --> 01:11:48,160
Speaker 1: it wasn't malicious. That's that's what That's what I'm saying,

1690
01:11:48,560 --> 01:11:50,920
Speaker 1: Cry the blues for you. They bringing up Blue de

1691
01:11:51,000 --> 01:11:55,439
Speaker 1: Marta Rosan Crip affiliated, they're putting that. Just bring it up.

1692
01:11:55,479 --> 01:11:57,400
Speaker 2: Tell me all, this is my last ship. Listen in

1693
01:11:57,400 --> 01:11:59,479
Speaker 2: the rap, I promise you dog now, I can't this

1694
01:11:59,560 --> 01:12:01,080
Speaker 2: is this is it's just crazy.

1695
01:12:00,840 --> 01:12:04,240
Speaker 3: Now again like the freestyle, and I'm totally understand the

1696
01:12:04,280 --> 01:12:04,800
Speaker 3: Bronz shit.

1697
01:12:04,800 --> 01:12:06,040
Speaker 1: I feel a certain type of way.

1698
01:12:06,760 --> 01:12:13,160
Speaker 3: The end does come back to him discussing the Battle somewhat.

1699
01:12:14,080 --> 01:12:16,840
Speaker 3: I feel like this is where Drake sends the push

1700
01:12:16,880 --> 01:12:21,479
Speaker 3: a t. Battle has had some responses that I think

1701
01:12:21,520 --> 01:12:24,519
Speaker 3: were just mismanaged, because I do think he was in

1702
01:12:24,600 --> 01:12:27,719
Speaker 3: his feelings about how people have spoken about his family.

1703
01:12:28,400 --> 01:12:31,680
Speaker 3: I think Scorpion is an incredible album. I think that

1704
01:12:31,800 --> 01:12:35,519
Speaker 3: intro is great. I hated his response of my daddy

1705
01:12:35,600 --> 01:12:41,080
Speaker 3: dresses himself like what like it? Don't reply at that point.

1706
01:12:41,200 --> 01:12:44,240
Speaker 3: I always found that bar weird, and I think he

1707
01:12:44,360 --> 01:12:48,080
Speaker 3: kind of proves just my perspective that a lot of

1708
01:12:48,120 --> 01:12:51,080
Speaker 3: these shots that is about his past and his family

1709
01:12:51,160 --> 01:12:54,800
Speaker 3: dynamic do affect him a lot, and it shows in

1710
01:12:54,880 --> 01:12:57,640
Speaker 3: his emotion and how he says things. I don't have

1711
01:12:57,640 --> 01:13:00,880
Speaker 3: a drinking problem, I have subtle addictions, my father's habits.

1712
01:13:00,880 --> 01:13:02,679
Speaker 3: I got my mother's permission, which I don't fully understand

1713
01:13:02,680 --> 01:13:07,479
Speaker 3: that part. But he does give credence to the things

1714
01:13:07,520 --> 01:13:11,679
Speaker 3: that Kendrick and Push have brought up about his upbringing.

1715
01:13:11,680 --> 01:13:14,240
Speaker 3: It almost validates what they were saying and that they

1716
01:13:14,280 --> 01:13:15,400
Speaker 3: analyzed Drake correctly.

1717
01:13:16,160 --> 01:13:18,360
Speaker 2: What that is mom is is a white lady?

1718
01:13:19,040 --> 01:13:25,400
Speaker 3: Well, yes, they nailed that one, which I've loved Drake's

1719
01:13:25,439 --> 01:13:28,240
Speaker 3: response in that past when he had said, like, oh,

1720
01:13:28,280 --> 01:13:30,200
Speaker 3: you guys told me my mother's white, like I'm not

1721
01:13:30,240 --> 01:13:33,240
Speaker 3: looking at her, Like WHOA, what a surprise? You don't

1722
01:13:33,240 --> 01:13:35,720
Speaker 3: think him addressing this is the first time he's really

1723
01:13:35,760 --> 01:13:38,840
Speaker 3: said anything about the battle. He's validating a lot of

1724
01:13:38,880 --> 01:13:39,439
Speaker 3: meet the grams.

1725
01:13:39,520 --> 01:13:42,400
Speaker 2: No, No, I don't, I don't, I don't know.

1726
01:13:42,600 --> 01:13:44,200
Speaker 1: I wouldn't. I need you to draw a parallel a

1727
01:13:44,200 --> 01:13:45,800
Speaker 1: little bit more for me, baby.

1728
01:13:45,680 --> 01:13:49,400
Speaker 2: Just because he said I got my daddy's my father's

1729
01:13:49,400 --> 01:13:51,599
Speaker 2: addiction in my mother's permission, or what he said father.

1730
01:13:51,760 --> 01:13:55,160
Speaker 3: A lot of the first verses outside of the Secret

1731
01:13:55,240 --> 01:13:58,320
Speaker 3: Kid and all that entire thing was Kendrick talking to

1732
01:13:58,840 --> 01:14:02,120
Speaker 3: Drake's parents about all of their habits and the things

1733
01:14:02,120 --> 01:14:05,360
Speaker 3: that they have done have led to your son now

1734
01:14:05,400 --> 01:14:07,680
Speaker 3: doing these types of things. He was even told his

1735
01:14:07,720 --> 01:14:09,439
Speaker 3: mother to sit down and listen to me, like he

1736
01:14:09,560 --> 01:14:12,840
Speaker 3: was giving them a talking to and in response.

1737
01:14:12,600 --> 01:14:15,920
Speaker 1: Talking to in response to everything. That's how I felt

1738
01:14:17,040 --> 01:14:18,160
Speaker 1: talking to what's.

1739
01:14:18,000 --> 01:14:23,040
Speaker 3: Drink's mom's name again, Sandra, sit down, he said, the

1740
01:14:23,120 --> 01:14:25,559
Speaker 3: Dennis Jeans come out when the vodka is flooding my system.

1741
01:14:25,560 --> 01:14:27,759
Speaker 3: I don't have a drinking problem, I have subtle addictions.

1742
01:14:27,760 --> 01:14:31,280
Speaker 3: I have my father's habits. My father's habits, he is validating,

1743
01:14:31,320 --> 01:14:33,559
Speaker 3: which is fine. A lot of us, myself included, have

1744
01:14:33,560 --> 01:14:36,639
Speaker 3: a lot of hereditary addiction problems that come from your family.

1745
01:14:37,360 --> 01:14:40,000
Speaker 3: If it does validate what Kendrick was trying.

1746
01:14:39,760 --> 01:14:41,200
Speaker 1: To place in Meet the Grams.

1747
01:14:41,439 --> 01:14:43,120
Speaker 3: Yeah, but which is fine. I mean if Drake is

1748
01:14:43,160 --> 01:14:43,640
Speaker 3: fine with that.

1749
01:14:44,040 --> 01:14:46,479
Speaker 2: But his father's habits could be because then he has

1750
01:14:46,479 --> 01:14:48,519
Speaker 2: the next line, he said, my dad has another child. Like,

1751
01:14:48,600 --> 01:14:50,840
Speaker 2: so he's saying I got my father's habits, meaning I

1752
01:14:50,920 --> 01:14:54,400
Speaker 2: had a kid, but you know, the relationship with the

1753
01:14:54,479 --> 01:14:57,320
Speaker 2: mom is not the best. Like it could be that

1754
01:14:57,560 --> 01:14:59,920
Speaker 2: like cold, I have a habit with women that like

1755
01:15:00,040 --> 01:15:02,800
Speaker 2: my father has. Yeah, it could be. It doesn't have

1756
01:15:02,840 --> 01:15:05,160
Speaker 2: to be a drinking addiction. That doesn't have to be

1757
01:15:05,200 --> 01:15:08,160
Speaker 2: a like I just don't like. Again, people are diving

1758
01:15:08,320 --> 01:15:10,960
Speaker 2: way too deep into this. I get it. This is

1759
01:15:10,960 --> 01:15:14,000
Speaker 2: what we're supposed to do when somebody puts out a

1760
01:15:14,040 --> 01:15:16,519
Speaker 2: record like this in the midst of coming off of

1761
01:15:16,760 --> 01:15:19,800
Speaker 2: one of the biggest battles that we've had. I get it.

1762
01:15:20,200 --> 01:15:22,280
Speaker 2: But a lot of the times we just be we

1763
01:15:22,439 --> 01:15:24,080
Speaker 2: just be throwing shit at the wall. Hope in something

1764
01:15:24,080 --> 01:15:24,519
Speaker 2: stick Bro.

1765
01:15:24,640 --> 01:15:26,320
Speaker 3: I don't think we're looking too far into this because

1766
01:15:26,320 --> 01:15:28,400
Speaker 3: I think it's a direct response to meet the Grahams,

1767
01:15:28,439 --> 01:15:30,880
Speaker 3: which was validating a lot of what Kendrick was saying

1768
01:15:30,920 --> 01:15:33,720
Speaker 3: when he was analyzing Drake's upbringing and who he is

1769
01:15:33,760 --> 01:15:34,439
Speaker 3: as a personnel.

1770
01:15:35,720 --> 01:15:38,760
Speaker 2: So so you think Kendrick gave us the knowledge.

1771
01:15:39,040 --> 01:15:44,120
Speaker 3: No, I just think every time Push got into his

1772
01:15:44,560 --> 01:15:47,679
Speaker 3: actual family life and Kendrick did as well, and Drake

1773
01:15:47,720 --> 01:15:52,560
Speaker 3: has always replied emotionally to those things rather than strategically,

1774
01:15:52,600 --> 01:15:55,760
Speaker 3: which he did with Meek Shit even w Freestyle, he

1775
01:15:55,800 --> 01:15:59,400
Speaker 3: wasn't emotional. Yet he does show his hand, which again

1776
01:15:59,680 --> 01:16:01,559
Speaker 3: why he love Drake is because he's a sensitive artist.

1777
01:16:01,640 --> 01:16:03,960
Speaker 3: Artist should be sensitive. He shows his hand and isn't

1778
01:16:03,960 --> 01:16:06,840
Speaker 3: strategic when it comes to these family lines. Push and

1779
01:16:06,920 --> 01:16:09,599
Speaker 3: Kendrick are proving that it got to him. It really

1780
01:16:09,600 --> 01:16:12,599
Speaker 3: got to you that you have not even just addressing it,

1781
01:16:12,640 --> 01:16:14,679
Speaker 3: confirming that, yeah, a lot of shouldn't meet the grams

1782
01:16:14,680 --> 01:16:17,800
Speaker 3: you work correct, which there's nothing wrong with a lot

1783
01:16:17,840 --> 01:16:20,439
Speaker 3: of us have fucked up parents and it bleeds into

1784
01:16:20,479 --> 01:16:25,040
Speaker 3: our life. So I don't think it's a bad thing.

1785
01:16:25,520 --> 01:16:27,879
Speaker 3: I just think now in the scope of this battle,

1786
01:16:28,080 --> 01:16:31,560
Speaker 3: which you've already your perception is rocky in this situation.

1787
01:16:32,400 --> 01:16:35,240
Speaker 1: You just confirmed meet the grams. Do you guys think

1788
01:16:35,280 --> 01:16:36,160
Speaker 1: Drake should have dropped this?

1789
01:16:37,760 --> 01:16:40,679
Speaker 3: Yeah, I'm not mad at I think again, it wasn't

1790
01:16:40,680 --> 01:16:41,479
Speaker 3: officially a drop.

1791
01:16:41,560 --> 01:16:44,559
Speaker 2: It was a video. If photographer put it on her Instagram.

1792
01:16:44,600 --> 01:16:46,720
Speaker 2: Of course every blog picked it up after that, but

1793
01:16:47,360 --> 01:16:50,160
Speaker 2: it was like at, I think it is well, I mean,

1794
01:16:50,240 --> 01:16:53,080
Speaker 2: he definitely gave a permission to post it, but I mean,

1795
01:16:53,120 --> 01:16:55,080
Speaker 2: you know, I think it was a cool way of

1796
01:16:55,160 --> 01:16:58,240
Speaker 2: kind of just putting some type of you know, bars

1797
01:16:58,280 --> 01:17:00,320
Speaker 2: out there and some type of you know, I think

1798
01:17:00,320 --> 01:17:03,840
Speaker 2: the people, I think this was for a specific specific

1799
01:17:03,840 --> 01:17:06,040
Speaker 2: people to hear you know what I mean. I do

1800
01:17:06,080 --> 01:17:10,240
Speaker 2: think that people are reaching out to him, uh personally

1801
01:17:10,280 --> 01:17:13,160
Speaker 2: that he's just not fucking with it anymore. And I

1802
01:17:13,160 --> 01:17:15,559
Speaker 2: think this is his way of just confirming that and

1803
01:17:15,640 --> 01:17:18,280
Speaker 2: letting those people know, like, listen, I'm not gonna hit

1804
01:17:18,360 --> 01:17:21,440
Speaker 2: your phone, don't hit mine. This is where we stand.

1805
01:17:22,000 --> 01:17:24,720
Speaker 2: You're gonna know exactly who whoever he's talking to knows

1806
01:17:24,760 --> 01:17:28,559
Speaker 2: exactly who he's taught, who they are, they know, And

1807
01:17:28,600 --> 01:17:30,240
Speaker 2: I think that's what this was for. That's which is

1808
01:17:30,240 --> 01:17:32,600
Speaker 2: why it was kind of released in the way it was.

1809
01:17:32,680 --> 01:17:34,639
Speaker 2: It was kind of like just giving you a glimpse

1810
01:17:34,640 --> 01:17:37,000
Speaker 2: into what I've written so far. Got in my phone.

1811
01:17:37,479 --> 01:17:40,040
Speaker 2: I didn't write much more than this. Hey, just put

1812
01:17:40,040 --> 01:17:42,120
Speaker 2: this out so people can stop hitting my fucking phone.

1813
01:17:42,200 --> 01:17:44,479
Speaker 3: Yeah, if this was an actual drop, I would have

1814
01:17:44,560 --> 01:17:47,280
Speaker 3: liked him to finish it. I think Drake would have

1815
01:17:47,680 --> 01:17:51,120
Speaker 3: not scrapped these verses whatsoever, but just added more to them.

1816
01:17:50,760 --> 01:17:52,880
Speaker 3: It felt like he was really just writing this in

1817
01:17:52,920 --> 01:17:55,200
Speaker 3: the moment and was just wrapping it to conductor whoever.

1818
01:17:55,200 --> 01:17:57,720
Speaker 3: It was like he was like, Nah, this is how

1819
01:17:57,760 --> 01:18:01,080
Speaker 3: far I got, which is cool. If this was on DSPs, though,

1820
01:18:01,200 --> 01:18:03,559
Speaker 3: I would like a little bit more. But I mean,

1821
01:18:03,640 --> 01:18:05,679
Speaker 3: this is the type of trick I like. So I've

1822
01:18:06,120 --> 01:18:08,960
Speaker 3: never mad at that. It sounds like a tom stamp. Yeah,

1823
01:18:09,040 --> 01:18:14,759
Speaker 3: it's one of those outro joint Why do we think

1824
01:18:14,920 --> 01:18:17,720
Speaker 3: he told his dad that wasn't my sister. Was she

1825
01:18:17,840 --> 01:18:19,680
Speaker 3: dancing or not? Like that's what happened. People do that

1826
01:18:19,720 --> 01:18:21,240
Speaker 3: all the time, I know, but.

1827
01:18:22,160 --> 01:18:23,920
Speaker 1: You have an outside child, that's not my sister. I

1828
01:18:23,920 --> 01:18:25,880
Speaker 1: think that was laming him for him to write that line,

1829
01:18:25,880 --> 01:18:27,439
Speaker 1: But people do that all the time.

1830
01:18:27,560 --> 01:18:29,479
Speaker 3: Well, I don't think it was lame because I think

1831
01:18:29,479 --> 01:18:33,439
Speaker 3: there's way more to that. I think something happened within

1832
01:18:33,520 --> 01:18:35,240
Speaker 3: the midst of that. I don't think he just out

1833
01:18:35,240 --> 01:18:36,960
Speaker 3: the gate like did twenty three and meters and saw

1834
01:18:37,000 --> 01:18:38,280
Speaker 3: his dad and a kid and was like, yeah, that's

1835
01:18:38,280 --> 01:18:41,080
Speaker 3: not my sister. Something happened. I feel like in the

1836
01:18:41,120 --> 01:18:41,640
Speaker 3: midst of that.

1837
01:18:42,040 --> 01:18:43,800
Speaker 2: Yeah, again, that's you know.

1838
01:18:44,040 --> 01:18:46,679
Speaker 3: That's why I just want to know what what y'all sick?

1839
01:18:46,800 --> 01:18:49,520
Speaker 3: I did he catch her on Instagram?

1840
01:18:49,560 --> 01:18:50,280
Speaker 1: Like was she was?

1841
01:18:50,320 --> 01:18:51,800
Speaker 3: She doing a TikTok dance?

1842
01:18:52,200 --> 01:18:53,919
Speaker 2: Not like us? He found a TikTok.

1843
01:18:54,280 --> 01:18:54,840
Speaker 1: I don't know.

1844
01:18:56,400 --> 01:18:57,920
Speaker 2: He found a TikTok the whole word.

1845
01:18:58,439 --> 01:19:00,640
Speaker 3: Jackie was a well traveled musician. For all we know,

1846
01:19:00,760 --> 01:19:02,280
Speaker 3: she could have been born in confident she was in

1847
01:19:02,320 --> 01:19:02,719
Speaker 3: that video.

1848
01:19:03,320 --> 01:19:05,160
Speaker 2: You see what Drake said, that ain't my sister, though.

1849
01:19:05,840 --> 01:19:07,800
Speaker 2: I just feel on TikTok and she's going crazy or

1850
01:19:07,800 --> 01:19:08,360
Speaker 2: not like us.

1851
01:19:08,400 --> 01:19:11,360
Speaker 3: But I feel again, I don't know him, but we

1852
01:19:11,400 --> 01:19:15,000
Speaker 3: can speak for us. If you found out you had

1853
01:19:15,120 --> 01:19:18,000
Speaker 3: another sibling, your initial reaction would be, that's not my sister.

1854
01:19:18,320 --> 01:19:21,320
Speaker 1: People do that all the time. People be knowing about

1855
01:19:21,360 --> 01:19:23,920
Speaker 1: their siblings that they that their parents had with another

1856
01:19:24,160 --> 01:19:27,679
Speaker 1: like mom, and they just will not clean their nose.

1857
01:19:27,720 --> 01:19:30,120
Speaker 1: We don't have the same mom. We not siblings. People

1858
01:19:30,160 --> 01:19:31,200
Speaker 1: do that ship all the time.

1859
01:19:31,320 --> 01:19:34,479
Speaker 2: Fair, especially if you resent your dad in some type

1860
01:19:34,479 --> 01:19:36,519
Speaker 2: of way and his relationship he has with your.

1861
01:19:36,360 --> 01:19:39,519
Speaker 1: Mom or if he did, if he was and shit, Yeah,

1862
01:19:39,960 --> 01:19:43,719
Speaker 1: like I said, blame people, but I do feel like Drake,

1863
01:19:43,800 --> 01:19:47,840
Speaker 1: being the age that he is, there would be you

1864
01:19:47,880 --> 01:19:50,280
Speaker 1: don't blame that on the kid to your sister, like,

1865
01:19:50,280 --> 01:19:52,120
Speaker 1: that's not her fault, that's your no.

1866
01:19:52,400 --> 01:19:54,040
Speaker 3: If you if you're still cool with your dad but

1867
01:19:54,080 --> 01:19:56,479
Speaker 3: not cool with the daughter, the daughter didn't do anything,

1868
01:19:56,840 --> 01:19:58,920
Speaker 3: your dad did it. But and clearly we know Drake

1869
01:19:58,960 --> 01:20:00,479
Speaker 3: has had his ups and downs with this, but they

1870
01:20:00,479 --> 01:20:03,160
Speaker 3: are still I don't think that that's how you mad

1871
01:20:03,200 --> 01:20:04,840
Speaker 3: at you not mad at your dad. But that's not

1872
01:20:04,920 --> 01:20:05,360
Speaker 3: your sister.

1873
01:20:05,520 --> 01:20:05,680
Speaker 1: No.

1874
01:20:05,720 --> 01:20:07,599
Speaker 2: I think I think that's why he said that, because

1875
01:20:07,600 --> 01:20:09,640
Speaker 2: he was mad at his dad. I don't think it

1876
01:20:09,680 --> 01:20:12,080
Speaker 2: was personal to the young lady. I think it was

1877
01:20:12,120 --> 01:20:14,880
Speaker 2: more so like when his dad told him that he

1878
01:20:15,000 --> 01:20:17,960
Speaker 2: was like mad at his father more than anything. I

1879
01:20:18,000 --> 01:20:19,559
Speaker 2: think that's what it was. But again, you know this

1880
01:20:19,640 --> 01:20:22,920
Speaker 2: is this is us just diving deep into shit that

1881
01:20:22,960 --> 01:20:25,320
Speaker 2: we don't know about guessing, which is what we're supposed

1882
01:20:25,320 --> 01:20:27,920
Speaker 2: to do. But the bottom line is I think that

1883
01:20:28,040 --> 01:20:31,439
Speaker 2: this is hinting at the fact that he probably has

1884
01:20:32,760 --> 01:20:37,160
Speaker 2: more shit written, oh for, more songs, more bars coming

1885
01:20:37,800 --> 01:20:39,760
Speaker 2: whenever he decides to put out another album. I know

1886
01:20:39,800 --> 01:20:43,200
Speaker 2: he has the tour this shit in Australia, so I'm

1887
01:20:43,200 --> 01:20:46,240
Speaker 2: guessing sometime after that, maybe that tour is over. The

1888
01:20:46,320 --> 01:20:48,880
Speaker 2: Drake Party album still, I believe it was coming this month.

1889
01:20:48,960 --> 01:20:52,519
Speaker 3: There was three like fifteen second snippets, which we don't

1890
01:20:52,520 --> 01:20:55,040
Speaker 3: need to listen to them because they're just quick fifteen

1891
01:20:55,040 --> 01:20:58,599
Speaker 3: second joints. I liked all three of the fifteen second snippets.

1892
01:20:58,640 --> 01:20:59,640
Speaker 2: I mean them.

1893
01:21:00,120 --> 01:21:01,640
Speaker 3: He's not here for the rap beef. He's here to

1894
01:21:01,640 --> 01:21:04,479
Speaker 3: get the party lit, which I'm fine with that now,

1895
01:21:04,880 --> 01:21:07,439
Speaker 3: but go do it, like, go do it. If you

1896
01:21:07,479 --> 01:21:09,559
Speaker 3: don't care about the beef, no more cool, whatever, and

1897
01:21:09,600 --> 01:21:11,600
Speaker 3: you're only focus on getting the party lit, then I

1898
01:21:11,600 --> 01:21:14,080
Speaker 3: would love a record which I think.

1899
01:21:14,720 --> 01:21:17,120
Speaker 2: Yeah by Drake and Party did track record together their

1900
01:21:17,160 --> 01:21:17,759
Speaker 2: songs together.

1901
01:21:17,840 --> 01:21:19,120
Speaker 1: Are those snippets sound great?

1902
01:21:19,280 --> 01:21:22,639
Speaker 2: Yeah? I think that this album is gonna be one

1903
01:21:22,680 --> 01:21:24,800
Speaker 2: of those albums that we played for a long time.

1904
01:21:24,800 --> 01:21:27,880
Speaker 2: I think we had enough enough records, enough quotables, enough bars,

1905
01:21:28,360 --> 01:21:31,800
Speaker 2: enough captions on here to last us a while.

1906
01:21:32,040 --> 01:21:32,320
Speaker 1: Now.

1907
01:21:32,479 --> 01:21:34,439
Speaker 3: I agree with you that this did go out because

1908
01:21:34,439 --> 01:21:36,040
Speaker 3: there was a lot of people hitting Drake's phone and

1909
01:21:36,080 --> 01:21:37,559
Speaker 3: that he didn't want to talk to I'm with you

1910
01:21:37,600 --> 01:21:40,400
Speaker 3: on that. I do think there's another side of why

1911
01:21:40,400 --> 01:21:43,559
Speaker 3: he released it through the photographer and through another YouTube page.

1912
01:21:43,760 --> 01:21:48,240
Speaker 3: This is also a shot at Universal. I'm not giving

1913
01:21:48,680 --> 01:21:50,000
Speaker 3: he knew for a fact that it was going to

1914
01:21:50,040 --> 01:21:52,280
Speaker 3: be taken down. Didn't come from his page, came from

1915
01:21:52,280 --> 01:21:54,759
Speaker 3: someone else's. He knew Universal would would strike it eventually,

1916
01:21:55,120 --> 01:21:58,200
Speaker 3: but everybody was at the edge of their fucking seat

1917
01:21:58,280 --> 01:22:00,920
Speaker 3: to hear what Drake had to say about the battle now,

1918
01:22:01,520 --> 01:22:04,200
Speaker 3: and he purposely did not give Universal that moment to

1919
01:22:04,240 --> 01:22:07,800
Speaker 3: monetize it. So I think that was one percent also

1920
01:22:07,840 --> 01:22:10,519
Speaker 3: a shot at Universal. Yeah, my response is going to

1921
01:22:10,560 --> 01:22:13,439
Speaker 3: go through something else. It's gonna get out even if

1922
01:22:13,439 --> 01:22:15,639
Speaker 3: you strike it. Everyone ripped that shit within five minutes.

1923
01:22:16,000 --> 01:22:18,280
Speaker 3: Now everyone has my response and you can't monetize off

1924
01:22:18,280 --> 01:22:19,200
Speaker 3: it because I'm not fucking with.

1925
01:22:19,160 --> 01:22:19,679
Speaker 2: You, Universal.

1926
01:22:19,800 --> 01:22:21,680
Speaker 3: I think I think that is the clearest shot at them.

1927
01:22:21,760 --> 01:22:24,200
Speaker 2: The Drake Party album is not gonna be a Universal.

1928
01:22:23,840 --> 01:22:26,040
Speaker 1: Either, I don't.

1929
01:22:26,080 --> 01:22:27,280
Speaker 3: I mean, I don't know how he's gonna do that,

1930
01:22:27,360 --> 01:22:28,240
Speaker 3: but I'd be curious.

1931
01:22:28,400 --> 01:22:30,000
Speaker 2: Is I don't think that's gonna be a Universal I

1932
01:22:30,000 --> 01:22:34,519
Speaker 2: think that might be. Both of them are on Universal though, Yeah,

1933
01:22:34,520 --> 01:22:36,240
Speaker 2: but I don't think they're gonna put that out. Yeah,

1934
01:22:36,240 --> 01:22:37,519
Speaker 2: I don't think they go. I don't think that's gonna

1935
01:22:37,520 --> 01:22:38,240
Speaker 2: be a Universal release.

1936
01:22:38,520 --> 01:22:41,320
Speaker 3: But Universal would need to clear their vocals regardless. I'm

1937
01:22:41,600 --> 01:22:44,439
Speaker 3: if he can get that off, more power to them.

1938
01:22:44,560 --> 01:22:46,080
Speaker 3: I just don't know how that would happen.

1939
01:22:46,880 --> 01:22:48,639
Speaker 2: I don't think so. I think if if they planned

1940
01:22:48,640 --> 01:22:50,040
Speaker 2: on it being a Universal lease, I think the alum

1941
01:22:50,040 --> 01:22:52,160
Speaker 2: would have been out already. But I don't think so.

1942
01:22:52,400 --> 01:22:56,719
Speaker 3: Okay to marriage spulled up. Ky left confused after Kanye

1943
01:22:56,760 --> 01:22:58,559
Speaker 3: West posted a picture of a horse in his room.

1944
01:22:59,040 --> 01:23:02,439
Speaker 1: So the reason why is because it says Bully on

1945
01:23:02,560 --> 01:23:07,320
Speaker 1: the horse. Obviously Kan this was super imposed into Kai's room. Yeah,

1946
01:23:07,360 --> 01:23:09,360
Speaker 1: people think Kanye's album is coming out and this is

1947
01:23:09,439 --> 01:23:11,760
Speaker 1: part of the rollout. Well, another snippet leak.

1948
01:23:11,840 --> 01:23:13,519
Speaker 3: Whatever he got mad at the guy that was filming

1949
01:23:14,160 --> 01:23:17,280
Speaker 3: a record Bully that There's been other snippets before. This

1950
01:23:17,360 --> 01:23:19,760
Speaker 3: is a I guess kind of confirmed. First single of

1951
01:23:19,880 --> 01:23:24,080
Speaker 3: Kanye's also leaked. Kay sat with Shannon Sharp and they

1952
01:23:24,080 --> 01:23:26,719
Speaker 3: discussed the Kanye relationship. Kanye said there's no beef, which

1953
01:23:26,760 --> 01:23:29,320
Speaker 3: was great to see. That Bully snippet sounded incredible too.

1954
01:23:29,640 --> 01:23:29,960
Speaker 2: M hm.

1955
01:23:30,600 --> 01:23:35,160
Speaker 3: I mean, as much as we feel like Kanye's fell

1956
01:23:35,200 --> 01:23:37,920
Speaker 3: off a little bit, I liked Vultures one, Vultures two,

1957
01:23:38,000 --> 01:23:41,800
Speaker 3: is okay to me? That Bully shit sounds great. I

1958
01:23:41,880 --> 01:23:45,080
Speaker 3: like the space Kanye is smiling, He's on socials with

1959
01:23:45,120 --> 01:23:48,160
Speaker 3: his wife like it could be a facade, but I'm

1960
01:23:48,960 --> 01:23:51,280
Speaker 3: I'm happy to see Kanye look like he's in a

1961
01:23:51,360 --> 01:23:55,479
Speaker 3: way better space. It's just a snippet sounded awesome.

1962
01:23:55,680 --> 01:23:58,240
Speaker 2: I'm always I'm just I'm just indifferent about Kanye right

1963
01:23:58,280 --> 01:24:00,840
Speaker 2: now because I do know that he's leaning into the

1964
01:24:00,880 --> 01:24:03,680
Speaker 2: AI shit, so I can't really, like, I'm not with

1965
01:24:03,920 --> 01:24:07,320
Speaker 2: artists using this AI shit to make complete songs and

1966
01:24:07,400 --> 01:24:10,200
Speaker 2: albums and just use your likeness and then you show

1967
01:24:10,280 --> 01:24:12,920
Speaker 2: up on stage with a mask on. Is that Kanye

1968
01:24:13,040 --> 01:24:15,760
Speaker 2: is that I'm not into that shit? Like I get it,

1969
01:24:16,160 --> 01:24:18,160
Speaker 2: but I'm just not. I don't, I don't really I

1970
01:24:18,160 --> 01:24:20,120
Speaker 2: don't put much into that, like I don't. I Don't'm

1971
01:24:20,200 --> 01:24:24,040
Speaker 2: not here for Kanye West full AI album, Like, I'm

1972
01:24:24,360 --> 01:24:26,439
Speaker 2: just not here for that shit. Like if it's Kanye,

1973
01:24:26,760 --> 01:24:29,360
Speaker 2: I wanted to be Kanye in the booth like he

1974
01:24:29,400 --> 01:24:31,599
Speaker 2: wrote it or he had writers in a room with him,

1975
01:24:31,760 --> 01:24:34,200
Speaker 2: but it's his vocals, I don't want the AI shit

1976
01:24:34,360 --> 01:24:36,000
Speaker 2: Like I'm not I'm not jumping into that.

1977
01:24:37,040 --> 01:24:41,120
Speaker 3: I mean, I like Kanye singing when it's autotune and

1978
01:24:41,120 --> 01:24:44,280
Speaker 3: also when it's not autotune. But could you make a

1979
01:24:44,320 --> 01:24:48,680
Speaker 3: case that when someone is completely printing their vocals with

1980
01:24:48,960 --> 01:24:52,920
Speaker 3: effects already, is it that much of a difference. Yes,

1981
01:24:52,960 --> 01:24:55,479
Speaker 3: AI is doing it. Yes, absolutely, because AI was kind

1982
01:24:55,520 --> 01:24:56,160
Speaker 3: of doing it before.

1983
01:24:56,479 --> 01:24:59,280
Speaker 2: Nah, the pitch, pitch correction and all of that is

1984
01:24:59,320 --> 01:25:02,960
Speaker 2: totally different from Hey, Kanye, we have this album already done.

1985
01:25:03,000 --> 01:25:04,400
Speaker 2: I'm not saying I just need you to sign off

1986
01:25:04,439 --> 01:25:04,920
Speaker 2: on it.

1987
01:25:04,960 --> 01:25:08,160
Speaker 3: Not just pitch correction, because every singer does that, regardless

1988
01:25:08,240 --> 01:25:10,120
Speaker 3: of how talented they are. I'm saying they are printing

1989
01:25:10,160 --> 01:25:14,400
Speaker 3: their vocals with complete effects on them when it goes

1990
01:25:14,439 --> 01:25:17,200
Speaker 3: to mastering. Is there that much of a difference at

1991
01:25:17,200 --> 01:25:19,439
Speaker 3: that point when you have that many layers of effects

1992
01:25:19,520 --> 01:25:20,080
Speaker 3: on your voice?

1993
01:25:20,160 --> 01:25:21,559
Speaker 2: Hell, yeay.

1994
01:25:21,640 --> 01:25:23,759
Speaker 3: I don't want that from but there is other artists.

1995
01:25:23,760 --> 01:25:26,639
Speaker 3: That leans so much into artist I don't artists.

1996
01:25:26,680 --> 01:25:28,639
Speaker 2: You don't want a full AI album from no artists?

1997
01:25:29,720 --> 01:25:32,120
Speaker 2: I mean no, you don't, No, you don't.

1998
01:25:32,320 --> 01:25:34,080
Speaker 3: I'm not going from the artists that I don't particularly

1999
01:25:34,160 --> 01:25:36,760
Speaker 3: care for their music anyways, I don't know.

2000
01:25:36,760 --> 01:25:38,600
Speaker 2: I'm talking about the artists I can't. There was no

2001
01:25:38,680 --> 01:25:40,519
Speaker 2: rumor for artists. It don't matter because that's not an artist.

2002
01:25:40,600 --> 01:25:42,559
Speaker 3: You can There was a rumor that the Playboy Cardi

2003
01:25:42,680 --> 01:25:46,120
Speaker 3: verse on that Weekend song was completely AI. It was

2004
01:25:46,320 --> 01:25:48,479
Speaker 3: someone wrote it for him and then as a reference

2005
01:25:48,479 --> 01:25:50,080
Speaker 3: they put his AI vocals and he was like, well

2006
01:25:50,120 --> 01:25:52,040
Speaker 3: just keep that then, and he didn't spend anything.

2007
01:25:52,200 --> 01:25:53,040
Speaker 1: We heard that rumor.

2008
01:25:53,600 --> 01:25:55,720
Speaker 3: I don't Playboy Cardi already has so I don't even

2009
01:25:55,720 --> 01:25:57,840
Speaker 3: know what his actual voice sounds like. So I don't

2010
01:25:57,840 --> 01:26:00,639
Speaker 3: really care in that aspect. I know what Kanye's voice.

2011
01:26:00,760 --> 01:26:03,280
Speaker 2: You're not a play Word Cardi fan. True, that's what

2012
01:26:03,280 --> 01:26:05,200
Speaker 2: I'm a hater I'm talking about, and you're not a hater.

2013
01:26:05,240 --> 01:26:08,280
Speaker 2: But I'm just saying that's true. But if you, if

2014
01:26:08,280 --> 01:26:11,400
Speaker 2: you if the fan the artists that you support, that

2015
01:26:11,439 --> 01:26:15,080
Speaker 2: you've been supportive of forever and you actually buy tickets

2016
01:26:15,080 --> 01:26:16,599
Speaker 2: to go see them and things like that. I'm really

2017
01:26:16,600 --> 01:26:19,720
Speaker 2: talking about the artists that you really really enjoy. If

2018
01:26:19,840 --> 01:26:22,439
Speaker 2: you find out that they made a full AI album,

2019
01:26:22,479 --> 01:26:24,760
Speaker 2: you're not supporting that. And that's all I'm saying, Like

2020
01:26:24,800 --> 01:26:27,200
Speaker 2: I'm just not I don't come on, like, what are

2021
01:26:27,200 --> 01:26:27,640
Speaker 2: we doing that?

2022
01:26:27,760 --> 01:26:29,960
Speaker 1: But what would even you seem attached to this idea

2023
01:26:30,080 --> 01:26:32,840
Speaker 1: Kanye doing a full AI album? What about Kanye even

2024
01:26:32,920 --> 01:26:37,559
Speaker 1: gives him giving complete control to AI. Kanye's too much

2025
01:26:37,600 --> 01:26:39,720
Speaker 1: of a control freak, as he's like shown in his

2026
01:26:39,760 --> 01:26:41,599
Speaker 1: whole entire career. I can't see him doing the whole

2027
01:26:41,640 --> 01:26:42,280
Speaker 1: AI album.

2028
01:26:42,640 --> 01:26:45,040
Speaker 3: He's actually really a few artists that I could see

2029
01:26:45,040 --> 01:26:47,880
Speaker 3: at his level having no problem with that because Kanye

2030
01:26:47,880 --> 01:26:51,680
Speaker 3: has always been the artist that's moving forward, what's the

2031
01:26:51,680 --> 01:26:53,800
Speaker 3: next thing, and wants to be the artist to do it,

2032
01:26:53,920 --> 01:26:56,040
Speaker 3: Like I can see him loving the AI ship.

2033
01:26:56,160 --> 01:26:58,400
Speaker 1: Yeah, AI, but it's AI. As far as what AI

2034
01:26:58,479 --> 01:26:59,400
Speaker 1: isn't writing the lyrics.

2035
01:26:59,400 --> 01:27:02,080
Speaker 2: AI isn't doing no AI like, meaning he did not

2036
01:27:02,200 --> 01:27:05,000
Speaker 2: step in a studio at all for no part of

2037
01:27:05,040 --> 01:27:06,960
Speaker 2: this album. He was there when it was done. They

2038
01:27:06,960 --> 01:27:08,960
Speaker 2: had the songs done he may have tell him, will

2039
01:27:09,040 --> 01:27:12,639
Speaker 2: change this, like they're using his likeness, it's being marketed

2040
01:27:12,680 --> 01:27:15,639
Speaker 2: as Kanye like he has that he has to sign

2041
01:27:15,720 --> 01:27:18,599
Speaker 2: off on everything. But as far as him spending hours

2042
01:27:18,640 --> 01:27:21,720
Speaker 2: and months in the studio writing and recording music, like

2043
01:27:21,800 --> 01:27:25,360
Speaker 2: I think for most artists that you know, because if

2044
01:27:25,400 --> 01:27:27,280
Speaker 2: you afforded that luxury, I think you had to work

2045
01:27:27,320 --> 01:27:29,960
Speaker 2: to get to that space. That Kanye. We obviously know

2046
01:27:30,040 --> 01:27:32,559
Speaker 2: he can go in and make it an album. He's

2047
01:27:32,600 --> 01:27:34,560
Speaker 2: been doing it, but if he's at a point in

2048
01:27:34,600 --> 01:27:36,240
Speaker 2: his career he was like, Yo, I'm not sitting in

2049
01:27:36,240 --> 01:27:38,280
Speaker 2: the studio for months. Again, I'm not doing it. But

2050
01:27:38,280 --> 01:27:40,599
Speaker 2: if I'm gonna reap all the benefits of it based

2051
01:27:40,600 --> 01:27:43,519
Speaker 2: off using this new technology, and they're gonna use you know,

2052
01:27:43,600 --> 01:27:47,080
Speaker 2: my my likeness and my fluctuations and my voice and

2053
01:27:47,120 --> 01:27:49,160
Speaker 2: all of this thing, and they know have a cool

2054
01:27:49,200 --> 01:27:51,840
Speaker 2: way of doing it. Like Rory said, Kanye will lean in.

2055
01:27:51,960 --> 01:27:53,559
Speaker 2: He wants to be the first one to be like, yeah,

2056
01:27:53,680 --> 01:27:55,200
Speaker 2: I was the first one to do that. Yeah.

2057
01:27:55,240 --> 01:27:58,320
Speaker 1: But I just see him still going in the studio

2058
01:27:58,400 --> 01:28:00,320
Speaker 1: and being a big part of the process if it

2059
01:28:00,360 --> 01:28:01,599
Speaker 1: is a full album, I.

2060
01:28:01,560 --> 01:28:07,240
Speaker 2: See, no, no, no, He'll go in there and listenly like, Okay,

2061
01:28:07,600 --> 01:28:09,960
Speaker 2: change this part, put this here, like he'll do that still.

2062
01:28:10,560 --> 01:28:12,439
Speaker 2: But as far as him, like, you know, the time

2063
01:28:12,520 --> 01:28:14,800
Speaker 2: that it takes an artist like Kanye to do an

2064
01:28:14,800 --> 01:28:17,960
Speaker 2: album like years, I think that's over with.

2065
01:28:18,439 --> 01:28:21,559
Speaker 3: But I mean Kanye his process as far as writing

2066
01:28:22,800 --> 01:28:25,880
Speaker 3: has been in person AI like like he'll have a

2067
01:28:25,920 --> 01:28:28,800
Speaker 3: bunch of great writers and rappers around him, whether it

2068
01:28:29,040 --> 01:28:33,400
Speaker 3: be Sah Khan's Ryan Fest whoever. He tells them what

2069
01:28:34,240 --> 01:28:37,679
Speaker 3: he wants to say and they find a better way

2070
01:28:37,680 --> 01:28:40,880
Speaker 3: to wrap it. Like AI is just another tool. It'd

2071
01:28:40,880 --> 01:28:42,920
Speaker 3: be not the same obviously, because I don't think it's

2072
01:28:43,080 --> 01:28:45,400
Speaker 3: as the same feeling as a human being doing it.

2073
01:28:46,040 --> 01:28:48,960
Speaker 3: That's how Kanye's worked though, even down a production of

2074
01:28:49,680 --> 01:28:51,879
Speaker 3: He's such a great producer because he knows other musicians

2075
01:28:51,920 --> 01:28:53,720
Speaker 3: that can do things better than him and make his

2076
01:28:53,800 --> 01:28:57,160
Speaker 3: vision better than he could. AI is just another musician

2077
01:28:57,280 --> 01:28:59,200
Speaker 3: or writer. I think in Kanye's head in that regard,

2078
01:28:59,400 --> 01:29:01,559
Speaker 3: these are the things I want to cover. You write

2079
01:29:01,560 --> 01:29:03,320
Speaker 3: it the best way possible. I'm gonna go in the

2080
01:29:03,320 --> 01:29:05,920
Speaker 3: booth and I'll find a pocket and just do a

2081
01:29:05,920 --> 01:29:09,479
Speaker 3: bunch of find how I want you to have the

2082
01:29:09,520 --> 01:29:12,200
Speaker 3: flow and then you put the words together side you're

2083
01:29:12,200 --> 01:29:14,280
Speaker 3: a better rapper than me. I want the best product.

2084
01:29:14,439 --> 01:29:16,799
Speaker 3: I think it's the same thing with AI now and Kanye,

2085
01:29:16,880 --> 01:29:20,400
Speaker 3: who has isolated himself so much to the point that

2086
01:29:20,400 --> 01:29:22,439
Speaker 3: Todd Diller is the only one he's working with. I

2087
01:29:22,479 --> 01:29:25,000
Speaker 3: think it's even better for him because he doesn't have

2088
01:29:25,040 --> 01:29:28,679
Speaker 3: that crew of fifteen people like he used to talk about.

2089
01:29:28,880 --> 01:29:29,439
Speaker 1: I don't want it.

2090
01:29:29,479 --> 01:29:31,680
Speaker 3: I'm just saying I'm looking at from what we know

2091
01:29:31,800 --> 01:29:34,960
Speaker 3: Kanye from the outside, looking in to him. I feel

2092
01:29:34,960 --> 01:29:36,559
Speaker 3: like at this age, he's like, all right, AI is

2093
01:29:36,600 --> 01:29:38,840
Speaker 3: just my new side. I don't think it's the same. Hell,

2094
01:29:39,080 --> 01:29:41,080
Speaker 3: but here's a bunch of ideas that I want, and

2095
01:29:41,080 --> 01:29:43,080
Speaker 3: you could put that shit together with my voice. Bet

2096
01:29:43,720 --> 01:29:46,519
Speaker 3: I'll do the drums here. I'll get someone who I

2097
01:29:46,600 --> 01:29:47,280
Speaker 3: think you're right.

2098
01:29:47,520 --> 01:29:49,960
Speaker 2: But I just can't. I can't buy into that, man,

2099
01:29:49,960 --> 01:29:52,479
Speaker 2: because it's still got to be the integ We gotta

2100
01:29:52,520 --> 01:29:55,080
Speaker 2: we gotta protect the integrity of this art form. Man.

2101
01:29:55,640 --> 01:29:59,840
Speaker 2: We have to Like again, I understand, I'm on the

2102
01:30:00,080 --> 01:30:02,479
Speaker 2: outside of a lot of you know, the way people

2103
01:30:02,520 --> 01:30:04,240
Speaker 2: think and feel these days, and I'm cool with that,

2104
01:30:04,439 --> 01:30:07,519
Speaker 2: But when you start talking about you know, changing the

2105
01:30:07,560 --> 01:30:11,559
Speaker 2: integrity of how artists that we love make create right

2106
01:30:12,000 --> 01:30:13,840
Speaker 2: and put out music and say, oh nah, you know

2107
01:30:14,120 --> 01:30:15,599
Speaker 2: he didn't go in the boof at all the sudden,

2108
01:30:15,640 --> 01:30:17,400
Speaker 2: it's crazy. I'm gonna look at you, like, all right,

2109
01:30:17,479 --> 01:30:19,960
Speaker 2: so what is this that I'm listening to?

2110
01:30:20,040 --> 01:30:20,160
Speaker 4: Now?

2111
01:30:20,200 --> 01:30:22,960
Speaker 2: I can't really attach myself to this music and this

2112
01:30:23,160 --> 01:30:25,959
Speaker 2: art the way I once did, because it's not even

2113
01:30:26,479 --> 01:30:30,600
Speaker 2: a real person that did this, like you're trying to.

2114
01:30:31,120 --> 01:30:34,160
Speaker 2: It's like buying fake jewelry. Okay, a lot of fake

2115
01:30:34,240 --> 01:30:35,960
Speaker 2: jury looks great, you know what I'm saying. But then

2116
01:30:36,000 --> 01:30:38,599
Speaker 2: when you sit down and you sit across on somebody

2117
01:30:38,640 --> 01:30:40,720
Speaker 2: and you know that their jury is real, Like you

2118
01:30:40,960 --> 01:30:43,240
Speaker 2: know that that you can't really become attached to this

2119
01:30:43,320 --> 01:30:46,040
Speaker 2: thing because you know it's not real. It's like, that's

2120
01:30:46,080 --> 01:30:47,439
Speaker 2: not even a real thing that you're doing.

2121
01:30:47,479 --> 01:30:50,000
Speaker 3: Would you feel a way if you heard because we're

2122
01:30:50,000 --> 01:30:52,800
Speaker 3: all cool with auto tune and effects like that's been around.

2123
01:30:52,880 --> 01:30:55,240
Speaker 3: I love ay ways and heartbreaks plenty of artists from

2124
01:30:55,280 --> 01:31:00,000
Speaker 3: then on. Their entire voice and style is not theirs

2125
01:31:00,200 --> 01:31:03,679
Speaker 3: complete version of early AI with effects on your voice.

2126
01:31:03,760 --> 01:31:06,840
Speaker 3: If you heard all the demos without their settings on it,

2127
01:31:08,120 --> 01:31:10,720
Speaker 3: would you also feel the same way, like, this isn't real, bro, Like,

2128
01:31:10,800 --> 01:31:12,840
Speaker 3: even though you went in the booths and did this,

2129
01:31:12,840 --> 01:31:14,679
Speaker 3: this sounds completely fucking different.

2130
01:31:14,880 --> 01:31:14,960
Speaker 2: No.

2131
01:31:15,160 --> 01:31:17,479
Speaker 3: I mean with the AI program shit, now that Robby

2132
01:31:17,520 --> 01:31:19,439
Speaker 3: and them have, I could go into a booth and

2133
01:31:19,479 --> 01:31:21,080
Speaker 3: they could easily make me sound amazing.

2134
01:31:21,160 --> 01:31:22,439
Speaker 2: Oh no, I get that.

2135
01:31:22,479 --> 01:31:25,240
Speaker 3: But if you heard me singing it the real demo shit,

2136
01:31:25,280 --> 01:31:26,640
Speaker 3: you'd be like this, I can't believe you.

2137
01:31:26,640 --> 01:31:30,240
Speaker 2: This, No, this is fake. Nah, I get it, but again,

2138
01:31:30,920 --> 01:31:33,599
Speaker 2: that's to me, that's the where it stops it. She'd

2139
01:31:33,600 --> 01:31:36,160
Speaker 2: be like, at least you really was in there, and

2140
01:31:36,240 --> 01:31:37,599
Speaker 2: really you know, because it.

2141
01:31:37,520 --> 01:31:41,840
Speaker 3: Was not the days where t Pain who definitely turned

2142
01:31:41,840 --> 01:31:43,720
Speaker 3: the tune all the way up and made his own

2143
01:31:43,720 --> 01:31:45,880
Speaker 3: style out of it. T Pain could always sing yeah

2144
01:31:45,920 --> 01:31:48,960
Speaker 3: no matter what. Yeah, it was just a style in

2145
01:31:49,000 --> 01:31:52,400
Speaker 3: a cool innovative way. That's not the case anymore. These

2146
01:31:52,400 --> 01:31:54,320
Speaker 3: people's entire if there's not a setting on that, they

2147
01:31:54,360 --> 01:31:56,479
Speaker 3: would not be an artist. It would not exist at all.

2148
01:31:58,680 --> 01:32:00,680
Speaker 3: How creative are you really being? I mean, if you

2149
01:32:00,680 --> 01:32:02,160
Speaker 3: wrote it, great, but there's people that have that and

2150
01:32:02,200 --> 01:32:04,519
Speaker 3: don't write it. To me, that's the same same as AI.

2151
01:32:04,680 --> 01:32:06,840
Speaker 3: At that point, I don't know, all right, so Rory,

2152
01:32:06,880 --> 01:32:08,400
Speaker 3: would you get on? Would you get on the flight?

2153
01:32:08,960 --> 01:32:10,519
Speaker 3: And there wasn't no pilots in the cockpit.

2154
01:32:10,560 --> 01:32:12,599
Speaker 1: It was just all like it may happen eventually.

2155
01:32:12,640 --> 01:32:15,400
Speaker 2: If I'm not getting on no flight with no fucking

2156
01:32:15,479 --> 01:32:19,240
Speaker 2: pilots in the cockpit, I'm not doing that. I wouldn't

2157
01:32:19,240 --> 01:32:20,680
Speaker 2: even get into uber if it pulled up and it

2158
01:32:20,720 --> 01:32:21,920
Speaker 2: was just ordered like one of those.

2159
01:32:21,920 --> 01:32:23,720
Speaker 3: Last summer was in La Every corner I was at

2160
01:32:23,760 --> 01:32:25,760
Speaker 3: it was a fucking empty car. I was terrified every time.

2161
01:32:25,880 --> 01:32:28,280
Speaker 2: I'm not getting in that ship. I'm not. I'm not

2162
01:32:28,400 --> 01:32:28,800
Speaker 2: doing it.

2163
01:32:28,840 --> 01:32:30,439
Speaker 1: Well, that's a safety issue, though that's not.

2164
01:32:30,400 --> 01:32:33,720
Speaker 2: A This is a safety issue. The music is a

2165
01:32:33,840 --> 01:32:35,880
Speaker 2: steak here. The art is at stake. Here, art is

2166
01:32:35,960 --> 01:32:38,800
Speaker 2: in danger. We're in danger of losing this art form.

2167
01:32:38,960 --> 01:32:42,000
Speaker 1: But we are not. We are not in danger of losing.

2168
01:32:41,920 --> 01:32:44,920
Speaker 2: Yes we are. If an artist like Kanye puts out

2169
01:32:45,200 --> 01:32:49,040
Speaker 2: a successful AI album, everything changes after that.

2170
01:32:49,360 --> 01:32:51,000
Speaker 1: It does validate and co sign.

2171
01:32:51,920 --> 01:32:54,439
Speaker 3: Let's add we all know Kanye's had a rough couple

2172
01:32:54,439 --> 01:32:56,559
Speaker 3: of years and his perception to a lot of people

2173
01:32:56,640 --> 01:32:58,800
Speaker 3: is different now. But let's not act like Kanye West

2174
01:32:59,280 --> 01:33:01,320
Speaker 3: co signing a I would not validate it.

2175
01:33:01,880 --> 01:33:04,400
Speaker 2: Of course it would. It would change everything. It would

2176
01:33:04,520 --> 01:33:07,360
Speaker 2: because everybody going like with shit, yay did it? Fuck it,

2177
01:33:07,360 --> 01:33:10,120
Speaker 2: I'm gonna do it. I'm he's that joint was crazy

2178
01:33:10,360 --> 01:33:12,240
Speaker 2: almost crazy. Fuck it. I don't have to do this.

2179
01:33:12,280 --> 01:33:13,760
Speaker 2: I don't have to sit in the studio for much

2180
01:33:13,800 --> 01:33:15,479
Speaker 2: and because now Lady's going, yo, we don't got to

2181
01:33:15,479 --> 01:33:18,200
Speaker 2: spend that much money on studio time, you know, marketing this. Like,

2182
01:33:18,240 --> 01:33:19,920
Speaker 2: we could just get this thing going, you know, put

2183
01:33:19,920 --> 01:33:21,000
Speaker 2: a couple of visuals to it.

2184
01:33:21,840 --> 01:33:25,879
Speaker 3: What's funny is I don't even think it's Kanye validating.

2185
01:33:25,920 --> 01:33:27,800
Speaker 3: I think behind the scenes, Kanye found out that a

2186
01:33:27,840 --> 01:33:29,320
Speaker 3: lot of these artists are doing that, and he said,

2187
01:33:29,360 --> 01:33:32,519
Speaker 3: oh really, I think he's been validated by other artists

2188
01:33:32,560 --> 01:33:33,800
Speaker 3: that have came to him and said, Bro, it's entire

2189
01:33:33,800 --> 01:33:35,519
Speaker 3: shit that they are so y'all doing that.

2190
01:33:35,800 --> 01:33:38,720
Speaker 2: It's crazy, man. But let's just remember I said, man,

2191
01:33:39,280 --> 01:33:42,720
Speaker 2: this shit is at were talking about some day. Technology

2192
01:33:42,800 --> 01:33:45,040
Speaker 2: is great, but it can also fuck up a lot

2193
01:33:45,080 --> 01:33:48,000
Speaker 2: of great things. Like we got to keep that in perspective,

2194
01:33:48,000 --> 01:33:52,880
Speaker 2: and we start talking about the art form of creating music, writing, music, singing, rapping.

2195
01:33:53,920 --> 01:33:56,360
Speaker 2: When you start putting too much of that cut into

2196
01:33:56,400 --> 01:33:56,800
Speaker 2: the game.

2197
01:33:58,439 --> 01:34:01,160
Speaker 1: But the real ship will always the cream will always

2198
01:34:01,240 --> 01:34:03,439
Speaker 1: rise to the top. Like we had that conversation before. Yeah,

2199
01:34:03,439 --> 01:34:05,479
Speaker 1: but if the if, the if, the nigga that's the

2200
01:34:05,479 --> 01:34:07,559
Speaker 1: top of the cream. If he's krim dela kreme, if

2201
01:34:07,600 --> 01:34:10,559
Speaker 1: he's doing it, but he's not the krim Dela crime Kanye. No,

2202
01:34:10,720 --> 01:34:12,880
Speaker 1: when it comes to talent, Kanye is not the krim

2203
01:34:12,920 --> 01:34:15,000
Speaker 1: de la creme of people who can sing and people

2204
01:34:15,000 --> 01:34:15,679
Speaker 1: who can I'm.

2205
01:34:15,600 --> 01:34:19,360
Speaker 2: Talking about artist, he's the top of the top.

2206
01:34:20,080 --> 01:34:24,120
Speaker 1: No, but he's not because Kanye always had writers or

2207
01:34:24,479 --> 01:34:26,519
Speaker 1: some of his best music have writers on it, and

2208
01:34:26,560 --> 01:34:28,800
Speaker 1: he can't really sing. So no, he when it comes

2209
01:34:28,840 --> 01:34:31,240
Speaker 1: to in the world have writers that don't mean yes.

2210
01:34:31,320 --> 01:34:35,320
Speaker 1: But when we're talking about rapping, this is you can't

2211
01:34:35,320 --> 01:34:37,719
Speaker 1: say that you're the criminal Kanye is. Your best raps

2212
01:34:37,760 --> 01:34:38,840
Speaker 1: were not written by you.

2213
01:34:38,680 --> 01:34:42,200
Speaker 2: And I don't look at Kanye as a rapper though

2214
01:34:42,520 --> 01:34:43,759
Speaker 2: Kanye to me is an artist.

2215
01:34:44,000 --> 01:34:45,880
Speaker 1: Okay, So, but what I'm talking about is when we're

2216
01:34:45,920 --> 01:34:49,760
Speaker 1: talking about music, the actual music, people who can still

2217
01:34:49,840 --> 01:34:52,320
Speaker 1: people who can still stick, who can actually sing, will

2218
01:34:52,360 --> 01:34:55,040
Speaker 1: still sing, People who can actually rap and write will

2219
01:34:55,120 --> 01:34:57,120
Speaker 1: still do that. So yes, you're gonna get a bunch

2220
01:34:57,120 --> 01:34:59,720
Speaker 1: of people who are good at bullshitting. And I'm not

2221
01:34:59,760 --> 01:35:01,400
Speaker 1: saying Kanye is good at bullshitting, but you're going to

2222
01:35:01,439 --> 01:35:03,360
Speaker 1: get a bunch of these little rappers or little artists

2223
01:35:03,360 --> 01:35:05,040
Speaker 1: who are good at bullshitting. Yeah, they're going to do

2224
01:35:05,080 --> 01:35:09,520
Speaker 1: the AI shit. But people who really are artists and musicians,

2225
01:35:09,560 --> 01:35:12,280
Speaker 1: they're still going to do the real thing. So it's

2226
01:35:12,320 --> 01:35:15,479
Speaker 1: not going to completely erase the people who know how

2227
01:35:15,520 --> 01:35:16,800
Speaker 1: to sing and know how to rap.

2228
01:35:16,880 --> 01:35:17,840
Speaker 2: Yeah, but Kanye.

2229
01:35:17,560 --> 01:35:20,719
Speaker 3: West is a musician and he also has written before.

2230
01:35:20,760 --> 01:35:25,880
Speaker 3: Let's not like completely take just because producers down to

2231
01:35:25,960 --> 01:35:28,360
Speaker 3: Quincy Jones have done. You're a producer, You're not a

2232
01:35:28,400 --> 01:35:31,280
Speaker 3: beat maker. You're a producer. You're arranging everything that's happening.

2233
01:35:31,280 --> 01:35:33,320
Speaker 3: It's your vision, this is what you want. You're getting

2234
01:35:33,320 --> 01:35:35,240
Speaker 3: other people that are better at trumpet than you to

2235
01:35:35,280 --> 01:35:37,719
Speaker 3: do it. I don't think that takes away. I also

2236
01:35:37,720 --> 01:35:40,280
Speaker 3: think he's written great raps before all by himself. Let's

2237
01:35:40,320 --> 01:35:41,920
Speaker 3: not say that Kanye is now all of a sudden

2238
01:35:41,960 --> 01:35:45,200
Speaker 3: not really a rapper like that He's had help, which

2239
01:35:45,240 --> 01:35:48,040
Speaker 3: is fine because Tomall's point. I view him as an artist,

2240
01:35:48,439 --> 01:35:50,240
Speaker 3: Like if we were doing a top five top ten

2241
01:35:50,600 --> 01:35:53,800
Speaker 3: best rappers of all time. I'm not putting Kanye West

2242
01:35:53,800 --> 01:35:57,400
Speaker 3: there because again, he's definitely had some help. But if

2243
01:35:57,439 --> 01:36:00,000
Speaker 3: we're talking top five top ten rap artists of all time,

2244
01:36:00,040 --> 01:36:04,120
Speaker 3: Congye might be number one, but he's still he still rights,

2245
01:36:04,280 --> 01:36:04,960
Speaker 3: like let's not.

2246
01:36:05,120 --> 01:36:06,760
Speaker 2: Yeah, he definitely still writes. But I mean, but I

2247
01:36:06,840 --> 01:36:08,960
Speaker 2: understand what the marriage are saying, but I think that

2248
01:36:09,400 --> 01:36:14,880
Speaker 2: those writers, they stand to lose the opportunity to be

2249
01:36:14,920 --> 01:36:16,760
Speaker 2: able to write some hit records. If it's like, Okay,

2250
01:36:16,800 --> 01:36:19,280
Speaker 2: we don't need to bring in writers. We put this

2251
01:36:19,320 --> 01:36:23,160
Speaker 2: through a some type of system, you know, and it's

2252
01:36:23,200 --> 01:36:26,559
Speaker 2: like it gives us, it writes a complete song. Now

2253
01:36:26,600 --> 01:36:29,479
Speaker 2: the writers are at the real writers are at risk

2254
01:36:29,520 --> 01:36:32,280
Speaker 2: of not even being hired for to write on songs

2255
01:36:32,320 --> 01:36:35,439
Speaker 2: and projects anymore because they're not needed to an extent.

2256
01:36:35,439 --> 01:36:37,479
Speaker 1: But I think they'll always still be needed because chat

2257
01:36:37,520 --> 01:36:41,519
Speaker 1: GPT it can write for you, but it can't it's

2258
01:36:41,560 --> 01:36:44,240
Speaker 1: not a human being, so it can't convey the emotion

2259
01:36:45,040 --> 01:36:49,000
Speaker 1: that really really good song songs that our grandparents sung,

2260
01:36:49,240 --> 01:36:52,160
Speaker 1: we sung yet yet And it might not ever happen though,

2261
01:36:52,200 --> 01:36:56,640
Speaker 1: because it's going into a computer formula or a computer algorithm,

2262
01:36:56,680 --> 01:36:59,040
Speaker 1: and sometimes that can't pump out what a human can

2263
01:36:59,080 --> 01:36:59,479
Speaker 1: pump out.

2264
01:36:59,520 --> 01:37:00,880
Speaker 3: With that, I mean, that's how what a lot of

2265
01:37:00,920 --> 01:37:04,120
Speaker 3: people felt when auto tune completely took over, that there

2266
01:37:04,200 --> 01:37:06,000
Speaker 3: is no real feeling even though it's coming from a

2267
01:37:06,040 --> 01:37:10,120
Speaker 3: human being. Like granted, I hear emotion in Travis Scott's

2268
01:37:10,160 --> 01:37:14,720
Speaker 3: music for sure, but it is so diluted in effects

2269
01:37:15,000 --> 01:37:16,559
Speaker 3: that I don't know if I'd be able to tell

2270
01:37:16,560 --> 01:37:20,120
Speaker 3: the difference if Chat, GBT or AI did a Travis

2271
01:37:20,160 --> 01:37:24,600
Speaker 3: Scott record. Yeah, it's emotion, but it's printed with so

2272
01:37:24,680 --> 01:37:26,839
Speaker 3: much shit that I don't know if I know the difference,

2273
01:37:26,840 --> 01:37:29,080
Speaker 3: Because there is already so much technology on his voice

2274
01:37:29,120 --> 01:37:31,040
Speaker 3: to begin with. I don't know if I know the difference.

2275
01:37:31,080 --> 01:37:33,080
Speaker 3: That's why I don't from them like it is what

2276
01:37:33,160 --> 01:37:33,439
Speaker 3: it is.

2277
01:37:33,560 --> 01:37:35,280
Speaker 2: I'm never supporting the full AI album.

2278
01:37:35,520 --> 01:37:37,719
Speaker 3: Never do you think Baby had any hey I shit

2279
01:37:37,960 --> 01:37:38,479
Speaker 3: on his album.

2280
01:37:38,520 --> 01:37:39,719
Speaker 2: I didn't listen to this album.

2281
01:37:39,720 --> 01:37:42,360
Speaker 3: I was listening for it. I think it's going to

2282
01:37:42,400 --> 01:37:45,479
Speaker 3: be the new standard. And Baby who, even when he's

2283
01:37:45,520 --> 01:37:47,760
Speaker 3: rapping rapping, has a crazy effect on his voice at

2284
01:37:47,760 --> 01:37:49,839
Speaker 3: all times, I could see it happening.

2285
01:37:50,360 --> 01:37:53,400
Speaker 2: I didn't listen to the album and you know, based

2286
01:37:53,439 --> 01:37:57,080
Speaker 2: on just what I'm seeing people say, I'm not in

2287
01:37:57,080 --> 01:37:59,559
Speaker 2: a rush to listen to it either. I didn't see

2288
01:37:59,560 --> 01:38:02,960
Speaker 2: anybody say they liked it. I didn't see anybody saying

2289
01:38:02,960 --> 01:38:07,160
Speaker 2: they enjoyed it. I'm actually seeing people, you know, saying

2290
01:38:07,160 --> 01:38:09,000
Speaker 2: they you know, they think that it's over for Little

2291
01:38:09,040 --> 01:38:11,400
Speaker 2: Baby again. This is, you know, one of the dudes

2292
01:38:11,439 --> 01:38:13,720
Speaker 2: that I like. But I have not listened to this

2293
01:38:13,760 --> 01:38:14,360
Speaker 2: album yet.

2294
01:38:15,600 --> 01:38:17,439
Speaker 3: Truthfully, it was tough for me to even get I

2295
01:38:17,479 --> 01:38:18,639
Speaker 3: couldn't fully get through it.

2296
01:38:19,160 --> 01:38:19,760
Speaker 2: Not but what is it.

2297
01:38:19,960 --> 01:38:22,400
Speaker 3: I'm not the one that's running to Baby's music to

2298
01:38:22,439 --> 01:38:24,880
Speaker 3: begin with. But obviously, outside of just having a pod,

2299
01:38:25,120 --> 01:38:27,760
Speaker 3: Baby is still one of the bigger rappers. And you know,

2300
01:38:28,040 --> 01:38:29,840
Speaker 3: the whole world said we're in the Baby era and

2301
01:38:29,880 --> 01:38:32,519
Speaker 3: this is the next jay Z and all that. I like,

2302
01:38:32,520 --> 01:38:34,639
Speaker 3: like my turn, I liked that Baby album a lot.

2303
01:38:34,680 --> 01:38:37,559
Speaker 3: I even like stuff on It's only me. I felt

2304
01:38:37,560 --> 01:38:40,360
Speaker 3: like this was a super important album for a Little

2305
01:38:40,360 --> 01:38:42,679
Speaker 3: Baby because rightfully so, not on some hate and shit,

2306
01:38:43,040 --> 01:38:46,320
Speaker 3: it has been quieter for Baby than the last five years.

2307
01:38:46,560 --> 01:38:49,400
Speaker 3: Twenty twenty to twenty twenty two, Baby had it.

2308
01:38:49,479 --> 01:38:50,760
Speaker 2: I think that's why I didn't listen to it yet

2309
01:38:50,760 --> 01:38:53,080
Speaker 2: because I'm scared that if I listened to it, I'm

2310
01:38:53,120 --> 01:38:54,360
Speaker 2: gonna feel like it might be over.

2311
01:38:54,479 --> 01:38:57,400
Speaker 3: I don't think he delivered for how important this moment was,

2312
01:38:57,479 --> 01:39:00,400
Speaker 3: with everyone saying it's been a little bit quiet. Even

2313
01:39:00,400 --> 01:39:03,160
Speaker 3: the rollout didn't even feel that QC esque. They're great

2314
01:39:03,200 --> 01:39:06,240
Speaker 3: at that. Yeah, it was the Charlemagne joint, which ended

2315
01:39:06,280 --> 01:39:08,479
Speaker 3: up getting taken down like it was. It was a

2316
01:39:08,560 --> 01:39:11,920
Speaker 3: very quiet rollout too for somebody that needed a very

2317
01:39:11,960 --> 01:39:14,559
Speaker 3: loud one, because no matter what, even if you feel

2318
01:39:14,560 --> 01:39:17,200
Speaker 3: like baby is falling off, he's still low. Baby solidified

2319
01:39:17,200 --> 01:39:20,040
Speaker 3: from this era. We are stopping what we're doing to

2320
01:39:20,040 --> 01:39:23,000
Speaker 3: make sure we can hear a little baby out. What

2321
01:39:23,040 --> 01:39:24,479
Speaker 3: was important? What is the single?

2322
01:39:27,439 --> 01:39:29,320
Speaker 1: That's a great question. I mean, that's what. And I'm

2323
01:39:29,320 --> 01:39:31,200
Speaker 1: asking because I haven't heard any I.

2324
01:39:31,120 --> 01:39:34,120
Speaker 2: Think I think I've seen the junt with him Future

2325
01:39:34,240 --> 01:39:37,160
Speaker 2: and dumb Ding Dumber Dug Doug.

2326
01:39:37,760 --> 01:39:39,040
Speaker 1: No, it's Baby Young Thug.

2327
01:39:38,800 --> 01:39:40,439
Speaker 2: In Future, Baby Young Thug in Future.

2328
01:39:41,080 --> 01:39:43,000
Speaker 3: Glorilla's on it. I'm mad at that record.

2329
01:39:44,479 --> 01:39:45,800
Speaker 1: Oh that was supposed to be just think of the

2330
01:39:45,800 --> 01:39:46,400
Speaker 1: Glorilla one.

2331
01:39:46,479 --> 01:39:49,840
Speaker 3: Yeah, say twin was the one that, like Kai was like, yeah,

2332
01:39:49,840 --> 01:39:53,000
Speaker 3: who put this on a whiteboard. I felt for Baby,

2333
01:39:53,000 --> 01:39:55,519
Speaker 3: But again, I mean, people are allowed to critique your music.

2334
01:39:55,520 --> 01:40:01,080
Speaker 3: It's fucking art. When the Kai age is not feeling

2335
01:40:01,080 --> 01:40:02,920
Speaker 3: the Baby shit, it's fine. If I don't like a

2336
01:40:02,920 --> 01:40:06,200
Speaker 3: Baby album, I'm not. Even though I do like his music,

2337
01:40:06,240 --> 01:40:09,719
Speaker 3: I'm not the main shit that he's trying to get. Yeah,

2338
01:40:10,080 --> 01:40:13,280
Speaker 3: when Kai is giving, which I respect, honest feedback to something,

2339
01:40:14,000 --> 01:40:16,559
Speaker 3: that's where I would start to feel a little worried

2340
01:40:16,600 --> 01:40:19,800
Speaker 3: if I'm QC or if I'm on Baby's team, Like

2341
01:40:19,840 --> 01:40:23,160
Speaker 3: when you're not getting the group that this is intended for,

2342
01:40:24,400 --> 01:40:26,960
Speaker 3: that's a problem. If you don't always get me in

2343
01:40:27,000 --> 01:40:30,800
Speaker 3: my age group, you'll survive, but you'll really sell the most.

2344
01:40:30,840 --> 01:40:32,960
Speaker 3: Like with My Turn, he got my age group and

2345
01:40:33,000 --> 01:40:37,479
Speaker 3: the younger ones. If you're not getting either, Yes, somebody

2346
01:40:37,520 --> 01:40:40,719
Speaker 3: needed to sit with him and say, is this the

2347
01:40:40,960 --> 01:40:42,280
Speaker 3: return album that we really need?

2348
01:40:42,360 --> 01:40:46,439
Speaker 2: Is it the same is Little Baby? Maybe it's his issue,

2349
01:40:46,479 --> 01:40:48,720
Speaker 2: the same that I feel like the Baby's issue is

2350
01:40:49,000 --> 01:40:51,320
Speaker 2: just the growth in the music. Yeah, the growth in

2351
01:40:51,320 --> 01:40:53,920
Speaker 2: the music, the growth as a writer as an artist,

2352
01:40:54,320 --> 01:40:58,559
Speaker 2: switching up your content, switching up your flow kind of

2353
01:40:58,600 --> 01:41:00,800
Speaker 2: like you know, experimenting with an other type of.

2354
01:41:01,280 --> 01:41:02,400
Speaker 3: I think BPM.

2355
01:41:02,840 --> 01:41:04,679
Speaker 1: I think the Baby actually would have went a little

2356
01:41:04,680 --> 01:41:08,960
Speaker 1: bit farther if he didn't piss off a lot of

2357
01:41:08,960 --> 01:41:11,120
Speaker 1: his fan base with his antics.

2358
01:41:11,120 --> 01:41:12,880
Speaker 2: The Baby or a little Baby, the Baby, I.

2359
01:41:12,800 --> 01:41:15,639
Speaker 1: Think he would have went actually went farther than Little Baby,

2360
01:41:15,960 --> 01:41:17,920
Speaker 1: because the Baby still catches one every once in a while.

2361
01:41:18,040 --> 01:41:20,840
Speaker 2: Yeah, I think I think some people that might say

2362
01:41:20,840 --> 01:41:22,759
Speaker 2: the Baby is a bigger artist than Little Baby.

2363
01:41:25,840 --> 01:41:27,280
Speaker 1: I think he had the potential to be.

2364
01:41:27,520 --> 01:41:29,840
Speaker 3: Yeah, and let's not act like the Baby. Whatever summer

2365
01:41:29,880 --> 01:41:31,679
Speaker 3: that was or year that was when he was wrapping

2366
01:41:31,680 --> 01:41:31,920
Speaker 3: with that.

2367
01:41:31,880 --> 01:41:35,320
Speaker 2: That rockstar record is probably bigger than any Little Baby record, right.

2368
01:41:35,479 --> 01:41:36,200
Speaker 1: I think the debate.

2369
01:41:36,200 --> 01:41:38,920
Speaker 3: I think the Baby has three records that are probably

2370
01:41:38,920 --> 01:41:40,280
Speaker 3: bigger than any Little Baby record.

2371
01:41:40,720 --> 01:41:42,439
Speaker 2: As hard as I'm saying, some people might feel like

2372
01:41:42,479 --> 01:41:44,760
Speaker 2: the Baby is a bigger artist now he would be.

2373
01:41:44,800 --> 01:41:45,599
Speaker 1: In a bigger moment.

2374
01:41:45,680 --> 01:41:50,280
Speaker 3: I think Little Baby is a little bit more longevity, yeah,

2375
01:41:50,280 --> 01:41:51,760
Speaker 3: in his career. But yeah, I think a lot of

2376
01:41:51,800 --> 01:41:53,960
Speaker 3: people would say, if you go numbers wise, the Baby

2377
01:41:53,960 --> 01:41:56,360
Speaker 3: has definitely had bigger moments than Little Baby, for sure.

2378
01:41:56,760 --> 01:42:00,240
Speaker 3: I just think artists, to y'all point of is there

2379
01:42:00,240 --> 01:42:02,920
Speaker 3: are no growth in the music. A lot of the

2380
01:42:03,000 --> 01:42:05,920
Speaker 3: artists like Little Baby that do wrap on the same

2381
01:42:06,040 --> 01:42:09,960
Speaker 3: type of sound and the same type of pocket are

2382
01:42:10,080 --> 01:42:13,240
Speaker 3: finally seeing that that can't last very long. I get

2383
01:42:13,240 --> 01:42:15,240
Speaker 3: why they never shift. I get why they didn't shift

2384
01:42:15,280 --> 01:42:16,960
Speaker 3: for the last few years, because it's it seemed like,

2385
01:42:16,960 --> 01:42:19,840
Speaker 3: all right, people still like the same they still like

2386
01:42:19,920 --> 01:42:22,960
Speaker 3: the same shit. Now I think they're finally seeing and

2387
01:42:22,960 --> 01:42:24,800
Speaker 3: I don't think it's just Little Baby that if you

2388
01:42:24,840 --> 01:42:30,439
Speaker 3: don't change your sound, it's going to pass you by

2389
01:42:31,040 --> 01:42:31,799
Speaker 3: because it was working.

2390
01:42:33,360 --> 01:42:37,240
Speaker 2: Jadakis ain't never changed his sound, he ain't never changed

2391
01:42:37,240 --> 01:42:37,679
Speaker 2: his flow.

2392
01:42:38,560 --> 01:42:39,920
Speaker 1: He like, that's no.

2393
01:42:40,080 --> 01:42:40,280
Speaker 2: See.

2394
01:42:40,280 --> 01:42:44,559
Speaker 1: I don't really agree there. Jadakiss has changed his flow

2395
01:42:44,600 --> 01:42:48,200
Speaker 1: a little, but he also was in a different era too, though, Mom.

2396
01:42:48,160 --> 01:42:51,000
Speaker 2: Jadakis's gonna hit that fade away every single time and

2397
01:42:51,040 --> 01:42:53,559
Speaker 2: you can't start. It's the same flow and we love it.

2398
01:42:55,720 --> 01:42:58,920
Speaker 3: Baby. I feel like has the same fucking drums for

2399
01:42:58,920 --> 01:43:03,599
Speaker 3: the last five years. Kiss from We Are the Streets Music. Yes, okay,

2400
01:43:03,800 --> 01:43:06,080
Speaker 3: that's different, yeah, different thing, But that's what I'm saying.

2401
01:43:06,080 --> 01:43:09,799
Speaker 3: A lot of these these younger artists that have gotten

2402
01:43:09,880 --> 01:43:13,160
Speaker 3: into that new version of the trap pocket and trap

2403
01:43:13,280 --> 01:43:16,840
Speaker 3: drums are seeing the effects that it ends up being

2404
01:43:16,840 --> 01:43:19,760
Speaker 3: the same fucking thing. That's why I think Metro and

2405
01:43:20,040 --> 01:43:22,160
Speaker 3: I know Apples and Oranges because he's a producer. But

2406
01:43:22,200 --> 01:43:26,360
Speaker 3: we have seen Metro Skyrocket because he has shown versatility in.

2407
01:43:26,280 --> 01:43:27,960
Speaker 1: His sound and has changed it a bit.

2408
01:43:28,240 --> 01:43:30,400
Speaker 3: A lot of these artists are just going back to

2409
01:43:30,479 --> 01:43:33,400
Speaker 3: the exact same Yo. This was a hit in twenty twenty,

2410
01:43:33,520 --> 01:43:36,320
Speaker 3: twenty twenty two, twenty twenty three. I'm just gonna yo,

2411
01:43:36,439 --> 01:43:39,000
Speaker 3: let's just do that again, because they don't really because

2412
01:43:39,000 --> 01:43:40,960
Speaker 3: they were not going to be rappers to begin with

2413
01:43:41,040 --> 01:43:42,640
Speaker 3: until they found out they could make money off it.

2414
01:43:42,720 --> 01:43:46,559
Speaker 3: They don't really have a real understanding of being a

2415
01:43:46,600 --> 01:43:49,680
Speaker 3: fucking musician, even if they don't play instruments to get

2416
01:43:49,720 --> 01:43:53,320
Speaker 3: in there and have Fat Joe's career survived this fucking long,

2417
01:43:53,520 --> 01:43:55,920
Speaker 3: not because Fat Joe's an amazing rapper, because Fat Joe

2418
01:43:55,920 --> 01:43:59,320
Speaker 3: is an amazing beat picker. That's why Kiss we are

2419
01:43:59,360 --> 01:44:02,080
Speaker 3: the streets, money power, respect sounds. Nothing like Kiss of

2420
01:44:02,120 --> 01:44:04,639
Speaker 3: Death or Kiss the game Goodbye? Okay, Kiss Yes, same

2421
01:44:04,680 --> 01:44:06,840
Speaker 3: flow a lot of times saying the same shit and

2422
01:44:06,880 --> 01:44:09,200
Speaker 3: we love it, but it's on different production. Kiss is

2423
01:44:09,200 --> 01:44:11,040
Speaker 3: gonna go do some Girl records he's gonna do some

2424
01:44:11,040 --> 01:44:15,479
Speaker 3: grimy hood shit. Kiss is always delivering in every single

2425
01:44:15,640 --> 01:44:18,400
Speaker 3: pillar of hip hop when it comes to production and audience.

2426
01:44:19,720 --> 01:44:22,040
Speaker 3: I don't think these young artists do that the way

2427
01:44:22,120 --> 01:44:24,639
Speaker 3: that Kiss and rappers from my era did.

2428
01:44:24,760 --> 01:44:26,960
Speaker 2: Okay, So now we get into another conversation of a

2429
01:44:26,960 --> 01:44:29,240
Speaker 2: lot of these young artists are not really artists.

2430
01:44:29,280 --> 01:44:30,879
Speaker 3: Oh agree, I mean that goes well.

2431
01:44:30,760 --> 01:44:33,400
Speaker 2: And I think that's what we're starting to see. It's

2432
01:44:33,439 --> 01:44:36,040
Speaker 2: a shortest shelf life on a lot of these quote

2433
01:44:36,120 --> 01:44:39,240
Speaker 2: unquote artists because they're not really artists. They caught a record,

2434
01:44:39,280 --> 01:44:42,679
Speaker 2: they caught a viral moment, took off with that, tried

2435
01:44:42,720 --> 01:44:45,960
Speaker 2: to sustain it, and then after a while you've realized, like,

2436
01:44:46,080 --> 01:44:49,080
Speaker 2: I don't know if this person is really the artist

2437
01:44:49,120 --> 01:44:50,880
Speaker 2: that we may fake he or she is.

2438
01:44:51,120 --> 01:44:55,280
Speaker 3: And outside of certain producers like Metro Conductor, whatever you

2439
01:44:55,280 --> 01:44:59,240
Speaker 3: want to say, the bigger producers are. I feel like

2440
01:44:59,320 --> 01:45:02,800
Speaker 3: these artists don't even try to go to new producers.

2441
01:45:03,160 --> 01:45:05,519
Speaker 3: Whatever in house team is doing the exact same shit.

2442
01:45:06,040 --> 01:45:09,400
Speaker 3: They just follow suit an no real opinion of the song.

2443
01:45:09,600 --> 01:45:11,320
Speaker 3: They say, all right, this is what you like. I'll

2444
01:45:11,360 --> 01:45:13,120
Speaker 3: rap on this the same way I've been rapping for

2445
01:45:13,160 --> 01:45:13,920
Speaker 3: five fucking years.

2446
01:45:14,040 --> 01:45:17,280
Speaker 2: Another thing we don't talk about enough rory is the

2447
01:45:17,360 --> 01:45:19,960
Speaker 2: life span of a rapper, not not real life, but

2448
01:45:20,040 --> 01:45:23,200
Speaker 2: like artist's life. It's not really that long. No, never

2449
01:45:23,280 --> 01:45:23,559
Speaker 2: has been.

2450
01:45:24,000 --> 01:45:26,040
Speaker 3: Baby Baby is a veteran now.

2451
01:45:26,240 --> 01:45:28,400
Speaker 2: Yeah, so like we need to it's it be that

2452
01:45:28,479 --> 01:45:30,240
Speaker 2: too sometimes where it's like, yo, you know a lot

2453
01:45:30,240 --> 01:45:35,320
Speaker 2: of the rappers their you know, careers are not that long.

2454
01:45:35,479 --> 01:45:39,360
Speaker 2: Like you may get two maybe three albums, you know

2455
01:45:39,400 --> 01:45:40,920
Speaker 2: what I'm saying, and then it's like you don't even

2456
01:45:40,920 --> 01:45:43,439
Speaker 2: know where this rapper or this artist is anymore after

2457
01:45:43,479 --> 01:45:46,320
Speaker 2: that unless they parlay it into something else, they move

2458
01:45:46,320 --> 01:45:49,080
Speaker 2: into a business, or they get into maybe you know,

2459
01:45:49,920 --> 01:45:52,080
Speaker 2: now they're streaming, you know what I'm saying, Like I'm

2460
01:45:52,080 --> 01:45:57,439
Speaker 2: seeing guys like what's my man first day, first day out, Grizzly, Grizzly,

2461
01:45:58,560 --> 01:46:01,639
Speaker 2: he he on, GTA on crazy making a lot of money.

2462
01:46:01,800 --> 01:46:02,439
Speaker 2: You see what I'm saying.

2463
01:46:02,560 --> 01:46:04,240
Speaker 1: Rapping though, Grizzy is still rapping and.

2464
01:46:04,200 --> 01:46:06,240
Speaker 2: When we want to, when he wants to, but it

2465
01:46:06,280 --> 01:46:08,120
Speaker 2: ain't like he ain't gotta go in there and put

2466
01:46:08,120 --> 01:46:11,000
Speaker 2: an album out. It's like, if you like, yo, we're

2467
01:46:11,000 --> 01:46:13,040
Speaker 2: gonna put your new single on the server, like, all right,

2468
01:46:13,040 --> 01:46:15,280
Speaker 2: I'm gonna let that shit down tonight. If you're gonna

2469
01:46:15,280 --> 01:46:17,320
Speaker 2: put it in the game yet not feel you if

2470
01:46:17,320 --> 01:46:18,400
Speaker 2: I could be able to be in my car in

2471
01:46:18,439 --> 01:46:21,360
Speaker 2: the game playing my shit, i't bet. But that's what

2472
01:46:21,439 --> 01:46:23,400
Speaker 2: we don't. We got to start tolling to the fact

2473
01:46:23,400 --> 01:46:27,000
Speaker 2: that most rappers they shelf life is not really that

2474
01:46:27,120 --> 01:46:27,479
Speaker 2: long in.

2475
01:46:27,600 --> 01:46:29,120
Speaker 3: Rap, and I mean to that point, I want to

2476
01:46:29,120 --> 01:46:30,519
Speaker 3: give Baby. I don't want to make this sound like

2477
01:46:30,520 --> 01:46:32,200
Speaker 3: we just shipping on Baby. I give him a lot

2478
01:46:32,240 --> 01:46:34,880
Speaker 3: of pass twenty seventeen, I mean, drip harder is I

2479
01:46:34,880 --> 01:46:37,439
Speaker 3: think when he really really crossed. Oh yeah, twenty But

2480
01:46:37,560 --> 01:46:41,480
Speaker 3: twenty seventeen to twenty twenty five in this era is amazing.

2481
01:46:41,600 --> 01:46:44,760
Speaker 3: Eight fucking years is incredible, crazy, incredible, and at one

2482
01:46:44,760 --> 01:46:47,080
Speaker 3: point was dominating within those eight years. So I'm not

2483
01:46:47,120 --> 01:46:49,519
Speaker 3: here to take away anything Baby has done with his run.

2484
01:46:49,960 --> 01:46:52,880
Speaker 3: I just think this was an important album to what

2485
01:46:52,920 --> 01:46:55,519
Speaker 3: the second half of his career is. And I just

2486
01:46:55,560 --> 01:46:57,640
Speaker 3: don't know if they took it as serious as I

2487
01:46:57,680 --> 01:46:58,439
Speaker 3: thought they would.

2488
01:46:59,520 --> 01:47:03,160
Speaker 2: His troubles the water with QC. Maybe yeah, QC.

2489
01:47:03,360 --> 01:47:07,280
Speaker 1: There was at one point QC was dominating and going

2490
01:47:07,360 --> 01:47:09,720
Speaker 1: crazy and they were everywhere, and I don't know whether

2491
01:47:09,800 --> 01:47:12,040
Speaker 1: that was just because the City girls and Little Baby

2492
01:47:12,080 --> 01:47:15,719
Speaker 1: and the migos at the time were holding it up. Yeah,

2493
01:47:15,880 --> 01:47:17,400
Speaker 1: Cardi wasn't QC, though she.

2494
01:47:17,320 --> 01:47:20,720
Speaker 3: Was managed by QCA. Was she was managed by QC

2495
01:47:20,840 --> 01:47:22,160
Speaker 3: for sure for.

2496
01:47:22,120 --> 01:47:24,439
Speaker 1: A little while. Yeah, So yeah, I don't know. I

2497
01:47:24,439 --> 01:47:26,799
Speaker 1: don't know. They's been quiet, and I don't mean quiet

2498
01:47:26,800 --> 01:47:29,320
Speaker 1: as in like they don't they're I just don't hear

2499
01:47:29,400 --> 01:47:31,759
Speaker 1: anything from them. They were everywhere and now they're nowhere.

2500
01:47:33,000 --> 01:47:36,400
Speaker 3: Mall's point too, though, like this is just the lifespan.

2501
01:47:37,280 --> 01:47:39,360
Speaker 3: We can't really discredit them because at one point you

2502
01:47:39,400 --> 01:47:42,920
Speaker 3: could say QC was by far a modern day bad

2503
01:47:42,960 --> 01:47:46,160
Speaker 3: boy death row, no limit cash money, Like, yeah, they

2504
01:47:46,160 --> 01:47:47,880
Speaker 3: were that if you go through their roster at one

2505
01:47:47,920 --> 01:47:51,479
Speaker 3: time and at a block of five plus years, QC

2506
01:47:51,720 --> 01:47:55,040
Speaker 3: was completely dominated. Yeah, but how long can that even last?

2507
01:47:55,080 --> 01:47:58,320
Speaker 3: Like Nelly went Diamond, but the run has to end.

2508
01:47:58,520 --> 01:47:59,800
Speaker 1: It ends, It just ends.

2509
01:48:00,120 --> 01:48:02,519
Speaker 2: Rapper's career is really not that long.

2510
01:48:02,720 --> 01:48:05,360
Speaker 1: But this is all right, Yati from that crew and

2511
01:48:05,400 --> 01:48:06,920
Speaker 1: that era.

2512
01:48:07,880 --> 01:48:10,000
Speaker 3: I've been critical and there's a bunch of YACHTI music

2513
01:48:10,280 --> 01:48:13,120
Speaker 3: even lately that I'm not really a fan of whatsoever.

2514
01:48:13,400 --> 01:48:16,880
Speaker 3: But why Yadi has continued to last is that he

2515
01:48:16,960 --> 01:48:20,439
Speaker 3: completely changes his sound every year. Like He's one of

2516
01:48:20,479 --> 01:48:22,559
Speaker 3: the few from that era that I think gets it.

2517
01:48:22,800 --> 01:48:25,120
Speaker 3: Even if I don't like that taste of music, there's

2518
01:48:25,120 --> 01:48:28,759
Speaker 3: plenty of people that do. We don't think Yati's skipped

2519
01:48:28,920 --> 01:48:31,599
Speaker 3: a step. At this point, Yaty might be more relevant

2520
01:48:31,600 --> 01:48:34,879
Speaker 3: than he's ever been, and it's because he continually changes

2521
01:48:35,040 --> 01:48:37,200
Speaker 3: his sound, but he puts out music that we would

2522
01:48:37,240 --> 01:48:39,840
Speaker 3: not expect. He's doing Boom babshit with Cole, He's doing

2523
01:48:39,880 --> 01:48:44,559
Speaker 3: fucking James Blake shit, He's doing child drums, He's doing everything.

2524
01:48:45,800 --> 01:48:49,400
Speaker 3: Child drums kept him so. But he also he still

2525
01:48:49,439 --> 01:48:53,080
Speaker 3: has records that sound like broccoli like. That's what I

2526
01:48:53,120 --> 01:48:57,960
Speaker 3: think Baby kind of needed. The only person that is

2527
01:48:58,000 --> 01:49:02,960
Speaker 3: still extremely relevant off their sound is Gonna. I like

2528
01:49:03,000 --> 01:49:05,360
Speaker 3: the last Gunner project, but it wasn't like Light Gears

2529
01:49:05,400 --> 01:49:08,080
Speaker 3: different than another Gunner project. He's one of the few

2530
01:49:08,080 --> 01:49:10,599
Speaker 3: that I think is still reinventing the wheel and it's

2531
01:49:10,600 --> 01:49:12,559
Speaker 3: still working. But I don't know how long that's gonna

2532
01:49:12,560 --> 01:49:13,320
Speaker 3: work for Gunna either.

2533
01:49:13,360 --> 01:49:15,519
Speaker 2: Can you pull up the Little Baby track list again?

2534
01:49:16,280 --> 01:49:18,000
Speaker 2: I think that one thing I would like to see

2535
01:49:18,040 --> 01:49:21,360
Speaker 2: Little Baby because I do think that little Baby can rap. Yeah,

2536
01:49:21,560 --> 01:49:24,240
Speaker 2: I would like to see him rap with the rappers.

2537
01:49:24,720 --> 01:49:26,760
Speaker 2: I agree with you, like I would like to see

2538
01:49:26,800 --> 01:49:29,400
Speaker 2: Little Baby and and Jada.

2539
01:49:29,240 --> 01:49:31,240
Speaker 1: Because Drake pulled the best out a little baby. What

2540
01:49:31,360 --> 01:49:32,960
Speaker 1: I saw is the best from a little Baby. Drake

2541
01:49:33,000 --> 01:49:34,479
Speaker 1: pulled it out of them. Yeah at that point, what

2542
01:49:34,800 --> 01:49:36,960
Speaker 1: was that? It was off a EP. Yeah, that was

2543
01:49:37,439 --> 01:49:40,200
Speaker 1: like scary hours. Yeah, yeah, it was scary hours.

2544
01:49:39,920 --> 01:49:44,160
Speaker 3: At that point when Baby had the best verse. I

2545
01:49:44,240 --> 01:49:46,000
Speaker 3: understood the hype when people were like we're in the

2546
01:49:46,000 --> 01:49:48,000
Speaker 3: little Baby era when he was rapping at that point, I.

2547
01:49:47,960 --> 01:49:50,240
Speaker 1: Was like whatever pocket that was.

2548
01:49:50,120 --> 01:49:51,880
Speaker 3: Y'allak and he was talking on that.

2549
01:49:52,000 --> 01:49:54,160
Speaker 2: Yeah, I would like to see little Baby, Little Baby

2550
01:49:54,200 --> 01:49:58,439
Speaker 2: do more features with the rappers. I would like to

2551
01:49:58,439 --> 01:50:00,240
Speaker 2: see him do that, Like, let me just see what that.

2552
01:50:00,320 --> 01:50:02,439
Speaker 2: Let me just give me a more of that.

2553
01:50:02,720 --> 01:50:05,120
Speaker 1: So what do you consider the rappers?

2554
01:50:05,400 --> 01:50:08,360
Speaker 2: I mean Jada fab.

2555
01:50:09,479 --> 01:50:12,920
Speaker 3: He's rapped with Hole. He was on one of albums

2556
01:50:12,960 --> 01:50:13,839
Speaker 3: like maybe.

2557
01:50:13,640 --> 01:50:15,160
Speaker 2: Does I'd like to I'm say I would like to

2558
01:50:15,200 --> 01:50:17,040
Speaker 2: see more of that, And I think this could be

2559
01:50:17,200 --> 01:50:19,120
Speaker 2: why not have a cold feature on this album? Well,

2560
01:50:19,200 --> 01:50:21,160
Speaker 2: I want to have a wild a feature on this album.

2561
01:50:21,760 --> 01:50:23,960
Speaker 2: When I have a Jada feature on this album, when

2562
01:50:24,000 --> 01:50:26,640
Speaker 2: I have you know, I mean a Bennie A Conway, like,

2563
01:50:26,720 --> 01:50:28,800
Speaker 2: you know, the guys that really going in, you know,

2564
01:50:28,880 --> 01:50:31,240
Speaker 2: from the same element to streets that could really talk

2565
01:50:31,280 --> 01:50:34,160
Speaker 2: that talk that you be talking like, but on a

2566
01:50:34,200 --> 01:50:37,559
Speaker 2: different level, like the upper echelon of the of the

2567
01:50:37,600 --> 01:50:38,280
Speaker 2: of the street talk.

2568
01:50:38,360 --> 01:50:40,800
Speaker 3: And maybe not even that, maybe just somebody from his

2569
01:50:41,000 --> 01:50:42,799
Speaker 3: like Jig from Atlanta.

2570
01:50:42,840 --> 01:50:45,160
Speaker 1: You know, I understand to see that because I get

2571
01:50:45,200 --> 01:50:48,880
Speaker 1: what you're saying, but that might interfere with the Atlanta

2572
01:50:49,320 --> 01:50:52,439
Speaker 1: sound that baby has. That's why Jid Max.

2573
01:50:52,320 --> 01:50:55,559
Speaker 3: Marts look at who we never would have probably guessed

2574
01:50:55,560 --> 01:50:56,599
Speaker 3: would surpass everyone.

2575
01:50:56,640 --> 01:50:57,960
Speaker 1: Twenty one Savage twenty one.

2576
01:50:57,960 --> 01:51:01,240
Speaker 3: Savage raps with the rappers, He wraps with the non

2577
01:51:01,360 --> 01:51:04,759
Speaker 3: lyrical guys. He makes a bunch of different sounding music true,

2578
01:51:05,200 --> 01:51:08,559
Speaker 3: and that's why twenty one to me is where he's at,

2579
01:51:08,560 --> 01:51:11,679
Speaker 3: because he's continued he'll rap with anybody, he won't sound great,

2580
01:51:11,720 --> 01:51:13,160
Speaker 3: wrap with nas and sounded fine.

2581
01:51:13,560 --> 01:51:14,200
Speaker 1: He wrote.

2582
01:51:14,240 --> 01:51:16,800
Speaker 3: Some of the best music I think Cole has made

2583
01:51:16,800 --> 01:51:17,720
Speaker 3: in the last ten years has.

2584
01:51:17,680 --> 01:51:18,000
Speaker 2: Been with.

2585
01:51:19,720 --> 01:51:22,120
Speaker 3: He brings the best out of twenty one. Twenty one

2586
01:51:22,200 --> 01:51:24,720
Speaker 3: kept up with Drake, like he is not scared to

2587
01:51:24,720 --> 01:51:26,679
Speaker 3: get in the booth. He has a different style lyrically,

2588
01:51:27,240 --> 01:51:29,600
Speaker 3: but it doesn't it doesn't feel like you're listening to

2589
01:51:29,640 --> 01:51:31,960
Speaker 3: someone that's less of a caliber when he wraps the

2590
01:51:32,040 --> 01:51:34,400
Speaker 3: rappers and I think Baby definitely has the talent to

2591
01:51:34,400 --> 01:51:34,960
Speaker 3: do the same thing.

2592
01:51:35,200 --> 01:51:35,479
Speaker 1: Who do?

2593
01:51:36,320 --> 01:51:37,960
Speaker 2: I just would like to know, like who these dudes

2594
01:51:38,000 --> 01:51:44,240
Speaker 2: be in the studios with hoes? Like who beat? Those

2595
01:51:44,280 --> 01:51:45,640
Speaker 2: are the best day in ours right now there far?

2596
01:51:45,880 --> 01:51:47,920
Speaker 2: But like who do like somebody a little bit? Like

2597
01:51:47,960 --> 01:51:50,000
Speaker 2: what is a session a little Baby session? Like like

2598
01:51:50,040 --> 01:51:50,640
Speaker 2: who's in there?

2599
01:51:50,840 --> 01:51:53,200
Speaker 3: I don't think it's probably as at this point in

2600
01:51:53,240 --> 01:51:54,759
Speaker 3: his career as crazy as you might think.

2601
01:51:55,360 --> 01:51:57,920
Speaker 2: Now I'm not saying that. I want to know, like

2602
01:51:58,320 --> 01:52:01,560
Speaker 2: who's the trusted rain in the room, that trusted in

2603
01:52:01,760 --> 01:52:04,640
Speaker 2: the room, that's there for every song? You know what

2604
01:52:04,680 --> 01:52:07,240
Speaker 2: I mean? Like who's doing that with Little Baby? Because

2605
01:52:07,280 --> 01:52:09,360
Speaker 2: again I think that Little Baby can really rap. I

2606
01:52:09,400 --> 01:52:14,000
Speaker 2: just don't know with his who's his you know, who's

2607
01:52:14,040 --> 01:52:16,960
Speaker 2: his circle of you know, if they think it's crazy,

2608
01:52:16,960 --> 01:52:18,960
Speaker 2: if they think it's hard, like that's going on the album,

2609
01:52:18,960 --> 01:52:20,280
Speaker 2: Like who's that circle? Yeah?

2610
01:52:20,320 --> 01:52:22,600
Speaker 3: And I mean that is something that I feel like

2611
01:52:23,240 --> 01:52:26,200
Speaker 3: casual fans rightfully, so never bring up in their brand,

2612
01:52:26,240 --> 01:52:29,280
Speaker 3: like there's some artists that still would have made it

2613
01:52:29,360 --> 01:52:30,280
Speaker 3: and still would have been great.

2614
01:52:30,680 --> 01:52:32,200
Speaker 1: But a lot of why they have.

2615
01:52:32,280 --> 01:52:34,240
Speaker 3: Lasted so long is because of the people they have

2616
01:52:34,439 --> 01:52:38,160
Speaker 3: around them. Like, not everyone is blessed with a forty, right,

2617
01:52:38,320 --> 01:52:40,040
Speaker 3: not everyone is blessed with a sound wave.

2618
01:52:40,400 --> 01:52:44,280
Speaker 1: These are people that are fifty fifty.

2619
01:52:43,960 --> 01:52:46,559
Speaker 3: Partners on how we're making this fucking music, right, And

2620
01:52:47,680 --> 01:52:50,439
Speaker 3: you know a lot of rappers that come from certain

2621
01:52:50,520 --> 01:52:53,519
Speaker 3: environments aren't blessed to just have their friends, didn't have

2622
01:52:53,520 --> 01:52:55,360
Speaker 3: the opportunities to even get to a point that they

2623
01:52:55,880 --> 01:52:56,840
Speaker 3: could do something like that.

2624
01:52:57,240 --> 01:52:58,599
Speaker 1: So, yeah, they don't.

2625
01:52:58,400 --> 01:53:01,040
Speaker 3: Have anyone around them that is really guiding their production.

2626
01:53:01,600 --> 01:53:03,360
Speaker 3: It's just the homies that are like yo, that that

2627
01:53:03,400 --> 01:53:05,240
Speaker 3: shit is hot, and their homies have been right a

2628
01:53:05,240 --> 01:53:08,160
Speaker 3: lot because they understand what's actually playing in the street

2629
01:53:08,160 --> 01:53:11,160
Speaker 3: at the time. But that is not a I guess,

2630
01:53:11,200 --> 01:53:15,880
Speaker 3: a long lasting strategy, Like you do need other people

2631
01:53:15,920 --> 01:53:16,240
Speaker 3: in there.

2632
01:53:16,320 --> 01:53:16,559
Speaker 2: Yeah.

2633
01:53:16,800 --> 01:53:20,840
Speaker 3: So, but speaking of Gunna, his lawyer came back out

2634
01:53:21,200 --> 01:53:23,559
Speaker 3: because you know a lot of people saw that Thug

2635
01:53:23,680 --> 01:53:27,080
Speaker 3: was on Baby's album. There's obviously been some not.

2636
01:53:26,920 --> 01:53:29,680
Speaker 2: Bad thing for Thug posted something don't associate with no

2637
01:53:29,800 --> 01:53:31,520
Speaker 2: Rats or something like that.

2638
01:53:30,720 --> 01:53:32,479
Speaker 1: That was a fake tweet.

2639
01:53:32,479 --> 01:53:34,800
Speaker 3: I think no one could really find the source of

2640
01:53:34,800 --> 01:53:37,559
Speaker 3: that tweet. I think that was all photoshop. But of

2641
01:53:37,600 --> 01:53:39,479
Speaker 3: course it got brought back up when they saw that

2642
01:53:39,520 --> 01:53:42,880
Speaker 3: Thug was on Baby's album and No Baby unfollowed Gunner

2643
01:53:42,880 --> 01:53:46,840
Speaker 3: and there's clearly not a relationship there anymore. And his

2644
01:53:47,080 --> 01:53:50,439
Speaker 3: attorney posted in an entire I wouldn't even call it

2645
01:53:50,439 --> 01:53:51,479
Speaker 3: a caption. Was this on Twitter?

2646
01:53:52,680 --> 01:53:53,519
Speaker 1: Yeah? On Twitter?

2647
01:53:54,840 --> 01:53:56,840
Speaker 3: His lawyer which I didn't catch his name, but I

2648
01:53:56,880 --> 01:53:59,200
Speaker 3: was Gunn as attorney, but I am not speaking on

2649
01:53:59,240 --> 01:54:01,960
Speaker 3: his behalf. Is a long post solely to set out

2650
01:54:02,080 --> 01:54:04,640
Speaker 3: the truth. Gunna did not cooperate and did nothing and

2651
01:54:04,680 --> 01:54:07,240
Speaker 3: said nothing to cause harm to Thug's case. He spent

2652
01:54:07,320 --> 01:54:09,519
Speaker 3: eight months in jail and was released December twenty twenty

2653
01:54:09,520 --> 01:54:13,559
Speaker 3: two after entering a plea. Gunna's plea could not and

2654
01:54:13,760 --> 01:54:16,000
Speaker 3: was not used in Thug's trial, and he was never

2655
01:54:16,040 --> 01:54:19,040
Speaker 3: even named as a witness. He received a five year

2656
01:54:19,240 --> 01:54:23,640
Speaker 3: suspended sentence with no reporting, no travel restrictions, no living restrictions,

2657
01:54:23,640 --> 01:54:26,880
Speaker 3: and no probation over the last two years for media reports.

2658
01:54:26,920 --> 01:54:29,519
Speaker 3: He has performed all over the world, achieved international fame

2659
01:54:29,720 --> 01:54:33,160
Speaker 3: and recognition, earned millions of dollars. Thug went on to

2660
01:54:33,240 --> 01:54:36,640
Speaker 3: trial and eventually pled guilty after spending thirty months in jail,

2661
01:54:36,680 --> 01:54:40,360
Speaker 3: received fifteen years probation with reporting conditions, and is not

2662
01:54:40,440 --> 01:54:43,000
Speaker 3: even allowed to live in Atlanta. Those that have and

2663
01:54:43,080 --> 01:54:46,520
Speaker 3: continue to bad mouth Gunna get over it. I ain't

2664
01:54:46,600 --> 01:54:49,080
Speaker 3: like that enough said, because I just know the lawyer

2665
01:54:49,200 --> 01:54:49,760
Speaker 3: never said that.

2666
01:54:49,800 --> 01:54:52,840
Speaker 2: But the lawyer might have said that, you know what

2667
01:54:52,840 --> 01:54:55,360
Speaker 2: I mean, he might have said enough said, I'm done talking.

2668
01:54:55,440 --> 01:54:55,880
Speaker 2: That's it.

2669
01:54:56,080 --> 01:55:01,480
Speaker 3: I mean, I'm not the gauge of what's snitching and

2670
01:55:01,520 --> 01:55:04,760
Speaker 3: what isn't in the streets, but I feel what the

2671
01:55:04,880 --> 01:55:05,520
Speaker 3: lawyer is saying.

2672
01:55:06,360 --> 01:55:07,080
Speaker 1: I get it.

2673
01:55:07,080 --> 01:55:08,600
Speaker 3: There's a code and no matter what, if you say

2674
01:55:08,640 --> 01:55:11,840
Speaker 3: anything about anyone, your snitch. And I understand that. But

2675
01:55:13,320 --> 01:55:17,960
Speaker 3: let's get into reality of a young rapper that Gunna

2676
01:55:17,960 --> 01:55:18,560
Speaker 3: hasn't even said.

2677
01:55:18,560 --> 01:55:20,120
Speaker 1: He's not really like that guy.

2678
01:55:21,520 --> 01:55:24,160
Speaker 3: That was at the height of his career, millions and

2679
01:55:24,160 --> 01:55:26,440
Speaker 3: millions of dollars at Steak Family, at Steak you're an artist,

2680
01:55:26,440 --> 01:55:28,520
Speaker 3: You're not really a street guy. If you know, no

2681
01:55:28,560 --> 01:55:31,080
Speaker 3: one is going to be harmed. You're you saying that

2682
01:55:31,200 --> 01:55:35,320
Speaker 3: wise Ela is a gang that can't be used in

2683
01:55:35,360 --> 01:55:39,280
Speaker 3: your codefendance trial. What are we doing here?

2684
01:55:39,080 --> 01:55:41,160
Speaker 2: What are we doing? I've always stood on the side

2685
01:55:41,160 --> 01:55:44,520
Speaker 2: of whatever Thug said. If Doug come out and say

2686
01:55:44,560 --> 01:55:46,440
Speaker 2: gunn or rating on him, then we gotta take that

2687
01:55:46,520 --> 01:55:49,480
Speaker 2: to be a fact. If Doug never said that, then

2688
01:55:49,680 --> 01:55:50,840
Speaker 2: you know, maybe he's not.

2689
01:55:50,960 --> 01:55:54,000
Speaker 3: But all right, let me ask you, because you understand

2690
01:55:54,720 --> 01:55:56,280
Speaker 3: that side of the world way more than I do.

2691
01:55:57,520 --> 01:56:00,760
Speaker 3: I can I'm just assuming, but I can assume that

2692
01:56:01,520 --> 01:56:05,840
Speaker 3: in Thug taking a plea as well, there was some

2693
01:56:05,920 --> 01:56:08,480
Speaker 3: admission that yl was a gang.

2694
01:56:09,000 --> 01:56:10,920
Speaker 2: Well, yeah, it would have it would have have been

2695
01:56:11,120 --> 01:56:13,240
Speaker 2: So what are we talking about here? Yeah? But then

2696
01:56:13,360 --> 01:56:16,560
Speaker 2: but at the time, if I'm standing on yl is

2697
01:56:16,600 --> 01:56:18,240
Speaker 2: not a gang, and then you were to go up

2698
01:56:18,240 --> 01:56:19,920
Speaker 2: there and be like, yo, no, HYL is a game.

2699
01:56:20,640 --> 01:56:21,000
Speaker 1: Is a gang?

2700
01:56:21,760 --> 01:56:23,440
Speaker 2: You know what I'm saying. I'm saying we not, and

2701
01:56:23,480 --> 01:56:26,480
Speaker 2: you on on on on in court saying no it is.

2702
01:56:28,000 --> 01:56:29,520
Speaker 2: You know, then take from that what you will. But

2703
01:56:29,560 --> 01:56:32,000
Speaker 2: I mean, at the end of the day, both a

2704
01:56:32,000 --> 01:56:35,800
Speaker 2: gentlemen at home. Gunnar has no restrictions. Thug has some restrictions.

2705
01:56:36,000 --> 01:56:38,880
Speaker 2: Because obviously he was facing more even though it was

2706
01:56:38,880 --> 01:56:41,760
Speaker 2: a Rico. I think his his you know, his name

2707
01:56:41,880 --> 01:56:46,720
Speaker 2: was indicated in more activity in why more street activity

2708
01:56:47,120 --> 01:56:50,880
Speaker 2: in ys So than Gunners was. But I'm again, I'm

2709
01:56:50,880 --> 01:56:55,320
Speaker 2: still on the side. If Thug say Gunna he didn't snitch,

2710
01:56:56,040 --> 01:56:58,400
Speaker 2: then that's what it is. If Thug say Gunna did snitch,

2711
01:56:59,080 --> 01:57:02,160
Speaker 2: then that's what it is. I mean, everything else is speculation.

2712
01:57:03,000 --> 01:57:05,840
Speaker 2: You know. I know little Baby was on was sitting

2713
01:57:05,840 --> 01:57:09,440
Speaker 2: down with Charlemagne, I think, and he spoke, he touched

2714
01:57:09,480 --> 01:57:12,640
Speaker 2: on that, spoke about that and said how you felt. Listen,

2715
01:57:12,720 --> 01:57:15,920
Speaker 2: you know you feel how you feel. But again, I

2716
01:57:15,920 --> 01:57:21,400
Speaker 2: I'm waiting for a definitive Thug statement on whether or

2717
01:57:21,440 --> 01:57:24,240
Speaker 2: not he feels Gunna is good or no good.

2718
01:57:24,280 --> 01:57:27,640
Speaker 3: Do we think Thug has purposely done that? Yeah, I

2719
01:57:27,640 --> 01:57:30,960
Speaker 3: agree with you too, because we can all say that

2720
01:57:31,000 --> 01:57:33,200
Speaker 3: it would benefit people, Mark God.

2721
01:57:33,080 --> 01:57:35,680
Speaker 2: It would benefit Thug for people to fuck with Gunna. No,

2722
01:57:35,800 --> 01:57:37,120
Speaker 2: that is his artist, correct, Creed.

2723
01:57:37,200 --> 01:57:42,240
Speaker 3: But has there been more attention and controversy around They're

2724
01:57:42,320 --> 01:57:44,680
Speaker 3: not actually being a statement like, no one's really moved

2725
01:57:44,680 --> 01:57:46,760
Speaker 3: on because Thug has not said anything. Right, I agree

2726
01:57:46,800 --> 01:57:48,600
Speaker 3: with you, that's his artist. And if his artist is

2727
01:57:48,600 --> 01:57:50,360
Speaker 3: looked upon not as a snitch, it's probably a good

2728
01:57:50,520 --> 01:57:54,400
Speaker 3: business move, right, But I think I think we'll find

2729
01:57:54,440 --> 01:57:56,560
Speaker 3: that out around the time thug puts a project out.

2730
01:57:58,080 --> 01:58:02,920
Speaker 3: When gonna ends up being on on that album.

2731
01:58:01,440 --> 01:58:01,800
Speaker 2: I don't know.

2732
01:58:01,920 --> 01:58:05,160
Speaker 3: Then, if you're here, if your baby, now, what do

2733
01:58:05,200 --> 01:58:05,400
Speaker 3: you do?

2734
01:58:07,440 --> 01:58:10,120
Speaker 2: I mean? He said? He ate, he said he stood

2735
01:58:10,160 --> 01:58:13,200
Speaker 2: his baby standing on it. He's ten toes. I'm not

2736
01:58:13,360 --> 01:58:16,640
Speaker 2: you know, I'm not. I'm not fucking with them, he said.

2737
01:58:16,640 --> 01:58:19,440
Speaker 2: It ain't no relationship there, right, it ain't no relationship,

2738
01:58:19,440 --> 01:58:20,880
Speaker 2: all right, So then it is what it is.

2739
01:58:21,280 --> 01:58:24,360
Speaker 3: If if I brought a gun into the studio and

2740
01:58:24,440 --> 01:58:27,280
Speaker 3: it happened to go off in my jeans, would you

2741
01:58:27,280 --> 01:58:28,120
Speaker 3: put the footage out?

2742
01:58:28,560 --> 01:58:30,120
Speaker 1: Slash Uh tell.

2743
01:58:30,040 --> 01:58:35,040
Speaker 2: Me, nah, it's not my pedigree though, that footage would

2744
01:58:35,040 --> 01:58:38,360
Speaker 2: never see the light of day. No, to answer your question,

2745
01:58:38,800 --> 01:58:39,640
Speaker 2: not put the footage out.

2746
01:58:39,680 --> 01:58:41,480
Speaker 3: No, I would not put the footage out, nor would

2747
01:58:41,520 --> 01:58:43,440
Speaker 3: I tell on you. But we'd have to have a

2748
01:58:43,520 --> 01:58:47,280
Speaker 3: stern talking to about you bringing fire. Yeah, we're gonna

2749
01:58:47,320 --> 01:58:48,840
Speaker 3: have a t now. I know you don't know how

2750
01:58:48,880 --> 01:58:49,480
Speaker 3: to handle one.

2751
01:58:49,840 --> 01:58:50,360
Speaker 1: Don't bring into this.

2752
01:58:50,480 --> 01:58:53,240
Speaker 2: Yeah, your crib were gonna have we would have a conversation,

2753
01:58:53,360 --> 01:58:56,640
Speaker 2: but the public wouldn't know about the conversation that would

2754
01:58:56,680 --> 01:58:57,960
Speaker 2: happen though, absolutely not.

2755
01:58:58,280 --> 01:59:01,840
Speaker 3: For those that don't know they what was the name

2756
01:59:01,840 --> 01:59:04,320
Speaker 3: of this gentleman? I'm sorry that I'm not a rapper

2757
01:59:04,360 --> 01:59:08,720
Speaker 3: too low was doing a podcast and went into his pocket.

2758
01:59:09,680 --> 01:59:11,920
Speaker 3: Clearly he had a firearm in there. It discharged in

2759
01:59:11,960 --> 01:59:14,480
Speaker 3: his pants. Luckily no one was hit. He wasn't even hit,

2760
01:59:14,680 --> 01:59:18,839
Speaker 3: He didn't plaxico himself. But so, what, like, come on.

2761
01:59:18,960 --> 01:59:21,320
Speaker 1: How fucking stupid. No, let's just like, let's really be

2762
01:59:21,400 --> 01:59:23,840
Speaker 1: honest here, and this is why I'd be wanting guns

2763
01:59:23,840 --> 01:59:25,440
Speaker 1: to be legal, so that people can learn how to

2764
01:59:25,440 --> 01:59:27,320
Speaker 1: fucking use them the right way. Why do you have

2765
01:59:27,440 --> 01:59:29,520
Speaker 1: on them jeans that would fit a toddler in two

2766
01:59:29,560 --> 01:59:32,440
Speaker 1: t send up there, reaching your pocket with a gun

2767
01:59:32,440 --> 01:59:34,680
Speaker 1: that's off safety out of podcast that ain't even your

2768
01:59:34,720 --> 01:59:37,880
Speaker 1: fucking podcast. I mean, he was nervous.

2769
01:59:40,000 --> 01:59:41,720
Speaker 2: I just feel like, if I have to do a

2770
01:59:41,840 --> 01:59:46,280
Speaker 2: podcast with the gun in my pocket, like we're am

2771
01:59:46,280 --> 01:59:47,840
Speaker 2: I like, I just don't need to be going to

2772
01:59:47,880 --> 01:59:52,840
Speaker 2: do this podcast. Well, but no, Jumper, Yeah, like I

2773
01:59:52,960 --> 01:59:53,640
Speaker 2: just don't.

2774
01:59:53,520 --> 01:59:56,480
Speaker 3: Listen, not that we're going to no Jumper. But if

2775
01:59:56,520 --> 01:59:58,440
Speaker 3: we were to ever hypothetically go back to No Jump,

2776
01:59:58,480 --> 02:00:03,320
Speaker 3: I'm bringing a gun. I'm petrified they're beating up pastors.

2777
02:00:03,440 --> 02:00:06,600
Speaker 2: You think they he has security, those security.

2778
02:00:06,160 --> 02:00:09,800
Speaker 3: And they keep my white ass beating up Men of God.

2779
02:00:10,440 --> 02:00:11,760
Speaker 3: I'm definitely food over there.

2780
02:00:11,880 --> 02:00:12,120
Speaker 1: And the.

2781
02:00:14,880 --> 02:00:17,000
Speaker 2: Men of God getting knocked out of No Jump, they

2782
02:00:17,000 --> 02:00:19,720
Speaker 2: are definitely even Adam, what are you doing?

2783
02:00:20,440 --> 02:00:23,760
Speaker 1: They kept just like podcasting, like, get the fuck out

2784
02:00:23,800 --> 02:00:26,640
Speaker 1: my studio, your show's over.

2785
02:00:26,800 --> 02:00:28,760
Speaker 2: We ain't got to talk about nothing that's that important

2786
02:00:28,760 --> 02:00:29,160
Speaker 2: after that.

2787
02:00:29,840 --> 02:00:33,400
Speaker 3: Okay, Well, I will say I've been around people that

2788
02:00:33,480 --> 02:00:36,160
Speaker 3: podcaster that we're used to always carrying a gun with

2789
02:00:36,200 --> 02:00:39,480
Speaker 3: them because of their former slash current life, and I

2790
02:00:39,520 --> 02:00:40,480
Speaker 3: didn't think it was that weird.

2791
02:00:40,760 --> 02:00:42,240
Speaker 2: Yeah, but if I'm not, I don't have it in

2792
02:00:42,280 --> 02:00:46,040
Speaker 2: my pocket right here on set, not on safety, not

2793
02:00:46,440 --> 02:00:48,200
Speaker 2: like my man that's over there with me, he got it.

2794
02:00:48,240 --> 02:00:50,120
Speaker 2: You know, we're good. Like it's still and it's still

2795
02:00:50,120 --> 02:00:52,160
Speaker 2: in arms reach, but like, I don't need to be

2796
02:00:52,720 --> 02:00:55,280
Speaker 2: like this on set. Reaching in my pocket is not

2797
02:00:55,320 --> 02:00:58,120
Speaker 2: on safety. I just don't. I don't got that. Thankfully,

2798
02:00:58,160 --> 02:00:59,440
Speaker 2: I don't have those type of issues.

2799
02:00:59,520 --> 02:01:01,640
Speaker 3: Yeah, but there were a lot of people like, especially

2800
02:01:01,640 --> 02:01:05,360
Speaker 3: when podcasting first started, that we're from an environment that

2801
02:01:05,360 --> 02:01:07,920
Speaker 3: that always carry a gun. Just because we're podcasting now

2802
02:01:07,960 --> 02:01:10,040
Speaker 3: doesn't change. No carrying a gun when I walk out

2803
02:01:10,040 --> 02:01:11,600
Speaker 3: of here. No carrying a gun is cool.

2804
02:01:11,640 --> 02:01:13,200
Speaker 2: But if we're sitting in here just to do a

2805
02:01:13,280 --> 02:01:15,360
Speaker 2: podcast and kick it like, it don't need to be

2806
02:01:15,440 --> 02:01:19,400
Speaker 2: in my pocket, not on safety like. I just don't.

2807
02:01:19,400 --> 02:01:21,680
Speaker 2: I don't. I just don't understand that part of it

2808
02:01:21,760 --> 02:01:24,280
Speaker 2: now walking outside and moving around to your day to

2809
02:01:24,360 --> 02:01:26,640
Speaker 2: day some some people have to you know what I mean,

2810
02:01:26,680 --> 02:01:28,880
Speaker 2: And I understand that. But once you're in a certain

2811
02:01:28,960 --> 02:01:30,760
Speaker 2: environment where it's like it's cool in here, we're not

2812
02:01:30,880 --> 02:01:31,600
Speaker 2: on that type of.

2813
02:01:32,240 --> 02:01:35,000
Speaker 1: And their staff in the room. Let me tell you something,

2814
02:01:35,400 --> 02:01:37,400
Speaker 1: and that's would have had a motherfucking gun in his

2815
02:01:37,480 --> 02:01:40,080
Speaker 1: tight ass jeans and shot at my fucking ankle. You're

2816
02:01:40,120 --> 02:01:41,000
Speaker 1: not mad out of bed.

2817
02:01:41,240 --> 02:01:43,880
Speaker 2: That's why car No, Well, Best would never be tight

2818
02:01:43,960 --> 02:01:46,480
Speaker 2: jeans either. That's the part you're not getting to like.

2819
02:01:46,520 --> 02:01:47,720
Speaker 2: Y'all got to get to that when it comes to

2820
02:01:47,760 --> 02:01:48,200
Speaker 2: best like.

2821
02:01:48,200 --> 02:01:51,600
Speaker 3: And first of all, you're not all Albanians from Brooklyn

2822
02:01:51,680 --> 02:01:52,520
Speaker 3: are carrying guns.

2823
02:01:52,520 --> 02:01:54,840
Speaker 1: Best is a tax bank citizen. I don't give if

2824
02:01:54,840 --> 02:01:56,000
Speaker 1: it was Elliott, I don't.

2825
02:01:57,760 --> 02:02:00,960
Speaker 3: He's from East New York and uh called from Beach

2826
02:02:01,000 --> 02:02:01,680
Speaker 3: Chanel High School.

2827
02:02:02,480 --> 02:02:05,000
Speaker 1: Can we best back? I really liked Best Love Best.

2828
02:02:05,160 --> 02:02:08,080
Speaker 3: Yeah, we can definitely have best back, but of course

2829
02:02:08,120 --> 02:02:10,680
Speaker 3: best would follow you know, the laws of New York City.

2830
02:02:10,840 --> 02:02:12,520
Speaker 2: Oh yeah, like lord law.

2831
02:02:12,600 --> 02:02:14,879
Speaker 3: Biden said, I would not even know how to explain

2832
02:02:15,160 --> 02:02:18,080
Speaker 3: to Demarus's parents or Page's parents that when we were

2833
02:02:18,120 --> 02:02:21,400
Speaker 3: potting and a gun went off and they got PG

2834
02:02:21,480 --> 02:02:27,920
Speaker 3: I hit in the leg. That's craziness. That is fucking nuts.

2835
02:02:27,920 --> 02:02:30,880
Speaker 3: But I mean, I'm glad no one was hurt, but

2836
02:02:30,920 --> 02:02:33,879
Speaker 3: also putting that out like we're acting like the cops

2837
02:02:34,680 --> 02:02:36,720
Speaker 3: are not on watching podcasts.

2838
02:02:37,000 --> 02:02:39,560
Speaker 2: Yeah, but depending on which state or city then and

2839
02:02:39,600 --> 02:02:42,040
Speaker 2: that's probably legal to carry fire, so it doesn't matter.

2840
02:02:42,520 --> 02:02:44,960
Speaker 3: But like twenty two and had to be a twenty

2841
02:02:44,960 --> 02:02:47,800
Speaker 3: two in them tight as change, couldn't.

2842
02:02:47,960 --> 02:02:51,600
Speaker 2: I wasn't no twenty two that was that was that

2843
02:02:51,680 --> 02:02:54,600
Speaker 2: was at least a glock something like that, for sure.

2844
02:02:54,840 --> 02:02:57,240
Speaker 1: Fucking idiot. That shit really pissed me off from Ory

2845
02:02:57,240 --> 02:03:00,800
Speaker 1: sent that to me because just as I'm like, yo,

2846
02:03:00,840 --> 02:03:03,480
Speaker 1: that shit was aimed at like me, like that's all

2847
02:03:03,520 --> 02:03:04,880
Speaker 1: I'm thinking about, like you.

2848
02:03:04,920 --> 02:03:08,800
Speaker 2: Know that somebody could have that could have hit somebody. Yeah,

2849
02:03:08,840 --> 02:03:10,760
Speaker 2: and don't do that because that's leg level. That's like

2850
02:03:10,880 --> 02:03:13,360
Speaker 2: right here. So it's like I'm shocked. You didn't you themself?

2851
02:03:13,600 --> 02:03:17,080
Speaker 1: Yeah? That could Ooh my bad.

2852
02:03:18,080 --> 02:03:19,280
Speaker 2: Yeah, because he thought he was hit.

2853
02:03:19,640 --> 02:03:22,000
Speaker 3: He was waiting to feel that shit burning other hostess

2854
02:03:22,200 --> 02:03:25,280
Speaker 3: who got shot? That they who got shot?

2855
02:03:25,840 --> 02:03:26,040
Speaker 1: What?

2856
02:03:26,320 --> 02:03:29,400
Speaker 2: Because everybody started moving behind the camera probably so you know,

2857
02:03:29,200 --> 02:03:32,640
Speaker 2: you're waiting to see somebody, like, damn, anybody get hit,

2858
02:03:32,680 --> 02:03:37,280
Speaker 2: that's lawsuit on their hands. But thankfully nobody was hit. Yeah.

2859
02:03:37,760 --> 02:03:39,640
Speaker 3: And I mean, you guys were fascinated with the fake

2860
02:03:39,640 --> 02:03:41,720
Speaker 3: guns at my house when we're recording there. I was

2861
02:03:41,760 --> 02:03:45,200
Speaker 3: not fascinated they were also none of them were loaded too.

2862
02:03:45,200 --> 02:03:51,240
Speaker 2: That was the other thing, the fuck you doing? I

2863
02:03:51,280 --> 02:03:53,040
Speaker 2: was gonna say something, but I'm not going to say

2864
02:03:53,040 --> 02:03:53,360
Speaker 2: thank you.

2865
02:03:53,360 --> 02:03:54,560
Speaker 1: It's fun, thank you.

2866
02:03:55,360 --> 02:03:58,240
Speaker 2: I'm chilling twenty twenty five. I'm chilling all twenty twenty five.

2867
02:03:58,280 --> 02:04:01,760
Speaker 2: Oh you know how to I promise, y'all, I'm well

2868
02:04:01,800 --> 02:04:04,240
Speaker 2: tell me when I ain't chilling. I've been chilled the

2869
02:04:04,280 --> 02:04:05,600
Speaker 2: first two episodes day.

2870
02:04:05,480 --> 02:04:07,720
Speaker 1: After Super Bowl. I don't think you're gonna be chilling.

2871
02:04:08,320 --> 02:04:10,960
Speaker 2: Chill man, I might even go to the Super Bowl.

2872
02:04:10,960 --> 02:04:12,160
Speaker 2: That's how chill I am.

2873
02:04:12,440 --> 02:04:13,040
Speaker 1: Uh, yeah, I was.

2874
02:04:13,080 --> 02:04:16,040
Speaker 3: Actually, I'm going to probably go to New Orleans, and

2875
02:04:16,480 --> 02:04:20,120
Speaker 3: I'm booking my flight either Monday at five am or Sunday,

2876
02:04:20,560 --> 02:04:22,880
Speaker 3: the latest flight, just to make sure I can get

2877
02:04:22,920 --> 02:04:25,200
Speaker 3: back here to record with you after that.

2878
02:04:25,240 --> 02:04:26,640
Speaker 2: Before. Yeah, I might, I might. I might go to

2879
02:04:26,680 --> 02:04:27,920
Speaker 2: the super Bowl. Depending on who's playing.

2880
02:04:27,960 --> 02:04:31,000
Speaker 1: We should record in New Orleans. I'm down.

2881
02:04:32,960 --> 02:04:35,600
Speaker 3: I had said to you if, yeah, we needed to,

2882
02:04:35,720 --> 02:04:36,680
Speaker 3: I would be down to do it.

2883
02:04:36,840 --> 02:04:37,080
Speaker 2: Yeah.

2884
02:04:37,200 --> 02:04:40,560
Speaker 3: Ironically, the flights are not I went and looked yesterday.

2885
02:04:40,560 --> 02:04:42,240
Speaker 3: The flights are not as crazy as I thought they were.

2886
02:04:42,240 --> 02:04:45,000
Speaker 2: Oh and after the tragedy last week, daven Lord cheaper.

2887
02:04:45,080 --> 02:04:49,680
Speaker 2: Now I'm listen, man, you know it is what it is.

2888
02:04:49,720 --> 02:04:51,120
Speaker 2: I didn't I had nothing to do with it. I'm

2889
02:04:51,120 --> 02:04:51,920
Speaker 2: just telling you what it is.

2890
02:04:52,320 --> 02:04:53,240
Speaker 1: We didn't think you did bad.

2891
02:04:53,360 --> 02:04:55,480
Speaker 2: I'm just saying that the flights are cheaper.

2892
02:04:55,760 --> 02:04:57,879
Speaker 3: Congestion pricing in New Orleans sold everything.

2893
02:04:58,520 --> 02:05:00,200
Speaker 2: Yeah, that gentleman wouldn't have paid it toll to go

2894
02:05:00,280 --> 02:05:00,960
Speaker 2: run over people.

2895
02:05:01,160 --> 02:05:02,520
Speaker 1: Hurricanes still gonna head too.

2896
02:05:04,440 --> 02:05:05,960
Speaker 2: Sorry, baby, do do we have voicemails.

2897
02:05:06,040 --> 02:05:09,880
Speaker 1: Yes, you do, you have got mail? Yeah?

2898
02:05:09,960 --> 02:05:13,320
Speaker 4: What's up? Pod? Can you please help me with the situation,

2899
02:05:13,400 --> 02:05:16,320
Speaker 4: because I'm truly puzzled. All right, So me and my

2900
02:05:16,440 --> 02:05:19,440
Speaker 4: sister have been debating on whether it's okay for a

2901
02:05:19,440 --> 02:05:23,000
Speaker 4: woman to approach a man. She says, no, no matter

2902
02:05:23,120 --> 02:05:27,280
Speaker 4: the circumstance, the environment, the situation, a woman should never

2903
02:05:27,320 --> 02:05:30,920
Speaker 4: approach a man. And I think the opposite. There's the same.

2904
02:05:31,160 --> 02:05:33,240
Speaker 4: There's plenty of fish in the sea, But how do

2905
02:05:33,280 --> 02:05:35,720
Speaker 4: you expect to catch a fish if you never go fishing?

2906
02:05:37,360 --> 02:05:39,839
Speaker 2: Why? She seemed like she read from Zane's sex chronics.

2907
02:05:41,400 --> 02:05:43,880
Speaker 1: She might have wrote written down what she wanted to say.

2908
02:05:43,920 --> 02:05:48,720
Speaker 1: What Ai, that's not even a real person. I appreciate

2909
02:05:48,800 --> 02:05:52,000
Speaker 1: that more than people calling in and saying yeah because

2910
02:05:52,520 --> 02:05:55,800
Speaker 1: and repeating themselves. I actually appreciate what she did so well,

2911
02:05:55,800 --> 02:05:56,080
Speaker 1: that was.

2912
02:05:56,080 --> 02:05:57,560
Speaker 2: The end of it.

2913
02:05:57,680 --> 02:06:00,200
Speaker 1: She goes on to that was the end of it. Yes,

2914
02:06:00,400 --> 02:06:02,120
Speaker 1: she wants to know is it okay for women to

2915
02:06:02,160 --> 02:06:02,920
Speaker 1: approach a man?

2916
02:06:03,160 --> 02:06:03,360
Speaker 2: Or?

2917
02:06:03,920 --> 02:06:06,280
Speaker 3: Of course, man, where were you at these days? Yes,

2918
02:06:06,360 --> 02:06:08,080
Speaker 3: that's totally fun. Women should shoot there.

2919
02:06:08,280 --> 02:06:13,280
Speaker 2: In fact, I prefer because, because like I said, I'm

2920
02:06:13,280 --> 02:06:16,800
Speaker 2: not gonna be and nobody's podium to my us too aggressive, this, that,

2921
02:06:16,840 --> 02:06:18,640
Speaker 2: and the third like listen, it does.

2922
02:06:18,520 --> 02:06:21,800
Speaker 3: Bring some relief in how you can float it pop

2923
02:06:21,840 --> 02:06:22,280
Speaker 3: it off first.

2924
02:06:22,320 --> 02:06:24,040
Speaker 2: Yeah, Like if you have a woman approach you and

2925
02:06:24,120 --> 02:06:26,880
Speaker 2: she know you could tell, she's you know, sizing you up,

2926
02:06:26,880 --> 02:06:29,080
Speaker 2: eyeing you and all that. She opening that door for

2927
02:06:29,080 --> 02:06:33,200
Speaker 2: that flirtatious energy, that's for God like myself, I appreciate that.

2928
02:06:33,320 --> 02:06:33,960
Speaker 2: I'll welcome that.

2929
02:06:34,200 --> 02:06:37,240
Speaker 1: And y'all are open to wife and women who who

2930
02:06:37,400 --> 02:06:40,840
Speaker 1: slid on you first? Absolutely, Okay, you don't take that

2931
02:06:40,880 --> 02:06:43,640
Speaker 1: as thirsty, no, like you're the prize.

2932
02:06:44,320 --> 02:06:46,040
Speaker 2: No, I don't look at myself like a prize. I'm

2933
02:06:46,080 --> 02:06:49,440
Speaker 2: just saying I I like when a woman is aggressive,

2934
02:06:49,480 --> 02:06:54,040
Speaker 2: because again, it says something about that woman. It's like, Okay,

2935
02:06:54,120 --> 02:06:56,720
Speaker 2: she's knows what she wants. She not only does she

2936
02:06:56,760 --> 02:06:59,760
Speaker 2: know what she wants, she obviously sees something in me.

2937
02:06:59,880 --> 02:07:02,440
Speaker 2: She's interested. She wants to tell you. Yes, I'm opening

2938
02:07:02,520 --> 02:07:06,880
Speaker 2: up this conversation for you know, a different type of energy.

2939
02:07:06,880 --> 02:07:10,080
Speaker 2: It doesn't have to be you know, a casual conversation,

2940
02:07:10,200 --> 02:07:11,920
Speaker 2: but like, yeah, I'm feeling you. I like you like,

2941
02:07:11,960 --> 02:07:15,160
Speaker 2: what's your note, what's your situation? Are you single. I

2942
02:07:15,240 --> 02:07:17,080
Speaker 2: like that. I like when women open up that door

2943
02:07:17,120 --> 02:07:18,120
Speaker 2: for that conversation.

2944
02:07:17,720 --> 02:07:21,440
Speaker 1: And you're willing to still pursue them even after they

2945
02:07:21,480 --> 02:07:23,880
Speaker 1: do that. Because so my fear with that is because

2946
02:07:23,880 --> 02:07:28,080
Speaker 1: I've always been like super confident and aggressive. But what

2947
02:07:28,120 --> 02:07:32,240
Speaker 1: I've learned, or what I've experienced, is that sometimes when

2948
02:07:32,320 --> 02:07:34,240
Speaker 1: you do that, even if a guy does like you,

2949
02:07:34,920 --> 02:07:38,000
Speaker 1: the courting or the game that men play the chase,

2950
02:07:38,000 --> 02:07:40,280
Speaker 1: because men do love chase, some more than others, but

2951
02:07:40,360 --> 02:07:43,400
Speaker 1: men do love the chase. They're not as involved in

2952
02:07:43,440 --> 02:07:45,360
Speaker 1: that chase or feel like they have to court as

2953
02:07:45,480 --> 02:07:50,280
Speaker 1: much because you've already shown that you're interested. Now me personally,

2954
02:07:50,320 --> 02:07:52,320
Speaker 1: I can come at you, but if you don't, if

2955
02:07:52,320 --> 02:07:54,320
Speaker 1: you don't do what you're supposed to do, I'll back

2956
02:07:54,360 --> 02:07:55,520
Speaker 1: the fuck up. I don't give a fuck who you are.

2957
02:07:55,720 --> 02:07:57,920
Speaker 2: You open the door. Yeah, he has to take it

2958
02:07:57,960 --> 02:07:58,200
Speaker 2: from me.

2959
02:07:58,280 --> 02:07:59,640
Speaker 1: Yeah, I can hand you the basket, but you gotta

2960
02:07:59,640 --> 02:08:00,920
Speaker 1: shot them a couple of times.

2961
02:08:01,200 --> 02:08:03,600
Speaker 2: Handing basket is crazy. You're gonna take the whole hoop down.

2962
02:08:03,920 --> 02:08:06,560
Speaker 1: Yeah, I'll hand you the basket, the ball, all that.

2963
02:08:07,160 --> 02:08:09,200
Speaker 2: Baby, They take the whole hoop down to just give

2964
02:08:09,240 --> 02:08:11,000
Speaker 2: it to you.

2965
02:08:11,000 --> 02:08:14,080
Speaker 1: You still got to play ball. She put the water

2966
02:08:14,120 --> 02:08:16,080
Speaker 1: in the base of the She's gonna do all that.

2967
02:08:16,080 --> 02:08:17,760
Speaker 2: Look, I set up the court, nigga, go out there

2968
02:08:17,760 --> 02:08:18,640
Speaker 2: and hop nigga shit.

2969
02:08:18,800 --> 02:08:20,640
Speaker 1: But what I've seen is that a lot of people

2970
02:08:20,760 --> 02:08:23,240
Speaker 1: won't do that to the extent because it's kind of

2971
02:08:23,280 --> 02:08:25,440
Speaker 1: like the chase factor is not there for them. So

2972
02:08:25,520 --> 02:08:27,520
Speaker 1: that's what I'm asking for, you guys.

2973
02:08:27,280 --> 02:08:29,640
Speaker 3: What I think. I think a lot more women would

2974
02:08:29,680 --> 02:08:32,000
Speaker 3: do it. You know how women say men are usually

2975
02:08:32,080 --> 02:08:34,360
Speaker 3: jaded because they got their heart broken like sixth grade

2976
02:08:34,400 --> 02:08:37,920
Speaker 3: and still are not over it. I think women would

2977
02:08:37,960 --> 02:08:39,560
Speaker 3: like to shoot their shop, but one time in their

2978
02:08:39,600 --> 02:08:41,120
Speaker 3: life they had the courage to do it and it

2979
02:08:41,160 --> 02:08:43,400
Speaker 3: didn't go the route they wanted to, and now they'll

2980
02:08:43,440 --> 02:08:46,200
Speaker 3: never do it because women don't handle rejection well at all.

2981
02:08:46,280 --> 02:08:46,320
Speaker 1: No.

2982
02:08:46,560 --> 02:08:48,120
Speaker 2: I saw a woman post the other day that I'm

2983
02:08:48,120 --> 02:08:50,840
Speaker 2: still mad at Chrissy for what she for proposing to Gym,

2984
02:08:50,840 --> 02:08:54,040
Speaker 2: and I was like, damn, yeah, y'all still mad about that?

2985
02:08:54,960 --> 02:08:58,800
Speaker 2: Why she wanted to propose that man? See what was

2986
02:08:58,800 --> 02:09:00,000
Speaker 2: the what's the problem with that? Baby?

2987
02:09:00,080 --> 02:09:01,200
Speaker 1: You know what the problem is?

2988
02:09:01,240 --> 02:09:04,160
Speaker 2: I don't She was ready to get married and Jim

2989
02:09:04,280 --> 02:09:05,200
Speaker 2: wasn't moving fast.

2990
02:09:05,040 --> 02:09:07,280
Speaker 1: Feminism and yeah, because he ain't want to get married.

2991
02:09:07,280 --> 02:09:10,000
Speaker 2: They still ain't married, is the I mean, you might

2992
02:09:10,040 --> 02:09:11,520
Speaker 2: be waiting for the right budget. I don't know.

2993
02:09:13,280 --> 02:09:14,640
Speaker 1: I don't know how much he's making off them, off

2994
02:09:14,640 --> 02:09:16,640
Speaker 1: them fucking tapes he released in the budget, is there?

2995
02:09:17,240 --> 02:09:19,360
Speaker 3: I mean, I just don't GYM is far from far

2996
02:09:19,360 --> 02:09:19,800
Speaker 3: from broke.

2997
02:09:20,040 --> 02:09:22,080
Speaker 2: No, No, I'm just saying no. Maybe they want VH

2998
02:09:22,160 --> 02:09:24,120
Speaker 2: one to you know, put it together.

2999
02:09:24,280 --> 02:09:25,560
Speaker 1: They would, a VH one would have.

3000
02:09:26,120 --> 02:09:26,640
Speaker 2: Yeah, I don't know.

3001
02:09:26,680 --> 02:09:29,480
Speaker 3: I just and I sorry because I really don't know.

3002
02:09:29,600 --> 02:09:31,200
Speaker 3: Wasn't there rumors recently that they weren't together?

3003
02:09:31,400 --> 02:09:33,440
Speaker 1: It was rumors that he was married to Brooke Bailey. Yeah,

3004
02:09:33,440 --> 02:09:35,200
Speaker 1: that's that's. I don't know if that ever got confirmed.

3005
02:09:35,200 --> 02:09:35,440
Speaker 2: That was.

3006
02:09:35,600 --> 02:09:36,400
Speaker 1: I didn't look into it.

3007
02:09:36,680 --> 02:09:40,440
Speaker 2: No, that was that was not true, that was. But yeah,

3008
02:09:40,480 --> 02:09:43,520
Speaker 2: I do. I do appreciate a woman. Now, this level

3009
02:09:43,600 --> 02:09:46,520
Speaker 2: is to aggression though, Like you can't walk up to

3010
02:09:46,560 --> 02:09:47,960
Speaker 2: me and tell me you'll pull your ship out, like

3011
02:09:48,080 --> 02:09:49,920
Speaker 2: let me see how big it? Like, now that's wild,

3012
02:09:50,200 --> 02:09:52,000
Speaker 2: you see what I'm saying. But women do that though,

3013
02:09:52,040 --> 02:09:53,600
Speaker 2: they definitely do that, you know what I'm saying. Like,

3014
02:09:53,640 --> 02:09:56,000
Speaker 2: so it's like that is like whoa, Like you know

3015
02:09:56,040 --> 02:09:58,360
Speaker 2: what I'm saying, But I like, I think it's kind

3016
02:09:58,360 --> 02:10:00,520
Speaker 2: of fly on because I say, are you worry with me?

3017
02:10:00,560 --> 02:10:02,880
Speaker 2: Like I'm that guy, like I go right, once I

3018
02:10:02,880 --> 02:10:04,560
Speaker 2: see a woman is flirting, like I say it, and

3019
02:10:04,960 --> 02:10:06,800
Speaker 2: if she flirt, it's like, okay, we got a flirt

3020
02:10:06,800 --> 02:10:07,840
Speaker 2: flirt the Olympics right now.

3021
02:10:07,880 --> 02:10:08,920
Speaker 1: But then she say, yeah, what up?

3022
02:10:09,120 --> 02:10:11,600
Speaker 2: Why oh that's you can't talk to me like that.

3023
02:10:11,640 --> 02:10:14,400
Speaker 1: I'm I'm wrong.

3024
02:10:14,320 --> 02:10:16,720
Speaker 2: I'm the wrong guy to say, yeah, so what's up? Like, nah,

3025
02:10:16,800 --> 02:10:18,920
Speaker 2: don't talk because then I'm because now I don't know

3026
02:10:18,920 --> 02:10:21,400
Speaker 2: because then you don't want me to don't call me

3027
02:10:21,480 --> 02:10:23,480
Speaker 2: into that ring to do that, because you can't do

3028
02:10:23,560 --> 02:10:26,520
Speaker 2: that with me, like you're gonna lose that. I'll flirt

3029
02:10:26,600 --> 02:10:28,440
Speaker 2: all night with a girl and never see her again,

3030
02:10:28,480 --> 02:10:30,800
Speaker 2: Like I'm the king of that. Like we'll flirt all

3031
02:10:30,920 --> 02:10:34,080
Speaker 2: night and that's what Lee doing. I don't know if

3032
02:10:34,080 --> 02:10:36,160
Speaker 2: it's because when I mean promise.

3033
02:10:36,320 --> 02:10:39,600
Speaker 3: Is it for avoid that you're feeling or validation?

3034
02:10:39,680 --> 02:10:41,800
Speaker 1: Why do you play with people's emotions because it's fun

3035
02:10:41,800 --> 02:10:42,160
Speaker 1: to him?

3036
02:10:42,200 --> 02:10:44,600
Speaker 2: Why do I play with people's emotions? She started flirting

3037
02:10:44,600 --> 02:10:46,040
Speaker 2: with me and.

3038
02:10:46,040 --> 02:10:47,760
Speaker 3: I'm just learning with no intention, which, by the way,

3039
02:10:47,800 --> 02:10:49,000
Speaker 3: I've done countless time.

3040
02:10:50,000 --> 02:10:52,400
Speaker 2: It's healthy to flirt with no intention. It's helped people

3041
02:10:52,440 --> 02:10:55,720
Speaker 2: do it on social media every day. It's it's fun

3042
02:10:55,720 --> 02:10:57,520
Speaker 2: to do that. It's like, but then when you be like, yo,

3043
02:10:58,160 --> 02:11:01,480
Speaker 2: so what's up? When be going out like what we

3044
02:11:01,520 --> 02:11:03,520
Speaker 2: ain't never linked in real life, It's like, oh, okay,

3045
02:11:03,560 --> 02:11:04,200
Speaker 2: that was just for the.

3046
02:11:04,440 --> 02:11:07,720
Speaker 1: So then why would you? So then women are asking

3047
02:11:07,960 --> 02:11:11,800
Speaker 1: Like that's why women are asking this because I and

3048
02:11:11,800 --> 02:11:13,480
Speaker 1: I asked, and then I tell you because I've had

3049
02:11:13,520 --> 02:11:14,760
Speaker 1: men that come in my inbox.

3050
02:11:15,120 --> 02:11:18,160
Speaker 2: But I want to just gon flirt? What you don't

3051
02:11:18,160 --> 02:11:19,000
Speaker 2: mean I want to hang out?

3052
02:11:19,000 --> 02:11:22,320
Speaker 1: Though? What didn't you That's true? You know what I'm saying,

3053
02:11:22,400 --> 02:11:24,400
Speaker 1: Just baby, just because I'm you.

3054
02:11:24,400 --> 02:11:27,280
Speaker 2: Don't mean I want to like go get dinner and

3055
02:11:27,320 --> 02:11:28,760
Speaker 2: hang out. And don't that don't mean that.

3056
02:11:28,880 --> 02:11:31,480
Speaker 1: And that's why women are afraid to approach because they

3057
02:11:31,480 --> 02:11:33,120
Speaker 1: don't know if they just again to you, like I'm

3058
02:11:33,120 --> 02:11:40,440
Speaker 1: flirting to like get somewhere, you're flirting. I'm definitely I've

3059
02:11:40,440 --> 02:11:41,560
Speaker 1: flirting to marry before.

3060
02:11:41,800 --> 02:11:43,720
Speaker 2: How you know you don't even know him well?

3061
02:11:43,840 --> 02:11:46,320
Speaker 3: Or you're flirting to dating to date, and they call

3062
02:11:46,480 --> 02:11:49,000
Speaker 3: dating with intentions that you are dating someone with the

3063
02:11:49,080 --> 02:11:50,760
Speaker 3: idea that this would be a long term thing once

3064
02:11:50,800 --> 02:11:51,440
Speaker 3: you get to know them.

3065
02:11:51,480 --> 02:11:53,280
Speaker 2: Okay, not dating just to funk, all right, So what if?

3066
02:11:53,480 --> 02:11:55,520
Speaker 2: So what if a woman approaches me, she starts flirting.

3067
02:11:55,520 --> 02:11:58,520
Speaker 2: I think she's attractive, so okay, I flirt back. But

3068
02:11:58,640 --> 02:12:01,440
Speaker 2: in the flirting I kind of learned things about it,

3069
02:12:01,480 --> 02:12:03,400
Speaker 2: and I'm like, yo, that ain't really my like, uh,

3070
02:12:03,760 --> 02:12:05,160
Speaker 2: you know what I'm saying, because that happens, like we

3071
02:12:05,160 --> 02:12:07,360
Speaker 2: will both be flirting fs one and like she could

3072
02:12:07,400 --> 02:12:10,240
Speaker 2: say something. I'm just like, I don't know that was

3073
02:12:10,320 --> 02:12:11,120
Speaker 2: like what.

3074
02:12:10,800 --> 02:12:12,600
Speaker 1: What's what's an example of what she could say in

3075
02:12:12,640 --> 02:12:15,240
Speaker 1: a flirting session in the grocery store that can make

3076
02:12:15,280 --> 02:12:15,600
Speaker 1: you go on.

3077
02:12:16,480 --> 02:12:19,280
Speaker 2: I'm just saying it's just I don't know, just certain

3078
02:12:19,320 --> 02:12:22,160
Speaker 2: things that she might in the conversation that you just

3079
02:12:22,240 --> 02:12:24,120
Speaker 2: might be like that was a little bit of a

3080
02:12:24,160 --> 02:12:27,520
Speaker 2: turn off, but whatever, Like if she has three kids,

3081
02:12:27,520 --> 02:12:29,720
Speaker 2: two baby daddies, I don't.

3082
02:12:29,800 --> 02:12:32,560
Speaker 1: Flirting and that information comes out, you mean, I.

3083
02:12:32,520 --> 02:12:33,960
Speaker 2: Gotta ask her if she has you know, you have

3084
02:12:34,000 --> 02:12:35,200
Speaker 2: a family, you sing with your ship.

3085
02:12:35,320 --> 02:12:38,000
Speaker 3: That's a crazy question of the produce and you can

3086
02:12:38,040 --> 02:12:39,360
Speaker 3: tell about like what's in her card?

3087
02:12:39,520 --> 02:12:43,280
Speaker 2: Like clearly if I say some fucking caprice sons, I'm like,

3088
02:12:43,600 --> 02:12:44,720
Speaker 2: you not busting.

3089
02:12:44,400 --> 02:12:45,680
Speaker 1: Down mine mind?

3090
02:12:46,320 --> 02:12:49,560
Speaker 2: Nah dog, if you got a bunch of if you

3091
02:12:49,600 --> 02:12:52,640
Speaker 2: got the variety box at the free variety, you better

3092
02:12:52,680 --> 02:12:55,480
Speaker 2: have some kids. Don't tell me these just for you

3093
02:12:55,560 --> 02:12:58,360
Speaker 2: and you put these in your and your fridge at work.

3094
02:12:58,360 --> 02:13:00,120
Speaker 2: Don't tell me that.

3095
02:13:00,560 --> 02:13:01,360
Speaker 1: Nah nah?

3096
02:13:01,680 --> 02:13:05,560
Speaker 2: Who's how many? Okay? So where's the rascals? I get

3097
02:13:05,600 --> 02:13:06,880
Speaker 2: right to it once I look at the shopping car.

3098
02:13:07,760 --> 02:13:09,640
Speaker 2: Where's the rascals? Like they're not here?

3099
02:13:09,440 --> 02:13:10,160
Speaker 1: The school?

3100
02:13:10,200 --> 02:13:13,800
Speaker 2: All right? How many? You know how many kids? You got? Three? Okay?

3101
02:13:13,960 --> 02:13:16,400
Speaker 2: You know? Father around you still?

3102
02:13:16,440 --> 02:13:18,080
Speaker 3: You know that's what you bust out on the first

3103
02:13:18,240 --> 02:13:19,920
Speaker 3: convo is the father around?

3104
02:13:20,400 --> 02:13:24,640
Speaker 1: Yeah? Crazy question learning session, Like we're flirting.

3105
02:13:25,320 --> 02:13:27,080
Speaker 2: I need to know if I need to know if

3106
02:13:27,120 --> 02:13:29,600
Speaker 2: your fucking kids, father, y'all still live together? You like,

3107
02:13:29,600 --> 02:13:31,880
Speaker 2: what's your y'all? Y'all single? When you single? What do

3108
02:13:31,960 --> 02:13:34,160
Speaker 2: you are we doing it? Can I come over and

3109
02:13:34,160 --> 02:13:35,840
Speaker 2: get comfortable or I got to have my glock in

3110
02:13:35,840 --> 02:13:37,360
Speaker 2: my pants? Like on me on the podcast?

3111
02:13:37,400 --> 02:13:38,440
Speaker 1: There's another.

3112
02:13:39,640 --> 02:13:42,120
Speaker 3: About that of like, oh, I don't want to disrespect

3113
02:13:42,520 --> 02:13:44,320
Speaker 3: the man of that, like you could find a cuter

3114
02:13:44,440 --> 02:13:45,720
Speaker 3: way to ask that question.

3115
02:13:45,720 --> 02:13:47,960
Speaker 2: You're trying to find you to say you're still with

3116
02:13:48,080 --> 02:13:49,760
Speaker 2: your saying you're still with your kids.

3117
02:13:49,480 --> 02:13:53,440
Speaker 1: Father, I ain't. That's not what you want to date.

3118
02:13:54,520 --> 02:13:55,800
Speaker 2: I don't want to find that out at the date.

3119
02:13:55,840 --> 02:13:57,720
Speaker 2: I'm not gonna find it out before I start spending

3120
02:13:57,720 --> 02:13:59,120
Speaker 2: money on you. Like, nah, I want to find it

3121
02:13:59,120 --> 02:14:00,160
Speaker 2: out before we hit the check out.

3122
02:14:00,680 --> 02:14:02,240
Speaker 3: I'm going down.

3123
02:14:02,840 --> 02:14:05,360
Speaker 2: I'm getting avocado's like you are, Yo, what's up? Your kids?

3124
02:14:05,400 --> 02:14:06,440
Speaker 2: Fathers still in the pictures?

3125
02:14:06,720 --> 02:14:09,040
Speaker 1: Yeah?

3126
02:14:09,120 --> 02:14:11,360
Speaker 2: Yeah, hand me that pick? Yeah a word?

3127
02:14:11,560 --> 02:14:11,680
Speaker 1: Nah?

3128
02:14:11,920 --> 02:14:15,160
Speaker 2: Locked up? Okay? How many two baby daddies?

3129
02:14:15,440 --> 02:14:15,840
Speaker 1: Which way?

3130
02:14:15,880 --> 02:14:17,440
Speaker 3: First of all, what supermarket are we in?

3131
02:14:17,800 --> 02:14:18,160
Speaker 1: No way?

3132
02:14:18,760 --> 02:14:26,440
Speaker 2: I don't know, definite special Whole Foods. Man, Traded Joe's

3133
02:14:26,720 --> 02:14:30,120
Speaker 2: they in there? Baby Mamas is the traded Joe's. They

3134
02:14:30,160 --> 02:14:33,280
Speaker 2: get that check every month. Yeah, they spending that bad Joe's.

3135
02:14:33,440 --> 02:14:35,240
Speaker 2: That sings more affordable than people think.

3136
02:14:35,280 --> 02:14:38,400
Speaker 3: But to have the baby mother with two baby fathers

3137
02:14:38,440 --> 02:14:40,200
Speaker 3: both locked up, three kids, I just don't know.

3138
02:14:40,200 --> 02:14:42,800
Speaker 2: If I didn't say locked up, you just said that.

3139
02:14:42,880 --> 02:14:44,920
Speaker 2: I said, where is he? Is he still in the picture?

3140
02:14:45,040 --> 02:14:46,200
Speaker 1: And they said locked up? All right?

3141
02:14:46,200 --> 02:14:49,080
Speaker 2: Cool? Okay, y is he locked up? Great? How much

3142
02:14:49,080 --> 02:14:50,520
Speaker 2: Tommy got life?

3143
02:14:51,080 --> 02:14:51,240
Speaker 1: Oh?

3144
02:14:51,320 --> 02:14:52,760
Speaker 2: Yeah? So what's up with time? You need me to

3145
02:14:52,760 --> 02:14:55,600
Speaker 2: pick you up? He ain't coming home. We ain't worried

3146
02:14:55,640 --> 02:14:58,200
Speaker 2: about him. But yeah, that's a valid question. Baby did

3147
02:14:58,840 --> 02:15:01,040
Speaker 2: is the kids father still in the pit on the date?

3148
02:15:01,280 --> 02:15:01,360
Speaker 5: Not?

3149
02:15:01,800 --> 02:15:01,960
Speaker 2: Yes?

3150
02:15:03,680 --> 02:15:04,280
Speaker 1: How was that?

3151
02:15:04,680 --> 02:15:06,760
Speaker 2: Y'all look crazy? So I'm gonna find out on the

3152
02:15:06,880 --> 02:15:09,000
Speaker 2: date that her and this nigga is still together?

3153
02:15:09,160 --> 02:15:13,360
Speaker 3: No, not together, that she has two baby fathers.

3154
02:15:13,560 --> 02:15:15,520
Speaker 1: If you ask you are you single? That's it. You

3155
02:15:15,560 --> 02:15:19,000
Speaker 1: don't got to yo your baby? Are you single? That's it.

3156
02:15:19,040 --> 02:15:20,440
Speaker 1: I feel like that's flirting, Like if we're in the

3157
02:15:20,480 --> 02:15:22,800
Speaker 1: grocery store and you know, making eyes at each other

3158
02:15:22,800 --> 02:15:25,120
Speaker 1: and you walk up like are you single? Like that's flipper.

3159
02:15:25,160 --> 02:15:26,960
Speaker 2: What if a question is something that throws you off

3160
02:15:27,000 --> 02:15:29,560
Speaker 2: where she's not saying yes, but she ain't saying no?

3161
02:15:30,120 --> 02:15:31,360
Speaker 1: What and don't go on to date? Mom?

3162
02:15:31,440 --> 02:15:33,480
Speaker 2: What if she says what she like? It depends, you know,

3163
02:15:33,560 --> 02:15:37,240
Speaker 2: y'all love that. That's exactly y'all love it. It depends

3164
02:15:37,640 --> 02:15:40,800
Speaker 2: y'all love throwing it. It depends. It depends on who's asking.

3165
02:15:41,480 --> 02:15:45,160
Speaker 2: Y'all'm asking who else you standing out forward right now?

3166
02:15:45,280 --> 02:15:47,680
Speaker 3: I'm asking first off, in the supermark saying Yo, my

3167
02:15:47,680 --> 02:15:49,160
Speaker 3: friend wants to talk to you would be the wild

3168
02:15:49,360 --> 02:15:51,400
Speaker 3: It's me asking, like I'm asking.

3169
02:15:51,840 --> 02:15:54,240
Speaker 2: Are you single? It depends on who's asking.

3170
02:15:54,360 --> 02:15:55,600
Speaker 1: You might try to look. You might be trying to

3171
02:15:55,600 --> 02:15:59,240
Speaker 1: hook me up with like you, you know, anybody, your dad, somebody,

3172
02:15:59,480 --> 02:16:02,880
Speaker 1: anybody at the supermarket. That's my pops type.

3173
02:16:03,200 --> 02:16:04,800
Speaker 2: Oh you my pop there? You ain't for me, but

3174
02:16:05,080 --> 02:16:07,440
Speaker 2: I could call Paga face top pops right now? Who

3175
02:16:07,480 --> 02:16:07,880
Speaker 2: does that?

3176
02:16:08,000 --> 02:16:09,280
Speaker 1: Or like if you got it, like if you got

3177
02:16:09,320 --> 02:16:10,800
Speaker 1: a brother and it's like yo, this is like my

3178
02:16:10,840 --> 02:16:14,200
Speaker 1: brother's like genuine type. Or it could be somebody that

3179
02:16:14,280 --> 02:16:15,040
Speaker 1: you recognize.

3180
02:16:15,200 --> 02:16:18,600
Speaker 2: Listen, my brother got a huge brother for the reason.

3181
02:16:18,680 --> 02:16:20,360
Speaker 3: If a girl came up to me and said she

3182
02:16:20,440 --> 02:16:22,440
Speaker 3: wanted to hook me up with her homegirl and showed

3183
02:16:22,480 --> 02:16:25,080
Speaker 3: me in a supermarket a photo of her, I would

3184
02:16:25,280 --> 02:16:27,720
Speaker 3: be terrified. That's like murdership to me.

3185
02:16:27,800 --> 02:16:28,600
Speaker 2: Yes, it's like, yo, you go.

3186
02:16:31,760 --> 02:16:35,120
Speaker 1: So I'm having a Okay, So I'm not really talking

3187
02:16:35,120 --> 02:16:37,080
Speaker 1: for the masses with this conversation. I'm kind of talking

3188
02:16:37,120 --> 02:16:41,720
Speaker 1: about us because we are public figures, right, so people

3189
02:16:41,840 --> 02:16:44,000
Speaker 1: know us that we don't know. So if somebody might

3190
02:16:44,040 --> 02:16:45,640
Speaker 1: come up in the grocery store and be like, yo,

3191
02:16:45,720 --> 02:16:49,640
Speaker 1: my homegirl has the biggest crush on you, like that

3192
02:16:49,680 --> 02:16:52,280
Speaker 1: type of thing, like she fired here, show it. You're

3193
02:16:52,280 --> 02:16:56,000
Speaker 1: not interesting. If she bad, If the homegirl ig go crazy.

3194
02:16:56,120 --> 02:16:59,320
Speaker 1: She only got two hundred and fifty followers, no kids,

3195
02:16:59,320 --> 02:17:02,840
Speaker 1: come on, two fifty no kids, y'all folding.

3196
02:17:02,720 --> 02:17:04,440
Speaker 2: I'm gonna be surprised. I ain't following her.

3197
02:17:05,360 --> 02:17:10,160
Speaker 3: It's like nine soft follows, bad no kids.

3198
02:17:10,720 --> 02:17:12,480
Speaker 2: Nah, you just named that's the locked neest monster you

3199
02:17:12,560 --> 02:17:13,680
Speaker 2: just named right. That shit don't exist.

3200
02:17:13,760 --> 02:17:16,039
Speaker 3: Remember I told a story a long, long long time

3201
02:17:16,080 --> 02:17:19,440
Speaker 3: ago on this podcast of when Mandy was out at

3202
02:17:19,440 --> 02:17:22,160
Speaker 3: a party one night and that happened to her like

3203
02:17:22,160 --> 02:17:23,800
Speaker 3: a girl had said she had a crush on me,

3204
02:17:24,160 --> 02:17:25,720
Speaker 3: and Mandy face timed me.

3205
02:17:25,720 --> 02:17:26,959
Speaker 1: I'm like, what I'm supposed to do with this?

3206
02:17:27,760 --> 02:17:28,640
Speaker 3: Like what you want me to do?

3207
02:17:28,959 --> 02:17:30,400
Speaker 2: So awkward? Now we're just looking at each other.

3208
02:17:30,600 --> 02:17:31,640
Speaker 1: Many drive from Jersey Day.

3209
02:17:31,720 --> 02:17:34,080
Speaker 2: You know, your face, Wow, your face the wild fat

3210
02:17:34,120 --> 02:17:36,280
Speaker 2: on facetimes to look like you like you're looking through

3211
02:17:36,280 --> 02:17:38,520
Speaker 2: the ring camera. So now you're just sitting there. Now

3212
02:17:38,520 --> 02:17:41,400
Speaker 2: you're sitting there looking Now you're sitting there looking stupid,

3213
02:17:41,440 --> 02:17:43,040
Speaker 2: like yeah. I was like, Yo, what's up? You're gonna

3214
02:17:43,040 --> 02:17:46,880
Speaker 2: say what's up? Twice? Maybe and everybody, Yo, yo, what's up?

3215
02:17:46,920 --> 02:17:50,280
Speaker 1: You are crush on me? Say word? What's your name's word?

3216
02:17:50,720 --> 02:17:52,760
Speaker 2: I know I got no saying say word while somebody's

3217
02:17:52,760 --> 02:17:56,480
Speaker 2: holding a say word. People just don't know how to flirt.

3218
02:17:56,840 --> 02:17:59,320
Speaker 2: I'm telling you, try to flirt with somebody that don't

3219
02:17:59,360 --> 02:18:01,119
Speaker 2: know how to flip. This the funniest shit ever.

3220
02:18:01,400 --> 02:18:04,480
Speaker 3: I got caught on Saturday. I wouldn't have replied, but

3221
02:18:04,600 --> 02:18:06,840
Speaker 3: I did leave there thinking what would I have said

3222
02:18:06,920 --> 02:18:08,720
Speaker 3: if that was even a situation. A girl came up

3223
02:18:08,760 --> 02:18:11,039
Speaker 3: to me and said hey, handsome and batted her eyes

3224
02:18:11,400 --> 02:18:14,320
Speaker 3: and I froze up. It wouldn't have It wouldn't have

3225
02:18:14,320 --> 02:18:16,040
Speaker 3: been a thing regardless. But I was trying to think

3226
02:18:16,360 --> 02:18:18,560
Speaker 3: in the hypothetical, like I wouldn't even know what to

3227
02:18:18,600 --> 02:18:21,040
Speaker 3: say back to you. Bro, You should have just over

3228
02:18:21,080 --> 02:18:22,120
Speaker 3: the Jersey club music.

3229
02:18:22,280 --> 02:18:25,480
Speaker 2: She was an escort swing that she can't just like Rory,

3230
02:18:25,720 --> 02:18:28,119
Speaker 2: he's selling ass man when he was at a party.

3231
02:18:28,200 --> 02:18:31,120
Speaker 3: It was at the Founders Station. She was selling, not

3232
02:18:31,160 --> 02:18:35,199
Speaker 3: selling man. Y'all swear to y'all girl selling pussy.

3233
02:18:35,320 --> 02:18:37,480
Speaker 2: Not every girl, just the girls that's selling pussy. It's

3234
02:18:37,480 --> 02:18:40,640
Speaker 2: a difference. She was selling ass hey hands. It was

3235
02:18:40,720 --> 02:18:41,000
Speaker 2: the too.

3236
02:18:41,520 --> 02:18:44,680
Speaker 1: I'm that it was like, twats yeah, that's two hundred.

3237
02:18:44,720 --> 02:18:45,039
Speaker 2: She was like.

3238
02:18:46,879 --> 02:18:50,880
Speaker 1: She had a two hundred dollars eyelashes, and I don't

3239
02:18:50,879 --> 02:18:52,600
Speaker 1: sell I've hit an with the hay hands.

3240
02:18:52,680 --> 02:18:53,640
Speaker 2: But you don't blink twice.

3241
02:18:53,800 --> 02:18:56,560
Speaker 3: No, look, I'm a little offended, like I'm in non

3242
02:18:56,600 --> 02:18:58,880
Speaker 3: desirable that a woman would find me handsome of the party.

3243
02:18:59,080 --> 02:19:02,120
Speaker 3: That's crazy. Just has to be a prosecuted No one

3244
02:19:02,160 --> 02:19:02,440
Speaker 3: would like.

3245
02:19:02,480 --> 02:19:04,640
Speaker 2: No, she finds handsome. But you got to pay the play.

3246
02:19:05,720 --> 02:19:07,320
Speaker 1: You don't think Roy could get pussy for free.

3247
02:19:08,280 --> 02:19:08,560
Speaker 2: I would.

3248
02:19:08,680 --> 02:19:09,879
Speaker 3: I've never paid for pussy.

3249
02:19:09,920 --> 02:19:10,520
Speaker 2: I hope he would.

3250
02:19:10,560 --> 02:19:12,120
Speaker 3: The only pussy I've ever gotten this free.

3251
02:19:12,720 --> 02:19:15,200
Speaker 2: You never paid for me not doing this. It's twenty

3252
02:19:15,200 --> 02:19:18,039
Speaker 2: twenty five, lot of me, lot of me. Tell me lies,

3253
02:19:18,080 --> 02:19:20,360
Speaker 2: make it sound good, make it sent You never paid

3254
02:19:20,400 --> 02:19:24,720
Speaker 2: for pussy. No, he's lying. It's documented on camera. You

3255
02:19:24,720 --> 02:19:25,920
Speaker 2: told me you paid for pussy before.

3256
02:19:26,080 --> 02:19:27,520
Speaker 1: No, I paid for pussy for demeris.

3257
02:19:27,920 --> 02:19:30,119
Speaker 2: No, no, no, no, no, that was I.

3258
02:19:30,040 --> 02:19:38,279
Speaker 3: Have taken women out on dates like that's not pay.

3259
02:19:36,200 --> 02:19:40,600
Speaker 2: For pussy, man, I'm talking about sending the wire sin

3260
02:19:40,840 --> 02:19:44,680
Speaker 2: Is that one point five? Right? Oh? No, let me

3261
02:19:44,720 --> 02:19:45,320
Speaker 2: tell you something.

3262
02:19:45,360 --> 02:19:47,920
Speaker 3: If I ever the only thing that's on camera was

3263
02:19:48,440 --> 02:19:52,160
Speaker 3: Demarus's birthday when I paid for pussy for her nothing.

3264
02:19:52,200 --> 02:19:57,840
Speaker 2: This was years years ago. Who I don't know what. Yeah,

3265
02:19:57,840 --> 02:19:59,760
Speaker 2: you definitely said you paid for pussy before because I

3266
02:19:59,800 --> 02:20:01,280
Speaker 2: was on the side of I've never done that.

3267
02:20:01,640 --> 02:20:02,160
Speaker 1: Neither have I.

3268
02:20:02,280 --> 02:20:04,760
Speaker 2: Okay, my bad? I could be staying corrected for here's why.

3269
02:20:04,800 --> 02:20:06,440
Speaker 3: Here's why I would not pay for Pussi's not on

3270
02:20:06,440 --> 02:20:08,160
Speaker 3: a moral fucking ground. I'd have to wear a condom.

3271
02:20:08,200 --> 02:20:08,800
Speaker 3: I'm not doing that.

3272
02:20:09,400 --> 02:20:11,600
Speaker 2: I know. You don't depending on how much you pay,

3273
02:20:11,640 --> 02:20:13,960
Speaker 2: don't have that much money, depending on how depending on

3274
02:20:14,000 --> 02:20:17,000
Speaker 2: how much you pay, No, you don't, you know I

3275
02:20:17,040 --> 02:20:20,480
Speaker 2: know what? Somebody that are you good? My bad? I

3276
02:20:20,480 --> 02:20:22,800
Speaker 2: am sorry? So yes, young lady. We do think that

3277
02:20:22,800 --> 02:20:27,160
Speaker 2: it's okay to flirt with men, to be aggressive. I

3278
02:20:27,200 --> 02:20:29,600
Speaker 2: think it's actually kind of sexy when a woman approaches

3279
02:20:29,600 --> 02:20:32,240
Speaker 2: a guy. You know, she's confident, and she's you know,

3280
02:20:32,640 --> 02:20:34,800
Speaker 2: she can hold a conversation and let a god know, hey, listen,

3281
02:20:34,840 --> 02:20:36,400
Speaker 2: I would like to hang out, spend more time with you.

3282
02:20:36,440 --> 02:20:38,240
Speaker 2: Let's go on to date like I think that's fly.

3283
02:20:38,600 --> 02:20:38,960
Speaker 2: Why not?

3284
02:20:39,160 --> 02:20:42,440
Speaker 3: Bag met me? Let me be the little spoon like

3285
02:20:42,800 --> 02:20:43,440
Speaker 3: take me out?

3286
02:20:43,600 --> 02:20:46,680
Speaker 2: Yeah, bag me, bag me, get me lit twenty twenty five,

3287
02:20:46,720 --> 02:20:49,240
Speaker 2: bag me, bag me, bag me a twenty twenty five.

3288
02:20:49,240 --> 02:20:51,080
Speaker 2: If you out there, baged me, let me see something,

3289
02:20:51,160 --> 02:20:53,320
Speaker 2: yeah said, cause y'all win. Women, y'all be talking like

3290
02:20:53,320 --> 02:20:55,400
Speaker 2: guys don't know how to flirt, they don't know how

3291
02:20:55,440 --> 02:20:57,879
Speaker 2: to court. All right, well, let's let's see if you

3292
02:20:57,920 --> 02:21:00,480
Speaker 2: know how to flirt, just flirt. I ain't saying you

3293
02:21:00,480 --> 02:21:01,920
Speaker 2: got to court me and all I know how to.

3294
02:21:02,280 --> 02:21:04,040
Speaker 2: I could take it from there, but let me see

3295
02:21:04,040 --> 02:21:06,120
Speaker 2: what we need to see what women flirt like?

3296
02:21:06,360 --> 02:21:08,200
Speaker 1: Well, ma, can you teach me how to I'm my

3297
02:21:08,440 --> 02:21:12,840
Speaker 1: flirting is like my flirting is very like, I don't know.

3298
02:21:13,040 --> 02:21:14,440
Speaker 1: I need to learn how to flirt.

3299
02:21:14,720 --> 02:21:16,640
Speaker 2: Breule number one, to flirt and don't ask for what's I.

3300
02:21:16,720 --> 02:21:19,920
Speaker 1: G Oh, I don't. I don't give anybody my IG.

3301
02:21:20,120 --> 02:21:23,920
Speaker 1: I give them my false like my fence stuff. Because

3302
02:21:24,240 --> 02:21:26,800
Speaker 1: because men get my IG and think they know me

3303
02:21:26,879 --> 02:21:28,800
Speaker 1: because of this fucking podcast, or because I have a

3304
02:21:28,840 --> 02:21:30,680
Speaker 1: lot of followers, they think they know me. They think

3305
02:21:30,680 --> 02:21:32,800
Speaker 1: I'm the girl they want a lot of followers want

3306
02:21:32,840 --> 02:21:33,040
Speaker 1: to get.

3307
02:21:34,120 --> 02:21:36,640
Speaker 2: Just don't give them nothing. Yeah, don't even give them

3308
02:21:36,640 --> 02:21:37,080
Speaker 2: the fence.

3309
02:21:37,240 --> 02:21:38,959
Speaker 1: Because I don't want to have my phone number.

3310
02:21:39,680 --> 02:21:41,879
Speaker 2: Oh you mean like you you're trying to avoid giving

3311
02:21:41,920 --> 02:21:46,000
Speaker 2: them the number. So give me your Facebook give them somebody.

3312
02:21:47,200 --> 02:21:49,240
Speaker 2: I gotta download an app on my phone to talk

3313
02:21:49,280 --> 02:21:50,360
Speaker 2: to you. Like, Nah, I'm not doing that.

3314
02:21:50,400 --> 02:21:51,720
Speaker 3: You could do what's app?

3315
02:21:52,959 --> 02:21:53,480
Speaker 2: O crazy?

3316
02:21:53,920 --> 02:21:54,560
Speaker 1: I'm not doing that.

3317
02:21:54,680 --> 02:21:56,800
Speaker 2: I'm not texting nobody through. What's that that lives in America?

3318
02:21:58,360 --> 02:22:00,080
Speaker 2: We live in the same country. I'm not used And

3319
02:22:00,120 --> 02:22:00,879
Speaker 2: what's that to talk to you?

3320
02:22:00,920 --> 02:22:02,800
Speaker 3: What's wrong with it? What's your I g lin.

3321
02:22:04,640 --> 02:22:07,400
Speaker 2: You know, you know I fumbled the bag of all

3322
02:22:07,440 --> 02:22:08,120
Speaker 2: bags when we was.

3323
02:22:08,480 --> 02:22:09,600
Speaker 1: We know, let it go.

3324
02:22:10,200 --> 02:22:12,279
Speaker 2: I'm baby d she was baby.

3325
02:22:12,400 --> 02:22:14,879
Speaker 1: Trying to speak it back in any Listen.

3326
02:22:14,800 --> 02:22:16,800
Speaker 2: We don't know what I'm talking about, baby, exactly what

3327
02:22:16,920 --> 02:22:17,560
Speaker 2: you're talking about.

3328
02:22:17,640 --> 02:22:22,160
Speaker 3: Nah, baby, I'm with her. You in twenty twenty five.

3329
02:22:22,200 --> 02:22:23,680
Speaker 3: You do need to get this off your spirit.

3330
02:22:23,800 --> 02:22:24,240
Speaker 2: No, I'm not.

3331
02:22:24,320 --> 02:22:25,120
Speaker 1: It's been holding you down.

3332
02:22:25,160 --> 02:22:25,959
Speaker 2: I'm not saying I'm not.

3333
02:22:26,400 --> 02:22:26,840
Speaker 1: It's a weight.

3334
02:22:27,000 --> 02:22:28,959
Speaker 2: No, I'm not still thinking about it. But when it

3335
02:22:29,000 --> 02:22:31,080
Speaker 2: comes up, I'm just like, damn, that was the fumble

3336
02:22:31,120 --> 02:22:32,040
Speaker 2: of all fumbles right there.

3337
02:22:32,440 --> 02:22:34,400
Speaker 1: That was God keeping you from something that would have ruined.

3338
02:22:34,520 --> 02:22:36,560
Speaker 2: Talk to me, baby, d Now see this is why

3339
02:22:36,520 --> 02:22:37,720
Speaker 2: you're in the room. Talk to me.

3340
02:22:37,800 --> 02:22:39,360
Speaker 1: You will never miss you.

3341
02:22:39,400 --> 02:22:41,440
Speaker 2: Talk to me, talk to me.

3342
02:22:41,480 --> 02:22:42,760
Speaker 1: Crazy will miss you.

3343
02:22:43,440 --> 02:22:49,720
Speaker 2: Yeah. Sometimes sometimes you miss your blessed, Like we gotta

3344
02:22:49,720 --> 02:22:50,320
Speaker 2: start admitting that.

3345
02:22:50,440 --> 02:22:52,120
Speaker 3: Sometimes could be married with kid right now.

3346
02:22:52,560 --> 02:22:56,120
Speaker 2: Happy, Yeah, yeah, yeah, you missed your blessing. Okay, sometimes

3347
02:22:56,200 --> 02:22:57,680
Speaker 2: you got to tell your friends I'm happy for you,

3348
02:22:57,720 --> 02:23:01,000
Speaker 2: but y'all they outside. I ain't gonna lie. I'm happy

3349
02:23:01,040 --> 02:23:02,040
Speaker 2: you got your family though.

3350
02:23:02,560 --> 02:23:04,320
Speaker 3: And then as a wingman, I just we could be

3351
02:23:04,320 --> 02:23:08,040
Speaker 3: out here cleaning up right there. I assume I've seen

3352
02:23:08,040 --> 02:23:10,279
Speaker 3: my friend work before, and I assumed he was gonna

3353
02:23:11,000 --> 02:23:11,640
Speaker 3: close there.

3354
02:23:11,720 --> 02:23:15,680
Speaker 2: But the one yard line, I dropped that motherfucker.

3355
02:23:17,560 --> 02:23:20,920
Speaker 3: Somebody can't get like if that, If that was the case,

3356
02:23:20,959 --> 02:23:22,959
Speaker 3: I would have like when she typed in her CVS

3357
02:23:23,160 --> 02:23:24,680
Speaker 3: ship and put her phone number, I would have tried

3358
02:23:24,680 --> 02:23:25,680
Speaker 3: to memorize it had I known you.

3359
02:23:25,920 --> 02:23:26,760
Speaker 1: No, that's creepy.

3360
02:23:27,160 --> 02:23:30,480
Speaker 2: Yeah, he's trying to go dexter flow on for his

3361
02:23:30,560 --> 02:23:34,320
Speaker 2: happiness nah from my head. No, I'm cool. Do we

3362
02:23:34,360 --> 02:23:35,320
Speaker 2: have another voicemail? That was it?

3363
02:23:35,440 --> 02:23:36,960
Speaker 1: Yeah, we haven't dexter.

3364
02:23:38,400 --> 02:23:41,959
Speaker 2: I remember I remember her CVS number. I'd have been like, what, like.

3365
02:23:42,840 --> 02:23:46,560
Speaker 1: You do that? Maybe? Well on Patreon, me and mallare

3366
02:23:46,560 --> 02:23:47,879
Speaker 1: sit next to each other. He could teach me how

3367
02:23:47,879 --> 02:23:49,320
Speaker 1: to flirt. We could practice flirting.

3368
02:23:49,920 --> 02:23:52,400
Speaker 2: Baby, I can't take that. I'm gonna be laughing too much.

3369
02:23:54,200 --> 02:23:56,840
Speaker 2: I can't do that. Every time you say something, I'm

3370
02:23:56,840 --> 02:23:58,600
Speaker 2: gonna just start laughing, like, all right, baby, this is

3371
02:23:58,640 --> 02:23:59,119
Speaker 2: what you were saying.

3372
02:23:59,280 --> 02:23:59,920
Speaker 1: I get our active.

3373
02:24:00,080 --> 02:24:01,440
Speaker 3: I want to see you rope a guy in and

3374
02:24:01,480 --> 02:24:05,320
Speaker 3: then do the one digit off trick and see if

3375
02:24:05,360 --> 02:24:07,800
Speaker 3: he'll do it where you leave the last number.

3376
02:24:07,879 --> 02:24:08,600
Speaker 1: He has to figure it out.

3377
02:24:08,680 --> 02:24:10,120
Speaker 2: Maybe he definitely do that, And tell him if you

3378
02:24:10,160 --> 02:24:11,560
Speaker 2: really want to talk to me again, you'll figure it

3379
02:24:11,600 --> 02:24:14,760
Speaker 2: out and then walk off one an you've definitely done

3380
02:24:14,800 --> 02:24:19,120
Speaker 2: that before. Where you're from? Guess the area she only

3381
02:24:19,120 --> 02:24:23,320
Speaker 2: she don't give the area code. That's what baby, especially

3382
02:24:23,320 --> 02:24:29,000
Speaker 2: in New York. Now she don't give the area six Panicky,

3383
02:24:29,200 --> 02:24:30,480
Speaker 2: which is from Like that.

3384
02:24:30,480 --> 02:24:32,440
Speaker 3: Shit is just an inconvenience at this point, because now

3385
02:24:32,440 --> 02:24:34,520
Speaker 3: I'm just gonna have to text nine different people good

3386
02:24:34,520 --> 02:24:37,280
Speaker 3: morning until somebody like, now, you just give me a

3387
02:24:37,320 --> 02:24:39,480
Speaker 3: task that is not even going to prove if I

3388
02:24:39,560 --> 02:24:41,520
Speaker 3: will be persistent or not. This is just annoying. This

3389
02:24:41,600 --> 02:24:42,720
Speaker 3: is just gonna take me nine minutes.

3390
02:24:42,760 --> 02:24:45,240
Speaker 2: You have a text Shamba's back. Of course, I love

3391
02:24:45,320 --> 02:24:49,039
Speaker 2: having scammers. You have a package at NPS. We need

3392
02:24:49,040 --> 02:24:52,280
Speaker 2: you to be li but cut this. Ship Man twenty

3393
02:24:52,320 --> 02:24:55,920
Speaker 2: twenty five just started. Stop leave people packages alone. Crypto shit.

3394
02:24:56,120 --> 02:24:57,960
Speaker 3: I always if I'm bored on a flight or something,

3395
02:24:58,000 --> 02:25:00,200
Speaker 3: will reply on my request of just like, yo, I'm

3396
02:25:00,200 --> 02:25:00,680
Speaker 3: all the way in.

3397
02:25:00,680 --> 02:25:03,560
Speaker 1: Tell me what i gotta need? How five and five?

3398
02:25:03,600 --> 02:25:06,200
Speaker 3: I'm like, wait, all you need is my cash app

3399
02:25:06,280 --> 02:25:08,680
Speaker 3: and my debit card? Oh shit, yeah, I got you?

3400
02:25:08,800 --> 02:25:13,840
Speaker 1: Yeah, tell me what YEA all ready for number two?

3401
02:25:14,000 --> 02:25:16,760
Speaker 2: Yeah?

3402
02:25:16,840 --> 02:25:18,800
Speaker 5: What's going on y'all? My name is El. I'm from

3403
02:25:18,840 --> 02:25:21,920
Speaker 5: North Carolina. Shout out to y'all. Y'all are doing God's

3404
02:25:21,959 --> 02:25:22,600
Speaker 5: work with this.

3405
02:25:22,560 --> 02:25:26,199
Speaker 1: Podcast, Bigger Life, But I'm gonna.

3406
02:25:26,000 --> 02:25:28,520
Speaker 5: Get right to it. What do you do when you

3407
02:25:28,640 --> 02:25:31,959
Speaker 5: have met your sexual match, and I mean meeting somebody

3408
02:25:32,000 --> 02:25:35,280
Speaker 5: that not only matches your freak but exceeds.

3409
02:25:34,760 --> 02:25:35,520
Speaker 1: Your freak meter.

3410
02:25:36,480 --> 02:25:39,440
Speaker 5: I'm thirty one. I've had my share of flings in

3411
02:25:39,480 --> 02:25:41,640
Speaker 5: my day. I probably only been on like two or

3412
02:25:41,680 --> 02:25:43,960
Speaker 5: three serious relationships.

3413
02:25:44,240 --> 02:25:46,680
Speaker 1: But I'm used to being the.

3414
02:25:47,400 --> 02:25:49,760
Speaker 5: Freak in the relationship. I'm used to being the one

3415
02:25:49,800 --> 02:25:51,920
Speaker 5: that wants to have sex all the time. But in

3416
02:25:51,959 --> 02:25:58,080
Speaker 5: this recent relationship, I can't. I can't keep up. I'm

3417
02:25:58,080 --> 02:26:00,920
Speaker 5: being honest. I can't keep up. For two weeks it

3418
02:26:01,000 --> 02:26:03,200
Speaker 5: was great. I'm like, oh, man, i've met my match.

3419
02:26:03,560 --> 02:26:05,600
Speaker 5: You know what I'm saying, wake up, having sex, middle

3420
02:26:05,600 --> 02:26:09,120
Speaker 5: of the day, sex, sex before going to bed, public sex,

3421
02:26:09,160 --> 02:26:12,920
Speaker 5: sex in the car. And two three months in and dog,

3422
02:26:13,040 --> 02:26:13,360
Speaker 5: I don't.

3423
02:26:13,520 --> 02:26:16,440
Speaker 1: I can't. I can't keep up.

3424
02:26:16,720 --> 02:26:20,640
Speaker 5: Like and I know I'm gonna get roasted by y'all

3425
02:26:20,640 --> 02:26:24,160
Speaker 5: in the comments, but I like this outside of sex.

3426
02:26:24,200 --> 02:26:26,200
Speaker 5: I like this girl. I feel like we like each other.

3427
02:26:26,280 --> 02:26:30,320
Speaker 5: But I can't keep up her. I've met my match.

3428
02:26:30,400 --> 02:26:35,440
Speaker 5: She has exceeded my freak meter. In y'all case, what

3429
02:26:35,480 --> 02:26:36,200
Speaker 5: would y'all do.

3430
02:26:36,840 --> 02:26:40,119
Speaker 3: I'm not here to clown l at all. You man

3431
02:26:40,480 --> 02:26:44,600
Speaker 3: that it's a you can feel seen, We understand it.

3432
02:26:44,640 --> 02:26:46,880
Speaker 3: Don't even be when you date a younger chick. It's

3433
02:26:46,920 --> 02:26:50,960
Speaker 3: when you date a girl in her thirties is when

3434
02:26:50,959 --> 02:26:54,200
Speaker 3: it's tough to keep up. Yeah, young girls don't have

3435
02:26:54,240 --> 02:26:56,280
Speaker 3: sex drive like the women that are thirty four years

3436
02:26:56,280 --> 02:26:58,920
Speaker 3: old right now and men being thirty four to thirty five.

3437
02:26:59,120 --> 02:27:01,760
Speaker 3: We don't have the same sex drive that they have.

3438
02:27:02,680 --> 02:27:05,200
Speaker 3: They go into overdrive with their clock. I don't know

3439
02:27:05,240 --> 02:27:07,480
Speaker 3: what it is. I feel you, well, it's just tough.

3440
02:27:08,160 --> 02:27:12,120
Speaker 2: Yeah, man, I'm not here to laugh at you.

3441
02:27:12,120 --> 02:27:13,560
Speaker 1: Get a honey pack. Bro, I don't know what to tell.

3442
02:27:13,560 --> 02:27:13,680
Speaker 2: You.

3443
02:27:14,280 --> 02:27:17,440
Speaker 3: Get a honeyback honey pack and some duce and just yeah, man,

3444
02:27:17,680 --> 02:27:20,640
Speaker 3: pray to God, just hold the sheets. Or maybe I mean,

3445
02:27:20,760 --> 02:27:21,200
Speaker 3: is she is?

3446
02:27:21,240 --> 02:27:24,480
Speaker 2: She is she? If she's into girls? Maybe I don't know.

3447
02:27:24,560 --> 02:27:26,600
Speaker 1: You got the yea. You're gonna need a teammate, a

3448
02:27:26,640 --> 02:27:28,199
Speaker 1: sex toy or a teammate.

3449
02:27:28,600 --> 02:27:30,600
Speaker 2: Yeah, like bring a you know, bring a girl in there,

3450
02:27:30,680 --> 02:27:32,160
Speaker 2: let them, you know, lick on each other while you

3451
02:27:32,200 --> 02:27:35,040
Speaker 2: watch sports. And I don't know, something you gotta I

3452
02:27:35,080 --> 02:27:37,680
Speaker 2: don't know. It's tough when you can't keep up, when

3453
02:27:37,720 --> 02:27:40,400
Speaker 2: you really it's a humbling thing. You're like, God, damn again,

3454
02:27:41,240 --> 02:27:44,560
Speaker 2: you know, my like my nuts gotta refill, like I

3455
02:27:44,800 --> 02:27:47,120
Speaker 2: they be ready to bounce on you. In twelve minute, like,

3456
02:27:47,280 --> 02:27:50,080
Speaker 2: God damn, I just my nut's still wet, like I

3457
02:27:50,240 --> 02:27:51,840
Speaker 2: just washed off with the rag.

3458
02:27:52,160 --> 02:27:55,480
Speaker 3: Relax and the worst be when they have a crazy

3459
02:27:55,480 --> 02:27:57,920
Speaker 3: sex driver. You're like, I'm I'm like half hard, like

3460
02:27:57,959 --> 02:28:00,640
Speaker 3: you just half masked at that point, I don't care

3461
02:28:01,560 --> 02:28:04,039
Speaker 3: he might not, just like all right, let me give

3462
02:28:04,080 --> 02:28:05,040
Speaker 3: me five more minute.

3463
02:28:05,120 --> 02:28:06,520
Speaker 2: That's trying to like trying to put jello through a

3464
02:28:06,600 --> 02:28:08,640
Speaker 2: keyhole what you're doing, Like, I can't. I can't.

3465
02:28:09,600 --> 02:28:10,160
Speaker 1: I can't do it.

3466
02:28:10,600 --> 02:28:12,440
Speaker 2: I can't do that with this ship right now, Like

3467
02:28:12,480 --> 02:28:13,760
Speaker 2: you know what I mean, like you, I mean like

3468
02:28:14,120 --> 02:28:16,240
Speaker 2: and if you ain't even like if y'all close with

3469
02:28:16,280 --> 02:28:17,640
Speaker 2: you ain't there, Yeah, well you don't let her see

3470
02:28:17,640 --> 02:28:21,599
Speaker 2: your ship softy, Like I'm not backing out the softy.

3471
02:28:21,400 --> 02:28:24,200
Speaker 3: Like three more months, you definitely three months.

3472
02:28:24,200 --> 02:28:25,840
Speaker 2: I'm not. You're not seeing the softy. I'm sorry.

3473
02:28:26,200 --> 02:28:27,000
Speaker 1: I got a month.

3474
02:28:27,200 --> 02:28:30,200
Speaker 2: They gotta have some blood flowing in. I'm two days,

3475
02:28:30,920 --> 02:28:34,880
Speaker 2: two days you have to see the soft Give two days.

3476
02:28:35,600 --> 02:28:39,240
Speaker 2: Leave in the bathroom. Nah, not two days. She can't

3477
02:28:39,240 --> 02:28:41,760
Speaker 2: see you soft in two days. Listen, two days is

3478
02:28:41,800 --> 02:28:43,880
Speaker 2: too soon. If you love me at my honey pack,

3479
02:28:44,879 --> 02:28:48,360
Speaker 2: love me, love me when love me when it's just

3480
02:28:48,400 --> 02:28:53,640
Speaker 2: laying there like love me when it's dead, Like what

3481
02:28:53,760 --> 02:28:57,560
Speaker 2: word that should be? Looking pitiful? Tell me about it?

3482
02:28:57,600 --> 02:29:02,760
Speaker 2: It ain't no blood in that mother. Look you're backing

3483
02:29:02,760 --> 02:29:02,960
Speaker 2: out this.

3484
02:29:03,120 --> 02:29:05,200
Speaker 3: I used to be that way, but like older I

3485
02:29:05,240 --> 02:29:06,760
Speaker 3: got this is who I am brong.

3486
02:29:06,800 --> 02:29:08,280
Speaker 1: Women do not care about that ship.

3487
02:29:08,360 --> 02:29:11,960
Speaker 2: Bro, Yeah, I mean but two days I still beat

3488
02:29:12,120 --> 02:29:13,560
Speaker 2: you on two days. I don't know how growing you

3489
02:29:13,640 --> 02:29:14,279
Speaker 2: on two days?

3490
02:29:15,160 --> 02:29:16,280
Speaker 3: First fucking night?

3491
02:29:16,320 --> 02:29:17,119
Speaker 1: Morning? What's up?

3492
02:29:17,400 --> 02:29:18,040
Speaker 3: This is my tick?

3493
02:29:19,520 --> 02:29:20,400
Speaker 2: Have you met him yet?

3494
02:29:21,160 --> 02:29:24,240
Speaker 1: This is my morning dick. Women really don't care like

3495
02:29:24,280 --> 02:29:27,320
Speaker 1: I don't. We don't care about that ship. We really

3496
02:29:27,360 --> 02:29:28,360
Speaker 1: don't care about if.

3497
02:29:28,320 --> 02:29:30,600
Speaker 3: You don't like, lay it down and do your best

3498
02:29:30,600 --> 02:29:33,480
Speaker 3: performance on the first night. Now, I'm gonna hide my

3499
02:29:33,480 --> 02:29:36,520
Speaker 3: my soldier. She's not seeing soft until I knock it out,

3500
02:29:36,560 --> 02:29:37,960
Speaker 3: because then at that point she's like, all right, cool,

3501
02:29:38,120 --> 02:29:38,560
Speaker 3: I get it.

3502
02:29:38,760 --> 02:29:40,440
Speaker 2: How long How long you had a nold girl before

3503
02:29:40,440 --> 02:29:41,440
Speaker 2: you have sex with the lights on?

3504
02:29:42,440 --> 02:29:43,840
Speaker 1: First day?

3505
02:29:44,160 --> 02:29:46,680
Speaker 2: Sex with the lights on first day?

3506
02:29:47,120 --> 02:29:50,480
Speaker 1: Rory is a sick nikka first day out?

3507
02:29:50,680 --> 02:29:53,000
Speaker 3: Or I don't have like intimacy issues like you guys do.

3508
02:29:53,040 --> 02:29:54,280
Speaker 3: What's wrong with fucking with the lights on?

3509
02:29:55,160 --> 02:29:55,360
Speaker 1: Y'all?

3510
02:29:55,400 --> 02:29:56,840
Speaker 3: Be fucking people you don't find austractive.

3511
02:29:57,120 --> 02:29:59,840
Speaker 2: No, I mean I want to that, but the all

3512
02:30:00,160 --> 02:30:02,960
Speaker 2: like what I'm not saying, I'm not saying. I'm not

3513
02:30:03,000 --> 02:30:06,520
Speaker 2: saying that. I'm not saying pitch black room. But like

3514
02:30:06,879 --> 02:30:11,240
Speaker 2: you have the lights on, like like these you don't

3515
02:30:11,240 --> 02:30:13,400
Speaker 2: have the TV or just the TV, unlike y'all have

3516
02:30:13,520 --> 02:30:17,400
Speaker 2: not fucked in this office TV or just all lights

3517
02:30:17,440 --> 02:30:20,800
Speaker 2: on the room either or Nah.

3518
02:30:20,200 --> 02:30:22,720
Speaker 1: I'm not fucking you under fluorescent light, and I'm not

3519
02:30:22,800 --> 02:30:25,120
Speaker 1: that confident yet to fuck you under fluorescent light in

3520
02:30:25,160 --> 02:30:27,800
Speaker 1: the first time. That's crazy. You could see my veins

3521
02:30:27,800 --> 02:30:28,360
Speaker 1: through my skin.

3522
02:30:28,600 --> 02:30:30,720
Speaker 2: Yeah, like if you could see the balloon, not her balloon,

3523
02:30:30,800 --> 02:30:31,360
Speaker 2: not first night.

3524
02:30:31,400 --> 02:30:32,280
Speaker 3: That's why I got the lights on.

3525
02:30:32,800 --> 02:30:35,880
Speaker 2: That's crazy. Yeah, I don't know. I don't know about

3526
02:30:35,920 --> 02:30:38,120
Speaker 2: first night lights. Now I'm more in to sex. You know,

3527
02:30:38,360 --> 02:30:39,480
Speaker 2: the room is a little lit up.

3528
02:30:39,520 --> 02:30:42,760
Speaker 1: You know, sun is up, but daylight is like flattering.

3529
02:30:43,040 --> 02:30:46,680
Speaker 1: So like in daylight, I look like caramel, fluorescent light

3530
02:30:46,760 --> 02:30:49,440
Speaker 1: and I look like gray like nah, the.

3531
02:30:49,360 --> 02:30:51,520
Speaker 3: First of all, y'all having more, y'all are fucking this

3532
02:30:51,600 --> 02:30:53,760
Speaker 3: person before both y'all brush your teeth.

3533
02:30:53,800 --> 02:30:55,199
Speaker 1: But the lights is where we draw the line.

3534
02:30:55,760 --> 02:30:57,600
Speaker 2: Now, I always give him brush my teeth before.

3535
02:30:57,640 --> 02:31:01,039
Speaker 1: Yeah, I'm get up and scavenged through his If.

3536
02:31:00,879 --> 02:31:03,480
Speaker 3: I had the option, yes, I'd rather go brush my

3537
02:31:03,520 --> 02:31:05,440
Speaker 3: teeth and she brushes her teeth. But y'all about to

3538
02:31:05,440 --> 02:31:07,400
Speaker 3: tell me in the years that you guys have been

3539
02:31:07,440 --> 02:31:10,840
Speaker 3: sexually active, you are not having morning sex before the

3540
02:31:10,879 --> 02:31:11,560
Speaker 3: teeth were brushed.

3541
02:31:11,800 --> 02:31:12,959
Speaker 1: Only what people with.

3542
02:31:13,080 --> 02:31:15,280
Speaker 2: Yeah we together then? Yeah, of course you know.

3543
02:31:15,360 --> 02:31:17,320
Speaker 3: Man, you at her crib. You don't have a toothbrush there.

3544
02:31:17,440 --> 02:31:19,000
Speaker 3: And she wanted to give you some pussy in the morning,

3545
02:31:19,080 --> 02:31:19,800
Speaker 3: you fucking.

3546
02:31:19,560 --> 02:31:22,440
Speaker 2: She got some mouthwash something. We gotta knock this dragon

3547
02:31:22,480 --> 02:31:23,480
Speaker 2: open the mouth a little bit.

3548
02:31:23,800 --> 02:31:24,840
Speaker 1: It's a bottle of water.

3549
02:31:25,040 --> 02:31:27,320
Speaker 2: Yeah, we gotta go sweet, we gotta drink some tea

3550
02:31:27,400 --> 02:31:27,879
Speaker 2: something like.

3551
02:31:27,920 --> 02:31:30,160
Speaker 1: I'm not gonna make it worse the.

3552
02:31:32,400 --> 02:31:33,880
Speaker 3: Morning breath head, Right, it's a little warmer.

3553
02:31:34,879 --> 02:31:35,720
Speaker 1: Now, that's crazy.

3554
02:31:35,800 --> 02:31:38,080
Speaker 2: I don't care what what, what time it is is warm?

3555
02:31:38,360 --> 02:31:42,480
Speaker 3: You that mouth be warm?

3556
02:31:42,600 --> 02:31:44,080
Speaker 2: That that mouth warm?

3557
02:31:45,000 --> 02:31:45,680
Speaker 3: Someone specific?

3558
02:31:47,280 --> 02:31:49,360
Speaker 2: Women, Yeah, don't try to eat.

3559
02:31:49,360 --> 02:31:52,000
Speaker 1: Don't try to eat my pussy with the bacteria from

3560
02:31:52,080 --> 02:31:54,640
Speaker 1: last night's steak and stella our tine.

3561
02:31:54,720 --> 02:31:57,039
Speaker 3: It's different though, because you like an open wound. You

3562
02:31:57,080 --> 02:32:00,920
Speaker 3: could like you could dirty mouth on a dick.

3563
02:32:01,000 --> 02:32:03,160
Speaker 1: Is it's fine, and then I'm supposed to go sit

3564
02:32:03,360 --> 02:32:06,520
Speaker 1: on that same is your mouth? No it's not, but

3565
02:32:06,560 --> 02:32:08,880
Speaker 1: it's back. You carry backteria in your mouth. You need

3566
02:32:08,920 --> 02:32:13,440
Speaker 1: to wash your mouth everywhere before you put your hurt.

3567
02:32:14,840 --> 02:32:16,640
Speaker 2: I just thought, all right, so do y'all have sex

3568
02:32:16,640 --> 02:32:18,720
Speaker 2: with a person for the first time? Have you ever

3569
02:32:18,800 --> 02:32:20,560
Speaker 2: had sex with person? With a person for the first

3570
02:32:20,560 --> 02:32:23,400
Speaker 2: time and it was like morning, like like daylight.

3571
02:32:23,720 --> 02:32:28,560
Speaker 3: Yeah, yeah, yeah, it didn't happen the night before, like

3572
02:32:28,560 --> 02:32:29,760
Speaker 3: we were either too tired or something.

3573
02:32:29,800 --> 02:32:32,680
Speaker 1: Yeah, and then in the morning. Yeah.

3574
02:32:32,920 --> 02:32:36,119
Speaker 2: Yeah, y'all niggas be in love with y'all. Flings.

3575
02:32:37,200 --> 02:32:40,000
Speaker 1: It was supposed to be a fling. It lasted too long,

3576
02:32:40,320 --> 02:32:40,879
Speaker 1: ten years.

3577
02:32:42,120 --> 02:32:47,160
Speaker 2: A fling lasted ten years.

3578
02:32:46,680 --> 02:32:46,880
Speaker 5: Years.

3579
02:32:48,720 --> 02:32:52,440
Speaker 1: I've never had a successful fling, like like when I

3580
02:32:52,480 --> 02:32:54,600
Speaker 1: went into it for it to be a fling. It

3581
02:32:54,760 --> 02:32:56,560
Speaker 1: never relationship turned into.

3582
02:32:56,400 --> 02:33:00,360
Speaker 2: A thing, your baby, do you like you can't have

3583
02:33:00,400 --> 02:33:02,640
Speaker 2: sex with somebody and that just be sex. You look

3584
02:33:02,680 --> 02:33:04,480
Speaker 2: like it's like a nigga sound a contract once you

3585
02:33:04,520 --> 02:33:06,440
Speaker 2: have sex with you, like nigga, we go together.

3586
02:33:06,720 --> 02:33:09,160
Speaker 1: Nah, it's not. It's not not always me. That is

3587
02:33:09,160 --> 02:33:11,600
Speaker 1: the one that's trying to great ship down in nick

3588
02:33:12,480 --> 02:33:16,400
Speaker 1: Niggas have going into things thinking going to therapy, so

3589
02:33:16,480 --> 02:33:18,000
Speaker 1: you're gonna turn them every which way but loose.

3590
02:33:21,760 --> 02:33:23,320
Speaker 3: He sounded like shorting. When she was reading off the

3591
02:33:23,320 --> 02:33:24,840
Speaker 3: paper about the fishing the sea if.

3592
02:33:24,720 --> 02:33:29,320
Speaker 2: You don't GBT. Did she her name? She said she

3593
02:33:29,360 --> 02:33:31,320
Speaker 2: ain't to give us no name that was GBT.

3594
02:33:31,480 --> 02:33:33,920
Speaker 1: We didn't give l advice L. I think the best

3595
02:33:33,920 --> 02:33:35,840
Speaker 1: we did don't get it, get your girl a girlfriend

3596
02:33:36,240 --> 02:33:36,920
Speaker 1: or a honeypack.

3597
02:33:36,959 --> 02:33:39,840
Speaker 3: But also I don't know, maybe he could give that

3598
02:33:40,080 --> 02:33:42,600
Speaker 3: speech of like I feel like we're rushing too much

3599
02:33:42,640 --> 02:33:44,680
Speaker 3: into the sexual ship and like maybe we should ease

3600
02:33:44,720 --> 02:33:46,280
Speaker 3: back and get to know each other on like a.

3601
02:33:46,879 --> 02:33:49,039
Speaker 1: Women aren't going to take that. If you If I'm

3602
02:33:49,040 --> 02:33:51,640
Speaker 1: a super sexual person and you tell me that, I'm

3603
02:33:51,640 --> 02:33:53,920
Speaker 1: gonna take like women don't take rejection well like you

3604
02:33:53,959 --> 02:33:57,400
Speaker 1: said I would take. I would think something was wrong. Mmmm,

3605
02:33:58,320 --> 02:34:00,440
Speaker 1: something something is wrong or you can't keep but either

3606
02:34:00,520 --> 02:34:01,879
Speaker 1: something that's wrong or you can't keep up with my

3607
02:34:01,879 --> 02:34:03,600
Speaker 1: sex drive. Either way, now I no longer want to

3608
02:34:03,640 --> 02:34:06,080
Speaker 1: have sex with you because now you really like now

3609
02:34:06,120 --> 02:34:08,800
Speaker 1: you're making me feel mad, horny, Like now I feel nasty,

3610
02:34:08,840 --> 02:34:10,240
Speaker 1: Like now, when I'm coming on you, I feel like

3611
02:34:10,280 --> 02:34:12,720
Speaker 1: some nasty, horny bitch like no, see now I'm never

3612
02:34:12,800 --> 02:34:14,080
Speaker 1: trying to fuck you ever again, but it.

3613
02:34:14,160 --> 02:34:17,279
Speaker 3: Has to be See that's an awful I get that perspective.

3614
02:34:17,280 --> 02:34:21,320
Speaker 3: But also it takes blood rushing to my dick for

3615
02:34:21,400 --> 02:34:24,000
Speaker 3: us to fuck, and sometimes I can't control that. It's

3616
02:34:24,000 --> 02:34:26,520
Speaker 3: not a youth thing. I just can't fuck ten times

3617
02:34:26,560 --> 02:34:28,320
Speaker 3: a day, so I used to it.

3618
02:34:28,200 --> 02:34:30,920
Speaker 2: Is it you just y'all you want sex or you

3619
02:34:31,040 --> 02:34:33,480
Speaker 2: just want to orgasm? Because like if he eat you

3620
02:34:33,520 --> 02:34:35,480
Speaker 2: out until you come, then that shit suffice right.

3621
02:34:35,400 --> 02:34:37,440
Speaker 1: Don't put that on him because now, don't do that

3622
02:34:37,480 --> 02:34:39,680
Speaker 1: to him because you signing him up for some shit

3623
02:34:39,840 --> 02:34:41,160
Speaker 1: he probably don't feel like doing.

3624
02:34:41,600 --> 02:34:42,560
Speaker 2: I mean, that's his girl.

3625
02:34:42,840 --> 02:34:44,200
Speaker 1: But I don't want you to give me head if

3626
02:34:44,200 --> 02:34:46,080
Speaker 1: you're not horny. If you're giving me head, just like

3627
02:34:46,400 --> 02:34:48,920
Speaker 1: for the fuck of it, don't know that. Please, I've

3628
02:34:48,920 --> 02:34:49,879
Speaker 1: had that's a relationship.

3629
02:34:49,920 --> 02:34:52,840
Speaker 2: I've had that before. What just something just like a

3630
02:34:52,879 --> 02:34:54,640
Speaker 2: girl give your head and you can tell she ain't horny,

3631
02:34:55,120 --> 02:34:56,039
Speaker 2: but like her rent.

3632
02:34:55,840 --> 02:34:58,120
Speaker 1: Was due, so it was like, now I'm the one

3633
02:34:58,160 --> 02:34:59,119
Speaker 1: that paid for pisty.

3634
02:34:59,280 --> 02:35:01,320
Speaker 2: No id just had I didn't pay for anything. She

3635
02:35:01,400 --> 02:35:02,720
Speaker 2: was just you know, she was fucked up and she

3636
02:35:02,760 --> 02:35:03,240
Speaker 2: was depressed.

3637
02:35:03,280 --> 02:35:05,200
Speaker 3: I feel like the rent head would be crazy though.

3638
02:35:05,440 --> 02:35:07,680
Speaker 2: Nah, she was. She was depressed. She knew she wasn't

3639
02:35:07,680 --> 02:35:08,320
Speaker 2: getting it from me.

3640
02:35:09,720 --> 02:35:12,000
Speaker 3: So now she's just sucking dick. Yeah, like you know,

3641
02:35:12,080 --> 02:35:13,600
Speaker 3: she said, you're not going end up on the podium.

3642
02:35:13,640 --> 02:35:16,400
Speaker 2: Who me? Why? No? That was constituent. That was. That

3643
02:35:16,440 --> 02:35:18,480
Speaker 2: was I got the text messages. I'm like, whack, I

3644
02:35:18,520 --> 02:35:20,720
Speaker 2: got text messages for my next tail. I don't play

3645
02:35:20,760 --> 02:35:21,560
Speaker 2: no games.

3646
02:35:23,600 --> 02:35:24,480
Speaker 3: Flipping over your socke.

3647
02:35:24,560 --> 02:35:27,440
Speaker 2: Yeah, I keep all my old phones. I ain't playing

3648
02:35:27,440 --> 02:35:29,440
Speaker 2: no games will catch me and no bullshit.

3649
02:35:29,800 --> 02:35:32,360
Speaker 3: Has whack been pulling up a text messages? I haven't

3650
02:35:32,360 --> 02:35:34,400
Speaker 3: been keeping up with the latest snow Jumper nah.

3651
02:35:34,480 --> 02:35:38,199
Speaker 2: I mean you know, after the whole debacqua outside Adam's studio,

3652
02:35:39,160 --> 02:35:41,320
Speaker 2: I've seen him in Wax sat down and talked about

3653
02:35:41,440 --> 02:35:43,240
Speaker 2: the whole situation. Adam was a little mad.

3654
02:35:43,440 --> 02:35:44,840
Speaker 1: Yeah, I haven't marked I haven't watched it yet.

3655
02:35:44,920 --> 02:35:46,560
Speaker 2: Yeah, but I didn't really get into it, man, But

3656
02:35:46,600 --> 02:35:47,960
Speaker 2: I know I could see. I can see Adam was

3657
02:35:48,000 --> 02:35:50,640
Speaker 2: definitely he trying to distance itself as fall away from

3658
02:35:50,640 --> 02:35:53,720
Speaker 2: that as he possibly can. But Adam is fucked that.

3659
02:35:54,080 --> 02:35:55,640
Speaker 2: What are you gonna do? Tell Wacky can't come back

3660
02:35:55,680 --> 02:35:58,680
Speaker 2: up there? It is definitely a whack showdown. That's Whack studio,

3661
02:35:59,160 --> 02:36:02,280
Speaker 2: that's what as as Whack run that ship man, he Adam,

3662
02:36:02,360 --> 02:36:03,240
Speaker 2: you just the face man.

3663
02:36:03,440 --> 02:36:05,440
Speaker 3: I mean it's tough because that he's made his brand

3664
02:36:05,680 --> 02:36:07,880
Speaker 3: that so like that comes with it.

3665
02:36:08,040 --> 02:36:10,320
Speaker 2: No, but according to Adam, that's not his brand.

3666
02:36:10,840 --> 02:36:13,039
Speaker 1: What's well he has the porn brand in that and

3667
02:36:13,200 --> 02:36:13,640
Speaker 1: gang brand.

3668
02:36:13,680 --> 02:36:15,480
Speaker 2: Yeah, but he's saying no. Now you know, you know

3669
02:36:15,520 --> 02:36:17,959
Speaker 2: how it is. Now he's trying to distance itself. I'm

3670
02:36:18,000 --> 02:36:19,320
Speaker 2: a non violent person.

3671
02:36:19,520 --> 02:36:20,959
Speaker 1: Well he know, we know that's fine.

3672
02:36:21,080 --> 02:36:23,320
Speaker 2: Yeah, but now you know people getting beat up outside

3673
02:36:23,360 --> 02:36:25,720
Speaker 2: your studio and you know all lawsuit is coming behind that,

3674
02:36:26,720 --> 02:36:28,720
Speaker 2: oh for sure. Yeah. So you know Adam, he's trying

3675
02:36:28,760 --> 02:36:31,160
Speaker 2: to He trying to trying to distance himself as far

3676
02:36:31,240 --> 02:36:33,959
Speaker 2: away from it as he possibly can. But you know,

3677
02:36:34,040 --> 02:36:36,560
Speaker 2: I do think obviously they are gonna he's gonna have

3678
02:36:36,680 --> 02:36:40,039
Speaker 2: to cooperate at some level. I think Adam, they're going

3679
02:36:40,080 --> 02:36:42,039
Speaker 2: to ask him for security footage, They're going to ask

3680
02:36:42,080 --> 02:36:43,199
Speaker 2: him for and I think.

3681
02:36:43,080 --> 02:36:46,200
Speaker 3: He'll cooperate, not that anyone would expect the opposite.

3682
02:36:46,680 --> 02:36:48,760
Speaker 2: But at some point you think Adams, you think Adam

3683
02:36:48,760 --> 02:36:50,879
Speaker 2: will give an information that may incriminate Whack.

3684
02:36:51,440 --> 02:36:56,280
Speaker 3: Yeah, okay, well and not because it's not a not

3685
02:36:56,440 --> 02:36:57,440
Speaker 3: per se at Adam.

3686
02:36:57,480 --> 02:36:59,160
Speaker 1: He's just admitted civilian.

3687
02:36:59,200 --> 02:37:01,240
Speaker 3: No no, no, no, get said that he would I just

3688
02:37:01,280 --> 02:37:02,480
Speaker 3: in that situation do something.

3689
02:37:02,480 --> 02:37:04,920
Speaker 1: I would just be paying civilian.

3690
02:37:05,000 --> 02:37:08,880
Speaker 2: I would be very I'm looking forward to if what

3691
02:37:09,160 --> 02:37:14,520
Speaker 2: if Adam does cooperate with an investigation that may incriminate Whack.

3692
02:37:14,560 --> 02:37:18,440
Speaker 2: I'm I'm waiting to see what comes after that, because

3693
02:37:18,520 --> 02:37:22,520
Speaker 2: obviously Adam and Whack have the probably the biggest show

3694
02:37:22,520 --> 02:37:23,560
Speaker 2: on Adam's platform right now.

3695
02:37:23,560 --> 02:37:24,879
Speaker 1: I would say, so, yeah, it's a good show.

3696
02:37:24,920 --> 02:37:28,760
Speaker 2: That would naturally disrupt that disturb that maybe put an

3697
02:37:28,840 --> 02:37:31,600
Speaker 2: end to that show. It would just be interesting to

3698
02:37:31,640 --> 02:37:33,160
Speaker 2: see what happens as a result of that.

3699
02:37:33,160 --> 02:37:35,840
Speaker 3: That's all I mean with Adam. I just feel like

3700
02:37:36,560 --> 02:37:38,840
Speaker 3: we've been to that that compound. He does do a

3701
02:37:38,879 --> 02:37:42,600
Speaker 3: good job with security. People vetted like it's it's it's

3702
02:37:42,680 --> 02:37:44,160
Speaker 3: ran well as far as in the building.

3703
02:37:44,200 --> 02:37:46,800
Speaker 2: But yeah, and you can control what happens.

3704
02:37:46,800 --> 02:37:48,800
Speaker 3: I don't really have sympathy is that if a lot

3705
02:37:48,840 --> 02:37:52,920
Speaker 3: of your brand is gang member street stuff, Like you

3706
02:37:52,920 --> 02:37:53,880
Speaker 3: can only prevent so much.

3707
02:37:53,920 --> 02:37:55,160
Speaker 1: Gang members are going to gang member.

3708
02:37:55,920 --> 02:37:58,039
Speaker 3: So I don't have as much as I feel for

3709
02:37:58,040 --> 02:38:00,320
Speaker 3: Adam because he wasn't part of that, and it's he's

3710
02:38:00,360 --> 02:38:03,119
Speaker 3: gonna get sued no one else. I mean, what did

3711
02:38:03,120 --> 02:38:05,440
Speaker 3: you expect to happen? Gang members are going to gang

3712
02:38:05,480 --> 02:38:10,039
Speaker 3: member I'll get it like this. I saw that you

3713
02:38:10,080 --> 02:38:12,760
Speaker 3: had on our list. I have not been keeping up

3714
02:38:12,760 --> 02:38:14,960
Speaker 3: with the Megan gossip. I'm shocked you didn't want to

3715
02:38:14,959 --> 02:38:15,320
Speaker 3: start with this.

3716
02:38:16,879 --> 02:38:18,360
Speaker 1: You disrespect me every part.

3717
02:38:18,400 --> 02:38:21,480
Speaker 2: I keep going, what what happened with Meg? Now?

3718
02:38:21,600 --> 02:38:24,520
Speaker 1: So Meghan went public with Tory Craig, the basketball player.

3719
02:38:24,520 --> 02:38:26,440
Speaker 1: I'm assuming he's a basketb player. Yeah, y'all know the

3720
02:38:26,440 --> 02:38:28,880
Speaker 1: sports shit, not me. Okay, So Tory is a basketball player.

3721
02:38:28,920 --> 02:38:30,800
Speaker 1: Meghan went public with him, posted a picture with him,

3722
02:38:30,800 --> 02:38:32,000
Speaker 1: and immediately.

3723
02:38:32,240 --> 02:38:34,000
Speaker 2: Some didn't they go public ready?

3724
02:38:34,280 --> 02:38:36,120
Speaker 1: Well? Yeah, I think that it had been rumored they

3725
02:38:36,120 --> 02:38:38,160
Speaker 1: had been seen out together. But she posted a picture

3726
02:38:38,160 --> 02:38:40,400
Speaker 1: with him. You know, that's the official going public New Year?

3727
02:38:40,480 --> 02:38:43,120
Speaker 2: That was it was a soft launch before. Yeah, and

3728
02:38:43,200 --> 02:38:46,560
Speaker 2: he kept acting right for another two months and now

3729
02:38:46,600 --> 02:38:48,760
Speaker 2: it's a full out rebrand.

3730
02:38:48,440 --> 02:38:51,560
Speaker 1: And now this side some girls coming out saying she

3731
02:38:51,680 --> 02:38:54,080
Speaker 1: was the side chick and he cheated on her and

3732
02:38:54,160 --> 02:38:57,039
Speaker 1: he originally came down to Houston to see her, but

3733
02:38:57,120 --> 02:38:59,800
Speaker 1: he just since she wasn't available, he went to Meghan

3734
02:38:59,840 --> 02:39:00,920
Speaker 1: this stallion.

3735
02:39:00,640 --> 02:39:02,520
Speaker 2: And he has some crazy text message that leaked. Does

3736
02:39:02,520 --> 02:39:04,680
Speaker 2: she leaked? She yeah, but he was telling her to

3737
02:39:04,720 --> 02:39:06,760
Speaker 2: milk cut, like squeeze the milk out her titties or

3738
02:39:06,760 --> 02:39:07,200
Speaker 2: something like that.

3739
02:39:07,280 --> 02:39:10,160
Speaker 3: Yeah, it's what else going through. Can't match, like when

3740
02:39:10,160 --> 02:39:11,600
Speaker 3: you meet your match in the freak department.

3741
02:39:11,760 --> 02:39:18,040
Speaker 1: So he's alleging, he's alleging that she is fit like

3742
02:39:18,280 --> 02:39:21,720
Speaker 1: that she is making fake dms and fake text messages

3743
02:39:22,600 --> 02:39:22,959
Speaker 1: not real.

3744
02:39:23,200 --> 02:39:24,119
Speaker 2: He fighting that.

3745
02:39:24,760 --> 02:39:27,200
Speaker 3: Side chick is saying that he cheated on Meghan, or

3746
02:39:27,800 --> 02:39:28,759
Speaker 3: that he's.

3747
02:39:28,360 --> 02:39:30,680
Speaker 1: That he's been fucking with her since June. I want

3748
02:39:30,680 --> 02:39:32,200
Speaker 1: to say, can you cheat on the side chick?

3749
02:39:33,959 --> 02:39:35,520
Speaker 2: No? But the sois don't care now.

3750
02:39:35,600 --> 02:39:37,480
Speaker 1: But she's saying she ain't the side she's not the

3751
02:39:37,520 --> 02:39:41,000
Speaker 1: side chicks that's dating him. Yeah, it's yeah, she's.

3752
02:39:40,879 --> 02:39:42,560
Speaker 2: Dating No, you're the side chick. That's what happens with

3753
02:39:42,760 --> 02:39:43,720
Speaker 2: side chick's going dates.

3754
02:39:43,720 --> 02:39:47,280
Speaker 3: I you're just a check that He's fucking not even

3755
02:39:47,320 --> 02:39:47,760
Speaker 3: a side chick.

3756
02:39:47,800 --> 02:39:50,640
Speaker 1: You just want to And I honestly I don't believe her.

3757
02:39:51,400 --> 02:39:53,279
Speaker 1: And this is why I don't believe her, because she's

3758
02:39:53,320 --> 02:39:56,039
Speaker 1: doing like so much that it is just kind of

3759
02:39:56,080 --> 02:39:57,920
Speaker 1: like you give that you're going for clout, not that

3760
02:39:57,959 --> 02:39:59,320
Speaker 1: you're an actual like side chick.

3761
02:39:59,360 --> 02:40:01,960
Speaker 3: But what would be the the only response to all

3762
02:40:02,000 --> 02:40:04,280
Speaker 3: of that would be for quote unquote clout, Why on

3763
02:40:04,280 --> 02:40:05,360
Speaker 3: earth would you go public with that?

3764
02:40:05,560 --> 02:40:05,920
Speaker 2: Yeah?

3765
02:40:05,959 --> 02:40:07,360
Speaker 1: What are you getting? What are you getting out of it?

3766
02:40:07,480 --> 02:40:07,640
Speaker 2: Well?

3767
02:40:07,680 --> 02:40:09,560
Speaker 1: So no, I'm saying if she was somebody that he

3768
02:40:09,680 --> 02:40:13,560
Speaker 1: was truly dating, like really dating, and your feelings are hurt,

3769
02:40:13,560 --> 02:40:14,720
Speaker 1: and it's like, no fuck out of here, Like you

3770
02:40:14,840 --> 02:40:17,000
Speaker 1: dating me, but you you popping out with MEGANE. Stallion,

3771
02:40:17,040 --> 02:40:19,040
Speaker 1: But we're really dating. That's what she's trying to make

3772
02:40:19,080 --> 02:40:19,720
Speaker 1: it seem like it is.

3773
02:40:19,879 --> 02:40:21,480
Speaker 3: Look, isn't gonna get him to love her? Like, what

3774
02:40:21,520 --> 02:40:23,360
Speaker 3: the if you're doing that, you're doing it for attention?

3775
02:40:24,320 --> 02:40:27,039
Speaker 1: I think some people, Okay, yes, it could be that

3776
02:40:27,040 --> 02:40:28,960
Speaker 1: you're doing it for attention, but I've also seen that

3777
02:40:29,000 --> 02:40:31,800
Speaker 1: happen with normal people and it's not for attention, it's

3778
02:40:31,840 --> 02:40:33,640
Speaker 1: for my feelings are hurt and you're playing in my

3779
02:40:33,640 --> 02:40:34,680
Speaker 1: fucking face anytime.

3780
02:40:35,120 --> 02:40:37,800
Speaker 2: First of all, anytime you go to social media with anything,

3781
02:40:37,840 --> 02:40:40,679
Speaker 2: you're doing it for attention. You're not doing it for awareness.

3782
02:40:41,240 --> 02:40:42,640
Speaker 2: She's doing that for attention.

3783
02:40:43,000 --> 02:40:45,160
Speaker 1: No, I believe, completely believe that she's doing it for attention.

3784
02:40:45,200 --> 02:40:47,200
Speaker 1: But I also don't believe that she's the actual side chick.

3785
02:40:47,240 --> 02:40:47,960
Speaker 1: That's what I'm saying.

3786
02:40:48,200 --> 02:40:49,640
Speaker 2: But I don't think he fucked with her at all.

3787
02:40:50,240 --> 02:40:52,480
Speaker 1: I don't. I don't think so. I don't think I

3788
02:40:52,480 --> 02:40:53,640
Speaker 1: think there's.

3789
02:40:53,160 --> 02:40:56,520
Speaker 2: Fucked with her. You think that absolutely, These ball playing niggas,

3790
02:40:56,760 --> 02:40:58,560
Speaker 2: these niggas, they not they fucking.

3791
02:40:58,520 --> 02:40:59,240
Speaker 3: That dirty Magan.

3792
02:40:59,600 --> 02:41:04,520
Speaker 2: How I don't know that niggas a dirty maggot.

3793
02:41:04,560 --> 02:41:04,879
Speaker 1: I don't know.

3794
02:41:05,560 --> 02:41:06,240
Speaker 2: I don't know him.

3795
02:41:07,840 --> 02:41:08,080
Speaker 1: Well.

3796
02:41:08,120 --> 02:41:12,519
Speaker 3: I mean, I hope Meg has a successful and fulfilling relationship.

3797
02:41:13,320 --> 02:41:16,040
Speaker 2: I hope so, man, Meg. Meg deserves a real, loving,

3798
02:41:16,840 --> 02:41:18,360
Speaker 2: healthy relationship. She does.

3799
02:41:19,040 --> 02:41:21,640
Speaker 1: She deserves to not have her name in the media.

3800
02:41:21,760 --> 02:41:22,160
Speaker 1: Just gotta have.

3801
02:41:22,600 --> 02:41:25,519
Speaker 2: I think some people just don't have. And I'm understanding

3802
02:41:25,520 --> 02:41:28,879
Speaker 2: this more and more. I'm understanding that people just don't

3803
02:41:28,920 --> 02:41:32,480
Speaker 2: have a certain level of discernment. And I think Meg

3804
02:41:32,560 --> 02:41:34,320
Speaker 2: may be one of those people that just you know

3805
02:41:34,440 --> 02:41:37,840
Speaker 2: she doesn't. Discernment is not her strong suit. If we

3806
02:41:37,840 --> 02:41:42,080
Speaker 2: look through her history of guys that she's attached herself to,

3807
02:41:42,400 --> 02:41:45,600
Speaker 2: and you know, given time of day two, it's just like,

3808
02:41:45,879 --> 02:41:49,680
Speaker 2: what did you think was gonna come out of that? Yeah? Discernment, right,

3809
02:41:49,920 --> 02:41:52,119
Speaker 2: just just have a little more discernment.

3810
02:41:52,160 --> 02:41:54,160
Speaker 1: Okay, I'll say that to certain things. I'm not gonna

3811
02:41:54,200 --> 02:41:55,280
Speaker 1: say that to her getting shot.

3812
02:41:56,000 --> 02:41:57,720
Speaker 2: I never said that. Yeah, I've never said that.

3813
02:41:57,760 --> 02:41:58,080
Speaker 3: You never.

3814
02:41:58,200 --> 02:42:02,039
Speaker 2: I never said that. I'm saying, practice discernment when it

3815
02:42:02,080 --> 02:42:04,400
Speaker 2: comes to the type of energy, the type of guys

3816
02:42:04,400 --> 02:42:06,920
Speaker 2: you let around you, the type of guys you're intimate with.

3817
02:42:07,480 --> 02:42:12,320
Speaker 2: Women not just Meg humans people. Yeah, practice more discernment,

3818
02:42:12,480 --> 02:42:12,920
Speaker 2: that's all.

3819
02:42:13,800 --> 02:42:14,039
Speaker 1: Yeah.

3820
02:42:14,040 --> 02:42:18,879
Speaker 3: But sometimes when people are admittedly going through grief depression,

3821
02:42:20,080 --> 02:42:24,040
Speaker 3: probably an alcoholism habit, you tend to make very awful

3822
02:42:24,080 --> 02:42:26,520
Speaker 3: decisions and then you'll find out your self worth is

3823
02:42:26,560 --> 02:42:30,280
Speaker 3: nothing and you have to come out of that for sure.

3824
02:42:31,000 --> 02:42:33,640
Speaker 3: Judgment in it, but we listen in judgment if you

3825
02:42:33,680 --> 02:42:34,760
Speaker 3: don't learn from it eventually.

3826
02:42:34,760 --> 02:42:37,199
Speaker 1: And I also haven't met anybody in their early twenties

3827
02:42:37,200 --> 02:42:40,039
Speaker 1: with great discernment. I feel like, sometimes because Meg is

3828
02:42:40,040 --> 02:42:42,600
Speaker 1: so tall in the shit that she raps about, and

3829
02:42:42,640 --> 02:42:45,760
Speaker 1: she's so like voluptuous that people forget that when the

3830
02:42:45,760 --> 02:42:47,760
Speaker 1: majority of these decisions were being made, she was like

3831
02:42:47,760 --> 02:42:51,240
Speaker 1: twenty four years old. Yeah young, but I mean that's

3832
02:42:51,320 --> 02:42:53,640
Speaker 1: you can't tell a twenty four to twenty three year

3833
02:42:53,640 --> 02:42:55,320
Speaker 1: old have better discernment. They don't know what the fuck

3834
02:42:55,320 --> 02:42:56,760
Speaker 1: they don't even know they bill know what the fuck

3835
02:42:56,800 --> 02:42:57,119
Speaker 1: that mean.

3836
02:42:57,600 --> 02:42:59,680
Speaker 2: So it's really, you know who they are themselves?

3837
02:42:59,800 --> 02:43:03,000
Speaker 1: That no exactly, So like how to fuck I'm figure

3838
02:43:03,000 --> 02:43:05,000
Speaker 1: out what other people's flaws are. I barely know what

3839
02:43:05,000 --> 02:43:08,520
Speaker 1: my mom that comes with growing. She's thirty something now

3840
02:43:08,640 --> 02:43:10,720
Speaker 1: now she's oh, let me see, she might be twenty

3841
02:43:10,800 --> 02:43:11,240
Speaker 1: nine out.

3842
02:43:11,520 --> 02:43:12,720
Speaker 2: Really Meg's not even thirty.

3843
02:43:12,800 --> 02:43:14,320
Speaker 1: Was young when she came out. She was in college

3844
02:43:14,320 --> 02:43:19,600
Speaker 1: when she came out. She's shit, yeah, yep, she'll be

3845
02:43:19,640 --> 02:43:20,560
Speaker 1: thirty next month.

3846
02:43:21,080 --> 02:43:22,600
Speaker 2: Okay, well she's thirty.

3847
02:43:22,720 --> 02:43:25,039
Speaker 1: Let's hope that this one was.

3848
02:43:25,200 --> 02:43:27,760
Speaker 3: These decisions were made with sermon, because if not, just

3849
02:43:27,800 --> 02:43:29,920
Speaker 3: go be single and figure out who the fuck you are, Meg,

3850
02:43:30,040 --> 02:43:32,280
Speaker 3: just go get you. A relationship is not going to

3851
02:43:32,320 --> 02:43:35,200
Speaker 3: save you if you're not a whole. So yeah, you know,

3852
02:43:35,360 --> 02:43:37,760
Speaker 3: and now you gotta deal with fucking Instagram.

3853
02:43:37,280 --> 02:43:39,160
Speaker 2: And see that's why, that's why I see, that's why

3854
02:43:39,240 --> 02:43:41,560
Speaker 2: girls we having a soft launch. This soft launch was

3855
02:43:41,560 --> 02:43:43,600
Speaker 2: to kind of like to fill it out for people

3856
02:43:43,640 --> 02:43:47,920
Speaker 2: to come now hard Now the rebrand happened, you know

3857
02:43:47,920 --> 02:43:50,960
Speaker 2: what I mean, the collab dropped and here they come.

3858
02:43:51,240 --> 02:43:52,920
Speaker 2: See this is what makes So she was give it,

3859
02:43:53,000 --> 02:43:55,480
Speaker 2: I'll give it. She was probably practicing the serment soft

3860
02:43:55,560 --> 02:43:58,640
Speaker 2: launch kind of like yeah, you know, we hang out

3861
02:43:58,680 --> 02:44:00,840
Speaker 2: whatever and will run into the ball.

3862
02:44:00,879 --> 02:44:03,280
Speaker 1: And even after I got like, even after they took

3863
02:44:03,320 --> 02:44:05,920
Speaker 1: a picture of us, the paparazzi got us out at

3864
02:44:05,920 --> 02:44:07,720
Speaker 1: dinner in New York City, like you know, we've been

3865
02:44:07,760 --> 02:44:10,959
Speaker 1: seeing together, allegedly, he was still texting this girl, Like

3866
02:44:11,000 --> 02:44:13,200
Speaker 1: he was texting this girl after that. So it's like,

3867
02:44:13,280 --> 02:44:14,120
Speaker 1: I just I don't know.

3868
02:44:14,160 --> 02:44:17,400
Speaker 3: Maybe they weren't official because Meg would say in a

3869
02:44:17,480 --> 02:44:18,880
Speaker 3: rap that hey, we're not dating.

3870
02:44:18,879 --> 02:44:19,879
Speaker 1: I could fuck with other dudes.

3871
02:44:19,959 --> 02:44:22,720
Speaker 3: She would say that yeah bye by her hot girl logic,

3872
02:44:22,800 --> 02:44:24,720
Speaker 3: So maybe he was just being a hot boy m

3873
02:44:25,280 --> 02:44:26,599
Speaker 3: And now it's official.

3874
02:44:26,360 --> 02:44:27,240
Speaker 2: And then she got burnt.

3875
02:44:27,440 --> 02:44:29,760
Speaker 3: Yeah, and I feel like if this isn't it, I

3876
02:44:29,800 --> 02:44:31,880
Speaker 3: think the mall rebrand could be great for her.

3877
02:44:32,440 --> 02:44:33,000
Speaker 2: Me and Meg.

3878
02:44:33,160 --> 02:44:36,680
Speaker 1: Yeah, no, too short respectfully, I mean you're not sure

3879
02:44:36,760 --> 02:44:38,040
Speaker 1: as a man, you feel me sure.

3880
02:44:38,200 --> 02:44:40,080
Speaker 2: She's gonna say I'm too short and she's fucking Tory

3881
02:44:40,120 --> 02:44:41,760
Speaker 2: Lane Tory Lane short.

3882
02:44:41,640 --> 02:44:45,760
Speaker 3: And the baby baby she definitely has on record, baby

3883
02:44:46,920 --> 02:44:47,680
Speaker 3: niggas is little bit.

3884
02:44:47,800 --> 02:44:49,800
Speaker 1: I'm not saying you too short to fuck Meg. What

3885
02:44:49,879 --> 02:44:51,760
Speaker 1: I was saying is that you wouldn't fuck Meg because

3886
02:44:51,800 --> 02:44:53,400
Speaker 1: she's so tall. You wouldn't be with You wouldn't be

3887
02:44:53,480 --> 02:44:54,440
Speaker 1: with her, You wouldn't be with.

3888
02:44:56,120 --> 02:44:56,560
Speaker 2: Meg's height.

3889
02:44:56,720 --> 02:44:58,680
Speaker 1: You would be with Meg knowing that Megan. Is that?

3890
02:44:59,560 --> 02:45:00,720
Speaker 1: Why not? Okay?

3891
02:45:01,240 --> 02:45:06,240
Speaker 2: I'm secure, Yeah, absolutely. It's more or less a personality thing.

3892
02:45:05,800 --> 02:45:09,360
Speaker 3: You think any man based off how Meg the Stallion looks.

3893
02:45:09,440 --> 02:45:11,920
Speaker 3: Let's forget because we don't know her personally how she looks,

3894
02:45:12,200 --> 02:45:13,959
Speaker 3: we would go now, she's too tall for.

3895
02:45:13,879 --> 02:45:15,800
Speaker 1: Me to be in a relationship.

3896
02:45:16,000 --> 02:45:18,640
Speaker 2: I would know, very insecure about one.

3897
02:45:19,480 --> 02:45:20,880
Speaker 3: On some ten in chields while you atted Tode, I

3898
02:45:20,879 --> 02:45:22,400
Speaker 3: don't give a fun on get I got asked right

3899
02:45:22,440 --> 02:45:24,119
Speaker 3: next to my face when I don't.

3900
02:45:23,879 --> 02:45:25,120
Speaker 2: Care how tall she is.

3901
02:45:25,200 --> 02:45:26,760
Speaker 1: I don't give a fucking what.

3902
02:45:28,000 --> 02:45:30,000
Speaker 3: I'm not even gonna put on forty below, says I

3903
02:45:30,080 --> 02:45:32,640
Speaker 3: put my regular flat shoes on him, walk right next.

3904
02:45:32,520 --> 02:45:34,720
Speaker 2: To every day I grew up in the park. I

3905
02:45:34,800 --> 02:45:40,400
Speaker 2: climbed trees, gates, all kind of shit. Meg is no problem, okay, absolutely.

3906
02:45:39,959 --> 02:45:42,280
Speaker 3: And twenty twenty five is the short king of Year

3907
02:45:42,360 --> 02:45:44,000
Speaker 3: from what I saw, I don't know about who you

3908
02:45:44,040 --> 02:45:44,800
Speaker 3: saw that Twitter?

3909
02:45:46,240 --> 02:45:46,680
Speaker 2: You should lock.

3910
02:45:47,080 --> 02:45:48,640
Speaker 3: Yeah, Elon's was saying.

3911
02:45:48,400 --> 02:45:50,200
Speaker 1: That I love short kings. I'm sure I don't like

3912
02:45:50,240 --> 02:45:52,480
Speaker 1: the nal tall last nigga that I gotta stand on

3913
02:45:52,520 --> 02:45:53,560
Speaker 1: my tip be toes the kiss. I don't.

3914
02:45:53,560 --> 02:45:56,520
Speaker 2: I toes make five, nine, five ten, I think, oh, yeah,

3915
02:45:56,640 --> 02:45:59,720
Speaker 2: she not that put them heels on. She she's she's

3916
02:45:59,760 --> 02:46:00,440
Speaker 2: much to all of it.

3917
02:46:00,520 --> 02:46:03,160
Speaker 1: Now, I could do that. I could do five ten. Okay, absolutely,

3918
02:46:03,240 --> 02:46:05,160
Speaker 1: you're gonna stay. I would stand on my tippy toes

3919
02:46:05,160 --> 02:46:06,120
Speaker 1: to kiss Meg, would you?

3920
02:46:06,920 --> 02:46:08,879
Speaker 2: I wouldn't have to, baby, Then that's okay.

3921
02:46:09,360 --> 02:46:13,400
Speaker 1: If Meg has five inch heels on tippy toes, if

3922
02:46:13,440 --> 02:46:14,480
Speaker 1: Meg has five.

3923
02:46:14,240 --> 02:46:16,360
Speaker 2: In say I gotta stand on my tippy toes, Yes,

3924
02:46:16,520 --> 02:46:18,920
Speaker 2: yes I do, Yes, I do. I've dated girls five

3925
02:46:18,879 --> 02:46:20,440
Speaker 2: to ten that had heels on. What are you talking about?

3926
02:46:20,640 --> 02:46:21,680
Speaker 1: Okay? So Meg?

3927
02:46:21,760 --> 02:46:25,400
Speaker 2: So you telling toes Ma, baby, I ain't had to

3928
02:46:25,400 --> 02:46:27,920
Speaker 2: stand on my tippy toes in probably twenty some years.

3929
02:46:27,920 --> 02:46:30,120
Speaker 1: How how sall are you five ten?

3930
02:46:33,400 --> 02:46:35,080
Speaker 3: At five nine, I would have to stand on my

3931
02:46:35,080 --> 02:46:36,560
Speaker 3: tippy toes to kiss Meg, and I would do it.

3932
02:46:36,760 --> 02:46:38,800
Speaker 2: You would know you would not? Who are you talking about?

3933
02:46:38,879 --> 02:46:42,720
Speaker 3: She's five and she she has some heels on, depending

3934
02:46:42,720 --> 02:46:45,160
Speaker 3: on what heels, and Meg can afford some, some high

3935
02:46:45,160 --> 02:46:47,000
Speaker 3: fucking heels. You think you would have to stand on

3936
02:46:47,040 --> 02:46:50,960
Speaker 3: your tippy toes they're from my heel. My heel would

3937
02:46:51,040 --> 02:46:52,040
Speaker 3: raise off the ground as well.

3938
02:46:53,480 --> 02:46:57,000
Speaker 2: No, not, Hey, y'all are crazy. She's not six ten

3939
02:46:57,080 --> 02:46:59,320
Speaker 2: with those hels or what are you talking about?

3940
02:46:59,440 --> 02:46:59,760
Speaker 1: All right?

3941
02:46:59,760 --> 02:47:02,280
Speaker 3: If I'm nine and she puts on heels, that would

3942
02:47:02,280 --> 02:47:03,880
Speaker 3: make her what three four inches tall?

3943
02:47:03,879 --> 02:47:04,039
Speaker 5: Her?

3944
02:47:04,240 --> 02:47:06,720
Speaker 1: Four or five? Yeah, that puts her.

3945
02:47:06,760 --> 02:47:07,440
Speaker 3: I'm not good at that.

3946
02:47:07,600 --> 02:47:09,440
Speaker 2: Six two, six three. You think you would have to

3947
02:47:09,480 --> 02:47:11,320
Speaker 2: stand on your tippy toes to kiss her? Yes, know

3948
02:47:11,480 --> 02:47:13,199
Speaker 2: you would not. You're bugging the fuck out.

3949
02:47:13,800 --> 02:47:17,080
Speaker 3: If I go like this, I'm not at six three.

3950
02:47:17,040 --> 02:47:19,240
Speaker 2: You're You're crazy. Man. You don have to stay on

3951
02:47:19,280 --> 02:47:19,879
Speaker 2: your tippy toe.

3952
02:47:19,959 --> 02:47:22,000
Speaker 1: He gotta raise his head at least he gotta. He

3953
02:47:22,040 --> 02:47:23,039
Speaker 1: gotta tuck his head back.

3954
02:47:23,160 --> 02:47:26,000
Speaker 3: She's looking down while I'm looking up for sure, for sure,

3955
02:47:26,920 --> 02:47:30,439
Speaker 3: without question, which I'm fine with. Let the pop arzi.

3956
02:47:30,879 --> 02:47:34,119
Speaker 2: Look down on me, Queen, look down at your king.

3957
02:47:36,000 --> 02:47:38,040
Speaker 1: I submit. Yeah, I'm at your service.

3958
02:47:38,080 --> 02:47:40,560
Speaker 2: See that's hound secure if I looked down on your king. Yeah,

3959
02:47:40,640 --> 02:47:41,240
Speaker 2: I'm right here.

3960
02:47:41,480 --> 02:47:43,000
Speaker 1: So like Kevin Hurt and his wife.

3961
02:47:45,560 --> 02:47:47,840
Speaker 3: Yeah, but I mean that's wedding heels too and all that.

3962
02:47:47,920 --> 02:47:49,280
Speaker 3: But yeah, there's nothing wrong with that.

3963
02:47:49,280 --> 02:47:50,240
Speaker 1: They're nothing wrong with it.

3964
02:47:50,640 --> 02:47:52,720
Speaker 3: I could stand on the couch at the club. Yeah,

3965
02:47:53,160 --> 02:47:53,880
Speaker 3: I figure it out.

3966
02:47:54,480 --> 02:47:56,240
Speaker 2: That's all I'm trying to tell you. You'll figure it.

3967
02:47:56,280 --> 02:47:58,920
Speaker 1: Yeah, figure it out. We're both the same height when

3968
02:47:58,920 --> 02:47:59,600
Speaker 1: we lay down.

3969
02:48:00,360 --> 02:48:03,320
Speaker 2: Remember, niggas you try to get that off. Yes, I'm

3970
02:48:03,320 --> 02:48:04,680
Speaker 2: tolling her when I'm in it from the bag.

3971
02:48:05,640 --> 02:48:08,080
Speaker 1: That is true. You because now I gotta climb on

3972
02:48:08,200 --> 02:48:10,120
Speaker 1: the bed because you can't. Just I can't stand up

3973
02:48:10,120 --> 02:48:12,080
Speaker 1: and you can't stand up. So now Din's got to

3974
02:48:12,120 --> 02:48:12,560
Speaker 1: be on the bed.

3975
02:48:13,080 --> 02:48:15,120
Speaker 2: Nah, that's when you just put the put the phone

3976
02:48:15,120 --> 02:48:17,800
Speaker 2: book on the floor for him. So you ain't understanding, queen,

3977
02:48:17,840 --> 02:48:19,760
Speaker 2: that's your problem. Now who still has a phone book?

3978
02:48:22,400 --> 02:48:23,400
Speaker 1: He still be shifting off?

3979
02:48:23,640 --> 02:48:27,000
Speaker 2: No, that would be I have not got to yellow

3980
02:48:27,040 --> 02:48:29,840
Speaker 2: page just sitting there. I'm calling the Homeland Security. There's

3981
02:48:29,879 --> 02:48:33,160
Speaker 2: a bomb in front of my for sure, absolute fucking.

3982
02:48:33,000 --> 02:48:35,400
Speaker 1: Louie before we get out of here.

3983
02:48:36,320 --> 02:48:39,879
Speaker 3: Obviously, I have seen some some comments on Twitter on

3984
02:48:39,959 --> 02:48:43,320
Speaker 3: I G clearly Julian is no longer with the podcast.

3985
02:48:43,360 --> 02:48:47,800
Speaker 3: We wish him the absolute best, love to him.

3986
02:48:46,920 --> 02:48:48,440
Speaker 1: But yes, he's no longer part of the pod.

3987
02:48:48,760 --> 02:48:53,360
Speaker 3: Appreciate all the contributions and and salute to him. And

3988
02:48:53,400 --> 02:48:57,240
Speaker 3: I think that's it. We'll be back three four more times.

3989
02:48:57,280 --> 02:49:00,240
Speaker 3: Patreon dot com forward slash new royamul uh huh. See

3990
02:49:00,240 --> 02:49:03,240
Speaker 3: my twenty twenty five predictions that I smoked already out

3991
02:49:03,240 --> 02:49:03,560
Speaker 3: the gate.

3992
02:49:03,600 --> 02:49:04,440
Speaker 2: You're also a good start.

3993
02:49:05,280 --> 02:49:06,960
Speaker 1: I think I might bad a thousand.

3994
02:49:06,959 --> 02:49:09,280
Speaker 3: I think that I'm all fifty that I was crazy.

3995
02:49:09,879 --> 02:49:12,720
Speaker 2: It's some crazies on your lists. On your list for sure.

3996
02:49:12,920 --> 02:49:15,400
Speaker 3: Really absolutely. You don't think we'll get a Jelly Rolling

3997
02:49:15,480 --> 02:49:16,200
Speaker 3: NA song this year.

3998
02:49:16,400 --> 02:49:17,040
Speaker 2: It won't happen.

3999
02:49:17,200 --> 02:49:19,080
Speaker 1: It wasn't. I would love to hear that.

4000
02:49:19,080 --> 02:49:20,440
Speaker 2: Oh I'm not mad at it, but I don't think

4001
02:49:20,440 --> 02:49:22,280
Speaker 2: it's gonna happen. I love Jelly roll man, Yeah, I

4002
02:49:22,320 --> 02:49:22,800
Speaker 2: love them too.

4003
02:49:23,360 --> 02:49:23,800
Speaker 1: But cool.

4004
02:49:24,120 --> 02:49:25,280
Speaker 3: We'll talk to you guys very soon.

4005
02:49:25,400 --> 02:49:28,120
Speaker 2: Be safe, be blessed, have a good week. I'm that nigga.

4006
02:49:28,160 --> 02:49:29,280
Speaker 2: He's just ginger peace.

4007
02:49:29,680 --> 02:49:31,000
Speaker 1: No