WEBVTT - Joan Baez on learning to confront the past

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<v Speaker 1>What do you do when life doesn't go according to

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<v Speaker 1>plan that moment you lose a job, or a loved one,

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<v Speaker 1>or even a piece of yourself. I'm Brookshields and this

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<v Speaker 1>is now What, a podcast about pivotal moments as told

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<v Speaker 1>by people who lived them. Each week, I sit down

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<v Speaker 1>with a guest to talk about the times they were

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<v Speaker 1>knocked off course and what they did to move forward.

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<v Speaker 1>Some stories are funny, others are gut wrenching, but all

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<v Speaker 1>are unapologetically human and remind us that every success and

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<v Speaker 1>every setback is accompanied by a choice, and that choice

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<v Speaker 1>answers one question, Now, what are there any other risks

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<v Speaker 1>that you sit there and look back at and go, God,

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<v Speaker 1>oh my god, I can't believe I did that.

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<v Speaker 2>I think probably Saria comes out on top of that,

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<v Speaker 2>because I was just in snipe rally, you know. But

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<v Speaker 2>there again, I'm protected by my own denial, just blocking out,

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<v Speaker 2>blocking out my mortality, and my mortality I hadn't really

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<v Speaker 2>run into until nineteen seventy two. In her noise, I thought,

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<v Speaker 2>oh god, yeah, I could die here, and kind of

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<v Speaker 2>don't really believe until it's in your face. And by

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<v Speaker 2>the way, every atheist there says Oh God, say, oh God.

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<v Speaker 2>They're praying like thunder at the end of the day.

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<v Speaker 1>My guest today is one of the leading voices of

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<v Speaker 1>her generation. Joan Biaz is a singer, songwriter, political activist,

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<v Speaker 1>and more. Her legendary soprano made her famous, but it

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<v Speaker 1>was her role in the counterculture of the nineteen sixties

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<v Speaker 1>that made her an icon. She stood with doctor Martin

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<v Speaker 1>Luther King Junior at the March on Washington, performed at Woodstock,

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<v Speaker 1>fought to integrate schools. The list goes on. I was

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<v Speaker 1>admittedly starstruck during our interview, especially when she said we

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<v Speaker 1>should go get a cup of coffee, but mostly because

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<v Speaker 1>I had just watched I Am Noise, an incredible new

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<v Speaker 1>documentary about Joan's life. It chronicles her incredible career, her

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<v Speaker 1>efforts to uncover and heal from childhood trauma, her relationships,

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<v Speaker 1>and her activism. I'm blown away by her life's story

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<v Speaker 1>and honored that she took the time to share a

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<v Speaker 1>little of her wisdom with me. Here is Joan Bias.

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<v Speaker 1>Joan Bias. I can't believe I'm actually talking to you.

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<v Speaker 1>This is such a huge honor, and I just want

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<v Speaker 1>to say thank you for your time, and just for

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<v Speaker 1>deciding to spend any time with me.

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<v Speaker 2>I'm delighted to be here, are you, beautiful woman?

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<v Speaker 1>I was watching your documentary I am Noise. I recently

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<v Speaker 1>was part of a documentary about my own life, and

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<v Speaker 1>watching it and being in it was a very surreal

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<v Speaker 1>sort of revisitation of a lot of things in my life.

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<v Speaker 1>And I was so impressed by you and your career

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<v Speaker 1>and your messaging and your voice and your history. Why

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<v Speaker 1>did you decide that this was the appropriate time to

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<v Speaker 1>re examine all of that and share it with the public.

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<v Speaker 2>Well, a question goes for the whole film, and the

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<v Speaker 2>singing and the family, sisters and growing up and all

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<v Speaker 2>of it. Why did I decide? And it was about

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<v Speaker 2>wanting to leave an honest legacy, wanting to just go ahead.

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<v Speaker 2>I mean, I've got nothing left to lose. I'm eighty two,

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<v Speaker 2>my family's gone, so for a lot of the sensitive

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<v Speaker 2>material that this was the time to do it. It

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<v Speaker 2>came out as I would have hoped. It stays understated,

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<v Speaker 2>but you get the general idea of what my entire

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<v Speaker 2>life was, and also things like the tapes from Birmingham,

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<v Speaker 2>you know, Hi Mummy and Popsy I'm going to meet

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<v Speaker 2>Martin Luther kingdomarw. I mean, how crazy is that? So

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<v Speaker 2>I don't have to tell the story. It tells itself

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<v Speaker 2>from tapes I made when I was twenty two, things

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<v Speaker 2>like that.

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<v Speaker 1>And you kept it all. I mean you kept it.

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<v Speaker 1>Was amazing seeing your doodles and your your handwriting and

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<v Speaker 1>your love for your family is evident.

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<v Speaker 2>It is. First of all, my mother kept everything. I

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<v Speaker 2>didn't keep a thing, and I had no idea it

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<v Speaker 2>was in that storeroom, nothing And when I walk in

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<v Speaker 2>and the film, it's the first time I've ever been

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<v Speaker 2>in there, so surprise, surprise, I've learned a lot. Yeah,

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<v Speaker 2>I've learned a lot from watching the film.

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<v Speaker 1>What did you learn the most? What struck you the

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<v Speaker 1>most from watching it?

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<v Speaker 2>I think things like my son, it's just the depth

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<v Speaker 2>of what he was dealing with. I knew he was

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<v Speaker 2>dealing with, you know, my not being present for so

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<v Speaker 2>many years. I didn't know how deep, how deeply it

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<v Speaker 2>affected him, and how marginal he felt, you know, And

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<v Speaker 2>I get it about feeling marginal. Hearing my sisters say

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<v Speaker 2>what they really felt about me. You know, you kind

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<v Speaker 2>of guess, but it's hard for you it's hard for

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<v Speaker 2>them to really say what they said face to face

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<v Speaker 2>with one of the directors, and they love My older

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<v Speaker 2>sister never talked to anybody anybody, wouldn't let anybody take

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<v Speaker 2>a photograph. But Karen O'Connor, one of the directors, they

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<v Speaker 2>were friends, and she just put the camera there and

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<v Speaker 2>Pauline started to talk. So I learned from that and

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<v Speaker 2>from my son, and then some of the some of

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<v Speaker 2>the therapy tapes I had, you know, I mean, I

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<v Speaker 2>want to get rid of all the rest of them.

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<v Speaker 2>I don't even know what they say. I just know

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<v Speaker 2>they were a lot of them, and that I turning

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<v Speaker 2>the keys over to the directors. That was part of it.

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<v Speaker 1>The opening up of that storage, like the just it

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<v Speaker 1>was such a I don't know if the director intended that,

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<v Speaker 1>but that's sort of that roll up and then being

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<v Speaker 1>confronted with all of this in the film. The film

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<v Speaker 1>examines your whole life up to the current day, from

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<v Speaker 1>the beginning, through your diaries through home videos. It's quite

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<v Speaker 1>extraordinary the amount of material that exists and that has

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<v Speaker 1>been documented, and it really it's very moving to watch.

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<v Speaker 1>And there's one journal entry when you were I think

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<v Speaker 1>you were about thirteen, and you say, I think of

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<v Speaker 1>myself hardly a spec Then I see there is no

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<v Speaker 1>use for this small dot to spend its entire life

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<v Speaker 1>doing things for itself. It might as well spend its

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<v Speaker 1>time making the less fortunate specs enjoy themselves. Where did

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<v Speaker 1>you develop that? Where did that come from? At thirteen?

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<v Speaker 2>You know, probably well it had to have come from

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<v Speaker 2>whatever in my life had been so far. And my

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<v Speaker 2>family at that point weren't officially Quakers but pretty much

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<v Speaker 2>as close to. No, actually they actually were. And I'd

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<v Speaker 2>been subjected to quicker meeting, which kids are not crazy about.

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<v Speaker 2>You should have to sit there and be quiet, but

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<v Speaker 2>it does affect you anyway. No, And I think going

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<v Speaker 2>to bag Dad, which is in there a little bit,

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<v Speaker 2>and seeing the poverty and people who had absolutely nothing,

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<v Speaker 2>sick and all of that. People respond in different ways.

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<v Speaker 2>I mean, my sister will all respond slightly differently, but

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<v Speaker 2>whatever my makeup is, it was devastating to me. And

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<v Speaker 2>I remember one day I was on a train and

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<v Speaker 2>I couldn't have been more than ten or twelve, and

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<v Speaker 2>in my mind I saw train going parallel to us.

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<v Speaker 2>I mean it wasn't for real, but I saw and

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<v Speaker 2>I saw a little girl basically another little me, and

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<v Speaker 2>I was thinking I didn't want anybody to hurt that

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<v Speaker 2>little girl, that if she didn't want to be hurt,

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<v Speaker 2>then I didn't want, you know. I looked at her

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<v Speaker 2>and thought, oh, this represents kids, and none of us

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<v Speaker 2>wants to be hurt. And we you know, we all

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<v Speaker 2>want to be loved. And you know, I would have

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<v Speaker 2>these little epiphanies when I was pretty young. They saved

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<v Speaker 2>my life also, but.

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<v Speaker 1>They're also there. It's you taking care of that little

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<v Speaker 1>girl in you. Somewhere in there, you knew you wanted

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<v Speaker 1>to feel safer than life maybe made you feel or

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<v Speaker 1>was unfolding around you, maybe didn't feel as safe.

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<v Speaker 2>Self care wasn't a word back then, but yeah, I

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<v Speaker 2>mean that's must have been what the whole thing was about.

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<v Speaker 1>I just was so surprised that the degree that you

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<v Speaker 1>suffered from panic attacks and depression and dissociation. Do you

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<v Speaker 1>remember when that started?

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<v Speaker 2>Yeah, I mean I was fragile as a little girl,

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<v Speaker 2>and I didn't realize it. You know, we didn't have

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<v Speaker 2>any words for panic attacks back then. It's just seeing

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<v Speaker 2>you're crazy people, and the crazy person went to see

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<v Speaker 2>a psychiatrist. It was really not something anybody talked about.

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<v Speaker 2>So but early on, yeah, I was. You know, my

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<v Speaker 2>mom says something about we you know, she but something's

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<v Speaker 2>bothering her and we don't know what that is, and

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<v Speaker 2>you know, and it confounded my lovely mom who wanted

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<v Speaker 2>to take care of her daughter and didn't know quite

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<v Speaker 2>how to deal with it all. So, yeah, I went

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<v Speaker 2>through a life of it until I hit fifty and

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<v Speaker 2>started dealing with it.

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<v Speaker 1>Said you said it one moment, you said I was

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<v Speaker 1>just too crazy at the time, and that is that.

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<v Speaker 1>I don't think you were crazy at all. I think

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<v Speaker 1>you were coping. I think were you know, I used

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<v Speaker 1>to carl into the sink and cry and spurts and

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<v Speaker 1>then get up and have to memorize lines. And you

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<v Speaker 1>know that's not that's not crazy. I mean you, how

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<v Speaker 1>did you like?

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<v Speaker 2>It?

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<v Speaker 1>Broke my heart when I heard you call yourself crazy,

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<v Speaker 1>because I I, that's a trigger for me, because it

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<v Speaker 1>is you are coping, you're sensitive, you're an artist, you're

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<v Speaker 1>a little kid. You're traveling all around in quite a

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<v Speaker 1>bohemian way of life. Was music a tough form of

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<v Speaker 1>escape or yeah? That help?

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<v Speaker 2>I mean since music did both because I was I

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<v Speaker 2>would have crippling stage fright, but I'd go out there,

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<v Speaker 2>and I know that that gave me. I mean, I

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<v Speaker 2>guess in the film it says when I really started

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<v Speaker 2>getting that recognition, I went from thinking of myself as

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<v Speaker 2>a skinny, dumb Mexican. Literally, that's how I saw myself

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<v Speaker 2>as a well the madonna. That's a good why not

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<v Speaker 2>off through that? But I began developing, you know, some self,

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<v Speaker 2>some self worse, and I was proud. I loved my

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<v Speaker 2>I can always consider it a gift, so I can

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<v Speaker 2>talk about it. However, I like my job has been

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<v Speaker 2>maintenance and delivery since I was fifteen. Yeah, so it

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<v Speaker 2>gave me me.

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<v Speaker 1>You were such an active participant in the seminal moments

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<v Speaker 1>in our history, whether it's the March on Washington, or

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<v Speaker 1>helping into great schools, or Woodstock or the list just continues,

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<v Speaker 1>Vietnam War protesting. Do you think that your motivation for

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<v Speaker 1>that stemmed from anything in particular.

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<v Speaker 2>I think that there was great sadness that I didn't

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<v Speaker 2>know about when I was little, and I remember, you know,

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<v Speaker 2>the interviewers would say I was a twenty one or something.

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<v Speaker 2>Why are seeing all those sad songs. I don't know

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<v Speaker 2>why were you saying we shall overcome with me please,

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<v Speaker 2>that there was a diet. You know there was a

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<v Speaker 2>depth of sorrow in me, and that was you asked

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<v Speaker 2>it earlier. That was one way to deal with it,

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<v Speaker 2>with singing those songs that were expressing something I didn't

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<v Speaker 2>really know about yet.

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<v Speaker 1>Well, I encourage everybody to see this documentary because of

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<v Speaker 1>the honesty and because of hearing your voice, and hearing

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<v Speaker 1>your voice at different stages, even when you're taping messages

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<v Speaker 1>to your parents and you're on the train and you're

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<v Speaker 1>talking about the sunrise or the mountains or whatever it is,

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<v Speaker 1>you really do get an understanding of your psyche to

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<v Speaker 1>a certain extent, you and your sweetness juxtaposed with your strength.

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<v Speaker 1>The juxtaposition of both of those things all the time

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<v Speaker 1>really does come through in the documentary. And I think

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<v Speaker 1>people will feel that I.

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<v Speaker 2>Was just going to say, I think we're allowing them

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<v Speaker 2>to feel in some way, as I'm not telling people

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<v Speaker 2>what to feel. What we've discovered that this is unlocked things.

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<v Speaker 2>For many people come up and say exactly that, whether

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<v Speaker 2>it was communicating with their family or whether it was

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<v Speaker 2>trauma childhood trauma, et cetera. I didn't this is icing

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<v Speaker 2>on the cake for me. It wasn't. I didn't go

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<v Speaker 2>out to make a film and make everybody else feel better.

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<v Speaker 2>But it's given. You know, it's open doors for people,

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<v Speaker 2>which is wonderful.

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<v Speaker 1>The documentary really does dive deeply into your mental health

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<v Speaker 1>and discovering at what at such a young age, how

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<v Speaker 1>you are grappling with that, and discovers that abuse was

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<v Speaker 1>part of the family narrative. We hear tapes in therapy

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<v Speaker 1>and we see you examine the roots of your anxiety.

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<v Speaker 1>I feel like you've sat with this for so many years.

0:13:59.720 --> 0:14:05.880
<v Speaker 1>But the willingness to be to examine it with regards

0:14:05.920 --> 0:14:12.200
<v Speaker 1>to how you can heal I think as generous. I don't.

0:14:12.240 --> 0:14:15.079
<v Speaker 1>I don't think maybe you set out to make other

0:14:15.120 --> 0:14:18.360
<v Speaker 1>people happy, But I do think sharing experiences that are

0:14:18.440 --> 0:14:24.680
<v Speaker 1>less than perfect are important. Yes, But it does. I

0:14:24.720 --> 0:14:27.560
<v Speaker 1>think you examine your memories.

0:14:26.840 --> 0:14:31.280
<v Speaker 2>Yeah, it does, and I that was the healing journey. No.

0:14:32.160 --> 0:14:34.240
<v Speaker 2>I think everybody ought to see a therapist at some

0:14:34.400 --> 0:14:37.840
<v Speaker 2>point because we're all we all get so lost and

0:14:37.880 --> 0:14:40.480
<v Speaker 2>we go turn to friends and they're trying to please us,

0:14:40.640 --> 0:14:43.880
<v Speaker 2>and or turn to a friend who just pisses us off.

0:14:44.040 --> 0:14:46.240
<v Speaker 2>But if you can go somewhere where you're going to

0:14:46.240 --> 0:14:49.000
<v Speaker 2>get a straight answer or you're going to find your

0:14:49.000 --> 0:14:53.880
<v Speaker 2>own straight answer, I think it's really important. And just

0:14:53.880 --> 0:14:59.160
<v Speaker 2>just to make myself crazier then you say, I'm not,

0:14:59.640 --> 0:15:02.280
<v Speaker 2>I do that my way of talking about I talk

0:15:02.360 --> 0:15:06.680
<v Speaker 2>to trees. Now. I remember when Charlie McClain talked about,

0:15:06.880 --> 0:15:08.680
<v Speaker 2>you know, talking to trees. I thought, oh man, what

0:15:08.760 --> 0:15:13.040
<v Speaker 2>a fruitcake, you know, And I come completely around the

0:15:13.120 --> 0:15:15.440
<v Speaker 2>other way. They're a big part of my life that

0:15:15.560 --> 0:15:18.680
<v Speaker 2>I go to. There's one special one and I just

0:15:18.720 --> 0:15:21.960
<v Speaker 2>take my problems there. And if you speak to a

0:15:22.000 --> 0:15:27.320
<v Speaker 2>tree and listen very carefully, you are I get answers.

0:15:27.640 --> 0:15:30.960
<v Speaker 1>Well that's that's great. I mean I've been going to

0:15:31.000 --> 0:15:35.160
<v Speaker 1>the same therapist for almost thirty five or maybe a

0:15:35.200 --> 0:15:37.600
<v Speaker 1>little bit over almost thirty eight years, and I got very,

0:15:37.720 --> 0:15:42.440
<v Speaker 1>very lucky. And you know, hearing your own voice, hearing

0:15:43.000 --> 0:15:48.040
<v Speaker 1>your own belief and feelings about things, is a huge gift.

0:15:49.320 --> 0:15:53.600
<v Speaker 1>The show is called now What because it's about pivotal

0:15:53.600 --> 0:15:58.840
<v Speaker 1>moments in our lives that, really, looking back, good or bad,

0:15:59.000 --> 0:16:02.120
<v Speaker 1>they were you know something in your life that was

0:16:02.560 --> 0:16:08.080
<v Speaker 1>specially specially formative. If you were to look back, are

0:16:08.160 --> 0:16:09.720
<v Speaker 1>there any that come to mind?

0:16:10.280 --> 0:16:15.160
<v Speaker 2>What comes to my mind first is the goodness that

0:16:15.240 --> 0:16:19.560
<v Speaker 2>I got from my parents that comes before worrying about

0:16:20.240 --> 0:16:25.480
<v Speaker 2>the problems. Was that I have to have survived partly

0:16:25.520 --> 0:16:29.640
<v Speaker 2>because they loved me and I love them. And the

0:16:29.680 --> 0:16:33.520
<v Speaker 2>importance of the Quakerism, I mean Quakerism. You really learned

0:16:33.560 --> 0:16:35.960
<v Speaker 2>that human life is more important than the nation state.

0:16:36.640 --> 0:16:40.520
<v Speaker 2>So here we are the nation states pile up, you know,

0:16:40.800 --> 0:16:44.480
<v Speaker 2>one after another, and kids go on dying for that.

0:16:44.800 --> 0:16:47.600
<v Speaker 2>So at a very early age, I was thinking about

0:16:47.640 --> 0:16:51.440
<v Speaker 2>those things and for that I'm grateful. In the in

0:16:51.480 --> 0:16:54.400
<v Speaker 2>the movie, my older sisters has that globe and she's

0:16:54.440 --> 0:16:58.080
<v Speaker 2>pointing to it the place sort of symbolizing all the

0:16:58.120 --> 0:17:01.040
<v Speaker 2>places that we've been, and she said, Pops wanted to

0:17:01.120 --> 0:17:04.240
<v Speaker 2>travel around meet different people to show us that we're

0:17:04.400 --> 0:17:08.000
<v Speaker 2>sort of we're all the same basically, you know. And

0:17:08.040 --> 0:17:11.240
<v Speaker 2>that's probably where that speck came from, that little speck

0:17:11.280 --> 0:17:15.800
<v Speaker 2>of a person that my parents both must have helped

0:17:15.880 --> 0:17:16.520
<v Speaker 2>me form.

0:17:16.600 --> 0:17:21.040
<v Speaker 1>That was there a person that you came into contact with.

0:17:21.119 --> 0:17:24.000
<v Speaker 1>I mean, you've known so many icons like Martin Luther

0:17:24.119 --> 0:17:27.080
<v Speaker 1>King Jr. And James Baldwin and Patti Smith, who is

0:17:27.240 --> 0:17:31.399
<v Speaker 1>a I love her, Bob Dylan, Steve Jobs. Steve Jobs

0:17:31.400 --> 0:17:35.199
<v Speaker 1>gave me my first computer, katies me too. Any is

0:17:35.240 --> 0:17:36.720
<v Speaker 1>there anybody? Yeah?

0:17:36.840 --> 0:17:37.320
<v Speaker 2>I love that.

0:17:37.880 --> 0:17:41.800
<v Speaker 1>Was there anybody in particular that made an impression on you?

0:17:42.400 --> 0:17:45.359
<v Speaker 2>Oh? There have been people, No, I mean the first

0:17:45.400 --> 0:17:51.000
<v Speaker 2>ones that come to mind are Hallville, who was became

0:17:51.080 --> 0:17:54.240
<v Speaker 2>the president of Czech Republic and been a dissident. I

0:17:54.280 --> 0:17:57.240
<v Speaker 2>always go for these dissidents because they've paid the price,

0:17:57.600 --> 0:17:59.359
<v Speaker 2>taken the risk and paid the price, and I just

0:17:59.480 --> 0:18:03.280
<v Speaker 2>admire so much. It's what we don't have, broke, we

0:18:03.320 --> 0:18:06.000
<v Speaker 2>don't have. I mean, we have a lot of people

0:18:06.040 --> 0:18:10.160
<v Speaker 2>doing a lot of good things, and it's really difficult

0:18:10.160 --> 0:18:14.360
<v Speaker 2>in this political atmosphere which is all about bullying, you know,

0:18:15.080 --> 0:18:19.200
<v Speaker 2>and hatred and fear and this people there are people

0:18:19.200 --> 0:18:22.160
<v Speaker 2>who are doing good things and I don't know where

0:18:22.160 --> 0:18:27.840
<v Speaker 2>this rambling I'm doing started. But social change, really serious,

0:18:27.880 --> 0:18:31.399
<v Speaker 2>social change, meaningful, can't happen until people are willing to

0:18:31.440 --> 0:18:36.080
<v Speaker 2>take a risk. And we need to be more tuned

0:18:36.119 --> 0:18:39.280
<v Speaker 2>into that and hopefully more willing to step out of

0:18:39.280 --> 0:18:41.120
<v Speaker 2>our comfort zone.

0:18:41.080 --> 0:18:44.480
<v Speaker 1>And not letting fear, not letting fear, you know, really

0:18:45.080 --> 0:18:47.000
<v Speaker 1>guide us as much as it wants to do.

0:18:48.359 --> 0:18:56.000
<v Speaker 2>Yeah, yeah, I think I think courage is contagious, and

0:18:56.160 --> 0:18:59.720
<v Speaker 2>courage is not that you're fearless, but it is that

0:18:59.760 --> 0:19:03.080
<v Speaker 2>you're afraid and you do it anyway. So most of us,

0:19:03.280 --> 0:19:07.880
<v Speaker 2>to be courageous means to face the demons, whether they're

0:19:07.920 --> 0:19:11.760
<v Speaker 2>personal and internal or whether it is this sick world

0:19:11.800 --> 0:19:12.480
<v Speaker 2>we're living in.

0:19:12.840 --> 0:19:15.600
<v Speaker 1>But I mean I also think you like people have

0:19:15.720 --> 0:19:19.280
<v Speaker 1>said things I've done, written about are courageous, and I've

0:19:19.320 --> 0:19:21.720
<v Speaker 1>never thought about it as courageous. I just thought about

0:19:21.760 --> 0:19:27.440
<v Speaker 1>it as necessity because very rarely, I think, does one

0:19:27.480 --> 0:19:32.560
<v Speaker 1>really feel courageous unless something is simple, and then that's

0:19:32.600 --> 0:19:34.959
<v Speaker 1>not really courage. But you took risks. I mean, are

0:19:35.000 --> 0:19:37.720
<v Speaker 1>there moments that from your youth and your career that

0:19:37.760 --> 0:19:39.679
<v Speaker 1>you still can't believe that you experience?

0:19:40.480 --> 0:19:43.919
<v Speaker 2>Yeah? There are, and I think it's a blessing. I

0:19:43.920 --> 0:19:47.600
<v Speaker 2>think denial is our friend because as I'm walking through

0:19:47.600 --> 0:19:51.359
<v Speaker 2>those threetes, who great Mississippi, I mean you're either in

0:19:51.440 --> 0:19:55.399
<v Speaker 2>denial or dumb to do that, because you're going to

0:19:55.440 --> 0:19:59.760
<v Speaker 2>get hurt. No, I mean denial about say climate change.

0:20:00.000 --> 0:20:02.639
<v Speaker 2>If we didn't stay in denial, maybe ninety percent of

0:20:02.680 --> 0:20:04.879
<v Speaker 2>the day, it wouldn't be worth living.

0:20:13.920 --> 0:20:18.200
<v Speaker 1>You talk about being the right voice at the right time,

0:20:18.800 --> 0:20:23.280
<v Speaker 1>and I'm so moved by the sound of your voice now.

0:20:24.800 --> 0:20:31.000
<v Speaker 1>It resonates differently, but there's something about the richness of

0:20:31.040 --> 0:20:36.520
<v Speaker 1>your voice now. Albeit the younger sound was extraordinary and

0:20:36.640 --> 0:20:40.479
<v Speaker 1>unique and there was a clarity and a timbre to it,

0:20:40.560 --> 0:20:46.119
<v Speaker 1>But hearing your voice now is extremely moving. Do you

0:20:46.160 --> 0:20:50.800
<v Speaker 1>think that there's any metaphor in that psychologically with how

0:20:50.840 --> 0:20:53.639
<v Speaker 1>far you've come and of doing all the work.

0:20:53.840 --> 0:20:56.520
<v Speaker 2>Well, I was busy not liking my voice for the

0:20:56.560 --> 0:20:59.920
<v Speaker 2>last number of years, and it's because I was trying

0:20:59.920 --> 0:21:02.880
<v Speaker 2>to make it in something it can't be anymore. And

0:21:02.920 --> 0:21:05.480
<v Speaker 2>the more I accept it. I mean, I don't sing much,

0:21:05.840 --> 0:21:08.560
<v Speaker 2>but people have asked me recently to do a couple

0:21:08.560 --> 0:21:11.560
<v Speaker 2>of things. I mean, I took the guitar off the wall,

0:21:11.600 --> 0:21:14.600
<v Speaker 2>which is where it's lived since I quit touring, and

0:21:14.760 --> 0:21:16.879
<v Speaker 2>started to see whether I could my fingers are going

0:21:16.960 --> 0:21:19.640
<v Speaker 2>to stay spaghetti, or whether the muscle memory would come back.

0:21:20.960 --> 0:21:24.560
<v Speaker 2>It came back enough, and I actually when I quit

0:21:24.920 --> 0:21:27.280
<v Speaker 2>trying to make notes that I couldn't make. That's where

0:21:27.280 --> 0:21:29.840
<v Speaker 2>all the tension was coming from and that was making

0:21:29.880 --> 0:21:32.520
<v Speaker 2>it not fun. And I would say, although I don't

0:21:32.560 --> 0:21:36.800
<v Speaker 2>spend much time at it, I've found spots where I'm

0:21:36.840 --> 0:21:40.800
<v Speaker 2>really happy with the sound of the voice and accepting

0:21:40.880 --> 0:21:46.439
<v Speaker 2>that sort of like accepting wrinkles. For me, it just is.

0:21:46.560 --> 0:21:47.560
<v Speaker 2>It is what it is.

0:21:47.800 --> 0:21:49.879
<v Speaker 1>But there's no botox for the vocal cords.

0:21:50.480 --> 0:21:51.240
<v Speaker 2>That's correct.

0:21:53.320 --> 0:21:57.719
<v Speaker 1>Yeah, But I think anytime we try to compare ourselves

0:21:57.760 --> 0:22:01.800
<v Speaker 1>to something that was, I think we come up short.

0:22:02.160 --> 0:22:06.000
<v Speaker 1>I hope you found joy again in your voice, because

0:22:07.080 --> 0:22:11.240
<v Speaker 1>so many of us have and do. But looking back

0:22:11.280 --> 0:22:14.520
<v Speaker 1>at your songs and your activism, did you do it

0:22:14.600 --> 0:22:18.480
<v Speaker 1>for the greater good or was there a part of

0:22:18.520 --> 0:22:23.280
<v Speaker 1>you that just was being defiant or self destructive?

0:22:24.400 --> 0:22:27.800
<v Speaker 2>I don't think self destructive. I think the positive part

0:22:27.840 --> 0:22:30.640
<v Speaker 2>of it is that I am proud of every one

0:22:30.680 --> 0:22:34.679
<v Speaker 2>of those challenges that came along and I did. I

0:22:34.680 --> 0:22:37.239
<v Speaker 2>don't think I went off on the wrong track at

0:22:37.280 --> 0:22:40.239
<v Speaker 2>any point. I think then the film alludes to it.

0:22:40.280 --> 0:22:43.520
<v Speaker 2>I was addicted to it, which show, you know, whatever

0:22:43.760 --> 0:22:47.000
<v Speaker 2>made it impossible to me to be really present with

0:22:47.040 --> 0:22:50.879
<v Speaker 2>my son. Something in there was so difficult for me

0:22:50.920 --> 0:22:53.320
<v Speaker 2>that I would take off you know, and I would

0:22:53.400 --> 0:22:58.000
<v Speaker 2>do something valuable and something good, but I could have

0:22:58.000 --> 0:22:58.520
<v Speaker 2>stayed home.

0:22:59.000 --> 0:23:03.480
<v Speaker 1>When you say that you your son, you were not present,

0:23:04.040 --> 0:23:06.679
<v Speaker 1>do you mean that just because of your schedule or

0:23:06.720 --> 0:23:10.919
<v Speaker 1>do you mean that emotionally both both.

0:23:11.000 --> 0:23:15.280
<v Speaker 2>I mean the schedule physically took me away, but being

0:23:15.400 --> 0:23:19.360
<v Speaker 2>there but not really being present for him, I kind

0:23:19.400 --> 0:23:21.880
<v Speaker 2>of knew. I mean, I know that, and I knew

0:23:21.920 --> 0:23:24.719
<v Speaker 2>it already, but to hear more from him about what

0:23:24.760 --> 0:23:28.639
<v Speaker 2>that actually felt like, and you know, to hear you know,

0:23:28.720 --> 0:23:31.200
<v Speaker 2>my mom surrounded me with really good people, but there's

0:23:31.240 --> 0:23:34.800
<v Speaker 2>nothing can really take the place of a parent. So

0:23:35.240 --> 0:23:37.120
<v Speaker 2>you know, I had a lot of gut punches while

0:23:37.160 --> 0:23:40.080
<v Speaker 2>I was watching and the healthy ones because I learned

0:23:40.080 --> 0:23:40.560
<v Speaker 2>from them.

0:23:41.119 --> 0:23:43.760
<v Speaker 1>And to see your son, you and your son on

0:23:43.840 --> 0:23:47.240
<v Speaker 1>tour for the quote unquote, I don't want to admit it.

0:23:47.280 --> 0:23:48.959
<v Speaker 1>I will not I will not be I will not

0:23:48.960 --> 0:23:51.800
<v Speaker 1>be accepting the farewell tour as a farewell tour. But

0:23:52.040 --> 0:23:57.240
<v Speaker 1>that's not for me to decide. Seeing you know, you're

0:23:57.280 --> 0:23:59.679
<v Speaker 1>his only mom, you know, and seeing the two of

0:23:59.680 --> 0:24:02.960
<v Speaker 1>you to other and seeing you two performed together, there's

0:24:03.000 --> 0:24:06.840
<v Speaker 1>a huge amount of healing in that, and you can

0:24:06.920 --> 0:24:09.720
<v Speaker 1>feel it and I don't think it's ever too late

0:24:10.080 --> 0:24:14.080
<v Speaker 1>in any way. We all have guilt. For I have

0:24:14.160 --> 0:24:17.639
<v Speaker 1>a huge amount of guilt for being so kidnapped by

0:24:17.720 --> 0:24:21.560
<v Speaker 1>postpartum depression with my first daughter. And you know and

0:24:21.640 --> 0:24:26.800
<v Speaker 1>hold that, and I think, what you it's it's a

0:24:26.960 --> 0:24:29.480
<v Speaker 1>very it's a beautiful thing anyway to see you both

0:24:29.600 --> 0:24:33.679
<v Speaker 1>on stage together, and so I'm glad for that.

0:24:34.119 --> 0:24:36.960
<v Speaker 2>When people ask me what is it I'm most proud

0:24:37.000 --> 0:24:40.320
<v Speaker 2>of in my life, it really isn't the accolades and

0:24:40.359 --> 0:24:44.280
<v Speaker 2>the whatever, all that stuff and the praising and the

0:24:44.880 --> 0:24:47.960
<v Speaker 2>and the awards, and that it really is. And I came,

0:24:48.359 --> 0:24:52.199
<v Speaker 2>this came to me really clearly that my son and

0:24:52.240 --> 0:24:55.560
<v Speaker 2>I were able to reach each other. We had to

0:24:55.640 --> 0:24:58.840
<v Speaker 2>work really hard at it. We needed a therapist or

0:24:58.880 --> 0:25:02.920
<v Speaker 2>a referee or a something. But still we go back.

0:25:02.960 --> 0:25:07.119
<v Speaker 2>If there's a hitch, we go back again. Because the

0:25:07.160 --> 0:25:10.960
<v Speaker 2>wounds were deep and it will be processing now from

0:25:11.000 --> 0:25:14.840
<v Speaker 2>here on out. But that's good news for people that

0:25:14.880 --> 0:25:16.800
<v Speaker 2>you can actually do that, but you need help. You

0:25:16.920 --> 0:25:18.240
<v Speaker 2>just can't do that on your own.

0:25:22.760 --> 0:25:27.080
<v Speaker 1>That was Joan Baez. To learn more about her incredible story,

0:25:27.520 --> 0:25:32.000
<v Speaker 1>check out I Am Noise, available everywhere on November twenty First,

0:25:32.440 --> 0:25:38.880
<v Speaker 1>that's it for us today. Talk to you next week. Now.

0:25:38.920 --> 0:25:42.600
<v Speaker 1>What with Burke Shields is a production of iHeartRadio. Our

0:25:42.680 --> 0:25:46.840
<v Speaker 1>lead producer and wonderful showrunner is Julia Weaver. Additional research

0:25:47.080 --> 0:25:51.440
<v Speaker 1>and editing by Darby Masters and Abu Zafar. Our executive

0:25:51.440 --> 0:25:56.440
<v Speaker 1>producer is Christina Everett. The show is mixed by Baheed Fraser.