WEBVTT - Mini Crush #137

0:00:00.200 --> 0:00:02.960
<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

0:00:28.600 --> 0:00:31.840
<v Speaker 1>Hey everybody, and welcome to Mini Crush Monday. It's just

0:00:31.960 --> 0:00:35.920
<v Speaker 1>a manic Mini Crush Monday. Who's that by the Bengals

0:00:36.400 --> 0:00:40.320
<v Speaker 1>the Bang? I always confused the Bengals with Banana Rama, Okay,

0:00:41.159 --> 0:00:43.440
<v Speaker 1>I mean, I know that's a little insulting. The Bengals

0:00:43.440 --> 0:00:45.920
<v Speaker 1>were the superior band, I would say, right, Oh, I

0:00:45.920 --> 0:00:47.960
<v Speaker 1>mean they were both great. And then there's the Go

0:00:47.960 --> 0:00:50.320
<v Speaker 1>Goes too, so that maybe I'm just being a sexist

0:00:50.320 --> 0:00:54.480
<v Speaker 1>and conflating all eighties female focused bands. What's wrong with me?

0:00:55.600 --> 0:00:58.200
<v Speaker 1>Off to the Go Goes were truly superior. I think

0:00:58.560 --> 0:01:00.240
<v Speaker 1>there you go. I knew one of them was like

0:01:00.600 --> 0:01:03.000
<v Speaker 1>the sort of holy grail of that era. Yeah, there's

0:01:03.040 --> 0:01:06.640
<v Speaker 1>a great you at least uh to everyone know. Um,

0:01:06.680 --> 0:01:10.160
<v Speaker 1>there's a great documentary on the new documentary about the

0:01:10.160 --> 0:01:14.640
<v Speaker 1>Go Goes on Showtime that I highly recommend. Do you

0:01:14.680 --> 0:01:16.280
<v Speaker 1>do you go out for Showtime? Chuck? Do you have?

0:01:17.080 --> 0:01:20.080
<v Speaker 1>Do you do? The piecemeal cable package ala carte thing

0:01:20.120 --> 0:01:22.240
<v Speaker 1>that we were dreaming of for low these many years

0:01:22.280 --> 0:01:24.120
<v Speaker 1>and now it's a reality, and it's just kind of

0:01:24.120 --> 0:01:26.520
<v Speaker 1>fucking annoying. I don't think it's annoying. I got a

0:01:26.520 --> 0:01:30.480
<v Speaker 1>lot of yeah services as it turns out, though, Um,

0:01:30.520 --> 0:01:32.120
<v Speaker 1>I was kind of counting him the other day, and

0:01:32.959 --> 0:01:34.800
<v Speaker 1>you know, I'll get one. I got the Epics one

0:01:34.840 --> 0:01:38.360
<v Speaker 1>because I wanted to see that Laurel Canyon documentary. Now,

0:01:38.400 --> 0:01:41.200
<v Speaker 1>I was just sitting there gathering dust. Echo and the Canyon,

0:01:41.360 --> 0:01:44.880
<v Speaker 1>that one with fucking Bob Villain's son. The good one different,

0:01:44.920 --> 0:01:47.200
<v Speaker 1>a better one. Oh good, because we've talked about this,

0:01:47.520 --> 0:01:50.240
<v Speaker 1>my my feelings about that, and there's good. The archival

0:01:50.240 --> 0:01:52.440
<v Speaker 1>stuff is good. But when Jacob starts running his mouth,

0:01:52.480 --> 0:01:57.360
<v Speaker 1>I'm just like, oh my god, Yeah, move on. Yeah,

0:01:57.480 --> 0:02:00.480
<v Speaker 1>it's uh. The the other one's really really good. Cool.

0:02:00.600 --> 0:02:02.880
<v Speaker 1>I love those, all those bands. The whole era is

0:02:02.920 --> 0:02:05.279
<v Speaker 1>just magical to me. L A holds a real special

0:02:05.320 --> 0:02:07.680
<v Speaker 1>place in my heart as far as like music and

0:02:07.800 --> 0:02:10.480
<v Speaker 1>that sound. Yeah, And well, you know, since we're talking

0:02:10.680 --> 0:02:14.480
<v Speaker 1>and I've been plugging rivals like crazy. Uh, I just started.

0:02:14.480 --> 0:02:17.480
<v Speaker 1>They just dropped the I think what will be a

0:02:17.480 --> 0:02:20.600
<v Speaker 1>three part series on Crispy Stills, Nash and Young and

0:02:20.639 --> 0:02:24.680
<v Speaker 1>the David Crosby episode debut. First, Uh, do they talk

0:02:24.720 --> 0:02:28.840
<v Speaker 1>about that documentary that you mentioned recently? They do well,

0:02:28.919 --> 0:02:32.280
<v Speaker 1>they talk about that. They cover everything. I love those guys.

0:02:32.720 --> 0:02:35.560
<v Speaker 1>That's so good to hear. Chuck and I have passed

0:02:35.560 --> 0:02:37.360
<v Speaker 1>that onto them and need to figure out a collab.

0:02:38.600 --> 0:02:42.400
<v Speaker 1>He know they're they're fans of yours as well. Yeah, well,

0:02:42.440 --> 0:02:44.320
<v Speaker 1>I'll have to get them on the movie Crush too.

0:02:44.560 --> 0:02:46.600
<v Speaker 1>I'm sure they could hold their own in the movie

0:02:46.960 --> 0:02:51.160
<v Speaker 1>depart no doubt, no doubt, solid pop culture guys. Stephen

0:02:51.200 --> 0:02:53.639
<v Speaker 1>just came out with a book on kid A the Radio,

0:02:53.760 --> 0:02:58.959
<v Speaker 1>The Seminal Radiohead album really a whole book record. I'm

0:02:58.960 --> 0:03:01.680
<v Speaker 1>really excited to check up. Boy, I tell you what

0:03:01.800 --> 0:03:04.640
<v Speaker 1>noll there is. I mean, I love all of Radiohead,

0:03:04.720 --> 0:03:08.280
<v Speaker 1>but when you turn the lights down and everything in

0:03:08.320 --> 0:03:11.200
<v Speaker 1>its rice right place, just like I just start shivers

0:03:11.240 --> 0:03:14.320
<v Speaker 1>thinking about it. Yeah, those opening notes are some of

0:03:14.320 --> 0:03:16.760
<v Speaker 1>the It's one of the best entrees into a record

0:03:17.000 --> 0:03:20.880
<v Speaker 1>in history. It's so funny. I'm literally getting tingles just

0:03:21.400 --> 0:03:24.359
<v Speaker 1>thinking about that. It's such a special album and you're right,

0:03:24.560 --> 0:03:27.520
<v Speaker 1>one of the great opening songs, and and such an

0:03:27.560 --> 0:03:30.079
<v Speaker 1>interesting album for them because it was like, okay, Computer

0:03:30.720 --> 0:03:33.120
<v Speaker 1>sort of dipped the toe in the water of that

0:03:33.200 --> 0:03:35.920
<v Speaker 1>electronic kind of stuff, and then this one just like

0:03:36.480 --> 0:03:39.720
<v Speaker 1>jumped off the cliff, like yeah, high dive style, just

0:03:39.840 --> 0:03:42.160
<v Speaker 1>kick the door open. One of one of my favorite

0:03:42.160 --> 0:03:46.000
<v Speaker 1>bands and all of all time. And I know we

0:03:46.080 --> 0:03:50.120
<v Speaker 1>talked about it before, but they're they're they're not slipping

0:03:50.160 --> 0:03:52.440
<v Speaker 1>at all, Like a moon Shape Pool was one of

0:03:52.480 --> 0:03:55.240
<v Speaker 1>my favorites of theirs. It's great, yeah, no, And it's

0:03:55.280 --> 0:03:57.320
<v Speaker 1>like they're the kind of band that wouldn't do it

0:03:57.360 --> 0:03:59.320
<v Speaker 1>if they didn't just love it, Like they wouldn't put

0:03:59.320 --> 0:04:02.120
<v Speaker 1>out a record if it wasn't like important to be

0:04:02.200 --> 0:04:04.640
<v Speaker 1>part of their whole uvra. Yeah, And I think that's

0:04:04.640 --> 0:04:08.600
<v Speaker 1>why they take their time. I saw recently, Um, not Johnny,

0:04:08.680 --> 0:04:13.200
<v Speaker 1>but his brother is that Colin Greenwood. Colin said something

0:04:13.240 --> 0:04:16.760
<v Speaker 1>about new radiohead music and he says, we're we're gonna

0:04:16.800 --> 0:04:20.960
<v Speaker 1>do it, and you know, we just take our time

0:04:21.000 --> 0:04:23.760
<v Speaker 1>like they're gonna do like five or six years in between.

0:04:23.800 --> 0:04:25.600
<v Speaker 1>I think, oh yeah, Well, each of them always has

0:04:25.640 --> 0:04:28.479
<v Speaker 1>their own little stuff cooking, like Pill the drummer even

0:04:28.520 --> 0:04:31.520
<v Speaker 1>made a solo record, and uh Ed O'Brien recently came

0:04:31.560 --> 0:04:35.240
<v Speaker 1>out with a record. It's a very Brazilian influenced. I

0:04:35.240 --> 0:04:37.240
<v Speaker 1>think he spent a lot of time in Brazil. And

0:04:37.240 --> 0:04:39.599
<v Speaker 1>it has sort of that world music kind of vibe

0:04:39.600 --> 0:04:41.640
<v Speaker 1>to it. It's cool. Actually, the interview might have been

0:04:41.680 --> 0:04:43.320
<v Speaker 1>with Ed Obrian now that I'm thinking about it, because

0:04:43.320 --> 0:04:47.520
<v Speaker 1>he was pumping that new album. Yea, alright, Noel, let's

0:04:47.520 --> 0:04:50.320
<v Speaker 1>get going, buddy, let's do it. I got a little

0:04:50.360 --> 0:04:53.160
<v Speaker 1>treat for you in the next segment. But this segment,

0:04:53.560 --> 0:04:59.479
<v Speaker 1>we're gonna start out with, uh, favorite revenge movies at that.

0:05:00.200 --> 0:05:03.680
<v Speaker 1>I don't know if you like revenge movies, but I do.

0:05:03.520 --> 0:05:09.000
<v Speaker 1>I do big favorite. Well, there's an amazing Asian revenge

0:05:09.080 --> 0:05:14.039
<v Speaker 1>trilogy Korean by Chan Wook Park. Old Boy is one

0:05:14.080 --> 0:05:17.240
<v Speaker 1>of them. Then there's Sympathy for Lady Vengeance did not

0:05:17.279 --> 0:05:22.159
<v Speaker 1>see It? And Sympathy for Mr. Vengeance. Those are both excellent, Chuck.

0:05:22.480 --> 0:05:24.520
<v Speaker 1>If you liked Old Boy, you will like these, and

0:05:24.560 --> 0:05:26.880
<v Speaker 1>they are. They're not like related character wise, but they are.

0:05:27.000 --> 0:05:29.839
<v Speaker 1>There's revenge trilogy. All right, We're gonna check this out,

0:05:30.080 --> 0:05:31.840
<v Speaker 1>of course. Yeah, I'm sure there will be some kill

0:05:31.920 --> 0:05:34.800
<v Speaker 1>bills in here, a great one. Blue Ruin one of

0:05:34.839 --> 0:05:38.160
<v Speaker 1>my favorite little indie revenge thrillers. Uh, and we're going

0:05:38.240 --> 0:05:41.880
<v Speaker 1>bottom up again, Noel, to give the late crushers their

0:05:41.920 --> 0:05:44.720
<v Speaker 1>due you know, I listened to that episode last night.

0:05:44.760 --> 0:05:46.719
<v Speaker 1>Just sometimes I'd like to in the wild for fun,

0:05:46.760 --> 0:05:49.080
<v Speaker 1>because it's almost like hearing for the first time as

0:05:49.120 --> 0:05:50.760
<v Speaker 1>we we do so many of these sens forget we

0:05:50.800 --> 0:05:53.000
<v Speaker 1>talked about, and I love the bottom up thing. It

0:05:53.040 --> 0:05:55.360
<v Speaker 1>was delightful to hear from new people and it gave

0:05:55.400 --> 0:05:57.600
<v Speaker 1>you even like found a cousin or something on there,

0:05:57.680 --> 0:06:01.640
<v Speaker 1>you know, knew so cool. Alright, So we're going truly

0:06:01.680 --> 0:06:04.120
<v Speaker 1>bought him up with Kelly Conklin And she says Home

0:06:04.160 --> 0:06:08.960
<v Speaker 1>Alone bad, that sort of a revenge movie in a way. Yeah,

0:06:09.160 --> 0:06:15.000
<v Speaker 1>that kids a fucking psychopath. Well I'll tell you what, man,

0:06:15.480 --> 0:06:17.720
<v Speaker 1>I don't know what it was. But when I saw

0:06:17.760 --> 0:06:20.600
<v Speaker 1>that movie the first time, I thought that whole break

0:06:20.600 --> 0:06:22.960
<v Speaker 1>in sequence was one of the funniest, like fifteen minutes

0:06:23.000 --> 0:06:26.840
<v Speaker 1>I had ever seen in a movie. Oh it's great. Yeah,

0:06:26.960 --> 0:06:29.000
<v Speaker 1>And like there was a thing on Netflix a while

0:06:29.040 --> 0:06:31.760
<v Speaker 1>back where it was movies that almost didn't get made

0:06:31.839 --> 0:06:33.800
<v Speaker 1>or something like that, and Home Alone was on there,

0:06:34.240 --> 0:06:38.720
<v Speaker 1>and um, it showed how storyboarded all that stuff was

0:06:38.800 --> 0:06:42.120
<v Speaker 1>and how like choreographed to a t that whole sequence was.

0:06:42.240 --> 0:06:45.080
<v Speaker 1>And they also had like a second floating camera that

0:06:45.200 --> 0:06:48.800
<v Speaker 1>was like a lower quality like bulex type camera used

0:06:48.839 --> 0:06:51.680
<v Speaker 1>like I guess there's thirty thirty two millimeter and this

0:06:51.760 --> 0:06:54.120
<v Speaker 1>was like sixteen millimeter or something, and they used that

0:06:54.160 --> 0:06:57.240
<v Speaker 1>to capture a lot of the overhead like slip and

0:06:57.240 --> 0:06:59.520
<v Speaker 1>fall shots, and they just had it running at the

0:06:59.560 --> 0:07:01.320
<v Speaker 1>same time. They ended up using it a bunch, even

0:07:01.360 --> 0:07:04.520
<v Speaker 1>though it was like a lower quality film or something

0:07:04.560 --> 0:07:06.920
<v Speaker 1>like that. I'm not a film nerds. I'm not using

0:07:06.920 --> 0:07:09.320
<v Speaker 1>the wrong terms, but it was interesting to hear them

0:07:09.320 --> 0:07:11.600
<v Speaker 1>talk about it. Yeah, it's a thirty five millimeter not

0:07:11.640 --> 0:07:15.520
<v Speaker 1>pretty five the number, and they probably did shoot sixteen,

0:07:15.560 --> 0:07:18.880
<v Speaker 1>which is you would think it would be half, but

0:07:19.000 --> 0:07:21.000
<v Speaker 1>it's not. And I think I think the reason is

0:07:21.120 --> 0:07:24.880
<v Speaker 1>the sound strip. I don't think you might be right.

0:07:25.040 --> 0:07:27.320
<v Speaker 1>I think that's that's exactly right. I don't know. I

0:07:27.360 --> 0:07:31.480
<v Speaker 1>don't know either, but would he would know? Uh? Jennifer

0:07:31.480 --> 0:07:35.600
<v Speaker 1>Adolph says, Fatal Attraction pretty great revenge movie, and it's

0:07:35.640 --> 0:07:39.960
<v Speaker 1>just a great thriller all around. Was that pre basic instinct?

0:07:41.120 --> 0:07:42.600
<v Speaker 1>You know? They were right around the same time. I'm

0:07:42.600 --> 0:07:45.080
<v Speaker 1>not sure which was first. There's that golden age of

0:07:45.120 --> 0:07:51.800
<v Speaker 1>erotic thrillers right there. Golden Age of Michael Douglas's penis. Oh,

0:07:52.400 --> 0:07:54.760
<v Speaker 1>actually you don't see his penis, but you can imagine it,

0:07:56.200 --> 0:08:00.200
<v Speaker 1>you know. I think he should have shown a little peen. Yeah, now,

0:08:00.280 --> 0:08:02.760
<v Speaker 1>you know, just to just to to match to put

0:08:02.800 --> 0:08:06.280
<v Speaker 1>his penis, wear his mouth this hang do you think

0:08:06.280 --> 0:08:10.800
<v Speaker 1>you should hang? Doug? Doug? A lot of kill bills,

0:08:10.880 --> 0:08:15.680
<v Speaker 1>David Mills, t J Danny, Sean McFarland, a lot of

0:08:15.840 --> 0:08:19.520
<v Speaker 1>people differentiating between one and two. I'm not seeing that.

0:08:19.800 --> 0:08:22.480
<v Speaker 1>I mean to me, it's a package. I agree, I agree.

0:08:22.560 --> 0:08:25.000
<v Speaker 1>And in fact, wasn't there a rumor of like some

0:08:25.040 --> 0:08:28.640
<v Speaker 1>big ultra long single edition that he was gonna put together.

0:08:29.400 --> 0:08:31.760
<v Speaker 1>I hadn't heard that, but I'd support that. I would too.

0:08:32.160 --> 0:08:33.920
<v Speaker 1>I haven't seen those in forever. I'd like to check

0:08:33.920 --> 0:08:36.960
<v Speaker 1>those out again. Cruel intentions. I like me a little

0:08:36.960 --> 0:08:41.560
<v Speaker 1>cruel intentions. That's from Laura Byorkland and I do too.

0:08:42.480 --> 0:08:45.880
<v Speaker 1>And she posted a black and white gift and that

0:08:45.960 --> 0:08:48.160
<v Speaker 1>reminds me. Noll. I saw a post the other day

0:08:48.559 --> 0:08:52.000
<v Speaker 1>on the Crushers page where someone said something about black

0:08:52.000 --> 0:08:55.000
<v Speaker 1>and white Tim Burton's Batman looking better and black and white?

0:08:56.000 --> 0:08:58.720
<v Speaker 1>Have you There are clips where people have transferred to

0:08:58.760 --> 0:09:02.360
<v Speaker 1>black and white, and it looks awesome. It makes sense

0:09:03.360 --> 0:09:07.200
<v Speaker 1>because the design of it is so like, I don't know,

0:09:07.320 --> 0:09:10.760
<v Speaker 1>I feel like it's already such a muted palette that

0:09:10.960 --> 0:09:12.600
<v Speaker 1>it makes a lot of sense to guts. It's all

0:09:12.600 --> 0:09:15.120
<v Speaker 1>about light and dark and just you know, black and white.

0:09:15.559 --> 0:09:17.320
<v Speaker 1>I watched that with my kid the other night. I

0:09:17.440 --> 0:09:20.520
<v Speaker 1>at least started to She wouldn't stop ragging on it.

0:09:20.559 --> 0:09:22.360
<v Speaker 1>But she liked it. I could tell, because it's just,

0:09:22.520 --> 0:09:24.880
<v Speaker 1>you know, it's just like it very much is its

0:09:24.880 --> 0:09:27.640
<v Speaker 1>own thing, Like it's trying to be this noir kind

0:09:27.640 --> 0:09:30.520
<v Speaker 1>of like stylized thing, so it doesn't even feel like

0:09:30.559 --> 0:09:33.200
<v Speaker 1>an eighties movie or like, I don't think it like

0:09:33.400 --> 0:09:36.240
<v Speaker 1>is a of the time. But she thought the Batman

0:09:36.320 --> 0:09:40.760
<v Speaker 1>costume was really stupid looking. Really, it's a pretty standard Batman.

0:09:41.640 --> 0:09:44.160
<v Speaker 1>It's a little boxy, it's a little around around the face.

0:09:44.200 --> 0:09:47.080
<v Speaker 1>That's a little boxy. But she I could tell she

0:09:47.120 --> 0:09:49.800
<v Speaker 1>was engaged. But that part where the joker, like you know,

0:09:49.920 --> 0:09:52.200
<v Speaker 1>uses that joy buzzer and fries that guy to death.

0:09:52.840 --> 0:09:56.120
<v Speaker 1>I mean, that's that's pretty funny. That's pretty fine. Check

0:09:56.160 --> 0:09:57.600
<v Speaker 1>out some of those black and white clips and all

0:09:57.640 --> 0:10:01.440
<v Speaker 1>it really works. I will the danger of and Gail

0:10:01.480 --> 0:10:05.240
<v Speaker 1>Koontz is Deadpool. Sure, a lot of John Wicks to Noel,

0:10:06.200 --> 0:10:14.040
<v Speaker 1>Joe no Church, Rob barr uh more, kill Bills oh

0:10:14.120 --> 0:10:18.920
<v Speaker 1>or old Buddy uh or Old Buddy Allison Keller says

0:10:19.040 --> 0:10:21.840
<v Speaker 1>John Tucker must die. I never saw that, but I

0:10:21.880 --> 0:10:24.640
<v Speaker 1>heard that was pretty good, sort of a little tongue

0:10:24.640 --> 0:10:29.360
<v Speaker 1>in cheek thing. Uh. Is that? Okay? It's a movie

0:10:29.400 --> 0:10:31.280
<v Speaker 1>something else? Yeah, and I don't think I as seen that.

0:10:31.440 --> 0:10:33.920
<v Speaker 1>What about? Are there are there any v for Vendetta's

0:10:33.960 --> 0:10:36.439
<v Speaker 1>on there? That's a good one. I'm not seeing any

0:10:36.520 --> 0:10:38.880
<v Speaker 1>v for Vendetta as yet, but your your pal to

0:10:38.880 --> 0:10:42.000
<v Speaker 1>odd clients as Mandy, Yeah, I love it. Man after

0:10:42.040 --> 0:10:45.679
<v Speaker 1>your Heart, I love it. And speaking of Michael Fang

0:10:45.800 --> 0:10:49.960
<v Speaker 1>says Batman, Uh yeah. I mean you could make an

0:10:50.040 --> 0:10:52.840
<v Speaker 1>argument that most of the Batman movies or revenge movies,

0:10:53.679 --> 0:10:57.280
<v Speaker 1>it's all one big revenge. He's upset because they killed

0:10:57.320 --> 0:11:00.800
<v Speaker 1>his mommy and daddy. Spoiler Noel, Oh, well that's an

0:11:00.840 --> 0:11:04.520
<v Speaker 1>origin story that we've only seen that in eight movies. Now,

0:11:05.080 --> 0:11:08.840
<v Speaker 1>exactly how do I google this Batman black and White?

0:11:08.840 --> 0:11:10.520
<v Speaker 1>I know that sounds like a dumb questions I'm literally

0:11:10.559 --> 0:11:13.840
<v Speaker 1>giving Burton Batman black and white, and nothing comes up

0:11:13.840 --> 0:11:17.960
<v Speaker 1>on the YouTube's Oh it auto corrected two statues, so

0:11:17.960 --> 0:11:20.400
<v Speaker 1>it's showing me actually figures I got it. I got it,

0:11:20.800 --> 0:11:22.760
<v Speaker 1>I got it? What did it? What did it? Statue

0:11:22.840 --> 0:11:28.520
<v Speaker 1>come from? It just it like auto did it. But uh,

0:11:28.840 --> 0:11:30.240
<v Speaker 1>I don't know no word. I'm saying it was like

0:11:30.280 --> 0:11:32.000
<v Speaker 1>one of those Google instant where it was like, that's

0:11:32.040 --> 0:11:35.000
<v Speaker 1>something a lot of people google. Yeah, Oh it looks great.

0:11:35.040 --> 0:11:37.280
<v Speaker 1>It makes perfect sense the way it shot to do

0:11:37.320 --> 0:11:42.800
<v Speaker 1>it this way the chemical plant heist scene. Oh it

0:11:42.840 --> 0:11:47.120
<v Speaker 1>looks great, does right. I don't know how they if

0:11:47.120 --> 0:11:49.480
<v Speaker 1>someone just that's probably pretty easy to do, and they

0:11:49.600 --> 0:11:53.200
<v Speaker 1>probably did. You see the Mad Max Fury Road black

0:11:53.200 --> 0:11:56.240
<v Speaker 1>and white. Addition that that was actually officially put out

0:11:56.320 --> 0:11:58.360
<v Speaker 1>or it's like on the DVD or something. I don't

0:11:58.400 --> 0:12:01.400
<v Speaker 1>think that. I mean, be it works, but that movie

0:12:01.480 --> 0:12:05.599
<v Speaker 1>was such a vibrant color blast. I didn't understand it,

0:12:05.640 --> 0:12:07.360
<v Speaker 1>but it was something they wanted to do. I think

0:12:07.360 --> 0:12:09.640
<v Speaker 1>he initially wanted it to be in black. Mike Relio

0:12:09.679 --> 0:12:15.679
<v Speaker 1>wouldn't let him. Yeah, I think I agree. Amanda Gilson

0:12:15.720 --> 0:12:19.520
<v Speaker 1>says Hard Candy I never saw that and so does

0:12:19.720 --> 0:12:23.319
<v Speaker 1>our old buddy Gaston Caroline Gaston. Yeah, I need to

0:12:23.400 --> 0:12:25.640
<v Speaker 1>check that out. I heard good things about that. Isn't

0:12:25.640 --> 0:12:29.040
<v Speaker 1>that with Juno? Wasn't Juno in the is she look?

0:12:29.240 --> 0:12:31.640
<v Speaker 1>What's her name? What the hell's her name? You mean Juno?

0:12:31.760 --> 0:12:35.000
<v Speaker 1>Or the Ellen Ellen page Ellen page from Juno? I

0:12:35.040 --> 0:12:38.400
<v Speaker 1>think she like is basically torturing like a sex offender

0:12:38.520 --> 0:12:39.880
<v Speaker 1>for the whole movie. It's one of the I've never

0:12:39.920 --> 0:12:43.400
<v Speaker 1>watched because I don't go out for those those tortury movies.

0:12:43.440 --> 0:12:45.199
<v Speaker 1>They just made me squirm too much. But I have

0:12:45.320 --> 0:12:50.520
<v Speaker 1>heard it's very good. Yeah, I think there's a lot

0:12:50.679 --> 0:12:54.320
<v Speaker 1>Like I love revenge movies, but I think the torture

0:12:54.360 --> 0:12:58.559
<v Speaker 1>stuff is where I draw the line swift death. Yeah,

0:12:58.840 --> 0:13:01.360
<v Speaker 1>is what I'm looking for. Noel, there you go. Ray

0:13:01.440 --> 0:13:05.680
<v Speaker 1>Scantling says, does John Wick count I mean it's sort

0:13:05.720 --> 0:13:10.040
<v Speaker 1>of the only going in that movie. It's revenge, right? Yeah?

0:13:10.280 --> 0:13:12.600
<v Speaker 1>Is it is it? Would you say? It's specifically about

0:13:12.600 --> 0:13:18.160
<v Speaker 1>the dog? Sure? And and is a big blood lusty exactly.

0:13:18.960 --> 0:13:22.160
<v Speaker 1>Chris McIntire says there will be blood. Totally agree Michael

0:13:22.160 --> 0:13:25.160
<v Speaker 1>Reid's as the Limey how is there will be blood

0:13:25.160 --> 0:13:29.959
<v Speaker 1>of revenge? Movie. Oh, I mean it's it's I think

0:13:30.000 --> 0:13:33.679
<v Speaker 1>it's sort of one of the central focuses is the

0:13:34.480 --> 0:13:39.160
<v Speaker 1>revenge between plain View and the Preacher. Boy. That's right,

0:13:39.559 --> 0:13:42.240
<v Speaker 1>that's a good point. I never thought about that. It's

0:13:42.040 --> 0:13:43.360
<v Speaker 1>been a long time as I've seen it. I need

0:13:43.400 --> 0:13:47.440
<v Speaker 1>to watch that again. That's such a excellent film. Cheryl Creech,

0:13:48.160 --> 0:13:52.440
<v Speaker 1>Signer or Senior says, Carry the original Carry. There's a

0:13:52.440 --> 0:13:58.400
<v Speaker 1>few of those on here. Forture, Patricia Ray Escavaria, great names.

0:13:58.520 --> 0:14:02.240
<v Speaker 1>John Wick again, Jaws for that's from David bo Bennock.

0:14:03.120 --> 0:14:06.240
<v Speaker 1>Oh goodness, is it the Shark getting revenge? I haven't

0:14:06.280 --> 0:14:10.440
<v Speaker 1>seen Jows for. Well, it's called Jaws for Colin the Revenge,

0:14:10.720 --> 0:14:13.599
<v Speaker 1>so I think. So. First Blood that's from j. J

0:14:14.240 --> 0:14:18.680
<v Speaker 1>uh Leat So you know, I don't. I would argue,

0:14:19.360 --> 0:14:21.120
<v Speaker 1>I don't know. First Blood, it's such a well maybe

0:14:21.120 --> 0:14:25.760
<v Speaker 1>it's a revenge movie. Yeah, I guess it's a revenge movie. Okay.

0:14:26.240 --> 0:14:29.960
<v Speaker 1>The Revenant that's from Hans Bronzel. The Revenant, Knol a

0:14:30.000 --> 0:14:32.160
<v Speaker 1>movie I could only sit through once, even though I

0:14:32.200 --> 0:14:35.680
<v Speaker 1>really liked it, but I didn't want to see it again. Yeah,

0:14:35.680 --> 0:14:40.080
<v Speaker 1>it wasn't particularly pleasant, but it's it's definitely good. Um

0:14:40.160 --> 0:14:42.280
<v Speaker 1>what about the Crow, Chuck, how do you feel about

0:14:42.320 --> 0:14:45.360
<v Speaker 1>the Crow? You want to know something? Nol Huh never

0:14:45.400 --> 0:14:49.520
<v Speaker 1>seen it? Okay, Uh No, I don't know. I guess

0:14:49.520 --> 0:14:52.720
<v Speaker 1>it's it's not like an important movie. I mean, it's interesting,

0:14:52.840 --> 0:14:55.960
<v Speaker 1>the whole lore behind it, with Brandon Lee getting killed

0:14:55.960 --> 0:14:58.360
<v Speaker 1>and all that. By the blank I was supposed to

0:14:58.400 --> 0:15:00.960
<v Speaker 1>be a blank, but I I really loved it when

0:15:01.000 --> 0:15:03.000
<v Speaker 1>I was a broody teenager. I don't know how it

0:15:03.000 --> 0:15:04.760
<v Speaker 1>would hold up to watch today, but I think it's

0:15:04.800 --> 0:15:06.800
<v Speaker 1>a It's definitely a good revenge story. I don't know

0:15:06.840 --> 0:15:08.840
<v Speaker 1>why I didn't see it really, I mean it was

0:15:08.880 --> 0:15:13.080
<v Speaker 1>in college. It was sort of right up my alley

0:15:13.400 --> 0:15:16.480
<v Speaker 1>looking at it. I don't know the crow got by me. Hmm.

0:15:16.680 --> 0:15:19.360
<v Speaker 1>I think maybe I don't know. I have no audition.

0:15:19.440 --> 0:15:21.880
<v Speaker 1>That was a good revenge movie. Great soundtrack, Oh my god.

0:15:21.920 --> 0:15:24.600
<v Speaker 1>Audition is That's one of those movies that just like

0:15:24.640 --> 0:15:26.080
<v Speaker 1>threw me for a loop. I didn't know what I

0:15:26.120 --> 0:15:29.360
<v Speaker 1>was getting into. It sort of tricks you and thinking

0:15:29.360 --> 0:15:31.640
<v Speaker 1>it's sort of a melo drama, and then like halfway

0:15:31.680 --> 0:15:34.520
<v Speaker 1>through or even three quarters through, it just shifts gears

0:15:34.560 --> 0:15:41.520
<v Speaker 1>and goes full murder fantasy, like it's really upsetting. Gone girl.

0:15:41.640 --> 0:15:45.760
<v Speaker 1>That's from Abbie Bleakly. I love all these new old pals,

0:15:46.600 --> 0:15:51.360
<v Speaker 1>new old pals. I love that. Let's finish up here

0:15:51.400 --> 0:15:55.520
<v Speaker 1>with a true old pal. Cat gim Bruno says, is

0:15:55.560 --> 0:15:57.360
<v Speaker 1>it bad that my mind went right to Heathers? No,

0:15:57.480 --> 0:16:00.640
<v Speaker 1>not at all. Heathers. That's one that that that that

0:16:00.640 --> 0:16:03.240
<v Speaker 1>that slipped under my radar for many years, and I

0:16:03.360 --> 0:16:05.520
<v Speaker 1>corrected that a few years ago, and I think it's

0:16:05.600 --> 0:16:08.640
<v Speaker 1>just great. I should mention. Emily Lloyd says nine to

0:16:08.760 --> 0:16:12.880
<v Speaker 1>five on the lighter side for sure, great revenge movie.

0:16:14.040 --> 0:16:16.920
<v Speaker 1>I love that movie. Is that what that we talked about?

0:16:16.920 --> 0:16:18.840
<v Speaker 1>That that's with Dolly Parton right, Yeah? Yeah, the the

0:16:18.880 --> 0:16:24.160
<v Speaker 1>trio of Fantastic Ladies. Uh, Cat Blue Wow, that's old

0:16:24.160 --> 0:16:28.520
<v Speaker 1>school Jennifer fitz Fee, Jane Fonda and Lee Marvin cat Belue.

0:16:28.560 --> 0:16:30.880
<v Speaker 1>That's a good old school movie. Nol probably never heard

0:16:30.880 --> 0:16:32.600
<v Speaker 1>of that, have you? No? I haven't, But you know

0:16:32.680 --> 0:16:35.040
<v Speaker 1>I did start watching the other day was Clute. I

0:16:35.080 --> 0:16:38.840
<v Speaker 1>started watching Clute Clutes great? Yeah, I mean about halfway

0:16:38.840 --> 0:16:40.680
<v Speaker 1>through I just said it wasn't because I wasn't enjoying it.

0:16:40.720 --> 0:16:42.480
<v Speaker 1>Something came up, or I know it was my kid

0:16:42.560 --> 0:16:46.280
<v Speaker 1>came home and uh, she wasn't down for clute, really

0:16:46.440 --> 0:16:50.840
<v Speaker 1>cool noir vibe very seventies, like very slow to get going,

0:16:50.920 --> 0:16:53.040
<v Speaker 1>but then once it does, you're like kind of invested.

0:16:53.280 --> 0:16:55.360
<v Speaker 1>You can find me in the conversation. I'm definitely gonna

0:16:55.360 --> 0:16:58.160
<v Speaker 1>finish it. Yeah, good stuff, all right, and we will

0:16:58.200 --> 0:17:01.280
<v Speaker 1>truly finish with our old pal and top fan Trish

0:17:01.400 --> 0:17:04.959
<v Speaker 1>laughterhouse gilbreath with the girl with the dragon tattoo, and

0:17:05.000 --> 0:17:08.000
<v Speaker 1>she says, the American version, I thought they were both

0:17:08.040 --> 0:17:10.960
<v Speaker 1>really good. So you know, it's one of the few

0:17:11.000 --> 0:17:13.600
<v Speaker 1>times that a remakeup of foreign film I thought was awesome,

0:17:14.040 --> 0:17:24.880
<v Speaker 1>and I thought the Swedish version was super awesome. All right, Noel,

0:17:24.920 --> 0:17:26.639
<v Speaker 1>So what we're doing is we're gonna invite in a

0:17:26.680 --> 0:17:29.040
<v Speaker 1>little special guest, something we don't normally do for a

0:17:29.080 --> 0:17:32.720
<v Speaker 1>new bit, a new game guest, a guest that is right,

0:17:32.920 --> 0:17:35.040
<v Speaker 1>and so we want to welcome to the show old

0:17:35.560 --> 0:17:42.679
<v Speaker 1>favorite casey Pegrum, everybody. Hey, hey, hello, Okay, look at

0:17:42.720 --> 0:17:45.640
<v Speaker 1>that special guest. I feel like I've I've been I've

0:17:45.640 --> 0:17:49.200
<v Speaker 1>been summoned from the from the ether. Uh you indeed,

0:17:49.240 --> 0:17:52.800
<v Speaker 1>have you materialized before my very eyes in zoom form,

0:17:52.800 --> 0:17:56.159
<v Speaker 1>at least not corporeally. But yeah, you know, we're we're

0:17:56.160 --> 0:18:00.000
<v Speaker 1>still working on the corporeal manifestation. But that's that's that's

0:18:00.119 --> 0:18:06.239
<v Speaker 1>some next level what's next level magic? Right? So guys, uh,

0:18:06.520 --> 0:18:10.080
<v Speaker 1>welcome to the show Casey again. And what I decided

0:18:10.119 --> 0:18:12.400
<v Speaker 1>to do last night, it's like I need some new

0:18:12.400 --> 0:18:14.159
<v Speaker 1>bits and need some new segments and it needs some

0:18:14.160 --> 0:18:17.280
<v Speaker 1>new fun games like a little movie games, Nol's holes.

0:18:17.440 --> 0:18:20.760
<v Speaker 1>It's a lot of fun. But uh, I thought we

0:18:20.800 --> 0:18:24.280
<v Speaker 1>would do a game, and originally was going to do

0:18:24.280 --> 0:18:26.800
<v Speaker 1>do this with Noel, but then I thought, you know what,

0:18:27.600 --> 0:18:30.359
<v Speaker 1>I give Noel enough ship on the show, and I

0:18:30.359 --> 0:18:33.280
<v Speaker 1>don't want to just design a game for for knowl

0:18:33.359 --> 0:18:38.680
<v Speaker 1>to fail at because that's not fun. But I thought,

0:18:38.720 --> 0:18:39.919
<v Speaker 1>you know who would be good at this would be

0:18:39.960 --> 0:18:42.639
<v Speaker 1>Casey because here it is. It's a timer game. It's

0:18:42.640 --> 0:18:46.120
<v Speaker 1>called pop Quiz hot Shot. And what what we're doing,

0:18:46.200 --> 0:18:49.239
<v Speaker 1>Casey is We're going to go through ten questions in

0:18:49.240 --> 0:18:53.320
<v Speaker 1>which you have to name three movies of you know,

0:18:53.920 --> 0:18:57.240
<v Speaker 1>with a certain clue. But you have ten seconds for

0:18:57.359 --> 0:19:03.480
<v Speaker 1>each question, okay, for possible thirty points. And I thought

0:19:03.520 --> 0:19:08.000
<v Speaker 1>the timer aspect might rattle Noll a bit. And are

0:19:08.040 --> 0:19:11.480
<v Speaker 1>we competing against each other? Are we ding ding dinging? Now? Okay,

0:19:11.720 --> 0:19:14.359
<v Speaker 1>this is all so okay, and it is just here

0:19:14.400 --> 0:19:16.760
<v Speaker 1>to observe. He's here to observe and to help me

0:19:16.800 --> 0:19:21.520
<v Speaker 1>with the scoring. And if there are any uh um,

0:19:21.560 --> 0:19:24.000
<v Speaker 1>what do you call it? Like anything? We need to

0:19:24.040 --> 0:19:29.400
<v Speaker 1>look at referee kind of situation. Perhaps a time breaker? Yeah, yeah, so,

0:19:30.119 --> 0:19:32.040
<v Speaker 1>and here's the old do Casey. I'll do a timer.

0:19:32.600 --> 0:19:34.880
<v Speaker 1>I should have done all this beforehand. But I'm gonna

0:19:34.920 --> 0:19:38.440
<v Speaker 1>make two columns and I'm gonna do hashtags in each column.

0:19:38.920 --> 0:19:43.480
<v Speaker 1>Uh that's my scoring method, Casey. You might not be aware.

0:19:43.480 --> 0:19:45.840
<v Speaker 1>It's very very esoteric. What are you really going to

0:19:45.920 --> 0:19:48.359
<v Speaker 1>score it? I absolutely will score it, Chuck. I need

0:19:48.400 --> 0:19:50.760
<v Speaker 1>to work on scoring like a normal human and not

0:19:50.840 --> 0:19:54.200
<v Speaker 1>like a freaking weirdo. What what should I use for

0:19:54.280 --> 0:19:59.600
<v Speaker 1>my for my chime? Um set? An alarm or a

0:19:59.680 --> 0:20:03.159
<v Speaker 1>time us loudest and obnoxious and yes yes, yes, yes, yes, yes, yes,

0:20:03.280 --> 0:20:07.280
<v Speaker 1>yeah exactly yeah something. That's what Hodgement always did. He

0:20:07.359 --> 0:20:10.119
<v Speaker 1>called it the clackson. But what is that called on

0:20:10.119 --> 0:20:12.160
<v Speaker 1>on an iPhone? Do you know? Let's take a little

0:20:12.160 --> 0:20:18.400
<v Speaker 1>it's definitely not called slow rise. We've got how about ripples?

0:20:18.440 --> 0:20:23.880
<v Speaker 1>Something very gentle. No, let's see, that's what I used

0:20:23.880 --> 0:20:28.399
<v Speaker 1>when I wake up. All arm actually crazy right now

0:20:28.480 --> 0:20:31.280
<v Speaker 1>is what we're doing. No, they love it. They love it.

0:20:32.200 --> 0:20:41.879
<v Speaker 1>By the seaside Beacon since people tuning out. My daughter

0:20:41.960 --> 0:20:52.399
<v Speaker 1>made this for Meff Gundam to knocka It's like it's

0:20:52.400 --> 0:20:55.880
<v Speaker 1>an anime thing. Oh, Internet, do you love us right

0:20:55.920 --> 0:20:58.359
<v Speaker 1>now or what? None of these seem right? They all

0:20:58.359 --> 0:21:02.080
<v Speaker 1>they're all so gentle sounding. There's there's Presto. All right,

0:21:02.119 --> 0:21:08.120
<v Speaker 1>I'm just gonna be Presto. It's Presto's good. It's obnoxious enough. Well,

0:21:08.160 --> 0:21:10.040
<v Speaker 1>you know, we do have a producer, Chuck. We can

0:21:10.040 --> 0:21:13.400
<v Speaker 1>just have him like replace you know, your folders crystals

0:21:13.400 --> 0:21:17.240
<v Speaker 1>with taster's choice. You know, maybe we should just replace

0:21:17.320 --> 0:21:21.040
<v Speaker 1>everything with like get a sound fall of nul burping

0:21:21.960 --> 0:21:25.680
<v Speaker 1>and then just loop that. Yeah. I have a whole

0:21:25.760 --> 0:21:29.280
<v Speaker 1>voice memo devoted to just bodily sounds of mine that

0:21:29.359 --> 0:21:31.600
<v Speaker 1>I used for music. I just sample to make beats

0:21:31.600 --> 0:21:34.760
<v Speaker 1>out of all. Right, casey, are you nervous? Yes, I

0:21:34.760 --> 0:21:37.000
<v Speaker 1>think you're gonna do well. I think it. Don't think

0:21:37.040 --> 0:21:40.600
<v Speaker 1>about the timer. Yeah, okay, we got our own care

0:21:40.680 --> 0:21:44.359
<v Speaker 1>we got our scorekeeper, all right, and just concentrate on

0:21:44.359 --> 0:21:47.040
<v Speaker 1>the question and then three clues, and I just named

0:21:47.040 --> 0:21:48.400
<v Speaker 1>the movie as soon as I can figure it out.

0:21:48.560 --> 0:21:53.960
<v Speaker 1>You'll see, all right, you have ten seconds, Casey, to

0:21:54.080 --> 0:21:59.960
<v Speaker 1>name three movies with colors in the title. Blue Velvet,

0:22:00.000 --> 0:22:09.640
<v Speaker 1>it Blue Valentine, Oh god, Red Sparrow? Is that a movie?

0:22:10.680 --> 0:22:15.080
<v Speaker 1>Oh that's a good question, Casey. Is Red Sparrow a movie?

0:22:16.080 --> 0:22:18.680
<v Speaker 1>It is? Right? Wasn't that the Jennifer Lawrence thing? Yeah?

0:22:18.760 --> 0:22:21.000
<v Speaker 1>Is that what it was called? Yes, it is. You

0:22:21.119 --> 0:22:23.639
<v Speaker 1>got that one, Casey, one hashtag and the left column

0:22:23.680 --> 0:22:26.080
<v Speaker 1>for you, my boy, I think you got two right,

0:22:26.840 --> 0:22:31.680
<v Speaker 1>Blue Velvet and Red Sparrow. No, you did three. Okay,

0:22:31.800 --> 0:22:33.560
<v Speaker 1>but don't you just get one point if you get it?

0:22:33.560 --> 0:22:37.639
<v Speaker 1>What is there partial points awarded? It's a possible thirty points. Okay.

0:22:37.640 --> 0:22:38.879
<v Speaker 1>So I got three out of three? Yeah, you got

0:22:38.880 --> 0:22:41.720
<v Speaker 1>three out of three. Okay. We also would have accepted

0:22:41.760 --> 0:22:45.240
<v Speaker 1>the trilogy Red, White, and Blue. Oh god, yeah, we'll see.

0:22:45.240 --> 0:22:46.440
<v Speaker 1>That's the kind of stuff that would take me a

0:22:46.440 --> 0:22:48.400
<v Speaker 1>little more than ten seconds to come up with. Under

0:22:48.440 --> 0:22:50.280
<v Speaker 1>the gun, I know you, Casey, I thought you were

0:22:50.280 --> 0:22:53.160
<v Speaker 1>gonna go right for that. So wait, it's ten points

0:22:53.200 --> 0:22:57.000
<v Speaker 1>per movie, thirty points per round, or the possible thirty

0:22:57.160 --> 0:23:00.879
<v Speaker 1>total for the game. I'm sorry, three three per movie, right,

0:23:00.960 --> 0:23:07.400
<v Speaker 1>and three movies. It's one point per goddamn answer. Okay,

0:23:07.480 --> 0:23:10.959
<v Speaker 1>he just got three points, so you're doing thirty questions,

0:23:12.119 --> 0:23:16.960
<v Speaker 1>ten questions three ea. Okay. Oh I should have known

0:23:17.280 --> 0:23:20.200
<v Speaker 1>you said one point per answer. Yes, I got it.

0:23:20.240 --> 0:23:22.880
<v Speaker 1>There three answers. I got it. Okay. Great. You made

0:23:22.880 --> 0:23:24.480
<v Speaker 1>it sound like it was it was all or nothing,

0:23:24.520 --> 0:23:28.840
<v Speaker 1>though I felt that way too. That's why IM up.

0:23:30.040 --> 0:23:32.720
<v Speaker 1>It's all my fault. That was clear. No, no, he says,

0:23:32.760 --> 0:23:35.040
<v Speaker 1>we're all We're all complicit here, Chuck. All right, I

0:23:35.040 --> 0:23:38.120
<v Speaker 1>feel like I should change this now because I had

0:23:38.160 --> 0:23:44.639
<v Speaker 1>it loaded for Knoll, So, uh, I'm gonna skip that

0:23:44.680 --> 0:23:46.480
<v Speaker 1>for now. I'm gonna come back to it. So we're

0:23:46.480 --> 0:23:51.960
<v Speaker 1>gonna go with this one now, Casey ready, in ten seconds,

0:23:52.720 --> 0:23:56.920
<v Speaker 1>name three movies not in the same franchise scored by

0:23:57.000 --> 0:24:02.840
<v Speaker 1>John Williams Star Wars. Did you know that's how we'd

0:24:02.920 --> 0:24:04.200
<v Speaker 1>I was gonna see Lord of the Rings as Hard

0:24:04.240 --> 0:24:10.440
<v Speaker 1>for Jaws, John's the franchise, right and Indiana John's two

0:24:10.480 --> 0:24:13.080
<v Speaker 1>out of three. I'm sorry, all right, buzzer got me?

0:24:13.280 --> 0:24:15.280
<v Speaker 1>And what you can't do, Casey is say you know,

0:24:15.400 --> 0:24:17.119
<v Speaker 1>I was gonna say Lord of the Rings, but I

0:24:17.160 --> 0:24:18.760
<v Speaker 1>think that that's kind of a waste of time. Right,

0:24:20.119 --> 0:24:22.120
<v Speaker 1>ten seconds goes fast, doesn't it? Is it to ten?

0:24:22.200 --> 0:24:24.439
<v Speaker 1>It's ten? Right, it's ten. So two out of three

0:24:24.520 --> 0:24:26.399
<v Speaker 1>not bad? Two out of three ain't bad. It's a

0:24:26.400 --> 0:24:29.879
<v Speaker 1>meat loof song. Do you feel like ten seconds is

0:24:29.880 --> 0:24:33.119
<v Speaker 1>two little time? It's not. It's just that these are

0:24:33.200 --> 0:24:35.600
<v Speaker 1>these is a nightmare scenario for me. So I'm just

0:24:36.680 --> 0:24:38.480
<v Speaker 1>ten seconds. It's like a ton of time. It should

0:24:38.480 --> 0:24:41.399
<v Speaker 1>be called lightning. I'm into this. I'm into this. Do

0:24:41.440 --> 0:24:43.600
<v Speaker 1>you wish you I'm I'm kind of jealous that I'm

0:24:43.600 --> 0:24:46.359
<v Speaker 1>not in the hot seat, honestly, but when you're crushing it,

0:24:46.440 --> 0:24:48.600
<v Speaker 1>you're crushing it. Casey. Let's let's let's let's go. Let's go.

0:24:48.640 --> 0:24:50.400
<v Speaker 1>All right? All right, Casey, I'm sorry. Do you wish

0:24:50.440 --> 0:24:53.000
<v Speaker 1>you had not answered your no? I'm actually on the

0:24:53.000 --> 0:24:59.720
<v Speaker 1>fun all right, all right, Casey? In ten seconds, name

0:25:00.119 --> 0:25:08.760
<v Speaker 1>three action movies with female leads. The speed count, sure, sounder, bullet, Okay,

0:25:09.080 --> 0:25:14.560
<v Speaker 1>Jesus almost said a time now I don't know. I

0:25:15.240 --> 0:25:19.280
<v Speaker 1>hate action movies. Who cares? That's my store loser answer

0:25:20.160 --> 0:25:22.560
<v Speaker 1>one O three. We also would have accepted mad Max

0:25:22.640 --> 0:25:31.320
<v Speaker 1>Fury Road, Atomic Blonde Terminator to Alien. What's the nineties one? Um,

0:25:31.840 --> 0:25:35.840
<v Speaker 1>that nineties action movie with a woman? That one, Well,

0:25:35.840 --> 0:25:37.760
<v Speaker 1>it was kind of that novel at the time. It

0:25:37.840 --> 0:25:41.240
<v Speaker 1>was like marketed that way. That's a good point. Um,

0:25:41.400 --> 0:25:43.440
<v Speaker 1>I don't know. There was that one with a blank

0:25:43.480 --> 0:25:47.440
<v Speaker 1>slate right now, Well there's that one with Bridget Fondah.

0:25:47.520 --> 0:25:52.800
<v Speaker 1>Yeah yeah, point of no return, point of no return. Yeah, yeah,

0:25:52.920 --> 0:25:54.600
<v Speaker 1>that would have worked. Y e see when there's no

0:25:54.640 --> 0:25:59.879
<v Speaker 1>clock guys, clock man. Alright, not bad, I meant, all right,

0:26:00.000 --> 0:26:04.280
<v Speaker 1>now you're you're doing a great Casey. Not really take

0:26:04.320 --> 0:26:08.320
<v Speaker 1>my compliment. We'll keep a running tally too over over

0:26:08.440 --> 0:26:12.359
<v Speaker 1>the next year. Okay, okay, kind of make it up

0:26:12.400 --> 0:26:14.920
<v Speaker 1>over time, and we'll see how nod does can build

0:26:14.960 --> 0:26:18.360
<v Speaker 1>back to the new Casey. Trust me, Noel will spend

0:26:18.400 --> 0:26:22.040
<v Speaker 1>eight seconds going, uh, that is not true, Chuck, and

0:26:22.119 --> 0:26:31.639
<v Speaker 1>that's not fair or nice? Uh an articulate boy. All right, Casey.

0:26:31.800 --> 0:26:39.160
<v Speaker 1>In ten seconds, name three movies that involved bank robbery, Oh,

0:26:39.600 --> 0:26:50.440
<v Speaker 1>dragged across concrete heat, and uh I could I could

0:26:50.440 --> 0:26:52.240
<v Speaker 1>have just said speed again. Is there a bank robbery

0:26:52.240 --> 0:26:54.640
<v Speaker 1>and speed? I don't know. No, I don't think they're great.

0:26:55.359 --> 0:26:56.600
<v Speaker 1>I was trying to I was trying to go back.

0:26:56.640 --> 0:26:59.720
<v Speaker 1>There's like a there's a late twenties movie called like

0:26:59.800 --> 0:27:02.200
<v Speaker 1>the American Gun Slinger, the Great gun Slinger, just the

0:27:02.240 --> 0:27:05.159
<v Speaker 1>Gun Slinger, And I got stuck on the nuances of

0:27:05.240 --> 0:27:07.240
<v Speaker 1>the title, and and then my brain just decided to

0:27:07.320 --> 0:27:09.520
<v Speaker 1>screw it. Do you know what else would it work?

0:27:09.560 --> 0:27:12.840
<v Speaker 1>Batman the Dark Night has a good bank heist, but

0:27:12.920 --> 0:27:15.159
<v Speaker 1>there's too many. That's the problem. It's like this, the

0:27:15.200 --> 0:27:18.119
<v Speaker 1>embarrassment of choices in my brain just like says, no,

0:27:18.359 --> 0:27:20.960
<v Speaker 1>none of it something you want to go with. You

0:27:21.040 --> 0:27:23.600
<v Speaker 1>want to go with the coolest ones too. Well. Also,

0:27:23.800 --> 0:27:26.480
<v Speaker 1>I was I had I had this suspicion because of

0:27:26.560 --> 0:27:28.159
<v Speaker 1>this list you would send me last night and all

0:27:28.200 --> 0:27:29.920
<v Speaker 1>that this might all be art house oriented. So for

0:27:29.960 --> 0:27:31.840
<v Speaker 1>the last like twelve hours, my brain has just been

0:27:31.880 --> 0:27:34.359
<v Speaker 1>like art house world. And now I'm like, I've got

0:27:34.480 --> 0:27:37.560
<v Speaker 1>to think like Hollywood mainstream, and it's just not happening today.

0:27:38.040 --> 0:27:41.760
<v Speaker 1>Chuck chuckles. To go broad for these quizzes, you guys

0:27:42.000 --> 0:27:43.480
<v Speaker 1>will turn the tables on me. At some point I

0:27:43.520 --> 0:27:46.840
<v Speaker 1>will take the same quiz and uh to your design,

0:27:46.920 --> 0:27:50.280
<v Speaker 1>and I'm sure it will be nerve wracking. By the way,

0:27:50.359 --> 0:27:52.720
<v Speaker 1>that reminds me that speed thing reminds me that one

0:27:52.720 --> 0:27:54.879
<v Speaker 1>of my favorite Simpson's Jock's Ever do you remember that

0:27:54.920 --> 0:27:58.560
<v Speaker 1>one about speed? But but I Homer was telling a

0:27:58.640 --> 0:28:02.280
<v Speaker 1>story about the movie Speed, and he said, it's it's

0:28:02.840 --> 0:28:05.920
<v Speaker 1>about a bus whose speed couldn't drop a little fifty

0:28:06.040 --> 0:28:09.919
<v Speaker 1>because the speed dropped and the speed wasn't right. Then

0:28:09.960 --> 0:28:12.080
<v Speaker 1>it's speed and he said speed like eight times and

0:28:12.160 --> 0:28:18.840
<v Speaker 1>he went it was called the bust that couldn't slow down. Casey,

0:28:18.880 --> 0:28:21.080
<v Speaker 1>for the record, you're you're tracking a really interesting pattern

0:28:21.160 --> 0:28:24.000
<v Speaker 1>right now. Your scores are three to one two. So

0:28:24.119 --> 0:28:26.239
<v Speaker 1>now you've got nowhere to go. But ups on, there

0:28:26.320 --> 0:28:33.600
<v Speaker 1>we go, all right, Casey? In ten seconds, name three

0:28:33.680 --> 0:28:40.400
<v Speaker 1>movies starring Sean Penn, Tree of Lice, Uh, The Indian Runner.

0:28:41.560 --> 0:28:44.040
<v Speaker 1>Why is it always the third that kills me? Um,

0:28:45.840 --> 0:28:48.520
<v Speaker 1>Jesus Christ leaving Las Vegas jumped into my head. That's

0:28:48.560 --> 0:28:52.280
<v Speaker 1>that's Nicolas Cage Curly. Really, I don't know, Good God Man,

0:28:52.480 --> 0:28:55.160
<v Speaker 1>Walking would have been the Oscar Baby one that might have.

0:28:55.640 --> 0:28:57.320
<v Speaker 1>I think that's what fear and I think that's what

0:28:57.440 --> 0:29:01.520
<v Speaker 1>fear and loathing leaving. That's that's Vigo Mortenson directed by

0:29:01.560 --> 0:29:04.240
<v Speaker 1>Sean Penn, so that doesn't even count. I'm one for

0:29:04.360 --> 0:29:06.680
<v Speaker 1>three on that one. All right. We also would have

0:29:06.680 --> 0:29:14.080
<v Speaker 1>accepted any movie starring Sean Pinn. The Timer is so

0:29:14.320 --> 0:29:16.880
<v Speaker 1>nerve wracking, right, It's horrible. It's the worst thing in

0:29:16.920 --> 0:29:20.640
<v Speaker 1>the world. Yeah, all right, but it's fun. Okay, No, Casey,

0:29:21.000 --> 0:29:27.520
<v Speaker 1>both of you are you keeping scorn? All? Oh? Yeah, okay, Casey.

0:29:27.680 --> 0:29:37.960
<v Speaker 1>In ten seconds, name three movies starring Susan Surrandon. I'm

0:29:37.960 --> 0:29:40.720
<v Speaker 1>gonna with this one, um, because I'm trying to remember

0:29:40.760 --> 0:29:45.200
<v Speaker 1>the death Row movie. Um when I just mentioned dead

0:29:45.240 --> 0:29:48.320
<v Speaker 1>Man Walking. Ironically, dead Walking, start Timer. That's when the

0:29:48.360 --> 0:29:51.400
<v Speaker 1>thoughts begin to flow. Dead Man Walking starts Sean Penn

0:29:51.440 --> 0:29:56.840
<v Speaker 1>and Susan Surrandon. That one, alright, zero wow, Sorry Susan

0:29:57.080 --> 0:29:58.719
<v Speaker 1>on that one. She's what's the one in the car

0:29:58.760 --> 0:30:02.440
<v Speaker 1>they go over the cliff them a speedman. Louise was

0:30:02.520 --> 0:30:09.160
<v Speaker 1>called the car they couldn't fly. Okay, Casey, you've got

0:30:09.280 --> 0:30:10.680
<v Speaker 1>to get this one. I'm gonna be so mad at you.

0:30:14.200 --> 0:30:20.400
<v Speaker 1>In ten seconds. Name three black and white movies? Uh,

0:30:21.240 --> 0:30:27.280
<v Speaker 1>what's the one on the Island? Um, Citizen Kane, the

0:30:27.400 --> 0:30:31.840
<v Speaker 1>Grapes of Breath? All right, what's what's the fucking lighthouse movie?

0:30:31.880 --> 0:30:35.640
<v Speaker 1>The Lighthouse? Jesus Christ? This is this is my nightmare.

0:30:35.800 --> 0:30:38.120
<v Speaker 1>I am living my nightmare right now. We're capturing an

0:30:38.160 --> 0:30:40.520
<v Speaker 1>audio form. This is fun for all of us. This

0:30:40.680 --> 0:30:45.160
<v Speaker 1>is this is good. Oh boy, Uh Grapes of Breath.

0:30:45.240 --> 0:30:47.600
<v Speaker 1>That was a nice call out. Well, I was like

0:30:47.720 --> 0:30:50.400
<v Speaker 1>john Ford and then for some reason, that stupid Lighthouse

0:30:50.440 --> 0:30:52.000
<v Speaker 1>movie popped in my head and for some reason I

0:30:52.040 --> 0:30:56.160
<v Speaker 1>couldn't just call it the Lighthouse, And yeah, oh man,

0:30:56.320 --> 0:30:57.520
<v Speaker 1>this is way more fun than I thought it was

0:30:57.520 --> 0:31:02.560
<v Speaker 1>gonna be. I really, I'm not looking forward to doing

0:31:02.640 --> 0:31:05.280
<v Speaker 1>this myself. These are not hard questions. That's the thing, Like,

0:31:05.760 --> 0:31:09.040
<v Speaker 1>that's the whole point thing in the world. It's fun

0:31:09.160 --> 0:31:11.480
<v Speaker 1>to see, uh the movie guy, not know anything. It

0:31:11.600 --> 0:31:14.560
<v Speaker 1>tends to make you choke. It's just something inherent about

0:31:14.760 --> 0:31:17.040
<v Speaker 1>like the pressure of the time. I've always you know,

0:31:17.040 --> 0:31:19.080
<v Speaker 1>I've always thought that like when you're watching Jeopardy at

0:31:19.120 --> 0:31:21.560
<v Speaker 1>home and you just like can run the board and

0:31:21.680 --> 0:31:23.720
<v Speaker 1>then it feels like if you're actually in that situation,

0:31:23.760 --> 0:31:25.960
<v Speaker 1>you would not be able to name anything at all. No,

0:31:26.120 --> 0:31:29.120
<v Speaker 1>Kim Jennings, you know said that. I mean, in this

0:31:29.280 --> 0:31:31.480
<v Speaker 1>no surprise. That's the biggest part of the game is

0:31:31.760 --> 0:31:34.280
<v Speaker 1>just being good at the game. Not knowing. He said,

0:31:34.320 --> 0:31:36.960
<v Speaker 1>everyone up there super smart or he like knows a

0:31:37.000 --> 0:31:39.400
<v Speaker 1>lot of stuff. He said, you gotta be good with

0:31:39.600 --> 0:31:41.920
<v Speaker 1>your thumb, and you've got to be able to like

0:31:42.160 --> 0:31:45.880
<v Speaker 1>fucking chill out. That's right, which I imagine is easier

0:31:45.960 --> 0:31:47.719
<v Speaker 1>once he won a few of them in a row,

0:31:47.800 --> 0:31:55.280
<v Speaker 1>you know, maybe al right, Casey, in ten seconds, name

0:31:55.400 --> 0:32:01.840
<v Speaker 1>three movies set in the Old West, The Quicken, The Dead, Um,

0:32:03.000 --> 0:32:07.440
<v Speaker 1>Good Lord, my Darling, Clementine, stage Coach. Hey, look at that.

0:32:08.000 --> 0:32:10.080
<v Speaker 1>I finally got past the third one. It's for some

0:32:10.200 --> 0:32:12.120
<v Speaker 1>reason I get I psyched myself out as soon as

0:32:12.160 --> 0:32:14.040
<v Speaker 1>I get to I go. I tried to go for

0:32:14.120 --> 0:32:16.720
<v Speaker 1>something fancy and it does not go well. Stage Coach.

0:32:18.640 --> 0:32:23.080
<v Speaker 1>That's the one with the stage coach. It is indeed

0:32:23.120 --> 0:32:25.040
<v Speaker 1>the one with the stage coach. They're just all up

0:32:25.080 --> 0:32:27.920
<v Speaker 1>in there the whole movie, right pretty much. Yeah, yeah,

0:32:27.920 --> 0:32:30.080
<v Speaker 1>I know, I mean, that's that's that's the bulk of

0:32:30.120 --> 0:32:32.720
<v Speaker 1>the movie. Is that stage coach. Al right, Casey, two

0:32:32.760 --> 0:32:40.120
<v Speaker 1>more name in ten seconds as a reminder, name three.

0:32:40.400 --> 0:32:43.040
<v Speaker 1>This is that you're either going to choke or you're

0:32:43.040 --> 0:32:45.520
<v Speaker 1>just gonna spit out. Three in a row. Three movies

0:32:45.800 --> 0:32:56.240
<v Speaker 1>with sex scenes. Wild Things, Um, good lord, the color

0:32:56.280 --> 0:33:00.840
<v Speaker 1>of the night? Um based against give it jump chock,

0:33:00.880 --> 0:33:02.560
<v Speaker 1>come on, well give you got it right on the buzzer.

0:33:03.960 --> 0:33:06.280
<v Speaker 1>Good job. Did I say the color of the night

0:33:06.400 --> 0:33:09.240
<v Speaker 1>or the color fine color of night? Why did that

0:33:09.320 --> 0:33:11.600
<v Speaker 1>pop in my head? Because you're a horned all I

0:33:11.640 --> 0:33:15.200
<v Speaker 1>know why Wild Things did? Because yeah, okay, it's quite formative.

0:33:15.240 --> 0:33:16.560
<v Speaker 1>I could have shut show Girls. I could have said

0:33:16.560 --> 0:33:18.480
<v Speaker 1>a million things. I don't know. Color of night was

0:33:18.560 --> 0:33:21.360
<v Speaker 1>pretty steamy. I remember seeing remember that one being in

0:33:21.440 --> 0:33:26.080
<v Speaker 1>the old the old Cardinal Knowledge, the mech Nichols. There's

0:33:26.080 --> 0:33:30.959
<v Speaker 1>a million things. All right, Casey, last one nod? Can

0:33:31.080 --> 0:33:40.320
<v Speaker 1>Should we get a point total going in the final round? Yeah? Seven, eight, nine, fifteen, sixteen, seventeen,

0:33:40.560 --> 0:33:43.959
<v Speaker 1>seventeen out of seven. So Casey, that means I'm actually

0:33:44.000 --> 0:33:47.440
<v Speaker 1>going to use the original query, because all right, I

0:33:47.520 --> 0:33:49.320
<v Speaker 1>think you will get three out of three. If you don't,

0:33:49.800 --> 0:33:52.120
<v Speaker 1>then you need to go to the doctor. God help you.

0:33:52.360 --> 0:33:57.120
<v Speaker 1>I might I might need to. All right, Casey, in

0:33:57.200 --> 0:34:00.520
<v Speaker 1>ten seconds, name three movies directed by stay Lee Kubrick,

0:34:01.680 --> 0:34:09.080
<v Speaker 1>The Killing Killers, kiss Um, The Shining. Okay, I was

0:34:09.120 --> 0:34:10.880
<v Speaker 1>trying to name his first movie, if You're a Desire,

0:34:10.960 --> 0:34:13.000
<v Speaker 1>and then it was like I couldn't come up with it.

0:34:13.680 --> 0:34:17.160
<v Speaker 1>I just said, okay, screw at the Shining Alright, So, uh,

0:34:17.880 --> 0:34:21.120
<v Speaker 1>twenty out of thirty is that right? No, that is correct. Yes,

0:34:21.520 --> 0:34:24.359
<v Speaker 1>that's not that's a solid sixty. I would say that's

0:34:24.400 --> 0:34:27.279
<v Speaker 1>respectable given this is the first time this game has

0:34:27.280 --> 0:34:31.080
<v Speaker 1>been trotted out in the movie Crush Universe. Yes, and

0:34:31.480 --> 0:34:33.200
<v Speaker 1>you were the guinea pig. I think you did just

0:34:33.440 --> 0:34:35.240
<v Speaker 1>just I think I have to. I feel like meditate

0:34:35.320 --> 0:34:37.200
<v Speaker 1>before the next one. That's the thing. I have to

0:34:37.280 --> 0:34:40.799
<v Speaker 1>clear my mind of hard any any distraction, and then

0:34:40.840 --> 0:34:42.920
<v Speaker 1>I can let these answers emerge. Well, I think what

0:34:43.040 --> 0:34:47.440
<v Speaker 1>happens is when you're in a timer situation. Uh, everything

0:34:47.600 --> 0:34:49.480
<v Speaker 1>rushes to the front of your brain at once, like

0:34:49.640 --> 0:34:51.520
<v Speaker 1>I think, exactly, I think you could probably it's a

0:34:51.560 --> 0:34:53.840
<v Speaker 1>traffic jam. Yeah, you could do an m R I

0:34:53.960 --> 0:34:57.840
<v Speaker 1>probably and literally see like a bottleneck of information right

0:34:57.920 --> 0:35:08.719
<v Speaker 1>before it gets to your mouth. Exactly. Yes, Casey, do

0:35:08.760 --> 0:35:10.600
<v Speaker 1>you have like another six or seven minutes to stick

0:35:10.640 --> 0:35:13.359
<v Speaker 1>or yeah, I'd love to. All right, well, we're gonna

0:35:13.400 --> 0:35:15.479
<v Speaker 1>finish up with stream this where we just talk about

0:35:15.480 --> 0:35:22.440
<v Speaker 1>what we've been watching lately. I'll go first because it's

0:35:22.560 --> 0:35:26.560
<v Speaker 1>very quick. I'm still watching Dark. We are close to

0:35:26.600 --> 0:35:30.000
<v Speaker 1>the end of season two. Uh the mind bindy German

0:35:30.360 --> 0:35:34.359
<v Speaker 1>time travel. Uh, jeesus. Just it's a lot of things.

0:35:34.480 --> 0:35:37.360
<v Speaker 1>It's very lynch in, um, very very good show. I

0:35:37.400 --> 0:35:39.520
<v Speaker 1>don't know if you've seen it yet, Casey. It's a

0:35:39.600 --> 0:35:42.640
<v Speaker 1>it's a lot to wrap your head around. Um. They

0:35:43.080 --> 0:35:44.960
<v Speaker 1>there's a website that's very handy and trying to keep

0:35:45.000 --> 0:35:48.280
<v Speaker 1>track of everyone because there are iterations of the characters

0:35:48.360 --> 0:35:51.480
<v Speaker 1>through different time periods, and it's a lot, but it's

0:35:51.560 --> 0:35:54.239
<v Speaker 1>it's really, really, really good. And although I have not

0:35:54.440 --> 0:35:56.320
<v Speaker 1>started watching yet, I do want to shout out The

0:35:56.400 --> 0:35:59.560
<v Speaker 1>Boys season two, which I cannot wait to get into.

0:36:00.320 --> 0:36:03.520
<v Speaker 1>The great I think it's Amazon Prime right now, that's correct,

0:36:03.600 --> 0:36:06.960
<v Speaker 1>And I think Dennis Quaid's son is in that. Friend

0:36:07.000 --> 0:36:10.560
<v Speaker 1>of the network. Okay, well, it's a great, great show

0:36:10.600 --> 0:36:12.000
<v Speaker 1>and I can't wait to get back into that. So

0:36:12.120 --> 0:36:14.319
<v Speaker 1>that's what I have been watching and what I'm going

0:36:14.400 --> 0:36:18.560
<v Speaker 1>to dive into next. Who's up I'll go, I've I've

0:36:18.560 --> 0:36:20.279
<v Speaker 1>I've mentioned it on the show before. I was having

0:36:20.880 --> 0:36:22.640
<v Speaker 1>really wanted to see it, but I put it off

0:36:22.680 --> 0:36:24.920
<v Speaker 1>because I thought it was gonna be too heavy, and

0:36:24.960 --> 0:36:27.320
<v Speaker 1>I've been trying to avoid super heavy stuff. But I

0:36:27.520 --> 0:36:31.680
<v Speaker 1>may destroy you. Uh, maybe the best television series I've

0:36:31.760 --> 0:36:38.440
<v Speaker 1>seen in a decade. Um it is. Uh. It's it's heartbreaking,

0:36:38.840 --> 0:36:43.920
<v Speaker 1>it's funny, it's psychedelic, it's got like really cool stylistic choices,

0:36:44.040 --> 0:36:46.280
<v Speaker 1>and it's you know, the story of a young woman

0:36:46.360 --> 0:36:48.680
<v Speaker 1>who has her drink spiked at a bar in London

0:36:49.120 --> 0:36:53.439
<v Speaker 1>and loses time and wakes up and and knows something's wrong,

0:36:53.600 --> 0:36:56.800
<v Speaker 1>but doesn't know what's happened, And because memories start to

0:36:56.960 --> 0:37:00.320
<v Speaker 1>emerge and she starts piecing it altogether and it's almost

0:37:00.400 --> 0:37:03.600
<v Speaker 1>becomes like this detective type story where she's sort of

0:37:03.719 --> 0:37:05.560
<v Speaker 1>on the hunt trying to figure out what happened to her.

0:37:05.600 --> 0:37:08.200
<v Speaker 1>But it's so much more than that. It's about uh,

0:37:08.480 --> 0:37:11.880
<v Speaker 1>social media taking over people's lives, and it's about consent,

0:37:12.080 --> 0:37:15.239
<v Speaker 1>and it's about all of these incredibly you know, um

0:37:15.560 --> 0:37:18.080
<v Speaker 1>important topics that are very you know of the of

0:37:18.160 --> 0:37:21.799
<v Speaker 1>the of the moment um and the creator whose name

0:37:21.920 --> 0:37:23.919
<v Speaker 1>is escaping me right now. She did another show called

0:37:24.000 --> 0:37:28.320
<v Speaker 1>Chewing Gum on h on BBC that was supposed to

0:37:28.360 --> 0:37:32.239
<v Speaker 1>be fantastic, but this is just an absolute masterpiece. I

0:37:32.560 --> 0:37:35.200
<v Speaker 1>couldn't speak highly enough of. Her name is Michelle A. Cole,

0:37:35.560 --> 0:37:37.719
<v Speaker 1>and I would highly recommend even before checking it out,

0:37:37.840 --> 0:37:39.800
<v Speaker 1>like read up on her a little bit because she

0:37:40.400 --> 0:37:42.480
<v Speaker 1>has a fascinating background where she grew up in a

0:37:42.600 --> 0:37:45.759
<v Speaker 1>kind of a poor, UH immigrant community. I believe her

0:37:45.800 --> 0:37:49.640
<v Speaker 1>family is from somewhere in Africa, Um I can remember

0:37:49.680 --> 0:37:53.160
<v Speaker 1>the exact UH part um, but she grew up in

0:37:53.200 --> 0:37:56.560
<v Speaker 1>the immigrant community, like in kind of housing developments in London,

0:37:57.080 --> 0:38:00.520
<v Speaker 1>and UH ended up in a dance per program that

0:38:00.680 --> 0:38:04.200
<v Speaker 1>was like part of a Pentecostal church, and she became

0:38:04.560 --> 0:38:08.359
<v Speaker 1>heavily Pentecostal UH and then realized that she only really

0:38:08.440 --> 0:38:10.560
<v Speaker 1>did that because she appreciated that they gave her this

0:38:10.680 --> 0:38:14.120
<v Speaker 1>inroad into creative expression. She kind of abandoned the religious

0:38:14.160 --> 0:38:16.960
<v Speaker 1>side of things and started doing UH drama and theater

0:38:17.040 --> 0:38:19.759
<v Speaker 1>classes and she met like a benefactor who helped pay

0:38:19.800 --> 0:38:22.759
<v Speaker 1>her way through like a really great drama program. And

0:38:22.760 --> 0:38:24.319
<v Speaker 1>then she wrote a one woman show that ended up

0:38:24.360 --> 0:38:27.040
<v Speaker 1>becoming Chewing Gum Um and the story of I May

0:38:27.080 --> 0:38:29.400
<v Speaker 1>Destroy You actually happened to her. And it's just the

0:38:29.480 --> 0:38:32.879
<v Speaker 1>most confessional, but not in a cloying kind of way.

0:38:32.960 --> 0:38:34.719
<v Speaker 1>It's just I can't speak more highly enough of it.

0:38:34.840 --> 0:38:37.400
<v Speaker 1>It's just can't wait, really fantastic. By the way, her

0:38:37.440 --> 0:38:40.880
<v Speaker 1>parents are from Ghana. Yes, um, all right, Casey, what

0:38:40.880 --> 0:38:42.279
<v Speaker 1>do you what have you been watching? It can be movies,

0:38:42.320 --> 0:38:44.440
<v Speaker 1>it doesn't have to be TV. Okay, perfect, because I

0:38:44.480 --> 0:38:46.400
<v Speaker 1>was gonna say, there's not that many recent series that

0:38:46.480 --> 0:38:50.799
<v Speaker 1>I've you know of? Note um for me, I would say,

0:38:50.960 --> 0:38:53.759
<v Speaker 1>there's this recent documentary called Jasper Mall. Have you guys

0:38:53.800 --> 0:38:57.840
<v Speaker 1>heard of this? It's two guys went to um film

0:38:57.880 --> 0:39:00.280
<v Speaker 1>in this kind of like dying mall in a Asper,

0:39:00.360 --> 0:39:03.960
<v Speaker 1>Alabama for about a year, and um, it's it's very

0:39:04.040 --> 0:39:06.240
<v Speaker 1>much in the spirit of like an early Errol Morris

0:39:06.320 --> 0:39:10.000
<v Speaker 1>film where it starts off being about one thing and

0:39:10.080 --> 0:39:12.480
<v Speaker 1>kind of becomes about something else. Just the more time

0:39:12.560 --> 0:39:16.040
<v Speaker 1>that he spends in this place, you meet these characters. Uh,

0:39:16.480 --> 0:39:18.839
<v Speaker 1>the guy who's like the there's this one guy who's

0:39:18.840 --> 0:39:23.760
<v Speaker 1>like the manager, the janitor, the you know, business liaison.

0:39:23.880 --> 0:39:27.279
<v Speaker 1>He basically does everything at this mall. His his life

0:39:27.360 --> 0:39:30.320
<v Speaker 1>is a small He's the ex proprietor of like a

0:39:31.239 --> 0:39:33.960
<v Speaker 1>kind of bootleg zoo that was happening in Alabama where

0:39:34.000 --> 0:39:37.520
<v Speaker 1>there's just like tigers and all kinds of unsafe stuff

0:39:37.600 --> 0:39:41.040
<v Speaker 1>that's just like behind like uh you know, very rudimentary

0:39:41.120 --> 0:39:44.200
<v Speaker 1>wire fences and so on. Um, he busted out of

0:39:44.280 --> 0:39:47.839
<v Speaker 1>that zoo and now he manages a small and um yeah,

0:39:47.920 --> 0:39:51.520
<v Speaker 1>it's it's like a really interesting commentary on just the

0:39:51.800 --> 0:39:56.080
<v Speaker 1>nostalgia that my generation particular has for them all. And

0:39:56.480 --> 0:39:59.520
<v Speaker 1>um yeah, the way that retail is kind of um

0:40:00.480 --> 0:40:03.640
<v Speaker 1>uh sun setting perhaps. I mean it's it's all pre Corona,

0:40:03.719 --> 0:40:06.160
<v Speaker 1>but it feels like very much like the same tendencies

0:40:06.160 --> 0:40:11.120
<v Speaker 1>are are being uh you know, strengthened by by all

0:40:11.160 --> 0:40:16.239
<v Speaker 1>of that. Um it's the score is really really good. Um,

0:40:16.920 --> 0:40:19.799
<v Speaker 1>it's got great cinematography. Um it's just one of those

0:40:19.840 --> 0:40:21.680
<v Speaker 1>like Lightning in the Bottle movies where they went to

0:40:21.760 --> 0:40:23.080
<v Speaker 1>this wall. They didn't know that guy was going to

0:40:23.160 --> 0:40:24.840
<v Speaker 1>be there. They didn't know they're gonna find all these

0:40:24.880 --> 0:40:29.400
<v Speaker 1>other interesting characters and um yeah, and it it unfolds

0:40:29.400 --> 0:40:32.120
<v Speaker 1>like a discovery because it literally like unfolded in front

0:40:32.120 --> 0:40:34.520
<v Speaker 1>of them for that whole year they're that they're making

0:40:34.520 --> 0:40:37.560
<v Speaker 1>the movie, and um yeah, it's just a really really cool,

0:40:37.880 --> 0:40:41.480
<v Speaker 1>like small movie. Um. Probably the best thing I can

0:40:41.520 --> 0:40:43.200
<v Speaker 1>say about it is like after I finished watching it,

0:40:43.280 --> 0:40:44.840
<v Speaker 1>like I wanted to go out and like start shooting

0:40:44.880 --> 0:40:47.400
<v Speaker 1>something immediately because it just had that feeling of like,

0:40:48.160 --> 0:40:50.440
<v Speaker 1>you know, there's the who would who would think such

0:40:50.480 --> 0:40:52.400
<v Speaker 1>an interesting film could come from such a kind of

0:40:52.440 --> 0:40:55.160
<v Speaker 1>mundane environment, But you realize, like life is interesting everywhere,

0:40:55.200 --> 0:40:59.040
<v Speaker 1>and um yeah, ultimately, I mean it gets into without

0:40:59.080 --> 0:41:00.800
<v Speaker 1>without overtly saying it. I mean it really is just

0:41:00.920 --> 0:41:04.080
<v Speaker 1>like sort of what does the meaning life of? That

0:41:04.200 --> 0:41:05.879
<v Speaker 1>is kind of the ultimate takeaway from the film. It's

0:41:05.880 --> 0:41:08.080
<v Speaker 1>it's very kind of philosophical once you get all the

0:41:08.080 --> 0:41:10.560
<v Speaker 1>way into it. You know, Casey, you might remember I

0:41:10.600 --> 0:41:13.560
<v Speaker 1>sent you a text asking if you were around, and

0:41:13.600 --> 0:41:16.000
<v Speaker 1>then I never responded to you write your parents, Uh,

0:41:16.160 --> 0:41:19.080
<v Speaker 1>And it was because a friend of mine was shooting

0:41:19.120 --> 0:41:23.200
<v Speaker 1>a music video at the North decabinotch which is are

0:41:23.440 --> 0:41:25.880
<v Speaker 1>kind of dying mall total, which we've talked about on

0:41:25.920 --> 0:41:27.840
<v Speaker 1>the show A good bit, Chuck. You have fond memories

0:41:27.880 --> 0:41:29.239
<v Speaker 1>of that growing up, is that being kind of the

0:41:29.320 --> 0:41:32.680
<v Speaker 1>flagship you know, badass mall right, And I mean it

0:41:32.800 --> 0:41:34.520
<v Speaker 1>was pretty good. I worked there for a short time even,

0:41:34.600 --> 0:41:37.640
<v Speaker 1>so yeah, and then now it's just real sad and

0:41:37.760 --> 0:41:41.200
<v Speaker 1>weird and like half open and and during Corona now

0:41:41.480 --> 0:41:43.960
<v Speaker 1>it's apparently just like a ghost town. And so they

0:41:44.040 --> 0:41:47.400
<v Speaker 1>were they were able to go film there almost completely

0:41:47.640 --> 0:41:52.080
<v Speaker 1>un um sure, you know, interrupted um really lack security.

0:41:52.120 --> 0:41:54.320
<v Speaker 1>They were able to go all around and get crazy shots.

0:41:54.400 --> 0:41:56.719
<v Speaker 1>And my friend was wearing a green screen suit and

0:41:57.280 --> 0:41:59.279
<v Speaker 1>they they shot all this crazy stuff there. But I

0:41:59.400 --> 0:42:01.680
<v Speaker 1>was gonna see if you had some kind of lens

0:42:01.719 --> 0:42:05.120
<v Speaker 1>adapted they but they ended up figuring it out. Um.

0:42:05.440 --> 0:42:08.640
<v Speaker 1>That's I'm fascinated with dead malls as well. There's actually

0:42:08.640 --> 0:42:11.520
<v Speaker 1>a website, uh in an Instagram account called dead malls

0:42:11.600 --> 0:42:15.520
<v Speaker 1>that just photographs of like abandoned you know, malls because

0:42:15.719 --> 0:42:18.759
<v Speaker 1>they're too big to do anything else with unless you

0:42:18.880 --> 0:42:21.800
<v Speaker 1>repurpose them into some kind of like community center or

0:42:21.840 --> 0:42:24.000
<v Speaker 1>do something really creative with them. That's the whole problem

0:42:24.040 --> 0:42:26.680
<v Speaker 1>with malls is like no one can afford them, but

0:42:26.840 --> 0:42:29.880
<v Speaker 1>yet they just sit there derelict. You know, it's very strange. Well,

0:42:29.880 --> 0:42:31.879
<v Speaker 1>That's one of the really interesting things about Jasper Mall

0:42:31.960 --> 0:42:33.520
<v Speaker 1>is that you do realize that it is kind of

0:42:33.560 --> 0:42:35.520
<v Speaker 1>a community center because there's all these kind of like

0:42:35.760 --> 0:42:38.600
<v Speaker 1>retired people that just hang out there every day and

0:42:38.719 --> 0:42:41.320
<v Speaker 1>like play card games and visit with each other, and

0:42:41.719 --> 0:42:43.920
<v Speaker 1>you realize, like this is like this is fulfilling the

0:42:43.960 --> 0:42:46.680
<v Speaker 1>function of like a kind of a public space, even

0:42:46.719 --> 0:42:49.759
<v Speaker 1>though it is this commercial mall that's like decaying it

0:42:49.880 --> 0:42:52.120
<v Speaker 1>has it's sort of been repurposed into like a place

0:42:52.200 --> 0:42:54.440
<v Speaker 1>for people to like walk, you know, go on their

0:42:54.480 --> 0:42:57.719
<v Speaker 1>morning walks and stuff. And um, yeah, it's just it's

0:42:57.760 --> 0:43:00.640
<v Speaker 1>just very very um, something very touching out it. And

0:43:00.760 --> 0:43:02.480
<v Speaker 1>I will say I have filmed at North Dacadam Mall

0:43:02.520 --> 0:43:05.839
<v Speaker 1>as well. Um Paul and I made a short there

0:43:06.440 --> 0:43:09.480
<v Speaker 1>a few years back, and we were not hassled at all.

0:43:09.600 --> 0:43:11.080
<v Speaker 1>You know, we we got all the shots we needed

0:43:11.080 --> 0:43:14.239
<v Speaker 1>without security ever picking up on it or even particularly caring.

0:43:14.280 --> 0:43:16.560
<v Speaker 1>I think that's great. It sounds cool, man. I want

0:43:16.560 --> 0:43:17.920
<v Speaker 1>to check that out because that is one of my

0:43:17.960 --> 0:43:21.600
<v Speaker 1>favorite things when a documentary or a piece of art

0:43:21.680 --> 0:43:24.200
<v Speaker 1>like that starts to something and become something else. Yeah,

0:43:24.280 --> 0:43:25.759
<v Speaker 1>you can. You can find it on YouTube. I think

0:43:25.800 --> 0:43:27.680
<v Speaker 1>it's like four bucks to rent. It didn't really have

0:43:27.760 --> 0:43:30.320
<v Speaker 1>a theatrical run because it came out just as the

0:43:30.440 --> 0:43:33.279
<v Speaker 1>pandemic was starting, so um, even though it was kind

0:43:33.320 --> 0:43:35.480
<v Speaker 1>of made for theatrical in mind, it's it's had this

0:43:35.600 --> 0:43:38.040
<v Speaker 1>life online and um, I think I think word of

0:43:38.080 --> 0:43:39.680
<v Speaker 1>mouth has kind of spread about it. Anyway, It's it's

0:43:39.680 --> 0:43:41.120
<v Speaker 1>really really cool. I hope people will check it out.

0:43:41.480 --> 0:43:44.879
<v Speaker 1>Sweet the s Town of Abandoned All Documentaries. Yes, there

0:43:44.920 --> 0:43:48.000
<v Speaker 1>you go. Alright, dudes, Well thanks for coming on, Casey. Yeah,

0:43:48.040 --> 0:43:50.160
<v Speaker 1>thanks for having me. That was fun. Yeah, you guys

0:43:50.200 --> 0:43:51.920
<v Speaker 1>will get your revenge on me with another quiz and

0:43:51.960 --> 0:43:54.640
<v Speaker 1>all Europe next. We'll do that in a couple of weeks. Alright, awesome,

0:43:54.800 --> 0:43:57.000
<v Speaker 1>and thanks to everyone for listening. We'll see you next week.

0:43:58.640 --> 0:44:01.160
<v Speaker 1>Movie Crash. It's produced and written by Charles Bryant and

0:44:01.280 --> 0:44:04.800
<v Speaker 1>Roel Brown, edited and engineered by Seth Nicholas Johnson, and

0:44:04.880 --> 0:44:07.480
<v Speaker 1>scored by Noel Brown here in our home studio at

0:44:07.520 --> 0:44:11.200
<v Speaker 1>Pontsty Market, Atlanta, Georgia. For I Heart Radio. For more

0:44:11.280 --> 0:44:13.799
<v Speaker 1>podcasts for my Heart Radio, visit the I Heart Radio app,

0:44:13.920 --> 0:44:16.680
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.