WEBVTT - Sevyn Streeter Interview

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<v Speaker 1>Real people, real celebrity joined the Breakfast Morning Everybody's DJ

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<v Speaker 1>en Vi Angela yee shawl. Mean to god, we are

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<v Speaker 1>the Breakfast Club. We got a friend, we have a

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<v Speaker 1>very special gas. Don't you start with me? Today? Seventh

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<v Speaker 1>Street got what up? Y'all? What's you got another album

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<v Speaker 1>coming out? That? It was an EP that just came out. Yes, now,

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<v Speaker 1>I work myself off. This is what I do. Not.

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<v Speaker 1>I have a project it's called should have been Their

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<v Speaker 1>Part One? And um, I just I wrote the songs

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<v Speaker 1>when I was in like a different space in my

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<v Speaker 1>life and I didn't want to carry that energy over

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<v Speaker 1>to my album. So I was like, well, look here,

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<v Speaker 1>went to the label. I was like, I want to

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<v Speaker 1>put these songs out. So we did. We put them out.

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<v Speaker 1>It should have been their Part one And yeah, even

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<v Speaker 1>though I'm not necessarily in that space because it wasn't

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<v Speaker 1>a really good one, but some great songs came out

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<v Speaker 1>of it. And did your ex get publishing? Hell no,

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<v Speaker 1>I ain't get no publishing, absolutely not. It's not Atlantic

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<v Speaker 1>on your ass, Like, look, we're not tied awaiting on

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<v Speaker 1>this album right now? You know what it is. That's

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<v Speaker 1>why I love them because we were able to have

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<v Speaker 1>conversations about it, and you know, they trust me and

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<v Speaker 1>they listen to me. And I was just like, look,

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<v Speaker 1>I don't want these songs sitting on my laptop, you

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<v Speaker 1>know what I mean, even though I'm not going through

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<v Speaker 1>as somebody's going through it, And let's put them out,

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<v Speaker 1>get the energy out the way, and then we'll put

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<v Speaker 1>out that you cutting people off and stuff like. You know,

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<v Speaker 1>I can't say that. What I say? First of all,

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<v Speaker 1>how do we start this interview without taking a shot

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<v Speaker 1>though already? Um? Oh, so you well, how are you

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<v Speaker 1>gonna leave us here? I have nothing. I thought about it,

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<v Speaker 1>but I ain't see nobody pouringhing, you know, so you

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<v Speaker 1>just took it yourself before y'all go. That's a big shot. Shot,

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<v Speaker 1>y'all do that every time. I swear to God, y'all

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<v Speaker 1>do this to me. Every time you where's your shot?

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<v Speaker 1>I'm doing a thing, Hennessey? Were you fancy? And so

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<v Speaker 1>you so fancy? We all have our things that we

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<v Speaker 1>do up here. Okay, So again you're talking about cutting

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<v Speaker 1>the penis off. Now, ain't nobody cutting He said he

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<v Speaker 1>was hating some dude and you wanted to kill them?

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<v Speaker 1>Cut I was just, you know, was going through some

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<v Speaker 1>situations and I had to you know, like I say,

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<v Speaker 1>all the song like I write about how I feel,

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<v Speaker 1>and I didn't want that. I didn't want that to

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<v Speaker 1>carry over into my album. In the same thing is

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<v Speaker 1>that you do a song cause should have been there

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<v Speaker 1>and then you put your boyfriend on it. I did,

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<v Speaker 1>like the song about your X man, I mean, oh yeah,

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<v Speaker 1>I mean guilty, I did. What It's about my life,

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<v Speaker 1>So that's my life at the current moment, you know,

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<v Speaker 1>So yeah, I did that and the songs how to

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<v Speaker 1>who have what conversation? I want you to get on

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<v Speaker 1>the song about my old bue. What I mean, This

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<v Speaker 1>is the thing when it comes to like work, I

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<v Speaker 1>don't tell him how to do his business. He don't

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<v Speaker 1>tell me how to do mine. So I got this record,

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<v Speaker 1>I want you to get on. You get on it,

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<v Speaker 1>you get on it. We cut so he got should

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<v Speaker 1>have been there? Well exactly, he listen here. That's it's

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<v Speaker 1>like Baylor, basically, it's like, kudos to you because you

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<v Speaker 1>was there and you got it right. So did he

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<v Speaker 1>do a verse this and your old boyfriend? I mean,

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<v Speaker 1>you know, he went in a little bit, but you know,

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<v Speaker 1>it won nothing crazy. But so what happens when you

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<v Speaker 1>put this epl cause should have been there songs like boomerang,

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<v Speaker 1>which I think is my favorite thing, one of my

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<v Speaker 1>favorite songs on him too, Um boomerangs about what you

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<v Speaker 1>think boomerang is about? But you tell me what do

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<v Speaker 1>you think boomerang is about? About throwing something out there

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<v Speaker 1>but to keep coming back to you? I mean you're

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<v Speaker 1>not far boomerang, Um sweat him boy. Boomerang is just

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<v Speaker 1>basically talking about um, you know, going through with somebody.

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<v Speaker 1>It's like how many times you think you're gonna be

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<v Speaker 1>able to come back? So that's a Boomerang's like, okay,

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<v Speaker 1>no more boomerang, you know what I mean? Like that

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<v Speaker 1>should have brought your ass home, Like basically, so I'm done.

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<v Speaker 1>It's over with. Treat you like a brick, not a boomerang,

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<v Speaker 1>you know, kind of it as far as you can,

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<v Speaker 1>as as you can and get the hell away. So,

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<v Speaker 1>now what happens when you put out this EP and

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<v Speaker 1>obviously your ex boy for notion about him, does he

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<v Speaker 1>hit you up and say bitch, no we don't, no, no,

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<v Speaker 1>we don't, we don't talk no more. I'm over that

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<v Speaker 1>that's over with that. I'm just saying he might have

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<v Speaker 1>just any like that. He might have sent out a

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<v Speaker 1>tweet like you know what, now he ain't stupid, or

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<v Speaker 1>maybe you didn't, or maybe maybe you didn't know you

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<v Speaker 1>felt the way that you felt, because a lot of

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<v Speaker 1>times y'all go deeper in your music than you actually

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<v Speaker 1>do in a conversation with a person. No, I don't.

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<v Speaker 1>It's it's how I feel. It's out there. But I'm

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<v Speaker 1>trying to talk about him. We're not talking about him.

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<v Speaker 1>No more about it. I will listen here. There's also

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<v Speaker 1>should have been there, should have been there as featuring Bob.

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<v Speaker 1>There's songs on there called just being honest. It's just

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<v Speaker 1>a bunch of great songs on there, and I just

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<v Speaker 1>want people to get into it. How much do you

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<v Speaker 1>have to pay vibe to get on that? You don't

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<v Speaker 1>take these shots? Hey, Bob, ain't charging I pay him

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<v Speaker 1>in other ways. I take this shot. I need that

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<v Speaker 1>shots in the eyes, cheers in the eyes. Where's your shot?

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<v Speaker 1>I drink that v right, I get white vibe. So

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<v Speaker 1>why are you not taking that? You do just take

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<v Speaker 1>it to the head. You don't even cut you don't

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<v Speaker 1>even need to calls been here and take a step.

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<v Speaker 1>Oh that's that's my clear yeurin and there you go.

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<v Speaker 1>I hate you? Oh my god? We cut We're good?

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<v Speaker 1>All right? You ready? Did you say sorry? I'm talking?

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<v Speaker 1>There you go like that? That's big. I'm gonna save

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<v Speaker 1>the rest of the later okay by you? I hain't man. Now.

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<v Speaker 1>You also did the Furious seven soundtrack. You had a

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<v Speaker 1>song on there too. How did you manage to get

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<v Speaker 1>your song? I'm sure a lot of people wanted to

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<v Speaker 1>be on that. Um, you know what? Excuse me? Um?

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<v Speaker 1>The Furious seven was. That was just such a blessing,

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<v Speaker 1>you know what I mean. Being a singer songwriter, I

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<v Speaker 1>get approach a lot of times about writing songs for projects,

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<v Speaker 1>and it just worked out that I was able to

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<v Speaker 1>write the record. I wrote it with my friend Jado,

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<v Speaker 1>and I was featured on it. I performed on Revolte.

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<v Speaker 1>We did the um premiere and I performed it on

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<v Speaker 1>Revolte and it was just bomb. I just had such

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<v Speaker 1>a great, great time with that. What's that money? Like, Um,

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<v Speaker 1>it's nice they pay you once for the song? Like, well,

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<v Speaker 1>you get your publishing, you know what I mean? Like,

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<v Speaker 1>so you have a certain percentage of that and whatever

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<v Speaker 1>the song makes, that's how you get you published pockets

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<v Speaker 1>her pockets. But it's good, especially like international. Yeah, the

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<v Speaker 1>song is really really big overseas, so that was great.

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<v Speaker 1>What happened with those big seven Teddy Bears? That Bob

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<v Speaker 1>got you? He got you to all those huge teddy bears.

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<v Speaker 1>It was real cute in the house, and I was like,

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<v Speaker 1>what are she gonna do with they? They're still cute

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<v Speaker 1>with the cute and storage stories. They cute and start

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<v Speaker 1>not Actually I want to donate them. I want to

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<v Speaker 1>I want to donate them. Well, they I tried. They

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<v Speaker 1>don't you know, for sanitariasons, they don't let you donate

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<v Speaker 1>them to hospitals. But you know, I'm trying about you

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<v Speaker 1>was grinding on them and you're like, no, I'm gonna

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<v Speaker 1>hurt you. You know you can have fun on those.

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<v Speaker 1>I'm just saying that. No boy thinking that God Chae,

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<v Speaker 1>Oh my god. So what are we getting an album out? Man? Um?

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<v Speaker 1>You know what with the album? You'll get the album

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<v Speaker 1>soon enough. I'm really my fans know what, my label

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<v Speaker 1>knows it. I'm so strategic and I'm a perfectionist and

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<v Speaker 1>I just like to take my time with that, and

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<v Speaker 1>I have to put music out according to where I

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<v Speaker 1>am and how it feels. So it's gonna come. It's

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<v Speaker 1>definitely gonna come. I'm still working on it a little bit,

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<v Speaker 1>but it's definitely on the way. But isn't it though,

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<v Speaker 1>because you know you say you being certain, Uh, I

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<v Speaker 1>guess spaces. Yeah, so, but once you're out of that space,

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<v Speaker 1>do you I don't like that record no more. Yeah,

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<v Speaker 1>that happens, Like that's real life. You don't wake up

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<v Speaker 1>in the same way every day. So it's the same

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<v Speaker 1>thing with writing records and things like that. Would you

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<v Speaker 1>Nbob do a tour together like Nikki and meet? I'm open, absolutely,

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<v Speaker 1>I would. I would do a tour because I heard

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<v Speaker 1>you don't write your own stuff and heard Bob right,

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<v Speaker 1>is that what you heard? You know? I could write

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<v Speaker 1>a little verse, you know, I'm like, could write one

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<v Speaker 1>of his verses while you play them. But it's differ

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<v Speaker 1>for R and B artists. I mean, clearly you write

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<v Speaker 1>for other people. That's never an issue, right, we don't

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<v Speaker 1>expect you. It is a little it's a little different.

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<v Speaker 1>It's definitely different for R and B artists, But um,

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<v Speaker 1>you know, yeah, but I definitely I can write some

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<v Speaker 1>rappers though, don't get it. Don't so you write Bob stuff.

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<v Speaker 1>Don't get it twisted. I've said I've joked him about

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<v Speaker 1>that before. I'm like, you know, I could write you

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<v Speaker 1>a verse if you need that, I need it. Yeah,

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<v Speaker 1>I could do that. But you know, I do your

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<v Speaker 1>real baby hairs that you put active, now, these are

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<v Speaker 1>my real baby hairs. That's it's real life activated. I

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<v Speaker 1>don't know what that is. Girls put activated on the

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<v Speaker 1>edges to give the illusion to that. How do you

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<v Speaker 1>know about that? Because he used to do that back here.

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<v Speaker 1>That's why I asked you, like, hmm, make sure to

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<v Speaker 1>me your real baby head. Yeah, you see his eyebrows.

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<v Speaker 1>I think his eyebrows got activated. It's real. Now. Did

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<v Speaker 1>you see a big difference? And I know when you guys,

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<v Speaker 1>first everybody was like, oh, it's seven and Bob dating.

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<v Speaker 1>At first, it seemed like people was hating on you all,

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<v Speaker 1>but then it seemed like people got adjusted and was like, Okay,

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<v Speaker 1>stay cute together. I mean, people are always gonna have opinions. Um,

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<v Speaker 1>your personal life is your personal life, and I like

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<v Speaker 1>to you know, we we just live our lives the

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<v Speaker 1>other day. We were in our relationship and then we

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<v Speaker 1>do our music. Like for me right now, I'm just

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<v Speaker 1>in a music head space. It's all about music. It's

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<v Speaker 1>all about you know, my form of R and B. Like,

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<v Speaker 1>it's just all about that for me. So that's where

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<v Speaker 1>my head is. Are you experimenting with a different sound

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<v Speaker 1>on a new album? Um? You know what? That's why

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<v Speaker 1>I wanted to put out the should Have Been There

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<v Speaker 1>Part one because it kind of gives you a taste

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<v Speaker 1>of what my album is gonna feel like, you know

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<v Speaker 1>what I mean. It's not too far off. I may

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<v Speaker 1>experiment with a few more sounds, but it's definitely not

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<v Speaker 1>too far off. But I just I just have to

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<v Speaker 1>get music outs. That's very important to me. Isn't it

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<v Speaker 1>hard dating another artist because y'all might have little fights

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<v Speaker 1>and might end up in a song just because I mean,

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<v Speaker 1>if if it happens, it happens, you know what I mean?

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<v Speaker 1>That that's real life at the end of the day. Like,

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<v Speaker 1>if if we get into a fight, he can write

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<v Speaker 1>a record about it, I don't care, because I'm definitely

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<v Speaker 1>gonna write one yard Jesus Christ, No, I'm serious. It

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<v Speaker 1>might be it should have been there part two. But

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<v Speaker 1>if you write about other chicks he smashing and stuff,

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<v Speaker 1>and then you like, hold on, you can't put that.

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<v Speaker 1>He's like, now it's just a song. Um, see, then

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<v Speaker 1>we might have I'm not anymore. So what you said

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<v Speaker 1>in that verse really, oh word, okay, we're gonna have nah. Honestly, Um,

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<v Speaker 1>artists art man like that, yeah, because you know some

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<v Speaker 1>of the things is old and us oh they better

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<v Speaker 1>be old. Listen. You know, as a woman who writes,

0:10:18.559 --> 0:10:22.600
<v Speaker 1>do you respect artists less when they want help? No,

0:10:22.840 --> 0:10:25.240
<v Speaker 1>I don't. I don't respect artists less at all. Because

0:10:25.280 --> 0:10:26.719
<v Speaker 1>you know what a lot of people don't realize is

0:10:26.760 --> 0:10:31.720
<v Speaker 1>that with you know, artists who do righte Um, sometimes

0:10:31.720 --> 0:10:34.400
<v Speaker 1>you get so busy it's impossible for you to write

0:10:34.480 --> 0:10:37.480
<v Speaker 1>everything right. You can't write everything like even I'll be

0:10:37.520 --> 0:10:39.320
<v Speaker 1>all the way honest, even when people are like, you know,

0:10:39.520 --> 0:10:42.559
<v Speaker 1>getting on seeing about Drake, you know, having ghostwriters and

0:10:42.600 --> 0:10:45.559
<v Speaker 1>stuff like that. It's really hard sometimes, Like at the

0:10:45.640 --> 0:10:47.760
<v Speaker 1>end of the day, when Drake first came out, Drake

0:10:48.040 --> 0:10:50.000
<v Speaker 1>didn't have a ghostwriter, and we thought he was amazing.

0:10:50.080 --> 0:10:53.320
<v Speaker 1>So if he has one now, it would be okay,

0:10:53.360 --> 0:10:54.760
<v Speaker 1>Like I feel like you know what I mean, but

0:10:54.800 --> 0:10:57.439
<v Speaker 1>you never really a ghostwriter if you get credited, because

0:10:57.440 --> 0:11:00.720
<v Speaker 1>that ghostwriter is like a ghost. Is that you know,

0:11:00.840 --> 0:11:02.600
<v Speaker 1>you don't even get a credit on the album. You

0:11:02.640 --> 0:11:04.760
<v Speaker 1>get paid, You get paid, no one knows, it's a secret.

0:11:04.800 --> 0:11:07.199
<v Speaker 1>But when you get somebody credit, is that really a

0:11:07.200 --> 0:11:09.920
<v Speaker 1>ghost right now, when you give somebody credit, they're they're

0:11:10.000 --> 0:11:11.480
<v Speaker 1>a co writer, you know what I mean, Like they're

0:11:11.480 --> 0:11:13.880
<v Speaker 1>a co writer with you. But in the case where

0:11:13.920 --> 0:11:15.680
<v Speaker 1>there is a co writer, I mean a um, you know,

0:11:15.800 --> 0:11:20.160
<v Speaker 1>ghostwriter for whatever. Artists I think that I understand it.

0:11:20.200 --> 0:11:22.640
<v Speaker 1>People ya don't. It's hard to explain, but people get

0:11:22.640 --> 0:11:24.920
<v Speaker 1>really busy. Artists get busy, and you gotta do a

0:11:25.000 --> 0:11:26.400
<v Speaker 1>verse for this person, a verse for this person. You

0:11:26.440 --> 0:11:27.800
<v Speaker 1>gotta be on this TV show, you gotta be on

0:11:27.840 --> 0:11:30.520
<v Speaker 1>this tour, and a lot of times, you know, you

0:11:30.600 --> 0:11:33.280
<v Speaker 1>still oversee everything, you know what I mean, Like it

0:11:33.400 --> 0:11:36.840
<v Speaker 1>can't sit down and sometimes you honestly sometimes you can't.

0:11:36.920 --> 0:11:39.079
<v Speaker 1>Like it's it gets really busy. So I don't have

0:11:39.120 --> 0:11:41.280
<v Speaker 1>an issue with that. And people don't make it easier

0:11:41.320 --> 0:11:43.520
<v Speaker 1>too though, Like when somebody gives you a I guess

0:11:43.520 --> 0:11:48.559
<v Speaker 1>a reference track and they got the Cadence down. Well,

0:11:48.600 --> 0:11:51.240
<v Speaker 1>I don't just yeah, exactly add your own, because I

0:11:51.720 --> 0:11:53.520
<v Speaker 1>you know, I have writers give me verses and things

0:11:53.520 --> 0:11:56.200
<v Speaker 1>all the time, and I literally I go through weed

0:11:56.240 --> 0:11:58.040
<v Speaker 1>out what I don't like, putting what I do, like

0:11:58.200 --> 0:12:00.480
<v Speaker 1>chains of Cada's taints, the melody, like that whole type

0:12:00.520 --> 0:12:02.800
<v Speaker 1>of thing. People ever ask you to write for them,

0:12:02.840 --> 0:12:04.960
<v Speaker 1>but don't but want you to just not get your

0:12:05.000 --> 0:12:07.120
<v Speaker 1>credit and just give you some money. No, they ain't stupid,

0:12:08.640 --> 0:12:11.320
<v Speaker 1>They ain't stupid. No I would, Yeah, I would never

0:12:11.440 --> 0:12:13.600
<v Speaker 1>do that. But what about starting out? You know, sometimes

0:12:13.679 --> 0:12:16.480
<v Speaker 1>like to get aren't even producers. You work under somebody

0:12:16.559 --> 0:12:18.160
<v Speaker 1>and they get kind of the credit for it, but

0:12:18.320 --> 0:12:20.559
<v Speaker 1>you get I mean, you know I started out pretty

0:12:20.640 --> 0:12:23.120
<v Speaker 1>much under Chris, and Chris never did that to me. You,

0:12:23.200 --> 0:12:25.120
<v Speaker 1>I mean, he never did that to me whatever I

0:12:25.640 --> 0:12:27.439
<v Speaker 1>was a part of, even if if I only wrote

0:12:27.480 --> 0:12:29.760
<v Speaker 1>a couple of lines, he still made sure that I

0:12:29.880 --> 0:12:31.959
<v Speaker 1>got my name was in the credits, and I got

0:12:32.040 --> 0:12:34.599
<v Speaker 1>the publisher that I deserved. So I've never gone through that.

0:12:34.679 --> 0:12:37.840
<v Speaker 1>It was the biggest song you've written. The biggest song

0:12:38.040 --> 0:12:42.960
<v Speaker 1>is probably The Way by Ariana Grande, Right, oh yeah, well,

0:12:43.120 --> 0:12:45.959
<v Speaker 1>or wait, maybe yet? Three times is either YEA three

0:12:46.000 --> 0:12:48.199
<v Speaker 1>times or the way because YEA three Times had like

0:12:48.240 --> 0:12:51.160
<v Speaker 1>a lot of licensing, like we got it was it

0:12:51.240 --> 0:12:53.360
<v Speaker 1>was yeah, and it was played on like a lot

0:12:53.400 --> 0:12:56.719
<v Speaker 1>of you know, TV shows, commercials things like that. Don't

0:12:56.720 --> 0:13:02.280
<v Speaker 1>remember it's Chris's Chris's record. Yeah. No, that's like a

0:13:02.400 --> 0:13:07.120
<v Speaker 1>double man speriment thing you are, No, No, that's that's

0:13:07.160 --> 0:13:11.520
<v Speaker 1>the polo record. Yes, no, it's a pop record. Yeah,

0:13:11.640 --> 0:13:16.199
<v Speaker 1>it's right. Is that? Oh? That was good? Are you

0:13:16.240 --> 0:13:18.120
<v Speaker 1>still right? Are you still writing for other people now?

0:13:18.120 --> 0:13:20.520
<v Speaker 1>Are just only focused on yourself? No, I'm definitely still

0:13:20.559 --> 0:13:22.760
<v Speaker 1>writing for other people. I just got back into it,

0:13:22.960 --> 0:13:25.199
<v Speaker 1>you know, pretty much because i've been working on you know,

0:13:25.559 --> 0:13:27.200
<v Speaker 1>I should have been there part one. I've been working

0:13:27.240 --> 0:13:28.880
<v Speaker 1>on my album and things like that. But I actually

0:13:29.040 --> 0:13:32.880
<v Speaker 1>I've been having sessions with Diddy that have been absolutely amazing.

0:13:32.960 --> 0:13:35.559
<v Speaker 1>When I tell you, I didn't I didn't think that

0:13:35.640 --> 0:13:37.920
<v Speaker 1>I could learn so much in a session. My god,

0:13:38.360 --> 0:13:42.319
<v Speaker 1>like what like literally like, I, um, I'll throw out

0:13:42.360 --> 0:13:44.800
<v Speaker 1>a melody and he was like no, no, no like that.

0:13:45.200 --> 0:13:47.360
<v Speaker 1>I need I need to feel it. I gotta feel it.

0:13:47.440 --> 0:13:49.319
<v Speaker 1>I need I need to feel like you know that.

0:13:49.440 --> 0:13:51.800
<v Speaker 1>That's just like some new wage like cadency type stuff.

0:13:51.800 --> 0:13:53.520
<v Speaker 1>And I didn't realize that I wrote that wrote that

0:13:53.600 --> 0:13:56.319
<v Speaker 1>way sometimes, which has been a learning lesson for me. Like,

0:13:56.960 --> 0:13:59.200
<v Speaker 1>you know, sometimes we get caught up in a gotta

0:13:59.360 --> 0:14:02.600
<v Speaker 1>center like that type of you know, like that rap

0:14:02.679 --> 0:14:04.240
<v Speaker 1>catus and we do that a lot these days. And

0:14:04.280 --> 0:14:06.520
<v Speaker 1>he was just like, I don't want that, like I

0:14:06.679 --> 0:14:09.120
<v Speaker 1>needed to feel. I need people to feel you can

0:14:09.160 --> 0:14:11.280
<v Speaker 1>you sing to the chords? Like can you put give

0:14:11.320 --> 0:14:14.040
<v Speaker 1>me a melody to the chords? And that was a

0:14:14.160 --> 0:14:16.160
<v Speaker 1>lesson for me because I didn't realize that I was

0:14:16.280 --> 0:14:20.120
<v Speaker 1>writing that way. So those sessions have been absolutely amazing.

0:14:20.160 --> 0:14:21.760
<v Speaker 1>I tell him every time I work with him, you're

0:14:21.760 --> 0:14:25.280
<v Speaker 1>gonna be in dirty money now. I didn't need me

0:14:25.360 --> 0:14:30.920
<v Speaker 1>to do I'm for I always wonder about that, you

0:14:31.000 --> 0:14:32.600
<v Speaker 1>know what, But I don't when I when I do

0:14:32.720 --> 0:14:34.240
<v Speaker 1>write for men, I make sure to have a male

0:14:34.280 --> 0:14:36.080
<v Speaker 1>writer with me, you know what I mean? Because I

0:14:36.320 --> 0:14:39.120
<v Speaker 1>as much as we feel like we do understand, a

0:14:39.200 --> 0:14:41.320
<v Speaker 1>lot of times we don't know what the hell going

0:14:41.360 --> 0:14:44.760
<v Speaker 1>aside y'all, head y'all a little off. I'm just saying, God,

0:14:45.840 --> 0:14:48.280
<v Speaker 1>guys are definitely more often than women, right, get a

0:14:48.320 --> 0:14:50.440
<v Speaker 1>little bit sometimes, So no, I make sure to write

0:14:50.520 --> 0:14:52.560
<v Speaker 1>like you know, like I'll write with Jado or all

0:14:52.640 --> 0:14:54.480
<v Speaker 1>right with Mike and me and Roda won't stop together.

0:14:54.480 --> 0:14:56.280
<v Speaker 1>So I make sure to write with male writers. A

0:14:56.360 --> 0:14:58.480
<v Speaker 1>lot is did he paying you? You know? He's notorious

0:14:58.520 --> 0:15:01.640
<v Speaker 1>for nothing? Thank you when it when or if the

0:15:01.720 --> 0:15:06.560
<v Speaker 1>record gets placed. I'm absolutely you think I'm I am

0:15:06.720 --> 0:15:12.080
<v Speaker 1>absolutely positive about that. Right, we're good pay for being

0:15:12.160 --> 0:15:19.240
<v Speaker 1>a revolt? God, who's that crazier one in the relationship?

0:15:19.280 --> 0:15:22.000
<v Speaker 1>You were? Bob? Would you say? Oh me, hands down?

0:15:22.680 --> 0:15:25.920
<v Speaker 1>What you mean? All day? He'll tell you like, because

0:15:25.960 --> 0:15:29.000
<v Speaker 1>I'm I'm so like hard on my sleep. If I

0:15:29.120 --> 0:15:31.120
<v Speaker 1>feel it, I'm gonna have a conversation with you about it.

0:15:31.120 --> 0:15:32.480
<v Speaker 1>But I think that's how it should be. I don't

0:15:32.480 --> 0:15:35.080
<v Speaker 1>think you should let you know. Fester. He'd probably be like,

0:15:35.200 --> 0:15:37.440
<v Speaker 1>oh god, here, I don't care if he fe like that,

0:15:37.560 --> 0:15:40.600
<v Speaker 1>that's fine. He'll be all right because at least he knows,

0:15:41.360 --> 0:15:43.280
<v Speaker 1>like at least he knows he ain't got to guess

0:15:43.280 --> 0:15:46.120
<v Speaker 1>about how his girl feeling at any point of time.

0:15:46.200 --> 0:15:48.440
<v Speaker 1>Listen here, I'm gonna be what kind of thing about

0:15:48.560 --> 0:15:50.920
<v Speaker 1>I don't That's the thing he'll tell you. I don't

0:15:50.920 --> 0:15:53.000
<v Speaker 1>really be beefing a lot, but when I do have

0:15:53.120 --> 0:15:55.600
<v Speaker 1>something that I have an issue with, I'm like, yeah,

0:15:55.760 --> 0:15:57.280
<v Speaker 1>it looks as I have to no genre on the

0:15:57.360 --> 0:16:00.920
<v Speaker 1>back of it. Hey now, hey, baby left the toilet

0:16:00.960 --> 0:16:03.680
<v Speaker 1>seat up again about not dealing with this no more. No,

0:16:03.880 --> 0:16:06.040
<v Speaker 1>it's just I just I have to let it be known.

0:16:06.320 --> 0:16:07.840
<v Speaker 1>Like you know, a lot of times y'all feel like

0:16:07.920 --> 0:16:09.600
<v Speaker 1>you know men. I've heard men say all the time, Oh,

0:16:09.640 --> 0:16:11.920
<v Speaker 1>we can't read your minds. We don't know what you're thinking.

0:16:12.320 --> 0:16:17.680
<v Speaker 1>So he ain't got to never worry about seven yea. Ever,

0:16:18.000 --> 0:16:22.040
<v Speaker 1>the album is out right now to ep ya should

0:16:22.080 --> 0:16:27.040
<v Speaker 1>have been their part one a record, right? Would you

0:16:27.160 --> 0:16:30.480
<v Speaker 1>charge you? Absolutely? That's it's a business. Nobody you would

0:16:30.480 --> 0:16:32.320
<v Speaker 1>do a record for for free, but you got you

0:16:32.400 --> 0:16:35.160
<v Speaker 1>do that was if that was a trade off, you

0:16:35.200 --> 0:16:36.560
<v Speaker 1>know what I mean. Like if it's like, oh, you

0:16:36.640 --> 0:16:38.280
<v Speaker 1>give me a feature, I get you a feature, or

0:16:38.400 --> 0:16:39.920
<v Speaker 1>you give me a record, I get your record. That's

0:16:40.040 --> 0:16:42.600
<v Speaker 1>that's when things are like, okay, that's kind of negotiable.

0:16:43.000 --> 0:16:46.280
<v Speaker 1>But as a writer, no, I think that. Honestly, I'm

0:16:46.360 --> 0:16:49.680
<v Speaker 1>all about people being fair in terms of you know,

0:16:50.080 --> 0:16:54.480
<v Speaker 1>business publishing, whether it's um like honestly, even to go

0:16:54.560 --> 0:16:57.000
<v Speaker 1>all the way into like you know, Tyrese talking about

0:16:57.240 --> 0:16:58.840
<v Speaker 1>how you know the state of R and B and

0:16:58.960 --> 0:17:01.560
<v Speaker 1>things like that, I think that you should let give

0:17:01.600 --> 0:17:04.160
<v Speaker 1>people what they'll do. And I think that that's really

0:17:04.240 --> 0:17:06.000
<v Speaker 1>really important, you know what I mean, even in terms

0:17:06.040 --> 0:17:09.399
<v Speaker 1>of like this whole just R and B period, Like,

0:17:09.520 --> 0:17:11.639
<v Speaker 1>I just think that that's very, very, very important. What

0:17:11.640 --> 0:17:13.240
<v Speaker 1>if you got a call from Michael Jackson right on

0:17:13.320 --> 0:17:19.399
<v Speaker 1>his new product, That's impossible, that would be impossible. You

0:17:19.480 --> 0:17:23.280
<v Speaker 1>get your publishing, you get paid through publishing. What heaven

0:17:24.000 --> 0:17:27.280
<v Speaker 1>would you still charge him? Now? I want seven to

0:17:27.359 --> 0:17:30.040
<v Speaker 1>clisle any seven to class something up because you cast

0:17:30.080 --> 0:17:34.480
<v Speaker 1>some issues last time you were here. Hi, Okay, shut

0:17:34.600 --> 0:17:39.199
<v Speaker 1>up now, you're absolutely not. You had said, I think

0:17:39.240 --> 0:17:40.760
<v Speaker 1>when you commit to somebody and you take them off

0:17:40.840 --> 0:17:42.600
<v Speaker 1>the market, I think it's your job as a woman.

0:17:42.640 --> 0:17:44.679
<v Speaker 1>I don't think you should ever say no. People were

0:17:44.840 --> 0:17:46.560
<v Speaker 1>upset about that. She said, I'm talking about if you're

0:17:46.800 --> 0:17:49.119
<v Speaker 1>tired or somebody's like I'm tired. No, because at the

0:17:49.160 --> 0:17:50.640
<v Speaker 1>end of the day, you took that person off the market,

0:17:50.680 --> 0:17:52.119
<v Speaker 1>they can't go and be with someone else. So you

0:17:52.160 --> 0:17:54.960
<v Speaker 1>don't ever say no, clear that up and let people

0:17:55.000 --> 0:18:00.480
<v Speaker 1>know exactly. People were furious. I mean, I still behind

0:18:00.520 --> 0:18:03.720
<v Speaker 1>whate like, I don't want I don't know if they

0:18:03.840 --> 0:18:06.200
<v Speaker 1>expect me to change that or not. It's not gonna

0:18:06.840 --> 0:18:08.840
<v Speaker 1>people were so mad about that. But the thing is,

0:18:09.119 --> 0:18:11.200
<v Speaker 1>I don't know, because I definitely I feel like it

0:18:11.280 --> 0:18:14.359
<v Speaker 1>goes both ways. It's for men and for women. It

0:18:14.520 --> 0:18:18.040
<v Speaker 1>goes both ways. So I still stand behind that. I

0:18:18.040 --> 0:18:20.399
<v Speaker 1>ain't Obama. No, But if he has crads, would you

0:18:20.400 --> 0:18:29.240
<v Speaker 1>tell him no? He say, oh my god, I'm not

0:18:29.320 --> 0:18:33.880
<v Speaker 1>even getting You're still gonna do it? What? No, that's

0:18:33.960 --> 0:18:36.320
<v Speaker 1>crazy right that she takes it back. She doesn't stand

0:18:36.359 --> 0:18:40.359
<v Speaker 1>by its involved. She takes it back. But man, listen. Okay,

0:18:40.440 --> 0:18:43.800
<v Speaker 1>So back to the music. Back to the music. I

0:18:43.920 --> 0:18:46.680
<v Speaker 1>fire the new album coming along. Now the EPs out

0:18:46.760 --> 0:18:48.520
<v Speaker 1>she didn't be in their part one. Make sure you

0:18:48.600 --> 0:18:51.800
<v Speaker 1>get that. I love it. Yes, So with the actual album. Now,

0:18:51.880 --> 0:18:55.760
<v Speaker 1>what's the timeline. The timeline is according to my soul clock. No,

0:18:56.400 --> 0:18:58.720
<v Speaker 1>it's according to how I feel. And I really do

0:18:58.880 --> 0:19:01.160
<v Speaker 1>mean that. Like I said all the time, I don't

0:19:01.200 --> 0:19:05.480
<v Speaker 1>apologize for taking my time with my first album. I don't.

0:19:05.560 --> 0:19:08.360
<v Speaker 1>I think that it's a it's it's not. I don't

0:19:08.400 --> 0:19:10.320
<v Speaker 1>take it lightly that I have a record deal, right,

0:19:10.440 --> 0:19:12.200
<v Speaker 1>you know what I mean? Because I've had three before,

0:19:12.440 --> 0:19:14.720
<v Speaker 1>two before this in girl groups. So I don't take

0:19:14.760 --> 0:19:16.400
<v Speaker 1>it lightly that I have a deal. I don't take

0:19:16.480 --> 0:19:19.040
<v Speaker 1>my first album. I take my first album very seriously.

0:19:19.200 --> 0:19:22.200
<v Speaker 1>So it's gonna come out when I feel like it's right.

0:19:22.320 --> 0:19:24.240
<v Speaker 1>Don't mean I'm gonna have you waiting years. That's not

0:19:24.320 --> 0:19:26.320
<v Speaker 1>gonna happen. But it has to feel right, and it

0:19:26.400 --> 0:19:28.920
<v Speaker 1>has to be right. So when the meantime should have

0:19:28.960 --> 0:19:31.320
<v Speaker 1>been there, part one, it's here, you know. I just

0:19:31.440 --> 0:19:33.200
<v Speaker 1>you have to. I don't feel like she don't have

0:19:33.280 --> 0:19:35.640
<v Speaker 1>an album now yet, though it feels like a lot

0:19:35.720 --> 0:19:37.520
<v Speaker 1>of a lot of fans say that, and a lot

0:19:37.560 --> 0:19:39.359
<v Speaker 1>of people say that, but and I'm glad they do,

0:19:39.480 --> 0:19:42.000
<v Speaker 1>because I don't never want to leave my fans without music,

0:19:42.440 --> 0:19:44.520
<v Speaker 1>you know what I mean. That's important. I don't want

0:19:44.520 --> 0:19:46.520
<v Speaker 1>to leave them without music. So I I you know,

0:19:46.560 --> 0:19:48.640
<v Speaker 1>I make sure I put as much as much music

0:19:48.720 --> 0:19:50.800
<v Speaker 1>out there as I can. Just don't get pregnant first.

0:19:51.080 --> 0:19:53.280
<v Speaker 1>What that's not happening. I can see Bill b shooting

0:19:53.320 --> 0:19:56.440
<v Speaker 1>that club up. I hate you, Oh my god, she's

0:19:57.800 --> 0:20:01.560
<v Speaker 1>just near. No pregnancies over, no, no time soon, no

0:20:01.680 --> 0:20:05.240
<v Speaker 1>time soon. Right now. It's it's music, music, music everything.

0:20:05.280 --> 0:20:08.000
<v Speaker 1>It's all music. There we go, Yes, Seven Street, We

0:20:08.040 --> 0:20:11.399
<v Speaker 1>appreciate you joining us. Yes. APS in stores right now,

0:20:11.560 --> 0:20:13.200
<v Speaker 1>go pick it up. You should have been there. And

0:20:13.280 --> 0:20:15.080
<v Speaker 1>it's the breakfast Loka Bona should have been there.