WEBVTT - Inside Baseball: Magic Mud, Torpedo Bats, and High-Altitude Homers

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<v Speaker 1>You're listening to part Time Genius, the production of Kaleidoscope

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<v Speaker 1>and iHeartRadio.

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<v Speaker 2>Guess what Mango?

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<v Speaker 1>What's that will?

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<v Speaker 2>Did you know?

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<v Speaker 3>The chance of hitting a home run in baseball actually

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<v Speaker 3>varies from city to city. And maybe this isn't that

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<v Speaker 3>surprising when you think about the length of certain fields

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<v Speaker 3>or you think about the Green Monster in Boston, But

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<v Speaker 3>actually it goes beyond that. It has to do with

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<v Speaker 3>the city's elevation. So the higher a city is above

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<v Speaker 3>sea level, the easier it is to hit a homer

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<v Speaker 3>in that city.

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<v Speaker 1>That's so weird.

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<v Speaker 3>I'd never considered that, But why is that exactly? It's

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<v Speaker 3>actually because air density decreases the higher you go up,

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<v Speaker 3>and that allows objects to move through it with less resistance. So,

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<v Speaker 3>for example, when you throw a baseball at a higher elevation,

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<v Speaker 3>it tends to fly farther than it would at sea

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<v Speaker 3>level because there's less drag to pull the ball down.

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<v Speaker 3>And this thin air effect works to the batter's advantage

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<v Speaker 3>in two crucial ways. So, first of all, the lack

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<v Speaker 3>of air resistance basically rules out curveballs, meaning that pitches

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<v Speaker 3>will travel, you know, straighter, and they'll be easier to hit,

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<v Speaker 3>and then the second one. When a batter does land

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<v Speaker 3>a hit, there's a better chance of it becoming a

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<v Speaker 3>home run again thanks to that air.

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<v Speaker 1>So I'm curious how big an impact is this having

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<v Speaker 1>on games? Like how many home runs are we talking

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<v Speaker 1>about here?

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<v Speaker 3>Well, it depends on a few factors, including the equipment

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<v Speaker 3>that's being used, the skill level of the teams, and

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<v Speaker 3>of course the elevation that they're playing. So for example,

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<v Speaker 3>in the case of Denver's home team, the Colorado Rockies,

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<v Speaker 3>the effect of the low air density was significant enough

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<v Speaker 3>to bag them an extra home run per game for

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<v Speaker 3>the first seven seasons they played at Coors Field. So

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<v Speaker 3>from nineteen ninety five to two thousand and one, the

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<v Speaker 3>team averaged one point nine home runs on their away games,

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<v Speaker 3>but scored three point two home runs when they played

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<v Speaker 3>in their own mile high home turf.

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<v Speaker 1>Isn't that wild? That's incredible? But like, you know, you

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<v Speaker 1>think about the fans and like playing at home, not

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<v Speaker 1>even to travel, Like, how do we know those extra

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<v Speaker 1>runs were due to altitude and not some other factors?

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<v Speaker 3>Yeah, you know, actually this is kind of amazing. So

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<v Speaker 3>once the Rockies realized that the mountain air was impacting

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<v Speaker 3>their performance. An engineer at cors Field named Tony Cowell

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<v Speaker 3>again looking for a way to even things out, and

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<v Speaker 3>what he discovered was that Denver's lower atmospheric pressure had

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<v Speaker 3>been causing the team's baseballs to actually dry out, making

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<v Speaker 3>them bouncier and a little bit lighter. And Cowell reasoned

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<v Speaker 3>that the moisture loss had made the baseballs harder to throw,

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<v Speaker 3>more likely to fly when hit, and this resulted in

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<v Speaker 3>more home runs. So to correct the problem, Cawl did

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<v Speaker 3>something pretty ingenious. He installed this giant walk in humidore

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<v Speaker 3>at corse Field, specifically for storing these baseballs.

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<v Speaker 1>Like one of those climate control rooms for fancy people

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<v Speaker 1>who have cigars.

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<v Speaker 3>Yes, yeah, exactly, And it looks like one of those

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<v Speaker 3>big walk in coolers that they use at restaurants, except

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<v Speaker 3>this one maintains this steady temperature of seventy degrees fahrenheit

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<v Speaker 3>and fifty percent humidity, which is the optimal conditions for

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<v Speaker 3>storing a baseball, which I'm sure you knew already.

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<v Speaker 1>Oh yeah, of course, So I'm guessing the human door

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<v Speaker 1>did the trick. Then.

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<v Speaker 2>Yeah.

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<v Speaker 3>The Rockies started using it in two thousand and two,

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<v Speaker 3>and over the next nine seasons, the average number of

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<v Speaker 3>home runs at Corsfield dropped twenty five percent. It was

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<v Speaker 3>such an effective way to ensure the integrity of the

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<v Speaker 3>game that many other teams have since installed humidors of

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<v Speaker 3>their own.

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<v Speaker 1>That is so weird that baseball teams across the country

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<v Speaker 1>have humidors for the baseballs. But it's kind of unfortunate

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<v Speaker 1>it hurt their home run stat right, Yeah, well, you

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<v Speaker 1>know it wasn't completely a selfless act. The team's reputation

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<v Speaker 1>was on the line since the elevation was clearly affecting

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<v Speaker 1>their home games. Anyway, since we're talking baseball, I thought

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<v Speaker 1>it'd be fun to celebrate the start of this year's

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<v Speaker 1>baseball season by shining a light on some of the

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<v Speaker 1>sport's unsung heroes, from the fans of the bleachers to

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<v Speaker 1>the ballpark organized high above home plate. It's a big

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<v Speaker 1>roster to cover, But now that we've warmed up a

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<v Speaker 1>little bit, let's die. Hey their podcast listeners, welcome to

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<v Speaker 1>Part Time Genius. I'm Will Pearson, and as always I'm

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<v Speaker 1>joined by my good friend mangesh Hot Ticketter and on

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<v Speaker 1>the other side of that soundproof glass, munching his way

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<v Speaker 1>through a big box of crackerjack.

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<v Speaker 3>Actually, I didn't know they made them of this size.

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<v Speaker 3>It's a giant box. That is our friend and producer,

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<v Speaker 3>Dylan Fagan. Yeah, but I don't think he likes it

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<v Speaker 3>very much. Every time he takes a bite, he seems

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<v Speaker 3>to be wincing. Well, that's because Dylan insisted on getting

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<v Speaker 3>a box that still had a plastic prize inside. But

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<v Speaker 3>you know, since the company phased those out decades ago,

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<v Speaker 3>he had to resort to buy in an old, sealed

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<v Speaker 3>off box from eBay. So I'm guessing these aren't the

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<v Speaker 3>most you know, fresh Crackerjacks that are in there, so

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<v Speaker 3>we'll have to check that expiration day. I'm pretty sure

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<v Speaker 3>that popcorn was popp during the Reagan administration, if I'm

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<v Speaker 3>not mistaken here.

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<v Speaker 1>I really hope the prize is worth it. And that's

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<v Speaker 1>what nostalgia I really remind you of, Like Cereal boxes

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<v Speaker 1>used to have toys in them, Like kids don't get

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<v Speaker 1>any of that anymore, like all the surprises and things.

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<v Speaker 1>But speaking of Crackerjacks, I was curious how the snack

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<v Speaker 1>got so intertwined with baseball, and it turns out the

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<v Speaker 1>product launch at Chicago's World Fair in eighteen ninety three,

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<v Speaker 1>and by the turn of the century it had become

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<v Speaker 1>one of the top selling concessions at American ballparks, right

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<v Speaker 1>up there with peanuts and hot dogs. And then in

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<v Speaker 1>nineteen oh eight, the link between baseball and Crackerjacks was

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<v Speaker 1>cemented forever when this lyricist named Jack Norworth wrote baseball's

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<v Speaker 1>unofficial anthem, take me out to the ballgame.

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<v Speaker 3>That's right, And of course there's that line, buy me

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<v Speaker 3>some peanuts and crackerjack I don't care if I never

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<v Speaker 3>get back.

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<v Speaker 1>Yeah. But what's really interesting is that when Jack Norworth

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<v Speaker 1>wrote the song, he'd actually never attended a baseball game,

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<v Speaker 1>and for that matter, neither had the song's composer, Albert

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<v Speaker 1>von Tilzer. They wrote the most famous baseball song in

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<v Speaker 1>the world with zero firsthand knowledge of the sport they

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<v Speaker 1>were talking about.

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<v Speaker 3>That is amazing, And so I guess it's like the

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<v Speaker 3>song's really a cry for help, then, like they're begging

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<v Speaker 3>to be taken out to the ballgame because they've never

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<v Speaker 3>been before.

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<v Speaker 1>Not exactly. So the pair just recognized there was a

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<v Speaker 1>growing market for songs about baseball, and they managed to

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<v Speaker 1>write one of the catchiest choruses. Ever, But believe it

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<v Speaker 1>or not, there is some long forgotten context to this

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<v Speaker 1>song because while most people are familiar with the song's

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<v Speaker 1>iconic chorus, you know that it actually has two full

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<v Speaker 1>verses that are rarely sung. And you might think, well,

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<v Speaker 1>how big a difference could a few extra lines really make?

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<v Speaker 1>But honestly, those verses kind of recontextualize the song.

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<v Speaker 3>I feel like this is a big setup to tell

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<v Speaker 3>us that the song is actually about football this whole time.

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<v Speaker 2>Is that what's happening here?

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<v Speaker 1>No, Weirdly, the song is a feminist anthem. Yeah, it's

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<v Speaker 1>all there in the missing verses. So when you look

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<v Speaker 1>at the original lyrics and the original sheet music, the

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<v Speaker 1>lyrics tell the story of Katie Casey, a young woman

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<v Speaker 1>with baseball fever who turns down her boyfriend's invitation to

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<v Speaker 1>a vaudeville show and insists that he take her to

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<v Speaker 1>a ballgame instead.

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<v Speaker 3>Oh God, so like the chorus is like her counter

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<v Speaker 3>offer or something exactly.

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<v Speaker 1>And apparently she gets her way because the second verse

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<v Speaker 1>takes place at the ballgame and describes Katie's efforts to

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<v Speaker 1>rally support for the team. And I'm going to play

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<v Speaker 1>the recording here adk the game? Do the players right there?

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<v Speaker 2>For name Holy Empire?

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<v Speaker 1>He was when the far was just do up, Dodo young,

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<v Speaker 1>doer up.

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<v Speaker 3>The boys Tea made the gang thing this they take me,

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<v Speaker 3>I'll do the ball game. You know, I thought you

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<v Speaker 3>might be over selling by car at a feminist anthem,

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<v Speaker 3>But once you lay it all out, it does feel

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<v Speaker 3>progressive to write a sports song from a woman's perspective,

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<v Speaker 3>especially in the nineteen hundreds.

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<v Speaker 1>Yeah, and she's really a dynamic character. She's up on

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<v Speaker 1>her feet, she's arguing with the umpire, she's leading the

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<v Speaker 1>crowd in a cheer like Katie doesn't feel out of

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<v Speaker 1>place at all in this ballpark. And what's more is

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<v Speaker 1>that she seems to have a better grip on the

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<v Speaker 1>game than most of the men there do.

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<v Speaker 3>Yeah, it's interesting because the songwriter didn't seem like much

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<v Speaker 3>of a baseball fan, but he created this song that

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<v Speaker 3>seems like it comes from the point of view of one.

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<v Speaker 3>But do you think he based her on somebody that

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<v Speaker 3>he actually knew. Well, that's actually why I brought this up.

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<v Speaker 3>So historians now think that Katie Casey was inspired by

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<v Speaker 3>Jack Norworth's real life girlfriend. Her name was Trixie Fraganza,

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<v Speaker 3>and she was a famous vaudeville actress and outspoken suffragist

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<v Speaker 3>in New York City, and the two were dating at

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<v Speaker 3>the time Norworth wrote the song. Now Friganza was even

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<v Speaker 3>featured on the covers of the two original editions of

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<v Speaker 3>the sheet music. That's interesting, you know, it's actually kind

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<v Speaker 3>of a shame the verses have fallen by the wayside.

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<v Speaker 3>Thinking with the theme of hidden meaning and take me

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<v Speaker 3>out to the ballgame. What do you know about rooting

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<v Speaker 3>for the home team, mango?

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<v Speaker 1>Well, I'm a Philadelphia fan, so I generally know a

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<v Speaker 1>lot about heartbreak.

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<v Speaker 3>Yeah, that's very true. Well, the verb root has always

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<v Speaker 3>stuck out to me as odd, because what do plant

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<v Speaker 3>roots have to do with cheering on a sports team.

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<v Speaker 1>I mean, I guess ideas that fans feel rooted to

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<v Speaker 1>their home team the same way that they feel rooted

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<v Speaker 1>to their hometown, like they're all connected by that shared

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<v Speaker 1>sense of places. Yeah.

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<v Speaker 3>Actually I was thinking something pretty similar to that, but

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<v Speaker 3>when I looked into it this week, it turns out

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<v Speaker 3>we've got it all wrong. So, according to I know,

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<v Speaker 3>this is a big one to get wrong. So, according

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<v Speaker 3>to Canadian etymologist Gerald Cohen. The idea of quote rooting

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<v Speaker 3>for a sports team likely comes from animal rooting, like

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<v Speaker 3>when a pig digs up the ground in search of food,

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<v Speaker 3>and Cohen had a pretty firm support for this theory too.

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<v Speaker 3>He cites an eighteen eighty nine New York newspaper in

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<v Speaker 3>which a baseball fan was said to have quote rooted

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<v Speaker 3>more in energetically and with twice the freedom of a

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<v Speaker 3>Yorkshire porker.

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<v Speaker 1>I mean, that's a great quote, but it still seems

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<v Speaker 1>pretty weird, Like, what was it about cheering for a

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<v Speaker 1>team that reminded people of pigs rooting for truffles or whatever.

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<v Speaker 3>Well, Cohen suggested that some excited fans had stomped their

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<v Speaker 3>feet so ferociously while cheering that to onlookers it appeared

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<v Speaker 3>as though they were frantically digging a hole.

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<v Speaker 2>That is so weird.

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<v Speaker 1>Yeah, well, speaking of pigs, this is the fact I love,

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<v Speaker 1>and I think real pigs might appreciate it as well.

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<v Speaker 2>All right, what's that?

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<v Speaker 1>So? This fact is about a substance known as magic mud,

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<v Speaker 1>and for decades it's been smeared on every game ball

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<v Speaker 1>in Major League Baseball. So, according to players, coating a

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<v Speaker 1>ball with magic mud increases friction and gives pitchers a

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<v Speaker 1>better grip on the ball. And the strangest part is

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<v Speaker 1>that the magic mud is real mud. It's harvested from

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<v Speaker 1>a secret spot along a Delaware River tributary in South Jersey,

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<v Speaker 1>and then it's distributed by the MLB to each team's

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<v Speaker 1>equipment measure.

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<v Speaker 2>How weird is that is super weird?

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<v Speaker 3>And I always think a baseball is like, you know,

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<v Speaker 3>there are things that are banned from being able to

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<v Speaker 3>apply to baseballs, But so Major League Baseball has a

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<v Speaker 3>secret mud that sort of imbues baseballs with magical properties.

0:11:15.559 --> 0:11:17.880
<v Speaker 3>I mean, this honestly sounds a little bit made up.

0:11:18.080 --> 0:11:21.040
<v Speaker 1>I know. And the wildest part is that until just recently,

0:11:21.120 --> 0:11:24.760
<v Speaker 1>nobody knew if it was just another weird like baseball superstition,

0:11:25.080 --> 0:11:28.560
<v Speaker 1>or if the mud really does make the balls perform better.

0:11:29.000 --> 0:11:32.640
<v Speaker 1>But then in twenty twenty four, researchers that UPenn finally

0:11:32.640 --> 0:11:34.920
<v Speaker 1>got their hands on a sample of the mud and

0:11:35.000 --> 0:11:37.280
<v Speaker 1>they were able to conduct a series of experiments to

0:11:37.320 --> 0:11:41.199
<v Speaker 1>gauge its spreadability, its stickiness, and its grip potential.

0:11:41.559 --> 0:11:43.480
<v Speaker 3>I mean, this is one of those jobs that just

0:11:43.520 --> 0:11:46.280
<v Speaker 3>sounds pretty fun, like getting the play around with mud,

0:11:46.360 --> 0:11:49.520
<v Speaker 3>slopping it onto baseballs, measuring how sticky it gets.

0:11:49.520 --> 0:11:51.560
<v Speaker 1>Sign me up for that, I know. But it was

0:11:51.600 --> 0:11:54.839
<v Speaker 1>a little bit more involved than that. So in the end,

0:11:54.960 --> 0:11:57.559
<v Speaker 1>the team's work wound up confirming what the MLB knew

0:11:57.640 --> 0:12:00.679
<v Speaker 1>all along, which is that the mud really is magic.

0:12:01.080 --> 0:12:03.800
<v Speaker 1>As one of the study authors puts it, this is

0:12:03.840 --> 0:12:07.079
<v Speaker 1>the magical thing. The mud spreads like face cream and

0:12:07.200 --> 0:12:08.640
<v Speaker 1>grips like sandpaper.

0:12:09.880 --> 0:12:13.480
<v Speaker 3>Okay, I mean those properties, are they really unique to

0:12:13.520 --> 0:12:16.440
<v Speaker 3>this specific mud in New Jersey, Like, there's no way

0:12:16.480 --> 0:12:18.240
<v Speaker 3>to replicate this in a lab or something.

0:12:18.800 --> 0:12:21.160
<v Speaker 1>So the weird thing is that MLB has looked into

0:12:21.160 --> 0:12:24.600
<v Speaker 1>replacing the magic mud with synthetic lubricants, but so far

0:12:25.120 --> 0:12:27.959
<v Speaker 1>all of their attempts to recreate the MUD's mechanical properties

0:12:28.000 --> 0:12:31.040
<v Speaker 1>have been a bust to this point. So right now,

0:12:31.080 --> 0:12:33.440
<v Speaker 1>it's actually much easier just to keep the tradition going

0:12:33.520 --> 0:12:35.800
<v Speaker 1>and keep using the real thing, which I kind of love.

0:12:36.120 --> 0:12:37.080
<v Speaker 2>Yeah, no, I do too.

0:12:37.200 --> 0:12:39.840
<v Speaker 3>I mean it is interesting with this magic mud stuff

0:12:39.920 --> 0:12:42.199
<v Speaker 3>clearly being sanctioned by the league, and like I was

0:12:42.200 --> 0:12:44.880
<v Speaker 3>saying earlier, you know you still hear cases of pitchers

0:12:44.880 --> 0:12:48.439
<v Speaker 3>applying other sticky substances to balls to make their pitches

0:12:48.480 --> 0:12:50.520
<v Speaker 3>spind faster and that sort of thing.

0:12:50.640 --> 0:12:53.160
<v Speaker 1>Yeah, which is obviously considered cheating, right.

0:12:53.280 --> 0:12:55.559
<v Speaker 3>Yeah, in the cases of things other than this magic

0:12:55.600 --> 0:12:58.160
<v Speaker 3>mud from New Jersey, I guess. But you know, players

0:12:58.200 --> 0:13:01.000
<v Speaker 3>aren't supposed to doctor the ball with any foreign material,

0:13:01.080 --> 0:13:03.679
<v Speaker 3>so there's a limit to how sticky a baseball should be.

0:13:03.760 --> 0:13:06.880
<v Speaker 3>But as we've shown, this is a sport steeped in tradition,

0:13:07.120 --> 0:13:10.239
<v Speaker 3>and one of the oldest and most readily embraced traditions

0:13:10.320 --> 0:13:14.000
<v Speaker 3>is covertly smearing goop on the ball when nobody's looking.

0:13:14.240 --> 0:13:15.880
<v Speaker 1>Well. I definitely want to hear all about it, but

0:13:15.920 --> 0:13:28.560
<v Speaker 1>before we do, let's take a quick break.

0:13:32.920 --> 0:13:34.800
<v Speaker 3>You're listening to Part Time Genius and we're talking about

0:13:34.800 --> 0:13:38.080
<v Speaker 3>the lesser known heroes and of course villains of America's

0:13:38.120 --> 0:13:41.000
<v Speaker 3>favorite pastime. And since we just talked about magic mud,

0:13:41.000 --> 0:13:42.440
<v Speaker 3>I think it's a good time to examine one of

0:13:42.440 --> 0:13:45.440
<v Speaker 3>the worst kept dirty secrets in American baseball. That is,

0:13:45.480 --> 0:13:48.480
<v Speaker 3>of course, the dreaded spitball pitch. Mango, I know this

0:13:48.600 --> 0:13:50.680
<v Speaker 3>was one of your favorites. You love throwing the spitball.

0:13:50.840 --> 0:13:52.920
<v Speaker 3>But before we get to that, Mango, were you much

0:13:52.960 --> 0:13:53.840
<v Speaker 3>of a baseball player.

0:13:54.800 --> 0:13:58.840
<v Speaker 1>Absolutely not. I mean I wish I played more. We

0:13:58.920 --> 0:14:01.520
<v Speaker 1>played my neighborhood of course, and things like whiffle ball

0:14:01.559 --> 0:14:04.480
<v Speaker 1>and whatever. But in terms of rec league, I really

0:14:04.800 --> 0:14:08.679
<v Speaker 1>only played T ball, and I was a terror on

0:14:08.720 --> 0:14:11.640
<v Speaker 1>the field. Like I would get so excited when I

0:14:11.679 --> 0:14:13.720
<v Speaker 1>hit the ball and I would fling the bat behind

0:14:13.720 --> 0:14:18.240
<v Speaker 1>me and race the first base. I injured the volunteer parent.

0:14:18.320 --> 0:14:21.320
<v Speaker 1>There's so much like the shin so much they had

0:14:21.360 --> 0:14:23.080
<v Speaker 1>to watch from behind the fence.

0:14:23.400 --> 0:14:23.520
<v Speaker 2>Uh.

0:14:23.880 --> 0:14:28.120
<v Speaker 1>And also my position was shortstop, and the ball came

0:14:28.160 --> 0:14:31.200
<v Speaker 1>to me like every single play, but our first baseman,

0:14:31.280 --> 0:14:33.680
<v Speaker 1>who was the coach's kid, could not catch a ball.

0:14:33.800 --> 0:14:35.160
<v Speaker 1>So I would get the ball and then I would

0:14:35.200 --> 0:14:37.000
<v Speaker 1>race over and tag people on their way to first

0:14:37.000 --> 0:14:41.880
<v Speaker 1>base regularly. And in T ball you play like you

0:14:41.880 --> 0:14:44.760
<v Speaker 1>know there's not three outs an inning. Like every single person.

0:14:44.560 --> 0:14:47.200
<v Speaker 3>Reade, I could picture you doing that because you were

0:14:47.200 --> 0:14:49.400
<v Speaker 3>always fast. I could picture you always just trying to

0:14:49.480 --> 0:14:51.080
<v Speaker 3>chase them down every single time. You know, it was

0:14:51.080 --> 0:14:54.360
<v Speaker 3>around that same age where I broke my arm one year,

0:14:54.400 --> 0:14:57.400
<v Speaker 3>and that and that dreaded dodgeball accident. You may remember

0:14:57.440 --> 0:14:59.600
<v Speaker 3>hearing about when when my pe teacher threw the ball

0:14:59.680 --> 0:15:01.880
<v Speaker 3>so hard at me I flipped over and broke my arm.

0:15:02.400 --> 0:15:04.680
<v Speaker 3>So what it meant for baseball is they actually allowed

0:15:04.680 --> 0:15:07.120
<v Speaker 3>me to bat one armed and then have somebody else.

0:15:07.000 --> 0:15:09.680
<v Speaker 2>Run for you. So still got to play.

0:15:09.720 --> 0:15:11.240
<v Speaker 1>And that's how you ended up on a cover of

0:15:11.320 --> 0:15:12.080
<v Speaker 1>Sport magazine.

0:15:12.160 --> 0:15:17.720
<v Speaker 3>That's right, exactly, all right, Well, let's get back to

0:15:17.760 --> 0:15:21.160
<v Speaker 3>the spitball. So the spitball is known by many colorful nicknames,

0:15:21.320 --> 0:15:24.520
<v Speaker 3>including the spitter or the wet one. Throwing a spitball

0:15:24.600 --> 0:15:27.160
<v Speaker 3>was a common technique used by pitchers in the early

0:15:27.320 --> 0:15:30.080
<v Speaker 3>days of baseball. Now I involved coating a ball with

0:15:30.240 --> 0:15:33.600
<v Speaker 3>foreign substances like salve actually most of the time, and

0:15:33.640 --> 0:15:36.560
<v Speaker 3>it was thought to provide a distinctive dvantage on the mound.

0:15:37.040 --> 0:15:39.640
<v Speaker 1>You know, I've never quite understood this, like how to

0:15:39.760 --> 0:15:41.400
<v Speaker 1>spitting on the ball actually help?

0:15:41.560 --> 0:15:44.000
<v Speaker 3>Well, Sometimes the spit was used to reduce the friction

0:15:44.080 --> 0:15:46.560
<v Speaker 3>between the pitcher's fingers and the ball, causing it to

0:15:46.760 --> 0:15:49.240
<v Speaker 3>kind of slip out of their hand with less spin

0:15:49.360 --> 0:15:52.120
<v Speaker 3>than a regular pitch. And other cases, though, the spit

0:15:52.240 --> 0:15:55.320
<v Speaker 3>was actually used to change the aerodynamic properties of the ball.

0:15:55.640 --> 0:15:58.680
<v Speaker 3>Applying spit to one side change the ball's wind resistance,

0:15:58.760 --> 0:16:00.960
<v Speaker 3>and weight just slightly, you know, would affect how it

0:16:01.040 --> 0:16:04.240
<v Speaker 3>behaved in the air. So, when thrown correctly, a spitball

0:16:04.240 --> 0:16:07.400
<v Speaker 3>would drop straight down as it flew, causing the batter

0:16:07.480 --> 0:16:09.720
<v Speaker 3>to hit the top part of the ball on a swing,

0:16:10.080 --> 0:16:13.160
<v Speaker 3>and that would result in them hitting just a ground ball. Now,

0:16:13.160 --> 0:16:15.800
<v Speaker 3>the downside of this tactic was that it frequently led

0:16:15.800 --> 0:16:19.040
<v Speaker 3>to fewer home runs and more low scoring games, which

0:16:19.080 --> 0:16:22.360
<v Speaker 3>you'd imagine weren't exactly riveting to watch. In fact, these

0:16:22.400 --> 0:16:25.680
<v Speaker 3>dole outcomes became so routine that early twentieth century baseball

0:16:25.720 --> 0:16:28.000
<v Speaker 3>is now referred to as the dead ball era.

0:16:28.400 --> 0:16:31.200
<v Speaker 1>That's weird. I've never heard about that. But I'm curious, like,

0:16:31.280 --> 0:16:33.280
<v Speaker 1>do we know who's to blame for this? Like, is

0:16:33.800 --> 0:16:36.960
<v Speaker 1>there an inventor the spitball that's credited for this?

0:16:37.280 --> 0:16:40.000
<v Speaker 3>Well, nobody really knows when the first spitball was thrown

0:16:40.360 --> 0:16:42.680
<v Speaker 3>or who it was thrown to, but the pitch has

0:16:42.720 --> 0:16:45.360
<v Speaker 3>definitely been used since, you know, at least the early

0:16:45.480 --> 0:16:49.560
<v Speaker 3>nineteen hundreds. So George Hildemran of the Brooklyn Superbus is

0:16:49.680 --> 0:16:52.760
<v Speaker 3>known to have experimented with a technique in nineteen oh two.

0:16:53.160 --> 0:16:55.240
<v Speaker 3>He's also said to have shared the trick with several

0:16:55.280 --> 0:16:59.680
<v Speaker 3>other spitball pioneers, including Frank Cordon and Elmer Stricklett, who

0:16:59.720 --> 0:17:02.560
<v Speaker 3>in turn taught the move to others. Now the first

0:17:02.560 --> 0:17:05.800
<v Speaker 3>pitchers to lean heavily on the spitball were Jack Chesbro

0:17:05.960 --> 0:17:08.240
<v Speaker 3>of the New York Highlanders and Ed Walsh of the

0:17:08.280 --> 0:17:11.520
<v Speaker 3>Chicago White Sox. Now, the dirty pitch helped them become

0:17:11.600 --> 0:17:15.080
<v Speaker 3>the only American league pitchers to ever win forty games

0:17:15.080 --> 0:17:18.280
<v Speaker 3>in a single season, which is a tremendous number of games.

0:17:18.600 --> 0:17:21.600
<v Speaker 3>So that success encouraged other pitchers to follow their lead,

0:17:21.640 --> 0:17:24.560
<v Speaker 3>and by the nineteen tens, throwing a spitball was a common,

0:17:24.720 --> 0:17:27.400
<v Speaker 3>if not controversial practice in professional baseball.

0:17:28.040 --> 0:17:30.120
<v Speaker 1>I love that this was something pitchers had to learn

0:17:30.200 --> 0:17:32.520
<v Speaker 1>from a fellow player, like there's some secret art to

0:17:32.600 --> 0:17:34.480
<v Speaker 1>spitting on a baseball something.

0:17:35.080 --> 0:17:37.879
<v Speaker 3>I don't think they needed lessons in proper spit application.

0:17:38.040 --> 0:17:40.960
<v Speaker 3>It's the throwing technique that's pretty hard to nail down.

0:17:41.240 --> 0:17:43.240
<v Speaker 3>Not to mention that spitting on the ball wasn't something

0:17:43.280 --> 0:17:46.080
<v Speaker 3>that most players would organically think to do, so the

0:17:46.160 --> 0:17:48.680
<v Speaker 3>idea had to be introduced by someone who already knew

0:17:48.760 --> 0:17:52.120
<v Speaker 3>its advantages. I should note, though, that despite the name

0:17:52.240 --> 0:17:56.119
<v Speaker 3>not every spitballer used saliva to make their pitchers less predictable.

0:17:56.440 --> 0:17:59.760
<v Speaker 3>They also doctored baseballs with lots of other slick substances,

0:17:59.800 --> 0:18:04.119
<v Speaker 3>and including petroleum, jelly, hair products, and of course good

0:18:04.200 --> 0:18:05.320
<v Speaker 3>old fashioned mud.

0:18:05.600 --> 0:18:08.480
<v Speaker 1>So it sounds like this was an open secret. Did

0:18:08.640 --> 0:18:10.520
<v Speaker 1>anyone ever object to it in this early era?

0:18:10.760 --> 0:18:13.080
<v Speaker 3>Oh definitely, I mean the ethics of the spitball were

0:18:13.119 --> 0:18:16.040
<v Speaker 3>always hotly contested. In fact, there were rules dating back

0:18:16.040 --> 0:18:19.520
<v Speaker 3>to the eighteen nineties that prohibited players from defacing or

0:18:19.760 --> 0:18:22.840
<v Speaker 3>otherwise damaging the ball, and people argued on both sides

0:18:22.880 --> 0:18:25.480
<v Speaker 3>whether it was appropriate to cover a ball in saliva,

0:18:25.520 --> 0:18:29.159
<v Speaker 3>which is just the weird sentence to say gross. But

0:18:29.280 --> 0:18:31.960
<v Speaker 3>it didn't matter either way, though, because the only penalty

0:18:32.000 --> 0:18:35.320
<v Speaker 3>for an illegal pitch was a five dollars fine, and

0:18:35.359 --> 0:18:39.280
<v Speaker 3>even that was rarely imposed, And that ambiguity allowed spitballing

0:18:39.359 --> 0:18:42.080
<v Speaker 3>to thrive for a time. But the arguments against it,

0:18:42.160 --> 0:18:43.720
<v Speaker 3>of course continued to multiply.

0:18:44.080 --> 0:18:46.520
<v Speaker 1>You mean, like how gross it is to throw a

0:18:46.520 --> 0:18:50.240
<v Speaker 1>ball code with human spit argument in.

0:18:50.280 --> 0:18:53.119
<v Speaker 3>Itself, Yeah, that was the most frequent complaint, But others

0:18:53.160 --> 0:18:55.399
<v Speaker 3>worried that throwing a spitball put too much strain on

0:18:55.440 --> 0:18:58.199
<v Speaker 3>a pitcher's arm and could actually do serious damage if

0:18:58.359 --> 0:19:02.119
<v Speaker 3>used to frequently. End Though, the spitball wasn't banned because

0:19:02.160 --> 0:19:05.720
<v Speaker 3>it was unsanitary or unfair or dangerous, the real reason

0:19:05.760 --> 0:19:08.600
<v Speaker 3>it was outlawed was to make the sport more exciting

0:19:08.640 --> 0:19:12.280
<v Speaker 3>for fans and profitable for the team owners. So spectators

0:19:12.280 --> 0:19:15.800
<v Speaker 3>were tired of these low scoring games, mixing the spitball

0:19:15.840 --> 0:19:18.199
<v Speaker 3>and others so called freak pitches was a way to

0:19:18.240 --> 0:19:21.680
<v Speaker 3>inject some much needed life into the games. Generating more

0:19:21.760 --> 0:19:25.000
<v Speaker 3>fly balls and home runs. Kind of keeps the crowd invested.

0:19:25.280 --> 0:19:27.960
<v Speaker 1>That makes sense, and so when did this spitball band

0:19:28.000 --> 0:19:28.679
<v Speaker 1>go into effect?

0:19:28.840 --> 0:19:32.160
<v Speaker 3>So officially, the nineteen twenty season was the last year

0:19:32.160 --> 0:19:35.200
<v Speaker 3>in which spitballs were allowed on the field, and after

0:19:35.240 --> 0:19:38.240
<v Speaker 3>that any player caught defacing the ball with saliva or

0:19:38.240 --> 0:19:40.720
<v Speaker 3>anything else was supposed to be expelled from the game

0:19:40.800 --> 0:19:44.840
<v Speaker 3>and possibly for an entire season. However, in a surprising

0:19:44.880 --> 0:19:49.359
<v Speaker 3>show of diplomacy, seventeen spitball pitchers were quote grandfathered in

0:19:49.400 --> 0:19:52.439
<v Speaker 3>as an exception to the rule, which just also seems

0:19:52.480 --> 0:19:54.720
<v Speaker 3>so strange to let them play by a different rule,

0:19:54.760 --> 0:19:57.320
<v Speaker 3>But they were all players who had made a living

0:19:57.440 --> 0:20:00.000
<v Speaker 3>on throwing doctored pitches, and who wouldn't have had much

0:20:00.080 --> 0:20:02.520
<v Speaker 3>of a career without them, so out of respect for

0:20:02.560 --> 0:20:07.359
<v Speaker 3>their livelihood, that handful of players, dubbed the bona fide spitballers,

0:20:07.400 --> 0:20:10.040
<v Speaker 3>were allowed to keep throwing the pitch for the remainder

0:20:10.119 --> 0:20:13.679
<v Speaker 3>of their time in the league is so unfair, and

0:20:13.720 --> 0:20:16.760
<v Speaker 3>as a result, the last player who was legally allowed

0:20:16.800 --> 0:20:20.000
<v Speaker 3>to throw a spitball was Burley Grimes. And of course

0:20:20.080 --> 0:20:22.440
<v Speaker 3>that's got to be his name, right, like Burley Grimes

0:20:22.480 --> 0:20:25.800
<v Speaker 3>throwing the spitballers. He played for the Pittsburgh Pirates, and

0:20:26.119 --> 0:20:28.080
<v Speaker 3>he used the pitch to help defeat the New York

0:20:28.080 --> 0:20:31.679
<v Speaker 3>Giants on September tenth, nineteen thirty four, and then he

0:20:31.760 --> 0:20:34.520
<v Speaker 3>retired from the sport ten days later, taking the league

0:20:34.640 --> 0:20:36.360
<v Speaker 3>sanctioned spitball with him.

0:20:36.720 --> 0:20:39.320
<v Speaker 1>I love that. It's such a crazy fact, Like can

0:20:39.320 --> 0:20:42.280
<v Speaker 1>you imagine if, like some people were used to tackling

0:20:42.320 --> 0:20:46.240
<v Speaker 1>with a horse collar football? Oh no, you keep doing it, grandfather,

0:20:46.560 --> 0:20:48.359
<v Speaker 1>and everyone else has to tackle different.

0:20:48.119 --> 0:20:50.280
<v Speaker 2>I bet I bet Burley Grimes did that too.

0:20:52.720 --> 0:20:57.280
<v Speaker 1>So obviously there were players who kept throwing spitballs after this, right, Oh.

0:20:57.000 --> 0:21:00.000
<v Speaker 3>Absolutely, and pretty blatantly in some cases. So for example,

0:21:00.080 --> 0:21:01.919
<v Speaker 3>up one of the most famous players to use the

0:21:01.960 --> 0:21:04.480
<v Speaker 3>dirty pitch was gay Lord Perry, a star pitcher in

0:21:04.520 --> 0:21:08.240
<v Speaker 3>the nineteen seventies. Throwing spitballs and making the batter think

0:21:08.280 --> 0:21:11.479
<v Speaker 3>he was throwing spitballs were a huge part of Perry's

0:21:11.560 --> 0:21:14.720
<v Speaker 3>pitching style, and he leaned hard into that reputation too,

0:21:14.760 --> 0:21:17.480
<v Speaker 3>even going so far as to name his memoir, Me

0:21:17.720 --> 0:21:18.359
<v Speaker 3>and the Spitter.

0:21:19.520 --> 0:21:20.720
<v Speaker 1>That is so ridiculous.

0:21:20.800 --> 0:21:22.040
<v Speaker 2>It is super ridiculous.

0:21:22.040 --> 0:21:24.680
<v Speaker 3>But despite his flagrant flawing of the rules, Perry wasn't

0:21:24.680 --> 0:21:27.520
<v Speaker 3>ejected from a game for using the spitball until his

0:21:27.640 --> 0:21:30.760
<v Speaker 3>twenty first season in the major leagues, and even then

0:21:30.840 --> 0:21:33.280
<v Speaker 3>he came right back the next year for a final season,

0:21:33.359 --> 0:21:36.720
<v Speaker 3>and was later inducted into the Baseball Hall of Fame. Now,

0:21:36.760 --> 0:21:38.760
<v Speaker 3>I do want to note, though, that in recent years,

0:21:38.800 --> 0:21:40.960
<v Speaker 3>the MLB has cracked down quite a bit on the

0:21:41.040 --> 0:21:44.960
<v Speaker 3>use of foreign substances on baseballs. Beginning in twenty twenty one,

0:21:45.240 --> 0:21:47.639
<v Speaker 3>pitchers who violate the rules are now subject to a

0:21:47.720 --> 0:21:51.280
<v Speaker 3>ten game suspension, and while the harsher punishment isn't likely

0:21:51.320 --> 0:21:53.960
<v Speaker 3>to end the practice altogether, it should at least make

0:21:54.000 --> 0:21:57.040
<v Speaker 3>pitchers think twice before they you know, Hakelugi on the.

0:21:56.960 --> 0:21:58.000
<v Speaker 2>Ball or whatever.

0:22:00.080 --> 0:22:04.679
<v Speaker 1>That we've totally groast out our listeners. We switch gears

0:22:04.680 --> 0:22:06.560
<v Speaker 1>and talk about a much cleaner way to line up

0:22:06.560 --> 0:22:07.280
<v Speaker 1>with baseball game.

0:22:07.440 --> 0:22:09.159
<v Speaker 3>That sounds good, But before we do that, let's take

0:22:09.200 --> 0:22:24.320
<v Speaker 3>a quick break.

0:22:25.200 --> 0:22:27.520
<v Speaker 1>Welcome back to part time Genius. Okay, well, so we've

0:22:27.560 --> 0:22:32.160
<v Speaker 1>talked about a few different baseball icons today, Crackerjack, the Spitball,

0:22:32.280 --> 0:22:34.760
<v Speaker 1>take me out to the ballgame. But there's one major

0:22:34.800 --> 0:22:37.920
<v Speaker 1>part of the baseball experience that we still haven't covered yet,

0:22:37.960 --> 0:22:41.960
<v Speaker 1>and that is pipe organ music, the stuff that drifts

0:22:42.000 --> 0:22:44.359
<v Speaker 1>over a ballpark during just about every game.

0:22:44.640 --> 0:22:45.960
<v Speaker 2>Yeah. I've always wondered that.

0:22:46.000 --> 0:22:47.760
<v Speaker 3>I mean not that I mind that it's actually sort

0:22:47.800 --> 0:22:50.520
<v Speaker 3>of a fun and funny part of the whole experience,

0:22:50.560 --> 0:22:53.080
<v Speaker 3>But why is there so much organ music in baseball?

0:22:53.119 --> 0:22:56.080
<v Speaker 3>Like it's hard to imagine the sport without it, and

0:22:56.160 --> 0:22:57.679
<v Speaker 3>yet it still feels kind of random.

0:22:58.359 --> 0:23:00.280
<v Speaker 1>Yeah, So to answer that, we have to go back

0:23:00.320 --> 0:23:04.000
<v Speaker 1>to a largely ignored milestone in sports history, which is

0:23:04.200 --> 0:23:06.760
<v Speaker 1>the day when the Chicago Cubs became the first major

0:23:06.840 --> 0:23:09.920
<v Speaker 1>league team to have live organ music performed at a ballgame.

0:23:10.320 --> 0:23:12.639
<v Speaker 1>So the story goes that in the spring of nineteen

0:23:12.680 --> 0:23:15.600
<v Speaker 1>forty one, the Cubs owner Philip K. Wrigley wanted a

0:23:15.600 --> 0:23:18.439
<v Speaker 1>way to give fans a little pregame entertainment as they

0:23:18.480 --> 0:23:21.680
<v Speaker 1>took to their seats, So he installed a pipe organ

0:23:21.800 --> 0:23:24.520
<v Speaker 1>behind the grandstand of Wrigley Field, and he hired a

0:23:24.560 --> 0:23:27.879
<v Speaker 1>local organist named Ray Nelson to provide the tunes. The

0:23:27.960 --> 0:23:31.280
<v Speaker 1>inaugural concert took place on April twenty sixth that year,

0:23:31.560 --> 0:23:34.920
<v Speaker 1>just before an afternoon game between the Cubs and their rivals,

0:23:35.000 --> 0:23:36.280
<v Speaker 1>the Cardinals.

0:23:36.160 --> 0:23:38.760
<v Speaker 3>And I'm guessing one of the tunes Nelson provided was

0:23:39.040 --> 0:23:40.320
<v Speaker 3>back to what we were talking about.

0:23:40.119 --> 0:23:41.120
<v Speaker 2>Take Me out to the ballgame.

0:23:41.520 --> 0:23:44.119
<v Speaker 1>Weirdly, there isn't a record of which songs he played,

0:23:44.119 --> 0:23:46.879
<v Speaker 1>but that seems pretty likely. But we do know some

0:23:47.000 --> 0:23:49.880
<v Speaker 1>other odd details about the concert thanks to local reporting.

0:23:50.280 --> 0:23:53.600
<v Speaker 1>According to the Chicago Tribune, more than eighteen thousand fans

0:23:53.640 --> 0:23:56.160
<v Speaker 1>were in attendance that day, and all of them were

0:23:56.160 --> 0:23:59.960
<v Speaker 1>completely delighted by Nelson's performance. And that's despite the fact

0:24:00.080 --> 0:24:03.119
<v Speaker 1>that the music wasn't allowed to continue during the actual game.

0:24:03.720 --> 0:24:05.439
<v Speaker 2>And why is that so?

0:24:05.720 --> 0:24:07.800
<v Speaker 1>Apparently no one had bothered to clear the rights for

0:24:07.880 --> 0:24:10.320
<v Speaker 1>the songs, and because the game was set to be

0:24:10.359 --> 0:24:12.960
<v Speaker 1>broadcast on the radio, they had to stop the music

0:24:13.160 --> 0:24:16.200
<v Speaker 1>before the first pitch was thrown. The same thing happened

0:24:16.240 --> 0:24:18.760
<v Speaker 1>at a game the following day, but the team's manager

0:24:18.800 --> 0:24:20.840
<v Speaker 1>promised that by the time the Cubs returned from their

0:24:20.920 --> 0:24:23.560
<v Speaker 1>upcoming away games, they would have a deal worked out

0:24:23.560 --> 0:24:26.240
<v Speaker 1>with BMI, the music publishing company.

0:24:26.440 --> 0:24:28.000
<v Speaker 2>Yeah, I had never thought about that before.

0:24:28.040 --> 0:24:29.879
<v Speaker 3>So once they got the music right squared away, the

0:24:29.920 --> 0:24:33.720
<v Speaker 3>concerts became just like a more regular thing at Cubs games.

0:24:34.000 --> 0:24:36.680
<v Speaker 1>That was the plan, but unfortunately working out the details

0:24:36.680 --> 0:24:40.440
<v Speaker 1>with BMI proved much much trickier than they'd expected, so

0:24:40.480 --> 0:24:43.119
<v Speaker 1>by mid May, both the organ and the organists had

0:24:43.119 --> 0:24:46.320
<v Speaker 1>disappeared from Wrigley Field. Aside from that one day in

0:24:46.400 --> 0:24:49.240
<v Speaker 1>nineteen forty one, the Cub's home turf was actually organ

0:24:49.320 --> 0:24:52.880
<v Speaker 1>music free until the late nineteen sixties, which is kind

0:24:52.920 --> 0:24:57.000
<v Speaker 1>of unimaginable. Wow. But in the meantime, other MLB teams

0:24:57.040 --> 0:24:59.600
<v Speaker 1>took notice of Wrigley's experiment and they decided to try

0:24:59.600 --> 0:25:02.639
<v Speaker 1>it for them. So over at Ebbitts Field in Brooklyn,

0:25:02.800 --> 0:25:05.960
<v Speaker 1>Gladys Gooding was hired to play the organ during Dodgers games,

0:25:06.000 --> 0:25:09.440
<v Speaker 1>making her the first full time organist in Major League Baseball,

0:25:09.800 --> 0:25:13.480
<v Speaker 1>and Gooding continued in her role as quote the Ebbitts

0:25:13.560 --> 0:25:17.399
<v Speaker 1>Field orgon Queen from nineteen forty two to nineteen fifty seven,

0:25:17.440 --> 0:25:19.480
<v Speaker 1>but then she stepped down when the Dodgers moved to.

0:25:19.480 --> 0:25:21.960
<v Speaker 3>LA And I'm curious, was organ music kind of the

0:25:22.000 --> 0:25:23.800
<v Speaker 3>norm at baseball games by that point?

0:25:24.359 --> 0:25:25.879
<v Speaker 1>I mean, it was definitely on its way, but the

0:25:25.880 --> 0:25:29.119
<v Speaker 1>instrument didn't truly become a fixture of the ballpark until

0:25:29.160 --> 0:25:32.160
<v Speaker 1>the nineteen sixties and actually the early seventies.

0:25:32.359 --> 0:25:34.520
<v Speaker 3>Oh really, I'm actually surprised that was that late in

0:25:34.520 --> 0:25:35.399
<v Speaker 3>the game, like right.

0:25:35.280 --> 0:25:36.760
<v Speaker 2>In the middle of the rock and roll era.

0:25:36.800 --> 0:25:38.919
<v Speaker 3>It seems kind of a weird time for people to

0:25:38.960 --> 0:25:40.879
<v Speaker 3>be embracing this pipe organ music.

0:25:41.160 --> 0:25:43.280
<v Speaker 1>Yeah, but you know, the doors had made it popular, so.

0:25:43.240 --> 0:25:45.280
<v Speaker 2>They had too, right, right, of course.

0:25:45.359 --> 0:25:48.080
<v Speaker 1>But you know, nostalgia's always been a big part of

0:25:48.080 --> 0:25:50.960
<v Speaker 1>baseball's appeal, and by that point, plenty of fans had

0:25:51.000 --> 0:25:53.760
<v Speaker 1>fond memories of hearing ballpark organ music in their youth.

0:25:54.280 --> 0:25:54.680
<v Speaker 2>That' said.

0:25:54.760 --> 0:25:56.639
<v Speaker 1>A lot of the credit for the organ's late stage

0:25:56.640 --> 0:26:00.840
<v Speaker 1>ascendancy belongs to this woman named Nancy, who was the

0:26:00.880 --> 0:26:04.560
<v Speaker 1>longtime organist for the Chicago White Sox. When she first

0:26:04.600 --> 0:26:07.359
<v Speaker 1>took the job at Kamiski Park in nineteen seventy, she

0:26:07.400 --> 0:26:09.919
<v Speaker 1>pretty much stuck to the baseball playbook right like, she

0:26:10.000 --> 0:26:12.639
<v Speaker 1>played the Star of Spangled Banner at the start of

0:26:12.640 --> 0:26:15.240
<v Speaker 1>every game and take Me out to the Ballgame during

0:26:15.240 --> 0:26:18.360
<v Speaker 1>the seventh inning stretch. And she also carried the tradition

0:26:18.520 --> 0:26:21.560
<v Speaker 1>on of musically introducing the players at bat by playing

0:26:21.560 --> 0:26:24.520
<v Speaker 1>the anthem of their home state. But after a while,

0:26:24.920 --> 0:26:27.639
<v Speaker 1>she realized that the state songs were kind of feeling

0:26:27.720 --> 0:26:30.000
<v Speaker 1>a bit dated and didn't get much of a reaction

0:26:30.080 --> 0:26:32.680
<v Speaker 1>from crowds that were now used to rock and roll,

0:26:32.760 --> 0:26:35.159
<v Speaker 1>So from then on she started playing songs that fans

0:26:35.160 --> 0:26:38.640
<v Speaker 1>were more familiar with, while always trying to, like somehow

0:26:38.680 --> 0:26:41.280
<v Speaker 1>tie the song to a player's name, or their number

0:26:41.359 --> 0:26:42.280
<v Speaker 1>or their disposition.

0:26:42.600 --> 0:26:46.000
<v Speaker 3>Wait, so is Nancy Faust the person that created walk

0:26:46.080 --> 0:26:46.560
<v Speaker 3>up music?

0:26:46.840 --> 0:26:49.720
<v Speaker 1>Yeah, she actually did, but she didn't stop there. So,

0:26:50.119 --> 0:26:53.439
<v Speaker 1>fueled by the crowd's positive responses, she started using the

0:26:53.560 --> 0:26:56.000
<v Speaker 1>organ to react to the game itself. So when someone

0:26:56.000 --> 0:26:59.080
<v Speaker 1>stole a bass, she plays smooth Criminal. And if someone

0:26:59.240 --> 0:27:01.960
<v Speaker 1>streaked naked or cross a field, as often happened in

0:27:01.960 --> 0:27:05.359
<v Speaker 1>those days, she would play an organ rendition of Is

0:27:05.400 --> 0:27:10.480
<v Speaker 1>That All There is? Classy but hands down though, Nancy's

0:27:10.520 --> 0:27:13.320
<v Speaker 1>most famous addition to the baseball songbook has to be

0:27:13.359 --> 0:27:16.080
<v Speaker 1>the one that she played during strikeouts, which is nineteen

0:27:16.119 --> 0:27:18.480
<v Speaker 1>sixty nine. It's Nana Hey Hey kissing.

0:27:19.440 --> 0:27:19.960
<v Speaker 2>Yeah.

0:27:20.280 --> 0:27:22.480
<v Speaker 1>So, actually, here's a clip of her playing it at

0:27:22.480 --> 0:27:22.879
<v Speaker 1>a game.

0:27:33.840 --> 0:27:35.720
<v Speaker 3>You know, I see what you mean about this livening

0:27:35.800 --> 0:27:38.080
<v Speaker 3>up the game, Like there's more than just background music.

0:27:38.119 --> 0:27:40.440
<v Speaker 3>She was giving the crowds something to laugh at or

0:27:40.480 --> 0:27:41.879
<v Speaker 3>sing along with, and you.

0:27:41.880 --> 0:27:43.879
<v Speaker 2>Can definitely see how this heightens the whole experience.

0:27:44.160 --> 0:27:46.520
<v Speaker 1>Yeah, she was basically scoring the action of the game

0:27:46.640 --> 0:27:48.800
<v Speaker 1>like you would a film, which you know was kind

0:27:48.800 --> 0:27:51.800
<v Speaker 1>of a full circle moment for organists because that's exactly

0:27:52.000 --> 0:27:55.040
<v Speaker 1>what they'd done during the silent film era. Right. Nancy's

0:27:55.080 --> 0:27:57.080
<v Speaker 1>knack for knowing what to play and when to play

0:27:57.080 --> 0:27:59.920
<v Speaker 1>it like it really made her this living legend among

0:28:00.080 --> 0:28:03.000
<v Speaker 1>baseball fans. Her talents were so renowned that other teams

0:28:03.000 --> 0:28:06.399
<v Speaker 1>started sending their organists to Kamiski Park just to watch

0:28:06.400 --> 0:28:10.040
<v Speaker 1>her in action, and pretty soon her soundtrack approach to

0:28:10.160 --> 0:28:13.040
<v Speaker 1>organ playing became the standard of her trade. But allpark

0:28:13.160 --> 0:28:15.160
<v Speaker 1>organ music has definitely had its up and downs over

0:28:15.160 --> 0:28:18.399
<v Speaker 1>the years. In the nineteen eighties and nineties, some teams

0:28:18.520 --> 0:28:21.320
<v Speaker 1>moved to new stadiums and they didn't bring their organs

0:28:21.359 --> 0:28:24.119
<v Speaker 1>with them. Others had their organists retire and then just

0:28:24.160 --> 0:28:27.320
<v Speaker 1>didn't hire new ones. But even during that downturn, organ

0:28:27.400 --> 0:28:30.520
<v Speaker 1>music didn't fade from the stadiums completely. As you know,

0:28:30.560 --> 0:28:33.439
<v Speaker 1>teams would play pre recorded tracks over the loudspeakers to

0:28:33.920 --> 0:28:36.560
<v Speaker 1>add just a touch and nostalgia to the games. But

0:28:37.080 --> 0:28:39.760
<v Speaker 1>that last tactic worked a little too well, and the

0:28:39.840 --> 0:28:41.800
<v Speaker 1>can music made a lot of people pined for the

0:28:41.840 --> 0:28:44.560
<v Speaker 1>old days of hearing live organ music at a ballgame,

0:28:44.720 --> 0:28:46.960
<v Speaker 1>and all that feedback actually led to a full on

0:28:47.000 --> 0:28:50.120
<v Speaker 1>resurgence in the twenty tens, so teams started hiring back

0:28:50.160 --> 0:28:53.480
<v Speaker 1>their organists, and as of twenty twenty four, more than

0:28:53.560 --> 0:28:56.080
<v Speaker 1>half of the thirty teams in the MLB now employ

0:28:56.200 --> 0:29:00.120
<v Speaker 1>an organist. In many cases, the organist is now pair

0:29:00.240 --> 0:29:03.960
<v Speaker 1>with a DJ who spins more contemporary tracks between the classics,

0:29:04.000 --> 0:29:07.160
<v Speaker 1>and because of that compromise, the organ's future in American

0:29:07.200 --> 0:29:10.000
<v Speaker 1>baseball is actually looking brighter than it has been in decades.

0:29:10.240 --> 0:29:12.920
<v Speaker 3>Contemporary hits and the organist I started thinking about the

0:29:13.040 --> 0:29:15.280
<v Speaker 3>SNL sketch with Will Ferrell, and I think it was

0:29:15.280 --> 0:29:18.280
<v Speaker 3>on a guest tire doing the they were the music

0:29:18.320 --> 0:29:22.080
<v Speaker 3>teachers and singing the modern hits. But I do have

0:29:22.120 --> 0:29:24.360
<v Speaker 3>to say I was not expecting such a rosy outlook

0:29:24.400 --> 0:29:26.560
<v Speaker 3>on the state of ballpark organ music in the year

0:29:26.640 --> 0:29:27.600
<v Speaker 3>twenty twenty five.

0:29:27.680 --> 0:29:28.960
<v Speaker 2>But I'm happy about it.

0:29:29.200 --> 0:29:31.600
<v Speaker 1>Yeah, me too, And I think that's the perfect note

0:29:31.640 --> 0:29:33.920
<v Speaker 1>to go out on. But before we hit the showers

0:29:33.960 --> 0:29:35.760
<v Speaker 1>and call it a day, I think we should take

0:29:35.800 --> 0:29:37.720
<v Speaker 1>a few swings at the fact off.

0:29:42.920 --> 0:29:45.400
<v Speaker 3>So it's still early in the twenty twenty five season

0:29:45.480 --> 0:29:48.160
<v Speaker 3>so far, but there's already a breakout start taking the

0:29:48.240 --> 0:29:49.440
<v Speaker 3>sport by storm.

0:29:49.560 --> 0:29:49.720
<v Speaker 1>Now.

0:29:49.760 --> 0:29:51.680
<v Speaker 3>It isn't a player, though, but a new piece of

0:29:51.720 --> 0:29:55.520
<v Speaker 3>equipment called a torpedo bat. Now, unlike a traditional bat,

0:29:55.560 --> 0:29:57.400
<v Speaker 3>this one is wider in the middle than it is

0:29:57.440 --> 0:29:59.920
<v Speaker 3>at the top, and that change in shape means there's

0:30:00.120 --> 0:30:03.120
<v Speaker 3>more mass concentrated in the sweet spot of the barrel,

0:30:03.200 --> 0:30:05.880
<v Speaker 3>right where the player makes the most contact with the ball.

0:30:06.400 --> 0:30:09.120
<v Speaker 3>This not only provides much greater impact when the ball

0:30:09.160 --> 0:30:11.840
<v Speaker 3>and the bat collide, it also makes the bats swing

0:30:12.000 --> 0:30:14.960
<v Speaker 3>faster because the weight of the wood is distributed more

0:30:15.000 --> 0:30:18.680
<v Speaker 3>evenly instead of being clustered mostly at the top. So far,

0:30:18.720 --> 0:30:22.200
<v Speaker 3>the New York Yankees have demonstrated these advantages to great effect,

0:30:22.400 --> 0:30:25.000
<v Speaker 3>racking up nine home runs with a torpedo bat in

0:30:25.040 --> 0:30:27.720
<v Speaker 3>their first three games alone. We'll have to wait and

0:30:27.720 --> 0:30:29.840
<v Speaker 3>see how many other teams adopt the new style of

0:30:29.880 --> 0:30:32.160
<v Speaker 3>bat over the rest of the season, but given the

0:30:32.200 --> 0:30:35.040
<v Speaker 3>results so far, I imagine just about all of them will

0:30:35.080 --> 0:30:37.080
<v Speaker 3>at least take it for a test swing.

0:30:37.480 --> 0:30:40.320
<v Speaker 1>Okay, so, another baseball innovator who doesn't get enough credit

0:30:40.400 --> 0:30:44.400
<v Speaker 1>is Harvard athlete James Ting, and in April of eighteen

0:30:44.440 --> 0:30:47.440
<v Speaker 1>seventy seven, he became the first known baseball player to

0:30:47.520 --> 0:30:51.080
<v Speaker 1>don a catcher's mask during a game. Wow Prior to that,

0:30:51.120 --> 0:30:54.000
<v Speaker 1>the only gear a catcher used was a rubber mouthguard

0:30:54.040 --> 0:30:56.880
<v Speaker 1>similar to that of a boxer, but there was no mask,

0:30:57.040 --> 0:30:59.160
<v Speaker 1>no chess guard, no shin guards.

0:30:58.760 --> 0:31:01.040
<v Speaker 2>Not even a blow was terrifying.

0:31:01.880 --> 0:31:06.440
<v Speaker 1>Reckless approach led to frequent injuries, and as a result,

0:31:06.520 --> 0:31:08.480
<v Speaker 1>the career of the average catcher in the early days

0:31:08.480 --> 0:31:11.880
<v Speaker 1>of baseball was only three or four seasons. But that

0:31:11.920 --> 0:31:15.320
<v Speaker 1>finally changed thanks to Ting's new headgear, which was actually

0:31:15.320 --> 0:31:18.400
<v Speaker 1>designed for him by the Harvard team captain, a guy

0:31:18.480 --> 0:31:22.000
<v Speaker 1>named Frederick Thayer. It was made from a modified fencing mask,

0:31:22.200 --> 0:31:24.480
<v Speaker 1>which was meant to keep ting closer to the plate

0:31:24.560 --> 0:31:27.200
<v Speaker 1>without fear of being injured by either the bat or

0:31:27.240 --> 0:31:30.520
<v Speaker 1>a ball. Despite the obvious benefits, other catchers were initially

0:31:30.560 --> 0:31:34.040
<v Speaker 1>hesitant to adopt the mask because most players and fans

0:31:34.120 --> 0:31:38.000
<v Speaker 1>considered it unmanly to wear protective gear. But in the end,

0:31:38.120 --> 0:31:40.960
<v Speaker 1>keeping their faces intact proved more enticing than appeasing to

0:31:41.560 --> 0:31:45.120
<v Speaker 1>a few angry fans. By the late eighteen eighties, the

0:31:45.440 --> 0:31:48.360
<v Speaker 1>catcher's mask had become a fundamental piece of sports equipment,

0:31:48.400 --> 0:31:51.160
<v Speaker 1>and baseball catchers have been all the more handsome for

0:31:51.200 --> 0:31:52.040
<v Speaker 1>it ever since.

0:31:52.680 --> 0:31:55.200
<v Speaker 3>Well, something I never knew until this week is that

0:31:55.240 --> 0:31:58.400
<v Speaker 3>the silent film star Buster Keaton was actually a lifelong

0:31:58.440 --> 0:32:00.960
<v Speaker 3>baseball fan and a pretty good play or two. But

0:32:01.040 --> 0:32:02.760
<v Speaker 3>sometimes his love of the game got in the way

0:32:02.800 --> 0:32:05.600
<v Speaker 3>of his actual job, which was, of course making movies.

0:32:06.080 --> 0:32:06.240
<v Speaker 2>Now.

0:32:06.240 --> 0:32:08.719
<v Speaker 3>For instance, whenever one of his productions hit a snag

0:32:08.760 --> 0:32:12.080
<v Speaker 3>on set, Keaton would stop filming and he'd organize this

0:32:12.160 --> 0:32:15.200
<v Speaker 3>impromptu baseball game with the crew until someone came up

0:32:15.240 --> 0:32:17.880
<v Speaker 3>with a solution. And while filming at MGM in the

0:32:17.920 --> 0:32:20.720
<v Speaker 3>late nineteen twenties, Keaton would often put a game together

0:32:20.760 --> 0:32:23.240
<v Speaker 3>at the end of every lunch break, usually taking half

0:32:23.280 --> 0:32:26.200
<v Speaker 3>the crew with him. Now, in light of these frequent setbacks,

0:32:26.320 --> 0:32:29.920
<v Speaker 3>studio exec Lewis B. Mayer reportedly considered adding a no

0:32:30.120 --> 0:32:33.880
<v Speaker 3>baseball clause to the actor's next contract. But luckily for Keaton,

0:32:33.880 --> 0:32:35.200
<v Speaker 3>he turned out to be bluffing.

0:32:35.560 --> 0:32:38.240
<v Speaker 1>So he covered some major baseball milestones today. But here's

0:32:38.240 --> 0:32:40.800
<v Speaker 1>a quick one. I forgot to mention the first known

0:32:40.840 --> 0:32:43.320
<v Speaker 1>reference to the game being played in the United States,

0:32:43.360 --> 0:32:46.160
<v Speaker 1>and this dates all the way back to seventeen ninety one.

0:32:46.520 --> 0:32:48.000
<v Speaker 1>And the funny part is that it doesn't come from

0:32:48.040 --> 0:32:50.160
<v Speaker 1>an article about the sport, or an ad for an

0:32:50.240 --> 0:32:53.800
<v Speaker 1>upcoming game or anything like that. Instead, the reference appears

0:32:53.840 --> 0:32:57.920
<v Speaker 1>in a vintage by law from Pittsfield, Massachusetts, which banned

0:32:57.960 --> 0:33:01.640
<v Speaker 1>people from playing baseball within eighty yards of the town Meetinghouse.

0:33:02.000 --> 0:33:04.760
<v Speaker 1>Apparently they were worried that a fly ball might break

0:33:04.800 --> 0:33:06.480
<v Speaker 1>the building's new windows.

0:33:07.720 --> 0:33:10.560
<v Speaker 3>Okay, this next one provides a little vindication for all

0:33:10.560 --> 0:33:12.400
<v Speaker 3>of the Katie Caseys of the world who like to

0:33:12.600 --> 0:33:15.480
<v Speaker 3>argue with the umpire, because, according to a twenty twenty

0:33:15.480 --> 0:33:18.320
<v Speaker 3>four study from the University of Quebec. Yelling at the

0:33:18.360 --> 0:33:21.360
<v Speaker 3>ref does get results, and I hate to admit this

0:33:21.400 --> 0:33:23.760
<v Speaker 3>because I hate watching people yell at the refs. The

0:33:23.800 --> 0:33:26.920
<v Speaker 3>team analyzed data from ten years of Major League Baseball

0:33:26.960 --> 0:33:31.200
<v Speaker 3>games and found that after being verbally criticized quote, homeplate

0:33:31.320 --> 0:33:34.200
<v Speaker 3>umpires were less likely to call strikes to batters from

0:33:34.200 --> 0:33:37.160
<v Speaker 3>the complaining team and more prone to call strikes to

0:33:37.280 --> 0:33:40.200
<v Speaker 3>batters on the opposing team. So while berating the umpire

0:33:40.240 --> 0:33:42.800
<v Speaker 3>won't score you any points for decorum, it might just

0:33:42.880 --> 0:33:46.160
<v Speaker 3>help your team win the game, which is really depressing.

0:33:45.840 --> 0:33:47.920
<v Speaker 1>I know, and it's going to shape how long going

0:33:47.960 --> 0:33:50.080
<v Speaker 1>to be as a parent on the field for all

0:33:50.080 --> 0:33:51.000
<v Speaker 1>my kids soccer.

0:33:51.000 --> 0:33:52.880
<v Speaker 2>Right, scream your head off.

0:33:53.720 --> 0:33:55.560
<v Speaker 1>Well, here's a very quick one to end this, and

0:33:55.600 --> 0:33:57.920
<v Speaker 1>I think it's super fun. So I think we both

0:33:57.960 --> 0:34:00.280
<v Speaker 1>know what a ground roll double is in baseball, where

0:34:00.320 --> 0:34:02.240
<v Speaker 1>a ball is hit and then bounces out of play.

0:34:02.560 --> 0:34:04.880
<v Speaker 1>So most often the ball will get hit and then

0:34:04.920 --> 0:34:07.480
<v Speaker 1>bounce on the ground over the fence, or sometimes it

0:34:07.560 --> 0:34:09.880
<v Speaker 1>rolls under a scoreboard or something and the player at

0:34:09.920 --> 0:34:12.240
<v Speaker 1>bat gets an automatic double or it gets to advance

0:34:12.280 --> 0:34:14.680
<v Speaker 1>to second base. But do you know There's something called

0:34:14.719 --> 0:34:18.759
<v Speaker 1>a ground roll triple according to never heard of this.

0:34:19.280 --> 0:34:21.640
<v Speaker 1>According to MLB dot com, this occurs when a player

0:34:21.640 --> 0:34:23.680
<v Speaker 1>attempts to use his hat to stop a ball on

0:34:23.680 --> 0:34:24.160
<v Speaker 1>the ground.

0:34:24.160 --> 0:34:25.280
<v Speaker 2>Were they okay?

0:34:25.719 --> 0:34:28.080
<v Speaker 1>Using a hat is a penalty of three bases to

0:34:28.120 --> 0:34:30.560
<v Speaker 1>both the batter and any runner on base, which is

0:34:30.719 --> 0:34:33.279
<v Speaker 1>just so crazy. I just assumed that you could, like

0:34:33.400 --> 0:34:36.279
<v Speaker 1>Willie May's basket, catch a fly ball with your hat,

0:34:36.320 --> 0:34:39.280
<v Speaker 1>But apparently if you do, that's an automatic three basis

0:34:39.320 --> 0:34:40.280
<v Speaker 1>for anyone on the field.

0:34:40.320 --> 0:34:42.239
<v Speaker 2>I did not know that rule. I'd never heard of that.

0:34:42.800 --> 0:34:44.799
<v Speaker 3>All right, Well, I think this fact off is basically

0:34:44.840 --> 0:34:47.600
<v Speaker 3>a tie. But between the baseball mud facts and the

0:34:47.640 --> 0:34:50.080
<v Speaker 3>ones about taking me onto the ball game, I think

0:34:50.120 --> 0:34:51.640
<v Speaker 3>I'm going to give this one to you, Mango.

0:34:53.120 --> 0:34:55.759
<v Speaker 1>Well, I will take it. There is so much great

0:34:55.800 --> 0:34:59.040
<v Speaker 1>baseball trivia we didn't get to, from the blind adaptation

0:34:59.120 --> 0:35:01.600
<v Speaker 1>of baseball called deep ball, to the minor league player

0:35:01.680 --> 0:35:04.839
<v Speaker 1>who was once traded for twenty baseball bats, the time

0:35:04.960 --> 0:35:07.480
<v Speaker 1>two Yankee players announced in a press conference that they

0:35:07.520 --> 0:35:10.440
<v Speaker 1>were dissolving their marriage so that they could switch wives.

0:35:10.840 --> 0:35:13.239
<v Speaker 1>There is a lot of craziness that we've missed, and

0:35:13.320 --> 0:35:15.080
<v Speaker 1>we'll have to do another episode down the line, but

0:35:15.120 --> 0:35:17.120
<v Speaker 1>for now, that's going to do it for today's Part

0:35:17.160 --> 0:35:20.879
<v Speaker 1>Time Genius from Mary Gabe, Dylan, Will and myself. Thank

0:35:20.920 --> 0:35:23.080
<v Speaker 1>you so much for listening. Be sure to send us

0:35:23.080 --> 0:35:26.080
<v Speaker 1>your favorite baseball facts on TikTok and Instagram and we'll

0:35:26.120 --> 0:35:40.080
<v Speaker 1>be back in your feed soon with another new episode.

0:35:41.000 --> 0:35:44.320
<v Speaker 1>Part Time Genius is a production of Kaleidoscope and iHeartRadio.

0:35:44.800 --> 0:35:48.800
<v Speaker 1>This show is hosted by Will Pearson and me Mongaishatikler

0:35:49.200 --> 0:35:53.160
<v Speaker 1>and research by our good pal Mary Philip Sandy. Today's

0:35:53.200 --> 0:35:56.560
<v Speaker 1>episode was engineered and produced by the wonderful Dylan Fagan

0:35:56.640 --> 0:36:00.360
<v Speaker 1>with support from Tyler Klang. The show is executive for

0:36:00.400 --> 0:36:04.080
<v Speaker 1>iHeart by Katrina Norvel and Ali Perry, with social media

0:36:04.080 --> 0:36:08.200
<v Speaker 1>support from Sasha Gay, trustee Dara Potts and Viny Shorey.

0:36:08.880 --> 0:36:13.360
<v Speaker 1>For more podcasts from Kaleidoscope and iHeartRadio, visit the iHeartRadio app,

0:36:13.560 --> 0:36:27.080
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.