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Speaker 1: Welcome to Drink Champs, the production of The Black Effect

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Speaker 1: and I Heart Radio and it's drink Chats, motherfucking podcasts.

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Speaker 1: A legendary queen's rapper. He's like, that's your boy in

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Speaker 1: O R. He's a Miami hip hop pioneer, d j

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Speaker 1: E f N. Together they drinking up with some of

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Speaker 1: the biggest players in the most professional, unprofessional podcast and

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Speaker 1: your number one sorts for drunk drink is New year' z.

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Speaker 1: That's it's time for drink Champs. Drink up? Mother? Would

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Speaker 1: it good? Be? Hopeully's wu it? See me? This your

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Speaker 1: boy in r E. What up is dj e f N?

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Speaker 1: And it's drink Chaps, motherfucker yappioa makes up right now

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Speaker 1: when we talk about legends and legends, when we're talking

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Speaker 1: about you know, bar lords, people who tested the time,

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Speaker 1: who standard the test of the time, people who were

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Speaker 1: the first kind of drink chance there would be drink

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Speaker 1: estly if there was no yes, yes, yes, and they

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Speaker 1: represented it. Uh, they held it down. And we are

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Speaker 1: that version in podcasts and we salute them, we respect them.

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Speaker 1: We've been trying to get them for six years, been

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Speaker 1: trying to get drink and we also were also were

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Speaker 1: starving for all three too. Was supposed to be Okay,

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Speaker 1: you got hurt, he said, he saved me. There's some

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Speaker 1: hospital papers issues. Man, you don't know what the funk

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Speaker 1: we're talking about. We don't know who the legends. We're

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Speaker 1: big enough, we don't know who the legends that we're

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Speaker 1: saluting and saying that we respect them. We idolized them,

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Speaker 1: and we did, you know, uh, show them. We gotta

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Speaker 1: show them so much love. In case you don't know

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Speaker 1: who the funk we talked about, we showed the about

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Speaker 1: the one, the only the motherfucking did marriage your name

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Speaker 1: to the Licks at one point, Na, we just shortened it.

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Speaker 1: We never that wasn't a legal thing, a legal thing,

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Speaker 1: not album as the Licks one album. Technically we did,

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Speaker 1: and then people was like, that's the bullshit, so they

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Speaker 1: we changed it back to that. But it wasn't legally

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Speaker 1: like Brothers changed their name Smith. It was us trying

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Speaker 1: some ship that didn't even really work in our favorite

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Speaker 1: so we just kind of kept moving. The reason we

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Speaker 1: did that was it was it was a point where

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Speaker 1: like why we well, like people don't know, like we

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Speaker 1: we got book for Soul Train one. This ain't the

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Speaker 1: reason we changed her name, but she added up though.

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Speaker 1: So we got books for Soul Trained and we went out,

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Speaker 1: like old Dirty said, we bought nice ship like clothes,

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Speaker 1: all this ship and everything. Now were trying to trying

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Speaker 1: to get on the soul tray line. And we got

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Speaker 1: to the dresser. We got, you know, the longest line

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Speaker 1: of being front of soul train. Wait, the motherfucker's lit

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Speaker 1: my old all this ship. We get in the dressing

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Speaker 1: room about like they you know, telling us ten minutes

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Speaker 1: and all this ship and everything, and all of a sudden,

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Speaker 1: this lady knocks on the door and she was like, alcohol,

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Speaker 1: let me talk to real quickly. We step outside. She said,

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Speaker 1: Don Corneians didn't know that that we were called the alcoholics.

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Speaker 1: So he was like, we came put on the TV

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Speaker 1: clip go home. They like, yeah, I remember remember the

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Speaker 1: time he played man. You know you see down Cornelis.

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Speaker 1: You grew up with so training, so you see him

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Speaker 1: in person. You're like, don my man, remember you went

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Speaker 1: up to down Cornelius and he was then yeah, but

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Speaker 1: I'm talking about him because he's died back and that's

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Speaker 1: where were heard. But things like that, like it started

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Speaker 1: like we went to the We was on a tour

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Speaker 1: with Shout Out Job out here too, were going after this,

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Speaker 1: but yeah, we're on the Bible Belt tour. Yeah we

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Speaker 1: got we let us perform on the Bible Belt. It

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Speaker 1: was like new. You know, he has a different name

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Speaker 1: for that. You called the Chidlen Tour the children Circuit.

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Speaker 1: That's a different different things. Yeah yeah, but Chider circuit

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Speaker 1: is is fucking damn sorry term Mississippi. No, the Childer

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Speaker 1: Circuit is. It's Bees not so be Live. That's o

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Speaker 1: Bees of the World, right, meaning that's OBEs is not

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Speaker 1: a bad club. It's not an upscale club, but it's

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Speaker 1: a club where people come when you own the come off,

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Speaker 1: when you have an established audience and you know you

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Speaker 1: can sell this out right. That's what the Chitner Circle is.

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Speaker 1: It's kind of like the bottom of the bottom. That's

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Speaker 1: what y'all. That's where they called it. That Like we

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Speaker 1: totally biggie, Yeah yeah, yeah, we canna yeah, I like that.

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Speaker 1: Yeah yeah. This is when he was on that party

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Speaker 1: in bullshit. Oh, this is right after that. This is

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Speaker 1: what he's doing big I mean puppies on the toy

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Speaker 1: with him to are you guys in your just the

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Speaker 1: middle of the I want to say, it's the middle

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Speaker 1: of the beef. No, this is where where we are

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Speaker 1: where two albums deep. This is whenever his first album dropped.

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Speaker 1: So we're about two before the before and he was

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Speaker 1: starting to pop and he just reached out to us like, yeah,

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Speaker 1: I'll come on tour with So wait, you're saying you

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Speaker 1: guys had two albums or what hip hop junkis was

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Speaker 1: on hip Hop Drunks? Was that? Was it? Second out

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Speaker 1: on IK? Yeah? But yeah, yeah, I mean, you know,

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Speaker 1: chilling circus. I hate sometimes but how I want to

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Speaker 1: say this too, shout out to my humbo Katie King.

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Speaker 1: The King put you on on Yes, Okay, can we

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Speaker 1: just scrow a lot of peoples? Can you remember the

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Speaker 1: story with you about to say? Because people hate when

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Speaker 1: I got I just want to just establish that real

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Speaker 1: criep because all right, King t to us on the

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Speaker 1: East coast, but as a king, we didn't we didn't

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Speaker 1: travel to the I mean, I just got to speak

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Speaker 1: for New York and the right. But by way of

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Speaker 1: the labor King like too short those was like those

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Speaker 1: was like God to us. Yeah, so a lot of

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Speaker 1: people say I was from the West Coast. But a

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Speaker 1: lot of people think that East Coast didn't show love

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Speaker 1: or didn't give it up to the West. That that's

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Speaker 1: that's a lie. That's the point I was about to make.

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Speaker 1: Okay and swift to suck me right now from lying

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Speaker 1: no please. I think he used to tell us daily

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Speaker 1: yeah that kat I don't want to stay at say

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Speaker 1: he's his favorite rapper. Or he told us if you

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Speaker 1: listen to my album, listen to listen to my album

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Speaker 1: and then listen to old Key Tas album. He said,

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Speaker 1: you can't tell what I my STU phone. Yeah, he

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Speaker 1: said my favorite rapper, like he's like, listen to my voice,

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Speaker 1: listen to you can definitely hear West Coast influence back

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Speaker 1: and go back to the Key Teas act, the Food

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Speaker 1: album and just think, Biggie your head and you're gonna

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Speaker 1: think that the same person like voice, everything, Katie is

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Speaker 1: everything that he game a lot of love. Yeah, going

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Speaker 1: so fast, I'm not damn I want you all to

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Speaker 1: worry about. I don't really don't say shots shot up

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Speaker 1: the sign. Yeah, yeah we had Sean. But let let

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Speaker 1: me ask you Tupac. Yeah, you got you got to

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Speaker 1: meet the two different you got to meet the three

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Speaker 1: different version or two. Yeah, one is the digital underground Tupop.

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Speaker 1: I meant him twice half my guy. I meant with him.

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Speaker 1: At one time he was walking out of I mean

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Speaker 1: it was a studio. You never really mad with him

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Speaker 1: and the House of Blues one o my guy. We

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Speaker 1: slept five and then the other times it was like

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Speaker 1: he was drunk and mad about something. Yeah, it was

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Speaker 1: just like a high. He was walking about the thing.

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Speaker 1: I'm going to the booth. He walk I was like

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Speaker 1: causing somebody out and we say the booth, talking about studio,

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Speaker 1: studio and ship and what studio. I don't remember. It

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Speaker 1: was like it was it was he was cracking though.

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Speaker 1: It's like I thought he would recognize me because of

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Speaker 1: tasks I got out of ship. No one like this

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Speaker 1: is this is deathropo and everything, and I remember recognize nobody,

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Speaker 1: but I remember he Johnny J. He he induced me

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Speaker 1: to the studio, resting peaks and I want to say,

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Speaker 1: what to do that te fly, but I can't remember.

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Speaker 1: But anyway, Johnny J playing a beat and there's no

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Speaker 1: dusties like I love Tupac music and all that ship

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Speaker 1: because but he was playing a beat and I start

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Speaker 1: freestyle and the tool and ship like that, and first

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Speaker 1: of all, there's a whole bunch of niggers I don't know,

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Speaker 1: so I'm put in, Yeah, no, Johnny is ain't about

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Speaker 1: john the producer that did all. But I think Tup

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Speaker 1: had to like the beat that I was rapping onto

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Speaker 1: something because he came back in the studio while right

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Speaker 1: past me and he said, Johnny, come he here and

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Speaker 1: he went into another room and the mike is still on.

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Speaker 1: You know what I'm saying. I can just hear the

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Speaker 1: nigger like, who was this mother? How you got people

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Speaker 1: in my studio? You know what I'm saying. So I

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Speaker 1: was the wrong time to sit down and kicking with pot.

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Speaker 1: But with that being said, I wasn't feeling it. It

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Speaker 1: was a whole bunch of you know what, man, it

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Speaker 1: wasn't It wasn't good for me to be there at

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Speaker 1: that time. And Ship, you know what I'm saying that,

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Speaker 1: So you know I made a skillse the ship I said,

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Speaker 1: I got used the phone with quick and I bumped

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Speaker 1: out because it was one of them things like like

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Speaker 1: kind of like the time in Miami when I was like,

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Speaker 1: I don't I don't know don't tell. Don't I don't tell.

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Speaker 1: I don't know. I just know Nori's version. He told

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Speaker 1: me when it is overseas on tour. Listen, listen, let

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Speaker 1: me know. I could not let anything happen to you.

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Speaker 1: Let me just tell you something I know, bottom line,

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Speaker 1: get into it. Yeah, that you were getting so drunk

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Speaker 1: and you was beating with a guy that was a manager. No,

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Speaker 1: it was a guy named Chris Jones. Chris Jones, right,

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Speaker 1: head man, it's Raoul from Terror Squad. And they came,

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Speaker 1: I wait, yeah, and you you was disrespecting when you

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Speaker 1: did not even know. That's not what happening. That's not

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Speaker 1: what that's not what happened to Okay, Yes, let's go.

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Speaker 1: I save maybe this one. The drum was out. I

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Speaker 1: wasn't maybe said like you said, it's something times. So

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Speaker 1: what youre doing happen? Okay, I thought happen. You was

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Speaker 1: in the studio session on one end of Hit Factory.

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Speaker 1: It's actually Circle House. Okay about yeah, my sign to

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Speaker 1: dr Jake down the hallway at the time, right, so

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Speaker 1: I'm here visited him. But he had like his mom

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Speaker 1: and there's something going over then, and ships we had

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Speaker 1: no you know, I just moved out here and ship

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Speaker 1: another drunk moved he was living out here. He was

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Speaker 1: living out here. Bad second, but it was anyway, but

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Speaker 1: the wonder we were seeing on that blackbird all the

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Speaker 1: time I wanted to speak today. They just have stories

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Speaker 1: that were like ship, where was we don't okay? I

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Speaker 1: thought it was a manager. That's what he said to me.

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Speaker 1: It's the white guy. Yeah, but I don't know. I

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Speaker 1: don't think i'll talk to you yet or something like that.

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Speaker 1: But he said someone nory and I said, oh yeah,

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Speaker 1: he's done the okay. But he had like a fresh

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Speaker 1: gass car like a covert, like a corvette, like a

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Speaker 1: seventy two or something like that. I'm I'm I'm just

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Speaker 1: like smoke cigarettes then you know what I'm saying, still

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Speaker 1: do but bad habit. But I remember that the dude said,

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Speaker 1: y'all do I'll back to the l A. So whatever

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Speaker 1: you said he told me, I could see. He said,

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Speaker 1: I haven't seen this, something like old school classic car something.

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Speaker 1: And I had a cigarette and I sat in the

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Speaker 1: car with the cigarette and he lost his mind. You

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Speaker 1: know what I'm saying, get the funk out and all

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Speaker 1: this ship and with somebody's yelling at you, your first

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Speaker 1: reaction is yelled back. So we argue fucking that all

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Speaker 1: down his harllway and said, I was about to go

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Speaker 1: with the buses the money man this way, and I

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Speaker 1: didn't really know who was in the studio with him,

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Speaker 1: you know what I'm saying. So he's yelling and Ship.

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Speaker 1: I know we annoying everything, but I said, let me

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Speaker 1: just address it this if he wants, you know, let's

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Speaker 1: get cracking. And we don't get it cracking. I thought

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Speaker 1: it was just him, you know what I'm saying. So

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Speaker 1: he going his wound and ship and I went down there.

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Speaker 1: I'm like, let me just see what's something everything and

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Speaker 1: a bust of the rules goons everywhere, and he went

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Speaker 1: in there like I just think a tripping and said,

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Speaker 1: so what I walked in it was like cricke what

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Speaker 1: I'm saying, Like I realized, like that like that comverction

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Speaker 1: like that, Well, I go, uh uh, I want to

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Speaker 1: get away or whatever the you know, the time I

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Speaker 1: had to get the funk up by that there. I

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Speaker 1: looked at him and he was looking like nigging you

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Speaker 1: fucked up? But as what some annoying that he was looking,

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Speaker 1: I'll be like, no, I don't give me said look.

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Speaker 1: I said, look, I'm gonna go out here. And then

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Speaker 1: I went down there and I was like, I was like,

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Speaker 1: I don't know what just happened to say, it's correct

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Speaker 1: until what you don't know because you came back. And

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Speaker 1: then the beat start playing and we're sitting there, I'm

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Speaker 1: doing a record for Chris Joe and you just start

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Speaker 1: rhyming on the beach, coming to nothing to do. He's like,

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Speaker 1: but this is my man, So I'm looking right now.

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Speaker 1: He just called right he called all the tervist card dudes,

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Speaker 1: and I'm looking like, chill, this is no way this happens. Man.

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Speaker 1: I'm not I can nothing. I'm gonna die for him tonight.

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Speaker 1: So but then you left like you said everything you

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Speaker 1: just said. Maybe that's when you were I know what

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Speaker 1: I want there. You look at me like you've been

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Speaker 1: you like of me, liked I said, please, are you okay?

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Speaker 1: Because I was chill, I'm good nor so th boom.

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Speaker 1: Let me just let me just take it from there.

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Speaker 1: The best start coming on, and you're sitting there in

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Speaker 1: the corner and you're just chilling for sucking. Everyone's started

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Speaker 1: writing their ship in the US. Starting man, I was,

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Speaker 1: I was like, I don't drink anymore good stories. That's

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Speaker 1: why we hear you what you see me cracking, like

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Speaker 1: this is all we go have that it would be

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Speaker 1: gone my next I'm saying, but I made a commitment

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Speaker 1: to myself, my mom, my kids, my people's here. Everybody

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Speaker 1: says I couldn't do it no more, you know, but

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Speaker 1: let's let's let's not rush. What what made you? What

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Speaker 1: made you guys come together as a group and say,

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Speaker 1: let's abel ourselves alcoholic. That came because because you know

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Speaker 1: why me and it wasn't like because see, y'all had

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Speaker 1: to live up to your name. Me and unless you

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Speaker 1: tell me a story different and dj F we had

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Speaker 1: me and dj e F lived up to that name.

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Speaker 1: That's how we got the name. Is that similar to similar,

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Speaker 1: very very very similar story because we came up under

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Speaker 1: King t Okaya were originally from Michigan. We're originally from Ohio.

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Speaker 1: But you know that was that was earlier in the

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Speaker 1: area group the group of everybody, me, me and me

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Speaker 1: and at Tasher from from Ohio originally j Ros from

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Speaker 1: Pecoma in l A. But but I was King ts

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Speaker 1: dj Um you know, right after his first album drop

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Speaker 1: and uh so, but separate from that, him and j Row,

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Speaker 1: That's how I met King T through j Row, Him

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Speaker 1: and j Row and DJ Pool. They all had a

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Speaker 1: group together back in the days. So what's the name

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Speaker 1: of that group? Total Control? Yeah, yeah, just you know,

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Speaker 1: total control sounds like so. So when j Rod hooked

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Speaker 1: me up with him, I was originally going on tour

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Speaker 1: with him, cutting hair at the barber. You know what

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Speaker 1: I'm saying. He had like you just named like three

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Speaker 1: jobs you have no more the real reason we hit it? Yeah,

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Speaker 1: I hit it all. I play. I'm playing my position nil.

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Speaker 1: I like that. I was ready, you know, I was

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Speaker 1: ready for I was. I was doing DJ battles and

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Speaker 1: all that. You know what I'm saying. So I was,

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Speaker 1: I was battle ready. He's gonna be Eat Swift without

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Speaker 1: being nice. Yeah yeah, so, um who came first? Eat

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Speaker 1: Swift or Rob Swift? Probably mean good question should die though,

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Speaker 1: So whatever, whatever, whatever it is, you gotta tell that

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Speaker 1: story for the fans. But how he got the job

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Speaker 1: to DJ for key T Keat already had a DJ yeah,

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Speaker 1: j he went on with which is the legend, no joke,

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Speaker 1: you said DJ Pool, I was staying with how they

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Speaker 1: with him Uncle Bob and everything. But he let's talk

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Speaker 1: about that when he took the d J jaw let's

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Speaker 1: go yeah. Yeah. Basically his DJ was DJ Laddin. On

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Speaker 1: the way back from the show, DJ Laddin gets in

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Speaker 1: the accident, breaks both of his leg keep um, no show.

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Speaker 1: DJ j Yeah, he's like one of the best DJ's

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Speaker 1: out of l A. So, um, he couldn't go on tour.

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Speaker 1: J Ro was like, you know, e Swift gets busy.

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Speaker 1: He's like, oh word, So he came up with my house. Yeah,

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Speaker 1: and he makes beats and so it was like oh

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Speaker 1: for him. So you know, he came up with my

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Speaker 1: house and I was I was already practicing for DJ battle. Um,

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Speaker 1: so I just went to my routine. I mean I

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Speaker 1: went all out of the albums, wrapped up bells, I

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Speaker 1: was taking my dds off rock Spatrol, my no M

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Speaker 1: tenant shoe. I was, I'm like, I'm gonna get this

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Speaker 1: job showing up. He left out there Boom, You're my DJ.

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Speaker 1: So that moment on, I just became Keen T DJ.

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Speaker 1: And then I started playing them beats. He was like,

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Speaker 1: oh ship and then he took me to DJ Pool

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Speaker 1: who showed me the ropes on in the studio because

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Speaker 1: I was I was the bedroom DJ, battle DJ house

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Speaker 1: party DJ. I was making beats in my headphones. You

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Speaker 1: know what I'm saying. I would playing with m DJ. Yeah,

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Speaker 1: but what's that mean? Yeah? Yeah, your girl, you let

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Speaker 1: him take you somewhere. I'm sorry, I don't know. No

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Speaker 1: DJ A bedroom DJ is you wake up in your bedroom,

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Speaker 1: you wake up in the morning, your time tables right there,

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Speaker 1: you roll out of bed and you get up there

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Speaker 1: and you start getting getting it in you never hood.

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Speaker 1: That's something A bad wounding song. Motherfucker's bad. Yeah that

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Speaker 1: DJ started comment because I mean there's like a real

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Speaker 1: yeah yeah yeah yeah. So okay, so let's stay focused.

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Speaker 1: Name alcoholics. How did we get there? Was you guys

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Speaker 1: drinking old English? Hold on, hold On, hold on something

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Speaker 1: black memorialized, Yeah, better better together? There you go now,

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Speaker 1: But the name King TI once again, we were known

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Speaker 1: for drinking. He don't get it twisted. We were drunk.

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Speaker 1: Let's be clear, y'all were alcoholics before y'all were called

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Speaker 1: alcoholics precisely. But King came up with the name. He

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Speaker 1: did me and me and uh and Um Jr. Was

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Speaker 1: sitting at King's house. He had an idea to have

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Speaker 1: a group called Alcoholics. It's gonna be him myself j

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Speaker 1: Row and we needed another member, which was obviously Tashed.

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Speaker 1: He was the illest nigger that was around us, like,

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Speaker 1: but he was in Ohio caught up in some bullshit. Wow.

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Speaker 1: So I was like, we was like, we gotta get

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Speaker 1: put Puttashi in the group. And I was like, I

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Speaker 1: know what's gonna happen when we Puttash in the group?

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Speaker 1: Why does that say that? What is that for? Why

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Speaker 1: did you say? It was like we got at the

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Speaker 1: time he's at the time, he wasn't he got a

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Speaker 1: strong personality. He was a catastrophe right behind like my

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00:20:29,119 --> 00:20:33,600
Speaker 1: friend tragedy lived up to being a tragedy. But there

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Speaker 1: was a people. There was no close second. You know

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Speaker 1: what I'm saying. So boom, that's the alcoholic. You know

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Speaker 1: what I'm saying. But at that time, we was really

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Speaker 1: drinking a lot, like we was doing auder. I don't

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Speaker 1: know if you're familiar with the same eyes commercial right,

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Speaker 1: we was. We had to contract to act the personal

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Speaker 1: question what you're doing Jakobson, We were drinking Yago maestro,

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Speaker 1: but we were getting paid by sat Eyes, you know

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Speaker 1: what I'm saying. So every month like them too, we

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Speaker 1: did all of them, was producing the commercial with me.

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Speaker 1: They didn't either Snoop On doing his alcoholics, so I

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00:21:05,040 --> 00:21:07,080
Speaker 1: was I don't know about during that time for yea. Yeah,

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Speaker 1: so we had the contract with st Os and we're

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Speaker 1: doing all them and they would they would pay us

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Speaker 1: for them. But also every month a fucking semi truck

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Speaker 1: would pull up to my cribs and just willing tastes.

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Speaker 1: So that doesn't help for anything, help at all. You're

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Speaker 1: walking my house and you would just see cases of

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Speaker 1: forting houses the whole wall. So let me ask you,

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Speaker 1: is there difference between O E and st Os? Are

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Speaker 1: they both more liquor? They're both liquor of taste? What

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Speaker 1: is just trying to do this? Yeah? They were? What

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Speaker 1: is I just the bottom of the It's definitely definitely

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Speaker 1: not good for anything. Step of the bottom of the ship.

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Speaker 1: Usual reason to get like that, the gold one green

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Speaker 1: one we first started out. I'm sorry, I don't think

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Speaker 1: about private stock. You know up okay drink, but they

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Speaker 1: take the getting stout bottles and with drink like a

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Speaker 1: whole crew with drink half of it down, then report

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00:22:11,880 --> 00:22:14,680
Speaker 1: getting stout ended, and the whole ship with black. We

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00:22:14,720 --> 00:22:23,040
Speaker 1: bught it black the trail like everybody, everybody, everybody black.

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Speaker 1: We're saying, like ten times on the album, we said

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Speaker 1: we had this thing where every when we was in

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Speaker 1: the studio everything, we would drink all the empty bottles

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Speaker 1: we're throwing in this closet. And by the time our

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00:22:33,640 --> 00:22:35,720
Speaker 1: session was over, that ship that you would open it

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Speaker 1: over that that by time we finished this album, you

385
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Speaker 1: would open that closet door, and I'm talking about the

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Speaker 1: deep closet. Fucking bottles would just come pouring out, you

387
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Speaker 1: know what I'm saying. And we were like, oh ship,

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Speaker 1: we really alcoholics. But how could you broms. We didn't

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Speaker 1: write nothing. There was freestyle. How how would you you

390
00:22:55,440 --> 00:22:57,680
Speaker 1: know what? That's what That's what people trip off like

391
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Speaker 1: n season all difference. But I never wrote to a

392
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Speaker 1: beat you had read to the car like you know,

393
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Speaker 1: like like sessions where they played the beat you got

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Speaker 1: eight m cs just the beat go over and I

395
00:23:09,960 --> 00:23:12,720
Speaker 1: got short attentions plan. So I've never done it like that.

396
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Speaker 1: Always by my lyrics like a cappella and then adapted.

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Speaker 1: If I say it to the ship, I don't fit.

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Speaker 1: If I say that, I wouldn't fit, I might have

399
00:23:20,680 --> 00:23:22,280
Speaker 1: to take a good line or two out. But everything

400
00:23:22,280 --> 00:23:35,880
Speaker 1: I compella everything. Wow, that's crazy. Now at one point,

401
00:23:36,760 --> 00:23:42,240
Speaker 1: you guys a couple of round. Now we're gonna go

402
00:23:42,320 --> 00:23:44,680
Speaker 1: to the first album. You can go to the first

403
00:23:44,680 --> 00:23:53,640
Speaker 1: back questions, we'll go to further and we'll go backwards again.

404
00:23:54,320 --> 00:23:57,040
Speaker 1: You want to go the first album, Let's go back

405
00:23:57,080 --> 00:24:02,600
Speaker 1: to the first album, like tell us the making and

406
00:24:02,640 --> 00:24:05,879
Speaker 1: this is the beginning of Loud. Knew what was gonna be.

407
00:24:07,200 --> 00:24:12,680
Speaker 1: No this exhibment, No, no, you guys first us the

408
00:24:12,800 --> 00:24:16,880
Speaker 1: first We're not the first Loud Twister was on Loud

409
00:24:17,040 --> 00:24:20,280
Speaker 1: before us. And there was this group called Madcap. Remember

410
00:24:20,680 --> 00:24:23,800
Speaker 1: remember from the West goes Well, yeah, that's how it's

411
00:24:23,800 --> 00:24:25,560
Speaker 1: out of I mean coke. He's doing a big than

412
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Speaker 1: got hair at this time. Bus Yeah yeah, yeah, that's

413
00:24:30,400 --> 00:24:36,320
Speaker 1: a good time. Yeah. So how does Steve discover you

414
00:24:36,400 --> 00:24:39,360
Speaker 1: guys this guy named fade Fabian doving that he uh

415
00:24:39,960 --> 00:24:42,639
Speaker 1: took him with our demo and from there it was

416
00:24:42,760 --> 00:24:46,959
Speaker 1: like it would kind of move faster after that because um,

417
00:24:47,880 --> 00:24:49,920
Speaker 1: we had that we had most of the stuff on

418
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Speaker 1: our first album we had in demo phases, see what

419
00:24:54,680 --> 00:24:57,480
Speaker 1: I'm saying. But we went back in and touched some

420
00:24:57,560 --> 00:24:59,680
Speaker 1: stuff up. But what happened was we had got um

421
00:25:00,200 --> 00:25:02,040
Speaker 1: a demo deal back in the day. You remember the

422
00:25:02,080 --> 00:25:03,720
Speaker 1: demo to give your little money to go in the

423
00:25:03,800 --> 00:25:08,000
Speaker 1: studio and see what you got and money, Yeah, this

424
00:25:08,080 --> 00:25:10,000
Speaker 1: is what, this is what A and M Records, And

425
00:25:11,200 --> 00:25:13,240
Speaker 1: we went there and you know, they gave us a

426
00:25:13,280 --> 00:25:15,120
Speaker 1: little couple of days in the studio and we came

427
00:25:15,119 --> 00:25:17,960
Speaker 1: out with like twenty songs and like three days. So

428
00:25:19,160 --> 00:25:21,320
Speaker 1: once they're you know, that didn't work out. We had

429
00:25:21,400 --> 00:25:23,399
Speaker 1: that demo tape to shop around. So we went to

430
00:25:23,560 --> 00:25:27,960
Speaker 1: Loud Records and like played in the make rooms on

431
00:25:28,040 --> 00:25:33,840
Speaker 1: that demo. The Dude Fade I remember distinctly too. We

432
00:25:33,960 --> 00:25:38,080
Speaker 1: had that demo floating around and Mad Half had a

433
00:25:38,200 --> 00:25:41,600
Speaker 1: studio session and Faye was in there and ferry work

434
00:25:41,680 --> 00:25:46,040
Speaker 1: was made. That was the first they had a studio

435
00:25:46,160 --> 00:25:49,719
Speaker 1: session somewhere, and we went to it and I remember

436
00:25:49,760 --> 00:25:52,800
Speaker 1: we played the demo for Faye at the studio and

437
00:25:52,880 --> 00:25:55,280
Speaker 1: he was like, Steve Riff got to hear this ship man,

438
00:25:55,359 --> 00:25:57,320
Speaker 1: y'all his own one, right, Steve on the west coast

439
00:25:57,320 --> 00:26:00,119
Speaker 1: of this time. Yeah, he wasn't on the coast when

440
00:26:00,119 --> 00:26:02,800
Speaker 1: he had the officer. We had an office with one cubicle.

441
00:26:03,040 --> 00:26:05,360
Speaker 1: Yeah you know what I'm saying. And it evolved from

442
00:26:05,400 --> 00:26:08,760
Speaker 1: that tosst Yeah yeah, but I think you had officer

443
00:26:08,920 --> 00:26:10,840
Speaker 1: in New York. I don't think not yet. We should

444
00:26:10,840 --> 00:26:13,919
Speaker 1: go up there every day thode just like like party

445
00:26:14,600 --> 00:26:20,000
Speaker 1: and what years is though when being shot, this is

446
00:26:20,119 --> 00:26:21,960
Speaker 1: like the heyday, Like this is the beginning of the

447
00:26:22,080 --> 00:26:25,720
Speaker 1: classic like l A Underground era. Yeah, this is like

448
00:26:26,400 --> 00:26:29,600
Speaker 1: right right at the custoer where all that like when

449
00:26:29,680 --> 00:26:32,880
Speaker 1: he was catching glimpses of underground l A hip hop

450
00:26:33,000 --> 00:26:34,960
Speaker 1: and it wasn't like the g funk stuff that was

451
00:26:35,119 --> 00:26:38,000
Speaker 1: more mainstream we had, you know, it was groups like

452
00:26:38,080 --> 00:26:40,800
Speaker 1: the Black Eyed Peas and stuff coming from the underground

453
00:26:41,320 --> 00:26:43,919
Speaker 1: before they had fer Yeah, before all that, like they

454
00:26:44,040 --> 00:26:47,280
Speaker 1: was super hip hop has uh far side and all

455
00:26:47,359 --> 00:26:49,680
Speaker 1: them was bubbling on the underground. There was the whole

456
00:26:50,040 --> 00:26:53,119
Speaker 1: uh good life movement and all that stuff. And then

457
00:26:53,160 --> 00:26:56,000
Speaker 1: once you guys got on liquid contact. Once we got on,

458
00:26:56,280 --> 00:26:59,360
Speaker 1: we kind of farry. And what happened with us though,

459
00:26:59,440 --> 00:27:01,480
Speaker 1: man's when we start doing our live shows. We're just

460
00:27:01,520 --> 00:27:04,399
Speaker 1: bringing it all the all the chicks was coming out

461
00:27:04,480 --> 00:27:06,840
Speaker 1: to see us. You know what I'm saying, right, because

462
00:27:06,840 --> 00:27:10,640
Speaker 1: we're liking that's exactly why life skiing all my life

463
00:27:15,240 --> 00:27:19,480
Speaker 1: announcement right, all the all the women started coming out there.

464
00:27:19,480 --> 00:27:21,040
Speaker 1: It's like, oh, Ship, we can do this hip hop

465
00:27:21,200 --> 00:27:22,960
Speaker 1: with the with the women coming out. He's like yeah,

466
00:27:23,080 --> 00:27:30,520
Speaker 1: And it was like Drake is a group said Draken

467
00:27:32,040 --> 00:27:37,760
Speaker 1: was her announcement. All announcement later Ship, but yeah, and

468
00:27:37,800 --> 00:27:39,119
Speaker 1: we kind of made our own lane, you know what

469
00:27:39,119 --> 00:27:42,160
Speaker 1: I'm saying. We wasn't really like doing the whole good

470
00:27:42,240 --> 00:27:44,600
Speaker 1: life thing, but you know, we was kind of doing

471
00:27:44,600 --> 00:27:46,720
Speaker 1: our own ship. And then then I don't know, man

472
00:27:46,920 --> 00:27:51,520
Speaker 1: just took off from there, like yeah, people did y'all think? Because, um,

473
00:27:51,760 --> 00:27:53,960
Speaker 1: I mean, y'all could really really help us with this

474
00:27:54,119 --> 00:27:56,160
Speaker 1: argument because a lot of people, a lot of people

475
00:27:57,880 --> 00:28:02,159
Speaker 1: assume or they think that because the East Coast, or

476
00:28:02,280 --> 00:28:06,040
Speaker 1: rather New York at the time, was very essential to

477
00:28:06,320 --> 00:28:10,680
Speaker 1: what was going on that New York show Love. I

478
00:28:10,840 --> 00:28:12,520
Speaker 1: know that I know that for y'all to be something

479
00:28:12,560 --> 00:28:16,760
Speaker 1: totally different, So I don't know that to be a fact.

480
00:28:16,840 --> 00:28:19,080
Speaker 1: I know from what I heard you know people, I

481
00:28:19,280 --> 00:28:20,760
Speaker 1: love the licks. You know what I'm saying, like things

482
00:28:20,840 --> 00:28:24,600
Speaker 1: like that, But I don't know your personal story. At

483
00:28:24,640 --> 00:28:27,280
Speaker 1: that time, New York was running the thing. Did you ever?

484
00:28:27,840 --> 00:28:30,280
Speaker 1: It's a two part question. One did you havever performing

485
00:28:30,320 --> 00:28:33,800
Speaker 1: a tunnel? Yes? And then to know we didn't performed?

486
00:28:33,840 --> 00:28:37,480
Speaker 1: But wasn't that I think? Okay, you didn't, did you?

487
00:28:38,960 --> 00:28:41,880
Speaker 1: Every Sunday was Sunday? Sunday? Every Sunday. That's the skinnes

488
00:28:44,480 --> 00:28:46,800
Speaker 1: skinned on me by that. It is the bath room

489
00:28:46,840 --> 00:28:49,560
Speaker 1: with the chicks in it. It's unseex back. Yeah, but

490
00:28:49,600 --> 00:28:51,240
Speaker 1: it was. It was like, I don't know, it was

491
00:28:51,280 --> 00:28:55,360
Speaker 1: weird to him because weird just go there every Sunday.

492
00:28:55,720 --> 00:29:00,680
Speaker 1: But did you did you feel New York all day?

493
00:29:01,200 --> 00:29:03,400
Speaker 1: Like like we spent a lot of time in New York,

494
00:29:03,480 --> 00:29:07,600
Speaker 1: especially me, like I was mastering and mixing in New York,

495
00:29:07,920 --> 00:29:10,480
Speaker 1: and I would, oh man where I was Like I

496
00:29:10,600 --> 00:29:13,520
Speaker 1: was everywhere. I was a Sony Studios. I did a

497
00:29:13,560 --> 00:29:15,000
Speaker 1: lot of ship at D and D when I was

498
00:29:15,120 --> 00:29:18,400
Speaker 1: doing some other stuff with getting to that. Don't mix it, No,

499
00:29:18,440 --> 00:29:20,160
Speaker 1: I didn't mix it d D. I don't mean tracking there,

500
00:29:20,640 --> 00:29:26,840
Speaker 1: just tractor, I know the other few. Yeah, sorry, but

501
00:29:27,800 --> 00:29:29,760
Speaker 1: it was to the point where, like when our music

502
00:29:29,800 --> 00:29:32,520
Speaker 1: started getting out there, people didn't really realize just because

503
00:29:32,560 --> 00:29:34,960
Speaker 1: it's just based off the sound of the music, that

504
00:29:35,040 --> 00:29:36,560
Speaker 1: we was from the West Coast. They thought we was

505
00:29:36,600 --> 00:29:40,320
Speaker 1: from New York somewhere. They just couldn't right. They just

506
00:29:40,360 --> 00:29:41,920
Speaker 1: couldn't figure out what park, you know, I mean, like

507
00:29:41,960 --> 00:29:44,400
Speaker 1: what b A. I'm like, we don't know West Coast.

508
00:29:44,640 --> 00:29:46,760
Speaker 1: It's because I was super lyric quart at that time.

509
00:29:46,840 --> 00:29:49,000
Speaker 1: We didn't really understand. No, I think it was an

510
00:29:49,080 --> 00:29:51,000
Speaker 1: error of it though, that you had Cypers to the

511
00:29:52,800 --> 00:29:56,760
Speaker 1: Cypers did their video their first video, so we we

512
00:29:57,640 --> 00:29:59,960
Speaker 1: it was different from them, like CERs we said we

513
00:30:00,560 --> 00:30:03,200
Speaker 1: we didn't. It wasn't like we assumed. But the first

514
00:30:03,240 --> 00:30:06,520
Speaker 1: shot we saw it was in actually our second video,

515
00:30:08,080 --> 00:30:13,320
Speaker 1: our second video, because you see my first video from

516
00:30:14,160 --> 00:30:17,600
Speaker 1: the Real Estate, which video you're saying for Cyprus with

517
00:30:17,760 --> 00:30:26,200
Speaker 1: the first video I ever saw up he was because first, well,

518
00:30:26,680 --> 00:30:31,960
Speaker 1: I see killer Man. I just see that. I didn't

519
00:30:31,960 --> 00:30:35,640
Speaker 1: see that video music Box was Killing Man and they

520
00:30:35,760 --> 00:30:38,360
Speaker 1: was in New York, so there was no way that

521
00:30:38,960 --> 00:30:40,640
Speaker 1: first of all. But if you're listening to lyrics, you

522
00:30:40,720 --> 00:30:43,400
Speaker 1: know it's not They're not from Blood I did, okay,

523
00:30:44,200 --> 00:30:51,480
Speaker 1: and too, I never even knew what the Mexican was. Mexican. Well, well,

524
00:30:51,680 --> 00:30:54,720
Speaker 1: I only identified with Puerto Ricans and Dominicans. So if

525
00:30:54,760 --> 00:30:57,400
Speaker 1: it wasn't part of the Dominican, if you was Latino period,

526
00:30:57,600 --> 00:31:00,200
Speaker 1: I put you in that category. And I'm Latino. So

527
00:31:00,280 --> 00:31:03,440
Speaker 1: when I looked at Cypress Hills, I automatically said, well,

528
00:31:03,480 --> 00:31:06,320
Speaker 1: I supported to this all. We'll never I did the

529
00:31:06,400 --> 00:31:09,719
Speaker 1: fire with them. I never heard that, you know when

530
00:31:09,760 --> 00:31:11,440
Speaker 1: they were So you're just not listening to any of

531
00:31:11,480 --> 00:31:15,800
Speaker 1: the lyrics, You're just I don't know what he's I've

532
00:31:15,840 --> 00:31:22,280
Speaker 1: just ProMED out that. But then we really plus don't

533
00:31:22,280 --> 00:31:29,440
Speaker 1: mind our arguments and about this, really really really with

534
00:31:29,560 --> 00:31:32,000
Speaker 1: thought some confusion in the mix of us being from

535
00:31:32,000 --> 00:31:35,840
Speaker 1: the West Coast. Our second video was the song Liquid

536
00:31:35,920 --> 00:31:39,520
Speaker 1: and Only when I'm Drunk. Ralph McDaniels directed that ship,

537
00:31:39,600 --> 00:31:43,880
Speaker 1: and we filmed that ship in Brooklyn. Yeah, yeah, that's okay. Wait,

538
00:31:43,880 --> 00:31:45,200
Speaker 1: wait really quick, I just want to say something. I

539
00:31:45,280 --> 00:31:46,680
Speaker 1: just want to make a statement. I want to know

540
00:31:46,840 --> 00:31:48,360
Speaker 1: this hold on the state. This is the thing. This

541
00:31:48,440 --> 00:31:51,080
Speaker 1: is the problem that whenever something is lyrical, it has

542
00:31:51,160 --> 00:31:54,520
Speaker 1: to automatically be assumed it's New York. And that's the

543
00:31:54,600 --> 00:31:57,680
Speaker 1: problem here. That's the problem we're having him, that's the problem.

544
00:31:57,880 --> 00:32:01,840
Speaker 1: That's an argument. We always had something. Oh it's gotta

545
00:32:02,320 --> 00:32:06,040
Speaker 1: do you see it when you are We're good okay.

546
00:32:06,760 --> 00:32:08,600
Speaker 1: And that's the that's the thing that I've always argued

547
00:32:08,920 --> 00:32:12,680
Speaker 1: because from Miami, I was always arguing and advocating lyricist

548
00:32:12,720 --> 00:32:14,960
Speaker 1: as well. You know, if you're a certain lyrical that

549
00:32:15,040 --> 00:32:18,800
Speaker 1: oh no, no, that is East New York Star were

550
00:32:18,840 --> 00:32:21,080
Speaker 1: talking to Miami. But what is lyrical over is what

551
00:32:21,160 --> 00:32:27,280
Speaker 1: you're talking about head because no people saying people work playing,

552
00:32:27,360 --> 00:32:29,280
Speaker 1: they say I'm lyrical all the time. You are to

553
00:32:29,360 --> 00:32:32,120
Speaker 1: think about that. I'm just wrapping about beer and party

554
00:32:32,200 --> 00:32:40,040
Speaker 1: this ship. But when you put it, yeah, well object,

555
00:32:40,720 --> 00:32:43,040
Speaker 1: that's the way you're not just saying my leg I

556
00:32:43,160 --> 00:32:44,920
Speaker 1: beg yeah, you know what I'm saying. We're just doing

557
00:32:44,960 --> 00:32:53,120
Speaker 1: on my lap, like we gott get pleased, holy ship,

558
00:32:53,240 --> 00:32:55,880
Speaker 1: this is a new tax. Like for really it was

559
00:32:56,000 --> 00:32:58,840
Speaker 1: years I couldn't get this motherfucker to smoke with a ship.

560
00:32:59,160 --> 00:33:00,600
Speaker 1: He couldn't get me to drink beer. And then and

561
00:33:00,640 --> 00:33:02,760
Speaker 1: then when he started like smoking weight, I was like,

562
00:33:03,400 --> 00:33:07,880
Speaker 1: that's so what was you know, being that we gonna

563
00:33:07,920 --> 00:33:10,040
Speaker 1: drink chat the moment where you said, you know what,

564
00:33:10,520 --> 00:33:14,600
Speaker 1: I'm gonna slow down on drinking. I mean, like, um,

565
00:33:14,960 --> 00:33:16,600
Speaker 1: I don't think it was one moment. I think it's

566
00:33:16,640 --> 00:33:22,000
Speaker 1: more like accumulation of a whole bunch of moments. Good anything,

567
00:33:23,120 --> 00:33:28,440
Speaker 1: don't let me, but like, um, I just felt like, well,

568
00:33:28,560 --> 00:33:30,280
Speaker 1: a big part of it. I met a girl, right

569
00:33:31,160 --> 00:33:33,840
Speaker 1: And sometimes you know they say you've got spiritual I mean,

570
00:33:33,880 --> 00:33:36,200
Speaker 1: what's called the partner of life, partner of whatever I

571
00:33:36,280 --> 00:33:39,360
Speaker 1: think I was called. Uh yeah, So I met this

572
00:33:39,400 --> 00:33:41,600
Speaker 1: girl name Michelle and everything. And you know when I

573
00:33:41,920 --> 00:33:44,479
Speaker 1: realized that that, um, I was sucking up a lot,

574
00:33:44,520 --> 00:33:46,920
Speaker 1: you know what I'm saying. And in fucking up, it's

575
00:33:46,920 --> 00:33:48,880
Speaker 1: gonna people that it's gonna be people around you that

576
00:33:49,040 --> 00:33:52,320
Speaker 1: tell you, look, you're sucking up. Always gonna be people

577
00:33:52,480 --> 00:33:54,600
Speaker 1: that encourage you to funk up more so they look better.

578
00:33:55,240 --> 00:33:57,760
Speaker 1: So I realized like a whole like um, Like, first

579
00:33:57,760 --> 00:34:00,400
Speaker 1: of all, a party for light. I mean this is realistic,

580
00:34:00,480 --> 00:34:02,080
Speaker 1: A party for like two of years straight. You know

581
00:34:02,080 --> 00:34:04,560
Speaker 1: what I'm saying, every day non stop? The fifth day

582
00:34:04,720 --> 00:34:06,880
Speaker 1: party studio, back to the things. See my kids go

583
00:34:06,920 --> 00:34:09,040
Speaker 1: over here and back to the part. You know, every

584
00:34:09,120 --> 00:34:11,719
Speaker 1: day I was waking up not serious about ship, you know.

585
00:34:12,000 --> 00:34:16,440
Speaker 1: So basically, um, the sweetheart lady, she she basically put

586
00:34:16,480 --> 00:34:17,640
Speaker 1: me to the side and said you're better than that,

587
00:34:17,719 --> 00:34:20,040
Speaker 1: you know what I'm saying, and she just you know,

588
00:34:20,160 --> 00:34:21,719
Speaker 1: start up being my friend and everything. But now I

589
00:34:21,800 --> 00:34:24,000
Speaker 1: realized that you need more people like that, you know

590
00:34:24,000 --> 00:34:26,799
Speaker 1: what I'm saying, Like I never thought about relationship, but man,

591
00:34:26,880 --> 00:34:28,040
Speaker 1: you know, I mean, I don't know the pointy to

592
00:34:28,120 --> 00:34:30,239
Speaker 1: and say, you know what we do, but you don't

593
00:34:30,239 --> 00:34:33,319
Speaker 1: do that. Okay, put over there. But you know it's

594
00:34:33,320 --> 00:34:35,239
Speaker 1: probably some married people in the crowd right here, but

595
00:34:35,280 --> 00:34:41,680
Speaker 1: they'll tell you that these are players. Okay, but but anyway,

596
00:34:43,440 --> 00:34:45,360
Speaker 1: that's what really did when somebody when somebody from the

597
00:34:45,400 --> 00:34:48,120
Speaker 1: outside to love you more than you love yourself and

598
00:34:48,200 --> 00:34:50,680
Speaker 1: she would care. Nah, but you know, we literally you

599
00:34:50,680 --> 00:34:52,480
Speaker 1: know what I'm saying, it's a girls ship. Shuff shut

600
00:34:52,560 --> 00:34:54,800
Speaker 1: up and ship. But I'm trying to figure out what

601
00:34:55,000 --> 00:34:56,839
Speaker 1: you've got the key here? Yeah, you got to keep

602
00:34:57,239 --> 00:35:04,600
Speaker 1: we got the half smoke chance we're done smoke right, Okay, Okay,

603
00:35:06,360 --> 00:35:08,920
Speaker 1: let me know, but I'm just saying that, um like, basically,

604
00:35:09,000 --> 00:35:11,239
Speaker 1: like there's people out there that's gonna see this ship

605
00:35:11,320 --> 00:35:13,080
Speaker 1: too with a problem, you know what I'm saying. So

606
00:35:13,160 --> 00:35:15,439
Speaker 1: if you see this problem in advance, it's a better

607
00:35:15,520 --> 00:35:17,879
Speaker 1: thing that then you know, you could die from liver

608
00:35:18,000 --> 00:35:21,120
Speaker 1: cancer or something that you but just they like like thinking, um,

609
00:35:21,520 --> 00:35:23,560
Speaker 1: like you know I Red. When they came out, they

610
00:35:23,600 --> 00:35:25,840
Speaker 1: smoked and they smoked weed, and they let people know

611
00:35:25,920 --> 00:35:28,840
Speaker 1: cypres hell, all the groups that you know, that's what

612
00:35:28,960 --> 00:35:31,560
Speaker 1: they land. What's the first thing you want to do

613
00:35:31,640 --> 00:35:33,680
Speaker 1: when you see them up the backstage at the crowd

614
00:35:33,920 --> 00:35:35,400
Speaker 1: over here with it, you want to smoke with them.

615
00:35:35,719 --> 00:35:38,160
Speaker 1: So we got signed pretty much a couple of years

616
00:35:38,160 --> 00:35:39,759
Speaker 1: after high school. You know what I'm saying. We're turned

617
00:35:39,840 --> 00:35:42,279
Speaker 1: twenty one, we've already rapped. You know, we've got the

618
00:35:42,320 --> 00:35:45,160
Speaker 1: first album out. We're doing our thing. Everybody we encountered

619
00:35:45,600 --> 00:35:47,479
Speaker 1: it was a routine that want to buy you a drink,

620
00:35:47,880 --> 00:35:49,600
Speaker 1: drink it with you and take a picture, you know

621
00:35:49,640 --> 00:36:02,640
Speaker 1: what I'm saying. So back then, no c the Reds.

622
00:36:02,719 --> 00:36:05,879
Speaker 1: Back then, Yeah, the whole ship look like lines out there.

623
00:36:06,120 --> 00:36:08,359
Speaker 1: But make a long story, short, short story, long whatever

624
00:36:08,520 --> 00:36:10,600
Speaker 1: the um you know, it's just a lot of people

625
00:36:10,719 --> 00:36:12,279
Speaker 1: came to me and they pulled me to the side

626
00:36:12,320 --> 00:36:13,840
Speaker 1: a lot and they was like, dude, just like you

627
00:36:13,920 --> 00:36:15,520
Speaker 1: know that that story to me and you just told

628
00:36:15,600 --> 00:36:18,120
Speaker 1: this ship I could have died that night. You know

629
00:36:18,120 --> 00:36:19,880
Speaker 1: what I'm saying, Remember how the thing was looking at

630
00:36:20,440 --> 00:36:22,600
Speaker 1: But what I mean is if I if I can

631
00:36:22,600 --> 00:36:24,880
Speaker 1: tell I don't not people for drinking this ship year

632
00:36:24,960 --> 00:36:31,120
Speaker 1: to see do your thing. Listen everybody listening to do

633
00:36:31,200 --> 00:36:32,360
Speaker 1: what you want to. But if you see it's a

634
00:36:32,400 --> 00:36:36,040
Speaker 1: problem in moderation, everything you gotta do is embrace the problem.

635
00:36:36,280 --> 00:36:37,560
Speaker 1: You know what I'm saying. Once you embrace it, then

636
00:36:37,640 --> 00:36:39,960
Speaker 1: you fix it. Okay, allcause like Jabe was not here

637
00:36:40,080 --> 00:36:41,960
Speaker 1: right now, but all the talking and complaining about it

638
00:36:42,000 --> 00:36:43,279
Speaker 1: not gonna breathe here. So we gotta make the best

639
00:36:43,320 --> 00:36:44,600
Speaker 1: of the hope we get better soon, you know what

640
00:36:44,600 --> 00:36:46,400
Speaker 1: I'm saying. But that's what I did. I said, you

641
00:36:46,480 --> 00:36:48,880
Speaker 1: know what, I checked myself to this um. It's like

642
00:36:48,960 --> 00:36:51,120
Speaker 1: a program. It's not like a rehab when you go

643
00:36:51,320 --> 00:36:53,600
Speaker 1: for you know, you stay there for a month or whatever.

644
00:36:54,080 --> 00:36:58,880
Speaker 1: It's like I just made a dedication available. It was

645
00:36:59,239 --> 00:37:09,640
Speaker 1: like you specially yeah, you know Vegas, Yeah, flavor out

646
00:37:09,640 --> 00:37:12,759
Speaker 1: the thing. It's a lot of you know, it's not

647
00:37:13,640 --> 00:37:16,759
Speaker 1: by must have been looking fund up, because everybody say

648
00:37:16,760 --> 00:37:20,759
Speaker 1: that to say that, I don't back that. That's what

649
00:37:20,800 --> 00:37:22,840
Speaker 1: I mean by niggers. They tell you that. I know

650
00:37:23,239 --> 00:37:29,239
Speaker 1: it was challenging you. We was chelling you in the

651
00:37:29,400 --> 00:37:34,919
Speaker 1: most drunkest place in the world in Vegas, Vegas because

652
00:37:36,200 --> 00:37:38,360
Speaker 1: like you know, how like you know some people and

653
00:37:38,440 --> 00:37:41,520
Speaker 1: ship like you you overdo something to stop like the break,

654
00:37:41,600 --> 00:37:42,799
Speaker 1: the hap it or something, you know what I mean,

655
00:37:43,640 --> 00:37:46,080
Speaker 1: Like some people, Okay, you won't rock bottom. Bro let's

656
00:37:46,080 --> 00:37:48,359
Speaker 1: just say that, did you see it was a different

657
00:37:48,360 --> 00:37:50,040
Speaker 1: you know, people hit rock bottom, they go broke, they

658
00:37:50,120 --> 00:37:52,360
Speaker 1: do this, they no, no, no, but but spiritually you

659
00:37:52,400 --> 00:37:54,399
Speaker 1: probably hit rock bas I just I just know better

660
00:37:54,480 --> 00:37:56,360
Speaker 1: than that. And just you know, I lost interest in

661
00:37:56,360 --> 00:37:57,759
Speaker 1: the music for a minute. It was like it was

662
00:37:57,800 --> 00:37:59,560
Speaker 1: a lot of buss hit coming out, and I was thinking,

663
00:38:00,520 --> 00:38:02,120
Speaker 1: just like this might not be my land, you know

664
00:38:02,160 --> 00:38:04,560
Speaker 1: what I'm saying. So I started doing other stuff and

665
00:38:04,560 --> 00:38:06,440
Speaker 1: I didn't realize that I love hip hop so much

666
00:38:06,760 --> 00:38:08,239
Speaker 1: like funk what everybody I was doing just come back

667
00:38:08,239 --> 00:38:09,480
Speaker 1: to this. So I took a hiatus, you know what

668
00:38:09,480 --> 00:38:11,399
Speaker 1: I'm saying. So I really the quarantine and all that ship.

669
00:38:11,760 --> 00:38:13,320
Speaker 1: It was me just you know, better than myself. This

670
00:38:13,400 --> 00:38:16,160
Speaker 1: is after you guys did lick nuts. This is after

671
00:38:16,239 --> 00:38:18,680
Speaker 1: that now now, yeah, that's probably when he came to

672
00:38:18,719 --> 00:38:25,640
Speaker 1: the realization, like you know, I'm gonna tell you, yeah, yeah,

673
00:38:26,960 --> 00:38:31,840
Speaker 1: Le'm gonna tell you the last time I dropped that

674
00:38:34,320 --> 00:38:35,879
Speaker 1: I caught the tail into that I don't even want.

675
00:38:37,280 --> 00:38:39,560
Speaker 1: That was the lick nuts of the room. But the alcohol,

676
00:38:42,920 --> 00:38:44,879
Speaker 1: I think you was there. But the last time I drunk,

677
00:38:44,920 --> 00:38:47,000
Speaker 1: because that's why to do like if you picture like

678
00:38:47,239 --> 00:38:49,799
Speaker 1: aldi big gonna stay drinking ship. Like the whole thing

679
00:38:49,880 --> 00:38:51,400
Speaker 1: was that I was having. Like I don't regretting none

680
00:38:51,400 --> 00:38:52,560
Speaker 1: of that ship. You know I'm saying, tell me, I

681
00:38:52,920 --> 00:38:54,879
Speaker 1: do be great. I take it back. I regret certain things,

682
00:38:55,640 --> 00:38:57,279
Speaker 1: but I had the best time in my life. Man.

683
00:38:57,320 --> 00:39:02,040
Speaker 1: I traveled the world. Absolutely, you still standing. Shot you

684
00:39:02,320 --> 00:39:05,840
Speaker 1: came off. I got you know, that ship. But but

685
00:39:06,000 --> 00:39:07,719
Speaker 1: what I said was that when you commit yourself to

686
00:39:08,160 --> 00:39:11,200
Speaker 1: better yourself, then when you stop, you start seeing all

687
00:39:11,200 --> 00:39:13,480
Speaker 1: these beautiful things start to popping at your doorstep. You

688
00:39:13,520 --> 00:39:15,200
Speaker 1: know what I'm saying, manage it. But it's my clothes

689
00:39:15,239 --> 00:39:16,799
Speaker 1: company on my back, you know, saying, did you tell

690
00:39:16,840 --> 00:39:20,120
Speaker 1: some of this is you know? And it's not. He

691
00:39:25,719 --> 00:39:30,320
Speaker 1: it's a little little gift for match shot laces in

692
00:39:30,360 --> 00:39:33,600
Speaker 1: the front. Nag, that's two heads that that's fine. Drink

693
00:39:36,600 --> 00:39:42,200
Speaker 1: there you got. But but you're just the man. I'm

694
00:39:42,280 --> 00:39:53,239
Speaker 1: really proud of you, bro like. But but it was

695
00:39:53,280 --> 00:39:57,320
Speaker 1: hell um it was hell um um um. It was

696
00:39:57,360 --> 00:40:00,400
Speaker 1: a beauty. It was a great feeling to check that

697
00:40:00,480 --> 00:40:02,160
Speaker 1: monkey off your back. Because now I got I got

698
00:40:02,360 --> 00:40:06,399
Speaker 1: album dedicated. I mean, it still the same party down

699
00:40:06,440 --> 00:40:09,200
Speaker 1: tasking every day, but I'm still talking about drinking and

700
00:40:09,200 --> 00:40:11,080
Speaker 1: she's like that but not me drinking. But I'm a

701
00:40:11,120 --> 00:40:19,040
Speaker 1: professional bartender now and really yeah, I can't get this

702
00:40:19,360 --> 00:40:21,839
Speaker 1: a lip. But um, but back to the thing. Um.

703
00:40:22,600 --> 00:40:25,719
Speaker 1: I encouraged anybody that knows that they're sucking up, you

704
00:40:25,760 --> 00:40:28,120
Speaker 1: know what I'm saying, to address the problem and get

705
00:40:28,120 --> 00:40:31,200
Speaker 1: it early, because it took me twelve years addressing damn

706
00:40:31,239 --> 00:40:32,919
Speaker 1: that went. Remember about to clip out here and ship

707
00:40:33,239 --> 00:40:35,720
Speaker 1: I just had some money and I wouldn't visit it Miami.

708
00:40:36,239 --> 00:40:38,640
Speaker 1: I liked it, but I out thee let me get that,

709
00:40:38,719 --> 00:40:40,400
Speaker 1: you know what I'm saying. Moved into North Bay Village

710
00:40:40,400 --> 00:40:43,799
Speaker 1: over here and ship. So how hard is it right

711
00:40:43,960 --> 00:40:46,200
Speaker 1: after you know, you realize you want to be sober

712
00:40:46,680 --> 00:40:49,080
Speaker 1: and you're still hanging out with a group called the alcoholics,

713
00:40:49,120 --> 00:40:52,560
Speaker 1: because by times not hanging out, you are the group alcoholics.

714
00:40:52,920 --> 00:40:55,920
Speaker 1: I mean I've been times where I like, I do,

715
00:40:56,239 --> 00:40:59,400
Speaker 1: like I just did seventeen days straight drink. Yeah in

716
00:40:59,480 --> 00:41:06,160
Speaker 1: seventeen Yeah, yeah, he's back. You're back to drinking. Yeah,

717
00:41:06,520 --> 00:41:09,239
Speaker 1: that's Kanye. You want to come the days. Yeah, I

718
00:41:09,280 --> 00:41:12,239
Speaker 1: didn't drink something not a good at interview too, because

719
00:41:12,239 --> 00:41:15,279
Speaker 1: I didn't understand Kanye until I saw that interview that

720
00:41:15,320 --> 00:41:16,840
Speaker 1: no people said I made him cool again? Thank you

721
00:41:17,760 --> 00:41:22,520
Speaker 1: what you did? I just did so. But at times

722
00:41:22,600 --> 00:41:23,800
Speaker 1: when I used to want to do that, and I

723
00:41:23,920 --> 00:41:25,520
Speaker 1: used to go to a club called so Be Live,

724
00:41:25,719 --> 00:41:28,680
Speaker 1: but I used to hang with my friends people that

725
00:41:28,840 --> 00:41:33,000
Speaker 1: was drinking, and I couldn't stand these motherfucker's. Yeah I

726
00:41:33,120 --> 00:41:36,520
Speaker 1: get that. I would come around these motherfucker's will be drinking.

727
00:41:37,200 --> 00:41:39,560
Speaker 1: If it would be there at nine o'clock with seventeen

728
00:41:39,600 --> 00:41:45,040
Speaker 1: bottles of water. That's not water in the water from

729
00:41:46,840 --> 00:41:49,600
Speaker 1: nine o'clock. That's another thing. By the time we were working, bro,

730
00:41:49,680 --> 00:41:51,320
Speaker 1: They'll just say we were not there. At nine o'clock.

731
00:41:51,440 --> 00:41:53,920
Speaker 1: We still earlier he was a part of the promotion

732
00:41:54,160 --> 00:41:56,040
Speaker 1: earlier guy to the club, and we would be there.

733
00:41:56,280 --> 00:42:00,239
Speaker 1: And at one point I had to learn how to

734
00:42:00,360 --> 00:42:03,920
Speaker 1: readapt myself exactly. So at first I wish to be uncomfortable,

735
00:42:04,000 --> 00:42:06,239
Speaker 1: Like I mean just not I'm playing around when I'm

736
00:42:06,239 --> 00:42:09,239
Speaker 1: saying them, But in general, when I would do these

737
00:42:09,320 --> 00:42:12,919
Speaker 1: thirty days spreads or whatever and I come around certain people,

738
00:42:13,200 --> 00:42:15,640
Speaker 1: I would be uncomfortable. And not only that, I would

739
00:42:15,719 --> 00:42:20,560
Speaker 1: judge people. I would like, he is just a little

740
00:42:20,560 --> 00:42:23,279
Speaker 1: bit of spin, is just hanging right there. And you

741
00:42:23,320 --> 00:42:27,239
Speaker 1: would say this about people. I would say about you too. Man,

742
00:42:28,960 --> 00:42:31,320
Speaker 1: you guys I'm saying when I when I would go

743
00:42:31,440 --> 00:42:34,399
Speaker 1: through my sobers right. But what I'm trying to say

744
00:42:34,520 --> 00:42:37,080
Speaker 1: is I had to learn how to readapt myself. I

745
00:42:37,160 --> 00:42:39,520
Speaker 1: had to learn how to say because they're having fun

746
00:42:39,600 --> 00:42:41,960
Speaker 1: and I'm not having I'm still having fun. I'm smoking

747
00:42:42,040 --> 00:42:44,640
Speaker 1: we I'm dancing to the music, but I'm not having

748
00:42:44,680 --> 00:42:47,360
Speaker 1: the type of fun they all because drinking just just

749
00:42:47,480 --> 00:42:50,440
Speaker 1: makes you have a little people, it just really just

750
00:42:50,520 --> 00:42:53,080
Speaker 1: making So how did you adapt to that and still

751
00:42:53,200 --> 00:42:59,160
Speaker 1: be a part of this this group the last time? Yeah, well, okay,

752
00:42:59,320 --> 00:43:02,240
Speaker 1: the last time I I rapped on stage drunk, believe

753
00:43:02,280 --> 00:43:06,040
Speaker 1: it or not, was that the Loud Records, than I

754
00:43:06,040 --> 00:43:15,920
Speaker 1: remember that was my darkest moment because this was it

755
00:43:16,040 --> 00:43:19,040
Speaker 1: was like it was like I wasn't ever had in

756
00:43:19,120 --> 00:43:21,520
Speaker 1: life did a minute. I didn't ad minute I had.

757
00:43:21,640 --> 00:43:23,759
Speaker 1: I had it so bad that when I was standing there,

758
00:43:24,120 --> 00:43:25,560
Speaker 1: I want to cry. You know what I'm saying. We

759
00:43:25,680 --> 00:43:28,440
Speaker 1: were staying on stage stage because first of all, the

760
00:43:28,480 --> 00:43:30,640
Speaker 1: mother was mad at first because the mother's when we

761
00:43:30,719 --> 00:43:32,279
Speaker 1: went on, we were a little earlier ship and people

762
00:43:32,320 --> 00:43:36,160
Speaker 1: still walking in. So I went into this hit understanding yeah,

763
00:43:36,160 --> 00:43:38,120
Speaker 1: because the lights ssted on being put on and I'm

764
00:43:38,200 --> 00:43:43,239
Speaker 1: drunk up, but you see this group, you got to

765
00:43:43,280 --> 00:43:45,400
Speaker 1: be feeling in your heart, right, And then we went

766
00:43:45,440 --> 00:43:48,360
Speaker 1: on first like it was the first Loud so I

767
00:43:48,440 --> 00:43:49,759
Speaker 1: think it was the first one, but without in the

768
00:43:49,840 --> 00:43:51,880
Speaker 1: first but I don't know who went on. But the

769
00:43:51,960 --> 00:43:53,920
Speaker 1: whole thing is, I'm looking for the light man. I'm

770
00:43:53,920 --> 00:43:56,399
Speaker 1: doing this. I'm drunking hell and not knowing that I'm

771
00:43:56,400 --> 00:43:58,359
Speaker 1: outside looking for the light man. They're like, yo, ta

772
00:43:58,760 --> 00:44:01,320
Speaker 1: swiftly started the intro. You own this ship like that.

773
00:44:01,800 --> 00:44:03,960
Speaker 1: I remember running to the stage and ship like that,

774
00:44:04,520 --> 00:44:06,680
Speaker 1: and I ran on the stage and everything I looked

775
00:44:07,080 --> 00:44:09,399
Speaker 1: and when I looked up, I realized were the first group,

776
00:44:09,440 --> 00:44:11,600
Speaker 1: and the license on it is barely you know, starting everything.

777
00:44:11,840 --> 00:44:13,240
Speaker 1: And I thought in my head, I was like, Nigga,

778
00:44:13,320 --> 00:44:15,640
Speaker 1: if you didn't drink, nigga, you'll be headlining this motherfucker.

779
00:44:15,680 --> 00:44:18,640
Speaker 1: You know what I'm saying. And it just made me think,

780
00:44:19,000 --> 00:44:21,560
Speaker 1: you at the bottom of the opening this motherfucker because

781
00:44:22,600 --> 00:44:23,920
Speaker 1: you ain't cut, you know what I'm saying. And I

782
00:44:24,719 --> 00:44:26,279
Speaker 1: don't know. I just um. The next day after that,

783
00:44:26,360 --> 00:44:27,960
Speaker 1: we went home back to l A and everything, I

784
00:44:28,080 --> 00:44:29,920
Speaker 1: just I just I said, that's the last time I

785
00:44:29,960 --> 00:44:32,239
Speaker 1: gonna feel like that. You know. I was piste off,

786
00:44:32,320 --> 00:44:34,400
Speaker 1: like like a motherfucker. I like, dude, you but if

787
00:44:34,400 --> 00:44:37,080
Speaker 1: you look at the show, I'm pretty much standing still

788
00:44:37,200 --> 00:44:39,440
Speaker 1: the whole time and everything. It's license on it in

789
00:44:39,520 --> 00:44:44,040
Speaker 1: my face and everything. But I was having emotional ship

790
00:44:44,120 --> 00:44:45,520
Speaker 1: going through my head while I'm wrapping. You know what

791
00:44:45,520 --> 00:44:48,560
Speaker 1: I'm saying. You know why you will always be a

792
00:44:48,640 --> 00:44:51,720
Speaker 1: bof alcohol. You will always beat it. But it's because

793
00:44:51,760 --> 00:44:54,600
Speaker 1: it's always somebody who tells you to stop. Right when

794
00:44:54,640 --> 00:45:00,040
Speaker 1: you stop on your own that means you have I

795
00:45:00,160 --> 00:45:02,239
Speaker 1: trying to let gas you or something like that. But

796
00:45:02,400 --> 00:45:04,120
Speaker 1: you know I've been in a A. I've been in

797
00:45:04,239 --> 00:45:06,920
Speaker 1: an A when I got you have been Yeah, when

798
00:45:06,920 --> 00:45:10,319
Speaker 1: I got locked up, you just not knowing that, yeah,

799
00:45:12,239 --> 00:45:14,719
Speaker 1: you had locked up. I had two assault I had

800
00:45:14,719 --> 00:45:17,600
Speaker 1: a tip order and two assault charges my but I

801
00:45:17,600 --> 00:45:21,239
Speaker 1: also had drug charges, so my lawyer told me to

802
00:45:21,440 --> 00:45:23,920
Speaker 1: cop out to the drug charges, not knowing when I

803
00:45:24,000 --> 00:45:26,320
Speaker 1: got up state, I was copping out to drug charges

804
00:45:26,320 --> 00:45:34,120
Speaker 1: saying I'm using the drug. So I I had to

805
00:45:34,160 --> 00:45:36,640
Speaker 1: do all that ship. And what I noticed is when

806
00:45:36,800 --> 00:45:40,279
Speaker 1: it's always That's why he said rock bottom. If you

807
00:45:40,360 --> 00:45:42,440
Speaker 1: noticed that he said, he said, you hit rock That's

808
00:45:42,440 --> 00:45:44,560
Speaker 1: what they say most people, and rock bottom is never

809
00:45:44,680 --> 00:45:48,120
Speaker 1: you you recognizing it's always somebody saying to you, yo, bro,

810
00:45:48,600 --> 00:45:52,719
Speaker 1: you slept in the Army's yea, in the pool of

811
00:45:52,800 --> 00:45:57,960
Speaker 1: your own door, right like that? Never like that point

812
00:45:58,040 --> 00:46:01,280
Speaker 1: is that I was living this rap life. It wave.

813
00:46:02,239 --> 00:46:10,200
Speaker 1: You know. The whole ship was that I have money

814
00:46:10,560 --> 00:46:11,800
Speaker 1: and that's what sucked it up kind of you know

815
00:46:11,800 --> 00:46:13,920
Speaker 1: what I'm saying, Because I go do two shows a week,

816
00:46:13,960 --> 00:46:16,200
Speaker 1: I mean two shows a month and get some cool

817
00:46:16,239 --> 00:46:17,920
Speaker 1: bread pay my rent and then the rest of this

818
00:46:17,960 --> 00:46:19,759
Speaker 1: party morning, you know what I'm saying. Like, of course

819
00:46:19,800 --> 00:46:21,359
Speaker 1: the kids, you know what I'm saying. But the rest

820
00:46:21,480 --> 00:46:22,719
Speaker 1: was just you know, like if we want to go

821
00:46:22,719 --> 00:46:24,399
Speaker 1: out of town, we go out of town for let's

822
00:46:24,400 --> 00:46:26,120
Speaker 1: say we're going for a day or two of I'll

823
00:46:26,160 --> 00:46:29,400
Speaker 1: just jump on the plane and God anyway, way, like

824
00:46:29,520 --> 00:46:31,200
Speaker 1: it came back when you like two weeks always saying

825
00:46:31,239 --> 00:46:33,520
Speaker 1: what I'm saying, just drunking binges of making music and

826
00:46:33,560 --> 00:46:36,799
Speaker 1: ship like and nobody stopped me. You know what I'm saying.

827
00:46:37,040 --> 00:46:40,080
Speaker 1: Have you ever one of one one of my best

828
00:46:41,600 --> 00:46:44,520
Speaker 1: I'm sorry to just bring this up. I gotta ask you, okay,

829
00:46:44,920 --> 00:46:48,000
Speaker 1: one of my best drinking partners, one of my worst

830
00:46:48,120 --> 00:46:52,040
Speaker 1: drinking partners, because when I realized what we do, it's horrible,

831
00:46:53,760 --> 00:47:05,239
Speaker 1: corrupt it too. Yeah yeah, but one day that's hunger

832
00:47:05,280 --> 00:47:08,239
Speaker 1: of corrupt for like three or four days and I

833
00:47:08,360 --> 00:47:11,360
Speaker 1: realized I never had a moment, so yeah, like I

834
00:47:11,520 --> 00:47:14,719
Speaker 1: was just he's still drinking like that. Now he had

835
00:47:14,760 --> 00:47:17,040
Speaker 1: to commit me. I think I think because he's on

836
00:47:17,080 --> 00:47:19,640
Speaker 1: marriage boot camp and he saw him marriage bout camp.

837
00:47:19,640 --> 00:47:21,600
Speaker 1: But I think he's traightened up a little No, he

838
00:47:21,640 --> 00:47:24,160
Speaker 1: looks good. I see that. People got in this ear too,

839
00:47:24,280 --> 00:47:27,759
Speaker 1: you know, like you. I'm talking about influence on we

840
00:47:27,880 --> 00:47:33,000
Speaker 1: need you'all legends. Yeah, put me on to the partial

841
00:47:33,040 --> 00:47:36,759
Speaker 1: conversation you feel comfortable with your conversation will corrupt and

842
00:47:36,880 --> 00:47:40,520
Speaker 1: about I mean you feel and we home musicition like that.

843
00:47:40,600 --> 00:47:43,440
Speaker 1: I just basically I told him that. And really it

844
00:47:43,520 --> 00:47:45,040
Speaker 1: was more people that that needed to hear it too,

845
00:47:45,040 --> 00:47:46,279
Speaker 1: you know what I'm saying. One like a one on

846
00:47:46,360 --> 00:47:48,440
Speaker 1: one per se. But it was a couple of us

847
00:47:48,520 --> 00:47:50,200
Speaker 1: that because they trip up that I don't drink them one.

848
00:47:50,200 --> 00:47:51,920
Speaker 1: I used to be the used to be the buyer

849
00:47:52,000 --> 00:47:54,640
Speaker 1: supplier to drinker. I come here, I walk in. They

850
00:47:54,680 --> 00:47:56,000
Speaker 1: know I got it in the car, I got it

851
00:47:56,080 --> 00:47:59,160
Speaker 1: over here and this and that, and you know, it

852
00:47:59,239 --> 00:48:02,840
Speaker 1: just got to be a lifestyle with have you. If

853
00:48:02,880 --> 00:48:05,920
Speaker 1: a person is is a real alcoholic, it's like you

854
00:48:06,200 --> 00:48:08,920
Speaker 1: you drink so much on the normal that when you're

855
00:48:08,920 --> 00:48:13,480
Speaker 1: not drinking and you don't you know, it's just like

856
00:48:13,680 --> 00:48:15,960
Speaker 1: the bas said this ship they want that high and

857
00:48:16,000 --> 00:48:18,000
Speaker 1: all this ship it was, it was it was like

858
00:48:18,080 --> 00:48:20,640
Speaker 1: so normal to me. I didn't realize how odd I

859
00:48:20,760 --> 00:48:22,479
Speaker 1: was active until he would come and tell me something

860
00:48:22,520 --> 00:48:24,880
Speaker 1: like you know what I mean or something like that

861
00:48:25,320 --> 00:48:28,439
Speaker 1: than any other drug. Because the suppose you addicted to heroin,

862
00:48:28,480 --> 00:48:30,879
Speaker 1: and there's places on Earth don't have herod, you could

863
00:48:30,880 --> 00:48:32,919
Speaker 1: be adict to the crack places on Earth don't happen.

864
00:48:33,719 --> 00:48:39,200
Speaker 1: We just in cocaine. It's place on alcohol accepted where

865
00:48:39,239 --> 00:48:42,319
Speaker 1: alcohol is more accepted. And that's the crazier part. That's true.

866
00:48:42,960 --> 00:48:45,880
Speaker 1: That's true. And the whole thing is it's like um

867
00:48:47,160 --> 00:48:53,520
Speaker 1: like alcoholic ship like that drinking alcohol alcohol. But the

868
00:48:53,560 --> 00:48:55,160
Speaker 1: whole thing is that you got to get out your system,

869
00:48:55,360 --> 00:48:57,840
Speaker 1: like this is the system because I want to places

870
00:48:57,840 --> 00:49:00,080
Speaker 1: this ship where dot bill or something like that. My

871
00:49:00,200 --> 00:49:02,440
Speaker 1: hand was taking this, like like what is going on?

872
00:49:02,719 --> 00:49:07,080
Speaker 1: Like it's been times, right, I'll go maybe two months

873
00:49:07,120 --> 00:49:10,480
Speaker 1: without drinking, but there'll be days I stayed up late

874
00:49:10,600 --> 00:49:12,520
Speaker 1: and I wake up with a hangover, but I never

875
00:49:12,600 --> 00:49:22,040
Speaker 1: drink right. It's like I'm just that was what that

876
00:49:22,200 --> 00:49:26,719
Speaker 1: is withdraw That's the hardest. You know, I don't I

877
00:49:26,800 --> 00:49:29,680
Speaker 1: don't hang out late unless I'm drinking. So every time

878
00:49:29,800 --> 00:49:32,000
Speaker 1: I'll hang out late and I wouldn't drink right, but

879
00:49:32,040 --> 00:49:33,839
Speaker 1: I'll just hang out late a p someone's in town

880
00:49:33,840 --> 00:49:36,719
Speaker 1: because it's Miami is a party town. And let's get

881
00:49:36,719 --> 00:49:38,759
Speaker 1: you an example. Let's say Nas is in town. Nas

882
00:49:38,840 --> 00:49:41,000
Speaker 1: hit me late and he got Club eleven at three

883
00:49:41,000 --> 00:49:43,000
Speaker 1: o'clock in the morning. I'm not used to hanging out

884
00:49:43,080 --> 00:49:44,640
Speaker 1: three o'clock in the morning. But this is my friend.

885
00:49:44,920 --> 00:49:47,080
Speaker 1: He's basically telling me to come hang out with him.

886
00:49:47,160 --> 00:49:49,399
Speaker 1: I'll go hang out with him. I'll go chill, I'll roll.

887
00:49:49,640 --> 00:49:52,440
Speaker 1: I have this right, I have two or three of

888
00:49:52,480 --> 00:49:55,279
Speaker 1: these PILs. I'm smoking. I'm not drinking at all, but

889
00:49:55,360 --> 00:49:58,640
Speaker 1: the fact is my my mind, I'm so used to

890
00:49:58,880 --> 00:50:02,560
Speaker 1: when I'm out at that be drinking your body environment.

891
00:50:02,640 --> 00:50:05,040
Speaker 1: To get me wrong, I'm not actually hung over. I

892
00:50:05,280 --> 00:50:08,719
Speaker 1: feel hungover. I'll wake up. I was like, ohh and

893
00:50:08,760 --> 00:50:13,880
Speaker 1: I'd be like because I feel like those hours relate

894
00:50:13,960 --> 00:50:21,279
Speaker 1: as associate that off for this even serious because it's

895
00:50:21,280 --> 00:50:23,960
Speaker 1: still but it's still want to I just want to

896
00:50:23,960 --> 00:50:26,160
Speaker 1: say this. It's the harder to people that's really trying

897
00:50:26,200 --> 00:50:28,799
Speaker 1: to healthy yourself. You know what I'm saying. You gotta

898
00:50:28,800 --> 00:50:30,520
Speaker 1: get the physical part. Like I said, my hand was

899
00:50:30,560 --> 00:50:32,920
Speaker 1: shaking and all that ship that means physically unhealthy. So

900
00:50:33,480 --> 00:50:36,719
Speaker 1: basically we went to the classes and everything. They ain't

901
00:50:36,760 --> 00:50:38,000
Speaker 1: teach me ship that I ain't know, you know what

902
00:50:38,000 --> 00:50:40,840
Speaker 1: I'm saying. But once you get like like two or

903
00:50:40,880 --> 00:50:43,600
Speaker 1: three weeks or a month and everything where you cleanse

904
00:50:43,640 --> 00:50:45,160
Speaker 1: your system and get it out of you and eat

905
00:50:45,239 --> 00:50:47,960
Speaker 1: right and drink water and ship like that. Like I

906
00:50:48,160 --> 00:50:49,840
Speaker 1: look at it. This ain't ain't no attraction, you know

907
00:50:49,840 --> 00:50:55,600
Speaker 1: what I'm saying, Like right right, it's just licking for y'all.

908
00:50:55,600 --> 00:50:58,080
Speaker 1: You know what saying. It ain't nothing. But I recommend

909
00:50:58,120 --> 00:50:59,960
Speaker 1: people to just go on a straight what you call

910
00:51:00,520 --> 00:51:04,440
Speaker 1: fast fast fast little fast fast, you know, and get

911
00:51:04,480 --> 00:51:07,480
Speaker 1: around people that ain't going to tice you the funk up,

912
00:51:07,520 --> 00:51:13,439
Speaker 1: you know, happy I have to watch versus oh yeah yeah, yeah,

913
00:51:13,640 --> 00:51:18,879
Speaker 1: yeah yeah with the licks go. I guess right off

914
00:51:18,920 --> 00:51:21,960
Speaker 1: the top people are gonna say how that already got something?

915
00:51:22,760 --> 00:51:24,440
Speaker 1: We were talking about this. We want to say how

916
00:51:24,600 --> 00:51:26,600
Speaker 1: Glymphis people want? So I think that's a good matchup.

917
00:51:26,920 --> 00:51:29,680
Speaker 1: I think something you don't want to spoke Channel live.

918
00:51:33,080 --> 00:51:41,160
Speaker 1: I ain't getting got let's get and that's my nose.

919
00:51:42,640 --> 00:51:47,200
Speaker 1: But you know who they don't go to love O God,

920
00:51:50,440 --> 00:51:55,560
Speaker 1: that's it. Rung off. You can do that keeps That

921
00:51:55,680 --> 00:51:58,360
Speaker 1: was hard breath control was was very open right now.

922
00:51:58,440 --> 00:52:00,200
Speaker 1: But that's funny y'all say that because I I was

923
00:52:00,280 --> 00:52:04,160
Speaker 1: in a studio all the nights. Somebody, somebody but us,

924
00:52:07,080 --> 00:52:10,480
Speaker 1: excuse me, I'm sorry. That's a good one. That's I

925
00:52:10,560 --> 00:52:14,040
Speaker 1: just feel like it just makes someone something. Man, it's

926
00:52:14,080 --> 00:52:19,319
Speaker 1: like too much word, yeah, beat not too much, not enough.

927
00:52:20,760 --> 00:52:24,640
Speaker 1: Whoever it is, everybody to find me, like you know

928
00:52:24,640 --> 00:52:27,040
Speaker 1: how you gotta be beat it because the hyperoglyphics. That's

929
00:52:27,040 --> 00:52:28,840
Speaker 1: a homeboys and everything. But my homewoy caught me a

930
00:52:28,880 --> 00:52:31,200
Speaker 1: couple of like do it four days ago and he

931
00:52:31,280 --> 00:52:35,040
Speaker 1: said that cats Will kind of disrespected the Licks legacy,

932
00:52:35,280 --> 00:52:37,560
Speaker 1: like we weren't we to do first with him something?

933
00:52:38,920 --> 00:52:41,160
Speaker 1: The whole by the line I was, I wasn't in

934
00:52:41,200 --> 00:52:43,200
Speaker 1: the studio that night. I went to the studio that night,

935
00:52:43,280 --> 00:52:44,879
Speaker 1: and I was really working on this whole other song.

936
00:52:45,440 --> 00:52:49,759
Speaker 1: But just rustle boys for Cats with the Higher because

937
00:52:50,520 --> 00:52:56,279
Speaker 1: it's like, man, that's how the fear the dawn. It's

938
00:52:56,280 --> 00:52:57,759
Speaker 1: not after the high. Man. I love them dudes, and

939
00:52:57,880 --> 00:53:00,880
Speaker 1: I love that girl life thanking that casual house. But

940
00:53:01,160 --> 00:53:03,000
Speaker 1: I'm just some m C ship this year manute and

941
00:53:03,000 --> 00:53:05,200
Speaker 1: I heard that, and so for me, to let that

942
00:53:05,280 --> 00:53:07,680
Speaker 1: slide yourself or someone told you know, somebody told me,

943
00:53:07,800 --> 00:53:09,480
Speaker 1: but I just said, in case it's true, I wrote

944
00:53:09,520 --> 00:53:16,719
Speaker 1: a verse. You know what I'm saying. But the whole

945
00:53:16,760 --> 00:53:19,120
Speaker 1: thing is, it's just it's just like, can we hear

946
00:53:19,120 --> 00:53:20,960
Speaker 1: the verse? You know, respectable, I don't remember that ship.

947
00:53:21,560 --> 00:53:26,840
Speaker 1: I got it, but what the meason, It's like this

948
00:53:26,960 --> 00:53:28,359
Speaker 1: shout out the Casual with the high row and all

949
00:53:28,360 --> 00:53:29,759
Speaker 1: that ship. This is like to beat the best, you

950
00:53:29,840 --> 00:53:31,719
Speaker 1: gotta beat mean, be the best, you gotta beat the best.

951
00:53:32,000 --> 00:53:33,520
Speaker 1: We've been hearing that ship so many years, just like

952
00:53:34,239 --> 00:53:35,840
Speaker 1: I was just wait for like I couldn't think of

953
00:53:35,840 --> 00:53:38,800
Speaker 1: nobody else. And you both, y'all are such a pillar

954
00:53:39,000 --> 00:53:41,760
Speaker 1: and that's why that's why they don't hate you disrespect

955
00:53:41,840 --> 00:53:45,480
Speaker 1: He's feeling better than that. I'm come back and that's it. Ah,

956
00:53:45,800 --> 00:53:48,080
Speaker 1: this ain't no blind side ship. I'm just saying. I'm

957
00:53:48,120 --> 00:53:50,160
Speaker 1: just saying that's what I heard. And I've heard Casual

958
00:53:50,239 --> 00:53:51,920
Speaker 1: Brad we went on tour together and all that stuff

959
00:53:52,239 --> 00:53:54,040
Speaker 1: about he can't be touching on the mic and all

960
00:53:54,080 --> 00:53:56,880
Speaker 1: this and everything. So you know, I just I just

961
00:53:57,320 --> 00:54:02,640
Speaker 1: see a little I just like it. Just what I

962
00:54:02,760 --> 00:54:04,919
Speaker 1: made is that it could be high Road the whole

963
00:54:04,960 --> 00:54:07,919
Speaker 1: crew against the whole liquid crew. That would be ill will.

964
00:54:13,680 --> 00:54:15,040
Speaker 1: I mean, I don't know where we did the liquid

965
00:54:15,080 --> 00:54:21,040
Speaker 1: cool thing. There's no disrespect to highways, there's nothing. This

966
00:54:21,200 --> 00:54:23,680
Speaker 1: is not a blind side trying to taste, nothing like that.

967
00:54:23,960 --> 00:54:25,800
Speaker 1: I've been feeling like that a long time that we

968
00:54:25,880 --> 00:54:31,160
Speaker 1: need to get it on, saying that the least little

969
00:54:31,160 --> 00:54:34,200
Speaker 1: liquid crew, but the legal and we go back with

970
00:54:34,280 --> 00:54:38,600
Speaker 1: the Liquid cool deep, the whole tree, the whole whole

971
00:54:38,680 --> 00:54:44,200
Speaker 1: because extensive. I mean it starts with Kington and there's us,

972
00:54:44,280 --> 00:54:47,960
Speaker 1: and then there's Exhibit exhibited, there's the far Ride, there's

973
00:54:48,160 --> 00:54:53,759
Speaker 1: uh is that that came associated with us A lot

974
00:54:53,760 --> 00:54:57,520
Speaker 1: of people A Yeah, Blue Pack, Mad Live like the

975
00:54:57,600 --> 00:55:01,480
Speaker 1: native chunk of the West Coast as good, absolutely mad

976
00:55:01,560 --> 00:55:04,040
Speaker 1: lid and we discovered and put out on our first album.

977
00:55:04,200 --> 00:55:08,319
Speaker 1: You know, um ship it Stylistic Jones. Yeah, we got

978
00:55:08,360 --> 00:55:11,840
Speaker 1: a lot. Man, what's your trial quests? You said, what

979
00:55:13,360 --> 00:55:17,239
Speaker 1: what's your battles? T Now, No, he's not without fight, dude.

980
00:55:17,280 --> 00:55:19,080
Speaker 1: I mean, battles are real battle. But they got they

981
00:55:19,120 --> 00:55:22,319
Speaker 1: got they got the I like the music too much

982
00:55:22,960 --> 00:55:26,239
Speaker 1: like I would, I wouldn't be a little want the

983
00:55:26,480 --> 00:55:28,680
Speaker 1: school like we do firsts. We do first of all highwall.

984
00:55:28,760 --> 00:55:31,279
Speaker 1: I welcome that and uh think about me, I'll be

985
00:55:31,360 --> 00:55:36,520
Speaker 1: hard Nubian. What's that brand that'd be like you know,

986
00:55:37,320 --> 00:55:39,520
Speaker 1: saying the sounds. I think that hygrow when the alcohols

987
00:55:39,520 --> 00:55:40,640
Speaker 1: be the best set up right now, you know what

988
00:55:40,640 --> 00:55:44,879
Speaker 1: I'm saying. I think and you But I'm just saying

989
00:55:44,920 --> 00:55:47,760
Speaker 1: for the fans, Like yeah, that's all anybody for the fans,

990
00:55:47,920 --> 00:55:50,400
Speaker 1: you know, But we got some ship. Our catalog is

991
00:55:53,080 --> 00:56:00,399
Speaker 1: we said that right, we don't have anybody. I don't

992
00:56:00,400 --> 00:56:01,640
Speaker 1: know what I mean. What I meant by that was

993
00:56:02,480 --> 00:56:05,520
Speaker 1: accept them too. That's a good one, A good one.

994
00:56:06,480 --> 00:56:08,439
Speaker 1: Like we got different crowds though, like like people sleep

995
00:56:08,440 --> 00:56:10,439
Speaker 1: on the licks because like we don't like they don't

996
00:56:10,480 --> 00:56:11,799
Speaker 1: call us for a lot of like I got song

997
00:56:11,920 --> 00:56:14,960
Speaker 1: with Snoop Dads all of them, but they don't really

998
00:56:15,000 --> 00:56:16,960
Speaker 1: call us for like like a lot of West Coast ship.

999
00:56:17,080 --> 00:56:19,759
Speaker 1: Like we we out of national content. So and we

1000
00:56:19,840 --> 00:56:23,200
Speaker 1: lease hundreds of thousands of little pockets of alcoholic fans everywhere,

1001
00:56:23,200 --> 00:56:25,719
Speaker 1: you know what I'm saying. So, like we gotta overseas

1002
00:56:25,760 --> 00:56:29,000
Speaker 1: and like Japan and all these different things. But our

1003
00:56:29,080 --> 00:56:31,080
Speaker 1: sounds is different, but I would be falling the battle.

1004
00:56:31,120 --> 00:56:33,080
Speaker 1: Then we got it. We have a call out, man,

1005
00:56:33,160 --> 00:56:36,960
Speaker 1: so we you know, because they they know by the

1006
00:56:37,040 --> 00:56:38,560
Speaker 1: West Coast, we love by the West Coast. I think

1007
00:56:38,560 --> 00:56:41,359
Speaker 1: they fans our fans, you know. And this is one

1008
00:56:41,400 --> 00:56:47,799
Speaker 1: more said one boy. I don't say alcoholic CNN. How

1009
00:56:47,800 --> 00:56:51,560
Speaker 1: about MLP. Oh that's a different one too. That's how

1010
00:56:51,640 --> 00:56:54,319
Speaker 1: different they love. I think Sonica doesn't make sense. Yeah,

1011
00:56:58,840 --> 00:57:02,120
Speaker 1: I just think it doesn't really match up what you

1012
00:57:02,160 --> 00:57:04,439
Speaker 1: think about it. Fab and Jada Kiss makes no sense

1013
00:57:04,480 --> 00:57:06,920
Speaker 1: in the world. It's just in the sense of hip No,

1014
00:57:07,160 --> 00:57:10,600
Speaker 1: that does make sense. What doesn't all commercial records and not.

1015
00:57:11,040 --> 00:57:13,600
Speaker 1: But the way that they rhyme does make sense. There.

1016
00:57:17,000 --> 00:57:21,919
Speaker 1: That's Rome pattering versus Rome content. You know what, Maybe

1017
00:57:22,080 --> 00:57:25,480
Speaker 1: MP might act what I'm trying to say, Like, I'm

1018
00:57:25,520 --> 00:57:28,640
Speaker 1: thinking about the way that the group's rhyme. Yeah, and

1019
00:57:28,720 --> 00:57:34,000
Speaker 1: actually it does kind of. Yeah. What I'm trying to say, like,

1020
00:57:34,600 --> 00:57:36,800
Speaker 1: you guys to thinking content, you guys to think in

1021
00:57:37,720 --> 00:57:39,720
Speaker 1: you guys, coach, I'm just saying in general, you guys

1022
00:57:39,760 --> 00:57:41,800
Speaker 1: are thinking content. You guys, I'm not thinking that. I'm

1023
00:57:41,840 --> 00:57:45,560
Speaker 1: thinking pure hip hop, pure hip hop, just one fucking Mike.

1024
00:57:45,760 --> 00:57:48,840
Speaker 1: I mean, you know, dreams because because and then there

1025
00:57:48,880 --> 00:57:51,600
Speaker 1: are two Mikes or whoever and the DJ. I'm not

1026
00:57:51,680 --> 00:57:55,040
Speaker 1: thinking about Scooper scrap. I'm I'm thinking about fucking you know,

1027
00:57:55,160 --> 00:57:57,280
Speaker 1: the other people that's gonna come out dancing. I'm not

1028
00:57:57,360 --> 00:57:59,680
Speaker 1: thinking about I Love with Kane Dead with crazy legs.

1029
00:58:00,000 --> 00:58:04,400
Speaker 1: I'm thinking about that part. Just thinking about bars, party music,

1030
00:58:04,880 --> 00:58:08,920
Speaker 1: hype music, just going soul for so it might pay

1031
00:58:09,040 --> 00:58:13,040
Speaker 1: be some fun though. That would be, but that's not

1032
00:58:13,200 --> 00:58:16,919
Speaker 1: something I ain't never thought about. Makes more sense, Yeah,

1033
00:58:16,920 --> 00:58:20,240
Speaker 1: because they gott down now that, now that I think

1034
00:58:20,240 --> 00:58:24,480
Speaker 1: about it, the way that coming back, I'm not come back.

1035
00:58:24,520 --> 00:58:27,440
Speaker 1: I'm coming back and coming back because I'm thinking. I'm

1036
00:58:27,480 --> 00:58:31,160
Speaker 1: thinking about the run style, all right, it'd be entertaining.

1037
00:58:32,720 --> 00:58:36,800
Speaker 1: How about have you guys ever worked with Della no Man?

1038
00:58:37,360 --> 00:58:41,520
Speaker 1: We were supposed to man right before he got sick. Yeah,

1039
00:58:41,640 --> 00:58:43,760
Speaker 1: I talked to Della Man. We had so much ship

1040
00:58:43,880 --> 00:58:46,800
Speaker 1: going on, like and it just it just never happened.

1041
00:58:47,200 --> 00:58:49,360
Speaker 1: You know. Um, I would have loved to work with

1042
00:58:49,360 --> 00:58:51,440
Speaker 1: any of course, one of my one of my favorites,

1043
00:58:51,680 --> 00:59:04,360
Speaker 1: you know, producer wise, but never happened. It's never happened unfortunately. Okay,

1044
00:59:04,640 --> 00:59:06,760
Speaker 1: now could I go to my ferrail question? You can

1045
00:59:07,080 --> 00:59:12,520
Speaker 1: actually no, you can't hold upon so Jesus y'all the

1046
00:59:12,600 --> 00:59:16,760
Speaker 1: first one of the first series signed Aloud, right and

1047
00:59:16,880 --> 00:59:21,680
Speaker 1: then mob deep? Yeah, how was it relaxed? Buddy? Wait? Wait,

1048
00:59:21,720 --> 00:59:23,640
Speaker 1: wait a minute, who's the two cool? I said that

1049
00:59:23,760 --> 00:59:28,000
Speaker 1: saw it before y'all okay, and then after y'all was

1050
00:59:28,000 --> 00:59:32,040
Speaker 1: small after us. No, I'm just saying that. I'm not

1051
00:59:32,120 --> 00:59:38,960
Speaker 1: saying that. I'm not saying exactly who was about that? No, no,

1052
00:59:39,160 --> 00:59:42,160
Speaker 1: no ship it no, no exhibit came because of y'all. Know,

1053
00:59:42,520 --> 00:59:45,160
Speaker 1: didn't come after you. You can't wait after. But but yeah,

1054
00:59:45,160 --> 00:59:47,200
Speaker 1: because of y'all picking out our second time, after our

1055
00:59:47,240 --> 00:59:53,040
Speaker 1: second album, because because album was that it was because

1056
00:59:53,040 --> 00:59:55,760
Speaker 1: of the alcoholics right there. Yeah, I executive produced his

1057
00:59:55,840 --> 00:59:58,760
Speaker 1: first two albums and brought him aloud. I won't try

1058
00:59:58,800 --> 01:00:02,320
Speaker 1: to say the it comes in and would change and

1059
01:00:02,400 --> 01:00:08,080
Speaker 1: s that in there? How was that environment? It was incredible, Like, yeah,

1060
01:00:08,080 --> 01:00:10,760
Speaker 1: it was in I feel like there's hip hop and

1061
01:00:10,800 --> 01:00:14,600
Speaker 1: then there's that culture y'all cultivated with it was though

1062
01:00:14,880 --> 01:00:17,880
Speaker 1: it was a trip he was on that jam, but

1063
01:00:18,160 --> 01:00:20,600
Speaker 1: that time, that's the second label. That's what I remember

1064
01:00:20,640 --> 01:00:23,000
Speaker 1: sitting there in meeting and Ship, like the executive meet

1065
01:00:23,080 --> 01:00:25,120
Speaker 1: with Loud and all this Ship, and they were just

1066
01:00:25,160 --> 01:00:26,680
Speaker 1: going ahead and with depth jam. You know, I'm saying

1067
01:00:26,680 --> 01:00:29,240
Speaker 1: that Steve, I don't know if Steve calling Steve calling

1068
01:00:29,320 --> 01:00:30,760
Speaker 1: the top, but I don't know who the idea was.

1069
01:00:31,240 --> 01:00:33,360
Speaker 1: But if you notice they signed a red Man, he

1070
01:00:33,440 --> 01:00:39,600
Speaker 1: signed Eximmy, they signed soon so we signed Alcoholics, Yeah exactly.

1071
01:00:39,720 --> 01:00:42,080
Speaker 1: So if you look at the pattern the Jam, the ship,

1072
01:00:42,200 --> 01:00:44,480
Speaker 1: we signed this they signed that. You So that was

1073
01:00:44,520 --> 01:00:46,160
Speaker 1: like a competition thing going on that I don't even

1074
01:00:46,200 --> 01:00:48,480
Speaker 1: know about it until like after a third album and Ship,

1075
01:00:48,600 --> 01:00:53,160
Speaker 1: but you know, but so how was that environment? Family man?

1076
01:00:53,440 --> 01:00:55,440
Speaker 1: We took We took muchang on tour with us. You

1077
01:00:55,480 --> 01:00:57,840
Speaker 1: know what I'm saying. They were opening for opening. Yeah,

1078
01:00:57,920 --> 01:00:59,520
Speaker 1: so when we when we got most of the toward

1079
01:00:59,560 --> 01:01:02,320
Speaker 1: the same time, We're just dropped a little bit before that. Yeah,

1080
01:01:02,360 --> 01:01:05,480
Speaker 1: but we were. But but our single was out this

1081
01:01:05,680 --> 01:01:10,560
Speaker 1: is nine and nine. We had make room out at

1082
01:01:10,600 --> 01:01:15,760
Speaker 1: the only when I'm drinking, so um. We we had momentum.

1083
01:01:15,960 --> 01:01:22,760
Speaker 1: They were new, a new group and Mathew Man, so

1084
01:01:23,680 --> 01:01:26,160
Speaker 1: they had New York on lots, but that we didn't

1085
01:01:26,160 --> 01:01:29,600
Speaker 1: even realize. Ye, Like before they got side, we heard

1086
01:01:30,720 --> 01:01:32,800
Speaker 1: I don't know who did they promotional wellen, I go

1087
01:01:32,840 --> 01:01:35,080
Speaker 1: to New York to to talk to I mean, just

1088
01:01:35,120 --> 01:01:37,160
Speaker 1: go to New York to do it. I see like

1089
01:01:37,240 --> 01:01:40,840
Speaker 1: big Punt and woul Tang promotional tag is the most

1090
01:01:40,920 --> 01:01:43,600
Speaker 1: flooded I ever seen any other. Like everywhere you're talking

1091
01:01:43,600 --> 01:01:50,760
Speaker 1: to the wo tank w crazy man. What happened was

1092
01:01:50,920 --> 01:01:54,360
Speaker 1: they was they was buzzing in the streets and um,

1093
01:01:54,560 --> 01:01:57,480
Speaker 1: I was actually in New York at the time and

1094
01:01:57,600 --> 01:02:01,160
Speaker 1: having a meeting with Steve Rifkin and and he had hair,

1095
01:02:01,640 --> 01:02:06,880
Speaker 1: he had hair as long as right good and Rizzler

1096
01:02:06,960 --> 01:02:09,920
Speaker 1: came in like kind of bummer start meeting right me

1097
01:02:10,040 --> 01:02:13,720
Speaker 1: and Steve, And one by one they just came in

1098
01:02:13,720 --> 01:02:15,600
Speaker 1: there and started rapping like this ship was like like

1099
01:02:15,680 --> 01:02:18,080
Speaker 1: a movie. Right. So you were there when they demoed

1100
01:02:18,120 --> 01:02:20,120
Speaker 1: them solves. I was there me. It was just it

1101
01:02:20,200 --> 01:02:22,360
Speaker 1: was only two people there. It was me and Steve

1102
01:02:22,440 --> 01:02:25,000
Speaker 1: Riskind And you understand what he's saying. Yeah, I actually

1103
01:02:25,040 --> 01:02:30,600
Speaker 1: see the documentary. The documentary, No, no, Steve has to

1104
01:02:30,640 --> 01:02:33,040
Speaker 1: tell the story because they asked you out, asked me out.

1105
01:02:33,120 --> 01:02:37,800
Speaker 1: I wasn't. I didn't have enough platinum rap continue. But

1106
01:02:38,120 --> 01:02:41,360
Speaker 1: but so they came in there and they just bounced

1107
01:02:42,120 --> 01:02:44,040
Speaker 1: and Steve looks at me because I was Steve's right

1108
01:02:44,080 --> 01:02:46,000
Speaker 1: hand man at the time, like everything that had to

1109
01:02:46,040 --> 01:02:49,200
Speaker 1: do with meetings fucking music, like I was in scott

1110
01:02:49,960 --> 01:02:53,240
Speaker 1: all right. So they laugh and ship. He's like, what

1111
01:02:53,440 --> 01:02:56,040
Speaker 1: the fun was that? What just happened? I was sitting

1112
01:02:56,040 --> 01:02:58,840
Speaker 1: there like, yo, I don't know what fun that was,

1113
01:02:59,040 --> 01:03:01,000
Speaker 1: but you bet I'm let them get off this building

1114
01:03:01,040 --> 01:03:04,560
Speaker 1: without signing. The motherfucker's right. Next day they had a

1115
01:03:04,600 --> 01:03:07,160
Speaker 1: record deal and it was all nine of them. It

1116
01:03:07,280 --> 01:03:08,600
Speaker 1: was all of them. It was it was all I

1117
01:03:08,680 --> 01:03:14,920
Speaker 1: sept for maybe Goes goes. So are we saying that

1118
01:03:15,120 --> 01:03:17,720
Speaker 1: East West has something to do with the signing? I

1119
01:03:17,760 --> 01:03:20,440
Speaker 1: want to, but he said wet. I was like, but

1120
01:03:20,840 --> 01:03:23,560
Speaker 1: not even the whole way now, he said, was right,

1121
01:03:26,760 --> 01:03:31,440
Speaker 1: I'm not taking crazy. That's how the story goes. And

1122
01:03:31,480 --> 01:03:33,960
Speaker 1: they was already like on the radar, So you are

1123
01:03:34,080 --> 01:03:36,200
Speaker 1: taking crety, You're not taking No, I can't take credit

1124
01:03:36,200 --> 01:03:37,800
Speaker 1: for that. I didn't cut the check, but I say,

1125
01:03:37,840 --> 01:03:41,080
Speaker 1: but you was there there, said I gave him the

1126
01:03:41,120 --> 01:03:44,440
Speaker 1: co sign. I gave the thumbs up, and so the

1127
01:03:44,480 --> 01:03:46,960
Speaker 1: West coast help, Yeah, we help. Hey, we was there,

1128
01:03:47,200 --> 01:03:51,959
Speaker 1: We was there. Yeah, but that happened. That happened several times.

1129
01:03:52,000 --> 01:03:53,600
Speaker 1: Like I tried to take a few people to Steve

1130
01:03:53,680 --> 01:03:59,560
Speaker 1: at Uh. Eminem was one of them. Yeah, that one

1131
01:03:59,800 --> 01:04:03,760
Speaker 1: he he passed on and sut up he passed on Eminem.

1132
01:04:03,800 --> 01:04:05,920
Speaker 1: He didn't sign it. And the same trip Eminem was

1133
01:04:05,960 --> 01:04:10,040
Speaker 1: out there, I played him and ship like I had

1134
01:04:12,360 --> 01:04:19,000
Speaker 1: with Paul. That's just to Detroit. Paul was managing. Yeah, yeah,

1135
01:04:19,040 --> 01:04:21,880
Speaker 1: but but this was early and Paul had brought us

1136
01:04:21,880 --> 01:04:24,080
Speaker 1: to Detroit to do a show. Paul was throwing shows

1137
01:04:24,120 --> 01:04:25,960
Speaker 1: too at the time, and he was a lawyer. So

1138
01:04:26,200 --> 01:04:28,240
Speaker 1: we went out there and Paul comes to pick us

1139
01:04:28,320 --> 01:04:30,360
Speaker 1: up and in his path find whatever it was, and

1140
01:04:30,440 --> 01:04:32,280
Speaker 1: he takes take us around and he takes us to

1141
01:04:32,360 --> 01:04:35,840
Speaker 1: the record store where Eminem improofing all of them would

1142
01:04:35,880 --> 01:04:38,880
Speaker 1: be wrapping all in Detroit. Yeah, and Detroit, and we

1143
01:04:39,000 --> 01:04:41,840
Speaker 1: met them and this guy he was rapping, and we

1144
01:04:41,880 --> 01:04:44,240
Speaker 1: got the demo tape, so we started playing it like around.

1145
01:04:44,360 --> 01:04:46,200
Speaker 1: I had a hotel room. Rap life came out and

1146
01:04:46,280 --> 01:04:50,840
Speaker 1: he brought ming into my hotel room and yeah, like

1147
01:04:53,920 --> 01:04:57,600
Speaker 1: and when it got in Grey's hands. Um king T

1148
01:04:57,880 --> 01:05:03,760
Speaker 1: was signed uh to at that time, Um Dre had

1149
01:05:03,800 --> 01:05:10,720
Speaker 1: just put out fucking Um I forgot yeah, right after

1150
01:05:10,760 --> 01:05:14,800
Speaker 1: the firm didn't do it well, it was it was

1151
01:05:15,560 --> 01:05:18,280
Speaker 1: West Coast afternoon, it was I think it was it

1152
01:05:18,360 --> 01:05:20,640
Speaker 1: was after Man. I'm not sure, can you it was

1153
01:05:20,680 --> 01:05:24,640
Speaker 1: after Man and then um, So that didn't do as

1154
01:05:24,720 --> 01:05:29,520
Speaker 1: well as they wanted. For Dr Dre did good. I mean,

1155
01:05:29,600 --> 01:05:31,600
Speaker 1: you know it was dope, but for doctor you know

1156
01:05:31,720 --> 01:05:34,960
Speaker 1: your Dr Dre, your your fucking standards are way up

1157
01:05:34,960 --> 01:05:37,440
Speaker 1: here and there, your expectations are way up here. So

1158
01:05:37,880 --> 01:05:41,320
Speaker 1: he didn't reach that threshold. And next next up the

1159
01:05:41,400 --> 01:05:44,560
Speaker 1: bat was King T, who had who Dr Dre and

1160
01:05:44,680 --> 01:05:46,640
Speaker 1: King T had been the students probably did like dirty

1161
01:05:46,720 --> 01:05:50,880
Speaker 1: songs Um and Dr Dre had the decision like once

1162
01:05:50,960 --> 01:05:53,400
Speaker 1: this once he got ahold the Eminem ship, he was like, uh,

1163
01:05:54,200 --> 01:05:59,000
Speaker 1: it's got yeah, I got that k snippets right. But yeah,

1164
01:05:59,080 --> 01:06:03,520
Speaker 1: so he rolled the dice in fucking you know, Eminem

1165
01:06:03,520 --> 01:06:05,760
Speaker 1: took off. But he did let KINGT get his masters,

1166
01:06:06,080 --> 01:06:08,200
Speaker 1: let him do whatever he wanted with it, and that's

1167
01:06:08,280 --> 01:06:12,120
Speaker 1: unheard of. So you know sidetrack story, the guy who

1168
01:06:12,200 --> 01:06:16,920
Speaker 1: created our logo. He's scam. Oh yeah, scam from Miami

1169
01:06:17,000 --> 01:06:19,960
Speaker 1: Liberties from Carol City actually and uh and he was

1170
01:06:20,000 --> 01:06:22,360
Speaker 1: one of the people that took eminem to the source

1171
01:06:22,480 --> 01:06:24,800
Speaker 1: and yeah, and it was down with Paul and all

1172
01:06:24,800 --> 01:06:28,080
Speaker 1: of them guys. Yeah, there's a backstory there. Yeah. So yeah,

1173
01:06:28,560 --> 01:06:30,320
Speaker 1: you never know, That's what I'm saying. Yeah, you never

1174
01:06:30,400 --> 01:06:35,000
Speaker 1: know where where did it comes from? Eminem can because

1175
01:06:35,040 --> 01:06:37,440
Speaker 1: of my hotel room. I was out here for something.

1176
01:06:37,480 --> 01:06:39,760
Speaker 1: What year was rab Black was out about two thousand.

1177
01:06:41,720 --> 01:06:43,400
Speaker 1: There's in New York I'm thinking with in New York.

1178
01:06:44,960 --> 01:06:54,200
Speaker 1: Look at me. Everybody thinks we're in New York County. Goddamnit,

1179
01:06:54,240 --> 01:07:00,040
Speaker 1: goddamnit East. Yeah, yeah, because because that's not drinking. So

1180
01:07:00,120 --> 01:07:03,680
Speaker 1: you gotta hold it that we're doing. Yes, this is

1181
01:07:03,720 --> 01:07:05,840
Speaker 1: a part of our show. We call it quick Time

1182
01:07:05,920 --> 01:07:10,600
Speaker 1: or slut. All right. It's a very simple game. One

1183
01:07:10,680 --> 01:07:14,439
Speaker 1: or the other. Nothing. Get ready. If you pick both,

1184
01:07:15,320 --> 01:07:18,360
Speaker 1: you drink, all right? If you pick none, has to

1185
01:07:18,400 --> 01:07:20,280
Speaker 1: pick a drinker though, all right, he has to pick

1186
01:07:20,800 --> 01:07:23,800
Speaker 1: to pick a drink, pick a drink and who drinking green?

1187
01:07:23,880 --> 01:07:33,600
Speaker 1: Because drink it. Let's go, let's go, all right, I

1188
01:07:33,720 --> 01:07:36,360
Speaker 1: might be already what what what you got over there?

1189
01:07:36,840 --> 01:07:39,880
Speaker 1: Because it was not a good No, he's good, No, no, no,

1190
01:07:40,160 --> 01:07:51,800
Speaker 1: you know chicky Chip's another chair now they got on.

1191
01:07:52,040 --> 01:07:55,720
Speaker 1: There's no more on that. All speaking to versions. You

1192
01:07:55,720 --> 01:08:00,120
Speaker 1: ain't saying hi about versions. Yeah we did, Okay, we've

1193
01:08:00,120 --> 01:08:02,120
Speaker 1: seen three. How to give us flowers? How to give

1194
01:08:02,200 --> 01:08:04,680
Speaker 1: us flowers? That's my one. That's how you get ready,

1195
01:08:04,800 --> 01:08:07,960
Speaker 1: big god, you can battle with Joe buttons. You just

1196
01:08:12,320 --> 01:08:16,800
Speaker 1: like two hours straight and I'll be sure. Look a

1197
01:08:16,840 --> 01:08:20,360
Speaker 1: little alight. He's with you. Yeah, I can't hear anybody.

1198
01:08:20,720 --> 01:08:23,479
Speaker 1: It's called quick tile slows. Want to be iterate the rule. Okay,

1199
01:08:24,760 --> 01:08:27,080
Speaker 1: you pick one or the other. Just say how keep

1200
01:08:27,120 --> 01:08:34,400
Speaker 1: getting drunk with us right now? But you're taking off both, Kim,

1201
01:08:34,439 --> 01:08:37,960
Speaker 1: don't kill yourself. Can you take a shot? Okay, so

1202
01:08:38,000 --> 01:08:40,479
Speaker 1: you're ready going to volunteer. I'm good. I'm a rock

1203
01:08:40,520 --> 01:08:50,720
Speaker 1: out with yall with culture. We don't want to all

1204
01:08:50,800 --> 01:08:53,120
Speaker 1: he doing like what bad um? But today all he

1205
01:08:53,200 --> 01:08:58,760
Speaker 1: do is drunk mad dresses, drunk man dressing dress. The

1206
01:08:58,840 --> 01:09:03,599
Speaker 1: main drinks as Yeah, so buddy, you're ready, I'm ready.

1207
01:09:04,000 --> 01:09:11,200
Speaker 1: I'm ready. Wu tang or in wa damn drinking in

1208
01:09:11,520 --> 01:09:20,720
Speaker 1: way like I thought you was gonna say something. No, not,

1209
01:09:20,800 --> 01:09:23,479
Speaker 1: he answered for both of you. I think, okay, I'm

1210
01:09:23,520 --> 01:09:29,639
Speaker 1: going to what we're going two different questions? Okay, exhibit

1211
01:09:29,840 --> 01:09:35,040
Speaker 1: or grass cast and trust me rass listening right now.

1212
01:09:35,960 --> 01:09:38,000
Speaker 1: You don't got to drink, but you could. What's that

1213
01:09:38,800 --> 01:09:42,120
Speaker 1: general whatever your criteria like? You just you can say

1214
01:09:42,200 --> 01:09:46,040
Speaker 1: both neither or one or the other. If you say both,

1215
01:09:46,080 --> 01:09:51,040
Speaker 1: are neither? Were drinking? Everybody everybody's drinking. I'll say both. Alright, Hockey,

1216
01:09:52,040 --> 01:09:56,519
Speaker 1: it's yourself were drinking with you though we drinking? Drink

1217
01:09:58,240 --> 01:10:01,080
Speaker 1: whatever I thought you was drinking? Rock? Is that watermelon?

1218
01:10:02,040 --> 01:10:05,519
Speaker 1: Is this watermelon? Yeah? Yeah, yeah, do a little shot?

1219
01:10:07,880 --> 01:10:09,760
Speaker 1: Oh whoa, that's more than a little shot. Just that

1220
01:10:09,840 --> 01:10:14,080
Speaker 1: for y'all. Listen, this is this is a little shot.

1221
01:10:14,240 --> 01:10:16,080
Speaker 1: I'm sure what a little shot is. Now, this is

1222
01:10:16,200 --> 01:10:20,560
Speaker 1: this is a little na you do a lot of No,

1223
01:10:20,600 --> 01:10:25,320
Speaker 1: I'm not gonna take it off, sip on it. No, no, no,

1224
01:10:25,439 --> 01:10:27,160
Speaker 1: you gotta take a shot. Take a shot, all right,

1225
01:10:27,160 --> 01:10:30,479
Speaker 1: I'll take it the whole ship. Oh yeah, ice, yeah yeah,

1226
01:10:30,520 --> 01:10:33,960
Speaker 1: he does like yeah, yeah you know, yeah yeah yeah,

1227
01:10:34,160 --> 01:10:46,040
Speaker 1: all right. Tears fellas a little that one? Is that

1228
01:10:46,120 --> 01:10:53,400
Speaker 1: the first question? The second Oh little grass cast used

1229
01:10:53,400 --> 01:11:05,920
Speaker 1: to be King Tsan Gets never told me that. Ras was. Yeah,

1230
01:11:07,600 --> 01:11:10,000
Speaker 1: that's how I know. Originally, I'm gonna have to ask

1231
01:11:13,120 --> 01:11:15,559
Speaker 1: how do the women? He knew how to do it right? Man?

1232
01:11:15,600 --> 01:11:18,760
Speaker 1: He was prabatic. He was I couldn't remember when my

1233
01:11:18,840 --> 01:11:25,120
Speaker 1: fuckers used and jump over that ship college. He was

1234
01:11:25,200 --> 01:11:28,479
Speaker 1: nice to have the mohawk or the flat back there.

1235
01:11:28,520 --> 01:11:29,680
Speaker 1: I think he had a low hair there. I think

1236
01:11:29,720 --> 01:11:32,040
Speaker 1: he had low hair. But he was the illness, like

1237
01:11:32,360 --> 01:11:36,400
Speaker 1: fucking it. He told you he probably you know, he

1238
01:11:36,800 --> 01:11:42,240
Speaker 1: told you that didn't bring that down million dollar quick.

1239
01:11:42,280 --> 01:11:44,559
Speaker 1: They could just start dancing your videos like yourn stood

1240
01:11:44,560 --> 01:11:46,800
Speaker 1: and he said, hell no, that's what he told me.

1241
01:11:46,840 --> 01:11:50,720
Speaker 1: Had no reason what far side or so submission. I

1242
01:11:50,800 --> 01:11:56,320
Speaker 1: think so was a mischief. Yeah, I think he's gonna

1243
01:11:56,320 --> 01:12:00,400
Speaker 1: be biased right now. I don't know. I talked to

1244
01:12:00,520 --> 01:12:04,000
Speaker 1: I talked to Fat Live. IM was like before I signed, okay,

1245
01:12:04,000 --> 01:12:05,800
Speaker 1: I'm about to say, you can make a Hockckey drink.

1246
01:12:06,400 --> 01:12:12,759
Speaker 1: You can make hockcame drink. You ready, please please answer please,

1247
01:12:13,280 --> 01:12:22,639
Speaker 1: You're ready? Yep, Diamond d m or mad Live. Wow,

1248
01:12:22,880 --> 01:12:25,880
Speaker 1: that that that's created one guy. That's a good one

1249
01:12:26,560 --> 01:12:30,720
Speaker 1: good one. Guy, that's a good one because Diamond D

1250
01:12:30,920 --> 01:12:32,439
Speaker 1: like if I had to have a best friend in

1251
01:12:32,720 --> 01:12:38,680
Speaker 1: hip hop ship like for real, like and the Mad

1252
01:12:38,760 --> 01:12:42,280
Speaker 1: Live obviously, it's like, yeah, that's that's family. That's like

1253
01:12:42,400 --> 01:12:48,080
Speaker 1: my brother ship. It sounds like a shot to me,

1254
01:12:50,160 --> 01:12:58,240
Speaker 1: both a shot god, that's that's that's yep. Crane Grain

1255
01:12:58,280 --> 01:13:00,400
Speaker 1: has been so good to drink. Champs just talk drinks

1256
01:13:00,600 --> 01:13:06,040
Speaker 1: to be good. Backey, drink and shout out to Fussy Moto. Yeah,

1257
01:13:07,840 --> 01:13:12,200
Speaker 1: I ain't got this shot home now side hot. So

1258
01:13:14,000 --> 01:13:16,479
Speaker 1: you you signed up for this? I got wait fighting

1259
01:13:17,880 --> 01:13:20,599
Speaker 1: and you just killed versus. I told him, I told

1260
01:13:20,680 --> 01:13:26,280
Speaker 1: him he killed it all right, Okay, you're ready. Yeah,

1261
01:13:26,479 --> 01:13:28,599
Speaker 1: this is good. Let's finish this. Lets furinish this. Yees

1262
01:13:29,080 --> 01:13:31,599
Speaker 1: are you finish your Okay? I drink my ship too.

1263
01:13:35,040 --> 01:13:39,439
Speaker 1: I forgot to toast that's tasty and do this all

1264
01:13:39,479 --> 01:13:47,160
Speaker 1: that the drunk already we went. Who's the last one?

1265
01:13:49,080 --> 01:13:52,600
Speaker 1: I thought he picked far ast out Okay, So I

1266
01:13:52,680 --> 01:13:57,000
Speaker 1: thought your boat picked this ship? King? Oh yeah yeah

1267
01:13:57,120 --> 01:14:02,360
Speaker 1: yeah yeah yeah we're King t or m c A king.

1268
01:14:03,040 --> 01:14:15,760
Speaker 1: That was my boss. That's another shout. Our first demo

1269
01:14:15,840 --> 01:14:17,600
Speaker 1: tape that got a sign a loud. M c A

1270
01:14:17,760 --> 01:14:21,400
Speaker 1: was on it with everybody. He was on it. Iced

1271
01:14:21,479 --> 01:14:25,960
Speaker 1: Tea was eight nine. N c A was on our

1272
01:14:26,080 --> 01:14:30,120
Speaker 1: demo king I mean that's the that's the top. I'm

1273
01:14:30,160 --> 01:14:32,280
Speaker 1: bel friends with Chill. That was this after he said

1274
01:14:34,160 --> 01:14:41,640
Speaker 1: what's the way? Yeah, this is I'm going crazy. No,

1275
01:14:41,680 --> 01:14:46,360
Speaker 1: you're now, You're good, straight out of camp, all odds

1276
01:14:46,439 --> 01:14:50,200
Speaker 1: on me, straight out of comp I said it quick,

1277
01:14:50,240 --> 01:14:52,280
Speaker 1: but for a reason, though, I would like to hear

1278
01:14:52,439 --> 01:15:03,640
Speaker 1: with Benny Bone. But he talked about movies. I'm like

1279
01:15:03,680 --> 01:15:07,840
Speaker 1: a mother the movies. I'm smoke, but he said Bennie

1280
01:15:07,840 --> 01:15:14,280
Speaker 1: Boom but Minnie straight up and said because of Benny

1281
01:15:14,280 --> 01:15:17,080
Speaker 1: Bull but Benny Boomed all eyes of me. Okay, he

1282
01:15:17,120 --> 01:15:24,839
Speaker 1: didn't do straight up. Definitely had to do with the albums,

1283
01:15:25,200 --> 01:15:27,639
Speaker 1: so you can't say you talk album he picked out

1284
01:15:28,520 --> 01:15:33,559
Speaker 1: of the movie. Yeah, but you something but he said

1285
01:15:33,560 --> 01:15:39,360
Speaker 1: because of Benny Boom, and he wouldn't been wrong either way. No,

1286
01:15:39,560 --> 01:15:41,840
Speaker 1: but I'm saying the movie that's the way to play them.

1287
01:15:41,920 --> 01:15:43,840
Speaker 1: Which that was a better movie too, Which one do

1288
01:15:43,960 --> 01:15:49,720
Speaker 1: you like better? You prefer? That shouldn't be really even

1289
01:15:49,720 --> 01:15:51,479
Speaker 1: pick straight up comf in the album in my mind

1290
01:15:51,600 --> 01:15:53,280
Speaker 1: just now. I don't know. I'll say I'll say just

1291
01:15:53,400 --> 01:15:56,680
Speaker 1: because we was around that, like you said, I'll say,

1292
01:15:56,680 --> 01:15:59,320
Speaker 1: start out of content. Okay if any boom got nothing

1293
01:15:59,320 --> 01:16:08,000
Speaker 1: to do with that, you know, sorry, because this guy's

1294
01:16:08,040 --> 01:16:15,560
Speaker 1: different the phone, you know, yeah, yeah, he alight me

1295
01:16:15,800 --> 01:16:19,519
Speaker 1: the album being that he asked the movie Compton. You

1296
01:16:19,720 --> 01:16:24,479
Speaker 1: learn that I was really good friends with Pop and

1297
01:16:24,600 --> 01:16:27,439
Speaker 1: it was never because you were really good friends with Park.

1298
01:16:27,600 --> 01:16:35,680
Speaker 1: I was really good friends, very very time about the

1299
01:16:35,680 --> 01:16:38,240
Speaker 1: House of Blue. How are you good friends with just

1300
01:16:38,840 --> 01:16:42,760
Speaker 1: a ship? Like do I mean do rap ship? And

1301
01:16:42,840 --> 01:16:45,000
Speaker 1: that's how I met him, But me, I don't know.

1302
01:16:45,160 --> 01:16:47,479
Speaker 1: We just hung out one point in Park's career though.

1303
01:16:47,760 --> 01:16:51,599
Speaker 1: This is this is like right after I met him,

1304
01:16:53,080 --> 01:16:56,080
Speaker 1: I met him Digital Ground and he was he was

1305
01:16:56,120 --> 01:16:58,760
Speaker 1: afro Citic at that try. Yeah, yeah, yeah, yeah, I

1306
01:16:58,880 --> 01:17:02,719
Speaker 1: remember he came to New York to film Juice Juice,

1307
01:17:03,800 --> 01:17:06,640
Speaker 1: he came back to l A and then, like you

1308
01:17:06,680 --> 01:17:08,720
Speaker 1: know what I'm saying, I had the fun house. I

1309
01:17:08,800 --> 01:17:10,840
Speaker 1: was living in Hollywood Hills. Everybody in their mom used

1310
01:17:10,840 --> 01:17:12,680
Speaker 1: to come by my house like I was doing the

1311
01:17:12,720 --> 01:17:17,080
Speaker 1: big Only people that's rich had a fun house. Yeah,

1312
01:17:17,240 --> 01:17:20,120
Speaker 1: I had a fun house. I was rich, so I

1313
01:17:20,200 --> 01:17:23,000
Speaker 1: had to fund out next to ever Last. I ever

1314
01:17:23,080 --> 01:17:29,400
Speaker 1: Last a little bit like it was the party house.

1315
01:17:29,640 --> 01:17:34,200
Speaker 1: I don't know right, but and I used to tell

1316
01:17:34,280 --> 01:17:36,960
Speaker 1: him like I was at the time, I wasn't a

1317
01:17:37,040 --> 01:17:39,759
Speaker 1: big pop fan because of his music. Like to be honest,

1318
01:17:39,880 --> 01:17:46,080
Speaker 1: like on the digital underground side, just wasn't know what

1319
01:17:46,120 --> 01:17:49,479
Speaker 1: I'm saying. I like that. I like that I was

1320
01:17:49,560 --> 01:17:52,599
Speaker 1: at the video. I didn't even getting I didn't even

1321
01:17:52,640 --> 01:17:58,400
Speaker 1: get in the video. Yeahs video. I was just chilling,

1322
01:17:59,000 --> 01:18:01,719
Speaker 1: you know I was. I wasn't into getting people's videos

1323
01:18:01,760 --> 01:18:03,720
Speaker 1: like that. I was just behind the scenes shilling like

1324
01:18:03,760 --> 01:18:05,880
Speaker 1: I was just with the homie like him, he would

1325
01:18:05,920 --> 01:18:12,760
Speaker 1: have been on I jerked off, you jerk understanding good thing.

1326
01:18:12,840 --> 01:18:20,400
Speaker 1: I wasn't in it. Ship I feel weird if no,

1327
01:18:20,640 --> 01:18:32,000
Speaker 1: but I get around, I get I want your jokes

1328
01:18:32,880 --> 01:18:35,760
Speaker 1: anything that that the guy that video changed the game

1329
01:18:35,800 --> 01:18:38,000
Speaker 1: with That video changed the game. That was like Nellie

1330
01:18:38,320 --> 01:18:41,040
Speaker 1: in with Chip Trail. Oh that that was it. Yeah, yeah,

1331
01:18:41,680 --> 01:18:43,479
Speaker 1: shout all the money big so I start talking money

1332
01:18:43,520 --> 01:18:45,519
Speaker 1: be all the time, money to beat my We just

1333
01:18:45,600 --> 01:18:49,200
Speaker 1: had money to be here, right, had humpy humps um

1334
01:18:50,479 --> 01:18:54,160
Speaker 1: ya ya yeah, yeah, your hun got sucked up like

1335
01:18:54,280 --> 01:19:00,160
Speaker 1: three shots was over, shout out, he was here, will

1336
01:19:00,200 --> 01:19:10,240
Speaker 1: stop falling. You know, you know, you know young Hump's

1337
01:19:10,320 --> 01:19:15,000
Speaker 1: dad is Stanley Clark, right, like the yeah, the base player, Yeah,

1338
01:19:15,080 --> 01:19:18,920
Speaker 1: the big yeah. Yeah, was the Stanley Clark at George

1339
01:19:18,960 --> 01:19:25,040
Speaker 1: do George Stanley Clark your famous musician. Yeah that's beautiful. Yeah.

1340
01:19:25,520 --> 01:19:27,439
Speaker 1: Things people don't know guys. Yeah, like people don't know

1341
01:19:27,520 --> 01:19:29,639
Speaker 1: Al Green is my guyfather. Yeah, All Green is this guy.

1342
01:19:30,880 --> 01:19:36,400
Speaker 1: I thought it's facts. I was On've seen pictures of

1343
01:19:36,520 --> 01:19:42,720
Speaker 1: him and the old phone nineteen seven about I'll talk

1344
01:19:42,720 --> 01:19:48,160
Speaker 1: about st Yeah with the nineteen seventy rolls. Royce tash

1345
01:19:48,240 --> 01:19:50,040
Speaker 1: is sitting in there with his little homemade was a

1346
01:19:50,040 --> 01:19:56,000
Speaker 1: little homemade soon is that it's not normal? I love

1347
01:19:56,080 --> 01:19:59,880
Speaker 1: my mom. Just no, I was like, I have no clue. Yeah,

1348
01:20:00,040 --> 01:20:03,320
Speaker 1: Scott finds that happened. Al Green was married to a

1349
01:20:03,400 --> 01:20:06,400
Speaker 1: lady named Blue Dean. Lu Dean was my mother's best

1350
01:20:06,479 --> 01:20:09,720
Speaker 1: friend at the time from Colombia. So they had a

1351
01:20:09,840 --> 01:20:13,160
Speaker 1: child that was the same mate as me. So weally

1352
01:20:13,160 --> 01:20:15,400
Speaker 1: went on tour. We went on tour with him, my

1353
01:20:15,479 --> 01:20:18,479
Speaker 1: mother working stuff. Actually Loud got my mother's job. Like

1354
01:20:18,720 --> 01:20:20,680
Speaker 1: remember back when when Niggas had like fan man and

1355
01:20:21,000 --> 01:20:22,880
Speaker 1: like that, like my mom was Dob was like the

1356
01:20:23,000 --> 01:20:25,240
Speaker 1: open the mail reading and say something back out. There's

1357
01:20:25,240 --> 01:20:26,759
Speaker 1: something like that, you know what I like? When Niggs

1358
01:20:26,760 --> 01:20:31,240
Speaker 1: had but we want to roll in and stated his quip.

1359
01:20:31,360 --> 01:20:34,479
Speaker 1: And in Memphis, um he brought like a car. Remember

1360
01:20:34,680 --> 01:20:36,240
Speaker 1: I was a kid, but he bought like a I thought,

1361
01:20:36,280 --> 01:20:37,800
Speaker 1: this is the most bother ship I ever seen. But

1362
01:20:38,760 --> 01:20:40,840
Speaker 1: he wanted to be close to his band and ship, right,

1363
01:20:41,240 --> 01:20:43,439
Speaker 1: so he bought a car to sack. He said, you're

1364
01:20:43,439 --> 01:20:45,040
Speaker 1: gonna stay in the house. You're gonna say in the house.

1365
01:20:45,040 --> 01:20:46,600
Speaker 1: I'm gonna say at the house my mom, you know,

1366
01:20:46,880 --> 01:20:49,679
Speaker 1: like a call of saying you know. And I remember

1367
01:20:49,840 --> 01:20:52,160
Speaker 1: like like looking at and I was like, this is

1368
01:20:52,200 --> 01:20:53,519
Speaker 1: the dope ship that I was a kid, I like

1369
01:20:54,000 --> 01:20:58,840
Speaker 1: five years old or stuff like that. And that and

1370
01:20:58,920 --> 01:21:03,040
Speaker 1: that's that's the God's little bit. You knew him Pride

1371
01:21:03,080 --> 01:21:04,920
Speaker 1: to grits. He knew him, pride to the great. I

1372
01:21:04,960 --> 01:21:06,519
Speaker 1: got pints in the hospital. They had to go like

1373
01:21:07,080 --> 01:21:10,519
Speaker 1: he previous, what that's that's the cribit, Mistace. I'll tell

1374
01:21:10,560 --> 01:21:12,439
Speaker 1: you about the lady threw the grists on. We went

1375
01:21:12,479 --> 01:21:14,840
Speaker 1: to visit in the hospital. She had a heart attack.

1376
01:21:14,920 --> 01:21:18,920
Speaker 1: Nobody know that when he checked the rip went to

1377
01:21:19,080 --> 01:21:23,320
Speaker 1: see our green in the hospital. I'm to look at

1378
01:21:23,320 --> 01:21:25,280
Speaker 1: this part of uself. I'm gonna find something with his phone.

1379
01:21:25,360 --> 01:21:27,400
Speaker 1: But listen, Yeah, the whole thing is the pictures that

1380
01:21:27,520 --> 01:21:29,000
Speaker 1: when he got the grist stone on him and ship

1381
01:21:29,920 --> 01:21:31,720
Speaker 1: it bunts back so bad they had to take skin

1382
01:21:31,800 --> 01:21:33,680
Speaker 1: grab off his ass. And so when I went to

1383
01:21:33,760 --> 01:21:36,080
Speaker 1: the hospital, he laying on the dolphin. He laying on

1384
01:21:36,160 --> 01:21:37,960
Speaker 1: this this sting on guarney, big in the air like

1385
01:21:39,360 --> 01:21:48,679
Speaker 1: because he got on his back, so as of like ship.

1386
01:21:48,760 --> 01:21:53,120
Speaker 1: But I'm standing there thinking like, let's suspending this. But

1387
01:21:54,560 --> 01:21:58,280
Speaker 1: he's some footage. My mom went for him. But you

1388
01:21:58,400 --> 01:22:01,280
Speaker 1: knew this this whole I was you know, I mean

1389
01:22:01,360 --> 01:22:04,639
Speaker 1: he was he was five. I'm gonna did you tell

1390
01:22:04,640 --> 01:22:06,000
Speaker 1: me how old. I don't remember how old it was,

1391
01:22:06,080 --> 01:22:07,479
Speaker 1: but I know that it was rich and he was

1392
01:22:07,560 --> 01:22:09,479
Speaker 1: like a keen to everybody. You know what I'm saying.

1393
01:22:09,800 --> 01:22:12,360
Speaker 1: And the Sun's name is norm I'm still talking. He

1394
01:22:12,479 --> 01:22:14,439
Speaker 1: hated this, but his name is His son's nickname was

1395
01:22:14,479 --> 01:22:16,360
Speaker 1: Poopy as a kid, you know what I'm saying. So

1396
01:22:16,400 --> 01:22:17,960
Speaker 1: I still called him this is day fifty and I

1397
01:22:18,000 --> 01:22:20,000
Speaker 1: still call him poopy and he hates the ship. You

1398
01:22:20,000 --> 01:22:24,280
Speaker 1: know what I'm saying, poop poopy like like po p

1399
01:22:24,439 --> 01:22:27,680
Speaker 1: I But anyway, he was piloting. Now that's outre his son.

1400
01:22:27,840 --> 01:22:30,439
Speaker 1: So we were the same mate talking about learning at

1401
01:22:30,479 --> 01:22:34,360
Speaker 1: the same time. So now we but I'm a final liquid. No,

1402
01:22:34,479 --> 01:22:40,519
Speaker 1: we believe Alga got the funk out of here. I

1403
01:22:40,560 --> 01:22:42,800
Speaker 1: got to about this base about the tool. His name

1404
01:22:42,800 --> 01:22:46,320
Speaker 1: is Temy walking after he got PN with Gritz good,

1405
01:22:49,080 --> 01:22:51,040
Speaker 1: after he got with Okay, hold on, I got a

1406
01:22:51,080 --> 01:22:54,840
Speaker 1: couple of more. Where did I stop at? Oh? I

1407
01:22:54,960 --> 01:22:56,320
Speaker 1: know what I was stopped that good? I got it?

1408
01:22:56,600 --> 01:23:04,160
Speaker 1: Okay yo yo, MC like MC light EMC light, I

1409
01:23:04,280 --> 01:23:07,280
Speaker 1: like her bag EM like yeah my home girl. But

1410
01:23:08,520 --> 01:23:14,439
Speaker 1: I great like that's why I can't know females fan

1411
01:23:14,560 --> 01:23:17,639
Speaker 1: from short And that's a lot of two rage. It's dope.

1412
01:23:19,200 --> 01:23:21,000
Speaker 1: It's that paper than beat, That's what it is. Did

1413
01:23:22,120 --> 01:23:28,200
Speaker 1: you already It's gonna get gril right now. I'm sorry

1414
01:23:28,240 --> 01:23:34,360
Speaker 1: with you. What's up Biggie or Big Punt? M oh

1415
01:23:35,080 --> 01:23:42,240
Speaker 1: see wow? Because Big Punt he treated me like a brother. Labels.

1416
01:23:42,720 --> 01:23:44,640
Speaker 1: He brought us on toys, so I gotta give him us.

1417
01:23:45,240 --> 01:23:51,080
Speaker 1: I was dad, Um, you know what, they never put pain,

1418
01:23:51,240 --> 01:23:54,120
Speaker 1: They never said pain. They never put punt in the

1419
01:23:54,240 --> 01:23:56,400
Speaker 1: top five. As much as he should be sup pun

1420
01:23:56,479 --> 01:24:00,679
Speaker 1: for us, Biggie, Biggie, get this flowers. So what I'm saying, So, yeah,

1421
01:24:00,800 --> 01:24:03,200
Speaker 1: that was crazy man, like being at its funeral and

1422
01:24:03,280 --> 01:24:08,200
Speaker 1: his wink and all that like was Yeah he was

1423
01:24:08,240 --> 01:24:12,760
Speaker 1: that the Bronx. Yeah I was there. Yeah that was incredible. Yeah.

1424
01:24:13,640 --> 01:24:16,640
Speaker 1: I didn't realize how much loved that guy. Man, but

1425
01:24:16,800 --> 01:24:18,720
Speaker 1: like like we used to kick it every day, you

1426
01:24:18,760 --> 01:24:20,639
Speaker 1: know what I'm saying, Like point about this big matchion

1427
01:24:20,760 --> 01:24:23,920
Speaker 1: or had a benb type now in the hid Steven

1428
01:24:24,160 --> 01:24:26,639
Speaker 1: like this big ass like he bought the whole family,

1429
01:24:26,760 --> 01:24:28,560
Speaker 1: the whole hood, the terrace, bat all that ways go

1430
01:24:28,640 --> 01:24:30,600
Speaker 1: to every day get funked up and just he was

1431
01:24:30,640 --> 01:24:35,000
Speaker 1: working on a second album, a Capital Partisman. Yeah, first album.

1432
01:24:36,960 --> 01:24:42,360
Speaker 1: He was living in that hillship because I remember it

1433
01:24:42,439 --> 01:24:44,280
Speaker 1: was the second. Like one of the memories I remember

1434
01:24:44,520 --> 01:24:47,720
Speaker 1: it tripped me out is that he like, I want

1435
01:24:47,720 --> 01:24:49,639
Speaker 1: to visit on I took the field agony up there

1436
01:24:50,800 --> 01:24:52,600
Speaker 1: and this story has nothing to do with nothing, but

1437
01:24:53,000 --> 01:24:55,040
Speaker 1: they walked me to the back of the house and

1438
01:24:55,080 --> 01:24:57,479
Speaker 1: Punk was out by the pool and ship right and

1439
01:24:57,560 --> 01:24:59,320
Speaker 1: he was left on the beach here like this, but

1440
01:24:59,520 --> 01:25:01,800
Speaker 1: the pump was big, dude, and you remember CDs and

1441
01:25:01,840 --> 01:25:03,800
Speaker 1: ship stick to like you know what I mean. I

1442
01:25:03,840 --> 01:25:06,160
Speaker 1: don't know if here just got the pool hand on

1443
01:25:06,200 --> 01:25:07,880
Speaker 1: shutter on, but he had all these CDs on his

1444
01:25:08,000 --> 01:25:13,479
Speaker 1: better like yeah, everywhere laying back doing it would be funny.

1445
01:25:13,520 --> 01:25:15,439
Speaker 1: But he wanted to make a point. He was like task,

1446
01:25:15,479 --> 01:25:17,640
Speaker 1: he said that something like my album this time he said, um,

1447
01:25:18,960 --> 01:25:20,680
Speaker 1: he said, from now on, he said, I'm gonna write

1448
01:25:20,680 --> 01:25:23,000
Speaker 1: the hook. I'm gonna have a hook before I started

1449
01:25:23,040 --> 01:25:25,439
Speaker 1: writing the lyrics, he said, because I always write lyrics

1450
01:25:25,600 --> 01:25:28,080
Speaker 1: and ramble and I can't think of ship the hook

1451
01:25:28,120 --> 01:25:29,840
Speaker 1: wise up for now. No, I'm just doing hooks. I'm

1452
01:25:29,840 --> 01:25:31,679
Speaker 1: gonna have all my hooks before i even started writing

1453
01:25:31,720 --> 01:25:33,320
Speaker 1: my album. So we were sitting there for like, I

1454
01:25:33,360 --> 01:25:35,000
Speaker 1: would try to think of hooks for his thick beats

1455
01:25:35,040 --> 01:25:40,200
Speaker 1: and ship before we drunk. We have a fun he

1456
01:25:40,320 --> 01:25:41,760
Speaker 1: was like, He's like, he told me he wasn't gonna

1457
01:25:41,800 --> 01:25:44,479
Speaker 1: write no lyrics to no songs until he had all

1458
01:25:44,560 --> 01:25:47,040
Speaker 1: the hook spurts and everything. And I supped off. Everybody's

1459
01:25:47,040 --> 01:25:49,160
Speaker 1: been bush and I don't know, but but we started

1460
01:25:49,160 --> 01:25:51,360
Speaker 1: there was trying to uh poolside, trying to think of

1461
01:25:51,439 --> 01:25:53,400
Speaker 1: hooks for his ship, and he ain't like the one

1462
01:25:53,439 --> 01:25:55,720
Speaker 1: I'm I ain't gonna by me. I was just throwing

1463
01:25:55,760 --> 01:25:57,479
Speaker 1: that in the head. But I saw his birthday was

1464
01:25:57,479 --> 01:25:59,760
Speaker 1: a couple of days ago. And you pick you picked

1465
01:25:59,760 --> 01:26:12,880
Speaker 1: pun as well, I'm pink Pump Okay, Tupac or d

1466
01:26:13,120 --> 01:26:19,960
Speaker 1: Max Tupac DM Max. You gotta take a shot. Why

1467
01:26:20,000 --> 01:26:22,720
Speaker 1: can we gotta get we gotta we can't agree, can't agree? Yeah, yeah,

1468
01:26:23,640 --> 01:26:26,680
Speaker 1: you have to be a unit. You got gonna roll

1469
01:26:26,720 --> 01:26:30,559
Speaker 1: with it. I'll roll with it. Come on, we're drinking

1470
01:26:30,600 --> 01:26:32,880
Speaker 1: with you too, so yeah, yeah, we're drinking with you.

1471
01:26:33,880 --> 01:26:38,800
Speaker 1: Tell I'm gonna stop staying. So I'm gonna stop stop Okay,

1472
01:26:38,840 --> 01:26:40,960
Speaker 1: But I would like I would like your explanation. Okay,

1473
01:26:41,000 --> 01:26:49,040
Speaker 1: So why you pick um Tupac or Yeah, I just

1474
01:26:49,120 --> 01:26:52,720
Speaker 1: have a more personal connection with pop pop and then

1475
01:26:53,680 --> 01:26:57,280
Speaker 1: you d M Max because I just think that um

1476
01:26:57,840 --> 01:27:00,240
Speaker 1: like you know that they both want a kind Yeah, yeah,

1477
01:27:00,280 --> 01:27:01,720
Speaker 1: he's not the Mike for me one time and ship

1478
01:27:03,920 --> 01:27:07,640
Speaker 1: and ILL voted the whole thing here just started disrespectfully.

1479
01:27:07,680 --> 01:27:10,280
Speaker 1: I think I think we's on footage, but I think

1480
01:27:10,320 --> 01:27:11,960
Speaker 1: they drunk and song. I don't know what happened, but

1481
01:27:12,360 --> 01:27:14,120
Speaker 1: we're doing the show at the House and the House

1482
01:27:14,160 --> 01:27:18,760
Speaker 1: of Blues and California, California in Hollywood. But here he

1483
01:27:18,840 --> 01:27:20,960
Speaker 1: had coming here. I think he had just signed with

1484
01:27:21,000 --> 01:27:23,559
Speaker 1: Depth jamming something. So they was but on the West

1485
01:27:23,600 --> 01:27:26,720
Speaker 1: Coast run and before the show, some mother like he

1486
01:27:26,920 --> 01:27:28,479
Speaker 1: from def jam introduced me and said, this is the

1487
01:27:28,720 --> 01:27:31,120
Speaker 1: Maxic the next ship and everything. We had this little

1488
01:27:31,360 --> 01:27:33,400
Speaker 1: back then, we had this little um part of the show.

1489
01:27:33,600 --> 01:27:36,040
Speaker 1: We bring people from the audience freestyle with us or whatever,

1490
01:27:36,120 --> 01:27:38,320
Speaker 1: you know what I'm saying. Whatever it was, and I

1491
01:27:38,360 --> 01:27:40,320
Speaker 1: don't know if I told the niggas like like just chick,

1492
01:27:40,360 --> 01:27:42,240
Speaker 1: we're gonna get you on the freestyle thing or whatever was.

1493
01:27:42,400 --> 01:27:45,519
Speaker 1: He basically walked up in the middle of the song

1494
01:27:45,600 --> 01:27:47,080
Speaker 1: and said, I don't know what the fun he was on,

1495
01:27:47,240 --> 01:27:49,040
Speaker 1: but he was asked me for the mic, I don't

1496
01:27:49,040 --> 01:27:51,280
Speaker 1: wrapping this way, and he's over my shoulder and everything

1497
01:27:51,320 --> 01:27:53,080
Speaker 1: he reached about me crack the black. I don't even

1498
01:27:53,080 --> 01:27:55,720
Speaker 1: know this thing is thought. He had something to say

1499
01:27:55,760 --> 01:27:58,200
Speaker 1: like if I just see everybody get out. So I

1500
01:27:58,280 --> 01:28:00,760
Speaker 1: just left the bikes that just started rapping like over

1501
01:28:00,840 --> 01:28:04,200
Speaker 1: want I hit songs and ship. It was so random day.

1502
01:28:04,240 --> 01:28:06,599
Speaker 1: It was like what then is going on? Type ship?

1503
01:28:06,880 --> 01:28:08,640
Speaker 1: And he just he was saying all literally he was

1504
01:28:08,640 --> 01:28:15,320
Speaker 1: saying his own ship. You know, I'm saying security. So

1505
01:28:15,360 --> 01:28:16,920
Speaker 1: we rushing but everything. But I was like, you don't

1506
01:28:17,000 --> 01:28:19,280
Speaker 1: because he got me here already introduced me as a

1507
01:28:19,360 --> 01:28:21,040
Speaker 1: deaf jam artist before that, you know what I'm saying.

1508
01:28:21,080 --> 01:28:23,840
Speaker 1: The other guy introduced me to him and say you know,

1509
01:28:24,120 --> 01:28:26,559
Speaker 1: and it's it was just so random that we had

1510
01:28:26,600 --> 01:28:28,120
Speaker 1: to laugh back of that. Afterwards, all we did with

1511
01:28:28,120 --> 01:28:29,479
Speaker 1: went to the dress was like what the fun was?

1512
01:28:29,520 --> 01:28:31,400
Speaker 1: You like this and that? And all we did was

1513
01:28:31,520 --> 01:28:33,759
Speaker 1: just drink the whole time, like and hear his story?

1514
01:28:33,840 --> 01:28:35,920
Speaker 1: Who told me people yonkers and all this and all that?

1515
01:28:37,000 --> 01:28:38,880
Speaker 1: And for then he was I thought his friends. I

1516
01:28:38,960 --> 01:28:45,000
Speaker 1: never saw him again. That's what happened. O d B

1517
01:28:45,240 --> 01:28:49,519
Speaker 1: O big guy. I got some no brighter O dB

1518
01:28:50,720 --> 01:28:53,040
Speaker 1: nothing to do with lyrics, I said, no, we got

1519
01:28:53,080 --> 01:28:57,800
Speaker 1: a lot of that of the recipe and big Ells

1520
01:28:57,840 --> 01:29:02,639
Speaker 1: definitely one of the like forever do that all day,

1521
01:29:02,800 --> 01:29:05,400
Speaker 1: but you know, we gotta go with our brother. I

1522
01:29:05,439 --> 01:29:07,720
Speaker 1: don't think a lot of some memories, a lot of

1523
01:29:07,840 --> 01:29:14,200
Speaker 1: Doctor Dre. DJ Quick. Oh I'm gonna go with Dr Dre.

1524
01:29:15,120 --> 01:29:19,160
Speaker 1: My first, our first couple of albums I was that

1525
01:29:19,240 --> 01:29:21,720
Speaker 1: I produced. I was using the SP twelve hundred and

1526
01:29:21,720 --> 01:29:24,400
Speaker 1: the s P twelve hundred that I used on those

1527
01:29:24,479 --> 01:29:28,360
Speaker 1: records that still have to this day. I stole it

1528
01:29:28,400 --> 01:29:34,320
Speaker 1: from Dr Dre, the whole machine. Okay, I didn't steal it.

1529
01:29:34,400 --> 01:29:36,200
Speaker 1: He let me borrow it, and I don't never gave

1530
01:29:36,280 --> 01:29:42,519
Speaker 1: me back. I mean, do you ever asked for it

1531
01:29:42,640 --> 01:29:45,519
Speaker 1: back but he gave it to you. Yeah, like stealing

1532
01:29:45,640 --> 01:29:49,000
Speaker 1: with no reparations. I'll take that, yeah, yeah, yeah, but no,

1533
01:29:49,120 --> 01:29:51,920
Speaker 1: those first few albums was on Dr Dre's twelve hund

1534
01:29:52,360 --> 01:29:56,120
Speaker 1: Dr Dre, you asked me twelve. I don't think he's

1535
01:29:56,160 --> 01:29:59,360
Speaker 1: pretty sure. He's good. I don't know if he forgotten.

1536
01:29:59,600 --> 01:30:02,000
Speaker 1: He probably didn't forget, but that's the time he sees me,

1537
01:30:02,040 --> 01:30:07,639
Speaker 1: He's like, yo, what's up with that? Oh yeah, yeah, okay, yeah,

1538
01:30:08,360 --> 01:30:14,200
Speaker 1: DJ Quick, I say quick. The reason I say quick,

1539
01:30:15,720 --> 01:30:17,240
Speaker 1: D Quick is bad. I don't know if you call

1540
01:30:17,280 --> 01:30:19,960
Speaker 1: it the bucket list or whatever, but I've always wanted

1541
01:30:19,960 --> 01:30:22,599
Speaker 1: to do a song with quick since like the late eighties.

1542
01:30:22,800 --> 01:30:25,240
Speaker 1: You have it, huh, you have it. Every time we

1543
01:30:25,280 --> 01:30:29,200
Speaker 1: see each other we party with all right. We can't

1544
01:30:29,320 --> 01:30:31,920
Speaker 1: get DJ on here, we can't let me. Yeah, we

1545
01:30:32,000 --> 01:30:33,879
Speaker 1: can't make it happen, but I'll talked to us managers.

1546
01:30:33,880 --> 01:30:37,880
Speaker 1: I talked to us boys success, no ship, I can

1547
01:30:37,960 --> 01:30:41,400
Speaker 1: assist you, and then ain't happened. So maybe this will

1548
01:30:41,439 --> 01:30:46,960
Speaker 1: make it happen. Oh yeah, time that got you. It's

1549
01:30:47,080 --> 01:30:51,439
Speaker 1: drink time. That's too that's too Sian, that's too hey

1550
01:30:51,520 --> 01:30:56,360
Speaker 1: what about Oh oh yeah, he said you want to

1551
01:30:56,400 --> 01:31:02,240
Speaker 1: share and split up? All right. I wasn't gonna do this.

1552
01:31:02,400 --> 01:31:04,280
Speaker 1: Beautiful by the way, this is beautiful. Okay, all right,

1553
01:31:04,320 --> 01:31:08,200
Speaker 1: so we're gonna do think it's dre and quick. Right,

1554
01:31:08,479 --> 01:31:13,439
Speaker 1: oh yeah, cheers, alright. I love how it turned into.

1555
01:31:13,439 --> 01:31:16,600
Speaker 1: Did you make it? Block this down? Don't don't do that.

1556
01:31:19,960 --> 01:31:21,599
Speaker 1: You gotta drink it down. You gotta take it down

1557
01:31:21,720 --> 01:31:31,600
Speaker 1: the port on the floor. Okay, you're ready menace to

1558
01:31:31,760 --> 01:31:42,639
Speaker 1: society or boys in the hood. Oh boys in the hood.

1559
01:31:43,760 --> 01:31:51,240
Speaker 1: Bo Okay, I can respect that. Loyalty or respect. That's

1560
01:31:51,280 --> 01:31:58,439
Speaker 1: a tough one. Okay, respect, I'm gonna respect loyalty. Only

1561
01:31:58,520 --> 01:32:00,559
Speaker 1: last so long with some people. You know what I'm saying,

1562
01:32:00,600 --> 01:32:03,200
Speaker 1: Like some people are just loyal for expect who do

1563
01:32:03,280 --> 01:32:06,720
Speaker 1: something stupid. They Yeah, but respect from and I mean

1564
01:32:07,280 --> 01:32:08,840
Speaker 1: from one bird. Like you know what I'm saying that

1565
01:32:08,880 --> 01:32:11,160
Speaker 1: you can be a respected person like this guy right here.

1566
01:32:11,200 --> 01:32:14,040
Speaker 1: It might be like I don't respect you, but then

1567
01:32:14,160 --> 01:32:16,679
Speaker 1: so what you ratter have a loyal person that don't respecting.

1568
01:32:17,520 --> 01:32:21,280
Speaker 1: I don't want that at all. But you know, loyalty

1569
01:32:21,400 --> 01:32:27,320
Speaker 1: is so you said, no, we both said respect. I

1570
01:32:27,360 --> 01:32:31,280
Speaker 1: want to take a shot too. I'm thinking much loyalty

1571
01:32:31,360 --> 01:32:33,000
Speaker 1: is a motherfucker too, though, manage to think about it.

1572
01:32:33,120 --> 01:32:36,880
Speaker 1: That's a tough one cause there's the time you gotta

1573
01:32:36,920 --> 01:32:38,800
Speaker 1: have both for that. Yeah, they mean you know you

1574
01:32:38,880 --> 01:32:47,439
Speaker 1: know what? Yeah, question, but one really doesn't exist without

1575
01:32:47,479 --> 01:32:50,160
Speaker 1: the other in real life. Like you know, so many

1576
01:32:50,200 --> 01:32:53,920
Speaker 1: people say, you know, respect and you know, respect sometimes

1577
01:32:54,000 --> 01:32:56,720
Speaker 1: come with fair right, Like you know a lot of

1578
01:32:56,760 --> 01:33:02,880
Speaker 1: people like if there's a C, if there's Steve Rick

1579
01:33:04,560 --> 01:33:07,280
Speaker 1: sugar Night, sometimes you might respect you more than you

1580
01:33:07,360 --> 01:33:11,000
Speaker 1: respect Steve. Right. Doesn't mean you don't respect Steve. Yeah,

1581
01:33:11,120 --> 01:33:13,439
Speaker 1: we still respects THEE, but I respect You're just scared

1582
01:33:13,479 --> 01:33:15,240
Speaker 1: of That's what I'm saying. A lot of respect comes

1583
01:33:15,280 --> 01:33:19,559
Speaker 1: with fit, but don't respect though that's sometimes sometimes it does.

1584
01:33:20,040 --> 01:33:22,160
Speaker 1: Why I think the two are are separate. To be honest,

1585
01:33:22,280 --> 01:33:25,560
Speaker 1: it's separate. But but what I say, and sometimes sometimes

1586
01:33:25,680 --> 01:33:28,880
Speaker 1: that respect element when a person respect all right, cool,

1587
01:33:28,920 --> 01:33:31,360
Speaker 1: a person could come and bail you out of jail, right,

1588
01:33:32,120 --> 01:33:34,880
Speaker 1: but a person could never shoot back at your the ops.

1589
01:33:35,360 --> 01:33:38,240
Speaker 1: I don't think that same respect is that respect is

1590
01:33:38,280 --> 01:33:40,600
Speaker 1: because the person that shoots back with your ops, you

1591
01:33:40,680 --> 01:33:43,240
Speaker 1: probably have a more respect for you for that person.

1592
01:33:43,560 --> 01:33:46,000
Speaker 1: But when you get to jail, that person that shooting

1593
01:33:46,000 --> 01:33:49,560
Speaker 1: at your ops ain't got no money, so it's a

1594
01:33:49,640 --> 01:33:52,280
Speaker 1: different thing, you know. I feel like, no, I feel you.

1595
01:33:52,439 --> 01:33:56,599
Speaker 1: I feel like I feel like sometimes I think anything

1596
01:33:56,680 --> 01:33:59,160
Speaker 1: both of them together. That's that's my pick, both of

1597
01:33:59,240 --> 01:34:03,840
Speaker 1: them together all but I understand that is coexisting in

1598
01:34:03,920 --> 01:34:06,360
Speaker 1: separate directions, but I prefer them to exist. And but

1599
01:34:06,520 --> 01:34:09,439
Speaker 1: I feel I feel like, I feel like respect is

1600
01:34:11,320 --> 01:34:14,479
Speaker 1: for the most part forever, like if you're respected, like,

1601
01:34:14,640 --> 01:34:20,840
Speaker 1: oh's you can do, you can respect you. Though I

1602
01:34:20,920 --> 01:34:23,639
Speaker 1: feel like sometimes loyalty and then it's not really true loyalty.

1603
01:34:26,400 --> 01:34:31,599
Speaker 1: That's that's that's what what I'm saying is sometimes loyalty

1604
01:34:32,320 --> 01:34:34,680
Speaker 1: only goes so far. You know what I'm saying, Like

1605
01:34:34,760 --> 01:34:36,880
Speaker 1: loyalty has has has a price on it, Like I

1606
01:34:36,960 --> 01:34:40,240
Speaker 1: feel like sometimes you can that that can be swayed.

1607
01:34:40,439 --> 01:34:43,520
Speaker 1: You know what I'm saying. Respect is solid like concrete.

1608
01:34:44,360 --> 01:34:47,280
Speaker 1: But stop respecting to what the y'all have just said

1609
01:34:47,280 --> 01:34:49,439
Speaker 1: that y'all have said at some point you could do

1610
01:34:49,600 --> 01:34:52,600
Speaker 1: something for me to not respect you. Right, Yeah, So

1611
01:34:52,720 --> 01:34:55,040
Speaker 1: both and so both of them have an expression day

1612
01:34:55,160 --> 01:34:57,599
Speaker 1: at some point. You know what I'm saying, You've got

1613
01:34:57,640 --> 01:35:01,759
Speaker 1: something to say. What you like. True loyalty and true respect.

1614
01:35:02,680 --> 01:35:06,879
Speaker 1: It's about standing in the principle. So when people respect

1615
01:35:06,960 --> 01:35:09,400
Speaker 1: you and are loyal to you, it's not that they're

1616
01:35:09,439 --> 01:35:12,160
Speaker 1: loyal to you, the loyal to the principle you stand

1617
01:35:12,200 --> 01:35:17,000
Speaker 1: in the situation. In any situated principles, when people know

1618
01:35:17,720 --> 01:35:21,160
Speaker 1: that you you stand for a certain thing and they're

1619
01:35:21,240 --> 01:35:24,120
Speaker 1: in line with that certain thing, it's not about you.

1620
01:35:24,200 --> 01:35:29,000
Speaker 1: It's about that. I agree. It's loyalty and respect is

1621
01:35:29,080 --> 01:35:31,320
Speaker 1: hand to hand. Yeah, that's that's what I say. Like,

1622
01:35:31,479 --> 01:35:37,080
Speaker 1: like me, loyalty, I just fun with any restaurant. I

1623
01:35:37,200 --> 01:35:40,040
Speaker 1: love the restaurant that foxs with me back. But the respect.

1624
01:35:40,080 --> 01:35:42,040
Speaker 1: It's like when I go to Paris and I go

1625
01:35:42,080 --> 01:35:45,840
Speaker 1: to Hotel Cold Seas, they treat me like ship. But

1626
01:35:45,920 --> 01:35:50,680
Speaker 1: I love their food, so I respect. It's like you're

1627
01:35:50,720 --> 01:35:59,320
Speaker 1: taking that ta like they treat Kim Kardashian like ship.

1628
01:35:59,640 --> 01:36:01,640
Speaker 1: They just do. You know these French people that I

1629
01:36:01,720 --> 01:36:04,360
Speaker 1: walk into the restaurant, they're like and then you tipped

1630
01:36:04,360 --> 01:36:10,080
Speaker 1: them like what they over there city though I hated,

1631
01:36:10,600 --> 01:36:13,160
Speaker 1: I would not go there, like after my first visits there,

1632
01:36:13,160 --> 01:36:14,840
Speaker 1: I never wanted to go back. I thought they were

1633
01:36:15,720 --> 01:36:22,120
Speaker 1: We had some good times actually over there, but that's

1634
01:36:22,160 --> 01:36:23,960
Speaker 1: what they would act like. They didn't know English and

1635
01:36:24,000 --> 01:36:27,120
Speaker 1: they really did like that. It was very I didn't

1636
01:36:27,120 --> 01:36:33,960
Speaker 1: feel what bla, not at all. As as the more

1637
01:36:34,160 --> 01:36:35,960
Speaker 1: I traveled there and got to know the people and

1638
01:36:36,479 --> 01:36:38,800
Speaker 1: know how they were, I came to love it. So

1639
01:36:39,080 --> 01:36:42,519
Speaker 1: you know, yeah, I love I love it. Oh yeah,

1640
01:36:43,479 --> 01:36:45,840
Speaker 1: but I had cases where I got the elevator with it.

1641
01:36:46,360 --> 01:36:52,240
Speaker 1: Oh yeah, you know yourself. A lot of places you

1642
01:36:52,360 --> 01:37:01,040
Speaker 1: spelled crazy crazy one elevator. He didn't my homie down

1643
01:37:02,520 --> 01:37:05,720
Speaker 1: pick up the at least he locked up come home yea.

1644
01:37:06,400 --> 01:37:07,960
Speaker 1: Now they came home and they got locked up again.

1645
01:37:09,680 --> 01:37:12,800
Speaker 1: Come on some Monday, we and the elevator and I

1646
01:37:13,040 --> 01:37:15,040
Speaker 1: just really like kind of make it like out of

1647
01:37:15,240 --> 01:37:17,800
Speaker 1: to this situation where I'm like kind of good. So

1648
01:37:17,880 --> 01:37:20,600
Speaker 1: I'm like all right, cool, and I don't want to

1649
01:37:20,640 --> 01:37:23,400
Speaker 1: fit piss off nobody. We're in the elevator and the

1650
01:37:23,520 --> 01:37:26,800
Speaker 1: dude walks in the elevator and down least. Just go, man,

1651
01:37:27,960 --> 01:37:32,840
Speaker 1: this motherfucker smells like ship damn. And Love looks and

1652
01:37:32,960 --> 01:37:36,920
Speaker 1: I go, I go, I go, till oh, yeah, my man,

1653
01:37:37,560 --> 01:37:40,599
Speaker 1: my friend is just he's just he goes, No, he's right.

1654
01:37:40,840 --> 01:37:46,439
Speaker 1: I smell like I've been working two days. I didn't

1655
01:37:46,479 --> 01:37:58,160
Speaker 1: take a shower, damn, and acknowledged by the way I

1656
01:37:58,320 --> 01:38:01,680
Speaker 1: funked up. I said that this is in elevator. The

1657
01:38:01,800 --> 01:38:05,600
Speaker 1: part that I'm missing is this is we're on a

1658
01:38:05,760 --> 01:38:08,679
Speaker 1: tour for MTV, and I said Paris. It wasn't Paris,

1659
01:38:09,080 --> 01:38:11,400
Speaker 1: it was Germany. Okay, So we're in a talk for

1660
01:38:11,560 --> 01:38:16,640
Speaker 1: MTV and I forget MTVS opposite station. This is like MTVBT.

1661
01:38:16,880 --> 01:38:19,439
Speaker 1: This is like there Cliverce of BT. That's where we're at.

1662
01:38:19,520 --> 01:38:22,439
Speaker 1: So I'm trying to tell LEAs like chill, he can't

1663
01:38:22,479 --> 01:38:25,680
Speaker 1: be I don't know if this guy's executive. And I'm

1664
01:38:25,720 --> 01:38:28,559
Speaker 1: like chill like and the guy literally stopped to said

1665
01:38:30,840 --> 01:38:40,519
Speaker 1: he's right, And then I'm just looking like make some

1666
01:38:40,640 --> 01:38:48,720
Speaker 1: noise to that I didn't know, So all right, all right,

1667
01:38:49,320 --> 01:38:59,160
Speaker 1: we're still no quick time? Can I finally ask the question? Yes,

1668
01:39:00,560 --> 01:39:05,640
Speaker 1: you guys are about no no, no, wait, and I'm

1669
01:39:05,720 --> 01:39:09,800
Speaker 1: humble at us. Ever talk ahead. You guys are out loud,

1670
01:39:13,880 --> 01:39:19,559
Speaker 1: gotta hit record. Yeah, you guys are doing what makes

1671
01:39:19,640 --> 01:39:25,799
Speaker 1: you say? I want to work with this neptuls? Okay,

1672
01:39:25,840 --> 01:39:29,920
Speaker 1: I can speak on that first time I even heard

1673
01:39:30,040 --> 01:39:35,120
Speaker 1: what that I normally heard for real? What's dude? You

1674
01:39:35,640 --> 01:39:40,400
Speaker 1: you know I wanted that prop, right, I don't get

1675
01:39:40,400 --> 01:39:44,000
Speaker 1: anything that I'm gonna give it to your hunter set

1676
01:39:44,320 --> 01:39:48,680
Speaker 1: what but what? It kind of organically happened because, um,

1677
01:39:50,360 --> 01:39:54,080
Speaker 1: we didn't go looking for like we need a hit record, Boom,

1678
01:39:55,400 --> 01:40:00,200
Speaker 1: make some calls, but boom. First of all, I like

1679
01:40:00,520 --> 01:40:02,759
Speaker 1: our budget ain't that deep to go looking for Forrell?

1680
01:40:03,840 --> 01:40:07,400
Speaker 1: Keep it on, hunted. I ran into Farrell that uh

1681
01:40:07,880 --> 01:40:13,599
Speaker 1: Dublin's in with a pool hall you know. Okay? Yeah,

1682
01:40:13,600 --> 01:40:17,120
Speaker 1: it kicked me out very fast, right, so you know

1683
01:40:17,200 --> 01:40:21,840
Speaker 1: it very well? Yeah, bubbling in Dublins like everybody knows

1684
01:40:21,880 --> 01:40:25,800
Speaker 1: the line. Um, so I knew who Forrell was. I

1685
01:40:25,840 --> 01:40:27,479
Speaker 1: didn't know he knew who I was. I didn't know

1686
01:40:27,520 --> 01:40:29,080
Speaker 1: he was a fan of a big credit. Yeah. I

1687
01:40:29,240 --> 01:40:32,880
Speaker 1: didn't really, I didn't know, you know. Um So he

1688
01:40:33,000 --> 01:40:35,120
Speaker 1: bumps into me. He actually for real comes up to

1689
01:40:35,200 --> 01:40:38,160
Speaker 1: me Dublins like yo, He's swift, like I'm for rel

1690
01:40:38,439 --> 01:40:39,720
Speaker 1: you know. I'm like, I know who you are. I

1691
01:40:39,800 --> 01:40:43,240
Speaker 1: need popping. He's like, you know, I was his shirt

1692
01:40:43,320 --> 01:40:45,640
Speaker 1: tight at the time, his shirt was he didn't have

1693
01:40:45,720 --> 01:40:49,880
Speaker 1: one of tight. It was medium, but it wasn't you know,

1694
01:40:50,479 --> 01:40:55,519
Speaker 1: it went all the way. Yeah. So he's like, uh,

1695
01:40:55,920 --> 01:40:57,720
Speaker 1: you know, I got some records I want to play

1696
01:40:57,760 --> 01:40:59,840
Speaker 1: you all right, I'm buying them up to my house.

1697
01:41:01,160 --> 01:41:03,959
Speaker 1: He comes by my house next day. He has a cassette,

1698
01:41:04,280 --> 01:41:08,360
Speaker 1: has two songs on it. He plays them. They already

1699
01:41:08,439 --> 01:41:12,479
Speaker 1: have the hook on him. I'm like, okay, and it

1700
01:41:12,560 --> 01:41:15,400
Speaker 1: was different than we gotta set the stage. What year

1701
01:41:15,520 --> 01:41:17,640
Speaker 1: is this because this same cassette? Yeah, it was on

1702
01:41:17,720 --> 01:41:25,719
Speaker 1: cassette so years. So what record does he have out already?

1703
01:41:26,040 --> 01:41:30,599
Speaker 1: Super super thu oh no, oh no, all the power

1704
01:41:30,680 --> 01:41:36,280
Speaker 1: he might have even had um mystical danger oksic at

1705
01:41:36,280 --> 01:41:39,640
Speaker 1: the time. Yeah, yeah, exactly. That's where we're in. My

1706
01:41:39,760 --> 01:41:44,800
Speaker 1: opinion for Rose two first records was I mean asked

1707
01:41:44,840 --> 01:41:50,760
Speaker 1: for yeah records prior to me excuse excuse me at

1708
01:41:50,800 --> 01:41:53,639
Speaker 1: the forefront, because yeah, not tunes. He had other records

1709
01:41:53,680 --> 01:41:55,240
Speaker 1: with him, but he wasn't on it. He had no

1710
01:41:55,360 --> 01:41:57,680
Speaker 1: input on those records. Right first, That's the first thing

1711
01:41:57,720 --> 01:42:00,599
Speaker 1: he said to me. He said, no one is me input,

1712
01:42:01,280 --> 01:42:03,760
Speaker 1: no one gives me credit. This is the first person

1713
01:42:03,760 --> 01:42:06,560
Speaker 1: who's going to do that. It's gonna We're gonna be

1714
01:42:06,720 --> 01:42:09,760
Speaker 1: number one. And I'm the hot dude. I'm sitting there

1715
01:42:09,840 --> 01:42:13,080
Speaker 1: with this guy. He gotta take the shirt, choker and ship. Yeah.

1716
01:42:13,479 --> 01:42:15,720
Speaker 1: And I'm looking like and I want to opposite bag

1717
01:42:15,800 --> 01:42:22,280
Speaker 1: of beans. No joke so good, and I just I

1718
01:42:22,400 --> 01:42:27,320
Speaker 1: just said I believe you. But anyway, it's not um.

1719
01:42:28,120 --> 01:42:31,240
Speaker 1: So he basically came to my crib played me the

1720
01:42:31,280 --> 01:42:34,360
Speaker 1: two records. I was like, it's not really our sound,

1721
01:42:34,640 --> 01:42:40,040
Speaker 1: but you your vision, like you know at this time,

1722
01:42:40,120 --> 01:42:43,599
Speaker 1: I'm doing it everything. I'm like, I'm like the main guy.

1723
01:42:43,720 --> 01:42:47,720
Speaker 1: You're producing everything from producing everything, and they follow you.

1724
01:42:47,920 --> 01:42:50,000
Speaker 1: Guys are following j Row and you are following his

1725
01:42:50,120 --> 01:42:56,479
Speaker 1: lead right correct, doctor side? Yeah, yeah, I'm making all

1726
01:42:56,800 --> 01:42:58,400
Speaker 1: making every beating at the time. That's what I'm saying,

1727
01:42:58,439 --> 01:43:00,599
Speaker 1: Like y'all like whatever he's telling y'all on the production,

1728
01:43:00,680 --> 01:43:02,400
Speaker 1: I'm kind of I want you to keep your thought,

1729
01:43:02,760 --> 01:43:05,960
Speaker 1: Just keep your thought. But what make you even think

1730
01:43:06,000 --> 01:43:08,120
Speaker 1: about working with the outside producer? Because you could say,

1731
01:43:08,160 --> 01:43:10,280
Speaker 1: I want to keep all this money for myself, right,

1732
01:43:11,080 --> 01:43:13,560
Speaker 1: because I'm really humble, bro, Like I was really like

1733
01:43:14,160 --> 01:43:16,720
Speaker 1: if honestly, when it came down to if they like it,

1734
01:43:17,040 --> 01:43:19,599
Speaker 1: I love it for the group. I wonder what's what's

1735
01:43:19,640 --> 01:43:22,800
Speaker 1: best of all of us? Um just at the time,

1736
01:43:22,960 --> 01:43:26,000
Speaker 1: we were we're popping at damn there as hard as

1737
01:43:26,040 --> 01:43:29,680
Speaker 1: you can on the level we are like underground if

1738
01:43:29,720 --> 01:43:33,160
Speaker 1: you want to say, now you guys were more than underground. Yeah,

1739
01:43:33,160 --> 01:43:36,679
Speaker 1: but you know what I'm saying, like real hip hop ship.

1740
01:43:37,200 --> 01:43:42,439
Speaker 1: You know we were at we're at the point where

1741
01:43:42,479 --> 01:43:45,080
Speaker 1: we're like, yo, we either gonna go for it or

1742
01:43:45,080 --> 01:43:47,479
Speaker 1: we're gonna stay. You know what I'm saying, We're trying

1743
01:43:47,520 --> 01:43:50,479
Speaker 1: to do bigger, bigger ship. For that was doing bigger ship.

1744
01:43:50,960 --> 01:43:53,800
Speaker 1: He fussed with us. We love this ship. Let's see

1745
01:43:53,800 --> 01:43:57,080
Speaker 1: what happens. You know, if it works, it works, if

1746
01:43:57,080 --> 01:44:01,360
Speaker 1: it doesn't. We got more records Parrell. We went to

1747
01:44:01,600 --> 01:44:05,920
Speaker 1: UH to Virginia. We called after I played with him,

1748
01:44:05,960 --> 01:44:08,479
Speaker 1: and I had to convinced him and j Row like, yo,

1749
01:44:08,880 --> 01:44:11,560
Speaker 1: this is this might change some ship. You know what

1750
01:44:11,600 --> 01:44:15,559
Speaker 1: I'm saying. They were like, the same beat, the same record, okad,

1751
01:44:15,560 --> 01:44:18,200
Speaker 1: I'm gonna tell you this though I remember distinctly. I

1752
01:44:18,320 --> 01:44:19,920
Speaker 1: was a telling Swift. I like, man, I don't really

1753
01:44:19,960 --> 01:44:21,840
Speaker 1: sound like all type of ship and everything I said,

1754
01:44:22,280 --> 01:44:24,320
Speaker 1: I said, uh. I said something like see if you

1755
01:44:24,400 --> 01:44:25,800
Speaker 1: get some more beats out of him and this and

1756
01:44:25,880 --> 01:44:28,120
Speaker 1: that and till I send a couple of boy variations

1757
01:44:28,200 --> 01:44:29,120
Speaker 1: or whatever you call it, you know what I mean,

1758
01:44:29,439 --> 01:44:31,560
Speaker 1: just so we can see what else he got. And

1759
01:44:31,640 --> 01:44:33,519
Speaker 1: Swift was like, nah, man, he said, this is gonna

1760
01:44:33,520 --> 01:44:35,240
Speaker 1: be a hit bass record. And he said why She

1761
01:44:35,320 --> 01:44:37,720
Speaker 1: said for real, saying that when when you play this

1762
01:44:37,840 --> 01:44:43,479
Speaker 1: record when you're going live, He said, to that record, yeah,

1763
01:44:43,840 --> 01:44:46,160
Speaker 1: I got like different freestop ship. But I remember we

1764
01:44:46,240 --> 01:44:49,320
Speaker 1: went to UM. We flew to Virginia and take the tube.

1765
01:44:49,960 --> 01:44:51,320
Speaker 1: I knew he was cracking with your ship, you know

1766
01:44:51,320 --> 01:44:53,000
Speaker 1: what I'm saying. But I didn't like to beat, you

1767
01:44:53,000 --> 01:44:54,519
Speaker 1: know what, I'm saying that I didn't like that, but

1768
01:44:54,600 --> 01:45:00,640
Speaker 1: I like Joe beat to get on. I'm saying it

1769
01:45:00,760 --> 01:45:03,840
Speaker 1: was y'all. Beat was harder to me. I'm gonna tell

1770
01:45:03,840 --> 01:45:05,880
Speaker 1: you this, for Real sold that ship like for real

1771
01:45:06,040 --> 01:45:09,120
Speaker 1: was like and he made me he did a producer

1772
01:45:09,360 --> 01:45:12,840
Speaker 1: like you got about how HETEs selling. He saw because

1773
01:45:12,920 --> 01:45:15,280
Speaker 1: he told us, look, when you start doing this show

1774
01:45:15,720 --> 01:45:18,439
Speaker 1: live and shows, bitch is gonna get on stage and

1775
01:45:18,479 --> 01:45:21,800
Speaker 1: pull their titties out. He said, don't do this song

1776
01:45:21,880 --> 01:45:25,880
Speaker 1: without bitches on stage. And ever since day, like for real,

1777
01:45:26,680 --> 01:45:33,439
Speaker 1: this is like And in the first the first show

1778
01:45:33,560 --> 01:45:38,120
Speaker 1: we did and we did that song what happing crack

1779
01:45:39,439 --> 01:45:41,760
Speaker 1: that's all, that's all, that's all pop all like that.

1780
01:45:42,120 --> 01:45:46,640
Speaker 1: This guy's a visionary and we started calling everyone with ye.

1781
01:45:46,800 --> 01:45:56,559
Speaker 1: He saw he had the vision bro, and we went

1782
01:45:56,640 --> 01:45:59,559
Speaker 1: with it. Work so and it was in the day.

1783
01:45:59,600 --> 01:46:03,880
Speaker 1: But that's all the most records we ever sold single wise.

1784
01:46:04,080 --> 01:46:06,679
Speaker 1: Now let me just ask y'all, because at the time

1785
01:46:08,520 --> 01:46:13,880
Speaker 1: Loud is very heavily produced by you, produced by Havoc,

1786
01:46:14,720 --> 01:46:19,920
Speaker 1: Havoc reduced by Risim. Was that like a discrepancy? Bringing

1787
01:46:19,960 --> 01:46:22,200
Speaker 1: it back to the table and saying, Yo, Steve, I

1788
01:46:22,320 --> 01:46:25,840
Speaker 1: wanna you know with a person that I heard, you know,

1789
01:46:26,000 --> 01:46:28,840
Speaker 1: do on something outside of the camp at was very

1790
01:46:28,880 --> 01:46:31,720
Speaker 1: self contained at Loud like we were looking from the

1791
01:46:31,760 --> 01:46:34,320
Speaker 1: outside in. But even exhibit out, like you said, you

1792
01:46:34,439 --> 01:46:37,760
Speaker 1: produced that, so we're looking like we we like like

1793
01:46:37,920 --> 01:46:39,960
Speaker 1: I think the FN just alluded to that. We thought

1794
01:46:40,000 --> 01:46:45,240
Speaker 1: you broke a zippo in it. Exhibit was already probably okay, No,

1795
01:46:45,520 --> 01:46:49,360
Speaker 1: I'm telling you what. We made that whole process really easy,

1796
01:46:49,560 --> 01:46:55,880
Speaker 1: really easy. It's Chris Lidy. Chris Lid made that ship.

1797
01:46:56,680 --> 01:47:01,479
Speaker 1: I'm telling Chris was our guy, like crazy, he loved

1798
01:47:01,560 --> 01:47:04,719
Speaker 1: us bro like he went to He made it happen.

1799
01:47:05,200 --> 01:47:08,000
Speaker 1: That was all Chris Litte all the behind the scenes creatively,

1800
01:47:08,080 --> 01:47:09,880
Speaker 1: we was like we got with with for real. He

1801
01:47:09,920 --> 01:47:12,040
Speaker 1: came to create play song, but all the ship, the

1802
01:47:12,120 --> 01:47:17,519
Speaker 1: politics that made it happen. And Chris was doing some

1803
01:47:17,600 --> 01:47:21,240
Speaker 1: consulting with Loud for me and remember this, but but

1804
01:47:21,560 --> 01:47:24,479
Speaker 1: but push the T was at our studio say yeah, yeah, yeah, yeah,

1805
01:47:25,760 --> 01:47:28,760
Speaker 1: Martin was doing the song with with withal at that time,

1806
01:47:28,880 --> 01:47:31,080
Speaker 1: like it was a it was a camp going on. Yeah,

1807
01:47:31,160 --> 01:47:34,840
Speaker 1: but now Chris Littie Man arrest. He he made he

1808
01:47:34,960 --> 01:47:36,640
Speaker 1: made moves for us on that you know, I man,

1809
01:47:36,760 --> 01:47:39,680
Speaker 1: he didn't even represent us. He was had you know,

1810
01:47:39,800 --> 01:47:41,720
Speaker 1: we we knew Chris when we went on tour. Our

1811
01:47:41,800 --> 01:47:44,559
Speaker 1: first big tour as alcoholics with trial was with tribe

1812
01:47:44,600 --> 01:47:48,960
Speaker 1: called Quest and I Saw. So yeah, we developed a

1813
01:47:48,960 --> 01:47:52,240
Speaker 1: good relations opening up with firstly was and then we

1814
01:47:52,280 --> 01:47:54,280
Speaker 1: started killing ship and then they was opening for us

1815
01:47:54,280 --> 01:47:58,120
Speaker 1: a couple of shows, so we would start taking terms. Yeah,

1816
01:47:58,280 --> 01:48:00,240
Speaker 1: we would take turns with them and they out so

1817
01:48:01,400 --> 01:48:05,200
Speaker 1: it was it was. It was a great time. But

1818
01:48:05,360 --> 01:48:09,639
Speaker 1: we started on that tour um just as our first

1819
01:48:09,760 --> 01:48:11,560
Speaker 1: big ship as an alcoholic. So we started off that

1820
01:48:11,680 --> 01:48:15,400
Speaker 1: tour driving ourselves. We rented some Cadillac had all our

1821
01:48:15,479 --> 01:48:22,360
Speaker 1: fucking um. Yeah, so we you know, the end of

1822
01:48:22,400 --> 01:48:24,439
Speaker 1: that tour, we had a tour bus, you know what

1823
01:48:24,479 --> 01:48:26,920
Speaker 1: I'm saying. So we we we worked our way up,

1824
01:48:27,040 --> 01:48:31,200
Speaker 1: you know. Yeah, it was it was an experience. The

1825
01:48:31,320 --> 01:48:34,400
Speaker 1: power Drink Chance. They all just text us and there's

1826
01:48:34,439 --> 01:48:37,240
Speaker 1: a picture with Drake and Kanye West together, got damnit

1827
01:48:37,320 --> 01:48:43,000
Speaker 1: knock that's shig. That's very good ship. I mean we

1828
01:48:43,160 --> 01:48:47,000
Speaker 1: did that, we did yeah, yeah, yeah, that ship man,

1829
01:48:47,760 --> 01:48:52,400
Speaker 1: Luis Papa cheese. So there was no hold back, like

1830
01:48:52,640 --> 01:48:57,640
Speaker 1: because although the record is not commercial at all, right,

1831
01:48:57,960 --> 01:49:01,479
Speaker 1: but for L's name was mercial because he had the

1832
01:49:01,560 --> 01:49:06,280
Speaker 1: success of super Dog. Oh no, by the way, you

1833
01:49:06,400 --> 01:49:08,960
Speaker 1: have no idea how many people I brong Forarrell too.

1834
01:49:09,160 --> 01:49:11,560
Speaker 1: I brought him to jay Z. I brought him and

1835
01:49:11,600 --> 01:49:14,000
Speaker 1: they was telling me that God. They were saying, yo,

1836
01:49:14,120 --> 01:49:18,560
Speaker 1: his chain is too tight. They yeah, I said, this

1837
01:49:18,640 --> 01:49:22,519
Speaker 1: is this is I know you said that, but they like,

1838
01:49:22,760 --> 01:49:25,080
Speaker 1: I forget which one was what, And then the other

1839
01:49:25,160 --> 01:49:29,320
Speaker 1: one was like yo, yo man, sure man, he breathed,

1840
01:49:30,080 --> 01:49:33,320
Speaker 1: and I'm like what Like, I'm like, yo, I'm the

1841
01:49:33,400 --> 01:49:35,679
Speaker 1: furthest thing about thinking about that, because that's the first

1842
01:49:35,720 --> 01:49:40,679
Speaker 1: thing that they not chat at all. Chat was around.

1843
01:49:41,360 --> 01:49:48,800
Speaker 1: I don't know, bron, but what I'm trying to say

1844
01:49:48,880 --> 01:49:52,400
Speaker 1: is was always be in the forefront of the group, right,

1845
01:49:53,439 --> 01:49:57,800
Speaker 1: and Parrell wasn't shot Like. The thing about it is

1846
01:49:58,160 --> 01:50:00,800
Speaker 1: like I told him, like told him when he sat

1847
01:50:00,920 --> 01:50:02,920
Speaker 1: right here with y'all your brothers are sitting right now,

1848
01:50:03,439 --> 01:50:05,120
Speaker 1: and I said, do you remember what you told me

1849
01:50:05,439 --> 01:50:09,040
Speaker 1: the first time? He goes no, And I said, you

1850
01:50:09,200 --> 01:50:11,479
Speaker 1: told me that if I listened to you, I'll go

1851
01:50:11,680 --> 01:50:16,200
Speaker 1: number one and you also told me do not close

1852
01:50:16,280 --> 01:50:20,720
Speaker 1: my album out album You're beat being the last time.

1853
01:50:21,360 --> 01:50:23,320
Speaker 1: And he's so humble now because he's rich and ship

1854
01:50:23,720 --> 01:50:26,680
Speaker 1: he's like rich rich, right, so he's so humble that

1855
01:50:26,760 --> 01:50:29,280
Speaker 1: he went like this because he could not debate with me.

1856
01:50:29,920 --> 01:50:33,439
Speaker 1: He couldn't even fathom of how cocky he was back

1857
01:50:33,479 --> 01:50:35,880
Speaker 1: then because the more money he made him more humble.

1858
01:50:36,960 --> 01:50:42,640
Speaker 1: That I like that too. What I say that to

1859
01:50:42,720 --> 01:50:46,519
Speaker 1: say it is, was there any discrepancies between you and

1860
01:50:46,560 --> 01:50:49,240
Speaker 1: the label, between you and you you you fellas to

1861
01:50:49,360 --> 01:50:51,200
Speaker 1: say that, you know what, even because that beat is

1862
01:50:51,240 --> 01:50:53,519
Speaker 1: not commercial to me at all. That beat this really

1863
01:50:53,600 --> 01:50:57,599
Speaker 1: hip hop, but people couldn't tucked it as commercial because

1864
01:50:57,640 --> 01:50:59,880
Speaker 1: of the other success of his records prior to that.

1865
01:51:00,360 --> 01:51:03,920
Speaker 1: Did you ever receive any backlash for that? Like Ox

1866
01:51:04,080 --> 01:51:06,160
Speaker 1: is trying to go, yeah, we got that. But see

1867
01:51:06,160 --> 01:51:07,760
Speaker 1: the whole thing that we thought that we thought that

1868
01:51:07,840 --> 01:51:09,400
Speaker 1: we're gonna do if we were going to do a

1869
01:51:09,520 --> 01:51:11,640
Speaker 1: radio sounding something like that's all the radio song, you

1870
01:51:11,680 --> 01:51:13,519
Speaker 1: know what I'm saying, because you know that's the way

1871
01:51:13,600 --> 01:51:15,400
Speaker 1: movie Ship, But we said we're gonna do it. We're

1872
01:51:15,400 --> 01:51:18,760
Speaker 1: gonna do it our way radio and they sold a

1873
01:51:18,800 --> 01:51:20,640
Speaker 1: lot of records, but it wasn't because of radio. You

1874
01:51:20,680 --> 01:51:24,439
Speaker 1: know what I'm saying that I'm gonna saying this loud

1875
01:51:25,280 --> 01:51:28,720
Speaker 1: let us do what we wanted and that and that

1876
01:51:28,880 --> 01:51:31,360
Speaker 1: and that, and that was one of the key things

1877
01:51:31,400 --> 01:51:35,160
Speaker 1: that kept us there for fucking tee and twelve. Yeah,

1878
01:51:35,240 --> 01:51:38,559
Speaker 1: it's like we had a in arms, but we didn't

1879
01:51:38,560 --> 01:51:41,240
Speaker 1: have an arm. We didn't have nobody sitting in there

1880
01:51:41,320 --> 01:51:43,760
Speaker 1: like yo, that's a radio single. That's we turned in

1881
01:51:43,800 --> 01:51:46,880
Speaker 1: the album and that was the album. You know, kept

1882
01:51:46,920 --> 01:51:48,640
Speaker 1: it there and that was it. It didn't focus your

1883
01:51:48,680 --> 01:51:50,760
Speaker 1: career to control, but it was working on at that time,

1884
01:51:50,800 --> 01:51:52,439
Speaker 1: you know what I'm saying, So you know you're gonna

1885
01:51:52,479 --> 01:51:56,040
Speaker 1: go like that for me. Yeah, And that was with

1886
01:51:56,160 --> 01:51:58,400
Speaker 1: the every group they you know, Steve trying to come

1887
01:51:58,400 --> 01:52:00,360
Speaker 1: and send the studio a couple of times times just

1888
01:52:01,080 --> 01:52:04,840
Speaker 1: but it was unnecessary. Like we turned in albums and

1889
01:52:04,880 --> 01:52:07,000
Speaker 1: that was it, like, no, go back and fix this,

1890
01:52:07,160 --> 01:52:09,000
Speaker 1: go back, we need one of these kind of songs.

1891
01:52:10,280 --> 01:52:12,880
Speaker 1: It was. It didn't seem like that. No, No, so

1892
01:52:13,000 --> 01:52:15,280
Speaker 1: let's turn to the park where you guys didn't want

1893
01:52:15,320 --> 01:52:19,760
Speaker 1: to be out loud. What was that point? Where was

1894
01:52:19,920 --> 01:52:22,320
Speaker 1: that a point or was that. It was never point no,

1895
01:52:22,479 --> 01:52:29,720
Speaker 1: they said the doors man, they put it the cloth out.

1896
01:52:30,640 --> 01:52:34,320
Speaker 1: That was it, and then it was Sony. Yeah. And

1897
01:52:34,360 --> 01:52:36,920
Speaker 1: then his album came out, His solo album came out,

1898
01:52:36,960 --> 01:52:41,320
Speaker 1: Wrap Life, right when that transition happened. Actually, his album

1899
01:52:41,439 --> 01:52:46,240
Speaker 1: was already released right when that transition in Loud transitioning

1900
01:52:46,240 --> 01:52:51,840
Speaker 1: into Loud BMG, BMG, going into Loud, Sony going into

1901
01:52:51,880 --> 01:52:54,880
Speaker 1: the Loud Sony Now, BMG, let you'all do whatever the

1902
01:52:54,920 --> 01:52:56,880
Speaker 1: funk you want. I got, I got signed. The Sony

1903
01:52:56,960 --> 01:52:59,800
Speaker 1: is a very you got signed stranger, No, no, no

1904
01:53:00,120 --> 01:53:02,479
Speaker 1: you because you were you were in in the in

1905
01:53:02,600 --> 01:53:05,920
Speaker 1: the in the transition. So yeah, album was technically on

1906
01:53:06,120 --> 01:53:10,000
Speaker 1: Loud DMG. Sony bought all them. He took me to Sony.

1907
01:53:10,080 --> 01:53:11,479
Speaker 1: But I don't think it was Loud. It was just

1908
01:53:11,800 --> 01:53:14,640
Speaker 1: so yeah, So it was. It was, it was, and

1909
01:53:14,720 --> 01:53:18,400
Speaker 1: it was. It was just a a weird time for everybody,

1910
01:53:18,640 --> 01:53:22,320
Speaker 1: like Loud wasn't used to these kind of merger Like

1911
01:53:22,479 --> 01:53:25,000
Speaker 1: it was just weird space, you know what I'm saying. Um,

1912
01:53:25,080 --> 01:53:28,560
Speaker 1: once they dissolved the label, then we were on, like

1913
01:53:29,240 --> 01:53:31,200
Speaker 1: I do whatever we wanted to know what I'm saying.

1914
01:53:31,240 --> 01:53:33,519
Speaker 1: But yeah, how did you prefer you were to stay

1915
01:53:33,600 --> 01:53:36,280
Speaker 1: with Loud, stay with Steve took care of us. That

1916
01:53:36,439 --> 01:53:40,200
Speaker 1: was family Steve. Who Who's who's the rich Rich? I

1917
01:53:40,360 --> 01:53:42,920
Speaker 1: just said, that's that's the exact name rich like rich.

1918
01:53:44,400 --> 01:53:47,840
Speaker 1: He was a jam a couple of months of those. Yeah, Kevi,

1919
01:53:47,960 --> 01:53:55,720
Speaker 1: they they took care of the artists like Street teams man. Yeah, yeah, no,

1920
01:53:55,920 --> 01:53:59,280
Speaker 1: I couldn't have. I wouldn't. I couldn't have asked for

1921
01:53:59,280 --> 01:54:01,080
Speaker 1: a better label to be on, Like to really go

1922
01:54:01,200 --> 01:54:05,200
Speaker 1: through that whole experience Withheld was definitely things Repkin would

1923
01:54:05,240 --> 01:54:07,680
Speaker 1: love to him. Yeah, that's my guy. Just had it

1924
01:54:07,720 --> 01:54:09,599
Speaker 1: with him another Oh yeah, give it up a stee.

1925
01:54:11,479 --> 01:54:20,040
Speaker 1: That's not family. Like Kanye call me a white boy.

1926
01:54:20,800 --> 01:54:24,639
Speaker 1: I mean, are you calling white boy? That's bad? Well

1927
01:54:24,720 --> 01:54:29,320
Speaker 1: the way he like, I'm just saying, yeah, Like someone

1928
01:54:29,400 --> 01:54:38,840
Speaker 1: called me a Cuban boy. Okay, it was of him trying.

1929
01:54:41,640 --> 01:54:48,720
Speaker 1: It's impossible, are you No, I'm not. I never said

1930
01:54:48,800 --> 01:54:56,000
Speaker 1: t boy. Li. I am New Yorker again New York.

1931
01:55:07,560 --> 01:55:12,480
Speaker 1: So you guys go on tour. What's the first tour

1932
01:55:12,560 --> 01:55:14,320
Speaker 1: you said you guys went off with the first big

1933
01:55:14,360 --> 01:55:18,040
Speaker 1: one with us was was with trip called question. That's

1934
01:55:18,080 --> 01:55:21,000
Speaker 1: the that's crazy. We did the time before that, but

1935
01:55:21,040 --> 01:55:23,000
Speaker 1: I was like, remember they said do this the promotional

1936
01:55:23,080 --> 01:55:25,160
Speaker 1: tour when it puts you give you like thirty days,

1937
01:55:25,200 --> 01:55:27,600
Speaker 1: but they don't pay you that after this, Yeah you

1938
01:55:27,640 --> 01:55:31,880
Speaker 1: got the d M. Now that that was our first

1939
01:55:31,960 --> 01:55:34,400
Speaker 1: two single. So I'm imagining we went on talk try

1940
01:55:34,480 --> 01:55:37,240
Speaker 1: after we this trives on Job at this time. Yeah,

1941
01:55:38,000 --> 01:55:40,240
Speaker 1: so how does Loud the Job make this deal for

1942
01:55:40,320 --> 01:55:41,840
Speaker 1: y'all to go on tour even though it's promotion, It

1943
01:55:41,920 --> 01:55:46,480
Speaker 1: wasn't even yeah it was they had labels kicked in

1944
01:55:46,520 --> 01:55:49,400
Speaker 1: a loud and kicking ship with the renter call. But yeah,

1945
01:55:49,520 --> 01:55:53,880
Speaker 1: yeah yeah they given was young healthy and this is

1946
01:55:53,920 --> 01:55:57,440
Speaker 1: a national tour. Oh yeah, oh yeah we all the way,

1947
01:55:58,680 --> 01:56:02,240
Speaker 1: all the way back easy thirty no money. I'll tell

1948
01:56:02,240 --> 01:56:10,160
Speaker 1: you what though out of bitches, yes, yes, no. What

1949
01:56:10,360 --> 01:56:16,840
Speaker 1: he did things that everybody thought you was quar the weekend. Yeah,

1950
01:56:17,240 --> 01:56:18,720
Speaker 1: I just got that today. I was. I was that.

1951
01:56:18,840 --> 01:56:21,600
Speaker 1: I was at the at the mall and everybody want

1952
01:56:21,640 --> 01:56:23,200
Speaker 1: to come up to me talking Spanish. I was like,

1953
01:56:25,520 --> 01:56:30,080
Speaker 1: I don't know it. I know English. So the people

1954
01:56:30,120 --> 01:56:33,760
Speaker 1: know what's your nationality? I'm black, black light skin, black

1955
01:56:34,040 --> 01:56:37,480
Speaker 1: light skin, like I got creo women to getting back.

1956
01:56:37,680 --> 01:56:41,080
Speaker 1: Huh no, no, not at all. I thought one of

1957
01:56:41,160 --> 01:56:45,040
Speaker 1: y'all was none of y'all Spanish. My name Rico, No,

1958
01:56:46,200 --> 01:56:53,760
Speaker 1: my governments, your Cuban man. But that was my mouth.

1959
01:56:53,880 --> 01:56:58,720
Speaker 1: But though, because you're now seen your Cuban, you got

1960
01:56:58,760 --> 01:57:02,120
Speaker 1: another team. No, I'm ancing that all the lights getting

1961
01:57:02,120 --> 01:57:08,040
Speaker 1: people all over the earth, declared me their leader. Exactly you,

1962
01:57:11,200 --> 01:57:14,960
Speaker 1: heagn when you, I'll be showing Drake my converse right there.

1963
01:57:15,040 --> 01:57:18,080
Speaker 1: Let's get love to all the lights of everybody else us.

1964
01:57:18,960 --> 01:57:22,760
Speaker 1: She's been good, it's been fantastic. Not a chego. I

1965
01:57:22,840 --> 01:57:30,560
Speaker 1: got to take a peepiece peep. I'm sorry. I can't

1966
01:57:30,640 --> 01:57:33,200
Speaker 1: let you leave. I got taking the shot at you.

1967
01:57:34,080 --> 01:57:38,720
Speaker 1: Let's do what we're taking shots. I take it. I'll

1968
01:57:38,720 --> 01:57:41,280
Speaker 1: take a shot with you, brother, like good. I got

1969
01:57:41,400 --> 01:57:44,920
Speaker 1: to work programs. Yeah, I'm gonn work in programs. Yeah,

1970
01:57:44,920 --> 01:57:47,760
Speaker 1: I'm still the working. We gonna lock the door, were

1971
01:57:47,800 --> 01:57:49,440
Speaker 1: locking the doors, and he just said he could go

1972
01:57:49,560 --> 01:57:51,120
Speaker 1: lock the door. I said, wait a minute, my brother,

1973
01:57:51,920 --> 01:57:54,200
Speaker 1: we're not. We're not just opened this new little bottom.

1974
01:57:54,200 --> 01:57:56,080
Speaker 1: We're not. We're not. We're not in safety like that.

1975
01:57:56,240 --> 01:57:59,040
Speaker 1: We don't need a lock new doors this shot out. No, no,

1976
01:58:00,040 --> 01:58:01,880
Speaker 1: you cannot do it. I think we're good work hot.

1977
01:58:02,040 --> 01:58:04,640
Speaker 1: Come on, I'm gonna take a po let's go wait

1978
01:58:04,680 --> 01:58:08,640
Speaker 1: waiting to take a peep. Come take the shot in

1979
01:58:08,720 --> 01:58:14,480
Speaker 1: the pep. That's the way it works. Shot sitting still

1980
01:58:14,800 --> 01:58:19,720
Speaker 1: our after this. No, you gotta endure. This is what

1981
01:58:19,800 --> 01:58:26,440
Speaker 1: we do, and we die every time. Okay, I try

1982
01:58:26,440 --> 01:58:29,000
Speaker 1: to give you the minimum. We gotta finish the shot though. Yeah, yeah,

1983
01:58:29,000 --> 01:58:33,800
Speaker 1: we're gonna finish it and then we come back. Yeah.

1984
01:58:38,560 --> 01:58:40,760
Speaker 1: As many of y'all know, Drink Chance wants to give

1985
01:58:40,800 --> 01:58:43,920
Speaker 1: flowers while people are here to receive them. Giving flowers

1986
01:58:43,920 --> 01:58:46,320
Speaker 1: and celebrating our legends while they can still smell them.

1987
01:58:47,000 --> 01:58:49,160
Speaker 1: We have partnered with What the Flower to create this

1988
01:58:49,320 --> 01:58:52,120
Speaker 1: movement where everyone can give flowers to the legends in

1989
01:58:52,240 --> 01:58:55,360
Speaker 1: their lives. You can now order a custom flower box

1990
01:58:55,640 --> 01:58:58,480
Speaker 1: for that someone you want to show appreciation to by

1991
01:58:58,560 --> 01:59:05,400
Speaker 1: visiting www. Wt flower dot com and place your orders now. Fire.

1992
01:59:05,480 --> 01:59:10,080
Speaker 1: I love this all right. We don't know if y'all know.

1993
01:59:10,200 --> 01:59:13,200
Speaker 1: Our show is about giving flowers, so we want to

1994
01:59:13,240 --> 01:59:15,440
Speaker 1: give you all your flowers while you're here. So many

1995
01:59:15,480 --> 01:59:17,760
Speaker 1: people want to give people flowers when they're going and

1996
01:59:17,880 --> 01:59:22,240
Speaker 1: they that's not us. Our show is about giving people

1997
01:59:22,280 --> 01:59:25,080
Speaker 1: their flowers while they alive, showing to face to face,

1998
01:59:25,160 --> 01:59:27,720
Speaker 1: man to man, out of eye that we love y'all.

1999
01:59:27,760 --> 01:59:30,600
Speaker 1: We appreciate y'all. We understand which did for hip hop

2000
01:59:31,000 --> 01:59:33,280
Speaker 1: and we love what you did for hip hop and

2001
01:59:33,400 --> 01:59:35,600
Speaker 1: if it wasn't for y'all in certain ways, it probably

2002
01:59:35,640 --> 01:59:37,840
Speaker 1: we need to be y'all legends, man, So we want

2003
01:59:37,840 --> 01:59:39,760
Speaker 1: to always do that and we want you all to

2004
01:59:39,800 --> 01:59:46,200
Speaker 1: have your flowers face to face man, and Gerald got here,

2005
01:59:46,320 --> 01:59:52,560
Speaker 1: so please take it to jail. And those those are

2006
01:59:52,680 --> 01:59:57,080
Speaker 1: gold plated roses at last ten years, so please don't

2007
01:59:57,120 --> 02:00:00,600
Speaker 1: throw them away there, gold playing roses. This what the

2008
02:00:00,640 --> 02:00:11,360
Speaker 1: flowers in my ant. Yeah, man, we definitely not. We love.

2009
02:00:16,320 --> 02:00:19,040
Speaker 1: We just started this recently, but y'all like to tend

2010
02:00:19,120 --> 02:00:22,560
Speaker 1: to be honest. I'll take that. But it's beautiful. But

2011
02:00:22,680 --> 02:00:26,360
Speaker 1: because you know why this is, you know, we say that,

2012
02:00:28,360 --> 02:00:34,440
Speaker 1: you know you're in a hip hop legend clarifies you

2013
02:00:34,520 --> 02:00:38,680
Speaker 1: as a superhero. I'm not trying to flow us, but

2014
02:00:38,760 --> 02:00:43,280
Speaker 1: the other day people hit me to go on this

2015
02:00:43,400 --> 02:00:48,600
Speaker 1: Twitter conversation, right, and it's Twitter conversation occurred about the

2016
02:00:48,720 --> 02:00:54,400
Speaker 1: harder day fall, and then you know it's it's Twitter

2017
02:00:54,480 --> 02:00:57,280
Speaker 1: conversation with jay Z and all these people. And then

2018
02:00:57,360 --> 02:00:59,600
Speaker 1: jay Z asked me, what are you thinking about the movie?

2019
02:01:00,000 --> 02:01:03,000
Speaker 1: And I said, this is the exper and he goes,

2020
02:01:03,080 --> 02:01:04,680
Speaker 1: what do you mean by the expero? I said, I

2021
02:01:04,760 --> 02:01:07,520
Speaker 1: feel like that's what hip hop, hip hop is. We're

2022
02:01:07,560 --> 02:01:11,600
Speaker 1: all an X Men. Everyone has a special power, you know,

2023
02:01:11,760 --> 02:01:14,760
Speaker 1: just like the X Men. Like everyone has a special power.

2024
02:01:15,240 --> 02:01:20,440
Speaker 1: Everyone has a you know, alright, cool, let's d let's

2025
02:01:20,480 --> 02:01:24,680
Speaker 1: fucking the bar hooks the less you know what since

2026
02:01:25,120 --> 02:01:28,600
Speaker 1: the less fucking alright way to discover. But it's all

2027
02:01:30,080 --> 02:01:32,880
Speaker 1: X Men quality ship. I feel like all of us

2028
02:01:32,920 --> 02:01:36,680
Speaker 1: a superheroes. I feel like, and not a little not

2029
02:01:36,800 --> 02:01:40,320
Speaker 1: only were superheroes, but we're birth and superheroes that part.

2030
02:01:41,320 --> 02:01:47,840
Speaker 1: And I just want to show y'all love to your face. Um,

2031
02:01:49,360 --> 02:01:55,000
Speaker 1: y'all are real legends, real real legends. We respect you.

2032
02:01:56,720 --> 02:01:59,840
Speaker 1: We want to continue to show you guys love and

2033
02:02:00,480 --> 02:02:09,320
Speaker 1: us what it is. Many brother, this a just and

2034
02:02:09,400 --> 02:02:10,800
Speaker 1: real fair you know what you want to say it

2035
02:02:10,880 --> 02:02:15,120
Speaker 1: real quick man like legitimately, like when we say you

2036
02:02:15,160 --> 02:02:17,760
Speaker 1: guys are legends, you guys are legend serious appreciate it

2037
02:02:17,800 --> 02:02:20,400
Speaker 1: would be no drink champs, And I say, like, you know,

2038
02:02:20,560 --> 02:02:23,720
Speaker 1: obviously there could be a drink champ without alcoholic foot

2039
02:02:24,240 --> 02:02:28,080
Speaker 1: in hip hop terms, but there is a direct lineage

2040
02:02:28,800 --> 02:02:30,880
Speaker 1: to what you guys did. You know what I'm saying

2041
02:02:31,120 --> 02:02:34,200
Speaker 1: and for myself, like I was super inspired with you guys.

2042
02:02:34,240 --> 02:02:37,440
Speaker 1: I love you guys. I'm Miami by way of L. A.

2043
02:02:38,320 --> 02:02:40,520
Speaker 1: So and the way that I love hip hop. You

2044
02:02:40,600 --> 02:02:44,720
Speaker 1: guys spoke to me personally, and I love everything guys

2045
02:02:44,800 --> 02:02:47,320
Speaker 1: did man for the West Coast and for hip hop,

2046
02:02:47,400 --> 02:03:01,240
Speaker 1: and I appreciate is big. I'm gonna ship man, that's

2047
02:03:01,600 --> 02:03:08,240
Speaker 1: I got out of nowhere. We appreciate your congratulations to y'all.

2048
02:03:08,840 --> 02:03:11,800
Speaker 1: You know we we know each like we know each

2049
02:03:11,840 --> 02:03:15,680
Speaker 1: other for a wile man And you guys might not remember,

2050
02:03:15,720 --> 02:03:17,800
Speaker 1: but you guys been on mom mix tape. That's what

2051
02:03:17,840 --> 02:03:25,640
Speaker 1: I'm saying. I met you years you know. Closing this

2052
02:03:25,760 --> 02:03:27,600
Speaker 1: dude bet me was back at the house and everything,

2053
02:03:27,880 --> 02:03:31,520
Speaker 1: and remember that, remember I came to your own I

2054
02:03:31,600 --> 02:03:33,680
Speaker 1: forgot what I mean when I came in freestyle at

2055
02:03:33,720 --> 02:03:35,840
Speaker 1: your show. You've done a lot, a lot of a

2056
02:03:35,920 --> 02:03:37,680
Speaker 1: lot of ship. But he better he bet me some

2057
02:03:37,720 --> 02:03:39,920
Speaker 1: money that I couldn't remember the rap I said on

2058
02:03:40,000 --> 02:03:43,640
Speaker 1: your show, get hold On, and I remember that, remembered

2059
02:03:43,680 --> 02:03:46,280
Speaker 1: that people just to task the feet for the world

2060
02:03:46,360 --> 02:03:54,480
Speaker 1: famous alcohol Harley click. I'm telling what the hard boys djan. Listen,

2061
02:03:54,680 --> 02:03:59,960
Speaker 1: you know you're with tonight hy trolic alcoholic hid your water,

2062
02:04:00,000 --> 02:04:01,440
Speaker 1: and I can't tell you what my plan is. Y'all

2063
02:04:01,440 --> 02:04:03,240
Speaker 1: be quit to try and spoil it. I call it

2064
02:04:03,520 --> 02:04:05,720
Speaker 1: like I see it. I three to three. My life

2065
02:04:05,840 --> 02:04:07,720
Speaker 1: was like a movie, so we had the DV did

2066
02:04:07,960 --> 02:04:10,440
Speaker 1: I be with my homie Scottie from the y As

2067
02:04:10,520 --> 02:04:13,400
Speaker 1: We're smoking okay, dunkey like smoking from Friday's. My mom

2068
02:04:13,560 --> 02:04:15,920
Speaker 1: plays tricks on y'all who want to do it? Nigga?

2069
02:04:16,160 --> 02:04:18,240
Speaker 1: If the few fit, whack it with your new ship.

2070
02:04:18,480 --> 02:04:21,040
Speaker 1: I expect that dangerous language. Some niggas bang their gay ship.

2071
02:04:21,200 --> 02:04:23,040
Speaker 1: You ain't the one for action. I ain't the one

2072
02:04:23,080 --> 02:04:25,080
Speaker 1: to play where fun. If you rich and famous, you

2073
02:04:25,200 --> 02:04:27,880
Speaker 1: do the chopulations. You're up the mansion hiding. I'm up

2074
02:04:27,920 --> 02:04:29,720
Speaker 1: the street on day and skate and wait and patient

2075
02:04:29,760 --> 02:04:32,400
Speaker 1: for the click to pick up victim. Alcoholics knt peek

2076
02:04:32,440 --> 02:04:34,920
Speaker 1: the holes that kick you with them. Models and actress

2077
02:04:35,040 --> 02:04:37,760
Speaker 1: is don't say her mattressist, key to your temperate heads,

2078
02:04:37,920 --> 02:04:40,120
Speaker 1: catas some mac with heirs, I come and smack your

2079
02:04:40,160 --> 02:04:42,600
Speaker 1: backwards catass and the motherfucking ship and it's a win.

2080
02:04:42,720 --> 02:04:44,960
Speaker 1: With d J E. F Fan, we just blame that

2081
02:04:45,040 --> 02:04:47,480
Speaker 1: ship like Juice and Jim. We come through Nigga. We

2082
02:04:47,520 --> 02:04:49,720
Speaker 1: got a hundred thousand of spirits who want to do it.

2083
02:04:49,880 --> 02:04:53,080
Speaker 1: It's liqual movement, fucking power movement. Everything is hoping improvement.

2084
02:04:53,480 --> 02:04:55,680
Speaker 1: I passed the Mica j bro because he want to

2085
02:04:55,680 --> 02:04:57,640
Speaker 1: be the next on the flow. I put it down

2086
02:04:57,680 --> 02:05:00,360
Speaker 1: with straight profession. Nos, it's not the folk. It's gonna

2087
02:05:00,440 --> 02:05:08,240
Speaker 1: town like this. Don't even trip. It's catastrophe, your motherfucker bit. Yeah, Pop,

2088
02:05:08,240 --> 02:05:14,200
Speaker 1: I asked you that. I feel like I'm a certified i'mcoholic,

2089
02:05:14,280 --> 02:05:18,120
Speaker 1: all right, I have no memory. How then do you

2090
02:05:19,040 --> 02:05:27,000
Speaker 1: have all your memory? I don't look at that. I

2091
02:05:27,040 --> 02:05:29,680
Speaker 1: don't play. This is so much that it's like a song,

2092
02:05:29,800 --> 02:05:32,720
Speaker 1: like a something that you just hear so much. You

2093
02:05:32,840 --> 02:05:36,680
Speaker 1: just know the world. I thought you just had remember

2094
02:05:37,080 --> 02:05:41,400
Speaker 1: remember remember his day, our second album, when we were

2095
02:05:41,480 --> 02:05:43,960
Speaker 1: mastering our you kind of remember this were mastering our

2096
02:05:44,000 --> 02:05:49,720
Speaker 1: second album. You were in the room battery battery studio mastering. Okay,

2097
02:05:50,160 --> 02:05:53,640
Speaker 1: I forget your name or something in New Yorker. Yeah,

2098
02:05:53,640 --> 02:05:56,600
Speaker 1: it's in New York. We're mastering our album in one studio.

2099
02:05:56,760 --> 02:06:00,120
Speaker 1: You're in the next one mastering your ship. Actually think

2100
02:06:00,160 --> 02:06:02,160
Speaker 1: that's when I heard the first time I heard the

2101
02:06:02,240 --> 02:06:04,440
Speaker 1: joints you did with for Rel and I was like,

2102
02:06:04,840 --> 02:06:07,480
Speaker 1: we need, we need, you need to turn a couple

2103
02:06:07,480 --> 02:06:12,000
Speaker 1: of more knobs. Yeah, literally you were talking about I

2104
02:06:12,040 --> 02:06:15,080
Speaker 1: didn't get it until you did your joint tell her

2105
02:06:15,160 --> 02:06:17,600
Speaker 1: what her other things like maybe one of two songs.

2106
02:06:18,240 --> 02:06:21,240
Speaker 1: But when I heard that, I realized that he's a

2107
02:06:21,320 --> 02:06:23,640
Speaker 1: hip hop motherfucker. You know what I'm saying and talking

2108
02:06:23,640 --> 02:06:26,360
Speaker 1: about dress hip hop at the time. Also dressed like

2109
02:06:26,440 --> 02:06:28,240
Speaker 1: prints almost, but there was a lot of that going on.

2110
02:06:28,560 --> 02:06:31,640
Speaker 1: It wasn't like like to see somebody ship like that.

2111
02:06:32,040 --> 02:06:34,240
Speaker 1: I don't know what it was, but no, but had

2112
02:06:34,280 --> 02:06:39,880
Speaker 1: that ball hard. Yeah you get a dance like this? Yeah, yeah,

2113
02:06:39,920 --> 02:06:54,400
Speaker 1: you know I can't our first our first video. I

2114
02:06:54,480 --> 02:07:03,800
Speaker 1: got a bad yard I had on the dude, you

2115
02:07:03,800 --> 02:07:14,840
Speaker 1: can do that? You really playing yourself? You're like you trash.

2116
02:07:14,840 --> 02:07:22,640
Speaker 1: I had that ship downpack a little trash trash kill. Yeah,

2117
02:07:23,600 --> 02:07:28,000
Speaker 1: that's what. That's what Lebron. Yeah, enjoy think about it.

2118
02:07:29,120 --> 02:07:34,400
Speaker 1: He killed that real ship though, Man, that that that

2119
02:07:34,560 --> 02:07:42,600
Speaker 1: that's crazy again. Let me wehiterate this. You guys are legends.

2120
02:07:43,320 --> 02:07:48,000
Speaker 1: We appreciate you guys, We love you guys. Man, you

2121
02:07:48,120 --> 02:07:49,840
Speaker 1: just want to we just want to keep bigging you up,

2122
02:07:50,760 --> 02:07:53,520
Speaker 1: because that's what this show was about. The show was

2123
02:07:53,560 --> 02:07:56,880
Speaker 1: about making sure our legends know that their legends, I legends,

2124
02:07:56,960 --> 02:08:01,240
Speaker 1: know that they're you know, in the right place in

2125
02:08:01,400 --> 02:08:04,920
Speaker 1: history because sometimes you know, you know, it's even me,

2126
02:08:05,080 --> 02:08:07,760
Speaker 1: it's even me. I feel like that sometimes, like you know,

2127
02:08:08,440 --> 02:08:10,280
Speaker 1: I made up this word slime and I made it

2128
02:08:10,400 --> 02:08:13,280
Speaker 1: this word jump off and I made this word hate

2129
02:08:13,280 --> 02:08:17,080
Speaker 1: a raid and they don't beat me up? Did you

2130
02:08:17,160 --> 02:08:21,960
Speaker 1: make up tracks just to clear the Rosco people? I

2131
02:08:22,000 --> 02:08:24,440
Speaker 1: don't know which one of them? Okay, this will be clear.

2132
02:08:24,720 --> 02:08:28,880
Speaker 1: But I participated a little bit. I had a lot

2133
02:08:28,920 --> 02:08:32,760
Speaker 1: of a lot of far But let's stop what this

2134
02:08:32,880 --> 02:08:36,480
Speaker 1: is about right now. But it's about right now. It's

2135
02:08:36,480 --> 02:08:41,520
Speaker 1: making show you guys really understand the importance of your legacy.

2136
02:08:43,720 --> 02:08:49,080
Speaker 1: It's very important. Um. One of the first guys we've

2137
02:08:49,080 --> 02:08:54,839
Speaker 1: ever seen from the West Coast spinning bars, bars, bars,

2138
02:08:55,280 --> 02:08:58,000
Speaker 1: you know to us, to me, excuse me, I may

2139
02:08:58,080 --> 02:09:02,240
Speaker 1: not claim the whole East Coast away, wrong, I don't

2140
02:09:04,640 --> 02:09:12,640
Speaker 1: know we have bars. Yeah, I definitely don't mean it.

2141
02:09:14,400 --> 02:09:15,960
Speaker 1: I said, just let me just take it for me.

2142
02:09:17,800 --> 02:09:25,760
Speaker 1: Bars concept, oh, the ability to have fun? Yeah right.

2143
02:09:26,240 --> 02:09:30,080
Speaker 1: One of my favorite rappers ever is Bi smar Key

2144
02:09:30,200 --> 02:09:34,240
Speaker 1: Rest in Peace. And it wasn't because Business literal wasn't

2145
02:09:34,240 --> 02:09:39,280
Speaker 1: because Bis was, but he was literal to it. But

2146
02:09:39,280 --> 02:09:41,200
Speaker 1: I'm gonna tell you why Biss was. Bus knew how

2147
02:09:41,280 --> 02:09:46,680
Speaker 1: to have fun yea. And I never, of course I

2148
02:09:46,760 --> 02:09:49,960
Speaker 1: met Biz, but I've never really hung out and to

2149
02:09:50,120 --> 02:09:53,280
Speaker 1: know that if this is true, but his raps reflected

2150
02:09:53,320 --> 02:09:56,280
Speaker 1: it that much that I just believe. And that's how

2151
02:09:56,320 --> 02:10:01,640
Speaker 1: I feel about Trump is. You know I didn't really

2152
02:10:01,680 --> 02:10:04,080
Speaker 1: get drunk drunk with you that day because you came drunk, right.

2153
02:10:05,960 --> 02:10:10,920
Speaker 1: I wanted to get drunk drunk like da He can't

2154
02:10:11,000 --> 02:10:14,160
Speaker 1: drunk like if I'm want to claim some of it,

2155
02:10:14,280 --> 02:10:16,120
Speaker 1: like take a shot with me, and it's like, damn,

2156
02:10:16,160 --> 02:10:19,560
Speaker 1: this might not be good. Like two in the morning

2157
02:10:19,600 --> 02:10:24,760
Speaker 1: to no, I was the daytime big and I said

2158
02:10:24,800 --> 02:10:28,640
Speaker 1: this thing over here rapping over everything. Yea. But what

2159
02:10:28,680 --> 02:10:32,920
Speaker 1: I'm saying is this is what to me, hip hop

2160
02:10:33,160 --> 02:10:39,480
Speaker 1: is BF Van Nori train champs. We're not ship without

2161
02:10:39,560 --> 02:10:43,400
Speaker 1: saying to the people who came before, the people that

2162
02:10:44,120 --> 02:10:45,960
Speaker 1: came in the middle of us, and the people that

2163
02:10:46,040 --> 02:10:48,560
Speaker 1: came after us, how much we love, how much we

2164
02:10:48,680 --> 02:10:52,000
Speaker 1: appreciate it. Other than that, this ship would never be here.

2165
02:10:53,520 --> 02:10:57,720
Speaker 1: We understand our legends, and we wanted to have a

2166
02:10:57,840 --> 02:11:01,440
Speaker 1: platform for our legends to whenever they want to talk

2167
02:11:01,480 --> 02:11:04,160
Speaker 1: about you know, you want to talk about your your

2168
02:11:04,200 --> 02:11:07,400
Speaker 1: new weed line. You've got a weed line. Mycoholic come

2169
02:11:07,480 --> 02:11:15,320
Speaker 1: to smoke smoking that. I was taking a ship in

2170
02:11:15,400 --> 02:11:19,080
Speaker 1: my bathroom and I smoked it. And the tip, the tip,

2171
02:11:19,160 --> 02:11:21,360
Speaker 1: the tip is very serious, but I did not know,

2172
02:11:22,200 --> 02:11:26,480
Speaker 1: but I want to. Yeah, it's serious. It's coming soon.

2173
02:11:26,480 --> 02:11:29,400
Speaker 1: I'm as soon. So we want you to know y'all

2174
02:11:29,400 --> 02:11:33,560
Speaker 1: appreciate it. Y'all loved and we funk with y'all that

2175
02:11:33,680 --> 02:11:37,120
Speaker 1: drink chaps and this will It was for y'all home

2176
02:11:37,240 --> 02:11:40,040
Speaker 1: back then. It's your home in the middle and it

2177
02:11:40,080 --> 02:11:45,680
Speaker 1: should be your home to the end. Appreciate lu We

2178
02:11:45,840 --> 02:11:54,320
Speaker 1: love and respect your motherfucker. They got picture and I'm

2179
02:11:54,440 --> 02:11:59,640
Speaker 1: with my hat dint. Thanks for joining us for another

2180
02:11:59,680 --> 02:12:02,160
Speaker 1: episd so to Drink Champs hosted by Yours Truly, d

2181
02:12:02,280 --> 02:12:04,680
Speaker 1: j e f N and n O r E. Please

2182
02:12:04,720 --> 02:12:06,920
Speaker 1: make sure to follow us on all our socials. Let's

2183
02:12:06,960 --> 02:12:10,520
Speaker 1: at Drink Champs across all platforms at the Real Noriegon,

2184
02:12:10,640 --> 02:12:14,520
Speaker 1: i g at Noriega on Twitter, minus at Who's Crazy

2185
02:12:14,720 --> 02:12:17,600
Speaker 1: on I g at d j e f N on Twitter,

2186
02:12:17,960 --> 02:12:20,520
Speaker 1: and most importantly, stay up to date with the latest releases,

2187
02:12:20,920 --> 02:12:24,120
Speaker 1: news and merch by going to drink Champs dot com.

2188
02:12:28,480 --> 02:12:31,560
Speaker 1: For more podcasts from my Heart Radio, visit the iHeart

2189
02:12:31,640 --> 02:12:35,120
Speaker 1: Radio app, Apple Podcast, or wherever you listen to your

2190
02:12:35,160 --> 02:12:35,840
Speaker 1: favorite shows.