1 00:00:02,240 --> 00:00:12,640 Speaker 1: We've got Morgan Business of the week. Hey, y'all, thanks 2 00:00:12,640 --> 00:00:15,120 Speaker 1: for taking the time to listen. It's the best Bits 3 00:00:15,120 --> 00:00:16,800 Speaker 1: of the week show, as you heard in that fun 4 00:00:16,840 --> 00:00:19,840 Speaker 1: little jingle, and I am Morgan. I'm gonna be counting 5 00:00:19,840 --> 00:00:22,319 Speaker 1: down the best seven bits from the show this week 6 00:00:22,360 --> 00:00:26,040 Speaker 1: based on all your engagement online from social media that 7 00:00:26,200 --> 00:00:29,240 Speaker 1: calls all the things, and there's so many more bits 8 00:00:29,240 --> 00:00:31,840 Speaker 1: than seven, but I'm counting down the best ones from 9 00:00:31,920 --> 00:00:34,720 Speaker 1: seven to one. And also along the way, I bring 10 00:00:34,720 --> 00:00:37,479 Speaker 1: in members from the show to talk about some behind 11 00:00:37,520 --> 00:00:40,760 Speaker 1: the scenes moments, which is my personal favorite. And this 12 00:00:40,760 --> 00:00:46,000 Speaker 1: weekend I'm bringing in a lunchbox here. I'm here, I'm here, 13 00:00:46,120 --> 00:00:49,239 Speaker 1: check check check this thing on. Well, so it's us 14 00:00:49,320 --> 00:00:52,720 Speaker 1: three are the only ones in our home studio right now. 15 00:00:52,840 --> 00:00:55,400 Speaker 1: So I figured we're not in our home, We're in 16 00:00:55,440 --> 00:00:58,520 Speaker 1: the studio, I mean, like the home studio, Like are 17 00:00:58,720 --> 00:01:01,720 Speaker 1: the shows homes studio? I got you? Okay, yeah, yeah, 18 00:01:01,800 --> 00:01:04,080 Speaker 1: you get it now, Okay, got it. Well, it's only 19 00:01:04,160 --> 00:01:07,520 Speaker 1: US three because the snow totally blanketed Nashville and there 20 00:01:07,600 --> 00:01:09,440 Speaker 1: was so much ice and it was just wild. I 21 00:01:09,600 --> 00:01:13,319 Speaker 1: know they were calling it the Winter Store. No snow mcgeddon. Oh, 22 00:01:14,200 --> 00:01:17,720 Speaker 1: I think that's a little dramatic. Snow mcgeddon was here. Okay, 23 00:01:17,880 --> 00:01:19,960 Speaker 1: well that's why we're all here. So I figured it'd 24 00:01:19,959 --> 00:01:22,720 Speaker 1: be best to bring on Raymundo and launchboxes, kind of 25 00:01:22,800 --> 00:01:25,800 Speaker 1: my little co host for today as something fun. I 26 00:01:25,840 --> 00:01:27,840 Speaker 1: don't know, you guys down for that? Are we getting 27 00:01:27,840 --> 00:01:33,200 Speaker 1: paid extra? No? Oh, I'm still down right. Are you good? 28 00:01:33,520 --> 00:01:36,240 Speaker 1: Do you need extra money? I am totally cool with 29 00:01:36,360 --> 00:01:38,320 Speaker 1: doing this with you. I heard this is just such 30 00:01:38,319 --> 00:01:41,240 Speaker 1: a huge show on the weekends. Watch it's like bigger 31 00:01:41,280 --> 00:01:45,800 Speaker 1: than no. I always see reposts and stuff like that, 32 00:01:45,840 --> 00:01:47,480 Speaker 1: and I'm like, wow, it must be pretty good and 33 00:01:47,760 --> 00:01:50,360 Speaker 1: easy to listen to. I don't know, well, I appreciate 34 00:01:50,440 --> 00:01:52,720 Speaker 1: that it is doing pretty well. So thanks y'all for 35 00:01:52,800 --> 00:01:54,840 Speaker 1: listening to this so well. We were going to get 36 00:01:54,880 --> 00:01:58,160 Speaker 1: started and up first this week, Bobby brought up a 37 00:01:58,160 --> 00:02:01,080 Speaker 1: news story about how dark chocolate is good for your heart, 38 00:02:01,320 --> 00:02:03,560 Speaker 1: and then it got us all talking about all the 39 00:02:03,600 --> 00:02:08,079 Speaker 1: foods that everybody on this show hates. Well, I decided 40 00:02:08,400 --> 00:02:10,519 Speaker 1: that I want to hear us, so we're going to 41 00:02:10,600 --> 00:02:13,560 Speaker 1: talk about some things. Okay, let's talk about it. So 42 00:02:14,600 --> 00:02:16,400 Speaker 1: my microphone, so yeah, coach have you ever been on 43 00:02:16,440 --> 00:02:18,760 Speaker 1: the mic before? Now, I get nervous. This weekend showed it. 44 00:02:18,840 --> 00:02:21,359 Speaker 1: I get nervous, you know what I mean, Like everybody's 45 00:02:21,400 --> 00:02:23,679 Speaker 1: listening on the weekend. I'm like, ah, he drills his 46 00:02:23,800 --> 00:02:26,600 Speaker 1: mic like it's his first day. I was nervous. This 47 00:02:26,680 --> 00:02:30,120 Speaker 1: is weird. I've never heard those words out of your mouth. Yeah, okay, 48 00:02:30,400 --> 00:02:32,960 Speaker 1: So I have questions for y'all. We talked about the 49 00:02:33,000 --> 00:02:35,720 Speaker 1: foods that you can't stand or you hate. Hate's a 50 00:02:35,760 --> 00:02:38,160 Speaker 1: weird word for me. So we're gonna say dislike. So 51 00:02:38,240 --> 00:02:41,480 Speaker 1: I want to hear the song that you dislike. And 52 00:02:41,520 --> 00:02:43,400 Speaker 1: I'll give you a second to kind of think about that, 53 00:02:43,440 --> 00:02:45,640 Speaker 1: because I know it's a loaded question. I'm gonna tell 54 00:02:45,680 --> 00:02:48,040 Speaker 1: you mine while you think, go for it. Mine is 55 00:02:48,160 --> 00:02:54,760 Speaker 1: laughy taffy. Okay, back this song on like party buses 56 00:02:54,840 --> 00:02:57,520 Speaker 1: right as I laughy daffy. Oh. But like I listened 57 00:02:57,560 --> 00:02:59,440 Speaker 1: back to it now and I'm like, it is literally 58 00:02:59,440 --> 00:03:02,000 Speaker 1: a song where repeating the words laughy taffy over and 59 00:03:02,040 --> 00:03:06,000 Speaker 1: over again, and it was famous, like so crazy to me, 60 00:03:06,120 --> 00:03:08,000 Speaker 1: and it's just not a good song. There's no like, 61 00:03:08,080 --> 00:03:11,040 Speaker 1: there's nothing there for me. I can't believe you don't 62 00:03:11,320 --> 00:03:15,840 Speaker 1: still enjoy Laughy Taffy, Laughy Taffy because it's like one 63 00:03:15,880 --> 00:03:18,000 Speaker 1: of those earworms that you get and then it doesn't 64 00:03:18,000 --> 00:03:19,600 Speaker 1: go away and you're mad that it doesn't go away. 65 00:03:19,680 --> 00:03:22,240 Speaker 1: It's not a good earworm, you know. I think it's 66 00:03:22,240 --> 00:03:24,919 Speaker 1: a good earworm. I am. I am in total disagreement 67 00:03:24,960 --> 00:03:27,839 Speaker 1: with this this selection right here. Okay, well, then what's 68 00:03:27,880 --> 00:03:34,880 Speaker 1: the song that you just like, Oh see, that's gonna 69 00:03:34,880 --> 00:03:45,200 Speaker 1: be an earworm? Oh here we go. Oh my gosh, Okay, 70 00:03:45,360 --> 00:03:48,120 Speaker 1: that is a jail No, no, no, no, talk in 71 00:03:48,120 --> 00:03:50,680 Speaker 1: my head. It's bad. Okay. This one is another one 72 00:03:51,080 --> 00:03:53,720 Speaker 1: that they just repeat the dang words and it is 73 00:03:53,840 --> 00:03:57,120 Speaker 1: so stupid and aren't you ready for human may even 74 00:03:57,160 --> 00:03:59,040 Speaker 1: never heard this song. I don't know when this song 75 00:03:59,120 --> 00:04:01,920 Speaker 1: came out, so maybe we're too young. It's are you 76 00:04:02,040 --> 00:04:05,880 Speaker 1: Johnny Ray? Who wants to know? Who wants to know? No, 77 00:04:06,120 --> 00:04:10,560 Speaker 1: I'm not Johnny Ray who wants to know? They sing 78 00:04:10,560 --> 00:04:12,640 Speaker 1: it over and over and it was a huge hit, 79 00:04:12,720 --> 00:04:15,640 Speaker 1: and I'm like, this song is terrible bull Wait Ray, 80 00:04:15,640 --> 00:04:17,880 Speaker 1: do you notice I have no idea what you're even 81 00:04:17,960 --> 00:04:21,320 Speaker 1: talking about? Are you Johnny Ray? Who wants to know? 82 00:04:21,520 --> 00:04:23,680 Speaker 1: Who wants to know. I mean, is this from the 83 00:04:23,720 --> 00:04:27,760 Speaker 1: fifties lens no, I Are You Johnny Ray? Song sung 84 00:04:27,880 --> 00:04:31,440 Speaker 1: by Jimmy Ray. Oh, it says it's it's actually the 85 00:04:31,480 --> 00:04:33,640 Speaker 1: song is are You Jimmy Ray? I thought it was 86 00:04:33,760 --> 00:04:36,560 Speaker 1: Johnny Ray whatever? And you learned the new lyrics to 87 00:04:36,600 --> 00:04:39,400 Speaker 1: the song. Yeah, And it came out in November of 88 00:04:39,480 --> 00:04:43,440 Speaker 1: nineteen ninety seven. If you can look up Are You 89 00:04:43,560 --> 00:04:47,680 Speaker 1: Jimmy Ray? Fur year old? Such a terrible song and 90 00:04:47,839 --> 00:04:57,200 Speaker 1: everyone loved it. It. It's so terrible, so terrible. Here, no, 91 00:04:57,960 --> 00:05:08,560 Speaker 1: just get ready for it, he says it. Okay, I 92 00:05:08,600 --> 00:05:10,840 Speaker 1: feel like that's a like a theme song almost for Ray, 93 00:05:10,920 --> 00:05:15,480 Speaker 1: It says Ray. I like that. It is so terrible, dude, 94 00:05:15,520 --> 00:05:22,279 Speaker 1: we might have just found my new winning song. Okay, speak, 95 00:05:23,320 --> 00:05:25,360 Speaker 1: what's the song that you just like? All right? So 96 00:05:25,600 --> 00:05:29,679 Speaker 1: let me preface this with saying I love Luke Combs okay, 97 00:05:29,680 --> 00:05:32,080 Speaker 1: and I hate to go after a country song right now, 98 00:05:32,360 --> 00:05:35,040 Speaker 1: and his song Better Together, I love it. Some things 99 00:05:35,120 --> 00:05:38,680 Speaker 1: just go bad. That song is amazing. So I really 100 00:05:38,720 --> 00:05:41,839 Speaker 1: like Luke Combs, but and a majority of his stuff 101 00:05:41,839 --> 00:05:44,880 Speaker 1: I'm fine with for whatever reason. Maybe it's the I 102 00:05:44,920 --> 00:05:47,120 Speaker 1: don't know, Maybe there's instruments in it. I don't love 103 00:05:47,240 --> 00:05:55,800 Speaker 1: the lyrics. I can't stand loving on you. You don't 104 00:05:55,839 --> 00:05:58,919 Speaker 1: like this. I'm so sorry to Luke Combs all the 105 00:05:58,960 --> 00:06:01,080 Speaker 1: people on Music Row who have been a part of 106 00:06:01,080 --> 00:06:03,279 Speaker 1: this song. And I think it's a number one too. 107 00:06:03,480 --> 00:06:06,640 Speaker 1: It's very cheesy I'm in love with loving You. I mean, 108 00:06:06,680 --> 00:06:10,640 Speaker 1: it's very cheesy. It's so good. I'm sorry. I kind 109 00:06:10,640 --> 00:06:12,520 Speaker 1: of thought we were going after country songs, so I 110 00:06:12,560 --> 00:06:15,080 Speaker 1: probably should have switched it up. But for me, that one, 111 00:06:15,080 --> 00:06:18,480 Speaker 1: if it's on the radio, I can't do it. Okay, fair, fair, 112 00:06:18,520 --> 00:06:20,720 Speaker 1: I mean, the whole point of dislike is that their 113 00:06:20,760 --> 00:06:24,480 Speaker 1: controversial opinions. So that's okay. We're all across the board there. 114 00:06:24,520 --> 00:06:26,200 Speaker 1: But I see what Rady is saying. Just say I'm 115 00:06:26,200 --> 00:06:27,800 Speaker 1: in love with you. Don't say I'm in love with 116 00:06:27,880 --> 00:06:36,279 Speaker 1: loving you, that I'm in love with loving on you. 117 00:06:36,560 --> 00:06:38,840 Speaker 1: You know what, Luke comes you're listening. I love the song. 118 00:06:39,520 --> 00:06:42,919 Speaker 1: Yeah he's not listening, I promise. Okay, Well, we're the 119 00:06:43,000 --> 00:06:47,560 Speaker 1: other question. Movies that you dislike, like one movie that 120 00:06:47,600 --> 00:06:50,320 Speaker 1: you really dislike in mind so controversial. I got forced 121 00:06:50,320 --> 00:06:53,040 Speaker 1: into watching this series on the show, and it was 122 00:06:53,080 --> 00:06:55,880 Speaker 1: the worst thing I've ever watched The Godfather. It was terrible. 123 00:06:55,960 --> 00:06:58,480 Speaker 1: Oh you're you're I can't say the word you are. 124 00:06:59,720 --> 00:07:03,880 Speaker 1: You're ridiculous. Okay, I'm ridiculous. It was terrible. I don't care. 125 00:07:04,360 --> 00:07:06,440 Speaker 1: It was so bad. I was so bored out of 126 00:07:06,440 --> 00:07:10,400 Speaker 1: my mind for like, not even for three movies. I 127 00:07:10,560 --> 00:07:15,040 Speaker 1: think I sat there for twelve hours. It was so long. Well, 128 00:07:15,080 --> 00:07:17,200 Speaker 1: that's the problem. You got to think they came out 129 00:07:17,360 --> 00:07:20,000 Speaker 1: years apart, so you're used to seeing them one, you 130 00:07:20,080 --> 00:07:22,960 Speaker 1: wait two years, you see the other one. Watching twelve 131 00:07:22,960 --> 00:07:27,040 Speaker 1: hours of anything in that short amount of time is tough, okay, 132 00:07:27,080 --> 00:07:29,520 Speaker 1: But it just wasn't good. Like the one part where 133 00:07:29,560 --> 00:07:32,720 Speaker 1: he's make him enough for I can't refuse. That's the 134 00:07:32,760 --> 00:07:35,280 Speaker 1: only part I liked. He sounded really good there, like 135 00:07:35,320 --> 00:07:38,320 Speaker 1: you sounded just like him, you know, doing some good 136 00:07:38,320 --> 00:07:40,000 Speaker 1: impressions there. But that's mine and I know it's going 137 00:07:40,080 --> 00:07:42,400 Speaker 1: to be controversial, so that's I don't think that. I mean, 138 00:07:42,400 --> 00:07:44,480 Speaker 1: it's so old. I mean it's an old movie, so 139 00:07:44,520 --> 00:07:46,040 Speaker 1: I don't really know if people are going to be 140 00:07:46,160 --> 00:07:48,520 Speaker 1: that mad at you for not liking him. Well, we'll see, 141 00:07:48,560 --> 00:07:50,880 Speaker 1: we'll see based on the internet, right, right, What's yours 142 00:07:51,280 --> 00:07:55,040 Speaker 1: awesome powers really going to be controversial. There are a 143 00:07:55,040 --> 00:07:57,760 Speaker 1: few of those, so like all of them, sure, because 144 00:07:57,800 --> 00:08:00,000 Speaker 1: they're all the exact same theme where the dude acts 145 00:08:00,080 --> 00:08:03,000 Speaker 1: like he's from England and it's a throwback, Oh do 146 00:08:03,080 --> 00:08:06,240 Speaker 1: you want to shag me? Baby? And they talk like 147 00:08:06,280 --> 00:08:08,720 Speaker 1: that the whole time, and it's just so hilarious. I 148 00:08:08,760 --> 00:08:10,360 Speaker 1: get it's a comedy and they're supposed to be like, 149 00:08:10,360 --> 00:08:15,400 Speaker 1: wait a second, one million dollars. I get that was 150 00:08:15,440 --> 00:08:17,280 Speaker 1: the point of it all. It's a comedy. I just 151 00:08:17,320 --> 00:08:20,800 Speaker 1: didn't think it was funny. I mean, it was just 152 00:08:20,880 --> 00:08:23,120 Speaker 1: so dumb. Is that the Is that the one where 153 00:08:23,160 --> 00:08:26,960 Speaker 1: the pinky thing? So many quotes are from it. I 154 00:08:26,960 --> 00:08:30,000 Speaker 1: mean there was gold Member spy who shagged me? It 155 00:08:30,040 --> 00:08:32,320 Speaker 1: was huge and popular at the time. I don't even 156 00:08:32,320 --> 00:08:34,240 Speaker 1: think it holds up. I'm sure Lunch hasn't seen it 157 00:08:34,280 --> 00:08:36,680 Speaker 1: in ten years, but probably not. I don't actually go 158 00:08:36,720 --> 00:08:38,280 Speaker 1: back and watch a lot of movies. I'm not a 159 00:08:38,320 --> 00:08:40,920 Speaker 1: big watch a movie sixteen times? Guy, Do you want 160 00:08:40,920 --> 00:08:46,000 Speaker 1: to make you horny? Baby? Oh? Yeah? Oh man? Okay, 161 00:08:46,040 --> 00:08:50,080 Speaker 1: So all those quotes are hilarious. All those quotes make 162 00:08:50,160 --> 00:08:52,719 Speaker 1: you laugh. They make you laugh out loud and not 163 00:08:52,920 --> 00:08:55,200 Speaker 1: the only one that feels like the awesome power quotes 164 00:08:55,280 --> 00:08:58,400 Speaker 1: is something I would totally hear coming from Ray's mouth sometime, right. 165 00:08:58,480 --> 00:09:01,720 Speaker 1: I think he's wa I'm mad they they stole my 166 00:09:01,760 --> 00:09:04,560 Speaker 1: stick and the man, those guys got me before I 167 00:09:04,679 --> 00:09:07,439 Speaker 1: was got like, I mean, they did what I should 168 00:09:07,440 --> 00:09:11,800 Speaker 1: have done. Oh man, Okay, okay, lunchbocrophones. Okay, let me 169 00:09:11,840 --> 00:09:19,040 Speaker 1: tell you. Let's start with Legally Blonde. Absolutely terrible. It 170 00:09:19,080 --> 00:09:22,320 Speaker 1: is almost unwatchable. I went to like I went with 171 00:09:22,360 --> 00:09:24,719 Speaker 1: a group in college and it was like, okay, the 172 00:09:24,760 --> 00:09:26,839 Speaker 1: girls would pick one week and the guys. I fell 173 00:09:26,880 --> 00:09:29,800 Speaker 1: asleep in the movie. Theater was so bad, Like no, no, 174 00:09:29,880 --> 00:09:33,600 Speaker 1: so you are so much disrespect right now, It's so 175 00:09:33,679 --> 00:09:37,000 Speaker 1: true and we all know Legally Blonde is not good. 176 00:09:37,559 --> 00:09:42,360 Speaker 1: Elle Woods and her stupid Chihuahua is a terrible movie. Okay, 177 00:09:42,640 --> 00:09:47,520 Speaker 1: I'm so sorry. Another one. Avatar, Oh goodness, good movie. 178 00:09:47,800 --> 00:09:52,640 Speaker 1: Everybody loves the ranks. Avatar was good. I saw it twice. 179 00:09:53,480 --> 00:09:56,079 Speaker 1: Was one of a kind. Nobody had seen that three 180 00:09:56,200 --> 00:09:59,560 Speaker 1: D stuff and blue animals. But the other thing, he 181 00:09:59,600 --> 00:10:02,280 Speaker 1: just went out after a chick flick. So okay. Another 182 00:10:03,240 --> 00:10:07,960 Speaker 1: another one, Another one Black Panther. I made you watch 183 00:10:08,040 --> 00:10:10,240 Speaker 1: that one, and that was a great movie. One. The 184 00:10:10,400 --> 00:10:12,600 Speaker 1: good dude, you just you just hate it over there, 185 00:10:12,760 --> 00:10:16,199 Speaker 1: rest in peace, peace, you just hate it over there. 186 00:10:16,840 --> 00:10:20,520 Speaker 1: I'm just telling you that. I was sitting there going, Okay, 187 00:10:20,520 --> 00:10:23,600 Speaker 1: this is really I mean, everybody loves this movie. Meanwhile, 188 00:10:23,640 --> 00:10:26,760 Speaker 1: you're defending The Godfather that was like three hours long 189 00:10:26,800 --> 00:10:29,559 Speaker 1: and boring. Yep. I mean it's better an Avatar and 190 00:10:29,600 --> 00:10:31,960 Speaker 1: better I mean Lunchbox. I just think I have a 191 00:10:32,000 --> 00:10:37,520 Speaker 1: better taste in movies. I just disagree with that absolutely wholeheartedly. Okay, 192 00:10:37,520 --> 00:10:39,440 Speaker 1: you know what, here, we'll put it to the listeners 193 00:10:39,720 --> 00:10:44,040 Speaker 1: if they would put legally blonde, Avatar and Black Panther 194 00:10:44,240 --> 00:10:47,920 Speaker 1: all over Godfather. There on my line, I didn't pick Godfather. 195 00:10:48,120 --> 00:10:50,520 Speaker 1: I didn't say Godfather was the greatest movie of all time, 196 00:10:50,880 --> 00:10:55,400 Speaker 1: but I just didn't like those movies. Another fifty first stake. 197 00:10:55,440 --> 00:10:57,319 Speaker 1: You have a lot of movies you don't like. I 198 00:10:57,360 --> 00:11:00,200 Speaker 1: mean I've seen a lot of movies. Another one, Um, 199 00:11:01,400 --> 00:11:05,720 Speaker 1: I don't know for Multiplicity. Multiplicity is another terrible movie. 200 00:11:06,080 --> 00:11:08,480 Speaker 1: Look it up if you've never seen. It's terrible, terrible. 201 00:11:09,440 --> 00:11:12,200 Speaker 1: Does it like right? Can you dislike a lot of 202 00:11:12,240 --> 00:11:14,240 Speaker 1: movies like it takes a lot for me to genuine 203 00:11:14,600 --> 00:11:16,439 Speaker 1: another one. We talked about it last week or the 204 00:11:16,440 --> 00:11:18,599 Speaker 1: week before the beach, the one Ray told me to 205 00:11:18,640 --> 00:11:23,040 Speaker 1: watch awful. Do you do you dislike this many movies? 206 00:11:23,520 --> 00:11:26,880 Speaker 1: It's weird. That's a great point into Yeah, it would 207 00:11:26,920 --> 00:11:29,120 Speaker 1: take a lot for me to totally hate a movie. 208 00:11:29,200 --> 00:11:32,080 Speaker 1: You can always find something a redeeming quality in a movie. 209 00:11:32,400 --> 00:11:34,280 Speaker 1: Oh it's kind of funny. Oh it made me think 210 00:11:34,280 --> 00:11:37,200 Speaker 1: of my childhood. But for lunch to hate these means 211 00:11:37,280 --> 00:11:39,840 Speaker 1: such a list. Yeah. No, No, I didn't say I 212 00:11:39,920 --> 00:11:43,960 Speaker 1: hated Well, that's okay. I didn't hate Black Panther. I 213 00:11:43,960 --> 00:11:45,800 Speaker 1: thought it was overrated. I mean, I had to like 214 00:11:45,920 --> 00:11:47,360 Speaker 1: dig for a movie that I did. What are you 215 00:11:47,360 --> 00:11:50,000 Speaker 1: gonna say next? The Passion of the Christ? Now I've 216 00:11:50,000 --> 00:11:52,560 Speaker 1: never seen that one, never saw that. Okay, we're gonna 217 00:11:52,679 --> 00:11:55,360 Speaker 1: we're gonna do one more question on this dislike train. 218 00:11:55,480 --> 00:11:59,599 Speaker 1: We're getting real controversial in here. Name a chain restaurant 219 00:12:00,200 --> 00:12:08,600 Speaker 1: you dislike, right, I'm going with Chilies. Okay, it was 220 00:12:08,640 --> 00:12:11,520 Speaker 1: a bad experience, and it necessarily isn't even their problem. 221 00:12:11,559 --> 00:12:13,520 Speaker 1: But I went with my current wife. I went on 222 00:12:13,520 --> 00:12:15,320 Speaker 1: a date with her. It was one of our first dates. 223 00:12:15,679 --> 00:12:18,800 Speaker 1: And I ordered the salmon, but I didn't realize it 224 00:12:18,840 --> 00:12:22,120 Speaker 1: was coming with this broccoli. And when I tell you, 225 00:12:22,440 --> 00:12:26,880 Speaker 1: this broccoli was the worst smelling cooked broccoli I've ever 226 00:12:26,920 --> 00:12:31,599 Speaker 1: smelled in my entire life. That's not even an under overstatement. Okay, 227 00:12:31,800 --> 00:12:35,240 Speaker 1: it smells so bad. I smelled up the entire chilies 228 00:12:35,559 --> 00:12:39,520 Speaker 1: like dirty, like feet. It was so embarrassing. And I'm 229 00:12:39,559 --> 00:12:42,439 Speaker 1: on a date with Bazer and I have the smelliest dish. 230 00:12:42,480 --> 00:12:44,680 Speaker 1: You couldn't even hide it. Solia was going to ruin 231 00:12:44,720 --> 00:12:52,480 Speaker 1: your date, Coach. It almost did. Sundies cooked the broccoli. 232 00:12:52,520 --> 00:12:54,920 Speaker 1: It's not Chili's fault, it was mine. I did not 233 00:12:55,080 --> 00:12:58,600 Speaker 1: examine the menu properly, but it maybe they've done away 234 00:12:58,640 --> 00:13:01,960 Speaker 1: with the broccoli put good. God did it smell bad. 235 00:13:02,120 --> 00:13:04,680 Speaker 1: And I'm so sorry to that entire restaurant. I cleared 236 00:13:04,720 --> 00:13:08,640 Speaker 1: the place out, Coach. I mean, I'll agree with you, though, 237 00:13:08,720 --> 00:13:10,480 Speaker 1: Chili's is it like one of my first ones I 238 00:13:10,520 --> 00:13:14,559 Speaker 1: go to. I'll admit that what's your what's yours? Into my? 239 00:13:15,240 --> 00:13:17,120 Speaker 1: You guys aren't gonna like it? Well, hit me, it's 240 00:13:17,200 --> 00:13:22,640 Speaker 1: chick fil a you Oh my god, it's because she does, 241 00:13:24,440 --> 00:13:26,520 Speaker 1: So it doesn't I mean it's not. You can't really 242 00:13:26,559 --> 00:13:28,400 Speaker 1: you can't really say you don't like it because you 243 00:13:28,440 --> 00:13:30,440 Speaker 1: don't eat the chicken, So what else can you eat? 244 00:13:30,679 --> 00:13:32,840 Speaker 1: Here's the thing. Yes, I don't like chicken, so that's it. 245 00:13:32,920 --> 00:13:35,560 Speaker 1: That's so that's why I don't hold it like like 246 00:13:35,600 --> 00:13:37,720 Speaker 1: a bad thing. It's just like I am never ever 247 00:13:37,760 --> 00:13:39,880 Speaker 1: gonna choose to go to chick fili, Yeah, because they 248 00:13:39,920 --> 00:13:42,680 Speaker 1: serve chicken and eat the fries. You have mac and 249 00:13:42,760 --> 00:13:45,280 Speaker 1: cheese and fruit and fries. But like all those things 250 00:13:45,320 --> 00:13:48,720 Speaker 1: are like mediocre to me, compare like because obviously that's 251 00:13:48,720 --> 00:13:51,520 Speaker 1: not their thing. So like, I just would never choose 252 00:13:51,960 --> 00:13:54,800 Speaker 1: Chick fil A. It's a very personal thing. Okay, wow, 253 00:13:55,240 --> 00:13:58,680 Speaker 1: I'm sorry. And it was closed in Nashville for a 254 00:13:58,679 --> 00:14:01,520 Speaker 1: couple of days because of the winter storm weather and stuff, 255 00:14:01,640 --> 00:14:04,480 Speaker 1: and you're sad. It's right next to my neighbor in 256 00:14:04,559 --> 00:14:06,480 Speaker 1: my hood, so it was very depressing. We had to 257 00:14:06,520 --> 00:14:08,880 Speaker 1: go an alternate route. Are you one of those people 258 00:14:08,880 --> 00:14:12,240 Speaker 1: that go all the time? Right? I go? I definitely, 259 00:14:12,360 --> 00:14:14,200 Speaker 1: I mean Sunday would be the day I would go. 260 00:14:14,559 --> 00:14:17,160 Speaker 1: That's why the song came Chick fil A. But it's Sunday, 261 00:14:17,240 --> 00:14:21,120 Speaker 1: but I go at least once a week for sure. Okay, okay, 262 00:14:21,280 --> 00:14:28,240 Speaker 1: lunch subwoy suboy controversy around subway. Dude, Jared's at the door, No, 263 00:14:28,480 --> 00:14:38,040 Speaker 1: Jared's in prosoll j listen. I used to love Subway 264 00:14:38,120 --> 00:14:40,400 Speaker 1: and then I just feel like there are just too 265 00:14:40,400 --> 00:14:42,280 Speaker 1: many of them and it's just not as good as 266 00:14:42,280 --> 00:14:45,760 Speaker 1: it used to. Right, And so I'm just like, you 267 00:14:45,800 --> 00:14:48,520 Speaker 1: know what, another subshop. I'll hit it before I'll hit Subway. 268 00:14:48,560 --> 00:14:51,960 Speaker 1: Just can't do it. I'm with you. I started recently 269 00:14:51,960 --> 00:14:56,480 Speaker 1: eating um, what's it called Jersey Mikes. Yes, Jersey Mike's 270 00:14:56,520 --> 00:14:59,560 Speaker 1: in town and shout out in Kansas good sense is 271 00:14:59,680 --> 00:15:05,960 Speaker 1: bomb food ever, So yeah, I's shot out the Thundercloud 272 00:15:06,000 --> 00:15:08,560 Speaker 1: subs down and awesome. That's where it's at. Yeah, I 273 00:15:08,600 --> 00:15:11,160 Speaker 1: would agree with you. I'd say there's better subshops out there, 274 00:15:11,160 --> 00:15:13,200 Speaker 1: for that was just my thing. You guys ever got 275 00:15:13,240 --> 00:15:20,840 Speaker 1: a sub from Public? Oh? Yes, they are. They're so good. 276 00:15:20,880 --> 00:15:23,080 Speaker 1: You know. Hillary introduced me to them, and they are 277 00:15:23,400 --> 00:15:25,800 Speaker 1: so good. So you go to the counter and order 278 00:15:25,800 --> 00:15:27,840 Speaker 1: a sub. Yeah, and they give you a check out 279 00:15:28,000 --> 00:15:32,760 Speaker 1: where you're Yeah, they give you like fresh deli meat 280 00:15:32,800 --> 00:15:36,720 Speaker 1: that's why it's so good. Like it's like fresh ingredients 281 00:15:36,720 --> 00:15:39,240 Speaker 1: that are right there. Okay, I mean I never knew 282 00:15:39,320 --> 00:15:41,920 Speaker 1: you could go, well, hey, I never knew you could 283 00:15:41,920 --> 00:15:44,200 Speaker 1: go to the deli counter and order fresh meat, like 284 00:15:44,320 --> 00:15:47,520 Speaker 1: right there and eat it. That's interesting a publish something 285 00:15:47,560 --> 00:15:49,760 Speaker 1: like that. I'm not too experienced. Hillary would have all 286 00:15:49,800 --> 00:15:52,160 Speaker 1: the experience, but it's something. Hillary. What do you got 287 00:15:52,160 --> 00:15:56,160 Speaker 1: to say about that? She's all snowstorm? Okay? Cool. Well, 288 00:15:56,240 --> 00:15:59,280 Speaker 1: here's the segment where the show members talked about the 289 00:15:59,320 --> 00:16:02,680 Speaker 1: foods that they don't like. And obviously you just heard Lunchbox, 290 00:16:02,760 --> 00:16:06,040 Speaker 1: Raimundo and myself talk about a lot of things we dislike. 291 00:16:06,080 --> 00:16:08,360 Speaker 1: So here you go. Number seven. They say eating in 292 00:16:08,400 --> 00:16:11,280 Speaker 1: a small piece of dark chocolate is the key to 293 00:16:11,360 --> 00:16:14,240 Speaker 1: a healthier heart. According to a new study, we can 294 00:16:14,240 --> 00:16:17,960 Speaker 1: decrease the risk of developing heart problems by eating dark 295 00:16:18,080 --> 00:16:21,360 Speaker 1: chocolate six to seven days a week. Researchers found that 296 00:16:21,400 --> 00:16:24,840 Speaker 1: regular bites of dark chocolate slash the risk of abnormal 297 00:16:24,880 --> 00:16:29,360 Speaker 1: heart rhythms significantly, also good for your body. I just 298 00:16:29,440 --> 00:16:32,240 Speaker 1: hate dark chocolate. It's better than no chocolate. I love 299 00:16:32,280 --> 00:16:36,200 Speaker 1: milk chocolate. I hate dark chocolate. It is not sometimes it. 300 00:16:36,280 --> 00:16:39,760 Speaker 1: Caitlin loves dark chocolate. It makes my skin crawl, That 301 00:16:40,240 --> 00:16:43,440 Speaker 1: makes my nose go. Oh. I don't know why dark 302 00:16:43,520 --> 00:16:46,840 Speaker 1: chocolate is so disgusting to me. But sometimes she'll she 303 00:16:46,920 --> 00:16:49,080 Speaker 1: has like a bar and she's able to eat in moderation, 304 00:16:49,280 --> 00:16:51,160 Speaker 1: and she'll have like a little square of it. And 305 00:16:51,200 --> 00:16:54,080 Speaker 1: then I can tell five minutes later if she kisses 306 00:16:54,080 --> 00:16:57,520 Speaker 1: me that she's had dark chocolate, and I'm like, oh, 307 00:16:57,560 --> 00:17:02,200 Speaker 1: it's not a cigarette, dude, but still I can hell oh. 308 00:17:02,200 --> 00:17:05,240 Speaker 1: But she does the same thing with mustard. I love mustard. 309 00:17:05,800 --> 00:17:07,440 Speaker 1: Sometimes she'll go, you had mustard. You have to brush 310 00:17:07,440 --> 00:17:09,880 Speaker 1: your teeth if you're gonna kiss me. She won't grab 311 00:17:09,920 --> 00:17:11,520 Speaker 1: the mustard bottle and put it back in, she hates 312 00:17:11,560 --> 00:17:13,800 Speaker 1: it that much. So here's my question that I posed 313 00:17:13,800 --> 00:17:17,520 Speaker 1: to the room. Here, is there anything that you love 314 00:17:17,720 --> 00:17:20,439 Speaker 1: and your partner hates and vice versa, because mine are 315 00:17:20,920 --> 00:17:25,800 Speaker 1: I hate dark chocolate, she loves it. I love mustard. 316 00:17:26,280 --> 00:17:28,680 Speaker 1: She hates it. She's never tasted mustard or catch up. 317 00:17:29,160 --> 00:17:33,040 Speaker 1: No condiments for her. But that's kind of ours. Amy. 318 00:17:33,080 --> 00:17:35,800 Speaker 1: Do you have that he loves olives? I hate them. 319 00:17:35,920 --> 00:17:37,600 Speaker 1: He'll eat them right out of the jar and it 320 00:17:37,640 --> 00:17:41,160 Speaker 1: makes me want a gag. I like olives. I like, yeah, 321 00:17:41,200 --> 00:17:43,679 Speaker 1: I like olives, gros okay, And is there anything that 322 00:17:43,760 --> 00:17:48,520 Speaker 1: you like that he doesn't. No, he likes everything. Okay. No, 323 00:17:48,640 --> 00:17:51,640 Speaker 1: he's just more he's more easy going. He really doesn't complain. 324 00:17:52,440 --> 00:17:56,520 Speaker 1: I hate onions, and so I especially hate the texture 325 00:17:56,520 --> 00:17:59,320 Speaker 1: of onions, because she says she cooks them into stuff, 326 00:17:59,320 --> 00:18:00,639 Speaker 1: but she has to cut them so small that I 327 00:18:00,680 --> 00:18:02,840 Speaker 1: don't taste them. But if they're big and I crunch 328 00:18:02,840 --> 00:18:04,919 Speaker 1: an onion, I'm like, I'm done. I can't eat this anymore. 329 00:18:05,000 --> 00:18:07,040 Speaker 1: She did when we did our cooking things. She said 330 00:18:07,080 --> 00:18:09,000 Speaker 1: that she does sneaks and onions and didn't tell you 331 00:18:09,000 --> 00:18:11,719 Speaker 1: about it. You know what goods. That's fine as long 332 00:18:11,800 --> 00:18:15,160 Speaker 1: as I don't know. I'm okay apparently, and I'm good 333 00:18:15,160 --> 00:18:18,040 Speaker 1: with that. But no onions. And she loves onions. Just 334 00:18:18,200 --> 00:18:21,520 Speaker 1: I cannot deal with the texture of that. Anybody about you? 335 00:18:21,560 --> 00:18:24,720 Speaker 1: Oh easy, pork ryns. I love pork ryns. And it's 336 00:18:24,720 --> 00:18:26,199 Speaker 1: like the same thing. I give her a kiss and 337 00:18:26,240 --> 00:18:27,840 Speaker 1: she's like, oh my god, did you just eat pork rins? 338 00:18:27,880 --> 00:18:29,680 Speaker 1: That disgust and get that out of here. What about 339 00:18:29,720 --> 00:18:33,240 Speaker 1: the other way she likes olives and I hate olives. 340 00:18:33,440 --> 00:18:35,840 Speaker 1: You know, for years when we were dating, I ordered 341 00:18:35,840 --> 00:18:37,639 Speaker 1: pizza for us. I mean, we've been dating for a 342 00:18:37,680 --> 00:18:40,520 Speaker 1: long time and she loves pizza with olives on it. 343 00:18:40,560 --> 00:18:43,920 Speaker 1: And I've never asked her until like maybe five years ago. 344 00:18:43,960 --> 00:18:46,600 Speaker 1: She was like, you know, I hate mushrooms and pepperoni, right, 345 00:18:46,600 --> 00:18:48,560 Speaker 1: and that's what we've eaten our entire life as we've 346 00:18:48,560 --> 00:18:50,840 Speaker 1: been dating. I'm like, what do you like, she says olives. 347 00:18:50,840 --> 00:18:53,400 Speaker 1: I'm like, oh, never, We're never ordering that. So she's 348 00:18:53,400 --> 00:18:56,720 Speaker 1: been eating mushroom and pepperoni pizza just for you. Did 349 00:18:56,760 --> 00:18:58,240 Speaker 1: she peel them off or did she eat them? She 350 00:18:58,280 --> 00:19:00,760 Speaker 1: would just kind of peel one off here and there not, 351 00:19:00,840 --> 00:19:02,399 Speaker 1: and she didn't want to hurt my feelings, but she 352 00:19:02,480 --> 00:19:04,199 Speaker 1: just never she never told me, and I'm like, just 353 00:19:04,240 --> 00:19:06,200 Speaker 1: tell me. But now that she told me, I'm like, no, 354 00:19:06,359 --> 00:19:08,080 Speaker 1: we still won't order all of us lunch box you 355 00:19:08,119 --> 00:19:11,600 Speaker 1: and your wife. My wife loves mushrooms and I think 356 00:19:11,600 --> 00:19:15,639 Speaker 1: they're absolutely disgusting. Oh they're just slimy and gross. And she, 357 00:19:16,160 --> 00:19:18,959 Speaker 1: uh so, yeah, mushrooms. I can't do it. Won't eat them. 358 00:19:19,400 --> 00:19:22,080 Speaker 1: But what about the other way. She doesn't really hate 359 00:19:22,119 --> 00:19:24,960 Speaker 1: anything that I eat. She's a pretty non picky eater, 360 00:19:25,080 --> 00:19:26,680 Speaker 1: so she'll just suck it up and eat it, and 361 00:19:26,720 --> 00:19:28,520 Speaker 1: if she doesn't like it, she doesn't tell me. So 362 00:19:29,040 --> 00:19:32,040 Speaker 1: I'm good on that front. Man. That's the way to go. Yeah, 363 00:19:32,200 --> 00:19:35,439 Speaker 1: have someone that either likes everything or acts like they 364 00:19:35,520 --> 00:19:38,719 Speaker 1: like everything. You Know. What I learned about food recently 365 00:19:38,840 --> 00:19:41,680 Speaker 1: was there's a difference in banana peppers and pepperccini peppers. 366 00:19:42,240 --> 00:19:44,520 Speaker 1: What is that? I don't know the difference, I didn't know. 367 00:19:44,600 --> 00:19:48,320 Speaker 1: I thought they were just called different words. But like 368 00:19:48,359 --> 00:19:53,480 Speaker 1: this color slightly, the shape slightly. And also I was 369 00:19:53,520 --> 00:19:56,720 Speaker 1: told that they're not called pepperccini peppers. What do you 370 00:19:56,720 --> 00:19:59,200 Speaker 1: call them? Banana peppers is what I always calling Okay, 371 00:19:59,240 --> 00:20:00,919 Speaker 1: but but not this. Okay, I'll tell you one that 372 00:20:00,920 --> 00:20:03,880 Speaker 1: comes in the Papa John's pizza. Yes, the biggest difference 373 00:20:04,440 --> 00:20:07,840 Speaker 1: involved the skin and the shape. Banana peppers also have 374 00:20:07,880 --> 00:20:10,960 Speaker 1: thicker walls where they're called pepper On Chinese, they're not 375 00:20:10,960 --> 00:20:17,120 Speaker 1: even called pepperccini. Yeah, apparently, apparently, I'm just the little 376 00:20:17,160 --> 00:20:20,320 Speaker 1: redneck who says Pepperccini's Cal's like, yeah, I think your 377 00:20:20,320 --> 00:20:22,600 Speaker 1: grandma just said that growing up, and you've just held 378 00:20:22,640 --> 00:20:25,640 Speaker 1: onto that, Amy. What do you call them? I say peppercinis, 379 00:20:25,680 --> 00:20:28,000 Speaker 1: Like if I ever order that on a pizza. That 380 00:20:28,119 --> 00:20:30,040 Speaker 1: is exactly how I say it. So now I know. 381 00:20:30,560 --> 00:20:33,679 Speaker 1: And I hate peppers, but I like banana peppers if 382 00:20:33,680 --> 00:20:36,040 Speaker 1: they're chopped up, and I like pepper on cheenie but 383 00:20:36,080 --> 00:20:40,000 Speaker 1: I grilled you, Belle. Peppers. No way, can't do it, 384 00:20:40,119 --> 00:20:42,160 Speaker 1: so weird, can't do it, can't do it at all. 385 00:20:43,359 --> 00:20:47,160 Speaker 1: It's the best bits of the week with Morgan. Number two, 386 00:20:49,840 --> 00:20:53,000 Speaker 1: we talked to one of Bobby's good friends, John Party. 387 00:20:53,080 --> 00:20:55,800 Speaker 1: He's performing at the Opry this weekend and that was 388 00:20:55,880 --> 00:20:58,200 Speaker 1: the main reason he called into the show. But while 389 00:20:58,240 --> 00:20:59,880 Speaker 1: he was on with us, we also talked with him 390 00:20:59,880 --> 00:21:03,840 Speaker 1: about his cameos and basically, fans have to drop one 391 00:21:03,920 --> 00:21:06,159 Speaker 1: hundred and twenty five dollars for a video message from 392 00:21:06,240 --> 00:21:09,240 Speaker 1: John Party, and he told us what fans could expect 393 00:21:09,240 --> 00:21:12,000 Speaker 1: from that. So let'sten back to this. John Party is 394 00:21:12,040 --> 00:21:15,040 Speaker 1: always a hoot, So listen, laugh, you're gonna love it. 395 00:21:15,480 --> 00:21:21,040 Speaker 1: Number six, The Friday morning conversation with John Party. John Party, 396 00:21:21,040 --> 00:21:24,080 Speaker 1: what's up, my friend? Hey buddy, Hey buddy, Hey have 397 00:21:24,119 --> 00:21:26,000 Speaker 1: a question I was thinking about the other day when 398 00:21:26,040 --> 00:21:28,720 Speaker 1: live shows return, and they will return this year, do 399 00:21:28,800 --> 00:21:30,560 Speaker 1: you think you'll have to go back and relearn all 400 00:21:30,600 --> 00:21:34,600 Speaker 1: your lyrics? Usually it's just me and the guitar by 401 00:21:34,680 --> 00:21:37,639 Speaker 1: myself singing, like for a couple of days before the 402 00:21:37,680 --> 00:21:40,719 Speaker 1: first show going through, you go back, listen to the album, 403 00:21:40,920 --> 00:21:43,000 Speaker 1: listen to what's on the set list, and kind of 404 00:21:43,480 --> 00:21:46,919 Speaker 1: get in that mind space again and then still forget 405 00:21:46,920 --> 00:21:52,280 Speaker 1: the lyrics. It's been so long since you've been able 406 00:21:52,280 --> 00:21:55,040 Speaker 1: to play consistently. Are you worried the first few shows 407 00:21:55,040 --> 00:21:56,640 Speaker 1: you'd be like, I got dart on my what again? 408 00:21:56,800 --> 00:22:00,800 Speaker 1: My sneakers? I mean, we're gonna remember that one? Think 409 00:22:00,840 --> 00:22:03,960 Speaker 1: that's it's it's what it is. But shockingly, we had 410 00:22:04,000 --> 00:22:07,719 Speaker 1: some little bit shows last year and only messed up 411 00:22:07,760 --> 00:22:09,560 Speaker 1: one line the whole. So that's pretty good one out 412 00:22:09,560 --> 00:22:11,920 Speaker 1: of a seventy five minutes that you've forgot one line. 413 00:22:11,960 --> 00:22:14,640 Speaker 1: So we have John on he's playing the opery tomorrow night, 414 00:22:15,000 --> 00:22:16,800 Speaker 1: so you guys can check it out. You can go 415 00:22:16,880 --> 00:22:19,800 Speaker 1: to our Facebook page Bobby Bones Show, because we're actually 416 00:22:19,840 --> 00:22:21,520 Speaker 1: grabbing the stream, or you can go to the Grand 417 00:22:21,520 --> 00:22:24,399 Speaker 1: Ol Operates Facebook page, Circle Network everywhere you can go 418 00:22:24,440 --> 00:22:26,880 Speaker 1: watch the opera online. Do you remember your first ever 419 00:22:26,960 --> 00:22:30,760 Speaker 1: Grand ol Opry appearance, John back in twenty thirteen. I 420 00:22:30,800 --> 00:22:33,320 Speaker 1: think I had long hair, You know what I was thinking? 421 00:22:33,760 --> 00:22:38,359 Speaker 1: I think I think you had long hair too, me 422 00:22:38,400 --> 00:22:41,160 Speaker 1: and my mom. This is before, like, this is back 423 00:22:41,200 --> 00:22:44,440 Speaker 1: when limos were still cool man and we took a 424 00:22:44,480 --> 00:22:49,159 Speaker 1: stretch Hummer to the Opry and we had fun. I 425 00:22:49,160 --> 00:22:51,040 Speaker 1: got a couple of other questions for you here you 426 00:22:51,160 --> 00:22:54,520 Speaker 1: put Rancho Fiesta sessions on vinyl. I saw you talking 427 00:22:54,520 --> 00:22:57,400 Speaker 1: about this on your Instagram. How do people get one 428 00:22:57,400 --> 00:22:59,360 Speaker 1: of these? Because you did a bunch of really cool 429 00:22:59,359 --> 00:23:01,320 Speaker 1: cover songs. How do people get one of these? And 430 00:23:01,359 --> 00:23:03,960 Speaker 1: will you sign them? Yoh yeah, I'm having a whole, 431 00:23:04,640 --> 00:23:08,600 Speaker 1: having a whole field day of a signing five hundred 432 00:23:08,600 --> 00:23:11,199 Speaker 1: copies of it. So if you can just go to 433 00:23:11,240 --> 00:23:13,800 Speaker 1: my website and we got them up. Is that John 434 00:23:13,800 --> 00:23:17,560 Speaker 1: Party dot com? I've never been Yeah, John Party dot com. 435 00:23:18,040 --> 00:23:21,040 Speaker 1: John Party is on with us. What does someone get? 436 00:23:21,040 --> 00:23:24,080 Speaker 1: Because I was looking, I saw that you're on cameo 437 00:23:24,600 --> 00:23:28,680 Speaker 1: one hundred and twenty five dollars. Ooh, that's steep. What 438 00:23:28,800 --> 00:23:30,880 Speaker 1: does someone get for one hundred and twenty five bucks 439 00:23:30,880 --> 00:23:33,320 Speaker 1: with a John Party Cameo. And when at first I 440 00:23:33,400 --> 00:23:35,359 Speaker 1: kind of like put off Cameo. I was like, I 441 00:23:35,400 --> 00:23:39,640 Speaker 1: don't need to be doing that, you know. I kept 442 00:23:39,680 --> 00:23:43,200 Speaker 1: getting dms like, hey, are you gonna, you know, join cameo? 443 00:23:43,280 --> 00:23:45,439 Speaker 1: Blah bah blah, I want to get a message, and 444 00:23:45,600 --> 00:23:47,440 Speaker 1: I was like, you know what, I'll try it out. 445 00:23:47,560 --> 00:23:49,600 Speaker 1: It's a lot of happy birthdays. There's a lot of 446 00:23:49,600 --> 00:23:52,400 Speaker 1: half of Valentine's Days, And you know what, it makes 447 00:23:52,440 --> 00:23:56,280 Speaker 1: people happy. That's the main thing about cameo, Like they 448 00:23:56,680 --> 00:23:59,040 Speaker 1: love it. I mean when they get the video and 449 00:23:59,160 --> 00:24:02,840 Speaker 1: they leave me feedback and stuff, I mean, they're so excited. 450 00:24:03,320 --> 00:24:06,240 Speaker 1: And that's the thing. I never thought I would get 451 00:24:06,359 --> 00:24:08,920 Speaker 1: like like a like happy out of it. That I 452 00:24:09,000 --> 00:24:14,280 Speaker 1: made somebody happy. So that's what cameos kind of opened 453 00:24:14,320 --> 00:24:17,280 Speaker 1: my eyes a little bit. It's just they're so excited 454 00:24:17,320 --> 00:24:19,639 Speaker 1: when I get the video. It's it's pretty pretty awesome. 455 00:24:19,840 --> 00:24:21,440 Speaker 1: So how many of those do you think you get 456 00:24:21,440 --> 00:24:24,760 Speaker 1: a day? Requested to cameos when it first lit up, 457 00:24:24,840 --> 00:24:27,560 Speaker 1: when I first got up, it was fifty. I've since it, 458 00:24:27,640 --> 00:24:31,080 Speaker 1: I've done ninety four videos. So you made about ten 459 00:24:31,119 --> 00:24:37,840 Speaker 1: thousand dollars off of cameo. Holy Molly, close and so, 460 00:24:37,960 --> 00:24:40,800 Speaker 1: but I use it for like farm stuff, so it 461 00:24:41,000 --> 00:24:44,240 Speaker 1: does help out here on the ranch. John, Party's on 462 00:24:44,240 --> 00:24:46,040 Speaker 1: with us. He's playing the Grand oll Operate tomorrow night. 463 00:24:46,200 --> 00:24:49,119 Speaker 1: Hey John, I have two product pitches, just ideas that 464 00:24:49,160 --> 00:24:51,480 Speaker 1: I think would be great for you in business. Tell 465 00:24:51,520 --> 00:24:55,040 Speaker 1: me if you like these ideas. Okay, Okay, I can 466 00:24:55,040 --> 00:24:57,399 Speaker 1: tell he's not loving it already either that. Oris. I'm 467 00:24:57,400 --> 00:25:00,400 Speaker 1: gonna tell it all right. Here we go. Once live 468 00:25:00,480 --> 00:25:04,400 Speaker 1: concerts return, we start a toilet rental business for venues. 469 00:25:04,480 --> 00:25:07,320 Speaker 1: We put your face in the hole and we call 470 00:25:07,400 --> 00:25:11,439 Speaker 1: them porta parties. I mean, can the faith as on 471 00:25:11,520 --> 00:25:17,320 Speaker 1: the door? Okay, okay, fair enough? How about this one? 472 00:25:17,320 --> 00:25:19,960 Speaker 1: How about this one? We start our own country music 473 00:25:19,960 --> 00:25:23,080 Speaker 1: awards show for people who never get nominated or win 474 00:25:23,119 --> 00:25:26,440 Speaker 1: the big awards, and we call it the Partycipitation, like 475 00:25:26,920 --> 00:25:30,439 Speaker 1: the Party Cipitation Awards, get it, like you particip parties. 476 00:25:30,840 --> 00:25:34,000 Speaker 1: I really struggle with this one. Yeah, um, the Party 477 00:25:34,040 --> 00:25:38,240 Speaker 1: Participation Awards. Close enough. We were calling the party. Yeah, 478 00:25:38,280 --> 00:25:40,880 Speaker 1: it doesn't work that we tried. I don't think why 479 00:25:40,920 --> 00:25:42,880 Speaker 1: you pitched it. You're like, yeah, half back to the pitch. 480 00:25:42,920 --> 00:25:45,320 Speaker 1: I was like, this is stupid idea. What do we 481 00:25:46,680 --> 00:25:49,600 Speaker 1: the American country parties? Okay, and you but you have 482 00:25:49,640 --> 00:25:51,360 Speaker 1: to host it too. You go with that. I love 483 00:25:51,400 --> 00:25:54,639 Speaker 1: hosting stuff. You know that. There he is, John Party. Listen. 484 00:25:54,680 --> 00:25:57,080 Speaker 1: He's on because he's he loves playing the opera. We're 485 00:25:57,080 --> 00:25:59,119 Speaker 1: promoting the Opery. Be sure to watch it on the 486 00:25:59,160 --> 00:26:02,240 Speaker 1: Opery's Facebook, our Facebook or Circle network. John Good to 487 00:26:02,280 --> 00:26:04,560 Speaker 1: talk to you. By the way, everybody, you can get 488 00:26:04,600 --> 00:26:09,200 Speaker 1: Rancho Fiesta sessions on vinyl. It's signed to thirty five bucks. 489 00:26:09,280 --> 00:26:12,040 Speaker 1: John Party dot Com expected to ship March seventeenth, So 490 00:26:12,119 --> 00:26:13,720 Speaker 1: go ahead and sign up for that too. The guy 491 00:26:13,880 --> 00:26:15,879 Speaker 1: just trying to buy farm equipment. You heard it here first, 492 00:26:16,040 --> 00:26:17,359 Speaker 1: all right, John Good to talk to you, But I 493 00:26:17,440 --> 00:26:22,240 Speaker 1: talk to you soon, all right, Buck. It's the best 494 00:26:22,359 --> 00:26:27,639 Speaker 1: bits of the week with Morgan. Number two another guest 495 00:26:27,680 --> 00:26:30,160 Speaker 1: on the show this week, hit More. He called in. 496 00:26:30,320 --> 00:26:33,639 Speaker 1: He had recently performed at the Rhyman in Nashville, and 497 00:26:33,720 --> 00:26:36,480 Speaker 1: that was his first time performing since this whole pandemic 498 00:26:36,520 --> 00:26:39,720 Speaker 1: thing hit. And he talked about the cost of it, 499 00:26:39,960 --> 00:26:42,879 Speaker 1: what happened, how it was seeing people in mass in 500 00:26:42,920 --> 00:26:45,800 Speaker 1: the crowd. I mean, just so many conversations about that 501 00:26:45,920 --> 00:26:48,280 Speaker 1: first live show. As you can imagine it was fun 502 00:26:48,359 --> 00:26:51,840 Speaker 1: for him, but definitely different. So listen back to this interview. 503 00:26:51,840 --> 00:26:55,280 Speaker 1: He talks all about it, plus about his new Wild 504 00:26:55,320 --> 00:27:02,440 Speaker 1: World Deluxe Edition number five. The Friday Morning Conversation with kept. 505 00:27:02,480 --> 00:27:05,040 Speaker 1: What's happening to Buddy? How are you doing being good? Yeah? 506 00:27:05,040 --> 00:27:06,960 Speaker 1: I'm pretty good. I was watching you play the show 507 00:27:06,960 --> 00:27:10,639 Speaker 1: at the Rhyman and your fans are so passionate, and 508 00:27:10,720 --> 00:27:12,840 Speaker 1: I wonder what I was wondering is I was watching 509 00:27:12,880 --> 00:27:16,080 Speaker 1: you play these songs? Is whenever people sing back to 510 00:27:16,119 --> 00:27:18,200 Speaker 1: you but they're wearing a mask, does it sound a 511 00:27:18,240 --> 00:27:23,720 Speaker 1: little more muffled when they're singing back in masks? It's not. 512 00:27:24,280 --> 00:27:27,359 Speaker 1: It's definitely not quite as aggressive. You know, it's but 513 00:27:27,600 --> 00:27:29,800 Speaker 1: but I'm hey, as long as as long as I 514 00:27:29,800 --> 00:27:31,920 Speaker 1: can hear singing, I'm good man, it's a good thing. 515 00:27:32,480 --> 00:27:34,600 Speaker 1: How was it to be on stage again? And obviously 516 00:27:34,680 --> 00:27:37,359 Speaker 1: it was a socially distance show and it wasn't completely packed, 517 00:27:37,359 --> 00:27:38,960 Speaker 1: but for you to be back on stage playing music, 518 00:27:38,960 --> 00:27:42,520 Speaker 1: how did that feel? It was great? Bobby? Um. You know, 519 00:27:42,520 --> 00:27:46,639 Speaker 1: and I say this with all I like during this 520 00:27:46,640 --> 00:27:50,359 Speaker 1: whole thing, I've never liked, I never craved the adulation 521 00:27:50,440 --> 00:27:54,879 Speaker 1: part um I missed like being on stage with stuff 522 00:27:54,920 --> 00:27:57,719 Speaker 1: that was happening the night with the band, and you know, 523 00:27:57,920 --> 00:28:00,800 Speaker 1: just being able to get bring people some joy. But 524 00:28:00,880 --> 00:28:03,399 Speaker 1: I don't. I've never needed the adulation part, So I 525 00:28:03,480 --> 00:28:05,800 Speaker 1: never missed that, but I missed there was a lot 526 00:28:05,800 --> 00:28:08,359 Speaker 1: of organic things that happened on stage that we didn't 527 00:28:08,400 --> 00:28:11,560 Speaker 1: plan on. That just it felt amazing playing music again. 528 00:28:11,640 --> 00:28:14,600 Speaker 1: You know, ten years ago something about a truck was 529 00:28:14,600 --> 00:28:18,159 Speaker 1: a number one ten freaking years ago. Does that feel 530 00:28:18,200 --> 00:28:21,200 Speaker 1: like that has just flown by? Or does it feel 531 00:28:21,240 --> 00:28:24,280 Speaker 1: like forever ago? I'm not really sure, to be honest, 532 00:28:24,320 --> 00:28:27,800 Speaker 1: that whole period in my life feels like one complete blur. 533 00:28:28,160 --> 00:28:31,600 Speaker 1: Everything about it feels like a gigantic blur. I think 534 00:28:31,720 --> 00:28:35,359 Speaker 1: me going through like the insane and psambing I went 535 00:28:35,400 --> 00:28:37,200 Speaker 1: through for like four years. The whole thing is a blur. 536 00:28:37,359 --> 00:28:40,200 Speaker 1: I mean it. I sometimes it feels like it was 537 00:28:40,240 --> 00:28:42,600 Speaker 1: just yesterday, and sometimes it feels like a lifetime ago. 538 00:28:42,720 --> 00:28:45,160 Speaker 1: Does that song still feel like it kept more song? No? 539 00:28:45,880 --> 00:28:47,520 Speaker 1: But I'm thankful for it, you know what I mean. 540 00:28:47,760 --> 00:28:50,760 Speaker 1: I asked that because again I watched listen. I'm a 541 00:28:50,840 --> 00:28:52,800 Speaker 1: kept more fan. I'll say it right now, proud loudly 542 00:28:52,840 --> 00:28:55,960 Speaker 1: and proudly, and it played twenty five songs at your 543 00:28:56,000 --> 00:28:57,800 Speaker 1: last show, which is a lot, and I did not 544 00:28:57,840 --> 00:29:00,400 Speaker 1: see Hey Pretty Girl on the set list. So does 545 00:29:00,440 --> 00:29:02,479 Speaker 1: that feel like it kept more song? And why did 546 00:29:02,600 --> 00:29:04,840 Speaker 1: you play that song? Yeah? I mean that that still 547 00:29:04,880 --> 00:29:07,720 Speaker 1: does Bobby. I mean like when we did that acoustic 548 00:29:07,760 --> 00:29:11,160 Speaker 1: tour all of last year. There will be nights, and 549 00:29:11,200 --> 00:29:13,040 Speaker 1: I'm not exaggerame, there'd be nights where I did not 550 00:29:13,120 --> 00:29:15,840 Speaker 1: play one single hit and you never felt like you 551 00:29:15,880 --> 00:29:18,240 Speaker 1: were missing anything during the night, like the crowd was 552 00:29:18,280 --> 00:29:21,040 Speaker 1: never chanting for it. I would I would give him 553 00:29:21,040 --> 00:29:23,640 Speaker 1: an option during the encore, knowing I haven't played truck 554 00:29:24,240 --> 00:29:27,760 Speaker 1: Hey Pretty Girl, last shot. You know, I'd be like, 555 00:29:27,840 --> 00:29:29,280 Speaker 1: you know, what do y'all want to hear? And they 556 00:29:29,320 --> 00:29:31,040 Speaker 1: had signs in the audience and it would always be 557 00:29:31,080 --> 00:29:33,320 Speaker 1: like crazy one more time as that was us or something, 558 00:29:33,320 --> 00:29:36,640 Speaker 1: And it wasn't like planned to not play it. I 559 00:29:36,760 --> 00:29:38,880 Speaker 1: just never got to it. Do you feel like your 560 00:29:38,960 --> 00:29:44,280 Speaker 1: voice is still in shape? No? I mean it definitely, 561 00:29:44,320 --> 00:29:46,440 Speaker 1: you know I did. The band was laughing after because 562 00:29:46,440 --> 00:29:48,160 Speaker 1: they were like, you know, we were supposed to play 563 00:29:48,160 --> 00:29:50,160 Speaker 1: an hour and a half and I got fine, you know, 564 00:29:50,240 --> 00:29:54,600 Speaker 1: a few thousand dollars for going forty minutes over. But 565 00:29:54,720 --> 00:29:56,040 Speaker 1: you know, when I got on stage, I had no 566 00:29:56,120 --> 00:29:58,320 Speaker 1: idea how long during the first whole set that we 567 00:29:58,320 --> 00:30:01,000 Speaker 1: had played, and I asked my tour manager, are we good? 568 00:30:01,040 --> 00:30:03,239 Speaker 1: Because I normally have any ears and I didn't have him, 569 00:30:03,720 --> 00:30:05,960 Speaker 1: and he says killed. He put his hand on my shoulder, 570 00:30:06,000 --> 00:30:08,160 Speaker 1: said you're thirty five minutes over. You're already fine, so 571 00:30:08,240 --> 00:30:10,840 Speaker 1: you might as well to play the encore. So, you know, 572 00:30:11,040 --> 00:30:13,440 Speaker 1: it was just kind of like, you know, I mean, 573 00:30:14,000 --> 00:30:15,800 Speaker 1: we kind of just winged it while we were out there. 574 00:30:15,800 --> 00:30:17,240 Speaker 1: We had a bag as song as the pool Fund, 575 00:30:17,240 --> 00:30:18,920 Speaker 1: and we followed somewhat of an order, but there was 576 00:30:18,960 --> 00:30:21,720 Speaker 1: definitely audibles happening throughout the night. How do you pay 577 00:30:21,800 --> 00:30:23,440 Speaker 1: that fine or do they just keep it out of 578 00:30:23,480 --> 00:30:28,480 Speaker 1: your check? I don't really know. I mean, I'm pretty 579 00:30:28,520 --> 00:30:30,680 Speaker 1: sure it just like gets reimbursed to them, but they've 580 00:30:30,680 --> 00:30:34,520 Speaker 1: already paid to my business management. You know, afterwards, I 581 00:30:34,560 --> 00:30:36,440 Speaker 1: wanted to kick myself because here I've gone a whole 582 00:30:36,520 --> 00:30:38,520 Speaker 1: year trying to take care of my band and crew. 583 00:30:38,640 --> 00:30:40,760 Speaker 1: I haven't haven't had any shows, and then my first 584 00:30:40,800 --> 00:30:43,560 Speaker 1: one back I get fine. So that was pretty idiotical 585 00:30:43,640 --> 00:30:47,080 Speaker 1: my part. Kep Moore's on with us. Wild World Deluxe 586 00:30:47,480 --> 00:30:49,840 Speaker 1: just came out. You got four new songs on this, 587 00:30:50,200 --> 00:30:52,000 Speaker 1: so why did you want to put a deluxe album 588 00:30:52,000 --> 00:30:54,200 Speaker 1: out instead of, you know, holding that and putting a 589 00:30:54,200 --> 00:30:56,920 Speaker 1: new project out. A lot of times I'll overrecord for 590 00:30:56,960 --> 00:30:59,640 Speaker 1: a record. Normally, I'll do like anywhere from three to 591 00:30:59,720 --> 00:31:02,160 Speaker 1: six songs over because a lot of times you don't 592 00:31:02,200 --> 00:31:03,920 Speaker 1: know what a song is gonna feel like till you 593 00:31:03,920 --> 00:31:06,040 Speaker 1: give it a go, and then sometimes it just lays flat. 594 00:31:06,080 --> 00:31:08,480 Speaker 1: You can't seem to capture the magic and whatever for 595 00:31:08,600 --> 00:31:11,440 Speaker 1: whatever reason or not. But and I'm already mentally way 596 00:31:11,560 --> 00:31:14,560 Speaker 1: past where I'm at at that particular time, So if 597 00:31:14,600 --> 00:31:16,719 Speaker 1: I'm writing new stuff, I don't put that on an 598 00:31:16,720 --> 00:31:19,640 Speaker 1: old project. So it just felt like that record. Like 599 00:31:20,120 --> 00:31:24,080 Speaker 1: it felt like that record. Yeah, and even sonically, like 600 00:31:24,160 --> 00:31:26,520 Speaker 1: the way that we recorded the drums, the way we 601 00:31:26,600 --> 00:31:29,960 Speaker 1: did guitar tones, like leaving doors, opening rooms, like whatever 602 00:31:30,280 --> 00:31:33,200 Speaker 1: kind of ambiance, you know, kind of thing we were 603 00:31:33,240 --> 00:31:36,920 Speaker 1: going forward with certain songs, whatever ethereal you know, sounds 604 00:31:36,920 --> 00:31:38,720 Speaker 1: we were trying to capture. Like it all kind of 605 00:31:38,760 --> 00:31:42,120 Speaker 1: made sense with that record, and in the subject matter. 606 00:31:42,440 --> 00:31:44,160 Speaker 1: You're telling me, if you leave a door open in 607 00:31:44,200 --> 00:31:46,800 Speaker 1: the studio, the guitar sounds different. Yeah, I mean you're 608 00:31:46,840 --> 00:31:49,760 Speaker 1: gonna get a much more compartmentalized sound when you like, 609 00:31:49,840 --> 00:31:53,920 Speaker 1: when you have ants that can't bleed into the room, 610 00:31:54,280 --> 00:31:56,280 Speaker 1: you know, like you're gonna have a very you're gonna 611 00:31:56,280 --> 00:31:58,160 Speaker 1: have a much tighter mix. I mean when you listen 612 00:31:58,200 --> 00:32:02,040 Speaker 1: to Old fifty through the seventies recordings, I mean a 613 00:32:02,080 --> 00:32:03,560 Speaker 1: lot of times they did have the door shot. A 614 00:32:03,560 --> 00:32:05,520 Speaker 1: lot of times it was just in one big room, 615 00:32:05,560 --> 00:32:07,680 Speaker 1: and that's why you're getting all of that like kind 616 00:32:07,720 --> 00:32:10,920 Speaker 1: of where it all feels like they're in the same room. 617 00:32:11,000 --> 00:32:15,040 Speaker 1: Nothing is individually compartmentalized, and you're getting lots of bleed 618 00:32:15,080 --> 00:32:17,520 Speaker 1: and there's that there's that rawness in it. You know, 619 00:32:17,640 --> 00:32:20,720 Speaker 1: you can't control your sounds in the mix as much, 620 00:32:20,760 --> 00:32:24,080 Speaker 1: but you get a much more authentic band sound with 621 00:32:24,200 --> 00:32:27,880 Speaker 1: that kind of thing. Have you ever stage dived. I've 622 00:32:27,880 --> 00:32:29,719 Speaker 1: definitely jumped in through crowd. The last time I did 623 00:32:29,760 --> 00:32:33,040 Speaker 1: it was in Milwaukee UH summer fests, like back in 624 00:32:33,080 --> 00:32:37,960 Speaker 1: two thousand and fifteen, and it was it was truly 625 00:32:38,280 --> 00:32:41,720 Speaker 1: kind of a scary experience. It got so aggressive and 626 00:32:41,840 --> 00:32:44,520 Speaker 1: I came back on stage pretty much missing all my clothes. 627 00:32:44,560 --> 00:32:46,800 Speaker 1: It was. It was pretty insane. So I haven't done 628 00:32:46,800 --> 00:32:49,440 Speaker 1: it since I did it once and I didn't know 629 00:32:49,480 --> 00:32:55,520 Speaker 1: the rules and I did it on my belly. Oh 630 00:32:55,560 --> 00:32:58,480 Speaker 1: that's great. Let's just say I took a lot of 631 00:32:58,480 --> 00:33:01,000 Speaker 1: shots into that very into the area that I really 632 00:33:01,080 --> 00:33:04,160 Speaker 1: wasn't planning on. People were just trying to put the listen. 633 00:33:04,200 --> 00:33:06,040 Speaker 1: I'm not a rock star, Kip. I'm not like you. 634 00:33:06,080 --> 00:33:08,160 Speaker 1: I don't have the wherever the I usually do stand 635 00:33:08,240 --> 00:33:10,600 Speaker 1: up comedy and we were doing a music show and 636 00:33:10,640 --> 00:33:12,480 Speaker 1: I was like, I gotta go, and I jumped face 637 00:33:12,520 --> 00:33:15,840 Speaker 1: first into the crowd. That was it. He Dustin Lynch 638 00:33:15,920 --> 00:33:17,560 Speaker 1: is so scared of it. He does it with a boat. 639 00:33:17,920 --> 00:33:21,000 Speaker 1: He does he gets in a boat inflatable raft. He's 640 00:33:21,000 --> 00:33:24,040 Speaker 1: so afraid of it. Let me let me ask you 641 00:33:24,080 --> 00:33:26,680 Speaker 1: this before we go. You tweeted on the Connor McGregor fight, 642 00:33:27,120 --> 00:33:29,400 Speaker 1: satin sheets will turn an alley cat into a housecat. 643 00:33:29,800 --> 00:33:32,160 Speaker 1: When that happens, it's over. Is that a kept more 644 00:33:32,160 --> 00:33:35,360 Speaker 1: original one? You know? For the for the first half 645 00:33:35,360 --> 00:33:37,360 Speaker 1: of my career, I mean, Bobby, That's why I moved 646 00:33:37,400 --> 00:33:40,000 Speaker 1: into that gump that I you know, I stayed in 647 00:33:40,040 --> 00:33:43,000 Speaker 1: this you know, I mean, I don't want to say 648 00:33:43,000 --> 00:33:45,880 Speaker 1: it dump, but I mean it was the room that 649 00:33:45,920 --> 00:33:48,480 Speaker 1: I moved into somewhat was you know. I moved into 650 00:33:49,520 --> 00:33:52,400 Speaker 1: a one room in the old Cornman building. I got 651 00:33:52,440 --> 00:33:54,280 Speaker 1: a twin mattress and I put it on the floor 652 00:33:54,320 --> 00:33:55,920 Speaker 1: and I put all my stuff in there because I 653 00:33:55,960 --> 00:33:58,440 Speaker 1: thought that I still had to feel like I was 654 00:33:58,440 --> 00:34:01,120 Speaker 1: at the bottom to write the Wild One's record. And 655 00:34:01,160 --> 00:34:03,960 Speaker 1: I took cold showers every morning like I did back 656 00:34:04,000 --> 00:34:05,760 Speaker 1: when I was living on Edmonton Pike. You know, I 657 00:34:05,880 --> 00:34:08,919 Speaker 1: mastered the twenty Second Shower, and I tried to keep 658 00:34:08,960 --> 00:34:12,520 Speaker 1: myself in that in that hungry phase. Now I realized 659 00:34:12,560 --> 00:34:15,399 Speaker 1: that just by living simple, I can stay in that 660 00:34:15,480 --> 00:34:19,319 Speaker 1: state of mind. I never want to get too comfortable, um, 661 00:34:19,520 --> 00:34:21,440 Speaker 1: at least while I'm doing this. There might be a 662 00:34:21,440 --> 00:34:24,319 Speaker 1: time when I really kicked back. But but I mean, 663 00:34:24,360 --> 00:34:27,840 Speaker 1: I like simplicity anyway. I've never needed like things. But 664 00:34:27,840 --> 00:34:31,200 Speaker 1: but yeah, I mean I think that, you know, I think, 665 00:34:31,239 --> 00:34:34,799 Speaker 1: once you get you're living in some big mansion and 666 00:34:34,840 --> 00:34:38,040 Speaker 1: you've got you know, everything you need in all the cars, 667 00:34:38,080 --> 00:34:40,239 Speaker 1: I mean, how can you possibly stay in that in 668 00:34:40,280 --> 00:34:42,799 Speaker 1: that clever lane, rocky free state. You know what I mean? 669 00:34:44,320 --> 00:34:53,160 Speaker 1: There is, mister t Yeah, kept more. I heard you, 670 00:34:53,280 --> 00:34:55,960 Speaker 1: my man. I know you check up on that and 671 00:34:56,120 --> 00:34:58,719 Speaker 1: listen wild World. The locks just came out. It's he's 672 00:34:58,760 --> 00:35:00,480 Speaker 1: got Feig new tracks on a check got Kip? Hey, 673 00:35:00,520 --> 00:35:02,080 Speaker 1: what are you playing again? What's what's the deal with 674 00:35:02,120 --> 00:35:06,000 Speaker 1: your live shows? I don't really have anything. I've got 675 00:35:06,000 --> 00:35:08,319 Speaker 1: a couple of little spot dates every summer. I've got 676 00:35:08,400 --> 00:35:11,040 Speaker 1: some It's interesting. I've got some house. I've got a 677 00:35:11,040 --> 00:35:12,959 Speaker 1: couple of house things I've been doing, and I got 678 00:35:13,000 --> 00:35:15,320 Speaker 1: like three of those kind of lined up, like twenty 679 00:35:15,400 --> 00:35:18,480 Speaker 1: twenty five people. Price is right, I go play the 680 00:35:18,520 --> 00:35:23,840 Speaker 1: house all right, there is? Hey, Kip. Always good to 681 00:35:23,840 --> 00:35:26,120 Speaker 1: talk to you, man. You're such a treat to have 682 00:35:26,200 --> 00:35:27,759 Speaker 1: on the show. Love you. Talk to you soon about 683 00:35:28,840 --> 00:35:31,279 Speaker 1: the big day coming man. Thanks man, I appreciate that. 684 00:35:31,320 --> 00:35:34,480 Speaker 1: Talk to you soon, you bet guess it's the best 685 00:35:34,600 --> 00:35:39,560 Speaker 1: bits of the week with Morgan Number two This week 686 00:35:39,640 --> 00:35:43,320 Speaker 1: on the show, during Amy's Pile, she had put together 687 00:35:43,760 --> 00:35:47,239 Speaker 1: a list personally of all the nicest country artists who 688 00:35:47,280 --> 00:35:50,040 Speaker 1: have walked into our studio. It was her list, and 689 00:35:50,080 --> 00:35:53,000 Speaker 1: she determined her favorites, and obviously you'll get to hear 690 00:35:53,040 --> 00:35:56,240 Speaker 1: that back. But I wanted to bring Lunchbox and Raymondo 691 00:35:56,320 --> 00:35:59,000 Speaker 1: back in to talk about this because we always get 692 00:35:59,040 --> 00:36:02,040 Speaker 1: asked about country artists like are they actually as nice 693 00:36:02,040 --> 00:36:04,279 Speaker 1: as they see him? Are they so cool? Like give 694 00:36:04,360 --> 00:36:08,320 Speaker 1: us the lowdown on your favorite country stars, and so Lunchbox, 695 00:36:08,480 --> 00:36:11,240 Speaker 1: Raymundo and myself are going to talk about that. So, guys, 696 00:36:11,920 --> 00:36:14,200 Speaker 1: are you ready to I'm writing, I'm reading. Are you 697 00:36:14,239 --> 00:36:16,839 Speaker 1: prepared for this? Yeah? Oh yeah, okay, so I need 698 00:36:16,920 --> 00:36:19,480 Speaker 1: to know this artist is going to come after you, 699 00:36:19,560 --> 00:36:23,719 Speaker 1: lunch But because I'm going nicest, no dislike here, I 700 00:36:23,760 --> 00:36:27,239 Speaker 1: thought we were sticking with the theme there as a 701 00:36:27,280 --> 00:36:32,040 Speaker 1: bunch of things up here, We're going the direction um 702 00:36:32,520 --> 00:36:36,440 Speaker 1: nicest country artists. I'm gonna I'm gonna give you two options, 703 00:36:36,440 --> 00:36:38,839 Speaker 1: like you can say two people, So give me your 704 00:36:38,840 --> 00:36:41,960 Speaker 1: two nice country artists because I'm just joking. I'm just 705 00:36:42,360 --> 00:36:45,000 Speaker 1: because I would go on and on. I got it. Yeah, yeah, okay, 706 00:36:45,000 --> 00:36:50,480 Speaker 1: So Lunchbox easy Keith Urban because I'm gonna tell you 707 00:36:50,719 --> 00:36:54,720 Speaker 1: he says he's hilarious, He's funny. And the funny story 708 00:36:54,800 --> 00:36:57,480 Speaker 1: is one time we were going to some fancy thing. Uh. 709 00:36:57,520 --> 00:36:59,239 Speaker 1: And we had to drive up to this house for 710 00:36:59,280 --> 00:37:02,279 Speaker 1: the award, Yeah, the awards dinner. And I pull up 711 00:37:02,520 --> 00:37:06,120 Speaker 1: and I'm in the O five Ultima about murder and 712 00:37:06,360 --> 00:37:09,200 Speaker 1: Urban pulls up behind me, right and I'm walking up 713 00:37:09,239 --> 00:37:12,040 Speaker 1: the stairs and I see M two pull up behind Urban, 714 00:37:12,320 --> 00:37:14,080 Speaker 1: and so I'm at the top of the stairs. I'm 715 00:37:14,120 --> 00:37:19,319 Speaker 1: yelling M two, you're late, you're late, You're late, And 716 00:37:19,520 --> 00:37:24,120 Speaker 1: Keith goes is that you lunch up Keith? And he's 717 00:37:24,160 --> 00:37:27,560 Speaker 1: just so genuinely nice that I would say I'd put 718 00:37:27,640 --> 00:37:30,279 Speaker 1: Keith Urban. Okay, all right, that's a solid one. I 719 00:37:30,280 --> 00:37:32,480 Speaker 1: think everybody could agree on that. Who's your other one? 720 00:37:33,080 --> 00:37:36,759 Speaker 1: The other one are the Low Cash boys. Anywhere I 721 00:37:36,800 --> 00:37:39,560 Speaker 1: see them, they're down to chat. We've talked sports and 722 00:37:39,600 --> 00:37:42,040 Speaker 1: we just I mean, they'll drop whatever they're doing and 723 00:37:42,040 --> 00:37:44,440 Speaker 1: they just hang out for ten fifteen miss chatting it up. 724 00:37:44,560 --> 00:37:47,239 Speaker 1: Low Cash And speaking of a little cross promo here, 725 00:37:47,280 --> 00:37:49,360 Speaker 1: you had one of them on the Sore Loser's podcast. 726 00:37:49,400 --> 00:37:51,680 Speaker 1: We had Chris from Low Cash on the Sore Losers 727 00:37:51,719 --> 00:37:54,120 Speaker 1: podcast right before the Super Bowl because he was going 728 00:37:54,120 --> 00:37:55,560 Speaker 1: to the Super Bowl. So we got all the ins 729 00:37:55,560 --> 00:37:57,279 Speaker 1: and outs and it was really fun to talk to 730 00:37:57,360 --> 00:38:01,720 Speaker 1: him about gambling and his relationship with athlete. That's pretty cool. Okay, 731 00:38:01,719 --> 00:38:04,080 Speaker 1: that's cool. So after you're done with this one, definitely 732 00:38:04,080 --> 00:38:07,280 Speaker 1: listen to that episode or any episode the Sore Losers podcast. 733 00:38:07,400 --> 00:38:12,080 Speaker 1: It's amazing. Shameless plugs. Okay, you know what we're here 734 00:38:12,080 --> 00:38:15,560 Speaker 1: for it right right? What are your two nicest country artists? 735 00:38:15,560 --> 00:38:18,239 Speaker 1: The one just top of mine is Jaco And when 736 00:38:18,280 --> 00:38:20,919 Speaker 1: I first came to town, I don't even know how 737 00:38:20,960 --> 00:38:22,759 Speaker 1: I got his number in my phone, but I had it, 738 00:38:22,840 --> 00:38:25,120 Speaker 1: so that just speaks how cool the dude is. At 739 00:38:25,160 --> 00:38:27,879 Speaker 1: one point he invited everybody on his bus when they 740 00:38:27,880 --> 00:38:30,479 Speaker 1: were doing shots, and he thanked everybody so much for 741 00:38:30,560 --> 00:38:32,840 Speaker 1: being a supporter of his all of us from the show. 742 00:38:33,280 --> 00:38:35,560 Speaker 1: I was an idiot and I was taking aerial shots 743 00:38:35,680 --> 00:38:38,080 Speaker 1: from above on the skyscraper because I thought it was 744 00:38:38,080 --> 00:38:40,040 Speaker 1: cool looking down at the crowd for one of his shows, 745 00:38:40,280 --> 00:38:43,279 Speaker 1: and everybody else on the bus getting all these very 746 00:38:43,360 --> 00:38:46,400 Speaker 1: nice compliments from Jake and his back then wife. But anyways, 747 00:38:46,680 --> 00:38:49,560 Speaker 1: Jake was so cool and he still remembers my name. 748 00:38:49,600 --> 00:38:52,840 Speaker 1: I'm talking years later. He's moved on in his life. 749 00:38:53,400 --> 00:38:55,640 Speaker 1: We don't see each other as much. In studio, but 750 00:38:55,680 --> 00:38:58,400 Speaker 1: he's I'm a producer. I'm not even on the show really, 751 00:38:58,560 --> 00:39:01,640 Speaker 1: and he still knows my name very nice, So he 752 00:39:01,640 --> 00:39:03,120 Speaker 1: would be the first guy that would come to mind 753 00:39:03,120 --> 00:39:06,759 Speaker 1: the next I'm just gonna have to say, Chris Lane. Okay, 754 00:39:06,840 --> 00:39:08,680 Speaker 1: I mean throwing a ringer in here. I didn't see 755 00:39:08,680 --> 00:39:11,520 Speaker 1: this one coming, because here's the deal. I worked an event. 756 00:39:11,560 --> 00:39:13,920 Speaker 1: It was a charity event. It wasn't make a wish, 757 00:39:13,960 --> 00:39:19,200 Speaker 1: but I believe it was special needs kids Special Olympics. Yeah, 758 00:39:19,239 --> 00:39:21,319 Speaker 1: it's similar to that, but it was a prom for 759 00:39:21,360 --> 00:39:23,400 Speaker 1: them who had never gone to a prom before, and 760 00:39:23,480 --> 00:39:25,359 Speaker 1: me and him worked it, and the dude was so 761 00:39:25,560 --> 00:39:27,839 Speaker 1: down to earth. They would come over to me and 762 00:39:27,920 --> 00:39:29,759 Speaker 1: him and they'd say, hey, guys, sorry, this wasn't on 763 00:39:29,760 --> 00:39:31,440 Speaker 1: the script. Can you go up and do an announcement? 764 00:39:31,480 --> 00:39:32,840 Speaker 1: And he'd be like, yeah, I'll go do it. I 765 00:39:32,880 --> 00:39:36,480 Speaker 1: don't care. And then he at times that he was 766 00:39:36,640 --> 00:39:39,600 Speaker 1: doing a performance, and it's not like he could rock 767 00:39:39,680 --> 00:39:41,520 Speaker 1: out like he does usually. There was kind of some 768 00:39:41,560 --> 00:39:44,680 Speaker 1: awkward moments, but he did such a great job in 769 00:39:44,719 --> 00:39:47,680 Speaker 1: between playing his music and just communicating with the crowd, 770 00:39:47,880 --> 00:39:49,040 Speaker 1: and then he would just come over to me and 771 00:39:49,040 --> 00:39:50,920 Speaker 1: be like, so, dude, like, really, though, what's been going 772 00:39:50,920 --> 00:39:55,120 Speaker 1: on in your life? What's up? He genuinely yeah. I 773 00:39:55,120 --> 00:39:57,000 Speaker 1: mean he could have easily just gone and talked to 774 00:39:57,040 --> 00:39:59,120 Speaker 1: his band guy, but he just came to me, talk 775 00:39:59,200 --> 00:40:02,120 Speaker 1: to me. We took pictures. And I believe this when 776 00:40:02,120 --> 00:40:04,880 Speaker 1: he was with Bush now, which obviously increased his fame. 777 00:40:05,320 --> 00:40:08,359 Speaker 1: So he was just, for the most part, a great dude. 778 00:40:08,520 --> 00:40:10,799 Speaker 1: And it really wasn't a situation where he had to 779 00:40:10,800 --> 00:40:14,080 Speaker 1: be overly friendly and get to know me. It just didn't, 780 00:40:14,239 --> 00:40:17,480 Speaker 1: but he did. So I know, all right, we already 781 00:40:17,520 --> 00:40:21,520 Speaker 1: know yours. Who do you think her mind? No? Actually, no, okay, 782 00:40:21,560 --> 00:40:24,520 Speaker 1: go ahead. I am another fan girl of this person though. 783 00:40:24,600 --> 00:40:27,120 Speaker 1: And it was Dolly Parton. I mean she came in 784 00:40:27,200 --> 00:40:30,520 Speaker 1: here like there we go, Like she came in here 785 00:40:30,600 --> 00:40:33,000 Speaker 1: and it was like the whole studio just like shut down. 786 00:40:33,040 --> 00:40:36,440 Speaker 1: She just put everybody at ease, like she washed in 787 00:40:36,480 --> 00:40:39,200 Speaker 1: her room and it just glows. I don't even know 788 00:40:39,200 --> 00:40:43,480 Speaker 1: how to explain it, but dude, you know what, Dolly, 789 00:40:43,560 --> 00:40:49,279 Speaker 1: I would okay, um, And she even took pictures with 790 00:40:49,320 --> 00:40:51,080 Speaker 1: all of us, like she was just like as kind 791 00:40:51,120 --> 00:40:53,239 Speaker 1: as like you think she is. She's even more kind 792 00:40:53,239 --> 00:40:56,600 Speaker 1: than that. So definitely Dolly. But then I have to 793 00:40:56,640 --> 00:41:01,320 Speaker 1: reiterate Low Cash Boys. I've known that there too. Yeah, 794 00:41:01,360 --> 00:41:04,600 Speaker 1: you know, I've known them since um I worked in 795 00:41:04,680 --> 00:41:08,320 Speaker 1: radio in Wichita, and they've remembered me, they've remembered my life. 796 00:41:08,360 --> 00:41:11,160 Speaker 1: They kept up with my lives until now and that's 797 00:41:11,200 --> 00:41:15,440 Speaker 1: like years ago. And they've always been super sweet and 798 00:41:15,560 --> 00:41:19,040 Speaker 1: like just friendly about everything. So the low Cash guys, 799 00:41:19,280 --> 00:41:21,120 Speaker 1: I ain't look at that and that, and that's that 800 00:41:21,200 --> 00:41:22,759 Speaker 1: tells you how good they are. Because they made two 801 00:41:22,800 --> 00:41:24,680 Speaker 1: of the list, and we didn't discuss our lists. Yeah, 802 00:41:24,760 --> 00:41:27,520 Speaker 1: nobody talked about anything. We're all over the place. Okay. 803 00:41:27,600 --> 00:41:29,960 Speaker 1: So that was really cool. So now you can listen 804 00:41:30,040 --> 00:41:33,320 Speaker 1: back and hear Amy talk about her list. In the pile, 805 00:41:33,440 --> 00:41:38,320 Speaker 1: she shared her choices for the nicest country artists. Number four. 806 00:41:38,520 --> 00:41:41,320 Speaker 1: I put together a list of the nicest country artists 807 00:41:41,360 --> 00:41:44,640 Speaker 1: that have ever been in our studio. You put together 808 00:41:44,680 --> 00:41:47,319 Speaker 1: a little Yeah, I want to see if you if 809 00:41:47,320 --> 00:41:51,479 Speaker 1: you let me give you my answer, okay, Garth Keith Urban, 810 00:41:51,719 --> 00:41:55,160 Speaker 1: a little big town check check check? Oh which Okay? 811 00:41:55,160 --> 00:41:57,600 Speaker 1: Where do they fall on your list? Like Hamley Feuds style? Okay? 812 00:41:57,800 --> 00:42:00,000 Speaker 1: In it? Well, I didn't know that A ranked them 813 00:42:00,040 --> 00:42:02,960 Speaker 1: per se. The little Big Town is first, okay, then 814 00:42:03,040 --> 00:42:05,520 Speaker 1: Keith Urban, then Garth Brooks. Okay, let me see who else? 815 00:42:05,760 --> 00:42:08,360 Speaker 1: The nicest, Yeah, the nicest, but they also have to 816 00:42:08,400 --> 00:42:10,160 Speaker 1: be a massive artist. I'm assuming to make the list 817 00:42:10,200 --> 00:42:12,799 Speaker 1: because it's like the juxtaposition of massive yet still nice, right, 818 00:42:12,840 --> 00:42:14,239 Speaker 1: because we have a lot of nice people to come 819 00:42:14,280 --> 00:42:16,760 Speaker 1: in here, but these are big times, like these people 820 00:42:16,800 --> 00:42:19,120 Speaker 1: probably don't even have to be nice if they didn't 821 00:42:19,120 --> 00:42:20,840 Speaker 1: want to be, and you'd still let them come in. 822 00:42:20,920 --> 00:42:25,160 Speaker 1: But they're nice, Eddy, who would you put on this list? 823 00:42:25,200 --> 00:42:30,440 Speaker 1: For sure? There's two icons, Dollie and Reba yep ding ding. Yeah, 824 00:42:30,680 --> 00:42:36,080 Speaker 1: there's a duo that you're missing, Oh, Dana Jay, but 825 00:42:36,719 --> 00:42:41,440 Speaker 1: maybe only one of them's been in. Oh, I know, 826 00:42:41,640 --> 00:42:44,160 Speaker 1: say she's saying there's a there's a duo, but only 827 00:42:44,200 --> 00:42:46,799 Speaker 1: one of them has been in. No, they've they've both 828 00:42:46,840 --> 00:42:51,200 Speaker 1: been in. Oh really yeah, Brooks and Done Yeah, the 829 00:42:51,200 --> 00:42:52,680 Speaker 1: same time they sat here and talked to us on 830 00:42:52,680 --> 00:42:55,279 Speaker 1: the air. You don't we're hearing Kicks his jewelry going back. 831 00:42:55,280 --> 00:43:00,120 Speaker 1: Oh I just wrote down, Ronnie. Can we tell Kicks 832 00:42:59,320 --> 00:43:03,120 Speaker 1: it an impression? No? I love kis maybe I wasn't here. 833 00:43:03,800 --> 00:43:08,480 Speaker 1: Brett Eldridge makes the cut, and then of course Jake Owen, 834 00:43:08,920 --> 00:43:16,080 Speaker 1: Oh yeah there. Do you usually leave anyone Outbounes, Yeah. 835 00:43:17,600 --> 00:43:21,400 Speaker 1: Tim McGrady awesome every time it comes in. Yeah, George straight. Well, 836 00:43:21,440 --> 00:43:23,680 Speaker 1: there's the difference of being extremely professional and being just 837 00:43:23,800 --> 00:43:26,880 Speaker 1: really nice. Some people come in there they're so professional 838 00:43:26,920 --> 00:43:28,520 Speaker 1: you're like, dang, that's awesome, but you don't get to 839 00:43:28,520 --> 00:43:29,960 Speaker 1: spend a lot of time with them outside of just 840 00:43:29,960 --> 00:43:32,000 Speaker 1: talking with him. Luckily, with McGraw, I have been able 841 00:43:32,040 --> 00:43:33,640 Speaker 1: to hang out a bit and he's awesome, and so 842 00:43:33,680 --> 00:43:36,000 Speaker 1: that's why I feel comfortable saying that to Tim that 843 00:43:36,080 --> 00:43:40,640 Speaker 1: they're great. Faith's great too. Uh, who else would George? 844 00:43:41,960 --> 00:43:45,600 Speaker 1: It was the second he came in. You just want 845 00:43:45,640 --> 00:43:48,000 Speaker 1: me to say that because he's your favorite. I don't 846 00:43:48,040 --> 00:43:49,719 Speaker 1: know that I've spend enough time with him to say that. 847 00:43:49,760 --> 00:43:52,719 Speaker 1: I've met him twice. Yeah, but once backstage he was 848 00:43:52,800 --> 00:43:54,880 Speaker 1: super nice, but it was so brief. The interactions have 849 00:43:54,960 --> 00:43:57,399 Speaker 1: been so brief. I don't know how to think about that. 850 00:43:57,560 --> 00:44:00,759 Speaker 1: All right, Thank you for that list, though, it's the 851 00:44:00,800 --> 00:44:05,800 Speaker 1: best bits of the week with Morgan number two. Also 852 00:44:05,880 --> 00:44:09,200 Speaker 1: this week, Travis Denning came in. He had sent Bobby 853 00:44:09,280 --> 00:44:12,799 Speaker 1: a TikTok video playing a little bit of What's My 854 00:44:12,840 --> 00:44:15,440 Speaker 1: Age Again from Blink one eighty two on his banjo, 855 00:44:15,560 --> 00:44:17,520 Speaker 1: and of course we had to bring him on the 856 00:44:17,560 --> 00:44:20,160 Speaker 1: show to play the full thing. And it was so cool. 857 00:44:20,280 --> 00:44:22,600 Speaker 1: I mean, if you know this song and Blink one 858 00:44:22,640 --> 00:44:25,040 Speaker 1: eighty two and if you ever had like an alternative 859 00:44:25,040 --> 00:44:27,960 Speaker 1: phase in your life, you know this song. But listening 860 00:44:27,960 --> 00:44:30,360 Speaker 1: to it on banjo and from Travis Denning, it was 861 00:44:30,400 --> 00:44:32,759 Speaker 1: just so cool. So listen back to this. You're going 862 00:44:32,840 --> 00:44:37,000 Speaker 1: to be impressed. Number three on the Bobby Bones Show 863 00:44:37,040 --> 00:44:41,200 Speaker 1: now Travis Denning. Travis has co hosted the show. Travis 864 00:44:41,239 --> 00:44:43,279 Speaker 1: has had a number one song with after a few 865 00:44:43,400 --> 00:44:44,879 Speaker 1: gonna play a little bit of this here you go 866 00:44:45,080 --> 00:44:54,240 Speaker 1: look after he was voted the prestigious CRS twenty twenty 867 00:44:54,239 --> 00:44:58,120 Speaker 1: one new face. Yeah, Travis Denny is here. Yeah, I've 868 00:44:58,120 --> 00:45:02,320 Speaker 1: been I've been told I need a new face. I'm sorry, Catilee. 869 00:45:03,360 --> 00:45:05,319 Speaker 1: So this is what happened. I was doing this thing 870 00:45:05,320 --> 00:45:08,319 Speaker 1: on TikTok where I said, hey, Stitch and put you 871 00:45:08,440 --> 00:45:10,000 Speaker 1: playing after I say this, and I want to see you. 872 00:45:10,000 --> 00:45:12,080 Speaker 1: We're gonna bring some people up. Well, Travis goes, I 873 00:45:12,160 --> 00:45:13,839 Speaker 1: like to make a submission and play the little part 874 00:45:13,840 --> 00:45:18,080 Speaker 1: that you played on the TikTok that was it a 875 00:45:18,120 --> 00:45:21,839 Speaker 1: cut off? And he goes, I wrote this and it's 876 00:45:22,080 --> 00:45:25,080 Speaker 1: obviously Blink one eighty two. What's my age again? And 877 00:45:25,120 --> 00:45:26,799 Speaker 1: so I hit him up. I was like, Travis, came, 878 00:45:26,840 --> 00:45:28,359 Speaker 1: play that on the show. I'd love to hear Blink 879 00:45:28,400 --> 00:45:30,440 Speaker 1: one eighty two on a band Joe. Now, did you 880 00:45:30,440 --> 00:45:33,480 Speaker 1: have to learn the whole song after? Oh? Absolutely? Last 881 00:45:33,560 --> 00:45:36,000 Speaker 1: night I sat there and would shaded this whole thing. 882 00:45:36,239 --> 00:45:39,000 Speaker 1: I was obviously a huge Blink fan growing up, but 883 00:45:39,160 --> 00:45:41,799 Speaker 1: just did not really learn the words as a, you know, 884 00:45:41,920 --> 00:45:44,040 Speaker 1: eight year old. So I learned him as a twenty 885 00:45:44,080 --> 00:45:46,000 Speaker 1: eight year old last night. Okay, well, before we talk 886 00:45:46,040 --> 00:45:48,520 Speaker 1: about anything else. Here he is with his band Joe. 887 00:45:48,520 --> 00:45:50,719 Speaker 1: It is Travis Denning playing Blink one eighty two. Here 888 00:45:50,760 --> 00:46:00,880 Speaker 1: we go two g It was a Friday night. I 889 00:46:01,040 --> 00:46:04,520 Speaker 1: walk along to get the feeling right, we're starting magging 890 00:46:04,600 --> 00:46:07,840 Speaker 1: now she two got my pass, Hannah, turn on the TV. 891 00:46:09,000 --> 00:46:12,160 Speaker 1: That's about the time she walked away from me. Your 892 00:46:12,239 --> 00:46:15,239 Speaker 1: body last you win your twenty three and now some 893 00:46:15,360 --> 00:46:18,200 Speaker 1: morning use my TV shows? What the hell is a 894 00:46:18,280 --> 00:46:20,600 Speaker 1: d D my friszee I, shit at my age? What's 895 00:46:20,719 --> 00:46:26,840 Speaker 1: my major again? What's my age? A game? Later on 896 00:46:27,360 --> 00:46:30,400 Speaker 1: on the drive home, I called her mom from a 897 00:46:30,520 --> 00:46:33,000 Speaker 1: pay phone. I said, I was the cops and your 898 00:46:33,080 --> 00:46:36,880 Speaker 1: husband's in jail. The staals down on the TV. That's 899 00:46:36,920 --> 00:46:40,000 Speaker 1: about the time that girl hung up on me when 900 00:46:40,040 --> 00:46:42,920 Speaker 1: he las you win your twenty three and now some 901 00:46:43,040 --> 00:46:46,320 Speaker 1: morning music to the right podcast. What the hell is 902 00:46:46,320 --> 00:46:48,400 Speaker 1: wrong with me and my friendzee Ia? Shit at my age? 903 00:46:48,560 --> 00:46:57,000 Speaker 1: What's my age again? What's my age again? Here it 904 00:46:57,080 --> 00:46:59,640 Speaker 1: is Travis Dad, Come on, can you play any song 905 00:46:59,680 --> 00:47:02,040 Speaker 1: on that? Could you play the of course? Ab? After 906 00:47:02,040 --> 00:47:07,399 Speaker 1: a few absolutely, here we go in my band had voice, Yeah, yeah, yeah, 907 00:47:07,440 --> 00:47:11,080 Speaker 1: you can do a few drains. It is always the 908 00:47:11,120 --> 00:47:15,759 Speaker 1: same thing. We find ourselves austin conversation at the bar 909 00:47:16,960 --> 00:47:20,960 Speaker 1: after a few songs and kind at you hold home, 910 00:47:21,040 --> 00:47:25,440 Speaker 1: we found ourselves seen in up against my car sit 911 00:47:25,520 --> 00:47:29,800 Speaker 1: the spe sigabyte giving a bad too. If we didn't 912 00:47:29,840 --> 00:47:33,719 Speaker 1: want to wind up following in my bed like we 913 00:47:34,360 --> 00:47:47,279 Speaker 1: always do after a fee. After a fee, has to 914 00:47:47,360 --> 00:47:51,359 Speaker 1: do that every time. That's the out regardlessness. When we 915 00:47:51,360 --> 00:47:53,840 Speaker 1: get back on the road, the whole sets full band 916 00:47:54,000 --> 00:47:58,120 Speaker 1: and then just banjo solo after a few What's your 917 00:47:58,160 --> 00:48:00,600 Speaker 1: guitar story? How old were you when you finally started 918 00:48:00,600 --> 00:48:03,480 Speaker 1: to go I can actually play real songs, so I saying, 919 00:48:03,520 --> 00:48:05,640 Speaker 1: I brought me my guitar when I was eleven, and 920 00:48:06,239 --> 00:48:08,759 Speaker 1: so yeah, I started playing then, and when I was 921 00:48:08,760 --> 00:48:11,440 Speaker 1: like six or seven, that's kind of when I was 922 00:48:11,520 --> 00:48:13,640 Speaker 1: really starting to really get a good grasp on it. 923 00:48:13,800 --> 00:48:16,400 Speaker 1: And actually my parents told me at that point I 924 00:48:16,440 --> 00:48:19,880 Speaker 1: had some cheap starter guitar. They were like, hey, we 925 00:48:19,960 --> 00:48:21,719 Speaker 1: know you're taking it seriously, and we kind of want 926 00:48:21,719 --> 00:48:25,240 Speaker 1: to challenge you. If you'll learn Stairway to Heaven front 927 00:48:25,239 --> 00:48:28,919 Speaker 1: to back, like no stops, no mess up notes, We'll 928 00:48:28,960 --> 00:48:31,279 Speaker 1: buy you whatever guitar you want. And so I spent 929 00:48:31,360 --> 00:48:35,080 Speaker 1: the next like four months with my guitar. Teacher and 930 00:48:35,440 --> 00:48:37,359 Speaker 1: parents came home from work one day and I was like, 931 00:48:37,560 --> 00:48:40,320 Speaker 1: all right, come upstairs. I got it and played it 932 00:48:40,400 --> 00:48:42,920 Speaker 1: for him, and they bought me my first gifts and 933 00:48:43,040 --> 00:48:45,480 Speaker 1: less Paul. That's what I wanted so bad. And I 934 00:48:45,520 --> 00:48:49,280 Speaker 1: literally just recorded two new songs and played that guitar 935 00:48:49,400 --> 00:48:51,960 Speaker 1: on both songs. I still use it to this day. 936 00:48:52,120 --> 00:48:54,200 Speaker 1: Can you still play the opening lick from Stairway to Heaven. 937 00:48:54,280 --> 00:48:57,879 Speaker 1: Oh on banjo, man, I'm gonna get smited for half 938 00:48:57,920 --> 00:49:00,200 Speaker 1: these licks. Right, This is just like anti rock roll 939 00:49:00,280 --> 00:49:13,759 Speaker 1: what we're doing it. There's a lady you sure all 940 00:49:13,800 --> 00:49:19,600 Speaker 1: the glitters is gold and she's buying a stairway, but 941 00:49:19,719 --> 00:49:23,480 Speaker 1: Heaven just sounds country. You want to finish it? Okay? 942 00:49:24,360 --> 00:49:29,200 Speaker 1: When she gets there, she knows if the stores all 943 00:49:29,440 --> 00:49:34,080 Speaker 1: the clothes with the worst, she can get what she 944 00:49:34,200 --> 00:49:45,640 Speaker 1: came for there. He is Travis Denning five. So we've 945 00:49:45,640 --> 00:49:48,759 Speaker 1: talked about this before. But your girlfriend, who's not a 946 00:49:48,840 --> 00:49:52,279 Speaker 1: fiance yet not not yet, right, but I mean eventually right, 947 00:49:52,320 --> 00:49:53,680 Speaker 1: I'm not even gonna pressure you on that, but I 948 00:49:53,719 --> 00:49:56,000 Speaker 1: mean it's the idea that you sound like everybody in 949 00:49:56,040 --> 00:49:58,040 Speaker 1: my life right now. Actually, I'm not gonna pressure you, 950 00:49:58,080 --> 00:50:00,160 Speaker 1: but when's it happening? Well, I'm not asking that, but 951 00:50:00,680 --> 00:50:04,880 Speaker 1: Madison is John Michael Montgomery's daughter. Do you learn his songs? 952 00:50:05,600 --> 00:50:09,040 Speaker 1: You know? I actually don't know any of his songs. 953 00:50:09,080 --> 00:50:10,800 Speaker 1: The one song I do know by heart though, his 954 00:50:10,960 --> 00:50:14,480 Speaker 1: Letters from Home, because that's I've got like four songs 955 00:50:14,520 --> 00:50:18,200 Speaker 1: in the country music that are an automatic like cry song, 956 00:50:18,280 --> 00:50:20,279 Speaker 1: and that that's one of them. Just that song just 957 00:50:20,320 --> 00:50:21,719 Speaker 1: gets me. So I know all the words of that 958 00:50:21,719 --> 00:50:24,480 Speaker 1: one favorite nineties country song that that you will play 959 00:50:24,520 --> 00:50:26,960 Speaker 1: in your set. Do you have any Oh? Yeah? Church 960 00:50:27,000 --> 00:50:29,480 Speaker 1: on Cumberland Road by Shenandoah. Okay, well let's hear a 961 00:50:29,520 --> 00:50:37,200 Speaker 1: little bit of that on the benjo just about a 962 00:50:37,320 --> 00:50:40,520 Speaker 1: mile off of one on nine. There's a little church 963 00:50:40,560 --> 00:50:43,960 Speaker 1: sitting bagging in the pines. Promise that girl she was 964 00:50:44,000 --> 00:50:46,600 Speaker 1: gonna be mine? How would him be surprised to? She 965 00:50:46,800 --> 00:50:53,279 Speaker 1: was standing there crying, deading all upon our phone. It 966 00:50:53,480 --> 00:51:02,280 Speaker 1: go so slow, settle. You gotta put your food down 967 00:51:02,520 --> 00:51:07,239 Speaker 1: on the floor. Yeah, we've been working on night, but 968 00:51:07,400 --> 00:51:10,080 Speaker 1: don't you know you gotta give me to the church 969 00:51:10,160 --> 00:51:18,640 Speaker 1: on the Cumberland rohole. Yeah, that's awesome. Listen, you came 970 00:51:18,719 --> 00:51:20,400 Speaker 1: up here only because I was like, you gotta complain, 971 00:51:22,000 --> 00:51:24,919 Speaker 1: So I appreciate you doing that. You guys. Check out 972 00:51:24,960 --> 00:51:28,319 Speaker 1: Beer is Better Cold. It's Travis's EP. He's got the 973 00:51:28,320 --> 00:51:32,000 Speaker 1: big hit with after a few David Ashley Parker. Where's 974 00:51:32,040 --> 00:51:34,480 Speaker 1: that beer been? He's on TikTok? What are you doing 975 00:51:34,520 --> 00:51:39,080 Speaker 1: on TikTok? For the most part, uh like really dumb videos, 976 00:51:39,120 --> 00:51:42,799 Speaker 1: like banjo videos, and my most viewed one right now 977 00:51:43,040 --> 00:51:47,440 Speaker 1: is Madison's cat Millie, which Matt Stale dubbed her Millbilly, 978 00:51:47,560 --> 00:51:49,799 Speaker 1: so I really like like that name. I threw an 979 00:51:49,800 --> 00:51:53,920 Speaker 1: ice cube across the kitchen like floor, and she loves 980 00:51:53,960 --> 00:51:58,080 Speaker 1: ice cubes. She ran after it and slid and absolutely 981 00:51:58,120 --> 00:52:02,160 Speaker 1: headbutted the refrigerator like really loud too, and just got 982 00:52:02,239 --> 00:52:04,680 Speaker 1: right back up picked it up. It's got almost like 983 00:52:04,719 --> 00:52:07,680 Speaker 1: half a million views. So of all the fantastic playing 984 00:52:07,719 --> 00:52:10,480 Speaker 1: and picking that you've been doing on your TikTok, a 985 00:52:10,560 --> 00:52:12,680 Speaker 1: cat running into a fridge as your most view Oh dude, 986 00:52:12,680 --> 00:52:14,640 Speaker 1: I got videos. I'm like, this is a song you know, 987 00:52:14,800 --> 00:52:17,080 Speaker 1: I really care about. Wrote this belt my dad, and 988 00:52:17,640 --> 00:52:22,279 Speaker 1: it gets like four views merely running into the refrigerator 989 00:52:22,400 --> 00:52:27,760 Speaker 1: just blows up. Travis Denning follow him Travis are Denning 990 00:52:28,200 --> 00:52:31,120 Speaker 1: on Instagram. Funny guy, gay, Great job today, by the way, 991 00:52:31,360 --> 00:52:39,040 Speaker 1: coming in dominating because you came in just on request. 992 00:52:39,160 --> 00:52:41,359 Speaker 1: Whenever you're ready with your next song, whatever you want 993 00:52:41,360 --> 00:52:42,839 Speaker 1: to do, you got a one free ticket to come 994 00:52:42,920 --> 00:52:45,000 Speaker 1: up whenever you want, perfect whatever you want to promote. 995 00:52:45,000 --> 00:52:46,440 Speaker 1: When you're ready, come on out. I'm gonna bring an 996 00:52:46,480 --> 00:52:48,799 Speaker 1: acoustic guitar at that time, but an acoustic ban Joe. 997 00:52:51,840 --> 00:52:55,600 Speaker 1: It's the best Bits of the Week with Morgan. Number two. 998 00:52:57,680 --> 00:53:01,000 Speaker 1: This week, Lunchbox was at it again. After the show 999 00:53:01,120 --> 00:53:05,040 Speaker 1: last week, Lunchbox stayed late and intercepted our voicemail. This 1000 00:53:05,120 --> 00:53:07,480 Speaker 1: is the second time he's done this, and he tricks 1001 00:53:07,520 --> 00:53:12,240 Speaker 1: listeners into thinking that he's actually the voicemail like box machine. 1002 00:53:12,719 --> 00:53:14,960 Speaker 1: And it's just so crazy because I don't know how 1003 00:53:15,440 --> 00:53:20,960 Speaker 1: people describe it as a voicemail box machine, but you are. 1004 00:53:21,120 --> 00:53:24,960 Speaker 1: That's like, right, that's what it is. I guess. I mean, 1005 00:53:25,040 --> 00:53:27,600 Speaker 1: like when you call yourself one, is there a voicemail 1006 00:53:27,640 --> 00:53:29,719 Speaker 1: box machine? Or are you just the voicemail I just 1007 00:53:29,760 --> 00:53:31,440 Speaker 1: thought it was funny that you describe it as an 1008 00:53:31,480 --> 00:53:34,440 Speaker 1: old school box machine. You know what, lunch As you know, 1009 00:53:34,520 --> 00:53:37,160 Speaker 1: words are hard, okay, I guess it was a very 1010 00:53:37,200 --> 00:53:39,759 Speaker 1: interesting way to describe it because you were around and 1011 00:53:39,960 --> 00:53:42,319 Speaker 1: answer machines weren't really a thing after you were born, 1012 00:53:42,440 --> 00:53:44,879 Speaker 1: so for you to call it the box thing, just 1013 00:53:44,920 --> 00:53:47,520 Speaker 1: really thought that was funny. That's true. The irony is there. 1014 00:53:47,560 --> 00:53:50,040 Speaker 1: It's lost. I'm sorry, I don't mean interrupt, but well 1015 00:53:50,080 --> 00:53:52,239 Speaker 1: it's okay, you're on and we've got ray on and 1016 00:53:52,719 --> 00:53:55,840 Speaker 1: I just have some some questions. First, right, you have 1017 00:53:55,920 --> 00:53:58,480 Speaker 1: to sit in the glass studio when he does this, 1018 00:53:58,680 --> 00:54:02,479 Speaker 1: Like what is your experience watching him while he does 1019 00:54:02,520 --> 00:54:05,160 Speaker 1: the voicemail? Yeah, Like he takes over the voicemail. He's 1020 00:54:05,160 --> 00:54:07,839 Speaker 1: like tricking listeners. Yeah, it's pretty funny. I wish at 1021 00:54:07,880 --> 00:54:10,600 Speaker 1: the end though, could is there ever a point when 1022 00:54:10,600 --> 00:54:13,240 Speaker 1: you apologize to him and just say it's a joke 1023 00:54:13,320 --> 00:54:17,080 Speaker 1: and you're just teasing him, because otherwise he's just on 1024 00:54:17,200 --> 00:54:19,600 Speaker 1: there just going nope, you're dumb. Yeah, And I'm pretty 1025 00:54:19,600 --> 00:54:21,920 Speaker 1: sure he hangs up on them. I don't think he does. 1026 00:54:22,760 --> 00:54:27,200 Speaker 1: It's heartless. I never tell them I'm joking because then 1027 00:54:27,200 --> 00:54:29,760 Speaker 1: it ruins it. Like I want them to just think 1028 00:54:30,160 --> 00:54:33,319 Speaker 1: that was the weirdest voicemail ever, and then they hear 1029 00:54:33,320 --> 00:54:36,200 Speaker 1: it back on the show and they're like, ah, Lunchbox 1030 00:54:36,239 --> 00:54:38,040 Speaker 1: was messing with me. If you tell him right then 1031 00:54:38,160 --> 00:54:41,799 Speaker 1: then it's like okay, No, that's literally how the voicemail goes, 1032 00:54:41,840 --> 00:54:44,960 Speaker 1: because he just goes like silent, like nothing happened, or 1033 00:54:45,040 --> 00:54:49,520 Speaker 1: I say okay, your call will end in three two one, 1034 00:54:49,800 --> 00:54:53,160 Speaker 1: like you're a rocket ship yep, and you also carry 1035 00:54:53,160 --> 00:54:54,600 Speaker 1: it on too long. You should just do it for 1036 00:54:54,640 --> 00:54:56,839 Speaker 1: a second. But then you even don't you insult him 1037 00:54:56,840 --> 00:54:59,280 Speaker 1: at the end where you're like, well, sometimes you're not pretty, 1038 00:54:59,320 --> 00:55:00,920 Speaker 1: and they're like, oh my god, gosh, I'm not. Oh 1039 00:55:01,000 --> 00:55:02,719 Speaker 1: the girl was like I think she called to give 1040 00:55:02,719 --> 00:55:05,040 Speaker 1: her husband a happy birthday or something that no one 1041 00:55:05,080 --> 00:55:10,560 Speaker 1: cares about your husband, coach, but don't like some of them. 1042 00:55:10,560 --> 00:55:13,480 Speaker 1: They're like, is this lunchbox? Like do they like suspect? Yeah, 1043 00:55:13,520 --> 00:55:15,360 Speaker 1: they do. And then you just go, if you like 1044 00:55:15,480 --> 00:55:18,240 Speaker 1: your message, press one. If you don't like your message, 1045 00:55:18,280 --> 00:55:21,000 Speaker 1: press two. I think we need to work on like 1046 00:55:21,040 --> 00:55:23,480 Speaker 1: your monotone voice. And then they press a button and 1047 00:55:23,520 --> 00:55:25,600 Speaker 1: you have no idea what button they press. They be like, okay, 1048 00:55:25,640 --> 00:55:31,280 Speaker 1: re record your message our poor listeners. It's so fun. 1049 00:55:31,520 --> 00:55:33,839 Speaker 1: It is. It is a really fun segment. And I 1050 00:55:33,880 --> 00:55:36,239 Speaker 1: won't argue that, but I do I do want to 1051 00:55:36,280 --> 00:55:38,960 Speaker 1: know from listeners, like if they think it's funny, because 1052 00:55:38,960 --> 00:55:42,719 Speaker 1: I die laughing, they die laughing, and they I guarantee you. 1053 00:55:43,360 --> 00:55:44,920 Speaker 1: I'm also not the other one at the end, but 1054 00:55:45,000 --> 00:55:46,319 Speaker 1: the other one on the other end of the phone. 1055 00:55:46,320 --> 00:55:47,879 Speaker 1: They get off the phone and they tell at least 1056 00:55:47,880 --> 00:55:50,400 Speaker 1: five people. Man, I had the weirdest experience when I 1057 00:55:50,400 --> 00:55:53,399 Speaker 1: called the Bobby Bone Show today Boom spreads our word 1058 00:55:53,440 --> 00:55:55,719 Speaker 1: and gets our name out there. It is true, like, 1059 00:55:55,760 --> 00:55:59,000 Speaker 1: if you have an interesting customer service experience, you're gonna 1060 00:55:59,040 --> 00:56:02,480 Speaker 1: probably sure actually with at least five people, you're not. 1061 00:56:02,560 --> 00:56:05,560 Speaker 1: If you have just a great experience, like oh, you know, hey, 1062 00:56:05,680 --> 00:56:07,759 Speaker 1: everything great, You're not gonna go by Man. I had 1063 00:56:07,760 --> 00:56:09,600 Speaker 1: a great experience, it's gonna be like, man, it was 1064 00:56:09,680 --> 00:56:12,000 Speaker 1: so weird. This guy was blowing snot bubbles out of 1065 00:56:12,000 --> 00:56:13,719 Speaker 1: his nose and then he touched his nose. Then he 1066 00:56:13,719 --> 00:56:16,160 Speaker 1: wanted to use my credit card. Like, you're gonna tell 1067 00:56:16,200 --> 00:56:19,520 Speaker 1: a lot more people if something crazy happens unless instead 1068 00:56:19,520 --> 00:56:22,279 Speaker 1: of if it goes smoothly, you're not wrong. Well, is 1069 00:56:22,320 --> 00:56:24,319 Speaker 1: there anything you want to add to this before we 1070 00:56:24,360 --> 00:56:26,480 Speaker 1: play it back for a listener? No, call us anytime 1071 00:56:26,560 --> 00:56:29,279 Speaker 1: one eight seven, seven seventy seven Bobby and leave your 1072 00:56:29,640 --> 00:56:32,759 Speaker 1: message on the voicemail. Yeah, and lunchbox may answer. You 1073 00:56:33,120 --> 00:56:34,839 Speaker 1: just never know. It gould be a weird day. Yeah, 1074 00:56:34,880 --> 00:56:37,399 Speaker 1: there's only about one percent chance they're gonna get him 1075 00:56:37,440 --> 00:56:40,160 Speaker 1: that answers it. Usually it's just gonna be a boring voice, 1076 00:56:40,320 --> 00:56:42,160 Speaker 1: you know. What for some people that one percent is 1077 00:56:42,200 --> 00:56:46,480 Speaker 1: all they need, Raymundo, Right, Yes, okay, well listen back 1078 00:56:46,480 --> 00:56:49,799 Speaker 1: to this. You're gonna laugh. I promise Lunchbox takes over 1079 00:56:49,920 --> 00:56:53,759 Speaker 1: our voicemail life number two. Whenever you call us eight 1080 00:56:53,840 --> 00:56:57,479 Speaker 1: seven seven seventy seven, Bobby, if it's after the show, 1081 00:56:57,520 --> 00:56:59,480 Speaker 1: you can leave a voicemail, and then we use a 1082 00:56:59,520 --> 00:57:01,600 Speaker 1: lot of them on the air as well, because sometimes 1083 00:57:01,640 --> 00:57:03,080 Speaker 1: you listen to the podcast, you don't listen to the 1084 00:57:03,080 --> 00:57:06,399 Speaker 1: live show. Well, Lunchbox was at work late yesterday, so 1085 00:57:06,520 --> 00:57:08,640 Speaker 1: he just decided to answer the phones and mess with 1086 00:57:08,680 --> 00:57:11,520 Speaker 1: the listeners like he was the voicemail. So here you go. 1087 00:57:12,000 --> 00:57:14,600 Speaker 1: Thank you for calling the Bobby Bone Show. You've reached 1088 00:57:14,640 --> 00:57:18,320 Speaker 1: our voicemail. Please leave a message and we will hopefully 1089 00:57:18,320 --> 00:57:25,280 Speaker 1: return your call soon and maybe play it on the air. Hi, guys, 1090 00:57:25,280 --> 00:57:29,480 Speaker 1: this is Toby from Colorado. I just wanted to leave 1091 00:57:29,520 --> 00:57:33,080 Speaker 1: a message lest we give a shout out to my husband. 1092 00:57:33,120 --> 00:57:35,480 Speaker 1: It's the first day today. I don't think anybody really 1093 00:57:35,520 --> 00:57:43,080 Speaker 1: cares about your husband. Okay, is this real? If you 1094 00:57:43,120 --> 00:57:46,960 Speaker 1: are satisfied with your message, press one. If you are 1095 00:57:47,040 --> 00:57:52,680 Speaker 1: done with your message, say two. Okay, here I'm done. 1096 00:57:53,240 --> 00:57:58,000 Speaker 1: Thank you, your message will destruct in five four three 1097 00:57:58,480 --> 00:58:10,840 Speaker 1: two one. Oh hilarious. You're not hilarious, Okay, I hope 1098 00:58:10,840 --> 00:58:13,480 Speaker 1: you guys have an awesome day. Thank you have a 1099 00:58:13,600 --> 00:58:17,840 Speaker 1: wonderful day. Goodbye. My favorite part of that he goes 1100 00:58:19,080 --> 00:58:25,760 Speaker 1: press one, say too forgot, I'm going I don't remember 1101 00:58:25,800 --> 00:58:28,160 Speaker 1: when I said ten seconds ago. All right, there he is. 1102 00:58:28,480 --> 00:58:30,280 Speaker 1: You never know what you're gonna get. Call our voicemail, 1103 00:58:30,360 --> 00:58:33,840 Speaker 1: leave us a message, or that happens eight seven, seven 1104 00:58:33,960 --> 00:58:38,040 Speaker 1: seventy seven, bobbies. It's the best bits of the week 1105 00:58:38,800 --> 00:58:42,720 Speaker 1: with Morgan number two, all right and coming in at 1106 00:58:42,840 --> 00:58:46,480 Speaker 1: number one. Such a cool live performance this week we 1107 00:58:46,560 --> 00:58:50,080 Speaker 1: had in Edwin McCain. Yes, he's the singer behind the 1108 00:58:50,200 --> 00:58:52,880 Speaker 1: massive hit I'll Be and he came in the studio 1109 00:58:53,000 --> 00:58:55,880 Speaker 1: to serenade us after he's been on TikTok and cameo 1110 00:58:56,000 --> 00:58:58,640 Speaker 1: doing all these cool things. We're like, okay, he totally 1111 00:58:58,720 --> 00:59:00,680 Speaker 1: has to come in studio, and we found out he 1112 00:59:00,720 --> 00:59:03,919 Speaker 1: has a killer sense of humor, Like we were all 1113 00:59:04,000 --> 00:59:07,120 Speaker 1: laughing in here the whole time. So listening back to 1114 00:59:07,160 --> 00:59:09,640 Speaker 1: the entire time, and you want to know what, Yeah, 1115 00:59:09,840 --> 00:59:11,680 Speaker 1: I don't know if I was part of this. It's Okay, 1116 00:59:11,920 --> 00:59:14,240 Speaker 1: I don't know if Ray has this. Ray might have it. 1117 00:59:14,440 --> 00:59:16,680 Speaker 1: But my wife went around the house the rest of 1118 00:59:16,680 --> 00:59:19,480 Speaker 1: the actor Edwin McCain was on and just sang his 1119 00:59:19,600 --> 00:59:23,120 Speaker 1: song over and over. Oh, yeah, there's audio. I want 1120 00:59:23,120 --> 00:59:24,560 Speaker 1: to hear that. I don't know. I got you right here. 1121 00:59:24,600 --> 00:59:33,160 Speaker 1: Here we go. Yeah, let's hear this crying shoulder. Dad 1122 00:59:33,560 --> 00:59:44,400 Speaker 1: has a good voice. Oh be, Oh my god, oh 1123 00:59:44,720 --> 00:59:57,760 Speaker 1: be loves the side. Oh my gosh, that's my wife. 1124 00:59:58,000 --> 01:00:01,240 Speaker 1: She has a phenomenal voice. Around the house all day, 1125 01:00:01,360 --> 01:00:03,880 Speaker 1: singing it and singing it and singing it and singing it. 1126 01:00:04,000 --> 01:00:06,960 Speaker 1: Does she like a singer? And at one point or 1127 01:00:07,000 --> 01:00:08,800 Speaker 1: two I think she was in the choir when she 1128 01:00:08,880 --> 01:00:10,760 Speaker 1: was growing up in the church or whatever. But yeah, 1129 01:00:10,840 --> 01:00:12,680 Speaker 1: I mean just throughout the day, just randomly, she was 1130 01:00:12,680 --> 01:00:14,200 Speaker 1: cleaning the dishes there and then she'd be like, oh, 1131 01:00:14,240 --> 01:00:15,640 Speaker 1: that was clean, and she wouldn't even break and then 1132 01:00:15,640 --> 01:00:17,680 Speaker 1: she would go right back to the song. Well, dang, 1133 01:00:17,840 --> 01:00:19,640 Speaker 1: are you trying to watch Sports Center while she was 1134 01:00:19,680 --> 01:00:21,880 Speaker 1: doing No, I was just getting something to drink and 1135 01:00:21,880 --> 01:00:24,400 Speaker 1: she was singing. Then I was in the kitchen getting food, 1136 01:00:24,400 --> 01:00:27,360 Speaker 1: and then she was singing in the living room, and well, 1137 01:00:27,800 --> 01:00:31,280 Speaker 1: Edwin McCain had us all serenading this week. Apparently, I'm 1138 01:00:31,280 --> 01:00:33,400 Speaker 1: telling you that's one of those earworm songs that gets 1139 01:00:33,400 --> 01:00:35,520 Speaker 1: into your ear and you got you're like, man, that 1140 01:00:35,600 --> 01:00:38,560 Speaker 1: was a song though you like listen to it. It's 1141 01:00:38,560 --> 01:00:40,520 Speaker 1: a slow, like sad song. Oh, I don't even know 1142 01:00:40,560 --> 01:00:42,760 Speaker 1: what it's about. You don't know what all bes it's 1143 01:00:42,760 --> 01:00:45,800 Speaker 1: a love song. Well, yeah, it's I'll be your biggest fan. Yeah, 1144 01:00:45,840 --> 01:00:47,800 Speaker 1: so how's that saying? You know what it's about, But like, 1145 01:00:48,200 --> 01:00:50,160 Speaker 1: I mean the slow, the tempo of it, and like 1146 01:00:50,200 --> 01:00:52,440 Speaker 1: you imagine it her first dance songs, and you want 1147 01:00:52,440 --> 01:00:54,920 Speaker 1: to cry because as her first dance songs, you know 1148 01:00:55,040 --> 01:00:57,960 Speaker 1: you want My wife was singing at your wedding right 1149 01:00:58,040 --> 01:01:00,600 Speaker 1: like she was great? Right, I thought she said sounded good. 1150 01:01:00,720 --> 01:01:02,640 Speaker 1: If it's at your house and you're trying to do 1151 01:01:02,680 --> 01:01:04,800 Speaker 1: other things, you've already got the kids making noise, and 1152 01:01:04,840 --> 01:01:06,480 Speaker 1: then on top of it, your wife is doing an 1153 01:01:06,520 --> 01:01:09,919 Speaker 1: American Idol audition. He sure it was cute for forty 1154 01:01:09,960 --> 01:01:17,280 Speaker 1: five second again, would you put her in crying shoulder? 1155 01:01:20,120 --> 01:01:39,240 Speaker 1: Sorry better molder be love to the side you're crying 1156 01:01:39,280 --> 01:01:44,800 Speaker 1: and shoulder. She's so cute and let me tell you, 1157 01:01:45,080 --> 01:01:47,000 Speaker 1: were you making her dude dishes while she was doing 1158 01:01:47,200 --> 01:01:50,160 Speaker 1: She didn't even know I was recording. I know, dude, 1159 01:01:50,200 --> 01:01:53,400 Speaker 1: trust me, I've tried to record my wife. Ain't happening. 1160 01:01:53,440 --> 01:01:55,840 Speaker 1: They don't let you record. I'm singing. No, no, no, no, 1161 01:01:55,880 --> 01:01:57,720 Speaker 1: they don't like it. And so then later when she 1162 01:01:57,760 --> 01:01:59,560 Speaker 1: was singing again, I was like, oh, she goes, she's 1163 01:01:59,640 --> 01:02:01,840 Speaker 1: checking the baby. She's like, should we play that? Because 1164 01:02:01,840 --> 01:02:02,960 Speaker 1: she played it on her phone. I was like, no, 1165 01:02:03,000 --> 01:02:04,960 Speaker 1: you should sing it again. And then she sang a 1166 01:02:04,960 --> 01:02:06,960 Speaker 1: little bit and she goes, oh, I forgot the words, Like, oh, 1167 01:02:06,960 --> 01:02:09,240 Speaker 1: I got enough. She goes, you were recording. You don't 1168 01:02:09,320 --> 01:02:13,240 Speaker 1: recording me up? Oh I love that, dude, late artist 1169 01:02:13,240 --> 01:02:16,200 Speaker 1: send it in. Okay, Well that was so cute and 1170 01:02:16,680 --> 01:02:19,080 Speaker 1: obviously Lunchbox's wife loved it as much as all of 1171 01:02:19,120 --> 01:02:21,920 Speaker 1: us did. So here we go. Here is Edwin McCain 1172 01:02:22,040 --> 01:02:25,880 Speaker 1: in the studio this week Number one on the Bobby 1173 01:02:25,880 --> 01:02:30,240 Speaker 1: Bones Show. Now, Edwin McCain. I'm a big fan. I 1174 01:02:30,360 --> 01:02:32,080 Speaker 1: tell you guys. When I was in college, I saved 1175 01:02:32,160 --> 01:02:35,720 Speaker 1: up all my money and I went across and OBIU 1176 01:02:35,880 --> 01:02:37,680 Speaker 1: was a school where the rich kids went, and Edwin 1177 01:02:37,800 --> 01:02:39,560 Speaker 1: was playing the rich kids school, and I was like, 1178 01:02:39,600 --> 01:02:41,960 Speaker 1: I love Edwin McCain saved him with tickets. I got 1179 01:02:42,000 --> 01:02:43,800 Speaker 1: in the very back of the theater and I watched 1180 01:02:43,840 --> 01:02:45,160 Speaker 1: him play for an hour and a half, him and 1181 01:02:45,200 --> 01:02:47,440 Speaker 1: a horn player, and it was really I remember so 1182 01:02:47,520 --> 01:02:49,439 Speaker 1: much about it, ed one. So I'm super hat, super 1183 01:02:49,440 --> 01:02:50,840 Speaker 1: glad you're here and I don't have to pay for 1184 01:02:50,880 --> 01:02:54,040 Speaker 1: this show. I feel I feel like, maybe maybe we 1185 01:02:54,320 --> 01:02:57,400 Speaker 1: jipped you for only showing up with the guitar and saxophone. 1186 01:02:57,480 --> 01:03:02,440 Speaker 1: But you know, we played in any iteration back then. 1187 01:03:02,600 --> 01:03:06,200 Speaker 1: We could show up and play however, So yeah, I 1188 01:03:06,240 --> 01:03:09,080 Speaker 1: was looking at your TikTok here and that's that's actually 1189 01:03:09,160 --> 01:03:12,280 Speaker 1: what brought you here. It's so bizarre, this whole thing, 1190 01:03:12,720 --> 01:03:16,200 Speaker 1: how I got here. Anybody tells you that they have 1191 01:03:16,280 --> 01:03:18,760 Speaker 1: a plan in the music business, they're just lying. It's 1192 01:03:18,800 --> 01:03:22,360 Speaker 1: just all accidental. It's a complete accident. My entire life 1193 01:03:22,400 --> 01:03:25,520 Speaker 1: is a giant accident. I was obviously a big band 1194 01:03:25,560 --> 01:03:28,160 Speaker 1: growing up. And then I'm flipping TikTok and I see 1195 01:03:28,160 --> 01:03:31,600 Speaker 1: you singing with people doing Oh be York, and I'm like, 1196 01:03:31,640 --> 01:03:34,840 Speaker 1: holy crap, he's he's played. Let's get him on the show. 1197 01:03:35,120 --> 01:03:36,480 Speaker 1: And so we call you and you're like, yeah, I'll 1198 01:03:36,480 --> 01:03:39,320 Speaker 1: be right over and here you can drove over. I'm so, 1199 01:03:39,680 --> 01:03:42,000 Speaker 1: I'm I'm just shocked. I was like, people are like, 1200 01:03:42,360 --> 01:03:43,840 Speaker 1: why are you going on there? I was like, I 1201 01:03:43,880 --> 01:03:49,480 Speaker 1: don't know. I was like, I feel like, okay, I'm 1202 01:03:49,520 --> 01:03:52,600 Speaker 1: just gonna show up. I mean yes to that because 1203 01:03:52,640 --> 01:03:54,760 Speaker 1: I've literally, you know, I've just found him been out 1204 01:03:54,760 --> 01:03:57,560 Speaker 1: of the loop. I've just been home doing the you know, 1205 01:03:58,080 --> 01:04:00,919 Speaker 1: homeschool thing with my kids, and I kind of made 1206 01:04:00,960 --> 01:04:04,080 Speaker 1: the decision to be home with my kids and and 1207 01:04:04,280 --> 01:04:06,520 Speaker 1: do the deal, and so all of a sudden, I'm 1208 01:04:06,520 --> 01:04:09,720 Speaker 1: back in the music business again. It's cool. I'm gonna 1209 01:04:09,760 --> 01:04:11,360 Speaker 1: play a couple of clubs real quick. In case you've 1210 01:04:11,360 --> 01:04:13,680 Speaker 1: been living in a rock under a rockers, Here's I'll 1211 01:04:13,720 --> 01:04:25,240 Speaker 1: be and here is. I could not ask for more. 1212 01:04:21,920 --> 01:04:32,000 Speaker 1: I could not ask. Yeah, it's a little aggressive, you 1213 01:04:32,000 --> 01:04:34,200 Speaker 1: know what I mean, Like, I go, you know, that's 1214 01:04:34,240 --> 01:04:37,920 Speaker 1: that's begging to have a parody video. You know, somebody 1215 01:04:38,040 --> 01:04:42,720 Speaker 1: throwing a bouquet of roses that their girlfriend. Is it 1216 01:04:42,760 --> 01:04:44,680 Speaker 1: true and you can true or false me on this 1217 01:04:44,760 --> 01:04:48,440 Speaker 1: that you got your record deal because Darius and the 1218 01:04:48,440 --> 01:04:49,880 Speaker 1: who do you guys were like, you gotta sign this 1219 01:04:49,880 --> 01:04:52,280 Speaker 1: guy pretty much. Yeah, no, I was with I was 1220 01:04:52,360 --> 01:04:55,000 Speaker 1: with them when they got signed to Atlantic and they 1221 01:04:55,040 --> 01:04:57,560 Speaker 1: basically said, yeah, we're bringing him with us. And they 1222 01:04:57,560 --> 01:05:00,240 Speaker 1: were like, yeah, whatever, we'll take him too, and you 1223 01:05:00,280 --> 01:05:04,120 Speaker 1: know they and it was, Yeah, it's a miracle. I 1224 01:05:04,400 --> 01:05:07,080 Speaker 1: spent my life trying to repay those guys for what 1225 01:05:07,120 --> 01:05:10,520 Speaker 1: they did for me. And I say this all the time. 1226 01:05:10,600 --> 01:05:14,640 Speaker 1: Make if you haven't read Malcolm Gladwell's book Outliers everyone, 1227 01:05:14,840 --> 01:05:16,680 Speaker 1: especially if you're in your twenties and you're trying to 1228 01:05:16,720 --> 01:05:18,360 Speaker 1: figure out what you're gonna do with your life, read 1229 01:05:18,400 --> 01:05:23,600 Speaker 1: that book. Because the importance of timing can't be overstated. Like, 1230 01:05:23,760 --> 01:05:28,640 Speaker 1: I worked really hard, I'll never deny that, but the 1231 01:05:28,760 --> 01:05:33,479 Speaker 1: when I was was as important as anything I did. 1232 01:05:34,600 --> 01:05:38,480 Speaker 1: The timing was perfect. The everybody was tired of grunge. 1233 01:05:38,840 --> 01:05:41,320 Speaker 1: They just got they were so tired of staring into 1234 01:05:41,320 --> 01:05:44,120 Speaker 1: their vent filled belly buttons. And then Hoodie and the 1235 01:05:44,120 --> 01:05:47,360 Speaker 1: Playfish came along and we were like we have friends again, 1236 01:05:47,600 --> 01:05:49,920 Speaker 1: and yay, and whoever that guy is, yeah we like 1237 01:05:50,040 --> 01:05:52,640 Speaker 1: him too. And that was it. You know, we were 1238 01:05:52,720 --> 01:05:55,840 Speaker 1: just really really right place right time. I went over 1239 01:05:55,880 --> 01:05:58,840 Speaker 1: and looked at your cameo. You charge one hundred dollars 1240 01:05:58,840 --> 01:06:01,880 Speaker 1: a cameo out if they pay that, I'll be honest 1241 01:06:01,920 --> 01:06:06,560 Speaker 1: with you, Pretty step, you think a hundred bucks? Snoop 1242 01:06:06,600 --> 01:06:11,160 Speaker 1: Dogg charges eight hundred? Okay, what does he do everything? 1243 01:06:11,360 --> 01:06:14,680 Speaker 1: I'm singing to you? Okay, that's that's what I was 1244 01:06:14,720 --> 01:06:16,800 Speaker 1: going to ask. We just had Valentine's there were people 1245 01:06:16,840 --> 01:06:19,840 Speaker 1: hitting you up, going. You gotta say the whole song too, 1246 01:06:20,000 --> 01:06:23,400 Speaker 1: the whole song. You get almost five minutes worth of 1247 01:06:23,560 --> 01:06:29,520 Speaker 1: this guy dedicated. Yes that person. Yes, my wife feels 1248 01:06:29,560 --> 01:06:32,000 Speaker 1: the same way you do about that. By the way, 1249 01:06:32,040 --> 01:06:35,160 Speaker 1: people pay you for that, they do. No, I just 1250 01:06:35,240 --> 01:06:38,360 Speaker 1: am looking at the prices of folks and one hundred bucks, 1251 01:06:38,480 --> 01:06:39,840 Speaker 1: But if you're playing a song, I think you should 1252 01:06:39,880 --> 01:06:42,360 Speaker 1: raise the price. Yeah, I agree. So here's the thing. 1253 01:06:42,720 --> 01:06:44,920 Speaker 1: So I feel like, and this is something I say 1254 01:06:44,960 --> 01:06:47,240 Speaker 1: to the young musicians too. If you go out there 1255 01:06:47,240 --> 01:06:49,640 Speaker 1: and play for free, for tip jars, then that's what 1256 01:06:49,800 --> 01:06:52,600 Speaker 1: you're You just told the world that's what your value is. 1257 01:06:52,880 --> 01:06:55,840 Speaker 1: You know, go you you charge for what you do. 1258 01:06:55,880 --> 01:06:58,400 Speaker 1: I mean, if you are good enough to be playing 1259 01:06:58,400 --> 01:07:01,280 Speaker 1: in public, then you're good to be paid for it well, 1260 01:07:01,360 --> 01:07:04,280 Speaker 1: you have a rating of five point zero out of 1261 01:07:04,280 --> 01:07:06,680 Speaker 1: five I got. I Actually I got a couple of 1262 01:07:06,720 --> 01:07:08,960 Speaker 1: bad reviews because it at the beginning of TikTok, I 1263 01:07:08,960 --> 01:07:11,160 Speaker 1: didn't really under I mean at the beginning of cameo, 1264 01:07:11,200 --> 01:07:13,959 Speaker 1: I didn't really know what I was supposed to be doing. 1265 01:07:14,200 --> 01:07:16,960 Speaker 1: And I was literally like wearing a hard hat, getting 1266 01:07:16,960 --> 01:07:19,280 Speaker 1: ready to go get in an excavator, and I'd be like, oh, 1267 01:07:19,480 --> 01:07:21,760 Speaker 1: it's good to see you, and I'd do something stupid, 1268 01:07:21,800 --> 01:07:24,360 Speaker 1: and they were kind of expecting music and they were 1269 01:07:24,360 --> 01:07:27,680 Speaker 1: getting some construction worker and I figured I've figured out 1270 01:07:27,680 --> 01:07:29,640 Speaker 1: real quickly. I was like, I'm not doing this right. 1271 01:07:29,680 --> 01:07:32,520 Speaker 1: So I got a couple of who's this guy? Or 1272 01:07:32,560 --> 01:07:35,200 Speaker 1: I don't think this is the right thing? And did 1273 01:07:35,320 --> 01:07:37,280 Speaker 1: you get a lot of them for Valentine's Day? Because 1274 01:07:37,280 --> 01:07:38,960 Speaker 1: they because I'll be such a big love song. This 1275 01:07:39,000 --> 01:07:42,919 Speaker 1: is my super Bowl right now. Valentine's Day is my 1276 01:07:43,360 --> 01:07:46,040 Speaker 1: this is it, this is it. I did ten yesterday 1277 01:07:46,360 --> 01:07:50,040 Speaker 1: and I'll do ten again today and yeah, it's it's 1278 01:07:50,320 --> 01:07:53,120 Speaker 1: full on. I love it. It's great. So I've been 1279 01:07:53,160 --> 01:07:56,760 Speaker 1: getting cameos from people like I got I got my wife, 1280 01:07:56,760 --> 01:08:02,200 Speaker 1: one from the dude that was from chips Eric No, no, 1281 01:08:02,280 --> 01:08:05,440 Speaker 1: the other one. Don't know him. The other guy not 1282 01:08:05,600 --> 01:08:07,840 Speaker 1: Eric strodo the other guy anyway. My wife's the big 1283 01:08:07,880 --> 01:08:11,520 Speaker 1: fans I got her of cameo. Edwin McCain is here. 1284 01:08:11,560 --> 01:08:13,160 Speaker 1: He's gonna play in a second. Well, actually, I like 1285 01:08:13,200 --> 01:08:16,080 Speaker 1: to do this. The TikTok that I saw him, that 1286 01:08:16,080 --> 01:08:18,679 Speaker 1: that brought him back into my life was him duetting 1287 01:08:18,720 --> 01:08:21,360 Speaker 1: with someone because he would play the first part of 1288 01:08:21,600 --> 01:08:24,120 Speaker 1: I'll Be and they would sing the second. And I 1289 01:08:24,120 --> 01:08:25,519 Speaker 1: thought I was gonna jump in and do it to 1290 01:08:25,640 --> 01:08:27,640 Speaker 1: do one too, but it just hurt. You should do 1291 01:08:27,640 --> 01:08:30,479 Speaker 1: it and I'm not. But Amy is over here, and 1292 01:08:30,520 --> 01:08:33,960 Speaker 1: I think we can try this. I'll be Edwin and Amy. 1293 01:08:34,000 --> 01:08:40,839 Speaker 1: Oh boy, I'll be captain vated. Hang from you lives 1294 01:08:41,320 --> 01:08:56,560 Speaker 1: stared up on the glos Hota, hang from Bey'll crying shoulder. 1295 01:08:57,760 --> 01:09:10,080 Speaker 1: I'll be Love Sue was better when I'm molder, the 1296 01:09:10,120 --> 01:09:17,040 Speaker 1: greatest fan of your life? Hey, what does that mean? 1297 01:09:17,160 --> 01:09:18,920 Speaker 1: Love suicide? By the way, like help me. I've been 1298 01:09:18,920 --> 01:09:20,759 Speaker 1: singing it for twenty years. I don't know what it means. 1299 01:09:21,520 --> 01:09:25,080 Speaker 1: You know. I was pretty good at screwing up relationships 1300 01:09:25,840 --> 01:09:29,439 Speaker 1: it in my early twenties and that was sort of 1301 01:09:29,479 --> 01:09:34,960 Speaker 1: the explanation for it. Uh you know, I would I 1302 01:09:35,880 --> 01:09:38,240 Speaker 1: didn't do. I didn't do very well. So that was 1303 01:09:38,280 --> 01:09:40,720 Speaker 1: the end of them. So I that was how the 1304 01:09:40,800 --> 01:09:43,920 Speaker 1: line came out. And it's funny because the record company 1305 01:09:43,960 --> 01:09:46,080 Speaker 1: and every producer I ever worked with tried to get 1306 01:09:46,080 --> 01:09:49,320 Speaker 1: me to remove that line, and I was just like, 1307 01:09:49,360 --> 01:09:53,160 Speaker 1: I said, I'm I have the oppositional defiance disorder, and 1308 01:09:54,200 --> 01:09:57,240 Speaker 1: you know it, just refused dug my heels in and 1309 01:09:57,280 --> 01:10:02,120 Speaker 1: refused to change the lyric. And and that actually ended 1310 01:10:02,200 --> 01:10:04,960 Speaker 1: up working in my favor because when Hillary Duff re 1311 01:10:05,000 --> 01:10:08,160 Speaker 1: released the song on a soundtrack, they edited out that 1312 01:10:08,280 --> 01:10:11,200 Speaker 1: lyric and I was like, you can't do that. And 1313 01:10:11,240 --> 01:10:13,519 Speaker 1: I called my lawyers. I was like, they can't do that, 1314 01:10:13,640 --> 01:10:15,400 Speaker 1: can they? They were like, no, they can't, and I 1315 01:10:15,479 --> 01:10:22,840 Speaker 1: was like, okay, so that's how I have my bus. Now. Yeah, 1316 01:10:22,960 --> 01:10:25,800 Speaker 1: we've thought about changing the name to the bus to 1317 01:10:25,960 --> 01:10:31,240 Speaker 1: Hillary's Duff. But then Edwin McCann is here, how about this. 1318 01:10:31,360 --> 01:10:33,679 Speaker 1: Let's do a verse and chorus of I'll be because 1319 01:10:33,680 --> 01:10:35,120 Speaker 1: I'm gonna ask you do something else too, So wa 1320 01:10:35,160 --> 01:10:38,960 Speaker 1: do verse and chorus's I'll close your eyes, Oh yes, 1321 01:10:39,160 --> 01:10:44,040 Speaker 1: and picture ourselves, the strands in your eyes that colored 1322 01:10:44,200 --> 01:10:54,360 Speaker 1: them wonderful. Stop steal my breath, emeralds from mountains, throw 1323 01:10:54,520 --> 01:11:06,560 Speaker 1: starts the sky, never feeling intel, don't be we belong together. 1324 01:11:07,920 --> 01:11:13,000 Speaker 1: Dress it down with the trappings of the love. Be 1325 01:11:13,600 --> 01:11:21,560 Speaker 1: captain deedy, Hang from your lips, stand out on the gallows, party, 1326 01:11:22,439 --> 01:11:34,000 Speaker 1: hang from far, and I will be You are crying shouldered, 1327 01:11:35,040 --> 01:11:43,000 Speaker 1: I will be come suicide and I will be better 1328 01:11:43,200 --> 01:11:50,920 Speaker 1: when I'm holding I will be the greatest family life. 1329 01:11:55,080 --> 01:12:00,720 Speaker 1: Come like the greatest fair of your man horn. Come 1330 01:12:00,800 --> 01:12:04,439 Speaker 1: on the estrogen bazooka, as we like to call it. 1331 01:12:05,400 --> 01:12:07,599 Speaker 1: Let me sax players. Man. You ever see a sax 1332 01:12:07,680 --> 01:12:13,000 Speaker 1: player with a personality? No, here's the question I have 1333 01:12:13,120 --> 01:12:15,320 Speaker 1: for you, in the most respectful way. When you're eighty, 1334 01:12:15,360 --> 01:12:17,040 Speaker 1: how are you going to sing that hit I hate? 1335 01:12:17,080 --> 01:12:19,839 Speaker 1: Twenty five year old me put it in b I thought, oh, 1336 01:12:19,920 --> 01:12:23,040 Speaker 1: we will have our hard time singing it when you're fifty. 1337 01:12:23,479 --> 01:12:26,720 Speaker 1: I don't know. I hopefully you know what I get it. 1338 01:12:26,760 --> 01:12:29,639 Speaker 1: I was telling something the other day, like I feel 1339 01:12:29,640 --> 01:12:32,439 Speaker 1: like I've crossed over into this new category where I 1340 01:12:32,520 --> 01:12:35,200 Speaker 1: go out to play. I still play seventy five shows 1341 01:12:35,200 --> 01:12:37,280 Speaker 1: a year, and I played, you know, four or five 1342 01:12:37,360 --> 01:12:39,600 Speaker 1: hundred seat rooms, everybody seated because they're all like me, 1343 01:12:39,760 --> 01:12:43,599 Speaker 1: you know. And I started my I talked all the 1344 01:12:43,640 --> 01:12:46,720 Speaker 1: promoters into letting me start at seven, and they're like, oh, 1345 01:12:46,760 --> 01:12:48,960 Speaker 1: it's way too early. I'm like, trust me, we're gonna 1346 01:12:48,960 --> 01:12:52,479 Speaker 1: sell these shows out. Seven. Dude, I got. I got 1347 01:12:52,520 --> 01:12:55,320 Speaker 1: guys my age high five in the after shows, like, dude, 1348 01:12:55,400 --> 01:12:58,960 Speaker 1: seven pm start time is amazing. I get home, get 1349 01:12:59,080 --> 01:13:01,880 Speaker 1: rid of the babysitter, I get up and go to work. 1350 01:13:01,920 --> 01:13:05,280 Speaker 1: It's fantastic. So I get a lot of credit for 1351 01:13:05,439 --> 01:13:08,320 Speaker 1: just showing up and walking out there. Like people are like, oh, look, 1352 01:13:08,320 --> 01:13:12,120 Speaker 1: he's still walking on two feet. I mean, it's kind 1353 01:13:12,120 --> 01:13:14,240 Speaker 1: of cool. You cross over to this new terry. You know. 1354 01:13:14,280 --> 01:13:16,160 Speaker 1: It used to be everybody's got their arms folded and 1355 01:13:16,160 --> 01:13:18,799 Speaker 1: they're waiting, And now I just get credit for being alive. 1356 01:13:19,080 --> 01:13:23,880 Speaker 1: It's great. Edwin McCain is here, such a funny guy. 1357 01:13:24,120 --> 01:13:26,880 Speaker 1: I get it, Like, do you think if you wanted to, 1358 01:13:26,960 --> 01:13:28,439 Speaker 1: you could just stop everything else and just go to 1359 01:13:28,560 --> 01:13:31,760 Speaker 1: it Like there's because the nineties are so strong right now, 1360 01:13:31,880 --> 01:13:34,840 Speaker 1: he's starting to beat Like I'm realizing now, I'm like, 1361 01:13:35,000 --> 01:13:38,759 Speaker 1: I'm like, dude, this is my shot again. No, I mean, okay, 1362 01:13:38,880 --> 01:13:41,520 Speaker 1: so let me just I got it. This is a confessional. 1363 01:13:41,960 --> 01:13:44,840 Speaker 1: So I've got this little fighter in me right that 1364 01:13:45,160 --> 01:13:49,040 Speaker 1: wants to like go for it one more time, like 1365 01:13:49,080 --> 01:13:51,840 Speaker 1: my kids can see me go after it one more time. 1366 01:13:51,880 --> 01:13:55,080 Speaker 1: And I was with my daughter's class. We went on 1367 01:13:55,080 --> 01:13:57,840 Speaker 1: a fourth grade school trip in a bust full of 1368 01:13:57,880 --> 01:14:01,840 Speaker 1: fourth graders, and I was watching old Prince videos, like 1369 01:14:01,960 --> 01:14:04,599 Speaker 1: live Prince videos, and I was like, Yeah, I'm gonna 1370 01:14:04,640 --> 01:14:06,479 Speaker 1: put a band back together, and we're gonna go on 1371 01:14:06,520 --> 01:14:08,439 Speaker 1: the road, We're gonna put out a new record. We're 1372 01:14:08,439 --> 01:14:11,080 Speaker 1: gonna do it again. And then by the time I 1373 01:14:11,120 --> 01:14:14,560 Speaker 1: had spent I don't know three hours with fourth graders 1374 01:14:14,600 --> 01:14:17,439 Speaker 1: at the State Capitol building, I found myself sitting on 1375 01:14:17,560 --> 01:14:20,560 Speaker 1: a on a park bench feeding pigeons, going this is 1376 01:14:20,600 --> 01:14:26,920 Speaker 1: okay too, I'm good. But here's the thing. So I've 1377 01:14:26,920 --> 01:14:29,599 Speaker 1: been talking with Lee Bryce about doing a record with him, 1378 01:14:29,680 --> 01:14:31,840 Speaker 1: and there's you know, there have been people been trades 1379 01:14:31,880 --> 01:14:33,800 Speaker 1: like nudging me, trying to get me to do it again. 1380 01:14:33,840 --> 01:14:37,840 Speaker 1: But name one artist that's ever been in the situation 1381 01:14:38,080 --> 01:14:42,439 Speaker 1: I'm in that has ever actually come back and release 1382 01:14:42,520 --> 01:14:45,840 Speaker 1: something everybody was like, yeah, new stuff, like everybody does that, 1383 01:14:46,080 --> 01:14:47,840 Speaker 1: Like I'm guilty of it. I don't want to hear 1384 01:14:47,920 --> 01:14:50,760 Speaker 1: new ACDC on here back in Black. Yeah, but you 1385 01:14:50,760 --> 01:14:54,600 Speaker 1: know what I mean, Like I but inside, secretly, inside, 1386 01:14:54,680 --> 01:14:57,200 Speaker 1: I really wish I could just do it one more time, 1387 01:14:57,280 --> 01:15:00,000 Speaker 1: like put out a record, put a big tour together, 1388 01:15:00,120 --> 01:15:02,599 Speaker 1: and spend all the money on lighting and sound and 1389 01:15:02,720 --> 01:15:05,519 Speaker 1: blow stuff up and have tractor trailers and you know, 1390 01:15:05,600 --> 01:15:07,240 Speaker 1: I mean, it would be great. I mean, listen, you're 1391 01:15:07,479 --> 01:15:09,800 Speaker 1: you're a South Carolina guy. I mean I think you 1392 01:15:09,840 --> 01:15:12,040 Speaker 1: could do a song with a Lee Bryce Damn. Mean 1393 01:15:12,120 --> 01:15:13,760 Speaker 1: I did a song with him on his on his 1394 01:15:13,920 --> 01:15:16,400 Speaker 1: last record. But I mean, I'm I'm talking about like 1395 01:15:16,600 --> 01:15:19,679 Speaker 1: full board like a record. But you did a song 1396 01:15:20,560 --> 01:15:22,080 Speaker 1: you hold on let Me Stop. You did a song 1397 01:15:22,080 --> 01:15:25,680 Speaker 1: on his last record. Yeah, yeah that song? What was 1398 01:15:25,720 --> 01:15:28,960 Speaker 1: that song? A Little Bird A Story to tell? It's 1399 01:15:29,200 --> 01:15:31,080 Speaker 1: that's the song we were Wow. Yeah, I guess I 1400 01:15:31,120 --> 01:15:35,160 Speaker 1: need to go listen to that. Yeah, that's pretty fun. Honestly, 1401 01:15:35,200 --> 01:15:37,240 Speaker 1: can I can I tell this story? This is kind 1402 01:15:37,240 --> 01:15:40,120 Speaker 1: of embarrassing for I might ruin my friends with him. 1403 01:15:41,040 --> 01:15:44,679 Speaker 1: So it's a friend of mine named Philip Lamon's was like, dude, 1404 01:15:44,760 --> 01:15:46,200 Speaker 1: Lee Bryce wants to write with you. I was like, 1405 01:15:46,240 --> 01:15:49,000 Speaker 1: who's Lee Bryce. He was like, You're an idiot. And 1406 01:15:49,040 --> 01:15:50,320 Speaker 1: I was like, what do you mean? And I was like, 1407 01:15:50,360 --> 01:15:53,160 Speaker 1: because I'm so out of it, I really didn't. I knew. 1408 01:15:53,240 --> 01:15:55,240 Speaker 1: I kind of knew Lee's name, but I didn't know. 1409 01:15:55,360 --> 01:15:58,240 Speaker 1: I'm totally out of touch. I got nothing. I'm sending 1410 01:15:58,240 --> 01:16:03,840 Speaker 1: at home watching Phineas and ferb and uh and and 1411 01:16:03,479 --> 01:16:07,040 Speaker 1: and so Philip gets me here and I meet Lee 1412 01:16:07,160 --> 01:16:09,479 Speaker 1: and I'm like, god, damgn man, this guy's I mean, 1413 01:16:09,840 --> 01:16:12,880 Speaker 1: let's talk about a voice and just writer and everything. 1414 01:16:12,880 --> 01:16:15,080 Speaker 1: And we wrote this song and you know, a couple 1415 01:16:15,120 --> 01:16:18,400 Speaker 1: of hours and had a great time. And then um 1416 01:16:18,920 --> 01:16:20,639 Speaker 1: and he had been to a bunch of my shows 1417 01:16:20,680 --> 01:16:22,920 Speaker 1: early on and he was a fan or whatever, and 1418 01:16:22,920 --> 01:16:25,280 Speaker 1: and so you kind of had this weird friendship that 1419 01:16:25,360 --> 01:16:29,400 Speaker 1: started from me being a hermit living in South Carolina. 1420 01:16:29,479 --> 01:16:32,960 Speaker 1: So it's just it's just been kind of a happy 1421 01:16:32,960 --> 01:16:34,960 Speaker 1: accident and then all this sort of and here I 1422 01:16:35,000 --> 01:16:37,519 Speaker 1: am again, you know, sitting here talking to you, which 1423 01:16:37,560 --> 01:16:40,320 Speaker 1: is weird. Well, I'd like to hear if I can 1424 01:16:40,400 --> 01:16:42,360 Speaker 1: keep requesting songs in my favorite part of my jobs 1425 01:16:42,360 --> 01:16:43,519 Speaker 1: when I have people come in that I really like 1426 01:16:43,600 --> 01:16:46,559 Speaker 1: and I can go, hey, do this if you don't mind. 1427 01:16:47,280 --> 01:16:49,599 Speaker 1: I could not ask for more, which may have been 1428 01:16:49,640 --> 01:16:52,120 Speaker 1: my jam, even more than I'll be. And then Sarah 1429 01:16:52,160 --> 01:16:54,280 Speaker 1: Evans did a great job on this song too, This 1430 01:16:58,840 --> 01:17:09,280 Speaker 1: lying with you, listening to rain, smiling justice, see smile 1431 01:17:09,479 --> 01:17:15,960 Speaker 1: upon your faces. These are the moments, and I thank 1432 01:17:16,040 --> 01:17:22,439 Speaker 1: God that I'm a lie. These are the moments I 1433 01:17:22,640 --> 01:17:30,960 Speaker 1: remember my life. I've got all I'm waiting for, and 1434 01:17:31,120 --> 01:17:36,280 Speaker 1: I couldn't I ask for more. He comes to the 1435 01:17:36,280 --> 01:17:41,200 Speaker 1: aggressive part. I could not answer more than this time 1436 01:17:41,240 --> 01:17:44,800 Speaker 1: to Gill, cannot ask for more than this time with 1437 01:17:44,920 --> 01:17:50,000 Speaker 1: you and not be prayer, have been answering, and I 1438 01:17:50,200 --> 01:17:55,759 Speaker 1: been dreamed by ass come true right here in this moment, 1439 01:17:56,760 --> 01:18:02,479 Speaker 1: just right when I'm meant to be with you. You 1440 01:18:18,160 --> 01:18:22,840 Speaker 1: Edie became that's awesome. I think you should. I think 1441 01:18:22,880 --> 01:18:25,639 Speaker 1: you should be open to it. We're ready for you, Okay, 1442 01:18:25,720 --> 01:18:28,759 Speaker 1: I think you should be open, you know. And Mitchell 1443 01:18:28,800 --> 01:18:31,800 Speaker 1: Timpenny right, So I got like a teenage girl about 1444 01:18:31,840 --> 01:18:35,280 Speaker 1: that song drunk me. I was like, oh my god, 1445 01:18:35,320 --> 01:18:37,640 Speaker 1: this song is amazing. And I had him come and 1446 01:18:37,680 --> 01:18:40,800 Speaker 1: sit in with us, Like, don't you think, like this 1447 01:18:40,880 --> 01:18:46,120 Speaker 1: new generation of musicians are so much better than I know, 1448 01:18:46,200 --> 01:18:48,680 Speaker 1: They're way better than I was at that age. Like 1449 01:18:48,760 --> 01:18:51,400 Speaker 1: I look back, I see kids on TikTok and I'm like, 1450 01:18:51,479 --> 01:18:55,519 Speaker 1: holy God, Like they're fantastic. Like there's some really great 1451 01:18:56,040 --> 01:19:01,040 Speaker 1: like technical players, and I'm watched kind of doing their 1452 01:19:01,080 --> 01:19:05,160 Speaker 1: thing on the TikTok and I think every single person 1453 01:19:05,280 --> 01:19:07,920 Speaker 1: doing that needs to go out and open a guitar 1454 01:19:07,960 --> 01:19:12,120 Speaker 1: case on a street corner and busk for a little while. Yeah, 1455 01:19:12,160 --> 01:19:14,960 Speaker 1: that's the only thing they're missing, is this is this 1456 01:19:15,000 --> 01:19:17,400 Speaker 1: sort of fearlessness to go out in front of people 1457 01:19:17,520 --> 01:19:20,760 Speaker 1: and fall down and make mistakes, but learn how to 1458 01:19:20,840 --> 01:19:24,040 Speaker 1: make that emotional connection because you just can't do it 1459 01:19:24,080 --> 01:19:26,439 Speaker 1: by yourself with a camera in your room. You gotta 1460 01:19:26,600 --> 01:19:28,599 Speaker 1: you have to go out there and play gigs. And 1461 01:19:28,680 --> 01:19:31,639 Speaker 1: you gotta play gigs in front of hostile audiences too. 1462 01:19:31,760 --> 01:19:34,559 Speaker 1: I mean, yeah, you can't. You can't just wait for 1463 01:19:34,600 --> 01:19:36,680 Speaker 1: everybody to love you on the internet. You gotta go 1464 01:19:36,720 --> 01:19:39,760 Speaker 1: out there and play for people that didn't didn't show 1465 01:19:39,840 --> 01:19:42,519 Speaker 1: up to see you, like, spend some time as an 1466 01:19:42,520 --> 01:19:45,120 Speaker 1: opening act. That's a really good thing to do. In 1467 01:19:45,160 --> 01:19:49,000 Speaker 1: my opinion. You know, get out of my yard. My 1468 01:19:49,720 --> 01:19:52,680 Speaker 1: final question for you, ad one, have you ever been 1469 01:19:52,720 --> 01:19:55,000 Speaker 1: at a karaoke place or where they're singing karaoke and 1470 01:19:55,040 --> 01:19:57,400 Speaker 1: someone gets up and sings your song while you're sitting there. 1471 01:19:57,560 --> 01:20:02,400 Speaker 1: I got up and saying my song in New Jersey, 1472 01:20:02,840 --> 01:20:04,640 Speaker 1: and I was like, this is gonna be awesome. This 1473 01:20:04,720 --> 01:20:06,720 Speaker 1: is back when you're like, okay, like I want to 1474 01:20:06,720 --> 01:20:09,680 Speaker 1: do a whole series on TikTok of doochy things I 1475 01:20:09,720 --> 01:20:12,839 Speaker 1: did in my twenties and now like I'm totally embarrassed 1476 01:20:12,840 --> 01:20:15,240 Speaker 1: about now. But I was like, I'm gonna be like 1477 01:20:15,320 --> 01:20:17,879 Speaker 1: blow these people to wait. They're not gonna be expected 1478 01:20:17,960 --> 01:20:20,920 Speaker 1: me to blok into this karaoke place in New Jersey 1479 01:20:20,920 --> 01:20:23,439 Speaker 1: and sing my own song, right, So I go up 1480 01:20:23,439 --> 01:20:25,320 Speaker 1: there and I sing it, and the guy that was 1481 01:20:25,400 --> 01:20:28,640 Speaker 1: running the karaoke goes, yeah, that's pretty good. It's not 1482 01:20:28,640 --> 01:20:32,680 Speaker 1: as good as the original guy. They didn't even recognize me. 1483 01:20:32,760 --> 01:20:36,400 Speaker 1: Everybody just kind of blew it off. Yeah, listen, you guys, 1484 01:20:36,439 --> 01:20:39,080 Speaker 1: go follow ed one on TikTok. It's the Edwin McCain 1485 01:20:39,240 --> 01:20:42,400 Speaker 1: on Instagram and TikTok. And if you pay a hundred 1486 01:20:42,439 --> 01:20:44,040 Speaker 1: bucks for a cameo, which I thought we should raise 1487 01:20:44,080 --> 01:20:47,080 Speaker 1: the price. Now he will sing the song. Yeah, he 1488 01:20:47,120 --> 01:20:49,400 Speaker 1: won't even be in a construction hat anymore. Yeah. I've 1489 01:20:49,439 --> 01:20:53,519 Speaker 1: actually sung other songs too, Like it's funny as people 1490 01:20:53,560 --> 01:20:55,760 Speaker 1: will send me cameo request and then I gotta go 1491 01:20:55,920 --> 01:20:58,720 Speaker 1: learn somebody else's song and sing it to him. Would 1492 01:20:58,720 --> 01:21:00,120 Speaker 1: you do hold my hand? By who? He had? No? 1493 01:21:00,320 --> 01:21:04,160 Speaker 1: Thank you? You know absolutely? I don't. I don't. I 1494 01:21:04,160 --> 01:21:05,800 Speaker 1: don't know. Is there are royals you have to fail 1495 01:21:05,800 --> 01:21:07,840 Speaker 1: on that I don't ask, you don't ask, you don't 1496 01:21:07,840 --> 01:21:10,120 Speaker 1: know you did it wrong? Edwin McCain. Hey, it's been 1497 01:21:10,120 --> 01:21:11,840 Speaker 1: a real treat to spend a couple of days with you. Honestly, 1498 01:21:11,840 --> 01:21:13,720 Speaker 1: I know we spent some time too together. Thank you. 1499 01:21:13,880 --> 01:21:17,120 Speaker 1: M just was a big fan then I'm glad to 1500 01:21:17,160 --> 01:21:19,320 Speaker 1: be a big fan again. I just it's crazy how 1501 01:21:19,600 --> 01:21:22,200 Speaker 1: things come back around in life. And loved having you here. 1502 01:21:22,240 --> 01:21:23,760 Speaker 1: I think you guys would all say the same thing, right, 1503 01:21:24,160 --> 01:21:26,920 Speaker 1: of course. Is awesome, great interview, great great performance. And 1504 01:21:26,960 --> 01:21:28,240 Speaker 1: when you're eighty and you have to take it down 1505 01:21:28,240 --> 01:21:30,080 Speaker 1: a couple and you want to come and sing it again, 1506 01:21:30,479 --> 01:21:32,400 Speaker 1: I'm gonna I'm gonna be like Molly Crue and just 1507 01:21:32,439 --> 01:21:37,519 Speaker 1: played their tracks just sing sing two tracks can do that. 1508 01:21:38,000 --> 01:21:39,920 Speaker 1: They do that well pop stars dud there's a track 1509 01:21:39,960 --> 01:21:42,200 Speaker 1: playing and they sing over and under it and everything else. 1510 01:21:43,000 --> 01:21:45,200 Speaker 1: Like the last I went to. I'm a huge Crew 1511 01:21:45,240 --> 01:21:48,040 Speaker 1: fan and I went to the you know, they had 1512 01:21:48,120 --> 01:21:51,400 Speaker 1: more fire and tracks underneath there. I was like, oh, okay, 1513 01:21:51,439 --> 01:21:53,720 Speaker 1: this is what you do. Yeah, and nobody faults and 1514 01:21:53,840 --> 01:21:56,160 Speaker 1: for it for people were there for the experience. Lose 1515 01:21:56,200 --> 01:22:01,200 Speaker 1: all right there he is edwe McCain. It's the best 1516 01:22:01,320 --> 01:22:06,479 Speaker 1: bits of the week with Morgan. Number two. Well, that's 1517 01:22:06,520 --> 01:22:08,880 Speaker 1: a rap for this week's show. I really appreciate y'all 1518 01:22:08,920 --> 01:22:11,160 Speaker 1: taking the time to hang out with me and Lunchbox 1519 01:22:11,200 --> 01:22:15,160 Speaker 1: and Raymundo. Y'all have anything left to say? Last words? 1520 01:22:15,960 --> 01:22:18,840 Speaker 1: Have a great weekend. Okay, Well you guys, stay safe, 1521 01:22:18,880 --> 01:22:22,320 Speaker 1: stay warm out there wherever you are. If you're in Florida, 1522 01:22:22,400 --> 01:22:24,559 Speaker 1: you're on your own because it's warm there, but everywhere else, 1523 01:22:25,080 --> 01:22:29,479 Speaker 1: everybody stay warm. We're thinking about y'all, and thank you 1524 01:22:29,520 --> 01:22:31,320 Speaker 1: for hanging out with us. Make sure you check out 1525 01:22:31,400 --> 01:22:35,040 Speaker 1: the show on Instagram, Twitter, Facebook at Bobby Bones Show, 1526 01:22:35,320 --> 01:22:37,599 Speaker 1: and of course watch all the videos up at bobby 1527 01:22:37,640 --> 01:22:40,479 Speaker 1: bones dot com and you can follow me at web 1528 01:22:40,520 --> 01:22:44,760 Speaker 1: Girl Morgan. Thanks for hanging out with me for another weekend. Bye,