1 00:00:03,720 --> 00:00:07,480 Speaker 1: Previously on the Princess of South beach Mania, del Garman 2 00:00:07,560 --> 00:00:11,200 Speaker 1: has agreed to help Estraya investigate Luisa and Esteban are 3 00:00:11,240 --> 00:00:15,280 Speaker 1: fake parents, but she was distracted from the mission again, 4 00:00:15,840 --> 00:00:19,160 Speaker 1: this time by the promise of a fantastic date with Raoul, 5 00:00:19,480 --> 00:00:23,599 Speaker 1: which in reality was a terrible foodless picnic. And now 6 00:00:23,920 --> 00:00:26,759 Speaker 1: Luisa has dropped by a Steban's office in an attempt 7 00:00:26,840 --> 00:00:29,160 Speaker 1: to rekindle the marriage and walked in just as a 8 00:00:29,240 --> 00:00:40,800 Speaker 1: Steban and Nacho were getting it on. Whoops, I brought 9 00:00:40,840 --> 00:00:46,000 Speaker 1: you a surprise. I've brought you an entire coast full 10 00:00:46,040 --> 00:00:47,840 Speaker 1: of the suits. I thought you could use a change 11 00:00:47,880 --> 00:00:52,960 Speaker 1: of look for your campaign. Nache, again, I didn't see 12 00:00:52,960 --> 00:00:56,760 Speaker 1: you there. Actually I couldn't see anything because it's enormous 13 00:00:57,440 --> 00:01:01,000 Speaker 1: rack of suits. As you can just walk into my 14 00:01:01,080 --> 00:01:04,160 Speaker 1: office whenever you feel like I was. I was breaking 15 00:01:04,160 --> 00:01:07,480 Speaker 1: you a gift. I thought you'd be happy. Why are 16 00:01:07,520 --> 00:01:15,399 Speaker 1: you both so flusted? Well, surprising, gust of wind said, 17 00:01:15,440 --> 00:01:18,319 Speaker 1: all of those papers fly, maybe from you opening the 18 00:01:18,360 --> 00:01:21,040 Speaker 1: door the wave, and we were just, you know, running 19 00:01:21,040 --> 00:01:26,600 Speaker 1: around trying to catch them, and a gust of wind, 20 00:01:28,200 --> 00:01:32,360 Speaker 1: what are you doing here? I was trying to surprise 21 00:01:32,480 --> 00:01:36,440 Speaker 1: you with something nice, hence the rack of very expensive suits. 22 00:01:36,720 --> 00:01:39,559 Speaker 1: I don't need more suits. I thought maybe we could 23 00:01:39,600 --> 00:01:42,480 Speaker 1: go out for lunch, just the two of us. Can't 24 00:01:42,480 --> 00:01:45,240 Speaker 1: you see that we have business to attend, Louisa, I 25 00:01:45,280 --> 00:01:48,120 Speaker 1: don't have time to just drop everything because you were 26 00:01:48,160 --> 00:01:50,840 Speaker 1: bored at home. Now, if you don't mind, I mean 27 00:01:50,880 --> 00:01:53,840 Speaker 1: the middle of some important matters. I will see you 28 00:01:54,200 --> 00:01:59,160 Speaker 1: at home because it's NATO. Please it didn't escort my 29 00:01:59,240 --> 00:02:07,680 Speaker 1: wife out estill late. Sorry, Luisa, it's a busy day 30 00:02:07,760 --> 00:02:11,320 Speaker 1: for the campaign. But don't worry. I'll take care of 31 00:02:11,320 --> 00:02:14,880 Speaker 1: returning those suits. In fact, maybe I'll just take one 32 00:02:14,919 --> 00:02:17,960 Speaker 1: for myself. It will save me a trip to the 33 00:02:19,960 --> 00:02:23,760 Speaker 1: what did you call it? Clearance section? Have a safe 34 00:02:23,800 --> 00:02:36,840 Speaker 1: trip home. Wow, savage takedown from NATCHO looks like luisa 35 00:02:36,919 --> 00:02:40,720 Speaker 1: surprise one, even worse than Maria del Carmen's. Well, now 36 00:02:40,760 --> 00:02:43,320 Speaker 1: that all the surprises are out of the way, how 37 00:02:43,360 --> 00:02:46,280 Speaker 1: will Maria del Carmen and Estraya spend their next day? 38 00:02:53,840 --> 00:02:57,680 Speaker 1: Rise and shot? I brought you breakfast, so no neighbor 39 00:02:57,760 --> 00:03:01,560 Speaker 1: restaurants and there's no roule inside. You're all out of excuses, 40 00:03:01,600 --> 00:03:04,360 Speaker 1: So today we're gonna finally start our investigation to bring 41 00:03:04,440 --> 00:03:06,520 Speaker 1: down the God that own. I really even had my 42 00:03:06,600 --> 00:03:10,960 Speaker 1: coffee yet we're already talking about revenge. By the way, 43 00:03:11,040 --> 00:03:13,200 Speaker 1: how is your date with Raou yesterday? Did you go 44 00:03:13,240 --> 00:03:16,000 Speaker 1: on to Magic Corpyright at sunset while being fed organic 45 00:03:16,040 --> 00:03:19,600 Speaker 1: graydon It was terrible. He took me on a picnic 46 00:03:20,080 --> 00:03:22,720 Speaker 1: with no food, and then he tried to get me 47 00:03:22,800 --> 00:03:25,200 Speaker 1: to sleep with him. Well, you are his fiance. No, 48 00:03:25,600 --> 00:03:28,320 Speaker 1: don't remind me. I'm gonna have to do something about that. Well, 49 00:03:28,760 --> 00:03:30,840 Speaker 1: the good thing is that she'll forget all about it 50 00:03:30,840 --> 00:03:33,840 Speaker 1: as soon as we get our investigation back on track. 51 00:03:34,600 --> 00:03:36,720 Speaker 1: What are you still doing in bed? Oh? The hair 52 00:03:36,800 --> 00:03:39,000 Speaker 1: stylast are here. God, I thought you was a ghost. 53 00:03:39,240 --> 00:03:42,440 Speaker 1: Oh what did you forget? You have your teen Volke 54 00:03:42,560 --> 00:03:46,280 Speaker 1: photoshoot in an hour. Hey, don't don't take my blanket. 55 00:03:46,320 --> 00:03:49,440 Speaker 1: It's cole also a photoshoot. No no, no, no, I 56 00:03:49,840 --> 00:03:52,240 Speaker 1: can't do that. No no, no, no, no no no. Don't 57 00:03:52,240 --> 00:03:54,400 Speaker 1: try to back out. Now, you're the one who wanted 58 00:03:54,400 --> 00:03:57,240 Speaker 1: them to come. You call the editor yourself and insisted 59 00:03:57,320 --> 00:04:00,440 Speaker 1: on being on the cover. We sent him multiple bottles 60 00:04:00,440 --> 00:04:04,880 Speaker 1: of dompaignon So I don't care how hungover you are. 61 00:04:05,200 --> 00:04:07,840 Speaker 1: You're going to get it together. The photographers aren't going 62 00:04:07,840 --> 00:04:11,400 Speaker 1: to wait forever. Estay Yeah, help Gloria get ready. The 63 00:04:11,400 --> 00:04:14,960 Speaker 1: makeup girl is waiting for her downstairs, see Senora, Luisa. 64 00:04:15,000 --> 00:04:17,560 Speaker 1: But Gloria, don't you think this might be a little 65 00:04:17,600 --> 00:04:20,720 Speaker 1: too soon after your accident. Maybe you don't feel well 66 00:04:20,839 --> 00:04:23,640 Speaker 1: enough yet to answer a bunch of questions about your 67 00:04:23,720 --> 00:04:28,120 Speaker 1: personal life to a stranger. Yes, Louisa, I mean, mom, 68 00:04:28,760 --> 00:04:31,960 Speaker 1: I think Estraya is right? Are you kidding? You haven't 69 00:04:32,000 --> 00:04:35,400 Speaker 1: stopped talking about this for the last three weeks. Ah, 70 00:04:35,440 --> 00:04:41,880 Speaker 1: here comes a wardro Wow, give me in. They brought 71 00:04:41,920 --> 00:04:45,000 Speaker 1: the Caroline address you asked for. I'll have to send 72 00:04:45,000 --> 00:04:47,680 Speaker 1: a thank you note to Cato, even though she didn't 73 00:04:47,720 --> 00:04:50,400 Speaker 1: come to my birthday gala. Or all of those dresses 74 00:04:50,440 --> 00:04:53,640 Speaker 1: for me, bueno, just the ones you pick. You obviously 75 00:04:53,680 --> 00:04:55,960 Speaker 1: won't have enough time to model all of them. And 76 00:04:56,080 --> 00:04:59,680 Speaker 1: don't forget they come in sample sizes, so that now, 77 00:05:00,240 --> 00:05:04,400 Speaker 1: don't even think of touching that question. All these dresses 78 00:05:05,040 --> 00:05:08,000 Speaker 1: for me? Yes, well, you could have a little makeover 79 00:05:08,120 --> 00:05:11,839 Speaker 1: montage like in the movies Got Oh, Gloria, don't you 80 00:05:11,880 --> 00:05:14,400 Speaker 1: remember all those errants you needed to take care of 81 00:05:14,520 --> 00:05:19,200 Speaker 1: today errants that have been wedding years to accomplish. You know, 82 00:05:19,279 --> 00:05:23,920 Speaker 1: those errants. Oh um, see, well I think those could 83 00:05:23,920 --> 00:05:26,200 Speaker 1: wait until after the session. No, I mean, I mean 84 00:05:26,240 --> 00:05:27,960 Speaker 1: how many times in my life am I going to 85 00:05:28,000 --> 00:05:30,200 Speaker 1: be able to do this, don't you think, ESTRAA, So 86 00:05:30,279 --> 00:05:34,839 Speaker 1: you're gonna put off your errands again? Are you too? 87 00:05:34,880 --> 00:05:38,160 Speaker 1: Talking in code? Gloria? I told you not to get 88 00:05:38,160 --> 00:05:44,000 Speaker 1: too familiar with the help Estregia. Gloria doesn't do errands. 89 00:05:44,160 --> 00:05:47,000 Speaker 1: We pay people like you to do them for her. 90 00:05:47,520 --> 00:05:56,600 Speaker 1: Now help her get ready. I can't believe Maria de 91 00:05:56,720 --> 00:06:00,200 Speaker 1: Garnment is going to steal my photoshoot. She can't even 92 00:06:00,240 --> 00:06:04,320 Speaker 1: appreciate that stunning collection of lubatons and those Fendy purses. 93 00:06:04,520 --> 00:06:09,159 Speaker 1: Oh my god, it's not a Perkin. Sorry, but judging 94 00:06:09,200 --> 00:06:12,400 Speaker 1: by Esterday's face, I'm not the only one who's disappointed 95 00:06:12,760 --> 00:06:15,080 Speaker 1: or Esterday. Yeah, she's just going to have to hold 96 00:06:15,120 --> 00:06:18,599 Speaker 1: off on that investigation for a little while longer. And 97 00:06:18,960 --> 00:06:22,040 Speaker 1: while Maria del Garment is playing dress up, Natio might 98 00:06:22,080 --> 00:06:38,599 Speaker 1: have some competition to Esteban's affections. Hey, tea lovers, it's 99 00:06:38,680 --> 00:06:45,960 Speaker 1: me Tatiana obviously. Did you catch Tea with Tatiana this week? No, well, 100 00:06:46,000 --> 00:06:50,160 Speaker 1: you miss some juicy updates on our favorite family. But 101 00:06:50,360 --> 00:07:00,799 Speaker 1: cut it off now, let's talk about Luisa Calderone. This 102 00:07:00,839 --> 00:07:07,479 Speaker 1: week's juicy family Calderone update is that Luisa is feeling great. 103 00:07:08,160 --> 00:07:10,720 Speaker 1: Many have seen her behind the wheel of her Lincoln 104 00:07:10,760 --> 00:07:16,000 Speaker 1: Aviator GT with vibes of and I quote the protagonist 105 00:07:16,240 --> 00:07:23,640 Speaker 1: of her own story. Wow, good for you, Louisa. All right, 106 00:07:23,720 --> 00:07:26,000 Speaker 1: that's it for now, but be sure to tune in 107 00:07:26,080 --> 00:07:30,680 Speaker 1: next time for more scandalous rumors about the Calderones on 108 00:07:30,760 --> 00:07:52,040 Speaker 1: the next Tea with Tatiana office. How can I help you? No, 109 00:07:52,120 --> 00:07:55,040 Speaker 1: I don't know anything about that. I'm not interested in 110 00:07:55,080 --> 00:07:58,320 Speaker 1: talking to any reporter. How can you know I look 111 00:07:58,360 --> 00:08:01,480 Speaker 1: pretty by only listening to my voice? I have been 112 00:08:01,520 --> 00:08:04,040 Speaker 1: told on several occasions, and I have a sexy voice. Yes? 113 00:08:04,840 --> 00:08:06,640 Speaker 1: How many times do I have to tell you that 114 00:08:06,720 --> 00:08:09,680 Speaker 1: if a reporter calls, you have to hang up immediately. Oh, 115 00:08:09,720 --> 00:08:12,960 Speaker 1: I'm sorry? Are you Steve? No? I didn't think so. 116 00:08:13,120 --> 00:08:16,680 Speaker 1: I'd take urges from him. Not you? Has a Stevan 117 00:08:16,800 --> 00:08:19,640 Speaker 1: come in? Not yet? Weren't you too scheduled to have 118 00:08:19,640 --> 00:08:24,960 Speaker 1: breakfast together? Like today. Yes, yes, yes, we were. We 119 00:08:24,960 --> 00:08:27,080 Speaker 1: were going to go through the plan to secure funds 120 00:08:27,120 --> 00:08:29,400 Speaker 1: for the campaign. Hasn't he called or anything to say 121 00:08:29,440 --> 00:08:37,160 Speaker 1: he was going to be late. I'm looking Stevan, you're 122 00:08:37,200 --> 00:08:42,880 Speaker 1: looking expensive today, Karen Nacho, Oh, thank god you're here. 123 00:08:42,920 --> 00:08:46,920 Speaker 1: I want you to meet Huliang. Julian and I have 124 00:08:47,200 --> 00:08:52,240 Speaker 1: been friends for I don't know how long, but it's 125 00:08:52,240 --> 00:08:58,839 Speaker 1: been like almost thirty years. Normally he so nao nay. 126 00:08:59,400 --> 00:09:02,839 Speaker 1: When Julia so that I was running for mayor, he 127 00:09:03,000 --> 00:09:08,760 Speaker 1: called me to invite me to a celebratory breakfast. Pleasure 128 00:09:08,880 --> 00:09:14,559 Speaker 1: to meet you, Julio. It's Julian, Julian Saint James, and 129 00:09:14,679 --> 00:09:17,760 Speaker 1: you must be the famous Nacho. As Davan was just 130 00:09:17,800 --> 00:09:20,680 Speaker 1: telling me all about everything you've done for him. It's 131 00:09:20,760 --> 00:09:24,199 Speaker 1: so important to have someone you can trust, especially when 132 00:09:24,200 --> 00:09:28,760 Speaker 1: you reach the level of success that a stav it helps. 133 00:09:28,800 --> 00:09:33,320 Speaker 1: That is a very good judge of character. I thought 134 00:09:33,400 --> 00:09:35,320 Speaker 1: that we were supposed to meet today to review the 135 00:09:35,320 --> 00:09:41,000 Speaker 1: fundraising plan for the campaign, and yet there is absolutely 136 00:09:41,360 --> 00:09:46,200 Speaker 1: no need for that. Juliang is going to donate enough 137 00:09:46,800 --> 00:09:51,480 Speaker 1: to cover our first round of funding. That's right, that's right. 138 00:09:51,679 --> 00:09:54,080 Speaker 1: It's the least I can do for our next mayor. 139 00:09:54,440 --> 00:09:59,040 Speaker 1: I hope this generous donation buys me at least sixteen old. 140 00:10:00,040 --> 00:10:03,680 Speaker 1: See you next Thursday at the eighteen. Yes, sir, I'll 141 00:10:03,720 --> 00:10:11,800 Speaker 1: bring the coffee and you just prepare to get humiliated. 142 00:10:10,600 --> 00:10:16,880 Speaker 1: I don't worry about that plot of land. Once I'm mayor, 143 00:10:17,360 --> 00:10:20,320 Speaker 1: I'll take care of it. Thank you. They stay around 144 00:10:23,040 --> 00:10:32,680 Speaker 1: Nat a real pleasure to me. The pleasure. Who's all mine? Okay, okay, okay, 145 00:10:33,679 --> 00:10:37,040 Speaker 1: see Karen? Please? Can can you have that appointment with 146 00:10:37,080 --> 00:10:42,040 Speaker 1: Julian to my calendar? Please? Yes? Serone? Wait? So, um, 147 00:10:42,960 --> 00:10:46,400 Speaker 1: who's that? What do you mean? He literally just introduced 148 00:10:46,440 --> 00:10:50,079 Speaker 1: himself to you? I was standing right there. I mean nothing, 149 00:10:50,120 --> 00:10:53,840 Speaker 1: I just um, you missed our breakfast. Don't tell me 150 00:10:53,880 --> 00:10:59,120 Speaker 1: you're jealous, Nato jealous. I get enough of that at 151 00:10:59,160 --> 00:11:02,800 Speaker 1: home with Louis. I can't have you starting with that too. 152 00:11:05,720 --> 00:11:09,920 Speaker 1: Don't very ridiculous. I'm not jealous. Good because the last 153 00:11:09,920 --> 00:11:12,440 Speaker 1: thing I need is another needy person. That's what I 154 00:11:12,480 --> 00:11:16,600 Speaker 1: love about you. I'm not sure if you love me 155 00:11:16,880 --> 00:11:20,520 Speaker 1: what I love that with you? It's just business. Hey, 156 00:11:20,840 --> 00:11:23,840 Speaker 1: did you find out how those reporters got those records? 157 00:11:24,400 --> 00:11:27,960 Speaker 1: My camp records. This could be a huge blow to 158 00:11:28,040 --> 00:11:30,800 Speaker 1: the commander. Yes, I know, I know I have a 159 00:11:30,840 --> 00:11:33,319 Speaker 1: private eye following the reporter from the press conference. But 160 00:11:33,480 --> 00:11:37,360 Speaker 1: don't worry is that one. I'm gonna take care of 161 00:11:37,360 --> 00:11:39,720 Speaker 1: it and do it and do it quickly. Hey. I 162 00:11:39,800 --> 00:11:41,480 Speaker 1: want to know what they know about me and my family. 163 00:11:41,840 --> 00:11:43,560 Speaker 1: And if I don't get the results from you, soon 164 00:11:43,800 --> 00:11:46,959 Speaker 1: I'll find someone who can. Don't think that our little 165 00:11:49,080 --> 00:11:53,559 Speaker 1: arrangement means you don't have to do your job. No, 166 00:11:54,320 --> 00:12:06,560 Speaker 1: if you'll excuse me, um, nature, your phone is ringing, 167 00:12:06,840 --> 00:12:09,680 Speaker 1: like can you not hear it? I know it's on vibrate, 168 00:12:09,720 --> 00:12:11,600 Speaker 1: but it's like, look the lights are going off and everything. Yeah, 169 00:12:12,360 --> 00:12:17,760 Speaker 1: really annoying. Yeah, I know. Please thanks. Okay, what plot 170 00:12:17,800 --> 00:12:22,080 Speaker 1: of land was Estevan talking to Julian about exactly? Oh, 171 00:12:22,160 --> 00:12:24,080 Speaker 1: Julian is looking to buy some land outside of the 172 00:12:24,080 --> 00:12:26,520 Speaker 1: city to build an in factory, but the owners have 173 00:12:26,520 --> 00:12:29,520 Speaker 1: shown no interest in selling. Stevan said that he'd look 174 00:12:29,520 --> 00:12:31,880 Speaker 1: into acquiring the land through other means. If you know 175 00:12:31,920 --> 00:12:35,040 Speaker 1: what I mean, right right? And who are the owners? 176 00:12:35,080 --> 00:12:47,880 Speaker 1: It's a convent. Let's see, I have the name right here. Yeah, okay, 177 00:12:48,000 --> 00:12:54,080 Speaker 1: I got it. Just um email me the information. Hey, okay, okay, okay, rude, rude, 178 00:12:54,679 --> 00:13:27,080 Speaker 1: You're welcome. You have one new voice message. Why aren't 179 00:13:27,080 --> 00:13:31,640 Speaker 1: you answering your phone? Nacho? You know you can't hide 180 00:13:31,679 --> 00:13:35,280 Speaker 1: from us. We know where you are, where you live, 181 00:13:36,000 --> 00:13:39,760 Speaker 1: where your son lives, so you'd better pay us what 182 00:13:39,880 --> 00:13:44,319 Speaker 1: you owe us, because we'd really hate for another accident 183 00:13:44,520 --> 00:13:56,080 Speaker 1: to happen. Oh shit, Oh Nacho, it seems like looking 184 00:13:56,120 --> 00:14:02,839 Speaker 1: for Esteban's love isn't your biggest problem right now. If 185 00:14:02,840 --> 00:14:06,320 Speaker 1: you're enjoying Princess of South Beach, please subscribe, rate, and 186 00:14:06,400 --> 00:14:10,000 Speaker 1: review our show wherever you're listening. The Princess of South 187 00:14:10,040 --> 00:14:13,080 Speaker 1: Beach is a production of Ihearts, Michael Tura Podcast Network, 188 00:14:13,160 --> 00:14:17,000 Speaker 1: and Sonoro, Created and directed by Jasmine Romero. Written by 189 00:14:17,080 --> 00:14:20,600 Speaker 1: Jasmine Romero and Joanna Houseman, with help from Daniela. Sarkis, 190 00:14:20,840 --> 00:14:25,320 Speaker 1: Monisa Heinris, and Christian Jatar. Produced by Luis orro Castillo. 191 00:14:25,760 --> 00:14:29,000 Speaker 1: Executive produced by Connal Byrne and Giselle Bances for iHeart 192 00:14:29,400 --> 00:14:33,240 Speaker 1: by Joanna Housman, and by Jasmine Romero and Joshua Weinstein 193 00:14:33,400 --> 00:14:38,360 Speaker 1: for Sonaro. Performances in this episode by Rachel Zegler Gina Torres, 194 00:14:38,840 --> 00:14:44,640 Speaker 1: Raulas Barza, Danny Pino, x Mayo, Danny Bolero and Karina Ortiz. 195 00:14:45,360 --> 00:14:49,120 Speaker 1: Our production manager is get In Sachitis. Recording and engineering 196 00:14:49,120 --> 00:14:54,120 Speaker 1: by Emiliano Quintaner, with sound designed by Eduin Irigoyen, Cassandra Tinajo, 197 00:14:54,360 --> 00:14:59,000 Speaker 1: Andres Bayena, Diego Medina and Andres Coronado. Assistant sound designed 198 00:14:59,000 --> 00:15:03,360 Speaker 1: by Eric Sinteno. Casting in coordination by Andres Chaires. Folly 199 00:15:03,440 --> 00:15:07,240 Speaker 1: by Samantha Gonzalez Fong, our theme song and original music 200 00:15:07,320 --> 00:15:10,120 Speaker 1: by Rodrigo Garcia Rolls and Charlie Hernandez.