Speaker 1: Look, ol, it's only films to be buried with. Hello,
Speaker 1: and welcome to films to be buried with. My name
Speaker 1: is Brett Goldstein. I'm a comedian and actor, a writer,
Speaker 1: a director, a screener, and I love films. As Jack
Speaker 1: Kerouac once said, write in recollection and amazement for yourself.
Speaker 1: Also watch American Fiction and love how much time and
Speaker 1: Carrerot takes with all its characters. It's really a lovely film.
Speaker 1: Wow left hand there, but yeah, I completely agree, mister Kerouac.
Speaker 1: Every week I'm by a special guest over. I tell
Speaker 1: them they've died. Then I get them to discuss their
Speaker 1: life through the films that meant that most of them.
Speaker 1: Previous guests include Kevin Smith, Barry Jenkins, Sharon Stone and
Speaker 1: even Bed Ambles. But this week it's the brilliant actor
Speaker 1: and all round legend, mister Tyler James Williams. Head over
Speaker 1: to the Patreon at patreon dot com forward slash Brett Goldstein,
Speaker 1: where you get an extra fifteen to twenty minutes a
Speaker 1: chat with We talk secrets, we talk beginnings and endings,
Speaker 1: and you get the whole episode unca and ad free
Speaker 1: and as a video. Check it out. Over at patreon
Speaker 1: dot com forward slash Brett Goldstein so Tyler James Williams
Speaker 1: is an award winning actor. He first came to fame
Speaker 1: as a young Chris Rock in Everybody Hates Chris, and
Speaker 1: now he is one of the stars of Quinter Brunson's
Speaker 1: hugely successful masterpiece Abbat Elementary, which has just announced its
Speaker 1: fourth season. We never had a chance to properly speak
Speaker 1: before until we recorded this the other day on Zoom
Speaker 1: and my god, did we have a lovely time. I
Speaker 1: really think you're going to love this one. He's fucking brilliant.
Speaker 1: So that is it for now. I very much hope
Speaker 1: you enjoy episode two hundred and eighty seven of Films
Speaker 1: to be Buried With Hello, and welcome to Films to
Speaker 1: Be Buried With. It is Hi Brett Goldstein and I
Speaker 1: am enjoined today by an actor, a young Chris Rock,
Speaker 1: a labrat, a little walking dead, a whiskey cavalier, a
Speaker 1: go on, and a dear white people, an unaccompanied minor,
Speaker 1: a wedding gear, an award nominee, an award winner, and
Speaker 1: one of the all time greats. I can't believe he's here.
Speaker 1: Can you believe he's here he really is. Please welcome
Speaker 1: to the show, in the middle of filming his hit
Speaker 1: smash Emmy winning show himself. It's the brilliant, the one,
Speaker 1: the only here he is. It's Tanado's Williams. Thank you.
Speaker 2: That was the I think.
Speaker 3: With all the deep cuts, deep cut whiskey Cavalira is
Speaker 3: one that I don't expect to hear ever again.
Speaker 1: That's a good show, A good show forgotten Jam.
Speaker 2: It's a really expensive job, but it was a good show.
Speaker 1: There's some stuff on your CV that I didn't know about.
Speaker 1: You did a show with Matthew Perry. I see that.
Speaker 1: I did not know that show I did.
Speaker 3: Yeah, his return to NBC called go on another very
Speaker 3: expensive show about a bunch of people in a grief
Speaker 3: therapy group. Oh yeah, it was actually really interesting.
Speaker 2: I like it. There's just twelve people are shooting in
Speaker 2: a circle.
Speaker 3: Isn't the best way to do it, as it's going
Speaker 3: to be very extended in very long days.
Speaker 2: But it was a good show. I like that.
Speaker 1: Wow. So look, this is the first time we've probably
Speaker 1: spoken in real life. You're brilliant. I'm a huge fan.
Speaker 1: I'm very glad that you're doing this. I've had Quinterer
Speaker 1: on the show, and it's about time we had you on.
Speaker 1: First question I wanted to ask you is I'm always
Speaker 1: fascinated by people who were child actors who aren't dickheads,
Speaker 1: and I wonder if you could tell me what is
Speaker 1: your secret? You have a very very good reputation you have,
Speaker 1: you are much loved, and you you were a child actor.
Speaker 1: How young were when you started?
Speaker 2: I started when I was four years old.
Speaker 1: Fuck yeah, So you have every right to be mad.
Speaker 1: And so my question is, how come you're not? What
Speaker 1: happened away?
Speaker 3: I'll come I'm not a dickhead. I'm sorry to disappoint you. Know,
Speaker 3: to be completely real with you, I was. I'm from
Speaker 3: New York and I'm like one of those New York
Speaker 3: actors who that's all I like to do is I
Speaker 3: like to perform. And I love the process of making
Speaker 3: a show and making a film and all that. I
Speaker 3: hate literally everything else. And I think that's what keeps
Speaker 3: me from being a dig head.
Speaker 2: I like being on set. I love the process.
Speaker 3: Anything that would stop me for being able to do
Speaker 3: that is like my worst en. I mean, anything that
Speaker 3: takes me away from that, You're gonna have to drag
Speaker 3: me kicking and screaming too.
Speaker 2: So I think that's it. I love the work, hate
Speaker 2: everything else.
Speaker 1: Man, Well, I relate to that, and I'm not a
Speaker 1: child actor.
Speaker 2: Uh, you seem like it.
Speaker 3: You seem like you do because this is the first
Speaker 3: time like profit spoken, and you're also rather brilliant. So
Speaker 3: I've been meaning to tell you that, like formally, you're
Speaker 3: you're you're quite.
Speaker 2: Quite good at the many things that you do, and
Speaker 2: I haven't respect you.
Speaker 1: Stop it right? Is this interview is over?
Speaker 2: No more of it?
Speaker 1: How how many seasons? Was Everybody Hates Chris for four seasons?
Speaker 1: Was that the longest run of something you've done?
Speaker 2: Yes?
Speaker 3: And that big on long runs like that, especially where
Speaker 3: like numbers and stuff get involved, because sometimes the show
Speaker 3: start to get compromised.
Speaker 2: I've been a one or two and out kind of
Speaker 2: guy for a few.
Speaker 1: Years and at Elementary's now one season three? And where
Speaker 1: do you get to when you did Everybody Hates Chris?
Speaker 1: When you were on like season four? Did did dynamics
Speaker 1: change with everyone? Was it like more of a grind?
Speaker 1: Was it still fun? Like? Where did you get to
Speaker 1: psychologically by that stage of it? Because that was like
Speaker 1: twenty four episodes, was.
Speaker 3: It, Yes, we did eighty eight and four years. At
Speaker 3: that point, I think it just become a machine at
Speaker 3: the end. We were so good at being in it
Speaker 3: and cranking it out week to week.
Speaker 2: You can kind of feel when you're not being challenged
Speaker 2: as much anymore.
Speaker 3: And I was like that was sixteen and I remember
Speaker 3: feeling that of like I could do this not necessarily
Speaker 3: in my sleep, but not fully conscious if I needed Yeah,
Speaker 3: And that's just the I think that's the hard part
Speaker 3: with doing that many episodes, with that many seasons is
Speaker 3: how do you, you know, stop yourself from getting formulated
Speaker 3: towards the end.
Speaker 1: But at the same time that being your world for
Speaker 1: four years in a very intense way? Was it very
Speaker 1: sad when it? And did you do you still have
Speaker 1: you still in touch with those people or was it
Speaker 1: like done?
Speaker 2: It actually wasn't.
Speaker 3: I think by the end of it we all knew
Speaker 3: that either this was it or we do like maybe
Speaker 3: one more. One of the things that people don't realize
Speaker 3: with that show is that at the time it was airing,
Speaker 3: our numbers were pretty bad. It blew up in syndication
Speaker 3: after the fact, But while we were on for the
Speaker 3: last two years or so, we were really kind of
Speaker 3: fighting for our slot, so we knew that it was
Speaker 3: coming to an end, and it didn't feel like we
Speaker 3: had really anything else to do. We didn't feel like
Speaker 3: we had any like if we were going to tell
Speaker 3: more story, it was going to be more of what
Speaker 3: we saw already. So I remember walking away from it
Speaker 3: feeling like we did what we came to do. And
Speaker 3: I still run into like I ran of Chris a
Speaker 3: few months ago, and so just Sina at the Emmys,
Speaker 3: Harry somewhere because he's just outside a lot and it's
Speaker 3: all good in love, you know what I mean. That's
Speaker 3: the thing I think when you do a show, if
Speaker 3: you feel like you did everything that you came to do,
Speaker 3: you can walk away from it pretty easily detaching.
Speaker 1: That's nice.
Speaker 2: So how do you do it? See?
Speaker 1: Have you always you've basically always been famous since you
Speaker 1: were conscious?
Speaker 2: Yeah? Everybody who is Chris? I was twelve.
Speaker 3: I'll be thirty two this year, So yeah, I spent
Speaker 3: more time famous than not. It's really strange. I don't
Speaker 3: highly recommend it at all.
Speaker 1: It's very weird. So you don't know what it's like
Speaker 1: to not be really No.
Speaker 3: No, no, no, no, no, it's a very weird existence.
Speaker 3: It's like I listen to other people talk about their
Speaker 3: teens and their twenties, and they have like fond memories
Speaker 3: of things and like quirky lit anecdotes. Mine's like this
Speaker 3: is when I went through this in the entire world.
Speaker 3: So it was kind of got a problem for me.
Speaker 3: But it's he's still.
Speaker 1: Here, fascinating. Fuck man, today, it's amazing. You're not crazy.
Speaker 1: You should be crazier.
Speaker 3: I probably should be. I probably should be. I got
Speaker 3: good parents. They do a really good job of trying
Speaker 3: to keep it like normal and all of that. I
Speaker 3: think part of it too, is like I see myself
Speaker 3: as famous because I know it's the reality of my world,
Speaker 3: but I don't to lean into it, you know what
Speaker 3: I mean, Like I try to reject it as much
Speaker 3: as possible, keep things as normal as much as possible,
Speaker 3: hang around with other people who just kind of really
Speaker 3: like the work versus that whole world, and just you know,
Speaker 3: try to kick that dickhead portion of my life down
Speaker 3: the road as far as it's coming. At some point,
Speaker 3: oh yeah, it's at.
Speaker 1: Yeah, yeah, yeah, yeah. Hold off to about forty and
Speaker 1: then really enjoy.
Speaker 2: There you go, there we go, and I can really
Speaker 2: have fun.
Speaker 1: By that stage, you've earned it. I think people be like,
Speaker 1: it's fa Let him have it. He's been so good
Speaker 1: for like thirty years. Let him be a dickhead. Sorry,
Speaker 1: I have forgotten to tell you something. What God, it's
Speaker 1: fuck it. It's terrible that I didn't tell you this
Speaker 1: up top. I'm going to just say it and then, well,
Speaker 1: so deal with that. I space, I'll you've died. You're dead, dead,
Speaker 1: You're dead. Yeah, it makes a lot of sense now,
Speaker 1: the tracks, it's sort of all the pieces coming together
Speaker 1: in it. How did you die?
Speaker 3: It's a number of ways could happen. I hope it
Speaker 3: was happy, but probably not. A light possibly fell on me,
Speaker 3: that worked a little bit, grips or electric didn't quite
Speaker 3: screw something.
Speaker 1: Then that's the way that makes sense to me. Hold on,
Speaker 1: what's a happy death? You said, I hope it's happy.
Speaker 1: What's a happy death.
Speaker 2: That's a happy death.
Speaker 1: That's a happy death.
Speaker 2: That's a happy death. I'm on set. I'm like standing
Speaker 2: on my mark. I'm in the middle of the seat.
Speaker 2: A light balls on my head. I die that way.
Speaker 2: I'm pretty happy with that. I'm good to go there.
Speaker 1: You don't like the Truman Show, A light fell on you? Yeah,
Speaker 1: you just you just fucking nailed the joke. The crew
Speaker 1: will like shoulder shaken, trying not to and that's watch
Speaker 1: ship the light News it fell.
Speaker 3: Everybody was like but the timing was also really great too,
Speaker 3: so it also should probably make the cut.
Speaker 1: It's going to be in the bleeper reality for sure.
Speaker 2: Push you at thereat part of me at least.
Speaker 1: How old do you want to be when this happens?
Speaker 3: Like it's mac someone funny if I'm like seventy eight, Yeah,
Speaker 3: because then it's like, you know, long illustrious career, Morgan
Speaker 3: Freeman style, and you want to hear I think people
Speaker 3: would like to hear that somebody like that on set
Speaker 3: the very like crazy way, but something that simple, it's
Speaker 3: really great.
Speaker 2: I think that's that's it. Yeah.
Speaker 1: I think if you're going to be a dickhead at
Speaker 1: forty you have maybe ten years, ten years of being
Speaker 1: a dickhead, your reputation is in shreds, and then you
Speaker 1: go on some spiritual journey. You come back, you have
Speaker 1: a few years off, you come back, you start to rebuild.
Speaker 1: Everyone loves you you're back, you're back, You're good. But
Speaker 1: now you're on season six of a show and you're
Speaker 1: like the guy they cut to. You have lots of
Speaker 1: great one liners. You like a sort of surgeon. You
Speaker 1: come in bang, why not bang? And then you deliver
Speaker 1: this way. They're all shaking and then the light falls
Speaker 1: in your head.
Speaker 2: Dead. Yeah.
Speaker 3: I have to get off the the memoir first. If
Speaker 3: I can get that memoir out where I can just
Speaker 3: unload the clip on everything and everybody, just and it's
Speaker 3: not even the bad, it's the good too, just the
Speaker 3: wild story time, that will pull me out of dicknet.
Speaker 3: It'll be like, ah, he's old, but he's got some
Speaker 3: crazy story and they're.
Speaker 1: Going to publish that before you die. That's not a
Speaker 1: publishing of my death.
Speaker 2: Probably, Yeah, that's got to go.
Speaker 3: I have to see people's reaction to the wild because
Speaker 3: mind is less about stories about me. It's more stories
Speaker 3: about everybody else that you wouldn't think what's happening. Like,
Speaker 3: I want to get into who dated, I want to
Speaker 3: get who cheated on each other? I want to go
Speaker 3: for Jones style with Richard Pryor and Marlon Brando. That's
Speaker 3: where I want to go Once I see that and
Speaker 3: I can be messy, then I'm good to go.
Speaker 1: Okay, I mean, I'm looking forward to this memoir.
Speaker 2: It's gonna be great.
Speaker 1: I hope you've started.
Speaker 3: Oh yeah, I've got notes, notes, tons and tons of notes.
Speaker 1: This is how you come back from your dickhead. Is
Speaker 1: everybody die? Okay?
Speaker 2: I hope we most of y'all are dead. But if not, yo,
Speaker 2: oh yeah.
Speaker 3: I think that's the best time to really be your
Speaker 3: best self is seventy plus, because like, what are they
Speaker 3: gonna sorry?
Speaker 1: Yeah, It's like when Carrie Fish's memoirs came out and
Speaker 1: she mentioned a lot of things that were very personal
Speaker 1: about real people who were alive, but it seemed okay
Speaker 1: because it was a very long time a guy.
Speaker 2: Yeah, it doesn't you know, it's so detached, so far
Speaker 2: from it. It's strictly entertainment.
Speaker 1: Okay, all right, I like that. Do you worry about death?
Speaker 1: Do you worry about that?
Speaker 3: I think about it a lot. I don't know if
Speaker 3: it's necessarily worry. It does come up a bit. I
Speaker 3: think because I started doing things so early that there
Speaker 3: are things that people are chasing still that I'm not
Speaker 3: necessarily chasing at Like thirty. So it's one of those
Speaker 3: things where it's like if it did happen, if it
Speaker 3: did come knocking on my door. There's not really a
Speaker 3: lot of being like I didn't get to do that,
Speaker 3: which I just find interesting. I find like an interesting
Speaker 3: place to create from because there's really nothing to lose
Speaker 3: at that point.
Speaker 1: Yeah, listen, I joke about this in my stand up,
Speaker 1: but it's not a joke. I completely mean it. I
Speaker 1: did Sesame Street, which you have also done. You did
Speaker 1: it for Yes, when did you do Sesame Street? A
Speaker 1: year ago? I did see this.
Speaker 2: I saw this.
Speaker 1: It's okay, But what I say is it was the
Speaker 1: best day of my life. And I do feel like
Speaker 1: it doesn't matter if I die now. I felt that
Speaker 1: ever since Sesame Street. I'm like, well, it doesn't matter.
Speaker 1: I did it, you know what I mean. That's how
Speaker 1: I started. I've been there since five even there since
Speaker 1: five years old. Yeah, so I've been good to go.
Speaker 1: I'm just yeah, I'm coasting at this point. Yeah, none
Speaker 1: of this matters.
Speaker 2: I think after that.
Speaker 1: Yeah, can I ask you something? And I hate to
Speaker 1: do this and I will cut it if this is
Speaker 1: inappropriate or wrong. I googled you to get any credits.
Speaker 1: I didn't know, and there was a thing that said
Speaker 1: you had had a near death experience. I don't know
Speaker 1: if that's true, but if that is in the presucce
Speaker 1: you'd discuss, is that something you would talk about or
Speaker 1: is that private?
Speaker 2: I mean I talked about it with other people. I
Speaker 2: don't know why I would draw the online here, but.
Speaker 1: I'm so sorry because I hate you getting stuff off
Speaker 1: the inn. It just popped up in a thing and
Speaker 1: I was like, oh, that sounds very interesting, but if
Speaker 1: that's all right.
Speaker 2: I was twenty three.
Speaker 3: One of the things that people don't realize we're doing
Speaker 3: a show that you would know as you would not
Speaker 3: only like starting shows we'd written and produced.
Speaker 2: And do all the things.
Speaker 3: The process of doing a show is very stressful, from
Speaker 3: shooting to release the promo to all of it. So
Speaker 3: I became really acutely aware of that for everybody. It's
Speaker 3: curse when I turned twelve, that I was carrying a
Speaker 3: show with a bunch of people whose jobs all depended
Speaker 3: on my performance and all of that, and then numbers
Speaker 3: would come out and you would see and hear things,
Speaker 3: so it became really stressful. So I developed essentially like
Speaker 3: stress disorder, and then it materialized in my body is
Speaker 3: Chrome's disease, and I didn't take care of it or
Speaker 3: even though it was really bare until one day I
Speaker 3: went to the hospital because like, my insides are going
Speaker 3: to explode, and a surge and said, no, insides are
Speaker 3: going to explode.
Speaker 2: I was like, nice, fuck.
Speaker 3: And then two weeks later they did it, and that
Speaker 3: was like all the twenty seventeen.
Speaker 2: That spent all the twenty seventeen pretty much in the hospital.
Speaker 3: Oh fuck, but my insides explode, disconnecting them, pull them
Speaker 3: on the inside on the outside, and announced me back.
Speaker 2: And put them back in. Then it was a whole thing.
Speaker 2: So when that happens, you have a lot of time
Speaker 2: to think about that. It's like, hey, I guess.
Speaker 1: Yeah, what did you Where was your head in that
Speaker 1: in that period?
Speaker 3: You know, it was kind of similar in the sense
Speaker 3: of like I wasn't afraid of it. I was disappointed
Speaker 3: though in me, I was disappointed that I didn't enjoy it.
Speaker 3: I had done a lot of things, but I didn't
Speaker 3: really or them. I got a lot done, but I
Speaker 3: wasn't having a good time. And that was pretty much
Speaker 3: what I came away with it. Going was I'm gonna
Speaker 3: have fun this time, and we'll see whatever happens happened.
Speaker 3: I'm not I can't be concerned about how well something's
Speaker 3: going to do or if I'm doing the right thing,
Speaker 3: because I think it's also part of the child that
Speaker 3: I could think is you're like very much Solf, pushed
Speaker 3: to do the right thing always. I'm just gonna have
Speaker 3: a good time. And everything got better after that, every man.
Speaker 1: I was worried about asking you that, but I'm glad
Speaker 1: I did because that's funny. Oh yeah, profound, and I
Speaker 1: appreciate it, hype, it's and look at you. I always
Speaker 1: think that's look at you, you know what I mean?
Speaker 1: If that was your your your new life's work, and
Speaker 1: now you're mistermyss like doing this fucking amazing show. Everything's
Speaker 1: fucking You're doing really good stuff because you're laden with
Speaker 1: your with love.
Speaker 2: Yeah, it's kind of like what happened to us in
Speaker 2: the pandemic.
Speaker 3: We survived the pandemic, and now we know what we're
Speaker 3: capable about them. I'm so happy almost died because I
Speaker 3: now know it's gonna take a lot.
Speaker 1: To kill me. It would take a lot.
Speaker 3: So when stuff happens, and you know, the industry does
Speaker 3: what the industry does.
Speaker 2: It ain't get me yet.
Speaker 1: I guess a good place. Do you what do you
Speaker 1: think happens after you die? Do you think there's a place.
Speaker 3: Honestly, I'm a believer, and you'll be back. There's a
Speaker 3: small period of time where you get a chance to reset,
Speaker 3: but then get back in there.
Speaker 2: You sitting back now for more stuff.
Speaker 3: I've always been one of those people who has felt
Speaker 3: like I've been here before, and like this time around,
Speaker 3: I knew what I came here to do. Like I
Speaker 3: was four, when I was like, all right, let's get
Speaker 3: this acting shit started. But it's time to get going.
Speaker 3: So I've always kind of had this feeling that this
Speaker 3: isn't the beginning.
Speaker 2: Or the end of the story. Wow, you been here before.
Speaker 2: I'll be back.
Speaker 1: Well, you're absolutely right, that is right. So would have
Speaker 1: the answer to that, Yeah, yeah, but I'm in charge
Speaker 1: of the bit in the middle of the reset where
Speaker 1: you have a little break and I didn't see that. No,
Speaker 1: Well a lot of people don't realize, but that's that's
Speaker 1: heaven and you're welcome people who are very excited to
Speaker 1: see they're big fans they're big fans of you. I
Speaker 1: was holding that's something I did at me. Yeah, and
Speaker 1: Heaven's field with your favorite thing. What's your favorite thing?
Speaker 2: Good TV?
Speaker 1: Oh well, okay, there's a lot of good TV in
Speaker 1: film Heaven. We're ignoring those rooms, but there's that's love.
Speaker 1: There's a lot of good TV. Don't worry about it. Obviously,
Speaker 1: we're not going to talk about that, but there's there.
Speaker 1: But everyone in TV Heaven weirdly wants to talk to
Speaker 1: you about film, even though they fucking love TV out there.
Speaker 1: But they're like, and they first thing they want to
Speaker 1: ask you, they want to talk about your Like, the
Speaker 1: first thing they want to know is, what's the first
Speaker 1: film you remember? Seeing? Men in Black?
Speaker 2: Oh?
Speaker 3: Oh yeah, that's what got me working. That was for
Speaker 3: I was like, yeah, here we go.
Speaker 1: This for real. I was going to ask you that
Speaker 1: it was It was your idea, it was your thing.
Speaker 1: I remember the moment.
Speaker 2: I'm sitting on the floor in my parents' living room.
Speaker 3: There's a green couch behind me, there's a TV entertainment
Speaker 3: stand that my father put together.
Speaker 1: Good enough, and Men and Black is on.
Speaker 3: Wilson is running down the streets, chasing and alien and
Speaker 3: he's chopping on and off a bus.
Speaker 1: I'll never forget it. Yeah, well, that's so nice. I've
Speaker 1: had so many people in this and no one has
Speaker 1: had that clear. It's always really I guess I thought.
Speaker 1: I guess I thought I'd like that sort of thing.
Speaker 1: But for you to be that specific, did you particulate it?
Speaker 1: Did you say I want to do this?
Speaker 3: Immediately? I turned around and I was like, all right,
Speaker 3: I would like to do this. And I think as
Speaker 3: parents they were skeptical, as you should, you know what
Speaker 3: I mean, Like your child said.
Speaker 2: He wants to be a fireman one day.
Speaker 3: Yes, but when my mom tells it, she was like,
Speaker 3: and then you were seriously bringing it up every day
Speaker 3: for like six months, and we were like, all right, fine.
Speaker 3: But I remember the moment itself of it being clear
Speaker 3: that I could do this and that's what I was
Speaker 3: supposed to be doing.
Speaker 1: That's such a fucking good point I've never thought about,
Speaker 1: is that acting is one of the only jobs that
Speaker 1: children are allowed to do. Like if you I was
Speaker 1: a fire man, you can't be a fine man until
Speaker 1: you think you don't have little firemen running. There's no
Speaker 1: firemen training, there's.
Speaker 2: No other job.
Speaker 1: Is there that kids are allowed today.
Speaker 3: No, no, that's the same woman. You can really say that.
Speaker 3: I mean maybe like sports, but either then you can't
Speaker 3: start professionally immediately.
Speaker 1: Yeah, interested, all right, what is the film that scared you?
Speaker 1: De mice? Do that being scared? You were being scared?
Speaker 3: The film that scared it's also from Jobhood and it's strange.
Speaker 2: It's Free Willy.
Speaker 3: And here's why Free Willy scared the shit out of
Speaker 3: me because at the end it made me feel emotions
Speaker 3: I did not understand.
Speaker 2: I used to be very afraid.
Speaker 3: Of feeling things that I couldn't control, and that I
Speaker 3: had a great ride the whole movie and get the
Speaker 3: Orca and he's going all over the place, but then
Speaker 3: when he actually gets free, I felt so many complicated emotions.
Speaker 3: I would get up and run from the movie. And
Speaker 3: it creates a lot of anxiety in me while watching
Speaker 3: the film. I watched it over and over again because
Speaker 3: for some reason, as I guess an actor, I want
Speaker 3: to feel those things, but I'm scared to feel those
Speaker 3: things at the exact same time, and it would build
Speaker 3: up anxiety as a film going on, and then eventually I.
Speaker 2: Just had to run up out of the terror. I
Speaker 2: do like being afraid.
Speaker 3: Though it's weird, I do like it because it means
Speaker 3: that I'm more than likely heading in the right direction.
Speaker 3: Or whatever it is is challenging me to do or
Speaker 3: feel something that is really But yeah, it's a strange one,
Speaker 3: but pretty willy.
Speaker 1: I love it. I agree with you. I agree with
Speaker 1: you with with jobs. We've created stuff. Every time I'm
Speaker 1: scared of the thing, that means I should do the thing. Yep, yeah,
Speaker 1: it's the best way to tell. What about crying? Then,
Speaker 1: what's the find of magic? Cry the mist? And do
Speaker 1: you any cry when you're scared?
Speaker 2: There's been a few from childhood it would be all
Speaker 2: dogs go to heaven Ship. Yeah, that one really fucked
Speaker 2: me up.
Speaker 3: That was that was like uncontrollable, inconsolable crying as I
Speaker 3: got older.
Speaker 1: Yeah, but Reynolds right, here's the dog dog.
Speaker 3: Yes, yes, yes, I'm still it's the store as I
Speaker 3: can't think about it.
Speaker 1: That's the one thing we can't talk about. I just
Speaker 1: casually say, but Reynolds, all, we got to keep them together,
Speaker 1: you know.
Speaker 2: And it's one of my favorite movies. It's Gangs of
Speaker 2: New York.
Speaker 3: I deeply, deeply love New York like I love New
Speaker 3: York like it's a person.
Speaker 2: And there's something about these.
Speaker 3: Factions and groups of people who are all fighting over
Speaker 3: their place and love for the city, and that it
Speaker 3: ends with the two stones.
Speaker 2: Of people from old New York who.
Speaker 3: Have just gone and been forgotten, and then New York
Speaker 3: continues and builds.
Speaker 2: There's something really beautiful about it. To me.
Speaker 3: It's beautiful and dark and sad and bright at the
Speaker 3: same time.
Speaker 2: To this day, it will always get me that ending,
Speaker 2: because it.
Speaker 3: Feels like that that plot of land has just been
Speaker 3: the backdrop for so many people's lives and I really
Speaker 3: gained the context of that.
Speaker 2: That's a really beautiful thing for me for some reason.
Speaker 1: A fucking great answer. Thank you, beautiful. I'm giving you
Speaker 1: ten points for that.
Speaker 2: Oh hell yeah? Is that ten heaven points?
Speaker 1: Ten dose? Guys are heaven plants? Yeah? Sorry to bring
Speaker 1: tell me this, Tell me this. What is the film
Speaker 1: that you love? People that like it? It is not
Speaker 1: critically acclaimed, but you love it unconditionally.
Speaker 2: The Nutty Professor too. It is my opinion that Eddie
Speaker 2: Murphy is.
Speaker 3: Top five greatest actors of our generation and that movie
Speaker 3: is it on display. I've never seen anybody else be
Speaker 3: five different people at a table. Each character is distinct,
Speaker 3: has their own opinion about the conversation. The jokes do
Speaker 3: not overlap. They argue with one another, and each one
Speaker 3: is funny. I've seen it done with two or three
Speaker 3: characters here and there. I've never seen it done on
Speaker 3: that scale. I could watch those scenes over and over
Speaker 3: and over again, and I do.
Speaker 2: I still don't fully understand it.
Speaker 3: I think it's criminal that they got deduced down to
Speaker 3: part jokes, just like that's how people remember it, because
Speaker 3: it's some of the best character work I think I've
Speaker 3: ever seen, especially when the general thought is you're only
Speaker 3: as good as your scene partner, and your scene partner
Speaker 3: is you all the way around the table.
Speaker 1: In the future. It's you in the future, that's your
Speaker 1: SAME's it's you in an in two hours time.
Speaker 3: That's I don't even know how to prep that. Yeah,
Speaker 3: I don't know what to do.
Speaker 2: How do I set myself up for a joke in
Speaker 2: two hours?
Speaker 1: And it's probably more than two hours because that makeup takes.
Speaker 3: Ages exactly to remember what each one's perspective was. And
Speaker 3: now I'll argue people down on this. A lot of
Speaker 3: people will say that Eddie's best work was like in
Speaker 3: dream Girls or something, and I was like, none of
Speaker 3: that holds a candle to.
Speaker 1: The class, to the clubs. Fucking hell, you make a
Speaker 1: very strong case. You're right. Everyone takes it for granted
Speaker 1: because it's so well done. You don't even think about it.
Speaker 1: You don't even think about it. The sheer work that's
Speaker 1: got into it. I don't know who sat in place
Speaker 1: for him. That's probably stand for the time. But they're
Speaker 1: no being him.
Speaker 3: They're not being and there's there are certain jokes that
Speaker 3: you can tell in there are straight Eddie off the top.
Speaker 3: How do you remember to get because we all have
Speaker 3: that feeling where it's like I can have said this
Speaker 3: and another take. You have to get all of that
Speaker 3: out and then remember what those things are so you
Speaker 3: can respond to them and then do that.
Speaker 2: Four or five times around the table.
Speaker 1: Could you think they ever went back as in do
Speaker 1: you think he went I wish when I'd been that character,
Speaker 1: I'd said this, and they were fucking I was gonna
Speaker 1: take us eight hours to change your make.
Speaker 3: I'm assuming you have to, like, there's no once you
Speaker 3: catch a rhythm and you find something I guess now
Speaker 3: we have to go back and at maybe add another
Speaker 3: data production, Like I'm not even sure how that works pistically,
Speaker 3: because it's not stuff you can see, it's not stuff
Speaker 3: on the page. It's so sloppy. I don't know how
Speaker 3: they did it. I would love to fully get into it.
Speaker 2: But you have to go back. There's no way you don't.
Speaker 1: I think you'll make an argument that the clubs might
Speaker 1: be the great suspension. That's the hill I'll die on.
Speaker 2: That is the hill I'll get kicked out of film
Speaker 2: heaven Born. Yes, but this is.
Speaker 1: You making such a strong such a strong case. Well,
Speaker 1: I mean, you blow my mind. So what about on
Speaker 1: the other end of this guy, what is a film
Speaker 1: that you used to love, You loved it very much,
Speaker 1: but you voiced it recently and you thought, I di
Speaker 1: like this said anymore.
Speaker 2: She's all that mess of a film, mess of a film.
Speaker 3: I remember growing up and like, in the nineties there
Speaker 3: was a huge thing about being a teen. Being a
Speaker 3: teen was almost better than being an adult, Like that's
Speaker 3: what they were selling it to you as. And I
Speaker 3: remember that movie being out and being on TV and
Speaker 3: all of that and being like, oh, this looks great
Speaker 3: and I think part of what I liked about the
Speaker 3: movie was this pitch of what being a teen was
Speaker 3: supposed to be, which was a lot. I recently went
Speaker 3: back and watched it with my brothers. Because they were
Speaker 3: younger at the time, they didn't see any of it,
Speaker 3: and as I'm watching it, we all slowly just start realizing,
Speaker 3: this is trash.
Speaker 2: This is it's a mess of a film.
Speaker 3: It doesn't It feels like a film that the producers
Speaker 3: were doing rewrites on while it was shooting right, and
Speaker 3: they were just kind of piecing things together. There are
Speaker 3: moments where and there's like a lot of actors in
Speaker 3: that film who go on to have great careers, like
Speaker 3: do amazing work. But it feels like a structural nightmare.
Speaker 3: Pretty bad film, pretty bad, but it's great how bad
Speaker 3: it is? Then you watch it from that angle, and
Speaker 3: it's fantastic.
Speaker 1: I worry that a lot of films, big films, are
Speaker 1: made by producers writing things on set, pacing it together.
Speaker 3: Currently, I would argue to say more than half yeah,
Speaker 3: and they wonder, you know, a lot of people wonder
Speaker 3: why the films and their tones get so off.
Speaker 2: Most times there's a really flick script. The script is great.
Speaker 3: But then somewhere in the middle of all that, producers
Speaker 3: come in and like we should have this scene, and
Speaker 3: that's where it starts to fall off.
Speaker 2: But I would argue more than that, I think you're
Speaker 2: already right.
Speaker 1: What is the film that means the mice to you?
Speaker 1: Not necessarily the film itself is any good, but the
Speaker 1: experience you had around seeing the film will always make
Speaker 1: it meaningful to you.
Speaker 2: Crooklyn Spike Lee.
Speaker 1: Right movie, right movie? What Happened?
Speaker 3: Vernie So cricktd So My mother Her mom had passed
Speaker 3: away from cancer before I was born, and she kind
Speaker 3: of always talked about it and what that experience was
Speaker 3: like for her, and I never fully understood it. When
Speaker 3: I saw Crooklyn for the first time, it felt like
Speaker 3: I was getting a glimpse into what my mother's life
Speaker 3: was as a child. And the movie is brilliant, but
Speaker 3: it's less about that. It's just something about it that
Speaker 3: feels like home to me, because it cracked open my
Speaker 3: family and my family's dynamic in a way that I
Speaker 3: didn't know I needed to understand at that age. It's
Speaker 3: in New York, so light, and it's already like fifty
Speaker 3: percent of the bout ohimy. But Brooklyn reminds me of
Speaker 3: my family, and more specifically reminds me of my mom
Speaker 3: because she would watch it and now that I look
Speaker 3: back on it, she would watch it at particular times
Speaker 3: while I'm assuming she was going through missing her own mother.
Speaker 2: Yeah.
Speaker 1: Have you ever watched with Spike Me?
Speaker 3: No, my brother did, and I remember it was really
Speaker 3: upset my brother.
Speaker 2: This is before everybody hits Chris.
Speaker 3: We both auditioned in New York or I think it's
Speaker 3: an NBA commercial Lebron James and it's a rookie Lebron James, right,
Speaker 3: And my middle brother didn't really know basketball like that
Speaker 3: and I did and he got it and Spike Lee.
Speaker 2: Was directing it, and I was pissed.
Speaker 3: I was the only time I've ever been jealous of
Speaker 3: my brother getting a job was that because it was
Speaker 3: both spiked.
Speaker 1: And braun like like rookie Bron.
Speaker 3: It was like, come on, but we've never actually had
Speaker 3: the chance to and that he's one of the people
Speaker 3: on my list where I'm like, all right, if death
Speaker 3: would like to stay away long enough for me to
Speaker 3: do this, that would be great.
Speaker 1: I think it'll happen before you're seventy eight. It might
Speaker 1: even be in your dickhead. Yeah, that'd be great, which
Speaker 1: would be interested to Hell?
Speaker 2: Yeah?
Speaker 1: Yeah, yeah, what is the film you must relate to?
Speaker 2: Mm?
Speaker 1: Hitch Will Smith? Hell, Will Smith? I do let Smith
Speaker 1: cut you into with this? Will tell me?
Speaker 2: Will I think? Okay, First of all, I don't think there's.
Speaker 3: A black actor in Hollywood currently, at least of our
Speaker 3: age range that didn't at.
Speaker 2: Some point look at Will and go I can be that.
Speaker 3: Yeah, he's responsible for I think the whole that Michael B.
Speaker 2: Jordan's Wave era of us. That's all him.
Speaker 3: Hitch was to me the first time I got a
Speaker 3: glimpse of what I assumed being an adult was going
Speaker 3: to be.
Speaker 2: Like.
Speaker 3: That's why I was like, Okay, this adult shit sounds great.
Speaker 2: I can't wait to do that.
Speaker 3: Like I went from wanting to be a team to
Speaker 3: wanting to be twenty five really fast, and to the
Speaker 3: day it's still I think it's one of the best
Speaker 3: examples of fresh romantic comedy and somebody who's performance and
Speaker 3: a fresh romantic comedy.
Speaker 1: It's still what I want my life to feel like.
Speaker 2: I'm on my way there. I'm trying to figure that out.
Speaker 2: How do we feel it's much like, its just palpable.
Speaker 3: But I put it on in my house at least
Speaker 3: once a week, definitely on a Saturday, for sure.
Speaker 2: If it's coming on, it's coming on on a Saturday.
Speaker 1: That's fucking night. I like that filming love. Yeah, all right, Sata.
Speaker 1: James Williams say, we got what's the sexiest film you've
Speaker 1: ever seen?
Speaker 3: Mister and missus Smith. I think it's the sexiest movie
Speaker 3: any of us ever saw. Yeah, No, it's just it's
Speaker 3: there's that in therapy session where Brad and Angelina are
Speaker 3: talking to the therapist and I think she's like biting
Speaker 3: her nail or something like that.
Speaker 2: And I remember the first time I saw that, I
Speaker 2: was like, does she know we can see her?
Speaker 1: Like? Does she know that camera is rolling?
Speaker 2: Like? Is she aware that?
Speaker 3: Like if y'all could just hide a little bit that
Speaker 3: y'all afucker, that'd be great. It was just so palpable
Speaker 3: in a scared, very sexy way. That's what I loved
Speaker 3: about It was scarily sexty. I didn't think we knew
Speaker 3: that two people could be cared like that and then
Speaker 3: it could be that sexy.
Speaker 2: That's what I realized there was levels to this sexy shit.
Speaker 2: There's certain things.
Speaker 3: You have to be built and born for and with
Speaker 3: the right person. If you don't, you'll never reach your
Speaker 3: mad sexy potential.
Speaker 1: Yeah, I agree with that. Was that was the pinnacle
Speaker 1: for sure and so interesting. If you've ever seen and
Speaker 1: not many people have, have you ever seen By the Sea,
Speaker 1: which is the film that she wrote and directed with
Speaker 1: him in it, No, I've never seen all they separated.
Speaker 1: It's like a very long it's about three hours long.
Speaker 1: It's a really listen It is not a well loved film,
Speaker 1: but I think it's like I said, it wasn't very
Speaker 1: well received, but I think it's really interesting because it's
Speaker 1: her writing. Possibly well. It's a film about a marriage,
Speaker 1: and it's this couple played by Bradpitt and Asie and
Speaker 1: Jolly who go away by the sea and he drinks
Speaker 1: too much and it's sort of miserable and very low
Speaker 1: key and slow, and it's a very interesting, like companion
Speaker 1: to mister Missus Smith, where you go like, oh, it
Speaker 1: went this.
Speaker 3: We need that to this, I do need to see
Speaker 3: that because there's something about mister and Missus Smith that
Speaker 3: said an unrealistic standard for sex appeal in my life,
Speaker 3: then you need to She's.
Speaker 1: Listen. She at no point is any less beautiful. She doesn't.
Speaker 1: That's not bad. But what you do think is they've
Speaker 1: worn each other out.
Speaker 3: That's and I think that's what happens when as a couple,
Speaker 3: as a unit, you're too sexy. Eventually, eventually it's just
Speaker 3: that Plamee can't stay lit.
Speaker 2: But for so long it's too much sexy.
Speaker 1: Yeah, it was too sexy. There's a subcategory troubling bonus
Speaker 1: worrying why don't film you found arousing that you weren't
Speaker 1: sure you should?
Speaker 4: Okay, Dodgeball, Could I have follow up questions? Sure, if
Speaker 4: you need the context. I think it's yourself explanatory.
Speaker 1: I mean, I get it, I get it, I get
Speaker 1: it obviously, But I'm just wondering, well, in particular, if
Speaker 1: you had to narrow it that it was just the hell.
Speaker 1: I think it was.
Speaker 3: In the era of the we were making these live
Speaker 3: comedies that were built for teenage boys. They just were Yeah,
Speaker 3: and I was a teenage boy at the time, and
Speaker 3: I think I was having such a good time while
Speaker 3: watching the entire thing that I think you're as a
Speaker 3: young boy going through puberty. Your body can't really figure out.
Speaker 3: I'm having a good time. I just don't know why.
Speaker 3: So I'm gonna just respond.
Speaker 1: You but very excited just by the euphoria.
Speaker 3: Sure, and it was the right combination of things. It
Speaker 3: was the right kind of jokes, it was everything. I
Speaker 3: remember that I think that this is.
Speaker 1: So good, and your brothers will looking down. It's too good.
Speaker 1: You think it's too good.
Speaker 2: It's not that good.
Speaker 1: It's not that good.
Speaker 2: Great time.
Speaker 1: Yes, I like how you. I like how you show appreciation.
Speaker 3: That's one of those dudes who feels everything through every
Speaker 3: ounce of my body.
Speaker 1: Yeah, you gave me a standing ovation. I think that's
Speaker 1: a sweet Okay, the next question, I think you've answered.
Speaker 1: But let's see what is objectively the greatest film of
Speaker 1: all time? What is the pinnacle of cinema? Is it
Speaker 1: The Clumps? Close?
Speaker 2: Go on, tell me to America.
Speaker 3: It's it's The Clumps without trying to be a commercial.
Speaker 3: You have Eddie doing the similar thing, right, he's in
Speaker 3: the barbershop. He's arguing again with himself. But it was
Speaker 3: in this great period of time. I feel like comedies
Speaker 3: in the nineties where it wasn't trying to be too
Speaker 3: joke heavy. It really just leaned on Eddie experiencing the
Speaker 3: story and what the natural reactions were.
Speaker 2: And I'm a natural reaction guy.
Speaker 3: That's kind of my I love listening and responding and
Speaker 3: watching him listen in that film.
Speaker 2: It's perfect.
Speaker 3: It's subtle, it's big when it needs to be. You
Speaker 3: have a cast of people who were perfect, like absolutely perfect,
Speaker 3: I think even at one point, and that the dog
Speaker 3: is hilarious. The dog has a fourth wall look that
Speaker 3: it's spot on.
Speaker 2: It's like it feels like it was made in heaven,
Speaker 2: Like how does that?
Speaker 3: How do you get a dog to perfectly time a
Speaker 3: fourth wall break even happen?
Speaker 1: It's a really lovely I watched it again not long ago.
Speaker 1: It does really hold up and it's a really you're
Speaker 1: right in there, unlike some of those films. It's really
Speaker 1: quite lovely, Like it's quite sweet. It's very like a
Speaker 1: really kind hearted film. And it does have broad stuff
Speaker 1: in it, and it does have big set pieces, but
Speaker 1: it's very sweet. It's a very like, it's a lovely.
Speaker 3: Film, sweet simple man searching for the love of his life.
Speaker 2: It's to me, it's perfect.
Speaker 1: I have no notes, all right, right, what is the
Speaker 1: film that you could or have watched the most over
Speaker 1: and over again. Is it Hitch? Is it coming to America?
Speaker 1: Is it the clubs? Or is it something else? It's
Speaker 1: coming to America for sure. Hitches right behind it, though,
Speaker 1: like Hitch on Saturdays coming to America, Sundays and Tuesdays. Yeah, Sundays, Tuesdays.
Speaker 3: Whenever I'm like one of my of my when I'm
Speaker 3: I was putting on in the dressing room when our
Speaker 3: call times like five am, just like trying to be like, right,
Speaker 3: we're doing this, We're making comedy.
Speaker 2: Okay, this is I know why I'm up.
Speaker 3: But yeah, and in the front coming to America Hitch
Speaker 3: then probably Gangs of New York, the clubs. It's hard
Speaker 3: for me to watch as consistently because it just gets intimidate.
Speaker 2: I just get it, get to watch it. I just
Speaker 2: get frustrated. Without good he is being in it away.
Speaker 1: Yeah, yeah, yeah, all right. I don't like to be negative.
Speaker 1: We do this quick. What's the worst film you ever see?
Speaker 2: I've seen a lot of bad films. Uh, what's the
Speaker 2: worst film I've ever seen?
Speaker 3: I don't know if it's necessarily a film, but the
Speaker 3: worst experience i've ever had. Watching something is watching a
Speaker 3: lot of my own stuff. So it's a it's a
Speaker 3: it's a compilation of my stuff.
Speaker 2: That's what.
Speaker 1: Man. I hate. I get it.
Speaker 3: I hate the worst experience of my life. I have
Speaker 3: no idea why I ever work. Yes, missed jokes, missed
Speaker 3: moments of breaking or like, there's just stuff.
Speaker 2: I'm just like, why did you choose that? Or were
Speaker 2: you even in the scene? Did you think it's that?
Speaker 1: Does your face look like your face to you when
Speaker 1: you see yourself as really like, oh is that what
Speaker 1: my face does? I thought I was doing something else.
Speaker 3: Every single time I'm shocked every time, I'm like, is
Speaker 3: that what your thought that was? That's what you felt
Speaker 3: you were doing? Okay, all right, cool, that's interesting. But
Speaker 3: that's what you interpreted that at That's what I'll see.
Speaker 1: Oh it felt like this, but it looked like oh.
Speaker 3: Right, okay, so it just looks bad. Yeah. No, I
Speaker 3: have a big disconnect from what happens on my face
Speaker 3: to what I'm feeling. That's why I find it so
Speaker 3: strange that so much of what has made me successful
Speaker 3: is that because it never goes where I think it's going.
Speaker 2: Ever, Yeah, never do you have that always.
Speaker 1: I'm always surprised that my face looks like it looks
Speaker 1: in my head. It don't look like that, you know
Speaker 1: what I mean. And then whenever I see it, was
Speaker 1: kind of like, oh, that's your fucking face, and why
Speaker 1: is it doing that? I thought, because it's because when
Speaker 1: you're really in it, when you're really in it, you
Speaker 1: feel a certain way, and if you ask me, i'd
Speaker 1: visualize how it would look, and then you see it
Speaker 1: and you go, it doesn't look anything like I imagine.
Speaker 2: No, no, is that's the first one, is that what
Speaker 2: you look like. I can't pay attention. Honestly, I can't.
Speaker 3: I'll never be able to watch something that i'm in
Speaker 3: and enjoy it because the entire time I'm like, you
Speaker 3: really look like that.
Speaker 2: Huh.
Speaker 3: This is just while you're walking around and existing in
Speaker 3: the world.
Speaker 1: You think you think it's like walking around with that fight.
Speaker 1: That's what's on your head.
Speaker 2: And people enjoy this like they employ you on purpose.
Speaker 2: That's you.
Speaker 1: You are getting away with fucking murders.
Speaker 2: You really are.
Speaker 3: Yeah, I'm never having a good time when watching anything
Speaker 3: I've ever done.
Speaker 1: Okay, that's a great answer. You're in comedy, You're very funny.
Speaker 1: You're a bloody award winner for it. What's the film
Speaker 1: that made you laugh the most.
Speaker 3: It's a compilation of several Welfaro films and.
Speaker 1: They all gave you a by nu.
Speaker 3: Yeah, step brothers did it for sure. And I think
Speaker 3: part of what makes me laugh, particularly is when I
Speaker 3: can tell something wasn't on the page, when I can
Speaker 3: see two actors just kind of finding something in the moment,
Speaker 3: and so much of that film is that.
Speaker 2: Yeah, And it's just so fucking stupid, and I love that.
Speaker 3: I love that they were willing to go there. There's
Speaker 3: been several times webin laughing. I'm like, I think I'm going.
Speaker 2: To throw up. That was one of them.
Speaker 1: That was one of them. That's nice, That's real nice, Thaila.
Speaker 1: James Williams, you been an absolute delight.
Speaker 2: However, Okay, it's always However.
Speaker 1: When you were seventy eight, your memoirs had come out
Speaker 1: after your dick at your post dickhead face, your memoirs
Speaker 1: came out, everyone was like, wow, this guy saw some
Speaker 1: things and he told everyone. For your friends still love
Speaker 1: you because they're all it's a long time ago that
Speaker 1: we were all having an affairs that you write us
Speaker 1: out on It's a long time ago. It was good fun.
Speaker 1: And you're on set season six of a show that
Speaker 1: you love where you're the comedy assassin on it, and
Speaker 1: you deliver this line, fucking kill a line. Everyone's shoulders
Speaker 1: shake and trying not to ruin the take with laughter,
Speaker 1: and you get that little buzz and as you do,
Speaker 1: you realize it wasn't a buzz inside you. It was
Speaker 1: the buzz of a light above you coming loose, and
Speaker 1: it lands straight in your head met a bit straight ahead,
Speaker 1: just goes straight into your brain dead. You fall down.
Speaker 1: Everyone screams, I'm walking past with a coffin, you know.
Speaker 1: I'm like, and I go, oh, I saw that noise.
Speaker 1: And I go in this handstage and everyone's like a
Speaker 1: gathered around you and they're all wailing and one's crying.
Speaker 1: What's happening to go with Tyler? Dane's willing to light
Speaker 1: just hit him on the head and he just done
Speaker 1: the perfect take, And I go, but will you filming?
Speaker 1: And they go, yeah, we'll filming. It'll be fine for
Speaker 1: the rat party. We'll definitely shout at the rat party.
Speaker 1: And I go, okay, cool, and I go help me
Speaker 1: with this and you're much bigger than I expected that.
Speaker 1: They say, so, anyone got one of them like fire
Speaker 1: acts here start chopping you up into into pieces and
Speaker 1: end up getting order to help the guys, I get
Speaker 1: all of your stuff in the in the coffin. The
Speaker 1: coffin is absolutely rammed. There's no room in this There's
Speaker 1: only enough room for me to slide one DVD into
Speaker 1: the side for you to take across to the other side.
Speaker 1: And on the other side, it's movie night every night.
Speaker 1: What film are you taking to people in TV Heaven
Speaker 1: when it is your movie night, mister Tyler, James Williams.
Speaker 3: The Natty Professor, the Crumps, And I'm ready to argue
Speaker 3: as I sold myself together. I'm ready to argue everybody down.
Speaker 3: But this is the greatest piece of comedy cinema.
Speaker 1: That fuck. You're gonna have a good time. You are
Speaker 1: going to have a good time, and they're going to
Speaker 1: be sad when you head back to Earth to do
Speaker 1: this all again. Tell me this, what should people look
Speaker 1: out for? Listen to watch out for with you in
Speaker 1: the coming months.
Speaker 3: I am on a show that is written by the
Speaker 3: wonderful and ever talented win To Bronson. It is called
Speaker 3: habit Elementary. I like to work on one thing at
Speaker 3: a time that has my focus for the next two
Speaker 3: years at the very reads. If you get a chance,
Speaker 3: turn it on. We've got some jokes for you. And
Speaker 3: if you don't, that's okay too. But that's where I'm
Speaker 3: going to be at.
Speaker 1: I am assuming if you're listening to this you have
Speaker 1: seen Albert Elementary. But if you haven't seen Albert Elementary,
Speaker 1: you have to watch Aubert Elementary. It is magnificent. Quinter
Speaker 1: Bronson is a genius. The cast is wonderful. It's a
Speaker 1: fucking brilliant show. You will love it. It will make
Speaker 1: you happy watch it. Tyler, what a pleasure. Thank you
Speaker 1: for doing this. And it's been lovely hanging out with you.
Speaker 2: I'm so happy we've only got a chance to just
Speaker 2: like converse because I had the feeling it would be
Speaker 2: a great conversation. And yeah, I'm not. I wasn't wrong
Speaker 2: on this one. Thank you for having me, man.
Speaker 1: Thank you for having me. I've enjoyed it so much,
Speaker 1: I've got a boner. So that was episode two hundred
Speaker 1: and eighty seven. Head over to the Patreon at patreon
Speaker 1: dot com. Forward slash break Goldsteam for the extra fifteen
Speaker 1: to twenty minutes of chat, secrets and video with Tyler.
Speaker 1: Go to Apple Podcasts give us a five star rating.
Speaker 1: But right about the film that means the most to
Speaker 1: you and why it's a lovely thing to read. Neighbor
Speaker 1: Marien loves it. You're very kind to do it. Thank
Speaker 1: you to everyone for listening. I hope you're all well.
Speaker 1: Thank you so much to Tyler for giving me his time.
Speaker 1: Remember to watch abbat Elementary Forever. It's fucking brilliant. Thanks
Speaker 1: to Screwby as Pip and the Distraction Pieces Network. Thanks
Speaker 1: to Buddy Peace for producing it. Thanks to iHeartMedia and
Speaker 1: Will Ferrell's Big Money Players Network for hosting it. Thanks
Speaker 1: to Adam Richardson for the graphics and He's lay them
Speaker 1: for the photography. Come and join me next week for
Speaker 1: another amazing guess. I hope you're all well. That is
Speaker 1: it for now, but in the meantime, have a lovely
Speaker 1: week and please be excellent to each other.