1
00:00:11,920 --> 00:00:16,840
Speaker 1: His Drink Chas motherfucking podcast. He's a legendary queen's rapper,

2
00:00:17,120 --> 00:00:19,840
Speaker 1: he's screed is your boy in? Or he's a Miami

3
00:00:19,920 --> 00:00:22,560
Speaker 1: hippop pioneer? What Up is d J e f N?

4
00:00:22,720 --> 00:00:25,599
Speaker 1: Together they drinking up with some of the biggest players,

5
00:00:25,640 --> 00:00:29,480
Speaker 1: you know, I mean in the most professional, unprofessional podcast

6
00:00:29,600 --> 00:00:33,720
Speaker 1: and yet number one sorts for drunk fast drinks, motherfuckings

7
00:00:33,760 --> 00:00:37,599
Speaker 1: New Year's Eve, that's it's time for drink Champs. Drink up,

8
00:00:37,640 --> 00:00:46,320
Speaker 1: motherfuck mother. What a good vie. Hopefully want this to be.

9
00:00:46,440 --> 00:00:49,120
Speaker 1: This is your boy? What up is d J e

10
00:00:49,320 --> 00:00:52,080
Speaker 1: f N? This is drink Chance, motherfucker. Yeah, y'all makes

11
00:00:52,200 --> 00:00:58,440
Speaker 1: up and right now. I love doing these episodes. When

12
00:00:58,480 --> 00:01:01,840
Speaker 1: you have you know, artists extorterin there, then you have

13
00:01:02,080 --> 00:01:04,440
Speaker 1: the manager extroter their you know what ianth I'm saying,

14
00:01:04,560 --> 00:01:06,120
Speaker 1: the person that can talk about in front of the

15
00:01:06,200 --> 00:01:08,520
Speaker 1: scenes and the person that can talk about behind the scenes.

16
00:01:08,680 --> 00:01:10,480
Speaker 1: The person they gonna talk about what it took to

17
00:01:10,520 --> 00:01:12,200
Speaker 1: get them in front of that camera, and the person

18
00:01:12,280 --> 00:01:14,360
Speaker 1: is god talk about what it takes to get that

19
00:01:14,480 --> 00:01:17,160
Speaker 1: person in front of camera. I love this combination of artists.

20
00:01:17,400 --> 00:01:20,720
Speaker 1: You know, our management role I love. These two brothers

21
00:01:20,800 --> 00:01:24,160
Speaker 1: right here. One is a relatingist, we smoking advocate, got

22
00:01:24,280 --> 00:01:28,479
Speaker 1: ten ten independent albums, got albums with all type with motherfucker's.

23
00:01:28,560 --> 00:01:30,360
Speaker 1: I can't even name so many because he's got so many.

24
00:01:30,360 --> 00:01:32,360
Speaker 1: He got more and it works. Damn. He was the

25
00:01:32,360 --> 00:01:34,400
Speaker 1: first person to work with can sell them. You know,

26
00:01:34,520 --> 00:01:36,680
Speaker 1: understand I'm saying. I called him the East Coast. I

27
00:01:36,720 --> 00:01:38,720
Speaker 1: called him to New York snoop doll. You know what

28
00:01:38,760 --> 00:01:41,040
Speaker 1: I'm saying. Get you don't know what motherfucker's smoked up.

29
00:01:43,360 --> 00:01:45,840
Speaker 1: And the other one, you guys, the manager extorter there,

30
00:01:46,080 --> 00:01:48,920
Speaker 1: the man is top of the you know, damn there

31
00:01:49,200 --> 00:01:53,520
Speaker 1: running cinematic, doing what you gotta do, bringing artists from everywhere,

32
00:01:53,760 --> 00:01:56,200
Speaker 1: bringing them together and making them working, and not only

33
00:01:56,240 --> 00:01:58,600
Speaker 1: making them work and having them work, but making them

34
00:01:58,760 --> 00:02:06,720
Speaker 1: make some money. Take I think both drink Chams alumni.

35
00:02:06,800 --> 00:02:10,079
Speaker 1: I think you you briefly. I was on briefly in

36
00:02:10,120 --> 00:02:14,240
Speaker 1: New York. Yeah, no, man, you've been on camera. Dri

37
00:02:14,440 --> 00:02:18,240
Speaker 1: You've just been I think Christmas Special we made Christmas

38
00:02:18,320 --> 00:02:20,480
Speaker 1: on But I've been on the set of A two

39
00:02:20,600 --> 00:02:23,359
Speaker 1: hundred times. But yes, yes, yes, so hope we're gonna

40
00:02:23,400 --> 00:02:29,359
Speaker 1: start with you, right being's watched by the way, I

41
00:02:29,400 --> 00:02:31,400
Speaker 1: mean a lot, you know what I mean, Like I

42
00:02:31,560 --> 00:02:38,320
Speaker 1: was glad somebody pointed out that little thank you. Let's

43
00:02:38,360 --> 00:02:41,400
Speaker 1: start with you, right, because I remember seeing this blog

44
00:02:41,680 --> 00:02:45,080
Speaker 1: right and it said this guy was saying, Yeah, before

45
00:02:45,160 --> 00:02:47,760
Speaker 1: you want me to manage, you, think about what you're

46
00:02:47,800 --> 00:02:50,720
Speaker 1: asking me, right, And he's like, yo, because you're asking

47
00:02:50,760 --> 00:02:55,480
Speaker 1: me to put yourself before me. You're asking me to

48
00:02:55,520 --> 00:02:57,600
Speaker 1: think about you before I think about my kids. You

49
00:02:57,600 --> 00:02:59,240
Speaker 1: asked me to think about you before I think about

50
00:02:59,240 --> 00:03:01,480
Speaker 1: my family. Anything like that. So being sure when you

51
00:03:01,639 --> 00:03:07,280
Speaker 1: ask somebody for management, and I thought that that was real, real, real, honorable, true.

52
00:03:07,360 --> 00:03:10,400
Speaker 1: But it's also a side that artists don't see. So

53
00:03:11,160 --> 00:03:12,919
Speaker 1: it's a two part question. Well, let's let's start in

54
00:03:13,000 --> 00:03:17,320
Speaker 1: the one part of it is that accurate statement. Because

55
00:03:17,360 --> 00:03:19,679
Speaker 1: let's say I'm managing you and I got plans to

56
00:03:19,720 --> 00:03:23,079
Speaker 1: go out with my wife and my kids, and you say, oh, hove,

57
00:03:23,280 --> 00:03:25,920
Speaker 1: I got emergency. You gotta come to the studio. Guys,

58
00:03:26,000 --> 00:03:27,360
Speaker 1: I can't go. I gotta go full up on nor

59
00:03:27,480 --> 00:03:29,359
Speaker 1: you gotta do. You know what I'm saying. So being

60
00:03:29,400 --> 00:03:32,960
Speaker 1: a manager, yourselfless, you put your artists before yourself because

61
00:03:32,960 --> 00:03:37,040
Speaker 1: that's the role of the job. Goddamn it, goddamn now smoked.

62
00:03:37,080 --> 00:03:39,680
Speaker 1: This is that like, it's how how was it with

63
00:03:39,800 --> 00:03:41,960
Speaker 1: you when you did you start out? You have management

64
00:03:42,120 --> 00:03:45,080
Speaker 1: or that wasn't not something? Um? Well shoot, how I

65
00:03:45,160 --> 00:03:49,520
Speaker 1: started out? I ain't originally have management. UM. Me and

66
00:03:49,600 --> 00:03:53,640
Speaker 1: Johnny came in together, Me and Johnny Schife right Cinematic,

67
00:03:53,760 --> 00:04:00,520
Speaker 1: So you know, I helped start Cinematic with Johnny, which, um,

68
00:04:00,640 --> 00:04:03,840
Speaker 1: which tied into being an owner of the Smokers Club,

69
00:04:04,200 --> 00:04:07,560
Speaker 1: a tour that we started at south By Southwest. I

70
00:04:07,640 --> 00:04:11,000
Speaker 1: mean so that okay, okay, I thought that was a

71
00:04:11,080 --> 00:04:13,400
Speaker 1: part of I knew you started it, but I thought

72
00:04:13,520 --> 00:04:19,120
Speaker 1: that was south By Southwest, So that's we launched it

73
00:04:19,240 --> 00:04:22,240
Speaker 1: at south By on nine. Um, we had Devin to

74
00:04:22,360 --> 00:04:28,240
Speaker 1: do headline it, and under Devin was Smokers Club, all right,

75
00:04:28,279 --> 00:04:31,920
Speaker 1: So the Smokers Club is basically our breakfast club of

76
00:04:32,160 --> 00:04:36,800
Speaker 1: pot smokers. UM. The tour started with me currency and

77
00:04:36,920 --> 00:04:41,320
Speaker 1: Big Creek Um being Cornerboy paint Um, and you know,

78
00:04:41,600 --> 00:04:46,280
Speaker 1: gradually it extended to Juicy j Um, Joe Be, Badass,

79
00:04:46,400 --> 00:04:50,520
Speaker 1: Eppisode Be Real, Met the Man, Red Man, Um Burner.

80
00:04:50,600 --> 00:04:53,440
Speaker 1: The list goes on. But uh, you know, it's something

81
00:04:53,480 --> 00:04:55,880
Speaker 1: we just started as just our crewe, you know what

82
00:04:55,880 --> 00:04:58,240
Speaker 1: I mean. Niggas just always smoked together. We smoked the

83
00:04:58,279 --> 00:05:02,440
Speaker 1: same type of mar wanna keep for me on? You know.

84
00:05:02,600 --> 00:05:05,280
Speaker 1: It was just something that we could start for us

85
00:05:05,400 --> 00:05:09,200
Speaker 1: by us, and it just started as just as an

86
00:05:09,279 --> 00:05:12,040
Speaker 1: idea on shaped roof, just you know, we just smoke

87
00:05:12,120 --> 00:05:14,840
Speaker 1: this club named the show at south By that and

88
00:05:14,960 --> 00:05:18,400
Speaker 1: then it turned into a south By the first two

89
00:05:18,440 --> 00:05:21,920
Speaker 1: thousand nine. That's pretty much our drinking traps. So it

90
00:05:22,080 --> 00:05:27,440
Speaker 1: was just a crew just sitting around. He would be

91
00:05:27,560 --> 00:05:30,320
Speaker 1: playing poker and I would be recorded, And if you

92
00:05:30,480 --> 00:05:32,640
Speaker 1: really think about it, poker and recording, it's kind of

93
00:05:32,720 --> 00:05:37,360
Speaker 1: like the same time. So what are you doing that

94
00:05:37,440 --> 00:05:40,159
Speaker 1: coup point? Alright? Cool in the background? Alright, cool? All right?

95
00:05:40,240 --> 00:05:42,360
Speaker 1: So yeah, so that's that's crazy. So all right, spoke.

96
00:05:42,400 --> 00:05:45,200
Speaker 1: What's them moving on? How did you in currency even

97
00:05:45,279 --> 00:05:49,160
Speaker 1: link up? Well, me and Spitter? Funny ship is I

98
00:05:49,279 --> 00:05:52,760
Speaker 1: met Spitter with Spitter with smoking blunts. He's probably gonna

99
00:05:52,800 --> 00:05:55,160
Speaker 1: hate this. No, we're gonna spin into that into that.

100
00:05:56,000 --> 00:05:58,640
Speaker 1: But um I met Spit, I want to say, because

101
00:05:58,640 --> 00:06:02,160
Speaker 1: he'd go on a because you don't know, I was

102
00:06:07,080 --> 00:06:09,480
Speaker 1: into that, so I mess Spitting in two thousand and

103
00:06:09,560 --> 00:06:11,760
Speaker 1: eight when he was on the Freshman cover, I met

104
00:06:11,839 --> 00:06:14,800
Speaker 1: him through Mickey Facts. Mickey had a session and he

105
00:06:14,920 --> 00:06:17,160
Speaker 1: had he had spit of the he had Corey guns there.

106
00:06:17,520 --> 00:06:18,920
Speaker 1: You had a few people there and we had cut

107
00:06:18,960 --> 00:06:22,080
Speaker 1: a racket prematurely. Um. And then maybe like a year

108
00:06:22,160 --> 00:06:24,960
Speaker 1: and a half later going to d D one seventy

109
00:06:25,000 --> 00:06:27,720
Speaker 1: two shot out to Dame Dash. Yeah. Yeah, that's that's

110
00:06:27,760 --> 00:06:31,800
Speaker 1: one of my mentors. Relink with Spitter, And this is

111
00:06:31,839 --> 00:06:33,880
Speaker 1: the time he was living in New York. Ain't becoming

112
00:06:33,960 --> 00:06:40,320
Speaker 1: less crazy nowadays, he's craziest sane. It's one of those

113
00:06:40,720 --> 00:06:43,080
Speaker 1: craziest sane. You know what I mean. You know when

114
00:06:43,080 --> 00:06:48,400
Speaker 1: he was telling the truth, he was yellow so much passionate. Yeah,

115
00:06:48,400 --> 00:06:50,600
Speaker 1: but I don't want to keep going so um. So

116
00:06:51,080 --> 00:06:52,720
Speaker 1: that was around the time he was living in New

117
00:06:52,839 --> 00:06:55,400
Speaker 1: York and ship and you know, I always know where

118
00:06:55,400 --> 00:06:57,680
Speaker 1: the weed is at all, got it? So that was

119
00:06:57,760 --> 00:07:01,560
Speaker 1: our bond, smoking weed and eating weed brown And a

120
00:07:01,600 --> 00:07:03,520
Speaker 1: lot of niggas think New York don't got good weed.

121
00:07:03,920 --> 00:07:05,800
Speaker 1: Like a lot of people like like if you don't know,

122
00:07:06,080 --> 00:07:07,840
Speaker 1: that's the only l a niggas that that feel like

123
00:07:07,880 --> 00:07:16,520
Speaker 1: that just now he is though niggas is weed snob,

124
00:07:16,800 --> 00:07:21,280
Speaker 1: so snob weed snobs all right, so on to you know,

125
00:07:21,560 --> 00:07:24,680
Speaker 1: we call this thing called fan weed, right with Sometimes

126
00:07:24,760 --> 00:07:27,160
Speaker 1: the fans got good weed, and then sometimes they got

127
00:07:27,480 --> 00:07:30,280
Speaker 1: weed which is whatever they think is good. But that

128
00:07:30,440 --> 00:07:34,040
Speaker 1: might not fit criteria, so that would be the weed

129
00:07:34,080 --> 00:07:35,360
Speaker 1: that would be like, you know, give it to the

130
00:07:35,400 --> 00:07:38,360
Speaker 1: homies or or whatever. But when I say weed snobs,

131
00:07:38,400 --> 00:07:45,120
Speaker 1: we did niggas that we're gonna turn the hook. We're

132
00:07:45,160 --> 00:07:47,800
Speaker 1: gonna turn our nose up. If the weed ain't right,

133
00:07:48,240 --> 00:07:51,800
Speaker 1: we might send you back with the weed. Throw a

134
00:07:51,880 --> 00:07:54,200
Speaker 1: couple of times dudes through weed to me on stage

135
00:07:54,200 --> 00:08:00,120
Speaker 1: and yeah, I'm never worried about smoking whatever. Some one

136
00:08:00,200 --> 00:08:05,120
Speaker 1: just throws out. Can't give me nothing. But but it

137
00:08:05,280 --> 00:08:07,720
Speaker 1: was like a criminal, like a girl throwing panties on stage,

138
00:08:07,760 --> 00:08:10,920
Speaker 1: Like at first, let you say something when I first.

139
00:08:11,240 --> 00:08:13,680
Speaker 1: You gotta realize when I first was going on stage

140
00:08:13,720 --> 00:08:16,720
Speaker 1: and people don't read at me, this is there. Coming

141
00:08:16,760 --> 00:08:22,200
Speaker 1: to Miami another going to Atlanta um strip club ship

142
00:08:22,280 --> 00:08:25,640
Speaker 1: was kind of corny to us. So throwing our culture

143
00:08:25,880 --> 00:08:27,840
Speaker 1: that's our court. But I didn't know that at the time.

144
00:08:28,160 --> 00:08:31,160
Speaker 1: So meeting on stage. A person don't want anything at me.

145
00:08:32,000 --> 00:08:35,520
Speaker 1: I like, the first time I want to do wead

146
00:08:35,559 --> 00:08:37,480
Speaker 1: at me. We beat the ship out to do like

147
00:08:37,559 --> 00:08:44,679
Speaker 1: we were in the crowd whom he was like a

148
00:08:44,760 --> 00:08:47,520
Speaker 1: strip no, because it's the same thing you're doing. So

149
00:08:47,720 --> 00:08:49,160
Speaker 1: it was it wasn't so he said, you look at

150
00:08:49,240 --> 00:08:51,160
Speaker 1: what I do. And then we looked and I was like, oh,

151
00:08:51,320 --> 00:08:57,640
Speaker 1: court to pan, okay, this is dack, you know what

152
00:08:57,679 --> 00:09:00,719
Speaker 1: I mean. But but it's it's something that that that

153
00:09:00,960 --> 00:09:03,360
Speaker 1: is different. But okay, I'm sorry because because you got

154
00:09:03,440 --> 00:09:06,040
Speaker 1: me reminiscing this ship. So you know that's that's just

155
00:09:06,160 --> 00:09:09,040
Speaker 1: the definition of weeds. Not for us. It's a person

156
00:09:09,120 --> 00:09:11,079
Speaker 1: who knows it. We know it. And if you come

157
00:09:11,120 --> 00:09:13,160
Speaker 1: with something that's not it with some funny names and

158
00:09:13,240 --> 00:09:15,320
Speaker 1: some ship you want to name, that's not even gonna

159
00:09:15,320 --> 00:09:16,839
Speaker 1: send you back with it. Let me tell your funny

160
00:09:16,880 --> 00:09:20,760
Speaker 1: story man and styles p right, that's another weed SnO, okay,

161
00:09:20,800 --> 00:09:27,120
Speaker 1: lit right, we get, we get. I don't know what change,

162
00:09:32,720 --> 00:09:37,240
Speaker 1: so let me tell you. So we all we go

163
00:09:37,440 --> 00:09:42,280
Speaker 1: to HT Times Cannabis Cup Award. Right, so we're the judges, right,

164
00:09:42,960 --> 00:09:46,679
Speaker 1: me and stole A. Everybody else is not look like us.

165
00:09:47,679 --> 00:09:50,679
Speaker 1: So we go to the Hot Times mansion. And the

166
00:09:50,760 --> 00:09:53,520
Speaker 1: Hot Times Mansion was ill because the higher you got

167
00:09:54,080 --> 00:09:55,960
Speaker 1: in the mansion, it was like a seventh floor mansion.

168
00:09:55,960 --> 00:09:58,000
Speaker 1: And Answerdam, You've been the answer them Asterdam was a

169
00:09:58,160 --> 00:10:01,120
Speaker 1: small She's like that. So but the higher you got,

170
00:10:01,200 --> 00:10:03,960
Speaker 1: the small of the room, Scott, but the more potent

171
00:10:04,080 --> 00:10:06,040
Speaker 1: this ship was. So they had dabs back and like

172
00:10:06,320 --> 00:10:08,880
Speaker 1: this is a fact, like like fifty years ago. Anyway,

173
00:10:09,080 --> 00:10:10,560
Speaker 1: this is probably like the only time I got mad

174
00:10:10,640 --> 00:10:14,439
Speaker 1: at styles people Styles being sitting there looking at we

175
00:10:15,160 --> 00:10:23,439
Speaker 1: like inspect the gadget and you know, I don't know why,

176
00:10:23,600 --> 00:10:25,480
Speaker 1: maybe mad, but I was just looking like, yeah, we

177
00:10:25,760 --> 00:10:30,360
Speaker 1: hunt and we don't keeping moving. I was like, I'm shot.

178
00:10:31,120 --> 00:10:37,199
Speaker 1: He said, your Norri, I'm taking my job. Sious and

179
00:10:37,360 --> 00:10:39,160
Speaker 1: he did serious, was like and then he was He

180
00:10:39,240 --> 00:10:42,120
Speaker 1: kept saying, I'm trying to be invited back. But now

181
00:10:42,160 --> 00:10:44,480
Speaker 1: she is crazy because at some point it goes from

182
00:10:44,800 --> 00:10:48,360
Speaker 1: just wanting to get high to wanting a feeling like

183
00:10:48,480 --> 00:10:51,080
Speaker 1: it's at a certain point like I like a sour

184
00:10:51,559 --> 00:10:55,240
Speaker 1: o g feeling right here and there I can do

185
00:10:55,440 --> 00:10:58,800
Speaker 1: my flavors to the runts, to the CERTs, to the

186
00:10:58,960 --> 00:11:01,880
Speaker 1: to the cookies of what I'm but predominantly, if I

187
00:11:01,960 --> 00:11:04,400
Speaker 1: could pick, I'd like to keep my lungs old school,

188
00:11:04,480 --> 00:11:07,280
Speaker 1: like the sour of the old geez. So, so how

189
00:11:07,400 --> 00:11:09,640
Speaker 1: is it with you saying? I mean I'm an old

190
00:11:09,679 --> 00:11:11,360
Speaker 1: g guy, you know what I mean? And I still

191
00:11:11,440 --> 00:11:13,800
Speaker 1: smoke sour from time to time if some good sour

192
00:11:13,960 --> 00:11:16,000
Speaker 1: coming around, I found no good sour from long time.

193
00:11:16,120 --> 00:11:20,959
Speaker 1: Next time you come up top, I got yeah, no,

194
00:11:22,040 --> 00:11:24,240
Speaker 1: so um, yeah, you know I funk with the flavors

195
00:11:24,280 --> 00:11:26,199
Speaker 1: every now and then too. But for me, you know,

196
00:11:27,040 --> 00:11:29,599
Speaker 1: runs with funk with runs and I you know, I

197
00:11:29,720 --> 00:11:32,480
Speaker 1: funk with me and I funk with ain't about Nick,

198
00:11:32,480 --> 00:11:35,600
Speaker 1: ain'tbody over there. But um, you know, when it comes

199
00:11:35,640 --> 00:11:38,240
Speaker 1: to the funny names and ship outside of the ones

200
00:11:38,559 --> 00:11:40,959
Speaker 1: you feel me, it's like nigga, we could just name

201
00:11:41,040 --> 00:11:43,160
Speaker 1: some weed. We can name this weed right now, get

202
00:11:43,200 --> 00:11:46,160
Speaker 1: a bag marketed, and it's it's whatever we say. You

203
00:11:46,440 --> 00:11:48,439
Speaker 1: don't spoke up, o G. That's the first one. But

204
00:11:48,520 --> 00:11:56,319
Speaker 1: my second one is Jesus told. Now, Jesus told, just

205
00:11:56,679 --> 00:12:00,480
Speaker 1: make sure the packaging is good and out right. Now

206
00:12:01,120 --> 00:12:03,319
Speaker 1: they just want the bag. You want me to bring it?

207
00:12:03,400 --> 00:12:06,640
Speaker 1: You want me. Look, I don't. I don't want to

208
00:12:06,640 --> 00:12:09,400
Speaker 1: pick up your hall on niggers too much, but I'm

209
00:12:09,400 --> 00:12:11,480
Speaker 1: gonna be honest. You know, the first time I've ever

210
00:12:11,559 --> 00:12:16,680
Speaker 1: seen we marketed chice bubbs. It was a spot called

211
00:12:16,760 --> 00:12:18,400
Speaker 1: three Wise Men. I can't tell if it was a

212
00:12:18,480 --> 00:12:25,920
Speaker 1: Hunting forty three or hunting forty kind of rising. Maybe

213
00:12:28,120 --> 00:12:29,959
Speaker 1: we're gonna fall off word. I've never seen this. I

214
00:12:30,040 --> 00:12:32,559
Speaker 1: never that was this, but there was a spot called

215
00:12:33,000 --> 00:12:35,679
Speaker 1: three Wise Men. This is what Biggie got machine gun

216
00:12:35,800 --> 00:12:41,079
Speaker 1: funk from what they used to do was everyone had

217
00:12:41,200 --> 00:12:45,160
Speaker 1: twenty bags, dimebags whatever they used to just give you,

218
00:12:46,200 --> 00:12:48,760
Speaker 1: I know, like a fortune cookie. So we used to

219
00:12:48,760 --> 00:12:52,240
Speaker 1: say machine gun funk on it, or like Buddha Buddha.

220
00:12:53,360 --> 00:12:56,240
Speaker 1: So that was like the first marketing. So they had

221
00:12:56,320 --> 00:12:59,040
Speaker 1: the same exact ship that what's your COLDA had them

222
00:12:59,080 --> 00:13:00,839
Speaker 1: one four nine or what's you called it had a

223
00:13:00,920 --> 00:13:03,240
Speaker 1: hunt four when you come up with dry burn Bridge.

224
00:13:03,480 --> 00:13:06,120
Speaker 1: That's the same exact sh But the fact was they

225
00:13:06,280 --> 00:13:11,880
Speaker 1: took time out. It wrote me a note. I kept

226
00:13:11,960 --> 00:13:15,400
Speaker 1: coming back just for that. And then who was pick

227
00:13:15,480 --> 00:13:20,360
Speaker 1: up your Heart? Yeah that's the next the very next

228
00:13:20,520 --> 00:13:25,720
Speaker 1: person who marketed weed that everyone is copying off of now.

229
00:13:26,000 --> 00:13:29,240
Speaker 1: No dis respect to everyone, from cookies to runs to everybody,

230
00:13:29,240 --> 00:13:31,760
Speaker 1: all of them. I know everybody. But if they didn't

231
00:13:31,800 --> 00:13:35,480
Speaker 1: really know the history that branching bag, you couldn't duplicate that,

232
00:13:36,360 --> 00:13:38,120
Speaker 1: can you remember? Let me just tell you something. Let

233
00:13:38,160 --> 00:13:41,960
Speaker 1: me just tell you something. Listen to me. You couldn't

234
00:13:41,960 --> 00:13:47,040
Speaker 1: bull it. You could not go to Chinatown whenever. However

235
00:13:47,160 --> 00:13:50,000
Speaker 1: he did it, they could not. And if you did it,

236
00:13:50,480 --> 00:13:52,559
Speaker 1: you it looked at it looked at through gazing, like

237
00:13:52,679 --> 00:13:55,000
Speaker 1: the way his bag one, this ship was. This bag

238
00:13:55,120 --> 00:13:57,320
Speaker 1: was so crazy. This I've never told this story before. Pone,

239
00:13:57,320 --> 00:14:04,040
Speaker 1: I'm sorry. I'm ready bones in jail. I literally can't

240
00:14:04,080 --> 00:14:05,959
Speaker 1: see my man in jail. I can if I wanted to.

241
00:14:06,920 --> 00:14:11,160
Speaker 1: So I'm lit, though I get licked up. I get lit,

242
00:14:11,840 --> 00:14:16,520
Speaker 1: you know, So I'm like, I I want to know anyway.

243
00:14:17,880 --> 00:14:20,680
Speaker 1: So what I couldn't do is keep it shortly laced.

244
00:14:21,720 --> 00:14:24,200
Speaker 1: So I told her. The one thing I didn't tell

245
00:14:24,240 --> 00:14:27,360
Speaker 1: her was to take it out the bags. So the

246
00:14:27,440 --> 00:14:29,320
Speaker 1: next time the chicken showed me, she was like, yo,

247
00:14:29,840 --> 00:14:31,840
Speaker 1: that ship cut my whole ship up. Because she must

248
00:14:31,920 --> 00:14:34,640
Speaker 1: have took the ship and not take it. She left

249
00:14:34,680 --> 00:14:37,240
Speaker 1: it in the triangles. That ship got on y'all. I mean,

250
00:14:39,640 --> 00:14:45,600
Speaker 1: what kind of let just this is how, this is how,

251
00:14:45,720 --> 00:14:48,440
Speaker 1: this is the first time. I kind of think that

252
00:14:48,600 --> 00:14:52,080
Speaker 1: I was being spiked because it was one time I

253
00:14:52,160 --> 00:14:55,080
Speaker 1: woke up. I had no bud. Wait, did they spiked

254
00:14:55,120 --> 00:14:57,520
Speaker 1: your weed? I thought I thought I was bit spiked

255
00:14:58,920 --> 00:15:02,680
Speaker 1: because I won't got I had no bud, have money

256
00:15:02,720 --> 00:15:04,920
Speaker 1: on me. Everybody in my street like yo, yo, you

257
00:15:05,000 --> 00:15:08,840
Speaker 1: want some, but I'm like nah. I waited for our cab.

258
00:15:09,080 --> 00:15:11,720
Speaker 1: I went all the way to a hundred and fifty

259
00:15:11,800 --> 00:15:17,360
Speaker 1: first Street at satan Nick before I smoked. Yeah, he

260
00:15:17,520 --> 00:15:20,120
Speaker 1: was on another type of time and it was late

261
00:15:20,160 --> 00:15:29,680
Speaker 1: and it was brown on the weed. He had the

262
00:15:29,760 --> 00:15:34,000
Speaker 1: tostic It wasn't always green the top not talking to

263
00:15:34,120 --> 00:15:36,880
Speaker 1: It's called tostick. And then he had the green. I

264
00:15:37,000 --> 00:15:40,360
Speaker 1: never remember what the green was. I was suggested was Joe,

265
00:15:40,560 --> 00:15:42,120
Speaker 1: but Branson still out there. We're gonna get him on

266
00:15:42,160 --> 00:15:44,000
Speaker 1: the show. Branson got the juice bar right now to

267
00:15:46,760 --> 00:15:48,760
Speaker 1: and he got his own. Fampaigne got his own still

268
00:15:48,800 --> 00:15:55,960
Speaker 1: got tiger bone. To another person in that conversation, I

269
00:15:56,080 --> 00:15:58,440
Speaker 1: want to say that you know I'm market and at

270
00:15:58,520 --> 00:16:00,480
Speaker 1: least for me, is the person and that put me

271
00:16:00,600 --> 00:16:03,960
Speaker 1: on to real weed for real, and that Shice Bubbs

272
00:16:05,200 --> 00:16:07,880
Speaker 1: because because because at first I thought you and See

273
00:16:07,880 --> 00:16:11,120
Speaker 1: Bubbs was a group that was under dip set. That's

274
00:16:11,120 --> 00:16:12,760
Speaker 1: what I thought, because that's what I first seen you

275
00:16:12,880 --> 00:16:16,040
Speaker 1: at right right rightly see now, sh Shics had Purple City,

276
00:16:16,520 --> 00:16:21,000
Speaker 1: which was his own movement with Kasa a um a mafia.

277
00:16:21,560 --> 00:16:23,440
Speaker 1: I was just a young nigger that used to be around,

278
00:16:23,920 --> 00:16:26,600
Speaker 1: right and I was a part of a group smoking

279
00:16:26,680 --> 00:16:30,000
Speaker 1: numbers at this time, just doing my work. I mean,

280
00:16:30,360 --> 00:16:32,480
Speaker 1: this was what this was what Johnny, This is just me,

281
00:16:32,640 --> 00:16:36,160
Speaker 1: you know, just trying to find my footing, and Johnny

282
00:16:36,200 --> 00:16:39,560
Speaker 1: linked me with Shice, and Shice took a liking to me.

283
00:16:40,280 --> 00:16:43,840
Speaker 1: So I want to I was Purple City, but it

284
00:16:43,960 --> 00:16:45,520
Speaker 1: was like I was a little man. I was a

285
00:16:45,560 --> 00:16:49,160
Speaker 1: little and that's what it in a cruil city, okay.

286
00:16:49,480 --> 00:16:51,480
Speaker 1: And Purple City to me is stip set, so right right,

287
00:16:51,560 --> 00:16:56,320
Speaker 1: right right right, And this is before and this is

288
00:16:56,440 --> 00:16:58,240
Speaker 1: this is before I knew Jim and Camp, you know,

289
00:16:58,640 --> 00:17:02,000
Speaker 1: so I was still an see me, I would think

290
00:17:02,000 --> 00:17:03,520
Speaker 1: all of your hall of niggas just know each other,

291
00:17:03,640 --> 00:17:05,840
Speaker 1: like by default. I think y'all just took at this

292
00:17:06,000 --> 00:17:08,000
Speaker 1: point or you didn't know them at that I didn't

293
00:17:08,040 --> 00:17:10,920
Speaker 1: know them at this thought in my mind you Max

294
00:17:11,000 --> 00:17:13,400
Speaker 1: b Cam oh, y'all was in the same home room

295
00:17:19,640 --> 00:17:22,080
Speaker 1: punishing around that time. I used to be around Max

296
00:17:22,080 --> 00:17:25,960
Speaker 1: because Max used to be and the sessions with Shice,

297
00:17:26,000 --> 00:17:27,520
Speaker 1: you know what I mean, and shooting the knick Knack

298
00:17:27,640 --> 00:17:29,159
Speaker 1: video and all that ship Like I was there for

299
00:17:29,200 --> 00:17:32,160
Speaker 1: the Trap Nigger video, just sitting behind the scenes seeing

300
00:17:32,200 --> 00:17:35,000
Speaker 1: how she was moving, wanting to be extra in the video,

301
00:17:35,119 --> 00:17:37,639
Speaker 1: just to be in it, you know. But that was,

302
00:17:37,760 --> 00:17:39,960
Speaker 1: you know, part of my dream ventus frames on what

303
00:17:40,040 --> 00:17:43,439
Speaker 1: are those those pieces are? John Paul got to you right?

304
00:17:43,960 --> 00:17:50,600
Speaker 1: Come on looking at my so bang you you're working

305
00:17:50,680 --> 00:17:54,200
Speaker 1: on your own all right immediately right? You know what,

306
00:17:54,320 --> 00:17:56,119
Speaker 1: I'll wait for that for the shot, but you are,

307
00:17:56,440 --> 00:17:59,440
Speaker 1: so how do you go from We're gonna gonna do

308
00:17:59,480 --> 00:18:02,399
Speaker 1: some shots, Lea's around, Oh he's outside. I feel like

309
00:18:02,440 --> 00:18:06,119
Speaker 1: he's doing a little bumball. So so how do you

310
00:18:06,200 --> 00:18:08,600
Speaker 1: even even I got I got a bunch of management

311
00:18:08,680 --> 00:18:12,399
Speaker 1: questions we actually got this Thursday, We're supposed to have

312
00:18:12,720 --> 00:18:18,720
Speaker 1: Eric Knix and James Cruise come up and kick some bolly. Now,

313
00:18:19,320 --> 00:18:22,560
Speaker 1: um one thing that I noticed, right, I didn't know

314
00:18:22,640 --> 00:18:29,760
Speaker 1: how much a headache artists for That's what I like.

315
00:18:30,000 --> 00:18:33,640
Speaker 1: I wanted to do that. And I technically can't get

316
00:18:33,720 --> 00:18:36,040
Speaker 1: mad at any artists because there's not one thing that

317
00:18:36,119 --> 00:18:38,720
Speaker 1: they've done but I have not done. So I technically

318
00:18:38,720 --> 00:18:42,119
Speaker 1: gotta shut the funk up. But how is that keeping patience?

319
00:18:42,160 --> 00:18:45,840
Speaker 1: How is that? And and okay, go ahead. I mean

320
00:18:45,920 --> 00:18:47,960
Speaker 1: it's like it's like anything you do, you gotta know

321
00:18:48,040 --> 00:18:50,480
Speaker 1: what you're signing up for. And every artist is different.

322
00:18:50,560 --> 00:18:52,480
Speaker 1: The way um and what this is't not the way

323
00:18:52,520 --> 00:18:54,880
Speaker 1: and with is not the way I am with styles.

324
00:18:55,280 --> 00:18:57,920
Speaker 1: Every artist is different management it is not like a

325
00:18:58,320 --> 00:19:01,399
Speaker 1: broad thing is ala Carman. So the things you may

326
00:19:01,480 --> 00:19:04,040
Speaker 1: need for me, he might not need. I might have

327
00:19:04,119 --> 00:19:06,080
Speaker 1: to call you every morning at seven a week. You

328
00:19:06,200 --> 00:19:08,440
Speaker 1: up to go over business, you know what I'm saying.

329
00:19:08,520 --> 00:19:11,240
Speaker 1: So you just gotta know your personnel and just kind

330
00:19:11,240 --> 00:19:13,920
Speaker 1: of like it's like having children almost you know, you

331
00:19:14,000 --> 00:19:16,080
Speaker 1: know what Noah likes? You know what? You know? What

332
00:19:16,560 --> 00:19:18,280
Speaker 1: do you keep your clients out to a minimum because

333
00:19:18,280 --> 00:19:20,920
Speaker 1: you can't spread yourself to things. You see, Now, I'm

334
00:19:20,920 --> 00:19:23,520
Speaker 1: part of a management company. I'm the president of cinematic management.

335
00:19:23,600 --> 00:19:27,000
Speaker 1: So I have other managers under me, so it's like delegation.

336
00:19:27,359 --> 00:19:30,640
Speaker 1: I learned delegation. So all right, you go with this artist,

337
00:19:30,720 --> 00:19:32,439
Speaker 1: but I'm gonna still call and check and make sure

338
00:19:32,480 --> 00:19:34,560
Speaker 1: everything is running smooth. So is it about knowing the

339
00:19:34,600 --> 00:19:37,040
Speaker 1: staff too, because what if you put somebody with with

340
00:19:37,160 --> 00:19:40,520
Speaker 1: deer that that don't smoke and like he just knowing

341
00:19:40,560 --> 00:19:45,000
Speaker 1: your personnel not to send nobody else who does for me.

342
00:19:47,160 --> 00:19:49,159
Speaker 1: If it's somebody who don't smoke, it's not gonna work. Well,

343
00:19:49,240 --> 00:19:50,720
Speaker 1: you know what I'm saying. So for sudden with this,

344
00:19:50,960 --> 00:19:53,600
Speaker 1: I'll try to go or he'll handle it on his own,

345
00:19:53,680 --> 00:19:57,160
Speaker 1: you know what I'm saying. Styles somebody like I don't

346
00:19:57,200 --> 00:19:59,480
Speaker 1: book him a hotel and don't get a balcony because

347
00:19:59,480 --> 00:20:02,760
Speaker 1: he got some mot make sure they got vegan options

348
00:20:02,800 --> 00:20:04,800
Speaker 1: for you know what I'm saying. So you just got

349
00:20:04,880 --> 00:20:07,600
Speaker 1: to know your person now. Like one time I um

350
00:20:08,000 --> 00:20:10,600
Speaker 1: I walked in the room. We we this is like

351
00:20:10,640 --> 00:20:13,280
Speaker 1: the no smoking policy just started. Everyone in death Jam

352
00:20:13,440 --> 00:20:16,120
Speaker 1: was like, yo, don't smoke in your fucking rooms. Put

353
00:20:16,119 --> 00:20:19,320
Speaker 1: you so everybody, we're all on point. Then DMX teas

354
00:20:19,320 --> 00:20:22,080
Speaker 1: to be downstairs, like you know what you're doing checking

355
00:20:22,240 --> 00:20:24,720
Speaker 1: the mouthtop But I don't know, keep going to the DMX,

356
00:20:24,760 --> 00:20:27,880
Speaker 1: moving this movie like the cigarette. I'm like that, I'm

357
00:20:27,880 --> 00:20:32,920
Speaker 1: not ten times flatinum trying to do that. But um so,

358
00:20:33,119 --> 00:20:38,320
Speaker 1: now so now now what is there? Were crying? Miss right?

359
00:20:38,640 --> 00:20:41,639
Speaker 1: If you what is there a difference from working with

360
00:20:41,720 --> 00:20:45,400
Speaker 1: a new artist, um then working with the elder Statesman?

361
00:20:46,520 --> 00:20:50,320
Speaker 1: Because the Elder Statesman been through it before. He he's

362
00:20:50,359 --> 00:20:53,000
Speaker 1: not getting too super excited about new ship. You know

363
00:20:53,119 --> 00:20:54,600
Speaker 1: what to bring to him, like he has a certain

364
00:20:54,640 --> 00:20:56,360
Speaker 1: standard with a new artist, like you kind of gotta

365
00:20:56,400 --> 00:20:58,480
Speaker 1: hold his hand and walk him through everything. You try

366
00:20:58,520 --> 00:21:01,359
Speaker 1: to be at everything, every first, every first award show,

367
00:21:01,920 --> 00:21:06,160
Speaker 1: every plaque ceremony. Older guy, like you know, he knows

368
00:21:06,240 --> 00:21:08,040
Speaker 1: what he likes, he knows what to do with most,

369
00:21:08,400 --> 00:21:11,920
Speaker 1: most most, most of all, he wants ship to be routine.

370
00:21:12,040 --> 00:21:14,000
Speaker 1: Who's the most improved artist? Who happen? Like who's the

371
00:21:14,080 --> 00:21:16,000
Speaker 1: artist that you worked with? And he was like, I'll

372
00:21:16,040 --> 00:21:18,040
Speaker 1: never work with again? And then you wind up saying

373
00:21:18,080 --> 00:21:22,159
Speaker 1: you know what he is? All I don't know? And

374
00:21:23,240 --> 00:21:27,800
Speaker 1: there's there's gotta be pros and constant like the old

375
00:21:27,880 --> 00:21:29,840
Speaker 1: artists could be more stubborn than the young yards. They're

376
00:21:29,840 --> 00:21:31,760
Speaker 1: more stuck in their ways. So it's like you're trying

377
00:21:31,800 --> 00:21:34,520
Speaker 1: to change somebody behavior that has been used to first

378
00:21:34,600 --> 00:21:37,800
Speaker 1: class flights and the remote and the rich cars and

379
00:21:37,920 --> 00:21:39,560
Speaker 1: for twenty years, and you were like, yo, no, not

380
00:21:39,680 --> 00:21:43,399
Speaker 1: this budget. You manage the artists now that's from the

381
00:21:43,480 --> 00:21:46,119
Speaker 1: era in the nineties that had the budgets and had

382
00:21:46,160 --> 00:21:48,720
Speaker 1: the big labels. They don't understand that mentality. It's hard

383
00:21:48,760 --> 00:21:50,520
Speaker 1: to crack and be like, no, that's what I want.

384
00:21:51,000 --> 00:21:53,320
Speaker 1: It's very tough to work with people who were who

385
00:21:53,880 --> 00:21:57,320
Speaker 1: their hey day was behind them sometimes like it's got

386
00:21:57,400 --> 00:21:59,359
Speaker 1: to pick and choose because sometimes people be like the

387
00:21:59,400 --> 00:22:03,200
Speaker 1: plastic cup then mindset of this is how it should

388
00:22:03,240 --> 00:22:04,760
Speaker 1: be and not this how it is. You know what

389
00:22:04,760 --> 00:22:12,200
Speaker 1: I'm saying, you wouldn't want to I'm ship, come on

390
00:22:12,320 --> 00:22:16,560
Speaker 1: man from left Frock bro in bro I like, I'll

391
00:22:16,560 --> 00:22:19,200
Speaker 1: be sitting pictures of whole with drinking ace of Spade.

392
00:22:19,240 --> 00:22:21,000
Speaker 1: Like there's like like, yo, you don't want to upgrade

393
00:22:21,000 --> 00:22:25,080
Speaker 1: your cup. I'm like, no, they're gonna wantain you. Baby,

394
00:22:25,080 --> 00:22:30,600
Speaker 1: I want to rEFInd you. Come on, let's get this. Yeah.

395
00:22:31,040 --> 00:22:34,280
Speaker 1: Oh my bad, my bad. I apologize, I apologize. Come on,

396
00:22:34,359 --> 00:22:35,920
Speaker 1: let's get some shots going. What you what you're doing?

397
00:22:35,920 --> 00:22:37,800
Speaker 1: The shot I gotta do. Say you guys have some

398
00:22:38,480 --> 00:22:41,480
Speaker 1: you want shout the shot the in with the Columbia white,

399
00:22:42,480 --> 00:22:44,800
Speaker 1: with the Colombian white. He doesn't put no ice in

400
00:22:44,920 --> 00:22:51,280
Speaker 1: his ships. Shot. It's like how you call it. It's

401
00:22:51,320 --> 00:22:53,720
Speaker 1: like he's sticking that ship. It's like drinking a heater,

402
00:22:54,960 --> 00:22:58,119
Speaker 1: that's true. Says like drinking to eat you know, you

403
00:22:58,160 --> 00:23:03,240
Speaker 1: know what to eat? This from New Yorkers, it's yo.

404
00:23:03,520 --> 00:23:05,880
Speaker 1: I don't know if they both got it's a rock.

405
00:23:06,119 --> 00:23:08,880
Speaker 1: I'm not I mean rock, but I gotta choose out

406
00:23:08,920 --> 00:23:11,119
Speaker 1: of what you gotta do. Say it over there. I'm

407
00:23:11,160 --> 00:23:13,920
Speaker 1: gonna with the brown, all right, Downtown Brown, right with

408
00:23:14,000 --> 00:23:18,880
Speaker 1: the Brown. I respect that guy. Baby, come on baby,

409
00:23:18,920 --> 00:23:22,000
Speaker 1: were sucking them both? Baby, yeah, I'm sucking them both.

410
00:23:22,040 --> 00:23:24,560
Speaker 1: You know I mean? But I said, I mean Puffy

411
00:23:27,040 --> 00:23:34,639
Speaker 1: show shout out to the vote, man, um, you got

412
00:23:34,720 --> 00:23:37,240
Speaker 1: yours right, So yeah, I don't know if you'll know

413
00:23:37,640 --> 00:23:40,760
Speaker 1: showing us about us. Yes, our show is about bigging

414
00:23:40,800 --> 00:23:42,880
Speaker 1: up our legends. We don't need you, you know, tell

415
00:23:42,920 --> 00:23:44,879
Speaker 1: him to happen. We're gonna tell you to your faces,

416
00:23:44,920 --> 00:23:47,119
Speaker 1: how much we appreciate you, how much we appreciate you.

417
00:23:47,240 --> 00:24:01,480
Speaker 1: Brother thing. Let's take us through slot. Yeah, I'm back now, okay, okay,

418
00:24:01,800 --> 00:24:08,200
Speaker 1: you got something because because I needed that cop not

419
00:24:08,320 --> 00:24:11,680
Speaker 1: hit that bloom. So hold the whole thing. We gotta

420
00:24:11,680 --> 00:24:15,879
Speaker 1: take it back to when we first met if Garcia

421
00:24:16,240 --> 00:24:20,679
Speaker 1: studio Miami. I remember he wasn't It wasn't a hurricane

422
00:24:20,720 --> 00:24:22,399
Speaker 1: time was it? It was? It was like a storm.

423
00:24:22,440 --> 00:24:25,800
Speaker 1: I remember wrote a motorcycle he had. He couldn't leave

424
00:24:25,880 --> 00:24:28,400
Speaker 1: because it was crazy. Super. Oh was there too, Super?

425
00:24:28,640 --> 00:24:32,600
Speaker 1: That's want our son is called my son at three o'clock.

426
00:24:32,680 --> 00:24:38,040
Speaker 1: Don't don't don't, don't mind interested Hey, you're gonna call

427
00:24:38,080 --> 00:24:41,320
Speaker 1: me an hour and forty minutes later you called me.

428
00:24:41,960 --> 00:24:44,359
Speaker 1: You in the next room, bro or I needed a

429
00:24:44,400 --> 00:24:48,280
Speaker 1: stile the paper got Damn, he's the Louise Papa Cheese.

430
00:24:48,280 --> 00:24:49,720
Speaker 1: I'm sorry. Who was it that he was with? It

431
00:24:49,840 --> 00:24:52,760
Speaker 1: was you know, this is how he says that he

432
00:24:52,840 --> 00:24:56,200
Speaker 1: puts himself out. You know, there's a hurricane coming, and

433
00:24:56,280 --> 00:24:58,359
Speaker 1: it was in the studio with us trying to do

434
00:24:58,480 --> 00:25:01,680
Speaker 1: mixtape ship. Yeah. I remember that was when the first

435
00:25:01,760 --> 00:25:05,920
Speaker 1: early early trips to Miami and film. Wow, Wow, that's dope.

436
00:25:06,080 --> 00:25:08,800
Speaker 1: All right, So it's been brought up. We didn't um

437
00:25:10,040 --> 00:25:12,480
Speaker 1: when I when I do this these interviews, I always

438
00:25:12,760 --> 00:25:14,919
Speaker 1: you know, go to Twitter and I actually, you got

439
00:25:14,960 --> 00:25:19,440
Speaker 1: something for smoke deser, you got something for bottle because

440
00:25:19,440 --> 00:25:23,359
Speaker 1: botticles to come through later. Yeah, yeah, yeah, he's supposed

441
00:25:23,359 --> 00:25:28,280
Speaker 1: to come through later around Bob's thirty Christine. And then

442
00:25:28,720 --> 00:25:31,960
Speaker 1: obviously I said, Yo, any questions for ha fame. Obviously,

443
00:25:33,280 --> 00:25:38,720
Speaker 1: people never really hurt your side. It never will. They

444
00:25:38,800 --> 00:25:42,280
Speaker 1: don't think. All they hear is you know whatever whatever

445
00:25:42,400 --> 00:25:43,960
Speaker 1: was going for a lack of better term for people

446
00:25:44,000 --> 00:25:46,520
Speaker 1: that don't know we're talking about because when we first

447
00:25:46,600 --> 00:25:49,479
Speaker 1: met you, you came in the game betrayal. So if

448
00:25:49,520 --> 00:25:52,000
Speaker 1: you could, like, you know, just elaborated as much as

449
00:25:52,040 --> 00:25:55,720
Speaker 1: you feel comfortable about, um, what happened with that situation. Now,

450
00:25:55,840 --> 00:25:58,159
Speaker 1: we we worked super hard, We got together, we did

451
00:25:58,200 --> 00:26:00,960
Speaker 1: all types of ship independently, made a bunch of money

452
00:26:01,160 --> 00:26:03,240
Speaker 1: from the ground. From the front. The ground was really

453
00:26:03,320 --> 00:26:07,080
Speaker 1: just us to maybe to three to three people at

454
00:26:07,119 --> 00:26:09,840
Speaker 1: the time. We got a lot of endorsements, We made

455
00:26:09,880 --> 00:26:12,240
Speaker 1: a name for ourselves and part of the ways right

456
00:26:12,920 --> 00:26:14,800
Speaker 1: he's doing what he's doing and I'm doing what I'm doing.

457
00:26:15,840 --> 00:26:18,920
Speaker 1: So um, obviously you know for the world that people know,

458
00:26:20,080 --> 00:26:26,720
Speaker 1: you know the situation and um and so was that

459
00:26:26,960 --> 00:26:30,159
Speaker 1: the last straw is because then he felt like he

460
00:26:30,240 --> 00:26:32,840
Speaker 1: was obligated to something or I'm not sure. I couldn't

461
00:26:32,840 --> 00:26:34,720
Speaker 1: even tell you how he felt because we never speak

462
00:26:34,760 --> 00:26:38,000
Speaker 1: about that, right and just just speak after the situation

463
00:26:38,080 --> 00:26:43,560
Speaker 1: at all. Blast is there something you want to work

464
00:26:43,600 --> 00:26:46,280
Speaker 1: out or just leave it up to God? But leave

465
00:26:46,320 --> 00:26:49,720
Speaker 1: it up to God, because I heard him say like

466
00:26:50,040 --> 00:26:52,840
Speaker 1: like he made the mistakes in certain things? Did you

467
00:26:53,440 --> 00:26:55,959
Speaker 1: make mistakes? I'm saying nobody perfect? I'm pretty sure. Did

468
00:26:56,000 --> 00:26:58,200
Speaker 1: you think he was genuine? And to say I thought

469
00:26:58,200 --> 00:27:00,280
Speaker 1: he was genuine when he said that about I don't know,

470
00:27:00,320 --> 00:27:02,240
Speaker 1: I wasn't about you. Like when he spoke about you,

471
00:27:02,800 --> 00:27:05,080
Speaker 1: I felt like he was genuine. It was like when

472
00:27:05,119 --> 00:27:07,080
Speaker 1: it came to you. Like I'm not saying he was

473
00:27:07,119 --> 00:27:10,320
Speaker 1: a genuine say and other situations. I'm not saying that,

474
00:27:10,440 --> 00:27:12,639
Speaker 1: but I'm saying when I when he came here and

475
00:27:12,720 --> 00:27:14,720
Speaker 1: I asked about the whole Vange situation, I felt like

476
00:27:14,760 --> 00:27:17,480
Speaker 1: he was genuine. That's it. I feel like I felt

477
00:27:17,520 --> 00:27:20,800
Speaker 1: like I felt like, you know, for me, you know,

478
00:27:20,920 --> 00:27:24,520
Speaker 1: cutting the cookie like RB right, I felt like he

479
00:27:24,640 --> 00:27:28,440
Speaker 1: needed someone to actually blame, not to say it like that,

480
00:27:28,880 --> 00:27:31,760
Speaker 1: but he needed, like I don't want to say a scapegoat,

481
00:27:32,480 --> 00:27:34,960
Speaker 1: because you know this was this is a very very

482
00:27:35,040 --> 00:27:38,879
Speaker 1: serious situation. So that's why I felt like you understand

483
00:27:38,880 --> 00:27:42,040
Speaker 1: I'm trying to say, oh, or now you know what

484
00:27:42,040 --> 00:27:43,960
Speaker 1: you're saying. I just can't speak for like, all right,

485
00:27:44,280 --> 00:27:45,720
Speaker 1: I don't know how you felt. Oh, you know what

486
00:27:45,760 --> 00:27:50,280
Speaker 1: I'm saying. So so if if that you don't have

487
00:27:50,359 --> 00:27:53,160
Speaker 1: to elaborate on that, but if that explain to people

488
00:27:53,280 --> 00:27:55,240
Speaker 1: that that is going to get into this game, that

489
00:27:55,520 --> 00:27:57,760
Speaker 1: is going to get into management, and it's gonna form

490
00:27:57,800 --> 00:28:00,680
Speaker 1: a certain friendship with certain people, and didn't we'll have

491
00:28:00,800 --> 00:28:04,040
Speaker 1: to deal with this explained to how that fails. I

492
00:28:04,200 --> 00:28:06,800
Speaker 1: always saying to people, like companies break up every day,

493
00:28:06,920 --> 00:28:10,080
Speaker 1: partners go different ways in business all the time. I

494
00:28:10,119 --> 00:28:12,680
Speaker 1: think it's the only sensationalize because it's rapid, because it's

495
00:28:12,720 --> 00:28:15,520
Speaker 1: young black men people start a business together, that make

496
00:28:15,520 --> 00:28:18,480
Speaker 1: buddy together and never speak again. That happens all the time.

497
00:28:19,040 --> 00:28:22,600
Speaker 1: I'm saying down to Apple Windows, the people that started

498
00:28:22,680 --> 00:28:25,800
Speaker 1: McDonald's ship happened. That's business, really, you know what I'm saying.

499
00:28:26,280 --> 00:28:28,159
Speaker 1: That's a good way to say, but this is the

500
00:28:28,240 --> 00:28:30,440
Speaker 1: music business. But the way you said that a manager

501
00:28:30,560 --> 00:28:39,520
Speaker 1: puts the artists four four four, right, because because I

502
00:28:39,640 --> 00:28:42,200
Speaker 1: managed as well. And it's just it's difficult, man, when

503
00:28:42,280 --> 00:28:45,360
Speaker 1: you put so much. You know, I would probably because

504
00:28:45,400 --> 00:28:47,280
Speaker 1: I know what you're saying, and you're being politically correct.

505
00:28:47,440 --> 00:28:50,040
Speaker 1: Let's take him how to be crazy, right, Just I

506
00:28:50,080 --> 00:28:52,239
Speaker 1: would like to explain for people that's going to get

507
00:28:52,240 --> 00:28:56,000
Speaker 1: it because like like like being a managers something very personal,

508
00:28:56,200 --> 00:28:59,040
Speaker 1: but it's not personal. You got you gotta always remember

509
00:28:59,080 --> 00:29:00,920
Speaker 1: at the end of the day, this just like we

510
00:29:01,360 --> 00:29:04,720
Speaker 1: had a friendship before music, so it wasn't just business.

511
00:29:04,800 --> 00:29:07,440
Speaker 1: But as far as like other artists that were just generalizing,

512
00:29:07,760 --> 00:29:10,120
Speaker 1: it has been happened in the music since the fucking started.

513
00:29:10,480 --> 00:29:12,800
Speaker 1: Does that make you better? That does? It doesn't make

514
00:29:12,840 --> 00:29:15,720
Speaker 1: you better? And make if you don't learn from experiences

515
00:29:15,960 --> 00:29:18,560
Speaker 1: that because the publishing I never I never took nobody

516
00:29:18,600 --> 00:29:21,600
Speaker 1: else published. But you you learn from experiences, so you

517
00:29:21,680 --> 00:29:23,320
Speaker 1: know now when you have an artist, you would never

518
00:29:23,360 --> 00:29:24,920
Speaker 1: take his publishing, you know what I'm saying, But it's

519
00:29:24,960 --> 00:29:27,640
Speaker 1: the friend it's the friendship managers, because most hip hop

520
00:29:27,800 --> 00:29:31,160
Speaker 1: artists are managed by their friends in the beginning. And

521
00:29:32,080 --> 00:29:35,320
Speaker 1: so that's the difference between other genres. Now most but

522
00:29:35,440 --> 00:29:37,480
Speaker 1: most but let me cut you off, but most of

523
00:29:37,520 --> 00:29:40,560
Speaker 1: their friends when that's when when they break most of

524
00:29:40,600 --> 00:29:45,000
Speaker 1: their friends that the managers. The manager, that's the friend.

525
00:29:45,320 --> 00:29:49,160
Speaker 1: Once they break from from the artists, they go right

526
00:29:49,240 --> 00:29:53,800
Speaker 1: back to selling licks. Not of them. I don't know.

527
00:29:54,200 --> 00:29:57,440
Speaker 1: I don't think, And I say, oh, I just think

528
00:29:57,480 --> 00:29:59,480
Speaker 1: the manager. You're not gonna know the manager story because

529
00:29:59,480 --> 00:30:01,800
Speaker 1: most of them are behind the scenes. You wouldn't even know. Yeah,

530
00:30:01,800 --> 00:30:03,960
Speaker 1: I think. I think the fact that people know me

531
00:30:04,120 --> 00:30:06,200
Speaker 1: is a testament to my work. You know what I'm saying.

532
00:30:06,240 --> 00:30:08,040
Speaker 1: People know me because I really get busy and I'm

533
00:30:08,040 --> 00:30:09,880
Speaker 1: doing great job, and I think some of my reputations

534
00:30:09,920 --> 00:30:13,720
Speaker 1: speak for us. Forces I none, but it forces sometimes

535
00:30:15,120 --> 00:30:18,120
Speaker 1: manages to become kind of like artists, so that doesn't

536
00:30:18,160 --> 00:30:20,200
Speaker 1: happen to them, so people they don't just fall behind

537
00:30:20,280 --> 00:30:21,880
Speaker 1: the scenes. But that's what I'm saying, Like this is

538
00:30:21,920 --> 00:30:24,080
Speaker 1: nothing new that's been happened. In the sixties, James Brown

539
00:30:24,120 --> 00:30:27,280
Speaker 1: fell out, what's first bandages? You know? Was it rough?

540
00:30:27,360 --> 00:30:29,400
Speaker 1: Because because because let me, let me just be clear,

541
00:30:29,640 --> 00:30:31,120
Speaker 1: and I just want to because I just want to

542
00:30:31,160 --> 00:30:34,000
Speaker 1: just get to get to it right. Um, when we

543
00:30:34,080 --> 00:30:36,120
Speaker 1: first seen you in the game, we only seen you

544
00:30:36,200 --> 00:30:38,960
Speaker 1: with Troy was y'all was like Biggie and Puffy y'all

545
00:30:39,080 --> 00:30:41,320
Speaker 1: was like, damon, Jay, you know what I'm saying. So

546
00:30:41,960 --> 00:30:44,800
Speaker 1: I imagine, and Troy was Troy was up, for lack

547
00:30:44,840 --> 00:30:46,640
Speaker 1: of a better word, like he was up and then

548
00:30:46,720 --> 00:30:49,480
Speaker 1: this this thing happens. You guys break away, he goes

549
00:30:49,600 --> 00:30:51,920
Speaker 1: just his thing, You go do his thing in those

550
00:30:52,000 --> 00:30:54,560
Speaker 1: periods of time, but you building rebuilding? Was it rough?

551
00:30:54,640 --> 00:30:56,440
Speaker 1: Because I mean some people have got to be looking

552
00:30:56,440 --> 00:30:58,800
Speaker 1: at you, like if you're not with Troy and watch it,

553
00:30:59,000 --> 00:31:00,800
Speaker 1: you know, I mean watching Suke with you. But this

554
00:31:00,880 --> 00:31:03,640
Speaker 1: is the artist with you. For them together, that's a blessing.

555
00:31:03,720 --> 00:31:05,840
Speaker 1: That's the best thing in the world. Whenever something happens,

556
00:31:05,880 --> 00:31:08,360
Speaker 1: like like you fall ill, golf a bit, or you

557
00:31:08,440 --> 00:31:10,760
Speaker 1: lose your job, the best thing that ever happens to

558
00:31:10,800 --> 00:31:12,840
Speaker 1: you is knowing way you stand with people, you know

559
00:31:12,880 --> 00:31:14,520
Speaker 1: what I'm saying. So people that wasn't funk with me

560
00:31:14,680 --> 00:31:16,760
Speaker 1: or they thought it was over, that's beautiful. I know,

561
00:31:16,920 --> 00:31:19,360
Speaker 1: I have faith for myself and faith in my ability,

562
00:31:19,400 --> 00:31:21,720
Speaker 1: and faith is testament to your work ethic that with

563
00:31:21,800 --> 00:31:24,640
Speaker 1: you regardless of that. So if you don't funk with me, don't. Boy,

564
00:31:25,800 --> 00:31:28,320
Speaker 1: that wasn't rough. I got loved ones that have like

565
00:31:28,400 --> 00:31:31,000
Speaker 1: real friends and family, like like you was cold to be.

566
00:31:32,160 --> 00:31:36,480
Speaker 1: I don't want to take a prom. I have real friends,

567
00:31:36,520 --> 00:31:39,840
Speaker 1: have real family, a wife, have kids, have I got.

568
00:31:40,120 --> 00:31:43,160
Speaker 1: I got real friends, Like there's a shape people that

569
00:31:43,280 --> 00:31:44,400
Speaker 1: you know what I'm saying. That was there for me.

570
00:31:44,400 --> 00:31:47,720
Speaker 1: It wasn't rough. It was an adjustment. It was like,

571
00:31:48,240 --> 00:31:50,760
Speaker 1: all right, this is different. I gotta figure this out.

572
00:31:50,880 --> 00:31:54,360
Speaker 1: But I didn't have any I didn't have any uh

573
00:31:56,160 --> 00:31:58,800
Speaker 1: doubts in myself. I never told it. I never thought

574
00:31:58,800 --> 00:32:03,680
Speaker 1: I would never be beggas out here y'all enough. I

575
00:32:03,720 --> 00:32:09,960
Speaker 1: didn't know the first one going, But like I didn't

576
00:32:09,960 --> 00:32:12,320
Speaker 1: doubt my ability. I didn't think I wouldn't be ever

577
00:32:12,480 --> 00:32:15,320
Speaker 1: lit or where I am right now. No, now, I

578
00:32:15,320 --> 00:32:17,440
Speaker 1: ain't gonna lie to tell the truth. I felt like

579
00:32:17,520 --> 00:32:19,360
Speaker 1: it was rough for both of y'all at one point

580
00:32:19,440 --> 00:32:23,280
Speaker 1: because we saw y'all as that you know, is that

581
00:32:23,960 --> 00:32:30,000
Speaker 1: that Biggie Puffy, that Dame Ja and I think everyone

582
00:32:30,120 --> 00:32:32,240
Speaker 1: kind of wanted y'all to reach that potential and didn't

583
00:32:32,280 --> 00:32:38,840
Speaker 1: break up because just real so when I was on

584
00:32:38,960 --> 00:32:42,120
Speaker 1: their way and it's shortcut of it. So I felt

585
00:32:42,120 --> 00:32:46,320
Speaker 1: like everyone had their opinion, from people from hit side

586
00:32:46,320 --> 00:32:48,400
Speaker 1: of the industry to people from your side and people

587
00:32:48,440 --> 00:32:51,080
Speaker 1: the industry period. Do you feel like I'm a little

588
00:32:51,080 --> 00:32:55,560
Speaker 1: bit accurate in that? Um? I didn't even say, Bro,

589
00:32:55,720 --> 00:33:01,120
Speaker 1: like I'm not. I'm not like years ago. Bro, It's like,

590
00:33:01,200 --> 00:33:03,720
Speaker 1: I don't. I don't. I don't even remember the emotions

591
00:33:03,760 --> 00:33:06,520
Speaker 1: and feelings I felt five years ago. You can't remember that.

592
00:33:06,600 --> 00:33:08,840
Speaker 1: You know what I'm saying. I know we're working together.

593
00:33:09,040 --> 00:33:10,800
Speaker 1: We can't never take that away from he's a hard

594
00:33:10,840 --> 00:33:14,320
Speaker 1: as worker, about hard as worker. We did some great ship.

595
00:33:14,480 --> 00:33:16,440
Speaker 1: We made somebody with basic history. It's like, you know,

596
00:33:16,840 --> 00:33:20,640
Speaker 1: definitely could change that. That's like Jay and Dane didn't

597
00:33:20,640 --> 00:33:22,640
Speaker 1: work out. James wouldn't want to do great things. They

598
00:33:22,640 --> 00:33:24,360
Speaker 1: wouldnt want to do great things. But you can't erase

599
00:33:24,400 --> 00:33:27,600
Speaker 1: the history there. You can't erase the history. And you

600
00:33:27,640 --> 00:33:30,040
Speaker 1: know what, I just want you to know, man Um, Eventually,

601
00:33:30,080 --> 00:33:32,920
Speaker 1: if at least y'all get on talking terms or you know,

602
00:33:33,000 --> 00:33:35,120
Speaker 1: whatever terms. I don't know like I would. I would

603
00:33:35,160 --> 00:33:38,200
Speaker 1: I like that man, because you know, I remember y'all

604
00:33:38,320 --> 00:33:42,120
Speaker 1: together being great and you know, hopefully maybe later on

605
00:33:42,200 --> 00:33:43,760
Speaker 1: in life. You know what I'm I'm sure if Benny

606
00:33:43,800 --> 00:33:46,360
Speaker 1: tells you a Poe fell out, oh well, I would

607
00:33:46,400 --> 00:33:51,080
Speaker 1: say trash the trash out like that. Yeah, not mean

608
00:33:51,200 --> 00:33:52,840
Speaker 1: phone never fell out like that, So I would say

609
00:33:52,880 --> 00:33:54,800
Speaker 1: me a trash. But I got love for trash and

610
00:33:55,120 --> 00:33:58,520
Speaker 1: um um, I really really like it was his birthday

611
00:33:58,520 --> 00:34:00,560
Speaker 1: the other day. I've reached out to on but I

612
00:34:00,600 --> 00:34:02,520
Speaker 1: didn't have to like us where I sat back seeing

613
00:34:02,520 --> 00:34:04,760
Speaker 1: everyone else saying happy birthday. I could have been like that,

614
00:34:05,320 --> 00:34:09,640
Speaker 1: you know, let me like, I'm too big to see

615
00:34:09,719 --> 00:34:13,360
Speaker 1: nigas bigger than you know. No, y know y'all a

616
00:34:13,400 --> 00:34:15,839
Speaker 1: happy birthday. Bro. He was like, what it's like, Yo,

617
00:34:15,960 --> 00:34:18,279
Speaker 1: that's big coming from you. I'm like, why, Like I

618
00:34:18,360 --> 00:34:21,080
Speaker 1: hate Nigga's to say you people, okay, so you're good,

619
00:34:21,280 --> 00:34:22,640
Speaker 1: like you know what I'm saying, like, but you know

620
00:34:22,680 --> 00:34:24,160
Speaker 1: it's so big up trash. So like I said, like,

621
00:34:24,640 --> 00:34:26,880
Speaker 1: you know, I've been through crazy ship, you've been do

622
00:34:27,000 --> 00:34:29,640
Speaker 1: crazy ship. Eventually, if you would come on speaking terms,

623
00:34:29,719 --> 00:34:31,680
Speaker 1: that's some motherfucking plus in life. Let's make some noise.

624
00:34:31,719 --> 00:34:35,640
Speaker 1: But goddamnit, I gotta get on something that's been on

625
00:34:35,719 --> 00:34:37,920
Speaker 1: my chest because he's on smoke busit chest. Do you

626
00:34:38,040 --> 00:34:43,239
Speaker 1: have the hookamania? Oh yeah, that is that the whole

627
00:34:43,600 --> 00:34:45,960
Speaker 1: ship I don't bring you all right. I like to

628
00:34:46,040 --> 00:34:47,680
Speaker 1: think this is the hope before we found out that

629
00:34:47,719 --> 00:34:53,000
Speaker 1: he used the word nigga. Right, cool, looks I was

630
00:34:53,000 --> 00:34:57,480
Speaker 1: a wholemaniac and that's what the same. It was to

631
00:34:57,600 --> 00:35:00,280
Speaker 1: hurt you when you didn't hurt me. It was sickening

632
00:35:00,360 --> 00:35:02,239
Speaker 1: because I don't know what to do. I'm like, damn

633
00:35:02,239 --> 00:35:04,760
Speaker 1: that man. It wasn't exactly what they caut I'm saying.

634
00:35:05,000 --> 00:35:07,919
Speaker 1: I mean, they don't even see. But he was da dating,

635
00:35:07,960 --> 00:35:10,160
Speaker 1: no nigger, that's what he said. He said at least

636
00:35:10,360 --> 00:35:15,160
Speaker 1: not at least she was. She was dating, right, but

637
00:35:16,760 --> 00:35:19,160
Speaker 1: right he was like me, you know, if it was

638
00:35:19,200 --> 00:35:22,680
Speaker 1: a six ft eight people too, that's my favorite. He

639
00:35:23,160 --> 00:35:25,239
Speaker 1: remember that part now, he said, maybe I skipped over

640
00:35:25,320 --> 00:35:27,640
Speaker 1: that part. I was a camaniac. I was just like,

641
00:35:27,719 --> 00:35:30,200
Speaker 1: he's racist me alone. But did you see what he

642
00:35:30,960 --> 00:35:34,000
Speaker 1: sex case? Yeah, that ship will goalca with his man

643
00:35:34,080 --> 00:35:35,640
Speaker 1: and all I mean, hold him, been upart a lot

644
00:35:35,680 --> 00:35:40,080
Speaker 1: of skin. What I'm saying that Rick Flaire hasn't been you,

645
00:35:40,520 --> 00:35:43,440
Speaker 1: Rick Flair, that's my that's my guy. Met Rick Flirt

646
00:35:44,480 --> 00:35:47,640
Speaker 1: four and a half for Horseman, I met Fley. I

647
00:35:47,680 --> 00:35:49,680
Speaker 1: want to say a year and a half ago. First joke, y'all,

648
00:35:49,760 --> 00:35:55,239
Speaker 1: dog yo, listen, Brady, righty Parper might have been the

649
00:35:55,280 --> 00:35:59,320
Speaker 1: first drink Chaps he was the other day I was like,

650
00:35:59,440 --> 00:36:02,200
Speaker 1: he's the first person the interview people in his own game.

651
00:36:02,600 --> 00:36:04,880
Speaker 1: I said, holy ship, drink chance might have been a

652
00:36:05,080 --> 00:36:10,160
Speaker 1: riddy roddy Piper. We just Piper what was it called,

653
00:36:10,200 --> 00:36:14,880
Speaker 1: Piper's Piper, Piper Piper's first The first thing Rick Flir

654
00:36:15,000 --> 00:36:16,839
Speaker 1: said when he seen me, he looked at my chain.

655
00:36:16,880 --> 00:36:28,640
Speaker 1: He was like, I'm as a fellow. Do you think

656
00:36:28,719 --> 00:36:31,960
Speaker 1: that's crazy because I was coming from the hood, right

657
00:36:33,520 --> 00:36:37,680
Speaker 1: be growing up. Paul and we have this liking to

658
00:36:37,840 --> 00:36:41,680
Speaker 1: a life that we know is Santa Claus, Like we

659
00:36:41,800 --> 00:36:44,960
Speaker 1: know this is fantasy, but still we watch it. We

660
00:36:45,120 --> 00:36:49,640
Speaker 1: watched super Fly, Jimmy Slicker, we watched Sting, we watched

661
00:36:50,560 --> 00:36:54,239
Speaker 1: pull On. See the thing is my mom's and my

662
00:36:54,800 --> 00:36:56,719
Speaker 1: mother and father, I want to say they introduced me

663
00:36:56,840 --> 00:37:00,120
Speaker 1: to wrestling, and they told me what it was us

664
00:37:00,160 --> 00:37:02,400
Speaker 1: from the beginning. So they said, it's a saying the

665
00:37:02,440 --> 00:37:05,160
Speaker 1: close wasn't real at three years old and feeling me

666
00:37:05,320 --> 00:37:08,440
Speaker 1: so and didn't it didn't take my joy of Christmas.

667
00:37:08,800 --> 00:37:15,840
Speaker 1: I don't think my mom still ain't. Like my mom's

668
00:37:15,880 --> 00:37:17,480
Speaker 1: just like no, no, you know what I'm saying. Close

669
00:37:17,560 --> 00:37:19,120
Speaker 1: is me and your father we work on for the ship.

670
00:37:20,120 --> 00:37:24,719
Speaker 1: So so so with the Santa Claus speech was the

671
00:37:24,760 --> 00:37:27,719
Speaker 1: wrestling speech, like so you know this, this is not real.

672
00:37:28,200 --> 00:37:30,759
Speaker 1: It's entertainment, and you know, for me watching it and

673
00:37:30,880 --> 00:37:32,920
Speaker 1: just learning how the ship works and just you know,

674
00:37:33,040 --> 00:37:36,080
Speaker 1: having friends in the business now and just being a

675
00:37:36,160 --> 00:37:38,640
Speaker 1: smack that's what they call it. Just knowing the behind

676
00:37:38,680 --> 00:37:42,880
Speaker 1: the scene ship. I know what it's hitting for. However,

677
00:37:43,400 --> 00:37:47,840
Speaker 1: they're real athletes and they get injured and that that

678
00:37:48,000 --> 00:37:50,200
Speaker 1: ship is really like you can't just pile driver and

679
00:37:50,560 --> 00:37:57,920
Speaker 1: say no this is fake. Get you it's what's going on? Man?

680
00:37:58,120 --> 00:38:16,000
Speaker 1: You got you got hand sanitizer. Yeah yeah, so so yeah,

681
00:38:16,120 --> 00:38:18,759
Speaker 1: so I learned smoking put your mask on it while

682
00:38:18,800 --> 00:38:21,080
Speaker 1: you're smoking A right, please you can't. We're just trying

683
00:38:21,120 --> 00:38:24,480
Speaker 1: to be cap't. But that's all so so so so yeah,

684
00:38:24,520 --> 00:38:28,280
Speaker 1: I don't understand. I learned about Santa Claus being fictional

685
00:38:28,360 --> 00:38:31,239
Speaker 1: and wrestling being fictional or at least you know, um

686
00:38:31,400 --> 00:38:34,320
Speaker 1: the story, the storytelling purpose of it. Same way, Have

687
00:38:34,480 --> 00:38:36,680
Speaker 1: no disrespect. I watched Love and Hip Hop or anybody

688
00:38:36,719 --> 00:38:38,320
Speaker 1: else will watch Love and Hip Hop, and you just

689
00:38:38,400 --> 00:38:39,880
Speaker 1: gotta just know what you want. Didn't know what you

690
00:38:39,920 --> 00:38:43,160
Speaker 1: know what it's for. I'm not you know whatever. Maybe

691
00:38:43,200 --> 00:38:44,839
Speaker 1: it's really maybe it's not. I don't know what's going

692
00:38:44,880 --> 00:38:48,600
Speaker 1: on on TV. It's not Love and Hip Hop, not

693
00:38:48,760 --> 00:38:54,840
Speaker 1: for no money in the world. I'm not going on

694
00:38:55,000 --> 00:38:58,880
Speaker 1: no no, no, no TV, both TV. So I'm not

695
00:38:59,000 --> 00:39:02,400
Speaker 1: going on TV to go beef and I get mad

696
00:39:02,480 --> 00:39:06,440
Speaker 1: over so enough with Love and Hip Hop, I'd never

697
00:39:06,960 --> 00:39:09,280
Speaker 1: and I respect everybody on there. I mean just expect

698
00:39:09,280 --> 00:39:11,360
Speaker 1: a couple of times, a couple of times and in

699
00:39:11,400 --> 00:39:13,840
Speaker 1: marriage boot camp and then I see the homie they

700
00:39:13,880 --> 00:39:17,439
Speaker 1: can have it. I said, they can have it better

701
00:39:17,480 --> 00:39:21,560
Speaker 1: than me. I respected you. I'm getting off something like

702
00:39:21,600 --> 00:39:24,440
Speaker 1: a little bit. I would work for myself basically like

703
00:39:24,520 --> 00:39:27,239
Speaker 1: the past ten years. It's not really the orders cracked

704
00:39:27,320 --> 00:39:30,000
Speaker 1: up to be like working for yourself, like I want

705
00:39:30,040 --> 00:39:32,120
Speaker 1: to have a job where I could report and come

706
00:39:32,200 --> 00:39:34,360
Speaker 1: in like I really you have a job when you

707
00:39:34,440 --> 00:39:36,600
Speaker 1: want to do maybe you ain't gonna like that ship

708
00:39:36,760 --> 00:39:43,560
Speaker 1: exactly this qu I mean, it's like someone ways rather

709
00:39:43,640 --> 00:39:46,560
Speaker 1: be major, someone thiss rather be independent. Definitely want to

710
00:39:47,600 --> 00:39:50,759
Speaker 1: every listen, I'm gonna be on they don't want to

711
00:39:50,800 --> 00:39:54,319
Speaker 1: colorate in yourself. Yapend you got ten independent albums, I'm

712
00:39:54,320 --> 00:39:56,960
Speaker 1: gonna get to that. Wait a second, I'm gonna be

713
00:39:58,920 --> 00:40:03,680
Speaker 1: if you got a guy who three albums right major

714
00:40:04,640 --> 00:40:09,760
Speaker 1: and a guy who did three albums independent, same grind,

715
00:40:10,480 --> 00:40:14,880
Speaker 1: same hustle, same type of hit records. I guarantee you

716
00:40:15,040 --> 00:40:18,800
Speaker 1: the guy that's independent. Mike got a little bit more Brad,

717
00:40:19,760 --> 00:40:24,080
Speaker 1: but he got way more gray heads. I ain't get

718
00:40:24,160 --> 00:40:37,120
Speaker 1: one great yet. It's coming, brother, He's a managements coming

719
00:40:37,160 --> 00:40:41,840
Speaker 1: down last year. And that's the point I'm trying to

720
00:40:41,920 --> 00:40:44,279
Speaker 1: make is you guys can make the same amount of money.

721
00:40:44,680 --> 00:40:51,600
Speaker 1: It's just independents, but the independent leaves a longer legacy

722
00:40:52,040 --> 00:40:56,520
Speaker 1: to their families though in ownership. Okay, And I'm not

723
00:40:57,080 --> 00:41:01,239
Speaker 1: working for anybody major to say this. I want to

724
00:41:01,280 --> 00:41:07,959
Speaker 1: say this because his the see saw. On one hand,

725
00:41:08,160 --> 00:41:11,400
Speaker 1: you're absolutely correct because you're leaving a legacy to your

726
00:41:11,440 --> 00:41:15,560
Speaker 1: family as far as riches, as far as ownership, ownership, ownership.

727
00:41:17,280 --> 00:41:22,000
Speaker 1: But that record that a major put five hundred grand

728
00:41:22,120 --> 00:41:25,920
Speaker 1: in and gave you a hundred million in the audience,

729
00:41:26,239 --> 00:41:30,719
Speaker 1: that record will never die neither. It's not ownership. It's

730
00:41:30,760 --> 00:41:33,319
Speaker 1: just like the lady in the projects, she's lived there

731
00:41:33,440 --> 00:41:38,680
Speaker 1: for two hundred years. She's paying grant but accident lady,

732
00:41:38,760 --> 00:41:41,560
Speaker 1: do she own it? She said, this is mins baby.

733
00:41:42,680 --> 00:41:44,399
Speaker 1: She knows you don't own it. She knows she paid

734
00:41:44,400 --> 00:41:51,680
Speaker 1: the city eight dollars a month, eight dollars on the major.

735
00:41:52,800 --> 00:42:03,480
Speaker 1: She's amazing. And I'm agree. I agree with that. But

736
00:42:03,600 --> 00:42:06,759
Speaker 1: what I'm trying to say is it's kind of like,

737
00:42:07,040 --> 00:42:10,000
Speaker 1: and remember, times are different to being a major in

738
00:42:10,080 --> 00:42:15,760
Speaker 1: the nineties, talking about catching that major weight. But everybody

739
00:42:15,840 --> 00:42:17,960
Speaker 1: don't catch your hit. The sign on major only one

740
00:42:18,000 --> 00:42:19,839
Speaker 1: percent due. I ain't talking about the ones that don't,

741
00:42:19,960 --> 00:42:25,560
Speaker 1: not even the ones that point point zero zero one

742
00:42:25,760 --> 00:42:28,359
Speaker 1: point to person listening, bro, I put out the ones

743
00:42:28,480 --> 00:42:31,799
Speaker 1: that do for one hit. I've done this. You can

744
00:42:31,880 --> 00:42:35,279
Speaker 1: tour for three years if you smart. Now your ship

745
00:42:35,400 --> 00:42:38,439
Speaker 1: is a different era. I'm telling you it's different. I can't.

746
00:42:38,560 --> 00:42:41,000
Speaker 1: I can't debate that. That's the reality. I can't debate

747
00:42:41,160 --> 00:42:43,880
Speaker 1: the budgets different. I've done a half a hit a

748
00:42:44,040 --> 00:42:47,000
Speaker 1: year and a half tour. I've done that. Grimy wasn't

749
00:42:47,000 --> 00:42:49,879
Speaker 1: a full fledged half a whole hit, but I've done

750
00:42:49,920 --> 00:43:01,800
Speaker 1: a whole. But now I'm not saying independent is not

751
00:43:01,960 --> 00:43:06,399
Speaker 1: not independent. It's that it's not for everybody. You can't

752
00:43:06,880 --> 00:43:08,920
Speaker 1: like yo, if I'm if, I'm if I'm a major.

753
00:43:09,920 --> 00:43:13,760
Speaker 1: I go to Minneapolis and I gotta go to Indianapolis

754
00:43:13,880 --> 00:43:16,759
Speaker 1: the next day and I missed Minneapolis morning show. I

755
00:43:16,840 --> 00:43:20,520
Speaker 1: could come back to Minneapolis. It's cool, you're my bad.

756
00:43:20,600 --> 00:43:22,560
Speaker 1: I only go to the morning show. I'm gonna do

757
00:43:22,640 --> 00:43:25,920
Speaker 1: an afternoon meet and greet the room. You mix it

758
00:43:26,040 --> 00:43:30,160
Speaker 1: one time and independent that it's like because they know

759
00:43:30,280 --> 00:43:33,200
Speaker 1: they got that power over you. It depends what kind

760
00:43:33,239 --> 00:43:37,800
Speaker 1: of independent, okay, because you know if you eat one obviously,

761
00:43:38,200 --> 00:43:43,200
Speaker 1: um not directly like I did business with Chuck Wilson.

762
00:43:44,200 --> 00:43:47,200
Speaker 1: I have shout out to schuf Wilson just because I

763
00:43:47,360 --> 00:43:51,040
Speaker 1: learned that's not baby Grant, that's baby grand same. You know,

764
00:43:51,160 --> 00:43:57,640
Speaker 1: sub subsidy um I learned the business from I won't

765
00:43:57,719 --> 00:44:01,279
Speaker 1: I won't. I won't say doing bad business as if

766
00:44:01,360 --> 00:44:05,200
Speaker 1: he somebody did anything that I wasn't aware of, right,

767
00:44:05,880 --> 00:44:08,840
Speaker 1: But you learn certain things when you're independent that you

768
00:44:08,960 --> 00:44:13,040
Speaker 1: might not list major, right, So you learn from experience.

769
00:44:13,600 --> 00:44:15,160
Speaker 1: So you know in the hoop we got to this

770
00:44:15,280 --> 00:44:17,480
Speaker 1: phrase is cheat the niggas. How you teach the nigga right?

771
00:44:18,239 --> 00:44:21,400
Speaker 1: So cheat the niggas? How you teach the nigga right?

772
00:44:21,520 --> 00:44:23,600
Speaker 1: So cheat the nigga, Cheat the niggas. How you teach

773
00:44:23,600 --> 00:44:25,279
Speaker 1: the name, Cheat the nigga? How you teach it? And

774
00:44:25,320 --> 00:44:28,080
Speaker 1: I'm not even saying that we're change the cheat of y'all.

775
00:44:28,400 --> 00:44:34,920
Speaker 1: Cheat y'all, how you teach the y'all. So I'm not insinuated.

776
00:44:34,960 --> 00:44:37,680
Speaker 1: I got cheated because I had a lawyer. And when

777
00:44:37,719 --> 00:44:40,640
Speaker 1: you got a family and you independent, so to speak,

778
00:44:41,280 --> 00:44:45,200
Speaker 1: you know, if you're not busting the road doing toys

779
00:44:45,320 --> 00:44:48,200
Speaker 1: and getting features of doing what you're doing, you gotta

780
00:44:48,239 --> 00:44:50,400
Speaker 1: figure it out you on the street. You feel me

781
00:44:50,520 --> 00:44:56,040
Speaker 1: and um when the advances in different languages come, even

782
00:44:56,080 --> 00:44:58,719
Speaker 1: if your lawyer is saying to you perpetuity, which is

783
00:44:58,760 --> 00:45:01,239
Speaker 1: a word, I feel like every in dependent audit artist

784
00:45:01,280 --> 00:45:03,600
Speaker 1: should know one be afraid of that, right, you gotta

785
00:45:03,640 --> 00:45:08,360
Speaker 1: know that word because that word you say needs forever,

786
00:45:08,880 --> 00:45:20,400
Speaker 1: not gratuity, not taxes, no perfect grat right right, not gratuity,

787
00:45:20,680 --> 00:45:24,359
Speaker 1: not not nothing. Perpetuity is forever. And if you see

788
00:45:24,400 --> 00:45:26,759
Speaker 1: that word, you run from that word. If you're independent artists.

789
00:45:26,760 --> 00:45:28,160
Speaker 1: I might be giving away too much game, but I

790
00:45:28,160 --> 00:45:31,160
Speaker 1: don't care. I'm a artestly proartist. How did you learn

791
00:45:31,200 --> 00:45:33,600
Speaker 1: this word? Somebody came to you and pity from having

792
00:45:33,719 --> 00:45:37,080
Speaker 1: certain assets and perpetuity. And then you know, when I

793
00:45:37,200 --> 00:45:39,400
Speaker 1: go back and they explain this word perpetuity to me,

794
00:45:40,560 --> 00:45:42,320
Speaker 1: I'm like, well, what could I do when it's like

795
00:45:42,320 --> 00:45:45,960
Speaker 1: you can't do nothing that you know? So moving forward

796
00:45:46,000 --> 00:45:49,520
Speaker 1: because that's the learning curve. And that's not to disrespect

797
00:45:49,560 --> 00:45:52,560
Speaker 1: anybody out but but honestly, to know what that word,

798
00:45:52,640 --> 00:45:54,759
Speaker 1: artists need to know to run from that word. Um.

799
00:45:54,920 --> 00:45:56,520
Speaker 1: And I'm not saying that's I don't know what kind

800
00:45:56,560 --> 00:45:58,480
Speaker 1: of business is doing that or what what's what? And

801
00:45:58,560 --> 00:46:01,080
Speaker 1: I'm not slandering him because I'm sure he's gonna see

802
00:46:01,120 --> 00:46:03,120
Speaker 1: this is sole love. I'm I'm getting money and who

803
00:46:03,120 --> 00:46:06,680
Speaker 1: we're talking about, talking Chuck, I'm talking about the business anyway,

804
00:46:07,520 --> 00:46:13,840
Speaker 1: He's he he's actually a good thing, you know what

805
00:46:13,840 --> 00:46:15,880
Speaker 1: I mean? But you know he does business. You you

806
00:46:15,960 --> 00:46:20,600
Speaker 1: get what you want somebody else. At the end of

807
00:46:20,640 --> 00:46:23,359
Speaker 1: the day, you ain't got to do with you. I'm

808
00:46:23,560 --> 00:46:26,960
Speaker 1: throwing perpetuity. Maybe they won't see that. Maybe they won't kids,

809
00:46:27,360 --> 00:46:30,319
Speaker 1: Maybe the money's worn. Perpetuity don't contribute to you while

810
00:46:30,320 --> 00:46:35,520
Speaker 1: you know, moving forward like I own everything else of

811
00:46:35,640 --> 00:46:42,680
Speaker 1: my master makes some money to that girl the way,

812
00:46:42,800 --> 00:46:45,480
Speaker 1: you know, like if it's time for me to just

813
00:46:45,640 --> 00:46:48,759
Speaker 1: pass my ship down to one of my kids, a

814
00:46:48,880 --> 00:46:50,520
Speaker 1: piece like here, this is for you, this is for you,

815
00:46:50,640 --> 00:46:52,680
Speaker 1: this is for you. I can do that, and I

816
00:46:52,800 --> 00:46:56,040
Speaker 1: feel like stepping away and just consulting and doing what

817
00:46:56,120 --> 00:46:58,400
Speaker 1: the funk I feel like doing. But who made you? Like?

818
00:46:59,000 --> 00:47:01,880
Speaker 1: Was it was it that ages turned you away? Or

819
00:47:02,160 --> 00:47:04,440
Speaker 1: what shocked? I tried to shucking jove, you know what

820
00:47:04,440 --> 00:47:06,279
Speaker 1: I mean. I went, I went and I said what

821
00:47:06,480 --> 00:47:08,560
Speaker 1: l A read shout out to l A read, shout

822
00:47:08,600 --> 00:47:14,440
Speaker 1: out to errand read, Yeah, that's that's my homie. And

823
00:47:14,640 --> 00:47:16,560
Speaker 1: uh he got me in there and I did the

824
00:47:16,600 --> 00:47:19,880
Speaker 1: whole you know, performing in front the staff, Silvia. But

825
00:47:20,040 --> 00:47:24,800
Speaker 1: the Bobby's murdership, it's not one of mine. It's not

826
00:47:24,880 --> 00:47:27,400
Speaker 1: one of my favorite murder and I didn't jump on

827
00:47:27,440 --> 00:47:30,200
Speaker 1: the table, but to have to do that, it's not

828
00:47:30,239 --> 00:47:32,920
Speaker 1: one of your favorite moments. That's not not because you know,

829
00:47:34,600 --> 00:47:37,160
Speaker 1: looking back at it like I'm I'm happy that it

830
00:47:37,280 --> 00:47:40,640
Speaker 1: didn't happen because it might have put an expiration date

831
00:47:40,680 --> 00:47:43,520
Speaker 1: on my ship. Right, So I felt like my ceiling.

832
00:47:43,960 --> 00:47:46,040
Speaker 1: You can't tell me what my ceiling is because you

833
00:47:46,080 --> 00:47:47,879
Speaker 1: don't know what my ceiling is, because I'm still going.

834
00:47:48,000 --> 00:47:51,600
Speaker 1: You can't see my like Freddy Gifts, Like Freddy Gibbs

835
00:47:51,600 --> 00:47:53,799
Speaker 1: had the same attitude. You see, he just linked up

836
00:47:53,840 --> 00:47:56,840
Speaker 1: what Atlantic. I think you deserved that experience, not I

837
00:47:56,880 --> 00:47:58,920
Speaker 1: mean just to funk all somebody else's money. I mean,

838
00:47:59,200 --> 00:48:01,759
Speaker 1: but I get you like guarantee, so you're not not

839
00:48:01,920 --> 00:48:10,359
Speaker 1: up ben't. I'm sorry. It's marriage is something FU announces, right.

840
00:48:10,560 --> 00:48:12,520
Speaker 1: But sometimes you have a paid for a pussy like

841
00:48:13,280 --> 00:48:15,560
Speaker 1: baby pussy like I'm listen, I don't know we knew

842
00:48:15,560 --> 00:48:21,040
Speaker 1: your things, right boy? All those pays anybody pa pussy?

843
00:48:21,080 --> 00:48:25,800
Speaker 1: What do you paying? Sorry, get your man? So everybody

844
00:48:25,800 --> 00:48:28,200
Speaker 1: people puss here and so it's a favorite pussy. It

845
00:48:28,400 --> 00:48:31,880
Speaker 1: feels so much better to tell him to leave when

846
00:48:31,920 --> 00:48:36,399
Speaker 1: the homie paid for it. So you're like, cool, Damn,

847
00:48:36,480 --> 00:48:40,680
Speaker 1: I'm beat up the homie pay And that's what doesn't

848
00:48:41,320 --> 00:48:45,879
Speaker 1: is that's how it is. That's you know what I'm fair.

849
00:48:47,400 --> 00:48:52,440
Speaker 1: That's what the homies pay. Boy, you're that's what the CC.

850
00:48:52,600 --> 00:48:55,040
Speaker 1: I don't. I don't. I don't know neither paying for pussy.

851
00:48:55,120 --> 00:48:58,320
Speaker 1: Paying for pussy is like you know, movies or dinner

852
00:48:58,560 --> 00:49:00,799
Speaker 1: or and it's not in the fruit. Well, I won't

853
00:49:00,880 --> 00:49:04,080
Speaker 1: do away, but I'm just saying that's the analogy that

854
00:49:04,200 --> 00:49:06,239
Speaker 1: I'm taking it in because I don't play in that

855
00:49:06,360 --> 00:49:08,080
Speaker 1: ball I don't play in the ballpark. I just got

856
00:49:08,400 --> 00:49:11,960
Speaker 1: but sorry, But based on what he said, Freddy Gibbs

857
00:49:12,360 --> 00:49:15,200
Speaker 1: and I don't know, Freddy gives business, but Freddy gets check, y'all.

858
00:49:15,239 --> 00:49:19,160
Speaker 1: It's different when you're independent and then go get distributed

859
00:49:19,200 --> 00:49:22,080
Speaker 1: through that's a whole ball game. So I don't think

860
00:49:22,080 --> 00:49:24,120
Speaker 1: he got distributed that I think this album is, but

861
00:49:24,440 --> 00:49:28,040
Speaker 1: atlantic different. You can retain, right, you can go all

862
00:49:28,040 --> 00:49:31,239
Speaker 1: the kinds of gol Major is a different contract. Yeah,

863
00:49:31,560 --> 00:49:35,920
Speaker 1: you're that leverage now, I'm saying that conversation because his

864
00:49:36,080 --> 00:49:39,120
Speaker 1: partnership is not doing its partnership it's the soul in

865
00:49:40,800 --> 00:49:43,080
Speaker 1: and I learned that from speaking of Nip God blessing.

866
00:49:43,120 --> 00:49:47,879
Speaker 1: It's his birthday to day. Everybody that's take a moment

867
00:49:47,920 --> 00:49:56,960
Speaker 1: of silence for this house for brothers. That's the piece net.

868
00:49:59,200 --> 00:50:01,719
Speaker 1: You know, that's that was one of my good friends. Um.

869
00:50:02,280 --> 00:50:06,400
Speaker 1: You know what sign of cinematic first Johnny Johnny found him.

870
00:50:06,600 --> 00:50:08,640
Speaker 1: Johnny found him. I feel like I want to see

871
00:50:08,960 --> 00:50:11,080
Speaker 1: Steve the bells and Steve want to say, was Stu

872
00:50:11,200 --> 00:50:18,200
Speaker 1: Felli fell? No, Steve, Steve just did that shake was

873
00:50:18,239 --> 00:50:21,320
Speaker 1: the label right? And I feel like, um, when we

874
00:50:21,400 --> 00:50:23,960
Speaker 1: were working with Shaun Kingston, shout out to Shaun Kingston.

875
00:50:24,200 --> 00:50:26,160
Speaker 1: He was writing rounds with Shaun Kingston and like that

876
00:50:26,400 --> 00:50:29,560
Speaker 1: yea on the first album when I was all singing

877
00:50:29,920 --> 00:50:40,320
Speaker 1: you're boy, singing ship, You're my inside jokes, I wouldn't

878
00:50:40,320 --> 00:50:47,040
Speaker 1: platinum before I wuldn't platinum. The little shot you like

879
00:50:47,120 --> 00:50:54,200
Speaker 1: together und doing this job around the shot around the

880
00:50:54,239 --> 00:50:56,800
Speaker 1: time this is my shot glass, around the time he

881
00:50:56,920 --> 00:51:01,480
Speaker 1: was working on with Sean Kingston Kingston Matlock shout out

882
00:51:01,520 --> 00:51:06,480
Speaker 1: the shout, shout out the mom um. So you know,

883
00:51:06,560 --> 00:51:09,560
Speaker 1: around the time he was working with him, he was

884
00:51:09,760 --> 00:51:12,880
Speaker 1: you know beautiful girls was making the sun all right,

885
00:51:13,719 --> 00:51:18,440
Speaker 1: um and Felly was helping break the seance records. And

886
00:51:18,560 --> 00:51:23,560
Speaker 1: I feel like Felly put Nipsey on ships radar. And

887
00:51:23,640 --> 00:51:26,279
Speaker 1: I remember the first time we heard got the name

888
00:51:26,320 --> 00:51:28,439
Speaker 1: of the record because I don't give a fuck. Ryan

889
00:51:28,520 --> 00:51:31,160
Speaker 1: with my window on my be timed up a see

890
00:51:31,280 --> 00:51:34,800
Speaker 1: burning and I was like, oh, ship, this nigger is

891
00:51:35,040 --> 00:51:37,320
Speaker 1: It's serious. And you know, Ships is a is a

892
00:51:37,400 --> 00:51:40,600
Speaker 1: person that if he funk with you wherever you come from,

893
00:51:41,040 --> 00:51:43,839
Speaker 1: he gonna he's flying out. He wanted to go see

894
00:51:44,680 --> 00:51:47,440
Speaker 1: how you living? Actually what's going on? When you met him?

895
00:51:48,280 --> 00:51:51,800
Speaker 1: Shot she broke together. It was many sandwiches, you know

896
00:51:51,840 --> 00:51:54,000
Speaker 1: what I mean, Like we made it look good kind

897
00:51:54,000 --> 00:51:59,680
Speaker 1: of turkey and cheese. You bless man is because he

898
00:51:59,719 --> 00:52:02,160
Speaker 1: was an always kid about his diet, even though he

899
00:52:02,160 --> 00:52:06,120
Speaker 1: would get were from the horse would be a little different,

900
00:52:06,160 --> 00:52:08,440
Speaker 1: but shots from Upper west Side, so you know he

901
00:52:08,600 --> 00:52:10,960
Speaker 1: he related to what was going on. So you know

902
00:52:11,600 --> 00:52:13,839
Speaker 1: any time he liked the artist, he will fly out

903
00:52:13,880 --> 00:52:18,000
Speaker 1: to with from everywhere, like everybody about from Mississippi, you

904
00:52:18,040 --> 00:52:20,320
Speaker 1: know what I mean. But we flew out the l A,

905
00:52:20,440 --> 00:52:23,040
Speaker 1: the South Central and we linked with Big You and

906
00:52:23,160 --> 00:52:26,760
Speaker 1: Steve and then and he was going out as management.

907
00:52:26,880 --> 00:52:28,400
Speaker 1: He was just going. I was just going with my

908
00:52:28,480 --> 00:52:30,480
Speaker 1: homie because every time you know, he made a move,

909
00:52:31,560 --> 00:52:33,719
Speaker 1: I was the way you know what I mean, like

910
00:52:34,440 --> 00:52:47,200
Speaker 1: we didn't your shots, just shots together, god dad, yeah, yeah, yeah.

911
00:52:48,000 --> 00:52:50,560
Speaker 1: Moving forward. Nick was the person that never really put

912
00:52:50,640 --> 00:52:52,839
Speaker 1: me on up and you said, Lipseys told you something

913
00:52:52,880 --> 00:52:59,919
Speaker 1: that Verbage just not not perpect by the way we learned.

914
00:53:02,200 --> 00:53:06,239
Speaker 1: I mean, you know, viewers, um. But but Nick was

915
00:53:06,320 --> 00:53:08,640
Speaker 1: the one that that really screwed me on you know,

916
00:53:10,239 --> 00:53:13,480
Speaker 1: doing it yourself and and the verbage. If you do

917
00:53:13,719 --> 00:53:17,480
Speaker 1: want to upstream your ship to a major, it's not

918
00:53:17,640 --> 00:53:20,920
Speaker 1: you're being signed to a major, it's your partnering with

919
00:53:21,080 --> 00:53:24,240
Speaker 1: the major. So it's a partnership. It's sold with verbage.

920
00:53:24,560 --> 00:53:26,960
Speaker 1: It is how they look at you too. Told us

921
00:53:27,040 --> 00:53:28,560
Speaker 1: back in the day too, you know what I mean.

922
00:53:28,600 --> 00:53:30,120
Speaker 1: And even speaking to Dame, you know what I mean,

923
00:53:30,200 --> 00:53:32,560
Speaker 1: Damon always tell me you'll cut the middlement, and I

924
00:53:32,640 --> 00:53:36,160
Speaker 1: mean like this is you know, he was always even

925
00:53:36,200 --> 00:53:38,839
Speaker 1: though he was you know, the label, he was still

926
00:53:38,920 --> 00:53:41,680
Speaker 1: pro artists too, because he wants every artist that come

927
00:53:41,760 --> 00:53:45,160
Speaker 1: up under him to be elite. You know what I mean,

928
00:53:45,200 --> 00:53:47,839
Speaker 1: whoever that is, I call him Professor X because that's

929
00:53:48,360 --> 00:53:52,040
Speaker 1: his whole you know spill. But um Nick put me

930
00:53:52,120 --> 00:53:55,719
Speaker 1: onto the partnership and you know, doing the Proud to

931
00:53:55,760 --> 00:53:58,560
Speaker 1: Pay campaign. Like I wish in handsight, I would have

932
00:53:58,640 --> 00:54:03,239
Speaker 1: listened earlier when he was telling me this, because I

933
00:54:03,280 --> 00:54:05,600
Speaker 1: would have got to where I wanted to get to sooner,

934
00:54:06,239 --> 00:54:08,480
Speaker 1: you know what I mean? But um never took ecstasy

935
00:54:13,520 --> 00:54:21,879
Speaker 1: were a word mm watchrooms because the most extreme ship

936
00:54:21,960 --> 00:54:24,480
Speaker 1: I probably did was drink lean at one point in life,

937
00:54:24,520 --> 00:54:27,720
Speaker 1: and and that wasn't no good. Yeah, he's in control.

938
00:54:28,719 --> 00:54:31,480
Speaker 1: It's like this. You've ever seen the Bionic Man. That's

939
00:54:31,480 --> 00:54:34,080
Speaker 1: when you drink. Yeah, that's just stupid. It's like that.

940
00:54:34,160 --> 00:54:36,200
Speaker 1: That's how you feel or that's how you see, that's

941
00:54:36,239 --> 00:54:39,400
Speaker 1: how that's how your money. Slow motion on sleep with

942
00:54:39,440 --> 00:54:49,719
Speaker 1: your hang out with p Rock. Okay, that's right, by

943
00:54:49,760 --> 00:54:53,000
Speaker 1: the way, if you're not following Peak Rock on Instagram,

944
00:54:53,120 --> 00:54:56,640
Speaker 1: you see to smack yourself in the face. He's hilarious

945
00:54:57,080 --> 00:54:59,680
Speaker 1: on Instagram. You don't know he throws it up there

946
00:54:59,719 --> 00:55:03,120
Speaker 1: he you think about this, Nigga Pete. I don't know

947
00:55:03,239 --> 00:55:06,239
Speaker 1: when he goes to sleep, how he wakes up and

948
00:55:06,320 --> 00:55:10,400
Speaker 1: he's like, I know, at five am, if me and

949
00:55:10,480 --> 00:55:13,800
Speaker 1: Pete Rock, it's not seeing out. I'm gonna get a

950
00:55:14,040 --> 00:55:17,719
Speaker 1: thread of a fucking text message at six am. And

951
00:55:17,800 --> 00:55:21,200
Speaker 1: I'm like, how were you? Uh? I just seeing you tweeting?

952
00:55:21,320 --> 00:55:23,720
Speaker 1: I mean I just see you on the Graham maybe

953
00:55:23,800 --> 00:55:27,040
Speaker 1: at midnight, my nigga, it's five am. But Pete is

954
00:55:27,080 --> 00:55:29,759
Speaker 1: the most fucking entertaining person on the ground for me

955
00:55:29,800 --> 00:55:31,759
Speaker 1: because he's going to go rick shift from every other

956
00:55:31,840 --> 00:55:35,799
Speaker 1: page and that's the news for him. So basic. Yet

957
00:55:36,680 --> 00:55:38,720
Speaker 1: I used to carry Pete Crates to get in the club.

958
00:55:39,239 --> 00:55:47,319
Speaker 1: See that's the old school hip hop. Ship hip hop? Yeah,

959
00:55:47,440 --> 00:55:50,520
Speaker 1: what year was this? Gotta be like, I'm thirty six,

960
00:55:50,560 --> 00:55:54,040
Speaker 1: so I'm still fairly and young nigga. You so coming

961
00:55:54,120 --> 00:55:59,279
Speaker 1: up like Ships always found his way to managing these

962
00:55:59,400 --> 00:56:03,440
Speaker 1: legendary artists. And when are you a sex one year connect?

963
00:56:03,480 --> 00:56:06,240
Speaker 1: I connected with Ships when I was seventeen, so okay,

964
00:56:06,440 --> 00:56:09,200
Speaker 1: red the year and this is when I was bad rapping.

965
00:56:09,239 --> 00:56:14,880
Speaker 1: But anyway, um M, yeah, we'll get We'll get to that, okay,

966
00:56:15,360 --> 00:56:19,200
Speaker 1: but um any better luck to them. This is before this,

967
00:56:19,320 --> 00:56:23,000
Speaker 1: before I got commercial. I mean, pop was always out moves,

968
00:56:23,000 --> 00:56:25,480
Speaker 1: always this is t Rex. Rex was the first nigga

969
00:56:25,520 --> 00:56:28,239
Speaker 1: that I knew that was rapping for real, you know

970
00:56:28,280 --> 00:56:29,560
Speaker 1: what I mean, because we all we're all from the

971
00:56:29,640 --> 00:56:31,520
Speaker 1: same block. Me ranks Move, you know what I mean.

972
00:56:31,640 --> 00:56:34,000
Speaker 1: So that was the first nigger that he was the

973
00:56:34,080 --> 00:56:37,440
Speaker 1: standard of rap when we was coming up younger. Rex

974
00:56:38,120 --> 00:56:41,600
Speaker 1: was the first nigger. Um was like the Floyd Mayweather

975
00:56:42,080 --> 00:56:44,320
Speaker 1: is Floyd Mayweather. I've never seen them moves a battle.

976
00:56:44,880 --> 00:56:47,200
Speaker 1: I didn't have seen him to anybody's belief. I'm not

977
00:56:47,239 --> 00:56:49,960
Speaker 1: saying that I've never seen the moves a battle ever

978
00:56:50,000 --> 00:56:53,200
Speaker 1: in my life. And that's o'clock in the morning. Or

979
00:56:53,640 --> 00:56:59,880
Speaker 1: I might have called him. We called each other, don't

980
00:57:05,880 --> 00:57:08,400
Speaker 1: because because he posted some ship about Move and you

981
00:57:08,440 --> 00:57:10,680
Speaker 1: know that's my favorite battle rapper. I just wanted to

982
00:57:10,680 --> 00:57:12,520
Speaker 1: talk because that's the type of nigga. Buster is like

983
00:57:12,560 --> 00:57:14,719
Speaker 1: a five o'clock in the morning. So I was like, Yo,

984
00:57:15,280 --> 00:57:17,280
Speaker 1: I know that that nigger ain't got no ball, and

985
00:57:17,360 --> 00:57:20,360
Speaker 1: I think ain't got no album because I'm murdered Moves

986
00:57:20,400 --> 00:57:22,160
Speaker 1: bigg as fan. But I can't tell Buster this at

987
00:57:22,200 --> 00:57:24,760
Speaker 1: this time. I just want to be for him. I'm

988
00:57:24,760 --> 00:57:27,640
Speaker 1: about to go jogging. So this is the perfect steroids

989
00:57:27,680 --> 00:57:30,120
Speaker 1: that knees like in my mind, just so I'm like, yo,

990
00:57:30,160 --> 00:57:33,560
Speaker 1: what's uping? Was? Move? Ain't out mad? Gonna be that fire?

991
00:57:33,840 --> 00:57:39,240
Speaker 1: He's like, what exactly why we took this long? I'm like,

992
00:57:39,640 --> 00:57:41,280
Speaker 1: I'm like, I didn't know he had to go, But

993
00:57:41,360 --> 00:57:43,160
Speaker 1: I'm not saying that that's the one to beat. I'm like,

994
00:57:43,640 --> 00:57:45,400
Speaker 1: what do you mean take h along? He's like yeah,

995
00:57:46,040 --> 00:57:48,880
Speaker 1: because because people think battle rappers can't can't make a

996
00:57:49,000 --> 00:57:51,680
Speaker 1: piece of work. And I'm like, yeah, so he made

997
00:57:51,720 --> 00:57:54,200
Speaker 1: a piece of you mean a piece of work. He's like, Yo,

998
00:57:54,360 --> 00:57:56,480
Speaker 1: he made him and he's going in on this ship.

999
00:57:56,640 --> 00:57:59,640
Speaker 1: I love that ship because like Buster really he really

1000
00:57:59,720 --> 00:58:03,000
Speaker 1: really believe. He believed that. He believes his boss is there.

1001
00:58:03,080 --> 00:58:06,120
Speaker 1: So it's just about he's the rappers, So it's just

1002
00:58:06,120 --> 00:58:10,080
Speaker 1: about applying, Like that's like having the paint, having the outline.

1003
00:58:10,280 --> 00:58:13,000
Speaker 1: It's just about painting in between the lines. So that's

1004
00:58:13,040 --> 00:58:15,000
Speaker 1: all he has to actually do is paint in between

1005
00:58:15,080 --> 00:58:18,160
Speaker 1: a lot in my opinion, because because I know who

1006
00:58:18,240 --> 00:58:24,960
Speaker 1: Buster is, that is Yes, listen, I called Buster almost

1007
00:58:25,040 --> 00:58:30,440
Speaker 1: like fourteen times every month just to see it, so

1008
00:58:30,600 --> 00:58:34,160
Speaker 1: exactly like fourteen like in an awkward moment to like

1009
00:58:34,240 --> 00:58:36,840
Speaker 1: an awkward times like eight thirty at night you're in

1010
00:58:36,880 --> 00:58:40,040
Speaker 1: the studio and he's like, nah, I'm over here, and

1011
00:58:40,120 --> 00:58:41,720
Speaker 1: then I'm like all right, cool to thirty in the

1012
00:58:41,760 --> 00:58:46,080
Speaker 1: morning the studio, Like he has not stopped, has not

1013
00:58:46,240 --> 00:58:48,360
Speaker 1: He's he's the most relentless, but he's got to be

1014
00:58:48,440 --> 00:58:51,360
Speaker 1: the world heavy work with Buster Man. I was managing

1015
00:58:51,440 --> 00:58:55,400
Speaker 1: him for a minute. He's very, very particulous, very dedicated. Meticulous.

1016
00:58:55,640 --> 00:59:00,240
Speaker 1: That sounds like a great word to say, difficult to tell,

1017
00:59:01,080 --> 00:59:03,560
Speaker 1: you know what I'm saying, Like he goes to profession

1018
00:59:03,680 --> 00:59:06,240
Speaker 1: like Dr D is meticulous, you know what I'm saying.

1019
00:59:07,160 --> 00:59:10,800
Speaker 1: And that's a that's a purpose. He's my friend. He's difficult.

1020
00:59:13,760 --> 00:59:17,680
Speaker 1: He had a great album coming to He's albums, him

1021
00:59:17,680 --> 00:59:20,480
Speaker 1: and Drey's album come out at the same time they

1022
00:59:20,520 --> 00:59:23,400
Speaker 1: are Listen, listen, he's coming out with an album now

1023
00:59:23,400 --> 00:59:28,320
Speaker 1: that he's getting divorced. Yeah, albums coming out. Who's coming out?

1024
00:59:30,880 --> 00:59:32,520
Speaker 1: You gotta do He had a tree nut Let me

1025
00:59:32,600 --> 00:59:38,080
Speaker 1: do it. Bro mm No, I'm not saying because of that.

1026
00:59:38,640 --> 00:59:42,400
Speaker 1: I'm saying because when you get bad music like fire

1027
00:59:42,520 --> 00:59:44,800
Speaker 1: him to go work. It's what I'm saying. Yeah, that's

1028
00:59:44,800 --> 00:59:47,560
Speaker 1: what I mean most albums, fire Man, as we tell

1029
00:59:47,560 --> 00:59:50,840
Speaker 1: your something, bro, that is my inspiration. I call him

1030
00:59:50,920 --> 00:59:53,560
Speaker 1: everything I said. Every couple of days I just argue

1031
00:59:53,600 --> 00:59:55,800
Speaker 1: with him, like I just want to argue with him,

1032
00:59:56,160 --> 00:59:58,480
Speaker 1: like I want to keep imagine that argument not an argument.

1033
00:59:58,480 --> 01:00:00,600
Speaker 1: I just want to disagree. That's what it is. Because

1034
01:00:00,640 --> 01:00:03,920
Speaker 1: he's a very strong disbeliever of disagreement. He likes to

1035
01:00:03,960 --> 01:00:06,800
Speaker 1: debate the debate. So I'll be like, I'll just say

1036
01:00:06,880 --> 01:00:14,200
Speaker 1: something like I don't think that's conect, but I can't

1037
01:00:14,240 --> 01:00:16,840
Speaker 1: imagine anybody winning. He gets bustered at any debate. I

1038
01:00:16,960 --> 01:00:21,760
Speaker 1: never said I need that energy. I need that. What

1039
01:00:21,960 --> 01:00:25,680
Speaker 1: are you talking about? I need that? And when he

1040
01:00:25,720 --> 01:00:27,640
Speaker 1: gives me that, like all right, who going to write?

1041
01:00:29,960 --> 01:00:32,760
Speaker 1: He knows that ship, but that he's he's a very

1042
01:00:32,880 --> 01:00:36,360
Speaker 1: unique individual. So you guys also work with camera. Yeah,

1043
01:00:37,360 --> 01:00:39,160
Speaker 1: also seems like a difficult individual. I'm just throwing it

1044
01:00:39,200 --> 01:00:40,960
Speaker 1: out there. You don't use the word difficult. Would you

1045
01:00:41,200 --> 01:00:46,280
Speaker 1: use again? What's it called meticulous? Meticulous? Cam is not difficult?

1046
01:00:46,560 --> 01:00:48,960
Speaker 1: Sure he don't want ping eminem No, you're not that guy.

1047
01:00:49,440 --> 01:00:52,840
Speaker 1: Can just want to make sure you have to call

1048
01:00:52,920 --> 01:00:54,720
Speaker 1: service there to get him there and make sure the

1049
01:00:54,800 --> 01:00:58,400
Speaker 1: money right, money right, and call service. You got to

1050
01:00:58,440 --> 01:01:00,200
Speaker 1: get our money right and get our call service. Get

1051
01:01:00,240 --> 01:01:01,960
Speaker 1: camera on a here, got them and make the things

1052
01:01:02,000 --> 01:01:07,280
Speaker 1: got that. Damn my money are right and we're gonna

1053
01:01:07,320 --> 01:01:10,120
Speaker 1: go service. Let's work this out's working this out. You're

1054
01:01:10,160 --> 01:01:11,880
Speaker 1: not your brother that you know. You know me and

1055
01:01:12,040 --> 01:01:15,160
Speaker 1: Cam at one point we was like Jay and Nas

1056
01:01:15,400 --> 01:01:19,600
Speaker 1: of our era and we didn't be able to get

1057
01:01:19,600 --> 01:01:21,800
Speaker 1: it back together. You ain't offer me so champagne. Now

1058
01:01:21,800 --> 01:01:25,840
Speaker 1: I knew Brooklyn Hall of name. Never. I'm just hoping

1059
01:01:25,880 --> 01:01:30,360
Speaker 1: that you know what you're not supposed to keep my

1060
01:01:30,440 --> 01:01:35,120
Speaker 1: telling bottles close friends. You know this drink champ So

1061
01:01:35,160 --> 01:01:38,400
Speaker 1: I had to come to smoke waverers. What do you

1062
01:01:38,600 --> 01:01:40,920
Speaker 1: we got something going over that smoke or is that

1063
01:01:41,160 --> 01:01:46,760
Speaker 1: this smoke package? Were don't be going any compliance and

1064
01:01:46,800 --> 01:01:50,280
Speaker 1: see very soon smokes club ships and what's those shope?

1065
01:01:50,960 --> 01:01:53,000
Speaker 1: What's those two drugs that's different through what? This is

1066
01:01:53,080 --> 01:01:56,439
Speaker 1: some This is Miami's finest. This is some les. Sorry,

1067
01:01:56,440 --> 01:01:59,840
Speaker 1: and this is some way from this first way from

1068
01:01:59,880 --> 01:02:02,080
Speaker 1: the like the way from his waits okay, and this

1069
01:02:02,280 --> 01:02:04,680
Speaker 1: is on some runs runs. I mean, this is all

1070
01:02:04,720 --> 01:02:06,640
Speaker 1: ship that's gonna make you sweat. Okay, I'll give you,

1071
01:02:06,920 --> 01:02:09,440
Speaker 1: give you a little smoke this ball that I'm talking about. Babies,

1072
01:02:09,640 --> 01:02:14,920
Speaker 1: we get here, baby, baby, we're having fun. Okay, okay,

1073
01:02:15,520 --> 01:02:17,840
Speaker 1: can you roll one one for me? You wanted me?

1074
01:02:17,960 --> 01:02:23,080
Speaker 1: Oh that's a negative, that's right, just negative? Come on,

1075
01:02:23,280 --> 01:02:27,440
Speaker 1: come on, come on? Do we have more? Yeah? We

1076
01:02:27,520 --> 01:02:29,960
Speaker 1: got more to God, I got that, got some paint.

1077
01:02:30,000 --> 01:02:31,880
Speaker 1: I don't know if you're smoke pickles and I got some.

1078
01:02:33,320 --> 01:02:36,000
Speaker 1: I'm gonna be honest, but I'll tell you trust my

1079
01:02:36,160 --> 01:02:39,160
Speaker 1: lungs is old school niggas. Niggas get speaking to papers

1080
01:02:39,200 --> 01:02:43,920
Speaker 1: because we backnes We appreciate them niggas from what we're

1081
01:02:43,960 --> 01:02:45,880
Speaker 1: doing with the smoke. Chance man, let's do it? Brother?

1082
01:02:46,040 --> 01:02:47,920
Speaker 1: What have been doing? Because we got to me too?

1083
01:02:47,960 --> 01:02:52,400
Speaker 1: Because you look this collective for there's a collective item

1084
01:02:52,440 --> 01:02:53,680
Speaker 1: for the needles that do want to come to smoke

1085
01:02:53,720 --> 01:02:57,000
Speaker 1: papers and smoke. I'm not I'm a hohless. I'm not

1086
01:02:57,000 --> 01:02:59,680
Speaker 1: gonna smoke this. I called hip hop member in my house.

1087
01:02:59,800 --> 01:03:03,720
Speaker 1: Some don't be honest. Where gets that? But what we're

1088
01:03:03,720 --> 01:03:05,960
Speaker 1: doing with the small boa, where did he go? We

1089
01:03:06,080 --> 01:03:08,480
Speaker 1: all learning to do it? Listen. Actually we already think

1090
01:03:08,520 --> 01:03:10,960
Speaker 1: we gotta move for y'all. Well, y'all on even like

1091
01:03:11,120 --> 01:03:15,280
Speaker 1: you know, yeah, we're actually let's get this morning where

1092
01:03:15,720 --> 01:03:19,000
Speaker 1: boom yeah yeah, l a a couple of days because

1093
01:03:20,200 --> 01:03:22,880
Speaker 1: me and we got our own podcast when we're on FaceTime,

1094
01:03:23,400 --> 01:03:25,160
Speaker 1: so we just see that. We just need to We

1095
01:03:25,240 --> 01:03:27,320
Speaker 1: just need the people to hear what we got going on, okay,

1096
01:03:27,680 --> 01:03:30,280
Speaker 1: because that's our conversations as it is, because you're working

1097
01:03:30,320 --> 01:03:33,560
Speaker 1: together now, right, work together, brothers, the teamwork, make the

1098
01:03:33,640 --> 01:03:36,520
Speaker 1: dream work. But yeah, we need to do the small champs.

1099
01:03:36,600 --> 01:03:38,320
Speaker 1: We're gonna do that, brother, We're gonna do that. No,

1100
01:03:38,400 --> 01:03:40,480
Speaker 1: we got your back, bro. And you know what, let

1101
01:03:40,520 --> 01:03:45,080
Speaker 1: me tell you. I respect y'all both like and motherfucker

1102
01:03:45,280 --> 01:03:48,480
Speaker 1: over respect. So and you know, putting the play together.

1103
01:03:48,600 --> 01:03:50,320
Speaker 1: So if this is ain't nothing to it, but to

1104
01:03:50,400 --> 01:03:52,640
Speaker 1: do it, god damn, you definitely get open the bottom

1105
01:03:52,880 --> 01:03:55,040
Speaker 1: and then take those shutting the drink and get the drink.

1106
01:03:56,800 --> 01:03:59,240
Speaker 1: Was talking no, no, let's drink and you got to

1107
01:03:59,320 --> 01:04:02,640
Speaker 1: drink drinks ain't no more. But because you were over

1108
01:04:02,680 --> 01:04:05,520
Speaker 1: there with Hoke Hogan a cinematic change and the Smokes

1109
01:04:05,600 --> 01:04:07,480
Speaker 1: Club chang and you were out here looking very rich

1110
01:04:07,880 --> 01:04:19,360
Speaker 1: and relationship with DAP. But Dad, that's look, Dad watched

1111
01:04:19,400 --> 01:04:21,480
Speaker 1: me grow up, you know what I mean? Dad knew

1112
01:04:21,560 --> 01:04:25,680
Speaker 1: me before I rapped. When I was playing basketball. Me

1113
01:04:25,760 --> 01:04:29,880
Speaker 1: and Gilanni his son, Um, we both went to private school.

1114
01:04:30,280 --> 01:04:31,560
Speaker 1: We U was the niggers in the hood that wore

1115
01:04:31,640 --> 01:04:33,760
Speaker 1: un you know the big words because the private school

1116
01:04:34,680 --> 01:04:37,200
Speaker 1: that was that watching wrestling and just reading books because

1117
01:04:37,200 --> 01:04:40,600
Speaker 1: I like I like reading books. Um. But me and Gilanni,

1118
01:04:40,680 --> 01:04:42,200
Speaker 1: we was the two kids out the hood that went

1119
01:04:42,280 --> 01:04:46,440
Speaker 1: to private school. And we both like basketball. So before

1120
01:04:47,120 --> 01:04:49,200
Speaker 1: we went on our journeys to get to school, we'll

1121
01:04:49,240 --> 01:04:51,840
Speaker 1: be in the school yard shooting. You know what I mean? Um?

1122
01:04:52,800 --> 01:04:56,800
Speaker 1: And fast forward when I started rapping, they always supported me.

1123
01:04:57,080 --> 01:04:58,560
Speaker 1: But do you ever went to DAP store as a

1124
01:04:58,600 --> 01:05:01,000
Speaker 1: little nigga, I used to be. I used to go

1125
01:05:01,080 --> 01:05:04,360
Speaker 1: to that crib. Who'd you see? Who'd you see? A store? Like?

1126
01:05:04,440 --> 01:05:06,920
Speaker 1: I ain't gonna front. I never was really in the store.

1127
01:05:07,000 --> 01:05:09,000
Speaker 1: I heard all the stories I heard about the Mike

1128
01:05:09,080 --> 01:05:13,520
Speaker 1: Tyson Miss Green that tell me old oh man, bro,

1129
01:05:13,840 --> 01:05:15,640
Speaker 1: I hear all the store forty two So I'm out

1130
01:05:15,680 --> 01:05:24,240
Speaker 1: of lun. Let me let me put you on. When

1131
01:05:24,280 --> 01:05:27,240
Speaker 1: we was younger, right, you know because kids as Crew,

1132
01:05:27,600 --> 01:05:30,640
Speaker 1: so a lot a lot of the kids that that

1133
01:05:30,960 --> 01:05:33,960
Speaker 1: was the first bootleg as a as a kid. So

1134
01:05:34,920 --> 01:05:37,560
Speaker 1: if your iceberg didn't have Gilmo on it, you know

1135
01:05:37,560 --> 01:05:40,200
Speaker 1: what I mean, Niggas was coming for you. Niggas is going.

1136
01:05:41,840 --> 01:05:44,920
Speaker 1: It was like a joke, right, So when we was younger,

1137
01:05:45,000 --> 01:05:48,880
Speaker 1: we didn't get the significance of who he was and

1138
01:05:49,040 --> 01:05:51,439
Speaker 1: what he was in this hip in the hip hop

1139
01:05:51,560 --> 01:05:56,520
Speaker 1: culture right now, fast forward, before he got the Gucci

1140
01:05:57,560 --> 01:06:01,360
Speaker 1: that style, well a kid it was and Louis were

1141
01:06:01,400 --> 01:06:04,560
Speaker 1: talking both bigs DAP styles. But before he even got there,

1142
01:06:04,920 --> 01:06:06,920
Speaker 1: I used him for the Don't Smoke Rock cover with

1143
01:06:07,040 --> 01:06:11,560
Speaker 1: me and Pete right, just because we had turtlenecks. The

1144
01:06:11,600 --> 01:06:13,760
Speaker 1: whole suit. DA did all of that. So the whole

1145
01:06:13,840 --> 01:06:16,880
Speaker 1: asthetic come up, put it up the wholest I wanted

1146
01:06:16,920 --> 01:06:21,200
Speaker 1: the whole aesthetic to feel like, you know, after you doing.

1147
01:06:25,080 --> 01:06:27,640
Speaker 1: I wanted to hole in aesthetic to be like after

1148
01:06:28,600 --> 01:06:39,040
Speaker 1: New Jack City, you feel but after Nino Brown you

1149
01:06:39,160 --> 01:06:41,080
Speaker 1: feel me like, well what that would have looked like?

1150
01:06:41,680 --> 01:06:45,200
Speaker 1: And the modern right, and the whole the music was

1151
01:06:45,320 --> 01:06:48,640
Speaker 1: like black exploitation because you know that's what I was

1152
01:06:48,760 --> 01:06:55,080
Speaker 1: watching in and just studying lines samples. We know, we

1153
01:06:55,360 --> 01:06:58,440
Speaker 1: got the whole album we played, so you know, and

1154
01:06:58,560 --> 01:07:05,320
Speaker 1: it wasn't the directors BA, yeah, that's not rich people

1155
01:07:05,320 --> 01:07:09,360
Speaker 1: are boring taxes, right, it's right. And it wasn't direct,

1156
01:07:09,480 --> 01:07:13,800
Speaker 1: very very hot questioning because because you know, it's okay

1157
01:07:13,840 --> 01:07:18,560
Speaker 1: because it wasn't direct interpretation, so really do And it's

1158
01:07:18,600 --> 01:07:21,960
Speaker 1: not a coportuity, not because I got it, because you know,

1159
01:07:22,240 --> 01:07:24,520
Speaker 1: like I said, I bumped my toe hit my head

1160
01:07:24,640 --> 01:07:27,680
Speaker 1: so much in this ship, right that if you don't learn,

1161
01:07:27,800 --> 01:07:30,440
Speaker 1: you deserve everything you get. So at this point, I'm

1162
01:07:30,480 --> 01:07:32,440
Speaker 1: just moving off experience, you know what I mean, and

1163
01:07:33,160 --> 01:07:36,040
Speaker 1: speaking to my piers and knowing that you know a

1164
01:07:36,080 --> 01:07:43,320
Speaker 1: lot of people living of experts that okay I was,

1165
01:07:43,520 --> 01:07:51,520
Speaker 1: I said, but but you know that I'm moving. You're

1166
01:07:51,520 --> 01:07:54,680
Speaker 1: gonna looking into it like I'm start missing right right

1167
01:07:54,880 --> 01:07:57,440
Speaker 1: right about shout out to the hot But you know

1168
01:07:57,600 --> 01:08:02,240
Speaker 1: that the fact that I've been through so much ship

1169
01:08:02,960 --> 01:08:06,920
Speaker 1: just doing business, you gotta learn from it, you know.

1170
01:08:07,080 --> 01:08:10,720
Speaker 1: So I'm moving with a sense of being wise than

1171
01:08:10,880 --> 01:08:13,280
Speaker 1: just being thirst like all money and good money, like

1172
01:08:13,360 --> 01:08:15,400
Speaker 1: I'm I'm good on certain ship, you know what I mean.

1173
01:08:15,560 --> 01:08:18,920
Speaker 1: So they had one of the first Sad Rocket features

1174
01:08:18,920 --> 01:08:21,320
Speaker 1: as well. I was the first Niggers to give a

1175
01:08:21,400 --> 01:08:25,519
Speaker 1: Rocky a feature. And and you know I always believed

1176
01:08:25,560 --> 01:08:28,519
Speaker 1: in Rocky and Yams, God blessed Yams used to come

1177
01:08:28,560 --> 01:08:35,920
Speaker 1: to my shows. Was what rockies here out had the twist,

1178
01:08:35,960 --> 01:08:39,320
Speaker 1: he had the two grads. Hein't had a perm. Let's

1179
01:08:39,320 --> 01:08:41,160
Speaker 1: talk about that. You know. He was the first thing

1180
01:08:41,320 --> 01:08:44,080
Speaker 1: I've seen when Jeremy Scott's at that time, you know

1181
01:08:44,080 --> 01:08:51,360
Speaker 1: what I mean. He was just and Rocky always had

1182
01:08:51,439 --> 01:08:55,360
Speaker 1: this energy with him. Um like he was from right.

1183
01:08:55,400 --> 01:08:57,960
Speaker 1: But I'm gonna tell a real story, right. So my

1184
01:08:58,080 --> 01:09:00,960
Speaker 1: man Steve, my brother, somebody I grew up with that

1185
01:09:01,120 --> 01:09:03,880
Speaker 1: was managing me, right, So we went into the whole before.

1186
01:09:04,040 --> 01:09:06,400
Speaker 1: He was like you know friends that come in that

1187
01:09:06,479 --> 01:09:09,599
Speaker 1: they end up managing people. And he's still doing good

1188
01:09:09,600 --> 01:09:12,880
Speaker 1: because he's managing other big artists as well. Um. But

1189
01:09:13,040 --> 01:09:15,400
Speaker 1: he was the one that encouraged me to work with

1190
01:09:15,800 --> 01:09:18,160
Speaker 1: a Sad Rocky at the time because the record for

1191
01:09:18,360 --> 01:09:20,559
Speaker 1: Local that I had, I wanted to put Juicy Jalen record.

1192
01:09:20,920 --> 01:09:22,960
Speaker 1: This is when Juicy j was getting trippy. He was

1193
01:09:23,040 --> 01:09:25,040
Speaker 1: just coming off the Smoker's Club tour. We had a

1194
01:09:25,120 --> 01:09:27,599
Speaker 1: report and he was already speaking something like now I'm

1195
01:09:27,600 --> 01:09:29,439
Speaker 1: gonna put Juicy on this. He like, no, let's keep

1196
01:09:29,479 --> 01:09:32,640
Speaker 1: it hall on as this kid a sad rocking who

1197
01:09:32,720 --> 01:09:36,200
Speaker 1: told you about I mean Steve, Steve, Steve Um And

1198
01:09:36,680 --> 01:09:43,080
Speaker 1: you know I always no, no, Um. I always took

1199
01:09:43,200 --> 01:09:47,519
Speaker 1: his word as goal because no, not Steve Wi from

1200
01:09:47,520 --> 01:09:59,960
Speaker 1: dev GFC, GFC, GFC, Steve r GFC Steve right about.

1201
01:10:01,000 --> 01:10:03,560
Speaker 1: But but yeah, you know when when he told me like,

1202
01:10:03,680 --> 01:10:05,720
Speaker 1: let's keep the energy and harm, you know what I mean,

1203
01:10:05,760 --> 01:10:09,120
Speaker 1: I couldn't really go against that. And before and this

1204
01:10:09,280 --> 01:10:11,759
Speaker 1: is before, yeah, this is before, was just before anything.

1205
01:10:13,160 --> 01:10:17,000
Speaker 1: This was just me betting on somebody that please my man,

1206
01:10:17,160 --> 01:10:18,800
Speaker 1: saying that al right, this kid is gonna be next.

1207
01:10:18,840 --> 01:10:21,519
Speaker 1: And I'm like, well, what could be the worst thing

1208
01:10:21,560 --> 01:10:23,680
Speaker 1: to happen? Right? So I put the nick on the

1209
01:10:23,760 --> 01:10:27,040
Speaker 1: racket and nigga started going. Then after a while, everybody

1210
01:10:27,160 --> 01:10:31,439
Speaker 1: hitting my phone for Rocky. I don't manage this snicker.

1211
01:10:31,560 --> 01:10:34,240
Speaker 1: Everybody's trying to sign this thing. Everybody trying to and

1212
01:10:35,439 --> 01:10:37,639
Speaker 1: fast forward he signed the polo grounds and A seven

1213
01:10:37,720 --> 01:10:42,760
Speaker 1: and everything else. Brian Lee. But you know, you know,

1214
01:10:42,920 --> 01:10:47,080
Speaker 1: so Rocky and he always be. I know you well,

1215
01:10:47,120 --> 01:10:48,280
Speaker 1: I know of him. I don't know him, but I

1216
01:10:48,360 --> 01:10:52,439
Speaker 1: know you know since But once once Rocky got to

1217
01:10:52,479 --> 01:10:55,360
Speaker 1: where he got to, he still came back and was like, Yo,

1218
01:10:55,400 --> 01:10:56,800
Speaker 1: what's up? What were we doing? But you can still

1219
01:10:56,840 --> 01:10:58,400
Speaker 1: get a record with him right now, you know what

1220
01:10:58,439 --> 01:11:00,519
Speaker 1: I mean, after the drawers that you know you gotta

1221
01:11:00,520 --> 01:11:03,560
Speaker 1: add withdrawals. My nigga, he gets to the money. You

1222
01:11:03,600 --> 01:11:05,120
Speaker 1: know what I mean. He doing, he's doing doing, He's

1223
01:11:05,120 --> 01:11:07,800
Speaker 1: doing what he's doing. But you know he he never

1224
01:11:07,880 --> 01:11:10,880
Speaker 1: got weird on me for me, like he always was

1225
01:11:10,920 --> 01:11:12,680
Speaker 1: a nigga to be got rid of you. Let's just

1226
01:11:12,680 --> 01:11:14,800
Speaker 1: throw it out. This drink Championship got weird of you

1227
01:11:15,040 --> 01:11:17,200
Speaker 1: know some of the weird niggas. But I won't even

1228
01:11:17,240 --> 01:11:18,760
Speaker 1: say niggas that got weird on me because it's the

1229
01:11:18,840 --> 01:11:20,639
Speaker 1: music business, you know what I mean. Like I could

1230
01:11:20,640 --> 01:11:24,479
Speaker 1: tell you that they getting business on you. Look that kid.

1231
01:11:24,800 --> 01:11:26,560
Speaker 1: I can tell your niggas that didn't get wet, you

1232
01:11:26,600 --> 01:11:28,080
Speaker 1: know what I mean. Niggas like Big Prip. You know

1233
01:11:28,120 --> 01:11:30,000
Speaker 1: I mean, niggas like Whis Khalifa. You know what I mean,

1234
01:11:30,080 --> 01:11:33,360
Speaker 1: He's currency, you know what I mean. Let's get on

1235
01:11:33,360 --> 01:11:39,040
Speaker 1: the phone. Let's see this picks up first. He definitely

1236
01:11:39,200 --> 01:11:42,880
Speaker 1: picking up for me. Smoke blunts. He kicked me on

1237
01:11:43,000 --> 01:11:45,320
Speaker 1: the studio. The thing is with my friends with their phones,

1238
01:11:45,439 --> 01:11:49,920
Speaker 1: the niggas. It's gonna be interesting these niggas. He's gonna

1239
01:11:50,000 --> 01:11:54,080
Speaker 1: kill Tom's nickicking me out. He didn't kick me out.

1240
01:11:54,840 --> 01:12:02,519
Speaker 1: You know I got guns, but friends on see him young.

1241
01:12:02,560 --> 01:12:06,720
Speaker 1: We all got problems, like why why are you calling

1242
01:12:06,760 --> 01:12:08,920
Speaker 1: me a facetop? You know I don't go No, yeah,

1243
01:12:09,920 --> 01:12:11,880
Speaker 1: how do you go? Fact? You'll be at me on facetop?

1244
01:12:11,920 --> 01:12:13,840
Speaker 1: I'm like making you in your forties. You better stop.

1245
01:12:15,400 --> 01:12:18,720
Speaker 1: We gotta stop this FaceTime. All right, we did not

1246
01:12:18,840 --> 01:12:24,320
Speaker 1: pick up. You called him and I was calling just no, no, no.

1247
01:12:24,560 --> 01:12:27,599
Speaker 1: If you pick up that, this is good ahead because

1248
01:12:27,600 --> 01:12:29,240
Speaker 1: I was calling on me the same time to set

1249
01:12:29,320 --> 01:12:32,760
Speaker 1: up right now here we are, I like this segment, man,

1250
01:12:32,800 --> 01:12:36,240
Speaker 1: this dope. Here we are who I gotta get this

1251
01:12:36,320 --> 01:12:40,240
Speaker 1: credit because we don't answer that. Don't pick up? Texting unavailable.

1252
01:12:42,240 --> 01:12:45,000
Speaker 1: Come on, he's busy recording his show. Let me call.

1253
01:12:45,479 --> 01:12:48,080
Speaker 1: Let me see what WIN doing. Yeah, this v has

1254
01:12:48,080 --> 01:12:49,600
Speaker 1: never been on drink chats, by the way, Yeah, we

1255
01:12:49,680 --> 01:12:56,560
Speaker 1: need on drink chats. Yeah, who I got is Wakonda.

1256
01:13:00,439 --> 01:13:05,120
Speaker 1: Let's make some hold on. Who is that world? Cold color?

1257
01:13:07,280 --> 01:13:11,439
Speaker 1: Are you calling him to? Hey? There you go? Oh

1258
01:13:11,600 --> 01:13:28,000
Speaker 1: he got Virgo sho good, Nick said, Virgo ship Virgo Shoot.

1259
01:13:28,000 --> 01:13:30,080
Speaker 1: I'm good with that. I was good. What's good? Round

1260
01:13:30,640 --> 01:13:34,280
Speaker 1: time anyway and everything round Who I didn't say that?

1261
01:13:35,240 --> 01:13:40,599
Speaker 1: Yes she did, no way, Yes she didn't. Toney, that's

1262
01:13:40,640 --> 01:13:42,840
Speaker 1: not true. It's that you don't come on myself. So

1263
01:13:42,880 --> 01:13:45,559
Speaker 1: I'll just don't shot at you. Sometimes you talking about

1264
01:13:46,760 --> 01:13:52,519
Speaker 1: I can't go on. That's on top of about don't

1265
01:13:52,560 --> 01:13:57,360
Speaker 1: come to come through, brother, come to brother, got up?

1266
01:13:57,520 --> 01:14:01,240
Speaker 1: Happened to me? And this ship much says, No, you

1267
01:14:01,360 --> 01:14:03,800
Speaker 1: gotta relax. You went to be that you went to

1268
01:14:03,920 --> 01:14:11,840
Speaker 1: rat rad Off. No, no, my brother, you're my brother brother.

1269
01:14:11,880 --> 01:14:15,120
Speaker 1: I love you, man, bro, Yeah, I love you, bro. Yeah, yeah,

1270
01:14:17,160 --> 01:14:28,439
Speaker 1: I'm not Miami you. Yes, sir, damn frozen. That's good enough,

1271
01:14:28,600 --> 01:14:33,479
Speaker 1: that's good, that's funny. I love you. In a minute,

1272
01:14:36,080 --> 01:14:39,760
Speaker 1: just say young Christmas Penning Wilder. He definitely not man,

1273
01:14:39,960 --> 01:14:44,440
Speaker 1: he's definitely not. I gotta, I gotta, but I gotta relate, apologize,

1274
01:14:45,000 --> 01:14:49,559
Speaker 1: I apologize. You got right now. I said, that's fat.

1275
01:14:51,000 --> 01:14:56,040
Speaker 1: I need this because he remember everything. You can just

1276
01:14:56,080 --> 01:14:59,320
Speaker 1: say I did it has I'm gonna say yourself what

1277
01:15:01,520 --> 01:15:05,439
Speaker 1: that's why Jeez Slue's father, I don't let me know

1278
01:15:05,479 --> 01:15:08,800
Speaker 1: if forgetting too little? He's right, I agree with my apologized, like,

1279
01:15:09,000 --> 01:15:12,400
Speaker 1: all right, who who said confronted that in the situation

1280
01:15:14,160 --> 01:15:20,680
Speaker 1: and he's that petty he was we went petty game.

1281
01:15:20,960 --> 01:15:23,080
Speaker 1: Let's see, let's see if corupts film in the video.

1282
01:15:23,080 --> 01:15:27,360
Speaker 1: He ain't gonna pick up. Let's see if you can

1283
01:15:27,400 --> 01:15:30,800
Speaker 1: get compone on compose, my friend, Let's see a compone

1284
01:15:30,840 --> 01:15:32,200
Speaker 1: will pick up for you. But let's see, let me

1285
01:15:32,240 --> 01:15:36,080
Speaker 1: see what dame doing. You're showing off. You get to

1286
01:15:36,280 --> 01:15:42,320
Speaker 1: two back to back, three straight, three straight, stowing it up?

1287
01:15:42,760 --> 01:15:49,800
Speaker 1: You got one? You got one with dogs. I'm too

1288
01:15:49,880 --> 01:15:52,400
Speaker 1: for enough you're gonna answer, all right, I'm not gonna

1289
01:15:52,439 --> 01:15:56,920
Speaker 1: try nows because that's that's that's the holiday niece. Okay,

1290
01:15:57,800 --> 01:16:02,800
Speaker 1: he called my wife. That's I don't come by my stick.

1291
01:16:02,840 --> 01:16:05,080
Speaker 1: I don't know how the hell you see if I

1292
01:16:05,120 --> 01:16:14,840
Speaker 1: can get can get can you win? See? See? He

1293
01:16:15,000 --> 01:16:19,320
Speaker 1: probably like Nigga, I ain't promoting I need an album

1294
01:16:19,360 --> 01:16:22,960
Speaker 1: out already. Nigga calling to me out nigga so calling

1295
01:16:23,040 --> 01:16:30,840
Speaker 1: due out. Yeah, definitely gonn oh Joe Grad calling me

1296
01:16:30,920 --> 01:16:41,599
Speaker 1: back though, hold on, smoke this in the whole bag. Listen.

1297
01:16:42,040 --> 01:16:44,160
Speaker 1: I couldn't get nobody on the phone just now, thank

1298
01:16:44,200 --> 01:17:00,760
Speaker 1: you on the phone. Oh you cub I have apologize.

1299
01:17:00,920 --> 01:17:04,639
Speaker 1: Some two winches going on right now. He's got nothing

1300
01:17:04,640 --> 01:17:16,560
Speaker 1: to do with about the show simpteen years. Get what

1301
01:17:17,000 --> 01:17:22,719
Speaker 1: said the next five day? You listen, you want to county.

1302
01:17:22,760 --> 01:17:25,360
Speaker 1: We got a break, We had a break. Let me

1303
01:17:25,479 --> 01:17:28,400
Speaker 1: take a drink and I got ashes in my ship

1304
01:17:28,600 --> 01:17:31,800
Speaker 1: and then he manna but get you in there and

1305
01:17:31,920 --> 01:17:40,519
Speaker 1: you don't. I don't know what it's like. Cool shot shot,

1306
01:17:40,600 --> 01:18:03,080
Speaker 1: It's like what he's cuming me? Yo? Love you Joe?

1307
01:18:07,920 --> 01:18:23,679
Speaker 1: You show me a ceping love you think? Alright? Cool?

1308
01:18:24,160 --> 01:18:26,840
Speaker 1: Holy ship. I was totally called on. I felt like

1309
01:18:26,880 --> 01:18:29,800
Speaker 1: I was calling somebody else. All right, all right, um,

1310
01:18:30,280 --> 01:18:32,519
Speaker 1: let's see, all right, we got what we talk's just

1311
01:18:32,560 --> 01:18:34,840
Speaker 1: keep talking. You got somebody else, and I feel like

1312
01:18:34,880 --> 01:18:36,640
Speaker 1: you got somebody else. I got a I got a

1313
01:18:36,680 --> 01:18:38,120
Speaker 1: few people. But you know, I don't know what these

1314
01:18:38,200 --> 01:18:45,680
Speaker 1: niggas are doing. Yeah me just try anybody Brook called

1315
01:18:45,680 --> 01:18:48,000
Speaker 1: the dog Lama right now, these Niggs is gonna be

1316
01:18:48,040 --> 01:18:50,600
Speaker 1: calling me back when I'm honey hanging gonnaswer for these niggers. No,

1317
01:18:50,720 --> 01:18:52,880
Speaker 1: we're gonna We're gonna keep it going, keep this shipping.

1318
01:18:53,120 --> 01:18:55,840
Speaker 1: But y'all think it's not drinking this motherfucking this is number.

1319
01:18:56,560 --> 01:18:59,160
Speaker 1: What is the difference with Cliko? What is like the move?

1320
01:18:59,280 --> 01:19:02,920
Speaker 1: It's just ship, I don't guess. I just like the bool.

1321
01:19:02,960 --> 01:19:05,000
Speaker 1: I like the bottle. I like the fact that it

1322
01:19:05,080 --> 01:19:07,240
Speaker 1: come in a little box, sometimes come a little bag.

1323
01:19:07,960 --> 01:19:09,920
Speaker 1: Every nig is don't drink that, you know what, I'm man,

1324
01:19:10,439 --> 01:19:16,960
Speaker 1: and that stop saying that. Man what everyality? That was

1325
01:19:17,040 --> 01:19:19,600
Speaker 1: just that, that's the left right, every they don't drink that,

1326
01:19:21,360 --> 01:19:23,200
Speaker 1: you know what, Stop saying that your real life or

1327
01:19:23,320 --> 01:19:26,599
Speaker 1: I'm trying to stop that in my real life, you know. Yeah,

1328
01:19:26,640 --> 01:19:28,400
Speaker 1: And you know what, you know what? The crazy thing

1329
01:19:28,560 --> 01:19:31,760
Speaker 1: was different. I had a great had a great uh.

1330
01:19:32,560 --> 01:19:36,320
Speaker 1: We went to Denver and then din I had like

1331
01:19:36,520 --> 01:19:40,559
Speaker 1: thirty five people with me and everybody getting money, God

1332
01:19:40,640 --> 01:19:44,320
Speaker 1: bless everybody getting money. Beautiful thing. And when I looked around,

1333
01:19:45,520 --> 01:19:48,080
Speaker 1: the only person I heard that word from was from us.

1334
01:19:49,120 --> 01:19:51,360
Speaker 1: So I just wanted to correct that because it's just

1335
01:19:51,479 --> 01:19:54,120
Speaker 1: like it makes the white people that's cool with us

1336
01:19:54,200 --> 01:19:57,120
Speaker 1: feel uncomfortable when they see us say that sometimes. So

1337
01:19:57,560 --> 01:19:59,720
Speaker 1: I just like, you know what, we're better than that.

1338
01:19:59,840 --> 01:20:01,439
Speaker 1: We we can do better than that, and we're the

1339
01:20:01,520 --> 01:20:03,680
Speaker 1: most career because you know, it was one point when

1340
01:20:03,680 --> 01:20:04,960
Speaker 1: I was in Denver and it was I was with

1341
01:20:05,080 --> 01:20:07,200
Speaker 1: all my wife friends bro, because all of my my

1342
01:20:07,560 --> 01:20:12,920
Speaker 1: Colorado Terry in Colorado, Frances they're all white, great beautiful people.

1343
01:20:13,280 --> 01:20:15,640
Speaker 1: But they listen to the music. They drunk us and

1344
01:20:15,720 --> 01:20:19,519
Speaker 1: they edited theirselves every time a word come on in

1345
01:20:19,600 --> 01:20:25,760
Speaker 1: the rap music. They ain't slipping up and going. They're

1346
01:20:25,800 --> 01:20:29,479
Speaker 1: making their own edit. And I'm like, they could do that.

1347
01:20:30,200 --> 01:20:35,439
Speaker 1: They've drunk just as drunk as me. Why don't we

1348
01:20:35,520 --> 01:20:39,240
Speaker 1: participate in that? So that's that's my flight. I think

1349
01:20:39,240 --> 01:20:43,599
Speaker 1: I'm gonna lose. I don't care. I can can change

1350
01:20:43,680 --> 01:21:01,960
Speaker 1: my environment, my circumference. We got deeper, a little y'all practice.

1351
01:21:02,000 --> 01:21:05,080
Speaker 1: They want practice, y'all practice, And you know what I'm saying,

1352
01:21:05,240 --> 01:21:06,320
Speaker 1: You know what I mean. You know what I mean.

1353
01:21:06,720 --> 01:21:10,040
Speaker 1: You can't call everybody king, and you can't call everybody bro.

1354
01:21:10,160 --> 01:21:12,799
Speaker 1: I'm being honest. I'm gonna go listen to your classics

1355
01:21:12,840 --> 01:21:17,439
Speaker 1: and replace nigga with da different. Can't replace the path.

1356
01:21:17,760 --> 01:21:19,760
Speaker 1: You gotta let the pass moving folds. It's just like

1357
01:21:19,840 --> 01:21:22,120
Speaker 1: you said, you can't take away you. I can't take

1358
01:21:22,160 --> 01:21:26,200
Speaker 1: away anything with the pack. But moving forward, we gotta

1359
01:21:26,600 --> 01:21:29,760
Speaker 1: you know, we should. We should because we're the Yon days, y'all,

1360
01:21:30,880 --> 01:21:33,360
Speaker 1: and the y'all was in the yard days is geta y'all, y'all, y'all,

1361
01:21:34,000 --> 01:21:37,400
Speaker 1: you know, back to the seventies. I'll take back to

1362
01:21:37,400 --> 01:21:40,960
Speaker 1: the seventies. What's that? Stop calling people slick and slick.

1363
01:21:41,200 --> 01:21:43,280
Speaker 1: You can't say blood because blood right now blood that

1364
01:21:43,400 --> 01:21:46,680
Speaker 1: you might think it's Gang of Philly depending where you are.

1365
01:21:48,720 --> 01:21:52,840
Speaker 1: It's like conted right now, Brooklyn on the gang ship. Yeah,

1366
01:21:53,840 --> 01:21:57,760
Speaker 1: yo yo, cripping blooding. But it's the little homies, you

1367
01:21:57,800 --> 01:22:00,320
Speaker 1: know what I mean. It's little blaming a little homies.

1368
01:22:00,520 --> 01:22:02,760
Speaker 1: I'm not blaming them, no, no, no, no, But I'm

1369
01:22:02,800 --> 01:22:06,720
Speaker 1: not happy. I'm just saying that it's coming from and

1370
01:22:06,800 --> 01:22:09,200
Speaker 1: I'm saying, you know, for me, like anybody that I

1371
01:22:09,320 --> 01:22:11,160
Speaker 1: consider my little homie, I try to put him in

1372
01:22:11,160 --> 01:22:14,400
Speaker 1: the path to some money or to some type of

1373
01:22:14,439 --> 01:22:18,040
Speaker 1: opportunity to where it would be fruitful to not be

1374
01:22:18,160 --> 01:22:21,439
Speaker 1: in the street or to not be, you know, in

1375
01:22:21,760 --> 01:22:25,519
Speaker 1: any kind of game, type of time. And I respect

1376
01:22:25,560 --> 01:22:27,960
Speaker 1: gang time, especially in l A. You feel me like

1377
01:22:31,000 --> 01:22:34,400
Speaker 1: because you're going hard, but like you actually, how much

1378
01:22:34,439 --> 01:22:36,000
Speaker 1: time do you spend that? I spent a lot of

1379
01:22:36,080 --> 01:22:37,840
Speaker 1: time in l A when I was working with Sean,

1380
01:22:38,080 --> 01:22:42,400
Speaker 1: and you know just how. And I won't even just

1381
01:22:42,680 --> 01:22:45,200
Speaker 1: say right and his ship because Sean wrote, he wrote,

1382
01:22:46,760 --> 01:22:49,280
Speaker 1: you know what I mean, like he his hook his hooks,

1383
01:22:49,560 --> 01:22:51,240
Speaker 1: all of them hooks came from him, you know what

1384
01:22:51,280 --> 01:22:54,439
Speaker 1: I mean at the beginning where he was fifteen sixteen?

1385
01:22:54,479 --> 01:22:57,120
Speaker 1: Did he have some assistance? Assistance? What I mean? You

1386
01:22:57,200 --> 01:23:01,120
Speaker 1: know everybody don't got the on me in mind at

1387
01:23:01,200 --> 01:23:03,439
Speaker 1: that time when they're putting you in grown frown people's

1388
01:23:03,439 --> 01:23:07,120
Speaker 1: situations to solve the light. But you know, he still

1389
01:23:07,160 --> 01:23:09,160
Speaker 1: had to deliver that ship because you could write, I

1390
01:23:09,200 --> 01:23:10,920
Speaker 1: could write for my mom's but that don't mean that

1391
01:23:11,000 --> 01:23:13,639
Speaker 1: she's gonna do what Sean? Did you feel me? Because

1392
01:23:13,720 --> 01:23:21,040
Speaker 1: you gotta deliver that continue And it wasn't even like

1393
01:23:21,120 --> 01:23:23,200
Speaker 1: writing the whole song since I might everything. Shaan got

1394
01:23:23,320 --> 01:23:25,160
Speaker 1: a mind and the pen of his own side. I

1395
01:23:25,280 --> 01:23:27,320
Speaker 1: never discredit him. That's want to say something, right, now

1396
01:23:27,400 --> 01:23:29,880
Speaker 1: I'm smoking his diamonds. You know what diamonds is? What's

1397
01:23:29,880 --> 01:23:37,160
Speaker 1: that trying one of those home grown that some of

1398
01:23:37,240 --> 01:23:41,320
Speaker 1: that smoked that he'll here's y'all a right here, my

1399
01:23:41,400 --> 01:23:43,600
Speaker 1: y'all all right here, just keep you telling what timons is.

1400
01:23:44,760 --> 01:23:49,360
Speaker 1: You got diamonds is like yeah, but you know, listen

1401
01:23:49,680 --> 01:23:51,840
Speaker 1: when I put that on the ground going like that

1402
01:23:51,960 --> 01:23:53,840
Speaker 1: and I put it on a blunt, let's just see

1403
01:23:53,920 --> 01:23:57,800
Speaker 1: these weeds enthusias. The fuck is wrong because you know

1404
01:23:57,840 --> 01:23:59,479
Speaker 1: that he's supposed to put it put it in the

1405
01:23:59,560 --> 01:24:05,559
Speaker 1: dad and the dad, but I'm figuring out the fouls

1406
01:24:05,640 --> 01:24:09,080
Speaker 1: a way to. I ain't gonna hold you. You know,

1407
01:24:09,280 --> 01:24:11,519
Speaker 1: I took that dad. But a few years ago, fucking

1408
01:24:11,560 --> 01:24:15,320
Speaker 1: with the nigga whiz Man and I swear man niggle

1409
01:24:15,320 --> 01:24:18,120
Speaker 1: almost killed me off that dad. I said, from there

1410
01:24:18,160 --> 01:24:22,200
Speaker 1: on in, I'm never smoking and ship ever too much.

1411
01:24:22,280 --> 01:24:24,960
Speaker 1: Like when to the studio, it's like, is we based

1412
01:24:25,560 --> 01:24:27,880
Speaker 1: free basis? Let me it's a little bit free based

1413
01:24:27,920 --> 01:24:35,439
Speaker 1: by freas. That's not in the rag in the rate,

1414
01:24:35,520 --> 01:24:39,400
Speaker 1: but the kremblay torch you it's a little bit made crystals.

1415
01:24:39,800 --> 01:24:44,559
Speaker 1: But let's not forget for people that's watching that might

1416
01:24:44,600 --> 01:24:50,680
Speaker 1: think of something else. It's the purest phone. It's the

1417
01:24:50,760 --> 01:24:52,640
Speaker 1: pures phone. Do I need it? No? I don't need

1418
01:24:52,680 --> 01:24:54,760
Speaker 1: it because it's very How does it creative? How does

1419
01:24:55,520 --> 01:24:59,080
Speaker 1: someone doesn't know? Well, I don't want to be uh,

1420
01:25:00,240 --> 01:25:02,479
Speaker 1: I don't. I don't want to give any misinformation. But

1421
01:25:02,800 --> 01:25:05,800
Speaker 1: you know I'm not a botus, but I believe it's

1422
01:25:05,920 --> 01:25:08,639
Speaker 1: melted some something. I can't explain it for my days

1423
01:25:08,720 --> 01:25:10,760
Speaker 1: because the green thrones to be hitting me like yo,

1424
01:25:10,920 --> 01:25:16,760
Speaker 1: I could get somebody burns just but it's a lot,

1425
01:25:17,840 --> 01:25:30,120
Speaker 1: break the back drink chance to Paul, it's a chance.

1426
01:25:30,320 --> 01:25:33,479
Speaker 1: So I had a chance, though. What's good? Smoke Disney

1427
01:25:33,520 --> 01:25:38,960
Speaker 1: whole vain? Okay, okay without stroke? What up? Calm? Cool? Cool?

1428
01:25:40,120 --> 01:25:44,040
Speaker 1: What's go on? Dad? That's come? I don't know, baby?

1429
01:25:44,600 --> 01:25:49,679
Speaker 1: Why do you pick up though? Okay, that's a great excuse.

1430
01:25:53,439 --> 01:25:56,720
Speaker 1: You already to Atlanta? Yeah? Yeah, I just got back

1431
01:25:56,880 --> 01:26:00,760
Speaker 1: last night because it's my daughter party today. I have

1432
01:26:00,920 --> 01:26:03,920
Speaker 1: a bag to here. Bron made a grown as man

1433
01:26:04,080 --> 01:26:17,679
Speaker 1: man's that's that's that thing. Her birthday will hit you later, brother,

1434
01:26:18,600 --> 01:26:22,000
Speaker 1: Oh holy morning, bocka mobe baby. So now we all

1435
01:26:22,080 --> 01:26:24,560
Speaker 1: want one one? Yeah, we all one one, so I

1436
01:26:24,680 --> 01:26:27,360
Speaker 1: know one of these niggas. Wait, oh way you got one,

1437
01:26:27,840 --> 01:26:30,559
Speaker 1: then it ain't get your que No, you gotta trial, man,

1438
01:26:31,600 --> 01:26:33,360
Speaker 1: We're gonna make this more. I'm about to say, call

1439
01:26:33,400 --> 01:26:35,200
Speaker 1: the ghosts. Man, I'm about to call I'm about to

1440
01:26:35,240 --> 01:26:36,960
Speaker 1: call this because I'm hungry. I'm about to call them

1441
01:26:37,000 --> 01:26:40,680
Speaker 1: nigger for problem on twelve. I think I'm gonna wins.

1442
01:26:41,680 --> 01:26:44,280
Speaker 1: I think you will win with that called you one,

1443
01:26:44,800 --> 01:26:48,800
Speaker 1: no LEAs you long area, then either ticket Star, they

1444
01:26:48,880 --> 01:26:50,920
Speaker 1: call the restaurants. I'm gonna call you Paola right now,

1445
01:26:50,960 --> 01:26:54,880
Speaker 1: hold on to get the thing. They open, they pick up,

1446
01:26:54,960 --> 01:26:58,840
Speaker 1: you lose. You're not going like holy morning, brockam and

1447
01:26:58,840 --> 01:27:00,400
Speaker 1: I think Bottle's gonna come up. And a couple of

1448
01:27:00,520 --> 01:27:04,800
Speaker 1: ten minutes, Yeah, we're gonna We're gonna ask somebody with

1449
01:27:04,880 --> 01:27:08,360
Speaker 1: the chill spreeweld moment right there. Man, he got a

1450
01:27:08,400 --> 01:27:13,360
Speaker 1: lot of lineage, and everybody said good. The other the

1451
01:27:13,400 --> 01:27:19,280
Speaker 1: trust you gotta know what happened to you, gotta choke.

1452
01:27:19,360 --> 01:27:23,320
Speaker 1: PJ called listener. Let me ask you this. The PJ

1453
01:27:23,479 --> 01:27:29,560
Speaker 1: called listen. I feel like I'm hearing now. This is

1454
01:27:29,600 --> 01:27:31,639
Speaker 1: the thing. So one of my favorite artists of all

1455
01:27:31,720 --> 01:27:35,680
Speaker 1: time is the Harlem dude, big What does big El

1456
01:27:35,840 --> 01:27:40,120
Speaker 1: mean the Harlem? Now, I mean, you know that's a

1457
01:27:40,160 --> 01:27:42,720
Speaker 1: good question. Just somebody like me that was born in

1458
01:27:42,760 --> 01:27:46,120
Speaker 1: an era big al and studying rap patterns and studying

1459
01:27:46,360 --> 01:27:51,400
Speaker 1: big El himself he is on Russian war. Well, a

1460
01:27:51,520 --> 01:27:54,960
Speaker 1: young kid. I don't really know how that core relations

1461
01:27:55,200 --> 01:27:57,679
Speaker 1: might not does it? Oh? A young kid from Harlem?

1462
01:27:57,800 --> 01:28:00,799
Speaker 1: Now you know it's certain young kids like like my artists,

1463
01:28:00,800 --> 01:28:02,840
Speaker 1: like Jay Graham's to Jake Grams is of the world

1464
01:28:03,160 --> 01:28:09,200
Speaker 1: that actually, No, it's meticulous, good vain word to to

1465
01:28:09,400 --> 01:28:14,240
Speaker 1: to certain rap music and study patterns and watching battle rapping,

1466
01:28:14,640 --> 01:28:18,240
Speaker 1: you know, doing different ships, to to shopping his sword paws.

1467
01:28:18,880 --> 01:28:23,840
Speaker 1: Studying somebody like big elwol work fan because metaphorically how

1468
01:28:23,920 --> 01:28:26,840
Speaker 1: he structure, how he set up his boss structure, the

1469
01:28:26,880 --> 01:28:29,240
Speaker 1: type of beats he wrapped on. You know what I mean.

1470
01:28:29,320 --> 01:28:33,120
Speaker 1: That's for somebody that that caters to lyrics. I mean

1471
01:28:33,240 --> 01:28:34,840
Speaker 1: like a Benny the Butcher, you know what I mean,

1472
01:28:35,000 --> 01:28:39,560
Speaker 1: Like that is ship that kids could take it. The

1473
01:28:39,600 --> 01:28:42,439
Speaker 1: first we talking about that, Yeah, we ain't talking. We

1474
01:28:42,520 --> 01:28:45,000
Speaker 1: didn't talk about that. How how how was you like

1475
01:28:45,080 --> 01:28:48,519
Speaker 1: the first person? I feel like, let me. Let me

1476
01:28:48,840 --> 01:28:50,880
Speaker 1: say the first person, what do you mean he's humble?

1477
01:28:51,040 --> 01:28:54,479
Speaker 1: He's a humble Guy's a humble god. When people think

1478
01:28:54,560 --> 01:28:57,360
Speaker 1: of New York City and like New York City rappers,

1479
01:28:57,400 --> 01:28:59,840
Speaker 1: they don't think of Buffalo. No, no, I don't have

1480
01:28:59,920 --> 01:29:02,200
Speaker 1: to think of New York City rappers. He's one of

1481
01:29:02,240 --> 01:29:04,559
Speaker 1: the people that they think of. He got the people

1482
01:29:04,560 --> 01:29:06,280
Speaker 1: when you go to certain cities you think of, who

1483
01:29:06,320 --> 01:29:09,599
Speaker 1: could they? I mean, West has sent me a song.

1484
01:29:10,080 --> 01:29:13,160
Speaker 1: I feel like if like h Hit of four hit

1485
01:29:13,240 --> 01:29:16,559
Speaker 1: the three um called Mr Fuji with some wrestling ship

1486
01:29:17,120 --> 01:29:21,560
Speaker 1: and I remember Combat Jack telling me about and this

1487
01:29:21,680 --> 01:29:24,439
Speaker 1: is before the eminem situation, so I was be trivy

1488
01:29:24,560 --> 01:29:28,719
Speaker 1: to knowing and be and you know, hearing how niggas

1489
01:29:28,760 --> 01:29:30,680
Speaker 1: gave it up and I was already a fan. So

1490
01:29:30,760 --> 01:29:32,799
Speaker 1: when they hit me up, I'm like, you know, anybody

1491
01:29:32,880 --> 01:29:35,040
Speaker 1: that like wrestling that's doing that type of rap that

1492
01:29:35,160 --> 01:29:37,000
Speaker 1: that I know, I'm like, I'm embracing it because it

1493
01:29:37,080 --> 01:29:39,080
Speaker 1: wasn't a lot of people that was doing it at

1494
01:29:39,160 --> 01:29:42,400
Speaker 1: that point. So um, that's that's how I link with them.

1495
01:29:42,439 --> 01:29:45,200
Speaker 1: And you know, niggas just created a bond from then

1496
01:29:45,280 --> 01:29:48,880
Speaker 1: to where you know, it is just moving unison's as

1497
01:29:48,920 --> 01:29:52,600
Speaker 1: far as we keep each other current to what's going on.

1498
01:29:52,760 --> 01:29:54,920
Speaker 1: You know, even East, Like I was the first person

1499
01:29:55,000 --> 01:29:57,759
Speaker 1: to give East a feature that was a known nigga,

1500
01:29:57,880 --> 01:29:59,519
Speaker 1: you know what I mean, Like he's a staple in

1501
01:29:59,600 --> 01:30:02,000
Speaker 1: of sitting my babies Davies. Yeah, you know what I mean,

1502
01:30:02,080 --> 01:30:05,240
Speaker 1: like like and that and these niggas right now because

1503
01:30:05,280 --> 01:30:07,960
Speaker 1: these niggas is you we gotta know because they're big artists,

1504
01:30:08,000 --> 01:30:09,559
Speaker 1: you know what I mean. At this point, these niggas

1505
01:30:09,560 --> 01:30:12,519
Speaker 1: didn't surpass a lot of people's visions for them, you know.

1506
01:30:12,920 --> 01:30:16,280
Speaker 1: Um So yeah, you know, I don't even take it

1507
01:30:16,360 --> 01:30:19,800
Speaker 1: like you know on some like stick my poke my

1508
01:30:19,920 --> 01:30:22,960
Speaker 1: chest out ship because each one teach one you for me,

1509
01:30:23,080 --> 01:30:26,120
Speaker 1: like and I'm still nigga is still on their journey

1510
01:30:26,439 --> 01:30:30,120
Speaker 1: at the end of the day. So that's how I

1511
01:30:30,200 --> 01:30:31,880
Speaker 1: give it up a whole van and say I'm too humble,

1512
01:30:32,040 --> 01:30:34,680
Speaker 1: too humble, man, you know, when you want to you

1513
01:30:34,720 --> 01:30:36,280
Speaker 1: go to every city, like you know, let me come on, man,

1514
01:30:36,320 --> 01:30:38,120
Speaker 1: I know he got the weed. He might add a bitches.

1515
01:30:38,240 --> 01:30:41,120
Speaker 1: He's nice, he's cool, he's dope. M c he that

1516
01:30:41,200 --> 01:30:42,960
Speaker 1: nigga from me like the Snoop dog on me up

1517
01:30:43,040 --> 01:30:45,519
Speaker 1: what I'm saying. Yeah, I want to call this nigga Yo.

1518
01:30:45,560 --> 01:30:54,479
Speaker 1: You got a wich cruial Yeah, like im breaking Jackson

1519
01:30:54,520 --> 01:30:58,320
Speaker 1: Man like you know, I mean I introduced Rocky like that,

1520
01:30:58,479 --> 01:30:59,800
Speaker 1: you know, I mean that was the first time in them.

1521
01:30:59,840 --> 01:31:03,759
Speaker 1: That is man Boy four Am meet me, Dame Rocky Bari,

1522
01:31:04,120 --> 01:31:08,840
Speaker 1: Killer Pink and Perms involved. It was just some Holland

1523
01:31:08,840 --> 01:31:10,680
Speaker 1: ship four Am in front of Elport though, you know

1524
01:31:10,680 --> 01:31:14,000
Speaker 1: what I mean, Like, that's not Jim Burgers about to

1525
01:31:14,040 --> 01:31:18,600
Speaker 1: see food joint by Jim Bows on the hill of

1526
01:31:18,640 --> 01:31:22,240
Speaker 1: course treatment projects. Right, Okay, I'm very familiar exactly. You

1527
01:31:22,280 --> 01:31:24,679
Speaker 1: know what I mean Cubans. You know my favorite burger

1528
01:31:25,520 --> 01:31:29,880
Speaker 1: sounds Cuban I want to be cut fading burger spot

1529
01:31:29,920 --> 01:31:33,160
Speaker 1: in the world is Jimbo's Jimbo Still Rockings Tune four.

1530
01:31:33,320 --> 01:31:35,479
Speaker 1: That's why I eat tees Burger Baby to this day,

1531
01:31:35,520 --> 01:31:38,400
Speaker 1: to this day. Yeah, Burger Baby reminds me of Jim

1532
01:31:38,479 --> 01:31:41,320
Speaker 1: bos Bro Jim Bows to me is Jim was just

1533
01:31:41,400 --> 01:31:43,240
Speaker 1: the hard on thing I feel it, not in the

1534
01:31:43,280 --> 01:31:46,080
Speaker 1: Bronxe to It's uptown things, Okay, uptown thing. Jim jim

1535
01:31:46,120 --> 01:31:48,920
Speaker 1: Bo's is like Jackson Hole Jr. Jackson Hole Jackson holes

1536
01:31:48,960 --> 01:31:51,360
Speaker 1: for queens in my mind as a host for queens,

1537
01:31:51,360 --> 01:31:56,559
Speaker 1: I'm not I'm not your but yeah, so jim Bos

1538
01:31:56,600 --> 01:31:59,439
Speaker 1: is still pop. Jimbo still popper. You come on Saturday,

1539
01:31:59,479 --> 01:32:00,760
Speaker 1: we got to go to and bowls. Didn't get some

1540
01:32:00,800 --> 01:32:04,040
Speaker 1: sad all that man? All right? You know and eat

1541
01:32:04,080 --> 01:32:12,320
Speaker 1: hot dogs? Pose. No, he's the Glizzie Glizzie. I'm gonna

1542
01:32:12,360 --> 01:32:14,120
Speaker 1: just stand. He said, you'll give me one with everything

1543
01:32:14,200 --> 01:32:16,560
Speaker 1: on it, and he don't put new Bizzy. It's just

1544
01:32:16,640 --> 01:32:21,960
Speaker 1: a bunch of car there's my pa. I say, I said,

1545
01:32:21,960 --> 01:32:23,600
Speaker 1: I give me, give me a hot dog everything on it.

1546
01:32:24,320 --> 01:32:28,280
Speaker 1: Do you like? Yeah, I said, let me Glizzie with everything.

1547
01:32:30,200 --> 01:32:33,080
Speaker 1: I gonna be honest. I think it to New York onions.

1548
01:32:33,160 --> 01:32:40,240
Speaker 1: It's that dirt New York crowd, understand talking mustard catch up.

1549
01:32:40,439 --> 01:32:42,200
Speaker 1: Like when I go to New York, I can't be

1550
01:32:42,280 --> 01:32:44,040
Speaker 1: on the diet because I gotta I gotta have a

1551
01:32:44,880 --> 01:32:46,840
Speaker 1: I gotta have a hot dog everything on it, no

1552
01:32:46,920 --> 01:32:50,120
Speaker 1: hot dog, and I gotta have a disrespectful pizza. I

1553
01:32:50,200 --> 01:32:52,920
Speaker 1: gotta have a piece of where I put on nothing

1554
01:32:52,960 --> 01:32:56,080
Speaker 1: but red peppers. Then I'm putting on garlic that I'm

1555
01:32:56,120 --> 01:32:58,400
Speaker 1: putting on the palmer Jan and then I'm putting on

1556
01:32:59,040 --> 01:33:07,280
Speaker 1: the pepper again. Yeah, salt for three minutes. You might

1557
01:33:11,800 --> 01:33:16,280
Speaker 1: you might as well have to use you. That's team

1558
01:33:16,280 --> 01:33:21,200
Speaker 1: backs and I'm like a just but yeah, listen, is

1559
01:33:21,240 --> 01:33:24,720
Speaker 1: it ending your mind? My child? You know back then,

1560
01:33:24,880 --> 01:33:28,639
Speaker 1: like salt will make everything taste better? Like you even

1561
01:33:28,720 --> 01:33:33,880
Speaker 1: you can have a stake. That's a fact. That's a fact.

1562
01:33:33,920 --> 01:33:35,960
Speaker 1: That's a fact. That Je's Louise Papa cheese. Man. You

1563
01:33:36,080 --> 01:33:42,759
Speaker 1: gotta holy wow, I'll be drinking because I'm drinking drinking

1564
01:33:42,800 --> 01:33:47,080
Speaker 1: with you. Drink drink. I got a lot of this mixed.

1565
01:33:47,120 --> 01:33:49,519
Speaker 1: It's Mike, open that o. Man. Let me see how

1566
01:33:49,560 --> 01:33:51,160
Speaker 1: you're a real chap and you see how it was

1567
01:33:51,240 --> 01:33:52,800
Speaker 1: not you know, you know me in real life. I

1568
01:33:52,840 --> 01:33:58,800
Speaker 1: know you're real Lifecially, you don't see how I don't

1569
01:33:58,920 --> 01:34:01,519
Speaker 1: trust something. The whole time he's popping, I'm look that

1570
01:34:01,840 --> 01:34:06,880
Speaker 1: we should drink in our champagne a little extra kick.

1571
01:34:08,400 --> 01:34:10,280
Speaker 1: I did not like them at that place. I'm gonna

1572
01:34:10,280 --> 01:34:14,479
Speaker 1: be honest me. I know I listened whole veins ray

1573
01:34:14,560 --> 01:34:18,840
Speaker 1: as they come out and popping. Well, we're trying to

1574
01:34:18,840 --> 01:34:22,080
Speaker 1: say we're chilling, yo. So every night you know these

1575
01:34:22,160 --> 01:34:24,880
Speaker 1: guys is popping, so you know, I want to support

1576
01:34:24,880 --> 01:34:26,400
Speaker 1: my dudes. I'm good, but I want to support my

1577
01:34:26,439 --> 01:34:30,479
Speaker 1: Thus I come out these niggas got Rose and Patron.

1578
01:34:31,920 --> 01:34:34,960
Speaker 1: The y'all is like, no problem. They follow it up

1579
01:34:34,960 --> 01:34:39,600
Speaker 1: my cap. I have no idea. Probably about two and

1580
01:34:39,640 --> 01:34:48,639
Speaker 1: a half bottles in, Burt Killer said this whole night,

1581
01:34:49,320 --> 01:34:52,599
Speaker 1: how you know when you're birth your birth? Tell whatever

1582
01:34:52,720 --> 01:35:07,400
Speaker 1: it is? Yeo. So I'm tell him home many things

1583
01:35:07,439 --> 01:35:10,880
Speaker 1: I'm hitting. I am about four cups deep in before

1584
01:35:10,920 --> 01:35:16,080
Speaker 1: I realized that, y'aller got y'all. I'm like that because

1585
01:35:16,120 --> 01:35:18,599
Speaker 1: I don't like all right, let me just see. Let

1586
01:35:18,640 --> 01:35:21,000
Speaker 1: me be careful when I say this. It's not I

1587
01:35:21,040 --> 01:35:25,200
Speaker 1: don't like to kill. I like to be aware of

1588
01:35:25,600 --> 01:35:29,479
Speaker 1: when I'm inhaling to kill her. I don't want to

1589
01:35:29,840 --> 01:35:31,880
Speaker 1: want to be prepared to take my asthma pumping and

1590
01:35:32,000 --> 01:35:36,040
Speaker 1: realize after seven as my pumps to Killer was in

1591
01:35:36,120 --> 01:35:39,360
Speaker 1: the air the whole time. I don't want to learn

1592
01:35:39,479 --> 01:35:42,160
Speaker 1: that way. Tell me to kill us in the y'all.

1593
01:35:42,360 --> 01:35:47,240
Speaker 1: Y'all right, right, So I'm over there like this four glasses.

1594
01:35:47,400 --> 01:35:50,200
Speaker 1: I go to the and he's like, no, you go nowhere.

1595
01:35:50,400 --> 01:35:55,600
Speaker 1: You got you right here, take another. I'm Boston, but

1596
01:35:55,720 --> 01:36:02,760
Speaker 1: I'm like this, yeah, this is perfect. I said this

1597
01:36:02,920 --> 01:36:09,639
Speaker 1: dream chance everybody, somebody, somebody spiced me, and I say

1598
01:36:09,760 --> 01:36:13,639
Speaker 1: one of them's like the patrol and the way that say,

1599
01:36:13,680 --> 01:36:17,880
Speaker 1: oh my god, you made me speu point in the

1600
01:36:17,920 --> 01:36:23,000
Speaker 1: club and the club that was like that disgusting. That's

1601
01:36:23,040 --> 01:36:25,840
Speaker 1: a Brooklyn show. Because I'm gonna be honest as a

1602
01:36:25,960 --> 01:36:31,560
Speaker 1: nigger with a little bit of class, my class. It

1603
01:36:31,680 --> 01:36:34,360
Speaker 1: was good. I wouldn't take get separate. I would still

1604
01:36:34,439 --> 01:36:36,960
Speaker 1: do the same ship. I would take them on and

1605
01:36:37,439 --> 01:36:39,439
Speaker 1: take a shot with the shot, but not in the

1606
01:36:39,560 --> 01:36:45,280
Speaker 1: same class, because you are doing uppers and downers, like

1607
01:36:45,439 --> 01:36:52,679
Speaker 1: taking heroin and cocaine. That's how you're equating that. That's

1608
01:36:52,720 --> 01:36:55,559
Speaker 1: a that's a good one. That's take and didn't take

1609
01:36:55,640 --> 01:37:01,760
Speaker 1: cocaine after don't take it to it's not again. That

1610
01:37:01,840 --> 01:37:04,959
Speaker 1: was That was a totally terrible That was a terrible analogy.

1611
01:37:05,320 --> 01:37:14,040
Speaker 1: But he was saying made a lot of from that name. Listen,

1612
01:37:14,160 --> 01:37:20,519
Speaker 1: my face is like this crazy. Let's listen. Listen. Broke

1613
01:37:20,600 --> 01:37:22,320
Speaker 1: me up like like suck me up, like give me

1614
01:37:22,400 --> 01:37:24,880
Speaker 1: funked up. Don't don't don't sneak fuck me up when

1615
01:37:24,920 --> 01:37:27,320
Speaker 1: you sneak me up. But it was like it was

1616
01:37:27,520 --> 01:37:30,519
Speaker 1: also dope because there's no rules to this drinking ship.

1617
01:37:31,080 --> 01:37:32,880
Speaker 1: It's actually like if y'all would have came and you

1618
01:37:32,920 --> 01:37:35,720
Speaker 1: would if this would have bust open, would have been bet,

1619
01:37:36,720 --> 01:37:41,840
Speaker 1: you would have won. I think it's just like he

1620
01:37:41,920 --> 01:37:51,000
Speaker 1: got the cleaking. He too, that's the super and he

1621
01:37:51,120 --> 01:37:54,519
Speaker 1: was just in Ross clear. Yeah, it was each other,

1622
01:37:54,640 --> 01:38:00,759
Speaker 1: the big brousavy Ross got a compound. That's a compound,

1623
01:38:00,840 --> 01:38:02,920
Speaker 1: horses all type of ship. That's the bro. I feel

1624
01:38:02,960 --> 01:38:04,479
Speaker 1: like when he first gat me like six in the morning,

1625
01:38:04,520 --> 01:38:07,280
Speaker 1: you wake up, pull up what I'm saying. Yeah, that's

1626
01:38:07,320 --> 01:38:11,559
Speaker 1: my guy. He said it his horses, He got horses man.

1627
01:38:18,200 --> 01:38:21,479
Speaker 1: Anything you want in life. The biggest pool in the US,

1628
01:38:22,760 --> 01:38:26,160
Speaker 1: he said, Draking Kane. Any bitch they ever backed, has

1629
01:38:26,280 --> 01:38:28,720
Speaker 1: enough room phone, enough room phone, he said, yeah, you

1630
01:38:28,840 --> 01:38:31,360
Speaker 1: need to have Sunday service on the front lawn. He

1631
01:38:31,479 --> 01:38:34,920
Speaker 1: definitely could you can fit about people on that front

1632
01:38:35,000 --> 01:38:43,920
Speaker 1: lawn easy. I ain't got a cross motivation and kind

1633
01:38:43,960 --> 01:38:47,439
Speaker 1: of niggas support independent artists, support independent artis heavily. They

1634
01:38:47,520 --> 01:38:52,320
Speaker 1: got songs, videos, and what he did was when he

1635
01:38:52,439 --> 01:38:56,040
Speaker 1: first came home off his you know, last stretch with whatever,

1636
01:38:56,760 --> 01:38:59,880
Speaker 1: right y'all. He sent me back that person like a

1637
01:39:00,080 --> 01:39:03,160
Speaker 1: week like when he was on house arrest, and I

1638
01:39:03,280 --> 01:39:05,600
Speaker 1: didn't expect to even get it. The scle model to

1639
01:39:05,680 --> 01:39:10,080
Speaker 1: Beeping Facts sent me. He sent me a verge back

1640
01:39:10,160 --> 01:39:12,000
Speaker 1: and was like, YEO, what you're doing baby rolls? Come

1641
01:39:12,040 --> 01:39:16,200
Speaker 1: shoot the video coming in Atlanta. Boy for Nothing, always

1642
01:39:16,240 --> 01:39:27,479
Speaker 1: been solid Sid. It's not that he's not wants to

1643
01:39:27,520 --> 01:39:30,040
Speaker 1: do it. He wants to. I fulfilled the whole favorite

1644
01:39:30,040 --> 01:39:32,439
Speaker 1: to the respect that it texts you know how you're

1645
01:39:32,439 --> 01:39:34,280
Speaker 1: doing it? But this is good. You're straight. You need

1646
01:39:34,360 --> 01:39:37,599
Speaker 1: something like you know what I'm saying, never no issue,

1647
01:39:37,640 --> 01:39:41,240
Speaker 1: clan nothing, evere, solace, solace solid, Get you all a

1648
01:39:41,320 --> 01:39:47,800
Speaker 1: game like how you do I'm you're gonna watch. I

1649
01:39:47,840 --> 01:39:52,560
Speaker 1: got something I gotta I got a segment, got a ship.

1650
01:39:53,240 --> 01:39:55,479
Speaker 1: You know why? I don't know. I ain't no talk

1651
01:39:55,520 --> 01:39:58,639
Speaker 1: to me. Don't talk to me right now. Don't talk

1652
01:39:58,640 --> 01:40:00,679
Speaker 1: to me right now. I got to take a piss

1653
01:40:03,000 --> 01:40:06,360
Speaker 1: he sneak take a ship, all right, we got we

1654
01:40:06,400 --> 01:40:10,000
Speaker 1: got Yo takes the fastest pisces ever. I don't think

1655
01:40:10,000 --> 01:40:13,080
Speaker 1: he pisses bro. I don't think her hands. I don't

1656
01:40:13,080 --> 01:40:15,920
Speaker 1: think he knows we're doing it now, so he might

1657
01:40:15,960 --> 01:40:19,519
Speaker 1: take a little look. He don't. I don't know what

1658
01:40:19,680 --> 01:40:23,720
Speaker 1: he does. He does not piss. He goes in it,

1659
01:40:23,920 --> 01:40:26,599
Speaker 1: he opens the door, comes out of the core. He's

1660
01:40:26,640 --> 01:40:34,000
Speaker 1: a time traveler. Uh. I wanted to do this. I've

1661
01:40:34,040 --> 01:40:38,720
Speaker 1: been waiting to do this. He's gonna take a while, right,

1662
01:40:40,280 --> 01:40:47,880
Speaker 1: motherfucker man, God damn it. Fatherhood podcast, you're gonna be

1663
01:40:47,960 --> 01:40:50,920
Speaker 1: on it. Need to alright, let's say no more. Hope

1664
01:40:50,960 --> 01:40:53,320
Speaker 1: they too, Yeah, let's do it. Let men, kids, you

1665
01:40:53,360 --> 01:40:59,120
Speaker 1: got to you three almost ten and seven. I got

1666
01:40:59,200 --> 01:41:01,320
Speaker 1: two right now, two girls and no no, I got

1667
01:41:01,400 --> 01:41:03,400
Speaker 1: a boy and a girl. I second was a boy.

1668
01:41:03,439 --> 01:41:05,719
Speaker 1: And what's what you got? I got a two boys

1669
01:41:05,720 --> 01:41:08,760
Speaker 1: in the girl. How's the three going for you? It's

1670
01:41:08,760 --> 01:41:12,320
Speaker 1: crazy because I got twins and my um my eleventh

1671
01:41:12,400 --> 01:41:14,479
Speaker 1: about to be twelve, and my son is autistic. So

1672
01:41:14,600 --> 01:41:17,000
Speaker 1: that ship is like a battle. Wow, my oldest is

1673
01:41:17,080 --> 01:41:20,880
Speaker 1: sixteen and he and teenage like so fucking bitches and

1674
01:41:21,000 --> 01:41:23,280
Speaker 1: doing what he's doing. So that ship is a battle.

1675
01:41:24,439 --> 01:41:28,240
Speaker 1: So it's like trying to figure out what's happening, Say mom,

1676
01:41:28,320 --> 01:41:32,000
Speaker 1: for all of them, for for the two we gotta

1677
01:41:32,040 --> 01:41:38,000
Speaker 1: fight outside. The girl beat him up. Bro, probably on

1678
01:41:38,040 --> 01:41:41,120
Speaker 1: the phone, where where are your gloves? That sounds like

1679
01:41:41,200 --> 01:41:45,800
Speaker 1: slide I said that boy. Sound MANI Bro, you took

1680
01:41:45,840 --> 01:41:54,720
Speaker 1: too on. Man, it's pretty good. We're gonna looking at

1681
01:41:54,800 --> 01:42:00,519
Speaker 1: We had a fatherhood podcast plug. I'm done, but you listen.

1682
01:42:00,680 --> 01:42:03,560
Speaker 1: You see this time too. He used a minute. No, no, no,

1683
01:42:03,680 --> 01:42:07,160
Speaker 1: that's too long. Yes it is. It's true. Half of

1684
01:42:07,240 --> 01:42:11,000
Speaker 1: forty two is usually what he takes. I promise you,

1685
01:42:11,600 --> 01:42:15,080
Speaker 1: I promise you that it's he's a superhero. He goes

1686
01:42:15,320 --> 01:42:19,559
Speaker 1: in the bathroom, or he's taking the top traveling. He opens,

1687
01:42:20,200 --> 01:42:22,160
Speaker 1: he goes, you know, he asked him question, I go

1688
01:42:22,880 --> 01:42:27,760
Speaker 1: so and he's coming right. I used to be um,

1689
01:42:28,479 --> 01:42:31,360
Speaker 1: I'll tell you later. I love to wat my hand.

1690
01:42:36,800 --> 01:42:42,479
Speaker 1: I was, I was, I wash your hand. Sometimes you

1691
01:42:42,560 --> 01:42:47,800
Speaker 1: just gotta wash your hands, BROD. Sometimes you just spelling

1692
01:42:47,880 --> 01:42:49,439
Speaker 1: take a craphic good like let me just wash my

1693
01:42:49,520 --> 01:42:55,960
Speaker 1: hands ship something. You used to be talking to him

1694
01:42:55,960 --> 01:43:00,439
Speaker 1: and he was like, yowl snip movie, but me gorhad

1695
01:43:00,560 --> 01:43:09,519
Speaker 1: momping should happen like that? Baby. Thanks for joining us

1696
01:43:09,560 --> 01:43:12,160
Speaker 1: for another episode of Drink Champs, hosted by Yours Truly

1697
01:43:12,320 --> 01:43:14,120
Speaker 1: d j e f N and n O R E.

1698
01:43:14,640 --> 01:43:16,679
Speaker 1: Please make sure to follow us on all our socials.

1699
01:43:16,920 --> 01:43:20,720
Speaker 1: Let's at Drink Champs across all platforms, at the Real Noriegon,

1700
01:43:20,840 --> 01:43:24,360
Speaker 1: I g at Noriega on Twitter, Mine is at Who's

1701
01:43:24,400 --> 01:43:27,240
Speaker 1: Crazy on I g at d j e f N

1702
01:43:27,320 --> 01:43:29,720
Speaker 1: on Twitter, and most importantly, stay up to date with

1703
01:43:29,800 --> 01:43:33,160
Speaker 1: the latest releases, news and merch by going to drink

1704
01:43:33,280 --> 01:43:34,280
Speaker 1: Champs dot com