WEBVTT - Invention Playlist: A Motion Picture Mystery

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<v Speaker 1>Welcome to Invention, a production of I Heart Radio. Hey,

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<v Speaker 1>welcome to Invention. My name is Robert lamp and I'm

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<v Speaker 1>Joe McCormick, and we have got a treat for you today.

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<v Speaker 1>Last time we told you we would be back this

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<v Speaker 1>time with a murder mystery from the development of the

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<v Speaker 1>motion picture technology history, and today our friend Scott Benjamin

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<v Speaker 1>is joining us on the show. Yeah, that's right. I mean,

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<v Speaker 1>people keep turning up dead in history of the Motion

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<v Speaker 1>picture so we thought we'd bring bring in somebody extra

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<v Speaker 1>to help us out with the heavy lifting on this one.

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<v Speaker 1>Scott loves murder and he's really great at talking about it,

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<v Speaker 1>and uh, I think it's gonna be so much fun.

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<v Speaker 1>So let's go right to our talk with Scott. Hey, So,

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<v Speaker 1>if you have been listening to this show for a while,

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<v Speaker 1>and if you have made it to the little koda

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<v Speaker 1>we tend to do at the end of every episode

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<v Speaker 1>when we when we do our outro music, we you've

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<v Speaker 1>probably heard us mention Scott Benjamin, who helps with research

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<v Speaker 1>on this and we've got such a treat for you.

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<v Speaker 1>Scott Benjamin is joining us in studio today. Scott. It

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<v Speaker 1>is a pleasure to have you. Thank you for having me.

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<v Speaker 1>I really appreciate it. But what should people know about you? Well,

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<v Speaker 1>I've been around here for a long time. I've been

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<v Speaker 1>a podcaster with How Stuff Works originally, uh, for about

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<v Speaker 1>eleven years now, um taken the last couple of years

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<v Speaker 1>off off air, I guess, um as I do research

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<v Speaker 1>and writing for some other shows and true crime stuff.

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<v Speaker 1>In fact, I've got an all new true crime podcast

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<v Speaker 1>coming out pretty soon of my own. I can't really

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<v Speaker 1>give you too many more details about it right now,

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<v Speaker 1>but but it's it's on its way. But this is

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<v Speaker 1>one this is key to while we're having you on

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<v Speaker 1>here now, because you've been helping us with the invention

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<v Speaker 1>research and then suddenly we ran across a little bit

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<v Speaker 1>of true crime, but potentially true crime, or at least

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<v Speaker 1>a mystery that's kind of embedded in the research for

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<v Speaker 1>the invention of the motion picture exactly. Yeah, And I

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<v Speaker 1>thought this was just a little bit too juicy to

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<v Speaker 1>let it go, you know, without without investigating this just

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<v Speaker 1>a little bit more. And uh, to be honest with you,

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<v Speaker 1>it's about a hundred and one nine year old cold

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<v Speaker 1>case now, so I don't think we're gonna you know,

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<v Speaker 1>be you know, solving anything. I don't. I don't think so,

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<v Speaker 1>but well we we could try at least we can

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<v Speaker 1>at least, uh, you know, let people know what's happening

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<v Speaker 1>and let them investigate it for themselves and see what

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<v Speaker 1>they think, because there's a few theories about what happened. Alright,

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<v Speaker 1>So here's what here's what's going on. Um. We tend

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<v Speaker 1>to credit the invention of the motion picture camera to

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<v Speaker 1>either Edison or the Lumier brothers. And you know, we

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<v Speaker 1>we've got kind of know the history behind that and

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<v Speaker 1>the timing. It's all kind of strange timing. It all

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<v Speaker 1>ties in very very closely. Well, it appears that there

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<v Speaker 1>was somebody that was filming motion of filming scenes long

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<v Speaker 1>time prior to that, six seven years prior to that.

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<v Speaker 1>And the earliest film that we have on record anything

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<v Speaker 1>that remains still is from eighteen eighty eight October. As

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<v Speaker 1>a matter of fact, UM we know the date because

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<v Speaker 1>of a specific reason. I'll tell you in a minute.

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<v Speaker 1>But it's called the Roundhay Garden scene and that was

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<v Speaker 1>shot by um a man named Louis la Prince, and

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<v Speaker 1>Louis la Prince of course French born French born um inventor.

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<v Speaker 1>He had a lot of other things that he had

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<v Speaker 1>had developed. A lot of them had to do with cinematography,

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<v Speaker 1>the early days of cinematography. Um. He filmed this scene.

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<v Speaker 1>It was just it's just like two point one seconds,

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<v Speaker 1>I think, very quick, but it does show motion. And

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<v Speaker 1>he was using you know, a type of film that

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<v Speaker 1>was it the early days of film that the um paperbacked,

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<v Speaker 1>and you know it had a very complex way of

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<v Speaker 1>getting this, you know, down and captured. Now, this one,

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<v Speaker 1>the Rounday garden scene, is this before the celluloid film?

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<v Speaker 1>It is just before the celluloid film, right, so that

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<v Speaker 1>was just just after this he had not yet really

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<v Speaker 1>quite kind of experimented with that yet. UM. They know

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<v Speaker 1>the date of this film because specifically, ten days later,

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<v Speaker 1>one of the people appeared in the film died, So

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<v Speaker 1>it was like, you know, this is film in October fourteenth,

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<v Speaker 1>but on October his mother in law who was shown

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<v Speaker 1>in the film passed away. So they know specifically that

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<v Speaker 1>it was prior to this date. In in it's it's approvable.

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<v Speaker 1>But by that UM, he did another scene it was

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<v Speaker 1>like this, I think it was a traffic crossing leeds

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<v Speaker 1>Bridge in eight as well, and there's a few other

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<v Speaker 1>early films that have survived, but they're all from right

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<v Speaker 1>in this in this timeframe, the stuff from Edison and

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<v Speaker 1>from the Lumire Brothers are in you know, the well

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<v Speaker 1>the early UM eighteen nineties UM. And then the patents

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<v Speaker 1>came later. But that's part of the story that we're

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<v Speaker 1>getting too here. You know, the patents, right, so we

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<v Speaker 1>know that Edison was was very much like a patent

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<v Speaker 1>talk or is that the right word. I mean, I

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<v Speaker 1>think there's a little bit of over demonization of Edison

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<v Speaker 1>that maybe goes on on the internet today. A few

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<v Speaker 1>years back, what was it, There was something like popular

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<v Speaker 1>comic strip where it was basically like Tesla is great,

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<v Speaker 1>Edison sucks, which, which, of course it's it's you know, it's, it's,

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<v Speaker 1>it's It's probably a flawed idea to really go all

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<v Speaker 1>in on on either individual as being like you know

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<v Speaker 1>this this this angelic figure of invention or this demonic adversary. Yeah.

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<v Speaker 1>Maybe actually it over sells Tesla instead of underselling Edison. Well,

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<v Speaker 1>you know, one of the problems I guess is that Edison.

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<v Speaker 1>Edison had a huge laboratory that he worked in where

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<v Speaker 1>he employed many many inventors, and then of course anything

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<v Speaker 1>that was invented under that umbrella, he would then take

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<v Speaker 1>the credit for it. He would say, you know this

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<v Speaker 1>Edison's invention. It's just like any other major corporation does. Now.

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<v Speaker 1>The automotive companies do it all the time. You know,

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<v Speaker 1>people invent features, functions, you know, uh, parts, components, and

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<v Speaker 1>they may get the patent, but uh you know, uh,

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<v Speaker 1>I don't know a Ford or GM owns that product,

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<v Speaker 1>they own that that that the patent, they get the

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<v Speaker 1>royalties from all that. Well, this is something we've seen

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<v Speaker 1>over and over again just looking at the history, photography,

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<v Speaker 1>and and now the motion picture is that you know,

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<v Speaker 1>we want to think about the inventor ter as this

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<v Speaker 1>uh this you know, this this individual this just out

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<v Speaker 1>there figuring out stuff on their own. And a lot

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<v Speaker 1>of a lot of inventors do fall into that category.

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<v Speaker 1>But increasingly there's no closer to get into the modern

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<v Speaker 1>era the more you see this uh industrialization of invention,

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<v Speaker 1>the corporate um use of invention, and so you know,

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<v Speaker 1>Edison is just a part of that growing trend. I

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<v Speaker 1>mean already talked about Kodak on the show. Yeah, I

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<v Speaker 1>mean we tend to think of inventors as or we

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<v Speaker 1>like to think of inventors as like like Victor Frankenstein, right, like,

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<v Speaker 1>you know, the independent scientist working on a problem in

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<v Speaker 1>solitude with their own mad genius. But more often it's

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<v Speaker 1>true that inventors need to be part of a system

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<v Speaker 1>that's like providing infrastructure that makes their invention possible at

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<v Speaker 1>the same time that they're working on the invention. And

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<v Speaker 1>the movie camera is a perfect example of this, because

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<v Speaker 1>you couldn't really have the kind of movie cameras that

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<v Speaker 1>even Edison's people came up with, like William Dixon came

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<v Speaker 1>up with, until you had celluloid film and that was

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<v Speaker 1>what you know, other people were working on. What would

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<v Speaker 1>Frankenstein have been, like the novel had it been Frankenstein inc. Right, Yeah,

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<v Speaker 1>Edison's likes you know, he gets one of his little

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<v Speaker 1>lab assistants like resurrect the dead, you know, and then

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<v Speaker 1>I'll get the patent. Yeah, this and this stuff is

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<v Speaker 1>happening on separate continents as well, so you know, it's

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<v Speaker 1>just one of those times in history where you know

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<v Speaker 1>that they're working on the same thing hundreds if not

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<v Speaker 1>thousands of miles apart. And they don't quite know it yet.

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<v Speaker 1>They don't each each doesn't know what the other one

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<v Speaker 1>is doing right at that moment, unless you know, there's

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<v Speaker 1>some talk within the community of scientists, you know, inventors

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<v Speaker 1>of what they're working on. And uh, and likely they

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<v Speaker 1>would have kept that pretty you know, close to the vest.

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<v Speaker 1>They wouldn't have really said, hay, I'm working on this

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<v Speaker 1>new camera and here's in fact, here's a drawing off

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<v Speaker 1>how it works. Why don't you, Uh, I haven't see

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<v Speaker 1>if you can perfect that now it doesn't work that way.

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<v Speaker 1>They keep them really really tight, um until of course,

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<v Speaker 1>the you know, the goal is the patent, of course,

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<v Speaker 1>you know, to make their royalties from this invention. And uh,

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<v Speaker 1>apparently it looks like La Prince beat Edison to the

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<v Speaker 1>you know, to the mark there on the one. So

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<v Speaker 1>he made all the money, right, No, no, didn't make

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<v Speaker 1>any money on it. In fact, I guess maybe we

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<v Speaker 1>should jump right into the story here at this point

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<v Speaker 1>right now, tell us about the mystery. All right, so

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<v Speaker 1>you know he's he's working on a stuff. He actually

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<v Speaker 1>successfully films these scenes, the round Hey Garden scene, you know,

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<v Speaker 1>the traffic crossing leeds Bridge, etcetera. And he's got this device.

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<v Speaker 1>It's a it's a single lens camera, and this is

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<v Speaker 1>an improvement over a camera that he had just prior

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<v Speaker 1>to that, which was like a sixteen lens camera that

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<v Speaker 1>shot there's actually two banks of eight lenses. I think

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<v Speaker 1>that we're that would quickly take images and then you

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<v Speaker 1>could put those together and then show them in rapid

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<v Speaker 1>succession and make, you know, make a moving image out

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<v Speaker 1>of them. This is a single lens camera that would

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<v Speaker 1>record continuous motion. Right, so this is quite different, less

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<v Speaker 1>laborious editing. Yes, yes, exactly right. And again and this

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<v Speaker 1>is the old paperback film at this point, you know,

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<v Speaker 1>it's not the not the cleloid at this at this point, um,

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<v Speaker 1>but he has this invention. He's ready to uh find

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<v Speaker 1>he's finally after you know, showing it to friends and

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<v Speaker 1>family and you know, projecting these on on screens and

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<v Speaker 1>his his laboratory or wherever you know, these private showings.

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<v Speaker 1>He's ready to go with you to the public with this,

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<v Speaker 1>to to show it publicly and then file for a

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<v Speaker 1>patent in New York City here in the United States.

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<v Speaker 1>And this is all going to happen in I believe

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<v Speaker 1>in October of eighteen ninety, that's when it's supposed to happen.

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<v Speaker 1>And so prior to that, you know, he's he's still

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<v Speaker 1>kind of touring around and he's got his family trying

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<v Speaker 1>to get things together in New York City, trying to

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<v Speaker 1>get things like a place to do this, you know,

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<v Speaker 1>a proper venue, etcetera, and uh, and they're working on

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<v Speaker 1>the they've got it. He's still in France and he

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<v Speaker 1>makes a trip to see his brother, which is expected

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<v Speaker 1>at this point because I guess his his mother had

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<v Speaker 1>just passed just prior to this, so his brother is

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<v Speaker 1>in charge of the estate and kind of breaking up

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<v Speaker 1>the estate and you know the will, I guess, you know,

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<v Speaker 1>executing the will. So he makes a trip to Dijon, France,

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<v Speaker 1>and he is he spends like three days as his brother,

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<v Speaker 1>and who knows, you know, what's going on there, whether

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<v Speaker 1>it's you know, they're talking about finances or whatever. I'm

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<v Speaker 1>sure there's a lot to discuss at that point. But

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<v Speaker 1>then his brother takes him to the train platform, you know,

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<v Speaker 1>the other train um station there in town in Dijon,

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<v Speaker 1>and it's a Dijon to Paris Express trains, so it's

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<v Speaker 1>not gonna stop anywhere. It's gonna go straight from there,

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<v Speaker 1>right to Paris, and he's back where he has to be.

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<v Speaker 1>And then I think he's going to head to England

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<v Speaker 1>and then to New York for this, for this, you know,

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<v Speaker 1>the showing this patent awarding or whatever. Um. His brother

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<v Speaker 1>says that he put him on the train on the platform,

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<v Speaker 1>and that's the last anybody ever saw of the prince.

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<v Speaker 1>He just disappears somewhere in between Dijon and in Paris

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<v Speaker 1>on a NonStop train, on a NonStop train, he completely

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<v Speaker 1>disappears and his luggage disappears. There's no paper record of

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<v Speaker 1>him being on the train really, Um, other than his

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<v Speaker 1>brother's word that he put him on the train, no

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<v Speaker 1>one can remember seeing him on the train, Like he

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<v Speaker 1>didn't share a cabin with anybody or anything like that.

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<v Speaker 1>And this is a pretty notable guy. And aside front,

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<v Speaker 1>the guy was six ft four, so he kind of

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<v Speaker 1>stands out today. Yeah, he would, he's a tall guy. UM.

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<v Speaker 1>I don't know how well how well known he was

0:11:31.400 --> 0:11:33.319
<v Speaker 1>at that point, if anybody could really recognize him, I

0:11:33.360 --> 0:11:37.160
<v Speaker 1>don't think that he was. Um, but there's really no

0:11:37.600 --> 0:11:39.800
<v Speaker 1>sighting of him on the train. Itself, and certainly not

0:11:39.920 --> 0:11:45.160
<v Speaker 1>in Paris when when it arrived. So obviously that seems

0:11:45.200 --> 0:11:49.719
<v Speaker 1>suspicious like that. People don't normally disappear from trains. But

0:11:50.080 --> 0:11:52.680
<v Speaker 1>uh so, so the question would be, are there any

0:11:52.880 --> 0:11:58.800
<v Speaker 1>reasons people had to suspect foul play related to his invention?

0:11:59.480 --> 0:12:01.839
<v Speaker 1>Other and just the fact that he was about to

0:12:01.960 --> 0:12:05.400
<v Speaker 1>debut a hotly contested invention for which people would be

0:12:05.480 --> 0:12:09.280
<v Speaker 1>competing for patents. Well, the timing is extremely convenient for

0:12:09.440 --> 0:12:12.079
<v Speaker 1>anybody else who might be working on this a similar invention.

0:12:12.520 --> 0:12:14.400
<v Speaker 1>I mean, so think about who that might be, and

0:12:14.480 --> 0:12:16.920
<v Speaker 1>we'll talk about them in just a moment. All of

0:12:16.960 --> 0:12:20.360
<v Speaker 1>this is going down on September sixteenth, eighteen ninety He's

0:12:20.679 --> 0:12:23.480
<v Speaker 1>what forty nine years old at this point. Um, And again,

0:12:23.600 --> 0:12:26.280
<v Speaker 1>just two months later, or even one month later, I

0:12:26.320 --> 0:12:27.800
<v Speaker 1>believe he was supposed to be in New York to

0:12:28.160 --> 0:12:32.079
<v Speaker 1>debut this this and this would have uh clearly, it

0:12:32.120 --> 0:12:34.280
<v Speaker 1>would have revolutionized the industry. I mean, it was something

0:12:34.360 --> 0:12:36.800
<v Speaker 1>that was going to make him a lot of money,

0:12:37.760 --> 0:12:41.120
<v Speaker 1>no doubt about it. All Right, so he vanishes, But

0:12:41.520 --> 0:12:43.480
<v Speaker 1>then what's the follow up. Who's looking for him? Well,

0:12:43.600 --> 0:12:45.520
<v Speaker 1>of course there's going to be an investigation right, I

0:12:45.559 --> 0:12:47.520
<v Speaker 1>mean his brother. His brother's word is that, you know,

0:12:47.559 --> 0:12:49.520
<v Speaker 1>he put him on this train and and now he's

0:12:49.559 --> 0:12:53.040
<v Speaker 1>just suddenly gone into thin air. Right. So Scotland Yard

0:12:53.600 --> 0:12:55.480
<v Speaker 1>is on the case, and you would think Scotland Yard

0:12:55.520 --> 0:12:58.000
<v Speaker 1>would do a pretty good decent, you know, examination of

0:12:58.080 --> 0:13:01.040
<v Speaker 1>what's going on here an investigation. The French police are

0:13:01.080 --> 0:13:03.920
<v Speaker 1>also looking and his family of course is searching for

0:13:04.000 --> 0:13:06.280
<v Speaker 1>him as well, in addition to the other two agencies.

0:13:06.360 --> 0:13:08.480
<v Speaker 1>So um, I don't know who they hired or how

0:13:08.559 --> 0:13:11.360
<v Speaker 1>they went about that, the family themselves, but you've got

0:13:11.480 --> 0:13:15.760
<v Speaker 1>three separate groups looking for him for years. Really, I

0:13:15.800 --> 0:13:17.800
<v Speaker 1>mean they're they're they're trying to track him down, trying

0:13:17.800 --> 0:13:20.280
<v Speaker 1>to figure out exactly what happened, because again, it doesn't

0:13:20.320 --> 0:13:23.120
<v Speaker 1>just happen like this. So um, it's just a real

0:13:23.280 --> 0:13:27.359
<v Speaker 1>strange occurrence. So if he disappeared, could you tell initially

0:13:27.600 --> 0:13:30.640
<v Speaker 1>what the predominant theory was like at the time. Did

0:13:30.760 --> 0:13:33.400
<v Speaker 1>they think he was dead or did they think he

0:13:33.520 --> 0:13:35.439
<v Speaker 1>had run off for what? You know, I don't know

0:13:35.520 --> 0:13:37.839
<v Speaker 1>if there was a predominant theory at that time. I

0:13:37.880 --> 0:13:40.400
<v Speaker 1>think there were just so many different thoughts going through

0:13:40.400 --> 0:13:42.439
<v Speaker 1>everybody's head, like what could have happened to this guy.

0:13:42.480 --> 0:13:44.720
<v Speaker 1>You know, there's a lot a lot of these came

0:13:44.800 --> 0:13:46.679
<v Speaker 1>up later in time. I mean, some of them are like,

0:13:46.800 --> 0:13:49.160
<v Speaker 1>you know, discussed in the nineteen sixties. You know, so

0:13:49.240 --> 0:13:52.160
<v Speaker 1>we're still talking about this guy seventy five plus years

0:13:52.280 --> 0:13:54.640
<v Speaker 1>later with a new theory about what might have happened.

0:13:54.679 --> 0:13:57.640
<v Speaker 1>But there are there are three or four main theories

0:13:57.679 --> 0:14:00.360
<v Speaker 1>that have been tossed around for the last in twenty

0:14:00.440 --> 0:14:03.599
<v Speaker 1>nine years now. The more recent theories are going to

0:14:03.760 --> 0:14:07.800
<v Speaker 1>you know, pertain to our our our modern interpretations and

0:14:07.920 --> 0:14:10.600
<v Speaker 1>really why we remember this guy. But but at the time,

0:14:10.679 --> 0:14:13.800
<v Speaker 1>I'm thinking it's like, surely they probably approached this in

0:14:13.880 --> 0:14:16.439
<v Speaker 1>the same way one might approach a modern disappearance, and

0:14:16.480 --> 0:14:18.800
<v Speaker 1>they would look too, They would looked to family, they

0:14:18.800 --> 0:14:22.640
<v Speaker 1>would look to you know, connections and major stressors in

0:14:22.800 --> 0:14:24.600
<v Speaker 1>their personal life. I mean, this is a guy who

0:14:25.000 --> 0:14:28.520
<v Speaker 1>recently lost a loved one, may have been involved in something,

0:14:28.600 --> 0:14:30.920
<v Speaker 1>and I mean was definitely involved in some sort of

0:14:30.960 --> 0:14:34.920
<v Speaker 1>a state, uh situation. Sure yeah, um, And uh you know,

0:14:35.240 --> 0:14:36.960
<v Speaker 1>I guess we can just talk about the very first theory,

0:14:37.000 --> 0:14:39.400
<v Speaker 1>which was of course suicide. They thought maybe he had

0:14:39.520 --> 0:14:43.400
<v Speaker 1>jumped from the train on his own somewhere between Dijon

0:14:43.560 --> 0:14:46.280
<v Speaker 1>and Paris. But they searched, you know, track side that

0:14:46.360 --> 0:14:49.320
<v Speaker 1>whole distance, didn't find anything. Didn't find of course, you know,

0:14:49.720 --> 0:14:51.520
<v Speaker 1>why would he take his luggage with him? If he

0:14:51.560 --> 0:14:53.800
<v Speaker 1>did that and all that, it would make it even

0:14:53.920 --> 0:14:57.720
<v Speaker 1>more visible if you know there's the body and luggage somewhere,

0:14:57.840 --> 0:14:59.680
<v Speaker 1>you know, in the woods in between or something like that,

0:15:00.240 --> 0:15:02.640
<v Speaker 1>or you've jumped off a bridge or right. Okay, So

0:15:02.680 --> 0:15:04.800
<v Speaker 1>I guess I'd have two questions about that. Number One,

0:15:05.400 --> 0:15:08.920
<v Speaker 1>if anybody thinks that suicide, is there any physical evidence

0:15:08.960 --> 0:15:11.720
<v Speaker 1>to indicate that. No physical evidence. That's the thing. All

0:15:11.760 --> 0:15:14.560
<v Speaker 1>of this is just circumstantial evidence because there's nobody there's

0:15:14.600 --> 0:15:16.800
<v Speaker 1>there's no proof of anything. No one saw him, there's

0:15:16.800 --> 0:15:21.000
<v Speaker 1>no witnesses. But the theory, I think that one of

0:15:21.080 --> 0:15:25.000
<v Speaker 1>the theories behind the suicide thought is that um, he

0:15:25.240 --> 0:15:27.800
<v Speaker 1>was he was in a significant amount of debt when

0:15:27.880 --> 0:15:30.560
<v Speaker 1>he died. That was the other thing I was gonna ask. Yeah,

0:15:30.640 --> 0:15:33.240
<v Speaker 1>so he's you know, he's an eventuorre. He's probably borrowing,

0:15:33.360 --> 0:15:36.160
<v Speaker 1>taking loans some people to get these inventions off the ground,

0:15:36.360 --> 0:15:39.800
<v Speaker 1>these fledgling inventions. And I have seen numbers around and

0:15:39.880 --> 0:15:42.040
<v Speaker 1>you know, these numbers are suspect because they come from

0:15:42.040 --> 0:15:44.520
<v Speaker 1>a lot of different places and you read different numbers everywhere.

0:15:45.200 --> 0:15:47.080
<v Speaker 1>But they said that he was somewhere around eighty four

0:15:47.160 --> 0:15:49.240
<v Speaker 1>thousand dollars in debt at the time of his death.

0:15:49.640 --> 0:15:51.160
<v Speaker 1>That would have been a lot of money, and it

0:15:51.240 --> 0:15:53.000
<v Speaker 1>still has a lot of money, I guess, but it

0:15:53.040 --> 0:15:56.960
<v Speaker 1>would be so much more in you know what kind

0:15:56.960 --> 0:16:00.720
<v Speaker 1>of an unheard of amount. And um, he I guess

0:16:00.720 --> 0:16:05.000
<v Speaker 1>he didn't really know the um the true success of

0:16:05.120 --> 0:16:07.360
<v Speaker 1>his of his new invention. He wouldn't know exactly what

0:16:07.520 --> 0:16:09.520
<v Speaker 1>that would have brought him, the windfall that that would

0:16:09.520 --> 0:16:11.120
<v Speaker 1>have meant. I mean, I knew he he thought it

0:16:11.160 --> 0:16:12.720
<v Speaker 1>was big, and of course he was trying to patent it.

0:16:12.840 --> 0:16:15.960
<v Speaker 1>But um, I don't think he had any comprehension of

0:16:16.040 --> 0:16:17.640
<v Speaker 1>the type of money that that would have brought in

0:16:17.840 --> 0:16:20.480
<v Speaker 1>had that been the fact. It's it's not very likely

0:16:21.040 --> 0:16:23.760
<v Speaker 1>that he committed suicide either, because he did have this.

0:16:23.960 --> 0:16:25.440
<v Speaker 1>He had a loving family. He there were a lot

0:16:25.480 --> 0:16:28.360
<v Speaker 1>of letters that were shared between um, you know later

0:16:28.480 --> 0:16:31.320
<v Speaker 1>on that were shown between him and his wife and

0:16:31.520 --> 0:16:33.560
<v Speaker 1>other members of his family, and you know, his whole

0:16:33.640 --> 0:16:35.920
<v Speaker 1>family was behind him. They were all supportive. It wasn't like,

0:16:36.000 --> 0:16:39.000
<v Speaker 1>you know, he was um, I don't know. It wasn't

0:16:39.040 --> 0:16:41.120
<v Speaker 1>like he was ostracized in some way, you know, he was.

0:16:41.240 --> 0:16:43.720
<v Speaker 1>He was definitely a tight part of this, this close

0:16:43.800 --> 0:16:49.040
<v Speaker 1>knit family. So the suicide theory is rather unlikely for

0:16:49.120 --> 0:16:51.240
<v Speaker 1>a few reasons. All Right, we need to take a

0:16:51.320 --> 0:16:59.640
<v Speaker 1>quick break, but we'll be right back with more. All right,

0:16:59.680 --> 0:17:02.480
<v Speaker 1>we're back now. I know. Another one of the theories,

0:17:02.480 --> 0:17:05.080
<v Speaker 1>which I guess maybe we can get to next, is

0:17:05.600 --> 0:17:10.600
<v Speaker 1>the one that involves some kind of industrial escapade or

0:17:10.720 --> 0:17:13.680
<v Speaker 1>do should we do that next? Or why? It's another

0:17:13.760 --> 0:17:15.600
<v Speaker 1>very popular one, right, So I do think we want

0:17:15.640 --> 0:17:20.240
<v Speaker 1>to be careful not to just blithely throw out historical

0:17:20.359 --> 0:17:23.280
<v Speaker 1>murder accusations. But we wouldn't be doing this from out

0:17:23.320 --> 0:17:25.600
<v Speaker 1>another out of nowhere like other people have sort of

0:17:25.640 --> 0:17:29.480
<v Speaker 1>alleged this based on just circumstances, right, sure, Yeah, it's

0:17:29.480 --> 0:17:32.080
<v Speaker 1>all circumstantial. Everything is in this in this case again,

0:17:32.160 --> 0:17:36.639
<v Speaker 1>there's nothing really concrete here to hold onto. Yeah, alright,

0:17:36.720 --> 0:17:38.280
<v Speaker 1>So the theory if you if you want me to

0:17:38.359 --> 0:17:39.960
<v Speaker 1>just jump right into it, you get to jump right in.

0:17:41.119 --> 0:17:44.399
<v Speaker 1>So it's the timing is so suspecting this, and we

0:17:44.560 --> 0:17:47.679
<v Speaker 1>we mentioned, you know, there's somebody else involved, and Thomas

0:17:47.800 --> 0:17:50.439
<v Speaker 1>Edizen's name gets thrown into the mix quite often when

0:17:50.480 --> 0:17:53.840
<v Speaker 1>we're talking about this, that that Thomas Edison actually had

0:17:54.600 --> 0:17:59.240
<v Speaker 1>um Louis La Prince assassinated on that train or somewhere

0:17:59.320 --> 0:18:02.200
<v Speaker 1>near that train. Now, was this something that was alleged

0:18:02.320 --> 0:18:04.840
<v Speaker 1>by anyone at the time or was it only an

0:18:04.880 --> 0:18:09.080
<v Speaker 1>accusation that was alleged like historically as an interpretation many

0:18:09.160 --> 0:18:12.280
<v Speaker 1>years later. I believe that the family thought initially that

0:18:12.400 --> 0:18:15.520
<v Speaker 1>that's what this was all about, because and I don't

0:18:15.520 --> 0:18:18.879
<v Speaker 1>think initially I don't think they initially came up with

0:18:18.960 --> 0:18:21.600
<v Speaker 1>this theory. I think that later we will find out,

0:18:21.720 --> 0:18:23.399
<v Speaker 1>you know, there's some other things that go on to

0:18:23.600 --> 0:18:27.320
<v Speaker 1>that that kind of they kind of demonized Thomas Yson

0:18:27.359 --> 0:18:30.840
<v Speaker 1>a little bit um um in the way that the

0:18:30.920 --> 0:18:34.440
<v Speaker 1>patent was eventually handled. We'll get to it. Well, I

0:18:34.560 --> 0:18:36.880
<v Speaker 1>do know I read right, Am I wrong in saying

0:18:36.960 --> 0:18:41.760
<v Speaker 1>that at some point um Louis La Prince's wife said

0:18:41.840 --> 0:18:44.840
<v Speaker 1>that he had left New York because he was trying

0:18:44.920 --> 0:18:49.920
<v Speaker 1>to escape being pursued by industrial spies. Yeah, so there's

0:18:49.960 --> 0:18:52.120
<v Speaker 1>some background there, a little bit you know that there

0:18:52.240 --> 0:18:55.400
<v Speaker 1>is there, there is a little bit of that intrigue

0:18:55.440 --> 0:18:57.160
<v Speaker 1>that you know, there could be something going on there

0:18:57.240 --> 0:18:59.560
<v Speaker 1>that's a little more nefarious than we would like to

0:19:00.119 --> 0:19:04.160
<v Speaker 1>to think now of this person, you know, Thomas Edison. Um.

0:19:05.000 --> 0:19:08.320
<v Speaker 1>But then again that's like secondhand hearsay, right exactly, Yeah,

0:19:08.359 --> 0:19:09.879
<v Speaker 1>that's right. Now. A lot of this is I mean

0:19:09.880 --> 0:19:12.159
<v Speaker 1>a lot of it is you know, you know, this

0:19:12.320 --> 0:19:14.760
<v Speaker 1>person said this to this agency and they reported that,

0:19:15.000 --> 0:19:17.480
<v Speaker 1>and you know, it's just it gets kind of distributed

0:19:17.560 --> 0:19:19.600
<v Speaker 1>or passed down and it changes a little bit along

0:19:19.600 --> 0:19:21.520
<v Speaker 1>the way. Right. And then also like if someone is

0:19:21.880 --> 0:19:26.200
<v Speaker 1>you know, allegedly speaking to paranoia about industrial spies following

0:19:26.280 --> 0:19:28.399
<v Speaker 1>them around like that, also, I mean you could interpret

0:19:28.480 --> 0:19:31.080
<v Speaker 1>that as being a sign of of you know, some

0:19:31.240 --> 0:19:34.920
<v Speaker 1>form of you know, not conspiracy, but perhaps you know,

0:19:35.000 --> 0:19:37.960
<v Speaker 1>mental illness. Oh sure, that's also possible. And we're not

0:19:38.240 --> 0:19:40.760
<v Speaker 1>we're stress. We should say this right now. I guess

0:19:40.800 --> 0:19:44.600
<v Speaker 1>we haven't even said this. But but Thomas Edison wouldn't

0:19:44.640 --> 0:19:46.760
<v Speaker 1>have been you know, the hit man. He wouldn't have

0:19:46.760 --> 0:19:49.720
<v Speaker 1>been the guy, you know, the guy pulling the cord

0:19:49.800 --> 0:19:51.640
<v Speaker 1>tight around the other guy's neck or anything. It would

0:19:51.680 --> 0:19:54.240
<v Speaker 1>have been hinchman. Or if if it was you know

0:19:54.480 --> 0:19:56.200
<v Speaker 1>something of that you were thinking of from Russia with

0:19:56.320 --> 0:19:59.399
<v Speaker 1>love as well. We can't help to think of all

0:19:59.440 --> 0:20:04.119
<v Speaker 1>the cinemat tin, piano wire and all that Thomas Edison

0:20:04.160 --> 0:20:08.080
<v Speaker 1>played by what's his name? Quint Oh, yeah, Robert Shaw

0:20:09.240 --> 0:20:12.520
<v Speaker 1>come up all right, So I mean it's it's fascinating

0:20:12.560 --> 0:20:15.560
<v Speaker 1>the timing of all of when all this happens, and

0:20:15.720 --> 0:20:18.639
<v Speaker 1>the way that Edison then benefited from the death of

0:20:18.680 --> 0:20:22.359
<v Speaker 1>Louis la prince Um via the patent. So remind us

0:20:22.400 --> 0:20:25.520
<v Speaker 1>again exactly of the timing here. Okay, So the timing

0:20:25.680 --> 0:20:28.680
<v Speaker 1>is that in I guess it would be September sixteenth

0:20:28.720 --> 0:20:32.320
<v Speaker 1>of eighteen nineties when Louis the Prince went went missing,

0:20:33.000 --> 0:20:38.200
<v Speaker 1>and again Edison was simultaneously working on his own camera,

0:20:38.280 --> 0:20:40.720
<v Speaker 1>but it wasn't ready yet at the time, very very

0:20:40.760 --> 0:20:44.560
<v Speaker 1>close now that they got their patents in. Yeah, that's right,

0:20:44.600 --> 0:20:47.440
<v Speaker 1>and he was supposed to have the showing are the

0:20:47.560 --> 0:20:51.280
<v Speaker 1>the public viewing of his device is is his camera

0:20:51.680 --> 0:20:54.640
<v Speaker 1>the Prince was the Prince was in October of eighteen

0:20:54.760 --> 0:20:59.160
<v Speaker 1>ninety So the timing is just far too convenient for Edison.

0:20:59.280 --> 0:21:01.400
<v Speaker 1>It raised a lot of eyebrows, that's supposed to say,

0:21:01.400 --> 0:21:04.280
<v Speaker 1>because he benefited in such a tremendous way from this

0:21:05.040 --> 0:21:07.800
<v Speaker 1>because his name is now tied in with the birth

0:21:07.880 --> 0:21:11.880
<v Speaker 1>of cinematography, the birth of motion pictures. Really, um as

0:21:11.920 --> 0:21:15.200
<v Speaker 1>our Loomier brothers who came about just a little bit later,

0:21:15.280 --> 0:21:19.400
<v Speaker 1>I believe, right. Um, so nobody's alleged, I mean, even

0:21:19.440 --> 0:21:22.760
<v Speaker 1>if there's not much to these allegations, nobody's alleged that

0:21:22.880 --> 0:21:25.480
<v Speaker 1>the loomi Are brothers were involved. No, absolutely not, No,

0:21:25.600 --> 0:21:29.040
<v Speaker 1>it's all it's all focused on. Yeah, that's right, because well,

0:21:29.160 --> 0:21:31.240
<v Speaker 1>the Lomiere brothers, I think like one of the things

0:21:31.280 --> 0:21:33.800
<v Speaker 1>there is that a lot of the interpretations are that

0:21:33.920 --> 0:21:37.560
<v Speaker 1>they they didn't necessarily see the long term future of

0:21:37.640 --> 0:21:40.720
<v Speaker 1>this technology themselves, so they don't seem to have the

0:21:40.840 --> 0:21:44.440
<v Speaker 1>character of like, you know, viciously plotting for their their

0:21:44.680 --> 0:21:47.640
<v Speaker 1>you know, their their takeover of the culture via there

0:21:47.680 --> 0:21:50.600
<v Speaker 1>at this new tech that they've developed. No, no, absolutely not.

0:21:50.760 --> 0:21:54.040
<v Speaker 1>It's yeah, that shouldn't their names shouldn't really come into

0:21:54.040 --> 0:21:57.639
<v Speaker 1>the assassination. Um I'm theory at all. I mean, but

0:21:57.680 --> 0:22:01.320
<v Speaker 1>we'll stick with Edison being the scapegoat on that one.

0:22:01.400 --> 0:22:04.680
<v Speaker 1>And you know, as funny as as reading this, you'll

0:22:04.680 --> 0:22:07.320
<v Speaker 1>come across so many different versions of this in the

0:22:07.359 --> 0:22:09.960
<v Speaker 1>way that this all went down. And and Joe, you

0:22:10.000 --> 0:22:13.960
<v Speaker 1>and I had a discussion earlier in the office about

0:22:14.080 --> 0:22:17.560
<v Speaker 1>about some of the stuff that's very very misleading. Oh, yes,

0:22:17.720 --> 0:22:20.720
<v Speaker 1>that's right. Well, I mean, so there is one I

0:22:20.880 --> 0:22:25.120
<v Speaker 1>was looking for good like, you know, articles in journals,

0:22:25.240 --> 0:22:27.760
<v Speaker 1>like journals that would cover the history of photography and

0:22:27.840 --> 0:22:30.320
<v Speaker 1>stuff like that, peer reviewed kind of things. And there's

0:22:30.359 --> 0:22:34.159
<v Speaker 1>one article that is widely cited around the Internet that

0:22:34.440 --> 0:22:41.080
<v Speaker 1>alleges the discovery of a diary entry by Thomas Edison

0:22:41.200 --> 0:22:44.720
<v Speaker 1>from where he essentially confesses to the murder. Do you

0:22:44.800 --> 0:22:47.720
<v Speaker 1>have the exact words? If you do, I want to

0:22:47.760 --> 0:22:51.480
<v Speaker 1>be clear. We're gonna heavily caveat this in a second. Yeah, yeah, okay.

0:22:51.520 --> 0:22:54.959
<v Speaker 1>So supposedly, should I tell where this letter came from

0:22:55.040 --> 0:22:56.720
<v Speaker 1>or do you want the exact note? Yeah? Go ahead,

0:22:56.840 --> 0:23:00.640
<v Speaker 1>all right. So this supposedly comes from a graduate student

0:23:00.680 --> 0:23:04.040
<v Speaker 1>at the University of New York UM named Alexis Bedford,

0:23:04.800 --> 0:23:07.240
<v Speaker 1>And in two thousand and eight it was it was

0:23:08.160 --> 0:23:11.440
<v Speaker 1>said that he was he was studying uh chemistry and

0:23:11.480 --> 0:23:14.360
<v Speaker 1>photography and was conducting research into history of motion pictures

0:23:14.760 --> 0:23:17.160
<v Speaker 1>for about a year and a half prior to this discovery.

0:23:17.720 --> 0:23:19.840
<v Speaker 1>And the search leads him to what they called the

0:23:19.920 --> 0:23:24.760
<v Speaker 1>inner Forgotten Archives of the New York Library's hysterious already, right,

0:23:24.760 --> 0:23:27.080
<v Speaker 1>it's probably room full of dusty books and all that.

0:23:27.680 --> 0:23:30.920
<v Speaker 1>So he's finding, um, you know, these journals, these notes,

0:23:31.000 --> 0:23:34.080
<v Speaker 1>these pages, and you know that that are actually the

0:23:34.160 --> 0:23:37.000
<v Speaker 1>work of Thomas Citizen. And he stumbles across this book

0:23:37.080 --> 0:23:39.560
<v Speaker 1>that's just kind of fallen apart. It's a leather bound book.

0:23:39.600 --> 0:23:42.760
<v Speaker 1>It's very dusty and old, but it's a journal of

0:23:42.920 --> 0:23:45.800
<v Speaker 1>Thomas Edizen. That would be fantastic to find something like that.

0:23:45.920 --> 0:23:48.119
<v Speaker 1>That was, you know, at this point undiscovered. Really, it

0:23:48.200 --> 0:23:50.960
<v Speaker 1>was just put in on the shelf and left um

0:23:51.800 --> 0:23:54.040
<v Speaker 1>in the journal. You know, of course he jotted, and

0:23:54.119 --> 0:23:56.000
<v Speaker 1>he was known to keep journals like this where jot

0:23:56.080 --> 0:23:58.879
<v Speaker 1>down ideas and thoughts and sketches. All most inventors do that,

0:23:58.960 --> 0:24:01.760
<v Speaker 1>all of them do, probably. But he finds the following

0:24:01.840 --> 0:24:06.400
<v Speaker 1>note and it's got the date of September nine, which

0:24:06.480 --> 0:24:09.639
<v Speaker 1>is four days after the Prince went missing. And the

0:24:09.760 --> 0:24:14.960
<v Speaker 1>note says exactly, Eric called me today from Dijon. It

0:24:15.040 --> 0:24:18.520
<v Speaker 1>has been done. Prince is no more. This is good news.

0:24:18.600 --> 0:24:21.119
<v Speaker 1>But I flinched when he told me murder is not

0:24:21.280 --> 0:24:24.800
<v Speaker 1>my thing. I'm an inventor, and my inventions for moving

0:24:24.840 --> 0:24:27.840
<v Speaker 1>images can now move forward. That's the end of the entry.

0:24:28.359 --> 0:24:31.639
<v Speaker 1>So I have seen this cited all over in like

0:24:31.800 --> 0:24:34.359
<v Speaker 1>blog posts and even in books I looked at. This

0:24:34.560 --> 0:24:40.199
<v Speaker 1>has been cited in books as evidence of Edison's involvement

0:24:40.400 --> 0:24:44.640
<v Speaker 1>in this supposed murder. I am ninety nine point nine

0:24:44.800 --> 0:24:48.280
<v Speaker 1>nine certain that this is a work of fiction. And

0:24:48.400 --> 0:24:50.359
<v Speaker 1>I don't mean a work of fraud. I don't mean

0:24:50.480 --> 0:24:53.439
<v Speaker 1>like a something that is trying to be passed off

0:24:53.520 --> 0:24:58.160
<v Speaker 1>as nonfiction. I believe that this article is intentionally published

0:24:58.240 --> 0:25:01.680
<v Speaker 1>as a work of fiction that has been misinterpreted as

0:25:01.840 --> 0:25:04.440
<v Speaker 1>a as like a straightforward report of a real event.

0:25:04.640 --> 0:25:06.639
<v Speaker 1>What led you to believe it? And there are a

0:25:06.680 --> 0:25:08.600
<v Speaker 1>bunch of things. I mean, number one, it's well never

0:25:08.720 --> 0:25:10.960
<v Speaker 1>why it's if this were true. This is just a

0:25:11.040 --> 0:25:13.800
<v Speaker 1>straight up murder confession, yes, you know, or at least

0:25:13.840 --> 0:25:16.440
<v Speaker 1>conspiracy to murder. Well, I mean, the the language of

0:25:16.480 --> 0:25:19.440
<v Speaker 1>it is somewhat an achronistic. It is not my thing.

0:25:21.680 --> 0:25:24.439
<v Speaker 1>Uh uh Well, I mean, on one hand, I want

0:25:24.480 --> 0:25:26.119
<v Speaker 1>to say, as a work of fiction, I think this

0:25:26.280 --> 0:25:29.080
<v Speaker 1>isn't that bad, it's it's it's kind of interesting. But

0:25:29.320 --> 0:25:31.800
<v Speaker 1>so I tried to look up the names that are

0:25:31.880 --> 0:25:34.680
<v Speaker 1>cited in this article, like of the student who discovered this,

0:25:35.320 --> 0:25:37.840
<v Speaker 1>and of another historian who's named in this article. I

0:25:37.960 --> 0:25:40.440
<v Speaker 1>can't find evidence of these people. They don't appear to

0:25:40.520 --> 0:25:44.000
<v Speaker 1>me to be real people. Um, there's of course that problem.

0:25:44.119 --> 0:25:47.119
<v Speaker 1>One thing that I noticed is that it says Edison

0:25:47.160 --> 0:25:50.320
<v Speaker 1>says in his confession from eighteen ninety and his diaries

0:25:50.760 --> 0:25:54.440
<v Speaker 1>that he says Eric called me today from Dijon. So

0:25:54.560 --> 0:25:58.680
<v Speaker 1>in eighteen ninety he received a transatlantic phone call. That

0:25:58.880 --> 0:26:01.880
<v Speaker 1>is not possible. I do not think there were transatlantic

0:26:01.960 --> 0:26:04.120
<v Speaker 1>phone calls in eighteen ninety. I know when the first

0:26:04.160 --> 0:26:07.040
<v Speaker 1>one was made. Oh yeah, yeah, I was January seven,

0:26:09.200 --> 0:26:12.960
<v Speaker 1>So thirty seven years after this call was supposedly made.

0:26:13.040 --> 0:26:16.800
<v Speaker 1>Is when is when he claims this? This note claims

0:26:16.960 --> 0:26:18.760
<v Speaker 1>that he received a phone call. I think we've had

0:26:18.760 --> 0:26:21.920
<v Speaker 1>a problem here of just mislabeling an article from a

0:26:22.000 --> 0:26:24.240
<v Speaker 1>journal that should have been clearly noted as a piece

0:26:24.280 --> 0:26:27.080
<v Speaker 1>of fiction but has confused a lot of people, right,

0:26:27.160 --> 0:26:29.080
<v Speaker 1>And it could have been more clearly labeled in the

0:26:29.160 --> 0:26:33.000
<v Speaker 1>print version, but was then digitized that's possible. Yeah, correctly

0:26:33.160 --> 0:26:35.720
<v Speaker 1>you said earlier as well, Robert, that you know, there

0:26:35.760 --> 0:26:38.560
<v Speaker 1>have been pieces of fiction that have been passed off

0:26:38.600 --> 0:26:41.480
<v Speaker 1>as scientific well, or at least have been published in

0:26:41.560 --> 0:26:45.600
<v Speaker 1>scientific journals, not even necessarily passed right, just like presenting

0:26:45.680 --> 0:26:48.000
<v Speaker 1>like hey, like Peter Watts was the example came up.

0:26:48.040 --> 0:26:51.960
<v Speaker 1>Peter Watts former marine biologists uh turned sci fi writer,

0:26:52.280 --> 0:26:54.800
<v Speaker 1>and some of his works of short fiction have appeared

0:26:54.960 --> 0:26:58.880
<v Speaker 1>in scientific journals. Um, but but they were they were

0:26:59.040 --> 0:27:01.879
<v Speaker 1>they were not presented as a science. But then again,

0:27:01.960 --> 0:27:04.359
<v Speaker 1>if if the scie can well imagine where of a

0:27:04.440 --> 0:27:09.320
<v Speaker 1>journal were digitized, I wouldn't even say incorrectly, but without

0:27:09.400 --> 0:27:13.640
<v Speaker 1>like sufficient u uh, you know, metadata, metadata or branding,

0:27:13.960 --> 0:27:16.359
<v Speaker 1>like you could have something that is that that his

0:27:16.440 --> 0:27:18.359
<v Speaker 1>fiction would show up and be like, oh, well, here's this,

0:27:19.400 --> 0:27:23.399
<v Speaker 1>here's this murder confession, uh just shows up out of nowhere.

0:27:24.640 --> 0:27:27.320
<v Speaker 1>Al Right. It seems completely implausible, doesn't it you. No,

0:27:27.480 --> 0:27:30.080
<v Speaker 1>I do not think this happened. I don't. I don't

0:27:30.080 --> 0:27:32.960
<v Speaker 1>think so. No. No, I just I don't put a

0:27:33.000 --> 0:27:35.639
<v Speaker 1>whole lot of stock behind it. But I think a

0:27:35.680 --> 0:27:37.320
<v Speaker 1>lot of people do. A lot of people like the

0:27:37.400 --> 0:27:40.200
<v Speaker 1>intrigue of of thinking that you know Edison was really

0:27:40.280 --> 0:27:43.760
<v Speaker 1>that bad that he would have somebody off over an invention.

0:27:44.400 --> 0:27:51.040
<v Speaker 1>He did kill Topsy the elephant and horses, and yeah,

0:27:51.200 --> 0:27:53.720
<v Speaker 1>yeah he was. He liked to experiment with electricity, didn't he.

0:27:53.800 --> 0:27:56.840
<v Speaker 1>I mean, Tom, I'm not saying I think it's impossible

0:27:56.960 --> 0:27:59.359
<v Speaker 1>that Thomas Edison had something to do with this, but

0:27:59.440 --> 0:28:01.880
<v Speaker 1>I definitely ly think that this thing about his murder

0:28:01.920 --> 0:28:04.200
<v Speaker 1>confession in the diary is a work of fiction that

0:28:04.280 --> 0:28:07.880
<v Speaker 1>has been misinterpreted as a real factual article. And number two,

0:28:08.440 --> 0:28:13.120
<v Speaker 1>I don't know we should be careful about making historical

0:28:13.240 --> 0:28:18.200
<v Speaker 1>accusations of murder just based on circumstantial evidence because remind

0:28:18.320 --> 0:28:21.240
<v Speaker 1>us again, there is no physical evidence of this whatsoever,

0:28:21.440 --> 0:28:23.639
<v Speaker 1>No nothing concrete at all of it. But but there

0:28:23.760 --> 0:28:27.320
<v Speaker 1>is often this this this tendency I think to want

0:28:27.359 --> 0:28:31.520
<v Speaker 1>to see the past in movie form, and you know,

0:28:31.680 --> 0:28:33.840
<v Speaker 1>and which is around iven we're talking about motion pictures.

0:28:33.880 --> 0:28:37.120
<v Speaker 1>We want to see it dramaticized, you know, we want

0:28:37.160 --> 0:28:39.800
<v Speaker 1>to think it more along the lines of the prestige

0:28:40.440 --> 0:28:43.400
<v Speaker 1>you know, with with it had a villainous Edison and

0:28:43.480 --> 0:28:45.959
<v Speaker 1>a right who did send Henchman to like hack up

0:28:46.560 --> 0:28:51.360
<v Speaker 1>testlas stuff. Yeah, it's great well, okay, maybe maybe it's possible,

0:28:51.800 --> 0:28:55.600
<v Speaker 1>but not not really then likely, Yeah, I'd go with that. Okay,

0:28:55.720 --> 0:28:58.320
<v Speaker 1>all right, So that was that was a second one.

0:28:58.360 --> 0:29:01.200
<v Speaker 1>There's a there's actually three. They're five here total if

0:29:01.200 --> 0:29:05.240
<v Speaker 1>you want, because I'm kind of all right. So number

0:29:05.280 --> 0:29:08.080
<v Speaker 1>three would be the disappearance. That was a disappearance that

0:29:08.120 --> 0:29:11.840
<v Speaker 1>was ordered by the family. Now, again pretty unlikely in

0:29:11.880 --> 0:29:13.680
<v Speaker 1>this case because it was a tight knit family. We

0:29:13.720 --> 0:29:16.800
<v Speaker 1>do know that from notes that were passed between family members.

0:29:16.880 --> 0:29:19.480
<v Speaker 1>It was a loving, tight knit group. His brother is

0:29:19.480 --> 0:29:21.160
<v Speaker 1>the last one to see him alive, and there's this

0:29:21.200 --> 0:29:25.160
<v Speaker 1>whole state business. Yeah that's right. Well that's yeah exactly,

0:29:25.240 --> 0:29:28.880
<v Speaker 1>So that's a that's a possibility. The the disappearance that

0:29:29.000 --> 0:29:31.880
<v Speaker 1>was ordered by the family was something that was born

0:29:32.040 --> 0:29:34.960
<v Speaker 1>out of the idea that La Prince could have been

0:29:35.560 --> 0:29:38.400
<v Speaker 1>a closeted homosexual that you know, he had a family,

0:29:38.520 --> 0:29:41.680
<v Speaker 1>had kids. However, he was carrying on these these other

0:29:41.760 --> 0:29:45.320
<v Speaker 1>relationships that were homosexual in nature, and the family was

0:29:45.560 --> 0:29:47.720
<v Speaker 1>at the time embarrassed by this and sent him away

0:29:47.760 --> 0:29:50.360
<v Speaker 1>to live somewhere else without them. You know that he

0:29:50.480 --> 0:29:52.400
<v Speaker 1>was kind of the shame of the family at this point.

0:29:52.600 --> 0:29:56.080
<v Speaker 1>So like they banished him into some kind of exile

0:29:56.200 --> 0:29:59.120
<v Speaker 1>because he was gay exactly. Yea, that's the thought, that's

0:29:59.160 --> 0:30:01.440
<v Speaker 1>the theory. And you know, I think that this is

0:30:01.520 --> 0:30:03.120
<v Speaker 1>one of the ones that comes about much later. I

0:30:03.200 --> 0:30:06.440
<v Speaker 1>think this is like from a nineteen sixty six French

0:30:06.520 --> 0:30:11.800
<v Speaker 1>film history book where the guy Jacques I'll mess up

0:30:11.840 --> 0:30:14.400
<v Speaker 1>the last name here, but the Land I'll say that's

0:30:14.400 --> 0:30:16.880
<v Speaker 1>it's probably his name close to it anyway. Um, he

0:30:17.040 --> 0:30:19.480
<v Speaker 1>suggested that his disappearance was because of his family. They

0:30:19.560 --> 0:30:22.720
<v Speaker 1>disapproved of his homosexuality, so they think that he fled

0:30:22.760 --> 0:30:27.040
<v Speaker 1>to Chicago, where he died in nineteen I'm sorry, naturally,

0:30:27.640 --> 0:30:30.800
<v Speaker 1>And again, I know these numbers are coming out of nowhere,

0:30:31.280 --> 0:30:34.240
<v Speaker 1>and there's not a shred of you know, evidence or

0:30:34.320 --> 0:30:37.000
<v Speaker 1>proof that that's what happened. But it's just a theory.

0:30:37.080 --> 0:30:39.000
<v Speaker 1>It's another theory that and I don't know why the

0:30:39.160 --> 0:30:41.680
<v Speaker 1>Land thinks that, but he does. I mean in much

0:30:41.680 --> 0:30:46.360
<v Speaker 1>in the same way that it's possible that Edison, you know,

0:30:46.480 --> 0:30:49.560
<v Speaker 1>orchestrated and murder. I mean, certainly we could imagine that

0:30:49.680 --> 0:30:52.280
<v Speaker 1>this being the case. I mean, it certainly lines up

0:30:52.320 --> 0:30:57.240
<v Speaker 1>with you know, with homophobia at the during that time period.

0:30:57.360 --> 0:31:00.040
<v Speaker 1>And um, but I would, well, like, what's the actual it?

0:31:00.120 --> 0:31:02.560
<v Speaker 1>And so I think I've read a critique of this

0:31:02.760 --> 0:31:05.280
<v Speaker 1>theory that said that there's really no evidence that he

0:31:05.520 --> 0:31:07.920
<v Speaker 1>was gay. Now there's no there's no evidence of any

0:31:07.960 --> 0:31:09.800
<v Speaker 1>of this, Yeah, none of it, I mean, and not

0:31:09.960 --> 0:31:13.200
<v Speaker 1>that he lived in Chicago, not that he died in Um.

0:31:13.760 --> 0:31:16.320
<v Speaker 1>When I say there's no proof of that, there's no,

0:31:16.400 --> 0:31:19.240
<v Speaker 1>there's really nothing to this. It's just another theory that

0:31:19.360 --> 0:31:22.120
<v Speaker 1>was thrown out there again as late as nineteen sixty six,

0:31:22.200 --> 0:31:25.400
<v Speaker 1>so we're talking, uh, seventy six years later after the

0:31:25.440 --> 0:31:28.880
<v Speaker 1>guy has gone. It's just a theory that was posited

0:31:28.960 --> 0:31:31.360
<v Speaker 1>by somebody that you know, you could grab onto and

0:31:31.440 --> 0:31:33.880
<v Speaker 1>say like, well it's possible. You know. This reminds me

0:31:33.920 --> 0:31:36.080
<v Speaker 1>a lot of you know, Jack the Ripper theories. So

0:31:36.200 --> 0:31:39.560
<v Speaker 1>it's except more limited in scope, I guess. But you know,

0:31:39.640 --> 0:31:43.120
<v Speaker 1>Alan Moore's whole uh evaluation of that is that it

0:31:43.200 --> 0:31:47.320
<v Speaker 1>ultimately is this uh, this couch snowflake scenario, the whole

0:31:47.880 --> 0:31:52.120
<v Speaker 1>like Freemason conspiracy with the what the surgeon to the

0:31:52.320 --> 0:31:55.040
<v Speaker 1>Queen Victoria? Oh yeah, I mean, there there's so many

0:31:55.080 --> 0:31:57.280
<v Speaker 1>different version but ultimately, like his argument was, there's we

0:31:57.400 --> 0:31:59.400
<v Speaker 1>only know so much and we will only ever know

0:31:59.640 --> 0:32:02.640
<v Speaker 1>so much, and uh, you know, it's just kind of

0:32:02.680 --> 0:32:06.280
<v Speaker 1>an exercise and how many a little uh a little

0:32:06.640 --> 0:32:09.280
<v Speaker 1>you know, blank spaces we can fill in. I think

0:32:09.320 --> 0:32:11.920
<v Speaker 1>actual historians of the period think that, like that whole

0:32:11.960 --> 0:32:15.080
<v Speaker 1>theory is like definitely wrong for Jack the Ripper, right,

0:32:15.480 --> 0:32:17.560
<v Speaker 1>at least that's what I've read. Yeah, well, sure, I

0:32:17.600 --> 0:32:20.040
<v Speaker 1>mean it's all possible, right, Deep Cooper is another one, right,

0:32:20.920 --> 0:32:23.600
<v Speaker 1>you can ever talk about clue in the face, and

0:32:23.680 --> 0:32:26.040
<v Speaker 1>and of course there's always it seems like there's every

0:32:26.080 --> 0:32:28.440
<v Speaker 1>couple of years as someone who's making a deathbed confession

0:32:28.520 --> 0:32:31.280
<v Speaker 1>that they are dB Cooper or their father was dB.

0:32:31.520 --> 0:32:32.840
<v Speaker 1>And it's kind of safe to do that. In the

0:32:32.880 --> 0:32:35.760
<v Speaker 1>same way it's safe to to continue to make a

0:32:35.840 --> 0:32:38.240
<v Speaker 1>lot of ultimately kind of like crazy ideas because we

0:32:38.360 --> 0:32:42.000
<v Speaker 1>don't know and we probably never will know. That's exactly

0:32:42.280 --> 0:32:44.280
<v Speaker 1>the scenario with this here. And so what you're telling

0:32:44.400 --> 0:32:47.280
<v Speaker 1>us is that Thomas Edison wrote the Dear Boss Letter

0:32:47.480 --> 0:32:51.200
<v Speaker 1>like he was the Ripper. That's right. He did the

0:32:51.240 --> 0:32:54.800
<v Speaker 1>White Chapel murders because, let's see, because he was afraid

0:32:54.960 --> 0:32:57.160
<v Speaker 1>that they would get ahead of him on some kind

0:32:57.240 --> 0:33:02.520
<v Speaker 1>of knife patent. That's good theory, good theory, very likely

0:33:02.560 --> 0:33:04.640
<v Speaker 1>to back back to this case, though, what are some

0:33:04.720 --> 0:33:06.800
<v Speaker 1>more of our theories? Alright, So the the other one

0:33:06.880 --> 0:33:08.560
<v Speaker 1>and this is really one of the last ones that

0:33:08.600 --> 0:33:10.080
<v Speaker 1>you'll hear about. But then I've got another one I

0:33:10.120 --> 0:33:13.360
<v Speaker 1>want to throw in there too, um for retricide, which

0:33:13.440 --> 0:33:15.640
<v Speaker 1>is his brother killed him. Oh well, again coming back

0:33:15.640 --> 0:33:19.440
<v Speaker 1>to his brother, and exactly right, I mean it could

0:33:19.480 --> 0:33:21.520
<v Speaker 1>it have been over money, you know, his mother's will.

0:33:21.960 --> 0:33:24.400
<v Speaker 1>You know that. Did his brother get greedy and want

0:33:24.440 --> 0:33:26.160
<v Speaker 1>to take his share as well? And that's a that's

0:33:26.200 --> 0:33:29.880
<v Speaker 1>an entirely possible scenario. I mean, the only prince, the

0:33:29.960 --> 0:33:33.080
<v Speaker 1>only person that saw the prince at the Dijon station

0:33:33.240 --> 0:33:35.840
<v Speaker 1>was his brother. No one else saw him on the train,

0:33:35.960 --> 0:33:37.600
<v Speaker 1>no one else really, I don't even don't know if

0:33:37.600 --> 0:33:39.800
<v Speaker 1>there's a report of him being seen on the platform

0:33:39.920 --> 0:33:42.280
<v Speaker 1>even but his brother swears that that's the last place

0:33:42.320 --> 0:33:43.760
<v Speaker 1>that he saw him. He put him on the train

0:33:43.880 --> 0:33:46.040
<v Speaker 1>with his luggage and that was it. Then he just,

0:33:46.160 --> 0:33:49.520
<v Speaker 1>you know, disappears into the midst somewhere. Well, I guess

0:33:49.600 --> 0:33:53.160
<v Speaker 1>a suspicion very often does fall when somebody disappears on

0:33:53.240 --> 0:33:55.160
<v Speaker 1>the last person to have seen them, right. Yeah. And

0:33:55.240 --> 0:33:56.640
<v Speaker 1>the other thing is, you know, of course, you know,

0:33:56.760 --> 0:33:59.360
<v Speaker 1>Scotland Yard and the French police and even the people

0:33:59.440 --> 0:34:02.680
<v Speaker 1>that were invest getting for the family, they all eventually

0:34:02.760 --> 0:34:05.520
<v Speaker 1>interviewed everybody that was on that train that night. There

0:34:05.640 --> 0:34:09.680
<v Speaker 1>was no uh you sense that anything aggressive was happening,

0:34:09.800 --> 0:34:11.520
<v Speaker 1>you know next door in the cabin or you know

0:34:11.600 --> 0:34:13.920
<v Speaker 1>that they they heard or saw anybody being thrown from

0:34:13.960 --> 0:34:16.800
<v Speaker 1>the train or jumping from the train or anything unusual.

0:34:16.840 --> 0:34:18.440
<v Speaker 1>And there was nothing really out of place on that

0:34:18.520 --> 0:34:20.800
<v Speaker 1>whole thing. It's just it's almost it's it's like he

0:34:20.920 --> 0:34:23.440
<v Speaker 1>was never there. And I think that's the idea, is

0:34:23.480 --> 0:34:28.319
<v Speaker 1>that he really was never there, never exactly the thought

0:34:28.360 --> 0:34:32.200
<v Speaker 1>behind this is that his brother had him disappear. To

0:34:32.239 --> 0:34:35.360
<v Speaker 1>put it politely, one more theory, Okay, I'll let it go.

0:34:35.760 --> 0:34:38.440
<v Speaker 1>There's there's other people that kind of throw this around

0:34:38.440 --> 0:34:41.960
<v Speaker 1>and talk about it, and um in a way that

0:34:42.000 --> 0:34:43.640
<v Speaker 1>doesn't make sense with a lot of what we've just

0:34:43.760 --> 0:34:46.040
<v Speaker 1>told you. So that's they all have some kind of

0:34:46.120 --> 0:34:48.560
<v Speaker 1>hole in the in the story. But um, there's a

0:34:48.640 --> 0:34:51.360
<v Speaker 1>theory that he actually did make it to Paris and

0:34:51.719 --> 0:34:53.919
<v Speaker 1>he was on the train, took his luggage off the train,

0:34:54.440 --> 0:34:57.800
<v Speaker 1>but somehow wasn't seen by anybody the whole time, and

0:34:58.320 --> 0:35:00.439
<v Speaker 1>you know, had to take a cab from the train station,

0:35:00.480 --> 0:35:02.239
<v Speaker 1>which with the train I think would have arrived around

0:35:02.280 --> 0:35:04.279
<v Speaker 1>eleven pm, so very late. He was going to go

0:35:04.360 --> 0:35:06.239
<v Speaker 1>to a lab or you know, somewhere to work, maybe

0:35:06.239 --> 0:35:09.799
<v Speaker 1>a study or something in the house. And the theory

0:35:09.960 --> 0:35:13.080
<v Speaker 1>is that, you know, the the coach that he took

0:35:13.160 --> 0:35:16.080
<v Speaker 1>from the train station to wherever he was going to,

0:35:16.280 --> 0:35:19.320
<v Speaker 1>the person who was driving the coach likely just you know,

0:35:19.440 --> 0:35:21.560
<v Speaker 1>knocked him over the head stoleg'e luggage, you know, which

0:35:21.600 --> 0:35:23.960
<v Speaker 1>probably had some cameras and things and you are, some devices,

0:35:24.080 --> 0:35:27.400
<v Speaker 1>photographic devices and uh, and simply dumped him in the river.

0:35:27.480 --> 0:35:29.239
<v Speaker 1>And that was happening, I guess quite a bit at

0:35:29.320 --> 0:35:32.520
<v Speaker 1>that time. If you go back and investigate um, you know, murders,

0:35:32.560 --> 0:35:34.640
<v Speaker 1>at the time, it was not all that uncommon for

0:35:34.719 --> 0:35:37.880
<v Speaker 1>someone just to be kind of off quickly overnight like that,

0:35:38.520 --> 0:35:41.120
<v Speaker 1>um dumped in the river, never to be seen again

0:35:41.960 --> 0:35:45.359
<v Speaker 1>or found as a supposed drowned victim. And there's kind

0:35:45.400 --> 0:35:47.680
<v Speaker 1>of an interesting twist to that too, is that in

0:35:47.920 --> 0:35:53.000
<v Speaker 1>two thousand three, uh, someone's going through the Paris Police

0:35:53.080 --> 0:35:56.359
<v Speaker 1>archives and found a photograph of a drowning victim from

0:35:57.800 --> 0:36:02.040
<v Speaker 1>that looked a lot like Ui Le Prince. Really, yeah,

0:36:02.200 --> 0:36:04.440
<v Speaker 1>so there is a photograph of a drowning victim that

0:36:04.480 --> 0:36:07.640
<v Speaker 1>does match his description, that does look like him. Um,

0:36:07.800 --> 0:36:11.440
<v Speaker 1>and that's a possibility that he did drown or somebody

0:36:11.640 --> 0:36:14.000
<v Speaker 1>you know often made it look like a drowning and

0:36:14.280 --> 0:36:16.560
<v Speaker 1>that's when he was discovered. Well, this is this whole idea,

0:36:16.640 --> 0:36:19.000
<v Speaker 1>just the basic idea that maybe he did make it

0:36:19.080 --> 0:36:21.759
<v Speaker 1>to Paris. Like that opens it up tremendously because there

0:36:21.760 --> 0:36:23.880
<v Speaker 1>are only so many ways to die on an express

0:36:23.920 --> 0:36:26.800
<v Speaker 1>train to Paris, but there are hundreds of ways to

0:36:26.880 --> 0:36:29.799
<v Speaker 1>die in metropolitan Paris. But how does a six ft

0:36:29.880 --> 0:36:32.759
<v Speaker 1>four man, you know, blend in and not even make

0:36:32.840 --> 0:36:35.280
<v Speaker 1>his appearance, you know, known on any of the cabins,

0:36:35.320 --> 0:36:36.640
<v Speaker 1>you know, if it's a full train, I don't know.

0:36:37.800 --> 0:36:41.560
<v Speaker 1>So why why do they think he didn't arrive in Paris? Like,

0:36:41.719 --> 0:36:45.280
<v Speaker 1>who who would have seen him there? Well? He was gosh,

0:36:45.320 --> 0:36:46.480
<v Speaker 1>you know what, I don't know. He was scheduled to

0:36:46.520 --> 0:36:48.440
<v Speaker 1>go there to meet with friends I think, and then

0:36:48.560 --> 0:36:51.200
<v Speaker 1>a return trip to England. So maybe maybe people were

0:36:51.200 --> 0:36:53.879
<v Speaker 1>supposed to meet him in Paris and didn't, or maybe

0:36:53.920 --> 0:36:55.759
<v Speaker 1>he was supposed to meet them after, you know, I mean,

0:36:56.239 --> 0:36:58.200
<v Speaker 1>I guess picking up a friend at eleven o'clock at

0:36:58.239 --> 0:37:00.319
<v Speaker 1>the train station. That's kind of like it is now,

0:37:00.520 --> 0:37:02.200
<v Speaker 1>you know, picking up a friend at eleven o'clock at

0:37:02.200 --> 0:37:05.480
<v Speaker 1>the airport. It's not not a great favor to ask

0:37:05.560 --> 0:37:07.600
<v Speaker 1>of somebody, you know that sometimes you have to. But

0:37:07.719 --> 0:37:09.520
<v Speaker 1>maybe maybe they didn't they maybe they said you can

0:37:09.560 --> 0:37:11.880
<v Speaker 1>catch a cab, you know, meet me at this hotel

0:37:11.920 --> 0:37:14.239
<v Speaker 1>in the morning or something like that. This is all

0:37:14.320 --> 0:37:17.480
<v Speaker 1>again just theory. I don't really know that the surrounding

0:37:18.000 --> 0:37:20.000
<v Speaker 1>story about what was supposed to happen in Paris when

0:37:20.080 --> 0:37:22.440
<v Speaker 1>when he made it there. Um, But yeah, maybe he

0:37:22.520 --> 0:37:24.400
<v Speaker 1>did make it, maybe he didn't, We don't know. But

0:37:24.560 --> 0:37:28.840
<v Speaker 1>he's the theory again, the predominating or predominant theory is

0:37:28.920 --> 0:37:32.560
<v Speaker 1>that he went missing somewhere between Dijon and Paris. He

0:37:32.640 --> 0:37:35.880
<v Speaker 1>never really made it there. There's a lot of different

0:37:36.239 --> 0:37:38.480
<v Speaker 1>you know, ideas tossed about, and I'm sure you can

0:37:38.520 --> 0:37:41.400
<v Speaker 1>come up with five more you know, scenarios that that

0:37:41.560 --> 0:37:44.680
<v Speaker 1>might make sense. But the timing is just all very

0:37:44.800 --> 0:37:48.200
<v Speaker 1>very strange. Because again, this this this whole thing comes

0:37:48.239 --> 0:37:50.920
<v Speaker 1>back to this, this patent that never really happened, but

0:37:51.040 --> 0:37:53.760
<v Speaker 1>then Edison kind of swooped in and took the patent

0:37:53.880 --> 0:37:55.680
<v Speaker 1>the family. I guess you would think the family could

0:37:55.719 --> 0:37:59.680
<v Speaker 1>patent his devices. Um. I read somewhere that there is

0:37:59.760 --> 0:38:03.879
<v Speaker 1>like a seven year waiting period between when somebody goes

0:38:03.960 --> 0:38:06.920
<v Speaker 1>missing and you can I don't know if this is

0:38:06.960 --> 0:38:08.320
<v Speaker 1>a U. S. Patent law or what, but you're not

0:38:08.400 --> 0:38:12.680
<v Speaker 1>able to patent the family members item until after the

0:38:12.719 --> 0:38:14.560
<v Speaker 1>person is officially declared dead. And I think he was

0:38:14.640 --> 0:38:17.520
<v Speaker 1>declared dead in even so that was seven years later.

0:38:18.440 --> 0:38:21.160
<v Speaker 1>But in that time for in that window of time,

0:38:21.680 --> 0:38:25.280
<v Speaker 1>that's when Edison came in with his his new camera

0:38:25.760 --> 0:38:28.600
<v Speaker 1>and patented that device, and of course made a fortune

0:38:28.640 --> 0:38:33.000
<v Speaker 1>on the royalties. So just interesting timing with all this.

0:38:33.320 --> 0:38:36.320
<v Speaker 1>And of course you know they're that's sparked many patent wars.

0:38:36.480 --> 0:38:38.360
<v Speaker 1>We know they're patent wars that were happening at the

0:38:38.440 --> 0:38:41.520
<v Speaker 1>time over many many different things. I mean, the Right

0:38:41.600 --> 0:38:45.879
<v Speaker 1>Blood Right Brothers, they fought patent wars for about eleven years,

0:38:45.960 --> 0:38:48.640
<v Speaker 1>and the same thing with Alexander Graham Bell and the telephone.

0:38:49.320 --> 0:38:52.480
<v Speaker 1>It took something like eleven years and like six hundred lawsuits.

0:38:52.560 --> 0:38:55.040
<v Speaker 1>I think there was a huge over the telephone. There's

0:38:55.040 --> 0:38:59.000
<v Speaker 1>a huge patent fight just over celluloid film, because it

0:38:59.160 --> 0:39:02.319
<v Speaker 1>was apparent first developed in a sort of vague way

0:39:02.480 --> 0:39:05.560
<v Speaker 1>with a kind of poorly worded patent by uh, by

0:39:05.560 --> 0:39:11.120
<v Speaker 1>an episcopalian minister from New Jersey named Hannibal Goodwin. I

0:39:11.200 --> 0:39:15.120
<v Speaker 1>think that's right, hannibals right, yeah, I just looked it up.

0:39:15.120 --> 0:39:18.040
<v Speaker 1>That's right, Hannibal Goodwin. Um. But then also that he

0:39:18.239 --> 0:39:22.120
<v Speaker 1>was in competition with the patent fond celluloid film that

0:39:22.160 --> 0:39:25.520
<v Speaker 1>belong to the Eastman company. Uh and so they fought

0:39:25.560 --> 0:39:28.560
<v Speaker 1>over that. Of course, Eastman was producing you know, celluloid

0:39:28.640 --> 0:39:32.440
<v Speaker 1>film at at at bulk like enough to sell it

0:39:32.520 --> 0:39:36.360
<v Speaker 1>to Edison, and Goodwin was not. This still happens today.

0:39:36.400 --> 0:39:39.279
<v Speaker 1>I mean, Sony and Kodak were in a patent war

0:39:39.480 --> 0:39:44.440
<v Speaker 1>that lasted until two thousand seven over digital cameras. So

0:39:44.560 --> 0:39:46.719
<v Speaker 1>it's you know, newer technology, but you know they're still

0:39:46.800 --> 0:39:48.880
<v Speaker 1>fighting these same type of type of wars. You know,

0:39:48.960 --> 0:39:52.200
<v Speaker 1>it happened with radio, it happened with cars, airplanes, name

0:39:52.239 --> 0:39:55.239
<v Speaker 1>any big invention in light bulbs, it all, you know,

0:39:55.880 --> 0:39:58.800
<v Speaker 1>went through the courts in some way, many many different times,

0:39:58.880 --> 0:40:00.640
<v Speaker 1>and you know, there was always a addle over who

0:40:00.840 --> 0:40:02.719
<v Speaker 1>who invented it first and who has the rights to

0:40:02.800 --> 0:40:04.359
<v Speaker 1>it and gets the money from it. And then here

0:40:04.400 --> 0:40:09.200
<v Speaker 1>can then come to the patent trolls. Uh that's right. Yeah,

0:40:09.200 --> 0:40:11.520
<v Speaker 1>there are people that are pat controls, that's right, who

0:40:11.600 --> 0:40:14.719
<v Speaker 1>just kinda scoop up the patents from other people that

0:40:15.000 --> 0:40:17.880
<v Speaker 1>are more deserve are they're completely deserving of that patent

0:40:18.400 --> 0:40:20.120
<v Speaker 1>um and they take a course the credit for it.

0:40:20.200 --> 0:40:23.839
<v Speaker 1>And and I guess maybe medicine would you know, would

0:40:23.840 --> 0:40:26.480
<v Speaker 1>he count as possibly a pat control? I mean, he

0:40:26.560 --> 0:40:28.480
<v Speaker 1>had a different scenario. We talked about his labs and

0:40:28.800 --> 0:40:31.920
<v Speaker 1>you know how he had, you know, lots of inventors

0:40:31.960 --> 0:40:35.040
<v Speaker 1>working under his umbrella of Edison Labs, and that was

0:40:35.120 --> 0:40:39.160
<v Speaker 1>something different maybe, But um, yeah, he's well, I do

0:40:39.360 --> 0:40:43.320
<v Speaker 1>think Edison was not above pouncing on somebody else's idea

0:40:43.400 --> 0:40:45.319
<v Speaker 1>if he thought he could get there first. I think

0:40:45.360 --> 0:40:47.040
<v Speaker 1>so too, you know, I don't I don't know if

0:40:47.080 --> 0:40:48.399
<v Speaker 1>you would think that this would all kind of play

0:40:48.440 --> 0:40:50.960
<v Speaker 1>out smoothly in the courts, and it certainly didn't. I mean,

0:40:51.040 --> 0:40:53.759
<v Speaker 1>it wasn't wasn't as as cut and dry as you

0:40:53.840 --> 0:40:57.600
<v Speaker 1>might think, Um La Prince, La Prince's son ate. His

0:40:57.680 --> 0:41:01.520
<v Speaker 1>name is Adolph Um. He appeared in court, I guess

0:41:01.560 --> 0:41:04.719
<v Speaker 1>as a witness for the defense in a case that

0:41:04.880 --> 0:41:07.360
<v Speaker 1>was brought by Thomas Edison against a company called the

0:41:07.440 --> 0:41:11.279
<v Speaker 1>American Mutoscope and Biograph Company. That is an interesting and

0:41:11.440 --> 0:41:15.279
<v Speaker 1>interesting thing about that is that company was founded in

0:41:16.360 --> 0:41:19.160
<v Speaker 1>by William Kennedy Dixon, who was the guy that worked

0:41:19.400 --> 0:41:23.080
<v Speaker 1>under Edison at his lab to create the camera. He

0:41:23.400 --> 0:41:25.560
<v Speaker 1>developed a camera. He's the one who really did all

0:41:25.840 --> 0:41:29.240
<v Speaker 1>you know, the um the photographic work on it, against

0:41:29.280 --> 0:41:30.960
<v Speaker 1>the lenses and you know the film and all that,

0:41:31.040 --> 0:41:34.080
<v Speaker 1>you know, the technology that made that work. Really, yes,

0:41:34.360 --> 0:41:36.200
<v Speaker 1>so he's the one. He's the founder of that company.

0:41:36.239 --> 0:41:40.040
<v Speaker 1>So Edison is suing him. But La Prince, Uh, Adolph

0:41:40.080 --> 0:41:43.359
<v Speaker 1>La Prince his son again comes in and and testifies

0:41:44.080 --> 0:41:46.480
<v Speaker 1>Um as a witness for the defense in this court case.

0:41:46.640 --> 0:41:50.040
<v Speaker 1>And he claims in that court case that La Prince

0:41:50.160 --> 0:41:53.160
<v Speaker 1>was the first and only inventor of cinematography. So he

0:41:53.239 --> 0:41:57.400
<v Speaker 1>kind of throws in this bombshell into the into the proceedings,

0:41:57.840 --> 0:42:01.400
<v Speaker 1>and he says, of course because of that family, UM,

0:42:01.760 --> 0:42:03.400
<v Speaker 1>my dad had been you know, his dad had been

0:42:03.440 --> 0:42:08.200
<v Speaker 1>declared dead the year prior is then, um, they should

0:42:08.200 --> 0:42:10.840
<v Speaker 1>be getting receiving the royalties for this award for this uh,

0:42:11.000 --> 0:42:13.080
<v Speaker 1>this device, and of course the patent that goes along

0:42:13.160 --> 0:42:16.920
<v Speaker 1>with it, you know, the whole process, right. Well, he

0:42:17.080 --> 0:42:21.520
<v Speaker 1>was unable to submit his dad's cameras as evidence in

0:42:21.600 --> 0:42:23.520
<v Speaker 1>that court case. For some reason. The judge said, no,

0:42:23.680 --> 0:42:25.839
<v Speaker 1>you can't. You can't show me these cameras. He wasn't

0:42:25.840 --> 0:42:30.080
<v Speaker 1>able to put it into um, into the cases as evidence.

0:42:30.600 --> 0:42:33.960
<v Speaker 1>And so the court ruled in favor of Edison in

0:42:34.040 --> 0:42:36.880
<v Speaker 1>that particular case. But a couple of years later they

0:42:36.960 --> 0:42:39.960
<v Speaker 1>overturned that and you know that the direction was reversed

0:42:40.120 --> 0:42:43.280
<v Speaker 1>or the decision was versed rather. But this is another

0:42:43.360 --> 0:42:46.759
<v Speaker 1>interesting twist in the story is that Adolph was he's

0:42:46.800 --> 0:42:49.520
<v Speaker 1>a young man at this time. He's twenty nine years old. Um,

0:42:50.280 --> 0:42:51.840
<v Speaker 1>like two I think it's two years later it was,

0:42:51.880 --> 0:42:53.760
<v Speaker 1>and I'm sorry, three years later. It was a nineteen

0:42:53.760 --> 0:42:56.680
<v Speaker 1>o one. So he's twenty nine. He's out hunting, duck

0:42:56.760 --> 0:42:59.920
<v Speaker 1>hunting near his family cottage which is on fire eye

0:43:00.040 --> 0:43:03.600
<v Speaker 1>into New York State, and he ends up being shot

0:43:03.640 --> 0:43:06.440
<v Speaker 1>to death. And I don't know if he was hunting alone.

0:43:06.560 --> 0:43:08.239
<v Speaker 1>If he was hunting with somebody, you would think that

0:43:08.280 --> 0:43:10.440
<v Speaker 1>all this would have been a little bit more um,

0:43:11.239 --> 0:43:13.080
<v Speaker 1>you know, public knowledge, you know what happened. But but

0:43:13.360 --> 0:43:15.680
<v Speaker 1>the the recording of this is that he was just

0:43:15.760 --> 0:43:18.520
<v Speaker 1>simply found dead after he was out duck hunting, with

0:43:18.760 --> 0:43:20.520
<v Speaker 1>his his own rifle at his side. They don't know

0:43:20.600 --> 0:43:23.319
<v Speaker 1>if it was suicide, if it was an accident, of course,

0:43:23.320 --> 0:43:25.560
<v Speaker 1>it could have been either one of those. Right, But

0:43:26.080 --> 0:43:29.319
<v Speaker 1>the mother, you know, the widow now La Prince, uh,

0:43:29.840 --> 0:43:32.279
<v Speaker 1>you know, the mother of Adolph, says that she thinks

0:43:32.320 --> 0:43:34.200
<v Speaker 1>that it's the second murder, that you know, the kid

0:43:34.800 --> 0:43:37.720
<v Speaker 1>simply knew too much and because he had testified in court,

0:43:38.800 --> 0:43:41.680
<v Speaker 1>everybody else knew what he knew now and and that

0:43:41.840 --> 0:43:44.000
<v Speaker 1>was the reason for another merger. So there's another murder

0:43:44.120 --> 0:43:46.160
<v Speaker 1>mystery at the end of that. One that's never really

0:43:46.239 --> 0:43:48.680
<v Speaker 1>been solved either. Is that, you know, the sun turns

0:43:48.760 --> 0:43:51.799
<v Speaker 1>up dead at a young age just two years later,

0:43:51.880 --> 0:43:55.359
<v Speaker 1>three years later. So obviously the Edison villainists are yeah,

0:43:55.680 --> 0:43:57.640
<v Speaker 1>but they think he was involved in that too. Well,

0:43:57.760 --> 0:44:00.960
<v Speaker 1>you know, that's again that's another thing. Yeah, that's a

0:44:01.000 --> 0:44:03.120
<v Speaker 1>possibility of what happened. But then on the same hand,

0:44:03.160 --> 0:44:06.720
<v Speaker 1>you can see why murder does not need to actually

0:44:06.760 --> 0:44:09.920
<v Speaker 1>be involved for one to for especially with this family,

0:44:10.120 --> 0:44:13.000
<v Speaker 1>to um to have you know, some degree of hatred

0:44:13.200 --> 0:44:16.560
<v Speaker 1>or distrust of Edison, of course, and therefore it's not

0:44:16.719 --> 0:44:18.600
<v Speaker 1>that much more of elite than given. You know, if

0:44:18.640 --> 0:44:21.280
<v Speaker 1>you especially if you're distraught over you know, yet another

0:44:22.120 --> 0:44:25.680
<v Speaker 1>untimely death slash disappearance in the family, to do you know,

0:44:25.840 --> 0:44:29.560
<v Speaker 1>jump to this uh this next uh you know level

0:44:29.600 --> 0:44:31.560
<v Speaker 1>of accusation for sure, and they're going to point to

0:44:31.600 --> 0:44:34.320
<v Speaker 1>the villain that they already know. Yeah, he's already established

0:44:34.320 --> 0:44:36.160
<v Speaker 1>as the villain of the piece, the villain of the family.

0:44:36.239 --> 0:44:38.560
<v Speaker 1>And so yeah, yeah, yeah, So I mean again, I

0:44:38.600 --> 0:44:41.719
<v Speaker 1>think this is just a fascinating part of history and

0:44:42.280 --> 0:44:44.480
<v Speaker 1>something that I never expected to come across when we're

0:44:44.520 --> 0:44:48.280
<v Speaker 1>talking about motion picture cameras. Yeah, I mean, it's strange

0:44:48.360 --> 0:44:51.800
<v Speaker 1>how you know that this story just I don't know.

0:44:52.080 --> 0:44:54.360
<v Speaker 1>It captivated me right from the beginning, but it's strange

0:44:54.640 --> 0:44:57.440
<v Speaker 1>the twists and turns that this story tastes all right.

0:44:57.520 --> 0:45:06.440
<v Speaker 1>Time to take a quick break, but we'll be right back. Alright,

0:45:06.480 --> 0:45:09.839
<v Speaker 1>we're back. So on the disappearance of La prince Um.

0:45:10.920 --> 0:45:13.239
<v Speaker 1>If you you you're someone who I think you've got

0:45:13.280 --> 0:45:16.239
<v Speaker 1>a good sense for for crime and and on cold

0:45:16.280 --> 0:45:18.000
<v Speaker 1>cases and all that. If you had to go with

0:45:18.120 --> 0:45:20.719
<v Speaker 1>your gut feeling, what do you think you'd say is

0:45:20.800 --> 0:45:23.040
<v Speaker 1>most likely to you, what feels most right to you,

0:45:23.239 --> 0:45:25.080
<v Speaker 1>What feels most right to me is that his brother

0:45:25.200 --> 0:45:28.600
<v Speaker 1>killed him. Yeah, yeah, And if he means having to

0:45:28.680 --> 0:45:30.880
<v Speaker 1>do with the inheritance or I do, and I think

0:45:30.960 --> 0:45:34.440
<v Speaker 1>that it's uh, Um, I think because of money is

0:45:34.480 --> 0:45:37.320
<v Speaker 1>just such a strong factor in a lot of these cases,

0:45:37.360 --> 0:45:40.280
<v Speaker 1>and especially you know when you're talking about among family

0:45:40.360 --> 0:45:43.400
<v Speaker 1>members where they're supposedly tight, but money does come between

0:45:43.480 --> 0:45:46.480
<v Speaker 1>people like that, and it's unfortunate, but it happens. And

0:45:46.719 --> 0:45:51.520
<v Speaker 1>maybe he didn't have the he didn't have the the

0:45:51.640 --> 0:45:53.759
<v Speaker 1>foresight to know that. You know, his brother would have

0:45:53.840 --> 0:45:56.480
<v Speaker 1>been so much better off. He wouldn't have been you know,

0:45:56.920 --> 0:45:59.480
<v Speaker 1>I don't know, burden, I don't know. I don't know

0:45:59.480 --> 0:46:01.359
<v Speaker 1>how better to put that. Maybe I'm saying that wrong

0:46:01.480 --> 0:46:03.440
<v Speaker 1>that you know, he wasn't really a burden. It's just

0:46:03.600 --> 0:46:06.799
<v Speaker 1>that he stood to make twice the amount of money

0:46:06.840 --> 0:46:08.800
<v Speaker 1>from the inheritance as he would if his brother was

0:46:08.840 --> 0:46:12.279
<v Speaker 1>still around. Um, he could take his share and um,

0:46:13.160 --> 0:46:16.040
<v Speaker 1>you know it's just downright greed. Yeah yeah, I mean

0:46:16.160 --> 0:46:19.319
<v Speaker 1>I but ultimately, again this is just a circumstantial hunt,

0:46:19.480 --> 0:46:22.000
<v Speaker 1>right yeah, yeah, exactly right. I mean, any of them,

0:46:22.200 --> 0:46:25.880
<v Speaker 1>any of these theories are are possible, not very likely

0:46:26.200 --> 0:46:28.600
<v Speaker 1>some of them. But but I think that the the

0:46:28.960 --> 0:46:32.120
<v Speaker 1>frighter side is probably the one that is closest to

0:46:32.320 --> 0:46:36.800
<v Speaker 1>you know, but correct. I think. Yeah, so what about

0:46:37.120 --> 0:46:38.920
<v Speaker 1>either of you and he gut feelings on on what

0:46:39.080 --> 0:46:41.600
<v Speaker 1>it might be. I mean, on one level, we I

0:46:41.640 --> 0:46:44.440
<v Speaker 1>mean we already we talked about my Bridge, who definitely

0:46:44.760 --> 0:46:48.040
<v Speaker 1>commurdered somebody. There's no question about that. Yeah. So there's

0:46:48.440 --> 0:46:50.920
<v Speaker 1>so so the idea that there there are you know,

0:46:51.000 --> 0:46:53.799
<v Speaker 1>there there might be a murder in a photographic motion

0:46:53.880 --> 0:46:57.560
<v Speaker 1>picture history. You know, I'm I'm already on board with

0:46:57.640 --> 0:47:00.960
<v Speaker 1>that reality. Um, I guess. I mean I like your

0:47:01.040 --> 0:47:03.120
<v Speaker 1>argument though, I mean, when you come down to, like,

0:47:03.440 --> 0:47:07.719
<v Speaker 1>what are the reasons that homicides are committed? Uh, you know,

0:47:07.840 --> 0:47:09.920
<v Speaker 1>generally it's going to be some sort of you know,

0:47:10.200 --> 0:47:13.680
<v Speaker 1>a family connection or you know, somebody the victim knew,

0:47:14.200 --> 0:47:17.400
<v Speaker 1>uh not some shadowy organization that was plotting against them.

0:47:17.880 --> 0:47:22.000
<v Speaker 1>So it seems like that that that and Also it

0:47:23.400 --> 0:47:25.840
<v Speaker 1>removes the whole mystery of where how do they disappear

0:47:25.880 --> 0:47:28.200
<v Speaker 1>on the train? Uh? You know? And if he if he,

0:47:28.400 --> 0:47:30.040
<v Speaker 1>you know, jumped to his death, why did he take

0:47:30.080 --> 0:47:31.719
<v Speaker 1>his luggage with him? And then why was that body

0:47:31.800 --> 0:47:34.440
<v Speaker 1>and or that luggage never found? So h yeah, I

0:47:35.360 --> 0:47:37.560
<v Speaker 1>like your argument on this. Okay, alright, fair enough? What

0:47:37.640 --> 0:47:40.480
<v Speaker 1>about you, jel, I don't know. I'm not good at

0:47:40.560 --> 0:47:44.359
<v Speaker 1>things like this. I I think sometimes of what people say,

0:47:44.600 --> 0:47:46.879
<v Speaker 1>and I know I don't want to malign you guys

0:47:46.920 --> 0:47:49.440
<v Speaker 1>because I asked the question, but I think of what

0:47:49.719 --> 0:47:52.360
<v Speaker 1>One time, somebody asked Carl Sagan, uh, you know, do

0:47:52.560 --> 0:47:54.840
<v Speaker 1>you think there are aliens out there? Or something like that?

0:47:54.920 --> 0:47:56.839
<v Speaker 1>And he said, I don't know, And they said, well,

0:47:56.880 --> 0:47:58.719
<v Speaker 1>what's your gut feeling? And he said, I try not

0:47:58.880 --> 0:48:01.920
<v Speaker 1>to think with my gut. Um, So I don't know.

0:48:02.040 --> 0:48:04.719
<v Speaker 1>I mean, I may have gut feelings, but I feel

0:48:04.760 --> 0:48:07.239
<v Speaker 1>like maybe it's better or not to say them. Uh.

0:48:08.200 --> 0:48:10.520
<v Speaker 1>I guess I probably have a gut feeling that agrees

0:48:10.560 --> 0:48:13.279
<v Speaker 1>with you. Maybe I tend to think. You know, it's

0:48:13.400 --> 0:48:16.400
<v Speaker 1>when people are pointing outside of the inner circle, it

0:48:16.600 --> 0:48:19.239
<v Speaker 1>very often is something inside the inner circle. And then

0:48:19.280 --> 0:48:23.160
<v Speaker 1>again you know, a random crime could have possibly explained it.

0:48:23.800 --> 0:48:27.160
<v Speaker 1>I'm not very convinced by the by the Edison thing. Yeah,

0:48:27.600 --> 0:48:30.920
<v Speaker 1>I think I think like the Parisian argument, Yeah, that

0:48:31.040 --> 0:48:33.320
<v Speaker 1>that also is kind of convincing, the idea that like,

0:48:33.360 --> 0:48:35.600
<v Speaker 1>all right, maybe made it to Paris and they're just

0:48:36.080 --> 0:48:38.040
<v Speaker 1>people didn't notice him on the train. And then once

0:48:38.080 --> 0:48:40.320
<v Speaker 1>he gets to Paris, there's you know, any number of

0:48:40.719 --> 0:48:43.600
<v Speaker 1>ways that he could have met his untimely a robbery

0:48:43.719 --> 0:48:46.280
<v Speaker 1>murder which then resulted in the corpse that they found

0:48:46.360 --> 0:48:48.840
<v Speaker 1>in the river. That I see. That's I don't know

0:48:48.880 --> 0:48:51.319
<v Speaker 1>why he wouldn't have been discovered at that point. Why

0:48:51.880 --> 0:48:54.480
<v Speaker 1>you know, um, I think you wouldn't. They even like

0:48:54.600 --> 0:48:57.400
<v Speaker 1>publish photos of people that were drowning victims that you know,

0:48:57.560 --> 0:49:00.919
<v Speaker 1>the unidentified bodies, so that people where they could place

0:49:01.000 --> 0:49:04.759
<v Speaker 1>them on view in some of the morgues there in town.

0:49:04.800 --> 0:49:08.400
<v Speaker 1>I know, um, because drowning was such a common thing

0:49:08.480 --> 0:49:10.200
<v Speaker 1>and these unknowns, they wanted to figure out who they

0:49:10.239 --> 0:49:13.120
<v Speaker 1>were and you know, where they came from. At least

0:49:13.120 --> 0:49:15.600
<v Speaker 1>get them a proper burial, you know, allow their family

0:49:15.680 --> 0:49:17.480
<v Speaker 1>to take the remains and you know, do with them

0:49:17.480 --> 0:49:19.440
<v Speaker 1>what they want. But um, I don't know. It just

0:49:19.480 --> 0:49:23.120
<v Speaker 1>seems like it's it's a very possible scenario that yeah,

0:49:23.120 --> 0:49:24.880
<v Speaker 1>he didn't make it to Paris, and yeah he did

0:49:26.080 --> 0:49:29.120
<v Speaker 1>get off by some you know, cab driver. It's it's

0:49:29.160 --> 0:49:32.160
<v Speaker 1>like the least cinematic theory, to which I feel like

0:49:32.200 --> 0:49:34.319
<v Speaker 1>it's often like a way to try and judge the past,

0:49:34.360 --> 0:49:37.759
<v Speaker 1>like which which is the least interesting story? Um, then

0:49:38.120 --> 0:49:39.839
<v Speaker 1>you know that there's a chance that that's the way

0:49:39.920 --> 0:49:42.839
<v Speaker 1>to go. Sure, yeah, that's a very good point. If

0:49:42.880 --> 0:49:45.320
<v Speaker 1>it makes a good story, you should be inherently skeptical,

0:49:46.840 --> 0:49:48.840
<v Speaker 1>all right, But I mean the bottom line is is

0:49:49.080 --> 0:49:52.000
<v Speaker 1>we don't know. We probably will never know. Um. So

0:49:52.480 --> 0:49:54.360
<v Speaker 1>you know, obviously, listeners out there, you may have some

0:49:54.480 --> 0:49:56.239
<v Speaker 1>some theories you want to chime in, You want to

0:49:56.280 --> 0:50:00.640
<v Speaker 1>share your uh, your solution to this mystery. Well, here's

0:50:00.640 --> 0:50:02.400
<v Speaker 1>one thing I will say if you if you're one

0:50:02.440 --> 0:50:04.320
<v Speaker 1>of those people who likes to stick it to Edison,

0:50:04.400 --> 0:50:07.719
<v Speaker 1>and I can sympathize, I understand sticking it to Edison. Um,

0:50:08.360 --> 0:50:10.839
<v Speaker 1>you don't have to resort to saying I think he's

0:50:10.880 --> 0:50:14.880
<v Speaker 1>a murderer based on no physical evidence whatsoever, or you know,

0:50:16.080 --> 0:50:18.880
<v Speaker 1>or referring to like a fictional story about about a

0:50:18.960 --> 0:50:22.720
<v Speaker 1>diary entry. But you can say he didn't get there first.

0:50:23.280 --> 0:50:25.600
<v Speaker 1>In fact, he didn't get there first in multiple ways,

0:50:25.800 --> 0:50:29.560
<v Speaker 1>like la Prince had the movie camera before Edison definitely,

0:50:29.920 --> 0:50:33.440
<v Speaker 1>and even Edison's own kinetograph and kinetoscope. You know, it

0:50:33.560 --> 0:50:35.680
<v Speaker 1>looks like the heavy lifting was done by Dixon, not

0:50:35.760 --> 0:50:37.640
<v Speaker 1>by the Edison. Yeah. At this point we're just arguing

0:50:37.719 --> 0:50:39.960
<v Speaker 1>over when the patent was filed. Yeah, I mean that's

0:50:39.960 --> 0:50:41.400
<v Speaker 1>all it really comes down to, and that and that,

0:50:41.880 --> 0:50:44.200
<v Speaker 1>you know, then it begets the money, right, I mean,

0:50:44.239 --> 0:50:46.680
<v Speaker 1>that's the whole goal behind all of this really. For them,

0:50:46.800 --> 0:50:49.040
<v Speaker 1>it was that, you know, I think maybe la Prince

0:50:49.120 --> 0:50:51.120
<v Speaker 1>had more of an altruistic view of this that you know,

0:50:51.200 --> 0:50:53.880
<v Speaker 1>he just simply wanted to make make it better, make

0:50:53.960 --> 0:50:57.560
<v Speaker 1>photography better by bringing motion to the screen in front

0:50:57.560 --> 0:51:01.600
<v Speaker 1>of people. And maybe Edison I think was more money driven. Yeah,

0:51:01.600 --> 0:51:03.600
<v Speaker 1>I think that's the way it comes down, and fame

0:51:03.680 --> 0:51:06.480
<v Speaker 1>and credit driven. Yeah exactly right now. Um, you know,

0:51:06.520 --> 0:51:07.960
<v Speaker 1>of course that would have been great if that had

0:51:08.000 --> 0:51:10.719
<v Speaker 1>come for the Prince as well, but it never did. Well,

0:51:10.800 --> 0:51:16.360
<v Speaker 1>maybe it will now maybe posthumously, right, Yeah, Well, I

0:51:16.400 --> 0:51:18.520
<v Speaker 1>don't gosh, I wonder how much how much of the

0:51:18.560 --> 0:51:21.560
<v Speaker 1>family still exists, you know, are there any princes out

0:51:21.560 --> 0:51:24.360
<v Speaker 1>there still that that might benefit from something like that,

0:51:25.640 --> 0:51:27.600
<v Speaker 1>or how how would they even benefit from something like that?

0:51:28.040 --> 0:51:32.080
<v Speaker 1>Every film now made must give fifty of profits to

0:51:32.200 --> 0:51:34.799
<v Speaker 1>his family. Yeah, they could charge per minute, right, Yeah,

0:51:36.400 --> 0:51:41.000
<v Speaker 1>and I'm exorbitan and cost I'm sure you alright, Scott, Well,

0:51:41.080 --> 0:51:45.520
<v Speaker 1>thanks for coming on the show here to murder my Well,

0:51:45.520 --> 0:51:48.320
<v Speaker 1>I hope I didn't leave you with more questions and answers.

0:51:49.000 --> 0:51:53.600
<v Speaker 1>But but that's not your fault. That's what history does. Yeah,

0:51:53.640 --> 0:51:56.200
<v Speaker 1>I guess. So we're at least kind of reopening the

0:51:56.239 --> 0:51:58.440
<v Speaker 1>books on this one and letting people know what happened.

0:51:58.480 --> 0:52:01.040
<v Speaker 1>And um, I don't know. I like when you can

0:52:01.160 --> 0:52:03.400
<v Speaker 1>kind of spark someone's interest in something and get them

0:52:03.480 --> 0:52:05.360
<v Speaker 1>to search on their own and maybe kind of you know,

0:52:05.440 --> 0:52:07.840
<v Speaker 1>figure out alternate theories or you know, chime in with

0:52:07.960 --> 0:52:09.960
<v Speaker 1>what they think may have happened. That's that's always fun

0:52:10.000 --> 0:52:12.760
<v Speaker 1>for me. Yeah, certainly everybody loves a good murder mystery.

0:52:12.880 --> 0:52:14.920
<v Speaker 1>So if if we have, if this has helped make

0:52:15.600 --> 0:52:18.880
<v Speaker 1>the history of the motion picture more engaging for podcast

0:52:19.000 --> 0:52:21.719
<v Speaker 1>listeners than that, I'm in favor of great I hope

0:52:21.719 --> 0:52:23.320
<v Speaker 1>I hope it has. I hope it has. And and

0:52:23.440 --> 0:52:25.480
<v Speaker 1>thank you again for inviting me here. I really appreciate

0:52:25.560 --> 0:52:27.480
<v Speaker 1>the offer. And uh I'd love to sit in with

0:52:27.560 --> 0:52:30.200
<v Speaker 1>you anytime. Absolutely, thanks so much for coming. So it's

0:52:30.239 --> 0:52:32.680
<v Speaker 1>been fun. All right, Well, there you have it. Thanks

0:52:32.840 --> 0:52:35.520
<v Speaker 1>once more to Scott Benjman for taking time out of

0:52:35.600 --> 0:52:37.400
<v Speaker 1>his day, out of his research to join us on

0:52:37.440 --> 0:52:41.120
<v Speaker 1>the show to discuss a little invention and indeed a

0:52:41.239 --> 0:52:46.360
<v Speaker 1>little um potential murder, potential murder, potential suicide, potential runaway

0:52:46.360 --> 0:52:48.680
<v Speaker 1>and hide in Chicago potential. Were there any others do

0:52:48.760 --> 0:52:50.960
<v Speaker 1>we have? Like a beast morph situation and it was

0:52:51.040 --> 0:52:53.600
<v Speaker 1>potential hidden away by the family, And we didn't even

0:52:53.600 --> 0:52:56.080
<v Speaker 1>get into like any just crazy speculator. We didn't get

0:52:56.080 --> 0:53:02.080
<v Speaker 1>ato aliens, no abductions, no right off became Sasquat or Langoliers.

0:53:02.280 --> 0:53:04.399
<v Speaker 1>I mean, is it possible for Lango leers on a train?

0:53:04.760 --> 0:53:07.239
<v Speaker 1>You don't need an aviation technology for that to happen.

0:53:07.440 --> 0:53:11.000
<v Speaker 1>I don't know, but uh at anyway, we cover the

0:53:11.320 --> 0:53:16.279
<v Speaker 1>realistic ideas. That was the Jules Verne Novelt. Yeah, length

0:53:16.440 --> 0:53:20.440
<v Speaker 1>Langoliers on a train? Alright? Uh? Thanks again to Scott

0:53:20.480 --> 0:53:23.600
<v Speaker 1>coming on the show, and yeah, I think this this

0:53:23.760 --> 0:53:25.640
<v Speaker 1>is wrap it up for motion pictures or there gonna

0:53:25.640 --> 0:53:27.719
<v Speaker 1>be more motion picture episodes. I think we got one

0:53:27.760 --> 0:53:30.120
<v Speaker 1>more motion picture episode in us. All right, all right,

0:53:30.160 --> 0:53:32.880
<v Speaker 1>we'll stay tuned for that, stay tuned for future inventions.

0:53:32.920 --> 0:53:38.319
<v Speaker 1>We have some non photographic cinema cinematography episodes coming up.

0:53:38.760 --> 0:53:41.160
<v Speaker 1>Uh that are that are in the works. We've been

0:53:41.280 --> 0:53:44.040
<v Speaker 1>on the photographic history train and who knows if we'll

0:53:44.080 --> 0:53:47.200
<v Speaker 1>ever get off. Yes, we'll reach the destination. We will

0:53:47.239 --> 0:53:50.120
<v Speaker 1>reach the destination. In the meantime, if you want to

0:53:50.360 --> 0:53:52.520
<v Speaker 1>listen to other episodes of Invention, check out what the

0:53:52.560 --> 0:53:55.399
<v Speaker 1>shows all about. Head on over to invention pod dot com.

0:53:55.680 --> 0:53:58.320
<v Speaker 1>That's the website. That's where you'll find all these episodes.

0:53:58.800 --> 0:54:02.480
<v Speaker 1>But you can also find us anywhere you find a podcast.

0:54:02.560 --> 0:54:06.160
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0:54:06.160 --> 0:54:08.120
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0:54:08.160 --> 0:54:11.080
<v Speaker 1>whole bunch of stars, say nice things about it about us.

0:54:11.120 --> 0:54:12.560
<v Speaker 1>That's the best thing we can do to support the

0:54:12.600 --> 0:54:16.240
<v Speaker 1>show and help us moving forward. Huge thanks as always

0:54:16.280 --> 0:54:19.719
<v Speaker 1>to our excellent audio producer, Try Harrison. We've already thanked

0:54:19.719 --> 0:54:21.600
<v Speaker 1>Scott A bunch of times on this one. If you

0:54:21.640 --> 0:54:23.520
<v Speaker 1>would like to get in touch with us directly to

0:54:23.640 --> 0:54:25.920
<v Speaker 1>let us know feedback on this episode or any other,

0:54:26.200 --> 0:54:28.279
<v Speaker 1>to suggest a topic for the future, or just to

0:54:28.320 --> 0:54:31.960
<v Speaker 1>say hello, you can email us at contact at invention

0:54:32.120 --> 0:54:40.200
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0:54:40.560 --> 0:54:42.600
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